Australia has so much wonderful wilderness that spending a few days trekking up hills and down mountains is something everyone should try at least once. But doing so is not something that anyone should take lightly — from safety steps, to preparing food and drink, to having the ideal gear, being suitably prepared for your journey is a must before heading off. Since 1973, Macpac has been ensuring that both new and experienced hikers get the most out of their overnight treks, all thanks to a range of technical clothing and outdoor gear that can handle any type of climate. So, we teamed up with the brand — in celebration of the opening of its new Adventure Hubs — to help you get properly kitted out and put your plan in place. It's time to go trekking. HIKE AT THE RIGHT TIME It probably doesn't come as much of a surprise, but Australia's weather can be pretty temperamental. So when it comes to overnight hiking, it's important to choose a track that's going to have the right conditions for when you're planning to set off. Throughout the year, many hikes can change dramatically thanks to heavy rain or snow, with some becoming inaccessible altogether. Ensure that you're not caught out in the wrong place at the wrong time by researching exactly where you're heading — and by keeping an eye on the weather forecast so you always have the appropriate gear. Pack this: Less is Less Rain Jacket in women's and men's styles ($329.99) MAKE A PLAN AND STICK TO IT Whenever you set out for an overnight trip into the hills, having a travel plan that you can stick to is the best way to avoid a bad situation. There are plenty of things to consider but, if it's possible, you should seek advice from the local Parks Victoria office or experienced local hikers so that you know what to expect when you arrive. (Plus, this way you may get some hints to some epic sights and views.) But bear in mind that if conditions change and any dangers arise, it's better to scrap the plan and cut your trip short than to keep pushing forward. Also crucial: making sure that you leave a detailed itinerary for someone at home, who can then raise the alarm if you don't return by your expected time. Include where you're going, the route you plan to take and how long you think you'll be gone for. You can also head to the Macpac website to make use of its helpful planning tool. Pack this: Suunto Spartan Sport Watch ($699) TAKE EXTRA FOOD AND WATER — JUST IN CASE More is more when you're heading off on an overnight hike — that is, it's always advisable to take more food and water than you think you'll need. And while packing food can be a bit of a challenge, you'll be thanking yourself if you largely opt for lightweight, dehydrated and non-perishable foods. As a general guide, you'll want to try to consume around 12,500 kilojoules or more per day; for water, it's recommended that you drink 250 millilitres for every 30–45 minutes of hiking. In terms of what to pack, many hikers prefer simple products that are easily stored like muesli bars, oatmeal sachets and basic pasta. But if you're feeling ambitious, here are a host of awesome camp food ideas that you can try if you consider yourself a bit of a chef around the fire. Pack this: Hydration Reservoir 3L ($59.95) PICK YOUR GEAR WISELY Bringing all of the right gear is going to make your overnight hike smoother and more enjoyable — plus, you'll feel like a seasoned adventurer. If you're the forgetful type, pack early and have a checklist of all the things you know you'll need. One thing that people often don't remember is just how useful a headlamp is, especially if you've ever tried cooking in the dark with one hand occupied by a torch. That also means bringing along some spare batteries, while sunscreen, a first aid kit and a paper map are always good ideas as well. Next, you need to consider if the gear you currently own is going to be suited for the climate that you're heading into. Consider upgrading your tent, sleeping bag or winter clothing if you think things might get a little chilly. Many popular hiking destinations also have online packing lists, so checking them out will also help. Pack this: Petzl Headlamp ($59.99) LEAVE NO TRACE Everyone loves Australia's pristine nature, so we all need to work together to keep it that way. Always plan to leave no trace when you go out hiking — that means carrying your rubbish with you and staying respectful of any wildlife you come across. Also, make sure that you're aware of any local camping regulations or environmental concerns in the area. One particular warning to take note of: total fire bans. While everyone wants a campfire when they set up their tent for the night, bans are commonplace across Australia and must be followed. If having a fire is allowed, try to keep it small while also using fire pans or mounds, which help keep the flames safely under control. Pack this: Scarpa Kailash Boots in women's and men's styles ($399.99) DON'T FORGET ENTERTAINMENT If storm clouds roll through and you find yourself stuck in your tent for a few hours, you might find that the conversation becomes a little stale. That's why bringing some light form of entertainment to keep yourself and others occupied never goes amiss. A deck of cards weighs next to nothing and is easy to carry, while paperback books (or a Kindle), magazines and audiobooks are other great ways to pass the time before you can hit the track again. Top image: Visit Victoria.
Thought bingo was for your nan? Think again. It's also for you — or perhaps, if she's a groovy gran, for the both of you. Hijacking the traditional format of bingo with raves, conga lines and lip sync battles, Bingo Loco is 50 percent one of those strange dreams you get after eating too much cheese and 50 percent just a walloping good time. Comedian Andrew Stanley plays MC, while confetti showers and smoke cannons go off throughout the night (perhaps wear your glasses). Bingo ravers will compete for ultimate glory (and prizes) over the course of three rounds. In between the traditional bingo games, you'll be expected to groove to classic 90s rave bangers, partake in dance-offs, battle others for lip sync queen titles. Basically, be prepared for many high-octane, energetic activities — gone are the days of simply raising your hand when you've got a full sheet of numbers. Doing your stretches and vocal warm-ups first are advised. You'll vie for prizes, which in the past have included Coachella tickets, mobility scooters (nan, listen up), boats and lawnmowers (maybe for your dad), among other goldmines. Bingo Loco has been running across the globe for a few years and now will trumpet its way around Australia once more, with proceeds going to the Make-A-Wish Foundation Australia. Bingo Loco will hit The Met on Saturday, June 1. Tickets cost $40 per person and can be purchased here.
The National Gallery of Victoria has just announced its 2019-20 Spring/Summer program — and it's sure to get more than a few people excited. Last winter, the NGV saw over 200 works from New York's famed MoMA and over summer it housed the Escher x Nendo: Between Two Worlds — an exhibition showcasing the works of both Dutch artist M.C. Escher and Japanese design studio Nendo. So, it had some big shoes to fill. Its summer blockbuster, announced this morning, is Keith Haring | Jean-Michel Basquiat: Crossing Lines — and the NGV has succeeded in bringing yet another world-class exhibition to Australian shores. Similar to the Escher x Nendo and 2016's Andy Warhol | Ai Weiwei exhibitions, it will showcase an intersection between the two artists' lives, ideas and practices, delving into their radicalism, socio-political standings and distinctive imagery. A world-premiere retrospective exclusive to Melbourne, Crossing Lines will feature over 300 works, including Haring's iconic dancing figures and Basquiat's crown and head motifs throughout a collection of painting, sculpture, objects, drawings, photographs, notebooks and pieces in public spaces. The exhibition will also house the artists' collaborations with some of the world's most-celebrated pop culture icons, including Andy Warhol, Grace Jones and Madonna. [caption id="attachment_717213" align="alignnone" width="1920"] Untitled 1982, Keith Haring, copyright Keith Haring Foundation.[/caption] On top of this stellar exhibition, the NGV will also host a number of smaller (yet no less impressive) exhibitions over spring and summer, including a look at New Jersey artist Brian Donnelly (aka KAWS) in Companionship In The Age Of Loneliness, and a collection of hyperreal photographs by Sydney-based artist Petrina Hicks in Bleached Gothic. A photography exhibition featuring the works of over 100 contemporary photographers from around the world, and a solo show by Australian photographer Polixeni Papapetrou round out the list. Keith Haring | Jean-Michel Basquiat: Crossing Lines will run from December 1, 2019—April 13, 2020 at the National Gallery of Victoria International, Melbourne. Top images: Portrait of Keith Haring by William Coupon; Keith Haring and Jean-Michel Basquiat, copyright George Hirose; Untitled 1982, Jean-Michel Basquiat, copyright estate of Jean-Michel Basquiat.
There's one reason to see this movie, and it's name is Sandrissa McBullock (…okay, obviously there are two reasons, but that just doesn't sound as impressive). With its largely plotless script and hammy direction, The Heat is a fine example of how chemistry and quality acting can, on very rare occasions, salvage an otherwise irretrievable wreck. And without Sandra Bullock and Melissa McCarthy, that's exactly what this run-of-the-mill buddy cop comedy would have been. What's even more impressive, is that neither of their characters are especially appealing. Somehow, through Bullock's charm and McCarthy's timing, they make the unlikeable altogether likeable. Sticking firmly to cinema's odd-couple formula, Bullock plays a prissy, overly ambitious FBI agent who's paired up with the slobbish, hard-nosed Boston cop (McCarthy) to solve a spate of brutal drug-related murders. After the inevitable 'I don't need a partner' routine, the duo eventually finds some common ground and gets to work combining their wits and wiles to bring down the bad guys. From start to finish it's a movie heavily laden with 'buddy cop' cliches, and the only refreshing shift is that it features two women as its leads. Without ramming it down audiences' throats, the female cop angle would have been a compelling theme to explore in far greater depth than the scratch it gets from "it's tough, as a woman, you know?", and the manifest unpopularity both characters experience with their colleagues would have been an ideal setup to examine the all-too-common hypocrisy of ambition being considered an admirable quality in men yet unattractive in women. Instead, The Heat chooses vulgarity as its battleground for equality, with director Paul Feig (Bridesmaids) seemingly determined to prove women can be just as crude and indelicate as their male counterparts. Take language, for example. Before the Sydney screening, Ms Bullock foreshadowed for us the film's fairly liberal application of the word 'fuck', particularly by McCarthy, whose use she estimated in the ballpark of 200 times. Given we're so accustomed to thinking of Bullock as the 'All-American Girl-Next-Door', it was surprisingly jarring to hear her swear at all, and Feig cleverly exploits that reaction throughout the movie. Similarly, Bullock absolutely low-balled her estimate for McCarthy, who more accurately says 'fuck' 200 times just by the end of her opening scene. The Heat is a funny film, far more so than the atrocious trailers might suggest, and its two stars earn five stars for their comedic contribution. For the film itself, maybe...three stars, and I wouldn't rule out a sequel in a year or two if it earns enough at the box office.
When the working week is done, folks just wanna have fun. We're paraphrasing Cyndi Lauper because she knows what she's singing about. If your idea of taking her advice involves listening to ace musos belt out a few tunes, then QPAC's Live at Melbourne Street Green is the Friday afternoon session you're looking for. All about live performances, tasty bites to eat and kicking back a stone's throw from the inner city, the regular event offers an ace start to your weekend from 5.30–7.30pm. Across its first season for 2025, running through autumn and into winter, it's happening most weeks except when Friday falls on a public holiday — so there's no tunes on Friday, April 18 or Friday, April 25. Otherwise, each week you can enjoy the cooler weather with an outdoor songfest. The music lineup changes, with Elements Collective, Omiya and talents from Queensland Conservatorium Griffith University all set to do the honours. Food-wise, you can grab a bite from Storytellers, which means burgers, yiros, mezze platters, fish and chips, gourmet toasties and more — while sipping wine and beer, including of the non-alcoholic variety. Entry is free, but you'll obviously have to pay for the eating and drinking part of the evening. [caption id="attachment_963746" align="alignnone" width="1917"] QPAC[/caption]
Former Powderfinger frontman Bernard Fanning has announced a huge, 17-date national tour — including several all-ages shows — to promote his debut album, Battleships, out June 7 on Dew Process/Universal. It's been a long wait for Fanning fans (which, in keeping with the precedent set by Beliebers and Directioners, we'll henceforth be calling Fan-nings), with this tour their first opportunity to see the great man since Powderfinger's farewell tour in 2010. He'll be traversing the country, from Nambour to Hobart, along with his special guests, Big Scary and Vance Joy. And if you're in Townsville on August 17, you'll get a special mini-festival when that already-awesome lineup is bolstered by The Rubens, The Medics AND Snakadaktal. With Fanning also announced for Splendour in the Grass following hot on the heels of the release of the album's debut single (and title track), it's sure to be a busy few months for one of Australia's favourite songwriters. Tickets go on sale Tuesday, May 7, via an exclusive fan club presale through bernardfanning.com. The Telstra Thanks presale is available from Wednesday, May 8, before the public on-sale kicks off on Friday, May 10.
