It's lucky that Chris Pine is so likeable in Wonder Woman 1984, or the scene where his character wanders around in the titular year and marvels slack-jawed at the advancements of the period would be unbearably cheesy. It's still cheesy, and inescapably so. He's wearing a bumbag, so it has to be. But, it's also engagingly performed. The look on his face: wonder. The A Wrinkle In Time star once again plays American pilot Steve Trevor, who was last seen in 1918 in Wonder Woman. He's now a man thrust far beyond his own time, and he has much to marvel at. But this sequence also acts as a stark reminder, sending a message to the audience about the film they're watching. No matter how much returning director Patty Jenkins and the powers-that-be behind the DC Extended Universe hope that Wonder Woman 1984's viewers share the same expression — and how much they believe that simply making a sequel to their 2017 blockbuster is enough to cause it — the movie doesn't earn much more than a resigned sigh. When it hit cinemas three years ago, the first movie about Princess Diana of Themyscira — also known as Diana Prince — stood out. Even though the DCEU started five years after the Marvel Cinematic Universe, DC bested its rival by focusing on a female character in its fourth film (for Marvel, it took 21 pictures, only achieving the feat with 2019's Captain Marvel). DC didn't waste its opportunity, either. Wonder Woman isn't a mere cookie-cutter superhero flick, just focusing on a character of a different gender. It champions understanding and emotional intelligence, handles its engaging origin story with sincerity and warmth, and unfurls an adventure where both strength and vulnerability exist in tandem. It also relays a fulfilling tale; a sequel was inevitable, but the initial feature didn't just whet the audience's appetite for the next, plus all the other caped crusader films certain to follow. In other words, Wonder Woman bakes the traits that make its eponymous figure something special into its story and approach, and is all the better for it. In contrast, Wonder Woman 1984 has Diana (Gal Gadot, Justice League) tell everyone again and again that being truthful is far more important than anything else — after an opening scene set among her matriarchal society of Amazons, where she learns the lesson as a girl (Lilly Aspell, Holmes & Watson) during a high-stakes competition against older women. And, with the brightly hued film arriving after a year almost starved of franchise-related comic book tales (other than the pre-pandemic opening of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and the long-delayed release of The New Mutants), this sequel has also decided that more is more in the easiest of fashions. Wonder Woman 1984 doesn't spin the most complicated story, but it's so repetitive and meandering across its 151-minute running time that it's needlessly bulky, muddled and weighed down. A few notable scenes aside, its glossily shot action sequences share the same dragged-out, overblown sensation. Jumping forward almost seven decades within the Wonder Woman films' timeline, Diana has taken up an anthropologist job at the Smithsonian, and turned swinging through malls on her Lasso of Truth to fight crime into her side hustle. But then insecure archaeologist Barbara Minerva (Kristen Wiig, Where'd You Go, Bernadette) starts working beside her, gets tasked with assessing a mysterious gem, and lets Donald Trump-esque infomercial salesman Maxwell Lord (Pedro Pascal, The Mandalorian) take the strange object home with him. It's no ordinary rock, however. It grants wishes, so Maxwell wants to take advantage of that power — and, unknowingly, both Diana and Barbara have already uttered their dreams aloud while holding the stone. These fantasies come at a cost, of course, even before Maxwell uses his to try to take over the world. Yes, in the script penned by Jenkins, Geoff Johns (Aquaman) and Dave Callaham (Zombieland: Double Tap), a magic rock drives the plot — and the aforementioned, overstressed idea that truth triumphs over all, too. Accordingly, it's no wonder (pun intended) that Wonder Woman 1984 feels padded out. And, with Steve's return, Maxwell's hunger for domination and Barbara's transformation into comic book character Cheetah all demanding attention, it's little surprise that Wonder Woman herself is rarely the main attraction. The film misses her, even though she's supposed to be its protagonist. Perhaps that's why the movie opts for spouting the same maxim over and over, instead of sharing her characteristics. It's harder to make a feature that reflects its chief figure when that ostensible point of focus is so often pushed aside. It's far easier to stick to a broad template, stretch it out and assume everyone will just be pleased that Wonder Woman is back in a movie that bears her name. Wonder Woman 1984 also shares Captain Marvel's struggle, because it's so generic that it doesn't ever do its central character justice — or do much more than deliver a paint-by-numbers tale set in a decades-ago era with a woman as its primary superhero. Perhaps serving up lacklustre, formulaic flicks about male and female caped crusaders alike is Hollywood's idea of equality? Viewers are always left wanting more here, because Gadot demands it. She's immensely charming and graceful as the warrior queen — radiating empathy and decency with an earthiness that should clash with Wonder Woman's shining armour and golden tiara, but doesn't — and navigates tightly choreographed stunts as deftly as big emotional moments. She's nicely paired with both Pine and Wiig, the latter first as a friend and later an adversary, but Gadot sparks her own wonder. Wonder Woman 1984 certainly knows how to trot out well-worn beats packaged as part-upbeat heroism, part-social satire, but it just doesn't realise where its true strengths reside often enough. https://www.youtube.com/watch?v=XW2E2Fnh52w
Brothers Ben and Chris Gleeson launched Glee Coffee Roasters on the Central Coast in 2009, and now, 10 years later, it has grown into a four-cafe business and the flagship brand for specialty coffee in the region. Located in the historic Chapman Building, the Glee Coffee Wyong outpost serves its own house blend known as "The Goods", along with single origins from Guatemala — with a taste profile of raspberry, pepper, fudge — and a Nicaragua filter roast described as having blackcurrant yoghurt, cherry, fudge and dark chocolate notes. With a breakfast menu including french toast, avocado delight and waffles, and a lunch menu of pulled pork burgers and nachos, there's something for everyone to get stuck into at Glee.
Don't you wish you could spend two-plus weeks closing out summer and welcoming autumn at the first WorldPride ever held in the southern hemisphere? In 2023, that's set to become a reality, all thanks to Sydney WorldPride. Don't you wish you could see a feast of big-name talent take to this stage for what's basically a mega Mardi Gras? That's coming true, too — and if you now have 'Don't Cha' stuck in your head, Nicole Scherzinger has just joined the bill. The Pussycat Dolls lead singer will headline the already-announced Bondi Beach Party on Saturday, March 4, which will turn the famed stretch of sand into an openair club. For one afternoon and evening only, a casual 12,000 people can dance by the water from dusk to the aforementioned 'Don't Cha', 'Buttons' and more tracks from across her career. As well as Scherzinger, the massive party will feature Australian DJs dameeeela, Jarred Baker, Jacqui Cunningham, DJ Charlie Villas and DJ Dan Murphy — taking to the decks and the sand. Unsurprisingly, the event already proved a hot ticket before the lineup announcement; however, there's a last batch of tickets on-sale now. Scherzinger's addition to the Sydney WorldPride bill slots in alongside Kylie Minogue and Charli XCX opening the festival, MUNA and G Flip closing it, Kelly Rowland headlining the Domain Dance Party and the Sydney Gay and Lesbian Mardi Gras Parade will return to Oxford Street. Also on the lineup from Friday, February 17–Sunday, March 5 around Sydney: more than 45 rainbow artworks all around town and a monumental pride march with 50,000-plus people walking across the Sydney Harbour Bridge, as part of a hefty program boasting more than 300 events over 17 days. This is the largest-ever LGBTQIA+ festival ever held in the region — and yes, it just got bigger. Sydney WorldPride will run from Friday, February 17–Sunday, March 5, 2023, with Bondi Beach Party happening from 3pm on Saturday, March 4. For more information, head to the event's website. Top image: Destination NSW.
On- and off-screen, Bluey is inseparable from Brisbane. For its setting, the hit animated series takes inspiration from the Queensland capital. It also hails from a studio based in the River City. The Heeler home resembles Brissie's Queenslanders. And back in 2022 when a replica of the Bluey house popped up temporarily, of course it happened in Brisbane. It makes sense, then, that you can now step inside the famous Brisbane series at the new Bluey's World experience in Brissie. Announced in 2023 and open since early November 2024, the attraction will get you walking around life-sized sets that recreate the beloved family-friendly show. Yes, the Heeler house and yard are part of the setup — for real life. Yes, you can expect to hear "wackadoo!" more than once while you're there. Movie World might've badged itself as Hollywood on the Gold Coast, but it's no longer the only big tourist hotspot giving visitors to southeast Queensland — and locals as well — a chance to explore their on-screen favourites IRL. An immersive installation sprawling across 4000 square metres, Bluey's World features the Heelers' living room, playroom, kitchen, backyard (poinciana tree included) and more. Alongside bringing the global TV sensation's sets into reality, it also boasts familiar interactive games such as Keepy Uppy and Magic Xylophone, plus other activities for both kids and adults. Maybe you'll be accompanying your own little ones, or your nieces and nephews. Perhaps you know that appreciating the adorable Aussie show about a family of blue heelers isn't just for children. Either way, this new addition to Northshore Pavilion in Northshore Brisbane is big — literally thanks to its sizeable floor plan. And yes, as seen in the series, you can arrive via CityCat. Visitors should plan to spend 70 minutes bounding through the experience — and will also find an indoor playground that nods to Bluey's Brisbane neighbourhood, plus spring rolls and pizza on offer at the cafe. There's a soundscape to match, plus a gift shop. For big Bluey birthday celebrations, the site is hosting parties as well. Bluey's World is exclusive to Brisbane, making it a tourist attraction to fans not only locally and nationally but worldwide. Unsurprisingly, that's a big part of the push from both the Queensland Government and Brisbane City Council, who are supporting the BBC Studios- and HVK Productions-produced experience. Find Bluey's World at Northshore Pavilion, 281 MacArthur Avenue, Northshore Brisbane — head to the attraction's website for more information and tickets.
To help slow and stop the spread of COVID-19, a number of hygiene measures are recommended. We all know them by now. They include frequently washing our hands and using hand sanitiser, maintaining 1.5-metre social distancing and staying home if you've experiencing even the slightest of symptoms. Wearing masks is another tactic, but the approach within Australia has varied state by state throughout the pandemic. They were first mandated in Melbourne back in mid-July, and were made compulsory in some indoor situations in Greater Sydney at the beginning of 2021. In Queensland, they'll be required for the three days that the Greater Brisbane area is in lockdown from Friday, January 6–Monday, January 11, in response to the first community case of the new, more contagious COVID-19 strain in the country. When it comes to flying, because social distancing can be difficult and you're sat in close quarters in a confined space with other people for a period of time, mask usage has long been recommended — but it'll now be mandatory, Prime Minister Scott Morrison announced today, Friday, January 8. The new rule was adopted by the first Australian national cabinet meeting for 2021, alongside a number of other changes made in reaction to the new COVID-19 strain. The mask mandate applies to all domestic flights within the country, and to international flights to and from our shores as well. For domestic flights, only children under 12 won't have to don a face covering. Folks will have to wear masks for not only for the duration of their flights, but at airports as well, including airports overseas for those about to hop on flights to Australia. The rules cover international air crews, too, who will now be required to undergo a COVID-19 test in Australia every seven days or upon arrival, with the exact requirement to be determined by each state. Compulsory pre-flight testing for international travellers coming to Australia has also been adopted by the national cabinet, as part of "a set of improved measures to tighten the end-to-end process of international arrivals in Australia," said the Prime Minister. "Travellers to Australia must return a negative COVID-19 test result prior to departure to Australia," he advised; however, there "will be exemptions in extenuating circumstances. This could include for seasonal workers from amber-risk countries where there is limited access to testing, with mitigation of testing on arrival in Australia". Australia is reducing caps on international arrivals in some states as well — in New South Wales, Western Australia and Queensland — by 50 percent until February 15. In NSW, a weekly cap of 1505 will be in place, while WA's will be 512 and Queensland's will be 500. Quarantine workers will also be subject to changed requirements, moving nationally to daily testing. National cabinet is taking an expansive view of the term 'quarantine worker', and the Prime Minister said that "states are encouraged to take as broad a definition of that as they can, as is done in many states — that would extend to transport workers for people going to quarantine, not just those who are the cleaners or others directly involved in that process, medical staff and so on." As for when this'll all come into effect, the Prime Minister advised that the changes will be implemented "over the course of the next week — and the compliance arrangements that sit around that will be put in place by the Commonwealth and the state governments". For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
When the 2021 Academy Awards took place this week, much about the ceremony was different. From the format and order to the venue and vibe, change was definitely in the air. But another big shift was evident even before the gongs were handed out. Both in cinemas and via streaming, the Best Picture contenders were all available to watch Down Under before the ceremony — so you could check out Sound of Metal from your couch, for instance, then head to your local cinema to see Minari. Nomadland, which won the Best Picture prize, has also been showing in cinemas. It actually first started screening theatrically in Australia on Boxing Day last year, then returned to the big screen in early March. That's a little unusual, and so is the next piece of news: it'll be available to stream via Star on Disney+ from this Friday, April 30. A number of movies have been making the leap from the big to the small screen quite quickly of late, including while they're still in cinemas. Wonder Woman 1984 did just that after Christmas, in fact. That's how the film business has been adapting to the pandemic era. Still, being able to stream the year's Best Picture winner at home mere days after it nabbed the coveted award isn't a usual part of Oscar proceedings. The Chloé Zhao-directed and Frances McDormand-starring film follows the widowed, van-dwelling Fern — a woman who takes to the road, and to the nomad life, after the small middle-America spot she spent her married life in turns into a ghost town when the local mine is shuttered due to the global financial crisis. Charting her travels over the course of more than a year, this humanist drama serves up an observational portrait of those that society happily overlooks. It also won Zhao the Best Director gong, making her the first woman of colour and only second woman ever to nab the prize. McDormand won the Best Actress Oscar, too, and the feature was our best film of 2020 as well. Disney+ viewers will be able to watch Nomadland as part of their regular subscription, with the movie available part of its new Star brand — a just-added new section of the streaming platform that joined the service back in February. For folks yet to see the Oscar-winning film — or if you need a refresher — check out the Nomadland trailer below: https://www.youtube.com/watch?v=jePa57J0Ang&feature=youtu.be Nomadland will be available to stream via Star on Disney+ from Friday, April 30. Top image: Searchlight Pictures. © 2020, 20th Century Studios. All Rights Reserved
In 2017, one filmmaker had viewers around the world swooning. From the moment that Luca Guadagnino's big-screen adaptation of Andre Aciman's Call Me By Your Name premiered at the Sundance Film Festival and then the Berlinale, it wowed audiences, made a star out of Timothée Chalamet and had everyone talking about Armie Hammer's dancing skills. So the news that the acclaimed director is serving up another Italy-set coming-of-age drama is firmly — and understandably — cause for excitement. This time, Guadagnino is doing so on the small screen, courtesy of new HBO mini-series We Are Who We Are. It's set in 2016, and follows two American teenagers living on a US military base with their parents. Jack Dylan Grazer (IT: Chapter Two) stars as 14-year-old Fraser Wilson, a new arrival from New York with his mothers Sarah (Chloë Sevigny, Queen & Slim) and Maggie (Alice Braga, The New Mutants) — while first-timer Jordan Kristine Seamón plays Caitlin Poythress, a veteran of living on the base with her older brother Danny (Spence Moore II, AP Bio), father Richard (Scott Mescudi, aka Bill & Ted Face the Music's Kid Cudi) and mother Jenny (Faith Alabi, Cold Feet). Also featured in this eight-episode tale of friendship, teen angst, first love and finding one's identity are Francesca Scorsese (daughter of iconic filmmaker Martin Scorsese), Ben Taylor, Corey Knight, Tom Mercier (Synonyms) and Sebastiano Pigazzi — with the cast blending well-known names and faces with plenty of newcomers. We Are Who We Are started airing in the US back in September, which is when SBS revealed it would be screening it, too — via SBS Viceland and SBS On Demand. Now, the Aussie broadcaster has announced just when the show will make its local debut, screening weekly on TV from 9.30pm on Tuesday, November 3 and dropping the entire season online at the same time. If you're in the need of a virtual trip to Northern Italy, as directed by the filmmaker also behind I Am Love, A Bigger Splash and the 2018 Suspiria remake — and co-written by Guadagnino with Paolo Giordano (The Solitude of Prime Numbers) and Francesca Manieri (Daughter of Mine) — then add this to your future must-watch list. Check out the trailer below: https://www.youtube.com/watch?v=u6VAQ6LdnKs&feature=emb_logo We Are Who We Are will screen on SBS Viceland and SBS On Demand from November, airing weekly on TV from 9.30pm on Tuesday, November 3 and dropping its entire season online at the same time. Top image: Yannis Drakoulidis/HBO.
