The Grounds of Alexandria may have just turned five years old and opened its first permanent spinoff The Grounds of the City, but the team behind the almost iconic Sydney venue are not one to sit on their hands. Instead, they've launched a new series of after-dark music events in their fairy-lit Alexandria garden. On Thursday, September 14, the space will be taken over by live gigs, and, of course, some quality food. The third edition of Sounds from The Grounds will see the garden filled with the pop-soul tunes of Sydney-based singer-songwriter Emma Joy. While the music kicks off from 8pm, The Pizza Silo will be slinging their much-loved wood-fired pizzas and The Soda Barn will serve up beer, wine and cocktails from 7pm. While the last event was $15, this one will set you back $25. You'll have to purchase your food and drink, and seating will be limited so be sure arrive early to get a prime posi.
China Heights presents National Props, the debut exhibition of photographic works from Alexandra Zorbas-Maiden. The works, inspired by big cities, their paradoxes and hyper reality, present the polarity between the glory and prosperity of constructed environments. Zorbas-Maiden, fascinated by the cyclic building, branding, and abandoning rituals of metropolises, explores the sense of loss, alienation and discarded icons of Western culture. The exhibition is open for three short days, presenting a short, sharp voyage. Viewers are encouraged to embark on an exploration into the conception of reality, through its representation in signage, facades, trademarks and symbol. National Props is open from 6pm June 8, 12 to 5pm on June 9 and 10.
The first thing the lizard brain wants is shelter and food. Though our mental chassis have been polished up, we can’t hide the fact that there’s a primitive engine powering our motives. It’s the most basic tool in any storyteller’s box, and British playwright Martin Crimp has put it to fiendish use in Dealing with Clair.Connecting Britain’s 80s property boom to the current mood in Sydney, Cristabel Sved’s slick production tempts and teases her audience with the tale of a young real estate agent’s doomed seduction. The tragedy of this not-moral tale is that the greed and ambition we see on stage is the result of natural, uncontrollable factors – the grim reality of economics.Led by Laura Brent as the eponymous Clair, Sved’s cast deftly use Crimp’s poetry to draw a stark and gripping image of Sydney’s aspirant culture. Though sometimes the energy drops, there is enough of a foreshadowing atmosphere to draw you on to the dark climax.We are giving away 2 double passes, courtesy of Griffin Theatre. Email you name, phone number and address to hello@concreteplayground.com.au with 'Dealing With Claire Giveaway' in the subect line.
Even the most hardcore, band-lovin' Sydneysiders can’t afford tickets to every single gig. Until now, that is. Meet GiggedIn: the brand new service that, for one neat, monthly price, gives you access to unlimited shows in the city. Yep, it’s kind of like Spotify or Pandora, but for live music. You pay a single subscription for as many acts as your ears, eyes and dancing shoes can handle. Here’s how it works. Every day at 12pm, GiggedIn drops all new gigs on its website — two days before they’re set to happen. If you’re keen to go, you just hit the RSVP button. Voila! You’re automatically on the guest list. Show up on the day, with your ID in hand and you’ll be straight in the door. And we’re not talking just any old gigs, either. GiggedIn members get access to a slew of genuine talent — from triple j’s latest loved ones to international legends. Plus, every now and then, you’ll score entrance to festivals that have sold out already, as well as high-profile arena concerts. So far, GiggedIn has taken punters to Oxford Art Factory, Goodgod Small Club, Brighton Up Bar, The Vanguard, Newtown Social Club, The Metro and several other kicking venues about town. Still not convinced that it’s your cup of tea? Well, find out without outlaying a cent, by signing up for seven glorious days for free. Your trial will only start after your first RSVP so that way, you’ll get to find out exactly what a GiggedIn membership feels like, while your wallet stays perfectly intact. If your trial goes swimmingly, you can then sign up for as little as $35 a month. Concrete Playground readers get an even sweeter deal — if you enter the code FRIENDSOFCP you’ll actually get 30 percent off your first month (expires at the end of Jan 2016). And, should you not dig it, you can cancel anytime or even get a refund within 30 days. What’s the catch? There is none. You need never stay home with live YouTube shows again. Image: Dollar Photo Club.
It's that time of year again — Vivid Sydney 2019 is returning from May 24—June 15. All of the Sydney CBD will be awash with colourful lights and the streets will again bustle with the light-seeking masses. If you want to catch this year's best sights without fighting through the crowds, there's no better place than at the American Express Lounge (you don't even need an American Express card to get in, just register for free access here). Located on the rooftop of Cruise Bar within the Overseas Passenger Terminal, the lounge allows for expansive views across the Sydney Opera House, the MCA, across Circular Quay and the harbour beyond. Here's a list of all the Vivid sights you'll catch a glimpse at from the comfort of the rooftop lounge. [caption id="attachment_671534" align="alignnone" width="1920"] Destination NSW.[/caption] CITY SPARKLE, CIRCULAR QUAY For panoramic views of the City Sparkle light show, the American Express Lounge is the place to be. Created by 32 Hundred Lighting, it's a 'symphony of beams that play across the city skyline'. The show takes place atop some of Sydney's landmarks and, this year, uses 62 interactive light pillars. There will be 15 giant aquabeams along the Harbour Bridge's crest plus additional beams fixed atop the Bennelong Apartments, Overseas Passenger Terminal, Cahill Expressway and 18 CBD rooftops, as well as 13 colourfully lit building facades. If you want to get into more of the action after soaking it all in at the Lounge, head to the control room at East Circular Quay where you can interact with a 3D model of all the structures featured in City Sparkle. [caption id="attachment_720431" align="alignnone" width="1920"] Austral Floral Ballet by Andrew Thoma Huang and Bemo, render.[/caption] AUSTRAL FLORA BALLET, SYDNEY OPERA HOUSE Possibly Vivid's most iconic venue, the Sydney Opera House, is also in full view atop the American Express Lounge. This year, the white sails will be adorned by the Austral Flora Ballet light show, created by LA-based Chinese American artist and filmmaker Andrew Thomas Huang — the man behind sci-fi-style music videos for Björk, Sigur Rós and Thom Yorke. For Vivid, Huang has joined forces with choreographer Toogie Barcelo and LA design firm Bemo to create a light show that fuses contemporary dance with motion-capture technology. As the name suggests, the projection focuses on Australia's lush native flora — think waratahs, kangaroo paws and red beard orchids, among others. AMERICAN EXPRESS LOUNGE, OVERSEAS PASSENGER TERMINAL The Vivid installations aren't the only place to catch the lights, either. On your way up to the American Express Lounge, Cruise Bar will host its own light show. This impressive display will follow you as you head up to the rooftop venue. At the bar's marquee, you'll walk under an additional celestial canopy of lights, too. All this before you even take a seat. [caption id="attachment_720596" align="alignnone" width="1920"] Let Me Down, render.[/caption] LET ME DOWN, MUSEUM OF CONTEMPORARY ART The MCA's light installation Let Me Down is also in full view from the American Express Lounge. This year, the show has been created by Sydney-based artist Claudia Nicholson, who is making her Vivid debut. Nicholson was born in Colombia, and the installation acts as a homage to heritage through a mix of cultural traditions and pop culture references. Let Me Down adapts four of the artist's existing works — three alfombras de aserrín (sawdust carpets) and a floral arrangement called silleta. Award-winning LA creative studio Spinifex Group and Adelaide-based producer Lonelyspeck have helped turn the artwork into an animated display of creation, destruction and regeneration, with the works reconstructed through a sort of dance. [caption id="attachment_720426" align="alignnone" width="2280"] Under the Harbour, render.[/caption] UNDER THE HARBOUR, CUSTOMS HOUSE From the Lounge, you'll also be able to catch a partial view of Customs House. This year's light display on the facade of Customs House, Under the Harbour, explores the pulsing undersea world of the Sydney Harbour. Designed by Spinifex Group, expect a larger-than-life spectacle of neon-lit sea life, one of which is a giant octopus that wraps its tentacles around the sun. The spectacle will transport viewers into an underwater extravaganza of light and colour and is not to be missed. [caption id="attachment_624496" align="alignnone" width="1920"] James Horan.[/caption] HARBOUR LIGHTS, HARBOUR BRIDGE You can nab a glimpse of the iconic Sydney Harbour Bridge light show while you're up top, too. Both the bridge and the water will be spectacularly lit up by 32 Hundred Lighting, who will incorporate satellite navigation and passing commercial vessels to coordinate the show. Expect a broad colour spectrum to dance along the bridge and throughout the harbour, as local boats by Captain Cook Cruises add to the incredible display. [caption id="attachment_721563" align="alignnone" width="1920"] Celestial Pancake, render.[/caption] CELESTIAL PANCAKE, CIRCULAR QUAY When entering the ground floor of Cruise Bar, stop for a moment before heading up to the lounge. Here, you'll catch the Celestial Pancake light installation. This fibre-optic suspended light installation is meant to simulate the night sky and boasts colours inspired by space. Visitors can walk beneath the canopy, where hidden microphones allow participants to change the sweeping, spiralling light show by speaking into them. The installation's glittering lights can be seen from near or far and is just as impressive from the warmth of the lounge. When you need a break from the crowds but not the lights this Vivid season, American Express has your back. Gain access to the American Express Vivid Lounge for free — even if you don't yet have an American Express card. All you have to do is sign-up here. Top image: Austal Flora Ballet, Sydney Opera House
After moving to Holt Street in December, the Porteño team have closed their OG HQ on Cleveland Street for events only — so they've decided to put on their own event. 'The Sweet Creeps and Outlaws Tour', featuring Henry Wagons, Jonny Fritz and Ruby Boots, is headed to Sydney this week and kicking off the Easter long weekend right — with a one-off show at Porteño's original digs on Thursday, April 13. Presented by Porteño Events and Love Police, the gig will mark the first in a series of live music nights being held at the revamped venue. It's a solid trio they've got lined up for this first event — from the enigmatic character that is Henry Wagons to the country lyricism of Jonny Fritz and the soulful swagger of Ruby Boots. The stage will also be graced by Fritz' fiddler and sidekick, Joshua Hedley. The trio will play their own songs, each others' songs and covers in a night filled with Americana, rock, folk and blues. Tickets are $73.45 a pop and include the show, two drinks and Argentinian snacks from the Porteño kitchen.
