Remember a time when weekends weren't about browsing market stalls, stocking up on fresh produce straight from the farm, trying the latest artisanal treats and purchasing handmade arts and crafts? No, neither do we. And at the rate new markets keep popping up around Brisbane, we never will. Hot on the heels of Morningside's Metre Market, Carindale's Moo and Glue, and the Red Hill Farmers Markets move to Milton comes the Brisbane Daylight Markets. While the exact place and kickoff date is yet to be announced — other than north of the city, and in August — the small business-focused event is all about lazy Sundays spent indulging in a stint of outdoor shopping. Think boutique stores, food options and all the craft, fashion, design and art-oriented wares you can think of in between. Sure, every market offers that — but, admit it, you can't resist the lure of checking out a fresh batch of trinkets and tasty bites to eat at another location. And who can? More details are due to be revealed soon, but we'd recommend blocking out your Sunday mornings in August just to be safe. And if you're interested in selling your stuff rather than simply buying someone else's, you can do that too, with applications currently open for eager stallholders. The Brisbane Daylight Markets kicks off in August. Keep an eye on their website and Facebook page for more information.
In just a few months time, Brisbanites will be able to sip beer under the Story Bridge at the city's first riverside brewery. Set to open in October as part of the Howard Smith Wharves development, Felons Brewing Co. will both brew and serve its own tipples in Brissie's new precinct. In fact, the site's tanks were just delivered this past weekend. The new venture hails from an ex-Little Creatures brewing team, including head brewer Tom Champion and general manager Ash Cranston. Under their guidance, thirsty patrons can expect brews made on-site, plus a waterside courtyard by the cliffs to drink it in, which will open to the public in December. The pair hasn't revealed much about what kind of beer it'll brew when it starts operating on the wharves, but Champion vaguely says it will focus on "natural and balanced" beers made with "locally sourced" ingredients. What isn't so vague is the meaning behind the brewery's moniker — it's named after the four 'felons' that are regarded as the first European settlers to discover the Brisbane River in 1823. Cranston does recognise Indigenous Australians as the original inhabitants of the land, but goes on to say that the felons' story "seemed to reflect our core values of adventure, freedom and fearlessness, and it made sense to name ourselves after a story linked to the foundation of Brisbane". While this isn't the first time an Australian brewery has based its brand around a convict — James Squire is named after a first fleet brewer — it is an interesting decision to focus on this specific part of Brisbane's history. Felons Brewing Co. will join a number of previously announced bars and restaurants, including a Greek eatery from Sydney chef and restaurateur Jonathan Barthelmess, a two-level Asian fusion joint, Brisbane's first Toko restaurant and the octagonal-shaped Overwater Bar. Brisbane's second Art Series Hotel will also open at the site, alongside four other restaurants, a 1500-square-metre exhibition area and entertainment stages. Find Felons Brewing Co. at the Howard Smith Wharves precinct, under the Story Bridge in the CBD, from October 2018. For more information about the development, visit the website.
Victoria's answer to Dark Mofo, WinterWild, is returning to Apollo Bay for two weekends this August. While last year's after-dark winter arts festival was structured around the death and birth, this year's theme is 'visions and ecstasies'. Creeping into the coastal shire on the eastern side of Cape Otway, the festival will take place on the weekends of August 16–18 and August 30–September 1. Each weekend will begin with braziers on the beach, before unleashing a vivid program of music, performances, feasting and workshops — all focused on the idea of peering into the darkness for inspiration, revelations and surprises. Standout events on the program for the first weekend, running from August 16–18, include Visions of Excess, which combines kaleidoscopic visuals with the music of Black Heart Death Cult and Flyying Colours; a suitably psychedelic tribute to Jimi Hendrix; and, following on from last year, another immersive (and haunting) blend of projections, lights and sounds in the quarry. Two weekends later, across August 30–September 1, WinterWild will celebrate the music of David Bowie; pair a definitely-not vegan-meal with burlesque and puppetry at the decadent Feastiality; and make shapes outside, by the water and in the cold evening air, at Moon Garden. For those eager to make the trip twice, The Redemption unfurls across both weekends — with the theatrical production playing for free in two parts, involving the citizens of Apollo Bay, and happening by the harbour. Or, if you're keen to completely dive in, you can opt for the two workshop programs, dubbed 'The Left Hand Path' and 'The Right Hand Path'. WinterWild will run across two weekends, Death from August 10–12 and Birth from August 24–26. To see the full lineup and purchase tickets, head to winterwildapollobay.com.au.
Vivid Sydney is really cranking it up this year. Announcing a kaleidoscopic festival program of light, music and ideas this morning, Vivid's 2015 plans will have you squealing over social and locking in dates. Now staged in four new precincts (Chatswood, Central Park, Pyrmont and expansion in Sydney University), as well as the usual harbourside suspects, Vivid is back for another year of technicolour merriment and reignited appreciation of your city. So what's in store? LIGHT Alongside the predictably mindblowing projections on the Sydney Opera House sails (Universal Everything), the Museum of Contemporary Art (Danny Rose and Rebecca Baumann this time), and Cadman's Cottage (a 20 multiplayer game this year, just casually), Vivid has some pretty talkworthy surprises in store. Chatswood will be turned into an aquatic wonderland with giant 3D sea creature projections, you'll be able to 'paint' the skyscrapers in Circular Quay, and the ever-popular Light Walk will feature glow swings, an interactive game of duck, duck goose, musical 'beat dice', playable piano stairs, floating fibre optic dresses from Korean artist Taegon Kim and the obligatory selfie stage (with a 'You Are Here' arrow sign). At Central Park, artists Rekko Rennie and Beastman will project on to the Carlton and United Brewery Facade, and there'll be silent discos on the lawn every Friday and Saturday night. Martin Place will once again be a super pretty illuminated food precinct, and Pyrmont Park will let you let off 'digital fireworks' and project yourself on the casino singing karaoke. Plus, the BBC's Life Story projected on the Argyle Cut sounds just about as beautiful as a weeknight gets. MUSIC Music-wise, this year's Vivid program is equal parts supersuperstars in supersupervenues to loved and local party nights around the city. For Vivid LIVE, the big names came tumbling out of today's announcement. Joining the already announced king gloomsayer Morrissey, eclectic folk dreamboat Sufjan Stevens, immortal art rockers TV on the Radio, Aussie legends Hoodoo Gurus, gravelly folkster Bill Callahan, new album-touter Daniel Johns, longtime shredders The Drones, Sydney hypecards The Preatures, garage go-tos Royal Headache and electronic powerhouse Mad Racket. Red Bull Music Academy are throwing The Studio's opening night, where Future Classic are set to celebrate their tenth anniversary with Flight Facilities, Seekae, Hayden James, Touch Sensitive, George Maple and Flume's only Australian concert for the year; alongside all the Astral People, Elefant Traks label Studio parties we love. We're a little disappointed to see only super male headliners and about three female artists in the entire Vivid LIVE lineup (Preatures, Drones, George Maple), but here's hoping for a more balanced Music at the House summer lineup. Around the city, there's a whole bunch of luminous shindiggery to be had, with Vivid Music this year curated by Sydney radio host, DJ and all-round legend Stephen Ferris. Modular's hugely successful Modulations mini-festival is coming back to Carriageworks after a huge Pet Shop Boys year in 2014. This time around, the crew are bringing together Sydney club nights Kooky, Motorik and Pelvis and inviting headliner American jazz saxophonist Pharaoh Sanders to make good use of those Carriageworks acoustics. Freda's will see the return of Sydney's favourite twist-happy party Jingle Jangle and the special performance of Andras Fox under his New Age alter ego A.R.T. Wilson. Goodgod Small Club will see newcomer Oh Reach's debut concert alongside Terry Serio's Ministry of Truth and Spookyland, while Oxford Art Factory showcases brand new Sydney label Personal Best Records (including the Personal Best Orchestra, a ten-piece all live disco electro orchestra with vintage sythesisers). One of the biggest Sydney parties around, Heaps Gay will hold an epic bash at Marrickville's Factory Theatre with the likes of KIM from The Presets, Black Vanilla DJs, Catlips and The Magda Subanskis, and Soul of Sydney are set to hold a huge block party just for Vivid (more details to come). IDEAS Switching on your brain as well as the lights, Vivid Ideas has a chockers program of talks, seminars and conferences to get you right into the global creative conersation. 'The Game-Changers' series will see Mad Men creator Matthew Weiner, Monocle and Wallpaper founder Tyler Brule and Rolling Stones/HBO designer Stefan Sagmeister chatting about their wildly overachieving existence. There's going to be a huge one-day conference at Carriageworks to examine the key factors needed to create a 'Southern Hemisphere Silicon Valley'. And the ever-popular Vivid Ideas Exchange is back, with Cool Hunting founders chatting about connecting creatively with consumers, Auxilio Venture Lab talking about the ethics of data usage for Australian business and government (timely), Junkee teaching you 'How to Survive Without a Real Job' and MTV asking if boredom fosters creativity. Phew. There's plenty more to Vivid Sydney's 2015 program than we can fit here, running May 22 - June 8. For the full schtick, head to the Vivid website.
For Brisbanites fond of burying their nose in good books, September might as well be Christmas. That's when the annual Brisbane Writers Festival rolls around, brandishing literary love aplenty and bringing a plethora of writers and wordsmiths with it — and its 2017 program is no exception. More than 100 authors will descend upon the city for five days of word-based fun from September 6 to 10, with the bulk of BWF taking place at — where else? — the State Library of Queensland. This year's event kicks off with an opening address about writing and Indigenous knowledge creation from Aboriginal activist Alec Doomadgee, closes with a session on transcending standard world views thanks to Indian-Canadian novelist Anosh Irani. In between, you'll find an ode to gossip, a discussion about touching upon taboo topics and scribes telling stories in outrageous costumes — and that's just a taste. Indeed, the rest of the lineup features a large-scale interpretive artwork, Angel's Palace, to mark the tenth anniversary of Alexis Wright's Carpentaria; British journalist and documentary producer Adrian Levy giving behind-the-scenes accounts of covering Osama bin Laden and Al Qaeda, and a day dedicated to the superheroes, vampires, werewolves and more of Young Adult literature, just to name a few. Other highlights include John Safran chatting about the rise of extremism, Nakkiah Lui on writing for performance, Tracey Spicer throwing away outmoded expectations on how women should present themselves, and Benjamin Law helping dissect just why the news affects our psyche — and sharing his thoughts on humour as tool to reflect the world around him as well. It's an eclectic lineup, one designed to delight, challenge and inform in equal measure. As always, the festival will also be holding BWF satellite sessions in suburban libraries, helping word nerds get their fix closer to home. Whichever book nook you're headed to, BYO between-panel reading material. The Brisbane Writers Festival runs from September 6 to 10. To check out the full program and purchase tickets, check out the festival's website.
The folks over at Gelato Messina know how to whip lovers of all things sweet and frozen into a frenzy, and they've done it again, announcing that their degustation bar will be returning to Brisbane. If you missed its first visit last September, the Messina Creative Department will be setting up shop at the South Brisbane store for three weeks only, from February 7 to 22. An offshoot of the famed gelato parlour, the Messina Creative Department offers an epic seven-course degustation, complete with non-alcoholic drink pairings. Since opening next door to their OG Darlinghurst venue in 2016 to rapturous response, the tiny dessert table space has proved to be immensely popular, with places booking out almost as soon as they're released. In short: if you want a one-of-a-kind frozen feast, you'll want to get in fast. Two to three sittings will be held per night, and just 12 seats are available per sitting, at $130-per-head. Of course, the menu should have you doing just that. This time around, it'll be a seasonal journey with a brand new lineup. They've let slip one dish that diners can look forward to: salted coconut gelato with apricot and elderflower, plus smoked egg yolk jam. As for the rest, it'll be the best kind of surprise when you sit down to eat, but previous dessert dinners have featured the likes of garlic gelato, a sugar egg filled with delights, an amazing matcha and pistachio cake concoction, and a parsnip crisp and a vanilla 'fern' matched with a chai latte. It's dessert meets art meets one helluva tastebud adventure. The Messina Creative Department will pop-up at the Brisbane store at 109 Melbourne Street, South Brisbane from February 7 to 22. So get your sticky gelato fingers on a ticket over at their website.
The high priestess of dark rock is coming to Australia — PJ Harvey has announced her first Australian/New Zealand tour since 2012. Hitting epic venues like Sydney's shiny new $1.5 billion International Convention Centre for Sydney Festival, Melbourne's Sidney Myer Music Bowl, Brisbane's Tivoli and Auckland's Logan Campbell Centre, Harvey will be backed by her ten-piece band for a career-spanning set. It's been a while between drinks — Harvey hasn't performed in Australia or NZ since 2012. It's a new live show for the UK indie rock legend, one that's already toured Europe and the US and features all your favourite early classics and newer material. PJ HARVEY AUSTRALIAN AND NEW ZEALAND TOUR DATES: Tuesday, January 17 — Fremantle Arts Centre, Perth Thursday, January 19 — Thebarton Theatre, Adelaide Saturday, January 21 — Sidney Myer Music Bowl, Melbourne Sunday, January 22 — ICC Sydney Theatre, Sydney (Sydney Festival) Tuesday, January 24 — Logan Campbell Centre, Auckland, NZ Wednesday, January 25 — Michael Fowler Centre, Wellington, NZ Friday, January 27 — Tivioli Theatre, Brisbane, QLD Tickets for the Sydney Festival performance will go on sale on Thursday, September 1 at 8am from Sydney Festival's website. All other shows will go on sale at 9am. More info here.
