Got beef? The answer is yes at West End's West Village, but no one will be quarrelling. Rather, Rich & Rare wants to fill Brisbanites' plates with steaks, steaks and more steaks — so much so that 15 different cuts are on the menu. The focus: prime beef. The vibe: high end. The wild card? Upscale surf 'n' turf combinations are encouraged. Hailing from the Tassis Group, Rich & Rare also goes big on seafood, as the hospitality company's Fatcow Steak & Lobster did over at Eagle Street Pier before it was torn down for a yet-to-be-built new riverfront precinct. Clearly, this crew isn't letting its expertise with steak and the ocean's finest go to waste. Rich & Rare serves up its favourite types of protein both indoors and out, seating 150 people. The new Manhattan-style joint joins the array of eateries settling in at the park-filled West Village precinct, including the Tassis Group's own Yamas Greek + Drink since 2022. The look and feel: sleek and sophisticated, with both a cylindrical glass walk-in dry-aging room and a temperature-controlled walk-in cellar greeting patrons as they arrive, plus manicured gardens. In the kitchen, Tassis has assembled a culinary team led by Cameron Croad, who was most recently General Manager at Spicers Hidden Vale, plus Head Chef Felipe De Souza Oliveira (Urbane, Greca) — as well as Kadu Imbroisi (Cha Cha Char, Fatcow Steak & Lobster), who trained at Parisian culinary school École Ducasse, also hails from Brazil like De Souza Oliveira and has been nicknamed "the grill master". Their menu unsurprisingly makes prime dry-aged steaks the star, using cuts from Australian farms as well as Japan. If you only try one, the wagyu tomahawk steak looks to be it; it's cooked over an open flame, rested to up its juice game, then carved and served at your table — although it does come with a hefty $190 per kilogram price. Eight other wagyu options are on the menu, alongside 180- and 250-gram eye fillets, a 400-gram scotch fillet, 600-gram rib on the bone and dry-aged sirloin, and a MB4+ t-bone. For adding seafood to your beef, picks include Alaskan king crab legs, king prawns and whole lobsters. The latter from the tank is a highlight in general; however, the seafood range also spans oysters that are opened 'on order', caviar, seafood platters for two, raw kingfish and Mooloolaba swordfish steak on the bone — which Rich & Rare hopes will become one of its signature dishes. Woodfired beets, steak tartare, beef tataki and seared scallops also sit among the entree choices; bone marrow mash, truffle mac 'n' cheese and rosemary-salted fries with the sides; and steak sandwiches, truffle mushroom spaghetti and lamb cutlets amid the mains.
A conglomerate of sights, sounds and savouries, the Auckland cityscape of things to do is vast. From Waitemata Harbour in the north, to Manukau Harbour in the south, there's a bounty of things to eat, drink and discover, not to mention see, with stellar views in pretty much any direction you look. But for the time-poor among us (see everyone), taking time to explore the City of Sails may have been bumped down the to do list, whether you're Auckland dwellers in need of a staycation, Wellingtonians looking for a weekend escape, or even you Aussies hoping to up the ante on a short getaway*. That's where we come in. In partnership with Adina Apartment Hotels, we're giving away two days of accommodation, plus some spending money so you can hit up a few of our favourites spots in town. We've planned a pretty indulgent experience. Think two nights accommodation at Adina Apartment Hotel in Britomart, a massage for two, dinner at Amano where you can fill up on some of New Zealand's freshest pasta around, and $250 to spend at Ponsonby's Mea Culpa to top off the night with a few of their carefully crafted cocktails. Plus, we've slipped in some extra cash so you can splash out at all the shops around Britomart. With some of Auckland's creme de la creme right at the doorstep of your Adina Apartment Hotel abode, you'll be perfectly positioned to continue your exploration of the city. But if you're not sure where to head after massages and before dinner, you can use our local's guide to get some hot tips and start planning the rest of your stay. Enter your details below, say yes to the terms and conditions and you're in the running. Entries close on Wednesday, July 5 at 11.59pm. [competition]626226[/competition] *Prize doesn't include travel costs.
Every March, Adelaide — the only UNESCO City of Music in Australia — gears up for festival season. Its centrepiece is the Adelaide Festival, a 17-day extravaganza of music, theatre, art, talks and unusual happenings, which encompasses world music festival WOMADelaide as well as Adelaide Writers' Week. In 2019, more than 70 events will take place, including 17 Australian premieres and ten worldwide premieres, all put together by artistic directors Rachel Healy and Neil Armfield. Taking place between March 1–17 at a variety of venues around Adelaide, here are some of the most epic, creative and left-of-field. THEATRE Travelling from South Africa is theatre company Isango Ensemble, to perform the Australian premiere of A Man Of Good Hope. This musical tells the true story of Asad Abdullah, who, at eight, witnessed his mother's murder in Somalia, then travelled across six African nations alone. Also exploring the experiences of refugees is Manus by the all-Iranian Verbatim Theatre Group, which tells stories from Manus Island and Nauru. For a more experimental adventure, immerse yourself in Anton Chekhov's Uncle Vanya. Melbourne's La Mama Theatre will perform the play in real time — over two days — at The Cedars, Sir Hans Heysen's former 60-acre property in Hahndorf, Adelaide Hills. Alternatively, let Portuguese theatre-maker Tiago Rodrigues teach you to memorise a poem, all while he recounts the life of his grandmother, in By Heart. MUSIC Join 90,000 other people at WOMADadelaide, a four-day world music festival that takes over Adelaide's beautiful Botanic Park every year. On 2019's program you'll find Angelique Kidjo, the Central Australian Aboriginal Women's Choir, Julia Jacklin and the John Butler Trio, among scores of other local and international acts. Making its Australian premiere is Grand Finale by Israeli-born, London-based choreographer Hofesh Shechter, a momentous work that combines dance, live music and theatre in its exploration of demagoguery, groupthink and ecological disaster. Meanwhile, Aboriginal soul singer Emma Donovan will be teaming up with The Putbacks to perform a tribute to the late Ruby Hunter, the first indigenous Australian woman to record an album — and Tim Minchin will also be delivering the world premiere of his solo show Back. ART Headlining the art program are two major surveys. One is of Australian artist Ben Quilty, known for his work as an official war artist in Afghanistan, as well as his campaign to save Bali Nine members Andrew Chan and Myuran Sukumaran. The other is of New York-born photographer Roger Ballen, who now lives in South Africa, where he shoots squatter camps and mine dumps, and, most famously, collaborated on Die Antwoord's 'I Fink U Freeky' video. Also capturing little-told stories will be the Thessaloniki Museum of Photography's group exhibition Another Life: Human Flows / Unknown Odysseys, which depicts various moments in refugees' journeys — from portraits of personal anguish to heartbreaking images of piles of life jackets. TALKS The core of the talks program is Adelaide Writers' Week. Inspired by the theme 'telling truths', this year's event features an international collection of wordsmiths, from Sohaila Abdulali, the Mumbai-born US author of What We Talk About When We Talk About Rape, to Kassem Eid, Syrian refugee, activist and author of My Country. Nigerian author and Man Booker Prize Winner Ben Okri will deliver the opening address, 'Imagination Redeems'. Start each festival day with brekkie and papers at The Palais, settle into a long lunch with a writer — be it Annabel Crabb or Maggie Beer — and finish up with a Twilight Talk in the Pioneer Women's Memorial Garden. PLUS On any great festival program, there are always events that defy categorisation. Take Dutch artist Julian Hetzel's Schuldfabrik, for example — it's an installation that immerses you in a mini-factory and retail outlet where human fat is turned into soap and sold, with all proceeds going to aid programs in the developing world. Then there's Legs On The Walls' Man With The Iron Neck, which combines aerial circus, video and text to explore suicide in a small, tightly-knit, AFL-loving community. And, finally, Dutch company Schweigman&'s Blaas invites you step inside a gigantic white blob and expect the unexpected. Adelaide Festival takes place between March 1–17, 2019 at a variety of venues around Adelaide. For more information and to buy tickets, visit the festival website. Top image: Ben and Martin Photography.
Spending more time at home is much easier to stomach with a hefty rage of desserts on hand, or at least that seems to be Gelato Messina's pandemic motto. Over the past few months, the gelato fiends have served up plenty of tasty specials, including cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties; 40 of its best flavours; and full tubs of both Iced VoVo gelato and Messina's own take on the classic Viennetta ice cream cake. This past week, it even whipped up a batch of sticky lamington-scroll hybrids. Next up (because this is a weekly occurrence, so it seems): Messina's version of Italy's famed cremino dessert. It's recreated with gelato, naturally. And it's another of Messina's limited releases, with tubs of the eye-catching creation available at all its stores for a very short period. Wondering what exactly Messina's cremino entails? It combines salted caramel gelato, gianduia fudge, fresh meringue and amaretti biscuits, when adds a layer of freshly piped and torched meringue on top. And if you haven't come across the cremino before, it's a chocolate from Piedmont in the country's north, it dates back to the 19th century and it's made up of three layers, with gianduia chocolate featuring heavily. The latest release in Messina's new 'Hot Tub' series, the cremino gelato can only be ordered online on Monday, August 24, with a one-litre tub setting you back $30. You can then go into your chosen Messina store to pick up your tub between Friday, August 28–Sunday, August 30. If you're in Melbourne, remember that you can only venture to shops within five kilometres of your house — and only once a day — to get essentials, including food. Gelato Messina's cremino gelato tubs will be available to order on Monday, August 24, for pick up between Friday, August 28–Sunday, August 30 — keep an eye on the Messina website for further details.
Leonardo DiCaprio making his first movie in four years, a swaggering Brad Pitt spitting out wry dialogue, 60s showbiz laid bare, and Australians Margot Robbie and Damon Herriman playing Sharon Tate and Charles Manson — it must be Quentin Tarantino's Once Upon a Time in Hollywood. One of 2019's most anticipated titles, the acclaimed filmmaker's ninth stint behind the camera travels back five decades to tell the tale of fading TV star Rick Dalton (DiCaprio), his trusty stunt double Cliff Booth (Pitt), his neighbour Tate (Robbie) and an industry that's changing fast. Set in Los Angeles in 1969, it's a story that charts the end of Hollywood's golden age, the Manson Family murders and everything going on around Tinseltown at the time. Tarantino loves jumping into the past — thanks to Inglourious Basterds, Django Unchained and The Hateful Eight, this is his fourth consecutive period piece — but he might've found his ideal niche. For this journey back to fame, fortune and crime gone by, he's also amassed a who's who of the film's titular town. Get ready — it's a long list. Tarantino regulars Kurt Russell, Tim Roth, Bruce Dern, Zoe Bell and Michael Madsen all feature, as well as Dakota Fanning, Lena Dunham, Al Pacino, Timothy Olyphant, James Marsden and the late Luke Perry. Nodding not only to Hollywood's past and present, but to its future, up-and-comers Maya Hawke and Rumer Willis also pop up (they're the daughters of Uma Thurman and Ethan Hawke, and Demi Moore and Bruce Willis, respectively). Basically, Tinseltown today delves into Los Angeles' darker days, a behind-the-scenes Hollywood caper meets US crime history, and Tarantino might've taken some inspiration from the Coen Brothers' Hail, Caesar! — at least if the ace and amusing initial teaser for Once Upon a Time in Hollywood is any indication. The film is set to be premiere at the Cannes Film Festival in May, before releasing worldwide from late July. Check out the first sneak peek below: https://www.youtube.com/watch?v=gsL_spv4yEw&feature=youtu.be Once Upon a Time in Hollywood releases in Australian cinemas on August 15. Image: © 2018 CTMG, Inc. All Rights Reserved.
Dust off your petticoat and get your doublets out of the attic — because London's historic Globe Theatre is heading online. You can't currently visit the site itself, which was originally built by Shakespeare's playing company and housed his greatest works; however you can watch six of the Bard's plays performed on its stages thanks to Shakespeare's Globe On Screen. History buffs and Shakespeare enthusiasts alike now have the opportunity to soak in productions on the venue's YouTube channel, with a different pre-recorded performance made available every fortnight. And, checking out these acclaimed works won't cost you a cent, with the six plays streaming for free. https://www.youtube.com/watch?v=8TuR24xhtYg Until Sunday, April 19, ponder whether to be or not to be with a 2018 production of Hamlet. Then, between Monday, April 20–Sunday, May 3, revisit the star-cross'd romance of Romeo and Juliet, as performed in 2009. The fortnight spanning Monday, May 4–Sunday, May 17 will be all about a 2013 version of A Midsummer Night's Dream, with The Two Noble Kinsmen (from 2018; streaming from Monday, May 18–Sunday May 31), The Winter's Tale (from 2018; streaming from Monday, June 1–Sunday, June 14) and The Merry Wives of Windsor (from 2019; streaming from Monday, June 15–Sunday, June 28) all following. Top images: John Wildgoose / Shakespeare's Globe.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But the beloved Aussie comedian gave following up that hit a red hot crack when she returned to the stand-up stage with her latest work, Douglas, which is named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas takes you on a "tour from the dog park to the renaissance and back". Gadsby took Douglas to stages across Australia and New Zealand in late 2019 and early 2020, and now, to the delight of comedy fans people across the world, is bringing it to Netflix this month. Available to stream globally from Tuesday, May 26, the show will bring us all some much-needed comic relief. As Gadsby says: "mark it in your socially-distant calendars...then wash your hands". https://twitter.com/Hannahgadsby/status/1249668347693654019 As the just-dropped trailer for the comedy special demonstrates, Gadsby's humour hasn't lost its charms. This time around, expect reflections on her Nanette success and observations about language — and that's just the beginning of the rib-tickling hilarity, of course. Check out the Douglas trailer below: https://www.youtube.com/watch?v=ziIwxPCeByU Hannah Gadsby's 'Douglas' will be available to stream globally on Netflix from Tuesday, May 26.
Doughnut chain Krispy Kreme has had sweet-toothed Aussies in its grip for years now, and it's showing no signs of relenting on our tastebuds. The chain doesn't just pump out its original glazed doughnuts, but also serves up various themed versions that've been getting everyone salivating. Who can forget trying to catch all of the Pokemon-themed doughnuts last year, or coveting those Caramilk doughnuts, too? Now, the doughnut chain has teamed up with fellow iconic US brand Hershey's, whipping up three brand-new American-inspired sweet treats that you might be tempted to travel to New York for. Don't worry — you actually only need to travel to your nearest Krispy Kreme or 7-Eleven stores. The first on the lineup of Hershey's Krispy Kreme deliciousness is the Choc Strawberry doughnut, which comes filled with a special Hershey's choc crème and dipped in strawberry truffle, before being topped with chocolate chips and icing. Or if you're a die-hard chocoholic, you'll probably go for the Ultimate Choc: again filled with the choc crème, this doughnut is then dipped in milk chocolate ganache, before it's finished off with chocolate chips and ganache drizzle. And, only at 7-Eleven stores, you can get S'Mores doughnuts. They take Krispy Kreme's usual ring of deliciousness, swirl it with whipped marshmallow filling, then cover it in chocolate dip — and adds Hershey's semi-sweet choc chips and biscuit crumb on top. Yeah, we'll take one of each, thanks. But, be quick: launching on Tuesday, February 22, these special edition doughnuts are only available for a limited time, so you'll want to hustle. And you won't want to tell your personal trainer. Krispy Kreme's Hershey's doughnuts launch in-store, online and at 7-Elevens on Tuesday, February 22 — and will be available for a limited time.
Have you ever found getting through more than 17 syllables of news takes far too much effort? Well luckily for you the New York Times has designed an algorithm that deconstructs news stories into everybody's favourite Japanese poem style, the haiku. For those unaware, a haiku is a short style of poetry with a specific syllabic structure of five syllables in the opening line, seven in the following and five in the concluding. Although there are other elements to haikus, this is the format the algorithm operates on as other aspects of this poetic style are "a lot harder to teach an algorithm", according to Jacob Harris, the senior software designer for the NYT and the author of the advanced algorithm. The haikus are constructed when the algorithm periodically scans articles published on the newspaper's home page. It then breaks down these articles sentence by sentence, looking for potential haikus via an online dictionary that counts syllables and even encompasses a word like 'Rihanna' to process the language employed by the New York Times. Reversing the typical trend of technology, the computer needs humans to operate successfully as it cannot distinguish between a harmonious haiku and a horrid one by itself. Once a journalist has selected a poetic pearl, many of which encapsulate the article's essence, it is then transformed into an aesthetically pleasing image in order for the poems to "retain their visual integrity" as they are shared online. The coloured lines may seem illogical but they are actually delicately designed to match the metre of the first line of the poem. Our favourites are below but check the NYT haiku blog as it is updated daily. Via PSFK.
