Budding designers need to have this store on their radar. Located in Redfern, this upholstery store specialises in fabrics from local and international designers, including end-of-roll and end-of-season specials. Owner Bev MacInnes channels expertise from a career as an interior architect to source unique and unusual textiles for professional designers and amateur home-crafters alike. The store also offers made-to-order services including bespoke bedheads, cushions, curtains, lampshades and upholstered furniture.
The end of a long weekend always gets us looking toward our next getaway. This time around, it's Braidwood that has caught our attention. Located a three-hour drive south of Sydney, the town is now home to the renovated Mona Farm — a 124-acre country estate and your new excuse for an out-of-town holiday. The property is part luxury farm stay, part nature retreat and part art gallery, all wrapped into one. Mona Farm spans six farmhouses for accommodation of up to 44 guests. Two have just been renovated and the remaining four are a work in progress. The completed buildings are The Homestead and The Coach House, which were built in 1853 and 1903, respectively. Each maintains its existing historic exterior, while the interior has been modernised with bespoke furnishings and an art collection — including work by Brisbane artist Sally Anderson and German kinetic sculptor Frank Bauer. The other four cottages, which include a repurposed shearer's quarters and a lakeside cottage, will be designed by Surry Hills' architect Louise Nettleton and will be completed in the next 12 months. Expect interiors by MCM House, Anibou and Cosh Living, among others. [caption id="attachment_717994" align="alignnone" width="1920"] Kimberley Low[/caption] Beyond the accommodation, the expansive property includes eight-acres of award-winning gardens — featuring a hidden rose garden and veggie patch — a croquet lawn, a large central lake with an old stone bridge and an elm forest that was planted by the original Mona Farm owner back in the 1800s. Artworks from over 20 Australian and international sculptors have been installed throughout the grounds, giving the natural surrounds a modern appeal. Some of the artists and sculptures include Janet Laurence, Adam Cullen, Fiona Hall, James Angus, Guy Maestri and Marion Borgelt. The farm also houses a significant collection of works by American sculpture Peter Lundberg, including a few specifically commissioned for the space. [caption id="attachment_717990" align="alignnone" width="1920"] Kimberley Low[/caption] It really is a working farm, too, with Scottish Highland cattle, English Wiltshire Horn sheep, Wessex saddleback pigs and Clydesdale horses all sharing the land — plus platypus, long-necked turtles and rainbow trout sharing the lake. The vegetable garden is also home to bee hives and chickens out for a stroll. If you'd like to spend a night here, you'll need to round up the crew. The Homestead sleeps ten guests and starts at $2500 a night ($250 each), while The Cottage sleeps nine and starts at $1050 a night ($105 each). If you have heaps of friends — or are, say, holding a wedding — you can book out the whole estate, which sleeps 44. For those not staying overnight, regular artist exhibitions, concerts and tours of the grounds will be on the docket as well. Mona Farm is located at 140 Little River Road, Braidwood. For more information and for future bookings, head here. Images: Kimberley Low.
The last time I saw so many polygons so ingeniously fitted together was when I handed in my year six major geometry project. Except that they only amalgamated in my imagination, rather than according to the laws of mathematics. Lord (and advanced engineering) only knows how Frank Gehry got this thing to stand up and stay standing, but done it he has. Behold, ye faithful readers, BioMuseo. Its 4,000 square metres of exhibition space tells the story of the Isthmus of Panama — the curvy wisp of land that separates the Pacific Ocean from the Atlantic and binds the mighty Americas as one (to the consternation of both North and South, more frequently than not). It’s also home to the tiny nation of Panama and the legendary Panama Canal. After a construction process that’s involved ten years and US$60 million plus, BioMuseo is soon expected to open its doors. The official ceremony date hasn’t yet been announced, but test visits are happening this month. Gehry’s mission was to design an icon that Panamanians could identify as their very own — in the way that Sydneysiders see the Opera House, Coffs Harbourians view the Big Banana and Goulburnians admire the Big Merino. The architect’s signature geometrical style blends with local aesthetics. Exhibition coordinator Darien Montanes describes BioMuseo as a “very loud and visible building, appropriate for Panama’s loud and visible culture”. Bright colours and the application of plaster to a concrete substrate reference native construction methods. Inside, an expansive central open-air atrium serves as the building’s heart. Eight Bruce Mau-designed galleries house permanent exhibitions, each worked out in conjunction with the Smithsonian Tropical Research Institute. The interior design pursues an ongoing dialogue with each exhibition and the overarching story: how a 50km-wide strip of land that emerged 4.5 million years ago changed the world. Via designboom.
Sometimes, for whatever reason, it's not time to go home yet — you just need to kick on just a little while longer. So, where do you go when you want to drink and dine with your pals well into the wee hours? Where can you channel the late (and great) Prince and party like it's 1999? These spots. We've partnered with Heineken to pull together this list of five top kick on venues, which prove the lockout laws haven't dampened Sydney's party spirit. Grab your mates, and a Heineken, and check 'em out.
It's happening again: every now and then, Jetstar gives travellers a mighty fine reason to head to Japan (if the country's long list of existing drawcards, including its food scene, teamLab's digital art gallery and Studio Ghibli's very own theme park, to name a mere few, aren't enough already). When the Australian airline drops discounted fares to Tokyo and Osaka, they get snapped up quickly, too. If a getaway to either city is exactly what you need before 2025 is out, then, take note. The Australian airline usually has a sale of some description on offer at any given time; however, this one is only about discounted fares to Japan. This isn't among the carrier's return-for-free sales, but prices start at $249 one-way, still nabbing you a considerable bargain. Whichever of Tokyo and Osaka that you decide to fly into, Jetstar's new special will take you there while being nicer to your bank balance. The sale kicks off at 12pm AEST on Monday, May 19, 2025 for Club Jetstar members and at 12am on Tuesday, May 20, 2025 otherwise. Then, you've got until 11.59pm AEDT on Friday, May 23, 2025 to book, unless the discounted flights are sold out earlier. This round of bargain fares covers direct flights from Cairns, Brisbane and Sydney, plus connecting flights out of Melbourne (Tullamarine) and Adelaide. The cheapest price will get you from Cairns to Osaka, while Cairns to Tokyo costs $279. Brisbane fares start at $309 to Osaka and $429 to Tokyo, while Sydney's are $339 and $394 to the same cities. Melbourne's prices are $377 and $407, and you'll pay $394 and $424 from Adelaide. While travel dates vary, early October through to mid-December 2025 is among them. The normal Jetstar caveat applies, of course, as well as the standard advice to pack light: as is usually the case with airline, checked baggage is not included. Jetstar's Japan sale kicks off at 12pm AEST on Monday, May 19, 2025 for Club Jetstar members and at 12am on Tuesday, May 20, 2025 otherwise, running until 11.59pm AEDT on Friday, May 23, 2025 — unless it's sold out earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
The spot that was home to North Bondi Italian has to be one of Australia's most enticing restaurant venues, with million-dollar views, proximity to the waves and a ready-made crowd of surfed-out, ravenous diners. With Matt Moran, Shay Cullen, and head chef Steve Jacamos at the helm, the famed eatery continues to draw diners with a regular rotation of collaborations and takeovers (most recently with North Bondi Kepos last winter), and a sunny balcony. It's just made for people-watching with a cocktail in hand as the sun goes down over North Bondi on balmy summer nights. However, a modern seafood menu (with a focus on fresh produce and local suppliers) remains the star all year round at North Bondi Fish. The emphasis is on quality produce, transformed into light, accessible, uncomplicated meals and snacks, with fish cooked on an Inka Grill. Several Matt Moran favourites are on the list, including the NBF fish taco with cabbage, pineapple and jalapeño, swimmer crab linguini with chilli and basil, half-shell scallops with XO butter and grilled Fremantle octopus with chimichurri and capsicum. Dessert? How about a chocolate parfait with poached cherries and crème fraîche ice cream or a pineapple fritter with coconut sorbet and rum caramel? Non-winos can enjoy some tempting and very drinkable alternatives, including passionfruit, lychee or berry mocktails, while the Tulum with Patron Silver, triple sec, coconut, habanero and seaweed is a surprising glass of fun. To suit the coastal location and the salty, sandy realities of beachside wining and dining, the restaurant has donned a relaxed, casual interior evocative of what you might find in Mediterranean climes. Communal wooden benches and tables are lit with playful dashes of colour that travel outwards to the verandahs. In the words of Matt Moran, "North Bondi Fish is for the locals. It's relaxed, it's fun and it's no fuss. It is the kind of place you head to for something good to eat anytime of the day, even while still in your thongs and boardies."
With the sun shining and everything looking just a little bit more beautiful, spring is the perfect time to head out for a day of gallery hopping around Sydney's many galleries. There are plenty of exhibitions currently showing — or set to open in the next couple of months — covering everything from gallery retrospectives and award-winning photography, to cultural explorations and genre-bending performance works.
When we asked Concrete Playground readers to tell us their favourite spots in and around Alexandria, no shop, restaurant or bar received as many shout-outs as Social Society. The cafe is only relatively new on the scene — it opened in December 2019 as a tenant of Green Square's new food precinct — but it's quickly gained a loyal fanbase for its Pinterest-worthy fit-out and next-level dishes. Let's start with the space, which was produced in collaboration with interior designer Blank Creatives. It's a millennial dream with pink leather booths and curtains, neon signs and terrazzo tables. The menu is designed around dishes that are as photogenic as they are tasty, so expect the likes of pink pasta, with prawns, pickled beetroot and pink caviar cream, and eggs benedict served in a flaky croissant. But that's just the start of the OTT options. You can also indulge in fried chicken and waffles with maple-infused gravy, ricotta pancakes topped with popping candy, and bone marrow served with charcoal garlic toast. And coffee is by Sydney-based roastery Gabriel Coffee. Images: @elleshungry, courtesy of Media in Action
Visit Balmoral Beach in 2023 and you'll be splashing around in one of the nation's top beaches for this year, no matter when you head by. Make a date with the Sydney patch of sand this winter, however — and with Balmoral Beach's Bathers' Pavilion, to be specific — and you'll also be able to enjoy a meal from a three Michelin-starred English restaurant, with Simon Rogan's L'Enclume making the trip Down Under for the first time ever. For five weeks between Wednesday, July 19–Sunday, August 20, in what marks L'Enclume's debut venture away from its Northern England home, it'll set up shop at Bathers' Pavilion for a residency. British chef and restaurateur Rogan, who is known for his farm-to-table focus, will bring a number of the restaurant's famed dishes our way. In fact, he'll transport a version of the L'Enclume experience beachside from its base in the village of Cartmel in The Lake District in Cumbria, where it resides in a former 13th-century blacksmith workshop. L'Enclume will still operate as usual in the UK during its Sydney residency, too, giving the world two L'Enclumes running at the same time. If you're new to L'Enclume, and to Rogan, both favour the idea of the perfect ingredient. So, in each small and meticulously constructed bite served up, that concept comes to the fore. Across an eight-course menu, plus snacks and petit fours, patrons can expect L'Enclume's favourites — but adapted to use ingredients from New South Wales and Australian producers. The residency is committed to having a traceable menu, and Rogan is already contacting locals, seeking folks who can grow supplies specifically for his time at Balmoral Beach. And yes, Rogan himself will overseeing the Bathers' Pavilion stay, leading the kitchen for every single service. Oli Marlow, Executive Chef of Roganic and Aulis London and Hong Kong, and Sam Ward, Managing Director of Simon Rogan restaurants around the globe, will join him, plus a team from the UK that'll feature up to eight chefs, four front of house staff and a sommelier. Only welcoming in a maximum of 80 attendees per sitting, the intimate residency will also bring over L'Enclume style of service, and have diners eating off of a version of its preferred crockery that'll be handmade in Australia. To help wash down Rogan's precisely fashioned dishes, Rogan's sommeliers are crafting a sizeable wine list, complete with wine pairings to match the food. And, there'll also be a cellar list, with folks with cash to splash on budget-breaking vino able to pre-arrange rare vintages and bottles before their bookings. Setting guests back $420 each for eight courses plus snacks and petit fours, and either $190, $290 or $750 per person for wine pairings on top (or $70 for non-alcoholic sips), this clearly isn't the kind of culinary experience that Aussies get every day — and it's also one that's worth travelling for. If you don't normally call Sydney home, you'll only need to book a jaunt to the Harbour City, rather than the other side of the world. Announcing the residency, Rogan said that "winning three Michelin stars at L'Enclume is a culmination of 20 years of work and evolution by a group of dedicated chefs and front of house specialists". L'Enclume notched up that feat in 2022, when it also hit that 20th anniversary. "The Sydney residency marks a big milestone for us as we enter our third decade and our boundary-pushing team could not be more excited to share our strong sustainability ethos and serve up some of our favourite L'Enclume dishes using the outstanding local ingredients unique to New South Wales and Australia," Rogan continued. "For me, it's all about layers and complexity of flavour, creative produce sourced with a sustainable ethos, and warm and knowledgeable service. It's not just the restaurant which makes the L'Enclume experience, it's the surroundings too, and even though the setting at Bathers' Pavilion on Balmoral Beach couldn't be more different to Cartmel, it feels so similar in its sense of beauty and uniqueness." Find L'Enclume at Bathers' Pavilion, 4 The Esplanade, Balmoral Beach, Mosman from Wednesday, July 19–Sunday, August 20 — open for lunch Tuesday–Sunday and dinner Tuesday–Saturday. Head to the Bathers' Pavilion website for bookings from Tuesday, February 14, or sign up to the Bathers' Pavilion newsletter for updates.
