Heston Blumenthal’s London restaurant Dinner will soon be losing a head chef to a Melbourne version of the Michelin-starred restaurant. But in an international switcheroo, Blumenthal is taking back quite the culinary talent to the UK to reopen The Fat Duck in Berkshire: a MasterChef from Ballina. Confused? Let's break it down. Last night saw the greatly anticipated MasterChef finale, and after a two-and-a-half hour tension headache, a winner was crowned (spoiler alert: it was Ballina chef, Billie McKay, who beat competition golden girl Georgia Barnes in a shocking twist that took a long, long while to get there). But the real star of the show was (as always) wacky, inflatable arm-flailing Blumenthal who appeared with a dish from another dimension: the Botrytis Cinerea dessert, a dish more art than food. After the winner was crowed, Heston offered McKay a job at The Fat Duck when it reopens in Berkshire, which she graciously accepted. So, Australia is losing its newly crowned MasterChef to the UK, but at the same time Melbourne is gaining a new Blumenthal restaurant, Dinner, complete with ex-Fat Duck head chef, Ashley Palmer-Watts. Dinner will take up residence in the Crown Melbourne in October, taking over from The Fat Duck's now-closed, six-month Melbourne residency. Farewell Fat Duck classics as snail porridge and quail jelly with crayfish cream, and welcome Dinner specialties like the fabled meat fruit. Dinner Melbourne will be modelled on the Blumenthal's Michelin-starred London restaurant which serves a typically jaw-dropping menu — inspired by 15th century manuscripts and 'the fanciful dramatic dishes of the royal courts of King Henry VII'. Expect dishes such as the infamous meat fruit (chicken liver parfait contained within a mandarin jelly skin), and ‘rice and flesh’, which is made of saffron, calf tail and red and hails all the way from 1390AD (where it perhaps should have stayed). It’s an ode to historical British gastronomy, which in Hestonspeak means: be wary of your meal because there’s almost certainly four and twenty blackbirds baked into it and about to sing somehow. Dinner by Heston Blumenthal will open in late October at the Crown Melbourne, 8 Whiteman Street, Southbank. Open for lunch Friday and Saturday, and dinner daily. Via Good Food. Images: Alisa Coonan, Ashley Palmer-Watts.
Fancy spending some time in Latin America? Don't we all. It's not quite the same as a holiday but, thanks to the brand new Cine Latino Film Festival, getting immersed in the sights, sounds and stories of everywhere from Mexico to Puerto Rico is as easy as heading to the movies. Throughout August, the latest addition to Palace Cinemas' ever-growing festival calendar brings the best films from the region to Australian screens, celebrating not just excellence but variety. Come for cinematic poetry from master filmmakers and stay for Peruvian horror efforts — they're just a few of our five must-see pics of the festival. Plus, if you scroll down to the bottom, you can go in the draw to win a double pass to see one of them. NERUDA Curbing one's excitement for Pablo Larraín's latest feature is close to impossible. The Chilean filmmaker hasn't even reached the age of 40 yet, and he already has a number of features under his belt that any writer/director would be envious of. After wowing the Aussie festival circuit with his first collaboration with Gael Garcia Bernal in 2012's political drama No, Larraín tasks the charismatic actor with once again exploring the difficulties of restrictive societies — this time through an examination of the life the poet that gives the movie its name. That Neruda has been called gripping won't surprise anyone, in yet another stellar work from a director on the rise. ENDLESS POETRY When it comes to Endless Poetry, knowing that it is directed by Alejandro Jodorowsky should be more than enough motivation to send you rushing towards your nearest Palace Cinema. After breaking a 23-year directing drought with 2013's The Dance of Reality, the 87-year-old filmmaker behind such brazen, mind-bending cult classics as El Topo and The Holy Mountain offers up another cinematic memoir. In the second of a planned five-feature series, he moves from his youth to the formative experiences of his 20s, chronicling his efforts to become a poet against the wishes of his family. THE WOMB If sitting in a darkened room, staring at a big screen and getting scared is your idea of a good time at the movies, then The Womb should be your type of film. If the fact that it is being billed as Peru's first bona fide horror flick doesn't get your pulse racing, then perhaps its unsettling tale of several layers of motherhood struggles will. Sure, you've probably seen plenty of frightening fare about being a parent lately, but there's a reason filmmakers keep returning to this tried and tested topic. HOW TO WIN ENEMIES You can never have too many offbeat comedies, right? Finding amusement in the quirks of everyday life is always going to strike a chord, with How to Win Enemies the latest Argentinian effort to give it a shot. Focusing on a young lawyer with a fondness for detective stories, it's a love story, a family drama and a mystery all in one. Yes, the sleuthing angle has seen Gabriel Lichtmann's film compared to TV's Bored to Death — so if you're a fan of that show, it can only be a good thing. I PROMISE YOU EVERYTHING Combine a skater film, a crime drama and a queer love story all into one, and the result is I Promise You Everything. Weaving through the streets of modern-day Mexico City, the feature tells the tale of Miguel and Johnny, their stumbling upon a get-rich-quick scheme supplying blood to drug traffickers, and the tumultuous results. If it sounds a little like the early work of Oscar-winning director Alejandro González Iñárritu, that's not a bad thing. One review has even mentioned the film in the same breath as The Godfather — and while they're awfully big shoes to fill, discovering how it tries to achieve that feat should be intriguing at the very least. The Cine Latino Film Festival screens at Sydney's Palace Norton Street and Verona from August 9 to 24, Brisbane's Palace Centro and Barracks from August 11 to 24, and Melbourne's Palace Como and Westgarth from August 17 to 31. For more information, visit the festival website. [competition]583085[/competition]
Movie fans, prepare for your first wave of film envy for 2016. On January 21, the Sundance Film Festival kicks off its annual celebration of cinema in the snow — and that means a host of celebrities are headed to Utah to party with Robert Redford, and a new batch of indie titles are about to premiere. Last year, we were so consumed with excitement about the program that we outlined the ten flicks we desperately wanted to see on Australian screens — and with Mistress America, The End of the Tour, Dope, Kurt Cobain: Montage of Heck and Sleeping With Other People on our list, we had a pretty good hit rate (if we do say so ourselves). So, what's got us buzzing this time around? Well, theres a few documentaries, a mermaid thriller and an all-star cast in a film named Wiener-Dog, to name a few standouts. Here's our picks of the films we hope Aussie audiences will get the chance to watch, either courtesy of a local release or a festival — plus a few more we've got our eye on. HUNT FOR THE WILDERPEOPLE There's plenty about this flick that appeals: its manhunt for a rebellious kid and his foster uncle storyline, and Sam Neil and Rhys Darby featuring among the cast, to name a few. However, most of our enthusiasm for Hunt for the Wilderpeople stems from the involvement of Taika Waititi. To date, the New Zealand filmmaker has brought us the charming Boy, directed episodes of Flight of the Conchords, and co-starred and co-directed one of the funniest flicks of the past few years, the vampire mockumentary What We Do in the Shadows. With Marvel sequel Thor: Ragnarok coming up next, he's clearly bound for bigger things, but this eccentric comedy sounds like vintage Waititi. Also watch out for: Sing Street, another music-focused flick from Begin Again director John Carney — this time about an Irish teen in a glam-ish band. LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD More and more documentaries keep touching upon the topic of the technology we're all now unable to live without. The latest comes from none other than the great Werner Herzog, which marks his first factual effort since Into the Abyss five years ago. History and horror stories combine as he interviews a wealth of experts and tries to look at both the good and the bad of the online environment. And yes, the filmmaker provides the narration — because hearing his distinctive tones wax philosophical is all part of the Herzog doco experience. Also watch out for: Under the Gun, a dissection of the firearms debate that continues to divide America. WIENER-DOG When is a sequel not quite a sequel? When it takes one figure from a film and inserts them into a compilation of tales. That's the case with Todd Solondz's Wiener-Dog, with its title referring to the as dachshund at the centre of its stories, as well as the Welcome to the Dollhouse character of Dawn Wiener (then played by Heather Matarazzo, now by Greta Gerwig) it crosses paths with. If you're a fan of the director or the 1995 feature, this is all good news. Plus, there's the cast, with the ever-luminous Gerwig joined by everyone from Kieran Culkin and Girls' Zosia Mamet to Julie Delpy and Danny DeVito. Also watch out for: Maggie's Plan, also starring continued Sundance fave Gerwig, but this time contemplating marriage and children alongside Ethan Hawke and Julianne Moore. CERTAIN WOMEN Another film, another set of intersecting stories — however, don't let the format deter you from Certain Women. In one tale, Laura Dern is immersed in a hostage situation. In another, Michelle Williams copes with marital problems in her new home. In the next, Kristen Stewart plays a lawyer-turned-teacher. All three segments are tied to a vision of America's midwest that sees the women forge paths forward. If you're not already sold, knowing that the movie is directed by Kelly Reichardt — who previously worked with Williams on Wendy and Lucy and Meek’s Cutoff, and most recently helmed Night Moves — should take care of that. Also watch out for: Love and Friendship, which sees Whit Stillman reuniting with his The Last Days of Disco stars Kate Beckinsale and Chloe Sevigny for an adaptation of an unpublished Jane Austen novella. THE LURE If you think there's just not enough mermaid-related horror flicks, then The Lure should catch your attention. Aquatic sirens feature quite prominently in the feature debut of Polish director Agnieszka Smoczyńska, as does a tale of romance, some bloodlust and a neon-lit dance club. Yep, this is a musical affair as well as a scary one, coming together with what Sundance describes as "a knack for both burlesque and the grotesque". If it can live up to that description, consider us pumped. And even if it can't, it has to be better than one of the last films to chart this territory: the exactly-as-bad-as-it-sounds Killer Mermaid. Also watch out for: Convenience store clerks, Johnny Depp playing his character from Tusk, and plenty of silliness in the next Kevin Smith effort, Yoga Hosers. MANCHESTER BY THE SEA In 2012, Kenneth Lonergan's Margaret finally found its way to Australian cinemas. Problems and delays had plagued the film for years — the Anna Paquin-starring effort was actually made in 2007 — however if ever a film was worth the wait, it was this one. Thankfully, Lonergan's latest doesn't seem to be suffering the same fate — we're just hopeful that it will deliver. Here, a loner handyman has to take care of his teenage nephew and face a past tragedy. The underrated Affleck brother, Casey, leads a cast that also includes Kyle Chandler and Michelle Williams. Also watch out for: Belgica, the new bar-set, Soulwax-scored film from Belgian writer and director Felix van Groeningen, who was nominated for an Academy Award for his polarising The Broken Circle Breakdown. THE BIRTH OF A NATION If you know your film history, you should've already heard of a film with this title. Back in 1915, filmmaker D. W. Griffith made a silent, black and white chronicle of the American Civil War. The film is still considered ahead of its time in a technical sense, but was courted for its stance on race and depiction of the Klu Klux Klan. Now, actor-turned-director Nate Parker (Beyond the Lights) uses the same name for an effort charting a real-life slave rebellion in 1831 — and there's a statement in his choice of moniker, of course. He also stars on screen, alongside Armie Hammer as a slave owner. Also watch out for: The Office's John Krasinski steps behind the camera as director for The Hollars, a family comedy featuring Anna Kendrick, Margo Martindale, Charlie Day and Sharlto Copley. ALI & NINO He might be known for delving into the life and death of both Amy Winehouse and Ayrton Senna in two of the last decade's most powerful docos — that'd be Amy and Senna — however, Asif Kapadia also has a few narrative features on his resume. Ali & Nino marks his return to non-factual storytelling, adapting the novel of the same name. This time, he examines a clash of cultures in Baku between 1918 and 1920. Given that the film explores a romance that springs up between a Muslim Azerbaijani boy and Christian Georgian girl, expect plenty of tension between traditional and modern ways in this politically-charged love story. Also watch out for: Southside With You, a romance about a guy called Barack and a girl called Michelle. We know who you're thinking of — and yes, we mean those ones. HOLY HELL When Holy Hell was first announced in the Sundance lineup, it didn't list the director. Filmmaker Will Allen initially kept his identity a secret — which, considering the subject of his documentary, is more than a little understandable. For 20 years he lived inside a secretive spiritualist community led by a charismatic guru, filming everything that went on. That footage forms the basis of the doco, however Allen also shares his own recollections, and interviews fellow former members of the community. He ponders not only the organisation he devoted two decades of his life to, but the lengths people are willing to go to in search of happiness. Also watch out for: NUTS!, a doco that tells the so-crazy-it-must-be-true tale of the small-town doctor who tried to cure impotence by transplanting goat testicles into men. We're serious. THE INTERVENTION You've seen Clea DuVall in the likes of The Faculty, Girl Interrupted, Argo and TV's Carnivale — and now you can watch her directorial debut. In The Intervention, she stars as well as guides Cobie Smulders, Alia Shawkat, Natasha Lyonne, Melanie Lynskey, Jason Ritter and Ben Schwartz through a weekend trip that doesn't quite turn out the way everyone thinks it will. Four couples head away for what seems like the usual booze-soaked holiday, however, the apparently jolly jaunt also doubles as an intervention. Yep, this one is a dramedy, making the most of the dramatic and comic talents of its ensemble of performers. Also watch out for: Other People, which corrals Jesse Plemons, Molly Shannon, Bradley Whitford, June Squibb and Parks and Recreation's Retta into the big screen, feature-length debut of Saturday Night Live writing supervisor Chris Kelly.
