As much of the TV-watching world is, Ashley Zukerman is a Succession fan. Unlike almost everyone else, however, his affection was partly built from inside of the award-winning series. In a recurring role across the HBO masterpiece's four seasons, he played political strategist Nate Sofrelli, whose past romantic relationship with Shiv Roy — portrayed by fellow Australian Sarah Snook (Memoir of a Snail) — kept spilling over into their present professional and personal spheres. But "there was periods where I didn't know if I was coming back", Zukerman tells Concrete Playground, "and there were periods where I just became more fan than part of it". A role in one of the best TV shows of the 21st century, plus a range of others in fellow international fare — big-screen horror-western The Wind and drama Language Arts; television's A Teacher, The Lost Symbol and City on Fire; and the three straight-to-streaming Fear Street movies among them — kept Zukerman away from home for years. Then In Vitro, an Aussie sci-fi thriller that premiered at the 2024 Sydney Film Festival and hit local cinemas in general release on Thursday, March 27, 2025, came his way. Before this, he hadn't worked on a homegrown project since 2017's The Easybeats miniseries Friday on My Mind. Prior to that, he'd hopped between the Australian and Aussie-made likes of The Pacific, Rush, Terra Nova, Underbelly and The Code, and Manhattan, Fear the Walking Dead, Masters of Sex and Designated Survivor overseas. Starring in In Vitro eventuated because he initially met two of the film's co-writers and fellow actors, Will Howarth (who also co-directs with Tom McKeith) and Talia Zucker, in Los Angeles when they were all stateside endeavouring to establish their careers. Due to release timing, audiences who didn't catch In Vitro on its 2024 festival run will have seen Zukerman pop up in homegrown efforts in Aussie limited series Apple Cider Vinegar first, earlier in 2025. Later this year, he also has Australian-made, New Year's Eve-set time-travel film One More Shot heading to Stan. Only In Vitro has him playing a cattle breeder in an eerie vision of the potential near future, though — a livestock farmer experimenting with biotechnology in a world, and an industry, decimated by the climate crisis and struggling to adapt to the new reality. As Jack, husband to Zucker's (Motel Acacia) Layla, Howarth (Toolies) and McKeith's (Beast) movie also tasks Zukerman with exploring the distance that clearly lingers in the the feature's central marriage, digging into the source of Jack and Layla's domestic disharmony, and unpacking the impact of controlling relationships. More than two decades have now passed since Zukerman's initial screen role, also in an Australian film, with playing Thug #2 in Tom White his debut performance. Looking back on it, "so that was my first-ever thing, and I hadn't gone to the Victorian College of the Arts yet. I had no idea what I was doing", he advises. "My family, no one in my family, was in creative industries at all. I was just trying to brute-force my way through, trying to get headshots and making cold calls and just trying", Zukerman continues. "And then when that called and I got a role, I thought it was the craziest thing in the world. Then I get there and I do it, and I'm in a scene with Colin Friels [Interceptor] and Dan Spielman [Black Snow], who I ended up playing brothers with in The Code years later. And I thought that was just very, very special at the time. Dan was on, I think, The Secret Life of Us, and Colin Friels on Water Rats, and they were heroes of mine at the time. And then to be able to revisit that with Dan years later as, I guess, equals, was very special." [caption id="attachment_997134" align="alignnone" width="1920"] Succession, David Russell/HBO[/caption] From the outside, the success that Zukerman has enjoyed over the last few years with Succession, Fear Street, City on Fire, A Teacher, The Lost Symbol and more seems huge. It is huge. He's also added Apple TV+'s Silo to his resume. For him, however, "it hasn't felt huge, but I don't think I necessarily ever have that feeling of looking at things from the outside", he reflects. "From the inside, I'd say that it's felt really fun. I know that the thing I love most is when I love the project and I feel like I'm close to the coalface of something. I thought that they were all great projects, and so that has been fun." "You're right, it's been a really nice few years, and it felt comfortable," Zukerman goes on. "I guess I'll say I've just never really stressed work. I've always known things will come, and I've always been aware that if I'm not chosen for something that it's because the person, the artist in charge of it, just doesn't need my specific colour, my specific paintbrush, and so I've never really sweated it if things haven't come to me. But the last couple of years, it's just been really enjoyable to just work on special things — and to be able to have a continuous run of that, I do feel very full now. I'm not someone who enjoys acting all the time, I don't necessarily love the experience, but I do love it when I feel that there are certain elements there, and I've been on a run projects now where those elements were largely there. It has been a really fun few years for that." From what excited Zukerman about In Vitro, his read on his complicated character and the research that went into his performance, to farewelling Succession, returning home and his initial acting dream, our chat with Zukerman covers them all — and more — as well. On What Excited Zukerman About In Vitro, and About Making His First Australian Project Since Friday on My Mind "So I knew Tahlia and Will. I'd known them before. We all met in LA when we were all younger and hustling out there. It was just this coffee shop that we all ended up frequenting, and that's where we got to know each other. It was during the pandemic that they sent the script and said 'we've been working on this, we've been thinking about you for it'. And I read it and I thought 'wow'. And I was honoured that they thought of me for it. But I thought that they had done something just really special. I think that the horror genre or the thriller genre is interesting when it's used to explore other themes. And so the thriller part of it didn't necessarily pop for me, but I thought that they were able to thread together some nuanced questions about a few issues that we're dealing with in the world, and finding a connection between them — with the climate crisis; domestic violence; how we use tech to brute-force our way through solutions; and how some people in our world don't really care about our world or the natural world or each other as the actual life that exists in it, but just what they can take from it. And I think that they were able to thread all those ideas in a very nuanced way, offering something new to the questions of 'what do we do in this world?' and 'how are we going to deal with all of these issues we have?'. The climate crisis, like so many of us, that keeps me up at night. One of the things I worry most about it is this idea that it's happening just, just slow enough that we get used to it, and it's so hard to talk about. It's so difficult to engage with it, because it's so scary for so many of us. As soon as, I know for me personally, it's hard for me when I see an article written about it for me to click on it, for me to actually open that page and delve into it. It's hard for me to watch something about it. And I thought that what they did here was they did it in a very nuanced way, where they offered something very new to that conversation, and in a way that I thought was going to be very useful and interesting — and human. It was just that the film seemed to have a very new idea to approach this issue, and that's I think what moved me about it. And then, as we went on, there were questions about the character that became far more important for me to ask. But when I first read it, that's what touched me." On Zukerman's Read on Jack and His Motivations "I think it depends how far back we go with him. If we go from what we know backwards, I think he's gotten to a stage where he has lost his sense of humanity and he's just so far down the rabbit hole on this that he can't actually turn back. I was working on this show, The Lost Symbol, the Dan Brown thing, at the time that I read this, and I was researching these secret societies and how people who were doing bad things justified them. And I came across this quote, which was from the Bible: 'to the pure, all things are pure'. I think that that is key to Jack, that because he felt he was doing something worthy and important, everything else he was doing was fine and justified … It's this idea that he's probably just a bucket with a hole in it. It doesn't matter what you pour in, he's always going to be empty. I think he's one of these just incredibly ordinary people who thinks that he's a vulnerable genius, and no one is giving him the adulation he deserves, and he will never get enough love from his partner, and that then leads to control and violence. So I think those are the things that are at play in him." On Playing a Part That's a Puzzle for the Audience as They Try to Piece Together the Full Story "Typically, the more complex a character, the less challenging I find it, because then there are just so many things underneath the surface. So those things were great, and once I knew the approach, what we were trying to do, we talked, Will, Tom and Tahlia and I talked early about this idea that we'd be doing a disservice to this story if he was arch — especially the domestic control, domestic violence story. And that he had to be so ordinary in that way, that if we were trying to portray a villain, it would do a disservice to Tahlia's story and it would be doing a disservice to the wider story. So the fact that we could let all of that complexity live in him, that gave me a lot of freedom. But you're right that the challenging thing in any of these stories is how we bury the lead when we choose to drop breadcrumbs, how we lean on awkward moments as clues for the idea — like leaving just enough the information for the audience to question what is going on to lead them down the rabbit hole with us ,but gently. That is the more challenging thing, because that's not necessarily about just living in the scene naturally. That's trying to plan the larger story. I was buoyed when I saw it — I thought we did that quite well. I really loved especially how they put it together in the edit, leaning on those awkward interactions, I thought was quite nice." On the Research That Goes Into Playing a Part Like This, Digging Into Coercive Control, Biotech and More "Typically I do love a lot of research, and I started down the path of him being an engineer. I wanted to make sure those thoughts were in there. I wanted to know where we were at with that stuff. But I think ultimately where I got to was, all that stuff — like you like feel at the end of the film — I think is window dressing in a way. I needed to know enough about that so that I could know what he was doing, but ultimately the key to him is what we're talking about — how to actually think about these men who do these things, like 'what is the wiring going on in in them?'. That's the work of understanding this character. It's the domestic work. It's the human work. And to try to explain, empathise, not absolve, but just to understand what makes these people do those things. I think that was the work with him." [caption id="attachment_997132" align="alignnone" width="1920"] Succession, Macall Polay/HBO[/caption] On Saying Goodbye to Succession, and What It Meant to Zukerman to Be a Part of It "I think it's so nice that that show will exist forever. I think it's now part of television canon, and to be a part of it, I'm just so proud. So I think it will just always have a life. I grew up loving The Sopranos and Six Feet Under and The Wire and Oz, and those seminal TV shows — and The West Wing. I knew characters that were there for an episode, that were there for three episodes. I was so aware of every little storyline on all of those shows, and I was just like 'if only I could be in something like that, that would be it'. Like, 'I would be fine'. [caption id="attachment_997133" align="alignnone" width="1920"] Succession, Peter Kramer/HBO[/caption] And I'm lucky that I got to do one of those, and I got to be there for a little bit, and I got to witness how they made it, and I got to be around those people. I just feel so lucky. I was there and I was a part of it, but I got to also be an audience just as much as, I think, in it. It's an interesting question. It was something just so special about that production that I think I'll continue to try to, I guess, understand and learn from and think about. [caption id="attachment_997137" align="alignnone" width="1920"] Succession, David Russell/HBO[/caption] All I love about any work is how close to the creative muscle I can be, and I think what was special about that show was that. I was on the periphery. There were moments when I was a little more forward in the story, but largely I was orbiting the story. And I think what was special about that is that it doesn't matter how big your role must have been — that's both the cast and crew — everyone on that set felt like they were a part of it, that they had agency to make decisions, that they were genuinely like what was being asked of them was what was special about them to only bring that. That was what was special, and that's what I'll remember. And I think it left something with me that I've taken to other things. I think it's that energy that I've brought with me after that show. " [caption id="attachment_997145" align="alignnone" width="1920"] Apple Cider Vinegar, courtesy of Netflix © 2025[/caption] On Heading Back to Australia After a Significant Run of Roles Overseas "It was never by design that I would be away. It was just that the right things didn't come up, or scheduling got in the way, or something happened for me over there that meant that I couldn't come back for various things. And it was just always I missed it. I really missed being back. I really love it here. I love the way we work. I love how fast we are, how efficient we are. We work with few resources sometimes, but it's an advantage, it creates the style of TV and film that we make. It all goes into it. It ends up on camera, that energy. And it kind of has become our visual language sometimes. [caption id="attachment_997144" align="alignnone" width="1920"] One More Shot, Ben King/Stan[/caption] And I also guess there is something about being overseas and an expat which means I'm always playing someone else in a way. There's something about home, is what I'm saying, that's important. That I know the rules of Australia. I know how people interact, that there's the micro gestures between us all, how we all interact. I guess that is home for me, that when I get back to Australia my shoulders drop and I just know how to live here. Even though the US isn't that different, it's different enough that it changes me. It requires something else of me to live there. And that's a joy sometimes. I mean, to leave is wonderful — but to come back is really, it's home. It's just a very special thing. And also, I feel very fortunate because of what I've been able to do overseas, I can now come back and work on these great things, and help these great things get up." On the Initial Dream for Zukerman's Acting Career When He Was First Starting Out "It's such a great question, because it's so rare to look back and go 'what was it that that younger person had actually wanted, and are you there now?'. That's a very special question that I don't really often give myself time to do. But I think I probably had a lot of chutzpah and a lot of ambition back then. I probably had ideas, but I didn't know what the job was, even. I didn't know what the work of being an actor was. I had a feeling that acting gave me the ability to do something I couldn't do in life, that I loved the analysis of human beings, and I loved being able to express things that I didn't express in my normal life. I loved that. But that hadn't really congealed yet, and probably at the time I just had ideas about wanting to play these big roles and do these big things, but I didn't know what it was. [caption id="attachment_997146" align="alignnone" width="1920"] City on Fire, Apple TV+[/caption] Once I started studying and I started understanding what it was, I think very quickly the only goal of mine was to have choice — just to be able to do the things I love. Like I said, it's just not always the case that I love acting, and I knew that early on that sometimes the experience can be difficult for myriad reasons. But to be able to get to a point where I can just, from project to project — based on, whether it's the quality of the work or it's the quality of the people, or both — that I could just choose to do that. I think that's nice to think about that. I think I have it, I am doing that now. I get to be pretty picky with what I do, and I get to do things for the right reasons." In Vitro opened in Australian cinemas on Thursday, March 27, 2025.
When Robert De Niro asked his reflection who it was talking to, Joe Pesci questioned whether he was funny, and Leonardo DiCaprio crawled along the ground under the influence of Quaaludes, one man was responsible. Over a career spanning almost six decades, Martin Scorsese has brought tales of taxi drivers, goodfellas and wolf-like stockbrokers to the screen — and now an exhibition dedicated to his work is coming to Australia. From May 26 to September 18, the Melbourne's Australian Centre for the Moving Image (ACMI) will pay tribute to one of America's most iconic directors, exploring everything from his early experimental beginnings to the award-winning films that have shaped many a movie buff. If you're already a fan, you'll be in Scorsese heaven. If you've somehow resisted the charms of (or completely missed) the likes of Raging Bull, The Departed and Hugo — or his concert flicks such as The Last Waltz and Shine a Light, or even Boardwalk Empire and Vinyl on TV — then prepare to have your eyes opened. [caption id="attachment_561113" align="aligncenter" width="1280"] Exhibition section "New York". Photo: Deutsche Kinemathek / M. Stefanowski, 2013.[/caption] In its only Australian stop after wowing Berlin, Ghent, Turin and Paris, SCORSESE will present a collection of more than 600 objects spanning the filmmaker's entire cinema resume, as curated by the Deutsche Kinemathek, Berlin's Museum of Film and Television. Expect storyboards, hand-annotated film scripts, unpublished production stills, costumes, film clips and more, all drawn from the private collections of De Niro, Taxi Driver writer Paul Schrader, and Scorsese himself. No ACMI exhibition would be complete without a bustling lineup of screenings, talks and other events, so expect plenty of those as well. The complete program is yet to be announced, but we'd advise blocking out a few days to delve into the influence and impact of the guy who hasn't only mastered movies, but directed the music video for Michael Jackson's 'Bad' too. SCORSESE will run from May 26 to September 18 at ACMI in Melbourne. For more information, visit the ACMI website. Top image: Ray Liotta, Robert DeNiro, Paul Sorvino, Martin Scorsese, Joe Pesci in GOODFELLAS, USA (1990). Source: Sikelia Productions, New York.
What's better than one stunning glimpse well beyond this pale blue dot we all call home? Several, each as spectacular as the next. If you're a fan of space — and aren't we all? — then this week has been huge for peering past the earth, with NASA releasing a number of images from the James Webb Space Telescope. First came the snap dubbed Webb's First Deep Field, aka the deepest and sharpest view of the universe that's ever been captured. Yes, showing the galaxy cluster SMACS 0723 as it appeared a whopping 4.6 billion years ago, and covering thousands of galaxies, it's quite the sight. NASA then backed that up with more pictures from the space science observatory that's been charged with peering deeply into our solar system and far beyond, and taking images of what it spots. Prepare to be dazzled again. Cosmic cliffs & a sea of stars. @NASAWebb reveals baby stars in the Carina Nebula, where ultraviolet radiation and stellar winds shape colossal walls of dust and gas. https://t.co/63zxpNDi4I #UnfoldTheUniverse pic.twitter.com/dXCokBAYGQ — NASA (@NASA) July 12, 2022 Perhaps the most astonishing has been called 'Cosmic Cliffs', and looks at a star-forming region NGC 3324 in the Carina Nebula — around 7600 light-years away. As captured in infrared light by the Webb telescope's near-infrared camera (NIRCam), it shows areas of star birth that have been obscured previously, and also proves the kind of sight that'll inspire a thousand big-screen space operas. Also phenomenal: two looks at the Southern Ring Nebula, a hot, dense white dwarf star, including one at its centre for the first time. One shows jagged rings of gas and dust, with light emanating from it — and, because perhaps the only reference point we have for looks at the heavens this stunning is everything that movies have thrown at us, it blows the best special effects you've ever seen out of the water. [caption id="attachment_861133" align="alignnone" width="1920"] Southern Ring Nebula[/caption] And, the Webb telescope has also captured Stephan's Quintet, a grouping of five galaxies. Again, there's a cinema tie — it's what the angel figures at the beginning of Christmas classic It's a Wonderful Life are based on. Located in the Pegasus constellation, it features galaxies located between 40 million and 290 million light-years from Earth: galaxies NGC 7320, NGC 7317, NGC 7318A, NGC 7318B, and NGC 7319. With these jaw-dropping visuals, NASA now has images of a dying star's last hurrah thanks to the Southern Ring Nebula shots, and pictures that'll help scientists explore galactic mergers and interactions, as well as black holes. Indeed, showing the world staggering sights is really just the beginning when it comes to the telescope's output. [caption id="attachment_861135" align="alignnone" width="1920"] Stephan's Quintet[/caption] "Today, we present humanity with a groundbreaking new view of the cosmos from the James Webb Space Telescope — a view the world has never seen before," said NASA Administrator Bill Nelson. "These images, including the deepest infrared view of our universe that has ever been taken, show us how Webb will help to uncover the answers to questions we don't even yet know to ask; questions that will help us better understand our universe and humanity's place within it." Yes, you're allowed to only want to stare at these pics for the next few minutes, hours and days. You're also allowed to summon your inner Keanu and exclaim the only thing that's appropriate right now: "whoa!". [caption id="attachment_861132" align="alignnone" width="1920"] Southern Ring Nebula[/caption] For more information about the James Webb Space Telescope, head to the NASA and James Web Space Telescope websites. Images: NASA, ESA, CSA, and STScI.
So the saying goes, life imitates art. But in times of political and economic upheaval, perhaps the art we turn to isn't a mirror — it's a doorway. In 2025, Australians aren't just listening to music that reflects the world around them, but the worlds they'd rather escape to. Dance floors have become places of release, bass drops a kind of collective exhale, and the 2025 ARIA Award nominations tell the story: we're craving movement, connection and joy. According to Spotify editor Marty Doyle, this year's ARIA nominees capture that cultural shift — one that's driven not just by hooks and beat drops, but by a distinctly Australian sense of optimism. Dance and electronic music now dominate both the charts and the cultural conversation, with acts like Dom Dolla, RÜFÜS DU SOL and record-breaking nominee Ninajirachi leading the charge. Together, they represent a generation of artists who have turned isolation into innovation, transforming post-pandemic energy into something deeply communal — and distinctly global. [caption id="attachment_1005091" align="alignnone" width="1920"] Dom Dolla performing on his recent tour.[/caption] "The dominance of Australian dance music is undeniable and a true testament to the amazing work our artists are doing," Doyle says. "There were one billion export streams of Australian dance music in March 2025 alone, which is an amazing result." Those billion streams aren't just happening at home. Australian artists are setting the global tempo, taking sweaty club tracks and festival anthems far beyond local shores. "Artists like Fisher, RÜFÜS DU SOL and Dom Dolla are some of our biggest exports," Doyle says, "and they're helping pave new roads for more Australian artists to come behind them." That international reach now extends to Ninajirachi, whose eight nominations — the most ever for a female electronic artist — mark a new benchmark for women in dance music. "It's incredibly exciting to see Ninajirachi lead the charge," Doyle adds. "It's an achievement that should be celebrated." [caption id="attachment_1035191" align="alignnone" width="1920"] DJ Nina Wilson performs as Ninajirachi during Lollapalooza 2023.[/caption] The Sound of Escapism If dance and electronic music are thriving, it's not just about BPMs — it's about emotion. In uncertain times, Australians are finding joy, connection and escape on the dance floor. "It's impossible to pinpoint one reason," Doyle says of the genre's surge. "But COVID definitely accelerated our appetite for dance music." When lockdowns shut clubs, cancelled festivals and erased social connection, music filled the gap. "The idea of dancing in a sweaty club together or even being outside at a festival became one of our biggest aspirations," Doyle says. "When we were finally able to get outside again, there was an explosion of enthusiasm. People were partying like it was their last night on earth." That post-pandemic energy, Doyle argues, hasn't faded — it's evolved. "Amidst an unsettling and shifting geopolitical world, Aussie artists have managed to not only address complex issues within their music, but they've also found solace in making it fun," he says. "It's a testament to our resilience, optimism, sense of humour and shared values as Australians." In other words: when the world feels heavy, Australians dance. [caption id="attachment_913128" align="alignnone" width="1920"] Home-grown EDM favourites RÜFÜS DU SOL performing live.[/caption] From Lockdown Loops to Global Stages The pandemic didn't just reignite audiences' desire to dance — it reshaped how artists created. "COVID provided a chance for artists to retreat into their home studios and create some of their most profound work," Doyle says. Fred again.. is perhaps the most famous example, but the ripple effect was global — and local. Aussie duo Shouse turned their track 'Love Tonight' into an international anthem of resistance during lockdowns, soundtracking balcony singalongs across Europe. "There are so many stories like this that have contributed to the acceleration of dance music over the last few years," Doyle says. That creative spark continues. Spotify's data shows that dance and electronic streaming in Australia now spans every part of the day — from morning workouts to study playlists and nights out. "Electronic music is made up of various sub-genres, and new ones are constantly being invented and mashed together," Doyle explains. "It's fertile ground for innovation and discovery." And increasingly, that experimentation is paying off on the charts. "We're seeing electronic music cross over into mainstream and end up on the ARIA Charts," Doyle adds. "That curiosity among Australian listeners is helping drive the rise of the genre." [caption id="attachment_1035190" align="alignnone" width="1920"] Marty Doyle— Editorial Lead, Spotify AU/NZ[/caption] Beyond the Beat While electronic and dance dominate the conversation, other genres are thriving too. "Indie and guitar-based music is also booming," Doyle says. "Australia has always punched above its weight in this space." Spotify data backs it up: Australian indie exports have surged 94 percent since 2021, while indie pop isn't far behind, up 86 percent in the same period. It's evidence that our music scene isn't defined by one sound — it's an ecosystem of artists pushing boundaries across styles. Looking ahead, Spotify's editors don't expect the momentum to slow. "There's no evidence to suggest this growth will drastically change," Doyle says. "But we're also seeing exciting early signs in local country and post-punk." [caption id="attachment_1014087" align="alignnone" width="1920"] Melbourne's Electronic and EDM A3 Festival, returning later this year.[/caption] A New Era of Australian Sound If there's one takeaway from the 2025 ARIA nominations, it's that Australian music is entering a new era — one powered by diversity, innovation and fearless experimentation. "While you'll see some familiar names among the nominees," Doyle says, "it's amazing to see a record-breaking number of first-time and independent artists in the mix too. It proves there's a never-ending pipeline of incredible new talent that Australian audiences are embracing." From massive export numbers to global festival stages, Australian artists and producers aren't just making people move — they're exporting a feeling. And right now, that feeling sounds a lot like hope. Find out more about 2025's Aria Award nominees and cast your votes now. Images: Supplied | Getty Images
Wineism has become a fixture of Albion's growing hospitality scene, drawing locals and wine lovers who know exactly why they're here. This is a venue shaped by experience, led by co-owner and sommelier Ian Trinkle, whose career spans some of Australia's most respected dining rooms and wine programs. Before opening Wineism, Trinkle built his reputation working across high-end restaurants, developing the kind of deep tasting knowledge that only comes from years in the industry. That background informs everything at Wineism, from the structure of the wine list to the way guests are guided through it. The focus is on premium wines, thoughtful selection and helping people find what suits their palate, whether they're eager to explore or happy sticking with what they know. Classic expressions sit alongside newer discoveries, with the list shaped by balance rather than fashion. Styles move across regions and varietals, but the focus remains on clarity, structure and wines that speak clearly of where they're from. Education is part of the experience, but never heavy-handed. With a background in teaching wine, Trinkle and his team focus on giving guests the language to understand what's in the glass, without stripping away the romance that makes wine compelling in the first place. That same approach carries through to Wineism's popular WSET courses, which attract both industry newcomers and enthusiastic drinkers keen to build confidence and knowledge in a relaxed setting. Designed to suit its industrial surroundings, Wineism feels confident, polished and welcoming. It's a place to drink well, ask questions if you want to, and enjoy the simple pleasure of a great glass poured by people who genuinely know their stuff.
