The location: a picturesque Hawaiian resort. The clientele: rich and mostly loving it. The vibe: largely demanding, entitled and oblivious that their attitude isn't everyone's idea of normal, at least when it comes to the bulk of the guests staying on the premises and expecting the hotel's staff to cater to their every whim. That's where The White Lotus finds its setting, and the type of folks the HBO series places in its suitably sun-dappled frames as well. But there's an anxious, dark and complex undercurrent pulsating beneath every gorgeous beach, luxurious suite and cashed-up patron — and a strong awareness of the chasm between the well-to-do customers and the struggling and striving hotel staff, too. The latest series from writer/director Mike White (Brad's Status), The White Lotus splits its time between some of the resort's current crop of guests and a selection of its employees. Business hotshot Nicole (Connie Britton, Bombshell) is on holiday with her husband Mark (Steve Zahn, Where'd You Go, Bernadette), teenage son Quinn (Fred Hechinger, Fear Street), college-student daughter Olivia (Sydney Sweeney, Euphoria) and the latter's pal Paula (Brittany O'Grady, Little Voice), but tension keeps festering — Nicole can't help working, Mark receives some unexpected news, Olivia keeps kicking Quinn out of their room and Paula hits it off with Kai (Kekoa Kekumano, Aquaman), one of the staff. Newlyweds Rachel (Alexandra Daddario, Songbird) and Shane (Jake Lacy, Mrs America) are on their honeymoon, but he's too fixated with the fact that they didn't get an even fancier suite, to the point of constantly harassing the hotel's Aussie manager Armond (Murray Bartlett, Tales of the City). Meanwhile, Tanya (Jennifer Coolidge, Promising Young Woman) just lost her mother, is working through her grief and leans heavily on spa manager Belinda (Natasha Rothwell, Insecure). Back in 2011–13, long before The White Lotus became one of 2021's best new shows — and best shows overall as well — White spent two seasons crafting Enlightened, the excellent two-season Laura Dern-starring comedy-drama that was cancelled much too soon. It followed an executive who broke down at work and, when she stepped back into her life, wanted something completely different not just for herself, but for and from the world. It isn't linked, narrative-wise, to White's latest TV miniseries. The same mood flows through, however. And, in terms of sinking its claws into the affluent, eat the rich-style, The White Lotus also pairs nicely with the White-penned Beatriz at Dinner, especially as it examines the differences between the haves and the have nots. The result: a perceptive, alluring and excellently cast satire that hooks viewers from the outset, and then keeps them both guessing and obsessed. In its opening scene, the series shows Shane accompanying a body on the way home, so the audience know this'll end with a death — and wondering who, how and why is one reason that The White Lotus is so compelling. But as each episode unfurls, it's clear that these characters are reassessing what they want out of life as well. The privileged aren't doing it willingly, unsurprisingly, but those at their beck and call definitely are. Here, a glam and glossy getaway becomes a hellish trap, magnifying glass and mirror, with everyone's issues and problems only augmented by their time at the eponymous location. This twisty, astute, savage and hilarious storyline will wrap up after six episodes, in what was meant to be one of HBO's many miniseries. That's the only bad part about the show — but, ahead of its final instalment, HBO has just announced that it's going to bring The White Lotus back for a second run. The next batch of episodes will tell a different chapter in a new place, focusing on a fresh group of holiday-goers at another White Lotus property. Just when they'll arrive hasn't been revealed as yet. Fingers crossed that it's as engrossing and biting as this initial season, though — and that it sports a score of tunes that are just as enticing and also eerie, too. Check out the trailer below: The first five episodes of The White Lotus season one are available to stream via Binge, with the sixth episode dropping on Monday, August 16.
When you've ushered the world into Vincent van Gogh's work — getting them not just peering at it but stepping through it thanks to an immersive 360-degree experience — what comes next? For the folks at Melbourne-based Grande Exhibitions, it's now Claude Monet and his impressionist peers' turn. Hot on the heels of Van Gogh Alive touring the country, and even hitting up some cities multiple times, Monet in Paris is set to dazzle from winter 2023. This exhibition will enjoy its world premiere in Brisbane, hitting Northshore Hamilton for two months from Wednesday, June 7–Sunday, August 6. While further stops haven't yet been announced, the River City stint is being hailed as its global debut — and it will tour Australia afterwards. Art lovers can look forward to wandering around the 2500-square-metre Grand Palais, a marquee custom-designed by Australian theatre designer Anna Cordingley, with the venue set to feature six breakout spaces, a cafe, multiple bars and a gift shop. Of course, it's Monet and his pals' creations that's the big drawcard. Featuring Monet's Water Lilies, getting attendees dancing with Edgar Degas' ballerinas and just whisking visitors into 19th-century Paris' bohemian vibe — with detours to the French countryside — there'll be plenty to see. Fans of Van Gogh Alive know how it works from there, with iconic paintings projected large — pieces not just by Monet and Degas, but also from Camille Pissarro, Pierre-Auguste Renoir, Paul Cézanne, Berthe Morisot, Mary Cassatt and more. Once again, that means using Grande Experiences' state-of-the-art technology, which is behind those beamed images. And, there'll also be a classical score soundtracking the experience. "The team at Grande Experiences are absolutely thrilled to premiere Monet in Paris in Brisbane in June," said Founder and CEO Bruce Peterson. "Produced in the same immersive multi-sensory format as the hugely successful Van Gogh Alive, this very new and unique experience will captivate and enthral audiences young and old as we enjoy many of the colourful works of art from the French masters of the 19th century, combined with a wonderful musical score and special aromas permeating throughout the venue," he continued. If Monet in Paris sounds familiar, that's because Grande Exhibitions also run Melbourne's digital-only gallery The Lume, which has been hosting the similar Monet & Friends Alive since October 2022. Monet in Paris' debut season will run from Wednesday, June 7–Sunday, August 6 at Northshore, Brisbane, with ticket pre-sales from Thursday, March 9 and general sales from Tuesday, March 14. For further details, head to the event's website. Images: Grande Experiences.
No one plays with a Barbie too hard when the Mattel product is fresh out of the box. As that new doll smell lingers, and the toy's synthetic limbs gleam and locks glisten, so does a child's sense of wonder. The more that the world-famous mass-produced figurine is trotted through DreamHouses, slipped into convertibles and decked out in different outfits, though — then given non-standard makeovers — the more that playing with the plastic fashion model becomes fantastical. Like globally beloved item, like live-action movie bearing its name. Barbie, the film, starts with glowing aesthetic perfection. It's almost instantly a pink-hued paradise for the eyes, and it's also a cleverly funny flick from its 2001: A Space Odyssey-riffing outset. The longer that it continues, however, the harder and wilder that Lady Bird and Little Women director Greta Gerwig goes, as does her Babylon and Amsterdam star lead-slash-producer Margot Robbie as Barbie. In Barbie's Barbie Land, life is utopian. Robbie's Stereotypical Barbie and her fellow dolls genuinely believe that their rosy beachside suburban excellence is infectious, too. And, they're certain that their female-championing realm — and them being female champions of all skills, talents and appearances — has changed the real world inhabited by humans. But there's a Weird Barbie living in a misshapen abode. While she isn't Barbie's villain, not for a second, her nonconformist look and attitude says everything about Barbie at its most delightful. Sporting cropped hair, a scribbled-on face and legs akimbo, she's brought to life by Saturday Night Live great Kate McKinnon having a blast, and explained as the outcome of a kid somewhere playing too eagerly. Meet Gerwig's spirit animal; when she lets Weird Barbie's vibe rain down like a shower of glitter, covering everything and everyone in sight, the always-intelligent, amusing and dazzling Barbie is at its brightest and most brilliant. This film has much to do, as a Mattel- produced affair that also skewers the brand, and both dotes on and parodies all things Barbie, must. The more askew it gets and revels in it, the better. Indeed, in a movie that not only overflows with a feminist perspective, but pokes glorious fun at the patriarchy — plus 90s male-fronted rock, car and horse obsessions, and men competing and one-upping each other (side note: do Kens have genitalless bulge-measuring contests?) — it throws in a glaring clash that couldn't serve the picture better. Barbies can be anything, be it President (Issa Rae, Insecure), a doctor (Hari Nef, Meet Cute), a diplomat (Nicola Coughlan, Bridgerton), a Nobel Prize-winning physicist (Emma Mackey, Emily), an author (Alexandra Schipp, tick, tick... BOOM!), a Supreme Court justice (Ana Cruz Kayne, Jerry and Marge Go Large), a journalist (Ritu Arya, Polite Society), a lawyer (Sharon Rooney, Jerk) and a mermaid (Dua Lipa, making her movie debut). They can also nearly have the film stolen from them by a Zoolander-esque himbo Ryan Gosling (The Gray Man) at his absolute funniest as Stereotypical Barbie's yearning Ken. Before Ken's stunning late-film, go-for-broke, 50s-musical-adoring song-and-dance number that deserves all of the awards, including for Gosling putting his crooning to use again post-La La Land and loving it, Barbie has to derail the Barbies' constant rotation of best days ever. Gerwig and her Greenberg, Frances Ha, Mistress America and White Noise helmer Noah Baumbach, who co-writes here, wouldn't have a storyline otherwise. Together and apart, the duo has a stellar pedigree in conveying the disappointments of simply being, a notion they pull back out of the box. For Stereotypical Barbara Millicent Roberts, her idyll shifts when her giant blowout party with all the Barbies, planned choreography and a bespoke song sparks thoughts about death for the first time. Next comes messy hair upon waking, burnt breakfast, a fall from her DreamHouse to her car — rather than floating down like a hand is airlifting her — and suddenly unarched feet that can't handle high heels. Only Weird Barbie has an inkling of what's going on, guiding Stereotypical Barbie to the real world to seek out whoever's playing with her, discover why they're less than blissful and fix that human to fix herself. Los Angeles, here she comes — to rollerblade in neon as everyone has known since 2022, and with Ken tagging along. Gosling's Ken is only one Ken, of course. Simu Liu (Shang-Chi and the Legend of the Ten Rings), Kingsley Ben-Adir (Secret Invasion), Ncuti Gatwa (Sex Education) and Scott Evans (Grace and Frankie): they're other Kens. John Cena (Fast X) is a Ken mermaid. Michael Cera (Black Mirror) is Alan, and he's unique. In Barbie Land, everyone who isn't Barbie — even Midge (Emerald Fennell, The Crown) — sits in the Barbies' shadow. When, as they meet Mattel employee Gloria (America Ferrera, Superstore), her teen daughter Sasha (Ariana Greenblatt, 65) and the company's CEO (Will Ferrell, Spirited), Barbie and Ken learn that reality doesn't mirror that setup, their glossy polymer bubble bursts. Weathering a surreal existential crisis or not, and even being the butt of one of narrator Helen Mirren's (Shazam! Fury of the Gods) many wry jokes by name, Robbie is sparkling, warm and sincere. There's nothing PVC about her performance, which is equally light and heartfelt — and still gives Gosling all the room that he can thrust his spray-tanned chest into to deliver a hilarious physical comedy masterclass (and, although Robbie led Babylon, sometimes sashay like he's in Hollywood's Golden Age). Robbie, and Gosling also, keep shimmering when the film feels a touch careful, or falls slightly and briefly flatter. They're the sublime antidote when Barbie stresses that it's lampooning, rather than just doing it. And, though playing characters with painted-on fridge contents (her) and "just beach" as a job (him), they're what makes the movie feel wonderfully real and earnest even when — especially when — it's at its goofiest and silliest. Gerwig has directed a lively, zany, oh-so witty and pretty Barbie flick that's perfectly cast, a costuming showcase and, in Barbie Land, a production-design dream. With Baumbach, she's penned a knowing, mile-a-minute, meta-but-meaningful film that's a tribute and a takedown — happy celebrating Barbie's aspirational role and place in history since 1959, while calling out corporatised girl power, mainstream beauty standards, the ridiculous expectations placed upon women (basically dropping a sequel to Gone Girl's "cool girl" speech, in fact) and capitalism's intellectual property-hungry quest for control. Sometimes, the fingers that are moving Barbie's pieces are a touch too evident, pushing hard instead of just playing hard. Sometimes, they're a tad timid. Thankfully, these are minor issues, like choosing who Barbie should be when the possibilities are endless. This film's charms aren't quite infinite, but they're as ever-present as pink, pink and more pink in an ambitious, inventive and joyously entertaining movie that gave the world a fuchsia paint shortage.
UPDATE, April 26, 2021: Sorry to Bother You is available to stream via Google Play, YouTube Movies, Amazon Video and iTunes. How do you make a movie about the perils of apathy and complacency? A film that holds a mirror up to today's gleefully consumerist, corporation-driven society? A portrait of a world where money means power, and where both mean exploiting the many to enrich the few? If you're The Coup frontman turned first-time filmmaker Boots Riley, you also make a satirical comedy set in an alternate version of present-day Oakland, and a science-fiction fantasy that combines surreal images and scenarios with a savage message. You expose and skewer the status quo when it comes to race, class and wealth — and you tap into the anxiety that's become the prevailing mood of the 21st century. In short, you make Sorry to Bother You. Discussing the state of the world with with pals Salvador (Jermaine Fowler) and Squeeze (Steven Yeun), Cassius 'Cash' Green (Lakeith Stanfield) is offered a nugget of wisdom about the reason that nothing ever changes. "If you get shown a problem, and you have no idea how to control it, then you just decide to get used to the problem," he's told. Consider Sorry to Bother You the counterpoint — an audacious, absurd, amusing and highly entertaining rebuttal of simply accepting, assimilating, trying to conform and aiming to please. Riley takes Cash down a path that he can't merely grin and bear, in a picture that recalls Get Out and BlacKkKlansman in a vital way: it refuses to be shrugged off, ignored or overlooked. Get comfortable, because it's a wild ride. That said, being comfortable and content is a thorny notion in a film that paints the masses as workhorses for the rich, has everyone loving a reality show called I Got the S#*@ Kicked Out of Me!, and makes its protagonist rap for the braying approval of a largely white party. When viewers first meet Cash, he's anything but comfortable. In fact, he's waving about a fake 'employee of the month' plaque at a job interview, living in his uncle's (Terry Crews) garage with his artist girlfriend Detroit (Tessa Thompson) and barely managing to get by. He still gets the telemarketer gig, because they happily admit they'll hire anyone, but hawking encyclopaedias by phone is as soulless and soul-destroying as it sounds. Then a colleague (Danny Glover) gives Cash a tip: "use your 'white' voice". Taking his advice, he starts smooth-talking customers with tones that resemble Arrested Development's David Cross. Success follows, with Cash skyrocketing through the ranks to join the company's elite employees on the luxuriously appointed top floor. While his basement-dwelling ex-coworkers strike for better conditions, Cash is earning more cash than he's ever dreamed of, as well as the attention of hard-partying frat-boy CEO Steve Lift (Armie Hammer). He's also making multi-million dollar sales spruiking Lift's WorkFree concept, which promises ordinary folks a roof over their head and three meals a day if they sign a lifetime labour contract. Corporatised slavery is just the beginning of Cash's trip down the rabbit hole, and Stanfield is the perfect guide. On a resume that boasts Get Out, Atlanta and being one of the most memorable things about The Girl in the Spider's Web, Sorry to Bother You stands alongside Short Term 12 as the actor's best work. Here, he's everyone, including the marginalised and overlooked, and the minority communities forced to adjust to the prevailing world order. He's the everyday man unwillingly thrust into the spotlight, or laying awake worrying about existence, or just attempting to do what's right. For a while, he's also someone who gets shot from the bottom to the top and is willing to stomach his Faustian bargain. He's in great company, with Thompson, Yeun and Hammer all standouts. But Stanfield is Riley's anchor in a sea of chaos. And what chaos there is. Energy, zeal and fury, too, with the movie jam-packed with ideas, anger, insights and off-the-wall inclusions. Indeed, when a Michel Gondry-esque claymation sequence pops up, it's just one of the picture's stunning sights. Within such busy frames, there's little about modern society that Riley doesn't dissect and lambast, because, unlike the masses, he's not willing to look the other way. His lead character might adopt a white voice to survive and thrive, but the writer-director's voice is all his own (it's also literally heard on the soundtrack, which is partly supplied by The Coup). Like Cash, who's visually dropped into the lives of the people he calls, Sorry to Bother You's audience is submerged in the impassioned mindset of the film's creator. And Riley's not sorry to bother anyone. https://www.youtube.com/watch?v=PQKiRpiVRQM
Even if you really, really can't stand films/TV/books about self-involved twenty-something-year-old white people trying to figure their lives out, Frances Ha is poised to charm. Its secret? That's not easy to pin down, although it almost certainly has to do with star Greta Gerwig, and the total her-ness that pervades the film. It's full of energy and optimism and is, for a black-and-white arthouse film, utterly devoid of pretentiousness. Gerwig wrote this script together with director (and love friend) Noah Baumbach (Greenberg). Though she didn't necessarily envision herself in the lead role, it fits her perfectly, serving as a vehicle for an actor who doesn't quite fit the Hollywood mould to show off her charms. Goofy, socially awkward and totally "undateable", Gerwig's Frances Halladay is one of the most loveable characters you'll meet this year. Her 28th year ends up being a difficult one, as her best friend Sophie (Mickey Sumner) drifts away and she misses out on a position at the dance company she's been training with. These two challenges — BFF break-ups and self-actualisation — are the ones that matter here, though there's also the peripheral distraction of boys: the one who leaves her when she won't move in with him (Michael Esper), and friends Lev (Girls' Adam Driver) and Benji (Michael Zegen), who end up her (sometimes awkwardly) platonic roomies. Frances Ha is a story about coming of age, the late way we tend to do it now. Our heroine is sorting through which parts of so-called maturity are sensible to leading a good life, and which parts are just bullshit. And she's doing it with a scrappy pluck we can all get behind. It's all wonderfully tangential, sweet and unerringly funny, and it will have you dancing to Bowie's 'Modern Love' for days and days. https://youtube.com/watch?v=cw1euaNtuXM
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=PBMS85Rii5A THE GODMOTHER With the inimitable Isabelle Huppert at its centre, and a premise that owes a debt to Weeds and Breaking Bad, The Godmother strikes a crafty balance between comedy, drama and thrills. The Greta and Happy End star (and Elle Oscar-nominee) plays Patience Portefeux, a translator who works with the Paris police on narcotics cases — a job that's routine until, thanks to a big decision, it isn't. During an otherwise straightforward assignment that tasks Patience with listening to and translating wiretapped phone conversations, she holds back a few crucial pieces of information. Instead of giving her boyfriend Philippe (Hippolyte Girardot, Marseille) the details he needs to make a big bust and enhance his career, she chooses to take matters into her own hands. She's never done anything like this at work before, but she's soon redirecting the cops' attention, stealing an enormous stash of hash and taking up a side hustle as a wholesaler to street-level dealers. Her motivation: money. A long-widowed mother of two, she's attempting to secure her financial future via the only viable means at her disposable. As her fellow widow-turned-dealer in Weeds also did, she's also attempting to navigate a world that's hardly accommodating to single, middle-aged women. Adapted from Hannelore Cayre's book of the same name by the author with director Jean-Paul Salomé (Playing Dead, Female Agents), The Godmother is unsurprisingly lifted by Huppert, as everything she stars in always is. Indeed, if the film earns an English-language remake — which, undoubtedly, it will — Hollywood will be doing itself a disservice if the filmmaking powers-that-be cast anyone but the veteran French star. She plays Patience as a slippery, enterprising everywoman with hopes, dreams and a unique opportunity. More than that, she never lets a single thing about the character feel like a collection of stock-standard tropes and traits. It's due to Huppert, in fact, that The Godmother never flounders even when its script does cycle through more than a few predictable crime film cliches. Nonetheless, this is a lively and engaging caper that's helmed with a light touch, as well as a keen awareness of the material's deeper moments. It'd make a stellar double feature with 2018 heist flick The World Is Yours, too, which similarly deployed the distinctive talents of one of France's enduring leading ladies (and someone Huppert has been compared with constantly throughout her career): Isabelle Adjani. https://www.youtube.com/watch?v=JQz1Am56-GQ DEATH OF A LADIES' MAN Tales of men known for their romantic successes — or, to be more accurate, their luck between the sheets — might just have an expiration date in today's post-#MeToo world. We should've outgrown them earlier, really, although Death of a Ladies' Man smartly chooses to grapple with the fallout when a lifelong playboy is forced to face his own end. Taking its cues from Leonard Cohen's songbook (hence the title), this Canadian-Irish co-production also opts to interrogate the idea of the blissful womaniser and drunk, rather than simply let another suave, sauced-up lothario strut across the silver screen. Poetry professor Samuel O'Shea (Gabriel Byrne, Hereditary) is about to add another ex-wife to his tally when the film begins, actually, although this time he's the one who caught her being unfaithful. That's soon the least of his problems. After the hockey players at his son's (Antoine Olivier Pilon, Mommy) latest match appear to start singing and dancing on the rink, and he then returns home to hallucinate an entire boozy conversation with his long-dead father (Brian Gleeson, Hellboy), Samuel seeks medical attention. His daily drinking habit of anywhere up to 39 drinks isn't the problem, but rather a brain tumour — and the terminal prognosis that accompanies its diagnosis gives him just months left at best. For a film about cancer, death, addiction, lingering childhood trauma, several liquor cabinets full of regrets and taking stock of an unfulfilling life complicated by male fantasy, Death of a Ladies' Man is playful rather than bleak — welcomely so. The visions that cause Samuel to imagine women with tiger heads (and sometimes entire relationships) all add a surreal touch to a movie that knows it is wading through both weighty and familiar