Since 2017 in Brisbane, crooning tunes at the pub with a drink in your hand is no longer just something that you do with your mates when you've had enough liquid courage. It's the whole idea behind Pub Choir, which started out in the Queensland capital, still hosts local shows regularly and has also taken its boozy communal karaoke setup on the road around the country. It pivoted to the couch to keep everyone entertained during lockdown, too, and has made the leap to television as well. Over the past five years, Pub Choir has gotten big, unsurprisingly. It's a fantastic concept. So, it no longer just pops up in pubs, but in huge venues — such as Brisbane's Fortitude Music Hall at its most recent homegrown session at the end of June, where 1600 strangers showed up to sip, sing and be merry. The song they were belting out? None other than the current tune of winter, and of 2022, even though it was initially released 37 years ago. That'd be Kate Bush's 'Running Up That Hill (A Deal with God)', which has surged back to popularity thanks to its prominence on Stranger Things season four. If you've seen the Netflix hit's latest episodes, you'll know why. [caption id="attachment_809627" align="alignnone" width="1920"] Jacob Morrison[/caption] Busting out that track in that way must've been something special. It looks like it on the video from the event, which you can find below. But the fact that Kate Bush saw it and loved it as well takes the whole thing up several hills worth of levels. Pub Choir's organisers posted a picture of the email they received from Bush herself after she'd watched their 'Running Up That Hill (A Deal with God)' video. The British singer noted that she's been busy, understandably, but that she was incredibly touched by everyone's "warmth and smiling faces". If that doesn't boost Pub Choir's numbers — not that they need boosting, given that the event already sells out quickly — than nothing will. Reacting to the note, the Pub Choir team said "life as we know it is over, and all that remains is this email from KATE. BUSH. Happy Kate Bush Saw Our Video Day, everybody!!!!!". View this post on Instagram A post shared by Pub Choir (@pubchoir) If you want to be like Bush — and don't we all — you can watch Pub Choir's 'Running Up That Hill' efforts below now. Brisbane also plays host to The Most Wuthering Heights Day Ever each year, where a different Bush track — 'Wuthering Heights', obviously — is in the spotlight. 2022's event takes place on Saturday, July 30 if you want to show your Kate Bush love, and dressing up in a red dress, red stockings and black belt to copy Bush's swaying, kicky dance in the wily, windy moors of Milton's Frew Park is a must. Sydneysiders are getting their own 'Wuthering Heights' event on the same day, in Sydney Park in St Peters — and the same concept applies. For more information about Pub Choir — including upcoming dates around the country — head to the event's website.
With the return of Finders Keepers market in June, so too comes the return of our inner art and design guru. It pulls us towards eye-catching prints, impeccably designed ceramics and irresistibly quirky earrings — all of which we might not necessarily need, but certainly can't seem to live without. Finders Keepers is bringing back its high-quality collection of stalls to Brisbane across June 21–23, with a few exciting additions and a continued focus around independent and up-and-coming artisans. Art and design run the show at Finders Keepers, so expect to see returning stalls Nerida Hansen Print and Textiles, which sells vibrant textiles and fabrics featuring designs by local artists, and a variety of artwork, homewares and accessories brought to life by Clare Ritchie. There's also a healthy addition of wellbeing and beauty products like Naturally Millie Ma, which carries products based on Tasmanian-sourced ingredients — from pure Tasmanian olive oil soaps to men's grooming products. Meanwhile, new stalls worth stopping by include fashion label and Finders Keepers Brisbane Indigenous Program recipient Life Apparel Co, fine art photographer Emily O'Brien and Brisbane-based ceramics brand Paxxy&Flora. To keep you well-fuelled for your shopping expedition, there'll also be a fair share of food stalls. The Abbiocco Food Truck will be dishing out Italian-style street food — or you can opt for a burger and fries at the Surf Burger stall. If you're gluten-free or vegan, you're in luck — Happy Soul Bowl has healthy, savoury options, while Gfreedonuts can fulfil a sugar craving with Nutella, salty caramel, custard and raspberry jam doughnuts. Needless to say, seek and you will find. If you're feeling a bit overwhelmed by choices you can take a look at the Finders Keepers online directory for a comprehensive look at the stalls. Finders Keepers Autumn/Winter Brisbane will run from Friday, June 21–Sunday, June 23. The market will be open from 12pm–9pm on Friday, 9am–5pm on Saturday and 9am–5pm on Sunday. Entry is $5 and tickets are valid for all three days. Images: Samee Lapham.
If you were planning to fly with Bonza today, Tuesday, April 30, your travel plans have changed. The budget Australian airline has suspended its flights across the country — a move that the carrier says is short-term while it works out a plan to stay operational. In a statement, Bonza CEO Tim Jordan advised that "Bonza has temporarily suspended services due to be operated today, as discussions are currently underway regarding the ongoing viability of the business". "We apologise to our customers who are impacted by this and we're working as quickly as possible to determine a way forward that ensures there is ongoing competition in the Australian domestic aviation market," the statement continues. When it launched in 2023 with the backing of US private investment firm 777 Partners, which also has a hand in Canada's Flair Airlines and the Southeast Asian-based Value Alliance, Bonza gave Aussies a new option for flying. Its angle: a low-cost carrier with a particular focus on opening up routes to more of the country's regional destinations. It was in January last year that Jordan announced that the airline received its Air Operator Certificate (AOC) from the Civil Aviation Safety Authority (CASA). "This is an historic moment for Australian aviation as we get ready to launch the first high-capacity airline in more than 15 years, and the country's only independent low-cost carrier," said Jordan at the time. "With the approval from CASA, 2023 is set to be the year of seeing more of your own backyard for less." Since then, on planes given names as Aussie as the airline's itself — aka Bazza, Shazza, Sheila, Malc, Matilda and Bruce — Bonza has serviced locations such as Bundaberg, Cairns, Gladstone, Mackay, Rockhampton, the Sunshine Coast, Toowoomba, Townsville and the Whitsundays in Queensland; Albury, Tamworth, Coffs Harbour, Newcastle and Port Macquarie in New South Wales; and Melbourne, Avalon and Mildura in Victoria. It operates out of two bases: the Sunshine Coast and Melbourne's Tullamarine Airport. Onboard, patrons tuck into an all-Australian in-flight menu, spanning both food and craft beer. While Jordan's statement on Tuesday, April 30 only references suspending flights for that specific date, there's no word yet when the carrier will be back in the air. At the time of writing, the brand's website currently includes the same message. For more information about Bonza, head to the airline's website.
When the Berlin Wall was torn down from November 9, 1989, it was an incredible and enduring symbol of freedom. Nowadays, the surviving parts of the wall have been covered with a striking array of artwork commemorating the 50-year struggle between East and West, redefining the remains of the wall. However, if a group of property developers have their way, a portion of the 1.3km outdoor gallery known as the East Side Gallery — the longest remaining continuous stretch of the Berlin Wall — will again be torn down to make way for a series of luxury apartments. Berlin company Living Bauhaus are the developers in question. Their proposed project, 'Living Levels', is a 63m-high tower of flats and offices with promises of "breathtaking panoramic views" of Berlin and described by the developers as offering buyers a "totally new dimension of life and living". For those opposing the development, however, the damage it would cause the wall is difficult to measure in dollars and cents. Not only is the outdoor gallery Berlin's second most visited tourist attraction, with 800,000 visitors each year, but tearing down the wall is seen by many to be an affront to the memories of the countless men and women who were killed along the strip. Club owner Sascha Disselkamp, who represents a coalition of high-profile clubs that have together taken a stand against the proposal, likened the development to "erecting a petrol station in front of one of Berlin's museums". Similarly, the artists responsible for transforming the outdoor gallery into the evolving and evocative work of art it now is aren't too happy to see it converted into an urban development project. French artist Thierry Noir, whose famous "heads with big lips" are set to be torn down, joined the chorus of protestors this week. "All the paintings have become a symbol of freedom in Berlin and Europe," he told the Guardian. "Unlike elsewhere in the city, where the majority of the wall has been removed, this is a unique opportunity to preserve a large section of what was once a death strip. If you remove the sections, you're destroying the authenticity of this place." The district's mayor, Franz Schulz, has confirmed the legality of the proposed demolition, stating "we'll have to do it." Although protesters have succeeded in stalling the demolition through growing demonstrations over the weekend, it is likely to go ahead during the night-time hours. Via HuffPost Arts & Culture.
Brisbane creative types, rejoice: your favourite hobby has yet another outlet. Yes, we're talking about getting arty while getting into a few beverages, aka the hobby this city just can't get enough of. If you've frequented Cork & Chroma, Boozy Board Art, Botanical Drawing with Drinks, Pub Painting, Pastels & Plonk, Watercolour & Wine or Brushes and Beats, then you'll know what we're talking about. If you haven't — maybe the dates haven't yet aligned, or you just haven't gotten around to picking the session for you — then Pens 'n' Pints is your latest chance to discover just what all the fuss is about. You'll draw. You'll drink. That's all there is to it, really, other than illustrator Jimmy Patch offering his guidance. The November 9 class costs $55 per person, which includes pens, markers and pencils to whip up your masterpiece, plus some Young Henrys brews as inspiration.
For six years and four seasons on Westworld so far, viewers have been asked to ponder humanity's potential future with robots and simulations. A key question driving the hit film-to-TV HBO series: how might the years to come unfurl if people use mechanics, artificial intelligence and elaborately fabricated worlds as playthings and playgrounds? In new streaming series The Peripheral, a similar query arises, also musing and hypothesising on what lies ahead — and how flesh, machines, the real and the digital might coexist. The latest question, in another twisty series, as fronted by Chloë Grace Moretz (Mother/Android)? What happens if robots and virtual reality become humanity's conduit through time? (Apologies, DeLoreans and phone booths.) Bringing Westworld to the small screen and now executive producing The Peripheral, Jonathan Nolan and Lisa Joy clearly have a niche. If you didn't know that the latter series comes to Prime Video via the same minds as the former — adapting a 2014 book of the same name by cyberpunk pioneer William Gibson, and with Scott B Smith (The Burnt Orange Heresy, A Simple Plan) as its showrunner — you'd easily guess. The pair don't just share comparable concepts, but also a near-matching look and feel. The two play like tech-, robot-, avatar- and dystopia-obsessed siblings prophesising about humanity's possible decisions and their repercussions, plus everything that the world of tomorrow might herald and mean, all in sleek, shiny, chilly and moody episodic packaging. (Staying in this terrain isn't new for the husband-and-wife duo either, with 2021 film Reminiscence also on their resumes. Joy wrote, directed and produced the Hugh Jackman-starring feature, while Nolan also did the latter. Its focus: reliving memories, and reuniting with the people in them, in another gadgetry-enhanced but devastated future.) When storytellers speculate on what the upcoming years might hold, they theorise about choices and ramifications. The Peripheral has many to ruminate upon. When it begins, 3D print shop worker Flynne Fisher (Moretz) simply decides to assist her military-veteran brother Burton (Jack Reynor, Midsommar) by slipping into his avatar to make cash in a VR game — which she's better at than him, but sexism in the industry still reigns supreme. Then, when he's tasked by a Colombian company with testing a new virtual-reality headset that looks lower-tech, doesn't come with a glasses-like screen but exceeds the competition in its realism, she does the honours again. Flynne hasn't just plugged into a better simulation, though. Via data transfer, her consciousness is time-travelling to the future and inhabiting a robot body (which is what gives the series its title). Get ready for two visions of the future for the price of one, both riffing on aspects of life circa 2022 that could easily evolve as predicted. In Flynne's daily reality, the year is 2032, the place is small-town North Carolina and almost everyone is struggling, so much so that cash bank withdrawals earn Homeland Security's attention. The vibe is straight out of Winter's Bone, complete with a shady figure, aka local drug kingpin Corbell Pickett (Louis Herthum, Hacks), throwing his weight around. Flynne and Burton's mother (Melinda Page Hamilton, Dirty John) has lost her sight and suffers from constant pain, while Burton has his own (and PTSD) courtesy of his stint in uniform. Accordingly, sourcing funds to buy meds is a daily worry — and a problem that donning a headset is meant to fix. But The Peripheral asks another question, unpacking class divides and the technology gaps they bring: is hurtling into the future really a choice when it's a matter of financial survival? The Peripheral contemplates such existential and societal queries — sometimes overtly, sometimes as subtext — as all science fiction should. That said, it also revels in as much sci-fi detail as it can, especially regarding Flynne's leaps onwards. There, it's 2099, in a London littered with new towering sculptures that double as buildings and yet also home to far emptier on the streets. The no-nonsense Aelita West (Charlotte Riley, Swimming with Men) is initially Flynne's guide, until the furtive, James Bond-esque industrial-espionage quest they're on ends badly, and with Flynne seeing something she shouldn't. Next, Wilf Netherton (Gary Carr, The Deuce) runs point, as funded by the wealthy Lev Zubov (JJ Feild, Lost in Space) — and finding the now-missing Aelita and remaining alive in both timelines are the new aims. There's no shortage of plot: as well as time travel, VR, simulations, robots and secret quests, The Peripheral spans apocalyptic conditions, invisible cars, woodland shootouts, contract killers, conspiracies defying the bounds of time, medical chaos, unrequited romance, lottery wins and multiple turf wars. At its heart, it's also still a tale of a family trying to survive in a world crumbling around them, no matter what the future does or doesn't hold. And, the series is a puzzle and a maze, traits it eagerly relishes across its first six episodes. The questions and twists keep dropping, alongside revelations that inspire more enquiries rather than provide answers. Getting lured in happens quickly, although Prime Video is doling out the pieces patiently — starting with two episodes, then releasing future instalments weekly. The more that The Peripheral goes on, the more its Westworld comparisons gain company, with Mary Shelley's Frankenstein, Tron, The Matrix franchise and Netflix's German-language gem Dark also proving influential. The series also unravels a noir-ish action detective story, asking not only whodunnit several times, but wondering when in time they hailed from like a period-hopping version of Cluedo. The layers of mystery helps keep viewers hooked — albeit with overt and forceful cliffhangers to end each episode — but The Peripheral doesn't slouch elsewhere. That includes its scheming villain, with Years and Years and The Haunting of Bly Manor's T'Nia Miller a devilish delight as the string-pulling Cherise Nuland, the head of the sinister Research Institute and a gloriously scenery-chewing nemesis for Flynne and company. 2022 marks 27 years since another Gibson adaptation spun a story about virtual data, the commodification of humans to service it, the power and control that comes with it, and the people and companies that'd kill for it all. Unlike Westworld and the rest of the aforementioned obvious touchpoints, bland Keanu Reeves movie Johnny Mnemonic mightn't come to mind while watching The Peripheral, though, apart from the shared overuse of tech jargon. What should stick here instead is a series filled with intrigue and ambition, vivid world-building and engaging performances, including from a particularly stellar Moretz. Plugging in is easy — as is staying connected. Check out the trailer for The Peripheral below: The Peripheral streams via Prime Video.