After spending the last few years in the grasp of tweens and sexless Mormons, it's good to see the vampire movie finally biting back. From the ingenious goofiness of What We Do in the Shadows to the eerie urban decay of Only Lovers Left Alive, it's been a banner year for big screen bloodsuckers, a trend that continues at ACMI this month with the most fascinating shakeup to the genre yet. Sexy, scary and fearlessly subversive, A Girl Walks Home Alone at Night is a last minute contender for one of the best films of 2014. Billed as the world's first Iranian Vampire Western, the debut film from writer-director Ana Lily Amirpour takes place on the outskirts of an industrial ghost town, ominously named Bad City. It's here that an aloof young vampire in heavy eye makeup and billowing chador (Sheila Vand) stalks the streets in search of victims to devour. What she doesn't count on, however, is the romantic attention of a handsome local drug dealer (Arash Marandi), who unwittingly presents her with a difficult choice: pursue a relationship or eat him for dinner. If the plot sounds thin, that's probably because it is. A spiritual descendent of David Lynch and Jim Jarmusch, the California-based Amirpour is far less concerned with narrative than she is with style and atmosphere. The moody black and white cinematography further enhances the film's already palpable sense of menace, while also calling to mind prototypical vampire movies such as Vampyr and the original Dracula. The eclectic soundtrack is equally evocative, Amirpour spinning a Tarantino-esque blend of European and Iranian pop music combined with the rousing strains of an old school Spaghetti Western. Yet despite her aesthetic self-consciousness, Amirpour's film is in no way lacking in substance. While vampire stories are traditionally about sexuality, A Girl Walks Home Alone at Night reframes the discussion to focus more on gender. It's obviously not a coincidence that Vand's vigilante vamp feeds exclusively on misogynistic men. Likewise the pointed choice of costume: her traditional head-to-toe black garb, so often viewed as a sign of oppression, re-appropriated as a symbol of her power. Even the film's title is misleading. Amirpour sets us up to expect a helpless victim, only to deliver something very different indeed. Bold and surprising, this is a truly stunning debut. Do everything you can to seek it out.
Most people's reluctance to get tattooed stems from the niggling suspicion that Kermit the Frog may not be timeless. But before at least there was solace in the idea that when you died, your skin would rot away and all tattoo sins would be forgiven (unless we get that cheapo tattoo removal cream we’ve been promised). Now, as we always knew they would, tattoo artists have found a way to conquer death. Save My Ink is a tattoo preservation service that you never knew you wanted, offered by the National Association for the Preservation of Skin Art (NAPSA). And by preservation service, this is what we mean: when you die, they come and cut your tattoo off and frame it. (?_?) So here’s the deal if you want to preserve your butterfly tramp stamp to pass along to your children. The tattoo preservation service is only available to NAPSA members, which requires you to pay a sign-up fee and annual membership fee. Then, when you die, your beneficiaries (the lucky ones who will receive your decorated skin flap) will notify NAPSA who will send in their technicians to hack off your skin art. Within three to six months, your presumably still-grieving family will receive your tattoo and will be able to promptly try to clone you with the DNA therein. You can have as many tattoos preserved as you please, as long as they’re not on the face or genitals (that would be way too creepy). In all seriousness though, while this is a pretty morbid service, it kind of makes sense. Tattoos are often sentimental, unique and used to commemorate big life events, so for some it may be comforting to preserve them. And it would be an easy way to resolve the practicalities of issues like this. For more information, check out the Save My Ink website here.
When the Mountain Goat Valley Crawl kicked off in 2016, it did so in simple but great style. Recognising that the key to many a good night out is a multi-venue itinerary, it made hopping between Fortitude Valley's finest hangouts a streamlined, well-organised yet still laidback experience — with brews aplenty and an ace live music soundtrack. Come 2021, the sprawling music and beer festival will still be going strong — even after the events of the past year. On Saturday, February 6, attendees can jump between ten Valley spots to see a huge heap of interstate and local artists. The simultaneous sonic fun takes place at The Brightside (both indoors and outdoors), Black Bear Lodge, Kickons, The Valley Drive-In, Ric's, O'Skulligans, Greaser, Blutes and The Zoo. As always, the agenda includes running between each to sip frosty beverages and catch crackin' sets, with the entertainment once again sponsored by a brewery. The whole shindig kicks off at 5pm, so the only thing left for you to do is clear your calendar for an ace day of tunes, brews and hopping around the Valley. Well, that and check out the lineup below. MOUNTAIN GOAT VALLEY CRAWL 2021: George Alice Concrete Surfers Heaps Good Friends Velociraptor Teen Jesus and the Jean Teasers Teenage Joans Ayla Hallie Austen Waxflower BANFF Debbies RINSE Greatest Hits The Flowers Syrup Sunflower WALKEN Sunbather Daggy Man Order Sixty6 Lexicon Colourblind June Alt Fiction Mum Friends Flamingo Blonde Victor Bravo Bad Neighbour Sammm HANNI Ricky Albeck and The Belair Line Band Yb. PNK FME GENES Porcelain Boy Citrus Daze Pure Milk Ashgroove Pipin Sachém Oh Bailey Paris Irwin Mouse Tetrament Top image: katexjean
Fresh from throwing Brisbane's first ice cream shindig, West End's new West Village precinct is gifting the city another new event. This time, sake and bubble tea will be flowing freely, gyoza and yakitori will be filling stomachs, and origami folding and an arcade alley will be testing nimble fingers at the first Brisbane Japanese Festival. Yes, arigatou gozaimasu is exactly what you should be saying. Taking place from 11am to 5pm on August 19 as part of Japan Week Brisbane, the day-long street fest celebrates the country that gave us everything from Pokemon to Godzilla to Studio Ghibli with a feast — of festivities, of culture and of food. And while there's plenty of fun due to come in all categories, sushi doughnuts fall firmly in the latter. Sushi. Doughnuts. Talk about taking two great things and making them even better. The festival will also boast markets and food stalls, bars serving sake and whiskey, a bonsai garden, traditional drumming and dancing, chopstick challenges, Japanese personalities, music, art and more, all helping turn West Village's indoor and openair spaces into a Japan-centric wonderland. Food-wise, there'll also be karaage, poke bowls topped in sashimi and bento boxes galore — and while the organisers haven't explicitly mentioned ramen, it wouldn't be a Japanese fest without the sounds of slurping, now would it? Tickets cost $10, and given how popular the ice cream festival was — more than 5000 Brisbanites went along — snapping one up ASAP is recommended. Plus, online ticket buyers go in the draw to win a trip to Japan. The Brisbane Japanese Festival takes place on Saturday, August 19 at West Village, 97 Boundary Street, West End. Head to the festival website and Facebook page for further details.
Every food truck and market stall in Brisbane seems to be setting up a more permanent base, with Puerto Taco the latest to join the fold. Their journey from mobile eatery to pop-up restaurant and hopefully beyond has another stop, however, and it's televised. Expanding their menu but shortening their name to simply Puerto, the Mexican-themed kitchen is Queensland's entrant into the Seven Network's latest competitive cooking reality TV program, Restaurant Revolution. If you've been in the vicinity of South Bank's Grey Street over the last month, you've probably seen signs about the show surrounding a pile of shipping containers outside QPAC — aka Puerto's new home. Fashioning Asian fusion meals alongside the fare they've become known for in their meals-on-wheels guise, Puerto is pulling out all the stops to serve up their 'East meets Mex' best, with $200,000 for their dream digs up for grabs if they can beat their counterparts in Sydney, Melbourne, Adelaide and Perth. Whether they come out on top or not, we all know who the real winners are: the hungry Brisbane public, who can devour their dishes for lunch from Wednesday to Sunday and dinner from Wednesday to Saturday. Of course, you have to be willing to get caught on camera — and willing to line up to get in too, because the BYO place doesn't take bookings. Both are small prices to pay for a delicious dine-in meal from the folks behind one of the city's favourite food trucks, and to possibly help make Puerto's restaurant dreams come true. Find Puerto on the QPAC Playhouse lawn on the corner of Grey and Russell streets, South Brisbane, or check out their Facebook page for more information.
This summer, Monte Morgan, Harvey Miller and stylist Kirsty Barros as co-designer launch the Client Liaison Designer Line pop-up in Melbourne and Sydney. While the band have always designed their own merchandise, they felt the time had come to embark on something a bit more ambitious. We brought you a peek of the range last month, which features Client Liaison's signature peach and 'reef' variations, and keeps to a unisex beach theme, manifesting itself as jumpers, beach robes, t shirts, bumbags, visors and budgie smugglers. For Harvey, it's all about slip, slop, slap. "Sun protection is a big one," he told Concrete Playground this spring. "It's something everyone should remember. We have a rash vest incorporated into the Designer Line." [caption id="attachment_595549" align="alignnone" width="1280"] Chris Middleton.[/caption] When choosing a summer outfit, the Client Liaison Designer Line is a good place to start. "It's luxury at the beach," says Monte. "You're totally relaxed but retaining a level of class". Harvey adds: "At the beach you'll need a light bag to chuck your beach towel in, somewhere to store your sunglasses at night. Bring a jumper for the icy cold evening. Dressing for the summer is all about being prepared." Read more about Client Liaison's summer wardrobe-picking abilities here. The Client Liaison Designer Line is available to purchase exclusively at pop-up stores in Melbourne and Sydney and at www.clientliaison.com from November 10. Prices range from $10-129. CLIENT LIAISON DESIGNER LINE POP-UP SHOP DATES: MELBOURNE Collarts, 209 Brunswick Street, Fitzroy Launch: Friday, November 10, 6-9pm Pop-up store: Friday, November 11 to Sunday, November 13 (10am to 5pm) SYDNEY Location TBC Launch: Friday, November 18, 6-9pm Pop-up store: Friday, November 18 to Sunday, November 20 (10am to 5pm) Diplomatic Immunity is out now. Images: Chris Middleton.
JumpFromPaper, a fashion company straight out of Taiwan, want you live out your dream of a Saturday morning cartoon world with their range of trippy accessories that look they’ve have jumped right out of the TV and onto your shoulder. Just look at them. Don't you just want to take this backpack called 'Adventure' and going exploring around the city? And this 'Summer Breeze' rounded bag somehow begs you to put on a crisp white tennis skirt and do some loosely choreographed exercise. You may just give a stranger in the street an existential crisis with this little cartoon-like 'Spaceman' backpack. They've even got a range for you dapper gents out there. Honestly, how are these three-dimensional? Trouble is, once you have one, it may be near impossible to stop holding your own artistic fashion shoots. Look at these whimsical ladies on their way to the movies. And if your girlfriends all get one then there's really no other option but to form a girl band, so you can have whacky photos like this as your album cover. Shipping to Australia you can get anything from wallets for $30 to backpacks for $139. You'll be paying for something that looks like it's made of a single sheet of paper, but we guarantee your inner child will thank you everyday. Images: JumpForPaper.
Already this year, Aussie movie lovers have been able to journey to France from their cinema seats. Hitting up Spain just by heading to your local picture palace has also been on the itinerary. Your next stop: Germany. Kicking off just as the weather gets colder to remind you of frosty European climes, Australia's touring German Film Festival is back for 2022 with a 26-movie program. The fest's destinations: Sydney, Canberra, Melbourne, Brisbane, Adelaide, Perth and Byron Bay, spanning different dates between Tuesday, May 24–Wednesday, June 22. Wherever you reside, you'll be able to see in winter with quite the lineup of new and classic German movies. There's typically a couple of clear recurring themes in this annual cinema showcase, as there tends to be in German films in general. So, the fact that this year's GFF will open with A Stasi Comedy, about life a Stasi agent's double life as both an underground poet and a spy in 80s-era East Berlin, is hardly surprising. Nor are two of the fest's other big-name titles: The Last Execution, starring Babylon Berlin's Lars Eidinger and also set in East Berlin in the 80s; and The Forger, led by Dark's Louis Hofmann, who plays a young Jewish man in Berlin in 1942. They're just some of the 21 movies that'll enjoy their Australian premieres at the event — alongside drama My Son, about a teenager's relationship with his mother; crime comedy The Black Square, starring Toni Erdmann's Sandra Hüller; the post-WWII-set The German Lesson, which leaps from the page to the screen; and political thriller The House, which takes place in the near future. GFF is also showcasing new films from just beyond German's borders in Austria and Switzerland. So, you can check out films such as downhill skiing drama Chasing the Line, an Austrian biopic about Winter Olympian Franz Klammer — and Swiss effort Caged Birds, about a lawyer in the 80s battling the prison system. The festival's final five titles hail from its impressive retrospective for 2022, which takes a look back at German cinema over the past five decades. Cannes Palm d'Or-winner The Tin Drum gets the 70s slot, while the East German-set Sunny Side represents the 80s. Doing the honours for the 90s is the exceptional Run Lola Run, aka one of the best thrillers ever made. The movie that helped push The Falcon and the Winter Soldier's Daniel Brühl to stardom, Good Bye Lenin!, has the 00s covered, and kinetic one-take gem Victoria returns to the big screen to showcase cinema from the past decade. GERMAN FILM FESTIVAL 2022 DATES: May 24–June 19: Palace Norton Street, Chauvel Cinema and Palace Central, Sydney May 25–June 19: Palace Electric, Canberra May 25–June 19: Palace Balwyn, Palace Brighton Bay, Palace Cinema Como, The Kino, Pentridge Cinema and The Astor Theatre, Melbourne June 1–22: Palace Barracks and Palace James Street, Brisbane June 2–22:Palace Nova Eastend Cinemas and Palace Nova Prospect Cinemas, Adelaide June 2–22: Palace Raine Square Cinemas, Luna Leederville and Luna on SX, Perth June 3–19: Palace Byron Bay, Byron Bay The German Film Festival Australia tours the country from May 24–June 22. For more information, visit the festival website.