Based on the number of people I know who haven't been to Adelaide, I'm assuming that if you weren't born in the South Australian capital there's only a 1 in 50 chance you've visited. The city of churches doesn't exactly have the exotic pull of Perth or its own city-transforming gallery a la Hobart, but, even so, it's a destination that will both surprise and delight you. We might be able to convince you with one word — that word is 'wine' — but with its lush green valleys, killer coastline, small bar scene and self-confessed 'Melbourne-esque' cafes, when you think about it, winter weekends are sort of made for Adelaide. You could actually spend your whole weekend eating and drinking, but there is plenty more to do, see and conquer. Here's our guide to a pretty perfect weekend in Adelaide. SATURDAY EXPLORE THE CBD You've just touched down? Great! Time to get acquainted with the city centre, which, granted, is a relatively easy feat. The grid-like layout and the fact that the CBD is surrounded by a ring of interconnecting parks means that you can't wander too far and finding things is easy, peasy, Adelaide. If you're after locally made stuff to take home and show all your friends, JamFactory displays and sells pieces from local artists, craftspeople and designers. Otherwise you can peruse a curated collection of South Australian homewares at the Council of Objects in Ebenezer Place, shop for fashion at Rosa House or find jeans that fit like a glove from denim purveyors Right Hand Distribution. The Art Gallery of South Australia is open every day — with an upcoming Dorrit Black retrospective set to run from June — and a trip to Magazine, which doubles as both a cafe and gallery, is a cosy option for coffee, reading material and a bit of art of the walls. HAVE LUNCH IN NORWOOD Just east of the CBD, Norwood is an easy half-hour walk and a good retreat for lunch. Located on The Parade — generally busy with shoppers and alfresco diners, which isn't meant to put you off — The Grace Establishment is a nice option for a sit-down lunch without being too pricey. Relatively new and still very shiny, the Grace lets you sit indoors or out for a charcuterie board, plate of Kinkawoona mussels or a hearty SA sirloin. Want somewhere that serves your food in little plastic baskets instead? Head down to Nordburger for some of the city's best burgers and 'dogs. [caption id="attachment_205983" align="aligncenter" width="1000"] Jocey K via Flickr[/caption] VENTURE DOWN TO SOUTH PORT Adelaide boasts some killer beaches and just because you can't swim in 'em during winter (unless you've got serious game), you can still get amongst their beauty. About 45 minutes down the coast near Port Noarlunga is South Port, a clean, blue beach with a high tide for surfing as well as bays and rocks to walk all over, take melancholic Instagrams and breathe in the sea air. Hiring a car is your best bet for this one, but you can still get there with a train-bus combo (again, if you're game). It might be a bit chilly, but you get something special from icy wind whipping your face and tangling your hair. You'll see. HIT THE CITY'S BEST BARS Forget what you know about Adelaide's bar culture (which is probably not much at all) and you'll find that the loosening of liquor licensing laws a few years ago has spawned a small bar culture and enabled bigger venues to flourish. Want to drink wine straight from the barrel? Cantina Sociale serve all their vino sans bottles. Love gin? Take a visit to bar-cafe Howling Owl for a choice of over 20 different types of gin and a Sylvan Berry Gin Fizz made with Kangaroo Island gin. And if you're just after a good, stiff drink, 1920s-style Clever Little Tailor is a small drinking den doing everything right. One of the newer additions to Rundle Street is Street ADL, who specialise in pretty tasty 'Australian street food' like pulled kangaroo sangas with fancy cocktails. Press* Food & Wine is an upmarket option for dinner (whole suckling pig, anyone?) and Udaberri is good for a late night drop-in for pintxos and Spanish wine. SUNDAY GRAB YOUR MORNING SPECIALTY COFFEE Sunday morning coffee exists even in Adelaide, so you'll have no problem finding a proper brew. Pop by Exchange Specialty Coffee (they use beans from Melbourne's Market Lane), Penny University, Leigh Street's Coffee Branch or Peel Street for coffee and a baked good you can't refuse. TAKE A DAY TRIP TO THE ADELAIDE HILLS OR THE BAROSSA A trip to Adelaide just wouldn't be a trip to Adelaide if you didn't drink your water weight in wine. The best part is that you don't have to suffer a long drive if you don't want to, with the Adelaide Hills just half an hour from the city centre. Grab a car and head into the hills; you'll have a wine glass in hand before you even know it. If you have a sweet tooth, your first stop should be Hanhdorf Hill Winery, where they'll match wine — including their signature Gruner Veltliner — with chocolate for around $20 per person. Don't want to head back into the city for the night? Stay a little longer (and drink to your heart's content) at Longview Vineyard; their six apartments feature floor-to-ceiling windows of your surrounds and are conveniently (or is that dangerously?) located walking distance from their cellar door. If you're willing to venture a little further, the Barossa is a no-brainer. Known for its full-bodied reds, the Barossa is made for shiraz lovers, but has over 50 wineries so you're not limited to taste or preference. Head to Hentley Farm Wines for 'The Beast' shiraz from their cellar door or to Henschke, where you should most definitely do a tour and tasting of one of the region's best shiraz vineyards, Hill of Grace.
2025's Melbourne International Film Festival unveiled its initial titles in early June. A month later, the year's full program arrived with hundreds more movies on its slate, ready to play to the Victorian capital's cinephiles across 18 busy August days. Before July was out — so, well ahead of the Thursday, August 7–Sunday, August 24 fest kicking off — Pasa Faho had already sold out every one of its MIFF sessions, becoming the first film to do so this year. Igbo Australian filmmaker Kalu Oji's debut feature deserves that warm, hearty, enthusiastic embrace; it offers the same to the Adelaide-born writer/director and visual artist's own community, thoughtfully and tenderly so. Pasa Faho shot "over a year and a half ago now, and it feels like it's been quite a long time since we've been in the real thick of the project", Oji tells Concrete Playground; however, Melbourne's response to the world-premiere screenings of the movie, sellouts included, "brings a whole new life to your relationship with the film". He continues: "as soon as it's out in the world and the audience embraces it and becomes part of that process, it's a reinvigoration of all those feelings and all that excitement that was so rich and so present a little while ago". Oji has channelled his own passion into a feature that sprang from him wanting to ask questions — a picture that moulds his queries into a father-son story, an exploration of African Australian life, an unpacking of family structures as well as communities, a musing on what it means to be an Igbo man today, an examination of expectations and clashes around them, an interrogation of straddling two cultures, and more. As it tells of Melbourne shoe salesman Azubuike (Nigerian stand-up comedian Okey Bakassi, Bank Alert) and his 12-year-old son Obinna (Tyson Palmer, Young Rock), Pasa Faho steps into their relationship, and also the existences of those around them, in a heartfelt yet equally clear-eyed manner. The film's title, a play on words stemming from "parts of a whole", is a clue to its emotional journey and tone. Two changes shake up Azubuike's routine: Obinna's move from interstate, which is initially cause for elation more on the former's part than the latter's; and the discovery that the store that Azubuike manages is being sold to developers. Oji's protagonist is caught, then, between trying to provide a solid foundation for his child, including fighting for the job, the paycheque and the proudly hardworking sense of himself that he believes is pivotal to that life, and being able to spend time and be open with Obinna — and between his perspective and ideals, as shaped by his upbringing far from Australia, and the experience of a son whose childhood couldn't be more different. Pasa Faho also spreads its focus to Amaka (first-timer Laureta Idika Uduma), Azubuike's sister and Obinna's aunt, and her tale of sacrifice to do what's expected — and to Yorgos (Kostas Makrygiannakis, The Slap), aka Bogo, the septuagenarian European florist whose own store adjacent to Azubuike's is equally under threat. And, it sees Azubuike's colleague Yrsa (Tardif Hélène, The Industry), a friend impacted by the impending building sale. In its sights as well: Nigerian preacher Edward (fellow newcomer Idika Mba Uduma), too, as he balances his ambitions with his responsibilities as a leader in Melbourne's Igbo community. Oji's filmmaking journey began at the Victorian College of the Arts, with his 2019 graduate film Blackwood making its way to the likes of Palm Springs Shortfest and the BFI London Film Festival, and winning awards at Flickerfest and the Atlanta Film Festival. 2021's The Moon and Me was acquired by San Francisco's Museum of the African Diaspora, while 2023's What's in a Name? picked up another Flickerfest accolade, plus the Craft Award at Sydney Film Festival. Each is "an essential part of series of steps" leading him to Pasa Faho, he explains. "They gave me experience in terms of being on set, and how I like to direct actors and direct, and what I find works when I've got a vision or an idea — and how I get close to that or 'if I do X and I get Y, do I like Y and would I apply that to my practice?'. And there's all those practical tools and practical experiences I think it gave me as a director." "And then mentally and emotionally — I guess energetically — how I like to be on set and the kind of environment I want to make films in, and the kind of space I want to create on the set. It gave me a very firm idea of that that we took into the feature film. And tonally, stylistically, I think if you watch the short films we made from Blackwood, they're all different stories but I think you'll see they're all very, very, very similar-ish tonally. I think that those years of making those shorts helped me find my style, helped me find the things I'm interested in — even though it's ever-changing — and helped me find the tools and the lens that I wanted to approach Pasa Faho through." That Paso Faho is personal, and also intimate — that it brings an insight into the Melbourne's Igbo community, too — was always key. Did that come with a sense of responsibility for Oji? "Many, many hands helped make this film, and many minds went toward what you see on-screen. And I think there is a responsibility for sure, and as a writer, as a director, I lead that in some way and I carry that," he notes. "But working in collaboration, I think, is always the best way to do justice to those ideas." What it means for this Melbourne-set and movie to have world-premiered in Melbourne, the questions that the film arose from, fleshing out the narrative from there, key elements that were always part of the filmmaker's vision for the feature, the consultation and casting processes: we also discussed all of the above and more with Oji. View this post on Instagram A post shared by MIFF (@melbfilmfest) On the Significance of Premiering the Melbourne-Set and -Made Paso Faho in Melbourne "The crew had been working together for quite a long time, and we've built somewhat of a film family over the last nearly a decade now. I think so many of the people that have supported that journey and have made it possible for us to continue that journey are here in this city, and in our families and our communities and all those circles. So I think to be able to launch the film with everyone who's made it possible for us to even be at this point feels like a blessing. It feels really really appropriate." On Pasa Faho Springing From Wanting to Ask Questions "I had started writing the script in 2020, towards the end of 2020. And I've made quite a number of shorts, and been wanting to step into the feature filmmaking space — while being aware and listening to what people were telling me in terms of 'it could take five, ten, 15, 20 years to get a film up'. So when I sat down to start writing, I was looking at 'what are the themes, what is the material that is most present in my mind that I feel like I'm going to be wanting to explore if it takes as long as it takes?'. And so for me, that's the place I started writing from. In terms of the questions and what I was wanting to explore in the film, obviously it's a world that's very, very close to me and characters that are very, very close to me. And I think a lot of the time, I think I've often felt — and this is for Azubuike, Obinna, Amaka, Bogo, for all these people, for all the characters that existed in my mind — I guess it was me wanting to go behind the curtains of these people's minds. I think these are characters, and the problems the characters face in the film are problems, that I've felt like I've seen versions of from the outside. And I think the film was me wanting to understand what's behind all of that, and what does that weight feel like, and what does that joy feel like? It was me wanting to understand these characters." On Fleshing Out the Film's Narrative From Those Initial Queries "I think it started, the way I wrote this film, I wrote a vomit draft and then refined it from there. I think the vomit draft was much more themes and ideas and character-based, and probably less of a plot. I think once I had those pieces, and once I became aware that 'okay, I'm wanting to explore fatherhood; I'm wanting to explore the relationship between a father and a son, and when you have these two people who look at the world through two different lenses; I'm wanting to explore expectation and the pressures, and the familial pressures that a character like Amaka receives whether directly or indirectly; I'm wanting to explore regret and how one comes to terms with decisions that they would have made differently in the past through the character of Bogo'; I'm wanting to explore religion, with the church and the church's relationship with my community, with the Nigerian community, and this relationship between church and land and ownership and all those things — once I had all those ingredients on the page in some way, I think I began to look for a thread and look for a plot that allowed me to speak about them. And, to explore them in the way I want to explore them, while also being very aware — and becoming more aware for our production as well — that I'm wanting to make a piece that is entertaining. And it's got twists and it's got turns, and there's stakes. And for an audience, it's not purely just an observational character piece, but it's a plot that the audience dig their teeth into as well." On Making a Work of Fiction That's Also a Very Personal Film — for Oji and for the Community "It's tricky. I think because you're not writing from a completely blank slate, it takes a very conscious effort to try to shake off any reservations or baggage that comes from these characters being abstractions of things that are really close to you in real life. And I think that work is a lot more active and conscious and tricky than if you're writing characters that are completely distant from you. So I think I probably felt that most in the development phase." On Pasa Faho Being Both Deeply Specific and Also Universally Relatable "In terms of making a film that felt it was very, very specific, while at the same time feeling universal, I think on the surface it's about a father and a son, and a father undergoing this set of trials and this reckoning which pushes him to ask questions about how he relates to his son, and brings them closer or further together — and I think that relationship between parent and child is inherently relatable. Everyone has had or has a parent, and lots of us also have children. So I think that, whether you set this story in the Igbo Nigerian community here in Melbourne, whether you set it in the Polish community in Warsaw, you set it wherever in South Africa, I think there's a relatability that is embedded in the exploration of that relationship." On Whether There Were Specific Elements About Being an Igbo Man in Melbourne Today and Straddling Two Different Cultures That Oji Wanted to Explore and Convey in the Film "Yeah, big, big time. I think a lot it, I wanted to capture this pressure that I feel like is often felt almost universally by people who are in the diaspora, and more specifically people who have been born and raised on the continent and moved abroad, especially moved to 'the west' — but the pressure that comes along with finding yourself in that position. You never exist in isolation. You're never just living for yourself. And that's a beautiful thing. And the fact that community and family and all those values are held so strongly in a culture such as ours, such as Igbo culture, is a beautiful thing. But there's also a lot of pressure that comes along with that, especially financially. And the weight of that pressure, I think, is often not talked about. I think there's an expectation you often just keep your head down and you move forward. I think those sacrifices that people also find themselves in — a character like Amaka, who, in another life, maybe she wanted to be a zookeeper or a painter or a football player or whatever she wanted to do. Someone in her position, you have very limited options in terms of what you're expected to do. And to feel the way that she feels in the film, it's a taboo thing. It's unspoken. So I definitely wanted to explore that. And I also very much wanted to capture the push and pull of being in a country like Australia, with your roots of family in Nigeria, and trying to raise a child in your shadow or in your values — where Nigeria and Australia are very, very different places, and it's hard when you have a child that is raised to look at the world through one certain way, but you've never had that lens or that vision because you were raised to look at a world in a very different kind of way. There can be a lot of tension in that experience, and I want to capture that." On Consulting and Engaging with Melbourne's Igbo Community to Help Shape Pasa Faho "Yeah, yeah, 3000 percent. All throughout the process, it's quite — I've forgotten at what point in development, but quite early on. I live here and these people I've known from before they were involved in the film. But at a certain point in development, we formalised workshops and meetings and sitdowns, and especially getting that perspective — because I don't have Azubuike's perspective, and we're trying to understand him as a character. Meeting with people of that generation of men, with men of that generation with children as well, who've moved here. We wanted to get a richness and authenticity. And also, it's very much I wrote and directed the script and the seed of it came from my heart, for lack of better words, but this character is crafted to be a depiction of that experience in general. And so what came from those meetings, and what came from those sitdowns and workshops, were a lot of the details that make up the film. The tension between Obinna and Oscar, and him taking on a different name, came from an anecdote that someone had told me while just sitting down and chatting. The inner workings of his character and his pride, and I guess where he draws that line, that came from sitting down and speaking to people who have lived more of that experience than I have lived. So yeah, definitely. It was intrinsic. It was essential to making this film." On the Importance of Casting, Especially Finding the Right Azubuike and Obinna "It was massive. It was massive. And I think I'm, as a director and the way I've worked in the past, and the way I worked with this film and the way I want to work in the future even more so, it's so actor-focused. I love, I love — I might say I'm an actor's director. I love getting people involved in the process early. I love bringing a blueprint of a character to an actor and letting them take it with both hands and build them together, and they're bringing their perspective, and their whole set of experience and expertise, to that character — and together we make that person, that character, as rich as possible. So for casting it, because it was language-specific, we started our process quite early for the character of Azubuike and for the character of Amaka. And it was long and it was extensive. And we were aware that this person, especially for Azubuike, he needed to carry the film. The film relied on him and Obinna and their relationship, but especially on Azubuike. So eventually we got to a point of process where we felt it made sense to reach out to Okey, especially as he's got a lot of experience and a lot of charisma as a performer. But it was also this material, I think, was also asking him to step into a space that he frequents less so. And so we thought it was exciting, it was a bit of an exciting opportunity. And then for Tyson, it was less specific — we cast the net more broadly. He didn't need to speak the language. It wasn't language-specific. But as soon as we found Tyson throughout the process, he was great, we knew it from two minutes into the audition." On What Oji Hopes Audiences Will Leave the Cinema Thinking and Feeling About, and Having Discovered From Pasa Faho "I hope they're there for the journey. The film is a domestic film and it's drama, but it's a ride, and we've tried to craft strong characters on-screen who the audience can really settle in next to and beyond that. I hope people laugh. I hope people cry. I hope it offers a broad range of emotions. And I think I also hope it brings up feelings and thoughts for the audience's own relationships with people in their life — whether that's a parent, whether that's a child, whether that's whoever is close to them. I hope that it opens up a door to a certain tenderness that exists and is important in those relationships, but it's not always voiced. I hope that's what it brings." Pasa Faho screens at the 2025 Melbourne International Film Festival. MIFF 2025 runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, visit the MIFF website.