Careen down a slippery dip from the top floor of GOMA to the bottom while you still can. Probe humanity's relationship with technology. Meet the mother of American Modernism. Paradigms be damned, this month, Brisbane galleries are putting eclecticism first. Whether an autumn afternoon rainstorm is dampening your spirits, or you're a diehard art lover, find your way to Brisbane's best galleries this April for copious amounts of contemporary art. Image:Carsten Höller, Sugar Spin, installation view at GOMA (2016).
Calling all architecture fans, folks keen to explore another side of Brisbane and just anyone who likes to peek behind closed doors. Open House Brisbane has something for all three when it returns for 2018 — showcasing the city's buildings and structures, letting you peer beyond their facades, and even welcoming you into nooks and crannies that aren't usually available to the public. Marking its ninth year in Brisbane, the event will feature 114 buildings across the weekend of October 13–14, spanning places that you probably walk past every day, spots you've always wondered about and everything in between. They include the Peters Ice Cream Factory, Boggo Road Gaol and the homes inside Indooroopilly's Walter Taylor Bridge, plus the Fort Lytton Military Precinct, Archerfield Airport and the Queensland Performing Arts Centre. A selection of architecturally distinctive residential buildings also feature, if you'd like a tour of other people's houses. Some of them even won gongs at this year's prestigious Houses Awards, like the greenery-filled Terrarium House — and many require bookings, so planning ahead is recommended. 2018's lineup also features a number of spaces that are new to the program, such as The Tivoli, Breakfast Creek Hotel, Woolloongabba's new Eden Lane, the Mt Crosby Pumping Station, Brisbane Powerhouse, Cloudland and the Empire Hotel. Fancy a wander in the yet-to-be-completed 90-storey Brisbane Skytower in Margaret Street — or Queen Street's luxe new 40-storey Spire Residences? They're on the bill. Open House Brisbane isn't just about walking through spaces, whether you mosey at your own leisure or take a guided tour. It also boasts a program of talks and events running from September 20. New this year is a special after-dark section, which takes place between October 2–13, complete with everything from history workshops in the Old Windmill Tower to a screening of Jaws 2 at the Spring Hill Baths. Brisbane Open House runs over October 13 and 14 at a variety of places around Brisbane. For the full program, head to brisbaneopenhouse.com.au.
When The Triffid starts welcoming patrons at midday at January 26, here's a tip: rush through the door, find your favourite spot, and settle in for the long haul. Trust the Newstead venue to have all your plans covered. Want to listen to the nation's biggest countdown? Keen on having some post-Laneway fun, even if you're not going to the fest? Consider it all sorted. The first part of the festivities, The Triffid's Third Annual Hottest 100 Party, will feature the tunes you voted for, the usual laidback atmosphere, and whatever takes your fancy from their food and drink menu. Then, come 10pm, stick around for the Laneway After Party with Juno Mars, White Lung DJs and Laneway DJs.
He took home this year's best director Oscar thanks to his enchanting monster romance, and now he's in the spotlight at the Spanish Film Festival. That'd be The Shape of Water's Guillermo del Toro, with the fest celebrating his 2006 Academy Award-winner Pan's Labyrinth as its closing night selection. Of course, on its tour of Australia between April 17 and May 16, the country's long-running celebration of Spanish-language filmmaking has plenty of other delights amongst its 25-film program. Marking its 21st year in 2018, that includes opening night's The Tribe, a street-dancing musical comedy inspired by real-life Spain's Got Talent winners, plus No Filter, this year's Spanish box office smash about a woman who can't stop speaking her mind. Other high-profile highlights range from screenings of Pixar's gorgeous Coco, in case you missed it in cinemas late last year; to a who's who of Spanish talent in historical epic Gold; to Loving Pablo, which features Javier Bardem as Pablo Escobar and Penélope Cruz as the journalist who falls for him. Fans of both actors can also catch them in Jamón Jamón — which, released back in 1992, was actually Cruz's first film. It plays as part of a four-feature retrospective dedicated to filmmaker Bigas Luna, alongside his fellow hits Golden Balls and The Tit and The Moon. A documentary compiled from the late director's video diaries, Bigas x Bigas, will enjoy its Australian premiere to round out the program strand. Plus, in the kind of curation that every film festival could benefit from, the Spanish Film Festival will also showcase the work of emerging Spanish female directors. While Summer 1993 actually played at last year's fest as well, the charming delight is getting another spin, with Málaga Film Festival hit Julia Is, Spanish Civil War-focused The Bastard's Fig Tree and the Goya-nominated The Open Door also on the bill. In addition, Melburnians get an extra pick thanks to doco Singled [Out], which was partially shot in Australia by the Melbourne-based Mariona Guiu and Barcelona-based Ariadna Relea. The Spanish Film Festival tours Australia from April 17, screening at Sydney's Palace Norton Street, Palace Verona and Palace Central from April 17 to May 6; Melbourne's Palace Cinema Como, Palace Westgarth, Palace Brighton Bay, Kino Cinemas and The Astor Theatre from April 19 to May 6, and Brisbane's Palace Barracks and Palace Centro from April 26 to May 13. For more information, visit the festival website.
Calling all mathletes, design nerds and lovers of witty tea towels. New Orleans-based artist Craig Damrauer has teamed up with wholesale art merch crew Third Drawer Down Studio to create the most adorably tongue-in-cheek design collection you'll want to immediately and proudly display on your desk — much to the dismay of your jealous, regular mug-wielding coworkers. Dubbed 'New Math', Damrauer's collection features tea towels, mugs and keychains boasting cheekily simplified equations of real life complexities — an approach that has seen the artist show at institutions like MCA Denver and LA Contemporary Editions. After creating the popular tea towels boasting the equation "Modern Art = I could do that + Yeah, but you didn’t." tea towels a few years ago, Damrauer and TDDS have now created a few more equations like "Chef = Cook + Authority” and “Staring = Looking - Not Looking”. The 'New Math' collection is due for release in May 2015 from TDD, and could be the perfect gift for that life mathemaddict in your crew.
When is a vending machine not just a vending machine? When it's a self-service cafe. That's not just marketing jargon — that's what health food merchants All Real Food are calling their automated eateries, and it's a name that fits. But you won't find the usual chips, chocolate and cans of soft drink on their shelves. With no junk food in sight, what you'll find instead are delicious, healthy snacks and meals, all freshly packaged and stocked each and every day. All Real Food is known for their green-lidded jars filled with salads and smoothies, and that's exactly what their vending machines will be serving. Customers at That Little Place in Mount Gravatt East and Flannerys Natural and Organic Supermarket in Taringa should already be familiar with the Brisbane-based business's range, which also includes ready-to-go breakfasts and sweets, and will soon boast soups, too. The idea to make their nutritious treats available in more locations and at the press of a button is a stroke of genius — and one that anyone who's ever had the hankering for a healthy snack while they're out and about will be grateful for. Their touchscreen machines also feature a vertical herb garden to bring you back in touch with nature, and a gratitude board filled with health tips and inspiring messages that change daily. Just where and when they'll start popping up all over Brisbane is yet to be determined, but one thing is certain: eating on the run has never been so appetising (or so good for you). For more information about All Real Food's self-service cafe, visit their website.
Australian cinephiles, meet the cure to your yearly bout of Sundance and SXSW envy. Palace Cinemas has announced a brand new film festival dedicated to the American indie scene — i.e. the closest you can get to heading to Park City, Utah or Austin, Texas without actually heading overseas. Debuting in May 2016, and running two-week-long seasons in Palace's Sydney, Melbourne, Brisbane and Canberra venues, Essential Independents: American Cinema, Now will showcase the past, present and future of US independent filmmaking. In a dedicated screen event, audiences will be treated to a snapshot of current creative directions in America, as well as an exploration of their impact throughout international cinema. Accordingly, expect new features, documentaries and shorts, retrospectives on important figures from both behind and in front of the camera, talks and masterclasses, and a few special guests, too. Basically, in a program overseen by former Australian Centre for the Moving Image Head of Film Programs and current Revelation Perth International Film Festival director Richard Sowada, expect American indie heaven in Australian movie theatres. Considering the wealth of talent that has emerged from the US indie realm — think Inherent Vice's Paul Thomas Anderson, Boyhood's Richard Linklater, Mistress America's Noah Baumbach, Selma's Ava DuVernay, Night Moves' Kelly Reichardt and Sleeping With Other People's Leslye Headland, just to name a few — there are plenty of reasons to be excited about an annual trip through the kinds of flicks that don't always make it to local screens outside of Sydney and Melbourne's major film fests. Indeed, while there seems to be an Australian festival dedicated to every other culture, style and theme, until now non-Hollywood US productions have proven an overlooked niche. Essential Independents: American Cinema, Now will tour Sydney, Melbourne, Brisbane and Canberra in May 2016. For more information, keep an eye on the Palace Cinemas website.
The office cubicle. Its powers have been known to reduce any nine-to-fiver to a groaning, listless puddle by the end of the day. Thankfully, its tenure as a mainstay in our working lives might soon be over, with a revolutionary office pitched by interior designers Sean Cassidy and Joe Wilson, whose entry won top gong in the Workplace of the Future 2.0 Competition. Cassidy and Wilson's vision of the future workplace is one where the employees' needs always come first. In their aptly named plan, Organic Grid+, workers can seek respite from long hours staring at computer screens in the form of a high-rise sky garden, right in the office. The space itself is designed to be flexible, with customisable walls, desks and meetings rooms to whatever suits the employees' best. The balance of sustainability and ergonomics is ultimately a move to encourage higher productivity and morale at work. And if you're feeling peckish, you can say goodbye to trips down to the local cafe; instead you'll be able to harvest and grow your own food right in the heart of the office. However, on a more freaky note, the duo have dreamed up the idea of 'health-conscious plug-ins', that is, wearable technology that will monitor your well-being and be the voice of reason when you're hankering for that afternoon pick-me-up. And there's indoor abseiling, why not. We spend on average one-third of our lives at work, so it's all the better Cassidy and Wilson are leading the charge to turn our working space into an environment that repackages the comforts of nature and the home. There's already been similar constructions incorporating greenery into the corporate world: New York's office garden terrace, and in London, a three-storey indoor public park. The only downside? After this, we'll probably never leave our offices ever again. Via Fast Company. Images: Organic Grid+.
Bingo. Rave. Two ends of the spectrum of fine holiday fun and finally — finally — together as one. Bongo's Bingo is a games night like you've never seen before. Part club, part rave, and, of course, part bingo night, this unlikely fusion event has been wildly popular in the UK since 2015. Now, they're taking the show on the road and launching in Australia this June. In partnership with Wats On Events, Bongo's Bingo Down Under is throwing a massive bingo rave in Sydney's Paddington Town Hall on June 23, then launching a national tour the following week on June 29 in Melbourne's Collingwood Town Hall. Patrons can expect all of the debauchery of the original British version of Bongo's Bingo, including rave intervals, dancing on tables and a loose kind of bingo that you definitely never played with your nan (well, maybe you have). The victorious players can win everything from big cash prizes to a Hills Hoist, with a range of some absolutely ridiculous surprises on offer. If you're not sure what you're in for, check out this video for a better sense of this crazy night out: The Sydney launch event will be presided over by founder and comic ringleader Jonny Bongo who, as one would expect, is a character in the truest sense of the word and even holds the world record for the biggest ever pub quiz. Australia is the second international location for Bongo's Bingo, which recently launched in Dubai as well and, based on popularity, we imagine the event will continue to expand around the globe. This blowout party will certainly be a different kind of night out and is especially welcomed in Sydney where the lockout law ridden nightlife has taken such a hit in recent years. Venues, guest lineup and DJ hosts will be announced in coming weeks, and tickets will go on sale at 6pm on Wednesday, May 17. Keep an eye on this space for further updates and brush up on those bingo-break down skills in the meantime. Bongo's Bingo will hit Melbourne and Sydney in June. For more information and to buy tickets, visit bongosbingodownunder.com.au. Updated: Monday, May 15, 2017.
A new rooftop hotel in Melbourne is offering a luxurious alternative to the cramped family camper you would have piled into as a kid. Opening soon (mid-2016) atop a Flinders Lane car park in the CBD, this boutique venture will consist of six vintage airstream caravans transported from the US and completely refitted as "designer urban accommodation," complete with queen size bed, split system heating and cooling, and a fridge full of complimentary craft beer and wine. Throw in a little laneway graffiti art and this couldn't get any more Melbourne if it tried. In addition to the amenities listed above, each caravan at Notel Melbourne comes with a television, linen and an en suite bathroom with full height shower. Sounds a little cosy, but sometimes that's exactly what you need, especially when you're dealing with chilly Melbourne weather. The rooftop itself, meanwhile, has recently gotten a new lick of paint courtesy of local artist Ash Keating. Notel update!!! The Airstreams are being moved into their final position in preparation for the bathroom instillation. Won't be long now 😉 #openingsoon #Notel #notelmelbourne #rooftophotel #notahotel #airstreamhotel #lovethis #adventure #original #airstream #vintagecaravan #rooftopview #journey #view #melbs #melbourne #melbournetodo #ilovemelbourne #visitmelbourne #australia A photo posted by Notel Melbourne (@notelmelbourne) on May 16, 2016 at 1:44am PDT Guests will have access to tablets loaded with music and movies along with a virtual guide to help them explore the city. The space will also be available for functions, with room for up to 300 people on the roof. Notel Melbourne is not currently taking bookings, however you can sign up for their newsletter to stay in the loop with how things are progressing. Notel Melbourne will open in mid-2016 on the corner of Flinders Lane and Harper Lane, Melbourne. For more information visit www.notelmelbourne.com.au.
