Since opening last year, sleek Surry Hills star Nomad has made waves in Sydney's restaurant scene, boasting a sophisticated, local-focused menu and an even more notable wine list. Known for its dedication to serving exclusively Australian wine from smaller, boutique producers, wine lovers will now be able enjoy these hard-to-find wines at home with Nomad's Online Cellar Door. The service lists most of the 50-odd wines from the restaurant's main wine list and a selection from the reserve list, as well as other locally produced sparkling, rose and dessert wines. With the online range changing regularly, Nomad's Online Cellar Door is the perfect way to acquaint yourself with the impressive, if little-known, wines produced in our own backyard. In the spirit of the silly season, Concrete Playground is giving away three of Nomad's Celebration Bundles — a range of mixed half dozens sure to get your festivities into full swing. Go in the running to win a Christmas BBQ Bundle (valued at $210), or get lucky with the Cellar Reserve Selection ($489) — six of Nomad's best red wines, ready to quaff now or savour in another 20 years. For fans of sparkling, don't miss the chance to win the New Year's Celebration Selection ($199) for the ultimate NYE party, containing Prosecco, Courabyra and Arras NV. Thanks to Nomad Online Cellar Door, we're giving away three Celebration Bundles — one each week until the end of the year. Delivery within Australia is included in the prize. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address: Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
Diehard fans of The Simpsons will remember season three, episode ten — the one in which bartender Moe steals Homer's secret, cough medicine-filled cocktail recipe and starts selling it at his bar as the 'Flaming Moe'. If a cough syrup-induced haze has always sounded like your kind of fun (or you're just a huge Simpsons fan) you're in luck. This classic episode will come to life this April when the Flaming Moe's Pop-up Bar opens its doors in Sydney, Brisbane and Melbourne. It'll be an immersive experience with 'Moe' behind the bar slinging bottomless cocktails and all of the show's best characters in attendance, too. We doubt the bar's namesake cocktail will actually contain the grape-flavoured, children's cough medicine depicted in the show, but no information on the recipe has been revealed just yet. If its purist Simpsons, the drink will at least include some unholy combination of tequila, peppermint schnapps and creme de menthe — all lit on fire for good measure. For beer drinkers, Duff-inspired brew will be on tap as well. And, to round out the night, there will also be Simpsons trivia, with themed prizes up for grabs. Dates are not yet announced and details are slim, but we do know that the pop-up will open for just one day in each city. You can sign up for pre-release tickets here, which you best do because space will surely be limited.
During much of Hotel Mumbai, petrified guests and staff are trapped inside the Taj Mahal Palace Hotel, trying to flee the gunmen in their midst. Dramatising the real-life incident from 2008, first-time filmmaker Anthony Maras recreates the terror, tension and tragedy as attackers roam the hotel's halls, shooting everyone on sight — and as ordinary folks scramble to survive the violent onslaught. But in the movie's clumsiest scene, a group huddles in a locked area. Nerves and tempers fray, especially when an older woman voices racist worries about Taj Mahal Palace Hotel employees. It's a blatant learning moment, as viewers witness prejudice both lurking in and defeated by the most fraught of circumstances. It's also as heavy-handed as it sounds, and as unnecessary. Everyone is the same when their lives are under threat in such a horrific way. Everyone is the same anyway, but staring down the barrel of a gun helps hammer this realisation home among the closed-minded. While there's no doubting the validity of the film's message or the warm intentions behind it, Hotel Mumbai is so convincing when it's showing the truth of its central statement that it doesn't need to resort to shouting its sentiments in such a clumsy fashion. The details seen speak for themselves, from the senselessness of lives slain by those mercilessly seeking to incite fear, to the unwavering endurance, resilience, kindness and heroism demonstrated by the terrorists' intended victims. Thankfully, Maras and co-screenwriter John Collee (Master and Commander: The Far Side of the World, Tanna) avoid simple life lessons for most of the movie's running time, letting the confronting on-the-ground specifics do the heavy lifting. Wednesday, November 26 seems like another ordinary day in the titular Indian city. Concierge Arjun (Dev Patel) arrives at work wearing just one shoe, much to head chef Hemant Oberoi's (Anupam Kher) dismay. Couple Zahra (Nazanin Boniadi) and David (Armie Hammer) are seeking a respite from their busy schedules, albeit with their newborn baby and Australian nanny Sally (Tilda Cobham-Hervey) by their sides. With a private party planned, demanding Russian businessman Vasili (Jason Isaacs) is hardly a model guest. But along with Aussie backpackers Eddie (Angus McLaren) and Bree (Natasha Liu Bordizzo), they're all soon caught in a nightmarish plight, with a group of young jihadists wreaking havoc on their way towards the luxurious hotel. For many, Hotel Mumbai's events will remain fresh in their memories, as the film's use of news footage only cements. The difference between reading the headlines and feeling like you're there is enormous, of course, and it's the latter that drives dramatic big-screen recreations. Drawing their narrative from interviews with survivors and witnesses, Maras and Collee aim to place viewers in the thick of the chaos. Primarily shot in Adelaide by cinematographer Nick Remy Matthews, it's a feat they achieve. From the second the film introduces the assailants, a sense of urgency pulsates through every frame — whether racing through darkened streets, seeing innocent people mown down by bullets, or watching as the decadent Taj Mahal Palace Hotel becomes a bloody battlefield. Indeed, Hotel Mumbai is so effective at putting the audience in the moment — and in the shoes of the desperate victims — that the film's straightforward nature largely escapes notice. Big questions aren't begging to be answered and explanations aren't offered, with Maras depicting the grim situation as he's been able to piece it together, rather than editorialising or analysing the particulars. Helped by a solid cast, it's a fitting approach. Such harrowing horrors call for a sober perspective, which is what makes the movie's rare instances of overt button-pushing feel so out of place. At its best, in bringing this bleak slice of reality to the screen, Hotel Mumbai stares into one of humanity's darkest ordeals and refuses to look away. https://www.youtube.com/watch?v=Dz4jnixs8yA
The urge to explore can be a little tricky to satisfy in this day and age, but the desire to find something new, go somewhere different and get an adrenalin hit along the way remains. Silent UK tells the stories of urban explorers, an emerging (and international) subcultural group dedicated to delving into closed, unknown and abandoned city spaces— the derelict buildings and the drainpipes we walk past everyday. In a new short film that takes viewers into London's underground tube network, the explorers talk frankly about what motivates their adventures — the appeal of unknown places, the beauty in what others may deem ugly, and the photographic opportunities. Mostly the explorers just do it because it's fun. That, and the fact that there is also a real risk of danger, something you should give some serious thought to if you find yourself eyeing off your local drainpipe.
Across the 92-year history of the Oscars, only five women have ever been nominated for the Best Director award. Only one has won, too, with Kathryn Bigelow emerging victorious in 2009 for The Hurt Locker. Indeed, if anyone needs a reminder that gender inequality is still a big issue in the film industry, the situation at the Academy Awards paints a strong picture. When it comes to what viewers watch, one new streaming service is attempting to push more female filmmakers to the fore — and more movies and shows both starring and about women, too. Called Femflix, it has just launched in Australia and New Zealand with a growing catalogue of titles, all of which feature a female-identifying creative as its director, producer, writer, cinematographer or lead protagonist. The aim, obviously, is to support and champion stories about women and made by women — with Femflix developed to promote gender balance, tear down stereotypes and showcase a wide variety of female characters on-screen. And if you think that the timing is perfect for a women-focused streaming platform following the emergence of the #MeToo and #TimesUp movements, that's exactly what helped inspired the service. Among its launch catalogue, audiences Down Under can watch local films such as 52 Tuesdays, Strangerland, Tracks, Strange Colours and Waru, international flicks including Julieta, The Third Wife and Marlina the Murderer in Four Acts, plus star-studded cinema releases from the past few years like Suffragette, Madame Bovary and Testament of Youth. Or, you check out thrillers such as Compliance, sci-fi films like Before We Vanish and documentaries including I Am No Bird, Janis: Little Girl Blue and The Song Keepers. Offering free 3o-day trials, and costing $8.99 per month afterwards, Femflix can be streamed online, including via Chromecast and Airplay, with video apps for smart TVs under development. The new service arrives at a busy time for new streaming and online viewing services, with 2020 not only seeing everyone spend more time watching things at home, but giving viewers more to watch — including the launch of horror streamer Shudder Down Under, the global launch of short-form platform Quibi, the debut of architecture and design-focused platform Shelter, and cinemas including Palace in Australia and Roxy in New Zealand releasing their own pay-per-view options. For more information about Femflix — and to sign up — visit the streaming platform's website.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. DOG One of the many 80s comedies on Tom Hanks' resume, Turner & Hooch has already been remade in 2021 as a low-stakes streaming series with nothing worth wagging one's tail about to show for it. Still, it gains a big-screen spiritual successor in Dog, Channing Tatum's return to cinemas after a five-year absence (other than a brief cameo in Free Guy, plus voice-acting work in Smallfoot and The Lego Movie 2: The Second Part). Sub out a police investigator saddled with a canine witness for an Army Ranger transporting a dead colleague's ex-working dog; swap Hanks' uptight everyman for Tatum's usual goofy meathead persona, obviously; and shoehorn in a portrait of America today that aims to appeal to absolutely everyone. The result: a good boy of a movie that Tatum co-directs, isn't without its likeable and affecting moments, but is also a dog's breakfast tonally. Like pouring kibble into a bowl for a hungry pooch each morning, Dog is dutiful with the basics: a man, a mutt, an odd-couple arrangement between seeming opposites with more in common than the human among them first thinks, and an emotional journey. Comedic hijinks ensue along the way, naturally, although Turner & Hooch didn't involve anyone getting cock-blocked from having a threesome with two tantric sex gurus by its four-legged scamp. Given that Tatum's Jackson Briggs needs to take Belgian Malinois Lulu 1500 miles from Montana to Arizona by car — she won't fly — Dog is also a road-trip film, complete with episodic antics involving weed farmers and fancy hotels at its pitstops. That's all so standard that it may as well be cinema's best friend, but this flick also reckons with combat-induced post-traumatic stress disorder of both the human and animal kind, and ideas of masculinity and strength attached to military service. When Dog introduces Briggs, he's working in fast food by necessity — think Breaking Bad's fate for Saul Goodman, with Tatum even channelling the same stoic demeanour — as he waits to get redeployed. All he wants is to head back on active duty, but his higher-ups need convincing after the brain injury he received on his last tour. But his direct superior (Luke Forbes, SWAT) throws him a bone: if Briggs escorts Lulu to their former squad member's funeral, after he drove himself into a tree at 120 miles per hour, he'll sign off on his re-enlistment. Lulu has also been changed by her service, so much so that this'll be her last hurrah; afterwards, Briggs is to return her to the nearest base where she'll be euthanised. Given that Dog is exactly the movie it seems to be, its ending is never in doubt. Accordingly, fretting about Lulu is pointless. The journey is the story, of course, so Tatum and co-director/screenwriter Reid Carolin — also making his helming debut, and reteaming with the former after penning Magic Mike and Magic Mike XXL (and the upcoming Magic Mike's Last Dance) — endeavour to make the small moments matter. That's a line of thinking on par with Briggs' readjustment to civilian life, and similarly howling through his burgeoning bond with Lulu past simply playing chauffeur. Yes, Dog is that obvious. An emotional throughline doesn't need to be novel to strike a chord, though, and this film yaps the message loud and clear. That said, it also trades more in concepts than in fleshed-out characters, making an already-broad story even broader. Read our full review. ANONYMOUS CLUB With her song and record titles — her lyrics as well — Courtney Barnett has long found the words to express how many people feel. It's a knack, talent and gift, and it's helped her rocket to Australian fame and global success within a decade of releasing her debut EP in 2012. As thoughtful and captivating documentary Anonymous Club shows, it's also something she's frequently asked about in interviews. But expressing those lines and the emotions behind them with a guitar and microphone as weapons, plus a riotous melody as armour, is different to sharing them quietly one on one. Directed by her long-time collaborator Danny Cohen, who has helmed a number of her music videos, Anonymous Club begins with this reality. Barnett can pour her heart, soul and observations about life's chaos into the tunes that've made her a household name, achieving something that few others can; when she's on the spot, however, she's as uncertain and awkward as the rest of us. Barnett's way with words and wordplay in her work, and her lack thereof elsewhere, thrums through Anonymous Club like a catchy riff. The subject doesn't fade, burrowing into the film as an earworm of a song inside a listener's head does, and feature first-timer Cohen doesn't want it to. His movie was shot over three years, starting in 2018, which places it between Barnett's second studio album and her third — and knowing that makes the phrases from their titles, and from her debut record also, echo with resonance throughout the doco. Anonymous Club could've been called Sometimes I Sit and Think, and Sometimes I Just Sit, like its subject's first album in 2015. Tell Me How You Really Feel from 2018 would've worked as well. And, yes, Things Take Time, Take Time would've been apt, too, concluding a line of thinking that the film invites anyway — ultimately finding its moniker in a Barnett track from 2014, before all those releases. Across two tours spanning Europe, the US and Asia, plus stints in Melbourne, Anonymous Club watches Barnett sit and think, and sometimes just sit. It tasks the singer/songwriter with telling how she really feels, and shows her realising the truth that things take time. All of the above is captured on glorious 16-millimetre film and, even within a mere 83 minutes, the backstage documentary is overwhelming comprised of these ruminative, reflective moments — of snatches of Barnett's life caught as she hops between rooms that aren't her own, be it stages or green rooms or hotels or homes she's housesitting. Her thoughts and feelings come via brief chatter in front of the lens (or, more accurately, with the unseen Cohen behind it, shooting with a camera customised to record synchronised sound), and from overlaid snippets of the audio diary he asked her to keep. That's a job she tussles with — more words, more on-the-spot candour rather than deliberated-over lyrics, more struggles — but she still stuck at it for the project's duration. Frank, earnest and honest, so much of what's uttered is as revelatory as everything that Barnett has sung over the years. She confides in the fly-on-the-wall film via her Dictaphone recordings; as a result, a highly poised, posed, image-conscious portrait, this isn't. "I don't know what the fuck I'm talking about anymore. I just feel like I'm going around in circles and digging myself a deeper hole," she says at one point, and many other statements have the same tone. Jumping from America to Japan to Germany and elsewhere, life on the road gets to her. Back in Australia, life without a fixed space to call her own after spending so long touring has a similar impact. "My heart is empty, my head is empty, the page is empty," she offers, another telling statement. "It feels like I'm being part of this scripted performance of what we think we're supposed to see on stage, and it just feels really pointless," she also advises. Read our full review. PREPARATIONS TO BE TOGETHER FOR AN UNKNOWN PERIOD OF TIME Will they or won't they? Do they or don't they? Every time that romance and relationships are portrayed on-screen, at least one of these questions always echoes. In the entrancingly moody and astute Preparations to Be Together for an Unknown Period of Time, it's the latter. Whether Hungarian neurosurgeon Márta Vizy (Natasa Stork, Jupiter's Moon) and fellow doctor János (Viktor Bodó, Overnight) will end the film in each other's company still remains a pivotal part of the plot, but if there's ever been anything between them — or if it's all simply in Márta's head — is the far more pressing concern. She's a woman smitten, so much so that she's returned home from a prestigious job in the US just for him. But his behaviour could be called vague, rude or flat-out ghosting, if he even remembers that they've crossed paths before — and, if they ever actually have. Preparations to Be Together for an Unknown Period of Time first introduces Márta as she's unloading her János-sparked romantic woes upon her therapist. What could've been a standard rom-com or romantic drama setup soon twists into something far more alluring and intriguing, however. Indeed, as writer/director Lili Horvát (The Wednesday Child) ponders the role of memory in affairs of the heart, her film just keeps inspiring more trains of thought. How can we ever know how someone else really feels about us? How long will any romantic emotions last, and can they last? Is it ever truly possible to trust whoever our hearts fall or, or our hearts to begin with? And, can we genuinely believe those intense memories of love that implant themselves inside our brains, refuse to leave and inspire life-changing decisions — or is love too subjective, no matter how deep, real, shared and strong that it feels? These queries all spring from Márta's homecoming, after she meets János at a conference in New Jersey, then pledges to do so again a month later on a Budapest bridge. She shows, but he doesn't. Worse: when she tracks