Harry Styles is having a huge 2022 already, after headlining Coachella, dropping a new album and announcing a big Australian and New Zealand tour. And, before the year is out, he'll also give his acting skills another workout in not one but two new films: Don't Worry Darling and My Policeman. Yes, this year seems to be going in one direction for the former boy band star. That'd be up, obviously. Actually, it also appears to be sending Styles back in time, to the 1950s to be exact, with both of his upcoming flicks set seven decades ago The first of those two movies is directed by Booksmart's Olivia Wilde, led by Black Widow's Florence Pugh and looks set to unfurl a 1950s-set nightmare when it releases in cinemas in October. Due to hit Prime Video Down Under on November 4, the second of the pair also jumps back to the same decade, but this time as part of a Carol-esque romance. In My Policeman's just-dropped first teaser trailer, Styles plays Tom, the young cop of the movie's title. In sweeping, emotionally resonant period-drama style, the film sees him get caught in a love triangle with teacher Marion (Emma Corrin, The Crown) and museum curator Patrick (David Dawson, All the Old Knives). It'll also flit forward to the 1990s, where the older Tom (Linus Roache, Homeland), Marion (Gina McKee, Phantom Thread) and Patrick (Rupert Everett, The Happy Prince) are still haunted by how things played out when they were younger. If the storyline sounds familiar, that's because My Policeman comes to the screen from Bethan Roberts' 2012 novel of the same name. For the film version, director Michael Grandage (Red) is doing the honours, with Ron Nyswaner (Freeheld, Philadelphia) on screenplay duties. Based on the handsome trailer, which features a hefty mood of yearning, viewers can expect an exploration of love, social expectations, and the heartbreak that springs when the latter dictates the former. And, obviously, for Styles' latest on-screen stint after Dunkirk and Eternals. Check out the trailer for My Policeman below: My Policeman will be available to stream via Prime Video in Australia and New Zealand on November 4. Images: courtesy of Prime Video © AMAZON CONTENT SERVICES LLC.
There's something about the end of winter that gets Australian music festivals locking in their plans for spring, summer and beyond. Already as 2024's frostiest season come to a close, Meredith, Always Live, Beyond The Valley, Bluesfest, Lost Paradise and SXSW Sydney have either announced or added to their lineups. Next up: Good Things. Back when winter was just beginning, the fest confirmed that it'd be back this year and set its dates across the country's east coast. Now, its roster of acts is here just before spring arrives. Korn, Sum 41, Violent Femmes and Billy Corgan will lead the bill when Good Things heads to Melbourne on Friday, December 6, then Sydney on Saturday, December 7 and finally to Brisbane on Sunday, December 8. [caption id="attachment_970650" align="alignnone" width="1920"] Maurice Nunez[/caption] As in previous years, Good Things is again taking over Flemington Racecourse, Centennial Park and Brisbane Showgrounds. That's where you'll hear 'ADIDAS', 'Got the Life', 'In Too Deep', 'Pieces', 'Blister in the Sun', 'Add It Up', 'Today', '1979' and more from the fest's first four big names alone. The complete lineup features both international and local highlights, including Germany's Electric Callboy, plus America's Mastodon, The Gaslight Anthem, Kerry King and L7. Among the homegrown acts, Jet, The Living End and The Butterfly Effect will all take to the stage, as will Killing Heidi performing their 2000 album Reflector in full. Festivalgoers can also look forward to carnival-style stunts and acts at STAGE 666, which returns after proving a hit in 2023. This year's hefty list of bands follows in the footsteps of the reunited TISM, Bring Me the Horizon, The Amity Affliction, NOFX, Millencolin, Devo, Fall Out Boy, Limp Bizkit, Corey Taylor and Pennywise, all of which have graced Good Things in the past two years alone. Good Things 2024 Lineup: Korn Sum 41 Violent Femmes Electric Callboy Billy Corgan Mastodon Kerry King The Gaslight Anthem Jet The Living End L7 Northlane Bowling for Soup Alpha Wolf Sleeping with Sirens The Butterfly Effect 311 AViVA Destroy Boys Dragon Frank Turner and The Sleeping Souls From Ashes to New Grandson Highly Suspect Imminence Killing Heidi (performing Reflector in full) Loathe Reliqa Taylor Acorn Good Things 2024 Dates: Friday, December 6 — Flemington Racecourse, Melbourne Saturday, December 7 — Centennial Park, Sydney Sunday, December 8 — Brisbane Showgrounds, Brisbane Good Things hits Melbourne, Sydney and Brisbane in December 2024. Presale tickets go on sale at 10am AEST on Tuesday, August 27, with general sales from the same time on Thursday, August 29. Head to the festival website for more information. Good Things images: Kane Hibberd.
Restrictions and lockdowns have meant many Melbourne art galleries have spent more time closed than open in 2020. But it seems the culture gods have smiled down and cut us a little slack when it comes to one of the biggest, most anticipated art events to hit the city in three years. The NGV Triennial is set to return for its blockbuster second iteration this summer, taking over NGV International from Saturday, December 19. Breaking Melbourne's art drought with a free large-scale exhibition of international contemporary art, design and architecture, it'll showcase 86 projects by more than 100 artists, designers and collectives. Held every three years, the Triennial made its huge debut in 2017, pulling a hefty 1.23 million visitors and remaining the NGV's most visited exhibition even today. Triennial 2020 looks set to follow suit, as artists from over 30 different countries share a diverse spread of works reflecting on a truly unique time in our world's history. Here, they're diving deep into the themes of illumination, reflection, conservation and speculation. Expect to see US artist Jeff Koons pay homage to the goddess of love Venus with a towering mirror-finished sculptural piece, while renowned interior designer Faye Toogood reimagines a series of gallery spaces with commissioned furniture, tapestries, lighting, sculpture and scenography. She'll nod to the NGV's 17th- and 18th-century collections, while playing with the concepts of daylight, candlelight and moonlight. [caption id="attachment_785399" align="alignnone" width="1920"] Cerith Wyn Evans, The Illuminating Gas at Pirelli HangerBiocca, Milan, 2019. Photo by Agostino Osio.[/caption] Turkey's Refik Anadol has put together a video work, capturing digitised memories of nature with help from artificial intelligence and machine learning. Meanwhile, a showcase by Yolngu woman Dhambit Mununggurr is replete with her trademark blue hues, including a set of 15 large-scale bark paintings. Lauded Japanese architect Kengo Kuma joins forces with Melbourne-based artist Geoffrey Nees, using timber from trees that died during the Millennium Drought at Melbourne's Royal Botanic Gardens to construct a pavilion. The structure will then feature as part of a multi-sensory walkway delivering audiences to a new piece by South Korean artist Lee Ufan. British artist Alice Potts uses flowers and food waste to create a set of bioplastic face masks, Spanish-born designer and architect Patricia Urquiola crafts giant-sized socks from upcycled textile furnishings, and South Africa's Porky Hefer sheds some light on ocean pollution with his large-scale dystopian under-the-sea scenes. If ever there was an exhibition worthy of your post-lockdown gallery-hopping debut, it's this. The NGV Triennial 2020 will be on show at NGV International from Saturday, December 19 until Sunday, April 18, 2021. For more info and to see the full program, visit the NGV website. Top images: 1. Kengo Kuma & Associates, Tokyo and Paris, Kengo Kuma and Geoff Nees. Botanical pavilion 2020 (render), commissioned by the National Gallery of Victoria, Melbourne. Purchased with funds donated by Connie Kimberley OAM. Copyright and courtesy of the artists. 2. Refik Anadol, render of Quantum memories 2020, commissioned by the National Gallery of Victoria, Melbourne. Purchased with funds donated by Loti & Victor Smorgon Fund and Barry Janes and Paul Cross 2020.
This New Year's Eve, it's time to turn back the clock. Pumping out his signature '90s hip hop classics, the legendary Grandmaster Flash is hitting The Soda Factory for a house party like no other. Spinning an unmissable set of old-school records, the founding father of the hip hop scene will be sending off the year-that-was in spectacular fashion. The Grandmaster is gearing up to bring his truly partystarting edits to our shores this NYE. Renowned for breaking new ground and pushing the limits of what DJs are capable of, Flash paved the way for the mixing methods seen pumping across clubs and airwaves today. Tucked away in Surry Hills, The Soda Factory will play host to partygoers looking for a spot to one-two step their way into 2015. Bring your mates and best dance moves along for some Grandmaster tracks this New Year's Eve. Thanks to the Soda Factory, we're giving away a VIP NYE experience for you and SIX friends this December 31. You'll nab: 6x tickets to the NYE Grandmaster Flash House Party at The Soda Factory A VIP booth for your gang A Magnum of Chandon to share Plus, as the lucky winner, you'll have one very happy 2015, with a year's supply of hotdogs from the Soda Factory for you and a friend. Simply show your face at the Soda Factory throughout the year to collect your prize. Two runners up will also receive passes to the Soda Factory's NYE House Party. To be in the running for this prize, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address: Sydney: win.sydney@concreteplayground.com.au The winner will be drawn on Friday, December 26.
Starting a new business is daunting, even if you're confident that you've got a game-changing idea or unrivalled product on your hands. We're here to help — we teamed up with the business solution experts at Square to chat to three stalwarts of Sydney's hospo scene, and got their key points for starting a small business. The Love Tilly Group know a thing or two about getting a business off the ground. Matthew Swieboda, Nathanial Hatwell and Scott McComas-Williams are behind some of Sydney's best restaurants and wine bars, including Love, Tilly Devine, Ragazzi, Fabbrica, Dear Saint Éloise and Palazzo Salato. Bitter Phew has been pouring craft beers from Australia and around the globe at its Oxford Street digs for a decade. Founded by Aaron Edwards and Jay Pollard, the upstairs bar was recognised as Australia's Best Beer Venue by the Australia Liquor Industry Awards in 2023, and voted Australia's Top Beer Venue by Beer & Brewer Magazine in 2020 and 2017. Helmed by Kenny Graham and Jake Smyth, The Mary's Group started with a burger shop in Newtown in 2013. Since then, the group has expanded to open five other eateries, two music venues (Liberty Hall and Mary's Underground) and natural wine brand P&V Wine + Liquor Merchants. From staying flexible and trialling new systems to the importance of communication and media, The Love Tilly Group, Bitter Phew and The Mary's Group share what they've uncovered from starting their respective businesses. What were the most important steps you took before opening your business? "We opened our first business, Love, Tilly Devine, in the backstreets of Darlinghurst way back in 2010. We were young and built the business on the smell of an oily rag with the idea of giving the people of Sydney access to premium and exciting wines, without the preconceived notion that wine bars needed to be stuffy," shared Managing Director Nathanial Hatwell. "At the time, we didn't know where this journey would take us, but the concept of Love Tilly still rings true to this day. Nailing that concept was fundamental to the success of the group that we have become." Though staying true to your original concept and brand is important, it's also vital to be able to adapt. Prior to opening each Mary's venue, Kenny Graham and Jake Smyth have tried to reevaluate and evolve the brand from its original roots on Newtown's back streets. "As we grow as people and as a company, we want to open the doors wider, metaphorically speaking. We wanted our own kids to be excited about going to a Mary's venue. [We tried to] Embrace current popular culture more, expand the offering a little, and make it fun for a wider range of people." Bitter Phew's Aaron Edwards had some practical tips. "Work on engaging events to garner new customers and help build your base." He added, "Have enough liquid cash — try to have reserves for those ups and down in the first year. Where possible, avoid borrowing excessive money as you want to have the freedom to work on your business." What's one key thing you wish you knew before you opened your doors? "As we've grown, systems and processes have been introduced in order to streamline our operations. Some of those have been trial and error, which have unfortunately cost us time and money," responded Hatwell. "In retrospect, we could have been better at doing our research in the lead-up and ensuring that the correct systems were introduced from the get-go." Edwards focused on the importance of communication, branding and media. "I thought that what we were doing would get enough attention, so I didn't push media enough. I would partner with media partners earlier and communicate clearly how you are building a diverse and interesting offering for the community." Graham and Smyth had a similar answer. "Speed, options, and clear and concise visual information is a must. People need to know at a glance who you are, what you do, and how they go about getting it. Barriers to entry need to be removed at any point." [caption id="attachment_780347" align="alignnone" width="1920"] Nikki To[/caption] What methods did you use to generate buzz and attract customers before opening? All three businesses emphasised the significance of communication, marketing and media. "Over the years, we've been lucky enough to work with some of the best in the industry when it comes to marketing, PR and social media engagement, which we continue to rely upon to this day," said Hatwell. Bitter Phew had an advantage by "Making sure our socials were up and running before [opening], and connecting with key influential people in our industry to ensure we were on the right track." "Great communication at every point is key," explained Graham and Smyth. "We engaged with local businesses and the community, and we spent months working on new branding ideas to help introduce ourselves to what we perceived as a new market. We engaged our PR Agency, Electric Collective, to help land some important media pieces. We staged a marketing campaign via our own social media and EDM channels. Little by little and piece by piece, it helps towards creating a structured and controlled narrative." [caption id="attachment_979760" align="alignnone" width="1920"] Trent Van Der Jagt[/caption] How did Square help you stay organised? "Square makes the POS side of things super easy. It's modern tech for a modernising industry, and it takes the time and pain out of what used to be a laborious process," shared Graham and Smyth. "The system looks great, operates fluently and allows us to tap into our business instantly. We can check the app on our phone and see how business is going. The ease of transparency allows us to use the tools available to us to operate a more dynamic business. They say that retail is detail and Square helps us greatly with keeping our eyes on the important things." "The Square dashboard is phenomenal, providing oversight across all of our venues on a day-to-day basis," added Hatwell. "The payment terminals are super user-friendly and allow us the opportunity to customise the guest experience." Find out how Square can kickstart your business at squareup.com.