The 2024 Paris Olympics didn't turn out as planned for the Matildas, sadly. The next Women's Asian Cup, which Australia is hosting, isn't until 2026. You can still watch Australia's national women's soccer team in action between now and then, however, starting with four friendlies against Brazil and Chinese Taipei to close out the Tillies' 2024 games — all at home, taking the squad to Brisbane, the Gold Coast, Melbourne and Geelong. First up is Brazil, who'll face off against the Matildas on Thursday, November 28 at the Queensland capital's Suncorp Stadium (which was home to plenty of 2023 Women's World Cup action) and again on Sunday, December 1 at Cbus Super Stadium at Robina. After that, Steph Catley, Ellie Carpenter, Caitlin Foord, Mackenzie Arnold and company will take on Chinese Taipei in Victoria. AAMI Park hosts the match on Wednesday, December 4, followed by a game at Geelong's GMHBA Stadium on Saturday, December 7. If you're keen to head along, there are still select tickets left to all four matches. And if you can't make it, you can still tune in from home, or the pub. To watch, 10Play and Paramount+ are your destinations — plus Network 10 on regular TV. After Tony Gustavsson stepped down following the Olympics, the Matildas don't yet have a new permanent full-time coach. Tom Sermanni, who did the job between 1994–97 and 2005–12, is taking the reins for these four friendlies. Sam Kerr remains injured, and Mary Fowler has withdrawn from the squad for the quartet of games to put her mental and physical health first, but high-profile names are still taking to the pitch — including Catley donning the captain's armband, Ellie Carpenter as vice captain, and also everyone from Ford, Arnold, Alanna Kennedy and Kyra Cooney-Cross to Hayley Raso, Michelle Heyman and Claire Polkinghorne. After this, the Tillies will play in the 2025 SheBelieves Cup in the US, making their debut in the competition, with games against Japan on Thursday, February 20; the US on Sunday, February 23; and Colombia on Wednesday, February 26. When those matches roll around, more than a year will have passed since Kerr's knee injury — so cross your fingers that she'll be back on the pitch then. The Matildas vs Brazil and Chinese Taipei Friendlies 2024 Brazil: Thursday, November 28 — Suncorp Stadium, Brisbane Sunday, December 1 — Cbus Super Stadium, Gold Coast Chinese Taipei: Wednesday, December 4 — AAMI Park, Melbourne Saturday, December 7 — GMHBA Stadium, Geelong The Matildas' friendlies against Brazil and Chinese Taipei take place between Thursday, November 28–Saturday, December 7 — and you can watch via 10, 10Play and Paramount+. Images: Tiffany Williams, Football Australia.
Each year in cinema, the big screen delivers plenty of must-sees. Thanks to streaming, the small screen does, too. But there's a truth that lingers whenever you sit down to watch a movie: they can't all be great. That's a fact that the just-announced Razzie nominations for 2021's worst films well and truly recognise, as the Golden Raspberry Awards have for 42 years now. Yes, cinema's award season is upon us again, but that doesn't just mean celebrating the best flicks of the past year, which is what the likes of the Oscars and the Golden Globes aim to do. Also getting some love, albeit of the unwanted kind, are 2021's terrible movies. Leading the pack among the 42nd Razzie nominations is the Netflix version of Diana the Musical — aka the Princess Diana-themed movie of the past year that wasn't the much, much, much better Spencer — which picked up nine nods. It's joined by Karen, a film that matches its name, with five nominations; the needless Space Jam sequel Space Jam: A New Legacy with four nods; and straight-to-streaming Mark Wahlberg vehicle Infinite and abysmal heist flick The Misfits with three apiece. Other movies getting some attention: the Amy Adams-starring The Woman in the Window and Dear Evan Hansen, with the actor also earning a Worst Actress nomination for the former; House of Gucci, with Jared Leto's awful efforts recognised in two different categories; and no fewer than eight Bruce Willis flicks. That's how many titles he starred in last year, and the Razzies have even made their own field for them to compete against each other. Like any awards, the Razzie nominations are subjective, of course. Donning a ridiculous blonde mop while hamming up every scene he's in, Ben Affleck turns in an entertaining performance in The Last Duel, but this year's Razzies' Best Supporting Actor category clearly doesn't agree. The 2021 Razzie Award winners will be announced on Sunday, March 27, Australian and New Zealand time. Check out the full list of nominees below: GOLDEN RASPBERRY NOMINEES 2022: WORST PICTURE Diana the Musical Infinite Karen Space Jam: A New Legacy The Woman in the Window WORST ACTOR Scott Eastwood, Dangerous Roe Hartrampf (as Prince Charles), Diana the Musical LeBron James, Space Jam: A New Legacy Ben Platt, Dear Evan Hansen Mark Wahlberg, Infinite WORST ACTRESS Amy Adams, The Woman in the Window Jeanna de Waal, Diana the Musical Megan Fox, Midnight in the Switchgrass Taryn Manning, Karen Ruby Rose, Vanquish WORST SUPPORTING ACTOR Ben Affleck, The Last Duel Nick Cannon, The Misfits Mel Gibson, Dangerous Gareth Keegan (as James Hewitt, the muscle-bound horse trainer), Diana the Musical Jared Leto, House of Gucci WORST SUPPORTING ACTRESS Amy Adams, Dear Evan Hansen Sophie Cookson, Infinite Erin Davie (as Camilla), Diana the Musical Judy Kaye (as both Queen Elizabeth and Barbara Cartland), Diana the Musical Taryn Manning, Every Last One of Them WORST PERFORMANCE BY BRUCE WILLIS IN A 2021 MOVIE Bruce Willis, American Siege Bruce Willis, Apex Bruce Willis, Cosmic Sin Bruce Willis, Deadlock Bruce Willis, Fortress Bruce Willis, Midnight in the Switchgrass Bruce Willis, Out of Death Bruce Willis, Survive the Game WORST SCREEN COMBO Any klutzy cast member and any lamely lyricised (or choreographed) musical number, Diana the Musical LeBron James and any Warner cartoon character (or Time-Warner product) he dribbles on, Space Jam: A New Legacy Jared Leto and either his 17-pound latex face, his geeky clothes or his ridiculous accent, House of Gucci Ben Platt and any other character who acts like Platt singing 24-7 is normal, Dear Evan Hansen Tom and Jerry (aka Itchy and Scratchy), Tom & Jerry WORST DIRECTOR Christopher Ashley, Diana the Musical Stephen Chbosky, Dear Evan Hansen Coke Daniels, Karen Renny Harlin, The Misfits Joe Wright, The Woman in the Window WORST REMAKE, RIPOFF or SEQUEL Karen (inadvertent remake of Cruella deVil) Space Jam: A New Legacy Tom and Jerry Twist (rap remake of Oliver Twist) The Woman in the Window (ripoff of Rear Window) WORST SCREENPLAY Diana the Musical, script by Joe DiPietro, music and lyrics by DiPietro and David Bryan Karen, written by Coke Daniels The Misfits, screenplay by Kurt Wimmer and Robert Henny, screen story by Robert Henny Twist, written by John Wrathall and Sally Collett, additional material by Matthew Parkhill, Michael Lindley, Tom Grass and Kevin Lehane, from an "original idea" by David and Keith Lynch and Simon Thomas The Woman in the Window, screenplay by Tracy Letts, from the novel by AJ Finn
The black parade is coming back to Brisbane — finally. After their attempt to head to our shores in 2020 was thwarted due to the pandemic, and then their rescheduled 2022 dates as well, the reunited My Chemical Romance is making 2023 the year they hit the River City. The dates to get excited about: Monday, March 13–Tuesday, March 14. The third time is set to prove the charm for Gerard Way and co, and for music lovers eager to grab their eyeliner, don every black piece of clothing in their wardrobe, relive their angsty emo teenage years and let out three cheers. The new tour will mark more than a decade since MCR last came to Australia for the 2012 Big Day Out — and comes after the US group went their separate ways in 2013, then reformed in 2019. Fans will be pleased to know that MCR are headlining their own shows on this tour, too, rather than leading a festival bill as they were slated to do in 2020. And, they're playing two Brisbane gigs — both at the Brisbane Entertainment Centre. Back in late 2019, when MCR announced that they were literally getting the band back together, they sold out their first reunion gig in Los Angeles quick smart — and tickets to their Australian gigs have already proven mighty popular. So, expect to have ample company lapping up 'I'm Not Okay', 'Helena', 'Teenagers', 'I Don't Love You', 'The Foundations of Decay' and more. Top image: My Chemical Romance performing by NBSTwo via Flickr.
It's back, it's big and it's heading around Australia in February 2023: St Jerome's Laneway Festival and its impressive lineup, that is. Returning for the first time since 2020 — since celebrating 15 years since Danny Rogers and Jerome Borazio first decided to fill a Melbourne alleyway with tunes — the beloved fest boasts a phenomenal list of talent taking to its stages for its huge and eagerly awaited comeback tour. Here are three names to get you started: HAIM, Joji and Phoebe Bridgers. Laneway has been teasing its 2023 return since early 2021, then locked in dates and venues — and come Saturday, February 4, 2023, it'll hit up Brisbane Showgrounds. Also on the bill: Finneas, Fontaines DC, Fred again..., Girl in Red, slowthai and Turnstile, as well as 100 Gecs, Chaos in the CBD, Knucks and Mallrat. Yes, the lineup goes on from there. Clearly, there's a whole heap of reasons to be excited — from HAIM's first Australian tour since 2017 (and definitely the first since Alana killed it on the big screen in Licorice Pizza) to Bridgers' return after a huge few years, just to name a couple. Also on the list: just Laneway being back and livening up late summer in general. General ticket sales start at 9am on Thursday, September 29 via the festival's website. ST JEROME'S LANEWAY FESTIVAL 2023 LINEUP: Haim Joii Phoebe Bridgers Finneas Fontaines DC Fred again... Girl in Red slowthai Turnstile 100 Gecs Chaos in the CBD Knucks Mallrat Ross From Friends The Beths Yard Act Adam Newling The Backseat Lovers Harvey Sutherland Jacoténe Jamesjamesjames Logic1000 Sycco Tasman Keith The Lazy Eyes Top image: Dave Kan.
Whether 2023 has been your best year ever, something far more average, completely life-changing or just cruisy business as usual, it has definitely been missing one thing: Spicks and Specks. Thankfully, 2024 won't have that problem. Announcing its lineup for next year, the ABC has confirmed that the beloved music game show will be back — and with Adam Hills, Myf Warhurst and Alan Brough, of course. Among everything that the ABC has broadcast — news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included — Spicks and Specks is up there among the favourites. Exactly how many more instalments are on the way in 2024 hasn't been revealed, but watching a heap of top Australian talent sit around and talk about music will be back on the agenda. So will watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind the series, which takes more than a few cues from the UK's Never Mind the Buzzcocks, pits Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and, as it keeps being resurrected. As fans will already know, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit. Exactly when Spicks and Specks will start airing in 2024, and who'll be hitting buzzers among the program's guests, hasn't yet been announced. Still, you can add playing along with the show from your couch — yet again — to your plans before 2024 is out. Spicks and Specks will return to ABC TV sometime in 2024. You'll also be able to stream the series via ABC iView. We'll update you when an exact release date is announced.
Get a video game-to-television adaptation right and viewers will come flocking. It worked for The Last of Us in 2023. It's now proving the case for Fallout, too. In fact, Prime Video's initial take on the button-mashing favourite has become the streaming platform's most-watched season of TV since its The Lord of the Rings: The Rings of Power's first season, as well as one of its top three most-watched titles of all time so far. Accordingly, it's no surprise that Fallout has just been renewed for a second trip to the wasteland. Debuting its initial eight episodes on Thursday, April 11 Down Under, Fallout takes its cues from the games that first hit computers back in 1997, with three released sequels, a fourth on the way and seven spinoffs all following. The live-action television iteration stars Ella Purnell (Yellowjackets) as Lucy, a lifelong vault-dweller who leaves her cosy underground digs to navigate the irradiated wasteland that earth has remained for two centuries after the nuclear apocalypse. Crossing her path: bounty hunter The Ghoul (Walton Goggins, I'm a Virgo), who has ties to life before the devastation; and Maximus (Aaron Moten, Emancipation), an aspiring soldier with the Brotherhood of Steel, who don giant robotic suits. [caption id="attachment_950363" align="alignnone" width="1920"] JoJo Whilden/Prime Video ©Amazon Content Services LLC[/caption] In this nightmarish future, a hellscape filled with mutants, wild west vibes and plenty of violence awaits beyond the bunker that the optimistic Lucy, daughter of Hank (Kyle MacLachlan, Lucky Hank), who oversees Vault 33, has always called home. Bringing the chaos to life is a behind-the-scenes team featuring Westworld creators Jonathan Nolan and Lisa Joy, as well as Geneva Robertson-Dworet (Captain Marvel) and Graham Wagner (Silicon Valley) as writers and co-showrunners. And yes, Bethesda Game Studios has a hand in it as well. There's no word as to when the retrofuturistic dystopian smash will return for season two, but its first season ended with plenty of questions and routes forward — aka, much for fans who've been hooked on the show, whether or nor you played the games first, to get excited about. "Jonah, Lisa, Geneva and Graham have captivated the world with this groundbreaking wild ride of a show. The bar was high for lovers of this iconic video game and so far we seem to have exceeded their expectations, while bringing in millions of new fans to the franchise. The cast led by Ella Purnell, Aaron Moten, Walton Goggins and Kyle MacLachlan have knocked it out of the park," said Jennifer Salke, head of Amazon MGM Studios, announcing that Fallout will return. "We'd like to thank Jonah and Lisa, and our friends at Bethesda, for bringing the show to us, as well as Geneva and Graham for coming aboard as showrunners. We are thrilled to announce season two after only one week out and take viewers even farther into the surreal world of Fallout." [caption id="attachment_950393" align="alignnone" width="1920"] JoJo Whilden/Prime Video ©Amazon Content Services LLC[/caption] "Praise be to our insanely brilliant showrunners Geneva and Graham, to our kick-ass cast, to Todd and James and all the legends at Bethesda, and to Jen, Vernon and the amazing team at Amazon for their incredible support of this show. We can't wait to blow up the world all over again," said Nolan and Joy. "Holy shit. Thank you to Jonah, Kilter, Bethesda and Amazon for having the courage to make a show that gravely tackles all of society's most serious problems these days — cannibalism, incest, jello cake. More to come!" added Robertson-Dworet and Wagner. Check out the full trailer for Fallout below: Fallout streams via Prime Video. Season two doesn't yet have a release date — we'll update you when one is announced. Read our review of season one, and our interview with Walton Goggins, Ella Purnell and Aaron Moten. Images: courtesy of Prime Video.