The hole in the ozone layer might be smaller than it used to be, but that doesn't mean we're winning the war. According to this 2017–18 report, the national plastics recycling rate is about 9.4 percent. We clearly still have a way to go and everyone needs to do their share — but, the good news is that it's never been easier. Awareness of environmental issues continues to grow, and doing your part at home really couldn't be more simple. Not sure where to start? Eager to build upon your environmentally friendly choices so far? We're here to help. We've teamed up with Glad and its new Glad to be Green range to outline a list of changes that we can all make to be more eco-conscious — and, together, to do our bit to make our world just that little bit greener. BREW YOUR OWN MORNING CUPPA WITH A SIMPLE COFFEE MAKER With Australians going through over a billion takeaway coffee cups a year, the need to switch to a more sustainable alternative is urgent. Many people now take their own reusable cups to their favourite cafe, but there are a range of easy-to-use coffee makers that can give you that sweet java hit in your own home (and save you some coin, too). The classic option: the french press. Or, you could add a V60 or Aeropress to your kitchen — the latter brewing method is so popular, it even has its own world championships. For added eco-friendly points, make sure to buy your beans from a vendor that ethically supports growers. Also, those old coffee grounds make for great fertiliser or even a body scrub. KEEP YOUR LEFTOVERS IN REUSABLE STORAGE CONTAINERS Whether intentionally or not, we all cook more food than we need to from time to time. So, when you do have leftovers for lunch tomorrow, you'll want to store them in an eco-friendly way. There are a raft of green alternatives that are better for the planet, including Glad to be Green's range includes snack and sandwich resealable bags, which are 50 percent plant-based; have a lower carbon footprint; and, if you rinse them out, can be reused. Lunchboxes and tupperware are obvious choices, too, but many are still made of plastic, so make the choice to hunt down metal, glass or long-lasting silicon substitutes. WHIP UP SOME COOKIES ON COMPOSTABLE BAKING PAPER Considering the shape that the environment is currently in, it's important to try to maximise your green efforts wherever possible — even in areas that may seem relatively harmless. Everyone has a roll of baking paper in their kitchen drawer, and chances are that after you rip some off and use it, it then gets thrown into the bin. Enter Glad to be Green's new baking paper, which is compostable. So, once you're done cooking your chicken nuggets, chips, cookies, banana bread or whatever else you're putting in the oven, the non-stick paper can then go straight into the compost. START COMPOSTING YOUR FOOD WASTE Speaking of compost, do you have a compost bin? Gone are the days when all of our household waste went straight into landfill, thankfully. You might've been recycling for a long time, but your green and compostable waste could also benefit the environment by providing plant life with nutrient-rich soil. Better yet, so you're not stuck cleaning decomposing organic matter off of the inside of your bin, you could make use of a Glad to Be Green Compostable Kitchen Caddy Liner. That way, there's no mess to clear up — and the entire contents of the bin, bag and all, can then happily go onto the compost heap. WASH YOUR DISHES WITH ECO-FRIENDLY DISH SOAP Traditional dish soaps can contain a number of nasties, from ingredients that can encourage algal bloom and pollute waterways to chemicals linked to skin irritation. In short, your dishes may be clean, but they ain't green. Luckily, a range of eco-friendly alternatives have hit the shelves in recent years. You'll have seen them in your local supermarket, no doubt, so it's not hard to browse the aisles to find the bottle that's best for you, and the world around you. If you want to go the full nine yards, you can even find instructions online to make your own sustainable dish soap at home. MAKE YOUR OWN FIZZY DRINKS WITH A SODASTREAM Good news: the ultimate wishlist item from your childhood is actually great for the environment. When you were a kid, you probably just wanted to drink free soda whenever you like — as it turns out, you were way ahead of your time. Instead of buying mass-produced drinks in single-use plastic bottles, having a Sodastream in your kitchen means there's no need for water to be carbonated on an industrial scale. Let's not forget the environmental impact of transporting a product that's largely tap water, too. On top of all that, the carbon dioxide canisters Sodastreams use can be exchanged when empty, then cleaned and refilled for the next happy customer. And yes, being able to whip up your own soft drinks — or cocktails — at the literal touch of a button is mighty handy. PACK YOUR SHOPPING INTO REUSABLE BAGS When it comes to single-use plastic bags, state and federal governments as well as large retailers, like Woolworths and Coles, have started to do their bit (although there is still a way to go). So, many of us have already made the shift to using reuseable bags for our weekly grocery run. And, it's a habit that's worth getting into. Single-use plastic bags aren't exactly the most eco-conscious option. So, pick a sturdy, tote bag with a fun design, head down to the organic market and wear your self-satisfaction with pride — you're doing your bit to save the planet. Go green and visit the Glad website for more tips and tricks.
Jeff Koons is anything but coy. We know that. His oeuvre consists of enormous neon balloon animals, nightmarish cartoon characters, and graphic sexual acts; sometimes a single artwork will feature all three. He's a middle-aged multi-millionaire who employs hundreds of assistants to make his works, he was married to an Italian porn star, and was once described by Stephen Colbert as "the world's most expensive birthday clown". With all that in mind, his bare butt being plastered across the pages of Vanity Fair shouldn't be much of a surprise. And yet you can never really prepare yourself to see a nude 59-year-old man splayed across what can only be described as a torture apparatus. Nor should you ever have to. But, part of a larger feature (yet to go online) about an upcoming Koons retrospective at the Whitney Museum in New York, an unforgettable image of Koons naked presumably comes as proof of the artist's determination and commitment to his craft. "Koons, at 59, has already begun a strict exercise-and-diet regimen," reads the article. "[Now] he will have a shot at working undiminished into his 80s, as Picasso did." Though it's an admirable crusade, we can't help but get creepy Patrick Bateman vibes off the whole thing. It's suspiciously easy to imagine this well-established neo-pop artist waking up in his silk sheets each morning and reciting the following mantra. "I live in a townhouse on the Upper East Side with my wife and six children. My name is Jeff Koons. I'm 59 years old. I believe in taking care of myself with a balanced diet and rigorous exercise routine, but more than that I believe in giant inflatable rabbits." Aside from Picasso and fictional serial killers, Jeff Koons is compared to many great artists in this latest feature. Courbet, Duchamp, and Brecht all get a mention, and of course the founding father of pop art himself, Andy Warhol. Though Koons is undoubtedly as well-known as many of these artists, he's equally as controversial. Both praised and criticised for his kitsch and mass-produced work, Koons has a troubled history with the art world despite his widespread commercial success. Hopefully this feature and forthcoming exhibition do him some favours in the popularity stakes. Now readers will see he's just like them! He works out naked and loves Pink Panther erotica just as much as the next guy. Via Huffington Post and Gallerist.
The 'Share a Coke' campaign has succeeded tremendously in Australia by allowing consumers to search for a can of Coca-Cola with their name on it. However, American company UFlavor has not only allowed customers to design their own soft drink labels with whatever name they choose, but also determine the taste of the beverage by choosing from 42 different ingredients, including everything from blueberry to pure sugar cane. Online users change the percentages of whatever ingredients they choose to go into the drink, and can further determine the drink's colour, name and label. It is then shipped to them directly. Other users can then purchase and rate the flavour combination, with a slice of the profits going to the drink's creator. Therefore UFlavor have not only given you the opportunity to make your dream soft drink, but you also might make some spare coin if you hit the right recipe. With this much discretion left in your hands, the possibilities are literally endless. UFlavor users have already begun adding their own unique touches to their creations, as the website shows that drinks have already been named 'Juicy Love Soda' and 'Cerebral Asylum'. Sounds refreshing. There are plans to expand their ingredients in the near future, as well as install UFlavor vending machines where drinks can be made and delivered on the spot. Get creative and make your own ideal soft drink. If you don't fancy yourself as a mixing connoisseur, you might just want to stick with a solid can of Mountain Dew. https://youtube.com/watch?v=d9U9VUfgkPc [via PSFK]
2023 isn't even here yet, or any of the hundreds of films that it'll unleash upon big screens around Australia and New Zealand. That hasn't stopped 2024's most-anticipated movie from unveiling its first sneak peak before 2022 is out, though. That flick: Mickey 17, which oozes sci-fi intrigue from its name alone, and in its very brief initial trailer. But it's the fact that this is the first film from Korean director Bong Joon-ho since Parasite that's the most exciting part. At the time of writing, it has been three years since twisty thriller Parasite became the film of 2019, winning almost everything it could — such as the Palme d'Or at Cannes; the Sydney Film Festival Prize; and four Oscars, including becoming the first film in a language other than English to win Best Picture. When 2024 hits, half a decade will have passed since that cinematic triumph. But any new Bong Joon-ho movie is worth the wait, as his impressive cinematic resume attests. He is also the filmmaker behind stunning crime procedural Memories of Murder, creature feature The Host, dystopian thriller Snowpiercer and the offbeat Okja, after all. Directed, scripted and produced by Bong, Mickey 17 looks set to mark his third movie mostly in English after Snowpiercer and Okja, with Robert Pattinson (The Batman) leading a cast that also includes Steven Yeun (Nope), Naomi Ackie (Small Axe), Toni Collette (Nightmare Alley) and Mark Ruffalo (She-Hulk: Attorney at Law). Story-wise, it adapts Edward Ashton's book Mickey 7 — and no, why the title has added ten to its number isn't revealed in the debut trailer. The novel follows an 'expendable' being sent to colonise an ice world, who doesn't want to let his replacement take his place. On the page, the lead character is the seventh clone trying to fend off the eighth, but Bong has clearly upped that to the 17th version of his lead character. [caption id="attachment_706462" align="alignnone" width="1920"] High Life[/caption] Science-fiction fans will spot that the premise alone gives off big Moon, Sunshine and Voyagers vibes — and brings High Life, RPatz's last exceptional sci-fi flick, to mind. That said, Bong isn't a filmmaker to follow in anyone else's footsteps. How he makes this concept his own will be a treat to see. In the US, Mickey 17 arrives at the end of March 2024. No exact date Down Under has been locked in as yet, but you can reasonably expect the film to drop locally around the same time. Check out the first trailer for Mickey 17 below: Mickey 17 releases on March 29, 2024 in the US, and doesn't yet have a release date Down Under — we'll update you with local details when they're announced.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we go to Lady Elliot Island Eco Resort off the coast of Queensland, the spot we're putting up guests who book our Four-Day Turtle Hatching and Photography Adventure. WHAT'S SO SPECIAL? This award-winning retreat is the only accommodation on Lady Elliot Island, a small coral cay located at the south end of the Great Barrier Reef. And the beach — where you'll find wild turtles, manta rays and tropical fish swimming around colourful coral fields — is only ten metres away from many of the rooms. THE ROOMS Sustainability is at the core of everything at Lady Elliot Island Eco Retreat. The units, glamping tents and cabins are all designed to seamlessly sit within the natural environment, minimising the impact on local flora and fauna. In line with such an ethos, you won't find wifi, televisions nor radios in any of the rooms — only a limited wifi connection can be found in the restaurant. You go to this island to disconnect — put the phone away and go exploring IRL. But, it must be noted that this lack of signals and screens doesn't mean you'll be roughing it. All room types come with plush beds, charging points, an ensuite bathroom and ceiling fans for hot island nights. [caption id="attachment_889431" align="alignnone" width="1920"] Fabrice Jaine[/caption] FOOD AND DRINK You're on a remote island, so you're not going to find a series of flash restaurants and bars. However, you do have a few casual places to eat and drink to choose from. First off, you have the laidback Beachfront Cafe — a lunch spot where you can get burgers, salads and some booze in the arvo. Next door you'll find The Lagoon Bar, where you can down a few cocktails, crush some beers or sip a vino after spending a big day out on the reef. The uninterrupted beach views don't hurt either. Lastly, there's the Beachfront Dining Room, where you'll find your included buffet breakfasts and dinners. You'll enjoy a variety of modern Australian cuisines here, set to fuel you up for more outdoor adventuring. THE LOCAL AREA Lady Elliot Island is about 80 kilometres northeast of Bundaberg — located roughly halfway between Fraser Island and Lady Musgrave Island. And even though it's the closest Great Barrier Reef island to Brisbane, it is never overcrowded — you won't find swarms of people or big boats full of tourists in these parts. What you will find is a flourishing marine sanctuary. Go snorkelling or diving around tropical sea life or take the easier route by hopping aboard a glass-bottom boat tour. You can also go on walks around the island (it's super flat, so it won't be difficult) or simply read your book on the beach or by the saltwater pool. You can be as active or relaxed as you want. THE EXTRAS While you can explore the land and water at your own leisure at Lady Elliot Island Eco Retreat, we recommend joining one (or a few) of the available tours. You'll have stacks to choose from, but we've teamed up with these guys to create an exclusive Four-Day Turtle Hatching and Photography Adventure that combines all the best experiences into one epic trip. This package includes return flights from Hervey Bay, snorkel tours, turtle-hatching experiences, a private boat trip around the island and photography classes led by Mark Fitz (an expert wildlife photographer). As well: all your breakfast and dinners will be sorted. It's the ultimate trip for nature and photography lovers. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
On Steve Zahn's 2020s-era resume, there's no place like Maui resorts and buried silos that house 10,000 souls across 144 underground levels. The actor has been calling both home, or home away from home, in two of the best television series of this decade. In the process, he's also been giving some of the finest performances of his career. An Outstanding Supporting Actor in a Limited or Anthology Series or Movie Emmy nomination came his way for The White Lotus, an accolade won by his co-star Murray Bartlett (The Last of Us). More awards attention deserves to arrive now that Zahn is among the cast of Apple TV+'s page-to-screen sci-fi dystopian thriller series Silo in its second season. The Minnesota-born and -raised actor has been a screen mainstay since the 90s, when he starred in one of the defining movies of the period: alongside Winona Ryder (Stranger Things), Ethan Hawke (Leave the World Behind), Ben Stiller (Nutcrackers) and Janeane Garofalo (The Apology), he was part of Reality Bites' core quintet. From there, everything from That Thing You Do! and Out of Sight to You've Got Mail and an episode of Friends followed before the 00s even hit — and his Independent Spirit Award-winning performance in Happy, Texas as well. Zahn has since voiced a Stuart Little character, acted for Werner Herzog in Rescue Dawn and played Bad Ape in War for the Planet of the Apes, alongside parts in Riding in Cars with Boys, Dallas Buyers Club, Treme and plenty more. [caption id="attachment_984317" align="alignnone" width="1920"] Mario Perez/HBO[/caption] In The White Lotus, he portrayed a husband (to Dear Edward's Connie Britton) and dad (to Immaculate's Sydney Sweeney and Gladiator II's Fred Hechinger) endeavouring to escape his worries in Hawaii. One such concern: his character's health. Joining Silo sees Zahn go from one extreme to another, then. Instead of opting for the tried-and-tested route of a vacation to avoid your everyday life — not that that ever works out well in The White Lotus, either in the Zahn-starring first season in 2021 or the anthology series' second in 2022 — he's now locked in with his woes. Zahn's Solo dwells in a new setting for the show: Silo 17, where Juliette Nichols (Rebecca Ferguson, Dune: Part Two) ventures after leaving her own. As streaming via Apple TV+ since mid-November 2024, dropping its ten-episode season weekly, Silo opens its second run with a glimpse of how life can go awry drastically and devastatingly when human existence is confined beneath the earth. That's been one of the series' throughlines overall anyway, but the situation in Silo 17 has left Solo alone behind a locked door after a revolution cleared out his fellow residents. He's wary of newcomers, unsurprisingly, but Solo is also curious about the world beyond his vault and empathetic to Juliette's need for help. After the events of season one cast her outside the only walls that she'd ever called home, she's eager to return back to her own silo to stop Silo 17's fate repeating there. So unfurls a season split across two places, and hopping between the aftermath of Juliette being sent out to clean — as being forced outside a silo is dubbed in the series' parlance — and her and Solo's efforts in the other bunker. In one of season two's locations, rebellion festers among the masses. In the other, two people attempt to survive. Chatting with Concrete Playground, Zahn compares his portion of Silo to a play. Since its 2023 debut, this has always been a TV must-see that feels the intimacy of creating societies beneath the ground, but that sensation earns a new dimension when it's just Solo and Juliette in Silo 17. How did Zahn approach portraying someone who is rediscovering what it's like to have company after being on his lonesome, and is clearly traumatised by his experiences while also eager to do the right thing by assisting Juliette? What was he excited about digging into as Solo? And what make he make of his jump from The White Lotus' beaches to Silo's subterranean levels? We talked with Zahn about the above, and also about how shooting their scenes in order helped him and Ferguson build their characters' rapport organically, what excites him about new projects more than three decades into his career and more. On Going From Playing Someone Trying to Escape Their Worries on Holiday in The White Lotus to a Man Locked in with His Traumas in Silo "Lately I've been lucky enough to do the extremes. And this character is definitely — the world is extreme but also the character. I've never played anything quite like this. And it was it was daunting, but it was also quite simple. I think because of Rebecca and the story, I really love it. It's daunting to play a character like this. It's hard. Day one is really difficult, because you're so self-conscious, right, when you play characters like that. Day one of playing Bad Ape in War for the Planet of the Apes was unbelievably hard, because that character that you establish goes to the end, whether it's good or bad, compelling or not. So you just hope your instincts are right. And you get addicted to playing people like this. I'm a proud character actor, put it that way." On Zahn's First Take on Solo in Silo, and What He Was Excited About Bringing to the Character "I found his childlike vulnerability to be fascinating, and I thought that was something that spoke to me and that I could tap into. That was compelling to me. I loved the story under a microscope, compared to the rest of the story. In season two, you've got chaos happening in volume, and then in this world you have water dripping and quiet and calm. And those two worlds together are insane." On Portraying Someone Who Is Dutiful to His Task to Protect His Vault, But Also Curious About the World — and Lonely and Yearning to Connect "It was a constant balancing act. There are times when he's a child — kids wear their emotions on their sleeves, they don't know the boundaries, they haven't learned all these things that we learn from other people. So at times he can be very scary, almost violent, and then in the next breath it turns on a dime and he can be this kid again. So you don't know how he's going to act in any certain situation. I felt like, and Rebecca and I felt like, we were doing a play — like we are doing some Beckett or some Pinter play in the West End. And every day we just got to explore these two individuals. And we shot it into order, which was actually really unique. We had a controlled environment. We had all these sets. And it was just her and I. So we could actually go in order. So the first week of shooting, you didn't see me. It was just really unique. It just doesn't happen." On How Filming in Order Helped Zahn Unpack Solo and Juliette's Relationship with Rebecca Ferguson Basically in Real Time "It absolutely helps, especially when it's incremental like this. It's these tiny steps that they take towards each other — and away from each other, depending. Honestly, if we had to shoot this out of order, it would have been really difficult to track all that. We would have had to spend a lot of time talking about that, where we didn't have to because it was a natural progression. We learned to trust each other as human beings, as actors, at the same time — it paralleled our characters, which was interesting. And so we could actually live in moments and let them breathe, and let that story evolve on its own. And so dialogue changed and intention changed, because of what we were doing, which is really cool. It happened. So much of the time you feel preoccupied with what you're doing that you don't live freely in moments. And when you're an actor and you get lost in a moment, that's the goal. I mean, I always joke like 'god, we were almost acting'. Which is a real compliment to the show, because it's rare when you're really just acting and everything else goes away. Usually it's in a play that you're doing. You get lost in that. This is all heavy actor shit, but you know, it was really fun, man. It was really fun." [caption id="attachment_984315" align="alignnone" width="1920"] Mario Perez/HBO[/caption] On What Gets Zahn Excited About a New Project After More Than Three Decades On-Screen "Story. Being a part of a really cool story. That's what, day one, that's what compelled me. Being in a really good play was awesome, that people liked. And then character and all that stuff, but for me it's the story. And I've been lucky enough to be approached by people that are good storytellers. I've been able to work with so many great, amazing people. And now Graham Yost [Silo's creator], he's a legend. And I worked with him a long time ago on From the Earth to the Moon back in the 90s. It's funny, when I'm walking around, I think of myself as 25. And it's weird to be the guy that people are calling 'sir' on set. It's weird. It's weird, it's bizarre, getting older. Because it's not a bank. We don't have that kind of hierarchy in our business. If I'm working with a 15-year-old, they're my peer. Fred on White Lotus, he's the same age as my son, we're like pals — because we did a show together." Silo streams via Apple TV+. Read our review of season one.