Since you can no longer have Margaret and David’s face on your TV screen for an hour a week, why not have them in your house, on cushions, 24 hours a day? What? Why and how are we sitting on Margaret and David? Sydney Film Festival's old marketing banners have been been repurposed into some of the most adorable home decorations we've seen in a while. You've seen the banners, hanging throughout Sydney to herald the coming of the city's biggest annual cinematic event. Each banner features a legendary film character, critic or audience member, stylistically depicted as though they were sitting in a cinema seat. You might have seen them while walking along George Street, oftening catch Princess Leia, Holly Golightly, Dorothy, Toto, Margaret Pomeranz and David Stratton dotted amongst the crowds hanging over the crowds. But now they're done with their time in the CBD. A creative trio from Sydney known as The Scallywag Society has turned the old banners into a series of oversized cushions, deck chairs, tote bags and tablecloths, which you can now buy. It's a total win all round: the banners have been upcycled rather than chucked out, and you get to give your house a permanent film fest vibe. What's more, a percentage of every purchase will go to SFF 2016. Every single creation in the collection is a one-off — and straight up adorable. You're going to want to pounce on these guys in particular; at $45/50 each they're going to sell out quicksmart. All items are currently on sale online and anything that’s left over by the time the festival opens on June 3 will be available at the Festival Hub. The only exceptions are two banners on which A Clockwork Orange's Alex DeLarge’s psychopathic visage appears. They’ll be given away via competitions, to be launched in June and announced at the festival’s end. The winners will get to decide exactly how they’d like Alex transformed. Doona? Wall hanging? Poncho? You'll decide. Shop The Scallywag Society's Sydney Film Festival collection over here. Want to know which films to see this year? Check out our top ten picks to book tickets to here.
Summer is here, Christmas is coming and everyone's looking for a ticket out of the city — for a few days, when the holidays roll around; or for a longer stay, should an extended getaway be in your future. If enjoying scenic nature sights in comfort sounds like your idea of bliss, Flash Camp has just announced they'll be hosting another pop-up glamping site within Shoalhaven's Coolendel private reserve. It's Flash Camp's second stint on the site, after first enjoying the location's charms earlier in 2017. This time, they're sticking around not only through the Christmas and New Year period, but until May 30, 2018. If you can't make the 2.5-hour drive down the South Coast from Sydney (or thirty minutes from Nowra) this year, start planning next year's Easter vacation or sneaky weekender. The remote location is an easy trip to achieve a true bush experience — well, kind of. As to be expected, the tents look quite luxe. The bell-shaped, premium 'Flash Tents' come with a king-sized mattress, covered in plush bedding and perched on timber pallets. The tents also feature solar lighting, table and chairs, Biology toiletries and a hand-woven Armadillo & Co rug. For groups looking for a slightly (very slightly) more traditional camping experience, Flash Camp also offer their regular bell tents with air beds. Guests also have access to the existing Coolendel amenities, including hot showers and barbecue facilities, as well as a communal Flash Camp tent with seating, fairy lights and a campfire. The glamping site is located within Coolendel's 52 hectares of bushland along the Shoalhaven River. Nature lovers will be keen on this secluded grassy park, which is an ideal location for spotting wombats, goannas, wallabies and native birds. Apart from nature watching and bushwalking, guests can also try a spot of canoeing, biking and fishing. Rates vary from $130 to $240 per night, depending on day of the week and holidays. Food is not provided, though, so campers should make sure to pack the esky full for the duration of the trip. Flash Camp Glamping will pop up at Coolendel from through until May 30. To book, visit the Flash Camp website. For more glamping options, check out our list for the ten best glamping spots near Sydney. By Marissa Ciampi and Sarah Ward.
Vincent Corneille and Rubin Utama are the excellent gentlemen behind Son Valise, the company that builds the adorable and awesome JukeCase. You might have seen them at various markets, walked past their Collingwood store, or eyed one off with envy at your mate's place, either way, they're everywhere at the moment and not only they look great, but also the sound quality is top-notch. Vincent and Rubin recently launched a Pozible campaign to create a smaller version of the JukeCase, appropriately named the JukeCase Mini. As of Monday they reached their $16,000 goal and the JukeCase Mini is going ahead. (If you're pretty keen on these wonderful musical contraptions you can still pledge up until December 16 and receive a JukeCase Mini for below the RRP.) To celebrate their Pozible win, and the gorgeous summer that awaits us all, we asked Vincent and Rubin to compile some kick-arse playlists that are perfect for warm weather activities. Whether you're heading to the beach, getting out of town for a few days, or throwing a house party of epic proportions, here are a few tunes the Son Valise lads can recommend. Road Trip Songs A road trip playlist needs to cover a lot of ground. For starters, you need enough sing-along songs that your carload of people can scream along to that it keeps morale high. You also need songs that compliment your surroundings. A good way to do this is play artists who come from your destination of choice to get you in the mood. Finally, road trips are excellent introversion time, so if you're travelling solo, sometimes quieter, thinking music is best. Vincent and Rubin have covered all bases here, so grab your bags and let's hit the road. VINCENT Jackson Browne - Running On Empty: In the middle of the desert when you've been on the road for eight hours straight, this song propels you to keep on moving. The Doors - LA Woman: No road trip is complete without The Doors blaring out of the stereo (or JukeCase). This song has great pace and always gets you focused on the drive. Bruce Springsteen - I'm On Fire: Really chilled out and great for those really late nights in the middle of nowhere. Gorillaz ft. Little Dragon - Empire Ants: An amazing and powerful crescendo. The Chemical Brothers - Star Guitar: Seeing the sunrise over the ocean and this playing in the background is a truly wonderful experience. RUBIN Kanye West - POWER: Always a good pump up if driving is getting a little dull. Dr Alban - Sing Hallelujah: '90s sing-along. Cake - The Distance: The title is self-explanatory I think. Time to drive! Todd Terje - Swing Star, Pt.1 & 2: Sometimes when you get in the zone it's good to listen to a bit of "in the zone" music that develops. No lyrics. Just a musical journey. Kitty, Daisy and Lewis - Don't Make a Fool Out of Me: A good sunny-day, window-down tune to sing along with. House Party Boogie Nights Whether it's a housewarming, Christmas party or NYE festivities, you can bet that there will be some banging house parties over summer. If you're planning to throw your own, make sure you pack your playlist with dancefloor-fillers from the now and yesterday. Old school hip hop and disco are excellent choices and have been favoured by Vincent and Rubin, as well as few saucy ones for a cheeky make-out sesh. You're welcome, future summer lovers. VINCENT Rick James - Give It to Me Baby: I'm a big Rick James fan and this one always sets the scene. Prince - Erotic City: Sleazy funk from the master himself. Talking Heads - Girlfriend Is Better: Unrelenting party jam Hot Chocolate - Heaven Is in the Backseat of My Cadillac: The name says it all really. The Whispers - And the Beat Goes On: Try to not dance. I dare you. RUBIN Oliver Cheatham - Get Down It's Saturday Night - Because that's what you should be doing on a Saturday night. Chic - The Chic Minimix: The best of Chic all mixed into one seven-minute ultimate minimix. Young MC - Bust a Move - Old-school hip hop song/dance-along. Michael Jackson - Don't Stop 'Til You Get Enough: What's a house party without a little Michael? Thundercat - Oh Sheit It's X!: Upbeat, high energy, ridiculous bass line. Sure to get you moving in ways you never knew you could. Beach Time Chill Out Tunes It's time to kick back and let the hours pass you by with a blissed out soundtrack. Embrace the lazy, hazy days of summer either crashing amongst the waves or swinging in a hammock. Classics like The Beatles and The Beach Boys get a look in from Vincent's list, while Rubin has gone with local legends The Avalanches and the always perfect Will Smith. Surf's up, dude. VINCENT The Beatles - Side Two of Abbey Road LP: It doesn't technically count as one song, but they all intertwine without stopping so I can never bring myself to stop the music. Beach Boys - God Only Knows: Try and hunt down the a cappella, moving stuff. Cornelius - Beep It: One of my favourite artists, and it has such a beautiful melody. Daft Punk - Fresh: It starts with waves gently breaking and builds a chilled out groove. Fleetwood Mac - Albatross: Feels like you're sinking into the sand. RUBIN Will Smith - Miami: Will Smith, that's why. Air - La Femme D'Argent: Think dusk, hanging out in a hammock watching the orange sunset over the rolling sea. Washed Out - Feel It All Around - Poolside, ice cold drink. Maybe a Mojito. With a little umbrella in it. The Coasters - Down in Mexico: Drinking rum at a little bamboo beach shack. If that's not what you're doing then you should be. The Avalanches - Since I Left You: A feelgood song that makes you think of bright flowers and sunny days. Happy times.
Zip lines, bungee jumping and treetop obstacles are just the start of Australia's newest destination for adventure seekers. Set along the Great Ocean Road in Victoria, Live Wire Park is Australia's first outdoor adventure park that is completely powered by nature. Located within The Great Otway National Park, it's family-owned and designed with the environmental in mind, which means the park is completely off-grid, fully solar powered and all water is collected on-site — both reducing waste and taking advantage of the natural resources available. Apart from its minimal environmental impact, the park sounds like it packs in some serious fun, too. Set just 900 metres from the Lorne coastline, the elevated park is set among the treetops and boasts a 5250-metre-long zip line, a suspended 120-metre walking circuit among the native blue gums and even a "super circuit" of 53 physical and mental activities that test park-goers while suspended in mid-air. You'll scale trees, swing on ropes and plunge down a bungee jump, all while solving a few puzzles and problems. For kids, the short circuit is a milder version with only 26 obstacles. Plus, you can expect plenty of wildlife sightings among the pristine rainforest and waterfalls. Live Wire Park is now open seven days a week at 180 Erskine Falls Road, Lorne. For more information and to book tickets, head to livewirepark.com.au.
It has been a big year for Cheated Hearts, the Brisbane collective of young queer creatives. They even have an award to prove it, winning regular event of the year as voted by Queensland Pride’s readers. And that’s not all – they also launched Poetic Justice, Brisbane’s only queer-friendly hip hop and RnB night. No wonder they want to celebrate the end of 2014 in their trademark enthusiastic fashion. The Cheated Hearts Christmas Party isn’t just about them, of course, or about the free popcorn on offer. The party to end their year's worth of parties says thanks to everyone who helped make this a year to remember. Christmas dress-up is the chosen style, and what better attire to wear on a dance floor set to thrive and jive to the sounds spun by DJs Jane Doe, Frankie Trouble, Dzyr and Sezzo. Come, all ye faithful, and revel in the Cheated Hearts melting pot once more for 2014. Warning: the fun will be filmed for a new video.
Costa Rica, the little nation that could, has achieved 99 percent renewable energy use in 2015 — and is subsequently putting us all to shame in the sustainable energy race. Capitalising on their abundance of jungles and waterfalls, Costa Rica are able to use hydroelectricity as their primary source of renewable energy, which has seen them achieve almost complete independence from fossil fuel use in the past year. Woah. We should really pay attention and learn from their example. By contrast, the Australian government leans further into non-renewables, actively takes backwards steps in regulating big polluters, and drags its feet on meeting renewable energy targets. In June of this year, the government even reduced our target of large-scale renewable energy generation from 41,000 GWh to 33,000 GWh, and made a limp little pledge to increase our renewables to 23.5% by 2020. We are literally the Daria playing volleyball of environmentalism. Even New Zealand has a 2025 renewable target of 90%. Like, come on Australia — you're not even going to pretend to reach for that volleyball, are you? The big bogeyman that's always rolled out in regards to renewable energy — or anything to do with environmental progress, really — is the cost to the consumer and the loss of jobs. But Costa Ricans have seen energy costs drop by 12% in the last year alone; New Zealanders too enjoyed price drops when they started to phase into renewable energy in 2014. Can we please get a slice of that action? AC has been so pricey this summer. What with all the global warming and all. Sigh. Costa Rica, we salute you. Via Inhabitat. Image: Dennis Tang via Flickr
After the announcement that Stereosonic will be going on a 'hiatus' for 2016 and other big music festivals — Future Music and Soundwave included — throwing in the towel due to poor ticket sales, it seemed that this big, bad world of the Australian festival scene was too brutal, too tough for anyone to even consider breaking into the market right now. Well, not exactly. Because while the big guys are struggling, boutique festivals seem to keep on thriving. And a new festival, Sandalphon, has even been announced for later this year. Sandalphon will commandeer 225 acres of private land in the Gold Coast hinterland for three days of music and general debauchery over the Queensland Queen's Birthday long weekend on October 1-3. The music acts are yet to be announced (although it's set to be a mix of indie bands, DJs and R&B artists), but it's all the other stuff that's got us pretty damn excited. There will be seven stages — one of which will be on a lake and can be viewed from the actual water while floating on inflatable pool toys (!!!) — a nightly outdoor cinema, daily yoga practice, round-the-clock bathroom attendants and free access to the things you don't think to take camping, like hair ties and straighteners. Other add-ons seem to take heed from other Australian festivals, like 'The Treehouse', a stage that will be hidden off the festival map in a secret location, a dress-up policy and a kissing booth. Looks like someone might have gone to Secret Garden. There'll be all the usual food vendors, of course, plus three sit-down restaurants, which are apparently five-star (whatever that means). Tickets start from $280 for a one-day pass, $290 for a two-day pass and $300 for a three-day pass. SO obviously it makes sense to go the whole hog and stick it out for three days. Tickets include camping and parking and can be bought here. According to Sandalphon's website, the lineup should be announced soon.
