Ever since Freddie Mercury teamed up with Brian May and company back in the 70s, Queen has never been out of fashion. Thanks to Bohemian Rhapsody, however, the band has recently roared up the charts again. You could call it a kind of magic. You could say that their songs must go on. Either way, if you're happy to let the British group keep rocking you, then head along to The Brightside — outdoors, not indoors — on Saturday, January 30. Been feeling a crazy little thing called love for Freddie and his bandmates? Then you'll be in the right spot. And if your approach to the group's music is "I want it all!", that's what you'll hear at Mamma Mia — Let Me Go. And well as ABBA songs, too, because why not? The one-night event will break free from 9pm, so get ready to unleash your inner dancing queen and thank everyone for the music. Here we go again, indeed. If you're wondering how much money, money, money it'll set you back, tickets cost $15 — and buying in advance is recommended, because it's likely to sell out. Because it's a hard life, DJs will spin both band's tunes, and you and your fellow champions and super troupers will take a chance on dancing and singing along. You'll be able to say 'gimme, gimme, gimme' to other tracks from huge artists of the 70s and 80s, too. Basically, prepare to step back in time — and if you miss out, you'll feel a little under pressure. https://www.youtube.com/watch?v=xFrGuyw1V8s
If you're all about thinking green, living in a more eco-conscious way and doing your utmost for the planet — as we all should be — then you likely already know about Brisbane's Green Heart Fair. Twice a year, the event takes over a leafy public space to celebrate sustainability, all by giving away plants, teaching attendees about beekeeping, serving up plant-based food truck dishes and hosting markets selling locally made wares. The next event takes place from 9am–3pm on Sunday, May 30, and all of the above is on the agenda once again. Also part of the fair, which'll be settling into the 7th Brigade Park on Newman Road in Chermside: composting tips, sessions about creating and maintaining home gardens, hands-on workshops for kids, the chance to test-drive electric scooters and live music. If adding some greenery to your yard has particularly piqued your interest, there'll be 3000 native plants on offer — all for free. They're available on a first-come, first-served basis, so arriving early is recommended.
How does a film festival celebrate a big milestone? By doing what it always does best. For the Iranian Film Festival, which hosts its tenth event in 2021, that means showcasing all of the latest and greatest movies from the Middle Eastern country. From winners at notable international fests such as Sundance and Venice, to the nation's 2021 Oscars submission, this year's lineup doesn't skimp on highlights. When the event hits the Elizabeth Picture Theatre between Thursday, May 27–Wednesday, June 2, IFF will kick off with Titi, Ida Panahandeh's film about an ailing physicist who's working on a theory about black holes and the end of the world. From there, cinephiles can expect to dive into flicks about a brick-manufacturing factory and its ancient methods, (The Wasteland) as well as music-fuelled road movies (Bandar Band). A certain standout, Yalda: A Night of Forgiveness topped the World Cinema Dramatic category at Sundance 2020, and spins a powerful story about a woman seeking atonement on television after being sentenced to death. Or, there's also Sun Children, the Oscar-shortlisted effort that follows a 12-year-old and his pals as they try to support their families. In total, 17 films will play during the festival — which should give you ample opportunity to leave your couch behind for the big screen for more than a few sessions. That said, there'll also be an online component after the in-cinema fest, running from Sunday, June 20–Wednesday, June 30. https://www.youtube.com/watch?v=xDSk_08MvBQ
Across the first two months of winter — from Tuesday, June 1–Sunday, August 1, to be exact — El Camino Cantina will be pouring soft drink-inspired margaritas across all of its Brisbane venues. Looking for something to pair with your creaming soda- or Mountain Dew-flavoured marg? We're guessing that salt and vinegar chicken wings will definitely do the trick. Over the same period, the Tex-Mex chain is also hosting a chicken wing festival called King of the Wing. Ten new flavours and rubs will grace the menu, including everything from chicken salt and mango habanero to teriyaki and nacho cheese. Most days, you'll nab a basket of wings in your chosen flavour, served with blue cheese mayonnaise, for $18. Wednesdays have something extra in store, however. That's ten-cent wing day, with a different King of the Wing flavour on offer each week — if you and your budget-conscious pals need an excuse to head along more than once.
Brisbane Powerhouse has been such a large part of the city's cultural scene during the 21st century that it's easy to forget that it hasn't always existed. Well, not in its current form as an arts venue, at least — because, before it opened in 2000 as a place to see shows, hear live tunes, laugh at comedy gigs and scope out exhibitions, it was a literal power station. 2021 marks a big 21 years since Brisbane Powerhouse started keeping us all entertained, and it's throwing a party to celebrate — naturally. Running until Saturday, May 15, the birthday celebrations comprise multiple parts. You can feast your eyes or your ears, and also give your funny bone a good workout. Exhibition Regenerate is showcasing the building's story, history and secrets — so if you want to know more about its past and evolution, this'll keep you clued up. Or, on Wednesday, May 12, a conversation session will delve into a 1994 shindig called Tranceplant, a large-scale performance and installation event that held a ten-night season in the then-derelict building 27 years ago, and welcomed around 100 performers each night. To cap things off, a big 21st birthday concert is also on the bill, taking over the Powerhouse Theatre from 7.30pm on Saturday, May 15. Hosted by Mel Buttle, it boasts a lineup that spans Kate Miller-Heidke, Clare Bowditch, Wil Anderson, Briefs Factory, William Barton with Camerata, CIRCA, Benjin Maza, Alinta McGrady, Bombshell Burlesque and Tom Thum. That's not all, either, as a secret headliner will be revealed when you're there on the night. [caption id="attachment_619069" align="aligncenter" width="1920"] Studio Impressions[/caption]
Winter has already gotten off to a frosty start in Brisbane, so your wooliest jumpers, comfiest trackies and cosiest blankets have probably been getting a workout. Don't go thinking you can't be just as warm next time you head out of the house, though. Mulled wine tends to have that effect, after all. Every Sunday from June 20 right up until the end of winter, the Regatta is wheeling out a mulled wine cart and serving up four different varieties: classic mulled wine, mulled apple cinnamon cider, hot honey mead and mulled rosé. You'll need to head by the Toowong spot's openair courtyard from 2–6pm, and you'll also find live tunes soundtracking your sipping from 3pm. But the pub's winter festivities aren't just relegated to one day a week. Winter in the Vineyards, as the Regatta is calling its wintry celebrations, kicks off on Wednesday, June 16 and runs from 11.30am Wednesday–Sunday weekly. So, you've got two and a half months to drop by, sip drinks, and tuck into stomach-warming bites like baked jersey brie, goats cheesecake in sesame pastry crust and a share plate-heavy picnic. Mulled wine will be available during the week and on Saturdays, too, but you'll only be able to choose from multiple flavours at the dedicated mulled wine trolley on Sunday afternoons. [caption id="attachment_794007" align="aligncenter" width="1920"] Creative Commons[/caption]
Fancy a cheeky martini over lunch? A couple of of after-work drinks? A few tipples over snacks? Whether you like them shaken or stirred, you'll only spend $12 for your next martini at The Inchcolm by Ovolo. The catch: you just need to head in between 12–11pm between Monday, June 14–Saturday, June 19. The Spring Hill hotel and its 1920s-inspired bar are calling the occasion $12 Martini Week, although this celebration of James Bond's favourite cocktail only runs for six days. It's okay, we're sure your tastebuds — and your wallet — will forgive them. The fact that there's 11 different martinis to try is certain to help. Among the menu highlights: the classic Inchcolm martini, which pairs vodka, gin, dry vermouth, orange bitters and olive juice; and a cucumber and rose number that opts for cucumber-infused gin, elderflower, rosewater, prosecco, cucumber ribbons and rose petals. As for snacks — which'll set you back more than the $12 you're paying for your drink — they span everything from cheeseboards and caviar to steak tartare and oysters.