Deep-fried ice cream is the kind of confection that delivers the best of two worlds: cold and creamy, warm and crunchy. This singular treat takes the starring role in a new flagship Strathfield store from longtime Sydney food truck Duo Duo. Sporting a slick modern fit-out, the store could be dismissed as one of the big gelato chains — but step up to the stylish marble countertop and you'll be greeted by a far more inventive addition to Sydney's dessert scene. Of course, the deep-fried ice cream is a major drawcard. The pandan coconut is the original speciality with sweetened coconut sauce and roasted coconut flakes making it a must-try for coconut lovers. The vanilla bean serve comes topped with house-made salted caramel and butterscotch popcorn, while the cookies and cream flavour is paired with Nutella ganache and cookie crumble. There's plenty more to love here if you're on the hunt for a sweet treat that's a little less hedonistic. There's a classic gelato bar out front scooping classics like vanilla bean and pistachio, alongside more inventive flavours like durian, macha, taro, Vietnamese iced coffee and Thai milk tea. Plus, there's doughnuts. The team recommend tucking into a crème brûlée or strawberry, cream and berry jam-filled options, while crowd-pleasers like Biscoff cheesecake or classic original glazed are also up for grabs. If you're feeling parched after you've devoured your dessert, Duo Duo is ready with a selection of in-house sodas and teas as well. Order a green grape, yuzu or lychee soft drink, or opt for tea available in strawberry hojicha, apple black or grape sencha.
In 2011, The Cure took to the Sydney Opera House stage to perform their 180-minute programme Reflections as part of Vivid Live. Now, the post-punk luminaries are returning to the iconic venue to headline the festival once again — this time, however, they'll be performing their 1989 album Disintegration. The Sydney show will be a world premiere and an Australian exclusive, celebrating the 30th anniversary of the landmark album. The gothic rock-style record contains hits such as 'Lovesong' and 'Pictures of You', and, while it won't be a three-hour music marathon, it's expected to be equally impressive. Robert Smith — teased hair, lipstick, eyeliner and all — will take to the stage alongside the band's four other members across four nights in May. The Cure made some of the most critically acclaimed music of the 80s, including Disintegration, and has been credited with influencing many contemporary musicians such as Lorde and Interpol. [caption id="attachment_708546" align="alignnone" width="1920"] Robert Smith by Andy Vella.[/caption] Headline acts of the huge annual festival of music and light over the past seven years have included Solange, Morrisey and Kraftwerk with the ballots for all three selling out. To get your hands on tickets for the 2019 show, you'll also need to enter a ticket ballot. To do so, head to the Sydney Opera House's website between now (Tuesday, February 19) and midnight on Sunday, February 24 and register. Successful applicants will be notified on Thursday, February 28. No other live music acts have yet been announced for Vivid Live 2019 — with the rest of the lineup expected to be announced in the upcoming weeks — but if it continues anything like it has started, this year is going to be a banger. The Cure will perform four shows at Vivid Live 2019 at the Sydney Opera House Concert Hall between Friday, May 24 and Tuesday, May 28. Registrations for the ticket ballot are now open. Images: Andy Vella.
Some people are just born with a penchant for spirits. The Australian genius of a distiller behind Mr Black cold drip coffee liqueur has come up with a perfect gin — one he's calling 'garden grown' gin. It's called Distillery Botanica and, to be honest, drinking it feels like strolling merrily through a summer garden. There's a good reason for that. Philip Moore, the brains behind Distillery Botanica, sources all the botanicals from his very own garden in Erina on the Central Coast. To get the most out of the plants, he uses a 1000-year-old technique known as 'enfleurage'. It involves placing the flowers on a layer of coconut oil, into which their fragrance diffuses over two or three days, creating the purest possible perfume. The heady scent hits you as soon as the glass reaches your hand. "The hero botanical is marraya," says Will Miles, Distillery Botanica partner and brand director. "It looks a bit like jasmine, but it's got slightly wider petals and grows on tall, lush hedges. All the flowers are handpicked at the distillery, in the garden, so the gin really has the essence of the place where it's made." In addition to murraya, there's jasmine, honeysuckle, orange blossom, rose, chamomile, coriander, orris root, sage, angelica and juniper. You can order a bottle of Distillery Botanica online. (The actual bottle, by the way, is one you'll want to keep for aesthetics alone — five years went into its design.)
Homebrewers and beer lovers in Perth have a new local playground for their craft. Brew U: Brew University is taking the existing brew-on-premises model and gearing it toward craft beer enthusiasts, giving locals the ability to brew beer that is actually tasty while digging deeper into the science behind the process. If you're not familiar with the model, a brew-on-premises facility allows novices to bulk brew their own beer on the cheap. It saves money (when you compare it to buying retail) and avoids the bloody mess of doing it at home in the garage. Brew U is just taking this concept to the next level. The whole thing has been started by six Perth locals and aspiring brewers: Jon Stockey, Jenna Lippert, Eliza Stockey, John Lewis, Richard Allen and Lisa Allen. Together, they're offering much more than your typical extract brewing facility — which is most likely the method your mate used to make that nasty home brew, which you then vowed to never drink again. Instead, Brew U provides patrons with the added opportunity to try out grain brewing (just like professional brewers) and use rare yeast strains in their beer, all from a customised menu. The brewing menu uses fresh, local and high quality ingredients and includes specialty brews like a sour cherry Berliner Weisse, an India pale lager (IPL) and a New England-style IPA. As well as beer, the facility also allows for the production of cider and ginger beers. The space is inspired by US microbreweries, with the refurbished venue taking on an American varsity theme using chain-link fencing, ivy vines, school lockers, park benches and AstroTurf, along with a 30-metre custom mural by artists Steve Browne and Jerome Davenport. Apart from the brewing bit, the space will host beer education classes and seminars with local brewers, kegerator sales, keg hire and custom installations. The team also has its own microbrewery in the works with a full-on site production facility, bar with indoor beer garden and packaged products planned for the near future. Brew U is now open at 3–176 Bannister Road, Canningvale, Perth. It's open 3.30–7.30pm Monday to Friday, 8am–5pm Saturday 10am–5pm Sunday. For more info, visit the Facebook page.
During the summer months, there's often one thing at the top of our to-do lists: hitting up as many beaches as possible. Australia has a lot of them (11,761 of them, to be exact) and choosing which ones to go to can be difficult. Where won't be too busy? Too seaweed-y? Which one has the whitest sand? The bluest water? Is the best for beach cricket? There's a lot to consider. Thankfully, Tourism Australia's Beach Ambassador (how do we apply?) Brad Farmer AM has done the hard yards and pulled together a tidy list of the top 20 Australian beaches for 2020. Farmer chose the beaches based on water quality, cleanliness, capacity, facilities, safety and 'wow' factor, as well as a host of other factors. Topping the list for 2020 is Cabarita Beach on the Tweed Coast, tucked between Byron Bay and the Gold Coast. As well as being a great surfing spot that's reasonably quiet, Cabarita is filled with lauded dining destinations and a brand-new glamping retreat a thong's throw from the award-winning beach. Farmer calls it a "quintessential Aussie beachscape showcasing a truly diverse range of settings to swoon over". [caption id="attachment_754821" align="alignnone" width="1920"] Wagga Wagga Beach by Destination NSW.[/caption] Also on the list, for the first time, is an "inland beach". Wagga Wagga Beach, coming in at number nine, is located on the banks of the Murrumbidge River a five-hour drive inland from Sydney. It's far from the coast — and the seashore — but Farmer said "it's time we extend the meaning of a beach". "There are so many aquatic environments across Australia's interior," Farmer said in a statement. "These water spaces...socially connect rural and remote communities in often dusty and dry, drought conditions." At a time when so many parts of rural Australia are suffering through a two-year drought, it seems a fitting time to recognise our inland water bodies. A second non-coastal beach made the list, too: the pristine Lake McKenzie on Queensland's Fraser Island, which came in tenth. Rounding out the top five are the Gold Coast's Currumbin Beach at number two, NSW's hidden Minnamurra Beach (aka Mystics Beach) at number three, and Maria Island in Tasmania and Queensland's Cape Tribulation at number four and five respectively. Some of Australia's busiest (and, arguably, most popular) beaches — ie Bondi and Jervis Bay— didn't make the short list, but are both on Farmer's long list of 101 top Australian beaches for 2020. As did the Whitsunday's Whitehaven Beach, Australia's top-ranking beach in FlightNetwork's global list. So pack your togs (and your beach cricket set), round up some mates and start ticking these off. We see many road trips in your future. [caption id="attachment_754820" align="alignnone" width="1920"] Lake McKenzie by Ashley Dobson[/caption] THE TOP 20 BEST AUSTRALIAN BEACHES FOR 2020 1. Cabarita (NSW) 2. Currumbin (Qld) 3. Minnamurra (NSW) 4. Maria Island (Tas) 5. Cape Tribulation (Qld) 6. Brighton Beach (Vic) 7. Bettys Beach (WA) 8. South Port Beach (SA) 9. Wagga Wagga Beach (NSW) 10. Lake McKenzie (Qld) 11. The Basin, Rottnest Island (WA) 12. Fingal Bay (NSW) 13. Smiths Beach (WA) 14. Neds Beach, Lord Howe Island (NSW) 15. Quobba Station Red Bluff (WA) 16. Cossies Beach (Indian Ocean) 17. Lake Tyers Beach (Vic) 18. Diamond Head (NSW) 19. Pondalowie Bay (SA) 20. Killiecrankie Beach, Flinders Island (Tas) Top images: Cabarita Beach by Destination NSW
Lodged just outside Bathurst and surrounded by the picturesque expanse of a 170-acre working family farm and vineyard lies Rest at Boxgrove. Only about two and a half hours west of Sydney, this retreat offers a blend of rural serenity and modern luxury. Established in 1971 by local Angus cattle farmers Thellie and Barry Renshaw, Boxgrove has evolved under the care of their granddaughters Kayla and Melissa and now Kayla's husband, Ben. The property has had years of success as an award-winning wedding venue, 'The Barn', and now is delving into eco-conscious luxury accommodation. Boxgrove's five cabin studios are designed with sustainability and comfort in mind. The studios harness natural ventilation and sunlight and are powered by solar panels, and use collected rainwater. Outside, each studio has its own covered parking space, firepit (and firewood), grass area and covered wooden deck. Inside, you'll find organic bedding, a bathroom with a bath and shower, energy-efficient appliances, a turntable with records and contemporary furnishings in warm natural earth colours. You won't find a cooker, but outside on the covered deck is a luxe barbecue perfect for cooking breakfast bacon or grilling some steaks. And in case you get anxious when cut off from the world, there's a TV and wifi so you can stay connected. Guests at Rest receive a welcome basket featuring produce from local farmers and producers and homegrown on the estate itself. The basket includes freshly laid eggs, veggies, baked bread, sweet treats and even some vino from a nearby winery and a small bottle of gin from the Bathurst Distillery—the content of welcome baskets is subject to change. There's plenty to explore while on your stay. Each morning, you will wake up and be greeted with breathtaking views of the surrounding pastoral countryside — be sure to head out to greet your neighbours, the curious cows. Guests are free to wander through the on-site vineyard — the property is set to produce its first vintage in 2026 — and explore the other animals on the land. Each cabin also features two side-by-side outdoor baths with heated water, so you can take a dip with your beau and a glass of wine. This is perfect for watching the sunset behind the hills. Afterwards, make your way to your cabin's firepit to toast some marshmallows as you listen to the cows moo and watch the stars twinkle.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from July's haul of newbies. (Yes, we're assuming you've watched Black Widow already.) BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW I THINK YOU SHOULD LEAVE WITH TIM ROBINSON Coffin flops, sloppy steaks and babies that know you used to be a piece of shit: they're just some of the absurdist and hilarious gems that the second season of I Think You Should Leave with Tim Robinson serves up. Also making an appearance: a secret excuse to help men explain away pee stains on their pants, quite the loud and lurid shirt, and a daggy hat. Back in 2019, the sketch comedy's first season was Netflix's best new show of the year, and easily. History is repeating itself with the series' next batch of episodes, with all of the above inclusions resulting in side-splitting chuckles. To put it simply, absolutely no one excavates, explores and satirises social awkwardness with the gusto, commitment and left-of-centre viewpoint of Robinson. His skits dive headfirst into uncomfortable and excruciating situations, dwell there, and let them fester. He's a mastermind at ensuring that gags go for exactly as long as they need to — whether they're brief or prolonged — and the only criticism that can be found with I Think You Should Leave is that its short 15–17-minute episodes zoom by, so you'll probably watch all six new instalments in one 90-minute sitting. That's perhaps the best hour and a half you could spend staring at the TV right now. Robinson's flexible face is a constant source of surprises, and humour, and his outlook upon the world is both savage and brutally relatable. Binge his gags, then binge them again; that's how savvy this show is, and how addictive. If we can't have more Detroiters, the sublime sitcom that Robinson made after his time on Saturday Night Live, thank goodness we now have this. The second season of I Think You Should Leave with Tim Robinson is available to stream via Netflix. THE PURSUIT OF LOVE Bolters and stickers. They're the two labels given to women in The Pursuit of Love, a lavish, effervescent and also impeccably shrewd new three-part miniseries adaptation of Nancy Milford's 1945 novel of the same name. Befitting its source material's timing, the storyline leads into the Second World War, all as chalk-and-cheese cousins Linda Radlett (Lily James, The Dig) and Fanny