Keen to escape your house by heading to a cinema over the upcoming weekend, but your wallet doesn't want to play ball? Call Dendy Portside's latest special a case of great timing, then. To celebrate the venue's reopening after COVID-19 lockdowns, it's offering up discount tickets between Friday, August 7–Monday, August 10 — whether you purchase online or at the box office, you'll only pay $10 for your movie of choice. Or movies. With everything from The Personal History of David Copperfield and Babyteeth to Unhinged and The King of Staten Island currently screening, too — plus older titles such as The Greatest Showman, Mad Max: Fury Road, Moana, Breakfast at Tiffany's and the John Wick trilogy as well — there's plenty to watch if you're keen to spend as much time in a darkened room as possible. The special isn't available for special events, Dendy Arts sessions or preview screenings, but you're certain to find something to watch regardless. And if you're buying online, there's a $1.50 booking fee too. https://www.youtube.com/watch?v=PLNXHJB5Mto Dendy Portside's $10 ticket offer is available from Friday, August 7–Monday, August 10. Top image: Kgbo via Wikimedia Commons
Slow motion drips, close-up pourovers, helicoptered overheads of sprawling plantations — Brandon Loper knows how to write a love letter to his favourite bean-shaped subject. Premiering his straight-up stunning A Film About Coffee in Seattle in April, Loper's celebrated project has been subject to pretty limited screenings worldwide. Lucky for coffee fiends and doco lovers, the film is now available to stream online (for a teeny fee, just over the price of a cappuccino). Created with adorably-named production company Avocados and Coconuts, A Film About Coffee is an indulgence for the eyes and a bit of a wake-up call (fittingly), meandering through the story of specialty coffee from its organic beginnings to your morning cup. Loper's jaw-dropping cinematography makes for some serious foodporn — any hardcore baristas or coffee tragics need to get over here — but also captures some intimate interviews with the world's top coffee aficionados (featuring Kent Bakke, Devin Chapman, James Freeman, Katie Carguilo, Chris Owens, Darrin Daniel, Peter Giuliano, Eileen Hassi Rinaldi, Kyle Glanville, George Howell, Michael Phillips, Ben Kaminsky and Kevin Bohlin). While the film is scheduled to screen throughout Europe, the UK, US and Canada, plans haven't yet been announced for an Australian screening. For now, you can rent the film at home and stream until your caffeine addiction's content. Just throw the team a measly $4.99 for a 72-hour streaming rental (or $12.99 to own it, if that's a Thing any more) and hold your own screening with all the cheaper-than-Event-Cinemas popcorn you bloody well want. Here's the trailer, so, so pretty. Via Daily Coffee News.
The great streaming service rush, when new platforms seemed to appear every few weeks or so, is a few years in the past. Australia might still be scoring another spot to watch TV shows and movies, however — and it's a hefty one. It looks like Max, HBO's own dedicated streamer, is exploring launch Down Under, and soon. In fact, you might be watching The Last of Us, The White Lotus and Euphoria on it when they return for their next seasons. All three HBO hits are due to make a comeback in 2025, which is also when it's suspected that Max will arrive in Australia. At present, the US network's shows largely screen and stream to Aussie viewers via Binge and Foxtel. When the former launched, boasting HBO's catalogue was one of its big selling points. The deal between Binge, Foxtel and Warner Bros Discovery — which owns HBO — was extended in 2023, but it was reported at the time that Max might debut in Australia from 2025. That timing is now popping up again, with Bloomberg noting in early March that "Max will expand into new markets, including France, Latin America and Australia, in the next 18 months". Speaking at the Morgan Stanley 2024 Technology, Media & Telecom Conference also in early March 2024, Warner Bros Discovery CEO and President of Global Streaming and Games JB Perrette mentioned Max expansion plans, naming Australia as a market. "If you think about other markets, like two big Anglo markets — UK and Australia — our content travels extremely well," he said. "We know how well our content does on both existing legacy platforms, and it drives a significant amount of the viewership." "So the demand is there, and there's unquestionably easy access, because ultimately we don't have a huge amount of local originals we have to invest in. There's not a lot of other costs. And so those are markets where we are very confident — we have high confidence we can actually meet the criteria of being successful in a relatively short period of time after we launch," Perrette continued, without referencing a timeframe. The Sydney Morning Herald reports that sources advise that Max could launch in Australia 2025's first three months. Originally named HBO Max, Max debuted in America in 2020, and has been rolling out through Latin America, the Caribbean and parts of Europe since. Moving HBO's catalogue away from Binge and Foxtel would impact a huge number of shows, with the network also behind House of the Dragon and any other Game of Thrones spinoffs that make it to fruition, True Detective, And Just Like That..., The Rehearsal, upcoming The Batman spinoff The Penguin and the also-on-the-way IT prequel series that's currently called Welcome to Derry — to name just a few series that are on their way either back or for the first time. HBO's past original programming spans everything from The Sopranos, Six Feet Under, The Wire, Oz, Deadwood, Big Love, True Blood, Big Little Lies, Westworld and Succession to The Larry Sanders Show, Sex and the City, Flight of the Conchords, Bored to Death, Girls, Veep, Barry and Enlightened. Check out HBO's 2024–25 roundup trailer below: Max doesn't yet have a launch date in Australia — we'll update you when any details are announced. Via Bloomberg / Sydney Morning Herald. Top image: Macall Polay/Max.
This is not a travel guide. This is a local's map of Sydney. These are the five places where Sydney Underground Film Festival co-director Katherine Berger goes to recaffeinate, play, rummage, work and party. SUFF is on Thursday to Sunday this week. Since 2007, the festival has been dedicated to fostering a truly alternative and experimental film culture in Sydney. In the past, it has premiered Oliver Stone's South of the Border, revisited cult classics like Red, White and Blue, and given a platform to emerging filmmakers working out on a limb. Check out our preview or buy tickets online. And keep an eye out for Katherine's upcoming lo-fi mockumentary Zombie Massacre III. 1.BEST URBAN PARKLAND: SUFF OFFICE/CALLAN PARK, ROZELLE SUFF finally moved from working out of a lounge room into a nice big office at Sydney College of the Arts (a wonderful form of sponsorship!). It's complete with retro bar bought on eBay for $30! I also love that that the college sits within Callan Park, Rozelle; where there are so many interesting nooks and crannies to discover – hidden gardens, a bamboo forest, water views, decrepit old buildings and even an informal cat sanctuary! 2. BEST NEPALESE FOOD: EVEREST KITCHEN, MARRICKVILLE Just off Marrickville Road on Victoria Road is Everest Kitchen, one of my favourite restaurants. I love the food here and always kick off with the vego traditional entree set. I could eat the soy bean salad and dumplings with beaten rice all day! 3.BEST OP-SHOPPING ADVENTURES: ANGLICARE, SUMMER HILL My Saturday morning ritual is first coffee then getting to the Anglicare Charity Store Depot on Carlton Crescent in Summer Hill by 9am. It's hilarious watching the eager shoppers inch forward and then basically run when they open the doors! Here you can buy second-hand clothes by the kilo ($8) and all shoes are $5. I strongly believe in op-shopping and rarely ever buy new clothes (could be my lack of budget also!) but I do believe we are a culture of over-consumption. Mind you, I probably over-consume in vintage shopping! 4.BEST COFFEE IN THE VILLAGE:THE DRUGSTORE, SUMMER HILL I live in Summer Hill, which I think is a great little suburb or village as it’s referred to. However, what blows my mind that in an area of basically two streets there is now ten cafes! I just imagine what if one day there was no more coffee beans? But I have to say the latest café to open, The Drugstore, is pretty cool. It's decked out all retro with neon lights, quality coffe and top-notch baristas. (PS. Plus it's right next door to Vinnies!) 5.BEST LOCAL VENUE:THE FACTORY THEATRE, MARRICKVILLE The Factory Theatre has been home of the Sydney Underground Film Festival since its inception 6 years ago. This venue suits the festival for its location in a somewhat of an industrial area (it used to be a printing factory), plus they have always allowed us to show some weird, messed up, crazy, and sometime quite risqué films - so they are pretty cool in our book.
It's been more than three years since City Winery opened its doors in Fortitude Valley, giving Brisbane its first inner-city winery — but it's been four since Carl's started pouring vino. Initially, the latter was meant to be a six-month pop-up before the crew's flagship Wandoo Street venue launched; however, it has kept welcoming in customers ever since. That'll change come Sunday, September 25, with the hole-in-the-wall wine bar and bistro closing in its current spot — for the best possible reason, because it has outgrown the space. So, while it is shutting the doors on Wyandra Street, Carl's will open them again in a yet-to-be-revealed new location sometime in the near future. "We did think this day might come," said City Winery co-founder Adam Penberthy. "Our little home on Wyandra Street has been extraordinary — we've hosted everyone from the German Ambassador through to small weddings and probably half of the New Farm peninsula in the pint-sized wine bar, it's been a truly remarkable venue and the local support has been phenomenal." Exactly where Carl's will move to can't yet be announced because Penberthy and the team are still looking at spaces. "We're in advanced discussions with a couple of landlords, and will hopefully be sharing the news of where Carl's will be moving too very soon," Penberthy said. View this post on Instagram A post shared by Carl's (@carlsnewstead) Unsurprisingly, the bar and bistro's existing 22 Wyandra Street site holds plenty of memories — and the City Winery crew are keeping the tenancy. Expect a new concept to open in Carl's OG place, also soon and still with a big focus on vino. "We're not sharing too much about the new concept just yet, but lets just say that Newstead locals won't have to walk too far for a wine in the not-too-distant future," Penberthy advised. [caption id="attachment_827153" align="alignnone" width="1920"] City Winery, Kiff & Culture[/caption] Find Carl's Bar and Bistro at 22 Wyandra Street, Newstead until Sunday, September 25. We'll update you with details of its new location — and its replacement on Wyandra Street — when they're announced.
Musical theatre fans just keep getting more reasons to celebrate Jonathan Larson. In the past few years, none other than Hamilton's Lin-Manuel Miranda took one of the composer, lyricist and playwright's works and turned it into a movie. After tick, tick…BOOM! hit screens, a stage production toured Australia as well. Next, Aussie audiences can catch the show that made him an icon: Rent. In 2024, it too will do the rounds Down Under, kicking off in Brisbane in January. Larson created and composed the smash-hit production. Also, his Rent journey comes with quite the heartbreaking behind-the-scenes story. In the 90s, Larson passed away at the age of 35 on the day that that now-huge show premiered its first off-Broadway preview performance. So, he didn't get to see the Tony Award- and Pulitzer Prize-winning phenomenon that it would become. Plenty of other people have — when it first hit Broadway, Rent ran for 12 years, making it one of the famed theatre district's longest-running shows. And among those prizes is the Tony Award for Best Musical and the Pulitzer for Drama, all for a tale about seizing the moment, facing adversity and finding one's community. Loosely based on Puccini's La Boheme, and written to include real-life locations and events, the rock musical will bring tunes including 'Seasons of Love', 'Take Me or Leave Me' and 'La Vie Bohème' to Brisbane's QPAC Playhouse, then head to Arts Centre Melbourne, the Civic Theatre in Newcastle, Perth's His Majesty's Theatre and Canberra Theatre. If you need a refresher on the story — or you're coming to Rent for the first time, having missed past performances and the 2005 film version — then prepare to step back to New York in 1991. Over the course of the year, as their neighbourhood is being gentrified and HIV/AIDS casts a shadow, a group of friends chase their dreams and strive for their place in the world. "With Rent, Jonathan Larson unleashed a phenomenon — it would be difficult to find someone who hasn't at least heard of it. Rent is the musical of the 1990s and the early-aughts but it has proved itself timeless," said producer Lauren Peters, announcing the new Aussie run. "The characters who live in the East Village of 1990s New York navigate that which resonates so deeply with us in Australia in 2024: cost-of-living pressures, the threat of preventable disease, the subtle feeling that all the ways in which we can now communicate belie our disconnection." "And all of this sounds terribly heavy but Rent somehow takes all this and turns it into a joyous celebration of connection, chosen family and life itself — and it's that joy in the face of all of life's adversity and opportunity that is perhaps best captured in its iconic number Seasons of Love, a song which has achieved the rarest of Broadway feats and transcended the show for which it was written," Peters continued. View this post on Instagram A post shared by RENT: The Musical (@rent_2024) RENT AUSTRALIAN TOUR 2024: Saturday, January 27–Sunday, February 11 — Playhouse, QPAC, Brisbane Saturday, February 17—Thursday, March 7 — Arts Centre Melbourne, Melbourne Friday, March 15–Sunday, March 17 — Civic Theatre, Newcastle Saturday, May 11–Sunday, May 26 — His Majesty's Theatre, Perth Saturday, June 7–Sunday, June 16 — Canberra Theatre, Canberra Rent will tour Australia in 2024 — head to the musical's website for further details and to sign up for the ticket waitlist, with Melbourne pre-sale tickets available from Monday, September 25 and Brisbane pre-sale tickets available from Tuesday, October 3. Top image: Team Dustizeff via Wikimedia Commons.