If you've seen director Joe Wright and Keira Knightley's subtle and affecting period dramas Atonement and Pride and Prejudice, you might think you know exactly what you're in for with Anna Karenina. And you could not be more wrong. This is an Anna Karenina full of risks. It's a melodrama with the zippy editing of a Guy Ritchie film, the Gallic filigree of Jean-Pierre Jeunet, and, above all, the flourish and symbolism of a work of theatre. In fact, pretty much the whole film has been transplanted to within the confines of a theatre, a conceit that brilliantly suggests a society ruled by pretence and observation. In this world, society balls play out on stage, affairs unfold within the wings, and when a character visits the poorer part of town, he climbs three storeys into the shaky rafters. When the St Petersburg elite sit down to watch a piece of theatre, the curtain lifts on the next scene in their lives. Does it hammer you over the head with this metaphor? Absolutely. Are we bothered? No. Anna Karenina is knowing in its heavy-handedness, and all power to it for embracing the brashness of what is, after all, culture's most populist medium. It doesn't always succeed, but where it takes you is mostly great and always interesting — and that's the bigger achievement. It's kind of extraordinary to read that the whole world-within-a-theatre idea only came 12 weeks before the shoot, because it's a striking marriage of theme and methodology. Wright already had two names known mostly for their imposing stage work attached to the project — screenwriter Tom Stoppard (indeed, many of the scene changes call to mind Rosencrantz and Guildenstern Are Dead) and choreographer Sidi Larbi Cherkaoui, whose expertise informed the smallest gestures as well as an expressive waltz — alongside ever-intense film composer Dario Marianelli, and they each play their part in taking the movie one bold step further away from the expectedly realist to the dizzyingly theatrical. Leo Tolstoy's famously vast novel has of course been whittled down, so that everything that happens on screen elucidates the central theme of infidelity and whether it is an impulse "of the animal or the soul". By the time Anna (Knightley) dives into the arms of besotted military officer Count Vronsky (Aaron Taylor-Johnson), desire and repercussion has been examined from every angle, and we feel for both the lovers and Anna's betrayed, dispassionate husband, Karenin (Jude Law, who's excellent here). It's also still a tale of two cities (St Petersburg and Moscow, in a Sydney-Melbourne-type rivalry) and the country, with their contrasting characters and morality. It's easy to conclude that this Anna Karenina is a superficial portrait of a superficial society, but that would be to dismiss how emotionally powerful it is in key moments, particularly an intricately choreographed society scene that communicates the oppressiveness of gossip. At other times, mainly when the campiness loses its originality and grabs at cliche, the film goes off the rails, and it sadly detracts from Anna's fate. Wright and co. should be applauded for having the guts to do things differently and birth an Anna Karenina unlike any of its predecessors. It's worth watching, and more than once.
It's a tale as old as time: feuding siblings, an envy-fuelled rivalry, and an attempt to survive in harsh conditions. All three elements drive Icelandic effort Rams, as do the titular animals. Yet there's little about this perceptive examination of the bonds of blood, the struggles of farming life, and the importance of finding hope and humour in even the bleakest of circumstances, that feels routine or overly familiar. Perhaps focusing on the woolly creature's importance to rural townships helps, with the feature's narrative following brothers Gummi (Sigurður Sigurjónsson) and Kiddi (Theodor Juliusson) as they operate neighbouring sheep farms. Perhaps the measured pace, meticulous detail and observational atmosphere does as well, all stemming from writer/director Grímur Hákonarson's documentary background. Indeed, though Rams is a work of fiction, in exploring the hardships of working the land it seems ripped straight from reality. After entering their prized beasts into an annual competition, Kiddi emerges victorious, but a bitter Gummi is convinced that something is awry. Secretly inspecting the winning critter, he spies signs of a highly contagious disease that could wipe out Kiddi's flock, infect his own and cripple the entire village's livelihood. The duo hasn't spoken in four decades, exchanging messages via sheepdog to communicate when needed. However only by working together can they hope to save their animals and their community. While compromise might be called for within the story, as the bickering brothers are forced to unite to fight a shared cause, the movie itself prefer to dwell upon contrasts rather than find common ground. Hákonarson doesn't try to soften the difficulties he depicts, even when he's giving them the quirky comic treatment. Instead, he endeavours to present both tough times and happy moments, and demonstrate the importance of taking the good with the bad. Accordingly, Rams becomes not just an empathetic tale of striving to triumph over adversity, but an intricate exercise in balance. The film shows amusing attempts to outwit the agricultural authorities one minute, and the fearsome impact of the unforgiving Icelandic environment the next. But it never lets the former overpower the latter or vice versa. Of course, when a feature revolves around squabbling siblings, more than a bit of to-ing and fro-ing is to be expected. What makes the film soar isn't its determination to delve into opposing sides, but the way in which it embodies those underlying divides in everything from its visuals to its performances. Cue images that jump between vast sights and intimate interiors, and portrayals that similarly pit bold and subtle traits against each other. In Hákonarson's hands, the many juxtapositions prove not just effective in conveying the story, but insightful as well. Here, the extremes of existence exist as part of a continuum, constantly coming into conflict and yet still managing to coexist. That's the core of Rams, and the secret to making a film feel both immediate and timeless.
Craving the kind of cake your mum definitely doesn't make, but find yourself in the CBD rather than Newstead or South Bank? Sweet treat fans, rejoice — Chester Street Bakery is bringing its epic wares to you and setting up a third store in the centre of the city. Since late July, Brissie's favourite bakers have been slinging their creative creations from their new digs inside the entrance to the King George Square bus station. Just like its express setup over the river, expect another small in size, big in taste location from the same dessert-focused empire as Doughnut Time and Mister Fitz. Delicious from start to finish, CSB's menu will feature their signature cakes, hot chocolates and other edible items; if you're already fan, you know the drill. Their big cakes have garnered a huge reputation over the years, whether rainbow layers, death by chocolate, cookie dough or doughnut offerings take your fancy. Or, opt for frozen goodness courtesy of cookie monster, red velvet and banana split ice cream cakes. With Oreo-crusted unicorn cream pie Nutella pavlova, Kit Kat cheesecakes, M&M Brownies, Ferrero choc tops, and peanut butter whip shakes also served up, the list well and truly goes on. Find Chester Street Bakery's new CBD store inside the entrance to the King George Square bus station from July 25. Head to their website and Facebook page for more information.
In 1934, American cinema was sanitised. The Motion Picture Production Code swept sex, drugs, crime and violence from screens, favouring traditional values in a regime that remained until 1968. The Code rallied against a raucous time in filmmaking, all things risque thriving upon the advent of sound and after the Great Wall Street Crash and the Depression. Strong women defying puritan ideals became the order of the day, alongside ripped-from-the-headlines cops-and-gangster antics. Promiscuity, prostitution, infidelity, abortion — the list of taboos traversed was surprising and subversive. Forbidden Hollywood: The Wild Days of Pre-Code Cinema, the Gallery of Modern Art’s extensive retrospective, trawls through this unique period in film history. Screening on 35mm, stars such as James Cagney, Mae West, Cary Grant, Katherine Hepburn, Clara Bow and Clark Gable shine in gems including Scarface, Blonde Venus, 42nd Street and Baby Face — in possibly your only chance to see these classics in a cinema. Visit the QAGOMA site for the complete program.
Buildings that feed on pollution, skyscrapers constructed from rubbish – what's next for the future of the world's trash? North American environmental solutions company Waste Management has recently made significant investments in energy companies Agnion, Enerkem and Agilyx, all of which provide solutions to turning waste into something more useful. Enerkem can produce transportation fuel from garbage, and Agilyx creates crude oil from unwanted plastics. A small-scale device created by Agnion could be used by supermarkets, hospitals and shopping centres to make the most of the waste they create. The technology can transform trash (affectionately known as "solid biomass feedstock") into gas, which in turn can be used to provide heating.
Following in the footsteps of Toshiro Mifune, the Japanese acting icon and frequent Akira Kurosawa collaborator, isn't an easy job. But enlisting Hiroyuki Sanada (John Wick: Chapter 4) to tread where the Rashomon, Seven Samurai and Yojimbo star once did is a genius move in television's second adaptation of Shōgun. James Clavell's bestselling 1975 novel has reached the small screen before, in 1980. Back then, with Mifune as war hero Lord Yoshii Toranaga, it told its tale in five movie-length parts. Now, boasting the resolute and restrained Sanada in the role (and also as one of the show's producers), it returns 44 years later as a sweeping, dazzling and thrilling ten-episode miniseries — streaming on Disney+ Down Under from Tuesday, February 27 — that perfects many things, its casting high among them. Sanada has equally well-chosen company; picking him, Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as Shōgun circa 2024's leads is a masterstroke. The 17th century-set series makes plenty of other excellent decisions, but getting its core trio right is still pivotal. Richly detailed, the samurai series knows how to thrust its viewers into a deeply textured world from the outset, with complex performances at its centre an essential anchoring tactic. Sanada's Toranaga is among the political candidates vying to steer the future of the country. Jarvis is John Blackthorne, a British Protestant sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman with her own complicated history, who is also tasked with translating for the Englishman. Each of Shōgun's three key characters encompasses much more than their basic descriptions, of course. The portrayals that bring them to the screen make that plain from the moment they're each first seen. Weight and heft have long lingered in Sanada's layered performances — be it in his turns in J-horror's original Ringu films, or in Sunshine, Lost and Westworld — which befits a regent with his own plans for his nation, separate from his fellow council members, a year after of the death of the last supreme ruler. He cuts a contemplative but determined figure, who is as canny with strategy as with seizing opportunity; Blackthorne's arrival sees him in both modes. Reminiscent of Tom Hardy (Venom: Let There Be Carnage), Jarvis brings raw bluster and astonishment to his part at first, then slowly dawning understanding. As for Sawai, she exudes duty, stoicism, shrewdness and sorrow as a woman whose choices are so rarely her own. When it opens, Shōgun finds feudal Japan in crisis mode given its heir is to young to rule, Toranaga facing enemies and Blackthorne among the first of his compatriots that've made it to the nation, the latter much to the alarm of Japan's sole European inhabitants, all Catholic and from Portugal. While it is indeed still a story where a Westerner enters as an outsider, then becomes enmeshed in the daily goings-on, this Shōgun doesn't ever present Blackthorne's as the only or chief perspective. Sanada is the show's first-billed talent. The series' devotion to unravelling its narrative with Toranaga, Mariko and Blackthorne evenly at its heart never wavers. And, nor does its exploration of perspective — because what a splintering Japanese society means to one of its leaders, an interloper fresh to its shores and someone accustomed since childhood to be at its whims ("we live, and we die; we control nothing beyond that," Mariko says more than once) is completely different. Early in, creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) don't let the fact that "barbarian" is flung around by almost everyone escape attention. Usually it refers to Blackthorne, as used interchangeably with "anjin", the Japanese term for pilot. Toranaga swiftly gleans how handy the Brit's 500 muskets and 20 cannons will be if the acrimony directed his way by his regent counterparts results in war. His new vassal lives at his direction, then, as does Mariko. She'd prefer to surrender her life than exist without her disgraced family or stay with a warrior husband (Shinnosuke Abe, Keiji Shichinin) that she feels nothing warm for, but honour dictates otherwise. It's obligation, too, that has her convince her spouse's niece-by-marriage Usami Fuji (Moeka Hoshi, Turn to Me Mukai-kun) to submit to a heartbreaking decree, which is how Mariko is introduced. In another of the dialogue's aphorisms, people are compared to pebbles that are pushed here, there and everywhere by the elements. It isn't just the metaphor that lands, but also the granularity; Shōgun looks and feels intricate, and is staged and plotted to match. Spies, love, loyalty, courtesan life, gardening practices, earthquakes, rabbit stew, duplicitous allegiances, ambition in a variety of forms, how gravely one's word can be taken: they're all weaved in. In its overarching narrative, Toranaga is beckoned to Osaka, where his main rival Ishido Kazunari (Takehiro Hira, Gran Turismo: Based on a True Story) wants to put him in his place to snatch up overseeing the country for himself. That's truly the framing, however, as is Blackthorne initially washing up in a fishing village. Although Toranaga declares several times that he's not after the titular position, Shōgun is another series for the streaming pile that's about fighting for supremacy, as Game of Thrones and Succession both famously were. As with just the former, it's another grand and gripping epic. While it's impossible not to see those links, knowing that both battling over who'll grasp power and traversing sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. Rather, Marks and Kondo's spin on Clavell's book is a reminder of how magnificent and mesmerising such efforts can be when they're at their very best. The scale is immense, and yet there's no skimping on intimacy. With authenticity as its guide, the minutiae is meticulous, demanding that the utmost notice is paid to everything at all times. The scenery alone is so exquisitely and sumptuously shot that it'll doubtless inspire tourist pilgrimages. Shōgun is visceral, too; gore is also no stranger from the get-go, when being boiled alive proves one way to deal with Japan's newcomers — and frequently from then on, including via seppuku. This is potent, thoughtful and immediately engrossing viewing, and lavish and precisely made also. As skilled at giant setpieces as it is at plunging into political scheming and emotional yearning, Shōgun makes getting drawn in instantaneous. Check out the trailer for Shōgun below: Shōgun streams via Disney+ from Tuesday, February 27. Images: Katie Yu/FX.