Logan (Emily Beecham, Little Joe) grow from teens into women — and the former, the impulsive and passionate daughter of a Lord (Dominic West, Stateless) who doesn't believe in educating girls and hates foreigners, chases romance at all costs. Fanny narrates the story, detailing Linda's ups and downs alongside her own. Her own mother (Emily Mortimer, Relic) is purely known as "the Bolter", having left Fanny with her sister (Annabel Mullion, Patrick Melrose) as she too sought love again and again. It's a label that Linda despises when it's applied to her, though. Whether having her eyes opened to the world by her bohemian neighbour (Andrew Scott, His Dark Materials), falling for the first arrogant boy (Freddie Fox, Fanny Lye Deliver'd) she spends any real time with, or later crossing paths with a motivated Communist (James Frecheville, The Dry) and a French duke (Assaad Bouab, Call My Agent!), she does keep leaping forward, however. In contrast, Fanny literally bumps into Oxford academic (Shazad Latif, Profile) and settles into domestic bliss, all while worrying about her cousin. Mortimer also makes her directorial debut with this swiftly engaging look at well-to-do lives, and unpacking of the way women are perceived — and it's the latter, the vivid staging and cinematography, and the vibrant performances that make this a must-see. The Pursuit of Love is available to stream via Amazon Prime Video. THIS WAY UP Another month, another season of stellar comedy This Way Up. That's not how it aired in Britain, but it's basically how it has panned out for Australian viewers. And, that's a great thing — not only because this smartly written, astute, insightful and delightfully acerbic series about London-based Irish siblings Áine (Aisling Bea, Living With Yourself) and Shona (Sharon Horgan, Catastrophe) keeps viewers hooked episode after episode, but because binging your way through it immerses you wholeheartedly in their chaotic lives and headspace. As the first season established, English teacher Áine is riding the ups and downs of a mental health journey that saw her spend some time receiving in-patient treatment, and has left Shona, the high-powered overachiever of the pair, perennially worried. Even as COVID-19 approaches and begins to affect their lives, that dynamic is still in place. But Áine is now embarking upon a relationship with Richard (Tobias Menzies, The Crown), the father of a French boy (Dorian Grover, The White Princess) she tutors, all while trying to hide it from her bosses and said kid. Shona is the least-fussed bride-to-be there is as she prepares to get married to her long-term boyfriend and ex-colleague Vish (Aasif Mandvi, Evil), and also navigates more than a little awkwardness with her friend and new business partner Charlotte (Indira Varma, Official Secrets). The heart of this series is the push and pull between this sisters, and how they try to weather everything that life throws their way — and it remains firmly intact this time around. The second season of This Way Up is available to stream via Stan. FEAR STREET Maya Hawke. A mall. Retro clothes and tunes aplenty. Combine the three, and that's how Fear Street Part 1: 1994 opens. Yes, that's familiar, because all of the above played a significant part in the third season of Stranger Things, too. But while Hawke is still popping up on Netflix here, she isn't in Hawkins, Indiana anymore. Instead, her character Heather is working at a mall in Shadyside, Ohio. The year is obviously 1994, Heather is doing the closing shift at a book store, and viewers first see her gushing over an eerie title, only for the customer that's buying it to proclaim: "it's trash; lowbrow horror". Fear Street Part 1: 1994 might begin with a wink to its RL Stine-penned source material, but that isn't the only nod it serves up. Directed and co-written by Leigh Janiak (Honeymoon), this slasher flick splashes its debts to everything from Halloween to Scream across every frame. That's part of the package, as is plenty of blood, gore, bumps and jumps. The end result is unmistakably formulaic, but aptly so; every novel in Stine's series also earned the same description, as did every Goosebumps book as well. From this scene-setting opening, there's a masked killer on the loose, more deaths and chaos follows, and a witch's curse pops up. Then, two more movies keep spinning the story. Fear Street Part 2: 1978 takes its cues from Friday the 13th by heading to a summer camp in its titular year, and Fear Street Part 3: 1666 ponders the origins of Shadyside's curse in the 1600s — and binging all three at once is immensely easy. All three Fear Street movies are available to stream via Netflix. Read our full review of Fear Street Part 1: 1994. DR DEATH Cliffhangers aren't a new creation, but Dr Death deploys the tactic masterfully. When each episode of this true-crime series ends, you want more. That's a product of the show's structure as it jumps between different years in neurosurgeon Christopher Duntsch's life, and also a result of the stressful story itself. As played by Joshua Jackson (Little Fires Everywhere), Duntsch is full of charm when he's trying to encourage folks with spinal pain and neck injuries into his operating theatre — or when he's attempting to convince hospitals, particularly in Texas, to hire him. But again and again, those surgeries end horrendously. And if he's not endeavouring to sweet talk someone to get what he wants, and maintain the reputation and lifestyle he demands, his charisma melts into pure arrogance, including when he's dealing with his patients post-surgery and/or their loved ones. That's the narrative that Dr Death charts, all based on Duntsch's real-life tale, with the series following The Case Against Adnan Syed and the first and second seasons of Dirty John in jumping to the small screen from podcasts. If you've heard the Wondery release that shares Dr Death's name, you'll know that this tale is pure nightmare fuel, and the well-acted, well-shot and rightly angry drama plays that way on the screen. The longer he's allowed to operate, the bleaker Duntsch's story gets, all while fellow Texas surgeons Randall Kirby (Christian Slater, Dirty John) and Robert Henderson (Alec Baldwin, Pixie) do whatever they can to bring his misdeeds to light. Dr Death is available to stream via Stan. Read our full review. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK THE WHITE LOTUS With Enlightened, his excellent two-season Laura Dern-starring comedy-drama from 2011–13, writer/director Mike White (Brad's Status) followed an executive who broke down at work. When she stepped back into her life, she found herself wanting something completely different not just for herself, but for and from the world. It isn't linked, narrative-wise, to White's latest TV miniseries The White Lotus. Here, wealthy Americans holiday at a luxe Hawaiian resort, which is managed by Australian Armond (Murray Bartlett, Tales of the City) — folks like business star Nicole (Connie Britton, Bombshell), her husband Mark (Steve Zahn, Where'd You Go, Bernadette), and the teenage trio of Olivia (Sydney Sweeney, Euphoria), Paula (Brittany O'Grady, Little Voice) and Quinn (Fred Hechinger, Fear Street); newlyweds Rachel (Alexandra Daddario, Songbird) and Shane (Jake Lacy, Mrs America); and the recently bereaved Tanya (Jennifer Coolidge, Promising Young Woman). From the outset, when the opening scene shows Shane accompanying a body on the way home, viewers know this'll end with a death; however, as each episode unfurls, it's clear that these characters are reassessing what they want out of life as well. Here, a glam and glossy getaway becomes a hellish trap, magnifying glass and mirror, with everyone's issues and problems only augmented by their time at the eponymous location. In terms of sinking its claws into the affluent, eat the rich-style, this perceptive, alluring and excellently cast drama also pairs nicely with the White-penned Beatriz at Dinner, especially as it examines the differences between the resort's guests and staff. The first three episodes of The White Lotus are available to stream via Binge, with new episodes dropping weekly. TED LASSO A sports-centric sitcom that's like a big warm hug, Ted Lasso belongs in the camp of comedies that focus on nice and caring people doing nice and caring things. Parks and Recreation is the ultimate recent example of this subgenre, as well as fellow Michael Schur-created favourite Brooklyn Nine-Nine — shows that celebrate people supporting and being there for each other, and the bonds that spring between them, to not just an entertaining but to a soul-replenishing degree. As played by Jason Sudeikis (Booksmart), the series' namesake is all positivity, all the time. A small-time US college football coach, he scored an unlikely job as manager of British soccer team AFC Richmond in the show's first season, a job that came with struggles. The ravenous media wrote him off instantly, the club was hardly doing its best, owner Rebecca (Hannah Waddingham, Sex Education) had just taken over the organisation as part of her divorce settlement, and veteran champion Roy Kent (Brett Goldstein, Uncle) and current hotshot Jamie Tartt (Phil Dunster, Judy) refused to get along. Ted's upbeat attitude does wonders, though. In the second season, however, he finds new team psychologist Dr Sharon Fieldstone (Sarah Niles, I May Destroy You) an unsettling presence. You definitely don't need to love soccer or even sport to fall for this show's ongoing charms, to adore its heartwarming determination to value banding together and looking on the bright side, and to love its depiction of both male tenderness and supportive female friendships (which is where Maleficent: Mistress of Evil's Juno Temple comes in). In fact, this is the best sitcom currently in production. The first two episodes of Ted Lasso's second season are available to stream via Apple TV+, with new episodes dropping weekly. MONSTERS AT WORK Some of the best films leave you pondering a simple question: what happened next? Sequels don't always answer that query, though, because often you're wondering what literally followed mere moments after the exact events you've just watched — which isn't necessarily where follow-ups head. Cue Monsters at Work, Pixar's latest addition to its Monsters, Inc franchise. That smart and sweet 2001 movie saw seasoned scarer Sulley (John Goodman, The Righteous Gemstones) and his offsider Mike (Billy Crystal, Untogether) upend their titular employer's setup, their city of Monstropolis and their whole monster-filled world, all by realising that the children they're tasked with frightening would be much happier laughing. 2013 prequel Monsters University then joined them back at that eponymous spot; however, if you've always wanted to know what happened after Sulley and Mike switched to eliciting giggles, that's where this new Disney+ TV series comes in. The pair everyone already knows and loves is adjusting to the new status quo, because the ten-part animated show picks up the very next day after the film that started it all. Also thrown askew: Tylor Tuskmon (Ben Feldman, Mad Men) a horned scarer who just graduated, is all set to spook kids, but finds himself working in maintenance instead. Even as it explores the fallout of Pixar's beloved 20-year-old delight, this series doesn't really need to exist, but it nonetheless delivers an enjoyable extended stint in this creature-filled world. Also entertaining: voice work from Mindy Kaling (Locked Down) and Henry Winkler (Barry) as Tylor's new colleagues. The first five episodes of Monsters at Work are available to stream via Disney+, with new episodes dropping weekly. MIRACLE WORKERS: THE OREGON TRAIL In the first season of Miracle Workers, which hit screens back in 2019, the one and only, always-great Steve Buscemi (The King of Staten Island) played god. It was a stroke-of-genius piece of exceptional casting in an eccentric comedy about heavenly bureaucrats subjected to the supposed Almighty's whims while still trying to keep earth running — and attempting to save it from the deity's destructive tendencies — but the storyline wrapped up in one season. Thankfully, the series still returned in 2020; however, this time it went back to the Dark Ages. Buscemi's role: Eddie Shitshoveler. Yes, that name does indeed describe the character's occupation, and many hilarious hijinks ensued in that addition to this ongoing anthology. Again, the tale ran for a single season, but that wasn't the end of the show either. Now that Miracle Workers has returned once more, it has the subtitle The Oregon Trail. Buscemi is Benny the Teen, an outlaw in pioneer era-America who ends up leading townsfolk from a fading rural locale along the titular track and hopefully to a better life. All of his now three-time co-stars are back as well, with Daniel Radcliffe (Guns Akimbo) playing a priest, Geraldine Viswanathan (The Broken Hearts Gallery) as the unhappy wife of Jon Bass' (Baywatch) snobbish villager, and Karan Soni (Superintelligence) as another gunslinger. Like its predecessors, this season is delightfully absurd, filled with intriguing characters and benefits from committed comic performances, all while parodying its new setting. The first three episodes of Miracle Workers: The Oregon Trail are available to stream via Stan, with new episodes dropping weekly. CLASSICS TO WATCH AND REWATCH THE SPY KIDS FRANCHISE Here's the thing about the best family-friendly movies: if they're great and they truly live up to their genre, then they really are not just suitable for but entertaining to audiences of all ages. Most films that overtly endeavour to entice children's eyeballs do also attempt to keep adults engaged as well — but oh-so-many fail. Robert Rodriguez's Spy Kids franchise is one of the rare examples that works for everyone. It's goofy enough to play as an espionage comedy for viewers young and old, and even its flatter moments are better and have more personality than the bulk of its genre cohorts. Given the cast, which includes Antonio Banderas (Pain and Glory), Carla Gugino (Gunpowder Milkshake), Alan Cumming (Battle of the Sexes), Cheech Marin (The War with Grandpa), Danny Trejo (The SpongeBob Movie: Sponge on the Run), Steve Buscemi (Miracle Workers: The Oregon Trail; see above) and Salma Hayek (The Hitman's Wife's Bodyguard), as well as Daryl Sabara (The Green Inferno) and Alexa Vega (Nashville) as the central kids, there was always going to be plenty to love here. Nostalgia might keep drawing you back to this series, but that's not the only thing that'll keep you interested. The frenetic and kinetic pace, the candy-coloured visuals and the all-round offbeat approach all filter through not only the first three flicks in the franchise, aka 2001's Spy Kids, 2002's Spy Kids 2: Island of Lost Dreams, and 2003's Spy Kids 3: Game Over, but also 2011's Spy Kids: All the Time in the World as well. Spy Kids, Spy Kids 2: Island of Lost Dreams and Spy Kids 3: Game Over are available to stream via Binge, and all four films are also available on Stan. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May and June this year — and our top straight-to-streaming movies and specials from 2021 so far, and our list of the best new TV shows released this year so far as well.