territory. Writer/director Matt Bissonnette (Passenger Side) doesn't endeavour to thwart or dispel tropes, but to unpack them. Confronting a fatal disease and looking back at all the mistakes made to that juncture is another oft-used narrative crutch, and usually the only time someone with cancer is treated like a real person in a feature, but here it also helps Death of a Ladies' Man expose just why Samuel has clung to his image for so long, what he's been hiding from in the process and what it has ultimately cost him. Byrne is excellently cast, as he usually is, bringing both charisma and waning hubris to the film's protagonist — and Cohen's songs do what they're meant to, adding insight, beauty and melancholy to this quietly potent blend of comedy and drama. https://www.youtube.com/watch?v=0IuL_FSoMBU TWO OF US Early in Two of Us, Martine Chevallier sports a look of such utter devastation and heartbreak that it feels as if her pain will smash the camera peering her way. The French actress (Farewell, My Queen) plays Madeleine, a retiree finally free of the husband she abhorred — a fact that her adult children Frédéric (Jérôme Varanfrain, A Wedding) and Anne (Léa Drucker, Custody) ignore in vastly different ways — and now living with the woman, Nina (Barbara Sukowa, Gloria Bell), that she has secretly been in love with for decades. Given her kids' attitude towards their father, she hasn't been able to tell them. Indeed, when the aforementioned expression darkens her face, it's because Nina publicly admonishes her for hiding their relationship. But the German expat will soon sport the same look, too, after tragedy strikes. In the aftermath, neither Frédéric or Anne know her as anything more than just a friend of Madeleine. So, she spends her days peeking through the peephole in her own front door across the hall — one of the benefits of keeping a second apartment to maintain their ruse — and trying to sweet-talk her way into new carer Muriel's (Muriel Bénazéraf, Conviction) good graces in order to even see and snatch the smallest amounts of time with her lifelong love. Largely taking place within Madeleine and Nina's flats — one warm and inviting, the other sparse and hardly used — Two of Us is an intimate film several times over. First-time feature writer/director Filippo Meneghetti stares intensely at his characters as he steps into their complex lives and, slowly and patiently, watches as they inch towards revealing their true selves to the world. The central performances, especially by Sukowa, a German acting powerhouse dating back to Rainer Werner Fassbinder's Berlin Alexanderplatz and Lola, couldn't feel more lived-in. Nor could the rapport between Madeleine and Nina, even after illness robs the former of her words. And, the same applies to the predicament that Nina finds herself navigating, circumstances she shares (with a few minor tweaks) with the protagonist in Oscar-winner A Fantastic Woman. Deeply contemplating the historical treatment of queer relationships, and the struggles that still linger today, this is both an astutely judged and overwhelmingly heartfelt drama, and one that also simmers with tension and anger. It's impossible not to feel moved and infuriated by the behaviour directed Madeleine and Nina's way, and to be moved by this tender and impassioned story in general. https://www.youtube.com/watch?v=OGDWckiZcj8 I BLAME SOCIETY She's fired by her manager after he finally reads one of her scripts, then deems the topic of Israel "too political". When his assistant wrangles her a meeting with a couple of indie film producers in the aftermath, she's asked to lend her perspective to stories about strong female voices, breastfeeding in public, and either intersexuality or intersectionality — when it comes to the latter two, they aren't quite sure which. So, as I Blame Society gleefully posits in its savage takedown of the film industry today, it's little wonder that Gillian (writer/director Gillian Wallace Horvat) decides to follow up a leftfield idea. Three years earlier, some of her friends told her that she'd make a great murderer, a notion that she took as a compliment and has been fascinated with to an unhealthy degree ever since. Indeed, at the time, she went as far asking her pal Chase (co-writer Chase Williamson) if she could hypothetically walk through the process of killing his girlfriend. The request put a long-lasting pause on their friendship, to no one else's surprise. Now, as she resurrects the project, her editor boyfriend Keith (Keith Poulson, Her Smell) keeps reiterating that it's a terrible idea; however, with no other avenues forward, Gillian is committed to doing whatever she thinks she needs to to kickstart her career. During a mid-film conversation, an increasingly exasperated Keith reminds Gillian that no "there is no movie that is worth hurting someone for". He's endeavouring to get her to agree, but "if it's a very bad person for a very good movie…" is her quick and firm reply. I Blame Society is equally direct. While Horvat plays a fictional character — and, the audience presumes, hasn't ever flirted with or committed murder in real life — she absolutely slaughters her chosen concept. Not every line or moment lands as intended, but this biting satire sticks a knife into every expectation saddled upon women in general and female filmmakers especially, then keeps twisting. The film's recurrent gags about likeability cleave so close to the truth, they virtually draw blood. Its aforementioned parody of supposed allyship among powerbrokers and gatekeepers is similarly cutting and astute. In their canny script, Horvat and Williamson find ample time to poke fun of a plethora of industry cliches and microaggressions, the treatment of marginalised voices both within filmmaking and in broader society, and even the current true-crime obsession, all without ever overloading the 84-minute movie. And, on-screen as well, Horvat is a savvy delight. She wants viewers to both cringe and nod, and everything about her performance and her feature directorial debut earns that response. I Blame Society is currently screening in Sydney and Melbourne cinemas. https://www.youtube.com/watch?v=9WrZU_14cxE SONGBIRD If there are any words that absolutely no one wants to see when they're watching a COVID-19-inspired movie, it's these: produced by Michael Bay. The filmmaker who gave cinema the Bad Boys franchise and five Transformers flicks isn't behind the lens of Songbird, but writer/director Adam Mason and his frequent co-scribe Simon Boyes (Hangman) have clearly mainlined Bay's work, then decided to use its worst traits as a how-to manual. Set in 2024, when a virulent mutation of the coronavirus known as COVID-23 is on the loose, their tactless thriller is gimmicky and misguided at best. It's derivative, dull and has a plot that's so stale it really should also feature a tornado full of sharks, too. Wondering what might happen if the pandemic was even more horrendous and tragic than it is — and if America's handling of it, as based on 2020's response at least, was skewed even further towards corporate interests and the rich — the film decides to opt for quarantine concentration camps and a gestapo-like sanitation department. When it's not tastelessly taking cues from the holocaust to supposedly turn a shattering event the world is still experiencing into entertainment, it also attempts to tell a Romeo and Juliet-style love story about a couple separated by lockdown. And, if you've ever wondered what might happen if a Bay wannabe remade David Lynch's Blue Velvet, Bradley Whitford's (The Handmaid's Tale) role as an oxygen-huffing record executive preying on a young singer (Alexandra Daddario, Baywatch) answers that question as well. Bicycle courier Nico (KJ Apa, Riverdale) is resistant to COVID-23, and has an immunity bracelet to prove it; however, his girlfriend Sara (Sofia Carson, Feel the Beat) and her grandmother (Elpidia Carrillo, Euphoria) aren't so lucky. The coveted wristwear can be bought on the black market, though, which is why Nico is trying to make as much cash as he can working for delivery kingpin Lester (Craig Robinson, Dolemite Is My Name). The obvious happens, of course, sending unhinged sanitation head Emmett Harland (Peter Stormare, John Wick: Chapter 2) to Sara's building — and putting a deadline on Nico's quest, which wealthy couple William (Whitfield) and Piper Griffin (Demi Moore, Rough Night) might be able to assist with. The latter are also meant to be a picture of stay-at-home disharmony, all while trying to protect their immunocompromised daughter Emma (Lia McHugh, The Lodge) from anything outside their sprawling mansion. A PTSD-afflicted ex-veteran (Paul Walter Hauser, Richard Jewell) who flies drones to experience life beyond his walls also forms part of the story, although not a single character is given enough flesh to make viewers care about their plight. Even only clocking in at 84 minutes, this thoroughly unsubtle and exploitative film overstays its welcome — and the fact that it's shot and edited like Bay's glossiest and most bombastic action fare doesn't help. https://www.youtube.com/watch?v=EzigvG55ImQ SON OF THE SOUTH A film can tackle an always-important subject, tell a true tale about a real-life figure and their hard-fought battle for a crucial cause, and also seem caught between an adoring celebration and an after-school special. It can boast Spike Lee's frequent editor as its director — with Barry Alexander Brown splicing together everything from Do the Right Thing and Malcom X to BlacKkKlansman — and also Lee himself as an executive producer, and still feel like the most simplistic version of its narrative. And, it can pay tribute to a crusader in the civil rights movement, and note the struggles involved for a southern-born and -bred white college student with klan ties so recent in his past that his grandfather remained a hate-spewing member, and also leave viewers wondering why someone like future US Congressman John Lewis is treated like a mere footnote. Yes, a movie can do all of the above because Son of the South does. Adapted by Brown from Bob Zellner's co-penned (with Constance Curry) autobiography The Wrong Side of Murder Creek: A White Southerner in the Freedom Movement, this by-the-numbers biopic proves both earnestly well-intentioned and blandly formulaic. Even viewers unfamiliar with Zellner will find themselves knowing what to expect at each and every turn. Son of the South introduces its Alabaman subject (Lucas Till, MacGyver) in 1961, with a noose around his neck and an angry white mob at his feet, before flashing back to explain his predicament. This early storytelling choice is designed to make a statement, and to show how deep the resistance to equality burrowed at the time, but it really just acts as a reminder that such violence against Black Americans still rarely garners the same attention. Zellner found himself facing a lynching for his inability to stand on the sidelines — after Rosa Parks (Sharonne Lainer, The Outsider) made history five years earlier, after being told not to go to an event at a Black church commemorating her actions, and then after facing threats of arrest and expulsion for attending. His fiancée (Lucy Hale, Fantasy Island) warns him, too, and his grandfather (Brian Dennehy, The Seagull) says he'll shoot him, but he's soon helping Freedom Riders during riots and volunteering for the Student Nonviolent Coordinating Committee. Till's performance is as sincere as anything in Son of the South. He's also joined by scene-stealing co-stars, including Dexter Darden (Saved by the Bell) as Lewis, Lex Scott Davis (The First Purge) as a young college professor and Shamier Anderson (City of Lies) as a fellow SNCC worker initially skeptical of Zellman's involvement. And yet, they're all just tasked with sticking to a template, much to the movie's detriment. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; and May 6 and May 13. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down, The Perfect Candidate, Those Who Wish Me Dead, Spiral: From the Book of Saw and Ema.
Buy the ticket, take the ride, strap in for an onslaught of frenetic locomotive-bound fights: that's high-octane action-comedy Bullet Train on- and off-screen. Set on a shinkansen hurtling from Tokyo to Kyoto, in as stylised a vision of Japan that anyone not named Quentin Tarantino has ever thought of, this neon-lit adaptation of Kōtarō Isaka's 2010 page-turner Maria Beetle couldn't be more onboard with its central concept. That premise isn't snakes on a plane, but rather assassins on a train — plus one snake, one of nature's hitmen, actually. Cramming all those killers onto a single engine sparks mayhem, banter and bodies, not to mention chaotic frays in the quiet car and almost every other space. And when it works, with John Wick and Atomic Blonde's David Leitch steering the show, Tarantino and Guy Ritchie alum Brad Pitt as his main passenger, and a lifetime's worth of references to Thomas the Tank Engine slotted in, Bullet Train is as OTT and entertaining as it overtly wants to be. It doesn't always completely work, however; every journey, zipping along on a high-speed train or not, has its dips. Still, there are plenty of moving parts trying to keep the movie in motion — and plenty of plot, for better and for worse in both instances. In his second 2022 action-comedy after The Lost City, Pitt plays Ladybug, who is back riding the hired-gun rails after a zen break packed with new-age self-help platitudes. That's what he spouts to his handler (Sandra Bullock, The Unforgivable) by phone, in-between rueing his bad luck, as he tries to carry out what's supposed to be an easy job. All that Ladybug needs to do is take a briefcase, then disembark at the next station. But that piece of luggage is being transported by British assassin double-act Tangerine (Aaron Taylor-Johnson, The King's Man) and Lemon (Brian Tyree Henry, Atlanta), as they escort a Russian mobster's son (Logan Lerman, Hunters) home. To up the hitman ante, the shinkansen is also carrying The Prince (Joey King, The Princess) and Kimura (Andrew Koji, Snake Eyes: GI Joe Origins), who have their own beef, as well as the revenge-seeking Wolf (Benito A Martínez Ocasio aka Bad Bunny, Fast and Furious 9). As is always the case whenever anyone asks "are we there yet?" IRL, there's more: more twists and turns to the narrative, more bickering, more familiar names facing each other down, and a mass of flashbacks to events minutes, hours, days and months earlier, most of which make the leap from the page via Zak Olkewicz's (Fear Street: Part Two — 1978) screenplay. Wondering if the scribe and Leitch have seen Kill Bill, or the Pitt-starring Snatch, or the 90s attention-grabbers that were Reservoir Dogs, Pulp Fiction and Lock, Stock and Two Smoking Barrels as they bring Isaka's novel to the screen is thoroughly pointless. But, after The Gray Man, Bullet Train is the second big, star-studded, midyear action flick that's pieced together from familiar components, only to boast the cast and visual spectacle to carry it off more often than not. What a treat Pitt is, and has been for more than three decades — because that's how long it's been since Thelma & Louise thrust him to fame. Bullet Train draws upon his Ocean's Eleven brand of chattering, casual, happy-go-lucky charisma, even with Ladybug grappling with an existential crisis over his chosen profession. Pitt is comic, but never reaches Burn After Reading's goofiness. Amid the navel-gazing and bromides, he's still calm, collected and supremely capable at holding his own, but never to a Once Upon a Time in Hollywood extent. Although Leitch doesn't give Pitt his own John Wick or Atomic Blonde, it's as crucial a piece of casting. Neither of those two flicks would be the gems they are without their specific stars, and Bullet Train similarly wouldn't have hit the marks it does without its bucket hat-wearing biggest name and his detailed performance. While they fill their scenes trading words and blows, the best of Pitt's co-stars inspire the same reaction — including Hiroyuki Sanada (Mortal Kombat) as a veteran yakuza, Michael Shannon (Nine Perfect Strangers) as a pivotal powerbroker, and Taylor-Johnson and Henry particularly. A visually mismatched pair who quip and sling crosstalk with every breath, the latter duo have cookie-cutter comedic-relief supporting roles on paper, yet bring flair, scene-stealing commitment, and a genuine rapport and weight to their characters. It's thanks to Henry as the blonde-topped Lemon that popular culture's most famous train among pre-schoolers not only plays such a sizeable part, but becomes a life-guiding creed. That's a bit taken directly from the source material and, yes, it could've proven both clunky and cringey on-screen. Bullet Train isn't concise at 126 minutes, and giving its Thomas gags a bit too much steam is just one of its repetitive touches, but that whole gambit would've derailed fast in other hands. Leitch knows banter, and how to direct it; see also: Deadpool 2. While he also knows how to overdo a winking, nodding, smirking vibe that overflows with references to entertainment elsewhere — see also: Deadpool 2 — Bullet Train never feels like it's merely and smugly laughing at its own jokes. And, although not every gag lands, or even the tone from station to station, it's gleeful about how silly it can skew, as its impressively choreographed and inescapably ridiculous action scenes show. Leitch also knows stunts, given that's where he famously started out. In Fight Club, Spy Game, Ocean's Eleven, Troy and Mr and Mrs Smith, he was Pitt's double. It's little wonder that the dynamic confrontations — which involve everything from that key briefcase, laptops and water bottles through to knives, guns, swords and the snake — bounce across their train-bound setting, and the screen, as vividly lensed by Leitch's regular cinematographer Jonathan Sela (Fast & Furious Presents: Hobbs & Shaw). Bullet Train's highlights gleam and flow, just like the film's sleek look and feel, but even when you're happily strapped in, bumps can bubble through. There's never a moment where it isn't a lot, which it's well aware, although luckily — the audience's, and Ladybug's — it's never having less than a hyperactive, cartoonish blast with everything it throws at the screen. Henry's Atlanta co-star Zazie Beetz, playing another of the feature's killers, deserves a better, more fleshed-out character, and more screentime. The ideas of family, trauma and fate at the story's core are often just scaffolding around the repartee and setpieces. Spotting the picture's influences is as plain to see as Tokyo's twinkling lights, and as blatant as the Japanese covers of 'Stayin' Alive' and 'Holding Out for a Hero' on the soundtrack. Buy the ticket, take the ride, settle into the movie's rhythm, let Pitt be your guide: that's still Bullet Train, though, too.
Across just four episodes so far, Wednesday's second season has filled its frames with everything from serial killers, multiple stalkers, zombies and vengeance plots to new characters and extra time around Nevermore Academy for familiar faces. There's more to come, and soon, with the season's second half dropping in September 2025. Wondering what else is in store? Lady Gaga (Joker: Folie à Deux) joining the cast, for starters — and a surprise return. In the just-revealed trailer for the second part of season two, a new spirit guide becomes part of Wednesday's experience. A voice whispers "beware — there will be a price to pay", too. The former comes courtesy of Gwendoline Christie (Severance) returning as Larissa Weems, with the character making a comeback from beyond the grave. As for the latter, Little Monsters will spot who's speaking. Tim Burton's (Beetlejuice Beetlejuice) TV dive into the world of the Addams Family unveiled the initial half of season two on Wednesday, August 6. The Netflix hit will close out its season with the final round of episodes on Wednesday, September 3. However the show's second stint pans out, there's even more on the way — Wednesday was renewed for season three before any part of season two even began streaming In the current run of the creepy, kooky, mysterious and spooky favourite, its namesake (Jenna Ortega, Death of a Unicorn) is back at Nevermore Academy and being heralded as a hero thanks to her efforts in season one. Wednesday is characteristically unimpressed by the attention. Swiftly, her focus is elsewhere, though, due to a premonition of her roommate Enid (Emma Myers, A Minecraft Movie) coming to a grave end, with Wednesday determined to do whatever she can to stop that from happening. Joanna Lumley (Amandaland), Steve Buscemi (The Studio), Billie Piper (Kaos) and Thandiwe Newton (Mufasa: The Lion King) are among the season two's other new cast additions. So are Evie Templeton (Criminal Record), Owen Painter (Tiny Beautiful Things), Noah B Taylor (Law & Order: Organised Crime), Frances O'Connor (The Twelve), Haley Joel Osment (Blink Twice), Heather Matarazzo (Paint) and Joonas Suotamo (The Acolyte) — plus Christopher Lloyd (Hacks), following Christina Ricci (Yellowjackets) among the stars of the 90s Addams Family films popping up in Wednesday. Fred Armisen (Fallout) remains Wednesday's take on Uncle Fester, however — one that Netflix is so keen on that there's been talk of a spinoff about the character. And Catherine Zeta-Jones (National Treasure: Edge of History) as Morticia, Luis Guzmán (Justified: City Primeval) as Gomez, Isaac Ordonez (Color Box) as Pugsley and Luyanda Unati Lewis-Nyawo (Dreamers) as Deputy Ritchie Santiago all have meatier parts than in season one. The trailer for season two's second part dropped just as Ortega, Myers and Burton arrived in Australia — along with Alfred Gough and Miles Millar, who created the show in the spotlight (and wrote the screenplay to 2024's Burton-helmed, Ortega-starring Beetlejuice Beetlejuice) — as well. They were all expected ahead of Wednesday Island on Saturday, August 16, which is turning Cockatoo Island / Wareamah in Sydney Harbour into a Wednesday haven for one day. Not anticipated: Christie joining them for a surprise appearance. Check out the trailer for Wednesday season two part two below: Part one of Wednesday season two is streaming now, and part two arrives on Wednesday, September 3, 2025 — both via Netflix. Read our full review of Wednesday season one. Images: Helen Sloan and Jonathan Hession/Netflix © 2025.
If you liked choosing your way through Black Mirror: Bandersnatch, Netflix has more where that came from. At present, you can also tell Bear Grylls what to do in interactive series You vs. Wild, and soon you'll be able to decide what happens to everyone's favourite kidnapping victim turned wide-eyed New Yorker in a one-off Unbreakable Kimmy Schmidt special. While the Tina Fey co-created, 18-time Emmy-nominated comedy finished up its regular run with this year's batch of episodes, which closed out the show's fourth season, it's coming back in 2020 to put viewers in control. While Netflix has actually been in the interactive game for a couple of years thanks to its children's shows like Puss in Boots, Buddy Thunderstruck and Stretch Armstrong, this'll mark the streamer's first interactive comedy. Always wanted to curb Kimmy's (Ellie Kemper) enthusiasm? Keen to steer ex-socialite Jacqueline White (Jane Krakowski) towards a few sensible decisions? Think that landlord Lillian (Carol Kane) could be more eccentric and misanthropic? Just love everything that aspiring actor and singer Titus Andromedon (Tituss Burgess) does? Then this is for you, obviously. Details of the storyline haven't been announced, but "fans will be able to make choices on behalf of our characters, taking different story paths with, of course, different jokes," revealed Tina Fey in a Netflix statement. "I think it's a great fit for our show and will be a great way to officially complete the series," she continued. Check out the trailer for the fourth season of Unbreakable Kimmy Schmidt below: https://www.youtube.com/watch?v=j0Ec8uWZrgA As reported by Variety in March, with Bandernatch proving such a hit, Netflix is understandably eager to capitalise upon the branching narrative format's success. "We realised, wow, interactive storytelling is something we want to bet more on," said the platform's Vice President of product, Todd Yellin, at a conference in Mumbai. "We're doubling down on that. So expect over the next year or two to see more interactive storytelling. And it won't necessarily be science fiction, or it won't necessarily be dark. It could be a wacky comedy. It could be a romance, where the audience gets to choose — should she go out with him or him." Unbreakable Kimmy Schmidt's interactive special will hit Netflix at a yet-to-be-revealed date in 2020. Image: Eric Liebowitz/Netflix.