If you've long felt you missed out on a decent childhood because you weren't bunking in with the Swiss Family Robinson, you can now make up for lost time. Treehouses for grown-ups are one of the latest fads sweeping global architecture, and a new apartment block in Turin, Italy is among the wildest. Named 25 Verde (25 Green) and designed by architect Luciano Pia, the five-storey apartment block doubles up as an urban forest. There are 190 trees snuggled within the structure, with 40 of them creating a tranquil courtyard garden, and the rest providing greenery for 63 uniquely luscious apartments. While the lower floor offers leafy garden-facing arrangements, apartments on the upper floor come with spacious, sunny terraces. Both, however, come with ample opportunities for making your own secret password security precautions and 'no boys/girls allowed' signs. Apart from their obviously eco-friendly presence, the trees also help to moderate temperature in the apartments — filtering sunlight on hot days and providing insulation when the weather cools. Total bosses. To pay 'em back, the trees are kept alive by an irrigation system that uses harvested rainwater. Meanwhile, heating is provided by ground water pumps and ventilated walls enable additional 'breathing'. Vertical gardening might have met its match. Via Huffington Post.
Ever have this problem? You're kayaking through crystal clear waters on adventure of a lifetime in paradise, and the goddamn bottom of your canoe is infuriatingly opaque. All that sea life, going unseen. All those underwater sea creature orchestras, going unappreciated. It's infuriating and devastating. Well, all of that is about to change thanks to the Crystal Kayak Company. They've invented (maybe a better term is re-imagined) the kayak, and this time round it's completely see-through. It's the boldest see-through invention since the see-through toaster. Using the same material as windshields are made from, the see-through kayaks are perfect for moments when you want to see what your kayaking over (i.e. undersea orchestras). Check out the promo vid — and we dare you to not feel like you want to quit your job, burn all of your possessions and spend the rest of your life in a transparent kayak. They retail from a whopping $1,499, but if that blows your kayak budget out of the water, you can trial it at resorts around the world. And don't think that price tag just buys the opacity of your kayak. Oh no. As well as offering quite the underwater view, they've been ergonomically designed to be wayyy more comfy than your average kayak. Check em out here.
The 62nd Sydney Film Festival closed on Sunday, June 14, having unleashed a number of great and good films upon the city. But 'great' isn't all we go to the festival for — we come looking for the stuff that challenges us, for the weirdest concoctions that will never get a cinema release, for the wild artistic risks that might not even work as a motion picture and, yes, for the failures that went down swinging. So with that appetite guiding our cinematic feast, here are our critics' highlights of the festival. THE BEST THE CLUB If there's one club no one wants to be a member of, it's the one at the centre of Pablo Larrain's latest film. The director of 2012's No keeps his voice political and his eyes focused on his Chilean homeland, with the injustices committed by the Catholic Church his new point of focus. That his chilling and complex tale takes place within a coastal retirement home for disgraced priests should give an indication of the dark psychological territory he traverses, though Larrain spares his judgment for the system rather than his subjects. There, he's scathing about the culture of covering up scandals, as demonstrated by a final act that just might render viewers speechless. He's also likely to cause another club to form: those of avid fans of the atmospheric feature, and of his continued contemplation of corruption. -Sarah Ward TEHRAN TAXI Road movies often take characters on a literal and emotional journey from point A to B. You know the ones. Jafar Panahi interprets driving, talking, growing and learning a bit differently; the director turns on-screen cabbie in Tehran in an effort that merges art and life on several levels. Panahi is currently banned from filmmaking, yet once again uses his limitations as inspiration — including in setting and staging his latest feature in a taxi, and in combining fact and fiction. In this year's Berlin Film Festival Golden Bear winner, he makes a statement about his own predicament while drawing attention to the restrictions prevalent in modern-day Iran. Forget heading off on holiday; his road trip takes audiences through his and his nation's everyday existence. -SW THE HUNTING GROUND It was a fantastic festival for documentary filmmaking, with titles like Going Clear and Sherpa taking on pressing real world issues with empathy and determination. But of all the docos in the program, Kirby Dick’s The Hunting Ground stands out as perhaps the most important. Over 103 devastating minutes, the Oscar-nominated filmmaker exposes the endemic rates of rape on American college campuses — crimes that administrators at many of the country’s leading universities have a shameful history of trying to sweep under the rug. It’s a grim and confronting story, but one that needs all the attention that it can get. -Tom Clift VICTORIA If you thought the long takes in Gravity and Birdman were impressive, then have we got a recommendation for you. Filmed in a single real-time take, Sebastian Schipper’s Victoria follows a young Spanish expat living in Berlin, who after a big night out finds herself the unlikely participant in an early morning bank heist. Schipper’s audacious shooting style adds a sense of immediacy to the tale, taking viewers through the city’s famous club scene and into its seedy criminal underworld on the same emotional rollercoaster as Victoria herself. Gripping and empathetic, this is experiential cinema at its finest. -TC THE WORST SHE'S FUNNY THAT WAY Screwball comedies can be a love 'em or hate 'em affair. Sometimes their fast-talking banter charms. Sometimes their reliance upon too many conveniences grates. Sometimes, like in She's Funny That Way, the latter outweighs the former. In his first film in more than a decade, writer/director Peter Bogdanovich brings together a likeable cast of Owen Wilson, Imogen Poots, Rhys Ifans, Will Forte and Kathryn Hahn, yet pushes them past the point of farce and into tiring territory. There are a few giggles to be had, alongside obvious love for genre, but it's the late-stage cameo that most will remember this movie for, and that's never a good thing. -SW AMONG THE BELIEVERS Among the Believers isn’t so much a bad film as it is a disappointing one. Documentarians Hemal Trivedi and Mohammed Ali Naqvi were allowed unprecedented access to Abdul Aziz Ghazi, the leader of the notorious Red Mosque network which is widely viewed as a breeding ground of religious extremism in Pakistan. Yet we can’t help feel that they squandered the opportunity, with the resulting documentary offering little real insight into the minds of the would-be terrorists or the social and political factors that create them. With so much media attention given to the threat of Islamic terrorism, Among the Believers needed to bring a lot more to the table to rise above the noise. -TC THE BOLDEST EXPERIMENTS ARABIAN NIGHTS Making a three-volume, 383-minute feature is a bold choice, but the length of Miguel Gomes' Sydney Film Festival competition-winning effort is actually one of the least bold things about it. Yes, he's made his movie an endurance test; however, it's his choice of content and the way he splices it together that's audacious. Often involving trials and other forms of judgment, frequently featuring animals (bees, a talking cockerel, the canine winner of Cannes' coveted Palm Dog Award, and too many chaffinches), and flitting between surreal segments and documentary-style observation, the thematically connected chapters try to achieve a feat the director himself acknowledges as impossible. That'd be seducing in narrative while acknowledging the misery of Portugal's harsh economic reality — and if it sounds like courageous, challenging work, that's because it is. -SW TANGERINE Loud, gaudy and unapologetically crass, Sean Baker’s Tangerine is a far cry from a stereotypical festival film, and honestly, that’s a big part of why we loved it. Shot on the streets of Los Angeles using tricked-out iPhone 5s, the film follows a transgender prostitute named Sin-Dee as she blazes through the city with her best friend Alexandra in tow, on the hunt for her pimp boyfriend who she’s learnt has been unfaithful. The hyper-raw cinematography suits the plot and characters to perfection: tacky and stylish and outrageously funny all at once. And beneath all the humour lies surprising emotional depth. -TC THE MOST WTF THE FORBIDDEN ROOM Guy Maddin's latest effort, as co-directed with Evan Johnson, is the kind of movies cinephiles dream of. No, it's not your usual, stereotypical serious movie fare — this really is something that feels it has been ripped out of someone's head mid-slumber, or perhaps mid-hallucination. Think tripping through cinema history, complete with mind-altering substances, and you're still nowhere close to the ride this takes through layers of stories, colours, genres, tropes and film stocks. The Forbidden Room is a movie that teaches you how to take a bath, has a wolf hunter as its hero, and relays the thoughts of a volcano and a moustache. We're not kidding. Yes, it really is that offbeat and glorious. -SW A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE The title of this film is probably the least strange thing about it, hence its place in our coveted WTF section. The third part of a thematic trilogy by Swedish filmmaker Roy Andersson 15 years in the making, A Pigeon Sat on a Branch Reflecting on Existence consists of a series of deadpan tragicomic vignettes ostensibly ‘about being a human being’. Sexually aggressive dance instructors, a pair of morose travelling salesman and the long dead King Charles XII are just a few of the bizarre characters who inhabit this esoteric comedy, one that had us scratching our head in bafflement as often as it had us laughing. -TC
Uber's international developments are going gangbusters of late, after launching free breathalyzers in Canada, possibly slashing UberX prices in Western Australia, and launching its first ever cash-only service — a brand new auto-rickshaw option available in Delhi. Uber users in Delhi can book a rickshaw through the mobile app — you just don't have to punch in your destination — before paying in cash without extra commission charges. Drivers are apparently being trained not to refuse bookings. For regular Uber cabs, it's still electronic payment as usual. And as always, Uber users can rate their auto driver on the app, and vice versa. Sure, there's already an auto-rickshaw booking service called Ola in Delhi, and sure, it's a PR attempt to steer Uber Delhi's recently less-than-great reputation back into clear waters, but it's one that will hopefully boost job security and facilitate generally more organised and safe auto-rickshaw service in the capital for both drivers and passengers. Can't argue with that. There's just over 100,000 auto-rickshaws in Delhi (actually one of the lowest rickshaw populations in the country, something the Delhi government is trying to up), so this could really shake up the local transport industry for the Indian capital. Via Economic Times.
If there are two things that Brisbanites demand, it's (still) doughnuts and burgers. But with the small possibility that there's a third, Brisbane folks love Asian-style street food. Especially if it dons the word 'hawker-style'. Having already conquered the first couple courtesy of Donut Boyz and Hello Harry, Tony Kelly and Scott Hoskins are tackling the next on the list. Hawker-style eatery Junk is the duo's latest place to make the jump from the Sunshine Coast to Brisbane. Junk's descent down south was first reported last August, with an October opening date slated, however, all good things take time. Finally, Little Stanley Street's new addition, is due to launch on February 10. You'll find a menu filled with Korean fried chicken wings, crispy Peking duck spring rolls, and four varieties of steamed bao (soft-shell crab, pork, pork gyoza and chicken katsu). Yes, one of those options really does include dumplings on bao. Dumplings. On. Bao. Crispy fried gunpowder chicken ribs and Vietnamese noodle salads will also be cooked up in executive chef Mitch Smith's kitchen, as will Gangnam fries (covered in house-made kimchi, nacho cheese sauce, nori and spring onion, and certain to get a K-pop song stuck in your head). Basically, expect to be spoiled for choice. "Mitch's knowledge and talent in freestyle Asian cooking is unrivalled and evident in every dish, resulting in unique flavour combinations and welcome surprises across the menu," says Hoskins. The South Bank joint will be Junk's third, with Toowoomba already joined by a Sunshine Coast version. And, because great Queensland eateries can't be confined to one huge state, Junk will open up in Melbourne's Punch Lane on February 22. Junk opens on February 10 at Shop 11-12 Little Stanley Street, South Bank. For more information, check out their website.
Nine floors above the bustle of Melbourne's Collins Street is Client Liaison HQ — an office filled to the brim with pastel jackets and patterned shirts that have been sourced from vintage stores around the world. The band — Monte Morgan and Harvey Miller — have just rounded off a string of tours across the country, and they're getting ready to release their first full length album, Diplomatic Immunity. The first video sees the boys cruising along Collins Street in the Client Liaison limousine. When you're in Client Liaison, there is no such thing as a half measure. We've partnered with Heineken 3 and spoken to a few of our favourite musicians, chefs and artists, to get their insight on what it takes to create the perfect summer afternoon. For summer fashion advice, there is no one more stylish to ask than Client Liaison. The prestige in their on-stage costumes carries through into their casual wear — so much so that in November, they're due to launch their own fashion line. The boys invited us into their band wardrobe and picked out three options for summer afternoon outfits. Take note — the next time you're with your friends sipping on a Heineken 3, you might need something to wear. A PASTEL SUIT IS PERFECT FOR A SUMMER GATHERING "The boys are running a little bit late. They're in a big white limousine and they're stuck in traffic", says band stylist Kirsty Barros before we meet the boys. Soon enough, they arrive dressed to kill in polished brown shoes and matching summer suits. These were the product of a recent costume sourcing trip to Bali. Client Liaison's signature peach and 'reef' colour variations are a palette developed from the vibrant bubblegum colours of Technicolor film. In the words of Barros, it's a "seamless blend of pop and prestige". Don't be afraid to show your feminine side, she says. "For a more formal summer soiree, pastels are a subtly unconventional way to subvert an 80s power suit." Wear these classic summer colours in cotton or linen — they offer a good alternative to the dull and predictable black suit you might be forced to bring out in summer. A GENTLEMAN SHOULD NEVER WEAR SHORTS, UNLESS IT'S FOR LEISURE OR SAFARI According to Monte, it's as simple as that. "It's still possible to look classy and respectable in the heat of summer, you just have to choose the right fabrics," he says. "You go to India and everyone's wearing long kaftans and light linens. Covering the skin can keep you cool. When people get into stubby shorts and a singlet — for me, that's too far". Barros adds: "We love a sunburnt country and we chose this print for it's fruity Australiana flavour. It's perfect for a summer sunset." Accessorise with a hat, a prawn cocktail, a dirty martini or a Heineken 3. ATTENTION TO DETAIL IS EVERYTHING For Client Liaison, detail is key. "All of our music is under the scrutiny of at least two sets of eyes. Two people have to love it," Monte explains. "For our clothes and costumes, we have three [Kirsty, their stylist]. "Generally, if it's two against one we'll move on, but if we need to explore something further, we will. It sometimes means that things take a bit longer, but generally it's a good way to finesse." For this outfit the details are in the fabric choice. "Linen is the number one fabric for deep heat and breathability," says Kirsty. "For summer colours, we chose the boldest of electric blue to pack a punch and married it back with flirty pastels in textured 80s cotton meshes and a fresh optical white." INTRODUCING: THE CLIENT LIAISON DESIGNER LINE This summer, Harvey, Monte and Kirsty as co-designer launch the Client Liaison Designer Line pop-up in Melbourne and Sydney. While the band have always designed their own merchandise, they felt the time had come to embark on something a bit more ambitious. The range features Client Liaison's signature peach and 'reef' variations, and keeps to a unisex beach theme, manifesting itself as jumpers, beach robes, t shirts, bumbags, visors and budgie smugglers. For Harvey, it's all about slip, slop, slap. "Sun protection is a big one — it's something everyone should remember. We have a rash vest incorporated into the Designer Line." When choosing a summer outfit, the Client Liaison Designer Line is a good place to start. "It's luxury at the beach," says Monte. "You're totally relaxed but retaining a level of class". Harvey adds: "At the beach you'll need a light bag to chuck your beach towel in, somewhere to store your sunglasses at night. Bring a jumper for the icy cold evening. Dressing for the summer is all about being prepared." Enjoy your summer afternoons with the new low-carb Heineken 3 — we're helping you make the most of them. Client Liaison first album Diplomatic Immunity will be out Friday, November 4 via Dot Dash / Remote Control. Images: Chris Middleton.