Casual face-melter Courtney Barnett is finally about to have a debut album under her already trophy-laden belt. So naturally, the Melbourne-based shredder has announced her Australian debut album tour for May 2015. This one's going to sell fast. Marking the release of her first ever LP, Sometimes I Sit and Think, And Sometimes I Just Sit (out Friday, March 20 via Barnett's own Milk! Records and Remote Control), this tour follows Barnett's epic performances at Laneway festival around the country over the last few weeks. Having already proved herself one of Australia's brightest sparks over the last few years with her 2013 EP release The Double EP: A Sea of Split Peas, Barnett's spins one hell of a live show — having nailed sets at Lollapalooza, South by Southwest and New York City's CMJ. Supported by Teeth & Tongue, Barnett will cruise from Adelaide's The Gov on Friday, May 1 to Perth's Bakery on Saturday, May 2. Then it's over to Sydney's The Metro on Friday, May 8 and Brisbane's Hi-Fi on Saturday, May 9. In classic Australian artist form, Barnett will wrap things up in her hometown of Melbourne on Friday, May 15 at The Forum. COURTNEY BARNETT AUSTRALIAN ALBUM TOUR 2015 SUPPORTED BY TEETH & TONGUE FRIDAY MAY 1 The Gov, Adelaide, SA TICKETS SATURDAY MAY 2 The Bakery, Perth, WA TICKETS FRIDAY MAY 8 The Metro, Sydney, NSW TICKETS SATURDAY MAY 9 The Hifi, Brisbane, QLD TICKETS FRIDAY MAY 15 The Forum, Melbourne, VIC TICKETS
"It's very important to me that Brisbane understands we are looking at an experimental way of dining, having fun and enjoying blending tradition with playful innovation," explains chef Dario Manca. He's talking about Attimi, which is now serving up lunch and dinner at a Paddington site with a long history in the restaurant business. But as NOTA, which closed its doors in August 2024, and as Montrachet before that, the focus at 224 Given Terrace has never been on Michelin-inspired degustations. Attimi's arrival since early September helps give a sad Brisbane hospitality development a positive spin. When word hit that NOTA was saying farewell after six years — with co-owners and chefs Kevin Docherty and Sebastiaan de Kort instead turning their attention to Newstead's Allonda, which they opened in 2022 — the pair thankfully revealed that a new eatery would take over. Attimi now turns the popular Brissie address into an Italian fine-diner, with cues gleaned from Europe's best. Manca should know a thing or two about Michelin stars, with a total of 16 of the coveted symbols featuring across his career so far. He started out at Villa Crespi under Antonino Cannavacciuolo, has worked beneath Gordon Ramsay and teamed up with Heinz Beck. Manca's resume also includes Sydney's Pilu at Freshwater, being mentored by Giovanni Pilu. His vision for Attimi is to give patrons an intimate experience, with Attimi seating just 28 people, while taking their tastebuds on a tour of Italy. He's also pushing boundaries with his experimental menu — and endeavouring to turn every meal in the abode an unforgettable visit. "When unique spaces like this become available, you want to do the best thing you can for the community, to make sure it continues to flourish, and that's why I jumped on it when I heard NOTA was looking for a successor to keep the flame on," explained Manca back when Attimi was first announced. "The idea of no-choice set menus is still a little bit out there for Brisbane, but I really feel like there's been proof in the pudding in other restaurants that have thrived over the past few years. I am really looking forward to showcasing to Brisbane how this can be a great and standard way of dining," Manca continued. "I want people to feel like anything is possible when it comes to food when they dine at Attimi, and for guests to enjoy a moment of magic and surprise — and that's why I called my restaurant Attimi, which means 'moment' in Italian." NOTA patrons still enter a familiar-looking space, with the exposed brick walls attracting the eye; however, Attimi has put its stamp on the minimalist design touches — think: Italian ceramic sculptures on the tables — and also revamped NOTA's bar to be smaller and cosier. Patrons can tuck into two set menus on weekends, with one described as a "quick Italian tour" with eight courses and the other spanning 12 plates. Dishes include crispy fish with preserved lemon gel, confit garlic tart with goat's cheese cream, beef tartare-filled savoury cannoli, Limoncello sorbet and Ferrero Rocher ice cream. Whether you go for the shorter or longer degustation, you'll be sticking with the established lineup — no amendments allowed — although dietary requirements will be catered for. From Tuesday–Thursday, a la carte dining is also on offer, skewing more casual. Caviar bombs, cecina round waffles, beef rump tartare, carbonara burrata and charcoal coral trout are just some of the options — or, you can enjoy truffle mayo arancino and sourdough focaccia with prosciutto butter among other bites on the footpath. Drinks-wise whenever you pop by, naturally Italy is in the spotlight, covering skin-contact wines and rare beers. Pick between 85-plus vinos, complete with Aussie drops made Italian-style. If you'd prefer a cocktail, there's five house signatures, as well as classics ready to get you saying cheers. Find Attimi by Dario Manca at 224 Given Terrace, Paddington — open for lunch Friday–Saturday and dinner Tuesday–Saturday. Head to the restaurant's website for more details.
This November, there's only one piece of advice worth listening to — and you can get it right from the source. Back in 1995, TLC memorably told us all not to go chasing waterfalls, and to just stick to the rivers and the lakes that we're used to. Thanks to their slot on the 2022 Fridayz Live tour, they'll be singing those words of wisdom all over again. This year's throwback R&B bill has been renamed from RNB Fridays, but it don't want no scrubs, either — and, as well as one of the biggest girl groups of the 90s, it's bringing a heap of other nostalgic names to Australian stages. Shaggy will get boombastic, Craig David will croon about his weekly routine and Ashanti will rock wit u. Also on the lineup: Akon, Macklemore, Jay Sean and Dru Hill. Kicking off at Rod Laver Arena in Melbourne on Friday, November 4, then heading to Perth, Adelaide and Brisbane before finishing up at Giants Stadium in Sydney on Saturday, November 12, the Fridayz Live gigs will feature Lumidee and Havana Brown as well, with Yo! Mafia on DJ duties. Playing host: Abbie Chatfield and Fatman Scoop. [caption id="attachment_863975" align="alignnone" width="1920"] Arturo Lorde[/caption] From remaining TLC members T-Boz and Chilli, who also played this year's Glastonbury back in June, expect to hear everything everything from 'Creep' through to 'Unpretty'. From the rest of the bill, 'Thrift Shop, 'Same Love', 'I Wanna Love You', 'Don't Matter', 'Walking Away', 'What's Your Flava', 'Baby', 'Foolish', 'It Wasn't Me', 'In the Summertime', 'Ride It' and more will get a whirl. By now, with Splendour in the Grass going ahead this year, Falls Festival locked in for a summer return and a heap of huge tours heading Down Under before 2022 is out, it's clear that live music is back. But when the big retro gigs start happening again, you know that the touring music circuit is returning to pre-pandemic normality. FRIDAYZ LIVE 2022 LINEUP Macklemore TLC Akon Craig David Ashanti Shaggy Jay Sean Dru Hill Lumidee Havana Brown Yo! Mafia Hosted by Abbie Chatfield and Fatman Scoop FRIDAYZ LIVE 2022 DATES Friday, November 4 — Rod Laver Arena, Melbourne Saturday, November 5 — HBF Park, Perth Sunday, November 6 — Adelaide Entertainment Centre Friday, November 11 — Brisbane Showgrounds Saturday, November 12 — Giants Stadium, Sydney Fridayz Live's 2022 tour will head around the country in November in New South Wales in October. Telstra Plus ticket pre-sales start at 10am local time on Monday, August 8, then Frontier Members pre-sales at 1pm on Wednesday, August 11 — with general sales from 11am on Friday, August 12. For more information, head to the tour website.
It started with everyday awkwardness. It plunged straight into a memorable meet-cute, too. And, it pondered what might happen if a medical student and a microbrewery owner crossed paths in Sydney, ended up with an injured dog between them, then went from strangers to pet co-owners almost instantly. Also, it's the latest collaboration between real-life couple and No Activity stars Harriet Dyer (The Invisible Man) and Patrick Brammall (Evil). From the moment that Colin From Accounts hit screens late in 2022, it clearly wasn't short on highlights. Among last year's best new TV shows, this Aussie gem stood out for its charm, relatability, smarts and fleshed-out characters — plus its ace two- and four-legged cast. Thankfully, there'll be more where all of the above came from, with Australian streaming service Binge confirming that a second season of Colin From Accounts is officially on the way. "We're thrilled that Binge is finally giving in and letting us do another one. Turns out the border terrier community is extremely powerful," said Dyer and Brammall in a statement announcing the homegrown hit's impending return. "Thank you to everybody around the world who has enjoyed the show — we can't wait to bring you all a second season. Stay tuned for more shenanigans." So far, there's no exact timing set for a second date with Dyer as Ashley and Brammall as Gordon; however, the renewal news comes after Colin From Accounts nabbed itself a trio of 2023 Logies. The series picked up Most Outstanding Comedy Program, Most Outstanding Actor and Most Outstanding Actress — all industry voted, rather than by audiences. Story-wise, the first season of Colin From Accounts followed Ashley and Gordon after the latter was distracted by the former one otherwise ordinary morning, then accidentally hit a stray dog with his car. The pair took the pooch to receive veterinary treatment, then committed to look after him — and, yes, named him Colin From Accounts — causing their already-chaotic lives to intertwine. "The funniest couple on TV (and their dog) are coming back. Binge is thrilled to confirm a second season of the award-winning Colin from Accounts," Alison Hurbert-Burns, the streaming service's Executive Director. "We left season one unsure if Ashley and Gordon could get Colin back, so of course we need to see what's next for these loveable characters that audiences in Australia, and the world, have fallen in love with." Check out the trailer for season one of Colin From Accounts below: Colin From Accounts season two doesn't yet have a release date, but will stream via Binge. Read our review of season one. Images: Lisa Tomasetti / Tony Mott.
The cinemas that it plays in have changed over the years, and the organisations that run the event as well. If you love movies and you live in Queensland's capital, however, the Brisbane International Film Festival has been the must-attend big-screen date of the year for more than three decades. Now settled into a spring timeslot and in its third year under Film Fantastic, who also organise the Gold Coast Film Festival, BIFF is fast approaching for 2023 — and it has just dropped six first titles from its program to get cinephiles excited. One huge must-see from Thursday, October 26–Sunday, November 5: Anatomy of a Fall, a drama about an author (Sandra Hüller, Toni Erdmann) accused of her husband's murder, which won French director Justine Triet (Sibyl) the Cannes Film Festival's Palme d'Or winner back in May. Triet became just the third female filmmaker to earn the coveted prize after Jane Campion for The Piano in 1993, plus Julia Ducournau for Titane in 2021. Also a big drawcard is 2023 opening-night pick Uproar, which comes to Brisbane fresh from premiering at the Toronto International Film Festival. Set to launch this year's BIFF at Reading Newmarket, one of this year's venues alongside other Reading, Dendy and Five Star locations, the New Zealand film stars Hunt for the Wilderpeople's Julian Dennison, Our Flag Means Death's Rhys Darby and Starstruck's Minnie Driver. They feature in a movie that's set in Dunedin in 1981 and focuses on a boy exploring his Māori heritage as the South African Springboks team arrive in Aotearoa amid protests. Ahead of the full BIFF program on Wednesday, September 20, BIFF's first announcement also spans Hirokazu Kore-eda's Monster, the prolific helmer's latest on a lengthy resume that also includes Shoplifters and Broker; body-horror film Tiger Stripes, which is set in the Malaysian jungle and won the 2023 Cannes Critics' Week Grand Prize; and the talk show-set horror Late Night with the Devil — all of which have been doing the rounds of the international festival circuit, with Brisbane their next stop. And, when The Ending Goes Forever: The Screamfeeder Story makes its world premiere at the fest, it'll clearly do so with a big homegrown angle, focusing on of Brisbane's 90s indie-music favourites. "The first six films represent a sneak peek of the diverse and entertaining broader program," said BIFF Head of Programming Sasha Close. "BIFF is proud to be presenting award-winning and highly anticipated feature films in this first release." While Brisbane's major film fest initially launched in 1992, the 2023 festival marks BIFF's 29th thanks to a chaotic few years — after the event was unceremoniously cancelled after its 2013 fest in favour of the short-lived Brisbane Asia Pacific Film Festival, then revived by Palace Cinemas in 2017, and then run by the Gallery of Modern Art from 2018–20 before falling under Film Fantastic's remit. The 2023 Brisbane International Film Festival runs between Thursday, October 26–Sunday, November 5 at selected Dendy, Reading and Five Star cinemas around Brisbane. For further information, or to buy tickets, head to the festival website — and check back here on Wednesday, September 20 for the full program.
When Tropical Cyclone Alfred comes around, Green Day doesn't. With the storm approaching southeast Queensland, and the weather set to turn wet and windy as a result, the California-born band have cancelled their Gold Coast show on Wednesday, March 5, 2025, which was set to be the last stop on their 2025 Australian tour. "Hey Australia, unfortunately due to circumstances out of our control, tomorrow's Gold Coast show has been canceled," the band posted on social media on Tuesday, March 4, 2025. "With Cyclone Alfred bringing some seriously nasty weather, it's just not possible to go ahead safely. We know this is a huge disappointment, and we're just as bummed as you are. Stay safe out there!" [caption id="attachment_972777" align="alignnone" width="1920"] Raph_PH via Flickr.[/caption] On the Live Nation website, the tour promoter advised that "this decision was made in close consultation with local authorities and with Green Day, prioritising the safety of all involved." The gig is cancelled, not postponed, as "due to Green Day's international touring schedule it will not be possible to reschedule the Gold Coast show to a later date". [caption id="attachment_972774" align="alignnone" width="1920"] Alice Baxley, Apple Music[/caption] Already hitting Melbourne and Sydney, Billie Joe Armstrong, Mike Dirnt and Tré Cool have been in Australia on group's global The Saviors Tour, which is named for their 14th studio album Saviors. Two other records have been in the spotlight, however: the band's iconic 1994 album Dookie and their American Idiot album from 2004. Playing both in full has been a feature of the tour, covering everything from 'Basket Case', 'When I Come Around', 'Longview' and 'She' to 'Boulevard of Broken Dreams', 'Wake Me Up When September Ends', 'Holiday' and, yes, 'American Idiot'. On the Gold Coast, Green Day were set to take to the stage at CBUS Super Stadium with fellow California-born group AFI in support. Ticketholders will now automatically receive a full refund from Ticketmaster via their original method of payment between 14–21 days. It won't be the same as seeing Green Day live, but they are headlining Coachella, so you'll be able to livestream their set in April. [caption id="attachment_972776" align="alignnone" width="1920"] Raph_PH via Flickr.[/caption] [caption id="attachment_972775" align="alignnone" width="1920"] Alice Baxley[/caption] Green Day are no longer playing at CBUS Super Stadium, Gold Coast on Wednesday, March 5, 2025. Head to the tour website for more details. Top image: Raph_PH via Flickr.