Perpetually moody rockers Sonic Youth are selling some of their vintage equipment and gear in order to raise money for Shelter Box USA, a charity devoted to responding "instantly to natural and manmade disasters by delivering boxes of aid to those who are in most need." The band has already put several items up for sale on eBay with more expected to come in the next few days. For those interested there is a xylophone that was used in the recording of Daydream Nation's 'Kissability', a 1970s Rhythm Ace Drum Machine, a very odd looking glockenspiel, an array of guitar road weary guitar cases complete with band stickers and even a custom-made mixer that was built for the band and used on stage by bass guitarist and vocalist Kim Gordon. So far the best buy looks like the xylophone, which is by far the cheapest item going for just $50. But then again it is hard to go past a vintage 1970s drum machine. https://youtube.com/watch?v=rK9QkjXm0I8
There’s no doubt that music can have an intense effect on your disposition. If it’s one of those days when you’ve woken up in a fog of negativity, sometimes the only answer is to put on your favourite misery album (mine used to be Nina Simone’s Greatest Hits) and wallow. But whilst cathartic, it doesn’t often leave you bouncing out the door. If anything you’ll end up clutching a box of tissues and feeling sorry for yourself. Which is why the website Emotional Bag Check is such a brilliant idea. This new site lets you unload your worries to a perfect stranger, who will in turn read it and send you a song they think will make you feel better (or at least let you sing along to someone else’s heartbreak). And if you’re feeling the urge to spread a little cheer, then you have the chance to give back by reading someone else’s baggage and suggesting a song of your own choosing. You can even include a message if you think you have some worthwhile advice, making a real, helpful and meaningful connection over the internet. I dumped my own emotional baggage and got 'Are We There Yet' by Ingrid Michaelson, sent as a link to Grooveshark, a free music website that lets you immediately listen to your medicine. I didn’t mind the song at all, so thought I’d give back and picked up some baggage about a kid who kept getting Cs in one of his subjects and was pretty bummed. I sent back ‘Vintage Books’ by Cloud Control, not because it really had any relevancy but because it makes me pretty happy and thought it could do the same for my patient. There’s a lot of Katy Perry and Bob Marley in the list of most sent songs, so if you think you have a slightly more diverse compendium of tunes, you may be just the right person to pick up some baggage and share the blues.
It is often said that imitation is the sincerest form of flattery. However, there is considerable argument about who first said it. In this post modern era, it has been well argued that everything worth doing has probably already been done. And as anyone who has raided their grandparents' wardrobe for vintage classics will tell you, fashion and design are cyclical. Despite all this, as a culture we still value and believe in authenticity, innovation and originality. And we support the rights of artists and designers to sue the pants of anyone who wittingly rips their ideas off. But what if you unwittingly rip some off yourself? What if, by chance, two artists independently come up with the very same idea? Is that impossible? And where do you draw the line between being influenced by someone and blatantly copying their ideas? Where does referencing end and plagiarism begin? These are the questions which occupy retired professor of Graphic Design Bob Caruther, and are the theme behind his flickr page entitled, Similarities. In this extensive collection, Caruther pairs up two or more similar images without making either comment or judgement. In many pairs the similarities were well-intentioned, as for example in Rufus Wainwright's homage to Judy Garland and The Clash's homage to Elvis Presley. However, in other examples, intentions are not quite as clear, leaving the viewer to contemplate whether the later image is a coincidence, proof of an artistic collective unconsciousness, or grounds for a lawsuit. We'll let you decide.
What do candles, lip balm, lube and body wash all have in common? Here's the tastiest answer: buy a particular kind and they'll get you a-hankering for dessert. Because Gelato Messina adores ice cream-flavoured everything and it also adores collaborations, the sweet treat chain has spent the past few years teaming up with Maison Balzac, Lanolips, Standard Procedure and now Sundae Body — with the latest partnership serving up gelato-flavoured shower foams. Launching on Tuesday, April 11, and only available via Priceline and Messina and Sundae Body's websites, this new range lets Messina fans get their fix in body wash form. Get ready to get lathering in four flavours: strawberries and cream, lemon meringue pie, raspberry sorbet and lamington. Messina's affection for the humble lamington clearly knows no bounds, and nor should it — after the brand turned the coconut-covered cake into gelato, then sticky scrolls, chocolates and gelato bars, before now this. As its growing range of merchandise and other non-edible items shows, it's just as dedicated to spreading the ice cream love in as many forms as possible. And, to getting your tastebuds craving its gelato when you're scenting your home, protecting your smackers, slipping between the sheets and bathing. The limited-edition Sundae x Messina collection is made in Australia, featuring vegan and cruelty-free formulas based on Messina's gelatos, and also free from parabens and sulphates. Each shower foam comes in a container inspired by the dessert chain's waffle cones, too. And, if you'd like to try all four, Sundae Body is selling bundles featuring one of each for $68. "It's not every day you can take Messina into the shower and come out sparkling clean. We've loved creating four gelato-flavoured body washes and can't wait to get these into your hands to enjoy," said the Messina team. "Sundae Body is all about serving you delicious-smelling and fun everyday products and we couldn't think of a better brand to align with than Gelato Messina," advised Sundae Body co-founder Lizzie Waley. The Sundae x Messina collection is available from Priceline stores, the Messina website and Sundae Body's website from Tuesday, April 11.
You're invited to take a rare glimpse into the life of Frida Kahlo, when photographs from the famed Mexican artist's personal collection land at the Bendigo Art Gallery this December. Travelling exhibition Frida Kahlo, Her Photos will be on show in Victoria from December 8, 2018, until February 10, 2019, featuring a sprawling selection of 257 images curated by Mexican photographer and photography historian Pablo Ortiz Monasterio. The collection travels through Kahlo's fascinating life, speaking to the artist's lifelong passion for photography — an art form that regularly influenced her own work. The photos have been pulled from the archives of the Casa Azul (Blue House) — Kahlo's former home, which has been made into a museum celebrating her life and art. You'll spy gems that have only been on public show since 2007, capturing Kahlo's family moments, her love for Mexico and its traditions, her passions, friends and enemies, the era's political struggles, and even the artist's lengthy hospital stay following an accident in 1925. The exhibition also features shots from Frida contemporaries including Fritz Henle, Man Ray, Tina Modotti, Edward Weston, and Lola and Manuel Alvarez. Images: Frida painting a portrait of her father, by Gisele Freund, 1951, courtesy Frida Kahlo Museum; Diego Rivera (in his study at San Angel_, Anonymous, 1940, courtesy Frida Kahlo Museum.
Watching a film can transport you to another place — and, at Palace Centro from January 26 to 29, it can transport you to another period, too. To be specific, you'll feel like you're jumping back to a time when movie tickets were only $5. The last time a trip to the flicks was that cheap was when Palace did the same thing last year. The four-day offer is the perfect way to celebrate the public holiday and the days that follow, particularly if you're avoiding the heat and sitting in a darkened room is among your favourite pastimes. Sure, you might already have other plans — but who isn't tempted by the thought of going to the cinema for a fiver? The lineup of films is certain to prove just as enticing, with everything from La La Land, Arrival, Lion and Jackie to Paterson, Elle, The Edge of Seventeen and A United Kingdom currently screening. Catch rightful awards darling Moonlight on its opening day, or go gangster with new release Live By Night. At $5 per ticket, if you time it right, you can probably watch all of the above.
Summer mightn't be here just yet but, thanks to Brisbane's sunny climate, pool party season is. Indeed, it's kicking off with one big splash at W Brisbane, with the opulent hotel nudging everyone into the water with a huge shindig in their fourth-level rooftop pool and wet deck area. At the second of the venue's Summer Crush Pool Parties — this time named Go Troppo — you'll take a dip, sip drinks and dance the afternoon and evening away, all with a massive view over the river towards Mt Coot-tha. And, while Saturday, November 17 is just an ordinary day, you'll still be making full use of that gorgeous vantage. When you're not admiring the scenery or plunging into the pool, you'll listen to tunes spun byLuke Million, Buff Girls, Shimmy Disco and Little Fritter (who also happens to be W Brisbane's music curator Kane Dignum). You'll also knock back refreshing cocktails while feasting on a summer barbecue. Tickets cost $25 online in advance and $35 at the door, which includes a Bacardi cocktail on arrival — and as for the rest of the food and drink spread, it's a pay-as-you-go affair. The fun starts at 2pm, runs through until midnight, and bringing your togs is obviously essential.
If there's one place that no television or literature fan wants to live, it's Gilead, the dystopian society at the centre of The Handmaid's Tale. But while aspects of the oppressive community bear uncomfortable resemblances to modern society, it's thankfully a fictional construct — well, except for the name. In what proves to be a mighty hefty case of bad timing, developer Lendlease is currently promoting a new masterplanned site in Sydney's far southwest that shares its name with the republic in which The Handmaid's Tale is set. To be fair, the name Gilead actually springs from the bible, where it refers to two different regions. And, in Sydney, its use pre-dates everyone's present obsession with the Hulu TV show — and Margaret Atwood's 1985 novel — too, with an existing farmland-filled suburb first getting the moniker 200 years ago. Still, trying to promote a planned community called Gilead at the moment is both hilarious and unfortunate — and, you'd think, a bit of a tough sell. Masterplanned sites have shaped the Australian suburbs since the 50s, with developers snapping up parcels of land, filling them with houses and usually giving them scenic-sounding titles. When it acquired the land in 2015, we're sure Lendlease didn't anticipate that the dystopian novel would re-enter popular culture, but, now that it has, Gilead doesn't quite have the same ring to it. The real-life Gilead will be situated ten minutes by car from Campbelltown and Camden, and 40 minutes from Wollongong. It's described on the development website as "perfectly combining a rural lifestyle with the convenience of urban living". No mention of living under his eye, thankfully. But the 210-hectare site isn't without its non-Handmaid's controversies, either. Both before and after the area was rezoned in 2017 — making the building of 1700 new homes possible subject to final approvals — it has been met by disapproval. Locals contend that colonial and Indigenous history would be compromised by the development, as reported in the Wollondilly Advertiser, with other concerns spanning not only the site's heritage, but the wildlife and environmental impacts. Okay, now that does sound like something you might see on a dystopian TV show.
Whether you're buying for your mother, partner or sister, we've rounded up some of the top gifts for her, with a little bit of help from Amazon to help you out. We've sought out goodies for foodies, fashionistas, fitness-lovers and beauty queens. Plus, if you've left gifts to the last minute, Amazon has some of the latest delivery days out there, which is good news for those of us who tend to resort to last-minute Christmas shopping. 1. Ikigai: The Japanese Secret to a Long and Happy Life This book by authors Héctor García and Francesc Miralles is all about how to live a happy, healthy and long life, and who doesn't want to learn how to do that? The word Ikigai is the Japanese word for 'a reason to live' or 'a reason to jump out of bed in the morning'. This book will help you work out what your ikigai is and how to change your life for the better. A great read for anyone you know who's looking for a certain spark or loves learning about concepts from other cultures. 2. Asēdos Floral Vanilla Eau De Parfum You can never go wrong with gifting a new perfume. This spray from Asēdos is the perfect subtle and sweet option to gift to a woman like your mother-in-law, who has been non-specific about what scent they prefer. The top notes are pear, coffee, lemon and bergamot, while the middle notes are jasmine sambac and orange blossom. Scents of patchouli, cedar and musk round it out. 3. Gym Bag Perfect for the gym, yoga, the beach or even as a weekend bag (that fits for carry-on luggage), this duffle bag for women from VNPONV is roomy, practical and looks good. The bag comes in beige, black or grey and features a zippered waterproof PVC-lined pocket for wet clothes or towels and swimsuits, an extra-small makeup bag for easy storage and a separate shoe compartment with vents. Plus, it is made with durable and water-resistant nylon to protect your items. 4. Design Lives Here This one's for all the design lovers out there. Design Lives Here: Australian interiors, furniture and lighting is a hardcover coffee table book detailing the ins and outs of Australian design and is the perfect gift for anyone you know who spends hours watching Grand Designs re-runs. The book showcases the best of Australian residential architecture and interiors, featuring many homes from local designers and makers. 5. Bracelet Watch The Anne Klein Women's Genuine Diamond Dial Bracelet Watch is so gorgeous to look at. It's hard to imagine anyone would be disappointed finding this under the Christmas tree this year. The intricate watch features a mineral crystal lens with a green sunray dial with rose gold-tone hands and markers. The allure doesn't stop there – a rose gold-tone adjustable link bracelet, jewellery clasp and extender paired with Japanese quartz movement are the perfect finishing touches. 6. Bamboo Bathtub Tray The ultimate gift for the women out there who don't take any time to relax, this Wooden Bath Caddy Tray is perfect for long, relaxing baths with a book and a glass of wine. Its extendable design means you can adjust the tray to fit your tub with slots, so when you slide the wine glass into the slot, it won't tip over. Its sleek bamboo design is also perfect for elevating the overall bathroom aesthetic. 7. Ottolenghi Test Kitchen: Shelf Love Another gem from the massively popular cook Ottolenghi, The Ottolenghi Test Kitchen is all about creating inspired recipes using humble ingredients. Whether you're buying for a newbie in the kitchen or for a seasoned cook who sometimes wants to keep things simple and easy, this book is a godsend. Expect dishes like a one-pan route to confit tandoori chickpeas and a tomato salad, just to name a few. 8. Ceramic Bowl Set A great gift for the women in your life who have an obsession with ceramics and homewares or for someone who just moved house, this set of six bowls from HUIRUMM is the perfect colourful addition to any kitchen. The bowls are safe for dishwashers, microwaves, ovens and freezers and the perfect size for cereals, soups, ice cream and side salads. 9. Louis Vuitton Catwalk If you know a lady who loves fashion, then this hardcover book by Jo Ellison may be the perfect gift. The book details the story of luxury brand Louis Vuitton, opening with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director, and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organised chronologically. Even if they don't read it, having this perched on the bookshelf is almost as fashionable as the clothes from the brand itself. 10. Ceramic Jewelry Tray Dish Have you noticed your girlfriend or sister's jewellery strewn all over the house? Enter the BIGPIPI Ceramic Jewelry Tray Dish. Designed in a cloud shape, this tray features a smooth, ceramic surface and will help organise and protect jewellery and other items you reach for daily, like keys, skincare and makeup. Plus, it also makes a nice decoration on the bedside table. Images: Supplied. This article contains affiliate links, Concrete Playground may earn a commission when you make a purchase through links on our site.