When a well-loved venue gets a sibling, the connection between the two spots usually earns a lot of chatter. You sit, you enjoy, you compare, you discuss all those times spent at the first watering hole — all while you're scoping out the new location. And, at Newstead's Stratton Bar & Kitchen, that's likely to be the case. It's the latest venture from Mrs Brown's Bar & Kitchen owners Ben and Tarryn Brown, so there's plenty to talk about. That said, this newcomer's ties to another Newstead go-to isn't the only thing that's worth noticing. Conversation topic number one: the fact that that Stratton calls two old World War II hangars home, which the Browns have converted into quite the impressive hangout. Thanks to not only the site's curved roof, but all of its exposed beams hovering above while patrons eat and drink, that history is inescapable. More than that, it's downright striking to look at. The 920-square-metre venue boasts four sections: a 150-seat dining area, which still retains the laidback vibe that's such a feature at Mrs Brown's; a central bar perched under that eye-catching curved ceiling; a 150-person function space; and a covered courtyard. That gives Brisbanites plenty of reasons to drop by, but one of the biggest comes from its address. As the name makes plain, you'll find the bar and kitchen on Stratton Street — and right next door to The Triffid to be specific. Whether you're heading in pre- or post-gig, or just because, Stratton serves up a menu that goes heavy on home-style share plates and one-handed bar snacks, with chef Andrew Toms overseeing the food. Culinary highlights include cheeseburger dumplings, chicken karaage milk buns, sweet and sour broccoli and roast duck breast with citrus sauce. Or, there's peanut butter soba noodles, cacio e pepe udon, bolognese and burrata pizza, and a choc-orange delight of a dessert dubbed 'jaffa garden' that features orange jelly, burnt orange puree, burnt orange curd and dehydrated chocolate mousse. When it comes to washing down those dishes — with a sizeable amount of gluten-free, vegan and vegetarian options also covered — the drinks list hits around 70 bottles in 250-millilitre pours, plus a hefty cocktail range. Standouts include the Kill Bill (Nikka whisky from the Barrel, Midori, Oscar.697 Rosso vermouth and pineapple), the cheeseburger bloody mary (which adds an in-house blend of herbs and spices to vodka and tomato juice to make your tastebuds think they're drinking a cheeseburger) and the Cherry Ripe (Wildflower vodka, cherry, Borghetti coffee liqueur and Tempus crème de cacao). Or, you can show some homegrown love with the Lamington (Wildflower lamington vodka and lemon) and the Aussie negroni (Four Pillars olive leaf gin, Rhubi Mistelle and Davidson plum aperitif). The non-boozy cocktail list spans four drinks, too — and, back on the hard stuff, Aussie spirits get pride of place. Find Stratton Bar & Kitchen at 3–5 Stratton Street, Newstead — open 11.30am–late Wednesday–Sunday.
Across the first half of every year, Brisbanites are invited to descend upon two patches of the city to celebrate unique parts of town. What's better than one street festival celebrating a Brissie neighbourhood? Two, clearly. First comes Stones Corner Festival — and then Teneriffe Festival unleashes its own jam-packed day of fun. Teneriffe Festival was born back in 2010 when the part of Brisbane that's in its moniker was officially named a suburb. A decade and a half later, it's still going strong, with around 50,000 people heading along annually. Accordingly, when 10am–10pm rolls around on Saturday, June 8, there'll be tunes, food, markets and more, all helping locals and visitors alike make the most of the bustling locale. Mark your diaries ASAP. Then, get excited about The Cat Empire and Thundamentals leading the music lineup. Also on the bill on Vernon Terrace: Josh Pyke, Bones and Jones, Delivery, Clea, Cheap Fakes, Juno, Ishan, Selve, Calypso Cora, Special Features and Mt Nadir. Stints of dancing in the street are always joined by plenty of opportunities to eat and drink. The area's bars and restaurants get in on the action, food trucks serve up their own feasts and markets sling plenty of wares. Plus, there'll be a jazz-fuelled, wine-pouring riverside garden — with The Jazz Music Institute programming the tunes — and a pop-up beer garden also on offer. And, for the kids, there's also an live and interactive Bluey experience. Teneriffe Festival 2024 Lineup: The Cat Empire Thundamentals Josh Pyke Bones and Jones Delivery Clea Cheap Fakes Juno Ishan Selve Calypso Cora Special Features Mt Nadir Updated Friday, May 10, 2024.
Everyone likes accumulating unusual items, a pastime that dates back centuries. In Renaissance Europe for example, storing strange objects in cabinets of curiosities — also called wunderkammer — was the done thing. Natural wonders, religious relics, works of art, antiquities and other odds and ends would line shelves, often taking up entire rooms. These collections weren't just eclectic and eccentric; they were designed to offer a microcosm of the broader world. Think of them as the precursors to museums, because that's what they were. And that's what the University of Queensland Art Museum is celebrating in an exhibition comprised of two parts: groups of bizarre, peculiar and all-round interesting items, all placed together for people to marvel at. First, witness a showcase of scientific and medical instruments, religious paraphernalia, coins, illuminated manuscripts and contemporary artworks, displayed as they might have been years earlier. Then, feast your eyes on a wunderkammer conceived by Her Divine Holiness Pope Alice, aka Australian artist Luke Roberts. If the whole collection isn't strange and curious, then we don't know what is. Image: Peter Madden, 1966-; Butterfly bones 2007. Plastic, wood, paper and resin. 28.0 x 25.0 x 40.0 cm. Collection of Dr Morris Low, Brisbane. Reproduced courtesy of the artist and Robert Heald Gallery, Wellington. Photo by Carl Warner.
Looking for plant-based Italian food your non-vegan friends and even your nonna will be able to get around (eventually)? That's what you can expect at Nonna's Nightmare. Cosy up at this West End spot with pizzas, pasta and comfort food made for feeling good about your choices. Locally sourced ingredients come together to make dishes like gnocchi al ragu (made using Beyond Meat bolognese), ravioli al tartufo with mushroom and truffle and sourdough pizzas. If you really want to see nonna get cranky, order the Italian Nightmare pizza, topped with grilled pineapple, vegan bacon, chilli and lime salsa. If only a burger will cure your cravings, there are three options to choose from, including one stacked with eggplant parmigiana. And if you somehow have room for dessert, check out the pistachio-infused ricotta cannoli. This is definitely not the kind of place you'll leave hungry — at least nonna can't be mad about that.
When it comes to winter family getaways, Sydney is often overlooked in favour of snowier spots further south. But the Harbour City is full of unexpected wintry delights—both indoors and out. Think cosy corners, hearty pub fare, awe-inspiring exhibitions, and close-up wildlife encounters. Add kids into the mix, and it becomes even more magical. From spotting humpbacks along the Bondi to Coogee Coastal Walk and soaking up Harbour views aboard the iconic Manly Ferry to sampling global eats at Hay St Market, we've rounded up some of the best family-friendly activities to help you plan your next escape. Plus, if you're keen to stay in the city, Marriott Bonvoy is offering 10% off your stay across six hotels—all you need to do is sign up (for free). It's also the perfect excuse to extend your stay. Pack your puffer and rally the little ones—here are nine top family-friendly things to do in Sydney this winter. Wander Through Hay St Market If the weather turns grizzly or you're facing decision paralysis over what to eat, Hay St Market—Sydney's newest hawker-style foodie hub—is an ideal spot for the whole family to explore. Bringing together 48 traders and over 25 international cuisines under one roof, the market buzzes with lively, aromatic stalls serving everything from freshly-baked sourdough and creamy cannoli to juicy citrus, melt-in-your-mouth sashimi, and premium cuts of meat. To keep the food adventure going, walk across to Spice Alley in Chippendale—just a short stroll from Four Points By Sheraton Sydney, Central Park. Picnic In the Royal Botanic Gardens While many botanical gardens around Australia boast magnificent, manicured grounds, few compare to Sydney's historic Royal Botanic Garden. Home to more than 27,000 plant species and boasting uninterrupted views of Sydney Opera House and Sydney Harbour Bridge, it's the ultimate spot to roll out a picnic rug and absorb some precious winter rays. There are plenty of things to keep the little ones entertained, too. Wander through the aromatic herb garden, the vibrant wildflower meadow, and the sun-drenched succulent garden—or book the kids into a nature-inspired craft workshop. Spot Whales Along Bondi To Coogee Coastal Walk Revered as one of the most picturesque walks along Australia's east coast, the Bondi to Coogee Coastal Walk is a year-round favourite—but it's especially popular from May to November during the annual humpback whale migration. The walk stretches about six kilometres one way, is suitable for all fitness levels, and offers vantage points aplenty, including Ben Buckler Point, Clovelly Beach, Waverley Cemetery, and Gordon's Bay. Mornings and late afternoons are the best times to spot whales, which often breach close to shore—but bring a pair of binoculars to get an even closer view of the action. Ride Sydney's Iconic Manly Ferry Keen to check out one of Sydney's iconic beaches? Jump aboard Sydney's historic Manly Ferry. Departing regularly from Circular Quay, the 30-minute journey is packed with spectacular Sydney Harbour views, including the Sydney Harbour Bridge, the Sydney Opera House, and Kirribilli House. A must on any first-timer's Sydney itinerary, Manly offers plenty to explore once you arrive, with viral eateries like Norma's Deli, Butter Boy, and Chica Bonita regularly drawing crowds daily. Plus, the ferry terminal is just a quick stroll from Sydney Harbour Marriott, Circular Quay making it the perfect day-trip if you're staying close by (and scoring 10% off your stay). Run Amok at Luna Park Speaking of ferries, hop aboard the Milson's Point Wharf ferry at Circular Quay and spend a day exploring Luna Park—one of Sydney's most iconic amusement destinations. The heritage-listed theme park blends vintage carnival charm with modern thrills like the sky-high Coney Island Devil's Drop, the gravity-defying Rotor, the classic Ferris Wheel, and The Big Dipper—the world's first-ever double-launch single-rail rollercoaster. Get Up-Close with the Animals At Taronga Zoo Taronga Zoo is a playground for all ages that rolls education and fun into one, and has offered unforgettable wildlife encounters for over 100 years. Committed to wildlife conservation, the zoo is home to 4,000 animals across 350 species, including majestic African lions and Western Lowland gorillas, playful fairy penguins, and adorable pygmy hippopotamuses. To kick the adrenaline up a notch and see some wildlife from a new perspective, strap in for a climb on the zoo's thrilling high ropes course. Adventure Underwater at SEA LIFE Sydney Aquarium Home to over 4,000 animals across more than 300 species, SEA LIFE Sydney Aquarium is a sample of the seven seas right in the heart of the city. With immersive themed zones like Jurassic Seas, Shark Valley and Penguin Expedition, it showcases the world's largest variety of Australian aquatic life—and has become a rite of passage for Sydneysiders and young visitors alike. Highlights include Pig, the resident rescue dugong, up-close shark scuba encounters, and a walk-through tunnel where rays and sharks glide overhead. Plus, it's just moments away from W Sydney, making it well within reach for an easy yet exciting day out. Tour Sydney's Historic Cockatoo Island Once a convict gaol and shipyard, Cockatoo Island is now a UNESCO World Heritage-listed site just nine minutes by ferry from Barangaroo Wharf. The largest island in Sydney Harbour, it offers a fascinating mix of historical tours suitable for all ages, plus regular cultural exhibitions and events. After exploring, pull up a seat at one of the family-friendly waterfront cafes and watch a flurry of boats glide past—and if you're staying at Pier One Sydney Harbour, take the scenic route back and wander through Barangaroo. Get Inspired at Sydney's Art Galleries The Art Gallery of NSW is a cultural cornerstone and arguably one of the most significant art galleries in the state — if not the country. While it's known for showcasing a program of both local and internationally acclaimed artists, it also offers a mix of compelling creative activities for the little ones, including Australia's first children's art library on lower level 3, weekly Storytime sessions, and interactive exhibitions. This winter, check out the annual Archibald, Wynne and Sulman Prize (on display until August 17), and the Young Archie finalists. Down by the Harbour, The Museum of Contemporary Art Australia is the only public museum dedicated exclusively to contemporary art in the country. A must-visit for modern art lovers, it hosts a rotating lineup of globally acclaimed artists—including Cerith Wyn Evans' monumental light sculptures, on display from June until October. Families can also enjoy drop-in drawing classes, and unstructured creative art play for kids under five. Ready for a jam-packed family adventure? Book your Sydney escape before September 30 to access 10% off your stay and dining with Marriott Bonvoy. All you have to do is sign up as a member—and it's completely free. With access to exclusive member rates, your stay will also earn points towards free nights at over 30 hotel brands around the world. Book your stay here. T&C's apply and vary by participating hotels including blackout dates, cancellation restrictions and more. Offer may not apply in properties not participating in the award and redemption of Marriott Bonvoy.
They're the stories we all lapped up as kids, telling us about enchanted creatures, magic and more. They're behind plenty of movies that still grace our screens, too. And, they're the focus of a huge Australian-exclusive exhibition at Brisbane's Gallery of Modern Art (GOMA) across the summer of 2023–24. Yes, we're talking about fairy tales. The entrancing showcase is indeed called Fairy Tales and, taking over GOMA's entire ground floor, it explores how these folklore-, myth- and legend-related narratives have fascinated audiences through art and culture over not just years and decades, but centuries. If creepy woods have influenced sculptures, or tales of princes and princesses have inspired painters, expect to see it here, in a blockbuster showcase that runs from Saturday, December 2, 2023–Sunday, April 28, 2024. [caption id="attachment_758872" align="alignnone" width="1920"] Yayoi Kusama[/caption] Also included: everything from drawings and installations through to fashion, as well as films and filmic elements, such as props, and costumes. There's also an accompanying movie program in GOMA's Australian Cinematheque, of course, so you don't need to wish for big-screen wonders as well. Wicked witches, magic animals (fierce and friendly alike), coming-of-age tales, shifting gender roles, bravery, loyalty, castles, coaches, pumpkins — they all feature. Artists involved include GOMA favourites Yayoi Kusama and Patricia Piccinini, plus Jana Sterbak, Kiki Smith, Abdul Abdullah, Ron Mueck and Charles Blackman. The list goes on, like breadcrumb trails. And, if you like huge site-specific installations, the South Brisbane gallery has commissioned something special from Henrique Oliveira. The Brazilian artist has transformed the exhibition's first piece into a stunning gnarled and twisted woodland that you won't want to stop wandering through. Exhibition images: Sarah Ward.
