Whether you're a longtime Brisbane local or just in town for the week, the possibilities to feel as though you're experiencing a new city are endless. From brand-new bar openings to immersive experiences popping up, this city can surprise you and make you want to stay just that little bit longer. In partnership with online travel website Wotif.com, we've rounded up a bunch of happenings across the city that you might not have checked out yet. But, look sharp: some of them are here for a good time, not a long time. Complete a Pop-Up Escape Room Challenge for the Chance to Win Big on Travel If you're in need of a holiday (aren't we all?), we've found a way to make those dreams a reality even sooner. Between Wednesday, March 26 and Friday, March 28, King George Square is hosting a very exciting free pop-up that will give you the chance to score a $5000 Wotif Domestic Travel Credit. All you have to do to be in the running is enter The Wotif Great Summer Escape, a multi-sensory escape room with a series of puzzles waiting for you to crack. Each puzzle solved unlocks a door with views of beautiful Australian locations, which in turn earns you a token to enter the draw. There are also spot prizes up for grabs, such as hotel coupons valued between $250-500, but if you can't make it down, the competition can also be entered online. Visit Brisbane's New Self-Pour Wine Bar Being able to sample some of the world's best wines for a fraction of the price? We'll say cheers to that. That's the driving force behind Woolloongabba's new wine bar, Stickybeak. From the crew behind BTG Wine, Stickybeak has over 80 labels on offer across its two-level venue, ranging from local drops to bottles from Germany, France and New Zealand. It offers pours in 25-, 75- and 150-millilitre amounts, so you can sample a bunch without breaking the bank. And we haven't even gotten to the best part yet: no need to stress about waving down a bartender because the venue has ten self-serve dispensing wine fridges. You just tap your card, select your pour size and it does the rest. If you happen to be watching the two upcoming Brisbane Lion games, why not stay at a hotel nearby and enjoy this bar pre- or post-game? Explore Antarctica Without Leaving the City Tourism to Antarctica seems to be having a moment on social media but it's not without its ethical and environmental challenges. So here's a way to visit the big white continent guilt-free. As part of World Science Festival Brisbane, QUT The Cube is hosting a free experience across Friday, March 28 and Saturday, March 29. It uses 29 multi-touch screens to immerse you in the vast Antarctic landscape and demonstrate how various robotic systems are helping to explore and research this fragile ecosystem safely and efficiently. Eat Dinner Prepared by an Internet-Famous Japanese Chef If your social media algorithms are tuned to food content, you've no doubt come across Motokichi Yukimura before. As flamboyant as his pink-hued hair, Yukimura has been cooking for over 45 years and made a name for himself for perfecting one dish, omurice (omelette rice), which he serves at Kyoto restaurant Kichi Kichi. Though, we think it's as much about the performance he puts on as it is about the actual food. Between Sunday, March 23 and Tuesday, March 25, Brisbane locals can get the Kichi Kichi experience at Harajuku Gyoza with Yukimara hosting a series of "meet and eat" sessions, which includes the viral omurice dish, a bunch of other Harajuku Gyoza signature plates and meeting the chef. Be fast though, there are only a few booking slots still available. Need a place to stay nearby? Try one of these South Brisbane hotels. Then Enjoy a Campfire-Inspired Cruffin for Dessert Although summer is almost over there are some elements of winter worth getting excited about. Not having to pump the air con, for one. Another? Winter getaways. And one of the best things about an off-grid escape is getting cosy by a campfire. To get you in the wintery mood, the masters at Lune have whipped up a monthly special inspired by the classic campfire treat, s'mores. The Toasted Marshmallow features a cruffin rolled in biscuit sugar, filled with choc-fudge sauce and a toasted marshmallow whip, then topped with mini marshmallows and strawberry sherbet. Give us five. The Wotif Great Summer Escape is running from March 26-28 between 8am-6pm. For more information or to enter the competition online, head to the website. AU residents 18+ only. Runs 26-28 March '25 Entry method 1: during promo period, go to game room activation at King George Square, Bne (8am – 6pm) & solve puzzles (in 3 mins) to unlock doors to find tokens - each token = 1 entry into draw (must fill in entry form via Rep's iPad onsite). Max 1 turn in game p/person p/day. Play as individual or as a team (max. 6 ppl). For teams, each person in team (18+) gets same # of entry/ies into draw as any token/s collected by team. Entry method 2: during promo dates (between 12.01am – 11.59pm AEST) visit www.wotif.com/vc/blog/summerescape & solve puzzle on screen to fill out entry form to get 1 entry into draw. Max 1 entry p/person for this entry method. Entries from both entry methods combined for draw, held at 12pm AEST 01/04/25, L13, 447 Collins St, Melb Vic. 3 prizes: 1st drawn wins $5000AUD Wotif.com Travel credit, 2nd drawn wins $500 Wotif hotel coupon, 3rd drawn wins $250AUD Wotif hotel coupon (use coupons to make booking by 31/08/25. Max 1 prize p/person (except in SA). Winners told by email & published on website 28/04/25. See website for full conditions incl. privacy statement. Promoter: Expedia Australia Pty Limited (ABN 12 101 694 946). SA Permit: T25/306 ACT Permit: TP25/00409
New media and Shakespeare are not things that one would usually associate together. That is until Kereen Ely-Harper and Andrew Burrell got their hands on Macbeth. A modern twist and fresh approach to a classic is refreshing every now and then! Director Ely-Harper and new media artist Burrell felt passionate enough about combining Shakespeare with technology to create Making The Green One Red, a virtual performance of Macbeth set to bring the Bard into the twenty-first century. Showing at QUT’s The Block from 24 April to 5 May, this unique event is certainly something to witness. Whether you’re a longtime fan of Shakespeare or not. Accessing modern techniques like voiceovers, lighting effects, and video screens, Making the Green One Red is undoubtedly a new way of looking at a classic text. Combined with live actors performing the piece, albeit in an adapted format to fit the scene, the experience is sure to be full body for the audience and a truly unique way of looking at Macbeth.
Only watching a single scene, merely a few minutes or just a sole episode of Such Brave Girls is impossible. With its blisteringly frank and hilarious first season in 2023, and now with its equally raw, authentic and side-splitting second run in 2025 — both streaming in Australia via Stan — letting instalment after instalment roll while binge-viewing is the natural response to pressing play on this British sitcom about three adult women in a dysfunctional family. That said, there's a line in the show's second season that couldn't sum it up better, even if you were to only ever hear one piece of dialogue from the Kat Sadler-created series. "Your mouth's doing the right thing, but your eyes are trying to call the Samaritans," Josie, her on-screen alter ego, is told when she cracks a smile. Sadler also writes Such Brave Girls, with its first season winning Best Scripted Comedy and earning her the Best Emerging Talent: Fiction award at the 2024 BAFTAs. She's drawn much within its frames from her own experiences, as well as those of her sister Lizzie Davidson, who plays Josie's sibling Billie. Across its 12 episodes to date, there isn't a second of the end result that isn't deeply perceptive, including about depression, trauma, love, financial stress and the unshakeably intertwined relationship between the latter two, to name just some of its focuses. But that Samaritans line is such an astute statement about trying and pretending — however wholeheartedly or convincingly, or willingly or not — to put on a content and settled face to the world, an idea that's at the core of Such Brave Girls again and again. As she keeps exploring the lives of not just chalk-and-cheese sisters Josie and Billie, but also of their mother Deb (Louise Brealey, Lockwood & Co) — and of Dev, (Paul Bazely, Miss Scarlet and the Duke), a quiet widower with a big house, who the family matriarch is keen on marrying; Seb (Freddie Meredith, Andor), the keen-to-wed boyfriend that the queer Josie wishes that she didn't have; and Nicky (Sam Buchanan, Just Act Normal), the womaniser that Billie refuses to see anything but good in — how does Sadler find new ways to dig into the ever-relatable concept of constantly putting on brave faces? "It is capturing the MO of the show, and that's a really interesting way to look at it," Sadler tells Concrete Playground, "because I think every character is an emblem of this fine line of dancing through this desperation going on in the family home, and capturing that through keeping up appearances." "You've got Deb, who deals with it more superficially. Similarly with Billie, who's looking for someone to love her. And then it's Josie sort of constantly weaponising her mental health as a way of trying to experience love. Every character is on the quest for it. So I think when I go about writing, I often just have my characters on the wall, and I have this theme of love that I'm always trying to dig into, and then it's about finding different ways to have that come out." When season one introduced its main figures, it plunged into Josie's mental-health struggles, the mountain of debt that Deb can't escape, and the impact of her ex-husband going out for teabags ten years earlier and never returning home — as well as Josie's sexual identity, and the need for the series' three women to discover ways to try to keep fiscally afloat. Sadler's own attempts on her life and the £20,000 that Davidson owed at the same time were firm inspirations. Another motivation for the show: making the type of no-holds-barred sitcom about these situations and themes that didn't already exist but Sadler wanted to see. "That's exactly what I wanted to do," she explains. "I wanted to capture the uniqueness in the way that we talk, and the way that I talk to my friends, and show that, because I hadn't seen that before. And I wanted to lift up a rock into our world and try to capture as much of that in as much detail with as much authenticity as possible, to open people's eyes to the way that we see the world. And show that perspective, because there wasn't a lot of that that I was seeing on-screen — and it made me sad that we didn't have a lot of that. It made me lonely." "So I was trying to capture that — and help other people feel more normal by saying that the way that they talk is the maybe the way that they talk in their family." Life brightening up isn't Such Brave Girls' journey, though. That wouldn't fit its tone, or its aim to both subvert and satirise. Most sitcoms don't have the origin story that this one does, clearly — and also don't sport the commitment not to shy away from complicated characters, from daily woes, from mental illness, and from a range of topics that many dramas don't even dig into, let alone comedies. The again-exceptional season two begins with Josie chasing a crush, then swiftly being trapped in her worst nightmare: marrying Seb. Deb is endeavouring to use the nuptials to show to Dev that the family's women are worth getting hitched to, while Billie is intent on locking in a sugar-daddy relationship with the much-older — and already-wed — Graham (Daniel Ryan, The Bay). Most sitcoms also don't ensure, no matter what else Josie, Billie and Deb are navigating — be it weddings, infatuations, affairs, boat trips, potential pregnancies, rivals and so much more — that worrying about money isn't something that dissipates. That's another of Such Brave Girls' profoundly relatable touches. Interrogating the connection between love and finances is not the status quo for the bulk of television comedies, either. The feeling of catharsis for its creator, whether in processing her own experiences into something where Josie can make different choices, turning pain into laughs or seeing a show built with such a commitment to authenticity in such a range of ways resonating with audiences, stands out for Such Brave Girls, too. Alongside those themes of romance and money, as well as her own emotional journey with the show, we also spoke with Sadler about discovering the tone and feel for the series, and how season one's BAFTA success empowered her for season two. Among our topics as well: finding new scenarios to put Josie, Bille and Deb in the second time around, plus standing in Josie's shoes for 12 episodes now. On Financial Stress as a Daily Reality Always Sitting at the Heart of the Series — and How Love and Money Intersect "I love having a theme. And I think when you keep it on theme, the whole series will feel unified and keep the characters together — and that's the rubber dinghy that these characters are all stranded in and the ocean: financial stress. And if anything grows or moves or changes the way they're dealing with it, then the whole boat goes over. So it's all about keeping the characters on track and having that be the theme that we're constantly exploring. Like, when I start writing, I have love and money, that's my really strong theme of this year — and last year, too. I think that's what makes the characters feel relatable, and what is exciting to me as a writer is that it is fundamentally about love at its core. Even though the characters are horrible to each other and narcissists and all these things, their quest is fundamentally to be loved — but it's just these toxic ways they go about it. That was what was interesting to me as a writer in series two, was the kind of way that money relates to that. And Deb's quest for that, quest for money, is really about showing her love to the girls by keeping the house there, and keeping everyone safe and surviving. But we deal with it in these kind of toxic ways. So I do want to show that love and money really intersect in lots of ways that you might not be expecting." On Finding the Tone and Feel of the Show From Its Personal Origins for Both Sadler and Her Sister, and with Its Range of Topics That Not Even Dramas Always Cover "I think it went through lots of different versions. There was a while in which I suddenly thought 'oh gosh, am I writing a comedy-drama? Am I writing a drama?' in some of the stuff I dealt with. And then I think I had to stop and reassess and decide what I wanted to make — and fundamentally all I ever wanted to make is a sitcom that shows that you can deal with these issues, and not shy away from it and be hamstrung by the format of a sitcom. You can put anything in there, as long as you understand why characters are the way they are and act the way they do. So I think that was what I really decided on, and then I think once I decided that, it was all systems ago. I remember it went through lots of different drafts. That whole series went through loads of different drafts of versions, and then when I stripped all that back and showed it to my sister, it was then like 'this is what it is'. I think when it became like it was just jokes, that was then, I think, this is what makes me feel excited. Like, this is what gets me feeling a bit nervous, which is the best feeling — when you get a bit of fear." On If the Success of Season One, Including Its BAFTA Wins, Set Sadler a Challenge to Push Even Further in Season Two "Exactly. And it was an incredible vote of confidence in the show, and just gave us the feeling of 'people are behind us on this' — like they get it. Because it is a big ask, because it is challenging in different ways. So the fact that we had that mark of kudos of 'we back you' was huge, and so rewarding. And has been amazing, and totally made me feel like I can be more brave and confident, and like people give me the benefit of the doubt now. But it also comes with 'oh my god, how do you follow that up?'