Each of Australia's capital cities has a different shtick. Melbourne's just happens to be a 24-hour culture — or, at least, the closest Australia has to it. It's got all-night public transport on weekends, late-night opening hours for the National Gallery of Victoria's new Triennial and the city's White Night festival will return for its annual all-nighter in 2018. If you haven't been down to White Night before, here's how it works. From 7pm, much of Melbourne's CBD is closed to cars. From then on, the streets give way to pedestrians, who are free to wander between temporary installations, live music and on-street projections — as well as in and out of galleries and cultural institutions — up until the sun comes up at 7am the next day. It's the Australian version of Nuit Blanche, which was founded in France in the 80s. Next year's festival — which will shut down the city for 12 hours on the evening of Saturday, February 17 — features work from a tonne of both local and international artists. Expect to see neon pups, two Burning Man installations and one laneway covered in snow. There are far too many works to list, but here are a few highlights you'll want to look out for. A giant shimming silver net that will hover above Federation Square for White Night (and two weeks afterwards). Drag queens singing from balconies above Collins Street. A laneway filled with virtual neon 'dogs' and another filled with falling 'snow'. A tree that lets you write temporary messages on it with the light from your phone Two installations straight from Burning Man: a fire-breathing serpent outside Melbourne Museum and a giant mechanical insect that doubles at a DJ booth. Mini gigs performed from multiple balconies above Swanston Street. A 360-degree dome in Alexandra Gardens that will feature mesmerising projections. Stories from Australian detention centres projected onto the NGV's façade. White Night will also head out to Victoria's regional centres. It will return to Ballarat on March 17 for a second year, and will take to the streets of Bendigo and Geelong for the first time later in 2018. White Night 2018 will take over Melbourne from 7pm on Saturday, February 17 until 7am on the morning on Sunday, February 18. For more information, visit whitenight.com.au/melbourne.
What makes for a great speaker at a music conference? Experience and insight, obviously, and also plenty of stories from their time in one of the most exciting creative industries there is. Unveiling the first folks that'll grace its stage in 2023, BIGSOUND knows this. When you enlist ROC Nation's Omar Grant, who was once the road manager for Destiny's Child and now shares the President role at Jay-Z's entertainment agency — and also helped Rihanna's album ANTI become the smash it is — you're after a whole heap of wisdom and tales. Brisbanites and music obsessives hitting the Sunshine State capital between Tuesday, September 5–Friday, September 8 can look forward to Grant's chat, which means listening to one of the top names in the American music industry. And if you're keen to show off your own musical talents, he will indeed be looking for new discoveries. "Australia is at an exciting place right now musically and I can't wait to head down under to discover some great new artists," said Grant. "Some of the most innovative artistry in the world comes from Australia — and in an industry that's often so caught up online these days, getting in a room with passionate music people and discovering real talent performing live is a true privilege." While the full speaker roster hasn't yet been revealed, let alone the music bill, Grant has company in this debut drop. Also coming to Brisbane: Michele Ronzon from Interscope/Geffen/A&M Records, Hazel Savage from Soundcloud, Flighthouse's Ash Stahl and JKBX's Scott Cohen. Ronzon has overseen talent including Machine Gun Kelly, YUNGBLUD and Alesso; the Australian-born Savage was behind music AI company Musiio; Stahl is CEO of quite the hefty TikTok agency; and with Cohen, BIGSOUND is bringing in a royalties technology expert. In what'll be its 22nd year, the event has also started revealing some of the decision makers visiting the River City in search of deals. On the list: Netflix's Manager for Soundtracks, Strategy and Operations Andy Kalyvas, who heads to the fest fresh from working on Oscar-winner All Quiet on the Western Front; Paramount Television Studios' Vice President of Music Vanessa Palmer; and Downtown Music Publishing's Director of Sync and A&R Cabrea Casey. [caption id="attachment_851422" align="alignnone" width="1920"] Lachlan Douglas[/caption] In total, BIGSOUND 2023 expects to welcome in over 100 international and national buyers, agents, music supervisors, bookers and other industry decision makers, all taking over Fortitude Valley as the event always does. And yes, deals are firmly in the fest's spotlight. "We approached this year's BIGSOUND with a singular vision: deals mean meals," advises programmer Tom Larkin. "Every person we are bringing to Australia can further an artist's career immeasurably. Whether that's formalising a global partnership or simply giving them a piece of advice that could transform their ability to create a sustainable career, BIGSOUND 's focus is to provide real results for Australian artists." Elsewhere, the huge music-fuelled celebration will keep doing what it always does: showcasing impressive acts, artists and bands, which usually sees more than 150 talents hit its stages at 20-plus Brisbane venues. If you're a BIGSOUND regular, you'll know that this entails filling as many spaces as possible with musos, industry folks and music-loving punters, all enjoying the latest and greatest tunes and talent the country has to offer. Past events have showcased everyone from Gang of Youths, Flume, Thelma Plum, Tash Sultana, Sampa the Great, Courtney Barnett and Cub Sport to San Cisco, Violent Soho, Baker Boy, King Gizzard & the Lizard Wizard, Methyl Ethel, Tones and I, Spacey Jane and The Jungle Giants, so BIGSOUND's program is usually a very reliable bellwether. If your spring routine usually involves bar-hopping around Brisbane while listening to bands — whether you're a local or you head north for the event — mark your calendars accordingly. And if you're an artist looking to take part in the event in general, applications are now open until Tuesday, May 2. BIGSOUND 2023 will take place between Tuesday, September 5–Friday, September 8 in Fortitude Valley, Brisbane. For more information — or to apply to take part if you're an artist — visit bigsound.org.au. Images: Lachlan Douglas / Bianca Holderness.
If you like your spirits dark and your booze collection could use a top-up, then we know an excellent Aussie choice to add to that shopping list. Melbourne distiller The Gospel just cleaned up in the 2023 International Wine & Spirit Competition (IWSC) earlier this week. The Brunswick-based producer took out a gold medal in the prestigious awards, earning a score of 96 points from the judges for its signature Straight Rye Whiskey. That impressive effort resulted in the sip being the highest-awarded Aussie whiskey in the entire competition. But wait, there's more. The Gospel's score also saw it become the equal second highest ranked rye whisky in the world. Not too shabby for a small distillery located in the backstreets of Melbourne's inner north. Judges described the drop as being "decadent and complex", noting: "the palate is harmonious and well-balanced, leading to a memorable finish." And it wasn't the only Gospel creation that impressed, with the team's Solera Rye Whiskey nabbing its own silver medal at the awards. This year's IWSC pulled more than 4100 entries from across the world, with more than 250 expert judges tasked with sipping, critiquing and awarding them. Thought to be Australia's only dedicated rye whiskey distillery, The Gospel crafts its booze using unmalted rye from just one farmer, who's located in South Australia's Murray Mallee region. It's helmed by Ian Thorn, the first maker in Australia to score Master Distiller accreditation. If you're keen to sample more of the distillery's work, The Gospel's also just dropped a new limited-edition cacao husk liqueur for Easter, made in collaboration with the chocolate masters at Mork. The Gospel Straight Rye Whiskey is available to buy from the website, as well as at select bottle shops across Australia.
What's better than watching a heap of top Australian talent sit around and talk about music? Watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind ABC TV show Spicks and Specks, which took a few cues from the UK's Never Mind the Buzzcocks, pit Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and it will be again this year. As fans will already know, Spicks and Specks just keeps coming back; however, that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Adam Hills, Myf Warhurst and Alan Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. As first announced last year, the show is returning for a full season — and, as the broadcaster has just revealed, it'll kick off on Sunday, April 18 at 7.40pm. You'll be able to watch it on TV when it airs, or stream it via iView afterwards. View this post on Instagram A post shared by ABC TV + iview (@abctv) Hills, Myf Warhurst and Alan Brough are all settling back into their old chairs, obviously; however, who'll be joining them as guests hasn't been revealed. Still, you can add playing along with the show from your couch to your end-of-weekend plans from next month. Spicks and Specks will return to ABC TV for a regular full season from 7.40pm on Sunday, April 18. You'll also be able to stream the series via ABC iView.
Paddington's Piermarq Gallery is hosting the newest exhibition by Endcount, an Australian-based duo which takes a fine art approach to raise awareness about endangered species. A collaboration between French painter Aurelie Perthuis and UK-born engineer Joe Bramwell-Smith. Their artistic focus combines research, fine art, code, digital art, printing and painting to create a modern portrayal of the human impact on extinction rates. Endcount's second series focuses on endangered birds of Australia. Their complex process began with building an app which uses the the IUCN Red List — a source which documents the total number of a threatened species remaining in the wild — to create a digital image of these numbers. Once the digital version is generated, it is printed on a canvas and painted, providing an even greater depth to the pieces. The result is a morosely beautiful and thought-provoking body of art that depicts the fragility of these species while also appealing to our scientific reasoning. Through their multimedia approach, Endcount is able to aptly create data visualisation for these IUCN findings and evoke an emotional response to a problem that too often goes overlooked. The work will be on display until Saturday, November 5.
Do you remember how Nokia got us feeling all nostalgic by re-releasing its iconic 3310 handset earlier this year, only to crush our dreams by making it available only in 2G? Well now owner HMD is righting its wrongs, last night relaunching the much-loved phone in 3G, complete with the device's hit game, Snake. That's right, the best-selling handset is set to make a proper comeback, Snake and all. It will be released in Australia from mid-October. A new-school riff on a handset first released back in 2000, this little guy comes in two distinct matte colours (azure and charcoal), retails at just $89.95 and boasts a six-and-a-half-hour talk time. It also features a new-and-improved customisable user interface, with an online browser that has Facebook and Twitter capabilities. Best of all, it's got an extra long battery life — just like they used to make 'em back in the day. So you'll be able to text your mates and play Snake all night. The reborn Nokia 3310 3G will be available this October from JB-Hi Fi, Harvey Norman and on pre-paid through Vodafone and select Optus retailers. For more info visit nokia.com.
If you've walked the back streets of Newtown and Erskineville, you've probably stumbled upon one of several random little parks that are in blocks between houses and sweet but decidedly empty. Performance Space and Sydney Festival have a solution to that: put An Art in it. With Micro Parks, they've commissioned four new installations and performances to fill the scattered spaces, which you can seek out by aid of a map, which you can download or pick up from the Carriageworks base. Leslie Knope would surely approve. In 2012 Performance Space brought us some of the best site-specific works (that's the quirky stuff that makes its stage outside of a theatre) in Sydney, and we're thrilled they'll be continuing with that mission in 2013. January's Micro Parks will feature dance by Martin del Amo and Julie-Anne Long, tea ceremonies by Sarah Goffman, social sculpture by Kate Mitchell, and performance by Jess Olivieri and the Parachutes for Ladies before returning with new works in new 'hoods later in the year. Read our list of the 12 best things to see at the Sydney Festival in 2013.
"So, how long have you been dead?" If you're a vampire being interviewed, that's the kind of opening question that's bound to come your way. More queries obviously have to follow, but it's a helluva ice-breaker — and, in the new Interview with a Vampire TV series, it's slung Louis de Pointe du Lac's way. Set to arrive in October — in Australia via AMC+ from Sunday, October 2, with New Zealand details still to be announced — this new small-screen adaptation of Anne Rice's 1976 gothic horror novel of the same name sparks plenty of questions itself, too. No, Brad Pitt doesn't play Louis, as he did almost 30 years ago in the 1994 movie. No, Tom Cruise doesn't play fellow vamp Lestat de Lioncourt again either. And you can guess the answers to your next two queries: no, Kirsten Dunst isn't back as Claudia, and neither is Christian Slater as the interviewer. All those characters feature here, though, with the Interview with a Vampire series retelling Louis, Lestat and Claudia's tale. If you remember the flick — the film that helped push Dunst to fame as a child, well before she was an Oscar-nominee for The Power of the Dog — you'll know that it steps through the undead trio's not-quite-lives (being eternally undead might be the better way to describe it). This time, Jacob Anderson — aka Game of Thrones' Grey Worm — is the New Orleans resident who can't resist the offer to live forever. Playing Lestat to his Louis is Australian actor Sam Reid (The Drover's Wife The Legend of Molly Johnson). As for child vampire Claudia, Bailey Bass (Psycho Sweet 16) does the honours, with the always-welcome Eric Bogosian (Succession) as probing interviewer Daniel Molloy. Like plenty of other upcoming movies and TV shows did — such as The Lord of the Rings: Rings of Power, House of the Dragon, She-Hulk: Attorney at Law, Dungeons & Dragons: Honour Among Thieves, John Wick: Chapter 4 and Black Panther: Wakanda Forever — Interview with the Vampire dropped its first sneak peek at this year's San Diego Comic-Con. With Louis' story starting in the 1900s, it's big on period details and costuming, plus a sweeping mood. And yes, reviving 90s movies as a series is a trend that shows no signs of dying — like interviewed vampires — given that Interview with the Vampire will hit streaming queues less than two months after the new TV version of A League of Their Own does the same. Also, Interview with the Vampire joins the film-to-TV vampire ranks, too, alongside Buffy the Vampire Slayer and What We Do in the Shadows. Check out the Interview with the Vampire trailer below: Interview with the Vampire will start streaming in Australia viaAMC+ from Sunday, October 2. We'll update you with New Zealand details when they become available. Images: Alfonso Bresciani/AMC.