What was once a CBD institution for late-night revellers as the final stop on a night out before you were forced to head home, has reopened as a flash multi-storey and multi-concept pub. Jacksons on George reemerged after years in the wilderness in September 2023 following a multimillion-dollar renovation under the guidance of Maurice Terzini (Icebergs, Re-) and his DTL Entertainment Group partner Michael Broome. There are three distinct spacews in the new Jacksons on George: the ground-floor public bar, a flash new French bistro and the sleek cocktail-fuelled rooftop bar. Leading the charge across all three levels is Head Chef Steven Sinclair, who arrives at the venue with a wealth of experience in world-renowned kitchens. Alongside time spent overlooking Bondi Beach at Icebergs, he's also cut his teeth at two of Ireland's top restaurants, The Old Schoolhouse Inn and The Potted Hen. Wander in from George Street and you'll find a classic pub sporting a fresh fit-out from Sydney-based studio Richards Stanisich. Both here and up on the rooftop, you can expect the tried-and-true combination of pub feeds done well, house twists on classic cocktails and perfectly poured local beers. The ground-floor public bar even has Hard Solo on tap. Some of the unexpected turns you'll discover on the Jacksons on George pub menu include slow-cooked duck sausage rolls, tempura prawn rolls and roast chook cooked over charcoal. Plus, there's a signature dessert on offer: the Jacksons banoffee sundae. There's also a happy hour in the Public Bar every weekday between 4–6pm offering $7 beers and wine. Changing things up above the public bar is the 120-seat Bistro George, a European-inspired diner that champions local produce. Framed by a sea of high rises, this first-floor restaurant offers an abundance of charm and is an ideal date-night or pre-theatre destination. If you're heading to the bistro, our tip is to order a bunch of starters for the table. The wood-fired potato bread, clams casino, beef tartare, chicken liver parfait and salmon gravlax on a sourdough crumpet are all supremely impressive. Throughout Jacksons on George, you'll also find an impressive art collection including a series of works from Archibald and Sulman Prize finalist and Yankunytjatjara artist Kaylene Whiskey, who injects her award-winning blend of traditional Anangu art and contemporary pop culture into the space. And, if you're on the hunt for an intimate spot to host your work Christmas party or a milestone birthday, Bistro George has a 30-guest private dining room, translating the luxury of the restaurant into a secluded corner of the venue.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=oLV63nrXYSY&feature=youtu.be DAVID ATTENBOROUGH: A LIFE ON OUR PLANET Since the early 1950s, David Attenborough's stunningly shot documentaries have been awash with revelatory sights and detailed insights from the natural world, sharing the kind of wonders that eager audiences would be unlikely to see or discover themselves otherwise. Seven decades later, after becoming a constant, respected and beloved presence in the field, the now 94-year-old's passionate and vibrant work has earned its place in history several times over — but it might also become a record of a world, and of natural history, that's lost due to climate change. With this in mind, and to motivate a response to combat both global warming and the catastrophic loss of biodiversity blighting the environment, the great broadcaster presents David Attenborough: A Life On Our Planet. On offer: an urgent and far-ranging exploration of how our pale blue dot evolved to its current state, what might be in store if we continue down this path, and how and why things could and should change. Determined in his tone, the veteran natural historian calls the documentary his witness statement several times within its frames, and it's as powerful and devastating as intended. Bookended by scenes in Chernobyl that are initially designed to illustrate what can happen ecologically when bad planning and human error combine — a situation that, Attenborough posits, applies to climate change as well — A Life On Our Planet is both broad and intricate, and personal and political too. Cycling through the earth's life to-date to provide a snapshot of the planet's predicament, it delivers a comprehensive overview, a raft of telling facts and figures, and a plethora of reflections from its central figure. It also features the now-requisite array of eye-catching footage that Attenborough's hefty body of work has long become known for, served up here to not only revel in its glory and showcase his exceptional career, but to demonstrate what's fading away due to humanity's impact upon the globe. Accordingly, it's impossible not to be moved by the film. If viewers won't listen to Attenborough on this topic, and as he explains what he's seen and where he sees things heading, then they probably won't listen to anyone. In the documentary's latter third, A Life On Our Planet follows in the footsteps of Australian doco 2040, too, by pondering how the world might adapt for the better — and again, if that doesn't motivate action, what will? David Attenborough: A Life On Our Planet opens in Australian cinemas on Monday, September 28, with a chat between David Attenborough and Michael Palin screening with the film. The documentary only hits Netflix on Sunday, October 4. https://www.youtube.com/watch?v=OAxtH_xwlnM THE HIGH NOTE With 2019's Late Night, filmmaker Nisha Ganatra stepped inside the world of television, contrasting the journeys of a hardworking woman just starting out and a celebrated but stern female veteran of the field who is unsure of what she wants for the future. Switch the setup to the music business, then swap Mindy Kaling's smart Late Night screenplay for a thoroughly by-the-numbers affair by first-timer Flora Greeson, and The High Note is the end result. In this overtly formulaic feature, lifelong music buff Maggie Sherwoode (Dakota Johnson) is a committed and overworked personal assistant to 11-time Grammy-winning R&B superstar Grace Davis (Tracee Ellis Ross). She's also an aspiring producer who's working on a record with up-and-coming musician, David Cliff (Kelvin Harrison Jr), on the side. Maggie toils away at a demanding gig, albeit for a legend, but clearly dreams of more than merely ferrying her idol around town, picking up her dry cleaning and administering enemas on tour. With Grace's latest string of shows wrapping up, a live greatest hits album in the works and no new music released for some time, the singer herself also wants something different; however long-time manager Jack (Ice Cube) is trying to push Grace towards the easy money of a ten-year Las Vegas residency. There's much that's likeable here, including the soundtrack and the cast. The former spans both new tracks and vintage hits (including an appealing singalong to TLC's 'No Scrubs', and Harrison Jr crooning 1957 classic 'You Send Me' by the king of soul Sam Cooke), while the latter is The High Note's best asset. If only the impressive roster of on-screen talent were working with better material. As well as hitting every obvious note and delivering an awful (and predictable) soap opera-esque twist late in the game, The High Note lacks the resonant commentary that made Late Night as clever and savvy as it was amusing and affecting. The fact that it isn't easy being a woman in music isn't ignored here, but it's pointed out via generic lines of dialogue that simply sound like throwaway soundbites. The reality that both ageism and racism blight the industry too, and that a hugely successful Black woman over 40 still gets ignored by those calling the shots, receives the same cursory treatment. Indeed, The High Note is more content to keep any statements as superficial and easy as a disposable pop song, and to serve up as standard a feel-good fairy tale about chasing one's dreams as an algorithm would probably spit out. Read our full review. If you're wondering what else is currently screening in cinemas, check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; and September 3, September 10 and September 17. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators and An American Pickle.
Enjoying dinner and a show is a time-honoured theatre-going tradition, but when winter arrives in the Harbour City in 2023, one menu item mightn't prove so popular. If you've seen Sweeney Todd: The Demon Barber of Fleet Street on the stage before, or caught the 2007 Tim Burton-directed movie adaptation, then you'll know which dish to avoid when it comes to the Sydney Opera House. In this Steven Sondheim-penned musical thriller, meat pies are packed with quite the unwanted ingredients. This murderous tale of slitting throats, then stuffing body parts into baked pastries will play the famed waterside venue from Saturday, July 22–Sunday, August 27, in a production by the Victorian Opera and New Zealand Opera. Sydneysiders have had to wait for their chance, with the show already unleashing its gothic story upon Melbourne, Perth and Adelaide, as well as touring New Zealand. Whether you're a local keen to spend time with music theatre's iconic villain and his partner-in-crime Mrs Lovett, or you're an interstate resident eager to see it again, expect a killer show. [caption id="attachment_899819" align="alignnone" width="1920"] Daniel Boud[/caption] As part of an 18-person cast, Ben Mingay is taking up the razor and polishing people off as the titular Sweeney, while Antoinette Halloran will join him as Lovett. The production also includes a nine-piece orchestra helping to perform classic tracks such as 'No Place Like London', 'The Ballad Of Sweeney' and the always-fitting 'The Worst Pies in London'. Current State Opera South Australia Artistic Director Stuart Maunder, who is destined for the same role at the Victorian Opera from October 2023, will direct this season of Sweeney Todd: The Demon Barber of Fleet Street. "We've wanted to bring this musical thriller to Sydney for a very long time, so premiering it at the Sydney Opera House is an experience every bit as thrilling as the musical itself," he advises. "There's no doubt that Sydneysiders will embrace this most theatrical tale of horror, which for all its blood and gore, tells a universal human story; revenge, obsession and lust, yes, but also of pain, yearning, even love." Sweeney Todd: The Demon Barber of Fleet Street doesn't just date back to the late, great Sondheim's Tony-winning Broadway and West End smash. Before that, it was a play in 1973 — and it had hit stages, screens and pages, prior, too. The homicidal barber first appeared in the 19th century, in 1846–47 penny dreadful serial The String of Pearls: A Romance, and has just kept slashing his way through popular culture since, novels, ballets, radio plays, comics and TV shows included. Sweeney Todd: The Demon Barber of Fleet Street plays Sydney Opera House's Drama Theatre from Saturday, July 22–Sunday, August 27. Head to the Sydney Opera House website for further details — and pre-sale tickets from 8am on Tuesday, May 9, then general sales from 9am on Friday, May 12. Production images: State Opera South Australia.
Lennox Hastie is the mind behind one of Sydney's most talked about restaurants. Since bursting onto the scene in 2015, Firedoor has built a cult following. Tables at the venue book out three months in advance, and it was recently named the world's third-best steak restaurant. Now, Hastie is back with a new venture. Gildas is a more laidback display of Hastie's love of food and wine. The Surry Hills bar draws inspiration from the time the acclaimed restauranter spent in Europe's Basque Country, as well as San Sebastian pintxo, and the 1946 Rita Hayworth-starring film Gilda. From the combination of these influences comes a romantic wine bar centered around glasses of sherry, cracking martinis and fresh produce. "The Basque tradition of the pinxtos taverna is a space where locals come together as a community to snack on small plates of pinxtos, tell stories, and enjoy a drink, specifically one of Jerez's best; the Sherry," the Gildas menu states. There are 12 varieties of sherry or sherry-style wine on the menu, ranging from more affordable tipples like the Bodega Barrero Manzanilla, through to pours of 1999 Pedro Ximenez. Outside of the drink of choice, there's an extensive wine list, traversing South Australian skin contacts, Charles Heidsieck champagne, and plenty of Spanish varieties. Accompanying the array of wine is a short and to-the-point selection of cocktails and aperitif including Spanish vermouth, a manzanilla sour, white-wine sangria, and expected standards like a martini and old fashioned. As for the food, experienced chef Zach Elliott-Crenn heads up the kitchen after previously working as the Executive Chef at Maggie Joan's in Singapore and the Head Chef of Portland in London. Elliott-Crenn's menu brings together quality Australian and Spanish produce into memorable share plates. Leading the menu is a trio of cured meats — Basque ham, paleta iberico and jamon iberico. From there the dishes become more unpredictable. There are spanner crab churros, beef tartare with rock oyster cream, oyster mushrooms with smoked egg yolk and charred leeks with romesco and lardo salumi. Finish your trip to Gildas with a playful dessert — the smoked buffalo milk soft serve topped with dulce de leche. Gildas is located at 46–48 Albion Street, Surry Hills, and is open 5pm–midnight, Tuesday–Saturday. Images: Nikki To
Canberra will be filled with all things art, architecture and design between Wednesday, November 2–Sunday, November 20 as Design Canberra makes its grand return with hundreds of events and activations. The festival will present a wide-ranging program across its 19 days, spanning public art, exhibitions, symposiums, workshops, studio tours and a food festival. The symposiums will kick off early with talks centred around public art on Sunday, October 29. From there, there will be a series of discussions on Canberra's role in the worlds of design and art on Friday, November 4, followed by 'Transforming Canberra' on Saturday, November 5, which will explore the future of the city with keynote appearances from Elizabeth Farrelly, author of Killing Sydney, and Canberra Museum and Gallery Senior Curator Virginia Rigney. If you're looking for an immersive hands-on experience at the festival, head to the open studios and workshops. A range of acclaimed Canberra-based artists ranging from glass blowers and cabinetmakers to ceramicists will be opening their personal studios to the public, demonstrating the processes that go into their artistry, and giving the public a sneak peek into what they're currently working on. As for the workshops, there will be both adult- and kid-focused classes, with sessions focusing on the likes of stitch meditation, spoon carving, zine-making and a special multi-day kids workshop based on designing the future of Canberra. A public art trail has popped up around the city. Wander through the City West until Sunday, November 20 and you'll discover an array of free outdoor artworks from six local craftspeople. These artworks range from huge pieces that have overtaken buildings to intimate works hidden among trees. Architecture fans, head out on one of the festival's architecture tours, or some of the most stunning and innovative houses in Canberra with the open homes program. Design Canberra has also come together with The Forage to add a bustling food festival and drink to the festivities. On Saturday, November 5, The Forage Food Festival will be bringing together 20 local vendors including Let's Do Yum Cha, Super Bao, Hungry Brown Cow Burgers, Canberra Distillery and a roving sangria cart from Skeehan Brothers Sangria Cart from 2–7pm in Civic Square. If all of this wasn't enough, there will be a heap more tours, talks, exhibitions and competitions popping up, as well as a festival hub shop selling works from artists involved and a limited-edition grapefruit Designer Gin made by Canberra Distillery. If you're from out of town and you're looking for an excuse to head to the nation's capital, luxury inner-city hotel A by Adina is offering 15-percent off all bookings during the festival. The stunning accommodation is located right among the action and boasts in-room cocktails from Maybe Sammy, two gyms and ARC — one of Canberra's best cafes — in its lobby.
