It's the love story that has endured for more than four centuries. It's also the romantic tragedy that earns a new adaptation with every generation. Attempting to eclipse Baz Luhrmann's stylised 1996 film as the version of current record, and Franco Zeffirelli's expressive 1968 effort before that, the latest iteration of Romeo and Juliet returns to a classic interpretation. Think authentic settings, period staging, overt acting and smatterings of original dialogue. In fair Verona where the film lays its scene, the titular duo transform from the offspring of bitterly feuding families to the epitome of furtive but star-crossed lovers after a fateful masquerade ball meeting. Their pairing is strictly forbidden, but in the flourishes of affection neither can bear to even consider living without the other. Soon, their friends and relatives are immersed in an intricate web of mistruths and misdirection designed to prolong their illicit passion. With Downton Abbey's Julian Fellowes adapting William Shakespeare's celebrated play under Carlo Carlei's direction, that the film dwells in the material's melodramatic leanings is far from surprising — nor is its resounding air of politeness. Amendments and additions emphasise the tempered heartbreak, with only the scantest concern for textual fidelity. A heavy-handed score by Abel Korzeniowski graciously signposts not just each plot development but each emotional shift as well. It all plays out in handsome fashion, aided immensely by the use of the real Italian locale in shooting, but any spark or sentiment above and beyond the most routine of renderings is sorely missing. Pretty pictures and pronounced declarations aren't enough to elicit the delicacy and devastation of the original, as immersed in popular culture as it now is, especially when saddled with varying performances. The success of each presentation of Romeo and Juliet often stems from its casting, and whilst model-turned-actor Douglas Booth conjures romantic idylls as the former, and True Grit Oscar nominee Hailee Steinfeld embodies the innocence of young love as the latter, they lack the charisma needed for such a celebrated couple. They have their moments together (the balcony scene and the tearful conclusion the most convincing examples of their union); however, each fares better apart, not together. An attention-seeking supporting cast only serves to augment the leads' disappointing turns. Some relish the theatricality to wavering success, such as Damian Lewis's overacting Lord Capulet and Ed Westwick's snarling Tybalt; others provide a well-played point of difference (Kodi Smit-McPhee's helpful Benvolio, Paul Giamatti's intervening Friar Laurence and Lesley Manville's interfering Nurse astutely among them. The surrounding players should never attract more interest than the titular lovers, but here that's the outcome. Sadly, this Romeo and Juliet values the idea of its twosome more than their actuality. https://youtube.com/watch?v=aXvufMqcWQA
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've been under the weather. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 12 that you can watch right now at home. ELVIS Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Australian filmmaker's Elvis, his first feature since 2013's The Great Gatsby, isn't short on chatter. It's even narrated by Tom Hanks (Finch) as Colonel Tom Parker, the carnival barker who thrust Presley to fame (and, as Luhrmann likes to say, the man who was never a Colonel, never a Tom and never a Parker). But this chronology of an icon's life is at its best when it's showing rather than telling. That's when it sparkles brighter than a rhinestone on all-white attire, and gleams with more shine than all the lights in Las Vegas. That's when Elvis is electrifying, due to its treasure trove of recreated concert scenes — where Austin Butler (Once Upon a Time in Hollywood) slides into Presley's blue suede shoes and lifetime's supply of jumpsuits like he's the man himself. Butler is that hypnotic as Presley. Elvis is his biggest role to-date after starting out on Hannah Montana, sliding through other TV shows including Sex and the City prequel The Carrie Diaries, and also featuring in Yoga Hosers and The Dead Don't Die — and he's exceptional. Thanks to his blistering on-stage performance, shaken hips and all, the movie's gig sequences feel like Elvis hasn't ever left the building. Close your eyes and you'll think you were listening to the real thing. (In some cases, you are: the film's songs span Butler's vocals, Presley's and sometimes a mix of both). And yet it's how the concert footage looks, feels, lives, breathes, and places viewers in those excited and seduced crowds that's Elvis' true gem. It's meant to make movie-goers understand what it was like to be there, and why Presley became such a sensation. Aided by dazzling cinematography, editing and just all-round visual choreography, these parts of the picture — of which there's many, understandably — leave audiences as all shook up as a 1950s teenager or 1970s Vegas visitor. Elvis is available to stream via Google Play, YouTube Movies and iTunes. Read our full review. MOTHERING SUNDAY Is there anything more intimate than wandering around someone's home when they're not there, gently rifling through their things, and — literally or not, your choice — spending a few minutes standing in their shoes? Yes, but there's still an intoxicating sense of closeness that comes with the territory; moseying curiously in another's house without their company, after they've entrusted their most personal space to you alone, will understandably do that. In Mothering Sunday, Jane Fairchild (Odessa Young, The Staircase) finds herself in this very situation. She's naked, and as comfortable as she's ever been anywhere. After her lover Paul Sheringham (Josh O'Connor, Emma) leaves her in a state of postcoital bliss, she makes the most of his family's large abode in the English countryside, the paintings and books that fill its walls and shelves, and the pie and beer tempting her tastebuds in the kitchen. The result: some of this 1920s-set British drama's most evocative and remarkable moments. In a page-to-screen affair adapted by screenwriter Alice Birch (Conversations with Friends) from Graham Swift's 2016 novel for French filmmaker Eva Husson (Girls of the Sun), Jane is used to such lofty spaces, but rarely as a carefree resident. As played with quiet potency and radiance by Young, she's an aspiring writer, an orphan and the help; he's firmly from money. She works as a maid for the Sheringhams' neighbours, the also-wealthy Godfrey (Colin Firth, Operation Mincemeat) and Clarrie Niven (Olivia Colman, Heartstopper), and she's ventured next door while everyone except Paul is out. This rare day off is the occasion that gives the stately but still highly moving film its name as well — Mother's Day, but initially designed to honour mother churches, aka where one was baptised — and the well-to-do crowd are all lunching to celebrate Paul's impending nuptials to fiancée Emma Hobday (Emma D'Arcy, Misbehaviour). He made excuses to arrive late, though, in order to steal some time with Jane, as they've both been doing for years. Of course, he can't completely shirk his own party. Also, the day won't end as joyfully as it started. Mothering Sunday is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. LIGHTYEAR In the realm of franchise filmmaking, "to infinity and beyond" isn't just a catchphrase exclaimed by an animated plaything — it's how far and long Hollywood hopes every hit big-screen saga will extend. With that in mind, has a Pixar movie ever felt as inevitable as Lightyear? Given the main Toy Story plot wrapped up in 2019's Toy Story 4, and did so charmingly, keeping this series going by jumping backwards was always bound to happen. So it is that space ranger figurine Buzz Lightyear gets an origin story. That said, the trinket's history is covered immediately and quickly in this film's opening splash of text on-screen. Back in the OG Toy Story, Andy was excited to receive a new Buzz Lightyear action figure because — as this feature tells us — he'd just seen and loved a sci-fi movie featuring fictional character Buzz Lightyear. In this franchise's world, the likeable-enough Lightyear from director Angus MacLane (Finding Dory) is that picture. Buzz the live-action film hero — flesh and blood to in-franchise viewers like Andy, that is, but animated to us — goes on an all-too-familiar journey in Lightyear. Voiced by Chris Evans (Knives Out) to distinguish the movie Buzz from toy Buzz (where he's voiced by Last Man Standing's Tim Allen), the Star Command space ranger is so convinced that he's the biggest hero there is, and him alone, that teamwork isn't anywhere near his strength. Then, as happens to the figurine version in Toy Story, that illusion gets a reality check. To survive being marooned on T'Kani Prime, a planet 4.2 million light-years from earth filled with attacking vines and giant flying insects, the egotistical and stubborn Buzz needs to learn to play nice with others. For someone who hates rookies, as well as using autopilot, realising he can only succeed with help takes time. Lightyear is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BENEDICTION To write notable things, does someone need to live a notable life? No, but sometimes they do anyway. To truly capture the bone-chilling, soul-crushing, gut-wrenching atrocities of war, does someone need to experience it for themselves? In the case of Siegfried Sassoon, his anti-combat verse could've only sprung from someone who had been there, deep in the trenches of the Western Front during World War I, and witnessed its harrowing horrors. If you only know one thing about the Military Cross-winner and poet going into Benediction, you're likely already aware that he's famed for his biting work about his time in uniform. There's obviously more to his story and his life, though, as there is to the film that tells his tale. But British writer/director Terence Davies (Sunset Song) never forgets the traumatic ordeal, and the response to it, that frequently follows his subject's name as effortlessly as breathing. Indeed, being unable to ever banish it from one's memory, including Sassoon's own, is a crucial part of this precisely crafted, immensely affecting and deeply resonant movie. If you only know two things about Sassoon before seeing Benediction, you may have also heard of the war hero-turned-conscientious objector's connection to fellow poet Wilfred Owen. Author of Anthem for Damned Youth, he fought in the same fray but didn't make it back. That too earns Davies' attention, with Jack Lowden (Slow Horses) as Sassoon and Matthew Tennyson (Making Noise Quietly) as his fellow wordsmith, soldier and patient at Craiglockhart War Hospital — both for shell shock. Benediction doesn't solely devote its frames to this chapter in its central figure's existence, either, but the film also knows that it couldn't be more pivotal in explaining who Sassoon was, and why, and how war forever changed him (as also seen in his later guise, when he's played by The Suicide Squad's Peter Capaldi). Sassoon and Owen were friends, and also shared a mutual infatuation. They were particularly inspired during their times at Craiglockhart as well. In fact, Sassoon mentored the younger Owen, and championed his work after he was killed in 1918, exactly one week before before Armistice Day. Benediction is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. JURASSIC WORLD DOMINION When Jurassic World Dominion was being written, three words must've come up often. No, they're not Neill, Dern, Goldblum. Those beloved actors reunite here, the trio appearing in the same Jurassic Park flick for the first time since the 1993 original, but the crucial terms are actually "but with dinosaurs". Returning Jurassic World writer/director Colin Trevorrow mightn't have uttered that phrase aloud; however, when Dominion stalks into a dingy underground cantina populated by people and prehistoric creatures, Star Wars but with dinosaurs instantly springs to mind. The same proves true when the third entry in this Jurassic Park sequel trilogy also includes high-stakes flights in a rundown aircraft that's piloted by a no-nonsense maverick. These nods aren't only confined to a galaxy far, far away — a realm that Trevorrow was meant to join as a filmmaker after the first Jurassic World, only to be replaced on Star Wars: Episode IX — The Rise of Skywalker — and, yes, they just keep on coming. There's the speedy chase that zooms through alleys in Malta, giving the Bond franchise more than a few nods — but with dinosaurs, naturally. There's the plot about a kidnapped daughter, with Taken but with dinosaurs becoming a reality as well. That Trevorrow, co-scribe Emily Carmichael (Pacific Rim Uprising) and his usual writing collaborator Derek Connolly (Safety Not Guaranteed) have seen other big-name flicks is never in doubt. Indeed, as a Mark Zuckerberg-esque entrepreneur (Campbell Scott, WeCrashed) tries to take over all things dino, and ex-Jurassic World velociraptor whisperer Owen Grady (Chris Pratt, The Tomorrow War) and his boss-turned-girlfriend Claire Dearing (Bryce Dallas Howard, Rocketman) get drawn back into the creatures' realm, too much of Dominion feels like an attempt to actively make viewers wish they were watching other movies. Bourne but with dinosaurs rears its head via a rooftop chase involving, yes, dinos. Also, two different Stanley Kubrick masterpieces get cribbed so blatantly that royalties must be due, including when an ancient critter busts through a door as Jack Nicholson once did, and the exact same shot — but with dinosaurs — hits the screen. Jurassic World Dominion is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE KITCHEN BRIGADE When a chef sticks to a tried-and-tested recipe, it can be for two reasons: ease and excellence. Whipping up an already-proven dish means cooking up something that you already know works — something sublime, perhaps — and giving yourself the opportunity to better it. That process isn't solely the domain of culinary maestros, though, as French filmmaker Louis-Julien Petit makes plain in his latest feature The Kitchen Brigade. The writer/director behind 2018's Invisibles returns to what he knows and does well, and to a formula that keeps enticing audiences on the big screen, too. With the former, he whisks together another socially conscious mix of drama and comedy centring on faces and folks that are often overlooked. With the latter, he bakes a feel-good affair about finding yourself, seizing opportunities and making a difference through food. Returning from Invisibles as well, Audrey Lamy (Little Nicholas' Treasure) plays Cathy, a 40-year-old sous chef with big dreams and just as sizeable struggles. Instead of running her own restaurant, she's stuck in the shadow of TV-famous culinary celebrity Lyna Deletto (Chloé Astor, Delicious) — a boss hungry for not just fame but glory, including by dismissing Cathy's kitchen instincts or claiming her dishes as her own. Reaching boiling point early in the film, Cathy decides to finally go it alone, but cash makes that a problem. So, to make ends meet, she takes the only job she can find: overseeing the food in a shelter for migrants, where manager Lorenzo (François Cluzet, We'll End Up Together) and his assistant