Paris has its creepy catacombs. London is contemplating turning its subterranean tunnels into a network of cycle paths. But Sydney’s underground hasn’t been so easy to visit. Not until now, that is. If you’ve been curious about what lurks beneath, you’ll get a chance to find out when Sydney Open 2015 hits town on Sunday, November 1. Among the 50+ architectural secrets opening for exploration are the city’s Second World War tunnels, which twist and turn their way among the hidden depths of Hyde Park from St James Station. Meanwhile, at Central, you’ll be able to explore the spooky platforms 26 and 27, which were built in the 1970s, but have never seen a train. The ghostly stationmaster’s office and bathrooms are still intact. The only catch is that these, along with St Mary’s Cathedral Belltower, Sydney Town Hall Clock Tower, Central Station Clock Tower and the Opera House’s behind-the-scenes, are of limited capacity. So they’ll be exclusively accessible to those with one of 112 Golden Tickets. And to nab one of those, you’ll need to enter a draw by booking a standard OPEN ticket (aka City Pass) by October 16. If you can’t manage that — or you don’t happen to win — there’s no need to sulk. Sydney OPEN will be bringing you stacks more to see. For those who love their sandstone, there’ll be tours of James Barnet’s ornate Mortuary Railway Station in Chippendale, Francis Greenway’s St James Church (consecrated in 1824) and the City of Sydney Fire Station (built in 1887). And you'll also score an inside look at a couple of recent conversions. There’s Kensington Street, where a series of workers’ cottages built in the 1840s have been turned into an arty strip, featuring galleries, markets, small bars and eateries, as well as the Old Clare Hotel, housed within the former Carlton and United Breweries admin building as well as the original Clare. A slew of contemporary architectural feats are on the program, too. Sneak inside Harry Seidler’s creations at Australia Square, Grosvenor Place and 9 Castlereagh Street. Find out what the brutalists were on about inside the Sydney Masonic Centre’s 24-storey Civic Tower and UTS’s 33-storey Building 1. And check out Frank Gehry’s first Australian work — UTS’s Dr Chau Chak Wing Building, which features a curvy brick façade made of 320,000 custom-made bricks and a glass ‘curtain wall’. Then there are another 40 or so places to keep you busy. Book your ticket at the Sydney Living Museums website, and hope it turns golden.
Some days, don't you just want to run off and join a cult? That's the done thing in the movies, at least. From The Wicker Man to Kill List and Martha Marcy May Marlene to Sound of My Voice, creepy collectives led by charismatic figures continue to entice lost souls. One Eyed Girl is the latest effort to fall under the subgenre's sway, and to attempt to seduce its own followers. On screen, psychiatrist Travis (Mark Leonard Winter) is the troubled figure finding solace in a group, and a man, who contend to have all the answers. He's certainly ripe for the picking, his thoughts haunted by the one that got away — aka the girl he couldn't save (Katy Cheel) — and his self-medicating proving little assistance. When he spots teenager Grace (Tilda Cobham-Hervey from 52 Tuesdays) handing out flyers on the train, he initially dismisses her street preaching, but soon he's intrigued by the saviour (Steve Le Marquand) she champions. A pill-popping cry for help later, and Travis is out on the commune's farmland compound; however, their idea of salvation doesn't match his own. Off screen, first-time feature filmmaker Nick Matthews is also headed in the direction of wise heads and helping hands. The ghosts of cult films past linger over his moody debut, from the stereotypical characters to the just as typical power struggles. The sceptical newcomer, the adoring devotee and the commanding leader — we've seen all these before. We've also seen the fallout when questions are raised, and when someone refuses to comply with the status quo. Eyes are opened, and all that peace and love and believing in yourself goes out the door. And yet, while the writer/director clearly traverses familiar territory with a psychoanalysis versus natural therapy twist, he does so with confidence. After establishing his skills as a cinematographer on 2:37, as well as other various technical talents on projects such as Beautiful Kate and Wolf Creek 2, he's not so green that he's a mere disciple of similarly themed movies gone by; rather, he's heavily influenced by them. In fact, Matthews' ambitions see him taking on a couple of strands of cult stories, one an introspective journey about overcoming trauma, and the other a gung-ho thriller. Together, the two make a motivated but awkward combination, the movie never quite convincingly shifting from simmering anguish to all-out aggression. Sluggish pacing doesn't help, dragging through the first half and then rushing through the second. What does work is the film's unrelenting intensity. It clicks into gear with the opening shot and shows no signs of fading. One Eyed Girl always looks the moody part, whether roaming over icily shot city buildings or relishing the warmth of the countryside in contrast. It also simmers with tension even with its predictable plot, with the determined cast deserving much of the credit. They know what kind of movie they're in, and they play their parts perfectly. Their efforts — and Matthews' assurance — might only result in an okay addition to the fold, but it is one sure to be accepted by worshippers of cult films.
One of Sydney's venues is going green this summer, celebrating a big pop-culture phenomenon that's still getting plenty of affection two decades after it first hit. Yes, after all this time, everyone still loves animated favourite Shrek. So, Oxford Art Factory is hosting the ultimate Shrek party for adults: Shrek Rave. Rediscover why it really isn't easy being an ogre while listening to a Shrek DJ set, and joining in on a Smash Mouth sing-along. Still remember the words to the band's version of 'I'm a Believer'? Of course you do, and you have the song stuck in your head right now. Also part of the fun: Shrek-themed drink specials including Shrek Juice, Donkey Drank and Farquaad Fizz; free green glow sticks; an all-green dress code (obviously); a free green glitter bar; and a prize for best Shrek-inspired outfit. Here, all that glitters is indeed gold — and green — with the party happening from 9pm on Saturday, January 14. Tickets cost $30.19 per person. And yes, there's an earlier event in November, but it has already sold out because Sydneysiders sure do adore Shrek that much.
The late, great Jim Henson gave the world many things, including the Muppets in general, Sesame Street's loveable puppet characters, Kermit the Frog's memorable voice and all things Fraggle Rock. He also turned filmmaker three times, creating three of the great puppet movies of the 1980s — The Great Muppet Caper, The Dark Crystal and Labyrinth. While Labyrinth still earns plenty of attention for plenty of reasons — David Bowie being one of them, obviously — The Dark Crystal also deservedly holds a place in fans' hearts. Co-directed with his Muppets colleague Frank Oz, the fantasy-adventure flick follows a Gelfling called Jen, who is trying to bring back balance to his own world by finding and returning a broken shard from a powerful gem. Henson and Oz also worked their puppeting magic on the movie, of course. Over the years, a sequel has been mooted more than once, including one with Australian Daybreakers, Predestination and Winchester filmmakers Michael and Peter Spierig at the helm. No follow-ups have ever come to fruition, but Netflix has done the next best thing, reviving the beloved film for a ten-part series. Set to release at the end of August, The Dark Crystal: Age of Resistance is a prequel to the movie — and yes, it uses puppets for its protagonists, not CGI, as the just-dropped first teaser shows in stunning detail. Seemingly picking up where the film left off, it's based on Dark Crystal companion novels Shadows of the Dark Crystal and Song of the Dark Crystal. Age of Resistance also boasts quite the cast, with Rocketman's Taron Egerton, Glass' Anya Taylor-Joy and Game of Thrones' Nathalie Emmanuel voicing three elf-like Gelflings. They're joined by a hefty list of names, so prepare to hear the vocal tones of Helena Bonham Carter, Natalie Dormer, Eddie Izzard, Theo James, Toby Jones, Shazad Latif, Gugu Mbatha-Raw, Mark Strong, Alicia Vikander, Mark Hamill, Jason Isaacs, Keegan-Michael Key, Simon Pegg, and Andy Samberg as well. Check out the trailer below: https://www.youtube.com/watch?v=4KYLwTGx7uU The Dark Crystal: Age of Resistance hits Netflix on August 30.
Though only in its second year, Corroboree Sydney has already established itself as a stand out of the city's festival calendar. Featuring more than 100 events over 11 days, Corroboree is a unique celebration of our national Indigenous heritage, showcasing both the traditional and the contemporary sides of Aboriginal and Torres Straight Islander culture. While the weekend of live music and dance that makes up Homeground may be Corroboree's most well-known event, don't miss out on the variety of other escapades on offer. Our picks include Klub Koori, a nightly entertainment program at The Rocks Boatshed featuring DJs, soul singers and performance poetry, as well as the daily live shows on at the Art Gallery Café, made over with a new bush-food menu. Bangarra Dance Theatre's one-off outdoor showcase also promises to be a highlight, with the internationally-renowned company presenting a traditional Yolngu dance from North East Arnhem Land, as well as some of its most iconic contemporary works. For art lovers, Corroboree has you covered with a host of festival talks and tours. Visit the Australian Museum after dark for a private viewing of new show Garrigarrang: Sea Country. Sample bush-food inspired nibbles and get amongst the 300 artefacts on display, before learning about traditional Aboriginal marine knowledge from indigenous ecology expert Chels Marshall. Meanwhile, at the AGNSW, Aboriginal and Torres Strait Islander art curator Cara Pinchbeck will take you on a tour of the gallery's most significant indigenous artworks. Afterwards, stick around for one of the Corroboree Talks, a special series featuring Indigenous artists and elders as guest speakers. Don't miss the festival's equally compelling film program, with a series of shorts and feature length indigenous films screening at the MCA. Plus, the Sundance Institute of Indigenous Film, along with Australia's Blackfella Films, will present a retrospective of international indigenous works including homegrown Samson and Delilhah among others. Choose a screening followed by a Q&A and you'll get to hear from the filmmakers themselves. Corroboree Sydney runs from November 20 to 30. Check out the website for specific dates and program details.
As fans of a certain fictional cat-like Japanese character should already know, Hello Kitty Land is a real place that exists in Tokyo, and it's probably a bucket-list destination for your next Japan trip. But Sydneysiders don't need to hop on a plane to celebrate the bow-wearing, feline-resembling animated favourite for the next three months, with Darling Square hosting a huge Hello Kitty-themed street festival. Running now until Friday, April 29, this Hello Kitty fest is actually a Hello Kitty Town — so expect the precinct to be positively purring with all things Hello Kitty. Created in partnership with Sanrio, the Japanese company behind the super-popular character, the set up includes exhibitions, inflatable installations and Hello Kitty-themed food and drinks. Who doesn't want to eat a sandwich shaped like the perpetual third-grade student, or drink Hello Kitty rose mocktails? On the art side of the setup, Hello Kitty Town is home to Australia's largest Sanrio art exhibitions, spanning pieces from top graphic designers, illustrators and street artists such as UK cartoonist, writer and illustrator Gemma Correll, Berlin-based artist and illustrator DXTR, Melbourne large-scale mural painter Justine McAllister, and Aussie artist Travis Price, who is the featured artist for the festival — with their wares all displayed in an outdoor gallery. And, there's also a five-metre Hello Kitty inflatable that, yes, is as adorable as it sounds. Food- and drink-wise, the menu currently includes Ume Burger's Bad Badtz-Maru cheeseburger and white peach soda, plus Toastie Smith five limited-edition toasties that all come with Hello Kitty ham bows. Or, you can nab themed teas from Bubble Nini Tea, or dishes such as the Lazy Egg Burger at Auvers Cafe. There'll be more additions to the program — and to the menu — announced over the event's three-month run, tempting you to indulge your Hello Kitty love multiple times. That starts with Lunar New Year lion dances on Saturday, February 5–Sunday, February 6 February at 1pm and 7pm. Obviously, Hello Kitty merchandise is on sale, because a festival like this wouldn't be complete without it. And, also to the surprise of no-one, this is firmly a family-friendly affair. No one ever really outgrows Hello Kitty, though, do they? Hello Kitty Town is taking over Darling Square, 35 Tumbalong Boulevard, Haymarket, until Friday, April 29. For more information, head to the festival's website.