Every day could use an extra dose of adorable animals — and on Thursday, July 19 at Brett Whitely Place, there'll be cats aplenty to brighten up your regular routine. From 11am until 3pm, the North Sydney spot will be home to a Mini Meow Market. Sure, that's just a cute way to describe a heap of stalls selling cat products and kitten-themed goodies, but admit it, your interest if piqued. If you're looking for something for your own feline companion, then expect to find everything from cat toys to cat food and cat collars, meaning that you can spoil your moggy however you see fit. And if you're looking to immerse yourself in cat-shaped and -styled bits and pieces, there'll be clothes, homewares, cupcakes and more, all for humans. Plus, you can feast your eyes on a cat art show and listen to live music. Don't worry, actual cats will also be in attendance — for cuddling, as well as for adopting. Yes, taking a four-legged friend home with you is an option, because no one can resist their gorgeous little faces.
From the party-powered cities of Miami and Ibiza comes Future Art, the massive art-meets-music biz that's taking a global approach to throwing events. And because the annual light, music and ideas festival the Harbour City's now known for is happening this month, the Future Art community is bringing Future Art Is Vivid to Darling Harbour. On Saturday, June 16, Home The Venue will be lighting up to host an immersive night celebrating talented digital artists and DJs. After a successful debut outing at Vivid Sydney in 2022, the team's bringing stacks more to the dance floor this year. The one-off night will feature tunes courtesy of Black Angus (Sneaky Sound System), Dave Goode (of The Potbelleez, and co-founder of Future Art) and Sarah Main (fresh from Pacha Ibiza) promising a heaving dance floor till 3am. Then, on the visual art side of things, you'll experience works from an international collection of digital-art talents — like Jon Noorlander, Neurocolor and Rebecca Rose — as well as home grown artists including Stuart Sale and Joe Pease. Multidisciplinary Sydney artist Serwah Attafuah will display her brightly-hued dreamscape NFTs, which have been commissioned for clients as wide-reaching as Paris Hilton and Mercedes Benz. And there's Sophie Tea too, a Brit in the digital art space who brings vibrancy, references to the natural world and human-like figures to her collections. Marrickville-based Stuart Sale — who garnered attention in 2022 after his mural of Queen Elizabeth II was vandalised — will have his latest collection on show; as will fellow Sydneysider Brad Robson, whose contemporary painting style (and the staggering size of his work) has taken him the world over. If you're looking to experience a late-night fusion of art and music, mark June 16 in your diary and secure a ticket, stat. 'Future Art Is Vivid' takes over Home the Venue on Saturday, June 16 from 8pm till 3am. For more information and to nab your tickets, head to the website.
Though running errands is a necessary part of life, it isn't really an ideal use of your precious leisure time. And, if you've saved up quite a few stops on a single day, it can easily lead to hanger. But you can't always stop for a full refuel in the middle of your personal admin day. Luckily, Sydney is full of quality grab-and-go eats. We've teamed up with American Express to bring you our picks of eateries to hit when you're running errands and need a good feed to keep you going. At these, you can tap your American Express Card, stuff your face with some seriously satisfying (yet incredibly quick) eats and recharge for more errand mania.
The Spanish word duende is hard to translate. The director of Live: An Intimate Video Study of the Art of Performing — Jasmin Tarasin — feels that modern venues lack it, as concerts and arenas leave you pushed too far away from the breathing, perspiring pure voice and understated rhythms of one-on-one, casual performance. Too much gets lost in the translation from solo artist to stage or screen. Duende roughly means 'possessed inspiration' — this, she says, is what she was looking to bring to audiences in her installation at the Festival this year. Live is made of two long rooms bunted in black curtains and white neon light. Four big screens sit down one wall of the first room. The second has four black booths — each with a vertical screen shining black and white videos of singers from hips to head, slightly larger than life. The same videos run in the first room. Four sing at any one time, and you choose channels on your wireless headphones to decide who to listen to from screen to screen. They belt out songs like little gods, looking down at you from a taller place. Though there's an obvious progression from the big screen to small, the little black booths are so good that the first room seems almost superfluous. Martha Wainwright explodes on guitar, Julian Hamilton sings acapella, Juliette Lewis does some surprisingly ballsy blues and Warren Ellis is ragged and well tuned. The black and white photography works well, bringing each performer to occupy the same abstract white space. But they perform to camera. Looking into the middle distance, spit and sibilants get lost to electric backing and headphone glitches, pushing you further away from the moment. But although it doesn't quite hand you duende on a plate Live makes for good music, and good art. Live will be closed January 18.
All hail the new kid on the block — Chaotic Social is here to shake things up. If your current adult life has begun to feel monotonous, uneventful or (dare I say) lonely — or if it has simply been lacklustre for some time now — here's your chance to change that. As the name suggests, this social club aims to add some creative flare and organised fun to your current schedule. Founded by Sydney's former 'Sausage Queen', Chrissy Flanagan, the vibrant organisation hopes to not only forge new friendships between attendees, but also to spruce up social calendars everywhere. Previously the co-owner of The Sausage Factory restaurant and the Queens Of Chaos brewery, Chrissy has taken to this new venture which was birthed from her personal frustrations with the difficulty of forming new friendships as an adult. "It's often said Sydney is a particularly tricky place to make friends as an adult," Chrissy said. "If you miss out on doing any of the big four — high school, uni, work, kids — locally or at all, it's hard to bridge the gap, leaving many of us lonelier than we would like." She continues: "As adults, we're embarrassed or too self-conscious to use modern tools such as friend networking apps to solve this problem. Chaotic Social is seeking to bridge that gap, in the form of classes and panels on weird crafts, mad skills and naked ambition, where you're encouraged to roll solo and go home with a few new mates in your phone." At its core, Chaotic Social aims to solve the struggle of making new friends in adulthood by hosting a bunch of fun events in a safe space. From creepy doll-making classes and 'speed mating' parties to sausage classes (naturally) and an online book club, you'll find activities that, at the very least, pique your interest. Head over to Petersham and you'll be greeted with the bold neon sign out front, before entering a room completely enveloped by orange. Whether you choose to hit up the event of your choice solo or in a group, you are guaranteed a good time — and your future self will thank you for it. Do keep in mind that participation in activities is not optional — no spectators! So if you're planning to attend, be prepared to get involved. You can find Chaotic Social at 256 Stanmore Road, Petersham. If you're keen to head in and check it out, take your pick from the social club's upcoming events at their events page.
The Inner West is filled with top-notch live music venues, comedy rooms and theatres — some harder to find than others. To help you plan your next night of culture in this bustling neighbourhood, we've put together our top places to see a live show. What's equally as important, and sometimes neglected, is the all-important pre- or post-show bev. Whether you want somewhere to warm up or wind down, we've got you covered with excellent establishments for wetting your whistle either side of a gig, too. Read on to find our perfect pairings of booze and tunes in the Inner West and fire up the group chat to organise your next night out.
While it felt like this year's cultural calendar was dominated by bottomless brunches and themed high teas (and there were a lot of them) a lot of other game-changing events were also taking place. From a full-scale replica of London's historic Globe Theatre — complete with plays — to an immersive audiovisual installation telling First Peoples' stories and a living exhibition of over 25,000 carnivorous plants, Sydney has seen a influx of events celebrating the city's cultural ecosystem and bringing people together. At Concrete Playground we encourage exploration and showcase innovation in our city every day, so we thought it fitting to reward those most talented whippersnappers pushing Sydney to be a better, braver city. And so, these six new events, taking place in 2018, were nominated for Best New Event in Concrete Playground's Best of 2018 Awards.
Last week, horticulturalists at the Royal Botanic Gardens announced that one of its rarest plants was preparing to flower for the first time in 15 years. The appropriately named corpse flower, due to its famously rancid odour, has the largest flower of any plant in the world, but it only blooms for 24-hours once every several years. The last time this spectacle was seen in the Harbour City was back in 2010. While it's impossible to predict exactly when the plant — nicknamed Putricia — will bloom, experts at the Gardens suggested last week that the day could be imminent. However, more than seven days on, Putricia has yet to open, leaving Sydneysiders on tenterhooks. Since the window of time to behold this floral wonder is so fleeting, a live stream via YouTube has been keeping Sydneysiders in their thousands up to date with the latest developments. A dramatic backdrop featuring tropical foliage, theatrical smoke and a velvet curtain has been added to a public viewing area, where the corpse flower, also known as the Bunga Bangkai in the plant's native Indonesia, is currently on display. Other than its extraordinary size, the Corpse Flower is most famous of its repulsive stench, which it uses to attract insect pollinators. Describing the plant's extraordinary stench, the Royal Botanic Gardens Manager of Volunteer Programs, Paul Nicholson, said: "If you've got some wet teenage socks, throw that into a blender, then you get some cat food you've left out in the sun, whack that in your blender, and then get some day old vomit. Put that in the blender, blend it all up, rip the lid off. That's the kind of smell you're getting." Putricia the Corpse Flower is on display to the public at the Royal Botanic Gardens now. Head to the Royal Botanic Gardens website for more details.
Australia's hospitality industry scene has done it tough over the past year — again — but it still boasts some of the best bars on the planet. Don't just take our word for it; according to this year's just-revealed World's 50 Best Bars list, we're home to four of the top 50 watering holes worldwide. Our highest-ranking spot to get sipping in 2021: Sydney's Maybe Sammy. It's the third year in a row that the innovative bar in The Rocks has made the list, taking 22nd place. That's a drop from 2020, when it came in at number 11, but higher than in 2019, when it sat at 43rd. Coming hot on its heels is another World's 50 Best Bars list veteran, Cantina OK!, which moved up from number 28 last year to number 23 in 2021. Next, Melbourne's Above Board earned a spot at number 44, while Sydney newcomer Re jumps in at number 46. So, whether you're a Sydneysider, Melburnian or a future visitor to either city, you now have an excuse to hit up a globally acclaimed venue. [caption id="attachment_714475" align="alignnone" width="1920"] Cantina OK!, Kimberley Lo[/caption] For those yet to be acquainted with Maybe Sammy, its luxurious styling nods to old-school Vegas glamour, all blush pink velvet banquettes and lush indoor greenery, while the list of theatrical signature drinks pays homage to the classics. At Cantina OK!, you'll find a pint-sized mezcal bar in an old garage down a service laneway — complete with bright pink and purple walls, Mexican vibes and laneway seating. Collingwood's minimalist Above Board skews super-intimate, boasting only 16 seats and with no standing permitted — while Re, which is located in Sydney's ever-growing South Eveleigh precinct, hails from hospitality stars Matt Whiley (Scout) and Maurice Terzini (Icebergs Dining Room & Bar, Ciccia Bella). The latter also has a zero-waste focus, and nabbed The World's Best 50 Bars 2021's Ketel One Sustainable Bar Award as well. [caption id="attachment_836460" align="alignnone" width="1920"] Above Board[/caption] While Sydney was better represented in the top 50 than Melbourne, the Victorian capital was the only Australian city to feature in the 51–100 list, which was announced late last week. Cocktail haven Byrdi scored a place on the extended rundown for the second year in a row. The annual World's 50 Best Bars awards are voted on by bar industry experts from around the world, including bartenders, consultants, drinks writers and cocktail specialists. And if you're wondering what topped the list worldwide, that'd be London's Connaught Bar, which emerged victorious for the second year in a row — so there's somewhere to add to any future UK itineraries. For the full World's 50 Best Bars 2021 rundown, head to the list's website — and you can check out the 51–100 list online as well. Top image: Maybe Sammy.
First, her milkshake brought all the boys to the yard. Now, a couple of Brisbane events — BIGSOUND and Sweet Relief! — are bringing Kelis to Brisbane in 2024. The thinking: why get the R&B talent to hit up one festival in the Sunshine State capital when she can take to the stage at two? Damn right, this plan is better than yours. At BIGSOUND, Kelis joins the conference lineup at the huge music event, which combines plenty of discussions with live gigs in Fortitude Valley, and returns to Brisbane from Tuesday, September 3–Friday, September 6 for its 23rd year. Then, on Saturday, September 7, Kelis will be part of Sweet Relief!'s 2024 bill. Accordingly, BIGSOUND attendees can expect to hear about her experiences in music — and maybe as a fashion icon, muse for designers, and a Le Cordon Bleu-trained chef with her own Netflix several cooking specials and cookbook My Life on a Plate to her name. At Sweet Relief!, in an exclusive show, Kelis will bust out not just 'Milkshake' and 'Bossy' but more tunes from her catalogue at the fest's second year. For company at the event, which moves to Ballymore Stadium for 2024 after debuting at Northshore Brisbane in 2023, she'll be joined by The Presets, 2024 Eurovision contestants Electric Fields, Haiku Hands, Dameeeela and Juno so far, with more to be announced. 2024 marks a quarter century since Kelis' first record Kaleidoscope and also 21 years since Tasty — featuring 'Milkshake', 'Trick Me' and 'Millionaire' — became such a hit. The singer's spot on both the BIGSOUND and Sweet Relief! is the result of a partnership between BIGSOUND and QLD Music Trails, the latter of which Sweet Relief! forms part of. [caption id="attachment_959285" align="alignnone" width="1920"] The James Adams[/caption] [caption id="attachment_861894" align="alignnone" width="1920"] Lachlan Douglas[/caption] [caption id="attachment_959282" align="alignnone" width="1920"] The James Adams[/caption] [caption id="attachment_851424" align="alignnone" width="1920"] Lachlan Douglas[/caption] BIGSOUND 2024 will take place between Tuesday, September 3–Friday, September 6 in Fortitude Valley, Brisbane. For more information, visit the event's website. Sweet Relief! 2024 will take place at Ballymore Stadium, 91 Clyde Road, Herston, on Saturday, September 7, with presales from 11am local time on Tuesday, June 4 and general sales from 11am local time on Friday, June 7 — head to the event's website for more details.