Year after year, St. Jerome's Laneway Festival delivers a brilliant lineup of bands that has given it the reputation of a true music nerd's festival. A complementary mix of international and local acts have been chosen for 2012; long-time lovers of this festival are sure to find a couple of bands that they've always wanted to see. Laneway's focus on up-and-coming acts means that there's a high likelihood you'll hear a band you've never heard of who will soon be a regular guest on your iPod. This summer, you can look forward to seeing New York trio Chairlift, who produce very catchy indie songs and are soon releasing their third album; Girls, a charismatic rock-pop band whose songs are laced with innocent heartbreak and joie de vivre; quirky songstress Laura Marling; synth-rock hero M83; the genre-hopping wonder that is Feist, as well as The Pains of Being Pure at Heart, The Horrors, Twin Shadow, The Panics, Yuck, Pajama Club, Active Child and many more. Laneway are also showcasing Triple J's Unearthed winners, so you may hear the Next Big Thing before they're saturating the radio. The exuberant, party atmosphere and a crowd who's more into the music that what they're wearing makes Laneway a summer staple, so make sure you nab a ticket as soon as you can (tickets go on sale October 19). Brisbane – Saturday, January 28 at Alexandria Street, Fortitude Valley Auckland – Monday, January 30 at Silo Park, Beaumont Street Melbourne – Saturday, February 4 at Footscray Community Arts Centre Sydney – Sunday, February 5 at Sydney College Of The Arts Adelaide – Friday, February 10 at Fowler's Live Perth – Saturday, February 11 at Perth Cultural Centre Singapore – Sunday, February 12 at Fort Canning (lineup announced on October 21) The full lineup is as follows: Active Child Anna Calvi Austra Bullion Chairlift (Brisbane, Sydney, Melbourne only) Cults The Drums DZ Deathrays EMA Feist (except Adelaide^) Geoffry O'Connor Girls Givers (Sydney, Melbourne only) Glasser The Horrors Husky (Brisbane, Sydney, Melbourne only) John Talabot Jonti Laura Marling M83 Oneman The Pains of Being Pure at Heart Pajama Club The Panics Portugal The Man SBTRKT (live) Toro Y Moi Total Control Twin Shadow Washed Out Wu Lyf Yuck https://youtube.com/watch?v=r-hMISLG8nY
Start the car, we know a whoopee spot, where the gin is cold but the piano is certainly hot, and that place is the Roaring 20s and All That Jazz Festival. The festivities will take place throughout venues across the Katoomba area in the Blue Mountains, and will include 1920s-style balls in historic grand ballrooms, high teas and, of course, plenty of jazz and blues performances. Head to the famed Hydro Majestic Hotel to participate in the Charleston Challenge, where ladies and gents of all ages slip into their best flapper dresses and fedoras in a huge group performance of the Charleston. There will also be historical walks, a long lunch, dinner shows and more. Don your best Greta Garbo threads and grab yourself a Gatsby — this is certainly a weekend of feathers and frivolity.
When he's not playing the hero — anti- or otherwise —, Vin Diesel is quite the fan of Dungeons & Dragons. It's worth keeping that tidbit in mind as The Last Witch Hunter unravels, because that's where the film finds its basis. Cory Goodman, one of the movie's three writers, reportedly bonded with Diesel over their shared fondness for the fantasy role-playing game, then wrote a script based upon the actor's witch hunter D&D character. Goodman's love letter to his leading man's favourite pastime has since been filtered through two other scribes (Dracula Untold's Matt Sazama and Burk Sharpless), as well as Sahara and The Crazies director Breck Eisner. But that doesn't stop it from feeling like the indulgent exercise that it is. And while no one is decrying Diesel for wanting to do something on film other than driving fast cars furiously and exchanging lingering glances with The Rock, he's not asked to do much here other than look serious amid some supernatural special effects. As the movie's moniker gives away, Diesel's Kaulder is the final fighter of the bewitching folk who live among humanity, and has been for eight centuries. After he vanquished the Witch Queen in the 13th century, he was cursed with immortality, meaning years of trying to rid the world of the evil and enchanting. As his offsider (Michael Caine) prepares to retire and let a newcomer (Elijah Wood) take his place, a fresh source of wicked sorcery strikes. With his past the key to his present predicament, Kaulder must call upon bar-owning good witch Chloe (Rose Leslie) to help him plunge into his own memories and track down his new foe. That The Last Witch Hunter comes across as Batman-esque isn't just a byproduct of Caine playing a butler-like priest. When a moody, brooding warrior stalks the city streets slaying enemies, motivated by personal losses and a blistering sense of righteousness, it's not hard to find similarities between the two. Alas, the comparison doesn't bode well for the derivative film currently on screens, particularly when there's not much more of a plot to tie it to. Diesel tries his best to make his scowling charm cover up the lack of narrative excitement, but though his efforts are noted, they're not the magic fix the movie needs. Still, other than slick-enough visuals and a few fun touches (a ravenous monster for a prison and a tree bewitched to appear to grow gummy bears, for example), he remains the best element of the surprisingly action-sparse film. He might stand around more than you'd think he should, but you have to admire his dedication to the messiness that surrounds him. Audiences might not be engaged in the occult antics that pad out the film's running time, nor the plodding dialogue that does the same, but at least Diesel is committed — and considerably more so than his seemingly bored co-stars, as doesn't escape attention. Unfortunately, as the later two Riddick films proved, his enthusiasm isn't enough to brighten up the blandness he willingly and affectionately wades into when he's not behind the wheel of a high-octane franchise. https://www.youtube.com/watch?v=xsuG2JUgs_8
Time to bust out your overalls and dust off the shopping cart. A popular monthly market has returned to Canberra and is going to have you picking up way more than the usuals — a jar of local honey and a handmade soy candle, that is. Love Local Markets will take place on the last Sunday of every month between 9am–2pm at The Plot at Pialligo Estate. Here, you'll find a range of vendors offering local produce and products, including fresh food, drinks and lifestyle goods. While you're there, make sure you check out everything the estate and its neighbours have on offer, including the Pialligo Market Grocer, the Farm Shop Cafe, Wren & Rabbit Interiors, Pink Flamingo Interiors and Bisonhome. Plus, being conveniently positioned near the inner south and Fyshwick precincts, the location makes it a great way to start your day before taking on other activities in the Canberra region. Make sure you grab the loose change hanging around the house or swing by an ATM on the way as the stalls are cash only and there aren't any EFTPOS facilities. Love Local Markets will take place from 9am–2pm on the last Sunday of each month (excluding December) at The Plot at Pialligo Estate. For more information, visit the website here.
It's not everyday that you hear the words 1000 litre pool, inner-city backyard and theatrical garments uttered in the same sentence. Yet this is exactly what artist Meg Cowell does. Inspired by the forgotten pieces of clothing strewn about the footpath from somebody’s big night, she set about recreating these pieces of women's clothing (with the addition of couture). She did this through the use of a pool of water to allow buoyancy and an unusual method of display. They end up as illuminated pieces of fabric, which exist in blackness, with only a hint of the water that they are floating within remaining. The result is ghost-like, and the viewer is left with a tactile and emotive image. The pieces of fabric end up looking as if they are “inhabited” by bodies, with movement being created by carefully arranging the clothing with balloons, and being sewn into place. The yellow bustle Girclee print Lens Mist in particular took a few days to position before it was able to be photographed with such a long exposure. While shooting this series, Cowell, who graduated with honours in photography from the University of Tasmania in 2007, had to overcome the difficulties of photographing fabrics in water in her small inner-city backyard. She says this is because the “water adds its own organic force and shifts the fabric in ways that are impossible to control. Because of this, each shot takes about a week to make.” She was “constantly up and down the scaffolding manipulating a collar or adjusting a piece of lace to be "just so". There was “also a certain aspect of mischief in my productions as many of the hired garments are 'dry clean only'," says Cowell cheekily. This added an “element of drama to my process, especially as the owners took my credit card details as bond against damage. My methods for getting around this involve a hair dryer, tissue paper and a pair of straitening irons.” Which are hardly the usual concerns for the average photographer. But luckily it paid off and no bonds were lost. See more of Meg Cowell's photography on her website. Her exhibition, To the Surface, opens at Sydney's Dickerson Gallery opens on July 24 and runs to August 15.
Can your canine companion cut a rug, instead of just lazing about on one? Is your four-legged bestie as good at boogying as it is at barking and being cute? If you don't know the answer, now might be the time to find out, because Prohibition is hosting another Dogs & Beats silent disco. First, take a second to marvel at the concept. We're guessing that headphones will be reserved for humans, not puppers — but hitting the dance floor with your doggo isn't something that you get to do everyday. If you'd like to take a few seconds to wonder just how it's all going to turn out, that's fine, too. Again, making shapes while surrounded by mutts isn't on the regular agenda for most folks. There are a few caveats, of course, with the event restricted to small and medium pooches up to 25 kilograms in weight. Your dog will also need to stay on a leash the whole time. [caption id="attachment_758290" align="aligncenter" width="1920"] Prohibition[/caption] If you're as keen as Fido at dinner time, the silent disco will take place in the Fortitude Valley's garden bar from 12–6pm on Sunday, February 23. Tickets cost $15, with $10 from each going to the RSPCA.
How about an under-sea exploration on a tropical island right in your own backyard? Take the Micat ferry from Brisbane to Moreton Island, and discover Tangalooma Wrecks. This collection of 15 deliberately scuttled ships now provide an ever-changing underwater landscape of live coral, fish and even the occasional dolphin or dugong. Don't have snorkelling equipment? Just rent it via a tour that will also drop you out near the wrecks. When you've finished exploring the sunken trove of sea life, return to shore and slowly wander back along the white sands to Tangalooma Resort — you're on island time, now. Image: Tourism and Events Queensland
Located a one-hour drive inland from Cairns, the Davies Creek National Park (and nearby Bare Hill Conservation Park) is home to one of the largest Aboriginal rock art complexes in the region. The Bunda Bibandji rock art walking track is a two-kilometre loop that winds through an open forest dotted with pink bloodwood trees. The track eventually widens to reveal several granite outcrops, with two rock art galleries featuring red and yellow ochre. This incredible artworks have been dated at over 3500 years old by James Cook University scientists, making this a particularly significant sacred area. We recommend taking a 4WD to get to this ancient art gallery. Image: Tourism Tropical North Queensland.
Exercise is great. Exercise is important. Exercise is much more fun when cute animals are involved. Apologies to your barking bestie, but you can do better than just jogging around the block with your dog — especially if your preferred kind of exercise involves bending, stretching and feeling blissful. The folks at Karmably have been hosting meditation sessions with baby goats and lambs and yoga classes with kittens and puppies for a couple of years now and, in 2020, they added a new type of animal-focused exercise to their repertoire. Come Sunday, October 4, you'll be limbering up with llamas. You'll stretch and meditate while surrounded by between six and eight woolly critters, and you'll hand-feed them as well. Running at 9.30am and 10.55am at the Spring Hill Hall on Love Street, sessions are limited to 24 people — so if you want to attend a Limber Up with Llamas class, you'll need to get in quick. Tickets cost $55, which includes the session, plus a yoga mat and hand towel to use while you're there. Oh, and hand sanitiser as well. And as for the llamas, they'll be trotting around thanks to Ottaba Llama Walks. Limber Up with Llamas next takes place on Sunday, October 4 — across two sessions, with tickets on sale now.
Located in West End, The Hold Artspace ‘aims to foster innovative and critical practice amongst early and mid-career artists’. With that in mind, The Hold presents First Light, a first look, so to speak, of some of the next wave of Australian artists. The works on show are from twenty-six students from the Queensland College of Art, this exhibition represents one of their first forays into the art world in an exhibition dedicated to showcasing their budding talent. The exhibition itself is varied, with no set theme aside from the brief description that the works will ‘explore a range of topics through contemporary photographic art practice’. Although this might not give much away, rest assured that each piece will resonate with youthful vibrancy and the talent will be on par with most professional level exhibitions. The student artists on display are as follows: Sam Adams Alice Alderman Jaala Alex Jacqueline Bawtree Jessica Bell Cherie Blyth Anna Birkett Jess Collins Helen Corr Lesley Denny Melissa Doolan Zara Duffy Katelyn-Jane Dunn Andrew Ellery Anna Gee Adam Michael Green Oliver Hew Gareth Manson Ashleigh May Jeorgia McManus Chelsea Miller Kelly Morgan Chris Taylor Adam Thomas Eva Turek-Jewes Peter Ward The opening night is this Wednesday and the exhibition will wrap up on the 9th of June.
In excellent news for anyone who loves scouting out new tunes from fresh local talent, the folks at Rare Finds have announced an east coast touring circuit, kicking off in January 2018. The Sydney-based PR and artist management company has long been a champion of emerging Aussie artists, hosting regular showcases in Brisbane and Sydney over the past two years. Now it's teamed up with Oporto and creative collective Pilerats to bring its latest musical finds to a stage near you. Touring once a month across Brisbane, Sydney and Melbourne, each Rare Finds circuit will feature a curation of up-and-coming acts, providing an all-important live platform for these emerging artists. Headlining the first tour in January 2018 is Sunshine Coast songstress Ayla, off the back of her second EP Let's Talk Monday. She'll be joined by a different lineup in each city: Asha Jefferies, Royal & The Southern Echo and DJ Tom Bloomfield in Brisbane; Otious, Magnets and British India DJs in Melbourne; and Aikonawena, The Longboys and Rare Finds DJs on the Sydney leg. Catch the first iteration of the Rare Finds circuit on January 12 at Brisbane's Black Bear Lodge, January 19 at Melbourne's Penny Black and January 20 at Oxford Art Factory's Gallery Bar in Sydney. Tickets to the Sydney and Brisbane shows are less than $15 and the Melbourne gig is free. The Rare Finds east coast circuit will take place in January 2018 in Sydney, Melbourne and Brisbane. For more info and to buy tickets, visit rarefinds.com.au.