It's a sad point in the yearly calendar when the chilly weather hits and invites to Aussie backyard barbecues stop rolling in. But it does pave the way for you to lend your taste buds to the grilled offerings of our global barbecuing buddies. American barbecue is about as A-grade an alternative as you'll get, particularly when the mercury drops a few notches (thanks to the smoky and juicy flavour cues). And The Oxford Tavern is the place to get it. The Petersham pub takes the business of barbecuing very seriously for its Black Betty BBQ sessions, which emulate the style of barbecue typical to the US's southern states. Meat is prepped and rubbed with spices three days in advance and cooked 'low and slow'. The menu is priced by 100-gram servings, so if decision-making isn't your strong suit (or you're just really hungry), load up your plate with juicy beef brisket, tender lamb ribs, a smoked 1/4 chicken and perhaps a smoked snag. All orders come with slaw and cornbread but you'll want to add on burnt end beans ($6) for good measure. The Black Betty smoker operate every Friday, Saturday and Sunday until sold out. Our advice? Get there early so you don't miss out, and wear stretchy pants. Starting Thursday, June 14, Black Betty BBQ sessions will run seven days a week. From 5pm, Monday–Friday; and 12pm, Saturday and Sunday until sold out. For more info, head to theoxfordtavern.com.au.
It's official: the first underground section of Sydney's $16.8 billion WestConnex project is set to open this Saturday, July 13. It's starting with the new M4 Tunnels, which are planned to cut traffic on Parramatta Road by up to 20 minutes. The twin tunnels span 5.5-kilometres from Homebush to Haberfield, spanning three lanes in each direction and linking up to the already widened M4 Motorway. That distance will bypass 22 sets of traffic lights and, by 2021, is expected to reduce the overall volume on Parramatta Road by 53 percent. These tunnels have been under construction for three years and cost $3.8 billion alone, so they'll be hoping this forecast comes to fruition. It'll cost $4.27 to take the tunnels the full distance from Haberfield to Homebush (with no initial toll-free period), and $7.89 to go all the way to Parramatta along the widened M4. The road is still toll-free west of Parramatta. You can check out all the detailed costings over here. [caption id="attachment_730676" align="alignnone" width="1920"] NSW Government[/caption] Still in the works for the WestConnex project are the new M5, the M4-M5 Link Tunnels and the Rozelle Interchange — which will connect Sydney's west and southwest with the city and airport via a continuous 33-kilometre motorway. While supporters of the motorway (including NSW Premier Gladys Berejiklian) see this first opening of WestConnex as a win that will cut travel time for those living in Sydney's west, the project has had heavy opposition from Sydney's inner-city communities — who see WestConnex as an environmental and infrastructural nightmare. Opponents specifically question the NSW Government's decision to invest so much into a project that encourages more cars on the road, instead of one that creates more public transport options. The project has also been seen as a threat to residential neighbourhoods, including the felling of 500 trees in Sydney Park, as reported by the SMH. For or against, it's happening in three days' time, so get ready. The WestConnex M4 Tunnels will open this Saturday, July 13 with tolls starting immediately. For more information, head to the NSW Government's website.
Two decades ago, a new Christmas tradition was born: watching a whole heap of stars revel in romance, comedy and the festive spirit in what's now the quintessential British seasonal rom-com. It was back in 2003 that Love Actually debuted on the big screen, bringing with it familiar faces, songs and eight intertwined tales. Everyone knows how that went, especially given that no one has stopped talking about it since. When the end of the year hits, if you get 'Christmas is All Around' sung by Bill Nighy (Living) stuck in your head, then you're definitely aware of Love Actually's popularity. If you've ever held up a piece of cardboard to tell the object of your affection that to you they're perfect, you do as well. Missed it on the big screen 20 years back, whether you gave it a pass or weren't old enough to be interested in English romantic comedies? It's now returning to cinemas in December to celebrate its anniversary. Getting festive watching Nighy, Hugh Grant (Operation Fortune: Ruse de Guerre), Liam Neeson (Retribution), Colin Firth (Empire of Light), Laura Linney (Ozark), Alan Rickman (Eye in the Sky), Emma Thompson (Roald Dahl's Matilda the Musical), Keira Knightley (Boston Strangler), Martin Freeman (Secret Invasion), Chiwetel Ejiofor (The Man Who Fell to Earth) and Andrew Lincoln (The Walking Dead) in the same movie on the silver screen hasn't been absent from anyone's calendars of late. Outdoor cinemas give Love Actually a spin at this time of year, and an in-concert version does the rounds. But instead of getting one-off sessions here and there, the film is heading back to picture palaces in general release from Thursday, December 7. Accordingly, your December routine — one that's shared by many — can now include hitting up your local like it's 2003 again to revisit the Richard Curtis-written and -directed flick. Love Actually marked Curtis' first effort as a helmer after penning the screenplays for the Grant-starring Four Weddings and a Funeral, Notting Hill and Bridget Jones' Diary, and also writing for Blackadder and French and Saunders. On offer: interweaved Yuletide stories of romance, with Christmas and love all around everyone from rock 'n' roll singers, the Prime Minister of the UK and long-married couples to film stand-ins and school kids with crushes. Love Actually's anniversary season will screen the movie in a new 4K presentation, and feature ten minutes with the feature's cast and crew as they look back on their involvement in the film. Check out the trailer for Love Actually below: Love Actually will return to cinemas from Thursday, December 7, 2023.
Based on Leslye Headland's play, Bachelorette is a comedy that tells the story of three best friends from high school turn bridesmaids. Their less-attractive friend, Becky (Rebel Wilson), is getting married, and the competitive Regan (Kirsten Dunst) accepts her role as maid of honour. Gena (Lizzy Caplan) is on a mission to confront her high school ex after he left her bitter with a broken heart, whilst Katie (Isla Fisher), the last of the bridesmaids, adds some extra laughs with her sometimes ditzy personality and impulsive sass. Bachelorette combines humour, drunken romance and the dynamic of female relationships in a raunchy and intoxicated weekend that these women will certainly never forget. The film will be released in cinemas November 1. Thanks to Hopscotch, Concrete Playground has ten double passes to giveaway. To go in the running just subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au
Here's what it will look like when the Sydney Light Rail finally launches into action in 2019. The brand new trams, dubbed the Citadis x05, are the world's longest light rail vehicles to date and we're the very first city to nab 'em. Built in France and Spain by Alstom, the trams ring in at 67 metres and can carry 450 passengers, which is nine times the capacity of a bus. The new schmick design was unveiled in Randwick on Tuesday, August 1 by NSW Premier Gladys Berejiklian and Andrew Constance, Minister for Transport and Infrastructure. "It is a really exciting day to be standing here with the first of our world-class light rail vehicles and offering the people of NSW a glimpse of this innovative, modern vehicle," said Premier Berejiklian. Despite its behemoth size, the Citadis x05 is pretty efficient. Compared with your average bus, it uses four times less energy, as well as ten times less energy than a car. It's also very, very wheel-friendly — think loads of room for prams and wheelchairs, double doors, low floors and easy-to-reach intercoms. All in all, there will be 30 tram sets operating in the CBD and South East Light Rail, which will run from Circular Quay and the CBD through Surry Hills, Moore Park and Kensington, ending in Randwick and Kingsford. You can expect to see the Citadis x05 getting some test runs around town later this year. Sure, from the outside the tram basically looks like every other modern light rail vehicle we've seen. But, even though Sydney is still obviously behind Melbourne on the tram scene —and, let's be honest, in a lot of ways — we can finally firmly lay claim to having the best of something other than beaches. Which are amazing and unbeatable.
Juniper has come a long way — from curing stomach pains and repelling snakes to burning sprigs to ward off the plague, and on to its most common use today in our beloved gin. To dig deep into the history of the botanical tipple, we spoke to master distiller Joanne Moore from Greenall's Gin (produced at England's oldest gin distillery — G&J Distillers) for advice on bluffing our way through junipers and genevers to get to the good stuff: gin. WHY DOES GIN HAVE AN EMOTIONAL REPUTATION? There are two sorts of people who drink gin: one, that after a touch grazing the lips, starts to bare their heart and soul and drags you into a D&M, and the latter, a shark-fresh-outta-water sort who can sink snooker balls like it ain't nobody's business. So what's the deal, Joanne? "I think this stems from the poor reputation of gin following the gin craze of the early 18th-century when there was no regulation around making it. The result was a lot of 'gins' of dubious quality being drunk, which was immortalised by William Hogarth's infamous painting of Gin Lane. There's nothing in gin that would make you cry any more than if you drank the same quantity of another product with the same alcohol level." [caption id="attachment_663983" align="alignnone" width="1920"] Letícia Almeida.[/caption] THE TASTE OF A GOOD GIN First up, genevers. We know this to be the drink that begat gin; the older Dutch spirit cousin you might say. But what else should bluffers know about gin to charm all their mates? "London dry gins, such as Greenall's original, are traditionally distilled white spirits, made from three building blocks: grain spirit (in Greenall's case, English wheat), botanicals and water. The only botanical we have to use to be legally defined as a gin is juniper berries, and for london dry, this should be the predominant aroma. "A good gin should have recognisable juniper notes — after all, that's what legally defines a gin — so, it should be dry, not overtly sweet, balanced and have a good soft mouthfeel. It shouldn't be too harsh or burning to the taste. "Much like wine tasting, gin tasting uses the same basic principles. Aerate your glass and nose the aromas, as your sense of smell signals to your brain what you are going to taste. There's no need to hold the spirit in your mouth like you do with wine though, just sip and enjoy," says Joanne. [caption id="attachment_638855" align="alignnone" width="1620"] Brook James.[/caption] A PERFECT TIME AND PLACE Like rosé to spring, red to winter and white to summer, is there a best time to drink gin? "That's a difficult one to answer as it all depends on the individual, how they feel and what sort of day they have had — do they want a long drink like a refreshing G&T, a cocktail or a short drink? For me, that's the real beauty behind gin. It's so versatile that you can drink it responsibly in lots of places," says Joanne. AN OPTIMAL VESSEL Now we know when we should be drinking gin, but what about how we should be drinking it? Are there certain vessels that are better than others? "It could be argued that for the optimum drinking experience, you need a glass with a narrow neck to allow the concentration of aromas to be appreciated. Plus, glass as a material is better suited than say, plastic, as it doesn't contain any elements that could potentially react with your spirit and leach into your drink." [caption id="attachment_663977" align="alignnone" width="1920"] Letícia Almeida.[/caption] HOW TO MAKE THE PERFECT G&T A classic gin and tonic can be traced back to when colonial Britain spread its tentacles across the world and the English encountered a whole range of new tropical diseases, including malaria. To try to combat the disease, troops in India were given rations of the very bitter cinchona bark, which contains quinine, a treatment for malaria. And from there, these wily soldiers mixed their rations with sugar, soda water and gin to make it more palatable. Now, when mates come over to celebrate being malaria free — or really for any occasion — we tend to go for a splash mighty enough to fill half a glass. What's the best way to mix up a good ol' G&T? "Gin is best served chilled with a good quality mixer and appropriate garnish to bring out the key flavours. For mixing a classic G&T with Greenall's gin, we recommend using some good quality tonic such as Fever Tree, lots of ice and a wedge of lime to bring out the rounded juniper notes, warm earthy spice and mature citrus notes of our Greenall's Original gin recipe. "It's also important to mix the gin and tonic to avoid layering flavours. Mixing allows the two to marry together and complement each other." WHAT'S TRENDING? Throughout gin's long life many trends have come and gone. There have been gins made with ants and seaweed, gins bottled with flecks of gold and turkey-flavoured gin (yes, really). Luckily, the latest trend is a bit more palatable (or, if we may, palette-able). While gin may traditionally be clear, that's no longer the hard-and-fast rule. And gin's colour of the moment is pink. Was it inspired by Regina George's midweek mantra? The millennial colour of the moment? A certain animated feline detective? We don't know. But we do know that it certainly adds an extra shade to your G&T. And, in the case of Greenall's Wild Berry gin, it tastes good too. This variation of the pink libation is made with natural blackberry and raspberry flavouring. As you'd expect, it has berry notes (on the nose and tongue) but the combination with juniper botanicals gives the drink a warming spice and slightly peppery after tones. [caption id="attachment_663980" align="alignnone" width="1920"] Letícia Almeida.[/caption] AND FINALLY, SHAKEN, STIRRED OR THROWN? The martini is the quintessential gin cocktail, a blend of gin and vermouth mixed to the drinker's exact specifications. But when you order a martini should you ask for it shaken, stirred or thrown? Many people will tell you there is a definitive answer, but the only difference is that the ice breaks into smaller chips and waters down the martini when you shake the cocktail. Joanne say, "too much ice doesn't dilute gin, but it does keep it chilled, dulling the effect of the alcohol in the mouth and making for a more pleasant drink." So tosh to them; drink it how you like, we say. Grab a bottle of Greenall's, throw that dry martini, aerate until it breaks into tiny droplets, serve in a chilled glass and don't let anyone tell you you're doing it wrong. Header image: Brook James.
