How many ways can getaways go wrong? In The White Lotus, each season brings a new list of chaos — and the show isn't done sending characters off to exclusive resorts to deal with whatever life throws at them just yet. The show's third season will arrive in February 2025, but there's already more on the way after that, with HBO announcing that season four has been greenlit as well. Accordingly, before anyone even watches a second of The White Lotus season three — which'll stream from Monday, February 17 Down Under — season four has been locked in. There's no word yet on which destination will follow Hawaii, Sicily and Thailand, however. There's also no details on who'll be in the series' fourth cast, and if any familiar faces will return. While the world waits for more information about season four, season three is worth getting excited about, too. A new batch of travellers is checking in, and a third The White Lotus hotel is ready and waiting. As Lisa from BLACKPINK says in both the initial look at footage from season three in a broader HBO trailer and in the anthology hit's first teaser, "welcome to The White Lotus in Thailand". A getaway at a luxurious hotel is normally relaxing, but that isn't what vacationers find in this show. It was true in the Hawaii-set first season in 2021, then in season two in Sicily in 2023, each with a largely different group of holidaymakers. Based on the sneak peek at season three, that's of course going to be accurate again in the third season's eight-episode run. Walton Goggins (Fallout), Carrie Coon (Ghostbusters: Frozen Empire), Jason Isaacs (The Crowded Room), Michelle Monaghan (MaXXXine), Leslie Bibb (Palm Royale) and Parker Posey (Mr & Mrs Smith) are among the folks checking in season three, alongside Sam Nivola (The Perfect Couple), Patrick Schwarzenegger (Gen V), Sarah Catherine Hook (Cruel Intentions) and Aimee Lou Wood (Sex Education). Families, couples and friends on getaways: they're all covered by the above cast members. And as Monaghan exclaiming "what the fuck is this place?" indicates, they're in for some chaos. Bad feelings, seeking pleasure but finding pain, threatening to drink oneself to sleep: alongside guns, dancing, judgemental pals, missing pills, snakes, monkeys, ambulances, complaints about gluten-free rice and a body bag, they're all featured in the teaser as well. From season one, Natasha Rothwell (How to Die Alone) is back Hawaii spa manager Belinda, who advises that she's there on an exchange program. Season three also stars Lek Patravadi (In Family We Trust) and Tayme Thapthimthong (Thai Cave Rescue) as one of The White Lotus' owners and security guards, respectively. Where the Mike White (Brad's Status)-created, -written and -directed satire's first season had money in its sights and the second honed in on sex, eastern religion and spirituality is in the spotlight in season three, which also co-stars Nicholas Duvernay (Bel-Air), Arnas Fedaravičius (The Wheel of Time), Christian Friedel (The Zone of Interest), Scott Glenn (Bad Monkey), Dom Hetrakul (The Sweetest Taboo), Julian Kostov (Alex Rider), Charlotte Le Bon (Niki), Morgana O'Reilly (Bookworm) and Shalini Peiris (The Ark). Check out the first teaser trailer for The White Lotus season three below: The White Lotus returns on Sunday, February 16 in the US, which is Monday, February 17 Down Under. At present, the series streams via Binge in Australia and on Neon in New Zealand. The White Lotus season four doesn't yet have a release date — we'll update you when one is announced. Images: HBO.
There's no shortage of markets happening around Brisbane — pick a day, pick a spot, and you'll likely find a bunch of stalls selling a range of wares. One thing that you won't usually come across, however, is a market dedicated to authentic Aboriginal and Torres Strait Islander arts, crafts and experiences, which is what the two-day-only Meeanjin Markets is offering. After its first run earlier this year, the city's first all-Indigenous market is back, just in time for the festive season. Taking place at Reddacliff Place, the markets will highlight the work of local Queensland creators, while also celebrating the sights, sounds, creativity and flavours of the Australian bush. That means there'll be dance, music and workshops — as well as plenty to buy. Drop by from 9am on Friday, December 7 and Saturday, December 8.
The Valley Fiesta is one of the biggest weekends in Brisbane. Overshadowed by only New Years Eve and BIGSOUND, Fortitude Valley doesn’t get more packed. This is a massive feat seeing as our entertainment precinct is rather large. Streets are closed off and live music fans are herded to stages set up in Brunswick and China Town malls, and most venues like to get in on the action. The main attractions are the official Valley Fiesta Stages which are playing host to some serious musical talent. Local acts are playing alongside national favourites, with a wide range of musical styles on display. Also on the cards are special presentations and performances as well as Rooftop Roller Disco. No matter the weather, this weekend is going to be a riot, and best of all, it’s free! No excuses, put on your dancing shows and go have some fun, you deserve it. Here is the list of some (not all!) acts performing this weekend: Architecture In Helsinki Andy Bull Gold Fields Dune Rats Hayden James (Australian Exclusive Premier) Alison Wonderland (DJ Set) The Swiss Wave Racer Jackie Onassis World's End Press Art of Sleeping Tyler Touché The Cairos Charles Murdoch Suburban Dark ft. Jeswon Citizen Kay Palms KLP Mosman Alder Major Leagues
You'd think that after seven books, eight films, just as many video games, a real-life MOOC that lets you study magic and 17 years of worshipping a fictional teenager, we'd have run a little dry on news about Harry Potter. Instead, this week has featured news of a West End play, a spinoff film trilogy, and new material being written for the '2014 Quidditch World Cup'. It seems like the wizarding world is still very much alive, and nowhere more so than the Universal Studios Harry Potter theme park in Orlando. The Wizarding World of Harry Potter was first established in 2010, but this year sees its first major expansion effectively doubling its size. The upgrades include a surprisingly functional Platform 9 3/4, a full Hogwarts Express experience, and most spectacularly of all, a Gringotts ride that replicates the ornate mayhem of the characters' dramatic expedition in Harry Potter and the Deathly Hallows. It was announced today that the ride will include high-def animation, 3D projection, live special effects courtesy of Bellatrix Lestrange and the Death Eaters, incredibly realistic (if not kind of anti-Semitic) Gringotts goblins and — best of all — a 60-foot dragon. Hurtling through the bank vaults on a rickety old cart just like the one in the film, Escape from Gringotts is definitely a ride for the hardcore fans. And, though it's a world away from our local equivalents like Dreamworld or Movieworld, it's worth keeping in mind if you're ever up for spilling a few galleons on flights to the States. Via Variety and MTV.
Remember watching the skaters and thinking you could compete with the cool kids? It seems you may have a chance when I Used to Skate Once returns for 2 nights starting June 23. With a sweet new lineup of artists including big names Anthony Lister, Courtney Brims, Jude Robinson, Liam Bhats, you'll be in the gang in no time. The Outpost’s modest art/music show has developed quite nicely over the years, and become an annual exhibition for all sorts of talent. With each artists' skate decks up for grabs, you better wear your toughest shoes, as things might get nasty 'cause these babies are limited edition. Tunes will be pumping, with The Royal Headaches, Martyr Pirates, The Chokes and McKisko rocking the night. You better 360 flip that shit into The Zoo this Thursday. Skaters gon’ skate.
Australian design student Alexander Vittouris has managed to not only design an all-bamboo velobike, but has also incorporated the natural growth process of bamboos in the design of a fully sustainable vehicle, the Ajiro Bamboo Velobike. The Monash University student's design was a finalist at the 2011 Australian Design Awards. He uses the term 'growth mobility' to describe the incorporation of the "strength and rapid growth of bamboos" in the final structure of his design. Vittouris borrows from the principals of arborsculpture, or 'tree shaping' techniques, whereby the shape of a tree or plant is controlled and instructed by various techniques (leaf trimming, wiring and pruning, for example). In this case, Vittouris has used an inner skeleton structure that the bamboo grows around. He says the manipulation technique used becomes economical and environmentally-friendly, in comparison to the cost of metal and energy exerted in assembling a traditional bicycle frame. In his Australian Design Awards entry, he writes: "The skeleton frame is then proposed to be reused, for future plant generations as an ongoing cycle. In this case, the manipulation and intervention is more akin to a farming process, whereby bamboo plants need time for thorough establishment to form the required energy mass to produce new culms."
Two Little Boys follows the series of unfortunate incidents that make up Nige (Bret McKenzie) and Deano's (Hamish Blake) long-term mateship. Things get tricky when Nige accidentally runs over and kills a Scandavian soccer star. He has no one to turn to but Deano and, unfortunately, Deano is not the kind of guy to turn to in a time of crisis. The mishap leads to more unfortunate events with hilarious and bizarre consequences. Directed by Robert Sarkies and based on the novel by Duncan Sarkies, Two Little Boys is a cheeky comedy bound to make you laugh and appreciate the one of a kind relationship between two best mates. Thanks to Hopscotch, Concrete Playground has ten double passes to giveaway to see Two Little Boys. To go in the running just subscribe to Concrete Playground (if you haven't already) then email hello@concreteplayground.com.au
If you spend your time with a delightful four-legged companion, then you've probably discovered one of their frequent thoughts: everything that humans can do, dogs should be able to do too. Alas, that statement can't always apply. No matter how much your cute pupper wants some chocolate, we all know that it just can't have any. Your barking bestie can get into the Halloween spirit, though, thanks to Paws & Relax's Doggy Howloween party. This calls for costumes — of the cute, creepy and canine-sized variety. Don't skimp on your doggo's outfit, because there are prizes to be won. In a spooky day out for you and your pooch, there'll also be a haunted maze, stick or treat, bobbing for tennis balls and a chance to get a snap of the fright-themed occasion. If you need further pupper supplies, you'll also be able to browse dog-themed stalls. It all takes place from 10am on Saturday, October 26, with tickets on sale now. Sessions are split into canine size, letting little woofers get the run of the Eagle Farm spot from 10am–12pm, allowing big pooches to tear through the place from 12–2pm, and welcoming everyone from 2–4pm. Tickets cost $25 for two hours, and if you love dogs and Halloween but don't have a dog to bring along, humans without pets can attend for $5.
Usually when you head out to see a show, you grab a bite to eat beforehand — whether you tuck into something quick at home before you leave or hit up a restaurant on your way to the venue. That's not the case with Communal Table. At this world premiere performance, which hits Brisbane Festival between for four days this September, having dinner is all part of the fun. The latest venture from Dancenorth, the production weaves a shared meal into the proceedings, with food, wine, conversation and dance all on the agenda. The Communal Table name isn't just symbolic, so prepare to sit down with 87 other folks, enjoy a shared Mediterranean feast and make a few new friends — all while enjoying performances choreographed by eight of Australia's top dancemakers.
We enjoyed the tenth annual Bicycle Film Festival last year, and the 2011 instalment is already brewing. But obviously, there can be no film festival without films – that’s where you, dear cycling-and-film-making reader come in! BFF want you to make a bike film and be a part of the global event. Submitting an entry is free, and films can be of any style, as long as they’re bike-related. With the festival travelling to over 25 cities worldwide, successful entries are guaranteed some great exposure, and being an entrant will give you a great excuse to attend the screenings, parties and other events that make up the festival itself. If you’re in need of some inspiration check out the BFF trailer below, or consider using your bike in the film-making process. Entries close on April 1 so get your camera and get on your bike!
Between Laneway, Golden Plains, Don't Let Daddy Know and Pitch Music & Arts, lineups for 2024 music festivals just keep coming. Next on the list: Souled Out. If you like new wave R&B, this is your next must-attend event — especially if you're keen on seeing Summer Walker, PartyNextDoor and Tinashe live. Souled Out's 2024 lineup also includes Bryson Tiller, Majid Jordan, Smino, Lucky Daye, Libianca and more, as part of a roster that balances well-known names, up-and-coming talent and local acts. As you might've spotted, variety is a big focus among its tunes, with the fest's array of talent not just playing the same styles of R&B. As they hit the stage, they'll be playing tracks that span subgenres such as neo soul, trap soul and Afrobeats. Walker's place on the bill is big news, given that it will be her first trip to Australia. As for PartyNextDoor, aka Jahron Anthony Brathwaite, his resume includes writing 'Work' for Rihanna. Along with the rest of the lineup, Walker and PartyNextDoor will get behind the microphone at three 2024 stops, all in March: at Parramatta Park in Sydney, Doug Jennings Park on the Gold Coast and Caribbean Gardens in Melbourne. Souled Out will be new to its trio of 2024 destinations, but it isn't new overall after launching in Brisbane in 2023. Also on the bill: DJs Joe Kay, Andre Power and Sasha, who'll be spinning tracks away from the fest's main stage that work in 90s R&B favourites. SOULED OUT 2024 LINEUP: Summer Walker PartyNextDoor Bryson Tiller Majid Jordan Smino Tinashe Lucky Daye Libianca Thuy Will Singe Lara Andallo Joe Kay Sasha Mistah Cee Andre Power SOULED OUT 2024 DATES: Friday, March 22 — Parramatta Park, Sydney Saturday, March 23 — Doug Jennings Park, Gold Coast Friday, March 29 — Caribbean Gardens, Melbourne Souled Out will tour Australia in March 2024, with ticket presales from 12.30pm on Monday, November 13 and general sales from 12.30pm on Tuesday, November 14 — head to the festival website for more information.
This Is Not Art is Newcastle's premier independent arts and media festival, where the emphasis is on collaboration and experimentation. It is a testing ground for new ideas, an opportunity to mingle with industry professionals and fellow artists in order to re-invigorate your artistic passion and develop new skills. An umbrella sheltering a number of festivals, this year TINA is home to the Crack Theatre Festival, National Young Writers' Festival, Critical Animals and Electrofringe. Between, the festivals boast workshops, performances, round table discussions, interactive events and a sleepover. A forum for showcasing, networking and inventing, TINA is a festival targeted at launching a generation of aspiring artists and fostering the creativity of local communities. Capping off a weekend of bold and dynamic events, don't miss the epic closing party hosted by Electrofringe and featuring a swag of emerging electro artists from Melbourne, Sydney and Newcastle spinning danceable tunes and experimental beats.