. We won the most-incredible prize — the list of shows on that list of BAFTA-winners for Best Scripted Comedy is unparalleled. It's incredible. So to try to compete with that or to be like 'okay, what's series two?' was terrifying. So we're working out 'how do you follow it up and not just try to be outrageous for outrageous' sake'. But it was a huge mark of confidence that has made me feel much more confident as a writer, which I struggle with." On Finding New Scenarios to Push the Characters Into in a Series About a World Where Nobody Is Right "My favourite thing is the twisted logic of the characters. That's what I love to write. I love twisted logic, like something that makes complete sense to the character, but as the viewer, you're like 'why on earth have you done that?'. So that's always my challenge. So I love to get a situation up on the board and be like 'what is the funny way that my characters would be front-footed and decide how to' — because we're all spin doctors, that comes from my family experience, like how we always just turn everything into something positive. You rewrite it. You work out how you win. And so it was about being like 'okay, how do I spin these situations so that the characters leave it feeling powerful, or leave it feeling like this is actually what they wanted?'. So that is the fun bit of the job, is working out 'what would be the most cathartic way to deal with this?' and 'how do these characters manipulate the situation?'. That's the bit which comes from just sitting and writing it, rather than reality, because a lot of reality didn't happen like that." On Whether There's a Feeling of Catharsis That Comes with Processing Sadler's Own Experiences Via the Series and Seeing Audiences Relate "Yeah, that has been an incredible experience. Having people relate or connect or say 'oh my god, I did that' or 'oh my god, that happened to me', that is actually, it's the best feeling. It's such a mark of confidence in the writing that it is truly the most rewarding bit. It truly is. Getting messages on Instagram being like 'oh my god, I can't believe you talked about that' or 'I thought only we did that' or something — those are the best messages." On How Sadler Feels About Josie After 12 Episodes of Standing in Her Shoes "I find her the hardest one to write for, because she's me. So I do find her difficult, because I haven't got that level of separation like I do with the other characters. So it's sort of about working out how to keep her — because Josie is also quite a passive character. She lets things happen to her. She's obsessed with her own trauma. She's lives in her head. And so it's hard to — thinking of plots for her to do where she is active is hard. Because I'm someone that usually just like — I think there's a line series one that's 'you're a deer in headlights, you just wait for the car to hit you' and that's me. So how on earth do you explore that in writing a series? She is the most fun, though, when she is front-footed about something. So it's just working out how to make her go for that. So that has been my challenge, just to make sure there's a degree of separation there between the two." Such Brave Girls streams via Stan. Read our review of season one.
UPDATE, May 16, 2021: You Were Never Really Here is available to stream via Shudder, Google Play, YouTube Movies and iTunes. Never has a beard felt as important as it does in You Were Never Really Here. Mottled with grey and sporting the texture of steel wool, it's visibly abrasive. It looks scratchy to touch, and as though its coarse mess would grate against the skin underneath. That skin belongs to Joe (Joaquin Phoenix), though he's troubled by more than his choice of facial hair. In fact, the desolation in his eyes and the menacing heft of his frame suggest that his shield of bristles is thoroughly by design. An assassin who rescues young girls from sex trafficking rings — and who's haunted by his own childhood abuse, as well as his past as a soldier and FBI agent — he coats his chin with a wiry nest partly as armour, partly in order to feel something. The fourth film by directorLynne Ramsay, You Were Never Really Here inspires intricate dissections of every element within its frames — and every aspect of its brooding protagonist, too. Charting Joe's latest assignment, it's ostensibly a crime thriller, but it's really a character study of a despairing man. As the filmmaker demonstrated in We Need to Talk About Kevin, her movies relay their narratives with a minimalistic but expressionist touch. They plunge viewers into their protagonist's headspace with distorted flourishes, yet offer up only what they need to. You Were Never Really Here achieves this with jarring flashes of Joe's memories, with shots that box people in using their surroundings, and with a ragged, raging score by Radiohead's Jonny Greenwood. It also does the same just by staring at Joe, and letting audiences soak up his broken yet brutal presence. First seen finishing a job in Cincinnati (and trying to finish himself as well), Joe is a man of few modes. Usually he's ruthless and task-oriented, whether arranging his next hit, buying the hammer he'll wield or deploying his deadly skills. When he's at his Queens home with his elderly mother (Judith Roberts), he's kind and caring, a tenor he reserves only for that situation. In-between, he's fighting a war inside — one that he can temporarily put at bay by saving exploited children or by playfully singing with his mum, but can never completely win. The suicide attempts continue, fuelled by emptiness and isolation, although something holds him back. Then Joe is enlisted to rescue Nina (Ekaterina Samsonov), the pre-teen daughter of a New York senator (Alex Manette), and his world goes astray. Early in the piece, Joe takes a cab from a job, but this isn't merely an updated Taxi Driver. He speaks little and swings a hammer, but the film isn't a riff on Drive. He even watches Psycho with his mother — and recreates its infamous screeching noise and stabbing motion outside of his bathroom — but that's not where this is heading either. As boilerplate as You Were Never Really Here might sound with its tormented protagonist, avenging storyline and penchant for violence, this isn't a picture that walks in anyone's shoes other than Ramsay's own. The writer-director has long delved into the lingering echoes of trauma, not only in the dense and complex Kevin but in her earlier efforts Ratcatcher and Morvern Caller too. If other flicks spring to viewers' minds when watching You Were Never Really Here, that's purely because Ramsay has only made four features in two decades — and, criminally, her last came out seven years ago. While it's a distinctively immersive Ramsay creation, You Were Never Really Here isn't a film that's big on plot. The novella it's based on numbers less than 100 pages, after all. But if Joe's tale is concise in the hands of author Jonathan Ames (Bored to Death), then it's positively stripped bare on the screen in the bleakest, tensest yet also most rewarding way. There's freedom in such an economical approach — the freedom to build an entire world around Joe's festering pain, to show why he'd rather just disappear, and to explore how the agony he can't shake shapes his entire reality. Indeed, You Were Never Really Here is disarmingly effective in conveying how post traumatic stress disorder burrows into the deepest recesses of someone's mind, controls their every move, and casts an enormous shadow over everything that they see and hear. And, of course, why it might spark them to lurk both at the edges of society and behind a scruffy beard. Playing Joe, Phoenix won the Cannes Film Festival's best actor prize for more than just his appearance. His is a powerfully wounded performance, a portrayal that wears the character's internal distress as openly as the scars that cover his back and arms. Phoenix boasts a resume filled with damaged figures, be they vicious in Gladiator or sweet in Her, and he's the ideal actor for Ramsay's intense and exacting film. Smashing skulls, cradling bodies in a stream, slurping milkshakes — no matter what he's doing, he's as gripping and galvanising as he's ever been. https://www.youtube.com/watch?v=fQyDaGWQ43w
If Harry Potter and Singing in the Rain were mashed up, this gadget would be the key prop. It might look like a magic wand, but it acts like an umbrella. By sucking in air at one end and pushing it out at the other, the motorised head creates a jet airflow, pushing raindrops away from you. Hence, you’re kept dry, without the inconvenience of carrying around a soggy piece of fabric that will invariably whack your fellow pedestrians in the face. Created by Nanjing-based inventor Chuan Wang, the air umbrella is currently funding on Kickstarter. It began life as a prototype back in November 2012. Wang then spent time working with PhD graduates from the Beijing University of Aeronautics and Astronautics to reduce the size, while maintaining an effective level of airflow. A controller at the base of the handle enables the user to manipulate the umbrella’s force, to meet the rain’s intensity. With ten days to go, the Kickstarter campaign has exceeded its target goal, thanks to 97 backers pledging to the tune of $10,283. Three sizes are available, the ‘A’, which is selling for $88; the ‘B’, priced at $98; and the ‘C’ at $108. The smallest measures 30 centimetres and weighs in at 500 grams, while the largest is extendable, to a length of 80 centimetres, and weighs 850 grams. The invention has some weaknesses. For one, it looks dodgy as. Dyson should really put this sleeker concept into production. Two, it eats battery life faster than Facebook for iPhone. Despite the significant size of the rechargeable lithium pack, umbrella ‘A’ offers only 15 minutes of protection at a time, while ‘C’ provides 30 minutes. Via PSFK.
Whenever someone mentions bingo, the immediate thought goes to old ladies and fellas sitting at fold-out tables in a seniors hall. Move over legs eleven, there's a new cliché in town... Bogan Bingo. It sounds impossible, but somehow it really is inevitable. We've heard of Hipster Bingo, but what is it about Bogan Bingo that sets it apart from the imposters? The Sit Down Comedy Club, or the Paddo as your inner bogan might say, is renowned for its hilarious gigs and is now channelling that energy into a project that is sure to revive the dusty game of bingo. Even if you've tried to push it to the back of your mind, the standard rules will apply, however on the announcement of 'bingo!', you may or may not be obliged to dance on the way to claiming your prize. The prizes are said to be awesome, but then again they also have a disclaimer saying they may not be awesome, so there's an added element of surprise thrown into the mix. There'll be 80s rock all night, as well as an air-guitar competition, making Bogan Bingo less about winning something and more about having a good time on one of the bleakest nights of the week. Get down to the best bingo night in Brisbane and ditch your work clothes for some flannies, ruggers and pluggers. Durries and mullets are optional.
In what may be the ultimate fusion of practicality and style, Brookstone are now selling cufflinks that offer both Wi-Fi when plugged into devices and two gigabites of storage. These magical miniatures will be perfect for frequent overseas travellers who need quick internet access, and nine-to-fivers will decrease their danger of leaving their most important work at home. Furthermore, if you ever need to undergo an investigative spy mission, these will be a perfect place for you to store all the secret documents and images you can collect. After all, nobody ever suspects your cufflinks of housing information. There are other products which offer just the USB storage, which hold up to four gigabytes. You can also engrave these for that personal touch. Sitting at around $250, these cufflinks will undoubtedly please fashionable tech geeks and businessman ballers. [via Mashable]
Like beer? Like monsters? Like your brews named after creepy critters, with bottle, can and label artwork to match? Horror-loving drinkers, there's never been a better time to pair your beverages with your fondness for all things scary — but from 12pm on Saturday, October 22 will be even better than usual thanks to Netherworld's Monster Menagerie Beer Festival. The returning event will bring together eight yeasty tipples, strange creatures and stellar collaborations, all for a day of boozing fun. And if you're wondering why it takes place in October, just think about it for a second. 'Tis the month of Halloween, after all. Everyone from Aether Brewing Co and Kaiju to Black Flag to Happy Valley will be involved, with Netherworld serving up orange miso lagers, cherry blossom sours, cumquat yuzu pilsners and more. Tickets cost $35, which include a tasting paddle featuring each and every one of these beastly beers, as well as a limited edition enamel pin and five game tokens. Top image: Cole Bennetts.