Australians under the age of 40, it's time to roll up your sleeves — because the country's slow-moving vaccine campaign is finally opening up the Pfizer jab to all Aussies between 16–39. If you're in that age group, you don't fall into the high-risk or high-priority categories outlined by the Australian Government and you'd prefer to get Pfizer's COVID-19 vaccine, you've been spending all of this year waiting to get vaxxed; however, come Monday, August 30, it'll now be your turn. In a press conference today, Thursday, August 19, Prime Minister Scott Morrison announced that "the cabinet met today to affirm that we will be moving to opening up 16–39-year-olds for the balance of the program and intend that to commence on 30 August." That doesn't mean you can book just yet, though. "I want to stress, do not make a booking yet. We will advise when bookings can be made. It isn't today. We will advise when the time will come over the course of the next week," the Prime Minister continued. The Pfizer jab is the recommended COVID-19 vaccine for all Australians under the age of 60, but the country's vaccination rollout has been targeting high-priority and high-risk groups first, and then working backwards in terms of age range. In New South Wales only, folks aged 16–39 who live in Greater Sydney's 12 Local Government Areas that are currently under tighter lockdown conditions have been able to get the Pfizer vaccine since today, but that's the only part of the country that's been giving that specific jab to adults under 40 that aren't considered high-risk. So, before the month is out, around 8.6 million Australians will get their chance to receive the Pfizer shot, which will obviously give the nation's vaccination numbers a considerable boost. At the time of writing, 21.9 percent of Aussies are fully vaccinated, which includes 27.29 percent above the age of 16. And, as announced by the Prime Minister, 50 percent of Australians have now had their first dose. The AstraZeneca vaccine has been available to Australians of any age since late June, and will still be available — but, until the end of this month, Pfizer has only been open to under 40s if they're of of Aboriginal and Torres Strait Islander descent; work in quarantine, border or healthcare roles; work or live in an aged care or disability facility; work in a critical and high-risk job such as defence, fire, police, emergency services and meat processing; have an underlying medical condition or significant disability; are pregnant; or participate in the NDIS, or care for someone who does. From September, there'll also be a third type of COVID-19 shot available to Aussies, with the Moderna jab just getting local approval this month. If you're eager to look for vaccination clinics — to plan ahead for when you can get vaxxed — you can check out a handy online map that collates vaccination hub, clinic and GP locations. It covers all Australian states and territories, including New South Wales, Victoria and Queensland. Australia's Pfizer vaccination rollout will open to all Aussies aged between 16–39 from Monday, August 30. For further information, head to the Australian Government Department of Health website.
Many Australians spent a childhood birthday or two under one of Pizza Hut's iconic red roofs, digging into endless cheesy slices and soft serve at an all-you-can-eat buffet. Fast forward to 2020 and not a whole heap of Pizza Hut buffets exist — with only 14 dine-in outposts across the country — but the chain is still going strong with its hundreds of takeaway shops. And it's celebrating its 50th anniversary in Australia by giving away a whopping 50,000 takeaway pizzas. Pizza Hut is giving away 10,000 pizzas each day from Monday, August 3 to Friday, August 7. You just need to head over to the website between 4–6pm on one of those days, submit your details and select your closest Pizza Hut store. You can choose from five different toppings, too — the brand's five most popular flavours, in fact: Pepperoni Lovers, BBQ Meatlovers, Super Supreme, Cheese Lovers or Hawaiian. You then have until 11.59pm on Monday, August 31 to redeem your free pizza. To coincide with the giveaway, and the anniversary, Pizza Hut is releasing some fun facts about each decade every day, such as where its first Aussie restaurant was located (Belfield, NSW) and when stuffed crust was launched (25 years ago). Pizza Hut is giving away 10,000 free pizzas from 4–6pm each night between Monday, August 3 and Friday, August 7 via the website. Top images: Warrawong and Canley Heights Pizza Huts.
If eating at one of the world's best restaurants — and Copenhagen's most acclaimed — has long been on your bucket list, achieving that feat now has a time limit, with René Redzepi's Noma announcing that it's closing its doors. It isn't saying farewell forever, thankfully, but it is ending its current operations, transforming instead into a test kitchen and food laboratory. Redzepi's globally renowned, three-Michelin-starred, five-time World's Best list-topping eatery has shut up shop in the past, back in 2016, before reemerging in 2017 as Noma 2.0. Redzepi and his team have already badged the venue's next phase 3.0, and it'll kick off in 2025 — after Noma's present setup says goodbye in 2024. "Winter 2024 will be the last season of Noma as we know it. We are beginning a new chapter; Noma 3.0," said Redzepi in a statement on the restaurant's website and social media channels. "In 2025, our restaurant is transforming into a giant lab — a pioneering test kitchen dedicated to the work of food innovation and the development of new flavours, one that will share the fruits of our efforts more widely than ever before," Redzepi continues. "Serving guests will still be a part of who we are, but being a restaurant will no longer define us. Instead, much of our time will be spent on exploring new projects and developing many more ideas and products." View this post on Instagram A post shared by noma (@nomacph) If you can manage to nab a highly coveted reservation between now and Noma's 2024 closure, you'll experience the restaurant's last days in its 2.0 guise. After that, it will host pop-ups as part of being a food lab, and will also do a season in Copenhagen. Travelling the globe to share its cuisine has long been a part of Noma's remit anyway, complete with an upcoming ten-week residency in Kyoto from March–May 2023. In the past, the eatery has done the same in Tokyo, Down Under in Sydney as well, and in Tulum, Mexico. "In this next phase, we will continue to travel and search for new ways to share our work. Is there somewhere we must go in the world to learn? Then we will do a Noma pop-up. And when we've gathered enough new ideas and flavors, we will do a season in Copenhagen," added Redzepi. "Our goal is to create a lasting organisation dedicated to groundbreaking work in food, but also to redefine the foundation for a restaurant team, a place where you can learn, you can take risks, and you can grow!" Noma 2.0 will close at Refshalevej 96, 1432 Copenhagen K, in 2024, during winter in Europe, before relaunching in 2025 as a test kitchen and food lab. Head to the restaurant's website for reservations. Top image: Amy Tang.
The history of street photography is generating more interest than ever, now that street style blogs influence high-end brands, everyone has a spy camera (read: iPhone), and documentaries like Bill Cunningham: New York have charmed DSLRs into the hands of the populace. But what about when it wasn't just about fashion, but about documenting a moment in cultural history? A new look at the origins of the movement, Everybody Street, gathers a group of seminal New York-based street photographers to examine the method and motivation behind this most candid and telling style of documenting the human race. Street photography takes balls. Imagine approaching a total stranger, even a pretty rough-looking one, to ask for their picture — as Brandon Stanton of Humans of New York (with almost a million followers on Facebook) does dozens of times every day. Henri Cartier-Bresson similarly knew how to be bold and keep in the thick of the action, and that's why his opus includes so many arresting images of the major events of the 20th century. Nowadays the rising generation of street photographers in New York, including Le 21-eme, I'm Koo and An Unknown Quantity keep busy chasing down Soho's trendsetters. Everybody Street, on the other hand, asks veteran photographers Bruce Davidson, Elliott Erwitt, Jill Freedman, Bruce Gilden, Joel Meyerowitz, Rebecca Lepkoff, Mary Ellen Mark, Jeff Mermelstein, Clayton Patterson, Ricky Powell, Jamel Shabazz, Martha Cooper, Jeff Mermelstein, Max Kozloff and Luc Sante all about how they managed to transgress social boundaries to capture iconic images of their milieu. Jamel Shabazz alone is a phenomenal force in the street photography scene, whose chronicling of the '80s hiphop style movement can be seen in the influential monographs Back in the Days and A Time Before Crack. Shabazz — a former corrections officer with a photographer father — used street photography to perform a type of social work: mainly capturing images of African Americans, he helped to spread pride and self-confidence among young men and women who were at risk of getting mixed up in crack culture. By reminding them they were worth being photographed and admired, and taking the opportunity to talk with them about their lives and share his experiences as a corrections officer, Shabazz hoped to steer people away from drugs and crime. In Everybody Street, documentarian Cheryl Dunn honours Shabazz's story and those of other snap-happy New York street-crawlers who dared to step in and chronicle what was happening every day on the street, and make a difference along the way. Everybody Street will be making its world premiere at the Hot Docs International Film Festival in Canada. Further distribution is TBC. Images by Jamel Shabazz. More on his website.
This Summer is shaping up to be a cinematic treat for movie buffs. The latest Bond film hit cinemas last week, Peter Jackson's The Hobbit will be clogging theatres come Boxing Day and for those who like their movies filled to the brim with obscure pop culture references, gratuitous amounts of stylised violence and a pumping soundtrack, then there is Quentin Tarantino's latest offering Django Unchained. But if you are too busy to get to the cinemas this Summer or you like your pop culture in bite size pieces then check out this awesome video by YouTube aficionado Jonathan Keogh of the "IMDB Top 250 in 2 1/2 Minutes". This manic and masterful mash-up of everything from Gone With The Wind to Fight Club to The Lion King will have you reliving all your favourite movie moments and reenacting history's most iconic movie scenes in front of your bedroom mirror. Set to a remix of The Beatles, Joan Jett, Cypress Hill and House of Pain we must warn you that this video will have you fighting the urge to re-account yourself with your local video store and crying "You can't handle the truth!" at unsuspecting passersby.
Welcome to Oceania; a nation bound tightly in the shackles of oppression and perpetual war, where survelliance, obedience and conformity are the ideal, and fanciful dreams of liberation, logic and free thought are the one true enemy. Big Brother is watching you. By day, Winston Smith is an editor at the Ministry Of Truth, forced to rewrite history to align the past with the radical, political agenda of the ruling party. By night, Winston pursues a forbidden love affair, attempting to rebel against the regime that controls his very being From the minds of the Shake & Stir Theatre Company, the team behind the sold out season of Animal Farm. Comes a new stage adaption of George Orwell’s final novel; 1984. Featuring a cast of some of Queensland’s most acclaimed and talented artists, and set against a dynamic digital backdrop, this terrifically terrifying tale is sure to leave you stunned, worried and bewildered as it contemplates the total destruction of truth in favour of complete conformity.
Gorman. Oh, Gorman. The source of literally everyone's fancy first date outfits has just gone and announced that, this Friday, August 25 they'll be giving out thousands of free t-shirts to anyone who proves they've registered to vote. And while you can vote however you feel, the initiative is proudly and loudly in support of the 'yes' vote. In their own words: "Love is love. All people are equal". Damn right. To share in the love, make sure you've verified and updated your enrolment details today — you have until midnight to do so. Then head to your local Gorman store tomorrow and flash the Gormie staff a screenshot of your verified enrolment details to receive a limited edition (and cute as heck) 'love is love' tee for free. The design is based on an earlier collaboration with Monika Forsberg and there are only 5000 of them. Gorman fans are Gorman fans, so we presume you'll have to get in early to nab one. Most importantly, you can check your enrolment details here.