Sabine (Chantal Neuwirth, Patrick Melrose) have been understandably too busy with the day-to-day business of helping their residents to worry about putting on a fancy spread. The Kitchen Brigade is available to stream via, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MINIONS: THE RISE OF GRU What's yellow, round, inescapably silly and also just flat-out inescapable? Since 2010, when the first Despicable Me film reached screens, Minions have been the answer. The golden-hued, nonsense-babbling critters were designed as the ultimate sidekicks. They've remained henchman to malevolent figures in all five of their movie outings so far, and in the 15 shorts that've also kept telling their tale. But, as much as super-villain Gru (Steve Carrell, Space Force) would disagree — he'd be immensely insulted at the idea, in fact — Minions have long been the true drawcards. Children haven't been spotted carrying around and obsessing over Gru toys in the same number. The saga's key evil-doer doesn't have people spouting the same gibberish, either. And his likeness hasn't become as ubiquitous as Santa, although Minions aren't considered a gift by everyone. At their best, these lemon-coloured creatures are today's equivalent of slapstick silent film stars. At their worst, they're calculatingly cute vehicles for selling merchandise and movie tickets. In Minions: The Rise of Gru, Kevin, Stuart, Bob, Otto and company (all voiced by Pierre Coffin, also the director of the three Despicable Me features so far, as well as the first Minions) fall somewhere in the middle. Their Minion mayhem is the most entertaining and well-developed part of the flick, but as an 11-year-old Gru tries to live out his nefarious boyhood dreams in 1976, it's also pushed to the side by director Kyle Balda (Despicable Me 3), co-helmers Brad Ableson (Legends of Chamberlain Heights) and Jonathan del Val (The Secret Life of Pets 2), and screenwriter Matthew Fogel (The Lego Movie 2). There's a reason that this isn't just called Minions 2 — and another that it hasn't been badged Despicable Me: The Rise of Gru, although it should've. The Minion name gets wallets opening and young audiences excited, the Rise of Gru reflects the main focus of the story, and anyone who's older than ten can see the strings being pulled at the corporate level among the by-the-numbers slapstick hijinks. Minions: The Rise of Gru is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. AFTER BLUE (DIRTY PARADISE) In his 2017 feature debut, French writer/director Bertrand Mandico took to the sea, following five teens who were punished for a crime by being sent to a mysterious island. Sensual and lurid at every turn, The Wild Boys was never as straightforward as any description might intimate, however — and it proved both a tempest of influences as varied as Jean Cocteau, John Carpenter and David Lynch, and an onslaught of surreal and subversive experimentation several times over. Much of the same traits shine through in the filmmaker's second feature After Blue (Dirty Paradise), including an erotic tone that's even more pivotal than the movie's narrative. Mandico makes features about bodies and flesh, about landscapes filled with the odd and alluring, and where feeling like you've tumbled into a dream most wonderful and strange is the instant response. Tinted pink, teeming with glitter, scored by synth, as psychedelic as bathing in acid and gleefully queer, the fantastical realm that fills After Blue's frames is the titular planet, where humanity have fled after ruining earth. As teenager Roxy (debutant Paula-Luna Breitenfelder), who is nicknamed Toxic by her peers, tells the camera, only ovary-bearers can survive here — with men dying out thanks to their hair growing internally. In this brave new world, nationalities cling together in sparse communities, with roving around frowned upon. But that's what Roxy and her hairdresser mother Zora (Elina Löwensohn, Mandico's frequent star) are forced to do when the former meets and saves a criminal called Kate Bush (Agata Buzek, High Life), who she finds buried in sand, and are then tasked by their fellow French denizens with tracking her down and dispensing with her to fix that mistake. After Blue (Dirty Paradise) is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SUNDOWN In Sundown's holiday porn-style opening scenes, a clearly wealthy British family enjoys the most indulgent kind of Acapulco getaway that anyone possibly can. Beneath the blazing blue Mexican sky, at a resort that visibly costs a pretty penny, Alice Bennett (Charlotte Gainsbourg, The Snowman), her brother Neil (Tim Roth, Bergman Island), and her teenage children Alexa (Albertine Kotting McMillan, A Very British Scandal) and Colin (Samuel Bottomley, Everybody's Talking About Jamie) swim and lounge and sip, with margaritas, massages and moneyed bliss flowing freely. For many, it'd be a dream vacation. For Alice and her kids, it's routine, but they're still enjoying themselves. The look on Neil's passive face says everything, however. It's the picture of apathy — even though, as the film soon shows, he flat-out refuses to be anywhere else. The last time that a Michel Franco-written and -directed movie reached screens, it came courtesy of the Mexican filmmaker's savage class warfare drama New Order, which didn't hold back in ripping into the vast chasm between the ridiculously rich and everyone else. Sundown is equally as brutal, but it isn't quite Franco's take on The White Lotus or Nine Perfect Strangers, either. Rather, it's primarily a slippery and sinewy character study about a man with everything as well as nothing. Much happens within the feature's brief 82-minute running time. Slowly, enough is unveiled about the Bennett family's background, and why their extravagant jaunt abroad couldn't be a more ordinary event in their lavish lives. Still, that indifferent expression adorning Neil's dial rarely falters, whether grief, violence, trauma, lust, love, wins or losses cast a shadow over or brighten up his poolside and seaside stints knocking back drinks in the sunshine. Sundown is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE REEF: STALKED In the crowded waters of cinema's shark-attack genre, which first took a hefty bite out of the box office with mega hit Jaws and then spawned plenty of imitators since, a low-budget Australian effort held its own back in 2010. The second movie from writer/director Andrew Traucki after his crocodile-attack flick Black Water, The Reef wasn't ever going to rake in enough takings to threaten the larger fish, but the stripped-back survival-thriller was grippingly effective. As Black Water did with 2020's Black Water: Abyss, the creature-feature helmer's shark film has now be given a sequel — and like Traucki's other franchise, this followup is a routine splash. The filmmaker keeps most of the basics the same, casting out a remakequel, aka a movie about basically the same scenario but with different faces. No, Traucki isn't seeking a bigger boat, or even to rock the one he has. The Reef: Stalked does make one curious new choice, however, stemming from its nine-months-earlier prologue. The film's opening sequences set up a harrowing source of trauma for protagonist Nic (Teressa Liane, The Vampire Diaries), and also clumsily equate domestic violence with the ocean's predators in the process. The aim is to show how Nic and her youngest sister Annie (debutant Saskia Archer) refuse to become victims after their other sibling Cathy (Bridget Burt, Camp-Off) is stalked and savaged in a different way, fatally so, at the hands of her partner Greg (Tim Ross, Dive Club). After finding Cathy herself, Nic is so understandably distressed that she heads as far away as she can, but returns from overseas for a big diving and kayaking trip that was important to her sister. With friends Jodie (Ann Truong, Cowboy Bebop) and Lisa (Kate Lister, Clickbait), plus Annie, they embark on a multi-day paddle — but it isn't long until a different sinister force terrorises their getaway, even if you don't already know what "the man in the grey suit" refers to in surfer slang. The Reef: Stalked is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE PRINCESS Finding a moment or statement from The Princess to sum up The Princess is easy. Unlike the powerful documentary's subject in almost all aspects of her life from meeting the future King of England onwards, viewers have the luxury of choice. Working solely with archival materials, writer/director Ed Perkins (Tell Me Who I Am) doesn't lack in chances to demonstrate how distressing it was to be Diana, Princess of Wales — and the fact that his film can even exist also underscores that point. While both The Crown and Spencer have dramatised Diana's struggles with applauded results, The Princess tells the same tale as it was incessantly chronicled in the media between 1981–1997. The portrait that emanates from this collage of news footage, tabloid snaps and TV clips borders on dystopian. It's certainly disturbing. What kind tormented world gives rise to this type of treatment just because someone is famous? The one we all live in, sadly. Perkins begins The Princess with shaky visuals from late in August 1997, in Paris, when Diana and Dodi Fayed were fleeing the paparazzi on what would be the pair's last evening. The random voice behind the camera is excited at the crowds and commotion, not knowing how fatefully the night would end. That's telling, haunting and unsettling, and so is the clip that immediately follows. The filmmaker jumps back to 1981, to a then 19-year-old Diana being accosted as she steps into the street. Reporters demand answers on whether an engagement will be announced, as though extracting private details from a teenager because she's dating Prince Charles is a right. The Princess continues in the same fashion, with editors Jinx Godfrey (Chernobyl) and Daniel Lapira (The Boat) stitching together example after example of a woman forced to be a commodity and expected to be a spectacle, all to be devoured and consumed. The Princess is available to stream via Google Play and YouTube Movies. Read our full review. 6 FESTIVALS Three friends, a huge music festival worth making a mega mission to get to and an essential bag of goon: if you didn't experience that exact combination growing up in Australia, did you really grow up in Australia? That's the mix that starts 6 Festivals, too, with the Aussie feature throwing in a few other instantly familiar inclusions to set the scene. Powderfinger sing-alongs, scenic surroundings and sun-dappled moments have all filled plenty of teenage fest trips, and so has an anything-it-takes mentality — and for the film's central trio of Maxie (Rasmus King, Barons), Summer (Yasmin Honeychurch, Back of the Net) and James (Rory Potter, Ruby's Choice), they're part of their trip to Utopia Valley. But amid dancing to Lime Cordiale and Running Touch, then missing out on Peking Duk's stroke-of-midnight New Year's Eve set after a run-in with security, a shattering piece of news drops. Suddenly these festival-loving friends have a new quest: catching as much live music as they can to help James cope with cancer. The first narrative feature by Bra Boys and Fighting Fear director Macario De Souza, 6 Festivals follows Maxie, Summer and James' efforts to tour their way along the east coast festival circuit. No, there are no prizes for guessing how many gigs are on their list, with the Big Pineapple Music Festival, Yours and Owls and Lunar Electric among the events on their itinerary. Largely road-tripping between real fests, and also showcasing real sets by artists spanning Dune Rats, Bliss n Eso, G Flip, B Wise, Ruby Fields, Dope Lemon, Stace Cadet and more, 6 Festivals dances into the mud, sweat and buzz — the crowds, cheeky beers and dalliances with other substances that help form this coming-of-age rite-of-passage, aka cramming in as many festivals as you possibly can from the moment your parents will let you, as well. This is also a cancer drama, however, which makes for an unsurprisingly tricky balancing act, especially after fellow Aussie movie Babyteeth tackled the latter so devastatingly well so recently. 6 Festivals is available to stream via Paramount+. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and our best new TV shows, returning TV shows and straight-to-streaming movies from the first half of 2022. Or, check out the movies that were fast-tracked to digital in January, February, March, April, May, June and July.
Queenslanders, if you've spent the past two years dreaming about when you might be able to next venture overseas, well, of course you have. It's been a long stretch without international travel — and until only recently, without easy travel around Australia, too. So today, Wednesday, January 19, brings a big dose of good news, with Premier Annastacia Palaszczuk announcing that quarantine requirements for double-vaccinated travellers from overseas will be ditched from this weekend. With the Sunshine State expected to hit the 90-percent double-dosed rate among folks aged 16 and over sometime this week, that change to the international travel rules will kick in at 1am Queensland time on Saturday, January 22. It'll mean that people who've had two COVID-19 vaccine jabs can enter the state from overseas and won't need to spend 14 days in quarantine from that point onwards. They will still need to undergo a rapid antigen test within the first 24 hours after arrival, however. BREAKING: Fully vaccinated international travellers can enter Queensland without quarantine from 1am on Saturday 22 January with a rapid antigen test required within the first 24 hours. Unvaccinated international arrivals will be required to undertake 14 days quarantine. — Annastacia Palaszczuk (@AnnastaciaMP) January 19, 2022 While this'll obviously apply to Queenslanders who've been elsewhere around the globe during the pandemic and are now coming home, it'll also cover locals going on overseas holidays — because that's been permitted by the Federal Government since last November. So, Brisbanites, that international getaway you've been planning in your head now just got a whole lot easier. Your suitcase does look mighty tempting now, we know. And, the list of places that Australians can fly to grew considerably in the last few months of 2021 — Qantas even brought forward some of its planned international flights, in fact. For the unvaxxed, the mandatory 14-day quarantine requirement remains in place for international travellers — including Queenslanders going on holidays and then returning home. Queensland's international border rules will change at 1am AEST on Saturday, January 22. For more information about Queensland's border policies and border passes, head to the Queensland Government website.
If Wonderland's 2014 run had a breakout hit, it was I Want to Know What Love Is. If you saw it then, you were ahead of the trend. If you missed out, one of your friends has probably raved about to you in the year since. The reason everyone was talking about it — and still is — is simple: the show takes 800 anonymous love stories submitted by you, your friends and your exes, and then turns them into a theatre performance. Long-buried memories and bedroom fantasies become on-stage declarations, as do crushes, conquests and secret confessions. Here, you really will find out what love is.