The shows livening up its stages change frequently. The art exhibitions gracing its walls, too. They're not the only things that shift and evolve at Fortitude Valley's Judith Wright Arts Centre, though, with the venue itself now welcoming patrons back in after undergoing a revamp. If you'd noticed that sections of the Brunswick Street spot had been closed of late, that's thanks to a $3.1 million refurbishment, which includes the addition of a corner gallery — and digital projections onto the building's facade. But, it's now back in action after its makeover, complete with new shop fronts and office space, as well as new rehearsal and performance areas. As part of the reopening, three new tenants have also moved into the building. That's where you'll find art gallery Outer Space, which just staged an exhibition about folks moving back to Brisbane due to the pandemic, rather than leaving it for bigger cities down south — and also theatre production group The Little Red Company, the team behind shows such as Christmas Actually, Lady Beatle and The Iso Late Show. And, although it prides itself on hosting shows absolutely anywhere around town — which it is currently doing at the moment — Anywhere Festival has also set up shop in the building. The three newcomers to the Judy join the Aboriginal Centre for Performing Arts, Artour, AusDance Queensland, Blak Dance, Circa, Creative Partnerships Australia, Australasian Dance Company, Flying Arts Alliance, Institute of Modern Art, Musica Viva and Carbon Creative, all of which already call the venue home. [caption id="attachment_812487" align="aligncenter" width="1920"] Elizabeth Willing, Seppeltsfield, 2021, and Unknown (South Australia), 2019, wine press membranes. Installation view, All my friends are (leaving) returning to Brisbane, Outer Space Gallery. Courtesy of the artist and Tolarno Galleries, Melbourne. Photo: Chris Howlett.[/caption] And, if you're looking for an excuse to stop by, the Judy will be hosting 11 new visual arts, dance, theatre, circus and music works and performancees this year, as part of its First Night Showcase Judith Wright Arts Centre program. Keep an eye on the venue's website for further details. Find the Judith Wright Arts Centre at 420 Brunswick Street, on the corner of Berwick Street, in Fortitude Valley. Top image: Maeve Baker, 'Do Your Chores, Try Not To Think Too Much, And Repeat', 2020, IMA Belltower Façade Projection. Commissioned by the Institute of Modern Art for 'Making ArtWork'. Photo: Charlie Hillhouse.
Lorde is back. After five years away from music and touring, the New Zealand pop sensation has returned with the first taste of her next album and dates for a massive tour of Australia and New Zealand. The tour will run from Saturday, February 26 through until Saturday, March 19. Australians are scoring four dates across Brisbane, Sydney, Melbourne and Perth, while New Zealanders can choose from six shows. Accompanying the tour news is an announcement that Lorde's third studio album Solar Power will be unveiled to the world on Friday, August 20. The album comes five years after her critically acclaimed sophomore release Melodrama and is "a celebration of the natural world, an attempt at immortalising the deep, transcendent feelings I have when I'm outdoors," Lorde says. The Australian and New Zealand tour will begin at Christchurch's Electric Avenue on Saturday, February 26. From there the 'Royals' singer will make her way around New Zealand throughout late February and early March, and arrive in Australia on Thursday, March 10 for a show at the Brisbane Riverstage. Australia's east coast will be treated to two more shows at Melbourne's Sidney Myer Music Bowl and the ICC's Aware Super Theatre in Sydney before the tour wraps up at Perth's Belvoir Amphitheatre on Saturday, March 19. The last time either country was treated to Lorde's live show was her headline set at Splendour in the Grass 2018, a full circle moment for the singer as she returned to the stage of one of her first ever performances as a last-minute replacement for Frank Ocean back in 2013. A year prior, in 2017, Lorde also toured some of Australia's largest and most iconic outdoor venues including the Sydney Opera House Forecourt. Tickets to The Solar Power Tour are sure to be snatched up quickly and there are a few ways to get your hands on them if you're looking to belt out all the words to 'Ribs' or 'Green Light' early next year. Telstra customers will receive first dibs as part of a Telstra Plus pre-sale on Monday, June 28. If you sign up to be a Frontier Member you'll receive pre-sale access on Wednesday, June 30, before general public ticket sales begin on Monday, July 5 at noon. Head to the Frontier website for all the details. Lorde The Solar Power Tour Saturday, February 26 – Electric Avenue, Christchurch Saturday, February 27 – Neudorf Vineyards, Upper Moutere Tuesday, March 1 – Days Bay, Lower Hutt Wednesday, March 2 – Black Barn Vineyards, Havelock North Friday, March 4 – TSB Bowl of Brooklands, New Plymouth Saturday, March 5 – Outer Fields Western Springs, Auckland Thursday, March 10– Riverstage, Brisbane Saturday, March 12 – Sidney Myer Music Bowl, Melbourne Tuesday, March 15 – Aware Super Theatre, Sydney Saturday, March 19 – Belvoir Amphitheatre, Perth Lorde's The Solar Power Tour will take place between Saturday, February 26 and Saturday, March 19. Head to the Frontier website for all info on tickets. Top image: The Come Up Show
If you've ever wondered what the chefs behind some of Australia's top restaurants are really like, that lust for knowledge can now be slaked with the launch of new Australian food podcast, The Pass. Having launched this week, each weekly episode will take listeners behind the scenes with restaurant icons including chefs, food critics and other food-related personalities. The podcast's guests — which will this season include Kylie Kwong, Matt Moran, 4fourteen's Colin Fassnidge, blogger and author Sarah Wilson, wine hero Mike Bennie, Dave Pynt of Singapore's Burnt Ends and Josh Niland of Saint Peter — delve into their own personal favourite dishes, ingredients, and restaurants, as well as dishing out answers to burning questions like what they would choose as a death row meal. Broadcaster and meteorologist Magdelena Roze hosts the podcast, which goes all over the country, from quickfire interviews on the streets to in-depth discussions inside secret locations that the guests have chosen themselves. Each episode will also include a bite-sized interview with another food personality at the end, where they endure a barrage of questions about their most (and least) favourite things. It's produced by Roze alongside the podcast's creative director Sam Kennedy and founder Jeanine Bribosia. The podcast itself is perfect to wolf down on the way to work, at the gym or, fittingly, while eating lunch — each episode clocks in at 20 minutes. Episode one of The Pass launched this week, with an episode to be released each Tuesday for the next eight weeks. You can listen to it here.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your text trip. In this instalment, we take you to Hanging Gardens of Bali where guests stay in luxury villas overlooking some of Indonesia's untamed jungle. WHAT'S SO SPECIAL? This Balinese resort sits far away from the crowds, up in the lush rainforest surrounded by local wildlife and charming rice terraces. Hanging Gardens of Bali has also won so many international accommodation awards thanks to the breathtaking views, super luxurious villas and gracious service. THE ROOMS This high-end resort is made up of 44 private villas, each perched high atop wooden pillars overlooking the valley below. Wake up and enjoy this view from your extra-large canopy bed before rolling out into your own private plunge pool — it's paradise on stilts. And each villa is full of character. The villas combine contemporary and Balinese décor with signature hand-crafted furniture, exotic fabrics, open-air dining areas and epic master bathrooms. We see no reason why you'd ever need to leave your villa. FOOD AND DRINK Keeping with the 'never leave your villa' life, these guys will make and deliver an enormous breakfast to your room, made to be eaten in your private pool. It's all served in a bespoke wooden boat that sits out in the water with you. A dining experience that, due to your location, is quite literally next-level. But, if you do want to get out of your villa for dining, they have stacks of other options available. Either head to the main pool area for cocktails and snacks or dine in their Three Elements Restaurant. The restaurant has won separate awards for their cuisine and dining experience so shouldn't be missed. And that's just the start. Hanging Gardens of Bali also offers a wide range of other dining experiences. Spread throughout the valley are a series of cosy private dining spaces. Have a gourmet picnic on their riverside Bale, be served a romantic dinner within an ancient temple and eat some traditional afternoon tea around the rice fields. [caption id="attachment_872752" align="aligncenter" width="1920"] Niklas Weiss (Unsplash)[/caption] THE LOCAL AREA This luxury resort is located near Payangan, a small village north of Ubud. Zip around the winding roads of the area on a quad bike (or just get a taxi if you dare not undertake this feat) to explore the nearby temples, holistic centres, yoga studios, rice fields and stacks of local markets. Explore this area to see why Bali is still on the top of so many people's travel bucket list destinations. You can also visit Canggu and Uluwatu to find the best surf or temporarily leave the serenity and hit Kuta and Seminyak for those famous Bali party vibes. Choose your own Bali adventure — it's all pretty easy to do from this location. THE EXTRAS Now we've already mentioned all of the extra dining options available at Hanging Gardens of Bali, but these guys don't stop there. The team here has created an impressive smorgasbord of additional pampering activities. First off, there is the spa — yes, this has won a handful of awards too. It's truly luxurious treatments combine natural, local ingredients and ancient techniques, to create beauty therapies and treatments that soothe the mind, rejuvenate the body and energise that poor old soul of yours. Of course, these treatments also come with a view of the Balinese jungle so you'll feel surrounded by nature even when you're technically inside. We are also big fans of their guided morning walks. Take off on a journey through the local villages, led by their resort guide before reaching one of the local rice fields. Here, the guide will serve a few refreshing drinks while talking a little bit about rural life in this part of Indonesia. It's a really delightful way to start the day. Get 30% off your stay at The Hanging Gardens of Bali here (with daily breakfast, sunset yoga and a couple's massage included). You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
"Attention players: you will now compete for our biggest cash prize in reality-show history." They're the first words spoken in the new teaser trailer for Squid Game: The Challenge, aka the competition series that was always going to happen when Squid Game became a massive Netflix success. Once more, 456 players come together. And, they will indeed compete to win $4.56 million. There's no murder this time, however — nor fictional thrills. If you're one of the hordes of viewers who watched Squid Game when it instantly became one of the best new TV programs of 2021, as we all are — and you thought that playing hopscotch, marbles, sugar honeycombs and tug of war sounds like fun, too — then you'll understand the concept at the heart of Squid Game: The Challenge. As seen in the just-dropped new sneak peek for the show, the whole pesky compete-to-the-death angle is missing, obviously, but everything about the series looks exactly like its inspiration otherwise. The red and green tracksuits, the games, the decor and, yes, the notorious Red Light, Green Light doll: they're all accounted for. The reality competition TV show received the green light back in 2022, after the streaming platform had also confirmed that a second season of Squid Game itself was on its way. In June 2023, Netflix also announced that Squid Game: The Challenge would arrive in November. The service has now gone one better, locking in Wednesday, November 22 as the spinoff's launch date. How does it work? Again, you already know the details. Those 456 folks — all ordinary people, and not actors — will try to score $4.56 million by playing a series of games inspired by the extremely fictional South Korean thriller, as well as a few new additions. Also, competitors will be eliminated as the games go on, and forming strategies and alliances will play a huge part. So, Squid Game: The Challenge is clearly designed to get as close to the OG Squid Game as possible, just without the body count. It's all being overseen by a Front Man, too, because of course it is. The results will unfurl over ten episodes, in what Netflix has dubbed "the biggest reality competition series ever". Well, it certainly has the biggest cast. Making a gripping and brutal TV show that satirises capitalism, then bringing its games into real life does sound like something that might happen in Squid Game itself if the show was getting meta. As for the second season the OG series, Squid Game's dramatised return doesn't yet boast a release date, but it does have a heap of cast members locked in. Lee Jung-jae (Deliver Us From Evil) returns as the show's protagonist Seong Gi-hun, while Lee Byung-hun (The Magnificent Seven) will be back as the masked Front Man as well. They'll be joined by Wi Ha-joon (Little Women) as detective Hwang Jun-ho, plus Gong Yoo (Train to Busan) as the man in the suit who got Gi-hun into the game in the first place. A show about a deadly competition that has folks competing for ridiculous riches comes with a hefty bodycount, which means that new faces were always going to be essential in Squid Game season two. Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) will all join the series, but Netflix is keeping quiet about their characters at the moment. Check out the latest teaser trailer for Squid Game: The Challenge: Squid Game: The Challenge will hit Netflix in on Wednesday, November 22, 2023. Squid Game's first season is available to stream via Netflix — we'll update you with a release date for season two when one is announced. Images: Netflix.