UPDATE, December 17, 2022: Strange World opened in cinemas on Thursday, November 24, and streams via Disney+ from Friday, December 23. In the Disney: The Magic of Animation exhibition that's doing the global rounds, including not one but two stops Down Under so far, spectacular concept art is the star. Walt Disney Animation Studios has made 61 films to-date, a selection of which are celebrated throughout the eye-catching showcase — and it's the intricately drawn and painted images used to help finalise the look of Fantasia, Bambi, Alice in Wonderland, Sleeping Beauty, The Little Mermaid and more that truly shimmer. That's the magical art behind the on-screen art, with every piece proving stunning when framed on a wall. So would the work behind Strange World, the Mouse House studio's latest movie. Actually, so would each image of its titular realm in the big-screen end result. Even by Disney animation standards, saying that this flick is visibly dazzling is a hefty understatement Strange World needs to be a visual knockout; when a title nods to an extraordinary and otherworldly place, it makes a promise. Director Don Hall and co-helmer/screenwriter Qui Nguyen, who last worked together as filmmaker and scribe on the also-resplendent Raya and the Last Dragon, meet that pledge with force — aka the movie's trademark approach. Strange World goes all-in on hallucinogenic scenery, glowing creatures and luminous pops of colour (pink hues especially) that simply astound. Indeed, calling it trippy is also an understatement. The picture is equally as zealous about its various layers of messaging, spanning humanity's treatment of the planet, learning to coexist with rather than command and conquer our surroundings, and navigating multigenerational family dynamics. A feature can be assertive, arresting and entertaining, however, because this is. Clade patriarch Jaeger (Dennis Quaid, Midway) can also be described as strong-willed and unsubtle, much to his son Searcher's (Jake Gyllenhaal, Ambulance) frustration. In the mountainous land of Avalonia, the former is a heroic explorer intent on seeing what's on the other side of those peaks — a feat that's never been achieved before — but the latter pleas for staying put, spotting a curious plant on their latest expedition and wanting to investigate its possibilities. Doing anything but bounding forth isn't the Clade way, Jaeger contends, sparking an icy father-son rift. Jaeger storms off, Searcher goes home, and Avalonia is revolutionised by pando, the energy-giving fruit from that just-discovered plant, over the next quarter-century. Then, in a locale that now enjoys electricity, hovering vehicles and other mod cons, the natural resource suddenly seems to start rotting from the root. Hall and Nguyen introduce their story in perky, pithy, old-school newsreel-style, with a tone-setting montage of Jaeger and Searcher's past adventurous feats — more of which can only follow. As much as Searcher rallies against retracing his father's footsteps and openly resents the expectation that traversing the land is in his blood, the pando crisis means he's the obvious choice to join President Callisto Mal (Lucy Liu, Death to 2021) on a journey down deep to see what's going on. Over the last 25 years, Searcher has become a husband to pilot Meridian (Gabrielle Union, Truth Be Told) and a dad to 16-year-old Ethan (Jaboukie Young-White, Only Murders in the Building), though, and is content in his farmer life. In contrast, the youngest Clade is raring to go, stowing away for the trip. That said, Ethan does share his father's yearning to want for embracing his own calling, rather than merely towing the family line. From the moment that Strange World's adolescent point of focus would rather be flirting with his cute crush Diazo (Jonathan Melo, American Horror Story) than doing his pando chores, the feature's history-repeating storyline is apparent. 'Tis the year for both Disney and cinema in general to address the weight assumptions that parents put on their kids, plus the pressure to chart a prescribed path, as Pixar's Turning Red similarly did, and Guillermo del Toro's Pinocchio, and sci-fi standout Everything Everywhere All At Once as well. If the first word in its moniker didn't make it plain, Strange World's visit to an underground realm that's upside down from the regular domain, populated with unusual creatures and perilous to humans also gives off big Stranger Things — but family-friendly — vibes. The Mouse House's Treasure Planet springs to mind, too, as do Jules Verne's contributions to literature. And, unsurprisingly when it comes to big eco messages and animation, Studio Ghibli's Nausicaa of the Valley of the Wind and Princess Mononoke got there first. Don't discount the impact that marrying familiar ideas with magnificent and mesmerising imagery can have, however, with Strange World's captivating aesthetic offering more than just pretty pictures. Those gorgeous visuals reflect the movie's open heart about embracing a vibrant existence, which Nguyen's screenplay lets sprout and spread in a heaving forest's worth of ways. It's there in belatedly giving Disney's animated flicks their first-ever out gay teenage lead character, in letting that fact be a regular narrative detail rather than the story's focus and in having Ethan value the dreamy subterranean domain the Clades find themselves in for what it is, for starters. Strange World knows that to see is to feel, and that that applies to overdue representation and environmental messaging alike. There's also a twist that hammers home the need to appreciate and respect the living world we're lucky enough to inhabit, and to revel in all of its diversity, but the film's frames make its statement anyway from the outset. The lush flora and fauna, the landscapes that could've backdropped 60s sci-fl, the cute blob named Splat that seems to be a friend: all of this draws Strange World's audience in and makes them cherish every single last piece. Accordingly, as heavy-handed as the movie is about its parallels with the present state of the earth, and as easily pieced-together as its rollicking adventure plot is, those beguiling sights — aka the animated film's version of David Attenborough-esque visuals — back everything up. Also, given the urgent importance of recognising the planet's fossil fuel-reliant predicament, plus the need to address the climate change that's springing as a result, a lack of nuance is hardly uncalled for. And while using a flick to lay the groundwork for more to come is one of modern cinema's worst traits, especially the Mouse House's, the ambitious Strange World closes out with ample intrigue to inspire further chapters — and to keep viewers coming back to this entrancing land.
Barangaroo's cult-favourite bakery Shortstop is staying open late this winter to host a series of after-dark doughnut-making masterclasses for its adoring fans. Join head doughnut maker Natalie Waugh on July 8, 29 and August 19 and learn all there is to know about creating these trendy desserts. The 90-minute class will see participants rolling, proofing and frying their own doughnuts from scratch. While the doughnuts are rising, you'll also be instructed through making three-types of glaze to finish the tasty treats off. Of course, you can't be expected to make doughnuts without eating some at the same time, so there will be fresh cinnamon doughnuts and batch brew coffee passed around while you bake. Tickets are a pricey $100, but include a box of professionally made doughnuts for takeaway, recipes for Shortstop's special yeast dough and your glaze creations from the night, plus a $10 voucher to the shop. All ingredients will be included, however you need to BYO apron and enclosed shoes are recommended. It's also recommended that you book in ASAP — these classes sell out very fast.
Wanderlust: getting itchy dust in your travel knickers. Kissing your mum goodbye and bikies, Euro-gays, gypsies, dreadlocked backpackers, earnest eco-warriors, conservatives, Mongolian goat herds and endless strange and wonderful vistas hello. If wanderlust is the desire to travel, what is wonderlust? The desire to ponder why? Spray can artist Xenz, or Graeme Brusby, has been described as the Monet of graffiti, and his first solo exhibition outside of London, Wonderlust, similarly shows a love for flowers, nature, water, all that jazz. But you can’t really imagine the portly French Impressionist skulking about the darkened streets of Bristol, his pants splattered with paint, surveillance cams swivelling like mad. Brusby enjoys the tension — while still loyal to his spray can, his work is more often seen these days on shiny gallery walls, replete with cutesy, Disney-esque bower birds, wisps of golden light, butterflies, fairy wrens and feathers. So just like a surf 'n' turf — double the flavours in one mouthful — you get to be street and serene at the same time. Wonderlust also references another bewhiskered elder, botanical illustrator John Gould, who, like Brusby, was a Brit obsessed with Aussie ornithology, resulting in the now seminal 19th century book, Birds of Australia. The gallery is quick to point out that this is only Gould if you spiked his tea with 700 spoonfuls of magic mushroom. Chubby, lollipop-hued parakeets sit against an achingly blue Australian sky, blue lagoons fade into the misty horizon, and in the back of the gallery, a mirror adorned with fronds and flowers puts you in amongst it all. But you do wonder, would it be a little too sickly sweet if Xenz hadn’t done the hard yards in graffiti first? Maybe Monet would know.
After a year of postponements, cancellations and online events, IRL live music is returning to Parramatta. From Thursday, March 25 until Sunday, April 18, outdoor events will take place across Parramatta, including performances from Australian musicians, an openair cinema and a roller skating rink. The program is split across four unique venues. Parramatta Square will host free jazz nights every Thursday to Sunday between March 25–April 11, with the likes of Cass Greaves, Esme, The Pocket Trio and Foshe performing. And, you don't even need to book. Alfred Square will be transformed into an openair cinema, showing much-loved flicks like La La Land and 10 Things I Hate About You as well as Bollywood hits Tanhaji and Street Dancer. At the al fresco cinema, you'll also be treated to some roaming entertainment, plus you can pick up movie snacks from the on-site food stalls. Tickets to catch a flick will cost $10, which is cheaper than heading to your local movie theatre. Also at Alfred Square will be the Roller Rink, where you can glide around to DJ tunes. It'll be open for a spin from 11am–5.30pm Monday–Wednesday and from 11am–10pm Thursday–Sunday, and will cost $5 for 30 minutes of skate time. If you want even greater thrills — or to keep the kids entertained — there'll be a few amusement rides dotted around, too. Then, the Eat Street car park will be decked out with arcade games and tunes — and of course, fried chicken haven Butter will be dishing up some tasty eats. Dubbed The Rooftop Hangout, the space will also feature performances from a slew of local talent including Briggs, Ruby Fields, Triple One and The Chats. Of course, you can pick up some snacks and drinks there, too. It'll be running every night form March 25–28 — and cost just a tenner to get in. Check out the full program over at Discover Parramatta. https://www.youtube.com/watch?v=e7XevQAVoBI