If you had to choose one drink that captures the essence of Sydney, what would it be? How about a handcrafted gin, made using a selection of botanicals picked from our own Royal Botanic Garden? Well, that's exactly what the folks at award-winning Distillery Botanica Gin have created with their just-released limited-edition Rather Royal Gin. In developing this one-off creation, master distiller Phillip Moore teamed up with the Botanic Garden's director of horticulture, Jimmy Turner, to pick out the most gin-worthy botanical haul this verdant, 220-year-old site had to offer. Botanicals from all over the Garden have leant their unique flavour qualities to the spirit, including mandarin leaf, lemon verbena, lovage, chamomile, and even Pope John Paul roses. An age-old technique called enfleurage was used to cold-extract the various perfumes and refine the gin to its final product — effectively, a trek through the Botanic Garden, in boozy liquid form. What's more, Rather Royal Gin will have you drinking for an excellent cause, with sale proceeds earmarked for the Garden's many conservation programs; from seed collection and banking, to research, training, and awareness. Plus, the bartenders are Bulletin Place are offering up a special limited edition cocktail using the gin. Just 1000 bottles of Rather Royal Gin have been crafted, so if you're keen to snap one up, you'd best get in quick. They're priced at $129 and are available from selected stockists, Distillery Botanica Gin's website, and over the bar at The Botanic Garden Restaurant.
Garage pop band Hinds are making the trip to Australia for the very first time. For a super young band (the youngest member is only 18), they've already had a run of successes that would strike envy in many. They've played at Primavera Sound, opened for The Libertines and have toured with The Black Keys. Perhaps the only run of bad luck they've received is being legally obliged to change their name from their previous moniker 'Deers'. It's hard not to love the girls' breezy and unfiltered take on young love and teenage fun, a charm that also translates to their live shows — known for their unpretentious, no barriers performance and oft heard outbursts of giggling. Mac DeMarco is a self-professed fan, and maybe after this run, you'll be convinced to join the club too.
Nothing warms the cockles of our hearts more than traipsing along to a warm enclosure and getting an educational experience while we fill up on the newest stout or IPA. And it's the perfect timing for such merriments, with Melbourne's Good Beer Week in full swing and the GABS taking over the Exhibition Building this weekend. With an impressive 15 beers being released every week in Australia alone, it can be hard to get a grasp on all the best brews on the block. To help, we tried and tested an innumerable amount on your behalf. You can find most of these ten beauties at your local craft beer bottle shop, or you can take your legs along to one of Melbourne's many beery events this weekend. So grab a glass and hop to it y'all. 10. BREAKFAST OF CHAMPIONS — MOON DOG The experimental Moon Dog crew have created another taste-explosion, and it's the ideal choice for when you can't decide if you need the hair of the dog in beer or tomato format. Moon Dog's answer is to mimic the classic Bloody Mary — but instead of tomato juice, we're talking Red Ale. Three types of chillis have been infused but these aren't added to dominate. Instead, they leave a warm tingle on the tongue. Vonnegut might surely agree that this sort of nonsense is Moon Dog's strength. moondogbrewing.com.au 9. SUMMER ALE — MOUNTAIN GOAT When it comes to a supernatural weekend getaway, cruising the liquor isle in search of non-glass beers is a headache. Thankfully, the Mountain Goat lads are helping us out by packaging a passionfruit style favourite into cans. Not only will your beer be hoppy and aromatic, but it sure does make it easier having a chilly bin filled with tinnies so you don’t have to worry about security stealing your stash. Something to note for next summer. goatbeer.com.au 8. MISS PINKY — BOATROCKER There are not many beers the Germans didn't think of first, and sour beer is one of them. This sour style is called Berliner Weisse and is becoming increasingly popular on Australian palates. So how do you make such a sweet drink turn pink? Well, the Boatrocker Brewers have added 100kgs of sour raspberries to their ale yeast to create a cloudy pink beer. It's a tart, fruity character, yet surprisingly refreshing. Just make sure you get your lips wrapped around this lady at the beginning of the evening. boatrocker.com.au 7. WATTLE PALE ALE — BREWSMITH Using a 110-year-old recipe stolen from the beer gods, BrewSmith give you the chance to create your own batch at home. Their Aussie Wattle Pale Ale kit comes with a mix of wattle seeds, malt extract, hops and specialty grains, all of which you can leave in a dark nook for three weeks. What you're left with is a lighter pale ale (at around 4.4%) — one that will impress any backyard gathering. brewsmith.com.au 6. MOTLEY BREW — CAVALIER Collaboration is a beautiful thing. And so is the Motley Brew: a Summer Wheat IPA rocking those fruity and hoppy characteristics we’ve all come to enjoy. It's the love child of 15 different breweries (possibly the biggest beer collaboration ever achieved), using 5 different hops, which have all been left to ferment into one good taste. Although the Motley was only a limited release, the Brunswick-based brewers will be showcasing another collaborated tasty during Good Beer Week. Make sure you don’t miss their next one. cavalierbeer.com.au 5. GO FIGA — GRAND RIDGE BREWERY By substituting figs instead of sugar, the Grand Ridge Brewery have spiced up the classic ginger ale — and it's one to go wild about. It's long been their ethos not to add any sugars, chemicals or preservatives, so they’re sticking with organic figs. To top it off, there are even subtle hints of coriander, making this complex brew a real infusion of flavours. Their fig and ginger ale has even had a life as a sorbet — but with winter nearly afoot, we recommend lighting your inner fire with a bottle or two of this fresh, yet toasty delight. It will be available for the first time at GABS this weekend. grand-ridge.com.au 4. BLACKMAN'S UNFILTERED LAGER — BLACKMAN'S BREWERY A young couple from Torquay are naming their brews after family members; cousin Arthur might be a smoked porter and uncle Bob the spiced witbier. But it's their Unfiltered Lager that’s making us go all gooey – much like those delicate, honey-like malt flavours you'll find in this brew. Unfiltered lagers can tend to be difficult to make well, but Blackman's are using a mix of German and Czech styles to create one elegant, refined beverage. Notes of citrus hops are present, which is pretty ideal for a brewery based right near the coast. This lager just became your perfect accompaniment to your sunset feast of fish and chips. blackmansbrewery.com.au 3. BOHEMIAN LAGER — BROOKES BEER If you like your coffee Vienna style — you know, with a cheeky dollop of cream to smooth and cool your cup of joe — then you'll be keen on Brookes' Bohemian Lager. Full-on hops, cold coffee and chocolate notes are what you can expect from this copper-coloured beauty. These Bendigo-based brewers have been in the business for a mere 18 months, so you would be forgiven for not having heard of them already. Just make sure you don’'t forget them, as this malty Vienna lager is one to add to the 'session list'. brookesbeer.com.au 2. #003 MILK STOUT — EXIT BREWING Who doesn’t dream of throwing in their mundane day job and making a living from brewing beer? Well, it's the actual fairytale ending — or rather, beginning — for the two gentlemen who quit their IT jobs in the UK to create Melbourne-based Exit Brewing. The Milk Stout may have seemed a risky bet, at only their third release, but it's one stout that's firmly in our hearts. She's dark and nutty, but her velvety creams balance those hints of rum. If you are lactose intolerant, steer clear, as it's the real deal. exitbrewing.com.au 1. RAMJET WHISKY BARREL AGED — BOATROCKER What happens when you put imperial stout in just-emptied whisky barrels? The Ramjet, that's what. And with notes of caramel and toffee, this stout is out of this world. There's a reason this vintage, barrel-aged brew works so well — once the beer is removed from the barrels, they're bottled and left to age for another six months. The end results in roasted chocolate characteristics, followed by subtle hints of oak and whisky. The Ramjet Imperial Stout is our number one. And should be yours too. Roger that? Good. Over and out. boatrocker.com.au Hero image: Dollar Photo Club. Moon Dog image credit: formulatorrah via instagram; Boatrocker Miss Pinky image credit: gerert via Instagram; Grand Ridge image credit: sekainobeer via Instagram; Blackman's Brewery image credit: brewer_ash via Instagram; Brookes Beer image credit: beardface151 via Instagram
When you first hear it described to you, Tangerine doesn't exactly scream 'comedy'. Set on the streets of Los Angeles one day before Christmas, the breakout feature at this year's Sundance Film Festival follows a poor transgender sex worker who has just gotten out of prison, only to discover that her pimp/boyfriend has been cheating on her. Sounds pretty grim, right? That's where you'd be wrong. Working closely with transgender actors Kitana Kiki Rodriguez and Mya Taylor, neither of whom had any prior screen experience, writer-director Sean Baker and his co-writer Chris Bergoch have crafted one of the boldest, funniest and most memorable independent features we've seen in quite some time — one that puts transgender issues front and centre without ever becoming preachy or resorting to cliche. As if that weren't impressive enough, there's also the story of how they physically made the movie, using little more than a pair of iPhone 5s. Originally a budgetary decision, it ends up being Baker's ace in the hole, lending the film a brash, in-your-face aesthetic that could hardly be more fitting. We spoke with Baker about what it's like to make a movie on your mobile, as well as the importance of giving narratives like these the spotlight they deserve. Tell us a little bit about how this project came about? I live about a half a mile from the intersection of Santa Monica and Highland, which is sort of an unofficial red light district. It's known, especially as of late, for transgender sex workers. That intersection in particular was always known for its drama, and I would pass it and wonder why there haven't been more films that have taken place there. I was also in a situation where I was trying to get money for a much bigger film, but it never happened. The industry is really upside-down right now, and I was waiting and waiting and waiting, and I knew that if I waited any longer I wasn't ever going to make a film again. So I turned to Mark Duplass and said, "hey, a couple of years ago you offered me a micro-budget. I think I'm in the position where I'm going to have to take it." So does that mean the decision to shoot on the iPhone was primarily a budgetary one? Yes. Or at least, it started off that way, and then of course it became an aesthetic. Were there other films that influenced you, in terms of the way the movie looks? No, that was the cool part about it — that it seemed to me to be a pretty original aesthetic. We combined a bunch of tools. This anamorphic adapter that we used allowed us to shoot in true scope; true widescreen cinema. Then there was an app called FiLMic Pro that has a bunch of bells and whistles and allows you to shoot at 24 frames per second. And then we used the Smothee, which is a handheld stabiliser that stabilises the iPhone. Then in post production we ended up pumping the colours through the roof, which really enhanced the LA sun. So all of a sudden you have these four tools working together creating this look that I'm really happy with. When you're on location, what are some of the advantages and/or challenges of shooting on a phone? What it did was that it allowed us to basically work clandestinely. If you saw us shooting from across the street, you'd never know we were shooting anything professional, except for the fact that we had a boom pole. We got permits, but we didn't have to announce that we were shooting, so we were able to capture real street life. Of course, then we had to ask them for their releases after I yelled 'cut', which is a risk because you then have to chase people down and beg. But for the most part people are pretty nice. From what we've read elsewhere, it sounds like a lot of research went into the film. How important was it that you immerse yourself in this world? I think it's the only way. I think it's best to allow the world to speak to you, as opposed to you speaking to a world that you're not a part of. That's just an irresponsible way of storytelling. Chris and I, we're cisgender white males who are not from that world whatsoever. So we needed to do a lot of research. We had to find a collaborator and put the time in. And the collaborators in this case were our leads. Mya especially. She was the first person we met who gave us the enthusiasm we were looking for. On its face, the film's subject matter sounds fairly grim. Was there ever a version of the script without the comedic elements that played like a more straightforward drama? It's funny that you mention that, especially with you being from Australia, because the cinema coming out of Australia has been incredibly influential on me. Snowtown is such an amazing masterpiece, and that's what I thought the film was going to be originally. Not the murders, but that social realist style with that really desaturated look. So then what changed your mind? Getting to know the women, and hanging out with them regularly, I saw that even though they were dealing with incredible hardships, they used humour to cope. And I knew that the film would be dishonest if I didn't incorporate that humour. It was actually part of Mya's request as well. She said to me point blank, "I've seen your other films and I trust you, and I want to make this movie with you, but you've got to promise me that it will be funny. You've got to make a film that is entertaining for the people out here. We don't want a 'plight of' film that's all drama, hitting people over the head and leaving the audience feeling terrible." And I'm really glad she sent me down that road. On that point, how has the transgender community reacted to the film? It's been really positive. I thought this film was going to divide audiences, but so far there's been a really nice amount of love given to us across the board. One of our first reviews from a transperson came from Australia, at the Sydney Film Festival, and she was very, very positive about it. And having travelled with the film a little bit already, I've been able to see how members of trans communities react in different countries. I was in Columbia, in Bogotá, and members of the local trans community came to the premiere, and they said to me afterwards through a translator that while there are lots of cultural differences, they really connected and indentified with the sisterhood between the two main characters, which was a real nice thing to hear. With television shows like Transparent and Orange Is the New Black, as well as all the recent media coverage surrounding Caitlyn Jenner, it feels as though transgender stories are finally getting attention in mainstream culture. How important is this, and are you pleased to be part of the trend? Most definitely. Setting down this road two and a half years ago, we had no idea it was going to be as much a part of the zeitgeist as it is now. Any time visibility and awareness is increased it's a positive thing. The unfortunate part of all of this is that the murder rate here in the United State has almost doubled from last year, assuming it stays at this rate. It's hard to get up-to-date statistics because of the fact that a lot of these murders aren't investigated correctly. But we're already up to 15 murders of transpeople here in the United States in 2015, and we're only at the end of August. The hope is that increased awareness and visibility will eventually lead to acceptance, but we still have a long way to go. I also think we need a number of these types of narratives. I'm making a film about a microcosm — about transwomen of colour who happen to work as sex workers in a very small area of Los Angeles. So this is only representative of a tiny, tiny portion of the transgender community. This has to be one of many, many different narratives that are being told. Tangerine is in cinemas in Sydney and Melbourne now.