Award-winning street artist and muralist Matt Adnate has added a big dose of colour to Clovelly Beach with the creation of a vibrant new mural at the swimming hole's surf club. Depicting surf life savers in action — and Clovelly's most beloved resident, the iconic blue groper — the expansive public artwork now adorns the north wall of the Clovelly Surf Life Saving Club, facing out onto the water. One of Sydney's most beloved swim spots, Clovelly is known for its myriad of underwater life and its concrete sunbathing areas. The latest edition to this eastern suburbs hub comes courtesy of Dulux, who commissioned the mural to celebrate the tenth anniversary of its partnership with Surf Life Saving Australia. Beachgoers will notice that a can of Dulux paint and the old English sheepdog synonymous with the brand also make appearances on the mural, alongside the surf life savers and local sea life. Across the last decade, Dulux has donated over 40,000 litres of paint to more than 250 surf life-saving clubs across Australia. Several surf clubs were considered for the mural, but it ended up on the walls at Clovelly due to its longstanding role in the community — with the club established over a century ago in 1906 — and its iconic look. The artist behind the work, Matt Adnate, has created larger-than-life public artworks around Australia including the Southern Hemisphere's tallest mural at a Collingwood public housing block. He also created the ARIA-award-winning cover art for Baker Boy's acclaimed debut album Gela. Adnate's Clovelly Beach mural is now complete, so anyone heading out to the beaches for a swim or a cliff walk this weekend (or in the near future, once this rain stops) should drop into Clovelly to check out its new dose of public art. Clovelly Surf Life Saving Club is located at Bundock Park, Donellan Circuit, Clovelly. Images: Enzo Amato.
Mona has never shirked attention. Tasmania's Museum of Old and New Art has welcomed it, in fact, whether it's bringing in 80 tonnes of sand, is allowing music fans listen to the sole copy of Wu-Tang Clan's Once Upon a Time in Shaolin or is part of a TV show about potentially eating Australia's invasive animal species — and that's just in the past year. Also part of the venue's story over the past 12 months or so: the legal proceedings around Ladies Lounge, the feminist installation created by artist and curator Kirsha Kaechele, which was taken to court due to an anti-discrimination complaint. Two big developments impacted Ladies Lounge in 2024: first, in April, the Tasmanian Civil and Administrative Tribunal ruled that it must start letting men enter; then, a September decision by the state's Supreme Court upheld Mona's appeal, permitting it to reopen for women only to continue to make its statement about the lack of opportunity historically offered to ladies by such spaces. Kaechele did indeed relaunch the installation, but only briefly, while flagging that it could go on tour. So, after ending its run at its original home in January 2025, Ladies Lounge is now headed to the Gold Coast. Each year, the coastal Sunshine State spot turns over much of the city to Bleach*, its annual arts festival. This year, Ladies Lounge is on its lineup. This is the first time that it will pop up beyond Mona, and therefore also beyond Tasmania, with the Gold Coast's HOTA, Home of the Arts playing host to the feminist space. "Yes, some boys may be allowed in for domestic arts lessons and reparations," the fest advises. Bleach* 2025 runs from Thursday, July 31–Sunday, August 10, also covering music, opera, drama, food and more, all at festival hubs a HOTA, Kurrawa Park and Emerald Lakes. It has more big art names attached, too. Australian visual artist Michael Zavros is the festival's guest Artistic Director for the year, curating a program that spans 100-plus events. Among them, Patricia Piccinini's Skywhale and Skywhalepapa are on the lineup, and will float through the Gold Coast's skies. That's how Bleach* will kick off at sunrise on its first 2025 day. "It's such a thrill to come on board as guest Artistic Director and launch Bleach* 2025. We've been shaping this festival for some time now, and it's incredibly rewarding to see the program come to life and finally share it with our audiences," said Zavros, announcing this year's bill. "We've dreamed big this year — pushing for bold, ambitious moments — and it's exciting to see those ideas realised in such powerful ways. Bleach* continues to play a vital role in the Gold Coast's arts and culture scene, and this year's program is a true reflection of the city's creative spirit and growing artistic ambition." Among the festival's three world premieres of works created on the Gold Coast, plus five Queensland premieres and plenty of other must-sees, other highlights include opera, classical music and dancing horses taking over Kurrawa Beach; artist Jeff Koons getting chatting at an exclusive in-conversation event; and Selve's new album Breaking Into Heaven performed in full with lasers, Karul Projects dancers and the Australian Session Orchestra outdoors at HOTA. Or, there's also Drum As You Are, a family-friendly Nirvana tribute — one of the iconic band's albums is called Bleach, after all — that'll feature both professional and community drummers. Unsurprisingly given that he's steering this year's festival, you can also see Zavros' Drowned Mercedes, the sculpture that was first unveiled in Brisbane in 2023 and, yes, features a 1990s Mercedes-Benz SL convertible filled with water. Zavros is also taking part in life-drawing sessions, Melissa Spratt and Tal Fitzpatrick are teaming up to showcase how textiles can be comforting in public space, and Josh Cohen's Radiohead for Solo Piano II will be in the spotlight. Bleach* 2025 runs from Thursday, July 31–Sunday, August 10 at various locations around the Gold Coast. For further information, head to the festival website.
Itching to take a break from working from home by plunging yourself into the great outdoors? Love the idea of turning on your OOO message and hitting a six-day nature hike, getting a rush of adrenaline as you speed down a mountain on a bike, or gliding over expansive desert sands at exhilarating heights? Then it might be time to put Central Australia on your travel map. Home to some of the most epic activities the country has to offer, taking the plunge and visiting the Red Centre might be the little pick-me-up you need. So, we've partnered with Tourism Central Australia to bring you some of Central Australia's most thrilling activities.
When trying to navigate city streets on a bike, it's not exactly the safest move to pull out your phone to use the GPS. With new product Hammerhead Navigation though, riders no longer have to worry about losing focus to find directions on an unfamiliar route. The appropriately named device looks like a hammerhead and features LED lights that guide directional change and indicate hazards on a course. The Hammerhead is mounted right in the cyclist's peripheral vision, making it safer to ride on terrain they've never biked on before. The purpose of the simple design is to not distract bikers with complicated screens and graphics. Instead, it uses simple intuitive signals that are not distracting. The route comes from the user's smartphone, which syncs with Hammerhead using a system based on biking apps MapMyRide and Strava. In addition, their app will utilise crowdsourcing to gather information about the best routes (depending on user-set preferences) and potential road hazards. Hammerhead users will also be able to suggest routes to their fellow riders. Once a user chooses a route from their phone, Hammerhead can function from a locked and stored smartphone. No GPS information is stored in the Hammerhead device; rather, it uses location information from the smartphone to navigate the predetermined route. Hammerhead benefits from having a 14-hour single charge lifespan, so you can be sure it will stick with you on longer rides. Because users' smartphones connect to the device using Bluetooth, it will not drain phone batteries like other GPS devices. Like most innovative products these days, the team behind Hammerhead Navigation used crowdfunding to develop their product. Hammerhead is expected to ship to its first backers by September 2014. Go ahead, bike the path less travelled. https://youtube.com/watch?v=lHtwvvKf65w Via Fast Company
If you've ever watched the films of Studio Ghibli and wished you could walk right into their gorgeous frames, you're not alone. In fact, you're only human. The beloved animation house already boasts one site that basically lets you do just that, thanks to its museum in Mitaka, a city on the western outskirts Tokyo — but, come 2022, it'll also unveil its very own theme park. The studio initially announced the news in 2017, with a plan to open in 2020. Then, in 2018, it pushed back its launch timeline to 2022. It's still aiming to open at least parts of the park next year, which should have you crossing your fingers that international travel starts returning to normal by then. Need more motivation? A few more details about the park have been revealed, and they're worth getting excited about. In big news for fans of Howl's Moving Castle, Ghibli's park will feature a life-sized replica of the titular structure. It'll reach about 16 metres in height, and you'll be able to step inside to check out Howl's bedroom. Hideaki Ōmura, the governor of Nagoya's Aichi Prefecture where the park will be located, tweeted a CGI concept image of the castle — and, while the structure is only depicted in white, it still looks as impressive as it sounds. It won't move, though, but the cannon on the front will. [caption id="attachment_799539" align="aligncenter" width="1920"] Studio Ghibli[/caption] Also slated to feature in the park: nods to the cat from Whisper of the Heart and The Cat Returns, buildings with design elements that take their cues from Laputa: Castle in the Sky, and a super-sized garden that'll make you feel like you're one of the tiny characters in Arrietty. There'll also be a permanent exhibition room, a special exhibition room, a video exhibition room, a playground, and a shop and cafe, so you'll have plenty of places to explore, eat and browse. Yes, the Ghibli site will spirit visitors away to a whole realm dedicated to its considerable catalogue of movies — although it was initially described as a My Neighbour Totoro-focused park. Totoro-themed attractions are still part of the design, including a replica of Satsuki and Mei's house, which already exists at the 200-hectare Expo Park site. However, you'll also be able to check out the antique shop from Whisper of the Heart, Kiki's home from Kiki's Delivery Service and a village area that pays tribute to Princess Mononoke. The latter certainly looks the part, as Governor Ōmura also tweeted. [caption id="attachment_799541" align="aligncenter" width="1920"] Studio Ghibli[/caption] Expect more nods to Ghibli's various features to follow, recreating other aspects from its three-decade-old body of work — and possibly its latest movie, Earwig and the Witch, too. If the end result is even half as wondrous as the studio's aforementioned museum, then fans are in for a treat. There, you can climb up to the building's rooftop garden to see one of the robots from Laputa: Castle in the Sky; watch exclusive shorts, including a sequel to My Neighbour Totoro; and touch a life-sized cat bus, which kids under 12 can climb and play on. Indeed, the museum is such a tourist attraction, you have to buy tickets over a month in advance — and experiencing the rush of folks in the merchandise-packed gift shop will make you feel like a susuwatari (Totoro's gorgeous little balls of floating soot). Incorporated into the existing parklands, the theme park will be heavy on greenery and the natural surroundings, which matches the environmental messaging that plays a prominent part in Ghibli's movies. The site will also encourage "enjoying walking", according to the draft concept outline, while aiming to offer "a one-of-a-kind park loved by more people". We don't think either will be difficult. The Studio Ghibli theme park is slated to start opening in 2022. For more information, keep an eye on the animation company's website.
Despite some Australian weather maps saying the contrary this week, summer is officially on our doorstep. And what better way to celebrate than with a brand new range of creamy, ice cold treats from the legends at Gelato Messina? The famed gelateria's chefs have been hard at work over the past three months, creating an all-new line of its beloved cakes, all of which are set to hit stores across the country this week. The Dr. Evil's Magic Mushroom cake, with its recognisable polka dot shell, will be the only creation to carry over from the previous range, which has been winning fans and sweetening up group celebrations since way back in 2012. This is also the first time Messina's done a near complete overhaul of its cake offering all at once. In keeping with the usual Messina vibe, the newcomers are as whimsical as they are expertly crafted, and almost too good looking to destroy. Five follow the style of the classic gelato cake, while three "trans cakes" are designed to be enjoyed either from the fridge or straight from the freezer. In the lineup, you'll find intricate delights like The Golden 8 — featuring a Ferrero Rocher-inspired ball of hazelnut gelato, mousse and fudge, encased in a smooth chocolate orb — as well as more classic designs, like the coffee-infused Tiramisu Tart. There's also a big focus on using great local produce, too. The vibrant Strawberries & Cream cake features fruit from Messina's own strawberry farm in Dural, NSW, while the cow-like How Now teams house-made dulce de leche with jersey milk-soaked sponge and vanilla cream. As with the rest of the products, each cake's infused with creamy jersey milk from Messina's own Victorian dairy farm. Keep them in mind if you find yourself in charge of desserts for any impending festive celebrations. The nine new Gelato Messina cakes start at $58 and are available online or in-store from next week.
Game of Thrones was always going to spark spinoff shows. Indeed, when HBO started thinking about doing a prequel five years ago, before the huge fantasy hit had even finished its run, it was hardly surprising. And, when the US network kept adding ideas to its list — including a Jon Snow-focused series with Kit Harington (Eternals) reprising his famous role, novella series Tales of Dunk and Egg and an animated GoT show, to name just a few prequels and spinoffs that've been considered, but may or may not actually come to fruition — absolutely no one was astonished. So far, just one fellow GoT-related series has hit screens: House of the Dragon, which jumps back into House Targaryen's history. When it arrived in 2022, it became an instant success. Accordingly, it was quickly renewed for season two. But if you've been hanging out for the next part in its story, and hoping to see it in 2023, you might have to wait a little longer. In an interview with Variety, HBO and HBO Max content CEO Casey Bloys has advised that viewers likely won't be returning to Westeros until sometime in 2024. He said that timing for House of the Dragon season two's debut "is a good guess", and that it probably won't be eligible for the Emmys held that year — which means that new episodes might be coming in winter Down Under, fittingly. The first season also started screening and streaming during Australia and New Zealand's winter, so that'll mean a two-year gap — or thereabouts — between the show's maiden go-around and its second effort. And, it means thinking "winter is coming" to yourself all over again, amid pondering the GoT realm's relationships, flowing long blonde hair, dragons, stabbings and fights for the Iron Throne (whether or not you turn watching House of the Dragon into a drinking game, as we did). The series kicked off 172 years before the birth of Daenerys and her whole dragon-flying, nephew-dating, power-seeking story, and gave HBO its largest American audience for any new original series in its history when it debuted. Yes, House of the Dragon is basically a case of new show, same squabbles, as it was easy to foresee it would be. Yes, it's pretty much Game of Thrones with different faces bearing now well-known surnames — and more dragons. If you haven't yet caught up with the series, it dives into the battle for the Iron Throne before the one we all watched between 2011–19. Paddy Considine (The Third Day) plays King Viserys — and it's exactly who should be his heir that sparks all the Succession-style fuss. The words "succession" and "successor" (and "heir" as well) get bandied around constantly, naturally. The king has a daughter, Princess Rhaenyra Targaryen (played by Upright's Milly Alcock, then Mothering Sunday's Emma D'Arcy), who is also his first-born child. But because putting a woman on the throne isn't the done thing, the King's younger brother Prince Daemon Targaryen (Matt Smith, Morbius) considers that spiky iron chair his birthright. And, this wouldn't be Westeros if plenty of other people didn't have an opinion, including Ser Otto Hightower (Rhys Ifans, The King's Man), the Hand of the King; his own daughter Alicent (The Lost Girls' Emily Carey, then Slow Horses' Olivia Cooke); and Lord Corlys Velaryon (Steve Toussaint, It's a Sin), who is married to Princess Rhaenys Velaryon (Eve Best, Nurse Jackie), who had a better claim to the throne when Viserys was named king instead. Also yes, this latest adaptation of George RR Martin's popular fantasy books is bound to continue on for more than just two seasons, but that's all that's confirmed for the moment. Check out the full House of the Dragon trailer below: House of the Dragon streams Down Under via Foxtel and Binge in Australia and SoHo, Sky Go and Neon in New Zealand. Read our full review of season one. Via Variety. Images: Ollie Upton/HBO.
