Located on Victoria Street, the once-renowned Emerald City Motors has been transformed into a lavish venue by owners Brandon Martignago and Joshua Pullen of Harbour City Hospitality. More than just a restaurant or bar, The Emerald Room promises a fusion of cabaret, live music, burlesque, and acrobatic arts alongside a paired dining experience from industry heavyweights. The late-night menu which features easy delicious eats like lobster rolls, oysters and strawberry jam doughnuts has been crafted by chefs Nina 'Teddie' Huynh (formerly of two-hatted diners like Monopole, Cirrus and Bentley Restaurant and Bar) and Elijah Attard (ex Caveau and Yellow), with a cocktail program created by Dulcie's Kings Cross alumni, Nick Chapman. The establishment is a haven for those seeking choice eats and a martini close to midnight while enjoying live performances curated by cabaret star Brendan de la Hay. The Emerald Room draws inspiration from iconic cabaret venues worldwide, like legendary showrooms Cafe de Paris in London and the Rainbow Room in New York. There are numerous experience packages punters can choose from for an extra night in. There's the classic Cabaret package that includes a three-course dinner with a show; the VIP Booth package for up to six and a bottle of Moet and Chandon champagne; the Ringside package for (you guessed it) ringside seats literally built into the side of the stage so you won't miss a minute of the action and a bottle of champagne and oysters for your troubles; The Lounge package offers a more intimate evening for two with a bottle of champagne; and the High Tables is a more casual offering. The Emerald Room is available for bookings and walk-ins from 6pm until midnight from Wednesday to Saturday, with late-night dining available from 9.30pm to midnight.
Everybody likes putting things on walls. Particularly pretty things, and particularly well-designed things. Better still, the people at Ferm Living are now making removable vinyl wall stickers designed to adorn your home, which are also functional and educational. The products are designed in Denmark and made in Europe, so they have that lovely Nordic well-designed glow. The stickers can be either decorative or functional. If it's winter and the birds have stopped singing, put a flock up by the window to remind you spring is coming, or if you're longing for the forest, put up some tree trunks. The calendars come with their own sets of post-it notes and chalk, so you can wipe them down and begin again fresh next month, the to-do lists make the task of being organised neater and easier to access, and the period tables can provide your bedroom with that chemistry lab atmosphere it's been so sadly lacking. And while their map probably won't help you find Azerbaijan or help you figure out how many countries the Danube runs through, at least it provides a reference point for discussing current affairs when you bring home someone lovely of an evening. https://youtube.com/watch?v=zWoDOUE2X58 [Via Cool Hunting]
Now that temperatures are rising, the beach is one of the only places to get a little respite, especially if your pad's air-con is lacking or nonexistent. Yet one problem that beachgoers encounter again and again is how to get their hands on a cold drink without having to say goodbye to their prime position on the shoreline. For one day only, Aussie cooler and drinksware brand Kodiak has come up with a nifty solution — the Great Aussie Kodiak Drop Bear. Taking to the skies above Coogee Beach's Dunningham Reserve from 12–1pm on Saturday, January 31, beachgoers will encounter ice-cold drinks descending on a beachfront drop zone. While not quite the same as Australia's favourite mythical creature that we love to confuse tourists with, Kodiak's drop bear appears in the form of a drone, supplying free Red Bull, Heaps Normal and Posca Sparkling Prebiotic Soda to thirsty attendees. Plus, those who register for a delivery will also receive a complimentary Kodiak Tumbler valued at $39.95. "When introducing Kodiak to Aussies this summer, we wanted to do something memorable, but also practical, just like our brand," says Kodiak founder David Yates. "Our products are extremely high quality and use extensive tech features to ensure they keep drinks icy no matter how hot it gets — and this weekend is the perfect way to prove it."
Steamy, sunny days are still upon us, making afternoons around the pool an enduringly high priority — and a surefire reason to leave the office inappropriately early. While swimming a few laps satisfies the large majority of water babies, there are those of us yearning for the playful days of yesteryear; when fighting your siblings on the back of inflatable dragons was the ultimate, when diving for sunken rings was the best of times, when blow-up alligator time had to be shared out and rostered by your tired-but-practical Aunty Jane. But pool toy companies haven't forgotten you. There's a huge market for pool toys to suit all ages, with plenty of stylish, weird and genius inflatable ideas on offer. From floating poker and ping pong tables to giant floating birds and watermelons, these are our favourite inflatables to make any pool party that little more Instagrammable — and your summer that extra bit more nostalgic. THE GIANT FLAMINGO/SWAN One of the most Instagrammable pool accessories around: the giant swan (or pink flamingo, if you're feeling more flamboyant). According to the Giant Swan website, the swans are "popular in fashion shoots", so for $99 you can nab your very own oversized aquabird and get yourself a perpetually summery profile picture. POOL SHOOTBALL If you like shooting hoops but find the asphalt a little too steamy in summer, this genius little game brings the court to the water. For just $40 with free shipping, this one's perfect for pool parties or sorting out sibling rivalries. AQUA ZORBS With the increasing popularity of Zorb Bumper Soccer and Human Zorb Bowling, Aqua Zorb water walkers could be of the most epic additions to home pool toy collection. One of the more exxy pool toys on the market, the Zorbs are $595 each — and obviously you're going to need two for battle reasons. One for the truly dedicated pool fiends. FLOATING POKER TABLE Now here's a truly grown-up pool toy. Bestway are responsible for the world's first pool poker set, complete with inflatable poker table, chairs, cards, chips and most importantly, drink holders. It's just $39.95 for the set, however a day of poker in the pool may end up costing you more. THE LAKE TRAMPOLINE You're going to need a bigger pool for this one, preferably lake-sized. Remember all those hours you spent as a youngster doing precarious trick jumps from your trampoline into your pool? Now your adult self can get some solid (and somewhat safer) air jumping off a giant lake trampoline, priced from a rather steep $1800 to $3700. With a price tag like that, might be worth getting your crew to chip in. MOTORISED BUMPER BOATS Yep, motorised bumper boats. Longtime aquatic toymakers Hammacher Schlemmer have created these floating vehicles for long afternoons spent crashing into your loved ones at four kilometres per hour. For $100 each, these bumper boats can also be used to ferry your summer snacks from one end of the pool to the other, or could be used as a flimsy excuse for a jetski in a lake situation. FLOATING POOL PING PONG Never chase ping pong balls around your garage again. Yours for around $60-90, depending where you buy it, this floating ping pong table is as summery an activity you can get. You're going to want to take this to the shallow end though; treading water and playing ping pong sounds like one hell of an exercise. AQUAGLIDE REVOLUTION If you're looking to make other people jealous (or highly confused) of your toys, this'll do the trick. Priced at $4500, the six-foot-high Aquaglide Revolution has it all: slides on one side, some form of extreme seesaw on the other, climbing walls aplenty. The Revolution allows up to ten people on board at once, and will have you outrageously exhausted and immeasurably happy by the end of the day. URBAN OUTFITTERS POOL FLOATS Another much more realistic and adorable option to brighten up any pool party. From watermelons, Monaco bars, snakes, suns, smiley faces to floating beer pong, American retail giants Urban Outfitters have a variety of novelty pool inflatables on offer for just $25 to $50 each. By Tommy Codling and Shannon Connellan.
UPDATE: June 18, 2020: Spider-Man: Far From Home is available to stream via Amazon Prime Video, Foxtel Now, Google Play, YouTube and iTunes. Here's the great thing about the recent batch of Spider-Man movies: they are, like their protagonist, smaller, friendlier and far more humble than their superhero contemporaries. Crucially, they're about a teenage boy firs, and superhero stuff second, which not only keeps them grounded in about as much reality as films of this genre can hope for, but also provides for an endless source of conflict as the two themes inevitably clash. The extreme version of that incompatibility was explored in the original (Tobey McGuire) franchise, with Spidey declaring he was "Spider Man no more". Far From Home takes one step back from that level of angst, compelling Tom Holland's character not to retire the suit but leave it hanging in the closest while he goes on a European field trip with his classmates. Fair enough, too, since he and the other Avengers did just save the universe from annihilation. Who are we to begrudge him a little down time? Of course, the aftermath of the recent Avengers films (especially the 'snap') lingers long in the memories of everyone on earth, both for those who never left, and those who became dust and then returned. That divide is given a neat comedic angle in Far From Home, too, by virtue of some of Peter Parker's classmates now being five years older and more mature — which proves especially problematic in the case of Australian actor Remy Hii who emerges as a handsome rival for Peter's romantic crush, MJ (Zendaya). For Peter, though, the impact of the Endgame conflict vests squarely in the loss of his friend, mentor and father-figure, Tony Stark. To make matters worse, not only does he have to grapple with that loss in virtual secret solitude, he's also constantly being asked whether he is to be Tony's heir-apparent in replacing Iron Man as the lead Avenger. A Venetian/Parisian holiday alongside MJ and his best friend Ned (Jacob Batalon) looks to be the perfect way to leave all these worries behind for a while. That is until world-destroying monsters rear their giant heads and imperil his friends and strangers alike. This time, however, Spidey isn't alone. A mysterious new hero with remarkable powers emerges in the form of Mysterio, played by a terrific Jake Gyllenhaal. Mysterio and Peter seem like kindred spirits, blessed as they are with extreme intelligence, reluctant heroism and sensitive souls. As with the previous Spidey movies, and indeed the MCU at large, it's these intimate, quiet connections that continue to drive this universe forward far more so than the bombast of the battles and special effects wizardry. Which isn't to say there aren't still some phenomenal effects in Far From Home, including an intensely trippy, mind-bending sequence that comfortably rivals its equivalent in Dr Strange. Holland remains the perfect casting for Peter Parker: baby-faced and eminently likable, he absolutely captures the sweaty awkwardness of a teenage crush absent the confidence to actually act upon it. Zendaya, too, gets much more screen time in Far From Home, and immediately proves she's worthy of it with a witty, nuanced and really quite tender performance. Some old hands also return to bolster the supporting cast list, including Nick Fury (Samuel L. Jackson), Aunt May (Marisa Tomei) and the man who started this whole thing off back with the original Iron Man, Happy Hogan (Jon Favreau). Their presence, along with the constant allusions to Tony Stark, remind us that this is still an MCU movie, but never so much that it loses its distinct and unique feel. Its "Spidey sense", if you will. Overall, Far From Home isn't quite as polished as Homecoming, nor as resonant as Endgame. But it makes up for it in humour and heart, serving as both a fitting end to Marvel's Phase 3 and a launch pad for the new era to come. https://www.youtube.com/watch?v=Nt9L1jCKGnE
Who knew ballet and rock music make such a beautiful team? The newest production from the Australian Ballet, Chroma, features four contemporary works and proves that ballet is not just classical orchestration and frou-frou. The White Stripes combine with contemporary costume and minimalist set design to make this not your mum’s ballet. The quadruple bill takes its title from one of the works within, Chroma, a legendary piece originally created by Wayne McGregor for The Royal Ballet of London and using the aforementioned music from the Whites. McGregor’s ballet differentiates itself from the classical style, with jerky movements meant to push the limits of the dancers’ bodies. “The movement can be freaky at times and shows off every joint our bodies have, sometimes all at once," says Daniel Gaudiello, the male lead in Chroma. "The body is such an amazing instrument and you witness it at its limits." Also slated for performance are twin pieces choreographed by Jirí Kylián, Petite Mort (also featuring Gaudiello) and Sechs Tanze, as well as a new original work, Art to Sky, by the Australian Ballet's resident choreographer Stephen Baynes. The contemporary dances by Kylián and Baynes are paired with the classical music of Mozart and Tchaikovsky, creating a blend of old and new ballet styles. Both Chroma and Kylián's works will feature dancers in all white or neutral costumes, highlighting the motions of the dancers. “We are in these little camisole-like chiffon outfits that are designed to complement our skin tones," says Gaudiello. "The result I think is an inside-out view of ballet through an androgynous lens.” The intensity of ballet, particularly when paired with the music of The White Stripes, shows off the pure athleticism of the dancers. “I feel Australia is such an athletic country and so is the ballet," says Gaudiello. "We all feel so lucky to have the chance to try such a coveted work and I really believe we will strive in every show to put in the raw intention, attack and groove that such a difficult piece like Chroma demands." As for the stories the choreography conveys, Gaudiello tries not to sway us. “That is the beauty of contemporary ballet, sometimes the ending is up to you,” he says. Chroma is on at the Sydney Opera House from May 2-17. Tickets can be purchased through the Sydney Opera House website.
True-crime documentaries aren't just having a moment. They've been monopolising everyone's viewing lists for the past decade, and making us all fans of the gripping genre in the process. The secret (well, other than the thousands of secrets each true-crime doco is brimming with)? The breadth of topics, because this field can cover everything from fast food scams and unsettling cults to personal quests to catch an elusive serial killer. No matter the subject matter, scenario, illicit acts or people responsible, great true-crime documentaries all have two other things in common: they're impossible to stop watching once you've started, and they'll make you want to seek out more once your series of choice has come to an end. Of course, there are so many to choose from, so we've teamed up with streaming service Binge to pick five standouts that you can feast your eyes on right now — including via a 14-day free trial for new customers.