Any venue can serve up a brunch that goes on for hours, or so it seems given the sheer number of such mid-morning sessions across Brisbane. Cloudland's Brunch With Bite fits that mould, offering plenty of food as well as bottomless booze — but it also adds something a little different to the menu. Fancy getting a bit of camp drag comedy with your meal? Watching an uproarious game show? Belting out a tune while brunch rolls on? They're all on the bill at this banquet, with the lineup changing weekly. Food-wise, you'll tuck into an Italian-inspired spread and nab a drink on arrival, all as part of your $79.90 ticket. The event kicks off at 11am, with two hours of bottomless spritzes, mimosas, bloody marys, select beers and sangria on offer between 11.15am–1.15pm. And, if you're going booze-free, you can opt for mocktails instead.
The Amazing Type-Writer iOS app from Doormouse Manufacturing gives typing on the iPhone a vintage feel by re-creating the look and sound of typing on an antique typewriter. Keeping true to the old-school aesthetic, users can't backspace and some of the more modern symbols, such as the @ sign, won't function. This might be a little frustrating for some, but now you know how your older relatives felt when they had to send out birthday invitations to all their buddies. You'll just have to type over your mistakes and pray that it's legible. This ability to type over existing writing also means you can make tonnes of different patterns and scribbles. According to Doormouse Mfg, the app has "combined the latest in mobile pneumatic tubes technology with the highest-quality digital micro-swingarms available." This means that you'll be able to shift the carrier all over the screen and mark your letter however you like. After you've finished your masterpiece you can save it to your own camera roll, e-mail it, or post it in a public gallery. Perhaps best of all, you can select other people's pieces from this gallery and re-interpret or ruin their works however you like. This gives you the potential to post your own questions or thoughts, and see how many people will respond to it. This app will be perfect for pensioners who miss the good old days, overly-ambitious hipster poets, or people who want to send creepy letters to their ex-girlfriends. Two dollars won't get you much nowadays, but it will buy you the endless joy of having your own nifty little typewriter in your pocket. A limited amount of these are available through iTunes.
It wouldn't be a September in Sydney without the Sydney Underground Film Festival, the city's annual roundup of strange, surreal and subversive cinema. This year, though, it's doing things differently. Yes, it's a familiar story, because SFF and MIFF have already taken this course of action — but SUFF 2020 will be held completely online, and will also be available to stream nationally. This isn't just a case of SUFF transplanting its usual program to the virtual realm, though. In its digital guise, the fest will run more than twice as long as usual, screening online from Thursday, September 10–Sunday, September 20. And, it's purely comprised of shorts. In other words, get ready for some mighty out-there flicks in small doses. Highlights include the latest work from The Killing of a Sacred Deer and The Favourite director Yorgos Lanthimos, and from acclaimed Canadian The Forbidden Room and The Green Fog filmmaker Guy Maddin and his regular collaborators Evan Johnson and Galen Johnson as well. From the former, you can check out Nimic, which stars Matt Dillon as a cellist who experiences a life-changing confrontation on the subway. From the latter, there's Stump the Guesser, which is an absurdist silent flick about a carnival psychic. With more than 100 films from over 20 countries on offer, SUFF's lineup is screening in specific packages — so you can decide whether you want to binge on Aussie shorts, go for films that'll mess with your mind or opt for the absolute trippiest of cinema offerings. Short documentaries are have their own category, there's an entire program dedicated to horror shorts and another is all about OTT animation for adults. Sydney Underground Film Festival screens online from Thursday, September 10–Sunday, September 20, with tickets available now — for $10 per session, or $55 for a full festival pass. Top image: Nimic.
Vibrant colours, beautiful patterns and exquisite forays into symmetry, Looking Thrice is a brilliant and eye catching series of works from rising Australian artist, Natalya Hughes. Since showcasing her work at notable exhibition spaces (GOMA, Queensland University Art Museum, Artbank), Natalya has been working on the paintings that will be featured in Looking Thrice, with a series that draws inspiration from Japanese woodblock prints, helping her create deftly patterned abstractions. The works vary from paintings to sculpture, many of which are fresh from being showcased at Beam Contemporary in Melbourne. The exhibition will be running until the 14th of June. Looking Thrice is highly recommended to those looking for highly stylised and visually stimulating work.
Sisters Grimm do not make theatre the way you might usually think of theatre. The trashtastic Melbourne satirists (also known as Ash Flanders and Declan Green) staged their DIY 2010 theatre piece Little Mercy in a car park and 2012's Summertime in the Garden of Eden in a suburban garage — and got rave reviews for both. So much so that the anti-establishmentarians have gone establishment, in the nicest possible way, as the Sydney Theatre Company is bringing them out to reimagine Little Mercy, a high-camp ode to 'evil child' movies, for their Wharf 2 stage. (Summertime in the Garden on Eden, meanwhile, will get a run at Griffin Theatre in November). Marcus Costello caught-up with Ash, who as well as writing and directing is playing the mother character Virginia, on his first day treading the boards at the Wharf. Here's what he had to say on stepping up to the main stage, the joys of the low-brow, and how they're adapting their "aesthetic of failure". First day of rehearsals, how's it going? We haven't stopped laughing that we’re actually here at STC. Well it's a long way from where you gave birth to Little Mercy in a Melbourne car park all those years ago. How has the show changed since then? Oh, you know, just little tweaks — like rewriting the whole show. Our shows are always staged in response to the space we're working in and the resources we have available, which is usually next to nothing. Our work ends up being an exercise in the aesthetic of failure, which is where much of the comedy comes from. Of course, being here [at STC] we can't just pretend we have no money so we're responding to the idea and construction of conventional theatre. In a way it's not that radical a departure because we're all about the interrogation of genre — finding the cracks, tearing it apart, and putting it back together. We like to see how much pressure something can take before it's completely unintelligible. Stepping up to the main stage... I like to think of it as STC stepping down [laughs]. Good call. In any case it's a collision of worlds. If you like it here and want to stick around, how is that going to affect your anti-establishment practice? If we can get paid to do shows on big stages, great, but it was never really our aim to make it to this point at settle-in. I think we'll always do scratch shows because mixing up where we perform is really important to us. I mean, we'll ride this out and have fun along the way, but we won't get so big-headed that we'll stop performing in living rooms and backyard sheds, or car parks, even. By the same token, if performing in car parks to a bunch of our adoring friends was all we ever did, it wouldn't amount to much. We don't plan to play it safe. A character at the centre of your play, Rodger, is a wealthy theatre director. Should we take that as a dig at the establishment? Um, [laughs] oh I don't know how meta we want to get about that! I mean, yeah, his job, his taste comes across as increasingly ridiculous throughout the show. We needed a job where the husband/father could become totally engrossed in what he does. As we both know, directors can get way too involved with their own projects and stop seeing the world around them — maybe even fail to see their own child is a psychotic killer. You say that the goal of your theatre is to make the audience laugh. I reckon your gritty-camp shtick might rankle with some of the more conservative STC season subscribers, don't you think? We don't intend to shock them too much. I mean, we won't be flopping our dicks out. In a way, our comedy is kind of old-fashioned. A man in a dress isn't new, but what we do with it hopefully is new and interesting and funny. At least we hope so because we think laughter in the theatre is vital. If you go to the theatre to take your medicine, to eat something that's good for you, then you've killed a lot of the joy. I don't like to go to the theatre to be educated. Dialectical, polemical, preachy theatre, theatre where the performers blast their politics at you, that doesn't inspire me. At least, if I learn something I want it to be incidental to the laughs. And if it's not making me laugh, it should make be gasp. Whatever is does, it needs to make me feel something. There are a number of Australian theatre-makers at the moment who set out to hurt feelings and sensibilities. How do you feel about that? Oy vey! That's not something we would deliberately set out to do. Our kind of humour can be quite hoary and hokey but I think if anything was going to offend, especially the STC audience, it would be the stupid jokes — because we would offend their intelligence [laughs]. I'm not playing Virginia for a joke, but every time I get on stage there will be laughter for a good five seconds. That's interesting because you're not unknown to the Melbourne drag scene. How does it feel having an audience laughing at you not with you? I'm totally fine with it. It’s not my job to know why people are laughing, it's really not. I'm happy with laughs wherever they’re derived from. I'm just not that precious; I'm aware of the grenade that I am. Little Mercy is on at the Sydney Theatre Company's Wharf 2 from March 7 to 24. Tickets are available from their website.
Pucker up, fans of 90s teen flicks — whether you were the exact right age at the time, have discovered them since or found yourself looking backwards thanks to recent films like Do Revenge. After finally bringing its song- and dance-filled take on one of the most influential movies of the era to Australian stages this year, Cruel Intentions: The 90s Musical is making a comeback along Australia's east coast in 2023. It seems that we can't get enough of this bittersweet symphony. We can't stop praising it, either. This time, audiences in Sydney and Melbourne will get a second chance to get nostalgic, while the show is backing up its recent Brisbane season with a new stint on the Gold Coast. To answer the most crucial question, yes, the musical's soundtrack is filled hits from the period, including The Verve's 'Bittersweet Symphony' and Placebo's 'Every You Every Me'. In fact, Cruel Intentions: The 90s Musical is a jukebox musical, so it's overflowing with a heap other tunes from that late 90s–early 00s time. Think: *NYSNC's 'Bye Bye Bye', Britney Spears' 'Sometimes', No Doubt's 'Just A Girl', Jewel's 'Foolish Games', Christina Aguilera's 'Genie In A Bottle' and Sixpence None the Richer's 'Kiss Me', for starters. The story remains the same, just without Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair (and Joshua Jackson's blonde locks). If you've seen the movie — the original, not the direct-to-video 2001 and 2004 sequels, one of which starred a very young Amy Adams (Dear Evan Hansen) taking over Gellar's role — then you'll know how it goes. Based on 1782 novel Les Liaisons dangereuses, which was also been adapted in the 1988 film Dangerous Liaisons with Glenn Close, John Malkovich, Michelle Pfeiffer and Uma Thurman, Cruel Intentions follows step-siblings Sebastian Valmont and Kathryn Merteuil. Manipulating each other's love lives is their main hobby, a pastime that levels up a few notches when Kathryn places a bet on whether Sebastian can sleep with Annette Hargrove, the headmaster's daughter at their exclusive prep school. The movie-to-theatre production has been unleashing its teen tumult and throwback soundtrack in America since 2015, and will start its Aussie encore from January 2023. Cruel Intentions' writer/director Roger Kumble co-created the musical, so it comes with quite the screen-to-stage pedigree. Also, it's being staged in Australia via David Venn Enterprises, who also brought The Wedding Singer: The Musical Comedy and Bring It On: The Musical our way. CRUEL INTENTIONS: THE 90S MUSICAL 2023 AUSTRALIAN TOUR: Thursday, January 19–Sunday, January 29, 2023: HOTA, Home of the Arts, Gold Coast Thursday, February 2—Sunday, February 12: Riverside Theatre, Parramatta From Thursday, February 16: Athenaeum Theatre, Melbourne Cruel Intentions: The 90s Musical will tour Australia's east coast again from January 2023. For more information and to join the waitlist for tickets — with Gold Coast and Melbourne shows on-sale from 10am Thursday, October 6 an Sydney from the same time on Tuesday, October 11 — head to the musical's website. Images: Nicole Cleary.
In a bid to contain the spread of COVID-19, the Australian Government is urging Australians to stay at home. In a statement made last night, Tuesday, March 24, after a national cabinet meeting, Prime Minister Scott Morrison said everyone should remain in their homes "unless it's absolutely necessary you go out". The Prime Minister clarified that it was acceptable to go out to buy basics and for medical needs, to exercise in small groups and to go to work when you cannot work from home. The announcement also included an expanded list of non-essential indoor venues that must close. While pubs, clubs, gyms, indoor sporting venues, cinemas, casinos and places of worship were forced to close on Monday, galleries, museums, libraries, auction and open houses, all indoor health clubs, fitness centres, yoga, barre and spin facilities, saunas, bathhouses and wellness centres, amusement parks, arcades, beauty therapy, tanning, waxing, nail salons and tattoo parlours all have until midnight tonight, Wednesday, March 25 to shut up shop. Bars, restaurants, cafes and food courts can still offer takeaway and delivery only, and hairdressers can continue to operate if appointments are limited to less than 30 minutes. Outdoor personal training and bootcamps can also continue with a maximum of ten people, weddings with no more than five and funerals with ten or less. Visits at your home should also be kept to a minimum with very few guests. Last week's advice of "do not travel abroad" has also evolved into a blanket ban on all international travel, except for compassionate reasons, health workers and other essential work. The Prime Minister said that "no one should be getting on a plane and going overseas", but the ban would officially come into place today after it has been signed off by the Health Minister. Australian airlines had already slashed their flights significantly, with Qantas and Jetstar cutting their international flights by 90 percent until at least the end of May, and Virgin Australia suspending all international flights from March 30. At the meeting, Australia's Chief Medical Officer reiterated the sentiment that these measures will be in place for a prolonged period — previously predicated to be at least six months — saying, "we have to change the way we interact as human beings in our society for quite a long time as this virus will be with us for quite a long time." The Australian Government also urges anyone that does leave their house to follow its social distancing guidelines.
