Sometimes, the simplest ideas are the best. So back in 2022, when Range Brewing's Gerard Martin and Matt McIver decided to pair independent beers with a DJ-spun soundtrack at a new Brisbane festival, it wasn't a complicated concept — but it was a hit. Two years later, that event is returning for its third year, with Juicy once again headed to Brisbane's Fortitude Music Hall. The setup worked a treat the first time, then the second, and now will keep doing so again in 2024. On Saturday, March 16, across two heaving sessions under the Valley Mall venue's chandeliers, the booze will be flowing from a range of breweries. Bites to eat and the talents on the deck have been carefully curated as well. This time, Brisbane's own Range (of course), Working Title and Hohly Water are on the beer list, alongside GABS 2022 and 2023 winner Mountain Culture, Bracket, Wildflower, Future and Kicks from New South Wales. You can also look forward to sips from Rocky Ridge, Hop Nation, Garage Project, Fox Friday, Shape Shifter, Found and Banks, plus Finback from the US. Here's how it works: across two slots — from 12–4pm and an evening one from 6–10pm — attendees will get their glass, then start enjoying their way through all the brews on offer, all without needing to worry about paying for drinks as you go. That's one of Juicy's big drawcards. Inspired by events overseas, Martin and McIver created a beer fest where your ticket covers everything, including what you're tasting. Taking care of 2024's music are Hol Hibbo and Aunty STAN for the afternoon session, both from Fortitude Valley's QUIVR DJs. Come evening, Ben Chiu and ELJAE will do the honours. And to help line the stomach, Southside will serve up its Asian cuisine, Zero Fox will bring its range of Japanese and Korean dishes, and Baja will take care of the Mexican bites. Juicy Beer Festival takes place on Saturday, March 16, 2024. For more information or to buy tickets, head to the fest's website. Images: Axis Productions.
Big names from Australia and overseas. A new stage dedicated to dance music. A health and wellness zone with guided meditation and ice baths. With the returning lantern parade, too, as well as Steven Bradbury hosting the Great Australian Pineapple Toss and the onsite ferris wheel offering a helluva view, that's how The Big Pineapple Festival is making the most of its 2025 event. Taking place on Saturday, November 1, the Sunshine Coast is marking its ten-year anniversary with Hilltop Hoods, The Cat Empire, The Jungle Giants and PNAU leading the bill, as well as Polaris, SIX60, Hands Like Houses, MKTO, Rum Jungle and Thelma Plum. Superlove Arena, that purpose-built haven for electronic tunes, will feature Baauer, Bushbaby, Anna Lunoe B2B Nina Las Vegas, KLP B2B Mell Hall, Little Fritter B2B Wongo, Paluma B2B Kessin, Shimmy and Raw Ordio. And Betty Taylor, Beckah Amani, HEADSEND and IVANA are also on the fest's lineup as well, all helping the event back up being named the Festival of the Year for the fourth time at the 2025 Queensland Music Awards. For those keen to dance in the shadow of a giant piece of tropical fruit — and one of Australia's most-famous big things — hitting Pineapple Fields in Woombye also comes with the option of camping, whether you'll be bringing your own tent, hiring one onsite or glamping. The Big Pineapple Festival 2025 Lineup Hilltop Hoods The Cat Empire The Jungle Giants PNAU Polaris SIX60 Hands Like Houses MKTO Rum Jungle Thelma Plum Baauer Bushbaby Anna Lunoe B2B Nina Las Vegas KLP B2B Mell Hall Little Fritter B2B Wongo Paluma B2B Kessin Shimmy Raw Ordi Betty Taylor Beckah Amani HEADSEND IVANA Select images: Claudia Ciapocha / Charlie Hardy.
The northern British city of Sheffield has given the music world many gifts, but for the last decade, one band has sat at the top at the heap. The Arctic Monkeys got toes tapping with the fastest selling debut album in UK chart history, and kept oozing out indie-rock tunes across four more albums. You own their records. You saw their shows. If you lived in Brisbane last time they came to town, you were probably there when the PA system stopped working but Alex Turner kept singing. Now, you can head to The Foundry for an evening dedicated to loving everyone's favourite Yorkshire group. With the band rumoured to be releasing their first new album in five years in 2018, consider it an hearty Arctic Monkeys entree before they finally deliver new songs. And, it's taking place on January 6, which is frontman Alex Turner's birthday. Taking the group's advice, snapping out of your everyday life and putting on your dancing shoes for a piledriver waltz or two of is recommended, because the bulk of their tracks will get a spin over the course of the evening. And if you need a palette cleanser between servings, they'll also be playing other indie tunes amidst all the Arctic Monkeys love, spanning everything from The Strokes, Phoenix and Pulp to Violence Soho, The Cure and MGMT.
Lock up your children, Hocus Pocus fans. Actually, if you have kids, you'll want to leave them at home on your next getaway. Just in time for Halloween, Airbnb has conjured up a particularly witchy stay in Salem, Massachusetts: the Sanderson sisters' cottage, which comes complete with broomsticks, bubbling cauldrons, cobwebs, curious cats, creaking floorboards, potions in apothecary bottles and spellbooks. Get ready to run amok, amok, amok to indulge your Hocus Pocus and Hocus Pocus 2 love, with this one-time-only listing arriving not only for the spookiest time of year, but because the latter flick — a 29-years-later sequel to the beloved 1993 film that starred Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music), with all three returning as Winnie, Sarah and Mary Sanderson this time around — hits Disney+ on Friday, September 30. A screening of that movie is included in your magical stay, too, whether you've caught it already by then or you manage to hang out for the ultimate viewing experience. The bewitching date to pop into your diary: Thursday, October 20. But, as tends to be the case with Airbnb's pop culture-themed one-offs, only one booking is being taken. The cottage will welcome in two guests for a one-night stay, with reservations opening at 4am AEDT on Thursday, October 13 via the Airbnb website. There is a fee for the accommodation, costing US$31 dollars — but, if you're lucky enough to score the booking and you're travelling from Down Under, flights and transportation aren't included in that cost. That obviously makes it a much more expensive prospect. Still, this spellbinding experience will be the first time that anyone has been able to get slumbering (and scheming) like the Sandersons. And, it also includes the chance to try the enchantments listed in the Manual of Witchcraft and Alchemy, as well as exploring Salem's history via visits to some of the town's purportedly haunted properties. And yes, the black flame candle flickers. Of course it does. In fact, expect candlelight to be a huge part of your trip — in every room. The cottage has been recreated as though it's 300 years ago, after all. (Bathroom facilities are in a separate outhouse, for example.) "We all know that the Sanderson sisters' story might not have ended when we turned to dust, nor did our shenanigans," said Kathy Najimy, aka Mary Sanderson, helping Airbnb announce the Hocus Pocus stay. "What better way to celebrate the season than to host guests at the trio's historic haunt for a night they'll remember for years to come?" Najimy continued. The Sanderson sisters' cottage joins Airbnb's growing list of movie and TV-inspired getaways, including the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion and the South Korean estate where BTS filmed In the Soop just in 2022 alone. For more information about the Hocus Pocus mansion listing on Airbnb, or to apply to book at 4am AEDT on Thursday, October 13, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Helynn Ospina.
Since kicking off its weekly Friday evening event at the beginning of the year, Brisbane Night Markets has been jumping at any excuse to throw a party, including winter and mango season. Come the end of October, the folks behind the scenes really don't need to think too hard — 'tis the time to don spooky costumes and carve pumpkins, after all. The Halloween-themed Brisbane Fright Market will also feature a haunted house, face painting and a trick-or-treat trail, plus prizes for the best-dressed. This frightful event isn't just for kids either. The adult with the best costume will also win something terrifying (well, their prize mightn't actually be horrifying, but they won't go home empty-handed), and all adult attendees will be able to knock back plenty of wicked cocktails. Live bands are also part of the fun, so here's hoping that they play 'Monster Mash' more than a couple of times. Brisbane Fright Market takes place not once, but twice — from 4pm on October 25 and November 1. As always, there'll be around 40 street food vendors onsite, too, probably serving suitably themed bites to eat.
Let's face it, gift giving is hard. Some people are crazy good at it and others, not so much. But wherever you fall on the spectrum, one thing we can all agree on is that personalised gifts always go down a treat. They are thoughtful, functional and oh so beautiful, making them ideal for a special someone who made your year better. This could be the friend who was your rock during lockdowns, the family member you haven't seen all year or maybe it's the partner who gets you knockout gifts every single Christmas. Yes, something customised will take a bit more planning, but that's kinda the point — you want a gift that show's you went that extra mile, because they're worth it. In partnership with Archie Rose and its new Tailored Spirits range, we've come up with six personalised gifts that'll blow your mum, mate or date away this holiday season. TAILORED SPIRITS FROM ARCHIE ROSE Award-winning Sydney distillery Archie Rose takes personalisation to a whole new level with its Tailored Spirits range, which allows you to craft the perfect nip for your fave vodka, gin or cocktail drinker. Not only can you customise the label for your lucky giftee, but you also get to decide on the tipple's botanicals and the potency of each ingredient to completely suit their taste. Once you decide on the label design and flavours via the user-friendly interface, the team will start blending the individually distilled botanicals into a beautifully designed bottle before sending it on its way. The hardest part of the whole process will be not spilling the beans on what you got them. FRAGRANCE DISCOVERY SET FROM LE LABO There are few things more personal than a scent. So, when it comes to gifting, getting it wrong is a big no-no — but no pressure or anything. Le Labo is known for its fine, hand-blended fragrances, which can also come with custom-printed labels and engravings. Can't narrow it down to just one? The Discovery Set features the brand's entire classic range in a 17-strong sample box, so there's bound to be at least a couple of scents they'll like. Once they decide on which one tickles their fancy, there's a gift voucher for them to purchase a 100ml bottle of their new chosen scent. PERSONALISED NOTEBOOK FROM PAPIER Got a special someone who likes jotting down their thoughts and feelings? Perhaps they're planning on doing a course next year which requires journaling or maybe they're one of those people who just loves making to-do lists (we've all got one). Whatever their needs, Papier's gorgeous stationery designs are made even more unique with the ability to customise them with whatever text you like. Add your giftee's name to the front of their new notebook, or include a funny quote you know they'll appreciate on a 2022 planner. BESPOKE PHONE CASE FROM THE DAILY EDITED Whether your gift receiver is a serial selfie taker, a tech-thusiast or a butterfingers who perpetually has cracks in their phone screen, having a nice phone case is an essential accessory. Connoisseurs of all things personalised, The Daily Edited makes a range of bespoke phone cases that suit just about any aesthetic, from eye-catching patterns comprising their initials to designs that showcase their pride. All you have to do is (subtly) find out what kind of phone they have, take a guess at what colour will suit their style and wait for The Daily Edited to weave its magic. PERSONALISED GOLF GOLVES FROM MR GOLF Know someone who has gotten really into golf in the past couple of years? This is the pressie for them. Made from premium Cabretta leather, these sturdy gloves from Mr Golf can be customised with your favourite golfer's initials — so even if they've spent the day hacking up the green, they can still feel like a pro. As well as a range of colours, you can also pick on which hand to stamp their initials depending on whether they're left-handed or right-handed. They might not make them any better at golf, but at least they'll look good. CUSTOM LUGGAGE BY JULY While we're all itching to get on a plane, some of us already have one foot out the door — and for these people, nothing says bon voyage better than a personalised trunk. July makes a range of beautiful and customisable suitcases, including trunks, backpacks, carryalls and accessories. But to go the extra mile, gift them a polished, hard-shell suitcase with a classic design and old-school latches. Customisation goes further here with ultra-cool fonts (or emojis) which are guaranteed to never rub off. The biggest upside of a personalised trunk? There's no chance of accidentally picking up someone else's bag on the airport carousel. Give someone a gift that's truly theirs this Christmas with Archie Rose Tailored Spirits. For more information, head to the website. Top image: Archie Rose
Every autumn, the Eta Aquarid meteor shower sets the sky ablaze. It might not be as famous as Halley's Comet, but the Eta Aquarids are actually a distant relation — the bits and pieces you see flying around were on Halley's path a really, really long time ago. And, rather than only being visible every 75 years (the next Halley's Comet sighting is in 2061), you can catch the Eta Aquarids annually. This year, the shower will be at its most spectacular early Tuesday, May 7 (very early) — here's how to catch a glimpse. WHEN TO SEE IT The shower will reach a peak in the early morning of Tuesday, May 7, but will still be able to be seen for a day or two on either side. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am. At that time, you'll be in the running to see as many as 30 meteors every 60 minutes. Each will be moving at about 225,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. WHERE TO SEE IT Being in the southern hemisphere, we get some of the best views in the world. So, if you're living in the city, it could be time for a last minute trip to a clear-skied camping spot. The trick is to get as far away from light pollution as possible. For Sydneysiders who don't mind a long drive, this could mean a trip to the far south coast. We reckon Picnic Point campsite in Mimosa Rocks National Park might be a winner. Or, if that sounds too far away, Booderee National Park in Jervis Bay is pretty light-free. Alternatively, head west — after all, you'd be hard pressed to find better views than at The Dish, just outside of Parkes or at Australia's only Dark Sky Park at Warrumbungle National Park near Coonabarabran. Melburnians might consider a journey to Wilsons Promontory or along the Great Ocean Road, as far as Killarney Beach. For somewhere closer, there's Heathcote, which is just a 90-minute drive from the city, but is an excellent vantage point. For a real escape, head to Snake Valley in the central west, where there's hardly a light in sight. For a quick trip out of Brisbane, try Lake Moogerah, Lake Wivenhoe or Lake Somerset, which are all rather dark, considering their proximity to the city. If you have a bit more time, head two-and-a-half hours' west to Leyburn, which has some of the busiest skies in Queensland, or eight hours' west to the tiny town of Charleville in the outback. HOW TO SEE IT The shower's name comes from the star from which they appear to come Eta Aquarii, which is part of the Aquarius constellation. So, that's what you'll be looking for in the sky. To locate Eta Aquarii, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also have a table that shows the direction and altitude of the Eta Aquarids. They've been updating this daily. If you struggle to get out of bed, NASA Apart from that, wear warm clothes, take snacks and be patient. Happy stargazing.