Love a cheeky G&T? You're probably someone who's noticed gin's undergoing a massive revival in Australia, with new gin bars seemingly popping up every other day, and local distillers pushing boundaries with bold, experimental flavours and colours, and all of it is thanks to those miraculous little things known as 'botanicals'. But what are they exactly? What are you even talking about when you're loftily referring to 'aromatic botanicals' in your nip of Tanqueray No.TEN? This iconic, award-winning gin, launched in 2000 as an evolution of the original Tanqueray, is handcrafted in small batches that combine the four botanicals of juniper, angelica root, coriander and liquorice. It's the only gin to be inducted into the San Francisco Hall of Fame — not too shabby. Every type of gin has a unique blend, but botanicals are the key in every bottle. Let's get to know them. [caption id="attachment_580018" align="alignnone" width="1280"] Jonas Tana.[/caption] BOTANICALS By EU law, all gin has to be made using a 96% ABV (alcohol by volume) highly rectified spirit, and must taste predominantly of juniper — the small shrub from the mountain slopes of Italy and Macedonia whose name itself is from where the word 'gin' is derived. Juniper's taste is one of bittersweet pine, lavender, and camphor, but it's from the other botanicals — those select natural additives with which the spirits are distilled — that we get the uplifting, complex and unique aromas of spicy, floral, woody and citrus. SPICE Key amongst the spicy botanicals is coriander, whose seeds are second only to juniper in terms of their importance to the process of gin distillation. Coriander is grown throughout southern Europe, southern Asia and North Africa, and its tiny fruits release spicy sage and lemon flavours that contribute a dry, peppery finish to your gin. The other major spicy botanical is ginger root, one of the earliest spices known in Western Europe. In its pure form, it's capable of raising your body temperature, and when distilled in gin it imparts a dry, spicy character. [caption id="attachment_580016" align="alignnone" width="1280"] Flickr.[/caption] FLORAL Chamomile is perhaps best known to tea drinkers and aromatherapists courtesy of its reputation for reducing stress and assisting with sleep. As a gin botanical, however, this creeping plant found throughout Europe, Asia, Australia and North America imparts distinctive light apple and faint straw aromas (indeed, its name means 'ground apple') as well as a sensation of dryness. Chamomile's most frequently used floral alternative is the leaf of the bay laurel tree, with its pungent, bitter taste and an aroma most closely resembling thyme. WOODY Amongst the earthy, woody botanicals, there is no greater ingredient than Angelica root. Once rumoured to cure the plague and stave off witchcraft, the angelica root from the subarctic regions of the northern hemisphere is renown for its medicinal purposes. Yet in gin, it's an indispensable component that not only makes it dry, but provides its typically earthy base. Liquorice root, too, is another woody mainstay that hails from southwest Asia, India and some parts of Europe, and whose sweet and bitter compounds produce similarly woody flavours. Liquorice root is responsible for adding length and base to your gin, softening and rounding out its 'mouth feel' or texture. CITRUS NOTES Finally, there are the citrus botanicals, led most famously by bergamot peel. Grown in Italy's southern Calabria region, bergamot orange peel is just as likely to turn up in perfumes and lotions as it is gin, possessing a distinctly bright, citrusy aroma and taste. More broadly, then, comes the conventional orange peel botanical, which — in dried form from both sweet and Seville oranges — is similarly used in gin to offer a light, citrusy note capable of balancing out the more pungent botanicals. Top image: Jez Timms.
Looks like the cat's out of the bag for this year's Listen Out festival, leaked the old fashioned way: posters. Although the national beats-heavy festival's lineup was supposed to drop at midday on triple j, Project U noticed a casual poster on a Sydney telegraph pole this morning. US rapper and general champ Childish Gambino is heading the bill, returning after a slam dunk set at last year's Splendour in the Grass. He'll be sitting pretty alongside returning UK producer SBTRKT (DJ set), Brooklyn rapper Joey Bada$$ and recent Coachella smashes Odesza on the bill. Local favourites like Alison Wonderland, Client Liaison, Roland Tings, Hayden James and masked producer Golden Features will be there, alongside international drawcards like American hip hop duo Rae Sremmurd, LA producer ILoveMakonnen, Lido and Ryan Hemsworth. LISTEN OUT 2015: Childish Gambino SBTRKT (DJ set) Joey Bada$$ Alison Wonderland Odesza Rae Sremmurd Golden Features Dusky Ryan Hemsworth ILoveMakonnen George Fitzgerald Lido Hayden James Client Liaison Roland Tings Halfway Crooks Jordan Burns Triple J Unearthed winner and more to be announced Saturday, September 26 Catani Gardens St Kilda, Melbourne Sunday, September 27 Ozone Reserve, Perth Saturday, October 3 Centennial Park, Sydney Sunday, October 4 Brisbane Showgrounds, Brisbane Tickets on sale Thursday, June 18 at midday. Head to the Listen Out website for more details, tickets and lineup info.
It's finally happened. London's latest and greatest pop-up bar lets you literally inhale alcohol, a project that could only be the work of wildly ambitious, gastronomic artists Bompas and Parr. Built on the site of an ancient monastery in Borough and opened on July 30, the wonderfully-named Alcohol Architecture bar lets you walk into an actual cloud of cocktail. Sam Bompas and Harry Parr have used big ol' humidifiers to saturate the air with a cocktail of spirits and mixer, so you can simply breathe in the drink and let that sweet, sweet alcohol make its way to your bloodstream via lungs and eyes. Of course, visitors to the pop-up are advised to "breathe responsibly" — and the hour session of inhalation isn't quite enough to get you drunk, apparently. You're given a robe to protect your clothes from reeking of cocktail afterwards, and you'll be surrounded by atmospheric sounds to intensify the inhaling experience. #breatheresponsibly at @alcoholicarchitecture regram from @soniashahx A photo posted by Bompas & Parr (@bompasandparr) on Aug 6, 2015 at 8:59am PDT "Inside, the sound is modulated, so that it is like you are right inside the glass," Parr told Bloomberg. "It's a dense atmosphere that builds into a thunderstorm with lightning. It's a new way of experiencing drink, and it's social because it's an immersive shared environment. You all have the same flavor sensation. "It's like going to the seaside and finding that fish and chips taste better. Part of that is that in a human environment, your ability to perceive taste is heightened. It's the opposite of being in an aeroplane. Alcohol tastes better, with more nuances: You can detect more subtle flavors when it is humidified." We're on! Launch night of the bar tonight! A photo posted by Alcoholic Architecture (@alcoholicarchitecture) on Jul 29, 2015 at 12:37pm PDT This isn't the first jaw-dropping foodie installation Bompas and Parr have dazzled us with in recent memory. After opening a pop-up which tailored cocktails to your DNA, hosting anatomical whisky tastings allowing you to taste different aged whiskies from their same-aged human body, and creating lava-powered barbecues, the pair brought one hell of a banquet to this year's Dark Mofo festival in Tasmania — which involved much nudity and the eating of an actually beating pig's heart. If you're headed for London anytime soon, Alcoholic Architecture will be open until early 2016 at One Cathedral Street, Borough Market, London. Tickets and more info over here. We chatted to Sam Bompas recently, head over here to delve into pagan feasts, Vegemite chocolate and Australian food trends. Via Bloomberg.
No, it's not surprising, but it certainly is exciting — after months of deliberation and speculation, Netflix has officially announced it will be launching in Australia and NZ this coming March. The wait is nearly over. In just a few months time you'll be able to stream the solid gold original programming of this American behemoth while being 100 percent within the confines of the law. Get ready for some epic marathons. You certainly have a lot to catch up on. The announcement was made initially this morning by this sneaky tweet: http://t.co/8kKEzEtyq8 ??pu?u?o?x?????N# u??? ???u? ¡ZN & sn? ????W u? no? ??S — Netflix US (@netflix) November 18, 2014 Scamps. The local TV markets have been in a total tizzy since rumours started circulating earlier in the year about this. It's thought that around 200,000 Australians already access the US version of Netflix via cheeky, semi-legal VPN software, and the thought of legitimate and widespread access to the service seemed all-round damning for local competitors. Though Australia has various streaming options like ABC's iView, Foxtel's Presto, Quickflix, and Channel Nine's promising yet decidedly poorly named Stan, none have the same hype or popular appeal as Netflix. But don't go crazy just yet. Though the platform is best known for its critically-acclaimed original shows such as House of Cards and Orange is the New Black, the full range of our access is not yet known. A press statement released this morning announced that we'd be getting a range of great movie options as well as exclusive Netflix shows such as historical drama Marco Polo and the Will Arnett-voiced cult favourite BoJack Horseman, but it was suspiciously quiet about the better-known flagship titles. In fact, there's not too much we know right now. Though the overseas service costs US$8.99 per month, we're yet to receive a price point either. We know there'll be an option for a one-month trial, but that's about it. You should also be tugging at your shirt collar if you're one of the tens of thousands currently accessing the US service — there's a good chance they'll stop turning a blind eye and pressure you to sign up for the (almost definitely limited) Australian alternative. Don't get us wrong — it's not all doom and gloom. With Netflix officially on the scene, there's bound to be some serious movement on important industry issues like local licensing, fast-tracking of overseas shows, and the quality and price of online streaming. With everyone stepping up their game to compete, we could even see a decrease in piracy and copyright infringement. Despite what George Brandis may say, there's a reason why Australians are among the world's worst offenders. Imagine how good binge-watching is going to be when you don't have to feel guilty about it?
Craft beer has come of age in Australia. Even in the darkest, dingiest drinkatoriums where metal troughs still adorn the base of the bar, you'll likely find a boutique beer or two for the more discerning drinker. But with new options on the market every day, how best to find the perfect one for you? Here are some handy smartphone apps that help take the guesswork out of choosing your brew. UNTAPPD Cost: Free Platform: iOS, Android, Windows and yes, even Blackberry. Untappd is like the Facebook of beer apps: a vast social hub of drinkers all eagerly posting reviews, checking in at pubs and breweries and uploading photos of their thirst-inducing beverages. It easily boasts the largest user base and is helpfully available on every platform. Flip on your location services and Untappd will alert you to both new beers and bars in your vicinity, as well as let you know who else is drinking there. Over time, it even learns your tastes based on your own drinking habits and reviews, then makes tailored recommendations for what to try next. BEER BUDDY (iOS) / APK TICKET Cost: $4.99 Platform: iOS, Android What Untappd is to the social side of drinking, Beer Buddy is to straight-up information. With more than 300,000 beers in its database, Beer Buddy lets your scan a drink's barcode and access a storehouse of information, including its alcohol and calorie content, brewery history and user reviews. It also features a wide-ranging search function that allows you to seek out your favourite (or soon-to-be tasted) beers according to bars, brewery, type of beer, season, the top beers in whichever country you find yourself and, of course, simply by what's nearby. NOW TAPPED Cost: Free Platform: iOS, Android Combining the official drinks lists of around 300 partnered pubs and bars in Australia with the reported lists by other Now Tapped users, this app offers a comprehensive database of craft beers around the country. Search by venue and you'll see everything they've got for sale, as well as drink info and a brief review for each. Search by brewery and you'll find all the places that manufacturer's products are available. Otherwise there's always map view, where you can see all the places nearby where craft beers are for sale. NEXT GLASS Cost: Free (but US only for now) Platforms: iOS, Android Imagine being able to just look at a drink and know (down to a percentage) whether you'll like it or not. Next Glass does exactly that by bringing science into the equation. Using a mass spectrometer to analyse the chemical composition of thousands of different beverages, Next Glass developed a detailed criteria against which your own preferences are then matched. Basically, once you've told it your favourite drinks, all you need to do is point your phone at a label and Next Glass tells you precisely how likely you are to enjoy it, as well as how much your friends like it and even how many calories it contains. iBREWMASTER 2 Cost: $12.99 Platform: iOS (Android version in development) This is the app for the serious craft beer brewers. Add your own recipes, try out the 250+ preinstalled ones or purchase more from the in-app store. Featuring a powerful scheduling tool, iBrewMaster lets you stay on top of every stage of the fermentation process, complete with notifications and info about nearby suppliers. Highly customisable and packed with details, it's a pricey but invaluable app for anyone who lists their favourite beer as the one from their own basement.
Remember Mr Poopie, the giant inflatable turd emoji artwork that served up ice cream in little toilet cups at Splendour in the Grass last year? No? How could you forget. Or Nicholas Cage in a Cage? Or the giant inflatable Lionel Richie head? These are all real things, seriously. Hungry Castle, the Barcelona-based art team behind all of the above have outdone themselves this year. Announced as part of the SITG arts lineup, Hungry Castle will bring their giant inflatable Sad Kanye installation to Splendour. Didn't quite get that? Here it is again: a 10-metre-high Sad Kanye inflatable is coming to Splendour — a true headliner, in our opinion. Are LCD Soundsystem inflatable? No? Alright then. It's unclear whether you'll be able to bounce on Kanye's sad face or whether he will serve you ice cream in little Kanye vessels, but we literally don't care. It's a ten-metre-tall inflatable Sad Kanye and we're determined to turn his frown upside down. Here's the inspiration shot: More about this year's Splendour lineup over here. Image: Savannah Van Der Niet/Splendour in the Grass.