When SBS's new free-to-air 24-hour World Movies channel arrives in July, it'll boast plenty of reasons to get cosy on your couch, ignore the world and settle in for your own stay-at-home film festival. In fact, you might want to cancel your weekend daytime plans for the month — because you'll be spending every Saturday and Sunday watching a non-stop Studio Ghibli marathon. From 6am–7.30pm each weekend during July, the new channel will work its way through a heap of the studio's beloved flicks, including Spirited Away, Howl's Moving Castle, Kiki's Delivery Service, Ponyo, Laputa: Castle in the Sky, The Secret World of Arrietty, Tales From Earthsea, The Cat Returns, The Castle of Cagliostro, From Up on Poppy Hill, The Wind Rises and When Marnie Was There. If that's not enough delightful Japanese animation for you, a couple of other films will be thrown into the mix — such as The Red Turtle, a gorgeous Ghibli co-production directed by Dutch animator Michaël Dudok de Wit; the lively Mary and the Witch's Flower, which was made by animators who previously worked at Studio Ghibli; and The Boy and The Beast and Summer Wars, which both hail from rightfully acclaimed filmmaker Mamoru Hosoda. https://www.youtube.com/watch?v=9Wf57f5F09c SBS has also revealed what else will be screening on World Movies throughout its first month, and it's a hefty list that includes box office hits, festival favourites and plenty of familiar faces. Get teary over Lion's Oscar-nominated real-life reunion tale, start pondering the afterlife in A Ghost Story (aka the film where Rooney Mara devours a pie and Casey Affleck stands under a sheet), or check out the moving, banned-in-Kenya lesbian romance Rafiki. Elsewhere, Penelope Cruz and Javier Bardem team up for the second time in as many years in Loving Pablo, which follows a journalist who falls for Pablo Escobar, while applauded Chinese auteur Jia Zhangke unveils a sprawling crime epic in Ash Is the Purest White. If you're looking for something to do on a Tuesday, the channel is devoting the night to French actor Romain Duris (Heartbreaker, The New Girlfriend), while Thursday evenings will be all about women in film. SBS World Movies launches on Monday, July 1 on channel 32. For its full lineup, visit the SBS TV guide.
In case you don't already have enough reasons to attend SXSW Sydney in 2025, here's more: the event's Music Festival keeps adding to its lineup, with over 50 new performers joining the bill, plus a heap of presenters as well. The latest round of names follows past announcements across all things SXSW Sydney for this year, spanning speakers, an initial batch of local and international acts, high-profile guests, more bands and folks getting chatting, Paul Feig and a 14-hour Freaks and Geeks marathon, and Tumbalong Park's free programming. Even beyond all of the above so far, there's also still lineup drops to come. Ninajirachi, 2charm, Drifting Clouds, Whitney, Picture This, Le Boom, Sonic Reducer, xiao xiao, Angela Ken, Maki, Modern Cinema Master, Lex Amor, Amy Gadiaga: they're now on the Music Festival bill, taking to the stage across Monday, October 13–Sunday, October 19. As for where you'll be catching them, SXSW Sydney's already-hefty range of venues is expanding, too, with The Eveleigh Hotel, Embassy Conference Centre, and outdoor stages at the Seymour Centre and on Kensington Street among the new places to hit up. Laneway Festival Co-Founder Danny Rogers, ARIA CEO Annabelle Herd, Support Act Wellbeing Content & Programs Lead Ash King, Skillbox Founder and CEO Anmol Kukreja, Backlash Productions's Tour and Production Manager Jamal Chalabi, UNIFIED's CEO Jaddan Comerford are just some of the speakers adding a little more conversation to the bill — and so are Tickets for Good Founder and CEO Steve Rimmer, Strawberry Fields Director Tara Medina and others. SXSW Sydney has also confirmed that a lengthy list of organisations will be putting on events, including American Apparel, APRA AMCOS, British Music Embassy, College of Hip Hop Knowledge, GYROstream, Impressed Recordings, Laneway Festival x Outside Lands, Moshtix, NPCC presents Taiwan Now, Rolling Stone, Virgin Music and more. The last dedicated Music Festival reveal came in June, and featured the likes of Rashmeet Kaur, Vandelux, The Thing and August Wahh, plus Tenxi & Jemsii, Holly Hebe, Munan and Yasmina Sadiki. In total, this year's fest is due to feature more than 300 music performances. Before that, the festival had already announced Jasmine 4.t, Freak Slug and Ristband + Pivots from the UK; Slowwves from Thailand; Japan's Suichu Spica 水中スピカ; New Zealand's Serebii and Tusekah; and Cardinals from Ireland; and Autralia's Jamaica Moana, JJ4K, RICEWINE, Sacred Hearts, Swapmeet and BADASSMUTHA. SXSW Sydney 2025 runs from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details. Select SXSW Sydney images: Brendon Thorne/Getty Images for SXSW Sydney // Jess Gleeson.
Some dishes are as straightforward as they sound, and omurice — aka omelette rice — is one of them. It's an omelette made with fried rice, then typically topped with sauce. Yes, it's an easy concept to get around; however, not all versions of this western-influenced Japanese eggs-plus-rice staple are made equal. Indeed, trying Kichi Kichi Omurice's in Kyoto might be on your travel bucket list. Chef Motokichi Yukimura's viral-famous take on the dish has made him an internet star — the term "Japan's most-famous omurice chef" has been used — and seen his eatery become a tourist destination. As of January 2024, it's no longer doing bookings in advance, in fact. Now, diners are only able to make reservations on the same day they're eating, and need a password that's placed on the restaurant's door each morning to lock in their seating. But if you'd like the Kichi Kichi Omurice experience without the airfares, that's about to become a reality in Australia for four nights only — two apiece in Sydney and Brisbane. And yes, if this sounds familiar, that's because it's the second time that Yukimura is hitting both cities this year after an earlier trip in February and March. Yukimura will again be visiting Harajuku Gyoza to show why the dish he's been making for over 45 years is such a smash. The chef is doing 'meet and eat' events in both cities, cooking everyone who attends his specialty — and putting on a show, complete with his Kichi Kichi Omurice song and dance. Folks in Sydney are headed to Harajuku Gyoza Darling Harbour across Wednesday, July 17–Thursday, July 18. For Brisbanites, your destination is Harajuku Gyoza South Brisbane from Sunday, July 21–Monday, July 22. In Sydney, tickets cost $160 per person and are sold in pairs, with sittings at 12pm, 5pm, 6.30pm and 8pm on both days. Brisbane's tickets are $140 each, again sold in pairs, with the same sitting times. That price covers tucking into Yukimura's omurice, plus Harajuku Gyoza's signature long fries, three types of gyoza, air cheesecake and a welcome drink — and meeting the chef. Motokichi Yukimura will be at Harajuku Gyoza Darling Harbour in Sydney on Wednesday, July 17–Thursday, July 18, then at Harajuku Gyoza South Brisbane in Brisbane from Sunday, July 21–Monday, July 22. Head to the eatery's website for further details and bookings.
When it comes to sunset drinks, Hotel Palisade's rooftop is hard to beat — the split-level cocktail bar, Henry Deane, in Millers Point offers near 360-degree views of Sydney, including lots and lots of harbour. Making it even more appealing this season is the arrival of the Chandon S Lounge. For the next few weeks, you'll be able to sink into some of the comfiest seats in town, while sipping a glass ($12) — or bottle ($59) — of Chandon S (Chandon's popular sparkling wine infused with orange bitters) and staring for hours at tranquil water, pretty parks and spectacular skyline. Should you get peckish, you can feast on dishes from the menu. Making the most of the Palisade's brilliant location, the Chandon S Lounge is open every day from midday — but we suggest heading up between 4–8pm to soak up the last rays of afternoon. Things are set to wrap up on Monday, December 10, so get your skates on. To make a booking, visit Hotel Palisades website.
No longer confined to children's birthday parties, bouncy castles, inflatable obstacle sources and blow-up labyrinths are currently hot property for adults (and their inner kids, of course). And the next blow-up event to hit Australia is big. Really big. Dubbed 'The Big Bounce Australia', it's an inflatable theme park made up of Guinness World Records-certified world's biggest bouncy castle, a 300-metre long obstacle course and a three-part space-themed wonderland. You're going to need a lot of red cordial to bounce your way through all of this. Set to hit Melbourne, Sydney, Adelaide, Brisbane and Perth in early 2020, The Big Bounce is open to both littl'uns and big'uns, but there are a heap of adults-only sessions, so you don't have to worry about dodging toddlers on your way through. Tickets for adults will set you back $55, which gives you a whole three hours in the park — you'll need it. Inside, you'll encounter the aforementioned bouncy castle — aptly named The World's Biggest Bounce House — covering a whopping 1500 square metres and, in some spots, reaching ten metres off the ground. In this house, you'll encounter a heap of slides, ball pits, climbing towers, basketball hoops and (if you can believe it) a stage with DJs, confetti cannons and beach balls. Then, there's The Giant, with 50 inflatable obstacles, including giant red balls and a monster slide. [caption id="attachment_749668" align="alignnone" width="1920"] The Big Bounce AirSpace[/caption] Before you hit the final, three-part section of the park, you may need to pause, down some red frogs and maybe even have a nap. Or not, you do only have three hours to explore it all. Next up, is AirSpace, where aliens, spaceships and moon craters collide with a five-lane slide, some more ball pits and an 18-metre-tall maze. Now, you'll certainly need a nap. This extremely OTT theme park is hitting Melbourne's Flemington Racecourse first (January 3–19), before heading to Sydney's St Ives Showground (January 24–February 9). After that, it'll head to Adelaide (February 14–March 1), Brisbane (March 6–22) and Perth (April 3–19) — locations haven't been announced for these ones yet, but we'll let you know when they are. Tickets for The Big Bounce Sydney and Melbourne are on sale now. We'll update you when the rest drop.
It's always a good idea to wear sneakers when you're walking around a gallery, but they're the only kicks that'll do when Sneakers Unboxed: Studio to Street arrives Down Under. First staged by The Design Museum in London, this exhibition pays tribute to the footwear's origins and evolution — through sports to fashion, surveying iconic brands and names, and obviously touching upon basketballers Chuck Taylor and Michael Jordan's relationships with the shoes. In total, more than 200 sneakers will be on display during Sneakers Unboxed: Studio to Street's Australian-premiere and Australian-exclusive season at the Gold Coast's HOTA Gallery. The six-level spot will give over its walls and halls to shoes, shoes and more shoes over the summer of 2023–24, starting on on Saturday, November 25, and marking the site's first major design exhibition since opening in 2021. While a hefty amount of trainers will feature, the entire showcase will span 400-plus items. The other objects at Sneakers Unboxed: Studio to Street include photos, videos, posters, artworks and process material, all helping to explore the journey that the footwear style has taken in its design and culturally. Expect to learn more about sneakers that were initially made specifically for getting sweaty, which is where the Converse Chuck Taylor All Stars and Nike Airs come in (and, with the latter, to add to a year that's already seen the movie Air step through the story behind them). Also set to feature: the shoes that've become cultural symbols (such as the Vans Half Cab and Reebok InstaPump Fury), future advancements in making kicks (as seen with Biorealize for Puma) and big-name collaborations (Jordan, of course, plus Run-DMC and more). Attendees will also check out sneakers that've made a splash on the runway (Comme des Carçons and A-Cold-Wall*, for instance), find out more about plant-based sneakers (such as Veja and Native Shoes) and customisable kicks (as Helen Kirkum and Alexander Taylor are doing), and dive into celebrity endorsements (Travis Scott with Nike, Pharell for Adidas and the like). Laid out in chapters called 'STYLE' and 'PERFORMANCE', the exhibition's first part goes big on aesthetics and its second on the act of making the best trainers — covering Chuck Taylor's basketball clinics, sneaker culture in New York City and everything that's happened since. "Sneakers Unboxed: Studio to Street reveals the role young people from diverse backgrounds have played in making individual sneakers into style icons and in driving an industry now worth billions," notes Sneakers Unboxed: Studio to Street Curator Ligaya Salazar. "The exhibition also gives behind-the-scenes insight into new upcycling and sustainable design practices, unseen prototypes predicting the future of performance design, and streetwear and fashion collaborations that changed the face of the industry." "As an active city with a vibrant street culture and enthusiasm for fashion, summer on the Gold Coast is the perfect time and place to celebrate the iconic footwear phenomenon. We are thrilled to be presenting this internationally acclaimed exhibition exclusively in Australia," added HOTA's Interim CEO Mik Auckland. Sneakers Unboxed: Studio to Street is the Gold Coast venue's second huge Australian-exclusive in 2023, following Pop Masters: Art From the Mugrabi Collection, New York and its focus on Andy Warhol, Jean-Michel Basquiat and Keith Haring from February–June. Sneakers Unboxed: Studio to Street will open on Saturday, November 25 at HOTA Gallery, 135 Bundall Road, Surfers Paradise Gold Coast — head to the exhibition's website for further details and tickets. Images: Ed Reeve, Design Museum London.