Prepare to exclaim "yeah, science!" like Jesse Pinkman — and to see a whole lot more of Aaron Paul's Breaking Bad character. The acclaimed series is making a comeback, cooking up a movie that serves as a sequel to the show's finale. In the spotlight: Walter White's former student and protégé, who happens to be in a spot of trouble (again). When we last saw Pinkman in Breaking Bad's final episode six years ago, he had just escaped captivity, all thanks to Walt (Bryan Cranston). The latter was injured in the process, but when he asked his former meth cooking partner to kill him, Pinkman couldn't bring himself to do it. So, Pinkman ran, and Walt lost consciousness just a cop arrived. And, that's how the series ended. As happens when every great show comes to a conclusion, we've all wondered what happened next. Come October 11 — that's in just over two weeks — fans can find out. First revealed last year, and initially given the working title of Greenbriar, El Camino: A Breaking Bad Movie will continue Pinkman's tale in a thriller written and directed by Breaking Bad creator Vince Gilligan. Although this follow-up will span a single package rather than run across multiple episodes, it is still coming to a small screen near you thanks to Netflix. Dropping the debut teaser in August, and another one during this week's Emmy awards, the streaming service has, finally, blessed us with a full-length trailer today. The film is set "in the wake of his dramatic escape from captivity", with Pinkman being forced to "come to terms with his past in order to forge some kind of future", according to the official synopsis. In the trailer, you see him hiding from police, digging holes in the desert and instantly ageing after showering and shaving — all dropping small clues to what you can expect next month. Whether Cranston will show up in El Camino is still the subject of rumour, but the trailer does reveal a couple of familiar faces, with Pinkman seeking shelter with Skinny Pete (Charles Barker) and Badger (Matt Jones). And, right at the end, an unidentified voice asks Pinkman, "you ready?". Could it be Walt? Ed the Disappearer (Robert Forster)? We'll find out very soon. Check out the El Camino trailer below: https://www.youtube.com/watch?v=1JLUn2DFW4w El Camino: A Breaking Bad Movie hits Netflix on October 11.
Last month felt particular steamy and uncomfortable (even for Australian summer) and it was — January was Australia's hottest month ever recorded. The Bureau of Meteorology this morning released its monthly climate summary, reporting that, for the first time ever in Australia, the mean temperature for a month exceeded 30 degrees. NSW, ACT, Victoria and the NT all had their hottest Januarys ever recorded, while other states had unusually hot weather and very little rain. If you're currently sitting at your desk — after running through rain in Sydney, waking up to 14 degrees in Melbourne or commuting in low-20s in Brisbane — and thinking, it didn't seem that bad, here's a quick summary of some of the weather we endured last month. The year kicked off with a country-wide heatwave, with the mercury hitting the 30s in every capital city and Canberra sweltering through four days of 40-degrees. By mid-January, the heatwave was causing record-breaking high temperatures across the country — including 48.9 in SA and high-40s across Victoria's North — with Sydney's west copping dangerously high levels of ozone gas. And, just last week, Melbourne survived its hottest day in ten years. Here's how hot our country looked at one point: https://twitter.com/BOM_au/status/1084218154782478337 Phew. We're sure you're happy to see the back of January. According to the BOM's senior climatologist Dr Andrew Watkins, the unprecedented heat was due to a "a persistent high pressure system in the Tasman sea which was blocking any cold fronts and cooler air from impacting the south of the country." Dr Watkins also said in a statement that Australia looks to continue getting hotter, too. "The warming trend which has seen Australian temperatures increase by more than 1 degree in the last 100 years also contributed to the unusually warm conditions." Unfortunately for our farmers, last month was also extremely dry. In NSW, where 100 percent of the state has been in drought, the northeast experienced one of the driest Januarys on record, while most of Victoria and Brisbane received less than 20 percent of their average January rainfall. Tasmania had its driest Jan on record and SA, which experienced some of the highest temperatures, also had very little-to-no rain — the Bureau's Adelaide city site recorded no rainfall for the month for the first time since 1957. So far, it looks like February is going to be less spicy. But if you'd rather not risk it, it might be time to book a trip to the northern hemisphere. Image: Visit Victoria.
You've watched her on television. You've cooked her recipes. Her books might sit in your kitchen. You could've even heard her culinary tips live and in-person. The next way to take your cues from Nigella Lawson? Eat where she did, and then raved about, during her recent trip to Brisbane. Fortitude Valley's Agnes is no stranger to attention — we named it Brisbane's best restaurant — and the latest comes from Lawson. The author of How to Eat: Pleasures and Principles of Good Food, Nigella's Cook, Eat, Repeat and more — the star of Nigella Bites, Nigella Feasts, Nigella Kitchen, Nigellissima, Simply Nigella, Nigella: At My Table, Top Chef, MasterChef Australia and My Kitchen Rules as well — took to the stage at QPAC Concert Hall on Thursday, March 14, 2024 for An Evening with Nigella Lawson. Around that speaking engagement, she also headed to the restaurant that recently welcomed in Adam Wolfers as Group Chef (alongside Biànca, sAme sAme and hôntô). And, she couldn't have more praise for Agnes. "Ever since I found out that Adam Wolfers was opening Agnes Restaurant, I'd been longing to go, and lo, the food gods looked favourably upon me and made sure it came to pass. What a cave of delights!" Lawson said on social media. In a lengthy post, the celebrity chef then went on to call out the "fabulous space", Skull Island tiger prawns with fermented chilli butter that she says are now "imprinted on my taste-memory", plus the rock oysters with coal mignonette that she dubbed "an extraordinary experience". She also had kind words for Agnes' raw beef with dripping toast and Bangalow pork chop. "But the dish that quite spun my senses was the chicken skewer with fenugreek: chicken oysters brined in onion juice, flamed and brushed with toum, along with turmeric and fresh fenugreek. Still reeling with pleasure," Lawson advised. View this post on Instagram A post shared by Nigella (@nigellalawson) Lawson's visit came just after Wolfers, Gerard's Bistro's former Head Chef, took on his post at hospitality group Anyday — which is behind Agnes, Biànca, sAme sAme, hôntô, LOS (sAme sAme's cocktail bar) and Agnes Bakery (Agnes' woodfired pastry offshoot). Located in a three-level space in an old brick warehouse on the street that shares its name, Agnes focuses on woodfired cooking, and features not only a main dining room — which overlooks the open kitchen and its two charcoal pits — but a wine bar and a rooftop bar as well. Also boasting Ben Williamson as Executive Chef and a co-owner, it's been worth stopping by since opening in 2022. Now, however, it officially comes with Lawson's glowing adoration and tick of approval. Find Agnes at 22 Agnes Street, Fortitude Valley — open for lunch from 11.30am Friday–Sunday and for dinner from 5.15pm Monday–Saturday. Head to the restaurant's website for further information. Top image: Cathy Schusler.
UPDATE, APRIL 4: Disney has announced a new release date for Mulan, with the film now hitting cinemas on July 23, 2020. UPDATE, MARCH 13: Due to concerns around the coronavirus, Disney has announced that Mulan will no longer release on its initially scheduled date of Thursday, March 26, 2020. At present, a new release date has not been announced — we'll update you when one has been revealed. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. In Chinese history, the legend of Hua Mulan dates back to the sixth century. At the movies, the formidable female warrior first fought her way across the big screen in a 1927 silent film. The character is no stranger to the page, stage or cinema, but many folks know the tale thanks to Disney's 1998 animated musical. Now, as it has done with everything from Alice in Wonderland to The Jungle Book to Aladdin, the Mouse House is turning the story into its latest live-action remake. Once again, Mulan (played by Chinese American actor Liu Yifei) will evolve from dutiful daughter to kick-ass combatant, all to protect her family in a time of war. She's originally due to be married off to a husband chosen by a matchmaker, until the Emperor of China issues a decree stating that one man per household must serve the Imperial Army as it endeavours to fend off northern invaders. To save her ailing ex-soldier father from having to fight, Mulan disguises herself as a man, takes on the name Hua Jun and becomes an icon. Forget rousing tunes and talking dragons voiced by Eddie Murphy — this time, the tale hits the screen without the singing and smart-talking sidekicks, but with plenty of sword-swinging, arrow-flinging antics. In New Zealand director Niki Caro's (Whale Rider, The Zookeeper's Wife) hands, this version of the story goes heavy on the action and empowerment, as seen in the spectacularly choreographed scenes in the just-released first trailer. As well as Liu (whose resume includes The Forbidden Kingdom and The Assassins), the new Mulan features Jet Li as the Chinese Emperor, Gong Li as a witch, Donnie Yen as the protagonist's mentor, Jason Scott Lee as a villainous army leader, and Yoson An (The Meg, Mortal Engines) as her fellow fighter and love interest. The film hits cinemas next year — check out the teaser below: https://www.youtube.com/watch?v=01ON04GCwKs After being delayed from its original release date of March 28, 2020, Mulan will now open in Australian cinemas on July 23, 2020.
Taking to the skies soon? The food might be a little more delicious than you remember. That's because Virgin Australia has just launched new winter menus in both its economy and business classes, so you can embark on a culinary journey at 35,000 feet. Made fresh daily, those in the cheap seats can now tuck into Italian and Aussie dishes crafted by St. Food Co., with options ranging from creamy spinach and ricotta tortellini to savoury sausage rolls. Plus, you can now pair these satisfying flavours with an Archie Rose Gin & Peach Soda. As for business class travellers, a new globally inspired menu is being served from Wednesday, May 28. Think Japanese-style soba noodles with grilled chicken, a three-bean Mexican quesadilla with sour cream and salsa, and an Indian-inspired chickpea masala with herbed jasmine rice. Whether you're flying first thing in the morning or catching the red-eye, the business class menu also features fancy rotating options for breakfast and dessert. Start the day with a blueberry pancake stack topped with mascarpone and boysenberry, blackcurrant and apple compote, or round things out with strawberry cheesecake or sticky date cake. "At Virgin Australia, we believe flying should be as enjoyable as the destination, right down to what's served onboard. Our new winter menu embodies our passion for bringing personality to the skies, featuring fresh, flavour-packed options designed to add value and delight at every bite," says Kyler Chong, Virgin Australia's General Manager Product & Customer Strategy. That's good news if you're a white-knuckled flyer looking to distract yourself, or just someone keen to pass the time with food that doesn't make you regret your life choices. Featuring a thoughtful balance of variety, value and flavour, these winter menus mean your next departure date just got better. Virgin Australia's new winter menu is now being served in economy class, while the business class menu launches on Wednesday, May 28. Head to the website for more information.
Lady Gaga doesn't shy away from innovation. Ridiculous costumes and outrageous hairstyles aside, the 25-year old artist has harnessed the power of the interwebs to reach over 10 million Twitter followers, 35 million Facebook fans and 1 billion YouTube views. Teaming up with Google, Gaga and her little monsters have created a 90-second ad for Google's Chrome browser. The underlying message? The web is what you make of it. Gaga's not the first musician to endorse Google Chrome. Late last year Arcade Fire released an interactive video clip which made use of the brower's extensive capabilities. https://youtube.com/watch?v=sDPJ-o1leAw [Via Engadget]
Do you have eyes? Do you have eyes for what looks good? Are you the kind of person who knows their way around a camera, and how to use it well? Live in Sydney and love it with a passion? Then we might have an opportunity to tweak your interest. Concrete Playground and Olympus have teamed up to offer you the chance to score a particularly excellent PEN E-P1 camera with 17mm kit (valued at $599), and at the very same time land the chance to become a Concrete Playground photographic contributor. Our photographers document Sydney's cultural life minus the boring social snaps - we don't care what you're wearing, only that you're having a good time. Now we have a brand new galleries section, we're looking for someone with an incredible eye to help us share those moments that make this city the ever-changing, never-boring place it is to be. If you think you're the right person for the gig, shoot us an email over to hello@concreteplayground.com.au with a photo you've taken that you think captures something special about Sydney. We'll upload the best snaps to an album on our Facebook page, and invite people to vote for the picture they like best. If your photo gets the most 'likes', the camera and a place in the Concrete Playground family shall be yours. Entries close May 13, 2011 at 5pm.
It might just be Australia's brightest festival: Parrtjima - A Festival In Light, which has just finished its fourth and most expansive annual program in Alice Springs. Shifting from the fest previous spring timeslot to autumn, the 2019 event attracted a record crowd of 25,000 — and, if you're keen to be among them next time around, organisers have announced that the fest will return in 2020. While exact dates haven't been revealed, the nation's first indigenous festival of its kind will light up the Red Centre in April, once again filling the region with dazzling light installations. This year's free ten-day public celebration of Indigenous arts, culture and storytelling included seven luminous displays gracing both the Alice Springs Desert Park Precinct and the Alice Springs Todd Mall. Expect a similar lineup — with all-new lighting pieces, of course — to feature next year. [caption id="attachment_715721" align="aligncenter" width="1920"] Lighting the Ranges, Parrtjima festival, Alice Springs, Australia. 5/4/2019. Images courtesy Parrtjima / NTMEC[/caption] If you're already thinking about blocking out your diary, 2019's highlights might help cement your plans. Alice Spring's CBD was lit up with new installations and events, and just out of town, tourism and conservation facility Alice Springs Desert Park came alive with the festival's main attraction. Once again, a huge artwork transformed a two-and-a-half-kilometre stretch of the majestic MacDonnell Ranges, showering it with light from 6.30–10.30pm each night of the festival — and featuring an audio track voiced by Aussie acting legend Aaron Pedersen. Visitors were also able to immerse themselves in art and storytelling as part of the returning Ahelhe Itethe – Living Sands (Grounded), with installations projected onto the earth and accompanied by a striking soundscape. New additions to this year's lineup included an illuminated tunnel that attendees walked through as they enter the festival space, called Angkentye Anpernirrentye-kerte – The Language of Kin; an array of over-sized sculptures relaying the social history of First Nations station workers and their language of the land, dubbed Angkentye Stockmen Mape-kenhe – The Language of Stockmen; and a series of sculptured large-scale moths, badged The Language of Moths, in Todd Mall. There was also a huge maze for kids and a set-up of three bush taxis displaying works by First Nations artists. [caption id="attachment_715716" align="aligncenter" width="1920"] Language of Kin, Parrtjima festival, Alice Springs, Australia. 5/4/2019. Images courtesy Parrtjima / NTMEC[/caption] With the news that Parrtjima will shine again, the Northern Territory will boast two glowing attractions in 2020 once again. The festival it's a nice supplement to Bruce Munro's Field of Light installation, which has been extended all the way through until December 31, 2020. Parrtjima – A Festival in Light runs until April 14, 2019 around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: James Horan.