The 2020s are an age of many things, but an underrated symbol of this decade is the age of convenience. Not only can our phones keep us entertained but they can also keep our pantries stocked and bellies full. Apps like DoorDash put even more convenience in our hands — and not just by being able to order from the local Dominos without having to interact with another human being. Depending on your nearby providers, you can order almost any essential item straight to your door, so below we've highlighted some of the lesser-known items you might one day need delivered. With bonuses for new users, plus a daily specials series (running until Saturday, March 23) for beloved vendors — think $5 burritos and buy-one-get-one subs. There's no reason not to give DoorDash a whirl. [caption id="attachment_943284" align="aligncenter" width="1920"] Sarinya Pinngam via iStock[/caption] Fresh fruit and veggies We all dread forgetting the groceries, leaving it to the last minute when it's easier to hang on the couch binging a sitcom. Gone are the days of being forced to wear outside clothes and head to the shops. Nowadays, if you live within range of a participating grocer, you can simply press a few buttons, and a dasher will drop everything you need for a fruit bowl or salad right outside. Best for: fixing a healthy feed at the last minute. DoorDash it now [caption id="attachment_943285" align="aligncenter" width="1920"] Dennis Van Hoef via iStock[/caption] Meat and poultry Picture this: Friday night, you've had a long day at work rushing to hit a few end-of-week deadlines, friends are coming over for dinner, and you've got a barbecue for the ages planned. The grill's preheated and it's time to grab a steak and some chicken drumsticks out of the fridge — but they're two days past their best and smell like a bin. Fret not. The supermarket rule applies here too. Pick a replacement cut from a grocer; if it's available, a dasher can drop it at your door. Best for: replacing off meat when you've got a horde of carnivores coming over. DoorDash it now [caption id="attachment_943280" align="aligncenter" width="1920"] Jacob Lund via iStock[/caption] Beer, wine and spirits If there's a house party, dinner party or grownup birthday party coming up and your bar cart's looking a little empty, sure enough, DoorDash can come to the rescue if you have participating merchants nearby. With deliveries available from BWS, Liquorland, Vintage Cellars, Porter's Liquor and a range of independent bottle shops, you needn't worry about running out for drinks. From a ritzy champagne to a cold four-pack of premixed cocktails, the dashers will get your drinks to your door. Note: you will need to show ID upon receipt of the liquid goods. Best for: a last-minute addition for a party when you realise you've inadvertently emptied the home bar. DoorDash it now [caption id="attachment_943286" align="aligncenter" width="1920"] Vladans via iStock[/caption] Over-the-counter medicine If you're sick as a dog, feeling wiped out and legitimately cannot (and should not) leave the house, you can wait for your roommate or S/O to get a minute to get something for you and suffer a while longer, or open DoorDash. You'll find actual pharmacies here, and while they can't fill a prescription, they can send your choice of over-the-counter meds on their way to help beat any bug. Best for: when you're fighting a bug with no strength to leave home. DoorDash it now [caption id="attachment_943281" align="aligncenter" width="1920"] Dmytro Skrypnykov via iStock[/caption] Batteries and chargers You may take your phone with you everywhere you go, but do you bring a charger? You don't want to be caught amiss if your battery runs flat. Similarly, finding out you're out of actual batteries tends to happen when you need one most. Don't panic because if you've still got even 1% left on your charge, open up DoorDash and summon a fresh pack of power on its way to you ASAP, whether it's a wall plug or a AAA, you'll find one here. Best for: replacing the charger you forgot to pack. DoorDash it now [caption id="attachment_943287" align="aligncenter" width="1920"] Hung Chung Chih via iStock[/caption] Toiletries and hygiene products Running out of essential bathroom or hygiene items can be a disaster, especially in critical moments. Say you're in need of a fresh can of deodorant for a date; you're glued to the loo but didn't realise you were down to the scraps of your TP supply. Nightmare. With the participating grocers on DoorDash, everything from Lynx Africa bodywash to menstruation products are just a press of a button away. Best for: an emergency refill of the bathroom cabinet. DoorDash it now [caption id="attachment_943283" align="aligncenter" width="1920"] Frantic00 via iStock[/caption] Fresh flowers Nothing can heal the wounds of a bad day like a bit of romance at home. Say you want to surprise a special someone or simply pep up your home decor if it feels a bit short on colour and life, flowers can help you out. If there's a participating florist within range, a dasher can collect a fine bouquet and ferry it to your door in a flash. Particularly useful if you've forgotten a key birthday or anniversary and need an emergency surprise. Best for: a romantic surprise that won't require a drive. DoorDash it now [caption id="attachment_943294" align="aligncenter" width="1920"] Drazenzigic via iStock[/caption] Desserts and confectionary Anyone can tell you that a little sweet treat to break up the working day is essential. Feeling overwhelmed from a big day of studying? Little treat. Back-to-back deadlines at work? A little treat will help. If you're within range of a bakery, convenience store, or anywhere with a dessert menu, the power of a little treat is within your grasp on DoorDash. Best for: curing a mid-afternoon slump. DoorDash it now [caption id="attachment_943282" align="aligncenter" width="1920"] Liudmila Chernetska via iStock[/caption] Hot (or iced) coffee and tea A tea or coffee can really work wonders to fix a bad day or poor mood. It's science! If you fancy a cuppa tea order some of your favourite blends from a nearby grocer, or get a fresh round of espresso coffee delivered from a nearby cafe with DoorDash. Best for: an emergency pick me up at work or home when you're too busy to self-brew. DoorDash it now Delivery gifting It's easy to order anything for yourself, follow your wants and needs, and order from local businesses accordingly. However, you might not have considered the possibility of ordering something for someone else. DoorDash offers a gifting service on the app. You just put in the recipient's address and tick the gifting option at the bottom, fill in an order, and then add a personalised message. Add the recipient's phone number to the order and send them the gift link to tell them it's coming. Easy. Best for: an easy gift for a special someone. DoorDash it now Download the DoorDash app for free on the Apple Store or Google Play to find out what's nearby. For more information, visit the website.
"Sitting on a bench in Wicks Park in Marrickville, reading a field report by The Lifted Brow's Sam Cooney, I madly looked around for a caramel door described in the text. There it was! As if the writer had put the doorway there himself! Of course, I knew he hadn't, but it was perfect — the exact kind of dark magic that all good writers and artists and musicians perform when their work seems to lift up walls behind walls behind walls and reveal something new and unexpected with great clarity. This is what digital literature can do and be! It's a revelation — experiential and immersive and immediate." This eerie literary experience, as described by Concrete Playground writer Lauren Carroll Harris, was made possible through the award-winning digital project The Silent History. A science-fiction novel that takes the form of an app, The Silent History tells the tale of a dystopian future where a mysterious epidemic has robbed children of the ability to develop language. From 2011 to 2043, readers watch on as these mute children — dubbed 'silents' — tear families apart, unnerve entire government sectors and generally freak people out. Part sci-fi thriller, part-real-life scavenger hunt, the app has been called "entirely revolutionary" by Wired magazine, while the LA Times declared it "a landmark project that illuminates a possible future for e-book novels." We spoke to its creator, ex-McSweeney's managing editor and publisher Eli Horowitz, in Australia for the Sydney Writers' Festival, about what it means to read an app and what writers are doing differently to entertain a digital audience. The Writer as a Prime Mover "The first thing I wanted was it to be a story that you could explore," says Horowitz, "because I have this thing, which I bet that a lot of people have, when you read a book you love or see a movie you love or whatever, you almost then want to keep on existing in that world. You want to see what's just off the page or off the screen, and keep on exploring and living in it." The tablet platform, with its promise of interactivity and updatability, was a natural fit. An app like The Silent History combines the familiar pleasures of a page-turning narrative with the gaming world's mechanics of exploration and investigation. "Once I had that then the plot needed to be kind of global and sprawling, the kind of essential premise that could play itself out a lot of different ways, so that's why it became kind of like a medical story, an epidemic story almost, that lends itself well to that." But that's just the beginning. Around this main story arc float hundreds of 'field reports', site-specific side narratives that readers can only access when they travel to the physical location where the report is set. These reports can be written by anyone, anywhere — in fact, there are already a bunch tucked away around Australia. And if you're feeling inspired, you are free to pen your own and submit it for approval from The Silent History's US editing team. The Writer as a team player Horowitz, begotten of a librarian and originally a carpenter ("not a very good one"), claims that the whole process featured very little in the way of creative genius and a whole lot of good ol' problem solving. He admits that the communal approach of the project — which is what has brought The Silent History so much attention — wasn't even originally part of the blueprint. "The collaborative aspect was not so much any kind of ideological belief about crowd-sourcing or wikis or whatever but more that I wanted these things to be all over the place and I couldn't put them all over the place," he explains, "The more people we had [writing] the more of a geographic spread we could have." It sounds simple enough. But creative genius or problem solver, Horowitz has been hailed as a literary revolutionary. He and his team, Ying, Horowitz & Quinn LLC, are considered trailblazers in e-storytelling, crafting a digital experience unlike any other. While e-books have been popping up on the App Store since the release of the iPad in 2010, none has received this level of fanfare. The Writer as a Coder "A lot of times [with] these projects, the downfall is that they're essentially a technology project and they find some writing to cram into it or it's essentially a literary project and then at the end they add the technological aspect and it's still kind of unsatisfied or clunky or buggy," says Horowitz, "so having it all work together was really important." For all the praise coming his way, though, the San Franciscan remains humble. During his eight years at Californian publishing house McSweeney's, he operated under the mantra that anything he printed had to "earn the page it's on". He says that he brought this same approach over to the app world, trying to create something that "earns the screen it's on". "I approach this in very much the same way that I would approach a book with McSweeney's or whatever else," he says. "Just to think about how form and content both can affect each other, and to think about the total experience of the project. I don't see this as a move away from print or anything, I see this as just another tool in our toolbox." Eli Horowitz will be appearing at the The Sydney Writer's Festival from May 24 to 26 at the events Reading in the E-Future, Festival Club Friday, The Silent History and Tales From the Editorial Front Line. He'll also pop into the Sydney Apple Store on May 28 as part of Vivid Sydney.
To everyone who'd read The Dry, or even simply heard about its following and success from a devotee who had, turning Jane Harper's debut novel into a movie seemed like one of the easiest decisions that Australia's film industry could make. More than that, it appeared certain to create that holy grail of Aussie pictures: a guaranteed and widespread homegrown hit. The response to the feature, which reached cinemas Down Under to start off 2021, proved that belief true. Robert Connolly helmed it into the top 15 Australian movies at the Australian box office of all time, on the back of over $20 million in receipts. But ask the Balibo, The Bank and Paper Planes filmmaker if he also thought that it'd have everyone across the country flocking to the silver screen, then ensure that Harper's second Aaron Falk story Force of Nature could get the film treatment, and he's not as definitive as you might expect he should be. The reason: timing. Releasing on January 1, 2021 meant that The Dry released as the COVID-19 pandemic entered its second year, after cinemas had spent a large portion of the past 12 months out of action and when capacity restrictions were a reality. "We actually weren't sure what was going to practically happen, because it came out as the pandemic was easing off and cinemas had been closed for months," Connolly tells Concrete Playground. "I remember some of the early screenings of The Dry, the cinemas were only allowed to be half capacity," he continues. "Fifty percent, yeah," Eric Bana, aka Connolly's Aaron Falk, also recalls. "My friends in exhibition, some of them were saying 'we're going to go under, we won't be here in a year'. And so we had a great hope for cinema, and a passion about cinema and exhibition, but not really any idea that it would open up so well," Connolly explains. "We were very proud of the film at that point and had really enjoyed making it, and had finished the film. And we were excited to show audiences. But I think that we'd have to be absolutely delighted that cinema has not only survived but is starting to thrive again. It's amazing talking to exhibitors at the moment, they're all saying that whereas last year there was one big blockbuster, this year there's about ten different films that are playing, and they're enjoying the fact that audiences are coming in to see different films. They might not be packed like a blockbuster, but there's a habit that's reemerging of people going to the movies, which is great for us all." Force of Nature: The Dry 2 — as The Dry's cinematic followup has been rebadged to ensure that audiences make the connection — hits the big screen with two in-built audiences, then. Folks who obsessed over Harper's Falk tales on the page and those who've only known the federal agent via film, with The Castle, Chopper, Munich, The Time Traveller's Wife and Hanna's Bana in the part, have already been packing theatres before the movie's official release on Thursday, February 8 thanks to weekends of advanced screenings. The first camp share something in common with Connolly and Bana: loving The Dry as a book first. Indeed, it was the strength of the material that got them both interested, and saw a new Aussie franchise come to life in cinemas. This saga has more than a few drawcards, too, from the page-to-screen narratives, its filmmaker and star to the strength of its supporting casts, the fact that it's an Australian whodunnit series and its broader look at the nation's landscape beyond the outback's red earth. Where The Dry was set in the Victorian wheatbelt, trading ochre for yellow as far as the eye can see, Force of Nature stays in the same state but treks through lush, sprawling, inhospitably dense, vibrantly green mountainous forests. Falk isn't visiting his home town this time. He's firmly in professional mode, on a case that's sparked another. With fellow federal police officer Carmen Cooper (Jacqueline McKenzie, Ruby's Choice), he's been working to turn Alice Russell (Anna Torv, The Last of Us) into a whistleblower against her employer, only for her to disappear on a corporate hiking retreat. Falk is desperate to find her alive — but getting to the bottom of what happened, both from her bosses Jill (Deborra-Lee Furness, Blessed) and Daniel Bailey (Richard Roxburgh, Prosper), and from her colleagues (Homeland's Robin McLeavy, Mortal Kombat's Sisi Stringer and Strife's Lucy Ansell), is hardly straightforward. That the spot where Alice has gone missing is also personal for Falk further complicates matters. Harper hasn't only written two novels about the determined detective. A third also sits on bookshelves around the country — and whether Exiles might also flicker across the screen was part of our chat with Connolly and Bana. We also asked the long-term friends, who worked together on Blueback in-between The Dry and Force of Nature, about their introduction to Aaron Falk, how Bana steps into his shoes, why the character and the tales he's in resonate so strongly, the stunning surroundings each film has taken them to, and the who's who of Aussie talent among the rest of the casts. [caption id="attachment_796115" align="alignnone" width="1920"] The Dry[/caption] On First Discovering Jane Harper's Books, and Aaron Falk — and Wanting to Bring Them to the Cinema Robert: "It's interesting. Bruna Papandrea [The Dry and Force of Nature: The Dry 2's producer], who's a very long-term friend of ours, sent me the book and said 'oh, do you think there's a film in this? Would you be interested? It's incredible'. We work together, share an office, and I literally read it that night. Came in the next day, had a chat with Bruna and said 'I think it's amazing'. Then I sat down with Eric for our morning coffee and said 'god, I read this book The Dry'. And he's like 'I read it too, do you want to do it?'