Cocktail trends come and go, but one thing is certain: the martini is always in style. A good martini is a matter of technique — it generally only contains two to three ingredients, so the way in which it is mixed is key to their flavour, texture and taste. The martini is simple, but oh so complex. Ratios must be perfect, stirring time must be exact and extra touches are key. At Grey Goose's Boulangerie Bleue waterside mansion party this summer, a classic combination of vodka and vermouth was served — but with a twist of lemon instead of an olive. We asked Grey Goose's lively global ambassador Joe McCanta to show us how to make this variation on the classic — check out his technique below. MARTINI 50ml Grey Goose Vodka 10ml dry vermouth 1 twist of lemon Fill a mixing glass to the brim with ice. Add 50ml of Grey Goose Vodka. Add 10ml of dry vermouth. Stir slowly for 45 seconds. Strain into a chilled coupe. Lightly twist your lemon into your drink, and gently rub the peel up and down the stem of your coupe, and along the brim. Fancy trying another? Grey Goose Vodka's 'discover' function will tell you what cocktail you're perfectly suited for. Dive into the luxury that your city has to offer — check out our Luxe Guide to Sydney and Melbourne. Food, spas, glamorous hotels and extraordinary experiences are waiting. Image: Steven Woodburn.
You thought the time for giant slides was through. You thought you'd missed the boat. You thought you'd be doomed to slide down your own shitty bits of plastic soaked with detergent and your backyard hose forever. You're in luck, slider. There's a freakin' huge slide coming to Australia and you can skid right down the middle of it. Slide the City is a multi-city series hitting Sydney, Melbourne and Perth with more national dates to be announced. It's a gargantuan 300 metre vinyl slip 'n' slide that dares to rival the likes of Slide Melbourne, Slidestreet and every detergent-laden giant slide you've ever created in your own backyard. Apparently this is equal to nearly three football fields worth of sliding. Family-friendly and encouraging of dress-ups, Slide the City is so much more than a slide. There'll be live music, food stalls and a bar popping up on the day — all you have to do is bring your water buckets, floaties and super soakers — yep, you're actually encouraged to bring these. Unless otherwise specified, sliding starts at 9am and goes until 7pm. We know what you're thinking (after all the fun sliding bit's done), what about water wastage? In fact, the team are taking great pains to keep the event's environmental impact low, even swinging the whole thing to raise awareness of water conservation. Good stuff, team. SLIDE THE CITY 2016 DATES: MELBOURNE — Sunday, January 10 SYDNEY — Friday, January 15, Saturday, January 16 and Sunday, January 17 WOLLONGONG — TBC SUNSHINE COAST — TBC TOWNSVILLE — TBC GOLD COAST — TBC NEWCASTLE — TBC Register for tickets at the Slide the City website.
They say there are no more original ideas, and never has that felt more true than today. Announced today, Instagram has launched a new feature that lets users share photos and videos that disappear after 24 hours. If it sounds uncannily like Snapchat, that's probably because it is. Rolling out globally over the next few weeks on iOS and Android devices, Instagram Stories is being sold as a way to relieve fears that you're posting on the app too much. According to a post on the company blog, the new feature "lets you share all the moments of your day, not just the ones you want to keep on your profile. As you share multiple photos and videos, they appear together in a slideshow format: your story." Users will be able to view the stories of people they follow via a bar at the top of their feed, although they won't be able to like and comment on them (you can still send a private message letting someone know how #dope they look). And if you feel particularly attached to a photo in your story, you can change it to a regular post with the touch of a button. You'll also be able to hide stories from particular followers if you so choose. As for the elephant in the room, Instagram hasn't shied away from the fact that they're copying one of their competitors. Asked by TechCrunch about the obvious similarities between Instagram Stories and Snapchat, Instagram CEO Kevin Systrom admitted that Snapchat deserved "all the credit," before going on to point out that tech companies borrow ideas all the time. "When you are an innovator, that's awesome. Just like Instagram deserves all the credit for bringing filters to the forefront. This isn't about who invented something. This is about a format, and how you take it to a network and put your own spin on it," said Systrom. "Facebook invented feed, LinkedIn took on feed, Twitter took on feed, Instagram took on feed, and they all feel very different now and they serve very different purposes. But no one looks down at someone for adopting something that is so obviously great for presenting a certain type of information." That may technically be true, but even by Silicon Valley standards, this is pretty bloody blatant. https://vimeo.com/177180549
Start planning a cheeky summer Tassie trip, Hobart's palace of next-level art MONA has just announced the first glimmer of their 2017 Mona Foma lineup. Returning to the Apple Isle's capital from Wednesday 18 to Sunday 22 January 2017, Mofo is one of Hobart's calendar cornerstones — and this year's shaping up to be as weird as ever. First off the rank is the world premiere of tētēma, the newest project from legendary Faith No More frontman Mike Patton. The project is a collaboration between Patton and Aussie experimental composer and pianist Anthony Pateras, who are bringing their ambient, experimental live show to us which explores the theme of displacement. The combo of Pateras' electro- orchestral style with Patton's insane vocal range and a 12-piece band is not to be missed. Second up, MONA has also announced that US comedic, storytelling/musical outfit Puscifer are on the festival bill. They're known for high-energy, narrative driven shows. This is only the first announcement, with the full program set to be announced on Wednesday, October 12. Looks like Mofo is shaping up to be another banger. Tickets go on sale on Monday, October 17, so keep an ear to ground for further announcements. Image: Mofo/Facebook.
With each passing festival season, music lineups dominate the hubbub. But with great grub now proving just as much a drawcard as those tunes, festivals are taking their food element next-level. Gone are the days of sad sausage rolls, scoffed speedily between stages — festival food is having a moment. Last year, Sugar Mountain Festival introduced a new onsite dining concept called Sensory, collaborating with some iconic Melbourne names to treat food-loving festivalgoers to an "immersive restaurant experiment". A mega success straight off the bat, Sensory is set to return for Sugar Mountain 2017, on January 21, having pulled together another cracking lineup of tastes, sights, and sounds. An indoor space within the festival's home at the Victorian College of the Arts will be transformed for the multi-dimensional event. There'll be multiple sittings throughout the day, with each 60-minute set-menu experience designed to take guests on a dazzling multi-sensory journey. Peter Gunn, the envelope-pushing chef behind Collingwood fine diner IDES, will be working his magic on the menu, sticking to form to deliver a cutting-edge culinary extravaganza. Meanwhile, the accompanying visual feast is sure to be every bit as impressive, with acclaimed multimedia artist Daniel Arsham taking the reins on the space design — fresh, might we add, from his collaboration with Pharrell Williams for Rules of the Game, which showed at Brisbane Festival this year. And all the while, those earholes will be in total aural heaven, thanks to a glittering, hour-long score crafted by S U R V I V E — yep, that's the Texan band behind the Stranger Things '80s-style hit soundtrack. Of course, the festival's foodie fabulousness extends beyond Sensory's walls, with eats from the likes of Kong BBQ, 8Bit, Pretty Mama and Pidapipo on hand to back up the musical treats. Summer-worthy cocktails will be shaken and stirred by the crew from The Top, while beer partner Sample Brew will be slinging a variety of tap beers and an exclusive range of tinnies. All-inclusive tickets to Sensory are priced at $70 each, and go on sale at 8am, November 16. Grab one separately, or bundle it together with a Sugar Mountain ticket.
What exactly does 'Australian life' look like, really? It's a pretty damn broad term, we know. If you were to capture a little glimpse of your own everyday Aussie existence, what would it look like? Each year, the City of Sydney holds their high profile Australian Life photography competition as part of Art and About. After a nationwide callout, 22 winning photos, all encapsulating the essence of Australian life, and taken by photographers at all skill levels, are presented in a free outdoor exhibition. Sometimes, the photos feature majestic Australian sunsets, bright outback-influenced colours or stunning beachscapes. Other times, the photos are of friends swinging off a Hills Hoist in the outback, or lying in the sun on a friend's deck. These photographs (all winners, or finalists in the competition) prove that you don't need to be a professional photographer to win the $10,000 prize. You could have a photo of your friends drinking tinnies by a campfire, or a majestic Bondi panorama you were going to post on Instagram. Think again — it could be the perfect image of Australian Life. [caption id="attachment_580209" align="alignnone" width="1280"] John Appleyard, Even When the Rain Falls (2015)[/caption] SIMPLE TECHNIQUES GO A LONG WAY Turn an everyday moment into a magic one by thinking about simple photography techniques, like framing and contrast. If you were at this football game, you may have just seen a team huddling in the rain. But John Appleyard, a 2015 finalist with Even When the Rain Falls, saw a team wearing dark colours, huddled in the foreground of an expansive, well-lit green field. The perfect backdrop for a stunning photograph. [caption id="attachment_580212" align="alignnone" width="1280"] Mark Callanan, Sundeckers (2013)[/caption] ANY OL' MOMENT CAN MAKE A NEXT-LEVEL PHOTO Mark Callanan's Sundeckers proves you don't need to be a professional to take a great shot. This shot could have come straight off someone's Instagram account, a quick shot of a group of friends taking in the first days of summer sunshine (probably after a cold winter). Learning to recognise everyday moments like this as they come, and being able to turn them into something more, will make for great photography. [caption id="attachment_580213" align="alignnone" width="1280"] Sally McInerney, Shark in Pool, Dover Heights (2012)[/caption] MAKE THEM THINK TWICE This stunning photograph by Sally McInerney, winner of the competition in 2012, plays with perspective in all the right ways. It matches the lines of a Photoshopped ocean up to the lines of a real-life Australian ocean — a detailed technique that makes you look twice, if only to figure out how the photographer achieved it. For an extra kick, she titled it Shark in Pool, Dover Heights, just to reel you in for another look. [caption id="attachment_580220" align="alignnone" width="1280"] Jenny Evans, Eleanor, Portrait of a Boxer (2013)[/caption] GET YOUR TIMING RIGHT This street mural was already beautiful. But when Jenny Evans captured it in her winning photograph Portrait of a Boxer, she made it even more mesmerising. If you're shooting outside, choose a time of day that will make your subject go further. Sunset is the perfect time to shoot landscapes, or colours like those in the indigenous flag. Overcast weather, or shade, is the perfect time to shoot people. [caption id="attachment_580208" align="alignnone" width="1280"] Georgina Pope, A Great Day for Drying (2014)[/caption] FIND INSPIRATION IN YOUR OWN BACKYARD A Great Day for Drying is the photograph Georgina Pope took when she won the Australian Life competition in 2014. She gathered a few props from around the house, and then took them out to her own backyard to be photographed with an instantly recognisable Australian icon — the Hills Hoist. No professional photography studio needed. Inspired? Art & About Sydney is inviting professional and amateur Australian photographers to submit images representing Australian life, showing the country beyond the icons. Capture any aspect of Australia, from everyday occurrences to the diversity of subcultures, from celebrations/rituals to natural/man-made environments. You could be one of the 22 finalists who'll be chosen and exhibited in Hyde Park from 15 September – 9 October 2016. The winner of Australian Life will receive $10,000. Enter here. Entries close at midnight on Friday, July 29.
There's a few delicious things you could buy for $817. You could buy a bucketload of Messina for your entire workplace. Or you could invest in one scoop of this not-so-great-sounding ice cream, the most expensive scoop in the world. Dubai's Scoopi Cafe is claiming their 'Black Diamond' as the priciest scoop in the globe, setting you back $817 a go. According to Al Arabiya, owner Zubin Doshi spent five whole weeks picking out the ingredients. Yep. Five of 'em. What did he come up with? Madagascar vanilla bean ice cream, Iranian saffron threads, and Italian black truffle, topped with a 23-karat gold leaf. Call us ungrateful, but four ingredients we've seen before hasn't left us jumping on Webjet. The exxy part of the scoop actually doesn't come from the saffron or gold leaf. It comes from the takeaway container. Your Black Diamond comes served in a bowl from Versace — one you can take home. So basically, you're paying for singular Versace crockery and the rights to tell your 'friends' you shelled out 800 beans for an average-sounding scoop. We'll stick with Messina any day. Via Al Arabiya.
Flying might be speedy, in terms of in-air time. But when you add airport transfers, check-in queues, security checks and boarding procedures, the hours start to pile up. A plane flies from Sydney to Melbourne in 90 minutes, but, for passengers, the journey can take up to four hours. Two Aussie aviation experts want to change all that. 28-year-old Luke Hampshire and 32-year-old Alexander Robinson are hard at work getting a startup off the ground, which will give members unlimited flights between Sydney, Melbourne and Canberra, for one (expectedly hefty) monthly fee. And you won’t be flying with Virgin, Qantas, Jetstar or Tiger Air, by the way, you’ll be on a dedicated private jet. The company is named Airly and here’s how it works. Members pay $1000 to join up and $2550 per month after that (yep, it's not cheap). There are no maximum rides per month and no minimums, either. You’ll be flying on one of three eight-seater King Air 350s, which will start with 54 flights per week between Sydney’s Bankstown Airport, Melbourne’s Essendon Airport and Canberra Airport. Once things are up and running, Airly intends to cover Adelaide and Brisbane, too. Queueing for hours will look so early 21st century. Instead, you’ll be checking in just 15 minutes before departure in the company’s private terminal, cutting two hours off an average journey with a commercial airline. Meanwhile, both on the ground and on-board, ‘first class’ service is promised, ‘everytime’. Sound like some kind of pie in the sky? Well, it’s actually been done before — and successfully. Over in California, a similar service, named Surf Air, is already flying between twelve cities. In fact, Surf Air’s founder, Wade Eyerly, helped out when Hampshire and Robinson were first getting moving. Six months ago, the two quit their jobs to work on Airly full-time. The first King Air 350 has already been ordered from the United States and Hampshire told the SMH, “We are working off a membership number. We have a lot of people showing significant interest in it now. Once we reach that break-even number, we launch.” Airly won’t own the aircraft — they’ll be acting as a service provider and dry leasing the King Air 350s from an Australian company, the identity of which remains anonymous for now. Not that Hampshire wouldn't be able to do the captaining — he's a former Royal Australian Air Force pilot. Via SMH. Image: Jordan Sanchez.