UPDATE, Monday, March 1, 2021: The Trial of the Chicago 7 is available to stream via Netflix. If you were to start watching The Trial of the Chicago 7 without knowing who made it, it wouldn't take long to realise that it's an Aaron Sorkin film. The playwright, screenwriter and filmmaker's career has relied heavily upon the power of words — and so championing their power, especially in rousing speeches that sway emotions and heated conversations that ping clever opinions back and forth in rapid succession, sits at the heart of his work. It's there in his steely Academy Award-winning script for The Social Network, and in the baseball banter of Moneyball. It's evident in his three TV shows about TV shows, aka the entertaining Sports Night, the underrated Studio 60 on the Sunset Strip and the overblown The Newsroom, too. And, it was apparent in the explosive courtroom theatrics of A Few Good Men and the frequent political walk-and-talks of The West Wing, both of which are clear precursors to his latest film. Combine A Few Good Men's setting with The West Wing's faith in democratic ideals, and that's where The Trial of the Chicago 7 lands. Thankfully, while Sorkin's work can veer from exceptional to frustrating, his second stint as a director (after 2017's Molly's Game) makes the very most of his usual traits. Given the true tale he's telling — a story of vocal dissent against unpopular government actions and latter's retaliation, spanning protests and violence on the streets involving both activists and police — that's hardly surprising. That Sorkin has amassed a typically top-notch cast to sling his words helps considerably, including Bridge of Spies Oscar-winner Mark Rylance, The Theory of Everything Oscar-winner Eddie Redmayne and Watchmen Emmy-winner Yahya Abdul-Mateen II, plus everyone from Joseph Gordon-Levitt and Michael Keaton to Sacha Baron Cohen and Succession's Jeremy Strong. In the summer of 1968, as the Democratic Party assembled in Chicago for its national convention to confirm the party's nominee for the presidential election, several activist groups decided to make their displeasure known. There was much to rally against: the Vietnam War was raging and American soldiers were dying, both Martin Luther King Jr and Robert F Kennedy had been assassinated in separate incidents months earlier, and civil unrest was mounting across the country. The Trial of the Chicago 7 first introduces six figures making plans for the day, then cuts to the commencement of legal proceedings for eight defendants, all charged by the US federal government the next year. By then, Richard Nixon is president and, as the scene that tasks Assistant US Attorney Richard Schultz (Gordon-Levitt) with going after a supposed all-star group makes plain, his administration was intent on prosecuting their opposition to make a statement. The government was also adamant that the police couldn't have started the riots that arose outside of the convention. If you've noticed that the numbers in the above paragraph don't add up, so has The Trial of the Chicago 7. When the court proceedings open, eight defendants do indeed sit before Judge Julius Hoffman (Frank Langella), who has clearly already made up his mind about their guilt from the second the trial begins. These men have been grouped together, but they're hardly a group. The clean-cut Tom Hayden (Redmayne) and Rennie Davis (Alex Sharp) hail from the Students for a Democratic Society, and believe in working within the system to change it, while long-haired radicals Abbie Hoffman (Baron Cohen) and Jerry Rubin (Strong) are members of the counterculture Youth International Party, the Yippies, who favour more revolutionary tactics. Boy Scout troop leader Dave Dellinger (John Carroll Lynch) is an avowed pacifist, and John Froines (Danny Flaherty) and Lee Weiner (Noah Robbins) don't even know why they're there. Then there's Black Panther Bobby Seale (Abdul-Mateen II), who hadn't met any of the others, was only in Chicago for mere hours on one day to give a speech, and ends up being literally bound and gagged by the court during the trial. Based on all of the above — and despite the best efforts of defence attorneys William Kunstler (Rylance) and Leonard Weinglass (Ben Shenkman) as the months roll by — this was never going to be a straightforward legal matter. It's also catnip for Sorkin, who unleashes his trademark flourishes on not only passionate speeches, but also infuriating courtroom incidents and the festering disagreement between codefendants, as well as in recreating the fateful protests. There's nothing unexpected about the way the filmmaker handles this story visually, narratively or thematically, but the end result proves a case of applying the right approach to the right tale. Everything about this chapter of history should resonate with importance and, given the blatant parallels to America today, still feel urgent and angry; however, Sorkin's showy, snappy knack for deploying potent words to distill crucial and complicated matters, and to stress the need to speak truth to power, constantly shines through. Among The Trial of the Chicago 7's sizeable cast, there are no weak links, especially when it comes to talking all that talk. But just try to tear your eyes away from Abdul-Mateen II's rightfully furious Seale, or from Kelvin Harrison Jr (Waves, The High Note) in a supporting role as fellow Black Panther Fred Hampton — or, in what amounts to far more than a stoner comedy double-act, to the witty and loose yet weighty and film-stealing work of Baron Cohen and Strong. Indeed, The Trial of the Chicago 7 is at its most compelling when it dissects the vastly different perspectives motivating its central figures, which is what arises in these performances. The film is gripping anyway, even as it plays out exactly as anyone could predict, whether you're familiar with the real-life facts or not. But perhaps most essential is how it doesn't merely wrap up a pivotal case in pithy words, timely comparisons and relatable ire, but in astute and affecting detail. https://www.youtube.com/watch?v=FVb6EdKDBfU Top image: Niko Tavernise/Netflix © 2020
Brunswick Aces is a new Melbourne-distilled gin with a notable difference: it's 100 percent free from alcohol. Forget tonic water-tasting hangovers, this take on gin is an alternative to sore heads and dehydration that still tastes like a summer garden party. It might be just what you need if you're doing Dry July this year. The gin is made in Brunswick, distilled like alcoholic gin is and made from local ingredients. Alcoholic gins require a careful blending of botanical ingredients, and Brunswick Aces is no different. The company releases small batches of two "gins" — the Spades Blend, which contains lime, pink grapefruit, cardamom, parsley and lemon myrtle, and the Hearts Blend, which is a mix juniper, wattleseed, clove, star anise and ginger. Brunswick Aces' launch follows that of Seedlip, the world's first alcohol-free distilled spirit, which first hit shelves in London in 2015. With its own two variations – Garden and Spice – Seedlip began to bridge the gap between "carefully distilled spirits made with natural ingredients" and "not having a headache on a Sunday for once". Brunswick Aces followed suit, but with local, native Australian ingredients. It can be sipped straight, mixed with tonic, or used as the base for a host of "gin cocktails". Make sure you stock up on limes and cucumbers before Dry July kicks off next week. Brunswick Aces can be purchased through its online store.
The first rule of Fight Club is you do not talk about Fight Club. The second rule of Fight Club is you do not talk about Fight Club. Now that we have established the ground rules, I am going to give you some homework. You will leave the house on Wednesday night and you will go see Fight Club at the New Globe Theatre in celebration of the movie’s 15th anniversary. It’s hard to believe that this classic film is 15 years old. Fight Club started as a marvellous piece of transgressive literature and was subsequently turned into one of the most memorable movies of the decade. Brad Pitt and Edward Norton star as two simple men living on the edge of society. Their disdain for life as it stands leads them to discover a primal and visceral form of physical therapy. Featuring a twist that will leave your head spinning and great supporting performances by Jared Leto and Helena Bonham Carter, Fight Club has aged well and is worth a watch whenever you get a chance. Head over to the New Globe Theatre on Wednesday for special screening. No fights though, please.
After bringing Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban and Harry Potter and the Goblet of Fire back to the big screen with a live orchestra soundtrack in recent years, the Queensland Symphony Orchestra is giving the fifth film in the franchise the same movie-and-music showcase. Across two sessions on Saturday, March 5, 2022 (at 2pm and 7.30pm), the Brisbane Convention & Exhibition Centre will come to life with the sights and sounds of the Ministry of Magic, 12 Grimmauld Place and the return of He-Who-Must-Not-Be-Named, because JK Rowling's boy-who-lived and his pals are never far away from a theatre — or a concert hall. And tickets for Harry Potter and the Order of the Phoenix live in concert are now on sale. If you've been to one of these events for the earlier Harry Potter movies, you can expect something a little different this time around. While the event will run as usual, it's the score itself that'll stand out. After doing the honours on the first three HP flicks, veteran composer John Williams stood aside, with two-time Oscar nominee Patrick Doyle (Hamlet, Sense and Sensibility) in charge of the fourth, and Nicholas Hooper whipping up wondrous wizarding soundtracks for the final three. And yes, if this particular session sounds familiar, that's because it was originally slated to happen in 2020; however, the pandemic changed those plans.
There's almost nothing that's bold about Haunted Mansion, but making the Disney family-friendly horror-comedy about moving on from the past is downright audacious. What the film preaches, the company behind it isn't practising — with this specific movie or in general. This flick isn't the first that's based on the Mouse House's The Haunted Mansion theme-park attraction, thanks to a 2003 Eddie Murphy (You People)-starring feature. In 2021, the entertainment behemoth also combined the Disneyland, Walt Disney World and Tokyo Disneyland highlight with The Muppets in streaming special Muppets Haunted Mansion. And, no matter how Haunted Mansion circa 2023 fares at the box office, there's no doubting that the idea will get another spin down the line. Nearly everything Disney does; this is the corporation that keeps remaking its animated hits as live-action pictures (see: The Little Mermaid), revelling in sequels even decades later (see: Indiana Jones and the Dial of Destiny), and getting franchises sprawling as films and TV shows alike (see: Marvel and Star Wars). Disney also adores stretching its well-known properties across as many parts of its business as possible, sometimes taking its movies and brands into its amusement parks — Star Wars, Marvel and Pixar have all received that treatment — and, of course, repeatedly doing the reverse. Pirates of the Caribbean, Jungle Cruise, Tomorrowland, Tower of Terror, Mission to Mars, The Country Bears: they've all charted the path that Haunted Mansion has three times now. Accordingly, while grappling with and learning how to move forward from grief isn't an amusing topic, that letting go sits at the latest Haunted Mansion's centre is the funniest thing about the new film. The first word in the picture's moniker couldn't be more spot on — not just due to the ghosts that terrorise the titular home, but via the unnerving reality that this is another by-the-numbers entry in a long line of attempts to hero existing name recognition first, foremost and forever. When Dear White People and Bad Hair filmmaker Justin Simien begins his Haunted Mansion, it's with backstory that explains why astrophysicist Ben Matthias (LaKeith Stanfield, Atlanta) is himself so unwilling to embrace the future. He meets Alyssa (Charity Jordan, They Cloned Tyrone), falls in love, then understandably falls apart when he's suddenly a widower — and, once he's consumed by mourning he's committed to staying that way. Then priest and exorcist Father Kent (Owen Wilson, Loki) ropes him into a gig at the movie's central abode, enlisting not just his help but the use of his specially developed camera that photographs dark matter and, ideally, spectres. The gadget was a labour of love for Alyssa, who worked as a ghost tour guide around New Orleans, a job that Ben has swapped science and the lab for after her passing. There's a difference between truly believing in the supernatural and wanting to feel connected to the person you love, however; Ben is in the second category. So, when he gets snapping to help Gracey Manor's new inhabitant Gabbie (Rosario Dawson, Ahsoka), a doctor who has just relocated with her son Travis (Chase W Dillon, The Harder They Fall), he's as sceptical as he can be and just in it for the hefty payday. Then, two things eventuate: he connects with the shy and introverted boy, who is treated like an outcast at school; and, no matter how much he tries, he can't leave the home's spirits behind. Cue a notion straight from Disney's IRL playbook: being unable to cut ties. In Ben's case, the only solution is taking the haunted mansion's eeriness seriously, discovering what's going on, and calling in psychic Harriet (Tiffany Haddish, The Afterparty) and college historian Bruce Davis (Danny DeVito, It's Always Sunny in Philadelphia) to also lend a hand. Haunted Mansion's unspoken motto: if you're going to make a movie based on a theme-park favourite, you might as well make a theme park-style movie. So, something chaotic pops up around every corner, be it more nods to the feature's origins, more otherworldly bumps and jumps, more famous faces or more weak attempts at laughs. There's a bigger sense of experience to an amusement-park attraction, though, rather than just something happening, then something else, then another thing and so on as occurs here. Screenwriter Katie Dippold has one of the best-written — and best overall — sitcoms of the 21st century on her resume in Parks and Recreation, and also penned 2016's smart and funny female-led Ghostbusters, and yet her current script largely sticks to the rails. While there's emotional depth to Ben's journey, as well as to his bond with Travis, Haunted Mansion is rarely eager to veer there, preferring formulaic cursed-dwelling hijinks to sincerity everywhere it can. Still, viewers should be grateful for the film's casting — especially Stanfield. The Judas and the Black Messiah Academy Award-nominee brings his roaming, restless Atlanta energy, melancholy and charm to Ben, aiding the film in conjuring up what little weight it has. It's through him, in fact, that it's possible to see the shadows of a better movie that Haunted Mansion sadly isn't. Around Stanfield, the bulk of his colleagues appear to be having enough fun with each other, including Dan Levy (Schitt's Creek) and 2023 Oscar-winner Jamie Lee Curtis (Halloween Ends). That's another of Haunted Mansion's theme park-esque strategies: filling its frames with folks who look like they're enjoying themselves, even among an onslaught of stock-standard special effects that lengthen hallways, get people disappearing through walls and the like, in the hope that the vibe will be contagious. Alas, it sorely isn't. It's easy to want to spend time with Stanfield and co: Wilson could've just skipped through time from 1999's The Haunting, but makes it work; Haddish amps up the mood whenever it's needed; and playing a figure that everyone is trying to flee perfectly suits Jared Leto (Morbius), who gets malicious as The Hatbox Ghost. A few spooks and scares hit the mark as well, but too few in an over-long-and-feels-it 123-minute movie. There's another presence lingering over Haunted Mansion, however: the ghost of genuinely excellent all-ages efforts, some with chills and others more with thrills, that are still beloved from years gone by. When this lacklustre effort is the newest entry in the field, no one is quickly moving past prior classics that still hold up wonderfully, such as Gremlins and The Goonies in the 80s; The Addams Family and Addams Family Values in the 90s; The Witches in that same decade; and the animated efforts of Coraline, ParaNorman and Frankenweenie.
Looking for a spot of brightness in this testing year? Thanks to Brisbane Festival, one has literally popped up in West End. If you've spent more than a bit of time in 2020 pondering what might be lurking over the rainbow, too, this luminous installation will be right on your wavelength. Created by Japanese Australian artist Hiromi Tango, Rainbow Circles (Healing Circles) brightens up West Village's garden space by adding a colourful walkway — in the form of glowing, multi-hued and definitely eye-catching rainbow arches. Wander through between 10am–10pm daily until Sunday, September 27, soak in the colour and light, and just try not to feel joyous. Like much of Tango's work — including her fellow Brisbane Festival piece Brainbow Magic — this installation stems from years of research and experimentation into light and colour, and how they can help boost our mental health. Head by for free, and expect to have company — getting everyone pondering how communities interact is another aim of Rainbow Circles (Healing Circles). Rainbow Circles (Healing Circles) is on display from 10am–10pm daily until Sunday, September 27. Images: Joe Ruckli.