Beau is afraid. Beau is anxious. Beau is alone. Beau is alive. Any of these three-word sentences would make a fitting name for Ari Aster's third feature, which sees its titular middle-aged figure not just worry about anything and everything, but watch his fears come true, concerns amplify and alienation grow — and then some. And, in the Hereditary and Midsommar filmmaker's reliably dread-inducing hands, no matter whether Beau (Joaquin Phoenix, C'mon C'mon) is wallowing in his apartment solo, being welcomed into someone else's family or stumbling upon a travelling theatre troupe in the woods, he knows that he's truly on his own in this strange, sad, surreal and savage world, too. More than that, he's well-aware that this is what life is inescapably like for all of us, regardless of how routine, chaotic or grand our individual journeys from emerging out of our mother's womb to sinking into death's eternal waters happen to prove. Aster has opted for Beau Is Afraid as a moniker, with this horror-meets-tragicomedy mind-bender a filmic ode to existential alarm — and, more than that, a picture that turns catastrophising into a feature. Psychiatrists will have a field day; however, experiencing the latest in the writer/director's growing line of guilt-dripping celluloid nightmares, so should viewers in general. Even with Chilean The Wolf House helmers Cristóbal León and Joaquin Cosiña lending their help to the three-hour movie's midsection, where animation adds another dreamlike dimension to a picture book-style play within an already fantastical-leaning flick frequently running on dream logic, Aster embraces his favourite deranged terrain again. He makes bold choices, doesn't think twice about challenging himself and his audience, elicits a stunning lead performance and dances with retina-searing imagery, all while pondering inherited trauma, the emotional ties that bind and the malevolence that comes with dependence. Death, the bonds of blood, life's onslaught of damage, long-kept secrets, wild and weird groups, odd rituals, unnerving altercations: yes, they're all present and accounted for in Beau Is Afraid as well; yes, this is unshakeably and unmistakably an Aster joint. When he slides into suburbia in the second act, he also gets as Lynchian as he ever has — that Beau Is Afraid springs from a ravenous mind fed a diet of Eraserhead, Twin Peaks and Inland Empire isn't in doubt long before Mariah Carey's earworm 'Always Be My Baby' scores a Blue Velvet-esque spin. Charlie Kaufman's Synecdoche, New York and Anomalisa, Darren Aronofsky's mother!, Richard Kelly's Southland Tales: they're equally among this movie's melange of peers, ambitious and impressive company that offers a litmus test for viewers. Swimming through someone else's mindscape is never easy, after all, and doesn't Aster love sharing that feeling. Beau Wassermann is an average Joe with a rundown flat in a dilapidated neighbourhood, his therapist (Stephen McKinley Henderson, Causeway) on speed dial, and O'Loha frozen dinners — an incredulous mix of Hawaiian and Irish cuisines — for sustenance. He's also the son of a wealthy and controlling businesswoman, Mona (played by American Horror Story's Patti LuPone, plus The Craft: Legacy director Zoe Lister-Jones in flashbacks), another mainstay on his call list (Moviefone, the US number for obtaining cinema session information that's been defunct since 2014, is another). And, he's wracked with stress whenever he leaves his house, which doesn't seem that far-fetched given there's a nude killer dubbed 'Birthday Boy Stab Man' by the news on the loose. That said, after Beau Is Afraid shows its namesake's birth from his perspective, obligatory slap on the rear and all, then meets him nearing 50 and nervous about a trip home, he's just fretful all the time anyway. Thanks to an escalating series of unfortunate events — another string of words that could've doubled as Beau Is Afraid's title; Disappointment Blvd was the actual original moniker — the basis for that apprehension is similarly swiftly apparent. From the tiniest minutiae to the biggest change, Beau's existence keeps getting worse, then bleaker still, then even more grim and hopeless. He's prescribed anti-anxiety pills that he's told absolutely must be taken with water, but doesn't have any and his building's supply is shut off. When he sprints to the convenience store across the road, everyone on his crime-riddled street slips into his apartment and trashes it. Aster begins Beau's malaise in the everyday, but becomes hellish quickly, a pattern constantly repeated when he's hit by a van and taken in by the married Grace and Roger (Only Murders in the Building co-stars Amy Ryan and Nathan Lane), watches that aforementioned theatre production, reflects upon his time as a teenager (Armen Nahapetian, NCIS) on a cruise holiday falling for his first crush (Julia Antonelli, Outer Banks) and seeks answers about his father. In only his second on-screen role since winning an Oscar for Joker, Phoenix plays Beau with deeply internalised sorrow, so much so that spying his shoulders do anything but slump in the character's uniform of pyjamas seems like the most fanciful thing that could happen — and this is a movie overflowing with eccentric, imaginative and absurd touches. It's a fascinating performance, both vulnerable and primal at once, as situations exceeding Beau's foulest terrors keep bubbling. Crucially, whether Beau Is Afraid is in Freudian and Oedipal mode, or bringing Misery or Station Eleven or Lord of the Rings to mind in Aster's unceasingly distinctive way, or having its central figure wrestle naked in the bath, Phoenix is committed to the ride and to being the everyman. He's in an often bitingly funny black comedy as much as he's in a horror flick, and he's both game and empathetic as Beau overtly endeavours yet struggles to keep it together. Ideally, no one watching is discovering intruders perched above their baths and monsters in attics, but they'll always understand Beau's panic, shame, dismay and humiliation. Of course, when Aster gets amusing, it's in largely while getting so distressing that you really can only laugh, as Beau's mushrooming plight forever is. If every possible development in your life is always the most miserable, what else are you meant to do? That's Beau Is Afraid in a smart, dark, cerebral, gut-punching, hope-crushing, relatable, hilarious and horrific nutshell. Aster packs in humour wherever he can, though, demanding the utmost attention to his returning Hereditary and Midsommar cinematographer Pawel Pogorzelski's purposefully disorienting frames for slapstick silliness, dick jokes and brief flashes of background wordplay (Asstral Projection and Erection Injection are the names of the peepshows next to Beau's building, for instance). Beau is afraid of it all, and teeming with anxiety over it. He's alone in it all, but that's what being alive is. It'd be the film's biggest surprise if Aster wasn't chuckling — and having the ultimate fever dream.
If you weren't aware, loveable hitmaker Post Malone has his own rosé. Created with award-winning Provence winemaker Alexis Cornu alongside music manager Dre London and Global Brand Equities' James Morrissey, Maison No. 9 is a classic Provencal pink wine, sporting a name inspired by Post Malone's favourite tarot card the Nine of Swords. The wine is crisp, dry and savoury, and comes in a sleek minimalist bottle sporting a tarot-inspired sword with a rose wrapped around it. The bottle also mirrors the theme of swords and knights, with a solid-glass cap shaped into battlements reminiscent of a historic medieval castle that's located near the vineyard where the wine is made. "Rosé is when you want to get a little fancy," says the diamond-certified, Grammy-nominated pop star. Following successful launches in the US and the UK that saw immense popularity — the wine sold 50,000 bottles in its first 48 hours in the UK — Malone has brought Maison No. 9 to Australia for a limited run of just 10,000 bottles. So, you're going to have to act quick if you want to get your hands on a bottle. Currently, the only way to order the rosé in Australia is through Dan Murphy's website, where you can nab a bottle for $42.99. Accompanying the Australian release of the wine is a line of merch available through the Maison No. 9 website. T-shirts sporting an image of Post Malone with the wine are available, as well as hoodies, crewneck jumpers, wine glasses, dog toys, socks and beanies, all with the wine's logo and signature sword printed on them. While you're at the website, you can also find recipes for a series of cocktails that you can make with the wine, including sangria, spritzes, rosé bloody marys and rosé palomas. 10,000 bottles of Post Malone's Maison No. 9 are available now via Dan Murphy's online.
Since Sally Rooney's Normal People first hit bookshelves in 2018, big things have followed. As well as becoming a bestseller, the Irish author's second novel was longlisted for the Man Booker Prize and won 2019's Book of the Year at the British Book Awards. The next step: bringing this tale of two teens and their complicated romance to the small screen, all courtesy of a new 12-part drama of the same name. In particularly excellent news for fans of the book, Normal People's TV adaptation is penned by Rooney herself — alongside fellow screenwriters Alice Birch (Succession) and Mark O'Rowe (Boy A). And, it boasts some other significant talent in the director's chair, too, with helming duties shared by Oscar-nominated filmmaker Lenny Abrahamson (Room) and BAFTA winner Hettie Macdonald (White Girl, Howard's End). Of course, it's the tale playing out on-screen that's the main attraction, as readers will already be aware — and as the just-dropped first teaser shows. Cold Feet's Daisy Edgar-Jones and newcomer Paul Mescal step into the shoes of the novel's Marianne and Connell, high school classmates in their west Ireland small town who weather all manner of ups and downs as they attend Dublin's Trinity College. At school, she was lonely and aloof, while he was outgoing and popular. At college a year later, their roles have reversed. That sets the scene for an intimate, complex love story — which will unravel in full when Normal People drops on Stan on Monday, April 27. Check out the teaser trailer below: https://www.youtube.com/watch?v=DDpWEA2rMB4&feature=youtu.be All 12 episodes of Normal People will be available to stream on Stan on Monday, April 27.
It was the decade that gave us Magic Eye pictures, the Macarena, Pokemon and Tamagotchi, too. We're talking, of course, about the 90s. The decade might've come to an end exactly 20 years ago now, but it's easy to get nostalgic about — especially in a hectic year where we're all thinking about how simple life once was. The easiest way to indulge that nostalgia? You can pop on a flannelette shirt or some Hypercolour if you like, or you can head back in time via your viewing choices. Press play on one of the big hits of the decade, and you'll be transported back to a period when a group of mates sat on an orange coffee shop couch, and when the Dude also abided. To help plan out your ultimate retro watch list, we've teamed up with streaming service Binge to highlight five beloved TV shows and movies that'll take you back to the 90s faster than a DeLorean — including via a 14-day free trial for new customers.