Back in March 2020, when the Sydney Opera House shut its doors due to the pandemic, the venue quickly went digital. Last year was the year of experiencing gigs, talks and shows online, after all — but the Opera House isn't stepping away from its online slate now that life is returning to normal. With the venue's 2020 digital season From Our House to Yours proving a hit, the Opera House is taking the next step in 2021 and launching its own streaming platform. Simply called Stream, the new service is online now and serving up a lineup of concerts, chats and performances. At present, Stream features over 30 hours of programming, which spans more than 45 different events. Plenty of it is free, including a compilation of past Opera House gigs that features The Cure, Bon Iver, H.E.R. and Solange; a live set by Ziggy Ramo; Badu Gili's projection of Indigenous art onto the building's sails; First Nations dance competition Dance Rites; and the From Our House to Yours program. There's also a paid component, including highlights from the Opera House's recent Antidote and About All Women festivals — if you missed out on either and are keen to dive in. Performances by Sydney Symphony Orchestra, Bell Shakespeare, Sydney Philharmonia Choirs, Sydney Chamber Opera and Omega Ensemble are also on offer, as is free content for kids and families — and Stream's slate will keep growing, too. When the venue hosts four concerts at its Forecourt from Friday, April 9–Sunday, April 11, for instance, they'll be livestreamed free on the streaming platform. A new series of online commissions, called Shortwave, will explore the intersection between performance and digital. Online exhibition Returning, which will highlight works by Australian and Japanese artists that examine the post-pandemic world, is also set to join Stream in the near future. [caption id="attachment_806347" align="aligncenter" width="1920"] Badu Gili[/caption] Announcing the platform, the Opera House's Head of Digital Programming Stuart Buchanan said that Stream will augment "livestreams and performance recordings with digital-first work that celebrates the ways in which technology is being embraced and disrupted in the performing arts." Stream is also great news for folks who don't live in Sydney, or do but can't make it to a gig, show, festival or talk. While the Opera House won't be placing everything that graces its stages on the platform, the new service will still let you sample the venue's lineup without physically stopping by. To check out the Sydney Opera House's new Stream service, head to the platform's website. Images: Daniel Boud.
"There are eight billion people on this planet, but only 25 awards to be given out tonight". If you've ever dreamed about winning an Emmy, Oprah Winfrey just worked out your odds each year: over 300 million to one. Of course, that just makes every batch of recipients at Hollywood's night of TV nights all the more special — including 2022's, which just received its shiny trophies today, Tuesday, September 13, Down Under. Hosted by Saturday Night Live's Kenan Thompson, this year's ceremony started with an important question. "If it weren't for TV, what would be do in our free time?" Thompson asked — and if you spend plenty of your after-work hours watching the non-stop array of new and returning series always competing for your eyeballs, you understand. The Emmys always provide an answer to a different query, too, showing us all the reasons why we do keep reaching for the remote during our couch time. In 2022, the ceremony's winners included both returning favourites and new hits. Succession — or Business Throne, as it was dubbed by Girls5Eva — kept winning awards. That isn't a surprise given that it nabbed a whopping 25 nominations to begin with, including 14 for acting. The White Lotus also earned itself some new mantle knickknacks from its 20 noms, as did Ted Lasso from the same amount of nods. And Squid Game also got lucky, and a green light. Similarly among the highlights, beyond the gongs themselves: Lizzo's tearful speech about representation and body image in the media, and wanting to see someone like herself on TV; Amy Poehler and Seth Meyers riffing while handing out an award, which never gets old; Only Murders in the Building's Selena Gomez, Steve Martin and Martin Short doing the same, particularly Martin and Short's banter about each other's careers; and Brett Goldstein promising not to swear while picking up his award, then doing it anyway (he does play Roy fucking Kent, after all). Or, there was Jennifer Coolidge refusing to give up her "once in a lifetime" shot to thank everyone, and just dancing to the music playing her off; The White Lotus creator Mike White talking about his time on Survivor (yes really); and the fact that the ceremony started with opening musical numbers to the Friends, The Brady Bunch, Law and Order, Stranger Things and Game of Thrones themes (again, yes really). Now, back to those winners — you'll find the full list below, as well as who they were up against. Fancy knowing more about this year's must-see highlights? Check out our top ten picks, too. EMMY NOMINEES AND WINNERS 2022 OUTSTANDING DRAMA SERIES Better Call Saul Euphoria Ozark Severance Squid Game Stranger Things Succession — WINNER Yellowjackets OUTSTANDING COMEDY SERIES Abbott Elementary Barry Curb Your Enthusiasm Hacks The Marvelous Mrs Maisel Only Murders in the Building Ted Lasso — WINNER What We Do in the Shadows OUTSTANDING LIMITED SERIES Dopesick The Dropout Inventing Anna Pam & Tommy The White Lotus — WINNER OUTSTANDING LEAD ACTOR IN A DRAMA SERIES Jason Bateman, Ozark Brian Cox, Succession Lee Jung-jae, Squid Game — WINNER Bob Odenkirk, Better Call Saul Adam Scott, Severance Jeremy Strong, Succession OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Jodie Comer, Killing Eve Laura Linney, Ozark Melanie Lynskey, Yellowjackets Sandra Oh, Killing Eve Reese Witherspoon, The Morning Show Zendaya, Euphoria — WINNER OUTSTANDING LEAD ACTOR IN A COMEDY SERIES Donald Glover, Atlanta Bill Hader, Barry Nicholas Hoult, The Great Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jason Sudeikis, Ted Lasso — WINNER OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Elle Fanning, The Great Issa Rae, Insecure Jean Smart, Hacks — WINNER OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Oscar Isaac, Scenes From a Marriage Michael Keaton, Dopesick — WINNER Himesh Patel, Station Eleven Sebastian Stan, Pam & Tommy OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Toni Collette, The Staircase Julia Garner, Inventing Anna Lily James, Pam & Tommy Sarah Paulson, Impeachment: American Crime Story Margaret Qualley, Maid Amanda Seyfried, The Dropout — WINNER OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES Nicholas Braun, Succession Billy Crudup, The Morning Show Kieran Culkin, Succession Park Hae-soo, Squid Game Matthew Macfadyen, Succession — WINNER John Turturro, Severance Christopher Walken, Severance Oh Yeong-soo, Squid Game OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES Patricia Arquette, Severance Julia Garner, Ozark — WINNER Jung Ho-yeon, Squid Game Christina Ricci, Yellowjackets Rhea Seehorn, Better Call Saul J. Smith-Cameron, Succession Sarah Snook, Succession Sydney Sweeney, Euphoria OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Anthony Carrigan, Barry Brett Goldstein, Ted Lasso — WINNER Toheeb Jimoh, Ted Lasso Nick Mohammed, Ted Lasso Tony Shalhoub, The Marvelous Mrs Maisel Tyler James Williams, Abbott Elementary Henry Winkler, Barry Bowen Yang, Saturday Night Live OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Alex Borstein (The Marvelous Mrs. Maisel) Hannah Einbinder, Hacks Janelle James, Abbott Elementary Kate McKinnon, Saturday Night Live Sarah Niles, Ted Lasso Sheryl Lee Ralph, Abbott Elementary — WINNER Juno Temple, Ted Lasso Hannah Waddingham, Ted Lasso OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Murray Bartlett, The White Lotus — WINNER Jake Lacy, The White Lotus Will Poulter, Dopesick Seth Rogen, Pam & Tommy Peter Sarsgaard, Dopesick Michael Stuhlbarg, Dopesick Steve Zahn, The White Lotus OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Connie Britton, The White Lotus Jennifer Coolidge, The White Lotus — WINNER Alexandra Daddario, The White Lotus Kaitlyn Dever, Dopesick Natasha Rothwell, The White Lotus Sydney Sweeney, The White Lotus Mare Winningham, Dopesick DIRECTING FOR A DRAMA SERIES Jason Bateman, Ozark Ben Stiller, Severance Hwang Dong-hyuk, Squid Game — WINNER Mark Mylod, Succession Cathy Yan, Succession Lorene Scafaria, Succession Karyn Kusama, Yellowjackets WRITING FOR A DRAMA SERIES Thomas Schnauz, Better Call Saul Chris Mundy, Ozark Dan Erickson, Severance Hwang Dong-hyuk, Squid Game Jesse Armstrong, Succession — WINNER Jonathan Lisco, Ashley Lyle and Bart Nickerson, Yellowjackets Ashley Lyle and Bart Nickerson, Yellowjackets DIRECTING FOR A COMEDY SERIES Hiro Murai, Atlanta Bill Hader, Barry Lucia Aniello, Hacks Mary Lou Belli, The Ms Pat Show Cherien Dabis, Only Murders in The Building Jamie Babbit, Only Murders in The Building MJ Delaney, Ted Lasso — WINNER WRITING FOR A COMEDY SERIES Quinta Brunson, Abbott Elementary — WINNER Duffy Boudreau, Barry Alec Berg, Bill Hader, Barry Lucia Aniello, Paul W Downs and Jen Statsky, Hacks Steve Martin and John Hoffman, Only Murders in The Building Jane Becker, Ted Lasso Sarah Naftalis, What We Do in The Shadows Stefani Robinson, What We Do in The Shadows DIRECTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE Danny Strong, Dopesick Michael Showalter, The Dropout Francesca Gregorini, The Dropout John Wells, Maid Hiro Murai, Station Eleven Mike White, The White Lotus — WINNER WRITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE Danny Strong, Dopesick Elizabeth Meriwether, The Dropout Sarah Burgess, Impeachment: American Crime Story Molly Smith Metzler, Maid Patrick Somerville, Station Eleven Mike White, The White Lotus — WINNER OUTSTANDING VARIETY SKETCH SERIES A Black Lady Sketch Show Saturday Night Live — WINNER OUTSTANDING VARIETY TALK SERIES The Daily Show With Trevor Noah Jimmy Kimmel Live! Last Week Tonight With John Oliver — WINNER Late Night With Seth Meyers The Late Show With Stephen Colbert OUTSTANDING COMPETITION PROGRAM The Amazing Race Lizzo's Watch Out for the Big Grrrls — WINNER Nailed It! RuPaul's Drag Race Top Chef The Voice OUTSTANDING WRITING FOR A VARIETY SPECIAL Ali Wong, Ali Wong: Don Wong Ian Berger, Devin Delliquanti, Jennifer Flanz, Jordan Klepper, Zhubin Parang, Scott Sherman, The Daily Show With Trevor Noah Jerrod Carmichael, Jerrod Carmichael: Rothaniel — WINNER Nicole Byer, Nicole Byer: BBW (Big Beautiful Weirdo) Norm Macdonald, Norm Macdonald: Nothing Special The 73rd Emmy Awards will took place on Tuesday, September 13, Australian and New Zealand time. For more information, head to the Emmys' website. Top image: HBO.
It might seem as if there's something shiny and brand new hitting the small screen all the time — and there is — but flicking through your streaming queue isn't just about finding something that you've never heard of before to watch. Among the non-stop array of television at everyone's fingertips, beloved favourites keep proving why they're must-see TV. Some even inspire menu choices, too. 2024's returning cohort so far has had us all shouting "yes chef!" again, welcoming back one of the best detective shows there is, and stepping into the worlds of stand-up and late-night comedy. Getting ridiculously catchy (and funny) girl-group tunes stuck in our heads, adoring an Aussie rom-com and embracing superhero satire have also been on the agenda — as has saying a pretty, pretty, pretty, pretty great goodbye to an iconic series. With 2024 halfway through, we've made our picks of the top returning television shows of the year's first six months — aka the established delights that have splashed another ace new season our way, and also made us want to go back and rewatch past seasons. Your future binges will thank us. The Bear Serving up another sitting with acclaimed chef Carmy Berzatto (Jeremy Allen White, The Iron Claw), his second-in-charge Sydney (Ayo Edebiri, Inside Out 2) and their team after dishing up one of the best new shows of 2022 and best returning shows of 2023, the third season of The Bear is a season haunted. Creator and writer Christopher Storer (Dickinson, Ramy) — often the culinary dramedy's director as well — wouldn't have it any other way. Every series that proves as swift a success as this, after delivering as exceptional a first and second season as any show could wish for, has the tang of its prior glory left on its lips, so this one tackles the idea head on. How can anyone shake the past at all, good or bad, the latest ten episodes ruminate on as Carmy faces a dream that's come true but hasn't and can't eradicate the lifetime of internalised uncertainty that arises from having an erratic mother, absent father, elder brother he idolised but had his own demons, and a career spent striving to be the best and put his talents to the test in an industry that's so merciless and unforgiving even before you factor in dealing with cruel mentors. Haunting is talked about often in this third The Bear course, but not actually in the sense flavouring every bite that the show's return plates up. In the season's heartiest reminder that it's comic as well as tense and dramatic — its nine Emmy wins for season one, plus four Golden Globes across season one and two, are all in comedy categories — the Faks get to Fak aplenty. While charming Neil (IRL chef Matty Matheson) is loving his role as a besuited server beneath Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings), onboard with the latter's commitment to upholding a Michelin star-chasing fine-diner's front-of-house standards and as devoted to being Carmy's best friend as ever, he's also always palling around with his handyman brother Theodore (Ricky Staffieri, Read the Room). They're not the season's only Faks, and so emerges a family game. When one Fak wrongs another, they get haunted, which is largely being taunted and unsettled by someone from basically The Bear equivalent of Brooklyn Nine-Nine's Boyles. For it to stop, you need to agree to give in. In Storer's hands, in a series this expertly layered as it picks up in the aftermath of sandwich diner The Original Beef of Chicagoland relaunching as fine-diner The Bear, this isn't just an amusing character-building aside. The Bear streams via Disney+. Read our full review. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. True Detective: Night Country streams via Binge. Read our full review. Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. 2024 marks two years since the HBO comedy last dropped new episodes, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returns better than ever in season three as it charts Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland, everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Hacks streams via Stan. Read our full review. Girls5eva One of the funniest TV comedies of the 2020s is back with its third season, and as hilarious as ever. So what are you waiting five? If that question doesn't make any sense, then you clearly haven't yet experienced the wonder that is Girls5eva. It starts with a numerical pun-heavy earworm of a theme tune that no one should ever skip, then bounces along just as catchily and sidesplittingly in every second afterwards. A move to Netflix for season three — after streaming its first and second seasons via Peacock in the US and Stan in Australia — deserves to see the Tina Fey-executive produced music-industry sitcom switch from being one of the best shows that not enough people are watching to everyone's latest can't-stop-rewatching comedy obsession. In other words, this a series about a comeback and, thanks to its swap to the biggest player in the streaming game, now it's making a comeback itself. If it becomes a Netflix smash, here's hoping that it'll be famous at least one more time. Two years have passed for longterm fans since Girls5eva last checked in with Dawn Solano (Sara Bareilles, Broadway's Waitress), Wickie Roy (Renée Elise Goldsberry, She-Hulk: Attorney at Law, and also a Hamilton Tony-winner), Summer Dutkowsky (Busy Philipps, Mean Girls) and Gloria McManus (Paula Pell, Big Mouth), but the gap and the change of platforms haven't changed this gem. Consider the switch of streamer in the same way that Dawn and the gang are approaching their leap back into their girl group after two decades: as an all-in, go-hard-or-go-home, whatever-it-takes relaunch. Now firmly reunited, the surviving members of Girls5eva have taken to the road. So far, however, their big Returnity tour has been happy in Fort Worth. In the Texan city, their track 'Tap Into Your Fort Worth' keeps drawing in crowds, even if that's all that concertgoers want to hear. Also, the Marriott Suitelettes for Divorced Dads has become their home away from home, but resident diva Wickie isn't content just playing one place. Always dreaming huge, massive and stratospheric, she sets the band's sights on Radio City Music Hall, booking them in for a gig at a fee of $500,000. Cue a six-month timeline to sell it out — a feat made trickier by the fact that the show is on Thanksgiving — or risk ruin. Girls5eva streams via Netflix. Read our full review. Curb Your Enthusiasm A quarter of a century is a long time to spend with Larry David, even with gaps along the way. Friends and acquaintances of the fictionalised version seen in Curb Your Enthusiasm might have some not-so-positive things to say about investing that chunk with TV's great curmudgeons. If you're a fan of the satirical series that's been airing since 2000, however, 12 seasons isn't enough. But David has called time on his second small-screen smash. CYE hasn't beaten Seinfeld's episode count, but it has been on-screen on and off for far longer than the famous show about nothing. And as the ending approached, of course the inimitable force behind both started Curb Your Enthusiasm's final season with the series' version of Larry going where Seinfeld's characters closed out their story: jail. He's there not due criminal indifference, though, but rather thanks to the opposite. In Atlanta to attend a rich fan's (Sharlto Copley, Beast) birthday party, on a paid gig courtesy of the success of Young Larry — CYE's in-show show about David's childhood — he gives a bottle of water to Leon's (JB Smoove, Office Race) Auntie Rae (Ellia English, Blood Pageant) while she's in line to vote. That's illegal, the cops pounce immediately and one of the season's key threads is born. Larry being Larry, of course he wasn't really trying to make a stand against ridiculous voter-suppression laws. Larry still being Larry, he's also content to capitalise upon being seen as a hero, complete with droves of media attention. And, Larry never able to be someone other than Larry, he's still his petty normal self regardless of how much praise flows from Bruce Springsteen. Before Beef was winning Golden Globes, Emmys and other awards for trivial squabbles, David got there first — and before The Rehearsal and The Curse's Nathan Fielder was inspiring cringing so vigorous that you can feel it in your stomach, David was as well. The show's swansong season is vintage Curb Your Enthusiasm, including when a lawyer who looks like one of David's many enemies, overhearing golfing lessons, throwing things at CODA Oscar-winner Troy Kotsur, getting disgruntled over breakfast menus cutting off at 11am and bickering with the late, great Richard Lewis (Sandy Wexler) are involved. As always, it continues to be fascinated with whether someone as set in his ways as David, who was the inspiration for George Constanza, can and will ever change. He won't, and watching why that's the case only stopped being comedy gold when the ten-episode 12th season said farewell. Curb Your Enthusiasm streams via Binge. Read our full review. Colin From Accounts When Colin From Accounts arrived for its first season in 2022 with a nipple flash, a dog and strangers committing to take care of a cute injured pooch together, it also began with a "will they, won't they?" story. Ashley (Harriet Dyer, The Invisible Man) and Gordon (Patrick Brammall, Evil) crossed paths in the street in Sydney when she gave him a random peek, then he was distracted behind the wheel. Thanks to the titular pet, the pair were soon intricately involved in each other's lives — and a delightful small-screen Aussie rom-com was the end result as they endeavoured to work out what that actually meant. In season two, which picks up after the duo gave Colin From Accounts to new owners and then immediately regretted the decision, a couple of things are different from the outset: Gordon and Ashley are on a quest to get their pup back and they'll stop at almost nothing for their family to be reunited, and this award-winning series is now in "should've they or should've they not?" territory about its central romance. Falling in love is easy. Being in the honeymoon period, whether or not you've actually tied the knot — Colin From Accounts' protagonists haven't — is clearcut, too. Taking a relationship further means peeling away the rosy and glowing surface, however, which is where the series follows its medical student and microbrewery owner in its second season. Accordingly, through surprising news, meeting family members, historical baggage and more, Ashley and Gordon are still trying to navigate the reality of intertwining their lives, and also who they are as a couple. Creators, writers and stars Dyer and Brammall keep performing their parts to perfection; given they're married IRL and no strangers to working together (see: No Activity), the chemistry and naturalism isn't hard to maintain, but they're not just playing themselves. They're also particularly gifted with dialogue, ensuring that everything that the show's characters are saying — be it amusing, heartfelt, acerbic, insightful or all of the above — always feels authentic. Colin From Accounts streams via Binge. Read our full review, and our interview with Harriet Dyer and Patrick Brammall. Outer Range It was true of season one of Outer Range and it doesn't stop proving the case in season two: thinking about Twin Peaks, Yellowstone, Lost, The X-Files, The Twilight Zone and primetime melodramas while you're watching this sci-fi western series is unavoidable. In its second go-around, throw in Dark, too, and also True Detective. Here, an eerie void on a Wyoming cattle ranch sends people hurtling through time, rather than a cave beneath a nuclear power plant — and that concept, time, is dubbed a river instead of a flat circle. The idea behind Outer Range, as conjured up creator Brian Watkins for its debut season in 2022, has always been intriguing: what if a tunnel of blackness topped by a mist of floating energy suddenly opened up in the earth? Also, where would this otherworldly chasm lead? What would be the consequences of taking a tumble into its inky expanse? What does it mean? It isn't literally a mystery box Dark Matter-style, but it also still is in everything but shape — while contemplating what effect such a phenomena has on a rancher family that's worked the land that the ethereal cavern appears on for generations, as well as upon the broader small-town community of Wabang. Getting trippy came with the territory in season one, in an entrancing blend of the out-there and the earthy. Season two doubles down, dives in deeper and gallops across its chosen soil — a mix of the surreal and the soapy as well — with even more gusto. Just like with a vacuum that materialises on an otherwise ordinary-seeming paddock, no one should be leaping into Outer Range's second season unprepared. This isn't a series to jump into with no prior knowledge, or to just pick up along the way. It isn't simply the premise that Outer Range takes its time to reveal in all of its intricacy, a process that remains ongoing in season two; the characters, including Abbott patriarch Royal (Josh Brolin, Dune: Part Two), his wife Cecilia (Lili Taylor, Manhunt), their sons Perry (Tom Pelphrey, Love & Death) and Rhett (Lewis Pullman, Lessons in Chemistry), and stranger-in-their-midst Autumn (Imogen Poots, The Teacher), receive the same treatment. Outer Range streams via Prime Video. Read our full review. Loot Across ten extremely amusing initial episodes in 2022, Loot had a message: billionaires shouldn't exist. So declared the show's resident cashed-up character, with Molly Wells (Maya Rudolph, Teenage Mutant Ninja Turtles: Mutant Mayhem) receiving $87 billion in her divorce from tech guru John Novak (Adam Scott, Madame Web), then spending most of the sitcom's first season working out what to do with it (and also how to handle her newly single life in general). That she had a foundation to her name was virtually news to her. So was much about everything beyond the ultra-rich. And, she was hardly equipped for being on her own. But Loot's debut run came to an entertaining end with the big statement that it was always uttering not so quietly anyway. So what happens next, after one of the richest people in the world decides to give away all of her money? Cue season two of this ace workplace-set comedy. Created by former Parks and Recreation writers Alan Yang and Matt Hubbard, in their second Rudolph-starring delight — 2018's Forever was the first — Loot splices together three popular on-screen realms as it loosely draws parallels with Amazon founder Jeff Bezos and his philanthropist ex-wife MacKenzie Scott. At her charity, as Molly's staff become the kind of friends that feel like family while doing their jobs, shows such as 30 Rock and Superstore (which Hubbard also has on his resume) score an obvious sibling. As its protagonist endeavours to do good, be better and discover what makes a meaningful life, The Good Place (which Yang also wrote for) and Forever get company. And in enjoying its eat-the-rich mode as well, it sits alongside Succession and The White Lotus, albeit while being far sillier. Loot streams via Apple TV+. Read our full review. The Boys "Superheroes, they're just like us" has been an unspoken refrain humming beneath on-screen caped-crusader tales in recent decades. Possessing great powers doesn't