him down at his work afterwards, he says that he doesn't know her. While tinkering with memory is a familiar film and TV concept — see: everything from Memento and Eternal Sunshine of the Spotless Mind to Mulholland Drive and Severance — Preparations to Be Together for an Unknown Period of Time is interested in the emotional fallout from János' claims to have zero knowledge of Márta first and foremost. Confused, unsettled and still wholeheartedly infatuated, she just can't bring herself to return stateside, and also can't get János out of her mind in general. Scripted with empathy and precision by Horvát, and also shot and styled like a waking dream, Preparations to Be Together for an Unknown Period of Time isn't easily forgotten either, siding its viewers with Márta over János. This is a haunting and beautifully acted psychological drama that lays bare just how all-encompassing, obsessive, intoxicating and mind-melting love can feel, all as it plays with recollection and its ability to shape our perspectives. The tone is loaded but uncanny — sweet but uncertain, too — and Horvát has fun getting both emotional and cerebral while having her characters cut open brains. The latter happens literally and yes, there aren't many movies quite like this one. Cinema doesn't boast too many performances like the exceptional Stork's, either, which draws viewers into every feeling, question, and pang of both intense affection and shattering uncertainty that flows through Márta. Preparations to Be Together for an Unknown Period of Time opened in Melbourne from February 24, and screens in Sydney and Brisbane from March 17. IT SNOWS IN BENIDORM Forty-four years have passed since Timothy Spall first graced the silver screen — and what a gift he's given both cinema and television since. He won Cannes Best Actor prize for Mr Turner, earned five BAFTA nominations in five years between 1997–2002, popped up in lively Aussie crime flick Gettin' Square, stole every scene he was in in The Party and recently proved formidable in Spencer. He has everything from multiple Harry Potter movies to playing Winston Churchill in The King's Speech on his resume, too, and also routinely improves whatever he's in with his presence alone. In fact, he does exactly that with It Snows in Benidorm, which'd be a mere wisp of a film otherwise. Following a just-made-redundant bank employee to Spain, this meandering drama frequently mistakes mood for depth — and while Spall can't polish away its struggles, he's always the key reason to keep watching. A fan of the weather and little else, Spall's Peter Riordan has given decades of his life to his employer, and is so settled into the routine he's fashioned around his job that it's as natural and automatic to him as breathing. Accordingly, when he's unceremoniously let go, he finds it difficult to adjust. He's told that being freed from the monotony of his work is a gift, allowing him to retire early — so in that spirit, he heads off to the Mediterranean coast's tourist mecca to spend time with the brother he otherwise rarely talks to. But upon his arrival, Peter finds his sibling conspicuously absent. He still stays in his high-rise apartment, but what was meant to be a family reunion-style holiday now becomes a detective quest. Helping him is Alex (Sarita Choudhury, And Just Like That...), who worked with Peter's shady club-owning brother, might know more than she's letting on about his whereabouts, and also welcomes her new pal's tender companionship the more that they spend time together. Spall has spent his entire career being described by one well-meaning term: character actor. Here, he's centre stage in a character study instead. He's marvellous in the role — more so in the film's early scenes, where conveying both weight, importance, security and dreariness of Peter's lonely niche relies heavily upon his measured performance, but also whenever sharing moments with the always-luminous Choudhury as the complicated Alex. That said, as written and directed by Spanish filmmaker Isabel Coixet (Elisa & Marcela), It Snows in Benidorm proves as thin as the chance of an avalanche in its sunny setting. The script is more interested in contrivance than letting its characters' thoughts and feelings stew naturally, and revels in a ruminative tone that's ponderous rather than revelatory. It's a holiday photo of a complicated getaway given two hours of focus, in other words, and it's as flimsy as waving around a strip of negatives. Coixet helms with emotion rather than story in mind, to the detriment of both. There's such a concerted effort to make audiences share Peter's listlessness at home and his awakening abroad that every second feels forced, and the narrative's leaps and languishing never seem authentic. Thanks to Spall, the end result fares better than Coixet's last English-language effort, 2017's abysmal The Bookshop — but the director's latest can't reach the heights of 2003's My Life Without Me and 2008's Elegy. It Snows in Benidorm's reliance upon comedy rarely hits its marks either, other than when dwelling in the British expat-filled hellscape that is Benidorm's nightlife scene. Indeed, its lasting imprint is a 'what if?', because Pedro Almodóvar and his brother Agustín Almodóvar sit among the movie's producers. Being left wondering what wonders might result if Spall and Choudhury teamed up for the Parallel Mothers auteur isn't a ringing endorsement of their current project, though. DEADLY CUTS The Full Monty wasn't the first to do it, and it definitely hasn't been the last. But for the quarter century since that crowd-pleasing comedy became an enormous worldwide hit, British movies about underdogs banding together to save their livelihoods and communities have no longer been scrappy battlers themselves. Irish film Deadly Cuts is the latest, joining an ever-growing pile that also includes everything from Calendar Girls to Swimming with Men — and first-time feature writer/director Rachel Carey knows the formula she's playing with. Each such picture needs to be set in a distinctive world, follow a close-knit group, see them face an apparently insurmountable task and serve up a big public spectacle that promises redemption, and every step in that recipe is covered here. But a movie can stick to a clear template and still boast enough spirit to make even the creakiest of plot inclusions feel likely and entertaining enough, and that's this low-budget affair from start to finish. It does raise a smile that AhhHair, the glamorous hairdressing contest that Deadly Cuts' main characters want to enter and win, is all about innovation in its chosen form. The movie itself would never emerge victorious at such a competition, but it's filled with broad, blackly comic fun along the way, even if it boasts about as much subtlety as a mohawk. The setting: Piglington, Dublin, an as-yet-ungentrified corner of the Irish capital, where the titular salon is a mainstay. The aim: saving the shop from being torn down and replaced with shiny new apartments. The wholly predictable complications: the determination of corrupt local politician Darryl Flynn (Aidan McArdle, The Fall) to forge ahead with the development, which'll boost his bank account; and the suburb-scaring thugs led by the overbearing Deano (Ian Lloyd Anderson, Herself), who throw their weight around at every chance they get. While lead stylist Stacey (Ericka Roe, another Herself alum) has her heart set on AhhHair glory — a dream that her colleagues Gemma (Lauren Larkin, Love/Hate) and Chantelle (Shauna Higgins, Dating Amber) share — their boss Michelle (Angeline Ball, perhaps best known for The Commitments three decades back) is much less enthused. In another of the script's obligatory choices, the latter has a far-from-joyous history with the event and its head judge D'Logan Doyle (Louis Lovett, Moone Boy), and remains reluctant even when basking in the contest's fame and acclaim might be the only thing that'll keep her salon and Piglington itself going. Of course, movies like Deadly Cuts always find ways to get their characters to the big dance, especially when the odds are overwhelmingly stacked against them. Once there, their mission doesn't get easier. "You've got about as much chance as a dark brunette going to a platinum blonde in one step without her hair falling out," one rival spits at them. There's pluck to Stacey and her hair-snipping crew as they sharpen up their scissors, unfurl their curlers and do everything they must to whip up show-stopping styles to dye/die for — and yes, Deadly Cuts does take its name seriously. As a result, there's the same verve to the movie itself, which dips itself not only in the usual underdog formula, but in twisted OTT crime comedy as well. Patchiness comes with the territory, including in quick-fire gags that don't always land and lines of dialogue that are blunter than rusty clippers, but Carey's film still strives forth with ambition and confidence. Buoyed by game performances, it's the movie equivalent of rocking a by-the-book do and an outrageous hue at once, even if it's far better when it's skewing darker. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on November 4, November 11, November 18 and November 25; December 2, December 9, December 16 and December 26; January 1, January 6, January 13, January 20 and January 27; February 3, February 10, February 17 and February 24; and March 3 and March 10. You can also read our full reviews of a heap of recent movies, such as Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog, Tick, Tick... Boom!, Zola, Last Night in Soho, Blue Bayou, The Rescue, Titane, Venom: Let There Be Carnage, Bad Luck Banging or Loony Porn, Dune, Encanto, The Card Counter, The Lost Leonardo, The French Dispatch, Don't Look Up, Dear Evan Hansen, Spider-Man: No Way Home, The Lost Daughter, The Scary of Sixty-First, West Side Story, Licorice Pizza, The Matrix Resurrections, The Tragedy of Macbeth, The Worst Person in the World, Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley, Belle, Parallel Mothers, The Eyes of Tammy Faye, Belfast, Here Out West, Jackass Forever, Benedetta, Drive My Car, Death on the Nile, C'mon C'mon, Flee, Uncharted, Quo Vadis, Aida?, Cyrano, Hive, Studio 666, The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow and The Souvenir: Part II.
Feeling like Kylo Ren but wish you could be as blissed out as Yoda? May the force — and may Headspace's new Star Wars collaboration — be with you. Yes, May the fourth is here for another year, which means celebrating like you're in a galaxy far, far away. Or, thanks to this new range of mindfulness tools, meditating like you're a jedi and falling to sleep to the sound of porgs. Already a go-to for mindfulness and meditation, Headspace has teamed up with the Star Wars franchise to mark the most important date there is for the space-opera saga's fans — and make sure that everyone's cool, calm and collected while doing so. If you're eager to de-stress, these are indeed the breathing exercises and sleepcasts you're looking for. On offer from Wednesday, May 4 — when else? — the one-to-five-minute breathing exercises all feature cute animated clips with either Yoda, Chewbacca, R2-D2 and BB-8. In the Yoda-led exercise, you'll find your focus while watching an X-Wing levitate. In the Chewie version, you'll be transported to his home planet Kashyyyk, and then use your breath to make the forest come to life. The R2-D2 exercise gets the cute little robot flashing as you inhale, recharge and reset — and the BB-8 one gets it rolling in much the same way. (Notice that C-3PO isn't included, because that droid can't help anyone relax.) Prefer banishing the dark side via sleepcasts? You have three options there, all of which use famous sounds that you'll recognise from the Star Wars movies. X-Wing Voyage is rather self-explanatory, taking you on a tour of the Star Wars galaxy in one of the eponymous vessels — and going to a different planet in each chapter. With Tatooine Sunset, you'll hone in on that particular planet instead, exploring everything from its endless sea of dunes to its moisture farms. And via Islands of Ahch-To, you'll fall asleep while visiting the very first jedi temple. If you've seen Star Wars: Episode VII — The Force Awakens, you'll remember that that's where Luke Skywalker ventured off to when he was in seclusion. And yes, you'll hear porgs. Of course you will. To access all of the above, you'll need to sign up for Headspace — but it's doing a limited-time 30-day free trial offer from Wednesday, May 4. And yes, this is answer to the plea you've never uttered: "help me Star Wars-themed Headspace content, you're my only hope for finding some bliss." To access Headspace's new Star Wars content from Wednesday, May 4, head to the service's website or app. Top image: Star Wars: Episode IX — The Rise of Skywalker. (c) 2019 and TM Lucasfilm Ltd.
Wearing masks has been a regular part of life in southeast Queensland throughout the pandemic, and since the end of June in particular. As a result, Brisbanites have seen the rules around covering your face change multiple times, including in recent months as the city has weathered multiple brief lockdowns and several stages of restrictions. And from today, Tuesday, September 28, mask requirements are changing again. Back on Friday, September 24, the Queensland Government loosened the rules around donning masks when seated. So, for the past few days, you've been able to remove your face covering if you're sitting — even if you aren't eating and drinking. But, as COVID-19 has shown us all plenty of times now, much can change in just a couple of days. The Brisbane and Moreton Bay areas now have new locally acquired cases, and so the mask rules are going back to the requirements that were in place before last Friday. 😷Face masks must be worn at all times indoors and outdoors, unless you are able to socially distance outside. 🏥Visitor restrictions are in place for aged care, hospitals, disability accommodation and detention centres. More info to come soon. — Queensland Health (@qldhealthnews) September 28, 2021 Wondering that that means? Effective immediately, you now need to don a mask indoors at all times — unless you're eating or drinking, or you're in your own home. So, if you're out of the house and you're seated, but you're not munching or sipping, those masks remain compulsory. Need a refresher on all of the rules? Queensland has a standing mask mandate for flights, airports and stadiums, so you'll always need to mask up there — and, for the next two weeks again, they'll still be mandatory in plenty of other spots. That includes on public transport, in ride shares and while waiting for both; in all indoor spaces other than your own home, including hospitality businesses, unless you're eating and/or drinking; in schools; and also outdoors if you can't remain 1.5 metres away from people who aren't part of your household. Also, you will still need to always carry a mask with you. You must carry a mask whenever you leave home: wear them indoors and when social distancing isn't possible in outdoor settings. Anyone who has been in those LGAs since 19 September cannot visit aged care, hospitals, disability accommodation and detention centres. — Annastacia Palaszczuk (@AnnastaciaMP) September 28, 2021 "What we are asking is that in Brisbane City Council and Moreton Bay Regional Council [areas], we are putting back in place immediately the mask restrictions for those two councils for anyone who has been working or in those areas since 19 September, [including those] who might live outside those areas." said Queensland Health Minsiter Yvette D'Ath. "So if you work in the city but you live outside of the Brisbane City Council and Moreton Bay Regional Council area, we ask you to also abide by these restrictions — which is wearing a mask at all times indoor and outdoors unless you are outdoors and can socially distance. This will be in place for two weeks while we work through the risks of these cases." Queensland currently has 17 active COVID-19 cases, with four new locally acquired case reported in the past 24 hours. And, as always, the usual requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms also still apply — as they have since March last year. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
Pink hues, beach-themed decor, a roller rink, desserts served in toy convertibles: you'll find them all at the Malibu Barbie Cafe. After popping up across the US — with New York, Chicago, Minneapolis, Miami, Austin and Houston all welcoming the venue — this ode to Barbiecore has made its Australian debut. Come on Aussies, let's go party in Melbourne. Being a Barbie girl in a Barbie world wasn't just a 2023 trend, back when Greta Gerwig's (Little Women) Margot Robbie (Asteroid City)-starring — and Oscar-nominated — film became one of the biggest and pinkest movies to ever hit cinemas. The 2025 way to get your fix Down Under has arrived, and it's hanging around until summer 2026. Hitting up the Malibu Barbie Cafe at The Social Quarter at Chadstone Shopping Centre in the Victorian capital means not only enjoying ice cream floats dished up in a pink Barbie car, but also frequenting the Ken Kabana bar for fairy floss-topped cocktails and putting your skates on. Initially announced in mid-June and open since Friday, June 27, this is the cafe's debut stop beyond America. It's also Melbourne's second temporary big-name pop culture-themed addition this winter, after Melbourne Museum's Star Wars Galactic Cafe opened its doors in early June. Kicking it back to the 1970s, when Malibu Barbie initially debuted, is on the agenda, too. When you're hitting the rink, so is skating surrounded by artwork of palm trees. A life-sized Barbie box? An installation that celebrates how Barbie as a brand has changed over the years? That's all on offer at the Malibu Barbie Cafe as well, alongside merchandise that you won't find anywhere else. Ken's job isn't just beach here, given that his name adorns the cocktail-slinging upstairs bar in the two-storey site. On the drinks menu: that gin and lemonade concoction with spun sugar on top; themed takes on mojitos, margaritas, cosmopolitans, espresso martinis and old fashioneds; and more. If you're keen on a booze-free version, some of the tipples are available as mocktails. There's also a snack range, including fries with pink mayo, prawn cocktails, sushi and baked brie. Downstairs, Malibu Barbie Cafe's menu is an all-ages-friendly affair, with that ice cream float just one option. Sticking with sweets means choosing from doughnuts, pink cookies, cupcakes, ice cream sundaes, fruit and marshmallows. If you can't decide, the dessert sampler dishes up a mix of picks on a Barbie boat for between four and eight people. Savoury dishes span the same small bites as at the Ken Kabana, plus burgers, poke, garlic prawn linguine, beer-battered fish tacos, club sandwiches, grilled cheese, mac 'n' cheese and salads. Or, tuck into avocado toast, açai bowls, bacon and eggs, parfait or pancakes from the all-day brunch selection. Then, to drink, milkshakes, pink lemonade and pink lattes are among the options. If you're thinking "come on Barbie, let's go party", party packages are indeed a feature — including three-hour adults-only private-dining experiences from 6.30pm Thursday–Sunday. Find Mattel's Malibu Barbie Cafe at The Social Quarter at Chadstone Shopping Centre, 1341 Dandenong Road, Malvern East, Melbourne, until summer 2026 — open from 10am–6pm Monday–Wednesday, 10am–10pm Thursday–Friday, 9am–10pm Saturday and 9am–8pm Sunday. Head to the cafe's website for more details.