Twin gynaecologists at the top of their game. Blood-red costuming and bodily fluids. The kind of perturbing mood that seeing flesh as a source of horror does and must bring. A stunning eye for stylish yet unsettling imagery. Utterly impeccable lead casting. When 1988's Dead Ringers hit cinemas, it was with this exact combination, all in the hands of David Cronenberg following Shivers, The Brood, Scanners, Videodrome and The Fly. Attempting to stitch together those parts again, this time without the Crimes of the Future filmmaker at the helm — and as a Prime Video miniseries, which streams from Friday, April 21, too — on paper seems as wild a feat as some of modern medicine's biggest advancements. This time starring a phenomenal Rachel Weisz as both Beverly and Elliot Mantle, and birthed by Lady Macbeth and The Wonder screenwriter Alice Birch, Dead Ringers 2.0 is indeed an achievement. It's also another masterpiece. Playing the gender-swapped roles that Jeremy Irons (House of Gucci) inhabited so commandingly 35 years back, Weisz (Black Widow) is quiet, calm, dutiful, sensible and yearning as Beverly, then volatile, outspoken, blunt, reckless and rebellious as Elliot. Her performance as each is that distinct — that fleshed-out as well — that it leaves viewers thinking they're seeing double. Of course, technical trickery is also behind the duplicate portrayals, with directors Sean Durkin (The Nest), Karena Evans (Snowfall), Lauren Wolkstein (The Strange Ones) and Karyn Kusama's (Destroyer) behind the show's lens; however, Weisz is devastatingly convincing. Beverly is also the patient-facing doctor of the two, helping usher women into motherhood, while Elliot prefers tinkering in a state-of-the-art lab trying to push the boundaries of fertility. Still, the pair are forever together or, with unwitting patients and dates alike, swapping places and pretending to be each other. "It's impossible to explain this relationship to anyone outside of it. We don't need anyone else. We never have." That's Beverly's summary of their codependent lives — or is it Elliot's? When they're side by side, the Mantle twins are patently two halves of the same self-sufficient whole, as a brilliant, biting and blistering opening scene where they reprimand a guy who interrupts their post-work drinks makes plain. The fellow bar patron barely knows what hits him as they sling their displeasure fast and furiously, and nor do most folks in their company afterwards. As the six-episode series progresses, that includes actor Genevieve (Britne Oldford, The Umbrella Academy), who segues from a patient to Beverly's girlfriend; Elliot's researcher offsider Tom (Michael Chernus, Severance); and big-pharma billionaire Rebecca (Jennifer Ehle, She Said), who Dead Ringers' weird sisters court to fund their dream birthing centre. As Beverly is fond of saying, pregnancy isn't a disease — and with Elliot, she wants to move everything about it out of the hospital. There are millions of New Yorkers to help, and a vast amount more Americans, such is the British siblings' ambition with backing worthy of a sequel to Oscar-nominated documentary All the Beauty and the Bloodshed. Dead Ringers is focused on its main two women, however, aka a pair that's hardly doting about their individual wellbeing. They function instinctively as a duo, and Elliot as is committed as she is to playing god because she wants to help the frequently miscarrying Beverly fulfil her own wish to become a mother. But disrupting that status quo, as Genevieve's arrival and Rebecca's money does, sees mayhem flow. In its sleek and cold look, as well as its equally chilly and severe tone, Dead Ringers isn't concerned with being naturalistic. That doesn't apply to the show's approach to bodies and babies, though, or to what the former go through to lead to the latter. In Cronenberg's picture, which was somewhat subtle about its body horror compared to most of the director's work, one of its twins experienced drug-addled delusions about mutated female forms. Birch's version instead plunges its hands deep into the blood and gore of bringing about life. Here, the body horror feels all the more visceral because it's steeped in reality, unflinchingly depicting the crimson rivers, primal screams, distended abdomens, sliced-open wombs, stirrup-strapped legs and invasive procedures that are an everyday fact of maternity and womanhood. Often in horror, the power of suggestion is queen. It can be far more potent to let viewers fill in the gaps in their mind and imagine up their own worst nightmares when something malevolent is haunting a scary movie's characters, for instance. In Dead Ringers, staring wide-eyed at "the best that we have come up with" in medicine surrounding pregnancy, as Beverly decries — also noting that "this is how every single one of us enters the world" while lambasting the state of the field, plus the pain and humiliation expected to be endured by women — is as intense and distressing as it's meant to be. As the Mantles advocate for something better, the show they're in lays bare the truth. This is a series about autonomy within a sororal connection that couldn't be closer, but it's also always about the bodily autonomy that's constantly stripped away from people with female reproductive systems. Birch delivers a piece of television that flawlessly does two things: charts intertwined lives and their combined chaos, including musing on bonds thicker than mere blood, the inherent loneliness of being alive and the solace we all seek in a kindred spirit; and takes a scalpel to everything surrounding women's healthcare. Thanks to the Mantles' patients, it touches upon the way that class and race still dictates treatment and outcomes, the trauma of stillbirths and miscarriages, the control dynamics around surrogacy, how female pain is so easily dismissed and life-changing medical conditions in the process. That's a hefty, have-it-all juggling act, but Dead Ringers' guiding force makes it look effortless. In addition to her big-screen scripts, which also spans Mothering Sunday, Birch co-penned the TV adaptations of Sally Rooney's Normal People and Conversations with Friends — and she just keeps propagating her stacked resume. Now twinned itself, Dead Ringers didn't take its first breaths with the movie that Birch uses as source material, complete with mirroring some of its most striking visual flourishes. Truth has to be especially odd to be stranger than a Cronenberg film, and in 1975 it was when gynaecologists Stewart and Cyril Marcus were found dead in the Big Apple. Their existence and passing sparked a New York magazine article, followed by the fictionalised 1977 novel Twins by Bari Wood and Jack Geasland. Here, that history provides a reminder that the past always leaves an imprint on new lives. That said, with the ever-excellent Weisz lapping up her delicious dual roles, the writing as clever and astute as it is twisted and funny, and the entire show gleaming eerily from its first meticulous frame to its last, the latest Dead Ringers has no trouble making its own mark. Check out the trailer for Dead Ringers below: Dead Ringers streams via Prime Video from Friday, April 21.
Buying a famous pop culture house can be a solid life choice. Cruising home to your San Diego Top Gun beach house, stealing your parent's car from your Ferris Bueller pad. But for anyone who's ever watched David Lynch's Twin Peaks, there's a certain creepy, foreboding vibe to this new real estate option. Welcome To Twin Peaks has reported that the fictional Twin Peaks-located home of Laura, Sarah and Leland Palmer is up for sale. Sitting at a super reasonable asking price of $549,950, the iconic, not-so-picture-perfect home of the Palmers served as the interior set for the Twin Peaks pilot (as well as the interior/exteriors for the film Twin Peaks: Fire Walk with Me). Lynch used different digs for the Palmer house during the series, but these are some pretty woah-inducing interiors for TP fans. You'll find the Palmers at 708 33rd Street in Everett, Washington (the other house is also in Washington, but in the town of Monroe). The real estate blurb for the freaky fortress of Lynch makes no mention of Twin Peaks in their listing. Charming 1930s home in the heart of Historic Rucker Hill. This home features hardwood floors, crown molding, oversized rooms & timeless character. A grand entryway leads into circular main floor layout that is warmed with natural light. Four bedrooms upstairs surround open staircase & two bedrooms have access to an enclosed sun room. Basement has space for a rec room and den. The large lot spans two streets. Detached two-car garage. Close proximity to Rucker Hill Park. This is a must see home! While the bedrooms don't come with additional BOB space or storage for boring, boring James-shaped boyfriends, this house is one creepy investment. Here's a little mash-up the legends at Welcome to Twin Peaks put together — pointing out Laura Palmer's rocking chair, which actually lives in the house. Yeesh. Via Welcome to Twin Peaks and The AV Club.
Sometimes, Guillermo del Toro dallies with vampires. Sometimes, he saunters into haunted houses, creepy carnivals and eerie orphanages instead. Encounters with kaiju and romances with amphibious creatures also dot his filmography, as do untraditional superheroes and twisted fairytale realms. With all of the above, across a career spanning three decades now, the director has thoroughly proven himself an avid collector. You don't amass a resume like his without actively endeavouring to curate an on-screen compendium — with his movies stuffed full of ideas, themes, motifs and images that just keep fascinating the acclaimed filmmaker. So far, the proof has beamed into cinemas for movie-goers to revel in, starting with Cronos and most recently gifting the world Nightmare Alley. From film to film, del Toro delves into gothic horror staples. He splashes around haunting tales over and over, and works through his obsession with horror's — and life's — go-to contrasts (think: light and dark, pleasure and pain, and the macabre and the magical). He has an Oscar or his troubles for directing The Shape of Water, and he isn't done adding big-screen features to sit beside two Hellboy flicks, Mimic, Blade II, The Devil's Backbone, Pan's Labyrinth, Pacific Rim and Crimson Peak yet. But, now streaming via Netflix, new TV horror anthology Guillermo del Toro's Cabinet of Curiosities is a natural fit for someone so eager to collect and dissect the unsettling, unnerving, mysterious and curious. The first season of the series starts as other iconic anthologies have: with its central figure offering a mood-setting introduction to the stories to come. Alfred Hitchcock did it in the 50s and 60s. Rod Serling and Jordan Peele have done the same with different versions of The Twilight Zone. Now, it's del Toro's turn. His addition to the fold shares its name with his own 2013 book, which collates notes on and sketches for his films till then, details about unfinished projects, and observations by peers such as James Cameron and Neil Gaiman — and, fittingly, sports an introduction entitled "the world as cabinet". With this show, though, del Toro assembles anew rather than surveys his past. Also, he has filmmakers such as The Babadook and The Nightingale's Jennifer Kent, Mandy's Panos Cosmatos, A Girl Walks Home Alone at Night and Mona Lisa and the Blood Moon's Ana Lily Amirpour, and Cube's Vincenzo Natali on hand, with eight directors helming an episode apiece in this must-see collection. Sometimes, Cabinet of Curiosities gets grim and cautionary. At other times, it's stomach-churningly gory and grotesque, particularly if you're not fond of rats, guts or pondering your own mortality. It can sport soulful restraint, unleash a stunning display of phantasmagoria and delight in being off-kilter. No matter what mode it's in, it always heads back to the past, giving the show's eight-episode initial run a timeworn feel. That vibe also flows through in del Toro's intros, where he announces each instalment beside the titular structure. Given wooden form and resembling a multi-level mansion, it's always matched with a corresponding handcrafted piece that represents the episode to come. There he is, collecting again — and inviting his audience to collect these lovingly assembled narratives, and their thrills and chills, along with him. Cabinet of Curiosities' debut chapter hails from the only director without their own past horror flick to their name. As a cinematographer, however, Guillermo Navarro has lensed six of del Toro's features, plus the likes of From Dusk Till Dawn, Jackie Brown, two Night at the Museum movies and two Twilight films, too. Navarro gets the series off to a promising start with Lot 36, about a right wing-sympathising veteran (Tim Blake Nelson, Nightmare Alley) who purchases storage units to hawk their contents when their owners default on payment. His latest acquisition comes from someone with a shady past, bringing nerve-rattling repercussions. In the process, this stylishly shot 90s-set affair ruminates on xenophobia, and the world views that find comfort — and power — in being horrific and discriminatory. Next, the show's two most grisly episodes follow: Natali's Graveyard Rats and David Prior's (The Empty Man) The Autopsy. The first adapts Henry Kuttner's 1936 short story, follows a cemetery caretaker (David Hewlett, Clarice) who robs coffins as a side hustle, and has him fighting rodents in an underground labyrinth for his spoils — and the result is stressful and squirmy. The second also springs from the page, from Michael Shea in 1987, and plunges deep into viscera and entrails. Mythic Quest and Moon Knight's F Murray Abraham is the coroner doing the splicing, but what he discovers among the victims of a mine explosion spans well beyond squishy internal organs. There are no disappointing drawers in Cabinet of Curiosities; the tone varies, but del Toro and his colleagues are committed to contemplating what scares us and why. So, while Amirpour's The Outside is noticeably lighter than its counterparts, squeezing out a satirical, The Stuff-esque, Christmas-set satire on consumerism, conformity and beauty, the Kate Micucci (Clerks III), Martin Starr (Spider-Man: No Way Home) and Dan Stevens (I'm Your Man)-starring chapter is as sinister and disquieting as the rest of the series. Cabinet of Curiosities next gets Lovecraftian with two takes on the author's stories: Pickman's Model and Dreams in the Witch House. One sees The Vigil and Firestarter's Keith Thomas explore art's function as a mirror, the other has original Twilight director Catherine Hardwicke spirit Harry Potter's Rupert Grint into a dance with ghosts, and they both drip with unease in their respective ways. Cabinet of Curiosities does save two of its shiniest treasures until last, however — and what gleaming treasures they are. Wishing that both had graced the silver screen and stretched out to feature length is an instant reaction. No one is currently making movies like either the aforementioned Cosmatos or Kent, who go to completely opposite extremes with their stellar anthology instalments. The former's The Viewing, focusing on four 70s-era celebrities summoned by a rich eccentric (RoboCop's Peter Weller) for a night of drugs, conversation and staring at a secret discovery, is a wild, dazzling, synth-scored trip in the best possible way. As for The Murmuring by Australia's own Kent, it reunites her with The Babadook's Essie Davis for another stirring and striking haunted-house tale about grief and motherhood, this time working with a story by del Toro himself. Check out the trailer for Guillermo del Toro's Cabinet of Curiosities below: Guillermo del Toro's Cabinet of Curiosities is available to stream via Netflix.