Next time you slurp down some oysters, you needn't just opt for natural molluscs served with lemon and Tabasco. There's nothing wrong with that old favourite; however you can get a bit more adventurous with your oyster dishes at One Fish Two Fish's Oyster Frenzy. Between Thursday, August 5–Sunday, August 8, the Kangaroo Point eatery is serving up a six-course oyster feast, taking seafood lovers through six different flavours. Start with the tried, tested and aforementioned combination, then move onto oysters battered in squid ink tempura and served with Asian salad and sriracha aioli, three-cheese baked oysters, and oysters with limoncello and finger lime caviar. You'll also be snacking on oysters with tarragon and garlic butter pangrattato, plus oysters paired with an oak-aged chardonnay mignonette granita. In total, you'll eat your way through 18 oysters all up — three per dish — for $69 per person. Because oysters are always popular, bookings are essential — with Oyster Frenzy running sittings for dinner on the Thursday, and for both lunch and dinner from Friday–Sunday.
You can never have too much greenery in your life, both inside and outside your house. And, whether you're decking out your interiors or setting up a luxe outdoor hangout zone, you can never have too many homewares either. At least that's what you'll keep telling yourself while you're browsing around The Home Collective's wares. At its next event, the northside market will be offering up an array of plants, pots, furniture, cushions, art, ceramics, candles and other items that belong in your house or garden. If you're keen for a sneak peek, or some design inspiration, check out the event's Instagram page. That'll motivate you to head along, we're certain. Taking place at the Wavell Heights Community Hall from 9am–1pm on Sunday, August 29, the market will kit out your abode with plenty of choices, with more than 55 stalls ready for you to peruse. Sure, there's an excuse to boost your garden and homewares cred every weekend in Brissie, or so it seems, but you just can't have to much of a good thing. Entry is via gold coin donation, which'll go to the folks at Animal Welfare Queensland. And there'll also be caffeinated beverages on offer to help perk up your Sunday morning — plus bites to eat from a range of food trucks.
Some folks like a bit of heat with their food. Others prefer not to blast their tastebuds with spicy flavours. At Hello Please's next Sunday session, only people in the first category need head along — because Sriracha features in every dish, and there'll even be Sriracha bloody marys. On Sunday, May 16, the Fish Lane eatery is hosting its next fun cha lunch session, complete with Sriracha mayonnaise prawn san choi bow, quail karaage with a Sriracha glaze, potato rosti with creme fraiche and sweet Sriracha, and Sriracha-spiced tuna tartare in a wonton cone. Rounding out the food offerings: barbecue pork ribs with Sriracha honey, plus lap cheong hot dogs with Sriracha mustard. You'll pay $60 for your session, with two sittings available. Add some zing to your lunch from 12–2.15pm, or get spicy a bit later between 2.30–5pm — with bookings essential. And yes, Hello Please is usually closed on Sundays, but it's opening especially for this zesty occasion.
Fortitude Valley arcade bar Netherworld has played host to comics and arts festivals before, but its upcoming Peculiar Pages market has a specific focus. From 12–2pm on Sunday, May 2, the venue's game-filled home on Brunswick Street will be paying tribute to Brisbane's DIY print media scene. As well as showcasing homegrown comics and literary zines — such as Maurice and The Metal, Floating Disc, Ink Blot Magazine, Freakenstein and Urinal Mag — it'll also host the folks behind them, who'll be on hand to talk about their work. So, you'll be able to replenish your pile of reading material, support local creatives and get some inside knowledge straight from the source. This market may only run for two hours, but you know how the old cliche goes — good things come in small packages, and all that. And, after you're done browsing, buying and chatting, you can mash buttons, grab a drink from the bar and even pull out a board game or several. [caption id="attachment_622335" align="alignnone" width="1920"] Sarah Ward[/caption]
If there's one thing Brisbanites like, it's watching Studio Ghibli films. Understandably, a whole heap of cinemas around town have been happy to oblige, hosting their own events dedicated to the Japanese animation house. The Elizabeth Picture Theatre is one of them, and the venue just keeps bringing back its Ghibli film festival again and again. We understand — who doesn't want to watch these animated delights over and over? Screening twice a week most weeks until mid-May— on Thursday evenings at 6.30pm and Sunday afternoons at 4pm, to be specific — fans will get yet another chance to catch Studio Ghibli's gorgeous features on the big screen. Yes, you should make like a moving castle to see Howl's Moving Castle this time. And yes, you'll be palling around with My Neighbour Totoro once again. Other highlights include Kiki's Delivery Service, Princess Mononoke and Laputa: Castle in the Sky. If you've missed these films in their limited cinema runs or fest appearances in the past, consider this your chance to catch up — and at only $12 per session. https://www.youtube.com/watch?v=uM1fzCdPHSU
Heading north to Noosa to take advantage of the scenic spot's coastline is a tried-and-tested weekend activity, as every Brisbanite knows. Of course, there's much more to do in the Sunshine Coast locale, especially over the three days between Friday, March 12–Sunday, March 14 — which is when the Noosa Eat and Drink Festival is hosting its Autumn Fare event. Think of it as a miniature version of the regular fest, featuring a handful of options over the weekend that'll keep your tastebuds satisfied. So, you just need to pick what suits your mood, hunger and thirst — including learning how to make espresso martinis, tucking into a bottomless lunch and taking a culinary train tour of the region. Also on the agenda: duck, pinot noir and chocolate combos; meals that go big on Queensland's finest; waterfront lunches; and a big feast of paella, sangria and tapas. Prices vary, so you can select whatever suits your budget. Top image: Noosa via Daisy R, Flickr.