Australia's most prestigious portrait award, the Archibald Prize is one of the country's most anticipated annual arts events, making a huge splash across the Aussie creative scene each year. For the past few years, the event has announced its finalists in early May, then revealed its winner around a week later — and unveiled its exhibition at the Art Galley of NSW at the same time. In 2020, however, the Archibald has been postponed, with new dates yet to be revealed. It's the latest event affected by the growing spread of COVID-19, as well as Australia's various efforts to stop the illness — including banning outdoor gatherings with more than 500 people, banning indoor gatherings with more than 100 people, and implementing a limit of one person per four square metres in inside spaces and venues. In a statement on the Art Gallery of NSW website, the venue announced that "due to COVID-19, the gallery intends to hold the 2020 exhibition later this year". That applies not just to the Archibald, but to the Wynne and Sulman Prizes — which recognise the best landscape painting of Australian scenery, or figure sculpture and the best subject painting, genre painting or mural project, respectively. At present, entries have been suspended for all three prizes, with dates for submission and delivery of entries to the prizes postponed. [caption id="attachment_721079" align="aligncenter" width="1920"] Lindy Lee by Tony Costa.[/caption] In 2019, Sydney painter Tony Costa took out the Archibald with his oil painting of fellow artist Lindy Lee — marking the first time in the award's 98-year history that a portrait of an Asian Australian has taken out the coveted prize. The Archibald, Wynne and Sulman Prize exhibitions will no longer open on May 9 at the Art Gallery of NSW. For further details, visit the gallery's website. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Wondering what to say when you step inside Brisbane's new mini-golf bar? At Holey Moley Gold Club, it really is all there in the name. And, as awesome as the concept of having some drinks, donning a visor, hitting the indoor greens and taking a few swings on pop culture-themed holes sounds, the reality is even better (and weirder). Entering Holey Moley is like entering an alcohol-fuelled indoor amusement park for adults, even if the building it's in — a former church — makes that quite the surreal experience. So does the angel statue decked out with golf clubs, the pink-lit neon sign declaring "I like big putts and I cannot lie", and the twirling giant disco ball hanging in the centre of the venue, which visitors familiar to the site's many previous watering holes and live music spaces will recognise. Of course, with the right wall taken up by a stocked bar, it's obvious that this is a drink-focused spot with two nine-hole mini-golf courses inside, rather than a putting facility that happens to serve booze. Each hole has a six stroke maximum, however whether you decide to keep score is completely up to you — it's fun, rather than sports, that the venue wants to promote. Even taking a quick glance at the eighteen different holes on offer demonstrates that having a good time is the main aim here, unless you're scared of clowns and puppets, that is. Suspended from a frame and lurking on the ground, these vaudevillian creeps adorn the seventh stop on the ground level, which means anyone suffering from coulrophobia has plenty of time to work up the courage to play there. Beforehand, you'll hit your way through a beachy (fri)endless summer, enter a glow-in-the-dark space for three holes of luminous action, and play pinball and pool with a golf ball and club. Yes, really. Keeping with the arcade theme, a putting version of skeeball marks the end of the lower course — but don't worry, more holes await upstairs. That's where you'll show off your short game on a turntable, in a bathroom and a gym, and on a Twister board, to highlight just a selection of the standouts on the upper level. You'll also tap, tap, tap the ball into a Nintendo-focused hole that pays tribute to Super Mario and Donkey Kong, brave the Mad Putter's Tee Party, prove that you're obviously not a golfer at a bowling alley, and marvel at the glory of the nine-iron throne. You just know the latter is going to be mighty popular, particularly for selfies that'll clog up your Instagram feed. For something different between rounds, ping pong tables provide a break from the main action, as do a selection of old-school video games. Or, chew a couple of gum balls, grab a drink, and sit down and watch everyone else. In fact, the cocktail list is worth the trip alone, thanks to beverages like the Tee-quila Mocking Birdie (with Don Julio Blanco Tequila, Blue Curacao, sour mix and sugar syrup), Teeyonce Knowles (Pampero white rum, soda, fresh mint, limes and syrup) and Happy Gilmoreo (Chambord raspberry liqueur, Smirnoff Red vodka, Baileys, milk, chocolate sauce, crushed Oreos and whipped cream). Yep, we're calling it: Holey Moley is about to become everyone's favourite new hangout.
Western Australia is known for its stunning beaches, incredible nature, top-notch eats and plenty of excellent vino. So, it's no wonder some of the best chefs and sommeliers from around the globe want to come Down Under this spring. Come November, rockstar chefs and wine experts will flock to Western Australia for an epic food and wine fair — Western Australia Gourmet Escape presented by Westpac. Taking over the Swan Valley, Perth and Margaret River for ten days (Friday, November 8 – Sunday, November 17), the event is an extravaganza of long lunches, cruises, wine tasting sessions and masterclasses. You can count on more than 50 events featuring more than 50 world-class talents. Coming from the UK, Michelin-starred chef Marco Pierre White will host a one-off dinner at Swan Valley's Sittella Winery. You'll also find him at the new Gourmet Feast in the Valley, which will run from Saturday, November 9 and Sunday, November 10. The weekend-long shindig of food, music and workshops will also host Jess Pryles (author of Hardcore Carnivore), Christian Stevenson (aka DJ BBQ), DJ-chef Yo Levins and Aussie band The Rubens playing live. Plus, you can expect artisan producers and wineries, hands-on activities, masterclasses and a lineup of Perth's best food trucks, too. Head down to Margaret River and you can also hit up a barbecue on the beach with the famed Momofuku empire's executive chef David Chang or a twilight vegetarian degustation at the idyllic Margaret River's Secret Garden, hosted by WA chef George Cooper (Tiller Dining) and Amanda Cohen from New York's Dirt Candy. You can also join chef Mark Best (ex-Marque) on a luxury catamaran to cruise around Geographe Bay, Margaret River, from Friday, November 15–Sunday, November 17. With plenty of food, wine and culinary stars hitting our western coast, a trip over could be a hot option before diving into summer. There's plenty more food and wine frivolity in store, which you can check out in the festival's massive programme over here. Tickets to Western Australia Gourmet Escape presented by Westpac go on sale at 9am on Thursday, July 18. To see our picks of the best events to check out at this epic food and wine festival, head here. UPDATE: MONDAY, AUGUST 5 – Western Australia Gourmet Escape is hosting a one-off event in Sydney. On Tuesday, August 13, you can join WA chef Luke Mangan, Gage Roads Brewing Co's chief brewer Aaron Heary and Annabelle Coppin from the Pilbara's Outback Beef, plus Sydney-based wine expert Mike Bennie for a four-course dinner at The Hilton Hotel Sydney's restaurant, Glass Brasserie. Kicking off at 6pm, the event is a celebration of Western Australian produce, with tickets costing $123 per person. Tickets include four courses matched with Gage Roads brews or with optional pairings of Margaret River wines available as an alternative. For tickets, head here.
Last year, HBO said goodbye to Game of Thrones, at least for now. It also farewelled Veep and wrapped up Big Little Lies, although the latter apparently could still make a comeback. But don't go thinking that the US cable network has gaps in its schedule in 2020. Not only did Westworld return, but The Outsider, Perry Mason, Lovecraft Country, I May Destroy You and The Undoing all proved must-see viewing. Australian viewers can watch its Italian-set mini-series We Are Who We Are from this month, too — and in December, HBO's new six-part psychological thriller The Third Day will also hit local screens. Starring Jude Law, Naomie Harris (Moonlight, Spectre), Paddy Considine (The Outsider), Emily Watson (Chernobyl) and Katherine Waterston (the Fantastic Beasts franchise), The Third Day is comprised of two halves: 'Summer' and 'Winter'. In the show's first three episodes, it follows a man called Sam (Law) who is drawn to an island off the British coast, only to discover that he can't leave. In its second three episodes, it spends time with Helen (Harris), who also finds herself on the tiny Osea Island. If it sounds familiar, that's because it started airing in the US in mid-September and just finished up its overseas run in mid-October. Now Australian viewers will be able to enjoy its intriguing premise, eerie setting and top-notch cast, with The Third Day hitting Foxtel from Monday, December 7 — airing weekly, and also making every episode available to stream via Foxtel Go and Foxtel Now. There's no word as yet regarding The Third Day's other component, called 'Fall' — a day-long event that featured Law, Watson and Waterston, was broadcast in real time and was also captured in one continuous take. Behind the scenes, the show stems from creators Felix Barrett and Dennis Kelly, with Barrett founding British theatre company Punchdrunk — which created the aforementioned 'Fall' segment of the show — and Kelly writing the original UK version of Utopia. Check out the trailer for The Third Day below: https://www.youtube.com/watch?v=9hHT5FlMaIQ&feature=youtu.be The Third Day starts screening via Foxtel from 8.30pm on Monday, December 7, with new episodes airing each week. All six episodes will also be available to stream on the same date via Foxtel Go and Foxtel Now. Top image: Liam Daniel/HBO.
The beloved drive-in theatre simply refuses to fade into nostalgic memory. After bursting onto the scene in the late '50s, then relatively disappearing after being widely condemned as being unsustainable and obsolete, drive-ins have more recently had a resurgence becoming a novelty way to re-watch your favourite films and re-live the golden era. With drive-in theatres few and far between on the Brisbane scene, where can a crazy kid turn to get their Happy Days on? Our Village Foundation plan to bring back the good old days with a unique drive-in event as part of this year’s Pine Rivers Festival. Everyone’s favourite retro stars John Travolta and Olivia Newton-John will be setting the scene as this year’s festival sees 70’s classic Grease as the movie of choice. Aside from inevitable sing-along’s, the night will also include $2 amusement rides, food stalls and a Rock n’ Roll Diner to get you in the retro mood. There’s no need to employ some shifty friends-in-boot smuggling either as entry is only $5 per car or FREE for walk-ins. Don’t be stranded at the drive-in, bring along your whole crew! Gates open at 5pm with the movie beginning at 7pm.
Never Mind the Bollocks, Here's the Sex Pistols should never be far from anyone's ears — but there's listening to the iconic 1977 punk album, the only studio record from Sex Pistols, and then there's hearing it played live in full. Down Under in 2025, Australian music lovers will be treated to that very experience, with the group locking in a tour. Band members Paul Cook, Steve Jones and Glen Matlock are heading this way in April, as part of a project dubbed Sex Pistols Featuring Frank Carter. As the band's moniker makes plain, this is a case of punk figures joining punk figures, as first happened back in August 2024 for fundraiser gigs in London. Clearly the setup worked. This will be Sex Pistols' first trip this way in almost 30 years, since 1996 — this time pairing drummer Cook, guitarist Jones and bassist Matlock with Gallows, Pure Love and Frank Carter and the Rattlesnakes alum Carter on vocals. The group have announced seven stops, including at Brisbane's Fortitude Music Hall on Wednesday, April 9. John Lydon, aka Johnny Rotten, the band's well-known former lead vocalist, was last part of their lineup in 2008 — which is when Sex Pistols last toured before 2024. Hearing Never Mind the Bollocks live and in full almost five decades since its original release means hearing 'Anarchy in the UK', 'God Save the Queen', 'Pretty Vacant', 'Bodies', 'Holidays in the Sun' and more. If this feels like an incredibly rare chance to experience a slice of music greatness, that's because it is — and if you need any more motivation, Sex Pistols Featuring Frank Carter's UK gigs earned rave reviews. Top image: Henry Ruggeri.