Japanese-Australian artist Hiromi Tango has created a new fluorescent art installation that aims to bring joy and comfort to Brisbanites. Brainbow Magic is a continuation of Tango's art practice, in which she explores the therapeutic potential of light, colour and contour. The artist believes these elements can contribute to an improved mental wellbeing, can ease anxiety, and help us feel connected — things we'd all like to experience in 2020. The world-premiere art installation is created in partnership with West Village and Metro Arts. The outdoor artwork has a sister installation in the gardens of West Village, called Rainbow Circles (Healing Circles): luminescent arches in rainbow colours. You can see Brainbow Magic every day during the Festival from 10am. Image: Hiromi Tango
These days most of us have a certain something we avoid while eating — whether it's a personal preference or an allergy. Gluten, get out. Dairy? No thanks. So, it comes as no surprise that more and more restaurants have become more tolerant of our intolerances. Now, a new health-focused, dietary requirement-friendly chain — called The Good Place — is set to open across NSW and Queensland. Former My Kitchen Rules finalist Scott Gooding has channelled his nourishing, paddock-to-plate ethos into a bricks-and-mortar example of how healthy, dietary-accommodating food can be done, launching the first Good Place in Miranda, in Sydney's south. With more stores to open in Blacktown and Central Park in Sydney and Buddina and Surfers Paradise in Queensland in the coming months, The Good Place is completely gluten- and soy-free as well as low in carbs and sugar. Plus, it's open all day, every day. Breakfast dishes such as the Kakadu Smoothie Bowl with coconut cream, MCT oil, peanut butter and Kakadu plum and the pesto omelette with chargrilled greens are evidently nutritious (and hopefully just as tasty). And while the Bubble & Squeak with pork belly, cabbage, roast potatoes, fried egg, peas and parsley with pumpkin bread is heartier and just as nutrient-packed. [caption id="attachment_717888" align="alignnone" width="1920"] Raspberry Floater[/caption] For dinner, there's everything from a creamy vegan curry to tender ox cheeks in a sticky sauce with chargrilled greens or the 12-hour slow-cooked lamb with roast potatoes and cafe de paris butter. Sweets are covered, too, and include a semi freddo made with raspberries, dark chocolate, coconut, macadamia and coconut kefir and the Raspberry Floater — hemp organic raspberry kombucha with house-made chocolate ice cream. There are also smoothies and coffee, health-conscious cocktails and a selection of certified organic and biodynamic wines for you to sip. Gooding's food is also made using organic produce that has been sustainably and ethically sourced wherever possible. The Good Place is conscious dining and, whether the name is a misaimed reference to the acclaimed Netflix show about a 'utopia' (that's actually hell) or a riff on Gooding's name, we reckon Gooding's done good. The Good Place Miranda is now open from 9am—10pm daily at level 4, Westfield Miranda, 600 Kingsway, Miranda. Outposts in Blacktown and Central Park in Sydney and Buddina and Surfers Paradise in Queensland are slated to open in coming months. We'll update you when they do.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the pandemic forcing film industry to make quite a few changes over the past year — widespread movie theatre closures will do that — that's no longer always the case. Maybe you're in lockdown. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here's 12 you can watch right now at home. IN THE HEIGHTS Lin-Manuel Miranda isn't the first lyricist to pen tunes so catchy that they get stuck in your head for years (yes, years), but his rhythmic tracks and thoughtful lines always stand out. Miranda's songs are melodic and snappy, as anyone who has seen Hamilton onstage or via streaming definitely knows. The multi-talented songwriter's lyrics also pinball around your brain because they resonate with such feeling — and because they're usually about something substantial. The musical that made his name before his date with US history, In the Heights echoes with affection for its eponymous Latinx New York neighbourhood. Now that it's reverberating through cinemas, its sentiments about community, culture, facing change and fighting prejudice all seem stronger, too. To watch the film's characters sing about their daily lives and deepest dreams in Washington Heights is to understand what it's like to feel as if you truly belong in your patch of the city, to navigate your everyday routine with high hopes shining in your heart, and to weather every blow that tries to take that turf and those wishes away. That's what great show tunes do, whisking the audience off on both a narrative and an emotional journey. Miranda sets his words to hip hop beats, but make no mistake: he writes barnstorming songs that are just as rousing and moving, and that've earned their place among the very best stage and screen ditties as a result. Watching In the Heights, it's hard not to think about all those stirring tracks that've graced previous musicals. That isn't a sign of derivation here, though. Directing with dazzling flair and a joyous mood, Crazy Rich Asians filmmaker Jon M Chu nods to cinema's lengthy love affair with musicals in all the right ways. His song-and-dance numbers are clearly influenced by fellow filmic fare, and yet they recall their predecessors only because they slide in so seamlessly alongside them. Take his staging of the tune '96000', for instance. It's about winning the lottery, after word filters around that bodega owner Usnavi (Anthony Ramos, a Hamilton alum) has sold a lucky ticket. Due to the sweltering summer heat, the whole neighbourhood is at the public pool, which is where Chu captures a colourful sea of performers expressing their feelings through exuberantly shot, staged and choreographed music and movement — and it's as touching and glorious as anything that's ever graced celluloid. Of course, $96,000 won't set anyone up for life, but it'd make an enormous difference to Usnavi, In the Heights' protagonist and narrator. It'd also help absolutely everyone he loves. As he explains long before anyone even hears about the winning ticket, or buys it, every Heights local has their own sueñitos — little dreams they're chasing, such as his determination to relocate to the Dominican Republic. And that's what this intoxicating, invigorating, impassioned and infectious captures with vibrant aplomb. In the Heights is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. A QUIET PLACE PART II When every noise you make could send savage aliens stalking, slashing and slaughtering your way, it's the waiting that gets you. When you're watching a nerve-rattling horror film about that exact scenario, the same sentiment remains relevant. In A Quiet Place, the Abbott family went into survival mode after vicious creatures invaded, hunted down every sound and dispensed with anyone that crossed their path. For the characters in and viewers of the 2018 hit alike, the experience couldn't have screamed louder with anxiety and anticipation. Evelyn and Lee (Wild Mountain Thyme's Emily Blunt and Detroit's John Krasinski) and their children Regan (Millicent Simmonds, Wonderstruck), Marcus (Noah Jupe, The Undoing) and Beau (Cade Woodward, Avengers: Endgame) all silently bided their time simply trying to stay safe and alive, but their continued existence lingered under a gut-wrenching shadow. The critters were still out there, listening for even a whisper. It was a matter of when, not if, they'd discern the slightest of noises and strike again. That type of waiting drips with tension and suspense, and also with the kind of inevitability that hovers over everyone alive. A certain bleak end awaits us all, a truth we routinely attempt to ignore; however, neither the Abbotts nor A Quiet Place's audience were allowed to forget that grim fact for even a moment. Initially slated to arrive in cinemas two years later, then delayed by the pandemic for 14 months, sequel A Quiet Place Part II isn't done with waiting. Written and directed once again by Krasinski, the film doesn't shy away from the stress and existential distress that marking time can bring, but it also tasks its characters with actively confronting life's inevitabilities. After an intense and impressive tone-setting opening flashback to the first day of the alien attack, when the Abbotts' sleepy hometown learns of humanity's new threat in the cruellest fashion, the storyline picks up where its predecessor left off. It's day 474 — the earlier film spent most of its duration around day 472 — and Evelyn, Regan, Marcus and the family's newborn are grappling with their losses. That said, they're also keenly aware that they can't stay in their Appalachian farmhouse any longer. After spotting smoke on the horizon and setting off in that direction, they reconnect with Emmett (Cillian Murphy, Peaky Blinders), an old friend who has been through his own traumas. Evelyn sees safety in numbers, but he's reluctant to help. Then Regan hears a looping radio transmission playing 'Beyond the Sea' and decides to track down its source — and a film that's less thrilling, potent and unsettling than its predecessor eventuates. A Quiet Place Part II is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. BLACK WIDOW Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up often. Since 2008, the Marvel Cinematic Universe has operated with the opposite aim — extending and expanding the series at every turn, delivering episodic instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing, in no small part because it needn't waste time setting up a Black Widow sequel. Instead, the pandemic-delayed movie spends its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Sporting an impressive cast that also includes Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Black Widow begins in 1995, in small-town Ohio. Here, Harbour and Weisz play Alexei and Melina, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse, at least. The film doesn't revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans for too long, however, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the action then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant and killing. There's an unmistakable air of Bourne and Bond to Black Widow from there, but this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates. With Australian filmmaker Cate Shortland (Somersault, Lore and Berlin Syndrome) in the director's chair, this welcome addition to the franchise spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. Black Widow is available to stream via Disney+ with Premium Access. Read our full review. MY NAME IS GULPILIL Lengthy is the list of Australian actors who've started their careers on home soil, then boosted their fame, acclaim and fortunes by heading abroad. Some have won Oscars. Others are global household names. One plays a pigtailed comic book villain in a big film franchise, while another dons a cape and wields a hammer in a competing blockbuster saga. David Gulpilil doesn't earn any of the above descriptions, and he isn't destined to. It wouldn't interest him, anyway. His is the face of Australian cinema, though, and has been for half a century. Since first gracing the silver screen in Nicolas Roeg's Walkabout, the Yolŋu man has gifted his infectious smile and the irrepressible glint in his eye to many of the nation's most important movies. Indeed, to peruse his filmography is to revel in Aussie cinema history. On his resume, 70s classics such as Mad Dog Morgan and The Last Wave sit alongside everything from Crocodile Dundee and Rabbit-Proof Fence to Australia, Goldstone and Cargo — as well as parts in both the first 1976 film adaptation of Storm Boy and its 2019 remake. The latest film to benefit from the Indigenous talent's presence: My Name Is Gulpilil. It might just be the last do to so, however. That sad truth has been baked into the documentary ever since its subject asked director Molly Reynolds and producer Rolf de Heer — two filmmakers that Gulpilil has collaborated with before, including on Another Country, Charlie's Country, Ten Canoes and The Tracker — to make something with him after he was diagnosed with stage-four lung cancer. That was back in 2017, when he was given just six months to live. Gulpilil has been proving that diagnosis wrong ever since. Cue this heartfelt portrait of an Australian icon like no other, which celebrates a star who'll never be matched, reminds viewers exactly why that's the case, but is never a mere easy, glossy tribute. Anyone could've combined snippets of Gulpilil's movies with talking heads singing his praises. In the future, someone probably will. But Reynolds is interested in truly spending time with Gulpilil, hearing his tale in his own words, and painting as complete a portrait of his life, work, dreams, regrets, spirit, culture and impact as possible. My Name Is Gulpilil is available to stream via ABC iView. Read our full review. VALERIE TAYLOR: PLAYING WITH SHARKS Steven Spielberg directed Jaws, the 1975 horror film that had everyone wondering if it was safe to go back into the water — and the movie that became Hollywood's first blockbuster, too — but he didn't shoot its underwater shark sequences. That task fell to Australian spearfisher and diver-turned-oceanographer and filmmaker Valerie Taylor and her husband Ron, who did so off the coast of Port Lincoln in South Australia. If it weren't for their efforts, the film mightn't have become the popular culture behemoth it is. When one of the animals the Taylors were filming lashed out at a metal cage that had held a stuntman mere moments before, the pair captured one of the picture's most nerve-rattling scenes by accident, in fact. And, before Peter Benchley's novel of the same name was even published, the duo was sent a copy of the book and asked if it would make a good feature (the answer: yes). Helping to make Jaws the phenomenon it is ranks among Valerie's many achievements, alongside surviving polio as a child, her scuba and spearfishing prowess, breaking boundaries by excelling in male-dominated fields in 60s, and the conservation activism that has drawn much of her focus in her later years. Linked to the latter, and also a feat that many can't manage: her willingness to confront her missteps and then do better. The apprehension that many folks feel when they're about to splash in the ocean? The deep-seated fear and even hatred of sharks, too? That's what Valerie regrets. Thanks to Jaws, being afraid of sharks is as natural to most people as breathing, and Valerie has spent decades wishing otherwise. That's the tale that Valerie Taylor: Playing with Sharks tells as it steps through her life and career. Taking a standard birth-to-now approach, the documentary has ample time for many of the aforementioned highlights, with Valerie herself either offering her memories via narration or popping up to talk viewers through her exploits. But two things linger above all else in this entertaining, engaging and insightful doco. Firstly, filmmaker Sally Aitken (David Stratton: A Cinematic Life) fills her feature with stunning archival footage that makes for astonishing and affecting viewing (Ron Taylor is credited first among the feature's five cinematographers). Secondly, this powerful film dives into the work that Valerie has spearheaded to try to redress the world's fright-driven perception of sharks. Like last year's David Attenborough: A Life on Our Planet, 2017's Jane Goodall documentary Jane and underwhelming 2021 Oscar-winner My Octopus Teacher, this is a movie about being profoundly changed by the natural world and all of its splendour. Valerie Taylor: Playing with Sharks is available to stream via Disney+. Read our full review. CRUELLA A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — plus a white-and-black fur coat that's suspected of being made from slaughtered dogs. If the film itself was a fashion item, though, it'd be a knockoff. It'd be a piece that appears fabulous from afar, but can't hide its seams. That's hardly surprising given this origin tale stitches together pieces from The Devil Wears Prada, The Favourite, Superman, Star Wars and Dickens, and doesn't give two yaps if anyone notices. The Emmas — Stone, playing the dalmatian-hating future villain; Thompson, doing her best Miranda Priestly impression as a ruthless designer — have a ball. Oscar-winning Mad Max: Fury Road costume designer Jenny Beavan is chief among the movie's MVPs. But for a film placed amid the punk-rock revolution, it's happy to merely look the part, not live and breathe it. And, in aiming to explain away its anti-heroine's wicked ways, it's really not sure what it wants to say about her. Before she becomes the puppy-skinning fashionista that remains among Glenn Close's best-known roles, and before she's both a wannabe designer and the revenge-seeking talk of the town played by Stone (Zombieland: Double Tap), Cruella is actually 12-year-old girl Estella (Tipper Seifert-Cleveland, Game of Thrones). In this intellectual property-extending exercise from I, Tonya director Craig Gillespie, she sports two-toned hair and a cruel that streak her mother (Emily Beecham, Little Joe) tries to tame with kindness — and she's also a target for bullies, but has the gumption to handle them. Then tragedy strikes, an orphan is born, loss haunts her every move and, after falling in with a couple of likeable London thieves, those black-and-white locks get a scarlet dye job. By the time that Estella is in her twenties, she's well-versed in pulling quick heists with Jasper (Joel Fry, Yesterday) and Horace (Paul Walter Hauser, Songbird). She loves sewing the costumes required more than anything else, however. After years spent dreaming of knockout gowns, upmarket department stores and threads made by the Baroness (Thompson, Last Christmas), she eventually gets her chance — for fashion domination, as well as vengeance. Cruella is available to stream via Disney+ with Premium Access, Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. Martin Eden is available to stream via Google Play, YouTube Movies and iTunes. I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is available to stream via Google Play, YouTube Movies and iTunes. A FAMILY Just five letters are needed to turn A Family's title into the name of one of popular culture's most famous clans. The Addams crew aren't the subject of this Australian-produced, Ukraine-shot blend of comedy and drama, but it does delve into the creepy, kooky and mysterious anyway. The feature debut of director Jayden Stevens — who co-wrote the script with his cinematographer Tom Swinburn (Free of Thought) — the absurdist gem spends time with the stern-faced Emerson (first-timer Pavlo Lehenkyi). With none of his family around for unexplained reasons, he pays other Kiev locals to play their parts, staging dinners, Christmas parties and everyday occasions. They eat, chat and do normal family things, all for Emerson's camera. His actors (including Maksym Derbenyov as his brother and Larysa Hraminska as his mother) all need to stick to his script, though, or he'll offer them a surly reprimand. Olga (Liudmyla Zamidra), who has been cast as his sister, struggles the most with her role. She's also the member of this little faux family that Emerson is particularly drawn to. Her own home life with her mother Christina (Tetiana Kosianchuk) is far from rosy, with the pair suffering from her dad's absence, so eventually Olga decides that Emerson's role-play game might work there as well. A Family is a film of patient and precise frames, awkwardly amusing moments, and bitingly accurate insights into the ties that