Exploring the gender imbalance in professional surfing, especially during the 80s and 90s as women in the sport were starting to attract the world's attention, Girls Can't Surf feels like a floodgates-bursting documentary. Watching female stars of the era talk about their experiences, including the vast disparity in prize money between men and women and how that affected their efforts to make a living, it's easy to see this candid and detailed film setting a template for a wealth of other movies. As fans of any type of women's sport well and truly know, differing treatment, pay, sponsorship and levels of respect aren't restricted to hitting the waves. Indeed, as the doco's high-profile parade of talking heads offer their thoughts and recollections — such as former world champions Frieda Zamba, Wendy Botha, Pam Burridge, Pauline Menczer, Lisa Andersen and Layne Beachley — many of their words could be uttered by any number of female athletes in a wide range of fields. That truth doesn't undercut the doco's power, or downplay what women surfers have been through. Rather, it underscores the importance of continually shining a light on the way the sporting arena has routinely sidelined, undermined and devalued anyone who isn't male. "If you can't see it, you can't be it" is one of Girls Can't Surf's resonant and universal sound bites, and it's easily applicable far beyond the film's specific stories and the sport in focus. Indeed, when Beachley talks about how she used to mill around surfing contests as a teen starting out in the field, and annoy the ladies she'd soon be competing against, you can see those words in action; if earlier generations of women hadn't already been hanging ten, Australia's seven-time champ wouldn't have had any footsteps to follow in. The film is filled with astute insights and telling connections such as these. It all leads to the well-publicised recent development, only back in 2018, of equal winnings for men and women being mandated by the World Surf League from 2019 onwards. That happy ending benefits today's stars, such as Stephanie Gilmore, Tyler Wright and Carissa Moore, but it came too late for Girls Can't Surf's interviewees. Once again, knowing that significant change has finally come to the sport doesn't diminish the potency of hearing about the horrors, struggles and rampant sexism that female surfers endured for decades. Smartly, two-time feature surf documentarian Christopher Nelius (Storm Surfers 3D) brings those tales to the fore, and the people sharing them. Girls Can't Surf positively overflows with frank, determined, inspiring and engaging women telling it like it is about their time in surfing's spotlight. From Jodie Cooper's memories of being the first openly gay woman on the world tour, to Jolene and Jorja Smith's recollections of discovering that the pivotal Huntington Beach OP Pro was dropping its women's competition but keeping the bikini contest, there is no shortage of anecdotes that paint a despondent picture for women who were simply trying to chase their dreams. Learning about how, even if the conditions were too flat for the men, the ladies were still forced to surf instantly demonstrates how little standing they received from the sport's powers-that-be. Seeing Menczer explain that she got by via a combination of sleeping in her van and relying on the kindness of people she met on the tour — which continued after she became world champion — is just as galling. So too is the behaviour of surf brands when they cottoned onto the obvious idea that women's board shorts would be a hit, flirted with sponsoring actual surfers to help promote them, then put their dollars towards models instead. Even clocking in at 108 minutes, Girls Can't Surf gives the impression that a plethora of other tales about surfing alone — and just from the women that it chats with — could easily have made the cut. It probably could've extended its running time with more 80s and 90s archival footage, too, spanning the fluoro outfits and big hair that particularly marked the former, as well as more shots of Zamba, Botha, Burridge and company putting the surf scenes in the likes of Point Break and Blue Crush to shame. Just like standing on a board and taking to the sea, however, this is a film with a keen sense of balance. Working with co-writer and editor Julie-Anne De Ruvo (Morgana, Bump, Why Are You Like This), Nelius helms a zippily paced doco that's dense with information, absolutely infuriating in the specifics it thrusts forward, but also fluid and savvily structured. Wanting to hear and see more is a hardly unexpected side effect when the pool of appalling incidents, and the women who weathered them, runs so deep. Every one of the feature's interviewees could fuel their own movies, in fact, so fingers crossed that eventually comes to fruition. Girls Can't Surf does sport an air of familiarity on several levels, but this is the rare film that doesn't suffer whenever it wades into overtly recognisable waters. Nelius definitely doesn't stir up a storm format-wise, but the material, themes and subjects all ride their own waves — so deviating from the fairly standard mix of talking heads and retro clips is hardly necessary. Bringing to mind similar female-focused works such as 2019's Maiden and 2020's Brazen Hussies, plus Australia's sizeable history of surf features and documentaries, never proves a distraction either. When it comes to rousing movies about women defying the odds and fighting for equality, and about taking to the ocean in general, more are always welcome. The same sentiment rings true with Girls Can't Surf's soundtrack, which makes ample use of Joan Jett's 'Bad Reputation' and Bikini Kill's 'Rebel Girl' as seemingly every second flick about spirited or pioneering ladies does. Hearing those ferocious tracks with frequency — this month's teen empowerment comedy Moxie uses the latter prominently as well — in on-screen accounts of women wiping out barriers is a nice problem to have, after all. https://www.youtube.com/watch?v=rBjcbZla2cA
When Welcome to Bowen Hills was first announced, the new permanent food truck hub promised to drive a truckload of deliciousness into Brisbane's food scene — not only courtesy of its regular meals-on-wheels lineup, but via its special events as well. It's safe to say that the space has delivered over the past few years. Case in point: its returning rosé and cheese festival. Pink vino lovers and gooey dairy fiends, prepare to head just north of the CBD from 12pm on Saturday, May 29 — postponed from its original April 10 date — for a whole day dedicated to quite the culinary pairing. You'll drink the tipple in question. You'll eat oh-so-much cheese. It's simple, really. The wine list will feature drops from Australia, New Zealand, France and Italy, so you won't go thirsty — and sparkling rosé and frosé will both be on offer. Food-wise, prepare for another feast of cheesy goodness. Fingers crossed that flaming cheese wheels, raclette burgers and deep-fried camembert all make a return, ready to be washed down with pink-hued tipples. This year, you'll need to buy a $15 ticket to attend, but that price includes your first glass. On the day, you can also book in for masterclasses, which'll cost $20 for the vino session, $17 for the cheese class and $30 for both. Updated May 8.
The single greatest cult film this side of The Rocky Horror Picture Show is coming back to Brisbane for a timely Friday night engagement. With The Disaster Artist taking audiences behind the scenes not that long ago, and Greg Sestero hitting up our fair town last year, The Room never gets old — and it's back once again. Described by critics as "the Citizen Kane of Bad Movies", with one critic comparing the film to "being stabbed in the head", Tommy Wiseau's The Room is an indescribable mess of plot holes, non-sequiturs, blurry camerawork and soft-core sex scenes, topped off by some of worst performances ever put to film. So naturally, we're recommending you go and see it. Of course, the truth is that no one really sees this movie. Rather, they experience it. Screenings of The Room are fully interactive, with audience members screaming lines of dialogue, dressing up like their favourite characters and hurling plastic spoons at the screen. This behaviour is actively encouraged by screening organiser Kristian Fletcher — in fact, he'll even be providing cutlery at the door. The cinema bar will be open ahead of the screening, something you should probably take full advantage of. The Room screens on Friday, August 30 at 8.15pm, with tickets costing $15.
Art galleries are places of creativity and tranquility. Twice a month at the Queensland Art Gallery and the Gallery of Modern Art, they're places for yoga too. It makes sense — you're in a space known for its peace and quiet, and for contemplation and serenity. Breaking out your best downward dog pose just seems like a natural thing to do, really. We don't recommend showing off your flexibility just anywhere, of course. Instead, make a date with QAG and GOMA's Monthly Mindfulness Yoga sessions. The dates change each month, but there's always one session from 8.45–9.45am on a Sunday, and another from 6–7pm on a Wednesday, giving you the option of bending and stretching to start your day or winding down after work. Taught by Miriam Van Doorn, the classes combine flow-style yoga and meditation, and are open to all skill levels. Sometimes they're held at QAG, sometimes they're at GOMA — so you won't get tired of the scenery. Bookings are essential, and cost $12 for gallery members and $16 otherwise.
Feel like you've experienced every date option that Brisbane has to offer? Run out of new ways to spend an ace night with your mates? If glitz, glamour, drinks, dinner and feeling like you're in a speakeasy several decades ago amount to your idea of a good — and novel — time, then make a beeline to Cloudland's Big Band Cabaret. Taking place in the Valley venue's Rainbow Room, the decadent shindig will have you and your loved one dancing to the Swing Central Big Band and lapping up performances by Jacqueline Furey's Burlesque Ensemble, all while eating your way through a three-course meal and enjoying a three-hour package of beer, wine and sparkling. It was such a hit over the last couple of years, it's no wonder that Cloudland have brought it back — this time, on Friday, September 27. Tickets aren't cheap at $110 per person, but it's certain to liven up your Friday night with something more than a little different.