At the end of any day of sightseeing in a foreign city, you know you're going to be hungry. So what better time to sit down to a feast you'll always remember? Kick that diet of Haribo packets and "that restaurant there, that's open, that'll do" to the curb. Here are 12 dishes to add/start off your next legendary itinerary. Just don't forget to book your table before you book your airline ticket. REINDEER MOSS & CEP MUSHROOMS AT NOMA, COPENHAGEN Named no.1 in the world's 50 best restaurants, Noma serves a reinvented version of Nordic cuisine focusing on ingredients foraged from nearby forests and shores. Image: Jose Moran Moya. CHARCOAL-GRILLED KING PRAWN AT EL CELLER DE CAN ROCA, GIRONA, SPAIN The full name of this dish is charcoal-grilled king prawn with king prawn sand, ink rocks, fried legs, head juice and king prawn essence. So, yeah. After relocating in 2007, family business El Celler de Can Roca now boasts the work of head chef Joan Roca; his brother, wine aficionado Josep; and their younger sibling Jordi, a popular local pastry chef. Together they have proved their heavenly status as a culinary holy trinity. Image: Love, August OOPS! I DROPPED THE LEMON TART AT OSTERIA FRANCESCANA, MODENA, ITALY Embracing imperfection, head chef Massimo Bottura has successfully turned a "back-of-house disaster into a front-of-house legend" (as his publishing house Phaidon puts it). Two surprises here: this dish is (a) precisely constructed and (b) surprisingly savoury, with capers, lemongrass and candied bergamot. Image: Paolo Terzi MARGHERITA PIZZA AT L'ANTICA PIZZERIA DA MICHELE, NAPLES With two options on the menu, you have the tough choice between margherita and marinara when you make it to this world-famous and always packed Naples pizzeria. Choose the margherita. One member of our team who's been says she's "still thinking about it years later". Image: Mike Valore ICE SHREDS, SCARLET SHRIMP PERFUME AT MUGARITZ, SAN SEBASTIAN, SPAIN In a bid to explore a fully immersive culinary experience, head chef Andoni Aduriz seeks to create masterpieces that dance with aroma, texture and flavour, while others are designed to be provocative and invoke particular emotions. Image: Foodie Date Night DUCK CARNITAS AT COSME, NEW YORK With this dish taking nearly four days to prepare (at one point it's even doused and cooked in Mexican Coke), the $59 price tag feels like a bargain, especially when split between 2-3 people. It's at Mexi-luxe Cosme, one of the most admired new openings in New York in 2014. CHEESEBURGER AND FRIES ANIMAL STYLE AT IN-N-OUT BURGER, CALIFORNIA Cult burger chain In-N-Out may pop up in Australia from time to time, but it's a well known fact the In-N-Out chain is resistant to expanding beyond the US west coast. Even franchising is a no-no. So if you're craving something 'Animal Style', your only safe bet is that plane ticket. ROASTED LAMB SHOULDER, CARAMELISED MILK, LAMB MARMITE AND BLACK WALNUTS AT RIVERSTEAD, CHILHOWIE, USA Culinary dream turned love story, head chef John Shields and lead pastry chef Karen Urie Shields opened their own restaurant in the sleepy Virginia town of Chilhowie, where the couple are delving into the world of experimental cooking and foraging. ABACAXI COM FORMIGA AMAZONICA AT D.O.M, SAO PAULO With a focus on simplicity, Chef Alex Atala's dishes still manage to burst with ingenuity and flavours. One such example is his signature dessert of just two ingredients: fresh pineapple garnished with a dried ant. Image: This guys food blog REAL PAD TAI AT THIP SAMAI, BANGKOK Thip Samai is Bangkok's most popular destination for what might be the most famous thing to come out of Thailand. Some people claim not to be so impressed at the end of this quest for the pad thai holy grail, but it remains the destination to beat for fried noodle pilgrims everywhere. Image: Delicious Conquests PORK SKIN WITH BLACK SESAME BRIOCHE, SALMON ROE AND CHERRY SAUCE AT DIVERXO, MADRID With their website looking more like an art film than a tool with which to make reservations, DiverXo pushes the limits of what food can be. Three Michelin star chef David Munoz has not only designed his dishes down the most precise speck of 'potato glass', he's designed what implement you should eat it with, from fork to chopsticks to spatula. Image: Spanish Hipster GUINEA FOWL CURRY WITH SHAMPOO GINGER AND HOLY BASIL AT NAHM, BANGKOK Australian-born chef David Thompson has created what's widely regarded as the best restaurant in all of Asia, so it feels only right to visit him at least once. This standout dish is your chance to eat 'shampoo' without gagging. Image: Rock Star Travel.\ Top image: Noma.
Before social media, the local milk bar was usually where youngsters went to socialise. Though there's still a few of them about (including 2223 in Sydney and Rowena Corner Store in Richmond), they're fast becoming a thing of the past. That's why Melbourne-based artist Callum Preston has gone to painstaking lengths to recreate one, detail by detail. You'll find his incredibly realistic, immersive artwork Milk Bar in RVCA Corner Gallery, Collingwood, from Friday 1 December. Walking in, it'll be easy to imagine you're in a bona fide corner shop, as the installation is fully operational. But take a closer peek and you'll notice the chocolate bars, magazines and soft drink cans aren't what they seem. They're pretend versions of themselves that Preston has created by hand. "For most of us, these simpler times might have passed," Preston said. "Sure, the memories may be a little blurry now, but it's my hope that when all the elements are recreated you can be transported right back to 'when going down the shop' was an experience of pure joy." This isn't Preston's first venture into nostalgia. In 2015, he revisited Back to the Future via his artwork Bootleg to the Future, which featured a life-sized replica of a DeLorean. Milk Bar will be at Melbourne's RVCA Corner Gallery, 82 Stanley Street, Collingwood. The exhibition runs from December 1-10.
File this one under news that probably won't happen, but damn would it be cool if it did: Italian architect Piero Lissoni has won a competition to design New York City's new aquarium, and it's easy to see why. The proposed 'Aquatrium' would be situated at Long Island City's Anable Basin, and would consist of two circular elements submerged in the East River. Picture the underwater lair of a '70s era James Bond villain, and you probably won't be too far off the mark. The plans feature an open-air basin sitting just below water level, boasting eight clear 'biomes' that would house aquatic creatures from the Atlantic, Pacific, Indian and Southern oceans along with the Caribbean, Mediterranean, Red and Tasman seas. An iceberg in the centre would represent the poles, while at night the space would be covered by a sliding domed roof, transforming it into a planetarium (casually). You can't accuse this guy of having a lack of imagination. "Having the water level define the starting point of the project, the site is excavated to become a spacious and innovative water basin," Lissoni's team told Dezeen. "The main idea is to generate an environment whereby visitors feel that they themselves are entering the water to discover the beauty of the marine life on display." Sadly, the design competition isn't anything official, so don't expect to be walking through Lissoni's futuristic aqua-dome any time soon. But feel free to stare longingly at the pretty pictures. Via Dezeen.
"Well, this changes everything." It's a common enough expression, used almost entirely hyperbolically in circumstances like preparing a bowl of cereal before discovering your milk's already past its due by date. Every so often, however, the adage is justified, as was the case in 1974 when it was revealed to the world that Germany's infamous WWII 'enigma code' had in fact been cracked some 30 years earlier by a small group of English mathematicians. That announcement changed history. Textbooks were rewritten, curriculums revised and almost every detail of the global conflict reexamined. For three decades, credit for the extraordinary intelligence windfall that helped expedite the War's end by as much as two years fell to an unnamed Allied spy within Berlin operating under the codename 'Ultra'. That man did not exist, and now The Imitation Game, based on the biography Alan Turing: The Enigma, explores the true source of the Allies' codebreaking secret. Benedict Cumberbatch plays Turing, a man whose name should rightly be known the world over, twice, and yet whose story remains largely unfamiliar. For one, he was the genius behind the machine that cracked the Nazi code, and two, he effectively pioneered development of both artificial intelligence and the digital computer. It's an astounding story, both for its marvel and misery, and The Imitation Game seeks to capture both. Artistic licence notwithstanding (there are no recordings of Turing, or at the very least no declassified ones), Cumberbatch's masterful performance brings to life a man whose mathematical genius was matched only by his social dyslexia and his torment at being gay in an age when homosexuality was still illegal under British law. Surrounding him is an all-star, all-English ensemble, including: Mark Strong, Keira Knightly, Matthew Goode, Charles Dance and Rory Kinnear. Newcomer Alex Lawther also deserves special mention in his turn as the young Turing, whose flashback scenes are perhaps the film's most poignant and emotionally charged. Director Morten Tyldum (Headhunters) balances his three timelines well, using the prep school years and wartime experiences to inform Turing's later disposition during his 1952 police interrogation in which he was charged with 'gross indecency'. Turing's ultimate fate was a despicable one, sentenced to state-sanctioned chemical castration by the same government that only ten years earlier had been saved by his extraordinary abilities. It was only in 2013, in fact, that he received a posthumous pardon by the Queen, and if there's a problem with The Imitation Game, it’s the way the subject of homosexual persecution is largely dispensed with upon the film's conclusion, despite being so deftly introduced and explored earlier. "Sometimes it's the people no one imagines anything of who do the things that no one can imagine." These words, first uttered to Turing by his childhood sweetheart (and then repeated — albeit a little clumsily — several further times throughout), underscore The Imitation Game's representation of Turing as an astonishing man who almost singlehandedly achieved the impossible without ever seeking, or receiving, any acknowledgment for it. His is a story that needs to be known, and thanks to this film, more will not just learn of Turing, but hopefully seek out and explore it in far greater detail thereafter.
Looking for a new hobby? We've got just the thing. A Slovenian company has created the world's first self-inflating stand-up paddleboard, after their runaway crowdfunding campaign rose more than $175,000 USD. The SipaBoard Air is the latest innovation in one of the world's fastest growing sports (and one of our favourite ways to get on the water in Sydney, mind you), and comes with an inbuilt pump capable of fully inflating the board in under five minutes. The initial Kickstarter campaign has closed, but units can still be ordered via Indiegogo, with the most basic model, the SipaBoard NEO, selling for $640 USD plus shipping. Each board comes with a rechargeable battery, a streamlined fin box, a board bag and a carry leash. You can also order a collapsible paddle, although that'll cost you extra. According to the Indiegogo page, production on the boards has already begun, with orders expected to ship sometime in August — perfect timing for those of us in the Southern Hemisphere. But why take our word for anything when you can watch the SipaBoard Air promotional video? Seriously, it might be the most endearingly cheesy thing we've ever seen.