One of the best performances in the Marvel Cinematic Universe comes from the man who was first charged with getting villainous, but now leads his own spinoff series as a complex and playful hero. While Tom Hiddleston's acting talents are well-established far beyond playing the God of Mischief — see: The Deep Blue Sea, The Hollow Crown, Only Lovers Left Alive, High-Rise, Crimson Peak and The Night Manager, for instance — the MCU has been all the better for his involvement for more than a decade. A scene-stealer in 2011's Thor, his parts in film after film kept getting bigger until streaming series Loki arrived. Amid Disney's rush of greenlighting shows for Disney+, starting this one couldn't have been easier; as Thor: Ragnarok in particular demonstrated, adding more Hiddleston has always been a winning move. When it slid into queues in 2021 as just the third series in the MCU's small-screen realm, following WandaVision and The Falcon and the Winter Soldier, Loki proved that more Hiddleston in a six-part TV show was also a delight. Immediately one of Marvel's standout shows, it came as no surprise when this stint of time-hopping trickery confirmed that it was returning for a second season in that run's final episode. Now back for another half-dozen instalments from Friday, October 6, Loki becomes the first of Marvel's television entries to earn a second go-around. That isn't an achievement that it takes for granted. Picking up exactly where season one left off, Loki season two sticks to some familiar beats but also makes its own leaps, and remains fun, funny, lively and smart in the process. It feels more lived in, too, a description that rarely applies to any franchise about caped crusaders and their nemeses, gods, multiverses and temporal chaos, this one among them. Audiences may know and love Loki, including in his small-screen guise as an alternate version of the movies' scamp who turns time cop to save the world, but the figure himself isn't as swiftly recognised when Loki's second season kicks off. Although nothing has changed about him visually, the first season's climactic showdown with Time Variance Authority creator He Who Remains (Jonathon Majors, Creed III) has had repercussions. Now, the Norse rogue is glitching. With multiple timelines in play thanks to fellow Loki variant Sylvie (Sophia Di Martino, The Electrical Life of Louis Wain), the series' eponymous character is being pulled between different worlds. "It looks like you're being born, or dying, or both at the same time," observes Agent Mobius M Mobius (Owen Wilson, Haunted Mansion). He isn't wrong. Time is an inescapable concept in the MCU, especially as it keeps expanding and sprawling. 2023 marks 15 years since Iron Man started the franchise, with The Marvels set to notch up its 33rd film when it reaches cinemas in November. On streaming, five other Marvel shows have joined the fold since Loki's debut season, beginning with 2021's Hawkeye; then spanning 2022's Moon Knight, Ms Marvel and She-Hulk: Attorney at Law; and seeing Secret Invasion already drop in 2023. In the mechanics of the superhero saga, the MCU stresses the same message that Loki now is: as time keeps elongating, jumping here, there and everywhere is inevitable. Once Loki and Mobius are back in their entertaining old rhythm, they need help getting time under control. Hunter B-15 (Wunmi Mosaku, Black Mirror) takes up the battle to save timelines beyond the sacred timeline, plus the people living their lives within them, while Loki and Mobius seek help from TVA tech go-to Ouroboros aka OB (Ke Huy Quan, American Born Chinese). Bringing Everything Everywhere All At Once Oscar-winner Quan into another temporal jumble is as great on-screen as it sounds on paper, even as he's saddled with mentioning time, manuals, looms and pruning repeatedly. There's a weightier air to Loki season two as Loki, Mobius and Hunter B-15's arcs deepen, plus more meaningful emotional paths, but the boilersuit-clad OB is a gloriously energetic addition. Also fun: when Loki flits around, inserting its main duo into different places and times on various legs of their mission. The MCU's penchant for cycling through genres instalment by instalment pops up here in miniature; where the broader saga can be a thriller in one flick (Black Widow, for example), a comedy in others (the Thor, Guardians of the Galaxy and Ant-Man vibes), dive into horror elsewhere (Doctor Strange in the Multiverse of Madness) and spin coming-of-age stories as well (the Spider-Man movies), this series goes from 70s-set London spy antics to a 19th-century Chicago caper and an existential stop at McDonalds in the 80s. The bouncing around doesn't just serve the narrative or suit the tone, but also fits Hiddleston and Wilson's central pairing. Loki does the odd-couple buddy dynamic swimmingly no matter where Loki and Mobius are, and gains another of Marvel's most engaging performances from Wilson as a result. Getting Loki falling in love with himself, aka Sylvie, was as Loki a move as there ever was in season one. In the show's return, their relationship is still complicated. Also, Sylvie remains on a quest to vanquish the man who sparked the TVA, this time via his variant Victor Timely (also Majors). The season has everyone looking for Judge Renslayer (Gugu Mbatha-Raw, Summerland) and Miss Minutes (Tara Strong, Guardians of the Galaxy Vol. 3), too. And, it has a He Who Remains/Timely/Kang the Conqueror problem. As the big bad for the MCU's phase five and beyond — the next Avengers movie due in 2026 is called Avengers: The Kang Dynasty — the latter as pivotal in Ant-Man and the Wasp: Quantumania. The domestic violence allegations against Majors since that film now cast a shadow, unsurprisingly, as does knowing that recasting could happen. There's no doubting Loki's look, though; it's up there with the Hiddleston-and-Wilson banter and Quan's verve as one of the season's highlights. The colour palette, the technology, the outfits, the retro sheen: it all works a charm. Marvel is obsessed with linking its array of on-screen chapters as it constantly grows and stretches its cinematic universe, which isn't about to change from here. With its aesthetics, plus Hiddleston and Wilson's excellent work — and Quan's, Martino and Mosaku's as well — Loki keeps making the opposite argument, however. If ever there's a segment of the MCU that could happily stand alone and thrive, it's this one. Of course, that isn't the show's route, but leaving viewers wanting more isn't the given that it once was for this franchise as time has passed. Check out the trailer for Loki season two below: Loki season two streams via Disney+ from Friday, October 6. Images: © Marvel Studios 2023. All Rights Reserved.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=TIzchAe5H5A WAVES Waves begins with streaming sunlight, the scenic sights of South Florida, and a blissful young couple singing, smiling and driving. Their happiness is captured by fluid, enticing camerawork that circles around and around, and their exuberant attitude — the carefree feeling that comes with youthful first love — is mirrored by the use of Animal Collective's upbeat, energetic 'FloriDada' on the soundtrack. But this isn't a joyful movie. As the drama's name intimates, this contented moment is soon smothered by waves of tragedy and pain that ripple through the lives not only of high-school wrestling star Tyler (Kelvin Harrison Jr) and his girlfriend Alexis (Alexa Demie), but their loved ones, school and community. Following the breakdown of the pair's romance, Tyler's self-sabotaging struggles with injury and pressure, and the impact on those closest to them, Waves tells an immensely affecting tale of one African American family's ups and downs. While he already has the excellent Krisha and effective It Comes at Night to this name, writer/director Trey Edward Shults crafts his best work yet — a stunningly visceral, moving and profound drama that makes audiences feel every moment and plot development deeply. Also exceptional: Harrison's powerful performance, Taylor Russell as his younger sister Emily, Sterling K Brown as their domineering but well-intentioned dad and Hamilton's Renée Elise Goldsberry as their supportive stepmother, as well as the film's raw and resonant grappling with life, loss, love, and the chaos and emotion of being a Black teenager in America today. Read our full review. https://www.youtube.com/watch?v=lYl1DVIgbAg SHIRLEY Unlike the rest of us, Elisabeth Moss is having a great year — on-screen, at least. While the star of The Handmaid's Tale, Mad Men and Top of the Lake has actually enjoyed a fantastic past decade, she has turned in two of her best performances yet in 2020. First came her lead role in The Invisible Man, which twisted the classic horror tale in firmly modern directions, including exploring gaslighting and society's lack of willingness to believe women. Now, in Shirley, she steps into the shoes of horror and mystery novelist Shirley Jackson. This is a movie by Madeline's Madeline director Josephine Decker, though, so it as never going to be a standard biopic about the The Haunting of Hill House author. Indeed, Shirley is drawn from a fictional novel by Susan Scarf Merrell, stepping inside Jackson's home life with her husband Stanley Hyman (Michael Stuhlbarg) during a 1964 period when teaching aide Fred Nemser (Logan Lerman) and his wife Rose (Australian The Daughter star Odessa Young) come to stay. An agoraphobic who prefers her own company to that of others, Jackson's routine is unsettled by her new houseguests, although an unexpected connection springs with seemingly unlikely kindred spirit Rose. In telling this story, Decker is far more interested in capturing the essence of her subject and Jackson's sensibilities than slavishly sticking to facts, and her film all the better for it. The result is a subjective and engaging character study that's daring, disarming, dark and, unsurprisingly, anchored by a pitch-perfect Moss. https://www.youtube.com/watch?v=OqXRg9D9SXg&feature=emb_logo A WHITE, WHITE DAY When grief plays a pivotal part in a film's narrative, one of two things typically happen. Far too often, it's used as an easy crutch, deployed to quickly explain a character's poor actions without diving particularly deep (see: this year's Ben Affleck vehicle The Way Back). When mourning is thoughtfully unpacked and interrogated, however, the difference is immediately noticeable. And, that's the case with excellent Icelandic thriller A White, White Day. Set in a remote town and often noticeably cloaked in a thick fog (symbolising its lead character's loss-afflicted head and heart, too), the film follows widower Ingimundur (Ingvar Sigurðsson), an off-duty police chief struggling with the death of his wife. While assisting with caring for his eight-year-old granddaughter Salka (Ída Mekkín Hlynsdóttir) helps give his days purpose, after Ingimundur begins to suspect that his deceased spouse was unfaithful, he's rocked by more than bereavement-induced misery. Sigurðsson is phenomenal as a man overcome by his heartbreak and anger, and his scenes with young Hlynsdóttir are immensely tender and touching. What particularly stands out in this tense, haunting and all-round excellent movie, though, is director Hlynur Palmason's (Winter Brothers) striking visual storytelling — whether he's spending an hypnotic minute watching a rock tumble down a hill and off a cliff, staring at his central actor's expressive face, or splashing his frames with spellbinding bursts of colour amidst the rampant grey-hued frostiness. If you're wondering what else is currently screening in cinemas, check out our rundown of new films released in Australia on July 2 — and our full review of The Personal History of David Copperfield.
The end of the year is fast approaching, and with it the time to start making lists. 2017 has been a tough one on a number of fronts, but fortunately we've had movies to see us through. Over the past 12 months out critics have sat through hundreds of hours of motion picture magic, from blockbuster space operas to critically acclaimed indies, surprising local gems and more. After much reflection, they've put together the following list of the ten best films to hit screens in Australia since January. If you missed them in theatres, make it your mission to seek them out. If you've seen them already...well, see them again. 10. THE BEGUILED With The Beguiled, Sofia Coppola won a directing gong at Cannes, making her the first woman in more than 50 years to do so. After catching the film ourselves, it's easy to understand why. An immaculately shot Southern gothic thriller, the movie takes place in an all-girls boarding school during the dying days of the American Civil War, where life is suddenly thrown into turmoil by the arrival of a wounded Yankee soldier. Seething with sexual tension, and surprisingly funny, The Beguiled also benefits from an absolutely stellar cast, with Nicole Kidman, Kirsten Dunst, Elle Fanning and Colin Farrell all operating at the top of their game. – Tom Clift 9. GOD'S OWN COUNTRY God's Own Country isn't a film that romanticises the Yorkshire countryside where it takes place. Rather, it's a film that gets down to the nitty gritty, the blood and the sweat, the rain and the isolation. It's also a film that leaves your heart hurting: a love story between a young farmer Johnny and a visiting worker from Romania. Johnny is an angry, binge drinking man who hasn't come to terms with his sexuality — but when Gheorghe arrives, this all changes. In his directional debut, Francis Lee has made a film which captures beautifully the minutiae of falling for someone (sharing a cup of noodles, making each other laugh), as well as Johnny's painful internal struggle at letting something good into his life. This movie will have you wanting to hug someone, hard. – Kat Hayes 8. THOR: RAGNAROK In a movie-going year — hell, a movie-going decade — that has been defined by the adventures of caped crusaders, one superhero movie in 2017 stood out above all the rest. Helmed by New Zealand indie director Taika Waititi, Thor: Ragnarok was an unexpected curveball from the Marvel Cinematic Universe, and one that was long overdue. Yes it's got the action and the super-powered team-ups and the vague, ominous references to Infinity Stones. But the thing that makes this movie such a delight is Waititi's quirky, self-deprecating, distinctly Kiwi sense of humour. Chris Hemsworth gets the chance to work out his comedic muscles, while Mark Ruffalo, Tom Hiddleston and universe newbie Tessa Thompson are at the tops of their games as well. This is the kind of film you get when studios are willing to take risks with their flagship franchises. Let's hope the rest of Hollywood was paying attention. – Tom Clift 7. WAR FOR THE PLANET OF THE APES At a glance, War for the Planet of the Apes might seem like little more than another monsters-versus-men, CGI-driven blockbuster. Instead, what it delivers is a sensitive, intelligent and profoundly moving war drama to round out one of the most surprising and imaginative trilogies of all time. In the vein of Terrence Malick's The Thin Red Line, this is a film about the quieter dimensions of combat; the internal conflicts, family tragedies and moral ambiguities that can harden and darken the soul. Boasting special effects of extraordinary realism, the film's leads – all of them computer generated – are no less human than the humans they fight, allowing us to wholly indulge in a Shakespearean saga full of heartache, betrayal, courage and redemption. – Tom Glasson 6. THE FLORIDA PROJECT If every filmmaker looked at the world in the same way as Sean Baker, we'd be living in a much kinder and more empathetic place. In The Florida Project, his follow-up to the critically acclaimed Tangerine, the director heads to the spot most commonly associated with Disney World, only to turn his focus to the families living day-to-day in the low-rent hotels nearby. When rebellious six-year-old Moonee (impressive child actress Brooklynn Prince) isn't running around the purple-hued Magic Castle she calls home — and cheekily annoying manager Bobby (an awards-worthy Willem Dafoe) in the process — she's watching her mother Halley (Bria Vinaite) do whatever it takes to get by. Clear-eyed in its depiction of their troubles and struggles, yet affectionate and exuberant as well, this chaotic kid's-eye view of life on the margins is tender, tragic, humorous and openhearted all at once. – Sarah Ward 5. THE BIG SICK If you haven't already, put your pajamas on and snuggle up on the couch to watch The Big Sick. It's a cute, tight, funny film that follows an intimate narrative between two star-crossed lovers. Kumail Nanjiani (playing himself) meets Emily (Zoe Kazan) and things look great, until life throws two fairly significant hurdles in the way. The first: the expectations of Kumail's religious parents. The second: a mysterious illness that threatens Emily's life. We won't give too much more away, other than to say that what follows is both funny and genuinely sweet. Moreover, the story is based on Kumail's real-life romance with his wife. Nawww. A rare rom-com that was a hit with viewers and critics alike, this movie has it all: cross-cultural romance, modern dating scenarios, and probably the best performance of Ray Romano's career. – Imogen Baker 4. ALI'S WEDDING Part of what makes Ali's Wedding so enjoyable is the fact that it's all just a little bit silly. But to be clear, we mean that in a good way. Writer-actor Osamah Sami's take on the rom-com from an Australian-Muslim perspective is a bit ridiculous, yes, but it's also warm-hearted, deceptively smart, and hits you right in the feels. Playing on that near-universal desire to live up to our parents' expectations, the film is as incisive and important as it is funny and fun, while the whole cast does a great job (although Don Hany and Helana Sawires are the undeniable highlights). Once you get to the scene where they perform a musical about Saddam Hussein at their Melbourne mosque, you won't look back. You're along for the ride, and a surprisingly touching one at that. – Kat Hayes 3. CALL ME BY YOUR NAME It's easy to fall in love with Call Me By Your Name on sight. Full of the kind of sumptuous visuals that director Luca Guadagnino (A Bigger Splash) is known for, the 80s-set effort proves a gorgeous piece of filmmaking from its opening frames. That said, it's the movie's sun-dappled dalliance that will really make you swoon, as Guadagnino follows the blossoming romance between 17-year-old Elio (Timothee Chalamet) and grad student Oliver (Armie Hammer) over the course of a sweltering Italian summer. A seductive and sensual queer romance, and a pitch-perfect account of yearning and desire — one that features an emotionally intricate turn from Chalamet in particular — Call Me By Your Name is the film that stories about first love will be judged against for many years to come. – Sarah Ward 2. MOONLIGHT No wait, we meant La La Land! Actually, no, Moonlight. Warren Beatty's debacle notwithstanding, this was absolutely the deserving winner of the most recent Best Picture Oscar. A sensitive, imaginative and deeply affecting coming-of-age tale set in the poor neighbourhoods of Miami, Barry Jenkins' film tells the story of a boy becoming a man and discovering his sexuality in three distinctive chapters – each of which boasts a performance of extraordinary nuance by Alex Hibbert, Ashton Sanders and Trevante Rhodes respectively. With sumptuous cinematography by James Laxton, Moonlight delivers an almost impossible fusion of visual splendour and unsparing emotion, in a film that lingers long in the memory after the credits have rolled. – Tom Glasson 1. GET OUT There's no denying that Jordan Peele's Get Out was one of the most unexpectedly provocative and entertaining films of 2017. A white woman (Allison Williams) takes her black boyfriend (Daniel Kaluuya) upstate to meet her parents for the first time. It's a ripe setup that paves the way for a tense and twisting mix of genuinely terrifying horror, savage dark comedy, and timely social commentary. Its technical credentials are similarly impressive: it's beautifully shot, phenomenally acted and boasts a genuinely satisfying ending. Not to mention the fact that Williams' involvement gave us a chance to exorcise some of our Girls-related rage. – Imogen Baker
It's been a heck of a long time coming, but retail giant Amazon will this week open the doors to the first of its automated grocery stores in Seattle, USA. As reported by CNBC, the Amazon Go concept is out to shake up the retail industry, by doing away with the queues, checkouts and registers of traditional grocery stores. Instead, customers scan their Amazon Go app upon walking into the store, cameras and sensors are used to track which products are taken from the shelves and make their way into a virtual shopping cart, and shoppers are charged accordingly and emailed their receipt after leaving. But while it all sounds pretty nifty, there's always a swag of hype surrounding Amazon's new technologies and launches, and lately the company seems to have had some issues bringing them to fruition. The Seattle store was scheduled to open to the public back in early 2017, but was delayed for testing nearly a year due to kinks in the automated check-out technology. There has been speculation that Amazon is aiming to open bricks-and-mortar stores in Australia as well, namely its grocery service Amazon Fresh. But given the long-overdue launach of Amazon's Australian online retail service late last year, we won't hold our breath waiting for the Amazon Go concept to arrive Down Under for a little while. Via CNBC.
