For a city with such a huge Greek population, Melbourne has a woefully small Greek restaurant scene — especially when you look around and see so many Italian, Chinese, French and Japanese diners across the city. But thankfully, Melbourne just scored a new Greek restaurant down in South Yarra thanks to hospo veteran Nik Pouloupatis (Grossi Florentino, Attica, Vue de Monde). He's worked in the industry for a good 35 years, but is only now striking out on his own by opening Astoria Bar Kè Grill in the former Shadowboxer venue on Toorak Road. If you're familiar with Shadowboxer, you'll see that the space's design has not changed much. The Victorian terrace house got a good lick of paint and new furniture, and that's about it. Most importantly, the front terrace remains, which is best for chill sip-and-snack sessions or long lunches in the sun. And what will you be feasting on? Here, classic Greek fare gets a contemporary twist — without straying too far from tradition. You'll tuck into familiar small dishes like house-made spanakopita, zucchini fritters with tzatziki, pan-seared saganaki, prawns with oven-baked tomatoes and feta, and pickled Freemantle octopus. Then you've got the mains, which are really easy to share. Get around a seared snapper with asparagus, mussels and avgolemono, the youvetsi (a lamb stew with kritharaki), and a vegetarian Moussaka. Greek and Aussie wines and beers are up for grabs as well, plus all your usual cocktails and mocktails. There aren't too many surprises here — just good Greek eats in a laidback setting. You don't need more than that.
Losing a live music venue in your city is always sad. With it goes a platform for art, a source of revenue for local musicians and nights out watching your favourite bands. That seemed to be the case when Melbourne music venue The Spotted Mallard closed down last year. Fortunately, the spirit of The Spotted Mallard lives on with the space transformed into not one, but two new venues. Downstairs at 314–316 Sydney Road, Brunswick, the Brunswick Artists' Bar has been open since late 2020, serving drinks and showcasing artwork and acoustic sets from local musos. Now, the picturesque upstairs concert hall has been refurbished and reimagined as the Brunswick Ballroom. The space takes inspiration from the 1990s Melbourne spot The Continental Cafe, with stunning stained glass domes embedded in the ceiling and a balcony with views of the Melbourne city skyline. [caption id="attachment_802255" align="alignnone" width="1920"] Nicole Cleary[/caption] Brunswick Ballroom opened its doors in late February with an eclectic lineup of artists set to take stage over the next few months. Rising local musicians D'Arcy Spiller and Girlatones will perform during the ballroom's opening month as part of the Brunswick Music Festival (March 6–11) and Aussie comedians, including Tripod and 'Southern Hemisphere's best fake genuine Russian folk choir' Dustyesky, will take to the stage as part of this year's Melbourne International Comedy Festival (March 24–April 18) lineup. Dinner and a show is encouraged, with a menu that spans far beyond your typical pre-gig snack. Mains including slow-roasted beef brisket and grilled cauliflower steak will be on offer alongside pretzels, vegan buffalo wings, grilled saganaki and a variety of club sandwiches. The Brunswick Ballroom is the venue's latest iteration of the building, which has a history stretching back to the 60s. It has previously been a hat factory, a nightclub, a wedding reception centre and a French restaurant, before it was transformed into The Spotted Mallard in 2012. Find Brunswick Ballroom and Brunswick Artists' Bar is located at 314–316 Sydney Road, Brunswick. For more information and to book tickets, head to brunswickballroom.com.au. Images: Nicole Cleary
Instragram has launched their first official account dedicated to music and musicians. The new, internally-run @music account will post on a variety of music-related content, and feature profiles of emerging and established musicians from all around the world. The move marks an interesting new direction for the photo-sharing service, which for the first time appears to be actively cultivating a community based on the specific interests of its users. Operated by Instagram music editor Alex Suskind, the newly-minted account will post six times a week, with content divided between a series of designated hashtags. #LocallySourced will shine the spotlight on unsigned acts, #DoubleTrack will cover musician’s interests outside of music, and #15SecondLessons will feature video tutorials on "everything from riffs to drumbeats". Posts so far include brief interviews with social media-fiend DJ Questlove and up-and-coming Japanese rock band Tricot. The account will also feature the work of music photographers, album illustrators, instrument makers and fans. An official music account does seem like a good fit for the service, with many of its most popular accounts belonging to famous musicians. According to a statement by Instagram founder and CEO Kevin Systrom, "For the past four years, we have become the home for artists big and small — a place where people across the musical spectrum come to share stories, reveal their creativity and connect directly with fans." Assuming the account is successful — and 27,000 followers in less than a day suggests that it might be — it could potentially open the door for a whole range of official channels covering things like food, movies, fashion and of course, cat photos. It also seems like a smart way for the service to attract targeted advertising — although according to coverage at TechCrunch, there are currently no plans to include ads in the @music account.
When you're a mask-wearing superhero, you've made an active choice. Everyone's favourite friendly neighbourhood Spider-Man wanted to keep his web-slinging identity a secret, for instance, which is why he started covering up his face long before the entire world began doing the same during the pandemic. But, in Spider-Man: Far From Home, that decision was taken out of Peter Parker's hands — leaving the Tom Holland (Chaos Walking)-starring, Marvel Cinematic Universe version of the character exposed to the world. Set to arrive two-and-a-half years after that big — and literal — revelation, Spider-Man: No Way Home will pick up with Parker struggling to deal with the fact that everyone now knows who he is, and that he can't now just be an ordinary high schooler when he's not acting the hero. So, as the just-dropped first trailer for the new film shows, he calls in some help. Cue Doctor Strange (Benedict Cumberbatch, The Courier), a time- and space-twisting spell, and the beginnings of some multiverse chaos. Wong (Benedict Wong, Nine Days) is also on-hand to warn against messing with the status quo, but obviously if that advice was followed, the movie wouldn't have a plot. Two important things to remember: one, the MCU will keep spinning its interconnected web forever (or so it seems); and two, in March 2022, a little film called Doctor Strange in the Multiverse of Madness is set to drop. It's the next movie in the franchise after No Way Home hits on Boxing Day Down Under, in fact, so expect the two to link closely together. Also popping up in the No Way Home trailer: Zendaya (Space Jam: A New Legacy), Marisa Tomei (The King of Staten Island) and Jacob Batalon (Let It Snow). Behind the lens, Jon Watts returns after previously helming both Spider-Man: Homecoming and Spider-Man: Far From Home as well. And, there's another familiar face that'll make you think not just about this current iteration of Spidey, but also of past versions that've graced the big screen over the years — because that's what tinkering with the multiverse is all about. No Way Home isn't as likely to get as playful as the phenomenal animated Spider-Man: Into the Spider-Verse, though, if that's what's just popped into your head. In a nice piece of symmetry, when Doctor Strange in the Multiverse of Madness does hit cinemas next year, it'll be directed by Sam Raimi — who also directed the Tobey Maguire-starring Spider-Man movies in 2002, 2003 and 2007. Check out the No Way Home trailer below: Spider-Man: No Way Home opens in Australian cinemas on December 26.
Somewhere at the intersection of old-school and new-school Chinese lies Flinders Lane newcomer Tian38, the latest venture from Nic Soon (Sydney's Ms. G's) and Masterchef's Kha Nguyen (Jamu Dining). The stylish space pays homage to the traditional, while wholeheartedly embracing the contemporary, sporting a assembly of neon, fish tanks and luxurious banquette seating courtesy of Elvin Tan Designs. Sticking to a similar approach, the menu offering is considered with a touch of playfulness, starring creations like a prawn toast-inspired sando stuffed with minced prawn, black tobiko and citrus mayo ($12), and a flavour-packed Hainan chicken rice ($32/$52). Cheesy jaffles loaded with chilli crab are destined for cult status ($15), while traditionalists are sure to lap up classics like the signature laksa (from $17), dan dan noodles ($16) and peking duck ($39/$69). There's an express lunch menu and a solid choice of banquet options, though weekends were made for Tian38's boozy yum cha brunch. This one's just $69 a head (or $49 sans drinks) for 90 minutes of free-flowing yum cha plates, espresso martinis, mandarin mimosas and rosé, on offer from 11.30am–3pm Saturdays. Created by Diageo World Class Top 100 bartender Kane Clayfield, the drinks list is packed with gems of its own, reworking classic cocktails with an Asian-inspired twist. Team those dumplings with the likes of a lychee-infused Maotini ($18), or the Tian Sling: a blend of chilli and shiitake vodka, Grand Marnier, pineapple and bitters ($18). Images: H. Trumble
On the long list of things that were bound to happen after the success of Stranger Things, seeing Dungeons & Dragons roll back into cinemas has always been right at the top. The role-playing game has already sparked three movies, with the first dating back to 2000 — but none of them starred Chris Pine, Rege-Jean Page, Michelle Rodriguez and Hugh Grant (or were well-received, whether they hit the silver screen or went straight to home entertainment). Another D&D film has been in the works in some shape or form since before the world saw a bunch of kids in Hawkins, Indiana play the game, unsurprisingly. Thanks to the success of Game of Thrones, fantasy epics have become a huge Hollywood cash cow (see also: the return of The Lord of the Rings as a streaming series later this year). Whether the new D&D will become one of the genres hits or misses is clearly yet to be seen — Dungeons & Dragons: Honor Among Thieves doesn't reach cinemas until March 2023 — but the just-dropped first trailer certainly looks like it's aiming to start a franchise. Released to coincide with San Diego Comic-Con, which is currently on now, the initial glimpse at Dungeons & Dragons: Honor Among Thieves introduces its motley crew of characters. "Here's the thing, we're a team of thieves," Pine (All the Old Knives) explains, if the title wasn't already obvious enough. This crew, which spans Page (The Gray Man), Rodriguez (Fast & Furious 9), Justice Smith (Jurassic World Dominion) and Sophie Lillis (IT and IT: Chapter Two), too, "helped the wrong person steal the wrong thing". Cue the greatest evil the world has ever known, unleashed unwittingly, which this band of thieves now endeavours to stop. Dragons pop up, of course. So do dungeons, to the astonishment of no one. Other fantastical animals, fights, flaming swords, fireballs: they're all included as well, as are Grant (The Undoing), fellow cast members Chloe Coleman (Marry Me) and Daisy Head (Wrong Turn), and Led Zeppelin's 'Whole Lotta Love'. Behind the camera, Jonathan Goldstein and John Francis Daley (Game Night) are in the directors' chairs, and co-wrote the screenplay with Michael Gilio. And yes, films based on Hasbro properties don't have the best record — the Transformers series, the GI Joe flicks, Battleship, Power Rangers — but if you're a D&D devotee, you'll be hoping this one changes that. Check out the trailer below: Dungeons & Dragons: Honour Among Thieves opens in cinemas Down Under on March 2, 2023.
It was one of the biggest celebrity scandals of the 90s, and it's now heading back to screens. When a sex tape featuring Baywatch star Pamela Anderson and her then-husband Tommy Lee was stolen from their home in 1995, then leaked online, it fuelled tabloid headlines (and internet downloads) for years and years. Now, the whole saga has been turned into a drama called Pam & Tommy — starring Lily James (The Pursuit of Love) as Anderson and Sebastian Stan (The Falcon and the Winter Soldier) as the Mötley Crüe drummer. Even better: streaming platform Disney+ is bringing the eight-part show Down Under in February and, after dropping the first teaser for the series in 2021, it has just unveiled the full Pam & Tommy trailer. James obviously dons the red swimsuit that Anderson was so famous for wearing for 76 episodes of everyone's favourite 90s lifeguard drama, because you really couldn't make a series about her without it. Also, given that the focus is squarely on the couple's intimate recording, how it became public, and the impact it had on Anderson and Lee, things clearly get chaotic rather quickly. In both sneak peeks so far, a mullet-wearing duo played by Seth Rogen (An American Pickle) and Nick Offerman (Devs) can't quite believe what they've stumbled across. That's the main focus of the first trailer, alongside Anderson and Lee's reaction when the tape makes its way out into the world — and the second trailer goes big on the latter. Pam & Tommy's stars firmly look the part — calling James' appearance a transformation definitely fits — and the trailer sports an expectedly hectic vibe. Australian-born director Craig Gillespie has jumped into larger-than-life true tales before with I, Tonya, so he's in somewhat familiar territory. He also keeps being drawn to decades gone by: the 90s here and in I, Tonya, the 80s in aerobics-focused dark comedy series Physical, and the 70s in 2021's live-action Cruella as well. Disney+ will start streaming Pam & Tommy in Australia and New Zealand from Wednesday, February 2, dropping the first three episodes on that date and then streaming the rest week-to-week afterwards. Yes, there's something to add to your 2022 must-see TV list. Check out the full Pam & Tommy trailer below: Pam & Tommy will start screening via Disney+ Down Under from Wednesday, February 2.
Melburnians will have another excuse to hit the water this summer when GoBoat splashes into town. The Denmark-born company has been busy launching its eco-friendly picnic boats in cities all over Europe and, come January, it's set to make its Melbourne debut, giving punters a fun new way to cruise the Yarra. Aimed at making the whole boating caper more accessible for everyday folk, the Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for some fun, fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your post-holiday budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will cost you less than $15 per person, per hour. That's $109 hourly in total. A fleet of four Melbourne GoBoats will be setting sail out of Docklands from early January, with six more vessels to come. Oh, and did we mention they're pet-friendly? Surely you've got a very good boy who deserves a river jaunt this summer. GoBoat is slated to launch in January, 2019. We'll update you as soon as it has. Images: Lean Timms.