Thousands of punters attending Splendour in the Grass were left stranded for hours at the North Byron Parklands site on Friday evening, with bus and traffic wait times reaching into the early hours of Saturday morning. After The Strokes wrapped up on the main Amphitheatre stage, the masses flocked to the festival's shuttle buses — only to find almost empty bus bays and unbelievable queues. Oh man. #Splendour bottleneck is absolutely burying the vibe of thousands in one fell swoop. NOT COOL @SITG 😭 — Kira Puru (@kirapuru) July 22, 2016 In a pretty chaotic scene that resembled The Walking Dead, punters were jumping ditches, ducking under fences, pissing in fields and flocking to any maxi-cab (or moving vehicle, for that matter) that passed by. Concrete Playground even saw a woman with a walking frame having to walk the 1.25km from the festival entrance to the festival gate and duck under a fence, waved to do so by a NSW Roads and Maritime traffic controller. By 1-2am, many punters even waved $50 notes at passing cars in the hopes of catching a ride back to town. Traffic was no better, with early leavers waiting up to two hours just to leave the festival site, many returning to Byron Bay by 2-3am. The "line" for the buses at #SITG2016 been waiting for 65mins so far. Poor form #Splendour organisers @secretsounds pic.twitter.com/ojhl33RLmM — BrigFee (@boo_indeed) July 22, 2016 NSW Roads and Maritime officers corralled punters down into darker, less busy parts of the pre-highway road — with little time for compassion for the stranded punters. NSW Police rolled out the riot squad, patrolling with formidable casualness. This is not Splendour's first time at the closing time rodeo — so what the heck went wrong? Using data for non-camping ticketholders versus camping ticketholders should have offered a clue into Friday night's logistical nightmare — there were simply not enough buses for the number of non-staying punters. Here's hoping Saturday's three-hour set from The Cure staggers the leaving times. so we'll wait all damn niiight by the big floodlight towers they have the buses and also the powerrrr #SITG2016 pic.twitter.com/6zQvraIz7N — spicy cinnamon taco (@Caitlin_Welsh) July 22, 2016
Twenty years ago the Australian wine landscape was shaped by French viticulture. The grapes we grew and the wines we drank were dominantly French in origin — Shiraz, Cabernet Sauvignon, Chardonnay and Sauvignon Blanc. But over the last decade, an influx of Italian, Spanish, and Greek varietals have begun to make their mark across Australia, and they're now commonplace on wine lists and retail shelves all over the country. The winemakers who saw the potential for these varieties, long before they were considered cool, deserve endless credit. Before Aussie Wine Month kicks off in May, we've partnered with Wine Australia to round up five bottles of Australia's most delicious, innovative wine — keep this list in mind for your next dinner party. ASSYRTIKO Because the temperature in Australia's wine regions is continually rising, the search for varieties that thrive in warmer environments has moved to the top of every winemakers to-do list. It's taken ten years and a long wait at Australian customs to get Santorini's indigenous white grape Assyrtiko into Australia (specifically, South Australia's Clare Valley). Producing a fresh, crisp, acidic style of white wine, it's the perfect accompaniment to contemporary Australian food, and a natural partner to Australia's climate and cuisine. Think grilled octopus, fresh seafood, slow cooked lamb shoulder and cured ocean trout. In a couple of sentences: Assyrtiko is native Greek white wine that we've recently started producing here in Aus, that thrives in a warmer climate and which will quench any thirst on a hot day. Try it if you like Sauvignon Blanc, if you're bored with the status quo, or have a seafood platter to devour. One to try: 2016 Jim Barry Assyrtiko, Clare Valley SA MENCIA A wonderful little region called Galicia is tucked up high in the North-West corner of Spain. Here, among some of the steepest wine-growing mountain ranges, a delicious red grape called Mencia was found, picked and brought over to our shores. What's exciting about this grape is that it can express so many different characteristics when it's made into wine. From light and fresh, with a powerful mid-palate concentration of fruit and an elegant finish, to a rich and opulent, dark and brooding beast with structure and density. No matter which direction the flavours go, the wine is always perfumed, with a persistent juiciness that lingers in your mouth for hours. In a couple of sentences: Tastes like Pinot Noir on steroids — loads of fruit, but a nice grip on your palate. Try it if you're eating pulled pork, and you need something to match it with. One to try: 2016 Oliver's Taranga '2 Chicas' Mencia Rosé, McLaren Vale SA ZINFANDEL Zinfandel (also known as Primitivo) is a black-skinned grape variety that produces a robust red wine. Expect to experience jammy flavours of blueberry, raspberry, cherry, plum, and cranberry alongside characters of black pepper, clove and liquorice. When you taste Zinfandel, it often bursts on the palate with juicy fruitiness, followed by spice and often a tobacco-like finish. A pro-tip when searching for the right Zinfandel is to keep an eye on the back label and check the Alcohol by Volume (ABV). If you like a lighter, more red-fruited style, look for a lower ABV. If big dark fruits and savoury spices are more your speed, look for a Zinfandel with an ABV above 15%. In a couple of sentences: Originating in Italy, made famous in the USA and now found in our backyard, Zinfandel is your Friday night pizza wine. If Cabernet Sauvignon and Merlot had a love child, Zinfandel would be the product. One to try: 2013 Lowe Wines Zinfandel, Mudgee NSW SKIN CONTACT/ORANGE WINE To make an orange wine you take white grapes and crush them slightly (usually under foot), and then put them in a vessel (often ceramic, or made of large cement) to ferment. The fermenting wine is left alone from anywhere between four days to over a year. The longer the time spent on skins, the darker the orange/amber colour and the more tannin (or structure) the wine receives. Orange wines are usually robust and bold, with honeyed aromas of sweet melon, hazelnut, brazil nut, bruised apple, wood varnish, lanolin, juniper, sourdough and dried orange rind. On the palate, they're big, dry, and tend to be overly acidic — not for the faint hearted. In a couple of sentences: The colour and tannin structure of orange wine comes from extended juice contact with the skin of the grape — it's white wine for lovers of red wine. Try it if you like sour ale, cider, bold flavours, tannic wines, or if you've got a lemon stuffed baked chicken in the oven. One to try: 2016 #003 by Tom Ward, Pinot Gris, Riesling, Gewurtztraminer, Orange NSW PÉTILLANT-NATUREL Pétillant-Naturel is a delicious, lightly-sparkling wine, unfiltered and often bottled with a crown cap (like a beer bottle) rather than a cork. Colloquially shortened to Pét Nat, it's lightly cloudy like a cider and holds the distinct vinous characters, aromas and flavours of the grape variety it's made from — meaning each bottle, or vintage will have its own unique flavour. A rustic style of sparkling wine, Pét Nat is made using mostly traditional production methods. Unlike classic sparkling wines and Champagne however, wine producers don't add sugar to kick off secondary fermentation in the bottle (the element that gives most varieties of sparkling a firmer, more pronounced bubble). In fact, most, if not all Pét Nats do not see any additions in their fermentation process. The literal translation of the name is 'natural sparkling' — meaning it's the truest essence of grape in a bottle that a winemaker can get. In a couple of sentences: Bursting with flavour, Pét-Nat is a lightly-sparkling wine with a stylistically softer bubble compared to more traditionally-made sparkling wine. Try it if you like cider. One to try: 2016 Delinquente 'Tuff Nut' Bianco di Alessandria Pét Nat Riverland, SA Celebrate all types of Australian wine by getting involved with Aussie Wine Month over May — there will be events and tasting opportunities all over the country. Images: Kimberley Low.
Swap your own four walls for some of Brisbane's most famous places: for a few days each year, that's what Brisbane Open House offers. Taking architecture fans, folks keen to explore another side of Brisbane and just anyone who likes to peek behind closed doors on behind-the-scenes tours of the city, the event notched up ten years back in 2019. Now, it's returning in 2022 for the first time since hitting that milestone, and expanding its showcase of Brissie's buildings, structures and precincts across two big weekends. If you've always liked to peer beyond the surface, then this is the event for you — because seeing past Brisbane's famous facades, and even stepping through nooks and crannies that aren't usually open to the public, is on the agenda here. After a couple of years spent at home more often than not, Brisbane Open House might just feel particularly enticing when it hosts its first-ever Villages of Brisbane day on Sunday, August 21, then holds its main two-day program across Saturday, August 27–Sunday, August 28. If you're keen on the first part, it's taking over Sandgate with a lineup of talks and walking tours. Attendees will hear about the history of the seaside spot, and also obviously go for a wander through its heritage-listed buildings. Among the places getting in on the action: Full Moon Hotel, Sacred Heart Church, Shorncliffe Railway Station, Sandgate Museum and Sandgate Town Hall. Over the main part of the fest, there's a focus on precincts — a new initiative for this year's Brisbane Open House. Fish Lane in South Brisbane is in the spotlight, which means making the most of the arts precinct that stretches through to South Bank, covering everything from museums and galleries through to restaurants and boutiques. Elsewhere, you can make a date with a hefty range of locations, and see them like you've never seen them before. In the CBD, that includes Anzac Square, Brisbane City Hall, Museum of Brisbane, Howard Smith Wharves, Parliament House, Queensland University of Technology, Roma Street Fire Station and Roma Street Parkland. Hitting up the Spring Hill heritage tours, which include the Old Windmill and service reservoirs, is always popular. Other sites welcoming folks in include performance venues such as the Brisbane Convention and Exhibition Centre, Queensland Performing Arts Centre, Woolloongabba's revamped Princess Theatre, The Tivoli and The Fortitude Music Hall. And, depending on what kinds of spaces you're interested in taking a gander at, the Cathedral of St Stephen, Brisbane Cruise Ship Terminal, Fort Lytton, Government House and Masonic Memorial Centre are also on the list. So are the Port of Brisbane, Southbank Parklands, State Library of Queensland, Shingle Inn, The University of Queensland, Victoria Park, Wolston Farmhouse and Wivenhoe Dam, too. In total, around 40 venues are taking part — some letting you mosey at your own leisure, others hosting guided tours. Brisbane Open House's Villages of Brisbane program takes place on Sunday, August 21, with the full Brisbane Open House program then running across Saturday, August 27–Sunday, August 28 at a variety of places around Brisbane. For the full program, head to brisbaneopenhouse.com.au. Top images: Walter Taylor Bridget by Jake Churches, Port of Brisbane by Kim Williams, Government House Fernberg and Old Windmill Tower by Paul Knie.
Disney and Marvel. When the union was forged, many wondered whether it would be death of both or the start of something special. Then The Avengers made about a trillion dollars and it looked like things might be okay. Key to the acquisition was Disney’s hands-off approach, guaranteeing the gritty Marvel world would not suddenly be required to include musical numbers like: “I’m a Wolverine and I’m the best you’ve ever seen”. The latest offering — Big Hero 6 — is a Disney movie based on a Marvel comic that perhaps 11 people in the world have ever heard of. That meant the Disney team could largely ignore the source material and simply ‘Frankengrab’ the parts they liked, which in this case was little more than the film’s title. The action takes place in the city of San Fransokyo, a portmanteau blending not just names but also architecture, with the iconic San Francisco Bay playing backdrop to a very aesthetically Asian metropolis. Living in it are the bothers Hamada: technology prodigies who direct their talents in wildly different arenas. Hiro builds robots for underground gambling, while his older brother, Tadashi, tries repeatedly to entice him to the prestigious Institute of Technology. When tragedy strikes, Hiro finds himself inadvertently partnered up with Tadashi's prototype robot ‘Baymax', and it’s here that Big Hero 6 hits its stride. Baymax is, quite simply, a revelation. Tender, naive and scene-stealingly funny, he’s a bulbous inflatable carer-bot, a sort of Stay Puft Marshmallow Man with a med degree. Voiced by Scott Adsit (30 Rock), Baymax is singular in purpose: he wants to help people. But with several kinks yet to be ironed out, his efforts often prove more troublesome than beneficial. Add to the mix a mysterious, murderous villain who compels Hiro to train Baymax in martial arts and you get a Kung Fu Panda adventure mixed with the traditional Disney themes of loss, love and learning. There is, of course, a video game undercurrent to the action, because tied into the release of Big Hero 6 is a video game; however, the blend of characters, comedy and carnage is in the right ratio. The animation is also spectacular. Speaking at the screening, producer Roy Conli showed us some of the new technology developed specifically for this film to be made, and none was more impressive than the world-building engine responsible for San Fransokyo. The city is enormous and unbelievably detailed. It feels real, which keeps the story grounded when it might otherwise stray too far into silliness. The star, though, is Baymax. Adsit’s ability to emote through an expressionless blob is a giant accomplishment, responsible for more than few tears and sniffles throughout. Big Hero 6 may not be quite up to the level of Pixar in terms of story, but it’s still a great addition to the Disney family of films and one that all members of the family will enjoy.
Your Christmas lunch will soon be soundtracked by Bill Murray. We squealed about it back in October 2014 — Hollywood's quirkiest legend has teamed up with Sofia Coppola for a festive TV special involving him singing a variety of Christmas carols and decking the halls with one heck of a cast. Murray and Coppola's new project will be undoubtedly somewhat different to their last collaboration, Lost in Translation. The synopsis? The trailer came with a little peek: "This winter, Bill Murray brings an extra-special dose of holiday cheer to Netflix with the premiere of an all-star musically-driven holiday special, A Very Murray Christmas. Set inside New York City’s iconic Carlyle hotel, A Very Murray Christmas opens with Murray preparing to host a live, international holiday broadcast. After a blizzard shuts down the production, he makes the best of the situation by singing and celebrating with friends, hotel employees and anyone else who drops by." Dropped this morning, the trailer's a pretty quick look at a pretty damn big cast. Set to Murray's 'Let It Snow' duet with Miley Cyrus, the trailer revealed one heck of a lineup: Amy Poehler, Rashida Jones, George Clooney, Michael Cera, Jason Schwartzman, Maya Rudolph, Chris Rock and Paul Shaffer. Watch it here and try not to squeal: 'A Very Murray Christmas' is coming to Netflix on December 4. By Meg Watson and Shannon Connellan.
If you're one to buy a whole new wardrobe every season, we can't change you. But what if you bought sustainably, invested in eco-friendly fabrics, or bought second-hand? What if... you repaired your jean crotch hole instead of buying a new exxy pair? Sustainable fashion is something Sydney folk trio Little May feel pretty damn passionate about, and seeing as though they're about to kick off a national tour at Sydney's Metro Theatre, we thought we'd hand over the reins to multi-instrumentalist and eco-boss Annie Hamilton and let her school you on their favourite places to buy sustainable fashion. Handing over to Annie. Hello! I've just finished a year of buying-no-new-clothes in an effort to be more sustainable and to force myself to put more thought into the things that I buy and what impact they have on other humans, the environment and my own body. I studied textile design at uni and have always been interested in sustainable and ethical fashion, so I put together a list of a few Australian/NZ brands that are doing pretty awesome things in the world of sustainable fashion. In the wake of Fashion Revolution Week, it seems that more and more people are starting to question where and how their clothes were made, which can only be a good thing in the world of mass-produced, trend-driven fast fashion. Everyone has their own personal values and you should think about what yours are and try to reflect those in your purchases. But for a start, you can look for organic natural fibres, buy either locally-made or fair-trade, and look for traceability throughout the supply chain. And of course, buy clothing that is made to last, that won't fall apart or go out of fashion after a couple of wears. NUDIE JEANS CO In terms of sustainable clothing brands, Nudie ticks a lot of boxes. Nudie clothing is organic, traceable and made to last. Check out their website and you can find out exactly where the organic cotton for their jeans was grown in Turkey, or where the organic, fair trade cotton used in their shirts was grown in India. Information regarding their entire supply chain is available to the public, all the way down to the origins of their buttons, zippers and care labels. My favourite thing about Nudie is that they offer free lifetime repairs of their garments from their Paddington store, so if your much-loved jeans start to come apart at the seams, they will patch them right up for you. VEGE THREADS You can't make a list of sustainable designers without including Vege Threads. Every piece in the Vege Threads range is organic and locally made, utilising organic vegetable-based dyes. They have also collaborated with BB Shoes to create hand-made vegetable-tanned kangaroo leather sandals. They're based in Adelaide, mainly stocked online, but also available in Sydney at Newtown's You, The Earth and Me. HER SWIM It seems weird to be talking about swimwear when it is technically almost winter, but considering the fact that we're enjoying sunny, 26-degree days in Sydney, it seems evident that this summer may never actually end. This Sydney-based swimwear label uses 100 percent recycled post-consumer polyester and nylon to create simple, clean and minimal swimwear designs. NICO Nico is a Brisbane-based basics and underwear label with a huge focus on ethical and sustainable production and materials. With a minimal aesthetic, their pieces are all made of organic cotton, bamboo or modal, because who wants to be wearing chemicals-laden synthetics near your hoo-ha? Not me. KOWTOW Kowtow is a NZ based label that is truly committed to traceability and sustainability in their production. They use 100 percent fair trade organic cotton grown in India, with the entire production chain explored in the 'Seed To Garment' documentary on their website. Kowtow has several Sydney stockists (including the Somedays store in Surry Hills, which also stocks organic and ethical BaseRange underwear/basics). YOUR LOCAL VINNIES After all, nothing is more sustainable than buying second-hand (especially when that money is going back into charity). Go find yourself a bargain. [caption id="attachment_571217" align="alignnone" width="1280"] Celeste Tesoriero, Winter 2016 for Fashion Revolution Week.[/caption] WELLMADECLOTHES.COM A pretty awesome resource for buying ethically and sustainably. Full stop. SWEDISH STOCKINGS They're not Australian, but they make stockings out of 100 percent recycled plastics, and will offer you a discount if you send them your old/ripped stockings to recycle. GOOD ON YOU An Australian app that rates the sustainability of different brands to help shoppers make informed choices. Now you're all dolled up in eco-friendly threads thanks to Annie, go see Little May. Here's where: LITTLE MAY 2016 AUSTRALIA TOUR DATES Thursday, May 5 — Wollongong Uni Bar, Wollongong Friday, May 6 — Metro Theatre, Sydney Saturday, May 7 — Small Ballroom, Newcastle Thursday, May 12 — ANU Bar, Canberra Friday, May 13 — Max Watts, Melbourne Saturday, May 14 — Waratah Hotel, Hobart Friday, May 20 — Adelaide Uni Bar, Adelaide Saturday, May 21 — Amplifier Bar, Perth Friday, May 27 — Solbar, Sunshine Coast Saturday, May 28 — The Zoo, Brisbane Sunday, May 29 — Studio 56 @ Miami Marketta, Gold Coast Tickets on sale now from littlemaymusic.com/tour.