We Steal Secrets is the story of Wikileaks, and from the outset it fast becomes apparent how little you know of an organisation dedicated to transparency and the sharing of information. Directed by Alex Gibney (Enron: The Smartest Guys in the Room), the documentary mirrors the real-world by focusing on two key individuals: Wikileaks' Australian founder Julian Assange and Bradley Manning, the US soldier whose disclosure of classified documents thrust Assange onto the world stage. The stories of the two men are told with surprising sensitivity, particularly in the case of Manning, who — on account of his ongoing incarceration — is represented exclusively by typed words on a screen. Sent over the course of his deployment in Iraq, the catalogue of Manning's brief online exchanges with various hackers reveals an extraordinarily lonely soul unable to reconcile serious questions about both his own identity and what he perceived to be the ongoing cover-up of atrocities by the US Government. "I want people to see the truth," he wrote, just before leaking hundreds of thousands of classified documents to Assange. "It affects everyone on earth." The altruistic tone of Manning's narrative seems entirely genuine, particularly when set against the supposedly similar motivations driving Assange. The now infamous 'hacktivist' refused to be interviewed for the film unless he was paid $1 million; however, his willingness to jump in front of cameras over the preceding years provided Gibney with more than enough material with which to paint a fascinating portrait of the Wikileaks founder. Coupled with interviews from the organisation's supporters, employees, detractors and pursuers, Assange emerges as a largely paranoid narcissist, championing free speech whilst doing everything he can to ensure no one speaks freely about him. And yet, as is pointed out during the film, Assange's paranoia isn't necessarily always unjustified. The rhetoric (and hypocrisy) of the US Government's condemnation of him is at best fascinating and at worst quite concerning. Both the New York Times and the Guardian collaborated on the publication of the leaked documents, yet neither of those organisations' editors have been indicted or even publicly criticised. In all, We Steal Secrets achieves a fine balance in its depiction of two men whose lives became inextricably linked and, thereafter, changed almost certainly for the worse. Assange sits seeking political asylum within a small room inside the Ecuadorian Embassy in London, and Manning's trial has only now just begun in the United States. In attempting to justify his impending leak, Manning ultimately wrote: "I...care?" This documentary will compel you to do the same, though where you'll fall in your opinion will depend on who you choose to believe. https://youtube.com/watch?v=SdezJrNaL70
Jane has a message to everyone who thinks print media is dead and buried. Jane who, you ask? jane. by the grey attic, a new high-end, independently produced, bi-annual fashion, photography and fine art publication, the first issue of which is now available for purchase. The brainchild of creative director, writer and stylist Annika Hein, and fashion and fine art photographer Dean Bell, who freelance in the Melbourne fashion scene under the name The Grey Attic, jane. features 320 pages of film-shot photographs, arts, poems and articles from contributors dotted in 21 cities around the world. Highlights from the first issue include a review of Helmut Newton: A Retrospective at the Foam photography museum in Amsterdam that includes original snaps by the famed photographer, and an interview with Marion Hume, international fashion editor at The Australian Financial Review. "Our aim was to revert back to slower processes that nurture and encourage the slow creation and consumption of art, something that celebrates undone beauty, effortlessness, authenticity, timelessness and unconventional thinking," said Hein and Bell in a joint statement. "The element of film photography and our preference to analogue processes also provides something different in today's digital market." You can find issue one of jane. in Melbourne at Fitzroy Newsagency and Readings, or online at www.janebythegreyattic.com where they ship internationally.
Vegans tired of being excluded from affordable mainstream menus or, at best, treated as an after-thought, got some cheerful news earlier this month when Domino's Pizza announced it would trial vegan cheese on its pizzas. If you were one of those people that rushed out to order some cheap vegan pizza, we have some good news and some bad news. The bad news is that, due to such a huge response, Domino's is quickly running out of the plant-based mozzarella. But the good news is very good: when it's back in stock, it will be on the menu forever more. With the cheese on the menu permanently, you'll be able to turn any pizza on the menu into an animal-free one by asking for vegan mozzarella and parting with an extra $2.95 (which is quite reasonable, really). At the moment Domino's has three all-vegan pizzas on the menu: the vegan avocado veg, the vegan spicy trio and the vegan margherita. "We knew the response was going to be big after the demand we saw for the product on social media but we had no idea it was going to be this big," said Nick Knight, CEO of Domino's Australia and New Zealand. "We're excited that customers love this product as much as we do and that we have been able to source a cheese alternative that vegan customers have given their tick of approval on." The decision to introduce vegan cheese came about as a result of a survey that Domino's conducted via its Facebook page in late 2017. Domino's created the cheese — which is also free of gluten, soy and cholesterol — in its LuvLab, aiming to mimic the taste, texture and melting power of dairy-based cheese. Obviously our fair city has plenty of pizza options that we'd recommend over Domino's, but, nonetheless, a cheap vegan pizza option is a huge win (and convenience) for those who eat a vegan diet. If you're planning on ordering a pizza this week, best to check if your local joint has any vegan cheese left before you get too excited. But, according to Domino's, when it comes back in stock, it'll be on the menu permanently.
If you spent a few days this winter attending a Twin Peaks-inspired ball and seeing a giant teddy bear with laser eyes — watching a stunning new take on Dante's classic examination of hell, purgatory and paradise, too — then you went to Dark Mofo's 2023 run. Organised by Tasmania's Museum of Old and New Art, the winter arts festival fills Hobart with all manner of weird and wild surprises every year. In 2024, however, it's pausing its usual sprawling event to plan for the future. The fest's team has announced that it'll largely sit out next year, after celebrating its tenth year this year. Apart from its beloved Winter Feast and Nude Solstice Swim, Dark Mofo will take a break in 2024 in order to work out what the next decade looks like for the fest. "Dark Mofo has always been dedicated to enriching and transforming lives through ambitious art and ideas. We want to make sure that we have a festival that continues to deliver incredible art and artists, that continues to expand its artistic boundaries and remains a beacon of creativity, innovation and cultural significance," said Dark Mofo Artistic Director Chris Twite. "While this was a tough decision, it ensures we move forward in a viable manner. The fallow year will enable us to secure the future of Dark Mofo and its return at full force in 2025." The moves comes after a hit year that saw Dark Mofo smash it with attendances and at the box office — notching up record figures, in fact. Despite the most event's success, the crew behind it will now work towards "a more sustainable model for a full return in 2025, and set the foundation for the next ten years", taking rising costs and other changing elements into consideration. So, no full Dark Mofo is the not-so-great development for your winter 2024 plans. That the culinary-focused Winter Feast and the frosty Nude Solstice Swim will still take place next year even without the broader festival around it is better news. "We are excited that in June 2024 — amidst the rebirth and renewal of Dark Mofo — that Tasmanians and visitors alike will still be able to meet and commune around the fires of Winter Feast and cast off the weight of another year at the Nude Solstice Swim once more," said Twite. This year's Winter Feast was headlined by Chef's Table alum Ana Roš from two-Michelin-starred Hiša Franko, cooking up fare inspired by her homeland but made with Tasmania's top seasonal produce with help from The Agrarian Kitchen's Stephen Peak and Rodney Dunn. Exact details for the 2024 food-centric event, and for the next chance to bare all and brave the cold while taking a dip, are yet to be announced. Dark Mofo won't take place in 2024 — apart from the Winter Feast and Nude Solstice Swim — with plans to return in full from 2025 onwards in Hobart, Tasmania instead. Head to the festival's website for further details. Winter feast images: Jesse Hunniford, 2023, courtesy of Dark Mofo 2023. Nude Solstice Swim images: Rémi Chauvin, 2023, courtesy of Dark Mofo 2023.
If pink drinks are your favourite beverages to sip — and basking in stunning river views is your favourite way to spend an afternoon, too — then a waterside date filled with tipples by Brisbane's ol' brown snake should definitely be in your future. That's all on the agenda at Customs House, which is celebrating the warmer weather by turning its terrace into a Moet & Chandon-pouring pop-up rosé garden. It's the Queen Street venue's latest seasonal makeover, and it comes complete with greenery and flowers aplenty (with pops of pink, of course) for you and your mates to hang out in — while peering at the river and knocking back a range of beverages. The drinks list heroes the rosé — sparkling, flat and in creative concoctions, but it isn't the only thing on the menu. You can also enjoy white and red wine, beer and boozy ginger beer. And those cocktails? One pairs sparkling rosé with Dom Bénédictine liqueur, lemon and honey; the other goes with vodka, lychee liqueur, raspberries and lychees. Open Thursdays–Sundays weekly throughout spring from Thursday, September 21 — from 4pm on Thursdays and Fridays and 1pm on Saturdays and Sundays — the walk-in-only pop-up is also serving up a selection of bites to line your stomach. Customs House's beloved Moreton Bay bug croissant is back, as it is every time these gardens return. Or, there's caviar with blinis, wagyu tartare, shellfish platters, oysters, duck terrine and scallop ceviche — and, to match all the rosé, a heap of cheeses.
If I were to present you with a map and ask you to direct me somewhere, you'd say something along the lines of "Huh? Where's the GPS on this piece of paper?" I am universally acknowledged as being useless when it comes to directions. I will frequently ask people to turn left, then yell "no! I meant the other left!" For this reason my friends forbid me to offer any form of direction on any means of transport and have been known to resort to violent swearing. I use Google Maps every day. But never have I been lost and resorted to an actual map. Google Maps rules the field of location and direction these days. People Finders connect you with others during times of disaster, Street Art View allows you to tag art from around the world, and with a new and improved view you can take a virtual stroll through the streets of Stockholm and Mexico City. An oversized and confusing piece of paper simply can't compete. Now, a series of collages entitled Map Works by American artist Matthew Cusick have taken what has essentially become a dead medium and turned those maps into beautiful and intricate collages. By rescuing them from the landfill and thrusting them into the retro-chic realm of cassette tapes and typewriters, it's work like this which will make us appreciate old-fashioned maps in years to come.
Keen for an escape? The Kittawa Lodge strikes the ideal combination of rugged, remote bliss and immense luxury. Set on 96 pristine acres amid King Island – perched in the choppy waters between Tasmania and the Victorian mainland – this dramatic retreat offers a premium stay amongst the windswept dunes, perfect for when you need to add some more tranquility to your life. This lavish off-grid accommodation is stepping things up throughout winter with the return of its acclaimed Guest Chef Series. Making the trip to King Island are renowned culinary talents, Rosheen Kaul (Etta) and Stephen Nairn (Omnia, Yugen Dining, Yugen Tea Bar). Expect a three-night foodie retreat, as these experiences blend luxury, adventure and world-class dining in the heart of Tasmania's wild beauty. With a maximum of eight guests taking part at a time, this is your chance to indulge in ultra-exclusive dining in absolute peace. Featuring a menu designed by Kaul and Nairn, breakfasts, gourmet picnics and intimate dinners will spotlight local produce alongside Tasmanian wine pairings, signature snacks and curated cocktails. As the former Head Chef of Etta, not to mention an award-winning writer and food personality, Kaul has long been an influential name on the Australian culinary scene. Celebrating her Asian heritage through Australia's seasonal produce, her first cookbook, Chinese-ish, took home a prestigious James Beard Media Award. Meanwhile, Scottish-born Nairn is the current CEO and Culinary Director of LK Hospitality, where he plies his experience gathered in respected European kitchens and New York City's three Michelin-starred Eleven Madison Park. The return of the Guest Chef Series arrives on the back of a new launch – the Kittawa Retreat – representing a significant expansion to the Lodge's accommodation offering. Designed for shared trips without compromising privacy, this new two-bedroom stay is ideal for families, friend groups or even couples that want a little more space to spread out. Luxe inside and out, amenities include an open-air hot tub with panoramic ocean views and a private cellar stocked with top-quality tipples. Guests can also book bespoke experiences, from guided yoga to private four-course dinners. "Our vision for Kittawa Retreat was to create an experience that feels both deeply personal and uniquely Tasmanian. Every detail, from the curated artwork to the plush, layered interiors, has been designed to immerse guests in comfort, beauty, and the raw natural splendour of King Island," says Kittawa Lodge owners Aaron Suine and Nick Stead. If you decide to make the trip to King Island, there's no shortage of optional extras, like 60-minute in-lodge treatments and guided meditation sessions. If it's more adventure you seek, you can book in for a guided expedition to the south of the island or even rent an AWD vehicle to curate your own remote escape. The Kittawa Lodge Guest Chef Series runs across various dates from Wednesday, May 28–Tuesday, August 5. Head to the website for more information. Images: Oscar Sloane / Gareth Sobey.
What do Archie Roach, David Bowie, Prince, Clive James and Beyonce all have in common? They will all be making an appearance or inspiring a session at this year's Queensland Poetry Festival. This unlikely mix is just a taste of the diverse, innovative program on offer at the state's premier event for all things poetic arts. Festival co-directors David Stavanger and Anne-Marie Te Whiu once again bring their discipline-crossing, boundary-pushing vision to showcasing the artform via a plethora of sessions. In their second year at the helm, expect everything from tributes to dearly departed rock stars to funky dance classes — and one-man hip hop shows, literary cabaret, concerts, weaving circles, folk music, and possibly a screening of everyone's favourite visual album of the year (or one of them) as well. The 2016 Queensland Poetry Festival will take place from August 25 to 28 at the Judith Wright Centre of Contemporary Arts.