Triple 9 is the film equivalent of a song that catches your attention with a recognisable beat, yet still manages to get stuck in your head. You know you've seen this brand of testosterone-fuelled, tightly written crime effort before, but you can't help getting immersed in it anyway. There's plenty that's familiar in this blood-soaked tale of cops, robbers and ruthless Russian gangster, including the ways in which it uses its high-profile cast. But just because you know what to expect doesn't mean that the end result isn't effective or powerful. Starting with a chat between two shady figures, then barrelling into a bank heist, John Hillcoat's latest film explores the intersection of law and order in Atlanta. As it happens, most of the men behind the theft are current police officers or ex-military operatives. Corrupt detectives Marcus (Anthony Mackie) and Franco (Clifton Collins Jr.) work both sides of the line; shifty siblings Russell (Norman Reedus) and Gabe (Aaron Paul) lurk in the shadows; and former special forces contractor Michael (Chiwetel Ejiofor) oversees their operations. He's a pawn for mob boss Irina (Kate Winslet), who keeps threatening to take his son (and her nephew) away from him. Irina uses that leverage and her penchant for violence to not only strong-arm the crew into doing the first job, but to blackmail them into making a follow-up smash-and-grab on Homeland Security. Enter their nasty solution to the seemingly impossible task: distract the bulk of the city's police force by killing a cop. Marcus' new, straight-down-the-line partner Chris (Casey Affleck) is their target. Though newcomer Matt Cook is responsible for the screenplay, Triple 9 is a Hillcoat film through and through. The movie doesn't just follow in the footsteps of other gritty, murky crime fare — think Heat, Killing Them Softly and Sicario — but of the Australian filmmaker's own back catalogue, including The Proposition, The Road and Lawless. In his hands the film seethes with intensity, delivering menacing, mesmerising thrills. With Woody Harrelson, Gal Gadot, Theresa Palmer and Michael K. Williams joining the other well-known names, Hillcoat's stellar cast is on form. The film is an ensemble effort filled with fine actors doing what they do best — Paul playing drugged up and down-and-out; Winslet mastering yet another accent; Ejiofor navigating morally complex territory; and Affleck once again proving that he's more nuanced and compelling than his famous sibling. When the actors aren't snarling their lines at each other with distrust, they're stalking through hallways and shooting up freeways, in the film's most distinctive segments: its set pieces. Shot with energy and anxiety, and accompanied by an insidiously unsettling score, they're the feature's hooks. No matter how familiar everything else might seem, these sequences are sure to buzz through your brain, and ensure that you can't stop watching. https://www.youtube.com/watch?v=0zU817AmOOk
With its aqua waters, vibrant underwater world, remote white sand beaches and wild jungles, the Philippines is a globetrotter's dream. But given its unscathed and rugged terrain — a mix between Jurassic Park and The Beach — this is not a holiday for lounging by the pool. It's a time for exploring the great outdoors. And, since there are more than 7000 islands to choose from, you're truly spoiled for choice on holiday here. To ensure you stretch your legs someplace fantastic, we've teamed up with Cebu Pacific Air to round up the top five outdoor adventures to plan on your next trip to this Southeast Asian wonderland. It's easy as to hop from island-to-island with the airline, which flies to 36 airports around the Philippines, including Cebu, Manila, Coron, Bohol (Tagbilaran) and Siargao. What's more, it offers affordable international flights from Sydney and Melbourne to get you there, so all you really have to think about is what's on the cards when you land. Go canyoning through a waterfall, hike an active volcano, wreck dive into World War II battleships, zipline over ancient karsts and surf a world-famous wave, all on one trip. While many of these activities require a guide, you'll find that Filipinos are some of the friendliest and most knowledgeable locals. So get your hiking boots on, the Philippines is calling. HIKE AN ACTIVE VOLCANO IN THE NORTHERN PHILIPPINES Though Luzon is the largest island in the Philippines, many western travellers never make it past Manila. But outside of the country's city, the island is also home to some of the best attractions in the Philippines, including the rare opportunity to hike an active volcano like Bulkang Taal, located around 1.5 hours south of Manila. The second most active volcano in the Philippines, it's an easy day tour from Manila, costs around 1500 pesos ($40) per person and offers one of the most incredible views in the country. As the volcano is surrounded by a lake, you'll first take a 30-minute outrigger ride to the volcano's base. Once on the two-kilometre trek, expect sand-filled trails, volcanic steam vents and views of the nearby lakes and mountains. After reaching the summit, descend into the sulfuric crater lake, where you can swim in its natural hot springs. DIVE THE WRECKAGE OF WWII BATTLESHIPS IN CORON From Manila, hop a flight to Coron to explore some turquoise-tinted history. Coron Bay in Palawan is known for its iridescent blue-green lagoons, lime karsts, pristine islands and — for some brave adventurers — its wreck diving. The bay is considered to be the best wreck diving in Southeast Asia and some of the best in the world. Coron Bay is also the site where a series of Japanese supply fleets were sunk during WWII — namely the Akitsushima, Okikawa Maru, Olympia Maru, Kogyo Maru and The Iraku. The majority of the battleships sunk in close vicinity to Apo Reef and have been well preserved — we're talking 170-metre-long ships with passageways, lower levels and engine rooms to explore. Most of the accommodation options on Coron Island will organise a dive trip for you, and the dive shops also run certification courses for those who are new to the sport. ZIPLINE OVER THE CHOCOLATE HILLS IN BOHOL Jump on a flight to Bohol to catch one of the Philippines most mysterious attractions: the Chocolate Hills, a cluster of over 1000 hills in the centre of the island. Despite the name, this formation is not made of chocolate, but of limestone that holds an array of marine fossils like coral, molluscs and algae — meaning these puppies formed underwater and were pushed above the sea by tectonic activity. Nature, hey. While the hills are impressive on foot, a more extreme option is to view them from above, specifically, while suspended from a 200-metre-high zipline. For just 350 pesos (around $9) per person at The Danao Adventure Park, you'll be strapped into the cable harness horizontally so you're in a flying position and left to glide along the 480-metre long zipline, gazing at the massive gorge below. As you whizz past, take in the vast hills, mountains and jungle all around you. The ticket takes you there and back, so if you're too scared to open your eyes the first time, you'll get a second chance to catch it all. And, if you're adrenaline is still buzzing afterwards, you can also rent ATVs and traverse the hills on four wheels. Oh, and the name? It comes from the grass covering the hills that turns brown during the dry season. GO CANYONING THROUGH A WATERFALL IN CEBU The Philippines is replete with unbelievably picturesque waterfalls, but a straightforward hike isn't the only way to get to them. Instead, head to Cebu via its namesake airline and have a go at canyoning through the Kawasan Falls in Badian. Travellers can reach the falls via the towns of Moalboal or Alegria, where local guides will be waiting for you. A local tour costs around 1500 pesos (around $40) per person and includes lunch. If you prefer a pre-booked tour, Planet Action offers an international alternative at 2190 pesos (around $58) per person. During the four-to-five hour trek to Kawasan, you'll wade through impossibly turquoise waters and a series of crystal-clear pools at the canyon's base. Be prepared for multiple high water jumps (20 metres or more) and natural waterslides along the way, as well as a tree swing that dangles high above the Kawasan falls at the peak of your trek. If you're after a more difficult experience, opt for a tour of nearby Montaneza or Tison Falls, which requires abseiling, rappelling and climbing, too. SURF A WORLD-FAMOUS WAVE IN SIARGAO Siargao Island is the most sought-after surf spot in the Philippines and is famous around the globe, with its 'Cloud 9' wave ranked as one of the top ten in the world. Plus, the Siargao City airport is a cheap and quick 40-minute flight from Cebu on Cebu Pacific. With 27 kilometres of coastline exposed to swell, these islands are considered the 'surfing capital of the Philippines' for good reason. While some waves at Stimpy's and Tuason Point are for experts only, Siargao can also be a place for first-timers. Lanuza in Surigao del Sur is specifically known for its numerous surf camps that cater to beginners, so even newbies can hang ten. International surfing competitions also take place on Siargao Island throughout the year — with the most popular being the Siargao Cloud 9 Surfing Cup that takes place at the end of September each year. Ready for an adventure to the Philippines? Book with Cebu Pacific Air to get you there with affordable international flights from Melbourne and Sydney. Plus, Cebu is the largest airline in the country, offering the best inter-island connectivity in the Philippines, so you can easily fly to more fun.
If winter has left you unimpressed by the current state of your wardrobe — or if, y'know, you just like some fancy new clothes now and then — you'll be pretty pleased to know that the Big Fashion Sale is back. Usually, it's a physical affair that takes place in Sydney and Melbourne; however like plenty of other events at the moment, the shopping extravaganza has hopped online — and gone national — for its current outing. The name pretty much says it all. Happening from Monday, August 31, this thing is big. You'll find a hefty array of lush items from past collections, samples and one-offs from a huge lineup of cult Australian and international designers, both well-known and emerging — including Romance Was Born, Alexander McQueen, Isabel Marant, Max Mara, Kenzo, Ellery and more. With discounts of up to 80 percent off, and more than 700 items on offer, this is one way to up your count of designer threads while leaving your bank balance sitting pretty, too — whether you're keen on clothes, shoes, swimwear or accessories. The Big Fashion Sale's latest online sale kicks off on Monday, August 31 on the event's website.
NIDA's October season is here again. It's our opportunity to catch NIDA's graduating talents in action before they head off to win over Hollywood hearts. Five performances will showcase some of the nation's best and brightest in the fields of acting, costume, design, production and properties. The season kicks off with Enda Walsh's dark journey through urban decay and self-destruction, Sucking Dublin. Then there's Jane Bodie's new play, Hinterland, about the discovery of an ancient civilisation of which only four members remain. Meanwhile, ex-STC Associate Director Tom Wright will take on Shakespeare's romantic comedy Cymbeline and Imara Savage will direct an adaptation of Georg Buchner's Woyzeck, featuring music and lyrics by Tom Waits and Kathleen Brennan. Dennis Kelly's Osama the Hero, a provocative exploration of fear and dissent, is set to wrap up proceedings. At the same time, NIDA's EXPO 2013 will display the year's finest theatrical creations, in the way of costumes, props, rendering, model boxes and audiovisual works, and Writers 2013 will introduce the next generation of playwrights. Image: Woyzeck, photo by Lisa Maree Williams.
It can be assumed that whoever started the old wives' tale warning against pairing whisky and oysters just wanted to keep the secret to themselves. The Wild Rover — and those who have ventured through the bar's green door — know better. The Surry Hills bar is so into oysters it's rolling out an entire week of celebrations dedicated to them. Its famous lamb sausage roll will be forgotten for the week with a special menu that gives oysters the limelight — and from Monday, October 29 through to Saturday, November 3, you'll be able to slurp down some freshly shucked oysters for just $1 each. Get adventurous with po' boys and oyster chowder alongside a variety of paired drinks. For the week, the bar will be serving up a special list of whisky-heavy cocktails all featuring Talisker. The exact drinks have no yet been released, but are expected to be posted on the event page imminently. Concerned about the extensive oyster shell carnage from the week of celebrations? All shells will be donated to Ocean Watch to sustain Sydney Harbour marine life.
While Chinese art might conjure up images from centuries past for a lot of us, the White Rabbit collection maintains a focus on contemporary Chinese art created during this century. The collection rotates throughout the year, consistently bringing in new explorations into modern art in China. Beyond the art, White Rabbit also runs its own teahouse, serving up specialities in all types of Chinese tea. The warming teas sit alongside a selection of snacks, including a plate of handmade dumplings. A trip to the White Rabbit immerses you in contemporary and traditional Chinese culture, all without the cost of a plane ticket.