When you think 'patron of the arts' your local council probably doesn't spring to mind. Thanks to our Art/Work interview series, we're fully aware of the extra work our local artists put in to keep themselves in canvas and oils, and perhaps Blacktown Council could help. Now in its sixteenth year, the Blacktown City Art Prize has grown in popularity and reputation to become one of the most popular art competitions in Western Sydney. There's a grand total of $24,000 available in prize money and acquisition funds across several categories. Entries are invited for four official sections: painting, watercolour, works on paper and sculpture. There are also open prizes for Aboriginal artists, youth artists, environmental art, and local artists. Don't worry if you don't actually live in Western Sydney, that last category is the only one restricted to Blacktown city residents. Entry forms must be submitted by Tuesday August 23, and selected works will be displayed at Blacktown Arts Centre from 24 September – 22 October, admission free.
Australia is in for a big hot summer of music tours — a hefty end of spring, too — with everyone from Post Malone and The Weeknd to Taylor Swift and The Chemical Brothers on their way Down Under. Also on the list: Foo Fighters, who have a date with a heap of Aussie stadiums, and are about to release more tickets. It's times like these that you can add catching the Dave Grohl-fronted band to your calendar, with the group embarking on their first headline tour of Australia since 2018. It's also their first visit Down Under since drummer Taylor Hawkins passed away in March 2022. Foo Fighters were last in Australia that same month and year, playing a huge Geelong show to help launch Victoria's post-COVID-19 lockdowns live music program. The band unsurprisingly took a break from touring after Hawkins' death, only returning to live gigs earlier in 2023. On this tour, they're playing Perth, Adelaide, Melbourne, Sydney and Brisbane, with additional tickets becoming available due to changed production information — so, it's likely that the band's setup won't take up as much space as initially thought — and going on sale at 3pm AEDT on Friday, October 13. [caption id="attachment_903613" align="alignnone" width="1920"] Scarlet Page[/caption] Picking up the sticks: ex-The Vandals, Devo, Guns N' Roses and A Perfect Circle drummer Josh Freese, taking on the likely-daunting task of being the touring drummer in a band led by Nirvana drummer Grohl. Freese's stint with the band was announced in May, ahead of their first tour dates. When they hit our shores, the new-look Foo Fighters will weave in tunes from their new record But Here We Are, which released in June. Of course, all the hits from across their career will get a whirl, with their current setlist including everything from 'This Is a Call', 'Big Me' and 'Monkey Wrench' through to 'Learn to Fly', 'The Pretender' and 'Best of You'. And, yes, 'Everlong', because it wouldn't be a Foo Fighters show without it. [caption id="attachment_903618" align="alignnone" width="1920"] Jo via Wikimedia Commons[/caption] 'I'll Stick Around', which is also on the list, isn't just a song title from the group's first album. Given that their new tour comes 28 years after that debut release in 1995, it perfectly sums up Foo Fighters' longevity. Over the years, they've made it Down Under a heap of times, released 11 studio albums including the just-dropped But Here We Are, and made 2022 horror movie Studio 666. When they take to the stage again in Australia, they'll do so with Queensland punk act The Chats in support on a stack of dates, Manchester's Hot Milk also playing with them on the east coast, Teen Jesus and the Jean Teasers doing Melbourne and Body Type in Adelaide. FOO FIGHTERS AUSTRALIAN 2023 TOUR DATES: Wednesday, November 29 — HBF Park, Perth, with The Chats and Teenage Jones Saturday, December 2 — Coopers Stadium, Adelaide, with The Chats and Body Type Monday, December 4 — AAMI Park, Melbourne, with Teen Jesus and the Jean Teasers and Hot Milk Saturday, December 9 — Accor Stadium, Sydney, with The Chats and Hot Milk Tuesday, December 12 — Suncorp Stadium, Brisbane, with The Chats and Hot Milk Foo Fighters are touring Australia in November and December 2023, with additional tickets going on sale at 3pm AEDT on Friday, October 13. Head to the tour website for further details. Top image: Mr Rossi vi Wikimedia Commons.
Over the course of the past year that wasn't, things like scheduling have more or less gone out the window. After all, how far ahead can you plan if things could change, quite literally, at any minute? If nothing else, the past year has probably taught us all how to be spontaneous — but spontaneously having people over at your place (restrictions permitting, of course) doesn't mean that you should neglect your duties as host. That's where we come in. We've teamed up with Yumi's to put together a list of six easy things to whip up for last-minute — or even unexpected — guests. [caption id="attachment_817506" align="alignnone" width="1920"] Benjamin Brunner (Unsplash)[/caption] TOMATO, BOCCONCINI AND BASIL BITES The low effort to high payoff ratio of these treats makes them an easy crowd-pleaser. It's not hard to imagine why the tried-and-true combo of plump, sweet tomato, creamy cheese and fresh, zingy basil has become a grazing platter staple — not only are the flavours a perfect match, but these morsels are a cinch to put together, and also incredibly versatile. Whether you stack them as fresh bite-sized stacks, turn them into a salad, or put them on a pizza, these tricolour treats will be sure to put a smile on your guests' faces. FALAFELS These veggie favourites will please even the pickiest eaters. And thankfully, it couldn't be more easy to impress your guests with them, thanks to Yumi's range of excellent pre-cooked falafels. They come in a classic and sesame variety, and also in resealable bags — meaning you can even keep some for yourself after your guests leave. Give them a quick zap in the microwave for half a minute, and serve them with liberal amounts of Yumi's classic silky hommus or addictive garlic dip to take your platter to the next level. [caption id="attachment_817512" align="alignnone" width="1920"] Brett Jordan (Unsplash)[/caption] MINI QUICHES Mixing up your platter with hot and cold options automatically takes your hosting levels up a notch (at least in the eyes of your guests). And less than ten minutes of prep using pantry staples is all it takes to impress when you plate up these mini quiches. They're filling, tasty and versatile — try mixing it up with different types of cheese or veggies. [caption id="attachment_817513" align="alignnone" width="1920"] Martin Alargent (Pexels)[/caption] FIGS AND CHEESE We may not be able to travel right now, but the dreamy combination of figs and goat cheese will at least transport your tastebuds to the Mediterranean. The sweet, plump and honeyed notes of the fruit are the perfect foil to cut through cheese with stronger flavours — goat's cheese is a great pairing (especially drizzled with a bit of honey), but other cheeses, like a sharp stilton or a creamy brie, work just as well. It's an easy combo to assemble, too — cut the figs in half and serve them up with your choice of cheese. If you want to take it to another level, popping the fruit under the grill can bring out more of the flavour. DIPS, CRUDITES AND CRACKERS Whether you're serving them before dinner or they're accompanying casual wine time, dips are perhaps the ultimate no-brainer for entertaining at home (or solo snacking, we hasten to add). Yumi's has long been a favourite for its creative range of dips that are packed with real ingredients — from a creamy avo and sea salt dip to the mildly sweet roasted beetroot, there are combinations to suit any palate. Chop up some veggies or spread out some crackers for dipping and you've got yourself a winning platter. Feeling fancy? You can even make your own crackers — these rosemary ones go with just about anything. [caption id="attachment_817519" align="alignnone" width="1920"] Matt Seymour (Unsplash)[/caption] MINI SAUSAGE ROLLS The humble sausage roll is another platter pick that seems like you've gone to more trouble than you actually have. Sure, you can get fancy with it and make your own filling, but if you're pressed for time, you can bring pre-made sausages to the party, wrap them up in puff pastry, portion them out and bang them in the oven. Add a couple of sides for dipping — we love the contrast of a sweet chutney — and you're set. For more entertaining inspiration, check out the full range of Yumi's falafels, veggie bites and dips.
The World's End is the final film in Edgar Wright and Simon Pegg's Three Flavours Cornetto Trilogy — named for the Cornettos that make an appearance in each film. The film stars Pegg and Nick Frost as childhood best friends Gary and Andrew, both unhappy with their adult lives, trying to recapture their youth in one epic pub crawl, ending at The World's End. But if you've seen Shaun of the Dead and Hot Fuzz, you'll know that this isn't going to be just any pub crawl — along the way, they uncover a group of aliens plotting to invade Earth and have to stop them from turning the entire human race into robots. It's been getting some pretty good reviews overseas, with the Guardian calling it "a double-whammy of funny and clever" and a "good-natured sci-fi comedy of male mid-life discontent". The World's End is in cinemas on August 1, and thanks to Universal Pictures, we have ten double in-season passes to give away. To be in the running all you need to do is subscribe to our newsletter (if you haven't already) and then email hello@concreteplayground.com.au with your name and address.
Last time you spent a couple of days hanging out in Surfers Paradise, enjoying the beach and bars, and listening to live tunes by the shore, you might've been attending Schoolies. Your next excuse: Springtime, the brand new music fest that's heading to the Gold Coast this year. Obviously, thanks to the name, you know which season will be in bloom. Between Friday, September 3–Sunday, September 5, the new event will take over both beachside and streetside spaces around Surfers, with over 40 acts on the bill. There'll be multiple stages, including in outside spots and at sideshow venues. And, in fantastic news for your wallet, entry to all of the outdoor shows is completely free. If you're planning to make a weekend of it, the lack of entry fee means you'll have more cash to splash on a hotel room. With Australia's tourism industry taking a hit over the past year or so, enticing music lovers to the Goldie for a three-day getaway is obviously one of the fest's aims. Some sideshows might be ticketed, though — the details haven't been announced yet, but you might want to factor that into your plans. As for who you'll be seeing, headliners include Ball Park Music on the Friday, Hermitude and Sneaky Sound System on Saturday, and Ruel on Sunday. The Gold Coast Music Awards will be part of the fest as well — as will celebrating spring's arrival just by soaking in the location, obviously. [caption id="attachment_815054" align="aligncenter" width="1920"] Derek Henderson[/caption] SPRINGTIME MUSIC FESTIVAL 2021 LINEUP: FRIDAY: Ball Park Music Psychedelic Porn Crumpets Ali Barter Radolescent Vices SATURDAY: Hermitude Sneaky Sound System Gold Coast Music Awards JK-47 Ninajiraci Mia Rodriguez Ebony Boadu Mollie Rose Garrett Kato Lili Papas Daste Gratis Minds Akurei Jake Carmody Strex Happy Hour Live with Lucy & Nikki SUNDAY: Ruel Sycco May-A Budjerah Ivey Peach Fur DVNA Saint Lane Pink Matter Kye Pure Milk Tom West Chutney Sh#t Shirt Disco Nina Sinclair Veople Springtime Music Festival will take place across the weekend of Friday, September 3–Sunday, September 5. For further information — and to RSVP — head to the festival website.
How does a theatre production recreate Charles Darwin's famous voyage on the HMS Beagle, and do justice not only to the real-life tale of discovery, but the creatures the scientist came across? Dead Puppet Society's involvement in The Wider Earth might just give the answer to that question away. And we're not just talking about using shadows and felt to recreate everyday animals, either. Expect the delicate flutters of longhorn beetles and the slow lumbering of ancient tortoises to come alive on stage — and the naturalist's journey from the Andes through the Amazon to the Galapagos Islands as well. On the human side of things, expect a cast that includes Margi Brown Ash, Tom Conroy, Lauren Jackson and Thomas Larkin to bring a piece of history back to life in a lively a coming-of-age narrative. Plus, not only does The Wider Earth celebrate its world premiere season in Brisbane from July 9 by letting a real-life quest play out with 30 custom-created puppets and eight actors — it also boasts a collaboration between two of Australia's leading musical creators, too. Singer-songwriter Lior and producer Tony Buchen have joined forces to ensure that the sounds of this adventure are as magical as the underlying story.
For six days each April, the music-loving world's eyes turn to the Empire Polo Club in Indio, California, where Coachella takes place each year. Maybe you're there on the ground. Perhaps you spend two weekends watching along via the festival's livestream. Either way, it's a helluva time — and 2025's festival will feature Lady Gaga, Green Day and Post Malone on headlining duties. The Coachella lineup normally drops in January as a start-of-year highlight, but the details have arrived early for the next festival. Post Malone had jumped the gun, revealing a stadium tour with Indio dates on Coachella's two weekends — and so now organisers have unveiled the full details. [caption id="attachment_972776" align="alignnone" width="1920"] Raph_PH via Flickr.[/caption] Mark Friday, April 11–Sunday, April 13 and Friday, April April 18–Sunday, April 20 in your diaries — including if you you're just keen to check out the livestream. (Remember, Coachella was livestreaming its sets long before the pandemic.) The full bill is impressive, as usual, with Lady Gaga headlining the Friday nights, Green Day doing the Saturday nights and Post Malone on Sunday nights. Also, Travis Scott is on the lineup as well, but without a set day so far. From there, get ready for jam-packed roster of acts that also spans everyone from Missy Elliott, Charli XCX, Megan Thee Stallion, Travis Scott, The Prodigy and Kraftwerk through to Benson Boone, FKA twigs, Basement Jaxx and The Go-Go's — and plenty more. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: View this post on Instagram A post shared by Coachella (@coachella) For music lovers planning to watch along from home, Coachella keeps teaming up with YouTube to livestream the festival. That's no longer such a novelty in these pandemic times but, given the calibre of Coachella's lineup, it's still a mighty fine way to spend a weekend. For those eager to attend in-person, you can signup for access to tickets over at the festival's website — with pre-sales starting at 11am PT on Friday, November 22 (aka 5am AEST/6am AEDT on Saturday, November 23). [caption id="attachment_907691" align="alignnone" width="1920"] Chrisallmeid via Wikimedia Commons[/caption] Coachella 2025 runs from Friday, April 11–Sunday, April 13 and Friday, April April 18–Sunday, April 20 at the Empire Polo Club in Indio, California. Find out more information and register for tickets at coachella.com — with pre-sales starting at 11am PT on Friday, November 22 (aka 5am AEST/6am AEDT on Saturday, November 23). Top image: Raph_PH via Flickr.