Spring is in the air at Darling & Co. Cherry blossoms are branching through the Paddington bar, and dumplings are being heaped on plates, too. To celebrate the end of the cold weather and arrival of warmer times, the Given Terrace venue has decked out the joint with blooming pink flowers, pink lanterns and hanging pink umbrellas — and it's pairing the decor with an unlimited feast of everyone's favourite bite-sized parcels. Wednesday nights are now your time to munch on all the dumplings you can handle in 90 minutes, with two sittings available each week. Whether you're eager for an early meal between 6–7.30pm, or would prefer to drop by later, between 8–9.30pm, you'll eat until you can't eat anymore. The midweek bottomless deal will set you back $30, which also includes a a Kirin or rosé on arrival. Bookings are essential — who doesn't want to tuck into all-you-can-eat dumplings?
Eager to add a new dog to your family? Keen to adopt a cute pooch in need? Fancy making your latest life-changing decision over a few beers? Then look no further than Puppies and Pints, which delivers exactly what it sounds like — including adorable fluffballs that you can take home afterwards. Returning for the second time this year from 10.30am on Sunday, October 6, the event sees Semi-Pro Brewing Co and the RSPCA join forces — bringing four-legged friends to the East Brisbane watering hole, welcoming local dog-centric businesses as well, and letting you meet your next barking bestie. For those who want to help a good cause but can't become a new pet parent for many reasons, you can also lend a hand just by drinking, with Semi-Pro putting on a karma keg and donating the proceeds to the RSPCA, too. And if you simply have a better time when you're sipping brews and looking at gorgeous little pups, that's catered for also.
UPDATE: May 29, 2021: Halston is available to stream via DocPlay, Google Play, YouTube Movies, iTunes and Amazon Video. Fabulous minimalist outfits that defined the 70s, famous faces clamouring to wear them and feverish Studio 54 parties — Roy Halston Frowick's life had it all. Starting as a milliner at Bergdorf Goodman, he rose to fame after designing the pillbox hat that Jacqueline Kennedy wore to JFK's inauguration. When the new First Lady's headwear became a phenomenon, widespread attention naturally came his way. From there, the man known as just Halston started his own eponymous label, creating one of the top American fashion brands of the era. Andy Warhol called him one of the two people he'd always want by his side (the other: Elizabeth Taylor), while Liza Minnelli not only became one of Halston's close friends, but a walking billboard for his work. After rocketing through the world of haute couture, Halston then decided to take his clothing to the masses, too, becoming the first designer to ever collaborate with a department store. In his latest meticulously researched movie, fashion documentarian Frédéric Tcheng explores Halston's story, with the above description just the beginning. After the Midwest-raised designer's success and acclaim came bad business decisions, corporate dramas and messy takeovers, as well as drugs, scandals and broken dreams. To some, Halston was a sartorial god. To others, he was a demanding diva. Indeed, although his career soared, it ultimately plunged just as sharply. When he died in 1990 due to AIDS-related illnesses, he'd become just a footnote in his still-ongoing label's history. It's a tale that Tcheng seems especially suited to tell, and tell it he does in Halston. As he proved with Diana Vreeland: The Eye Has to Travel and Dior and I, the French filmmaker has a nose for fascinating true fashion stories — and a knack for knowing how to cut to their core. Here, he inserts Tavi Gevinson into the film as a fictional narrator, which may appear an unusual choice. But, as she excavates Halston's past via an array of grainy VHS tapes of his old runway shows, promotional events, publicity chats and parties, the movie confronts a crucial fact: its subject is no longer a household name. As a result, Halston becomes not just a fashion doco about gorgeous gowns, the person who made them, and his ups and downs, but also a detective story. More than chronicling Halston's life and committing it to film for posterity, Tcheng tries to ascertain why this important tale has nearly been lost to the vagaries of time. In overseeing this task, Gevinson's unnamed archivist initially seems somewhat gimmicky and unnecessary. Once the story starts picking up steam, cutting back and forth can also feel disruptive. And yet Gevinson plays a pivotal part, not only guiding viewers as the movie pieces together Halston's tale, but letting the audience discover for themselves just why they should care — showing them instead of forcefully telling them. Of course, plenty of folks still pop up to sing Halston's praises, including staff, friends, family members and models. Among the parade of interviewees, Minnelli gives a particularly glowing tick of approval: "his clothes danced with you," she gushes. More than merely applauding what she loved about his outfits, the star combines compliments with insight, with her fellow talking heads taking the same lead. When others describe how his fluid, bias-cut creations often came about just by snipping across a piece of material, then draping it over the closest model, it paints a very vivid picture of his vision and artistry. "It was a dress just because of the way he cut the fabric," one of his former colleagues expands — with images of Halston's patterns, often based around just a single sheet of cloth, putting that idea in visual terms. Come for the dresses and drama, stay for the revelations, realisations and ravishing creativity — that's Halston in a nutshell. That said, while this illuminating documentary convincingly makes its case, it doesn't craft as vibrant a portrait of Halston outside the atelier or beyond the revelry. Viewers come to understand his importance and influence in fashion history, as well as why he deserves his enduring place in the spotlight, but glean little that's overly personal about the man himself. Halston isn't an absent figure at all, appearing constantly in archival materials; however he seems to be begging to step out of the documentary and into a biopic — a move that'll probably happen sooner or later. https://www.youtube.com/watch?v=XmK3_HnKkbc
The Taika Waititi school of acting gave Julian Dennison one of his first-ever roles in Hunt for the Wilderpeople, and James Rolleston his debut in Boy. Seven years after the former and 13 since the latter, the two play brothers in another coming-of-age effort: Uproar. That cheerworthy casting is joined by Our Flag Means Death co-stars Rhys Darby and Minnie Driver in a film that's not only warmhearted, but always feels as if it's practising one of the messages that it's preaching. Set amid 1981's infamous Springbok tour of New Zealand — with South Africa's rugby union team playing games across the nation, and inspiring protests against both apartheid and Aotearoa's treatment of its Māori population as it went — this is a movie about a cultural awakening, and about finding and embracing community. Behind the lens, Uproar's directors have teamed up, too, with Hamish Bennett helming his second feature after 2019's also-heartfelt Bellbird and Paul Middleditch back in the chair for the first time since 2013's Rapture-Palooza. When it told of a father and son struggling to connect, and just struggling, after the loss of the family matriarch who bound them together, Bellbird traded in the same kind of poignancy that seeps through in this engaging charmer. With its sports-meets-politics narrative, there may be few doubts about where Uproar is headed; however, Bennett and Sonia Whiteman's (The Disposables) script — as based on a concept by Middleditch and first-timer Mark Turnbull, a screenplay by Keith Aberdein (The Last Tattoo) before that, and boasting additional writing by Mario Gaoa (We Are Still Here) and actor Rachel House (Heartbreak High) — knows that reality and movies alike can follow a familiar path and be no less affecting and resonant. In another memorable addition to his resume that shows his emotional depth, especially in a potent late monologue, Dennison plays Josh Waaka, 17-year-old son to British-born widow Shirley (Driver). He's dutifully in St Gilberts School for Men's 2nd XV when the 1981 tour comes to Dunedin, but largely because much about his existence is dutiful. His father was a local rugby star. His older brother Jamie (Rolleston) was a former Junior All Black before his career was cut short by injury. To make ends meet, Shirley cleans at the school — and imposing Principal Slaine (Mark Mitchinson, Evil Dead Rise) ensures that the Waakas feel