UPDATE, January 27, 2023: Sissy is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Scroll, swipe, like, subscribe: this is the rhythm of social media. We look, watch and trawl; we try to find a sense of self in the online world; and when something strikes a chord, we smudge our fingers onto our phones to show our appreciation. If wellness influencers are to be believed, we should feel seen by this now-everyday process. We should feel better, too. We're meant to glean helpful tips about how to live our best lives, aspire to be like the immaculately styled folks dispensing the advice and be struck by how relatable it all is. "You saved my life!", we're supposed to comment, and we're meant to be genuine about it. The one catch, and one that we shouldn't think about, though: when it comes to seeking validation via social media, this setup really does go both ways. As savvy new Australian horror film Sissy shows, the beaming faces spruiking easy wisdom and products alike to hundreds, thousands or maybe hundreds of thousands of followers — 200,000-plus for this flick's namesake — are also basking in the glory of all that digital attention, and getting a self-esteem boost back in the process. Sissy starts with @SincerelyCecilia, an Instagram hit, doing what she does best. As played by Gold Coast-born Australian actor Aisha Dee of The Bold Type in an astute and knowing stroke of casting, she's a natural in front of the camera. Indeed, thanks to everything from The Saddle Club and I Hate My Teenage Daughter to Sweet/Vicious and The Nowhere Inn as well, the film's star knows what it's like to live life through screens out of character. She's been acting since she was a teenager, and she's charted the highs of her chosen profession, all in front of a lens. So, it's no wonder that Dee conveys Cecilia's comfort recording her videos with ease. The actor hops into the spotlight not only once but twice here, but she's just as perceptive at showing how the world crumbles, shakes and shrinks whenever there's no ring light glowing, smile stretched a mile wide and Pinterest-board background framing her guru-like guidance. "I am loved. I am special. I am enough," is Cecilia's kind of mantra. Through her carefully poised and curated videos, such words have sparked a soaring follower count, a non-stop flow of likes and adoring comments. But she's so tied to all that virtual worship that her off-camera existence — when she's not plugging an 'Elon mask', for instance — is perhaps even more mundane than everyone else's. It's also isolated, so when she reconnects with her childhood best friend Emma (co-director/co-writer Hannah Barlow) during a chance run-in at a pharmacy, it's a rare IRL link to the tangible world. Cecilia is awkward about it, though, including when Emma invites her to her out-of-town bachelorette party that very weekend. Buoyed by memories of pledging to be BFFs forever, singing Aussie pop track 'Sister' by Sister2Sister and obsessing over movie stars, she still agrees to go. Sissy's first act is a Rorschach test: if you're already cynical about the wellness industry and social media, unsurprisingly so, then you'll know that nothing dreamy is bound to follow; if you're not, perhaps the blood and guts to come will feel like a twist. Either way, there will be blood thanks to Barlow and fellow co-helmer/co-scribe Kane Senes' game efforts, reteaming for their second feature after 2017's For Now. There will be chaos as well, and bad signs aplenty, and a rousing body count. Hitting a kangaroo en route to their remote destination clearly doesn't bode well, and also kicks off casualty tally. Then the old schoolyard dynamics bubble up, especially when Cecilia's playground tormentor Alex (Emily De Margheriti, Ladies in Black) is among the fellow guests. Pre-teen taunts resurface — "Sissy's a sissy" was the juvenile and obvious jeer spat her way back in the day, and repeated now — and the @SincerelyCecilia facade starts to shatter. If Mean Girls was a slasher film set in an off-the-beaten-track home in Australia, it might look something like Sissy, which is a compliment multiple times over. Every horror movie wants to be smart and savage on an array of levels, but Barlow and Senes manage it again and again, and with grisly fun. Their latest feature weaponises everything from influencer culture and pastel, rainbow and glitter colour palettes to toxic friendships and troubling childhood dynamics, all while spinning a clever, cutting and comedic take on the impact of bullying. Their targets are blatant — well, if you only see terrible things in the picture's version of inkblots, as per above, they are — but that doesn't dull or dampen any point that Sissy makes. That it premiered at SXSW 2022 at the same time as Bodies Bodies Bodies feels oh-so-fitting; they both involve remote houses plagued with twentysomething mess, mayhem and mania, share many of the same points, are delightfully entertaining to watch and would be a stellar double. Would Sissy work quite so well with someone other than Dee playing its eponymous figure, though? Thankfully, that's a question we'll never know the answer to. Her portrayal is as shrewd, amusing and engaging as the movie she's in, and as wonderfully layered — which couldn't be more pivotal in a flick that's also about the vast chasm between our Insta selves and our off-social reality, and how any group of people is mere hours from tearing each other to pieces verbally, emotionally and physically in the right/wrong circumstances. She's in fine company, however, including Barlow's on-screen efforts and De Margheriti relishing her antagonistic part. As Emma's fiancée Fran and friends Tracey and Jamie, Lucy Barrett (Halifax: Retribution), Yerin Ha (Halo) and Daniel Monks (Pulse) each also steal more than a few standout moments. One helluva lead performance, as gloriously diverse a cast as Australian cinema has boasted, grim fates awaiting half the coat of arms, schlock and viscera galore, scathing social commentary: that's Sissy. A knowing-but-never-too-winking vibe, neon hues paired with unsettling images, canny framing, needling sound design: that's Sissy, too. If Carrie was set in today's always-online world, amid cancel culture and plentiful praise at the press of a button, it'd look like this as well. That said, this new instant Aussie horror classic takes its own bold stab at plenty of things, and genres — plus tropes and people — and always remains its own film. Cecilia and her followers could learn from it, because appreciating your faves, incorporating them into your existence but never losing yourself in them is a lesson far removed from their Insta-curated world.
Building a business is similar to making a sandcastle. Getting started is easy — all you need is a bucket, sand and a big idea. But, if you want to turn that building into an empire, you'll need to get serious. That includes hiring a team, engaging an accountant and maybe moving out of your home office. Basically, it means scaling up. To do that, you'll need cash and some smart strategies. Luckily, you're not the first person to scale up a business — and there are heaps of people that you can go to. So we've teamed up with Westpac to tap into the minds of some entrepreneurs who have successfully scaled up. Here, we've nabbed some golden words of wisdom from four guns that have steadily increased their cashflow and turned their hospitality venues into varied businesses. Read on for four hacks they've used to successfully (and sustainably) grow their businesses. [caption id="attachment_724984" align="alignnone" width="1920"] Kitti Gould[/caption] STREAMLINE YOUR BUSINESS TECH It's no secret that Luke Powell, renowned head chef and owner of LPs Quality Meats, knows how to grow a business. The mastermind behind his 110-seat Sydney eatery always knew he'd need oversight to keep his business thriving. With the opening of his second venue — Newtown pizzeria Bella Brutta — last year, it was time to invest in tools that would put valuable analytics at his fingertips. "We have used a few different point of sale (POS) systems since we opened," Powell explains. "We now use Kounta for all the venues and find it very insightful and useful with all the information it can provide." Consolidating stats for both of his venues means Powell can make informed business decisions in real time. Not only has this saved him huge chunks of time but also means he's able to explore and invest in new revenue streams — like starting a wholesale smallgoods business on the side. [caption id="attachment_712428" align="alignnone" width="1920"] Milton Wine Shop.[/caption] ALWAYS CONSIDER WAYS TO BROADEN YOUR OFFERING Milton Wine Shop's Lyndon Kubis is first and foremost a wine nerd. As wine bar operators, Kubis sees himself and his team as "the DJs of the wine world" — they don't make the wines, but they serve them "with passion". In order for the hits to keep playing, it's important that the point of sale process runs smoothly — Kubis uses Kounta point-of-sale software, which offers great insights for detailed reporting and directly integrates with Presto, Westpac's payment terminal. Kubis says this has helped the business to achieve "super easy end-of-day reconciliations" that feed "directly into [their] accounting software". With the reconciliation process taken care of, Kubis was able to focus on broadening the shop's offering — making it more than just a one-trick pony. The shelves may be donned with bottles of high quality wines from niche producers, but, now, it also now delivers a thoughtful selection of beer and spirits, too. This has diversified the offering and customer base of Milton Wine Shop, making it more broadly accessible and financially sustainable. LET YOUR CUSTOMERS DO THE TALKING If you've never visited a Devon Cafe outpost – in either Sydney or Brisbane — chances are you've seen it on Instagram. With dishes like the truffle sundae and brioche french toast, its menu is made for food blogger flatlays. Owner Derek Puah has always embraced the power of social media to grow his business, and an active online presence enabled him to reach and build a network of loyal customers. "We find a lot of our biggest fans are on Instagram and they love to share photos of their experiences," Puah explains. Re-sharing images not only means that Devon has readymade content (with very little investment) — but it also serves to attract new customers and keep diners coming back for specials. Plus, those searching for a brunch spot can hear first-hand from other customers about what they can expect. [caption id="attachment_734827" align="alignnone" width="1920"] Trent van der Jagt[/caption] TREAT TIME AS YOUR MOST VALUABLE RESOURCE William Edwards, founder of Sydney distillery Archie Rose, watches his time. Very seriously. For Edwards, every hour of his day is planned with purpose. "My calendar is my bible — if there's something in there, I'll be there. If there's not, I won't be there," he says. "I schedule when I wake up, when I check email, when I perform certain types of tasks, leave work, get ready for bed, go to sleep, etc. and what days are work vs meeting vs admin days." Sound pretty hardcore? Even Edwards admits it's not going to work for everyone, but, at its core, it's about visualising your day, taking responsibility for your schedule and how much time you allocate to building your business. Now that you have some top tips, it's time to take the first steps towards scaling up your business. And when it comes time to set up your payment technology, look to Westpac's Presto Smart terminal. It's made for speedy payments, busting queues, reducing keying errors and seamlessly connecting to a range of Point of Sales systems, including Kounta, to help you keep track of cashflow. Please note that the above information is intended to be general in nature and should not be relied upon for personal financial use. To request more info and speak to Westpac, head here. Top image: Kitti Gould.
It's been a tough time for huge music festivals over the past two years, including one of the biggest there is: Coachella. The 2020 event was less than a month out from its April dates when it postponed until October due to COVID-19 — and then, a few months later, it cancelled that year's fest completely. The aim was to return in April 2021 instead; however, unsurprisingly, that didn't happen either. But now the event has announced that it's definitely intending to make a comeback in April this year — and it's dropped its hefty lineup, too.. Mark April 15–17 and April 22–24 in your diaries, whether you're just keen to check out the livestream — remember, Coachella was livestreaming its sets long before the pandemic — or you have US travel plans for this autumn. The full bill is a jaw-dropper, as usual, with Harry Styles headlining the Friday nights, Billie Eilish doing the Saturday nights and Ye (aka the artist formerly known as Kanye West) on Sunday nights. Elsewhere, a bonafide metric fucktonne of squealworthy acts fill out the rest of the bill — Australia's own Flume and The Avalanches, plus Swedish House Mafia, Phoebe Bridgers, Megan Thee Stallion, Doja Cat, Jamie xx, Run the Jewels, Fatboy Slim, Finneas and Joji, just to name a few. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: View this post on Instagram A post shared by Coachella (@coachella) For music lovers planning to watch along from home, Coachella will once again team up with YouTube to livestream the festival. That's no longer such a novelty in these pandemic times but, given the calibre of Coachella's lineup, it's still a mighty fine way to spend a weekend. For those eager to attend, the first weekend is sold out, but you can signup for the waitlist over at the festival's website — and also register for tickets to the second weekend, too, which go on sale on Friday, January 14 US time. Coachella runs from April 15–17 and April 22–24 at the Empire Polo Club in Indio, California. Find out more info and register for tickets or the waitlist at coachella.com.
Our river city has stepped up to the plate in recent years, with more and more atmospheric watering holes opening their doors to those keen for a drink outdoors. But a chill session cannot be complete without the perfect mix of brews, views and vibes — Brisbanites won't settle for anything less, these days. With a helping hand from our friends at Heineken, we've compiled a list of four Brisbane bars that boast pretty spectacular views. Grab a Heineken 3 in one hand and your phone in the other and get ready because, trust us, when Brissie puts on a show, you don't want to miss it.
If you haven't spotted festive decorations popping up around Brisbane yet, that means that you haven't been anywhere in Brisbane since Halloween ended and November arrived. Otherwise, you would've seen the obvious: it's beginning to look a lot like Christmas around the River City. Come Thursday, November 23 until the big day, the Brisbane CBD will be brimming with even more festive cheer — whether you're keen on shopping your way through markets, peering at dazzling lights or searching for tiny doors. Brisbane City Council and Lord Mayor Adrian Schrinner have unveiled the lineup of Christmas events that'll be decking out the city, and it's filled with highlights. Some, like the Enchanted Garden in Roma Street, are popular favourites set to delight again. Others, such as a Christmas party at Victoria Park / Barrambin that'll livestream the Lord Mayor's Christmas Carols, are fresh additions to your seasonal itinerary. It all kicks off on Thursday, November 23 with the return of Enchanted Garden, aka glowing sights filling Roma Street Parkland for you to wander around, which runs until Wednesday, December 20. Then, to welcome December — taking place on Friday, December 1, in fact — the annual lighting of King George Square's 22-metre-tall Christmas tree will herald a cavalcade of merriment showering the inner city. For nabbing gifts, Brisbane Arcade's two-day Christmas markets are back, as are the BrisStyle twilight Christmas markets in King George Square — both joining the city's hefty list of places to browse and buy beyond shopping centres. In the CBD, there'll also be nightly light shows at City Hall, running from 7.30pm–12am from Friday, December 8–Sunday, December 24; daily roving performances in the mall from Friday, December 1–Sunday, December 24; and the Lord Mayor's Christmas Carols on Saturday, December 9 at the Riverstage, plus the broadcast over to Herston. For the latter, entry is free and picnic baskets are encouraged, with food trucks also popping up. As for the tiny doors, they're all handmade and will be scattered throughout the city from Friday, December 1–Sunday, December 31, ready for you to find and marvel at their cuteness. The rest of the festive lineup includes a free Christmas show in the Queen Street Mall on three Fridays — December 8, 15 and 22 — plus singers and dancers taking to the same stage from Saturday, December 16–Sunday, December 24. And, at Uptown (RIP the Myer Centre), Queens Plaza and the Wintergarden, you'll have a heap of chances to get Santa snaps.