. It was so easy. It was one of those effortless gatherings of friends to make a film. And we never imagined that we'd be making a followup film and taking the story of Aaron Falk further. Embarking on The Dry at that point was just incredible adventure, really." Eric: "Yeah, both just fans of the book originally, and then it all just went from there." On What Appealed to Bana About Stepping Into Aaron Falk's Shoes Eric: "I love great dialogue, and when I read The Dry, I wasn't thinking about myself at all. I was also just so taken in by Jane's depiction of the landscape. And as an Australian who who loves travelling through small country towns, I just felt like finally someone gets it — finally someone's nailed it. This is Australia. And then the way the characters were introduced and evolved, and some of the scenes between Aaron and Gretchen [played by Andor and Ahsoka's Genevieve O'Reilly in the film] — I remember reading and thinking 'if they turn this into a film, these scenes would be just incredible. These things would just be incredible to play'. And that voice started in my head of like 'great, that would be a great character. This would make a great film'. And then you just sort of park it. It was given to me by my wife, who reads every adaptation I've ever been in. And then it came up between Rob and I. So I just thought it was beautifully written. I was drawn to the dialogue. I thought it had a wonderful sense of place and had great potential." On Why the World of The Dry, Force of Nature and Aaron Falk Resonates So Strongly with Audiences Eric: "We don't have a lot of whodunnits in Australia. The Brits do it really, really well. I think they engage an audience in a different way to a traditional drama. Australians love heavy, dark drama, clearly. Character-driven stuff. So in some ways, it feeds that beast. But at the same time, I think it appeals to the ego of the audience who want to figure out something. You want to feel smart. And Jane lays these little, little traps, and Rob lays these little misdirections, and you have to be engaged. There's no leaving the cinema for five minutes when you're watching one of these kinds of films. So, I think that's part of the appeal. I really do. And they're extremely visual. The location is such a major character, it inhabits the drama and infects the drama in both stories. I think that makes them unique." [caption id="attachment_796110" align="alignnone" width="1920"] The Dry[/caption] Robert: "Landscape is a potent thing in cinema. The success of streaming has thrown down the gauntlet to filmmakers now that we have to make films that are bigger and more epic, and that demand to be seen in the cinema. And so my last three films — The Dry, Blueback, Force of Nature — have all shot on large-format cameras, and we've got big music and big sound design. I'm trying to lift the experience of the cinema so that it can be all-consuming. Because I definitely feel in the books. I love the way that they place character in landscape. The landscape in Force of Nature is very different to The Dry, but they're both films that are all-consuming about place, a sense of place." On Expanding the Cinematic Depiction of Australia's Landscape Beyond the Outback's Red Earth Robert: "I am fascinated by the different parts of this country, and by landscape. And so I think the films I'm making are a bit of a jigsaw puzzle of portraits of different parts of Australia. I love going somewhere and then investigating it with the film. So in Force of Nature, I loved going into this subtropical ancient forest that people have never filmed in, with the camera and with the actors, and with this incredible story that Jane Harper had created, and investigating it with the camera — and then taking that to the audience. I think having grown up in the Blue Mountains and grown up in the bush, I do completely agree with you about showing things differently. Like for me, I had never seen a film about the Australian bush that really transported me into the bush I knew, that I'd been out in as a kid and got lost in and had adventures in. So I brought very much my own ambition to kind of make a love letter to the Australian bush in some ways as well, and to show it in a way that maybe no one had really done before in an equivalent way." On How Bana Prepared to Bring Aaron Falk to the Screen for the Second Time Eric: "It felt like a cheat. I mean, I've never been able to reprise a role before. I had this huge leg up and like 'I've been this guy already'. There's a little less work required. Then it was a case of, well, 'where's he at now and how much time has passed?'. This is more about policing. So The Dry was like he was in his own personal time, not as a police officer, and gets lured into elements of this potential crime that had occurred — and then is suddenly being taken down the path of investigator. Here, it's pure policing, 100-percent policing, him in his natural element. And that leads him into a personal investigation of himself and where he's at in his life, and what does policing mean. What does it mean to ask things of informants? And what are the moral ethics of that? And how does that clash with where he's at? Much to my shock, he's actually quite an experienced older officer in his early-to-mid 50s. There's a nice pension waiting for Aaron. So it's quite a different approach, because he is the vet in his professional environment, which was much different to The Dry." On Balancing the Professional and Personal Parts of Aaron Falk's Story, Helped by the Collaborative Approach to Making the Films Eric: "I think it comes down to what the material is asking of me and of the audience. And conversations that Rob and I will have about what this scene is potentially going say about Aaron, and how can we expand on that when Richard Roxburgh's character and Aaron come together, and what changes we can make to to enhance that. A lot of it is evolving when you're in the film as well, and that's why it's great having that collaborative approach, and that things aren't just locked in that — we can move, and we have the luxury because we've worked together and we're friends, we can navigate that stuff really easily." Robert: "It's a really interesting evolution, probably, in my approach to directing. There's one approach where you turn up on the day and you know what you want, and you've got a plan and a structure to get it. And there's another one, which is to turn up and work and collaborate with people that you have a great creative dynamic with, and use the day to explore the material and discover things in it. It took me a while. My earlier films, I was more anxious, probably, and they were a bit tighter because I was. But as I've got deeper into my career, I've wanted to almost call action and not quite know what's going to happen, be surprised by it. And create a situation, particularly with those five women lost in the bush, take them into a remote place, make it an incredibly tough location — they're out there — and then create situations where the camera is capturing a very real, visceral dynamic between them. So that's probably a great passion of mine — and Eric's right, we've been on the set exploring the scene. It's an evolution that happens on the page. I remember someone said that a script is written three times: on the page, during the shoot and in the edit. So when you have best screenplay awards, what are you judging? Are you judging the script on the page at the beginning, or the script you had at the end of the shoot, or the one at the end of the edit?" On Building Such Spectacular Australian Casts Around Bana as Aaron Falk Robert: "I think I've been very lucky across my career. My wife Jane Norris, one of Australia's leading casting directors, she has helped Eric and I on both these films with the casting. And she very much has an aesthetic, a casting aesthetic, which is that a film can be bedded down with a big actor like Eric playing a big character like Aaron Falk, but that Australian audiences also like seeing some of our great actors we haven't seen for a while — like Deborra-Lee Furness, Jacqueline McKenzie. In The Dry, someone like John Polson [who hadn't acted since 2000's Mission: Impossible II]. But she's always really big on new talent. She said Australians love it. She said 'let's go back to Muriel's Wedding and how we all felt seeing Toni Colette and Rachel Griffiths for the first time, who went on to become massive actors'. She's big on making sure you are championing new talent in the in the aesthetic of the ensemble, which is where The Dry had those great young actors who've gone on to have massive careers. And in this, Sissy Stringer and Lucy Ansell, playing Bree and Beth, have brought this absolute energy. So I think that that combination of experience and new talent, it's just so dynamic. It feels dynamic on set, doesn't it?" Eric: "Yeah, absolutely. Yeah, it definitely does. It was amazing. I mean, we were always really excited by the premise. It was one of the reasons we wanted to make this film. We kept talking about how amazing it would be to have five incredible actors in those roles, and that was going to really carry the the the story. Then Jane's first suggestion was was Deborra-Lee Furness, who's a very old friend of both of ours that we've known for a long time. And we just saw 'oh my god, if we can get her to say yes, we're on our way'. And she did, thankfully. And so it was amazing. They were incredible to work with, all of them. And just sitting in the edit and watching all those scenes — because as the actor, you're not always there on the day — just watching what the women were doing because they were so well-written, but then they were elevating everything and it was just so exciting." Robert: Anna Torv, I mean, we both loved her from Mindhunter. And it's similar, it's like 'do you think she'll do it?'. The excitement of casting is palpable, like when Eric and I — because Eric is producing partner on this as well and across everything creatively — and so as a team, we're all deciding on someone, and then arguing the case to them of why they must do our film." On Potentially Following Up The Dry and Force of Nature with Exiles Eric: "I really can't answer it. We never spoke about Force of Nature whilst we were making The Dry. It was never a conversation, and same with this one. We just wanted to make the best film we could, and for Australian public who gave us that opportunity by championing The Dry to the extent they did. So yeah, there is a third book there. It's Thursday, we're going to try and get through Friday, then Saturday, and then next week — and we just hope this film does well. And then we'll sit down and work out what to do next." Force of Nature: The Dry 2 releases in Australian and New Zealand cinemas on Thursday, February 8, 2024. Read our review of The Dry and Force of Nature: The Dry 2. Images: Narelle Portanier.
We've made it to the end of the year, and to celebrate, Falls Festival has just gifted us with one helluva lineup. Helping to ring in the art and music festival's 26th year is a pretty buzzworthy gang of musical mates headlined by American rapper Anderson .Paak. He'll be taking the stage with his band The Free Nationals, and performing hits off his Grammy Award-nominated album Malibu and maybe a tune or two off his highly anticipated third album, Oxnard Ventura. He's joined on the bill by big names like UK foursome Catfish and The Bottlemen, who'll be debuting some fresh new material at their only Aussie show; Australia's own Vance Joy; Scottish synth-pop trio Chvrches, who'll also be here for NYD celebration Field Day; Interpol, fresh off the back of their new album release, Marauder; and Toto. Toto. Yes, the American rock band behind the masterpiece that is 'Africa' is heading to Falls. While you're feeling nostalgic, you'll also be able to hit up Hilltop Hoods — call dad. True to form, the Falls 2018 local lineup is equally exciting, and every bit as broad. Homegrown acts hitting the stage include the dance-ready Flight Facilities, Melbourne's psychedelic King Gizzard & The Lizard Wizard, Sydney producer Touch Sensitive, Gold Coast native Amy Shark and Heaps Gay DJs & Friends back for another year. This year, too, an impressive 48 percent of acts performing have female artists and, while it's not quite half — and there are still lots of other minority groups that are underrepresented — it's a start. As always, the tunes are backed by a colourful curation of art events, performances, pop-ups, markets, wellness sessions and gourmet eats. It's all happening over New Years at the usual spots in Tassie's Marion Bay, Lorne in Victoria, the North Byron Parklands and the Fremantle Oval Precinct, WA. FALLS FESTIVAL 2018 LINEUP Anderson .Paak & The Free Nationals Catfish and The Bottlemen (no sideshows) Vance Joy Chvrches Hilltop Hoods Toto Interpol 88Rising Feat. Rich Brian, Joji, Niki & August 08 (no sideshows) Flight Facilities Amy Shark DMA's Kind Gizzard & The Lizard Wizard Golden Features First Aid Kit (no sideshows) Ocean Alley Hockey Dad Cashmere Cat (no sideshows) The Vaccines Cub Sport Ruel Jack River Bishop Briggs Mallrat Briggs Touch Sensitive Tkay Maidza Dermot Kennedy Tired Lion Hobo Johnson & The Lovemakers Soccer Mommy Banks Triple One Alice Skye Heaps Gay DJs & Friends + More to be announced
Legos: the colourful building blocks that adults pretend they don't miss. They began as toys for children to use their imagination to create miniature houses and spaceships, but have become tools for the construction of life-size sculptures across the world. Who claims the glory of building the largest Lego masterpiece? Brazil, as of April 10, has triumphed over cities across the world in building the tallest Lego tower. In a shopping centre parking lot in San Paulo, Brazil, over 6000 children and parents spent four days putting together the tower, which now stands at 102 feet and three inches, breaking Chile's latest record set in 2008 by 9.8 inches. Children assembled over 500,000 individual Lego pieces which were later stacked together by a crane and held together with wire supports for stability against strong winds. The World's Tallest Lego Tower has come a long way since London's first attempt in 1988, which resulted in a 50 foot structure. Since then, Toronto, Moscow, Tokyo, Munich and our very own Sydney have held the coveted title. https://youtube.com/watch?v=qvRIcASivqQ [via Nerdist]
If you've ever thought about professionally recording those tracks you've been working on in your bedroom, you probably haven't. That's because getting studio time can be difficult when you don't have the contacts, the cash or any real knowledge about what you're doing (but just wanna lay down some sick tracks). But studiotime.io is aiming to change all that with their Airbnb-like listing platform for musicians, producers and recording studios. The site works in the same way as any in the sharing economy. Recording studios will advertise their availabilities, details and daily rates, and then musicians and producers can contact the studios for more information and to book in a time. Just like Airbnb, you book and pay through the website, and you can leave feedback on the listing's page. Booking in studio time in this way is beneficial to both parties, as musicians now have an easy way to lock in a day in the studio, and the studios can advertise last-minute availabilities to ensure they're always booked. It might even mean you can snag a bit of a discount if you're lucky. The website initially launched last year in LA, New York and London, but it's quickly spread to other cities across the world. You can search for studios in Australia too, with listings spanning everywhere from Bondi to St Kilda to Wollongong. Image: Dollar Photo Club
A food festival is always great, but a food festival that runs for two months is better. The 2018 Hunter Valley Wine and Food Festival is back and set to showcase so much delicious local produce it simply cannot be contained in a single weekend (or even a month). A variety of food and wine-related activities will take place throughout May and June, including vineyard tours, winemaking masterclasses and gourmet dinners at award-winning restaurants. For the red-wine lovers out there, there's a De Iuliis Shiraz Masterclass, where you'll be taken on a journey of the origin of Shiraz, and get to drink some of De Iulii's Wines fabulous drops too. Fancy vermouth over a vino? No worries, the Vermouth Cocktail Masterclass at Margan Winery & Restaurant will have you whipping up delicious negronis in no time. And if all that drinking works up your appetite, there's Heroes of the Hunter (a five-course degustation dinner on every night of the festival), the Whispering Brook Olive Long Table Luncheon (an olive-inspired lunch in the beautiful Whispering Brook groves) or the Hunter Valley Cooking School (where you'll cook a three-course lunch or dinner). Are you hungry yet? Us too.
As one of four Kürtősh locations dotted around Sydney (with another in Wollongong and two in Melbourne), this Crows Nest eatery represents yet another opportunity for you to satiate yearnings for traditional European sweets. The enticing treats at Kürtősh are sold by weight, which is bliss for indecisive types who can't resist a slither of everything. Start with a savoury bureka, filled with potato and mushroom, ricotta and feta or sweet potato, rosemary and thyme. Then, sample some slices of the slab cakes. Flavours include espresso, almond and chocolate roulade, strawberry and pistachio sponge, and lime and ginger meringue. Kürtőskalács, the titular treat, is a chimney-shaped cake made of brioche-like ribbons of pastry, finely coiled and caressed with a luscious coating. The traditional cinnamon and sugar is reminiscent of an old-school doughnut, but you can opt for pistachio, Nutella or caramelised hazelnut for a next-level treat. Images: Madeline Milani
If you liked choosing your way through Black Mirror: Bandersnatch, Netflix has more where that came from. At present, you can also tell Bear Grylls what to do in interactive series You vs. Wild, and soon you'll be able to decide what happens to everyone's favourite kidnapping victim turned wide-eyed New Yorker in a one-off Unbreakable Kimmy Schmidt special. While the Tina Fey co-created, 18-time Emmy-nominated comedy finished up its regular run with this year's batch of episodes, which closed out the show's fourth season, it's coming back in 2020 to put viewers in control. While Netflix has actually been in the interactive game for a couple of years thanks to its children's shows like Puss in Boots, Buddy Thunderstruck and Stretch Armstrong, this'll mark the streamer's first interactive comedy. Always wanted to curb Kimmy's (Ellie Kemper) enthusiasm? Keen to steer ex-socialite Jacqueline White (Jane Krakowski) towards a few sensible decisions? Think that landlord Lillian (Carol Kane) could be more eccentric and misanthropic? Just love everything that aspiring actor and singer Titus Andromedon (Tituss Burgess) does? Then this is for you, obviously. Details of the storyline haven't been announced, but "fans will be able to make choices on behalf of our characters, taking different story paths with, of course, different jokes," revealed Tina Fey in a Netflix statement. "I think it's a great fit for our show and will be a great way to officially complete the series," she continued. Check out the trailer for the fourth season of Unbreakable Kimmy Schmidt below: https://www.youtube.com/watch?v=j0Ec8uWZrgA As reported by Variety in March, with Bandernatch proving such a hit, Netflix is understandably eager to capitalise upon the branching narrative format's success. "We realised, wow, interactive storytelling is something we want to bet more on," said the platform's Vice President of product, Todd Yellin, at a conference in Mumbai. "We're doubling down on that. So expect over the next year or two to see more interactive storytelling. And it won't necessarily be science fiction, or it won't necessarily be dark. It could be a wacky comedy. It could be a romance, where the audience gets to choose — should she go out with him or him." Unbreakable Kimmy Schmidt's interactive special will hit Netflix at a yet-to-be-revealed date in 2020. Image: Eric Liebowitz/Netflix.
This year may have gotten off to a chaotic start, but that doesn't mean the country's (or your) cultural calendar is looking too bare. Some of 2022's most exciting and immersive art and museum exhibitions have either just opened their doors across the nation or are on their way before the year is out — which means you've got plenty to see in plenty of places. That's especially exciting now that interstate borders are all fully open across the entire country, and cheap flights keep popping up with frequency, too. So, get out your diaries and plan trips to dive into all things Disney, peer at Yayoi Kusama's finest in two different cities, scope out Picasso's best and fall in love with Elvis paraphernalia — aka some of the art and museum exhibitions set to brighten up 2022. Top image: Raemar, Blue, 1969, James Turrell. Tate: Presented by the Tate Americas Foundation, partial purchase and partial gift of Doris J. Lockhart 2013. © James Turrell. Photo: Tate.