What'll start at the Melbourne Cricket Ground, then spread plenty of sports around Victoria? Every year, the AFL season does just that — but soon, the Commonwealth Games will as well. Just four years out from the event, and mere months away from 2022's games in Birmingham, England, regional Victoria has been named as the event's 2026 host. While the opening ceremony will take over the MCG — where else? — the games themselves will play out in Geelong, Bendigo, Ballarat and Gippsland. Each spot will operate as regional hub, scoring their own athletes' village and sports programs, and spreading the event around the state in the process. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] And, because the 2026 Commonwealth Games really are set to take advantage of as much of Victoria as they can, Shepparton will also host sporting and cultural events, too. If you're wondering exactly what'll be hosted where, it's been proposed that all of the aquatics events happen in Geelong, as well as hockey, gymnastics, table tennis, beach volleyball and the triathlon. Gippsland could host badminton and rugby, athletics and boxing has been earmarked for Ballarat, and Bendigo looks set to welcome weightlifting, lawn bowls and squash. The cycling program will likely take place from Gippsland to Bendigo, while Geelong, Bendigo, Ballarat and Gippsland would all host cricket. And, there'll be a para sport program as well, with para athletics, para swimming, para lawn bowls, para table tennis, para triathlon and para powerlifting already locked in. It's official: the 2026 Commonwealth Games will be the Regional Victoria games. — Dan Andrews (@DanielAndrewsMP) April 12, 2022 Announcing the news, Victorian Premier Daniel Andrews said that "it's a great honour to have Victoria chosen as the host venue for the 2026 Commonwealth Games — we can't wait to welcome the world to all of our state." It's estimated the 2026 games will give the Victorian economy a$3 billion boost, creating more than 600 full-time jobs before the event, as well as 3900 jobs while they're on and another 3000 afterwards. The Commonwealth Games will also feature cultural events spread across the state, and the Queen's Baton Relay will race through Victoria's various regions in the weeks leading up to the opening ceremony. And yes, Australia only recently held the games, back in 2018 on the Gold Coast. Also, this means that Australia will host two huge sporting events in the next decade, given that Brisbane has already been locked in as the site for the 2032 Olympic Games. The 2026 Commonwealth Games will take place in regional Victoria in 2026, with exact dates to be announced. For more information, head to the Commonwealth Games website and Victorian Government website. Top image: StephenK1997 via Flickr.
UPDATE: MAY 6, 2020 — You can now watch celebrities narrate Harry Potter and the Philosopher's Stone thanks to Harry Potter at Home's new weekly recordings. First up is Potter himself — Daniel Radcliffe — reading the first chapter, 'The Boy Who Lived'. Then, it'll be the likes of Stephen Fry, Claudia Kim, Eddie Redmayne, David Beckham, Dakota Fanning and Noma Dumezweni. You can watch via the website or listen on Spotify. If Hogwarts was a real place, no one would be able to visit it at present. But if you're still dreaming about all things magical despite the current state of the world, you can accio up a slice of the fictional school while cooped up in your own house. You've probably already watched and rewatched all the Harry Potter films, and the Fantastic Beasts flicks. Maybe you've started reading your way through the books again as well. Now, if you're looking for an added dose of wizarding fun, you can also head to new online hub Harry Potter at Home. A fresh addition to Warner Brothers and Pottermore's Wizarding World website, Harry Potter at Home aims to become a one-stop shop for Boy Who Lived-related activities during these self-isolating times. And while it's primarily aimed at kids (and their parents, teachers and carers), so were JK Rowling's books — and that hasn't stopped fans of all ages obsessing over Harry, Ron, Hermione and the gang by heading to HP-themed boozy potions classes, kitting themselves out in Hogwarts-inspired attire, sleuthing their way through escape room challenges, participating in scavenger hunts, shopping at dedicated stores, playing Pokémon Go-style games on their phones, and getting excited about a potential new Harry Potter theme park. Visitors to Harry Potter at Home will find articles, quizzes and puzzles, including Harry Potter-themed crosswords. You can also find out your Hogwarts house via virtual sorting hat, too. And, you can spend some time watching crafting videos that'll teach you how to knit a Weasley family-inspired scarf and bust out Marauder's Map-worthy calligraphy skills — which are also available via Wizarding World's YouTube channel. You can also watch celebrities narrate Harry Potter and the Philosopher's Stone thanks to Harry Potter at Home's weekly recordings. First up is Potter himself — Daniel Radcliffe — reading the first chapter, 'The Boy Who Lived'. Then, it'll be the likes of Stephen Fry, Claudia Kim, Eddie Redmayne, David Beckham, Dakota Fanning and Noma Dumezweni. You can watch via the website or listen on Spotify. New activities, videos, puzzles and articles will be added regularly, with Potter diehards able to access Harry Potter at Home for free — and sign up for a weekly newsletter. https://www.youtube.com/watch?v=Bp21Xijewlg If you're a muggle who's somehow new to all things Harry Potter — or you're eager to go back to the beginning again but haven't yet done so — Pottermore Publishing is also making Harry Potter and the Philosopher's Stone available for free via eBook or audiobook until the end of April. For further details, visit the Harry Potter at Home website. Top image: Harry Potter and the Chamber of Secrets, Warner Bros. Pictures.
Buying and supporting local projects is a proud badge worn by many a Sydneysider. You like buying Marrickville-made jam from Eveleigh markets, you support emerging Sydney psych bands at FBi Social every other week, so why wouldn't you also support Sydney's best local innovators online? Pozible have launched a Sydney-specific page, dubbed The Sydney Edit. Previewed at Vivid Ideas' hugely popular Stand Up, Stand Out event, The Sydney Edit puts local innovations under their own spotlight — making it easier for community-loving backers to find the crowdfunding projects in their own backyards. During Pozible's event at Vivid Ideas last week, the crowdfunding heavyweights asked current project instigators to live pitch to a physical audience. Sydney creators behind AKIO, The Right Foot, The Human Sound Project and the Flute Handbag Collection had five minutes to pitch their crowdfunding ideas, then a further ten to present their work. The audience then pledged $30 of their ticket price to their favourite project in a kind of real life Pozible backing. Sydney's DirtyFeet and their project The Right Foot took out the top spot and will soon see $4050 put into their Pozible campaign (just over a grand more than their own $3000 target). The Right Foot offers creative contemporary dance workshops for young people aged 14-26 with and without disability. Nice one guys. Sydney has already proved supportive of local Pozible ventures in the past, with the successful funding of Newtown motorbike workshop-meets-ramen cafe Rising Sun Workshop. The rev-enthusiasts raised $38,500 on the site and opened in April 2014 to much backer applause. In Pozible's Sydney Edit Collections section, Pozible works with a number of local organisations across the arts sector and creative industries, as well as government, community and non-profits. This is where you'll find 'collections' of Pozible campaigns under the likes of Vivid Sydney, Sydney Fringe Festival, Underbelly Arts, Alaska Projects and many more locally-based legends you can get behind. So throw in some spare cashola and crowdfund your own city's Pozible projects at The Sydney Edit. Top image credit: Rising Sun Workshop.
What do candles, lip balm, lube and body wash all have in common? Here's the tastiest answer: buy a particular kind and they'll get you a-hankering for dessert. Because Gelato Messina adores ice cream-flavoured everything and it also adores collaborations, the sweet treat chain has spent the past few years teaming up with Maison Balzac, Lanolips, Standard Procedure and now Sundae Body — with the latest partnership serving up gelato-flavoured shower foams. Launching on Tuesday, April 11, and only available via Priceline and Messina and Sundae Body's websites, this new range lets Messina fans get their fix in body wash form. Get ready to get lathering in four flavours: strawberries and cream, lemon meringue pie, raspberry sorbet and lamington. Messina's affection for the humble lamington clearly knows no bounds, and nor should it — after the brand turned the coconut-covered cake into gelato, then sticky scrolls, chocolates and gelato bars, before now this. As its growing range of merchandise and other non-edible items shows, it's just as dedicated to spreading the ice cream love in as many forms as possible. And, to getting your tastebuds craving its gelato when you're scenting your home, protecting your smackers, slipping between the sheets and bathing. The limited-edition Sundae x Messina collection is made in Australia, featuring vegan and cruelty-free formulas based on Messina's gelatos, and also free from parabens and sulphates. Each shower foam comes in a container inspired by the dessert chain's waffle cones, too. And, if you'd like to try all four, Sundae Body is selling bundles featuring one of each for $68. "It's not every day you can take Messina into the shower and come out sparkling clean. We've loved creating four gelato-flavoured body washes and can't wait to get these into your hands to enjoy," said the Messina team. "Sundae Body is all about serving you delicious-smelling and fun everyday products and we couldn't think of a better brand to align with than Gelato Messina," advised Sundae Body co-founder Lizzie Waley. The Sundae x Messina collection is available from Priceline stores, the Messina website and Sundae Body's website from Tuesday, April 11.
In 1996, Independence Day topped the worldwide box office. In music, Los del Rio's 'Macarena' did the same on America's Billboard chart. And, on television, 3rd Rock From the Sun and Sabrina the Teenage Witch made their debuts. Get nostalgic for that year, no matter whether you lived through it or not, and you'll likely think about all or some of the above — plus everything from fellow movie hits Twister and Scream through to tunes such as 'Ironic' and '1979'. Well, unless you're the women of returning 2021–2022 standout Yellowjackets, that is. For Shauna (Melanie Lynskey, The Last of Us), Natalie (Juliette Lewis, Welcome to Chippendales), Taissa (Tawny Cypress, Billions), Misty (Christina Ricci, Wednesday), Lottie (Simone Kessell, Muru) and Van (Lauren Ambrose, Servant), 1996 will always be the year that their plane plunged into the Canadian wilderness, stranding them for 19 tough months. As teenagers (as played by The Kid Detective's Sophie Nélisse, The Book of Boba Fett's Sophie Thatcher, Scream VI's Jasmin Savoy, Shameless' Samantha Hanratty, Mad Max: Fury Road's Courtney Eaton and Santa Clarita Diet's Liv Hewson), they were members of the show's titular high-school soccer squad, travelling from their New Jersey home town to Seattle for a national tournament, when the worst eventuated. Films, songs and shows couldn't be more trivial when an incident like that sears itself in your history. [caption id="attachment_894477" align="alignnone" width="1920"] Colin Bentley/Showtime.[/caption] Afterwards, life would never be the same — not during the time they spent fending for themselves in the forest, and not a quarter-century later as well. In both its instantly addictive Emmy-nominated debut season and just-arrived second go-around, which streams weekly via Australia's Paramount+ and Aotearoa's Neon from Friday, March 24, Yellowjackets flits between these two time frames. Hailing from creators Ashley Lyle and Bart Nickerson (Dispatches From Elsewhere), it openly courts nostalgia itself in the process. References abound to pop-culture touchstones of the era, the soundtrack is a dark and grungy 90s dream, and the show's theme tune 'No Return' echoes with killer throwback vibes (even if Shrill's Craig Wedren and Anna Waronker, the program's resident composers, created it anew for the series). All that looking back cuts deep, though, with Yellowjackets pondering what happens when someone's yearning for days long passed is forever tainted by trauma. There's far more than wistfulness lost, robbed and infected at the heart of this survivalist thriller, of course; when it premiered, it was understandably pegged as Lost-meets-Lord of the Flies with an Alive twist, a neat but accurate-enough basic summary. All isn't always what it seems as Shauna and company endeavour to endure in the elements. Also, tearing into each other occurs more than just metaphorically. Plus, literally sinking one's teeth in has been teased and flirted with since episode one, too. But Yellowjackets will always be about what it means to face something so difficult that it forever colours and changes who you are — and constantly leaves a reminder of who you might've been. That's where the series' jumping back and forth remains so crucial, exploring shattering turns of events and the choices they spark, then watching their ripples keep biting hard decades later. When Yellowjackets ended its first season, it was with as many questions as answers. Naturally, it starts season two in the same way. In the present, mere days have elapsed — and Shauna and her husband Jeff (Warren Kole, Shades of Blue), who was also her best friend Jackie's (Ella Purnell, Sweetbitter) boyfriend before the crash, are trying to avoid drawing any attention over the disappearance of Shauna's artist lover Adam (Peter Gadiot, Queen of the South). Tai has been elected as a state senator, but her nocturnal activities have seen her wife Simone (Rukiya Bernard, Van Helsing) move out with their son Sammy (Aiden Stoxx, Supergirl). Thanks to purple-wearing kidnappers, Nat has been spirited off, leaving Misty desperate to find her — even enlisting fellow citizen detective Walter (Elijah Wood, Come to Daddy) to help. These narrative threads each connect backwards, where two months have gone by since season one wrapped up. There, as winter makes searching for food and staying warm an immense feat, Shauna is heavily pregnant and also severely grief-stricken. Van thinks that she has a solution for Tai's nighttime departures, but they're stubborn. Nat spends her days scouring the woods with Travis (Kevin Alves, Locke & Key), one of their coach's sons, for his missing brother Javi (Luciano Leroux, A Million Little Things) — and her nights attempting to counter Lottie's "witch-doctor messiah" turn. And Misty has a new pal there, too, courtesy of theatre devotee (and fellow survivor and soccer-team member) Crystal (Nuha Jes Izman, FBI). [caption id="attachment_894479" align="alignnone" width="1920"] Kailey Schwerman/Showtime.[/caption] Prepare to get meaty: where the rightly buzzed-about initial season was happy mostly hinting at its wilderness secrets, season two ramps up the eeriness, chills and gore. Seeing still isn't always believing in Yellowjackets, but the pivotal crash keeps unleashing vicious consequences — and savagery not only festers but grows the longer that the 90s team is on its own in the cold, lacking a secure source of sustenance, and fraying mentally and as a group. Their predicament never stops being visceral; however, Yellowjackets has always known that the troubles firing up in everyone's hearts and heads are just ferocious. Indeed, cue a bigger dose of fantasy sequences, hallucinations and the supernatural, as the series retains its commitment to examining how the bleakest and most brutal twists of fate, and the options they inspire, turn coping into a lifelong struggle. In Yellowjackets' two timelines, it couldn't have assembled a better cast to slice into trauma, coping, yearning and ripping apart nostalgia — and anchor a series that's a psychological horror show, black comedy and teen drama as well. While its mysteries and cliffhangers made the first season make-a-date weekly viewing, Yellowjackets doesn't merely survive but thoroughly thrives because it feels so acutely human. Its women, then and now, navigate messy situations that no one should face in their worst nightmares. And yet, how these ladies process that fact, and persist — even how they fracture and fight, escape into whatever assists, latch onto the tiniest slivers of hope, and make devastating decisions, right and wrong alike — remains intensely relatable thanks to both complex writing and stunning performances. Lynskey, Lewis and Ricci on the same bill is another of the show's 90s dreams, and that trio is well-paired with Cypress, Ambrose and Kessell, not to mention well-matched by their younger counterparts. This ravenous TV feast will continue, too, with Yellowjackets unsurprisingly renewed for season three in advance of season two. Check out the full trailer for Yellowjackets season two below: Season two of Yellowjackets streams weekly from Friday, March 24 via Paramount+ in Australia and Neon in New Zealand. Read our review of season one. Top image: Kailey Schwerman/Showtime.