It's happening again: if a particular hit murder-mystery comedy is going to keep living up to its title, there's set to be another murder in the building. Viewers are currently watching what happens when someone is killed in New York's fictional Arconia complex for the fourth time, thanks to Only Murders in the Building season four — and a fifth round is now on the way as well. Everyone is already well-aware of the show's setup, too. Each season, a new murder takes place in the apartment tower that its main sleuthing trio call home. It was true in 2021's season one, 2022's season two and 2023's season three, as well as in the now-streaming season four. When season five will arrive hasn't been revealed, but the series has been dropping new episodes annually so far. Variety reports that there'll be ten episodes in the fifth season — so, ten more chances to see Selena Gomez (The Dead Don't Die), Steve Martin (It's Complicated) and Martin Short (Schmigadoon!) as neighbours and podcasters Mabel Mora, Charles-Haden Savage and Oliver Putnam. There's no word yet on guest stars, with Only Murders in the Building fond of enlisting plenty of other famous faces. Sometimes they play themselves, as Sting (The Book of Solutions) and Amy Schumer (IF) have. Sometimes the show gets Meryl Streep (Don't Look Up), Paul Rudd (Ghostbusters: Frozen Empire), Tina Fey (Mean Girls) and more into character. At present, in a season that's also taken them to Hollywood, Mabel, Charles and Oliver are looking into the death of Sazz Pataki (Jane Lynch, Velma), Charles' stunt double. They're also grappling with the fact that a Tinseltown studio wants to turn their podcast into a film. Cue Molly Shannon (The Other Two), Eugene Levy (Schitt's Creek), Eva Longoria (Tell It Like a Woman) and Zach Galifianakis (The Beanie Bubble) all popping up, with season four's new cast members also including Melissa McCarthy (Unfrosted), Kumail Nanjiani (Ghostbusters: Frozen Empire) and Richard Kind (Girls5eva). Alongside Short, Gomez and Martin, plus Lynch, fellow long-running Only Murders in the Building regulars Michael Cyril Creighton (American Fiction) and Da'Vine Joy Randolph (a newly minted Oscar-winner for The Holdovers) are also a part of season four. As always, knowing that there'll be another death in the Arconia doesn't mean knowing what's to come in season five — other than Mabel, Charles and Oliver getting sleuthing, with a heap of fellow big-name talent both helping and hindering their investigations. There's obviously no trailer yet for season five, but check out the full trailer for Only Murders in the Building season four below: Only Murders in the Building streams Down Under via Star on Disney+, with season four streaming now. Season five does not yet have a release date. Read our reviews of season one, season two and season three. Via Variety.
With events across the country cancelled and postponed in a bid to slow the spread of COVID-19, the live music industry is being hit hard. According to Aussie website I Lost My Gig, the industry has had a lost income of about $340 million so far. To help some of those affected, some of the country's best musical talents have been coming together for a weekly two-day music festival and fundraising event series every weekend — that's all online. In past weeks, the festival has seen the likes of Julia Jacklin, Marlon Williams, Hermitude, Vera Blue, Asta and Stella Donnelly. So, order a disco ball and make a flower crown for your cat, because it's time to party in your apartment. This week's lineup is yet to be announced, but expect it to be announced on Isol-Aid's Instagram soon. https://www.instagram.com/p/CCKEmcRByKp/?utm_source=ig_web_copy_link While watching, viewers are encouraged to donate to a fundraiser set up by Support Act, which is raising money for musicians and music workers who've lost income during the COVID-19 pandemic and to help "keep our music industry alive". You can also support the individual artists by buying merch and music from their Bandcamp pages, as well as get your hands on some Isol-Aid merch. Isol-Aid runs from 12pm on Saturdays and Sundays. Tune in via isolaidfestival.com. Top image: Bec Taylor
Have you spent the last 15 years popping your colleagues' staplers in jelly, or covering their desks in gift wrap? When someone makes a comment — any comment — do you answer "that's what she said"? Do you have a soft spot for paper company employees, or for anyone who gets married at Niagara Falls? As soon as you meet people who work in HR, do you expect them to be called Toby? If so, then The Office — the US version — has changed your life, and now it's time to put your secret skills to the test. Michael Scott won't call a virtual conference on Thursday, April 16; however Isolation Trivia will dedicate its next online trivia night to the beloved sitcom, so it's almost the same thing. Because Australia loves trivia evenings based on sitcoms that Mike Schur had a hand in (think Parks and Recreation and Brooklyn Nine-Nine) more than it loves pulling pranks, it's certain to be a popular evening — even when you're just taking part from your couch. The quiz session will run from 6.30pm, and you'd better be ready to break out Jim and Pam's wedding dance — and eat something beetroot-flavoured, ideally from Schrute Farms. https://www.youtube.com/watch?v=ryxUeWEcUqE Playing is free, and there's no need to register. Just head to the event Facebook page on the night. And if ever you needed an excuse to hit up Stan and binge your way through the whole series again, this is it.
These days, it seems you can glamp anywhere your comfort-loving heart desires — from Taronga Zoo to Cockatoo Island to right next door to a fine dining restaurant. Now, the possibilities have been extended even further, with the introduction of fancy-pants tents smack-bang in the middle of lush vineyards at Balgownie Estate, Bendigo, Victoria. That's right, you can spend your next weekender sipping top-notch wines on an outdoor lounge on your own private deck, soaking up sunset-flooded rural views — all safe in the knowledge that a linen-covered, queen-sized bed is just a stumble away. The tents, of which there are 15, are also set up with rugs, lighting, furnishings, aircon, tea-and-coffee making gear and bar fridges. One even has its own hot tub. There are three types on offer. The Bell Tent offers room for two, the Bell Tent Twin can accommodate four and the Luxury Safari Tent comes with a few glamorous extras, including an indoor couch, a four-poster queen-sized bed and a kitchenette. Also on the property is Balgownie Estate's restaurant, open for brekkie, lunch and dinner. And, if you can be bothered moving, downtown Bendigo is home to bars, cafes, restaurants and art galleries galore. Or, you can time your stay with the next Grapest wine-tasting fun run, which will take place on the winery's grounds. Balgownie Estate glamping will open for visitors from 1 February 2018. Bookings are available now via www.balgownieestatebendigo.com.
More than three decades since it was first published, the Watchmen series of comics is still considered one of the all-time greats of the medium. Brought to the page by writer Alan Moore and artist Dave Gibbons, the premise says plenty: in an alternative version of the world we all live in, superheroes definitely exist — but their presence has drastically altered history. Here, the Cold War turned out differently, caped crusaders largely work for the government and anyone else enforcing law and order while wearing a costume has been outlawed. Now, imagine that tale told with a satirical edge that deconstructs the superhero phenomenon, and you can see why it has hordes of devotees. Back in 2009 when comic book flicks were just starting to pick up steam — and when 23-film franchises were a mere dream — Watchmen was turned into a movie by Zack Snyder (who was fresh from 300, but hadn't made the jump to Batman v Superman or Justice League yet). Sequels clearly didn't follow; however, HBO is now hoping that the story will flourish on the small screen, enlisting Lost and The Leftovers co-creator Damon Lindelof to make it happen. Obviously, with Game of Thrones all done and dusted (at least until its prequels start hitting the screen), the network is in the market for a new pop culture phenomenon. This isn't just a straight adaptation. Apparently the ten-part series "embraces the nostalgia of the original groundbreaking graphic novel of the same name while attempting to break new ground of its own," according to HBO. If you're wondering just how that'll play out, the program's trailers might help. Building on the first teaser from a few months back, the latest trailer serves up murky mysteries, complicated heroes and villains, and a fine line between the two — plus "a vast and insidious conspiracy". To help bring the above to the small screen, Watchmen boasts quite the stacked cast, which includes Jeremy Irons, Don Johnson, Tim Blake Nelson, this year's Best Supporting Actress Oscar winner Regina King, Hong Chau, Louis Gossett Jr and Aussie actress Adelaide Clemens. The big names don't stop there, with Trent Reznor and Atticus Ross providing the score. Check out the new trailer below: https://www.youtube.com/watch?v=-33JCGEGzwU Watchmen launches on October 21, Australian and New Zealand time — with the series airing weekly from that date on Foxtel in Australia. Image: Mark Hill/HBO
Ahead of World Whisky Day this Saturday, May 20, The Bottle-O is here to ensure you have all the fun facts needed to bluff your way to being a whisky connoisseur — even if you've yet to take a sip. Whisky can be intimidating for some, but it's a versatile spirit with a style that's guaranteed to suit anyone and everyone. You could enjoy a bourbon on the rocks or a scotch neat, a ready-to drink flavour-laden can or a shot topping up a citrusy highball (which we have a standout recipe for). Or, maybe you'll like it sweet and cinnamon-spicy. Guaranteed: there's a dram for you. Now, where should your explorations start? What's with the barrels? Why are ice cubes called 'rocks'? And why, oh why, is it somehow correctly spelled both whiskey and whisky at the same time? Let's dive in. WHISKY 101 Let's start with the basics. Whisky is a spirit made with grain, water and yeast that's distilled in massive copper stills (essentially kettles) and then aged in barrels. But you can't just use any grain. You'd be hard-pressed to find a tipple made with oats, for instance. In Scotland, whisky is made from malted barley, whereas in the United States, they use a combination of corn, rye, wheat and barley. WOOD GIVES WHISKY ITS COLOUR AND FLAVOUR Did you know that when whisky comes out of the still it's totally clear and colourless? The colour of whisky comes from the oak barrels it's aged in. Oak barrels contain vanillin, which (as its name suggests) gives a vanilla flavour, but when toasted (literally charred on the inside with fire) the wood gives more caramel notes. As the temperature in the storeroom fluctuates — warmer in summer and cooler in winter — the spirit seeps into the wooden grain taking on the colours and flavours. American bourbon distillers use virgin barrels (read: never been used before), while Irish whiskey and other producers use secondhand bourbon or wine barrels to age their spirit. The longer a whisky spends in a barrel the more flavour it gains. This is why you might get cherry notes on an Irish whiskey, after being aged in a barrel that used to have sherry in it, and more honeycomb flavours from a bourbon like Jim Beam. The year on a whisky label tells you the number of years it's spent in a barrel. So, Glenfiddich 12 Year has spent, yep, 12 years in a barrel before being bottled and sent to the shelves of your local The Bottle-O. IT IS SPELLED BOTH WHISKY AND WHISKEY It's fairly common knowledge that whisk(e)y originated in Ireland and Scotland. The original Gaelic term — uisce beatha, pronounced ish-kah va-ha — was anglicised when the Brits took over, which resulted in the two different spellings. Simplified, Irish whiskey is spelled with the 'e' and Scottish without. This little trivia tip will help you work out where a whisky's distilling method or style originated from. For example, we've got our exceptional drops Down Under usually missing the 'e', indicating we learned our trade from the Scots. The Yanks, however, were trading with the Irish — so whiskey it is (as is seen on classic bourbons from Kentucky). 'ON THE ROCKS' MEANS EXACTLY THAT Fun fact: freezers weren't always around, making it easy for you to grab a few ice cubes to both keep your sip cool and take the bite out of the booze. So, what did the highlanders do to make their scotch more palatable? Simple, they would take cold rocks (like stones from a clear stream or spring) and put them in their cup before adding their whisky and diving in. Nowadays, we've moved on from actual rocks — although you can find fancy fake ice cubes made from rock if you want to be clever about it — but the phrase has lived on. WHISKY LIQUEURS AREN'T FLAVOURED WHISKIES Essentially, a whisky liqueur is a combination of a base whisky and other ingredients like herbs or spices. And flavoured whisky? It's made by adding ingredients to whisky during the ageing process. If you're in the mood for a sweet and spicy twist on whisky, one liqueur that fits the bill is Fireball. This Canadian spirit blends cinnamon and whisky for a fiery and flavourful drink that's perfect for sipping or mixing into cocktails. Whether you're a whisky fanatic searching for your next favourite dram, or you've only admired from afar up until now, now you've got five fun facts in your pocket to bluff your way through celebrating on World Whisky Day, Saturday, May 20. Now's the time to pick a bottle from your local The Bottle-O and discover its deliciousness. The Bottle-O is the independent store slinging your favourite boozy sips all over Australia — and a standout spot to nab your whisk(e)y of choice. Ready to dive in? Head to the website. Top image: Choochart Choochaikupt (first)
From giant Godzilla statues to karaoke ferris wheels, you can find almost anything in Tokyo. Top-notch Australian coffee also belongs on that list. Sydney-based roaster Single O has been giving Japan a taste of its caffeinated brews for a decade, and opened its first international cafe in the country's capital back in 2021. Hit up the city from now on, however, and you'll have the brand's second overseas cafe to head to as well. While Single O has boasted a roastery and tasting bar in Ryogoku since before its Hamacho spot for a cuppa launched, Ryogoku Roastworks is now a cafe, too. All in one swoop, the chain has moved into bigger digs and added its second space for aficionados to grab a brew. And yes, coffee on tap — which first became available at Single O's Surry Hills cafe in 2019 — is part of the setup. If you're keen to pour your own beverage, the self-serve counter will rotate its range of single-origin brews. Otherwise, the cafe will also serve up espressos and long blacks made from a changing array — and, of course, Single O's signature blend Reservoir, with its notes of stonefruit and milk chocolate, will be in the spotlight. Aussie patrons won't just sip a taste of home at Ryogoku Roastworks, but will also find dishes from the brand's Surry Hills and Newstead cafes on the food menu. So, if you're in Tokyo and craving Single O's banana bread with espresso butter, you're in luck. The same goes for The Avo Show, which is made with rye, achiote cashew cheese and pickled fennel, plus a seasoned crumb, chilli oil and sweet lemon aspen. Other culinary choices span the Reservoir Dog (Tesio sausage, caramelised onion and tomato sauce), as named after Single O's street address in Surry Hills — and also Boris' Beans (a Turkish-inspired bean stew that comes with tomato, chilli oil and labne). Or, opt for two types of jaffle: prosciutto, gouda and maribo; and Vegemite butter, camembert, cheddar and onion jam. As for the warehouse digs themselves, Ryogoku Roastworks has received Luchetti Krelle's design touch, with the Sydney-based firm heroing industrial flourishes and sustainability in their approach. A corrugated metal facade greets customers, inside which a freestanding pod is home to the cafe, with the roastery behind it. "We hit the ground running in Japan a decade ago, and the response we've had since then has honestly blown us away — we're now roasting for 130 wholesale partners across Japan," said Single O co-founder Dion Cohen. "Moving the roastery into a bigger and better space is really an opportunity to double down in support of those partners and grow our offering." Launching its new Ryogoku site allows Single O to quadruple production in Japan — and is just one of the chain's big 2024 openings in Tokyo. The other is set to arrive in July in the form of a Shibuya venue, the brand's third in the city, which will debut a new coffee bar concept. Find Single O's Ryogoku Roastworks at 3-21-5, Kamezawa, Sumida, Ryogoku, East Tokyo, open from 10am–6pm Wednesday–Sunday. Head to the brand's website for more details. Images: Koji Shimamura.