bind — whether of blood or otherwise. It's a movie that recognises the transactional and performative nature of many of life's exchanges, too, and ponders how much is real and fake in both big and seemingly inconsequential instances. To perfect all of the above, Stevens walks in Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer, The Favourite), Aki Kaurismäki (Le Havre, The Other Side of Hope) and even the usually inimitable David Lynch's shoes. His feature is austere, deadpan and surreal all at once, and smart, amusing and savage at the same time as well. Indeed, if a bigger-name filmmaker had made this purposefully and probingly off-kilter picture, it would've likely proven a film festival darling around the globe. A Family did start its big-screen run at a fest, at the Melbourne International Film Festival back in 2019. Now reaching Australian cinemas after a year that's seen everyone either spend more time with or feel more physical distance from their nearest and dearest, it feels doubly potent. Every lingering image shot by Swinburn — and all of the pitch-perfect performances that he captures — speak loudly to the cycle of yearning and disconnection that comes with being alive, and that never stops being put under a microscope. A Family is available to stream via iTunes. THE CONJURING: THE DEVIL MADE ME DO IT Starting in 2013 with The Conjuring, expanding with 2014's Annabelle, and also including The Conjuring 2, both terrible and much better sequels to Annabelle, the dismal The Nun and the formulaic The Curse of the Weeping Woman, The Conjuring Universe now spans eight evil-fighting flicks — and they're all as straightforward as it gets when it comes to battling the nefarious. Circling around real-life paranormal investigators Ed and Lorraine Warren, the franchise posits that the supernatural exists, darkness preys upon the innocent and its central couple usually has the tools to combat everything untoward. That template remains firmly in place in The Conjuring: The Devil Made Me Do It. With director Michael Chaves (The Curse of the Weeping Woman) and screenwriter David Leslie Johnson-McGoldrick (Aquaman) doing the honours — taking their cues from James Wan, the Australian Saw and Insidious co-creator who helmed the first two Conjuring flicks — it once again serves up the usual bumps, jumps and scares that have haunted this franchise since day one. That said, the third Conjuring flick within the broader Conjuring realm does attempt a few changes. Rather than getting creeped out by haunted houses, it gets spooked by a kid and then a teenager who are both possessed. True to form, bone-shakingly horrific things can't simply occur without some kind of excuse and entity at play. The Warrens (Patrick Wilson, Aquaman, and Vera Farmiga, Godzilla: King of the Monsters) are first tasked with saving eight-year-old David Glatzel (Julian Hilliard, WandaVision) from a demon after his family moves to stereotypically sleepy Brookfield, Connecticut. Their efforts seem successful, even if Ed has a heart attack mid-exorcism, but the evil force they're fighting has really just jumped ship. Arne Johnson (Ruairi O'Connor, The Spanish Princess), the boyfriend of David's sister Debbie (Sarah Catherine Hook, NOS4A2), is quickly besieged by strange occurrences. He's soon also covered in blood after stabbing his landlord to Blondie's 'Call Me'. The death penalty beckons; however, the Warrens convince Arne's lawyer to plead not guilty by reason of demonic possession — the first time that ever happened in the US — and then commit to unearthing whatever paranormal details they can to save his life. The trailer for The Devil Made Me Do It teases legal thrills, but in a bait-and-switch way, because this film is barely concerned with Arne's court case. The true tale, which was previously dramatised in a 1983 TV movie starring Kevin Bacon, merely provides an easy setup for souped-up demonic antics and a routine, happily by-the-numbers, never remotely terrifying threequel. Indeed, the fact that more flicks will undoubtably still follow is the scariest thing about the film. The Conjuring: The Devil Made Me Do It is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Read our full review. THE HITMAN'S WIFE'S BODYGUARD Someone involved with The Hitman's Wife's Bodyguard must really love paperwork; that's the only reason anyone could've given its script the go-ahead. Perhaps Australian filmmaker Patrick Hughes, who also directed 2017's The Hitman's Bodyguard, likes nothing more than keeping his documents in order. Maybe returning screenwriter Tom O'Connor (The Courier) falls into that category, or his debuting co-scribes Phillip and Brandon Murphy — they all made the subject the focus of their screenplay, after all. Whoever fits the bill, their attempt to force audiences to care about bodyguard licensing falls flat. So does the misguided idea that the certification someone might need to unleash their inner Kevin Costner would ever fuel an entire movie. Instead, what was already a needless sequel to a terrible action-comedy becomes even more of a dull and pointless slog, with this by-the-numbers follow-up showing zero signs that anyone spent more than a few seconds contemplating the story. A significant plot point here: that Michael Bryce (Ryan Reynolds, The Croods: A New Age) has lost his official tick of approval. He's no longer triple A-rated after a mishap in the line of duty, and he isn't coping well. To be fair, no one watching The Hitman's Wife's Bodyguard will handle that news swimmingly either, but only because they're made to hear about it over and over, all as Bryce rekindles his begrudging association with assassin Darius Kincaid (Samuel L Jackson, Spiral: From the Book of Saw) and the latter's con artist wife Sonia (Salma Hayek, Bliss). When Darius gets snatched up by nefarious folks during his belated honeymoon with Sonia, only Bryce can help — or so says the angry Mrs Kincaid. She interrupts the latter's vacation with swearing, shouting and shootouts, because that's the kind of feisty Mexican wife that Hayek plays. From there, Reynolds primarily complains, Hayek sticks with stereotypes and Jackson attempts to exude his usual brand of couldn't-care-less cool; however, even more than in Spiral: From the Book of Saw, he's on autopilot. As also seen in Jackson's last big-screen appearance, The Hitman's Wife's Bodyguard insists on reminding its audience about its stars' better movies. You don't cast both Hayek and Antonio Banderas (who plays a European tycoon plotting the world's demise) if you don't want to bring Desperado and Once Upon a Time in Mexico to mind (and Frida and even Spy Kids 3, too). Thinking about the pair's shared past highlights is far more enjoyable than enduring their current collaboration, unsurprisingly. Making fun of accents is considered the height of comedy here, women can only be hot-headed nags and manchild daddy issues get almost as much love as paperwork. The jokes aren't just scattershot; they're non-existent. The messy, incoherent and over-edited action scenes fare just as badly. None of the above is likely to save us from a third movie, though, which'll probably be called The Hitman's Wife's Baby's Bodyguard's Lost Birth Certificate. The Hitman's Wife's Bodyguard is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. FATALE Only 14 women have ever won more than one Academy Award for Best Actress, and Hilary Swank is one of them. When she earned the Oscars double for 1999's Boys Don't Cry and 2004's Million Dollar Baby, she beat both Meryl Streep and now three-time recipient Frances McDormand to the feat — but her career hasn't brought the coveted accolade her way again since. Fatale isn't going to change that recent trend. It hasn't earned Swank a Razzie either, but she could've easily been in the running. Playing a Los Angeles cop who has a one-night stand in Las Vegas with an ex-college basketball star turned high-profile player manager, then starts stalking her way through his life while also trying to intimidate her politician ex-husband into giving her back access to her young daughter, she has one mode here: stern-faced yet unbalanced. Even when her character, Detective Valerie Quinlan, is first seen flirting, Swank plays her as if something isn't quite right. That's accurate, plot-wise, but it robs Fatale of any semblance of tension it might've possessed. The film is meant to be an adultery-focused thriller in the Fatal Attraction mould — with even its title blatantly nodding that way — but it just ends up recycling tired, simplistic, overused cliches about unhinged women into a monotonous and unnecessarily convoluted package. Valerie and Derrick (Michael Ealy, Westworld) hit it off at a Vegas bar, then get physical; however, the next morning, he heads home to his wife Tracie (Damaris Lewis, BlacKkKlansman), who he actually suspects of being unfaithful herself. Before Derrick can meaningfully process either his infidelity or his fears about his crumbling marriage, his swanky home is broken into one night — and, because director Deon Taylor (Black and Blue) and screenwriter David Loughery (The Intruder) are content to hit every expected beat there is (and because they've seen every 80s and 90s erotic thriller ever made, too), Valerie is the investigating officer. Despite being woefully predictable from the outset, Fatale doesn't dare have fun with its cookie-cutter narrative. It doesn't evoke thrills, bring anything more than surface style or prove particularly sexy, and it never gets its audience invested in its obvious twists, one-note characters or rote dialogue. And, although having its badge-toting stalker use excessive force and exploit her power to target a person of colour could've been a choice that said something about America's current reckoning with law enforcement, race and police brutality, Fatale doesn't even contemplate anything other than clunky formula. Fatale is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. Looking for more at-home viewing options? Check out our lists of movies fast-tracked from cinemas to streaming back in May and June. You can also take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows.
Before the pandemic, Brisbane's live music scene was one of the city's big drawcards. The Queensland capital doesn't host a huge annual music conference — that'd be BIGSOUND — for no reason, after all. But, with the past 18 months seeing lockdowns and restrictions pop up frequently in an effort to stop the spread of COVID-19, plenty has changed throughout Brissie. And, the live music industry has been struggling, unsurprisingly. To help live music venues during the pandemic, the Queensland Government launched the Live Music Support Program, which is targeted at assisting indoor live music venues to cover their losses and stabilise their businesses in these supremely uncertain times. The program has just launched its second round of funding, which comes after Brisbane has experienced three separate lockdowns so far in 2021. Venues can apply for grants valued between $40,000 and $380,000, which falls under a $7 million pledge for more funding to the industry as part of the 2021–22 Queensland Budget. It's open to dedicated indoor live music venues — so places with a primary function to host original live music gigs, and not spots like pubs and clubs that just regularly program live music on top of their other operations. To be eligible, venues need to have been up and running (and hosting gigs) prior to March 2020, and have to demonstrate a significant decrease to their revenues during the pandemic. Successful recipients will be able to use the funds to keep operating under pandemic restrictions — so, to cover costs, and to keep venue staff, technical crew and artists employed. The program also aims to ensure that the state's live music venues are in a strong position to resume full operations once restrictions are lifted, and to keep Queensland's live music scene healthy overall. Venues have until Monday, August 16 to apply under the program's new round, with applications assessed as they're submitted. Under current COVID-19 restrictions, which are presently set to remain in place until Friday, July 23, venues in southeast Queensland can only operate to 100-percent capacity if they're hosting seated, ticketed shows and have a COVID-safe plan in place. Otherwise, the one person per four-square-metres indoors rule applies — and dancing is banned across the board. "Queensland's contemporary music industry relies on the live music economy for its survival and sustainability, with Brisbane's music industry alone worth an estimated $428 million to the Queensland economy," said Minister for the Arts Leeanne Enoch in a statement announcing the new funding round. "The arts, cultural and creative sectors are key to delivering our plan for economic recovery, each year injecting $8.5 billion into the state's economy and supporting more than 92,000 jobs for Queenslanders." For more information about the Live Music Support Program, head to the Queensland Government website. Top image: Vincent Shaw.
Gone are the days when celebrating Easter just meant eating all the chocolate eggs you can handle and treating yourself to all of the hot cross buns while they're in stores. Keep doing both, naturally, because this time of year wouldn't be the same otherwise. But choc-flavoured cocktails have quickly become an Easter staple, too — and award-winning distillery Archie Rose Distilling Co's new lamington tipple has arrived at exactly the right time. Lamingtons are the dessert that just keeps giving: giving us vodkas, cruffins, croissants, gelato bars and sneakers all inspired by them before now, in fact. So, of course Archie Rose has joined the trend with its new Dark Chocolate and Raspberry Lamington Bottled Cocktail, which is indeed exactly what it says on the label. A limited-edition tipple — so, it's here for a delicious time, not a long time — it comes ready to pour either over ice or paired with soda. Archie Rose also recommends a garnish in the form of a berry skewer. That berry flavour is a big part of the cocktail anyway, which goes heavy on raspberry, chocolate, honeycomb and coconut. It's made on Archie Rose's signature dry gin, and also includes notes of citrus — for balance, the company says. You'll only find it via the brand's website, in its latest creative tipple in a range that's previous included riffing on ice cream, dropping a coffee whisky and taking inspiration from Vegemite. Archie Rose Distilling Co's Dark Chocolate and Raspberry Lamington Bottled Cocktail is available now via the brand's website, costing $59 per bottle.
If your ultimate Saturday morning is a leisurely Bunnings shopping session followed by a saucy snag in bread, why let the fun end there? Soon, you'll be able to make a proper weekend of it with a new Mercure Melbourne Doncaster hotel set to open smack bang on top of a Bunnings Warehouse. The work of global hotel group Accor and developer Accord Property Group, the unlikely pair are slated to be up and running by late 2021. Located in the heart of the bustling Doncaster Hill precinct, together they'll provide the prime spot for a snag-based staycation. Along with a couple of levels dedicated to retail offerings, the mid-range hotel will boast 183 rooms across six floors with interiors that reference parts of the area's history, including the southern hemisphere's first electric tramway: the short-lived Box Hill to Doncaster tram. It'll have all the usual trimmings you need for an overnight stay, too: a dining terrace, restaurant and bar, rooftop pool, fitness centre and sundeck — as well as a full-size, sparkly new Bunnings Warehouse, of course. And if tools, paint and plants don't offer quite enough retail therapy for you, Mercure Melbourne Doncaster also sits handily adjacent to the huge retail precinct that is Westfield Doncaster shopping centre. Mercure Melbourne Doncaster is set to open at 659 Doncaster Road, Doncaster in late 2021.
A coffee roaster opening its own cafe is the caffeinated equivalent of a beloved movie or TV character scoring their own spinoff. This version sparks a different kind of buzz, though. Australian favourite Single O is no stranger to slinging its own brews, thanks to cafes in both Sydney and Tokyo — but finally launching in Brisbane is a new and welcome leap. If you're a fan of the 20-year-old brand, then you might be familiar with its self-serve tap system in its cafes elsewhere. In more excellent news, that's now in place in the River City as well. Single O is currently pouring — and getting customers to — on Austin Street in Newstead, where it opened at the end of August. Since 2019, coffee lovers nabbing their caffeinated brews from Single O's Surry Hills cafe in Sydney have been getting their cuppas themselves — basically, it's the coffee you make when you're not actually making the coffee — which Brisbanites can also enjoy at the first coffee-on-tap setup in the Sunshine State. The filter brews on offer will rotate through single-origin batch options. Crucially, Single O's beloved oat iced latte has earned the tap treatment, too. Also among the standout sips made on La Marzocco machines, then drunk from Malcolm Greenwood's ceramic cups: Single O's Reservoir signature blend for espresso fiends, which customers can pair with either dairy or plant milks. With local gelato makers Allora Black, the roaster has also brought its Affogato Project to town. The Brisbane version starts with coffee-infused-gelato — favouring Kenyan and Costa Rican beans — then pours on a shot of the same brew. Teaming up with Newmarket's Allora Black is just one of Single O's local collaborations. Working with Agnes Bakery is another, in an excellent development for pastry fiends. Plates come from Noosa's Kim Wallace Ceramics, while Brisbane-born artist Gemma O'Brien has given the Austin Street spot its bespoke artwork, including her first-ever hometown large-scale mural. For bites to pair with your caffeine fix, Single O owner Dion Cohen has tapped into nostalgia. Sandwiches and toasties might sound rather standard, but Cohen has taken cues from his time spent as the chef at Single O's OG location in 2003. From Surry Hills, banana bread with espresso butter makes the jump north, as has the brunch favourite that is the Avo Show (yes, it's avocado on toast, but Single O's eye-catching version). While you're eating and drinking, you'll be sat in space that heroes eco-conscious practices both in making its coffee and in decking out its cafes. Design-wise, think: raw materials aplenty, and Defy Design whipping up bar tops and stools made from recycled plastic. The venue is also Single O's new distribution and training facility for its wholesalers, aka the places you've been drinking its coffee at before now. "We've been working behind the scenes with some of Queensland's best cafes and hospitality partners from Gold Coast and Brisbane for over ten years, including places like Bread Social, Paddock Bakery, Gramps Cafe and Told You So, to name a few," explains General Manager Mike Brabant. "Brisbane particularly is a place that's changing everyday with amazing hospo venues opening and more people moving to Queensland each year. The food culture is becoming one of the best in the country, and opening our humble Newstead coffee bar, which is connected to our coffee training and distribution space where we service our local cafe clients from, is big for us." "It gives us a touchpoint for our cafe friends, and a chance to serve the local community, sharing the Single O spirit of having fun, honouring quality and brewing up differently." Find Single O's Newstead coffee bar at 16 Austin Street, Newstead QLD — operating from 6.30am–1.30pm Monday–Friday and 7am–1.30pm on Saturdays — with Sunday trading coming soon.