Raunchy, dazzling and sharpy satirical, Siren Theatre Co's H.M.S. Pinafore is a romp of a remake that received rave reviews when it premiered at the Hayes Theatre in 2019. Now, as part of Sydney Festival, you can see director Kate Gaul's hilarious caper at Riverside Theatres over ten sequined shows that come with a content warning. H.M.S. Pinafore is one of Gilbert and Sullivan's operettas, which features star-crossed lovers, tongue twisters and mistaken identity — plus all the classic tunes 'I'm Called Little Buttercup' and 'He is an Englishman'.
Whether you're celebrating Galentine's Day, Valentine's Day or Singles Awareness Day this February, we're betting that a holiday to look forward to would make the occasion even better. So is Virgin Australia, and it only has sunny, summery spots in mind. The focus of its latest flight sale: trips to Queensland. Destinations from the Gold Coast up to Cairns are covered, and dates with plenty of sun, surf and sand between autumn and spring, too. Starting on Wednesday, February 14, this is a one-week-only sale — so you've got until 11.59pm AEST on Tuesday, February 20 to get booking, unless sold out earlier. More than 300,000 fares on offer. While the sale is focused on one part of the country, you still have options in terms of departure points and destinations. Within Queensland, you can leave or arrive in Brisbane, Cairns, Townsville, Rockhampton, Hamilton Island, the Gold Coast, the Sunshine Coast, Emerald, Gladstone, Mackay, Mt Isa and Proserpine. And, around the rest of the country, flights to and from Adelaide, Alice Springs, Canberra, Darwin, Hobart, Launceston, Melbourne, Newcastle, Perth and Sydney are available. One-way fares begin at $69 — which'll get you from Sydney to the Sunshine Coast and vice versa, and also from Brisbane to Cairns and Brisbane to Proserpine (to hit The Whitsundays) or the reverse. Other sale flights include Sydney–Gold Coast from $79, Brisbane–Hamilton Island from $86, Melbourne–Cairns from $115 and Adelaide–Gold Coast from $119. If you're wondering when you'll need to travel, the travel periods depend on the leg — but the general range is from Wednesday, March 6–Thursday, September 12. The sale has the backing of the Australian and Queensland governments' Tourism Recovery Package, to help the Sunshine State's tourism industry after ex-tropical cyclone Jasper. Only select fares cover seat choice and checked baggage, however, with the airline announcing back in 2021 that it now splits its economy flights into three types. Economy Lite doesn't include checking any baggage or picking your seat, but Economy Choice does — and Economy Flex gives you extra flexibility (hence the name) if you have to change your plans later. Virgin's Queensland summer sale runs from Wednesday, February 14–11.59pm AEST on Tuesday, February 20 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Attention all wannabe heroes: something big is coming. This March, much-loved comic company Marvel will bring its world-class Avengers S.T.A.T.I.O.N. exhibition to Melbourne. The immersive exhibition, held at Federation Square, will give would-be caped crusaders the chance to delve into the history, engineering, genetics and technology behind Captain America, Hulk, Thor, Iron Man and the rest of their superhero team. Visitors will also undergo training, as if they were learning to become agents of S.H.I.E.L.D., and can explore bespoke equipment and costumes including the Hulkbuster suit, Captain America's uniform and shield, Iron Man's MK armor and Thor's hammer, Mjölnir. Avengers S.T.A.T.I.O.N. combines complex science and technology, developed by Marvel to help bring the successful film franchise to life. Space agency NASA have also contributed to the interactive experience, helping to enhance its scientific authenticity. After successful stints in cities including New York, Seoul and Paris, the exhibition will now head Down Under for the very first time. It'll be open 11am–6pm Mondays, Tuesdays and Wednesdays, 11am–10pm Thursdays, 10am–10pm Fridays and Saturdays, and 10am–6pm Sundays between March 16 and July 15. Last year Marvel broke records when it brought its Creating the Cinematic Universe exhibition to Brisbane, drawing in close to 270,000 fans. Avengers S.T.A.T.I.O.N. is expected to be even bigger.
If you're going to launch a brand new online school encouraging creativity in girls, it doesn't hurt to have Marina Abramovic's backing. Or Yoko Ono's. Or Pussy Riot's. Or Sia's. Or Every Strong Awesome Wonderful Lady Doing Amazing Things Right Now. The School of Doodle did just that. A brand new, free online school geared to infuse a little creativity into girls' educations, the School of Doodle has launched a Kickstarter campaign with the support of some of the world's most high-fiveworthy women. The Portland-based (of course) SOD team (lead by Melbourne-born expat Kate Johnson) see an unacceptable lack of arts education in US schools, one they've particularly seen as detrimental to young girls' learning processes. "The arts are being cut from schools and yet all the research shows that when teens' creativity and imaginations are fortified, they excel and stay in school longer as well as develop the necessary skills for future success," says the SOD Kickstarter page. "After extensive research and interviews with teens, teachers and education reform experts, we believe that a girl’s imagination is a right and not a privilege. And, if we don’t fight to protect it, the next generation (of women and men) will suffer." The team have pooled their savings and started building their free online high school, but found funds wanting to finish the website (the key to the whole shebang). So the team looked to Kickstarter, bringing quite the flurry of famous friends to the party. Rounding up 28 all-round goal-kicking women like Marina Abramovic, Yoko Ono, Pussy Riot, Sia, Kim Gordon, Yayoi Kusama, Sarah Silverman, half the cast of Orange is the New Black and too many more to list without their inspirational faces, SOD had each fearless female submit an original doodle of their own devising. Kickstarter backers can nab an individual doodle or a colouring book with the whole series. Here's the backing team, it's honestly like scrolling through a glorious tunnel of oestrogen-charged high-fives: Right? What. A. Lineup. So once you've sent your Kickstarter backing funds, what can students actually learn at the School of Doodle? The team describe the whole thing as "part classroom and part content platform original programming, created by both teens and professionals, to engage and inspire imagination." The self-directed, free curriculum is made up of lessons called 'Daily Doodles', which end with a 'Doodle Challenge' each session for students to start putting their sweet knowledge into practice. The whole philosophy runs on creative confidence and 'being loud' through the 'three paths to imagination': Dabble, Dig, Do. If you're lurking in the dreaded so-called 'Dabble' stage (we've all been guilty of Dabbling), the team have put together a library of 'How Do' videos to get your creative juices flowing. And who's teaching these 'Daily Doodles'? This is where shit really gets cray. Salman Rushdie, Kim Gordon, John Baldessari, Yinka Shonibare, even Abramovic herself are all crafting lessons. Free lessons. From these guys: Best looking faculty lounge ever. Sure, there are no grades — students earn 'Doodle Dollars' that can be saved up and spent on live online expert chats, field trips (or 'dream trips') and other bits and pieces that 'aid imagination' (not in the Parklife way). But if Abramovic, Sia and Pussy Riot see value in a free online school boosting girls' creativity, we're on board for Doodle. Throw some cashola at the School of Doodle over here and nab one of those famously-penned doodles. Via Artnet.
Last month the National Gallery of Victoria launched the first ever major survey of Australian fashion. Featuring over 120 works from more than 90 designers, 200 Years of Australian Fashion not only had us wowed with the scale, diversity and sheer beauty of the threads on display, but also contemplating the thread that runs through each product born of the Australian fashion industry. It's quite a unique industry to be in — isolated, out of season and catering to a completely different market to the global fashion players. But out of this, a new innovative and creative approach to fashion has been born. It's certainly seen successes, from Collette Dinnigan being the first Australian invited to show at Paris Fashion Week in 1995 to Dion Lee, who last year showed his fifth season at New York Fashion Week. Is it our position in the global market that defines our aesthetic? We asked local designers Perks and Mini and Pageant as well as the NGV's Curator of Fashion and Textiles Paola De Trocchio to define how they see Australian fashion. [caption id="attachment_566323" align="alignnone" width="1280"] Image: Tom Ross[/caption] AMANDA CUMMING AND KATE REYNOLDS, PAGEANT Do you think there is an Australian aesthetic in fashion? There is a casualness and subtle eclecticism about the way Australian's dress. It's offbeat and relaxed! Do you think Australia's distance from the rest of the world has influenced our fashion? As designers, this distance can be challenging but it also gives us the freedom to create our own rules. The fashion industry in Australia is still young and not set in tradition, which we feel creates more flexibility and creativity through design. Is there a designer or particular time period that defines Australian fashion for you? We really admire Dion Lee and feel that he has helped to shape the global image of Australian fashion. His designs always push the boundaries and his textile development is impressive! What would you like to see local designers doing? As designers we feel it's important to be aware of your surroundings and reflect on current culture. It's really important to be authentic, as originality is key to a strong vision. [caption id="attachment_566350" align="alignnone" width="1280"] Image: Perks and Mini[/caption] SHAUNA TOOHEY, PERKS AND MINI Do you think there is an Australian aesthetic in fashion? No. But I do think there is a uniquely Australian attitude to fashion. I think it tends to be more relaxed, it doesn't follow rules and is more forgiving. Do you think Australia's distance from the rest of the world has influenced our fashion? Yes, distance and also seasonal difference has had a big effect on Australian fashion. However, as the world be comes more global, seasons drop earlier and climate change affects weather, I think this will have less influence. Is there a designer or particular time period that defines Australian fashion for you? Growing up with rave and street culture, the stand outs for me are Galaxy Abyss and Funk Essentials both by Sara Thorn and Bruce Slorach. What would you like to see local designers doing? My favourite designers are ones where you can see their unique signature in there clothes. Too often you see garments where the neck label could be lots of different brands/designers and it would be believable. I would love to see designers finding their own unique vision and expressing that in their clothing so well that each piece is recognisably theirs. [caption id="attachment_566322" align="alignnone" width="1280"] Image: Wayne Taylor[/caption] PAOLA DI TROCCHIO, CURATOR, FASHION AND TEXTILES AT THE NGV Do you think there is an Australian aesthetic in fashion? What Australian designers have in common is a sense of adventure, resilience, and courage. This can translate to bold, sophisticated and innovative design with a streak of rebellion. Do you think Australia's distance from the rest of the world has influenced our fashion? I think it has caused our designers to be incredibly innovative with their business systems and structures. For example, recognising that they could not compete with and did not even desire to fit into established fashion conventions from the context of Australia, DI$COUNT UNIVER$E launched their brand online through their blog, redefining the rules of what a fashion label could be. MaterialByProduct's engagement with the concept of luxury and artisanal hand production can be seen as suited to systems of production in Australia, where the majority of the businesses are small-scale enterprises with low-production capacity. Is there a designer or particular time period that defines Australian fashion for you? Australian fashion is evolving as we are as a nation. The earliest dress in the exhibition is from c.1805. Its raised waist and slim skirt are known as the empire line. Its Indian muslin fabric acknowledges the immediate network of trade between India, Australia and Britain. It situates the origins of Australian fashion within the broad context of Britain's aspirations towards the Empire and within a network of international trade. Since then Australian designers have continued a dialogue with the wider world that has echoed politics, trends, social movements, trade and identity. I think what is fascinating about Australian fashion is how Australian designers look inwards to find within them their unique voice, whilst looking out and engaging with the wider world. What would you like to see local designers doing? Thriving. I think they are doing incredibly well and I look forward to seeing them reach greater heights. 200 Years of Australian Fashion is now showing at NGV Australia until July 31. For more information, visit ngv.vic.gov.au. Top image: Linda Jackson and Jenny Kee wearing Linda Jackson's Tutti Frutti dress, 1975. Photograph by Ann Noon.