Much like its seemingly ageless leading man Keanu Reeves, the tale of The 47 Ronin is both several centuries old and beloved in Japan. Combining some of the most startling exemplars of courage, loyalty and honour, it's a sort of Kelly Gang meets Custer story in which a group of disavowed and banished Samurai (known as Ronin) stoically vow to avenge their master despite its absolute promise of death. From a production standpoint, 47 Ronin unexpectedly delights, with the costumes in particular showcasing the very best union of imagination and authenticity. Alongside some extraordinary set design, the extravagant armour of the Samurai, ornate dresses of the concubines and opulence of the Shogun all inject dazzling colour into an otherwise entirely dark affair. Even the cinematography feels more dramatic and dour than might be assumed for an action movie, which largely represents both 47 Ronin's strength and failing. That's because this is an entirely joyless film, and while no one should expect a story about retribution and mass suicide to be a laugh riot, there's almost always a little wriggle room for fun in an epic tale of witchcraft and warriors such as this. Truly, there is perhaps only one moment of levity in the entire movie and it comes at the expense of a fat man's 'moobs'. As a result, there's a certain lifelessness to 47 Ronin which saps it of the potential to be a tremendously enjoyable movie. It is, instead, a bleak and brooding affair that plods from scene to scene instead of gallopping. Much is made up for in the final battle which, to be fair, is excellent and one of the better set pieces seen in recent times; however, it leaves you wishing the rest of the film had been delivered in a similarly spectacular manner. https://youtube.com/watch?v=47_-pqoPDVQ
"The World Has Enough Superheroes". That's not our opinion, mind. Rather, it's literally the slogan for Venom, right there up on the posters. After watching the film, one wonders if it wasn't actually a studio note placed on the banners by accident. It's true, Venom is more antihero than superhero, but given he is still part of the wider Marvel universe (a Spider-Man spinoff owned by Sony Pictures), to call this anything other than a superhero movie is as laughable as Tom Hardy's attempt at bumbling comedy. Here he plays Eddie Brock, a VICE-like gritty street journalist whose video segments focus on taking down the rich, powerful and corrupt. Fixed firmly in his sights this time is the Elon Musk-esque tech mogul Carlton Drake (Rogue One's Riz Ahmed), whose determination to advance humankind routinely requires him to also sacrifice them in human trials. Drake's current focus is on four "symbiotes": amorphous sentient blobs from space who need to occupy a human host in order to survive our atmosphere. But Drake believes they also hold the key to humans being able to survive in space (which we'll need to do, because...global warming). In the course of his investigation, Eddie becomes entangled with one such symbiote (aka Venom), who wildly enhances Eddie's strength, speed and stamina, but also compels him to commit regular acts of extreme violence (mainly head eating) as they grapple to form some sort of symbiotic relationship. It's a device not entirely unlike the earlier Spider-Man villain Doctor Octopus, but even more so the recent Aussie film Upgrade, whose protagonist becomes infused with an AI that speaks to his subconscious and allows him to fight off hordes of villains whilst essentially watching on as a passenger in his own body. Directed by Ruben Fleischer (Zombieland), Venom flicks back and forth between violent battle scenes and mismatched buddy comedy, so much so that it never fully lands the vibe of either. It's almost as if Fleischer himself was possessed by a studio symbiote, one compelling him to make one type of film whilst he sought to make another. This incongruity is never clearer than in Hardy's misfiring performance as Brock, whose scratchy and stammering accent sounds like a half-baked Adam Sandler impression. Brock's presented as a hard-hitting journo one minute, then consistently called a loser the next – including by Venom. He's shown as principled and driven, then spends half the movie avoiding responsibility. He'll do whatever it takes, but often does nothing at all. The result is a character without an arc, ending the film – at best – somewhere in the ballpark of where he started. In all, Venom feels like an enormous squandered opportunity. Hardy is a juggernaut of charisma and physicality when given the right material, so to use him in this way is like using a prized stallion for birthday party pony rides. The same goes for his character's fiancée in the film, Anne, played by Michelle Williams. Decked out in the Spider-Man franchise's weirdly consistent tartan skirt and knee-high boots ensemble (seriously, what's up with that?), she's a paper-thin character with almost no reason to be there. An actor of her calibre deserves far better. There's the inevitable teaser of a sequel in the film's closing moments, including the introduction of another terrific performer. It's possible that with the back story and setup out of the way, Hardy and the gang could cast off the origin movie shackles and properly go for it next time round. That's assuming they even get the chance, which is by no means a lock given Venom's disastrous beginning. https://www.youtube.com/watch?v=u9Mv98Gr5pY
Start your engines: ChromeFest is roaring back to The Entrance this October, bringing three days of classic cars, chrome and old-school rock 'n' roll to Memorial Park and its surrounds from Friday, October 24 to Sunday, October 26. Now in its 17th year, the free, family-friendly festival is one of Australia's biggest classic car shows and rockabilly celebrations, drawing tens of thousands of visitors each spring. From classic Chevrolets and Mustangs to custom hot rods, more than 450 pre-1979 cars will line the foreshore across a bumper three days. You can also see these gleaming chrome machines in motion during the Friday Hinterland Cruise and the Saturday Twilight Cruise. A heap of festival faves will also return, including the ever-popular Pin-Up Pageant, as well as dedicated precincts like the ChromeBar, Bayview Mall Hub and the Entrance Social Hub, where you'll find everything from market stalls and food trucks to mini vintage speedway cars and dance lessons. As with previous editions, ChromeFest 2025 is just as much about music as it is about motors, with live rock 'n' roll acts set to keep vibes high across five outdoor stages all weekend long. Chrome After Dark will light up Friday night with high-octane performances by The Hellcat III, The Flattrackers and the return of the Kombi Keg bar. A special ticketed showcase at Tumbi Umbi's Mingara Recreation Club will turn the volume up on Saturday night, with US headliner Lance Lipinsky & The Lovers sharing the bill with Elvis by Anthony Petrucci and DJ George Galea. Dust off the pomade and brush up on your lindy hop — ChromeFest 2025 is shaping up as the Central Coast's ultimate spring weekender by the water.
UPDATE: Thursday, May 6 2021 – Due to new restrictions on dancing and singing, Picnic Presents CC:Disco has be postponed until Friday, June 4. The below article has been updated to reflect this. For the latest information, visit NSW Health. Fish your dancing shoes from the back of your wardrobe — there's a six-hour feel-good dance party coming to Sydney. Local nightlife crew Picnic are set to present yet another joyful session of dance music, this time headed up by internationally regarded DJ, CC:Disco. CC:Disco has played at festivals around Australia and the world including Glastonbury and Splendour in the Grass, and is now set to take on the UNSW Roundhouse following the release of her new compilation First Light Volume 2 on Friday, May 7. Joining her will be two of Sydney's most highly-regarded dance music curators, Adi Toohey and Mike Who. Hosting duties for the night will be in the hands of an array of the city's brightest dancers, performers and personalities. Gaff-E, Kelly Lovemonster, Beau Kirq, Millie Sykes, Radha and StellyG will all take the stage beneath Australia's largest disco ball to enhance the party experience. Tickets are $50 and capacity at the Roundhouse is limited to 900 people under current COVID-safe protocols, so snatch them up quick. [caption id="attachment_810766" align="alignnone" width="1920"] Milli Sykes[/caption]
Message the group chat ASAP: an arvo of cocktails is calling your name. This weekend, YCK Laneways is giving you the chance to dive into Sydney's casual drinking scene with a self-guided tour of its intimate precinct. Wander YCK will see you hitting up four of the precinct's bars back-to-back for a cocktail — think: bar-hopping levelled up. On Saturday, October 7, YCK Laneways' small bars will open their doors to serve up some stellar cocktails — and you'll be able to venture through four of your favourites from 4pm to 6pm, stopping for a drink at each one. Whether you're revelling in all that Sydney's bar scene has to offer or are simply ticking off stops on your pre-built hitlist, this one-off experience gives you the chance to explore some CBD favourites — and you'll be in the driver's seat the entire time. The self-guided tour will span your choice of eleven YCK venues, with the likes of Burrow Bar, Esteban, PS40, The Duke of Clarence and Tiva all on the standout lineup. And the best part? You'll be able to indulge in a cocktail from four of these beloved watering holes — and a quick bite from whichever bar you choose to kick off your journey — for just $69. In order to make the most of the deal, you'll have to be prepared and plan ahead. For the comprehensive planners, the interactive online map provided by YCK Laneways will be your holy grail. It's a fun and accessible way to learn about each venue on offer and pick your favourites. Then, head over to the first venue of your choosing on the day, where you'll receive four tokens. One of these tokens equates to a cocktail and a bite, which you'll collect from the starting venue, and the other three equate to a cocktail from each of the other bars on your itinerary, so be sure to peruse both the cocktails and bites available at each venue before finalising your order of opperations. If you ask us, we'd start at Esteban for a pork belly taco and a Jardin Urbano, before hitting Tiva and Burrow Bar on your way to PS40 — one of our favourite bars in Sydney — to finish things off with a Salted Pina Colada.
Drew Carey's first love was comedy. Despite long stints on sitcoms and hosting the US Price Is Right, stand-up and improvisational comedy were the things that really grabbed him. Carey's most enduring success is probably US import Whose Line Is It Anyway?, originally borrowed from a British TV show which made stars out of Wayne Brady and Greg Proops. Both recently made treks down under, leaving it to Carey to take his own turn on Australian shores as part of this year's Just for Laughs. Carey is bringing this expertise at wrangling comedians en masse to the Opera House at the festival's All-Star Comedy Gala, with a lineup of local and overseas comics set to take over the stage under his watchful eye. Carey's collection includes brash US star Bill Burr, Aussies like The Project's Charlie Pickering, and the Spiritual Journey-ed Judith Lucy (whose stylistic mix of the abrasive and the vulnerable should be a good fit to Carey's own mix of the same). More star power will be announced as the date draws nearer. And given Carey's comic-herding background, it should be interesting to see what the he does with an evening, comedians, and a willing audience. The Gala will run two shows on October 20, one at 7pm, the second at 9pm.
Welcome, everybody, to the wild, wild west. Oh wait, it's just the Art Gallery of New South Wales on a Wednesday night. Yup, for one night only the AGNSW will turn all things American western, in celebration of the gallery's current hit America: painting a nation. A journey through 200 years of American art and history, the major summer exhibition has been wowing Sydney crowds since November. But now it's time to have some good ol' fashioned American fun — with a special Art After Hours to be held on Wednesday, January 29. The night will feature performances from talented spoken-word artist Miles Merrill and one man band Trevor Brown, mixing live beats with American literary classics. Then, catch the screening of American classic To Kill a Mockingbird, try your luck at perfecting an all-'merican accent with specialist Paige Walker and get your picture taken in one of the themed photo booths — all this set against the rollicking tunes of the Green Mohair Suits. Boot-scooting made you hungry? Grab sliders, pulled pork and fries from the all-American diner, then wet your whistle in the pop-up bar, located at the entrance court. As always on a Wednesday night, the gallery will be open till 10, with complementary shuttle buses running every 15 minutes to various points in the city. Those keen to see the exhibition on the night will also receive a special two-for-one deal (available from 5pm).
Is this filmmaking debut from infamously anonymous street artist Banksy a hoax? Does it matter? These two questions will undoubtedly colour your viewing of this suitably opaque 'documentary'. Banksy is certainly no stranger to controversy, so it should come as no surprise that the faceless man behind such stunts as the West Bank Wall or the painted elephant (or just look at his website's homepage) should fancy messing with the minds of his captive cinema audience. Without digressing into just how 'meta' Exit Through the Gift Shop is (considering the title alone could get you started), the story follows one affable French expat by the name of Thierry Guetta, the owner of a vintage clothing store in LA and budding filmmaker. Guetta's familial connection to Paris's famed street artist Invader leads the garrulous Frenchman down the dark alleys of street artists, where he befriends all manner of 'graffiti' luminaries including Shepard Fairey (the man behind Barack Obama's election poster) and, eventually, Banksy himself. What follows is an increasingly bizarre documentation and commodification of street art as Guetta moves from behind the camera to transform himself into Mr. Brainwash. It's an amusing, instructive and disturbing evolution and one that absolutely rubbishes the modern art movement in its wake. Narrated by Rhys Ifans (Notting Hill) with some pointedly witty (and surely scripted) soundbites from Banksy, (regardless of its agenda) this is a well-paced and sophisticated debut. Indeed, Exit Through the Gift Shop is a film that needs to be seen to be disbelieved. The film will be accompanied by a pop-up gallery and 'gift shop' at the Dendy Newtown, where you can see iconic works by Banksy, Shepard Fairey, Mr. Brainwash and other street artists — and possibly take home a token of your own. It is open daily from 1 to 9pm until June 24. https://youtube.com/watch?v=a0b90YppquE
Vivid Sydney has returned after multiple postponements and cancellations. This year, the annual festival of lights, music and ideas isn't holding back when it comes to its sizeable lineup. To start, there are stunning light installations stretching across all parts of the city and at Taronga Zoo. There's also a heap of interactive activities, insightful talks and the festival's first-ever dinner with beloved chefs Mike Eggert and Dan Hong. As for the music, there are some huge international acts bracing our shores following two years of closed borders (Spiritualized, Cakes Da Killa, Chai and Perfume Genius to name a few). There's local favourites making much-hyped returns to the stage like Sampa the Great and Tkay Maidza. But there's also plenty of top-notch sets you can catch on a budget if the bank account has been squeezed a little too hard lately. From free outdoor festivals and expansive hip hop showcases to late-night dance parties and whole-venue takeovers, these are our picks for some of the best gigs under $50 happening during Vivid.