It's never been a better time to go no-alc than right now. Today, it's not odd to be going dry, it's accepted, celebrated and understood. Alcohol isn't for everyone or every occasion, but no one really wants to be excluded from the fun. The underwhelming or straight-up bland alcohol-free options of the past have evolved. Bartenders are getting creative with mocktails, there are numerous no- and low-alcohol brands now on offer, and even traditional alcohol brands are getting involved with alc-free versions to shift with the changing times. If you're booze-free, reducing your boozing or just curious about what's available out there, we've teamed up with Edenvale Wines — a premium alcohol-removed wine range — to create this list of our best takes on the top alternative alcohol-free beverages in the market today. WINE — EDENVALE WINES It's tricky to make non-alcoholic wine that doesn't taste just like grape juice. With lots of research — and some tinkering to the custom spinning cone column technology which removes the alcohol — Edenvale is constantly perfecting its range. The beauty of Edenvale Wines is that the alcohol is removed after the wine is made, meaning it retains all the flavours, tannins, complexity and aromas of traditional wines. The winemakers are slinging both Aussie and international wines to offer a range that is true-to-varietal and expressions of the regions they are grown in. So whether you want a semillon sauv blanc from Frankland River, WA, a GSM from Barossa or even a verdejo from Spain, Edenvale Wines have options for you. If you are a wine drinker looking to make a change or sober curious and wondering if you could dupe your mates with a non-alc version of their favourite varietals, Edenvale is recognised as being one of the best non-alc versions out there. The sparkling shiraz was just awarded a gold medal at the International Wine and Spirits Competition (IWSC), London 2023 and is an excellent match for red meats like a juicy steak. BEER — HEAPS NORMAL Many of our favourite beer brands are putting out their own non-alcoholic ranges of beers, but few are primarily dedicated to creating a quality booze-free beer option. Enter Heaps Normal, which has solidified itself as a top beer choice with its considered range that includes an XPA, hazy pale ale, lager and — most recently — a stout. The team behind Heaps Normal are champions of the no-alcohol and low-alc movement and mindful drinking and aim to serve great-tasting beer without the potential downsides. WHISKEY — THE GOSPEL Whisk(e)y is a tricky spirit to create a satisfying non-alc version of, as most bonafide whiskey fiends love to drink it straight. The trademark burn at the back of your throat satisfies those who love a dram. And that burn is alcohol. Australia's first-ever dedicated all-rye distillery, The Gospel, (recently named the maker of Australia's Best Whiskey) is now one of the first to produce non-alcoholic rye whiskey: Responsible Rye. Under the guidance of its Sommelier and R&D distiller Ellie Ash and over a year in development, the rye-lovers at The Gospel have perfected the non-alc alternative to a dram. It is made using de-alcoholised rye whiskey — a similar process to alcohol removal used by Edenvale Wines — to ensure the liquid is full of the classic rye whiskey flavours: underlying smokiness, candied nuts, cardamom and cola. GIN — LYRE'S SPIRIT One of the first non-alc offerings on the market was non-alcoholic gin. Numerous brands duped G&T lovers with bottled non-alc spirits that emulated the alcoholic brethren on the shelves. Craft spirits lovers assumed they were the latest craft gin on the market, only to discover that they were all flavour and no hangover. One such brand is Lyre's Spirit. An innovative brand pumping out non-alc spirits — they even have a bitter orange liqueur so you can enjoy a summer spritz free from booze. The Lyre's London Dry is a take on the traditional gin style. Expect juniper flavours, peppercorn and citrus. Ideal for a dry G&T or not-so-classic classic Tom Collins. And those that like a bitter orange spritz can opt for the Italian Orange and Aperifit Rosso for their day-time summer sipping. TEQUILA — DRUMMERBOY MEXICAN AGAVE SPIRIT Another dedicated spirits brand pushing out award-winning versions of our favourite sips is Drummerboy and its Mexican Agave Spirit, ideal for those that love a margarita but not the alcohol. Like Edenvale Wines, it has also been recognised by the International Wine and Spirits Competition. A bright and zesty alternative to your traditional tequila that is perfect in cocktails or by itself. Edenvale Wines is a premium range of alcohol-removed wines that are available to purchase directly from the website or at most major supermarket retailers. Top image: Moira Vella Photography
Buy the ticket, take the ride, strap in for an onslaught of frenetic locomotive-bound fights: that's high-octane action-comedy Bullet Train on- and off-screen. Set on a shinkansen hurtling from Tokyo to Kyoto, in as stylised a vision of Japan that anyone not named Quentin Tarantino has ever thought of, this neon-lit adaptation of Kōtarō Isaka's 2010 page-turner Maria Beetle couldn't be more onboard with its central concept. That premise isn't snakes on a plane, but rather assassins on a train — plus one snake, one of nature's hitmen, actually. Cramming all those killers onto a single engine sparks mayhem, banter and bodies, not to mention chaotic frays in the quiet car and almost every other space. And when it works, with John Wick and Atomic Blonde's David Leitch steering the show, Tarantino and Guy Ritchie alum Brad Pitt as his main passenger, and a lifetime's worth of references to Thomas the Tank Engine slotted in, Bullet Train is as OTT and entertaining as it overtly wants to be. It doesn't always completely work, however; every journey, zipping along on a high-speed train or not, has its dips. Still, there are plenty of moving parts trying to keep the movie in motion — and plenty of plot, for better and for worse in both instances. In his second 2022 action-comedy after The Lost City, Pitt plays Ladybug, who is back riding the hired-gun rails after a zen break packed with new-age self-help platitudes. That's what he spouts to his handler (Sandra Bullock, The Unforgivable) by phone, in-between rueing his bad luck, as he tries to carry out what's supposed to be an easy job. All that Ladybug needs to do is take a briefcase, then disembark at the next station. But that piece of luggage is being transported by British assassin double-act Tangerine (Aaron Taylor-Johnson, The King's Man) and Lemon (Brian Tyree Henry, Atlanta), as they escort a Russian mobster's son (Logan Lerman, Hunters) home. To up the hitman ante, the shinkansen is also carrying The Prince (Joey King, The Princess) and Kimura (Andrew Koji, Snake Eyes: GI Joe Origins), who have their own beef, as well as the revenge-seeking Wolf (Benito A Martínez Ocasio aka Bad Bunny, Fast and Furious 9). As is always the case whenever anyone asks "are we there yet?" IRL, there's more: more twists and turns to the narrative, more bickering, more familiar names facing each other down, and a mass of flashbacks to events minutes, hours, days and months earlier, most of which make the leap from the page via Zak Olkewicz's (Fear Street: Part Two — 1978) screenplay. Wondering if the scribe and Leitch have seen Kill Bill, or the Pitt-starring Snatch, or the 90s attention-grabbers that were Reservoir Dogs, Pulp Fiction and Lock, Stock and Two Smoking Barrels as they bring Isaka's novel to the screen is thoroughly pointless. But, after The Gray Man, Bullet Train is the second big, star-studded, midyear action flick that's pieced together from familiar components, only to boast the cast and visual spectacle to carry it off more often than not. What a treat Pitt is, and has been for more than three decades — because that's how long it's been since Thelma & Louise thrust him to fame. Bullet Train draws upon his Ocean's Eleven brand of chattering, casual, happy-go-lucky charisma, even with Ladybug grappling with an existential crisis over his chosen profession. Pitt is comic, but never reaches Burn After Reading's goofiness. Amid the navel-gazing and bromides, he's still calm, collected and supremely capable at holding his own, but never to a Once Upon a Time in Hollywood extent. Although Leitch doesn't give Pitt his own John Wick or Atomic Blonde, it's as crucial a piece of casting. Neither of those two flicks would be the gems they are without their specific stars, and Bullet Train similarly wouldn't have hit the marks it does without its bucket hat-wearing biggest name and his detailed performance. While they fill their scenes trading words and blows, the best of Pitt's co-stars inspire the same reaction — including Hiroyuki Sanada (Mortal Kombat) as a veteran yakuza, Michael Shannon (Nine Perfect Strangers) as a pivotal powerbroker, and Taylor-Johnson and Henry particularly. A visually mismatched pair who quip and sling crosstalk with every breath, the latter duo have cookie-cutter comedic-relief supporting roles on paper, yet bring flair, scene-stealing commitment, and a genuine rapport and weight to their characters. It's thanks to Henry as the blonde-topped Lemon that popular culture's most famous train among pre-schoolers not only plays such a sizeable part, but becomes a life-guiding creed. That's a bit taken directly from the source material and, yes, it could've proven both clunky and cringey on-screen. Bullet Train isn't concise at 126 minutes, and giving its Thomas gags a bit too much steam is just one of its repetitive touches, but that whole gambit would've derailed fast in other hands. Leitch knows banter, and how to direct it; see also: Deadpool 2. While he also knows how to overdo a winking, nodding, smirking vibe that overflows with references to entertainment elsewhere — see also: Deadpool 2 — Bullet Train never feels like it's merely and smugly laughing at its own jokes. And, although not every gag lands, or even the tone from station to station, it's gleeful about how silly it can skew, as its impressively choreographed and inescapably ridiculous action scenes show. Leitch also knows stunts, given that's where he famously started out. In Fight Club, Spy Game, Ocean's Eleven, Troy and Mr and Mrs Smith, he was Pitt's double. It's little wonder that the dynamic confrontations — which involve everything from that key briefcase, laptops and water bottles through to knives, guns, swords and the snake — bounce across their train-bound setting, and the screen, as vividly lensed by Leitch's regular cinematographer Jonathan Sela (Fast & Furious Presents: Hobbs & Shaw). Bullet Train's highlights gleam and flow, just like the film's sleek look and feel, but even when you're happily strapped in, bumps can bubble through. There's never a moment where it isn't a lot, which it's well aware, although luckily — the audience's, and Ladybug's — it's never having less than a hyperactive, cartoonish blast with everything it throws at the screen. Henry's Atlanta co-star Zazie Beetz, playing another of the feature's killers, deserves a better, more fleshed-out character, and more screentime. The ideas of family, trauma and fate at the story's core are often just scaffolding around the repartee and setpieces. Spotting the picture's influences is as plain to see as Tokyo's twinkling lights, and as blatant as the Japanese covers of 'Stayin' Alive' and 'Holding Out for a Hero' on the soundtrack. Buy the ticket, take the ride, settle into the movie's rhythm, let Pitt be your guide: that's still Bullet Train, though, too.
Sometimes, dreams do come true. More often than not, they don't. The bulk of life is what dwells in-between, as we all cope with the inescapable truth that we won't get everything that we've ever fantasised about, and we mightn't even score more than just a few things we want. This is the space that Party Down has always made its own, asking "are we having fun yet?" about life's disappointments while focusing on Los Angeles-based hopefuls played by Adam Scott (Severance), Ken Marino (The Other Two), Ryan Hansen (A Million Little Things), Martin Starr (Guillermo del Toro's Cabinet of Curiosities) and more. They'd all rather be doing something other than being cater waiters at an array of California functions, and most have stars in their eyes. In the cult comedy's first two seasons back in 2009–10, the majority of its characters have their sights set on show business, slinging hors d'oeuvres while trying to make acting, screenwriting or comedy happen. By even existing, Party Down itself is the product of dreams that aren't fulfilled and the twists of fate that follow. If Veronica Mars hadn't initially been cancelled after three seasons, its creator Rob Thomas mightn't have moved onto a new collaboration with two of the show's fellow former staff — writer/producer John Enbom and producer Dan Etheridge — plus one-time guest star Paul Rudd (Ant-Man and the Wasp: Quantumania). And, if that hadn't have occurred, Party Down wouldn't have ever graced screens with its spectacular dark farce at all. It too was cancelled too soon but has found a way to make a comeback. In its 13-years-later revival, it smartly and hilariously grapples with what it means when dreams don't pan out, and when they seem like they will only to crash. Bringing most of the original gang back together — Lizzy Caplan had scheduling issues making the also-excellent Fleishman Is in Trouble, but Jane Lynch (Only Murders in the Building) and Megan Mullally (Reservation Dogs) return — Party Down keeps its shindig-by-shindig setup. Across its first 20 instalments as well as its new six, which drop weekly on Stan from Friday, February 24, each episode sends the titular crew to a different soirée. The opening get-together is thrown by one of their own, Kyle Bradway (Hansen), who has just scored the lead part in a massive superhero franchise. Ex-actor Henry Pollard (Scott) is among the attendees, as are now-heiress Constance Carmell (Lynch) and perennial stage mum Lydia Dunfree (Mullally), but comedian Casey Klein (Caplan) is too busy being Saturday Night Live-level famous. Hard sci-fi obsessive Roman DeBeers (Starr) and the eager-to-please Ron Donald (Marino) are present as well, in a catering capacity. Having some of the team still sporting their black pants, crisp white shirts and pastel pink bow ties after such time has passed could've played as lazy or unbelievable. Party Down has always been as unflinchingly honest as it is sidesplittingly funny, however. It finds its main figures literally in reunion mode, and uses that entry point to explore everything that could've changed — and what mightn't have — for anyone getting their start working in hospitality in LA. Some achieved exactly what they said they would. Some are still just talking about it, and bitterly. As for Henry, he advises Kyle that he's a high-school English teacher. When his pal asks "on what show?" in response, Party Down remains as incisive as ever at tearing down the Hollywood mindset, its posturing and its centre-of-the-universe delusion. Henry genuinely is a high-school English teacher IRL, a fact that Kyle hasn't even entertained. More of the Party Down OGs end up back in uniform, in turns of events that couldn't be more organic, believable and steeped in the series' constant confrontation with dreams failing, flailing and fading. Still, season three has fresh faces; hospitality is a turnover-heavy industry. Content creator Sackson (Tyrel Jackson Williams, Brockmire) would rather be filling his socials, and flouts the Ron Donald dos and Ron Donald don'ts as Henry, Kyle, Roman and the group always have. The Gen-Z influencer wannabe also acts as visible reminder of how the notion of stardom has changed. Chef Lucy Dang (Zoë Chao, The Afterparty) seeks fame through her cooking, which isn't your standard catering spread. Baking ripened camembert into birthday cake, for instance, she wants food to be art rather than mere fuel. Also among the newcomers, but not holding trays for minimum wage, are Jennifer Garner (The Adam Project) as film executive Evie Adler and James Marsden (Dead to Me) as hotshot actor Jack Botty. The former hits it off with Henry — because with Caplan's Casey absent, Party Down still needs its emotional core and will-they-won't-they rom-com spark amid the Hollywood takedowns, ridiculous celebration ideas and slapstick absurdity it throws together skilfully, cleverly and hysterically. Unsurprisingly, season three is usually at its best when the show's old favourites bounce off each other, but Thomas and company have done well with their newcomers. That's another returning talent; before she was winning awards for The White Lotus, Jennifer Coolidge made a killer two-episode addition to the crew, and Mullally joined the cast when Lynch moved onto Glee. Are we having fun yet? Yes, always. While the catchphrase that's long haunted Henry — uttered in a beer commercial, and his biggest acting claim to fame — is rolled out again, Party Down season three is also supremely skilled at working in nods and callbacks without ever feeling like the person at the party that won't move on from the past. With Enbom showrunning, the writing is again intelligent and amusing, and the tone hasn't wavered a decade-plus on. And, once getting the gang back together has been established, Party Down's latest stint still ranks it among the all-time great workplace comedies. Scott does love pondering the daily grind, starring in Parks and Recreation and Severance before making his way back to pouring drinks. There's exactly one issue with season three: it only runs for six episodes. Since 2009, the world has always needed more Party Down, and that remains the case now that it's finally back. No one needs Party Down, the company, like Ron still does, though. None of the show's characters have ever embodied the desperate extremes that someone can go to to make their dreams come true as he still does, either — or what happens when someone has pitched their whole identity on one thing and won't accept any alternatives no matter the humiliations that arise. Marino, like Hansen and Scott, made the jump over to Party Down from Veronica Mars to play the catering outfit's oh-so-keen (but always-bumbling) manager, and his performance continues to be a masterclass in bleak and physical comedy in a series that's outstanding at (and has fun with) both. Check out the trailer for Party Down season three below: Party Down's third season streams via Stan from Friday, February 24 — and via TVNZ+ as well.
Fancy building a cardboard city, then pretending you're Godzilla and knocking it down? You mightn't have realised it until you read this, but of course you do. Netherworld understands. The appropriately named Kaiju Beer understands. And so does Moon Dog Brewing, the third partner in making this dream come true. They're teaming up for Rampage!, the Brewsvegas shindig that involves filling the Valley bar with towering creations — whether you make them on the day or bring your own from home — then drinking some special Banana Pale Ale, and crossing your fingers that you win the chance to tear it all down. The game that gives the event its name, Rampage, will also be onsite for you to play. Sure, there's a movie version starring The Rock coming out just next month, but doesn't this sound like more fun?
