Need to find your way from The House That Jack Built to Hotel California? Or maybe you got lost on the Highway to Hell trying to find Penny Lane? This is what the world would look like if you could build a city from your iTunes library. A map of song titles, made by the creative collective Dorothy, is more than worthy of hanging on your wall. Song Map
Dust off your sombreros, amigos. The latest international excuse for a good time to reach our shores is Cinco de Mayo — a celebration of all things Mexican (which, if we’re being nit-picky, is really more of an Americanisation than anything but shh, let us party). In celebration, the folks at Corona and Beach Burrito Company Fortitude Valley are putting together a fiesta, complete with face painting by local street artists and the first ever Taco Time Trials Eating Contest. For the less competitively inclined but equally taco-happy, Cinco de Mayo falls conveniently on a Tuesday, and Beach Burrito Co’s regular $3 taco deal applies, so your pesos’ll stretch further. With what you’ve got left, you can sip salt-rimmed margaritas, down trays of tequila shots (not recommended) or share a bucket of ice-cold Coronas. And, of course, come prepared to smash and whack your way to glory, because they wouldn’t be doing Mexico right without pinatas.
When you're a winery that's located in the inner city — without vines, but still with plenty of stomping — you've already given Brisbanites a very good reason to drop by. Fortitude Valley's City Winery doesn't just stand out because of its concept, however. It also serves up plenty of other excuses to get sipping, such as its new Sunday sessions. Every week from 2.30pm, the Wandoo Street spot is now pouring frosé slushies to wrap up the weekend. 'Tis the time of year to get your booze in frozen form, thanks to the weather. It's also an excuse to get slurping at the oyster bar, and to listen to live tunes by local saxophonist Ryan Livings. A DJ will also be on the decks, so expect plenty of music. City Winery's chefs are hosting streetside barbecues as well, so you'll have something to tuck into other than seafood. Bookings aren't necessary, which means that you just need to gather the gang, head to the Valley, get comfy and grab a glass — or several.
It’s time to stop fishing behind couch cushions and shaking piggy banks; the boutique hotel-hunters at Mr & Mrs Smith have unearthed 10 budget-conscious escapes that won’t need a second mortgage. These ten wallet-friendly stays made the shortlist for ‘Best Budget Hotel’ in the inaugural Smith Hotel Awards, which just took place in London. Want to know the winner? You’ll have to keep reading. Best for bona fide bohemia: Brody House, Budapest, Hungary Smith’s ‘Best Budget Hotel’ is more like the private designer digs of a swish friend than a hotel. Brody House is bursting with creative inspiration and can add sometime-host to film and fashion shoots to its artistically inclined resume. Each room has its own unique style — some feature freestanding gold bath tubs — and is named after the artists whose works adorn the walls. The Brody House Bar is open to the public and keeps pouring as long as guests keep sipping; there’s also an honesty bar, so you can tap into your inner mixologist. An in-house chef prepares simple and seasonal Hungarian fare that changes daily and is best enjoyed in the picturesque courtyard. Best for pool-side hedonism: Ace Hotel & Swim Club, Palm Springs, United States Escape the desert heat and hop into the cool cocktail that is Ace Hotel & Swim Club: a reinvented hotel haven, luring in pleasure-seekers, bohemian-beauties and the hipster-chic. Designed with an organic, laidback ethos, some rooms have garden patios and fireplaces, record players and old vinyl. Brave the heat by renting a candy-coloured Vespa or booking a horse-riding lesson. Those reluctant to venture away from the cool comfort of air-conditioning may prefer languidly lying in a hammock and working through the bar’s cocktail menu. The King’s Highway restaurant (formerly a roadside Denny’s diner) dishes up classic American fare with dashes of the unexpected, such as kurobuta pork chops and roasted halibut cheeks. Best for culture vultures: Home Hotel, Buenos Aires, Argentina Click your heels and escape to Home Hotel, a green dream hidden away in an ivy-entwined structure in residential Buenos Aires. The eco-design and open-air pleasures – an outdoor passageway leads to the restaurant overlooking the gorgeous grounds – extend through to the rooms, which are tricked out with retro Scandinavian furnishings and vibrant vintage wallpaper in pretty florals. Take in an obligatory tango performance and a Lloyd Webber-inspired stroll to the grave of Eva Perón, before succumbing to the nimble-knuckles of Home’s in-house masseur, Luis. Don’t go back to your actual home without sampling delicious tapas and a Bloody Mary at the bar. Best for a romantic rendezvous: The Reading Rooms, Kent, United Kingdom Tucked behind a classic Georgian facade, The Reading Rooms is dotted with antique furnishings, preserved features and nooks for rekindling romance or igniting a new flame. Each of the three rooms occupies a floor of the restored townhouse and has antique wooden floors fit for a foxtrot, high ceilings and views over a peaceful tree-lined square. Begin days by dining on the in-room breakfast spread — bacon and sausage sandwiches, just-baked croissants and fresh fruits — before exploring Margate’s vintage boutiques and the picturesque Kent coast. Best for a rural romance: Borgo della Marmotta, Umbria, Italy Peer over the high stone walls at Borgo della Marmotta to find clusters of beautifully converted 17th-century farmhouses and stables, olive trees and views of Spoleto Valley. There’s no flash and pomp here; instead, expect a simple spin on luxury: rustic cobblestoned passaged leading to charming rooms and pockets of lush garden, pots of lemon trees casting shadows on the terrace and vibrant bunches of wisteria hanging from pergolas. Rise early to snag a table outside for a breakfast feast of sweet croissants, conserves, cheeses and cold cuts, before whiling away Umbrian sun-soaked days by the glittering blue pool. Best for artistic inspiration: The Cullen, Melbourne, Australia One for art aficionados and the creative coterie, The Cullen is inspired by the eye-catching and contemporary works of Adam Cullen — the hotel even has its own dedicated art curator, who has the lowdown on the top exhibitions around town. The gallery-worthy aesthetic continues to the rooms, where cartoonish prints adorn the walls and glass showers are engraved with Ned Kelly-esque horses and bushrangers — the views of Melbourne’s skyline aren’t half bad either. After a day of pedalling between Prahan’s fashionable boutiques — bespoke red Swedish Kronan two-wheelers are available to rent — don your newest designer duds and head downstairs to one of the eateries off the hotel’s ground floor. Gramercy Bistro brings a taste of New York to Melbourne, serving Reuben sandwiches, buttermilk pancakes and six cuts of steak to knock your oversized sunglasses off; Hutong dishes up dumplings and delectable duck. Best for a weekend wind-down: The Wheatsheaf Inn, the Cotswolds, United Kingdom Having played host to Kate Moss, The Wheatsheaf Inn has gone from traditional British coaching inn to bang-on designer den. Paintings of historic British tobacco barons keep a watchful eye over the Inn’s dining room, an inviting and lively eatery where seasonal produce is the star in a daily-changing menu and the all-day weekend brunch is best washed down with a Buck’s fizz. Between feasts, shooting — of the real and clay-pigeon variety — is up for grabs near this rustic retreat or, if you prefer something with fewer bangs, meander around the wallet-tempting boutiques of Northleach. Best for beach bliss: Mia Resort, Nha Trang, Vietnam A sojourn at Mia Resort — once a sugarcane plantation — will certainly leave a sweet taste in your mouth. This sandy getaway is neighboured by imposing mountains, lush greenery and beyond-blue waters, where days are spent moseying barefoot between the turquoise pool, sun loungers and Xanh Spa. Sea-frolicking is thirsty work and Mojitos bar serves at least eight varieties (if we miscounted, blame the rum); sip your way through ginger, whatijo (watermelon), lemon and lychee libations. Nab a spot on the sugar-sand beach for a sunset picnic, complete with a hamper groaning with sandwiches, cupcakes, a cheeseboard and carafe of fruit juice — just make sure to book ahead. Best for palatial paradise: Baudon de Mauny, Languedoc-Roussillon, France Walk through the heavy, centuries-old wooden front door at Baudon de Mauny and into the quiet cobbled courtyard to feel instantly at ease. Sprawling rooms are coupled with vintage-inspired furnishings and contemporary cool to create an escape with style so sophisticated, it could only be French. After exploring the local markets and brocantes, recline on the antique scarlet sofas in the first-floor salon, a glass of Faugeres in hand. Best for coastal calm: Chapman House, Nantucket, United States Forget ships in glass bottles and cliched beach-themed interiors: at Chapman House, nautical stripes have been replaced with pops of teal, coral and ikat prints. A kingly Continental breakfast is served each morning — fresh-baked breads and croissants, homemade muffins, fruits, cheese and granola parfaits — the perfect preface to a stroll around the harbour town or a series of aquatic adventures, including sailing lessons, whale watching, fishing excursions and sea kayaking. You don’t need a reason to return to boutique base-camp but Chapman House gives you one anyway: freshly baked cookies are your afternoon treat here. For more Mr & Mrs Smith boutique hotels, visit www.mrandmrssmith.com or call the expert Travel Team on 1300 896 627. Smith guests enjoy exclusive extras at all stays.
The timeless American play and award-winning film, Driving Miss Daisy, is gracing the stage of QPAC’s Playhouse for 3 weeks in February. It tells the heartwarming story of the long spanning relationship between an elderly Southern Jewish woman, Daisy Werthan, and her compassionate African-American chauffer, Hoke Colburn. The iconic tale is one of pride, the changing times, and the transformative power of friendship. To add to this eagerly-awaited event are the talents who will be bringing the story to life. Angela Lansbury will be playing Miss Daisy, alongside James Earl Jones as Hoke. This is to be a strictly limited season, though there are still a host of showings with tickets still available. There are also worthwhile discounts available for groups for select matinees and weeknights. It is a rarity to see such highly regarded actors coming together to present a classic such as Driving Miss Daisy – not to be missed.