The changes of the past couple of weeks have hit Australia's hospitality industry hard. First, there were the tighter restrictions on venue numbers and spacing; then the government's closure of all non-essential businesses means hospitality venues were forced to shut their doors and rely solely on whatever takeaway service they had operating — or adapt and launch new ones. As a result, a huge number of hospitality workers have been left without jobs. According to website I Lost My Hospo Shift, as of Thursday, April 23, 2594 Aussie hospo workers had lost their jobs and 13,237 shifts had been cut, equating to around $2.1 million in lost wages this week alone. Thankfully, some industry legends are coming to the rescue, lending a helping hand in the form of a few much-needed free feeds. And they're not just helping out unemployed hospo workers either, they're providing free meals to frontline health workers, international students and those just generally doing it tough right now. In Sydney, James Thorpe — co-owner of Petersham's Oxford Tavern and The Taphouse in Darlinghurst — announced both his venues will continue serving up free takeaway meals for any struggling hospo workers. "If you are a casual hospo worker who is currently underemployed, I will pay for your meal," he said in a post on The Taphouse Instagram page last week. "Simply make yourself known at the bar with your RSA in tow (or just let us know where you work if a cafe worker) and our team will hook you up with a menu." https://www.instagram.com/p/B95Th-Np__4/?utm_source=ig_web_copy_link Meanwhile, Newtown restaurant Hearth & Soul made a comeback especially to throw some support behind struggling Sydneysiders. Owner Rachel Jelley closed the venue in November, but has thrown open the doors for a series of free Friday meal services, catering to both staff and employers in any industry who've lost jobs or income as a result of the COVID-19 pandemic. Alongside a crew of volunteers, she's serving up a rotating menu of produce-focused dishes from 12–2pm each week, inviting diners to register via the website. "These are the people who have been working tirelessly to provide you with the dining-out experiences you love," Jelley explained. "They've also been cutting your hair, doing your physio, making your coffee and baking your croissants, and now their livelihoods have simply evaporated overnight, in silence. So, I want to feed them." https://www.instagram.com/p/B9-5LUHjva2/ Over in Enmore, Colombo Social is a Sri Lankan restaurant that provides employment opportunities and support to asylum seekers and refugees. But in response to these turbulent times, it's now expanded its focus, teaming up with Mission Australia and a bunch of other local charities to feed as many vulnerable community members as possible. The kitchen's being put to good use, whipping up over 4600 hot, nutritious meals for free to those who are hungry or struggling to feed their families. Italian chain Fratelli Fresh is also donating 650 meals every week to healthcare workers via its Feed the Front Line program, which is running until the end of June. You can donate a meal for $10 over here, too. Then, there's the group of Manly venues that have banded together in an effort to feed vulnerable hospitality workers. Via a new Go Fund Me campaign, spots like The Cumberland, The Hold, Hugos Manly and 4 Pines are raising money to fund free meals for those in the industry who've lost income and work. Impacted workers are invited to get themselves verified, then to register for any of the nightly-changing, home-delivered dishes. The meals are created using leftover food stocks donated by local restaurants. And Chippendale local Sneaky Possum has transformed into soup kitchens, dishing up free feeds to hard-hit hospitality staff with complimentary hospo meals from 8pm nightly. Down in Melbourne, Attica has set up its own soup kitchen. It's selling $25 Thai-inspired chicken broths, with $5 from each one sold going towards preparing food for unemployed hospitality workers on temporary visas. The crew from Brighton barbecue restaurant Coal Blooded Griller are drumming up donations to enable them to whip up free meals for those in need. Having already raised over $3500, they're able to serve hundreds of ready-to-heat, two-person food packs. https://www.instagram.com/p/B_N8a2rg0wD/ Meanwhile, Essendon burger joint Dribbles is handing out four free meals each week to people who've lost their jobs as a result of the pandemic. It's currently taking nominations for the freebies via its Facebook and Instagram. Newly-hatched non-profit event organisation The Issue X has made a mission to shed honest light on the issues and obstacles faced by the hospitality industry. And in these troubled times, it's turned its attentions to our city's hard-hit hospo staff, especially those on temporary visas who can't bank on any government support. The Issue X team knocked up a heap of nightly meals for those in need. And Brunswick's Viet-inspired restaurant Shop Bao Ngoc is giving back to its hard-hit hospo community by offering up a nightly changing meat-free dish, available for contactless delivery within three kilometres of the venue. The crew's encouraging a $10 donation for the meals — think, tofu pad thai and vegetable shepherd's pie — but say no one will be turned away for lack of funds. You can even pay it forward by donating money towards someone's future feed. https://www.facebook.com/baongocbrunswick/photos/a.439164586552477/841547599647505/?type=3&theater In the Brisbane suburb of Annerley, South Indian restaurant Sankalp is lending a hand by cooking up a swag of free vegetarian meals each Monday, Tuesday and Wednesday. The dishes are on offer to international students and any locals in need, to collect from the restaurant between 6.30pm and 8.30pm. Having pivoted its business in response to new public health regulations, Gold Coast eatery The Henchman is now operating as both a takeaway restaurant and food store. For as long as is possible, the owners are inviting anyone feeling the pinch to pop by and fill a bag with pantry supplies, on the house. And on the Sunshine Coast, a group of Noosa Junction venues have joined forces on a mission to support both their local hospo community and international students staying in the region. Together, eateries including Pasta Pronto, Bombetta and Moto are serving a stack of free breakfasts, lunches and dinners, across a range of daily offers. If and when you do decide to head out to get food, remember to follow the Australian Government Department of Health's social distancing guidelines. Know of any other restaurants, cafes or bars doing their bit to help the community? Let us know at hello@concreteplayground.com.
We can't think of a much better way to alleviate all that hectic airport stress than some pre-flight puppy cuddles and wet-nosed kisses. Thankfully, Sydney Airport has a new team of four-legged employees that is very happy to help on all counts. In an Aussie first, American Airlines and Assistance Dogs Australia (ADA) have teamed up to launch a new program called emBark at Sydney International Airport, in an effort to make the whole travelling caper much more bearable. Two mornings each week, a group of ADA-trained floofers will be stationed near American Airlines' check-in desks, to help anyone, young or old, that needs a calming cuddle before tackling all that airport hustle and bustle. As well as proving excellent company and very effective stress relief, the dogs will also help to raise awareness about ADA's work and the huge difference these animals can make. As American's Managing Director – Asia Pacific Russ Fortson explained, "The atmosphere at check-in is noticeably lighter and more relaxed. If these inspiring dogs can accomplish this during short interactions with our customers, imagine the positive impact they can have on the daily lives of the people who need them." At present, emBark pups are stationed at Sydney International Airport's American Airline check-in desks between 7-9am, on Tuesdays and Thursdays. Images: Christine Bernasconi Photography
The flashy girl from Flushing is headed to Broadway, with beloved sitcom The Nanny making the leap from the small screen to the New York theatre scene. Of course, the protagonist of the 90s series is no stranger to the latter circles. For six seasons between 1993–98, the show charted the chaos that followed when Fran Fine (Fran Drescher) knocked on the door of British-born Broadway producer Maxwell Sheffield (Charles Shaughnessy) and nabbed a job looking after his three children. Thanks to the theme song that you likely now have stuck in your head, you should remember The Nanny's overall premise: working in a bridal shop in Queens, Fran was dumped by her boyfriend, started selling cosmetics, then scored her new gig — because she had style, flair and she was there. Across 146 episodes, the series followed the aftermath as kids Maggie (Nicholle Tom), Brighton (Benjamin Salisbury) and Grace (Madeline Zima) all adjusted to her presence. Mr Sheffield fell for Ms Fine's charms, his business partner CC Babcock (Lauren Lane) was unimpressed and butler Niles (Daniel Davis) welcomed the change. Sitcom co-creators Drescher and Peter Marc Jacobson are behind the new stage version of the show, alongside Crazy Ex-Girlfriend star Rachel Bloom and executive music producer Adam Schlesinger. Beautiful: The Carole King Musical's Marc Bruni is set to direct — but the musical's cast, as well as when it'll actually hit the stage, is yet to be revealed. We do know that Drescher won't be reprising her famous role. In a statement, she said "of course I would do it myself, but we'd have to change the title to 'The Granny'", Variety reports. As well as its existing narrative links to Broadway, The Nanny also featured plenty of gags about musicals Fiddler on the Roof and My Fair Lady — and that catchy theme song — so there's plenty of material to work with. If you need a refresher, all six seasons are currently streaming in Australia on Stan. https://www.youtube.com/watch?v=iL6tbu1Blzs The Nanny is the latest screen favourite to earn a stage adaptation, following in the footsteps of Bring It On, Mean Girls, The Bodyguard, Amelie, Waitress, Muriel's Wedding, Moulin Rouge!,Mrs Doubtfire andMagic Mike. A stage version of The Devil Wears Prada is also in the works, as are theatre adaptations of Empire Records, The Notebook, The Princess Bride and Aussie classic Starstruck. Via Variety.
Fancy yourself a bit of a Betty Draper? Well it's your luck day lady. Local fashion collective Get Your Frock On is set to brighten up your weekend and wardrobe woes by throwing a much welcomed vintage bargain bonanza sale your way. The sale will feature crowded cupboards and overflowing collections of vintage gems including made-for-Mad-Men tea dresses, evening gowns, blouses, balloon pants and denim galore. The accessories department won't be neglected either with Get Your Frock On selling vintage purses, dainty gloves and top hats. Men who get dragged along to the sale will also have the opportunity to rummage around at some of the vintage blazers and tails on offer too. The extensive vintage collection on sale dates back as early as the 1930s and span right up until the grunge of the nineties. There will even be Opera costumes available for those who like their clothing to be a little more theatrical. Doors open at 8 so if your keen to nab yourself a 'bonanza bargain' best get there early – but be sure to keep your manners in your pockets. There's nothing worse than a Betty Draper look-a-like acting less than a lady.
Imitation may be considered the sincerest form of flattery, but when one movie spends its duration seemingly trying to ape another, it also proves one of the most grating methods of filmmaking. Staring at its grey colour scheme, listening to its moody score, jumping along with its shifting timeline and unpacking its narration-heavy, twist-filled story, there's little doubt that The Girl on the Train is trying to follow in the footsteps of another recent adaptation of a page-turning novel. Alas, this movie is no Gone Girl — although thanks to its own stylistic choices, the comparison isn't going to go away any time soon. Working from Paula Hawkins' best-selling book, The Girl on the Train intertwines the plights of three women in a whodunnit thriller, while attempting to dissect — and find commonality within — the many roles women are forced to play in life. Sadly, with a flimsy script by Erin Cressida Wilson doing the source material few favours, director Tate Taylor fails to live up to expectations with this hotly anticipated adaptation. Instead, the film alternates between serious and trashy, without finding the right balance between the two. So it is that alcoholic divorcee and New York-based Englishwoman Rachel (Emily Blunt) rides the train every day, staring out the window at people she assumes are happier than she is. In the case of her ex-husband Tom (Justin Theroux), his new wife Anna (Rebecca Ferguson) and their baby, she knows that's the case. When it comes to their neighbours Megan (Haley Bennett) and Scott (Luke Evans), she's just guessing. But when Megan goes missing on the very same day that Rachel spots her on her porch with another man, questions start being asked. Before long, some of the hardest ones are directed at Rachel herself, who was seen drunk in the area but can't piece her memory together. Characters peering into the seemingly perfect lives of others is a concept that has fuelled many a movie in years gone by. And yet, you can add a distinctive lack of Hitchcockian intrigue to the list of ways that The Girl on the Train disappointments. Narrative developments are clearly foreshadowed, clichés fly thick and fast, and attempts to bust gender stereotypes remain superficial at best. In this light, even appreciating the film's place in voyeurism-obsessed cinema history offers little solace. Thank goodness for the quality cast. Whether acting erratic like Blunt, suspicious like Ferguson or furtive and discontent like Bennett, none of the picture's lead actors are quite at their best, but at least they're reliable, which makes them the best thing the film has going for it. That said, when paying close attention to how Blunt plays boozy becomes more interesting than the story itself, you know something has gone seriously wrong. There's an interesting-enough thriller at the heart of The Girl on the Train. Unfortunately, we never get to see it.