Extinction isn't permanent, apparently. Sydney's Night at the Museum-like party, Jurassic Lounge is being resurrected for a one-off event to celebrate Dia de los Muertos — the Mexican holiday Day of the Dead. Returning to the Australian Museum in collaboration with the new Aztecs exhibition, The Festivalists' beloved after-hours event will once again take over the entire museum on Saturday, November 1. Hinged around the epic Aztecs exhibition, the return of Jurassic Lounge ties Halloween-like Dia de los Muertos celebrations to their historic roots. "Day of the Dead celebrations date back to an Aztec festival dedicated to the goddess Mictecacihuatl," explains programming consultant Lupita Feint. "The festival traditionally gathers family and friends to remember those who have died and unfolds as a costumed fiesta. It has now spread around the world as a colourful cultural celebration." Scattered throughout the shadowy rooms of the museum you'll find Lady of the Dead performances by Pickled Tink and 2014 Miss Burlesque NSW winner Memphis Mae and an exhibition from Mexican photographer Roberto Duran. Mexican artist Sergio Plata is crowdsourcing a traditional ofrenda — a collection of objects placed on a ritual altar for the Day of the Dead — while you can make chocolate skulls and get your Dia de los Muertos facepaint in the arts and craft market. Jurassic Lounge favourites like Silent Disco and Date Roulette will return, alongside papel picado and piñata workshops and a Mexican dance-off — fuelled by the delights from the Mexican cantina. The one-night-only ressurection of Jurassic Lounge is most excellent news from The Festivalists, the Sydney-based, non-profit company who just opened their brand new after-hours night, Hijinks, at Sydney Aquarium. In true Festivalists style, there's sure to be plenty of happenings and Easter Eggs planned for the night. "Jurassic Lounge is back by popular demand for one night only,” says programmer Karina Libbey. "We’re putting together a huge line-up, inviting local artists and audiences to seek inspiration in Mexican culture for what should be a spectacular celebration. Expect lots of surprises on the night!"
Come April, the eyes of the sporting world will turn towards the Gold Coast, with the Queensland city hosting the 2018 Commonwealth Games. That's great news if you're a fan of athletes and nations vying for glory — and, while it might not initially seem like it, it's great news for arts and culture lovers too. As well as the expected competitive endeavours, the event will also feature a huge multi-arts festival, called Festival 2018. First announced last year, Festival 2018 mightn't boast the most exciting name, but it does promise a plethora of exciting programming across 12 days. Taking place from April 4 to 15, the fest will feature more than 1000 arts and cultural experiences, complete with 1440 artists from 50 countries, and including 35 world premieres and 15 Australian premieres. From the just-revealed full program, highlights include the inflatable labyrinth that is Arboria, which will take over Broadbeach's Kurrawa Park; plus Circa's world-first take on The Rite of Spring, but in circus form; and Dancenorth's 360-degree dance performance Surge. Elsewhere, Yothu Yindi and The Treaty Project will kick off the music offerings, while an evening of African tunes will mark what would've been Nelson Mandela's 100th year, and Courtney Act will host a celebration of LGBTQI pride. Also on the bill is the Gold Coast's own Amy Shark; the all-female Electric Lady, bringing together Aussie female-fronted acts; Hot Dub Time Machine 's latest stint; the seven-metre-wide, floating moon sculpture that is Museum of the Moon; and Holoscenes, the performance artwork which comes to Australia for the first time after wowing crowds in New York City's Times Square. Or, attendees can take part in a participatory dance performance featuring hundreds of people; and sing karaoke as they've never experienced it before — via a field of microphones on Surfers Paradise beach. Other standouts include a Champagne party, an extensive food program at Helensvale's NightQuarter, a silent disco tour, a seaside meditation zone and open-air short film screenings showcasing talent from across the Commonwealth. As previously announced, Kate Miller-Heidke, The Jungle Giants and Mau Power will also feature, as part of a lineup of art, music, theatre, dance and more spanning from from Coomera to Coolangatta. To deliver the massive event, The Festival has joined forces with the existing Bleach* Festival — and will also include satellite events held across the state. For Brisbanites not heading to the Goldie, that includes free music from Regurgitator, The Preatures, Bob Evans, Kev Carmody, Cheap Fakes, Airling, Major Leagues and more at South Bank's Cultural Centre Forecourt, a screening of Warwick Thornton's Aussie flag-focused doco We Don't Need a Map and the return of La Boite's refugee production The Village. Festival 2018 takes place from April 4 to 15 across the Gold Coast and other parts of Queensland. Visit the festival website for further details. Image: Dancenorth, Amber Haines
Beloved Mexican chef Rosa Cienfuegos is taking Sydneysiders on a journey through some of her favourite tacos across six weeks at her Redfern restaurant Itacate. Cienfuegos has pulled together a roster of six traditional taco flavours that she holds close to her heart, with one flavour set to be showcased every Tuesday over August and September. Rosa's Taco Journeys will kick off with a special opening night on Tuesday, August 16. The taco flavour on offer this week will be al pastor, a juicy pork filling that will be served on double tortillas with chopped onion, coriander, pineapple, lime juice and spicy salsa. The first 50 people through the door that day will be given a free al pastor taco and a mariachi band will be on-site from 6pm to add to the festivities. Across the other five Tuesdays, Mexican food enthusiasts will be treated to suadero, birria tacos, cochinita, tacos de barbacoa and tacos carnitas. Each flavour will also be paired with a different variety of Mexican sodas from event partner Jarritos. Tacos will be available for $7 each or in taco boxes which include three tacos, a Jarritos soda and Mexican sweets for $20. Follow Itacate on Instagram for regular updates throughout the series. View this post on Instagram A post shared by Itacate & Mexican Deli (@itacate.redfern)
Themes of consequence and redemption lie at the heart of Christopher Nolan's grim and brooding epic The Dark Knight Rises. Eight years after the events of The Dark Knight, Batman (Christian Bale) has long since vanished and Bruce Wayne's former double life has left him a cripple and a recluse. Commissioner Gordon (Gary Oldman), too, grapples with a conscience burdened by lies to protect the late Harvey Dent, while all of Gotham City stands on the cusp of an anarchist revolt borne of greed and apathy. Difficult choices await them all, pitting self-interest against selflessness — often to the extremes of life and death — as the prophesised class war finally erupts and the city’s reluctant saviour is spurred back into action. Squaring off against Batman is the heavyset mercenary Bane (Tom Hardy). Following in the footsteps of Heath Ledger was never going to be easy, and any attempts to compare the two are probably as unnecessary as they are unfair. Hardy’s job was made all the more challenging, however, thanks to his character’s now infamous facemask, a spiderlike device that not only resulted in an awkward and muffled voiceover track but also limited Hardy’s capacity for emotional expression to nothing but his eyes. The result is a sort of effete Darth Vader, absent any real menace beyond Hardy's sheer hulking physical presence. Given Bane's objective is also identical to that of his predecessor in Batman Begins, there’s an overall "R'as al Ghul Version 2.0" air to the character, which feels like a missed opportunity for both fans and Hardy alike. The remainder of the cast is distinctly Inception-esque, with Hardy and the old Batman regulars joined by Joseph Gordon-Levitt and Marion Cotillard. Anne Hathaway rounds out the ensemble as the beguiling Selina Kyle, a cat burglar with a conscience who acts as both temptress and tormentor to the Wayne/Batman double act. Hathaway sparkles as the implied (but never named) Catwoman, bringing both a playfulness and sensuality to the role. Filmed principally within New York City, including inside the Stock Exchange, Nolan's allusion to the global financial crisis and the Occupy Wall Street movement feels a little heavy-handed at times, as does the uncharacteristically expository dialogue scattered throughout the film. On the flipside, the cinematography is predictably stunning and the main set pieces once again bring out the very best in Nolan: the pursuits are frenzied, the fights are savage, and the explosions are enormous. You get the sense Nolan’s at his most comfortable when the stakes are at their highest; the bigger and more imaginative the shot, the better he delivers. Epic in its scale and setting an imposing benchmark for all future films (not just comic book adaptations), The Dark Knight Rises represents an ambitious, honourable, and utterly satisfying conclusion to this genre-defining trilogy.
We've gone from grand slams and tennis whites to glitter and drag queens within a matter of weeks. Kings Cross Theatre's latest production is mashing together these two rather polarising events into one colourful, titillating explosion — and it's a must-see this Mardi Gras season. Angus Cameron's Australian Open brings courtship to Rod Laver Arena, with a focus on tennis and open relationships. Felix is contemplating proposing to his partner, Aussie tennis star Lucas (Patrick Jhanur). On Felix's birthday — and after Lucas's loss to Federer — they discuss their polyamory with Felix's parents Belinda (Di Adams) and Peter (Gerard Carroll), as well as later with his sister Annabelle (Miranda Daughtry). Some agree that non-monogamy in marriage is unconventional, sure, but not a bad idea — other's don't. What ensues is a debauched game of doubles. This grand slam of a rom-com keeps things light — expect big gay rainbows (figuratively) and a confetti gun (literally) — and breaks the stereotypical idea that queer stories are tragic. Yes, it raises a few uncomfortable truths, but this energetic show is more fun than it is reflective. Directed by Riley Spadaro, Australian Open is a collaboration between bub and bAKEHOUSE Theatre Company and is taking over KXT from Friday, February 14 to Saturday, February 29. [caption id="attachment_762206" align="alignnone" width="1920"] Clare Hawley[/caption] Images: Hannah-Rae Meegan and Clare Hawley.