Twenty-six years ago, "do you like scary movies?" stopped being just an ordinary question. Posed by a wrong-number caller who happened to be a ghostface-masked killer with a fondness for kitchen knives, it was the snappiest and savviest line in one of the 90s' biggest horror films — a feature filled with snappy and savvy lines, too — and it's now one of cinema's iconic pieces of dialogue. It also perfectly summarised Scream's whole reason for being. The franchise-starting slasher flick didn't just like scary movies, though. It was one, plus a winking, nudging comedy, and it gleefully worshipped at the altar of all horror films that came before it. Wes Craven helmed plenty of those frightening features prior to Scream, so the A Nightmare on Elm Street and The Hills Have Eyes director was well-equipped to splash around love for the genre like his villain splashed around entrails — and to eagerly and happily satirise all of horror's well-known tropes in the stab-happy process. If you've seen the 1996 film or its three sequels till now, you've bathed in all that scary movie affection. You might've gleaned the horror basics from their rules and references; the OG film even had its characters watch Halloween and borrows the 70s classic's stellar score for key scenes. Geeking out over spooky cinema is the franchise's main personality trait, to the point that it has its own saga-within-a-saga, aka the Stab movies, and its fifth entry — also just called Scream — wouldn't dream of making that over. The famous question gets asked, obviously. Debates rage about the genre, enough other horror films are name-checked to fill a weekend-long movie marathon, cliches get skewered and dissected, and there's a Psycho-style shower scene. 'Elevated' horror standouts The Babadook, It Follows, The Witch and Hereditary earn a shoutout as well, but Scream itself just might be an elevator horror flick. It isn't set in one, but it crams in so much scary movie love that it always feels like it's stopping every few moments to let its nods and nerding-out disembark. In other words, you'd really best answer Scream's go-to query with the heartiest yes possible, and also like watching people keep nattering about all things horror. Taking over from Craven, who also directed 1997's Scream 2, 2000's Scream 3 and 2011's Scream 4 but died in 2015, Ready or Not's Matt Bettinelli-Olpin and Tyler Gillett task their next generation of slasher fodder with showing their devotion with all the subtlety of a masked murderer who can't stop taunting their prey. It's playful, irreverent, loving and meta but also overdone, even as the film has something savage to say about internet-era fandom and its non-stop demands (especially with big, popular and ongoing franchises like this). A little too often, the new Scream resembles chatting to that one person at a party who won't stop going on about the sole thing they adore, even if you love it with equal passion. One of those cinephile titbits that gets mentioned over and over: that the film considers itself a requel, aka a flick that keeps the same context as its predecessors — same timeline, same world and some legacy characters, too — but introduces fresh faces to give the original a remake. So it is that this Scream dispatches Ghostface upon today's Woodsboro high schoolers, because the fictional spot is up there with Sunnydale and Twin Peaks on the list of places that are flat-out hellish for teens. Scream 4 did the same, but the first new attack by the saga's killer is designed to lure home someone who's left town. Sam Carpenter (Melissa Barrera, In the Heights) hightailed it the moment she was old enough, fleeing a family secret, but is beckoned back when her sister Tara (Jenna Ortega, You) receives the feature's opening "do you like scary movies?" call. Soon, bodies are piling up, Ghostface gives Woodsboro that grim sense of deja vu again, and Tara's friends — including the horror film-obsessed Mindy (Jasmin Savoy Brown, Yellowjackets), her twin Chad (Mason Gooding, Love, Victor), his girlfriend Liv (Sonia Ammar, Jappeloup), and other pals Wes (Dylan Minnette, 13 Reasons Why) and Amber (Mikey Madison, Better Things) — are trying to both survive while basically cycling through the OG feature again, complete with a crucial location, and sleuth out the culprit using their scary movie knowledge. Everyone's a suspect, including Sam herself and her out-of-towner boyfriend Richie (Jack Quaid, The Boys), and also the begrudging resident expert on this exact situation: ex-sheriff Dewey Riley (David Arquette, Spree). The latter is the reason that morning show host Gale Weathers (Courteney Cox, Cougar Town) and initial Ghostface target Sidney Prescott (Skyscraper) make the trip back to Woodsboro again as well. Working with a script by Murder Mystery's James Vanderbilt and Ready or Not's Guy Busick, Bettinelli-Olpin and Gillett are in familiar territory several times over — their ace last release was all about attempting to outwit disturbed murderers, too — and they're well-aware that their audience knows it. "I've seen this movie before," Sidney slyly comments in one pivotal scene, which is this Scream's most telling moment. Just like the thin line between intriguing and unhinged in all those gravelly-voiced phone chats, the line between fun and repetitive is oh-so-slight here. Because this kind of sequel is currently Hollywood's favourite thing, Scream splits the difference between Ghostbusters: Afterlife and The Matrix Resurrections; it's never anywhere near as dull and grating as the first, but it's not as smart and ambitious as the second, either. It is gloriously gory, though. Blood, like horror movie references, flows thick and fast. Indeed, Scream 2022 is at its best when it's doing two things: staging those teased-out kills with stylish flair, which is where the flick's self-referential obsession gets its finest time to shine, and taking another slice at its three franchise mainstays' stories. Sidney and co are supporting players this time, as per requel rules, but they're the callbacks that are worth the price of admission over the Stab chatter and obligatory 'Red Right Hand' needle-drop. The new cast members put in a fair effort — Barrera and Savoy Brown especially; both have had a killer on-screen past 12 months anyway — but the bulk of the movie's first-timers always feel too disposable. Yes, this slasher sequel falls victim to unshakeable tropes far more than it successfully subverts them. It's still mostly entertaining enough, and the franchise had endured other average-at-best chapters (see: Scream 3 and Scream 4); however, looking self-satisfiedly backwards instead of leaping forwards, it's basically running up the stairs when it should be heading out the front door.
Want to get back to nature without actually having to rough it? Lucky for you, you can now take in the rolling hills of Mudgee in New South Wales, all thanks to the region's first ever luxury glamping service. First opening in 2017, Sierra Escape is located 20 minutes drive from Mudgee's town centre and some 260 kilometres north-west of Sydney. It boasts spectacular views, and is home to wildlife including kangaroos, deer and a variety of native birds — so yeah, basically it's paradise. Campers clearly agree, with its decadent accommodation unsurprisingly proving popular, and the 280-acre property adding two new tents to cater to demand. While the site's original tent — if you can even call something this opulent a tent — is still going strong, its two newcomers kick things up a few notches. One sleeps seven in a space that features two queen beds, a single trundle and a second bedroom with a double bed. The other is a secluded hilltop getaway for two that comes with a complimentary bottle of local bubbles and local chocolate, and a breakfast pack. For $450 per night, groups staying in Dulili will also enjoy their own designer kitchen, wood fireplace, floor-to-ceiling windows, glass sliding doors, large indoor and outdoor dining tables, plus a firepit area and a bathroom with a shower and flushing toilet. Or, those wanting a romantic jaunt away from the big smoke will spend $550 per night for all of the above, as well as a king bed — naturally — and indoor and outdoor freestanding bathtubs. All three of Sierra Escape's tents, including the $290-per-night Carinya, are insulated for all seasons, and include outdoor areas where you can kick back and watch the sunset. The new tents are available to book from June 1. For more information visit www.sierraescape.com.au.
Come 2026, almost a decade will have passed since Qantas proposed changing the way that Australians travel to two of the world's biggest cities — and most-popular holiday destinations — from the east coast. That plan: Project Sunrise, the initiative that's making non-stop flights from Sydney to London and New York a reality. It was first announced in 2017, ran trial flights in 2019 and has undergone delays since, including moving a 2025 start date to mid-2026. With its launch date now just two years away, Qantas is speeding ahead with the lengthy journeys, which'll join the Perth-to-London flights that began in 2018. (From Western Australia, the carrier also boasts straight-to-Rome routes, and just implemented Perth-to-Paris legs as well.) If spending all of that time on a plane sounds like it'll be an experience — the aircrafts are capable of staying in the air for up to 22 hours — the airline understands. Indeed, part of the Project Sunrise development process has been dedicated to ensuring that passenger wellbeing doesn't suffer, and also working out how to combat jetlag. Here's one solution, or at least a tactic to help: Qantas has revealed that its 238-person Project Sunrise A350-1000 planes will feature cabin lighting inspired by the Australian landscape, which will cycle through phases to help travellers adapt to the ultra long-haul voyage — and to the time zone when they disembark. The airline has been making the most of Hamburg's Airbus Customer Definition Centre, using a mockup of the A350 cabin to test lighting patterns and sequences, after the University of Sydney's Charles Perkins Centre conducted research during the Project Sunrise test runs on the inflight experience and reducing jetlag. Those learnings noted that some light spectrums work better to get circadian rhythms adapting. Cue plenty more testing, resulting in 12 lighting scenes for Project Sunrise's trips. Among them: using a broad-spectrum glow enriched with blue hues as an awake setting, which can also be softened; cycling through the tones of the sunset as it turns into a moonlit night, complete with clouds, to get travellers ready to go to sleep; and replicating an Aussie sunrise, starting at the front of the aircraft and rolling out to the back, when it's time to greet either London or NYC. Boarding, taxiing, take-off, sleep, landing and disembarking also have their own lighting modes. The planes will feature wellbeing zones that'll sport the colours of a daytime sky, clouds and all, when the flight is in its daytime setting. The same space will move to moonlight and water rippling during the journey's evening phase. And for those flush with cash, the enclosed first-class suites will let passengers fully customise their own lighting. As advised back in 2023, those wellbeing zones on the stopover-free hauls will sit between the 140-seat economy and 40-seat premium economy cabins. Inside, stretch handles and an exercise program guided via screens will get you active, while refreshments will be on offer at the hydration station. As for the cabins themselves, every seat will have free wifi, USB-C charging ports and also wireless charging and bluetooth connectivity so that you can use your own headphones — and, they'll feature in good news for your body, Qantas' most-generous seat pitches yet, plus ergonomic leg and foot rests. Qantas' direct flights from Sydney to London and Sydney to New York are set to take to the air in mid-2026. For more information, head to the Qantas website.