If you've been dreaming of a trip to Western Australia, this November could well be the time. For ten delicious days, Western Australia Gourmet Escape presented by Westpac, an extraordinary festival of food and wine, will take over three of the state's most popular regions: Perth, Swan Valley and Margaret River. The epic program is filled with more than 50 opportunities to dine with some of the best culinary rockstars from around the world, including the head chef of the newly crowned best restaurant in the world and the legendary David Chang (of worldwide Momofuku fame). But, what's more — you'll get to do it in some of the most picturesque locations in the country. You could find yourself cruising on a catamaran, feasting on foraged delights in a lakeside cabin or hanging out at a beach barbecue. There are plenty of exciting happenings to look forward to — here are six that should definitely be on your radar. GOURMET FEAST IN THE VALLEY WITH MARCO PIERRE WHITE UK celebrity chef Marco Pierre White described the 2015 WA Gourmet Escape as "life-changing" and "the greatest food event on earth". So, he's back for another round. Find him at Gourmet Feast in the Valley, taking place across Saturday, November 9 and Sunday, November 10 in the idyllic grounds of Sandalford Wines. It's promising an extravaganza of local produce, culinary experiences, masterclasses, live music and theatre — in the form of the Feast Fire Pit, presented by Australian Good Meat. White will be joined by grill masters from around the globe, including Austin-based Aussie Jess Pryles (author of Hardcore Carnivore), to sear, sizzle and smoke locally sourced cuts over open flames. Also on the agenda are a number of workshops hosted by local makers and a jam-packed lineup of live music from The Rubens, Fergus James, Andrew Levins and more. Gourmet Feast in Valley will run from 11am–6pm on Saturday, November 9 and 11am–4pm on Sunday, November 10. Tickets start at $40 and can be purchased here. OCEAN DREAM WITH MARK BEST If you ever ate at Sydney's Marque or Pei Modern, then you're familiar with the explosive creations of chef Mark Best. These days, he spends his time travelling, promoting Australia's food scene to the world, speaking at chefs' congresses and working with hotels. But, at Western Australia Gourmet Escape, you can dine on his masterful cooking while cruising around Geographe Bay — just north of Margaret River — on a 26-metre luxe catamaran called Ocean Dream. In between gazing at crystal clear waters, you'll be feasting on Best's exceptional cooking matched with top-notch local wines. Sail the Seas will run daily from 12pm between Friday, November 15 and Sunday, November 17. Tickets cost $270 and can be purchased here. INTO THE NEW AFRICA Travelling all the way from South Africa for the festival will be Kobus van der Merwe, head chef at South Africa's Wolfgat — which was named World's Best Restaurant 2019 at the inaugural World Restaurant Awards. He and Paul Iskov of Australian pop-up restaurant Fervor will host Into the New Africa, an eight-course dinner based on foraged ingredients and exploring modern South African cuisine. Set in Fermoy Estate's private lakeside cabana, this is going to be a cosy affair — and tickets are likely to sell out super fast. Into the New Africa will take place on Friday, November 15 from 6.30–11pm. Tickets cost $320 and can be purchased here. WESTPAC GOURMET BEACH BBQ This popular shindig brings together killer chefs, great produce, fine wines, live music and stunning water views for three giddy days. Among 2019's special guests is Momofuku legend David Chang, who will be bringing a taste of the worldwide empire to the beach. Meanwhile, hosting a lazy Sunday session will be Monty Koludrovic, from Bondi's legendary Icebergs Dining Room and Bar. And, representing the home team will be WA chefs Kenny McHardy (Manuka Woodfire Kitchen), Scott Bridger (Bib & Tucker) and Brenton Pyke (Market Eating House), who'll swap their wood ovens for an open-air kitchen. Westpac Gourmet Beach BBQ will run from Friday, November 15–Sunday, November 17. Tickets start at $235 and can be purchased here. SAFARI CLUB COOKOUT Safari Club Cookout isn't just a feast – it's an adventure. For a start, you'll have to find the venue — a hidden paradise deep within Leeuwin Estate, surrounded by towering jarrah and marri trees. The cookout will bring to this spot three days of delights inspired by the cuisine of Australia, Thailand and India. But, rather than sticking to your seat, you'll be invited to wander, as you graze on canapés, watch cooking stations in action, sip on Leeuwin Estate wines and soak up live performances. Chefs to look out for include Garima Arora of Bangkok's Gaa, Prateek Sadhu of Mumbai's Masque and Matt Stone of Yarra Valley's Oakridge Wines. Safari Club Cookout will take place across two daily sessions — 12pm and 6.00pm — from Friday, November 15 to Sunday, November 17. Tickets cost $180 and can be purchased here. Tickets to Western Australia Gourmet Escape presented by Westpac go on sale at 9am on Thursday, July 18. More information can be found here and, to check out the full program, head to the website.
"Sitting on a bench in Wicks Park in Marrickville, reading a field report by The Lifted Brow's Sam Cooney, I madly looked around for a caramel door described in the text. There it was! As if the writer had put the doorway there himself! Of course, I knew he hadn't, but it was perfect — the exact kind of dark magic that all good writers and artists and musicians perform when their work seems to lift up walls behind walls behind walls and reveal something new and unexpected with great clarity. This is what digital literature can do and be! It's a revelation — experiential and immersive and immediate." This eerie literary experience, as described by Concrete Playground writer Lauren Carroll Harris, was made possible through the award-winning digital project The Silent History. A science-fiction novel that takes the form of an app, The Silent History tells the tale of a dystopian future where a mysterious epidemic has robbed children of the ability to develop language. From 2011 to 2043, readers watch on as these mute children — dubbed 'silents' — tear families apart, unnerve entire government sectors and generally freak people out. Part sci-fi thriller, part-real-life scavenger hunt, the app has been called "entirely revolutionary" by Wired magazine, while the LA Times declared it "a landmark project that illuminates a possible future for e-book novels." We spoke to its creator, ex-McSweeney's managing editor and publisher Eli Horowitz, in Australia for the Sydney Writers' Festival, about what it means to read an app and what writers are doing differently to entertain a digital audience. The Writer as a Prime Mover "The first thing I wanted was it to be a story that you could explore," says Horowitz, "because I have this thing, which I bet that a lot of people have, when you read a book you love or see a movie you love or whatever, you almost then want to keep on existing in that world. You want to see what's just off the page or off the screen, and keep on exploring and living in it." The tablet platform, with its promise of interactivity and updatability, was a natural fit. An app like The Silent History combines the familiar pleasures of a page-turning narrative with the gaming world's mechanics of exploration and investigation. "Once I had that then the plot needed to be kind of global and sprawling, the kind of essential premise that could play itself out a lot of different ways, so that's why it became kind of like a medical story, an epidemic story almost, that lends itself well to that." But that's just the beginning. Around this main story arc float hundreds of 'field reports', site-specific side narratives that readers can only access when they travel to the physical location where the report is set. These reports can be written by anyone, anywhere — in fact, there are already a bunch tucked away around Australia. And if you're feeling inspired, you are free to pen your own and submit it for approval from The Silent History's US editing team. The Writer as a team player Horowitz, begotten of a librarian and originally a carpenter ("not a very good one"), claims that the whole process featured very little in the way of creative genius and a whole lot of good ol' problem solving. He admits that the communal approach of the project — which is what has brought The Silent History so much attention — wasn't even originally part of the blueprint. "The collaborative aspect was not so much any kind of ideological belief about crowd-sourcing or wikis or whatever but more that I wanted these things to be all over the place and I couldn't put them all over the place," he explains, "The more people we had [writing] the more of a geographic spread we could have." It sounds simple enough. But creative genius or problem solver, Horowitz has been hailed as a literary revolutionary. He and his team, Ying, Horowitz & Quinn LLC, are considered trailblazers in e-storytelling, crafting a digital experience unlike any other. While e-books have been popping up on the App Store since the release of the iPad in 2010, none has received this level of fanfare. The Writer as a Coder "A lot of times [with] these projects, the downfall is that they're essentially a technology project and they find some writing to cram into it or it's essentially a literary project and then at the end they add the technological aspect and it's still kind of unsatisfied or clunky or buggy," says Horowitz, "so having it all work together was really important." For all the praise coming his way, though, the San Franciscan remains humble. During his eight years at Californian publishing house McSweeney's, he operated under the mantra that anything he printed had to "earn the page it's on". He says that he brought this same approach over to the app world, trying to create something that "earns the screen it's on". "I approach this in very much the same way that I would approach a book with McSweeney's or whatever else," he says. "Just to think about how form and content both can affect each other, and to think about the total experience of the project. I don't see this as a move away from print or anything, I see this as just another tool in our toolbox." Eli Horowitz will be appearing at the The Sydney Writer's Festival from May 24 to 26 at the events Reading in the E-Future, Festival Club Friday, The Silent History and Tales From the Editorial Front Line. He'll also pop into the Sydney Apple Store on May 28 as part of Vivid Sydney.
Pearl Jam finally returning to Australia and New Zealand for the first time since 2014 was always going to be big news. Tickets to their shows were always going to get snapped up fast, too. So, it comes as no surprise that the Eddie Vedder-led band's Down Under leg of their Dark Matter tour has added new gigs on the day that tix went on sale — because Melbourne, Sydney and Auckland's concerts have proven that popular. In NZ, the group will now hit up Go Media Stadium in Mt Smart on Sunday, November 10 as well as the already-announced Friday, November 8. In Melbourne, Monday, November 18 joins Saturday, November 16 on Pearl Jam's trip to Marvel Stadium. And in Sydney, the band will play Giants Stadium on Saturday, November 23, after their first show there on Thursday, November 21. [caption id="attachment_940860" align="alignnone" width="1920"] Raph_PH via Flickr[/caption] At each of the new gigs, as well as the rest of the tour's stops in Sydney and on the Gold Coast, audiences will be treated to two hefty names in 80s and 90s music thanks to Pixies in support. Vedder and Black Francis taking to the same stage? That'll make you feel alive and ask "where is my mind?". Pearl Jam are the headliners, returning after last hitting our shores on a tour a decade back that included the final-ever Big Day Out. Dark Matter, the band's 12th album, will release in April — which gives fans plenty of time to know it by heart before the group take to local stages. [caption id="attachment_940849" align="alignnone" width="1920"] Wp72 via Wikimedia Commons[/caption] Expect to hear tunes from Dark Matter, plus past hits 'Alive', 'Black', 'Jeremy', 'Better Man', 'Last Kiss' and 'Daughter' from previous albums such as the iconic Ten, Vs and Vitalogy from the early 90s, plus No Code, Yield and more since. Pixies, who were last Down Under in 2022, are responsible for a helluva one-two punch with their first two albums: 1988's Surfer Rosa and 1989's Doolittle. The first gave the world the track that's been linked with Tyler Durden courtesy of David Fincher's Fight Club since 1999, aka 'Where Is My Mind?', as well as 'Gigantic' and 'Cactus'. The second is home to 'Here Comes Your Man', 'Monkey Gone to Heaven', 'Debaser' and 'Wave of Mutilation'. Tickets to the tour required registration first, which has already ended. But, if you have received a code as part of that process, it's now valid for the new gigs. [caption id="attachment_940844" align="alignnone" width="1920"] Danny Cinch[/caption] Pearl Jam Dark Matter World Tour 2024 with with Special Guests Pixies — Australia and New Zealand Dates Friday, November 8 + Sunday, November 10 – Go Media Stadium, Mt Smart, Auckland Wednesday, November 13 — Heritage Bank Stadium, Gold Coast Saturday, November 16 + Monday, November 18 — Marvel Stadium, Melbourne Thursday, November 21 + Saturday, November 23 — Giants Stadium, Sydney Pearl Jam and Pixies are touring Australia and New Zealand in November 2024, with ticket sales from Friday, February 23 — head to the Pearl Jam website for further details. Top image: Raph_PH via Flickr.
Running parallel to the Queen Street Mall and Adelaide Street between Albert and George streets, Burnett Lane is Brisbane's oldest working laneway. For two jam-packed nights in July and August, it's also the latest place to throw a party. At Burnett Lane: Art Landing, a heap of street artists will show off their skills, while local talent will provide the soundtrack. Expect plenty of paint, colour and light, plus beats as well. Food and drinks-wise, when you're feeling hungry or thirsty, you'll be in the right spot. The laneway has welcomed quite a few new additions this year, such as Death & Taxes, Alba Bar & Deli and El Matador — and, if you're not heading into one of those three spots, there's also Super Whatnot, Pho City, and Funny Funny. The free shindig will take over the lane on two Fridays, so drop by from 4pm on July 26 and August 30.
For two nights in October, your plans can include checking out some of the best European art that's ever been made. While the Gallery of Modern Art had to ditch its Up Late sessions during its current European Masterpieces from The Metropolitan Museum of Art, New York exhibition due to lockdowns and restrictions, it's still staying open after hours on Saturday, October 9 and Sunday, October 10. On both days — across a weekend GOMA has dubbed Met Mega Weekend — you can rove your eyes over the exceptional exhibition between 9.30am–9.30pm. And, if you'd like to combine all that art with dinner and drinks, the Bodhi Tree Terrace Bar will also be open from 5–9pm. Given that works by Titian, Caravaggio, Vermeer, Turner, Degas, Renoir, Van Gogh and Monet form part of the exhibition — and they're just some of the names of the list — you won't be short on things to look at. In total, 65 different masterpieces are currently on display. But if there's one way to make this impressive showcase better, it's by keeping the doors open late, obviously. European Masterpieces from The Metropolitan Museum of Art, New York closes on Sunday, October 17, so this is one of your last chances to head along, too. Images: European Masterpieces from The Metropolitan Museum of Art, New York. 12 Jun 2021 – 17 Oct 2021, Gallery of Modern Art, Brisbane. Photographs: Chloë Callistemon / K Bennett, QAGOMA.