In a matter of months, Brisbane has gone from a city with no Art Series Hotels to a place with two on the horizon. Following in the footsteps of The Johnson at Spring Hill, a second venue will form part of the Howard Smith Wharves Development. Just which artist the new boutique accommodation establishment will honour is yet to be determined — but with construction not expected to start until mid-2016, that's hardly surprising. That the five-star, 164-room hotel will be a tourist drawcard is easier to predict, particularly given that the proposed designs look out over the Brisbane River while blending into the surrounding cliff face. A 1500-square metre exhibition space, entertainment stages, a restaurant precinct and a craft brewery are also part of plans currently being considered by the Brisbane City Council, alongside grassy play areas, gardens, a walking track and dedicated cycle path. As anyone familiar with the existing location will know, the revamp presents quite a change for the 3.43 hectare site. Those not so well versed in Brisbane history might not realise the spot's significance, or why the buildings that remain have been heritage listed. Indeed, the area has remained vacant for the past half a century, and has barely been given a second glance by walkers strolling by or passengers on passing CityCats. Until the 1960s, the wharves were a key part of the city's shipping trade — and during the Second World War in the 1940s, they also became home to five air raid shelters. From 2017, they might just form part of a new precinct that opens up the New Farm end of the Story Bridge to the public. For more information about the Howard Smith Wharves Development, visit their website.
Brisbane means a lot of things to a lot of different people. More than two million people call this city home — and odds are that if you've been living here for a while, you probably think you know it pretty well. But the reality is, no matter how much time you spend somewhere, you'll find that it's still capable of taking you by surprise. With that in mind, we've turned to some of Brisbane's top creatives to take us on a tour of their favourite bars, cafes, restaurants, shops, galleries and public spaces. Coming at you over the next couple of weeks, their hot tips will have you looking at your city in an entirely different light. First up, it's architect and event organiser Morgan Jenkins (above, left). "I love living in Brisbane because it’s got a sense of humour as a city," he says. "There's a lot of great stuff starting to happen because instead of complaining about things, interesting people are investing their time into doing interesting things." This enterprising spirit is shared by Morgan himself, who created Woolloongabba's The End of the Line Festival. Planning is currently underway for the next edition of the festival, which is scheduled to take place on October 24. But there's plenty of weekend fun to be had between now and then. Here are Morgan's top five tips on what to do over a Brisbane weekend. SURF AT NORTH STRADBROKE ISLAND I’d start with a surf at North Stradbroke Island. The ferry is only a 30-minute drive from my house in Woolloongabba. This is one of my favourite spots on the planet. Leaving the mainland, even for a couple of hours, is often much needed after the week of work. BREAKFAST AT PEARL CAFE Pearl Cafe is a pearler of a cafe in Woolloongabba. The little Logan Road cul-de-sac is just a short stroll from where I live and it's my go-to for an easy weekend outing. The food is hearty but contemporary, so you might end up having duck eggs and bacon for breakfast. BEERS AT THE BOWLS CLUB Warm afternoons definitely call for beers and a spot of bowls at Merthyr Bowls Club on the river. This is the perfect place to enjoy living in our city as it's outside in the sun, right on the river and it has an incredible relaxed atmosphere (at 1970s prices). DINNER AT CROSSTOWN EATING HOUSE Do dinner at Crosstown Eating House in Woolloongabba. This place has always been my go-to dinner destination locally. Relaxed dining but really unpretentious, great service and food quality, good tunes and a good atmosphere. SEE A LIVE GIG A weekend isn't complete without live music somewhere: a small gig at The End in West End, something mellow at The Tivoli or The Triffid, or something a bit heavier at The Zoo. These places are all golden venues for live music and a good time. By Imogen Baker and Tom Clift. Top image: Pearl Cafe by night.
Few documentarians have the same taste for hot button issues as Academy Award winner Alex Gibney. From Julian Assange (We Steal Secrets) to Lance Armstrong (The Armstrong Lie), enhanced interrogation (Taxi to the Darkside) and sexual abuse in the Catholic Church (Mea Maxima Culpa), the New York filmmaker certainly isn’t afraid of controversy, as his latest film once again proves. Going Clear is a revealing and often disturbing look at the history, tenets and purportedly shady practices of one of the most divisive religious organisations in the world. If even half of what is alleged in it is true, then it’s not just an incredible doco, but a first-rate horror movie as well. Early sections of the film concern the early days of Scientology, and in particular the life of its creator, L. Ron Hubbard. Throughout the ‘30s and ‘40s Hubbard worked as a struggling science-fiction and fantasy writer, during which time his then wife claims he often remarked that “the only way to make any real money was to have a religion”. It was in the early '50s that Hubbard released Dianetics, a self-help book that would form the basis for Scientology. Yet as the movement grew, so too did its founder’s neurosis. The latter half of the film concerns Scientology under David Miscavige, who became head of the church after Hubbard’s death. This section leans heavily on a number of interviews with ex-Scientologists, including Oscar-winning Hollywood director Paul Haggis, as well as the head of the shadowy Office of Special Affairs — a kind of church secret service charged with running smear campaigns against members who dared to speak out. “People will judge me as really stupid,” says Haggis ruefully. “But then, I was really stupid.” With these chilling testimonials, Gibney dismisses the idea that the church is simply a group of harmless eccentrics. Stories of intimidation, brainwashing and emotional and physical abuse are but the tip of the iceberg — and the agony doesn’t always end once you leave. Many members who abandoned the church have found themselves cut off from their friends and family, while others have been targeted for ongoing public harassment. But perhaps the most telling thing about the film has been the way the church has reacted to it. Almost every person involved in the production of the documentary has had their character viciously attacked; the organisation has even gone after film critics who published positive reviews. So, at the risk of opening ourselves up to unwanted confrontation: go and see this movie as soon as you possibly can.
It's 2017, and cinemagoers are about to see their ninth Batman movie in less than three decades — and, a few months later, their first live-action Wonder Woman film. Whether you love them, hate them, or don't mind them but are starting to get sick of a new one coming out each and every month, this year's comic book flicks highlight a disheartening point: gender equality and filmmaking really don't go hand in hand right now. Alas, the situation doesn't just apply to those fond of wearing capes and lycra. In general, watching movies about women, featuring significant roles for women, and/or made by women isn't as easy as it should be. When it comes to representing half of the world's population both in front of and behind the camera, saying that the film industry has plenty of room for improvement is both a massive understatement and a case of stating the obvious. If Hollywood isn't going to do any better, however, then the Internet Movie Database is going to do what it can to shine a light on the female-focused flicks that audiences can see. Enter the F-rating. Contrary to everything that the school grading system has made you believe, it's actually a good thing. Movies rated F boast a considerable contribution from women, be it writing, directing or acting in a sizeable part (no, playing a wife on the phone doesn't count, no matter how often great actresses are forced to do just that on screen). The rating was created back in 2014 by Bath Film Festival's Holly Tarquini in an effort to help viewers choose to watch movies that do more than give ladies a supporting role. Tick all three boxes, and a feature will receive a triple F — and a big thumbs up, representation-wise. At the time of writing, 21,890 films have been given an F-rating on IMDB, with users able to search for relevant titles just by ticking a box. Alas, searching is the only way to find the rating, which doesn't appear on IMDB's movie landing or keyword pages, but it's still a giant leap in the right direction. Or, as Tarquini sees it, it's hopefully a step on the path to better representation overall, rather than needing to actively let audiences know which female-focused films they should be seeking out. "I hope that the F rating will become redundant as the stories we see on screen reflect our culture, and that 50 percent of the stories we see [will be] told by and about women." she told The Guardian. Damn right. Via Vulture / The Guardian. Image: The Runaways.
Sitting down for our interview with director Eva Orner, it's hard not to think about the grimly fortuitous timing. Less than 24 hours earlier, a young Somali refugee set herself ablaze on Nauru. It's the second case of self-immolation at the centre in less than a week, following the suicide of Omid Masoumali just a few days before. "I think we all need to stand up and say enough is enough," says Orner. "I just read this thing where Malcolm Turnbull said, 'Let's not get misty-eyed about offshore detention.' People are lighting themselves on fire. Children are being sexually abused. People have died." Orner is no stranger to these kinds of human rights abuses. A first generation Australian whose parents fled the Holocaust, she won an Oscar in 2008 for producing Taxi to the Dark Side, Alex Gibney's harrowing documentary about CIA torture. To say that her latest directorial effort, about Australia's hardline immigration policy, is even more confronting, speaks to just how indefensible that policy has become. Combining whistleblower interviews with shocking secret camera footage captured inside Manus Island and Nauru, Chasing Asylum reveals in no uncertain terms the consequences of offshore detention. We spoke with Orner about what motivated her to pick up the camera, and whether she believes films like this can truly make a difference. A CAMPAIGN OF PANIC AND FEAR Perhaps the hardest thing to stomach, when it comes to mandatory detention, is the fact that so many Australians seem willing to accept it — something that Orner attributes to "a campaign of panic and fear and misinformation that's been going for 15 years." "I don't think that people really know what's happening, because of this policy of secrecy that's been in operation since 2001," she says. "That's why I made the film, because I wanted to show people. Vision is so much more powerful than print. There's been some excellent journalism on this, but until you really see women and children in those conditions, it's not quite the same." "I find it particularly extraordinary today when people are self-immolating, and the government doesn't really respond with any sympathy," Orner continues. "The key to me is that we have to keep coming back to the Refugee Convention. Because it came out of the Holocaust, and it was the world's apology to the Jewish people to what happened to them... We really have to look at this policy in terms of what it says about us as a democratic country." WHAT THE GOVERNMENT DOESN'T WANT YOU TO SEE The most remarkable thing about Chasing Asylum is Orner's hidden camera footage, which lays bare just how bad the conditions on Nauru and Manus Island really are. Naturally, she's unable to reveal exactly how she acquired the footage, other than to say it was "not easy to get." "If I'd known then what I know now I probably wouldn't have done it," she admits. "I think I was a bit wide-eyed going in. I always said that I was waiting for someone else to make this film, and no one did so I thought I'd better do it. But no wonder no one was making it. It's about places you can't go, people you can't speak to, and if whistleblowers do speak to you then you have to hide their identity. Then the whistleblowing legislation came out in July last year, which says that if you speak out it's a criminal act and you can go to jail." "What's important is that no cameras are allowed in, and why," says Orner. "I think the film answers that question, because it's really grim... I don't think it's a particularly emotional film, in terms of my voice. It's really just the facts and the vision of what's been happening. But what I'm seeing now as we're starting to screen it is that people cry when they see this film. It's very upsetting... I find it very hard to watch the film." CAN A MOVIE ACTUALLY MAKE A DIFFERENCE? "You have to believe that good will triumph," says Orner when asked if she thinks things will ever change. "You have to believe that good will triumph, you have to believe you can change things. You have to do something, because the alternative to that is doing nothing. You just have to stand up and scream and scream and scream." "One of the things we're doing is working with an organisation to get [the film] into the school curriculum, because that's where the power is. Getting the next generation to see the film. If we get this into schools, if we get tonnes of people to see it, if it gets seen on televisions around the world, then that can make a difference." "It's really about trying to educate people. That's what I'm saying. Come see the film, see what we're doing, and then make a decision. And I'm saying the same thing to politicians, because only a handful of politicians have been to Manus or Nauru. They're spending all of our taxpayer dollars on this, they should know what it looks like. Then maybe at night when they're sitting with their families, they can reassess how they really feel." https://www.youtube.com/watch?v=ocgNZRIEyyY Chasing Asylum is in cinemas nationally from May 26. Eva Orner's book, Chasing Asylum: A Filmmaker's Story, is available in bookstores and online. For more information visit www.chasingasylum.com.au.
Uber drivers may want to start thinking about a change of career. The ridesharing giant, whose relationship with its drivers has been turbulent in recent times, may soon have reached the point where it no longer has any need for them. After all, why spend millions settling lawsuits when you can get the cars to operate themselves? That seems to be the thinking as the company officially begins testing on its very first self-driving car. The modified Ford Fusion Hybrid, complete with roof mounted cameras and radar, took its first public outing on the streets of Pittsburgh last week. "While Uber is still in the early days of our self-driving efforts, every day of testing leads to improvements," said the company via a statement on their website. "Right now we're focused on getting the technology right and ensuring it's safe for everyone on the road — pedestrians, cyclists and other drivers." "In the future we believe this technology will mean less congestion, more affordable and accessible transportation, and far fewer lives lost in car accidents." That's all well and good, but will these self driving cars be offering their passengers complimentary mints? Where are we on that technology, exactly? Via The Sydney Morning Herald.