City markets seem to be enjoying a moment in the sun at the moment as CBD inhabitants relish in the opportunity to purchase something found outside the surrounding chain stores. The latest market to pop up in the area is courtesy of Bleeding Hearts Cafe and Art Gallery, an artisan retail store dedicated to funding charitable and community enterprise. The Bleeding Hearts Markets are set to take place on the first Friday of every month and will offer an eclectic mix of handmade, art and vintage items on offer from local artisans, who will set up shop along the gallery veranda and in the front garden. Get your hands on some new and exclusive prints, illustrations, jewellery, accessories, children's clothing and toys and meet the people responsible for these clever crafts. The cafe will also be open so if you are only able to make it on your lunch break - well then you are in luck. Best of all Bleeding Hearts is only a 2 min walk from both Central Station and King George Bus Station. A far more appealing option compared to your local food court. Image courtesy of Peach Face.
Forget about kennel stays or pet-sitting — the latest homegrown tourism campaign to hit our small screens is encouraging very good dogs to head off on their own weekend getaways (well, it's encouraging their owners to bring them along for the ride). The latest — and yes, slightly ridiculous — Visit Victoria ad campaign pushes the idea that dogs make the world's best travel buddies, showcasing pet-friendly cafes, restaurants, accomodation, breweries, wineries and activities all across regional Victoria. In an advertising first, it's also "dog-optimised", apparently, featuring a visual set-up designed specifically for dogs' eyeballs, apparently. https://www.youtube.com/watch?v=IHbvL1dwVYk Pulling together content from some of the state's favourite four-legged social media influencers, Your Dog's Happy Space expands on the recent human-focused Your Happy Space campaign, and highlights the best out-of-town stuff you can enjoy with your dog in tow. The video ad features pet-friendly destinations like the Yarra Valley's DeBortoli Winery, Pancho Cafe in Daylesford and Toorongo Falls in Noojee, while a supporting website boasts a sprawling directory to yet more spots, organised by region. You can check out the new campaign and all its dog-friendly suggestions at visitvictoria.com/dogs. Currently, around 65 percent of Victorians own a pet, but most think that travelling with them is simply too hard. Let's see if this changes a few human (or dog) minds. Images: Courtesy @tomandcaptain
The Urban Country Music Festival has received one hell of a makeover for 2011. Spanning three nights and numerous venues, the town of Caboolture is set to be inundated by music fans of both the country and urban kind. Fans will be there to take in the laidback performances by country music legends as well as notable urban acts such as Amy Meredith, Evermore and Thirsty Merc. On the Friday night the festival will celebrate Urban Blaze, an event which that combines the sounds of the burbs and the music of bush. In typical laid back Aussie style the night's fee is a gold coin donation and you can bring your own booze to drink in 'the paddock' while enjoying the night's big bonfire and fire works. Saturday night is the festival's main night and will feature a range of different sections and stages including the Bush Poets Breakfast, Songwriters Cafe, Dance Workshop and the Next Generation Station. Closing the festival will be an exciting line up of more main stream artists which will end with The Potbelleez on the Sunday night.
It's that time again, seafood-loving Brisbanites, with the Sandstone Point Hotel bringing back its annual Oyster and Seafood Festival in 2023. If you're a fan of slurping down molluscs or munching on other morsels from the ocean, prepare to be in your element. Taking over the venue's Oyster Shed Beach Club on Saturday, October 14, the day-long celebration of salty, slimy deliciousness will treat your tastebuds to oysters aplenty, of course. Get them freshly shucked at the fest's bars — and if you need something to snack on otherwise, you can feast on the rest of the ocean's finest bounty at an array of seafood market stalls. Mussels, calamari, prawns, bugs, fish: they're all usually on offer. Anyone who really, truly loves their oysters can plan to make a date with competitive portion of the day, too, because it wouldn't be a food festival without a contest. Here, that means downing a heap oysters, and also peeling prawns. Chef demonstrations and live music are a regular part of the bill as well, all as part of a cruisy day hanging out by the water. And, you'll find plenty of drinks at the bar to help wash down all that seafood. Tickets start at $7.65, and you'll pay for what you consume once you're in the doors. [caption id="attachment_716310" align="alignnone" width="1920"] Oysters_Unsplash.jpg[/caption] Image: Sandstone Point Hotel.
American photojournalist John Stanmeyer has been named winner of the 57th Annual World Press Photo Contest. The competition's international judging panel named Stanmeyer's photo, 'Signal', both the overall winner and first prize in the contemporary issues category. Shot for National Geographic Magazine on the shores of Djibouti, the image (shown above) captures African migrants holding up their phones, hoping to tap into cheap signal from neighbouring Somalia. En route to new lives in Europe and the Middle East, they're trying to make contact with loved ones elsewhere. Commenting on the winning image, judge Jillian Edelstein said, "It's a photo that is connected to so many other stories — it opens up discussions about technology, globalisation, migration, poverty, desperation, alienation, humanity. It's a very sophisticated, powerfully nuanced image. It is so subtly done, so poetic, yet instilled with meaning, conveying issues of great gravity and concern in the world today.” The competition received over 98,000 submissions and granted prizes to 53 photographers of 25 nationalities across categories ranging from sports to nature to world news. Following controversy last year, stricter image manipulation guidelines apparently saw 8 percent of entries disqualified. Winning photographs will now tour over 45 countries as an international exhibition. See the full gallery of winners at the World Press Photo website. 3rd Prize in Daily Life Category: "Street Dogs," Julie McGuire, UK 1st prize in Spot News (singles) category: Typhoon Survivors, Philippe Lopez, France 2nd prize in Spot News (stories) category: Massacre at Westgate Mall, Tyler Hicks, USA 3rd Prize in Staged Portraits (singles) category: Chiwetel Ejlofor, Nadav Kander, UK 1st Prize in General News (singles) category: Temporary Accommodation, Alessandro Penso, Italy Third Prize in Sports Action (singles) category: Forehand Foreward, Al Bello, USA 2nd Prize in Nature (singles) category: A flock of Guillemots, Markus Varsvuo, Finland 1st prize in Contemporary Issues (stories) category: A Portrait of Domestic Violence, Sara Naomi Lewkowicz 3rd Prize in Observed Portraits (singles) category: A Traditional Berber Bride, Pau Barrena, Spain 2nd prize in Sports Feature (singles) category: Kite Skier on the Mountain, Anastas Tarpanov, Bulgaria
Blessed be your streaming queue: come mid-September, it'll start being home to the fifth season of The Handmaid's Tale. It's the batch of episodes we've all known is coming since 2020, when the hit dystopian series was renewed for this fifth season before the fourth even hit. And, thanks to that fourth season, it promises one helluva reckoning. Saying that anything to do with The Handmaid's Tale is stressful is like saying that Gilead looks like a terrible place to live. Praise be the obvious again and again. Still, if you want to call the show's sneak peeks at its upcoming fifth season tense, disquieting and unsettling, all of those words fit. Hulu, which airs the series in the US, has just dropped the full trailer for season five — and, unsurprisingly, nothing is well. If you're up to date on the series you'll already know why. Of course, things are never well in The Handmaid's Tale — but now June (Elisabeth Moss, Shining Girls) faces the fallout from her actions in the show's last go-around, and Serena's (Yvonne Strahovski, Stateless) in-mourning getup speaks volumes. In the new trailer, June doesn't just navigate more than a few consequences. Still fighting Gilead from afar, with Luke (O-T Fagbenle, Black Widow) and Moira (Samira Wiley, Breaking News in Yuba County), she admits how much she enjoyed her most recent choices. As for Serena, she's in profile-raising mode in Toronto, as Gilead's influence creeps into Canada — and Commander Lawrence (Bradley Whitford, Tick, Tick... Boom!) and Aunt Lydia (Ann Dowd, Rebecca) are endeavouring to reform Gilead. Also returning among the cast: Max Minghella (Spiral: From the Book of Saw), Madeline Brewer (Hustlers), Amanda Brugel (Snowpiercer) and Sam Jaeger (The Eyes of Tammy Faye). With all of the above, blessed be the bleak dramas, too, which is exactly what The Handmaid's Tale has been serving up since 2017 now. Of course, on the page, this grim look at a potential oppressive existence has been drawing in fans since the 1985, when Margaret Atwood's book first hit shelves. A film followed in 1990, and opera in 2000 — plus a sequel novel in 2019. Yes, there have been many ways to dive into The Handmaid's Tale over the years, but only one keeps winning small-screen awards and stars a phenomenal Moss. The date to mark in your diary: Thursday, September 15, given that the show will return in the US on September 14. Down Under, episodes air weekly on SBS in Australia, and stream via SBS On Demand — and hit Neon in New Zealand — at the same time as in America. Check out the trailer for The Handmaid's Tale season five below: The fifth season of The Handmaid's Tale will hit start airing in Australia and New Zealand from Thursday, September 15 — on SBS TV, and to stream via SBS On Demand and Neon, with new episodes arriving weekly.
Sunday session: they're two of the finest words in the English language, particularly if you like ending your weekend in style (and forgetting that you have to go back to reality the next day, even just for a few hours). Thanks to Salt Meats Cheese, they're about to be joined by a few more excellent terms: Aperol Spritz jugs, live music and free pizza. From December 2 to March 31, that's what's on the menu from 2pm to 6pm every Sunday at SMC's Gasworks stores. Farewell your few days off with a sip, a bite and some tunes — and don't pay more than $35. Yes, as part of the weekly event, SMC is also serving up spritz jugs for $25 as long as you buy a $10 pizza or a $10 mozzarella plate. Either makes a good choice, but a few slices and plenty of sips go hand in hand. Just pick your favourite from their 14 varieties and settle in for the arvo.