Adapting movies into TV shows doesn't always work. But when it does, as the likes of Buffy the Vampire Slayer, Wet Hot American Summer and Westworld have all shown, it can turn into something spectacular. Australia has its very own example, too, in the form of beloved 90s teen drama Heartbreak High — which started as a spinoff to the Claudia Karvan and Alex Dimitriades-starring 1993 movie The Heartbreak Kid. Screening for seven seasons and 210 episodes between 1994–9, Heartbreak High was the high school-set Aussie show of the 90s. It was filled with now-familiar faces, including Dimitriades, a pre-Home and Away Ada Nicodemou, and Avengers: Endgame and Mystery Road's Callan Mulvey as Drazic. It painted a multicultural picture of Australia that was unlike anything else on TV at the time. And, for its six-year run across two Aussie networks, the Sydney-shot show was must-see television. So the news that it is making a comeback is very welcome indeed. Netflix has already brought back the original show by adding it to its streaming catalogue, so you can now revisit the influential series whenever you like. But the platform is also going one better and rebooting it for the 2020s — courtesy of a new series that will be "inspired by the original 90s series, but totally reimagined for a new generation" it announced in a statement. You will need to wait until 2022 to watch it, though. And, the show's first season will only span eight episodes. Also, just who'll be in it — and whether it'll take the lead of other rebooted teen shows, like the recent new version of Saved By the Bell, and bring back a few of its original stars — hasn't yet been revealed. Still, if you're feeling nostalgic, you've now got a new series to add to your 2022 must-watch list. And yes, Netflix knows that the new show will attract plenty of fans of the original. Revealing the news, Netflix's Director of Originals in Australia Que Minh Luu noted that "we haven't had a rebellious Australian YA series on screen since the original Heartbreak High, so this is well overdue. The new Heartbreak High is for young people in Australia today to feel seen — showcasing their stories, senses of humour and aesthetics to the world, and reminding everyone that they are much, much cooler than us. It's also for the 90s kids, fans of the original series who remember what it's like to feel understood by a TV show, then racking off." Need a quick glimpse of the original? Revisit its opening credits (and get its theme song stuck back in your head) below: https://www.youtube.com/watch?v=LZMKNxI4Izc The new version of Heartbreak High is set to hit Netflix sometime in 2022 — we'll update you when an exact launch date is announced.
Deck your halls with holly, then leave them immediately for a nice holiday. If there's one festive season motto that stands out to us, it's celebrating with family and friends and being thankful for the company. If there's another one, to be honest, it's leaving all that behind and escaping on a holiday on your own, or with a single loved one instead of your entire extended family. Nothing beats the sounds of silence, a cold dip in a pool, and the knowledge that you'll be able to remove your pants immediately after eating a huge Christmas-time meal and nobody will be there to mind. In partnership with Mr & Mrs Smith, here are ten getaway options for the Christmas / New Year period — and if you're stuck for present ideas, you can use the suggestions below (or 1000 more boutique hotels) on a Get a Room! gift card. Strongly suggest they take a you-shaped friend. COMO THE TREASURY, PERTH Como the Treasury was voted the second best hotel worldwide by the Condé Nast Traveler's Reader's Choice Awards this year, and its palatial rooms and incredible views of Perth clearly show why. The building may be 140 years old but the facilities aren't — there's a swimming pool, spa, and full fitness centre including yoga and pilates studios to really wave bye-bye to life stress. The top-floor restaurant Wildflower presides over the eating side of things, touting a menu infused with indigenous ingredients. Can't shake the kids while you're dining and yoga-ing? There are even babysitting facilities available. EMPIRE RETREAT AND SPA, MARGARET RIVER The Margaret River isn't a well-kept secret of a holiday destination, but it's a worthwhile Christmas drive just to stay at Empire Retreat and Spa. A lovely old stone farmhouse, it'll be like going back in time while simultaneously hitting an 11 on the luxury scale: the rustically modern rooms have everything you could need, and there's an on-site vineyard as well as the spa, so you should really consider kicking Christmas on for a few weeks more. Stay in a Luxury Villa, complete with sunken lounge and fireplace, or a Deluxe Balcony Suite – attached to the main lodge by a timber boardwalk. SAL SALIS, NINGALOO REEF Sal Salis is the type of place you evacuate to when your cat has knocked down the Christmas tree for the sixth time and you've lost your car in the car park again. A bush camp by the beach in Cape Range National Park, it's a safari by the sea but not without the trimmings: you might be sleeping in a tent but they're moored on timber platforms with own ensuite and deck, 30 metres from the sea. Sal Salis concentrates on eco-friendliness so expect composting loos and solar power — and unforgettable manta ray hangs when snorkelling. PRETTY BEACH HOUSE, CENTRAL COAST If eucalyptus is your calming scent of choice, consider coming to Pretty Beach House on the Central Coast to get your fix. Beautiful wood-panelled lodges make up this ideal holiday escape – a home away from home among the gumtrees, throwing in a private terrace and plunge pool for an extra warm welcome. There's a resident bar and an Italian restaurant by Stefano Manfredi complete with pizza oven so you'll be well fed and watered, too. For even more serenity there's a spa on premises and no children under 15 allowed — this is one for couples. ALILA MANGGIS, BALI If the options are "go to Bali or don't go to Bali" you should always pick "go to Bali". Find yourself surrounded by coconut groves at the Alila Manggis — a beachside resort located next to the sacred Mount Agung. There's a beautiful pool, a spa, and even the chance to be a mature age student: there's a cooking school on-site. The Alila Manggis also has its own organic veggie garden for extra goodness, so your body and mind will both say "thanks for taking me to Bali". BISMA EIGHT, BALI Another reason to up and get yourselves to Bali, if you needed more incentive, is the Bisma Eight resort in Ubud. A concrete oasis, the modern design isn't what you'd expect from a jungle paradise in Indonesia — but paradise it is. Aussie chef Duncan McCance run the restaurant on-site that puts to good use the hotel's organic garden. There's a pretty fancy pool and all rooms come with a Japanese soaking tub; plus, there's a fiery hot cocktail menu in the bar, so what are you even waiting for? THE CHEDI CLUB, UBUD Excuse us, but there's a butler service over here and also a 35m Balinese water palace pool. "Where do I book", you ask? If you're a guest at The Chedi Club Tanah Gajah in Ubud, you can stay in a Spa Villa, which has your own private spa room and massage beds. There is some mighty interesting culinary goodness happening over here with Singaporean chef Dean Nor working with "Mama Bali" and her local bumbu spices. All the rice comes from the nearby rice paddy fields; tours of these also run, as does the occasional Balinese dance performance. Off you trot, then. SALA, PHUKET Who says you can't relax in Phuket? Sala Phuket is making this a very valid reality for you in your time of need over Christmas and New Year, simply by providing you with a haven featuring multiple pools and much relaxation. Sala Pool Villas have enormous "merman sized" bathtubs, private pools and tropical gardens of their own; you're located near the beach and there's a spa, too, so the beautiful bodies of water never end. The champion of Sala might very well be the bar, with daybeds big enough to sprawl on while drinking a burnt lemon and vanilla margarita. Mmm. THE SAROJIN, THAILAND For a more secluded yet equally as tropical getaway, The Sarojin is a boutique hotel on the coastline of Phang Na set on 10 acres of garden. There's an infinity pool that is infinity types of inviting and has it's own pavilions at its edges. With a cosy seafood shack as well as a restaurant nestled under the huge fig tree that is the centerpiece of the gardens, you'll eat well — or can even charter a cruise to a private island for a romantic dinner for two. A seven-night minimum stay is required over Christmas, so we guess you guys will just have to suck it up. ZABORIN, JAPAN Japan — land of the best things in the world (sushi, good public transport, an island full of cats). It's also home to Zaborin Hotel in the Hanazano woods in Hokkaido, a 15-villa wonderland. Each villa has it's own indoor and outdoor onsen (bath) filled with volcanic water, and once you've soaked to your heart's content head along to the restaurant for a traditional kita kaiseki meal — an 11-course set menu differing with the harvest. Ski slopes are nearby, but we wouldn't be surprised if you lounged around at Zaborin forevermore (or as long as you can get off work). Grab someone you love a Mr and Mrs Smith Get a Room! gift card and send them on a summer holiday — available from $50.
A lush beer garden has arrived in The Hills just in time for summer. Located out the back of the Bella Vista Hotel, Bella Garden is scattered with booths, lounges, greenery and a repurposed bath and a piano bursting with plants, which make it a great spot to laze about in the sunshine. To fit with the garden vibe is a menu of flower-inspired cocktails. Starting at $14, the vivid drinks on offer include a rose and gin concoction made with house-made raspberry syrup and the Marigold, which combines Aperol, pink grapefruit juice, lychee and rose syrup. On the food menu, you'll find Neapolitan-style pizzas, pastas, salads and a huge lineup of sharing dishes, which feature everything from lamb kofta to clams in 'nduja-spiked tomato sauce and buttermilk-fried chicken wings. While it's suitably summery, the beer garden is appropriate for all seasons, as it has a retractable roof. And Sundays are when it's liveliest, with live acoustic musicians, DJs, $9 cocktails and $20 carafes from 2pm. The bar in the beer garden is only open on Friday nights and from 11am on Saturdays and Sundays, but the space is open all week — you'll just need to order food from inside the hotel.
Perched atop the Harbord Hotel, Bombie's is the hottest beachside hangout this year. In collaboration with Doom Juice, the 70s-inspired rooftop bar is kicking off a weekly dinner club on Thursday nights. Have a cheeky boogie and soak in the stunning view of Freshwater Beach before a night of surprise dishes, paired with lo-fi drops from Doom Juice Wine. Expect (or don't expect, it could be something else entirely) zesty tuna tostadas, smoky lamb riblets and spiced sweet potato wedges. Dinner is served to the soundtrack of jazz grooves and soulful jams from Beat Mystique, who improvise their sets and build the vibe in real time. Be quick — there's a bottle of Doom Juice on the house for the first six bookings every week. Images: supplied.
There's something novel about soaking in a tub with no wall in front of you, no roof above you, and no worries if anyone will spoil the moment (or see you naked). It's romantic, relaxing, and the unfamiliar nature of bathing outdoors can be, lets face it, kind of exciting. This is especially true when your bath is paired with a glass of red and the knowledge that there's a roaring fire waiting for you inside the architecturally designed house you've found yourself in. So, to make your outdoor-bath dreams a reality, we've rounded up the most enviable houses in Australia that have particularly unique outdoor-bathing scenarios. Whether you fancy relaxing in a private Japanese bathhouse, a rustic metal tub perched on a farm's timber deck, or want to stargaze from a spa-bath in a mountain cave, we've got you covered. Read on for our top stays with next-level outdoor baths across Australia. Recommended reads: The Best Glamping Sites in Australia The Best Glamping Sites in New Zealand The Best Dog-Friendly Hotels in Australia Liptrap Loft, Walkerville, Victoria This design-minded house combines Japanese architecture with rustic charm — it boasts a one-of-a-kind sunken indoor-outdoor Japanese bath in a traditional bathhouse that opens up to views of the surrounding property. From $406 a night, sleeps six. Wensley, Wensleydale, Victoria Built from recycled oregon and ironbark, this bespoke timber, architectural shed-like house is a bath-lovers paradise, with a deep indoor bath inside amongst the immaculately styled interiors, and a rustic metal bath on the wrap-around timber deck, perfect for cooling off on balmy evenings. From $995 a night, sleeps ten. Soul Wood Luxury Coast Cabin, Termeil, New South Wales Wake up to views of the bushland from this wooden tiny house. The dreamy outdoor bathtub is surrounded by tall native trees that will have you feeling completely immersed in the natural surroundings. From $300 a night, sleeps two. Woodlands Retreat, Porongurup, Western Australia Not a bath per-se, but the views this jacuzzi boasts earned itself an honourable mention. Just imagine sipping champagne with your pals and looking out over that deck submerged in steaming bubbly water, then slipping on a fluffy maroon robe to finish off the night — yes, please. From $438 a night, sleeps four. Stargazer, Beechmont, Queensland This property is enviable in every way, including a secluded location, cohesive architectural design, and a wood fire pizza oven for your entertaining needs. To top it all off, the uniquely positioned bath looks over the far-reaching countryside, taking your R&R weekend to the next level. From $278 a night, sleeps six. Secluded Studio, Byron Bay, New South Wales A designer retreat for two, complete with a glass-walled bathroom, secluded garden terrace and roomy outdoor tub to wash the salt off from a day spent in the sun and surf — it's a true hidden oasis, just minutes from the beach. From $400 a night, sleeps two. Boutique Retreat, Suffolk Park, New South Wales A cheery self-contained, beautifully styled apartment that's sure to win you over with its plush linens, palm-filled courtyard and massive pink stone outdoor tub for some quality soaking, drinking and reading. From $275 a night, sleeps two. The Enchanted Cave, Bilpin, New South Wales An actual clifftop cave, this unique couples' retreat is like something plucked from a storybook. Relax while enjoying dreamy views across the treetops from the large glass doors that open out from a deep spa bath. From $1140 a night, sleeps two. Seven Sisters Escarpment Views, Medlow Bath, New South Wales Tandem baths anyone? This mountaintop cottage feels worlds away from reality, especially when taking in the views from one of two gorgeous outdoor bathtubs. Be sure to cook dinner from the bush garden and cozy up in front of the wood fire on cooler nights. From $340 a night, sleeps four. Kestrel Nest Ecohut, Mount Adrahm New South Wales Halfway between Sydney and Melbourne, this eco-hut is nestled above a rocky mountain stream on the edge of rolling farmland and a conservation area. It features an outdoor bathtub, a fireplace and firepit, and a charming mix of timber and tiled interiors. From $460 a night, sleeps four. All photos courtesy of Airbnb. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
When Melbourne's acclaimed 400 Gradi achieves a significant feat, it doesn't rest on its laurels. It was true when the Italian joint whipped up a 99-cheese pizza, which it then bested with a 150-cheese pizza. And it has proven true at one of the pizza industry's night of nights: the 50 Top Pizza awards in Naples. At last year's gongs, 400 Gradi claimed the title of Best Pizzeria in Oceania. This year, it's done so again. It's only the third year that the awards have been held, with the Melbourne eatery now emerging victorious two years running over all other pizza places in the region. To anoint its winners, the event secretly judges almost 1000 pizzerias in Italy and around the world. While 400 Gradi topped the list in Oceania, it had some local company in the shortlist, including Melbourne's +39 Pizzeria, Doc Pizza & Mozzarella Bar, SPQR Pizzeria and Woodstock Pizzacheria; Sydney's Gigi's Pizzeria and Rosso Antico Pizza Bar; Brisbane's Pizzeria Violetta; and The Dough Room in Perth. It has been a big year for 400 Gradi, with the pizza joint also picking up another coveted prize this year at the Olimpiadi Vera Pizza Napoletana contest. Held by the Associazione Verace Pizza Napoletana (which is also known as The True Neapolitan Pizza Association), it compiles a ranking of the best pizzerias in the world — and while 400 Gradi didn't take the top spot, it did come in second. 400 Gradi Essendon eatery was the only restaurant outside of Naples to make the top five, in fact, and was joined by 400 Gradi at Brunswick and Gradi Crown at sixth and eighth place. To check out the 50 Top Pizza awards full lineup of award-winning pizzas, visit its website. To run through the Olimpiadi Vera Pizza Napoletana contest winners, head to its website, too.