Did you spend your childhood wishing that Jurassic Park wasn't just a movie (or a book that spawned a movie and box office-smashing sequels)? Us too. While that dream is yet to become a reality, Queensland University of Technology has created the next best thing. Welcome... to the digital Dino Zoo. It's exactly what it sounds like: a two-storey installation that lets hyper-realistic, full-sized versions of prehistoric creatures roam wild, with the floor-to-ceiling screens acting like a glass enclosure. It's also much, much more than that. Dino Zoo doesn't just offer the world's first ever opportunity to interact with ten dinosaurs — including the largest flying reptile ever to live, and Australian critters with names like Muttaburrasaurus and Australovenator — but combines video game wizardry with scientific knowledge. What does that mean? Well, these dinos not only look the part, but act it as well. They've been designed to simulate real creatures, with each species vested with artificial intelligence. Watch Stegosaurus and Triceratops make their own decisions about moving, hunting, grazing and resting — and, if you're lucky, recreating parts of your favourite film. We can't promise that you'll be fleeing from a Tyrannosaurus Rex, but we can promise that you can pretend to. With data gleaned from real-life fossils instrumental in the project, Dino Zoo also features a digital dig pit that lets audiences uncover prehistoric bones, an interactive Earth timeline that visualises tectonic plate movement throughout history, and an 'Earth mass extinction simulator' — eek. Basically, it's all the virtual dino fun aficionados could ask for — and everyone loves dinosaurs, after all. Yes, yes they do. Just ask all the folks that flocked to see Jurassic World, which mightn't have been the sequel fans of the original were hoping for, but it still made more than $52 million at the local box office. Find Dino Zoo at QUT's The Cube in the QUT Gardens Point Precinct, George Street, Brisbane until January 27. Check out their website for further information. Image: Erika Fish, QUT.
Everyone's dreamed of walking on water, and not only has Bulgarian-American artist Christo Vladimirov Javacheff made that a reality — he's made it look insanely beautiful as well. After 50 years of planning, Christo's The Floating Piers this week opened to the public at Lake Iseo in the north of Italy. And boy does it look incredible. A photo posted by ottaviadrago (@ottaviadrago) on Jun 22, 2016 at 11:00am PDT The floating pier creates a three-kilometre water walkway from the village of Sulzano to the small island of Monte Isola on the lake. Over 220,000 polyethylene cubes have been used to create a floating dock, which moves with the small waves and gives visitors the feeling of walking on water. Sort of like those mats you'd try and walk on in swimming lessons, but more, y'know, secure. To top is all off, the walkway is covered in 100,000 square metres of shimmering saffron fabric. "Those who experience The Floating Piers will feel like they are walking on water — or perhaps the back of a whale," said Christo on his website. "The light and water will transform the bright yellow fabric to shades of red and gold throughout the sixteen days." The Floating Piers were first conceived by Christo and his late wife Jeanne-Claude back in 1970. Realised almost 50 years later, the project cost around $22 million — all of which has been funded by Christo himself. It's totally free for the public to visit, 24 hours a day, until it wraps up on July 3. If you're in Italy in the next two weeks, consider this a vigorous nudge. But for everyone else, here's some of the epic Instagrams that have been taken in the last few days. A photo posted by Simona Maculotti (@simona_maculotti) on Jun 22, 2016 at 2:30pm PDT A photo posted by Carlo D'Andrea (@c_a_rlo) on Jun 22, 2016 at 11:05am PDT A photo posted by The Floating Piers (@floatingpiers) on Jun 22, 2016 at 1:50am PDT A photo posted by Marta sangalli (@marta_sangalli) on Jun 22, 2016 at 12:12pm PDT A photo posted by The Floating Piers (@floatingpiers) on Jun 17, 2016 at 4:43am PDT A photo posted by The Floating Piers (@floatingpiers) on Jun 18, 2016 at 2:15am PDT Top image: The Floating Piers via Instagram.
Deck the halls and unpack the plastic tree — the festive season is well and truly upon us. And while that whole Christmas tradition stuff is nice, we're not going to deny what we're most excited about: a whole stocking-load of new films. Along with the cricket and stampeding through shopping centres, going to the movies is one of our favourite Boxing Day traditions. After all, what better place to recover from your post-Christmas food coma than in a nice, dark, air-conditioned cinema? Of course, not all of the end-of-year titles measure up. That's why we're reporting in with our annual Boxing Day Battle Royale, to ensure that you get maximum bang for your Kris Kringle gift voucher buck. Or you could just go see the new Star Wars movie for the third time. That's also a totally valid option. https://www.youtube.com/watch?v=5rgO_TyyOoU CALL ME BY YOUR NAME We give it: 5 stars It's easy to fall in love with Call Me By Your Name on sight. Full of the kind of sumptuous visuals that director Luca Guadagnino (A Bigger Splash) is known for, the '80s-set effort proves a gorgeous piece of filmmaking from its opening frames. That said, it's the movie's sun-dappled dalliance that will really make you swoon, as Guadagnino follows the blossoming romance between 17-year-old Elio (Timothee Chalamet) and grad student Oliver (Armie Hammer) over the course of a sweltering Italian summer. A seductive and sensual queer romance, and a pitch-perfect account of yearning and desire — one that features an emotionally intricate turn from Chalamet in particular — Call Me By Your Name is the film that stories about first love will be judged against for many years to come. – Sarah Ward https://www.youtube.com/watch?v=zNCz4mQzfEI COCO We give it: 4 stars It's with vibrant detail that Coco bursts onto cinema screens. A tale of following your heart while honouring your family, Pixar's latest effort is both a colourful sight to behold and an exuberant journey; a film exploding with dazzling visual and emotional fireworks. Within frames heaving with intricacy, there's never a dull moment as the movie sashays from modern-day Mexico to the Land of the Dead during the country's Dîa de los Muertos celebrations. Often it's the little things that stand out, from the grain of the many flowers never far from view, to the weathered skeleton bones that literally dance through the streets, to the melancholy look on an old woman's face. – Sarah Ward https://www.youtube.com/watch?v=2QKg5SZ_35I JUMANJI: WELCOME TO THE JUNGLE We give it: 3.5 stars Updating itself, quite literally, for more modern times, the new Jumanji sees the board game from the original film transform itself into a mid-90s video game cartridge. Fast-forward 20 years and, in a clear nod to The Breakfast Club, the game is discovered in a storeroom by four motley teens during high-school detention, who soon find themselves sucked in to the perilous jungle. But there's a twist: they're now in the bodies of the game character they chose. Each of the main cast members plays impressively against type: Dwyane Johnson as the allergy-afflicted nerd, Kevin Hart as the jock cut down to size, Karen Gillan as the introverted loner and – most amusingly – Jack Black as the vacuous popular girl. The laughs are frequent, coming mostly from the body-swap setup, but also from the tongue-in-cheek references to point and click video games. – Tom Glasson https://www.youtube.com/watch?v=fN46DCFr2Y0 JUST TO BE SURE We give it: 3 stars As a comedy, Just to Be Sure doesn't always hit the mark. As an insightful look at life, love and family, however, the French film proves both thoughtful and charming. In her third feature, writer-director Carine Tardieu explores the story of widower Erwan (François Damiens) and his pregnant 23-year-old daughter Juliette (Alice de Lencquesaing) — plus the man he has always called dad (Guy Marchand), the man who might be his biological father (André Wilms) and the attractive doctor (Cécile De France) that links them both. With great performances all round, the movie is at its best when it's getting to the heart of the various characters' emotional reactions, rather than trying to find laughs. – Sarah Ward https://www.youtube.com/watch?v=7_YnYrLfjxA BREATHE We give it: 2.5 stars Based on the exploits of polio sufferer Robin Cavendish, Breathe comes to the screen with the best of intentions. Indeed, Cavendish's son produced the film, showing just how personal this true tale is. Sadly, celebrating his father's fortitude and crafting a rousing movie aren't one and the same, despite the fact that many of the right tools are there. As Cavendish, Andrew Garfield (sporting his natural accent) flits between frustration and determination, while Claire Foy gives a moving performance as the dependable wife by his side. The production also boasts thoroughly handsome cinematography that captures its '50s, '60s and '70s setting. And yet the directorial debut of motion-capture actor Andy Serkis (The Lord of the Rings, War for the Planet of the Apes) ultimately proves heavy on sentiment but light on emotional impact. – Sarah Ward https://www.youtube.com/watch?v=UCrBICYM0yM DOWNSIZING We give it: 2.5 stars It's a great concept: to help save the planet, humanity gets shrunk down to size. But the unmistakably odd Downsizing isn't just an eco-friendly, statement-making update of Honey, I Shrunk the Kids, even if it comes with a few ace sight gags. While director Alexander Payne has long been fascinated with ordinary guys struggling with their lot in life — think Sideways, The Descendants and Nebraska — the theme doesn't quite work in this ambitious but messy sci-fi-esque comedy. The film isn't helped by Matt Damon rolling out his usual everyman routine, though other cast members fare better. Christoph Waltz is considerably more jovial than usual, and Hong Chau turns a thinly written, stereotypical character into something more memorable. – Sarah Ward https://www.youtube.com/watch?v=AXCTMGYUg9A THE GREATEST SHOWMAN We give it: 2 stars If Hugh Jackman's mega-watt smile and Zac Efron getting musical out of high school can't save The Greatest Showman, then nothing can. Turning the life of 19th-century American circus whiz P.T. Barnum into a family-friendly musical, the film prefers easy sentiment over anything more than the most obvious of themes and the simplest, flimsiest of narratives. The flat, uninvolving pop songs scattered throughout don't help or demonstrate any depth, and neither does their music video-like staging by first-time Australian director Michael Gracey. There might be warm intentions behind this broad, unsubtle underdog story about dreamers and outsiders, but they're lost in a movie that resorts to painting a critic as the villain — as if to pre-emptively scold anyone who isn't enamoured with its empty spectacle. – Sarah Ward
When it comes to making your first movie, there are easier ways to go about it than not just following in but recreating your father's footsteps. That's what O'Shea Jackson Jr experienced in taking on the role he was perhaps born to play — that of Ice Cube, who he normally just calls Dad, in the NWA biopic Straight Outta Compton. Alongside Corey Hawkins as Dr Dre, Jason Mitchell as Eazy-E, Aldis Hodge as MC Ren and Neil Brown Jr as DJ Yella, Jackson tackles the formation, fame and split of the influential hip hop group across the '80s and '90s. Starting on the streets of Compton in South Central LA, NWA created anthems that reflected their reality of difficult race relations and altercations with law enforcement, and went on to change the course of music history. The film that results is a slick, stirring, entertaining and engrossing music biopic that captures the spirit and circumstances of the songs and figures it focuses on. We chat to Jackson about making his acting debut by playing his father and doing justice to his family's legacy. You play your dad in this movie. I imagine this role is more important to you than any ordinary film role could be? Yeah, this is my family's legacy. It is bigger than NWA to me. I know that a lot of the people who may not even like the genre, a lot of the people who may not have grown up with NWA, there's a few people who know Ice Cube as only a movie star — I know that those people are going to take this movie as law, as exactly what happened. I couldn't risk somebody's portrayal of my father not being in the same light as I see him in. I knew the importance of this, so it had to be in my hands. Was taking on your family's legacy daunting? Of course. It takes a lot, but the sacrifices that had to be made were for my family. I'd run through a wall for them. Extreme bootcamps at times — I was twenty-two at the time, trying to look seventeen, so I had to go through a bit of a bootcamp, and I lost fifteen pounds in twenty-four days eating nothing but grass, dirt and diet water. It was a lot, but pressure makes diamonds, and if you run away from it you'll never know what you can do. Going into the film, how much of Ice Cube and NWA's complete story did you know? My father has been telling me these stories my whole life, and that was something I used to my advantage. I knew how things really went, and I knew that the authenticity of this film was what was going to make it stand out. I'm not going to say I knew about the guns in the hotel, but there were things I was comfortable with, stories that I knew, stories that knew I could talk to the source about to make sure we get it correct on film. It was just about re-enacting things I've heard since I was a child. You’ve been rapping for a few years now, touring with your father. Was that the easier part of the film for you? That's what made him believe that I could do it. Him taking me on stage, him seeing how I am on stage, is what led to him feeling like I could play him. That's such an important aspect. And my father was the young one of the group — he has the most energy on stage, he's the one rocking the crowd, waving his hands, bouncing up and down — so you know you have to bring that. When it came to those scenes, my guys — Corey Hawkins, Jason Mitchell, Aldis Hodge and Neil Brown Jr — they knew that I had that experience under my belt, so they let me quarterback those scenes a little. They know that that's me in my element, and I'm forever thankful to those guys for making me feel comfortable. Those scenes that you see are really what NWA did. The Detroit scene, them looking at each other, making sure "are we all down to do this, to drop 'Fuck Tha Police'", that's something that really happened. The film’s director, F. Gary Gray, has ties to both Ice Cube and Dr. Dre going back to making music videos in the '90s. Do you think that helped the film’s feeling of authenticity? Oh my god yes. That was one of the aspects of him getting the job, that my father saw that Gary got it. He got what it meant. My father knew he wouldn't have to explain the power or just the aspects of NWA to Gary. He also really let me really spread my creative wings. I know I won't deal with a lot of directors who are willing to let an artist be an artist the way that Gary Gray does. If you do it by the book, get it by the script the couple of times, he lets you do what's called an 'eat take' and go ahead and just be you. And if it works, it works, you know. And I thank Gary, because I know how meticulous he is, and if it is not right he won't do it. And as a young actor, as a rookie actor, you want someone in your corner that's going to make sure you don't look stupid. Straight Outta Compton is in cinemas now. Read our review.