When Heartbreak High returned in 2022, the Sydney-set series benefited from a fact that's helped Degrassi, Beverly Hills, 90210, Saved by the Bell and Gossip Girl all make comebacks, too: years pass, trends come and go, but teen awkwardness and chaos is eternal. In its second season, Netflix's revival of an Australian favourite that first aired between 1994–99 embraces the same idea. It's a new term at Hartley High, one that'll culminate in the rite of passage that is the Year 11 formal. Amerie (Ayesha Madon, Love Me) might be certain that she can change after the events of season one — doing so is her entire platform for running for school captain — but waiting for adulthood to start never stops being a whirlwind. Streaming from Thursday, April 11 and proving as easy to binge as its predecessor, Heartbreak High 2.0's eight-episode second season reassembles the bulk of the gang that audiences were initially introduced to two years ago. Moving forward, onwards and upwards is everyone's planned path — en route to that dance, which gives the new batch of instalments its flashforward opening. The evening brings fire, literally. Among the regular crew, a few faces are missing in the aftermath. The show then rewinds to two months earlier, to post-holiday reunions, old worries resurfacing, new faces making an appearance and, giving the season a whodunnit spin as well, to a mystery figure taunting and publicly shaming Amerie. The latter begins their reign of terror with a dead animal; Bird Psycho is soon the unknown culprit's nickname. Leaders, creepers, slipping between the sheets: that's Heartbreak High's second streaming go-around in a nutshell. The battle to rule the school is a three-person race, pitting Amerie against Sasha (Gemma Chua-Tran, Mustangs FC) and Spider (Bryn Chapman Parish, Mr Inbetween) — one as progressive as Hartley, which already earns that label heartily, can get; the other season one's poster boy for jerkiness, toxicity and entitlement. Heightening the electoral showdown is a curriculum clash, with the SLT class introduced by Jojo Obah (Chika Ikogwe, The Tourist) last term as a mandatory response to the grade's behaviour questioned by Head of PE Timothy Voss (Angus Sampson, Bump). A new faculty member for the show, he's anti-everything that he deems a threat to traditional notions of masculinity. In Spider, Ant (Brodie Townsend, Significant Others) and others, he quickly has followers. Their name, even adorning t-shirts: CUMLORDS. Only on Heartbreak High — or on Sex Education, which it continues to resemble — can a faceoff between SLTs (aka sluts) and CUMLORDS fuel a season-long narrative. For Bird Psycho's campaign against Amerie, the warring factions also provide a handy backdrop, as well as a distraction that has most of the school looking the other way. But Quinni (Chloe Hayden, Spooky Files), who is running for vice captain, is determined to work out who's masterminding the vehement vendetta. Almost everyone is a suspect, especially after an attack comes during the grade's annual camp — well, nearly everyone among the dozen-ish Hartley students that earn the series' focus. The season's romantic threads also push Amerie to the fore, rekindling her romance with last term's newcomer Malakai (Thomas Weatherall, RFDS) until Dubbo export Rowan (Sam Rechner, The Fabelmans), the latest arrival, gets a love triangle burning. Darren (James Majoos) and Ca$h's (Will McDonald, Blaze) relationship has roadblocks to overcome, such as jail and libidos at vastly different speeds. Missy (Sherry-Lee Watson), Sasha's ex, finds herself attracted to someone that she'd never expect. Zoe (Kartanya Maynard, Deadloch), another of season two's additions, spearheads a Puriteen movement that advocates celibacy. As she pieces her life back together after grappling with some of the show's heaviest past storylines, Amerie's best friend Harper (Asher Yasbincek, How to Please a Woman) now has Ant pining over her. Hartley's principal Woodsy (Rachel House, Our Flag Means Death), plus Ca$h's nan (Maggie Dence, The Lost Flowers of Alice Hart) and criminal pal Chook (Tom Wilson, Last King of the Cross), round out the season's key players, on a character list that's as jam-packed as the antics filling the series' frames. Heartbreak High is in its lean-in era, where nothing is off the table. Drug-induced declarations, sex in school stairwells, pregnancy and abortion storylines, surprise redemptions, stalkers, childhood traumas, moving out of home, the utter cartoonishness of Voss (who dubs the school a "woke snowflake nightmare", and is the least successful element in the new episodes), busting out the Nutbush: they're all included, as is dancing from OTT to earnest and silly to serious. For creator Hannah Carroll Chapman (The Heights), who is behind the show's 2020s comeback — and also for her writers (Paper Dolls' Marieke Hardy, Sara Khan and Thomas Wilson-White; Safe Home's Jean Tong; Totally Completely Fine's Keir Wilkins; and The Heights' Megan Palinkas) and directors (Seriously Red's Gracie Otto, Mother and Son's Neil Sharma, and Why Are You Like This duo Jessie Oldfield and Adam Murfet) this time around — there's meaning in the season's tonal rollercoaster. Whether skewing light or heavy, entertainingly riffing on Rage or charting the constant quest to work our who you are that everyone endures in their teen years, or bringing Euphoria or the OG Heartbreak High to mind, all of the series' pinballing around explores a formative time when everything keeps seesawing and swinging by intentionally mirroring it. As was true during its debut Netflix stint to awards, acclaim and worldwide viewership, not to mention three decades back when 1993 movie The Heartbreak Kid sparked Heartbreak High to begin with, an excellent cast can ride every up and down that the show throws their characters' ways. Weatherall, Yasbincek and McDonald continue their thoughtful and layered portrayals of Malakai, Harper and Ca$h from 2022. Watson and Chapman Parish benefit from meatier storylines and deeper dives into Missy and Spider. Madon, Majoos and Hayden give Amerie, Darren and Quinni walk-right-off-the-screen energy. Rechner makes a meaningful imprint as Rowan, who is never a one-note enigmatic outsider. Investing in them, just like bingeing Heartbreak High season two, is always something that secondary schooling never is no matter what decade you're hitting the books, then the parties: easy. Check out the trailer for Heartbreak High's second season below: Heartbreak High season two streams via Netflix from Thursday, April 11, 2024. Read our review of season one. Images: Netflix.
Hawker-style specialist Bang Bang is opening a third Melbourne location, bringing its vibrant brand of pan-Asian cuisine to St Kilda. Occupying a prime Fitzroy Street position, an array of street foods inspired by culinary cultures across Southeast Asia, Japan, Korea and India make satisfying your cravings an easy and tantalising prospect. Spanning small plates, shareable mains and a much-loved cocktail list, expect bustling crowds piling into this new spot. With enough space for 60 guests, Bang Bang St Kilda will feature table and booth seating perfect for big groups down to those flying solo. Meanwhile, there's comfortable seating at the bar for diners who love to watch the chefs whipping up a feast in the kitchen. And for the first time at Bang Bang, the restaurant will feature a private dining room so you can celebrate a momentous occasion in aromatic bliss. The St Kilda outpost will feature the Bang Bang signature dishes you know and love. From small plates like crispy fried Sichuan eggplant and chicken tikka masala roti wrap to 12-hour beef brisket gua bao, plus larger dishes like twice-cooked pork belly, curating a jam-packed feast is never a problem. Throw in other must-tries like Mooloolaba king prawns, sticky Shanghai pork belly and Fremantle octopus and you'll be sufficiently satiated for hours to come. For those who want to leave their decisions to the experts, Bang Bang St Kilda will also offer three Feed Me options. Across small, classic and ultimate menus, each level steps up from a host of tasty small plates, to a selection of favourite dishes, to an even bigger spread that adds oysters, a cocktail for each guest and a dessert. So, striking the perfect option for your hunger level is made simple. For yum cha fanatics, Bang Bang is bound to impress. Gather your friends, family or colleagues, as guests dine on 10 yum cha bites and a Saint Felix spiced lemonade cocktail. Perfect for an overdue catch-up, expect a diverse mix of flavours and textures. Finally, the Bang Bang Hour happens weekdays from 5–6pm, with $2 oysters, $15 rotating cocktail specials and a $35 raw tasting plate adorned with kingfish sashimi, Atlantic salmon, beef tataki and more. Joining Bang Bang's other locations in Mordialloc and Hampton, this new addition to the southeast means getting your pals together is easier than ever. And with this spot just a short stroll from the beach, it's a stellar option for extending the laid-back vibes into your next meal. Bang Bang St Kilda is located at 2/157 Fitzroy Street, St Kilda. Head to the website for more information.
Ninety years is an impressive milestone. To get that far, something's got to be built to last, withstanding everything from war to the whims of fashion. True icons need staying power to endure and earn their place in the hearts and lives of generations of Australians. In 2022, we're celebrating three golden oldies that are hitting this milestone and continue to shape important cultural slices of Australia, from influencing fashion to defining our identity and becoming an integral part of everyday life. At just shy of a century, these Australian icons are still going strong — and, frankly, it's hard to imagine life without them. R.M.WILLIAMS It started with a dream in the South Australian bush. A dream of providing stockmen with a hard-wearing, Australian-made pair of boots of lasting quality. In 1932, Reginald Murray Williams (ol' RM himself) handcrafted the unmistakable elastic-sided boot and changed outback fashion forever. The business quickly took off and in two short years RM opened a factory on Percy Street in Adelaide. People flocked to join his workshop and in 1970 the business expanded again to new digs on Frost Road. From a humble mail-order service to pride of place in city department stores and boutiques across the nation (and the globe), R.M.Williams demonstrated, to the world, the quality of Australian craftsmanship and design. A brand with staying power as strong as its leather, the boots are still crafted right here in Australia at the Adelaide workshop. Fashion trends have come and gone but the heart of the R.M.Williams style and craft remain. No other brand can take you straight from the paddock to the pavement in quite the same way. While the brand has expanded to the entire wardrobe, its soul remains grounded in its boots. To celebrate the success of reaching 90 years in the boot making business, R.M. Williams has released limited-edition Craftsman and Lady Yearling boots as well as Jerrawa belts with special 90th anniversary commemorative trims (and a neat little plaque) — so you can wear a piece of Australian history. SYDNEY HARBOUR BRIDGE It's hard to picture the Sydney Harbour view without this staggering feat of engineering across the water, facing off its equally admired younger icon, the Sydney Opera House. The Sydney Harbour Bridge took almost nine years to construct and the opening ceremony was famously interrupted by a sword-wielding disgruntled royalist on horseback. Ninety years later, it's still a sight to behold and one of the most photographed and instantly recognisable landmarks in the world. Sure it's grey, but that's got nothing to do with age — the colour is a specially mixed paint known as 'Bridge Grey' which is regularly splashed across the frame to give it a fresh coat. There's one for your next trivia night. The Bridge is more than a vital transport link. It's also been the focal point and spiritual heart of Sydney's New Year's Eve celebrations for almost 30 years. It's been the destination of joyous events and notable protests, including holding the Olympic rings and the Walk for Reconciliation within that same year — not to mention the Millennium fireworks featuring Arthur Stace's 'Eternity' blazing across it. Declared a Historic Civil Engineers Landmark in 1988, added to the Australian National Heritage List in 2007 and affectionately called 'The Coathanger', the Sydney Harbour Bridge remains a defining feature of Australian landmarks. AUSTRALIAN BROADCASTING CORPORATION The ABC — known as Aunty — is turning 90 and boy does she look great for her age. She's been a trusted voice in Australia since July 1, 1932, from reporting on wars, commentating cricket, covering elections or keeping us connected during environmental disasters. Starting out as a suite of radio stations broadcasting across the nation 11 hours a day, the ABC has seen us through the advent of television, digital media and now on-demand streaming, never missing a beat. That distinctive wavelength logo — chosen for the use of Lissajous vibration patterns in tuning equipment — was designed by Bill Kennard in 1965. Now, it's the symbol of our longest-running public broadcasting network. The ABC has been an integral part of life for generations of Aussies. Play School has moulded young minds since July 1966 and music has been discovered across Classic FM, Countdown, Rage and triple j. The ABC also has a long history of championing homegrown creators, writers and performers who have made world-class dramas like Cleverman and Mystery Road. From humble beginnings to more than 50 local and four national radio stations, a streaming service and a digital archive of radio, TV and media, the broadcaster has continued to evolve over time to ensure it keep Australians connected. To celebrate the 90th anniversary of the brand, R.M.Williams is giving away 90 pairs of limited edition boots. Learn more about the history of the iconic brand and visit the website.
For so many of us, France is the dream. The cheese is so good it's practically an out of body experience, it's acceptable to drink wine at any time of the day, local employers only want you to work 35 hours a week (with no sneaky emails thereafter), and now they're paying people to ride their bikes to work. For realsies. This isn't like when people say an internship is paid, but its actual currency of choice is good vibes and stale lamingtons from the break room. This plan is fuelled by real cash money. This governmental effort to boost bike usage comes as an incentive to improve people's health, reduce air pollution and cut fossil fuel consumption. Though currently in a six-month trial period, the initiative is backed by similar efforts in neighbouring European countries too. The Netherlands, Belgium, Germany and Britain also have bike-to-work schemes, but this will be the first of its kind to actually offer direct payment to riders. The system as it stands offers 25 euro cents for every kilometre ridden to work. Live 4km away? You just earned half your morning coffee. Twenty companies employing a total of 10,000 people had reportedly signed up to the program as of Monday, and the government believe the initiative will raise the cyclist population by 50 percent. At the moment just 2.4 percent of French people ride to work, as compared to 8 percent in Belgium and a whopping 25 percent in the Netherlands. Our figures in Australia sit just below France, around 1.5 percent. You can't help but imagine what a world of good such policies would do for us too. Despite traffic being at its worst, and the increasing presence of new bike lanes or bike-share programs, the desire to stay plonked sedentary in your car is stronger than ever. We're not saying we need the government to pay us money to get off our butts, but at this point, it sure couldn't hurt. Via Reuters. Photo credits: Simona K and infomatique via photopin cc.
Come November, if you're keen on travelling to a galaxy far, far away, you won't need to visit your local cinema. Disney is getting into the streaming game and, when it launches its new Disney+ platform, it'll do so with the first-ever live-action Star Wars spinoff television series, The Mandalorian. One of the most anticipated shows of the year on this (or any other) planet, The Mandalorian follows a lone gunfighter who hails from the planet Mandalore and roams the outer reaches of the universe. His bullet-slinging antics happen far from the prying eyes of the New Republic, with the series set after the fall of the Empire — that is, after the events of Star Wars: Episode VI - Return of the Jedi but before Star Wars: Episode VII - The Force Awakens. If the basic premise isn't enough cause for excitement, then the stacked cast will help — it includes Game of Thrones' Pedro Pascal and Breaking Bad's Giancarlo Esposito, plus Nick Nolte, Gina Carano, Carl Weathers, Ming-Na Wen, and none other than iconic director and occasional actor Werner Herzog. Behind the scenes, The Mandalorian also boasts plenty of big names, with The Lion King's Jon Favreau calling the shots (as the program's creator, writer, showrunner and executive producer), and Taika Waititi among its series' directors. Waititi will also voice a new droid, called IG-11. After announcing the show last year, Disney has been keeping the details as secret as possible; however, if you've been keener than Han Solo in any cantina in the galaxy to get a glimpse — here's your chance. With the Mouse House holding its huge D23 convention over the past weekend, the company has just dropped its first trailer for the series. You can't include Herzog among your on-screen talent without making use of his inimitable voice, which this initial clip does perfectly, reminding us that bounty hunting is a complicated profession. Of course, that's not all that's in store — check out the initial preview below: https://www.youtube.com/watch?v=aOC8E8z_ifw The Mandalorian will hit Disney+ when it launches Down Under on November 19.