Inspired by real-life events, David Cronenberg's A Dangerous Method delves into the corrupt relationship triangle between aspiring psychiatrist Carl Jung (Michael Fassbender), his renowned mentor Sigmund Freud (Viggo Mortensen) and their unbalanced patient, Sabina Spielrein (Keira Knightley). Studying psychiatry under Freud in pre-WWI Zurich and Vienna, Jung becomes seduced by both Spielrein's unique case and her beauty. He takes her into his care, initially utilising the methods of his master, who also proves to be intrigued by Spielrein's erotically disturbed case. Increasingly, however, the mindsets of the two men become divided, with Spielrein cast in between. Jung struggles with the sexually focused methods of his master, while Freud urges Jung towards a more defined line of psychological analysis. Tension escalates as the three come together along a dark path of erotic and intellectual exploration. Their discoveries result in the birth of modern psychoanalysis, polarising the two men and forever altering the world of today's psychology. Dark and seductively unsettling, A Dangerous Method will take you into recesses of the psyche that you may not have been ready to face. This twisted story line and impressive cast make for a can't-miss mind-boggle of a film. To win one of twenty double passes to see A Dangerous Method, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au https://youtube.com/watch?v=P_y_oW2S65w
Whether you're in lockdown, working from home or just social distancing in general, your day could always do with a few more cute animals. And, if you didn't realise this before the pandemic, you definitely will have over the past few months: the internet is always happy to oblige. Earlier in the year, Melbourne's zoos started live-streaming their penguins, leopard cubs and giraffes, while Sydney's aquarium brought us playtime with Pig the dugong, the Wild Life zoo opted for cuddles with quokkas and Brisbane's Lone Pine Koala Sanctuary opted for a non-stop look at one of Australia's cutest native marsupials. The list of animal-focused streams has grown over the course of 2020, including Melbourne Aquarium's own series of meditation and relaxation videos. And now, also from Melbourne, a den of small-clawed otters are getting in on the fun. In the latest webcam setup at Melbourne Zoo, a lens has been trained on the site's four Asian small-clawed otter pups. They were born in February this year to otter parents Paula and Odie, who became the first of their species to breed at the Victorian site since back in 2011. And, whether they're sleeping or playfully fighting — a type of behaviour that helps them bond — these little critters are immensely adorable. https://www.youtube.com/watch?v=r14IcXmQMyg&feature=emb_logo The otter webcam joins Melbourne Zoo's Animals at Home portal, where you can also peer at the aforementioned penguins, snow leopard cubs and giraffes — and lions, too. As the otter live-stream runs all day, every day, we can't promise this won't put a slight dent in your usual plans — and, on weekdays, your productivity — but we can promise that it'll help brighten up your day every so slightly. Check out Melbourne Zoo's Animals at Home portal via its website. Images: Zoos Victoria
Easily taking out the title for the cutest and fluffiest fundraising initiative of the year, Pawgust is doing the real good work — raising money for Guide Dogs, while letting you spend some quality time with your best four-legged pal. It costs more than $50,000 to raise and train a Guide or Assistance Dog, and these pups are dearly needed by those they assist. There are over 450,000 Australians who are blind or have low vision, and to them, Guide Dogs are often a constant companion providing a vital service. Pawgust is a simple premise, but a sweet one: just walk your dog. Spend 30 minutes every day walking your doggo, for 30 days, or the whole month of August. Registering for Pawgust means you'll get sent a pedometer to use to measure your steps and how far you travel with your furry mate all up – half an hour is approximately 2km, so seems likely you'll make some decent tracks. The other side of the challenge is a little less dog-friendly: raising funds. Reach out to the people in your life who like dogs (or just like you) and get them digging into their pockets – if you're stuck for ideas, the pack you receive upon registering has some ideas and plans for how to reach out. If you're reading this dogless, that's okay too: you can just walk alone, or enlist a human two-legged friend to do it with you. There are even prizes up for grabs for those who raise the most funds or walk the greatest distance, but let's face it — achieving something pretty cool with the help of your dog is probably its own reward. To register you and your pup for Pawgust, head to pawgust.com.au.
Bali is bursting with all kinds of romantic accommodations, be they hidden up in the jungle surrounded by rice terraces or an oceanfront spot down on one of the region's countless beaches. It offers an embarrassment of riches for those looking to honeymoon, pop the big question or just run away with their special someone. Stay in a treehouse overlooking the Indian Ocean, take part in a small wellness retreat, find your own patch of paradise in luxury bamboo homes or go all out and really spoil yourselves at the most luxurious of resorts. The options are endless — and stupid-beautiful. Camaya Bali, Sideman Romance is built into every part of Camaya Bali. They have a series of private villas dotted throughout the property, each with its own unique design (made for taking advantage of the view across open planes and rice fields). They can come with pools of varying sizes and shapes as well as those netted hammocks you see all over Instagram. Thankfully, even if this place is flooded with influencers you won't see them – each villa offers absolute seclusion for guests. You can wander the grounds as much as you'd like, or let their team organise a whole host of activities for you. There are nearby whitewater rafting tours, temples and palaces, yoga centres and small villages to explore. If you're after a Big Moment, you can take a hike up into the jungle and rice fields to find the perfect proposal vista. The Korowai, Uluwatu Each of Korowai's wood-framed rooms are carved into the limestone cliff overlooking Bali's famous Impossible Beach (known for surfing, not partying). Marvel at the ridiculous uninterrupted 180-degree views across the ocean from the privacy of your own little balcony adorned with traditional Balinese décor. It's romantic and unpretentious. The glitz and glam of other Uluwatu resorts doesn't exist here. Instead, you and your partner will feel as if you've found your own hidden oasis. But, when or if you do want to get into town, the hospitable resort staff will rent you a scooter or organise a taxi ride. Plus, there are a few walkable restaurants nearby if you somehow get tired of dining at their restaurant overlooking the beach. Hangin Gardens of Bali, Payangan The Hanging Gardens of Bali sits far away from the crowds, up in the lush rainforest surrounded by local wildlife and charming rice terraces. The luxury resort has also won so many international accommodation awards thanks to the breathtaking views, super luxurious villas and warm service. Staying here, it's obvious to see why the island is at the top of so many people's travel bucket list destinations. Take the private villas for example. This high-end resort has 44 of them, each perched high atop wooden pillars overlooking the private valley below. Wake up and enjoy this view from your extra-large canopy bed before rolling out into your own private plunge pool — it's paradise on stilts. And each villa is full of character. Couples can also lean into the romantic vibes with massages, private dining experiences in the valley and breakfast served on a floating wooden boat in your own plunge pool. Desa Eko, Munduk Sometimes, a romantic getaway doesn't mean spending the entire week alone as a couple. Desa Eko is the place to come and feel a part of something bigger than yourself. It's a wellness retreat made for nature lovers, located in what the owners describe as 'the village above the clouds'. It's set in stunningly serene surrounds. You can book huts up in the trees, tents on stilted platforms or opt for the more conventional studio accommodation. But, as oasis-like as these rooms are, you will be drawn away for yoga by the river, dinners at their bamboo-clad restaurant and group hangs and hikes throughout the rainforest. It's a bit hippie. And we are all for it. Padma Resort Legian, Kuta If you're wanting a romantic place to stay in Bali, but want to be closer to the action, then the five-star Padma Resort Legian is for you. It's located near Kuta, a notorious party town with stacks of bustling beaches and places to shop — but it's far enough away that you can easily escape it all. Like Hannah Montana, you'll get the best of both worlds. Spend the day jumping from pool to pool (there are four here) and sipping on cocktails made at one of the seven bars. It's a huge resort, meaning you can carve out your own patch of tropical calm in countless nooks. You're also right on the beach. Cross the hotel lawns and set up home on this quiet sandy shore. You can do a bit of everything from here. Amarta Pesagi Retreat, Tabanan This is your quintessential romantic remote Bali accommodation. Small multi-level bamboo villas are located amongst within the jungle, surrounded by rice fields and all manners of wildlife. You feel cut off from the rest of the world, in all the best ways. Sit out on your private balcony looking into the wilderness while your partner swims in your own plunge pool below. Slide on some sandals and make your way to the restaurant for lunch or dinner. And, if you dare leave this paradise, you actually aren't that far from the outside world. Taman Ayun Temple and local villages are just a short bike ride away — and the Amarta Pesagi Retreat team will help you get there so there's no chance of getting lost in the jungle Six Senses, Uluwatu This is the place to go if you have a large budget and want a holiday where you can live in total luxury. This impressively sustainable resort is located at the southernmost tip of Bali (where you'll find most of the more high-end resorts), looking out over the ocean. The Six Senses rooms are just about as glam as you could imagine but it's the extras that make this spot even more romantic. The staff will organise floating breakfasts in your private plunge pool, quaint cinema nights under the stars, dinner for two on the beach, couples' massages, cooking classes and private tours to anywhere on the island your heart desires. Expect a superb level of service to match the views and incredible lodgings. Segara Village Hotel, Sanur This luxury hotel is set in the quiet beach town of Sanur. Head to the pool surrounded by palm trees and overgrown gardens for some solitude (or to hit up the swim-up bar. Or walk down to the beach and nab yourself one of the hotel's lounge chairs and spend the day hanging out on the beach with your loved one. The nearby town is also full of things to do — without being overly populated by swarms of tourists. Spend your days wandering along Sanur's restaurant-lined boardwalk, stopping off for a bite to eat and a cocktail (or two) and soaking up the laid-back island atmosphere before returning to Segara Village Hotel. Now you can book your next dream holiday through Concrete Playground Trips, and discover inspiring deals on flights, stays and experiences. Top image credit: Desa Eko
Not long ago, a friend of mine described a serious medical treatment they were taking. They'd had to pick out the best drug for this, out of a bewildering range of medicines and wide ranges of side effects. To work out which would be most effective, they'd had their DNA sequenced. The normality of that seemingly sci-fi procedure briefly blew my mind. In fact, this is not only a relatively normal thing, but it won't be too long before it'll be routine for you to, say, grow thousands of tiny batches of your own body tissue in a lab and actually test those specific drugs on your specific biology. For now, the hard bit is convincing those tissue batches to grow. Enter the tissue engineer, who can corral cells in tissue into some kind of order. Someone like Nina Tandon. In her book Super Cells: Building with Biology, written with Mitchell Joachim, Tandon surveys what we can already build in the lab with cells: bricks, clothes, computer games, biodegradable coffins and Western Australian bioart. For her PhD, she grew heart cells. Then she took an electric current and ran it through them to make them beat. This is what we can do now, but Tandon sees growing your own tissue as something that will touch pretty much every part of ours lives before too long. And not just in medicine. Talking to her, it's hard to disagree. Growing Which Where With What Now? Despite the fact that this is stuff that's happening now, it seems like future tech. But it's really just building on some old ideas. Half her work is to "build the housing" that allows the cells to do their job. That "housing" for the cell that persuades it to do what you want is called a 'bioreactor'. Tandon works with cutting edge tech in her work, sure. But a bioreactor is actually old school. It can be as simple as an oven. "Baking is a bioreactor. You’ve got yeast. There are so many bioreactors. I mean, people eat yoghurt. That’s bioreactors too." Tandon, founder of startup Epibone, was in Sydney this week as a keynote speaker at Sydney's Vivid Ideas. And, as she put it in her keynote "there’s an element of market research in this: if I was a heart cell, what would I want out of life?" Much of the work in one of these bio reactors is in getting cells comfortable. She described it all as a bit like managing a fish tank, where, instead of worrying about fresh water for freshwater fish, you're wondering what sort of hospitality you’ll have to roll out to keep heart tissue happy or liver cells growing the way you want. This bioreactor hospitality already let us do all sorts of interesting things in the lab. Like cloning batches and batches of your breast cancer tumour to see what drugs kill your tumour best. Or growing relatively simple replacement tissues, like bone. We're getting there with bone. We're up to animal bones, like horses or pigs. What Can't We Make? It's hard to imagine what we'll soon be able to build this way. But not for Tandon. "I think it’s almost a better question to say what can’t we build?" What might seem normal in 15 or 20 years could be something like vegetarian* ham. "I bet we are going to see people’s croissants with ham and cheese where the ham is engineered. They’re going to be munching on ham that was never in a pig." Or more advanced organic lighting: "I can see a day where we have electric eels that are making light. Not as electric eels, but if we take the cells that make electricity from those eels and grow them in bioreactors…" While writing Super Cells, Tandon tried to imagine fields that aren't likely to be radically changed by biotech advances. She counted four: "aerospace and railway transportation and banking and accounting." And even those, on deeper thought, seemed to her to have tech or fuel backbones "very likely to be disrupted by biology". * Maybe. Closer to the Worm So, what do you become when you start being able to grow and implant your own spare parts? "If I can grow my own cells outside the body, and if there are more non-human cells than human cells in my body, what does it even mean to say the human body?" Tandon adds, though, that this is actually a quandary we've lived with all our lives. It's a bit like that question about some worms: "You can cut it in half and it’ll grow two new worms. But are those two different worms?" As human beings, she points out, we've already grown out of what were originally our parents' cells. "We were all one cell big at one point. We don’t know when we began to be an individual. And individuals are birthed from other individuals. In a way it’s a lot closer to that worm than not." This is a challenge though, not an enigma. After all, "we got through this with blood transfusions." Rather, in the absence of more scientifically informed politicians, the community at large just needs a little education in order to start puzzling out the ethics. "Everyone should be in that debate. And the only way that everyone can be in that debate is if everyone is familiar with the processes." You Can Start Young Early, hands-on education is what worked for Tandon. As a child she had a chemistry set and disassembled her vacuum tube TV ("those were the days"), though it also didn't hurt that she came from a science-friendly family. Her father was an engineer, while her mother, Judith, having had some time on Wall Street and with a masters in education, would teach both her siblings ("my first scientific collaborators") and Tandon "all this kind of fancy math and stuff". Judith would reward the question 'How tall is that building?' by making her kids calculate the answer themselves, using triangles and sight lines. Years later, educating the wider public and at university and a community biolab, is this the sort of experience Nina is trying to create for her own students? "Yeah, you know. I think I want to pass that on." Your Local Biology Gym A 'community biolab' is where a place like biolab Genspace comes in. Genspace is a biohacking space in Brooklyn, New York that Tandon helps out at. "Basically, like a gym membership applied to biology. So it’s like a hackerspace, but where people can use biological techniques without being bound by the scientific method." A board monitors ethics and safety, "but, really, there’s quite a lot of freedom". You don't have to be following a particular grant priority, you don't have to be a scientist. You don't even need to be a particular age. In fact, that's the point. "People can learn how to decode DNA if they’re 12 or if they’re 85." One of their go-to activities for newbies is extracting the DNA from strawberries. Once, a school student extracting DNA for the first time piped up, "Oh my gosh! DNA, it looks like boogers!". Says Tandon, "He was so happy. And I never forgot that he said that. And, you know what? It really did." For so much of this you don't even need a biolab. Tandon was first taught the procedure at a friend's place. By her toddler. You can follow the space's instructions if you want to extract your own strawberry DNA at home. Tandon would love it if an Australian wants to set up a local biolab. Prospective local biohackers are welcome to contact her for inspiration. She'll put you in touch with the right people at Genspace to get you started. In her keynote, Nina saw the need for similar spaces in biotech to the sort of spaces to where Steve Jobs or Jeff Bezos started their companies. And that's what a Genspace is for, too. "It’s basically like the garage where information technology began, but for biology." Image of a moss photobioreactor by Eva Decker. Image of Earthworms (not actually the kind of worms that can grow back both halves) by Jack Hynes. Image of Genspace by .dh. Croissant by Stu Spivack. Pointing child at Sears Tower by Vincent Desjardins.
Sail away from the hustle and bustle of Circular Quay and the CBD, and take in the fireworks from the harbour with this New Year's Eve cruise experience. For a cool $565, you'll be treated to three hours on Glass Island's luxury two-storey barge, a drinks package of sauvignon blanc, pinot gris, shiraz, blanc de blanc and prosecco, as well as a selection of beer and cider, canapés, an extravagant food station and, finally, views of the midnight fireworks from a primo spot on the harbour. The night will be topped off with a glass of Moët at the stroke of midnight. If you're really looking to drop some serious cash, VIP packages with bottle service are available, too. The Glass Island cruise will leave King Street Wharf at 8.45pm and arrive back at 12.30am.