From big pineapples to big melons to big lobsters, Australia is rather fond of a giant-sized statue. We're also the home of the big banana, big avocado, big bench and big guitar, as well as the big merino, big prawn and big potato. The big list of Big Things not only keeps going on, but has just scored a new addition, too — the Big Lollipop. To answer the obvious question: no, it isn't edible. Sorry to dash your Willy Wonka-style dreams. You will be able to stand beneath the new towering sweet and lick the real thing, however, because it happens to be located outside — where else? — a candy store. Just unveiled on Sunday, September 8 in Ravensthorpe in Western Australia — around 530 kilometres southeast of Perth, if you're planning your next road trip — the Big Lollipop stands next to the pink-hued Yummylicious Candy Shack. Owner Belinda McHarg came up with the idea two years back, as a way to help boost tourism when the local nickel mine closed down for the second time, and now this oversized candy has become a reality. Sure, everyone has seen a hefty edible lollipop before. When you were a kid, you probably convinced your parents to buy you one, couldn't get through it all, hid the rest under the couch and raced around the house in a sugar-fuelled high. We've all been there. This giant version definitely can't be eaten, and it really is giant, standing over seven metres tall (7.4 to be exact) and measuring four metres wide. It's also the world's largest freestanding lollipop, because if you're going to go big, you may as well go all the way. Painted a rainbow of colours, as plenty of smaller-sized lollipops tend to be, the Big Lollipop was launched to mark Yummylicious' third anniversary. The Big Lollipop is located outside the Yummylicious Candy Shack, 89 Morgans Street, Ravensthorpe, Western Australia. The store is open from 10am–5pm daily — for more information, visit the shop's Facebook page. Images: Dana Fairhead.
It's never too cold to party. At least, that's what the guys behind Snowtunes say. And for its third year, this Snowy Mountains music festival is coming back even bigger — twice the size actually. With the addition of a second night of festivities, the party people have also added a second stage so punters can enjoy live music at one and dance it out at the other, dedicated to EDM. Mark your calendars, snag some tickets and find some snow gear, because September 1 and 2 are fast approaching. Who's expected to take to the stage? There'll be plenty of Aussie-born talent to set your weekend's soundtrack after a day on the slopes, including L D R U, Gang of Youths, Nina Las Vegas, Mashd N Kutcher and Tigerlily. New Zealand-born singer-songwriter Mitch James and French DJ Klingande will bring some tunes from abroad into the mix, too. Really, it's a slam dunk of a lineup. And in between sets you'll be able to grab a drink at this year's Bag Jump Adventure Park, a VIP champagne bar, as Lake Jindabyne gets transformed into the ultimate party snow globe. Stay tuned for any updates and announcements on Snowtunes here.
Venturing out of inner-city Brisbane is often fraught with danger for foodies and caffeine junkies alike. For a long time the inner-city has laid claim to the best food and coffee venues with little challenge from the surrounding 'burbs. Wilston's Willow and Spoon (former residents of Alderley — the cafe relocated in 2014) is leading the suburban invasion of venues offering quality caffeine and inventive and delicious dishes. On a busy Sunday morning guests are escorted from the overflowing front area, through the kitchen and out into the back dining area, which carries a homely backyard feel. The menu greets with some interesting dish titles, complete with a smattering of odd pop culture quotes, but further inspection reveals an imaginative collection of breakfast options. Opting for The Stranger ($18) — poached eggs, brioche, halloumi, pumpkin, vierge, spinach and green olive cheeks — is a wise decision. The eggs are poached well, the brioche is the right balance of sweet and savoury and the pan-fried halloumi, roast pumpkin, wilted spinach and olive cheeks meld perfectly together in a mediterranean feast. The drizzle of vierge offers a detailed finish both on the plate and on the palate. For a twist on a breakfast classic, The Willow (bacon, eggs, wholemeal grain sourdough and Woodside cultured butter; $17) is a well-executed staple for the less adventurous. A small selection of kid's menu options is evidence of the family vibe of the back dining area especially. Most weekends will find parents enjoying breakfast or a coffee while children roam the garden area. Willow and Spoon's blend of Blue Sky Coffee offers a substantial kick while maintaining a smooth finish and like the food, even on a busy Sunday morning, the coffee feels well crafted. The mid-morning weekend rush doesn't seem to affect the pleasant service either, a huge plus for those perhaps inclined to opt for a sleep in and a leisurely brunch over an early breakfast. Reservations are recommended for the weekend and on weeknights, but even without one you would be unlucky to be turned away. Willow and Spoon offers a friendly environment that's not only a great place for a caffeine fix but also a dining option truly up there with anything the inner-city has to offer. Updated: April 26, 2016.
After the work-week marathon, holing up at home all weekend can be mighty tempting. And while technology has gifted us with the amazing ability to get both food and entertainment without changing out of our PJs, it's no replacement for sunshine and socialising. So once a month, swap the hermit life for an outside hangout. The Sound Society is an initiative that fills two of Brisbane's most beautiful parks with music across one weekend each month. It all kicks off at South Bank Parklands this Saturday with an artist performing at 2pm and another at 4.45pm. The tunes will continue to roll out monthly — running from 2–7pm — so expect to see a range of acts, including folk-blues artist Hailey Calvert, indie-folk bad My Nightingale and the melodic sounds of Fresco Kyoto, take the stage at Rainforest Green. There'll be food stalls converging, too, with options including hot dogs, wings and doughnuts. If a slow Sunday morning is more your style, meander down to Roma Street Parkland between 9am and noon — picnic blanket in hand. The vibe is more soulful here, with jazz artists including Tenille West Quartet and the Chris Poulsen Quartet scheduled to perform one Sunday each month on the Banyan Lawn. Food vendors will be available here, too — cheese toasties, coffee and cakes will be on offer to sort out your brunch sustenance. Embrace the outdoors this winter. The Netflix marathon can wait for nighttime.
If furniture could talk, the couch from Friends would have plenty to say. For a decade up until 2004, the orange-hued lounge played a pivotal on everyone's favourite 90s sitcom, as Rachel, Ross, Monica, Chandler, Joey and Phoebe whiled away the hours in Central Perk, reclined upon the sofa's comfortable-looking cushions, drank copious amounts of coffee and nattered non-stop about their lives. As far as on-screen seats go, it's up there with the most famous. And Australian streaming platform Stan bringing it Down Under. The current home of Friends in Australia, the service is celebrating the show's 25th anniversary — and while it can't bring Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer to our shores to mark the occasion, it can whip up a replica of the couch they plonked their butts on for ten seasons. Keen to sit where your TV besties once did (or on a settee that resembles the one they sat on, to be precise)? Then you can do just that between Thursday, August 29 and Sunday, September 22. Stan's couch pop-up is touring Aussie shopping centres during that period, spending different weekends in various spots in Victoria, Queensland, New South Wales and South Australia. We can't promise that the sofa will always be empty, like it magically was whenever Monica, Rachel and the gang wanted to grab a caffeine hit, but you will be able to see and touch the replica either way. An adjacent coffee cart will also serve up drinks, an acoustic performer will set the mood by playing 90s covers (including Phoebe's memorable ditties) and there'll be themed merchandise on offer, naturally. There's not much more to the promotion, other than showering Friends fans in nostalgia, letting everyone snap a selfie on the sofa and serving up a reminder that the show is available to stream. That said, if you take a pic, post it to your social media network of choice and tag Stan, you can win prizes, including a trip to New York City. COUCH DATES AND LOCATIONS Melbourne Central, Vic — Thursday, August 29 (10–9pm); Friday, August 30–Sunday, September 1 (12–5pm) Robina Town Centre, Qld — Thursday, September 5 (3–9pm); Friday, September 6–Sunday, September 8 (11–4pm) Westfield Tuggerah, NSW— Saturday, September 7–Sunday, September 8 (11–4pm) Westfield Chatswood, NSW — Saturday, September 7–Sunday, September 8 (11–4pm) Burnside Village, SA — Saturday, September 14–Sunday, September 15 (12–5pm) Westfield Southland, Vic — Saturday, September 21–Sunday, September 22 (12–5pm) Broadway Shopping Centre, NSW — Saturday, September 21–Sunday, September 22 (12–5pm) The Friends couch is touring the country between Thursday, August 29 and Sunday, September 22. Visit the Stan Facebook event for further details.
One great turn inspires another in Monsieur Chocolat — and what stellar, standout turns they are. In this handsome showbiz biopic, a late 19th/early 20th century comedic pioneer inspires a film-stealing performance from a current acting talent. The former is Rafael Padilla, aka Chocolat, the first black clown to star in the French big top. The latter is actor Omar Sy, who previously impressed audiences in The Intouchables, Mood Indigo and X-Men: Days of Future Past. If you don't recognise Padilla's name, the film will soon help you understand why. Examining how he became one of France's forgotten comics is as much a part of Monsieur Chocolat as charting his humorous feats. When the movie introduces the former Afro-Cuban slave, he's playing a cannibal in a regional circus and considered a novelty amongst a cast of white performers. His fortunes seem to change after he joins forces with English clown George Foottit (James Thierrée), and yet much still stays the same. While their acclaimed double act takes them to Paris' prestigious Nouveau Cirque, amusing the masses and earning their respect are two very different things. Here, the leap from loincloth to top hat proves giant in perception but tiny in reality, with director Roschdy Zem unafraid of tackling the obvious factor that complicated Chocolat's career. Bigotry dogs the performer at every turn; kids scream at his teeth-gnashing savage routine, while envious rivals try to keep him down. Even at the height of his popularity, he finds himself arrested on the street. So too is the prejudice clear in the public's reaction when he sets out to become a serious actor. Monsieur Chocolat presents a rise-and-fall narrative, as well as a dissection of stereotypes and discrimination, that feels simultaneously familiar and fresh. This isn't the first time a film has offered a behind-the-scenes look at the less-than-glamorous reality of fame and fortune; nor is it the first time we've been made to face the entertainment industry's poor treatment of multicultural talents. And yet, while few truly original stories may rear their heads these days, previously untold true tales can still strike a chord — particularly when may of the same social issues remain a problem more than a century later. Accordingly, Monsieur Chocolat is a bittersweet affair. It's rightfully sombre in its contemplation of how its title character was treated, and yet absolutely jubilant in depicting him do what he did best. Sy is crucial to both – his clowning skills are a sight to behold, as is his rapport with real-life circus performer Thierrée. In a better world, their reenactments of Chocolat and Foottit's marvelous act would be the only thing this movie needed to focus on, but unfortunately that's not the one we live in. Come for the big top delights. Stay for the grim reality behind them. In tackling both, this film is a worthy tribute to Chocolat's remarkable legacy. https://www.youtube.com/watch?v=bgOVqeNNu58
The next level of the global transport economy is fast approaching — even Down Under. First, there was news that Melbourne could be one of the first cities to test Uber's flying cars, then came the announcement of the proposed Hyperloop Transport System, which would get you from Sydney to Melbourne, or Brisbane to Sydney, in just 37 minutes. Sure, these are still a relatively distant dream, but one such technological advance is much closer than you may think — an Uber-like service with driverless electric cars, courtesy of Tesla. At a conference earlier this week, Tesla founder Elon Musk announced that the company is planning to roll out a massive fleet of one million self-driving 'robotaxis' as early as next year. These autonomous vehicles are planned to hit roads in the US by mid-2020 — regulatory approvals pending, of course. If all goes to Musk's plan, here's how it'll work: the app will function much the way all ride-sharing apps do — except the car will drive itself. The existing Tesla app will be fitted with a 'summon' option, where you'll be able to order the closest robotaxi from its stored location, and it'll drive itself over to pick you up. [caption id="attachment_718225" align="alignnone" width="1920"] Tesla ride-sharing app[/caption] Plus, some Telsa owners will be able to add their own car to the service, with the options to limit sharing to friends, co-workers or social media contacts. In areas where not enough share vehicles are available, Tesla will release a dedicated fleet to ensure short wait times. But what does this mean for Australia? According to the ABC, Australian transport ministers plan to have a regulation for commercial self-driving vehicles in place by next year — a neatly timed goal with Musk's ambitious roll out. So, depending on which way next month's election swings, we could soon be riding in cars with no-one at the wheel. If you're really interested, a four-hour livestream of the Tesla conference, in which Musk discusses the ride-sharing service, is available to watch here. Tesla is aiming to put one million self-driving 'robotaxis' on US roads by mid-next year, depending on regulatory approvals. In Australia, regulations for commercial autonomous vehicles are set to be in place by next year.
They're the masters of immersive thrills, such as smash-hit shipping container installations Seance, Coma and Flight — also known as the Darkfield series. But not even the folks at Realscape Productions are immune to the realities of pandemic life. After spending much of the year locked down with the rest of Melbourne, the team put their nerve-jangling real-life projects on hiatus and whipped up a series of brand-new audio experiences. All of Realscape's recent collaborations with UK creators Darkfield have been designed for fans to enjoy from the comfort of their own homes, such as Double and Visitors — and they've been geared to be every bit as creepy and unsettling as their IRL predecessors. But the next addition to the series, Eternal, promises something extra special. It is inspired by Bram Stoker's Dracula, aka one of the best horror novels ever written (and certainly the best vampire novel), after all. Available until Sunday, January 31, Eternal is presented via the producers' new digital project Darkfield Radio. Like its siblings, it plunges participants deep into an immersive experience by perplexing the senses — with the use of a 360-degree binaural sound, played through your own headphones. But while this year's other shows were aimed at groups of two, this one is made for listening to solo, at home, while you're alone in bed. Originally commissioned by Ireland's Bram Stoker Festival, the 20-minute-long Eternal explores the allure of living forever — and will get you pondering what you'd willingly do to avoid death. The uneasiness everyone feels when they hear something go bump in the night also plays a part, because that's just the kind of sensation the production aims to conjure up. To listen along, you'll need an $11.40 ticket, and to book a spot a late-night spot — with the show available at select times Thursday–Sunday (with exact slots depending on the day, but 9.30pm, 10pm, 12.30am and 1am times, all ADST, on offer). And if you haven't yet given Double and Visitors a listen, they're still available as well. Yep, you can make it a triple feature if you'd like to get especially eerie one night.