Come December, everyone is celebrating something. Sea Legs Brewing Co isn't just getting festive or marking the end of the year, though. The Kangaroo Point brewery is commemorating its first huge 12 months of operation, and it's doing so with a party and beer. How else? This birthday bash will feature DJs spinning tunes, games, limited-edition merchandise and — as you'd expect from a brewery — a few special tipples. Give Sea Legs' Counter Blow Hazy IPA a taste, soak in the double dry-hopped beer's citrus, floral and spicy flavours, and feel mighty summery while you're doing so. Whether you prefer your brews off the tap or in tins, you'll be catered for. The Main Street brewpub also serves up wings, ribs, pizzas, burgers and more — and food specials will be on offer throughout the afternoon. Entry is free, with the shindig running from 2pm on Saturday, December 14.
Anyone can drink a lager, pilsner or pale ale. Not everyone can knock back a stout or porter. And while the former are available everywhere, you won't find a celebration of the latter just anywhere. That's why Milton's favourite dive bar started the Weekend of Darkness. Since 2013, the Scratch has dedicated a couple of days year to showing their love for brews on the blacker end of the beer spectrum — and offering a home for those who feel the same way, of course. If it's yeasty, liquid and overflowing with smoky, coffee, chocolate, spiced and even bourbon flavours, you'll find it here. You'll also find snacks, offbeat vibes and strange happenings galore. This year's dalliance with the dark side runs from Friday, July 14–Sunday, July 16, because of course this is a midyear festival. Once again, there'll be five sessions of dark-coloured drinks on offer for another round. Expect a hefty beer lineup — and there's usually some hearty grub to go with it. Expect everything, be it food, booze or atmosphere, to warm up your insides too. There's a reason this takes place in winter, after all.
Every year, Japan comes to Australia — or, as far as movies are concerned, it does the next best thing. Since starting with three free film screenings back in 1997, the Japanese Film Festival has kept bringing the nation's many cinematic delights down under. Of course, they're going to do so again for their 20th birthday. Travelling around the country with a hefty lineup of movies so new, many are coming straight from the Tokyo International Film Festival this month, JFF embraces the vast array of big screen treats Japan's filmmakers have to offer. Sometimes, that means a poignant drama about a family banding together as a typhoon bears down. Sometimes, live-action adaptations of popular manga series are part of the equation. In fact, the 2016 lineup has both — and so does our list of the five must-see movies in the program. AFTER THE STORM Get the tissues out, Hirokazu Koreeda's new film is here. As previous efforts such as I Wish and Like Father, Like Son have proven, his dramas are tear-jerkers in the best kind of way, unpacking the ties that bind (or sometimes break) families, and understanding that the notions of love, loss, loyalty, sacrifice and struggling he depicts are absolutely universal. After the Storm promises all of the above as a separated husband and wife are thrown together during a typhoon. And yes, the filmmaker proves gifted at directing kids once again. Quite simply, he's in his own classic territory. CREEPY Everyone thinks of themselves as a good neighbour, however given the number of horror and thriller flicks that pop up on the subject, perhaps that's not quite accurate. There's something about exploring the very relatable scenario of trouble with the folks next door that keeps fascinating filmmakers and audiences alike, with Creepy the latest effort on the topic. Here, a just-quit detective moves to a new area after a traumatic incident, only to face a different kind of tension. As well as demonstrating society's collective obsession with neighbours, the film also plays with another staple: sometimes the quietest things can be the most unnerving. THE MAGNIFICENT NINE Not to one-up a certain iconic western that was only literally just remade with Denzel Washington and Chris Pratt, but a magnificent posse of nine folks is better than one with two fewer. Don't worry, there's not really already another take on the tale that actually first started with Japanese filmmaker Akira Kurosawa. Instead, The Magnificent Nine goes comedic in feudal samurai times as a group of merchants hatch a secret plan to outwit their lord's harsh tax regime, as based on historical accounts. KAMPAI! FOR THE LOVE OF SAKE Sit down for a meal in almost any restaurant in Japan, and you'll find sake on the menu. The traditional rice wine is the nation's favourite alcoholic beverage, and Kampai! For the Love of Sake attempts to explain why. No, the documentary doesn't just throw a title card saying "Hey, it's just really, really tasty," onto the screen and then roll the credits. Rather, it takes the personal approach by focusing on three specific people and their link to the drink. It's guaranteed to make you want to sip the stuff while you're watching. TERRAFORMARS You've gotta love Takashi Miike, who ranks as possibly the most prolific and eclectic of contemporary Japanese filmmakers. First, consider a few of his most recent directorial credits: a violent, unhinged yakuza vampire flick, a drama about a doctor volunteering to help child soldiers, a high school-set, game-playing horror/thriller, and an adaptation of a manga about cockroaches evolving on Mars later this century. It's the latter that's his latest, and like almost everything Miike makes, it's probably destined for cult status. Talk about not making the same thing twice, even when you've got 100 directorial credits on your resume across less than three decades. The Japanese Film Festival tours the country, screening at Brisbane's Event Cinemas Myer Centre from October 26 to 30, Sydney's Event Cinemas George Street Sydney and Art Gallery of New South Wales from November 17 to 27, and Melbourne's Australian Centre for the Moving Image and Hoyts Melbourne Central from November 24 to December4. For more information, visit the festival website.
Next time you sip a G&T, or whichever other gin cocktail takes your fancy, you could be drinking a new Australian label that puts homegrown ingredients to great use. That'd be Taka Gin, a brand that's just hit the market thanks to Melbourne's Niyoka Bundle — who has branched out into the world of spirits from her Indigenous-fusion catering company Pawa Catering. Like plenty of recent new businesses, the idea behind Taka Gin came about in lockdown, with Indigenous woman Bundle and her husband Vincent Manning inspired to take on a new project — and to continue to highlight First Nations people's native foods in the process. That's why their tipple heroes lemon-scented gum leaf and native lemongrass, two plants that the duo consider underutilised. They're paired with a base of seven other botanicals: juniper, coriander, angelica root, cassia chips, finger lime, orris root and desert lime. Taka Gin's key ingredients have been foraged from around Melbourne, and sourced from Indigenous wild harvesters, including via Natif Super Foods and Warndu. The gin is then distilled by Gypsy Hub at Collingwood's Craft & Co, and sold online via the brand's website, with a 700-millilitre bottle costing $90. In terms of taste, this is a smooth gin. Expect soft citrus flavours, as well as a fragrance that helps bring out the tipple's flavour. The brand takes its name from the Gunditjmara language, which hails from southwest Victoria, with 'taka' meaning taste. And, its eye-catching labels are designed by Bundle's mother and Gunditjmara Keerray Woorroong artist Vicki Couzens. Against a white background, the minimalistic images represent the phytochemical molecular components that comprise Taka Gin's flavours. Handily, Taka Gin is doing free shipping Australia-wide, too, if you need another reason to expand your gin shelf. For more information about Taka Gin, or to buy a bottle, head to the brand's website. Images: Marcie Raw Studio.
Take an everyday pastime, then add drinks — so far, that's been Funlab's kidulting way. It worked with bowling, as Strike has shown. It proved a smash at the chain's Holey Moley mini golf bars. With arcade and carnival games, it's been a hit at Archie Brothers Cirque Electriq and B Lucky and Sons as well. And, when the brand opened its first Hijinx Hotel in Sydney this winter, the same idea met escape rooms — or challenge rooms, as is Funlab's spin. This summer, Queenslanders will also get to experience the latter, with Hijinx launching its first Sunshine State location. Setting up shop on the Gold Coast from Friday, December 9, Hijinx will reside at Piazza on the Boulevard, underneath Cali Beach on Elkhorn Ave in Surfers Paradise. Also set to settle in, in what'll be a 3279-square-metre precinct with a capacity for 410 guests: fellow Funlab brands Holey Moley and Archie Brothers, for tapping around 18 pop culture-themed greens and getting a sideshow experience. The big drawcard is Hijinx Hotel, of course. If you're new to the concept, it's basically an OTT nostalgia bomb. Willy Wonka would've been proud to dream it up, if the fictional character branched out beyond making chocolate and candy — and the Gold Coast site will come with ten game rooms filled with challenges. When is a hotel not really a hotel? When it's this hotel-themed bar that decks out its interiors like somewhere you can stay — taking a few cues from Wes Anderson's The Grand Budapest Hotel and The Shining's Overlook Hotel, in fact — but doesn't actually include slumbering in its rooms. And when is an escape room bar not at all an escape room bar? When it takes the escape room concept of theming different spaces — those aforementioned hotel-style rooms — and decks them out with challenges instead. Yes, the premise behind Hijinx Hotel needs a bit of explaining. It also gleans inspiration from all those supremely Instagrammable pop-up installations that include ball pits, but this one is sticking around southeast Queensland permanently. Plus, it'll jam in bars for cocktail-sipping opportunities, nod to New York hotels in its facade, and overflow with homages to movies and board games from the 80s and 90s. Escapism is clearly the name of the game here, and partying like you would've before you were old enough to drink alcohol — but with the hard stuff definitely on offer. Wondering what that entails? If Surfers Paradise's Hijinx Hotel mimics its Sydney counterpart, you'll enter via the faux hotel lobby bar that's full of colour and surrealist touches. Instead of merely checking in, though, you'll down cocktails in a neon-lit space and hang out in booths. As for the not-quite-hotel rooms themselves, you'll gain access by heading to reception t0 pick up a swipe card. And if you're wondering about the theming, a few Sydney faves will be heading north, including the Adore-a-ball, Scrambled, Threenicorn and candy ball pit rooms. Yes, the Big-style piano room with a giant keyboard across the floor is included. There'll also be a ball toss room, one dedicated to television, another that's all about basketball and yet another that's devoted to Rubik's cubes. In total, the entire space — encompassing Hijinx Hotel, Holey Moley and Archie Brothers — will feature 72 arcade machines, six bowling lanes, ten game rooms and 18 holes of golf. Also a highlight: those three bars serving up creative cocktails, and breaking up all that kidulting. Find Hijinx Hotel — and Archie Brothers and Holey Moley — at 21a Elkhorn Ave, Surfers Paradise, from Friday, December 9. For further information in the interim, keep an eye on the Hijinx Hotel website. Images: Hijinx Hotel Sydney.