It's easier than you think to find pockets of nature in Singapore's concrete jungle. Take a walk off the beaten path and discover some lesser-known places to get lost in Singapore's greenery. Whether you hop on a bike or venture out on foot, exploring Singapore's expansive outdoors doesn't have to cost you. We've teamed up with Singapore Tourism to showcase some of the Lion City's top outdoor trails and activities — all for free. Coast-to-Coast Trail The name gives it away, but this 36-kilometre track stretches across the whole island of Singapore, from the Jurong Lake Gardens in the west to Rower's Bay Park in the north. The trail passes through 10 major checkpoints and takes about 11 hours to complete on foot, or three hours by bike. For this reason, it's recommended that you get an early start or divide up the trip across two days, so you can finish up in time for the sunset at Rower's Bay Park. Start off at the 90-hectare Jurong Lake Gardens, which boasts a Chinese and Japanese Garden, a freshwater swamp with various wildlife, water-sport facilities, an outdoor lap pool, a skate park with a bouldering wall, and a children's water playground. You can pick up a rental bike at the GoCycling outlet here, before returning it at Punggol Jetty towards the end of the trip. From Jurong Lake Gardens, you can trek on to Bukit Batok Nature Park and Hindhede Drive to reach Adam Road. Grab some much-needed fuel at the nearby Adam Road Food Centre and take a breather at the Singapore Botanic Gardens. Rested and ready? The journey continues past Bishan-Ang Mo Kio Park, Ang Mo Kio Town Garden West, Luxus Hills Park and Sengkang Riverside Park. Make a pit-stop here to explore the man-made floating wetland, the elevated bridge across the river and over 20 species of fruit trees throughout the park — but you'll have to refrain from picking any fruit. You'll get to enjoy the views across the Jewel Bridge, Adventure Bridge and Kelong Bridge as you pass through Punggol Waterway Park, before you reach Coney Island Park and your final destination, Rower's Bay Park. Celebrate your achievement with spectacular sunset views from the waterside boardwalk or pavilion. [caption id="attachment_977504" align="alignnone" width="1920"] Danny Santos[/caption] East Coast Park With attractions like a water-sports centre, skatepark, yoga studio and beachfront bar, East Coast Park is a hub of activity for all ages. The seafront park and beach is spread across almost 15 kilometres, so you can enjoy a leisurely two-hour stroll or 30-minute cycle along the water. If you choose the latter, pick up a bike at GoCycling or Coastline Leisure. The dedicated bike lanes and flat terrain make cycling around the park a breeze. If you're feeling adventurous, you can bike to Marina Bay or head in the opposite direction, where you'll pass through the Jurassic Mile and end up at Changi Airport. If you've got tots in tow, there's no shortage of fun to keep them entertained. Kids can clamber up Singapore's tallest playground at Coastal PlayGrove; try windsurfing, stand-up paddleboarding or laser sailing at the Aloha Seasports Centre (which opportunely has a beach bar for accompanying adults); or practise their tricks at one of Singapore's largest skateparks. You've also got plenty of options when all that action inevitably rouses your appetite. Grab some local cuisine at the East Coast Lagoon Food Village, enjoy a chilli crab at popular chains JUMBO Seafood and Long Beach Seafood, keep it simple with healthy cafe food at East Coast Commune, or tuck into some Italian fare at Fico. Rail Corridor This 24-kilometre track stretching from Tanjong Pajar in the south to Kranji in the north was formerly a railroad bearing trains to and from Malaysia. Since being revitalised in 2021, it has become a popular hiking trail that takes explorers through expanses of greenery, across restored bridges and alongside native flora and fauna. The trail is divided into North, Central and South sections, if you'd prefer to split up the journey. Due to its significance to local wildlife, parts of the Rail Corridor are not lit at night, so be sure to time your visit to end by sunset — the whole walk can be completed in less than six hours. In the central portion of the trek lies Bukit Timah Railway Station. The refurbished train station and staff quarters date back to 1932, and now house a gallery and café. As you continue further north, you'll come across the Bukit Timah Truss Bridge, before passing by the Bukit Timah Nature Reserve — home to the city's largest peak. For striking views, take some time out to admire the quarries at Rifle Range National Park, Bukit Batok Nature Park and Dairy Farm Nature Park. Conveniently located about halfway through the Rail Corridor, the Rail Mall includes numerous eateries, so you can snag a much-needed feed and put your feet up before venturing on to the northern stretch. Book your Singapore holiday now with Flight Centre. Top images: Lim Wei Xiang, Marklin Ang. All images courtesy of Singapore Tourism Board.
Australia is in for a big hot summer of music tours — a hefty end of spring, too — with everyone from Post Malone and The Weeknd to Taylor Swift and The Chemical Brothers on their way Down Under. Also on the list: Foo Fighters, who have a date with a heap of Aussie stadiums, and are about to release more tickets. It's times like these that you can add catching the Dave Grohl-fronted band to your calendar, with the group embarking on their first headline tour of Australia since 2018. It's also their first visit Down Under since drummer Taylor Hawkins passed away in March 2022. Foo Fighters were last in Australia that same month and year, playing a huge Geelong show to help launch Victoria's post-COVID-19 lockdowns live music program. The band unsurprisingly took a break from touring after Hawkins' death, only returning to live gigs earlier in 2023. On this tour, they're playing Perth, Adelaide, Melbourne, Sydney and Brisbane, with additional tickets becoming available due to changed production information — so, it's likely that the band's setup won't take up as much space as initially thought — and going on sale at 3pm AEDT on Friday, October 13. [caption id="attachment_903613" align="alignnone" width="1920"] Scarlet Page[/caption] Picking up the sticks: ex-The Vandals, Devo, Guns N' Roses and A Perfect Circle drummer Josh Freese, taking on the likely-daunting task of being the touring drummer in a band led by Nirvana drummer Grohl. Freese's stint with the band was announced in May, ahead of their first tour dates. When they hit our shores, the new-look Foo Fighters will weave in tunes from their new record But Here We Are, which released in June. Of course, all the hits from across their career will get a whirl, with their current setlist including everything from 'This Is a Call', 'Big Me' and 'Monkey Wrench' through to 'Learn to Fly', 'The Pretender' and 'Best of You'. And, yes, 'Everlong', because it wouldn't be a Foo Fighters show without it. [caption id="attachment_903618" align="alignnone" width="1920"] Jo via Wikimedia Commons[/caption] 'I'll Stick Around', which is also on the list, isn't just a song title from the group's first album. Given that their new tour comes 28 years after that debut release in 1995, it perfectly sums up Foo Fighters' longevity. Over the years, they've made it Down Under a heap of times, released 11 studio albums including the just-dropped But Here We Are, and made 2022 horror movie Studio 666. When they take to the stage again in Australia, they'll do so with Queensland punk act The Chats in support on a stack of dates, Manchester's Hot Milk also playing with them on the east coast, Teen Jesus and the Jean Teasers doing Melbourne and Body Type in Adelaide. FOO FIGHTERS AUSTRALIAN 2023 TOUR DATES: Wednesday, November 29 — HBF Park, Perth, with The Chats and Teenage Jones Saturday, December 2 — Coopers Stadium, Adelaide, with The Chats and Body Type Monday, December 4 — AAMI Park, Melbourne, with Teen Jesus and the Jean Teasers and Hot Milk Saturday, December 9 — Accor Stadium, Sydney, with The Chats and Hot Milk Tuesday, December 12 — Suncorp Stadium, Brisbane, with The Chats and Hot Milk Foo Fighters are touring Australia in November and December 2023, with additional tickets going on sale at 3pm AEDT on Friday, October 13. Head to the tour website for further details. Top image: Mr Rossi vi Wikimedia Commons.
Any great trip to New Zealand's South Island should include at least one stay in accommodation with a fantastic view. Luckily, in this stunning part of the world, that's not hard to do. To help you plan, we've put together some of our favourite South Island offerings with views of the island's stunning mountains, valleys and coastlines — and even the night sky. From rugged secluded cottages to luxurious retreats, here's where to soak up incredible views of the South Island's world-famous natural beauty. Recommended reads: The Best Places to Go Glamping in New Zealand The Best Places to Go Glamping in Australia The Most Unique Stays You Can Book Around New Zealand The Most Unique Stays with Breathtaking Views of New Zealand's South Island Remarkable Views, Queenstown After a day of hiking, skiing, or exploring Queenstown, return to this gem you'll find less than a ten-minute walk from town. The combination of the stunning mountain views from the deck alongside a convenient location makes this truly a one-of-a-kind find. From $360 AUD per night, sleeps four. Woodpecker Bay Bach, West Coast This rustic bach is located only steps from the water but half an hour away from the nearest shops, making it the very definition of a secluded getaway. There are lots of gorgeous outdoor attractions near the cabin to explore — that is, if you ever want to leave the beautiful bathtub with stunning water views. From $226 SUD per night, sleeps two. Tawhitnui House, Elaine Bay This remote rental features unobstructed ocean views — and a solar-heated infinity pool from which to enjoy them. Because of its remote location, guests can enjoy a true immersion into local flora and fauna and see the stars in a pollution-free night sky. From $294 AUD per night, sleeps six. Kiwi Bach, Canterbury Located in the small beach community of Te Onepoto/Taylor's Mistake, this 1920s bach is the perfect surfer's vacation rental. Watch the waves roll in beneath rolling green hills from the cabin's windows or outdoor areas, or walk directly down to the beach to see them up close. From $117 AUD per night, sleeps two. Rocky Point Hut, Nelson The 90-minute trek to this hut is worth it for the panoramic views alone. Situated on its own portion of Pepin Island, this rental has complete privacy. Explore, relax, and gaze out to the Abel Tasman sea from this cabin's solar-heated outdoor bathtub. From $290 AUD per night, sleeps two. Romantic Remote Chalet, Collingwood Nestled into the beautiful rocky shoreline of a coastal farm, this cosy chalet and nearby sleep-out is a ten-minute walk from the sea. Both buildings, which are about 30 metres apart, can be included in the booking, bringing the total capacity to six people. From $217 AUD per night, sleeps four. Stargazer's Luxury Retreat, Lake Tekapo This aptly named cabin is, indeed, luxurious. With a king-sized bed and wood-fired hot tub, this Airbnb is intended to be cosy. If stargazing up at the Milky Way from this hot tub is not on your trip agenda, you're doing it wrong. From $524 AUD per night, sleeps two. Skylark Cabin, Twizel This luxurious cabin is located in a stunning, sun-soaked valley in backcountry Ben Ohau. The star of the house is a circular window in the roof, which allows guests to stargaze from the warmth and comfort of their king-sized bed. From $723 AUD per night, sleeps two. High Country Cabin, Canterbury Whether you're seeking adventure on the nearest hiking trail or curling up by the fire in this rustic cabin, the Southern Alps will make the seclusion-seeking traveller feel at peace. You'll just have to put up with the "neighbours": grazing sheep and other local wildlife. From $406 AUD per night, sleeps five. Takahopa Bay Retreat, Otago This secluded home in the Catlins offers sweeping views of the surrounding forest and ocean. Although it's fully off the grid, this home is powered by an emission-free hydro system that gives it all the conveniences of city life — with significantly fewer neighbours. If you're lucky, you may even see Aurora Australis from your back porch. From $357 AUD per night, sleeps four. Lake Ohau Escape, Lake Ohau This three-bedroom home boasts waterfront views and a toasty indoor fireplace — the perfect getaway for any time of year. If you're looking for outdoor activities, there are many close by — including an A2O cycle trail or a ski field that's 15 minutes away — or you can choose to stay in for the stunning mountain-range views, best enjoyed from the outdoor spa. From $563 AUD per night, sleeps seven. Luxury Wilderness Cabin, Waiau Nestled in the absolute wilderness, this off-grid eco-cabin on the edge of a small lake is just a three-minute drive from Waiau Glacier village. The lake is fed by a pristine mountain stream and offers views of snow-capped mountains, glaciers, and Unser Fritz Falls that you can experience from an outdoor stone bath. Within the cabin, enjoy a king bed and cedar barrel sauna. From $496 AUD per night, sleeps two. Wanaka Couples Escape, Luggate This converted shipping container is a private oasis equipped with modern luxuries and natural beauty. Relax in this an outdoor bath or the deck under the stars with an unending view of the night sky. What's there not to love about this cosy hideaway in the country. From $248 AUD per night, sleeps two. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: courtesy of Airbnb.
When the full Sydney Film Festival program for 2025 is unveiled in early May, approximately a couple of hundred movies will sit on the lineup. The 18 revealed so far give cinema obsessives a great taste of what's to come, however, if you're already keen to add flicks to your must-see list. A month before the complete roster of titles arrives, the fest always provides a sneak peek to whet appetites. In this year's batch: Barry Keoghan's new Irish thriller, the Australian premiere of a homegrown animation that had this year's Berlin International Film Festival talking, a documentary about John Lennon and Yoko Ono, another about Marlon Williams, a Tilda Swinton- and Michael Shannon-starring post-apocalyptic musical, intimacy coordinators getting the doco treatment and more. SFF has revealed 16 movies that'll be screening around the Harbour City between Wednesday, June 4–Sunday, June 15, joining two previously announced when Vivid Sydney dropped its 2025 program. Thanks to the latter, movie lovers should already know that the Justin Kurzel (Nitram)-directed documentary Ellis Park is on the bill, complete with an evening celebrating its subject — and Aussie music icon, Nick Cave & The Bad Seeds collaborator, Dirty Three founder and frequent film-score composer — Warren Ellis. And, the fact that speculative fiction experience Planet City: Live will be part of the film-worshipping fun shouldn't be new news, either. Now comes a range of pictures that long-term Festival Director Nashen Moodley describes as "a cross-section of the bold storytelling and distinctive voices" that SFF will champion in 2025 for the event's 72nd year. "From inventive new Australian work to major prize-winners from the international circuit, these films reflect the ingenuity and diversity of cinema today," he continued. Boasting both Keoghan (Bird) and Christopher Abbott (Wolf Man) in its cast, and focusing on rivalries in rural Ireland, Bring Them Down is one of the starrier inclusions among SFF's features. With Swinton (The Room Next Door), Shannon (The Bikeriders), George MacKay (The Beast) and Moses Ingram (Lady in the Lake), The End from The Act of Killing and The Look of Silence's Joshua Oppenheimer is another. One to One: John & Yoko adds Lennon and Ono to the bill, with filmmaker Kevin Macdonald directing his attention towards the pair's 1972 benefit concert in Madison Square Garden, and the director also returning to music after 2018's Whitney and 2012's Marley. As for Williams, Marlon Williams: Ngā Ao e Rua — Two Worlds hones in on the recording of his first album in te reo Māori. The winner of 2025's Teddy Award in Berlin, Australian animation Lesbian Space Princess joins the local contingent, bringing its tale of a monarch-to-be's efforts to save her ex-girlfriend from incel aliens to Sydney. Buddy comedy Fwends is also on the list, and marks Sophie Somerville's first feature after picking up two accolades at SFF's Dendy Awards for short films in the past four years. Then there's documentary Make It Look Real, turning the lens on intimacy coordinator Claire Warden as she works on Aussie movie Tightrope. SFF's doco contingent is already huge, aided by the one-film movie marathon that is 14-hour picture Exergue — on documenta 14, which is set inside the 2017 edition of the documenta art exhibition in Germany and Greece. Audiences will watch it in four- to five-hour segments. Still on the factual side of the program, there's also Speak, about five American high schoolers getting ready for a public-speaking competition; Farming the Revolution's account of 12 million Indian farmers protesting over 13 months; and Sundance's World Cinema Documentary Special Jury Prize-winner Mr Nobody Against Putin, where a Russian teacher chronicles the propaganda in his school during his country's invasion of Ukraine. Also playing SFF after picking up a gong at Sundance: DJ Ahmet, which collected the World Cinema — Dramatic Audience Award for its story about a teenage North Macedonian villager. Obex didn't add anything to its trophy cabinet at the Park City festival, but it did premiere its jump back the 80s — and into a video game, where a man is trying to find his dog — there. Rounding out Sydney Film Festival's picks so far are Singaporean thriller Stranger Eyes, 2025 Berlinale Grand Jury Prize-winner The Blue Trail and the Cannes-selected On Becoming a Guinea Fowl, so movies about a mourning couple searching for their baby, a trek through the Amazon and a Zambian family, respectively. For the rest of the 2025 lineup, start counting down the days until Wednesday, May 7. Sydney Film Festival 2025 runs from Wednesday, June 4–Sunday, June 15 at cinemas across Sydney. Head to the festival website for further information and tickets — and check back here for the full lineup on Wednesday, May 7, 2025.