Enmore Road has long been a go-to destination for excellent entertainment and nightlife. From the iconic Enmore Theatre to knockout cocktail bars, beloved pubs and incredible restaurants, it's easy to see why the Inner West strip attracts so many. This spring, the Inner West Council is showing its support of the entertainment precinct by trialling a new program that allows businesses to trade later and hold events without the red tape. That means comedy shows popping up in hair salons, Sydney Fringe Festival acts taking over bars and live music gigs having even more rooms to ring out loud in. Whether you're heading there for dinner, drinks, a show or all of the above, here are our top picks for the next time you visit the beating heart of the Inner West.
So, you've found that special forever someone – someone who deals with your drama, puts up with your quirks and shares your passion for all the important stuff, like, say, fried chicken. Well clearly, there's just one thing left to do, and that's to seal the deal at your very own official KFC wedding. Yep – the international fried chicken brand has cooked up yet another idea we never knew we needed and has launched its own wedding service, exclusive to Australia. For real. Fried chook obsessives across the country now have the opportunity to get hitched in finger lickin' matrimony, with KFC already taking applications for its unique service. All couples, regardless of gender, sexual preference or religion, are invited to apply, by summing up their need for a KFC wedding in 200 words. There's no time to waste, though – only six lucky Aussie duos will get a call-up, with the weddings taking place from October 2019 to May 2020. So what's involved in the ultimate KFC nuptials, you ask? Well, you can bank on a KFC-themed wedding celebrant (we assume Colonel Sanders), a KFC photo booth for those all-important happy snaps, music, decorations and customised KFC buckets. And of course, the lucky newlyweds will get to dive into some freshly cooked KFC chicken hot from the KFC food truck. We can only hope the bride will be throwing buckets instead of bouquets and there'll be plenty of wet wipes to go around. It was this time last year that KFC launched a cheeky meditation website featuring the soothing sounds of chicken frying. If you're keen to kick off married life with some secret herbs and spices, you can apply for your own KFC wedding here.
Kimpton Margot Sydney may have only opened in 2022, but the Sydney hotel has some real old-world energy about it. Stacks of heritage-listed art deco architectural features have been paired with some contemporary Aussie style — from the grand red scagliola pillars in the lobby and generous use of marble throughout the hotel to the many botanical displays and modern art pieces. This contemporary Aussie art deco vibe flows through to each of the 172 spacious rooms and suites, as well as the four restaurants and bars. Out of these drinking and dining spaces, Luke's Kitchen is the centrepiece — helmed by chef Luke Mangan. It's where guests will feast on the daily breakfast buffet, lunch specials and intimate dinners. Contemporary Australian fare is the name of the game here — think steamed coral trout in a soy and ginger broth, house-made mushroom ravioli and kingfish sashimi. Bumps of Ossetra caviar are also on the cards for those feeling extra decadent. Cellar by Luke is for the wine enthusiasts out there, The Wilmot Bar serves up cocktails and light bites, and The Pantry at Margot's has a more casual cafe atmosphere – offering coffee, tea and pastries. And while these are all fab, you can't stay at Kimpton Margot Sydney without taking a dip in the sun-drenched rooftop pool overlooking the city — especially come summer in Sydney. It's a proper concrete oasis, decked out with lounge chairs and couches, surrounded by city towers. All of these luxury offerings are also paired with a heap of complementary amenities. Grab a free bike for the day, do some yoga in your room with all the gear and online tutorials provided, and even bring the four-legged members of the family — at no extra charge. That's a big win, as most dog-friendly hotels in Sydney charge you a decent extra fee to bring your pups to stay with you. No matter their size, weight or breed, the Kimpton Margot Sydney team will ensure your pet has a plush bed, water bowls, mats and access to walkers and dog sitters. As luxury hotels in Sydney go, this one is up there with the best. Appears in: The Best Hotels in Sydney
UPDATE, December 23, 2021: Pig is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Nicolas Cage plays a truffle hunter. That's it, that's the pitch. When securing funding, those six words should've been enough to ensure that Pig made it to cinemas. Or, perhaps another high-concept summary helped. Maybe debut feature writer/director Michael Sarnoski went with these seven words: Nicolas Cage tracks down his stolen pet. Here's a final possibility that could've done the trick, too: Nicolas Cage does a moodier John Wick with a pig. Whichever logline hit the spot, or even if none did, Pig isn't merely the movie these descriptions intimate. It's better. It's weightier. It's exceptional. It always snuffles out its own trail, it takes joy in subverting almost every expectation and savouring the moment, and it constantly unearths surprises. Cage has spent much of his recent on-screen time fighting things — ninja aliens in the terrible Jiu Jitsu and possessed animatronics in the average Willy's Wonderland, for example — in movies that were clearly only made because that was the case. But, when he's at his absolute best, he plays characters whose biggest demons are internal. Here, he broods and soul-searches as a man willing to do whatever it takes to find his beloved porcine pal, punish everyone involved in her kidnapping and come to terms with his longstanding, spirit-crushing woes. Sarnoski keeps things sparse when Pig begins; for the film and its protagonist, less is more. Rob Feld (Cage) lives a stripped-back existence in a cabin in the woods, with just his cherished truffle pig for company — plus occasional visits from Amir (Alex Wolff, Hereditary), the restaurant supplier who buys the highly sought-after wares Rob and his swine forage for on their walks through the trees. He's taken this life by choice, after the kind of heartbreak that stops him from listening to tapes of the woman he loved. He's found the solace he can in the quiet, the isolation and the unconditional bond with the animal he dotes on. (He's tampered down the full strength of his pain in the process, obviously.) But then, because bad things can happen in cabins in the woods even beyond horror flicks, Rob's pig is abducted in the dark of the night. Now, he's a man on a mission. He has a glare and a stare, too. As the swine's distressed squeals echo in his head, Rob stalks towards Portland to get her back. He needs Amir to chauffeur him around the city, but he has an idea of where to look and who to chase. When the big pig kidnapping comes, and early, Pig initially resembles not only John Wick but Mandy. That 2018 film cast Cage as a lumberjack seeking his abducted girlfriend — also taken by intruders in the deep of night — and it proved his best movie in at least 15 years. Thankfully, Sarnoski and co-scribe/producer Vanessa Block haven't just taken Mandy and made a blatant swap. They haven't done the same with John Wick, either. And, performance-wise, Pig doesn't ask Cage to revisit a recent standout or follow in someone else's career-refreshing footsteps. The actor does soulful and yearning heartbreakingly well, as Bringing Out the Dead so potently established over two decades ago. Even in his most cartoonish fare (the type that isn't actually animated, because he's dabbled in voice work, too), he's masterful at conveying anger. Both longing and fury filter through here, because every Cage performance tugs and pulls at his past portrayals; however, this particular role calls for tenderness, despair and resolve all at once, and also contemplation, mystery, being wearied by too much grief and appreciating the little things and kindnesses. One of the delights of his efforts in Pig is how he keeps breaking down layer after layer, then piling on more, then stewing and simmering in them as well. Cage's over-the-top turns are entertaining to watch, but this is a measured gem of a portrayal, and a versatile, touching, deeply empathetic and haunting one that's up there with his finest ever. Compassion bubbles through Pig from the outset, in fact, and isn't just directed at Rob. As viewers discover more about him, his past life, why he knows about Portland's underground network of chefs and other hospitality industry figures, and how he can whip up a meal that brings someone to tears, we also learn about Amir. Pig isn't a star vehicle, but a double act. It knows how to deploy Cage at the height of his caged-in skills, and how well he can bounce off the right co-star. So, the film also dives into everything that's made Amir who he is — aka a truffle seller who is trying to get a jump in the food business, caught in a bigger shadow, hasn't matched his own or anyone else's expectations, but keeps bustling and hustling forward. He's self-aware about his struggles, and also trying to do something about them. He's wily and resourceful, and neurotic and jumpy at the same time. Wolff is just as brilliant as getting under his character's skin as Cage is, and just as compelling to watch as well. They're at their finest when they're together, unpacking what it means to navigate tragedy, fear, loss, regret, uncertainty, an uncaring world and a complicated industry, all in Rob and Amir's own ways — and attempting to free themselves of their own histories, embrace their own niches, and seek meaning and value. In scene after scene, Cage and Wolff captivate, drawing viewers into their meaty performances. Sarnoski's directorial choices achieve the same feat, managing to favour simplicity and complexity in tandem — like cooking a dish with a variety of easy ingredients, then unlocking a world of flavours as they're combined. As lensed by Patrick Scola (Monsters and Men), Pig finds beauty in the everyday, including when Rob and the titular animal could've trotted straight out of documentary The Truffle Hunters. It lingers on walking, talking, kneading, sipping and eating, and sometimes on people overtly appreciating those things. Filling its frames with detail, including in streams of sunlight or the act of preparing a meal, it also acknowledges that nothing that comes with existing is ever straightforward — and that hurt, cruelty and darkness are inescapable. To let these notions swirl and sink in, editor Brett W Bachman (Werewolves Within, and also a Mandy alum) finds a stately, thoughtful rhythm. As set to a stirring score, too, the film muses, meditates and steeps. It's unmistakably a movie where Cage plays a truffle hunter on a quest for revenge after his adored pet pig is stolen, but this moving and humanistic picture is also welcomely and entrancingly so much more than that.
In yet another difficult-to-believe tech development, a new app allows doctors to conduct comprehensive eye examinations with their smartphones. It's a particularly important breakthrough for medical professionals working in developing nations, where access to equipment is often costly and troublesome. Known as Peek Vision, the app is the invention of an expert team of ophthalmologists, scientists and engineers, several of whom are based at the International Centre for Eye Health at the London School of Hygiene and Tropical Medicine. Having worked at ground level in developing nations, they have had firsthand experience of the stories behind the statistics. 285 million people around the world are visually impaired. 39 million are blind. 90 percent of the latter live in low-income countries. 80% of blindness could have been avoided. Peek Vision currently has the capacity to perform a variety of tests and record-keeping tasks, including visual acuity, colour vision testing, contrast sensitivity testing, visual field testing, lens imaging for cataracts, retinal imaging, image grading and creating patient records with geotagging. Other possibilities, including front-of-the-eye-imaging, paediatric examination tools and autorefraction, are being explored. The Peek Vision team counts a number of medical bodies and research centres as its partners. Anyone interested in supporting the project, using the app or finding out more is invited to make contact. Via Springwise.
Australia's most prestigious portrait award is around the corner, and its finalists have just been announced. Every year, speculation about who will be awarded the coveted prize and, more often than not, the Archibald winner itself, causes much-heated debate. From 2018's five-time Archibald finalist Yvette Coppersmith's first win to Tony Costa's win with his painting of fellow artist Lindy Lee — the first portrait of an Asian Australian to pick up the prize — it's hard a win to pick. All that's really assured is that it'll be a portrait of a person by an Australian. Held at the Art Gallery of NSW every year, the Archibald runs in conjunction with the Wynne and Sulman Prizes — recognising the best landscape painting of Australian scenery, or figure sculpture and the best subject painting, genre painting or mural project, respectively. This year, because of a certain pandemic, the Archibald was postponed and is running from September 2020 to January 2021. As usual, it's sure to be popular, but instead of pushing through crowds to see the prized portraits, you'll have a bit of space thanks to reduced capacities and timed tickets. And you'll have some exceptional artworks to feast your eyes upon, too. Famed Sydney street artist Scott Marsh's portrait of musician Adam Briggs has made the cut, as have a haunting painting of comedian Magda Szubanski and a Star Trek-esque oil work of NSW Minister for Environment and Energy Matt Kean. Wongutha-Yamatji artist Meyne Wyatt has also taken out the coveted 2020 Archibald Packing Room Prize, chosen by the packing room team, becoming the first Indigenous Australian to win any Archibald award in the competition's 99-year history. As there are so many outstanding portraits this year (as there are every year), it's impossible to know which of the 55 is going to take home the $100,000 prize. Regardless, here are some of our favourites — and some we think may have a good chance of winning. [caption id="attachment_783644" align="alignnone" width="1920"] Meyne Wyatt, 'Meyne', copyright the artist. Photo: AGNSW, Mim Stirling[/caption] MEYNE WYATT — MEYNE Actor and artist Meyne Wyatt became the first Indigenous Australian in Archibald history to win any of the competition's awards when he won the 2020 Archibald Packing Room Prize. The history-making self-portrait is a realistic acrylic painting and, in fact, Wyatt's first painting in over ten years. The Wongutha-Yamatji man and first-time Archibald entrant has no formal art training, but gets some handy tips from his mum Sue Wyatt who was herself an Archibald finalist in 2003. If the portrait above, and Wyatt's signature raised eyebrow, look familiar, it's likely you've seen him in the likes of The Sapphires, Redfern Now and Neighbours. [caption id="attachment_783639" align="alignnone" width="1920"] Scott Marsh, 'Salute of gentle frustration'. Copyright the artist. Photo: AGNSW, Felicity Jenkins[/caption] SCOTT MARSH — SALUTE OF GENTLE FRUSTRATION Artist Scott Marsh's portraits aren't a rare site on the streets of Sydney (see: Egg Boy, Mike Baird and Kanye Loves Kanye) but they are a rare site on the walls of the AGNSW. The first-time finalist has joined the ranks of the country's art elite with his seventh submission to the Archibald Prize: a portrait of Indigenous Australian rapper Adam Briggs. The portrait is entitled Salute of gentle frustration, which Marsh says references "the deep fatigue of generations of Aboriginal people demanding equality against a backdrop of political rhetoric and inaction". [caption id="attachment_783691" align="alignnone" width="1920"] Kaylene Whiskey, 'Dolly visits Indulkana'. Copyright the artist. Photo: AGNSW, Mim Stirling.[/caption] KAYLENE WHISKEY — DOLLY VISITS INDULKANA Self-taught artist Kaylene Whiskey listens to the music of famed American singer-songwriter Dolly Parton while she paints. It's an effective technique, it seems, with Whiskey already cleaned up the Sulman Prize in 2018 and the Telstra National Aboriginal and Torres Strait Islander Art Award for general painting in 2019. Now, Whiskey is one of 55 finalists selected for the Archibald Prize with a self-portrait in which Dolly visits her home in the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands. In the painting, Dolly holds a bejewelled guitar and the pair is surrounded by clocks, cameras, superwomen, galahs and a flying nun. [caption id="attachment_783632" align="alignnone" width="1920"] Angus McDonald, 'Behrouz Boochani'. Copyright the artist. Photo: AGNSW, Mim Stirling.[/caption] ANGUS MCDONALD — BEHROUZ BOOCHANI This year, after more than six years in an Australian offshore detention centre, celebrated Kurdish Iranian writer Behrouz Boochani was granted asylum in New Zealand. Sydney artist Angus McDonald first made contact with Boochani when he was making a documentary, called Manus, about the Manus Island detention centre, but was not allowed onto the island to meet him. So, when Boochani landed in NZ, McDonald decided to fly there and paint him instead. The oil portrait sees Boochani looking directly at the viewer, which McDonald says portrays Boochani as a "a strong, confident and peaceful man who survived a brutal ordeal and is now free". [caption id="attachment_783692" align="alignnone" width="1920"] Yuri Shimmyo, 'Carnation, lily, Yuri, rose'. Copyright the artist. Photo: AGNSW, Mim Stirling.[/caption] YURI SHIMMYO — CARNATION, LILY, YURI, ROSE Japan-born, Sydney-based artist Yuri Shimmyo's inspiration for her self-portrait came from a 19th-century painting by John Singer Sargent called Carnation, lily, lily, rose. While Sargent's painting features two girls playing in a garden, Shimmyo's features herself — Yuri means 'lily' in Japanese — covered in lilies, surrounded by a wallpaper of roses. As for the carnations, if you look to the left of the oil portrait, you'll red-and-blue tins of Carnation milk. The winning portraits and finalists will be on display at Sydney's Art Gallery of NSW from Saturday, September 26 to Sunday, January 10. If you do't agree with the judges, you can cast your own vote for People's Choice before Sunday, December 13. ARCHIBALD PRIZE 2020 DATES Art Gallery of NSW, Sydney — September 26–January 10 Tweed Regional Gallery & Margaret Olley Art Centre, NSW — January 22–March 7 Cairns Art Gallery, Qld — March 19–May 2 Griffith Regional Art Galley, NSW — May 14–June 27 Broken Hill Regional Art Galley, NSW — July 9–August 22 Shoalhaven Regional Gallery, NSW — September 3–October 17 Penrith Regional Gallery, NSW — October 29–December 5 If you can't make it to any of the above dates, you can check out the award winners and finalists of the Archibald, Wynne and Sulman Prizes on the Art Gallery of NSW website.