There are certain times in life when a run-of-the-mill bottle-o just won't cut it. Those times when the celebration calls for a drop that is a little more special. Marking an engagement or anniversary or celebrating a birthday. Hell, even just a Friday night. Enter: Craft Wine Store. Offering a premium selection of craft beers, artisanal spirits, biodynamic and hands-off wines, from small producers and Queensland makers, Craft has something to suit every taste and budget. If you want to try something different or are not really sure where to start, the friendly team makes selecting a breeze. It also runs weekly tastings, so you can get to expert-level yourself. Images: Kiel Wode
Break out the sugar honeycombs, grab your bag of marbles, and get ready for a few more games of hopscotch and tug of war. Squid Game is coming back, as Netflix confirmed at the beginning of 2022 — and now the second season has its first teaser trailer. Well, it has an extremely short animated clip of the series' killer Red Light, Green Light doll, with the teaser short on details but big on mood. That said, the new video came with a statement by Squid Game creator Hwang Dong-hyuk, who started chatting about season two in 2021, and confirms a few details. Hwang Dong-Hyuk writer, director, producer, and creator of @squidgame has a message for the fans: pic.twitter.com/DxF0AS5tMM — Netflix (@netflix) June 12, 2022 "It took 12 years to bring the first season of Squid Game to life last year. But it took 12 days for Squid Game to become the most popular Netflix series ever," Hwang shared. "And now, Gi-hun returns. The Front Man returns. Season 2 is coming," he continued. "The man in the suit with ddakji might be back. You'll also be introduced to Young-hee's boyfriend, Cheol-su. Join us once more for a whole new round." So, get ready to spend more time with more Lee Jung-jae (Deliver Us From Evil) as the show's protagonist. And, to learn more about its masked villain (Lee Byung-hun, The Magnificent Seven) as well. How the narrative will play out in season two hasn't yet been revealed, and neither has exactly when it will return. But if you want to live life like you're actually in Squid Game — with the puzzles, not the murders — you can start trying to piece together its clues now. The series was always bound to return for another round. Compulsively watchable from its opening moments, the South Korean show was one of the best new TV programs of 2021, and proved enormously popular for Netflix — becoming its most-watched show ever, in fact. And yes, Hwang also advised last year that lead actor Lee would be coming back, but now that detail is locked in. If you somehow missed all things Squid Game last year, even after it became bigger than everything from Stranger Things to Bridgerton, the Golden Globe-winning series serves up a puzzle-like storyline and unflinching savagery, which unsurprisingly makes quite the combination. It also steps into societal divides within South Korea, a topic that wasn't invented by Parasite, Bong Joon-ho's excellent Oscar-winning 2019 thriller, but has been given a boost after that stellar flick's success. Accordingly, it's easy to see thematic and narrative parallels between Parasite and Squid Game, although Netflix's highly addictive series goes with a Battle Royale and Hunger Games-style setup. Here, 456 competitors are selected to work their way through six seemingly easy children's games. They're all given numbers and green tracksuits, they're competing for 45.6 billion won, and it turns out that they've also all made their way to the contest after being singled out for having enormous debts. Squid Game's first season is available to stream via Netflix. We'll update you with a release date for season two when one is announced. Images: Noh Juhan/Netflix.
It's not often that a Brisbane eatery delivers a taste of New York and a nod to the Gold Coast all at the same time, but that's what Joe's Deli serves up on Albert Street in the CBD. The Italian American-style street-food diner takes its culinary cues from Big Apple, and its vibe as well. But before the brand set up shop in the River City in September 2023, it cemented itself as a favourite down in Broadbeach — serving up meatball subs, cubans, hoagies, tempura prawn po' boys and Italian flatbreads, plus pickles and chips as sides as well. In spreading not just sandwich fillings but its footprint, the Glitter Strip favourite isn't just for the weekday lunch crowd. Midday meals are definitely on the menu; however, this isn't solely a midday haunt. All those sandos — and Joe's Deli's 90's hip hop playlist and NY-inspired booth seating — now grace an 80-seat eatery that's also a bar, boasting an extended booze offering. Accordingly, along with the chain's newest meat slicer getting to work, the venue is going big on beers and ciders from local breweries, plus organic wines, seltzers, Soda& mixers and pre-mixed margaritas. The Albert Street store also features laneway dining, as well as the brand's newest merchandise and clothing range. Fancy a Joe's Deli t-shirt, hat, bag or beer mug? That's the current line, and it's getting a boost. Food-wise, the selection there has also received a revamp, with hot dogs now sticking around permanently. Where the sangas range includes both Sicilian and Southern fried chicken, the hot dogs lineup covers Brooklyn-style, sloppy joe and chilli dogs. A fish 'n' chips option with beer-battered snapper also graces the menu, plus a lobster roll. Whether you now know where you'll be spending your lunch breaks or you have a new after-work go-to in mind, the dessert lineup with cookie sandwiches and two-tone, liquid Nutella and brûlée marshmallow cheesecakes has hit Brisbane, too.
They're taking the hobbits to Isengard at Dendy Coorparoo this summer, with one movie marathon to rule them all. Round up the Fellowship, stock up on lembas bread for sustenance and hide your finest pipe-weed from the Southfarthing for two sittings of all three of Peter Jackson's beloved OG Tolkien film adaptations — on Saturday, December 14 and Sunday, December 15. Kicking off with The Fellowship of the Ring and ending with The Return of the King, this cave troll of a marathon clocks in at 558 minutes, and will run in full on both days. Pick which date to block out, then start the journey at midday, with five-minute breaks between each movie (for breakfast and second breakfast, if you will). If you make it to the final handful of endings, you can pat yourself on the back and smash a ringwraith screech at the nearest Coorparoo resident on your way home (note: do not actually screech at the residents). Without a ticket, expect at least one overenthusiastic cinema staff member to make an example of you, thundering "you shall not pass!" to raucous applause. So buy a ticket, precious, for $42 — with this all-day marathon taking place in Dendy's Premium Lounge. And, to help ramp up your excitement, watch the trailer below: https://www.youtube.com/watch?v=z_WZxJpHzEE
Italian Street Kitchen is the latest addition to the thriving Gasworks Precinct. That name might well sound familiar to you if you've spent much time in Sydney — owner Mauro Marcucci has two other venues down south, with the Newstead site the first for Queensland. Step into the light, airy space and you're immediately greeted with a glass-walled open kitchen (which takes up much of one side of the venue) where a team of chefs, dressed to match in stripes, man the various stations. A round pizza oven commands pride of place next to a pasta bench, while delicate arancini are crumbed and fried next to hanging legs of prosciutto. The restaurant's vibrant atmosphere is established at once with the open cheer of the kitchen. Try to snag a spot along the back wall, otherwise an outdoor table is perfect for people watching — but, really, anywhere is great. Grab an aperitif to warm up your palate for what's to come. The focus is, of course, on all things Italian, so your best bet would be to plump for the bitter perfection of a Negroni. We'll get this out of the way now just so you know: the hardest part about your whole visit is going to be deciding what to eat. The antipasto selection is comprehensive, to say the least — you might kick off with pumpkin and provolone arancini ($4.50 each), fried gnocchi with truffle ($6.50), baked cheese with honey and oregano ($10) or Sicilian anchovies with garlic and chilli ($6.50). Or keep it simple with a shared salumi plate — the bresaola is rich, salty goodness — ($20) and marinated olives ($4). Traditional spit-roasted meats like beef rump cap and lamb shoulder ($19.50 each) are mouth-meltingly tender, while oven-roasted pork belly ($19.50) is a Roman delight. And if the idea of visiting an Italian restaurant without eating copious amounts of both pizza and pasta horrifies you, fear not: Italian Street Kitchen's pizza and pasta game is strong. For pasta you might choose the gnocchi, oven-baked and creamy ($16), the rigatoni amatriciana with pork cheek and a hint of chilli ($16.50), or go classic with spaghetti and meatballs ($16.50). Pizza could be the buffalo margherita ($15.50) or the funghi — with three cheeses and meaty Swiss brown mushrooms ($16) — among others. Once you've decided, take note of your table number and head up to the counter to order. Wondering if you've over (or under) ordered? No problems — the staff are only too happy to advise, and, hey, you can always come back for more. On the way back to your table be sure to stop off and refill your complimentary sparkling water at the self-serve station. In what seems like the work of a moment, steaming dishes of pasta and thin, crisp pizza — cooked to perfection (each pizza spends precisely two minutes and 15 seconds in the rotating pizza oven) — arrive at your table and demands to be eaten at once. Oozy, cheesy and fresh, it is indeed food heaven. But how to slice? Wield the pair of scissors in your table caddy to make short work of divvying up the pizza. The scissors put you in charge of doling out exactly how much pie you're willing to tackle, and yes, "all of it" is a perfectly reasonable answer. We know we probably say this a lot but truly, save yourself room for dessert. Italian Street Kitchen's tiramisu is neither too coffee-y or too creamy and is extremely hard to stop eating. Italian Street Kitchen captures the modern vibrancy of casual Roman dining in partnership with the traditional simplicity of Italian cuisine. To that end, the pizza dough is made on-site and let rise for 48 hours, the pasta is made daily and air dried and the Napoli sauce? Yep, it's made right here. And yet, nothing on the menu comes in over $20 — which is pretty special, given the quality of the eats.
Thanks to Keith Courtney, Brisbanites have already been able to walk through a huge house of mirrors in the past few years. And, with his help, moseying through an eerie and endless labyrinth of doors became a reality, too. The Melbourne installation artist isn't done setting up massive mazes just yet, however — and his latest is designed to resemble a huge, human-sized kaleidoscope. Called Kaleidoscope, fittingly, this installation isn't small. It's a 700-square-metre expanse of glass, steel, mirrors and moving prisms that features a labyrinth of corridors decked out in a revolving showcase of lights and colours. Originally debuting in Melbourne for the city's Rising Festival, and still on display there now until mid-July, it'll start shimmering and luring Brisbanites on Brisbane Powerhouse's Performance Lawn for two months between Friday, August 12–Monday, October 3. Like both House of Mirrors and 1000 Doors, Kaleidoscope has been crafted to be immersive as possible. Expect to have your senses disoriented while you're strolling through, including both motion and gravity. Expect to see plenty of shifting illusions among the ever-changing array of light and colour as well, and to be drawn in by the installation's soundscape in the process. "No one will have the same experience in Kaleidoscope – this is a multi-sensory and at times physical experience where the visitor is completely submerged in sound and light – a vortex of serenity to somewhere or nowhere," explains Courtney. In bringing the massive piece to life, the artist has teamed up with visual artist Ash Keating, composer Tamil Rogeon and artist Samantha Slicer, plus a team of highly skilled technicians. Tickets to Kaleidoscope will cost $16.50, and will go on sale on Tuesday, June 28. It'll head to Brisbane in association with Brisbane Festival and, although only making its home there temporarily, it marks one of four big new additions to Brisbane Powerhouse in the coming months. The New Farm venue is also set to launch a permanent outdoor cinema and a glow-in-the-dark performance venue this spring, plus a twice-yearly night food market from March 2023. After hitting Brisbane, Kaleidoscope will then take an international tour. House of Mirrors premiered at MONA's Dark Mofo in 2016, then headed to 12 cities across the globe, while 1000 Doors debuted at the Melbourne International Arts Festival, then went on a 10-city tour of Australia and New Zealand. Find Kaleidoscope at Brisbane Powerhouse's Performance Lawn from Friday, August 12–Monday, October 3 — open from 2–9pm from Wednesday–Thursday, 2–10pm on Fridays, 10am–10pm on Saturdays and 12–2pm Sundays. Tickets will go on sale on Tuesday, June 28.
How many ways can getaways go wrong? In The White Lotus, each season brings a new list of chaos — and the show isn't done sending characters off to exclusive resorts to deal with whatever life throws at them just yet. The show's third season will arrive in February 2025, but there's already more on the way after that, with HBO announcing that season four has been greenlit as well. Accordingly, before anyone even watches a second of The White Lotus season three — which'll stream from Monday, February 17 Down Under — season four has been locked in. There's no word yet on which destination will follow Hawaii, Sicily and Thailand, however. There's also no details on who'll be in the series' fourth cast, and if any familiar faces will return. While the world waits for more information about season four, season three is worth getting excited about, too. A new batch of travellers is checking in, and a third The White Lotus hotel is ready and waiting. As Lisa from BLACKPINK says in both the initial look at footage from season three in a broader HBO trailer and in the anthology hit's first teaser, "welcome to The White Lotus in Thailand". A getaway at a luxurious hotel is normally relaxing, but that isn't what vacationers find in this show. It was true in the Hawaii-set first season in 2021, then in season two in Sicily in 2023, each with a largely different group of holidaymakers. Based on the sneak peek at season three, that's of course going to be accurate again in the third season's eight-episode run. Walton Goggins (Fallout), Carrie Coon (Ghostbusters: Frozen Empire), Jason Isaacs (The Crowded Room), Michelle Monaghan (MaXXXine), Leslie Bibb (Palm Royale) and Parker Posey (Mr & Mrs Smith) are among the folks checking in season three, alongside Sam Nivola (The Perfect Couple), Patrick Schwarzenegger (Gen V), Sarah Catherine Hook (Cruel Intentions) and Aimee Lou Wood (Sex Education). Families, couples and friends on getaways: they're all covered by the above cast members. And as Monaghan exclaiming "what the fuck is this place?" indicates, they're in for some chaos. Bad feelings, seeking pleasure but finding pain, threatening to drink oneself to sleep: alongside guns, dancing, judgemental pals, missing pills, snakes, monkeys, ambulances, complaints about gluten-free rice and a body bag, they're all featured in the teaser as well. From season one, Natasha Rothwell (How to Die Alone) is back Hawaii spa manager Belinda, who advises that she's there on an exchange program. Season three also stars Lek Patravadi (In Family We Trust) and Tayme Thapthimthong (Thai Cave Rescue) as one of The White Lotus' owners and security guards, respectively. Where the Mike White (Brad's Status)-created, -written and -directed satire's first season had money in its sights and the second honed in on sex, eastern religion and spirituality is in the spotlight in season three, which also co-stars Nicholas Duvernay (Bel-Air), Arnas Fedaravičius (The Wheel of Time), Christian Friedel (The Zone of Interest), Scott Glenn (Bad Monkey), Dom Hetrakul (The Sweetest Taboo), Julian Kostov (Alex Rider), Charlotte Le Bon (Niki), Morgana O'Reilly (Bookworm) and Shalini Peiris (The Ark). Check out the first teaser trailer for The White Lotus season three below: The White Lotus returns on Sunday, February 16 in the US, which is Monday, February 17 Down Under. At present, the series streams via Binge in Australia and on Neon in New Zealand. The White Lotus season four doesn't yet have a release date — we'll update you when one is announced. Images: HBO.
Start clicking your fingers: come August 2025, Tim Burton's (Beetlejuice Beetlejuice) TV dive into the world of the Addams Family will be back, with Netflix dropping the first half of Wednesday's second season. The streaming platform has been teasing what's next in this creepy, kooky, mysterious and spooky realm for over a year, including via new cast announcements and an initial sneak peek. For more of what's in store, the show's full season two trailer has just dropped — along with news of an upcoming Wednesday experience Down Under. In the latest glimpse at the series' second season, its namesake (Jenna Ortega, Death of a Unicorn) is back at Nevermore Academy and being heralded as a hero thanks to her efforts in season one. Wednesday is characteristically unimpressed by the attention. Soon, her focus is elsewhere, however, thanks to a premonition of her roommate Enid (Emma Myers, A Minecraft Movie) coming to a grave end, with Wednesday determined to do whatever she can to stop that from happening. The show is releasing season two in two batches. Part one arrives on Wednesday, August 6, then part two on Wednesday, September 3. Another date for the diary: Saturday, August 16, which is when Wednesday Island will temporarily become a part of Sydney's landscape. More details are to come, and soon — the timer on the pop-up's website is counting down to 12am on Friday, July 11, 2025. For now, Netflix has revealed that the Wednesday cast are heading to Australia as part of a worldwide promotional tour, and that Cockatoo Island / Wareamah in Sydney Harbour will be transformed into a Wednesday haven. Think: experiences that'll make you feel like you're at Nevermore, other activations, performances and more. Back to the new season: Joanna Lumley (Amandaland), Steve Buscemi (The Studio), Billie Piper (Kaos) and Thandiwe Newton (Mufasa: The Lion King) are among the series' new cast additions, some of whom can be seen in its full trailer. Season two also features more of Catherine Zeta-Jones (National Treasure: Edge of History) as Morticia, Luis Guzmán (Justified: City Primeval) as Gomez, Isaac Ordonez (Color Box) as Pugsley and Luyanda Unati Lewis-Nyawo (Dreamers) as Deputy Ritchie Santiago, all getting meatier parts than in season one. Among its new cast members, Evie Templeton (Criminal Record), Owen Painter (Tiny Beautiful Things), Noah B Taylor (Law & Order: Organised Crime), Frances O'Connor (The Twelve), Haley Joel Osment (Blink Twice), Heather Matarazzo (Paint) and Joonas Suotamo (The Acolyte) are also onboard — plus Christopher Lloyd (Hacks), following Christina Ricci (Yellowjackets) among the stars of the 90s Addams Family films popping up in Wednesday. Fred Armisen (Fallout) remains Wednesday's take on Uncle Fester, though — one that Netflix is so keen on that there's been talk of a spinoff about the character. Check out the full trailer for Wednesday season two below: Wednesday season two arrives in two parts, with part one dropping on Wednesday, August 6, 2025 and part two on Wednesday, September 3, 2025, both via Netflix. Read our full review of Wednesday season one. For more information about Wednesday Island, which is taking over Cockatoo Island in Sydney on Saturday, August 16, keep an eye on the pop-up's website — and we'll provide more details when they're announced. Images: Helen Sloan and Jonathan Hession/Netflix © 2025.