The climate crisis can feel overwhelming at times. There's so much critical work to be done on our quest for a more sustainable future. To alleviate some of the existential helplessness, we've teamed up with our pals in Tropical North Queensland to come up with some practical ways we can give back to our beloved environment this Earth Day (April 22) and beyond. Whether you want to volunteer for a conservation organisation or you've been meaning to move your moolah to a financial institution that doesn't invest in fossil fuels, read on for practical ways you can show the environment some love. MOVE YOUR MONEY When it comes to helping the environment, money might not be the first thing you think of. But, if you take a moment to properly consider it, where your money is invested really matters. Some banks and superannuation funds invest their customers' cash into industries that are harmful to the environment — like fossil fuels. If you've been meaning to move your money to a more environmentally friendly financial institution — or to find out what industries your money is currently propping up — Earth Day seems like a timely reminder to do that bit of life admin. Not sure what industries your bank or superannuation fund invests your money in? Find out via the Market Forces website. HAVE MEAT-FREE MEALS It's no secret that mass meat production has a negative impact on the environment. According to the Food and Agriculture Organisation of the United Nations, livestock farming is responsible for 14.5 percent of all anthropogenic greenhouse gas emissions. Want to reduce your intake of animal products? Consider opting for meat-free meals on Earth Day. Or, if you want to take it one step further, make meat-free meals part of your week, every week. There are plenty of plant-based menus to try in Sydney, Melbourne, Brisbane and Cairns. [caption id="attachment_844234" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] TRAVEL RESPONSIBLY From offsetting flights to booking eco-certified experiences, trying to do your bit for the environment while expanding your horizons is a big help. One destination that's loaded with low-impact ways to explore the natural environment is Tropical North Queensland. In the tropics, you can stay in eco-certified accommodation, enjoy the Great Barrier Reef responsibly and explore the region's lush rainforest with minimal impact activities. Want to find out how? Check out the eco-certified experiences and accommodation via the website. SHOP LOCALLY Shopping within your local community has a few benefits. Firstly, it helps to boost the local economy. Plus, if you're buying products that have actually been produced in your local area, it helps to reduce carbon emissions. When you buy produce that is grown near to where you are, the food is only travelling a minimal distance to reach you. That means it takes less resources to transport and store the food after it leaves the farm. So, next time your want to fill up your fridge, head to your nearest farmer's market and grab your goodies from a local. [caption id="attachment_829895" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] EAT SEASONALLY Eating with the seasons is another great way to cut back the travel miles on your food. Similar to shopping locally, when you consume food that flourishes in the season you're in, the transportation and storage resources required to get the produce from paddock to plate are reduced. Want to eat seasonally on your next trip away? Make sure you check in with the locals to see what's in season. If you're planning a trip to the tropics, hit this list to find the finest local produce that's in season. Spoiler alert: there's plenty grown up in this part of the world. If you dine at a Crystalbrook Collection venue, you can even find out how sustainable your food is via its new Climate Calorie concept. The hotel group have labelled its menus to tell you when your food is locally sourced, supplied in eco-friendly packaging, whether or not First Nations People were consulted in the food production and more. [caption id="attachment_793108" align="alignnone" width="1920"] PARKS AND RECREATION -- "Recall Vote" Episode 607 -- Pictured: (l-r) Adam Scott as Ben Wyatt, Amy Poehler as Leslie Knope -- (Photo by: Chris Haston/NBC)[/caption] TALK TO PEOPLE IN CHARGE One of the most impactful ways to have the environment's back is to tell people in power what you think needs to be done to protect it. While individual action can add up, it's the government that has the power to implement policy changes that'll have a much greater impact. Think we need better emission reduction targets? Reckon the government should stop subsidising the fossil fuel sector and invest in renewable energy instead? Get in touch with your local Member of Parliament to get it off your chest into action. And, of course, ensure your votes in upcoming elections aligns with your beliefs. [caption id="attachment_844433" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] DONATE OR VOLUNTEER FOR LOCAL CONSERVATION PROJECTS If you've been putting off donating time or money to a local conservation project, but know it's something you want to do, Earth Day is an ideal time to finally make it happen. Most national park organisations have programs for volunteers to get involved in. Or, if you're keen to send some love to the Great Barrier Reef or rainforests of Tropical North Queensland, visit this website to find out how you can help. [caption id="attachment_851154" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] GET INVOLVED WITH CITIZEN SCIENCE PROJECTS As the old saying goes: knowledge is power. So, to feel more equipped to make positive contributions to the environment, consider getting involved in a citizen science project. Wondering what that even means? Citizen science does what it says on the tin. It's all about getting everyday citizens involved in scientific projects. Our top picks to get among the action are Citizens of the Great Barrier Reef and Eye on the Reef. Want to find even more ways to give the environment some love this Earth Day? For more information, visit the Tropical North Queensland website.
UPDATE, October 23, 2020: Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is available to stream via Netflix, Binge, Foxtel Now, Google Play, YouTube, iTunes and Amazon Video. The film that inspired DC Comics fans to ridiculously call for Rotten Tomatoes' closure, 2016's Suicide Squad was many things. Filled with nefarious characters forced to band together to save the world, it was supposed to be a Joker-led villainous team-up flick — and, while it ticked that box, it was also formulaic, bloated, unsubtle and overflowing with ugly CGI. As a result, it was mostly just dull and a slog to watch. And while the anti-hero onslaught is still getting a sequel in 2021, only one element truly stood out. That'd be Margot Robbie as Harley Quinn, the Arkham Asylum psychiatrist who jumped into a life of crime when she became the jester of genocide's main squeeze. From the moment that Robbie stole the show in Suicide Squad, a Quinn-focused spinoff was always inevitable. So, knowing when they're onto a good thing — and witnessing their now Academy Award-nominated Australian star keep rising in fame via I, Tonya, Mary, Queen of Scots, Once Upon a Time in Hollywood and Bombshell — the folks behind the DC Extended Universe have gone and done the obvious. Thankfully, the powers-that-be learned a few lessons along the way, leaning into everything that first made the anarchic character attract so much big-screen attention. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is vividly stylised, irreverently upbeat, and both frenetic and fluid. To the benefit of every fight and chase scene, it's also more concerned with eye-popping action choreography than overblown special effects. The movie's riotous mood, lurid colour scheme and kookily comic sensibilities can't smooth out all of its bumps, though, but put it this way: Suicide Squad, this definitely isn't. After breaking up with the Joker (Jared Leto's awful green-haired version of the villain is nowhere to be seen, luckily), Quinn finds herself at a crossroads. Just like anyone who's newly single, she's not quite sure what to do with herself, other than drinking, downing comfort food, cutting her hair and getting a pet. Just when she's starting to reclaim her havoc-wreaking spark, she also discovers an unexpected consequence of changing her relationship status. Now that she's no longer the clown prince of crime's other half, every lowlife in town wants to settle the score for all the times she's done them wrong. One of them is psychopathic nightclub owner Roman Sionis (Ewan McGregor) — and, in trying to save her alabaster skin from her new number-one nemesis, Quinn gets caught up with a posse of other feisty Gotham gals. Enter: Renee Montoya (Rosie Perez), a hard-nosed detective constantly overlooked by the brass; Black Canary (Jurnee Smollett-Bell), a singer at Sionis' club with a helluva voice; and the crossbow-wielding, vengeance-seeking, leather-clad Huntress (Mary Elizabeth Winstead). Light-fingered teen Cassandra Cain (Ella Jay Basco) actually brings them all together, with Sionis' goons chasing her, too. These ladies comprise a disparate bunch throughout much of the movie, but — because this flick is based on and named after a comic-book superhero team — becoming a girl gang is blatantly on the agenda. Yes, even with candy-coloured trickster Quinn leading the charge and grinning away as she's doing so, Birds of Prey brandishes a familiar caped crusader template. Besting Suicide Squad is an incredibly low and easy bar to conquer, which Birds of Prey does. Completely finding its own groove is a trickier task and, despite the best efforts of director Cathy Yan (Dead Pigs) and writer Christina Hodson (Bumblebee), it proves harder to master here. Sporting a punk-ish, perky, peppy attitude, Birds of Prey feels unique in the DC movie realm, even against other standout franchise entries like Wonder Woman and Aquaman. But its goofy, off-kilter vibe also feels just a few shades away from Marvel's Thor: Ragnarok on occasion. Quinn's cheeky, knowing, mile-a-minute narration, as well as the playful plot structure that comes with it, can also veer too close to Deadpool territory. That makes Birds of Prey fun, purposefully chaotic and mostly entertaining, but also sometimes struggling to keep it all together. That's Quinn herself in a nutshell, though — and while this isn't a case of a film perfectly aping its protagonist in every possible way, there's still some nice symmetry at play. And, there's always something enjoyable going on on-screen. Often, it's the kinetic fight scenes, with credit to second-unit director (and John Wick franchise director) Chad Stahelski. At other times, it's the dazzling, glittering production design, or a memorable dream sequence that casts Quinn as Marilyn Monroe. Usually, it's the cast, which firmly pushes a diverse array of girls to the front. An over-the-top McGregor relishes his rare cartoonish bad guy role, but Birds of Prey's motley crew of female stars soar highest. Robbie most of all, unsurprisingly — and just as Joaquin Phoenix's take on the Joker looks likely to nab him an Oscar, it's a delight to see Harley Quinn still stealing the spotlight. https://www.youtube.com/watch?v=ygzqL60kvwU
In January 2023, the Elton John farewell tour to apparently end all Elton John farewell tours will return to Australia and New Zealand, playing its last round of shows Down Under before the singer says farewell to live concerts. Haven't nabbed a ticket? Can't go? Went last time he came our way, in what was then meant to be John's goodbye gigs? Whichever fits — or if you are heading along to see the music star next year — you can always stream his final-ever North American performance live on Monday, November 21. Make plans to knock off early: Disney+ is livestreaming the concert at 2pm AEST / 3pm AEST / 5pm New Zealand time. The show has been badged Elton John Live: Farewell From Dodger Stadium, and will run for a hefty three hours, complete with Dua Lipa, Kiki Dee and Brandi Carlile as guests. Yes, that means that John and Lipa's hit single 'Cold Heart' is guaranteed to get a spin, as is 'Simple Things' by John and Carlile — both of which featured on John's 2021 album The Lockdown Sessions. And, yes, you can expect to hear John and Dee's 'Don't Go Breaking My Heart' from 1976, with the concert's lineup of guests showcasing John's enormous longevity and range. Elton John Live: Farewell From Dodger Stadium forms part of the musician's global Farewell Yellow Brick Road tour, which has been taking him around the world since September 2018, and spans more than 300 concerts across five continents. In Australasia, his first stops here during the tour saw over 705,000 tickets sold to gigs across a three-month period that spanned 34 Australian and six New Zealand dates from November 2019. During the livestreamed performance, fans can expect to feel the love through all of his hits, including 'Rocket Man', 'Tiny Dancer' 'Bennie and the Jets', 'Crocodile Rock', 'I'm Still Standing' and 'Saturday Night's Alright for Fighting' — even though it's happening on a Monday Down Under. John's tour also features never-before-seen images and videos show from his 50-year career — well, never seen before the tour — which are displayed throughout each gig. And, on Disney+, the Dodger Stadium concert will be paired with Countdown to Elton Live, a special featuring John's famous friends wishing him well, and also including interviews with John and David Furnish. When the Farewell Yellow Brick Road tour does indeed come to an end, John will retire from touring after five decades on the road. If that all sounds rather massive, that's the star's career in a nutshell. He's played more than 4000 shows across in his time, sold more than 300 million records worldwide and holds the record for the biggest-selling single of all time thanks to the 1997 version of 'Candle in the Wind'. The singer has clearly enjoyed a huge past few years, too, with his life story hitting the big screen in biopic Rocketman. Check out the trailer for Elton John Live: Farewell From Dodger Stadium below: Elton John Live: Farewell From Dodger Stadium will stream via Disney+ at 2pm AEST / 3pm AEST / 5pm New Zealand time on Monday, November 21. Images: Ben Gibson.
What happens when a touring showcase of music throughout Queensland joins forces with an annual citywide celebration of arts and culture in Brisbane? Sweet Relief!, the latest event from both Qld Music Trails and Brisbane Festival. A collaboration between both fests, but taking place in Brissie in September, this one-day-only excuse to get dancing will make its debut in 2023 with a helluva electronic-focused lineup, starting with Groove Armada, The Avalanches and Ladyhawke. Sweet Relief! also involves the folks at Untitled Group, the team behind festivals such as Beyond The Valley, Grapevine Gathering and Wildlands — and they've helped bring in quite the names. Groove Armada and The Avalanches will both play Australian-exclusive gigs, in fact, with the former doing a DJ set and the latter performing live. [caption id="attachment_907867" align="alignnone" width="1920"] Grant Spanier[/caption] We see you, festival-loving babies. The day to block out in your diary: Saturday, September 16. The place to head: the Maritime Green at Northshore Brisbane. As well as New Zealander Ladyhawke, the bill also spans Cut Copy doing a DJ set, plus Nina Las Vegas, Latifa Tee and YO! Mafia. Poof Doof Pride Patrol featuring Jimi the Kween is on the lineup as well, and additional Brisbane acts are still to be announced. [caption id="attachment_907869" align="alignnone" width="1920"] Kath Gould[/caption] "We're so excited to be heading up to Brisbane to play at Maritime Green at Northshore Brisbane. It's such a cool looking spot — we've got a feeling it's gonna be a very special one," said The Avalanches. "Brisbane's history is littered with iconic festival moments such as Livid, Boundary Street Festival and Valley Fiesta that gave the Brisbane community an opportunity to bring their weirdest and wildest selves out to create an electric atmosphere of togetherness, diversity and inclusion," added Joel Edmondson, CEO of Qld Music Trails, announcing Sweet Relief!. "We hope that Sweet Relief! can establish itself as a place where people travel from around the country to experience Brisbane's local flavour and global appeal." SWEET RELIEF! 2023 LINEUP: Groove Armada (DJ set) The Avalanches (live) Ladyhawke Cut Copy (DJ set) Nina Las Vegas Latifa Tee YO! Mafia Poof Doof Pride Patrol featuring Jimi the Kween + more Brisbane acts to be announced Sweet Relief! will take over the Maritime Green, Northshore Brisbane, on Saturday, September 16. For more information and images — and to register for ticket presales from 6pm on Wednesday, July 5, with general sales from 12pm on Thursday, July 6 — head to the event website.