UPDATE: APRIL 1, 2020 — Wild Life Sydney Zoo has announced it'll live stream its kangaroos Dot and Dusk on Thursday, April 2 at 2pm AEDT. The below article has been updated to reflect this. To help brighten up your newsfeed a little, Sydney's Sea Life Aquarium and Wild Life Zoo are live streaming playtime and feeding time with some of their cutest and scariest animals. We've previously met Pig the dugong and Rocky the 365-kilogram saltwater crocodile and, next up, are penguins and quokkas. At 11.30am AEDT on Thursday, March 26, you can watch the gentoo and king penguins slide around their icy home and gobble many fish via Sea Life Aquarium's Facebook page. You'll also have a chance to chat to their keeper Amy about all things sub-Antarctic penguin. It'll also be hosting Seahorse Week, which will kick off with a live-streaming of baby seahorses at 11.30am (AEDT) on Tuesday, March 31. To watch, head here. On Wild Life Zoo's Facebook page you'll get to hang out with Davey the quokka at 3pm AEDT on Friday, March 27. Then, at 2pm AEDT on Thursday, April 2, you'll catch its two kangas from Kangaroo Island, Dot and Dusk, enjoy playtime with their keepers Shania and Caroline. Thankfully, these aren't the only live-streams the zoo and aquarium are planning. Keep an eye on future cute (and maybe slightly scary) content, including possible shark feedings, penguin hangs and tropical fish tours. [caption id="attachment_765633" align="alignnone" width="1920"] Pig the Dugong[/caption]
As the mercury rises, Australian cities come to life. Rooftop bars transform under the summer sun, the streets feel alive, and you start feeling that itch to explore. Call it a sign, but Vibe Hotels have decided to bring their Black Friday sale forward to match that exact feeling. From now until Tuesday, December 2 you can score 20 percent off at each of their hotels. Plus, sign up to the e-Club to receive an additional discount and instant reward every time you stay. From waterside gems to sun-drenched rooftop bars, these cities make for the perfect summer breaks. Adelaide [caption id="attachment_1043290" align="alignnone" width="1920"] Vibe Hotel Adelaide[/caption] Adelaide is often overlooked as a summer getaway thanks to its reputation as a city of churches. But, in reality, it's a foodie mecca, fringed with endless beaches. Base yourself at Vibe Hotel Adelaide, naturally. Start your day with a leafy walk to breakfast at sacred local spot Exchange Coffee as you plan which of Adelaide's beaches you'll spend the day lazing at: Glenelg, Henley, or slightly further out Port Noarlunga. Take a day trip to Kangaroo Island for more ridiculous beaches and wild life spotting. Or, you'll be spoiled for choice when it comes to wineries: Barossa, McLaren Vale, the Adelaide Hills, and the Clare Valley are all easy day trips. After a long day exploring, head back to your hotel for dinner at Storehouse Flinders East. Hobart Thanks to Dark Mofo, Hobart has earned a reputation as a winter city. But ask any local and they'll tell you it's a city made for summer. Vibe Hotel Hobart has a location perfect for exploring everything the city has to offer with onsite restaurant Belvedere showcasing the Apple Isle's bountiful produce. For more local-approved bites, head to hole in the wall wine bar Sonny or, for a sun-dappled beer garden, try Preachers in historic Battery Point. Hobart is the best place to make the most of Tasmania's wilderness with countless day trips at your fingertips. Spot wombats and dip in crystal clear waters at Maria Island, stand at the edge of the world in the Tasman National Park, or take a foodie tour of Bruny Island. If the Tasmanian summer isn't quite summering, thaw out in the heated swimming pool at your hotel. Subiaco [caption id="attachment_1041855" align="alignnone" width="1920"] Rottnest Island, Fabian Kühne[/caption] Subiaco—known affectionately as Subi to locals—is an ultra-sleek pocket of inner city Perth. You'll find excellent coffee, fine dining, and of course, Vibe Hotel Subiaco right in the thick of it. And, one of the city's favourite restaurants, Storehouse Subiaco is perched right on the roof with unparalleled views of the city skyline. Rokeby Road cuts through the heart of Subi and is lined with chic boutiques, galleries and some of Perth's best dining. Yiamas, Shui, Lulu La Delizia are some of the suburb's best eats. If you're taking a weekend break, stop by the Subiaco Station Markets to sample the local produce. You'll also find the Regal Theatre, one of the last live theatres in Perth within walking distance from your hotel. If you're craving beaches, you're conveniently staying on the train line to Fremantle. Fremantle is not only home to some of Perth's best beaches, but is also the departure point to access Rottnest Island. Melbourne [caption id="attachment_1043679" align="alignnone" width="1920"] Vibe Hotel Melbourne[/caption] Finding a reason to spend a weekend in Melbourne is one of life's easier tasks. When you add Vibe Hotel's 20 percent off Black Friday discount, its almost like you have to go. Fleet Rooftop sits 68 metres high above the Vibe Hotel Melbourne. Start your trip here with cocktails, artfully served small plates and a stellar view of the Melbourne skyline. You'll be staying right in the centre of the city so you can spend your trip weaving through laneways and arcades as you discover the cafes, bars and vintage boutiques. Catch a show at the nearby historic East End Theatre District. Or, back at your hotel, unwind in the pool before heading back to the rooftop for sunset. Vibe Melbourne Docklands also offers amazing views of the city and Yarra River with leisure facilities including a 28-metre heated rooftop pool (one of Melbourne's largest), a steam room and well-equipped gym. On the edge of the free city circle tram, you'll be in the heart of the city within 15 minutes while enjoying the more laidback atmosphere of the Docklands waterfront precinct. Darling Harbour [caption id="attachment_1043678" align="alignnone" width="1920"] Vibe Hotel Darling Harbour[/caption] Sometimes you just need a getaway to take a moment to enjoy Sydney's summer from a rooftop pool. Vibe Hotel Sydney Darling Harbour is the perfect place to do just that. Spend a weekend soaking up the sun from a poolside cabana with views out across the city. Then, as the sun begins to set, head over to Above 319, the hotel's rooftop bar for cocktails before enjoying a night out in Sydney. Try Pakistani food at Lal Qila, treat yourself to Japanese fine dining at nearby Nobu's or nab a reservation at Sydney institution, Bennelong. Make the most of summer and while away a weekend taking advantage of Sydney's beaches before you head back home to reality. Catch a ferry from Darling Harbour to locally loved beaches like Milk Beach or Camp Cove. Darwin Ask what people love about Darwin and two things come to mind. First, it's the city's technicolour sunsets (best viewed from the Darwin Sailing Club). Second, it's the quality of the laksa available thanks to Darwin's proximity to South East Asia. You'll find some of the best at Mary's Laksa at the weekly Parap Village Markets alongside satay and fresh tropical fruits. Head inland and visit Litchfield National Park for wild swimming in shaded outback lagoons. Then, to escape the tropical heat, duck into the Museum and Art Gallery of the Northern Territory for one of the country's best displays of Indigenous art. Vibe Hotel Darwin drops you in the heart of it all with its prime position by the waterfront precinct and Darwin Lagoon. Canberra Canberra is criminally underrated as a weekend getaway, and Vibe Hotel Canberra makes for the perfect base to see it all. The sprawling grounds of Parliament House sit at its heart. Just outside the grassy knolls of our political centre, you'll find the National Portrait Gallery of Australia and the National Gallery of Australia. Don't miss the Sculpture Garden's 26 outdoor pieces, including Within Without (2010) by James Turrell. After exploring, dive into Canberra's food scene. For cocktails, a kitschy styled space and small plates stop by Such and Such. For lunch, Sanducci does a daily rotation of—not to be dramatic—life changing sandwiches. It's worth slipping beyond the city limits to visit Canberra's vineyards, like Mount Majura, and Australia's tallest peak, Mt Kosciusko. The trails are unburdened by snow in the summer making it a perfect time to visit. Book your summer getaway now with 20 percent off stays at the Vibe Hotels website. Plus sign up to their eClub and receive an additional discount and instant reward every time you stay.
Right now, we all fall into two categories. Firstly, there's the hefty group of people who are already devoted to The Last of Us, the hit video game that's been a button-mashing favourite since 2013 and spawned a sequel in 2020. Then, there's the folks that are about to start obsessing over its new HBO adaptation when it arrives in 2023. Whichever camp you fall into, the just-dropped first teaser trailer for the streaming series sets a moody, creepy, action-packed scene — as expected of a game-to-TV show that dives into a tense and fraught post-apocalyptic version of the US. For The Last of Us newcomers, here's the premise: 20 years after modern civilisation has been destroyed, survivor Joel is hired to smuggle 14-year-old Ellie out of a tough and oppressive quarantine zone. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey, as well as a nightmarish quest for survival. So far, so intriguing — and while the debut sneak peek does indeed conjure up memories of The Walking Dead, that just comes with the basic concept. The Naughty Dog-created PlayStation game wouldn't be the huge hit it's proven for almost a decade now if it simply cribbed from that TV show, obviously. As a series, The Last of Us also boasts a heap of impressive names — starting with star Pedro Pascal (The Unbearable Weight of Massive Talent) as Joel, plus Game of Thrones' alum Bella Ramsey as Ellie. Fans of the game will note that Ashley Johnson (Blindspot) and Troy Baker (Young Justice), who voiced the two characters in the source material, will indeed pop up in the HBO show. They'll clearly be playing different characters, however. Also pivotal to HBO's adaptation: co-creator, executive producer, writer and director Craig Mazin, who already brought a dystopian hellscape to the US network (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Alongside Pascal and Ramsey — and Johnson and Baker — the series also boasts Gabriel Luna (Terminator: Dark Fate) as Joel's younger brother and former soldier Tommy, Merle Dandridge (The Flight Attendant) as resistance leader Marlene and Aussie actor Anna Torv (Mindhunter) as smuggler Tess. And, Nico Parker (The Third Day) plays Joel's 14-year old daughter Sarah, Murray Bartlett (The White Lotus) and Nick Offerman (The Resort) feature as isolated survivalists Frank and Bill, Storm Reid (Euphoria) pops up as Boston orphan Riley, and Jeffrey Pierce (Castle Rock) plays quarantine-zone rebel Perry. As seen in the trailer, Yellowjackets' Melanie Lynskey also guest stars. The Last of Us doesn't have an exact 2023 premiere date yet — it'll be available in Australia via Binge and in New Zealand via Neon when it does — but you can check out the trailer below: The Last of Us will hit streaming in 2023, including in Australia via Binge and New Zealand via Neon— we'll update you with an exact release date when one is announced.
What will inspire you to spend your Sunday nights busting out your music trivia knowledge, and also playing along with one of the most-beloved Australian TV shows there is? The return of Spicks and Specks for 2024. Back in 2023, the ABC announced that it was bringing the series back for a new season after it took the past year off — and you can now mark Sunday, June 9 in your diary for the big comeback. Among everything that the ABC has ever broadcast — news, entertainment, after-school kids shows, oh-so-much Doctor Who and late-night music videos to keep you occupied after a few drinks all included — the Adam Hills-, Myf Warhurst- and Alan Brough-led Spicks and Specks is up there among the favourites. If you're keen to watch a heap of top Australian talent sit around and talk about tunes again, this season's guests from the music side of things include Anthony Callea, Marlon Williams, Elly-May Barnes, Nooky, Montaigne and Dan Sultan, as well as Mark Seymour, Oli from Lime Cordiale. Among the comedians, Hamish Blake, Tommy Little, Steph Tisdell, Abbie Chatfield, Shane Jacobson and Jenny Tian will feature. Plus, Adrian Eagle, Gut Health and Lime Cordiale will perform. Here's how it works, if you've forgotten: the show's contestants answer questions, compete for points and just generally be funny, too. That's the concept behind the series, which takes more than a few cues from the UK's Never Mind the Buzzcocks, pits Aussie musos and comedians against each other, and has proven a hit several times over. It was a weekly favourite when it first aired between 2005–2011 — and it keeps being resurrected. As fans already know, Spicks and Specks has enjoyed more comebacks than John Farnham, although that has meant different things over the years. When the program was first revived back in 2014, it did so with a new host and team captains, for instance. And when it started to make a return with its original lineup of Hills, Warhurst and Brough, it first did so via a one-off reunion special. That 2018 comeback proved more than a little popular. It became the ABC's most-watched show of that year, in fact. So, the broadcaster then decided to drop four new Spicks and Specks specials across 2019–20 and, for 2021, to bring back Spicks and Specks in its regular format. In 2022, ten new episodes hit. The new season will air at 7.30pm on Sunday evenings via ABC and ABC iView — and new segments will also be part of the fun. T0 tide you over until June, here's a classic clip from past Spicks and Specks runs: Spicks and Specks will return to ABC TV and via ABC iView from 7.30pm on Sunday, June 9, 2024.
You don't need an excuse to hang out at Red Hook, but no one is going to complain about having an extra reason to stop by. And the CBD's beloved New York-style diner and bar sure is giving you one every Sunday afternoon in December (other than Christmas, of course): a series of festive, food-fuelled, beat-filled hip hop block parties. Yes, Gresham Lane is the place to be once the clock strikes 3pm. It's a simple concept, but a great one. Basically, they're throwing together some food and drink specials, enlisting a few ace DJs to spin some killer tracks, and then waiting for the fun to begin. Whatever the deals happen to be on the day, you'll be sure to find US street food aplenty, including hot dogs, burritos, wings and delightfully named burgers like the Grandmaster Flash (with beef, lettuce, tomato, ketchup and smoky mayo), as well as taps pumping out cold brews. Plus, with whiskey joint The Gresham also in the vicinity, you can cap it all off with a stiff beverage. That's how all weekends should end, isn't it?
What do The Simpsons, Star Wars and Shrek have in common? They've all graced the big screen, they clearly share a love for the letter S and they're each huge hits. Oh, and they've all inspired their own firmly adults-only stage parodies, as pop-culture favourites starting with the 19th letter of the alphabet happen to do in Australia, it seems. Somebody once told us that Shreklesque is the burlesque and drag take pop culture's favourite green ogre that you didn't know you needed — and we're telling you that now. (And no, nobody informed you two decades ago that the animated hit would turn out like this, because no one could've predicted it.) On the bill at the aptly named show: the kind of irreverent and raunchy take on all things Shrek that The Bad Collective will be serving up with its upcoming The Stripsons, too — and, while Shreklesque has been around for a couple of years now, earning awards and acclaim in the process, the Aussie production is hitting the road for a national and New Zealand tour in 2022. That means that it's time to make a date with a production that might share a general storyline and a fondness for the colour green with the much less satirical — and actually family-friendly — Broadway hit Shrek the Musical, which came our way a year or so back, but couldn't be more different in a heap of ways. If you're wondering who had the brainwave to turn Shrek into a burlesque show, that'd be Trigger Happy as Shreklesque's creator and director. For this tour, the show's cast includes Bebe Gunn, Rainbow, Tugboat Tiffy, Baron Von Envy, Henny Spaghetti, Barbie Banks, Selin Tian, Rosaline DeRussi, Indea Sekula and De La Vinx. Wearing green is obviously recommended — although you'll be seeing plenty of it on-stage anyway. And if this is exactly your sense of humour when it comes to beloved pop-culture commodities, all that glitters is gold, naturally. SHREKLESQUE AUSTRALIAN TOUR 2022 DATES: February 18–20: The Flamingo at Gluttony, Adelaide June 3–4: Enmore Theatre, Sydney June 11: The Princess Theatre, Launceston June 15–18: The Tivoli, Brisbane June 24: The Astor, Perth June 29–July 2: Athenaeum Theatre, Melbourne July 8–9: The Opera House, Wellington July 16: Entertainment Centre, Darwin Shreklesque tours Australia and New Zealand throughout 2022, starting in Adelaide in February, then picking back up again in June and July. Head to the show's website for further details and tickets. Images: SomeFX.