Sometime in the near future, Rose Byrne, Seth Rogen and filmmaker Nicholas Stoller could easily join forces on a new rom-com. In fact, they should. Until then, buddy comedy Platonic makes a hilarious, engagingly written and directed, and perfectly cast addition to each's respective resumes. Reuniting the trio after 2014's Bad Neighbours and its 2016 sequel Bad Neighbours 2, this new Apple TV+ series arrives on Wednesday, May 24 to pair Australia's comedy queen and America's go-to stoner as longterm pals who are never anything but mates — and haven't been in touch at all for years — but navigate a friendship that's as chaotic and complicated as any movie romance. That's an easy formula; however, there's nothing by-the-numbers about watching the show's stars bicker, banter and face the fact that life doesn't always turn out as planned together. Smartly, Platonic doesn't try to be a romantic comedy. It doesn't set its two protagonists on a path towards coupling up and, while one of the most annoying on-screen questions there is does earn a mention, the series isn't really asking it. Ignoring the precedent set by When Harry Met Sally and a wealth of other rom-coms both before and since — openly satirising it, actually — Platonic knows that men and women can easily be friends, instead exploring what happens when two former besties have gone their own ways, then come back together. Platonic also knows that reconnecting with old pals is always tinged with nostalgia for the person you were when they were initially in your life. And, it's well-aware that reckoning with where you've ended up since is an immediate side effect. There's nothing like the blast from the past that is slipping into a decades-old dynamic to make you take stock, and to provide the spark you might need to move forward. Sylvia (Byrne, Seriously Red) reaches out to Will (Rogen, The Super Mario Bros Movie) after hearing that he's no longer with the wife (Alisha Wainwright, Raising Dion) she didn't like, an opinion she didn't keep to herself. She's also a suburban-dwelling former lawyer who put work on hold to become a mother of three, and can't help feeling envious of her husband Charlie's (Luke Macfarlane, Bros) flourishing legal career. Her old BFF co-owns and runs an LA brewpub, is obsessive about his beer and hipster/slacker image, and hasn't been taking his breakup well. They couldn't be in more different places in their lives. When they meet up again, they couldn't appear more dissimilar, too. "You look like you live at Ann Taylor Loft," is Will's assessment. Sylvia calls him "a '90s grunge clown." Neither is wrong. Created by Stoller with his spouse and creative partner Francesca Delbanco, as two-season Netflix comedy Friends From College also was, Platonic reteams Sylvia and Will at turning points, and gives them inescapably sitcom-style broad troubles and struggles. She's frustrated with domesticity and responsibility day in, day out, even with fellow school mum Katie (Carla Gallo, Happiest Season) frequently by her side. He gets into full midlife-crisis mode, including dating the younger Peyton (Emily Kimball, Daisy Jones & The Six). Indeed, on paper the two characters and their arcs sound like unhappy housewife and manchild 101. Thankfully, that's just Platonic's scaffolding. As well as astutely sending up the whole "can men and women be friends?" nonsense, this series unpacks well-worn character stereotypes, fleshes them out and bounces them off of each other — as the Bad Neighbours movies did with young parents and the fraternity next door, and amusingly. Art clearly isn't imitating life in Sylvia and Will's specific details, but its stellar lead casting makes them feel emotionally authentic. Byrne and Rogen are reuniting themselves, of course, and capitalise upon their evident buzzing real-life chemistry as friends and colleagues. Stoller and Delbanco mightn't have come up with the premise purely to get their stars sharing the screen again, and to give them all an excuse to knock about, but that's the vibe, too. That isn't a criticism; Platonic works because Byrne and Rogen are such joys to watch together, and because viewers want to spend ten half-hour episodes watching them spend time together. It's a hangout series itself, because that's what it's audience gets to enjoy — and its leads make for charming company. Both play to their respective comic strengths, genuinely share the series, and take Sylvia and Will on resonant emotional journeys (while also finding laughs in iguanas, wild nights out, e-scooters, UFOs, ridiculous beer flavours and more). Platonic is always thoughtful, a pivotal trait that applies not only when Byrne and Rogen are together — or when they're just as ace in they solo scenes — but everywhere. Sylvia isn't stuck in a cliched bad marriage. Charlie isn't dull or awful. Family life isn't painted as either rosy or boring, or simple. Will's newly single existence has its ups and downs, and Will himself can be both juvenile and perceptive. And lengthy relationships, whether they're romantic or platonic, are seen as the ebbing and flowing experiences that they are, requiring not just sparks and a rapport but commitment, understanding and effort. It's a show about a reunion. It reunites two winningly matched talents, and also reteams them with the filmmaker who first unleashed their combined magic (and mayhem) on-screen. Trust Platonic to keep the theme going with Stoller's Bros star Macfarlane, who is sensitive and warm as Charlie, and with Rogen's always-welcome Undeclared co-star Gallo. It's no wonder that there's such a sense of comfort in each of the show's key performances — or, again, that it's so easy to hang with. Unless they're overtly courting cringing, great comedies know that cast charisma is as crucial as comic timing; this boasts and thrives with both. If Byrne, Rogen and Stoller don't reconnect for a rom-com next, or find another season of Platonic in them, then any situation that brings them back together will do. Byrne and Rogen's odd-couple setup is that energetic and entertaining — argumentative but affectionate, too — and they make that delightful a pair. Plus, Byrne's other Apple TV+ series, the excellent Physical, will end after its upcoming third season, and no one should be forced to miss her comedic presence for long. On- and off-screen, Rogen clearly can't, and no one watching Platonic will ever want him to. Check out the trailer for Platonic below: Platonic streams via Apple TV+ from Wednesday, May 24.
For those nights when you just want to belt out a song, tuck into Japanese bites and drink like you're in Tokyo, Goros Brisbane is now your go-to. On offer here: karaoke, karaage and cocktails, all in a sprawling izakaya-style bar. From Friday, February 21, 2025, you'll find the venue on Warner Street in Fortitude Valley, adding a new stop to your next big evening out. This isn't just a slice of Tokyo in Brisbane, but also a slice of Sydney. In the Harbour City, Goros is a favourite if you want to party like you're in Japan without the plane fare. As initially announced in late 2024, that's equally the setup in the River City, complete with yakitori, sake and Japanese spirits as well. Gyoza, bao, sashimi, matcha soft serve, boozy boba, whisky highballs: they're all on the menu, too, at the chain's second venue Australia-wide and first in Queensland. For its arrival in the Sunshine State, Goros has gone big. Taking over the space that was previously home to Kickons, the bar spreads over multiple levels and can cater to 500 people. And yes, that means that group occasions are on the itinerary if you need a new spot to celebrate your next birthday, or anything else worth commemorating, with sake bombs, prawn crackers, squid karaage and skewers fresh off the robata grill. Goros' inspiration isn't merely Japan in general or even Tokyo as a whole — it's the latter's street bar culture and nightlife scene. Whether you're keen to pick up a microphone or are happy sipping cocktails while others sing, neon lighting features heavily across the venue's decor. The bar also boasts a dance floor, because karaoke isn't the only way to enjoy tunes here, and is set to host games nights and ping-pong tournaments. If you just want to drop by for an after-work sip or dinner, though, that's also an option. "I wanted this to be a fully immersive experience — from the glow of neon lights to the aroma of yakitori sizzling over an open flame, and the thrill of stumbling upon an unexpected experience that brings the night to life," said Solotel CEO Elliot Solomon. "At its heart, the concept draws inspiration from a Japanese izakaya, while incorporating the very best elements of Japan into one venue." The culinary lineup for Goros Brisbane also spans everything from UFO beef burgers and share buckets of Japanese fried chicken to saltbush tempura with chilli miso mayo. Matcha piña coladas, Midori sours, sake spritzes, four different types of frozen cocktails (one alcohol-free), Asahi on tap: they're among the drinks picks. For fun while you eat and imbibe, Goros Brisbane's roster of regular events also includes DJs spinning tunes every Friday and Saturday, Tuesday-night watch parties, sake bomb bingo for an hour on Fridays and monthly Goros twists on Takeshi's Castle. Find Goros Brisbane at 6 Warner Street, Fortitude Valley from Friday, February 21, 2025 — open from 4pm–12am Tuesday–Wednesday and 4pm–3am Thursday–Saturday. Head to the venue's website for more details. Images: Alana Dimou / Markus Ravik.
Warhol, Chagall, de Kooning, Gauguin, Matisse, Rembrandt, Renoir — what a bunch of big fat fakes. You'll need to look a little closer at the latest exhibition in New York City's Center Gallery, because every last work is 100% sham. Until this August, the FBI had these frauds locked away, never to see the light of day again. In a rare moment of public awesomeness from the Feds, Fordham University's Center Gallery plays host to a collection of seized forgeries from the evidence stores of the FBI Art Crimes department. From a Warhol Brillo Box to De Kooning's seminal work Woman, I, each work in the aptly named Caveat Emptor (let the buyer beware) exhibition has been certified by the FBI as a genuine forgery. Many have been classified and reclassified over the years, with the FBI fine-tuning their art crime detection techniques and nailing some big-time fraudsters. Art forgery has been around for thousands of years, from ancient Roman copies of Greek marbles to Michelangelo allegedly “borrowing” master works, copying them and returning the imitations to their owners (so Vasari says). Forgeries still plague the FBI today; this exhibition is running at a rather testy time for New York's art world, with the recent accusations against an NYC art dealer who allegedly scammed two big-time Manhattan galleries out of up to US$33 million with counterfeit Rothkos, Pollocks and De Koonings. So how do you tell a genuine fake? Luckily for this forgery noob, an NYC conservator casually inhabiting the gallery noted the tell-tale subtleties in the works, tiny details you really have to be looking for to notice. Warhol's 1972 Mao for instance, can be dethroned by the painted staples (Warhol mass-produced his works, stapling the dried canvases afterward). Boom! Fake. The forged Matisse work sports an identical style to the French master; however, the lifeless colour palette may have pricked the suspicion of the buyers. Voila! Faux. So, not dissimilar to RSVPing to a tacky nightclub launch, why would you knowingly head along to a room full of fakes? Caveat Emptor inevitably makes you question the value of a 'real' work of art, as the works on the walls are technically not works at all; they're all evidence in art crime, as damning as a fingerprint-mottled pistol or balaclava left at the bank. It's a staggering thought that an unknown artist could have the gumption to recreate Rembrandt or photocopy Gauguin. With a few minuscule muck-ups, the works are almost carbon copies of the original masterpieces. It's hard to tell whether the exhibition is a celebration of the brilliance of the FBI, the works sitting like mounted trophies, or the genuine skill of the 'artists' themselves. The works are even faux-signed by the forgers, with as much attention paid to a spot-on signature as the work itself. For legal reasons, we can't meet all the makers of these bonafide recreations. Unfortunately, that's often classified. One of the greatest art forger's in history, Ken Perenyi, wrote his own salacious story in a book not so coincidentally called Caveat Emptor: The Secret Life of an American Art Forger. Luckily enough, one of Perenyi's favourite masters to copy was English maritime painter James E. Buttersworth, a fraudulent copy of whose is included in the exhibition. Though the novelty of sort-of-seeing Warhol's Mao next to a tiny Renoir study is undeniably fun, there's something about the hand of the master artist that's missing. That being said, these phonies sure can paint. Images by Shannon Connellan.
You could be forgiven for initially thinking that Chris Jordan's collections of digital photographs were nothing more than faded photos of iconic pieces of art. But on closer inspection, Jordan's photo of Botticelli's The Birth of Venus is actually made up of very small images. On even closer inspection, those very small images are actually plastic bags. The work is accompanied with this description: 'Depicts 240,000 plastic bags, equal to the estimated number of plastic bags consumed around the world every ten seconds'. Jordan's photos are made up of images of everyday items we consume everyday. Or, rather, we overconsume everyday. Some pretty scary statistics about consumption become the starting point for both his idea and the composition of the photo. And so it follows that Jordan's photo of Seurat's Sunday Afternoon on the Island of La Grande Tatte is actually made up of images of 400,000 plastic bottle caps. His take on Van Gogh is made up of images of plastic lighters. Jordon also also creates his own images; a bust made up of 32,000 images of Barbie dolls - equal to the number of elective breast augmentation surgeries performed monthly in the US in 2006 - and a moon made up of 29,000 credit cards - the amount of personal bankruptcy filings every week in the US in 2010 - also feature in the collection. https://youtube.com/watch?v=f09lQ8Q1iKE
Partway through The High Note, lifelong music buff and aspiring producer Maggie Sherwoode (Dakota Johnson) sits in a recording studio with the up-and-coming musician, David Cliff (Kelvin Harrison Jr), she's certain will be the next best thing. He's singing while she's listening, but the latter doesn't like what she hears — so she slides into the booth with him, spins an inspiring story designed to get him both excited and comfortable, and coaxes out his smooth, melodic, possible hit single-worthy best. It's one of those exchanges that only exists in the movies, and in cinema's fantasy vision of the creative process. It also sparks an obvious train of thought among the film's audience. There's much that's likeable about this overtly formulaic feature, but The High Note always feels like it could've used a bit of coaxing and massaging itself — and a confidence boost to help it serve up some unexpected beats. After first crossing David's path in a grocery store, via a meet-cute that involves arguing over the merits of Phantom Planet's The OC theme 'California' while buying ice blocks, Maggie convinces him to let her produce his first record. But that's actually her after-hours job. By day, every day (and often at night, too), she's a committed and overworked personal assistant to 11-time Grammy-winning R&B superstar Grace Davis (Tracee Ellis Ross). That's a demanding gig, albeit for a legend; however Maggie dreams of more than merely ferrying her idol around town, picking up her dry cleaning and administering enemas on tour. With Grace's latest string of shows wrapping up, a live greatest hits album in the works and no new music released for some time, the singer herself also wants more, but her long-time manager Jack (Ice Cube) is trying to push her towards the easy money of a ten-year Las Vegas residency. With 2019's Late Night, filmmaker Nisha Ganatra stepped inside the world of television, contrasting the journeys of a hardworking woman just starting out and a celebrated but stern female veteran of the field who is unsure of what she wants for the future. Switch the setup to music, then swap Mindy Kaling's smart Late Night screenplay for a thoroughly by-the-numbers affair by first-timer Flora Greeson, and The High Note is the end result — but without any of the resonant commentary that made its predecessor as clever and savvy as it was amusing and affecting. The fact that it isn't easy being a woman in music isn't ignored here, but it's pointed out via generic lines of dialogue that simply sound like throwaway soundbites. The reality that both ageism and racism blight the industry too, and that a hugely successful Black woman over 40 still gets ignored by those calling the shots, receives the same cursory treatment. Instead, The High Note is more content to keep any statements as superficial and easy as a disposable pop song, and to deliver as standard a feel-good fairy tale-style film about chasing one's dream as an algorithm would probably spit out. Also ranking among The High Note's struggles: a blatant, not-at-all surprising soap opera-esque twist that takes the plot into cringe-worthy territory, and a self-parodying cameo by Diplo as an autotune-loving remix specialist that overstays its short duration. Then there's the manoeuvring needed to get all the movie's main players — plus Bill Pullman as Maggie's widowed radio DJ dad, who has a thing for covers — to Catalina Island for a big climactic moment. This all smacks of a feature that could've used another few passes before making it to the screen, but tries to bop along by being be glossy and breezy. And The High Note most definitely is visibly slick and shiny, as well as light and upbeat in tone. While that isn't enough to significantly boost its fortunes, the film does benefit from a rousing soundtrack that spans both new tracks and vintage hits (including an appealing singalong to TLC's 'No Scrubs', and Harrison Jr crooning 1957 classic 'You Send Me' by the king of soul Sam Cooke). The High Note's best asset is its cast, of course, who constantly make you wish that they were working with better material. The movie's two female leads both follow in their famous mothers' footsteps — with Johnson's mum, Melanie Griffith, playing a put-upon lackey in 80s comedy Working Girl, and Ellis Ross easily sliding into the shoes of a fierce diva like her mum, Diana Ross — and yet neither ever feels as if they're merely going through the motions. After turning in such a forceful and powerful performance in Waves, Harrison Jr is all laidback charm here, and he's just as watchable. Ice Cube also adds texture to his thinly written part, but it's the fate of two supporting actors that completely sums up the movie. The comically gifted June Diane Raphael (Long Shot) steals every scene she's in as Grace's vain, self-obsessed housekeeper, while Eddie Izzard possesses both bite and spark as another veteran singer — and, although they're barely in the film, it would've hit far higher notes if it had spent more time with either instead of with its bland main storylines. https://www.youtube.com/watch?v=OAxtH_xwlnM Top image: ©2020 Focus Features, LLC. All Rights Reserved.