Life is full of golden moments. An early-morning swim and sipping beers in the afternoon sunshine are some of our favourites. But what comes out on top for us is a long weekend. This April, we're being treated to two long weekends in a row. Luckily, we know a thing or two about making the most of our time out of office. Whether you're seeking luxury experiences in Victoria, a multi-day hike in the wilderness or an excuse to soak up the best of the harbour city, we've got your back. Our mates at Ferrero Rocher love a long weekend, too. So much so that the chocolate company has released a range of Easter treats including creamy hazelnut-filled Ferrero Collection Easter Eggs, an impressive Golden Easter Egg Gift Box and more (ideal for indulging in while on holiday if you ask us). To celebrate our mutual love of a long weekend, we've teamed up with the chocolate connoisseurs to give you a $1000 gift card to spend on a long weekend away. But it doesn't stop there. You'll also receive a stack of delicious chocolate from the Ferrero Rocher Easter range. Egg hunt anyone? If you miss out on the major prize, don't fret. We've also got 29 Ferrero Rocher chocolate prize packs up for grabs. The packs include one grand Ferrero Rocher, a boxed egg, three packs of Easter eggs and one dark chocolate grand Ferrero Rocher. To enter, simply tell us in 25 words or less what your ultimate long weekend looks like. Want to nab one of these incredible prizes? To enter, fill out your details below. [competition]849038[/competition]
Call it self-isolation, quarantine or lockdown — whichever label you choose, your daily routine has changed drastically over the past few months. Everyone's baking and cooking more. You probably now have a sizeable stash of jigsaw puzzles and/or Lego to play with. You might've mastered the indoor workout, including revisiting Aerobics Oz Style. And, you've likely spent more than a little time watching old-school flicks from back in the day. Yes, nostalgia is very definitely in the air at present, as we all stay home and reminisce about different times. And, when you're next feeling retro — and feeling extra comfy inside your house, too — you can now build yourself an old-school pillow fort. Of course, you can always do that anytime and anyway you like; however IKEA Russia has just released a range of instructions that detail how to construct your own cosy hideaway using the company's products. Feel like building a house out of a table and a sheet? Or some chairs and whatever material you have handy? Prefer not one but two different styles of tent? Perhaps you were always a "throw a blanket over the back of the couch to make a cave" kind of kid — or you might have a way with rearranging the couch cushions. Six different designs are available, as created by IKEA and creative agency Instinct. They're designed for children — or, for adults to build with their children — but, let's be honest, they're also perfect for kidulting at home. You're never too old to turn your with flatpack furniture into forts, after all. And, if you want to whip up IKEA's famed Swedish meatballs first, the company has also released its recipe. Via IKEA Russia.
Being careful what you wish for sits at the heart of most superhero movies. As advice for Spider-Man, Stan Lee even penned an oft-quoted adage about that very notion. Shazam! Fury of the Gods' caped crusaders all know that using their super skills wisely is a duty — yes, with great power comes great responsibility — and they're aware that doing just that comes with struggles. They aren't great at unleashing their magical talents, however, earning the nickname "the Philadelphia Fiascos". But the folks truly realising they should've been more cautious with their dreams are this Shazam! sequel's viewers. Another riff on Big, The Goonies, Ferris Bueller's Day Off and Ghostbusters in DC Extended Universe packaging like its 2019 predecessor sounds a heap better than the forgettable superheroes-versus-gods fare that's eventuated — a movie that isn't that fussed with the powers it has and sports zero responsibility for barely managing to be average. Shazam! Fury of the Gods hasn't completely moved on from nodding to beloved 80s flicks, though, or from referencing other films in general. Early on, it gives 'Holding Out for a Hero', which was originally recorded for the OG Footloose, a perfunctory spin. And, where the first Shazam! instalment was earnest and enthusiastic around all those winks and all that pilfering, this second effort uses E.T. the Extra-Terrestrial's Reese's Pieces product placement as a guide for shoehorning in a Skittles commercial. When it isn't having someone yell "taste the rainbow", it also likes name-dropping titles owned by Warner Bros, which owns DC Studios — or movies connected to its on- and off-screen players. So, in a picture that's about kids and teens transforming into spandex-wearing saviours when they say "shazam!", then fighting the mythical Daughters of Atlas, audiences are subjected to clunky, self-conscious Game of Thrones shoutouts and Fast and Furious gags (a dragon sparks the former, and star Helen Mirren and co-screenwriter Chris Morgan's experience with Vin Diesel's high-octane saga revs up the latter). Speaking of F&F, Shazam! Fury of the Gods also goes all-in on family — but Billy Batson (Asher Angel, High School Musical: The Musical — The Series) and his pals are too young to knock back Coronas. Also, Shazam! Fury of the Gods isn't much concerned with Billy in his normal guise, giving his Shazam self (Zachary Levi, Apollo 10 1/2: A Space Age Childhood) the bulk of the character's screentime. The time for origin stories has been and gone here, but largely ditching Angel robs this franchise-within-a-franchise of one of its main points of difference in the DCEU. None of the series' other flicks are about awkward adolescents learning to grapple with power, and understanding that their wildest dreams aren't as easy as they'd always hoped. Shazam! Fury of the Gods still manages to hit some of those notes thanks to a bigger focus on Billy's best friend and fellow foster kid Freddy Freeman (Jack Dylan Grazer, We Are Who We Are), a person with disability, but sidelining the teenager who turns into Shazam is clumsy and noticeable. Similarly plain as day from scene one: that Shazam! Fury of the Gods got as lucky as any superhero movie can with its new cast members. The film opens at the Acropolis Museum in Greece, where two of Atlas' offspring are determined to get back the Wizard's (Djimon Hounsou, Black Adam) broken staff and reclaim their dad's magic — and those two daughters, Hespera and Kalypso, come in the form of Mirren (1923) and Lucy Liu (Strange World). Despite splashing around the film's fondness for dim lighting and dull CGI early, this introductory sequence lets its big-name talents make more of an imprint standing around in their costumes and looking formidable than much that follows. Indeed, whenever Mirren and Liu are on-screen, and West Side Story's Rachel Zegler as well, Shazam! Fury of the Gods makes a case for pushing aside not just Billy, but Shazam and everyone else. This is still a Shazam! movie, of course, and not solely a vehicle for Mirren, Liu and Zegler to play goddesses and have fun. So, returning director David F Sandberg (Lights Out, Annabelle: Creation) and screenwriters Morgan (Fast & Furious Presents: Hobbs & Shaw) and Henry Gayden (Earth to Echo) have motions to go through. Cue Billy aka Shazam, Freddy aka Captain Everypower (Adam Brody, Fleishman Is in Trouble), and their foster siblings Eugene (Fresh Off the Boat's Ian Chen, then 13 Reasons Why's Ross Butler as a superhero), Pedro (Snowfall's Jovan Armand and From Dusk Till Dawn: The Series' DJ Cotrona), Darla (This Is Us' Faithe Herman and Harlem's Meagan Good) and Mary (Fall's Grace Caroline Currey as both versions of the character) trying to save Philly. And, in the process, cue their efforts to work out how to be careful with their fantastical abilities. Amid the bland jokes, The Avengers get a callout. Rather than being cheeky or funny, that quip among many flat quips acts as a glaring reminder that caped-crusader team-ups are oh-so familiar. Marvel's and DC's superhero franchises both include several, with Shazam! Fury of the Gods hardly distinguishing itself from any apart from its magic utterances. The pixel-frenzy battle scenes definitely don't dazzle, whether or not they involve Skittles. That said, some might've if the monster menagerie conjured up by Hespera and Kalypso had boasted a Ray Harryhausen-style approach. Yes, there's a lot of woulda, coulda, shoulda about the Shazam! films' second outing, which might be its last depending on what new DC Studios heads James Gunn (the director of The Suicide Squad) and Peter Safran (a producer on the same flick, and on this, the first Shazam! and Aquaman) summon up. New head honchos, new era: that's where the DCEU currently stands, with Gunn and Safran taking up their jobs in late 2022. Changes have sprung swiftly, including badging what'll come after 2023's The Flash, Blue Beetle and Aquaman and the Lost Kingdom as just the DC Universe. Henry Cavill has been scrapped as Superman, but the Man of Steel will get a new flick helmed by Gunn. Also, more Black Adam is off the cards. The Batman will score a sequel, but there'll also be a Batman who isn't played by Robert Pattinson (and not just because The Flash co-stars Ben Affleck and Michael Keaton). It's little wonder then that Shazam! Fury of the Gods doesn't just feel routine — rarely has a big-budget franchise entry felt like it matters less. At least it gave us Mirren, Liu and Zegler, a trio that everyone should wish for, livening up a by-the-numbers affair.
They're both buttery and flaky, they're made via a technique called laminating, and they're shaped like a crescent. They're a bakery and cafe staple, too, and also something that everyone has eaten their fair share of. We're talking about croissants, obviously — but there's a difference between an average example and "the finest you will find anywhere in the world". According to The New York Times, Lune Croissanterie serves up the latter. And, in great news for Brisbane's pastry fans, it's now doing so in South Brisbane. After first announcing plans to head to Queensland back in late 2020, the famed Melbourne croissanterie has opened a new flagship shop on Manning Street. It's the first Brisbane outpost for the brand, as well as its first outside of its hometown. The Lune team also has plans in the works to open a Sydney store, but they've been pushed back due to COVID-19 restrictions. On the menu: croissants, obviously. The new Brisbane venue serves up a menu of Lune favourites seven days a week, as well as a range of specials that'll rotate monthly. Highlights include twice-baked croissant aux amandes (stuffed with almond frangipane and generously topped with flaked almonds), lemon curd cruffins (a muffin-croissant hybrid made with lemon curd, citrus sugar and candied lemon zest), coconut kouign amanns (a traditional pastry from the Bretagne part of France, as filled with coconut caramel and desiccated coconut) and morning buns (a croissant pastry with a cinnamon and orange zest filling) — and traditional French croissants, which take three days to prepare, too. Getting in early is recommended, because Lune slings pastries each day until sold out — and coffee is on offer as well. Wondering what makes Lune's croissants so special? Founder Kate Reid is an ex-Formula 1 aerodynamicist, and brings scientific precision to her craft. That includes the climate-controlled glass cube that Lune croissants are made and baked in, and the time-consuming process used to perfect each flaky pastry. It has been a big nine years for the brand, which Reid co-owns Lune with her brother Cameron and restaurateur Nathan Toleman (Dessous, Hazel, Common Ground Project). The company's journey started back in 2012 with a tiny store in the Melbourne suburb of Elwood. Since then, Lune has grown into a converted warehouse space in Fitzroy (with perpetual lines out the front), opened a second store in the Melbourne CBD, earned praise aplenty — including that aforementioned rave from The New York Times — and now branched out to Brissie. Find Lune Croissanterie's flagship South Brisbane at Shop 1, 13–17 Manning Street, South Brisbane — open from 7.30am–3pm (or sold out) Monday–Friday and 8am–3pm (or sold out) on weekends. Images: Marcie Raw.
When Taika Waititi and Jemaine Clement decided to don fangs, embrace the undead and make a mockumentary about vampire housemates, What We Do in the Shadows was the sidesplittingly funny end result. And when the pair decided to expand the concept on the small screen, utterly delightful things followed, including NZ television show Wellington Paranormal — which stuck with the movie's movie's cops as they kept investigating the supernatural — and the American TV series also called What We Do in the Shadows. That US television offshoot also boasts a killer cast, all playing an ace roundup of vamps. For the uninitiated, this iteration of What We Do in the Shadows is set in Staten Island — but no, Pete Davidson doesn't show up. Instead, the series focuses on a household where Nandor (Kayvan Novak, Cruella), Laszlo (Matt Berry, Toast of London and Toast of Tinseltown) and Nadja (Natasia Demetriou, Eurovision Song Contest: The Story of Fire Saga) all live. Energy vampire Colin Robinson (Mark Proksch, The Office) and Nandor's familiar Guillermo (Harvey Guillen, Werewolves Within), the latter of which comes from a family of slayers, have also staked a claim in the story. Given that this What We Do in the Shadows has been running for four seasons now, with a fifth on the way, that basic premise is just the beginning. Plenty of supernatural mayhem has followed Nandor and company, and long may it continue. Indeed, in the just-dropped trailer for season five, everything is as wonderfully chaotic as ever — and yes, "bat!" gets yelled and Matt Berry is as glorious as ever. Visits to shopping malls, getting into politics, hosting news shows, saucy rendezvous, the return of other familiar faces: they're all glimpsed in this sneak peek, which doesn't just herald the return of TV's best vampires, but of the best on-screen universe there is. Fingers crossed that just like bloodsuckers, this small-screen take on What We Do in the Shadows will never die. For now, its fifth season has locked in a mid-July return date in the US, which hopefully means that it will hit Australia via Binge and New Zealand via Neon at the same time. Check out the trailer for What We Do in the Shadows season five below: What We Do in the Shadows' fifth season arrives in the US on July 13, with Australian (via Binge) and New Zealand (via Neon) return dates still to be confirmed — we'll update you when they're locked in.