Surry Hills favourite Harry's is teaming up with Indigenous-owned social enterprise House of Darwin for a series of NAIDOC Week events from Sunday, July 3 until Sunday, July 10. Through its clothing lines and collaborations, House of Darwin raises money to support social programs in remote First Nations communities including workshops and the restoration of basketball courts in the Northern Territory. Across eight days, patrons will be able to sample selections from Harry's special food and drink menu, which puts an emphasis on native Australian ingredients. The menu includes drinks such as the Wiradjuri Sour made with Archie Rose vodka, quandong, rosella, rhubi and rose water; and the Murri G&T which adds native bergamot to your classic gin and tonic. For snacks there are wattleseed corn ribs and a kangaroo burger topped with plum and chilli relish. These menu items will be raising money for House of Darwin throughout the week, alongside a limited-edition T-shirt designed by Northern Territory artist Luna Tunes. The design is a nod to the Rock Against Racism concert that toured Australia more than 30 years ago. "We've decided to pay homage to those who have laid the foundation of reconciliation in the 80s. A run of concerts occurred around Australia under the banner of 'Rock Against Racism' which were aligned with Australia's bicentenary celebration in 1988," House of Darwin's Shaun Edwards said. "This inspired a bus load of Territorians to hit the road bound for Sydney in search of a brighter future for First Nations people across the nation." Finally, on Thursday, July 7, Harry's and Heaps Decent are hosting a First Nations music showcase. Entry to the mid-week party is free with a gold coin donation. The lineup of artists will feature Willy J, The Chaza, OLZ and Princess Atlantis, Dylan Voller and For Life. View this post on Instagram A post shared by Harry's (@harpoon_harry) Top image: Nikki To
What would a uniquely Sydney version of Shakespeare's Romeo and Juliet look like? Would Romeo be from the inner west, Juliet from the eastern suburbs? Would she go by 'Jules'? Would he shout 'where for art thou' via Snapchat? We're expecting the Sydney Theatre Company's new production of Romeo and Juliet to be a touch more classy than so pedestrianised (just look at that swish promo shot), but you can expect to see many aspects of our present time flickering within it. The star-crossed couple's simple wish to escape their set social milieus and live authentic lives is, after all, not unfamiliar in 2013. Director Kip Williams proved with his STC debut last year, Under Milk Wood, that he has the power to craft imagery as memorable as Baz Luhrmann's fish tank, so this production is in good hands. Rising theatre stars Eryn Jean Norvill and Dylan Young in the lead roles and Josh McConville (so sinister in The Boys) as antagonist Tybalt lead the very promising cast. Romeo and Juliet is on 17 September to 2 November at the Drama Theatre, Sydney Opera House, and thanks to the STC, we have five double passes to give away to the first preview on 17 September. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email hello@concreteplayground.com.au with your name and address.
King Street Wharf's Cargo is notorious for its rowdy vibes — almost everyone has a story to tell after a night out there. Proving it's still a winning destination for shaking off a hard day's work, the venue has recently introduced plenty of offers to get the party started. A fresh happy hour is now pouring, which means from Monday to Friday from 4pm–7pm, there are $6 house beer, wine and spirits. Once the clock strikes 7pm, you can head upstairs for classic cocktails — including espresso martinis — for $12 each until 9pm (from Wednesday to Sunday). Fuel up for the dance floor with a few share plates from the refreshed food menu, such as a Chicago-style pepperoni pizza and the hefty Kick In Crab Bowl. The latter is a bowl piled high with crab, prawns, mussels, corn and fries (it's definitely big enough to share) and arrives with two schooners. Cargo's nighttime entertainment has also been revamped, with the introduction of its new Friday Feels session. Kicking off on Friday, May 11, the early-evening music lineup will see a host of musicians and producers re-interpret familiar songs. Think of it as an electro-disco take on Triple J's 'Like a Version'. These funky tunes will run from 5–8pm, after which DJs — playing everything from dance to hip hop — will take over, spinning tunes till the wee hours. Friday Feels' inaugural musician is Sydney electro artist For Life (aka Adam Bozzetto), who'll be live from 5pm on launch night and will followed by DJs Swimteam and Bobby Gray from 8pm. Entry is free all evening, too — so you can save that tenner for a cocktail. Images: Kai Leishman and Jacquie Manning
Sydneysiders love a market — especially one that specialises in top-notch pre-loved clothing. There's nothing like finding a quality item at a clothing market. There's the thrill of searching through the racks to stumble upon the piece, plus shopping second-hand and upcycled clothing is more sustainable than buying your clothes new. If this all sounds entirely relatable to you, head to the Second Life Markets, when the popular pop-up returns to Darlinghurst on Sunday, December 4. The event will host 100 pop-up stores boasting vintage, second-hand and upcycled clothing. Nab a Prada purse, vintage Carhartts or a pre-loved 90s tee. The stores will span all ranges of clothing with masculine, feminine and unisex pieces. The Second Life Markets run successful quarterly events across Sydney, Perth and, as of October, Melbourne. The seasonal events bring together local sellers and independent designers, as well as a heavy dose of good vibes. Check out all the exciting stallholders over at the Second Life Instagram. The market will run from 10am–3pm. Entry is $10 and in the sustainable spirit of the market, it's asked that you bring your own reusable shopping bag(s) with you on the day.
If you thought the shining star of Tamworth was the golden guitar statue, well look, you probably wouldn't be wrong. But the country music-loving town can also hold its own when it comes to delicious food. The Taste Tamworth Festival is the annual premier food event for the region, so take off your bootleg jeans and get on your elasticised pants — it's time to eat. The event kicks off with the ever-popular Pop-Up Bar, where you'll spend a glorious evening with delicious canapes, local beers and wines and serenades by local crooners. Next is Taste in the Park, where you can join the 10,000-strong crowd in sampling the best regional food in beautiful Bicentennial Park. Finally, slow it down a bit with the Farm Gate Trail, and take yourself on a self-guided tour of farms in the region to meet the farmers and sample their delicious fresh produce.
With the festival season in full swing, tickets for this summer's super sustainable Mountain Sounds festival are flying out fast. Pinned to be one of the must-attend events of early 2015, the Mountain Sounds crew is gearing up this weekend to give festivalgoers a taste of what's to come. Those unable to make it to the Central Coast festivities, fear not. Oxford Art Factory will play host to the second in a series of launch parties this Friday night, with the likes of East, Olympic Ayres, Hockey Dad and I Know Leopard providing audiences with some sweet summer tunes. Kicking off with the dynamic surf-rock duo Hockey Dad, fresh from their EP launch and recent gigs playing alongside Japanese Wallpaper, this party brings together some of Sydney's most promising up-and-coming live music acts. Packed with live art installations and an array of secret surprises to be revealed on the night, tickets to this launch will be well worth the money.
The phrase 'sleeper hit' was coined for movies like Silver Linings Playbook. It looks like your run-of-the-mill wacky family holiday movie, but it's an important film and a great one that deserves to sweep the Academy, SAG and copious other awards it's nominated for. Because while Silver Linings Playbook obeys the conventions of a crazy family comedy — hilarity, personalities clashing under one roof, people yelling over the top of each other, the gradual acceptance of family legacies — it really hones in on the 'crazy' part. In films, craziness usually peaks at extreme quirkiness. But in our real-life households we know the source of irrational behaviour often lies with mental illness, and that's much more complex. Based on the novel by Matthew Quick, Silver Linings Playbook acknowledges and honours this common human experience with its story of Pat (Bradley Cooper), a bipolar former history teacher returning to the house of his mother (Australia's inimitable Jacki Weaver) and father (Robert De Niro) after a court-mandated nine months in a mental health facility. He remains fixated on his estranged wife, Nikki (Brea Bee), even though she has a restraining order against him, and he feels his new positive philosophy is the way to win her back. What he's not sure is help or hindrance, however, is the appearance in his life of recent widow Tiffany (Jennifer Lawrence), whose existing depression has been wildly exacerbated by her husband's death. These are not characters we've seen on screen before, and they're extraordinarily well drawn. The film positions you in Pat's corner, to the point where you can fully understand his not-always-logical way of thinking and not only sympathise but make the leap with him. To outsiders, he's unreliable, tactless, and even violent, but to viewers, he's just Pat. Silver Linings Playbook is technically excellent, with charming performances and firm plotting, but there are a lot of technically excellent movies. It's rare to see one that will mean so much to so many people. Director David O. Russell has spoken about how important making the film was to him as the parent of a child with mental illness. He didn't want his film to be all doom and gloom; he wanted it to be full of hope, humour, and compassion, as even burdened lives are. His connection to the subject shines through to create a special and authentic-feeling film. Perhaps most vitally, Silver Linings Playbook isn't about sectioning off people's experiences via a medical label; it incorporates the full spectrum of what Pat calls the "craziness within myself and everybody else", and nearly everyone is likely to see something within it that resonates. It may be January, but this is certainly one of my films of the year. https://youtube.com/watch?v=2MP7A1k8Jr0
It's television's greatest tragedy, and one that's been more than a decade in the making. Watching Better Call Saul, it's impossible not to think about the route its protagonist takes through Breaking Bad. We already know how Saul Goodman's (Bob Odenkirk) story ends, so as we explore his pre-Walter White life — when he was known by his birth name of Jimmy McGill and genuinely wanted to be a legitimate lawyer — the feeling is bittersweet, to say the least. The same sensation applies to former cop Mike Ehrmantrout (Jonathan Banks), whose Breaking Bad fate is also already known. Before getting caught up with Gus Fring (Giancarlo Esposito), he first crossed Jimmy's path as a car park attendant at the Albuquerque court house — and Better Call Saul tells his tale as much as its namesake's For four seasons since 2015, the Breaking Bad prequel has stepped through the earlier existence of these two characters, as well as others in their orbit — such as Jimmy's successful older brother Chuck (Michael McKean), his girlfriend and fellow lawyer Kim Wexler (Rhea Seehorn), and Mike's widowed daughter-in-law Stacey (Kerry Condon) and granddaughter Kaylee (Abigail Zoe Lewis). As the episodes pass, the two central figures slowly start inching towards their Breaking Bad lives. Familiar faces, such as Fring and Hector Salamanca (Mark Margolis) also pop up. The result: a series that's as excellent as its predecessor, and one that provides another excuse to spend more time in Breaking Bad's world. After last airing episodes in 2018, it's returning for a fifth season this year — and if you can't wait until February 24 to see what comes next, a pair of sneak peeks have dropped. The teasers are incredibly brief, as proved the case when glimpses of 2019's El Camino — A Breaking Bad Movie first started releasing. Still, they show what we all knew was coming: that Jimmy McGill is slipping further away — and Saul Goodman is emerging. Check out the teasers below: https://www.youtube.com/watch?v=ULZVGONrfuw&feature=youtu.be https://www.youtube.com/watch?v=XqopNXmg3x0 Better Call Saul's fifth season starts streaming on Stan from Monday, February 24.
There's a reason that ramen is one of Japan's most famous culinary creations. With its steaming, flavoursome broth, slender noodles and servings of thinly sliced pork — if you're keeping things traditional — it's a tasty, hearty dish that aficionados could easily eat each and every day. While slurping down a bowl like you're under doctor's orders may seem like a foodie fantasy, one one particular restaurant wants to make that all-ramen, all-the-time dream a reality. Behold, the ramen subscription service. At Tokyo's Yaro Ramen from November 1, patrons can fork out a flat monthly fee, visit a store daily and get their fix. Yes, it's really that simple — and, it's also ridiculously affordable. Launched as part of the brand's new app, the subscription feature costs 8,600 yen, or less than AU$100. A bowl of regular tonkotsu ramen usually costs 780 yen, or around AU$9, so signing up for a daily bowl pays off pretty quickly. Ramen lovers can choose between three different types, including one that comes sans broth if you're just in the mood for meat, veggies and noodles, from 15 different locations around the city. Other than needing to be in Tokyo to take advantage of the service, you do have to be fall between the ages of 18 and 38 to quality, in a deal targeted towards students and singles. Coming hot on the heels of the country's new unlimited road trip pass for visiting travellers, you now have yet another reason to head to Japan — and, if you're jet-setting on a budget, your next holiday just got a whole lot cheaper. Via Japan Today.