This time next year, you could well be spending your summer immersed in legendary Japanese artworks. The Art Gallery of New South Wales has announced a blockbuster exhibition, dubbed Japan Supernatural, set to open in November 2019 as part of the tenth Sydney International Art Series. Made up of more than 200 works from all over the planet, it's an exploration of the spirit world in Japanese art. Expect a immersive experience involving paintings, sculpture, prints, film, animation, comics and games. Leading the show is a monumental piece by Tokyo-born Takashi Murakami. He's a bit of an international rockstar, renowned for bringing together high and low art — much like Jeff Koons, Damien Hirst and Andy Warhol. Chances are, you first heard of him in the 1990s, when he launched the inaugural Superflat exhibition. Since then, he's been a prolific creator of paintings, drawings, sculptures and animations, and collaborated extensively with Louis Vuitton. Representing a much earlier era will be Katsushika Hokusai, born in Edo in 1760. His best-known piece is Thirty-Six Views of Mount Fuji, a series of wood block prints that includes the now iconic Great Wave off Kanagawa. While can't reveal, yet, which of his pieces will be travelling to Sydney, we're hoping we get some of the works that were at the NGV last year. Look out, too, for works by historical artists Utagawa Kuniyoshi, Tsukioka Yoshitoshi and Kawanabe Kyosai, as well as contemporary pop artist Chiho Aoshima and photographer Miwa Yanagi. The artworks are expected to be announced in early 2019, but, in the meantime, you can check out the ninth Sydney International Art Series, which includes paintings by Monet, Matisse and Picasso and a retrospective of South African photographer David Goldblatt's work. Japan Supernatural is slated to open at the Art Gallery of NSW in November 2019, as part the Sydney International Art Series. Image: Takashi Murakami by Claire Dorn.
After a few years absent from screens, the Guardians of the Galaxy are back in a big way. First, they popped up in this year's Thor: Love and Thunder, although Marvel's ragtag space-hopping superhero crew only made a brief appearance. Then, they scored their own — and the Marvel Cinematic Universe's first-ever — Disney+ holiday special. Next comes the long-awaited Guardians of the Galaxy Vol. 3, which'll soar into cinemas in 2023, and just unveiled its first trailer. When this threequel hits, it will have been six years since 2017's Guardians of the Galaxy Vol. 2, and Vol. 3 knows it. "We've been gone for quite a while," Peter Quill aka Star-Lord (Chris Pratt, Jurassic World Dominion) says in the just-dropped sneak peek — and yes, the film is set to have a sense of occasion about it. Not only do Quill, Mantis (Pom Klementieff, Westworld), Drax (Dave Bautista, Glass Onion: A Knives Out Mystery), Groot (Vin Diesel, Fast & Furious 9), Nebula (Karen Gillan, The Bubble) and Rocket (Bradley Cooper, Nightmare Alley) arrive back in cinemas in their own flick, but this might be their last mission. "We'll all fly away together one last time, into the forever — that beautiful sky," says Rocket, which might be the calmest thing he's ever uttered. There's no Kevin Bacon in the trailer, or likely in the movie, but there is the return of another familiar face — because Vol. 3 is serious about getting the team back together. Off-screen, that includes usual writer/director James Gunn (The Suicide Squad), after a chaotic few years that saw him fired by Marvel, then make the switch to the DC Extended Universe — where he's now actually co-chairman and co-CEO of DC Studios. Gunn returned to the MCU, however, for the holiday special and Vol. 3. The new film picks up after the festive episode, after the rest of the MCU's mayhem over the past few years, and with Quill still coping with big events. But, the Guardians still need to defend the universe, including on that possibly last quest that could lead to their end. Also back is Sean Gunn (The Terminal List) as Kraglin, while Bodies Bodies Bodies and Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan's Maria Bakalova voices Cosmo the Spacedog as she did in The Guardians of the Galaxy Holiday Special. Plus, Will Poulter (Dopesick) joins the cast as Adam Warlock — and Chukwudi Iwuji (Peacemaker) as The High Evolutionary. Check out the trailer for Guardians of the Galaxy Vol. 3 below: Guardians of the Galaxy Vol. 3 releases in cinemas Down Under on May 4, 2023.
Spending time with your loved ones, exchanging gifts with your nearest and dearest, enjoying hearty feasts and the boozy sips that go with them, decking the halls with boughs of holly, singing jolly carols: they're all tried-and-tested ways to celebrate the festive season. But sometimes, you just want to get tap, tap, tapping around a mini golf course, competing against your date, mates and/or family for putt-putt supremacy — and you want it to be Christmas-themed, too. Across the merriest part of 2022, the above situation is about to become a reality at Victoria Park's mini golf course. As it has done in previous years, the venue is giving its greens a temporary seasonal makeover, pairing swinging a club at a ball with plenty of festive cheer, decorations and sculptures. Head along from Friday, November 11–Tuesday, January 3, where you'll find bells, bows and twinkling lights. In past years, the course has also sported holly, giant candy canes, gingerbread houses, elves, toy soldiers and everything else festive that it can think of. Reindeers and Santa are usually involved, too, and different sections of the 18-hole site will be designed around ideas like Chrissy Down Under, Santa's mailroom and Christmas morning — plus there'll be a festive feast fairway, The North Pole and a 'deck the halls' hole. Find out whether you're naughty or nice at Christmas Putt Putt from 6am–10pm Sunday–Thursday and 6am–11pm Friday–Saturday — which means that you can stop by on your way to work, during your lunch break or after quittin' time as well. If you drop by post-6pm, you'll take to the green beneath Christmas lights, naturally. Victoria Park's Christmas putt putt follows hot on the heels of its Halloween shenanigans, which only wrapped up on that spooky date. Christmas Putt Putt takes over the Victoria Park Putt Putt Course at 309 Herston Road, Herston from Friday, November 11–Tuesday, January 3, open 6am–10pm Sunday–Thursday and 6am–11pm Friday–Saturday — with tickets costing $23 for adults. For more information, head to the venue's website. Images: Pandora Photography.
If you stream it, they will come: so discovered the Melbourne International Film Festival in 2020, when its biggest commitment to putting its lineup online resulted in the event's larget audience ever at the time. Now that the early days of the pandemic are over, the fest has been back in cinemas for a few years, and gloriously so. But for those located elsewhere around Australia, or folks who can't fit in as many IRL trips to the flicks as they'd like, or Melburnians who want to deploy every way there is to see as many movies possible during the festival, MIFF is still embracing its digital component. MIFF Online kicks off after the IRL event and runs past its in-person counterpart's end, too. To stare at the big screen, you'll be heading along between Thursday, August 7–Sunday, August 24. To play along from your small screen of choice, the dates are Friday, August 15–Sunday, August 31. While the range of films available to view on your couch via ACMI's Cinema 3 is smaller, there's still plenty to see — including both features and shorts. A post-apocalyptic musical starring Tilda Swinton (The Room Next Door), Michael Shannon (The Bikeriders), George MacKay (The Beast) and Moses Ingram (Lady in the Lake), The End hails from The Act of Killing and The Look of Silence's Joshua Oppenheimer — and it's one of the highlights on 2025's MIFF Online program. Fittingly, so is Videoheaven, with Alex Ross Perry (Her Smell) paying tribute to the video-store era via a Maya Hawke (Inside Out 2)-narrated film essay solely comprised from movie and TV clips. Or, you can visit Inner Mongolia's plains courtesy of To Kill a Mongolian Horse, catch coming-of-age tale Little Trouble Girls, explore a sunny sailing voyage with Kyuka Before Summer's End and join John Magaro (Materialists) for a road trip from Utah to Nebraska in Omaha. Tomorrow We Move from MIFF's 2025 Chantal Akerman retrospective is also available for viewing online, as is the new stop-motion animation Sanatorium Under the Sign of the Hourglass from the Brothers Quay (The Piano Tuner of Earthquakes) — plus SXSW-winning documentary Ghost Boy from Rodney Ascher (Room 237, The Nightmare, A Glitch in the Matrix), about a man with locked-in syndrome. 2025's MIFF spans Footy Shorts, a partnership with the AFL that's resulted in five short flicks focusing on the sport — and they're on the MIFF Online lineup as well. For more filmmaking in brief, the Australian shorts package is also making the leap to digital.
Unofficial Bridgerton balls have already popped up in Australia, but now it's time for the real thing: The Queen's Ball: A Bridgerton Experience, which comes with the backing of Netflix and Shondaland. After bringing regency-era vibes to Los Angeles, Washington DC, Chicago, Atlanta, Minneapolis, Denver and New York in the US, and also to Toronto and Montreal in Canada, the event is finally letting Down Under fans unleash their inner duke and duchess. For a month between Friday, May 24–Sunday, June 23, Melbourne will be doubling for London high society in the early 1800s, in The Queen's Ball: A Bridgerton Experience's exclusive Aussie stop. Step inside Fever Exhibitions Hall on Dawson Street in Brunswick and you'll feel like you're stepping back in time — or into the huge Netflix hit series, at least. Lady Whistledown aficionados will be able to head along every Friday, Saturday and Sunday evening to promenade around an immersive setup where a string quartet will be playing live tunes inspired by the show, dancers will accompany the music and live theatrical performances will keep you entertained. You'll also go for a spin in the ballroom yourself at the afterparty. Before then, you'll also hit up Madame Delacroix's modiste and an underground painting studio, then visit with the queen. Actors in period costumes will be wandering around, helping to set the mood — and yes, if you'd like to dress to fit the occasion, and the series, that's obviously heartily encouraged. The drinks list, including cocktails, will be Bridgerton-themed. While your sips aren't included in your ticket, a full bar will be available, as will snacks such as chips and lollies to purchase. The Queen's Ball: A Bridgerton Experience will unleash its lavishness just after the show's third season arrives, with the first four episodes dropping on Thursday, May 16, then the next four on Thursday, June 13. It also pops up after the New South Wales town of Bowral just scored a week-long Bridgerton-themed makeover, complete with stars Nicola Coughlan (Barbie) and Luke Newton (The Shape of Things) — aka Penelope Featherington and Colin Bridgerton — in attendance. The Queen's Ball: A Bridgerton Experience runs from Friday, May 24–Sunday, June 23 at Fever Exhibitions Hall, 62 Dawson Street, Brunswick, Melbourne. For more information or to join the waitlist for tickets — with presales from 6pm AEST on Monday, April 29 and general sales from 6pm AEST on Tuesday, April 30 — head to the event website. To watch Bridgerton in the interim, head to Netflix.
For almost two decades, Brisbanites have been able to head to Portside Wharf for a bite to eat and a drink with northside river views. That isn't changing; however, like most of the city's waterside spaces, the Hamilton spot is getting a revamp, with $20 million set to be spent on revitalising the precinct. This splash of cash, and the makeover that comes with it, are separate to the also-announced Northshore Hamilton expansion. That other project will see the neighbouring precinct gain an extra 1.2 kilometres, and is focused around hosting the Brisbane Athlete Village for the 2032 Olympic and Paralympic Games, then giving residents something to enjoy afterwards. Portside's revamp will be up and running much sooner, in fact: by December 2023, as per the just-revealed plan. Sixteen years after opening its doors, and after plenty of new additions in the surrounding area, Portside Wharf will score an extended entry plaza and main street — with enhancing views and increasing access to the river among the makeover's chief goals. The renovation will also create more shading and landscaping, which'll help the precinct expand its year-round outdoor dining options. And, the aim is to welcome in new stores, and also create dedicated subprecincts that are all about dining, retail and entertainment (with the latter complementing the existing Dendy cinema). Also, Portside will gain new areas focused on lifestyle and wellness, as well as premium boutiques. Cavill Architects and Urbis are teaming up on the project, with Cavill Architects Practice Director Andrew D'Occhio explaining that the renovations "will be opening-up Portside Wharf visually and physically from its northern entrance, extending through the heart of the precinct a vibrant main street to connect this area of Hamilton more directly to the water". "It is an opportune time to shape a new vision and future for Portside Wharf, one that refocuses on and celebrates the rich history and people of our local community. The redevelopment will entice new visitors to rediscover our village by the water, while redefining our vibrant neighbourhood locale for the more than 4000 residents now living in the immediate area," added Brookfield Residential Properties' Managing Director Lee Butterworth. "The changes we are making will amplify our community connections, provide exciting day and night experiences, leverage even further our enviable waterfront location, and create enticing spaces for our customers to relax, unwind and socialise. We are actively seeking to expand our tenant mix with new convenience, dining, wellness and boutique offerings that support our vision for this new evolution of Portside Wharf," Butterworth continued. [caption id="attachment_778600" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Portside is currently home to eateries such as Sono, Byblos and Gusto Da Gianni, but these changes mean that they'll soon have company. Further details about new retailers are slated to be revealed in the new future. And if you're wondering about Brisbane's other riverside makeovers, South Bank is also about to look rather different — also tied to the Olympics — and a new seven-hectare riverside parkland is set to join South Brisbane. Portside Wharf's revamp is set to be complete by December 2023 at 39 Hercules Street, Hamilton. Head to the precinct's website for further details.