Does your dream hotel include luxe rooms and suites, spectacular vistas, a pool with a killer view, a bustling onsite restaurant and bar, and a spot to get sipping outdoors? If so, you'll want to add the first-ever Kimpton Hotel in Brisbane — and Queensland — to your must-stay list. The hotel chain is launching a second Australian site to sit alongside the existing Kimpton Margot Sydney, with Teneriffe in the River City its destination. Set to open in 2028, the Skyring Terrace spot will feature 155 places to slumber, an infinity pool overlooking the Brisbane River, a signature eatery and watering hole that can seat at least 200, and an openair garden terrace bar. Brisbane's Kimpton Hotel will be a partnership between IHG Hotels & Resorts and property developer Kokoda Property, the latter of which is behind the $1.5-billion overall development in the Queensland capital's inner north. Locals will find the spot to stay amid residential apartments, warehouse-style lofts, shops, dining, co-working spaces and a community centre. Brisbanites will also score a lavish staycation go-to, and tourists a new accommodation option. The Kimpton's rooms will push design to the fore, although what that'll entail in its decor hasn't yet been revealed. Think: fancy, though; there'll even be a marquee suite for celebrities and VIPs. Think: views as well, with both the water and the Brisbane city skyline providing a backdrop. Eating at the restaurant and drinking at the bar will mean sky-high vantages, too, with both located on the 14th level. And as for the pool, swimming in it will mean looking out over the water while you're in the water. In addition, patrons can expect waterfront access from the hotel, an onsite spa and a fitness centre, plus meeting and event spaces spanning 618 square metres. Just don't go planning that stay yet — construction is set to start in 2025. [caption id="attachment_936166" align="alignnone" width="1920"] Kimpton Margot Sydney[/caption] "The Kimpton brand was the ideal choice for, and will be the centrepiece of, our striking Teneriffe development. The brand's lifestyle centric positioning, design and playful guest experiences will fit perfectly into this exciting and unique pocket of Brisbane," said Kokoda Property Founder and Managing Director Mark Stevens. "We're excited to play a part in the transformation of the historic suburb of Teneriffe from its industrial origins into one of the trendiest suburbs of Brisbane. It's a popular year-round hub for fitness, and is set to get even better with Skyring Terrace to connect Brisbane's famed riverwalk between Teneriffe and New Farm and become the cultural heartbeat of the lively area." [caption id="attachment_920155" align="alignnone" width="1947"] Kimpton Margot Sydney[/caption] [caption id="attachment_920154" align="alignnone" width="1920"] Kimpton Margot Sydney[/caption] [caption id="attachment_920156" align="alignnone" width="1920"] Kimpton Margot Sydney[/caption] Brisbane's Kimpton Hotel is set to open in 2028 at Kokoda Property's Skyring Terrace development in Teneriffe. Head to the Kokoda Property website for more details.
In case you needed a reminder the chain was still around and going strong, Victoria is home to eight TGI Fridays, NSW has a store in North Ryde and the chain's first Queensland store just opened in Robina. The American-inspired diner's mac 'n' cheese bites and loaded potato skins have probably always been at the top of your must-eat list, which is understandable — but on Thursday, April 2, its peanut butter and jelly waffles are what you'll be wanting. On this day, dubbed 'National Peanut Butter & Jelly Day' of course, each and every TGI Fridays is giving away free stacks of this delicious waffle combo to the first 100 people to order $20 worth of food via UberEats, Deliveroo or takeaway in-store. The stacks star a belgian waffle layered with raspberry jelly and peanut butter, and topped with ice cream and chocolate fudge. You'll want to hope you're not located too far from the store for this giveaway. As you do need to spend $20 to get a free waffle stack, here's your chance to try those aforementioned snacks if you haven't already — they're all available for delivery. TGI Fridays' free peanut butter and jelly waffle snacks are available on Thursday, April 2 to the first 100 people to spend $20 at each store via UberEats, Deliveroo or takeaway.
Mrs Brown's Bar and Kitchen isn't doing things by halves. The Newstead bar had the aim to provide a relaxed bar and restaurant offering to the neighbourhood when it opened in 2017, a 'home away from home' experience. And it's doing everything possible to please its diners. In fact, the menus are almost overwhelming in their diversity. Let's start with drinks first. There are close to 80 wines from across the country and overseas, rotating craft beers on tap, top shelf spirits and a dozen cocktails. The food menu also takes a broad strokes approach. It's designed to share and is split between bar snacks, salads, mains and sides. Culinary influences are varied: Indian paratha bread is served stuffed with haloumi or spiced lamb mince, or as a taco shell holding roasted pork and kimchi. There's also dumplings, a charcuterie board, Korean fried cauliflower, osso bucco massaman curry and rotisserie chicken. Plus pizzas made to order by Gianni's Kitchen across the road and gelato courtesy of nearby La Macelleria Gelateria. It might seem confusing at first but view it as a collection of homestyle favourites elevated to restaurant status. Pendant lights, dark wood and greenery provide warmth to the warehouse fit-out.
Embarking on an adventure need not be at the expense of the planet. In a world where conscious living is becoming a mantra, wanderlust and sustainability now walk hand-in-hand. Say goodbye to travel guilt with this list of ten feel-good adventures that promise awe-inspiring moments and a lighter impact on our precious planet. Together with B Corp-certified travel group Intrepid Travel, we've selected the trips that allow you to explore the planet with a green conscience. Europe by Rail One of the best low-impact ways to explore Europe is by train. The countries of the continent are all interconnected by rail networks. You can hop on a train in London and travel under the English Channel to arrive in the City of Lights: Paris. Spend a couple of days exploring the French capital, from the Eiffel Tower to the artistic neighbourhood of Montmartre in Paris — once home to artistic legends Van Gogh and Picasso. Then hop on a train south to Nimes to discover ancient Roman monuments and swim or kayak in the Gardon River. Next, it's on to Catalonia in Spain to the colourful city of Barcelona before journeying to the heart of Spain, the capital city of Madrid. Not only is this adventure more convenient — no long airport queues or driving days — it's also more carbon-friendly as you will travel by public transport the entire way. Hiking the Dolomites If an adventure for you includes lacing up your hiking boots and traversing a mountain range, then The Dolomites should definitely be on your travel list. The stunning, rugged scenery of the epic mountain range in the northern Italian Alps is next to none. You will make most of the footprints on this journey, not carbon emissions. This adventure to The Dolomites covers the Three Peaks of Lavaredo loop, a full-day walk that is widely regarded as the most scenic hike in the region. The trip will require you to hike up to 14 kilometres a day — although there is a cable car ride one day — so you'll want to pack light and consider hiking poles. You'll be fuelled on your hike with breakfasts, an apple strudel tasting, a cheese tasting, a gourmet picnic lunch and the guesthouses along your route have bustling restaurants with schnitzel and beer on offer for hikers. New Zealand by Bike Jump in the saddle and follow the Central Otago Rail Trail through the unforgettable landscape of South Island. Kick things off in the outdoor paradise of Queenstown at the base of The Remarkables mountain range, then meander through valleys, wine regions and small gold-mining towns. Not only will you see the epic landscapes of New Zealand without impacting the environment, but also by travelling on this trip, you'll directly support Intrepid Foundation partner World Bicycle Relief. It provides school kids, health workers, and farmers in remote areas with bicycles that provide access to education, healthcare, and income. Trek or Train the Inca Trail Machu Picchu is on the bucket list of most wanderlusting travellers. The fascinating ancient Incan civilisation perched atop a mountain range in the Sacred Valley. As you journey to the iconic site, you will pass through local villages, marketplaces and maize crops. Stop for lunch and chat with locals — see if you can pick up a few words of the local Quechua language — before climbing to the summit. Did you know you have many options to see this epic clifftop wonder? This trip allows both trekkers and non-trekkers to visit Machu Picchu with the Inca Trail and Quarry Trail for those who want to travel by foot and train option for those who wish to have a more comfortable climb. Morocco by Foot Where are my ladies at? This women-only trekking tour of Morocco promises an epic adventure off the beaten path. Take in the beauty of the M'goun Valley over four days of hiking. You'll need to be relatively fit for this adventure as you'll be walking up to seven hours daily meandering through picturesque valleys and rocky terrains. By travelling on this trip, you may only make a low environmental impact, but you will make a major impact on the lives of the young women and girls of the High Atlas Mountains — as this trip is led by a female leader and supports female-owned businesses throughout the area. Explore the Red Centre The spiritual heart of Australia is Uluru. The Red Centre is a must-visit for all Australians and visitors to this country. Circumvent the sandstone monolith and witness heart-soaring sunsets and sunrises where the red ground changes to orange and purple. Lace up your hiking boots and walk the Kings Canyon Rim Trail in Watarrka National Park. Then, wind through two of the Kata Tjuta's towering domed rock formations on the Walpa Gorge Walk. This is a camping and trekking adventure for those who want an action-packed trip that doesn't cost the earth. Central America by Bus and Boat Feel the calming sea breezes on Playa del Carmen, trek through the lush jungle and cruise to Rio Dulce on this three-country trip to Central America. Amble down the coast by ferry, shared boat and bus with options to hire a bike to explore the region on two wheels. Public transportation allows you to live like a local and reduce your impact while exploring the local wonders of Mexico, Guatemala and Belize. Vietnam by Train Travel by sleeper train from Hoi An to Ho Chi Minh City on this adventure to Vietnam. Bike through the UNESCO-heritage ruins of Ninh Binh, kayak between the limestone islands of Lan Ha Bay and Cat Ba Island and explore the local markets and nightlife of Hanoi and Ho Chi Minh City. Take in the stunning scenery from the local point of view, all without the carbon guilt. Hike, Bike, Kayak Through Japan Embark on an epic adventure from Tokyo to Osaka by boat, public bus, metro, bullet train, train, taxi, walking, bike and kayak. This is an adventure for those adventurous travellers who love to get their hearts pumping. Cycle along the Shimanami Kaido to the Inland Sea, hike between the preserved post towns of the Nakasendo Way and traverse the World Heritage-listed pilgrimage trail (one of only two in the world), The Kumano Kodo. This trip also supports World Bicycle Relief, which provides bicycles to school kids, health workers, and farmers in rural areas. Walk the Camino De Santiago If you spend your weekends walking the bush and hiking up mountains, amp up your adventuring travel with this iconic 100-kilometre trail, the Camino de Santiago in Spain. Uncover the real Galicia as you trek through quaint hamlets, ancient bridges, and Roman ruins on your journey from Sarria to the ancient city of Santiago de Compostela. This is more than just a physical challenge, it's a journey to the past and one that respects the environment you'd be travelling through — there are no buses or cars on this adventure, just your own feet, so be sure to pack sturdy (and comfy) walking boots. Also, this trip directly supports Intrepid Foundation partner Open Arms, which helps safeguard the rights of migrant people. Intrepid Travel offsets emissions on its trips on its travellers' behalf. The company also has a carbon reduction target you can read about on the website. Get out, explore, dive into adventure and find your WOW with Intrepid Travel. Find out more on the website.
Next time you head out for a big night in Fortitude Valley, it might come with a sense of history in more ways than one. Hopefully, you'll be having the kind of wild fun that cements unforgettable memories in your brain. But if you make a date with new nightclub Superfly Disco, you'll also be dancing and drinking in a new throwback spot that adores the tunes, attitude and decor of five decades back — and happens to be nestled into the site of an old Brisbane favourite. That gone-but-not-forgotten spot: Alhambra Lounge on McLachlan Street, which has been closed for eight years. Now, its former McLachlan Street space has gone retro with vinyl, boomboxes and old-school vibes, plus a light-up dance floor that'll have you living out your Saturday Night Fever dreams (or curious to watch the John Travolta-starring 70s hit if you've never seen it). Forget DeLoreans; making an evening of it at Superfly Disco will send you back in time, although disco classics will pump through the speakers alongside recent party hits. The rest of the fitout suits the mood, complete with walls of records, neon lights, disco balls aplenty — including in the bathrooms — and murals featuring famous music faces from the bar's celebrated era. Whatever the venue's disc jockeys happen to be spinning at any given time, they'll be doing so from a DJ car, another piece of Superfly Disco's retro aesthetic and vibe. The space has been completely gutted from its Alhambra days, and given an entirely new look — including raising the floor by an inch and a half to accommodate those lights underneath. Yes, when you're not hanging out in private booths, you should be dancing here — and feeling the city breakin' and everybody shakin', and obviously thinking about other Bee Gees disco tracks. Unsurprisingly, the team behind Superfly Disco see a big future in functions and parties; it isn't by accident that the venue's opening, on Friday, October 7 after first being announced a few months back, is timed just before festive season. That crew? The Drunken Monkey Group team, adding another venue to its portfolio alongside Brooklyn Standard, Fat Angel Sports Bar and Suzie Wong's Good Time Bar. Suzie Wong's venue manager Michael Pattison has become the general manager role across the group's Valley sites, while Kyle Weir, who owns fellow nightclub Queens, oversees DJ bookings. Drinks-wise, cocktails are the tipples of choice, all with themed names. Try the Hollywood Divorce with whisky, chocolate, orange and bitters; the Lula's Disco Daiquiri with white rum, orange, pineapple, guava, lime and falernium; and the Theme From Shaft with 12-year-old Chivas, cherry heering, dark cacao, honey and egg white. Or, there's also a sizeable range of champagne, sparkling, and red and white wines. Entry will cost you a $10 cover charge on the door — and wearing flares and platform shoes is totally optional, but it'd fit the atmosphere. Find Superfly Disco at 12 McLachlan Street, Fortitude Valley — open from 8pm–3am Friday–Sunday.
UNESCO's World Heritage Committee has just wrapped up its two-week long meeting in Manama, Bahrain, during which it added a further 19 sites to the World Heritage List — the United Nations Educational, Scientific and Cultural Organisation's list of landmarks and areas that are legally protected due to their significance. Thirteen of the new sites have been selected for their cultural importance, three are sites with noteworthy natural features, and the remaining three fall into both the natural and cultural categories. The list of the new cultural sites chosen is as follows: Aasivissuit-Nipisat. Inuit hunting ground between ice and sea in Denmark. Al-Ahsa Oasis, an evolving cultural landscape in Saudi Arabia. Ancient city of Qalhat in Oman. Archaeological border complex of Hedeby and the Danevirke in Germany. Caliphate city of Medina Azahara in Spain. Göbekli Tepe in Turkey. Hidden Christian sites in the Nagasaki region in Japan. Ivrea, industrial city of the 20th century in Italy. Naumburg Cathedral in Germany. Sansa, Buddhist Mountain monasteries in Korea in the Republic of Korea. Sassanid archaeological landscape of Fars region in the Islamic Republic of Iran. Thimlich Ohinga archaeological site in Kenya. Victorian Gothic and Art Deco ensembles of Mumbai in India. Barberton Makhonjwa Mountains in South Africa, the Chaine des Puys — Limagne fault tectonic arena in France and Fanjingshan in China have been selected as the new natural sites. Meanwhile, the new mixed sites are Chiribiquete National Park, aka 'The Maloca of the Jaguar' in Colombia' Pimachiowin Aki in Canada and Tehuacán-Cuicatlán Valley's originary habitat of Mesoamerica in Mexico. In addition, the committee approved the expansion of one natural site: Central Sikhote-Alin in the Bikin River Valley in Russia. The World Heritage List now includes 1092 different sites spread across 167 countries. Perusing the full list is certain to get you marvelling at the planet's many wonders — and give you some serious travel inspiration.