Conscious consumerism and shopping sustainably are hot topics at the moment. That's where independent markets come in handy — aside from the joy of uncovering rare, one-of-a-kind (or, at least, one of a small number) finds, they're also great for discovering quality vendors that specialise in ethical practices and products. And when it comes to rolling out the creme de la creme of local producers every season, the Finders Keepers market knows its stuff. For over a decade, the twice-yearly mini-festival has been championing small-scale producers. So, sustainable shoppers and knick-knack connoisseurs, we've got some good news — Finders Keepers is back for another season. The first stop on its autumn/winter circuit is Sydney, running from Friday, May 3 to Sunday, May 5 — just in time for you to snag the perfect Mother's Day gift. It's then popping up in Brisbane between Friday, June 21 and Sunday, June 23, before wrapping up in Melbourne across Friday, July 12–Sunday, July 14. As always, Finders Keepers has pulled together a high-calibre of art, fashion, beauty and design stalls. And, to help you figure out which ethical vendors to make a beeline towards, we've trawled through the huge Finders Keepers directory to find eight brands doing good for the world — and making even better products. [caption id="attachment_718857" align="alignnone" width="1920"] Finders Keepers. Captured by Mark Lobo.[/caption] YALU APOTHECARY Yalu Apothecary will be gracing the markets this year with its simple ethos — nurture with nature. This philosophy perfectly captures its offerings of sustainable, handmade beauty products. Yalu Apothecary promotes holistic wellness with specialty naturopathic herbal tea blends, crystal-infused botanical perfume oils, face masks and bath products. The products are handcrafted by Rhiannon Mapstone, who sources the finest natural and organic botanicals from local gardens in Australia and from around the globe. Skip the damaging chemicals of mass-produced beauty products and opt for a Yalu perfume, made with pure plant essences, organic infusions and supercharged with crystal healing power. Yalu Apothecary will be at the Sydney and Melbourne markets this season. MISTER TIMBUKTU Secretly hoarding two draws dedicated to activewear for all days of the week? Yep, we're guilty too. Make your yoga tights habit a positive one by grabbing a pair from Mister Timbuktu — an apparel store saving plastics from landfill and the ocean and turning them into outdoor and fitness apparel. A simple yet brilliant idea, Mister Timbuktu began as a crowdfunded debut collection before officially launching in June 2018. In addition to being a recycled and high quality material, these plastics use less energy, water and chemicals to produce compared to traditional fabric. The business ensures ethical and sustainable practices all the way from above-minimum wage for its factory workers in Indonesia to home-compostable bags for deliveries. For stylish and sustainable active threads, Mister Timbuktu will be open at all three city's Finders Keepers markets. CORNER BLOCK STUDIO Avoid scraping Blu Tack off the walls of your rental at the end of each lease and display your favourite artworks in a frame from Corner Block Studio. This modest store combines innovation with handcrafted woodwork to bring you simple and stylish adjustable frames for your artwork. Whether you want to display your band poster, record covers or beautifully illustrated coffee table books, Corner Block Studio has a frame for every purpose. With respect to the planet, all products are made from recycled Australian hardwoods that have been reclaimed from decommissioned buildings. Each piece is crafted in Brisbane and features unique characteristics in the timber, so you'll walk away with a one-of-a-kind frame. Corner Block Studio will be popping up at the Brisbane and Melbourne markets. EARTH FIBRE Take a piece of the gorgeous Australian natural environment home with Earth Fibre. Each handcrafted piece tells a story of the colourful landscape. Creator Michelle Ohara uses various mediums, carefully selected from the Glass House Mountains area in the Sunshine Coast, to produce her collection of eclectic designs. She utilises the local flora to make her goods, including seeds, environmental earth fibres, paper fibres, wood and environmental weeds. You'll find baskets woven from garden waste, small books made from seed pods and botanically dyed scarves made using leaves. Michelle leaves it to nature to put an individual stamp on each of her designs — with no trace of the chemicals or materials that you might find in goods made in a factory. This season, you'll find Earth Fibre at the Brisbane Finders Keepers market. POSIE Posie provides an alternative to the mountains of mass-produced candles packed with chemicals. Co-founders Ashleigh Sampson and Casie Brooker started the brand from a shared passion for travel, design and the simple things in life — and each candle blend is reminiscent of the people, places and paths that they've encountered in their journeys. The candles are designed and made using 100 percent soy wax and their individual scents come from natural fragrances and essential oils. Each candle is hand-poured into a recycled container in Posie's Byron Bay studio. By working and sourcing materials locally, Sampson and Brooker ensure that every Posie candle upholds their core principles of fair, cruelty-free and sustainable trade. You can pick up a Posie candle for your home at the Sydney, Melbourne or Brisbane markets. [caption id="attachment_718864" align="alignnone" width="1920"] Homelea Lass via Pintrest[/caption] HOMELEA LASS Baby, it's cold outside. Fight the oncoming winter temperature drop with cosy, snuggly crocheted textiles from Homelea Lass. Pick up a thick blankie to snuggle in on the couch or a gorgeous snood and matching beanie for all your outdoor winter adventures. Or, better yet, you can become your own grandma with a DIY crochet kit and keep warm inside while you make your own woollies. As an Australian farmer and maker, owner Lynda Rennick is passionate about supporting the Aussie farming industry — which is why she uses 100 percent Australian-grown and -processed merino wool. Homelea Lass keeps business sustainable with its use of locally sourced and ethical materials and tools, too. You'll be able to snag these cosy crochets at Sydney, Melbourne or Brisbane markets. NZURI ORGANICS Avoid incorporating harsh chemicals into your skincare routine by switching to products by Nzuri Organics. Founder Nadine Shuma ensures that each and every handcrafted product is made with certified organic, raw materials. From body butters to hand creams, Nzuri provides organic solutions for everything from your face to your feet. Nadine is Tanzanian-Australian and her brand incorporates beauty routines and ingredients from Tanzania, along with locally sourced organic ingredients of the highest quality. Accredited by Choose Cruelty Free, Nzuri Organics' products are handmade and all containers are either 100 percent recyclable or biodegradable. Nourish your skin by giving Nzuri Organics a visit at the Sydney, Melbourne or Brisbane markets. [caption id="attachment_675445" align="alignnone" width="1920"] Finders Keepers. Captured by Samee Lapham.[/caption] ARCADIA SCOTT Reusable travel cups are all the rage nowadays. They're much better for the environment, a lot of cafes offer a discount on your morning cuppa if you use one, and they just look so much better than a plain disposable cup — it's a win, win, win. If you're yet to jump on the bandwagon, or you just want to upgrade to something more aesthetically pleasing, stop by Arcadia Scott's stall. The self-taught potter creates a range of ceramic pieces in her Melbourne studio including bowls, vases and adorable glazed travel cups. Each item is handmade, giving your purchase a unique edge — which is exactly why you came to an independent art fair, right? Arcadia Scott will be popping at the Sydney, Melbourne and Brisbane markets. Finders Keepers will be at Sydney on Friday, May 3 – Sunday, May 5, Brisbane on Friday, June 21–Sunday, June 23 and Melbourne on Friday, July 12–Sunday, July 14. Entry is $5 and your ticket is valid across the entire weekend. Visit the website here for more information and to find open hours for your city. Top Image: Finders Keepers. Captured by Samee Lapham.
After putting on a spectacular footballing show as the host of the 2023 FIFA Women's World Cup — and the Matildas making history in the process — Australia will next roll out the green carpet for the 2026 Women's Asian Cup. The Asian Football Federation has given the Aussie bid for the event the go-ahead, meaning that the country will host two major women's soccer tournaments in the space of just three years. Get ready for a sea of green and gold again. Australia has welcomed the Women's Asian Cup to our shores before, back in 2006, with the tournament taking place in Adelaide. In 2026, you'll be able to check out the football action in New South Wales, Queensland and Western Australia. All three states were put forward as locations during the bidding process. And yes, that means that the tournament won't head to other parts of the nation — so there'll be no games in either Victoria or South Australia, notably. Twelve countries will compete in the 2026 Women's Asian Cup — including Australia, of course, with the hosts automatically qualifying. So, the Matildas will get another moment to shine on home soil in a major contest. China will also compete, defending their title from the last edition in 2022, which took place in India. The Tillies were knocked out in the quarter finals — and were runners up in 2014 and 2018. Back in 2010, we won the competition, our only time as champions so far. "Securing the AFC Women's Asian Cup is a testament to our nation's dedication to football. It is not only a victory for the sport but for every Australian, offering significant economic and cultural benefits," said Anter Isaac, Chairman of Football Australia, about hosting the 2026 tournament in a statement. "We are profoundly honoured to host the 2026 edition of the AFC Women's Asian Cup™. This decision reflects the global football community's confidence in our capability to deliver outstanding events. Following the resounding success of last year's FIFA Women's World Cup™, we are eager to create another tournament that celebrates women's football and inspires a new generation," added James Johnson, CEO of Football Australia. Exactly when the in 2026 the Women's Asian Cup will take place hasn't been locked in as yet, so you can't mark your calendar just yet. The Matildas next play in Australia at the end of May and beginning of June, hosting two games against China in the lead-up to the 2024 Paris Olympics. At the latter, in July and August, they're in the same group as Germany, Zambia and the US. During the team's next Aussie leg, goalkeeper Mackenzie Arnold and Mackenzie Arnold and coach Tony Gustavsson will also hit the stage at Vivid Sydney 2024 to talk all things Tillies. [caption id="attachment_912895" align="alignnone" width="1920"] Matildas: The World at Our Feet[/caption] The 2026 AFC Women's Asian Cup hasn't yet announced its exact dates — we'll update you when they're revealed. Head to the AFC website for more details in the interim. Images: Tiffany Williams / Football Australia.
Dust off your sombreros, amigos. The latest international excuse for a good time to reach our shores is Cinco de Mayo — a celebration of all things Mexican (which, if we’re being nit-picky, is really more of an Americanisation than anything but shh, let us party). In celebration, the folks at Corona and Beach Burrito Company Bondi are putting together a fiesta, complete with face painting by local street artists and the first ever Taco Time Trials Eating Contest. For the less competitively inclined but equally taco-happy, Cinco de Mayo falls conveniently on a Tuesday, and Beach Burrito Co’s regular $3 taco deal applies, so your pesos’ll stretch further. With what you’ve got left, you can sip salt-rimmed margaritas, down trays of tequila shots (not recommended) or share a bucket of ice-cold Coronas. And, of course, come prepared to smash and whack your way to glory, because they wouldn’t be doing Mexico right without pinatas.
Not that long ago, the narrow spaces around Fortitude Valley were just that — spaces, not vibrant laneways. These days, however, the area boasts not one, not two, but now three jam-packed alleys. Yes, that's a development that's worth celebrating. In fact, it's a change worthy of a day-long festival, which is exactly what the brand new Hidden Lanes Festival is all about. On Saturday, October 13 from 10am until late, Bakery Lane, Winn Lane and California Lane will turn into a flourishing — and free — party, complete with markets, beverages, art installations, food, fashion, a heritage trail, masterclasses and 41 live musical acts. If California Lane doesn't actually ring a bell, that's because The Hidden Lanes Festival will also mark its unveiling between Ann and McLachlan streets. As for the music lineup, prepare to join The Delta Riggs, Astro Travellers, Shag Rock, Ben and Anouk Ely, Danny and India Widdicombe, Future Haunts, Pocketlove and more. And, if you're keen to pick up a few new skills, you can catch a filter coffee demonstration, learn how to make cocktails, create your own personalised cupcakes and get into pickling. Updated September 16.
Valley Fiesta is back for another year with a packed program, which once again means oh-so-many bands and musos filling oh-so-many Fortitude Valley spaces with tunes. Also returning: live music on King Street in Bowen Hills, which the Fiesta is clearly counting as the Valley for this occasion. And, that soundtrack will accompany a second fiesta that's coming back for the second time: the King Street Food Fiesta. Stocking up on sustenance is always a smart idea to start any festival, so Valley Fiesta is beginning with an entire celebration dedicated to tasty bites just like it did in 2022. King Street's eateries will get in on the action, serving up tasting plates from $8 featuring their signature dishes right in front of their venues. Running from 5–10pm on Friday, November 3, this food wonderland wants you to get wandering around the precinct, tucking into whatever tempts your tastebuds from nachos, bao and chicken wings to dumplings, cheese and charcuterie, and pasta. Venues taking part include Xin Chao, El Camino Cantina, Super Combo, Fat Dumpling and Bar Gusto, with Il Verde setting up a spritz bar, plus Archie Brothers' Cirque Electriq doing pizzas and cocktails. You'll also be listening to live tunes across two stages, with a focus on talents such as Taitu'uga — Talking High Chief, Kuzco and Lucy Korts. That same spotlight will see King Street also play host to Brisbane artists, and line the road with new art. Food images: Markus Ravik.