When it comes to being photogenic, Queensland has the formula perfected. Especially on its beaches, just look at that tropical white sand, the azure water and bright green forests that meet it. Perfection. And abundance, too — with Australia's second-largest coastline and just over 1,700 recorded beaches. With numbers like that, choosing favourites might seem like an impossible task. We've made a selection for Brisbane's best beaches, but to look at the rest of the coastline, we've turned to the experts. That job falls to Lonely Planet, who have shared with us their picks of the best beaches in Queensland and why — which you can read in full (alongside the other states' highlights) in their new Best Beaches Australia guide. [caption id="attachment_1075518" align="aligncenter" width="1920"] Shutterstock[/caption] Lady Elliott Island, Southern Great Barrier Reef Few islands have a comeback story quite like this remote coral cay at the southern tip of Queensland's Great Barrier Reef. Stripped almost bare by guano miners in the late 1800s, with new growth prevented by goats placed on the island to ensure food for shipwrecked seafarers, Lady Elliot Island had been reduced to little more than a field of compacted coral by the mid‐20th century. A small resort was opened on the degraded island in 1969 and a DIY revegetation programme commenced. But it wasn't until Peter Gash, Lady Elliot's current custodian, took over in 2005 that the regeneration of the island shifted into high gear. Its forest ecosystem has since been largely restored, providing a haven for seabirds and even marine life as nutrients seep through the 'beach rock' and fertilise the fringing reef. Run almost entirely on renewable energy, the island's low‐key eco‐resort has a minimal effect on this rich habitat. One of the best ways to enjoy the 42‐hectare (104‐acre) island is to walk around the crushed coral and sand beach encircling it, which takes about 45 minutes without stops. The eco‐resort is located on the east‐facing 'sunrise' side of the island, where a shallow reef stretches towards the horizon, and durable plastic sunloungers provide a comfortable seat for quiet contemplation as the sun rises above the Coral Sea. You can only snorkel here at high tide, when you're likely to meet a few turtles. Can you hear that crackling sound? It's a sign of a healthy reef. Head clockwise around the island and look out for rare red‐tailed tropicbirds nesting under the octopus bushes lining the shore. As you round the southwestern corner of the island, see its 1893 lighthouse towering over the west‐facing 'sunset' beach. This part of the beach is a launchpad for snorkelling and diving adventures in deeper waters, with mere steps separating you from your next manta ray encounter. As the sun begins its evening descent, overnight guests gather here to watch the sky light up with a cool drink in‐hand and the sand between their toes. Getting there: Lady Elliot Island is only accessible by a small aircraft flight from Bundaberg, Hervey Bay, Brisbane, or the Gold Coast, arranged by Lady Elliot Island Eco Resort as part of your visit. Day trips are possible, but a longer stay is recommended to enjoy the island to the fullest. [caption id="attachment_1075521" align="aligncenter" width="1920"] Shutterstock[/caption] Nudey Beach, Fitzroy Island It might surprise first-time visitors to this Great Barrier Reef gateway hub to discover that Cairns/Gimuy is not a beach destination – its muddy foreshore is more popular with coastal birds. But with Fitzroy Island on its doorstep, it doesn't need to be. Before sea levels rose around 9500 years ago, Aboriginal groups could walk to this small, hilly island 5km (3 miles) from the mainland to fish, gather food, and hold ceremonies. Now a national park, Fitzroy Island offers a classic tropical‐island experience just 45 minutes from Cairns. Ferries arrive at Welcome Bay, where a 1.2km (0.75‐mile) return shaded rainforest track leads to small, undeveloped Nudey Beach which, despite its name, isn't clothing‐optional. Bookended by granite boulders, with turquoise water lapping its crunchy white‐coral sand, the setting is sublime. There's good snorkelling off the northern end of the beach, with pretty patches of hard and soft corals visited by angelfish, butterflyfish, parrotfish and wrasses, along with the odd green turtle. Getting there: The Fitzroy Flyer ferry runs three daily services between Cairns and Fitzroy Island in both directions. There is a resort with two restaurants and a campground on the island. [caption id="attachment_1075520" align="aligncenter" width="1920"] Shutterstock[/caption] Balding Bay, Magnetic Island/Yunbenun Queensland may be the only Australian state or territory lacking an official nudist beach, but that doesn't stop locals and visitors to Magnetic Island's Balding Bay (Yunbenun to its Traditional Wulgurukaba Custodians) from getting their kit off here. It takes a bit of effort to get to the state's best‐known unofficial nudist beach – the 2.8km (1.7‐mile) return track from neighbouring Horseshoe Bay is very steep with many steps; sturdy footwear is recommended. But it's all part of the experience – keep an eye out for orange‐flanked rainbow skinks basking on the rocky path. Upon reaching the remote‐feeling bay, where a small arc of golden sand settles between granite‐boulder headlands, diving into the tropical water is de rigueur, clothed or not (outside the November to May stinger season). While the Great Barrier Reef protects Balding Bay from powerful waves, be mindful that help is at least a 40‐minute hike away. Getting there: Magnetic Island is a 20‐ to 40‐minute ferry ride from Townsville. Bring your car or e‐bike, or take a bus from the Nelly Bay ferry dock to Horseshoe Bay (p32), 7km (4.5 miles). The track to Balding Bay begins at the eastern end of Horseshoe Bay. [caption id="attachment_1075519" align="aligncenter" width="1920"] Shutterstock[/caption] Low Isles/Wungkun, Port Douglas Captain Cook's log described the 'small low island' he sighted from the Endeavour on 10 June, 1770, and set about giving it an unimaginative renaming. In reality, the Low Isles off Port Douglas have been known to the Eastern Kuku Yalanji and Yirrganydji peoples for centuries as Wungkun, an important cultural site and Dreaming place. A teardrop of sun‐kissed sand with an 1878 lighthouse rising above a cluster of palm and casuarina trees, the smaller of the two coral cays that comprise the Low Isles was made for a day on the beach. A string of permanent umbrellas provides much‐needed shade on sultry Tropical North Queensland days, and a reef – part of the Great Barrier Reef Marine Park – begins just steps from the shore. There are 150 corals for snorkellers to count, along with turtles, reef sharks and a cornucopia of tropical fish. Not just a pretty reef, this rich marine ecosystem has played an important role in global reef science. The world's first scientific study of a coral reef was undertaken here in 1928, with subsequent studies helping scientists understand how reef systems decline, recover and change over long periods of time. With boat tours from Port Douglas taking as little as 15 minutes to make the 15km (9.3‐mile) journey to the island, it's perfect for visitors looking for a taste of the Great Barrier Reef but lacking the time for a full‐day trip to the outer reef. Visit on a calm, sunny day for the best snorkelling conditions, ideally at high tide, and don't stress about crocodiles, with only three glimpsed out here in as nearly as many decades. Not much of a snorkeller? You can circumnavigate the 1.6‐hectare (4‐acre) island in as few as 15 minutes. Automated in 1993, the island's lighthouse no longer requires a keeper, but the Great Barrier Reef Marine Park Authority (GBMPA) appoints a new set of caretakers roughly every two years to ensure the Low Isles' natural and heritage values are maintained. If this sounds like your dream job, keep an eye on GBMPA's Facebook page. Getting there: Port Douglas is 67km (41.5 miles) from Cairns/Gimuy, which has an international airport. Port Douglas–based operators offer a variety of Low Isles tour options, from speedboat snorkelling tours that return you to the marina in less than 2.5 hours, to leisurely catamaran sojourns. These excerpts were supplied by 'Lonely Planet' from their 'Best Beaches Australia' guide — available online and at bookstores near you now. Images: supplied
Making the leap from computer screens to gallery walls, digital art is here to stay. Tokyo has a whole museum dedicated to it, and now Brisbane Powerhouse is following suit for a month-long showcase. Displaying in the Visy Foyer and other exhibition spaces, Power to the Pixel runs from Tuesday, January 15 to Sunday, February 17, highlighting the eye-catching work of some of the world's best artists in the medium. Australia, the US, the UK, Brazil and Israel are all represented, with Brisbane games whiz Wren Brier on curation duties. If you've played Jetpack Joyride or Fruit Ninja, then you're familiar with her work. Other featured artists include Melbourne's Paul Robertson, who's particularly fond of geometry and fractals; American Jubilee, who reinvents landscape images in 8- and 16-bit form; and Brazil's Bruno Moraes, who features characters travelling through space heavily in his work. Getting up close and admiring every aspect of these pieces is highly recommended — they've been created one pixel at a time, after all. Image: Paul Robertson.
When the Goodwill Bridge, then the Neville Bonner Bridge, then the Kangaroo Point Bridge each opened in Brisbane, helping pedestrians get around the River City on foot was high among each structure's aims. Brisbane Festival 2025 clearly applauds that idea. The Queensland capital's major annual arts fest is not only embracing the concept, but is also building upon it. How does an event in a city that adores constructing more and more bridges work that reality into its program? By turning those three aforementioned river crossings into art installations — and featuring them in an art trail. Walk This Way is one of Brisbane Festival's big 2025 highlights. Brisbane art and design duo Craig Redman and Karl Maier, who are globally known as Craig & Karl, have been given the task of transforming the Goodwill, Neville Bonner and Kangaroo Point bridges with large-scale art. With this free part of the fest's program, you'll not only see these structures as you've never seen them before and, of course, mosey along them; you'll also follow the path around the city to other iconic sites. Craig & Karl have an exhibition at Griffith University's Art Museum, celebrating where they first met, on the Brisbane Festival 2025 as well. Across Friday, September 5–Saturday, September 27, there's plenty more in store for the city — 106 productions and 1069 performances, in fact, featuring contributions from 2260 artists. A huge 21 events in the program are world premieres, while more than 39 percent of the lineup is free. After-dark experience Afterglow is among those global debuts, filling the Brisbane City Botanic Gardens with fire sculptures and candlelit installations. Or, catch The Great Gatsby-themed show and pop-up club GATSBY at The Green Light, which is heading to Twelfth Night Theatre to celebrate 100 years since F Scott Fitzgerald's book first hit shelves. Thanks to Gems, which was commissioned by French luxury house Van Cleef & Arpels, Brisbane will witness three specific pieces by acclaimed choreographer Benjamin Millepied and LA Dance Project staged together for the first time ever. Courtesy of Baleen Moondjan, First Nations artist and Bangarra Dance Theatre founder Stephen Page is back home in Brisbane with a production that explores the link between baleen whales and Country — and, fittingly, will be performed in a barge featuring whale bone sculptural elements on the Brisbane River. [caption id="attachment_1008626" align="alignnone" width="1920"] Craig & Karl, Dirty Puppet and Jared Hinz.[/caption] Another must-attend Brisbane Festival show pays tribute to one of the city's beloved Indian restaurants, with A Place in the Sultan's Kitchen not only featuring Joshua Hinton chatting about his family's eatery, but cooking his grandmother's chicken curry live. Fellow standouts include yet another dance must-see in Bad Nature, with Australasian Dance Collective and the Netherlands' Club Guy & Roni teaming up; TINA — A Tropical Love Story's tribute to Tina Turner; the solo debut of Josh Taliani, who is behind House of Alexander; Shake & Stir giving A Midsummer Night's Dream a pop makeover as The Lovers; and Back to Bilo bringing Priya and Nades Nadesalingam and their family's tale to the stage for the first time. Plus, AMPLIFIED: The Exquisite Rock and Rage of Chrissy Amphlett is an ode to its namesake, Milestone is William Yang's latest presentation, 100 Guitars gives 2025's festival its mass-participation performance and Community Choir: The Musical does indeed show the love for everyday voices. Roma Street concert series Night at The Parkland has a heap of Aussie talent on its bill, such as ICEHOUSE, Lime Cordiale, Jack River, Xavier Rudd, Amy Shark, Grinspoon and Cut Copy. To catch Odd Mob, CW Stoneking, Wolters, Phantastic Ferniture and more, head to Tivoli in the Round, which is shaking up its stage setup. And, Wunderhorse, Winston Surfshirt and Sarah Blasko are also on Brisbane Festival's program, as are Brisbane Serenades' outdoor concerts at Brisbane Powerhouse, Manly, Moorooka at St Lucia. It wouldn't be a Brisbane Festival without Riverfire, which will light up Brisbane's night sky with fireworks on the event's opening weekend. Also getting everyone looking up, Skylore will be back with another First Nations traditional story taking to the air via 400 drones. [caption id="attachment_1008620" align="alignnone" width="1920"] Laurent Philippe[/caption] Top images: JD Lin, Craig & Karl, Lachlan Douglas, Joseph Mayers, George Gittoes, UAVS, Stephanie Coombes, Laura Du Ve and Children of the Revolution.
When the Australian Government introduced an indefinite ban on all overseas travel in late March, Qantas and Jetstar suspended all scheduled international flights and temporarily stood down two-thirds of its staff. Today, Thursday, June 25, the airline has revealed that overseas flights will not takeoff again until at least July 2021. At a press conference this morning, Qantas CEO Alan Joyce announced 6000 job cuts across all parts of the business and the continued standing down of 15,000 employees until flights return — which, for international flights, won't be for a while. Referencing a report released earlier in the year by an airline industry expert, Joyce said that it is expected to take three years for international travel to return to 2019 levels. "We think international will take a long time," Joyce said. "There'll be nothing this next financial year, July next year we may start seeing some international services and that will only get us to 50 percent. The following year, only two-thirds of the pre-COVID international schedule." [caption id="attachment_773510" align="alignnone" width="1920"] A trip to Japan won't be on the cards until 2021[/caption] The likelihood of international travel not returning for Australians until at least 2021 isn't new, news, though. Earlier this month, Federal Tourism Minister Simon Birmingham said as much, telling the National Press Club, "international border restrictions are likely to be there for some time to come" — and that "keeping those border restrictions largely in place is a price we're going to have to pay to keep COVID under control". The good news is that, as has come up frequently over the past few months, implementing a 'travel bubble' with New Zealand — aka reinstating international travel just between the two countries before Australia's international border reopens to all nations worldwide — is still under consideration according to Birmingham. Whether Qantas and Jetstar will run flights across the ditch if a travel bubble is allowed before July 2021 is currently unknown. The airlines will, however, definitely still be running domestic flights — and expect domestic travel to be back to 100 percent of pre-COVID-19 levels by 2022. "We're very optimistic about domestic," Joyce said at the press conference. "The domestic market will get back to maybe 70 percent of pre-COVID levels in the next year and the following year to 100 percent." The airlines have started ramping up domestic flights again and even held a big sale, with one-way flights as cheap as $19, last week. https://twitter.com/Qantas/status/1268341083257233408 It's worth noting, of course, that many of Australia's state borders are still closed. Queensland is working towards reopening to visitors from other states on July 10, although that hasn't been officially confirmed as yet, while the Northern Territory announced it'll reopen on July 17 — and South Australia is slated to do the same on July 20. While Victoria, NSW and the ACT currently have open borders, numerous state health ministers — including NSW Health Minister Brad Hazzard today — have encouraged their residents to avoid travel to Victoria, especially to Melbourne's COVID hotspots, as the state has seen a recent uptick in new cases, with 33 recorded in the last 24 hours. Qantas and Jetstar's 6000 job cuts are part of post-COVID-19 recovery plan for the airlines, which also includes the retiring of the remaining 747s six months early and the grounding of 100 aircraft for up to 12 months. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
As fun as it is, Easter isn't just about staying home and eating chocolate. Given that most of us have four days off, it's also a great time for a road trip. In keeping with the eating and drinking theme, might we suggest a cheese, wine and food festival? If heading to the Sunshine Coast sounds like your idea of fun, then the Kenilworth Cheese, Wine & Food Fest should be your first destination. Sample cheese and wine all day long, watch cooking demonstrations, and enjoy some live music. And then there's the cheese rolling contest, which is exactly what it sounds like. Image: Dollar Photo Club.
Let’s be honest here, Brisbane is pretty underrated by the rest of the ‘it’ towns in terms of who has and who has not got the coolest markets. Sure, we might have a lot of markets consisting of marquee-style stalls selling handmade soaps, dream catchers and heat packs, but we have so much more too. With the weather getting milder every day now, there is no better time to discover some of the best markets around without the fear of being baked alive in the process. So without further ado, here is Concrete Playground's guide to the best markets in our city. 1. Finders Keepers Markets When: Bi-Annually (Autumn/Winter & Spring/Summer) The Finders Keepers Markets are some of the most highly sort out markets in Australia and Brisbane is lucky enough to play host twice a year. The free markets showcase the work of amazingly talented emerging designers and artists from all around Australia and New Zealand. The whole event is like walking around in a real life Frankie Magazine – a lot of awesome design with just the perfect amount of kitsch mixed in for good measure. With a laidback festival feel, the markets even have great live music, a café/ bar and amazing food stalls. It’s clear that there is an incredible passion for high quality, independent design that’s consistent throughout the markets and which they maintain year after year. If you are looking for one-offs and high quality unique pieces you can’t find anywhere else, the Finders Keepers Markets are definitely for you. 2. Suitcase Rummage When: First Sunday of every month, 12pm – 5pm. On the first Sunday of every month, Reddacliff Place plays host to the Suitcase Rummage – a market that, as the name might suggest, encourages you to make like your grandma and have a rummage through goods sold from old suitcases. There’s so much wonderment to be had with retro finds, unique artwork, bric-a-brac, clothing, books, jewellery, seconds, records, cupcakes…you name it! Not only will you find all of these goods at a bargain price, you are also welcome to swap or have a bit of an old fashioned haggle. Make sure you head down early to find all the best stuff before some other savvy individual gets there first. You can also register to sell your own suitcase full of goods. 3. Black Markets at Black Bear Lodge When: First Saturday of every month, 12pm – 5pm. Remember the Troubadour? So many memories, I go all fuzzy inside and start giggling like a schoolgirl with the amount of nostalgia locked away in that place. Although the Troubadour might be gone, in its stead is the wonderful Black Bear Lodge – a mix of the old Troub covered with smatterings of Twin Peaks style deco. Going all gooey inside at the thought? Well there’s more! Black Bear Lodge is more than just an indie hot spot for nightlife and live music, they also play host to artisan markets every month. These aren’t your regular markets, which typically cater to girls and crafty types. The Black Markets feature records, poster art, zines, handmade guitar pedals and collaged shirts along with local emerging fashion and designers. Curated by the girls at Velvet Pins, the markets are a collection of some of the most eclectic goods in Brisbane. Come enjoy a coffee or boutique beer and soak up the snuggly cabin style vibe whilst browsing some covetable wares. Black Bear Lodge is sure to bring about a nostalgia all of its own in years to come. 4. Bleeding Heart City Markets When: First Friday of every month, 10am – 4pm. City markets seem to be enjoying a moment in the sun at the moment as CBD inhabitants relish in the opportunity to purchase something found outside the surrounding chain stores. The latest market to pop up in the area is courtesy of Bleeding Hearts Cafe and Art Gallery, an artisan retail store dedicated to funding charitable and community enterprise. The Bleeding Hearts Markets take place on the first Friday of every month and will offer an assorted mix of handmade items and art from local artisans, who will set up shop along the gallery veranda and in the front garden. Get your hands on some new and exclusive prints, illustrations, jewellery, accessories, children's clothing and toys and meet the talented people responsible for these clever crafts. 5. Kerbside Markets When: Sundays monthly, from 12pm. We all remember the days when the Brunswick St Valley markets were actually good. Or maybe we were just young and naïve. Either way, there is another alternative to get your Valley market fix on a Sunday afternoon. The Kerbside Markets are a monthly Sunday afternoon laneway market held at the uber cool Kerbside bar on Constance St. Not only do the markets manage to incorporate a distinctive mix of vintage wares with both booze and BBQ goodness, there’s also no bulk imported cheap stuff in sight. Chill out at the bar, take a couch seat or filter through the loveliness on offer. With 20+ stalls, there’s sure to be something that tickles your fancy. 6. Junk Bar Trash and Treasure Markets When: Monthly, 10.30am – 3.30pm Junk Bar, a living room-esque hole-in-the-wall bar, has got everything you need for it to be your new favourite hang out. It’s got good music, walls covered in forest wallpaper, an assortment of vintage lamps and couches, a delicious array of cocktails and bonus points for its fringe of the City location. This Ashgrove-based home-away-from-home also plays host to monthly trash and treasure markets where you can score some of the finest vintage finds and off casts. Stall holders utilise the unique space and furniture of the bar in a creative way to best show off their wares which include one-of-a-kind vintage and pre-loved clothing, records, art, bric-a-brac, books, jewellery, hand-made items, badges, greeting cards, vintage photos and cameras. Get out of the house without feeling like you really left at all. 7. Brisbane Vintage Fair When: Annually in March Maybe it’s the collective nostalgia or the desire to reuse and recycle that draws people to vintage attire? More realistically, the love for vintage is probably inspired by the knowledge that fashion will never again be as good as it was in the yesteryear. Whatever your reason for loving vintage fashion, Brisbane’s vintage aficionados can get their fix of fashion at the Brisbane Vintage Fashion Fair at Eagle Farm Racecourse. Whether you're seeking a specific vintage item, just want to add some difference to your wardrobe or just get amongst the colourful crowd, this fashion fair is set to have something for everyone. With best-dressed comps, vintage tunes and bubbly at the bar you can dip back into the past and grab yourself a fabulous gem. Vintage fashion never gets old. 8. West End Twilight Markets When: 2nd and 4th Saturday of each month, 4pm – 9pm. Despite the often-questionable locals and hordes of hippies, West End just can’t seem to shake its laidback cool vibe. Plus, those West Enders sure know how to throw one hell of a market. Already renowned for their wonderful farmers' markets, West End also play host to the West End Twilight Markets. A specialty marketplace, the West End Twilight Markets feature a diverse mix of treasures, food and live performance. Every second Saturday afternoon you can head down to the reclaimed Hangar on the corner of Wilson and Boundary streets for an enchanting evening. With a unique focus on sustainability, engagement and local talent, these markets are a wonderfully relaxing event filled with community spirit and all sorts of ethical, fair-trade, one-of-a-kind goodies to be found. 9. Young Designer Markets at South Bank When: First Sunday of every month, 10am – 4pm. If you’ve never been to the Young Designer Markets in South Bank and you have in any way associated them with the regular South Bank Markets, forget it. While the South Bank Markets are the home of the lame middle-aged marquees selling candles and tie-dye fisherman pants, the Young Designers Markets are where you go to find some of Brisbane’s hottest up-and-coming student designers before the make it big. Consisting of over 40 stalls of clothing, accessories, homewares, object design and art, you are also getting the chance to meet and buy direct from the talent. Show your support for our bourgeoning fashion and design scene whilst scoring one-of-a-kind pieces from Brisbane’s incredibly talented youngsters. 10. BrisStyle Indie Markets When: Every second month, 5pm – 9pm. If you prefer your markets twilight style, then Brisbane has another edition to add to the growing list of night time markets. The BrisStyle Indie Twilight Markets are the perfect place to find all sorts of crafty handmade trinkets and oddments galore, browsing by lantern light at our very own King George Square. BrisStyle is a collection of talented crafters and designers from Queensland who sell their wares through Etsy, but these creatives want more than just an online presence so every second month they set up shop in the heart of the city to show their wares to all under the stars. Meander through the stalls of over sixty emerging and established local artisans, all 100% hand made in Australia.