In 2006’s Night at the Museum, the exhibits and dioramas of New York City's Museum of Natural History sprang to life, surprising freshly hired evening security guard Larry Daley (Ben Stiller). In 2009’s Night at the Museum: Battle of the Smithsonian, Larry returned to save enlivened treasures being shipped off to storage in Washington, D.C., stumbling upon a power battle between magically resurrected pharaohs in the process. The films, mixing an everyman protagonist with an exaggerated situation, established an easy formula of heroics and humour, history and fantasy, and quests and chaos, as suitable for all ages. Now, once more adhering to the blueprint but transporting the action to London, the trilogy crawls towards its conclusion with Night at the Museum: Secret of the Tomb. Here, the perpetually bumbling Larry is thrust into trouble once more when an important event goes awry as a result of his animated mannequin friends. The tablet that endows the appearance of life into the museum’s trinkets is starting to corrode, courtesy of an Egyptian curse. Only specimens housed in Britain hold the answers to stopping the rot, reinstating the spell and rescuing the likenesses of famous figures from reverting to a permanent state of wax. Adding to the antics are Larry’s English counterpart, nightwatchwoman Tilly (Rebel Wilson), and an arrogant Sir Lancelot (Dan Stevens), both endeavouring to thwart the visitors’ efforts for their own reasons. Returning director Shawn Levy (This Is Where I Leave You) and new scribes David Guion and Michael Handelman (Dinner for Schmucks) aren’t concerned with offering any unexpected detours in the events that follow, repeating the beats of the earlier films with a heightened emphasis on outdated pop culture jokes. Indeed, that the feature’s biggest source of laughs — and its best surprise cameo – stems from an internet meme gives an indication of the level of comedy cultivated, as does the prominence of online cat videos to the plot. Even the usual reliance upon slapstick wavers, for worse, not for better. The odd-couple banter of Owen Wilson as an old west cowboy and Steve Coogan as a Roman soldier is similarly toned down. Elaborate staging aside (best manifested in Secret of the Tomb in an uncharacteristically excellent M.C. Escher-inspired sequence), the biggest lure of the Night of the Museum series has always been its extensive cast. Performers express enough energy to keep the movie bubbling along; however, for reasons inconsequential to the content itself, it is Robin Williams’ return as Teddy Roosevelt that stands out. His last on-screen appearance evokes both sweetness and sorrow that far exceeds the average franchise swansong he is saddled with.
A taste of the Mediterranean is coming to Riverbar and Kitchen this summer, with the Eagle Street Pier spot hosting an Italian-themed pop-up right through until the end of February. Every day across the season, you'll sit beneath umbrellas, grab Peronis from the beer cart, kick back amongst the Amalfi-inspired decor and soak in the river view. And, if you're gathering the gang and pretending you're all on vacation, you can all sip your way through a spritzes made with beer, Aperol, orange and lemonade. You can also treat your tastebuds to Italian bites, with the menu changing each month — starting with pancetta croquettes, kingfish crudo and octopus bruschetta in December. Plus, between Sunday, January 16–Sunday, January 30 when the Australian Open hits Melbourne, Riverbar will set up big screens. Cocktails, food, river views, tennis — that's how you level up your next sports-viewing session. And, in February, there'll be live music every weekend, including from Hatchie and DVNA. Entry is free, but booking a table in advance is recommended. [caption id="attachment_835579" align="alignnone" width="1920"] Markus Ravik[/caption]
So, you're an actor and you want to win an Emmy? Based on the just-announced 2022 nominees, here are a few ways to go about it. First, star or guest star in Succession, the HBO behemoth that just nabbed 25 nods, including 14 for acting. Or, appear in the US cable network's fellow recent hit The White Lotus, which scored 20 noms, eight of which were for its cast. Being on Apple TV+'s Ted Lasso works, too, given that it just picked up 20 nods for the second year in a row — and ten of them went to its on-screen talent. Yes, they're the big three shows that scooped the pool at this year's Emmy nominations. All three are competing in different categories — Succession in the drama field, The White Lotus in the limited series section and Ted Lasso in comedy — so they don't have to battle it out among themselves. That said, plenty of each series' individual actors are nominated against their co-stars, although that's a bit of a trend in 2022. Announced in the early hours of Wednesday, July 13 Australian and New Zealand time, the list of shows notching up the nods also includes Hacks and Only Murders in the Building with 17 each, Euphoria with 16, and Severance, Squid Game, Barry and Dopesick with 14. Squid Game also became the first-ever drama series nominee that isn't in the English language. Ozark collected 13 nominations, as did the fourth season of Stranger Things — but, bucking the trend, none of the latter's nods came for its performances. The Marvelous Mrs Maisel nabbed 12, while Pam & Tommy collected ten. That means it's been a great 12 months for eat-the-rich dramas, wild based-on-true-story miniseries (with The Dropout and Inventing Anna), returning favourites that've been off the air for a few years (including Better Call Saul and Barry) and former Saturday Night Live stars (Bill Hader and Jason Sudeikis, specifically). Seeing excellent new thrillers Severance and Yellowjackets earn some attention is also fantastic — and What We Do in the Shadows should just have a standing nomination in the Best Comedy category. Who'll emerge victorious will be announced on Tuesday, September 13 Down Under — and plenty of exceptional shows and actors are in the running. But, you can't have a hefty rundown of nominees without a few glaring gaps. Pandemic series Station Eleven deserved more than just one acting nomination. The wonderful Reservation Dogs was somehow thoroughly overlooked, as was the stellar We Own This City and the second season of Girls5Eva. Plenty of folks were recognised for Only Murders in the Building, but not Selena Gomez. And the astonishing Pachinko only nabbed an Outstanding Main Title Design nomination. The 73rd Emmy Awards will take place on Tuesday, September 13, Australian time. Here's a rundown of the major nominations — and you can check out the full list of nominees on the Emmys' website: EMMY NOMINEES 2022 OUTSTANDING DRAMA SERIES Better Call Saul Euphoria Ozark Severance Squid Game Stranger Things Succession Yellowjackets OUTSTANDING COMEDY SERIES Abbott Elementary Barry Curb Your Enthusiasm Hacks The Marvelous Mrs Maisel Only Murders in the Building Ted Lasso What We Do in the Shadows OUTSTANDING LIMITED SERIES Dopesick The Dropout Inventing Anna Pam & Tommy The White Lotus OUTSTANDING TELEVISION MOVIE Chip 'n' Dale: Rescue Rangers Ray Donovan: The Movie Reno 911!: The Hunt for QAnon The Survivor Zoey's Extraordinary Christmas OUTSTANDING LEAD ACTOR IN A DRAMA SERIES Jason Bateman, Ozark Brian Cox, Succession Lee Jung-jae, Squid Game Bob Odenkirk, Better Call Saul Adam Scott, Severance Jeremy Strong, Succession OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Jodie Comer, Killing Eve Laura Linney, Ozark Melanie Lynskey, Yellowjackets Sandra Oh, Killing Eve Reese Witherspoon, The Morning Show Zendaya, Euphoria OUTSTANDING LEAD ACTOR IN A COMEDY SERIES Donald Glover, Atlanta Bill Hader, Barry Nicholas Hoult, The Great Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jason Sudeikis, Ted Lasso OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Elle Fanning, The Great Issa Rae, Insecure Jean Smart, Hacks OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Oscar Isaac, Scenes From a Marriage Michael Keaton, Dopesick Himesh Patel, Station Eleven Sebastian Stan, Pam & Tommy OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Toni Collette, The Staircase Julia Garner, Inventing Anna Lily James, Pam & Tommy Sarah Paulson, Impeachment: American Crime Story Margaret Qualley, Maid Amanda Seyfried, The Dropout OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES Nicholas Braun, Succession Billy Crudup, The Morning Show Kieran Culkin, Succession Park Hae-soo, Squid Game Matthew Macfadyen, Succession John Turturro, Severance Christopher Walken, Severance Oh Yeong-soo, Squid Game OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES Patricia Arquette, Severance Julia Garner, Ozark Jung Ho-yeon, Squid Game Christina Ricci, Yellowjackets Rhea Seehorn, Better Call Saul J. Smith-Cameron, Succession Sarah Snook, Succession Sydney Sweeney, Euphoria OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Anthony Carrigan, Barry Brett Goldstein, Ted Lasso Toheeb Jimoh, Ted Lasso Nick Mohammed, Ted Lasso Tony Shalhoub, The Marvelous Mrs Maisel Tyler James Williams, Abbott Elementary Henry Winkler, Barry Bowen Yang, Saturday Night Live OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Alex Borstein (The Marvelous Mrs. Maisel) Hannah Einbinder, Hacks Janelle James, Abbott Elementary Kate McKinnon, Saturday Night Live Sarah Niles, Ted Lasso Sheryl Lee Ralph, Abbott Elementary Juno Temple, Ted Lasso Hannah Waddingham, Ted Lasso OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Murray Bartlett, The White Lotus Jake Lacy, The White Lotus Will Poulter, Dopesick Seth Rogen, Pam & Tommy Peter Sarsgaard, Dopesick Michael Stuhlbarg, Dopesick Steve Zahn, The White Lotus OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Connie Britton, The White Lotus Jennifer Coolidge, The White Lotus Alexandra Daddario, The White Lotus Kaitlyn Dever, Dopesick Natasha Rothwell, The White Lotus Sydney Sweeney, The White Lotus Mare Winningham, Dopesick OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES Hope Davis, Succession Marcia Gay Harden, The Morning Show Martha Kelly, Euphoria Sanaa Lathan, Succession Harriet Walter, Succession Lee You-mi, Squid Game OUTSTANDING GUEST ACTOR IN A DRAMA SERIES Adrien Brody, Succession James Cromwell, Succession Colman Domingo, Euphoria Arian Moayed, Succession Tom Pelphrey, Ozark Alexander Skarsgard, Succession OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES Jane Adams, Hacks Harriet Sansom Harris, Hacks Jane Lynch, Only Murders in the Building Laurie Metcalf, Hacks Kaitlin Olson, Hacks Harriet Walter, Ted Lasso OUTSTANDING GUEST ACTOR IN A COMEDY SERIES Jerrod Carmichael, Saturday Night Live Bill Hader, Curb Your Enthusiasm James Lance, Ted Lasso Nathan Lane, Only Murders in the Building Christopher McDonald, Hacks Sam Richardson, Ted Lasso
UPDATE, March 4, 2021: God's Own Country is available to stream via Netflix, Google Play, YouTube Movies and iTunes. When God's Own Country begins, it's with a quiet Yorkshire farmhouse swiftly disturbed by the sound of retching. Johnny Saxby (Josh O'Connor) has had yet another boozy night out, and he's suffering the consequences. Unfortunately for him, the land and the livestock won't wait for his hangover. It's an appropriate opening to a film that looks like a gritty, austere, social realist drama, but contains much that cannot be constrained. The after-effects of drinking have nothing on lusty, bubbling emotions. The first feature film from writer-director Francis Lee, God's Own Country pairs its struggling farm setting with surging desire, and asks its characters to weather hardships with both. Shot in the part of England the filmmaker grew up in, on a property much like his own father's, the movie follows Johnny's reaction when handsome Romanian Gheorghe (Alec Secareanu) arrives to assist during lambing season. Initially, Johnny's reluctant and even rude, though he can't help being impressed by the newcomer's skills with the job at hand. But cold nights spent in the countryside eventually warm up more than his appreciation for hard work. As something physical blossoms into even more, Gheorghe proves a positive influence on Johnny's self-destructive tendencies. If that description reminds you of another movie, you're certainly not alone. The phrase "British Brokeback Mountain" has been used to describe Lee's film since it premiered at Sundance in January. More than just a convenient way to describe a rural queer romance, it's a comparison that's well and truly earned. Men working the land and making a connection; concerns about the response of Johnny's unwell father (Ian Hart) and stoic grandmother (Gemma Jones); scenic sights and swelling feelings: the commonalities are all there, although God's Own Country ultimately follows its own path. More importantly, both films present a raw and affecting love story teeming with honesty and emotion. One thing's for certain: this isn't a restrained affair. Instead, it wears its heart proudly on Johnny and Gheorghe's muck-covered sleeves. It's a film that's unafraid to depict the harsh realities of farm life, or delve into the frustrations and troubles that come with it. Nor does it shy away from the heated passion of its erotic scenes. Blood, spit, mud, rough tumbles and tender moments all wash across the screen, drawing viewers into a realistic, resonant account of the two men's growing intimacy. In the process, God's Own Country does what every romance endeavours, but can't always manage: it ensures that every stolen glance, hard-earned smile, quiet gesture and clenched hand is felt by more than just the people on the screen. Pitch-perfect performances by O'Connor and Secareanu help, of course, with the actors giving their characters both texture and sincerity. So too does the fond but still clear-eyed way that cinematographer Joshua James Richards lenses everything from the sparse, sprawling hills to Gheorghe and Johnny's breathless encounters. https://www.youtube.com/watch?v=C-N_tdBhCjI
Bluesfest has lifted the lid on its first artist announcement for 2020 and heading the stampede are famed American singer Patti Smith, rockers Dave Matthews Band and the legendary Crowded House. All three are repeat Bluesfest offenders, with Patti Smith and her band returning after a standout performance in 2017, the "magical and unmissable" Dave Matthews Band heading back for their third festival and Crowded House once again trekking up the coast — this time for an exclusive Australian performance. Expect to hear plenty of huge tunes from the likes of Smith's 'Because the Night' to Matthews' 'Crash Into Me' and the anthem that is 'Don't Dream It's Over'. Other acts to hit the stage over the weekend include the multi Grammy Award-winning George Benson, American singer Brandi Carlile, Aussie favourites The Cat Empire, British trip-hop band Morcheeba and John Butler. The festival will return to Tyagarah Tea Tree Farm — just outside Byron Bay — for 2020 despite Festival Director Peter Noble threatening to leave NSW earlier this year because of the State Government's strict new music festival licensing regime. An inquiry into the licence is currently underway. Better start making Easter plans because tickets are already on sale. Anyway, here's the full lineup (so far). [caption id="attachment_737186" align="alignnone" width="1920"] Dave Matthews Band[/caption] BLUESFEST 2020 LINEUP Dave Matthews Band Patti Smith and Her Band Crowded House George Benson Brandi Carlile John Butler Xavier Rudd The Cat Empire Morcheeba John Prine Jenny Lewis Frank Turner John Mayall Buffy Sainte-Marie The Marcus Kind Band Walter Trout Christone 'Kingfish' Ingram Greensky Bluegrass Larkin Poe The War & Treaty Bluesfest 2020 will run April 9–13 at Tyagarah Tea Tree Farm, Byron Bay. Tickets are on sale now via Moshtix.