Crispy, sweet, stuffed with a creamy filling and made in a variety of flavours, there's only one thing wrong with cannoli. No matter how many that you happen to devour in a single sitting (admit it — no one just eats one), it never feels like you've ever had enough. If you know that sensation all too well, then you might want to tempt your tastebuds down to Locale on Saturday, August 14. For just one day, the Newstead cafe is bringing back its pop-up cannoli bar. Even better — there'll be seven kinds of the Sicilian pastries on the menu. Vanilla creme, traditional chocolate, sweet ricotta and strawberry chantilly cream favours will all be waiting, plus espresso martini, pistachio and chocolate chip, and lavender and frangipane crumble as well. They're available to pre-order, because that's the way these kinds of pop-ups operate during the pandemic. Once you get booking, you'll be given a pre-determined collection time. Top image: Locale.
First, the obvious news: in 2021, Falls Festival won't be unleashing a huge end-of-year music lineup. This'll mark the second year in a row that the event hasn't gone ahead, after skipping its usual December/January slot in the summer of 2020–21 due to the pandemic, too. But, come this time next year, Falls will be gearing up for its big comeback. Festival organisers have announced that Falls will return for the summer of 2022–23, so get circling in your diary now. That said, there'll be a few changes — including skipping its usual Tasmanian leg in Marion Bay, and also moving from Lorne in Victoria as well. Tassie is no longer on the agenda for Falls' next fests, while the Victorian event will move to Pennyroyal Plains in Murroon. The latter is only 30 minutes away from Lorne and less than two hours from Melbourne, handily. "It has been a privilege to operate Falls Festival in such beautiful locations and we're so thankful to the Surf Coast Shire, Sorell Council and supporting stakeholders of Lorne and Marion Bay who have shown Falls Festival such incredible support over the years. We hope that our Lorne and Tassie Falls fam will join us at Pennyroyal Plains," said festival promoters Jessica Ducrou and Paul Piticco in a statement. "Lorne is where Falls Festival started so we want to give a particularly special shout out to the locals there. You have been instrumental in making the festival all that it is today, and we'll always be grateful to the community for their long-time support," the pair continued. Falls spent 27 years in Lorne and 17 in Tasmania. The 2022–23 event will still head to North Byron Parklands in Yelgun and Fremantle Oval in Fremantle — and if you're wondering who'll be on the bill, it's clearly far too early for that kind of news. When Falls was planning to proceed last summer, it was going to champion an all-Australian lineup; however, with the international border situation changing, overseas headliners could be back on the cards. In addition to sitting out the 2020–21 and 2021–22 summers, Falls has had a chaotic few years all round. When it was held in 2019–20, the music festival was impacted by the bushfires, with the Lorne leg cancelled one day in because of extreme and hazardous weather. Falls Festival will return across December 2022–January 2023, taking place at Pennyroyal Plains in Murroon, North Byron Parklands in Yelgun and Fremantle Oval in Fremantle. Further details won't be announced until sometime in 2022 — we'll update you when more information comes to hand.
It's a yearly pattern: Halloween passes by, orange decorations are replaced with a sea of red and green, and suddenly we've all been hurtled into the throes of Christmas. To add its own taste of festive cheer, Krispy Kreme has announced that it's lighting up four of its stores with Christmas displays — and, to make the occasion even more jolly and merry, it's also giving away 4000 free doughnuts. The giveaway is running on Friday, November 29, which is when Krispy Kreme stores in Penrith in Sydney, Bulleen in Melbourne, Redbank Plains in Brisbane and Myaree in Perth will be hitting the switch on their seasonal lights. The chain calls these displays 'Krispymas', and they'll be lit up for nearly a month, shining bright until Friday, December 27. To snag yourself a signature glazed freebie (Original Glazed doughnuts are being given out), head to one of the aforementioned stores on Friday, November 29. In Brisbane and Perth, the activities start from 6.30pm, a choir will sing at 7pm, the lights turn on at 7.30pm and the free doughnuts will also be given out at 7.30pm. In Sydney and Melbourne, the fun will kick off at 7pm, carols will begin at 7.30pm, and the displays and free doughnuts will commence at 8.30pm. While 4000 doughnuts will be available nationally, that's 1000 at each of the four outlets. So, if you want to kick off your Friday night with a free sweet and doughy treat, you'll want to get in relatively early. They're on offer until close or until stocks last, whichever comes first, and there's only one available per person. Krispy Kreme's free doughnut giveaway is happening at the chain's stores in Penrith in Sydney, Bulleen in Melbourne, Redbank Plains in Brisbane and Myaree in Perth on Friday, November 29. For further information, head to the Krispy Kreme website.
'Big call' we hear you scoff. Well, yes, it seems like every Brisbanite has a ride-or-die sushi joint they are loyal to. But hear us out: Sushi Kotobuki has got some serious game. What started as a tiny East Brisbane standalone has expanded to include a sparkly new sister venue in the CBD. But hey — you are a discerning sushi connoisseur! You aren't easily swayed by shiny new things! Fair call, but we challenge you to try the cream cheese chicken roll and not be impressed. It's that darn good. Takeaway Tuesday be damned — this food deserves to be enjoyed on a plate, not in plastic.
UPDATE: SEPTEMBER 11, 2020 — Wonder Woman 1984 has moved its release date again, and will no longer release on Thursday, October 1. Instead, it will now hit cinemas on Saturday, December 26. This article has been updated to reflect that change. UPDATE: JULY 1, 2020 — Due to worldwide cinema closures and other concerns around COVID-19, Wonder Woman 1984 will no longer release on Thursday, August 13. Instead, it will now release on Thursday, October 1. This article has been updated to reflect that change. UPDATE: MARCH 25, 2020 — Due to cinema closures and other concerns around COVID-19, Wonder Woman 1984 will no longer release on its initially scheduled date of Thursday, June 4, 2020. Instead, it will now release on Thursday, August 13. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. New Order's 'Blue Monday'. A giant mall. Women exercising in bright leotards and leg warmers. All of the above inspire instant visions of the 80s — which is where Wonder Woman is heading in her next big-screen outing. Yes, the fierce female superhero with the bullet-deflecting bracelets and Lasso of Truth is finally back, with Wonder Woman 1984 set to hit cinemas in 2020. Audiences have already explored Princess Diana of Themyscira's connection to Bruce Wayne in 2016's Batman v Superman: Dawn of Justice, stepped through her origin story and World War I antics in the original 2017 Wonder Woman, and seen how she works in a team in fellow 2017 release Justice League. Now, she's navigating the Cold War era and facing off against Kristen Wiig. The story this time around pits Gal Gadot's Amazon demigoddess against Wiig's Cheetah — also known as archaeologist Barbara Ann Minerva. While the franchise newcomer is looking rather meek and mild at the beginning of the just-dropped Wonder Woman 1984 trailer, she's not likely to stay that way for long in this eagerly awaited sequel. Game of Thrones, Narcos and The Mandalorian star Pedro Pascal also joins the cast as Maxwell Lord, a powerful businessman, and Chris Pine returns as American pilot Steve Trevor — despite the tragic events of the first film. Among the familiar faces, both Connie Nielsen and Robin Wright are set to pop up again, too, as Diana's mother and deceased sister respectively. And, behind the camera, writer/director Patty Jenkins is also back — as she should be given that Wonder Woman is currently the highest-grossing film ever directed solo by a woman. If you're a fan of huge action films based on comic books, you've probably noticed that 2020 is shaping up to be a big year for female-fronted stories, with Wonder Woman 1984 joining fellow DC Extended Universe effort Birds of Prey and the Fantabulous Emancipation of One Harley Quinn, as well as Marvel's Black Widow. The MCU has obviously been winning the cinematic battle in terms of size and scale over the past decade thanks to its 23-film saga to-date; however it doesn't escape notice that, when the latest Wonder Woman flick releases, three of the DCEU's nine films will have pushed women to the front. Check out the Wonder Woman 1984 trailer below: https://www.youtube.com/watch?v=sfM7_JLk-84&feature=emb_logo Wonder Woman 1984 was due to open in Australian cinemas on June 4, 2020, then on August 13, then October 1; however it'll now release on December 26 — we'll update you if any further changes are announced. Top image: Clay Enos/ ™ & © DC Comics. © 2018 WARNER BROS. ENTERTAINMENT INC.