In any other year, the songs of the summer are those that have been heard blaring from car windows, festival stages and nightclub speakers. While we've had a few songs take on this energy despite the circumstances ('Blinding Lights', 'Heat Waves' and 'WAP' to name a few) for most of the year, it's just been us and our Spotify accounts. Now, as we head into what we are all hoping to be an action-packed, smoke-free and dance floor-heavy summer, it's the perfect time to refresh your summer playlist. Here are ten tracks you may have missed this year that are bound to give you those summer warm and fuzzies, primed and ready to soundtrack your road trips, bushwalks and pool parties. https://www.youtube.com/watch?v=WmsvhQNuO-E GOLDEN VESSEL: MIDWEST Dive headfirst into the feeling of a summer road trip with this track of the latest Golden Vessel album colt. Each song on the album is primed for stares out of a car window, which the creative force behind the project Maxwell Byrne seemed to know, releasing it alongside a road trip-themed visual album titled eyes on the road. 'Midwest' encapsulates this the best. As soon as the first note hits and Byrne's deep baritone vocals kick in, you can see the trees passing by your window, stereo up, snacks on hand. The gentle instrumental plays off the persistent bass to create a sense of forward momentum. It's an anthemic ode to hitting the road with your crush and, while we may not be able to drive across the midwest right now, it's the perfect time to take to the road and explore regional Australia. https://www.youtube.com/watch?v=oc50wHexbwg KHRUANGBIN: TIME (YOU AND I) Like their music, the cover of Khruangbin's fourth studio album Mordechai explodes with colour. They're a group built on bringing forward the brightest and bounciest sounds of past generations into today. The highlight of the album is 'Time (You and I)', an easygoing soundtrack fit for any summer occasion. Sunshine exudes from every second of its five and a half minute run time. Over a smooth disco-heavy instrumental Khruangbin come to the conclusion that nothing is perfect and everything comes to an end, but that's ok. They're along for the ride, one full of baselines and dance floors. Towards the end of the track, the band recite the phrase 'that's life' translated into various languages. Turkish, Korean, Hebrew — it's universal. We're all here living our lives, just trying our best to have fun. https://www.youtube.com/watch?v=JPgPHTZsGbU LIL SPACELY: STILL TRAPPIN' (FEAT. ELIJAH YO) 2020 was a landmark year for Australian hip hop. Artists like The Kid Laroi, Onefour, Sampa the Great and Tkay Maidza saw overseas success previously unseen in the local scene. The area undoubtedly leading the pack has been Western Sydney, catching the attention of US rap superstars and international record labels. Among it all, Lil Spacely, one of the area's rising stars, released 'Still Trappin', a sonic victory lap for Western Sydney. Bursting at the seams with sunshine, the track's beat glistens as Spacely tells us of his come up, ambitions and his love for his hometown of Blacktown. The track's biggest pitfall is that it was released during a winter lockdown. There couldn't a song more suited to a summer party — and luckily we have all summer to enjoy it. https://www.youtube.com/watch?v=Yr_1pDBL0uc BIG DOG: FIGHT IT NOW 'Fight It Now' is the debut single from Sydney band Big Dog. Written during the devastation of the 2019/20 bushfire season, the song conceals a thread of climate anxiety under rich guitars and gentle melodies. Wrapped in warm Australiana reminiscent of Paul Kelly or The Go-Betweens, the track is filled with nostalgic energy. This warmth softens the blow of its cautionary lyrics, warning of future smoke-filled summers without immediate climate action. Musically, 'Fight It Now' conjures feelings of sitting on your porch on a balmy afternoon, but, lyrically, it's a sombre reminder of the country's climate crisis, and as a new summer begins with more extreme weather events, the song remains as relevant as ever. https://www.youtube.com/watch?v=TUVcZfQe-Kw DUA LIPA: LEVITATING Dua Lipa's Future Nostalgia was created for late nights and bustling dance floors, two things that seemed like distant memories throughout the majority of 2020. Despite this, the album managed to blaze a global trail of feel-good pop energy. Any of the singles from the 80s-tinged dance-pop album could fit snuggly into your summer playlist (especially as dance floors and nights out return across the country) but 'Levitating' is the most joyous of the bunch. The anthemic chorus, punchy bassline and Dua Lipa's electric vocals radiate fun. It's overflowing with the energy we've been missing in 2020 and everything we're hoping 2021 will be. https://www.youtube.com/watch?v=1ej2BiNFFgM STEVAN: WARM True to its name, 'Warm' is a sunny slice of bedroom pop. Wollongong artist Stevan lays his heart on the line over twinkling synths and a subtle bass groove. Sporadic drums run through the song providing momentum. Completing the wholesome summertime energy of the track is the video, starring Stevan and his new best friend Tilly, a blue heeler cross border collie, and their adventures checking off classic summer bucket list activities: exploring the beach, hanging out at the park and eating rainbow Paddle Pops. Whether your partner in crime is human or dog, 'Warm' will help fill you with adventurous and heartfelt energy you're in need of this summer. https://www.youtube.com/watch?v=Tw0zYd0eIlk PHOEBE BRIDGERS: KYOTO Phoebe Bridgers' take on the world struck a chord with many this year, with the singer going from underground singer-songwriter to Grammy-nominated Tik Tok sensation. Her music is effortlessly relatable and realistically bleak without ever slipping into overbearingly sad. She approaches topics like loneliness and anxiety with a sense of humour and wit. In a difficult year full of isolation, this perspective was comforting. 'Kyoto' served as Bridgers' breakout hit and an endearing ballad that refuses to get tired. Its bright guitars and horn section are contrasted by the track's dark lyrics of travelling through Japan while dealing with persistent calls from your ex. In Bridgers' world, just like in real life, everything can get pretty overwhelming, but we'll get through it all if we just don't take ourselves too seriously. https://www.youtube.com/watch?v=VhS5MB9cLY8 BANOFFEE: TENNIS FAN (FEAT. EMPRESS OF) A typical element of the Australian summer is the Australian Open. The sight of an international tennis star out on a sweltering Melbourne day is as engrained in the fabric of this time of year as much as an icy pole or overcrowded swimming pool. Banoffee's 'Tennis Fan' builds itself around a series of tennis samples from umpire calls to balls being struck. Somehow, she weaves the samples into a metaphor for social anxiety and loneliness, lamenting on not being invited to a tennis match or the movies. It's layered songwriting, but, most of all, the song's a fun summer bop filled with dance grooves and high school nostalgia. With 'Tennis Fan' and its subsequent album Look At Us Now Dad, Banoffee marked herself as one of Melbourne's most exciting young artists and the queen of the tennis court, no matter what her crush says. https://www.youtube.com/watch?v=bdvxzc7FLow THE AVALANCHES: MUSIC MAKES ME HIGH Throwing back to their classic 2000 album Since I Left You, 'Music Makes You high' throws together an eclectic collection of samples in the process of building a kaleidoscopic collage of sound. Through the magic of The Avalanches, it bottles the energy of being in a buzzing crowd hanging on every note of the music. It's the sound of a packed 1am DJ set at Freda's or an overflowing side stage, late afternoon at a music festival. The song's distant crowd noises, energised dance groove and 1980s disco sample transport you to possibly the closest thing to a dance floor many of us experienced this year. Like so many great Avalanches tracks, 'Music Makes You High' takes pieces of music history and compresses them into three minutes of joy. https://www.youtube.com/watch?v=osz9DyfbjyQ FLEET FOXES: SUNBLIND Fleet Foxes returned in 2020 with their sweetest, most assured album yet. In many ways, it felt detached from the year's doom and gloom, preoccupied with its own journey of growth, as lead singer Robin Pecknold reckons with life and growing older. Of all the songs on the record, 'Sunblind' feels the most in touch with the year we've had. Partnered with triumphant instrumental, Pecknold sings of finding comfort in the works of late musicians (Bill Withers, John Prine, Jeff Buckley) and in nature, specifically water. While it may not have been intentional at the time of writing, when he sings "but I'm loud and alive, singing you all night", it's a perfect soundtrack to riding off into 2020's sunset. Everything may not be perfect but we're moving forward into brighter days. Listen on Spotify below. https://open.spotify.com/playlist/23TLh9PrnatiOBetr1PuNL?si=P0ohy4QnToGrceEJmvNR2g
Australia's global cultural clout is about to receive a huge boost, with the Art Gallery of NSW's new Sydney Modern Project finally throwing open its doors on Saturday, December 3. Perched upon a hill next to the original AGNSW, looking down on Woolloomooloo's Finger Wharf, the world-class museum boasts a series of stunning and immersive exhibition spaces housed within an expansive open-plan glass building. On Tuesday, NSW Premier Dominic Perrottet called the Sydney Modern Project New South Wales' "most significant cultural build since the Opera House". [caption id="attachment_880682" align="alignnone" width="1920"] Aerial view of the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Iwan Baan[/caption] The ambitious four-level, $344-million project is filled with breathtaking works of art. Wonder through the gallery and you'll discover fully immersive exhibition spaces, vibrant works from world-renowned artists, and huge sculptures welcoming you into the building or looking out onto the harbour. The first piece of art that's sure to catch your eye is the pair of massive, larger-than-life bronze statues that stand at the front of the museum. Created by artist Francis Upritchard, these tree-like figures are playfully incorporated into the outdoor foyer of the building. [caption id="attachment_880677" align="alignnone" width="1920"] Installation view of the Dreamhome: Stories of Art and Shelter exhibition in the new building at the Art Gallery of New South Wales, featuring Samara Golden Guts 2022 © Samara Golden, photo © Iwan Baan[/caption] Once inside, there's plenty to discover. As you enter, head into the Yiribana Gallery that's been relocated from the lowest level of the original AGNSW building to the entrance of Sydney Modern. Here you'll find a showcase of Aboriginal and Torres Strait Islander artworks spanning across mediums and messages. One of the nicest touches of this new Yiribana Gallery is its floor-to-ceiling glass windows that offer views of the surrounding ocean and trees, connecting the space with its natural surroundings. Continue around the gallery and you'll find works from two of Japan's most renowned artists. Yayoi Kusama has created a set of massive spotted flowers that can be observed from a large outdoor space overlooking Woolloomooloo. One level below these multi-coloured structures, you'll find Japan Supernatural: Vertiginous After Staring at the Empty World Too Intensely, I Found Myself Trapped in the Realm of Lurking Ghosts and Monsters, a chaotic 2019 artwork from Takashi Murakami. [caption id="attachment_880681" align="alignnone" width="1920"] The Tank space in the Art Gallery of New South Wales' new SANAA - designed building, 2022, photo © Art Gallery of New South Wales, Jenni Carter[/caption] Some of the opening exhibitions include Dreamhome: Stories of Art and Shelter, a multi-media exhibition ruminating on the concept of home and shelter; Outlaw, a series of works from rule-breaking artists inside a space purpose-built for evolving time-based art; and Adrián Villar Rojas: The End of Imagination, a fully immersive work that places visitors in the gallery's underground exhibition space called The Tank, shrouded in darkness with each piece of art slowly being revealed by a set of spotlights. For five years now, the Sydney Modern Project has been on its way — originally announced in 2017, officially given a green light in 2018 and revealing its first commissioned artworks in March 2022. [caption id="attachment_880685" align="alignnone" width="1920"] Exterior view of the Welcome Plaza of the Art Gallery of New South Wales ' new building , featuring Yayoi Kusama Flowers that Bloom in the Cosmos 2022 , photo © Iwan Baan[/caption] The Sydney Modern Project is located next to the Art Gallery of NSW. It will open on Saturday, December 3 with extended opening hours of 10am–10pm until Sunday, December 11.
Visited Japan in recent times? You probably heard more than a few Aussie accents. From the snowy slopes of Hakuba to the crowded backstreets of Tokyo, the relatively cheap and somewhat short flights mean it'd be more surprising if you didn't come across someone from our part of the world. Yet it's always good to have the numbers to back up your impression. According to new data collected by travel booking platform Klook, Australians are visiting Japan more than ever. So far in 2025, the Japan National Tourism Organisation reports an 18% increase in visits. That means we can expect a significant jump from 2024 figures, which saw a record 920,196 Australians touch down in Japan. But perhaps more interesting is that where we go and what we do is changing for Australian travellers. With many tourists returning for the second, third or fourth time, lots are looking beyond the well-worn 'Golden Route' of Tokyo, Kyoto and Osaka. Instead, regional cities and nature-based activities are experiencing a popularity boom. Klook reports that lesser-known cities like Nagoya, the gateway to the Japanese Alps, have seen interest in overnight stays increase by 166%. At the same time, the northern capital of Sapporo has seen demand increase by 173%. Meanwhile, a host of destinations within touching distance of the main tourist hotspots are capturing more attention. In Kyoto Prefecture, the city of Miyazu and its enchanting coastal town, Amanohashidate, have received a 50-fold increase in searches. Likewise, Yokohama — a short shinkansen ride from Tokyo — has seen a 10-fold increase in tour demand. While you could spend weeks exploring the sprawling megalopolis, travellers are looking to explore Japan's abundant nature, with appetite for outdoor and wellness activities up 41%. "We know that Japan is a favourite for Australian travellers, and what's exciting is that many are choosing to go beyond the usual tourist routes," says a Klook spokesperson. "Our data shows a clear rise in bookings to lesser-known destinations and cultural and nature experiences, being driven by travellers looking for more immersive, authentic experiences and a slower, more meaningful way to explore Japan." Klook's top searches reflect this inclination, with travellers eager to explore the Kumano Kodo Pilgrimage Route or tour the Nachi Falls, the tallest single-tier waterfall in Japan at a staggering 133 metres. Although you wouldn't be blamed for loving a beer and ramen session as much as the most raucous salaryman, we're also gravitating towards cultural experiences, with a 72% increase in bookings for museums and art galleries. Supported by the stats, convincing your pals to explore further afield on your next Japan trip might not be so difficult. Heading to Japan soon? Check out this guide to its natural wonders or dive deeper into the best of Tokyo food and culture.
For many, gelato has assumed ice cream's mantle as the height of iced indulgence. Lower fat content, less air incorporated during the churning process and a lower serving temperature all contribute to its smooth, elastic allure. And plenty of folks argue that these differences — especially in the preparation process — give gelato a more intense flavour. But ice cream will always have its diehard fans. It's frosty, creamy and sweet — how could it not? So, if you prefer its rich dairy goodness and light consistency, many old-school ice cream vendors also await you. Indeed, in the gelato, ice cream and sorbet game, there's variety out there. Feeling spoiled for choice? Below are our favourite purveyors of chilled confectionery in the River City — Brisbane's best ice cream and gelato, in fact — whether you like it in a cone, in a cup, on a stick, in a sandwich or as part of a decadent sundae. Recommended reads: The Best Beaches in and Around Brisbane The Best Waterfront Bars and Restaurants in Brisbane The Best Beer Gardens in Brisbane Goodtimes Gelateria, Howard Smith Wharves If pastel colours make you think of gelato — and make your stomach rumble — then prepare to indulge at Goodtimes. The Howard Smith Wharves dessert spot serves its scoops from a pink counter that'll make you crave ice cream aplenty. And that's exactly what you'll get here, with a 22 flavours to choose from at any given time. A few of our top picks include the cassata (candied citrus fruit), the apple pie (freshly baked pie folded through cinnamon gelato), and the plum and yoghurt. Given that you'll be enjoying this frosty treat by the water, you can't really go wrong. If you want even more Goodtimes in your life, the shop also hires out a gelato cart for private events. Gelato Messina, South Brisbane and Fortitude Valley Remember that feeling you had as a kid when Christmas finally rolled around? That mix of excitement, enthusiasm and an inability to decide just what you should do first? That's what walking into Gelato Messina's two Brisbane stores feels like. Inside the chain's South Brisbane and Fortitude Valley shops, you'll find display cases filled with flavours of Messina's finest. Flavour-wise, the range spans popular best-sellers like salted caramel and white chocolate, the tasty pandan and coconut sorbet, and a mint choc-chip so distinctive, the staff will ask you if you've had it before. Yes, it's okay to want to try everything. You're only human, after all. Happy Pops, South Bank Already a hit in Noosa, Happy Pops made the jump to South Bank in 2019 — and tastebuds around Brisbane were pleased. Instead of in a cup or cone, these artisanal gelato creations come on a stick and are available in a heap of flavours. Specials have included rum and raisin, rocky road and white chocolate, cookie dough and macadamia. If you like to get creative, you can also design your own gelato pop in store. Yep, just think of the possibilities. Apart from all that gelato, Happy Pops also offers warm brownies and choc-chip cookies on a stick, plus gelato shakes. [caption id="attachment_703343" align="aligncenter" width="1920"] Milani Caffé e Gelato[/caption] Milani House of Gelato, Hamilton A Hamilton mainstay, Milani House of Gelato is one of Racecourse Road's must-visit spots, whether you're heading by after dinner or making gelato your main meal. The Brisbane gelato spot has picked up a host of awards over the years, nabbing honours at the Australian Dairy Awards, the Australia Dairy Product Competition and the Queensland Royal Food and Wine Show. The panna cotta ranks among its most decorated creations, though you can't go wrong with dolce latte, pistachio or one of its many chocolate bar-inspired varieties (think: Snickers, Mars Bar, Bounty and Crunchie gelato). Milani also dishes up lavish (and customisable) sundaes, if that's your thing. But given the store's prime location, prepare to have plenty of company. Lick! Ice Cream, Petrie Terrace and Graceville After 11 years as a dessert company, Lick! Ice Cream took the next step in 2015 and opened its own Graceville store — and it also boasts an outpost in Petrie Terrace. The Lick! claim-to-fame is its Ekka-style strawberry ice cream, available all year round. In case anyone is after something different, the Brisbane ice cream store's rotating range spans an array of signature creations. Must-tries include peanut butter chocolate chip, cookies and cream, and bubblegum and marshmallow, as well as Nutella. For summer, tuck into one of the refreshing sorbets, with flavours such as green apple and ginger, mandarin and mint, and passionfruit and lime. La Macelleria, Teneriffe, West End and Woolloongabba Simply eating gelato is obviously a delight, but what if you learnt how to make your own? As well as serving up delicious scoops, La Macelleria Gelateria in West End hosts regular workshops in the art of gelato. Roll up your sleeves, listen up and become your own gelato-maestro. Best of all, you get to take home the fruits of your labour, which means you'll have gelato for the week (or as long as it lasts). La Macelleria also has Brisbane ice creameries in Teneriffe and Woolloongabba. Yep, these authentic Italian-style desserts have plenty of fans all over the city. Head to its OG site, however, if you're keen to order and pickup one of its ace gelato cakes. Nom Nom Natural Gelato, Bulimba If you're fond of sweet, frozen dairy treats, head to Bulimba, where an array of top-notch flavours await. Combining Maleny dairy milk and cream with the best ingredients, Nom Nom Natural Gelato's nom-worthy range includes all the usual suspects, plus heaps of specialties. Think salted pistachio, cookies and cream, caramelised macadamia and fresh mint chocolate. There's also vegan gelato on offer — including the soy-based crème brûlée and dark chocolate — plus a wide range of fresh and fruity sorbets to tuck into. Gelateria Cremona, Rosalie A long-term Rosalie favourite, Gelateria Cremona is Brisbane's home of Christmas pudding gelato at the right time of year. But you can also grab everything from cappuccino and liquorice to durian and bush lemon flavours, too. Plus, granitas are on offer each summer — think: watermelon and chocolate flavours — and refreshing sorbets like mango and blood orange rotate seasonally. In fact, the highly regarded Baroona Road gelato cafe serves up a constant rotation of out-of-the-box options, so you'll find something different on each visit. The scoops here are silky and delicious and, as for the place itself, it has a charming ice cream parlour vibe. Sugo IT, Bulimba Dine in at Bulimba's Sugo IT, and you can follow up your pizza or pasta with a bowl of gelato. Keen to simply drop by for a few scoops? You can do that as well. At the back of the restaurant, down a hidden side alleyway, you'll find a deli and ice creamery that's all about gelato and sorbet made the traditional way. Nab a cone of peanut butter and chocolate or a cup toasted marshmallow — or opt for a tasting bowl of four small scoops if you just can't decide on one flavour. Some flavours stick around, others rotate, and take-home packs are also on offer. It doesn't purely specialise in the frozen stuff, but it is still home to some of the best ice cream and gelato in Brisbane. Anita Gelato, West End When West Village revamped its chosen patch of West End, it took over a site of significance. From 1928–1996, the Boundary Street spot was home to the Peters Ice Cream Factory, which churned out frosty dairy desserts for seven decades. That's why, to mark the precinct's past, West Village has also hosted an ice cream festival — and it's also home to Anita Gelato. The international chain already had stores in Barcelona, New York, San Juan, Tel Aviv and Sydney, but its West Village spot marks its first Queensland shop. Its specialty: boutique handmade gelato, with more than 150 flavours in its range. That hefty lineup includes yogurt and sorbets, too, as well as its organic, sugar-free, fat-free, soy-based and real cream-based gelato. Top image: Happy Pops.
Gather a group of people together, then ask them to describe Brisbane as seen their own eyes — and, no matter how many answers you get, it'll be full of wildly varying takes. That's what the Museum of Brisbane's exhibition Making Place: 100 Views of Brisbane presents, but via pieces of art depicting the city, with works dating back as far as the 1820s. Obviously, Brissie has undergone a wealth of changes in the past two centuries — and if someone captured it on a canvas, it's likely on display here. As the name makes plain, there are at least 100 different views of the city included in this showcase, all helping to ponder this town of ours as it was, is and might be moving forward. Making Place: 100 Views of Brisbane first debuted in March 2022 and is still on display — running from 10am–5pm daily — complete with a refresh in July 2023. Some pieces were rotated out, others moved in, with additions spanning works by Margaret Olley, Robert Brownhall, Ruth Cho, Joe Furlonger, Gwendolyn Grant, William Bustard and Stephen Nothling. Brisbane-based production house Dead Puppet Society (Ishmael, The Wider Earth) has also contributed an interactive memory map that you can contribute to — focusing on feelings rather than topography. And, you can now take a new self-guided audio tour of the exhibition voiced by 2022 Writer in Residence Pat Hoffie. Updated: August 28, 2023. Images: Katie Bennett / Josh Woning.
Enter one of Yayoi Kusama's infinity rooms, including the Japanese icon's brand-new Infinity Mirrored Room–My Heart is Filled to the Brim with Sparkling Light at the National Gallery of Victoria, and it appears as if the artist's work goes on forever. A great exhibition dedicated to Kusama evokes the same sensation. Accordingly, when you're not staring at a seemingly endless celestial universe while enjoying a world-premiere piece from the talent that's been unveiled for the first time ever in Melbourne, you'll still feel as if Kusama's touches are everywhere around you. Simply titled Yayoi Kusama, NGV International's big summer 2024–25 showcase features 200 works, so there really is enough Kusama art to envelop attendees in dots, mirrors, balls, tentacles, pumpkins, flowers, rainbow hues and her other beloved flourishes. With ten immersive installations, the exhibition breaks the world record for the number of such pieces by the artist assembled in one spot. The showcase is also the largest-ever Kusama retrospective that Australia has ever seen. Open since Sunday, December 15, 2024 and running until Monday, April 21, 2025, Yayoi Kusama has taken over the St Kilda Road gallery's entire ground floor with a childhood-to-now survey of its subject's creative output. With the artist reaching 95 years of age in March 2024, there's eight decades of art on display. Some pieces have never been seen Down Under until now. Some are sourced from private collections, and others from Kusama's own personal stash. In advance of the exhibition's launch, Melbourne welcomed Kusama's five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court. Outside the gallery, Kusama's Ascension of Polka Dots on the Trees wrapped the trunks of more than 60 trees in pink-and-white polka-dotted material before Yayoi Kusama opened its doors, too. Now comes the chance to explore the complete showcase, which is also one of the most-comprehensive retrospectives devoted to the artist to be staged globally. Forget booking in a trip to Kusama's Tokyo museum for the next few months, then — all that Melburnians need to do is stay local, and Australians elsewhere just need to head to the Victorian capital. Other highlights include NGV International's glass waterwall going pink, but with black rather than white dots; Kusama's new version of Narcissus Garden, which dates back to 1966 and features 1400 30-centimetre-diameter silver balls this time around, sitting in front of the waterwall and in parts of Federation Court; and the yellow-and-black spheres of Dots Obsession hanging over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Flower Obsession is another participatory piece, returning from the 2017 NGV Triennial. Again, you're asked to add to the work. Here, red flowers are applied to a domestic space — and again, obliterating it is the mission. If you adore the artist's way with mirrors, you'll want to see 2016's Chandelier of Grief, which features baroque-style chandelier spinning within a hexagon of mirrors; 2013's Love Is Calling, where tentacles in different colours spring from both the floor and the ceiling; and 2017's The Spirits of the Pumpkins Descended into the Heavens, which gets viewers peering at glowing pumpkins as far as the eye can see through a small peephole. In Invisible Life, convex mirrors line a twisting and multi-hued corridor. With its six-metre-tall tendrils — which are covered in polka dots, naturally — the yellow-and-black The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe from 2019 is striking without using a looking glass (or several), and makes its Australian premiere. Prefer flowers instead? Set within a dotted space, All My Love for the Tulips, I Pray Forever from 2013 sees a trio of giant tulips loom over audiences. Overall, Yayoi Kusama steps through the artist's 80-plus years of making art via a thematic chronology. While a number of pieces hail from her childhood, others are far more recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they all appear. Any chance to see Yayoi Kusama's work in Australia is huge news, and reason to make a date — including travel plans, if needed. Here's another drawcard: the NGV has also added Friday-night parties to the mix, kicking off on Friday, December 20, 2024 for some pre-Christmas fun, then running for 18 weeks until Friday, April 18, 2025. Images: Visitors and artworks in the Yayoi Kusama exhibition at NGV International, Melbourne until 21 April 2025. © YAYOI KUSAMA. Photos: Danielle Castano, Sean Fennessy, Tobias Titz and Kate Shannassy. Updated: December 16, 2024.