Summer is well under way and 2015's just rocked up to the party — what better way to celebrate than with an ice cold beverage. We've searched, navigated and tested the best of Brisbane's new bar scene and the report card is looking good (though beer goggles may have caused easier marking). From rooftop bars to beer gardens, live music venues to secret hideaways, we present the ten best new bars of summer 2015. BROOKLYN STANDARD The first thing we noticed stepping through the CBD laneway door simply marked 'BAR' was the blast of cold air conditioning. Perfection. Take the stairs down to Brooklyn Standard, your newest CBD summer hideout. With a killer live music lineup, American beers and free table pretzels, it seems sometimes the coolest summer bars can be found underground. Eagle Lane, Brisbane WOOLLY MAMMOTH ALEHOUSE Mammoth indeed! This whopper of a venue didn't just take over the Mustang Bar. Upstairs connects through to the old Woodland/Coniston Lane stage now known as Mane Stage. The equally large 'green room' behind it has become just that— the Garden Bar; a Hamptons-style tropical oasis with greenery, clashing patterns, white wood and Pimms on tap. Use the fake green to play bocce or engage in game of giant jenga. During the day, the space is bright and airy — the roof shutters open to let the best of Brisbane's sunshine in. 633 Ann Street, Fortitude Valley SOLEIL POOL BAR The area once known as Bacchus pool bar has recently underwent a makeover and relaunched as Soleil Pool Bar, a new summer spot in South Bank to be enjoyed by Brisbanites from sunrise to sunset. Tan on the pool deck or lounge around the main bar while DJs spin summer soundtracks of and a team of mixologists stir, shake and serve a brilliant array of cocktails. Soleil invites you to enjoy a poolside party vibe with a little bit of glamour as Brisbane settles in for a summer of fun in the sun. Rydges South Bank, corner of Grey and Glenelg Streets, South Bank GYPSIES WAGON We love a good bar in suburbs, and there is none hotter than Gypsies right now. Space-wise, the intimate diner consists of a dining room out front, and a bar, lounge and ample boardgames in the back. Take your pick from craft beers, bourbon-based cocktails, and of course, the signature Pisco Sour. Sometimes staff can make or break a venue, and Gypsies Wagon have nailed the perfect mix of friendly and knowledgeable, creating a welcoming space that's not at all intimidating. Let it be known, you may not make it out without a spot of Fireball Whisky. 3/281 Pickering Street, Brisbane BUFFALO BAR There's a new cowboy in town and he's serving up plenty of exactly what you hoped for — buffalo wings. Chow down on your choice of 12 flavours of wings with celery sticks and blue cheese sauce while sipping on the finest US craft beer, whisky and custom cocktails. New bars mean new surprises, and when we turned up there was a rockabilly three-piece nailing it in the corner. If you want your drinks al fresco, take it out back to the big beer garden. 169 Mary Street, Brisbane COMMUNAL BAR AND EATHOUSE Been to Brisbane Square lately? Yeah, you know that daggy space under the library? The shop spaces have been gutted and one side has just opened as Communal, with wood-fired pizza, burgers, share plates, cocktails jugs, craft beer and four white wines on tap (yes, on tap. It’s a thing now, catch up). The other side is now home to Meat & Eat, Chow Down and Cafe Brisbane. Time to gather your friends and #getcommunal. 266 George Street, Brisbane City NEXT HOTEL Take the elevator to level four. We've found your new favourite rooftop. Overlooking Queen Street Mall, this openair rooftop is the perfect place to catch the last rays set beyond South Bank. Get a snack, grab a cocktail, and pretend to talk on the phone as though you've flown in from somewhere far away and are here for important business over the weekend — yep, make yourself at home. And if you're game, take a dip in the lap pool. Go on, we dare you. 72 Queen Street, Brisbane YARD BIRD Because one food-serving, craft beer-peddling ale house is never enough, the fine folks at Yard Bird have added to its flock. Yard Bird Paddington also offers the same lunch and dinner meals patrons of the Fortitude Valley hang-out have come to know and love. We're talking chicken wings, pizzas, burgers and nachos, among other Tex-Mex nibbles, all made to be washed down with one of the eight beer and cider tipples on tap — or thirty or so others in the fridge. 208 Given Terrace, Paddington UP ON CONSTANCE Finally Brisbane. Finally we are starting to build a solid collection of rooftop bars. With an average of 263 days of sunshine per year, it seems silly that we hadn't thrown the tops off them all earlier. Up on Constance sits at the top of the new Tryp Hotel in Fortitude Valley, so start downstairs with a tasty feed at Chur Burger before heading on up for some topless drinking. 20 Constance Street, Fortitude Valley THE TRIFFID Just hearing about The Triffid makes us wants to pump our fists in the air. Former Powderfinger bassist John Collins has helped turn an old commercial aircraft hangar into a state-of-the-art music venue with a firm focus on bringing the best international, national and local acts to its stage. Talk about a win-win all round. You'll catch us having a sneaky bev and burger in the beer garden before the show. 7-9 Stratton Street, Newstead MILK FACTORY KITCHEN AND BAR It seems live music is having another heyday in Brisbane. The Milk Factory is doing it all — music, food, drinks — with a nautical twist. Let your inner pirate choose from one of the many rum-based cocktails and set sail for Japan, then Hawaii, then perhaps Korea with an ever-changing world-inspired menu. We wish we could say they only support pirate-rock bands, but that would be going overboard (sorry). 48 Montague Road, South Brisbane
It seems that 2020 is the year of staying local, although you don't need us to tell you that. For months so far — and for months to come — we're all making the most of our own backyard. We're eating local, and supporting local businesses. We're all travelling and holidaying throughout Queensland, too. And, whether you prefer a yeasty brew to cap off your week or a few cocktails whenever the mood strikes, you can drink the state's finest tipples as well. We're always keen to highlight local folks doing great things, of course — and, to showcase homegrown brewers and distillers, we've teamed up with our mates at BWS to celebrate a few of the best. Here are six must-try Queensland drops that you can pick up at your nearest BWS.
Given that The Simpsons Australia episode was more of a Fosters ad than anything else, it sounds clunky to claim 'beer is back Down Under'. When did it leave? So let's settle for the idea that brewers have lifted their socks in the wake of the return of cocktail culture. Hell, the Old Growler is pretty much a hops-filled speakeasy, beer festivals seem to be going off like fireworks on Guy Fawkes Day and home brewing is slowly being wrestled from the cold, dead hands of the river folk. Oh, and Coles now owns a microbrewery, Steamrail, that's exclusively stocked at their Liquorlands across the country. The times they are a-changing. But, with a flood in the market, where should you be directing your attention before the sun cuts back its working hours and we're all staring down those few unmentionable months of winter? Here is a list of (mostly) local beers you've probably glanced over on a menu but may not have taken the risk, forgone your beloved Coopers and forked over those extra $3 for a taste. Let's try them together. Robot Ninja Lager Rice lager is a great way to ease into the wonderful world of craft beer — fruity, light and round, this offering from the Victorian brewery Kooinda is inspired by Tokyo City and the proof is on the palate. Plus, it is something new. You can pretty much taste everything in this tipple (the website even claims a bubble-gum finish), but it is surprisingly smooth and a go-to on those hot afternoons. Though, be warned: this one masks its 4.6 percent booze content with a ricey backbone and shouldn't be treated lightly. For a more traditional rice lager, try out the Koshihikari Echigo Beer. Four Pines American Pale Ale Four Pines comes out of Manly, and offhand there is nothing in their range that isn't worth a look. The kolsch is an absolute winner, but their pale gets on here by virtue of its wide appeal. They use an unusual amount of hops in here, so expect a mouth-filling flavour, but the softness of the pine and bite of the grapefruit wrangle it in and make it a very versatile food match… Admittedly I'm thinking pub food here, but heck go with it. Murrays Angry Man If you are looking for something a little bit more familiar (yes I'm talking to all of you smashing-Sierra-Nevadas-like-its-going-out-of-fashion people) in a pale ale but still interested in broadening those horizons, try out the Murrays Angry Man. It's got a bit more punch and hop, aka bitterness, and will suit a blokier pallet — I swear I am not just running with their ridiculously awesome strong man versus kangaroo label here — but there is still plenty of complexity to the flavour. Keep a few in your fridge and order some unadvisedly hot Thai curry for your next Thursday in. Emerson's Pilsner New Zealand does do a few things well, and one of them is pilsner — in this case German pilsner. Emerson's is a well-balanced beer with a healthy smack of nectarine and then (which those of you easily overwhelmed by ales will appreciate) a long, dry finish that makes this one taste like… well... beer, essentially, which is nice. A clean, crisp mouth-wetter with a few surprising flavour notes to get your tongue wagging. Stone & Wood Jasper Ale It is still an ale, but its not going to blow your socks off with an overwhelming burst of vanilla or pineapple. The Jasper is a great crowd pleasingly thirst quencher, and it is sold in pints which is good news for everyone! Most people who identify as non-beer-likers are actually just not that into hops, but that doesn't mean you have to forgo the whole drink. Plenty of people enjoy peat free whisky, and in the same vein beers that let the malt sing and tone down the hops, like this one, will make a convert of you in no time. For the rest of us, true believers, this deep-red Jasper Ale kicks off fruity, finishes nutty and is very restrained on the carbonation front so it won't fill you up. Young Henrys Newtowner An Australian pale (i.e. they use Australian hops), this critter came out for the 150 years of Newtown celebrations and remains only available in the Inner West — which makes it the perfect excuse for a trip to King Street. Young Henrys is easily one of the most talked about local breweries and this English summer ale is a fair bit drier than their other regular pours, with a golden look and refreshing finish. Head over to The Courthouse for a long lunch with this one before summer's end. Murray's Moon Boy Golden Ale This is a beautifully gentle beer that should have spent all summer teamed up with your favourite pineapple-filled burger. It didn't did it? Do not mistake gentle for wishy-washy or tasteless; there is a lot of wheat in this baby, so expect a dry finish, and there is fruit there too. And if the option to drink a beer with a maroon-sweated, bespectacled werewolf man for a logo doesn't get you high-tailing it to the Trinity Bar on Crown Street, then I feel like I don't even know who you are anymore, man. Feral Brewing Hop Hog If this was 'Ten Beer Names to Appreciate Before the End of Summer', all of them would be from Feral Brewing. These WA beer freaks don't stop at making great beer, no, no; they then give them names like The Raging Flem, Runt and a whole selection of hogs. The Hop Hog is simply a great beer, but there is nothing simple about it: big on the hops, well balanced by malt, and somehow the whole room smells like pine when the top's off. Feral reminds us that some tastes can't be luck and someone, somewhere must know exactly what they are doing. Seriously, hop on a hog. Hargreaves Hill ESB Serious beer drinkers need only apply for this one, an Aussie twist on the Extra Special Bitter (this is normally an English speciality) that brought this Victorian brewery some serious international attention a few years ago. There are hops aplenty, a rich toffee-like malt and tropical wonders on the nose. Yes, I am an unabashed fan of this beer. If you're looking for a bit more oomph, pair it up with sherry casked single malt and sip away the next 45 minutes of your day. Sinha Stout Okay, so stouts aren't particularly summery, but they also aren't particularly Sri Lankan, which is where this mochaccino-worthy bevvy hails from, so go with it. First up, it is smooth (look at how this thing pours into a glass; it's like they've managed to bottle the voice of Laurence Fishburne), and then you sip it and suddenly you've gone to that place Irish Coffee promised but never delivered. It is 8 percent, but honestly, you don't even notice. Well, not while you're drinking it at least. Try this one out for a flavour kick at the end of your next dumpling session at Uncle Mings. Like anything, your appreciation of beer grows in direct proportion to the amount you pop in your gob, so get yourself off to an upcoming beer festival or check out the website of a brewery near you for the grand tour. Yes, it will smell like yeast. Yes, that is pretty much the smell of warm horse feed. Yes, you'll love it. Or else, we'll see you in the beer garden.
2024 is the year that Supernormal will stop being a one-city restaurant, with the famed Melbourne eatery from acclaimed chef Andrew McConnell making the leap to Brisbane. The expansion has been in the works since 2022; however, those plans have just gotten bigger. While one new venue from McConnell is great, two is even better — which is what 443 Queen Street in the River City CBD will welcome. Perched between the Queen Street Mall and Howard Smith Wharves, the site that the culinary figure is turning into his Brissie base sits on the riverfront, boasting views of the Brisbane River and the Story Bridge. It's the kind of location that you want to make the most of, so McConnell is. Alongside Supernormal, Bar Miette will set up shop. [caption id="attachment_867912" align="alignnone" width="1920"] Supernormal Melbourne[/caption] McConnell and Jo McGann have announced that the watering hole will sit on street level, so above Supernormal — but still benefit from that riverside perch and those vistas. Accordingly, while you're getting comfortable at the European-inspired terrace bar, you'll be in a killer spot whether you're stopping by for breakfast or cocktails. Operating seven days a week, starting with morning coffees, Bar Miette will feature an indoor-outdoor and a relaxed vibe. From the curved bar, not just your caffeine fix and boozy concoctions — including a hefty wine list — but also brekkie dishes, salads, seafood and charcuterie will be on offer. [caption id="attachment_867911" align="alignnone" width="1920"] Supernormal Melbourne[/caption] While either venue has an exact launch date as yet, they're slated to open midyear. On staff at both venues: Jason Barratt (Paper Daisy, Rae's at Wategos, Attica and Stokehouse) as Executive Chef and Alex Tuckett (Frida's Field at Nashua, Harvest at Newrybar, Pilu at Freshwater) as Venue Manager. Aesthetics-wise, Vince Alafaci and Caroline Choker of Sydney's ACME were already on design duties for Supernormal Brisbane, and are also doing the honours for Bar Miette. "The spaces are coming together beautifully, and we cannot wait to share these equally extraordinary, yet very different, offerings in the coming months. Bar Miette is classically European and a fitting juxtaposition to Supernormal," said McConnell about the two openings. Both Supernormal and Bar Miette will hero local produce from Queensland farmers and fishers — and also foragers — with Supernormal seating around 120 diners both inside and out — including in a private dining setup. While the menu hasn't yet been revealed, Supernormal Brisbane restaurant will plate up contemporary Australian dishes that also take inspiration from McConnell's time in both Hong Kong and Shanghai. Fingers crossed that Melbourne's marinated claims, New England lobster rolls, Hunan-style beef tartare and whole roasted flounder make the jump. Supernormal Brisbane and Bar Miette are set to open at 443 Queen Street, Brisbane in mid-2024 — we'll update you with an exact launch date when one is announced. For more information about Supernormal Melbourne, head to the restaurant's website. Images: Supernormal Melbourne, Nikki To / Jo McGann / Kristoffer Paulsen.