grateful. In fact, when Slane requests that Jamie help coach the 1st XV, he's hardly asking. And when Shirley says that he will, she gets the reluctant Josh a spot on the higher team as part of the arrangement, telling him that it'll set him up for life. Staying out of the public debate about the Springboks is also expected of the St Gilberts' cohort, in a place that's against taking a stand against discrimination yet fine with Josh spending his lunch break alone in the library to avoid his openly racist classmates. But that isn't the community that he wants as his own even before he crosses paths with the marching Samantha (Erana James, Bad Behaviour) while delivering catalogues with his best friend Grace (debutant Jada Fa'atui), and gets a reminder that her Māori heritage is his as well. And, being surrounded by books and silence soon isn't his only option between lessons. English teacher Brother Madigan (Darby) spies a potential actor in Josh, who needs encouraging to join the drama group, then wows his way into auditioning for NIDA in Sydney becoming an option. Outrage frequently makes its presence known in Uproar's crisply lensed frames: in Samantha decrying the country putting sports above equality in any way that she can, in the engrained prejudice that festers against NZ's Indigenous inhabitants daily, in clashes on the street and even within activist meetings, where saying that you're an ally isn't the same as truly understanding having one's land taken. The film's name also comes into play another way, though, as Josh's existence erupts in chaos. As tales about teens becoming adults often do, Bennett and Middleditch's movie tells of change rippling through almost everything that its protagonist thought that he knew. New causes to champion, new connections to his culture, new dreams to chase, new friends, new futures, a new purpose in life that echoes among his nearest and dearest: compared to the pre-tour status quo, this is indeed an impassioned uproar against just getting by, settling and never speaking up. Since his time as Ricky Baker, Dennison has enjoyed big-budget stints in Deadpool 2 and Godzilla vs Kong — and in the festive The Christmas Chronicles: Part Two — but this is his best role since getting stranded in the wilderness for Waititi. The likeable pluck and wit that endeared him to audiences then is layered with searing determination and angst here, while never forgetting humour as well. As Jamie is pushed to rediscover more than just his room and his disappointment at fate, Rolleston is also stellar, as he similarly was in The Dead Lands, The Rehearsal and The Breaker Upperers. The subtlety of Darby's kind and caring performance doesn't go unnoticed, either, and nor does the quiet fortitude of Driver's turn. At the heart of Uproar's key characters, which includes Samantha and Grace, is that other recognisable high-school feeling: being an outsider. That isn't purely an adolescent experience, of course. It hasn't avoided the star player now unable to take to the field, the woman whose marriage wasn't embraced by two families in two countries or the teacher who doesn't fit in — and it certainly hasn't evaded an entire culture that's been made to feel like its home wasn't its own for centuries thanks to the ongoing impact of colonisation, or other First Nations people with similar stories. As it sees and unpacks each of these layers, Uproar sees why living up to its moniker is so important, and also how. It spies the many methods of pushing back and sparking a ruckus. It knows the power of fighting for what's right, just and decent communally. And it wouldn't be as moving without its cast, but that's what coming together means.
Any day of the week can be improved with pizza. Fridays don't really need any help if you hit the office for a standard work week, but a few slices can make a great day even better. Throw in the fact that Treasury Hotel is serving up this champion of dishes in its openair courtyard from 4.30pm each week and, yes, you have yourself a winning way to welcome the weekend. This is exactly what your Friday arvos need: $24 woodfired pizzas, with four varieties available. So, you'll be choosing between roast capsicum, olives, mushroom and onion, plus fresh tomato and basil — aka the two vegetarian options — as well as ham and pineapple, plus salami. If you're still hungry, you fancy something to go with your slices or you're in the mood for something snackier, there's also warm olives with sourdough, polenta bites with aioli, and a garlic and cheese pizza for $15 a pop. Also on offer: a pop-up bar slinging sips and live entertainment, all in the Treasury Hotel's heritage surroundings. You'll need to pay for your drinks on top, of course, but consider this a tasty way to line your stomach for those after-work tipples. Keep an eye on the weather, however, because Woodfired Fridays will only happen if it isn't rained out. And, when there's a public holiday — such as on Friday, January 26, for instance — the event isn't on.
Pisco is already a staple on the menu at Casa Chow, Woolloongabba's Chinese Peruvian bar and restaurant, but ordering the South American spirit between Wednesday, January 31–Saturday, February 3 is particularly recommended. The latter date is World Pisco Sour Day, which is as good a reason as any to give the tipple a sip, and also the catalyst for four days celebrating the cocktail. The neon-lit South City Square venue is pouring five varieties heroing the grape brandy for $14 a pop, starting with the classic made with Barsol Quebranta, caster sugar, lime, egg whites and Amargo Chuncho bitters. Fans of vanilla and passionfruit in their drinks have that option, while a zesty lemongrass variety also features. And for beverages with pop culture-themed names, the Purple Rain (which features pineapple skin Barsol Quebranta) and Khaleesi (with dragonfruit, of course) are available. For $39 per person, and if you're heading along with a date or at least one mate, patrons can pair their pisco sour of choice with five courses of Chifa bites. On the menu: oysters with cucumber lime granita, duck bao buns, kingfish with leche de tigre, prawn and pork fried rice, and shiitake spring rolls. Pisco Sour Week at Casa Chow kicks off at 5pm on the Wednesday, perfect for midweek post-work drinks while enjoying a cocktail that was created in Lima in the early 20th century.
What do you get when you unite a rock 'n' roll Sydney brewery with one of the Gold Coast's go-to music venues? Well, you're about to find out. Young Henrys is descending upon Miami Marketta for a big gig to welcome in autumn. Hitting the Hillcrest Paradise venue from 2pm on Sunday, March 5, the Young Henrys Presents Best Served Loud event will see you wrapping up the weekend revelling in big, live sounds. On the bill: King Stingray — aka one of Prime Minister Anthony Albanese's favourite bands for 2022 — plus The Terrys, Teenage Joans, Bella Amor and Chutney. [caption id="attachment_884407" align="alignnone" width="1920"] King Stingray[/caption] They'll be joined by the Volcom Australia skate team, which means appearances by Rob Pace, Aimee Massie, Jesse Noonan and more on the half pipe. And of course, the Young Henrys brews will be flowing just as easily, with beer specials running right through the day — and a pop-up tinnie bar. Entry to the gig costs $29.35 including booking fee, with tickets on sale now.
No one should spend their lunch break eating at their desk, but breaking that habit isn't always easy. From Wednesday, March 1–Friday, March 31, the Howard Smith Wharves precinct is giving you plenty of motivation to step away from the computer. Head to the riverside precinct from Monday–Friday for a middle-of-the-day meal, and your lunch will cost $25. Eight HSW venues are getting in on the deal, so you can pick between Stanley, Yoko, Greca, Mr Percival's, Felons Brewing Co, Felons Barrel Hall, Felons Fish 'n' Chipper (doing walk-ins only) and Ciao Papi. Or, you can work your way through them all (and stare at their slightly different views of the water) across the month-long period. You'll just need to keep an eye on each eatery's opening hours — and, while you can just rock up, bookings are recommended. As for what you'll be eating during the month-long Let's Lunch festivities, each place has its own special. A signature Cantonese lunch plate with roast duck, honey glazed char siu pork and more is on the menu at Stanley; Yoko is serving up a wagyu and scallop donburi special; and Greca is doing souvlaki, for instance. There are four different dishes on offer at Mr Percival's, Felons, Felons Barrel Hall and Ciao Papi, too — the latter including lobster spaghetti — giving you even more options. Unlike in previous years, you will need to buy any drinks on top this time around, however.