The world's first wandering institution dedicated to showcasing the creative efforts of ordinary folks is coming to Australia. That'd be the Museum of Everything, which will head to Tasmania for a ten-month stint filled with pieces that you won't find in any other gallery. Launching during MONA's Dark Mofo in June, then running through until April 2, 2018, the Museum of Everything, the exhibition will feature over 1500 works in themed spaces, taking visitors on an informal journey through human making. Drawings, sculptures, paintings, ceramics, collage, photography, assemblage, found objects and installations will all be on display during its first trip to our shores. Starting in London in 2009, and touring to Paris, Venice, Moscow and Rotterdam since, the Museum of Everything aims to improve the profile of art that falls outside of the usual channels. Forget famous names — you won't find them here. Instead, lining its walls are works crafted by untrained, unintentional, undiscovered and and otherwise unclassifiable artists from the 19th, 20th, and 21st centuries. Indeed, the people responsible for the kind of pieces favoured by the travelling display are compelled to channel their creativity into new, different and experimental works, but they don't fit the conventional definition of artists. As founder James Brett explains, "our artists do not create for the markets or museums. They make because they must and— from Henry Darger to Nek Chand Saini — have something vital to say about the essence of their lives". The Museum of Everything will exhibit at MONA from June 11, 2017 to April 2, 2018. For more information, visit the MONA website. Image: George Widener, c. 2007, Courtesy of The Museum of Everything.
Cinemas and choc tops go together like movies and superheroes — these days, you can't have one without the other. But if you don't eat animal products, pairing a frosty (and readily available) dessert with your film-going isn't usually on the menu. Until now. Much to the delight of vegan cinephiles, Event Cinemas has launched a new vegan ice cream range. In Sydney and Brisbane, the chain is now slinging two flavours of vegan choc tops from its snack provider Parlour Lane. Instead of dairy, these cones are filled with coconut-based ice cream that's been handmade by Aussie dairy-free producer Over The Moo. There will be two flavours to choose from — chocolate and salted caramel — that are both topped with vegan chocolate. The choc tops are $6.50 for the moment, and are only available at selected sites — so NSW residents should make a movie date with the big screens at Bondi Junction, Glendale, Miranda, George Street, Macquarie and Tuggerah, while Queenslanders should head to Chermside, Pacific Fair, Robina and Kawana. If you're fond of cruelty-free, dairy-free ice cream, you can add these to the growing list of vegan dessert options. Just this year, vegan Magnums, Cornettos and Weis Bars, plus four new dairy-free Ben & Jerry's tubs, hit supermarket and convenience store freezers. Lord of the Fries also added to its vegan lineup, expanding from meat-free burgers, hot dogs and yes, fries, to include a new range of vegan ice cream sandwiches. Now we just need a gluten-free option and all the dietary requirements of cinema-goers will be covered. Parlour Lane's vegan choc tops are now available for $6.50 at Event Cinemas Bondi Junction, Glendale, Miranda, George Street, Macquarie and Tuggerah in New South Wales, and at Chermside, Pacific Fair, Robina and Kawana in Queensland.
Overnight, Jimmy Fallon lived out every '90s kid's dream — he danced with the Fresh Prince. Oh yeah, and he hosted his first Tonight Show, inducting him into late night history forever. But who's to say which makes him more successful? The Tonight Show is a big deal, and some still had their doubts about Fallon. Even after proving himself as a host for five years on Late Night, many just couldn't shake that first impression of him as the baby-faced goofball who screwed up every SNL skit by laughing. (Seriously, he even laughed through Will Ferrell's classic cowbell scene). In last night's show, Fallon played up this doubt in a clever bit about celebrities making $100 bets against him even making it to the Tonight Show. Cue appearances by Robert DeNiro, Tina Fey, Lady Gaga, Mariah Carey (WHAT?), Joan Rivers, Seth Rogen and a spiteful Stephen Colbert. But, after an emotional opening monologue and a solid first show, it's clear Leno's legacy is in good hands. With his backing band, The Roots, travelling over from Late Night, it's been clear for awhile now that Fallon loves himself some hip hop. We saw it at the end of last year too when Justin Timberlake came by for a duo in the History of Rap. This was reinforced further with last night's show, as Will Smith dropped in for an excellent demonstration of the Evolution of Hip Hop Dancing. Pulling moves like 'the running man', 'the pop and lock', 'the MC Hammer' and 'the I'm about to breakdance', Fallon showed he's not scared to bring some fresh ideas to the much-coveted show. He even finished it off with a twerk. I doubt Leno would have ever pulled that off.
There may be a lot of prospects for high speed travel, like Elon Musk's Hyperloop, but when we can travel between continents without the agony long haul flights, that's when we'll know the future is well and truly here. And while we wait for teleportation to make it to the molecular mainstream, we'll have to settle for second best: high speed supersonic air travel. Looking to bring back supersonic travel to the people, Sir Richard Branson is set to make high speed transatlantic passenger flights (relatively) affordable and accessible. Working with a Colorado aviation startup called Boom, Branson — under The Spaceship Company (an arm of Virgin Galactic) — wants to create a new plane that can fly at supersonic speeds of up to 2335 kilometres per hour. That would see the flight from NYC to London take a mere three and a half hours (rather than the seven hours it takes now). That's essentially a Sydney peak hour commute. Supersonic air travel has already been achieved by the passenger plane the Concorde, which provided flights between London and Paris to New York, Washington and Barbados between 1969 and 2003. It was decommissioned due to the $20,000 per trip price tag; by comparison, the Boom is set cost only $5000 USD. According to Boom founder and chief executive Blake Scholl, this new plane will be more cost effective by having have less seats and being more fuel efficient. Scholl also told The Guardian that, aside from the London to NYC route, they would also be concentrating on getting up trips from San Fran to Tokyo and LA to Sydney. It's all very ambitious, but the first Boom plane is expected to be tested by the end of 2017. Via The Guardian. Image: Boom.
Face it. There's nothing, nothing more heartbreaking than going out for a casual walkie with your beloved dog, grabbing a cheeky gelato cup at the beach and not being able to share it with your pooch. Much whimper. Such fail. Too long, too long have pups been shunned from ice creameries simply because the pockets in their dog hoodies rarely hold money and dairy products make them incredibly ill. Enough! No longer will this integral gelato market and prime branding opportunity be ignored. Gelatissimo are stepping up and doing what should have been done years ago (because trending topics). They're releasing a range of doggie gelato that can be enjoyed by both pets and owners alike — please avoid sharing though. Please. Importantly, the gelato is gluten free and flavoured peanut nougat (which is a dogwide favourite ice cream flavour, apparently) and gentle on puppy tums. From March 26, you can grab a scoop from 18 Gelatissimo stores (including Balmain, Bondi Beach, Central Park, Coogee, Cronulla, Newtown, Watsons Bay, Wagga, Manuka, Lane Cove, Lygon Street, Coolangatta, Mackay, Mooloolaba, Noosa, Toowoomba, Norwood and Surfers Paradise). Alright we so know it's a bit much and most of us don't have a weekly budget for dog iced treats, but think of it more as a treat for yourself that you can share with your pupper (if they whimper at you enough). Image: Mochi and Miranda @justanotherdogblog.
There aren't a whole bunch of things that can beat a day in the sun with a drink in your hand. Recognising the need to slake that thirst, Canadian Club is bringing their Racquet Club back for the summer, dosing out refreshing Canadian Club, dry and lime by the water with a screen showing the tennis. The Racquet Club celebrates Australia's biggest annual summer sporting fixture, the Australian Open. After keeping punters hydrated in Melbourne last year, the pop-up will this year extend to Sydney and Brisbane as well. The club will set up at The Bucket List on Bondi Beach for a whole month, from December 29 to January 30, and overlooking Sydney Harbour at Cruise Bar from January 3 to January 30. The pop-up bar will carry Canadian Club on tap and a whole slew of Canadian Club cocktails (the grapefruit Summer Spritz is our favourite), and will be decked out in all the tennis memorabilia that they can find. Plus, when the Open starts on January 16, there'll be a big screen showing every game, loud and live. Sports, beach and Canadian Club? See you there.
If you managed to nab a ticket to Paul Kelly's Making Gravy tour last year, then you were one of the lucky ones. If you weren't and have been lamenting ever since, you can stop. The songwriting legend has just announced that he'll be performing the show all over again this December, in Perth, Sydney, Melbourne and Brisbane (on Gravy Day itself, December 21). Like the song, the tour — now in its third year — is becoming a bit of an Aussie Christmas tradition. Time to start thinking about getting the tinsel and ugly jumpers out of storage. As in 2018, you can expect to hear a stack of songs from Kelly's four-decade long career. Listen out for all the hits, from 'Dumb Things', from the album Live, May 1992, to 'Love Never Runs On Time' from Wanted Man (1994). The Christmas classic 'How To Make Gravy', first released in 1996 on an eponymous EP, is on the menu, too. The tour will coincide with the release of Kelly's new greatest hits album Songs From The South (1985–2019), his collaborative avian-inspired album 13 Ways To Look At Birds and a book of poetry he's curated, called Love Is Strong As Death. Kelly won't be hitting the road alone, either — he's inviting a bunch of special guests. He'll be joined by ARIA Award-winning rocker Courtney Barnett, Aussie Eurovison finalist Kate Miller-Heidke, NZ singer Marlon Williams and Gamilaraay songstress Thelma Plum (in Sydney only). [caption id="attachment_737416" align="alignnone" width="1920"] Mia Mala McDonald[/caption] MAKING GRAVY DATES 2019 Perth — Optus Stadium, Saturday, December 7 Melbourne — Sidney Myer Music Bowl, Thursday, December 12 Sydney — The Domain, Saturday, December 14 Brisbane — Riverstage, Saturday, December 21 Paul Kelly Making Gravy pre-sale tickets will be available from midday on Tuesday, August 20 with general sales from midday on Friday, August 23. Perth, Sydney and Brisbane tickets will be available via Ticketmaster with Melbourne's via Ticketek. Top image: Cybele Malinowski
It just got real dark in Sydney. And in Sydney during the warmer months, that only means one thing: a storm is coming. So if you're currently reading this from somewhere dry, warm and cosy, we suggest that you keep it that way for the rest of the afternoon. And not just any old wet weather, either. The Bureau of Meteorology has reported that severe storms, strong winds, heavy rainfall and large hail is on its way, which is looking to affect the Metro, Illawarra and Hunter regions. Taking a peek at its nifty colour-coded map, below, it looks like Sydney is going to be worst hit, too. https://twitter.com/BOM_NSW/status/1103073062612844546 With storms come falling trees (and sometimes falling powerlines) and Ausgrid is telling customers to top-up their phones before the storms hit — just in case — and to stay well away from any powerlines that have been knocked over. The wild weather looks to ease later tonight. At the moment, public transport looks to be running on time and no major roads have flooded, but this could change when peak hour hits. Stay dry out there. And remember to check Live Traffic, Transport Info and BOM for warnings and updates. UPDATE: MARCH 6, 2019 — At 12.35pm, the BOM released a severe thunderstorm warning for damaging winds over the next several hours. Those in the Metropolitan, Central Tablelands, Hunter, Illawarra and surrounding areas are advised to move their cars under cover, secure loose items and stay indoors during this time. Image: Live Traffic NSW.