The Melbourne International Film Festival has been showcasing the best that cinema has to offer for seven decades now, but it has never hosted a fest like its upcoming 2021 event. Given that every year's festival heralds a fresh lineup filled with new big-screen gems, that's always true in a fashion; however, this is the first time that MIFF is going both physical and digital in a significant way. MIFF's just-announced full 2021 program boasts plenty of must-see movies, including opening night's previously revealed Australian standout The Drover's Wife The Legend of Molly Johnson; Adam Driver-starring musical Annette, which screens straight from opening this year's Cannes Film Festival; and a festival-record 40 world premieres in total. It also offers multiple ways for audiences to watch its selection, including folks who aren't or can't make the trip to Melbourne. Accordingly, between Thursday, August 5–Sunday, August 22, Melburnians can head to a range of local cinemas — and from Saturday, August 14–Sunday, August 22, cinephiles all around the country can watch from home, too. Neither group will be short on options, although the in-person lineup is considerably bigger than the program of flicks that'll be available to watch on the festival's new online viewing platform, MIFF Play. In total, this year's fest spans 283 titles, including 199 features, 84 shorts and 10 virtual reality experiences, with 62 of those also available to watch digitally. MIFF's 2021 closing night pick is one of the films that movie buffs can choose to view in either setting. Directed by and starring Natalie Morales (The Little Things), and completely filmed via Zoom in 2020, Language Lessons is a platonic rom-com about a Spanish teacher (Morales) and her new student (Mark Duplass, Bombshell). It's also one of the big-name titles on the full lineup this year, alongside Memoria, which features Tilda Swinton in Cemetery of Splendour filmmaker Apichatpong Weerasethakul's English-language debut; Bergman Island, the Tim Roth and Mia Wasikowska-starring latest title from Mia Hansen-Løve (Things to Come); No Sudden Move, Steven Soderbergh's crime flick with Don Cheadle, Benicio Del Toro and Jon Hamm; and Pig, which sees Nicolas Cage play a truffle hunter (yes, really). Also on the newly revealed complete bill: centrepiece gala selection Summer of Soul (...or, When the Revolution Could Not Be Televised), which is directed Questlove and looks back on the Harlem Cultural Festival of 1969; Roadrunner: A Film About Anthony Bourdain, a documentary charting the late presenter and chef's life; and River, the latest musing on the planet we all call home by Sherpa director Jennifer Peedom. There's also Cow, which sees American Honey director Andrea Arnold explore the existence of a dairy cow; Street Gang: How We Hot to Sesame Street, about the beloved children's television staple; and Year of the Everlasting Storm, in which the aforementioned Weerasethakul is joined by six other filmmakers on an anthology about life under lockdown and the power of cinema. Festival attendees can similarly check out There Is No Evil, the searing 2020 Berlinale Golden Bear-winner which screens as part of a showcase of new Iranian cinemas; collaborative doco Those Left Waiting, which has been filmed by refugees around the world; music mockumentary The Nowhere Inn, starring Carrie Brownstein (Sleater-Kinney) and Annie Clark (St Vincent); In the Earth, the new film from Free Fire and High-Rise's Ben Wheatley, which steps into a world ravaged by a virus; and blistering thriller New Order, which delves into power and oppression in Mexico City. From the Australian contingent, Fist of Fury Noongar Daa dubs the Bruce Lee-starring Fist of Fury in an Aboriginal Australian language, and becomes the first feature to ever do so — while The Kids looks back on the seminal 90s film Kids, competitive swimming drama Streamline is based on Ian Thorpe's experiences, and Friends & Strangers is an Aussie slacker satire. On the must-see list, these newly revealed titles join the likes of Australian drama Nitram, about the lead up to the events in Port Arthur a quarter-century ago; Petit Mamam, the new film from Portrait of a Lady on Fire's Céline Sciamma; and tweet-to-screen comedy Zola — all of which were announced last month in the fest's first batch of titles. MIFF's physical venues for 2021 include Comedy Theatre, the Forum, RMIT Capitol Theatre, ACMI, Kino Cinemas, Hoyts Melbourne Central, Coburg Drive-In, The Astor, Palace Cinemas Pentridge, The Sun Theatre and Lido Cinemas — and, if you're wondering about the big move into digital as well, that follows 2020's online-only fest, which became MIFF's largest festival ever, audience-wise. The 2021 Melbourne International Film Festival runs from Thursday, August 5–Sunday, August 22 at a variety of venues around Melbourne. For further details, visit the MIFF website.
What is feminism? What thoughts, feelings, statements and positions drive and define it in the modern day? In 2012, contemporary artist Kelly Doley was inspired to expand her understanding. She initiated The Learning Centre: Two Feminists — a project inviting 16 participants from a variety of backgrounds to teach her more. Three weeks of workshops delivered a wealth of knowledge, and combining her interest with her art, Doley distilled her discoveries into her work. Her learnings were then concentrated into a series of catchphrases and slogans, before being painted on more than 90 posters. Yes & No: Things Learnt About Feminism is the eclectic result, with a range of words and observations emblazoned on bright backgrounds, shouting their ideas and insights. Somewhat confusingly, it's their difference that unites them. Though they're comprised of varying shades, tones, voices, designs and reasoning, together they encapsulate the complexities and contradictions of feminism. Get down to Boxcopy from October 18 - November 8. This one's sure to be a conversation starter.
We've had a lot to thank Winn Lane's Outpost for over the years. Think nice shirts, cool gigs, practical pocket knifes, zines, hats, expensive soaps and all those things that make cool people just the bit cooler. And now, this humble little jack-of-all trades of a store is rolling into the double digits. To celebrate, they're throwing a hell of a birthday do. To help Outpost mark their 10th birthday, White Lodge, I Heart Hiroshima and El Norto will be delivering some live music right throughout the evening. For those who like their tunes with a dash of art, the event also features visual showcases from a list of over 20 local and international artists. Most notably, skate artist Simon True will be jetting in from Japan. For one night only, you can witness the true genius of this talent as well many others, firsthand at this art-packed shindig. The night kicks off at 8pm this Friday and doesn't cost a cent. Yes, that means free birthday cake. HB2U Outpost!!
Eight-hour slow-roasted lamb shoulder. Jam-packed souvlaki filled with lamb, onion, mustard mayo and hand-cut chips. A Sunday lamb roast. In the '80s, they're all dishes Naomi Watts would've given up a date with Tom Cruise to eat. These days, they're staples at The Lamb Shop on the Gold Coast — and from March 6, they're heading up north to Brissie. As first announced in 2016, anyone eager to devour hearty, spit-roasted, mostly lamb-centric meals should make their way to King Street in Fortitude Valley, with the Broadbeach eatery becoming the latest restaurant to make the revamped Brisbane Showgrounds their new home. Expect all of the tasty items that have made them such a favourite on the Coast since opening first opening their doors in late 2014, with the exact same menu making the jump. The Lamb Shop is known for their modern take on traditional Greek offerings, as inspired by owner Peter Glouftis' memories of his childhood. Those after something other than the form of meat mentioned in the restaurant's moniker can snack on char-grilled corn, prawns, octopus or sheeps' cheese, or tuck into chicken versions of their souvlaki and small plates. Their menu is simple — like their concept — but it's also oh-so-succulent and delicious. And it comes with the added bonus of allowing diners to watch their meat rotate over hot coals while they're waiting. The Lamb Shop joins what's fast becoming one of the tastiest areas in the city, joining King Street tenants The George Bar and Bistro, GG Espresso, Fat Dumpling and Il Verde, plus Sushi & Nori and Hello Chicken, with new burger joint Super Combo also due to open this week. As the area continues to grow, one thing is certain: no one is going to be hungry here. Find The Lamb Shop on King Street, Fortitude Valley, from March 6. Keep an eye on their website and Facebook page for more information.
Yatala Drive-In was the first picture palace in southeast Queensland to reopen when COVID-19 lockdowns started easing, and has been screening films to movie buffs for a few months now. In late August and early September, it's also set to become one of the most magical places in Queensland — with all eight movies in the Harry Potter franchise lighting up the venue's screen over four spectacular Saturdays. Split into four parts — so you won't need a time turner to stay awake — the Potterfest marathon kicks off at 7pm on Saturday, August 22 with Harry, Hermione, Ron's first two years at Hogwarts. Then, head back at the same time on Saturday, August 29 for the next two years. The following weekend, on Saturday, September 5, the marathon will pick back up again — with the battle against You Know Who beginning in earnest. And, on Saturday, September 12, it'll wrap things up with the search for the deathly hallows. Tickets to the flicks are going for $49 per night per carload of up to six people — so, yes, you will need to buy individual passes to each double-feature session — which means you can pick and choose. Love Goblet of Fire? Watch it in your car. Not a big fan of the Half-Blood Prince? Skip it and do something else that night instead instead. Spaces are limited — so if you're keen, getting in early is recommended. Yatala Drive-In's Potterfest Harry Potter marathon is happening every Saturday night at 7pm between Saturday, August 22–Saturday, September 12..
When The Fast and the Furious took Point Break's premise and swapped surfing for street racing, it seemed like one of those easy Hollywood knockoffs that would speed into cinemas and then race right out of viewers' memories. Eighteen years, seven sequels, plenty of Coronas and a whole lot of talk about family later, we all now know that wasn't the case. It's the high-octane franchise that just keeps tearing up tyres and tearing across silver screen, and it has yet another new addition. The first Fast and Furious spinoff, Hobbs & Shaw reunites two of the series' newer players: Dwayne Johnson's Luke Hobbs, the government agent who has been a F&F staple since 2011's Fast Five, and Jason Statham's Deckard Shaw, the villain from Furious 7 who starts buddying around the gang in 2017's The Fate of the Furious. Directed by John Wick and Atomic Blonde's David Leitch, it's basically an excuse to put the two action heroes in the same movie again, watch as they bicker and banter like a muscular odd couple, and throw in the usual world-saving, car-racing antics. It also sounds like box office catnip. Because two of today's biggest stars isn't enough for this initial foray outside of the main F&F stable, Hobbs & Shaw also features Idris Elba as the flick's villain — plus Helen Mirren reprising her role as Shaw's mother, and The Crown's Vanessa Kirby joining the fold as his sister. Johnson reportedly wanted Hobbs to have some family, too; however bringing Aquaman's Jason Momoa on board didn't work out due to scheduling conflicts. Fans of Vin Diesel and the original gang, don't worry. Ninth and tenth F&F films are due in 2020 and 2021 respectively, so Dominic Toretto and company will be back to live their lives a quarter mile at a time once more. Also on the agenda is a female-focused spinoff focused on the ladies of the franchise, because this series remains furious about stretching out its run for as long as possible. Watch the trailer for Hobbs & Shaw below: https://www.youtube.com/watch?v=5Lxu75r3-kI Hobbs & Shaw opens in Australian cinemas on August 1.
More than once in Heartstopper, a question drifts from the lips of the Netflix series' British teens, asking something that every adolescent has contemplated. That query: "why are we like this?", pondering why hitting puberty always brings an utter lack of elegance with emotions, identity, relationships and expressing yourself. It can't be answered in any satisfactory way, but in this delightful streaming newcomer — with an eight-part first season that's become a must-see within a week of hitting the platform — what that question isn't referencing is also crucial. The LGBTQIA+-championing show doesn't ever have its gay, trans and bisexual characters pointlessly wonder why they love who they love or feel how they feel, welcomely, refreshingly and heartwarmingly so. That's enough to earn the series its title; for viewers, plenty about this webcomic-to-page-to-screen charmer will cause entranced tickers to miss a beat. Within the story, though, it takes mere minutes for Heartstopper to warrant its name — showing rather than telling, as all great art should. A year ten student at Truham Grammar School for Boys, Charlie Spring (first-timer Joe Locke) finds himself seated in his form class next to year 11 rugby player Nick Nelson (Kit Connor, Little Joe) at the start of a new term. Sparks fly on the former's part, swiftly and overwhelmingly, as a crush and then a life-changing love story is born. It's not the only moment that'll make Charlie pause, his heart all a-flutter and his cheeks a-glow — or any of the show's figures for that matter — but it leaves an imprint that sets Heartstopper's astutely endearing tone. Nodding to the series' graphic-novel origins, Charlie and Nick's first meetings inspire a flurry of hand-drawn animated hearts on-screen, illustrating how we all know that such an experience feels. The cute twinkling imagery is such a small but pivotal touch, used to illuminate small yet essential moments, and couldn't be more perfect. Others that follow, all also flawless: lightning bolts, flowers, stars and rainbows, all whizzing around when the sweetest of emotions run high. Everything isn't all rainbows for Charlie and Nick, narrative-wise, though — although the colour scheme favoured by director Euros Lyn (Dream Horse) goes heavy on pink lighting, blue and yellow school walls, the green grass of sports fields, and violet-hued clothing. In Heartstopper's opening episode, Charlie has a secret boyfriend, Ben Hope (Sebastian Croft, Doom Patrol). Their clandestine rendezvous in empty classrooms aren't his choice, but Ben won't even acknowledge Charlie in public. He's also cruel, rude and demanding without ever caring about Charlie's feelings, and filled with loathing about his sexuality — and fear that he might be found out. Thankfully, Charlie realises that he deserves much, much better, including with Nick's help. Also an issue: Charlie hardly thinks of himself as sporty, even after Nick asks him to join the school rugby team because he's super-fast at running. That train of thought speaks to a lifetime of self-doubt, with Nick telling Charlie to stop apologising for, well, everything — and Charlie's high-drama best friend Tao (fellow debutant William Gao) describing him as having "a tendency to believe him just existing is annoying for other people". Accordingly, while a friendship quickly solidifies between Heartstopper's central duo, Charlie is initially unsure whether anything more can happen. And, after spending a year being bullied by homophobic classmates after coming out — often hiding in the art room at lunch with a kindly teacher (Fisayo Akinade, Atlanta) to escape — he's anxiety-riddled in general. The nervy Charlie and calm-and-collected Nick — a self-described "gay nerd" among "borderline outcasts" and Truham's rugby king — don't simply cycle through an opposites-attract scenario, thankfully. This is an upbeat, soaring and joyful tale, too; yet another take on Romeo and Juliet, it definitely isn't. Heartstopper's focus: all those things that Charlie, Nick, Tao, recently out trans pal Elle (Yasmin Finney), her lesbian school friends Tara (Corinna Brown, Daphne) and Darcy (Kizzy Edgell), and the quietly happy-go-lucky Isaac (Tobie Donovan) navigate as they grapple with their feelings, working out what they want, self-acceptance, and relationships both romantic and platonic. The series isn't afraid of teen tropes or rom-com cliches, such as grand gestures in the pouring rain, blissful montages and the stress of text messages, but it also isn't willing to deliver anything other than a thoughtful and tender account of high schoolers being and finding themselves, even amid unavoidable teen angst and taunting. As well as writing Heartstopper's source material, Alice Oseman pens every episode of this perceptive gem, which bubbles with warmth, care and honey-coated emotions from the outset. Its coming-of-age story and central love story alike prove wholly relatable, aptly awkward but also wonderfully sweet and sensitive; Skins, Euphoria or either version of Gossip Girl it isn't, either. In short, it's a series that plunges so convincingly and inclusively into its characters' experiences that it feels like its heart is constantly bursting with affection for everything they do, want, hope for, dream of, pine over and go through. First crushes, young love, the swirling swell of feelings that comes with both and also figuring out who you are: all of this dances through Heartstopper's frames, and marvellously. Also, when Oscar-winner Olivia Colman (The Lost Daughter) pops up, she's glorious as always — although her teen colleagues are truly the stars of the show. The first season of Heartstopper is available to stream via Netflix. Images: Rob Youngson/Netflix.
There's no shortage of ways to send your love to your nearest and dearest, though sometimes an emoji, a surprise bunch of flowers or even a hardy succulent just doesn't cut it. Similarly, showering those close to you in sweet treats is far from difficult — but Australia's new chocolate company wants to provide another option. Combining taste, style and heartfelt messages, Good Measure Co is offering up the country's newest personalised artisan chocolate delivery service, not only ferrying their cocoa-based delicacies around the nation in attractive packaging, but letting you write your own tender missive to go along with them. You pick what goes inside and on the outside, choosing from gourmet dark and milk chocs in blueberry, milk and honey, dark raspberry, chocolate noir and signature salted caramel flavours — or Champagne truffles — plus four styles of box and whatever nice words you can dream up. Those eager to tailor their choccie selection for their special someone can expect to pay $50 for a box of 12, and $75 for 24. Boxes with a range of pre-written statements are also available for the same price, ranging from "chocolate for my favourite" to "it's time to celebrate". And, the cost includes free delivery, arriving the same day in Sydney for orders placed before 11am, and the next day if ordered afterwards. The company was created by Pete and Hannah Craggs, who "wanted to reimagine the humble chocolate box, and create a new way to share the joy of chocolate with friends and family in a simple and easy way," Pete explains. Continues Hannah, "we've tapped into the same sense of occasion and excitement you'd get from giving and receiving flowers, but with high quality, gourmet chocolate instead." For more information, visit Good Measure Co's website.