In a world of twitter-inspired books and movies, and everyone buzzing about Google+, the humble text message is often overlooked. The appropriately named British artist Tracey Moberley is doing her best to rectify that. Moberley has released an autobiography, Text-Me-Up!, drawn from the 55,000-plus texts she has ever received. She can even remember the very first one, received during lunch in Manchester in 1999. Many would cringe at the idea of revealing their text history to the public, others might wonder how many pages can be filled with "Where r u?" The book isn't Moberley's only text-message based art. In 2001 she released 2,000 helium balloons with her mobile number and a text attached, inviting responses from complete strangers. Her current project asks people who receive a text message from her to commemorate the event by sticking up a pink plaque, challenging the common view of the text as a purely utilitarian and disposable piece of communication.
If you've ever seen Nick Cave play live, you'll know he's not just a musician — he's a storyteller. And a powerful one. His shows have always given fans a glimpse into the highs and lows of his life — including the suffering that came with 2016 album The Skeleton Tree — with performances that are moving, intense and masterful. So it's not hard to see how the Aussie music legend created his newest show: Conversations with Nick Cave. Performing without his band the Bad Seeds (with which he's produced 16 albums), Cave will take the stage for an intimate show of conversation and pared-back solos of his most prolific songs on the piano. Ever wanted to ask him a question? These shows will give you the chance. Cave says that the conversational nature of the shows enables people to open up easily. "The audience tends to ask more challenging, revealing, playful and ultimately serious questions," he says. "You never know what you are going to get. They can be fearless and they can go deep." It's already toured the US and Ireland and will make its way around smallish venues in Australian and New Zealand throughout January next year. The show will start in rural Victoria before making its way down to Hobart, up to the Sydney Opera House (for his first show there since 2013) and then the Gold Coast and Brisbane. It'll then finish off the national tour with stops in Melbourne, Adelaide and Perth. CONVERSATIONS WITH NICK CAVE 2019 TOUR DATES Saturday, January 5 — Performing Arts Centre, Wangaratta Sunday, January 6 — Odeon Theatre, Hobart Tuesday, January 8 — Sydney Opera House, Sydney Friday, January 11 — HOTA, Gold Coast Saturday, January 12 — Brisbane City Hall, Brisbane Saturday, January 19 — Melbourne Town Hall, Melbourne Tuesday, January 11 — Adelaide Town Hall, Adelaide Wednesday, January 23 — Perth Concert Hall, Perth Conversations with Nick Cave will tour Australia in January 2019. Tickets go on sale at 9am on Thursday, October 18 (Sydney here and everywhere else here). Image: Christie Goodwin.
87. Just hold onto that number for a moment. We’ll come back to it. In the meantime, some science, for it is in the science of Concussion where this movie shines brightest. Science, and specifically statistical analysis, is not a precise art. It recognises that there will always exist the possibility of chance being the driving factor behind any set of results. Accordingly, for a theory to gain credence, it must first secure what is known as statistical significance – a minimum threshold above which results are deemed to be more than coincidence. But what if the only way for you to meet that threshold – the only way to prove to the world that you were right – was for people to die? Such was the fascinating (if also deeply disturbing) dilemma facing Nigerian-born American forensic pathologist Bennet Omalu in 2002. Omalu had been called upon to autopsy a beloved former NFL player named Mike Webster, and concluded that the cause of Webster's death was cognitive disfunction resulting from repeated and severe blows to the head – a condition Omalu ultimately named chronic traumatic encephalopathy (CTE). Put another way, Omalu theorised that playing NFL was akin to almost guaranteeing some form of brain damage. Webster’s case alone, however, was not enough to prove CTE’s existence. Omalu needed a minimum of three, and since CTE could only be established post-mortem, he had to wait for more NFL players to die in order to test it. Of the many tragedies outlined in Concussion, perhaps the most confronting is quite simply how little time Omalu had to spend waiting. Concussion, then, is to football what The Insider was to cigarettes, with the National Football League playing the role of Big Tobacco. The Outsider, in fact, would have made an equally appropriate title for this film, because if being Nigerian in America wasn’t already hard enough on Omalu, the NFL’s attempts to brand him 'the man who wants to kill football' rendered him about as un-American as could be imagined. And yet he persisted, and such is the substance of this tale. As already indicated, the science of Concussion is compelling and extraordinary, matched only by the performance of its leading man, Will Smith. Sporting a disarming smile and an impressively consistent accent, Smith puts in his best performance in years – a fine accomplishment made all the more impressive given the less-than-spectacular script he had to work with. Concussion, in its efforts to render this a one man vs the world saga, spends far too much time dealing with Omalu’s home life and not nearly enough grappling with the two biggest questions raised by his research: how much did the NFL know, and how long did they know it? For a film about the extreme, even fatal impacts in NFL, Concussion lands an unreasonably soft blow against the corporation that kept these dangers a secret from its players. Which brings us back to the number 87. That’s where the count now stands in terms of deceased former players who’ve tested positive for CTE. Even more shockingly, that’s 87 out of a total of 91 tested – a statistical return of 96%. Concussion tells merely the opening stages of a story that is still alive and well to this day. Tragically, that's more than can be said of many of the characters who’ve taken part in its telling. As such, while the film is undoubtedly confronting, it's not nearly critical enough. https://www.youtube.com/watch?v=Io6hPdC41RM
Not long ago, we saw the online sensations of planking, owling and other bizarre poses in memes and photos on our Facebook and Instagram feeds. The latest postural fad? ‘#Mamming;’ a trending campaign that encourages women to get mammograms during October’s Breast Cancer Awareness Month. The idea is for ladies (and gents, with a little creativity) to rest their busts on random surfaces and objects and pose as if they were doing the most ordinary thing in the world. Snap it, tag it, throw it up on the 'gram and voila! You have ‘mammed’. By imitating the mammogramming position on things like cats and photocopiers, mamming cleverly embraces the awkwardness of the procedure and creates a solidarity front against the nasty disease. Prevention is always the best cure, so hopefully it will inspire women "to ‘mam’ where it matters most — the doctor’s office". This isn’t the weirdest thing we’ve seen. Compared to other well-intentioned but gone horribly wrong campaigns like ‘Motorboating Girls for Breast Cancer Awareness’ and ‘Go Braless for Breast Cancer Day’, ‘#Mamming is witty and refreshingly funny. The promotional video posted last week features the campaign founders (one of who is a breast cancer survivor) and Jillian Bell from The Comedy Channel’s Workaholics. Quickly becoming a viral hit, #Mamming has spurred hundreds of clever Instagram posts that are worth checking out for a chuckle. Or if you want to try it yourself, go ahead. It’d make a good story at your actual appointment.
Lately Tasmania has been at the top of our list of destinations where food, wine, spirits and scenery are at the heart of the holiday. It is, after all, home to many of Australia's finest producers and makers. In fact, we've been so inspired that we've curated a special travel package to Hobart that's dedicated to culinary indulgence — and you can snap it up now at Concrete Playground Trips. Alternatively, you can just win your way there. All you need to do is enter below right now. We're giving away this fantastic holiday for two in beautiful south Tassie and its many wineries, distilleries and farms (flights excluded). The itinerary includes a tasting experience at Ewenique Tasting House, a signature wine, cider, beer and whiskey tour of the Huon and Coal River Valleys, and a full-day tour sampling your way around Bruny Island, known for producing world-class seafood, cheese, honey and spectacular views. You'll also score four nights' accommodation at the impressive Vibe Hotel Hobart, as well as all-inclusive car rental to make getting around a breeze. Want to win a holiday in Tasmania for you and your best mate, partner or parent? Enter below. [competition]873504[/competition]
It's the love story that has endured for more than four centuries. It's also the romantic tragedy that earns a new adaptation with every generation. Attempting to eclipse Baz Luhrmann's stylised 1996 film as the version of current record, and Franco Zeffirelli's expressive 1968 effort before that, the latest iteration of Romeo and Juliet returns to a classic interpretation. Think authentic settings, period staging, overt acting and smatterings of original dialogue. In fair Verona where the film lays its scene, the titular duo transform from the offspring of bitterly feuding families to the epitome of furtive but star-crossed lovers after a fateful masquerade ball meeting. Their pairing is strictly forbidden, but in the flourishes of affection neither can bear to even consider living without the other. Soon, their friends and relatives are immersed in an intricate web of mistruths and misdirection designed to prolong their illicit passion. With Downton Abbey's Julian Fellowes adapting William Shakespeare's celebrated play under Carlo Carlei's direction, that the film dwells in the material's melodramatic leanings is far from surprising — nor is its resounding air of politeness. Amendments and additions emphasise the tempered heartbreak, with only the scantest concern for textual fidelity. A heavy-handed score by Abel Korzeniowski graciously signposts not just each plot development but each emotional shift as well. It all plays out in handsome fashion, aided immensely by the use of the real Italian locale in shooting, but any spark or sentiment above and beyond the most routine of renderings is sorely missing. Pretty pictures and pronounced declarations aren't enough to elicit the delicacy and devastation of the original, as immersed in popular culture as it now is, especially when saddled with varying performances. The success of each presentation of Romeo and Juliet often stems from its casting, and whilst model-turned-actor Douglas Booth conjures romantic idylls as the former, and True Grit Oscar nominee Hailee Steinfeld embodies the innocence of young love as the latter, they lack the charisma needed for such a celebrated couple. They have their moments together (the balcony scene and the tearful conclusion the most convincing examples of their union); however, each fares better apart, not together. An attention-seeking supporting cast only serves to augment the leads' disappointing turns. Some relish the theatricality to wavering success, such as Damian Lewis's overacting Lord Capulet and Ed Westwick's snarling Tybalt; others provide a well-played point of difference (Kodi Smit-McPhee's helpful Benvolio, Paul Giamatti's intervening Friar Laurence and Lesley Manville's interfering Nurse astutely among them. The surrounding players should never attract more interest than the titular lovers, but here that's the outcome. Sadly, this Romeo and Juliet values the idea of its twosome more than their actuality. https://youtube.com/watch?v=aXvufMqcWQA
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've been under the weather. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 12 that you can watch right now at home. ELVIS Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Australian filmmaker's Elvis, his first feature since 2013's The Great Gatsby, isn't short on chatter. It's even narrated by Tom Hanks (Finch) as Colonel Tom Parker, the carnival barker who thrust Presley to fame (and, as Luhrmann likes to say, the man who was never a Colonel, never a Tom and never a Parker). But this chronology of an icon's life is at its best when it's showing rather than telling. That's when it sparkles brighter than a rhinestone on all-white attire, and gleams with more shine than all the lights in Las Vegas. That's when Elvis is electrifying, due to its treasure trove of recreated concert scenes — where Austin Butler (Once Upon a Time in Hollywood) slides into Presley's blue suede shoes and lifetime's supply of jumpsuits like he's the man himself. Butler is that hypnotic as Presley. Elvis is his biggest role to-date after starting out on Hannah Montana, sliding through other TV shows including Sex and the City prequel The Carrie Diaries, and also featuring in Yoga Hosers and The Dead Don't Die — and he's exceptional. Thanks to his blistering on-stage performance, shaken hips and all, the movie's gig sequences feel like Elvis hasn't ever left the building. Close your eyes and you'll think you were listening to the real thing. (In some cases, you are: the film's songs span Butler's vocals, Presley's and sometimes a mix of both). And yet it's how the concert footage looks, feels, lives, breathes, and places viewers in those excited and seduced crowds that's Elvis' true gem. It's meant to make movie-goers understand what it was like to be there, and why Presley became such a sensation. Aided by dazzling cinematography, editing and just all-round visual choreography, these parts of the picture — of which there's many, understandably — leave audiences as all shook up as a 1950s teenager or 1970s Vegas visitor. Elvis is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. MOTHERING SUNDAY Is there anything more intimate than wandering around someone's home when they're not there, gently rifling through their things, and — literally or not, your choice — spending a few minutes standing in their shoes? Yes, but there's still an intoxicating sense of closeness that comes with the territory; moseying curiously in another's house without their company, after they've entrusted their most personal space to you alone, will understandably do that. In Mothering Sunday, Jane Fairchild (Odessa Young, The Staircase) finds herself in this very situation. She's naked, and as comfortable as she's ever been anywhere. After her lover Paul Sheringham (Josh O'Connor, Emma) leaves her in a state of postcoital bliss, she makes the most of his family's large abode in the English countryside, the paintings and books that fill its walls and shelves, and the pie and beer tempting her tastebuds in the kitchen. The result: some of this 1920s-set British drama's most evocative and remarkable moments. In a page-to-screen affair adapted by screenwriter Alice Birch (Conversations with Friends) from Graham Swift's 2016 novel for French filmmaker Eva Husson (Girls of the Sun), Jane is used to such lofty spaces, but rarely as a carefree resident. As played with quiet potency and radiance by Young, she's an aspiring writer, an orphan and the help; he's firmly from money. She works as a maid for the Sheringhams' neighbours, the also-wealthy Godfrey (Colin Firth, Operation Mincemeat) and Clarrie Niven (Olivia Colman, Heartstopper), and she's ventured next door while everyone except Paul is