Apple is still set to call Melbourne's Federation Square home — and, after first announcing its new store late last year, then being asked to rethink the building's design due to considerable community backlash, the international technology behemoth has unveiled its latest plans. Gone is the pagoda-style structure that was first revealed in 2017, with the new Apple Global Flagship Store now a two-level rectangular-shaped building heavy on glass, mesh and white surfaces. From above, you could even say it looks like one of the brand's products. The new design, which has been formally submitted to Victoria's Minister for Planning for consideration, is the result of a series of workshops focusing on refining the original concept drawings. It now includes a publicly accessible second-floor balcony and outdoor shading, as well as the already-slated 500-square-metres of new public space, the Victorian Government announced. It's also designed to help Federation Square better connect to the Yarra River, opening up space for more cultural events. Apple itself will hold a daily program of free sessions, called Today at Apple, that'll feature local creatives hosting workshops and other tech, design, art and education activities. In the sustainability stakes, the new roof is capable of using solar power, plus new solar shading will improve the energy efficiency of the building. And while it definitely looks less like a Pizza Hut, it will still replace the existing Yarra Building — which will be torn down to make way for the Apple store — and displace the Koorie Heritage Trust in the process. It'll also still see public land sold off to a commercial retailer. The proposed site will be much bigger than Apple's other Melbourne stores, and stand alongside only four other flagship stores around the globe. If it gets the final go-ahead, construction is expected to start in 2019 for a late-2020 opening — forming part of the Victorian Government's revamp of Fed Square, which also includes a new LED big screen, a $36.6 million upgrade of ACMI and a new Melbourne Metro train station.
As we all watched London burning, most of the furious debates were concerned with political squabbling and vigorous finger pointing at wasted British youth. But one of the things least discussed was the impact on creative communities. While the riots may have started off as a response to police brutality, the only thing they seem to have accomplished is making people more upset while completely screwing over small businesses and independent artists, who, let's face it, weren't really doing all that well to begin with. Hip-hop artist Scroobius Pip pretty much summed it up when he said, “This is Britain punching itself in the face. Repeatedly.” While the riots were going down, theatres all over London were forced to cancel shows and performers including Patrick Wolf postponed gigs while the city was in lockdown. Then there were the art galleries, who, with all those big glass windows ripe for smashing, didn't fare so well and have thwarted several exhibitions. But the biggest impact on artists has come as a result of the fire lit at the SonyDADC warehouse in Enfield, which was holding the UK's stock of a significant number of independent music labels including Sub Pop, Warp, 4AD, Matador and XL. These companies had much of their stock destroyed, and that's not to mention the smaller companies who probably never had a huge amount to splash out on tight and all-encompassing insurance policies. In an interview in NME, Spencer Hickman of Rough Trade East explained, "There’s maybe a hundred labels affected. We’ve got no idea how much stock they’ve got elsewhere. I’m convinced that some labels will go under." In addition, the warehouse was holding a a lot of the DVD stock of independent film distributers like BFI, and because much of the income film companies receive comes through DVD sales, it looks like some companies are going to have to lay off staff. A campaign entitled LabelLove has been launched to generate some money to try and keep independent artists and labels afloat during the rough times ahead. On the bright side, artists have almost immediately begun responding to the riots, with graphic designers Nick Scott and Neil Walker designing posters which pretty much sum up exactly what everybody was thinking. Check them out below.
Bars where you can do more than just sit around and drink are really having a moment in Brisbane, and specifically Fortitude Valley. In no small part, it's thanks to the ever-expanding empire of Funlab. The company is in charge of the ever-popular Holey Moley, Strike Bowling and Sydney's Archie Brothers Cirque Electriq — with Holey Moley leading the charge in the Valley's boozy kidulting scene, alongside the independently owned Netherworld. Now, Funlab has just launched its latest brainchild: B. Lucky & Sons. It's a kidult-friendly bar-meets-arcade with some actually good pawn-shop prizes, instead of the usual plastic crap you get. Think vintage Chanel bags, classic cameras and rare vinyls, plus a Nintendo 64 in its original box and Tune Squad swag from the 1996 cult classic, Space Jam. Yup, they're going real old school with this one. The bar is coming to the Valley's TCB Building from September 27 — and Melbourne's version is also hidden behind the facade of an old pawn shop, so expect something a little bit different. Down south, the venue is also decked out with eclectic furnishings, from old-world casino chandeliers to neon-lit red octagonal booths. This East-meets-West fit-out extends to the food, where pizzas are topped with the likes of crispy wonton wrappers and bonito flakes or sausage, gravy and potato crisps. For drinks, the bar sling canned cocktails and alcoholic bubble teas — like the Taro Bang (Frangelico, rum and taro with blueberry pearls and jellies) and the Passion Crackle (vodka, passion fruit and peach teas with apple flavoured pearls and jellies). Not to mention punch bowls served with floral tea cups, a gold-rimmed espresso martini and one with a side of toast and raspberry jam. While Brisbane details haven't been confirmed, the bar's games themselves will be clear throwbacks for the millennial generation — featuring everything from Mario Kart and Space Invaders to NBA Hoops and a Dance Dance Revolution knock-off. And although the venue will be open to littluns during the day, it'll be strictly adults-only at night, so you don't have to worry about being laughed at by a ten-year-old when you fall off Rainbow Road for the fourteenth time. Find B.Lucky & Sons at the TCB Building, 315 Brunswick St, Fortitude Valley, from September 27. Images: Zennieshia Photography
The climate crisis can feel overwhelming at times. There's so much critical work to be done on our quest for a more sustainable future. To alleviate some of the existential helplessness, we've teamed up with our pals in Tropical North Queensland to come up with some practical ways we can give back to our beloved environment this Earth Day (April 22) and beyond. Whether you want to volunteer for a conservation organisation or you've been meaning to move your moolah to a financial institution that doesn't invest in fossil fuels, read on for practical ways you can show the environment some love. MOVE YOUR MONEY When it comes to helping the environment, money might not be the first thing you think of. But, if you take a moment to properly consider it, where your money is invested really matters. Some banks and superannuation funds invest their customers' cash into industries that are harmful to the environment — like fossil fuels. If you've been meaning to move your money to a more environmentally friendly financial institution — or to find out what industries your money is currently propping up — Earth Day seems like a timely reminder to do that bit of life admin. Not sure what industries your bank or superannuation fund invests your money in? Find out via the Market Forces website. HAVE MEAT-FREE MEALS It's no secret that mass meat production has a negative impact on the environment. According to the Food and Agriculture Organisation of the United Nations, livestock farming is responsible for 14.5 percent of all anthropogenic greenhouse gas emissions. Want to reduce your intake of animal products? Consider opting for meat-free meals on Earth Day. Or, if you want to take it one step further, make meat-free meals part of your week, every week. There are plenty of plant-based menus to try in Sydney, Melbourne, Brisbane and Cairns. [caption id="attachment_844234" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] TRAVEL RESPONSIBLY From offsetting flights to booking eco-certified experiences, trying to do your bit for the environment while expanding your horizons is a big help. One destination that's loaded with low-impact ways to explore the natural environment is Tropical North Queensland. In the tropics, you can stay in eco-certified accommodation, enjoy the Great Barrier Reef responsibly and explore the region's lush rainforest with minimal impact activities. Want to find out how? Check out the eco-certified experiences and accommodation via the website. SHOP LOCALLY Shopping within your local community has a few benefits. Firstly, it helps to boost the local economy. Plus, if you're buying products that have actually been produced in your local area, it helps to reduce carbon emissions. When you buy produce that is grown near to where you are, the food is only travelling a minimal distance to reach you. That means it takes less resources to transport and store the food after it leaves the farm. So, next time your want to fill up your fridge, head to your nearest farmer's market and grab your goodies from a local. [caption id="attachment_829895" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] EAT SEASONALLY Eating with the seasons is another great way to cut back the travel miles on your food. Similar to shopping locally, when you consume food that flourishes in the season you're in, the transportation and storage resources required to get the produce from paddock to plate are reduced. Want to eat seasonally on your next trip away? Make sure you check in with the locals to see what's in season. If you're planning a trip to the tropics, hit this list to find the finest local produce that's in season. Spoiler alert: there's plenty grown up in this part of the world. If you dine at a Crystalbrook Collection venue, you can even find out how sustainable your food is via its new Climate Calorie concept. The hotel group have labelled its menus to tell you when your food is locally sourced, supplied in eco-friendly packaging, whether or not First Nations People were consulted in the food production and more. [caption id="attachment_793108" align="alignnone" width="1920"] PARKS AND RECREATION -- "Recall Vote" Episode 607 -- Pictured: (l-r) Adam Scott as Ben Wyatt, Amy Poehler as Leslie Knope -- (Photo by: Chris Haston/NBC)[/caption] TALK TO PEOPLE IN CHARGE One of the most impactful ways to have the environment's back is to tell people in power what you think needs to be done to protect it. While individual action can add up, it's the government that has the power to implement policy changes that'll have a much greater impact. Think we need better emission reduction targets? Reckon the government should stop subsidising the fossil fuel sector and invest in renewable energy instead? Get in touch with your local Member of Parliament to get it off your chest into action. And, of course, ensure your votes in upcoming elections aligns with your beliefs. [caption id="attachment_844433" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] DONATE OR VOLUNTEER FOR LOCAL CONSERVATION PROJECTS If you've been putting off donating time or money to a local conservation project, but know it's something you want to do, Earth Day is an ideal time to finally make it happen. Most national park organisations have programs for volunteers to get involved in. Or, if you're keen to send some love to the Great Barrier Reef or rainforests of Tropical North Queensland, visit this website to find out how you can help. [caption id="attachment_851154" align="alignnone" width="1920"] Tourism Tropical North Queensland[/caption] GET INVOLVED WITH CITIZEN SCIENCE PROJECTS As the old saying goes: knowledge is power. So, to feel more equipped to make positive contributions to the environment, consider getting involved in a citizen science project. Wondering what that even means? Citizen science does what it says on the tin. It's all about getting everyday citizens involved in scientific projects. Our top picks to get among the action are Citizens of the Great Barrier Reef and Eye on the Reef. Want to find even more ways to give the environment some love this Earth Day? For more information, visit the Tropical North Queensland website.
2025 marks once, not twice, but three times in a row now that winter in Melbourne is being bookended by major arts festivals. RISING kicks off the cooler weather, then Now or Never helps farewell the frostier temperatures. As the former was as well, the latter is back in a big way this year, whether you're keen to witness one of the city's key spaces undergo a spectacular transformation just for the fest, fill 11 days and nights with live tunes, hear more about astronauts and astronomy, see where the lines between cinema and real-time performances blur, or celebrate queer Black excellence. Now or Never packs its lineup with arts, ideas, sound and technology events. From Thursday, August 21–Sunday, August 31 around Melbourne, 2025's fest will feature more than 140 free and ticketed sessions, which are the products of 285-plus local and international artists. Whatever else you head to, making a date with the Royal Exhibition Building — the venue that hosted its first large-scale live music performances in over 20 years at 2023's debut Now or Never — is a must, however, if you want to step inside a pink bubble. Free, running for the first four days of 2025's festival, and both an Australian premiere and a Melbourne exclusive, MATRIA looks set to prove quite the stunner. The installation's aim: to turn the Royal Exhibition Building, its temporary home, into a womb-like space via a recycled pink inflatable. Courtesy of Barcelona-based collective Penique Productions, translucent membrane will wrap around the venue's wooden interior skeleton — and breathe. The accompanying soundtrack, complete with a solo vocalist, will get it vibrating. Dancers will also help the installation's skin move and stretch, and you can expect to see futuristic art feature as well. Inside MATRIA, you'll be cocooned — and you'll also engage with more of Now or Never's program, because the site is still hosting shows and gigs within the installation. Dancer and choreographer Amber McCartney is teaming up with DJ Shapednoise on one, composer Alex Zhang Hungtai is in the spotlight on another, and rRoxymore is also doing the honours one evening. Or, get inhaling and exhaling along with MATRIA thanks to The Breath Haus and its meditation and breathwork sessions. For more music, Melbourne Town Hall will feature four nights of acts spanning Marie Davidson, DJ Python, DJ Logic1000, Young Marco and Yarra — plus Japanese visual and sound artist Ryoji Ikeda bringing ultratronics and its blend of minimalistic light and sound to Australia for the first time. Also engaging multiple senses in the same venue is Einder, a 20-metre-long light and sound installation by Dutch artist and composer Boris Acket. For one evening only, you can also feast beneath it, with Julia Busuttil Nishimura in charge of the multi-course menu. For a memorable outdoor installation, Dr Christian Thompson is on the case at the Evan Walker Bridge. Burdi Burdi (Fire Fire) is all about quiet reflection, and will be the Bidjara/Chinese Australian artist's largest such work. Hit up State Library Victoria instead and you'll spy DELIRI from the Barcelona-based Hamill Industries, a large-scale projection musing on understanding and deconstructing reality that's taking over the building's facade. Thinking about the cosmos is on the bill when Aussie astronaut Katherine Bennell-Pegg and astronomer Dr Tania Hill team up, complete with a screening of a short film commissioned by the Australian Space Agency. For more folks chatting, former Australian of the Year Tim Flannery will contemplate facing the future as the climate changes. Plus, the Charting the Future: First Nations Knowledges and Artificial Intelligence session will examine Australian innovation, not just looking at machine learning now and beyond, but also at knowledge in First Nations cultures — and neuroscientist Ariel Zeleznikow-Johnston is digging into potentially living forever. If you're all about the big screen, ACMI is presenting Rashaad Newsome's documentary Assembly, which steps behind the scenes of his installation at New York's Park Avenue Armory. With this year's Melbourne International Film Festival, it's also screening VR documentary The World Came Flooding In. Or, drop by for PARA.CINE's merging of where cinema and real-time virtual performances intersect. One world-premiere piece is giving picture palaces a zoological spin. The other boasts New York's Team Rolfes, with speeding jockeys at its centre. Over at The Capitol, you can check out First Nations film Crown and Country, and its conversations between Warlpiri philosopher and teacher Wanta Jampijinpa Pawu-Kurlpurlurnu and music producer Marc 'Monkey' Peckham. Blending performance with motion-capture, reality television and game design, Crisis Actor at Arts House in North Melbourne will get you participating rather than merely watching, all in the aftermath of a fictional disaster. From there, Moritz von Oswald is taking to the stage at Melbourne Recital Centre with a 16-person choir to perform his album Silencio, and composer, DJ and producer Laurel Halo is teaming up with cellist Leila Bordreuil. Plus, Science Gallery Melbourne's DISTRACTION wants to live up to its name via a range of local and international experimental projects, Intraconnection in Federation Square's screen will get you pondering being human, Queer PowerPoint is back and the State Library of Victoria is staying up late one night — and there's still more on the lineup. Now or Never 2025 runs from Thursday, August 21–Sunday, August 31 around Melbourne — head to the festival website for further details.
Have you spent a lot of time playing mini-golf lately? The popularity of Holey Moley Golf Club would suggest so. Well, here's your chance to make back the money you've spent on 'practising': the inaugural (and, surprisingly, very lucrative) Holey Moley Masters. Holey Moley — which has eight mini-golf clubs across the East Coast, including one in Melbourne, one in Brisbane and two in Sydney — is launching what's set to be the country's biggest ever mini-golf competition. Kicking off with round one on March 28, the tournament will end with the best team from each Holey Moley venue battling it out for national glory and a cool $10k at a Melbourne final. A series of DJ-fuelled competition nights will be held to find the champion team from each Holey Moley course. Then, on April 19, the winners will be flown to Melbourne to represent their states at a huge final celebration, with the winners scoring their own 'Golden Jackets', a home-course party in their honour and, of course, that sweet, sweet cheque. It's all very official for something that is, at its core, a novelty. Nonetheless, it could be an easy way to make some cash. If you want a shot at victory, start working on your golf game and head here to register by March 18.