Over the past few years, Gelatissimo has whipped up a number of creative flavours. It's a hefty list, spanning everything from frosé sorbet to gelato for dogs, plus ginger beer, Weet-Bix, fairy bread, hot cross bun, cinnamon scroll and chocolate fudge varieties. You might've tried its Biscoff, Reese's Peanut Butter Cups and Hershey's Kisses scoops, too, or its gingerbread cookie dough version. That's a lot to choose from — but its Caramilk-inspired flavour was always going to stand out. Back in early 2021, the Australian dessert chain delivered a Caramilk Hokey Pokey-inspired gelato, and we're betting that your tastebuds were instantly thankful. It was a limited-time offering, however, but Gelatissimo has done us all a solid by bringing back its caramel milk version — sans Hokey Pokey — right now. This flavour is as simple as it sounds: caramelised white chocolate gelato, plus a burnt caramel sauce, all ready for you to lick either in a cone or a cup. And yes, it's the perfect option if you can't choose between devouring some Caramilk chocolate or opting for a few scoops of ice cream. Gelatissimo isn't revealing how long the caramel milk gelato is sticking around for this time, so it's the kind of dessert you want to make a date with sooner rather than later. The chain has brought it back because it's popular, understandably — and with that in mind, it's also scooping up its beloved bubble tea gelato again as well. That brown sugar bubble milk tea number starts with milk tea gelato that's infused with organic black tea, then swirls through brown sugar syrup and tops it with brown sugar pearls. And, giving everyone three past faves, Filipino ube cheesecake gelato — ube gelato topped with chunks of jiggle cheesecake — is back on the menu as well. You'll find the trio in all Gelatissimo stores Australia-wide, and only while stocks last. That includes via delivered take-home packs via services such as UberEats, Menulog, Deliveroo and DoorDash. Gelatissimo's caramel milk gelato, brown sugar bubble milk tea and Filipino ube cheesecake gelato are available from all stores nationwide while stocks last.
UPDATE, September 30, 2022: The Dry is available to stream via Netflix, Google Play, YouTube Movies, Prime Video and iTunes. In The Dry, a man heads back to the drought-stricken town he grew up in for the first time in two decades, returning in the aftermath of a new tragedy and unearthing the still-blistering remnants of an old one in the process. An Australian Federal Police officer who left the regional farming community of Kiewarra under terse circumstances, Aaron Falk has the look of someone who long ago let the ability to display his feelings dry up — and while that isn't what the film's title refers to, Eric Bana plays the movie's protagonist as if it was. He's dogged and no-nonsense. He can shoot a glare at someone that's as severe as his profile, and often does. Twenty years after Chopper made Bana's name as a dramatic actor, rather than a sketch comedy star whose movie career began with The Castle, he's a canny pick for The Dry's lead role. As he stalks through his first Australian movie since 2007's Romulus, My Father, he silently simmers with intensity in every gaze; however, viewers already know that Bana never just plays the hard man — or, in his comic days, just one type of funny guy either. And so, the audience can also spot that his unrelenting exterior holds back a storm of Aaron's pain and loss, all lurking behind an expression as parched as the yellowed fields that stretch as far as the eye can see. Conveying that balance of steely focus and buried heartache isn't a new task; tales on the page and screen are filled with characters, typically men and often those with a badge, who fit the type. But one of the reasons that Bana is so right for The Dry is that, in his hands, Aaron isn't merely the sum of his well-worn traits. Similarly, he isn't just a cookie-cutter conflicted cop in yet another small-town murder-mystery about a community torn apart by a young woman's death, never recovering, then rehashing their woes when another trauma arises. It's lucky that Bana makes such an impact for another reason, too. When the film repeatedly stresses that Aaron was a teenager 20 years ago — with scenes starring Joe Klocek (Nowhere Boys) as a younger, more sensitive version of the character to help — that's The Dry's least convincing element. Bana is a great actor, but buying that he's playing someone who was an adolescent hanging out in a creek and pining after his crush Ellie (debutant BeBe Bettencourt) two decades ago is a stretch, and always feels that way. Those flashbacks pepper The Dry's main narrative, although both threads are intertwined. Based on the best-selling, award-winning novel by Jane Harper, the film explores Aaron's need to interrogate himself and unlock his past as much as his quest to investigate whether there's anything more to the shocking murder-suicide that brings him back. He's renowned for being outstanding at his job, with his reputation preceding him upon his return. Indeed, it's why the Hadlers (Winchester's Bruce Spence and The Dressmaker's Julia Blake) ask him to look into the death of their son and his childhood best friend Luke (Martin Dingle Wall, Strangerland) — and of Luke's wife and son. Alas, this isn't the first time that Luke and Aaron have been linked to a grim situation. To many in a place so wearied by the lack of rain that everyone has been sapped of their strength, his homecoming is far from welcome, and neither are his questions. Sitting in the shadow of recent Australian crime thrillers Mystery Road and Goldstone, The Dry is a whodunnit multiple times over, with Aaron determined to discover the truth behind not only Luke and his family's deaths, but Ellie's. For the audience, the movie itself is just as dedicated to uncovering why the teen Aaron and Luke (Sam Corlett, Chilling Adventures of Sabrina) remained under a cloud of suspicion from all those years ago. Both parts of the story encompass Kiewarra's key figures, spanning everyone from Aaron's old friend Gretchen (Genevieve O'Reilly, Glitch) and Ellie's angry brother Grant (Matt Nable, 1%) to local cop Greg (Keir O'Donnell, Project Blue Book) and his pregnant wife Rita (Miranda Tapsell, Top End Wedding), plus school headmaster Scott (John Polson, acting for the first time since Mission: Impossible II). Still, even given that lineup of characters and the excellent talent behind them, it's Aaron's journey that always demands attention. One of the most intriguing aspects of The Dry is how it's clearly stitched together from familiar elements — not just regarding its central character, but throughout the entire narrative — but, through Aaron, this tale of grief, guilt, secrets, stark truths, dusty fields and emotional desolation finds a way to resonate. At first glance, it might seem as if filmmaker Robert Connolly is in vastly different terrain to 2014's Paper Planes, his last cinema release. Even with its family-friendly focus, that movie was steeped in mourning, though — and it also jumped into a well-populated realm, embraced its tropes and traded upon existing genre affection as well. That's The Dry through and through. Co-scripted by Harry Cripps (the forthcoming Penguin Bloom), it's a solid crime movie, and an engaging but rarely surprising one. It's built from recognisable parts, and stakes its own patch by choosing where and how to make an impact. Of course, with Balibo also on his resume as a writer/director, plus The Boys and Acute Misfortune as a producer, Connolly is experienced in making thorny stories stand out. The filmmaker knows how to tell an absorbing tale, however clear-cut it may be. He's skilled at splashing memorable and thematically loaded imagery across his frames, as The Dry's flaxen landscape, as shot by Stefan Duscio (The Invisible Man) shows. But viewers don't just connect with a dark narrative and eye-catching visuals — they connect with the people within both. Here, there's no choice but to connect with Bana, and with the sorrow that'd seep from Aaron and saturate the movie like a tidal wave if he'd let it. https://www.youtube.com/watch?v=HwJhS4O_IdM
Considering a road trip to the nation's capital? From feeding lions and conquering epic hikes to treating yo'self in palaces of rejuvenation, Canberra isn't short on activities that'll make any mini-break extra memorable. Of course, after visiting the city's museums and galleries and exploring the surrounding wineries and national parks, you'll need somewhere to rest your head at the end of the day. And, you'll want it to tick every box you're looking for — whether you'd prefer a plush glamping bed hidden among the vineyards or a luxurious city nest within stumbling distance of the top-notch nightlife. To help ensure you make the most of your trip to Canberra, we've found seven places to stay that'll tickle the fancy of every type of adventurer there is. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
Almost four years after officially launching its streaming platform in Australia, Amazon Prime Video has expanded its range of viewing options — by bringing the company's online video store Down Under, too. Now, cinephiles can rent or buy a movie via the service's video-on-demand shop. And, you can access its lineup without signing up for a subscription membership. If you're eager to rent the likes of A Quiet Place, Mamma Mia! Here We Go Again, Bohemian Rhapsody, Sonic the Hedgehog, The Lion King, Avengers: Infinity War and Avengers: Endgame, you'll find them all available — with a focus on recent release and blockbuster titles. That means that next time you're looking to check out a new-ish flick, you can add Amazon to the list of places to watch it digitally on a pay-per-title basis, alongside Google Play, YouTube and iTunes. Amazon's VOD selection spans films from big studios such as Disney, Warner Bros, NBCUniversal, Sony, Paramount and Lionsgate, as well as Australian distributors Transmission and Madman. Accordingly, if you're not in the mood for Jurassic World: Fallen Kingdom, you can go local and check out Mystify: Michael Hutchence instead. https://www.youtube.com/watch?v=JRIFR3hkIpo Rentals start from $3.99, and remain valid for 30 days — although you'll only have 48 hours to watch once you press play. As for purchases, they start from $12.99. Australia joins France, Italy, Spain and Canada in receiving the VOD service, with Amazon's online video store already up and running in US, UK, Germany and Japan. Viewers can access the Prime Video Store via the service's website, or through the Prime Video app on televisions, Android mobile devices and game consoles. If you're eager to check out Amazon's original movies and TV series, though — such as Hunters, The Boys, The Marvelous Mrs Maisel and Tales from the Loop — you'll still need to subscribe to the streaming platform. To rent or buy a film via Amazon Prime Video, visit the Prime Video Store website.
It's well and truly that time of year, people. Christmas is officially just over a month away, so it's about time you put your hands on the wishlists of your loved ones — and get ready to shop market-style. Pack your wallet and some sunscreen because Cambridge Markets is hosting al fresco shopping events all over town. To narrow it down for you, here are our picks of the lot. If you live in the Sutherland Shire, the Cronulla Christmas Market should be top of your list. On Saturday, November 18 and Sunday, November 19, expect 150 festive stalls down by the sea in Don Lucas Reserve, Cronulla. City dwellers, workers, and shoppers should (once it's time to clock off) head to the Martin Place Christmas Markets begin from Friday, November 24, through to Sunday, November 26, then run from 11am to 8pm every Thursday, Friday and Saturday in December until Saturday, December 23. If you enjoy a trip to the Entertainment Quarter, ensure your day is festive by going on Sunday, December 3, for the Ultimate Christmas Market EQ. This 150-stall event will bring only the best in artisanal produce, all primed to add to your Christmas cart. And, if you live north of the Bridge, head to Mona Vale's Winnererremy Bay for the Pittwater Christmas Market on Saturday, December 16. Cambridge Markets will be popping up over Sydney between now and Christmas, with every market except Martin Place running from 10am to 4pm on their respective days. For more information on any of the markets, head to the Cambridge Markets website.
Big pop-culture titles, big stunts: from a Stranger Things rift and Squid Game's creepy Red Light, Green Light doll to an Everything Everywhere All At Once-style multidimensional laundromat and a massive Timothée Chalamet mural for Dune, new TV shows and movies sure do love launching with a pop-up in Australia. The latest doing just that: Aquaman and the Lost Kingdom, the sequel to 2018's Aquaman. For four days, the film is making its presence known in Sydney with a huge seven-metre gold trident. To see the towering, gleaming object, you'll need to head to Watermans Cove in Barangaroo from Thursday, December 14–Sunday, December 17. On display: the Trident of Neptune that gives Aquaman's namesake the power to rule the sea. It's being used to break ground of the boardwalk, and will be paired with a giant wall of water measuring nine metres high and 12 metres wide on the Friday night only. Seeing the trident is free, and you can just head along whenever suits you across the four days. If you want to catch a glimpse of the wall of water as well — which will have footage from the film projected onto it — you'll need to drop by from 7.45–10pm on Friday, December 15. As for the movie itself, it features Jason Momoa swapping the Fast and Furious franchise's roads for the ocean in that other big-budget saga he's been known to glisten through: DC's flicks. It's been five years since the first solo cinema swim for Arthur Curry arrived, with Aquaman marking just the sixth entry in the DC Extended Universe. Now the series hits 15 instalments with sequel Aquaman and the Lost Kingdom, bringing back DC's wettest superhero — plus Yahya Abdul-Mateen II (Ambulance) as Black Manta as well. Hitting cinemas on Boxing Day as the fourth DC feature of 2023 after Shazam! Fury of the Gods, The Flash and Blue Beetle, Aquaman and the Lost Kingdom also hails from Australian director James Wan (Malignant), as the first film did — and sees Patrick Wilson (Insidious: The Red Door), Amber Heard (The Stand), Nicole Kidman (Special Ops: Lioness) and Temuera Morrison (The Book of Boba Fett) return alongside Momoa and Abdul-Mateen II. Dolph Lundgren (Minions: The Rise of Gru) and Randall Park (Strays) are back as well, all in another movie that dives into the sea, heads down to Atlantis and paddles about trying to save the world. The story this time: Black Manta is still after vengeance, but now has the Black Trident and its powers to help. So, as well as being a father and the new King of Atlantis, Aquaman has to seek his own assistance. That's how Wilson's Orm, Curry's half brother, ends up fighting by his side instead of being his imprisoned enemy. Check out the trailer for Aquaman and the Lost Kingdom below: The Aquaman and the Lost Kingdom trident will be on display at Watermans Cove, Barangaroo, Sydney from Thursday, December 14–Sunday, December 17. Aquaman and the Lost Kingdom opens in Australian cinemas on Tuesday, December 26.
"There's no point opening a restaurant if you're not going to have really good food." Obvious, but this ethos can be surprisingly absent in the post-MasterChef space of microtrends and home restaurant wannabes. Adam and Gemma, of Bondi favourite Mamasan, make the point about good food cocktail in hand, at their new outpost in Surry Hills. And there's top nosh aplenty at their inner-eastern joint, taking inspiration from their travels through Taiwan and Japan. A long sashimi bar greets you on arrival, and a ceiling installation of 500 cherry blossoms glitters gloriously above. Heavy on recycled timber and steel, the place is packed with found curiosities, art and Asia-sourced intricacies. The chaos is seductive; all the eye candy and tactile finishes invite respite in a way a slick white space never could. It's this, with the moody music and breezy, louvered wall, which make Mamasan a seriously good spot for grazing, drinking and conversing — the holy trinity of a Good Night Out. Gemma's first foray in hospitality was an izakaya in Japan, and she wished to recreate something of the Eastern approach to drinking here — that is to slow down, chat lots and nibble throughout the night. Expect a broad selection of craft beers, Japanese whiskey and pan-Asian inspired cocktails. Alongside garlicky edamame ($9.50), hot chips with basil ($9.50) and a good sashimi spread, these paired nibbles would suggest Mamasan is first a watering hole, second an eatery. But the tapas-style menu is such that you'll come for a snack and stay for supper. The miso soup ($7) is rich with homemade sashimi stock, scallops and mushrooms and will have other misos you've had pale in powdery comparison. A generously big whole squid ($18) is served with Taiwanese satay sauce, fennel and duck, and sings with smokiness. Nose-to-tail points for the popcorn fish ($17) which uses the offcuts of Mamasan's sashimi, tempura fried and served with fresh dill and a homemade mayonnaisey sauce. Bloodlusty? The tender one bite beef ($31) is worthy of its signature dish status, cooked simply with pepper and soy and practically quivering with tenderness. Like Adam says, a good fillet of meat doesn't need to be messed with. But it's hard for me to commit monogamously when there are Mongolian chilli lamb cutlets ($25) on the table. They are super spicy and aromatic with cumin seeds, coriander and masses of peanuts and garlic cloves. Mamasan is full of stories, from the large Astro Boy figurine and dinghy-clad bar to Gemma's childhood memories of Taiwanese night markets. Grab a friend and an old-fashioned and create some of your own.