UPDATE: FRIDAY, JUNE 1 — To celebrate the release of the new batch of Bloody Shiraz Gin, Four Pillars will be giving keen drinkers a free taste of the stuff this Saturday, June 2 at bottle shops around the country. This includes the Oak Barrel, P&V Merchants and Paddington Cellars in Sydney; Mr West, Carwyn Cellars and Blackhearts & Sparrows in Melbourne; and The Cru and The Wine Emporium in Brisbane. See the full list (and tasting times) here. For the past three years, gin lovers across the country have tripped over themselves to get their spirit-loving fingers on a bottle of Four Pillars' Bloody Shiraz Gin — and that's before they've even had a sip of alcohol. The limited edition shiraz-infused concoction really is that good, so we thought you'd like to know that the next batch goes on sale this Friday, June 1. If you haven't come across the gin before, it's basically what it says on the label: gin infused with shiraz grapes. This gives the spirit a brilliant deep cerise colour and some sweet undertones (without a higher sugar content). That, along with its higher alcoholic content — 37.8 percent, compared to an average 25 percent in regular sloe gin — makes the Bloody Shiraz Gin a near-perfect specimen. Four Pillars created the game-changing gin back in 2015 when it came into a 250-kilogram load of shiraz grapes from the Yarra Valley. Experimenting, the Victorian distillers then steeped the grapes in their high-proof dry gin for eight weeks before pressing the fruit and blending it with the gin, and hoping like hell it would turn out well. It did. The last few batches have sold out really quick, so this year the distillery has acquired more shiraz to make more of the gin than ever before. Still, you'll need to move fast. The gin will go on sale for $85 this Friday, June 1 at selected bottle shops and online at fourpillarsgin.com.au. Godspeed.
We’re not talking lion hunting while munching caviar and canapés, nor are we dreaming of zebra reductions or tiger tartare: this gourmet safari, courtesy of travel experts Mr & Mrs Smith, features hotels whose restaurants alone are worth a bumpy ride in a 4X4, whose chefs are the big game of the food industry, and whose dining rooms draw food critics like thirsty wildebeest to a watering hole. 1. SANGOMA RETREAT Where: 70 Grandview Lane, Bowen Mountain, NSW What: Game reserve-inspired glam City grind got you ground down? Sydneysiders in need of respite should write their own prescription for a stay at African-inspired Sangoma Retreat in the Blue Mountains, just a 70-minute drive away, where five light, airy and very spacious suites loll across 10-hectare grounds. Rooms are blessed with huge freestanding Philippe Starck tubs and wraparound balconies for soaking up bush scenes, but chances are you’ll be hard-pressed to tear yourself away from the restaurant. Owner/chef Zenga Butler cooks up globe-trotting cuisine with Ottolenghi influences (healthy, seasonal, locally sourced and largely organic). It’s a relaxed affair: heaped platters of fish and salad, which you can help yourself to. 2. METROPOLITAN BY COMO Where: 27 South Sathorn Road, Tungmahamek, Sathorn, Bangkok, Thailand What: Manicured minimalism Australian chef David Thompson’s rice-white and mango-yellow Nahm restaurant in the Metropolitan by Como, Bangkok hotel may survey the pool, but you’ll only have eyes for your food, however many starlets or stallions strut past. Expect elegant Thai cuisine featuring tingling flavours and succulent seafood: kingfish salad with chilli, lime and mint, deep-fried crab with pomelo, and coconut-cream-slathered desserts. Lesser known, but equally wonderful, is the hotel’s guilt-free Glow restaurant, where Amanda Gale’s zingy salads keep you feeling great. The low prices (around AU$21 for a fresh juice and two-course lunch) are equally revitalising. 3. ROYAL MAIL HOTEL Where: 98 Parker Street (Glenelg Highway), The Grampians, VIC What: Gourgeous gourmet pub Need a dose of vitamin C? Head to Royal Mail Hotel in the Grampians, where fat pumpkins, albino eggplants and juicy tomatoes flourish ripely in the green, green garden. Dan Hunter (formerly head chef at Spain’s two-Michelin-starred Mugaritz) flirts with vegetarians and omnivores alike via two 10-course tasting menus: one leafy; one meaty. This chef melts rules like butter: lamb comes with liquorice; pigeon is paired with white chocolate. Such creativity has garnered a fistful of awards, so book your table when you book your bedroom. There’s also a casual bistro with a sunny courtyard and a tapas menu, and – for less calorific moments – mountain views, hills for hiking and a peaceful outdoor pool. 4. QT SYDNEY Where: 49 Market Street, Sydney, NSW What: Theatrical temptress Scantily clad door-sirens with flame-red wigs, rooms with DIY martini kits, a buzzing bar and a spa with hammam, ice-room and hipster barber: at sexy QT Sydney hotel, you could easily forget to eat. That would be tragic, though, given the excellent restaurant housed in the hotel’s historic State Theatre and Gowings department store buildings. Helmed by executive chef Paul Easson, under the creative direction of Sydney restaurateur Robert Marchetti, Gowings Bar & Grill is a funked-up Euro-flash brasserie which relies of the most artisan producers for the freshest Australian ingredients, and cooks them to perfection in wood-fired rotisseries. Repair to the Gilt Lounge afterwards for vintage cocktails. 5. EICHARDT’S PRIVATE HOTEL Where: Marine Parade, Queenstown, New Zealand What: Historic haven with watery vistas If you fancy drinking in both Lake Wakatipu views and silky seafood chowder, book a bedroom at Eichardt’s Private Hotel in Queenstown. This glam grand dame has mountain- and lake-spying rooms, a famous bar and a very good restaurant. Choose between dining at the award-winning bar or at Eichardt's Parlour, a private lounge and dining area on the first floor, styled with Georgian grace. Chef Will Eaglesfield is the talent in charge, plating up delicious dishes such as wild-game terrine with house pickles and mustard, and salted-cod-and-potato croquettes with herb aioli. Comfy sofas, friendly service and a toasty fireplace keep things cosy. 6. LAKE HOUSE Where: 4 King Street, Daylesford, VIC What: Restrained rural retreat Delicious little Lake House hotel in Daylesford began life in 1984 as a 40-seat, weekend-only restaurant, owned by acclaimed chef Alla Wolf-Tasker. Fast forward more than a few years, and lake-scoping rooms and a Scandinavia-inspired spa with treetop hot tubs and a blissful 75-minute signature treatment have been added to the equation. The emphasis is still firmly foodie, though: what’s dished up varies according to the season, but you can expect house-made charcuterie, heritage vegetables and fruits, local trout, eel and cheeses, free-range pork and wagyu beef. Be sure to book your table when you bag your stay, and call by Alla’s more casual café, Wombat Hill House, in the nearby Botanic Gardens. 7. ESTABLISHMENT HOTEL Where: 5 Bridge Lane, Sydney, NSW What: Everything-under-one-roof design destination Devotees of dim sum will think they’ve died and gone to har gow heaven when they clap eyes upon Establishment Hotel’s impressive Cantonese restaurant, Mr. Wong, a sprawling 240-cover space. When pork buns pale, there are plenty of other in-house options: Est., for Australian fine dining with French and Asian flair; Sushi-e, for succulent sashimi; Palings, which has a 'kitchen' menu designed for sharing, and the stunning Gin Garden bar, with lush plants, sexy pendant lamps, raw brick walls and a choice of Thai and Australian dishes. This multi-tasking pleasure palace can organise access to the Fitness First gym next door, if you start to feel fatty. 8. HUKA LODGE Where: 271 Huka Falls Road, Taupo, New Zealand What: Trad Twenties hunting lodge Fan of fishing, food and fast-paced adventures? Huka Lodge has all three covered. Set in Taupo, home to New Zealand’s largest lake in the heart of the volcanic North Island, this heritage 1920s hotel was founded as a frill-free fishing lodge, but don’t expect simple dinners of fisherman’s pie. Instead, the Michelin-starred executive chef brings European influences to contemporary New Zealand cuisine, harnessing the finest fresh, flavoursome local ingredients, including fruit from the orchard. Menus change daily according to the produce available, but previous crowd-pleasers include: freshwater lobster butter-poached with lemon-infused gnocchi and watercress, and chocolate fondant with espresso ice-cream. Cosy up in the main dining room or dine alfresco in the riverside grounds. 9. SPICERS VINEYARDS ESTATE Where: 555 Hermitage Road, Pokolbin, Hunter Valley, NSW What: Modern manor house Lovers of vine things have long flocked to the green-gold hills of the Hunter Valley, where some of the country’s sweetest, punchiest grapes flourish. Spicers Vineyards Estate makes the most of its regional charms: the 350-strong wine list (manager Belinda Stapleton's pride and joy) includes local gems from Margan, Tyrrell's and the like, or old-world classics from Burgundy and Bordeaux, and the restaurant has a veggie patch, chickens and pigs, and clever chef Mark Stapleton. Botanica's contemporary menu is loaded with lip-smacking dishes, such as house-made charcuterie, slow-cooked duck with caramelised fennel, and hand-cut pappardelle with lobster cream. Rattan chairs, earthy tones and floor-to-ceiling windows offering serene vineyard views make for a relaxed setting. 10. THE PRINCE Where: 2 Acland Street, St Kilda, Melbourne, VIC What: High-drama design, art deco grace Melbourne knows that the way to a visitor’s heart is through their stomach: this is the city where pop-up eateries sprout like mushrooms in the little laneways, after all. The Prince boutique hotel, a colourful art deco distraction in bayside St Kilda, lives up to its location, with not one but two ravishing restaurants. At Circa, rising star Paul Wilson and seasoned chef Jake Nicolson rustle up sharing plates with Asian zing: kingfish sashimi with yuzu and basil jelly, or bonito with green tea, for example. There’s a Mexican in the basement, too, but don’t be scared: Acland St Cantina spans a casual canteen and a cute, characterful restaurant. Save room for the salted-caramel ice-cream churros taco (we kid you not).
Brad Pitt almost unrecognisable as Henry Spencer from Eraserhead. Ryan Gosling as The Invisible Man. Viola Davis as Nurse Ratched from One Flew Over the Cuckoo's Nest. If this has you intrigued, you're going to love the video exhibition that the New York Times Magazine has put together, directed by Alex Prager. In part an homage to the greatest villains from film and a showcase of some of the most talented actors we see on our screens today, each vignette is a carefully crafted moment exploring the darker side of these wicked characters. No actor speaks in the vignettes, but repetitive, spine-tingling music plays, reflected in the sinister, depraved look in each character's eyes. The camera creeps up Kirsten Dunst's body as she holds a green apple close to her lips; Glenn Close is a mysterious, almost ghostly version of Theda Bara, the silent film star. If you're a budding movie director, this could well serve as inspiration for your next horror short... See the exhibition, A Touch of Evil, here and the mood board that inspired it.
A Month of Sundays tells a familiar tale of middle-aged unhappiness. Think family struggles, work troubles, regrets and attempts at redemption. Yet there's an undercurrent of dry Australian comedy apparent in the latest feature from writer-director Matthew Saville (Noise, Felony). In the same way that other recent local releases The Dressmaker and Looking for Grace traversed darker territory with a wry smile, A Month of Sundays doesn't quite try to look on the bright side of life, but it does understand the way laughter can disarm bleak, tense and even routine situations. Here, amusement lurks quietly, always present in Anthony LaPaglia's lead performance. As Adelaide real estate agent Frank Mollard, the actor is rarely without a look of bemused resignation on his face or a droll tone in his voice. Frank is surrounded by the misery of a fresh separation from his actress wife (Justine Clarke), a strained relationship with his teenage son (Indiana Crowther) and a strong feeling of professional dissatisfaction. Perhaps that's why Frank believes he's talking to his deceased mother when a stranger dials a wrong number, and why he then forges a bond with the woman, retired librarian Sarah (Julia Blake), on the other end of the phone. It's the kind of situation that could only occur in a movie, though courtesy of the film's blend of empathy and comedy, it's never as far-fetched as it sounds. That's the film all over: slightly too convenient in its story, but still realistic in its emotions. More often than not, Saville finds the balance between the two, courtesy of a lighthearted touch and warm sense of humour. Indeed, as thoughtful as the movie's treatment of its gloomier themes proves, A Month of Sundays is at its best when it's cultivating chuckles. In fact, the entire film could've easily been set around Frank, his boss Phillip Lang (John Clarke), and their shared scenes. Their one-liners, about selling houses and installing Flash to view the company website, not only raise a few giggles, but also reveal plenty about their characters. The old adage, that every joke contains a grain of truth, clearly hasn't been lost on Saville. Neither has the need for a slow and patient approach in letting both the amusing and moving sides of every exchange play out. That it all builds slowly and subtly might feel a tad anticlimactic, but that's the point. Just as life creeps up on Frank Mollard, so to does this modest Aussie film creep up on all who watch it.
You may not have heard his name before, but you have probably heard Dave Di Marco’s voice. As lead singer for the much loved local folk act, Charlie Mayfair, Dave became accustomed to writing music and performing it in front of live audiences. Since stepping out as a solo artist last year, Dave has had the pleasure of supporting international acts and touring up and down the east coast of Australia. His well-received first single, ‘Dublin’, got his name on Triple J and earned some interest from new fans around the country. After releasing his second single, ‘Unfold’ on Triple J Unearthed, the excitement for his first release has grown. Now available on iTunes, Dave’s debut EP, Deep Down These Walls is ready to purchase and listen. We recommend heading to Black Bear Lodge on Sunday to see how his stage presence has grown and to hear his new material reverberate off the walls and into your mind. Dave will be supported by local talents, The Phoncurves and Mountains.
When Ze Pickle first started slinging burgers, it did so on the Gold Coast, launching its initial store at Burleigh Heads. That venue is still dishing up the meat-and-bun combo, and will soon be the chain's only eatery. After its Fortitude Valley outpost closed in February, Ze Pickle has announced that its Camp Hill store will say farewell on Sunday, March 17. The chain is also shutting up shop in Brisbane altogether, announcing that its OG Burleigh site will soon get all of its focus. No closure date has been announced for Ze Pickle's Brisbane Airport eatery so far. View this post on Instagram A post shared by Ze Pickle (@zepickle) "We've made the decision to slowly take Ze Pickle 360 degrees back to its roots and just sport our wares at the OG Burleigh store. It's been a great, successful, wild and trying nine years-plus since we expanded from our little shoebox here on the GC that we first opened 12 years ago," said the chain's team via social media. "In that time we have amassed a huge and amazingly loyal following (love yas all!), had plenty of ups and downs which we have learned a lot from, and have now come to a point where we are keen to keep it simple." When Ze Pickle's Fortitude Valley spot shut, it did so nine years after opening as the brand's debut Brisbane outpost, and saw the chain join the city's recent spate of burg-slinging closures. In 2023, both Fish Lane's plant-based favourite Grassfed and chain Getta Burger stopped trading in the River City. Ze Pickle became a southeast Queensland favourite over a decade back on the Goldie and since 2016 in Brisbane for its OTT creations. American-influenced standouts include the Pablo, which features corn chips; the 3am, with fried cheese sticks a big feature; and the Triple Loco, which comes laden with three beef patties, three slices of cheese and three rashers of bacon, all between two grilled cheese sandwiches. Among the chicken burgs, Mash Mash City Bish includes truffle-buttered mashed potato on the burger. And yes, living up to the Ze Pickle name, each one comes topped with a pickled cucumber. Also a highlight: each venue's laidback bar vibes, plus the desserts and cocktails on the menu. Indulging your sweet tooth means tucking into deep-fried Oreos in doughnut batter — or a skillet filled with baked caramel M&Ms, choc-chip cookie dough, ice cream and marshmallow gravy. The drinks include a Bacon Old Fashioned, of course, as well as boozy takes on banoffee pies and Hubba Bubba, plus a frozen bubblegum margarita. Ze Pickle is closing at 1/4 Newman Avenue, Camp Hill on Sunday, March 17, 2024, but will still trade at 1/37 Connor Street, Burleigh Heads. For further details, head to the chain's website.