Because you’re reading this, we know you’re not someone who received a pet for Christmas, only to decide it wasn't for you. We know you're one of the good folks. You're probably wishing that you did receive a loveable animal as a gift, even if you already have one — or several — that you adore. We understand your yearning, and so does RSPCA Queensland. In trying to find permanent homes for dogs, cats, puppies and kittens surrendered into their care from all over the state, they’re bringing all those cuddly creatures to the Brisbane Convention and Exhibition Centre on Saturday 17 January for their first-ever pop-up adoption event. Entry is free, and includes demonstrations, entertainment, food, and activities, as well as RSPCA stalls and information. And then there’s the hundreds of animals waiting for your affection — and for you to take them home with you. Although you can't put a price on the happiness a new four-legged friend will bring, discounted rates do apply on the day for those willing to adopt an older cat or dog. Kittens and puppies aged under four months will also be looking for someone to love them. The time and place is perfect for many a Brisbane resident, coinciding with the first day of the biannual secondhand free-for-all that is Lifeline Bookfest. Who doesn’t want to go out for a day of book browsing, puppy perusing and cat patting? You might just come home with six month's worth of reading, and a new pal to keep you company. There's more to pet adoption than overdosing on cuteness, of course, with making the commitment to care for an animal serious business. For further information, read RSPCA Queensland’s FAQs. The RSPCA Queensland Pop-Up Adoption Drive is being held at Brisbane Convention and Exhibition Centre on Saturday 17 January, free entry.
Bring a little colour to your summer G&Ts, thanks to a new Australian made small batch gin. Produced by the family-owned Husk Distillers in Northern NSW, Ink Gin is made with organic botanicals and infused with the petals of the butterfly pea flower. The result is a spirit with touches of lemon myrtle, pepper and orange that stands out a mile away thanks to its royal blue hue. That's right, blue gin. The coloured spirit came about after three years of experimenting by Husk owner Paul Messenger. Botanicals used in its creation include citrus peel, juniper berries, elderflower and cinnamon, while its unique appearance comes from the butterfly pea, which is traditionally used in South East Asian cooking. The flower's pH sensitivity also means that the gin changes colour when mixed with tonic water, going from deep blue to pale pink. Not a bad trick to have up your sleeve the next time you invite somebody over for drinks. Speaking to The Gold Coast Bulletin, Paul's daughter Harriet said that the demand for the gin has been enormous. "We sold out of our first batch in three days," she said. "We have been keeping up the distilling to make sure we could meet demand but we really did not expect people to embrace it so quickly." So how can you get your hands on one? 700mL bottles of Ink Gin can be purchased online for $80 plus a $10 shipping fee Australia-wide. It is also available in select bars around Queensland, NSW, Victoria and WA. Just make sure you store it somewhere dark, so that it retains its natural colour. Lastly and importantly, it won't stain your teeth. Via Australian Bartender and The Gold Coast Bulletin.
Good (or just pretty good) news for the Australian arts community today. The federal government has once again redesigned its controversial arts funding scheme, following months of heavy campaigning by artists around the country. Communications and arts minister Mitch Fifield announced today that the widely maligned National Program for Excellence in the Arts (NPEA), which was introduced by his predecessor George Brandis with next to no consultation with the artistic community, will have its funding reduced by $32 million over four years, with the money instead being reallocated to the independent Australia Council — from whose budget it was originally cribbed. Top stuff. The change comes after the government received significant pushback from artists and political opponents, who were outraged by the decision made under the Abbott government to redirect $104 million from the Australia Council to the newly created NPEA — a move many believed would prove fatal for small, independent arts groups. Calls were made for Turnbull to take over the troubled portfolio, and here we are. Under this latest round of changes (and let's be honest here, there'll probably be more down the line), the NPEA budget will drop from $20 million a year to $12 million, with the savings being returned to the Australia Council. Brandis' brainchild will also be getting a brand spanking new name, going from the National Program for Excellence in the Arts to Catalyst - Australian Arts and Cultural Fund. Yeah, it doesn't exactly roll off the tongue either, does it? Now, while this definitely seems like a step in the right direction, don't start planning your celebratory interpretive dance show just yet. I'm no mathematician, but $32 million still seems like a lot less than $104 million. Let me just quickly check the numbers on that... yep, it's definitely less. Moreover, despite the budget cut and the name change, it appears that Catalyst will still function in much the same way as the NPEA would have. Like they say, a rose by any other name. Although in this case, a rose probably isn't the best analogy. Fifield is expected to announce further details regarding these changes later today. In the meantime, the National Association for the Visual Arts has issued a statement suggesting the fight is far from over. "We are relieved that the Minister is prepared to go some way towards alleviating the havoc being caused by the original decision of his predecessor," said NAVA Executive Director Tamara Winikoff. "However, the renamed Catalyst program is still being created at the expense of ensuring the survival of organisations that are the engine room for developing and presenting new Australian work." Via SMH. Image: Chunky Move.
As the taxi industry and Uber continue to trade blows, a new app targeted exclusively at women and children could prove safer and more comfortable than either. Mum's Taxi is the brainchild of comedian and single mother George McEnroe, and is currently seeking backers via the crowdfunding platform GoFundMe. Assuming it gets over the line, the service would only be available to women and children, while also providing female drivers employment opportunities in an industry dominated by men. Speaking to The Age, McEnroe said she came up with the idea while weighing up the potential dangers of driving for Uber. ""I registered a couple of times and realised I was just too scared, there are too many risks," she said. "I thought of the name Mum's Taxi, which is a bit daggy, but who else do you want to pick you up?" In addition to offering a safe environment for passengers, the service would provide employment opportunities to female drivers. McEnroe points out that only 12 per cent of rideshare drivers are women, despite the fact that women make up more than half of the casual workforce. The plan is to launch the service in Sydney in October, before eventually rolling-out nationwide. Drivers would be expected to complete police and working with children checks, and in return get to keep 85 per cent of each fare. Once Mum's Taxi is national, McEnroe intends to donate a further one per cent of every fare to a charity that improves the lives of women and children. For more information or to donate to Mum's Taxi, check out their GoFundMe campaign. Via The Age. Image: Splitshire.
Whether you're on a date, catching up with your friends, or just looking for a way to kill a few hours on a gloomy Tuesday night, there are few modern indulgences that beat settling into a dark cinema and letting your worries escape you as you slip into another world. Spies, superheroes, lovers, musicians, presidents, dictators, robbers and cops: you'll encounter them all as the lights go down and the projector begins to whir. There's plenty afoot a the pictures this month, so we're here to give you a little bit of help with choosing tonight's movie. See you at the candy bar. https://www.youtube.com/watch?v=WWbk3-gEBRU GOLDSTONE Australian cinema has a new hero — or heroes, to be exact. In case 2013's neo-western crime thriller Mystery Road didn't make that apparent, Goldstone shouts it across the outback. On screen, Indigenous police detective Jay Swan (Aaron Pedersen) stalks through another remote desert town searching for the truth. Behind the camera, writer-director Ivan Sen guides another insightful examination of race, prejudice, inequality and exploitation inextricably linked to the Australian landscape. Read our full review. https://www.youtube.com/watch?v=5j2IBHNUl5I LIGHTS OUT If all a horror movie needed was a killer concept, then Lights Out would sit at the top of the spooky cinematic heap. At its core is an idea that's equally obvious, ingenious and universal: the unsettling feeling that springs in children and adults alike when a flick of a switch plunges a room into darkness. In fact, when Swedish filmmaker David F. Sandberg first toyed with the notion in his two-and-a-half-minute short film of the same name, it became a viral sensation, catching the eye of horror producer James Wan in the process. Three years later, Sandberg has fleshed out the attention-grabbing effort into his feature film debut. Read our full review. https://www.youtube.com/watch?v=nAoEoWrOe8g MAGGIE'S PLAN In Frances Ha, Greta Gerwig became the on-screen embodiment of a predicament most twenty-somethings can relate to: knowing what you don't want out of life, rather than what you do. In Mistress America, she offered a different side of failing to achieve your dreams, this time from a slightly older perspective. Now, in Maggie's Plan, she grapples with the fact that you can't control everything, no matter how hard you try. Consider it the next phase in her ongoing examination of the idiosyncrasies of quarter-life malaise. Read our full review. https://www.youtube.com/watch?v=oJyR3Atf5q8 SING STREET Who amongst us hasn't used music to process their thoughts and feelings? The right song can convey things that words alone cannot, as writer-director John Carney understands. In his films, moving ballads and catchy melodies intertwine with life and love, providing a killer soundtrack to memorable moments and an effective method of expressing emotions. When his characters pen lyrics, strum instruments and grab the mic, they're not just creating tunes and chasing dreams — they're helping make sense of everything around them. Read our full review. https://www.youtube.com/watch?v=XRVD32rnzOw STAR TREK BEYOND Space, the final frontier. An infinite continuum capable of sapping morale and robbing voyaging crews of both purpose and progress since, by its very definition, there can never be an end in sight. Such is the existential crisis facing Captain James T. Kirk (Chris Pine) at the beginning of this third instalment in the revised Star Trek franchise – a notably low-key opening compared to its bombastic predecessors. Read our full review.
Hold onto your doughnuts and prepare to say ay, caramba! more than once, because the Sydney Opera House has just announced a huuuuge headliner for this year's GRAPHIC festival: Matt Groening. The comedic cartoonist genius responsible for The Simpsons and Futurama will make his way to Australia for the very first time to speak at the two-day festival this November, which celebrates pop culture and graphic storytelling, animation and music. Considering most of us probably acquired the large majority of our pre-Internet knowledge on global popular culture from Groening's work (well, when we could wrangle watching The Simpsons instead of the 6pm news), it seems like a brilliant full circle that we're now able to see him speak IRL as adults. He will deliver a talk titled Secrets of The Simpsons, and a Couple of Milhouse Fun Facts, which will delve into the making of the show, include hardly-seen clips and apparently even some full-frontal cartoon nudity. He will also join a session with his friend and fellow cartoonist Lynda Barry. "The most intense Simpsons fanatics I've met are from Australia, so I'm coming to Sydney to check out all you lunatics," Groening said. "I'm going to share stories of the making of The Simpsons and show embarrassing home movies and rarely-seen animation, including oddball outtakes and uncensored Itchy & Scratchy cartoons." Other highlights from the GRAPHIC 2016 program announced this morning include a screening of George Lucas' 1971 sci-fi epic THX 1138, which will be re-scored live by Asian Dub Foundation. There will be a heap of free talks from cartoonists including Leunig and First Dog on the Moon, as well as two film premieres from Nail Gaiman, who has previously called the festival "the smartest, wisest, most cutting-edge festival and celebration of narrative literature and its intersection with culture in the world". GRAPHIC will take place at the Sydney Opera House from November 4-5. Tickets go on sale on Friday, September 16 here.
Heston Blumenthal’s London restaurant Dinner will soon be losing a head chef to a Melbourne version of the Michelin-starred restaurant. But in an international switcheroo, Blumenthal is taking back quite the culinary talent to the UK to reopen The Fat Duck in Berkshire: a MasterChef from Ballina. Confused? Let's break it down. Last night saw the greatly anticipated MasterChef finale, and after a two-and-a-half hour tension headache, a winner was crowned (spoiler alert: it was Ballina chef, Billie McKay, who beat competition golden girl Georgia Barnes in a shocking twist that took a long, long while to get there). But the real star of the show was (as always) wacky, inflatable arm-flailing Blumenthal who appeared with a dish from another dimension: the Botrytis Cinerea dessert, a dish more art than food. After the winner was crowed, Heston offered McKay a job at The Fat Duck when it reopens in Berkshire, which she graciously accepted. So, Australia is losing its newly crowned MasterChef to the UK, but at the same time Melbourne is gaining a new Blumenthal restaurant, Dinner, complete with ex-Fat Duck head chef, Ashley Palmer-Watts. Dinner will take up residence in the Crown Melbourne in October, taking over from The Fat Duck's now-closed, six-month Melbourne residency. Farewell Fat Duck classics as snail porridge and quail jelly with crayfish cream, and welcome Dinner specialties like the fabled meat fruit. Dinner Melbourne will be modelled on the Blumenthal's Michelin-starred London restaurant which serves a typically jaw-dropping menu — inspired by 15th century manuscripts and 'the fanciful dramatic dishes of the royal courts of King Henry VII'. Expect dishes such as the infamous meat fruit (chicken liver parfait contained within a mandarin jelly skin), and ‘rice and flesh’, which is made of saffron, calf tail and red and hails all the way from 1390AD (where it perhaps should have stayed). It’s an ode to historical British gastronomy, which in Hestonspeak means: be wary of your meal because there’s almost certainly four and twenty blackbirds baked into it and about to sing somehow. Dinner by Heston Blumenthal will open in late October at the Crown Melbourne, 8 Whiteman Street, Southbank. Open for lunch Friday and Saturday, and dinner daily. Via Good Food. Images: Alisa Coonan, Ashley Palmer-Watts.