Like all true-crime series, an air of inevitability hovers over The Clearing. With an eerie Australian sect at its centre, plus a rare female cult leader, a brood of blonde-haired children and a penchant for LSD, this story was always going to get the drama treatment eventually. Based on The Family, the notorious real-life group that formed in the 60s and operated out of regional Victoria, the eight-part Disney+ series arrives after Rosie Jones' 2016 documentary that shares the group's name and 2019 series The Cult of the Family. That said, The Clearing actually takes its basis from fiction, although there's no doubting where JP Pomare's novel In the Clearing found its inspiration. While history's sinister and sordid chapters frequently reach screens, including Australia's own long-running Underbelly franchise, The Clearing isn't the type of project that arrives every day. Playing The Kindred guru Adrienne Beaufort and one of her chief acolytes Aunty Tamsin, Aussie actors Miranda Otto and Kate Mulvany knew that from the moment that they received the show's scripts — but playing such complex roles was both intriguing and complicated. Constantly seeking new challenges as thespians, both have built up formidable resumes — Otto's spans everything from 90s standouts Love Serenade and The Well, The Lord of the Rings films, Steven Spielberg's War of the Worlds, and small-screen efforts Rake, Homeland and Chilling Adventures of Sabrina; Mulvany's includes The Great Gatsby, Secret City, Lambs of God, Elvis, The Twelve and Hunters — and they're both excellent in The Clearing. Still, for each, approaching the material required actively avoiding taking their cues from reality. Despite a fascination with cults, Otto steered clear of The Family's story. "I really couldn't get into any of that for myself. I couldn't even really go into the book, because there's so many layers in this script and so much that I had to do, that I couldn't really confuse myself with anything that might be different in a book," she tells Concrete Playground. "Sometimes on other projects, I will read the book as it's great source material. But when you start getting into 'did this happen?' or 'did that not happen?', I just thought that I'm just going to get so confused if I do that." Mulvany had the same reaction. "So much my character's journey is jigsawing along with [Otto's] journey, and so it was really, really important that we didn't have too much noise around our performances," she explains. "And that we really did go pretty much purely from the script, and our own knowledge of what a cult was, or what it is. I didn't even get a chance to read the book, so I had to really mould Aunty Tamsin on what I was given by the writers and the script." Joining the pair in The Clearing is a spectacular cast of fellow homegrown talents — Teresa Palmer (Ride Like a Girl), Guy Pearce (Mare of Easttown), Julia Savage (Blaze), Claudia Karvan (Bump), Mark Coles-Smith (Mystery Road: Origin), Hazem Shammas (The Twelve) and more — in a series that is unsurprisingly haunting and riveting from its first moments. With The Clearing streaming on Disney+ from Wednesday, May 24, we chatted to Otto and Mulvany about their initial responses to the show, researching cults, playing emotional vampires and seeking out female-led stories. ON THEIR FIRST RESPONSES TO THE CLEARING Miranda: "It was sent to my agent. I was told that it was about a female cult leader, which intrigued me automatically, because I'm very fascinated by cults and everything that goes with them. Then I received the scripts, and it was one of those nice things with a limited series where you get all the scripts together, and you're able to see the whole story unfold and the whole layered nature of it. Then I was just totally hooked. I love thrillers and puzzles." Kate: "I was a bit the same. I received the e-mail from the agent saying this has been offered to you, this Aunty Tamsin — and, of course, I read the first couple of scripts and went 'why am I the logical choice for this character?'. But then, as I read, there were a lot more pathways to her and from her that were really fascinating. It was a really great jigsaw to put together as an actor and as a character, so I was hooked from the start." ON PREPARING TO PLAY A CULT LEADER AND ONE OF HER ACOLYTES Miranda: "I've done a lot of research on cults generally. I was very fascinated by the Rajneesh Bhagwan cult — my aunty was in it in the 80s. I read Jane Stork's book [Break the Spell] about them, and watched Wild Wild Country, which was an amazing doc. And then I watched a lot of docs about other cults. But the the process for this, I don't know, we just sort of began. It's a funny thing, we had the scripts and we had everyone there and we just started — and it just kind of took on its own life in in some way." Kate: "Yeah. It did." Miranda: "I don't really feel like I sat down and intellectualised it and worked out exactly what I was going to do. I could make a plan, but then I'd have to throw the plan out because it didn't seem to work on the day. So in the end, it was really just working off the other actors and just finding it on-screen." Kate: "So much it was in the script as well, that it was popping off the page. But there was something so extraordinary about — I know my first day working with Miranda was, I think, your first day as Adrienne?" Miranda: "Yeah, that's right. Yes." Kate: "It was sort of a huge moment to have that — the first time we see her, the sun is behind her and she's approaching to to greet the children for the first time, and so that was a pretty good starting point." Miranda: "Yeah." Kate: "And a deep dive straight away, wasn't it?" Miranda: "I have to say, that day I totally started forgetting my lines. I was thrown in the moment — 'oh my gosh, this is such a lot'." Kate: "I don't remember that." Miranda: "You know, to suddenly be there and be in it — it was like 'oh wow'." Kate: "I don't remember that at all. I just remember you being extraordinary." Miranda: "I kept getting the names mixed when I was talking about the kids." ON FINDING WHAT DRIVES ADRIENNE AND TAMSIN Miranda: "That was a hard thing to find, actually. At first, they talk about 'are you driven by money, ego, power?'. And at first, I thought it was very much power — the power over people. But I found it really empty to play. It didn't really help me much. I couldn't get much from it. Then I had this particular scene with someone, and I realised in the moment that it was more about feeling so emotionally vacant or not able to feel things that that I was actually living vicariously in the moment of forcing these dramatic situations with people and seeing them in this emotional state, and then somehow by osmosis feeling that myself. It was like some enforced kind of feeling. I guess I described it as like an emotional vampire in some way — like not having that myself, then needing to force it in other people." Kate: "Yeah, it's pretty weird. But it was so strong. It was so powerful. And it means that the rest of us follow. Because, for Aunty Tamsin, Adrienne is constantly spoon-feeding these teaspoons of sugar — sweetness and delight, in terms of affection, or even a compliment, or even a touch. And then, of course, it's completely taken away. So for Tamsin, the powerlessness that she feels in her real life, she makes up for with her authoritarian rule over the children. It's still a vast emptiness behind that, but she's constantly given fuel by these spoonfuls of sugar that Adrienne feeds her — metaphorically." ON WHAT OTTO AND MULVANY LOOK FOR IN A ROLE Miranda: "For me, usually finding something that I haven't done before. I don't really want to repeat myself or play a similar character, so I'm usually often drawn to something that's quite different from the from the piece I immediately did before it. I work in antithesis to myself." Kate: "Same here, especially when they're female-led stories. There's something so delicious about diving into a world of a very female narrative — and we have so many strong female characters in this show, both as protagonists and antagonists. And that for me is something that I haven't had a chance to do enough of in my career. So that was a big thumbs up for me, that made me just go 'I would kill to play to play this role'." The Clearing streams via Disney+ from Wednesday, May 24. Read our full review.
Vivid Sydney is no stranger to lights. In each year's program — including with 2023's set-to-dazzle lineup, complete with Lightscape in the Royal Botanic Garden Sydney — filling the Harbour City with luminous installations is one of the citywide arts festival's main aims. Whether you're a local or a visitor, a wander around town in June involves stunning radiant sights awaiting at every turn. And this year, that glow will extend down to Wynyard's unused railway tunnels for the first time ever. This is the first time ever that the subterranean spot will be opened to the public, in fact — and turned into a light show beneath the streets. Meet Dark Spectrum, the ticketed installation that's world premiering at Vivid Sydney as a just-announced addition to the 2023 program. We hope you like lasers, secret passageways, bright colours and a one-of-a-kind experience, all on offer from Friday, May 26–Sunday, July 16. A collaboration between Vivid Sydney, Sony Music, Mandylights and Culture Creative, this underground spectacle features eight rooms, all heroing a different hue, with the entire setup inspired by raves and their dance floors. They're each meant to mimic the human experience through life, too, as helped by robotics, visual technology and a pulsating electronic dance music soundtrack. Accordingly, Dark Spectrum will take attendees through rooms themed around separation, constriction, pressure and the unseen, then spaces that are all about reflection, the unfamiliar and connection. The last one? It serves up an end with a revelation — which will obviously need to be experienced rather than explained. Vivid Sydney has given a few hints about what's in store, though. In Construction, 150 LED pipes will hang from the roof, while Pressure will feature 50 archways covered in lights and mirrors — and make Wynyard's tunnels look like a never-ending tunnel. Or, there's Interaction, a sea of hanging string lights and illuminated plants that respond to movement, which takes its cues from Avatar. "We're thrilled to announce this world-first experience for Vivid Sydney 2023. Dark Spectrum is a perfect fit for this year's festival theme, exploring the intersection between human emotions, our natural environment and the urban landscape and relics of Sydney's industrial past," said Vivid Sydney Festival Director Gill Minervini. "Diving beneath the surface of what is now one of the city's busiest railway lines, Dark Spectrum is a truly mesmerising and engaging experience for visitors to explore Sydney in a whole new way. I am excited we get to shine a light on unknown spaces across the city". After its Sydney debut, Dark Spectrum will tour the world — so for folks outside of the Harbour City who can't make it along during Vivid, cross your fingers that it next comes your way. Vivid Sydney 2023 will run from Friday, May 26–Saturday, June 17. For further information and tickets — including to Dark Spectrum from Friday, May 26–Sunday, July 16 — head to the event's website.
Architects across the world are adopting the idea of exhibitionism in their design of some very ‘open’ houses. Not leaving much to the imagination, people who live in these see-through structures obviously aren’t shy about exposing their true selves. Ranging from a three level, blue-tainted glass box set in snowy Milan, to an oversized toy house in the middle of Tokyo, these houses are perfect for the eccentric exhibitionist looking to reveal some of their quirkiness to the outside world. The Glass House by Philip Johnson — New Canaan, Connecticut Farnsworth House by Mies van der Rohe — Plano, Illinois Glass House by Unit Arkitektur AB — Träslövsläge, Sweden Glass House by SANTAMBROGIOMILANO — Milan, Italy Glass House by JM Architecture — Lake Lugano, Italy House NA by Sou Fukimoto Architects — Tokyo, Japan Jodlowa House by PCKO — Krakow, Poland The Sebastopol Residence by Turnbull Griffin Haesloop Architects — Sebastapol, California
Already one of the most scenic spots in Brisbane's inner city, South Bank is adding another attraction to its list: its first rooftop hangout accessible every day of the week. Located on the 21st floor of Grey Street's Emporium Hotel and open from breakfast onwards from Wednesday, October 3, The Terrace will boast an all-day dining menu, plus plenty of drinks. It'll also feature luxe surroundings and one hell of a panoramic view over the river, South Bank and across to the CBD. Under the guidance of executive chef Chris Norman, the food menu will take care of all the usual daily meals, including brekkie, brunch, lunch, dinner, late-night snacks and everything in-between. The beverage list is set to feature classic and signature cocktails, as well as local and international wines and spirits. Of course, if you're taking the elevator up to sky-high surroundings, then you're just as interested in the decor and vantage. Design-wise, the look is unsurprisingly opulent — think light colours, walls filled with greenery, white backlit onyx floor tiles and a 13-metre bar made out of the same material. Date palms add to the tropical vibe, while floor-to-ceiling glass doors open out onto the balcony. And, to ensure that Brisbanites can make the most of The Terrace come rain or shine, the venue has two retractable roofs. A 23-metre infinity edge pool is also located on Emporium's top floor, however this is for guests only. But if you are treating yourself to an overnight stay, you'll be able to order something to eat and drink from The Terrace while you laze by the water. Those keen to drop by just for a beverage, bite and breathtaking vista are encouraged to book in advance. The Terrace will open at the Emporium Hotel South Bank, 267 Grey Street, South Brisbane from Wednesday, October 3. It'll be open from 6.30am until late every day of the week.
While it feels like it was only yesterday that we were last eating boozy Christmas pud with nan, it's somehow already December (again) — which means, yes, we're almost at the end of 2022. And, over the past 12 months, Brisbane's bar scene has continued to grow at an impressive rate. Not only have new drinking holes popped up across the city — opening everywhere from old aircraft hangars to heritage-listed buildings — but plenty of these libation stations are multi-faceted, doubling as breweries, distilleries. So, here are our favourite ten bars to throw open their doors in 2022. Add them to your list. Tick them off. Just as Santa's doing now.