Picture this: you're eating something delicious and your adorable doggo wants some, but it's just not good for them. Everyone who shares their life with a barking four-legged best friend has experienced this scenario — sadly, while cute pooches love the sight and smell of plenty of human treats, they just can't stomach some foodstuffs. Chocolate is a culprit, as everyone remembers come Easter. Thanks to its milk and sugar content, ice cream is another. If your pet pooch goes yapping mad over heaped ice cream cones, here's the good news: Gelatissimo is releasing a new limited-edition flavour that's both human and dog-friendly. We're not saying that you and your fluffball should share the same cone of the frosty dessert, but you definitely could. Made fresh in-store, the new scoop is called Pawesome Peanut Butter. As the name suggests, it's a peanut butter gelato — and to make it suitable for dogs, it's made from soy, so it's also vegan. Obviously, if you're a human or canine that's allergic to nuts or soy, this isn't for you. Puppers with a history of pancreatitis also need to steer clear. Those who can tuck into a tub will find it at Gelatissimo outlets around the country from Friday, May 3. And if you're in Sydney on Saturday, May 18, you can also to Cook & Philip Park between 9.30–11.30am. The gelato chain is hosting a dog brunch with vegan yum cha, vegan dog treats and Pawesome Peanut Butter gelato to finish, with tickets costing $60 (which includes food for one human and one dog). Pawesome Peanut Butter gelato is available at all 46 Australian Gelatissimo stores for a limited time from Friday, May 3. For more information and to find your nearest store, visit Gelatissimo's website.
Sometimes, Guillermo del Toro dallies with vampires. Sometimes, he saunters into haunted houses, creepy carnivals and eerie orphanages instead. Encounters with kaiju and romances with amphibious creatures also dot his filmography, as do untraditional superheroes and twisted fairytale realms. With all of the above, across a career spanning three decades now, the director has thoroughly proven himself an avid collector. You don't amass a resume like his without actively endeavouring to curate an on-screen compendium — with his movies stuffed full of ideas, themes, motifs and images that just keep fascinating the acclaimed filmmaker. So far, the proof has beamed into cinemas for movie-goers to revel in, starting with Cronos and most recently gifting the world Nightmare Alley. From film to film, del Toro delves into gothic horror staples. He splashes around haunting tales over and over, and works through his obsession with horror's — and life's — go-to contrasts (think: light and dark, pleasure and pain, and the macabre and the magical). He has an Oscar or his troubles for directing The Shape of Water, and he isn't done adding big-screen features to sit beside two Hellboy flicks, Mimic, Blade II, The Devil's Backbone, Pan's Labyrinth, Pacific Rim and Crimson Peak yet. But, now streaming via Netflix, new TV horror anthology Guillermo del Toro's Cabinet of Curiosities is a natural fit for someone so eager to collect and dissect the unsettling, unnerving, mysterious and curious. The first season of the series starts as other iconic anthologies have: with its central figure offering a mood-setting introduction to the stories to come. Alfred Hitchcock did it in the 50s and 60s. Rod Serling and Jordan Peele have done the same with different versions of The Twilight Zone. Now, it's del Toro's turn. His addition to the fold shares its name with his own 2013 book, which collates notes on and sketches for his films till then, details about unfinished projects, and observations by peers such as James Cameron and Neil Gaiman — and, fittingly, sports an introduction entitled "the world as cabinet". With this show, though, del Toro assembles anew rather than surveys his past. Also, he has filmmakers such as The Babadook and The Nightingale's Jennifer Kent, Mandy's Panos Cosmatos, A Girl Walks Home Alone at Night and Mona Lisa and the Blood Moon's Ana Lily Amirpour, and Cube's Vincenzo Natali on hand, with eight directors helming an episode apiece in this must-see collection. Sometimes, Cabinet of Curiosities gets grim and cautionary. At other times, it's stomach-churningly gory and grotesque, particularly if you're not fond of rats, guts or pondering your own mortality. It can sport soulful restraint, unleash a stunning display of phantasmagoria and delight in being off-kilter. No matter what mode it's in, it always heads back to the past, giving the show's eight-episode initial run a timeworn feel. That vibe also flows through in del Toro's intros, where he announces each instalment beside the titular structure. Given wooden form and resembling a multi-level mansion, it's always matched with a corresponding handcrafted piece that represents the episode to come. There he is, collecting again — and inviting his audience to collect these lovingly assembled narratives, and their thrills and chills, along with him. Cabinet of Curiosities' debut chapter hails from the only director without their own past horror flick to their name. As a cinematographer, however, Guillermo Navarro has lensed six of del Toro's features, plus the likes of From Dusk Till Dawn, Jackie Brown, two Night at the Museum movies and two Twilight films, too. Navarro gets the series off to a promising start with Lot 36, about a right wing-sympathising veteran (Tim Blake Nelson, Nightmare Alley) who purchases storage units to hawk their contents when their owners default on payment. His latest acquisition comes from someone with a shady past, bringing nerve-rattling repercussions. In the process, this stylishly shot 90s-set affair ruminates on xenophobia, and the world views that find comfort — and power — in being horrific and discriminatory. Next, the show's two most grisly episodes follow: Natali's Graveyard Rats and David Prior's (The Empty Man) The Autopsy. The first adapts Henry Kuttner's 1936 short story, follows a cemetery caretaker (David Hewlett, Clarice) who robs coffins as a side hustle, and has him fighting rodents in an underground labyrinth for his spoils — and the result is stressful and squirmy. The second also springs from the page, from Michael Shea in 1987, and plunges deep into viscera and entrails. Mythic Quest and Moon Knight's F Murray Abraham is the coroner doing the splicing, but what he discovers among the victims of a mine explosion spans well beyond squishy internal organs. There are no disappointing drawers in Cabinet of Curiosities; the tone varies, but del Toro and his colleagues are committed to contemplating what scares us and why. So, while Amirpour's The Outside is noticeably lighter than its counterparts, squeezing out a satirical, The Stuff-esque, Christmas-set satire on consumerism, conformity and beauty, the Kate Micucci (Clerks III), Martin Starr (Spider-Man: No Way Home) and Dan Stevens (I'm Your Man)-starring chapter is as sinister and disquieting as the rest of the series. Cabinet of Curiosities next gets Lovecraftian with two takes on the author's stories: Pickman's Model and Dreams in the Witch House. One sees The Vigil and Firestarter's Keith Thomas explore art's function as a mirror, the other has original Twilight director Catherine Hardwicke spirit Harry Potter's Rupert Grint into a dance with ghosts, and they both drip with unease in their respective ways. Cabinet of Curiosities does save two of its shiniest treasures until last, however — and what gleaming treasures they are. Wishing that both had graced the silver screen and stretched out to feature length is an instant reaction. No one is currently making movies like either the aforementioned Cosmatos or Kent, who go to completely opposite extremes with their stellar anthology instalments. The former's The Viewing, focusing on four 70s-era celebrities summoned by a rich eccentric (RoboCop's Peter Weller) for a night of drugs, conversation and staring at a secret discovery, is a wild, dazzling, synth-scored trip in the best possible way. As for The Murmuring by Australia's own Kent, it reunites her with The Babadook's Essie Davis for another stirring and striking haunted-house tale about grief and motherhood, this time working with a story by del Toro himself. Check out the trailer for Guillermo del Toro's Cabinet of Curiosities below: Guillermo del Toro's Cabinet of Curiosities is available to stream via Netflix.
It's been 15 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Thankfully, Laneway Festival has just confirmed it will be heading back to its collection of unconventional venues for another year, revealing its jam-packed 2020 lineup. Returning to Melbourne, Sydney, Adelaide, Brisbane and Fremantle in February, Laneway will raise a plastic cup to the middle of summer with one heck of a lineup. This year's eclectic program is headlined by dance-pop powerhouse Charli XCX. The British songwriter's latest album Charli — which dropped just last week — features everyone from Lizzo to Troye Sivan and Sky Ferreira. It'll be her only Aussie show, as it'll also be for fellow international heavy hitter, American rapper Earl Sweatshirt. They'll be joined onstage by Canadian electro artist — and TikTok sensation — BBNO$, New Zealand's Benee, London crooner Col3trane and Irish post-punk band Fontaines DC. On the local front, you'll be able to get down to DMA's, Hatchie, Stella Donnelly, Hockey Dad, King Gizzard and the Lizard Gizard and this year's Triple J Hottest 100 winners, Ocean Alley. This year, the Sydney leg of the festival will be heading to its new inner-city location for the first time: The Domain. According to organisers, it'll allow the festival to have bigger stages and better sound — and it will be a bit more accessible by public transport. The Melbourne festival will be heading back to Footscray Park for its second year, too. But, enough chit-chat — here's the full 2020 lineup. LANEWAY 2020 LINEUP The 1975 Charli XCX (exclusive) Ruel Earl Sweatshirt (exclusive) Ocean Alley DMA's JID Tones and I King Gizzard & The Lizard Wizard Hockey Dad BBNO$ The Chats Mahalia* KAIIT Benee Stella Donnelly Oliver Tree Fontaines DC Omar Apollo Col3trane Hatchie* Spacey Jane Kucka Pist Idiots JessB* The Lazy Eyes** *East coast only ** Sydney only LANEWAY 2020 DATES Brisbane — Brisbane Showgrounds, Saturday, February 1 Sydney — The Domain, Sunday, February 2 Adelaide — Hart's Mill, Friday, February 7 Melbourne — Footscray Park, Saturday, February 8 Fremantle — Esplanade Reserve and West End, Sunday, February 9 Laneway Festival pre-sale tickets are available from Tuesday, September 24 — you can sign-up for access over here. Top image: BCS Imaging
Bondi's Blanca Bar is revamping its menu this winter to focus on some hearty favourites with a Japanese flair. Its Ramen X Burgers pop-up will run from May 9 until September 30 and offers up — as you can expect — ramen, burgers and Japanese-style bar snacks. The menu is inspired by head chefs Tomi Björck and Samuel Cole's recent trip to Japan and the bar's interior has followed suit with a casual fit-out straight from Tokyo — including bespoke paintings and lamps sourced from the region. The dishes and cocktails all use local produce but have been given the Japanese treatment with specialty ingredients and flavours. This starts with the ramen, which is available in pork, chicken and even vegetarian broth options. Patrons can choose from the chef's selections — like shoya with mushroom broth and pickled egg, spicy seafood with kimchi and bamboo shoots or tonkatsu with silky pork broth and daikon — and then top with a protein, from roasted pork belly and crispy chicken to seafood and portobello mushroom. On the burger side of the equation, expect buns filled with wagyu, soft shell crab, chicken katsu and portobello mushroom, all of which come with a side of spicy kimchi fries. Apart from these, snacks from Blanca Dining are on offer, too, like beef tartare wrapped in sesame leaf and crispy ox-tail dumplings. The pop-up is open Wednesday to Sunday from 3pm till late.
The wait has felt like forever, but season five of Stranger Things is almost here. One day after the show hits Netflix on Thursday, November 27, Luna Park Sydney will also host the return of Stranger Things: The Experience. Having made a hugely popular debut earlier this year, this trip into the Upside Down is back by popular demand. Get ready to visit 1986 — and also Hawkins, Indiana, of course — in what promises to be an interactive stint of Stranger Things-loving fun. Locations from the show are part of the setup, as is a supernatural mystery. And yes, you can expect to feel nostalgic, even if you don't have your own memories of the 80s, because you hadn't been born yet. However, Stranger Things: The Experience isn't just about visiting recreations of settings that you've seen while watching Eleven and the gang. The installation features its own storyline, where playing along means trying to save Hawkins from yet another threat. Jam-packed with 80s nostalgia, this highly engaging journey is primed for the show's biggest fans. Just step into the Hawkins Lab, filled with dazzling special effects and strange surprises, or swing through Mix-Tape — a neon space brimming with retro 80s fun. Here, you'll sip themed cocktails, capture pics in the photobooth and roam iconic locations from the show while encountering a mysterious cast of characters.
Wong Tai See, a merchant seaman from China, migrated to Sydney in the 1940s and opened up his small restaurant on George street in 1963, with the hope of offering Sydney diners a unique South-East Asian eating experience. Fifty years later, at its picturesque new location overlooking Darling Harbour, the Malaya has become an iconic Sydney restaurant with a strong menu of fragrant fare from Malaysia, Singapore, Indonesia, Thailand and beyond. Dinner along King Street Wharf isn’t known for being kind to your back pocket and the prices at the Malaya reflect this pricier standard. Chicken skewers, lathered with a zesty peanut sauce are $19 for four and the Szechuan eggplant, crispy and salty on the outside and soft and sweet on the inside, are $26. However, the coconut beef rendang ($26) is worth every cent; tender beef that falls apart on your fork in a rich, coconut curry sauce. Another stand out is the iconic king prawn laksa ($28), made using cows milk as opposed to the standard coconut milk version. The textures are balanced, the spice is subtle and the taste arouses visions of slurping the stuff on the steamy streets of Bangkok. The cocktail list doesn’t reveal the restaurant’s maturity, but instead offers a modern variety of fresh blends that will invigorate your tastebuds for the impending banquet. Favourites are the sweet yet zesty Strawberry Capirinha or the Bazil Blush; the garnish of basil a cultural nod to the flavours of the east. The wine list is seemingly endless and will impress those in the know, but there aren’t many on offer by the glass, and those that are, are pricey, so it’s best to share a bottle with your dining cohort. Contrary to the aromatic and exciting food, the space is lacking in cultural decor and personality. In the company of Mr Wong, Miss Chu, Ms G’s, Bar H and the like; red, bare walls seem boring and the crowd of tables give the large room an, albeit classy, cafeteria-like feeling. Not ideal, but with the distracting view out the window exposing the twinkling harbour lights below, most diners won’t be looking at the walls. With good Asian food ubiquitous in Sydney, paying this much for a good curry may be reserved for special occasions only. But if you’ve got one coming up and you’re happy to fork out for the good view and the exceptional table service, then the Malaya certainly won’t disappoint.