Being selected for the Melbourne International Film Festival's Bright Horizons is an achievement. Only one movie each year can take home the competition's $140,000 prize, however. 2025's just-announced victor: A Poet, which follows a once-celebrated literary figure who is having trouble writing, premiered at the 2025 Cannes Film Festival and marks the second feature by Simón Mesa Soto (Amparo). The fest's annual competition for emerging filmmakers has given its coveted accolade to "a tragicomic satire and microcosm of melancholy and irreverence", as the Bright Horizons Jury led by Aftersun director Charlotte Wells described A Poet. The same group also made its pick for MIFF's Best Australian Director of 2025, with photographer James J Robinson winning the award for his filmmaking debut First Light. Bright Horizons has been part of MIFF's program since 2022, when Australia's oldest film festival started its yearly prize for new directorial voices. Afrofuturist musical Neptune Frost won the award in its initial year — which Aftersun contended for — followed by Senegalese-French love story Banel & Adama in 2023, then Canadan dramedy Universal Language in 2024. "A Poet depicts Óscar, a failed poet turned reluctant mentor drifting between aspiration and self-destruction. The film is a biting fable of art as both an inescapable burden and a personal compass, breaking convention through its refreshingly brisk pace, unpretentious use of 16mm cinematography, deadpan performances by a mostly first-timer cast and pared-back jazzy score," the 2025 jury continued about A Poet. "The film's balancing act of unflinching character study and social satire marks Simón Mesa Soto as a vital voice in contemporary Latin American cinema." [caption id="attachment_1018710" align="alignnone" width="1920"] Dijana Risteska[/caption] Of First Light — a Bright Horizons competitor, too — as the Best Australian Director recipient, Wells, Pavements and Videoheaven director Alex Ross Perry, Harvest filmmaker Athina Rachel Tsangari, composer and musician Caitlin Yeo (Last Days of the Space Age), author and screenwriter Nam Le (The Boat), performer Tamala (Late Night with the Devil) and IMDb founder Col Needham said: "James J Robinson's First Light is a moving and powerful meditation on faith, institutional corruption and moral awakening". "The film is anchored by a pitchperfect performance from Ruby Ruiz [Expats] and a sensorial mise en scène, inviting the audience into the spiritual grandeur of the landscape and the sacred intimacy of the convent to interrogate, alongside Sister Yolanda, not only the crime at hand, but also the Catholic Church and modern society itself." "As the first Australia–Philippines co-production to debut at MIFF, First Light not only showcases Robinson's promise as a cineaste but also marks a noteworthy milestone in cross-cultural cinema." 2025 is the third year of MIFF's Uncle Jack Charles Award, aka the First Nations Film Creative Award, as won this year by Yarrenyty Arltere Artists the art direction of short The Fix-It-Man and the Fix-It-Wooman. If you went to the festival and had your say in the Audience Award voting, you also contributed to 2025's winners lineup, too. After Australian documentaries Voice and Left Write Hook shared the accolade in 2024, another has won it outright in 2025: the aged care-focused Careless. For those who haven't caught them at MIFF, add the recipients of this year's accolades to your must-see list ASAP. Check out the trailers for A Poet, Careless andThe Fix-It-Man and the Fix-It-Wooman below: The 2025 Melbourne International Film Festival runs from Thursday, August 7–Sunday, August 24. For more information, visit the MIFF website. Bright Horizons Jury image: Dijana Risteska.
An expansive venue open from breakfast until late has opened in the former Jet Cafe site of Sydney's century-old Queen Victoria Building. The historic George Street building constructed in 1898 is a popular thoroughfare for commuters travelling to and from Town Hall Station and is home to boutique retail tenants and a wide range of food and drink offerings ranging from cheap and cheerful takeaway to fine dining. The latest restaurant to take up residence in the QVB is Manon, an all-day European brasserie from Marco Ambrosino (Fratelli Paradiso) and Manny Spinola, the team behind Bondi's new 94-seat Mediterranean restaurant and bar, Lola's Level 1. "I have walked past the site for 24 years, dreaming of opening a grand cafe," Spinola says. "I am so thrilled to be in partnership with Marco to bring a French brasserie to the QVB. Manon will be a place to sit and people-watch while enjoying French cuisine, giving customers a taste of the European lifestyle whether it's at breakfast before work, a long lunch or an ambient dinner." [caption id="attachment_858433" align="alignnone" width="1920"] Monon team, Nikki To[/caption] Starting with breakfast, takeaway coffee and pastries are available from 6am. Visitors can also nab a table and enjoy a seated breakfast full of a mix between French and Australian morning favourites. There's a range of viennoiseries and baguettes, including pain au chocolate croissants and croque monsieur — plus breakfast hits like avocado and feta toast, bloody marys, buckwheat crepes or crab on toast with remoulade, avocado and a poached egg. [caption id="attachment_858435" align="alignnone" width="1920"] Nikki To[/caption] Come lunchtime, you can choose from The Classics range that includes highlights from the breakfast menu and French bistro standouts like steak frites. There's also a raw bar with oysters, kingfish tartare and scallop carpaccio; and extravagant mains ranging from pan-fried coral trout to whole lobster and one-kilogram rib-on-bone côte de boeuf. From 5pm dinner follows a similar trajectory. The raw bar returns with the addition of caviar service. The array of entrées includes bone marrow tartine, snail meurette and grilled scampi. And the mains add beef wellington and cheesy crab souffle to highlights from lunch. [caption id="attachment_858436" align="alignnone" width="1920"] Nikki To[/caption] Each Friday and Saturday, Manon offers up its services to those looking for a late-night feed, with weekend supper on offer following dinner. As expected for a luxe European brasserie in one of the city's most glitzy buildings, the fit-out is a sleek French-inspired design. The interior was a return to collaborator Chris Grinham who also worked on Lola's. "Marco and Manny's vision coupled with this site is a dream for us to work with and create something," Grinham said. "There's an alluring romanticism set within this design — so too a heady dollop of unique 'French' appeal." [caption id="attachment_858434" align="alignnone" width="1920"] Nikki To[/caption] Manon is located in the Queen Victoria Building, 55/455 George Street, Sydney. It's open 7am until late Monday–Friday and 8am until late Saturday and Sunday.
It is hard to know what to expect from stores with acronym monikers. In the case of The DEA store, the title represents both a yardstick by which items are chosen for sale and what a customer should expect to find: products that will please the 'delicate eye area'. The store takes a minimalist approach — a wash of white, grey and timber — placing the focus on the pieces on display. The range features carefully curated homewares and jewellery from global and local artisans. There's favouritism towards Japanese designs in the ceramics, tableware and glassware. Local artists such as It's A Public Holiday and Sharon Muir are also stocked plus a range of ceramics designed by Australian ceramicist Peter Anderson exclusively for the store. The DEA store achieves the ideal balance between whimsical, stylish and functional that will please your eyes and your home. Images: Trent van der Jagt.
Back in 2019, the thought of spending August in Melbourne doing anything other than sitting in a darkened room watching movie after movie would've sounded like flat-out cinephile blasphemy. Thankfully, after two pandemic-affected years that put Melbourne International Film Festival's in-person plans on hold not once but twice, that idea won't be a reality in 2022. Yes, the city's major cinema celebration is back in its best guise this year — and it'll have you making grooves in your favourite ACMI, The Capitol, Forum, Hoyts Melbourne Central, IMAX, Kino Cinema and Cinema Nova seats for most of the month. You'd better stock up on healthy mid-film snacks now, given you'll soon have a massive 371 features, shorts and extended-reality titles to watch. You'd best start training for all that time spent sitting down, too. Hitting cinemas for the first time in three years after pivoting online in 2020 and 2021 out of lockdown-fuelled necessity, MIFF is returning to Melbourne's picture palaces with a bang between Thursday, August 4–Sunday, August 21. That's already been obvious since back in June, when the fest unveiled its first 33 flicks for this year, its 70th event — and now that the full 2022 lineup has dropped, it keeps proving accurate. Among the just-announced new highlights, MIFF will boast the Australian premiere of The Stranger, a true-crime thriller starring Joel Edgerton (Obi-Wan Kenobi) and Sean Harris (Spencer), as directed by Acute Misfortune's Thomas M Wright; the local debut of Aftersun, another straight-from-Cannes pick led by Normal People's Paul Mescal; a big session of Three Thousand Years of Longing, the Tilda Swinton (Memoria)- and Idris Elba (The Harder They Fall)-starring latest from Mad Max: Fury Road's George Miller; and also David Cronenberg's Crimes of the Future, the iconic filmmaker's first feature since 2014's Maps to the Stars. Also massive: the Aussie premiere of documentary Moonage Daydream. As the title instantly makes plain to fans of David Bowie, it's all about the music icon, with Cobain: Montage of Heck and Jane filmmaker Brett Morgen creating a collage that steps through the singer's life using restored and never-before-seen footage. Or, there's also Decision to Leave, a noir romance that saw Korean filmmaker Park Chan-wook (Stoker, Oldboy) win Cannes' Best Director gong — and documentaries by Ethan Coen (The Ballad of Buster Scruggs), making his solo directing debut by surveying Jerry Lee Lewis; and Luca Guadagnino (Call Me by Your Name), about shoe designer Salvatore Ferragamo. In 2022, MIFF is debuting a new competition, too, which'll boast a $140,000 Best Film Award. Called Bright Horizons, it'll feature 11 movies vying for the prize — including the aforementioned The Stranger and Aftersun, Mexican drug trade drama Robe of Gems, cyber-musical Neptune Frost, Sundance Special Jury Award-winner Leonor Will Never Die, and Aussie filmmaker Alena Lodkina's (Strange Colours) second feature Petrol. The list of MIFF highlights also covers Palme d'Or winner Triangle of Sadness, which satirises the mega rich, is directed by Force Majeure's Ruben Östlund, and marks his second Palme win after The Square; and Broker, the latest from acclaimed Japanese filmmaker Hirokazu Kore-eda, who won the Palme d'Or back in 2018 with the sublime Shoplifters. This time, the latter has made a movie in Korea — his first Korean-language film, in fact, starring Parasite's Song Kang-ho, who won Cannes' Best Actor Award — with Broker again exploring the ties that bind and the connections of family. Other Cannes award-recipients in MIFF's program include joint Cannes Grand Prix-winner Stars at Noon, which sees Claire Denis (High Life) direct Margaret Qualley (Maid) and Joe Alwyn (Conversations with Friends) in an erotic espionage tale; Tori and Lokita, which nabbed the Cannes 75th Anniversary Prize for Jean-Pierre and Luc Dardenne (Two Days, One Night); Holy Spider, an Iran-set true-crime serial killer thriller by Ali Abbasi (Border), and the recipient of Cannes' Best Actress Award for star Zar Amir Ebrahimi (Tehran Taboo). And, the lineup of must-sees also spans Blaze, a mix of live-action, puppetry and animation directed by acclaimed Aussie artist Del Kathryn Barton; Mass, which follows the aftermath of a school shooting; Australia's own Seriously Red, a SXSW hit about a Dolly Parton impersonator; and One Fine Morning, from acclaimed French filmmaker Mia Hansen-Løve (Bergman Island). Or, there's Shadow by theatre company Back to Back; War Pony, which scored Zola actor-turned-filmmaker Riley Keough and co-director Gina Gammell Cannes' Camera d'Or; and Marcel the Shell with Shoes On, the stop-motion comedy based on the shorts and books of the same name, which screens just before Jenny Slate hits town for Melbourne Writers Festival. MIFF's genre selection is always a treat, and 2022 is no different. That's where you'll find standouts such as Bodies Bodies Bodies, the A24 horror-comedy starring Rachel Sennott, Amandla Stenberg and Pete Davidson; Canberra-shot social media-skewering delight Sissy; and Something in the Dirt, the latest mind-bender directed by and starring Justin Benson and Aaron Moorhead (The Endless). The fest is also dedicating its filmmaker retrospectives to Hungarian auteur Márta Mészáros and French-Bosnian writer/director Lucile Hadžihalilović — and, obviously, all of the above and more joins the heap of already-announced flicks, such as opening night's coming-of-age feature Of an Age, a Hear My Eyes session of Chopper, the Aubrey Plaza (Best Sellers)-starring thriller Emily the Criminal, and horror-comedy Mona Lisa and the Blood Moon from A Girl Walks Home Alone at Night's Ana Lily Amirpour. Also, in fabulous news both for Melburnians and for movie buffs interstate, MIFF will still keep its online program in 2022 — an unsurprising move given that in 2020, when it first made the leap to streaming the fest in a big way, it enjoyed its biggest audience ever. This year, MIFF Play will be available from Thursday, August 11–Sunday, August 28, making the festival run for almost a month in-person and digitally, and will show 105 features and shorts. And, during its in-cinema stint, MIFF is going suburban, too, with sessions at Melbourne cinemas The Astor, Lido, Pentridge and Sun Theatre from Friday, August 12–Sunday, August 21 as well. It'll also hit up regional Victorian venues in Bairnsdale, Bendigo, Bright, Castlemaine, Echuca, Geelong, Mildura,Sorrento and Warrnambool during the same dates. The 2022 Melbourne International Film Festival runs from Thursday, August 4–Sunday, August 28 at a variety of venues around Melbourne and Victoria, and online. For further details, including tickets from Friday, July 15 — and MIFF member pre-sales on Wednesday, July 13–Thursday, July 14 — visit the MIFF website.