When Drake plays his first Australian shows in eight years on his 2025 Anita Max Win tour, he isn't just dropping in for a few dates. Since first being announced in November 2024 for a run in February, the Canadian artist's trip Down Under keeps being extended. Now, he's even sticking around at the beginning of March, adding new shows in Sydney and Brisbane. That makes five gigs in the Harbour City and three in the Sunshine State capital. Drake will play Qudos Bank Arena on Sunday, February 16–Monday, February 17, then on Wednesday, February 19–Thursday, February 20, and now on Friday, March 7 as well. In Brisbane, he's headed to the Brisbane Entertainment Centre on Monday, February 24–Tuesday, February 25, and also on Tuesday, March 4. Yes, you're now going to have 'Hotline Bling', 'Too Good', 'Passionfruit', 'Nice for What', 'In My Feelings', 'One Dance' and 'Laugh Now Cry Later' stuck in your head. Drake last hit the stage in Australia in 2017 on his Boy Meets World tour. Also on the five-time Grammy-winner's Australian itinerary this time: two gigs at RAC Arena in Perth and four at Rod Laver Arena in Melbourne. The Degrassi: The Next Generation star and platinum-selling singer is fresh off his 2023–24 It's All A Blur Tour, which saw him chalk up over 80 soldout shows in North America. Last time that he played to Aussie audiences, Drake had four studio albums to his name: 2010's Thank Me Later, 2011's Take Care, 2013's Nothing Was the Same and 2016's Views. He's doubled that since, so expect tunes from 2018's Scorpion, 2021's Certified Lover Boy, 2022's Honestly, Nevermind and 2023's For All the Dogs, too. The Anita Max Win tour's initially announcement wasn't new news if you'd been paying attention to Drake's social media, where he'd been teasing details — but it keeps expanding. Drake's 'Anita Max Win' Tour 2025 Australian Dates Tuesday, February 4–Wednesday, February 5 — RAC Arena, Perth Sunday, February 9–Monday, February 10 + Wednesday, February 12–Thursday, February 13 — Rod Laver Arena, Melbourne Sunday, February 16–Monday, February 17 + Wednesday, February 19–Thursday, February 20 + Friday, March 7 — Qudos Bank Arena, Sydney Monday, February 24–Tuesday, February 25 + Tuesday, March 4 — Brisbane Entertainment Centre, Brisbane Drake is touring Australia in February and March 2025, with tickets to the new Sydney and Brisbane shows on sale from 1pm local time on Wednesday, January 15. Head to the tour website for more details. Images: The Come Up Show via Flickr.
It just might be Australia's brightest festival, and it's returning to light up Alice Springs once again. That'd be Parrtjima - A Festival In Light, which will deliver its latest annual program in 2022 — between Friday, April 8–Sunday, April 17. It's been a chaotic few years for the radiant fest, after its 2020 event was postponed to September due to COVID-19 lockdowns and restrictions — and after moving to an autumn time slot back in 2019, too. But, following a few years of change and adaptability, Parrtjima will finally mark two consecutive stints in its April dates, after 2021's festival lit up the Red Centre over six months ago. While it's too early to announce the event's lineup just yet, visitors can once again expect a big — and free — ten-day public celebration of Indigenous arts, culture, music and storytelling, including an eye-catching array of light installations. That'll all take over Alice Springs CBD's Alice Springs Todd Mall, as well as tourism and conservation facility Alice Springs Desert Park Precinct just out of town — and yes, the event will dazzle, like it usually does. [caption id="attachment_801811" align="alignnone" width="1920"] Greg McAdam[/caption] If you haven't yet made the trip and you're wondering what could be in store, this year's Parrtjima included various luminous pieces, such as a 20-metre-long entranceway made out of light tubes of different lengths, an animated sequence of curated artworks projected onto the sands of Alice Springs Desert Park and a train of five illuminated camels. One thing that'll definitely be on the bill in 2022: the festival's main annual attraction, aka a huge artwork that transforms a 2.5-kilometre stretch of the majestic, 300-million-year-old MacDonnell Ranges, showering it with light each night of the festival. Registrations for the 2022 fest have just opened, if you'd like to nab an early spot in line for tickets when they go on sale. Of course, Parrtjima is just one of Northern Territory's two glowing attractions in 2022, with Australia's Red Centre lighting up in multiple ways. The festival is a nice supplement to Bruce Munro's Field of Light installation, which — after multiple extensions — is now on display indefinitely. If you're keen to start making Parrtjima plans, remember to check out the Northern Territory's COVID-19 border restrictions first. Parrtjima – A Festival in Light runs from April 8–17, 2022 around Alice Springs in the Northern Territory. For more information, visit the festival website. Top image: Greg McAdam.
Gaze upward, unblinking, for a nerve-rending, mind-blowing display of unprecedented proportions as the skies above the Brisbane River glow, pulsate and shudder with bangs, whistles and crackles in a marvel of noise and colour, fuelled by black powder. Bringing an end to the Brisbane Festival, the Sunsuper Riverfire will be an extravagant finale to an already extravagant three weeks. With a sound track of pumping live music and wonders of militaristic genius from ARH Tigers and Black Hawk helicopters to Super Hornets demonstrating the power of technology, this Riverfire is set to be the biggest yet. With the spectacles of the Golden Casket Light Sphere providing beauty to go with the calculated chaos, the event will steal your breath and make your heart skip a beat; a truly phenomenal affair. Festivities kick off at 12 noon, make sure you get a good spot to catch all the amazing attractions!
There's something for everyone to get around when it comes to Halloween, whether it's eating nauseating amounts of lollies, flexing your arts and crafts skills and fashioning yourself a costume, or pulling that five-piece (mask included) Batman get-up out of storage and donning it to feel like the superhero you really are. Trick or treating never really caught on here, but we'll be damned if we won't use the occasion as an excuse for a spooky time. And, thankfully, there are plenty of eerie events and horror-themed nights happening around town for you to dive into. Here's a list of some of the best things going on in and around Brisbane for Halloween this year, ranging from the not-so scary (a night market and a spooky-themed game of mini golf) to the truly unsettling (a 36-room horror experience in a disused old warehouse and an eerie shipping container experience).
Don't stop MELT now — it's having a good time celebrating late great Queen frontman and queer icon Freddie Mercury. Across one crazy little show, Killer Queens will task five fantastic female performers to step into the singer's shoes (and shorts, leather jackets and leotards) to give his legendary music a new interpretation. Sure, you've been rocked by 'We Are The Champions', 'Another One Bites The Dust', 'Somebody to Love' and 'Bohemian Rhapsody' before, but you haven't heard them sung like this. Playing for one night only, on Friday, July 5, the production combines prog rock, heavy metal, vaudeville, astonishing vocals and camp theatrics — and throws in a few tracks by other glam rock stars, like Prince and David Bowie, too. Image: Wikimedia Commons.
There's no shame in picking up a cheap bottle of whiskey. You're a little strapped for cash and in need of a nightcap, so what? You can knock it back all the same. As much as we'd love it, we can't all be Don Draper kickin' back on some Blue Label. But, now there might be a way to get the best of both worlds. This new device currently blowing up on Kickstarter claims transform your horrid cheap whiskey into something delectable in just 24 hours. Get ready for some serious life hacking. After six years of development, a group of Portland entrepreneurs named Time and Oak have created what they call Whiskey Elements — nifty little devices to stimulate the ageing process of whiskey (or at least make it seem that way). Each 'Element' is a small customised oak stick that is to be placed in a bottle of whiskey. After being submerged for a single day, your drink will taste richer and more complex while having much less toxins. The process has roughly the same effect as three years of ageing. Taking this one step further, the Elements have different variations to ensure a unique custom taste. You can choose from classic oak, vanilla, maple, smoky or peaty options and create a different flavour of whiskey altogether. It's a concept which must seem appealing to a lot of people. The Whiskey Elements Kickstarter campaign has surpassed its goal seven times over. Though the developers were only shooting for US$18,000, they've already received over $150,000 in pledges. The crowdfunding effort is open until next week, so you still have an opportunity to contribute and get your hands on some tasty, tasty whiskey. Though the lower level pledges only ship within the US, you can pick yourself up a starter pack for $24 plus delivery. If you ask us, that's not a bad price to trick your way into Don Draper levels of luxury. Via Springwise. Photos via Whiskey Elements.
He may be best known as the frontman of Thirsty Merc (and writer of the Bondi Rescue theme song), but Rai Thistlethwayte is something of a musical polymath. He's been writing and performing tunes since the age of 15 and attended the prestigious Sydney Conservatorium of Music. As well as his songwriting and singing talents, he plays the piano and guitar. In his career he's performed as a solo artist, as part of numerous jazz combos, as a member of the session group on The Voice and as a keyboardist for American rock god Joe Satriani's touring band. That's not to mention his stints as a teacher and mentor at APRA's annual songwriting conference. It's fair to say Rai knows what he's doing — and anyone lucky enough to catch him this month is in for a tour de force of top-quality musicianship. On top of his Sydney gig, he's playing up the coast at The Kent Hotel in Newcastle on Friday, November, 13 and at The Seabreeze Hotel in Nelson Bay on Saturday, November 14. Or, head (very far) west and catch him at the Griffth Leagues Club on Friday, November 27. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively.
When Sunset Song opens, Chris Guthrie (Agyness Deyn) reclines in a field of wheat, her golden locks matching the crops around her. The young Scottish woman both stands out and blends in — and as her gentle narration tells of her heart beating in this land, it's clear that no other option is possible. Just as the ground around her will be plucked bare during the harvest and then grow another bounty, repeating the same cycle over and over again, so will her tale continue to wither and blossom. Chris is the daughter of a farmer, and as resilient as the rural patch of earth she can't tear herself away from. It's that concept of strength and endurance that sits at the heart of Terence Davies' latest feature, which the writer-director adapts from the 1932 Scottish novel of the same name. Time passes, as the filmmaker stresses in the changing colours of his nature-filled visuals, in circular shots that sweep around the property, and in elegant transitions between pivotal moments. And still, as both tragedy and happiness flavour Chris' days, she remains. Set in the early 1900s, the particulars of the plot test that notion, starting with Chris' cruel father (Peter Mullan). When he's not imposing his might upon Chris' brother (Jack Greenlees), he's forcing himself upon her mother (Daniela Nardini) and creating more mouths to feed as a result. After a series of tragedies, it's his shadow Chris tries to escape – not by giving up her home, but by bringing it back to prosperity. Then she starts to notice local lad Ewan (Kevin Guthrie). But just like everything around them in a time characterised by poverty and blighted by the Great War, their romance will change with the seasons. With the quiet, devastating The Deep Blue Sea the last listing on Davies' resume, the British filmmaker is no stranger to simmering stories that whisper their emotions. In fact, his 40-year career is full of them. Sunset Song doesn't shy away from its condemnation of the ways in which men shape Chris' existence, nor from celebrations of her determination to fight to make her own choices. Nevertheless, his approach remains as subtle and low-key as ever. Indeed, it's his masterly way of drawing strength from episodic events and understated sentiments that makes the sensitively crafted film seethe with such potency. The patient pace and painterly images mark the feature as one of Davies' best, but it's his perceptive casting choices that likewise prove pivotal. Better known as a model, Deyn brings a composed but never passive or impenetrable air to her protagonist that couldn't encapsulate the underlying narrative better. Guthrie's previous screen credits may be similarly sparse, but there's a sense of rawness simmering within his character's struggle to choose strength over weakness. Never dwarfed by Mullan's intensity, together their performances capture just the balance of harshness and beauty that this moving tale demands.
Brewing up beers on Helen Street in Teneriffe for almost a decade now, Green Beacon Brewing Co has obviously become known for its selection of yeasty beverages. It's also built up a reputation for throwing shindigs, too — oyster parties, block parties, Oktoberfest parties, you name it — so to celebrate hitting nine years in action, it's unsurprisingly hosting a birthday bash. You know what you'll be drinking here, of course: beer, beer and more beer, naturally. Green Beacon's brew pub will be pouring its usual tipples; however, it'll also be pairing them with live tunes and a selection of lawn games. Giant Jenga and giant Connect 4 go down well with a brew or two — and if you don't believe us, here's your opportunity to find out for yourself. Head by from 12pm on Saturday, January 29 — and there'll be a raffle and birthday merch to win as well, because this birthday party isn't just about the host. Images: Kgbo via Wikimedia Commons.