Spinning a tale about US government-backed operatives plotting to kidnap a Mexican teenager, Sicario: Day of the Soldado was always going to strike a chord. That said, the film's storyline hits home particularly hard at the moment — a time when children are being taken from their parents at the US-Mexico border, and a tweet-happy president keeps raging about cartels and building a wall. Reality casts a long shadow over this sequel to 2015's surprise standout Sicario. Indeed, there's no way to wade into such murky, politically loaded territory without stirring up more than a few real-world parallels. In the movie as in life, the war on drugs has been overtaken by the war on immigration, and there's absolutely nothing pleasant about it. After attempting to stop the influx of illicit substances into the US in Sicario, military contractor Matt (Josh Brolin) and hitman Alejandro (Benicio Del Toro) reunite to tackle the cartels' latest cash cow. With the smuggling of people rather than drugs now the US administration's main concern, the duo is given free reign to do whatever they must; there are no rules this time, as the American tells his Colombian counterpart. Opening fire in traffic, prolonged gunfights with Mexican cops, abductions in broad daylight — if it helps to secretly start a battle between rival mobsters, then it's on the agenda. Their main task: kidnap 16-year-old Isabel Reyes (Isabela Moner), the daughter of a powerful cartel boss with ties to Alejandro's own sad story, and make it appear as though another gang is responsible. It's with an expectedly unsettling air that Sicario: Day of the Soldado becomes a tense exercise in distress, dancing through dark terrain, and ramping up the anxiety and carnage at every turn. From a soundtrack that drones with each blasting note, to bright yet gritty visuals that lay bare the stark situation on the ground, to a seemingly relentless onslaught of action set-pieces, nothing about the film shies away from its uneasy content and mood. That's an achievement that the picture shares with its predecessor, although this follow-up doesn't quite belong in the same company. With the original film's director Denis Villeneuve, cinematographer Roger Deakins and composer Jóhann Jóhannsson (who passed away earlier this year) all absent, it's left to their replacements Stefano Sollima (TV's Gomorrah), Dariusz Wolski (All the Money in the World) and Hildur Guðnadóttir (a cellist on the first flick) to offer up as close a copy as they can, instead of trying anything different or distinctive. 'If it ain't broke, don't fix it' might be the motto behind-the-scenes, but it proves a mixed bag on-screen. As the film watches its characters coldly and brazenly apply a familiar approach to a new scenario and expect the same successful result, it doesn't escape attention that the movie does the exact same thing. Well, with one major difference, and a crucial one. Where Sicario centred on a female FBI agent (Emily Blunt) thrust into a murky realm she wasn't prepared for or willingly to go blindly along with, this second effort dispenses with the character altogether. In her absence, so too does the film do away with the idea that someone might stand up for doing what's right, rather than what the government and its ruthless agents deem necessary. That's not to say that Brolin and Del Toro don't sweat moral complexity from their furrowed brows, or that their protagonists don't get caught in situations that test even their tenuous ethical limits. They do both, although that's more thanks to the actors than returning screenwriter Taylor Sheridan (Wind River). What's missing here is an outside perspective — a view on this dog-eat-dog world that doesn't just accept the bleak circumstances, the by-any-means mindset, or the cruelty that goes with it. Still, Del Toro comes closest to demonstrating the humanity that often gets caught in the crossfire, even when he's holding a weapon and training it at someone else. The path his assassin takes, and the world-weary performance Del Toro turns in, makes the otherwise grim but standard Sicario: Day of the Soldado worth watching. But the less said about the movie's sequel-baiting last few minutes and the teen gang protege subplot that accompanies it, the better. https://www.youtube.com/watch?v=HBOxhfWvVDc
When a festival as bold and colourful as the Sydney Gay and Lesbian Mardi Gras turns the big 4-0, as it will next year, you can rest assured there will be no skimping on the birthday celebrations. And indeed, the iconic sails of the Sydney Opera House will light up hot pink this Friday, November 3, to help launch the festival's milestone 2018 program. "Mardi Gras is 40 years young and we can't think of a more fabulous way to announce our full program than by painting the most iconic building in Australia pink," said Terese Casu, Mardi Gras Arts CEO. While this unmistakable (and well-timed) message lights up the skyline at sunset, there'll be equally dazzling scenes down on the Opera House Forecourt, as the full 2018 Mardi Gras lineup is unveiled at an invite-only launch party. Since its first historic outing in 1978, Mardi Gras has grown into a 17-day celebration of equality, self-expression and pride, recognised the world over. See the Sydney Opera House sails light up hot pink at about 7.40pm this Friday, November 3. Tickets to Sydney Mardi Gras 2018 go on sale the same day — grab yours here.
Tucked away on Lennox Street, along the Newtown side of Camperdown Memorial Rest Park, A Loft Story is a leafy oasis of a hair salon. Here, you can have your hair cut among plants aplenty, adding to the relaxing vibe that is so necessary at any salon. True to its Newtown home, these specialists offer up the latest, greatest and funkiest hairstyles around. The shop specialises in colouring, so expect to see patrons leaving the salon with turquoise and bright pink dos aplenty — along with the more typical platinum blondes, balayage and tints. Women's' cuts start at $100 and men's' from $75, with treatments starting at $120. And at 240-square-feet, the beautiful warehouse has plenty of space to spare, so it often hosts workshops, parties, gigs and other events. Images: Cassandra Hannagan
This year's Vivid Sydney theme 'Naturally' has been totally embraced by Barangaroo House — as it transforms into the House of Naturalia from Friday, May 26 to Saturday, June 17. Each part of the building is embracing sustainability through its specially curated selection of cocktails, dishes and light installations. At Rekodo Restaurant and Vinyl Bar, visitors can tuck into a unique Vivid Sydney food menu that champions local ingredients and zero-waste practices. And every Thursday night, diners will be served a side of A-grade beats with Frank Booker, DJ Jnett and Queen Bee DJs taking over the decks. Head up to the Smoke Rooftop Bar to sip on custom cocktails made from the kitchen's trimmings and off-cuts. It takes zero-waste to a whole new, delicious level — especially as you'll enjoy these ever-changing creations while looking out over the Barangaroo light shows. The House of Naturalia makes for an excellent refuel pit-stop when tackling the Vivid Sydney Light Walk. The illuminated trail will take you through the natural surrounds of Barangaroo Reserve, along the picturesque Wulugul Walk and into the nature-filled foodie paradise that is House of Naturalia. For more info on House of Naturalia and to book a table at any of the venues, head to the Barangaroo House website.
Every year for the past 102 years, the Archibald Prize has recognised exceptional works of portraiture by Australian artists. In 2023, from a field of 57 finalists, the coveted award has gone to Head in the sky, feet on the ground, a portrait of award-winning singer, David Byrne collaborator and Australian Eurovision representative Montaigne. Gutman's win at the age of 29, scoring the $100,000 award, makes her one of the prize's youngest-ever winners in its 102-year history. And, she's also the 11th woman to win the acclaimed accolade — doing so for her first-ever Archibald Prize entry. Head in the sky, feet on the ground emerged victorious from a pool of 949 entries, and in a year that broke a pivotal record: for the first time, more women than men made the final list of contenders for the award. Other portraits up for the gong included plenty similarly showing famous faces, such as Claudia Karvan, Sam Neill, Archie Roach, Noni Hazlehurst and Daniel Johns — all of which are showing at the Art Gallery of NSW alongside the contenders for the Wynne and Sulman Prizes until Sunday, September 3. [caption id="attachment_899546" align="alignnone" width="1920"] Winner Archibald Prize 2023, Julia Gutman 'Head in the sky, feet on the ground', oil, found textiles and embroidery on canvas, 198 x 213.6 cm © the artist, image © Art Gallery of New South Wales, Jenni CarterSitter: Montaigne[/caption] The Wynne received 726 entries, with 41 named as finalists, while the Sulman received 673 entries, naming 45 as final contenders. 2023's $50,000 Wynne Prize, which recognises the best landscape painting of Australian scenery, or figure sculpture, was awarded to interdisciplinary artist and first-time finalist Zaachariaha Fielding. His winning work Inma depicts the sounds of Mimili, his community, which is part of the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in South Australia. The $40,000 Sir John Sulman Prize is presented to the best mural, subject or genre painting, with Doris Bush Nungarrayi doing the honours in 2023. The Luritja artist was a first-time finalist in both 2023's Sulman and Wynne Prizes, and is now the second Aboriginal artist to win the Sulman. In Mamunya ngalyananyi (Monster coming), she focuses on several Mamus — aka the ominous and malevolent spirits that terrify the Aṉangu people. If you don't agree with the judges, you can cast your own vote for People's Choice, which will be announced on Wednesday, August 9. The exhibition is running every day across the more than four-month residency at the gallery. If you want to reserve your spot for a certain time, you can buy tickets online. [caption id="attachment_899550" align="alignnone" width="1920"] Installation view of the 'Archibald, Wynne and Sulman Prizes 2023' exhibition at the Art Gallery of New South Wales, featuring Archibald Prize 2023 finalists (left to right) Charles Mouyat, Oliver Shepherd, Paul Newton and David Fenoglio, photo © Art Gallery of New South Wales, Jenni Carter[/caption] Top image: Visitors in the 'Archibald, Wynne and Sulman Prizes 2023' exhibition at the Art Gallery of New South Wales, featuring Archibald Prize 2023 finalists (left to right) Marie Mansfield, Yvette Coppersmith, Kim Leutwyler, Matt Adnate and Angela Brennan, photo © Art Gallery of New South Wales, Jenni Carter
What will inspire you to spend your Sunday nights busting out your music trivia knowledge, and also playing along with one of the most-beloved Australian TV shows there is? The return of Spicks and Specks for 2024. Back in 2023, the ABC announced that it was bringing the series back for a new season after it took the past year off — and you can now mark Sunday, June 9 in your diary for the big comeback. Among everything that the ABC has ever broadcast — news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included — the Adam Hills-, Myf Warhurst- and Alan Brough-led Spicks and Specks is up there among the favourites. If you're keen to watch a heap of top Australian talent sit around and talk about tunes again, this season's guests from the music side of things include Anthony Callea, Marlon Williams, Elly-May Barnes, Nooky, Montaigne and Dan Sultan, as well as Mark Seymour, Oli from Lime Cordiale. Among the comedians, Hamish Blake, Tommy Little, Steph Tisdell, Abbie Chatfield, Shane Jacobson and Jenny Tian will feature. Plus, Adrian Eagle, Gut Health and Lime Cordiale will perform. Here's how it works, if you've forgotten: the show's contestants answer questions, compete for points and just generally be funny, too. That's the concept behind the series, which takes more than a few cues from the UK's Never Mind the Buzzcocks, pits Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and it keeps being resurrected. As fans already know, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit. The new season will air at 7.30pm on Sunday evenings via ABC and ABC iView — and new segments will also be part of the fun. T0 tide you over until June, here's a classic clip from past Spicks and Specks runs: Spicks and Specks will return to ABC TV and via ABC iView from 7.30pm on Sunday, June 9, 2024.
Like beer and sunshine, cheese and crackers and Peter Kavinsky and Lara Jean Covey, wine and cycling are made for one another. And if there's one undoubtedly dreamy way to spend an afternoon, it's meandering through idyllic vineyards on two wheels. Fortunately, Australia's expansive, uncrowded wine regions are made for such adventures. So, we've scoured every vineyard in the country to find cycling trails filled with cellar doors and ocean vistas — just for you, our dedicated wine lovers. Here are nine of the prettiest and tastiest. While these trails are made for cycling between wineries, don't forget it's still a crime to ride a bike while intoxicated in all states. So drink and ride responsibly, and be safe on the road. If you plan on drinking at every winery, consider booking a mini bus instead. [caption id="attachment_685954" align="alignnone" width="1920"] Tourism Australia[/caption] BAROSSA TRAIL, SOUTH AUSTRALIA This 40-kilometre sealed rail trail, shared by cyclists and walkers, travels through the heart of the Barossa Valley, a world-famous wine region located 80 minutes' drive northeast of Adelaide. Your journey begins in the north in Angaston, one of South Australia's oldest settlements, before passing through the villages of Nuriootpa, Tanunda and Lyndoch, to reach Gawler's heritage-listed buildings. Look out for Mengler Hill Sculpture Park, the Barossa Museum, epic views of the Barossa Range and kangaroos, among countless cellar doors and eateries. [caption id="attachment_680367" align="alignnone" width="1920"] Adam Bruzzone[/caption] CLARE VALLEY RIESLING TRAIL, SOUTH AUSTRALIA If too much riesling is never enough, this car-free cycling trail is made for you. Find it in idyllic Clare Valley, around two hours' drive north of Adelaide. Your adventure starts on the Valley's southern edge in the gateway town of Auburn, before rolling 35 kilometres north to Barinia. Among the cellar doors you shouldn't miss are O'Leary Walker Wines, surrounded by rural panoramas; Skillogalee, whose rieslings are renowned; and Sevenhill, the Valley's oldest winery, founded in 1851 by a bunch of Jesuits who fled Poland due to persecution. [caption id="attachment_685953" align="alignnone" width="1920"] Jacqui Way[/caption] SHIRAZ TRAIL, MCLAREN VALE, SOUTH AUSTRALIA Forty-five minutes' drive beyond Adelaide's southern border lies McLaren Vale, known for its Mediterranean climate, excellent reds and proximity to the Fleurieu Peninsula's spectacular coastline. On the Shiraz Trail, you'll cycle 14 kilometres, kicking off in the McLaren Vale township and heading south to the cute village of Willunga. Make slight diversions to visit experimental winemakers Alpha Box & Dice, who are currently working on an entire alphabet of wines, and Hamilton Winery, home to Australia's longest-serving wine making family, who's been stomping on grapes for over 180 years. The Shiraz Trail is one section of the 37-kilometre Coast to Vines Trail. [caption id="attachment_685960" align="alignnone" width="1920"] Swan Valley[/caption] SWAN VALLEY CYCLE TRAIL, WESTERN AUSTRALIA This picturesque trail in Swan Valley — around 90 minutes' drive northwest of Perth — gives you not one, but four routes to choose from. For maximum reward for your efforts, conquer the three-kilometre loop starting at Baskerville Oval, which takes in five wineries. Or, if you're keen to spend more time in the saddle, opt for the 18-kilometre loop beginning at Maali Footbridge, Swan River. You'll pass several cellar doors, as well as artists' studios, local produce and a sculpture park. You'll find maps and more info here. [caption id="attachment_685785" align="alignnone" width="1920"] Visit Victoria[/caption] RUTHERGLEN TO WAHGUNYAH RIDE, VICTORIA Here, your boozy escapades occur in the majestic company of the Murray River. Climb aboard at Rutherglen, a town three hours' drive northeast of Melbourne that's home to more than 20 wineries, and pedal nine kilometres north to riverside Wahgunyah. Along the way, you'll come across Jones Winery, where you can taste shiraz made from 113-year-old vines; Rutherglen Estates, whose home dates to 1886; and Valhalla Wines, which specialises in Rhone Valley varietals. The Rutherglen to Wahgunyah Ride is one section of the mighty 100-kilometre Murray to Mountains Rail Trail. MILAWA GOURMET RIDE, VICTORIA For easy-peasy pedalling along super-flat terrain, make tracks to Milawa, a foodie's mecca found three hours' drive northeast of Melbourne. The Milawa Gourmet Ride stretches for five kilometres, from Brown Brothers Cellar Door, where you can borrow a bike for free, to Sam Miranda Winery. In between swirling and sipping, tuck into an array of gourmet deliciousness, including handmade dairy at Milawa Cheese, condiments at Milawa Mustards and fresh fruit at Blue Ox Berries farm gate. Like the Rutherglen to Wahgunyah Ride, this journey is part of the Murray to Mountains Rail Trail. If you want to continue exploring the Victorian High Country by bike, you'll find more great rides here. [caption id="attachment_686034" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] STANTHORPE TO BALLANDEAN BIKE TRAIL, GRANITE BELT, QUEENSLAND Three-and-a-half hours' drive inland from Byron Bay is Queensland's Granite Belt. Elevated 1000 metres above sea level, this dramatic landscape is a wonderland of rugged granite formations and dense woodlands. See it all from two wheels on the Stanthorpe to Ballandean bike trail. For 30 kilometres, you'll wind along tranquil country roads, pausing at wineries, picnic spots and maybe a brewery or two. The way is dotted with signposts, to keep you on track. The Granite Belt's claim to fame is producing varietals seldom grown in Australia. Among the whites, you'll find roussane, alvarinho and petit manseng, and, among the reds, sagrantino and montepulciano. HUNTER VALLEY CYCLEWAY, NEW SOUTH WALES Opened in 2017, this 10.6-kilometre cycleway runs alongside Hermitage Road – through one of the most winery-dense spots in the Hunter Valley, which lies around 90 kilometres' drive northwest of Sydney. Be sure to visit De Iuliis' stunning cellar door for a cheese and wine flight, as well as Peter Drayton Wines, and its onsite brewery Iron Bark Hill Brewhouse, for excellent wines and craft beers. Meanwhile, at Mistletoe Wines, you'll be sipping sparkling rosé in a sculpture garden, and at Tintilla, sangiovese in an olive grove. You'll find more great wine-filled Hunter Valley bike rides here, too. [caption id="attachment_685963" align="alignnone" width="1920"] Lowe Wines, Destination NSW[/caption] MUDGEE WINERY RIDE, NEW SOUTH WALES Three hours' drive northwest of Sydney, the friendly country town of Mudgee has been cultivating grapes since the mid-1800s. There are now more than 35 cellar doors and you can visit 22 of them along a ten-kilometre loop that starts in town, at the Clock Tower. At Lowe Wines, you'll be sampling organic drops and taking a self-guided tour of the vineyards, while at Vinifera, Di Lusso and Mansfield, you'll be working your way through Mediterranean varietals, from Spanish tempranillo to Italian barbera. The map's over here.