Hidden underground bars, award-winning restaurants, dozens of standout laneway cafes and record stores — Adelaide has more than just delicious wine (although it has a lot of that, too). There are so many places to explore and experiences to be had in this history-rich city, you may struggle to fit it all into one weekend — as they say: so little time, so much to eat. But, we're here to help. We've created this comprehensive guide to the SA capital so you can spend more time drinking cocktails, and less time wandering backstreets. Adelaide is also so much more than just the CBD, too, so if you have the time, immerse yourself in the Fleurieu Peninsula, Clare Valley and the Limestone Coast. There's plenty of wine to be tasted and glamping to be done. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. Under current COVID-19 restrictions in Australia, there are some restrictions on where you can go on a holiday. But, you can start dreaming. Bookmark this for when you can explore once again. [caption id="attachment_679115" align="alignnone" width="1920"] Africola by Andre Castellucci[/caption] EAT Once you've jumped off the plane, your first stop should be Exchange Specialty Coffee. Serving up some of the best coffee in the country, the acclaimed cafe is tucked away behind Rundle Street. Stop here for a brew — a Melbourne-roasted Brazilian with cherry notes, perhaps — and the cafe's take on a reuben sandwich, and you'll be fuelled and ready to tackle the rest of the city. Well, fuelled and prepared to eat more. While you're on the east side of town — for out-of-towners, that's down near Rundle Street and the aptly named East Terrace — stop by the French-inflected all-day eatery Hey Jupiter for escargots and baked camembert, or to the vibrant Kutchi Deli Parwana, which is located literally next door on Ebenezer Place. The latter serves up Afghani-style street food, such as toasties made with flatbread and stuffed with hummus and lamb kofta, and its signature eggplant curry. If the light begins to fade and you still find yourself east, head to Adelaide's two most-lauded restaurants: Africola and Orana. Africola, helmed by Duncan Welgemoed, is serving up North African dishes out of its woodfired oven, including peri peri chicken with chakalaka relish, pork neck and fried cauliflower. And, whatever you do, don't forget to order a round of the tea sandwiches made with hot chicken dripping. A stone's throw away is Restaurant Orana run by acclaimed chef-owner Jock Zonfrillo (yes, the one from MasterChef). Orana has a degustation-only menu, spattered with native ingredients, alongside an impeccable wine list and service — and it's well worth the cash. On the opposite side of the city, near West Terrace, restaurants are a touch more casual, more snack-driven, and where you want to head before or after drinks. Behind a neon-lit entrance on Leigh Street, you'll find mod-Asian fare cooked over fire at Shōbōsho — and its spin-off, the eight-seater yakitori bar Dr Shō. Hop one street over to Peel Street and enjoy Southeast Asian street food and natural wine at Gondola Gondola, woodfired burgers, steaks and ribs at the upstairs Bread and Bone and refined yet simple fare made from quality local ingredients at Peel St. Around the corner, Sunny's Pizza — run by a group of hospitality long-timers — does what it says on the packet: pizza. It serves them topped with traditional and untraditional ingredients — San Marzano tomatoes, pork fennel sausage, lamb and tahini — and alongside creative cocktails. It also has a disco ball, so you can stay and dance till the wee hours. [caption id="attachment_679116" align="alignnone" width="1920"] Pink Moon Saloon[/caption] DRINK Adelaide's west end doesn't just have fancy food, either, the number of bars hidden down laneways, in basements and up hard-to-find staircases rivals even Melbourne's busiest inner city streets. We suggest you start at Pink Moon Saloon, a narrow A-frame bar, which has picked up a neat collection of gongs for its drinks and design. It even has a kitchen in the back, if you want to linger over brisket or grilled haloumi. Underground — and through a hidden door — is art deco bar Maybe Mae. Located in a passage between Peel and Leigh Streets, the bar is lined with green leather banquettes and serves up seasonal cocktails alongside the tastiest complimentary bar snack in the city: curry powder-fried Nutri Grain and peanuts (trust us, it tastes better than it sounds). West end stalwarts Udaberri and Clever Little Tailor mix fun and refined cocktails with finesse, and nearby Leigh Street Wine Room is a chic new wine bar pumping out minimal intervention drops and next-level snacks. Also worth visiting on the western side is sailor-themed Hains & Co, which is lined with plenty of boating paraphernalia — and lots of rum — and Sparkke at the Whitmore, a female-run pub and brewery with a rooftop bar. [caption id="attachment_679112" align="alignnone" width="1920"] NOLA[/caption] Wander back east and Adelaide's seemingly never-ending collection of quality small bars continues. Overlooking Ebenezer Place is the multi-level Mr Goodbar. Its cocktails are strong and its vibe is inspired by the Deep South. On the opposite side of Rundle Street (well, underneath it) you'll encounter Hellbound. Fortunately, when you walk down its steps you won't enter purgatory — you'll encounter plenty of great wine curated by industry expert Mark Reginato. When you're ready to resurface, make a beeline for NOLA, a New Orleans-inspired jazz, whiskey and craft beer bar, speckled with banquettes, touches of turquoise and neon. A few metres away is Mother Vine, serving up an impressive selection of local and international wines, tapas and cheeses. It's also opposite Adelaide CBD's best bottle shop (more on that below). [caption id="attachment_679111" align="alignnone" width="1920"] 2KW by Jonathan Van de Knapp[/caption] DO 2KW is a must-visit for all Adelaide first- (second- or third-) timers. Located on the eighth storey of a historic building, it has some of the best views across the city. Its drinks and food menu are also hard to pass up — and give you more time to soak up the view. Plan in a trip to the CBD's best bottle shop, too. If we're to get technical, East End Cellars has a rep as one of the country's best bottle shops — with an impressive range of local, hard-to-find wines, spirits and craft brews. It often hosts free tastings, too, so keep on eye on the website while you're there. [caption id="attachment_679110" align="alignnone" width="1920"] The Smelly Cheese Shop[/caption] The historic Adelaide Central Markets, established in 1869, is a rite of passage for all visitors to Adelaide. Filled with hawking greengrocers, fishmongers and bratwurst-vendors, the markets are often packed — especially on weekends. Make your way through the crowd to much-loved The Smelly Cheese Shop (yes, they'll let you taste some) and Le Souk for fresh dates and racks upon racks of spices. If you need a break from eating and drinking, luckily Adelaide has another lesser-known gift hidden up its sleeve — its impressive collection of record stores. Rerun Record & Photography, hidden inside Adelaide's Market Bazaar, stocks a massive collection of retro records, alongside historic Adelaide photos and vintage cameras. Also, Streetlight Adelaide, Wolfies Records and Porthole Records are worth checking out. [caption id="attachment_679109" align="alignnone" width="1920"] Majestic Minima Hotel[/caption] SLEEP When you've finished eating, drinking and packing your bags full of vinyls, you'll want to rest your weary head — and prepare to do it all again tomorrow. If you've got the cash, splash out on the most elegant option, The Mayfair Hotel. The heritage-listed building is home to 170 luxe suites, a gym and its own rooftop bar. Slightly more affordable, but equally central, is the Majestic Rooftop Hotel and the Adina Apartment Hotel Adelaide Treasury — both located in walking distance of all the aforementioned hot spots. If you're willing to travel a touch out of the city, you can snag an eclectic art-filled room at North Adelaide's Majestic Minima Hotel for around $100 a night. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Pink Moon Saloon.
The World's Best 50 Hotels has named The Calile in Brisbane the top place to stay in the whole of Australia and Oceania not once but twice. Nigella Lawson has sung its praises recently. It's been one of the River City's finest homes away from home ever since first opening in 2018. Holidaymakers flock to the Fortitude Valley spot, including Brisbanites for staycations and out-of-towners for resort-style getaways. Soon, you'll have a second The Calile to stay at further north. As initially announced back in 2022, the group behind The Calile has plans for a new site on the Sunshine Coast. Now, that proposal has just been given final approval. The destination for The Calile's expansion beyond James Street: Noosa, where the brand's sub-tropical look and feel will fit in perfectly. Calile Malouf Investments CMI), the group behind The Calile, has announced that Noosa Shire Council approved the final plans for The Calile Noosa on Thursday, October 17, 2024 after a two-year process. Work can now begin in early 2025, with construction expected to take three years. The next must-stay Noosa hotel will sit on a 2.4-hectare site at 3–7 Serenity Close in Noosa Heads, and feature 153 rooms, 29 suites and four villas. Yes, it's going to be a sprawling venue, which'll apply within the broader location and in the rooms themselves. That's one of the key points of focus for CMI's plans, alongside soaking in that sub-tropical vibe — complete with gardens, which have helped make The Calile in Fortitude Valley what it is. [caption id="attachment_909119" align="alignnone" width="1920"] The Calile James St[/caption] "We worked collaboratively with the Noosa Council and fine-tuned the scheme to ensure we addressed the planning scheme and community expectations," said The Calile co-owner and CMI Director Michael Malouf. "Resort sites are often at risk of being ceded to multinational hotel companies who impose incongruous designs and standards upon the local community. By contrast, The Calile is a homegrown Southeast Queensland brand with an implicit understanding of the local culture, climate, community, demographic and attributes," he continued. [caption id="attachment_694714" align="alignnone" width="1920"] The Calile James St, Sean Fennessy.[/caption] Accordingly, your future trips to Noosa should see you roaming around a coastal resort surrounded by lush bushland, taking a dip in several pools — one stretching 50 metres, the other in a garden — and chasing your bliss in the site's wellness facilities. When you recline to your rooms, you'll be relaxing in sizeable surroundings, with 45 square metres the standard hotel-room space. Guests will also be making the most of The Calile's second hotel to be designed by architects Richard and Spence, as Brisbane's is. Mark a 2028 visit in your diary now. Plus, sustainability will be a focus, with carbon-neutral operations the target. [caption id="attachment_973398" align="alignnone" width="1920"] The Calile James St, Cieran Murphy.[/caption] [caption id="attachment_856487" align="alignnone" width="1920"] The Calile James St, Sean Fennessy.[/caption] [caption id="attachment_973394" align="alignnone" width="1920"] The Calile James St, Cieran Murphy.[/caption] [caption id="attachment_694716" align="alignnone" width="1920"] The Calile James St, Sean Fennessy.[/caption] The Calile Noosa is set to open by 2028 at 3–7 Serenity Close, Noosa Heads. In the interim, find Brisbane's The Calile Hotel at 48 James Street, Fortitude Valley.
Since 2017, Revel Brewing Co has been brewing and pouring yeasty beverages at the river end of Oxford Street in Bulimba, and drawing a crowd away from the suburban hustle and bustle of hotspot's main strip. But these beer fiends clearly have a theory: two eastside breweries are much better than just one. Accordingly, since late 2021, Revel has also been operating at its second venue in Morningside — a sprawling spot in a century-old riverside factory in the fast-growing Rivermakers precinct. The company's new site was once the Commonwealth Acetate of Lime Factory, which dates back to the 1920s and was involved in making wartime ammunition. It even has a history linked to Revel's beverage of choice, with August de Bavay, who was commissioned by the Queensland Government to design and build the factory more than a century ago, a chemist, distiller and brewer. Now, the patch off Colmslie Road is home to a striking brewpub. Brisbane beer lovers will find heritage-listed features aplenty — brick, cement and timber aplenty as well — as part of a precinct-within-a-precinct that Rivermakers has dubbed its Heritage Quarter. The old factory is also set to house Bavay Distillery, giving drinkers options when it comes to tipples. But if it's a few brews that you're after, including under umbrellas and fairy lights, then Revel is the place for it. In addition to a beer range that spans an XPA, IPA, hazy IPA, pale ale and lager among its core range, the brewery's Rivermakers digs serve up a food menu filled with share options, burgers and hearty mains. Start with karaage chicken tenderloins, frickles or cauliflower wings — or tuck into antipasto platters for up to four — and then opt for a cheeseburger, a fish burg made with crumbed barramundi fillets or a plant-based burger. There's also grass-fed sirloin, pan-fried barra, nachos, and both traditional chicken schnitzels and parmigianas. With its laidback outdoor space — grass beneath your feet included — Revel's second home also hosts regular events, including trivia on Thursday nights. Or, head along on a Sunday afternoon for live acoustic tunes from local musos, games and platter deals. And yes, if you want to do an eastside brewery crawl in this neck of the woods, that's easily an option. As well as its close proximity to the OG Revel, Revel Rivermakers is also just up the road from BrewDog at Murarrie. Find Revel Rivermakers at 82 Colmslie Road, Morningside – open 4–9pm Thursdays and 12–9pm Fridays–Sundays.
When it comes to decking out your home with impressive but affordable homewares, Kmart has been giving IKEA a run for its money in recent years. Indeed, if you're already a convert, you probably know just how popular the Aussie department store gets whenever it drops a new range — or, you've likely seen everyone else's Instagram snaps that prove it. Spent too much timing staring at your same old furniture this winter, thanks to the cold and the pandemic? Wish you were somewhere beachy? Always wanted to kit out your place with a bohemian vibe? Today, Thursday, July 28, Kmart has just unveiled its latest home-focused lineup, and it takes care of all of the above. Expect it to fly off the shelves as always. With prices starting at $1.75 — for bowls, should your kitchenware need a revamp — the August Living range goes heavy on pastel hues, natural materials and coloured glass. There are two main themes: timeless and urban. The former skews soft, delicate and homely, with curvy shapes, chambray fabrics and pops of block colour. The latter, which is still designed to mix-and-match with the rest of the range, is where bold silhouettes and gleaming surfaces come in. Covering items for the dining room, bathroom, bedroom and living room as well, Kmart's current drop spans everything from fringed cushions and swivelling single-seater couches through to coastal pics, palm tree-adorned bed linen and cane bathroom furniture. Yes, it's all very 70s chic, too, especially the pink, brown, mustard and other earthy colours. Among the standout pieces: two-packs of cute sea shell-shaped candles for $5, shaggy cushions for $14, cane chairs to pop them on for $149 each, and wicker lampshades and bases ranging from $39–59. If you'd like to throw in some marble, there's three different tables, all with metal bases, including a $49 side table, $69 hallway table and $89 coffee table. And white-panelled bathroom storage starts at $69. You know how they say that change is as good as a holiday? It isn't, obviously, but swapping your home decor to the kinds of items that you might find in a Byron Bay beachhouse should help lift the vibe at least. The August living range is on sale online and in-store from Thursday, July 28–Wednesday, August 17, and also includes wallpaper, flooring, curtains and blinds, as well as a new DIY line. Kmart's August Living range is on sale online and in-store from Thursday, July 28–Wednesday, August 17.
ALDI's cult-favourite Special Buys are officially making the jump online. From January 7, Victorians will be the first in Australia to have their pick of the supermarket's most coveted middle-aisle treasures delivered to their doors through DoorDash — with the rollout set to expand nationwide from January 21. The update marks the next evolution in ALDI's partnership with the delivery platform, which first brought grocery delivery to Australian households in 2025. Now, shoppers can order everything from air fryers and Bluetooth speakers to back-to-school shoes and lunchboxes without leaving the couch. "Our partnership with DoorDash has been a game changer for shoppers," says Simon Padovani-Ginies, Group Director at ALDI Australia. "It's given them greater access to our Good Different shopping experience, direct to their doors through the tap of an app. Launching Special Buys on DoorDash means shoppers can now get high-quality everyday grocery essentials — and our most-loved limited-time drops — delivered straight to their homes." Just like in stores, Special Buys will drop on Wednesdays and Saturdays, with limited stock available until sold out. The launch kicks off with ALDI's Back-to-School range, offering everything from stationery and backpacks to tech accessories and school shoes — all available for delivery via the DoorDash app. "Our Special Buys have become almost ritualistic to some shoppers, who mark their calendars and scour our catalogues regularly," Padovani-Ginies says. "Now, they'll be able to get their hands on those same products in an entirely new and convenient way." Simon Rossi, Vice President of DoorDash APAC, adds: "ALDI's famous middle aisle has long drawn shoppers to stores on Wednesday and Saturday mornings. Now, these products will be conveniently available to customers through on-demand delivery for the first time." Not everything will make the move online — any Special Buys that require a two-person lift (like large furniture) won't be available for delivery — but the vast majority of categories will be included, from homewares and tech to beauty, fashion, food and seasonal favourites. Delivery fees and item prices may vary slightly compared to in-store, but the supermarket promises the same 'Good Different' value and limited-time charm that's made Special Buys a weekly obsession for shoppers. Shop now via DoorDash. Images: supplied
There's no doubting that Death and Other Details loves whodunnits, or that it's made with a murderers' row of them in mind. Playing "spot the nod" is one of this ten-part Disney+ series' games. Sleuthing along with its plot is the other, obviously. So, as an odd couple with an age discrepancy team up to attempt to solve "a classic locked-room mystery" — the show even calls it such — among the preposterously wealthy on holiday, and on a boat at that, where everyone has a motive and a battle over who'll seize control of a family business is also taking place, gleaning what creators and writers Heidi Cole McAdams and Mike Weiss (who also worked together on Stumptown) have been reading and watching isn't a puzzle. Nudges and references are regularly part of the murder-mystery genre anyway; here, they sail into a tale that's also about what we remember and why. Recalling Agatha Christie's oeuvre, its movie adaptations — complete with Kenneth Branagh's recent spate — and especially Death on the Nile is as blatant as knowing that no one onboard Death and Other Details' SS Varuna will be exactly who they appear. Thinking about Only Murders in the Building, Knives Out, Poker Face and The White Lotus is also instantly easy. So is pondering Succession, with narratives about business empires passing down the reins bound to pop up as frequently as detective capers even now that the HBO hit is over. But when other films and shows earn a wink here, Death and Other Details also digs into the purpose behind the minutiae that sticks in our memories. It's a savvy yet risky gambit, getting viewers ruminating on how they spy patterns and filter their perspectives, too, while chancing coming off as derivative. Mostly the series bobs in the first direction; however, even when it sways in the second, it still intrigues its audience to keep watching. That seemingly mismatched pair: Imogene Scott (Violett Beane, God Friended Me) and the Hercule Poirot-esque Rufus Cotesworth (Mandy Patinkin, Homeland), with the second regularly dubbed "the world's greatest detective". Most folks might believe that label, but Imogene does not. The duo shares a history spanning two decades, from when she was a child (Sophia Reid-Gantzert, Popular Theory) mourning the shock killing of her mother that he couldn't solve. Back then, Rufus was on the case at the behest of the wealthy Colliers, who work in textiles, employed Imogene's mum as a personal assistant to patriarch Lawrence (David Marshall Grant, Spoiler Alert) and took the girl in when she had no one else. Now, both Rufus and Imogene are guests on a cruise chartered by them — she's there as basically a member of the family; he's accompanying the Chuns, with whom the Colliers are in the middle of a billion-dollar business deal. The entire decadent jaunt is in aid of getting crucial signatures, securing the Colliers' future and anointing Lawrence's daughter Anna (Lauren Patten, a Tony-winner for Jagged Little Pill) as the next CEO — she hopes. Death and Other Details doesn't lack in people taking to the seas, though, not only including the aforementioned characters. Chun matriarch Celia (Lisa Lu, American Born Chinese) and her granddaughter Eleanor (Karoline, Dead Ringers), Lawrence's dutiful spouse Katherine (Jayne Atkinson, Baby Ruby) and coked-up son Tripp (Jack Cutmore-Scott, Oppenheimer), Anna's paranoid former-journalist wife Leila (Pardis Saremi, Hell of a Summer) and the Colliers' slimy long-serving manager Llewellyn Mathers (Jere Burns, NCIS: Los Angeles) are all onboard. So is ship owner Sunil Ranja (Rahul Kohli, The Fall of the House of Usher). The unruly Keith Trubitsky (Michael Gladis, The Company You Keep) is also among the passengers, until he's found dead via a harpoon in his cabin. Everyone is eventually a suspect, from a pool that features Washington Governor Alexandra Hochenberg (Tamberla Perry, They Cloned Tyrone), the politically influential Father Toby (Danny Johnson, The Equalizer) and his social-media star son 'That' Derek (debutant Sincere Wilbert), Jules (Hugo Diego Garcia, Touchées) from the vessel's security outfit, and hospitality head Teddy Goh (Angela Zhou, Promising Young Woman) and her sister Winnie (Annie Q Riegel, Kung Fu) as well. But fingers initially point in Imogene's direction, after she's caught on camera in the victim's room not long before he met his end. Rufus, who she's furious to see but has been tasked with looking into the matter until Interpol arrives, can assist — and wants her help cracking the mystery in turn. No one needs to be badged "the world's greatest detective" to pick that their current situation and Imogene's mother's murder have connections. "Pay attention: details matter," advises Rufus early, with Death and Other Details endeavouring to fill its frames with tidbits that prove that notion. And there are tidbits; just like the lengthy list of folks associated with the show's two cases, there's no shortage of backstories, links, twists, detours, motives, secrets, lies, affairs, clues and other finer points. Although not everything convincingly earns its place, the non-stop flow gives Imogene and Rufus plenty to dive into, in the present, common past and much in-between. And while the extravagant ocean liner that the bulk of the current-day timeline is set upon doesn't seem to be in a hurry to get anywhere, the series' plot is pacy and bouncy, never letting a moment drag. Death and Other Details' jumps backwards are always tied to memories and, in another choice that could've sunk or swum — thankfully, it's the latter — often insert Imogene into the recollections. Accordingly, the act of scouring one's brain and scrutinising someone's story for aspects that've might've been overlooked receives a visual representation. The underlying idea isn't just a passing theme, either. That almost everything is subjective isn't a unique revelation, but examining the distortions of our minds, what we choose to see and to block, and what recurs again and again, is particularly potent in unpacking grief and trauma. Such is Imogene's tale, which Death and Other Details never forgets even as it luxuriates on an opulent ship, splashes around sunnily and glossily shot sights, and also steams into the eat-the-rich realm. As the investigators sifting through a motley crew of players with their own idiosyncrasies, Patinkin and Beane unsurprisingly leave the biggest imprint among the cast. Ever-reliably great, he's in classic gumshoe and Columbo-type mode, while she's shrewd and determined. The contrast — as familiar as it is — works a charm. Indeed, as the series coasts entertainingly along, wanting more of Rufus and Imogene sleuthing together, and more of them stepping beyond their present boat-bound scenario, is the main takeaway. For now, their maiden Death and Other Details' voyage boasts much to keep audiences wanting to continue breezing along with them. Check out the trailer for Death and Other Details below: Death and Other Details streams via Disney+ from Tuesday, January 16. Images: Hulu.
Always dreamed of visiting the Mediterranean island of Sicily? Then you might want to bump it to the top of your post-COVID-19 travel plans. If you do, you could score some handy financial help — with the Sicilian government offering to cover some travel expenses once Italy is out of lockdown. As first reported by The Times, the regional government is offering to pay a portion of flight costs and accommodation expenses — covering half the price of airfares to and from the island, and paying for one in every three hotel nights. It'll also stump up the entire cost for tickets to museums and archaeological sites, so that visitors can do plenty of sightseeing. At present, few other details have been revealed, such as when it'll come into effect, when eager tourists will be able to start booking, who the scheme will apply to and where in the world you'll be able to fly in from. That said, when the plan is implemented, it'll be done via vouchers available from the Visit Sicily website — so you might want to bookmark it for future reference. The Sicilian government will spend €50 million (AU$86.4 million) on the scheme to revive its tourism industry — which, with not only the country but most of the world enforcing restrictions to help contain the spread of COVID-19, has understandably taken a battering in recent months. Italy has been in lockdown nationwide since Sunday, March 10, but announced on Sunday, April 26 that it would enter 'phase two' from Monday, May 4. That'll involve the slow easing of current restrictions, including allowing Italians to travel within their regions to visit relatives. Factories, parks and public gardens will also reopen, with museums, galleries, libraries and shops able to open their doors from Monday, May 18, then bars, restaurants and hairdressers from Monday, June 1. For further details about the Sicilian government's tourism scheme, keep an eye on the Visit Sicily website. Via The Times.