Decadently creamy, seductively spicy and oh-so-comforting — there's a reason why laksa is one of the most beloved noodle soup dishes from Southeast Asia. There are two broad types of laksa found across Malaysia, and infinite possible variations of each. The first is the asam laksa, the sour cousin of the curry laksa. Unlike the laksa most Australians will be familiar with, the asam laksa uses a fish and tamarind soup base for a more tangy, fresh noodle soup. The more common variation across Australia, the curry laksa, begins with the usual suspects — a mix of lemongrass, galangal, chilli and curry powder to give the broth its distinctive auburn glow before coconut milk is added to balance it all out. No matter what Melbourne's temperatures are doing, a bowl of this fiery concoction will warm your cockles in no time. Here's where to find the best laksa in Melbourne. Recommended reads: The Best Ramen in Melbourne The Best Pho in Melbourne The Best Hot Pot Spots in Melbourne The Best Cheap Eats in Melbourne Laksa King, Flemington The king of laksa opened its doors back in 1998 and the queues that snake along the streets of Flemington remain to this day. Every element of Laksa King's laksa is made from scratch, from the flavour-packed spice paste to the chicken broth that is simmered for hours. Each bowl comes with the unbeatable combo of delicate rice vermicelli and thick Hokkien noodles — because who can say no to double carbs? They add on tofu puffs, eggplant, crispy fried shallots, fresh mint and your choice of protein, with options ranging from roast duck to a succulent seafood mix of king prawns, calamari, mussels, scallops and fishcake. The Grand Tofu, Glen Waverley An absolute Melbourne laksa institution that has held its ground against the ever-changing shuffle of restaurants on Glen Waverley's Kingsway strip — these legends know exactly what they're doing. Reminiscent of the Dragon Hot Pot joint a few doors down, it's a choose-your-own-adventure vibe. Start by selecting your soup base — if you haven't noticed the pattern yet, we're obviously picking laksa — then pick six pieces of yong tau foo (fish paste-stuffed vegetables, beancurd and tofu) to drown in the creamy broth. Take a seat and wait mere moments before a steaming bowl of deliciousness is placed in front of you. We highly recommend also ordering some of their crowd-favourite Singapore fried noodles. KL Bunga Raya, North Melbourne This easy-to-miss restaurant on North Melbourne's Errol Street serves up one of Melbourne's best laksas as well as a heap of damn good Malaysian eats. The price of these laksas starts out at an easy $12.80, and even once they pack it full of roast duck, don't go beyond $16. They are big, tasty curry soups that are available to have in, take away or get delivered. The laksas alone will fill you up, but if you so desire, feel free to add on some roti with dipping sauces, san choi bao, satay skewers and fish cakes. Whatever you get, you can't go wrong at KL. Chef Lagenda, Deer Park This popular franchise has been serving steaming bowls of laksa to Melburnians since 2003. Their menu is an absolute treat, meaning you can fill up your table with a selection of yum cha, lobster tail and laksa all at the same time. Chef Lagenda offers five different types of laksa ranging from the classic chicken to mixed vegetables or seafood, but our favourite has to be the fish head curry laksa. The deep-fried Rockling fish head adds a deep, creamy flavour to the broth that will blow your socks off. Viet Rose, Fitzroy Don't let the name of Fitzroy's Viet Rose deter you — the team have mastered the art of both laksa and pho. The crowd-favourite vego laksa comes with your choice of rice noodles or egg noodles, veggies and generous pieces of beancurd. It's also one of the only places in Melbourne where you can order a side of Vietnamese spring rolls to go along with your curry laksa. That's a big win in our books. Roti Bar, Melbourne CBD You might struggle to find a seat here at Roti Bar if you try to pop by for a quick weekday laksa fix — you'll be competing with a crowd full of hungry office workers. Their menu is entirely halal and keeps it simple with three types of laksa on offer: prawn, chicken or veggie. Don't forget to order some of their signature roti (flaky, buttery flatbread) to soak up all of that broth. Malaysian Laksa House, Melbourne CBD Often flagged as one of the best curry laksas you can find in Melbourne, it seems like there are never enough tables in this tiny shopfront along Elizabeth Street. The vegetable laksa comes with an insane amount of toppings, you can expect huge pieces of eggplant, puffed tofu, green beans, broccoli, spinach, sambal (Malaysian chilli paste) and half a boiled egg. Mr Lee Malysian Cuisine, Brunswick East Located on the ever-eclectic Lygon Street, Mr Lee is loved by many due to their generous portions and high-quality ingredients. They serve up a soft shell crab curry laksa that ticks all of the boxes — crunchy, slurpable and absolutely delicious. Our top tip is to add on a serving of their epic char kway teow, the wok hei (the smokey flavour that comes from cooking over high heat) is out of this world. If you're out in these parts and have a hankering for a spicy soupy curry, hit up this beloved Melbourne laksa restaurant.
In news that'll come as little surprise to any Melburnian, given Melbourne's status as Australia's coffee heartland (and the predilection for complete coffee snobbery, too) — a barista from the Victorian capital has taken out top honours at the Australian Specialty Coffee Association (ASCA) National Coffee Championships. For the second year in a row, Axil Coffee Roasters has nabbed the title of Australia's National Barista Champion for 2023. Melbourne barista Jack Simpson beat out scores of other Aussie hopefuls in the annual competition. His winning caffinated offering consisted of an espresso, a milk-based coffee and his own coffee-based signature drink — a concoction featuring fermented raspberries, cold vacuum bergamot tea and clarified milk. [caption id="attachment_888451" align="alignnone" width="1920"] Image: Axil coffee, James Butler[/caption] "I wanted my routine to reflect the constantly evolving nature of the coffee world and the need for baristas to always be thinking creatively in order to keep up with trends in tastes and technology," Simpson says. The newly crowned coffee king will now go on to represent Australia at the World Barista Championship, held in Athens this year between June 22–24. Last year, Melbourne's Anthony Douglas of Axil Coffee Roasters did Melbourne's notoriously coffee-obsessed city proud, taking out the title of Australia's National Barista Champion for 2022 at the Australian Specialty Coffee Association (ASCA) National Coffee Championships. Douglas went on to nab first place at the World Barista Championship in 2022. [caption id="attachment_888453" align="alignnone" width="1920"] Image: Axil, Melbourne Central[/caption] Axil has a swag of cafe locations across Melbourne — find your local by jumping onto the website.
While we're sorely tempted to roll our eyes when we're told that "music just sounds sooo much better on vinyl", we can't deny there's something a little bit magical about those liquorice pies. As if leafing through your mate's record collection isn't more exciting than listening to their latest Spotify playlist? So to add to your collection, or help you start one, here are Melbourne's best places to purchase records. They've all got a little something special going on for Record Store Day, so add them to your trail on Saturday, April 18.
Have you launched a hospitality business that deserves some love? Think you could be Australia's next great business success story? Been in business for five years or less? Keep reading because you could be in with a chance to win a business-changing worthy prize. Here at Concrete Playground, we love championing the hospitality businesses that keep the country fed and entertained. We also understand that times are tough right now. That's why, in partnership with Square, Concrete Playground is giving away a marketing package worth $20,000. If you've been in business for five years or less, the Boost Your Business competition aims to shine a light on your brand. By entering the competition, you could be in with a chance to win a native editorial feature on Concrete Playground and get your business in front of our dedicated readers, as well as inclusion in Concrete Playground's hospitality directory. You'll also receive a social media push as we promote your business across various channels and help you reach engaged audiences with an eDM inclusion. Intrigued? Simply tell us in 25 words or less why your hospitality business is Australia's next great success story. For the full details, see the comp form below. T&Cs apply. [competition]1022571[/competition]
As 2025's Sydney Film Festival announced at its closing-night gala, if you caught Jafar Panahi's It Was Just an Accident at this year's fest, then you saw the latest winner of the Sydney Film Prize. If you sat down to Songs Inside, Floodland and Wilfred Buck, you also watched 2025's recipients of the event's Documentary Australia Award, Sustainable Future Award and First Nations Award. There's more accolades where they came from, too — this time decided not by juries, but by festivalgoers. If you voted in SFF's 2025 Audience Awards at the fest's highest-selling year in its history, then you had a hand in selecting the picks for Australian feature, Australian documentary, international feature and international documentary — plus their runners up. Over 23,000 votes were received across the four fields, with the winners showcasing the breadth of flicks on offer at this year's festival. Aussie animation Lesbian Space Princess — which features The Pitt's Shabana Azeez among its voice cast — added the Best Australian Narrative Feature Audience Award to its growing haul, after collecting the Teddy Award at this year's Berlin International Film Festival. Its counterpart in the international field: All That's Left of You, about a Palestinian family in the occupied West Bank. In the documentary categories The Raftsmen and Prime Minister took out the top prizes, the first for chronicling an effort to cross the Pacific Ocean in 1973 and the second for a portrait of Jacinda Ardern. "These four films are powerful examples of the fantastically diverse kinds of storytelling that move, inspire and connect with audiences," said Sydney Film Festival Director Nashen Moodley. "Leela Varghese and Emma Hough Hobbs' Lesbian Space Princess is a singular achievement in animated cinema. This wildly imaginative feature is hilarious, heartfelt and unapologetically out there — and our audiences adored it." "The Raftsmen is a gripping and meditative exploration of adventure and human endurance. Chadden Hunter's evocative storytelling, blending archival 16mm footage with survivor testimony, brings to life one of the great oceanic journeys in modern history." "Cherien Dabis' All That's Left of You is sweeping in scope and deeply personal in its portrayal of love, loss and legacy. Tracing seven decades of Palestinian history through one family's experience, it is an emotionally resonant and beautifully crafted film that left Sydney audiences spellbound," Moodley continued. "Finally, Prime Minister offers a rare and deeply human look behind the scenes of political leadership. With unprecedented access, this nuanced portrait of Jacinda Ardern captures a leader navigating major global and national crises with empathy and resolve — clearly something that resonated with audiences in these times." Dark comedy Birthright, Sundance Audience Award-winner DJ Ahmet, the World Porridge Making Championship-focused The Golden Spurtle and Sundance Documentary Grand Jury Prize recipient Cutting Through Rocks all claimed the runner-up spots. Sydney Film Festival Audience Award Winners Australian Feature Winner: Lesbian Space Princess Runner up: Birthright Australian Documentary Winner: The Raftsmen Runner up: The Golden Spurtle International Feature Winner: All That's Left of You Runner up: DJ Ahmet International Documentary Winner: Prime Minister Runner up: Cutting Through Rocks Sydney Film Festival 2025 ran from Wednesday, June 4–Sunday, June 15 at various cinemas and venues around Sydney. The fest is screening via Sydney Film Festival's 2025 Back By Popular Demand bonus screenings at Dendy Newtown, Palace Cinemas Norton Street and Ritz Cinemas Randwick until Friday, June 20. For more information and tickets, head to the festival's website.
Less than a couple of weeks out from the anticipated grand debut of arts and culture festival Rising, organisers have announced another multi-faceted, large-scale piece set to join the packed program. I Conjure delivers a thought-provoking work by celebrated New York-based artist Jenny Holzer, in the form of soaring six-storey tall projections splashed across the historic facade of Melbourne's Queen Victoria Women's Centre. Across each night of the festival, from May 26–June 6, the text-based work will present a curation of statements plucked from Holzer's Truisms series, along with a few new works. All will be emblazoned proudly on the 19th-century building. In line with the award-winning artist's anonymous street posters, which first appeared in the late 1970s, I Conjure's proclamations are witty plays on commonly held truths and recognisable cliches. Numbering close to 300, the various texts offer thoughts on creativity, art and activism. The project's lineup also includes words from renowned artists like Tracey Moffatt, Agnes Martin, Grace Hartigan and Nikki Lam. [caption id="attachment_812428" align="alignnone" width="1920"] Jenny Holzer's work You Vote 2020 (Detroit, Michigan) © Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Mark Rutherford.[/caption] A pioneer of text-based public art, Holzer's powerful messages have graced everything from baseball caps to giant LED sculptures over her decade-long art career. In recent years, the artist's statements have appeared on the likes of Switzerland's Gstaad Palace ("Hiding your motives is despicable"), New York City's Rockefeller Centre ("I feel pain with each step I take but to feel pain is better than to not feel pain at all, so above all things I am grateful") and the Wawel Royal Castle in Poland ("And now I don't know what in all that was real"). Catch I Conjure at the Queen Victoria Women's Centre, 210 Lonsdale St, Melbourne, nightly from May 26–June 6. For more details, check out the Rising website. Top images: Jenny Holzer's work A Little Knowledge Can Go A Long Way 2019 (Gstaad, Switzerland) © Jenny Holzer, member Artists Rights Society (ARS), NY. Photo: Stefan Altenburger.
Ah, the poignancy of Grand Theft Auto V. We're not even kidding. There's no denying that the naturalistic light effects of GTA 5 are astoundingly realistic, and really quite beautiful to behold. Hazy daylight, golden sunsets and atmospheric nightscapes are equally convincing in the world of the game, which has been the talk of the town since its recent launch. GTA 5's aesthetic appeal has not escaped the notice of 20-year-old Brazilian SVA art student Fernando Pereira Gomes, an avid street photographer and gamer who recognised certain parallels between his two passions. He's been taking artistic stills using a character's in-game camera phone in GTA 5, composing shots just as though he were turning a camera lens on the real world, and the results are both sensitive and pretty dope. In-game photography is not new, as seen here. Gomes, who's one of those hardcore fans that stood in line to grab a copy of the game at midnight when it first launched, got the idea for his ongoing series Street Photography V when he began simply driving around GTA 5's various pixelated Los Santos landscapes and realised how the movement of the characters through digital vistas resembled scenes he'd try to capture IRL every day — not least because of the unpredictability of the scenes unfolding, and their fleeting nature. As he told The Independent, "It was very similar to photographing on actual streets — with me having to run across the road, pulling out my camera in time, framing the shot, and taking it at the right moment.” On his site he says: "The game is so realistic that it felt like being in the streets outside ... anticipating passersby’s movements and reactions. In a way, it was also incredibly frightening that these algorithms could look so real, or is it that we ourselves are becoming ever more algorithmic?" The pictures reveal what attracts Gomes's eye: frequently the images are wide angle shots with an isolated figure turned away from us, a shadow cutting the frame in half or a perfectly flat and symmetrical view of a figure or two against a wall. Be sure to check them out.