You're about to play a game to the death for a huge cash prize. A former contestant pops up to tell you what you're really getting yourself in for. Would you heed his warning? The latest teaser trailer for Squid Game season two depicts this very scenario, as 455 newcomers contend for 45.6 billion won — and season one's competitor 456, aka Lee Jung-jae's (The Acolyte) Seong Gi-hun, attempts to inform them of the true brutality that they're signing up for When you've fought for your life and a ridiculous amount of money while donning a green tracksuit, you're probably not going to shake off the deadly endeavour easily. When you've barely survived a game that's hardly fair, you're also going to want to steer others away, as well as take down those responsible. That's the Squid Game season two situation, too, which Netflix has been teasing with multiple sneak peeks, including the just-dropped official teaser trailer. These games don't stop, even if viewers have had a three-year wait since its award-winning first season. As the show's protagonist gets back into his green tracksuit, and on bunks, his new fellow competitors are wary of his motives. Also part of the current glimpse at the series' new episodes: Lee Byung-hun (The Magnificent Seven) as Gi-hun's nemesis Front Man, plus Wi Ha-joon (Little Women) also back as detective Hwang Jun-ho. Netflix is promising raised stakes this time around, with audiences able to see the results when Squid Game returns on Boxing Day. If you usually spend the day after Christmas shopping, at the cinema or recovering from your food coma by trying to play backyard cricket, you now have other plans if you want to catch the next instalment of the South Korean thriller ASAP. After Squid Game season two arrives on Thursday, December 26, 2024, Squid Game season three will drop sometime in 2025. There's no exact date for the latter as yet, but it will be the final season, closing out the show's story. Squid Game was such a huge smash in its first season that Netflix confirmed at the beginning of 2022 that more was on the way, and also released a teaser trailer for it the same year, before announcing its new cast members in 2023 — and then unveiled a first brief snippet of Squid Game season two in a broader trailer for Netflix's slate for 2024, as it releases every 12 months. For season two, Gong Yoo (Train to Busan) also returns as the man in the suit who got Gi-hun into the game in the first place; however, a show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount. Accordingly, new faces were always going to be essential — which is where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. If you somehow missed all things Squid Game when it premiered, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe- and Emmy-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. As a result, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Netflix turned the show's whole premise into an IRL competition series as well, which debuted in 2023 — without any murders, of course. Squid Game: The Challenge has already been picked up for a second season. Check out the new teaser trailer for Squid Game season below: Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced. Images: No Ju-han/Netflix © 2024.
Your 2023 getaways just got cheaper — and you'll have a new way to fly off on holidays, too. First announced in 2021, Australian airline Bonza will finally take to the skies in 2023, after securing regulatory approval. The soon-to-launch carrier's aim: opening up routes to more of the country's regional destinations, flying 27 routes to 17 locations, and offering low-cost fares in the process. Today, Thursday, January 12, Bonza CEO Tim Jordan announced that the airline received its Air Operator Certificate (AOC) from the Civil Aviation Safety Authority (CASA). "This is an historic moment for Australian aviation as we get ready to launch the first high-capacity airline in more than 15 years, and the country's only independent low-cost carrier," said Jordan. "With the approval from CASA, 2023 is set to be the year of seeing more of your own backyard for less." With the required tick of approval now in place, Bonza can put flights on sale, starting with fares from its Sunshine Coast base — with flights from Melbourne, where it'll also have a base, set to follow. Passengers will hit the air in planes given names as Aussie as the airline's itself: Bazza, Shazza and Sheila. The airline hasn't yet announced when you'll be able to book, other than soon, but to do so you'll need to download the airline's app. One of Bonza's points of difference will be app-only reservations, unless you're booking via a registered local travel agent. Another: a previously announced all-Australian in-flight menu, spanning both food and craft beer. When it hits the air, the airline will service locations such as Bundaberg, Cairns, Gladstone, Mackay, Rockhampton, the Sunshine Coast, Toowoomba, Townsville and the Whitsundays in Queensland; Albury, Tamworth, Coffs Harbour, Newcastle and Port Macquarie in New South Wales; and Melbourne, Avalon and Mildura in Victoria — with a big focus on regional destinations. The carrier's network will see it take passengers to places they mightn't otherwise been able to fly to, with Bonza advising that 93 percent of its routes aren't currently served by any other airline — and 96 percent of them don't presently have a low-cost carrier. Bonza is launching with the backing of US private investment firm 777 Partners, which also has a hand in Canada's Flair Airlines and the Southeast Asian-based Value Alliance. Its fares won't include baggage and seat selection, which'll you need to pay extra for — and it'll be cheapest to do so when you make your booking, rather than afterwards Bonza is set to start flying sometime in 2023 — we'll update you flights go on sale. For more information, head to the airline's website, or download its app for Android and iOS.
She's the grand dame of Sydney pools, with a one-of-a-kind location on the edge of the harbour and a history that dates right back to 1936. But according to the experts, the North Sydney Olympic Pool is in pretty bad shape and needs some drastic upgrades. Fast. In the wake of an engineer assessment, which deemed that the 50-metre pool and grandstand were "deteriorating rapidly" and "nearing the end of their usable life", North Sydney Council has submitted plans for a hefty revamp. The proposal clocks in at a cool $57.9 million, with the council only able to cover $28 million of the cost. It's hoping to secure the remaining $30 million from the State and Federal Government. If the funds do not become available, there are fears the pool could close. "Independent engineering consultants have confirmed that the 50m pool, concourse and grandstand require urgent remedial work so we are progressing to DA stage to keep the project on track," North Sydney Council General Manager Ken Gouldthorp said in a statement. "However, unless grant funding becomes available, we will need to look at our options. No one wants to see North Sydney Olympic Pool close." The new design features an upgrade to the existing 50-metre pool along with a new grandstand and indoor gym, a sundeck, a cafe, 25-metre indoor pool and a family leisure area complete with warm water play zone. [caption id="attachment_617786" align="alignnone" width="1920"] North Sydney Olympic Pool.[/caption] A revamp has been on the cards since back in 2014, when North Sydney Council first started developing potential design options for the project. It gathered extensive feedback on the six leading concept plans and ended up with this current proposal, which will soon be placed on public exhibition for a fresh wave of community consultation. Across its 83 years of life, the historic pool's played host to the Empire Games, survived a length change to fit in with the then new metric system, and witnessed 86 world records, set by the likes of Murray Rose, Dawn Fraser and Shane Gould. It's not the only Sydney pool to feel the effects of age — it was revealed late last year that Balmain's Dawn Fraser Baths was in need of a $6.7 million repair job, while Lane Cove Aquatic Centre's 50-metre pool was forced to close ahead of schedule due to safety concerns bumped up by a mix of old age and wild weather.
Chapters close, but new ones begin, as the Bentley Restaurant Group has announced significant venue news. After 13 years and two hats, Monopole will close, serving its last dinner service on Sunday, September 6. Following eight bustling years as an award-winning wine bar in Potts Point, the restaurant made the move to the CBD in 2020, later reinventing itself as a fine French diner. With the venue's lease ending, owners Nick Hildebrandt and Brent Savage say the time was right to wind things up — at least for now. "We are extremely proud of what we've achieved at Monopole, both in the original Potts Point location and the CDB — an enormous amount of talent has graced both the kitchen and the floor. Monopole was a ground-breaking wine bar when we opened it and has always pushed the envelope, holding two hats for 10 years and winning multiple awards for its wine list, and while we're sad that the lease has finished, we will never say never for a Monopole in the future." [caption id="attachment_971050" align="alignnone" width="1920"] Monopole[/caption] Yet the duo aren't wasting any time before launching into their next venture. Monopole's closure is met with the opening of Watermans — an Eastern Mediterranean restaurant set to move into the recently completed One Sydney Harbour development in Barangaroo. Located just metres from Sydney Harbour, the pair has teamed up with respected chef Darryl Martin (Barzaari), who will lead the kitchen as executive chef. Open daily for lunch and dinner, guests can expect Levant-inspired cuisine produced from top-notch Australian produce. "I'm thrilled to welcome Darryl into The Bentley Group family," says Savage. "[Watermans] has a strong emphasis on vegetable-forward dishes, and it's been fun to collaborate with Darryl, whose cooking I've long admired, especially his work at Barzaari." [caption id="attachment_963691" align="alignnone" width="1920"] Monopole[/caption] With the full details still to be revealed, opening menu highlights span warm hummus with green zhoug; pickled watermelon and raw tuna salad with sumac; and pomegranate-glazed slow-cooked lamb shoulder with pickled radishes and black lime. Served within a 120-seat venue, an outdoor dining area will feature two inviting pergolas immersed in greenery, while the interior offers bespoke lighting and finishes alongside a custom-made woodfired grill and oven. Ahead of Watermans October opening, co-owner and sommelier Nick Hildebrandt reflects on a massive 12 months: "2025 has been a huge year for The Bentley Group. We started the year with the launch of Eleven Barrack and we're ending the year back in Barangaroo with Watermans, right in time for summer." [caption id="attachment_971051" align="alignnone" width="1920"] Monopole[/caption] Watermans is expected to open at One Sydney Harbour in October, while Monopole will close on Sunday, September 6. Head to the website for more information.
Run by Tasmania's Museum of Old and New Art, Dark Mofo is an arts celebration where anything truly can occur. A haven for shows, gigs and installations of the dark, sinister, confronting and boundary-pushing variety, it's back for another stunning year in 2023, taking place in Hobart between Thursday, June 8–Thursday, June 22. This year's weird and wild lineup includes a Twin Peaks-inspired ball, a teddy bear with laser eyes, sleeping over, catching Soda Jerk's latest film and seeing punk icons Black Flag play their first Aussie gig since 2013. Oh, and Florentina Holzinger's dance theatre performance A Divine Comedy, an Australian premiere and an Aussie exclusive that reimagines Dante's classic examination of hell, purgatory and paradise, That ball both wonderful and strange? That'd be Dark Mofo's hedonistic masquerade, which this year is called The Blue Rose Ball. David Lynch fans, this sounds like heaven — in a mystery venue turned into the Blue Velvet Lounge, and with live tunes and performances all on theme. If your costume includes red and white zigzags, you've obviously nailed it. That teddy bear? It's called Giant Teddy, a new commission by Dark Mofo from EJ Son. Festival attendees will see a giant Korean pop culture-inspired teddy bear that, yes, has lasers for eyes — plus a camera that'll show its live surveillance elsewhere in Hobart. [caption id="attachment_895370" align="alignnone" width="1921"] Winter Feast, Dark Mofo 2022. Photo credit: Rémi Chauvin, 2022. Image courtesy of Dark Mofo 2022.[/caption] The sleepover comes courtesy of Max Richter's SLEEP, which returns to Australia for an eight-and-a-half-hour overnight stint. You'll slumber, and Richter's compositions will play. The former will happen on beds provided by Dark Mofo, and the latter is based on the neuroscience of getting some shuteye. And if you've seen the documentary about it, you'll already be excited — and have your pyjamas ready. Soda Jerk joins the fold with Hello Dankness, which compiles samples into a 70-minute survey of American politics circa 2016–21 — so, a chaotic time. And Black Flag won't have Henry Rollins with them, but will be doing a one-off exclusive Australian show in Tassie. The music bill also features First Nations artists BARKAA, Tasman Keith, dameeeela, DENNI, MARLON X RULLA, Uncle Dougie Mansell, Katarnya Maynard, Rob Braslin and more on opening night; Ethel Cain hitting Australia for the first time; Thundercat breaking out the bass; and Witch with Dinosaur Jr's J Mascis on the drums. Squarepusher, Trentemøller, Drab Majesty, Plaid, Sleaford Mods, Deafheaven — yes, the list goes on, with Zindzi & The Zillionaires, as led by Play School host Zindzi Okenyo, also on offer for younger attendees. Dark Mofo's arts lineup spans two new pieces by Martu artist Curtis Taylor: video work Ngarnda (pain) about blood rituals, cultural rites and lived experiences; and multi-media installation Boong, which focuses on exposing racial violence. And, there's Western Flag from Irish talent John Gerrard — aka a ten-metre-by-ten-metre digital screen depicting a flagpole, but spewing out black smoke non-stop, in a reference to the world's first major oil find in Texas in 1901. [caption id="attachment_895362" align="alignnone" width="1920"] Ethel Cain | Dark Mofo 2023. Photo credit: Helen Kirbo. Image courtesy of the artist and Dark Mofo.[/caption] Top image: Dark Mofo/Rosie Hastie, 2021. Image Courtesy Dark Mofo, Hobart, Tasmania, Australia.
New South Wales being as big as it is, it should come as no surprise just how varied the communities and events calendar can be. If you're committed to travelling across this wide land in search of a good feed, let us do the hard yards for you. Throughout the year, there are food festivals of all shapes, sizes and menus happening across the state, so we've partnered up with Destination NSW for this definitive list of events you'll need to add to the agenda. As of autumn, we're fast approaching the annual celebration of luminescence and warmth that is Vivid Sydney, conveniently timed to fend off the cold and dark nights of winter. Beyond the obvious attractions of bright lights and exclusive experiences, a great many foodie-centric events are booked across the state, too.
Sydney is a city made for sparkling wine. There's no better beverage to match summery climes, dreamy harbour vistas and pretty beaches. Whether you're shaking off a long day at work or dissolving into the evening after a leisurely Saturday, the best time to drink it is at sundown. Now that the warmer months are here, Chandon S is popping up in venues all over the place with dedicated outdoor spaces, lounges and bar carts. This summery drop is a blend of Yarra Valley sparkling wine and orange bitters — an aromatic combination of blood and navel oranges, fresh ginger, gentian root, vanilla pods, cinnamon quills and cardamom. Here's where to find this refreshing tipple and soak up every drop of the sunny season.