With Australia's borders firmly shut, international travel has been relegated to the realm of dreams. And it looks like it'll be staying there for a good long while. But, at least, in those dreams you can be living it up in Business Class, channeling your best high-flying, jet-setting self. It's all thanks to Aussie airline Qantas, which is now delivering its pyjamas, amenity sets and other in-flight goodies straight to your door. With flights suspended and many of the group's planes grounded, the airline company has an oversupply of all those fancy business class items, including branded threads, premium plane snacks and toiletry packs stocked with Aspar skin products. We're talking printed eye masks, T2 tea bags, shea butter hand cream and sweet orange lip balm for days. And instead of going to town on all those extra smoked almonds and Tim Tams, Qantas has gathered the surplus and created a bunch of upscale care packages, available for shipping Australia-wide. Clocking in at $25 (delivery included), the limited-edition packs are an easy way to cheer up a glum mate in lockdown or that relative who's battling serious travel withdrawals. Or hey, just nab one for yourself, don those pjs and infuse your next couch session with some swanky business class vibes. You can send up to ten of the care packages to addresses anywhere in Australia, by heading to the website. You'll need to be a Frequent Flyer club member first, but Qantas is currently offering free sign-ups. And, if you want to save your dollars, packs can also be purchased using 4350 Qantas points a pop. After all, it's not like you'll be spending them on overseas flights anytime in the near future. You can buy Qantas' Care Packs online, using cash or points.
When Michael Crichton put pen to paper and conjured up a modern-day dinosaur-filled amusement park, he couldn't have known exactly what he'd done. The author easily imagined the story making its way to the big screen, because the Jurassic Park novel started out as a screenplay. He could've also perceived that a whole film franchise could follow, and that folks would be quoting the movies for decades. And yet, we're guessing that he didn't predict the latest development: a recreation of Jurassic World, the fourth movie in the series, out of Lego. Australians will soon be able to wander through and peer at more than 50 dinosaurs, props and scenes from the 2015 movie that have all been recreated with the popular plastic bricks. They'll be on display at Jurassic World by Brickman, an exhibition that'll hit the Melbourne Convention and Exhibition Centre from Thursday, April 1–Monday, May 31, then tour the rest of the country. Exactly which other cities Jurassic World by Brickman will head to, and when, hasn't been revealed as yet — but there is plenty for Melburnians and Aussies elsewhere to look forward to. More than six million Lego blocks have been used in the exhibition, to create the four-metre-tall park gates, the lab where the dinosaurs are genetically engineered, those instantly recognisable jeeps, a petting zoo, a heap of creatures and more. Lego dinosaurs are obviously the main attraction, and this event is going big. There'll be a life-sized brachiosaurus that weighs more than two tonnes, a huge tyrannosaurus rex, two life-sized velociraptors (Blue and Delta), and everything from a stegosaurus to a triceratops, too. You'll see some in a baby dinosaur enclosure, encounter some on the loose, and learn how to track them over the exhibition's recreation of Isla Nublar (while using your imagination a whole heap, obviously). If it all sounds rather sizeable, Jurassic World by Brickman will be the largest Lego experience in Australia. And if getting a closer look at Jurassic World sounds a little familiar, you might remember the non-Lego exhibition that hit Melbourne back in 2016. Lego aficionados will also be able to get building while they're there, with 2.5 million bricks to play with. Obviously, this'll be a family-friendly affair, so expect to have plenty of small dinosaur fans for socially distanced company. Jurassic World by Brickman makes its world premiere in Melbourne and, after hitting up the rest of Australia, will also tour globally. And if you're wondering when you'll next see a Jurassic World flick on the big screen, Jurassic World: Dominion — the followup to 2018's Jurassic World: Fallen Kingdom — is due to release in June 2022. Jurassic World by Brickman will display at the Melbourne Convention and Exhibition Centre from Thursday, April 1–Monday, May 31, before touring the rest of the country — with other stops around Australia yet to be announced. Tickets for the Melbourne run go on sale at 10am AEDT on Thursday, March 11.
In 2025, Sydney Opera House's annual All About Women festival is welcoming than 50 speakers, including artists, thinkers and storytellers from both Australia and overseas, to explore gender, equality and justice. This year's lineup will participate in sessions that span women in sport and the influence of the Matildas, racism and sexism in the music industry, the impacts of skincare routines, and plenty more. For 13 years, marking International Women's Day with talks, panels, workshops and performances has been as easy as attending this highlight of the cultural calendar — a must-attend event not only in Sydney, but also nationally in recent years, thanks to the streaming of sessions online (which continues in 2025). For this year, Kate Berlant and Gina Chick joined the All About Women bill first, as did the return of the Feminist Roast. Kara Swisher, Rachel House, Jaguar Jonze and Grace Tame are among the folks joining them come Saturday, March 8–Sunday, March 9. Berlant is making her first trip Down Under, with the comedian and Once Upon a Time in Hollywood, Don't Worry Darling and A League of Their Own actor set to debut a new stand-up show. Alone Australia's first-season winner Chick is on the bill fresh from releasing her memoir We Are the Stars in October, and will chat about following your own path, grief and resourcefulness. On a lineup overseen by the Sydney Opera House Talks & Ideas team — as led by Chip Rolley, alongside 10 News First's Narelda Jacobs and actor and writer Michelle Law — journalist and Burn Book: A Tech Love Story author Swisher will dig into the social-media platform formerly known as Twitter, while Heartbreak High star and The Mountain director House will chat through the importance of community and her Māori culture in her career. Jonze is on the panel discussing the present state of the music industry, as is Barkaa. And Tame is part of the Feminist Roast alongside Michelle Brasier, Nakkiah Lui, Lucinda 'Froomes' Price and Steph Tisdell. The Tillies are on the roster via former Matildas goalkeeper Lydia Williams, plus Football Australia, the Matildas and the ParaMatildas Media Manager Ann Odong, with their session exploring the current situation for women in sport. Elsewhere, Dr Michelle Wong, Jessica DeFino and Yumi Stynes — plus Price again — will examine the impacts of beauty standards, especially upon younger generations. All About Women's 2025 program also spans sessions on the women who gave testimony at the Ghislaine Maxwell trial, the rise of domestic violence-related deaths in Australia, systems that are meant to protect First Nations children, perimenopause and how women's health is being commercialised, tradwives, grief, motherhood, the nation's declining birth rate, bodily autonomy and abortion, and being friends for life.
Burberry sponsored a runway show at the Beijing Television Center this week to promote the opening of a new flagship store in Beijing and the introduction of digital technology to all of the company's stores throughout China. Burberry pulled off a classy and luxurious showcase as always, but this was no ordinary catwalk. The designer clothing line ditched the human models this time and traded them in for a more tech-savvy lineup: life-size holograms of models adorned in beautiful Burberry garb. Technology aided the fashion frenzy as the show went through the four seasons; at one point the models even burst into snowflakes. The holograms paraded down the British-inspired runway in front of an audience of celebs and top models to live music from Keane, who were making their debut appearance in China. Burberry's holographic beauties may not be tangible, but at least they are sure to avoid tripping over their heels and tumbling off stage. https://youtube.com/watch?v=P74xmTK6W4Y
"Sitting on a bench in Wicks Park in Marrickville, reading a field report by The Lifted Brow's Sam Cooney, I madly looked around for a caramel door described in the text. There it was! As if the writer had put the doorway there himself! Of course, I knew he hadn't, but it was perfect — the exact kind of dark magic that all good writers and artists and musicians perform when their work seems to lift up walls behind walls behind walls and reveal something new and unexpected with great clarity. This is what digital literature can do and be! It's a revelation — experiential and immersive and immediate." This eerie literary experience, as described by Concrete Playground writer Lauren Carroll Harris, was made possible through the award-winning digital project The Silent History. A science-fiction novel that takes the form of an app, The Silent History tells the tale of a dystopian future where a mysterious epidemic has robbed children of the ability to develop language. From 2011 to 2043, readers watch on as these mute children — dubbed 'silents' — tear families apart, unnerve entire government sectors and generally freak people out. Part sci-fi thriller, part-real-life scavenger hunt, the app has been called "entirely revolutionary" by Wired magazine, while the LA Times declared it "a landmark project that illuminates a possible future for e-book novels." We spoke to its creator, ex-McSweeney's managing editor and publisher Eli Horowitz, in Australia for the Sydney Writers' Festival, about what it means to read an app and what writers are doing differently to entertain a digital audience. The Writer as a Prime Mover "The first thing I wanted was it to be a story that you could explore," says Horowitz, "because I have this thing, which I bet that a lot of people have, when you read a book you love or see a movie you love or whatever, you almost then want to keep on existing in that world. You want to see what's just off the page or off the screen, and keep on exploring and living in it." The tablet platform, with its promise of interactivity and updatability, was a natural fit. An app like The Silent History combines the familiar pleasures of a page-turning narrative with the gaming world's mechanics of exploration and investigation. "Once I had that then the plot needed to be kind of global and sprawling, the kind of essential premise that could play itself out a lot of different ways, so that's why it became kind of like a medical story, an epidemic story almost, that lends itself well to that." But that's just the beginning. Around this main story arc float hundreds of 'field reports', site-specific side narratives that readers can only access when they travel to the physical location where the report is set. These reports can be written by anyone, anywhere — in fact, there are already a bunch tucked away around Australia. And if you're feeling inspired, you are free to pen your own and submit it for approval from The Silent History's US editing team. The Writer as a team player Horowitz, begotten of a librarian and originally a carpenter ("not a very good one"), claims that the whole process featured very little in the way of creative genius and a whole lot of good ol' problem solving. He admits that the communal approach of the project — which is what has brought The Silent History so much attention — wasn't even originally part of the blueprint. "The collaborative aspect was not so much any kind of ideological belief about crowd-sourcing or wikis or whatever but more that I wanted these things to be all over the place and I couldn't put them all over the place," he explains, "The more people we had [writing] the more of a geographic spread we could have." It sounds simple enough. But creative genius or problem solver, Horowitz has been hailed as a literary revolutionary. He and his team, Ying, Horowitz & Quinn LLC, are considered trailblazers in e-storytelling, crafting a digital experience unlike any other. While e-books have been popping up on the App Store since the release of the iPad in 2010, none has received this level of fanfare. The Writer as a Coder "A lot of times [with] these projects, the downfall is that they're essentially a technology project and they find some writing to cram into it or it's essentially a literary project and then at the end they add the technological aspect and it's still kind of unsatisfied or clunky or buggy," says Horowitz, "so having it all work together was really important." For all the praise coming his way, though, the San Franciscan remains humble. During his eight years at Californian publishing house McSweeney's, he operated under the mantra that anything he printed had to "earn the page it's on". He says that he brought this same approach over to the app world, trying to create something that "earns the screen it's on". "I approach this in very much the same way that I would approach a book with McSweeney's or whatever else," he says. "Just to think about how form and content both can affect each other, and to think about the total experience of the project. I don't see this as a move away from print or anything, I see this as just another tool in our toolbox." Eli Horowitz will be appearing at the The Sydney Writer's Festival from May 24 to 26 at the events Reading in the E-Future, Festival Club Friday, The Silent History and Tales From the Editorial Front Line. He'll also pop into the Sydney Apple Store on May 28 as part of Vivid Sydney.
Gelato Messina collabs almost always get tongues wagging, but this time, the ice cream maestros are boasting a different kind of culinary experience. Teaming up with Saturday Night Pasta — the brand of much-loved recipe writer and creative powerhouse Elizabeth Hewson — you're invited to attend the first-ever pasta-and-gelato dinner party at Messina HQ in Marrickville. Celebrating the launch of Saturday Night Pasta's newest product range, the pair will take over the gelato factory floor on Saturday, August 23. However, they aren't handling the cooking and styling alone. Drawing on their friends' and collaborators' abundant talent, expect Shadow Baking, Gold Street Dairy, Erin Bar and Restaurant, In The Round House, Salumi Australia, DRNKS and Byroncello to make this one-night-only dinner even more rousing. Seated around one long family-style table in the middle of the factory, guests will take in the jazzy tunes of Louis Armstrong, Ella Fitzgerald and Frank Sinatra while sipping on a glass of bubbly and grazing on cured meats, house pickles, grilled curd and honey. Next, the share-style pastas roll out. Dig into Saturday Night Pasta's pipette coated with Some Like It Hot sauce, then relish Messina's family ragu — served with Shadow Baking's hot honey focaccia. As you might expect, dessert won't skip a beat with the Messina crew at the helm. Guests will have plenty to indulge their sweet tooths, with crostatas, zabaglione and tiramisu on the menu. Yet a show-stopping end to the feast goes one step further, with gelato and hot dulce de leche poured tableside. Throughout the night, DRNKS will pour organic and sustainable wines, before the entire event rounds out with a Byroncello toast, of course. While this jam-packed Italian dining experience might already seem like a gift, guests will head home with more than just fond memories of the food. Everyone will receive a goodie bag loaded with Saturday Night Pasta's latest pasta and sauce products, making it easy to add a little more flair to your next effort on the pots and pans. Meanwhile, guests also score a limited-edition tote made just for the night, so you rep good taste in the streets. Yet don't dismay if you can't make this short-lived ticketed event. Gelato Messina is returning to its roots, marking the occasion with a new, limited-edition flavour — Elisabetta. Available in all stores for one week or until sold out from Tuesday, August 19, this lush scoop combines olive oil and sea salt gelato with dulce de leche. Rush home and see how it pairs with your pasta on the stove. Gelato Messina and Saturday Night Pasta's dinner is happening from 6.30–8pm on Saturday, August 23, at 1 Rich St, Marrickville. Head to the website for more information.