This may not be a revelation worthy of a David Attenborough doco, but after years of hotel sleuthing, boutique travel experts Mr & Mrs Smith tell us they have the check-in patterns of men and women down pat: he sizes up the entertainment system while she susses out the bathroom situation. Then, after flicking on remotes and getting a whiff of Aesop toiletries, both gather to scope the contents of the minibar. When those half serves of wine and teeny bottles of gin won’t do, we suggest checking into one of these stylish wine region stays, all within cork-popping distance of world-class vineyards. 1. MONA Pavilions, Hobart Where: 655 Main Road, Berriedale, Tasmania What: Pinot noir and aromatic whites It may be the head-scratching artworks in the museum that draw crowds to MONA, but this multi-tasking maverick has much to keep you entertained once the gallery shuts its oversized doors. Situated on the edge of Hobart’s Derwent River, MONA Pavilions mixes a serene setting with ultra-contemporary pavilions and original art from luminaries such as Arthur Boyd and Brett Whiteley. There’s also lip-smacking restaurant Source and a cellar door that offers tastings of Moo Brew beers and elegant Moorilla Estate wines, made using cool-climate grapes from Huon and Tamar Valley. Book through Smith and you’ll get a private cellar door tasting and a bottle of Muse Series wine. More info 2. Spicers Vineyards Estate, Hunter Valley Where: 555 Hermitage Road, Pokolbin, New South Wales What: Semillon and shiraz Just a two-hour drive north of Sydney, the Hunter Valley is the ultimate wine-lovers getaway. Give yourself an early mark on Friday afternoon to beat the throngs on the F3, then check into Spicers Vineyards Estate, an adults-only sanctuary set among shiraz and merlot vines. Pop open a bottle of the estate-grown wine (free if you’ve booked through Smith), before slipping into the double spa bath. After a wow-worthy dinner in the hotel’s restaurant Botanica, a country-chic space mere metres from your suite, nab a spot by the fireplace in the cosy communal lounge. The next day, after a fortifying breakfast in the dining room, let Spicers staff arrange a bespoke tasting tour to standouts such as Keith Tulloch, Tyrrell’s and Andrew Thomas. More info 3. The Louise, Barossa Valley Where: Seppeltsfield Road, Marananga, South Australia What: Shiraz and grenache The Barossa may be best known for its big, ballsy reds and Teutonic tendencies, but there’s refinement to be found in the vale, too. Boutique hotel the Louise is a case in point: 15 sleekly styled suites with spa baths and private courtyards, plus one of Australia’s finest regional restaurants, Appellation. Reception can help arrange cellar door visits to Penfolds, Henschke and other regional heavyweights – bring a high tolerance level for intellectual wine-speak as you taste the best Barossa drops (expect to hear ‘toasty’, ‘berry’, ‘liquorice’ and ‘tobacco’ used at least thrice daily). Smith bookings score a bottle of sparkling wine on arrival, the perfect pre-dinner pep-up. More info 4. Empire Retreat & Spa, Margaret River Where: Margaret River region. 1958 Caves Road, Yallingup, Western Australia What: Sem-sauv blancs and cabernet Housed in an old stone farmhouse among rows of chardonnay and cabernet vines, Empire Retreat & Spa is a soul-soothing sanctuary in the heart of Margaret River. There are 10 modern-rustic rooms located in and around the central lodge, ranging from contemporary Lodge Suites to Luxury Villas, which feature a sunken lounge area, spa bath and courtyard shower. Hop between Margaret River’s surf beaches and cellar doors, such as Moss Wood and Vasse Felix, then head back to Empire. Here, fireside couches beckon for a grazing plate and a glass of wine (you’ll nab a bottle on arrival if you book through Smith), and the decadent day spa delivers sigh-inducing treatments including the three-hour Opulence session. More info 5. North Bundaleer, Clare Valley Where: RM Williams Way, Jamestown, South Australia What: Riesling all the way There’s more than a lilting hint of Victorian luxe to North Bundaleer, a lavishly decorated homestead on a 400-acre sweep of farmland. This is a decadent, all-inclusive affair, with meals and drinks included in the room rate, including evening canapés, killer Clare Valley wines and an open bar. Oh yes. Lord it up in the Red Room Suite, home to a canopied four-posted, sitting room with open fire and a bath and shower in what was once the conservatory (how very Cluedo). Nearby, notable locals include Sevenhill, Crabtree and O’Leary Walker for refined riesling and elegant reds. If you need to work off all of that indulgence, climb to the top of Maslin Lookout for sublime sunset views. More info
Like the sound of a power reformer strength class? Always wanted to try hot pilates? Absolutely pumped to sweat, smile, and soak up all the good vibes? Upstate's annual Open House Weekend is back, and you're invited. With free classes cranking across 17 studios in Melbourne (and regional Victoria), New South Wales and Queensland, this event — which takes place from Saturday, March 21–Sunday, March 22 — offers two days of electrifying workouts, as well as awesome prizes and offers. To celebrate, Upstate is giving you an exclusive 50 percent discount on its 30-day intro offer. Plus, you can score the first two weeks free, and two more weeks at 50 percent off by signing up for a new unlimited membership. What's more, there's a chance to win a 12-month membership — just share a photo or video during the weekend and tag @upstate_studios on Instagram. Whether it's yoga or heavy-hitting boxing that takes your fancy, Upstate's no-strings, no-catches classes are an excellent way to challenge yourself, have fun and meet new people. They'll take place across all Upstate locations, from Richmond and Oakleigh to Torquay, Ballarat, Five Dock and Palm Beach. Ready to go? Simply download the Upstate app and reserve your free classes. Saturday sessions run from 6am–4pm and Sunday sessions from 7am–7pm – but don't forget to check the schedule for exact times. Whatever your vibe, Upstate is ready for you.
A year ago, Brisbane's music scene didn't really boast the kind of venue that could host tours, local gigs and regular club nights — all while providing a great place to hang out, both inside the main digs and in an adjacent record store. Then The Foundry opened its doors and made the city's rockin' dreams come true. You've been to a show there. You've bought some vinyl. You've dropped by for a few drinks. Whatever reason you've had to mosey into the Wickham Street spot over the past twelve months, you've got another come August 18. That's when The Foundry marks one whole year of doing what they do — and doing it well. The least you can do is help them celebrate. Velociraptor, Golden Vessel, Astro Travellers, Straight Arrows and WHALEHOUSE will all be doing their part (aka cranking out ace tunes), as will The Jensens with a DJ set. It's a first birthday party most places can only dream of, really. And yes, everyone attending will be receiving the best gift of all: an ace night of kick-ass tunes at a beloved Valley venue.
When Donny wakes up after a big night out, he's cursed with a state everyone's been through at least once: a killer hangover. Alas, he's not just feeling a little worse for wear. He doesn't know where he is, and his physical side effects have extended to intimate parts of his body. That's how Dick Done Broke begins, with its title giving away the source of some of Donny's frustrations. As for the rest — well, that's for you to discover when the one-man show makes its Australian premiere at the Brisbane Powerhouse. Performed from a swinging platform and starring Adam Drake as Donny, the production contemplates fatherhood, sex and modern life in general from a working-class perspective. If it sounds both universal and specific, that's because it is. The tale and its themes are bound to strike a chord with everyone in the audience, all while springing from the mind of American actor, writer and director DJ Mendel.
A good cocktail is more than just a tasty way to enjoy a drink. Depending on the flavours and ingredients, it can also be a refreshing pick-me-up, a mental vacation in a glass and a sweet dessert-like treat. Dutch Courage's boozy masterclasses have made their way through all of the above, but it should come as no surprise that it's the latter that has proven particularly popular. On August 19, the Valley bar's Liquid Desserts session makes a welcome return, much to the joy of cocktail fans across the city. Learn the ins and outs of two delicious tipples, including general tricks of the trade like the art of balancing a beverage and the key bartending tools, then make them and devour them. Tickets cost $39 + booking fee, and given this is a back by popular demand class, getting in quick is recommended.