Before 2024 is out, Tassis Group is set to open not one but two eateries as part of Kangaroo Point's new green bridge, including an overwater restaurant and a cafe at the foot of the structure. If the hospitality company can find a space to set up shop on a stretch across the Brisbane River, then of course it can also take a gap between two buildings on Edward Street and turn it into modern-Asian restaurant Longwang. If you've ever walked down Edward Street from the Queen Street Mall to the Brisbane City Botanic Gardens, or vice versa, then you've walked past the site of the River City's latest opening. But, no matter how many times you've passed by, we're guessing that you wouldn't have ever picked that you'd be able to get feasting there — let alone hit up a rooftop bar or cocktail lounge. Obviously, no one tends to look at a void between two commercial towers and think "great place for an eatery", but Michael Tassis did. So, what was once a gap beside 144 Edward Street is now his Brisbane newcomer. While it only measures three metres wide, the two-and-a-half-storey spot stretches back 30 metres and can welcome in up to 175 guests for functions. How does a restaurant, even one as slender as this, take over a former alleyway? Courtesy of custom-built digs, with Clui Design helping out. Although there's a formal dining room, as well as the sky-high bar and venue for cocktails, being flexible is key — including in its function spaces. The idea is that patrons have a different experience onsite each time that they stop by. One constant is the culinary guidance of Executive Chef and partner Jason Margaritis (ex- sAme sAme and Donna Chang in Brisbane, and Spice Temple Melbourne and Sydney). His contemporary take on Asian cuisine, inspired by more than 15 years working with the style, heroes seafood, plus a mix of traditional flavours with modern techniques. Think: a live seafood tank with local mud crabs and Tasmanian rock lobsters, whole fried baby barramundi paired with dry red curry snake beans and bug tail kung pao. From the range of starters, oysters come with spiced coconut vinegar, the prawn and chive pancake is doused in XO sauce, and the fried calamari features tom yum flavours. Smoked river trout and green papaya are the stars of one of the salads, while a hiramasa kingfish curry is also among the mains. Dishes that don't involve the ocean's finest include pan-fried wagyu beef dumplings, braised lamb shoulder massaman curry, tea- smoked and fried half duck, and chicken bao — plus pork belly wok-tossed with sichuan pepper, black bean and chilli. Or, opt for a half chicken from the charcoal grill, as coated in tamarind-heavy satay sauce. For lunch, Longwang does lamb rib sandwiches and dan dan noodles. For dessert, mango pudding, pandan kaya toast and deep-fried ice cream are your choices. If you're hankering for a banquet experience, a seven-course option is only served before 5.30pm and is available for one person for $58 — or, if you're dining with a date, mate or more, there's $89 and $119 feasts. Taking care of the wine list to match is Tassis Group Beverage Director and sommelier Ron Almera, who has curated a mix of old- and new-world wines — all specifically to go perfectly with Asian flavours. And as for the cocktails, you can ask for them to be mixed up to suit your tastebuds whether you're hitting the rooftop or the lounge. While the "long" part of the restaurant's moniker might sound apt given the site's narrow dimensions, the name actually hails from Chinese mythology. Also known as the Dragon King or Dragon God, Longwang commands the seas, so the title reflects the menu's focus. The venue joins the Tassis portfolio alongside Yamas Greek + Drink and Rich & Rare in West End, Opa Bar + Mezze and Massimo Restaurant on Eagle Street in the CBD, Fosh Bar & Restaurant at Portside Wharf in Hamilton and Fatcow in Fortitude Valley. Find Longwang at 144 Edward Street, Brisbane, operating from 11am–late daily. Head to the restaurant's website for further details. Images: Markus Ravik.
It's unlikely that you want to spend the entire season hibernating on the couch (we've done too much of that already). So, to boost yours and your mates' morale, you can start dreaming of your next group getaway that'll give you and all of your friends a winter retreat to look forward to. Read on to discover seven spots with something to offer for everyone — whether you're after a luxe beachside retreat, a camping getaway or a full-on spa weekend. From pristine beaches and bountiful wine regions to alpine hideaways and bustling country towns, Australia has a wealth of places to explore at any time of year. We've partnered with Tourism Australia to help you plan your road trips, weekend detours and summer getaways so that when you're ready to hit the road you can Holiday Here This Year. While regional holidays within Queensland are now permitted, some of the places mentioned below may still be closed due to COVID-19 restrictions. Please check websites before making any plans. [caption id="attachment_728025" align="alignnone" width="1920"] Larissa Dening[/caption] BEACH CAMPING AT DOUBLE ISLAND POINT Camping in winter may sound chilly, but luckily for us in the Sunshine State the season ain't all that cold. Plus, camping in winter means bonfires, marshmallows and getting cosy with your favourite people. Located in the Great Sandy National Park, Double Island Point is a tranquil spot for just that. To get there you'll need a four-wheel drive, a beach driving permit, all your own supplies and knowledge of the tides (you can only reach it at certain points of the day) — so invite your mates who are more seasoned campers. But once you're there, you'll experience clear blue water, complete calm and, hopefully, a chance encounter with a dolphin or two. Pack your sleeping bag, your favourite people, supplies for a fireside feast and make a weekend of it. [caption id="attachment_769358" align="alignnone" width="1920"] Pandanus Apartment[/caption] LUXE LIVING AT PANDANUS APARTMENT, BURLEIGH HEADS Burleigh Heads has everything you could look for in a getaway — beaches, shopping, dining, surfing and nightlife — and it's only a short drive down the highway from Brisbane. Burleigh's beach offers a great place to swim and surf with protection from the headland (and it's totally possible in winter on a sunny day). The headland itself is home to a scenic walk that leads you to Tallebudgera Creek, which is a stunning place to relax, especially when it's not fraught with tourists. Plus, since you'll be visiting off-peak, accommodation prices will likely be cheaper for you and your crew. If you're planning a getaway for a special occasion, book into Bon Sol's beachfront Pandanus apartment. On arrival, you'll be met with a bottle of vintage champagne, and the property manager is happy to help you with dining suggestions, too. The hatted Rick Shores, for example, is currently offering Tuk Shop takeaway orders of its curries, noodles and mains, as well as batched cocktails. RAINFOREST ESCAPE AT KYOTO MOUNTAIN LODGE, THE POCKET Everyone loves Byron Bay, but there are so many northern New South Wales towns to explore outside of the tourist hotspot with just as much charm — if not more. When you want to escape it all, plan a road trip down the coast to towns like Fingal Head, Kingscliff, Casuarina, Cabarita Beach and Brunswick Heads. And when you truly want to tune out, book into the Kyoto Mountain Lodge where you'll sleep among the trees, which is just 15 minutes away from Brunswick Heads. Surrounded by a rainforest sanctuary, this retreat has a fully equipped kitchen, fast internet and an indoor fireplace. The location is considered a 'primitive campsite' — you'll need a four-wheel drive to get to its location atop a mountain — but once you're there the views over the rainforest and the outdoor showers will make the trek well worth its while. HINTERLAND HIDEAWAY AT BIRD SONG VALLEY, MONTVILLE Whether you're in Glass House Mountains, Kenilworth, Maleny or Montville, the Sunshine Coast Hinterland is rich with culinary experiences and beautiful sights in equal measure. Take rainforest walks, chase waterfalls and catch views of the coastline, all while hunting down excellent local pubs and cafes. Order beers for delivery from Brouhaha Brewery in Maleny for sampling quality craft brews (like the strawberry rhubarb sour) and pop over to Kenilworth Country Bakery to sip your coffee from a doughnut or, better yet, have its one-kilogram doughnut delivered to your accommodation. Our pick is Bird Song Valley, one kilometre from Montville. The 1920s Queenslander offers a large space for you and five of your best mates to settle in for a long weekend. Here you'll find several free-standing baths, a fireplace and views over the surrounding hinterland, plus each guest gets their own robe and slippers. [caption id="attachment_769554" align="alignnone" width="1920"] Hannah Puechmarin[/caption] CABIN STAY AT GRANITE BELT RETREAT, STANTHORPE Less than three hours southwest of Brisbane you'll find Queensland's coldest area. Known for producing all sorts of delights from apples, pears, berries and stone fruit to chocolate, beer and, of course, wine, the Granite Belt is the perfect place to head to with your food-loving friends. Explore the region's wineries to sip wines made from unconventional grape varieties, or 'Strange Birds' as they're known locally. You'll find barbera, durif and nebbiolo, and even lesser-known grapes like pinotage, colombard and sylvaner. After a day of tasting, relax in front of the fire at Granite Belt Retreat. If you're travelling with a partner, opt for one of the 20 cosy log cabins located on 30 acres of natural bushland. There's also a microbrewery onsite, which is currently offering a bottle shop and takeaway food service. And, should you be after some adventure, go for a bushwalk or rock climb in Girraween National Park, which is known for its wildlife and balancing boulders. Check in advance for any park closures or alerts. [caption id="attachment_769952" align="alignnone" width="1920"] The Boathouse[/caption] CREEKSIDE RETREAT AT CLOUDLAKE MOUNTAIN RETREAT, THE DARLING DOWNS The humble, and largely overlooked, Darling Downs region provides plenty for those looking to experience a different part of Queensland. If it's a road trip you're after, head west from Brisbane and stop in at any of the many small towns and experience a few of the old fashioned bakeries. Be sure to stop in Toowoomba to explore its cafes, parks and street art. And for something totally left-of-field, check out the Darling Downs Zoo in Pilton, which actually allows you to feed lions. A 40-minute drive from Toowoomba is Cloudlake Mountain Retreat's The Boathouse, which offers a cosy escape for a couple or a group of four. Sitting on the edge of Oaky Creek, the home features views over the lake, a barbecue on the deck and a campfire on the beach that you're welcome to use. Take some marshmallows and do a spot of stargazing. [caption id="attachment_694717" align="alignnone" width="1920"] Sean Fennessy[/caption] STAYCATION AT THE CALILE HOTEL, BRISBANE If you just can't seem to rally the troops for a trip out of the city, why not consider a staycation? With its stunning architecture and interiors, the Calile Hotel in Fortitude Valley is one to set your sights on for a luxe stay without the drive. Book in for a weekend and treat yourselves to the hotel's resort vibes that'll have you forgetting you're even in Brisbane. Really splash out and book into the spa for a body wrap, exfoliating treatment, massage or all of the above, or opt to relax by the rooftop pool and grab a bite to eat from Hellenika's poolside snacks and wraps. What's more, should you want to leave your luxe abode, you'll be in proximity to one of Brisbane's best shopping and dining precincts: James Street. Whether you're planning to travel for a couple of nights or a couple of weeks, Holiday Here This Year and you'll be supporting Australian businesses while you explore the best of our country's diverse landscapes and attractions. Top image: Granite Belt Retreat by Hannah Puechmarin. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Are you due for a ladies' day out? Consider this your sign to rally the girls and lock in a Saturday spent sipping spritzes. While Brisbane is host to several venues that would fulfil the ladies' day brief, The Star Brisbane is a one-stop shop for cocktails, good food and entertainment that rolls long into the evening. Here are the Brisbane venues to add to your ladies' day out list. [caption id="attachment_1021004" align="alignleft" width="1920"] Cucina Regina[/caption] Cucina Regina Cucina Regina is The Star Brisbane's Italian dining destination. From delicious woodfired pizzas to buratta, oysters and share plates, booking a table at Cucina Regina is the ultimate way to kick off the ladies' lunch. If you have a larger group (or just want a long lunch vibe), consider the banchetto (shared banquet). It's $89 per person and means you can focus on your catch-up as the delicious Italian dishes are brought out all afternoon. Sky Deck Situated 100 metres above the city, The Star Brisbane's Sky Deck is the place to watch the sun set and cheers to your mates. Equal parts glamour and good times, grab a crafted cocktail from Cicada Blu post-dinner and soak in the view. If you're looking for a casual dining option, Babblers at The Star Brisbane also has a range of small plates to pair with your apéritifs. You can order any three for $36 (the chef recommends one bread, one dip and one meat for the full tasting experience). During September, you can enjoy the skyline view with a charcuterie platter and two Chandon spritzes for just $49, making it the perfect girls' night out destination. Babblers is walk-in only so make sure you get in early to secure the sunset selfie spot. LiveWire The best ladies' nights are the ones that continue well past the allotted time. If you're hankering for a dance floor or some evening entertainment, make your way to LiveWire. From free concerts (yes, free) to drag bingo and music trivia, LiveWire is located inside The Star Brisbane, meaning you won't need to trek to the Valley for a bit of dancing. See what gigs are available each month here. [caption id="attachment_1021008" align="alignleft" width="1920"] Aloria[/caption] Aloria Also located on the Sky Deck, Aloria is the rooftop restaurant that'll impress your friends. Aloria hosts a curated set menu for just $70 per person. You and your girls can choose from one entrée, one main and sides for the table to share. It's an elevated long lunch that deserves a place on your ladies' day list. There's also a sip and snack menu from 3-5pm, Wednesday to Sunday, if you prefer a lighter catch-up with views you'll remember. Whether you're looking for a new local venue to try or you're planning a girls' weekend away, The Star Brisbane is the city's one-stop playground. Want to discover more venues at The Star Brisbane? Check out the website here. Over 18's only. Drink responsibly. BET WITH YOUR HEAD, NOT OVER IT. Lead image: The Star Brisbane
Two Succession brothers facing off in the same category. A musical crime melodrama making history, earning more nominations than any film not in the English language ever has. Brazil's second contender for Best Actress ever — the daughter of its first, in fact. A female filmmaker in the running for Best Director for only the tenth time in 97 years. They're some of the big stories among the 2025 Oscar nominations, involving A Real Pain, The Apprentice, Emilia Pérez, I'm Still Here and The Substance. There's more where they came from — but which of those movies, and the talents involved, will earn shiny statuettes on Monday, March 3, Down Under time? And will Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Nickel Boys and Wicked have any luck, too? Just like in 2022, 2023 and 2024, we've watched everything — many of which you can as well in Australia right now — and singled out who and what will likely be credited as an "Oscar-winner" moving forward. Surveying 11 categories, we've also named which nominees deserve to, and what else might be in with a chance. Best Motion Picture The nominees: Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez I'm Still Here Nickel Boys The Substance Wicked Should win: The Brutalist Could win: Conclave Will win: Anora What a field. Worthy films will always miss the cut among the ten Best Picture nominees each and every year (Love Lies Bleeding, A Different Man, The Apprentice, I Saw the TV Glow, A Real Pain, Challengers, Babygirl, Hard Truths, All We Imagine as Light, Kneecap, La Chimera and Kinds of Kindness are just some absences in 2025), but the current batch nominees still showcase a staggering variety of movies. Sandy sci-fi blockbusters, hit musical adaptations, body-horror, papal thrillers, multiple features that show how stunning that filmmaking ambition and an unflinching vision can prove: they're all there. Brady Corbet's The Brutalist is a towering achievement. It could repeat its Golden Globes glory at the Oscars. It should. But Anora won the Palme d'Or at Cannes, then top gongs from America's Directors Guild and Writers Guild, and is also a tremendous winner. Conclave emerging victorious wouldn't be a miracle, though, after its BAFTA and Screen Actors Guild wins. Best Director The nominees: Anora, Sean Baker The Brutalist, Brady Corbet A Complete Unknown, James Mangold Emilia Pérez, Jacques Audiard The Substance, Coralie Fargeat Should win: Coralie Fargeat, The Substance Could win: Sean Baker, Anora Will win: Brady Corbet, The Brutalist Some films feel like a force of nature — and like a vision ripped from a filmmaker's mind wholesale to dance and strut across the screen, too — and Coralie Fargeat's The Substance is one such movie. Jane Campion is the only woman to have been nominated for Best Director twice so far (for The Piano and The Power of the Dog), but this shouldn't prove the only nod in Fargeat's career. Likely down to Brady Corbet and Sean Baker, where the field actually goes might depend on which of the pair's features win Best Picture — and if the Academy is in the mood to share the love or consolidate it. Awarding Corbet's achievement for a three-and-a-half-hour film that's had audiences glued to the screen, was made using a format in VistaVision that was favoured by Alfred Hitchcock on masterpieces such as North by Northwest and Vertigo, and brings back intermissions seems the most probable — and well-deserved — bet. Best Performance by an Actress in a Leading Role The nominees: Cynthia Erivo, Wicked Karla Sofía Gascón, Emilia Pérez Mikey Madison, Anora Demi Moore, The Substance Fernanda Torres, I'm Still Here Should win: Demi Moore, The Substance Could win: Mikey Madison, Anora Will win: Demi Moore, The Substance She's been giving stunning speeches around Hollywood, and Golden Globe- and Screen Actors Guild-winner Demi Moore best have another prepared. Rewarding her for a deeply committed performance more than four decades into her acting career, and after a significant time lacking substantial roles, also rewards The Substance's hefty and blatant fight against women being deemed past their prime when they hit a certain age. If Mikey Madison repeats her BAFTA feat, the Anora star will join the top-ten youngest-ever Best Actress-winner's ranking, knocking Gone with the Wind's Vivien Leigh off the list. The film's final scene alone, in all of its emotional glory after Ani's rollercoaster ride, could nab her the accolade alone. Had Marianne Jean-Baptiste been nominated for Hard Truths, however, it'd be hard to see how anyone else could grasp the accolade. Best Performance by an Actor in a Leading Role The nominees: Adrien Brody, The Brutalist Timothée Chalamet, A Complete Unknown Colman Domingo, Sing Sing Ralph Fiennes, Conclave Sebastian Stan, The Apprentice Should win: Adrien Brody, The Brutalist Could win: Timothée Chalamet, A Complete Unknown Will win: Adrien Brody, The Brutalist Will the youngest-ever winner of the Best Actor Oscar make history again 22 years later, joining the incredibly small list of two-time victors (only ten other performers have one this accolade twice or more)? Or will someone else not only grasp this year's prize, but also that spot as the gong's freshest-faced recipient? The Brutalist's Adrien Brody is the former. A Complete Unknown's Timothée Chalamet is the latter. Neither of their movies would be the films that they are without either actor leading the charge. Intensity simmers in their respective performances alike. Either could take it — but Brody's portrayal wouldn't just be a once-in-a-lifetime piece of work for another actor; it'd be impossible. As for the rest of the field, in other years Colman Domingo for Sing Sing, Ralph Fiennes for Conclave and Sebastian Stan for The Apprentice (or for A Different Man, which he won the Golden Globe for) would be certain winners. Best Performance by an Actress in a Supporting Role The nominees: Monica Barbaro, A Complete Unknown Ariana Grande, Wicked Felicity Jones, The Brutalist Isabella Rossellini, Conclave Zoe Saldaña, Emilia Pérez Should win: Zoe Saldaña, Emilia Pérez Could win: Isabella Rossellini, Conclave Will win: Zoe Saldaña, Emilia Pérez Emilia Pérez will always be the first non-English-language film to receive 13 Oscar nominations, but its chances of scoring a big bag of trophies have dwindled courtesy of lead actress Karla Sofía Gascón's awful past tweets. As a result, the excellent Zoe Saldaña, portraying the eponymous character's conflicted lawyer, might end up being the movie's only winner — and hers is a powerhouse performance. Or, Emilia Pérez mightn't even be a lock here, despite Saldaña winning the Golden Globe, BAFTA and Screen Actors Guild Award in the lead up. Isabella Rossellini is exceptional in Conclave as Sister Agnes, the nun that's also the Head Caterer for the bickering cardinals — and it'd recognise her for her entire career, and redress the fact that she wasn't nominated for David Lynch's Blue Velvet. Ingrid Bergman, her mother, won three, including in this category in 1974 for Murder on the Orient Express. Best Performance by an Actor in a Supporting Role The nominees: Yura Borisov, Anora Kieran Culkin, A Real Pain Edward Norton, A Complete Unknown Guy Pearce, The Brutalist Jeremy Strong, The Apprentice Should win: Kieran Culkin, A Real Pain Could win: Kieran Culkin, A Real Pain Will win: Kieran Culkin, A Real Pain There's no bad picks in the Best Supporting Actor field. There's the vulnerable yet irreverent portrayal that's clearly going to win — the recipient of accolades at the Golden Globes, BAFTAs, Screen Actors Guild Awards and Film Independent Spirit Awards as well — and there's also the spur-of-the-moment speech that everyone will get to enjoy when Kieran Culkin does, but each one of the five nominated performances is outstanding, including from first-time Australian nominee Guy Pearce for The Brutalist. Jeremy Strong is on another level even for him in The Apprentice. The lifelong Oscar fan will win one of the coveted awards before his career out. He knows what it's like to lose out to Culkin, though, and not just on-screen in Succession — the only time that they were both nominated for the Best Actor in a Drama Emmy in the same year, Culkin won (beating Roy family patriarch Brian Cox, too). Best Original Screenplay The nominees: Anora, Sean Baker The Brutalist, Brady Corbet and Mona Fastvold A Real Pain, Jesse Eisenberg September 5, Moritz Binder, Tim Fehlbaum and Alex David The Substance, Coralie Fargeat Should win: A Real Pain, Jesse Eisenberg Could win: The Brutalist, Brady Corbet and Mona Fastvold Will win: A Real Pain, Jesse Eisenberg Sean Baker took out this category for Anora at the Writers Guild Awards, where Brady Corbet and Mona Fastvold weren't nominated for The Brutalist. But at the Oscars, A Real Pain should go home a winner in every field — two in total — that it's up for. The Academy does have a history of pairing the winner of Best Original Screenplay with Best Supporting Actor, including with Django Unchained and Green Book. As a performer, Jesse Eisenberg has only been in the running for an Oscar once, in 2011 for Best Actor for The Social Network — and in a different year, he could've been nominated for starring in A Real Pain as well. His script for the film makes the personal universal, and understands existential angst and anxiety, and how it manifests in different manners, with both intensity and humour. That said, this could also be where Coralie Fargeat gets some love for The Substance. Best Adapted Screenplay The nominees: A Complete Unknown, James Mangold and Jay Cocks Conclave, Peter Straughan Emilia Pérez, Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi Nickel Boys, RaMell Ross and Joslyn Barnes Sing Sing, Clint Bentley, Greg Kwedar, Clarence Maclin and John 'Divine G' Whitfield Should win: Sing Sing, Clint Bentley, Greg Kwedar, Clarence Maclin and John 'Divine G' Whitfield Could win: Nickel Boys, RaMell Ross and Joslyn Barnes Will win: Conclave, Peter Straughan The possibility that either or both of Nickel Boys or Sing Sing could go home empty-handed from this year's Oscars is a travesty. Each 2025 releases in Australia, where the former sadly didn't get the big-screen date that it deserves, they're already among the year's best for viewers Down Under. Both possess screenplays of deep feeling — one adapting a Pulitzer Prize-winner, the other drawing from a helluva slice of real life. Nickel Boys emerged victorious at the Writers Guild Awards, but over A Complete Unknown, plus three films not in the running here: Dune: Part Two, Hit Man and Wicked. Here, this looks like Conclave's guaranteed time to shine, and the Vatican City-set script based on Robert Harris' novel about electing a new pope after the sudden death of the last one — and what the manoeuvring around it says about faith — is indeed a gem. Best International Feature The nominees: I'm Still Here The Girl with the Needle Emilia Pérez The Seed of the Sacred Fig Flow Should win: The Seed of the Sacred Fig Could win: The Seed of the Sacred Fig Will win: I'm Still Here Once a near lock for Emilia Pérez, Best International Feature now has fellow multiple-nominee — and fellow Best Picture and Best Actress contender — I'm Still Here in its sights. Brazilian filmmaker Walter Salles has notched up two nods in this category over his career, and winning for his Fernanda Torres-led account of love, loss and holding onto life under the shadow of a dictatorship would be an extra-nice feat given he was last in contention for Central Station starring Torres' mother Fernanda Montenegro. Dialogue-free animated marvel Flow deserves to win every award that it's nominated for, so this and Best Animated Feature, but The Seed of the Sacred Fig is as powerful as filmmaking gets — with Mohammad Rasoulof (There Is No Evil) fighting on- and off-screen against the regime that's long tried to silence his voice. Best Animated Feature The nominees: Flow Inside Out 2 Memoir of a Snail Wallace & Gromit: Vengeance Most Fowl The Wild Robot Should win: Flow Could win: The Wild Robot Will win: Flow Flow's title couldn't be more perfect. To watch Latvia's first-ever film to be nominated for an Oscar is to swirl, surge and sweep along with the gorgeous dialogue-free feature, and with the animals — a cat, some dogs, birds, a capybara, a lemur and more — that are trying to survive, and learn how to heal together, when a flood gushes in. It's astonishing. The Wild Robot doesn't scrap chatter, but it too is heartfelt and wondrous as it watches animals carve out an existence — here, with the sudden arrival of a robot (voiced wonderfully by Lupita Nyong'o) disrupting the usual status quo, and also redefining what makes a family. Australian claymation Memoir of a Snail would easily win in many previous years, deservedly so. For big-name animation studios Pixar and Aardman, it doesn't look likely that Inside Out 2 and Wallace & Gromit: Vengeance Most Fowl will back up Inside Out and Wallace & Gromit: The Curse of the Were-Rabbit's past Oscars. Best Documentary Feature The nominees: Black Box Diaries No Other Land Porcelain War Soundtrack to a Coup d'Etat Sugarcane Should win: Black Box Diaries Could win: Porcelain War Will win: No Other Land Fury or hope? What takes home 2025's Best Documentary Feature prize might come down to how voters want to feel. There's no escaping anger while watching No Other Land or Black Box Diaries, both deeply personal docos featuring their filmmakers and telling their stories — one about the Israeli campaign of displacement in the West Bank region of Masafer Yatta, the other about a Japanese sexual-assault survivor taking on the system that won't punish her attacker. In Sugarcane, too, digging into the abuse experienced at a Catholic Church-run mission school isn't just a job for Julian Brave NoiseCat, nor an outrage-free watch for audiences. Porcelain War heads to Ukraine, as 2024's victor 20 Days in Mariupol did — but there's more optimism in its heroing the power of art, even in small acts, amid the fight. It's also among Australia's Oscar hopes for 2025, as an Aussie co-production. The winners of the 2025 Oscars will be announced on Monday, March 3, Australian time. For further details, head to the awards' website. Wondering where to watch this year's Oscar contenders? We've put together a rundown for Australia.