First, Spilt Milk gave music lovers and festival fans in Canberra, Ballarat and southeast Queensland the news they'd been hoping for: in November and December this year, the beloved music, art and food fest will finally return. Now, the event has unleashed unleashed its impressive lineup, aka exactly who you'll be dancing to. Leading the charge: Flume, Stormzy and The Wombats. Homegrown hitmaker Flume nabs one of the headliner slots fresh from playing Coachella, while UK grime pioneer Stormzy adds Spilt Milk to his upcoming — and rescheduled — Down Under tour. The latter also proves true of British indie rockers The Wombats, who keep proving a hit on our shores — with 15 slots in Triple J's Hottest 100 over the years to prove it. Also on the bill: Ninajirachi, FISHER, G Flip,Genesis Owusu, Mallrat, Spacey Jane, A.GIRL and PEACH PRC, among others — and, from the art lineup, a heap of talent from long-running Spilt Milk partners Studio A. Also, because this fest is also about food, there'll be bites to eat from Alongside, Firepop, Black Bear BBQ, 1800 Lasagne and more. Originally only held in Canberra, then expanding to Ballarat, and now heading to the Gold Coast as well, the fest will hit up its ACT home on Saturday, November 26 at Exhibition Park, then regional Victoria on Saturday, December 3 at Victoria Park, before wrapping things up on Sunday, December 4 at Doug Jennings Park in the Sunshine State. The multi-city one-dayer has cemented its spot as a must-attend event for a heap of reasons — and tickets have sold out in under 30 minutes every year, including in a record nine minutes one year. So, expect this to be one of the most anticipated returns of 2022. SPILT MILK 2022 DATES: Saturday, November 26 — Exhibition Park, Canberra Saturday, December 3 — Victoria Park, Ballarat Sunday, December 4 — Doug Jennings Park, Gold Coast SPILT MILK 2022 LINEUP: A.GIRL Beddy Rays Billy Xane Fisher Flume G Flip Genesis Owusu Hayden James King Stingray Kobie Dee Latifa Tee Little Fritter Mallrat Mansionair Ninajarachi PEACH PRC Spacey Jane Stand Atlantic Stormzy Telenova The Wombats Toro Y Moi (Canberra only) YNG Martyr Young Franco 1300 Also in Canberra: Brittany De Marco and Kaylee Harmer Jack Burton and Clique Miroji Sesame Girl Shaka J Tekido Waxlily Also in Ballarat: Coastal Jam DJs Gangz Lashes Mason Flint Sweat Dreams DJs Also on the Gold Coast: Friends of Friends Jynx House DJs Saint Lane Siala WIIGZ Food: Firepop Black Bear Bbq Birdman Burger Head 1800 Lasagne and more Art by Studio A: Emily Crockford Greg Sindel Katrina Brennan Jaycee Kim Meagan Pelham Thom Roberts Spilt Milk will hit Canberra, Ballarat and the Gold Coast in November and December 2022. Pre-sale tickets go on sale from Tuesday, May 3 and general sales from Thursday, May 5. Head to the festival website for more info and to register for pre-sales. Images: Jordan Munns and Billy Zammit.
Splendour in the Grass is back this July, but not as we know it. The blockbuster Byron Bay music festival is packing its bags and road tripping down to Sydney to launch a new nine-day festival at the city's Overseas Passenger Terminal. Splendour in the City will run from Saturday, July 10–Sunday, July 18 in the lead up to Splendour's virtual festival Splendour XR, which will kick off the following week. Across the lineup, music fans will find an array of beloved Australian artists — plus two stacked nights of stand-up comedy and a whole heap of extras that are aiming to recreate as much of the OG Splendour in the Grass experience as possible. While you won't get caught knee-deep in mud or have to climb North Byron Parklands' heartbreak hill to reach the main stage, you'll still find art installations, a range of dining options and food trucks, specialty bars from the likes of The Winery and The Strummer Bar, markets, a Little Splendour kids program and a VR pop-up at Splendour in the City. Taking over the 900-person Customs Hall and 400-person Cargo Hall, the lineup ranges from Splendour in the Grass mainstays such as Violent Soho, Illy, Vera Blue, Dune Rats and Tash Sultana to fresher faces like Spacey Jane, Masked Wolf, Ziggy Ramo and Triple One. Some local Sydney and Wollongong artists will also be popping up including Big Twisty, A.Girl and The Lazy Eyes — with the latter launching their second EP at the festival. Then, across at the Comedy Club, you'll find the likes of Nazeem Hussein, Nikki Britton, Tom Ballard, Nath Valvo and Triple J's Michael Hing and Lewis Hobba. 2021 will be the second year in a row that Splendour in the Grass won't welcome patrons come July. The full-sized Byron Bay edition of the music festival is currently scheduled for November with headliners Tyler the Creator, The Strokes and Gorillaz; however, that's reliant upon COVID-19 restrictions allowing the event to take place. [caption id="attachment_788985" align="alignnone" width="1920"] Ocean Alley[/caption] SPLENDOUR IN THE CITY Customs Hall Saturday, July 10 — Spacey Jane Sunday, July 11 — Tash Sultana Wednesday, July 14 — Ocean Alley and Clews Thursday, July 15 — Illy, Masked Wolf and A.Girl Friday, July 16 — Running Touch Saturday, July 17 — Vera Blue and Cxloe Sunday, July 18 — Violent Soho Cargo Hall Saturday, July 10 — Nikki Britton, Tom Ballard, Michael Hing and more Sunday, July 11 — Nazeem Hussein, Nath Valvo, Lewis Hobba and more Monday, July 12 — Big Twisty and the Funknasty Wednesday, July 14 — The Southern River Band and Vast Hill Thursday, July 15 — Ziggy Ramo and Alice Skye Friday, July 16 — Triple One Saturday, July 17 (Early) — The Lazy Eyes Saturday, July 17 (Late) — Ebony Boadu Presents Sunday, July 18 — Dune Rats and Totty Splendour in the City will run from Saturday, July 10–Sunday, July 18 at Sydney's Overseas Passenger Terminal. Tickets go on sale at 9am on Friday, June 18.
When you plaster giant, ornate portraits of beautiful women across the walls of nine-storey buildings, you're bound to get a name for yourself. Accordingly, Melbourne street artist Rone has become quite the sensation. Since bursting onto the local scene in the early 2000s, his work has been shown in London, New York, San Francisco, Miami and Hong Kong. Now, he's returning to where it all began for his first Australian show in two years. From October 24, Rone will present 11 new, large-scale portraits in — and on — an abandoned office building on Little Collins Street. The exhibition, Lumen, will be created with the help of lighting designer John McKissock, as the artworks will be illuminated from the building's decrepit, black walls. The artist will also create a 12-metre high mural on the building's ventilation tower. Adding to the creepy feel of the whole thing, the building has actually been slated for demolition, and it will presumably still be knocked down once the exhibition is over. Rone has an ongoing interest in transforming these kind of derelict and forgotten places. He's initiated similar projects in Mexico, Louisiana and New Orleans in the past. "Each of these places have, in recent times, been deeply affected by natural disaster, crime or debilitating economic situations," said the artist. "There is a genuine sense of community in these places, people embrace and appreciate what I'm doing." While Little Collins Street is a far cry from the Mexican city of Juarez, it's just as easy to understand Rone's fostering of local community in this latest Melbourne project. His mural at Rue & Co is still a much-loved icon of the CBD; people converge on it to take photos, drop their jaws in awe and meet friends for delicious Korean fried chicken. This support for the artist is evident in his other projects too. He's just been hand-selected by Jean Paul Gaultier himself to create installation works for the NGV's latest exhibition, and the Melbourne Festival has just plastered his art across one of the city's trams. Make sure you get a chance to check out this epic exhibition while it lasts — this guy's in high demand. Lumen will be on show on Level One, 109 Little Collins Street, Melbourne from October 24 to November 9. For more information, see the website.
For a few days the Brisbane Convention and Exhibition Centre is hosting a sales event of most peculiar stock. Strange things they are, full of pages, rampant with words and with covers of the most beautiful colours. You can’t charge them, they don’t run out of battery, their brightness is unalterable, and they won’t smash when you drop them and have them lost forever. Lifeline Bookfest is back for another round of vintage bargains and startling ranges of everything from Australian Women’s Weekly Cookbooks to a bit of cheeky erotica. If you’re been before, you’ll know there are warehouse quantities of books for sale – your grade five diary is probably hidden under a copy of Shantaram, and you’ll come across at least three copies of Cooking with Days of Our Lives. Prices range from cents to the big bucks – bring a trolley and your glasses and absorb yourself in books.
In Contagion, the most prophetic film of the 21st century so far, filmmaker Steven Soderbergh didn't just chart the outbreak of a deadly pandemic or introduce everyone to the term 'social distancing'. His eerily accurate thriller also delved into the quest to find a vaccine, too, so that life could go back to normal. And, that's the reality the world has been facing since COVID-19 first emerged — with pharmaceutical companies and medical researchers around the globe working furiously to come up with a solution. One of those companies is UK-based drug outfit AstraZeneca, and Aussies are now going to want to keep a close eye on its progress. As announced today, Wednesday, August 19, the Australian Government has signed a letter of intent with the company to manufacture enough doses of its vaccine, called AZD1222, for everyone in the country. The catch, and it's a big one: the vaccine needs to work. At present, AZD1222 is in phase-three trials, with the vaccine co-invented by AstraZeneca and Oxford University, and also known 'the Oxford vaccine'. In interim data published last month, it has been deemed safe, and shown to generate a strong immune response as well. In a statement, Prime Minister Scott Morrison said that "the Oxford vaccine is one of the most advanced and promising in world, and under this deal we have secured early access for every Australian". He further remarked, however, that this doesn't mean the vaccine will make it through trials. "There is no guarantee that this, or any other, vaccine will be successful, which is why we are continuing our discussions with many parties around the world while backing our own researchers at the same time to find a vaccine." Also worth noting: if the Oxford vaccine does work, it will be provided to every Aussie for free. Obviously, the government won't provide further details about how everyone will get vaccinated until a working vaccine actually exists. Speaking on radio station 3AW today, the Prime Minister did reveal that the vaccine will likely be compulsory, though. "I would expect it to be as mandatory as you can possibly make. There are always exemptions for any vaccine on medical grounds, but that should be the only basis. I mean, we're talking about a pandemic that has destroyed the global economy and taken the lives of hundreds of thousands all around the world and over 430 Australians here. So, you know, we need the most extensive and comprehensive response to this to get Australia back to normal," he commented. If you're keen to know more about AZD1222, science-wise, AstraZeneca's official rundown explains that it replicates viral vectors from chimpanzees based on a weakened version of a common cold virus. It also contains "the genetic material of the SARS-CoV-2 virus spike protein", with SARS-CoV-2 the official name of the novel coronavirus that causes COVID-19. "After vaccination, the surface spike protein is produced, priming the immune system to attack the SARS-CoV-2 virus if it later infects the body," the company says. As well as the arrangement to supply 25 million doses of the Oxford vaccine to Australia, AstraZeneca has also made a deal to roll out 400 million doses in the European Union — and has other deals in place with Russia, South Korea, Japan, China, Latin America and Brazil, which covers more than three billion doses of the vaccine in total. Of course, the world will still need to wait to see if the vaccine is successful. And, if it is, we'll need to wait for it to be rolled out from there. AstraZeneca expects its late-stage trial results later this year — but the timeline afterwards hasn't yet been advised. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
Another Silo Arts event? Already? Seems like you were just enjoying one the other evening, hey? Don’t worry you haven’t lost the plot. As they say, time flies and there’s no rest for the wicked... so on to the next! Those musical gods behind Silo are at it again bringing performers of an amazing calibre to our town. Lapalux and oOoOO are both producers who have been given the responsibility of bringing Barsoma to life on Friday. And given their combined capabilities, mixes, and reviews, you can be sure their version of life will be otherworldly and intense. The UK’s Lapalux is hard to put in one little box. It’s much easier to define his sets emotively through the hazy, happy and sonic highs they are said to result in. Similarly, oOoOO’s type of music can vaguely be described as a love child between pop and indie culture. However defining it too carefully would be a disservice, you’re much better off seeing him mix Southern hip-hop and witch house live and deciding yourself. Supporting them on the night will be Brisbane’s own Motion Picture Actress and Elroy 4.0, plus a whole host of supreme musicians. So don’t even think about skipping this event due to Silo Arts fatigue, now is not the time or place to come down with it – then again, I doubt any time will be.
What makes for the perfect T-shirt? Style? Feel? Price? Organic cotton? Ethical manufacturing? Sydney-based label PERSON is promising to deliver on every front, after getting their Kickstarter campaign over the line with two days to go. Having spent 15 years designing, measuring, snipping and stitching as tailors and couture experts, the PERSON team decided that it was time for a tree-change. They wanted to go organic. But scary price tags and scarecrow-ish apparel proved unenticing. So they put their scissors together and came up with the 'perfect Tee'. It's a 100 percent high-quality organic T-shirt that's made to designer standards but will be sold at wholesale prices — from $55 a pop. Planning to set themselves up not only as creators and manufacturers but distributors too, the PERSON crew will supply their products to shoppers directly, eliminating the expenses associated with the middleman. They're using globally certified organic Prima cotton, which is super-soft and is made via environmentally-sustainable methods. Plus, every T-shirt will be produced in Sydney, meaning that a close eye can be kept on quality control. Four designs for men and six for women are currently in the portfolio, offering a range of sleeve-lengths and neck-styles (from V to scoop), and an array of colours. A $10 pledge buys four limited edition PERSON postcards, $30 earns a pair of organic pillow cases and $55 means one perfect Tee.