We've hit peak 2017 — where virtual cocktails are a thing, there's a karaoke Ferris wheel and dogs have been invited to chow down on beautifully presented raw fish with chopsticks. A sushi bar for dogs is popping up in Auckland. Dog sushi has been a thing since the early 2000s as a way for owners to ensure their pup is enjoying a holistic, all raw, all natural, preservative-free diet. Auckland's version, the appropriately-titled Poochi Sushi, will take place at the December edition of Parnell's weekend market just for (very good) dogs. There will be three sittings of ten to 12 pups on the day. Small dogs have been recommended to register for the 11am sitting, and medium and large varieties for 11.30am and 12pm. The main course will be a platter of sushi, sashimi and Pawl Ale for $15. The way to any dog's heart is through food, so the platters will of course use premium king salmon direct from the Marlborough Sounds along with hoki from the Coromandel. None of that cabinet stuff. Seeing as Sydney has a bakery just for dogs and Melbourne has a cafe that exclusively serves up dog treats, we're sure that pooch sushi isn't far away.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=7Ekw85OqJck THE WITCHES What's the one thing that every movie remake has in common? No matter how it turns out, the original film still exists. So, if the latest version doesn't cast a spell, you can return to the old one — revisiting it, appreciating it anew and steeping yourself in nostalgia in the process. That's worth remembering regarding the latest screen adaptation of Roald Dahl's The Witches, even with writer/director Robert Zemeckis (Back to the Future, Who Framed Roger Rabbit, The Polar Express) and co-writers Kenya Barris (Black-ish, Girls Trip) and Guillermo del Toro (Pan's Labyrinth and The Shape of Water's) involved. Its main achievement: reminding everyone just how great the previous screen adaptation of Roald Dahl's book from back in 1990 still is. It might be unfair to think that some remakes only eventuate because a studio executive thought it was time to wring some more cash out of a beloved story, but that's how this movie feels. It's simultaneously broader and tamer — including Anne Hathaway's (Dark Waters) over-the-top performance as the Grand High Witch, although she does appear to be enjoying herself immensely — and it radiates big pantomime energy. Indeed, there's a lack of overall magic in The Witches, either of the twisted or charming type (unless sending viewers clamouring to find wherever the original is currently streaming counts). A few things have changed in this fresh iteration. It's 1968, and the the film's unnamed young protagonist (Jahzir Bruno, The Christmas Chronicles 2) moves to Alabama to live with his grandmother (Octavia Spencer, Onward) after his parents are killed in a car accident. He's grief-stricken, but they bond over her shocking revelation: that witches exist, they're everywhere, they despise children and she has experience with them. Also, once a witch sets their sights on a kid, it never lets up. That's why, after one crosses the boy's path, grandma whisks him off to "the swankiest resort in Alabama", where she's certain they'll be safe among rich white folks. Of course, she couldn't have predicted that the group of women that have taken over the Grand Orleans Imperial Island Hotel's ballroom — the Society for the Prevention of Cruelty to Children, apparently — are all witches. Or, that the Grand High Witch is in attendance, unveiling a plan to turn every kid in the world into a rodent via a potion called 'Formula 86 Delayed Action Mouse-Maker'. Much that has endeared The Witches to readers and viewers over the years remains in the latest film, but tinkering with the details and tone makes an unfortunate impact. Brimming as it is with bright colours and overdone CGI, the new version of The Witches favours gloss and shine over chills and potential nightmares. Everything here is overt to an in-your-face extreme, and also far less intricate and much more bland. Read our full review. https://www.youtube.com/watch?v=N8DT_zVzxhk THE FURNACE At this point in Australia's cinema history, audiences can be forgiven for wondering if homegrown movies have unearthed and told every tale there is to be found among the vast outback. The answer: an overwhelming no, especially when Aussie filmmakers traverse the country's sunburnt and sprawling expanse to explore stories steeped in our problematic past. The Furnace is one such movie that proves the point. The first feature from writer/director Roderick MacKay, the gold rush-era western serves up a powerful interrogation of Australia as a multicultural nation — harking back to 1897, to Western Australia, and to a time when transporting freight around the country relied upon a network of cameleers trekking across the desert. The men covering great distances to move goods from one place to another hailed from India, Afghanistan and Persia, were largely of Muslim and Sikh faith, and were badged together under the label 'Ghan' by white Aussies. They were treated poorly, except by Indigenous Australians. And, they're a real but oft-forgotten part of the nation's story, so much so that The Furnace will introduce their existence to many viewers for the first time. That's just one of this vividly shot, exceptionally acted film's achievements, though. Another: posing the kinds of questions about our national identity that we should always be asking. Afghan cameleer Hanif (Ahmed Malek, Clash) didn't choose to come to Australia, or to take up this line of work. So, when he witnesses the death of his mentor at the hands of a white man, he's eager to find a way to get the cash he needs to return home. The Indigenous Yamatji Badimia people he often spends time with on his travels, including leader Coobering (Trevor Jamieson, Storm Boy) and Hanif's friend Woorak (Baykali Ganambarr, The Nightingale), suggest that he stays and joins them instead. But, after stumbling across injured thief Mal (David Wenham, Dirt Music), he's determined to use half of his new acquaintance's stolen Crown-marked gold bars to finance his escape and leave the life he hates behind. Troopers led by the fervent Sergeant Shaw (Jay Ryan, IT: Chapter Two) are swiftly on the unlikely pair's trail; however, Hanif and Mal keep traipsing towards the eponymous smelter, where Mal promises they'll be able to melt down the precious metal and remove any trace of the government's ownership. Following Hanif's journey — physically, and emotionally and spiritually as well — The Furnace is a patient film. It's a meat pie western through and through, applying the western genre's trademarks to an Australian context, and it joins The Proposition, Sweet Country and the aforementioned The Nightingale as one of the best 21st-century examples. MacKay spies the beauty and the imperfections in Australia's arid, dusty landscape, as many filmmakers have before, but he also never lets the flaws in our national character that are made plain by this chapter of history ever fall out of view. Read our full review. https://www.youtube.com/watch?v=Gb8ZbP6qAzE&feature=youtu.be THE MIDNIGHT SKY The Midnight Sky is George Clooney's first film role in four years (since 2016's Hail, Caesar! and Money Monster), so it's fitting that he's at his most bearded and reclusive within its frames. This sci-fi drama also joins the small but significant list of features that combine the star and space, following Solaris and Gravity — and there's something particularly alluring and absorbing about seeing Clooney get existential, as all movies that reach beyond earth's surface tend to. He clearly agrees, because he not only leads The Midnight Sky but also directs it as well. This is a big-thinking and big-feeling film, with its characters grappling with life, love and loss. It boasts aptly pensive and probing cinematography, too; however, both on-and off-screen, Clooney is the key. When the movie spends time with astronauts onboard the spaceship Aether, including the pregnant Sully (Felicity Jones, On the Basis of Sex), ship commander Adewole (David Oyelowo, Gringo), veteran pilot Mitchell (Kyle Chandler, Godzilla: King of the Monsters), and other crew members Sanchez (Demián Bichir, The Grudge) and Maya (Tiffany Boone, Hunters), it's at its most generic. Indeed, when it ventures to space, The Midnight Sky almost screams for either Clooney to head there as well, or for the feature to plummet back down to earth to join him once more. The actor/filmmaker plays workaholic research scientist Dr Augustine Lofthouse and, although The Midnight Sky rockets beyond the earth, it doesn't send its protagonist there. Instead, in 2049, after an environmental disaster has made the planet uninhabitable, he chooses to remain in the Arctic as his colleagues evacuate. He's dying anyway, and frequently hooks himself up to machines for treatment — in between downing whiskey, watching old movies, eating cereal and talking to himself. Then, interrupting his lonely decline, two things change his status quo. Firstly, a young girl (debutant Caoilinn Springall) mysteriously pops up out of nowhere, refusing to speak but obviously needing an adult's care. Secondly, Augustine realises that he'll have to trek across the oppressively icy terrain outside to connect via radio to Aether's crew, who've been on a two-year mission to ascertain whether newly discovered Jupiter moon K-23 can support life, and are now making their return unaware of what's been happening at home. The space movie genre is as busy as the sky above is vast, and The Midnight Sky proves familiar as a result, delivering plenty of elements that viewers have seen before — but this isn't merely an exercise in flinging together derivative parts. While this isn't Clooney's greatest achievement as a director in general or as an actor in a space flick, it's still an involving, engaging and poignant addition to his resume on both counts. Read our full review. https://www.youtube.com/watch?v=Ij8m_XQ_J2E WORDS ON BATHROOM WALLS When it comes to portraying illness of either the physical or mental kind, Hollywood doesn't have the greatest track record. Case in point: this year's awful All My Life, a cancer-fuelled weepie that decided it'd rather focus on the girlfriend of its sickness-stricken character — who is based on a real-life person — than on the man fighting to survive. Accordingly, by actually directing its attention towards Adam (Charlie Plummer, Lean on Pete), a high schooler who is diagnosed with schizophrenia in his senior year, Words on Bathroom Walls immediately demonstrates a willingness to actually engage with its protagonist's predicament. The film is based on a YA novel by Julia Walton, rather than on reality, but it sees Adam as a person rather than a reason that someone else's existence increases in drama. That's a pivotal move by filmmaker Thor Freudenthal (Percy Jackson: Sea of Monsters) and first-time screenwriter Nick Naveda, and one that improves their movie immensely. But Words on Bathroom Walls doesn't completely avoid cliches and tropes. Instead, it saves them for the usual teenage experiences, serving up everything from bullying classmates to first kisses, prom night antics and graduation chaos as Adam doesn't just try to cope with his condition, but with testing every treatment option there is, and also navigating the disappointments and the side effects. Adam's struggles begin in science class, where he has traumatic hallucinations, injures a friend and gets expelled. Seeing people who aren't there isn't new to him but, with the incident badged a psychotic break, his mother Beth (Molly Parker, Deadwood) devotes every waking hour to finding him the best care — when she isn't spending time with the new boyfriend, Paul (Walton Goggins, Fatman), that Adam doesn't like. For the teen himself, he's most concerned about chasing his dreams. He wants to be a chef, but he needs to get his diploma to get into his chosen culinary course. The local private school agrees to let him attend, as long as he undertakes a specific treatment plan and doesn't trouble his peers with his illness. Consequently, when he meets the studious and resourceful Maya (Taylor Russell, Waves), he keeps his condition to himself, even as a friendship and something more springs. At its core, Words on Bathroom Walls endeavours to address and break down the stigma that surrounds schizophrenia and mental illness, a feat that it perkily but thoughtfully achieves. Still, there's no missing the fact that it squeezes its empathetic intentions — and its narrative in general, and Adam's plight within it — into a well-worn teen formula. While Words on Bathroom Walls still succeeds where many other movies about health struggles fail, thanks in no small part to excellent performances all-round from Plummer, Russell, Parker and Goggins, its need to fit a template threatens to undercut its sensitive approach to its subject. https://www.youtube.com/watch?v=5uIUUKZsEUY&feature=emb_logo ARCHENEMY Looking for a world where superheroes don't exist? Archenemy travels between two dimensions, or so the often whiskey-swilling Max Fist (Joe Manganiello, Rampage) claims, and finds the super-strong figure in both of them. That said, Fist could be a fallen fighter from another realm who is trying to stop his nemesis Cleo (Amy Seimetz, The Secrets We Keep). Or, he could be a homeless person with problem — or someone about to start waging a crusade for the forces of good after teaming up with siblings Hamster (Skylan Brooks, Empire) and Indigo (Zolee Griggs, Bit). Fist joins forces with the latter duo after Hamster starts pestering him to tell his story. The teen, who has the word 'fiction' tattooed across his face, is trying to land a photojournalism job at a clickbait-chasing website called Trendible (and to go viral doing so), and thinks that Fist could be his ticket. Their new camaraderie is reluctant on elder man's part, but he's willing to talk about his alternate-universe home world of Chromium to anyone will listen. However, complications arrive via Indigo, who works as a drug dealer for a seedy figure known only as The Manager (Glenn Howerton, It's Always Sunny in Philadelphia). Although she's trying to earn enough money to send Hamster back to school, she's soon immersed deep in murky gangster business. One of the small joys of this low-key caped crusader affair is that writer/director Adam Egypt Mortimer (Daniel Isn't Real) and his co-screenwriter Luke Passmore (Slaughterhouse Rulez) aren't trying to tell the usual story, or to make it fit the usual boxes — as the fact that Fist's tale could go one of several ways illustrates. Also impressive, as well as visually striking: the hot pink and black animation that literally illustrates Fist's narrative back on Chromium, and nods to the page origins of the superhero genre at the same time. Still, Archenemy is a mixed bag of a movie. It's trying to serve up a thematic and narrative mixed bag on purpose, but that quest spills over to unintended areas. The film strives to add something different to an overpopulated field, for example, but swiftly brings the likes of Hancock and Super to mind. It attempts to subvert a plethora of recognisable tropes, but also leans on a swathe of them itself. It features a moody performance by Manganiello that screams for more screen time (and, yes, more movies), but tasks Howerton and Seimetz with being cartoonish in a one-note manner. As its actors demonstrate, Archenemy often seems as if it's hedging its bets, trying to offer something more grounded than the usual superhero blockbuster but also more outlandish at the same time — and, while often messily entertaining and definitely benefiting from an attention-grabbing score, it doesn't ever find the ideal balance. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; October 1, October 8, October 15, October 22 and October 29; and November 5, November 12, November 19 and November 26; and December 3. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle, The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always, The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom and Sound of Metal. Images: The Midnight Sky, Philippe Antonello/Netflix.