Batter up at Portside. While most sports bars are happy with patrons simply watching their games of choice over a few drinks and a bite to eat, The Ballpark wants Brisbanites to get swinging. There's bats. There's plates to step up to, too. And when you have a slug, you'll be doing so in a batting cage. As well as screening plenty of sports, The Ballpark Portside lets you play baseball via its three interactive simulators. The venue advises that they're an Australian first, expanding the usual lineup of bar pastimes — because playing pool and darts is also on the agenda here. Think of it as a cross between a sports bar and the growing range of watering holes with things to do other than drink (a trend that Brisbane is mighty fond of, with the axe-throwing joints, boozy mini-golf havens, challenge-room spots and more across the River City to prove it). Open from Saturday, September 7, The Ballpark Portside has taken over a 450-square-metre space, which can welcome in 200 folks at once. Both local and international sports grace it screens, while its food and drink menu pairs tap beers, cocktails, wine and Seven Miles coffee with bagels from its Short Stop Cafe by day, and also with burgers from fellow American-themed Portside newcomer Dumbo when it opens. If hitting the batting cages sounds like a group activity, that's firmly on offer, including for events — and you can even book out the entire place for parties. "As lifelong sports fans, we wanted to bring that same energy and excitement to Brisbane," explains Ashley Johnson, one of the three Brisbane construction professionals — and fans of sport — behind The Ballpark Portside alongside Ben Holcroft and Jack Jones. "We've created a space that's an authentic sports bar experience-meets-immersive gaming that really celebrates America's sporting culture, whilst still embracing Aussie sports. The Ballpark will be a community hub where fans, friends and families come together to celebrate the love of sports and good times." Add it to the increasing list of new venues that are helping to revamp Portside Wharf. The current $20-million makeover has also seen Rise Bakery, Fosh, Rosé Gelateria and Birds Nest Yakitori join the Hamilton precinct in 2023, with gastropub Portside Social, Italian restaurant Sbagliata and French brasserie Mademoiselle also on the way — plus Dumbo. Find The Ballpark Portside at Portside Wharf, 39 Hercules Street, Hamilton, from Saturday, September 7, 2024 — open 10am–10pm Sunday–Thursday and 10am–12am Friday–Saturday. Head to the venue's website for more details.
Anyone with a passion or an idol has a before and after: the time prior to the thing or person that they adore coming into their lives, and the time since. Whether or not you're just a hunk of burning love for Austin Butler, the same type of thinking applies to the actor and his stunning performance in Elvis. He's been on-screen since he was a teenager, starting in a spate of Nickelodeon series such as Hannah Montana, iCarly and Zoey 101 — but becoming the king of rock 'n' roll for Baz Luhrmann in a portrayal that earned him an Oscar nomination, and won him both a BAFTA and a Golden Globe, instantly made him a household name. Ask Butler about his past few years since Elvis, as well as the impressive resume he's been amassing before and since, and he marvels at it. Alongside Luhrmann, he's now worked with Jeff Nichols on his newest movie The Bikeriders, Jim Jarmusch on 2019's The Dead Don't Die, Quentin Tarantino on Once Upon a Time in Hollywood the same year and Denis Villeneuve on 2024's Dune: Part Two. He's also led a Steven Spielberg-produced TV show in Masters of the Air and notched up those aforementioned accolades. "When you say it all back to back, that sounds wild," he tells Concrete Playground. [caption id="attachment_956506" align="alignnone" width="1920"] Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.[/caption] Butler isn't wrong. As the world saw with Elvis, then heard when his Presley accent seemed to drawl from his lips long after the biopic stopped shooting, he also isn't half-hearted for a second about his craft or his characters. Back in 2022, Luhrmann advised Concrete Playground that Butler playing Presley was "like a life-or-death commitment for him". Ask the man himself about that now, too, and he notes that the same dedication applies to each part that he steps into. "Every role is different and they all have their own requirements, but — I know that it might sound ridiculous — it feels like it's life or death. Like, you feel like your life depends on it in a way," he shares. With The Bikeriders, which Butler returned Down Under for to attend the film's Australian premiere at the 2024 Sydney Film Festival in June — after shooting Elvis on the Gold Coast, of course — viewers can witness him infuse that devotion and attentiveness into another of his great performances. He plays Benny, the lone-wolf Vandals Motorcycle Club member that everyone wants to be, the movie's narrator Kathy (Jodie Comer, Killing Eve) marries within five weeks of meeting and even club president Johnny (Tom Hardy, Venom: Let There Be Carnage) reveres. For the picture's characters, there's a before and after with encountering Benny, in fact, as there similarly is for the midwestern organisation that this band of outsiders find a sense of belonging in. Benny has his own versions of the before-and-after phenomenon. There's his life pre- Vandals, then after the headstrong thrill-seeker joins its ranks. There's also his existence prior to meeting Kathy, then all that follows. Spanning a ten-year period, the 60s- and 70s-set film charts how Benny's connection to the club and to his wife collide — and how Kathy and Johnny alike grapple with his influence. Drawn from reality even though its central biker gang is fictionalised, with Take Shelter, Mud, Midnight Special and Loving's Nichols adapting the film from the non-fiction book of the same name by photojournalist Danny Lyon, The Bikeriders equally chronicles the search for identity that accompanies enlisting in a group like the Vandals, putting someone at the centre of your orbit as Kathy and Johnny do with Benny, and attempting to be yourself no matter what, aka Benny's constant tussle. [caption id="attachment_964096" align="alignnone" width="1917"] Caroline McCredie[/caption] Butler has excellent company in The Bikeriders, not only in Comer and Hardy, but also Mike Faist (Challengers), Michael Shannon (The Flash), Norman Reedus (The Walking Dead: Daryl Dixon), Boyd Holbrook (Justified: City Primeval), Emory Cohen (Blue Bayou), Karl Glusman (Civil War), and Australians Toby Wallace (The Royal Hotel) and Damon Herriman (The Artful Dodger). He's particularly exceptionally cast, however, as a mesmerising force endeavouring to remain authentic regardless of what the world throws Benny's way (and, given the era, the country, and the social, cultural, economic and political shifts that come with both, that's plenty). The Bikeriders might seem worlds away from Elvis and Dune: Part Two, Butler's two most-recent cinema roles — it's certainly intimate where they're each built upon spectacle — but they too wrestle with trying to discover who you truly are and where you fit in. Why he was drawn to the part, and to working with Nichols; how Butler sees Benny's journey throughout the film; outsider communities, including the parallels with being in the film industry; returning to that search for identity again and again; the contrast between making movies that favour intimacy and those worshipping spectacle: Butler also talked us through all of the above, plus his acting ambitions from this point onwards. [caption id="attachment_964098" align="alignnone" width="1917"] Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.[/caption] On What Attracted Butler to The Bikeriders "First of all, it was Jeff Nichols. Knowing that he had written it and was going to be directing it really piqued my interest. And then reading the script, for one, it just felt that I was able to see the movie in my head as I read it. It felt like such a cool movie that had so much heart. It just seemed like a really good film. And the character was one of the coolest characters I've ever read — I just felt that I had to play him." [caption id="attachment_956508" align="alignnone" width="1920"] Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.[/caption] On How Butler Sees Benny's Journey Throughout the Film "He's an interesting one. Jeff describes him as an empty glass that everybody's trying to fill. And they're filling, they're trying to fill him with their expectations and responsibilities and rules, but he can't be filled with it. That's the interesting thing with both the club, which is this group of outsiders who don't like rules who come together and then funnily enough, they start making rules themselves within the club — and then, same thing with the relationship with Kathy, where he loves her and loves that feeling of connection and magnetism towards her, as long as there's no rules. And then once she starts trying to impose these rules, that's when he wants to cut bait and leave. [caption id="attachment_964099" align="alignnone" width="1917"] Kyle Kaplan/Focus Features. © 2024 Focus Features, LLC. All RIghts Reserved.[/caption] But what comes along with that is then an incredible amount of loneliness, I think. And so you can compartmentalise — and so I guess, by the end of the film you're seeing him at a point now where he's experienced loss and he's experienced loneliness, and he's trying to do things differently, but there is that lone wolf inside of him. I also like leaving that moment up to interpretation — like, I'm so curious to have conversations with people after they see the film now and know what they think that last moment of the film is." [caption id="attachment_964094" align="alignnone" width="1920"] Courtesy of Focus Features. © 2023 Focus Features. All Rights Reserved.[/caption] On Digging Into the Type of Community That Forms When Outsiders Come Together "I thought about it in the context of motorcycle lovers. That was the group that I was hanging around with at that time as we were making a movie, where all the people that I was with, we just ride motorcycles 12 hours a day and talk about motorcycles and work on motorcycles — and it's a very particular type of person that is in that world. But as you say that, it just makes me think of even the traveling circus that is making movies. They're kind of that same sort of outsider culture, where you're travelling around the world, and you pick up the circus tent and you move it somewhere else. You work for a while there and you have your family, and then the family disbands and you go and you kind of do it again somewhere else. So I suppose that that's the kind of the world that I've been a part of for a long time." [caption id="attachment_956509" align="alignnone" width="1920"] Kyle Kaplan/Focus Features. © 2024 Focus Features. All Rights Reserved.[/caption] On Repeatedly Stepping Into Films with a Search for Identity at Their Heart "I don't know how much Benny is searching for an identity necessarily. I think that's why that Tom's character Johnny, when he talks about out of all the guys in the club that Benny is the one that they want to be because he doesn't need anything from anyone. He doesn't really want any rules. But I suppose, I guess from the other side, you could see he decided to join this club. He decided to become a part of something. So perhaps that is part of the identity, and maybe motorcycles being a part of the identity. I guess we could just look at the human condition with that, and how we're all sort of — it's what helps us get through the world, you know, is our identity and what we identify with. And now we get into a philosophical conversation about ego and what connects us to feeling and identity at all." [caption id="attachment_964097" align="alignnone" width="1917"] Courtesy of Focus Features. © 2023 Focus Features. All Rights Reserved.[/caption] On Moving From the Sense of Spectacle in Elvis and Dune: Part Two to the Intimacy of The Bikeriders "It's really one of the things that drew me to it. I wanted to do something very different — and how raw it was, and the fact that we were shooting on film and everything is practical. We were actually riding motorcycles with no helmets. It was just very visceral. So, yeah, it does change things because I think with some of the spectacle performances, it can be — I don't know, I'm trying to figure out as I'm saying it, but sometimes it's about the aesthetic of it and the frame of it. And sometimes that can feel external at times, where it's where you are in the frame and the angle of your face and that sort of thing. This felt — I felt — less conscious of any of that type of thing, and it was more about the relationships, and more just about the humanity and that connection." [caption id="attachment_964100" align="alignnone" width="1917"] Kyle Kaplan/Focus Features. © 2024 Focus Features, LLC. All Rights Reserved.[/caption] On How Having Such a Huge Past Few Years Has Shaped Butler's Ambitions as an Actor From This Point Onwards "I think right now I feel very fortunate for the opportunities that I've had, and it's really been my dream for my entire life to get to work with directors of this calibre and actors that I've always admired. So I really think my dream now is just to continue working with great directors and actors, and to keep growing — to keep challenging myself and surprising myself, and try not to do the same thing twice. I know that I have a lot to learn, and I'm just continuing to try to stay curious and grateful." The Bikeriders opens in cinemas Down Under on Thursday, July 4, 2024. Read our review. Top image: Courtesy of Focus Features. © 2023 Focus Features. All Rights Reserved.
Schmoopy woopy and bubba bear, lil' puffy wuffy, honey pie or spicy chilly philly. Maybe just the classic: babe. Regardless of whether you're coupled up or flying solo, pet names for partners can be divisive at the best of times. Whether you love them or loathe them, we've joined forces with Melbourne-based Grinders Coffee Roasters to make a case for sharing yours with the world. In anticipation of Valentine's Day, let's delight in (or cringe at) the pet names we use to refer to our nearest and dearest — and then send 40 of you honey pies on an all-out date. Simply tell us the delightfully soppy (or saucy) nickname you use on your lover (or bestie, cos we're into that platonic love too), and you and snookums could be scoring a $500 Mastercard e-gift card from Grinders Coffee — the grounds for a very good date. Maybe you wear your alter ego on your sleeve, having your barista prepare a double-shot cap for Sergeant Snuggles. Or maybe you save it for home time, downloading after a long day while bae strokes your forehead and calls you boo boo. Whatever your preference, we wanna know about it — and reward you for your honesty. From Monday, January 16 until Tuesday, February 14, someone will score the prize each and every day. And on that day of days? Ten extra winners will be selected. That's 40 stand-out dates with the bill taken care of. Red hot. To go in the draw, enter your details below. Top image: LanaStock
Carrie Bradshaw once said that Vogue fed her more than dinner – a hot take in the early 2000s, when skipping a few meals was á la mode. Alas, flipping (or scrolling) through a fashion mag today might not have the same effect. Tinned fish, cherries, lemons and lobsters appear on the clothes, like one big grazing plate. Every Loewe ad features sculptural heirloom tomatoes, while Jacquemus' are a reminder to butter your toast. [caption id="attachment_1042055" align="alignnone" width="1920"] Maison Batard servers wearing bespoke tuxedos from The Service Club.[/caption] The obsession has even spilled over to the beauty industry in recent years — Nude by Nature's lippies are stirring martinis and scooping up whipped butter. Food motifs aren't new in fashion, but in the latest wave of the food-fashion zeitgeist, the people behind what we eat are also shaping what we wear for the first time. Amidst workplace misconduct and financial pressures, working in hospitality is notoriously tough. But 'chefcore' has officially become a thing, thanks to shows like The Bear, which have turned our attention to what chefs wear. Fashion publications dissect the show's thoughtful costuming every season, with iconic looks including vintage designer pieces that reference Chicago history, Carmy's perfect (and pricey) white t-shirt, and the $600 Thom Browne chef whites gifted to Sydney in the season two finale. Another thing: The Bear doesn't shy away from the industry's harsh realities — and the grittiness appeals. It's why Jeremy Allen White, who plays Carmy, now fronts Calvin Klein campaigns. And why Gio Luciano, a real-life line cook in New York City, went viral on TikTok for "line cook food hauls". It makes sense that brands are clamouring to cash in on this cultural cachet. Incu asked Messina to reimagine its brands as gelato flavours in 2020. In Hollywood, Mel's Drive-In made a sky-high pancake stack for Skims, which homegrown Scarlet and Sam referenced with its monogrammed birthday pancakes. Last month, Tarts Anon teamed up with Birkenstock Australia to spotlight their professional footwear range. [caption id="attachment_1042052" align="alignnone" width="1920"] Tarts Anon Head Chef Gareth Whitton in his trusty work clogs.[/caption] "Fashion brands want to be part of culture and create experiences that feel tangible and memorable," Tarts Anon founder Gareth Whitton says. "Food and hospitality are inherently social and sensory experiences, which makes them perfect for lifestyle storytelling." Borrowing from the thyme-hued Boston clogs he wears around the kitchen, Whitton created a one-weekend-only thyme, chocolate and verjus tart, finished with a cocoa dusting in Birkenstock's signature bone pattern. [caption id="attachment_1042054" align="alignnone" width="1920"] An exclusive thyme, chocolate and verjus tart at Tarts Anon that pays homage to Head Chef Gareth Whitton's Birkenstock Bostons in Thyme.[/caption] These collabs are a win-win for Whitton: his team is excited to experiment, while retail brands gain exposure to "a highly curated audience in a relaxed social setting". This face time is especially valuable to brands without a brick-and-mortar presence, but it's also a way for those with a physical storefront to draw more curious browsers. [caption id="attachment_1042053" align="alignnone" width="1920"] Birkenstock's iconic Boston clogs, made for work.[/caption] Luxury maisons have long paired fashion with fine dining. In 2004, Chanel brought on celebrated chef Alain Ducasse to open Michelin-starred French restaurant Beige alain Ducasse Tokyo in its Ginza flagship. Gucci, Prada, Ralph Lauren and more followed with similar concepts, all meant to draw crowds to their stores. As designers join diners at the table, Whitton warns against collabs that feel "forced and gimmicky". He offers a hot tip for fashion marketers: "Typically, chefs collaborate with brands that share a similar aesthetic, ethos, or target audience. The best collaborations are always the ones where both sides feel the partnership enhances their story, rather than serving as a one-off promotion." Keeping that in mind, workwear labels might have an edge in the game. Sydney-based designer Johnny Schembri, who started hospo-dedicated diffusion line The Service Club, explains: "Chefs are incredibly particular, and rightly so, they spend long hours in these garments. We listen carefully to their notes around comfort, heat, and movement. The same goes for waitstaff; they need to be able to move freely, and everything must be easy to wash and wear." Schembri has been dressing women under his namesake label, By Johnny, for the past 16 years, but he earned his stripes making uniforms for the now-defunct Keystone Group. Two years ago, the designer turned his eye back to the kitchen with The Service Club. Venues can pick from a collection of 40 ready-to-wear garments or opt to collaborate with Schembri on custom uniforms. [caption id="attachment_1042057" align="alignnone" width="1920"] The crew at Bobbys Cronulla kitted out in nautical-inspired uniforms designed by The Service Club.[/caption] "Historically, chef uniforms have all looked the same, very standard and not especially considered," Schembri says. But now, chefs are looking for design-led options to inject personality into their attire. The Service Club outfitted 20 venues in its first 12 months, ranging from a breezy all-white look punctuated by blue and clay aprons at Sydney's beachside restaurant Bobby to tailored-yet-functional tuxes for Melbourne's Maison Bâtard team. While uniforms are a masthead for venues — Schrembi calls them "walking billboards" — the clothes worn during a busy shift still have to strike a balance between function and style. In an era of countless microtrends, practicality might be a virtue; The Bear's style explosion demonstrates a love for clothes that go just as hard as the people who wear them. Beyond chefcore, the people and pulse of a restaurant can also inspire the fashion world in its own right. London-based Melt Jewellery's most-hyped collection in five years features sculptural sterling-silver-and-gemstone rings and pendant necklaces that nod to the movement in a kitchen. [caption id="attachment_1042056" align="alignnone" width="1920"] Bertrand Kerleo shows off Melt Jewellery's new collection.[/caption] The collection took shape when Melt founder Prachi Jan met French pastry chef Bertrand Kerleo on the tube. Kerleo became the muse of the campaign, which is centred around his culinary journey and shot in a working kitchen where he busies himself making an avant-garde take on European milk pudding called blancmange. While Jan is well aware that no chef would actually wear jewellery during service, it's the unlikely crossover that intrigues her. "We're not encouraging people to sauté in silver," she says. "You see Bertrand wearing the jewellery while cooking, moving [and] sweating — all those human details that you don't usually associate with fine jewellery. It feels slightly surreal." With all the hype around hospo, high-concept collaborations like this could be where we're headed. As Schembri puts it: "There's something raw and real about the hospitality world that cuts through the noise; it's tactile, it's lived-in, and it feels genuine, which is exactly what people want from brands right now." Images supplied
Chances are, you're well overdue for a relaxed group getaway with your besties, and it just so happens that Australia's chock full of world-class vacation spots to suit all types. And for that group escape, Byron Bay is delivering the goods, as always. In northern NSW, you'll find a healthy dose of sun, sea and subtropical rainforest awaiting your arrival. Plus, an array of waterfront villas and roomy coastal retreats ideal for a beach vacay with your besties. We've done the hard work and rounded up the best group Airbnbs you can book in Byron Bay. Pack those bags and get set for a hard-earned beach adventure. Recommended Reads: The Best Places to Go Glamping in NSW The Best Tiny Houses You Can Book Around NSW The Best Hotels in Sydney The Best Places to Stay in the Blue Mountains Elevation, Byron Bay Luxe vacation vibes abound at this newly renovated architectural stunner, complete with heated pool and spa, and enormous sun-drenched deck. From $1321 a night, sleeps eight. Paradiso Property, Byron Bay Sporting soothing whites and natural finishes, this group retreat feels instantly relaxing. There's loads of space indoors and out, plus a brand-new pool. From $750 a night, sleeps eight. Belongil on the Beach, Byron Bay Swap city life for a weekend of blissful Byron beachfront. This sprawling house boasts cheery nautical styling and a backyard right on the water's edge. From $700 a night, sleeps six. Havana Lodge, Byron Bay With its contemporary boho styling, nature-filled surrounds and dreamy meditation loft, this eclectic retreat is the ultimate antidote to fast-paced city living. From $449 a night, sleeps four. Byron Superluxe, Byron Bay Boasting loads of outdoor living, a pool and space to sleep 14, this supersized retreat is group holiday perfection. And the beach is just metres away. From $1220 a night, sleeps 14. Beaumonts House, Byron Bay Perched overlooking the sand, this spacious beach house is a true surfer's dream. Expect incredible views and plenty of room to move. From $799 a night, sleeps ten. Eternity Beach House, Byron Bay A leafy oasis just moments from Belongil Beach, this relaxed holiday retreat comes complete with luxury furnishings and state-of-the-art features. From $990 a night, sleeps six. Ayana at the Pass, Byron Bay With its tropical setting and designer interiors, this modern abode is a study in holiday luxury. Enjoy a heated spa, outdoor shower and dedicated yoga deck. From $1380 a night, sleeps eight. Old 55, Byron Bay This beautifully restored Wategos Beach treehouse makes for an inviting beach escape, with roomy open-plan living and lots of outdoor space. From $949 a night, sleeps 11. Memories at Wategos, Byron Bay Just a short six-minute walk from Wategos Beach, this fabulous modern abode is perfect for a day in the sand or lounging by its top-tier pool with your best friends. From $1190 at night, sleeps eight. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: courtesy of Airbnb.
Central's name is accurate in two ways. Located in the Piccadilly Arcade building on Queen Street in Brisbane's CBD, this 80-seater subterranean restaurant is indeed central in the River City. The venue's moniker also takes inspiration from the Central district in Hong Kong, as its menu does with its dishes. Eat at Fish Lane's Southside in South Brisbane, or at Rick Shores in Burleigh Heads on the Gold Coast, and you'll likely grab a serving of dumplings with your meal. Some feature lobster and prawns. Some come stuffed with truffle pork or chilli crab. The bite-sized favourite is a staple of both restaurants, but it isn't the star attraction at either. For a place with that focus — and plenty of love for Hong Kong — the team behind the two beloved eateries has launched Central. Southside Executive Chef Benny Lam, one of Central's driving forces alongside Southside's General Manager Maui Manu and co-owner David Flynn, has worked in the favourite tourist destination, and is now bringing some of the parts of it that he loves to Brisbane — including the rush, the dining-out culture and the flocking to third places. If Central can be that kind of space for Brisbane, the pair will be happy. The menu does its part, with the dim sum range the highlight. Peking duck potstickers and prawn har gao sit beside mushroom dumplings, barbecue pork puffs, king crab and prawn spring rolls, and more. Eager to hang around for a bigger dinner? Just like serving up snack-sized options if you're dropping by on your way elsewhere, Central can cater for it. Mixing Cantonese meals with western influences, Central's other dishes include lobster noodles and wagyu short ribs, both to share; drunken chicken with aged shaoxing rice wine, plus red date and golden sesame, as a starter; smoked foie gras with youtiao, aka Chinese fried dough, plus Davidson plum, also to begin; and traditional steamed Queensland grouper among the bigger fare. Char siu pork and roasted half duck feature as well — and for dessert, mango pudding leads the list. Whatever you pick — dim sum, raw plates, barbecue, sweet treats and more — it's whipped up in the venue's raised kitchen. After helping revamp Gerard's Bistro, architect and designer Jared Webb of J.AR OFFICE turned his attention to Central, where granite and timber are heroed among exposed-rock walls. The lighting remains low, befitting the restaurant's underground berth. Another inspiration comes from one of the space's past guises. Primitif Cafe called it home in the 50s and 60s, with jazz and poetry a feature. As for the drinks, sommelier Peter Marchant — also the Group Wine Director — has built a wine list of around 30 drops that can be mixed and matched with the food menu. Available by the glass, half glass and bottle, it spans both Australian and overseas tipples, and also vino from producers doing new and exciting things in the industry. The cocktails nod to the Hong Kong nightclub scene, as well as to Primitif, including a house harvey wallbanger, a Sichuan Martini Sidecar and a nitrogen-compressed piña colada.