For loved ones that prefer their flowers edible, Gelato Messina is once again happy to oblige. It has created a new frozen floral creation, dubbed The Tart Breaker: a limited-edition gelato rose cake, which will be released exclusively for Valentine's Day this year. The red rose cake is complex inside and out — in true Messina fashion. It's a chocolate tart shell filled with layers of Basque cheesecake gelato and dulce de leche, topped with petals made from hand-piped burnt vanilla chantilly. Yes, it's as decadent as it sounds. The rose cake will cost you $69 — likely less than a big bouquet of (non-edible) V-day roses — and can be cut into 6–8 slices, which can serve 6–8 people or just you and your partner; the decision is yours, we're not here to judge. Orders are only available for pickup on the days leading up to Valentine's Day. The Tart Breaker is available to pre-order from all Messina outposts except The Star from Monday, February 1 for pick up between Friday, February 12–Sunday, February 14.
Spend a Saturday getting your hands dirty, or rather, floury. Pasta Emilia, which moved from its original home in Bronte to Surry Hills in 2012, is not just a restaurant, but a cooking school as well. With local, organic ingredients at your fingertips, you'll learn how to make pasta the traditional way. That includes creating the best flour mix, fashioning it into dough and stretching it into sheets. Alessandro Grisendi, who's been making pasta by hand for fifteen years, will teach you how to make all kinds of pasta, from ravioli and cappelletti, to linguine and strozzapreti. And when your work is done, you'll sit down to a hearty lunch, including pasta, a veggie salad and glass of organic wine.
Unless you somehow haven't looked at a screen, billboard or newspaper in the past few weeks — or listened to the radio, heard any streaming ads or had a TV on in the background, either — you'll know that Black Friday is upon us for another year. Absolutely everything is on sale, or so it seems, including bargain holidays. Whether you're keen to explore Australian destinations or fancy a getaway further afield, Virgin's addition to the 2023 shopping frenzy has you covered. A whopping 500,000 fares are currently up for grabs as part of the airline's Black Friday, Bright Holidays sale, covering a heap of Aussie and international spots. Sticking with home turf, you can head to Byron Bay, the Sunshine Coast, Cairns, Hamilton Island, Alice Springs, Hobart and more. And, if you're eager to journey overseas, you can hit up Bali, Fiji, Samoa, Vanuatu, Tokyo and Queenstown. One-way domestic fares start at $49, which'll get you from Sydney to Byron Bay. As always, that's cheapest route. Other discounted flights include Melbourne to Launceston from $59, Brisbane to either Cairns for $105 or Hamilton Island for $115, Adelaide to the Gold Coast from $125 and Perth to Hobart from $239. Internationally, the return deals start with Sydney to Queenstown from $435, Brisbane to Fiji from $509, Melbourne to Bali from $629 and Cairns to Tokyo from $679. If you're wondering when you'll need to travel, there's a range of dates from Wednesday, January 10–Thursday, June 20, 2024, all varying depending on the flights and prices. As usual when it comes to flight sales, you'll need to get in quick. Virgin's discounted fares are now on offer until midnight on Tuesday, November 28 or sold out, whichever arrives first. Virgin's 2023 Black Friday, Bright Holidays sale runs until midnight AEST on Tuesday, November 28 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Sydney is taking a major page out of the globally progressive book with this week's announcement that the state government is creating an 'entrepreneur school' to advance the startup potential in NSW. The Sydney School of Entrepreneurship (SSE) will welcome students as early as 2017 from multiple partner universities, most notably Ultimo TAFE, where the new school is likely to be based. The school is very smartly modelled on Sweden's renowned Stockholm School of Entrepreneurship, which is run by Australian Nick Kaye. More than one in three graduates of the Stockholm school have successfully launched startups, including two 'unicorns' – a startup valued at more than one-billion USD. If this is any indication of what can be accomplished in Sydney, we're in for a large influx of Mark Zuckerbergs over the coming years. Sydney's the right city for what could become Australia's premier dedicated entrepreneur school. Industry minister Anthony Roberts reported that 46 percent of all Australian startups are based in Sydney and NSW accounts for 64 percent of the total in Australia. So who's funding this? Iconic businessman Tony Shepherd is among backers, with the state budget set at a massive $25 million. But hey, you can't put a price tag on becoming the 'epicentre of entrepreneurship' in the entire Australasia region, now can you? The government has estimated that the tech startup sector could be worth $109 billion to the national economy and create 540,000 jobs by 2033. So we're not enthused with the NSW Government's antiquated, catch-all lockout laws and general nanny state shenanigans, but we're pretty impressed with this new venture. The SSE is expecting 1000 students from partner universities and TAFE to join the school in its inaugural year. You go, Sydney. Via SMH.
The South Island is known for its breathtaking scenery. However, if you're a culture junkie, there's no end to the beautiful experiences you can have — and not just in a gallery. Whether you're into history, art, language or music, you're bound to find something (and often with a good feed to go with). We've curated a selection of experiences in the South all cultural but none that require the four walls of a gallery. THE SHERWOOD This little hotel is a gem in Queenstown's tourismscape. Perched on three acres of spectacular alpine hillside, with views over Lake Wakatipu and the Remarkables mountain range, The Sherwood is a true community hotel, built with the express intention of letting its guests connect with each other and with nature. Kitchen gardens service the holistic, natural dishes in its restaurant and the hotel has a community events schedule to boot. During your stay, attend a poetry slam, take a jewellery class or stretch it out at one of the regular yoga classes. With resident artists and writers and almost nightly live music, here, the culture comes to you 554 Frankton Road, Queenstown. FUSH Fush is not your ordinary fish and chippie. This family-owned eatery in Wigram aims to help diners integrate te reo Māori, one of New Zealand's official languages, into their conversations, by offering bilingual menus and using te reo phrases with customers. The fish and chips joint has even started offering free te reo Maori classes, accessible to anyone with the will to learn. What about the food? It's awesome — the fish comes pan-fried, coated or crumbed; hand cut chips are made from quality Canterbury spuds and the place is fully licensed, too. Have a sparkling with your order or a gin and tonic, and order a plate of shucked oysters or a smoked fish pie. It's all good. 104 The Runway, Wigram Skies. CHRISTCHURCH ARTS CENTRE A phenomenally beautiful space, the neo-gothic former home of the University of Canterbury is the heart of the arts in Christchurch. A community centre with events, stores and exhibitions, the Christchurch Arts Centre has something for everyone. If you're after some pieces for your home, visit Frances Nation, a beautifully considered homewares store inside the centre. Owner Tessa Peach stocks quality goods made from natural materials; they're New Zealand-made, functional pieces you will love forever. It sums up the ethos of the centre, really — full of heart and authenticity. 2 Worcester Boulevard, Christchurch. THE MUSSEL INN Golden Bay isn't really Golden Bay without The Mussel Inn. Worth the trip to the northwest Nelson region, this is a beloved watering hole for locals and visitors alike. After a day lounging on the beach, sink in for a night of live music and bevs. While there's no knowing who's going to show up on the bill, every week brings a new lineup of artists to the place. That's one of the beauteous things about the Inn. The team also brews its own beers, ciders and soft drinks. We'd recommend the feijoa cider if it's on tap. 1259 State Highway 60, Onekaka, Golden Bay. THE CHRISTCHURCH FARMERS' MARKET Luxe porridge? Fresh produce? People watching? You'll find it all at the Christchurch Farmers' Market, one of Aotearoa's first markets. The best way to experience a new place is to go where the people are — and on a Saturday, they're all in Riccarton buying wholesome seasonal goodness. Held on the doorstep of Christchurch's founding family's home, Riccarton House, and perched beside the Avon River, the market boasts over 80 stalls selling everything from veggies to coffee, cakes to organic dog biscuits. 16 Kahu Road, Riccarton, Christchurch. LARNACH CASTLE If history is your thing, head to New Zealand's only castle. Nestled in the beautiful Otago Peninsula, the castle was built in the 1870s by bank manager and cabinet minister William Larnach to house his large family. Restored to its former glory by the Barker family, the home and grounds are open every day of the year. While it may be considered a 'mock' castle, it's a magnificent site to see with Italian marble, Welsh slate, English floor tiles, Venetian and French glass, Kauri ceilings, rimu floors and honeysuckle panelling featured throughout. 145 Camp Road, Dunedin. MARLBOROUGH SOUNDS MAILBOAT Come summer, there may be no cruisier way to explore the Marlborough Sounds than aboard the Picton Mailboat. Hop aboard and join in on mail day, with commentary from your skipper on the history of the Sounds, the people who have lived there and those who call the area home today. Each journey is different, depending on where the post bags, groceries and freight need to go. Keep an eye out for dolphins and other wildlife, and make a stop at Ship Cove, where Captain James Cook stopped to replenish The Endeavour. Start planning your trip to New Zealand's south with our guide to the South Island journeys to take here.
The world contains a vivid tapestry of diverse countries and cultures, each woven with its own unique traditions and celebrations. What better way to immerse yourself in the culture of a region than joining in with the festivities? From the rhythmic beats of Carnival to the kaleidoscopic lights of Diwali, take a step beyond the typical tourist trail with Intrepid Travel. Discover the heartbeat of a place through the lens of its most enchanting festivities. It's time to pack your bags, strap on some comfy shoes and create memories that transcend borders. Diwali The festival of lights is celebrated worldwide, but experiencing it in India itself is something else entirely. Diwali is the Hindu festival of lights. It symbolises the victory of light over darkness, goodness over evil and knowledge over ignorance. There are variations across the region and the different local religions of the country. Some things are always included: lots and lots of candles, lights and delicious food. The festival happens in the first weeks of November to tie in with the darkest days of the year (in India). Time your adventure to this stunning country to coincide with the festival so you can see the magic of the celebrations with the locals. Dia De Los Muertos Feel the mystical vibes of the weird and wonderful Dia de los Muertos, the annual Day of the Dead festival, in Mexico City. Participate in a traditional Day of the Dead ceremony and see elaborate altars dedicated to those who have passed. Enjoy delicious tacos and other street food at the openair Mercado Jamaica, and venture outside the city to see the Pyramid of the Sun and the Pyramid of the Moon at Teotihuacan. If you are passing through the capital on your exploration of Central America, time your travel so you can be there for this iconic festival. [caption id="attachment_969162" align="aligncenter" width="1920"] Heejin Yu via iStock[/caption] Kwita Inzina If you're all about nature conservation, attend the Kwita Izina ceremony in Rwanda to see the on-the-ground efforts of those fighting the good fight for Mother Earth. That's exactly what you can do with this on-the-ground tour in Rwanda. It puts you in the middle of the ceremony, an adaptation of a traditional Rwandan naming ceremony where locals name and celebrate newborn local gorillas. The festival includes a mix of formal speeches from conservationists and celebrity guests, plus music and dance performances. Prepare to go with the flow and be whisked into the celebrations, as participation is encouraged. The entire region comes together to celebrate the festival and conservation of these beautiful animals. Halloween Bram Stoker may not have intended it, but thanks to the setting of his novel, Dracula, in Transylvania, locals now celebrate his creation based on local legends with a next-level celebration on All Hallow's Eve. Head to central Europe to Bucharest, Romania and explore the haunting beauty of Sighisoara (the birthplace of the infamous creature of the night) and spooky Bran Castle (aka Count Dracula's castle) in Brasov. Break out your scariest costumes for a spooky Halloween party in Cluj-Napoca — the former capital of the historical principality of Transylvania. Christmas The Christmas season just hits different when it's in Europe. Snow falls on rooftops of buildings and market stalls on narrow cobbled streets as stallholders give out mulled wine, chimney cakes, hot cider, pretzels, hot chocolate and sweet treats to the tourists and locals meandering from stall to stall. If a trip to Central Europe is on the cards, be sure to time it so you can explore the famous Christmas markets from Munich to Budapest. And the best way to travel in Europe? By train, of course. Carnival Bright colours, headdresses and more feathers than you can count — Carnival is the world's greatest party on the streets of Rio de Janeiro, just waiting for you to rock up. Witness an elaborate parade of floats and dancers in the Sambadrome, which stretches into the wee hours. Samba your way through non-stop action, join the conga line with the locals and move to the rhythm of the drum-fuelled street fiestas. Whether you're journeying through Brazil on an epic adventure or specifically going to Rio de Janeiro for the fest, it's definitely not to miss. Naadam While the Greeks have the Olympics, the Mongols have Naadam. This festival might not be well known, but it is the best time of the year to see Mongolia. The annual colourful festival is a centuries-old tradition that dates back to the Khans and their dynasties. Expect archery, wrestling and horse racing — the primary skills a Mongol warrior requires. While in the area, explore the stunning natural landscapes of central Mongolia, such as Baga Gazriin Chuluu (granite rocks worshipped by locals), the Bayanzag Flaming Cliffs and the dunes of Khongoriin, called the 'singing sands' by locals for the whistling sound made by small avalanches of sand on a windy day. Get out, explore, dive into adventure and find your WOW with Intrepid Travel. Find out more on the website.