It's time to get festive beneath one of Newstead's most striking features: the Gasometer. For two nights in 2024 — one in November, one in December — The Market Folk is taking over the eye-catching Gasworks space, bring a heap of stalls with it and helping you finish your Christmas shopping (because, let's face it, no one ever gets 100-percent of their gift buying done too far in advance). From 5–9pm on Saturday, November 30 and Saturday, December 14, the Gasworks Plaza precinct will be home to plenty of market stalls as the sun goes down, all brimming with items that'd make perfect presents (for your loved ones, and for yourself). [caption id="attachment_758933" align="aligncenter" width="1920"] The Market Folk[/caption] If you're wondering just what kinds of things you can expect to pick up, think fashion, art, homewares, ceramics and vintage goods — and plants as well — from 40-plus businesses. There'll be a particular focus on Brisbane creatives, too. So, you'll also be gifting them some Christmas cheer by supporting their hard work. These markets include live music on the lawn, plus bites and drinks from surrounding eateries and bars. And, they're also doggo-friendly. On the November date, you can also catch a free outdoor Christmas movie. [caption id="attachment_814294" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Top image: Andrew S via Flickr.
It’s rarely socially acceptable to exchange sanity and bodily competence for loss of mind, spirit and dignity at the hands of copious amounts of alcohol. Birthdays, deaths, Breaking Bad finales, and Oktoberfest are just a few green cards – but only one calls for a fresh pressed pair of lederhosen to accompany. It’s Oktoberfest time again, and if you’ve successfully shaken last year’s hangover you’ve got no excuse but to join in the hoo-ha. Oktoberfest Brisbane will be Germaning up the RNA Showgrounds with traditional food, hand crafted beer, rock und roll, and we’ll mention the beer again for safe keeping. There are also plenty of family activities like a petting zoo, tasty gingerbread and traditional German dodgem cars, so don't be thinking this is strictly for the anti-AA; it's completely kid friendly. Brisbane’s Oktoberfest has been voted in the top 10 best outside of Germany, so stick local for this booze up day of cultural appreciation, and head to the RNA Showgrounds this, and/or next weekend, beer stein in hand.
When Australia has just thrown one of the world's biggest LGBTQIA+ parties, what comes next? Incorporating hits from 2023's Sydney WorldPride into 2024's Sydney Gay and Lesbian Mardi Gras. For everyone who loved revelling on the sand at the fest's Bondi Beach Party, we come bearing excellent news: it'll be back next year for 15,000 attendees. Mardi Gras' full 2024 lineup spans 100-plus events across the Harbour City, taking place from Friday, February 16–Sunday, March 3. While 2023's iteration marked the 45th anniversary, don't go thinking that turning 46 isn't being taken just as seriously — all around the theme "our future". "For 45 years, the energy, vibrancy, and unity of Sydney Gay and Lesbian Mardi Gras has made it a globally significant event. And each year, our commitment to bringing forth an even more fabulous celebration grows," said Sydney Mardi Gras CEO Gil Beckwith. "In 2024, we embrace our roots and look forward with eager anticipation to our future. Our mission is clear: to echo the voices of our communities, to champion progress and instigate impactful change." "Beyond the individual events, and there are many, the 2024 festival underscores our commitment to inclusivity, unity and remembrance. The 2024 festival celebrates our past, our present and most crucially, the promising future we're building. Here's to another unforgettable Sydney Mardi Gras," continued Beckwith. As well as the return of Bondi Beach Party, Mardi Gras will also give Sydney WorldPride's Ultra Violet a second run, celebrating LGBTQIA+ women in an event that takes place as day turns to night at the National Art School. Similarly huge: a one-night-only special performance of musical & Juliet, which will occur just days after the production arrives for its Sydney season. Also on the lineup: the Welcome to Country via citywide event Festival First Light; floating venue Glass Island hosting trans and gender-diverse celebration Hot Trans Summer; and Diamond Dance, which will mark Pollys Club's 60th year. Or, there's talks and ideas series Queer Futures, the Marks Park Dawn Sunrise Service of Reflection to honour 70s- and 90s-era victims of homophobic and transphobic violence, two-week fringe fest Oxtravaganza in Darlinghurst and the boozy Darlo Big Drag Brunch. Yes, the parade is back — so mark Saturday, March 2 in your diary and prepare for a big night with 200-plus floats on Oxford Street. Plus, Mardi Gras' premium parade viewing areas will feature again to help the hundreds of thousands of folks heading along get a prime view of the 12,000-plus marchers. Throw in the also-returning Mardi Gras Film Festival, Progress Pride Flag Raising, Fair Day, Paradiso Pool Party, Kaftana Pool Party, Laugh Out Proud and Sissy Ball — and Queer Art After Hours as well — and Sydney will be jam-packed with things to do and ways to celebrate, as it is during every Mardi Gras. Other highlights include a dance party at ivy Pool Club, SEA LIFE Aquarium hosting drag storytime and a queer formal, with more events still to be announced as Mardi Gras gets closer. Sydney Gay and Lesbian Mardi Gras 2024 will run from Friday, February 16–Sunday, March 3, 2024. For more information, or for tickets, head to the event's website. Select images: Jeffrey Feng Photography, Lexy Potts
Spanish feasts are on the menu at Burnett Lane's newest restaurant — and it's serving up dishes all day long. A newcomer to the growing CBD roadway, El Matador serves Iberian-inspired breakfasts, plenty of tapas for lunch, dinner and everything in-between. And all come with drinks, naturally. Drop by first thing for Spanish tortillas with cheese and onion crisps; corn fritters paired with wood-roasted cherry tomatoes and smashed avocado; and coal-smoked king fish topped with shaved San Simon smoked cheese. If you're looking for something sweeter, you'll find house-baked traditional Spanish breads and pastries, such as traditional shortbread and chocolate and cinnamon meringues. Cava-filled bloody marys with paprika are also on the morning lineup, should you need something stronger than a coffee. For those heading along later in the day, expect a huge range of bite-sized selections — there's a sizeable tapas and pintxos menu, which spans everything from four types of shellfish with salmorejo, alioli and lemon; to sticky pork ribs with smoked paprika; three-cheese tarts with baby figs and honey; and Spanish favourite patatas bravas. Larger meals are also on offer, including a lamb shoulder that's smoked overnight and served with preserved lemon, sherry and rosemary, plus half a confit suckling pig that you have to order 24 hours in advance. With the bar designed around an open kitchen, jamón and other cured meats from the humidor are also a highlight, as well as six types of Spanish cheese. As for drinks, you can tuck into one of three sangria jugs to share, pick from classic cocktails, or opt for an array of Spanish, local and international wines and beers. Decked out with booths and banquettes, and capable of welcoming 80 patrons at once, El Matador is the latest venture from Leo Castelluccio, who's known from Melbourne venues Cato, Graffiti Club and Bakers Gallery. He's planning to further his expansion into Brisbane, too, with a cocktail and karaoke bar in the works directly across the lane. Find El Matador in Burnett Lane, behind 15 Adelaide Street, open Monday–Saturday from 7am–11pm.