Usually, it's the early bird that gets gourmet bites to eat, farm-fresh produce to line the cupboards, and an enjoyable stint of browsing and shopping at Milton Markets. If you'd like to head along later in the day, you normally need to wait until Christmas. But this westside market also hosts seasonal shindigs whenever the weather changes, and it's giving everyone a sleep in at its spring event. When Seasonal Flavours returns to Cribb Street on Saturday, September 11, it'll be doing so at twilight. As otherwise happens on a Sunday morning, more than 150 stalls will descend upon the corner of Cribb and Little Cribb streets to sell tasty wares and other assorted products. From 4–10pm , you can wander through massive fig trees to join them. You can listen to live music and sip sangria and ginger beer at pop-up bars as well. If fresh seasonal fruit gets your stomach grumbling, you can stock up here. If vegan eats do as well, you'll be in luck again. And if you're fond of flowers, expect to find more than a few of those as well. Entry costs $2, as does parking — and if you're wondering why the event has jumped to an afternoon and evening time slot, that's because Milton Markets Christmas in July event was affected by Brisbane's last lockdown.
Yesterday triple j breakfast hosts and all-round legends Matt and Alex broke morning commuters hearts by announcing they'll be leaving the station at the end of the year. And while we're super saddened by the news, as with every teary professional departure comes the silver lining: a blowout leaving party. And Matt and Alex's is going to be a big one. Not content with a Woolies cake and a case of beer in the ABC offices, the pair are taking their sayonara soiree around the country for 5 Raves in 5 Days. They'll visit Melbourne, Sydney, Brisbane, Adelaide and Perth, bringing with them a slew of Aussie artists for DJ sets. Among the guest DJs are Client Liaison, The Preatures, Gang of Youths, Montaigne, Lisa Mitchell, Ball Park Music and more. The whole thing kicks off next week (so soon!) on Monday, November 28 in Perth before wrapping up on the Friday in Brissie. The best part? They're all free. It's gonna be a big week. Here's the lineup. MATT AND ALEX'S 5 RAVES IN 5 DAYS Monday, November 28 — Amplifier Capitol, Perth DJ sets by: Drapht, Mosquito Coast, San Cisco and Tired Lion Tuesday, November 29 — Fat Controller, Adelaide DJ sets by: Bad//Dreems, Jess Kent, Luke Million, Tigerilla and Trials Wednesday, November 30 — 170 Russell, Melbourne DJ sets by: Bec Sandridge, Client Liaison, Gretta Ray, Illy, Japanese Wallpaper and Olympia Thursday, December 1 — Beach Road Hotel, Sydney DJ sets by: Gang of Youths, Lisa Mitchell, Montaigne, One Day DJs, The Preatures and triple j presenters Friday, December 2 — Oh Hello Car Park, Brisbane DJ sets by: Amy Shark, Ball Park Music, Confidence Man, Feki feat. Gill Bates, The Jungle Giants
One thing is for sure: Avenue Q is not your average puppet show. It follows the story of recent college graduate Princeton, who moves to a drab apartment on the colourful street of Avenue Q in New York to follow his dreams. As they say, if you can make it there, you can make it anywhere. Along the way, Princeton meets the girl next door, Kate, the neighbourhood Republican named Rod, an internet sexpert called Trekkie and Lucy, who has a bit of a street corner reputation. They help him along the way, teaching him the ways of the Big Apple, as well as discovering what Princeton was meant to do with his life. This Tony Award-winning act has circled the globe, and finally returns to Brisbane stages after sell-out shows of the past. While the whole escapade is one big nod to Sesame Street, the target audience is nostalgic, quarter-life-crisis-having adults, and the show is not recommend for children. Hit songs from the soundtrack include 'Everyone’s A Little Bit Racist' and 'The Internet Is For Porn'.
You might have thought King George Square looked pretty fine during the day, and maybe a tad finer at night, but it's at twilight City Hall really shows off its colours. And what better backdrop to shop the evening away with, especially when the King George is filled with some of Brisbane's best designers and makers. The regular Brisbane Twilight Market shows off a sizeable array of stalls, all staffed by some pretty nifty and talented local artists. There will be an eclectic selection of handmade clothing, accessories, leather goods, paper goods, homewares and more on show. This market is all about sound, smell and sales — live music will provide a soundtrack to the evening, and expect to be hit with that spring flowerbed smell that always lingers when there's a soap stall around. Food stalls and a free craft workshop are also on the agenda, with the markets held on June 1, September 7 and December 1. Each event runs from 4pm – 9pm, so take along some cash and stock up on all things crafty. Image: BrisStyle.
Looking for an excuse to start making holiday plans? A massive flight sale with one million discounted fares on offer will do the trick. For a week, Qantas is slinging cheap tickets across its domestic network, spanning 60-plus routes — and prices start at under $150 one-way on more than 30 of them. Getaway dates vary, but winter is the ideal time to make a booking for one inescapable reason: when we're all spending more time rugged up indoors to escape the chillier weather, who isn't dreaming of their next break away from their own four walls? The sale runs until 11.59pm AEST on Sunday, June 30, 2024, but the usual caveat applies: you'll want to get in quickly to nab a bargain (and, as always, if fares sell out earlier, you'll miss out). Whether you're a Sydneysider thinking about a Gold Coast jaunt, a Melburnian keen to finally hit or return to Tasmania or a Brisbanite eager to make a date with The Whitsundays, you have options. Indeed, you can get from Sydney to the Gold Coast for $109, Brisbane to the Whitsunday Coast from $129 and Melbourne to Hobart from $149. Other routes and fares include Adelaide to Melbourne from $139, Launceston to the Gold Coast from $199, Sydney to Cairns for the same price, and Sydney to Perth for $339. Business class flights are on sale as well, if your budget can stretch that far. Trips to and from Ballina, Newcastle, Mildura, Albury, Coffs Harbour, Kangaroo Island, Townsville, Tamworth, Rockhampton, Port Macquarie, Alice Springs, Uluru and Darwin are also on the sale list. Inclusions-wise, the sale covers fares with checked baggage, complimentary food and beverages, wifi and seat selection. Qantas' one million seat sale runs until 11.59pm AEST on Sunday, June 30, 2024, or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
After what feels like decades of being stuck within the four-wall confines of our homes during lockdowns, domestic flights and holidays seem firmly back on the cards. So, it's no wonder we're all craving a little something extra to scratch the travel itch. When it comes to your next big vacay, consider adding Central Australia to the mix. This desert paradise has spectacular experiences on offer — things that are worlds away from your everyday life. We're talking red desert dance floors under sparkling stars, helicopter tours of Uluru and festivals that rival Burning Man. We've teamed up with Tourism Central Australia to showcase some of the more unexpected experiences the Red Centre has to offer. Want to plan your very own adventure to the Red Centre? Take a look at our handy trip builder to start building your custom itinerary now.
Been spending the first few months of 2021 pondering the future? Given the current state of affairs, that's only natural. From this weekend, however, you might want to look to the skies as well — and feast your eyes on the night sky. From around April 16–25 each year, the Lyrids Meteor Shower sets the sky ablaze. This year, it's doing just that from April 14–30. It might not be as famous as Halley's Comet, but it's still very impressive. Plus, rather than only being visible every 75 years (the next Halley's Comet sighting is in 2061), you can catch the Lyrids annually. In 2021, the Lyrids will be at its most spectacular from April 22–23. For folk located Down Under, early on Friday, April 23 is when you'll be peering upwards. Here's how to catch a glimpse from your backyard. WHAT IS IT The Lyrids Meteor Shower is named after constellation Lyra, which is where the meteor shower appears to come from near star Vega, and is created by debris from comet Thatcher. While the comet, which takes about 415 years to orbit around the sun, won't be visible from Earth again until 2276, the Lyrids can be seen every autumn between around April 16–25. So, you can even pencil it in for next year. It's also the oldest recorded meteor shower, so there's that, too. On average, you can see up to 18 meteors per hour, but the Lyrids are also known to have outbursts of nearly 100 meteors per hour. So, while no outburst is predicted for 2021, you could get lucky. [caption id="attachment_767783" align="alignnone" width="1920"] jpstanley via Flickr.[/caption] WHEN TO SEE IT In Australia, the shower will reach a peak in the early morning of Thursday, April 23 according to Time and Date, but will still able to be seen either side of those dates between April 14–30. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am. At that time, you'll be in the running to see meteors moving at about 177,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. HOW TO SEE IT When a meteor shower lights up the sky, getting as far away from light pollution as possible is the best way to get a prime view. If you can't do that, you can still take a gander from your backyard or balcony. To help locate the Lyrids, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also have a table that shows the direction and altitude of the Lyrids. The site updates these details daily. Clouds and showers are predicted over the weekend and into next along the east coast, which could present problems in terms of visibility. Sydney is due to clear up from Monday and Brisbane from Tuesday, though — and Melburnians, fingers crossed that hopefully the weatherman is wrong. Top image: Mike Lewinski via Flickr.
Whether for a drink, a bite to eat, a stint at the casino or to spend the night, heading to Treasury Brisbane has always involved heading to two neighbouring George Street spots. Until now, that is — with the inner-city venue branching out to a third location perched over the Brisbane river. Called Will & Flow, the new bar marks Treasury's first off-site location, although it isn't far from the casino and adjacent hotel. From midday on Friday, November 20, Brisbanites can mosey down to the Queen's Wharf precinct, where the overwater watering hole sits between the QUT Gardens Point CityCat stop and the Goodwill Bridge. On the menu: coffees during the day, cocktails after work and bites to eat from morning till evening. You can start with a fruit bowl or ham and cheese croissant before 11am — and then snack on chipotle crab buns, roasted king prawns, oyster and mussel-filled platters, scallops with bechamel sauce, and four types of pizza. Yes, seafood is a big feature. For dessert, there's even a chocolate peanut butter pizza, which comes topped with strawberries and marshmallows. And, as for what you'll be sipping, the drinks lineup also includes smoothies, wines, spritzes, Queensland beers, and other boozy concoctions such as espresso martinis, lime and lemongrass margaritas, and a 'State of Origin negroni'. Obviously, you'll be consuming all of the above with scenic views over the river to South Bank. Will & Flow is available for events, too, which'll benefit from the same waterside vantage. Visitors can choose between both indoor and outdoor seating, and the latter is bound to be mighty popular. That said, in line with current social-distancing requirements, visitors won't have too much company to start with, with the bar catering to 130 patrons either seated or standing up cocktail-style. The overwater bar is the second to open in Brisbane's inner city in the past couple of years, following Mr Percival's over at Howard Smith Wharves — aka the last big new precinct to open its doors. Find Will & Flow in the Queen's Wharf precinct, between the QUT Gardens Point CityCat stop and the Goodwill Bridge — open Thursdays from 6.30am–9pm, Fridays and Saturdays from 6.30am–10pm, and Sundays from 6.30am–9pm.
Genuine medical condition or convenient excuse for bad behaviour? Sex addiction has become a controversial affliction, but Thanks for Sharing comes firmly down on the former side of the argument. The directorial debut of Stuart Blumberg, who also co-wrote the Oscar-nominated screenplay for The Kids Are All Right, explores the travails of a number of sufferers linked by their attendance at a sex addicts support group. The youngest member of the group is Neil (Josh Gad), who ruins his promising career as an emergency room doctor when he is caught filming up the skirt of his supervisor. After he appears in court on sexual harassment charges, he is directed to attend the support group for his addiction, where he meets the slick, charismatic Adam (Mark Ruffalo) and the group's de facto leader, the somewhat smug Mike (Tim Robbins), a middle-aged man who has battled multiple addictions and come out the other side with a beatific demeanour and a gentle cynicism. Low on self-esteem and fond of lying and defensive wise-cracking, Neil initially struggles to complete the work prescribed by the group, but is forced to confront the truth of his situation when he is adopted as something of a mentor to a new recruit to the group, the self-destructive Dede (Pink, credited as Alecia Moore). Meanwhile, Adam starts seeing the driven Phoebe (Gwyneth Paltrow), but is reluctant to reveal his past after she tells him her last relationship disintegrated because her ex was an alcoholic. Adam seeks guidance on this new development from Mike, whose estranged son Danny (Patrick Fugit), is suddenly back in town. Danny has battled a drug addiction but views the group therapy with suspicion and even hostility, leading to an uneasy truce with Mike, who suspects his son may not be as rehabilitated as he claims. Not everything in Thanks for Sharing works — a subplot involving Adam's ex-girlfriend Becky (Emily Meade) is a melodramatic misfire. It also has a curiously dated look and an often daggy sense of humour at odds with the potentially edgy material. Yet there's much to admire here, including the strong central storyline and the committed performances. Josh Gad, recently the only good thing in the disastrous Jobs, is again terrific, while pop star Moore is an absolute revelation, bringing both a convincing toughness and a poignant vulnerability to the role of Dede. While Thanks for Sharing doesn't shy away from the potentially life-wrecking consequences of its characters compulsions (a scene where Mark Ruffalo fights his urges in a hotel room is particularly effective), ultimately this is a much softer film than the similarly themed Shame. That's not a failing however; more a reflection that Blumberg's film is just as interested in the makeshift community that forms amongst the addicts as the often harrowing details of their addictions. https://youtube.com/watch?v=1jg6oroeg7s
For an art gallery that has garnered recognition by showing the remnants of a suicide bomber made from dark chocolate and X-rays of people having sex, it seems unsurprising that the first art and music festival from Hobart's Museum of New and Old Art would be entirely unconventional and a bit of an enigma. Dark MOFO is an 11-day celebration of art in its many splendid forms. You could describe it as a world-class music festival featuring such local and international superstars as The Presets, Martha Wainwright, You Am I and The Drones. But Dark MOFO is much, much more than your garden-variety music festival; MONA is offering a full-on assault of the senses with a smorgasbord of concerts and performances, interactive artworks and giant installations popping-up all over Hobart. There is Canyons and visual artist Daniel Boyd's audiovisual extravaganza 100 Million Nights, a curated film festival at the State Cinema, the new MONA exhibition Red Queen and even a massed nude swim on the night of the Winter Solstice. According to creative director Leigh Carmichael, these performances and artworks will celebrate the very thing Hobart is most reviled for: the cold and dark. Oh and did we mention that MONA is offering $100,000 worth of free flights? In order to attract interstate visitors, MONA have promised to pay for roughly 600 return flights to Hobart, ensuring that this groundbreaking new festival can be enjoyed by art enthusiasts across the country. Dark MOFO will run from June 13-23, with new exhibitions, performances, locations and general mayhem being announced almost weekly from the Dark MOFO website. Check it out to find out more about the festival and apply for your own free return flight to Hobart.