After an extra day under stay-at-home conditions due to Queensland's latest COVID-19 cases, the Brisbane and Moreton Bay Local Government Areas will emerge from lockdown at 6pm today, Saturday, July 3. Since the same time on Tuesday, June 29, residents in the two LGAs have only been permitted to their homes for the four reasons that were identified at the beginning of the pandemic — a lockdown that also covered the Logan, Redlands, Ipswich, Noosa, Sunshine Coast, Gold Coast, the Scenic Rim, the Lockyer Valley and Somerset LGAs in southeast Queensland, plus Townsville, Palm Island and Magnetic Island. Yesterday, Friday, July 2, the stay-at-home period was extended for an additional 24 hours for Brisbane and Moreton Bay only. "For our Brisbane and Moreton Bay regions, can I thank everyone for doing that extra day that we asked people to do," said Queensland Premier Annastacia Palaszczuk at her daily press conference today. "That gave our contact tracers that extra time that was desperately needed," she advised. While ending the lockdown for these two LGAs is obviously welcome news, restrictions will obviously still apply — as also happened after Brisbane's January and March lockdowns — until Friday, July 16. https://twitter.com/AnnastaciaMP/status/1411144704092106761 So, Brisbanites will be able to leave their homes again once 6pm hits today — and for any reason. That said, new rules will limit what you can do, where and with how many people, as we've all become used to during the pandemic. And yes, dancing is still banned, so Footloose might make for good weekend viewing. Before lockdown started on Tuesday, a number of rules were actually put in place across Queensland — and they're all back on the cards, after coming back into effect everywhere other than Brisbane and Moreton Bay at 6pm on Friday, July 2. These restrictions will now apply across the entire state for the next fortnight, finishing at 6pm on Friday, July 16. The 30-person limit on at-home gatherings is back, and that cap includes folks who live with you. And, as well as banning dancing, standing up at cafes, restaurants, bars and nightclubs has been scrapped again. So, to eat, drink and hang out, you'll need to be seated. Hospitality businesses will also have to operate under the one person per four-square-metres indoors and one person per two-square-metres outdoors rules — although venues smaller than 200 square metres will be permitted to welcome in one person per two-square-metres with a cap of 50 people. Outdoor events can go ahead, but only if they have a COVID-19-safe plan in place. Indoor events can too — and both can have 100-percent capacity if they're seated, or one person per four-square-metres indoors and one person per two-square-metres outdoors rules otherwise. Wearing masks is still required whenever you're not at home — and you'll always have to have one with you as a result. So, they must be worn in all indoor spaces other than your own house, all indoor workplaces unless it is unsafe to do so, on public transport, in taxis and ride share vehicles, and outdoors, unless you're doing vigorous exercise. The usual requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms all apply, too, as they have since March last year. https://twitter.com/AnnastaciaMP/status/1411143269161992192 In the past 24 hours, Queensland reported five new locally acquired cases, with 47 cases currently active in the Sunshine State at the time of writing. Queensland Health is maintaining an active register of locations that have been visited by positive COVID-19 cases, which you can check out on its website. You can also check out this nifty map that uses Queensland Health's data. The Brisbane and Moreton Bay Local Government Areas will come out of lockdown from 6pm on Saturday, July 3. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. More details about the lockdown and associated restrictions can also be found on the Queensland Health website. Top image: Kgbo via Wikimedia Commons.
Back in 2020, which now seems a lifetime ago, Laneway Festival celebrated 15 years since Danny Rogers and Jerome Borazio first decided to fill a Melbourne alleyway with tunes. The beloved fest marked that milestone with a characteristically jam-packed lineup that made its way to Melbourne, Sydney, Adelaide, Brisbane and Fremantle, as well as Auckland — but since then, it's been quiet thanks to the pandemic. First, the bad news: no one will be raising a plastic cup at the fest in 2022, Laneway organisers have confirmed. Now, the great news: the event is gearing up to finally make a comeback in 2023. In a social media announcement, the Laneway crew noted that right now it'd usually "be sailing the Laneway cruise liner into Australia/NZ, docking at Adelaide." That's clearly not happening at the moment, and "for obvious reasons we have decided to sit out again this year but rest assured, we are busy bees preparing for Laneway '23," the post continued. Dates, cities and venues for 2023 haven't been announced yet, but the Laneway team also noted that they're quite advanced in the planning for next year. "It's unusual for us to have booked so many acts so early on but that is what we can confirm we have done for Laneway 23, and it's already feeling like one of those very special Laneway lineups... there are so many exciting ideas and dreams coming into the picture and we look forward to sharing them with you into the new normal," organisers revealed. View this post on Instagram A post shared by St. Jerome's Laneway Festival (@lanewayfest) If you're now already looking forward to next year, that's understandable. If you're now speculating on who might be on the bill, that's perfectly natural, too. Laneway's news comes after restrictions eased in both New South Wales and Victoria on Friday, February 18, allowing dancing again — with NSW's ban on dancing at music festivals set to lift this week as well. Laneway Festival will return in 2023. We'll update you with further details, including dates, venues and lineups, when they're announced. Top image: Anthony Smith.
Thought you’d be eating vacuum packed meals in space? Think again. Fruit and veges could now be part of everyday space cuisine as part of EDEN’s (Evolution and Design of Environmentally-Closed Nutrition Sources) latest research initiative to grow fruit and veges in outer space with LED lights. The German Aerospace Centre (DRL) has picked up new Heliospectra LED lighting technology which the company has developed to help researchers explore conditions that can be used to grow fruit and veges in outer space. These space greenhouses could potentially function and feed a crew millions of miles above the clouds and prove particularly useful in harsh environments like a greenhouse module on Mars, or on slightly closer turf at the Neumayer Station III in Antarctica. One of the current projects at the German institute investigates testing the greenhouse module in the hostile Antarctica environment where a team lives in total isolation for nine months straight. Researchers hope to discover the ways whereby food could be produced for the crew and investigate how plants influence humans in isolation. [via inhabitat]
This part of the multiverse mightn't boast chefs controlled by raccoons, talking rocks and hot dog fingers, but it has turned a mind-bending movie spanning all of the above into one of the year's big awards contenders. Everything Everywhere All At Once is one 2022's very best movies, too, and it might soon have some shining trophies for its troubles from the 2023 Golden Globes. Awards season is upon us again, because the end of the year doesn't just mean all things jolly and merry — and the beginning of the new year isn't just about fresh starts and resolutions you likely won't keep, either. The Golden Globes will unveil its latest batch of winners on Wednesday, January 11 Australian and New Zealand time, but its just-announced list of nominees features plenty to get excited about, including a heap of 2022's must-see movies and TV shows. While the Oscars cover films and the Emmys focus on television, the Golden Globes spread its gongs across both formats, meaning that big-screen hits like Elvis and Top Gun: Maverick have scored some love, and so have small-screen favourites such as Severance and Wednesday. Topping the nominations on the movie side is standout Irish comedy The Banshees of Inisherin, including nods for stars Colin Farrell and Brendan Gleeson. School-set sitcom Abbott Elementary — think Parks and Recreation, but in a Philadelphia public school — leads the TV contenders. Reuniting Farrell, Gleeson and their In Bruges director Martin McDonagh, The Banshees of Inisherin nabbed eight noms, with Everything Everywhere All at Once picking up five, including for actors Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis. Next on the list, Damien Chazelle's Babylon and Steven Spielberg's The Fabelmans each turned their love letters to cinema into five nominations. On the small screen, Abbott Elementary picked up five nods, followed by The White Lotus, DAHMER — Monster: The Jeffrey Dahmer Story, The Crown, Pam & Tommy and Only Murders in the Building with four each. Other highlights include Glass Onion: A Knives Out Mystery scoring a nomination for Best Motion Picture – Musical or Comedy, and Daniel Craig for Best Actor in the same category; Emma Thompson's Best Actress nod in the same genre for Good Luck to You, Leo Grande; both Decision to Leave and RRR among the non-English language picks; and Angela Bassett receiving some Best Supporting Actress love for Black Panther: Wakanda Forever. And, there's The Bear picking up two noms (including for lead Jeremy Allen White) in the TV fields, Diego Luna's Andor nomination, Zendaya's Euphoria nod and Better Call Saul's final season being recognised, too. Although there's plenty to celebrate among this year's contenders — including a hefty showing for Australians, including Baz Luhrmann's Best Director nom for Elvis, and Cate Blanchett, Margot Robbie, Hugh Jackman and Elizabeth Debicki all picking up acting nominations (for Tár, Bablyon, The Son and The Crown, respectively) — the Globes are sadly back to ignoring women directors. If you're wondering what else is in the running, here's the full list of nominations: GOLDEN GLOBE NOMINEES: BEST MOTION PICTURE — DRAMA Avatar: The Way of Water Elvis The Fabelmans Tár Top Gun: Maverick BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — DRAMA Cate Blanchett, Tár Olivia Colman, Empire of Light Viola Davis, The Woman King Ana de Armas, Blonde Michelle Williams, The Fabelmans BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — DRAMA Austin Butler, Elvis Brendan Fraser, The Whale Hugh Jackman, The Son Bill Nighy, Living Jeremy Pope, The Inspection BEST MOTION PICTURE — MUSICAL OR COMEDY Babylon The Banshees of Inisherin Everything Everywhere All at Once Glass Onion: A Knives Out Mystery Triangle of Sadness BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE — MUSICAL OR COMEDY Lesley Manville, Mrs. Harris Goes to Paris Margot Robbie, Babylon Anya Taylor-Joy, The Menu Emma Thompson, Good Luck to You, Leo Grande Michelle Yeoh, Everything Everywhere All at Once BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE — MUSICAL OR COMEDY Diego Calva, Babylon Daniel Craig, Glass Onion: A Knives Out Mystery Adam Driver, White Noise Colin Farrell, The Banshees of Inisherin Ralph Fiennes, The Menu BEST MOTION PICTURE — ANIMATED Guillermo del Toro's Pinocchio Inu-Oh Marcel the Shell With Shoes On Puss in Boots: The Last Wish Turning Red BEST MOTION PICTURE — NON-ENGLISH LANGUAGE All Quiet on the Western Front Argentina, 1985 Close Decision to Leave RRR BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE Angela Bassett, Black Panther: Wakanda Forever Kerry Condon, The Banshees of Inisherin Jamie Lee Curtis, Everything Everywhere All at Once Dolly De Leon, Triangle of Sadness Carey Mulligan, She Said BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE Brendan Gleeson, The Banshees of Inisherin Barry Keoghan, The Banshees of Inisherin Brad Pitt, Babylon Ke Huy Quan, Everything Everywhere All at Once Eddie Redmayne, The Good Nurse BEST DIRECTOR — MOTION PICTURE James Cameron, Avatar: The Way of Water Daniel Kwan and Daniel Scheinert, Everything Everywhere All at Once Baz Luhrmann, Elvis Martin McDonagh, The Banshees of Inisherin Steven Spielberg, The Fabelmans BEST SCREENPLAY — MOTION PICTURE Todd Field, Tár Daniel Kwan, Daniel Scheinert, Everything Everywhere All at Once Martin McDonagh, The Banshees of Inisherin Sarah Polley, Women Talking Steven Spielberg, Tony Kushner, The Fabelmans BEST ORIGINAL SCORE — MOTION PICTURE Carter Burwell, The Banshees of Inisherin Alexandre Desplat, Guillermo del Toro's Pinocchio Hildur Guðnadóttir, Women Talking Justin Hurwitz, Babylon John Williams, The Fabelmans BEST ORIGINAL SONG — MOTION PICTURE 'Carolina' by Taylor Swift, Where the Crawdads Sing 'Ciao Papa' by Alexandre Desplat, Guillermo del Toro, Roeban Katz, Guillermo del Toro's Pinocchio 'Hold My Hand' by Lady Gaga, BloodPop, Benjamin Rice, Top Gun: Maverick 'Lift Me Up' by Tems, Rihanna, Ryan Coogler, Ludwig Göransson, Black Panther: Wakanda Forever 'Naatu Naatu' by Kala Bhairava, M.M. Keeravani, Kala Bhairava, Rahul Sipligunj, RRR BEST TELEVISION SERIES — DRAMA Better Call Saul The Crown House of the Dragon Ozark Severance BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — DRAMA Emma D'Arcy, House of the Dragon Laura Linney, Ozark Imelda Staunton, The Crown Hilary Swank, Alaska Daily Zendaya, Euphoria BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — DRAMA Jeff Bridges, The Old Man Kevin Costner, Yellowstone Diego Luna, Andor Bob Odenkirk, Better Call Saul Adam Scott, Severance BEST TELEVISION SERIES — MUSICAL OR COMEDY Abbott Elementary The Bear Hacks Only Murders in the Building Wednesday BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES — MUSICAL OR COMEDY Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Selena Gomez, Only Murders in the Building Jenna Ortega, Wednesday Jean Smart, Hacks BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES — MUSICAL OR COMEDY Donald Glover, Atlanta Bill Hader, Barry Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jeremy Allen White, The Bear BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION Black Bird DAHMER — Monster: The Jeffrey Dahmer Story The Dropout Pam & Tommy The White Lotus BEST PERFORMANCE BY AN ACTRESS IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Jessica Chastain, George and Tammy Julia Garner, Inventing Anna Lily James, Pam & Tommy Julia Roberts, Gaslit Amanda Seyfried, The Dropout BEST PERFORMANCE BY AN ACTOR IN A LIMITED SERIES OR A MOTION PICTURE MADE FOR TELEVISION Taron Egerton, Black Bird Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Evan Peters, Dahmer — Monster: The Jeffrey Dahmer Story Sebastian Stan, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION Jennifer Coolidge, The White Lotus Claire Danes, Fleishman Is in Trouble Daisy Edgar-Jones, Under the Banner of Heaven Niecy Nash, Dahmer — Monster: The Jeffrey Dahmer Story Aubrey Plaza, The White Lotus BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION F. Murray Abraham, The White Lotus Domhnall Gleeson, The Patient Paul Walter Hauser, Black Bird Richard Jenkins, Dahmer — Monster: The Jeffrey Dahmer Story Seth Rogen, Pam & Tommy BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES Elizabeth Debicki, The Crown Hannah Einbinder, Hacks Julia Garner, Ozark Janelle James, Abbott Elementary Sheryl Lee Ralph, Abbott Elementary BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MUSICAL-COMEDY OR DRAMA TELEVISION SERIES John Lithgow, The Old Man Jonathan Pryce, The Crown John Turturro, Severance Tyler James Williams, Abbott Elementary Henry Winkler, Barry The 2023 Golden Globes will be announced on Wednesday, January 11 Australian and New Zealand time. For further details, head to the awards' website.
Money can't buy you love, as four mop-topped Brits first sang 59 years ago, but it can buy you tickets to see the music legend who wrote one of the catchiest pop tracks ever released — and co-performed it — play it live in Australia. When Paul McCartney heads Down Under this spring, he'll have a wealth of material to choose from. One of his favourite openers: 'Can't Buy Me Love'. Hitting our shores for the first time since 2017 on his Got Back tour, McCartney will work through a massive catalogue of hits from his time in The Beatles, Wings and also across his solo career on a six-city stint around the country. Arenas and stadiums will welcome Sir Paul, starting at the Adelaide Entertainment Centre on Wednesday, October 18, then heading to Melbourne's Marvel Stadium, Newcastle's McDonald Jones Stadium and Allianz Stadium in Sydney before the month is out. Then, to kick off November, McCartney will take over Brisbane's Suncorp Stadium and finally Heritage Bank Stadium on the Gold Coast. This tour will mark the Beatles icon's first-ever Newcastle and Gold Coast shows, and also commemorate almost six decades since the band that helped McCartney make history famously toured Australia in 1964 amid a wave of Beatlemania. In Adelaide all of those years back, it's estimated that 350,000 people lined the streets to get a glimpse of the group, packing the stretch between the airport and Town Hall. McCartney's Got Back setlist has featured everything from 'Hey Jude', 'Let It Be' and 'Ob-La-Di, Ob-La-Da' to 'Love Me Do', 'Blackbird' and 'Got to Get You Into My Life' from The Beatles across its stops so far. Yes, 'Get Back' gets a whirl. Wings tunes 'Live and Let Die', 'Band on the Run', 'Letting Go' and 'Junior's Farm' usually pop up, too, as does McCartney's own 'Maybe I'm Amazed'. The Got Back tour kicked off in the US in February 2022, wrapping up last year's run with a massive Glastonbury set. McCartney now brings his usual band — keyboardist Paul 'Wix' Wickens, bassist and guitarist Brian Ray, fellow guitarist Rusty Anderson and drummer Abe Laboriel Jr — our way after picking up a Helpmann Award for Best International Contemporary Concert for his last visit. PAUL McCARTNEY 'GOT BACK' TOUR 2023 DATES: Wednesday, October 18 — Adelaide Entertainment Centre, Adelaide Saturday, October 21 — Marvel Stadium, Melbourne Tuesday, October 24 — McDonald Jones Stadium, Newcastle Friday, October 27–Saturday, October 28 — Allianz Stadium, Sydney Wednesday, November 1 — Suncorp Stadium, Brisbane Saturday, November 4 — Heritage Bank Stadium, Gold Coast Paul McCartney tours Australia in October and November 2023, with Telstra Plus members pre-sale tickets from Thursday, August 3, Frontier members pre-sale ticketing available from Wednesday, August 9 and general tickets from Friday, August 11 — all at staggered times. Head to the tour website for further details. Images: MPL Communications.
If you've ever sipped lamington vodka, eaten a baklava croissant or tucked into a cookie pie, you'll know that mashing up two different types of foods and/or drinks is a gift to indecisive stomachs. Sometimes your tummy just doesn't know what it's hankering for — or it does, but it wants too many things at once to make a choice. The next culinary hybrid that's certain to help the next time you can't pick between multiple options: Latina and Old El Paso's new taco-flavoured ravioli. The two supermarket staple brands have teamed up on the limited-edition dinner offering and, yes, the result is exactly what it sounds like. You'll be tucking into Latina's beef ravioli, but made with Old El Paso's taco spice mix. And if you're not that fond of zesty dishes, you'll be pleased to know that this one is mild. The new ravioli is only available in Woolworths supermarkets for a short time, for RRP$8 a packet — and if you're wondering how to serve it, the two brands suggest pairing it with beans, corn kernels and a pasta sauce, popping it in the oven with cheese on top and turning it into a pasta bake. Obviously, just cooking it like you normally would Latina's pasta, slathering it with sauce and sticking a fork in is also an option. But you won't have to decide whether your tastebuds are screaming for Italian or Mexican — because you can have both. Latina and Old El Paso's taco-flavoured ravioli is available now at Woolworths supermarkets for RRP$8 a packet.