While social distancing and public gathering rules are still in place across the country, some companies are starting to look to the less-restricted future. Qantas yesterday said interstate travel could be back on the cards by July, Restaurant and Catering Australia wants hospitality venues reopened in June and, now, Falls Festival has announced it's powering ahead with plans for its New Year's festival — with some big changes. In a statement released this morning, Falls Co-Producers Jessica Ducro and Paul Piticco said they'd decided to push ahead with the end-of-year festival. "As Australia heads towards the recovery phase of COVID-19 we have decided to move forward with optimism, and work towards presenting our Dec 2020/Jan 2021 event in a way that will best bolster Australia's live music industry," the statement said. Details of the summer festival, which usually takes places at Tassie's Marion Bay, Lorne in Victoria, North Byron and Fremantle, are scarce for now, but the duo has announced one big change: an all-Aussie lineup. With Australia's borders currently closed and even travel between just Australia and New Zealand "still some time away", keeping the lineup local does seem the smart choice — and it has the added bonus of helping Aussie musicians, many of which have been financially impacted by the COVID-19 lockdown. According to website I Lost My Gig, Australian music industry workers have lost approximately $340 million worth of income since the crisis began. Falls Festival hopes it'll be able to help support some of those impacted with its locally focused festival. "We have some of the most exciting acts in the world and this special 'home grown' edition of Falls will ensure that money stays in our local economy, providing maximum financial benefit for the Australian music community – artists, management, crew, agents, roadies, production etc — as well as the thousands of contractors and suppliers who rely on our events for their income," Ducro and Piticco said in the statement. The festival will also help raise funds for Support Act, a charity delivery crisis relief services to those in the music industry. https://www.instagram.com/p/B_04sZGhybw/ It's positive news for those in the industry and music fans alike, but the the festival is not yet set in stone. Two-person public gathering rules are still currently in place in Victoria, NSW and Queensland, and Australia's ban on non-essential mass gatherings of over 500 people was one of the first restrictions implemented — way back on March 13, 2020 — so could, if we're to work backwards, be one of the last lifted. The Australian Government has also said some level of social distancing measures will need to remain in place until a vaccine is found, which Federal Science Minister Karen Andrews told the ABC earlier this week was still 10–15 months away. So, if the festival is to go ahead, it could look a little different — and a have a lot less punters in tow. Falls Byron usually has around 25,000 attendees, while Falls Lorne has 9000. Last year, the music festival was impacted by the bushfires, with the Lorne leg cancelled one day in because of extreme and hazardous weather. Falls Festival is hoping to go ahead in December 2020/January 2021. We'll let you know if and when more details are announced.
Trying to dance like Christopher Walken, pretending you're in Cruel Intentions, being transported back to the late 90s and early 00s: that's all on the agenda when Fatboy Slim, aka Norman Cook, returns Down Under in 2023. Touring New Zealand in January and February, then hitting Australia in April and May, the British dance music legend will take to the decks to bust out a hefty range of dance floor fillers. His 1998 album You've Come a Long Way, Baby was the club soundtrack to end the 20th century — a staple of every 90s teen's CD collection, too — and responsible for hits like 'Right Here, Right Now', 'The Rockafeller Skank' and 'Praise You'. As for 2000's Halfway Between the Gutter and the Stars, it gave the world 'Weapon of Choice' and its iconic Walken-starring (and Spike Jonze-directed) video. You might not be able to dance along the walls when Cook plays Christchurch, Napier, Auckland, Wellington, Queenstown and Taupo in Aotearoa — and then hops over the ditch a couple of months later to do the same in Melbourne, Brisbane, Sydney and Perth — but you'll want to thanks to his big beat sound. Indeed, alongside the Chemical Brothers, The Prodigy, Basement Jaxx, The Propellerheads and Crystal Method, he helped bring the style to mainstream fame. Cook has been making music since the 80s, but took on the name Fatboy Slim in the mid-90s, starting with 1996 record Better Living Through Chemistry. His discography also spans 2004 album Palookaville and 2013 single 'Eat, Sleep, Rave, Repeat'. [caption id="attachment_878697" align="alignnone" width="1920"] Secretaría de Cultura de la Ciudad de México via Wikimedia Commons[/caption] If you've seen Cook live before, you'll know that this is news to get excited about right about now. His Australian tour marks Cook's return after his 2020 headline shows — pre-pandemic — with his Melbourne gig at the Sidney Myer Music Bowl recorded for an epic live video that's notched up more than 2.4-million views. FATBOY SLIM 2023 AUSTRALIAN AND NEW ZEALAND TOUR Friday, January 27 — QE2 Park, Christchurch Saturday, January 28 — Tremain Field, Napier Sunday, January 29 — Gardens Music Festival, Victoria Park, Auckland Friday, February 3 — Anderson Park, Wellington Saturday, February 4 — Gibbston Valley, Queenstown Sunday, February 5 — Riverside Park, Taupo Friday, April 28 — Sidney Myer Music Bowl, Melbourne Wednesday, May 3 — Riverstage, Brisbane Friday, May 5 — The Entertainment Quarter, Sydney Sunday, May 7 — Burswood Park, Perth Fatboy Slim will tour New Zealand in January and February 2023, and Australia in March and April 2023. Tickets for NZ are on sale now. Pre-sale tickets for Australia start at 2pm local time on Wednesday, November 23, with general sales from the same time on Friday, November 25. Top image: Secretaría de Cultura de la Ciudad de México via Wikimedia Commons.
Brisbanites, if catching a bus is in your future on July 27 and 28, then we have good and bad news. The city's bus drivers are going on strike again. However, before they stop work, they'll also be refusing to collect fares for an entire day. First, the good news. On Thursday, July 27, hopping on a Brisbane City Council bus service at any time throughout the day will cost you nothing. Translink, the Queensland Government body with responsibility for public transport, states that you should still swipe on and buy paper tickets from machines, but — according to the Rail, Tram and Bus Union — bus drivers on-board won't be taking your money or checking that you're using your Go Card. Then, come Friday, you'll also be saved the cost of a bus fare between 2pm and 6pm — but for a completely different reason. That's when bus drivers will strike to end the working week, so you might want to make other plans for getting around town that afternoon. The move is part of a continuing campaign by the RTBU's Queensland Branch for safer buses, a fair wage increase and modern rostering practices, and also marks the third day of industrial action in two weeks. If you were up early last Tuesday and Wednesday, you might've noticed that buses were absent from the roads between 4.30am and 6.30am — but given the peak-hour timing of the forthcoming strike, this one is bound to make a bigger impact. Image: Andrew Thomas via Flickr.
The 40th parallel is much more than simply a line of latitude spanning the distance of America from East to West; and Bruce Myren's photographs of it are much more than just photos. The line N 40° 00' 00'' bisects the country from New Jersey's shore crossing through Pennsylvania, Ohio, Indiana, Illinois, Missouri, over the border between Nebraska and Kansas, following on past Colorado, Utah, Nevada and finally finishing in California. Myren is not only capturing the stunning surroundings of these landscapes, but is trying to understand and portray the "human desire to create systems and then locate ourselves within them". The fortieth parallel north is a tool for measurement, as well as acting as the baseline for creating homesteads and townships, functioning as a useful marker during Western settlement. The project began as a fairly small and basic undertaking, using maps to identify the areas because GPS's were not widely available during that time. However, as geographical technology began to grow and develop, so too did Myren's photo series. Using an 8 x 10 Deardoff camera and colour transparency film, Myren produced panoramas by snapping three shots moving from left to right then adding them together during editing. The photographer is aiming to take a landscape panorama shot at every longitudinal point along the line, adding up to a total of 52 locations and images, spaced roughly 53 miles apart from each other. So far he has captured 28 stunning images of these locations. Here are 10 of the inspired images from his series, aimed to make you "consider the history of landscape photography, American development , but most importantly [your] own relationship to place." N 40° 00' o0'' W 109° 00' 00", Rangely, Colorado, 2000 N 40° 00' 00" W 108° 00' 00", Meeker, Colorado, 2000 N 40° 00' 00" W 101° 00' 00", Ludell, Kansas, 2011 N 40° 00' 00" W 98° 00' 00", Webber, Kansas, 2007 N 40° 00' 00" W 97° 00' 00", Hollenberg, Kansas, 2007 N 40° 00' 00" W 95° 00' 00", Fillmore, Missouri, 2007 N 40° 00' 00" W 93° 00' 00", Winigan, Missouri, 2011 N 40° 00' 00" W 81° 00' 00", Belmont, Ohio, 1999 N 40° 00' 00" W 76° 00' 00", Gap, Pennsylvania, 1999 N 40° 00' 00" W 74° 03' 32", Normandy Beach, New Jersey, 1998
In between running one of Brisbane's favourite vintage cafe bars and teaching us where the best bits of Brisbane are, longtime Aussie music go-to The Grates are back for their first national headline tour since 2011. Brisbanites Patience Hodgson, John Patterson and Ritchie Daniell will be taking their Team Work Makes The Dream Work tour down Australia's east coast with Sydney punk garage band Straight Arrows and Brisbane punk/synth duo Pleasure Symbols. Described as "fun and thrashy pop punk at its best" by triple j, these three have a reputation for giving an incredible live show that'll have you on your feet. The Grates have been seriously productive over the last few months; after releasing their fourth celebrated studio album, Dream Team last year, they went on to absolutely crush it at Splendour In The Grass. The Grates' long-awaited return to the stage is sure to be one of those dance-till-you-drop affairs — here's hoping for a furious '19-20-20' throwback singalong to obliterate our vocal chords once and for all. Want to win tickets to see The Grates? Head over here.
As part of the flurry of new streaming services competing for our eyeballs, FanForce TV joined the online viewing fold during the COVID-19 pandemic — with the pay-per-view platform not only screening movies, but pairing them with virtual Q&A sessions as well. Now, between Wednesday, November 11–Sunday, November 15 it's also hosting an online film fest: its second Virtual Indigenous Film Festival. The returning event coincides with NAIDOC Week, and will showcase five films: In My Own Words, The Song Keepers, The Flood, Wik vs Queensland and Westwind: Djalu's Legacy. That means you can watch your way through an array of Aussie movies focused on Indigenous stories, spanning both dramas and documentaries — and exploring race relations in the process. Sessions will also feature guest speakers, such as The Flood's writer/director/producer Victoria Wharfe McIntyre, The Song Keepers' filmmaker Naina Sen and Ben Strunin from Westwind: Djalu's Legacy. Viewers can tune in on a film-by-film basis, or buy an all-access pass to tune into everything. https://www.youtube.com/watch?v=yY3O5LtMo9Q&feature=emb_logo Top image: Westwind: Djalu's Legacy
Winter is all about staying indoors — and you want those interiors to look as great as possible. Art and design lovers, that's where the Queensland Art Gallery and Gallery of Modern Art's annual Winter Design Market comes in. Browse, buy and then prepare to get cosy. Find jewellery, ceramics, textiles, homewares and clothing and more at the day-long maker market, which will feature more than 40 stalls when it takes over the GOMA forecourt from 9am until 4pm on Saturday, July 28. Don't go giving their official store a miss either — take the time to peruse the GOMA collection of books and art, and thank us for the tip later. Or, make a day of it and drop by the Patricia Piccinini exhibition while you're there. Remember: cute design wares call for cash, as EFTPOS facilities might not be available at all sellers. And while GOMA will host another design market once the silly season rolls around, getting your gift shopping out of the way now will make you feel like Christmas has come early. By Alice Bopf and Sarah Ward.
If you regularly wish you were on the other side of the world staring at the Eiffel Tower, sipping champagne and living the Emily in Paris life, you can take a break from dreaming about plane fares and European summers for three days this winter. Before the pandemic, Brisbane's French festival Le Festival offered an annual reason to celebrate all things Gallic, and it's finally making a big comeback in July. Mark your diaries: this excuse to enjoy French food and booze aplenty returns from Friday, July 21–Sunday, July 23. Just like with Paniyiri and Oktoberfest, Le Festival hosting its first COVID-19-era event is huge news. This revival comes with a massive change, however, with the fest on the move. In 2023, Francophiles will be eating, drinking, hitting up French markets and listening to French tunes at Victoria Park / Barrambin for the first time, with the cultural affair crossing to the other side of the river from South Brisbane. As always, Le Festival will feature plenty of French staples, although the wine selection is always popular. If you're able to tear yourself away from sipping on deliciousness, then make a date with the cheese display. While 2023's full details haven't yet been revealed, snacking on crepes, mussels, baguettes and pastries is usually on the menu, too, and drinking French red and white wines, champagne, sparkling rosé, beer and non-alcoholic beverages. Thanks to the market, attendees can also browse for homewares, gifts, fashion, books and magazines, with showcasing French and French-inspired products the key aim. There'll also be an artists and artisans tent, and a boutique for souvenirs. Entertainment-wise, as well as live music, the fest will feature cabaret performances and can-can dancing. Want to steep yourself a little deeper in French style? That's where masterclasses have come in previous years. Past topics have featured everything from making French perfume to dairy to whipping up some profiteroles to dressing like you're in Paris. Then, cap off your weekend of Gallic goodness with a glass of champagne — yes, there tends to a session on that, too. Le Festival 2023 will runs from 4–9pm on the Friday, 8am–9pm on the Saturday and 8am–5pm on the Sunday, with tickets on sale now and the complete program still to come. Le Festival — Brisbane French Festival 2023 takes place from Friday, July 21–Sunday, July 23 at Victoria Park / Barrambin. For further details and tickets, head to the festival's website. Images: Ange Costes.