Greater Sydney, all of Victoria and the entirety of South Australia are currently in lockdown; however, since southeast Queensland's last stint of stay-at-home conditions ended in early July, the Sunshine State has avoided the same fate over the past few weeks. But, that doesn't mean that life has completely returned to normal. Some restrictions remain in place, masks are still required in Brisbane and, due to a positive COVID-19 case that visited the city from Sydney while they were infectious, the list of exposure sites is growing again. You know the drill from here, because naming locations and venues that positive coronavirus cases have visited is key element of Queensland's containment strategy, and has been since early 2020. The list has been expanding in recent days, and includes one big and notable venue — one that's been named an exposure site a few times now. Westfield Chermside, aka the biggest shopping centre in Brisbane's north, is the highest-profile location to join the list over the weekend. A positive case visited Chermside on Thursday, July 15, Tuesday, July 20 and Friday, July 23, with several specific shops within the centre identified as exposure sites. On Thursday, July 15, three barber shops are listed: Tommy Gun's from 12.62–12.58pm, Jimmy Rod's from 12.58–1.09pm and Col Naylor between 1.09–1.30pm. Healthyworld Pharmacy on level one is also listed on the same date, between 1.45–2.10pm. All four venues are close contact spots, which means that you need to get tested ASAP and then self-isolate, regardless of whether you receive a negative result, until you're advised otherwise by Queensland Health. Also falling into the same category: the men's department in David Jones on Friday, July 23, between 10.40–11.20am. https://twitter.com/qldhealthnews/status/1419235604122849285 A number of locations at Chermside also come under the casual contact category, which requires getting tested ASAP and then self-isolating until you receive a negative result. That applies to the St George Bank ATM on Thursday, July 15 from 12.45–1.15pm, all of David Jones excluding the men's department on Friday, July 23 between 10.40–11.20am, and the Little Sparrow Cafe from 12–1pm on Friday, July 23. And, if you were just at the shopping centre at all on Thursday, July 15, Tuesday, July 20 and Friday, July 23, you're a low-risk contact — and you must get tested, but self-isolation is only necessary if you have symptoms. Other places of note currently named as exposure sites include Niku Ramen, the Prince of Wales Hotel and Burger Urge in Nundah, as well as Woolworths in Banyo — for the full list, head to the Queensland Health website. As always, the usual advice regarding COVID-19 applies anyway. So, requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms in general are still in effect, as they have since March 2020. Queensland currently has 26 active cases as last reported on Sunday, July 25. For more information about the status of COVID-19 in Queensland, head to the Queensland COVID-19 hub and the Queensland Health website. Top image: Google Maps.
If you've never been interested in silent films, this Spanish production might change your mind — and if they are your taste, you'll be pleasantly surprised. Blancanieves, which translates to 'Snow White', is a unique interpretation of the classic Grimm Brothers fantasy. Set in Andalusia, Spain during the early 1900s when bull fighting, flamenco and romance were at their best, the film expresses all the gusto and passion of Spanish culture — even without those sultry words. The protagonist of the story is Carmen (Macarena García), the daughter of famed matador Antonio Villalta (Daniel Giménez Cacho). On the same fateful day, Antonio is injured in a bullfight and Carmen's mother dies whilst giving birth to her. Carmen, who is raised by her grandmother until her death, goes to live with the paralysed Antonio, and his nurse-turned-wife, Encarna (Maribel Verdú). As her evocative name implicates, Encarna runs a house of horrors, treating her husband and stepdaughter with cruelty while masking her own bizarre fetishes. According to the traditional story, the stepmother is insanely jealous of the budding beauty and tries to do away her. Of course, our heroine survives (with a little amnesia) and is taken in by a group of travelling dwarves who nickname her 'Blancanieves'. By accident, it is discovered that Carmen has her father's knack for bullfighting. They travel around Spain as she stares down bulls in a gladiatorial yet glamorous fashion, most notably in an emotive last torero. Dubbed "a love letter to European silent cinema", by director Pablo Berger, Blancanieves had been in his heart for quite some time. Inspired by a photograph of bullfighting dwarves, Berger started on the project in 2003. Eight years later, he got wind that The Artist, another black-and white silent film, had premiered at the 2011 Cannes Film Festival. "I almost threw my phone against the wall," he told the Guardian. The high concept was gone." If he worried that Blancanieves would look like a copycat of the Oscar winning Artist, I disagree. As do copious others; the film received ten Goya awards (the equivalent of the Spanish Oscars). Blancanieves has all the qualities of a classic silent film but with a fresh twist that keeps our modern minds guessing. By incorporating Hitchcock-type cinematography, Berger crafts a beguiling version of the traditional story that is in turns melancholy, eerie and erotic. His cast of devastatingly beautiful Spanish beauties, such as Verdú (from Y Tu Mamá Tambien and Pan's Labyrinth), makes us swoon with every lash bat and tear roll. The roles of the dwarves are also unexpected — possibilities for betrayal and even romance can be found. So if you're looking forward to a debonair don of a prince charming in this story, forget it. But with a fantastically ambiguous ending that will have you wanting more, his is a part that's hardly missed. https://youtube.com/watch?v=HanTDiiZLpg
For one week each September, Brisbane becomes Australia's live music capital. When BIGSOUND hits the city, it seems like every venue in Fortitude Valley is packed to the rafters with bands, industry folks and music-loving punters, all enjoying the latest and greatest the country's music scene has to offer. And given this year's complete lineup, expect that to be the case once again. This year, BIGSOUND will play host to 147 acts across 18 venues between September 3–6. As always, it's a hefty bunch. Mojo Juju, These New South Whales, Adrian Eagle and Cry Club join a bill that already includes the likes of Bad//Dreems, Electric Fields, SCABZ, Outright, Milan Ring, LOSER, Tones & I and Tasman Keith, plus EGOISM, Stevan, Laura Imbruglia and Concrete Surfers. Yes, the list goes on. Attendees can expect to get cosy in smaller spaces including Black Bear Lodge and Heya Bar, tap their toes at big stages like The Zoo, The Brightside, and Crowbar, and enjoy the night air at outdoor spots such as The Valley Drive In, The Elephant Hotel and Ric's Big Backyard. And, on the talking heads front, this year's guests include keynote speaker Terry McBride, CEO and co-founder of Nettwerk Music Group, which includes Canada's largest independent record label, artist management and music publishing company; British TV and radio presenter Abbie McCarthy, from BBC Music Introducing, Radio 1 & 4 Music, and Good Karma Club; and ultra dedicated Fyre Festival producer Andy King. This is a conference as well as a festival, after all — although, you can choose to hear wise words of wisdom, dance all night, or both. Past BIGSOUNDs have showcased everyone from Gang of Youths, Flume, Tash Sultana and Courtney Barnett to San Cisco, Violent Soho, Methyl Ethel and The Jungle Giants, so its program is usually a very reliable bellwether of current and up-and-coming talent. Even better — the festival's four-night $85 (plus booking fee) Rainbow Pass nabs you access to 270 music showcases at the 18 venues. To view the full BIGSOUND 2019 lineup, visit the event's website. BIGSOUND 2019 runs from September 3–6 at various venues around Fortitude Valley, Brisbane. For further details, visit bigsound.org.au. To discover what to do, see, eat and drink while visiting Brissie for the annual event, check out our weekender's guide to Brisbane during BIGSOUND.
Transcendence feels like a movie out of time. For one, it seeks to pack far too much into its 119-minute run-time, but — more to point — it feels like a movie that's 14 years too late, and not just because it specifically references Y2K without any irony or reminiscence. Set in the 'could be today, could be tomorrow, but in no way distant' future, it concerns itself with married couple and MIT-supergraduates Will and Evelyn Caster (Johnny Depp and Rebecca Hall). They, along with friends and colleagues Max (Paul Bettany) and Joseph (Morgan Freeman), are amongst the world's leading engineers in the pursuit of a fully functioning, self-aware artificial intelligence. Opposing them is a group of militant luddites operating under the banner of 'Unplug', which again — in the age of wireless — seems markedly dated for such a forward-thinking movie. When these 'Unpluggists' (as they're definitely not called) launch a series of coordinated attacks against AI-focused research centres, Will winds up mortally wounded, albeit in a manner so unnecessary and bewildering that it's a genuine mystery how and why it was ever included in the plot. As his final days draw near, Evelyn decides to upload his consciousness to a mainframe in the hope that he can live on inside the machine. It's at this point that things turn bad for both the characters and the film. The compelling ethical questions raised in the first act largely fall away, dismissed with the apathetic resignation of 'oh well, we went and did it so what does it all matter now?' As Will's intelligence rapidly surpasses that of humanity's — a theoretical moment known in conventional science as 'the singularity' and in the film as 'transendence' — his aspirations and ideas become, just like the movie, too broad, too incorporeal and too numerous. Moments of extraordinary innovation and emotion, such as the bestowing of sight upon a man who'd only ever known blindess, are shown and then dispensed with absent almost any sentimentality or drama. It's not that any of the ideas are necessarily bad, it's just that any one or two of them would have made for an excellent film, whereas all of them combined prove little more than a confusing and threadbare mess. The glue that binds it all together is the delightful Rebecca Hall, whose performance as the dutiful, then grieving, then wilfully blind accomplice to Will's increasing 'transcendent interventionism' instills some much-needed humanity to the film. Her stubborn refusal to acknowledge the possibility of confirmation bias in believing the AI she's interacting with is anything but her dead husband is both moving and unsettling, demonstrating how important objectivity is in any scientific pursuit, let alone one with global implications. The recent, exceptional Her raised many of the same questions relating to artificial sentience, and — to put it plainly — did it much better. Given the rate of technological advancement, there's an undeniable sense of inevitability when it comes to the singularity, and doubtless we'll soon see many more films exploring the possibilities (and dangers) of blurring the lines between man and machine. The issues are genuinely fascinating, though future films would do well to learn lessons from Transcendence and explore just one of them instead of all of them. https://youtube.com/watch?v=QheoYw1BKJ4
When a hit show comes to an end, the network behind it often tries to fill the gap with something similar. It's the situation that HBO found itself in last year when Game of Thrones wrapped up, with the US cable channel quickly launching new fantasy series His Dark Materials and committing to making a GoT spinoff called House of the Dragon. And, with Big Little Lies looking like it's also all done and dusted, the station seems to be in the same predicament in the star-studded murder mystery genre as well. Enter The Undoing. Starring Nicole Kidman, and written and produced by Big Little Lies' David E. Kelley, it's definitely a case of HBO sticking with what they know. Kidman plays a successful therapist who appears to have the perfect life, with a loving husband (Hugh Grant), a son (Honey Boy's Noah Jupe) attending an elite school and her first book about to be published. Then a violent death sparks a chain of revelations that shatters her life as she knows it. Also part of the plot, as seen in both the show's first teaser and its just-dropped new sneak peek: a missing spouse, plenty of public attention, a heap of interrogations and a plethora of tough choices for Kidman's Grace Fraser. It'll all play out as a once-off limited series — although that was originally the case with Big Little Lies before it came back for a second season. Based on the novel You Should Have Known by Jean Hanff Korelitz, The Undoing also features The Burnt Orange Heresy's Donald Sutherland and American Crime Story: The Assassination of Gianni Versace's Edgar Ramirez — with Bird Box director Susanne Bier behind the camera on every episode, just as she was on excellent Emmy-winning mini-series The Night Manager. As for when you'll be able to watch it, it was originally set to premiere in the US sometime in May; however now it'll launch on October 25. In Australia, it'll screen on Foxtel and Foxtel Now — with an exact release date Down Under yet to be revealed. Check out the latest teaser below: https://www.youtube.com/watch?v=j9lhC1tNIXg The Undoing is set to screen on HBO in the US from October 25, with air dates Down Under yet to be announced. We'll update you when further details come to hand. Top image: Courtesy of HBO.