Whether it's been six weeks, six months or six years, there's nothing quite like a romantic getaway to add a sense of excitement to a relationship. And now's the perfect time to explore even more of what our fine country has to offer for your next romantic escape. Canberra definitely fills the brief for a romantic getaway — and it's certainly much closer (and more affordable) than Paris. You and your plus one can enjoy stunning views from both the ground and the sky, plus luxe dinners and unique experiences that you may be able to tell the grandkids about one day. Here are five experiences you can have in and around the city that'll help you woo your boo. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
It's been 11 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Heading back to their collection of unconventional venues for another year, Laneway Festival has announced its 2016 lineup. Returning to Singapore, Auckland and the five established Australian Laneway go-to cities, Laneway will raise a plastic cup to the middle of summer with one heck of a killer lineup. Following the previously leaked Hudson Mohawke and Purity Ring headliner announces, Laneway will see one heck of a crew on their unconventional stages. Odd Future's super outfit The Internet will be here, alongside Ninja Tune's bass monarch Thundercat and the return of Grimes (start losing your collective shit). Epic Scottish electronic crew CHVRCHES are headed back to Australia, with a few fellow return trippers — Baltimore dreamboats Beach House, American math rockers Battles are back with their new album, as well as Brooklyn's atmospheric foursome DIIV. Plenty of love for the onstage return of Big Scary after Tom Isanek finished up with #1 Dads, and there's sure to be a big ol' ruckus for Sydney wonderkid Flume back on stage. You'll be hard pressed to find a spot at Las Vegas hypecard Shamir's set, watching young Washington rapper GoldLink or the pretty, pretty Beatles-y Tobias Jesso Jr. Odd Future's Vince Staples is headed here too, following his OFWGKTA bud Tyler the Creator's ban from Australia. With beloved local artists like Hermitude, Violent Soho, The Smith Street Band and DMA's, this year's lineup is more eclectic than a Jenny Kee jumper. Enough talk, here 'tis. LANEWAY FESTIVAL 2016 LINEUP: Ali Barter* Banoffee Battles Beach House Big Scary Blank Realm** Chvrhces DIIV DMA’s East India Youth FIDLAR Flume GoldLink Grimes Health Hermitude High Tension Hudson Mohawke Japanese Wallpaper Majical Cloudz Methyl Ethel METZ Purity Ring QT Shamir Silicon Slum Sociable** Sophie The Goon Sax*** The Internet The Smith Street Band Thundercat Tobias Jesso Jr. Vince Staples Violent Soho * Exclusive to Brisbane, Sydney, Melbourne only ** not playing Fremantle *** Exclusive to Brisbane only ST JEROME'S LANEWAY FESTIVAL DATES AND VENUES FOR 2016: Saturday, January 30 — SINGAPORE (THE MEADOW, GARDENS BY THE BAY) Monday, February 1 — AUCKLAND (SILO PARK) Friday, February 5 — ADELAIDE (HARTS MILL, PORT ADELAIDE, 16+) Saturday, February 6 — BRISBANE (BRISBANE SHOWGROUNDS, BOWEN HILLS, 16+) Sunday, February 7 — SYDNEY (SYDNEY COLLEGE OF THE ARTS, ROZELLE) Saturday, February 13 — MELBOURNE (FOOTSCRAY COMMUNITY ARTS CENTRE (FCAC) + THE RIVER’S EDGE) Sunday, February 14 — FREMANTLE (ESPLANADE RESERVE AND WEST END) Tickets on sale from Laneway Festival. Image: Andy Fraser. Here's one for getting psyched up.
Located in the middle of the bustling Newmarket shopping complex you will find Vinnie's Deli and Cafe. This delightful hive of activity proves to be the only non-chain cafe in the shopping district and is packed out during peak meal times. The space is large including both outdoor and indoor dining areas. On a recent visit, it seemed that outdoors was the place to be and we were squeezed into one of the few remaining tables, while indoors was not nearly as full. Perhaps the preference for alfresco dining has something to do with the Italian heritage of the owners, which is expressed in their cafe and weaved into its menu. As such, it's not uncommon to hear the melodic sounds of the Italian language being spoken in the cafe by regulars. Although Vinnie's menu is not exactly adventurous, the food is well executed, reasonably priced and the portion sizes are on the money. The eggs benedict is a no-frills version of the classic breakfast choice. Other breakfast options include a variety of omelettes, fruit toast, a big brekky with all of the trimmings (warning: it's huge!), amongst others. For lunch try one of the range of wraps. The vegetarian wrap is packed full of delicious pumpkin, eggplant and a slathering of cream cheese. It is served with delightful salad including olives, feta, lettuce and a drizzling of balsamic vinegar. Its frappes are definitely noteworthy and hit the spot on a hot Brisbane day – try the mixed berry and mint option. Vinnie's has recently extended its hours and are now open for dinner on Friday night, which includes typical Italian meals such as pasta dishes and a wide variety of pizzas. Vinnie's has proved itself amongst the popular chain cafes and eateries that surround it. Thanks to its simple but well done food, great service and no-fuss vibe, it's safe to say that Vinnie's loyal clientele will continue to grow. Next time you're doing your grocery shopping, stop by Vinnie's for a coffee. After seeing the stocked cabinet we guarantee you won't leave without a chicken wrap, or at least a sweet treat.
Music lovers of Brisbane, and festival fans as well, we foresee a trip to the Gold Coast in your near future. That's where The Grass Is Greener is returning this year, with the music, food and arts fest heading to Doug Jennings Park on Saturday, October 22 with an impressive lineup. Leading the bill: Ty Dolla $ign, YG, Zhu and Pnau. The event is particularly pumped to have not one but two of the biggest names in hip hop gracing its stages, as well as one of EDM's global stars and some homegrown heroes. And, it's betting that you'll be just as thrilled to check them out live. Of course you will. Onefour, Boo Seeka, Sidepiece and Alok also have spots on the lineup — and yes, the list goes on. [caption id="attachment_856350" align="alignnone" width="1920"] Curdin Photo[/caption] Queenslanders should already be familiar with the fest, which made its debut back in 2016 up in Cairns. This year, it's hitting up not only the state's far north and the Gold Coast — spreading the love from one end of the Sunshine State to the other — but also branching out further for the first time ever. Each 2022 stop will boast multiple — and themed — stages, other eye-catching activations, and VIP packages if you're feeling flush with cash. [caption id="attachment_856348" align="alignnone" width="1920"] Mitch Lowe[/caption] THE GRASS IS GREENER 2022 LINEUP: Alok Aluna Boo Seeka Brux Crush3ed Gaudion Little Fritter Market Memories Maya Jane Coles Noah Devego Onefour Pedro Pnau Shimmy Disco Sidepiece Sticky Fingers SVLT TDJ Ty Dolla $ign Volaris Wongo YG Zero Zhu (DJ set) Top image: Mitch Lowe.
If you've done your dash with the dalgona coffee and all those failed attempts at sourdough, here's a little culinary project that might just revive your kitchen-weary soul. The minds over at global sauce company Heinz have released recipes for a series of unconventional ice creams — dubbed Creamz — starring some of the brand's most iconic condiments. Yep, mayo ice cream is a thing and it can be on the menu at your house this weekend. Over on its UK website, Heinz is now selling a range of ice cream-making kits, filled with all the ingredients and equipment needed to whip up a batch of these frozen 'Creamz', crafted on the likes of its salad cream and barbecue sauce. Unfortunately, the DIY packs are only available to UK locals, but the recipes themselves are free to download from anywhere in the world. Basically, all you'll need to do is stock up on milk, double cream and sweetened condensed milk, grab an extra bottle of your favourite Heinz condiment, and jump in the kitchen to give those crafty folk at Messina a run for their money. You can have a crack at variations like the Ketchup Creamz — which apparently works a treat topped with meringue and raspberry coulis — and a mayo-infused edition they reckon pairs well with apple and blackberry compote. Or perhaps the barbecue sauce number is more your speed, garnished with some maple syrup and crispy bacon bits. Wherever your sauce obsession lies, we recommend you clear some space in your freezer — things are about to get a little crazy. You can find all five of Heinz's Creamz recipes over at the website.
When Bridgerton initially premiered on Netflix at the end of 2020, becoming the platform's most-watched original show ever at the time, did it get you dreaming of stepping into its world? If so, you've been in luck ever since thanks to a flurry of events themed around the series, including unofficial balls, garden brunches and more. Your next opportunity arrives soon, and also requires venturing out of Australia's capital cities. Your destination: Bowral in the New South Wales Southern Highlands. Bridgerton season three is on its way, dropping four episodes in May 2024 and then four more in June this year — and to celebrate, Netflix is bringing the series into real life. This is the streaming service that set up public toilets based on Squid Game, Heartbreak High and Emily in Paris back in February, after all. In the past, it has also opened a Stranger Things rift on Bondi Beach, unleashed the Squid Game Red Light, Green Light doll by Sydney Harbour and a had pop-up Heartbreak High uniform shop slinging threads in Newtown, too. This time, it's giving a regional town a makeover. Head to Bowral between Tuesday, April 16–Tuesday, April 23 and you'll see what this patch of Australia looks like when it's harking back to the regency era. A number of spots around town will receive the Bridgerton treatment, with local businesses joining in on the fun. The idea is to make you feel like you're getting the full ton experience. If you want to dress up to fit the part, that's obviously up to you. While the bulk of the details are still vague, a few specifics have been revealed already, including the fact that there'll be a garden party at Milton Park to close out the week. To score tickets, you'll need to channel your inner Lady Whistledown — because noting what would be written about you in the series' gossip sheet in 25 words or less is how you'll enter to nab a spot at the shindig. Also, Bowral's Empire Cinemas will be hosting four free screenings of the first episode of Bridgerton's third season across Monday, April 22–Tuesday, April 23, letting you see it weeks before it makes its way to Netflix on Thursday, May 16. If you're going to treat yourself to a getaway this April, you can now make it a Bridgerton-loving getaway. And if you're a Bridgerton obsessive who lives in Bowral, prepare for plenty of company. Check out sneak peeks at Bridgerton season three below: The town of Bowral will get a Bridgerton-themed makeover from Tuesday, April 16–Tuesday, April 23. For more information, keep an eye on the event's website. Bridgerton season three will stream via Netflix in two parts, with four episodes on Thursday, May 16, 2024 and four on Thursday, June 13, 2024. Images: Liam Daniel/Netflix.
You've seen Guy Grossi on TV. You might have some of his cookbooks on your shelves. When you've been in Melbourne, perhaps you've hit up Grossi Florentino, Ombra and Arlechin for a bite to eat. Brisbanites, your next way to interact with the star chef and his culinary creations is now here, and involves heading out in the River City — and getting transported to Italy over dinner while you're there. Meet Settimo, the new restaurant that's just settled into The Westin Brisbane, and Grossi's first in the city. When it was initially announced in 2022, Grossi likened it to Italian film icon Sophia Loren, calling it "really light, fun and breezy". Now, on Mary Street in the Brisbane CBD, diners can enjoy the experience for themselves. Settimo goes all in on its Italian theme, taking specific inspiration from the Amalfi Coast. That means pairing coastal Italian dishes with Brissie's sunny, summery weather, all in an airy 150-seat space that features light, warm yet muted hues. Designed by Mills Gorman Architects, Settimo nods to the Mediterranean as much as it can — including in split-face stone, terrazzo, custom-designed terracotta, handmade brick and timber touches. Expect pastel blues and lemon yellows, too, and handcrafted furniture galore. In both the main space and the 20-person custom-designed private dining room that goes heavy on natural light — complete with floor-to-ceiling windows, and views over this part of the CBD — the menu under Head Chef Alessandro Pizzolato serves up everything from breakfast cacio e pepe omelettes through to Amalfi lemon chicken. Other highlights: pasta dishes such as gnocchi alla sorrentina (with tomato and mozzarella di buffala) and pasta al limone (with lemon, butter and parmigiano), Guy's Papa's Lamb (slow-cooked lamb covered in breadcrumbs and paired with parmigiano and sage) and pepperoni imbottiti (aka stuffed peppers). There's also a $50 set lunch, plus $120 and $150 set-menu dinner options, if you'd prefer the venue to do the choosing for you. And for dessert, the range includes Settimo's own gelato, Grossi's tiramisu, and flourless chocolate cake with ricotta ice cream. As for the drinks lineup, it preferences Italian wines, and also Australian winemakers favouring Italian wine varieties.
Anything the Gold Coast can do, Brisbane can do too, right? Well, maybe not when it comes to beaches — but as far as evening market get-togethers are concerned, we can give it a good try. That's exactly what the Mt Gravatt Marketta is doing. A sibling shindig to the beloved Miami Marketta, it's bringing food from Good Food Catering Co, The Frying Piggy Food Truck, Little Havana Food Truck, Barbecue Mafia, Heven-yah Gelato, Little Wahaca, Samba Catering Co and more to Mt Gravatt Showgrounds every Saturday evening from 4-10pm. Plus drinks and music, of course. And, it's not just the GC that the new event is trying to emulate — it's also a popular hangout on the other side of the river. If wandering around a market, filling your stomach at food stalls, listening to live tunes and grabbing a few beverages sounds a little like Eat Street, that's because it's supposed to.