Yeah, we're thinking he's back. John Wick, that is. In 2014, Keanu Reeves introduced everyone's favourite assassin (and dog owner) to the world, with the film quickly sparking an action-packed franchise. The first sequel followed two years later, and the third effort did the same in 2019. Next, a fourth movie drops in March — but before you check it out, you can revisit the first three John Wick flicks on the big screen at Event Cinemas' John Wick marathon. At this point you should know exactly what this excellent series offers up: John Wick first seeking revenge against those who've wronged him, then being hunted down by his fellow killers. And all of this has sprang because, in the first movie, he became the proud owner of an adorable pooch. As Wick notes, of course, "it wasn't just a puppy". On-screen, everyone from Willem Dafoe, Ian McShane, Lance Reddick, Common and Ruby Rose to Halle Berry, Jason Mantzoukas and Anjelica Huston also pop up. So too does Laurence Fishburne, so prepare for a Neo and Morpheus reunion. And behind the lens, former Keanu stunt double-turned-filmmaker Chad Stahelski directs. Revisit the exquisitely choreographed action trilogy at select Event Cinemas' locations around Brisbane on Saturday, March 4 — kicking off at 4.30pm, with tickets for $30.
Brisbane in the first month of autumn still means 30-degree temperatures, plus plenty of sultry motivation to while away an afternoon on a rooftop by the river with a drink in your hand. If you like espresso martinis, here's another reason to get sipping between Thursday, March 14–Sunday, March 17: Fiume at Howard Smith Wharves is celebrating Espresso Martini Weekend. The sky-high bar is saying cheers to Espresso Martini Day — which falls on Friday, March 15 in 2024 — by spreading the fun across four days and serving up martini specials. The limited-edition menu only spans three types of the tipple, but who doesn't want to try a wattle toffee version at least once? That cocktail includes vodka, wattle toffee liqueur, two types of coffee liqueur and sugar syrup. Opt for the salted caramel espresso martini instead and salted caramel syrup is subbed in. A classic take on the beverage is also on offer, should that be your version of choice. You'll pay $20 per drink or $35 for two. The bar's regular food menu will also be available. And the vibes? As cruisy as knocking back espresso martinis as you kick back overlooking the river with views of the CBD skyline can be — so, incredibly cruisy. Images: Markus Ravik.
Tuesdays mean different things to different people. Another day closer to the weekend, almost hump day, the day you wish you could sleep through — they're all on the list. But, at The Bavarian each week, the day after Monday also means tucking into $9.95 schnitzels. It's one of the tastiest ways to celebrate any day, and to also save your pennies while doing so. There's no occasion, other than just because — but cheap schnitties for the sake of it is what any Schnitzel Tuesday should be about. For a bargain price, The Bavarian will serve you up a chicken schnitzel with fries and lemon, but you do have to also buy a full-priced drink to get the deal. Fancy another schnitty? That's completely fine — just get another drink. Available all day every Tuesday, this is some good schnitz. To get your fix, you can head to The Bavarian venues around Brisbane and southeast Queensland — you'll find the chain at Chermside, The Barracks, Robina, Broadbeach, Coomera, Sunshine Plaza and Toowoomba, so you've got options. You can also level-up your schnits for an extra $10, getting a 'Godfather' (a giant schnitzel, ham, cheese, kielbasa, napoli sauce and cheese) or a 'Matterhorn' (a schnitzel mountain, cheese spätzle, three layers of Alpen cheese and bacon).
Once a year, Stanthorpe celebrates apples and grapes, hosting an entire festival that's all about the two kind of fruit. But they aren't the only types of only fresh produce that the town, and the Granite Belt region, is known for. So, that's where the Stanthorpe Berry Festival comes in. Running from 10am–5pm on Saturday, November 19 at Weerona Park, this sure-to-be-colourful events adores berries in all their forms — but especially strawberries, raspberries and blueberries grown locally. Yes, you know what you'll be eating (and plenty of it), including strawberry ice cream. The festival also features berry food stalls, boutique markets, celebrity chef Alastair McLeod hitting the stage, a competition to find the best strawberry or mixed berry jam, and a scones and jam eating food-eating contest. Or, you can get sipping thanks to the region's wineries and brewers, meet berry farmers, listen to live tunes and take part in a berry-themed dress up, with tickets costing $22.19.
Festivals dedicated to all things Greek and French have been part of Brisbane's culture for years now — but what about Mexico? That's what the folks at Latin Events were wondering, so they've done something about it. The first-ever Brisbane Mexican Festival is result of their handiwork. For one day only, the fiesta will take over the Boundary Street Markets to celebrate one of the most fascinating cultures worldwide. The timing is intended to synch up with the 205th anniversary of Mexico's independence from Spain on September 15th, while the program of live entertainment, food and folklore is designed to showcase the mix of strong native legends and artistic expressions so pivotal to the country's identity. That means authentic Mexican food and drinks, of course, plus a whole range of on-theme activities. Spend the day dancing to a salsa band, watching Mexican wrestling, listening to the lively guitar strumming of the mariachi and breaking piñatas. Then, head along to the post-fest frenzy of Coronas and Margaritas that is the Boundary Hotel's official after party.
Travel often has the effect of making the world feel simultaneously smaller and larger. As you immerse yourself in different languages, customs and landscapes, it becomes clear that there are commonalities among all people — and at the same time, much more diversity and richness than previously imagined. Long-term globetrotter and mixed-media artist Catherine Parker beautifully captures these kinds of paradoxes in her new exhibition, It’s (still) a Beautiful World. Her works are at once both airy and detailed, with large expanses of restful, dreamlike colour punctuated by detailed icons, animals and landscapes that remind one instantly of particular parts of the world — particularly India, which Parker has visited more than 20 times, and Australia, where she makes her home. Geometric lines in neon colours create a visual metaphor for how we connect with the world through travel and exploration. It’s (still) a Beautiful World opens at Spiro | Grace Art Rooms with an artist talk followed by opening night event on 22 August. The exhibition continues to 12 September. Image: Catherine, Parker, ‘It's (Still) a Beautiful World Part 1’, 2015, Acrylic and ink on board, 96X120cm
They say time flies when you're having fun, and don't the folks at Cheated Hearts know it. It seems like only yesterday that the collective of queer-friendly events burst onto Brisbane's nightlife scene. Now, they're approaching their third birthday. Such a milestone calls for a massive party — and the Cheated Hearts crew is obliging, of course. They're taking over one of their favourite venues, Oh Hello!, taking on a spring break theme, and taking everyone's idea of fun up quite a few notches. You'll get lei'ed on arrival, and then the excitement really begins. Free fairy floss and popcorn will take care of your snack-loving stomach, while trap, hip hop, electro and bass-heavy tunes from DJs Jane Doe, Killer Prince, Dzyr, Ca-Lou, Sezzo and Eevvee will keep your body moving. There'll even be bathroom DJs, because no space, no matter how small, can escape this celebration. Keeping on topic and dressing up is encouraged; however we don't recommend copying James Franco's fashion in Spring Breakers.
If you're planning on spending the long weekend with a beer in your hand, then one Fortitude Valley establishment has you covered. Admittedly, serving up pints is what Bloodhound Bar does every day of the week; however in honour of everyone getting three days off, they're making an occasion of it. At the first annual Hopfields, they're also making an occasion out of showcasing hops, without which we wouldn't have the brews we know and love. With that in mind, expect all the tasty ales from around the world that you could dream of — and plenty you've likely never heard of, too — including limited releases, launches of new beers and one-offs brewed especially for the event, plus a slew of classics. With names like Fantapants and Splice of Heaven on the menu, as well as the Bloodhound and Newstead Brewing Co. collaboration that is Old Mate, you're going to want to try them all. Save some room for the cocktails though, with the humble hop flower given its moment to shine in all its forms.