Money can't buy you love, as four mop-topped Brits first sang 59 years ago, but it can buy you tickets to see the music legend who wrote one of the catchiest pop tracks ever released — and co-performed it — play it live in Australia. When Paul McCartney heads Down Under this spring, he'll have a wealth of material to choose from. One of his favourite openers: 'Can't Buy Me Love'. Hitting our shores for the first time since 2017 on his Got Back tour, McCartney will work through a massive catalogue of hits from his time in The Beatles, Wings and also across his solo career on a six-city stint around the country. Arenas and stadiums will welcome Sir Paul, starting at the Adelaide Entertainment Centre on Wednesday, October 18, then heading to Melbourne's Marvel Stadium, Newcastle's McDonald Jones Stadium and Allianz Stadium in Sydney before the month is out. Then, to kick off November, McCartney will take over Brisbane's Suncorp Stadium and finally Heritage Bank Stadium on the Gold Coast. This tour will mark the Beatles icon's first-ever Newcastle and Gold Coast shows, and also commemorate almost six decades since the band that helped McCartney make history famously toured Australia in 1964 amid a wave of Beatlemania. In Adelaide all of those years back, it's estimated that 350,000 people lined the streets to get a glimpse of the group, packing the stretch between the airport and Town Hall. McCartney's Got Back setlist has featured everything from 'Hey Jude', 'Let It Be' and 'Ob-La-Di, Ob-La-Da' to 'Love Me Do', 'Blackbird' and 'Got to Get You Into My Life' from The Beatles across its stops so far. Yes, 'Get Back' gets a whirl. Wings tunes 'Live and Let Die', 'Band on the Run', 'Letting Go' and 'Junior's Farm' usually pop up, too, as does McCartney's own 'Maybe I'm Amazed'. The Got Back tour kicked off in the US in February 2022, wrapping up last year's run with a massive Glastonbury set. McCartney now brings his usual band — keyboardist Paul 'Wix' Wickens, bassist and guitarist Brian Ray, fellow guitarist Rusty Anderson and drummer Abe Laboriel Jr — our way after picking up a Helpmann Award for Best International Contemporary Concert for his last visit. PAUL McCARTNEY 'GOT BACK' TOUR 2023 DATES: Wednesday, October 18 — Adelaide Entertainment Centre, Adelaide Saturday, October 21 — Marvel Stadium, Melbourne Tuesday, October 24 — McDonald Jones Stadium, Newcastle Friday, October 27–Saturday, October 28 — Allianz Stadium, Sydney Wednesday, November 1 — Suncorp Stadium, Brisbane Saturday, November 4 — Heritage Bank Stadium, Gold Coast Paul McCartney tours Australia in October and November 2023, with Telstra Plus members pre-sale tickets from Thursday, August 3, Frontier members pre-sale ticketing available from Wednesday, August 9 and general tickets from Friday, August 11 — all at staggered times. Head to the tour website for further details. Images: MPL Communications.
It's only a few years young, but Australia's most inclusive music festival just keeps getting bigger and better. Case in point: Ability Fest just announced the jam-packed lineup of artists that'll be joining in the fun for its next instalment on Saturday, March 25 — and it's a cracker. Leading the talent firing up the crowds at Melbourne's Birrarung Marr this autumn: Aussie hip hop legends Hilltop Hoods, dance duo Mashd N Kutcher and ARIA Award-winning songstress Sampa the Great, along with names like Paris, Meg Mac, DZ Deathrays, Linda Marigliano and dameeeela. Unfolding across two stages, including one devoted to dance acts, there's something on this program for all kinds of music fiends — with SHOUSE, Telenova, Juno Mamba, Mulalo and Latifa Tee just some of the other artists who'll be working their magic at Ability Fest 2023. The brainchild of 2022 Australian of the Year Dylan Alcott and Untitled Group (the crew behind Pitch Music & Arts and Beyond the Valley), Ability Fest is carefully designed to be completely accessible and as inclusive as they come. It'll feature ramps and pathways for easy access, Auslan interpreters working alongside the artists, and elevated platforms to give everyone a shot at seeing the stage. Plus: quiet zones, a dedicated sensory area, ticketing for companions and accessible toilets. And tickets start from $89. During its life, the not-for-profit fest has raised close to $500,000 for the Dylan Alcott Foundation, while continuing to dish up primo live tunes and music experiences to Aussies of all abilities. "I'm so proud to see the path Ability Fest has already paved for inclusive events across the country," says Alcott. "First and foremost, our main priority is to create a kick-ass festival that happens to be accessible. And that's something I think we've achieved since launching in 2018." Here's the full lineup: ABILITY FEST 2023: Alex Lahey Alter Boy BROODS Daine Dameeeela DJ Cooper Smith DZ Deathrays Hilltop Hoods Juno Mamba Latifa Tee Linda Marigliano Mashd N Kutcher Meg Mac Mulalo PARIS Sampa the Great SHOUSE Telenova The Journey Tiff Cornish Tyson O'Brien YO! MAFIA Ability Fest 2023 will hit Birrarung Marr in Melbourne on Saturday, March 25. Pre-sale tickets are available from 6pm AEDT on Monday, January 23 (register online), with general tickets selling online from 12pm on Tuesday, January 24.
The world's most famous and adored graffiti exponent, Banksy, has brought his style to America, beginning a month-long 'residency' on the streets of New York City. The British-based artist announced his 'Better Out Than In' exhibition on his website two weeks ago, and his attempt to host an entire show on the city's streets started on Tuesday, October 1. His appearance in the city that never sleeps has created quite a stir. He appears to be creating a new work each day, opening with 'Manhattan', a stencil of two young children disregarding a sign declaring 'graffiti is a crime' and following up with the above artwork, titled 'Westside', written in his New York accent. The titles clearly hint at the location of the works and, combined with Twitter, allow his fans to track them down before they are vandalised or whitewashed (as was the case with 'Manhattan'). Perhaps most enjoyable for those able to visit the works is the availability of an audio guide. Each stencil is accompanied by a toll free number to call that provides a description of the work. In true Banksy fashion, it does not take itself too seriously, with one informing us that graffiti is "from the latin graffito, which means graffiti with an o". You can keep track of the exhibition on his website or Instagram throughout October and enjoy Banksy's brilliance. Alternatively, fly to New York and take them in first hand. We certainly would if we had the cash. Via Fast Co.Create.
UPDATE: JUNE 26, 2020 — Since publication of the below, Coles has also reintroduced nationwide restrictions at all supermarkets, express stores and online. The new limits include one pack per customer of toilet paper and paper towel. Further limits are in place at Victorian supermarkets and those on the NSW border. Everyone remembers the great supermarket chaos of just a few months back, when stores looked like post-apocalyptic film sets, people were everywhere but shelves were bare. And, as a response to the huge onslaught of panic-buying when the COVID-19 pandemic first hit — with shoppers hoarding everything toilet paper and hand sanitiser to pasta and milk — we all remember the item limits put in place by Aussie chains. Two months after local supermarkets started to lift those caps (and after the great bog roll crisis of 2020 seemed like it was over), Woolworths is now reintroducing restrictions — on toilet paper and paper towel. It seems that whenever COVID-19 cases start to spike, Aussies just can't stop stocking up on absorbent paper. Indeed, announcing the news today, Friday, June 26, Woolies advised that the decision follows "a recent surge in demand across different parts of the country". Toilet paper and paper towel will now be limited to two packs per transaction, with the caps in place across the entire nation. On Wednesday, the supermarket chain reintroduced restrictions in Victoria on other everyday items such as flour, sugar, pasta, rice, mince, long-life milk and eggs, too, and Coles followed suit — however Woolies' bog roll and toilet paper rationing is now going country-wide. Explaining the national rollout, Woolworths Supermarkets Managing Director Claire Peters noted that Woolies has "regrettably started to see elevated demand for toilet roll move outside Victoria in the past 24 hours. While the demand is not at the same level as Victoria, we're taking preventative action now to get ahead of any excessive buying this weekend and help maintain social distancing in our stores." The key words: 'preventative action'. Woolies stresses that there's no current shortage, it has plenty of stock and it has just ordered 650,000 additional packs — increasing its usual order by more than 30 percent of its usual volumes. Given Australia's TP-buying frenzy back in March, though, you can understand why the supermarket is both stocking up and limiting customer purchases. No end date has been given, with the restrictions in place for the foreseeable future. "The sooner we see buying patterns return to normal levels, as was the case throughout May and most of June, the quicker we'll be able to wind back limits," said Peters. https://twitter.com/VicGovDHHS/status/1276037207174889472 Woolies' actions — and the renewed clamouring for the one item no Australian seems to be able to live without — comes in response to Victoria's recent spike in COVID-19 numbers over the past couple of weeks, with new cases on the rise in the state and community transmission levels increasing. As the Australian Health Protection Principal Committee (AHPPC) noted in a statement on Sunday, June 21, 83 percent of Australia's newly confirmed COVID-19 cases over the week prior were in Victoria. Of those 116 new Victorian cases in total, 87 "are largely associated with community transmission". The rising Victorian case numbers have already sparked action at the state government level. Victoria's State of Emergency has been extended for four more weeks, and Premier Daniel Andrews also announced the tightening of some gathering restrictions — reintroducing smaller caps on at-home groups, gatherings out of the house and the numbers of patrons allowed in venues. The state has also singled out ten Melbourne suburbs as hotspots, and is implementing a testing blitz over the next ten days. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. For more information about Woolworths' reinstated limits on toilet paper and paper towel, head to the supermarket's website.
No matter how you feel about the Super Bowl, American football's night of nights for 2023 is a dream for Vin Diesel fans. Before and during the big game each year, film studios unleash their latest sneak peeks at some of the upcoming year's huge movies. And this year, that's included a first trailer for Fast X in the days leading up to the match, plus a mid-game new look at Guardians of the Galaxy Vol. 3. If a franchise features Diesel, does it have to go heavy on family and last rides? According to both glimpses at both films, yes, yes it does. When Guardians of the Galaxy Vol. 3 soars into cinemas in May, it's poised as a hefty farewell for Marvel Cinematic Universe's ragtag space-hopping superhero — and the current trailer makes that plain. When this threequel arrives, it will have been six years since 2017's Guardians of the Galaxy Vol. 2, although they popped up in Thor: Love and Thunder and The Guardians of the Galaxy Holiday Special in 2022. Here, Peter Quill aka Star-Lord (Chris Pratt, Jurassic World Dominion), Mantis (Pom Klementieff, Westworld), Drax (Dave Bautista, Knock at the Cabin), Groot (Vin Diesel, Fast & Furious 9), Nebula (Karen Gillan, Dual) and Rocket (Bradley Cooper, Nightmare Alley) have been settling into life in Knowhere, but then Rocket's past upends their fresh status quo. There's no Kevin Bacon in either the new trailer or 2022's first sneak peek, or likely in the movie, but there is the return of another familiar face — Gamora (Zoe Saldana, Avatar: The Way of Water) — because Vol. 3 is serious about getting the team back together. Off-screen, that includes usual writer/director James Gunn (The Suicide Squad), after a chaotic few years that saw him fired by Marvel, then make the switch to the DC Extended Universe, where he's now actually co-chairman and co-CEO of DC Studios. Gunn returned to the MCU, however, for the holiday special and Vol. 3. The new film picks up after the festive episode, after the rest of the MCU's mayhem over the past few years, and with Quill still coping with big events. Even with Gamora (Zoe Saldana, Avatar: The Way of Water) back, that isn't as straightforward as it sounds. Also returning is Sean Gunn (The Terminal List) as Kraglin, while Bodies Bodies Bodies and Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan's Maria Bakalova voices Cosmo the Spacedog as she did in The Guardians of the Galaxy Holiday Special. Plus, Will Poulter (Dopesick) joins the cast as Adam Warlock — and Chukwudi Iwuji (Peacemaker) as The High Evolutionary. Check out the latest trailer for Guardians of the Galaxy Vol. 3 below: Guardians of the Galaxy Vol. 3 releases in cinemas Down Under on May 4, 2023. Images: Marvel Studios. © 2022 MARVEL.