In an effort to further reduce the spread of COVID-19 across Australia, Prime Minister Scott Morrison has this morning, Wednesday, March 18, announced that non-essential indoor events of more than 100 people will be banned — effective immediately. This announcement follows last week's ban on mass gatherings of over 500 people, which is still in place for outdoor events. Airports, public transport, age care, correctional facilities, law courts, parliaments, food markets, supermarkets, office buildings, factories, mining sites, hotels, motels, schools, universities and transit spots — such as Bourke Street Mall, Martin Place — are not be impacted by the ban, but the Prime Minister has said that the "advice to all Australians is do not travel abroad". State and territory leaders have the power to add to this list of essential gatherings, too. The Prime Minister also said that social distancing should be observed by all, which includes regularly sanitising your hands, using 'tap and pay', avoiding crowds and commuting at quiet times when possible, and maintaining a distance of 1.5m apart wherever it is practical to do so. You can read the Department of Health's social distancing guidelines over here. [caption id="attachment_758772" align="alignnone" width="1920"] The NGV has already temporarily closed.[/caption] While the PM hasn't stipulated what exactly a non-essential indoor event is, we can expect large art galleries — that haven't already temporarily closed — cinemas and big restaurants, bars and pubs to close in wake of this announcement. Many hospitality venues have already upped their takeaway offering in response to a downturn in customers during the COVID-19, but it's likely more will offer takeout-only options. During morning's announcement, the PM also said that the hoarding of supplies was "un-Australian" and it should be stopped, and that the above measures were likely to be in place for "six months" so they needed to be "sustainable" and "achievable" for all Australians. For now, the above bans on non-essential gatherings are in place indefinitely. The Australia-wide ban on non-essential indoor gatherings of more than 100 people is effective immediately. The ban on non-essential outdoor events of more than 500 people is still in place.
Melbourne, it's pretty much official — you're the live music capital of the world, with a music venue-to-resident ratio that trumps every other city on the planet. And that's just one of the great findings from the Melbourne Live Music Census 2017, which were revealed this week. The survey, headed up by Music Victoria and the City of Melbourne along with Collarts, RMIT and local councils, sets out to analyse the climate of Melbourne's live music industry every five years. In its second edition, conducted on November 25 last year, it found that climate to be pretty darn healthy. In 2017 alone, greater Melbourne played host to over 73,605 advertised gigs and saw a total live music attendance of 17.5 million punters — that's up 19 percent and 12 percent respectively from 2012's census. In fact, audience numbers for live music events throughout the year were bigger than for AFL, cricket, the Spring Racing Carnival, A-League, basketball, netball, NRL and the Australian Grand Prix combined. And, while we hear plenty about Sydney live music venues shutting up shop, it seems the future's looking brighter for their southern counterparts, with 55% reporting an increased audience in the past 12 months. But the biggest news is perhaps that Melbourne now boasts one live music venue for every 9503 residents, making local music lovers the best-served in the world. Compare those figures with London's one venue per 34,350 residents, New York's one per 18,554 and LA's one per 19,607 ,and you'll have to agree Melbourne's absolutely killing it. The full Melbourne Live Music Census 2017 report is set to be presented at the Music Cities Convention - Melbourne on April 19.
News that's noice, tight and cool cool cool hasn't been the norm over the past year or so, including when US TV network NBC announced that Brooklyn Nine-Nine would end after its next (and eighth) season. That revelation sparked plenty of questions, all of varying degrees of importance. One of the most crucial: how many more times will Jake Peralta (Andy Samberg) say "title of your sex tape"? Other essential queries have been running through B99 fans' minds since then, of course. So, if you've been wondering what this last batch of ten episodes will have in store for Brooklyn's fictional 99th police precinct, how the series will wrap up and if Gina Linetti (Chelsea Peretti) will make a final appearance — and how much more yoghurt can Terry Jeffords (Terry Crews) eat, too — you're not alone. Thankfully, in just a couple of weeks, answers will start flowing. That's when Brooklyn Nine-Nine's last season will hit screens for a final farewell. Come Friday, August 13, SBS On Demand and SBS will start both streaming and airing the show's last batch of episodes, starting with a double to kick things off, then dropping further eps week by week. Back in May, US network NBC revealed that Brooklyn Nine-Nine's last season would launch following the Tokyo Olympics — and it also dropped a teaser trailer — so, given that SBS has fast-tracked recent seasons, this is both an unsurprising and overwhelmingly welcome development. How many times Die Hard will get a mention before the series says "yippee-ki-yay" for the last time? How will Peralta and Amy Santiago (Melissa Fumero) handle parenthood? What other tidbits will Rosa Diaz (Stephanie Beatriz) drop about her past in passing? Which crazy food items will Hitchcock (Dirk Blocker) and Scully (Joel McKinnon Miller) eat? They're some of the other questions you're probably now pondering, as well as exactly what else the whole gang — including Charles Boyle (Joe Lo Truglio) and Raymond Holt (Andre Braugher), of course — will get up to. If you'd like to start planning your own Halloween heist now in celebration — yes, a few months early — that's perfectly understandable. Check out the teaser trailer for Brooklyn Nine-Nine's final season below: https://www.youtube.com/watch?v=oRFDHqFiYoE&t=3s The first two episodes of Brooklyn Nine-Nine's eighth and final season will be able to stream via SBS On Demand (and to view on SBS) on Friday, August 13, with new episodes dropping weekly afterwards.
2022 marks 23 years since Baltimore high-school student Hae Min Lee was found dead, and 22 years since her ex-boyfriend Adnan Syed was convicted of her murder. It also marks eight years since the case became an international obsession thanks to the first season of Sarah Koenig's grimly addictive podcast Serial. Since the latter, the details have rarely been out of the spotlight — including the legal situation, as well as Syed's ongoing quest to have the extremely complex matter reassessed in the years after he was found guilty. And come Wednesday, September 21, the case will fuel a brand-new episode of Serial as well. Yes, everyone's favourite 2014 true-crime podcast obsession is returning to its original subject, with the Koenig-hosted audio series Serial set to drop a new episode about Syed. The reason? After more than two decades in prison, Syed's conviction has just been vacated by the Baltimore City Circuit Court, with Syed released today, Tuesday, September 20, Down Under time. Syed has been released into home detention while the state has 30 days to decide whether to pursue a new trial or dismiss the case. The New York Times reports that Judge Melissa Phinn overturned the conviction "in the interests of fairness and justice". Her ruling came after finding that prosecutors did not turn over evidence that may have assisted Syed during his trial, as well as new evidence might've influenced the outcome. Serial confirmed via social media that Koenig was at the courthouse when Syed was released, and that a new episode of the podcast will arrive tomorrow morning US time. Syed was convicted of first-degree murder in 2020, sentenced to life in prison, and has been fighting his case through the courts ever since. While he was granted a new trial in 2016, that ruling was subsequently appealed by the State of Maryland — only for the Court of Special Appeals to agree to vacate Syed's conviction and finally give him that retrial. Then in 2019, in Maryland's Court of Appeals, that retrial request was denied, but Syed's attorney committed to keep battling. Lee's murder and Syed's conviction were also the subject of HBO documentary series The Case Against Adnan Syed, which picked up where Serial's 12-episode first season left off — not only exploring 18-year-old Lee's death in 1999 and Syed's conviction the year afterwards, but the latter's ongoing legal questions. The doco featured everything from Lee and Syed's relationship to the original police investigation and trial, and also the developments up until when it released in 2018, gaining exclusive access to Syed, his family and his lawyers. Keen to re-binge Serial today? Aren't we all. If you don't have time, The Case Against Adnan Syed is available to stream via Fetch in Australia — and you can check out the trailer below: Serial's new episode about Adnan Syed will drop on Wednesday, September 21 Australia and New Zealand time. Keep an eye on Serial's website for further details. Image: The Case Against Adnan Syed, Syed Family / Courtesy of HBO.
Technology allows us to easily capture what we see and hear, and to share these sensory experiences in photos and soundbites. But so far, our sense of smell has been far less casually reproducible. Designer Amy Radcliffe, acknowledging both the disappointment and value of this, has created a scent "camera" that could make us all into amateur perfumiers. Radcliffe's Central Saint Martins MA thesis project, the Madeleine, is a quaint-looking device that makes use of chemist Roman Kaiser's "headspace capture" method from the 1970s. The Madeleine is like something out of The Jetsons, with hipster appeal provided by the tasteful, white ceramic vacuum casing and terrarium-like funnel. The user places said funnel over the source of the smell to be recorded, and then before his/her very eyes, the smell is sucked through a cute plastic hose into an absorbent resin odour trap. Check out the video to see the process. Resurrecting a sense of ceremony from the pre-digital age, you'd then nip over to the local processing lab with your vial of scent and transform it into a liquid fragrance, much like getting photos developed back in the '90s. Once the chemical signature is decoded, that fragrance is captured forever. What's the imaginative power of a pocket perfumier? Scent is, of course, the most potent memory trigger among our senses. Now there's scope to preserve the unique scent of a loved one, long after they've left your life. Imagine posting your crush the smell of jasmine outside your window (or certain, naughtier things) instead of a mixtape. One day there could even be a SoundHound for smells, as in, "Love the perfume that chick's wearing, what is it?" Whip out your smell-o-cam of the future and find out. Radcliffe is now developing the Madeleine further with fragrance labs. Will our olfactory world be cheapened by oversharing and oversaturation of scents? Or enhanced by our raised awareness of the smells around us? Just as Instagram can tend to make you see life in terms of potential freeze-frames, scentography may sharpen your nose to sniffing out shareable fragrances. Via the Guardian.
A group of 88 writers and editors, including The Slap author Christos Tsiolkas, Nobel Prize winner JM Coetzee, Miles Franklin award-winning author Anna Funder, The Family Law writer Benjamin Law and Meanjin editor Zora Sanders, have written an open letter to Prime Minister Tony Abbott, Treasurer Joe Hockey and Minister for the Arts George Brandis published in The Guardian, outlining their "dismay" at "the many proposed changes to health, education and welfare support announced in the 2014 budget" and their objections to "the reduction in arts funding". On May 13, Hockey revealed a $28.2 million cut to Australia Council funding, a $38 million cut to the Screen Australia budget and a $120 million cut to the ABC and the SBS over the next four years. "This decrease in federal support will be devastating to those who make art of any kind in this country," the letter states. "Many important works, works that would inform national debate and expand the horizons of Australia and its citizens, will simply never be made. Ultimately, these cuts will impoverish Australian culture and society." However, the argument doesn’t stop at moral, emotional and intellectual wealth. The writers point out that in 2008-09, the arts were responsible for adding 7% (or $86 billion) to the national GDP, and in 2011 cultural industries kept 531,000 individuals employed, while creating another 3.7 million jobs. Meanwhile, "it is worth noting that the mining sector only provides $121bn to the GDP, and employs fewer workers (187,400 directly, 599,680 indirectly), yet receives far more government financial support at federal and state levels." Moreover, they continue, the budget not only affects major organisations such as Australian Ballet (which has actually seen a hefty $1 million top up from the government for its budget) but also the threatened international touring capacity of regional companies like Bangarra Dance Theatre. Also affected will be the ability of "decades-old publications continue to foster a love of literature, finding and supporting new writers who will become tomorrow’s great Australian authors." "The loss of funding will devastate these smaller organisations and practitioners, robbing Australia of a whole generation of artists, writers, publishers, editors, theatre makers, actors, dancers and thinkers," they conclude. "Crucially, it will deprive people, particularly in rural and regional areas and in remote communities, of the opportunity to create, educate, learn and collaborate. These proposed funding cuts endanger us intellectually, artistically and severely damage our reputation internationally. Moreover, we fear the prospect of a world of culture and art that is unaffordable to the majority of Australians." Read the full letter here. Via The Guardian.