Sometimes ice cream speaks louder than words. And on the topic of marriage equality, where words of support from 72 percent of Australians hasn't made much of an impact on policy makers, making a statement with frozen dessert is worth a shot. That's what Ben & Jerry's are doing with their latest push in the campaign for Australian marriage equality. They've partnered with The Equality Campaign (formerly Australian Marriage Equality) to ban punters ordering two scoops of the same flavour in their Australian stores until marriage equality is achieved. That's right: no more double scoops of New York Super Fudge Chunk. Using its scoops as a symbol, the ice cream giant is also offering an in-store postal service across their 26 stores nationwide, allowing patrons to write a message in support of marriage equality to their MP — these will then be hand-delivered by the Ben & Jerry's team. The in-store service will only be available from May 22 through June 9, but you can also have your message faxed to your local MP through The Equality Campaign website, which directs you to your specific MP by area code. This small, yet timely move is made in advance of the next parliamentary sitting on June 13 and is meant to keep marriage equality at the forefront of parliamentary debate and make it easier for Aussies to communicate their support of LGBTQI+ rights to the government. The Ben & Jerry's brand has a history of commitment to social justice and has been particularly focused on marriage equality in recent years, notably with their 2013 launch of the I Dough, I Dough ice cream flavour and campaign. The flavour will be back in stores this month to further hit the message home — but only one scoop at a time. The debate around marriage equality has continues to garner support from big brands, with Airbnb's 'incomplete' rings, Skyy Vodka's Cheers to Equality campaign and Qantas CEO Alan Joyce confirming the airline's support of the issue. And, on the opposite side of the equation, let's not forget the consumer boycott against Coopers after The Bible Society released a tone-deaf video trivialising marriage equality. Maybe losing the freedom to choose our own ice cream flavours will force some policy makers to spring into action. The Ben & Jerry's same-flavour ban will be instated across their 26 Australian stores. You can drop off a letter to your local MP at your nearest store until June 9 or send it over via The Equality Campaign website.
Queenslanders, get ready to flash your dazzling smiles in more places — including indoors. When the state hits the 80-percent single-vaccinated mark among eligible residents, mask rules will change, with covering your face no longer required inside in public spaces. Even better: that single-jab threshold is set to be hit either today, Tuesday, November 9, or tomorrow, Wednesday, November 10. A statement from Queensland Premier Annastacia Palaszczuk announcing the news noted that Queensland was at 79.6 percent late yesterday, Monday, November 8 — so yes, we really are that close. Wearing masks has been a regular part of life in Queensland throughout the pandemic, with the requirements changing with frequency in the state's southeast — since the end of June in particular, thanks to multiple brief lockdowns and several stages of restrictions. Then, in mid-October, the Premier revealed Queensland's roadmap towards reopening its borders, with various travel rules set to ease at the 70-percent and 80-percent double-vaccinated thresholds. Now, ditching masks indoors at the 80-percent single-vaxxed mark is kicking in first. As a result, in the coming days, masks will no longer be required inside at cafes, pubs, clubs, hairdressers, workplaces and schools, in a change from the current requirement to keep covering up indoors in public unless you're sitting down, entering or exiting hospitality venues, or eating or drinking. BREAKING: Masks will no longer be required when 80% of eligible Queenslanders have received at least one dose of a COVID-19 vaccine 😷😁 That means no masks indoors including schools, cafés, pubs, clubs, hairdressers and workplaces. pic.twitter.com/NM1MHQMn2g — Annastacia Palaszczuk (@AnnastaciaMP) November 8, 2021 That said, Australia still has a standing mask mandate for flights and airports, so you'll need to keep masking up there. Also, masks will remain strongly recommended if you're on public transport, and also if you can't socially distance — either indoors or outside. "This is another small step back towards life as normal," said the Premier. "The more of us who are vaccinated, the faster we return to life the way it used to be. That means life without the need to wear masks except at airports and on planes." For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website.
Getting into festive mood? Prefer to do your shopping while the big day is still a few weeks away? Hate leaving your Christmas preparations until the last minute? Then pencil one of the year's must-attend Yuletide markets into your calendar: the Milton Christmas Twilight Markets. Formerly known as Christmas on Cribb, this is the Milton Markets' seasonal shindig, and it's taking place on Saturday, November 26 from 4–10pm this year. And sure, you've been to markets before; however, his festive event boasts plenty to get excited about. Here, you'll get your food and gift plans sorted, and lap up music and entertainment while you're there. This Cribbmas, you can also enjoy everything from gourmet food to artisanal wares — and, based on past years, there are usually more than 150 stalls on offer. Grab bites you'll want to eat on the night, produce for your big feast, and presents for your loved ones (and yourself). Plus, there'll be a pop-up bar onsite in case you need a break from the browsing and buying — or an extra excuse to feel merry. Entry costs $2 at the gate, and you can pay $2 more for VIP parking.
It doesn't matter what the weather holds for Suzie Sakamoto: with her husband and son missing when Apple TV+'s Sunny begins, the series' titular term can't apply to her days. An American in Kyoto (Rashida Jones, Silo), she's filled with grief over the potential loss of her Japanese family, anxiously awaiting any news that her spouse Masa (Hidetoshi Nishijima, Drive My Car) and their boy Zen (debutant Fares Belkheir) might've survived a plane crash. She'd prefer to do nothing except sit at home in case word comes; however, that's not considered to be mourning in the right way according to custom and also isn't appeasing her mother-in-law (Judy Ongg, Kaseifu no Mitazono). When Suzie soon has a robot for company, an unexpected gift from Masa, dwelling in her sorrow doesn't appear to be what he'd want in his absence, either. In this ten-part series, which adapts Colin O'Sullivan's 2018 novel The Dark Manual for the small screen and starts streaming from Wednesday, July 10, 2024, the technology that's quickly immersed in Suzie's existence is a homebot. The artificial-intelligence domestic helpers are everywhere in this near-future vision of Japan, aiding their humans with chores, organising tasks and plenty more — everywhere other than the Sakamoto house with its firmly anti-robot perspective, that is. Amid asking why her husband has not only sent the eponymous Sunny her way, but also why it's customised specifically to her, questions unsurprisingly spring about his true line of work. Has Suzie been married to a secret roboticist, rather than someone who designs refrigerators? What link does his job have with his disappearance? How does someone cope in such an already-traumatic situation when the person that they're possibly grieving mightn't be who they've said they are? Often with a science fiction twist, Apple TV+ can't get enough of mysteries. Approaching five years since the platform launched in late 2019, that truth is as engrained as the service's fondness for big-name talent, including across Severance, The Big Door Prize, Hello Tomorrow!, Silo, Monarch: Legacy of Monsters, Constellation, Sugar and Dark Matter. Thankfully, there's no content-factory feel to this lineup of shows, or to the streamer's catalogue in general, which is one of the best on offer in the online fight for eyeballs. Sunny's closest equivalent hails from beyond the brand, bringing Charlie Brooker's Channel 4-started, now Netflix-made Black Mirror to mind, but even then it's far more interested in its characters than their relationship to technology. That said, that people and how they use tech remain the real enemy, not gadgets and advancements themselves, hums at the core of both series. Indeed, Sunny proposes a radical path forward for Suzie, especially at a time IRL when generative AI has been making its presence known, and rarely for the better. Creator, showrunner and executive producer Katie Robbins (The Affair) takes her human protagonist down a route where the program's namesake, which matches a WALL-E vibe and emoji-leaning face with the cheerful voice of Barry, I Love That for You, Quarantine and Emma Approved's Joanna Sotomura, is perhaps the only thing that can be trusted. There's no shortage of other flesh-and-blood characters around Suzie, with some kindly and others patently nefarious. Bartender Mixxy (singer/songwriter Annie the Clumsy, Miss Osaka) falls into the first category. The platinum-blonde Hime (You, 9 Border), who seems to have a history with Masa, sits in the second camp. But with her world constantly being turned upside down and her usual confidante in Masa gone, technophobe Suzie might only be able to put her faith in the machine that's now ceaselessly by her side. A show such as Sunny, which is a comedy, drama, thriller and slice of dystopia all in one — alongside an odd-couple buddy pairing, plus a series with multiple puzzles, a stack of technology-driven and existential questions, and a probing of the human condition — needs two things beyond its compelling narrative. If viewers couldn't feel the confidence infused in this delicate mix of components, the show would crumble like circuitry haphazardly jammed together. If audiences couldn't sense the ambition to do far more than join dots as well, Sunny would similarly fail to compute. Not just thanks to its penchant for cliffhangers, this is a mystery with more always on the way, and one that adores teasing out its intricacies in a lived-in world that no other series can call home. That's assurance. That's initiative. Diving in is like strolling through Tokyo: there's always a new lane to mosey down, whether in the pursuit of solving the storyline or unpacking Suzie. The Dark Manual of O'Sullivan's moniker pops up as a hacker guide to customising homebots. Here, the plot also thickens. Still, as the yakuza feature, flashbacks tease out Suzie and Masa's meet-cute, the latter's time as a hikikomori — the portion of the Japanese population who choose to actively withdraw from society — is weaved in and surveillance is ever-present, Sunny never lets the avalanche of developments and threads that keep fuelling its tale become its sole or even main attraction. As penned by a seven-strong writing team led by Robbins with backgrounds on Bunheads, The Staircase, Apples Never Fall, Hit-Monkey, Tiny Beautiful Things and more, this is gripping and addictive viewing. It's a show to sleuth along with. Its retrofuturistic look and Saul Bass-esque opening credits are worth returning for again and again. Nonetheless, Sunny wouldn't connect if didn't value the personal and the human angle of being cast adrift from everything that you relied upon with no certainty about where to turn. Aided by being played by Jones, who so expertly married optimism and cynicism as Parks and Recreation's Ann Perkins — as she had to as the midpoint between Leslie Knope and Chris Traeger versus Ron Swanson and April Ludgate — Suzie is a character of unflagging determination crashing against mourning and anguish. She yearns with hope, as everyone does, for a lost loved one to re-emerge. She couches everything, including that longing, in sarcasm. That she journeyed to Japan to escape past woes, her lack of friends beyond her family and her alienation by refusing to learn the language all help construct a complex portrait. Also assisting: even simple moments, like swigging wine on the toilet. It isn't a secret that bounding through chaos is more relatable when the external tangle that greets a character reflects their inner jumble, as Jones anchors at the heart of her performance. The Boston Public, The Office, Celeste & Jesse Forever, Angie Tribeca and On the Rocks star in never-better territory, in fact, as she must've spotted the potential for; she's also among Sunny's executive producers. New TV arrivals of mid-2024 are now two for two when robot companions are involved. Fantasmas is the other. They're also two for two in world-building and production design that plunges viewers into screen spaces that resemble nothing else, which is no small feat for Sunny with Japan as its setting. Another commonality: not merely making audiences grateful that the non-stop flow of new streaming series can keep delivering programs this unique, but sparking a hunger for more to come. That's the sunny side of more TV begetting more TV and then more still, because a heaving crowd is always made up of individuals. Few new streaming arrivals of late are as distinctive as Fantasmas and Sunny, though. Check out the trailer for Sunny below: Sunny streams via Apple TV+ from Wednesday, July 10, 2024.
The chef behind of Brisbane's favourite Japanese eateries is opening an izakaya at one of the River City's top new events for 2023. The figure: Taro Akimoto from Taro's Ramen, one of Brissie's best spots to get slurping. The new venture: a pop-up at Brisbane Powerhouse. And the event: Night Feast, the neon-lit night food market that returns for a month of delicious dishes in October. Akimoto is joining forces with Sapporo for Sapporo Izakaya by Taro, one of the new additions to Night Feast's second season from Wednesday, October 4–Sunday, October 29. The chef responsible for Taro's Ramen's four outposts will be in charge of the menu, while Sapporo ambassador and beer sensei Shinichiro Shimo will pair his dishes with brews, all in a space that's been designed and crafted to bring a classic Japanese restaurant experience to New Farm's riverside. That's just one of Night Feast's upcoming October highlights. Coming back for season two in 2023 was always in the works, with the event announced in 2022 as a twice-yearly affair. It debuted in March to great success — more than 125,000 people ate and drank their way through the night market's first-ever season, with 67,258 wontons, 28,352 skewers and 6306 oysters devoured in the process — and now aims to beat that with its winning blend of food, booze and art. One key difference, of course, is celebrating spring instead of autumn. Eateries Donna Chang, Gerard's Bistro, E'cco Bistro, Dalton Catering, Saison Salumi, LouisB, Lek's Thai, Mary Mae's, Hoy Pinoy, Wonderbao, Anchelee and Bugsters don't care about the change of season, locking in their second round at Night Feast after also serving up bites in March. This time, they'll be joined on the food lineup by Essa, Nota, Southside, Bar Alto, The Green and Nosferatu Gin (who'll also be doing dessert), as well as MAYA and La Mano. Exactly what each eatery will be dishing up hasn't been revealed as yet, but duck, waffles and birria tacos are being teased, along with a mezze spread. Communal dining is one of Night Feast's big focuses — including in the returning garden lounge — plus having the restaurants taking part in Night Feast to dish up the absolute top thing on their menus. In March, that meant tucking into every spot's signature options, just by the river in New Farm. Entertainment-wise, attendees can look forward to For Whom the Bell Tolls, Bridie Hooper's mix of circus and the sounds of, yes, a bell; a wandering serenade by The Huxleys, who are also on Brisbane Powerhouse's LGBTQIA+ MELT Festival's lineup for spring; and Multitudes by Tin and Ed, aka ten lit-up giants that'll tower over the precinct (and, thematically, offer a fitting successor to Amanda Parer's Fantastic Planet in March). Live tunes will provide by a soundtrack by a roster of talents that includes Hol Hibbo, Aunty Stan, Benny Chiu, Dameeeela, Josh Armour, Neesha Alexander and more — and QUIVR DJs will bring the beats. Images: Pixel Frame / Markus Ravik / Lachlan Douglas.
Adelaide songsmith Jesse Davidson has been called prodigious and a wunderkind — and those Jeff Buckley comparisons just won't shake. This June and July, Davidson's taking his minimalist acoustics and dreamy vocals on tour, his first solo effort. The tour is set to draw a considerable loyal following who'll want seriously in-grill "I saw Jesse Davidson before anyone" bragging rights. Since being a runner-up in triple j's 2012 Unearthed High competition, the 18 year old has been signed for a Warner development deal, toured with Mac DeMarco and Ball Park Music, co-headlined with Eves, been signed to booking agency Select Music, finished school and released his debut EP Ocean — making you feel really great about having a good few years on him and feeling terribly unaccomplished in comparison. Davidson will play tunes from the Ocean EP, including 'Flaws' and the buoyant 'Big Bois Gotta Eat'. If you can brave the frosty winter nights, his deep baritone — mature beyond his years — is sure to warm you up. https://youtube.com/watch?v=hR4b_JAg7KI