mean knowing how to wield power, or greatness, or how to navigate the daily elements of life that don't revolve around possessing great powers, as movies and TV shows in the Marvel Cinematic Universe, the DC Extended Universe and beyond have kept stressing. Even as it dispenses a much-needed antidote to superhero worship's saturation of big- and small-screen entertainment — even as it has made distrusting the spandex-clad and preternaturally gifted its baseline — The Boys has also told this story. Across the entire extent of human history, what's more recognisable than power and dominance bringing out the worst in people? As adapted from Garth Ennis and Darick Robertson's comics series of the same name by showrunner Eric Kripke (Supernatural) since 2019, this series has stared at the grimmest vision of a world with tights-adorned supposed saviours. It's a show where murder at the hands of supes, which is then covered up by the company profiting from elevating them above the masses, is an everyday reality. It's a dark satire. It's gleeful in its onslaught of OTT violence and sightings of genitals. What it means to grapple with the struggle to hold onto humanity has firmly been at The Boys' core since its first episode, however, making it a mirror. It has never been hard to see where art imitates life in this account of its namesake rag-tag crew (Thor: Ragnarok,'s Karl Urban, Oppenheimer's Jack Quaid, Wrath of Man's Laz Alonso, One on One's Tomer Capone and Bullet Train's Karen Fukuhara) saying "enough is enough" to the US' downward spiral. With flying, laser-eyed, super-strong, supernaturally speedy and otherwise-enhanced beings commercialised by a behemoth of a company called Vought International, The Boys has never been subtle at pointing its fingers at the many ways in which pop culture and the corporations behind it hold sway. The show's parallels with American politics in its portrait of a factionalised nation torn apart over a polarising leader who considers himself above the law are equally overt. Of course, the series is just as blatant in unpacking the consequences of letting the pursuit of power run riot. In its narrative, in chasing supremacy above all else, humans and supes really are just like each other — a truth season four doesn't ever let slip from view. The Boys streams via Prime Video. Read our full review. Breeders Sitcoms about raising a family are almost as common as sitcoms in general, with the antics of being married with children up there with workplace shenanigans as one of the genre's go-to setups. Thanks to the OG UK version of The Office, Martin Freeman knows more than a little about employment-focused TV comedies. Courtesy of The Thick of It and Veep, actor-turned-director Chris Addison and writer Simon Blackwell also fall into that category. But Breeders, which the trio created and thrusts them into the world of mining parenting for laughs, isn't your standard take on its concept. As became immediately evident when the British series began in 2020, and remains the case now that it's wrapping up with its current fourth season — which aired overseas in 2023 but only hit Down Under in 2024 — this show does't subscribe to the rosy notion that being a mother or a father (or a son or daughter, or grandmother or grandfather) equals loveable chaos. There's love, of course. There's even more chaos. But there's also clear eyes, plus bleakness; again, this is largely helmed and scripted by alumni of two of the best, sharpest and most-candid political satires of the 21st century, and always feels as such. Season four begins with a time jump, with Breeders' overall path tracking Paul Worsley (Freeman, Secret Invasion) and Ally Grant's (Daisy Haggard, Boat Story) journey from when their two kids were very young — including babies, via flashbacks — to their teenage and young-adult years now. Consequently, five years on in the narrative from season three, another set of actors play Luke (Oscar Kennedy, Wreck) and Ava (debutant Zoë Athena) in this farewell run as the first is moving in with his girlfriend and the second explores her own love life, as well as grappling with the inescapable reality that her elder brother's ups and downs have always monopolised her family's attention. Paul and Ally also have the ailing health of Paul's parents Jim (Alun Armstrong, Tom Jones) and Jackie (Joanna Bacon, Benediction) to manage, in addition to the ebbs and flows of their own often-fraught relationship, plus just dealing with getting through the days, weeks, months and years in general (Ally turning 50 is one of this season's plot points). That this all sounds like standard life is part of the point; watching Breeders is like looking in a mirror, especially in its unvarnished and relatable all-you-can-do-is-laugh perspective. Freeman's knack for swearing will be especially missed. Breeders streams via Disney+. Abbott Elementary The Parks and Recreation comparisons were there from the start with Abbott Elementary. This Emmy- and Golden Globe-winning comedy charts the hustle and bustle at the titular underfunded school in Philadelphia, rather than a government department in Pawnee, but the similarities have always been glaring. Janine Teagues (Quinta Brunson, Miracle Workers) is the eager-beaver second-grade teacher keen to do everything she can for her students. Ava Coleman (Janelle James, Monsters at Work) is the principal content with coasting by on the bare minimum. There's even a newcomer in substitute Gregory Eddie (Tyler James Williams, The United States vs Billie Holiday), with whom sparks fly on Janine's part. It might seem a bold move to use one of the greatest-ever — warmest-ever, too — sitcoms as a template, or even just follow closely in its footsteps, but Abbott Elementary is up to the task. Those awards, which Parks and Recreation also deserved but rarely received, are well-earned by a series that is all heart, kindness and affection for one of the most-important careers there is, as well as appreciation for the obstacles facing US public-school teachers today. In its third season, Abbott Elementary knows that even a winning formula that's been proven elsewhere needs shaking up. So, it does the equivalent of Parks and Recreation sending Leslie Knope (Amy Poehler, Inside Out 2) to Washington by having Janine work for the school district to attempt to bring about change for her pupils at a higher level. It's a move that brings in the always-welcome Josh Segarra (The Big Door Prize) as her new boss, and also Keegan-Michael Key (IF) as the Superintendent that's his boss — and disrupts the status quo at the educational institution that she adores, including for her idol Barbara Howard (Sheryl Lee Ralph, Ray Donovan), plus colleagues Melissa Schemmenti (Lisa Ann Walter, The Right Mom) and Jacob Hill (Chris Perfetti, Sound of Metal). The idea that one person can and does make a difference, no matter the recognition they do or don't receive, beats strongly in this good-natured series, which Brunson created and co-writes. So does a sense of humour about grappling with whatever the day throws your way, be it professional or personal chaos. Abbott Elementary streams via Disney+. The Big Door Prize If there was a Morpho machine IRL rather than just in The Big Door Prize, and it dispensed cards that described the potential of TV shows instead of people, this is what it might spit out about the series that it's in: "comforting". For a mystery-tinged dramedy filled with people trying to work out who they are and truly want to be after an arcade game-esque console appears in their small town, this page-to-screen show has always proven both cathartic and relatable viewing. Its timing, dropping season one in 2023 as the pandemic-inspired great reset was well and truly in full swing, is a key factor. Last year as well as now — with season two currently upon us — this is a series that speaks to the yearning to face existential questions that couldn't be more familiar in a world where COVID-19 sparked a wave of similar "who am I?" musings on a global scale. The difference for the residents of Deerfield in this second spin: their journey no longer simply involves pieces of cardboard that claim to know where the bearer should be expending their energy, but also spans new animated videos that transform their inner thoughts and hopes into 32-bit clips. When the Morpho first made its presence known, high-school teacher Dusty (Chris O'Dowd, Slumberland) was cynical. Now he's taking the same route as everyone else in his community — including his wife Cass (Gabrielle Dennis, The Upshaws) and daughter Trina (Djouliet Amara, Fitting In) — by letting it steer his decisions. But whether he's making moves that'll impact his marriage, or his restaurant-owning best friend Giorgio (Josh Segarra, The Other Two) is leaping into a new relationship with Cass' best friend Nat (Mary Holland, The Afterparty), or other townsfolk are holding the Morpho up as a source of wisdom, easy happiness rarely follows. Season two of this David West Read (Schitt's Creek)-developed series still treats its magical machine as a puzzle for characters and viewers to attempt to solve, but it also digs deeper into the quest for answers that we all undertake while knowing deep down that there's no such thing as a straightforward meaning of life. As well as being extremely well-cast and thoughtful, it's no wonder that The Big Door Prize keeps feeling like staring in a mirror — and constantly intriguing as well. The Big Door Prize streams via Apple TV+. Read our full review, and our interview with Chris O'Dowd and Josh Segarra. The Tourist Same cast, new location, similar-enough scenario: that's the approach in The Tourist's second season, which brings back what was meant to be a once-off series from 2022. In its debut run, Jamie Dornan's (A Haunting in Venice) Elliot Stanley awoke in the Aussie outback with zero memory and his life in danger. When the first six episodes ended, he'd uncovered who he was, complete with a distressing criminal past, but was en route to starting anew with Helen Chambers (Danielle Macdonald, French Exit), the constable who helped him get to the bottom of his mystery. After the show worked so swimmingly to begin with, swiftly earning its renewal, screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) switch part of their initial setup for its next spin. The story moves to Elliot's homeland, while Helen is the tourist (as is her grating ex Ethan, as played by Aunty Donna's Coffee Cafe's Greg Larsen). Remaining in the compellingly entertaining thriller-meets-dramedy's return is the lack of recollection about Elliot's history, even as he actively goes looking for it. The Tourist first rejoins its main couple on a train in southeast Asia. While not married, they're firmly in the honeymoon phase of their relationship. But the now ex-cop has a revelation: Elliot has received a letter from one of his childhood pals who wants to meet. Quickly, off to the Emerald Isle they go. Trying to shave off his bushy holiday beard in a public toilet leads to Elliot being kidnapped, plus Helen playing investigator again. As he attempts to flee his captors (Outlander's Diarmaid Murtagh, Inspektor Jury: Der Tod des Harlekins' Nessa Matthews and The Miracle Club's Mark McKenn), she seeks help from local Detective Sergeant Ruairi Slater (Conor MacNeill, Operation Fortune: Ruse de Guerre), but any dreams that The Tourist's globe-hopping couple had about happy reunions or relaxing Irish getaways are sent packing fast. Disturbing discoveries; feuding families led by the equally formidable Frank McDonnell (Francis Magee, Then You Run) and Niamh Cassidy (Olwen Fouéré, The Northman); again bringing Fargo and TV adaptation to mind: they're all influential factors in The Tourist's easy-to-binge (again) second season. The Tourist streams via Stan. Read our full review. Heartbreak High When Heartbreak High returned in 2022, the Sydney-set series benefited from a pivotal fact: years pass, trends come and go, but teen awkwardness and chaos is eternal. In its second season, Netflix's revival of the 1994–99 Australian favourite embraces the same idea. It's a new term at Hartley High, one that'll culminate in the Year 11 formal. Amerie (Ayesha Madon, Love Me) might be certain that she can change — doing so is her entire platform for running for school captain — but waiting for adulthood to start never stops being a whirlwind. Proving as easy to binge as its predecessor, Heartbreak High's eight new episodes reassemble the bulk of the gang that audiences were initially introduced to two years ago. Moving forward is everyone's planned path — en route to that dance, which gives the new batch of instalments its flashforward opening. The evening brings fire, literally. Among the regular crew, a few faces are missing in the aftermath. The show then rewinds to two months earlier, to old worries resurfacing, new faces making an appearance and, giving the season a whodunnit spin as well, to a mystery figure taunting and publicly shaming Amerie. The latter begins their reign of terror with a dead animal; Bird Psycho is soon the unknown culprit's nickname. Leaders, creepers, slipping between the sheets: that's Heartbreak High's second streaming go-around in a nutshell. The battle to rule the school is a three-person race, pitting Amerie against Sasha (Gemma Chua-Tran, Mustangs FC) and Spider (Bryn Chapman Parish, Mr Inbetween) — one as progressive as Hartley, which already earns that label heartily, can get; the other season one's poster boy for jerkiness, toxicity and entitlement. Heightening the electoral showdown is a curriculum clash, with the SLT class introduced by Jojo Obah (Chika Ikogwe, The Tourist) last term as a mandatory response to the grade's behaviour questioned by Head of PE Timothy Voss (Angus Sampson, Bump). A new faculty member for the show, he's anti-everything that he deems a threat to traditional notions of masculinity. In Spider, Ant (Brodie Townsend, Significant Others) and others, he quickly has followers. Their name, even adorning t-shirts: CUMLORDS. Heartbreak High streams via Netflix. Read our full review and our interview with Thomas Weatherall. House of the Dragon It's a chair made out of swords. So notes Daemon Targaryen's (Matt Smith, Morbius) description of the Iron Throne. Not one but two hit HBO shows have put squabbles about the sought-after seat at their centre so far, and the second keeps proving a chip off the old block in a fantasy franchise where almost everyone meets that description. If the family trees sprawling throughout Game of Thrones for eight seasons across 2011–19 and now House of the Dragon for two since 2022 (with a third on the way) weren't so closely intertwined in all of their limbs, would feuding over everything, especially the line of succession, be such a birthright? Set within the Targaryens 172 years before Daenerys is born, House of the Dragon keeps the black-versus-green factionalism going in season two, to civil war-esque extremes over which two offspring of the late King Viserys the Peaceful (Paddy Considine, The Third Day) should wear the crown and plonk themselves in the blade-lined chair. The monarch long ago named Rhaenyra (Emma D'Arcy, Mothering Sunday) as his heir. But with his last breaths, his wife Alicent Hightower (Olivia Cooke, Slow Horses) claims that he picked their eldest son Aegon II (Tom Glynn-Carney, Rogue Heroes) instead. In King's Landing, the response was speedy, with Rhaenyra supplanted before she'd even heard over at Dragonstone that her father had passed away. Based on George RR Martin's Fire & Blood, House of the Dragon has also long painted Rhaenyra as the preferred type of chip off the old block. She too wants peace, not war. She also seeks stability for the realm over personal glory. If Viserys spotted that in her as a girl (Milly Alcock, Upright) when he chose her over Daemon, his brother who is now Rhaenyra's husband, he might've also predicted the dedication that she sports towards doing his legacy, and those before him, proud. Conversely, Aegon, also the grandson of Viserys' hand Ser Otto Hightower (Rhys Ifans, The King's Man), sees only entitlement above all else. Martin's tales of dynasties trade in the cycles that course through the bonds of blood, especially in House of the Dragon. Everyone watching knows what's to come for the Targaryens in Daenerys' time, right down to an aunt-nephew romance as the counterpart to Daemon and Rhaenyra's uncle-niece relationship. (No one watching has started this prequel series, the first spinoff of likely many to Game of Thrones, without being familiar with its predecessor). Ice-blonde hair, ambition that soars as high as the dragons they raise and fly, said flame-roaring beasts of the sky, the inability to host happy reunions: these are traits passed down through generations. Some are a matter of genes. Martin continues to explore why the others persist. House of the Dragon streams via Binge. Read our full review. Looking for more viewing highlights? We picked the 15 best new TV shows of 2024, too. We also keep a running list of must-stream TV from across the year so far, complete with full reviews. And, you can check out our list of film and TV streaming recommendations, which is updated monthly.
Since 2016, Bruce Munro's spectacular Field of Light has been illuminating Uluru, giving the already-stunning Northern Territory sight an ocean of colour via 50,000 glass lights spread across a 62,500-square-metre area. The glowing multi-hued installation unsurprisingly proved popular, and instantly, first getting extended until 2020 and then being locked in indefinitely — and now the Red Centre is scoring Light-Towers, another dazzling work by the acclaimed artist. Add Light-Towers to your must-see list, and make a date with Kings Canyon to bathe in its radiance. Up and shining since April 2023, it's part of Discovery Resorts, and turns both light and sound into an immersive piece. Like Field of Light, it's also sticking around permanently. This time, Munro has constructed a heap of two-metre towers that change colour, swapping their tones in response to music that echoes from inside each structure. There's a whopping 69 towers spread across a circular pattern, all with Kings Canyon as a backdrop — giving visitors quite the visual and aural experience. Light-Towers' soundscape hails from Orlando Gough, while the work helps mark 40 years since Munro's first visit to the Red Centre. If you're keen to drop by, you can pick between three different types of sessions spanning sunrise, sunset and evening. The first two feature a local guide hosting your visit, plus a food and beverage package. For those attending by night, the Luritja Lookout will have somewhere for you to eat and drink before and after you peer at Munro's latest luminous expanse. The British-born Munro first came up with the idea for Field of Light while visiting Uluru back in 1992. When that artwork was earmarked to become one of the area's ongoing feature, he said that he is "truly honoured that the Field of Light will remain at Uluru". He continued, "the ancient landscape of the Red Centre continues to inspire my thoughts, feelings and ideas that shape my life and work." Since then, Munro has displayed large-scale installations in Darwin and in Albany in Western Australia, and has two more pieces on their way to the New South Wales–Victorian border from late 2023. Find Light-Towers at Discovery Resorts – Kings Canyon, Luritja Road, Petermann, Northern Territory — and head to the resort company's website for bookings and further details. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
UPDATE, December 1, 2021: The Power of the Dog is screening in select cinemas, and also streams via Netflix from Wednesday, December 1. Don't call it a comeback: Jane Campion's films have been absent from cinemas for 12 years but, due to miniseries Top of the Lake, she hasn't been biding her time in that gap. And don't call it simply returning to familiar territory, even if the New Zealand director's new movie features an ivory-tinkling woman caught between cruel and sensitive men, as her Cannes Palme d'Or-winner The Piano did three decades ago. Campion isn't rallying after a dip, just as she isn't repeating herself. She's never helmed anything less than stellar, and she's immensely capable of unearthing rich new pastures in well-ploughed terrain. With The Power of the Dog, Campion is at the height of her skills trotting into her latest mesmerising musing on strength, desire and isolation — this time via a venomous western that's as perilously bewitching as its mountainous backdrop. That setting is Montana, circa 1925. Campion's homeland stands in for America nearly a century ago, making a magnificent sight — with cinematographer Ari Wegner (Zola, True History of the Kelly Gang) perceptively spying danger in its craggy peaks and dusty plains even before the film introduces Rose and Peter Gordon (On Becoming a God in Central Florida's Kirsten Dunst and 2067's Kodi Smit-McPhee). When the widowed innkeeper and her teenage son serve rancher brothers Phil and George Burbank (The Courier's Benedict Cumberbatch and Antlers' Jesse Plemons) during a cattle-run stop, the encounter seesaws from callousness to kindness, a dynamic that continues after Rose marries George and decamps to the Burbank mansion against that stunning backdrop. Brutal to the lanky, lisping Peter from the outset, Phil responds to the nuptials with malice. He isn't fond of change, and won't accommodate anything that fails his bristling definition of masculinity and power, either. In a career-best, awards-worthy, downright phenomenal turn by Cumberbatch, Phil is all hawkish menace and bravado; he viciously calls his brother 'Fatso', his initial taunting of Peter over paper flowers and effete mannerisms is all the more ferocious for its dinner-table audience, and he's effusive in his admiration for Bronco Henry, the man's man who taught him everything he knows. Indeed, Phil's hyper-masculine air, complete with threatening and mocking banjo-plucking, soon drives Rose to drink. He'd rather still be bunking in with George, as they have for the quarter-century they've run their inherited ranch. He'd rather scare everyone away by failing to bathe, unless he's stealing off to a secret water hole — and by mixing his Yale classics degree into his sneering, too. The key to Cumberbatch's commanding performance isn't softening Phil or playing up his charisma, but conveying the battle of repression and self-resentment raging within; the cattleman has long tanned his own public persona, but he's as complex as rawhide. Adapting Thomas Savage's 1967 novel of the same name, Campion gives Phil's chomping misery ample company: in the sauced Rose, in the intimidating attitude that rolls around the ranch like a stubborn tumbleweed, and in Peter when he returns from his medical studies for the summer. The Power of the Dog lets this unhappy stew fester, adding grit to its brew with each passing scene and deepening its rich character studies in the process. The film's only misstep is pushing George aside, although the fact that his passivity — his main trait alongside tenderness — earns him less attention is an incisive touch. Rose becomes a supporting player as Phil and Peter's initially antagonistic relationship finds deeper dimensions but, in Dunst's hands, this is still an intense portrait of a woman heartbreakingly accustomed to being at others' whims. As a raw-boned young man who proves exacting and steely inside, Smit-McPhee isn't just similarly exceptional — he's revelatory. So much of The Power of the Dog hinges upon loaded moments where little appears to occur beyond interpersonal manoeuvring — where observing Phil, Rose and Peter's fraught dance is the most gripping thing in the film's frames. And while that back-and-forth is compulsively captivating, especially thanks to the feature's tremendous performances, the movie springs an unforgettable kicker that makes everything preceding its final scenes blister anew. Campion hasn't helmed a mystery, but she's masterful at lacing her feature with careful clues. She's meticulous with her unfurling, and with the herd of emotions it unleashes. From the get-go, she's also painstaking in her handling of tone and tension — so much so that there's never a second of The Power of the Dog that isn't on edge, particularly when Jonny Greenwood's ominous score grinds, twangs and bounces, the Radiohead guitarist setting the mood as firmly as he did with There Will Be Blood 14 years back. Westerns frequently canter through conflict, finding quarrels baked into the rough countryside. They also gallop into overt clashes about who's permitted to roam over, control and truly exist upon all that land. The Power of the Dog is a domestic melodrama as well as a western, but it's still a tale of dominance, yearning and survival in a remote place — and of people fighting for space, be it by oozing the macho toxicity expected of powerful white men, seeking safety in a sturdy marriage or extracting one's own path through the muck. Handsomely lensed and hauntingly patient, Campion's film is both classic and subversive, the two extremes that recent examples of the genre tend to oscillate between. Like Ang Lee's Brokeback Mountain and Kelly Reichardt's Meek's Cutoff — both soaring modern westerns — it's aware of its past and also firmly of the moment, too. Viewers should expect nothing less of Campion, the first woman to win the Palme d'Or back in 1993 with The Piano — only this year did Julia Ducournau become the second thanks to Titane — and also the second-ever female Best Director Oscar nominee. She's already won Venice Film Festival's equivalent of the latter for her efforts here, and deserves at least another Academy Award nomination as well. Campion approaches filmmaking like she's stitching together a delicate tapestry layered with feeling, texture and insight, and the results are exquisite and immaculate. In this case, she's braided The Power of the Dog as intricately and determinedly as Phil plaits the rawhide lasso he becomes obsessed with — and ensures that it also cuts as sharply and devastatingly as the bull castrations he undertakes with his bare hands. Top image: Kirsty Griffin/Netflix.