IMAX theatres are the cutting edge of the film industry, and no IMAX screen in the southern hemisphere can really hold a candle to IMAX Melbourne. It's kitted out with IMAX Laser 4K resolution, the only IMAX 1570 film projector in the country and the largest 1.43:1 cinema screen in the southern hemisphere. All that makes it the perfect home for Big Best IMAX Festival, which has set a Saturday, January 31 opening date for its 2026 return. The festival puts the biggest and best of Hollywood, both new and old, front and centre on the IMAX screen, with reruns of recent releases and remastered classics alike for eager theatre attendees — presented in Australia's only IMAX 70mm film prints and IMAX 4k Laser. This year, the program is led by Christopher Nolan classics like The Dark Knight trilogy, Interstellar and Oppenheimer. They're joined by award season frontrunners from 2025, including Ryan Coogler's Sinners and Paul Thomas Anderson's One Battle After Another — and blockbusters like F1: The Movie and Denis Villeneuve's award-winning Dune and Dune: Part Two ahead of the release of Dune: Messiah later this year. Other entries to the program include a Blade Runner and Blade Runner 2049 double feature, George Miller's Mad Max: Fury Road in 3D and Francis Ford Coppola's divisive Megalopolis. Several classic films will get the remastered IMAX treatment, including The Matrix, 2001: A Space Odyssey, Apocalypse Now, Se7en, Back to the Future, The Shining, Princess Mononoke and more. [caption id="attachment_1061503" align="aligncenter" width="1920"] Director/Producer/Co-Writer Christopher Nolan on the set of INTERSTELLAR, from Paramount Pictures and Warner Brothers Pictures, in association with Legendary Pictures.[/caption] The Christopher Nolan entries are a special standout, as Nolan is known to create films with IMAX theatres in mind. His last release, Oppenheimer, has a film reel that's 18km long and weighs over 270kg, seeing it in IMAX 1570 is an extremely rare treat. His upcoming release, The Odyssey, will be the first film in history to be entirely filmed on IMAX cameras, the film reel is supposedly even longer than Oppenheimer, and IMAX Melbourne will be the only theatre in the southern hemisphere to screen the film on IMAX 70mm when it releases in July. Tickets to BBIFF 2026 go on sale from Wednesday, January 14 at 1pm for IMAX Big League members and 3pm for the general public. Visit the IMAX Melbourne website for more information. Images courtesy of Warner Brothers via Museums Victoria
Just can't wait for another date with The Lion King in one of its many guises? For more than three decades now, since the original animated flick first arrived and became a beloved favourite — as well as a box-office smash and an Oscar-winner — no one has had to. Movie sequels followed, as well as a photorealistic remake with its own prequel. Spinoffs and TV shows have popped up, too. For almost 30 years, The Lion King has also taken to the stage. No stranger to Australia, the film-to-theatre musical has just announced a new date Down Under in 2026. Let's call it the circle of stage productions: a local version of The Lion King initially trod the Aussie boards in 2003, then a second take arrived in 2013. Just as both of those two tours did, the new production will open in Sydney. In fact, it's playing at the same venue, the Capitol Theatre, that The Lion King first roared into when it made its Australian theatre debut. So far, only a month has been announced in terms of timing, with The Lion King set to open in April 2026. No other cities or dates have been revealed as yet, but prior productions have taken the story of Simba, Mufasa and Scar beyond the Harbour City. In the past, almost four-million audience members have enjoyed the show Down Under. Worldwide, that number is more than 120 million, all watching a performance that's played more than 100 cities in 24 countries, and is the biggest-grossing title in history. On the stage, The Lion King is as acclaimed as it is popular, including collecting six Tony Awards in 1998, Best Musical among them — and making its OG director Julie Taymor the first woman to receive a Tony for Direction of a Musical. Can you feel the love tonight? This theatre hit has, repeatedly. [caption id="attachment_990210" align="alignnone" width="1920"] Deen van Meer, Disney[/caption] "Every time we return to Australia, we are reminded of the region's considerable talent pool, both onstage and off, and we can't wait to gather a talented and exciting company for The Lion King," said Disney Theatrical Group Executive Producer Anne Quart and Managing Director Andrew Flatt, who have been with The Lion King onstage since its 1997 US premiere. "We are thrilled to welcome The Lion King back to Sydney, the place where it all began in Australia over 20 years ago. The Walt Disney Company ANZ is proud to be one of only three places in the world where, alongside Broadway and the West End, we self-produce musicals, directly employing hundreds of Australian theatre professionals," added The Walt Disney Company Australia and New Zealand Senior Vice President and Managing Director Kylie Watson-Wheeler. [caption id="attachment_803460" align="alignnone" width="1920"] Matthew Murphy, Disney[/caption] [caption id="attachment_803461" align="alignnone" width="1920"] Joan Marcus, Disney[/caption] The Lion King will open at the Capitol Theatre, 13 Campbell St, Haymarket, Sydney, from April 2026. For more details, and to join the ticket waitlist, head to the production's website. Top image: Matthew Murphy, Disney.
First-time visitors to Singapore have a lot on their plate with the city's cuisine, museums, attractions and parks. But dig a little deeper and you'll find a diversity of rich experiences that'll help you get under the skin of the city. Whether this is your first trip or your fifth, these off-the-radar destinations in Singapore will help you delve into the island's vibrant history. Along the way you'll explore pristine natural spots, see unique architecture, try exquisite eats and rub shoulders with locals. We've partnered with the Singapore Tourism Board to showcase some of the best hidden gems across the country. From former military enclaves and heritage neighbourhoods to beautifully repurposed spaces and island destinations, these spots will elevate your next Singapore adventure. [caption id="attachment_864395" align="alignnone" width="1920"] Lim Wei Xiang (Singapore Tourism Board)[/caption] THE RAIL CORRIDOR A shining example of Singapore's bid to be hyper-modern while honouring its history, the Rail Corridor is a 24km-long green passage through the city's heartlands. The former railway track is a classic example of Singapore's commitment to being 'a city in a garden', while allowing wildlife to move between major green spaces. Parts of the corridor are still in development, but highlights include a former quarry, the Upper Bukit Timah Truss Bridge which was built in 1932 and a wealth of parklands. Visitors can also access the revamped (but non-operational) Bukit Timah Railway station, a conserved heritage building that first opened in 1903. [caption id="attachment_864396" align="alignnone" width="1920"] Robert Sim (Flickr)[/caption] CHANGI CHAPEL AND MUSEUM This poignant museum honours the prisoners of war and civilians that were held at the notorious Changi prison camp under the Japanese Occupation of World War II in February 1942. The families of those who were once interned at the camp have donated personal items, so the museum now offers unprecedented insights into the the fall of Singapore and prisoners' daily lives. The collection highlights include a 400-page prisoner diary and replicas of the murals painted by English bombardier and artist Stanley Warren. [caption id="attachment_864411" align="alignnone" width="1920"] Tony Hisgett (Flickr)[/caption] HAW PAR VILLA Created by Aw Boon Haw and Aw Boon Par — the sibling heirs to the Tiger Balm empire — this giant theme park in Pasir Panjang houses over 1,000 statues and 150 large-scale dioramas showcasing snippets of Chinese mythology and history. Built in the 1930s, the park was meant to provide moral guidance according to Chinese traditions. Though the original building was bombed during World War II, it was rebuilt and now features the newly revamped Hell's Museum — inspired by gruesome scenes from Chinese folklore — and dioramas depicting tales like the Legend of the White Snake and Romance of the Three Kingdoms. These days, visitors can take part in a scavenger hunt through the park for Zodiac animals or do a self-guided 'Instagram walk'. [caption id="attachment_864415" align="alignnone" width="1920"] Marklin Ang (Singapore Tourism Board)[/caption] SUNGEI BULOH WETLAND RESERVE It might be a bright, modern metropolis but Singapore is home to plenty of green spaces and nature reserves, too. At Sungei Buloh, the city's first wetland reserve, you can wander through 87 hectares of rare mangroves. Along the way, you might see some of the cheeky native inhabitants which include water monitors, mud lobsters, monkeys, mudskippers, sandpipers and the odd estuarine crocodile. There are plenty of observation posts to stop at so you can take in the impressive natural grandeur of the area. And, it's far enough off the beaten path that you probably won't be rubbing shoulders with hordes of tourists. [caption id="attachment_864423" align="alignnone" width="1920"] Singapore Tourism Board[/caption] JOO CHIAT/KATONG Named for a wealthy Chinese landowner, the Joo Chiat/Katong neighbourhood was once a coconut plantation and weekend retreat for well-heeled residents. Over the 20th century, it developed into a residential enclave for middle-class, English-speaking Peranakans and Eurasians. The area retains its eclectic pre-war architecture, though the colourful heritage shophouses have been turned into charming eateries including 328 Katong Laksa, The 1925 Brewing Co., Birds of Paradise and Rumah Bebe, as well as boutiques like Cat Socrates that stock stylish homewares, decor and accessories. There are also numerous museums exploring the area's history and culture — The Intan, Katong Antique House, and Eurasian Heritage Gallery are all worth visiting. [caption id="attachment_864426" align="alignnone" width="1920"] Singapore Tourism Board[/caption] FORT CANNING Singapore is full of history but few places capture as much of the city's past as Fort Canning Park. Over the centuries, it has been the seat of 14th century Malay kings, served as the headquarters of the Far East Command Centre for the British Army and witnessed the surrender of Singapore to the Japanese in 1942. These days, the 18-hectare space boasts nine historical gardens, the boutique Hotel Fort Canning, military history attraction The Battle Box and hosts cultural events such as Shakespeare in the Park. There's also the Instagram-friendly tree tunnel, with its spiral staircase and enormous Rain Tree. [caption id="attachment_864441" align="alignnone" width="1920"] Singapore Tourism Board[/caption] THE ISLANDS Singapore might be a city-state known for its gleaming skyscrapers and modern infrastructure, but just off its shores there's an archipelago well worth exploring. St John's Island, once a designated quarantine centre for major diseases, is now a popular destination for pristine beaches and outdoor adventures, while Kusu Island (pictured above) — named for the Chinese word for tortoise — has hidden lagoons, religious monuments and quirky folklore. Another popular spot, Pulau Ubin, is a former granite quarry that draws visitors for its military history, adventure sports, 1960s vibes and the biodiverse Chek Jawa Wetlands. [caption id="attachment_864446" align="alignnone" width="1920"] Singapore Tourism Board[/caption] DEMPSEY HILL Named for Sir Miles Christopher Dempsey, a British soldier who had a decorated military career, Dempsey Hill was once an enormous nutmeg plantation called Mount Harriet and later in the 1850s became the British-run Tanglin Barracks. Since 2007, this has been a go-to dining and entertainment district. Sample Michelin-starred Peranakan dining at Candlenut, steaks and beers at Red Dot Brewhouse and local bites at Samy's Curry Restaurant. Then, browse the retail offerings at the iconic global fashion boutique Dover Street Market (pictured above), try a pottery class at Impressions Art Studio or visit Singapore's first gin distillery at Tanglin Gin. For more incredible ways to experience Singapore, head to Singapore Tourism Board's website. Top image: Yik Keat (Singapore Tourism Board)
In recent years, there's been an interesting shift in the way Australians approach leisure and travel. There was a time when an ideal weekend involved throwing back espresso martinis, racking up a $200 Uber bill, and waking up with a vague recollection of last night's bad decisions. Now? Our collective vibe (and level of disposable income) has changed. People are drinking less, going out less, and prioritising feeling good on Monday morning over how late they can stay out. In 2024, Forbes reported a study that found Gen Z, in particular, are drinking 12.8 fewer alcoholic drinks a month compared to before COVID-19. This coincides with the increasing popularity of run clubs, bath houses, #GutHealth and holistic wellness both online and IRL. But it's not just about cutting back on booze, it's about chasing something that actually makes you feel good. Enter the rise of micro wellness escapes: short, intentional trips that are designed to leave you recharged instead of wrecked. Instead of saving for one big, long-haul, blowout trip, more and more people are leaning into weekends spent off-grid, ice baths instead of beach clubs, and yoga in the hinterland rather than sunrise shots in Bali. If that sounds like your kind of reset, here are five wellness retreats worth checking out. Eden Health Retreat Currumbin Valley QLD If you've ever wished you could disappear off the grid for a few days, Eden Health Retreat makes that dream a reality. Tucked away in Queensland's Currumbin Valley, it's a place where your phone gets zero reception, the Wi-Fi doesn't exist, and your only connection is with nature, your body, and that book you finally have time to read. This isn't the kind of place you go to lie by the pool with a cocktail. The days here are structured but flexible, with daily classes or workshops ranging from yoga, Pilates and sound healing to rainforest meditations, cold plunges and sauna. You can book in for massages or sweat it out in the state-of-the-art gym, and still have time for long walks through the forest tracks that wrap around the retreat. The food is nutritionally balanced, seasonal, and designed by their team of award-winning chefs and nutritionists. They provide three totally gluten-free meals per day (breakfast, lunch and dinner) served in the beautiful dining room overlooking the valley. They even have a custom-built demonstration kitchen where you can learn how to cook for yourself. You won't go hungry, and you'll leave with a new standard for what healthy eating can taste like. Eden is immersive. It's a chance to disappear from real life, breathe deeply, and actually hear yourself think again. If you're in need of a full system reset, this is your best bet. Book Eden Health Retreat Gaia Retreat & Spa Brooklet NSW Not everyone wants a retreat where they have to ditch their vices entirely. Gaia, set in Byron Bay's lush hinterland, caters to that. Here, you can have your organic, locally sourced meals and grounding meditations, but you can also enjoy a glass of wine with dinner. You can go full wellness mode, or you can simply read a book on the balcony, get a massage, and forget reality. Gaia's experience is built around balance. There are daily yoga classes, as well as opt-in opt-out spa treatments and holistic wellness therapies like art therapy, astrology, kinesiology and energetic healing. But you can pick and choose your own pace, jumping into everything, or doing absolutely nothing and just floating through the weekend. Food here is a highlight. Fresh, organic produce from the onsite gardens and local farmers is served across three daily meals by Gaia's award-winning chefs. Yes, there's a wine list. And no, you don't need to feel bad about indulging. It's part of the wellness equation. Gaia offers you space to relax without rules. Whether you're escaping the city, celebrating something, or just need a reset, this is luxury wellness without the rigidity. Book Gaia Retreat The Brooklet Brooklet NSW Some places make a point of saying, "We're not a retreat," and The Brooklet is one of them. Nestled in Byron Bay's rolling hills, it's set on 125-acres with 6 luxury Villas for those who want a break from life without the structure of a traditional wellness retreat. Instead of a rigid schedule, you get a stunning space where you can take things at your own pace. It's self-guided, self-paced, and all about reconnecting with nature. There's an infinity mineral pool overlooking the hills, a sauna, hot tub, tennis court, private yoga sessions and spaces designed purely for chilling out: think warm timber tones, neutral palettes, and interiors that instantly make you feel calm. It's like staying at a ridiculously aesthetic countryside Airbnb, but one that also happens to be built for wellness. If you choose a retreat package, your stay will include three meals per day and a non-alcoholic beverage package. Or you can head to nearby cafes and farm-to-table eateries. The space also includes a communal kitchen, where guests can make their own pizzas and eat at the huge family-style communal table. The Brooklet is for those who don't want to be told what to do with their downtime. Just beautiful space, plenty of nature, and all the facilities you need to tune back in. Book The Brooklet Elysia Wellness Retreat Pokolbin NSW If you're after a full-body-and-mind transformation, Elysia is the place. Located in the Hunter Valley in NSW, it's a wellness retreat in the most literal sense of the title. Structured, intentional, and designed to help you completely reset your mind and body with long term habits. Elysia offers three to seven day packages. Each stay includes guided fitness, mindfulness and wellness sessions, ranging from group yoga and tai chi to educational seminars, spa therapies, and one-on-one health consultations. There's a schedule to follow, but it's flexible and designed to empower you with tools to take home. The food is designed to detox, nourish and energise, but it's never boring. Clean, wholesome meals are served communally to encourage mindful eating, and you're given a break from red meat, alcohol, caffeine, sugar and saturated fat. It's a retreat that feeds your body and your social spirit. Elysia is perfect if you're looking for a retreat that's equal parts educational and experiential. Book Elysia Wellness Retreat Billabong Retreat Maraylya NSW Only 45 minutes from Sydney, Billabong Retreat is one of the most accessible wellness getaways around, designed for those who want to unplug without going too far. It's less about luxury and more about getting back to basics, with a philosophy around reconnection with nature, mindfulness, and slowing down. Everything here is simple but thoughtful. Treehouse-style cabins overlook a serene billabong and there's a general sense of "let's just breathe for a minute" energy about the place. The daily program centres around yoga, meditation and mindfulness, with classes that suit all levels. You can book extra spa treatments, take a dip in the mineral pool, or simply sit with a cup of tea and look out over the trees. The food is like a warm, plant-based hug. Each stay includes all food, drinks and snacks, which are all locally sourced and served in a communal buffet style that encourages genuine connection. It's healthy, hearty and made with love. Book Billabong Retreat In 2025, wellness retreats are no longer for the ultra-spiritual or ultra-rich. Now, they're for anyone who just wants to feel better. As the world speeds up, the real luxury is being able to check out of the chaos and check in with yourself.
Brisbanites, if you've ever tried to stop for an impromptu brunch at Picnic Cafe, you'll have experienced the Camp Hill spot at its busiest. This eastside favourite is always jam-packed mid-morning, although its all-day breakfast and lunch menu repeatedly draws a crowd all day long. So, you've probably stood outside on Martha Street, chatting to your pals and scoping out the local dogs trotting past while you're waiting for a table. That's all part of the experience — but if you'd like to try your luck elsewhere instead, Picnic has a sibling venue. Meet Picnic West End, operating seven days a week from 7am–2:30pm — so, staying open just a tad later each day than the OG Picnic — it's West End's beloved brunch go-to; however, you won't find exactly the same menu on offer here. On the brunch lineup, highlights include the pork belly khao phat, a Thai-style fried rice dish with Asian greens, wok-fried egg and honey-soy glazed pork belly or the mushroom ragu pappardelle with caramelised onions, garlic and a creamy carbonara sauce. At Picnic Cafe West End, drinks are a big focus, too — bringing over the Camp Hill cafe's lattes, chais, long blacks and mochas over ice, as well as the coffees and chocolates over ice cream and cream. A selection of cold press juices and smoothies have made the jump, but you can also pick from seven different cocktails. Coffee fiends will be sipping Paradox Coffee Roasters' Paper Moon Blend, and everyone can take advantage of the light and airy look and feel. Think: pastel hues, timber tables, stone tiling, and big splashes of green — both plant-wise and in the colour scheme.
Goodbye Three Blue Ducks, hello bagel bars and cocktail trolleys — and tableside caesar service and octopus hot dogs, too. When the former revealed that it was closing its first-ever River City outpost, which sat inside the W Brisbane hotel since 2018, the inner-city space that the acclaimed restaurant called home for five years was never going to stay empty for long. And it hasn't, with the site's original tenant shutting up shop at the end of May and newcomer The Lex opening its doors in mid-June. The Lex takes inspiration from New York City, but it also celebrates being in Queensland. That means pairing the spectacular water views that come with the eatery's location with nods to both the Big Apple and the Sunshine State, aka the W Hotels chain's starting point and its Brisbane berth. Keeping things in-house staff-wise, it also means enlisting the venue's Chef de Cuisine Pawel Klodowski to oversee the menu. The NYC vibes flow through in a grill-heavy eatery, and in the style of dishes served; however, southeast Queensland produce is the star of almost every plate. From a seasonal menu, think: oyster brine martinis, dry-aged beef using local cuts and those tableside caesar salads, as well as charcoal éclairs with grilled Mooloolaba prawns — and the aforementioned Fremantle octopus hot dogs with gochujang, spring onion and apple. The bagel bar is a breakfast highlight, letting guests personalise their meal with toppings such as smoked salmon, chicken, grilled halloumi, cream cheese, baby spinach, capers and salsa verde. Across the rest of the day, anyone after a caesar salad will get it tossed on demand at their table on a roving trolley. Other standout options include smoked maple and bourbon pork belly, the grilled champagne lobster with ayruga and lemon beurre blanc, plus the dry-aged MB3 tomahawk steak with a mac 'n' cheese snack plate. As for the drinks, The Powerhouse cocktail isn't the kind of sip you'd find anywhere else, making the utmost of an entire avocado by infusing and straining the husk and fruit, popping the liquid left into the drink, making an avo cracker for a garnish and using the pit for bitters. It sits on a boozy lineup that'll change twice a year alongside tipples from Queensland spirits and craft breweries, plus Aussie wine labels. Also, for groups, tableside cocktail service is available, with a focus on champagne concoctions. Images: Markus Ravik.
This sweet little South Brisbane gem is tucked away just a few blocks from QPAC, featuring a traditional low horigotatsu table in its private dining room. Okuman spoils us with a roundup of Japan's most beloved dishes, with some bonus vegan options thrown in, too. As an appetizer, grab a pair of the crispy chicken bao, or a serving of scallop sushi with tartare sauce. For mains, try the cauliflower karaage with sriracha mayo, or the seafood ramen topped with sliced shallots. Okumen even offers vacuum-sealed home packs via DoorDash, which means you can have family-sized portions of cha siu pork, or salmon sashimi, ready for your next late-night snack-attack. Sure beats instant noodles, huh? Images: Hennessy Trill
In just a few short years, getting around Brisbane via rail is set to become a whole lot different. The city's Cross River Rail project has been in the works for quite some time, complete with plenty of construction around the place to prove it — and when it launches in 2025, southeast Queensland's train network will change with it. The Queensland Government has just revealed exactly what the Cross River Rail will mean for existing train routes, with some big shifts in store. The huge one: the Gold Coast, Beenleigh, Caboolture, Sunshine Coast and Redcliffe Peninsula lines will no longer run through Central station. They'll bypass South Brisbane too; instead, the routes will use the Cross River Rail setup to hit up the new Woolloongabba and Albert Street stations. [caption id="attachment_863607" align="alignnone" width="1920"] The new Roma Street station.[/caption] If you've somehow avoided all things Cross River Rail over the past few years, it'll give Brisbane its first underground rail network, connecting from a new Boggo Road station through to the upgraded Exhibition stop. It's part of the reason that Roma Street station was torn down, alongside adding a new entertainment precinct to that part of the CBD. Shifting five lines away from Central will obviously disrupt some daily routines; however, all other routes will still stop at the busy inner-city station. Every line will also go through the new Roma Street Station as well. With the latter, some will use the underground Cross River Rail station, while others will remain above ground. Also, trains across southeast Queensland will be split into three sectors. The first will connect Varsity Lakes and Beenleigh to Redcliffe Peninsula and Nambour, aka all the trains that'll skip Central. The second will cover services from Rosewood, Ipswich and Springfield through Central to Doomben, the airport and Shorncliffe — and the third will span from Ferny Grove through Central and South Bank to Cleveland. [caption id="attachment_863610" align="alignnone" width="1920"] The new Woolloongabba station[/caption] In total, when it joins the train network, Cross River Rail will add a 10.2-kilometre stretch from Dutton Park to Bowen Hills, including 5.9 kilometres of twin tunnels beneath Brisbane River and Brisbane CBD. As well as the new underground stations at Boggo Road, Woolloongabba, Albert Street and Roma Street, the project is undertaking upgrades to eight above-ground, spanning Salisbury, Rocklea, Moorooka, Yeerongpilly, Yeronga, Fairfield, Dutton Park and Exhibition. Cross River Rail is set to launch in 2025. For more information, head to the project's website. Images: renders of Roma Street and Woolloongabba stations.
There are certain times in life when a run-of-the-mill bottle-o just won't cut it. Those times when the celebration calls for a drop that is a little more special. Marking an engagement or anniversary or celebrating a birthday. Hell, even just a Friday night. Enter: Craft Wine Store. Offering a premium selection of craft beers, artisanal spirits, biodynamic and hands-off wines, from small producers and Queensland makers, Craft has something to suit every taste and budget. If you want to try something different or are not really sure where to start, the friendly team makes selecting a breeze. It also runs weekly tastings, so you can get to expert-level yourself. Images: Kiel Wode
This neighbourhood eatery in Paddington was once called Shouk Cafe. One of its biggest fans, who used to be a guest at Shouk, has taken over the old Queenslander to run transform it into Naïm — now, six years later, the owner B.J. Wall runs the venue alongside co-owner, Vince Estacio. Their friendship and love of food has remained a constant. Estacio was formerly a chef at Michelin-starred restaurant, Mourad, and he brings his contemporary take on Middle Eastern cuisine to Naïm. One of the stand-out dishes is the shakshuka — eggs are baked with a tomato and capsicum sauce, paired with saffron labneh, white beans and kalamata olives. You'll also nab some housemade challah bread, which comes toasted, to help soak it up. Keeping with the joint's Middle Eastern-theme, you can add an optional merguez sausage as well.