What's better than one Gelato Messina sweet treat? Twenty-four days of them, all in chocolate form with each one hiding behind tiny numbered windows. In 2022, the cult-favourite dessert brand launched its first-ever advent calendar, much to everyone's delights — and it's bringing it back in 2023. Even if you're not the biggest fan of Christmas, this is festive news worth celebrating. So, 'tis the season to be jolly, and to also enjoy opening miniature cardboard doors and eating the goodies within. First, the sad news for ice cream lovers: Messina's advent calendar won't need to be stored in your freezer, because it isn't filled with gelato. Next, the still-tasty news: it does come stuffed with Messina's delicious chocolate bites. (And it is recommended that you keep it in a cool, dark place, or in the fridge.) So, you can now spend the first 24 days of December feasting your way through gingerbread men, fruit mince tart choccies, pastry-choc clusters, pralines and pâte de fruits — plus other Messina wares. That's all that the chain is officially giving away, because part of the whole advent calendar setup is getting a surprise daily. That said, you can also expect to find little chocolate candy canes and snowmen among the sweets. Handmade by Messina's in-house chocolatiers, every chocolate in the custom advent box is different — and, like all Messina specials, there's only a limited number available. Thankfully, there's more on offer than in 2022, when the 300 that were made were snapped up quicker than Santa eating cookies (well, as you believed when you were a kid). The gelato chain realises that plenty of people want its advent calendars, releasing a bigger number in 2023. Christmas fiends (and chocolate lovers) will need to order on Monday, October 9, for pick up from Friday, November 24–Sunday, November 26. (Yes, that does mean you'll need to exercise some self-control for a few days, to stop yourself breaking open the calendar as soon as it's in your hot little hands.) As with the brand's other limited-edition treats, this one is doing staggered on-sale times. Accordingly, folks in Queensland and the ACT are able to purchase at 9am AEDT and Victorians at 9.15am AEDT, with New South Wales customers are split across three times from 9.30–10am AEDT depending on the store. Gelato Messina's advent calendar goes on sale on Monday, October 9 from 9am AEDT, for pick up from Friday, November 24–Sunday, November 26. For more information, head to the Messina website.
Once known as New Buffalo, Sally Seltmann's collaborated with Feist, Beth Orton, Jim White (Dirty Three), Holly Throsby, Sarah Blasko and hubby Darren Seltmann (The Avalanches). And now the singer-songwriter can add another feat to her CV — her fourth full-length album. Out on February 28 through Caroline Label Services, Hey Daydreamer will coincide with a round of Australian tour dates. The intimate performances will see the Sydney muso return from her new home in LA to play alongside multi-instrumentalist Bree van Reyk, and opening act Wintercoats, Melbourne's orchestral pop pedlars. Check out the mesmerising animated video for 'Catch of the Day', the first single from Hey Daydreamer, below. Running all through April, Seltmann's tour will reach Kincumber, Sydney, Katoomba, Brisbane and Melbourne. Tickets available through each venue. Sally Seltmann's 2014 Tour Dates: Thursday April 3 – Lizottes, Kincumber Friday April 4 – The Vanguard, Sydney Saturday April 5 – The Clarendon Hotel, Katoomba Thursday April 10 – Black Bear Lodge, Brisbane Friday April 11 – Caravan Music Club, Oakleigh, Melbourne Sunday April 13 – Kelvin Club, Melbourne https://youtube.com/watch?v=aeYWAuHsMEQ
It's not unusual for people to dress as their favourite pop culture icons on Halloween, or to a themed party. However, one couple have taken their love for Star Wars to a different level by dressing up as the movie's characters for their engagement shoot. The photos include the couple dressed in dark cloaks and face paint, carrying lightsabers, and lurking cautiously through the woods as if they are about to be attacked by a savage mob of Wookies. Photographer Michael James said that the couple initially wanted a traditional engagement shoot, but as the conversation progressed their ultimate desires began to show. "We figured out that while I’m more of a Trekkie, their love of all things Star Wars totally surpassed my love of Star Trek,” he said. “So we incorporated their ideas into the shoot. I didn’t think the bride-to-be would actually wear the make-up, but she seriously showed her true colors and went for it. The shoot was shot in the Santa Cruz Mountains. Mountain bikers and hikers passed us and everyone thought it was great,” he continued. It's fair to say that I would have been slightly intimidated if approached by a hooded figure wielding a lightsaber in the deserted woods. This photoshoot proves that the best way to celebrate your romance is through a mutual love for a film/TV show. I'm just waiting on the engagement photos with characters from the The Simpsons and Jersey Shore.
Ahhh! The Neverending Story – the go-to movie for any child of the 80s. I have many fond memories of watching this film on repeat as a kid. It was considered by us all to be ‘The Greatest Movie of All Time’. That is until you watch it again as an adult… If I may pass on some wisdom, just don’t do it, keep those memories safe. For the uninitiated, The Neverending Story is about a young boy, Bastian, who can’t seem to keep his feet on the ground. When he discovers a dusty old novel called The Neverending Story, he becomes so caught up in the mystical world of Fantasia and its fantastical creatures that the borders between story and reality begin to blur into one. Bastian goes on a journey to help save Fantasia from ‘the Nothing’, which is destroying everything that comes into its path. The perfect way to relive your past without tainting the good times is to head over to QPAC to see their latest stage production for a fresh take on this classic fantasy. There will be laughter, there will be tears, but most importantly you will be keeping your inner child alive without destroying all that you thought was good in the world.
The eighth season of Game of Thrones won't hit our screens until 2019 — and while waiting it out might just be the less-frosty equivalent of facing a White Walker, there's something more painful in store. As you probably already know and have tried to forget, the next run of episodes will be the show's last. That said, HBO isn't letting go of its hugely popular commodity completely While we'll all be saying goodbye to Jon Snow, the scheming Lanisters, and Daenerys and her dragons when the series wraps up, Westeros isn't going anywhere. Last year, the US network announced it was considering five different prequel ideas, and it's now doing more than that, greenlighting a pilot for a spinoff set thousands of years before the events of Game of Thrones. Co-created by A Song of Ice and Fire author George RR Martin with British screenwriter Jane Goldman (Kick-Ass, X-Men: First Class, X-Men: Days of Future Past, and the two Kingsman movies), the unnamed series will chronicle "the world's descent from the golden Age of Heroes into its darkest hour", Variety reports. Although HBO have only agreed to make an initial episode to test the waters, you don't have to be the Three-Eyed Raven to see that it's highly likely the show will get the final go-ahead. If/when that eventuates, expect to start feasting on your new favourite show in 2020 at the earliest. Via Variety.
Huge music festivals have largely been on pause over the past 15 months or so, including one of the biggest there is: Coachella. The 2020 event was less than a month out from its April dates when it postponed until October due to COVID-19 — and then, a few months later, it cancelled last year's fest completely. The aim was to return in April 2021 instead; however, unsurprisingly, that didn't happen either. But now the event has announced that it's planning to make a comeback in April 2022. Mark April 15–17 and April 22–24 in your diaries and, if you'd like to cross your fingers and hope that Australians will be allowed to travel internationally by then, mark Friday, June 4 as well. The latter date is when advanced tickets will go on sale. At the moment, it's expected that the Australian border won't open until mid-2022, so if you are keen to snap up a ticket, you obviously need to factor in the reality that you mightn't be able to use it. Music lovers will be able to watch along from home, though, with Coachella once again teaming up with YouTube to live-stream the festival. That's no longer such a novelty in these pandemic times, given that streamed live music has been one of the industry's coping mechanisms of late. Splendour in the Grass is even going virtual this July, ahead of its IRL fest in November. Still, given the calibre of Coachella's usual lineup, there'll be plenty of bands tempting your eyeballs. View this post on Instagram A post shared by Coachella (@coachella) No lineup details have been revealed as yet. So, if you're wondering whether 2020's planned headliners — that'd be Frank Ocean, Rage Against the Machine and Travis Scott — will feature next year, there are no answers yet. In the interim, you can still check out the free YouTube documentary Coachella: 20 Years in the Desert, which does an entertaining — albeit highly official, and therefore highly celebratory — job of exploring the fest's origins, growth and success. The doco also includes some killer performance footage, highlighting performers who've graced the Indio stage over the past two decades, such as Jane's Addiction, Bjork, Daft Punk, Madonna, Amy Winehouse, Beyonce and Prince, plus Tupac in hologram form. Coachella will take place April 15–17 and April 22–24, 2022. For further information, or to access the pre-sale from Friday, June 4, visit coachella.com.
Are you the kind of person who starts plotting your next meal before you've even finished the last? Love eating more than anything else? Well, you can get right to the guts of our global food obsession when culinary legend Nigella Lawson hits Aussie shores, joining social psychologist and author Hugh Mackay for two special conversation events this January. Hosted by The School of Life in Sydney on January 22 and Melbourne on January 24, Nigella Lawson On Why Food Matters will have audiences diving deep into the concepts surrounding food and its links to pleasure, creativity and belonging. The renowned celebrity chef will share insight into her philosophies on life and food while Mackay dishes up some of his own research finds, exploring rituals, our dependence on fast food, and the idea of food as a sort of therapy — whether that involves cooking up a storm, sharing a feed, or simply stuffing your face. Sink your teeth into some enlightening chat about social food trends and learn a little something about your own eating habits in the process. Those feeling inspired will also be able to grab a copy of Lawson's new book, At My Table. Catch Nigella Lawson On Why Food Matters at The School of Life Sydney on Monday, January 22, 118-132 Enmore Road, Newtown. It'll also take place on Wednesday, January 24, at The Melbourne Convention and Exhibition Centre, Plenary 2, 1 Convention Centre Place, South Wharf. You can buy tickets at theschooloflife.com.au.
One of Australia's largest contemporary multi-arts centres has gone into voluntary administration as the industry is hit hard by the COVID-19 pandemic. After being forced to close in late March and standing down almost half its core staff in mid-April, Carriageworks in Sydney's inner city has this morning, Tuesday, May 5 announced the appointment of Phil Quinlan and Morgan Kelly of KPMG as its administrators. In a statement, the Eveleigh multi-arts centre said, "the sudden cancellation or postponement of six months of activities due to restrictions on public gatherings has resulted in an irreparable loss of income." Upcoming events set to take place at Carriageworks included Sydney Writers' Festival, Mercedes-Benz Fashion Week and Semi Permanent, all of which have been cancelled or postponed in line with the government's restrictions on mass gatherings. The ongoing Farmers Market, which saw up to 5000 Sydneysiders visit each Saturday, has also been put on hold during the pandemic. [caption id="attachment_716971" align="alignnone" width="1920"] Carriageworks Night Market by Daniel Boud.[/caption] On the closure, Carriageworks CEO Blair French said in a statement: "Since opening in 2007, Carriageworks has enjoyed the support of both the NSW and Federal Governments, and the generosity of its many partners and donors. With restrictions on social gatherings likely to remain in place for some time to come, the Board determined that it had no alternative but to place the company into Voluntary Administration." While Carriageworks relies partially on government funding, it generates 75 percent of its revenue from "on-site events and programs". Carriageworks administrator Quinlan said that "all options are on the table" for the future of the arts organisation, with stabilising its financial position and allowing it to "continue its important role for Australian arts and culture" being one of them. French echoed this sentiment, saying, "the Board remain hopeful that the Carriageworks facility will be able re-open to artists and community alike once NSW emerges from the effects of the current pandemic." Top image: Jacquie Manning
Any good Mexican will tell you that Mexican food is supposed to be hot. A taco without some piquante? Pfft. A mild burrito? Get out. Apparently the folk at SoCal know this, and they’ve come up with a Cinco de Mayo deal to weed out the wimps — Taco Roulette. For $16 you and your amigos can grab a plate of four tacos, three of which are your mild variety. But the fourth promises a ‘super hot’ kick we’re betting lies somewhere between that hot sauce you say you like but really you can only just handle and that pepper Homer Simpson ate that one time. A quick Google search tells me the idea is the loser pays; they’re usually easily identified by a shower of profanities or the way they break out in a sweat. This shindig is put together by SoCal and Corona, so there’ll also be $5 Coronas and Spanish and Mexican tunes playing all night, plus $10 margaritas (regular and chilli varieties) and $20 prawn and chorizo quesadillas for those who’d prefer not to run the risk of temporary tongue damage.
Pups and pints: it's a winning combination. And, it never goes out of style. Brisbanites keep going barking mad for downing beers with their doggos, so The Brightside's Barks & Brews sessions just keep coming back. Folks of the two- and four-legged variety, make another date with a few beverages. With its appropriate name, the canine-centric afternoon doesn't really need to offer up anythi12ng more than just that — but, it wouldn't be a Brighty shindig without some extra fun. Those heading to Warner Street from 12pm on Sunday, May 30 can also expect professional doggie portraits for maximum cuteness, plus cocktail specials. So grab your fluffy companion, flock to the beer garden and prepare to sink a few cold ones while enjoying Brissie's finest sunny weather (a statement that's accurate for most of the year). And, expect to spend time in the company of plenty of other dog lovers and their pooches too. BYO frisbee.