Two icons of Australian creativity will combine in the country's newest opera, which sees Opera Australia take on the life of famous Aussie artist Brett Whiteley. Called Whiteley, the production will come to the Sydney Opera House across July 15–30, 2019, exploring and honouring not only the celebrated, two-time Archibald Prize-winning painter, but his wife and muse Wendy. And, as well as turning their tale into a song-filled drama, the opera will feature a digital backdrop that'll incorporate the artist's iconic pieces onto huge LED screens. The set design will be Dan Potra's domain — and if you saw any of the Handa Opera shows on Sydney Harbour, or even just saw pictures, then you'll know you're in for a visual treat. As for the rest of the talent behind this take on an Aussie talent, it'll be directed by David Freeman, with music composed by Elena Kats-Chernin and libretto by Justin Fleming. The opera will mark the second time that Whiteley's story and works have made the jump to another medium in just a few short years, following on from the 2017 documentary also called Whiteley — but so far, this latest effort is exclusive to Sydney as part of Opera Australia's packed 2019 season. While a slate of Melbourne productions have also been announced for next year, Whiteley isn't taking the trip down south yet. That means art fans should schedule a mid-year getaway, or cross their fingers that Whiteley will feature among the company's touring productions down the track. Whitely comes to the Sydney Opera House from July 15–30, 2019. For more information or to buy tickets, visit the Opera Australia website. Image: Photo courtesy Brett Whiteley (Australia; England, b.1939, d.1992). Self portrait in the studio 1976. Oil, collage, hair on canvas, 200.5 x 259 cm. Art Gallery of New South Wales. Photo credit: AGNSW, Chritopher Snee.
The art world's love affair with Andy Warhol has lasted far longer than 15 minutes. Australia's fondness for the iconic artist definitely hasn't been fleeting, either. In 2023 alone, not one, not two, but three different exhibitions Down Under have celebrated his work; however, only Instant Warhol is solely dedicated to his skills with a polaroid camera. On the Gold Coast in autumn, Pop Masters highlighted Warhol's pieces alongside works by Jean-Michel Basquiat and Keith Haring. In Adelaide around the same period, Andy Warhol & Photography: A Social Media honed in on the artist as a shutterbug. Obviously, Instant Warhol has the same idea as the latter, but it will only be filled with polaroid portraits — 59 of them. This time, Warhol's work is headed to Ballarat, displaying from Saturday, August 26–Sunday, October 22 at the Art Gallery of Ballarat during the Ballarat International Foto Biennale. The regional Victorian photography festival is never short on things to see, but Instant Warhol is quite the drawcard for the biannual event. [caption id="attachment_906816" align="alignnone" width="1920"] Andy Warhol self-portrait in drag, 1980. © Andy Warhol Foundation for the Visual Arts, Inc. Artists Rights Society [ARS]/Copyright Agency, 2023.[/caption]The original snaps that Warhol himself took — when he wasn't painting Campbell's soup cans and images of Marilyn Monroe, of course — will be on display. Even if you haven't seen them before, some should be familiar. One of the reasons that the artist captured polaroids, other than loving them, was to turn some of the famous faces he snapped into his screen prints. Drawn from the thousands of photographs he took with the instant cameras between 1958–87, this selection of pictures will also feature images of Warhol himself. They're all coming to Australia thanks to The Brant Foundation, with founder Peter M Brant one of Warhol's early patrons, then a friend, and also the the producer of Warhol's films L'Amour and Bad. [caption id="attachment_906817" align="alignnone" width="1920"] Top image: Andy Warhol, Sylvester Stallone, 1980. © Andy Warhol Foundation for the Visual Arts, Inc. Artists Rights Society [ARS]/Copyright Agency, 2023.[/caption]Top image: Photograph of Andy Warhol taking a polaroid picture while sitting with Jack Ford and Bianca Jagger on the Truman Balcony, U.S. National Archives and Records Administration courtesy Gerald R. Ford Presidential Library via Wikimedia Commons.
Travelling in our own backyard is one of the most sustainable and planet-friendly options we can make when planning a well-deserved getaway. If you're starting to pencil in some strategic long weekends for the latter half of this year, here's one to consider: Port Douglas, a tropical paradise conveniently located just an hour's drive from Cairns. Nestled perfectly between the Great Barrier Reef and the oldest tropical rainforest in the world, Port Douglas offers an alluring long weekend proposition for city travellers looking to put nature at the forefront of their next holiday. Port Douglas is home to a number of sustainable tours, accommodations, and opportunities for conscientious involvement, so here are five ways you can reduce the carbon footprint of your next getaway. [caption id="attachment_913642" align="alignnone" width="1920"] Image: Good Travel with Marriott Bonvoy[/caption] CHOOSE ECO-FRIENDLY ACCOMMODATION Consider camping if you're looking to keep your holiday footprint low. Douglas Shire Council coordinates powered and unpowered camping grounds, along with a range of caravan sites. In order to protect the unique environment, overnight stays are only permitted at licensed caravan parks and camping grounds, so make sure to plan and book ahead. If you're looking for luxury accommodation, The Sheraton Grand Mirage Resort boasts over two hectares of sparkling saltwater pools in Tropical North Queensland. Lagoons on-site include spots with sandy beaches, as well as serene private cabanas nestled on the waterfront. As part of your trip, all Sheraton guests are invited to participate in a conservation activity hosted by Marriott Bonvoy in partnership with Good Travel. The Four Mile Beach cleanup is hosted by a marine biologist, allowing travelers to meaningfully engage with the environment while giving back. [caption id="attachment_888046" align="alignnone" width="1920"] Image: Sheraton Grand Mirage Resort, Port Douglas[/caption] BOOK WITH ECO-CERTIFIED OPERATORS If you are keen to venture further during your stay, there are a variety of eco-friendly and sustainable tour options you can book. Locally-run and eco-certified Back Country Bliss run swimmable tours through the Daintree Rainforest, which includes a snorkel and float tour of Mossman Gorge. As part of the Mossman Gorge Back Country Bliss tour, guests can experience a Welcome to Country and smoke ceremony with a Kuku Yalanji guide. Acknowledging and paying respects to the Traditional Owners of the lands you are visiting is a great way to show deep respect for the place you're visiting. The Kuku Yalanji People are the Traditional Owners of this land. [caption id="attachment_844375" align="alignnone" width="1920"] Image: Sailaway Reef Cruises - Tourism Tropical North Queensland[/caption] CHOOSE EXPERIENCES THAT GIVE BACK Sailaway is a family business running half-day and full-day charters to Great Barrier Reef, including the Low Isles and Mackay Coral Cay on the Outer Reef. The business holds an advanced eco-certification, meaning they're recognised for their work in conserving and protecting the Great Barrier Reef. A qualified marine biologist attends cruises, so you can learn about the wonders of the Great Barrier Reef as the boats go out. The company also donates $20 from every ticket to its reforestation and carbon offsetting. [caption id="attachment_913718" align="alignnone" width="1920"] Image: Tourism and Events Queensland[/caption] LOOK FOR GREENER TOUR OPTIONS If you want to experience Four Mile Beach from a different angle, adventures with a twist can be booked with locally-operated Port Douglas Segway Tours. Segways use electric power to recharge but produce zero emissions and are extremely energy efficient. Cruise along a trail which features the spectacular Four Mile Beach, rainforest paths and sandy flats. [caption id="attachment_913719" align="alignnone" width="1920"] Image: Tourism and Events Queensland[/caption] SUPPORT FIRST NATIONS COMMUNITIES There are lots of ways you can support First Nations communities and creators during your stay in Port Douglas. Booking tours and experiences with First Nations-owned or operated businesses, purchasing locally-created art and wares or attending a Welcome to Country are all meaningful ways you can pay respect to the Traditional Owners of this land. Concrete Playground travelled to Port Douglas as a guest of The Sheraton Grand Mirage Resort, Port Douglas. If you want to extend your Queensland getaway, check out our curated Whitsundays packages on CP Trips which includes a four-day stay, snorkel and sail adventure with a day cruise. Top image: Good Travel with Marriott Bonvoy.
Sculpture in the Vineyards brings an artistic bend to the Hunter Valley with its annual arts and cultural festival, held throughout four independent vineyards in the Wollombi Valley from October 28 through December 3. This free public exhibition features site-specific, large scale sculptures which transform the boutique vineyards into exhibition parks. The celebration combines art, food and, of course, wine throughout the month, with tastings happening at each of the vineyard cellar doors. Visitors can also take guided tours, attend artist talks and workshops, learn about local Aboriginal history and feast at a wine and food degustation. Events will also take place at the nearby historic Wollombi Village. Entry into the exhibitions along the Wollombi Valley Wine Trail is free and open daily from 10am–6pm, with additional special events happening across the month.
Han Solo famously made the Kessel Run in 12 parsecs, Anakin Skywalker pod-raced his way to freedom and now Australian Star Wars fans can jog their way around a neon-hued galaxy. Even better — Aussie aficionados of George Lucas' space saga can not only run five kilometres through themed zones lit up brighter than a lightsaber, but also enjoy an intergalactic after party at the end of it. As part of 2019's 'May the Fourth' celebrations, Melbourne will welcome the first-ever Aussie Star Wars Neon Run. Yes, it's taking place on the appropriate date of Saturday, May 4, 2019, aka Star Wars day. Once evening hits, a yet-to-be-revealed Melbourne location will feel the force in a big way, and so will everyone choosing to walk, jog or sprint through spaces inspired by the series' stories, characters and icons. You'll be honouring your favourite movie franchise while exercising underneath neon light shows and fireworks, with the specifics — not only where it'll take place, but which figures will pop up, which music act will be playing the gig afterwards, what the interactive areas will entail and how much merchandise will be on offer — yet to be revealed. That said, this event has the official stamp of approval. The Walt Disney Company Australia is behind the Star Wars Neon Run, and given that it's the Aussie arm of the global company that owns, makes and releases all things Star Wars, you can expect the main event village and everything around it to be filled to the brim with appropriate theming. Tickets for this fun run-slash-Star Wars party don't come cheap, starting at $55 per person in the event pre-sale. If you're gathering the gang, forming a Rebel Alliance — aka running as a team — is welcome. All attendees will receive access to the run, main event village and shenanigans afterwards, plus a race bib, a Star Wars Neon Run headband and a sound-activated flashband as well. If you finish, you'll also receive a limited edition finisher's medal that'll make you the envy of any cantina you walk into. And, unsurprisingly, dressing up in costume is highly recommended. We all want to know whether Rey can beat Princess Leia in a footrace, after all — or whether Chewbacca, R2-D2 or BB-8 is the fastest sidekick. The Star Wars Neon Run takes place on Saturday, May 4, 2019 at a yet-to-be-announced location in Melbourne, with pre-sale tickets available now.
With You &Proud is an initiative launched by American Express as part of the brand's ongoing activity as a major sponsor for Sydney WorldPride. The campaign invites Australians to nominate the loved ones in their life who deserve to be celebrated for their support of and commitment to the LGBTQIA+ community. If you know a legend who fits the bill, you can nominate them here and go in the running to win a phenomenal WorldPride experience for you and the one you've nominated. Fifteen winners will score a package that includes tickets to the sold-out opening ceremony featuring Kylie (no surname necessary) and Charli XCX, VIP viewing access of the Mardi Gras Parade, and dining and entertainment vouchers at top Sydney venues. Flights and accommodation will also be provided for interstate recipients. So as prizes go, this one is a certified banger. Scroll for the full details. Speaking of certified bangers, it is apt that the campaign is fronted by Lisa and Jess Origliasso of The Veronicas. The mighty pop queens have consistently used their platform to support and celebrate the rights and spirit of the queer community throughout their career. The duo launched their involvement with the following statement: "For Jessie, as a member of the LGBTQIA+ community, and for both of us as passionate allies, we're honoured to bring American Express' With You &Proud initiative to life — we can't wait to celebrate this incredible community and share our personal stories of pride together." "Having grown up deeply connected and involved with the LGBTQIA+ community from a young age and creating safe space for all at our shows for 18 years, representing Australia for WorldPride and being part of this incredible initiative will be an absolute personal and career highlight." The Veronicas join NBL player Isaac Humphries and MasterChef alum and beloved food personality Khanh Ong as With You &Proud ambassadors. Full Prize Details Recipient packages will include curated experiences made up from the below: 2x tickets to Sydney WorldPride Opening Concert featuring Kylie Minogue 2x tickets to Kinky Boots performance Double pass Sydney Harbour Bridge Climb Experience Merivale dining experience voucher Saint Peter dining experience voucher 2x Club Cindy Parade viewing passes Hair styling experience or make up experience House of Priscilla voucher for costume shopping Flights and accommodation at Sydney Harbour Marriott Hotel at Circular Quay, for interstate travellers Nominations are open until 11:59pm AEDT on Sunday, 29 January. For T&Cs visit the website.