Where do artists find inspiration? The answer to that question is virtually endless, as perusing the Archibald Prize finalists every year illustrates. For the acclaimed Australian portraiture award, sometimes actors, musicians, comedians and filmmakers provide a spark. Authors, footballers, the folks doing the painting themselves: they all fit, too. Frequently, though, fellow artists inspire others to get the creative juices flowing. Among recent Archie winners, that was true for Tony Costa with Lindy Lee, Blak Douglas with Karla Dickens and Peter Wegner with Guy Warren, for instance — and, in 2025, it's also the case for Julie Fragar with her likeness of Justene Williams. This year's pick for the prestigious prize, Flagship Mother Multiverse (Justene), is also an instance of one Brisbane artist painting another to claim the $100,000 award. Fragar's win makes it three in a row for women at the Archies since 2023, following Laura Jones in 2024 with her portrait of author Tim Winton and Julia Gutman the year prior for a depiction of Montaigne. That said, Fragar is still just the 13th woman to win the 104-year-old art accolade. Even with recipients who've emerged victorious more than once — Judy Cassab in 1960 and 1967, and Del Kathryn Barton in2008 and 2013 — this is still only the 15th time that the prize has gone to a female talent. [caption id="attachment_1003358" align="alignnone" width="1920"] Winner Archibald Prize 2025, Julie Fragar 'Flagship Mother Multiverse (Justene)', oil on canvas, 240 x 180.4 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter.[/caption] "You work your whole career imagining this might happen one day. Thinking back to myself as a 17-year-old showing up at the Sydney College of the Arts — a kid from country New South Wales — it's incredible to think I have won the Archibald Prize," said Fragar about her win. "Portrait painting wasn't taken as seriously in the 1990s as it is today. I have always regarded the Archibald Prize as a place that understood the value of portraiture. To be the winner of the Archibald Prize is a point of validation. It means so much to have the respect of my colleagues at the Art Gallery. It doesn't get better than that." Fragar is the Head of Painting at the Queensland College of Art and Design, where Williams is the Head of Sculpture. "Justene is incredible. I feel very fortunate that she allowed me to do this portrait. There is nobody like her. The work is a reflection on the experience of making art to deadlines, and the labour and love of being a mother," said Fragar of her now-Archibald Prize-winning subject. "Here are two of Australia's great artists in conversation about what matters most to them. Julie Fragar has a sumptuous ability to transcend reality and depict her subjects technically but also psychologically. Justene Williams is a larger-than-life character, a performer — cacophonous and joyous," noted Art Gallery of New South Wales Director Maud Page about 2025's pick. "In this work, she is surrounded by her own artworks and, most important of all, her daughter Honore as a tiny figure atop a sculpture. It speaks to me as a powerful rendition of the juggle some of us perform as mothers and professionals." Flagship Mother Multiverse (Justene) was selected from a pool of 57 finalists, including another awarded two-artist combination in Abdul Abdullah's portrait of fellow creative Jason Phu, aka 2025's Packing Room Prize recipient. Other contenders included likenesses of Nicole Kidman, Hugo Weaving, Boy Swallows Universe star Felix Cameron, Miranda Otto, Grace Tame, Vincent Namatjira, filmmaker Warwick Thornton and comedian Aaron Chen, as whittled down from a total pool of 904 Archibald Prize entries for 2025. AGNSW also awards the Wynne and Sulman prizes at the same time as the Archibald — and across all three, from 2394 submissions, 2025 marks the first year that there were more finalist works by women artists in the accolades' history. [caption id="attachment_1003359" align="alignnone" width="1920"] Winner Wynne Prize 2025, Jude Rae 'Pre-dawn sky over Port Botany container terminal', oil on linen, 200 x 150.4 cm © the artist, image © Art Gallery of New South Wales, Diana Panuccio.[/caption] For $50,000 Wynne Prize, which is all about landscape painting — and is Australia's oldest art award — Sydney artist Jude Rae's Pre-dawn sky over Port Botany container terminal was picked from 52 finalists and 758 entries. This is the third time that Rae has made the top batch of Wynne contenders. She's also been an Archie finalist four times (in 2014, 2019, 2021 and 2022) and was a Sulman finalist in 2021. "There is something compelling about the constantly flashing gantry lights and the floodlights blasting away in those hours just before dawn. I am up at various times and love to watch the pre-dawn light, when the sky is just starting to change colour. From my bathroom window on the fifth floor of my building, I have a clear view of that scene. There is no way to photograph it — it's too subtle and too fleeting. It's a big sky and we're all really little," Rae said about her piece. [caption id="attachment_1003361" align="alignnone" width="1920"] Winner Sulman Prize 2025, Gene A'Hern 'Sky painting', oil and oil stick on board, 240 x 240 cm © the artist, image © Art Gallery of New South Wales, Diana Panuccio.[/caption] The Sulman rewards genre painting, subject painting and mural projects, with Gene A'Hern 2025's pick for the Blue Mountains-inspired Sky painting, getting the top nod for the $40,000 gong from this year's 30 finalists and 732 entries. "Painted with expansive movements to capture a sense of scale and colour, this painting unfolded as I immersed myself in skywatching, while reflecting on the ceremonial choreography of the surrounding environment. It conveys a sensation of nature's gestures, composed to resonate from within, translating an omnipresence that comes from dust and returns to dust," said A'Hern. "The work draws on charged memories — birds singing in harmony, branches sighing in the wind, the closing curtain of the setting sun, all forming a living landscape that I breathe with and through. For me, the sky and the Blue Mountains intertwine and reveal themselves as a place of origin, deep memory and belonging." 2025's winners and finalists across all three prizes are on display at AGNSW from Saturday, May 10–Sunday, August 17, 2025, before touring to Geelong Gallery, Gosford Regional Gallery, Muswellbrook Regional Arts Centre, Mudgee Arts Precinct and Shoalhaven Regional Gallery over the 11 months afterwards. Archibald Prize 2025 Exhibition Dates Saturday, May 10–Sunday, August 17, 2025 — Art Gallery of NSW, Sydney, NSW Saturday, August 30–Sunday, November 9, 2025 — Geelong Gallery, Victoria Saturday, November 22, 2025–Sunday, January 11, 2026 — Gosford Regional Gallery, NSW Saturday, January 23–Saturday, March 7, 2026 — Muswellbrook Regional Arts Centre, NSW Friday, March 20–Saturday, May 3, 2026 — Mudgee Arts Precinct, NSW Saturday, May 16–Sunday, July 19, 2026 — Shoalhaven Regional Gallery, NSW 2025's Archibald, Wynne and Sulman prize-winners will display at various locations around the country from Saturday, May 10, 2025. If you can't make it to any of the above exhibition dates, you can check out the winners and finalists of the Archibald, Wynne and Sulman prizes on the Art Gallery of NSW website. Top image: Excerpt of winner Archibald Prize 2025, Julie Fragar 'Flagship Mother Multiverse (Justene)', oil on canvas, 240 x 180.4 cm © the artist, image © Art Gallery of New South Wales, Jenni Carter. Sitter: Justene Williams. Excerpt of winner Wynne Prize 2025, Jude Rae 'Pre-dawn sky over Port Botany container terminal', oil on linen, 200 x 150.4 cm © the artist, image © Art Gallery of New South Wales, Diana Panuccio. Excerpt of winner Sulman Prize 2025, Gene A'Hern 'Sky painting', oil and oil stick on board, 240 x 240 cm © the artist, image © Art Gallery of New South Wales, Diana Panuccio. Installation images: Installation view, 'Archibald, Wynne and Sulman Prizes 2025', Art Gallery of New South Wales, photo © Art Gallery of New South Wales, Diana Panuccio.
In an ironic makeover, a former Chicago meatpacking plant and slaughterhouse has found a new purpose as the city's first self-sustaining, vertical farm. Located in Chi-Town's Union Stock Yards, the 93,500 square foot brick building once specialised in mass-producing red meat - one of the least environmentally-friendly industries out there. Now, it is a sci-fi-like space dedicated to non-waste-producing urban farming. Projects inside 'The Plant' include a tilapia fish farm, beer and Kombucha tea breweries, aquaponic farms which harvest vegetables, and a mushroom garden. The Plant will also host to a group of bakers and caterers that will work together in a communal kitchen area. Upcoming projects include 'living' walls, and rooftop gardens. All of these endeavors have taken up a zero net waste policy, made possible by an interconnecting indoor ecosystem of sorts. The used grains from the beer brewery will be used as fish-food for the tilapia; the waste produced by the fish will nourish the mushroom garden and hydroponic plants; those plants will clean the water, which may be cycled back up to the fish tanks. Initially aided by a combined heat and power system, as well as an anaerobic digester, the Plant will be entirely self-sustaining. The project hopes to be taken off the power grid in just a few years. By the end of this year, the Plant hopes to have five rentable tenant spaces, and its renewable energy system up and running by next June. By 2016, the building is set to be fully functional, creating 125 neighbourhood jobs, and keeping over 10,000 tons of food waste out of landfills each year. Human waste is an obvious problem, says Melanie Hoeskstra, the Plant's director of operations. The renovations made to the Plant are workable in any old building: “It’s not a perfect system, but it’s really close," she says of the Plant. Sounds like city planners should take a note or two.
Like everything creative, the pottery scene in Melbourne is huge, and Bisque Studios is right there at the forefront of it. It's all about creativity, exploration and growth here, and considering pottery is one of the oldest human art forms, the potential is limitless. Bisque Studios offers a range of courses that take place in its beautiful, light-filled studio. It offers beginner classes on the wheel where a complete novice can learn the technique of throwing, as well as trimming and glazing. At the end of each term, students will be able to take home some of their pieces after they've been fired in the kiln. There are intermediate classes for the wheel, too, as well as hand-building lessons for those who want to get more creative. [caption id="attachment_920507" align="alignnone" width="1920"] Phoebe Powell[/caption] If you're not quite ready to commit to a term, there are drop-in workshops, too. There's stacks on offer here, from bisque and nerokimi layering to marbling and kid's holiday workshops. For those with a foundational knowledge of all things clay, Bisque Studios is available for private use. For a three-month subscription, you'll have full access to its facilities, including the in-house firing service. And if you're more of a homebody, Bisque sells custom-made do-it-at-home kits so you can turn that unused space into a studio all its own. [caption id="attachment_920513" align="alignnone" width="1920"] Melissa Cowan[/caption] Top image: Melissa Cowan
Visiting New York City sits on plenty of bucket lists, and there are more than a few reasons why that's the case. But if you've always wanted to head to the Big Apple, wear designer outfits, get paid to write about your love life and, between cocktails and dates, hang out outside your apartment — sitting on the stoop with your significant other, whether you're making up or breaking up — then you obviously have Sex and the City to thank. Running from 1998–2004 (forget the terrible 2008 and 2010 movies), the hit HBO series made Manolo Blahniks a must-wear, turned cosmopolitans into the drink of choice for sips with the gang, and gave tutus their moment outside of ballet. It also showered Carrie Bradshaw's apartment stoop with ample attention, including in big, life-changing moments. Unsurprisingly, the filming location has become a tourist attraction over the last quarter-century. Always wanted to make the trip to follow in Sarah Jessica Parker's footsteps, but haven't yet had the chance? With Sex and the City spinoff And Just Like That... arriving for its second season this month — after first debuting in 2021 — Binge is bringing a replica of that famous apartment stoop to Melbourne. And if this sounds familiar, that's because it did the same a couple of years back in Sydney. This time, the 2.2-metre-wide, 4.8-metre-high stoop is popping up at the David Jones Dome at Melbourne's Chadstone Shopping Centre for three days, between Thursday, June 8–Saturday, June 10, ready to fill your Instagram feed. Just like when the Friends couch toured Australia, the Squid Game Red Light, Green Light doll towered over Sydney Harbour and a statue of Borat made an appearance at Bondi Beach — and when the Iron Throne did the rounds, and all of the other film- and TV-themed pop-ups over the years — this is all about three things: indulging one of your pop-culture obsessions, taking snaps and promotion ahead of And Just Like That...'s season two return on Thursday, June 22. It also marks 25 years since Sex and the City began. And no, as you're taking photos of yourself living out your Carrie Bradshaw stoop dreams — Manolo Blahniks optional — you won't find any Peloton fitness equipment in sight. Find the replica Sex and the City and And Just Like That... apartment stoop at the David Jones Dome at Melbourne's Chadstone Shopping Centre from 11am–3pm and 5–9pm on Thursday, June 8–Friday, June 9 — and 11am–3pm on Saturday, June 10. Images: Chris Pavlich Photography.
When Indigenous Australian artist Archie Moore made history at the 2024 La Biennale de Venezia, aka the Venice Biennale, in April 2024 by winning the event's coveted Golden Lion for Best National Participation, he also did Brisbane's major art galleries proud. When the First Nations talent earned Australia the top gong at the Olympics of the art world for the first time ever, he did so with an exhibition curated by Queensland Art Gallery and Gallery of Modern Art's Ellie Buttrose, and with a date with Brisbane GOMA on its 2025–26 program. kith and kin is displaying in South Brisbane between Saturday, September 27, 2025–Sunday, October 18, 2026 — and it has also been gifted to QAGOMA permanently. The piece didn't just make history with its Venice Biennale accolade. A hand-drawn genealogical chart that spans back 65,000 years, this creation also chronicles it. Both a personal and a political work, kith and kin steps through Moore's Kamilaroi, Bigambul, British and Scottish heritage across the installation's five-metre-high, 60-metre-long black walls. More than 2400 generations are covered. The exhibition uses chalk on blackboard, with a reflective pool sitting in the middle of the room and 500-plus document stacks suspended above it. Every aspect of kith and kin makes a statement. With its size and scale, it speaks to Australia's Indigenous peoples being among the world's longest-continuous living cultures. The use of black is also designed to look like a celestial map, and therefore nod to the resting place of First Nations ancestors. Highlighting the decrease in Indigenous Australian languages and dialects since colonisation, the fragility that stems from not being able to pass down knowledge and injustices such as deaths in custody are all also part of the work — with the aforementioned piles of paper primarily from coronial inquests. Images: Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.
We adore our sport here in Oz, perhaps more than any other nation. Some of the biggest events of the year and we're all in the mood for some good old fashioned sporting excitement, there's really nothing that beats the primal, up close and personal thrill of live competition. Happily, there are a bunch of world-class events making their way to NSW over the next few months that you'll definitely want to attend. From statewide NRL rivalries to monumental city marathons to the all-out automobile action, there's truly something for everyone. Get ready to laugh, cry, lose your voice, and, hopefully, revel in the unparalleled joy of victory.
Gone are the days of sidling into bottle shops and covertly trying to identify the second cheapest wine on the shelf. The brainchild of The Iconic founder and former managing director Cameron Votan, Spokewine is the brand new online wine store that may well revolutionise the way you think about your drinking — with a unique customer rating system. The online equivalent of a well-stocked cellar door, Spokewine features wine options from more than 70 different Australian wineries, many of which have never before been available to buy on the web. With a focus on boutique producers, customers can browse by wine type, region or individual winery, or simply take a look at what's trending with their fellow oenophiles — which, let's face it, is basically just a fancy word for knowledgeable alcoholic. Once you've found the wine that suits your palate, you can order by the case and have it delivered to you absolutely free. Shipping should take between 4-10 days, and you'll need someone over 18 to sign for it on arrival. Sorry kids, there's no gaming the system. What makes Spokewine unique is their democratic review process, which takes the power away from snooty wine critics and puts it back into the hands of the people. Basically, it's like IMDb, but for your liver. After logging in through Facebook, you can choose between 'love', 'like' and 'not for me', or get more in depth feedback through tasting notes and written reviews. After you've rated the vino, your score and everyone else's get aggregated into two separate rankings — the 'approval' rating counts the percentage of positive votes, while the 'passion' rating calculates the number of 'love' votes as a percentage of people who ranked it positively. The Spokewine venture may prove a new mode of doing business for the former Iconic head and his partners Nicholas Turner, Michael Larsen and Victor Garcia. Votan told BRW the move was a "real partnership" with winemakers, as opposed to the set-up with labels: arguing over rebates, charging fees for lost custom. Looks like Votan is going to do things a little differently this time. "Not just The Iconic but any retailer I’ve ever been involved with, whether through consulting or an operational role, is that merchants are by nature in an adversarial relationship [with suppliers],” Votan told BRW. "It would be impossible to do that with the set of vendors that we’re working with now. They just don’t work like that. They’re up for partnerships for life. They want you to come and look them in the eye, walk through their vineyard with them, understand their story and at the end shake hands and say let’s do business." Now if you'll excuse us, we've got some user-reviewed wine to order.
Australian design student Alexander Vittouris has managed to not only design an all-bamboo velobike, but has also incorporated the natural growth process of bamboos in the design of a fully sustainable vehicle, the Ajiro Bamboo Velobike. The Monash University student's design was a finalist at the 2011 Australian Design Awards. He uses the term 'growth mobility' to describe the incorporation of the "strength and rapid growth of bamboos" in the final structure of his design. Vittouris borrows from the principals of arborsculpture, or 'tree shaping' techniques, whereby the shape of a tree or plant is controlled and instructed by various techniques (leaf trimming, wiring and pruning, for example). In this case, Vittouris has used an inner skeleton structure that the bamboo grows around. He says the manipulation technique used becomes economical and environmentally-friendly, in comparison to the cost of metal and energy exerted in assembling a traditional bicycle frame. In his Australian Design Awards entry, he writes: "The skeleton frame is then proposed to be reused, for future plant generations as an ongoing cycle. In this case, the manipulation and intervention is more akin to a farming process, whereby bamboo plants need time for thorough establishment to form the required energy mass to produce new culms."
2030 will mark 28 years since one of the best zombie movies ever made first hit screens: 28 Days Later from filmmaker Danny Boyle (Yesterday). Before that milestone arrives, however, it's likely that you'll be watching a new flick from Boyle in the same franchise. It'll still be called 28 Years Later — and it's officially in the works. 28 Days Later has already spawned one follow-up thanks to 2007's 28 Weeks Later, but Boyle didn't direct it. Screenwriter Alex Garland, who also penned Sunshine for Boyle, then hopped behind the camera himself with Ex Machina, Annihilation, Men and TV series Devs, also wasn't involved with 28 Weeks Later. But they're both back for the third film in the series, which might become the middle chapter. Not only is a new movie locked in, but it's being talked about as the start of a new trilogy. As detailed by The Hollywood Reporter, Garland is writing 28 Years Later, Boyle is helming, and they're looking for studios or streamers to jump onboard. It's expected that Boyle will only direct the initial new picture, while Garland will pen the entire trio. There's no word yet if any of the OG film's stars will return, with 28 Days Later among the movies that helped bring Oppenheimer star, newly minted Golden Globe-winner and likely Oscar-recipient Cillian Murphy to fame. He played Jim, a bicycle courier who wakes up from a coma in a deserted hospital 28 days after a pandemic of the rage virus changed the world forever — and from Boyle and Garland to audiences everywhere, who wouldn't want him to reprise the role? Marking Boyle and Garland's first proper collaboration after Boyle adapted Garland's best-selling novel The Beach for the big screen two years earlier, 28 Days Later still ranks among the best work on either's resume — and on Murphy's as well, even if it didn't win him any of Hollywood's top shiny trophies. Set in the aftermath of the accidental release of a highly contagious virus, the film's images of a desolated London instantly became iconic, but this is a top-notch movie on every level. That includes its performances, with then-unknowns Murphy and Naomie Harris (the Bond franchise's current Moneypenny) finding the balance between demonstrating their characters' fierce survival instincts and their inherent vulnerability. If you wondering why 28 Months Later hasn't been made, it was talked about for years, but the time has now passed unless the new trilogy includes a flick set between 28 Weeks Later and 28 Years Later. [caption id="attachment_910048" align="alignnone" width="1920"] Oppenheimer[/caption] 28 Years Later and any following sequels don't yet have a release date — we'll update you when more details are announced. Via The Hollywood Reporter.