He's the master of fried chicken behind the Belles Hot Chicken stable, and its signature pairing of southern-inspired bird and natural wine. Now Morgan McGlone is shifting focus from the deep fryer to the rotisserie with his latest creation, Sunday — a new bar and restaurant paying homage to the classic roast chicken. Nostalgic flavours and traditional Sunday dinners are given a playful update at this Potts Point newcomer, resulting in a menu of inventive comfort food that's spiked with plenty of local, seasonal ingredients. A state-of-the-art French Rotisol rotisserie takes pride of place in the kitchen and free-range, hormone-free Bannockburn chickens from Gippsland headline the food offering. Turquoise tiles and brass accents provide a bright, cheery backdrop to dishes like Creole-style chicken wings with burnt chilli aioli, the panko-crumbed fish roll, and a schnitzel burger piled high with coleslaw, cajun aioli and pickled jalapeños. A chip butty teams fries and a madras mayo on a soft milk bun, while local burrata is matched with heirloom tomatoes and aged sherry vinegar. Options from the rotisserie might include a roasted cauliflower with sunflower seed pesto, or a classic roast chook with chips — to be backed by sides like the garlic and lemon thyme-roasted spuds, plus a signature Sunday coleslaw finished with fennel and mint. Dessert features an exclusive collaboration with Rivareno Gelato, courtesy of an indulgent two-scoop ice cream sandwich laced with chocolate bourbon sauce. Unlike the roast dinners of your childhood, Sunday's food offering comes backed by a creatively charged drinks lineup, starring four pre-batched cocktails from Australian Bartender Magazine's 2018 Bartender of the Year, Jenna Hemsworth (Restaurant Hubert). You can enjoy the negroni, Aperol spritz, margarita and cold drip martini either alongside a feed, or to take home. Meanwhile, Western Australia's Running with Thieves headlines the tap list, and you'll find a strong selection of Aussie-made natural wines rounding out the bar lineup. Find Sunday at 95 Macleay Street, Potts Point. It's open daily from 11.30am until late.
If you live in Adelaide, you probably already think your city is the best place in Australia. For two days this spring, music fans across the country will share that view, too. Come November, the South Australian capital will play host to a brand-new — and huge — music festival called Harvest Rock, and it boasts one helluva lineup. Headlining the bill is Jack White, with The White Stripes frontman playing his only Australian show — and, at Rymill Park and King Rodney Park across Saturday, November 19–Sunday, November 20, he'll be joined by plenty of international talent. The Black Crowes, Khruangbin and Groove Armada are all on the roster, as are The Lumineers and Hot Chip. Yes, that's a lineup worth planning a weekend in Adelaide for. From the local contingent, Crowded House will bring a hefty dose of nostalgia — don't dream it's over indeed. The Avalanches sit among the other big drawcards, as do Courtney Barnett, You Am I and Tones And I. [caption id="attachment_865436" align="alignnone" width="1920"] Mia Mala McDonald[/caption] Hailing from Secret Sounds, the crew behind Splendour in the Grass, Harvest Rock's two-day run will also place a big focus on the other part of its moniker: food. That'll include a dedicated stage for chef and bar stars to showcase their skills, a clear marquee serving up curated bites by chef Jake Kellie (arkhé, Burnt Ends), and a food truck park. Plus, the bar lineup is being curated by Australian wine critic Nick Stock, and features Archie Rose Distilling Co pouring spirits, wine tastings at a cellar door pop-up, a beer hall and a champagne bar. One watering hole will be a LGBTQI+ space, too, and there'll also be a booze-free bar for anyone keen on avoiding a post-fest hangover. HARVEST ROCK 2022 LINEUP: Jack White Crowded House The Black Crowes Khruangbin Groove Armada Sam Fender The Lumineers Tones And I The Avalanches Courtney Barnett Kurt Vile Angus & Julia Stone The Teskey Brothers Hot Chip Goanna Genesis Owusu The Living End Cat Power You Am I Meg Mac Marlon Williams Holy Holy Alex Cameron Ruby Fields Allen Stone Electric Fields TOWNS Slowmango Harvest Rock will take over Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide, on Saturday, November 19–Sunday, November 20, with tickets on sale from 9am AEST on Wednesday, August 24. Top image: Paige Sara.
Right now, the culinary name on everyone's lips in Melbourne is Rosheen Kaul. The chef made a name for herself when turning Brunswick East's Etta into one of the city's best restaurants and publishing her hugely successful cookbook Chinese-ish: Home cooking, not quite authentic, 100% delicious. Kaul has made it to the big leagues, but still doesn't feel like she's fully cooked — "I will not say I've reached my final form as yet," she shares with Concrete Playground. To get closer to that final form, Kaul decided to leave Etta and throw herself back into the wild. She's now writing a new cookbook, collaborating with chefs all over Australia and judging the upcoming S.Pellegrino Young Chef Academy Competition — alongside the likes of Josh Niland, Jake Kellie, Brigitte Hafner and Brent Savage. Kaul has already played a great part in helping develop what contemporary Australian cuisine is and can be, but she has plenty more to give. We also spoke with her about her future plans — both for herself and the country's culinary landscape — as well as the best advice that she has ever received and how it helped her become so successful. On Joining the Big Leagues in Melbourne's Food Scene "There is an incredible responsibility that comes with being a more-prominent face in the Melbourne food scene. I am acutely aware that I represent a demographic that is only now seeing representation in food media, and I am both honoured and empowered to have a platform to share my experiences as a female chef and as an Asian Australian." On What Kaul Has Been Up to Since Leaving Etta "I had planned to take a break when I left Etta, but I definitely underestimated how bored I'd be without the high energy and stimulation of kitchen life. I'm nearly at the finish line with the manuscript for my next cookbook, and I'm spending the rest of the year travelling around Australia cooking with some of my amazing friends and peers in their venues interstate. It's a brilliant way to keep myself in the kitchen, and frequently put myself well out of my comfort zone. Cooking my food in different spaces and running different types of services is really helping me zone in on the core of my style of cooking. Beyond the woodfire, beyond a specific style of service, I've had to figure out precisely what makes my food 'me' — that can be applied to say a breakfast pop-up, a charcuterie pop-up, a rural pub takeover or a completely lo-fi open fire in the bush. I'm excited to see all of the different forms my food takes around Australia." [caption id="attachment_962874" align="alignnone" width="1920"] Annika Kafcaloudis[/caption] On Kaul's Upcoming Cookbook "I'm incredibly excited about this next book. I can't reveal the title as yet, and it will be published with the same publisher as Chinese-ish — so it will be fantastic. After the international success of Chinese-ish, I didn't think I would write another one as I felt like I couldn't possibly top the first, but inspiration comes from all sorts of places, and I was hit with an absolute bullet train of inspiration one day and I knew I had to get it all out in a book. See, the thing is I wrote Chinese-ish before Etta, and still didn't quite know who I was as a chef, nor had I really zoned in on my style of cooking as yet. Writing Chinese-ish gave me an incredible insight to my own identity as a person straddling multiple worlds and cultures, and my time at Etta gave me the platform to put that on a plate and the time to refine my ideas. I will not say I've reached my final form as yet, but I am miles away from the chef I was when I wrote my first book. There was no need for me to reach into my past for recipes this time — rather, each of the 160-odd recipes are Rosheen originals born from the confidence and self-awareness I've gained over the past few years. Vibrant, colourful, delicious and bold — it's a book of sauces, condiments and dressings as wildly cross-cultural as I am. I can't wait to share it with you all next year." On Judging at the S.Pellegrino Young Chef of the Year Academy Competition with Some Huge Names in Food "Big names indeed, and I'm honoured to be counted among them. Josh Niland, particularly, is a chef whose work I've followed for many years, and learned so many techniques from that I've applied in my own kitchens and taught my own chefs. Brigitte curates one of the most incredible, immersive dining experiences in the country with such a generous style of cooking and I've had the privilege of dining at Tedesca Osteria twice. Brent Savage's restaurants are legendary, and some of the most pitch-perfect dining experiences I've had in Sydney were at Bentley and Cirrus. And Jake Kellie, I've admired for many years during his time at Burnt Ends, and I'm thrilled to be cooking with him at Arkhe in August." On the Importance of Celebrating and Supporting Young Chefs "Australia doesn't share the same long history of haute cuisine as other countries, and it is only now that we are beginning to articulate what 'Australian cuisine' is, was and can be — encompassing native and traditional ingredients and influence from waves of immigration, and reflective of where we are as a nation. It's hugely important to support our young chefs in Australia on that journey to define who we are, and to have more chefs that thrive on the world stage. For Australia, we're at the precipice of our culinary journey, and we have to see the ideas of the current industry taken to the next level by the next generation of chefs." [caption id="attachment_962876" align="alignnone" width="1920"] Etta by Annika Kafcaloudis.[/caption] On How Melbourne's Food Scene Stacks Up Against Other World-Leading Culinary Cities "I'm originally from Singapore, and I can say with certainty that the dining scene in Melbourne is well up there with cities like London and Paris. Not as saturated, sure, but the fresh ideas, breadth of styles and respect for ingredients coupled with incredibly strong skills puts this city firmly in the same calibre. Melbourne did host the World's 50 Best a few years ago for a reason, so I certainly am not biased in this opinion. What I do love about cooking in Melbourne is the freedom. We have sensational produce, young farmers serious about healing our topsoil — growing truly delicious ingredients — and such a wealth of cultures and histories to be inspired by. It's an incredible time to be a chef in Melbourne." On the Best Advice That Kaul Has Ever Received "I've been told a few things in my life that have focused and sharpened my trajectory, the major one being to be a sponge: learn anything and everything from the people around you. Everyone is good at something, and whether it be a Demi-Chef or a Head Chef training you, there is always something to learn, whether you agree with them or not. The more talking you're doing, the less you're learning. When I was working at Dinner by Heston Blumenthal, Chef Ashley Palmer-Watts once said 'the moment you lose your temper, you've lost control of the situation'. I held that statement close when I started running my first kitchen. If you stay calm, calculated, and ready for any and all possibilities, you'll never be taken by surprise. Three steps ahead, always." And Some Advice for Young Chefs Looking to Succeed in the Industry "Leave your ego at the door. You also have to continually challenge yourself — don't ever be the smartest person in the room — because complacency is akin to failure, and there were times when I was feeling a little too comfortable at Etta. The best thing I could do for myself as a 31-year-old chef was to throw myself out into the world again and seek new challenges. It's a scary thing, defending your credibility, but I know I can be more, and it is worth every bit of fear and discomfort." Top image: Kristoffer Paulsen.
UPDATE, September 17, 2020: The Red Turtle is available to stream via SBS On Demand, Google Play and YouTube Movies. Amidst the swirling chaos of streaming waves and thunderous seas, a lone man struggles to survive. Clinging to the remnants of his wrecked vessel, he's almost enveloped by the sound, fury and force of the water, his status as a mere speck in the ocean never in doubt. When he washes up on a deserted island, he finds himself similarly dwarfed by his surroundings. Sand stretches as far as the eye can see, as the taunting tide laps at the coastline. Cavernous nooks and crannies appear inviting, yet also threaten to swallow him whole. The foliage bears fruit, but little comfort. Welcome to the detailed natural realm conjured up by Dutch-British illustrator-turned-animator Michael Dudok de Wit in his feature filmmaking debut, The Red Turtle. That his Cannes Un Certain Regard special jury prize-winning effort is a co-production with beloved Japanese animation house Studio Ghibli — their first-ever such collaboration, in fact — gives an indication of the beauty and intricacy on offer. However, as magical as the movie's hand-drawn sights appear, this is a tale designed to evoke a different kind of wonder: not for an adventurous, fantastical journey, but for the complicated splendour that springs from man's relationship with the world around him. So it is that the unnamed figure explores the space that has become his new home, before swiftly turning his attention to fashioning a raft to escape back to civilisation. Alas, each attempt is stymied, particularly when an enormous red turtle starts to interfere. It's this new companion that reveals another side of our hero's predicament, and prompts the film's elegant probing of the nature of human existence — though the specifics are best discovered by watching. Part of The Red Turtle's potency comes from its simplicity, although it is far from a simple film. Instead, it's a feature that embraces conflict and contrast, and finds vast depth in defying expectations. It's largely dialogue-free, yet rages with noise and swells with the sounds of composer Laurent Perez Del Mar's gentle score. Though focused on one man's plight, its eye-catching imagery hones in on the texture of every scurrying crab, splash of water and blade of grass around him — and never fails to stress its protagonist's place in the world. While brief at 80 minutes, it fills every second and frame with emotion. Similar stranded situations have graced cinema screens before. Tom Hanks conversed with a volleyball in Castaway, while Paul Dano bonded with the corpse of Daniel Radcliffe in Swiss Army Man earlier this year. With that in mind, The Red Turtle proves enchanting not because it's novel, but because it's rich, dense, and delicately devastating in its examination of the parts of life that truly matter. Take a chance, and let this beautiful film sweep you away.
Each week as Thursday night rolls around, the motivation to cook is difficult to find. The meals you prepped on Sunday are long gone and the weekend feels so close, yet so far. Luckily, Surry Hills' French bistro LoLuk is handling the cooking for you and rewarding you for making it through the week with all-you-can-eat moules frites for just $29 every Thursday. Enjoy endless fresh cooked mussels and crispy golden-brown fries until you're so full, you'll skip brekkie and lunch on Friday morning. The moules frites are served with your choice of three sauces: roquefort (blue cheese, cream and white wine reduction); provençal (tomato, garlic, white wine reduction, thyme and rosemary) or marinières (white wine reduction, cream, garlic, shallots and thyme). LoLuk also ensures that all the sauces come mixed with a healthy dash of love. The mussel feast kicks off at the Bourke Street bistro each Thursday from 6pm and continues until 10pm. Bookings can be made via Loluk Bistro website or by contacting the team at booking@loluk.com.au or on 7900 6251.
Could 2011 be the year of the infographic? They're all over the internet: eye-popping visuals which make sense of complex data sets through bright colours and great typography choices. In a world where information bombardment is enough to make your head spin, infographics are bringing order to the chaos of endless facts and figures. Perhaps the logic of the infographic could be applied to the design of nutrition labels, another daily dose of confusing percentages, milligrams, serving sizes and calorie counters. US magazine Good has teamed up with the University of California Berkeley Graduate School of Journalism's News21 project, inviting designers to rethink food labelling. Their instructions? "Redesign the food label. Incorporate the existing nutrition facts and calorie counts. Or reimagine a label entirely based on food quality, food justice, or lesser-known chemosensory characteristics. Consider a food's carbon footprint or its cultural significance. Above all, make the redesigned label informative, instructive, and memorable." Enter the competition before July 1 and use your design skills to inspire better food and nutrition literacy. [Via Good]
Finding a drink to match the place you're in hasn't been too hard in recent years. For folks in Sydney, two different types of gin have paid tribute to the Sydney Opera House. For people in Melbourne, there's a juniper spirit that nods to St Kilda live music institution The Espy. And Brisbane scored its own themed gin, too. They're just some examples — and now Jetstar, of all companies, is serving up four more. Having a tipple to celebrate turning 18 is the done thing, after all. Yes, the discounted Australian airline has come of age, and it's hosting a two-day birthday flight sale to mark the occasion. But, once you've bought cheap fares, you can also say cheers to your trip — or just in general — by knocking back a few sips from Jetstar's new hard seltzer range. The boozy beverage line is a collaboration with 'Ray, the Hop Nation crew's hard seltzer side hustle. Obviously, a Melbourne-themed seltzer is on the menu — and it somehow tastes like a deconstructed cafe latte. If you're not so fond of the idea of coffee-flavoured seltzer, the other options include a coconut, fairy floss and sea salt number for the Gold Coast; mulled wine, cloves and cinnamon for Queenstown; and rambutan, soursop and hibiscus for Bali. The four tipples are also meant to exude a particular vibe that reflects their cities of inspiration — so urban vibes for Melbourne, good times for the GC, adventure for NZ and balmy nights for Bali. Or, maybe take that as advice on where and when to knock back said drinks, since who knows what "urban vibes" taste like. If you're keen to give the seltzers a sip, you'll have to nab some online via the 'Ray website. They'll be available from Tuesday, May 17 — and because they're a limited-edition affair, getting in quickly is recommended. Jetstar's Bali, Gold Coast, Melbourne and Queenstown seltzers will be available to purchase online from Tuesday, May 17.