Fancy spending some time in Latin America? Don't we all. It's not quite the same as a holiday but, thanks to the brand new Cine Latino Film Festival, getting immersed in the sights, sounds and stories of everywhere from Mexico to Puerto Rico is as easy as heading to the movies. Throughout August, the latest addition to Palace Cinemas' ever-growing festival calendar brings the best films from the region to Australian screens, celebrating not just excellence but variety. Come for cinematic poetry from master filmmakers and stay for Peruvian horror efforts — they're just a few of our five must-see pics of the festival. Plus, if you scroll down to the bottom, you can go in the draw to win a double pass to see one of them. NERUDA Curbing one's excitement for Pablo Larraín's latest feature is close to impossible. The Chilean filmmaker hasn't even reached the age of 40 yet, and he already has a number of features under his belt that any writer/director would be envious of. After wowing the Aussie festival circuit with his first collaboration with Gael Garcia Bernal in 2012's political drama No, Larraín tasks the charismatic actor with once again exploring the difficulties of restrictive societies — this time through an examination of the life the poet that gives the movie its name. That Neruda has been called gripping won't surprise anyone, in yet another stellar work from a director on the rise. ENDLESS POETRY When it comes to Endless Poetry, knowing that it is directed by Alejandro Jodorowsky should be more than enough motivation to send you rushing towards your nearest Palace Cinema. After breaking a 23-year directing drought with 2013's The Dance of Reality, the 87-year-old filmmaker behind such brazen, mind-bending cult classics as El Topo and The Holy Mountain offers up another cinematic memoir. In the second of a planned five-feature series, he moves from his youth to the formative experiences of his 20s, chronicling his efforts to become a poet against the wishes of his family. THE WOMB If sitting in a darkened room, staring at a big screen and getting scared is your idea of a good time at the movies, then The Womb should be your type of film. If the fact that it is being billed as Peru's first bona fide horror flick doesn't get your pulse racing, then perhaps its unsettling tale of several layers of motherhood struggles will. Sure, you've probably seen plenty of frightening fare about being a parent lately, but there's a reason filmmakers keep returning to this tried and tested topic. HOW TO WIN ENEMIES You can never have too many offbeat comedies, right? Finding amusement in the quirks of everyday life is always going to strike a chord, with How to Win Enemies the latest Argentinian effort to give it a shot. Focusing on a young lawyer with a fondness for detective stories, it's a love story, a family drama and a mystery all in one. Yes, the sleuthing angle has seen Gabriel Lichtmann's film compared to TV's Bored to Death — so if you're a fan of that show, it can only be a good thing. I PROMISE YOU EVERYTHING Combine a skater film, a crime drama and a queer love story all into one, and the result is I Promise You Everything. Weaving through the streets of modern-day Mexico City, the feature tells the tale of Miguel and Johnny, their stumbling upon a get-rich-quick scheme supplying blood to drug traffickers, and the tumultuous results. If it sounds a little like the early work of Oscar-winning director Alejandro González Iñárritu, that's not a bad thing. One review has even mentioned the film in the same breath as The Godfather — and while they're awfully big shoes to fill, discovering how it tries to achieve that feat should be intriguing at the very least. The Cine Latino Film Festival screens at Sydney's Palace Norton Street and Verona from August 9 to 24, Brisbane's Palace Centro and Barracks from August 11 to 24, and Melbourne's Palace Como and Westgarth from August 17 to 31. For more information, visit the festival website. [competition]583085[/competition]
Movie fans, prepare for your first wave of film envy for 2016. On January 21, the Sundance Film Festival kicks off its annual celebration of cinema in the snow — and that means a host of celebrities are headed to Utah to party with Robert Redford, and a new batch of indie titles are about to premiere. Last year, we were so consumed with excitement about the program that we outlined the ten flicks we desperately wanted to see on Australian screens — and with Mistress America, The End of the Tour, Dope, Kurt Cobain: Montage of Heck and Sleeping With Other People on our list, we had a pretty good hit rate (if we do say so ourselves). So, what's got us buzzing this time around? Well, theres a few documentaries, a mermaid thriller and an all-star cast in a film named Wiener-Dog, to name a few standouts. Here's our picks of the films we hope Aussie audiences will get the chance to watch, either courtesy of a local release or a festival — plus a few more we've got our eye on. HUNT FOR THE WILDERPEOPLE There's plenty about this flick that appeals: its manhunt for a rebellious kid and his foster uncle storyline, and Sam Neil and Rhys Darby featuring among the cast, to name a few. However, most of our enthusiasm for Hunt for the Wilderpeople stems from the involvement of Taika Waititi. To date, the New Zealand filmmaker has brought us the charming Boy, directed episodes of Flight of the Conchords, and co-starred and co-directed one of the funniest flicks of the past few years, the vampire mockumentary What We Do in the Shadows. With Marvel sequel Thor: Ragnarok coming up next, he's clearly bound for bigger things, but this eccentric comedy sounds like vintage Waititi. Also watch out for: Sing Street, another music-focused flick from Begin Again director John Carney — this time about an Irish teen in a glam-ish band. LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD More and more documentaries keep touching upon the topic of the technology we're all now unable to live without. The latest comes from none other than the great Werner Herzog, which marks his first factual effort since Into the Abyss five years ago. History and horror stories combine as he interviews a wealth of experts and tries to look at both the good and the bad of the online environment. And yes, the filmmaker provides the narration — because hearing his distinctive tones wax philosophical is all part of the Herzog doco experience. Also watch out for: Under the Gun, a dissection of the firearms debate that continues to divide America. WIENER-DOG When is a sequel not quite a sequel? When it takes one figure from a film and inserts them into a compilation of tales. That's the case with Todd Solondz's Wiener-Dog, with its title referring to the as dachshund at the centre of its stories, as well as the Welcome to the Dollhouse character of Dawn Wiener (then played by Heather Matarazzo, now by Greta Gerwig) it crosses paths with. If you're a fan of the director or the 1995 feature, this is all good news. Plus, there's the cast, with the ever-luminous Gerwig joined by everyone from Kieran Culkin and Girls' Zosia Mamet to Julie Delpy and Danny DeVito. Also watch out for: Maggie's Plan, also starring continued Sundance fave Gerwig, but this time contemplating marriage and children alongside Ethan Hawke and Julianne Moore. CERTAIN WOMEN Another film, another set of intersecting stories — however, don't let the format deter you from Certain Women. In one tale, Laura Dern is immersed in a hostage situation. In another, Michelle Williams copes with marital problems in her new home. In the next, Kristen Stewart plays a lawyer-turned-teacher. All three segments are tied to a vision of America's midwest that sees the women forge paths forward. If you're not already sold, knowing that the movie is directed by Kelly Reichardt — who previously worked with Williams on Wendy and Lucy and Meek’s Cutoff, and most recently helmed Night Moves — should take care of that. Also watch out for: Love and Friendship, which sees Whit Stillman reuniting with his The Last Days of Disco stars Kate Beckinsale and Chloe Sevigny for an adaptation of an unpublished Jane Austen novella. THE LURE If you think there's just not enough mermaid-related horror flicks, then The Lure should catch your attention. Aquatic sirens feature quite prominently in the feature debut of Polish director Agnieszka Smoczyńska, as does a tale of romance, some bloodlust and a neon-lit dance club. Yep, this is a musical affair as well as a scary one, coming together with what Sundance describes as "a knack for both burlesque and the grotesque". If it can live up to that description, consider us pumped. And even if it can't, it has to be better than one of the last films to chart this territory: the exactly-as-bad-as-it-sounds Killer Mermaid. Also watch out for: Convenience store clerks, Johnny Depp playing his character from Tusk, and plenty of silliness in the next Kevin Smith effort, Yoga Hosers. MANCHESTER BY THE SEA In 2012, Kenneth Lonergan's Margaret finally found its way to Australian cinemas. Problems and delays had plagued the film for years — the Anna Paquin-starring effort was actually made in 2007 — however if ever a film was worth the wait, it was this one. Thankfully, Lonergan's latest doesn't seem to be suffering the same fate — we're just hopeful that it will deliver. Here, a loner handyman has to take care of his teenage nephew and face a past tragedy. The underrated Affleck brother, Casey, leads a cast that also includes Kyle Chandler and Michelle Williams. Also watch out for: Belgica, the new bar-set, Soulwax-scored film from Belgian writer and director Felix van Groeningen, who was nominated for an Academy Award for his polarising The Broken Circle Breakdown. THE BIRTH OF A NATION If you know your film history, you should've already heard of a film with this title. Back in 1915, filmmaker D. W. Griffith made a silent, black and white chronicle of the American Civil War. The film is still considered ahead of its time in a technical sense, but was courted for its stance on race and depiction of the Klu Klux Klan. Now, actor-turned-director Nate Parker (Beyond the Lights) uses the same name for an effort charting a real-life slave rebellion in 1831 — and there's a statement in his choice of moniker, of course. He also stars on screen, alongside Armie Hammer as a slave owner. Also watch out for: The Office's John Krasinski steps behind the camera as director for The Hollars, a family comedy featuring Anna Kendrick, Margo Martindale, Charlie Day and Sharlto Copley. ALI & NINO He might be known for delving into the life and death of both Amy Winehouse and Ayrton Senna in two of the last decade's most powerful docos — that'd be Amy and Senna — however, Asif Kapadia also has a few narrative features on his resume. Ali & Nino marks his return to non-factual storytelling, adapting the novel of the same name. This time, he examines a clash of cultures in Baku between 1918 and 1920. Given that the film explores a romance that springs up between a Muslim Azerbaijani boy and Christian Georgian girl, expect plenty of tension between traditional and modern ways in this politically-charged love story. Also watch out for: Southside With You, a romance about a guy called Barack and a girl called Michelle. We know who you're thinking of — and yes, we mean those ones. HOLY HELL When Holy Hell was first announced in the Sundance lineup, it didn't list the director. Filmmaker Will Allen initially kept his identity a secret — which, considering the subject of his documentary, is more than a little understandable. For 20 years he lived inside a secretive spiritualist community led by a charismatic guru, filming everything that went on. That footage forms the basis of the doco, however Allen also shares his own recollections, and interviews fellow former members of the community. He ponders not only the organisation he devoted two decades of his life to, but the lengths people are willing to go to in search of happiness. Also watch out for: NUTS!, a doco that tells the so-crazy-it-must-be-true tale of the small-town doctor who tried to cure impotence by transplanting goat testicles into men. We're serious. THE INTERVENTION You've seen Clea DuVall in the likes of The Faculty, Girl Interrupted, Argo and TV's Carnivale — and now you can watch her directorial debut. In The Intervention, she stars as well as guides Cobie Smulders, Alia Shawkat, Natasha Lyonne, Melanie Lynskey, Jason Ritter and Ben Schwartz through a weekend trip that doesn't quite turn out the way everyone thinks it will. Four couples head away for what seems like the usual booze-soaked holiday, however, the apparently jolly jaunt also doubles as an intervention. Yep, this one is a dramedy, making the most of the dramatic and comic talents of its ensemble of performers. Also watch out for: Other People, which corrals Jesse Plemons, Molly Shannon, Bradley Whitford, June Squibb and Parks and Recreation's Retta into the big screen, feature-length debut of Saturday Night Live writing supervisor Chris Kelly.
After spending the last few years in the grasp of tweens and sexless Mormons, it's good to see the vampire movie finally biting back. From the ingenious goofiness of What We Do in the Shadows to the eerie urban decay of Only Lovers Left Alive, it's been a banner year for big screen bloodsuckers, a trend that continues at ACMI this month with the most fascinating shakeup to the genre yet. Sexy, scary and fearlessly subversive, A Girl Walks Home Alone at Night is a last minute contender for one of the best films of 2014. Billed as the world's first Iranian Vampire Western, the debut film from writer-director Ana Lily Amirpour takes place on the outskirts of an industrial ghost town, ominously named Bad City. It's here that an aloof young vampire in heavy eye makeup and billowing chador (Sheila Vand) stalks the streets in search of victims to devour. What she doesn't count on, however, is the romantic attention of a handsome local drug dealer (Arash Marandi), who unwittingly presents her with a difficult choice: pursue a relationship or eat him for dinner. If the plot sounds thin, that's probably because it is. A spiritual descendent of David Lynch and Jim Jarmusch, the California-based Amirpour is far less concerned with narrative than she is with style and atmosphere. The moody black and white cinematography further enhances the film's already palpable sense of menace, while also calling to mind prototypical vampire movies such as Vampyr and the original Dracula. The eclectic soundtrack is equally evocative, Amirpour spinning a Tarantino-esque blend of European and Iranian pop music combined with the rousing strains of an old school Spaghetti Western. Yet despite her aesthetic self-consciousness, Amirpour's film is in no way lacking in substance. While vampire stories are traditionally about sexuality, A Girl Walks Home Alone at Night reframes the discussion to focus more on gender. It's obviously not a coincidence that Vand's vigilante vamp feeds exclusively on misogynistic men. Likewise the pointed choice of costume: her traditional head-to-toe black garb, so often viewed as a sign of oppression, re-appropriated as a symbol of her power. Even the film's title is misleading. Amirpour sets us up to expect a helpless victim, only to deliver something very different indeed. Bold and surprising, this is a truly stunning debut. Do everything you can to seek it out.