Right now, it seems there's no end to the list of things you can have delivered to your door. Craving a midweek bottle of wine while social distancing? Naked Wines has your back. Fancy a fresh addition to your plant collection, dropped at your doorstep monthly? You're in capable hands with Botanic Box. Want sweeping views of some stunning Sydney coastline? Well, now you can thanks to Australia Unseen's new jigsaw puzzles. Sure, you can't physically take in the sights right now, but can get hours of at-home entertainment. Because let's face it, there are only so many times you can watch Tiger King. Australia Unseen's Vincent Rommelaere takes photos of Australian beaches and rock pools and usually sells them as prints on his website, but now he's turning these pics into puzzles and bringing the beach to your living room. Seeing as you can't just go down for a quick dip at Bondi at the moment, it may be the closest you get to feeling sand between your toes for a little while. At the moment, there are five different puzzles available as either 500-piece ($49) or 1000-piece ($59) jigsaws. If you're into ocean pools, you can choose a puzzle of Bondi's famed Icebergs, the Bronte Rock Pool or Coogee's Ross Jones Memorial Pool. Otherwise, there's a shot of Clovelly or one of people sunbathing at Bondi. More puzzles are expected to hit the online store this week, too, of Sydney's northern beaches and Byron Bay. All are aerial photographs and are sure to bring Aussie summer vibes in spades. Delivery within Australia is $10 and estimated to take two or three weeks. International shipping is also available, with cost and delivery time dependent on region. Australia Unseen jigsaw puzzles are now available to buy over here.
Across its five seasons to date, Black Mirror has dedicated 22 episodes to imagining dystopian futures — and while it makes for compelling viewing, none of the sci-fi anthology series' predictions are particularly pretty. But, for all of its prognosticating, the Charlie Brooker-created show didn't foresee 2020's chaos. And now we've all endured this hectic year and are about to see it come to an end, the team behind Black Mirror has something to say about it. At 6pm AEST on Sunday, December 27, just before 2020 fades away forever, Netflix will drop a new comedy special called Death to 2020 — which is made by the Black Mirror crew. The show will look back on the year via a documentary-style special that uses real-life archival footage from the past 12 months, as well as narration from fictitious characters played by the high-profile likes of Samuel L Jackson, Hugh Grant, Lisa Kudrow, Kumail Nanjiani, Tracey Ullman, Samson Kayo, Leslie Jones, Diane Morgan, Cristin Milioti and Joe Keery. Immediately keen to see more? After revealing a teaser trailer for Death to 2020 earlier in December — when it first announced that the project even existed — Netflix has now dropped a full sneak peek. Jackson's character gets snappy, Grant's wants to make sure that a drink is close at hand, and Jones' advises she'd say 2020 "was a trainwreck and a shit show, but that'd be unfair to trains and shit". Brooker has a history of looking back at events that have just passed, as Newswipe with Charlie Brooker and his end-of-year Wipe specials between 2010–16 have all demonstrated — so satirising and savaging the year's developments definitely falls into his wheelhouse. Brooker and Netflix also love releasing new material over the holiday period, with interactive Black Mirror special Bandersnatch dropping between Christmas and New Year's Eve back in 2018. So, true to form, they're giving everyone an extra festive — and grimly funny — present this year. Check out the full Death to 2020 trailer below: https://www.youtube.com/watch?v=veUqfcyZ_Bo Death to 2020 will hit Netflix at 6pm AEST on Sunday, December 27 . Images: Saeed Adyani/Keith Bernstein.
The last time that Lady Gaga appeared on the big screen, she nabbed an Oscar nomination for Best Actress for her troubles (and a shiny trophy for Best Original Song, too). Three years after A Star Is Born, she's heading back into cinemas in House of Gucci — and while no one should be speculating about accolades sight unseen, this true-crime fashion drama sure does scream potential awards contender. Haute couture. Murder. Disco tunes and Studio 54. Throw in one of the biggest names in fashion — and a tale that's filled with both glam and grim strands, too — and that's this Ridley Scott (The Last Duel)-directed film. Ranking highly among the most anticipated movies set to hit the big screen across the rest of 2021, it steps inside the Gucci family fashion dynasty, charting its successes and shocking moments over the course of three tumultuous decades. If you've read the book The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed, which this new movie is based on, then you'll know the details. If you've seen news coverage about or can remember the events that rocked the Italian family back in 1995, you will as well. The focus: Maurizio Gucci, grandson of company founder Guccio Gucci, and the head of the fashion house throughout the 80s and early 90s — until he was assassinated by a hitman in 1995. Adam Driver slips on Maurizio's unsurprisingly stylish shoes, in what's proving a big year for him in cinemas (he also starred in The Last Duel, as well as in Annette a few months ago). As for Lady Gaga, she plays Maurizio's wife Patrizia. And, as the just-dropped new trailer shows — following on from a first sneak peek mid-year — her character isn't holding back. Obviously, there's quite the story to unpack here, and Scott seems to be going big on striking threads, 70s and 80s tunes and vibes, indulgence and luxury dripping through in every frame, and also an unavoidable air of melodrama. To help, the film's star-studded cast also includes Jared Leto (The Little Things) sporting plenty of prosthetics and makeup, as well as Al Pacino (The Irishman), Jeremy Irons (Love, Weddings and Other Disasters) and Salma Hayek (The Hitman's Wife's Bodyguard). As both trailers reminds us, that's a whole lot of Oscar-winning and Oscar-nominated talent in one flick. Check out the latest House of Gucci trailer below: House of Gucci will release in Australian cinemas on December 26. Image: 2021 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
Instead of shooting tequila and fighting back the tears while biting on a lemon, you might be better off using it as an alternative fuel. Originally seen as a potential saviour, crop-based biofuels are now criticised for competing for arable land, driving up grain prices and being grown in conditions that damage the environment. Agave, the plant used to make tequila, might just provide a solution. Since it grows in arid conditions, it doesn't compete for arable land and water supplies, and can adapt to future changes in the climate. Research into the energy and greenhouse cost of producing agave-derived bioethanol shows that it would be preferable to current biofuel crops, and one Australian company Ausagave is already giving it a try. So, the next time someone tries to force a tequila shot on you, you can refuse on the grounds that you'll need it for the drive home. Just don't put the salt or lemon in the tank... [via PSFK]
We know it breaks both the first and second cardinal rules, but we need to talk about Fight Club right now. It’s been confirmed that director David Fincher, his long-term musical consort Trent Reznor and OG author Chuck Palahniuk are collaborating on Fight Club the rock opera, for reals. It’s literally going to be the all-singing, all-dancing crap of the world (in a good way). Culture journalist Jeff Goldsmith tweeted that Palahniuk confirmed the rumours in an interview, and Palahniuk tweeted a second confirmation the next day that has since been deleted. However Palahniuk did retweet Goldsmith’s tweet (isn’t Twitter such a murky swamp of Chinese whispers) so that’s all the confirmation we need. In April, Palahniuk told MTV that the Fight Club rock opera would take its place alongside previous musical legends Tommy and The Wall, and become the defining rock opera for the current generation. Although anti-materialism, anti-authority anarchist Tyler Durden probably wouldn’t approve of a glitzy, glamorous Broadway show, we sure do. And with Nine Inch Nails legend Reznor involved, it’s sure to be pretty spectacular. Reznor has scored a fair few of Fincher's films — Gone Girl, Girl with the Dragon Tattoo and The Social Network — and invariably his involvement turns whatever it touches to gold. No concrete dates have been mentioned by anyone involved in the project, but if you want more Fight Club while you wait, Palahniuk has released a Fight Club 2 comic book that delves into the backstory of Sebastian and Marla, and examines what Tyler Durden represents to us all. In the same MTV interview, Palahniuk says, "Tyler Durden is kind of an internal meme, a parasitical meme that has found a host or created a host in every generation going back for all of human history ... Tyler really brought Marla and Sebastian together, so they would have a child, in a way kind of bred them together, and that this child would ultimately be Tyler’s next vehicle." Unff. We are Jack’s crazy excitement. Via Spin.
Possibly the world's most beautifully located bookstore, can now be found in the form of Buenos Aires' El Ateneo Grand Splendid, a shop housed inside what was once one of Argentina's premier theatres. The theatre was originally built in 1919 by an Italian architect and used as a theatre for tango concerts and the like, before being converted into a cinema. Things began to get a bit tough, but instead of letting the beautiful building languish into disrepair, it was leased in 2000 by a publishing house and found new life in the form of a bookstore. Now over a million people come through it's doors every year. The private, velvet-upholstered boxes are now the reading rooms, the stage is an in-store cafe, and the shelves cleave perfectly to the theatre's original shape. Plus you have to admire a building that's calling itself both grand and splendid. I mean, what's not to like? In the wake of bookstores like Borders and Angus & Robertson going bust, and the threats to independent bookshops across the country from cheaper online books and other recession-related woes, places like the Ateneo might point towards a more sustainable future for the industry. By repurposing something beautiful and creating a space people actively seek out and genuinely want to be in, instead of somewhere beige, plastic and muzak-filtered, you can save not just books but the architecture that might otherwise go to waste.
As much of the TV-watching world is, Ashley Zukerman is a Succession fan. Unlike almost everyone else, however, his affection was partly built from inside of the award-winning series. In a recurring role across the HBO masterpiece's four seasons, he played political strategist Nate Sofrelli, whose past romantic relationship with Shiv Roy — portrayed by fellow Australian Sarah Snook (Memoir of a Snail) — kept spilling over into their present professional and personal spheres. But "there was periods where I didn't know if I was coming back", Zukerman tells Concrete Playground, "and there were periods where I just became more fan than part of it". A role in one of the best TV shows of the 21st century, plus a range of others in fellow international fare — big-screen horror-western The Wind and drama Language Arts; television's A Teacher, The Lost Symbol and City on Fire; and the three straight-to-streaming Fear Street movies among them — kept Zukerman away from home for years. Then In Vitro, an Aussie sci-fi thriller that premiered at the 2024 Sydney Film Festival and hit local cinemas in general release on Thursday, March 27, 2025, came his way. Before this, he hadn't worked on a homegrown project since 2017's The Easybeats miniseries Friday on My Mind. Prior to that, he'd hopped between the Australian and Aussie-made likes of The Pacific, Rush, Terra Nova, Underbelly and The Code, and Manhattan, Fear the Walking Dead, Masters of Sex and Designated Survivor overseas. Starring in In Vitro eventuated because he initially met two of the film's co-writers and fellow actors, Will Howarth (who also co-directs with Tom McKeith) and Talia Zucker, in Los Angeles when they were all stateside endeavouring to establish their careers. Due to release timing, audiences who didn't catch In Vitro on its 2024 festival run will have seen Zukerman pop up in homegrown efforts in Aussie limited series Apple Cider Vinegar first, earlier in 2025. Later this year, he also has Australian-made, New Year's Eve-set time-travel film One More Shot heading to Stan. Only In Vitro has him playing a cattle breeder in an eerie vision of the potential near future, though — a livestock farmer experimenting with biotechnology in a world, and an industry, decimated by the climate crisis and struggling to adapt to the new reality. As Jack, husband to Zucker's (Motel Acacia) Layla, Howarth (Toolies) and McKeith's (Beast) movie also tasks Zukerman with exploring the distance that clearly lingers in the the feature's central marriage, digging into the source of Jack and Layla's domestic disharmony, and unpacking the impact of controlling relationships. More than two decades have now passed since Zukerman's initial screen role, also in an Australian film, with playing Thug #2 in Tom White his debut performance. Looking back on it, "so that was my first-ever thing, and I hadn't gone to the Victorian College of the Arts yet. I had no idea what I was doing", he advises. "My family, no one in my family, was in creative industries at all. I was just trying to brute-force my way through, trying to get headshots and making cold calls and just trying", Zukerman continues. "And then when that called and I got a role, I thought it was the craziest thing in the world. Then I get there and I do it, and I'm in a scene with Colin Friels [Interceptor] and Dan Spielman [Black Snow], who I ended up playing brothers with in The Code years later. And I thought that was just very, very special at the time. Dan was on, I think, The Secret Life of Us, and Colin Friels on Water Rats, and they were heroes of mine at the time. And then to be able to revisit that with Dan years later as, I guess, equals, was very special." [caption id="attachment_997134" align="alignnone" width="1920"] Succession, David Russell/HBO[/caption] From the outside, the success that Zukerman has enjoyed over the last few years with Succession, Fear Street, City on Fire, A Teacher, The Lost Symbol and more seems huge. It is huge. He's also added Apple TV+'s Silo to his resume. For him, however, "it hasn't felt huge, but I don't think I necessarily ever have that feeling of looking at things from the outside", he reflects. "From the inside, I'd say that it's felt really fun. I know that the thing I love most is when I love the project and I feel like I'm close to the coalface of something. I thought that they were all great projects, and so that has been fun." "You're right, it's been a really nice few years, and it felt comfortable," Zukerman goes on. "I guess I'll say I've just never really stressed work. I've always known things will come, and I've always been aware that if I'm not chosen for something that it's because the person, the artist in charge of it, just doesn't need my specific colour, my specific paintbrush, and so I've never really sweated it if things haven't come to me. But the last couple of years, it's just been really enjoyable to just work on special things — and to be able to have a continuous run of that, I do feel very full now. I'm not someone who enjoys acting all the time, I don't necessarily love the experience, but I do love it when I feel that there are certain elements there, and I've been on a run projects now where those elements were largely there. It has been a really fun few years for that." From what excited Zukerman about In Vitro, his read on his complicated character and the research that went into his performance, to farewelling Succession, returning home and his initial acting dream, our chat with Zukerman covers them all — and more — as well. On What Excited Zukerman About In Vitro, and About Making His First Australian Project Since Friday on My Mind "So I knew Tahlia and Will. I'd known them before. We all met in LA when we were all younger and hustling out there. It was just this coffee shop that we all ended up frequenting, and that's where we got to know each other. It was during the pandemic that they sent the script and said 'we've been working on this, we've been thinking about you for it'. And I read it and I thought 'wow'. And I was honoured that they thought of me for it. But I thought that they had done something just really special. I think that the horror genre or the thriller genre is interesting when it's used to explore other themes. And so the thriller part of it didn't necessarily pop for me, but I thought that they were able to thread together some nuanced questions about a few issues that we're dealing with in the world, and finding a connection between them — with the climate crisis; domestic violence; how we use tech to brute-force our way through solutions; and how some people in our world don't really care about our world or the natural world or each other as the actual life that exists in it, but just what they can take from it. And I think that they were able to thread all those ideas in a very nuanced way, offering something new to the questions of 'what do we do in this world?' and 'how are we going to deal with all of these issues we have?'