Watching I Hate Suzie Too isn't easy. Watching I Hate Suzie, the show's first season, wasn't either back in 2020. A warts-and-all dance through the chaotic life, emotions and mind of a celebrity, both instalments of this compelling British series have spun as far away from the glitz and glamour of being famous as possible. Capturing carefully constructed social-media content to sell the fiction of stardom's perfection is part of the story, as it has to be three decades into the 21st century; however, consider this Stan- and Neon-streaming show from Succession writer Lucy Prebble and actor/singer/co-creator Billie Piper, and its blood pressure-raising tension and stress, the anti-Instagram. I Hate Suzie's unfiltered focus: teen pop sensation-turned-actor Suzie Pickles, as played with a canny sense of knowing by Piper given that the 'Honey to the Bee' and Penny Dreadful talent has charted the same course. That said, the show's IRL star hasn't been the subject of a traumatic phone hack that exposed sensitive photos from an extramarital affair to the public, turning her existence and career upside down, as Suzie was in season one. In episodes named after emotions — shock, denial, fear, shame, bargaining, guilt, anger and acceptance — the eight-part initial go-around stepped through the fallout, as unsurprisingly frenzied as it was. Suzie's professor husband Cob (Daniel Ings, Sex Education) reacted with fury and selfishness; their young son Frank (debutant Matthew Jordan-Caws), who is deaf, got swept up in the tumult; and manager and lifelong friend Naomi (Leila Farzad, Avenue 5) endeavoured to save Suzie's career. As I Hate Suzie's name makes plain, sentiment didn't often flow Suzie's way — from Cob, the media, everyone pulling the strings behind her professional opportunities, and also the world at large. In I Hate Suzie Too, she has a new manager Sian (Anastasia Hille, A Spy Among Friends) and a new chance to win back fans, returning to reality TV after it helped thrust her into the spotlight as a child star to begin with. Dance Crazee Xmas is exactly what it sounds like, and sees Suzie compete against soccer heroes, musicians and more. But when I Hate Suzie Too kicks off with a ferocious, clearly cathartic solo dance in sad-clown getup, the viewers aren't charmed. In fact, instantly damaging her already fragile self-esteem, Suzie is the first celebrity voted off. Although arriving a couple of years later, season two takes place six months after the first, which ended with Suzie all over the papers — again — and facing another life-changing development. Spanning three episodes, I Hate Suzie Too is a chronicle of a comeback that isn't quite allowed to be, because that's the relentlessness of being in the public eye when you're a woman who's deemed to have erred. Suzie herself simply wants to work to be able to share custody of Frank, the fight over which is cruel and demanding at the hands of the still-vicious Cob. She wants to dance, too, because that was always her first love. What she gets is the unceasing pressure to be flawless, as dictated by everyone else around her, but with zero interest in what'd truly make her content, safe, secure and fulfilled. Fearless, audacious, honest, dripping with anxiety, staggering in its intensity, absolutely heart-wrenching, always unflinching: with Prebble and Piper reteaming not just after season one, but also 2007–11 series Secret Diary of a Call Girl, all of these terms fit. This is a head-in-your-hands dark dramedy, a reaction incited by everything that comes Suzie's way as well as the choices she makes in response. The demands and decisions don't stop. Everyone always needs something, and needs Suzie to make a call. In this season, that still includes her mother (Lorraine Ashbourne, Bridgerton), father (Phil Daniels, House of the Dragon) and younger sister (Elle Piper), who are now joined by Suzie's first ex-husband Bailey Quinn (Douglas Hodge, The Great), plus former footballer-turned-streamer Danny Carno (Blake Harrison, The Inbetweeners) — both fellow Dance Crazee Xmas contestants, and reasons that the press' attention hones in again and again. With its claustrophobic cinematography constantly staring Piper's way — and, more than that, usually getting closer than anyone would feel comfortable with — I Hate Suzie Too apes what Suzie's fans and detractors are always doing: surveilling intently. No one performs well under such meticulous examination, with the series pondering the exacting standards placed upon well-known figures and the hypocritical reactions when they don't handle the scrutiny faultlessly. Steely eyed but empathetic, it's an exploration of mental health as well, and the fraying space that takes over when the world's wants take precedence over your own. "The team are choosing between you looking needy and you looking miserable,' Suzie is told about Dance Crazee Xmas' behind-the-scenes footage, to which she replies "well, those are my two states". I Hate Suzie Too shows how untrue that comment is, and how deeply it has been internalised. When she starred in a 2016 UK stage production of Yerma, Piper won six Best Actress awards for her performance — all six that she could — but, on-screen, she's never been better than she is in I Hate Suzie's two seasons. All that up-close peering at Suzie's face is revelatory, conveying every twitch of thought and emotion as she navigates the persistent onslaught of everything everywhere all at once, and attempts to package and repackage herself to be all things to all people. The focus and adaptability required on Piper's part is stunning, especially given I Hate Suzie Too's fondness for long, unbroken shots onstage and careening through backstage corridors. She's equally phenomenal whenever Suzie does snatch a quiet moment to herself, usually brimming with uncertainty, and she's heartbreaking when she's just trying to be a mum to her son. Like Suzie, Piper benefits from her own popstar background in I Hate Suzie Too, with Dance Crazee Xmas' dance numbers — for an audience and in rehearsals alike — proving the powerhouse centre of the series' latest run. Spectacularly choreographed and performed, and incisively paired to Suzie's inner state like a musical, they almost tell this season's tale without anything else needed around them. And, they help emphasise that this story isn't Suzie's alone. Too many women in the spotlight, and in general, have been held to unrealistic ideals, then pilloried for not meeting them. Much lingers when I Hate Suzie Too comes to an end in a whirlwind of distress, that fact included. Check out the trailer for I Hate Suzie Too below: I Hate Suzie Too streams via Stan in Australia and Neon in New Zealand.
Air guitar enthusiasts will be treated to a garment that makes it even easier to live out their rock star fantasies. Old Navy have collaborated with ThinkGeek to create a shirt that not only features an image of a guitar, but also sounds like one when a button is pressed on the guitar neck and the hand is moved in a strumming motion. Sound is projected through a small guitar amp which can clip to your belt, with adjustable volume depending on how hard you're shredding. But make sure you detach all electronic parts before you throw this bad boy in the wash. Importantly, the design of the shirt also features flames to let everybody know that you're the real deal. See how far you can get into a Jimi Hendrix song on one of these. Wear this under a button-up to work, and only unleash it when you're ready to rock. [via PSFK]
It seems almost ridiculous to introduce bills: these cafes are an institution. The first, in Darlinghurst, introduced the concept of communal dining to our nation, reputedly as a way to get around council restrictions. Bill Granger, namesake and chef, is well-known in his own right, with more than one signature dish under his belt and a plethora of cookbooks in stores worldwide. So it's with more than a touch of guilt that I admit this is my first visit. Thankfully, the casual reputation of bills lives up to expectations, and my shyness quickly gives way to enthusiasm. It's Saturday morning in the Darlinghurst edition, and I'm glad we've decided to come early. Within five minutes of our arrival, the entire room is buzzing with breakfasters. The small room, sparsely decorated, is filled with warm sunlight. We sit at a large table in the centre of the room (the famous communal table), and begin our meal with Freshly Squeezed Orange Juice ($6.50) and a Flat White ($3.90). Choosing our meals is slightly more difficult. After deliberating, we decide that signature dishes are in order for our virgin visit. We pick Sweet Corn Fritters with Roast Tomato, Spinach and Bacon ($18.50) and the Ricotta Hotcakes with Fresh Banana and Honeycomb Butter ($17.50) to share. Our waiter recommends sides of Avocado Salsa ($4.50) and Bacon ($5) to match each dish respectively, and we don't need much persuasion to agree. The serves arrive quickly and are fresh, enormous and delicious. That said, I suspect that this menu would be hard to go wrong with - definitely worth a repeat visit or two. Breakfast (or any other meal) at bills isn't cheap, but the relaxed luxury of the food and atmosphere makes this a treat worth partaking in. Any wait will be well worthwhile, but if time is scarce, opt for some Daily-Baked Bran Muffins ($4.50) to take with you.
Newtown's cult favourite Turkish ice creamery Hakiki has been impressing Sydneysiders since early 2015. It has earned quite the reputation for its traditional Maras-style ice cream — which is smooth and creamy, yet drip-free and melt-resistant, until the second it hits your mouth. The signature serve is so thick, it's best tackled with a knife and fork. The ingredient that gives the ice cream this unusual texture is an orchid root grown in southern Turkey. Alongside classic Anatolian treats like baklava, Turkish delight and rich Turkish coffee, the team whips up a range of traditional and innovative ice cream flavours, from old favourites like pistachio and hazelnut, to the ever-popular baklava and moreish tahini. There's even an unlikely, but delicious, combination of melon and feta.
Don't get stuck in the Bondi and Coogee bubbles this summer. Instead, branch out further down the coast to The Boatshed La Perouse. This coastal cafe, located just south of Maroubra, overlooks Frenchmans Bay and offers beachside dining, panoramic ocean views and a seafood-focused menu to boot. The venue is open for breakfast and lunch seven days. For summer mornings, grab a table on the expansive deck and tuck into the likes of passionfruit ricotta hotcakes ($18.5) and knafeh french toast with almond chocolate crumb, strawberry curd and rose syrup ($17). Or go for staples like eggs benny ($19.50), bacon and egg rolls ($10.5) and English-style big brekkies ($23). At lunchtime, the seafood-heavy menu features oysters, buckets of tiger prawns and pots of spicy tomato mussels. Enjoy a bit of everything with the loaded seafood platter ($80) — in addition to oysters and prawns, it comes with blue swimmer crab, salt and pepper calamari, seared scallops, barbecue baby octopus, crispy battered fish and chips, and an optional addition of half-or-whole lobster for good measure ($25–40). If this is little too much, you can also indulge with the half-lobster linguine for a more reasonable $28.5. Diners can also take in the views with drink in hand. Sidle over to the outdoor bar where you can sip summertime favourites like passionfruit mojitos ($16) or the vodka and watermelon Santorini Sunset ($17). And, to help battle those Monday blues, The Boatshed is now offering $2 oysters and $5 glasses of bubbles each week over lunch.
As the name suggests, if you're looking for a scarf, go to Skarfe. This isn't the place for just any scarves, though. Skarfe specialises in neckwear from around the world, crafted from materials such as silk, cashmere and, in some cases, leather. The small boutique also collaborates with local artists, meaning that there are plenty of diverse, unique patterns to turn heads. And if you still can't find something you like, Skarfe offers a custom digital printing service, so you can bring any design to life with the material and finish of your choice — the only limit is your own imagination.
Since 5pm on Saturday, December 19, Sydney's northern beaches suburbs have been under stay-at-home orders, as part of the New South Wales Government's efforts to stop the area's growing cluster of locally acquired COVID-19 cases. The requirement for folks in the region to remain at home other than for one of four essential reasons was given a target end date, though, of midnight on Wednesday, December 23 — but Premier Gladys Berejiklian has just revealed that the restrictions won't simply be coming to an end. Instead, on a day that saw seven new cases linked to the cluster diagnosed in the past 24 hours, Premier Berejiklian revealed that the northern beaches will be split into two zones — and each will have different rules. At her daily press conference, the Premier advised that the area will be divided into a northern and southern section, using the Narrabeen Bridge and the Baha'i Temple as a boundary. The north half extends north from the bridge and east from the temple, while the south half obviously spans in the opposite directions. For those in the north — which sounds like something that'd be said in Game of Thrones, not in reality — the current restrictions remain in place for the foreseeable future, with no end date currently given. That said, there is a very slight change coming into effect from Thursday, December 24–Saturday, December 26. Folks will be able to have five visitors over including kids during those three days, as long as their visitors live in the peninsula zone. Accordingly, leaving the house to visit people in the area will be added as a fifth reason to head out — alongside work if you can't do it from your house, for essential shopping, for exercise and for compassionate reasons (which includes emergency medical treatment or to visit an isolated relative). This change is only in effect until midnight on Saturday, December 26. Come Sunday, December 27, no visitors will be allowed again, with the rules reverting to the present current stay-at-home conditions. And, during the three-day reprieve, people can't enter or leave the northern beaches' northern zone — so it's only folks within it that can interact with each other on Christmas Eve, Christmas Day and Boxing Day. In the lower half of the northern beaches, residents can have ten visitors plus kids from Thursday, December 24–Saturday, December 26. That does include folks from the rest of Greater Sydney, too — but not from the peninsula zone in the north. If you live in the southern part of the northern beaches, though, you can't leave your house unless it's for one of the original four reasons, or to visit someone else in the same northern beaches area. As for what happens afterwards in this zone, the government has said that it will make an announcement on Boxing Day. Premier Berejiklian announced a minor reprieve from restrictions for Greater Sydney over these three days, too — letting the rest of the city have ten people over plus kids, like the southern half of the northern beaches. Since news of the first northern beaches cases back on Thursday, December 17, NSW Health has been updating a long list of locations and venues that positive coronavirus cases have visited over the past week — which Sydneysiders are asked to check frequently and, if you've been to anywhere listed on the specific dates and times, get tested immediately and self-isolate for 14 days after your visit. There is also a series of new pop-up and drive-thru clinics now located on the northern beaches. If you need a reminder, the symptoms to look out for are coughs, fever, sore or scratchy throat, shortness of breath, or loss of smell or taste. You can find a rundown of testing clinic locations online as well. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