More films from Italy have won the best foreign-language Oscar than from any other country. The European nation took out the first-ever award in the category back in 1947, and last won with 2013's The Great Beauty, racking up 14 gold trophies to date in total. That's quite the feat to brag about — and if you're wondering what sets Italian efforts apart, that's where the Lavazza Italian Film Festival comes in. In fact, this year's lineup even features one of the country's more recent victors, with the World War II-set Life Is Beautiful screening on closing night. That's the end of the fest, though. Beforehand, the six-week touring event will showcase the greatest of the latest in Italian cinema. Marking its 18th year with 28 flicks, it includes everything from holiday envy-inducing comedies to playful takes on fate to straight-from-Cannes crime dramas and these: our five must-see films from the 2017 program. And every good Italian film should be accompanied by a good Italian meal, so we've picked out five pizza and pasta-wielding eateries nearby the festival's cinemas for your pre- of post-film dinner. https://www.youtube.com/watch?v=uJzZuoXZlR4 INDIVISIBLE When we say that 18-year-old sisters Daisy and Viola are joined at the hip, we mean that literally. The conjoined twin protagonists of Indivisible, there's nothing one does that the other doesn't witness, whether they're singing at weddings, being used as a donation incentive at their local church, or accosted by fans who want to touch their flesh. Then a Swiss doctor promises the impossible, and they start to contemplate time apart. Director Edoardo De Angelis turns the scenario into a sensitive and involving drama, helped by excellent performances from real-life, non-attached twins Angela and Marianna Fontana. What to eat? Go full family drama. If you're catching the film at Palace Verona, we recommend heading down to Napoli nel Cuoro, running on five generations of Italian family expertise. Try the capricciosa, with artichokes, mushrooms and olives. There are more than 20 other varieties, available in one-metre and half-metre bases — enough wood-fired pizza to feed the largest of families. https://www.youtube.com/watch?v=ii8L9umLsY0 COFFEE Most people don't just drink coffee — they can't get by without it. With that in mind, imagine how many caffeinated brews must've been consumed during the making of the movie that takes its name from the liquid substance. Our guess: plenty. Inspired by Alejandro Gonzalez Inarritu's pre-Birdman and The Revenant Oscar-winner Babel, the film jumps into three loosely connected tales about folks connected to the awakening beverage, charting the exploits of a barista, a pawnbroker with an antique coffee urn and the daughter of a coffee farmer. You probably don't need us to tell you that you'll want to take a cuppa into the session with you. What to eat? The Italians like their coffee — and that's a big reason why Australia does too. If you're at Norton Street Cinemas, head a few blocks north to Aperitivo. After finishing their risotto of the day with aged carnaroli rice, you can fix yourself up with a really good tiramisù. Or, sit back with an espresso martini or a doppio (double espresso). You probably won't be sleeping afterwards. https://www.youtube.com/watch?v=KGAIzwrRDLw SEA DREAMING GIRLS Life goals time: when you're a grandparent, here's hoping that you're as dynamic and carefree as the subjects of this documentary. Sea Dreaming Girls travels to the mountainous Italian village of Daone, where a group of nannas have been getting together for 20 years. To celebrate their big occasion, they plan a trip to the sea — a first for many of them. Their determination to chase their dreams is the stuff that documentarians' own fantasies must be made of, making for an engaging, heartwarming, amusing and inspiring film with plenty of heart. What to eat? The Italians are almost completely surrounded by ocean, so of course they've incorporated the sea into their diet. At Fernandos, another Little Italy institution, has half a menu of seafood options, including gamberoni all'aglio (spicy prawns in a sizzling hot pot) to start, and the spaghetti marinara for mains (with gulf prawns, black mussels, squid rings and vongole in a Napoli secret sauce). https://www.youtube.com/watch?v=kxTk4uDyb-k I WAS A DREAMER When an ex-con returns to his Roman home, he has noble aims in mind. Like many a person given a second chance, I Was a Dreamer's protagonist is eager to improve his family's lives, even if things don't always turn out as planned. What might sound like a routine, been-there-seen-that scenario seethes with realism, not only thanks to Italy's hefty experience in the genre — the country's neo-realist credentials go all the way back to the 1930s — but courtesy of its star. Fresh face Mirko Frezza plays the lead role and informs the feature's narrative, which is loosely based on his own life. What to eat? If you enjoyed this down-to-earth film, you'll probably enjoy some down-to-earth dinner. Long-running Bill and Toni's will do the job — it's affordable, enduring and filling. Try their lasagne or their veal schnitzel with cheese. It's within walking distance (or a short taxi) from Palace Verona or the Chauvel. https://www.youtube.com/watch?v=2oDCkUjGin8 EMMA Couldn't make it to the Venice Film Festival, which just finished up on September 10? Us neither. Thanks to Emma, however, you won't have long to wait for one of the fest's titles. Featuring Italian star Valeria Golino, the romance tells of a recently-divorced blind woman's new relationship with a womanising ad exec, turning their exploits into a thoughtful drama. It comes to Australia just after its local release — and for long-time European cinema fans, it's also the latest flick from Bread and Tulips' director Silvio Soldini, which was the Italian film to see back in the '00s. What to eat? Here's something a little fancier for those who enjoy romantic dramas: Capriccio Osteria & Bar offers something with a bit of complexity, for those coming from Norton Street Cinemas. Try the roast pumpkin and ricotta ravioli with sage brown butter and almonds, or the hand-cut pappardelle with red wine beef cheeks, parsnip and horseradish gremolata. The 2017 Italian Film Festival will be at Sydney's Palace Norton Street, Palace Verona and Chauvel Cinemas from September 12 to October 8. For more information and to buy tickets, visit the festival website. By Sarah Ward with Jonathan Ford.
Just a few days after announcing some of its 2020 summer program, Westpac Openair has come out with some more big news — it's food offering. Here, instead of popcorn and choc tops, you'll be feasting on the likes of oysters, lamb shoulder and chicken liver pâté. And it'll all be cooked by two of NSW's best chefs, James Viles (Biota, Bertha's Meats) and Clayton Wells (Automata, A1 Canteen). Those panoramic harbour views will be rivalled by the duo's menus of produce-driven eats that are a lot fancier than your standard movie snacks. At The Lounge by James Viles, an outdoor diner, you'll find locally foraged ingredients and some of Biota's best dishes. There'll be oysters with finger lime dressing, fried bread topped with cured pork jowl and pickles, and taramasalata served alongside grilled potato bread. Larger dishes, which can be enjoyed as part of a two- or three-course menu, include smoked beef tartare, sashimi kingfish belly paired drizzled with nori oil, stracciatella with burnt summer peaches and river trout served with smoked roe and lemon aspen butter. Other quality meats on the lineup include wild-caught barramundi, Tasmanian octopus and Maremma duck. You'll be eating it all in the lounge overlooking Sydney Harbour, of course. Wells, on the other hand, will be serving up a takeaway menu of gourmet sambos to enjoy from your seat. Expect one filled with chicken caesar, bacon and egg; fried fish on brioche with caper relish; and bagels schmeared with spiced cream cheese and veg. If you've ever eaten at A1 Canteen, you'll know these aren't your run-of-the-mill sandwiches. Alongside things in bread, there'll also be slow-roasted lamb shoulder with tahini yoghurt and chermoula-spiced chicken, plus fries with Old Bay salt, salads and fresh pastries. Needless to say, this will not be your average dinner and a movie night. Westpac Openair 2020 runs from January 9 to February 21, 2020. Tickets are on sale from 9am on Tuesday, December 10, with pre-sale tickets available for Westpac and St George customers from 9am on Friday, December 6. We'll update you when the full lineup drops on November 29.
Crystal Castles know how to keep listeners on their toes. Even after listening to their second eponymously titled album for the something-hundredth time it's still disconcerting how tracks can jump so abruptly from cascading waves of exquisite harmonies to jagged synths chaotically punctuated by Alice Glass' unearthly banshee screams. Even more surprising still that it actually sounds very good. Not knowing what to expect is the allure of Crystal Castles, whether you're listening to an MP3, watching a video or obsessively googling the duo behind the music because aren't they just so seductively elusive that you simply must find a picture of Ethan Kath when his face isn't obscured by a hoodie? It all comes to an often-hazardous culmination during Crystal Castles' live sets. You'll dance, you'll cover your ears, you'll sway with hallucinogenic elation and, if precedent is anything to go by, you might see Alice leap from a piece of scaffolding. Crystal Castles play Big Day Out before heading to the HiFi on January 17th, where they'll be supported by Ballarat's Gold Fields. https://youtube.com/watch?v=FefT7hagLZA
The mysteries of Hawkins, Indiana have taken Stranger Things' fans down a few snaky pathways — demogorgons, the upside down and the plight of Barb included. There's more still to come, with the Netflix sci-fi series slated to return for its third season in 2019; however, as far as twists and turns are concerned, a new attraction in Lafayette, Indiana might just have the show beat. We mean twists and turns in the most literal sense, because if you're trying to make your way through an enormous corn maze, you're going to come across plenty of both. That's what visitors to Exploration Acres will find between September 14 and October 28. This year, their corn maze isn't any old corn maze, either — it's Stranger Things-themed. The series' logo, a giant Eleven and the rest of the gang riding their bikes away from a demogorgon are all part of the huge patch of greenery, which spans 20 acres and features more than 16 kilometres of pathways. There are four mazes within the massive site, with entry costing between US$9.50–11.50 (AU$12.84–15.84). It might sound like the kind of promotion that Netflix would cook up — the streaming platform did create an online game based on its most popular titles, after all — but it's actually just a labour of love. Exploration Acres CEO and President Tim Fitzgerald coming up with the idea after binging the series, and demonstrated his fandom in a much, much bigger way than most of us. Via Lonely Planet. Image: Exploration Acres.
Experimental art curator Jack Jeweller (director of the formerly glorious Black and Blue gallery) and Daniel Stricker of Siberia Records (nee Midnight Juggernauts beat-keeper) have joined forces, with support from City of Sydney, to present MUSECOLOGY: a series of four unique musical and visual performances, each of which makes use of an unlikely and historically significant site within Sydney. Not simply a chance to see a conventional performance in a new (old?) space, however, and not to be thought of as conceptually underdeveloped, each MUSECOLOGY event will draw upon the very history and character of its respective venue, such that the aura of each site might be re-enlivened and reproduced by the performances each hosts. In the first instalment of MUSECOLOGY, at the end of last year (thematically tagged 'Machismo'), performers including Kirin J. Callinan and Justice Yeldham repurposed the Woolloomooloo PCYC—and made special use of its boxing ring—to compose visceral odes to the club's unambiguously machismo milieu. Now, for this second instalment, themed 'Mnemonic Museum', four acts, including void-noise merchants Naked On The Vague, newly-formed duo DCM (Daniel Stricker and ex-Wolfmother synth-player Chris Ross), Not Applicable (Jaimie Leonarder/Jay Katz of Mu-Mesons and Mu-Meson archive), and one more yet-to-be-announced 'very special guest', will each compose a soundtrack to accompany a specific sequence from the 1961 cult film The Eyes of Hell, a.k.a The Mask, released in analglyphic 3d. And if a museum were not already itself an appropriate enough venue for a curated event that so mines film history, this instalment of MUSECOLOGY will take place at the University of Sydney's Macleay Museum, itself home to a collection of rare historical photographs.