Pizza Hut. The noble and long-serving ‘za provider who filled our tummies at last-day-of-school pizza lunch and, in our uni student years, staved off hunger and calcium deficiency with cheap Tuesday deals. That is until in 1983 when the Dominos chain hit our shores. Dominos grew in reach and popularity and brought the Hut to its knees (or at least, to mainly smaller takeaway-only venues, less all-you-can-eat restaurants). Sure, there's still a few floating around (lookin' at you Goulburn), but they're harder and harder to come by nowadays. Once a dignified, family-friendly palace of soft serve on-tap, mini marshmallows and slice after slice after slice, Pizza Hut is now reduced to stunt-like takeaway grotesquery such as the Four 'N Twenty Meat Pie crust and its ilk, cramming more and more fast food, chicken nuggets, hot dogs, cheeseburgers into the crust until it’s just a misshapen farce oozing with disappointment. There's not much scope for an in-house sit-down pig-out any more. Apparently someone else has also noticed the decline. Sydney-based photographer Ho Hai Tran has taken up the quest of documenting the last surviving original Pizza Hut buildings before they pass into irrelevance. Tran has travelled 14,000kms across Australia, New Zealand and the USA to try and capture the photos of the buildings, most of which have been converted for other uses. “Pizza Hut buildings might not seem like the most aesthetically compelling structures, but they do ooze a certain charm”, says Tran. His purpose in all of this is historical record-keeping and maybe making Gen Y-ers shed a little tear because our world is crumbling to pieces. He’s even launched a Kickstarter to help him on his way. The archive of photographs will eventually be compiled into a book which has, in our humble opinion, the greatest title ever: Pizza Hunt. And the special edition even comes in a pizza box. Ouch, right in the childhood. Help Ho Hai Tran on his quest to immortalise the ‘Hut through by chipping into the Kickstarter.
After heading our way for Laneway Festival earlier in 2023, Japanese Australian singer-songwriter Joji is finally giving his Aussie fans the chance to catch a glimpse of him at his own headline gigs when he returns for a run of arena shows. The viral hitmaker is making his way Down Under fresh from a US run of gigs, including bringing the Pandemonium tour to Sydney at Qudos Bank Arena on Thursday, November 16. Joji's debut headline Australian shows have been a long time coming. After fostering a cult following on YouTube, he pivoted his talents to music in 2017, releasing three studio albums across the following six years. The entire trio of albums has spawned Top 40 hits in Australia, New Zealand and the US, and Joji is one of only a handful of artists that can claim to have multiple songs with over a billion streams on Spotify — with 'Glimpse of Us' and 'Slow Dancing in the Dark' both passing this impressive milestone. Concertgoers can expect the heartfelt emotions of Joji's ballads alongside a sprinkling of humour, with his live shows receiving online notoriety for the performer's onstage hijinx between and during songs. Scottish dance producer and singer Sam Gellaitry is on supporting duties alongside rapper SavageRealm, who also opened for Joji on his North American tour.
Last week, horticulturalists at the Royal Botanic Gardens announced that one of its rarest plants was preparing to flower for the first time in 15 years. The appropriately named corpse flower, due to its famously rancid odour, has the largest flower of any plant in the world, but it only blooms for 24-hours once every several years. The last time this spectacle was seen in the Harbour City was back in 2010. While it's impossible to predict exactly when the plant — nicknamed Putricia — will bloom, experts at the Gardens suggested last week that the day could be imminent. However, more than seven days on, Putricia has yet to open, leaving Sydneysiders on tenterhooks. Since the window of time to behold this floral wonder is so fleeting, a live stream via YouTube has been keeping Sydneysiders in their thousands up to date with the latest developments. A dramatic backdrop featuring tropical foliage, theatrical smoke and a velvet curtain has been added to a public viewing area, where the corpse flower, also known as the Bunga Bangkai in the plant's native Indonesia, is currently on display. Other than its extraordinary size, the Corpse Flower is most famous of its repulsive stench, which it uses to attract insect pollinators. Describing the plant's extraordinary stench, the Royal Botanic Gardens Manager of Volunteer Programs, Paul Nicholson, said: "If you've got some wet teenage socks, throw that into a blender, then you get some cat food you've left out in the sun, whack that in your blender, and then get some day old vomit. Put that in the blender, blend it all up, rip the lid off. That's the kind of smell you're getting." Putricia the Corpse Flower is on display to the public at the Royal Botanic Gardens now. Head to the Royal Botanic Gardens website for more details.
Who'll win orb-topped trophies? Who'll wear what? Who'll make the best, funniest and most rambling speeches? Whenever January hits and the Golden Globes approach for another year, they're the standard questions. Here's another: where can Australians watch the red carpet action and the ceremony? In 2023, the answer to that last query is streaming — and, to be specific, Stan. The Aussie platform has nabbed the exclusive broadcasting rights to this year's Golden Globes, covering both the pre-show and the awards themselves. Both will be streamed live on Wednesday, January 11, starting at 11am AEDT / 10am AEST for the arrivals and 12pm AEDT / 11am AEST for the gongs themselves. [caption id="attachment_884053" align="alignnone" width="1920"] CleftClips via Flickr[/caption] This'll mark the first time that Stan has aired the Golden Globes, which be beamed into your streaming queue from the Beverly Hilton Hotel in Los Angeles. On hosting duties: comedian Jerrod Carmichael. Nominated: a hefty list of the past year's best movies and TV shows, because these awards cover both. Among the big-screen contenders sits everything from Everything Everywhere All At Once and The Banshees of Inisherin to Glass Onion: A Knives Out Mystery and Elvis. On the small screen, The White Lotus, Severance, Only Murders in the Building, Abbott Elementary, Wednesday and more are vying for accolades. Australians have also earned a hefty showing among the nominees, including Baz Luhrmann's Best Director nom for Elvis, and Cate Blanchett, Margot Robbie, Hugh Jackman and Elizabeth Debicki all picking up acting nominations (for Tár, Bablyon, The Son and The Crown, respectively). If you're wondering who'll be presenting awards rather than trying to win them, expect to see Ana de Armas (The Gray Man), Billy Porter (Cinderella), Colman Domingo (Euphoria), Jamie Lee Curtis (Halloween Ends), Natasha Lyonne (Russian Doll), Nicole Byer (Nailed It!) and Quentin Tarantino (Once Upon a Time in Hollywood) among the folks taking to the stage. Of course, the fact that the 2023 Golden Globes take place on a Wednesday isn't the best for parties — although they will hopefully liven up the middle of your week. The 2023 Golden Globes will be announced on Wednesday, January 11 Australian time, streaming via Stan from 11am AEDT / 10am AEST for red carpet arrivals and 12pm AEDT / 11am AEST for the ceremony itself. Wondering who's nominated? Read our rundown of this year's nominees.
Every tattoo tells a story, whether it's the sole piece of ink adorning a person's skin or one of many on someone whose body is a walking art gallery. That tale can span many things, including the design's meaning and significance, and also everything around making and creating it. Get a tatt while standing 268 metres above Sydney, however, and you'll have one helluva anecdote to tell. For one morning only, Sydney Tower Eye's SKYWALK is offering something more than stunning views high above the Harbour City: tattoos. Teaming up with reality TV favourites Bondi Ink, it's hosting the world's highest tattoo studio over a quarter of a kilometre above the ground, at a pop-up announced to mark World Tattoo Day. That occasion — because there's one for everything — falls on Tuesday, March 21 in 2023. But the sky-high inking will occur from 9–10.30am on Wednesday, April 5. And, to truly commemorate a pop-up tattoo parlour setting up shop at such lofty heights, the folks getting everlasting mementos will actually receive Sydney skyline-inspired tattoos. Given that Bondi Ink is only whipping out its machines for 90 minutes, only two people will be inked — and if you're keen, you'll need to hope that you're one of the lucky winners. To enter, hit up the Sydney Tower Eye website before 11.59pm AEDT on Monday, March 27, and explain both which part of your body you'd like your new tatt to decorate and why you're so eager. [caption id="attachment_782364" align="alignnone" width="1920"] Sander Dalhuisen[/caption] "I've tattooed for some interesting events in my time but being invited to create a design for 'The World's Highest Tattoo Studio' on the Sydney Tower Eye is pretty unique; I'm looking forward to it," said Chris Molt, a Bondi Ink artist known for his airbrush, fine line and script skills. "We're already spoilt with our view at Bondi Ink, but the crew loved seeing the whole city from up high on the SKYWALK. No better view to feed into our Sydney skyline tattoo-designing," shared his colleague and visual artist Cristina Martinez, who has a penchant for fine line, traditional and colour tatts. Whoever Chris and Cristina end up inking, they'll get a semi-realistic design representing the Sydney vista, and then take a victory stride on the SKYWALK afterwards. Sydney locals, this might be the ultimate way to show your love for your home town. Interstate visitors, this is quite the souvenir. And new ink with a view — and of a view — isn't in your future, you can nab a ticket to head up to the Sydney Tower Eye Observation Deck on the day from 9am to watch. Bondi Ink's 'World's Highest Tattoo Studio' will pop up on Sydney Tower Eye's SKYWALK from 9–10.30am on Wednesday, April 5. To enter the competition to get inked, hit up the Sydney Tower Eye website before 11.59pm AEDT on Monday, March 27. For tickets to watch, head to the same place.
Attention BLACKPINK fans around Australasia — the good news just keeps on coming. After the announcement of their new single release this month and their Born Pink album dropping in September, the world's most successful female K-Pop group have another announcement on their hands — a world tour which just happens to include us here in Australia and New Zealand. View this post on Instagram A post shared by BLΛƆKPIИK (@blackpinkofficial) The dates for the Born Pink World Tour were unveiled in a post on Instagram this week, revealing the tour kicks off in Seoul before moving through the US and Europe. Then come June 2023, BLACKPINK will spend the final leg of the tour performing over two nights in Melbourne (June 10-11), two nights in Sydney (June 16-17), and one night in Auckland (June 21). So far no ensues or ticketing information has been released, but we'll keep all those stans up to date with more news as it comes to hand. BLACKPINK's Australasian tour dates: 10 June: Melbourne, Australia 11 June: Melbourne, Australia 16 June: Sydney, Australia 17 June: Sydney, Australia 21 June: Auckland, New Zealand BLACKPINK's world tour will be headed to Australia and New Zealand in June 2023. Top image: Jiya & Arcam
If there is one thing we can learn from the social network juggernaut that was Kony2012, it is that the pervasive power of Facebook provides internet activists or hacktivists with a unique capacity to transform public consciousness on a truly global scale. As such, a number of environmental activists are not only taking to the streets but taking to Facebook in an attempt to raise awareness about the pressing environmental issues that face society today. Here are six innovative groups and apps that have taken the fight for a greener future into the world of Facebook. Tree-Nation Tree-Nation is one of numerous Facebook groups committed to fighting deforestation and desertification through replanting trees. For every ten people who join the Tree-Nation Facebook page, the organisation will plant one tree. Even more ambitiously, Facebook group iChapter has promised to plant one tree for every new member, with the aim to eventually plant a total of 100,000 trees. For the more Facebook savvy of you, the Earthkeepers have created an app that allows users to plant a virtual tree, tend to it and share it with friends, with every fully matured virtual tree resulting in Earthkeepers planting a tree in the real world. Make Me Sustainable Make Me Sustainable allows users to measure their impact on the environment by tracking energy consumption and carbon footprint, allowing you to see how an action as simple as changing a light bulb can reduce your environmental impact. While there is a great range of software available for individuals and businesses that help in reducing your environmental footprint, Make Me Sustainable is unique as it provides a forum for sharing information and strategies for sustainable living and a virtual space to network with other environmentally-minded individuals on a national and even international scale. A Climate for Change Not simply a Facebook application, A Climate for Change is in fact a whole new social network built around the goal of tackling the issue of climate change. Users create profiles where they share anything and everything they have to say about global warming from rants about the Carbon Tax to interesting articles and videos about the effects of our warming planet. The We Campaign As the name suggests, The We Campaign hopes to shift our focus from what 'I' can do to make a difference but what 'we' as a global community, connected through our shared desires and the power of Facebook, can do together to protect and preserve the environment. The We Campaign app awards points to users for taking certain environmental actions, with donors giving $1 to fight global warming for every 10 points earnt. Trees Have Rights Too In the age of social networking environmental activists no longer have to chain themselves to giant oaks in order to fight for their right to exist. Trees Have Rights Too not only functions as an awareness group, describing how every Christmas season 6 million trees are killed and then disposed of, but also as a particularly vocal advocacy group for the rights of trees everywhere. The group is currently aiming to petition the United Nations to create a Bill of Planetary Rights that places guidelines and regulations on government deforestation. (Lil) Green Patch The now defunct Facebook app, (Lil) Green Patch was once the most used application on Facebook and well-and-truly silenced the doubters who believed that social media couldn't be used to create meaningful environmental change. The app allowed users to tend to a virtual garden, adding little munchkin-like people, plants and flowers and in the process users would raise money for "Nature Conservancy" to save the rainforest. According to one count (Lil) Green Patch raised more than $200,000 for Nature Conservancy over two years, which represented the conservation of rainforests across the globe with an area of 70 million square feet of Costa Rican saved in the first six months alone. (Lil) Green Patch is now the benchmark for every new environmentally-minded Facebook app.