Summer is calling. That means long sunny days, drinks with your mates, good food, and, of course, Bondi Beach. Back for its second year, THE ICONIC and Rolling Stone AU/NZ are raising the heat with SUMMER SOUNDS, a one-day-only event to help Aussies kick-start the warmer weather in style. [caption id="attachment_1025329" align="aligncenter" width="1920"] THE ICONIC SUMMER SOUNDS[/caption] On Saturday, November 1st, 2025, North Bondi Surf Lifesaving Club will be transformed into a celebration of music, fashion, and culture. Aussie icons, The Veronicas, are set to hook you up and headline the party. Think sun-soaked beats, statement fits, and coastal cocktails, all set against one of the most famous beaches in the world. [caption id="attachment_1025313" align="alignleft" width="1920"] Bondi Beach via Getty Images[/caption] You might be asking, how can I attend? Luckily, THE ICONIC is giving you the chance to score tickets. All you have to do is head to THE ICONIC's website and share, in 25 words or less, which summer anthem you would play first at SUMMER SOUNDS to kick-start the party. One lucky customer will be crowned the MVP by receiving 4 x return flights to Sydney (if you and your friends aren't local), 2 x nights' accommodation in Bondi Beach, and a $3000 voucher from THE ICONIC to head to the event in style*. [caption id="attachment_1025319" align="alignnone" width="1920"] THE ICONIC SUMMER SOUNDS[/caption] There'll also be 25 SUMMER SOUNDS double passes up for grabs, ensuring more fashion fans can enjoy this money-can't-buy experience. So, start planning your look, select your party anthem, and get ready for a weekend that screams summer in Sydney. Win your way into summer's most ICONIC event. *T&C's apply
Back in 2019, the Great Barrier Reef gained a new addition, as well as a new way to enjoy its natural underwater delights. Long before Avatar: The Way of Water and The Little Mermaid were plunging viewers into the deep from the comfort of their cinema seats, the Museum of Underwater Art turned sculptures beneath the ocean's surface into a spectacular reason to go for a dip. It's the southern hemisphere's first attraction of its type, in fact, and it added more artworks in 2020. Since then, divers and snorkellers have been able to enjoy two installations. The first, Ocean Siren, is located 30 metres offshore from The Strand jetty at Townsville and actually towers above the water; however, it interacts with live water temperature data from the Davies Reef weather station, then changes colour in response to variations as they happen. Coral Greenhouse, the second, definitely lurks below the sea. Sitting 18 metres below the waterline on the John Brewer Reef off Townsville, it measures 12 metres in height, weighs around 58 tonnes, and is made out of stainless steel, neutral marine grade cement and zinc anodes. And, yes it does indeed look like a greenhouse. As filled with more than 20 sculptures, it's an underwater building. Now, the Museum of Underwater Art boasts a just-opened third attraction: snorkel trail Ocean Sentinels. Also located on the John Brewer Reef, it features eight sculptures by Jason deCaires Taylor, all modelled after leading marine scientists and conservationists — and mainly Australians, too. Made from high-grade, low-carbon and earth-friendly concrete, then reinforced with marine stainless steel, each piece measures 2.2 metres in height and weighs anywhere from 0.94–2.8 tonnes. Ocean Sentinels was installed in May 2023, and sits adjacent to Coral Greenhouse, making hitting the water to look at art a two-for-one experience. Because they need to be fixed to the seabed, they've been placed on barren stretches of sand. If you're keen to take a look, tourism operators will start taking travellers for a viewing from this month. "These eight pieces will be the third installation in a series of ocean-based artworks installed throughout the Townsville region. All eight models are renowned for their expertise in the field of marine science and marine conservation and their hybrid forms make reference to their contribution to their specific field of study," explains deCaires Taylor. One of the artist's muses: Dr Katharina Fabricius, a coral ecologist, who describes the Museum of Underwater Art "a living piece of art that communicates to the people how important research is, how important coral reefs are, and how all these aspects — art, science, humanity — can come together to protect the reef." Find the Museum of Underwater Art, including Ocean Sentinels, off the shore of Townsville, Queensland. For more information and to book a tour, visit the museum's website. Images: Jason deCaires Taylor.
In The Guest Edit we hand the reins over to some of the most interesting, tasteful and (or) entertaining people in Australia and New Zealand. For this instalment, we've enlisted the effortlessly elegant and professionally organised Beck Wadworth — Creative Director and Founder of minimalist stationery brand An Organised Life — to share some of her favourite books from the past year. As a woman whose business is about beautifully-made paper life-tools, who better to turn to for good book tips. And, as it's the end of the year and all, we'd be remiss if we didn't nudge you in the direction of the customisable 2022 diaries available on An Organised Life to start your year with minimal chaos. BECK WADWORTH: Naturally as a lover of pen to paper and all its forms, I love how versatile a book can be. After spending a lot of time at home during New Zealand lockdown, books have become a much needed comfort and I'm drawn to inspiring words, interiors, architecture and art… all things you can find within the pages of a beautiful coffee table book. NEW NORDIC HOUSES BY DOMINIC BRADBURY A birthday gift I received this year, with a love for architecture & minimalism, this beautiful book has quickly become a favourite of mine. The book features over forty of Scandinavia's finest and most innovative houses including rural cabins, coastal retreats, town houses & country homes. I fall in love with a different one every time I open the book. Find it now at: Booktopia How much: $70 (recommended retail price but more affordable at most online book stores) CLARITY & CONNECTION BY YUNG PUEBLO Last year I did a lot of self reflection & self work. It was a personal goal of mine to make the time to do this. One of the books that inspired me the most over this time was Yung Pueblo's Inward. This year he released Clarity & Connection, and naturally it's high on my list of books to get my hands on. His poetic style makes for deep, thought-provoking conversations. Find it now at: Booktopia and Angus & Robertson How much: $29.99 rrp LIVE BEAUTIFUL BY ATHENA CALDERONE A style icon of mine both for her interiors and fashion, Athena Calderone's new book Live Beautiful is the perfect addition to any coffee table. The book isn't just pleasant to look at, it improves the quality of our lives. It helps foster the tradition, rituals and ceremonies we create in our homes. Find it now at: Norsu Interiors and Booktopia How much: $59.99 rrp 2022 A4 DAILY PLANNER BY AN ORGANISED LIFE Of course, I have to recommend one of our very on 2022 diaries. Not only do they help you manage your schedule and workload but they are also filled with lots of tools, tips and more. Goal set, budget, change a habit, reflect, write down your favourite moments and much more with this all-in-one must have. Find it now at: An Organised Life How much: $79.99 ATLAS OF THE HEART BY BRENE BROWN I love Brene Brown's work and often listen to podcasts she's a guest on while on my evening walks. At the top of my list to read this summer is her new book Atlas Of The Heart which examines the 87 emotions and experiences that define us, and provides a compelling framework to help us all become more emotionally fluent and connected. Find it now at: Abbey's books How much: $45 THE WIDOW CLICQUOT: THE STORY OF A CHAMPAGNE EMPIRE AND THE WOMAN WHO RULED IT BY TILAR J MAZZEO I was lucky enough to be a Veuve Clicquot ambassador for seven years, and over that time I became obsessed with the history of the brand. Madame Clicquot was an amazing woman who succeeded in a man's world. She was fearless and a true inspiration of her time. This book tells her incredible story. Find it now at: Booktopia How much: $26.99 rrp ARK JOURNAL My favourite magazine at the moment for all things interiors & architecture. Find it now at: Ark Journal website or select news agents and magazine stores How much: €20 per issue
New experiences, new challenges, new collaborations: for people and organisations alike, no one should ever stop notching up firsts. In 2024, for instance, Bangarra Dance Theatre unveiled its first-ever mainstage cross-cultural collaboration after more than three decades of existence, with Horizon adding tales from across Oceania to the iconic Aboriginal and Torres Strait Islander performing arts company's remit. In 2025, the organisation is backing that up with another history-making production, Illume, which is Bangarra's first-ever visual arts collab. Hosting its world-premiere season at the Sydney Opera House in June, then heading to Brisbane in August, Illume sees Bangarra's Artistic Director Frances Rings team up with Goolarrgon Bard visual artist Darrell Sibosado. Featuring dance, visual arts and music, the end result focuses on light — and takes inspiration Sibosado's Bard – Bardi Jawi Country. Think of it as the next best way to experience being there. Why has light proven so pivotal in Indigenous culture? Why is it considered a connection between physical and spiritual worlds? What impact does artificial light pollution have upon the land and sky, and how does it affect First Nations people's links to sky country, celestial knowledge and skylore? These questions are all at the heart of Illume. Although every Bangarra production is stunning, it's easy to see why this kaleidoscopic addition to the dance theatre's repertoire is set to wow, all while also contemplating the climate crisis. In the Queensland capital, it's taking over the QPAC Playhouse from Friday, August 1–Saturday, August 9. Images: Daniel Boud.
Despite our country being stereotyped as 'always sunny', us Aussies know it can get pretty cold mid-year. So, if you're currently trying to warm up your toes next to your office heater, dreaming about the return of summer, you're in luck. We've teamed up with travel company Klook to give away a four-night getaway to a tropical oasis: Bali. If you're the lucky winner, you and your partner in crime will be heading off on a short flight headed for Bali's stunning beaches, hot weather and next-level food. As well as flights and four nights of four-star accommodation in Seminyak, Klook — being an activities and tours booking platform — will also organise day trips for you and your bestie, plus airport transfers to and from your hotel and SIM cards. So, all you'll need are your cossies, sunscreen and a good read. It won't be your typical Bintang-fuelled Bali trip, either. The folks at Klook work with local vendors to uncover hidden gems and offer trips to many of the surrounding islands (there are more than 17,000 in total). So, expect plenty of off the beaten track adventures and get ready to unearth some undiscovered parts around the island. One day, the two of you will be heading off to West Nusa Penida and its crystal clear waters, so you can expect plenty of swimming and snorkelling. The next, you'll be trekking up an active volcano — Mount Batur — to watch the sunrise over the island. An early morning start will reward you with sweeping mountain views and a visit to a coffee plantation afterwards. Plus, don't forget all the poolside cocktails and Balinese feasts you'll be having. You'll be on holiday, after all. You've got anytime before the end of the year to go, so you can escape Australia's cooler weather ASAP. If you're keen to head off on a trip to Bali — which obviously you are — enter your details below to be in the running. [competition]731537[/competition]
Considering a boozy break in the national capital? Sounds like a magnificent idea. Canberra is home to loads of top-notch bars, wineries and distilleries where you can sip on locally crafted beverages — and meet their makers, too. Among them are Australia's first bar dedicated to reisling, a speakeasy that you need geographic coordinates to find and a brewery that specialises in traditional German techniques. So, it's time to grab your mates, open your diary and start planning. To save you time and help you get started, we've scoped out six of the best venues in and around the city that serve a quality drink. Please stay up to date with the latest ACT Government health advice regarding COVID-19.
Purrfect news, feline fans: everything a dapper doggo can do, a cute cat can as well. While that's an accurate statement in general, as anyone who has ever shared their life with both a pooch and a kitty will know, it's also the thinking behind Australia's latest animal event. From the folks behind the Dog Lovers Show comes the mouser equivalent: the Cat Lovers Show. If you wear the 'crazy cat person' label as a badge of honour, stop to pat every moggie you meet while you're walking down the street or spend your all of your spare time watching cat videos (or all of the above), then you'll want to block out September 8 and 9, 2018 in your diary. And, if you live elsewhere, you'll want to head to Melbourne. The Victorian capital first boasted the country's first cat cafe, and now it'll host the first Cat Lovers Show. Expect Carlton to come alive with the sounds of meows, with the event taking place at the Royal Exhibition Building on Nicholson Street. On the agenda: feline-focused education and celebration. Before you go thinking about adorable kitties wearing glasses and sitting at desks, or popping streamers and wearing party hats (awwwwwwwww), it's humans will be doing the learning and rejoicing. Really, what's more informative and exuberant than entering the Pat-A-Cat zone and getting cosy with cats of all shapes and sizes — and possibly taking one home with you? Watching a cat talent show in the Pet Circle Colosseum comes close, obviously. If that doesn't tickle your whiskers, attendees will also be able to take a purrfect match quiz to find out which type of cat suits them best, meet different breeds, listen to talks by experts, browse more than 120 stalls and snap selfies with Instagram cat stars. Plus, a cat-inspired food menu will also be on offer, because everyone wants to eat chicken 'cat'cciatore or chocolate 'meow'sse. Just remember: there'll be plenty of mousers in the Cat Lovers Show house, so you'll need to leave your own moggie at home. The Melbourne Cat Lovers Show will take place on September 8 and 9, 2018 at the Royal Exhibition Building, 9 Nicholson Street, Carlton. For more information — and to keep an eye out for tickets, which will go on sale in February — visit the website.
Sometimes an exhibition gets gallery patrons exploring one artist's work. Sometimes it pays tribute to a specific person, heads back to a certain chapter of the past, or fills walls and halls around a theme. A particular object might be in the spotlight, or a movie franchise. Then there's The NBA Exhibition, which will celebrate hoop dreams and all things basketball when it makes its first-ever Australian visit. After premiering in Warsaw, Poland in 2021, The NBA Exhibition will bounce into Brisbane from Thursday, November 9 — and bound through basketball history at the same time. Catnip for fans of Air and Winning Time: The Rise of the Lakers Dynasty, this sports-focused showcase is big in scope and size, surveying the culture of hopping onto the court and the lifestyle that goes with basketball, too, in a hefty two-level display. Visitors will traverse 1000 square metres and make their way through 20 themed sections. Created with the National Basketball Association, The NBA Exhibition aims to lure in b-ball diehards, casual followers and folks that haven't thought about the sport since their school PE lessons alike — and attendees of all ages. Looking at basketball memorabilia is part of the presentation, but so is throwing a ball around yourself and, thanks to the virtual and augmented reality aspect of the showcase, taking snaps with your favourite NBA players. So, you can get a photo with the Larry O'Brien Championship Trophy, too — aka the coveted prize that each year's NBA Finals' winner receives — and shoot hoops, see how far you can jump and test your reflexes as well. Fancy a picture showing that you can slam dunk, even if you can't? There's a section of The NBA Exhibition for that. Eager to watch NBA highlights using VR goggles? That's also on the agenda. Keen to get surrounded by iconic NBA moments? That's what the infinity room is for. With names like Michael Jordan and Shaquille O'Neal obviously featuring — and Kobe Bryant, Steph Curry, Giannis Antetokounmpo, Magic Johnson and Larry Bird as well — other elements of The NBA Exhibition include a heap of balls and shoes on display; footwear and hand prints from past and present players; art that was commissioned for a pop-up NBA Gallery exhibit in Sydney in 2022, featuring Australian and First Nations artists; and celebrating NBA players that've made the jump from Australia, which is likely to feature Patty Mills, Ben Simmons, Luc Longley, Andrew Gaze and more. Brisbane's Queens Plaza will host The NBA Exhibition's debut Aussie stop — just as it did with The Art of Banksy: Without Limits, which also hails from entertainment platform Fever, earlier in 2023 — with details of any future stints elsewhere around the country not yet revealed. The NBA Exhibition will display at Queens Plaza, 226 Queen Street, Brisbane from Thursday, November 9 — head to the exhibition's website for further details and to join the ticket waitlist.
Before she was even a teenager, Angourie Rice faced the end of the world. Ever since, she's been living almost everyone's dream. When the Sydney-born Australian actor made her feature film debut, it was in 2013's homegrown apocalyptic thriller These Final Hours, in what was also one of Sarah Snook's (Succession) early movie appearances. Jump to 2024 and Rice has not only a coveted resume to her name spanning everything from Sofia Coppola's The Beguiled to three Spider-Man flicks, but also a role that couldn't be more iconic. Move over Lindsay Lohan, get in Rice as Mean Girls' Cady Heron. Call it fetch, grool, coolness — when you grew up watching a film on repeat and now lead its 20-years-later musical remake, they all fit. The Aussie star of The Nice Guys, Jasper Jones, Black Mirror, Ladies in Black and Mare of Easttown has made it happen. Rice isn't just living the dream in her acting success, however. She also received an email that anyone who has seen 30 Rock, Saturday Night Live or, yes, the OG Mean Girls wishes would land in their inbox: a note from Tina Fey. [caption id="attachment_934705" align="alignnone" width="1920"] Vivien Killilea/Getty Images for Paramount Pictures[/caption] That's how Rice was first given the script for the 2024 movie that's also called Mean Girls, remakes the 2004 favourite of the same name, but isn't merely a case of telling the same tale again two decades later with a different cast. After Fey adapted non-fiction book Queen Bees and Wannabes for the initial Mean Girls film, a phenomenon was born. Alongside getting the world forever equating Wednesdays with wearing pink, the Lohan (Falling for Christmas)-, Rachel McAdams (Are You There God? It's Me, Margaret)-, Amanda Seyfried (The Crowded Room)- and Lacey Chabert (A Merry Scottish Christmas)-starring feature inspired both a made-for-TV and a graphic novel sequel, plus a smash-hit musical that premiered in 2017. And, in a full-circle moment, it's the latter that the new Mean Girls adapts, with Samantha Jayne and Arturo Perez (Quarter Life Poetry: Poems for the Young, Broke & Hangry) directing. So, a parenting book about the behaviour of girls in high-school cliques became a huge success as a teen comedy, then took to the theatre with songs and dancing, and now returns to the big screen with those tunes intact (not that you could really tell that from Mean Girls circa 2024's first trailer). Fey penned the script again — she wrote the book for the stage version, too — and reprises the role of teacher Ms Norbury as well. The only other cast member making a comeback: Tim Meadows (I Think You Should Leave with Tim Robinson) as Principal Duvall. Familiar faces surround North Shore High School's recognisable educators, however. As well as Rice as Cady, The Sex Lives of College Girls' Reneé Rapp plays queen bee Regina George, a part that first had her leading the Plastics on Broadway. Auli'i Cravalho, the voice of Moana, features as Janis. Jon Hamm (Fargo) Jenna Fischer (Splitting Up Together) and Busy Philipps (Girls5eva) are among the adults. Ashley Park (Only Murders in the Building) falls into that category also, after originating the stage's take on Gretchen Wieners and earning a Tony nomination for her efforts. How does as Aussie actor named after a coastal New South Wales town of Angourie become Mean Girls' new Cady? How did she react when Fey appeared in her inbox? How obsessed was she with the original film? And how did she prepare to play such a famous and beloved character? We chatted with Rice about all of the above, as well as why Mean Girls is so relatable, loving musical theatre and what she looks for in a role. [caption id="attachment_934704" align="alignnone" width="1920"] Vivien Killilea/Getty Images for Paramount Pictures[/caption] ON GETTING CAST AS CADY HERON — STARTING WITH THAT EMAIL FROM TINA FEY "The journey for me began with, believe it or not, an email from Tina Fey — which I could not believe. When it landed in my inbox, I was like 'what is going on?'. And it was a note from her with the script saying 'we're making this movie — I saw you in this thing, I think you'd be great for Cady'. I was just astonished that she even knew who I was, and that she was taking the time to send me a personal note. That is so rare when you receive scripts, so that meant a lot to me. Also because I just idolise her so much. So that's how it began. I read the script. I worked on the songs, and yeah." ON BEING A LIFELONG MEAN GIRLS FAN STARRING IN MEAN GIRLS "I had Mean Girls on DVD. I watched it over and over again between the ages of like five and nine. It was that and High School Musical 2 and The Sound of Music, I just watched over and over again. That movie is very, very stuck in my childhood brain — and my adult brain as well. I continued to rewatch it all the way up until I got cast in the movie. And then I was like 'I'm not going to watch it' because I need to have a clean mind going into it." [caption id="attachment_934703" align="alignnone" width="1920"] Vivien Killilea/Getty Images for Paramount Pictures[/caption] ON TAKING ON SUCH A BELOVED PART "There's a huge sense of responsibility to the people who loved the story of Mean Girls in whatever form, and the sense of responsibility to myself as well. So it was daunting, but I realised that I couldn't say no. It just had to be yes because I knew that if I said no and I went to the cinema and watched it, I would feel like I really missed out." ON PREPARING TO STEP INTO CADY'S (AND LINDSAY LOHAN'S) SHOES "I prepared in the same way I do for any role, actually. I go through the script. I annotate it. I also write down questions in certain scenes that I can ask the writer or director. The directors also gave me a character sheet, which is really cool — just a list of questions that you would answer as your character, which was really helpful." [caption id="attachment_934701" align="alignnone" width="1920"] Mare of Easttown, Michele K Short/HBO[/caption] ON DRAWING UPON RICE'S OWN HIGH SCHOOL EXPERIENCES TO PLAY CADY "What I love about Mean Girls is those feelings of being the new kid, feeling left out, feeling like you're not good enough, those are things are universal and you can feel them at any point in your life — starting a new job, or just when you arrive at a party and you only know one person. I definitely had that experience. I wasn't a new kid in high school, but I would go away and travel and come back, and things in high school move so quickly. So I'd come back and find out that my friendship group dynamic was different, or that someone had had a falling out with someone else and I had to pick a side — those sorts of dynamics. So, coming home and feeling like the new kid again because I'd just been away for three months and everything had changed, I did relate to that a lot with Cady." [caption id="attachment_689818" align="alignnone" width="1920"] Ladies in Black[/caption] ON WHAT RICE HAS LOOKED FOR IN A PART EVER SINCE THESE FINAL HOURS "I look for stories that are interesting and characters that have a good arc. That's what I love about Cady. She's got this incredible arc from being naive to being top of the world to falling down and having to get back up again. For me, it starts with the script and the story, and I think that's why I've been fortunate enough to have experiences in different genres and in different formats — limited series and movies. Because it's the story that comes first, and then the genre, and then the time period. I feel very fortunate that I have had lots of different opportunities." ON ALWAYS WANTING TO MAKE A MUSICAL "I love musicals. I love musical theatre. So I was just overjoyed. One of the main reasons I took it was simply because I just wanted to be in a musical. I love the feeling that musical theatre gives me, so I just really wanted to be a part of it." Mean Girls opens in Australian cinemas on Thursday, January 11 and New Zealand cinemas on Thursday, January 18. Read our review. Mean Girls 2024 images: Jojo Whilden/Paramount © 2023 Paramount Pictures.