In the space where someone makes art, two things combine. The product of their efforts takes shape as a tangible object, and the tools of their labor remain scattered around it. The artwork is the main attraction, but it wouldn't have been possible without a range of mundane items and materials. With Catacoustics, Charles Robb connects the two into composite sculptural forms or installations. And he does so while considering another important artifact of the creative process: the public monument. Accordingly, as he explores the slippages that occur in an artists' studio, as well as the contemporary possibilities of his chosen medium of sculpture, he also constructs a fragmented replica of the Ian Fairweather (1891–1974) memorial rock on Bribie Island. Inside and outside forms of art merge, as do the familiar and strange, and the meticulously crafted and refined but also strangely disorienting, in an exhibition that ponders both form and purpose.
When it comes to contemplating drawing as an art form, the focus usually falls on the finished product. The process of sketching and scribbling is as much an expression of creativity as the end result, however; it's just that we usually only really see the latter, not the former. That's what Drawn to Experience V2 calls attention to: the expansive act of performance drawing. It considers making marks on paper as a combination of theatre, line, motion and record — aka an interdisciplinary experience. The group exhibition by 16 artists from around the world, as curated by Queensland's own Kellie O’Dempsey, examines an array of works that trace this line of thinking. More traditional efforts are included, of course, as are digital drawings and video. And it wouldn't be a true celebration of the method behind the medium without a demonstration in the form of a live drawing performance. Image: Gosia Wlodarczak, 2013, A Room Without A View — drawing performance Day 5, a 17-day drawing performance held in a specially constructed sensory limitation room at the RMIT Gallery, Melbourne.
Time flies when you're showing films and having fun. That's certainly the case at Palace Centro, anyway. The cinema mightn't look its age, but it has been James Street's number one movie-going spot for 15 years now. Yes, it's cake and candles time for the New Farm theatre, and of course they're doing something special to mark the occasion of hitting the big one-five. Actually, they're doing four special things, courtesy of — what else — celebratory movie screenings from 18 – 21 December. Whether you're after a sneak peek of a few upcoming films or want to take a trip back in time to Centro's early days, both are on offer. Those keen on the former can check out the latest teaming of Jennifer Lawrence and Bradley Cooper in Joy, fall in love with the beautiful romance that is Brooklyn, and watch Eddie Redmayne and Alicia Vikander tell the tale of Lili Elbe and Gerda Wegener in The Danish Girl, while those after the latter can enjoy the whimsical wonders of Amelie back on the big screen. Either way, a tasty treat is included in the ticket price; it is a party, after all.
It starts and ends with the recognisable sounds of 'Holiday Road', and fills the time in-between with repeated refrains. It follows a formula established 32 years ago, and touches upon the same characters. The film in question is Vacation, the fifth and latest in the series. That it trades upon nostalgia is a given. That it doesn’t do a good job of doing so sadly is as well. Indeed, Rusty Griswold (Ed Helms) similarly relies upon his ill-thought-out fondness for things and times gone by to spark the feature’s story. Though he’s devoted to his wife, Debbie (Christina Applegate), and kids, James (Skyler Gisondo) and Kevin (Steele Stebbins), he can sense they’re not as excited as he is about their upcoming holiday. To facilitate some big-time family bonding, he changes their plans, hiring a mini-van and plotting a course across the country to theme park Walley World. Rusty is also driven by another reason: the trip to come, and the destination, mirrors the memorable jaunt he had with his parents (Chevy Chase and Beverly D'Angelo) and sister (now played by Leslie Mann) three decades earlier. That writing-directing duo John Francis Daley and Jonathan M. Goldstein shoehorn in a discussion about the pointlessness of rehashing past territory prior to the Griswold’s escape doesn’t really justify the episodic mess to come. Using a tongue-in-cheek exchange of dialogue to signify the script’s recognition of the weakness in trying to relive former glories is one thing; making a genuine effort to avoid falling prey to the laziness that often comes with such do-overs is another, and one the feature shows no evidence of trying to achieve. So it is that Vacation cycles through incident after incident, and throws nonsensical gags — a ridiculous Albanian car and a repeated shout-out to Seal’s 'Kiss from a Rose' among them — into the mix. When brief appearances by bit-players, such as Keegan-Michael Key, Nick Kroll and It's Always Sunny in Philadelphia's Charlie Day and Kaitlin Olson, command more attention and interest than the leads and narrative, you know that everything is far from ideal. Playing up his attractive appearance, Chris Hemsworth becomes the movie’s star player simply by proving the most committed. Though his character, Stone Crandall, the weatherman husband to Rusty’s sister, is largely saddled with mentioning faucets, his dedicated delivery makes the absurdity amusingly stick. There could be a message in the fact that the folks the Griswolds cross paths with along the way to their ideal getaway make more of an imprint, and the film certainly tries to push the theme of appreciating what you’ve got; however, overthinking the material gives the movie too much credit. Mostly, it remains content to strand the usually enjoyable Helms and Applegate in embarrassing situations and have them utter crude jokes. Vacation also remains content with looking like a sleek but messy holiday video. Actually, that's exactly what the feature delivers: a clumsy compilation that's supposed to capture better days. That you'll be pleased every time 'Holiday Road' pops up — because it means that this cinematic road trip is making its way towards its destination — makes the most telling statement.
There's more to literary love-ins than those who wield words giving voice to them. At Brisbane Writers Festival 2015, there's also an innovative and unique installation of artist prints, poetry, prose and musicians that enliven the communication of our ornithological friends — aka bird calls. Honing in on the flying species that call the Bimblebox Nature Refuge home, Bimblebox 153 Birds celebrates the ways wildlife connects with each other. It also makes a statement about creatures in a place that could be destroyed by a coal mine, which makes dropping by on your way to a more traditional BWF session more than just a good way to break up your festival experience. Image via Paula Quintela.
Whatever art form inspires and excites you or just generally takes your fancy, a festival dedicated to your preferred type of creativity always feels like Christmas. From September 2–6, that most joyous time of the year comes around for fans of all things written, spoken and otherwise letter-related. Yes, it’s Brisbane Writers Festival time, aka the five days each annual calendar where indulging your inner word nerd isn’t just acceptable — it is expected. While the program is overflowing with literary goodness, including many a session mining the brilliant minds behind many a book favourite, here’s our five picks of the must-attend events of BWF 2015.
Break out the cake, candles, streamers, party hats and lolly bags, because someone's having a birthday. Well, not just someone, but somewhere. And not just anywhere, but one of Fortitude Valley's favourite hangouts. Yes, that slice of music heaven on Brunswick Street that is Black Bear Lodge has now been part of the inner-city scene for four years. If that's not cause for celebration, then we don't know what is. Trust the BBL crew to throw their own shindig — and cry if they want to — to mark the occasion, and trust them to rope in a whole lot of other folks to make the evening something extra special, too. Young Henry's, 4 Pines and Sailor Jerry will provide the booze, and Hey Geronimo, Waax, Born Joy Dead, Machine Age, Denpasar and regular DJs James Wright and Black Amex will serve up the tunes. Be warned, there really will be cake and lolly bags, plus alcoholic spiders too. We would never joke about that.