out. This rare day off is the occasion that gives the stately but still highly moving film its name as well — Mother's Day, but initially designed to honour mother churches, aka where one was baptised — and the well-to-do crowd are all lunching to celebrate Paul's impending nuptials to fiancée Emma Hobday (Emma D'Arcy, Misbehaviour). He made excuses to arrive late, though, in order to steal some time with Jane, as they've both been doing for years. Of course, he can't completely shirk his own party. Also, the day won't end as joyfully as it started. Mothering Sunday is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. LIGHTYEAR In the realm of franchise filmmaking, "to infinity and beyond" isn't just a catchphrase exclaimed by an animated plaything — it's how far and long Hollywood hopes every hit big-screen saga will extend. With that in mind, has a Pixar movie ever felt as inevitable as Lightyear? Given the main Toy Story plot wrapped up in 2019's Toy Story 4, and did so charmingly, keeping this series going by jumping backwards was always bound to happen. So it is that space ranger figurine Buzz Lightyear gets an origin story. That said, the trinket's history is covered immediately and quickly in this film's opening splash of text on-screen. Back in the OG Toy Story, Andy was excited to receive a new Buzz Lightyear action figure because — as this feature tells us — he'd just seen and loved a sci-fi movie featuring fictional character Buzz Lightyear. In this franchise's world, the likeable-enough Lightyear from director Angus MacLane (Finding Dory) is that picture. Buzz the live-action film hero — flesh and blood to in-franchise viewers like Andy, that is, but animated to us — goes on an all-too-familiar journey in Lightyear. Voiced by Chris Evans (Knives Out) to distinguish the movie Buzz from toy Buzz (where he's voiced by Last Man Standing's Tim Allen), the Star Command space ranger is so convinced that he's the biggest hero there is, and him alone, that teamwork isn't anywhere near his strength. Then, as happens to the figurine version in Toy Story, that illusion gets a reality check. To survive being marooned on T'Kani Prime, a planet 4.2 million light-years from earth filled with attacking vines and giant flying insects, the egotistical and stubborn Buzz needs to learn to play nice with others. For someone who hates rookies, as well as using autopilot, realising he can only succeed with help takes time. Lightyear is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BENEDICTION To write notable things, does someone need to live a notable life? No, but sometimes they do anyway. To truly capture the bone-chilling, soul-crushing, gut-wrenching atrocities of war, does someone need to experience it for themselves? In the case of Siegfried Sassoon, his anti-combat verse could've only sprung from someone who had been there, deep in the trenches of the Western Front during World War I, and witnessed its harrowing horrors. If you only know one thing about the Military Cross-winner and poet going into Benediction, you're likely already aware that he's famed for his biting work about his time in uniform. There's obviously more to his story and his life, though, as there is to the film that tells his tale. But British writer/director Terence Davies (Sunset Song) never forgets the traumatic ordeal, and the response to it, that frequently follows his subject's name as effortlessly as breathing. Indeed, being unable to ever banish it from one's memory, including Sassoon's own, is a crucial part of this precisely crafted, immensely affecting and deeply resonant movie. If you only know two things about Sassoon before seeing Benediction, you may have also heard of the war hero-turned-conscientious objector's connection to fellow poet Wilfred Owen. Author of Anthem for Damned Youth, he fought in the same fray but didn't make it back. That too earns Davies' attention, with Jack Lowden (Slow Horses) as Sassoon and Matthew Tennyson (Making Noise Quietly) as his fellow wordsmith, soldier and patient at Craiglockhart War Hospital — both for shell shock. Benediction doesn't solely devote its frames to this chapter in its central figure's existence, either, but the film also knows that it couldn't be more pivotal in explaining who Sassoon was, and why, and how war forever changed him (as also seen in his later guise, when he's played by The Suicide Squad's Peter Capaldi). Sassoon and Owen were friends, and also shared a mutual infatuation. They were particularly inspired during their times at Craiglockhart as well. In fact, Sassoon mentored the younger Owen, and championed his work after he was killed in 1918, exactly one week before before Armistice Day. Benediction is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. JURASSIC WORLD DOMINION When Jurassic World Dominion was being written, three words must've come up often. No, they're not Neill, Dern, Goldblum. Those beloved actors reunite here, the trio appearing in the same Jurassic Park flick for the first time since the 1993 original, but the crucial terms are actually "but with dinosaurs". Returning Jurassic World writer/director Colin Trevorrow mightn't have uttered that phrase aloud; however, when Dominion stalks into a dingy underground cantina populated by people and prehistoric creatures, Star Wars but with dinosaurs instantly springs to mind. The same proves true when the third entry in this Jurassic Park sequel trilogy also includes high-stakes flights in a rundown aircraft that's piloted by a no-nonsense maverick. These nods aren't only confined to a galaxy far, far away — a realm that Trevorrow was meant to join as a filmmaker after the first Jurassic World, only to be replaced on Star Wars: Episode IX — The Rise of Skywalker — and, yes, they just keep on coming. There's the speedy chase that zooms through alleys in Malta, giving the Bond franchise more than a few nods — but with dinosaurs, naturally. There's the plot about a kidnapped daughter, with Taken but with dinosaurs becoming a reality as well. That Trevorrow, co-scribe Emily Carmichael (Pacific Rim Uprising) and his usual writing collaborator Derek Connolly (Safety Not Guaranteed) have seen other big-name flicks is never in doubt. Indeed, as a Mark Zuckerberg-esque entrepreneur (Campbell Scott, WeCrashed) tries to take over all things dino, and ex-Jurassic World velociraptor whisperer Owen Grady (Chris Pratt, The Tomorrow War) and his boss-turned-girlfriend Claire Dearing (Bryce Dallas Howard, Rocketman) get drawn back into the creatures' realm, too much of Dominion feels like an attempt to actively make viewers wish they were watching other movies. Bourne but with dinosaurs rears its head via a rooftop chase involving, yes, dinos. Also, two different Stanley Kubrick masterpieces get cribbed so blatantly that royalties must be due, including when an ancient critter busts through a door as Jack Nicholson once did, and the exact same shot — but with dinosaurs — hits the screen. Jurassic World Dominion is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE KITCHEN BRIGADE When a chef sticks to a tried-and-tested recipe, it can be for two reasons: ease and excellence. Whipping up an already-proven dish means cooking up something that you already know works — something sublime, perhaps — and giving yourself the opportunity to better it. That process isn't solely the domain of culinary maestros, though, as French filmmaker Louis-Julien Petit makes plain in his latest feature The Kitchen Brigade. The writer/director behind 2018's Invisibles returns to what he knows and does well, and to a formula that keeps enticing audiences on the big screen, too. With the former, he whisks together another socially conscious mix of drama and comedy centring on faces and folks that are often overlooked. With the latter, he bakes a feel-good affair about finding yourself, seizing opportunities and making a difference through food. Returning from Invisibles as well, Audrey Lamy (Little Nicholas' Treasure) plays Cathy, a 40-year-old sous chef with big dreams and just as sizeable struggles. Instead of running her own restaurant, she's stuck in the shadow of TV-famous culinary celebrity Lyna Deletto (Chloé Astor, Delicious) — a boss hungry for not just fame but glory, including by dismissing Cathy's kitchen instincts or claiming her dishes as her own. Reaching boiling point early in the film, Cathy decides to finally go it alone, but cash makes that a problem. So, to make ends meet, she takes the only job she can find: overseeing the food in a shelter for migrants, where manager Lorenzo (François Cluzet, We'll End Up Together) and his assistant Sabine (Chantal Neuwirth, Patrick Melrose) have been understandably too busy with the day-to-day business of helping their residents to worry about putting on a fancy spread. The Kitchen Brigade is available to stream via, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MINIONS: THE RISE OF GRU What's yellow, round, inescapably silly and also just flat-out inescapable? Since 2010, when the first Despicable Me film reached screens, Minions have been the answer. The golden-hued, nonsense-babbling critters were designed as the ultimate sidekicks. They've remained henchman to malevolent figures in all five of their movie outings so far, and in the 15 shorts that've also kept telling their tale. But, as much as super-villain Gru (Steve Carrell, Space Force) would disagree — he'd be immensely insulted at the idea, in fact — Minions have long been the true drawcards. Children haven't been spotted carrying around and obsessing over Gru toys in the same number. The saga's key evil-doer doesn't have people spouting the same gibberish, either. And his likeness hasn't become as ubiquitous as Santa, although Minions aren't considered a gift by everyone. At their best, these lemon-coloured creatures are today's equivalent of slapstick silent film stars. At their worst, they're calculatingly cute vehicles for selling merchandise and movie tickets. In Minions: The Rise of Gru, Kevin, Stuart, Bob, Otto and company (all voiced by Pierre Coffin, also the director of the three Despicable Me features so far, as well as the first Minions) fall somewhere in the middle. Their Minion mayhem is the most entertaining and well-developed part of the flick, but as an 11-year-old Gru tries to live out his nefarious boyhood dreams in 1976, it's also pushed to the side by director Kyle Balda (Despicable Me 3), co-helmers Brad Ableson (Legends of Chamberlain Heights) and Jonathan del Val (The Secret Life of Pets 2), and screenwriter Matthew Fogel (The Lego Movie 2). There's a reason that this isn't just called Minions 2 — and another that it hasn't been badged Despicable Me: The Rise of Gru, although it should've. The Minion name gets wallets opening and young audiences excited, the Rise of Gru reflects the main focus of the story, and anyone who's older than ten can see the strings being pulled at the corporate level among the by-the-numbers slapstick hijinks. Minions: The Rise of Gru is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. AFTER BLUE (DIRTY PARADISE) In his 2017 feature debut, French writer/director Bertrand Mandico took to the sea, following five teens who were punished for a crime by being sent to a mysterious island. Sensual and lurid at every turn, The Wild Boys was never as straightforward as any description might intimate, however — and it proved both a tempest of influences as varied as Jean Cocteau, John Carpenter and David Lynch, and an onslaught of surreal and subversive experimentation several times over. Much of the same traits shine through in the filmmaker's second feature After Blue (Dirty Paradise), including an erotic tone that's even more pivotal than the movie's narrative. Mandico makes features about bodies and flesh, about landscapes filled with the odd and alluring, and where feeling like you've tumbled into a dream most wonderful and strange is the instant response. Tinted pink, teeming with glitter, scored by synth, as psychedelic as bathing in acid and gleefully queer, the fantastical realm that fills After Blue's frames is the titular planet, where humanity have fled after ruining earth. As teenager Roxy (debutant Paula-Luna Breitenfelder), who is nicknamed Toxic by her peers, tells the camera, only ovary-bearers can survive here — with men dying out thanks to their hair growing internally. In this brave new world, nationalities cling together in sparse communities, with roving around frowned upon. But that's what Roxy and her hairdresser mother Zora (Elina Löwensohn, Mandico's frequent star) are forced to do when the former meets and saves a criminal called Kate Bush (Agata Buzek, High Life), who she finds buried in sand, and are then tasked by their fellow French denizens with tracking her down and dispensing with her to fix that mistake. After Blue (Dirty Paradise) is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SUNDOWN In Sundown's holiday porn-style opening scenes, a clearly wealthy British family enjoys the most indulgent kind of Acapulco getaway that anyone possibly can. Beneath the blazing blue Mexican sky, at a resort that visibly costs a pretty penny, Alice Bennett (Charlotte Gainsbourg, The Snowman), her brother Neil (Tim Roth, Bergman Island), and her teenage children Alexa (Albertine Kotting McMillan, A Very British Scandal) and Colin (Samuel Bottomley, Everybody's Talking About Jamie) swim and lounge and sip, with margaritas, massages and moneyed bliss flowing freely. For many, it'd be a dream vacation. For Alice and her kids, it's routine, but they're still enjoying themselves. The look on Neil's passive face says everything, however. It's the picture of apathy — even though, as the film soon shows, he flat-out refuses to be anywhere else. The last time that a Michel Franco-written and -directed movie reached screens, it came courtesy of the Mexican filmmaker's savage class warfare drama New Order, which didn't hold back in ripping into the vast chasm between the ridiculously rich and everyone else. Sundown is equally as brutal, but it isn't quite Franco's take on The White Lotus or Nine Perfect Strangers, either. Rather, it's primarily a slippery and sinewy character study about a man with everything as well as nothing. Much happens within the feature's brief 82-minute running time. Slowly, enough is unveiled about the Bennett family's background, and why their extravagant jaunt abroad couldn't be a more ordinary event in their lavish lives. Still, that indifferent expression adorning Neil's dial rarely falters, whether grief, violence, trauma, lust, love, wins or losses cast a shadow over or brighten up his poolside and seaside stints knocking back drinks in the sunshine. Sundown is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE REEF: STALKED In the crowded waters of cinema's shark-attack genre, which first took a hefty bite out of the box office with mega hit Jaws and then spawned plenty of imitators since, a low-budget Australian effort held its own back in 2010. The second movie from writer/director Andrew Traucki after his crocodile-attack flick Black Water, The Reef wasn't ever going to rake in enough takings to threaten the larger fish, but the stripped-back survival-thriller was grippingly effective. As Black Water did with 2020's Black Water: Abyss, the creature-feature helmer's shark film has now be given a sequel — and like Traucki's other franchise, this followup is a routine splash. The filmmaker keeps most of the basics the same, casting out a remakequel, aka a movie about basically the same scenario but with different faces. No, Traucki isn't seeking a bigger boat, or even to rock the one he has. The Reef: Stalked does make one curious new choice, however, stemming from its nine-months-earlier prologue. The