Making a cup of barista-worthy coffee at home is an art. But, it needn't be daunting. With a combination of science and play, crafting a delectable morning brew simply takes a bit of practice. If you've decided that 2026 is the year you level up your coffee game (and stop spending six dollars every single day), we tapped the owner of Clubhouse in Nundah, Brisbane, Josh Prete, to learn how to become an at-home barista. Josh has been working in the coffee industry since 2016 and says it was the "reliability and consistency" of a good cafe that drew him in. "When you visit the same place often enough, you meet people, you hear stories, and you naturally become part of the community. That led me into the science behind making coffee well. I don't think about one perfect cup. I think about making great coffee all day, every day, and teaching people how to do the same." [caption id="attachment_1044092" align="alignnone" width="1920"] Clubhouse[/caption] What equipment do I need to make great coffee at home? To make coffee from home, the first thing you're going to need is equipment. Don't worry. You don't have to shell out for a $4000 state-of-the-art espresso machine straight off the bat. If your go-to brew is an espresso-based drink, Josh believes you can get a lot out of entry or mid-level machines. Josh notes the most important three items for barista-worthy coffee are: A good grinder, fresh, quality beans (ideally within 30 days of being roasted), and a simple scale so you can repeat your results. "Most people think the espresso machine is the hero," says Josh. "The grinder is the real engine." For the new coffee aficionado, Josh recommends investing in a 0.1g scale, a gooseneck kettle, an AeroPress, V60 or Chemex, and a good hand grinder. "They can give you an incredible cup, and you get full freedom to experiment. There are so many variables. The fun is discovering how you like your coffee." According to Josh, the pour-over method (i.e. pouring hot water over freshly ground coffee, which then drips into a mug or carafe) is the best method for making barista-style coffee at home. "It teaches you the fundamentals: grind size, flow rate, water temperature, bloom, and timing, and those skills translate into every brewing method, including espresso," Josh shares. "Pour over gives you clarity and consistency. If you learn to control flavour on a V60 or Chemex, you'll understand how coffee actually works, not just how to use a machine." What beans should I start with? Josh recommends looking for beans with a recent roast date, but make sure it's not too recent. "If it was roasted yesterday, it's still going to be degassing. This means that if you brew it too soon, it may taste overly acidic and be prone to channelling." Channelling is when water finds a narrow path through the espresso's coffee puck in a machine, creating an uneven extraction. This can result in an espresso shot that may taste weak, sour or bitter. Not ideal. Josh also recommends looking for coffee beans with clear details on origin, process, and tasting notes. "If there is a recommended brew method, and recipe that's awesome too." If you find your at-home coffee tasting less than desirable, Josh has some tips. Does your brew taste sour? It's under-extracted, meaning you need to grind your beans more finely. To fix a bitter coffee, grind more coarsely because your coffee is over-extracted. If your coffee is too weak or watery, you have to increase the amount of coffee and decrease the water. When adjusting your grind size, be sure not to change any other variables. The dose and yield should stay the same, notes Josh. "If [your shot] ran short or long, just taste it. Learn to understand what over and under-extraction tastes like." What's dialling in? While coffee jargon can be a little intimidating at first, it's simply a science. Dialling in refers to the practice of fine-tuning your coffee's variables, i.e., brew time, grind size, and water quality. "It's simply adjusting the variables to get the flavour you're aiming for," says Josh. For example, when it comes to espresso, a great starting point is a one-to-two ratio—20g of ground coffee yielding 40g of espresso in about 25–30 seconds, and using a medium or medium–dark roast that's roughly ten days post-roast. [caption id="attachment_1060672" align="alignnone" width="1920"] Clubhouse[/caption] Simply dose out 20g of coffee, brew the espresso until 40g of liquid espresso flows into a cup (i.e. one-to-two), and then time how long your shot takes to pour. If your shot takes 14 seconds to run through, the grind is too coarse, and you need to make it finer. On the other hand, if your shot takes 46 seconds or longer, the grind is too fine, and you need to make it coarser. "Keep adjusting until you're consistently hitting that 25–30 second window, then taste it," says Josh. "That alone will get you most of the way there." "Espresso is all about accuracy," says Josh. "It's a short, sharp extraction, and it can frustrate you quickly when you're learning. No machine will dial in the coffee for you, so if you buy an espresso setup, you have to take some ownership of the process. Don't blame the beans." How do I heat barista-worthy milk? Often, the difference between a cup of coffee you're willing to trade for a minimum of five dollars and a burnt, foamy brew at home comes down to its silky smooth milk. Josh's tips for creating a barista-worthy flat white or latte are all about the technique. Oh, and don't even think about latte art until you've mastered the texture. "The depth of the wand dictates the amount of air you are letting enter the milk," says Josh. "Too shallow, and you will have too much air and a big mess. Too deep and you will just heat the milk up. You want to start shallow, allowing air in, and then slowly move the wand deeper into the jug. You only need to adjust the depth of the wand. Practice makes perfect." Once you've mastered well-textured milk, you can get started on latte art. Josh's final tips Hopefully, you're feeling a bit less intimidated and more inspired to tackle your goal of crafting a barista-worthy cup of joe at home. Josh's biggest tip, however, is to start simple. "You don't need premium equipment; you just need to understand the basics. Once you get a feel for flavour, you can make incredible coffee with very little—and have a lot of fun doing it." Image credit: Clubhouse
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from May's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW GIRLS5EVA First, a word of warning: the hit song that brought fictional late 90s/early 00s girl group Girls5eva to fame is such an earworm, you'll be singing it to yourself for weeks after you binge through the sitcom that bears their name. That's to be expected given that Jeff Richmond, the composer behind 30 Rock and Unbreakable Kimmy Schmidt's equally catchy and comedic tunes, is one of the talents behind it. Tina Fey and Robert Carlock produce the series, too, so you what type of humour you're in for. Starring Sara Bareilles (Broadway's Waitress), Busy Philipps (I Feel Pretty), Renée Elise Goldsberry (Hamilton) and the great Paula Pell (AP Bio), Girls5eva follows four members of the eponymous band two decades after their heyday. Their initial success didn't last, and life has left the now-fortysomething women at different junctures. Then a rapper samples their hit, they're asked to reunite for a one-night backing spot on The Tonight Show, and they contemplate getting back together to give music another shot. As well as being exceptionally well-cast and immensely funny, the series is also bitingly perceptive about stardom, the entertainment industry and the way that women beyond their twenties are treated. Also, when Fey inevitably pops up, she does so as a dream version of Dolly Parton — and it's as glorious as it sounds. The first season of Girls5eva is available to stream via Stan. THE UNDERGROUND RAILROAD Two words: Barry Jenkins. Where the Oscar-nominated Moonlight director goes, viewers should always follow. That proved the case with 2018's If Beale Street Could Talk, and it's definitely accurate regarding The Underground Railroad, the phenomenal new ten-part series that features Jenkins behind the camera of each and every episode. As the name makes plain, the historical drama uses the real-life Underground Railroad — the routes and houses that helped enslaved Black Americans escape to freedom — as its basis. Here, though, drawing on the past isn't as straightforward as it initially sounds. Adapting Colson Whitehead's Pulitzer Prize-winning novel of the same moniker, the series dives deeply into the experiences of people endeavouring to flee slavery, while also adopting magic-realism when it comes to taking a literal approach to its railroad concept. That combination couldn't work better in Jenkins' hands as he follows Cora (Thuso Mbedu, Shuga), a woman forced into servitude on a plantation overseen by Terrance Randall (Benjamin Walker, Jessica Jones). As always proves the case in the filmmaker's work, every frame is a thing of beauty, every second heaves with emotion, and every glance, stare, word and exchange is loaded with a thorough examination of race relations in America. If something else this affecting reaches streaming queues in 2021, it'll be a phenomenal year for audiences. The Underground Railroad is available to stream via Amazon Prime Video. LOS ESPOOKYS It has taken almost two years for the delight that is Los Espookys to reach Australian screens — and it'll take you less than three hours to binge its six-episode first season. This HBO comedy is both worth the wait and worth devouring as quickly as possible, though. The setup: horror aficionado Renaldo (Bernardo Velasco, Museo) wants to turn his obsession into his profession, so he starts staging eerie scenarios for paying customers, enlisting his best friend Andrés (Julio Torres, Shrill), pal Úrsula (Cassandra Ciangherotti, Ready to Mingle) and the latter's sister Tati (Ana Fabrega, At Home with Amy Sedaris) to help. Torres and Fabrega co-created the show with Portlandia and Saturday Night Live's Fred Armisen, who also pops up as Renaldo's parking valet uncle. This mostly Spanish-language series only uses its biggest name sparingly, however, because its key cast members own every moment. Following the titular group's exploits as they attempt to ply their trade, and to weave it into their otherwise chaotic lives, Los Espookys always manages to be both sidesplittingly hilarious and so meticulous in its horror references that it's almost uncanny. There's nothing on-screen quite like it and, thankfully, it has already been renewed for a second season. The first season of Los Espookys is available to stream via Binge. OXYGEN When Elizabeth Hansen (Mélanie Laurent, 6 Underground) awakens in a cryogenic chamber, she doesn't know who she is, where she is or why she's there. She's strapped in via an array of invasive tubes and restrictive belts, the pod's oxygen levels are rapidly depleting and, in trying to work out what's going on and how to survive, she only has the unit's artificial intelligence program, called MILO (voiced by Sound of Metal's Mathieu Amalric), on hand. That's how Oxygen starts, taking cues from everything from Buried to Locke. But each engaging single-setting, talk-driven thriller lives or dies on the strength of its story, dialogue and cast, all of which hit their marks here. It helps having Laurent at the film's centre, as tends to happen when the French Inglourious Basterds star is pushed into the spotlight. Also pivotal: director Alexandre Aja's horror background, which includes the remake of The Hills Have Eyes and 2019's Crawl. As he demonstrated with the latter, he's particularly skilled at not merely working with familiar tropes and conventions, but at getting the most out of them. Accordingly, even as Oxygen nods to a wealth of one-location and survival flicks — and a hefty number of closed-in sci-fi movies as well — it still grippingly wrings every ounce of tension it can out of its nightmarish scenario. Oxygen is available to stream via Netflix. AMERICAN UTOPIA On paper, American Utopia's concept doesn't just sound excellent — it sounds flat-out superb, stunning and spectacular. A new David Byrne concert film, capturing his acclaimed American Utopia Broadway production, as directed by Spike Lee? Sign the world up, and now. In the most welcome news of the past year, the execution matches the idea in this instant masterpiece (and wonderful companion piece to 1984's Stop Making Sense). It'd be hard to go wrong with all of the above ingredients, but the second of Lee's two 2020 films (after Da 5 Bloods) makes viewers feel like they're in the room with Byrne and his band and dancers like all concert movies strive to but few achieve in such engaging a fashion. Every shot here is designed with this one aim in mind and it shows, because giving audiences the full American Utopia experience is something worth striving for. Byrne sings, working through both solo and Talking Heads hits. He waxes lyrical in his charming and accessible way, pondering the eponymous concept with an open and wise perspective. And he has staged, planned and choreographed the entire performance to a painstaking degree — from the inviting grey colour scheme and the open stage surrounded by glimmering chainmail curtains to the entire lack of cords and wires tethering himself and his colleagues down. American Utopia is available to stream via Binge and Amazon Prime Video. Read our full review. MADE FOR LOVE When author Alissa Nutting penned Made for Love, no one needed to think too hard about her source of inspiration. Now bringing its tale to the small screen courtesy of the series of the same name, her story ponders one of the possible next steps in our technology-saturated lives. Hazel Green-Gogol (Cristin Milioti, Palm Springs) seems to live a lavishly and happily with her tech billionaire husband Byron (Billy Magnussen, Aladdin). They haven't left his company's desert campus in the entire ten years they've been married, in fact. The site is designed to cater for their every desire and whim, so they shouldn't need to go anywhere else — or that's how Byron views things, at least. Then his next big idea looks set to become a reality, and Hazel decides that she can't keep up the charade. She certainly doesn't want to be implanted with a chip that'll allow Byron to see through her eyes, access her feelings and always know where she is, and she's willing to take drastic actions to escape his hold over her life. Bringing the plot to the screen herself, Nutting favours a darkly comedic and sharply satirical vibe as she follows Hazel's quest for freedom, with Made for Love filled with blisteringly accurate insights into the tech-dependence that's become a regular part of 21st century existence. That said, the series wouldn't be the gem it is without Milioti, as well as Ray Romano (The Irishman) in a scene-stealing supporting part as Hazel's father. Made for Love is available to stream via Stan. AND TOMORROW THE ENTIRE WORLD Submitted as Germany's entry for Best International Feature at this year's Oscars, And Tomorrow the Entire World mightn't have ultimately earned a nomination or the prized gong itself, but it's still a compelling and confronting — and timely — film. And, an impassioned one as well, with filmmaker Julia von Heinz (I'm Off Then) leaving zero doubt about her feelings on the re-emergence of right-wing extremist views in general, and specifically in a country that'll never escape the shadow of the Holocaust. University law student Luisa (Mala Emde, Shadowplay) swiftly shares her director's horror and anger. Brought up in comfortable middle-class surroundings, and in a family where taking a weekend hunting trip is commonplace, she has her eyes opened at school when she joins an anti-fascist group. They're soon doing whatever it takes to combat hate-filled ideologies, including letting their actions speak louder than words; however, the stakes are raised when they endeavour to thwart an upcoming attack. Aesthetically, von Heinz opts for edge-of-your seat immersion. Feeling like you're in Luisa's shoes as she steps into a topical conflict is part of the experience, as is feeling her struggles as she grapples with the reality of counteracting abhorrent views by violent means. Emde is exceptional in the lead role, pulsating with urgency in even the quietest of scenes — as does everything in the film. And Tomorrow the Entire World is available to stream via Netflix. RETURNING SHOWS TO CHECK OUT WEEK BY WEEK MYTHIC QUEST When its first season arrived back in 2020, it took a while for Mythic Quest to find its groove. Once it did, though, the sitcom shone — and brightly. Co-created by It's Always Sunny in Philadelphia's Rob McElhenney and Charlie Day, and starring the former as a visionary video game developer, Mythic Quest follows the daily ins and outs around the studio behind the eponymous massively multiplayer online role-playing game. McElhenney's Ian Grimm is drunk on his own ego, lead engineer Poppy Li (Charlotte Nicdao, Content) barely manages to cope, their executive producer (David Hornsby, Good Girls) is a ball of neuroses, and finance head (Danny Pudi, Community) couldn't be more ruthless in general or less interested in the people he works with. Mythic Quest doesn't break the workplace sitcom mould, or reshape it. Still, as it navigates its chosen industry, calls out its insular nature and examines its other issues, it's as smart and entertaining as the genre's recent classics such as The Office and Parks and Recreation. And, picking up where its pandemic special left off, the show's second season proves just as sharp and funny, including while exploring the struggles women in gaming face in a big way. The second season of Mythic Quest is dropping new episodes each week via Apple TV+. CLASSICS TO WATCH AND REWATCH ROUND THE TWIST Sometimes, you're eager to spend your spare hours binging your way through serious dramas. At other times, only clever comedies will do. But, there also comes a time when you just want to feel nostalgic — including by revisiting the local TV show that absolutely every Aussie kid watched in the 90s and 00s, and more than once. For two seasons between 1990–93, then another two from 2000–01, Round the Twist adapted Paul Jennings' popular books into an offbeat fantasy series. If you were the right age, it was must-see TV. It's the source of plenty of lighthouse obsessions, given that's where the Twist family lived. And, it's also a show that knew how to balance humour, strangeness and scares. Yes, the latter two seasons of Round the Twist really aren't as great as the first two, but we're betting they're still baked into your childhood memories anyway. And, we're certain that you'll now have the show's theme tune stuck in your head for at least the rest of the day, which is where it'll likely stay until after you've finished binging the series on Netflix (and probably for plenty of time afterwards as well). All four seasons of Round the Twist are available to stream via Netflix. A HEAP OF CLASSIC AUSTRALIAN FILMS When Netflix launched in Australia, it took three years for the huge streaming behemoth to produce Tidelands, its first original Aussie series. Another three years later, the nation's creatives are still calling for it and other streamers to invest heavily in local productions — including via content quotas that would legislate its obligation to plunge part of the profits it earns from Australian subscribers back into the Aussie film and TV industry. That battle is ongoing. For now, though, Netflix has added a hefty batch of local films to its catalogue. The lineup is eclectic because Australian cinema is eclectic, but you can start with Two Hands, follow it up with BMX Bandits, then check out Dating the Enemy (and watch Heath Ledger, Rose Byrne, Nicole Kidman, Claudia Karvan and Guy Pearce in the process). Or, you could plunge into Dark City's twists, hit the beach with Puberty Blues, and see Toni Collette and Rachel Griffiths co-star in Cosi, not Muriel's Wedding. Just as My Name Is Gulpilil reaches cinemas, you can also stream your way through the actor's standout roles in Walkabout (the Indigenous icon's first feature from 50 years ago) and The Tracker (which won him an AFI Award for Best Actor). Check out Netflix's Australian range via the streaming platform. Top image: The Underground Railroad.
If you've spent the past year with your nose buried in a book, that's about to pay off beyond the everyday joys and thrills of reading. Sydney Writers' Festival's 2023 lineup is here another hefty catalogue of thought-provoking events — 226 of them, with almost 300 writers and thinkers involved. From the recipients of the literary world's brightest honours to some of Australia's household names and faces, a wealth of talent is descending upon the Harbour City, and being streamed nationally thanks to SWF's online program. Every writers' festival converges around an annual theme, with Sydney's focusing on 'Stories for the Future' for its 2023 iteration from Monday, May 22–Sunday, May 28 at various venues around the city — and also beamed digitally. Thinking about what's to come has been an inescapable part of living through the pandemic era, which SWF knows, curating a bill of talks that'll contemplate moving through the chaos of the past few years and into in a different tomorrow. [caption id="attachment_893384" align="alignnone" width="1920"] Eleanor Catton by Murdo MacLeod[/caption] Today's most current Booker Prize-winner, plus three from past years as well, top the lineup: Shehan Karunatilaka, who won in 2022 for The Seven Moons of Maali Almeida; The Luminaries' Eleanor Catton; The Narrow Road to The Deep North's Richard Flanagan and Girl Woman Other's Bernardine Evaristo. Still on highly applauded attendees, two-time Pulitzer Prize-winning American novelist Colson Whitehead — for The Underground Railroad, which was then adapted into a TV series, and for The Nickel Boys — also leads the bill, arriving between Harlem Shuffle's 2021 publication and sequel Crook Manifesto's arrival this July. Among the international names, the above headliners have ample company. When Trinidad-born UK musician Anthony Joseph isn't talking poetry — he is 2022's TS Eliot Prize for Poetry winner — London restauranteur Asma Khan from Darjeeling Express, and also seen on Chef's Table, will chat about comfort food; Daniel Lavery from Slate, who penned the Dear Prudence column from 2016–21, will run through his best advice; and Vietnamese author Nguyễn Phan Quế Mai will introduce her new novel Dust Child. [caption id="attachment_893383" align="alignnone" width="1920"] Colson Whitehead by Chris Close[/caption] On the local front, get ready for two iconic pairings: former Prime Minister Julia Gillard being interviewed by Indira Naidoo, plus Jurassic Park favourite Sam Neill discussing work, life and writing with his Sweet Country, Dean Spanley, Dirty Deeds and Palm Beach co-star Bryan Brown. Also on the must-attend list: Grace Tame chatting about The Ninth Life of a Diamond Miner: A Memoir, Heartbreak High's Chloé Hayden doing the same with Different, Not Less: A neurodivergent's guide to embracing your true self and finding your happily ever after, and Stan Grant on The Queen Is Dead. Also, on Monday, May 15 before the main festival, Tim Winton will discuss writing the ABC TV documentary Love Letter to Ningaloo. Under first-time Artistic Director Ann Mossop, opening night will feature Evaristo, Benjamin Law and Miles Franklin-winner Alexis Wright working through the impact that the past has on the present, as well as poet Madison Godfrey performing. At the other end of the fest, novelist Richard Flanagan will look forward, exploring why we need to tell our own tales to shape the future. [caption id="attachment_893385" align="alignnone" width="1920"] Grace Tame by Kishka Jensen[/caption] And, if your main relationship with the printed word is through recipe books, the 2023 festival is going all in on the topic for one day at Carriageworks Farmers Market. Stephanie Alexander and Maggie Beer will talk with Adam Liaw, while fixing the food system and family recipes will also nab chats by culinary talent. Capping off the bill will be foodie gala The Dinner That Changed My Life, with everyone from Nat's What I Reckon and Jennifer Wong to Alice Zaslavsky and Colombo Social's Shaun Christie-David involved. Among the rest of the program, other highlights include a tribute to Archie Roach and Jack Charles; comedians Wil Anderson and Laurence Mooney; the All Day YA lineup; a deep dive into crime podcasting with journalists Patrick Abboud, Kate McClymont and Hedley Thomas; and The Book Thief and The Messenger's Markus Zusak on bringing the latter to TV. Adaptations in general earn their own session, Shane Jenek aka Courtney Act is part of SWF's stint of Queerstories, Tom Ballard pops up on an OK Boomer panel, Australia's war on hip hop gets its time in the spotlight, and there's a look at AI in the age of ChatGPT. As always free events are a big part of the program as well, with more than 80 on year. And, also in the same category, the spread of venues is hefty — including Carriageworks, Town Hall, and 25 suburban venues and libraries across the Sydney. Sydney Writers' Festival runs at various venues across Sydney from Monday, May 22–Sunday, May 28. Tickets go on sale at 10am on Friday, March 17 via www.swf.org.au.
The humble neighbourhood pub will always hold a soft spot in every Australian's heart. We all live near one. We've all spent time in one. They're the places that you can mosey to just because the feeling hits, and the venues where you can while away many an hour over several brews. And, perfect for the Aussie climate, they're usually home to sunny, breezy beer gardens. Over the past few years in Brisbane, neighbourhood pubs are just the kind of spots that Australian Venue Co has been revamping, because the nationwide hospitality company owns quite a few in the River City. In the last 12 months alone, the Cleveland Sands, Salisbury Hotel, the Crown Hotel in Lutwyche and Bribie Island Hotel have all unveiled facelifts. Now joining that list: Capalaba's Koala Tavern. Just in time for summer, this popular Redlands pub has reopened after a $3-million renovation, complete with plenty of features that'll come in handy for the warm weather. That includes a new fairy light-lit beer garden with seats, cushions, benches and umbrellas aplenty, giving patrons a whole heap of options for eating and drinking al fresco. And, for visitors with kids in tow, there's a new play area as well. The rest of the venue has also been given a makeover, as seen in the new-look bistro, as well as the sports bar that's been turned into an entertainment hub. The latter will now host local and touring bands, and is also decked out with screens showing sport. Head by on Tuesdays for trivia, too, and on Thursdays for 'Blues and Brews' evenings. As for the menu — another big drawcard at any neighbourhood pub — Koala Tavern's new culinary lineup heroes classic Australian pub grub. Yes, that means chicken schnitzels and parmas, beer-battered fish and chips (in XXXX, being Queensland), rumps and eye fillets, salt and pepper calamari, caesar salads and steak sandwiches. The garlic bread range includes a bacon and cheese version, bacon mac 'n' cheese croquettes are also on offer, and the house pie changes weekly but always comes stacked with onion rings on top. Another humble favourite, the rotisserie chicken, also gets some love here. You can order a serving of it with sourdough stuffing, slaw and chips, or grab a warm roast chicken roll. And for dessert? Warm bread and butter pudding, chocolate brownies and blueberry cheesecake. Cocktail fans will also find two kinds of spritzes on the menu — strawberry and river mint, and ginger and mango — plus classics like Long Island iced teas, margaritas, espresso martinis, sparkling raspberry negronis and creaming soda highballs. To celebrate its big relaunch, the venue is hosting a three-day 'welcome weekend' shindig across Friday, November 25–Sunday, November 27, and bringing in its namesake with a D'Aguilar Wildlife koala handler show. An important note: stopping by during the festivities could also score you a free hot chook roll. Find the Koala Tavern at 36-40 Moreton Bay Road, Capalaba — open 10am–late seven days a week. Images: Kirra Smith.