A best-selling novel becomes a world premiere play, and Queensland Theatre Company transforms QPAC's Playhouse into a Sydney department store in the '50s and '60s. That's what happens when Ladies in Black transitions from the page to the stage, but that's not all. The show follows Lisa, a school leaver turned shop employee, who warms to the wondrous world of the women's frocks department. There, she meets her new mentor in the form of Magda, the mysterious mistress of the gowns. If it sounds like a modern musical theatre fairytale, that's because it is supposed to — and yes, Ladies in Black overflows with glitz and glamour, of course. Throw internationally acclaimed musical theatre director Simon Phillips (Priscilla Queen of the Desert, Love Never Dies) into the mix, plus original music by Split Enz and Crowded House's Tim Finn, and you have a bright, breezy production that will transport audiences into a song-filled onslaught of style and delicate comedy.
A whopping 60 films will make their Australian debut at the 2015 Jewish International Film Festival. Making its first Brisbane appearance at New Farm Cinemas, a sampler of the nation-wide three-week celebration of Jewish films and filmmakers will screen both fiction and non-fiction films from all around the world, in order to showcase what festival director Eddie Tamir calls "the agony and the ecstasy of the Jewish experience". Standout narratives in the JIFF 2015 program include French-Canadian romantic drama Felix and Meira, Cannes Grand Prix winner Son of Saul and Natalie Portman's directorial debut A Tale of Love and Darkness, about Israeli novelist and journalist Amos Oz. The documentary lineup is similarly strong. Out of Israel, Censored Voices uncovers harrowing recordings made by disillusioned Israeli soldiers shortly after the Six Day War in 1967.
When it comes to food events, there's nothing quite like the Sunnybank $2 Food Trail. It's all there in the name, with the Brisbane suburb's shopping hub becoming a diner's delight in the most affordable fashion. Think of it as the ultimate self-guided foodie adventure, for nothing more than spare change. At your own pace, you'll walk between more than 34 participating local cafes and restaurants featuring a range of authentic Asian cuisines. You'll feast on Chinese, Japanese, Hong Kong-style, Vietnamese, Korean and Taiwanese dishes, and you'll only pay $2 per plate. With such an array of steaming soups and sizzling stir-fries on offer, we don't recommend eating lunch first; in fact, you'd best arrive feeling as hungry as possible. Snacking on signature dishes is the main course — or several; however there's also plenty of non-edible appetisers, too. That'd be live music, lion dancers and roaming entertainment, adding the perfect garnish to every meal by setting the mood.
There ain't no party like a nostalgia-themed party; however while '80s and '90s shindigs seem to pop up almost every week, the '70s haven't been getting as much love. For cult cinema and dance party maestro Kristian Fletcher's birthday, the New Globe Theatre wants to change that at an evening that will take over the entire venue. Studio 54, eat your heart out. Actually, the iconic New York venue — and subject of the Ryan Phillippe and Mike Myers-starring movie 54 — inspires the foyer, but that's only the beginning of the event, of course. Elsewhere, expect to get your boogie on to live performances, strut your stuff in the Soul Train dance competition and groove your way through the disco room. Era-appropriate music videos will also feature, but that's not the only thing revellers can expect to watch. This party also delves into the glory of grindhouse cinema, complete with trailers, iconic movie scenes and rare clips. Yep, there might just be more '70s shenanigans here than you can handle.
Even if you claim to be an Elvis fan rather than a Beatles fan, everyone knows all the words to most of the Fab Four's tracks. They made us 'Twist and Shout' and 'Come Together', and told us to 'Let It Be' and 'Get Back', after all. Plus, they took us on a journey in a 'Yellow Submarine' and taught us the wonders of 'Strawberry Fields Forever'. At All You Need is Beatles at the Foundry on November 22, a bunch of bands certainly know all the words — and all the music, too. The likes of Battleships, Suicide Swans, Drawn from Bees, Golden Age of Ballooning, Counterfeit Umbrellas, Georgia Mae and Purling Brook will be paying tribute to those famous Liverpudlians in a one-night dose of Beatlemania. Yes, we're sure 'Help!' will feature — and not just because it's a Fab Four favourite. As well as revisiting classic Beatles tunes, the evening will raise money for the UNHCR Syria Crisis Appeal, to assist the United Nations to provide food stamps, medicine, shelter, heating and clothing to millions of refugees.
Everyone remembers the moment they became a teenager. Danika Hart — or Dani, as she prefers — is certainly unlikely to forget it. It's her 13th birthday party, and she's caught up in a mix of an exploding cake, a dream-like visit to a world that's both surreal and too close to home, and her best friend Miranda. So unravels Sunnytown as it takes a journey through young Dani's subconscious and explores the consequences of choosing to cope when change is your only hope. As anyone who has ever been a teen will no doubt recall, the mind of a youth on the cusp of maturity can be a dark and beguiling place. As written by emerging playwright Krystal Sweedman, Sunnytown forms part of the La Boite Indie season. The program aims to encourage fresh talent and nurture a sustainable independent theatre culture in Brisbane — and you can do your part by supporting great new plays like this, too.
For one night only, 14 students from the Queensland College of Art and Queensland Conservatorium bring the environment and culture of Stradbroke Island to life through art and sound, projection and light. Beach holidays, camping expeditions and fishing trips to Straddie are part and parcel of Queenslander life, but how much does the average person know about the social, environmental and historical issues facing the island community? As part of an art and sound infield course, the students spent five days immersed in bush and beach life, engaging with the local community, Indigenous elders and environmental scientists. Their cumulative knowledge and shared experiences from the island became Float, a rich collection of images and soundscapes that beautifully capture the breadth of this iconic Queensland landscape. Float exhibits on the Turbine Platform at Brisbane Powerhouse from 6pm to 8pm, 14 October. Image by Elise Searson.
Maybe you made it to Melbourne for ACMI's magnificent David Bowie exhibition. Maybe you counted your pennies and enviously wished you did. Either way, you can get your fix of the pop culture icon a bit closer to home at the New Globe Theatre's David Bowie Afternoon. For one Sunday only, all things Major Tom, Ziggy Stardust, the Thin White Duke, Aladdin Sane and Jareth the Goblin King are in fashion. They can be heroes, just for one day — though the documentary snippets, performance footage and music videos featured during the three-hour celebration will last in your memory for much, much longer, we promise. As will the centerpiece of the show, aka the beloved 1986 flick by the name of Labyrinth. Revisiting this cult classic is always an enjoyable way to show your Bowie enthusiasm. Doing so while surrounded by other fanatics, enjoying drinks from the bar, and watching rare clips before and afterwards — now that's enough to spark a whole new case of modern Bowie love.
Food-themed days are threatening to become the culinary equivalent of the boy who cried wolf: so many manufactured eating occasions, only so much stomach space. Still, no matter how frequently they seem to pop up, there's one thing that always grabs attention. Boy oh boy do we all love freebies. Perhaps that's why Brisbane's pop culture pun-loving poultry slingers are celebrating National Chicken Wing Day by giving the people what they love. Yes, Lord of the Wings is handing out free chook pieces. On July 29 between midday and 3pm, the chain's Carindale and Indooroopilly stores will be serving up free three-packs of traditional wings with buffalo sauce, with one pack available per person. The free wings are available both in store and via delivery, though the latter requires you to order something else as well. Anyone rushing along to get theirs in person will also find jugglers and stilt walkers turning the place into a party, though we're assuming no one will be throwing chicken into the air. Lord of the Wings' National Chicken Wing Day celebrations take place from midday to 3pm on July 29. For more information, visit their website.