Modern portrait photography and Cindy Sherman go hand in hand. No, you won't spot any quickly snapped iPhone pics in her portfolio. Since the 1970s, the New York-based artist has revolutionised the concept of photographic representation. Her photos don't just provide a likeness of a particular person, typically played by Sherman herself; they offer striking character studies that exaggerate and interrogate perceptions of identity. Working alone in her studio, Sherman experiments with costumes, prosthetics, makeup and digital photography to embellish and manipulate the type of images that no one else could create. It's little wonder, then, that the photographer has become a global phenomenon — and just as unsurprising that the Gallery of Modern Art has sourced more than 50 large-scale pieces to mount the first major Australian solo exhibition of Sherman's work in more than 15 years. Everything from her famous 'head shots' series to her collaborations with Balenciaga and Chanel from part of the hefty exhibition, as does a sizeable program of events and talks that will help audiences to get to the heart of this unique artist and her stereotype-busting ideas. Image: Cindy Sherman / Untitled #466 2008 / Image courtesy: The artist and Metro Pictures, New York / © The artist
Whiplash is a drama about the pursuit of artistic greatness. Its characters push the boundaries in their determination to reach their goal. The film stars Miles Teller as an aspiring jazz percussionist, Andrew Neyman, who becomes so absorbed in his art he overworks himself mentally and physically, making his fingers bleed from overwork on multiple occasions. Starring alongside him is JK Simmons, playing his volatile music teacher, Terrence Fletcher, at a prestigious music academy. Wholly absorbed in a desire to create the best musicians of our time, Fletcher adopts a sort of survival-of-the-fittest teaching method, which borders on sociopathic. Oscillating between cruel mind games, verbal attacks and feigned pleasantness, he continually isolates his students — forcing nothing but the best. The film has won a string of awards, including the Grand Jury Prize and the Audience Award (US Dramatic) at the Sundance Film Festival, and is so far 96 percent certified fresh on Rotten Tomatoes. Whiplash is in cinemas on October 23 (with sneak previews 17-19 October at select locations). Thanks to Sony Pictures, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Read our review of Whiplash here. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=8J6JH-R-TN0
What were you doing on 10/10/10? It appears that innumerable professional and amateur filmmakers from over 200 countries were filming the world around them as part of the One Day On Earth Project. The initiative aimed to collect the many and varied stories and images of that particular day - pregnant bellies, soccer games, guitar playing, arrests, little colourful fish and hair-washing to name but a few - and in the process became one of the biggest participatory events in history. The project was the brainchild of founder Kyle Ruddick who, in 2008, had the idea of using cinema to connect people from across the globe. Since then, with the support of non-government organisations and the United Nations Development Program, it has turned into a social networking phenomenon where not only films but stories and information are shared. A feature length film of the project will be released in the near future, but for now a trailer has been released to give a brief glimpse into this ambitious project.
Kinky things are afoot behind proverbial white picket fences. Made with the financial assistance of the Melbourne International Film Festival Premiere Fund, the directorial debut of acclaimed local short film and music video director Stephen Lance takes your typically angst-ridden, po-faced Australian teen drama, and dresses it up in a full-body latex suit. A BDSM-themed coming of age story, My Mistress gets points for an eyebrow-raising premise and some bold stabs at Blue Velvet-style erotic voyeurism. Unfortunately, weak dialogue and clumsy characterisation soon leave the film feeling limp. The leafy suburbs of Queensland provide the backdrop for the story, one that begins when delinquent high-schooler Charlie (Harrison Gilbertson) discovers his father's body hanging in the garage. Stricken with grief and consumed with anger towards his mother (Rachael Blake), on whose shoulders he places the blame for his father's suicide, Charlie seeks comfort in an unlikely relationship with Maggie (Emmanuelle Beart), a professional dominatrix who has recently moved to town. It's a seriously strange set-up that, frankly, should have yielded far more interesting results. Lance shows adeptness behind the camera, and all three of the lead performances are quite strong. The problem with My Mistress lies instead with its screenplay, co-written by Top of the Lake creator Gerard Lee. The dialogue more often than not rings false, particularly when people are arguing, which they're doing almost all the time. There's also a baffling lack of consistency in the behaviour and personality of the characters, with Maggie and Charlie's relationship going from stable in one scene to downright hostile in the next. It's also disappointing to see Lance adopt the very boring, narrow-minded position that the sort of niche sexual behaviour exhibited by his characters must be a symptom of some sort of dysfunction or inner pain. Charlie's emotional dependence on Maggie obviously has its origins in the breakdown of the relationship with his mother. Likewise, the film goes to great lengths to make us understand that Maggie is damaged: a former drug addict who has lost custody of her infant son. Wouldn't it be nicer to see a movie about S&M practitioners who are just in it for a rip-roaring good time? Fingers crossed for 50 Shades of Grey. https://youtube.com/watch?v=6jZeKiaE04c
There are a few theories floating around about alt-pop Sydney singer-songwriter Andy Bull. The first (now proven) is that the shorter his hair gets, the more attractive he becomes. The man truly is a sort of mythical anti-Samson. The second is this: the reason Andy Bull hasn't become a household name in Australia has less to do with Andy Bull and more to do with the inhabitants of Australian households. You see, we don't quite know what to do with him. He's not shiny enough for our pop tastes; he's not weird enough for our alternative tastes. He's a little Regina Spektor/Ben Folds, but he's also just a little Justin Timberlake. The man refuses to be pigeonholed. But international superstars have ridden the Bull and concluded that it is an experience to be had. Music critics have done the same. He's been invited on the road with the likes of Joss Stone, Tim Finn and Duffy. When he wasn't busy touring with international superstars, he was releasing killer singles like 'Small Town Girl' and 'Young Man'. Then, upon dropping his debut album, We're Too Young, in 2009, Bull was showered with a Cyclone Zane of critical acclaim — including a 4-star review from Rolling Stone. Your chance comes on May 30. After 18 months off the road, Andy Bull returns to promote his newest Triple-J-dominating single, 'Keep on Running'. https://youtube.com/watch?v=JSGUxRWR_r8
If you like your pasta round and made from potatoes, then you're going to like this Brisbane cuisine-specific eatery. No, it's not an Italian joint. No, it isn't dedicated to doughy noodles in all shapes and sizes. Instead, Gnocchi Gnocchi Brothers is Australia's first dedicated gnoccheria. If that name sounds familiar, that's because you've likely come across Gnocchi Gnocchi Brothers' busy stall everywhere from the Jan Powers Farmers Market in the CBD and Eat Street at Hamilton to the brand new Mount Gravatt Marketta or Night Quarter on the Gold Coast. They've now made the leap so many market-based Brissie businesses have in recent years by opening their own bricks-and-mortar establishment, and are serving their fresh, house-made potato parcels from Paddington's Given Terrace. What none of their predecessors offer, of course, is an impressive array of gnocchi in varieties such as pumpkin and ricotta, and with sauces including slow-cooked bolognese, wild mushroom and truffle, cherry tomato and black olive, and duck ragu. Everything is made from organic ingredients, and they all come with ciabatta and parmesan. Of course, if you want something other than the the Brothers' dish of choice, there's starters and desserts too. Grab deep-fried mince-stuffed olives, fresh mozzarella with tomato and basil, or thick cut potato chips with truffle salt — or an Italian fresh ricotta cannoli, house-made tiramisu and vanilla bean panna cotta. Making your gnocchi dreams come true Tuesday to Saturday from 4pm till 10pm, Gnocchi Gnocchi Brothers is both a dine-in and takeaway affair. We recommend stopping by on an empty stomach.
Radiohead do things a little differently to most bands. When they released In Rainbows in 2007 using a pay-what-you-think-is-fair approach to selling records, they engineered a recalibration of the music world as a whole and showed us that it wasn't the industry that was dying after all, just the traditional businesses and approaches within it. Since then bands have created their own TV shows and asked fans to make their albums for them, technology companies have launched music services and broadcast entire music festivals live, and Radiohead has continued to produce some of the most consistently innovative work of them all. The band premiered a broadcast of The King of Limbs 'Live From The Basement' on Spanish TV over the weekend, and it has now surfaced online. Whilst no Australian air date has been announced, you can watch the entire performance here, including new tracks 'The Daily Mail' and 'Staircase'. https://youtube.com/watch?v=k8byXSML4bY
The world's first wandering institution dedicated to showcasing the creative efforts of ordinary folks is coming to Australia. That'd be the The Museum of Everything, which will head to Tasmania for a ten-month stint filled with pieces that you won't find in any other gallery. Launching during MONA's Dark Mofo in June, then running through until April 2, 2018, the exhibition will feature over 1500 works in themed spaces, taking visitors on an informal journey through human making. Drawings, sculptures, paintings, ceramics, collage, photography, assemblage, found objects and installations will all be on display during its first trip to our shores. Starting in London in 2009, and touring to Paris, Venice, Moscow and Rotterdam since, The Museum of Everything aims to improve the profile of art that falls outside of the usual channels. Forget famous names — you won't find them here. Instead, lining its walls are works crafted by untrained, unintentional, undiscovered and and otherwise unclassifiable artists from the 19th, 20th, and 21st centuries. Indeed, the people responsible for the kind of pieces favoured by the travelling display are compelled to channel their creativity into new, different and experimental works, but they don't fit the conventional definition of artists. As founder James Brett explains, "our artists do not create for the markets or museums. They make because they must and— from Henry Darger to Nek Chand Saini — have something vital to say about the essence of their lives". Image: George Widener, c. 2007, courtesy of The Museum of Everything.
Did you know that for the last 12 years, Richard Linklater has been tinkering away on the same project? Oh yes, in between Before Midnight and Before Sunset, A Scanner Darkly and Bernie, there's been Boyhood, an intimate coming-of-age drama utilising the same cast (Ethan Hawke, Patricia Arquette and kids Ellar Coltrane and Lorelei Linklater) and interested in the kind of authenticity that can be created when you're not artificially ageing or swapping in older actors. "There has simply never been anything like this film," wrote Rolling Stone, and we're inclined to agree. It's a unique way to experience the growing pains of a child — and that of his young, still-nutting-things-out parents. Boyhood is in cinemas on September 4, and in advanced screenings this weekend. Thanks to Universal Pictures, we have ten double in-season passes to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au https://youtube.com/watch?v=Ys-mbHXyWX4
If you haven't nabbed tickets to see Kendrick Lamar when he tours Australia at the end of 2025, you now have more chances to head along. First, in news worth exclaiming "DAMN"- and "LOVE" about, he was announced as Spilt Milk's 2025 headliner. Then, not content with taking to the stage Down Under in Ballarat, Perth, Canberra and on the Gold Coast, the acclaimed hip hop artist locked in two solo Aussie stadium shows — one each in Melbourne and Sydney. Now Lamar has expanded those standalone gigs on his Grand National tour, adding an extra date in each city. Accordingly, after making its way around North America and Europe, Lamar's latest string of live dates now spans two nights apiece in the Victorian and New South Wales capitals. First up: Melbourne, at AAMI Park across Wednesday, December 3–Thursday, December 4, 2025. Then comes Allianz Stadium in the Harbour City over Wednesday, December 10–Thursday, December 11, 2025. [caption id="attachment_1008775" align="alignnone" width="1920"] Gregory Shamus/Getty Images[/caption] Lamar's Aussie stadium shows still kick off before his Spilt Milk dates, then slot in-between the festival's two weekend runs. The fest hits Ballarat on Saturday, December 6; Perth on Sunday, December 7; Canberra on Saturday, December 13; and the Gold Coast on Sunday, December 14. For company at his solo gigs, he'll have ScHoolboy Q in support on Wednesday, December 3 and Wednesday, December 10, as previously announced. On the new dates — so on Thursday, December 4 and Thursday, December 11 — Doechii will be doing the honours. December clearly suits Lamar for a jaunt Down Under — that's when the Pulitzer Music Prize-winning musician also made the trip in 2022. Lamar is one of the most-critically acclaimed and successful hip hop artists of our generation. He currently has 22 Grammys to his name, plus an Academy Award nomination for one of his contributions to the Black Panther soundtrack. He won the 2017 Triple J Hottest 100 and, when he nabbed his Pulitzer in 2018, he also became the first ever artist to take out the prestigious award for contemporary music. GNX, his most-recent studio album, dropped in November 2024 — with his extensive catalogue also spanning 2011's Section.80, 2012's good kid, m.A.A.d city, 2015's To Pimp A Butterfly, 2017's DAMN and 2022's Mr. Morale & the Big Steppers. Kendrick Lamar Grand National Tour 2025 Australian Dates Wednesday, December 3–Thursday, December 4 — AAMI Park, Melbourne Wednesday, December 10–Thursday, December 11 — Allianz Stadium, Sydney Spilt Milk 2025 Dates Saturday, December 6 — Victoria Park, Ballarat Sunday, December 7 — Claremont Showground, Perth Saturday, December 13 — Exhibition Park, Canberra Sunday, December 14 — Gold Coast Sports Precinct, Gold Coast Kendrick Lamar is touring Australia in December 2025, with ticket presales for his second Melbourne gig kicking off at 11am on Thursday, August 7, and for his second Sydney gig at 12pm on Thursday, August 7 — with general sales from 1pm on Monday, August 11 in Melbourne and 2pm on Monday, August 11 in Sydney. Head to the tour website for further details. Top image: Timothy Norris/Getty Images for pgLang, Amazon Music, & Free Lunch.