Craft beer isn't just for hipsters anymore. More and more people are looking for alternatives to the usual swill of Carlton Draught or Toohey's New, and the boutique market is flourishing. The beer taps at your local pub are as varied as ever and there's always a colourful, new offering to taste test. But that's just the thing; with such a wealth of options out there, how can we decide which to pick? Enter the Craft Beer Industry Association. These legends have just hosted the inaugural awards for Australian brews and picked you the cream of the crop (so to speak). At a ceremony at Giant Dwarf last night, 11 awards were given to breweries in Sydney, Melbourne and Perth (sorry, Brissie). The big winner of the night was Modus Operandi Brewing Co, a small Mona Vale brewery which launched earlier this year. We've written about them before because they sell truly incredible 1L takeaway cans, but apparently the beer's pretty good too. Their red ale, Former Tenant, took out the top gong for best craft beer as well as best amber/dark ale and their Zoo Feeder IPA also won its category. Quite rightly, the company itself was named the best small brewery in the country. Other winners include Melbourne's Moon Dog Brewing, Two Births and La Sierene, Sydney's 4 Pines and Nail Brewing Australia from Perth. The best drops for summer will undoubtedly be 4 Pines' ESB Pale Ale; Saison, the award-winning French and Belgian style creation from La Sirene; and specialty ale Taco from Two Birds. The latter beer actually has hints of corriander leaf and fresh lime peel — the perfect replacement for your tired old summer ales. These victors were picked from a spread of 280 beers from 80 breweries across the country. "We were blown away by not only the quality but the variety of brewers we have in Australia," said CBIA Chair Peta Fielding. "[We] are proud the CBIA can help draw attention to these talented brewers." Speaking as people who enjoy a beer or two over the sunnier months, we wholly appreciate this too. Stay classy, Australia — stick to craft beers this season. Full list of winners: Kegstar Champion Australian Craft Beer - 'Former Tenant', Modus Operandi Brewing Company (Sydney, NSW) AIBA Champion Pale Ale - 'ESB', 4 Pines Brewing Company (Sydney, NSW) Labelmakers Champion Amber/Dark Ale - 'Former Tenant', Modus Operandi Brewing Company (Sydney, NSW) Champion Porter and Stout - 'Black Lung IV', Moon Dog Brewing (Melbourne, VIC) Champion Speciality Beer - 'Taco', Two Birds Brewing (Melbourne, VIC) Beer and Brewer Champion IPA - 'Zoo Feeder', Modus Operandi Brewing Company (Sydney, NSW) Champion French and Belgian style - 'Saison', La Sirene (Melbourne, VIC) Hopco Champion Small Brewery - Modus Operandi Brewing Company (Sydney, NSW) Cryer Malt Champion Medium Brewery - Nail Brewing Australia (Perth, WA) Bintani Champion Large Brewery - Joint winners: 4 Pines Brewing Company (Sydney, NSW) and Two Birds Brewing (Melbourne, VIC) CBIA Services to Australian Craft Beer - Willie Simpson Photos via Modus Operandi Brewing Co.
Once located in Spring Hill, Happy Boy moved to the heart of Fortitude Valley at the end of 2017. Situated under dappled fairy lights on East Street, the larger kitchen space has given the Happy Boy team room to play with the cuisines of Xinjiang, Canton and Sichuan. While the existing menu remains largely the same to appease old fans, new flavours have made an appearance over the years. The menu is perfect for sharing with friends, so make sure you order a range of dishes to experience the best of what's on offer. Breakfast is no longer on the menu, but you can come for lunch and dinner every day except Monday, tucking into some great deals. Lunch specials all come in under $17, so if you've been looking for a shake up from your usual sarnie you just might have found it with the Cha-Siu style BBQ chicken either served on fried rice or wok-tossed noodles ($17) or the rich beef brisket stew with noodle knots ($15). Dinner includes Taiwanese fried chicken sliders, prawn and pork wontons in a spicy broth and the ever-classic Beijing duck pancakes. Choose some vegetable dishes to supplement your mains or, if you're vegetarian, choose from some of the many exciting meat-free options available. Perhaps try the gold and burnt broccoli with black beans or many mushroom much tofu with broccoli and light soy. When it comes to meats and seafood you've got plenty of choices at Brisbane's Happy Boy, with the Chinese BBQ offering roast duck or crispy pork belly, or perhaps try the flash fried lamb in Sichuan spiced oil. Truly, the best option is simply to head along once and try what you like, and then come back a second time to tick the rest of your choices off the menu. The wine list is comprehensive, staff are knowledgeable and friendly and you'll love the buzzing atmosphere of the open dining room. Truly, Happy Boy is a Valley must-do. Images: Anwyn Howarth
He’s hung out in Nevada brothels, suburban swingers’ clubs and high-security gaols in Miami. Does Louis Theroux have what it takes to survive Q and As across Australia? We’ll find out when the fearless filmmaker, journo and social commentator heads our way this September for a national speaking tour. In his first visit to the Great Southern Land, Theroux will be joining ABC’s Julia Zemiro for big chats in Sydney, Melbourne, Adelaide, Brisbane and Perth. You’ll be hearing all about how he’s survived dens of iniquity all over the planet without losing his sanity or moral sense. He’ll also be reminiscing about time spent with a nasty neo-Nazi gang in the United States and recounting his brief stint as a rap god on New Orleans radio. “For me, making my programs is quite a private process,” Theroux said. “They are about forging a human connection with people whose lives are at the outermost edge of what we as people experience: the most forbidden impulses, the most frightening lifestyles, the most traumatic turns of events. To get inside the lives of those people — criminals, sex workers, people with mental illness, ultra-committed religious believers — is a kind of high-wire act.” Theroux is looking forward to sharing the ins and outs of the filmmaking process with his listeners, while telling all the bizarre stories that didn’t make the cuts. In between talking, he’ll be screening footage from Weird Weekends, his famous series of one-off investigations and encounters with various celebrities and power brokers. When he and Zemiro are done, you’ll have loads of time to ask questions of your own. “In his documentaries, Louis Theroux finds the extraordinary in the ordinary," says Zemiro. "Through patience, stillness and rigour, he reveals so much about human nature. I'm delighted to be hosting this tour and intend to pick up as many tips as possible in the art of interviewing.” Catch Louis Theroux at Perth’s Riverside Theatre on September 22, Melbourne’s Hamer Hall on September 25, Sydney’s State Theatre on September 27, Adelaide’s Festival Theatre on September 30 and Brisbane’s QPAC on October 1. Tickets go on sale on March 21 via Louis Theroux's tour website. Image: Carsen Windhorst.
Mindfulness practice — achieving the mental state of focusing on the present moment — is gaining popularity as people attempt to regulate their stressful lives. People have turned to everything from meditation to colouring books to achieve mindfulness, but perhaps few people would think of doing a triathlon to achieve inner peace. Take three activities that promote mindfulness — specifically running, yoga and meditation — and you've got yourself a 'mindful triathlon'. Wanderlust 108 has been running these triathlon festivals since 2014, and the standard day has a few main components. First, there's the five kilometre run, although the site reassures you that you can walk instead of running — or even "prance, skip, stroll or strut" — as long as you reach the finish line. After that, theres 75 minutes of yoga accompanied by a DJ set, and finally 30 minutes of meditation to round out the whole-group activities. Once the structured section of the day has wrapped up, participants can also head to activities such as aerial yoga, acroyoga and hooping, or to lunch. It's part exercise, part dance party, part fest — and 100% focused on helping attendees feel great inside and out. Also on the agenda: walking meditation, essential oil classes and the Mindful Marketplace, which will help you take your new blissed-out state home with you. Returning to Brisbane on Saturday, October 20, this year's Wanderlust 108 will take place in West End's Orleigh Park. By Siobhan Ryan and Sarah Ward.
Brisbane has a new golf hub: South Bank, with Hey Caddy and X-Golf opening on Grey Street. One gets you putting around a mini-golf course, the other will test your swing via a golf simulator. They're both indoors, sharing the same space — and however you like your golf fix, there's also a bar. This is Hey Caddy's second location in Brisbane, after the brand opened its doors in North Lakes in 2022. The putt-putt spot is an offshoot of X-Golf, so they're no strangers to each other. This is also Hey Caddy's third venue in Queensland and tenth nationally — and for X-Golf, its third in the city after North Lakes and Enoggera, eighth in the Sunshine State and 26th in the country. Patrons can now tap, tap, tap their way around 12 holes, then give their swing a try at five simulators. Hitting up the bar, hanging out in the games area, grabbing a bite from the in-house kitchen and watching screens showing sports: that's all offered by the site, too, in what's been badged an "indoor golf-entertainment hybrid". The aim is to cater to all levels of golfing interest, whether you're only interested in having fun with your short game, you'd like to take lessons from PGA-certified coaches or X-Golf's X-League competition — which feeds into venue, state and national championships — gets you excited. Other than playing mini golf, you can hone or show off your skills on virtual greens, of course. While gone are the days when Brisbanites had to head to the Gold Coast to partake in a round of mini golf, Hey Caddy's angle is its themed holes — including nodding to Spain's running of the bulls, busy New York streetscapes, tropical holidays in Bora Bora and the like. When the North Lakes venue opened, it did so with Coachella, Area 51 in Nevada, Miami,, Egypt, Melbourne and Mars all getting a nod. Hey Caddy also themes its cocktails to its courses, which you can enjoy in the al fresco dining area. The hybrid venue features party rooms as well, if that's your ideal way to gather the gang to commemorate an occasion. Find Hey Caddy and X-Golf at 275 Grey Street, South Brisbane — open from 10am–10pm Monday–Thursday, 10am–11pm Friday–Saturday and 10am–7pm Sunday. Head to the Hey Caddy and X-Golf websites for further details. Images: Jacki Gibson.
Here are the very few things I know about Finland: it's cold and covered in forests, people are pale and highly educated, and they have an array of deeply frightening death metal bands. Now you can add World Design Capital to that list, because Helsinki, Finland's capital, has just been awarded the 2012 title by the International Council of Societies of Industrial Design. Helsinki, proclaimed the world's most livable city by Monocle, won due to its ability to use the country's creative and artistic industries to promote economic growth, as opposed to other country's attempts at killing them off to try and save costs. Combining beautiful landscape with efficient infrastructure and socially conscious urban planning, design has been an integral part of life in Helsinki for years and manifests itself in furniture, jewelry, interior design and architecture. Festivities will last for a year and include more than 300 events and programs in and around Helsinki, officially beginning on New Year's Eve with a celebration in Helsinki's Senate Square. The activities will include not only designers and creative leaders but the entire Finnish community, and will also feature traveling exhibits in St Petersburg, Taipei, London, Berlin and Tokyo. In a highly sensible and Scandinavian way, Helsinki has vowed that the year won't be a fireworks display of events and shows, but a deeper attempt to explore sustainable design from a broad perspective and how design can be made better, easier, more functional and accessible to everybody. If there was ever a time to take a trip to Helsinki, looks like next year might be it. [Via Cool Hunting]
Few countries are as geographically diverse as Australia. We have snow-capped mountains, tropical rainforests, red deserts and long-stretching beaches. At these idyllic locations are some of the country's most luxe experiences, letting us explore all that our country has to offer. With the holiday season fast approaching, why not give the gift of travel to the luxury lover in your life? After all, you can't really top a trip away. We've partnered with Tourism Australia to round up ten of indulgent experiences to get your mate (or whoever, really) who loves a fabulous gift. Whether you book them in for a high-flying feed at Australia's most boundary-pushing museum or get them a voucher to a five-star hotel, these experiences provide a much-needed dose of escapism. Play your cards right and you might score an invite, too.
As bushfires have ravaged Australia this summer, much of the country's wildlife has been caught in the blaze, with an estimated one billion creatures killed and significant numbers injured. Photographs and footage of fire-affected animals have become a common and heartbreaking sight, with organisations such as the Wildlife Information, Rescue and Education Service (WIRES) working to assist these critters in need — and your next coffee-flavoured boozy beverage can help them. To raise money for WIRES, homegrown coffee liqueur company Mr Black has released a limited-edition version of its cold-brew tipple. Buy a bottle, and 100 percent of the proceeds will be donated to the wildlife rescue organisation. Each one costs $100, with Mr Black aiming to raise $10,000 for the incredibly worthy cause. As well as getting 700ml of the brand's very popular alcoholic caffeinated beverage, you'll receive it in an adorable bottle, as made in collaboration with creative studio The Young Jerks. A koala adorns the label, clinging to a branch as part of a stylised and striking — and immensely cute — design. https://www.instagram.com/p/B7aDMi0B2KM/ Orders are open now, with bottles expected to ship in six–eight weeks. And, that shipping cost will be covered by Mr Black, meaning that every dollar you spend on the Bushfire Relief Limited Edition will be donated — and won't need to cover the cost of getting the booze to you. Mr Black's Bushfire Relief Limited Edition cold brew coffee liqueur is currently available to purchase from the brand's website, with orders expected to be shipped in six–eight weeks.
Breaking up with booze for a month to raise some funds for cancer research? Perhaps you want to reset after a few too many couch vinos in iso? Or maybe you're simply looking to embrace a more liver-friendly lifestyle overall? Whatever your reason for axing (or just relaxing) that alcohol intake, Dry July's as good a time as ever to dive in. And helpfully, you've got a swag of creative-thinking Aussie bars and locally-made booze-free tipples on your side. From zero-hangover beers crafted on native ingredients, to botanical-driven mocktails packing just as much of a flavour punch as their boozy counterparts, here are a few alcohol-free goodies to check out during Dry July. [caption id="attachment_775356" align="alignnone" width="1920"] Image: Demetre Minchev[/caption] SOBAH Booze-free beer is nothing new, but one Gold Coast company is taking the concept to a whole new place. Aboriginal-owned Sobah is whipping up a range of non-alcoholic tinnies heroing sustainably-sourced native ingredients like davidson plum and finger lime. And these cans will quench your thirst for a cold, fizzy brew, even while that alcohol content clocks in at less than 0.5 percent. Right now, you can get your hands on crafty drops like a lemon aspen pilsner, a pepperberry IPA and a zesty finger lime cerveza, each housed in a bright, arty tin you'd be more than happy to whip out at that next barbecue. Sobah's also doing its bit to raise awareness and conversation around mindful drinking and healthy lifestyle choices, throwing support behind organisations like 101 Tokens. Find four-packs from $18 available at select bottle shops and online. MONDAY DISTILLERY If you fancy limiting carbs as well as that ABV, this premix tipple is about to become your new best mate. Port Fairy's Monday Distillery has created a series of non-alcoholic riffs on classic mixed sips like the gin and tonic and the dark and stormy. And not only are these beauties free from alcohol, but they're crafted with zero sugar and come packaged in some pretty elegant kit. A sophisticated step up from standard mineral water or super sweet soft drinks, if ever there was one. Right now, the Monday range runs from a classic dry G&T to a ginger-spiked rum-style concoction, though we're told you should stay tuned for more vodka and whisky-inspired goodies to come. Find four-packs from $24 from Victorian Dan Murphy's and online LYRE'S SPIRIT CO Need some reassurance that ditching the booze needn't also mean ditching flavour and creativity? Contemporary drinks brand Lyre's is all the proof you need, with its 13-strong stable of non-alcoholic concoctions, each nodding to a different classic spirit or liqueur. This broad-ranging lineup opens up a world of possibility for those wanting to nix, or limit, the alcohol, allowing you to create endless variations on much-loved mixed drinks and cocktails. There's a bitter orange creation reminiscent of Campari, a signature Dry London Spirit modelled on a classic gin, and even an homage to the Green Fairy. Swap out your usual booze of choice with one of these Lyre's drops and leave the FOMO far behind. And, if you buy a bottle now, you'll score a free private virtual bartending class. Find 700-millilitre bottles for $45 at select bottle shops and online. NON If you're breaking from the booze and looking to fill a wine-shaped hole in your life, you'll find a worthy alternative in Non — a series of alcohol-free drinks created in Melbourne by ex-Noma chef William Wade. The brand currently makes five different 0 percent ABV sips, carefully crafted with premium ingredients and rocking some grown-up flavour combinations. Featured in the lineup are a couple of wine-inspired creations — a salted raspberry and chamomile number that's similar to a pét-nat, and a nod to a sparkling shiraz with flavours of roast beetroot and sansho pepper. Otherwise, you can answer your cider cravings with the caramelised pear and kombu blend, opt for the gose-style hibiscus drink, or hit aperitivo hour armed with Non's toasted cinnamon and yuzu concoction. Find 750-millilitre bottles for $30 from select wine stores and online [caption id="attachment_775360" align="alignnone" width="1920"] Dry Negroni at Gin Lane[/caption] DRINKING OUT IN SYDNEY GIN LANE, CHIPPENDALE Over in Chippendale, the botanical enthusiasts at Gin Lane are flexing their creativity with a whole lineup of non-alcoholic creations heroing the Lyre's stable. Here, some of your favourite gin drinks have been given a booze-free makeover, with options like the dry southside, a dry martini with a twist or olive, and a hangover-free riff on the negroni. TOKO, SURRY HILLS Sake might be the natural match to Toko's elegant Japanese fare, but if you're off the booze, you'll find the bar's lineup of signature non-alcoholic cocktails also stand up pretty darn well. Expect crafty creations like the Kodachi Spritz, made using Seedlip's Grove 42 blend, with coconut, lychee and salted grapefruit soda. THE BOTANIST, KIRRIBILLI This Kirribilli bar's botanical theme extends right through the drinks list to a selection of lively, alcohol-free sips that are every bit as satisfying as a regular weekend cocktail. Hold your own against the boozers with something like the Kirribilli Highball: a fruity fusion of Cedar's non-alcoholic gin, smashed pineapple, lime and basil. [caption id="attachment_775361" align="alignnone" width="1920"] Booze-free G&Ts at Covent Garden[/caption] DRINKING OUT IN BRISBANE COVENT GARDEN, WEST END West End bar Covent Garden might be best known for its sprawling gin selection, but it also makes a pretty mean mocktail. The kind that'll impress your taste buds and your Instagram followers alike. Signatures include the likes of the We're Out Of Rum — a blend of apple, mint and lime — or you can play mix and match with the bar's extensive range of specialty tonics. JUMPING GOATS, MARGATE A champion for all sorts, this neighbourhood bar not only boasts a hefty selection of gluten-free goodies, but is serving up a truly impressive list of non-alcoholic liquid treats. Head in for a range of booze-free brews, alongside house mocktails like the Margate Sunset: orange, bitters and fresh lime, finished with a splash of ginger ale. MECCA BAH, NEWSTEAD Mecca Bah is serving up a full-flavoured drinks offering to match its modern Middle Eastern and Mediterranean eats. Including a handful of fruit-forward mocktails that'll have you feeling as sophisticated a sipper as the rest of them. Join in the fun with the likes of the Iced Apple and Cinnamon Turkish Tea, or the Pink Fez, spiked with lychee, pineapple and vanilla.