. The climate crisis, like so many of us, that keeps me up at night. One of the things I worry most about it is this idea that it's happening just, just slow enough that we get used to it, and it's so hard to talk about. It's so difficult to engage with it, because it's so scary for so many of us. As soon as, I know for me personally, it's hard for me when I see an article written about it for me to click on it, for me to actually open that page and delve into it. It's hard for me to watch something about it. And I thought that what they did here was they did it in a very nuanced way, where they offered something very new to that conversation, and in a way that I thought was going to be very useful and interesting — and human. It was just that the film seemed to have a very new idea to approach this issue, and that's I think what moved me about it. And then, as we went on, there were questions about the character that became far more important for me to ask. But when I first read it, that's what touched me." On Zukerman's Read on Jack and His Motivations "I think it depends how far back we go with him. If we go from what we know backwards, I think he's gotten to a stage where he has lost his sense of humanity and he's just so far down the rabbit hole on this that he can't actually turn back. I was working on this show, The Lost Symbol, the Dan Brown thing, at the time that I read this, and I was researching these secret societies and how people who were doing bad things justified them. And I came across this quote, which was from the Bible: 'to the pure, all things are pure'. I think that that is key to Jack, that because he felt he was doing something worthy and important, everything else he was doing was fine and justified … It's this idea that he's probably just a bucket with a hole in it. It doesn't matter what you pour in, he's always going to be empty. I think he's one of these just incredibly ordinary people who thinks that he's a vulnerable genius, and no one is giving him the adulation he deserves, and he will never get enough love from his partner, and that then leads to control and violence. So I think those are the things that are at play in him." On Playing a Part That's a Puzzle for the Audience as They Try to Piece Together the Full Story "Typically, the more complex a character, the less challenging I find it, because then there are just so many things underneath the surface. So those things were great, and once I knew the approach, what we were trying to do, we talked, Will, Tom and Tahlia and I talked early about this idea that we'd be doing a disservice to this story if he was arch — especially the domestic control, domestic violence story. And that he had to be so ordinary in that way, that if we were trying to portray a villain, it would do a disservice to Tahlia's story and it would be doing a disservice to the wider story. So the fact that we could let all of that complexity live in him, that gave me a lot of freedom. But you're right that the challenging thing in any of these stories is how we bury the lead when we choose to drop breadcrumbs, how we lean on awkward moments as clues for the idea — like leaving just enough the information for the audience to question what is going on to lead them down the rabbit hole with us ,but gently. That is the more challenging thing, because that's not necessarily about just living in the scene naturally. That's trying to plan the larger story. I was buoyed when I saw it — I thought we did that quite well. I really loved especially how they put it together in the edit, leaning on those awkward interactions, I thought was quite nice." On the Research That Goes Into Playing a Part Like This, Digging Into Coercive Control, Biotech and More "Typically I do love a lot of research, and I started down the path of him being an engineer. I wanted to make sure those thoughts were in there. I wanted to know where we were at with that stuff. But I think ultimately where I got to was, all that stuff — like you like feel at the end of the film — I think is window dressing in a way. I needed to know enough about that so that I could know what he was doing, but ultimately the key to him is what we're talking about — how to actually think about these men who do these things, like 'what is the wiring going on in in them?'. That's the work of understanding this character. It's the domestic work. It's the human work. And to try to explain, empathise, not absolve, but just to understand what makes these people do those things. I think that was the work with him." [caption id="attachment_997132" align="alignnone" width="1920"] Succession, Macall Polay/HBO[/caption] On Saying Goodbye to Succession, and What It Meant to Zukerman to Be a Part of It "I think it's so nice that that show will exist forever. I think it's now part of television canon, and to be a part of it, I'm just so proud. So I think it will just always have a life. I grew up loving The Sopranos and Six Feet Under and The Wire and Oz, and those seminal TV shows — and The West Wing. I knew characters that were there for an episode, that were there for three episodes. I was so aware of every little storyline on all of those shows, and I was just like 'if only I could be in something like that, that would be it'. Like, 'I would be fine'. [caption id="attachment_997133" align="alignnone" width="1920"] Succession, Peter Kramer/HBO[/caption] And I'm lucky that I got to do one of those, and I got to be there for a little bit, and I got to witness how they made it, and I got to be around those people. I just feel so lucky. I was there and I was a part of it, but I got to also be an audience just as much as, I think, in it. It's an interesting question. It was something just so special about that production that I think I'll continue to try to, I guess, understand and learn from and think about. [caption id="attachment_997137" align="alignnone" width="1920"] Succession, David Russell/HBO[/caption] All I love about any work is how close to the creative muscle I can be, and I think what was special about that show was that. I was on the periphery. There were moments when I was a little more forward in the story, but largely I was orbiting the story. And I think what was special about that is that it doesn't matter how big your role must have been — that's both the cast and crew — everyone on that set felt like they were a part of it, that they had agency to make decisions, that they were genuinely like what was being asked of them was what was special about them to only bring that. That was what was special, and that's what I'll remember. And I think it left something with me that I've taken to other things. I think it's that energy that I've brought with me after that show. " [caption id="attachment_997145" align="alignnone" width="1920"] Apple Cider Vinegar, courtesy of Netflix © 2025[/caption] On Heading Back to Australia After a Significant Run of Roles Overseas "It was never by design that I would be away. It was just that the right things didn't come up, or scheduling got in the way, or something happened for me over there that meant that I couldn't come back for various things. And it was just always I missed it. I really missed being back. I really love it here. I love the way we work. I love how fast we are, how efficient we are. We work with few resources sometimes, but it's an advantage, it creates the style of TV and film that we make. It all goes into it. It ends up on camera, that energy. And it kind of has become our visual language sometimes. [caption id="attachment_997144" align="alignnone" width="1920"] One More Shot, Ben King/Stan[/caption] And I also guess there is something about being overseas and an expat which means I'm always playing someone else in a way. There's something about home, is what I'm saying, that's important. That I know the rules of Australia. I know how people interact, that there's the micro gestures between us all, how we all interact. I guess that is home for me, that when I get back to Australia my shoulders drop and I just know how to live here. Even though the US isn't that different, it's different enough that it changes me. It requires something else of me to live there. And that's a joy sometimes. I mean, to leave is wonderful — but to come back is really, it's home. It's just a very special thing. And also, I feel very fortunate because of what I've been able to do overseas, I can now come back and work on these great things, and help these great things get up." On the Initial Dream for Zukerman's Acting Career When He Was First Starting Out "It's such a great question, because it's so rare to look back and go 'what was it that that younger person had actually wanted, and are you there now?'. That's a very special question that I don't really often give myself time to do. But I think I probably had a lot of chutzpah and a lot of ambition back then. I probably had ideas, but I didn't know what the job was, even. I didn't know what the work of being an actor was. I had a feeling that acting gave me the ability to do something I couldn't do in life, that I loved the analysis of human beings, and I loved being able to express things that I didn't express in my normal life. I loved that. But that hadn't really congealed yet, and probably at the time I just had ideas about wanting to play these big roles and do these big things, but I didn't know what it was. [caption id="attachment_997146" align="alignnone" width="1920"] City on Fire, Apple TV+[/caption] Once I started studying and I started understanding what it was, I think very quickly the only goal of mine was to have choice — just to be able to do the things I love. Like I said, it's just not always the case that I love acting, and I knew that early on that sometimes the experience can be difficult for myriad reasons. But to be able to get to a point where I can just, from project to project — based on, whether it's the quality of the work or it's the quality of the people, or both — that I could just choose to do that. I think that's nice to think about that. I think I have it, I am doing that now. I get to be pretty picky with what I do, and I get to do things for the right reasons." In Vitro opened in Australian cinemas on Thursday, March 27, 2025.
Jeez Frozen was a terrific film. Catchy tunes, loveable sidekicks, a woodsman hero and – at its heart – two sisterly princesses thrown into turmoil after one of them discovers her power to manipulate ice and flees to establish an unforgiving frozen kingdom in the north. Jeez The Huntsman: Winter War isn't a terrific film. No tunes, stilted sidekicks, a woodsman hero with a comically bad Scottish(?) accent and – at its heart – two sisterly princesses thrown into turmoil after one of them discovers her power to manipulate ice and flees to establish an unforgiving frozen kingdom in the north. Perhaps you could forgive the makers of The Huntsman for trying to leverage some of the success of the former. After all, it is the ninth highest grossing film of all time. But 'beautiful girl doing cool shit with chilly water' isn't enough to constitute an entire story. You still need, well, 'a story', and it's on that front where The Huntsman: Winter War really falls apart. It begins with Liam Neeson's voice telling us we're about to see a prequel to 2012's Snow White & The Huntsman. And Neeson – like the proverbial mirror on the wall – does not lie. But then, about half an hour in, The Huntsman: Winter War suddenly turns into a sequel, making this about as close as a film will ever come to possessing a literal 'plot twist'. Eventually deciding it's set after Snow White has vanquished the evil Ravenna (Charlize Theron), we find our Huntsman (Chris Hemsworth) moping about the South and mourning the loss of his wife (Jessica Chastain), before committing to foil the evil ice queen Freya (Emily Blunt) in her attempt to secure the famous mirror. The rest of the movie is little more than a collection of special effects, shaky fight scenes and a few funny lines from dwarf sidekicks Nick Frost and Rob Brydon. Theron, it must be said, lights up every scene she's in, reminding us that she is still absolutely the fairest and most interesting in the land. Alas, her screen time is also the most restricted, reducing her menacing smile and genuinely engaging relationship with her sister to mere bookends around an otherwise entirely dull affair. https://www.youtube.com/watch?v=_W65ndip7MM
Why spend your treasured lunch hour sitting in the same old spot, eating the same old sandwich? Swedes have discovered the magic of an off-beat lunch break by introducing a little mid-day clubbing. Lunch Beat, a trendy, non-profit lunchtime event, originated in Stockholm in June 2010 with a measly crowd of 14. Today, the monthly Stockholm events attract hundreds and have inspired copycat events throughout other European cities. For 100 kroner (around $15), attendees can dance to club beats beneath the flashing disco lights, enjoy a sandwich, and then return to their various jobs sweaty and energised. The party starts at noon, and lasts for an hour. "You just have to get in there and dance, because the hour ends pretty quickly," says organizer Daniel Odelstad. Lunch Beat only has two rules: no alcohol, and dance. "If you don't want to dance during your lunch hour, then you should eat your lunch somewhere else," says Odelstad. Lunch Beat draws an eclectic crowd, from the young to the old, and from secretaries to business-suited bigwigs; all have come looking for a good time. "It is absolutely fantastic!" says Asa Anderson, a coffee shop employee and Lunch Beat newcomer. "It is the first time I'm here. I'm totally happy and ecstatic, totally covered in sweat, and I'm full of energy. It does not get any better than this." [via Gawker]
There's something about summer ending that gets everyone thinking about getaways, even if everyone's favourite holiday season won't be back for another nine months. Thankfully, autumn, winter and spring are still mighty fine times to leave your daily life behind for a weekend, few days, or a week or so. To help make those yearnings for a break become a reality, Qantas has just-dropped week-long sale. You'll need to be dreaming about jetting off to somewhere in Australia, and you'll also want to travel from April. Dates vary depending on the route, but some have fares available up until mid-December — so you can book in another summer holiday after all. In total, more than one million discounted flights are on offer. Whether you're a Sydneysider thinking about a Gold Coast jaunt, a Melburnian keen to spend part of winter in Tasmania or a Brisbanite eager to hit The Whitsundays, you have options. And, on 34-plus routes, one-way flights will cost you under $150. Everywhere from Queensland's tropics to the Apple Isle's cities are covered, and from Perth to Sydney, too — alongside all the other state capitals, Newcastle, Coffs Harbour, Broken Hill and more. The two cheapest options, as tends to be the case on most flight sales, are the Sydney–Ballina and Melbourne–Launceston routes at $109. Other highlights include Adelaide to Kangaroo Island for $139 — and Sydney to the Sunshine Coast, Melbourne to Albury and Brisbane to Mackay all for $149. The sale runs until 11.59pm AEDT on Monday, March 11, so you'll want to get in quickly to get a bargain. And, as always, if fares sell out earlier, you'll miss out. Inclusions-wise, the sale covers fares with checked baggage, complimentary food and beverages, wifi and seat selection. Qantas' red tail sale runs until 11.59pm AEDT on Monday, March 11, 2024, or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
If you liked choosing your way through Black Mirror: Bandersnatch — or telling Bear Grylls what to do in interactive series You vs. Wild — then Netflix has more where that came from. Come Tuesday, May 12, you'll be able to decide what happens to everyone's favourite kidnapping victim turned wide-eyed New Yorker in a one-off Unbreakable Kimmy Schmidt special. While the Tina Fey co-created, 18-time Emmy-nominated comedy finished up its regular run with 2019's batch of episodes, which closed out the show's fourth season, it's coming back this year to put viewers in control. Netflix has actually been in the interactive game for a couple of years thanks to its children's shows like Puss in Boots, Buddy Thunderstruck and Stretch Armstrong; however this'll mark the streamer's first interactive comedy. Always wanted to curb Kimmy's (Ellie Kemper) ample enthusiasm? Keen to steer ex-socialite Jacqueline White (Jane Krakowski) towards a few sensible decisions? Think that landlord Lillian (Carol Kane) could be more eccentric and misanthropic? Just love everything that aspiring actor and singer Titus Andromedon (Tituss Burgess) does? Then this is for you, obviously. If you're fond of Jon Hamm's Reverend Richard Wayne Gary Wayne, too, you're also in luck — this interactive episode is called Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend, after all. A whole heap of other famous faces co-star as well, including Daniel Radcliffe, Amy Sedaris, Fred Armisen, Chris Parnell, Jack McBrayer and Johnny Knoxville. Story-wise, few details have been announced, other than a wedding, a journey across three US states, explosions, an evil plan and potentially starting a war against robots. Announcing the special last year, Tina Fey explained that "fans will be able to make choices on behalf of our characters, taking different story paths with, of course, different jokes," in a Netflix statement. Check out a sneak peak below: https://twitter.com/KimmySchmidt/status/1250446252786847745 Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend will hit Netflix on Tuesday, May 12. Image: Netflix.
From the minds behind Carlton's florist-meets-cafe Flovie, comes stunning new bloom-filled sibling venue La Fantaisie. Owners Jia Wang and Valerie Wang have created a café, patisserie, florist and event venue, all rolled into one aesthetic delight in the heart of Abbotsford. La Fantaisie — 'fantasy' in French — boasts enviable interiors by the renowned Bergman & Co (Poodle, Chancery Lane) and two levels filled with Provencal touches. Expect dreamy marble accents, soft archways and lots of artful bouquets on display, ready for sale. Want some coveted local knowledge? The warehouse site is actually owned by AFL legend Dustin Martin, though whether he's a regular here for pastries and flowers is unknown. La Fantaisie's gustatory pleasures include a specialty patisserie offering with Zest coffee to match. Dainty cakes run to the likes of a blueberry-filled choux number, and the Strawberry Love Bite featuring chiffon sponge and vanilla mascarpone whip. More aesthetic goodness fills the brunch menu, in dishes like the curry scrambled eggs with chilli tiger prawns ($26), a triple cheeseburger on black brioche ($24), and a chocolate sable dessert with filo and cherry gel ($23). Smashed avo comes paired with burnt corn and edamame ($22), and an eggs benny stars yuzu hollandaise ($25). There's a slew of photogenic signature drinks, too; from a rose tea latte ($8) to a strawberry mimosa ($15). And a chic high tea offering features during regular programming. Like what you see? The stunning space doubles as an event venue, available for private occasions grand and small. [caption id="attachment_841778" align="alignnone" width="1920"] Lillie Thompson[/caption] Images: Lillie Thompson