Keen to combine romance and gambling? Sadly an overnight getaway to Vegas is probably off the cards for a while yet, so if you're looking for an over-the-top way to celebrate Valentine's Day this year, this might be the next best thing. QT Hotels around New Zealand and Australia are offering loved-up couples the chance to win big when they book a Valentine's stay at any of their hotels in February, and we mean really big. Live in the hotel for the rest of the month, big. Yup, that's right Chuck Bass. For the price of one night's stay, you could be living it up in a hotel for weeks, ordering breakfast to your bed and dialling into Zoom calls poolside. View this post on Instagram A post shared by QT Auckland (@qtauckland) It's all part of the new Love Is Blind promotion run by QT, inviting guests to roll the dice in a low-risk, high-reward game of romantic roulette. Book a stay with your beau (or bestie, or even your mum) between Friday, February 11 and Tuesday, February and you'll be surprised with either an upgrade or downgrade on check-in. The upgrades are all looking pretty sweet. You might get your champagne bottle levelled up to a magnum, or even your room upgraded to a suite. The best prize on offer is having your stay extended until Monday, February 28 — that's 17 nights for the price of one. And that offer is on at every QT Hotel in Australia and New Zealand, so you're in with a decent shot at winning. Of course, the flipside is risking a downgrade — that's gambling for you. QT promises that downgrades are "rare" but they're there: you might get a mere chocolate on the pillow (still sounds yum tbh) or have your King-sized bed downgraded to two twin beds. Sexy! The novel promotion is not out of character for the hotel chain, which is known for its quirky campaigns. Back in 2020, it ran a Rock Star package encouraging you to book out an entire floor to party with your mates. Upon opening in Auckland, the hotel hid 150 room keys around the city in a giant treasure hunt. In this case, you're relying on a fair bit of luck to be on your side — but if you're already lucky in love, this will just be the icing on the cake. The Love Is Blind package is available at QT Sydney, QT Bondi, QT Canberra, QT Melbourne, QT Gold Coast, QT Perth, QT Auckland, QT Wellington and QT Queenstown between Friday 11 February to Tuesday 15 February 2022. Bookings are available now, with February 14 the last available day to book.
In news that will probably not surprise anybody, the ill-fated oBikes of Melbourne are set to vanish off the streets for good. Confirmed by Port Phillip Mayor Bernadene Voss and Melbourne Lord Mayor Sally Capp, the move is a reaction to new guidelines imposed by the Environmental Protection Agency, in which abandoned bikes blocking streets for more than two hours would prompt $3000 fines. According to reports, the Singapore-based bike sharing service would rather move out of Melbourne than risk having to cough up the hefty fines. These fines are on top of earlier restrictions Melbourne councils imposed on oBike back in late 2017. oBike was introduced to Melbourne a mere year ago, a station-less bike service which in theory is convenient — as users don't have to dock them at the end of a ride — but in practice resulted in abandoned oBikes being strewn all over the place, including many in the Yarra. The past year has also been rough waters for oBike in the media, with reports about violence being carried out with the bikes emerging (luckily, the target was just a train; unluckily, the damage totalled $300,000). The abandoned bikes on the streets of Melbourne, of which there are many, are currently being rounded up, and the oBike storage facility in Nunawading has been cleared. It's the next troubled chapter for bike sharing companies in Australia. Earlier this year in Sydney, oBike — and three other major bike rental operators Reddy Go, Ofo and Mobike — all had to comply with a new set of guidelines designed to target bike dumping and vandalism. Six Sydney councils developed the guidelines, focusing on the distribution and redistribution of the bikes post-ride, as well as timeframes for removal of faulty bikes on behalf of the bike company. Mobike has its sights set on Melbourne next, so we can only hope that it's able to comply with council restrictions — and less of them end up as river pollution. Via The Age
What's better than one buttery, flaky croissant that's been called "the finest you will find anywhere in the world" by The New York Times? A three-course croissant degustation that riffs on that tasty pastry. That's what Lune Lab is all about, with the dining experience by Lune Croissanterie making the leap to its South Brisbane store from November. The Melbourne-born bakery only set up shop in Queensland in August this year, marking its first venue beyond its hometown. That was great news for pastry lovers in general, but adding its Lune Lab dining experience obviously takes things up a few notches. For your $75 ticket, you'll start with a traditional croissant, served fresh out of the oven. Next, you'll eat a savoury course — the details of which you'll find out on the night — before going sweet to finish things off. You'll also get two hours of unlimited non-alcoholic beverages, and you can add a glass of champagne as well. [caption id="attachment_830352" align="alignnone" width="1920"] Kim Liew, @kimmyyliew[/caption] It's a far fancier experience than just picking up croissants at your local bakery, clearly, and it all takes place in Lune's bar overlooking 'The Cube', aka its raw production kitchen. So, you'll be eating croissants and croissant-based dishes, and also watching Lune's chefs in action. Because Lune is about pastries, this is brunch and lunch affair — with sittings every Friday, Saturday and Sunday at 9.30am and 12pm. Lune Lab is held in two-month seasons, with its first Brisbane run taking place from Friday, November 5–Sunday, December 19. And if you're new to the bakery brand — and wondering why it's such a big deal — it's all in the technique. Founder Kate Reid is an ex-Formula 1 aerodynamicist, and brings scientific precision to her craft. That includes that aforementioned climate-controlled glass cube that Lune croissants are made and baked in, and the time-consuming process used to perfect each flaky pastry. Lune Croissanterie's Lune Lab sessions will run from Friday, November 5–Sunday, December 19 — at 9.30am and 12pm on Friday, Saturday and Sunday — at Shop 1, 13–17 Manning Street, South Brisbane. Tickets go on sale at 7.30pm AEST on Thursday, October 28. Top image: Kim Liew, @kimmyyliew. Images are samples only, from Melbourne's Lune Lab sessions, and don't represent what'll be on the menu in Brisbane.
There's something for everyone to get around when it comes to Halloween, whether it's eating nauseating amounts of lollies, flexing your arts and crafts skills and fashioning yourself a costume, or pulling that five-piece (mask included) Batman get-up out of storage and donning it to feel like the superhero you really are. Trick or treating never really caught on here, but we'll be damned if we won't use the occasion as an excuse for a spooky time. There are plenty of eerie events and halloween themed nights happening around town for you to get amongst. Here's a list of some of the best things going on in Brisbane for Halloween, ranging from the not-so scary (a Dias de los Muertos fiesta) to the truly unsettling (a ghost tour through an abandoned gaol).
This week, the Gillard Government announced their long-awaited arts and cultural policy: Creative Australia. Fashioned as a sort of 21st-century sequel to Keating's groundbreaking Creative Nation, the $235 million policy is perhaps the most comprehensive and wide-ranging articulation of and investment in the arts ever seen in Australia. And thus far the policy has been met with the sort of response that the Gillard Government has grown increasingly unaccustomed to: overwhelming support. But what does Creative Australia actually have to offer? The 152-page policy takes real steps to reflect the artistic diversity of Australia through major investments in Aboriginal art and international artistic partnerships, particularly in Asia. It also demonstrates the government's desire to support the cultural industry as exactly that: an industry. By putting money in the pockets of artists and cultural institutions, the government is hoping to create jobs and expand an industry that currently employs over 531,000 people and has produced an estimated $93.2 billion in profits. Having ploughed through pages of the usual PR guff, it has been a pleasant surprise to find that Creative Australia actually has the potential to radically expand and reform Australia's cultural industry. As the policy states, "culture is not created by government but enabled by it", and while this statement has a distinctly hollow political ring to it, it is a surprisingly accurate way of describing how these four features of Creative Australia could revamp our artistic landscape. A GREATER FOCUS ON ASIA A couple of generations ago, depending on who you speak to, Australians began celebrating and/or bemoaning the invasion of American culture into our own artistic landscape. These days, Asia is the new kid on the block, and the Australian government are hoping to capitalise on Asia’s growing cultural dominance through the creation and strengthening of various formal and informal artistic partnerships with the region. In the world of cinema, this means more co-production agreements between Australian and Asian filmmakers. Such partnerships with Singapore have already produced the Jaws-esque horror blockbuster Bait 3D (which reached number one at the box office in China) and the forthcoming TV project Serangoon Road, which is set to air on the ABC and Home Box Office Asia later this year. In the world of visual art, this means the introduction of new legislation protecting overseas loans, such that more Japanese and Chinese art will be popping up in your local gallery in exchange for Australian artworks gaining greater exposure in Asian galleries. SUPPORTING THE DIGITAL REVOLUTION Australia's most neglected (yet highest grossing) digital artform is finally getting the sort of government attention it most richly deserves: video games. The newly formed Australian Interactive Games Fund is set to receive $20 million over the next three years in an effort to support Australia's independent games studios in the creation of digital content. Digital media has likewise radicalised the way we consume music, films and television and the Creative Australia policy reflects this converging cultural market. The Federal Government has outlined a variety of policy initiatives including the creation of an online production fund, a $10 million investment to support the production of screen and television suitable for digital platforms, a $5.4 million investment into Australian music and radio and a comprehensive review of Australia's copyright laws to determine whether they appropriately reflect Australia's digital media landscape. INCREASED FUNDING FOR SIX PERFORMING ARTS COMPANIES A central component of the Creative Australia policy has been to support artistic institutions that tell distinctly Australian stories. While once upon a time, the term 'Australian stories' was synonymous with ocker comedies and gross stereotypes of the Crocodile Dundee and Barry McKenzie variety, the term has now come to represent a multiplicity of experiences that have a uniquely Australian character. The Federal Government have invested $9.3 million in six performing arts companies who by their estimations have developed a reputation for telling meaningful Australian stories, whether this be through original productions or contemporary reinterpretations of classics. The six companies are Bangarra Dance Theatre (NSW), Belvoir (Company B) (NSW), Black Swan State Theatre Company (WA), Malthouse Theatre (Vic), Circus Oz (Vic) and West Australian Ballet (WA). This funding has the potential to transform these often small, boutique performing arts companies into world-beating artistic hubs. FURTHER JOB CREATION IN THE ARTS Creating jobs in the cultural industry takes one primary form in the Creative Australia policy: nurturing and capturing talent through investment in educational institutes. This investment isn't just for elite training organisations, though the government is pumping an extra $20.8 million into these institutions, but also for younger budding artists and performers. Particularly notable is the investment of $8.1 million into the Creative Young Stars Program, encouraging artists from primary school age to those in their early twenties to roll up their sleeves and get stuck into the arts. The Gillard government have also recognised the increasing difficultly faced by artists and performers in transitioning from tertiary education into the workforce. This is seen in the $9.7 million investment into ArtStart, which focuses on making artists more business-savvy in the dog-eat-dog world of art and the $3.4 million given to the ArtsReady program to support school and university graduates transform their love of art, music, dance, performance or drama into a fulltime profession.