The celebrations have been a little scarce so far this year, but the festive season is coming in hot and the country is good and ready for some revelry. If you're a lover of craft brews, you won't find a much better accompaniment for those holiday happenings than the latest limited-edition offering from boutique booze retailer Craft Cartel: Australia's largest ever case of craft beer. Available now for pre-sale, the 100 Can Case features a monster edit of 100 tinnies from 25 of the country's best-loved indie breweries. Enough to see you through a good chunk of the summer picnics, backyard barbecues, beach sessions and Christmas Day lunches to come. Or, if you're the sharing type, enough to make you one very popular Christmas party guest. Favourites like Akasha, Bentspoke Brewing Co, Sauce Brewing and Young Henrys have goodies in the box, as do a range of the Victorian breweries hit especially hard by extra lockdowns this year, including Mornington Peninsula Brewery and Bridge Road Brewers. The style lineup is broad, too, featuring NEIPAs, brown ales and just about everything in between. They're all housed in a limited-edition custom timber box, with the whole thing clocking in at an impressive 40 kilograms. And, while it'll set you back a cool $499, the 100 Can Case also comes with ten $20 Craft Cartel vouchers, effectively sorting out all your Christmas present shopping in one neat hit. Of course, it's not the first time Craft Cartel has gone big on the beer front. Earlier this year, it stocked the slightly smaller Pabst Blue Ribbon 99 Can Carton, packed with 99 tins of the legendary USA lager. To register for pre-sale of the 100 Can Craft Beer Case, head to the website now. If there's stock left, it'll then go on sale to the general public this Thursday, November 26, for $499.
It's that time of year, Brisbanites. Yes, it's spring — but it's also time for Brisbane Festival. Every September, the huge annual event takes over the city, serving up every kind of creative performance that artistic director David Berthold can think of. In 2019, that's a hefty list. Get ready to walk through fire, lose yourself in a maze of doors, watch theatre in a warehouse, see a classic ballet completely reimagined and listen to a bedtime story — when you're not celebrating the birthday of a Brisbane icon, worshipping at the altar of house music and watching a saucy cabaret, that is. The program goes on, as it always does, spoiling fans of art, music, performance, comedy, cabaret, installations and culture for choice in a very big way. From Brisbane Festival's 2019 lineup, which features 454 performances of 83 shows over 23 days between September 6–28, here are our must-see highlights.
When Stuart and Lucy Martin started their own brewery back in 2017, they took inspiration from an easy source: Stuart's experience as a former commercial pilot. In fact, the idea for Archer Brewing popped into Stuart's brain during a flight from Melbourne to Sydney, and their beer-making outfit takes its name from Archer planes, the first type of aircraft he ever piloted. So setting up a new brewpub in an old World War II hangar is the natural next step. Back when Archer first took off, it made Archer's Bunker in Spring Hill its home base, nestling into the space beneath The International Hotel in Spring Hill — and even requiring beer lovers to enter via the Archer Brewing fridge, which doubled as a door. But with that spot in Archer's past itineraries since 2019, the brewery has touched down in Wilston instead. On Newmarket Road since Thursday, February 2, Brisbanites will now find a 200-person beer bar in the abode that Lifeline used to call home. Archer Brewing's new location isn't the first watering hole in an old WWII-era hangar in Brisbane, but it's obviously a case of the perfect business settling into the perfect surroundings. To keep the aviation theme going, the bar itself is made from the last-ever Ansett 727 plane to be flown. If you're fond of aviation yourself, that's definitely something to say cheers to — and over. Stuart and Lucy have brought over their portrait of their border collie to oversee the brewpub, and the space's design highlights its original use. But, as well as the focus on flying, it's the range of easy-drinking beers made using Australian ingredients that'll tempt patrons through the door. Archer Brewing pumps out yeasty beverages of the mid-strength lager, pilsner, pale ale, IPA and rice lager variety, as overseen by head brewer Chris Fletcher (ex-2 Brothers Brewing). Plus, cider fans can sip a new apple number made from Stanthorpe produce. The full booze lineup also spans rotating guest taps, which are currently pouring Sea Legs, Diablo, Brouhaha and 27 South brews, as well as an all-Aussie wine, spirit and cocktail range. In addition to drinking your way through Archer's tipples, Brisbanites making the trip to Wilston will soon be able to snack on a food lineup that's still being finalised. At present, an array of food trucks are popping by to fill the gap. Find Archer Brewing at 1/278 Newmarket Road, Wilston — open 4–10pm Wednesday–Thursday, 12pm–12am Friday–Saturday and 12–10pm Sunday.
One king. Six wives. Centuries of folks being fascinated with the regal story. Throw in pop songs as well, and that's the smash-hit SIX the Musical formula, as Australian audiences discovered in 2021, 2022 and 2023 — and can again in Brisbane from Thursday, January 2, 2025 at QPAC Playhouse. If you've ever needed proof that some stories never get old, the ongoing obsession with Britain's royal history provides plenty. In IRL, it's relentless. On screens and stages, a slice of regal intrigue is regularly awaiting our viewing, too, interpreting and remixing the past in the process. The Crown might've taken ample artistic license with reality, but it's got nothing on the empowering pop-scored twist on the 16th century that's been wowing audiences in SIX the Musical. This theatre sensation gleans a few cues from well-known history, adds toe-tapping tunes and makes stage magic. If you think that you know the stories of Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard and Catherine Parr, then you probably do — even those with little interest in Britain's past kings and queens are likely aware that Henry VIII had six wives — but SIX the Musical's version isn't about telling the same old tale. First premiering back at the 2017 Edinburgh Festival Fringe, then jumping to London's West End — and winning Tony Awards for Best Original Score and Best Costume Design, plus a Grammy nomination for Best Musical Theatre Album, along the way — SIX the Musical gleans inspiration from one of the most famous sextets there's ever been. It also finds its own angle despite how popular the Tudor monarch's love life has been in pop culture. So, move over 00s TV series The Tudors and 2008 movie The Other Boleyn Girl — and this one takes the pop part rather seriously. SIX the Musical is presented as a pop concert, in fact, with the Catherines, Annes and Jane all taking to the microphone to tell their stories. Each woman's aim: to stake their claim as the wife who suffered the most at the king's hands, and to become the group's lead singer as a result. Images: James D Morgan, Getty Images.
Let's face it. The Brisbane climate is, on the whole, quite warm and humid all year round. So when it's too hot for porridge (which is, like, a lot of the time) and a bowl of All Bran just won't cut it, what do you turn to? A kick-butt Bircher. Generally, a Bircher takes your average oats or untoasted muesli, introduces it to natural or Greek yoghurt, invites juice or milk along for the ride, gives them ample time to mingle and to get to know each other, until it’s all just one big melting pot of creamy love. Plus-one invitations are also extended to the likes of dried or fresh fruit, nuts and seeds or superfoods. Despite cooler weather approaching, plenty of Brisbane cafes are still dishing up Bircher daily, putting their own unique twist on a traditional breakfast. There is a lot of Bircher-diversity out there, so we’ve broken it down for you, making it easier for you to hone in on which party you want your spoon to crash. Berries: berry nice match Chow House Chow House serves what is quite possibly Brisbane's best Bircher going round right now. With tart rhubarb and fresh raspberries smashed up throughout, the texture of the oats and quinoa means it’s soft but still slightly chewy. And the fact it's finished with delicious house-made coconut yoghurt is just a bonus. 39 James Street, Fortitude Valley Bellissimo Coffee Sitting pretty in the glass cabinets at Bellissimo Coffee every morning are their berry topped Bircher cups. These babies are made with mango nectar, chunks of pineapple and coconut, which means each mouthful tastes like a tropical island. It’s perfect for a quick smash-and-grab en route to work with your morning coffee. 30 Wandoo Street, Fortitude Valley Samson & Sophie Samson & Sophie have only been around a few months, but already their Bircher (which, please note, is only a special offered on occasion) is a favourite with locals. Quite wet and not overly sweet, it comes swirled with raspberries and another spoonful of yoghurt and is topped with almonds, edible rose petals and a dusting of icing sugar. Shop 1, 2 Macquarie Street, Teneriffe Chia seeds: because #superfood Felix for Goodness Felix for Goodness in Burnett Lane delivers you your chia- and Maleny yoghurt-laced Bircher in an adorable mason jar that will leave hipster-haters cringing. But one bite of this beauty and even they won't be able to stop themselves scraping the bottom of the jar. 50 Burnett Lane, Brisbane Nantucket Kitchen & Bar Nantucket Kitchen & Bar is the new kid on the block (the Indooroopilly Shopping Centre block to be precise), but their Bircher is a unique twist on the classic. Made with orange juice and milk instead of apple juice, it’s heavily doused with dried apricot, dried apple rings, sultanas, cherries, slivered almonds and pepitas and is finished with tangy lemon myrtle yoghurt that helps to cut through the sweetness. Shop MM5 Indooroopilly Shopping Centre, Station Rd Indooroopilly Grated Apple: oldie but a goodie Sourced Grocer The Bircher at Sourced Grocer has become somewhat of an icon and returns to their menu every season. Whether it's their local produce, organic Barambah yoghurt or their market-fresh Granny Smiths that go into the making of this dish (or an incredible knack for plating — it looks identical every time it is served), Sourced’s Bircher is guaranteed to satisfy. 11 Florence Street, Teneriffe Au Cirque The French-inspired Au Cirque makes their Bircher the traditional way with milk, apple juice and Greek yoghurt-soaked oats. It's mixed together with dried apricots, sultanas and roasted almond slivers and topped with grated green apple and another blob of yoghurt. You’ll find each mouthful sweet, rich and filling. 3/618 Brunswick Street, New Farm Quinoa: the latest craze Reef Seafood + Sushi Unexpected from a seafood restaurant, but Reef Seafood + Sushi actually dishes up incredibly tasty sweet and savoury non-fish dishes for brekkie. In particular, its epic Bircher, which is made with half/half oats and quinoa soaked in oat milk and sprinkled with plump and flavoursome fresh berries. It's creamy and not overly sweet, so polishing off your bowl is far too easy a feat. Gasworks Plaza, Skyring Terrace, Newstead Stalled Espresso Tucked away in the industrial area of Albion is a satisfying and filling little delight of a Bircher. Stalled Espresso’s version is also a mix of quinoa flakes and whole oats and is not too dry or too wet from the yoghurt-y apple juice mixture it’s soaked in. Finished with zingy freshly grated apple and sweet strawberries it’s a traditional take with a textural twist. 38 Collingwood Street, Albion DIY: when payday is too far away We don’t always have the luxury of breakfasting out, so when that craving calls and you find yourself staring at the fridge, just grab your key ingredients and whip up a Bircher with whatever you fancy. We adapted this Taste.com recipe to make the one above, adding in some fresh nectarines for good measure. Easy peasy. Photography: Mimi Hyll.
When you're trying to avoid laser beams, watching a sea adventure unfurl around you, stepping into a room filled with blacklight art and being surrounded by a floral wonderland, real life can wait. Enter Dreamskape, then, and no one will be thinking about what lurks beyond the new Melbourne entertainment complex's doors. Escapism via multi-sensory experiences has been proving big business around Australia in recent years, whether via pop-up dessert museums or sunflower-filled celebrations of Vincent van Gogh. A key difference with this one: this latest series of installations is not only sticking around permanently, but also heralds the beginning of of a new chain. Dreamskape President Joanna Chen and General Manager Fraser Bell are planning to roll out the concept around both Australia and New Zealand, with 20 complexes in their sights within the next five-to-eight years. Their niche is augmented reality, but without the user needing any wearable tech or even to whip out their phone — and with their debut Melbourne location, the pair has started with six activity zones across 770 square metres, featuring 100-plus games and 50 immersive experiences. "We have seen a lot of VR and 3D entertainment emerge over the last decade, but now it's evolving. You don't need a headset or anything like that to engage in experiences like we have at Dreamskape. This makes it so much more accessible to a wide range of people," said Chen. "It's an exciting time for entertainment technology, and we can't wait to see what the future holds as Dreamskape continues to grow nationally," added Bell. Opening at The District Docklands in the Victorian capital from Friday, June 28, 2024, the first Dreamskape is the brand's flagship, with 2.5 kilometres of light and data cabling helping bring it to fruition. All of those wires connect spaces such as Dream Game, where you play through four different ten-minute games; Dream Verse, the site's version of an immersive cinematic experience; and Dream Coaster, an augmented-reality rollercoaster where you sit in a coaster carriage, then get blasted with IRL wind and mist, all amid 270-degree visuals. Hitting up Dreamskape also involves being greeted by QB, the venue's host robot, then seeing the aforementioned blacklight art by Melbourne talents at Dream Light, and also getting immersed in shapes and emojis — and scenery and animals as well — at Dream Immersion. Plus, for folks attending with little ones in tow, Little Dream will get kids turning their drawings into AR art and playing AR soccer. Find Dreamskape Melbourne at Level 1, The District Docklands, 37 Star Crescent, Docklands, Melbourne, from Friday, June 28 — open from 11am–7pm Monday–Wednesday, 11am–10pm Thursday–Friday, and 10am–10pm on weekends and public holidays (except Christmas Day and Good Friday). Head to the venue's website for more details.
UPDATE: APRIL 27, 2020 — Since it was released at 6pm on Sunday, April 26, over one million Australians have downloaded the COVIDSafe app. The government has previously said for it to be effective, it needs 40 percent of the population — around 10 million people — to download it. Earlier this month, Prime Minister Scott Morrison outlined seven conditions under which Australia's social distancing and public gathering restrictions could be relaxed, at the earliest, in mid May. One of those was significantly expanding testing, which was rolled out on Friday, and another was a contact tracing app. The latter has been launched tonight, Sunday, April 26, by the Australian Government. Called COVIDSafe, the voluntary app is now available for Australians to download for Android and iOS. It works by keeping an encrypted log of the people you have been in close contact with, aiming to help health authorities more quickly trace potential positive COVID-19 cases and contain community outbreaks. To do this, the app, once downloaded, asks you to input four pieces of information: your mobile phone number, your name, your age range and your postcode. Then, if you're in contact with someone else who has the app for more than approximately 15 minutes and within less than 1.5 metres, it will via a 'bluetooth handshake' collect that person's encrypted app user ID, the date and time of contact and their bluetooth signal strength. Nothing happens to this data unless you're diagnosed with COVID-19. If you are, you'll be contacted by a state or territory public health official and you'll have to consent a second time before the data is sent to a national data store, which can only be accessed by health officials. If you're not diagnosed with COVID-19, the data on your app is deleted after 21 days. If you come into close contact with someone who has been diagnosed with COVID-19 in the past 21 days, and they consent to sharing their app data to the national store, a state or territory health official will give you a call, so you can self-isolate and get tested [caption id="attachment_768682" align="alignnone" width="1920"] COVIDSafe[/caption] According to Federal Health Minister Greg Hunt, the information on the app is protected both physically and by law. It's encrypted and Hunt has "already signed into law on behalf of the government a biosecurity act and determination, which prevents access and ensures the data has to be kept on an Australian server". "It cannot leave the country. It cannot be accessed by anybody other than a state public health official," Hunt said in a press conference today. "It cannot be used for any purpose other than the provision of the data for the purposes of finding people with whom you have been in close contact with, and it is punishable by jail if there is a breach of that." The app also does not use geolocation and the Australian Government has also published a privacy policy statement for the app on its website. But there are some still some concerns about the app's privacy and security. In a joint statement released this afternoon, the Digital Rights Watch, Human Rights Law Centre and Centre for Responsible Technology urged the Australian Government to "fill in obvious gaps in the development of the tracing technology". "The tracing app will only be effective if enough Australians feel confident downloading and using it," the joint statement said. "However the alliance believes that won't happen unless the Morrison Government answers outstanding questions about the safety and privacy of Australians' information." Prime Minister Scott Morrison has previously stated that the app would be effective if at least 40 percent of Australian downloaded it, while Chief Medical Officer Brendan Murphy today said he considered "a good uptake" as well over half of Australians. COVIDSafe is now available to download for Android and iOS. To find out more head to the Australian Government Department of Health website.
UPDATE, September 1, 2020: Fighting with My Family is available to stream via Stan, Foxtel Now, Google Play and iTunes. A word to the wise: should you find yourself watching wrestling with the Bevis family, don't go claiming that their favourite sport isn't real. While the in-ring entertainment is staged, its narratives are scripted and its rivalries areas fabricated as any soap opera, the difference between fixing matches and faking them is as hefty as The Rock's hulking biceps. The same sentiment rings true in Fighting with My Family, in a fashion. Playing producer as well as appearing as himself, Dwayne Johnson ushers this British tale onto the screen with a clear awareness of its tropes and cliches, which anyone who's ever seen a rousing sports drama or underdog movie will spot. But the former WWE pro also knows that a fantastic story can make a mark even when it's swinging every expected blow — and in terms of emotional impact, Fighting with My Family packs a mighty punch. The driving force behind Norwich's World Association of Wrestling, the Bevis crew first came to broader attention in the 2012 documentary The Wrestlers: Fighting with My Family. It's easy to see why they've now inspired not just a TV doco, but a dramatised film that shares most of its predecessor's moniker. Patriarch Patrick Bevis (Nick Frost) turned to the spandex as a respite from a life of crime, then founded his own wrestling organisation with his wife Julia (Lena Headey). Better known as Rowdy Ricky Knight and Sweet Saraya in the ring, the two were soon bringing their kids in on the action, including a daughter named after Julia's stage persona. When the big leagues came calling for the younger generation in 2011, Saraya (Florence Pugh) and her brother Zak (Jack Lowden) couldn't get to their audition fast enough. While the above details could've filled a movie by themselves, here they're just the starting point. The jump from scrapping around England's east to earning fame and fortune doesn't come without ample hard work — and many doubts. Training montages rumble across the screen, but so does plenty of contemplation, with Fighting with My Family never shying away from the difficulties of trying to make it in wrestling. Some members of the Bevis clan are forced to realise that dreams don't always come true. Some learn to stop living vicariously through others. Thrust out of her comfort zone and struggling with her sense of identity, Saraya discovers the challenges and costs of even trying to take the next step. Indeed, Fighting with My Family might champion a broader focus in its title, but this is Saraya's show. Or Paige's, as she's been known to her adoring WWE fans since 2012. The film correctly notes that she took her new name from her favourite childhood TV show, Charmed, and it's that kind of earnestness that helps transform a straightforward tale into a resounding crowd-pleaser. Devotees and newcomers alike will know where the movie is going, however this feel-good comedy charts its path with genuine affection for its characters, their chosen pastime and the quirks of each. It immerses viewers in the wild, weird and wonderful world of wrestling, embraces the sport's theatricality and pageantry, and never serves up an ounce of judgement. As a result, the film deserves every laugh and fist pump that it inspires. Of course, it's easy to go along with the movie's flow when there are such engaging figures at its centre. The picture's pitch-perfect tone feels like an extension of its central motley crew, who love everything about wrestling even when the sport is kicking their arses. Segueing from an initially reluctant fighter to one of the field's female superstars, Pugh puts in a powerhouse performance as Paige, switching the scheming steeliness of 2016's Lady MacBeth for a completely different type of fierceness and fortitude. Credit should also go Lowden, Frost and Headey's way, all playing multifaceted characters who could've devolved into caricatures in other hands. As the no-nonsense WWE scout with dominion over the family's hopes and dreams, Vince Vaughn similarly leaves an imprint among Fighting with My Family's impressive cast. As for The Rock, he cameos as his usual likeable self — the kind of tough but tender guy viewers have basically welcomed into their families for decades now, and that the Bevis' mob incredulously yet excitedly welcomes into theirs. Like his former profession, his well-cultivated persona shares much in common with this flick: big-hearted, sturdy, sincere, relatable and relentlessly charming. Stylistically, the film earns comparable terms, with writer-director Stephen Merchant rarely dazzling with his visuals, but crafting a delight of a movie nevertheless. And yes, it's the same Merchant who's best known for palling around on-screen and off with Ricky Gervais. Devoid of snark or awkwardness, the sweat, stress, tears and cheers of this wrestling comedy suit him nicely. https://www.youtube.com/watch?v=MFew9cpWijc
Created by Jim Henson, first seen on TV in the 50s and boasting eight movies to their name, The Muppets are easily the most loveable felt and foam creations in pop culture history. They're also the driving force behind the best variety television series that's ever reached the small screen: The Muppet Show, which ran for five seasons between 1976–81. Forget all those other efforts hosted by humans over the years, because nothing is as absurd, surreal and delightful as this puppet-fuelled program. And, whether you grew up watching reruns over and over, have always wanted to check it out or somehow weren't aware that the series even existed, it's coming to Disney+ in full from Friday, February 19. Yes, it's time to play the music and light the lights — and to revisit this Muppets-starring favourite. You won't just be checking out the comic stylings of Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo and the Swedish Chef (and their songs and skits, too), of course. The Muppet Show is also famed for its guest appearances, so get set to spy everyone from Elton John and Mark Hamill to Martin, Liza Minnelli, Alice Cooper, Julie Andrews, Diana Ross and Gene Kelly. The streaming platform is already home to a host of other Muppets-related fare — including the most recent 2011 and 2014 movies — so The Muppet Show will easily slot into the Mouse House's streaming catalogue. And, although we're sure you now already have The Muppet Show's theme tune stuck in your head, here's a clip of its opening credits anyway: https://www.youtube.com/watch?v=5zaQgbACc1E All five seasons of The Muppet Show will be available to stream via Disney+ from Friday, February 19. Top image: The Muppets, Scott Garfield.