The four-time number one on the World's Best Restaurants list is headed to Sydney Harbour. Rene Redzepi, owner and head chef at Copenhagen's two Michelin starred eatery Noma, will fly his entire team (including 35 chefs and 30 waitstaff) more than 16,000km around the world for an Australian pop-up from January 26 to April 2 — and now we know how to grab one of the highly prized seats in the room. Bookings for all tables will open simultaneously, on Friday, October 30, at 10am AEDT online at the Noma website. You can book for tables of two, four, six or eight, for either lunch or dinner five days a week (Tuesday – Saturday). Start saving your pennies now — the cost per person is $485, plus 1.65% CC fee, with drinks to be paid for separately on the day. Both alcoholic and non-alcoholic beverage pairings will be offered, as well as a short wine list. The menu itself is yet to be finalised, although earlier in the year Redzepi said he'll be leaving his regular ingredients back in Copenhagen, and told Good Food to expect locally inspired dishes made with shellfish, sea succulents and native herbs and spices. The team have already made several research trips to Australia to stoke their creative fires. "They’ve visited as many regions as possible, getting a good perspective on the great and diverse produce that is available in Australia," reads a statement from Noma. "Later on, in December, the entire creative team will move to Sydney to focus their energy on creating a menu that will showcase the best of what we’ve found on these trips." The Noma Australia project was inspired by their five week pop-up in Tokyo earlier this year, which Redzepi called "the greatest learning experience of my life." "Australia has always drawn me in; its great cities, its generous people, and of course its ever-present sun," wrote Redzepi in his online statement. "But what really boggles my mind is the differences you find in its landscapes and ingredients, because honestly I have never seen anything like it." Supported by Tourism Australia and property firm Lendlease, Noma Australia will be located on the ground floor of the Anadara building on Wulugul Walk in Barangaroo. The restaurant will serve just 50 people per sitting. Don't expect the cost to deter people. Bookings at the similarly expensive Tokyo pop-up sold out in just hours, with the restaurant eventually racking up a waiting list of over 60,000 people. Demand might shoot up even more vertiginously given that Redzepi has announced Noma in its current incarnation will close altogether at the end of 2016. By Tom Clift with Rima Sabina Aouf.
As you're no doubt already aware, this week the world lost one of its finest actors, after Alan Rickman succumbed to cancer at the age of 69. Although his resume boasted dozens of incredible credits, Rickman is best known for his two most iconic roles, playing Professor Snape in the Harry Potter serries and terrorist mastermind Hans Gruber in Die Hard. Yet despite his predilection for playing sinister characters, tributes in the wake of his death have universally described the actor as a kind, funny and generous human being. Emma Thompson, who appeared alongside Rickman in films including Love Actually and Sense and Sensibility, described him as "the ultimate ally," while his Harry Potter co-star Daniel Radcliffe remembered Rickman as one of the first actors to treat him "like a peer rather than a child." Perhaps the most heartbreaking tribute came in the form of this simple image from The New Yorker cartoonist Ben Schwartz. Remembering the actor Alan Rickman, in this cartoon by @BentSchwartz: https://t.co/a35CPgUxLO pic.twitter.com/moUFpyl4SM — The New Yorker (@NewYorker) January 14, 2016 In tribute to Rickman's life and career, the Hayden Orpheum Picture Palace in Sydney have announced they will be hosting a special screening of Harry Potter and the Deathly Hallows Part 2 on Sunday February 7. Tickets will cost $15, with $3 of every sale going to the Cancer Council NSW. The cinema is also hosting charity screenings of Labyrinth on January 29 and The Man Who Fell to Earth on January 31 in tribute to David Bowie.
Watch great Australian stage productions with popcorn and choc top in hand, when Australian National Theatre Live arrives in cinemas in April. Inspired by the success of the UK's NT Live series, this local endeavour will capture and screen locally made theatre shows in participating cinemas, with the aim of bringing the live theatre experience to audiences who'd normally miss out. Australian National Theatre Live will launch with the Griffin Theatre Company's production of David Williamson's acclaimed satire Emerald City. The show will make its cinema premiere at Melbourne's Lido Cinemas on Friday April 22, followed by Sydney's Ritz Cinema on Wednesday April 27. Further screenings will follow in cinemas around the country. Other shows set to light up the silver screen include Mary Rachel Brown's The Dapto Chaser, Geoffrey Atherden's Liberty Equality Fraternity, and the Sydney Theatre Company's Wharf Revue. "Australia produces world-class theatre and Australian National Theatre Live will give audiences across Australia the opportunity to experience some of the best productions available – good theatre will no longer just be for metropolitan audiences," said spokesman and actor Grant Dodwell. "ANT Live means many more people will get to see plays that usually have a very short season in metropolitan centres." "Our ultimate aim is to stimulate a greater interest in live theatre, to encourage and promote writers, performers and practitioners, and create a resource for students and theatre lovers across the country." For more information about Australian National Theatre Live, visit www.antlive.com.au.
Bluesfest has lifted the lid on its second artist announcement for 2018, adding 16 more names to the already hefty lineup. Heading this latest stampede is Senegalese artist Youssou N'dour, who will be bringing his 20-piece band to the five-day Easter long weekend festival just outside of Byron Bay. If the name isn't ringing any bells, you'll probably be familiar with this '90s classic. Other artists joining the lineup include greatest hit-bearers Jackson Browne and Seal, Bluesfest regular Michael Franti, and British band Gomez will return to the fest for their first tour in six years. They'll place alongside two huge headliners: Lionel Richie and Led Zeppelin's Robert Plant, who will play with his band The Sensational Space Shifters. Plant's performance at Blues will mark 50 years since he first performed with Led Zeppelin, so the gravity of the performance is sure to be pretty huge. Other acts taking to the stage Tyagarah Tea Tree Farm over the weekend include Aussies Tash Sultana and John Butler Trio, Swedish duo First Aid Kit and what will be a captivating set by José González. Bluesfest returnees Joe Louis Walker, Dumpstaphunk and Eric Gales are on there too. Anyway, here's the full lineup. Better start making Easter plans — and deciding what to eat — because tickets are already on sale. BLUESFEST 2018 LINEUP Robert Plant and The Sensational Space Shifters Lionel Richie The John Butler Trio Tash Sultana The New Power Generation Chic Featuring Nile Rodgers First Aid Kit Jose Gonzalez Morcheeba Gov't Mule Lukas Nelson & Promise of the Real The California Honeydrops Eric Gales Bobby Rush Dumpstaphunk Joe Louis Walker Rick Estrin & The Nightcats Youssou N'dour Seal Michael Franti & Spearhead Jackson Browne Jason Isbell and the 400 Unit Gomez Rag 'n' Bone Man The Original Blues Brothers Band Jimmy Cliff The Wailers Benjamin Booker Hurray for the Riff Raff Canned Heat Walter Trout André Cymone The Teskey Brothers Image: Andy Fraser.
The illustrious restaurant Noma, the same one that consistently tops dining lists across the world, will be closing its doors after one last blowout on New Year’s Eve 2016. It will be a sad occasion, but not to worry; like the phoenix or a feathered Pokemon equivalent, Noma will rise again in 2017 in a new, evolved form. Noma head chef René Redzepi told the New York Times that although business at Noma is booming, it’s time for a dramatic change, and he was not kidding. Noma will move from its cute nook in the middle of picturesque Copenhagen to the outskirts of town where the extra space will be dedicated to an urban farm, a greenhouse, a farming team and a field that floats on a raft. The menu will be have a dramatic overhaul as well. Ex-Noma chef Trevor Moran will return to help with the expansion and commented that the menu will change with the seasons, from game and mushrooms in the fall to a full seafood menu in winter. And, rather poetically, Redzepi says when “the world turns green ... so will the menu”, meaning that, for several months a year, Noma will be a completely vegetarian establishment. If you have fat stacks and want to catch a taste of OG Noma before its closure (without travelling all the way to the Denmark), then get to its Sydney pop-up in Barangaroo, where they’ll be setting up shop for ten weeks in late January 2016. Better get in quick though; the Noma Tokyo pop-up accrued a 60,000-person waiting list, so register your interest on the Noma website ASAP. Via New York Times.
When you're spending your spare moments glued to your phone, trying to cram more work into the 9-to-5 or scoffing down a snack as quickly as possible, it's easy to forget what taking a break really means. And, while enjoying a coffee throughout the day is one of life's simple pleasures, that's only the beginning. Sure, your morning, lunch or afternoon break might be brief — and the window of time after work and before you head home, too — but that doesn't mean you can't find something fun to do. Try venturing beyond your closest cafe for these activities. Take the nourishing break you, as a hardworking human being, deserve. GET A QUICK HISTORY FIX AT THE MUSEUM OF BRISBANE Give your brain and your feet a workout during your mid-morning break by indulging in the Museum of Brisbane's history-focused showcase. Their exhibitions change regularly, however you're guaranteed to get a glimpse of stories and artefacts linked to the past, present and future of the city. Or, pop in for a tour of the iconic, newly restored Clock Tower. You'll climb to a great height, look out over King George Square and imagine what Brissie must've looked like in years gone by, all in the space of 15 minutes. Entry is free, doors open at 10am. BREAK OUT A PICNIC IN A CBD GREEN SPACE Think picnics are just for people with a spare afternoon? Think again. Given that most Brissie CBD workers are only ever a short walk away from one of two sprawling green spaces — the Botanic Gardens and Roma Street Parklands — rolling out your rug, relaxing on the grass, taking in the sights and sounds of nature, and pairing it with your chosen snack couldn't be quicker and easier. And, rushing to get there and back counts as exercise. [caption id="attachment_559369" align="aligncenter" width="1280"] JAM Project.[/caption] SCOPE OUT THE CITY'S STREET ART Pounding the pavement is good for you, sure, but a 15 – 30 minute walk seems like a breeze if you have a specific purpose. With that in mind, get out and get active by hunting down the city's best, brightest, most colourful and creative street art. It's the kind of activity that can fill as much time as you have, and can also take you to hidden nooks and crannies throughout Brisbane. Plus, thanks to splashes of paint strewn all over town, you can do it just about anywhere. BROWSE FOR NEW OLD BOOKS Like reading? Like wandering through rows and rows of pre-loved treasures? Like getting a workout while you scour the shelves? When your city boasts one of the largest secondhand bookshops in the world, Archives Fine Books, popping in for a bite-sized stint of browsing is a must. Every printed tome you pick up will give you temporary respite from your busy morning, but so will moseying along the corridors spotting everything from pulpy fare to rare collectables. BREAK OUT THE COLOURED PENCILS Feeling a little stressed? Take an extra soothing coffee break by jumping on the current mindfulness bandwagon. Yes, we're talking about adult-oriented colouring circles, which are now a very real thing. Take a break, dive into your trusty pencil case and prepare for some therapeutic scribbling. Or, pick up one of the countless adult colouring-in books currently available at bookstores everywhere and make your own fun — perhaps while you sit in one of the city's many scenic picnic spots.
Just a few short months ago, Brisbane-based feline fanciers keen to cuddle a kitty over a cup of coffee had nowhere to go. The opening of the city's first ever cat cafe in Red Hill changed that — for the better, obviously, as their popularity has proved. And shortly, mouser fans will have another place to call their home away from home. Meet the Lucky Cat Cafe, aka the spot that will soon become Brisbane's second cat-focused establishment. It calls itself both a coffee shop and a petting zoo, lest you have any doubts about exactly what will be on offer. Further details, such as an opening date and an exact CBD address, are still being finalised, though you can expect to meet the new cafe's fortunate, furry, four-legged creatures this year. You can expect to visit them from 10am to 9pm, seven days a week, too, which means after-work kitty time will be a reality. Because cat cafes are about giving cute critters a home as much as they're about giving people access to adorable animals, all the residents will be rescued toms and tabbies, and some will be up for adoption. You just know you're going to want to take one with you, don't you? For more information about the Lucky Cat Cafe, check out their website. We also recommend keeping an eye on their social media feeds — whether Facebook, Twitter or Instagram is your thing — for a healthy fix of cat pics and other feline-focused fun.
Looking for an opulent, world heritage-listed B&B stay in Paris that'll make you feel like a pre-Revolution French monarch? The Palace of Versailles is opening a hotel and restaurant, where you can have your cake and eat it too. According to The Age, the world-famous 17th century palace has hit a spot of financial trouble, and is opening a hotel on the premises to raise much-needed funds. With more than seven million people wandering through the iconic grounds every year, it sounds like they're doing okay. But the state-owned palace has seen funding cuts from €47.4 million (around $70.7 million) in 2013 to €40.5 million (around $60.2 million) in 2015 — a hefty decrease when you're trying to renovate palatial Rococo apartments. Enter LOV Hotel Collection. The French-based hospitality group have just won the tender to transform the three 17th century buildings in the palace grounds right next to Louis XIV's beloved Orangerie into commercial accommodation. The Grand Controle, Petit Controle and Pavillon buildings — former treasurer and officers' mess buildings just 100 yards from the main palace — will be converted into 20 luxest of the luxe boutique hotel rooms. What's more, the 'hotel' — if you can call it that — will also house a world-class restaurant. Renowned Michelin-starred French chef Alain Ducasse is locked in to open a fine dining venue on the premises. Exactly what the restaurant will be like remains to be seen, but we're thinking levels of opulent cakery like this: "There will be no other hotel in the world like this one," according to a Versailles palace spokesman. "This is an emblem of French history and a cultural landmark. It will be an authentically royal experience." Guests will apparently be able to eat cake, drink French champagne and generally live like a House of Bourbon monarch during their stay. One thing you can probably expect? One heck of a price tag, and a tidal wave of cashed-up honeymooners. Renovations are expected to cost upwards of €14 million (that's $20 million plus), and should be finished sometime in 2018. Stay tuned. Updated: April 11, 2016. Via The Age and CTV News. Top images: Dollar Photo Club.
Controversial muso, New York Times bestseller and human energy ball Amanda Palmer is coming to Sydney for an intimate solo performance at the Sydney Opera House on January 21. Palmer's announced the intention of her down under trip is to strip things back to basics. She'll be on stage with "a suitcase, a piano, a ukulele and a baby" which sounds like a very Palmer-esque combo of bold, relatable and off-beat. It's been five years since Palmer graced the Opera House stage with Meow Meow and her partner, Neil Gaiman, so expect the unexpected. The Opera House is just one of her Aussie tour stops. She'll be setting up at the Gasometer for a residency between January 12 and March 9. She'll also be dropping by MONA in Tasmania, Woodford Folk Festival over New Year's Eve, Melt Festival at the Brisbane Powerhouse, Her Majesty's Theatre and Playhouse Theatre in Melbourne and the NGV — a prestigious venue lineup indeed. Image: Shervin Lainez.