"Kylie Minogue in her gold hotpants in 'Spinning Around'. That just came to my mind straight away. That was pretty amazing." Ask Celeste Barber to pick her favourite Australian fashion moment and she goes straight for an icon being an icon. In one of 2023's best trends, Barber has spent the year ushering everyone through the ins and outs of wellness and fashion. First came Wellmania, the comedian and actor's Netflix dramedy series about a 39-year-old journalist who copes with a health crisis by embracing prioritising her wellbeing, aka journeying through everything the self-care industry has to offer. Now arrives The Way We Wore, with Barber hosting the new three-part ABC documentary about a subject that she's been interested in since she was a child donning costumes as a dancer, and then a teenager collecting fashion magazines. Barber is no stranger to obsessing over threads in public — or, to be more accurate, parodying whatever's in vogue in the sartorial and celebrity realms. While her career began with acting, complete with an 87-episode stint on All Saints, her #celestechallengeaccepted social-media spoofs have helped make her a household name. If the internet has become fixated on a celeb look, snap or video, Barber has likely satirised it. Most recently, Kim Kardashian's Skims nipple bra launch has been in her sights, but that's just her latest skewering stint. The tone of The Way We Wore is light, but this docuseries isn't a comedy. Instead, as screening on ABC TV from 8pm on Tuesday, November 21 and streaming in full on ABC iView from the same date, it's a sincere and appreciative step through the history and importance of Aussie fashion. Barber didn't ever dream that her career would bring her here, but given that she's hosted The LA Fashion Awards in 2019, appeared on magazine covers and worked with Tom Ford at 2018's New York Fashion Week, it makes sense to her now. "No, no, never, never," Barber tells Concrete Playground about whether fronting a series like The Way We Wore ever seemed possible when she was starting out. "I've always thought I'd have a place in the entertainment industry, but not being someone to narrate documentary on the history of fashion, and it making sense that I did it. When I approached, I was like 'it makes absolute sense that I do this', but I would never have thought that when I was younger — no way." Unsurprisingly, Barber makes an engaging guide through Australian fashion's evolution. With Nel Minchin (Firestarter — The Story of Bangarra) directing, and everyone from Collette Dinnigan, Catherine Martin and Akira Isogawa to Charlee Fraser and Nakkiah Lui sharing their thoughts and experiences on-screen, she hosts an exploration of a sector that's anything but minor yet doesn't always get the appreciation it deserves. The country's need for something to score approval overseas before it can be embraced at home is something that Barber can relate to — "absolutely, and I have experienced that first hand," she advises — as is a process that she hopes all of The Way We Wore's viewers will experience: learning more about Aussie fashion prowess. The series' first episode filters its examination through Australian fashion media, a perfect topic for Barber as a self-described magazine lover. From there, it devotes its second instalment to the local pioneers taking Aussie threads to great heights, even if Barber didn't realise it as a kid growing up without the internet and thinking that Ken Done was the height of Down Under style. Then, The Way We Wore wraps up by pondering why Australian fashion hasn't been getting its due. Ahead of the show's premiere, we chatted with Barber about getting asked to host a fashion doco, her lifelong fascination with dressing up, becoming aware of Aussie designers, her relatable approach to the industry, what she learned from The Way We Wore and more. ON BEING ASKED TO HOST THE WAY WE WORE "I was approached — it was a while ago now — by Nel. She went to my agent to see if I had any interest in presenting this documentary. I love Nel, so I was like 'yes, I would love to do that'. It kind of just made sense to me that they wanted me to do it because I have such an opinion on the fashion industry. It was actually really interesting: I genuinely have an interest in this history of the fashion industry in Australia, and I think I know everything about everything, but it turns I really don't. So it was cool to discover things during the process of filming — and as I was reading the script, to learn things as well." ON ALWAYS LOVING FASHION "I've just always been aware of it. I've always loved fashion. My mum was quite a stylish person. My friends at school used to even say that about her. She's always been really stylish and that got me interested in it. I love magazines — when I was younger, I used to collect them. So, it's just always been around. I've enjoyed the theatre of it as well, the fun side of it, the expressive part of it. Because I danced when I was young, I used to have a room full of costumes that my dad built. My mum would make costumes and store them in this special little room. I've always dressed up and had fun, and I've always had a big fun imagination, and putting on different clothes helped express that. So, as I said before, it's always been a really fun, expressive experience for me." ON THAT AFFECTION FOR FASHION EVOLVING NOT ONLY ACROSS BARBER'S CHILDHOOD, BUT NOW "When I was older, I used to always get InStyle, and I used to collect them. It was fun to see the glossy side. I'd like pretend that I could possibly wear some of that stuff on them — I remember seeing Miranda Kerr with a cute crop top on, and I was like 'yeah, I can do that'. Turns out I can't. I absolutely cannot do that. But it's evolved for me over the years as I get older, like how the 90s fashions are back now. I'm having so much more fun with 90s fashions now than I did when I was younger. When you're a teenager, you're just scared of it. You're scared of putting that acid-wash jacket on the wrong way and then your friends would never talk to you again. But now I'm like 'I don't care, let's just see how we go'." ON BARBER'S EARLY AWARENESS OF AUSTRALIAN FASHION "There was no internet when I was growing up, so you think Ken Done is the biggest thing in the world. There's no other world out there. We went to America for a family holiday once, and I was rocking Ken Done because that's the only designer in the world, right, when you're a kid and there's no internet to tell you otherwise. I didn't go 'I know Valentino was predominantly in Rome, but you'll find that Tom Ford had started off in…'. I didn't have an understanding of that. It was just mum told me to wear that, so I wore that. I think in my InStyle days, when I was buying InStyles and cutting them all up and making my own little magazines out of them — they'd do features on international designers, and I'd be like 'oh, that's bigger, that's different'. But we always held our own. The Australian fashion industry has always held its own." ON STARTING BARBER'S SOCIAL-MEDIA FASHION PARODIES "Just seeing how social media can be toxic in making women feel that if they don't look a certain way that they don't deserve love — I like pushing against this idea of perfection, so I thought I just wanted to make fun of that idea of perfection. I've always just cut through bullshit. It's always been my thing. No one ever is unsure of where they stand with me. So what I saw that with these new apps, with these devices that we're all holding in our hands, was just a new way for women to hate themselves. I thought that I wanted play around with it a bit and see what happens. Turns out it went very well." ON STRIKING A CHORD BY SATIRISING TRENDS ONLINE, AND THE IMPACT UPON BARBER'S CAREER "I kind of always knew it was funny, and I knew that it would help get eyes on me. That's part of the reason why I did it. I always just thought I'd be okay. I've never ever given up. When it comes to my career, I've just never, ever given up — and I've tried to do as much as I can to work and get in the industry. And now it's happened, I guess it's not lost on me for sure. But people have only really known about me in the past few years — I've been at this for decades, so I really worked at it. Don't get me wrong, when I get a text message from someone super fancy, I'm like 'that's awesome'. Or, you know getting invited to things is still brilliant. I'm just enjoying the wave, enjoying the ride." ON BARBER'S APPROACH TO MAKING FASHION AND WELLNESS RELATABLE "It's just my experience in it. It's just my take on it. I don't really come at it by going 'this is super-relatable, I'm excellent' — and I think that's what makes it relatable. I'm like, well, this is just my experience in it, and if I'm experiencing it and I'm just an average lady, then there's a very good chance that someone else has also experienced it like that. Social media, media as a whole, just in general society, we have a handful of the types of women that we are happy to see. And I don't fall within that handful of women, and majority of women don't fall within that handful of women that are being celebrated publicly. So when you see someone like me who is now public and it's quite unusual for someone like me to be public it makes, I think, people feel more comfortable and more seen. That's always a nice feeling." @abciview 🤩🤩🤩 #TheWayWeWore #CelesteBarber @celestebarber #Fashion #Documentary #ABCiview #AustralianHistory #FashionTikTok #AustralianFashion #FashionDesign ♬ original sound - ABC iview ON WHAT BARBER LEARNED WHILE HOSTING THE WAY WE WORE — AND WHAT SHE HOPES THAT VIEWERS WILL LEARN, TOO "The main thing that stood out for me was how big the fashion industry is in Australia. It's a multi-billion-dollar industry and it actually employs more people than mining. I had no idea of that. I've always thought it was great and awesome, and I'm a contributor to the industry, but I had no idea that on an economic level it was so impactful. I hope that the series will open people's eyes to it because, as I say, I didn't know that. Even when I started, when I was reading through that sort of stuff — we actually do a bit of a joke in the doco where I'm like 'really, are you sure we fact-checked that?'. Because the fashion industry is seen as a female-dominated industry, I don't think it's always taken as seriously, and that has something to do with it. But you can't deny those numbers. So hopefully when people watch it, they realise how big and successful it is." The Way We Wore screens on ABC TV from 8pm on Tuesday, November 21, dropping episodes weekly — and streams in full on ABC iView from the same date. The Way We Wore images: Mark Rogers. Wellmania images: Netflix.
Spring 2022 wasn't a happy time for This That, or for Newcastle and Brisbane folks planning to dance their way through the music festival. After hosting fests in both spots earlier that year, the event had to pull the plug on its October and November dates "due to a combination of issues", organisers advised. This That had always promised that it'd be back in spring 2023, however, and now it's locked in its new dates. Queenslanders, you're heading to Sandstone Point Hotel on Saturday, November 4. Music lovers of New South Wales, make a date with Wickham Park in Newcastle on Saturday, November 11. So far, there's no word on a lineup, after 2022's fests featured Hayden James, WHATSONOT, The Rubens, Spacey Jane, Dune Rats, WAAX, Client Liaison, Meg Mac and more. The cancelled events the same year were due to host Earl Sweatshirt and Flight Facilities, plus The Presets, Vera Blue, Winston Surfshirt, DMA's, Chillinit, Skeggs, Hockey Dad and Jesswar, although whether any will pop up in 2023 is yet to be revealed. For now, organisers are teasing This That's biggest festival to date, as well as its largest roster of international acts. Expect more details soon, with the event's website already taking pre-sale registrations. THIS THAT NOVEMBER 2023 DATES: Saturday, November 4 Sandstone Point Hotel, Sandstone Point, Queensland Saturday, November 11: Wickham Park, Newcastle, New South Wales This That will return in November 2023, playing Sandstone Point in Queensland and Newcastle in New South Wales. For more information and to sign up for pre-sale tickets, head to the festival's website. Images: Mitch Lowe / Jordan Munns.