If you've been to see a blockbuster on the big screen this year, odds are that you've been to see a Disney movie. The Mouse House is responsible for Captain Marvel, Avengers: Endgame, Aladdin, Toy Story 4 and The Lion King, after all — and it still has both Frozen 2 and Star Wars: Episode IX — The Rise of Skywalker to come before the year is out. And now, the huge entertainment company is set to loom large over your streaming viewing, too. This morning — Tuesday, November 19 — it launched its new Disney+ platform Down Under. The service features a heap of content that spans its hugely popular brands, including Disney classics, Marvel, Pixar, Star Wars and National Geographic. On Disney+ you'll find over 600 films and 7000 episodes of TV, so it's basically everything your Disney dreams are made of (and there's a free trial to get you started). From previous announcements, we already knew we'd be watching Star Wars series The Mandalorian, the awkwardly named High School Musical: The Musical: The Series, animated Toy Story spinoff Forky Asks a Question and factual series The World According to Jeff Goldblum. And, along with the platform launch, the live-action Lady and the Tramp has also dropped along with the Anna Kendrick-starring Christmas flick Noelle. Disney has also previously unveiled a lengthy list of upcoming shows that'll hit the platform over the next few years, so prepare for multiple Marvel series about Loki, Hawkeye, The Falcon and The Winter Soldier, and the Scarlet Witch and Vision; a Lizzie McGuire revival; and Star Wars shows about Obi-Wan Kenobi (featuring Ewan McGregor as the beloved jedi) and Rogue One's Cassian Andor as well — although none of the above have release dates as yet. What's noteworthy, too, is the array of classic fare that's now available to stream. Disney has amassed a hefty library over the years and, after merging with Fox earlier this year, it picked up plenty of other films and TV shows. That means that you can stream Marvel Cinematic Universe flicks, Pixar hits, Star Wars movies and all your old favourite Disney animated films, naturally. Home Alone, 10 Things I Hate About You, The Muppets, TRON, Avatar, Sister Act, Hocus Pocus, Honey I Shrunk the Kids, The Rocketeer, Turner and Hooch and The Sound of Music. Boy Meets World, Duck Tales and The Simpsons also rank among a very sizeable pool of titles, as Disney+'s new Instagram video shows. https://www.instagram.com/p/B5BWValA0I8/ A bunch of National Geographic docos can also be found on the platform, including rock climbing nail-biter Free Solo, the touching Jane Goodall film that makes great use of archival footage and Leo DiCaprio's 2016 climate cahnge interrogation Before the Flood. The complete list of titles — which you can browse here — confirms what Aussie audiences will able to watch upon launch. Different local rights deals with other platforms have meant that Australian fans couldn't necessarily just assume that their favourite flicks would automatically be available on Disney+ straight away. For example, until recently, Stan had plenty of Disney content available to stream. Of course, it seems that turning Disney+ into a one-stop shop for the company's movies and series is the ultimate aim. On that note, viewers can expect all of the company's aforementioned big 2019 movies to hit the platform, too, as well as its entire film slate from 2020 onwards. If you want to try out the new service before committing to a subscription, you can sign up for a free one-week trial over here. Disney+ is now live, with subscriptions costing AU$8.99 per month or AU$89.99 per year. You can sign-up for a free seven-day trial here. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
New year, new adventures. It's time to start planning trips to hidden beaches while summer's still kicking, city breaks during quieter months of the year, and regional desert getaways when the temperature drops down south. And we get the "I'll put off travelling around Australia till I'm older" mentality. But enough of that. There's so much greatness in our own backyard that we shouldn't keep pushing local trips further down the line of must-visit places. So, read on to find a few Aussie destinations that should be added to your 2023 travel bucket list. Then go ahead and book a few trips before the opportunity passes. TASMANIA [caption id="attachment_883574" align="alignnone" width="1920"] Zachary Ferguson (Unsplash)[/caption] BRUNY ISLAND Tassie's Bruny Island feels totally remote but it's a short ferry ride from the coast and, including driving time, is just 50-minutes from Hobart. The beauty of this proximity to the city is that, despite all the rugged wilderness, you can still find luxury accommodation, amazing food and all kinds of local produce (think fine cheese and whisky). But consider Bruny Island a destination for when nature is calling. You'll find white wallabies at Inala Nature Reserve, windswept headlands at Cape Bruny Lighthouse and head-clearing watery views at Cloudy Bay. A trip to Bruny Island should be an essential addition to any Tasmanian vacation along the state's south-eastern coast. If you're a serious gourmand, you can experience all the island's finest delights in style with a gourmet tasting and sightseeing day trip from Hobart which includes award-winning cheeses, premium wines and beer, freshly shucked oysters, handcrafted fudge and mead, local honey and a lunch at Pennicott's beachside restaurant with sweeping views of Adventure Bay. Book it now at Concrete Playground Trips. [caption id="attachment_728931" align="alignnone" width="1920"] Lisa Kuilenburg, Tourism Tasmania[/caption] BAY OF FIRES This region is ripe for exploring and one of the most photogenic regions in Tassie. There are hiking trails through bushland full of native Australian wildlife as well as pristine white sand beaches with orange-hued granite boulders that the Bay of Fires is renowned for. Come any time of year to enjoy the area, staying for a few days at one of our favourite glamping sites in Australia or simply pass through while road tripping around Tasmania's North East region. [caption id="attachment_718786" align="alignnone" width="1920"] Tourism Australia and Graham Freeman[/caption] HOBART Hobart is booming. Increasingly, Australian travellers and international folk are taking the trip down south to Tasmania's seaside city. The city's brilliant food scene (which has totally transformed in the past ten years) draws visitors, as well as the city's singular cultural institution MONA. This museum is home to world-class art and installations from owner/mastermind David Walsh's private collection of works that are anything but stuffy. The art is served alongside a fabulous selection of locally-focused food and wine. And then there is the Mona Foma music and arts festival. The dates of this year's festival are Friday, February 17–Sunday, February 19, 2023 in Launceston, then the weekend of Friday, February 24–Sunday, February 26, 2023 in Hobart, and both weekends boast cracking lineups. If you haven't secured your tickets, you can still book one of our exclusive Mona Foma travel packages which includes Posh Pit ferry pass to the museum, tickets to see Peaches return to the Mona stage on Friday, 24 February, plus two nights in a luxe hotel. VICTORIA [caption id="attachment_883577" align="alignnone" width="1920"] Weyne Yew (Unsplash)[/caption] THE WYE RIVER Victoria's Great Ocean Road is always worth travelling down — but finding places to stop for a few nights can be a much harder task. The classics of Torquay, Lorne and Apollo Bay are always great options, but we prefer the sleepier town of Wye River. The small regional town has its own beachside caravan park, an absolute stunner of a general store as well as plenty of beaches for surfing and swimming. Get away from the crowds down here. If you're keen to explore this area in style, book our Great Ocean Road road-tripping holiday here (which includes car rental and accommodation so all you need to do is get behind the wheel and enjoy the iconic views). [caption id="attachment_755967" align="alignnone" width="1920"] Mark Watson and Visit Victoria[/caption] WILSON'S PROMONTORY No matter how popular Wilson's Prom gets, you can always find your own private cove or headland. Either stay at a nearby town and then drive to a beach or hiking trail or get even further off the beaten path by camping, taking your time to go on long treks that'll distance you from the hustle of metropolitan civilisation. It's hard to find more stunning surrounds in Victoria, let alone Australia. You have tree-covered mountains that roll down to small coastal inlets where you can truly escape the outside world. [caption id="attachment_831273" align="alignnone" width="1920"] Robert Blackburn, Visit Victoria[/caption] BALLARAT This regional Victorian city was booming back in the Gold Rush era and has recently had another renaissance of sorts — brilliant restaurants, bars, galleries and hotels are the new gold. These treasures, paired with its proximity to Melbourne (it's about an hour and a half drive or train ride away), help make Ballarat an even greater travel destination for 2023. QUEENSLAND [caption id="attachment_874908" align="alignnone" width="1920"] Guillaume Marques (Unsplash)[/caption] THE WHITSUNDAYS This may just be Australia's most up-market national park in the country. Luxury adult's only resorts and eco retreats are scattered all over the Whitsunday islands. This tropical paradise is where the rich and famous go to treat themselves to exclusive trips around the Great Barrier Reef and beyond. But you don't have to break the bank to enjoy these waters and beaches — so much of the area is considered a national park so you can go camping right up on many of the shorelines. Whitsunday Island, Hook Island and Henning Island all have campsites for those who want to properly get in touch with nature. Just make sure you book your campsite ahead of time because numbers are capped. If you are into a more luxurious stay, you can currently get 20% off the ultimate Whitsundays experience (think sunset sailing, scenic flights and a luxury resort stay) on this exclusive trip which you can book now. [caption id="attachment_876264" align="alignnone" width="1920"] Simon Maisch (Unsplash)[/caption] MUNGA THIRRI NATIONAL PARK Now off to somewhere entirely more remote. Munga Thirri is country that belongs to the Wangkangurru and Yarluyandi people, formerly known as the Simpson Desert National Park. It is the largest national park in Queensland and is also one of the toughest to explore. This is proper Australian outback territory. You'll see sand dunes stretching for kilometres (rising as high as 90 metres) and experience some of the best stargazing in your life. But, if you're not an experienced outback traveller without a decent haul of gear it can be a challenging area for camping. So, in light of that, if you lack the more hardcore camping chops it's best to book stay somewhere like The Birdsville Hotel which will organise tours into the desert. They'll take you on scenic flights, show you epic 4WD tracks and help you organise other local adventures. Just be aware that Munga Thirri is closed for a decent chunk of time in summer due to extreme heat — so be sure to check out the park's opening times on the Queensland national parks website. NEW SOUTH WALES [caption id="attachment_771536" align="alignnone" width="1920"] Destination NSW[/caption] NEWCASTLE Newcastle has undergone a huge cultural transformation in the past 15 years. Sydney's sister city hasn't always been a getaway destination, but we have been won over by its newfound charm. It has terrific beaches, an impressive street art scene that rivals Melbourne (well, don't say this around Melburnians), microbreweries, galleries, small bars, cafes aplenty and several good boutique hotels including a flashy new QT that opened in mid-2022. It really deserves to be added to your 2023 Australia travel bucket list. [caption id="attachment_773788" align="alignnone" width="1920"] Tom Archer, Destination NSW[/caption] LORD HOWE ISLAND Just 11 kilometres long and two kilometres wide, Lord Howe, is fully explorable within a few days. And thanks to visitor limits (only 400 people are permitted at any one time), it's one of Australia's best islands to visit when you want to get off the mainland. Prepare to have these long beaches, idyllic diving sites and rugged terrain all to yourselves. It's also just a short two-hour flight east of Sydney or, if you have the means, you can access the island by your personal yacht. [caption id="attachment_882177" align="alignnone" width="1920"] Courtesy of Novotel Wollongong Northbeach[/caption] WOLLONGONG You'll find some of the most stunning beaches along this part of the south coast including Bulli and Austinmer. But this isn't your average sleepy beach town. The city of Wollongong has undergone its own transformation over the past few years, becoming a hub for great food and drink and cultural activities. After a day of swimming or hiking, either hit up the Illawarra Performing Arts Centre or the Wollongong Art Gallery before dining at some of the excellent restaurants in the area. This little city has a lot going for it. This year, Wollongong will also host the For The Love music festival on Sunday, February 24 with headliners Charli XCX and Duke Dumont. Concrete Playground has teamed up For The Love on curated one-of-a-kind VIP packages for those wanting the ultimate experience. Book your package here — it includes two VIP festival tickets, two nights stay at Novotel Wollongong Northbeach, a Grey Goose gift pack in your hotel room and late check-out so you can sleep in after the party. [caption id="attachment_883578" align="alignnone" width="1920"] Jake Charles (Unsplash)[/caption] BYRON BAY Byron Bay is a classic Australian travel destination, much loved for its bohemian beach culture and world class yoga and wellness retreats scattered about the region. Nature lovers can also go sea kayaking around some of the most breathtaking beaches or hike within the national parks. And the foodies must experience Byron Bay's diverse grassroots drinking and dining scene that is growing impressively every year. And who knows, you might just run into one of the Hemsworth brothers while you're there. Book a four-day wellness holiday for under $400 through Concrete Playground Trips here (including accommodation, yoga classes and two seperate sea kayaking and snorkelling tours). WESTERN AUSTRALIA [caption id="attachment_683983" align="alignnone" width="1920"] Tourism Western Australia[/caption] ROTTNEST ISLAND If you want to take a selfie with a quokka then Rottnest Island is the only place to do it. These amusing little mounds of joy wander all over the island, ready for locals to respectfully stop for a snap. But that's not the only reason to visit this Australian island, located just a short 90-minute ferry ride from Perth. Come to these parts for pristinely kept beaches, shallow shores that are perfect for snorkelling in and plenty of great places to stay for a range of budgets (from high-end hotels to well-appointed campsites). A trip to Rottnest Island is a must for anyone making their way to Perth for a few days. If you're wanting to get the most out of your next jaunt to Perth, book our five-day Perth holiday here (including your accommodation, a day trip to Rottnest Island and visit to the Pinnacles). [caption id="attachment_883580" align="alignnone" width="1920"] Isabelle Truong (Unsplash)[/caption] THE KIMBERLEY This remote region in Western Australia is one of Australia's most impressive natural landscapes. It's known for its abundance of local wildlife that roams the rugged mountain ranges, dramatic gorges with hidden swimming holes and the semi-arid desert planes. It's a Tourism Australia ad everywhere you go. It's also one of the best places to visit when you want to keep the summer dream alive — boasting wonderfully warm weather throughout the colder months of the year. [caption id="attachment_807814" align="alignnone" width="1920"] Sal Salis, Tourism Western Australia[/caption] NINGALOO REEF Fun fact: Ningaloo Reef is the only large reef in the world that you can access right off the shore. Unlike the Great Barrier Reef, you don't need to book a spot on a large boat that takes you out to the reef with a bunch of other tourists. Here, you simply park by the beach and get straight to snorkelling around vibrant coral gardens, dolphins, turtles and manta rays. You'll find the UNESCO heritage-listed wonder 1,200 kilometres north of Perth, from where it runs north along the coast for 260 kilometres, between North West Cape and Red Bluff. Pick a point to explore on your own or hit up local guides who will show you the best parts. SOUTH AUSTRALIA [caption id="attachment_664008" align="alignnone" width="1920"] John Kruger[/caption] ADELAIDE HILLS South Australia is famous for its many wine regions that pump out case after case of spectacular vino. You've got McLaren Vale, the Barossa and Clare Valley, but we are all about the Adelaide Hills in 2023. First off, this is one of the easiest wine regions to reach — located just a 30-minute drive away from the centre of Adelaide. It's also home to some of our favourite cellar doors. We suggest you start in Woodside, where you'll find stunning cellar doors from Bird in Hand, Petaluma, Barristers Block and Golding Wines. And while you're there, don't miss Lost in a Forest which serves up woodfired pizzas and natural wine from local label Ochota Barrels in a 130-year-old church. Get the most out of your trip to this region by booking our Adelaide Hills escape here including two nights' accommodation, transport around local wineries, daily yoga classes and most of your meals. [caption id="attachment_883581" align="alignnone" width="1920"] Michael Skopal (Unsplash)[/caption] WILPENA POUND Wilpena Pound is the holy grail of the Flinders Ranges National Park, characterised by its dramatic rocky mountains. The entire region is vast and truly remote, located about a five-hour drive from Adelaide. But don't let the distance scare you off. There's much to see and do here. Go on 4WD treks through the bush, take scenic flights over the mountain ranges and go on guided hikes to see some of the best-preserved Aboriginal rock art while learning of the local Adnyamathanha people's rich history. [caption id="attachment_883583" align="alignnone" width="1920"] Luisa Denu (Unsplash)[/caption] EYRE PENINSULA This coastal region in South Australia is foolishly overlooked by both Aussies and international travellers. It is the state's own version of Victoria's Great Ocean Road, and it might just give that famous stretch of coast a run for its money. Head to Eyre Peninsula to swim with dolphins and sea lions or simply relax on long sand beaches backed by rugged cliffs as you look out for passing whales. Dreamy stuff. Then you can hit up any of the local townships to try Eyre Peninsula's legendary oysters and freshly caught seafood or head inland to do some winery hopping. You'll quickly discover why it's one of our favourite stretches of coast in Australia. NORTHERN TERRITORY [caption id="attachment_826027" align="alignnone" width="1920"] Tourism NT[/caption] KAKADU NATIONAL PARK Kakadu is an unmissable Australian travel destination, but its perceived remoteness seems to put a lot of travellers off. Don't let it. Kakadu is only a three-hour drive from Darwin and it's well and truly worth the journey. Once you're there, you have an enormous natural playground to explore and some genuinely life-changing scenery and experiences ahead of you. We recommend hiring a 4WD with a pop-top tent or camper for the week and see where the road takes you. Organise an itinerary to hidden swimming holes and incredible rainwater waterfalls, epic mountain ranges or local wildlife sanctuaries and cultural experiences with the local Indigenous people to learn the ancient history and dreaming stories of the area. [caption id="attachment_883588" align="alignnone" width="1920"] Banubanu, Tourism Australia[/caption] BREMER ISLAND Run away to the Northern Territory's fairly unknown Bremer Island for a super chill tropical island holiday. It's well and truly off the beaten path, so you'll be away from the crowds, surrounded only by well-preserved wilderness. There aren't many places to stay on the island, but we are big fans of Banubanu Beach Retreat — a glamping site located right on the water. Spend your days kayaking along the coast or snorkelling in the warm waters before eating some fresh-caught seafood. It's a really laid-back place to visit, away from the crowds and influencers. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top images: Sal Salis on Ningaloo Reef
The world's greatest artworks belong in galleries where everyone can see them. With Lego's help, however, you can also put a few on your walls. The brand has already turned Vincent van Gogh's The Starry Night into plastic bricks, then Katsushika Hokusai's The Great Wave off Kanagawa. Next up: the one and only Mona Lisa. Lego's art range not only lets you display iconic works in your own home, but gets you building these masterpieces, too — so, in this case, you'll be taking Leonardo da Vinci's lead. Of course, while he used oil paints back in the 1500s, you'll be snapping together 1503 Lego elements. Maybe you've seen the real thing at the Louvre. In 2024 so far, perhaps you've hit up Melbourne's immersive da Vinci exhibition and the Gold Coast's Italian Renaissance Alive exhibition for a larger-than-life, multi-sensory Mona Lisa experience. Or, you could've only seen photos of the piece. Whichever fits, being able to construct your own version will ensure that you can look at it whenever you want. The Mona Lisa Lego kit features pieces in new colours — and if they look a bit brighter than the real artwork, that's because the hues are designed to reflect the tones that da Vinci actually used, not the paint as it looks today after 500-plus-years of ageing. We weren't kidding about hanging it on your wall, with a detachable frame in drum-lacquered gold included in the set. Once built, the full piece will measure 43 centimetres in height, 30 centimetres in width and four centimetres in depth. Also, while the eyes are a famous part of the work, Lego's iteration gives you two options with the peepers, including blank blocks to make the design more abstract. If you want to hear more about the Mona Lisa as you put it together, Lego is dropping an art podcast to coincide with the kit's release. Both will arrive on Tuesday, October 1, 2024, but you can pre-order the set now — it costs AU$169.99 and NZ $179.99. On Saturday, June 1, 2024, as part of the brand's architecture range, Lego is also releasing a Notre-Dame de Paris kit, which'll get you building the landmark from 4383 bricks. For more information about Lego's new 'Mona Lisa' kit, which goes on sale on Down Under on Tuesday, October 1, 2024, head to the company's website.
They brighten up our days, and our gardens and houses. They make any home, table or shelf feel cheerier. They're a treat to pick, and the fact that they don't last forever offers a colourful reminder that life is both gorgeous and fleeting. But, floral fans, you can be forgiven for adoring flowers and wanting to fill surround yourself with blooms that'll stand the test of time. One solution: fake blossoms. Another: Lego's eye-catching floral kits. At the beginning of 2021, Lego unleashed its new Botanical Collection — part of its growing range for adults, because we're all well past pretending that Lego is just for kids. Back then, it boasted a flower bouquet and a bonsai, letting you add both to your home without worry about care, water, wilting or the expiry date that always comes with cut florals. Or, they made great presents to your nearest and dearest for all of the same reasons. Since then, the toy brand has kept adding to its floral range. In 2022, it came out with succulents and orchids as well, and has also released roses, tulips, sunflowers and a bird of paradise. To start 2023, the company is expanding the collection again, and going big — with another bouquet, this time of wildflowers, and also a centrepiece. If you've got a shiny vase that needs filling — and some spare time to pack with Lego-building — the 939-piece wildflower kit includes eight species, all with adjustable stems. These blooms are inspired by cornflowers, lavender, Welsh poppies, cow parsley, leatherleaf ferns, gerbera daisies, larkspurs and lupins. You make them, then arrange however you like. And, you can combine them with the previous bouquet as well for one large bunch of petals. The 812-piece centrepiece set is designed for tables, obviously, and opts for a dried flower look. So, the colours here are calmer, and you'll see — and construct — a gebera and a rose as its focal point. Lego also suggests that it can be hung on a wall, or paired with two other identical kits on your surface of choice. Terrible at keeping greenery alive? Don't know the first thing about maintaining dried flowers? These are ideal for you, then. As well as looking adorable and adding some splashes of green to your decor, Lego's newest products are designed to help you destress and get mindful — something that the brand has been promoting for adults for a few years now. Both kits cost $99.99 each in Australia, and $99.99 for the bouquet and $109.99 for the centrepiece each in New Zealand — and go on sale on Wednesday, February 1. And yes, they'd make a cute Valentine's Day present, or a gift (including to yourself) just because. For more information about Lego's Botanical Collection, including the wildflower bouquet and flower centrepiece, head to the company's website.
There's no wrong way to do a European holiday. But if you ask us, it's the experiences that really make a trip special. A boat cruise along Sorrento's coastline, a dip in Budapest's outdoor baths, or a bike ride through the French countryside to Monet's garden – these are the moments that you'll remember long after you return home. With our dedicated travel platform, Concrete Playground Trips, it's never been easier to plan your dream Euro adventure. So we've rounded up eight of the best bookable activities across some of Europe's most underrated destinations, all made even better thanks to an exclusive 10% discount for Visa cardholders. Just lock in your pick, pay with your Visa and watch the savings roll in. From food and wellness to culture and history, here are the top experiences to add to your itinerary.