Hollywood is giving video games to the film and TV treatment like it's collecting loot, with Borderlands the latest button-mashing favourite heading to cinemas. Cate Blanchett (The New Boy) as Lilith, Kevin Hart (Lift) as Roland, Jack Black (The Super Mario Bros Movie) voicing Claptrap, Eli Roth (Thanksgiving) writing and directing, treasure-hunting antics, seemingly trying to make the next Guardians of the Galaxy: that's all in store, as the just-dropped first trailer for the movie shows. Set for an August 2024 release, the Borderlands film isn't done with its familiar names and faces yet. Everything Everywhere All At Once Oscar-winner Jamie Lee Curtis also features, alongside everyone from Edgar Ramírez (Dr Death) and Ariana Greenblatt (Barbie) to Florian Munteanu (Creed III) and Gina Gershon (reteaming with Roth after Thanksgiving). And the tale they're telling? It focuses on bounty hunter Lilith's return to the chaotic Pandora, her home planet — and a "dumpster fire of a world", she notes — to find Atlas' (Ramírez) missing daughter. To do so, she needs assistance from mercenary Roland, demolitionist Tiny Tina (Greenblatt), the beefy Krieg (Munteanu) and scientist Tannis (Curtis) — and, from robot Claptrap, with Black lending his voice to another flick based on a hugely popular game after his stint as Bowser in 2023. In the colourful debut sneak peek, mayhem ensues as the movie's main crew navigate bandits and aliens, and have saving the universe as one of their aims. So, if you're new to all things Borderlands and this first glimpse at the film has you thinking of Guardians of the Galaxy, that's understandable. The vibe invites the comparison, right down to the use of a 70s hit: Electric Light Orchestra's 'Do Ya'. A film version of Borderlands has been in the works for almost a decade, with the game itself first arriving in 2009 and spawning three more so far in its main series — 2012's Borderlands 2, 2014's Borderlands: The Pre-Sequel and 2019's Borderlands 3 — plus a number of spinoffs. Shot in 2021 but finally hitting screens in 2024, the Borderlands flick comes after 2023 proved big for game adaptations thanks to The Super Mario Bros Movie, the TV take on The Last of Us and cinema's Five Nights at Freddy's. 2024 will also deliver a Fallout streaming series, plus the third Sonic the Hedgehog movie. The list of upcoming titles doesn't end there, either, including turning The Legend of Zelda into a live-action film. Check out the trailer for Borderlands below: Borderlands will release in cinemas releases in US cinemas on August 9 — we'll update you with a Down Under release date when one is confirmed. Images: courtesy of Lionsgate.
You can never have too much greenery in your life, both inside and outside your house. And, whether you're decking out your interiors or setting up a luxe outdoor hangout zone, you can never have too many homewares either. At least that's what you'll keep telling yourself while you're browsing around The Home Collective's wares. At its next event, the northside market will be offering up an array of plants, pots, furniture, cushions, art, ceramics, candles and other items that belong in your house or garden. If you're keen for a sneak peek, or some design inspiration, check out the event's Instagram page. That'll motivate you to head along, we're certain. Taking place at the Wavell Heights Community Hall from 7–11am on Sunday, February 27, the market will kit out your abode with plenty of choices — usually, there's more than 55 stalls ready for you to peruse. Sure, there's an excuse to boost your garden and homewares cred every weekend in Brissie, or so it seems, but you just can't have to much of a good thing. Entry is via gold coin donation, which'll go to the folks at Animal Welfare Queensland. And there'll also be caffeinated beverages on offer to help perk up your Sunday morning — plus bites to eat from a range of food trucks.
Forget microwave dinners. Come the not too distant future, you could be cooking your food in the washing machine. A university student in Tel Aviv has recently devised a new type of instant meal that cooks sous-vide style in the laundry along with your dirty socks. How very appetising. Created by Iftach Gazit of the Bezalel Academy of Arts and Design, the Sous La Vie bags are made from waterproof Tyvek paper, and contain a sealed inner plastic bag — ensuring you don't end up with mixed veggies in your undies, or soap in your salmon teriyaki. "In sous-vide, the food is cooked in a bath-like device at temperatures usually around 50 to 70 degrees Celsius," explains Gazit in a blog post. "The same conditions can be found in a washing machine." "Instead of following a sous-vide recipe and cooking a piece of meat at 58 degrees Celsius for two and a half hours, just set your washing machine to 'synthetics' for a long duration program," he suggests. "Cooking vegetables? Set your machine to 'cotton' for a short duration program." In addition to being a convenient — if rather disconcerting — option for those of us who don't have a lot of time to prepare food, Gazit also believes that his invention could help those who are sleeping rough, pointing out that all night laundromats often double as impromptu accommodation for the homeless. "They offer a hassle-free shelter," he explains. "So why shouldn't you be able to cook some food while there?" It's not clear if and when Gazit's product will ever hit the market, or whether it would ever really be embraced by consumers. Still… surely you'd be curious to try it at least once. Via Dezeen.
Name an adored Australian movie or book — or a film that was adapted to a novel — and, in plenty of cases, there's a theatre version as well. The same works vice versa, too. As a result, we've all had multiple ways to enjoy Muriel's Wedding, Moulin Rouge!, The Adventures of Priscilla, Queen of the Desert, Wake in Fright, Bran Nue Dae, Jasper Jones and more. And, before 2022 is out, the same will prove true of Looking for Alibrandi. Melina Marchetta's beloved book was initially published in 1992, and has been devoured by teenagers for three decades since. In 2000, it hit the big screen, with Pia Miranda as Josephine Alibrandi — and the movie has been given a workout for two-plus decades now. But this year marks the first time that Looking for Alibrandi will make the leap to the stage, with both Malthouse and Belvoir doing the honours. Premiering in Melbourne at Malthouse's Meryln Theatre from July 8–24, before playing Belvoir's Upstairs Theatre in Sydney from October 1–November 6, Looking for Alibrandi will still chart the same multi-generational story it has always told no matter the format, with 17-year-old Sydney student Josie at its centre. She's in her last year of school, dreaming of a bright future and trying to navigate the clash of cultures that comes with being Italian Australian. She also gets to know her dad, and falls in love for the first time. Director Stephen Nicolazzo (Loaded, Merciless Gods) is guiding this stage version of the best-selling book to theatres, as adapted by Vidya Rajan — and starring Chanella Macri (Australian Realness), Lucia Mastrantone and Jennifer Vuletic (Because The Night) as the Alibrandi women. Looking for Alibrandi fans in other cities, cross your fingers that the nostalgic stage production will make its way to your stages, too. And if you need something to tide you over until the play hits Malthouse and Belvoir, check out the Looking for Alibrandi film trailer below: Looking for Alibrandi will premiere in Melbourne at Malthouse's Meryln Theatre from July 8–24, before playing Belvoir's Upstairs Theatre in Sydney from October 1–November 6. Head to the Malthouse and Belvoir websites for further information and to buy tickets. Top image: Kristian Gehradte.
So many places to visit, such little time to see them all: that's about to become the kind of problem Aussies absolutely love to have. International travel from Australia is set to resume on a state-by-state basis from November, kicking off in New South Wales on Monday, November 1. And, because it's all happening faster than expected, Qantas has announced that it's speeding up some of its plans. The Aussie airline revealed back in August that it was planning to begin flying overseas again in December this year, based on when it forecast that Australia's international borders would reopen again. Then, it advised that it was moving forward its flights from Sydney to London and Los Angeles — the former direct via Darwin — to mid-November. So, in an ever-changing space, its latest announcement is hardly surprising news. It's still thoroughly welcome by everyone already mentally packing their bags, obviously. Overall, Qantas' Australian-based Qantas and Jetstar employees will all head back to work in early December, ahead of international travel resuming nationwide — but some flights will kick off before that. At present, just the Sydney details have been revealed, with trips to Singapore recommencing on Tuesday, November 23, four weeks earlier than initially scheduled; legs to Fiji beginning on Tuesday, December 7, just under two weeks early; and flights to Johannesburg starting on Wednesday, January 5, a huge three months before originally outlined. Also, if you're keen to head to Thailand, flights to Phuket and Bangkok will restart on Wednesday, January 12 and Friday, January 14, respectively. That's more than two months early, and perfectly timed to kick off 2022 with a getaway. Qantas has also announced a new route, from Sydney to Delhi via Darwin, starting Monday, December 6. It'll mark the carrier's first commercial flights between Australia and India in nearly a decade. Before you go digging out your passport, it's worth remembering that different border rules apply both internationally and domestically. So, the rules at your destination — and the requirements upon coming home, depending on where you live in Australia — will vary. One place where the conditions might soon be cemented: Singapore. At the same press conference where Qantas Group CEO Alan Joyce announced the airline's latest change of plans, Australian Prime Minister Scott Morrison also revealed that an agreement should soon be finalised regarding Aussie travel to the southeast Asian city-state. "We are in the final stages of concluding an arrangement with the Singapore Government. I was in a position, as you know, some months ago when I met with the Prime Minister of Singapore, Prime Minister Lee in Singapore, to set up a new arrangement which will see our borders open more quickly to Singapore. We anticipate that being able to be achieved within the next week or so, as we would open up to more visa class holders coming out of the Singapore. We will see that occur," said the Prime Minister. News of a possible quarantine-free travel bubble with Singapore was first floated back in March, and mentioned again by both Australian Prime Minister Scott Morrison has just met with his Singaporean counterpart Lee Hsien Loong in June. For more information about Qantas' international routes or to book, visit the airline's website.
You can never have too many occasions to eat cheese, but this new Brisbane cheese festival isn't just keen to shower cheese fiends with creamy goodness. A collaboration between Bruny Island Cheese Co. cheesemaker Nick Haddow and the organisers of Pinot Palooza, Mould wants dairy lovers to explore and devour the mild, hard and soft bites that Australia's best cheese wizards have to offer. After successful outings in Melbourne and Sydney, the festival will make its way to Brisbane for the first time on Sunday, May 19, 2019. Alongside unlimited tastings of Australia's best cheeses — with the lineup still to be announced— it'll feature flavoursome fare from cheese specialists too. Think of it as a cheese tasting trip around Australia without leaving Lightspace. Of course, snacking on samples and purchasing slices and slabs to take home with you are just two ways to enjoy cheese. The fest will have cooking demonstrations, masterclasses and talks so you can stretch your cheese knowledge as well as your cheese stomach. And it wouldn't be a cheese festival without beverages to wash it all down with, so expect a bar serving Aussie wines, whisky, beer and sake — all of which match nicely to a bit of cheese. There will be two sessions: one running from 11am–3pm and the other from 4–8pm. Tickets cost $40 for early bird purchased and $45 afterwards, which includes tastings.
January 26 as been given many labels. On a difficult occasion, Survival Day is one of them. Commemorating and celebrating the endurance of Australia's Indigenous population, marking the date involves recognising and paying tribute to the nation's First Peoples in morning ceremonies. In Brisbane, the Benarrawa Aboriginal and Torres Strait Islander Solidarity Group and Benarrawa Community Development Association will lead a gathering along the banks of the Brisbane River and Benarrawa (Oxley Creek). Meeting at the bronze canoe near Simpsons Playground in Graceville, the event will pay tribute to the original inhabitants of the area, with all Australians welcome to participate. Attendees are asked to arrive at 7.15am for a 7.30am start, and to bring clap sticks, a hat and native flowers, with the posies cast into the river at the end of the ceremony. Also recommended: bringing a rug or chair to sit on. Following the official proceedings, everyone is also invited to stay for a bite and a drink, so don't forget your cold or hot beverage of choice and a plate to share. Top image: Kgbo via Wikimedia Commons.