film's opening sequences set up a harrowing source of trauma for protagonist Nic (Teressa Liane, The Vampire Diaries), and also clumsily equate domestic violence with the ocean's predators in the process. The aim is to show how Nic and her youngest sister Annie (debutant Saskia Archer) refuse to become victims after their other sibling Cathy (Bridget Burt, Camp-Off) is stalked and savaged in a different way, fatally so, at the hands of her partner Greg (Tim Ross, Dive Club). After finding Cathy herself, Nic is so understandably distressed that she heads as far away as she can, but returns from overseas for a big diving and kayaking trip that was important to her sister. With friends Jodie (Ann Truong, Cowboy Bebop) and Lisa (Kate Lister, Clickbait), plus Annie, they embark on a multi-day paddle — but it isn't long until a different sinister force terrorises their getaway, even if you don't already know what "the man in the grey suit" refers to in surfer slang. The Reef: Stalked is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE PRINCESS Finding a moment or statement from The Princess to sum up The Princess is easy. Unlike the powerful documentary's subject in almost all aspects of her life from meeting the future King of England onwards, viewers have the luxury of choice. Working solely with archival materials, writer/director Ed Perkins (Tell Me Who I Am) doesn't lack in chances to demonstrate how distressing it was to be Diana, Princess of Wales — and the fact that his film can even exist also underscores that point. While both The Crown and Spencer have dramatised Diana's struggles with applauded results, The Princess tells the same tale as it was incessantly chronicled in the media between 1981–1997. The portrait that emanates from this collage of news footage, tabloid snaps and TV clips borders on dystopian. It's certainly disturbing. What kind tormented world gives rise to this type of treatment just because someone is famous? The one we all live in, sadly. Perkins begins The Princess with shaky visuals from late in August 1997, in Paris, when Diana and Dodi Fayed were fleeing the paparazzi on what would be the pair's last evening. The random voice behind the camera is excited at the crowds and commotion, not knowing how fatefully the night would end. That's telling, haunting and unsettling, and so is the clip that immediately follows. The filmmaker jumps back to 1981, to a then 19-year-old Diana being accosted as she steps into the street. Reporters demand answers on whether an engagement will be announced, as though extracting private details from a teenager because she's dating Prince Charles is a right. The Princess continues in the same fashion, with editors Jinx Godfrey (Chernobyl) and Daniel Lapira (The Boat) stitching together example after example of a woman forced to be a commodity and expected to be a spectacle, all to be devoured and consumed. The Princess is available to stream via Google Play and YouTube Movies. Read our full review. 6 FESTIVALS Three friends, a huge music festival worth making a mega mission to get to and an essential bag of goon: if you didn't experience that exact combination growing up in Australia, did you really grow up in Australia? That's the mix that starts 6 Festivals, too, with the Aussie feature throwing in a few other instantly familiar inclusions to set the scene. Powderfinger sing-alongs, scenic surroundings and sun-dappled moments have all filled plenty of teenage fest trips, and so has an anything-it-takes mentality — and for the film's central trio of Maxie (Rasmus King, Barons), Summer (Yasmin Honeychurch, Back of the Net) and James (Rory Potter, Ruby's Choice), they're part of their trip to Utopia Valley. But amid dancing to Lime Cordiale and Running Touch, then missing out on Peking Duk's stroke-of-midnight New Year's Eve set after a run-in with security, a shattering piece of news drops. Suddenly these festival-loving friends have a new quest: catching as much live music as they can to help James cope with cancer. The first narrative feature by Bra Boys and Fighting Fear director Macario De Souza, 6 Festivals follows Maxie, Summer and James' efforts to tour their way along the east coast festival circuit. No, there are no prizes for guessing how many gigs are on their list, with the Big Pineapple Music Festival, Yours and Owls and Lunar Electric among the events on their itinerary. Largely road-tripping between real fests, and also showcasing real sets by artists spanning Dune Rats, Bliss n Eso, G Flip, B Wise, Ruby Fields, Dope Lemon, Stace Cadet and more, 6 Festivals dances into the mud, sweat and buzz — the crowds, cheeky beers and dalliances with other substances that help form this coming-of-age rite-of-passage, aka cramming in as many festivals as you possibly can from the moment your parents will let you, as well. This is also a cancer drama, however, which makes for an unsurprisingly tricky balancing act, especially after fellow Aussie movie Babyteeth tackled the latter so devastatingly well so recently. 6 Festivals is available to stream via Paramount+. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and our best new TV shows, returning TV shows and straight-to-streaming movies from the first half of 2022. Or, check out the movies that were fast-tracked to digital in January, February, March, April, May, June and July.
Queenslanders, if you've spent the past two years dreaming about when you might be able to next venture overseas, well, of course you have. It's been a long stretch without international travel — and until only recently, without easy travel around Australia, too. So today, Wednesday, January 19, brings a big dose of good news, with Premier Annastacia Palaszczuk announcing that quarantine requirements for double-vaccinated travellers from overseas will be ditched from this weekend. With the Sunshine State expected to hit the 90-percent double-dosed rate among folks aged 16 and over sometime this week, that change to the international travel rules will kick in at 1am Queensland time on Saturday, January 22. It'll mean that people who've had two COVID-19 vaccine jabs can enter the state from overseas and won't need to spend 14 days in quarantine from that point onwards. They will still need to undergo a rapid antigen test within the first 24 hours after arrival, however. BREAKING: Fully vaccinated international travellers can enter Queensland without quarantine from 1am on Saturday 22 January with a rapid antigen test required within the first 24 hours. Unvaccinated international arrivals will be required to undertake 14 days quarantine. — Annastacia Palaszczuk (@AnnastaciaMP) January 19, 2022 While this'll obviously apply to Queenslanders who've been elsewhere around the globe during the pandemic and are now coming home, it'll also cover locals going on overseas holidays — because that's been permitted by the Federal Government since last November. So, Brisbanites, that international getaway you've been planning in your head now just got a whole lot easier. Your suitcase does look mighty tempting now, we know. And, the list of places that Australians can fly to grew considerably in the last few months of 2021 — Qantas even brought forward some of its planned international flights, in fact. For the unvaxxed, the mandatory 14-day quarantine requirement remains in place for international travellers — including Queenslanders going on holidays and then returning home. Queensland's international border rules will change at 1am AEST on Saturday, January 22. For more information about Queensland's border policies and border passes, head to the Queensland Government website.
If Wonderland's 2014 run had a breakout hit, it was I Want to Know What Love Is. If you saw it then, you were ahead of the trend. If you missed out, one of your friends has probably raved about to you in the year since. The reason everyone was talking about it — and still is — is simple: the show takes 800 anonymous love stories submitted by you, your friends and your exes, and then turns them into a theatre performance. Long-buried memories and bedroom fantasies become on-stage declarations, as do crushes, conquests and secret confessions. Here, you really will find out what love is.
When Drake plays his first Australian shows in eight years on his 2025 Anita Max Win tour, he isn't just dropping in for a few dates. Since first being announced in November 2024 for a run in February, the Canadian artist's trip Down Under keeps being extended. Now, he's even sticking around at the beginning of March, adding new shows in Sydney and Brisbane. That makes five gigs in the Harbour City and three in the Sunshine State capital. Drake will play Qudos Bank Arena on Sunday, February 16–Monday, February 17, then on Wednesday, February 19–Thursday, February 20, and now on Friday, March 7 as well. In Brisbane, he's headed to the Brisbane Entertainment Centre on Monday, February 24–Tuesday, February 25, and also on Tuesday, March 4. Yes, you're now going to have 'Hotline Bling', 'Too Good', 'Passionfruit', 'Nice for What', 'In My Feelings', 'One Dance' and 'Laugh Now Cry Later' stuck in your head. Drake last hit the stage in Australia in 2017 on his Boy Meets World tour. Also on the five-time Grammy-winner's Australian itinerary this time: two gigs at RAC Arena in Perth and four at Rod Laver Arena in Melbourne. The Degrassi: The Next Generation star and platinum-selling singer is fresh off his 2023–24 It's All A Blur Tour, which saw him chalk up over 80 soldout shows in North America. Last time that he played to Aussie audiences, Drake had four studio albums to his name: 2010's Thank Me Later, 2011's Take Care, 2013's Nothing Was the Same and 2016's Views. He's doubled that since, so expect tunes from 2018's Scorpion, 2021's Certified Lover Boy, 2022's Honestly, Nevermind and 2023's For All the Dogs, too. The Anita Max Win tour's initially announcement wasn't new news if you'd been paying attention to Drake's social media, where he'd been teasing details — but it keeps expanding. Drake's 'Anita Max Win' Tour 2025 Australian Dates Tuesday, February 4–Wednesday, February 5 — RAC Arena, Perth Sunday, February 9–Monday, February 10 + Wednesday, February 12–Thursday, February 13 — Rod Laver Arena, Melbourne Sunday, February 16–Monday, February 17 + Wednesday, February 19–Thursday, February 20 + Friday, March 7 — Qudos Bank Arena, Sydney Monday, February 24–Tuesday, February 25 + Tuesday, March 4 — Brisbane Entertainment Centre, Brisbane Drake is touring Australia in February and March 2025, with tickets to the new Sydney and Brisbane shows on sale from 1pm local time on Wednesday, January 15. Head to the tour website for more details. Images: The Come Up Show via Flickr.
It just might be Australia's brightest festival, and it's returning to light up Alice Springs once again. That'd be Parrtjima - A Festival In Light, which will deliver its latest annual program in 2022 — between Friday, April 8–Sunday, April 17. It's been a chaotic few years for the radiant fest, after its 2020 event was postponed to September due to COVID-19 lockdowns and restrictions — and after moving to an autumn time slot back in 2019, too. But, following a few years of change and adaptability, Parrtjima will finally mark two consecutive stints in its April dates, after 2021's festival lit up the Red Centre over six months ago. While it's too early to announce the event's lineup just yet, visitors can once again expect a big — and free — ten-day public celebration of Indigenous arts, culture, music and storytelling, including an eye-catching array of light installations. That'll all take over Alice Springs CBD's Alice Springs Todd Mall, as well as tourism and conservation facility Alice Springs Desert Park Precinct just out of town — and yes, the event will dazzle, like it usually does. [caption id="attachment_801811" align="alignnone" width="1920"] Greg McAdam[/caption] If you haven't yet made the trip and you're wondering what could be in store, this year's Parrtjima included various luminous pieces, such as a 20-metre-long entranceway made out of light tubes of different lengths, an animated sequence of curated artworks projected onto the sands of Alice Springs Desert Park and a train of five illuminated camels. One thing that'll definitely be on the bill in 2022: the festival's main annual attraction, aka a huge artwork that transforms a 2.5-kilometre stretch of the majestic, 300-million-year-old MacDonnell Ranges, showering it with light each night of the festival. Registrations for the 2022 fest have just opened, if you'd like to nab an early spot in line for tickets when they go on sale. Of course, Parrtjima is just one of Northern Territory's two glowing attractions in 2022, with Australia's Red Centre lighting up in multiple ways. The festival is a nice supplement to Bruce Munro's Field of Light installation, which — after multiple extensions — is now on display indefinitely. If you're keen to start making Parrtjima plans, remember to check out the Northern Territory's COVID-19 border restrictions first. Parrtjima – A Festival in Light runs from April 8–17, 2022 around Alice Springs in the Northern Territory. For more information, visit the festival website. Top image: Greg McAdam.
Gaze upward, unblinking, for a nerve-rending, mind-blowing display of unprecedented proportions as the skies above the Brisbane River glow, pulsate and shudder with bangs, whistles and crackles in a marvel of noise and colour, fuelled by black powder. Bringing an end to the Brisbane Festival, the Sunsuper Riverfire will be an extravagant finale to an already extravagant three weeks. With a sound track of pumping live music and wonders of militaristic genius from ARH Tigers and Black Hawk helicopters to Super Hornets demonstrating the power of technology, this Riverfire is set to be the biggest yet. With the spectacles of the Golden Casket Light Sphere providing beauty to go with the calculated chaos, the event will steal your breath and make your heart skip a beat; a truly phenomenal affair. Festivities kick off at 12 noon, make sure you get a good spot to catch all the amazing attractions!
There's something for everyone to get around when it comes to Halloween, whether it's eating nauseating amounts of lollies, flexing your arts and crafts skills and fashioning yourself a costume, or pulling that five-piece (mask included) Batman get-up out of storage and donning it to feel like the superhero you really are. Trick or treating never really caught on here, but we'll be damned if we won't use the occasion as an excuse for a spooky time. And, thankfully, there are plenty of eerie events and horror-themed nights happening around town for you to dive into. Here's a list of some of the best things going on in and around Brisbane for Halloween this year, ranging from the not-so scary (a night market and a spooky-themed game of mini golf) to the truly unsettling (a 36-room horror experience in a disused old warehouse and an eerie shipping container experience).
Don't stop MELT now — it's having a good time celebrating late great Queen frontman and queer icon Freddie Mercury. Across one crazy little show, Killer Queens will task five fantastic female performers to step into the singer's shoes (and shorts, leather jackets and leotards) to give his legendary music a new interpretation. Sure, you've been rocked by 'We Are The Champions', 'Another One Bites The Dust', 'Somebody to Love' and 'Bohemian Rhapsody' before, but you haven't heard them sung like this. Playing for one night only, on Friday, July 5, the production combines prog rock, heavy metal, vaudeville, astonishing vocals and camp theatrics — and throws in a few tracks by other glam rock stars, like Prince and David Bowie, too. Image: Wikimedia Commons.