Each year, the advertising world's mad men and women descend on Cannes for a week-long jaunt on the Riviera. Aside from likely providing the world with more instances of cocaine use by aged executive creative directors than any other event in the world, the Cannes Lions Advertising Festival showcases the world's best commercial creativity across a variety of mediums, including TV, print, outdoor, PR and online. The proliferation of new media channels and the growth of social media has made an already cluttered marketing world a dangerous place to be for cowardly chief marketing officers and the brands they steward. Last year, Old Spice made headlines for their ability to engage consumers in a campaign that repositioned a tired brand in one fell swoop via innovative use of social media. But what lay at the heart of the campaign was its ability to make an emotional connection with audiences through humour. Ads, after all, are a like people: the ones you love and hate are the same ones you remember. This year's best 15 ads were decided over the weekend, with the Grand Prix being awarded to the 'Write The Future' campaign launched by Nike during last year's FIFA World Cup in South Africa. Here they are, ordered according to how they impressed us here at Concrete Playground HQ. https://youtube.com/watch?v=R55e-uHQna0 1. 'Force' by Volkswagen Agency: Deutsch Los Angeles https://youtube.com/watch?v=dBZtHAVvslQ 2. Cannes Grand Prix 2011: 'Write The Future' by Nike Agency: Wieden + Kennedy Amsterdam https://youtube.com/watch?v=xdOoJjvr0GM 3. 'Braids' by H2OH! Drink Agency: BBDO Argentina https://youtube.com/watch?v=CoxCF1xZ7Pk 4. 'After Hours Athlete' by Puma Agency: Droga5 New York https://youtube.com/watch?v=2qD_PiZAz6k 5. 'Premature Perspiration' by Axe Agency: Ponce Buenos Aires https://youtube.com/watch?v=TLgetLmlggA 6. 'The Entrance' by Heineken Agency: Wieden + Kennedy Amsterdam https://youtube.com/watch?v=VFFnfHQhg-s 7. 'Shoelace' by Otrivin Nasal Spray Agency: Saatchi & Saatchi Geneva https://youtube.com/watch?v=DtCU43MteYY 8. 'Slo Mo' by Carlton Draught Agency: Clemenger BBDO Melbourne https://youtube.com/watch?v=8I550mx8QlI 9. 'See The Person' by Scope Agency: Leo Burnett Melbourne https://youtube.com/watch?v=T3guZ7dMAkc 10. 'Born Of Fire' by Chrysler Agency: Wieden + Kennedy Portland https://youtube.com/watch?v=BKnhyhm3GdQ 11. 'Office' by Mexican Insurance Institution Association Agency: Ogilvy Mexico https://youtube.com/watch?v=nCgQDjiotG0 12. 'Chrome Speed Tests' by Google Agency: Google Creative Lab New York https://youtube.com/watch?v=Oech5Rpom2g 13. 'Cage Cop' by Skittles Agency: BBDO Canada https://youtube.com/watch?v=lZqrG1bdGtg 14. 'Dead Island Trailer' by Deep Silver Agency: Deep Silver https://youtube.com/watch?v=k0fm3JS4p8U 15. 'Demo Slam: Chubby Bunny' by Google Agency: Google Creative Lab New York [Via Mumbrella]
UPDATE, January 27, 2021: Savage is available to stream via Stan and Amazon Video. Tattoos covering his cheeks, nose and forehead, a scowl affixed almost as permanently, but raw sorrow lurking in his eyes, Jake Ryan cuts a striking sight in Savage. He's a walking, drinking, growling, hammer-swinging advertisement for toxic masculinity — how it looks at its most stereotypical extreme, and how it often masks pain and struggle — and the performance is the clear highlight of the Home and Away, Wolf Creek and Underbelly actor's resume to-date. Playing a character named Danny but also known as Damage, Ryan also perfectly epitomises the New Zealand gang drama he's in, which similarly wraps in-your-face packaging around a softer, richer core. Savage's protagonist and plot have had plenty of predecessors over the years in various ways, from Once Were Warriors' exploration of violence, to Mean Streets' chronicle of crime-driven youth, plus the bikie warfare of TV's Sons of Anarchy and even Aussie film 1%, but there's a weightiness on display here that can't just be wrung from a formula. That said, although first-time feature director and screenwriter Sam Kelly takes inspiration from NZ's real-life gangs, and from true tales from within their ranks spanning three decades, Savage does noticeably follow a predictable narrative path. Viewers first meet Danny in 1989, when he's the second-in-charge of the Savages, which is overseen by his lifelong best friend Moses (John Tui, Fast & Furious: Hobbs & Shaw, Solo: A Star Wars Story) but is also under threat by rank-and-file members agitating for a leadership challenge. In-fighting, and Moses' sheer desperation to remain on top, aren't Danny's biggest issues, however. Whether imposing the ramifications of being disloyal upon a younger colleague or being unable to relinquish control in an intimate situation, he's both tightly wound and silently aching, and he's also unable to shake the cumulative effect of all the factors and decisions that have led him to this testosterone-saturated point. A series of flashbacks, each fittingly moody and tense, explain why Danny is in his current situation physically, mentally and emotionally. The film first jumps to 1965, when he's nine (played by Pete's Dragon's Olly Presling), victimised by his overbearing father and sent to juvenile detention, where he initially meets and befriends a young, wild-haired Moses (Lotima Pome'e). The circumstances leading to Danny's stint in custody and his treatment while he's there each leave an imprint, with Moses swiftly becoming the only person that he can count on. Skipping forward to 1972, when the pair are in their late teens (played by James Matamua and Haanz Fa'avae-Jackson), they establish the Savages — and, although it gives them a sense of belonging that's absent elsewhere, they're soon caught in a Wellington turf war with a rival gang. Yes, all of the above narrative elements have a well-worn feel to them, but a blandly, routinely by-the-numbers flick isn't the end result here. Aided by suitably gritty and restless camerawork that mirrors Danny's inner turmoil, the film packs a punch when it lets that unease fester in quiet moments. It's also particularly astute when honing in on Danny and Moses's complicated friendship, and how pivotal it is throughout their constantly marginalised lives. There's never any doubting that Savage is a movie about family, including the traumas they can inflict, the hurt that comes with being torn away from loved ones at a young age, the kinship found in understanding pals and the concept of brotherhood in gangs, and the feature is at its most affecting when it lets these truths emanate naturally. Kelly does like to stress the point, though, and to do overtly. Indeed, the clunkiest parts of Savage involve Danny's yearning to see his mother and his tussles with his older brother Liam (played by Jack William Parker as a teen and Seth Flynn as an adult). Every year Danny, stands outside his childhood home, looks on at his parents and siblings and, unable to step into the yard, notches a mark on the fence outside — and it's an instantly and repeatedly overdone touch. When he's reunited with Liam, it's because the two brothers are in opposing crews, another obvious, template-esque inclusion that's far less effective or moving than seeing how Danny navigates the gang he has chosen as his new family. Unsurprisingly, Danny's gang life is brutal and violent, which Savage doesn't shy away from in a visual sense. Tonally, the film aims for Shakespearian levels of tragedy, too, as Sons of Anarchy did before it. But while most of the feature hits its marks, draws viewers in and keeps them interested, the movie's biggest force and asset is always Ryan. Tui also proves a commanding screen presence, as does first-timer Alex Raivaru as the latter's nemesis, while young Presling and Pome'e share a convincing rapport. When an actor plays the kind of immediately imposing role that Ryan is tasked with, however, how they handle the subtler side of the character is pivotal — and audiences can feel Danny's bubbling distress even when he's the most formidable figure figure in the room. https://www.youtube.com/watch?v=NK3eDfkXBzg Top image: Domino Films, Matt Grace.
Already home to Gelato Messina's original Brisbane store and Lune's only local croissanterie so far, South Brisbane just welcomed another tastebud-tempting spot: Lisboa Caffe, purveyors of flaky, tasty, widely beloved Portuguese custard tarts. Setting up shop on Hope Street, the bakery's new bricks-and-mortar home is now serving up pasteis de nata — those coveted egg custard pastries — and pairing them with Padre coffee, all at a cute, white-tiled, hole-in-the-wall joint. On the menu: custard tarts, obviously, as well as Nutella, goat's cheese, chicken and herb, and walnut and honey tart varieties. So, you can go for both sweet and savoury options. And, if you're keen for a bite-sized snack, the custard tarts also come in miniature versions — and Portuguese almond tarts are also on offer. The tiny venue has been in the works since 2021, but everyone in Brisbane knows how the last year turned out. Now, it has finally become a reality. Lisboa Caffe's permanent shopfront comes after its signature treats proved big hits at markets around southeast Queensland, and among the pastry range at plenty of local cafes. In other words, if you're a fan of custard tarts, you've probably already tried them. 2022 marks seven years since owner Joe Rocha first started Lisboa Caffe back in 2015 to share his Portuguese culture with Brisbane, focusing on custard tarts as an anchor. And as the name makes plain, Rocha always had dreams of setting up a cafe. Joining South Brisbane's growing lineup of sweet treats is clearly just a welcome bonus. Find Lisboa Caffe at 58 Hope Street, South Brisbane — open from 7am–3pm Wednesday–Saturday. Images: Markus Ravik.
Move over Adelaide; according to The Economist Intelligence Unit's Global 2022 Liveability Index, Melbourne is now the most liveable city in Australia — again. While the Victorian capital spent much of 2021 under stay-at-home restrictions, it has beaten out every other city Down Under for this year in the annual list, placing first among Aussie spots and equal tenth worldwide. Melbourne has previously topped the rankings — for seven years running between 2010–2017, in fact, but that span came to an end in 2018. Back then, it was dethroned by Vienna in Austria, which again took out first place this year as it did from 2018–20. Vienna's 2022 victory came at the expense of 2021's top placeholder Auckland, which tumbled from first down to 34th. Last year's top ten was filled with Australian and New Zealand cities, including Adelaide, Wellington, Perth and Brisbane as well. They've all dropped significantly, with Adelaide moving from third to 30th, Wellington plummeting from fourth to 50th, Perth moving from sixth to 32nd, and Brisbane from tenth to 27th. Melbourne tied for eighth in 2021, so although it still made the top ten in 2022, it has also dropped two spots. The report explains that both Australia and New Zealand "benefited in early 2021, when COVID vaccines were scarce: their closed borders kept cases down, keeping liveability high... However, this changed as a more infectious covid-19 wave struck in late 2021, which made closed borders less of a defence." The Economist Intelligence Unit continued: "although New Zealand's lockdowns ended in December, before our survey period, its cities no longer have a COVID advantage over well-vaccinated European and Canadian cities. In Australia, some states were slower to lift restrictions than others. As a result, Perth and Adelaide have lost ground since last year, and Melbourne is once again Australia's highest-ranked city." As well as Vienna in first spot, Melbourne was joined in the top ten by Copenhagen at second, Zurich in third, Canada's Calgary and Vancouver in fourth and fifth, Geneva at sixth, Frankfurt at seventh, Toronto at eighth and Amsterdam at ninth — with Osaka sharing tenth position. The annual index ranks cities on stability, healthcare, education, infrastructure, culture and environment, giving each city a rating out of 100. Vienna achieved a score of 99.1 overall, and Melbourne received 95.1 — and, at the other end of the list, Damascus in Syria scored 30.7, ranking in 172nd spot. Narrowly missing the top ten for the second year in a row: Sydney, which came in 13th, after sitting at 11th in 2021. It had ranked third back in 2019. To read the full Global 2022 Liveability Index, head to the Economist Intelligence Unit's website.
While your favourite Thai restaurant and their pad thai will always have your heart, there's something pretty special (and impressive) about being able to recreate those flavours at home. This Saturday, kick your culinary skills into overdrive, and get down to Vanilla Zulu for their Thai Fusion cooking class. During three fragrant, mouthwatering hours crafting your very own three-course meal, build up an appetite learning your way around Thai curry pastes, then demolish your creations feeling fully satisfied with your work. Seasonal availability means that the dishes are always changing, but expect to whip up something along the lines of massaman beef and basil spring rolls, yellow Chiang Mai curry and coconut and lime gelato.
They say change is as good as a holiday, and a holiday with some leftover change? Sign us up. The little-known island of Bali is the perfect destination that feels worlds away without having to travel around the world. Flights are cheap, the people are a delight, the food is exceptional, and the beaches are breathtaking. It's no wonder it's an Aussie traveller's favourite. From lush tropical rainforests to terraced rice paddies to multiple surfers' paradises — sometimes even just a couple of nights away is all you need. To help you lock away a quick (or longer) getaway, our editorial team has curated some top travel packages for four distinct Bali locations. Find your preferred option and book it through Concrete Playground Trips now. EXTREME RELAXATION IN NUSA DUA For laidback luxury in between extreme watersports adventures, Sadara Resort on the gorgeous beachfront of Tanjung Benoa has your name on it. Tanjung Benoa is Bali's number one water sports playground, with activities from jet skiing to parasailing, banana boat rides and sea-walking adventures. But fear not, if your holiday is for relaxing and relaxing only, then our Nusa Dua travel deal has everything you need. Sink into your included one-hour Balinese massage before or after you sink into the ocean-facing pool, where you can sink cocktails at the swim-up bar. You'll also enjoy the inclusion of daily breakfast and afternoon tea plus a set menu lunch or dinner. LEGENDARY VIBES AT LEGIAN BEACHFRONT In among the action of iconic Kuta, enjoy a beachside break at AlamKulKul Boutique Resort. This is a prime location for exploring Kuta's beaches along the boardwalk and checking out character-filled laneways before heading back to watch a sunset and sip a Bintang on the beach. Check out our resort package, where you can enjoy true Balinese interiors and architecture, a thriving tropical garden and the on-site spa in between ocean adventures. Your daily breakfast at the restaurant will be an ideal start to the day before you make the most of everything the resort and surroundings have to offer. A GREAT RATE VILLA ESCAPE IN SEMINYAK Let's face it: we all want to be the people who have a Balinese villa and floating breakfast for ourselves — and with this deal, it can be you. The Bali Dream Villa is the ideal location for a getaway, with speedy access from the airport that gets you right into the buzz of Seminyak and its plethora of award-winning restaurants. Inclusions abound with return airport transfers, welcome drinks and daily breakfast and afternoon tea for two. It has everything you need for a private vacay away, with your own pool and kitchenette facilities to make yourself feel truly at home. LUXURY VILLA STAY IN ULUWATU Escape everyday life at beautiful Prasana by Arjani Resort – an all-villa resort perfectly positioned in Bali's beautiful southernmost tip, Uluwatu. This stop is a tad pricier, but it is worth it for what you get included in our exclusive travel package. Whether surfing or spa trips are more your speed, you'll have ample opportunities for both. Explore the famous beach club-lined Melasti Beach or surfer favourite, Padang-Padang, or stay in and enjoy the ocean view from your private villa, take a dip in your private pool or get a relaxing treatment at the Menaka Spa. It's a getaway for all to enjoy the best of Bali, and sometimes, that's just the thing you need to refresh, reset and recharge. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world.