We all have a family story to tell, but we can't all tell it like Sarah Polley. The actor known for such films as Dawn of the Dead and Splice and director of quietly acclaimed features Take This Waltz and Away From Her has turned her hand to documentary with Stories We Tell, and it's been demanding attention from festival audiences around the world. Unfortunately, it's one of those films that it's best to know as little of as possible when you go in, so this is going to be a short article. Suffice to say, Polley's primary interest is her mother, Diane Polley, an actress and extrovert who relished the escape from home life that came with roles on the stage. She died in 1990, when Sarah was 11, leaving behind a web of secrets that lay hidden for many years — until her daughter grew up and started to pull at the threads. Polley has a great cast of characters in her life to work with (every member of her family is interviewed), but the magic of this movie is ultimately in her storytelling. It's wittily edited, warm and makes some rather uncanny use of Super 8. The result is probably the most enthralling and entertaining family memoir around. Stories We Tell is in cinemas on September 26. Thanks to Palace Films, we have ten double advance screening passes to give away, valid from September 13-22. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email hello@concreteplayground.com.au with your name and address.
Maybe you've changed your computer backdrop to a picture of Hamilton Island. Perhaps you keep perusing snaps from a past Byron Bay getaway on your phone. Can't stop thinking about your previous holidays? The midwinter blues will do that. We've said it before and we'll say it again: another cure is planning your next vacation, especially when there's a flight sale to capitalise upon. Qantas has dropped another massive round of discounted fares. In June, it put more than one million cheap seats up for grabs. A month later, it's doing the same. The focus is still on its domestic network, spanning 60-plus routes — and this time, prices start at under $160 one-way on more than 40 of them. You'll be able to travel between August 2024–March 2025, although the specifics vary per destination. If you're keen, you'll need to get in quick as this is a 72-hour-only sale, running until 11.59pm AEST on Thursday, July 25, 2024. And yes, the usual caveat applies: if fares sell out earlier, you'll miss out. Options include Sydney to the Gold Coast for $109, and to Byron Bay for the same price; Melbourne to Launceston from $119, and to Maroochydore for $179; and Brisbane to the Whitsunday Coast from $119, or to Hamilton Island for $169. Other routes and fares span both Brisbane to Sydney and Adelaide to Melbourne from $129, Brisbane to Cairns from $159, Sydney to Albury for $149 and Melbourne to Coffs Harbour for $169. Trips to and from Perth, Hobart, Alice Springs, Darwin, Canberra, Newcastle, Mildura, the Fraser Coast, Wagga Wagga, Devonport, Broken Hill, Tamworth, Port Macquarie, Rockhampton and Townsville are also on the sale list — and there's more after that as well. Inclusions-wise, the sale covers fares with checked baggage, complimentary food and beverages, wifi and seat selection. Qantas' 72-hour surprise sale runs until 11.59pm AEST on Thursday, July 25, 2024, or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
When you need an on-point get-up stat, there's one place in Brisbane you know can serve the goods — Sunday Social. This laneway boutique has been dressing the style savvy for years, and to celebrate their fourth birthday, they're throwing a little bash. The celebrations kicks of this Thursday at 6pm, and you can expect to pick up some outrageous bargains as well as a slice of cake if you say some pleases and thank yous. Sunday Social will also be launching their winter season stock, so expect jackets and turtlenecks galore among the streamers and balloons. There's no entry free — because what kind of party would that be — and you can get away without bringing a present. All you need is some cash for bargains, a couple of pals to ooh and aah at your outfit suggestions, and some birthday cheer.
Brisbane gastronomes, get ready: celebrated South Australian winery Maxwell Wines is making the trip north for an exclusive one-night-only experience at C'est Bon Restaurant & Le Bon Bar. Presented on Thursday, July 10, guests have a rare opportunity to indulge in a gourmet menu shaped by the esteemed duo of Maxwell Wines' Executive Chef Fabian Lehmann and C'est Bon Owner-Chef Andy Ashby. The menu, carefully conceived to pair with Maxwell's award-winning drops, will showcase the renowned winery's terroir-driven vino and innovative cuisine. Hailing from South Australia's picturesque McLaren Vale wine region, Maxwell Wines has established a stellar reputation for culinary excellence over the last 45 years, with Lehmann bringing his Michelin-trained experience to the restaurant's helm in 2016. "Bringing Maxwell Wines' unique flavours and dishes to Brisbane alongside Andy at C'est Bon is a wonderful opportunity to share the essence of McLaren Vale," says Lehmann. "Our philosophy is all about respecting the land and our ingredients — creating dishes that complement the depth and character of our wines." In partnership with Ashby, praised for his modern takes on classic French cuisine that play with Queensland-grown ingredients, the pair will combine their signature styles to present four snacks and four courses. Elegant but relaxed, guests can expect each dish to honour its seasonal produce, offer a sense of old-world charm and match perfectly with Maxwell's wares, resulting in a seamless culinary journey. Highlights include Maxwell's signature edible oyster, featuring oyster mousse finished with a champagne gel and edible silver powder, served in an edible oyster shell. Also on the menu, guests will relish a French onion meringue with foie gras and duck heart; tete de porc with Scenic Rim barley and winter truffle; and wagyu beef, smoked eel and mushroom with Queensland pumpkin sea buckthorn pate de fruit. "Collaborating with Fabian and showcasing Maxwell is a real highlight," says Ashby. "We've designed a menu that honours both of our kitchens' strengths, focusing on balance, texture and flavour — all enhanced by Maxwell's outstanding wines. It's going to be a special evening where Brisbane diners can taste something truly exceptional." The Maxwell Wines x C'est Bon dinner is happening from 6pm on Thursday, July 10, at C'est Bon Restaurant, 609/611 Stanley Street, Woolloongabba. Head to the website for more information and to book your place. Images: Mitch Lowe / Duy Dash.
Brisbane Festival is well and truly upon us with theatre, music, art and creativity flowing through the streets of the inner city areas. On your Brisbane Festival adventures we know you will be looking for a delicious bite to eat, so we have come up with our top five places for you to eat during this wonderful month in Brisbane. Watt Restaurant + Bar If you've seen a show at the Powerhouse then we recommend that you visit Watt. With a delicious seafood-focused menu, and glorious seating looking over the Brisbane River, you are bound to make your Bris Fest experience a whole lot more delightful by enjoying the laidback vibe here. 119 Lamington Street, New Farm; 07 3358 5464; www.watt.net.au Verve Cafe If you're out in the city at Metro Arts, then you may as well pop into Verve Cafe located in the underground section of the building. Likely to be very busy at this time, you should book ahead, unless you're happy to sit at the bar, and drink from their wide selection of cider. Dimly lit and hidden away, Verve is the kind of place you can go to hide out for a while, so is the perfect place for a performer. The Italian food is delicious and they are very inclusive of gluten-free needs, providing GF pasta and pizza bases. A lively and fun atmosphere to start off your night of theatre. 109 Edward St, Brisbane City; 07 3221 5691; www.vervecafe.com.au Piaf Bistro Close to all of the action in South Bank, Piaf is a breath of unpretentious air. Playing the beautiful music of French namesake Edith Piaf, and serving delicious and inexpensive French cuisine, this little bistro is a simple yet elegant place to dine, or to stop for a class of tasty French wine. 5/182 Grey Street, South Bank; 07 3846 5026; www.piafbistro.com.au South Bank Surf Club Located in the heart of South Bank, the South Bank Surf Club is the perfect place to kick up your heels while the sun goes down and enjoy the spring weather. With a jazzed up surf club menu, the diverse food offerings suits all tastes and appetites. Right in the mix of the action, the atmosphere will make you want to call in sick on a Monday. 30a Stanley Plaza, Parklands South Bank; 07 3844 7301; www.southbanksurfclub.com.au Stokehouse Restaurant For some fine dining with your Brisbane Festival adventure, we recommend Stokehouse, located up the Kangaroo Point end of South Bank. Exquisite views and an exquisite menu will guarantee a happy experience. With attentive waitstaff, and a stylish but relaxed atmosphere, you can enjoy the mediterranean inspired food, wine and views of beautiful Brisbane city. Sidon Street, South Bank; 07 3013 0333; www.stokehouse.com.au
Anything can be festive with the right theming, and that includes doughnuts. Accordingly, it should come as zero surprise that Krispy Kreme will soon release a line of Christmas goods, aka doughnuts iced in red, green and white. What you might not be expecting, however, is the new range of doughnut-inspired Christmas biscuits for dogs that it has just dropped first. You know the thinking behind this new canine snack: anything humans can eat, dogs think they can munch on as well. Of course, as every responsible pet parent knows, that isn't the case. But this festive season, that's where Krispy Kreme's latest limited-edition range of 'doggie doughnuts' comes in. The company has dipped their paws in this territory before, back in 2021. This time, the round dog bikkies are all about the jolliest part of the year. Even better: they're decked out exactly as the Christmas range of doughnuts for humans will be when they arrive, so you and your pupper can go all matchy matchy with your snacks. Krispy Kreme's new dog treats sure do look like the real thing anyway, and once again hail from a collaboration with Coolum-based pet treats business Huds and Toke. They come in four packs for $10.95, with each biscuit featuring different decorating — so there's a Christmas tree-inspired bikkie, one that's meant to look like a Christmas pudding, another that's inspired by Santa's belly (including a blet) and a white, sprinkle-topped number simply dubbed 'festive ring'. The biscuits aren't made from doughnuts or chocolate, of course; instead, they use a hard-baked cookie base that uses peanut butter, carob and other canine-friendly ingredients. The bikkies are also meant to be good for chewing and for teeth cleaning — so they'll get your four-legged friend's tail wagging and help take care of their dental health. And yes, a big caveat: they are just for pets. So, just like how Fido or Rover can't have your doughnut, you can't have their version either. Find them now at Krispy Kreme stores around the country, including via drive-thru and click-and-collect. Krispy Kreme's Christmas doggie doughnuts are now available from the chain's stores — including via drive-thru and click-and-collect for a limited time.
Gone are the days when gin was simply a clear spirit that tasted good with tonic. It still is, but it now comes in so many varieties that you could dedicate an entire liquor cabinet just to juniper-based beverages. Shiraz gin, chardonnay barrel-aged gin, spiced Christmas gin, pink gin made from cherries and raspberries, green ant gin and even non-alcoholic gin — they're just some of the recent types tempting your tastebuds. And if most of the above sound great for an Australian summer, then consider Bass and Flinders' truffle-infused gin your new winter go-to. Returning for 2018, the limited-edition truffle gin blends fresh Australian Black Perigord truffles — sourced from Red Hill farms, where possible — with a vapour-infused mix of juniper, angelica root and calamus root. Like all of the distillery's tipples, it also uses Bass and Flinders' grape-based eau de vie spirit, which creates a particularly smooth texture. "It is a standalone gin that's wonderful neat, or alongside creamy sauces and strong cheeses," says head distiller Holly Klintworth — or, you could opt to make your own truffle martini. Whichever way you'd like to drink it, the truffle gin is available from Friday, July 13 from Bass and Flinders' cellar door in Victoria's Red Hill, as well as via the distiller's website. If you happen to be in the vicinity of the former on Saturday, July 14, you can also take part in a truffle hunt, which includes truffle gin tastings plus cocktails with cheese platters.
Another year, another new version of Cinderella. Some stories just can't stay away from the screen, and this is one of them. Filmmakers have been drawn to the fairy tale since the silent era, resulting in beloved animated flicks, playful takes on the tale such as Ever After and Ella Enchanted, and Disney's 2015 live-action adaptation. Arriving next, and soon: a new musical that combines glass slippers and pining for a better life with singing, dancing and a fairy godparent named Fab G — with the latter played by Pose's Billy Porter. This version of Cinderella stars singer Camila Cabello as the titular character, while The Craft: Legacy's Nicholas Galitzine plays Prince Robert. Also popping up: Idina Menzel (Frozen II) as Cinders' stepmother, Minnie Driver (Starstruck) and Pierce Brosnan (Eurovision Song Contest: The Story of Fire Saga) as the king and queen, and Romesh Ranganathan (Staged) and James Corden (The Prom) as both footmen and mice. The latter is a producer, too, and came up with the idea for the film, while Pitch Perfect writer and Blockers helmer Kay Cannon sits in the director's chair. Clearly, if a new version of Cinderella doesn't hit the screen every few years, Hollywood must turn into a pumpkin. While musical takes on the tale aren't new — see also: the stage version that's slated to hit Australia — this one is set to feature pop songs. So, you'll be seeing Cabello, Menzel and company singing tracks you know, as well as crooning their own new original tunes. Just how that'll turn out will be revealed on Amazon Prime Video on Friday, September 3, with the film originally slated for a cinema release, but then snapped up by the streaming platform instead. In both the initial first-look trailer and a just-dropped first new sneak peek, there's plenty of songs, colour and empowerment. Cinders won't stand for her stepmum's terrible treatment, or for simply being a dutiful princess when she hits it off with Prince Robert. There's also humour in this version, crucially, including around Fab G and the abilities that come with being a fairy godparent. "Do you want to go to that ball?" asks Fab G, to which Cinders replies: "yes, I was just crying and singing about it like two minutes ago". Check out the latest Cinderella trailer below: Cinderella will be available to stream via Amazon Prime Video from Friday, September 3. Top image: Kerry Brown.
New York's Museum of Modern Art isn't the only major international gallery to bring its wares to our shores this year, with an exhibition from London's Tate Britain gallery heading to Australia from December. Entitled Love & Desire: Pre-Raphaelite Masterpieces from the Tate and displaying from December 14, 2018 until April 28, 2019, it'll bring more than 40 of the Tate's beloved works to the National Gallery of Australia in Canberra, in an exhibition that'll focus on the artistic movement that started in 1848. Iconic pieces such as John Everett Millais' Ophelia and John William Waterhouse's The Lady of Shalott will be making the journey as part of the showcase. Part ode to early Renaissance efforts, part protest against the prevailing creative traditions of the mid-19th century, pre-Raphaelite art was sparked by a group of rebellious artists eager to create something different to the art of the time — and their preferred style, featuring detailed, colourful compositions painted in thin layers with small brushes, certainly managed that. In addition to the pieces from the Tate, the exhibition will also feature an additional 40 works loaned from other British and Australian collections. Each will help highlight the themes of the Pre-Raphaelite movement, examine the different styles adopted by the various artists adhering to its principles, stress the importance of draughtsmanship and emphasise the movement's fondness for collaboration. "This exhibition includes some of the most loved and visited paintings at Tate — some of which have never before been seen in Australia," said NGA director Nick Mitzevich. Love & Desire: Pre-Raphaelite Masterpieces from the Tate will be the NGA's major summer exhibition, although it's not the gallery's only new addition come the end of the year, with Yayoi Kusama's pumpkin-filled infinity room The Spirits of the Pumpkins Descended into the Heavens set to join its permanent collection in December. Images: John Everett Millais, Ophelia 1851-2. Oil paint on canvas. Tate collection presented by Sir Henry Tate 1894. © Tate. / John William Waterhouse, The Lady of Shalott 1888. Oil on canvas. Tate. © Tate.
Minimalist Aussie clothing designer Assembly Label is currently hosting a massive online charity sale so you can upgrade your wardrobe with linen pants and a comfy woollen knit tee— and help Aussies doing it tough. With both men's and women's wear on offer, you'll find both cosy outfits for those chilly La Niña days such as denim, jumpers and jackets, plus swimwear, dresses and shorts ready for when the next summer heat wave hits. Best of all, you can nab it all at up to 50 percent off. There's a whole range of summer essentials available for cheap on the site. You could be sporting this cord drawn black dress, for example, at your next beachside brunch or sunny summer picnic for $60 down from $100. As part of the sale, Assembly Label has a choose-what-you-pay initiative raising money for the Curing Homesickness, an organisation that helps kids get home from hospital sooner. When you buy a sale item, you can choose to pay an extra $5, $10 or $15, with that amount then matched by Assembly Label and donated to Curing Homesickness. So, you can grab some new threads and feel good about it too.