What had Amy Schumer advising that her hosting plan was "to stay present until I black out" and Troy Kotsur promising not to sign any profanity? Where did Timothée Chalamet opt not to wear a shirt, Tiffany Haddish declare that she's a superhero just for being herself, and anniversary tributes to everything from The Godfather, Pulp Fiction and Bond toWhite Men Can't Jump and Juno take place like an entertainment website had somehow come to life? That'd be the 2022 Academy Awards. Back in a March time slot, Hollywood's night of nights just handed out its gongs for this year — recognising films from last year — and plenty happened. Where did the first-ever live performance of Encanto's 'We Don't Talk About Bruno' occur, too? At the Oscars today, obviously. (We won't talk about a certain outburst that also took place, because it doesn't deserve any further oxygen.) While the ceremony always sparks conversation — great, bad or fine, the latter of which fits here apart from its violent interlude — the Academy Awards are always about celebrating top-notch movies. The body behind them made some incredibly questionable choices with its live event this year, including taking eight categories it didn't deem sexy enough out of the televised broadcast (including the one that none other than Hans Zimmer won, and understandably decided not to attend to collect), but a heap of worthy flicks still just picked up shiny trophies. As a result, CODA is now the reigning Best Picture winner, Jane Campion became just the third woman ever to win Best Director and Dune nabbed almost every technical award it could — and they're just some of this year's crop of recipients. From Drive My Car earning some Best International Feature love to Cruella's costumes getting the nod, if you're wondering what else emerged victorious, the full rundown is below. You can also check out our picks for the 11 winners you should watch right now as well — and our full lists of where most of this year's contenders are screening or streaming in both Australia and New Zealand. OSCAR NOMINEES AND WINNERS 2022 BEST MOTION PICTURE The Power of the Dog West Side Story Belfast Dune Licorice Pizza King Richard CODA — WINNER Don't Look Up Drive My Car Nightmare Alley BEST DIRECTOR Jane Campion, The Power of the Dog — WINNER Paul Thomas Anderson, Licorice Pizza Steven Spielberg, West Side Story Kenneth Branagh, Belfast Ryusuke Hamaguchi, Drive My Car PERFORMANCE BY AN ACTRESS IN A LEADING ROLE Olivia Colman, The Lost Daughter Nicole Kidman, Being the Ricardos Jessica Chastain, The Eyes of Tammy Faye — WINNER Kristen Stewart, Spencer Penélope Cruz, Parallel Mothers PERFORMANCE BY AN ACTOR IN A LEADING ROLE Will Smith, King Richard — WINNER Benedict Cumberbatch, The Power of the Dog Andrew Garfield, Tick, Tick... Boom! Denzel Washington, The Tragedy of Macbeth Javier Bardem, Being the Ricardos PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE Ariana DeBose, West Side Story — WINNER Kirsten Dunst, The Power of the Dog Aunjanue Ellis, King Richard Judi Dench, Belfast Jessie Buckley, The Lost Daughter PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE Kodi Smit-McPhee, The Power of the Dog Ciarán Hinds, Belfast Troy Kotsur, CODA — WINNER Jesse Plemons, The Power of the Dog JK Simmons, Being the Ricardos BEST ORIGINAL SCREENPLAY Licorice Pizza, Paul Thomas Anderson Belfast, Kenneth Branagh — WINNER King Richard, Zach Baylin Don't Look Up, Adam McKay (story by McKay and David Sirota) The Worst Person in the World, Joachim Trier and Eskil Vogt BEST ADAPTED SCREENPLAY The Power of the Dog, Jane Campion The Lost Daughter, Maggie Gyllenhaal CODA, Sian Heder — WINNER Dune, Jon Spaihts, Denis Villeneuve and Eric Roth Drive My Car, Ryusuke Hamaguchi and Takamasa Oe BEST INTERNATIONAL FEATURE FILM Drive My Car (Japan) — WINNER The Worst Person in the World (Norway) Flee (Denmark) The Hand of God (Italy) Lunana: A Yak in the Classroom (Bhutan) BEST ANIMATED FEATURE Encanto — WINNER Luca The Mitchells vs the Machines Flee Raya and the Last Dragon BEST DOCUMENTARY FEATURE Summer of Soul (…Or, When the Revolution Could Not Be Televised) — WINNER Flee Ascension Attica Writing with Fire BEST ORIGINAL SCORE The Power of the Dog, Jonny Greenwood Dune, Hans Zimmer — WINNER Don't Look Up, Nicholas Britell Encanto, Germaine Franco Parallel Mothers, Alberto Iglesias BEST ORIGINAL SONG 'No Time to Die', No Time to Die (Billie Eilish and Finneas O'Connell) — WINNER 'Dos Oruguitas', Encanto (Lin-Manuel Miranda) 'Be Alive', King Richard (Beyoncé Knowles-Carter and Dixson) 'Down to Joy' Belfast (Van Morrison) 'Somehow You Do', Four Good Days (Diane Warren) BEST CINEMATOGRAPHY Dune, Greig Fraser — WINNER The Power of the Dog, Ari Wegner The Tragedy of Macbeth, Bruno Delbonnel Nightmare Alley, Dan Laustsen West Side Story, Janusz Kaminski BEST FILM EDITING Dune, Joe Walker — WINNER The Power of the Dog, Peter Sciberras Don't Look Up, Hank Corwin King Richard, Pamela Martin Tick, Tick... Boom!, Myron Kerstein and Andrew Weisblum BEST PRODUCTION DESIGN Dune, Patrice Vermette and Zsuzsanna Sipos — WINNER Nightmare Alley, Tamara Deverell and Shane Vieau West Side Story, Adam Stockhausen and Rena DeAngelo The Tragedy of Macbeth, Stefan Dechant and Nancy Haigh The Power of the Dog, Grant Major and Amber Richards BEST VISUAL EFFECTS Dune, Paul Lambert, Tristan Myles, Brian Connor, Gerd Nefzer — WINNER Free Guy, Swen Gillberg, Bryan Grill, Nikos Kalaitzidis, Dan Sudick Spider-Man: No Way Home, Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick Shang-Chi and the Legend of the Ten Rings, Christopher Townsend, Joe Farrell, Sean Noel Walker and Dan Oliver No Time to Die, Charlie Noble, Joel Green, Jonathan Fawkner, Chris Corbould BEST COSTUME DESIGN Cruella, Jenny Beavan — WINNER Dune, Jacqueline West and Bob Morgan West Side Story, Paul Tazewell Nightmare Alley, Luis Sequeira Cyrano, Massimo Cantini Parrini and Jacqueline Durran BEST MAKEUP AND HAIRSTYLING The Eyes of Tammy Faye, Linda Dowds, Stephanie Ingram and Justin Raleigh — WINNER Dune, Donald Mowat, Love Larson and Eva von Bahr Cruella, Nadia Stacey, Naomi Donne and Julia Vernon Coming 2 America, Mike Marino, Stacey Morris and Carla Farmer House of Gucci, Goran Lundstrom, Anna Carin Lock and Frederic Aspiras BEST SOUND Dune, Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett — WINNER West Side Story, Tod A Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy No Time to Die, Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor Belfast, Denise Yarde, Simon Chase, James Mather and Niv Adiri The Power of the Dog, Richard Flynn, Robert Mackenzie and Tara Webb BEST DOCUMENTARY SHORT SUBJECT Audible Lead Me Home The Queen of Basketball — WINNER Three Songs for Benazir When We Were Bullies BEST ANIMATED SHORT FILM Affairs of the Art Bestia Boxballet Robin Robin The Windshield Wiper — WINNER BEST LIVE ACTION SHORT FILM Ala Kachuu — Take and Run The Dress The Long Goodbye — WINNER On My Mind Please Hold Top image: Netflix.
Sculpture by the Sea kicked off its 22nd annual exhibition today — once again taking over the two-kilometre coastline from Sydney's Bondi to Tamarama Beach with many incredible sculptural feats. This year, you'll find 107 sculptures by artists from 21 countries globally. The works will be on display from October 18 through November 4, and it's all absolutely free. This year's highlights include a collaboration with China's leading art institute, the Central Academy of Art (CAFA), showcasing the works of eight alumni, all spread throughout the vast sculpture park. If you're looking to know more about the inspiration for the sculptures on display, you can grab a bean bag and hear directly from the artists every Saturday and Sunday. But, with so many sculptures to feast your eyes on, it can be overwhelming — and you want to make sure not to overlook the best of the bunch. Here are five sculptures to keep a look out for while you take that famed Sydney walk. [caption id="attachment_694145" align="alignnone" width="1920"] Trent Van der Jagt[/caption] COOL SHIT: DAMIEN HIRST LOOKING FOR SHARKS UK artist Cool Shit (the nom de plume of David Glass) has created a large-scale inflatable snorkeler as a parody of artist Damien Hirst — it reference's Hirst's quest for the tiger shark that made him one of the most iconic postmodern British artists of his time. Hirst caught the shark off of Queensland's Hervey Bay back in the 1990s, preserved it with formaldehyde and sold it as a sculpture in 2004 for some $12 million. Glass' work is a comment on the commercialism of Hirst's work, titled The Physical Impossibility of Death in the Mind of Someone Living, which Glass feels was more a hunt for millions than for art. The inflatable sculpture is mainly air and the outer sheath is made of hundreds of hand-painted fabrics. [caption id="attachment_694147" align="alignnone" width="1920"] Trent Van der Jagt[/caption] BARBARA LICHA: CBD Made of stainless steel bars and galvanised wire and mesh, CBD is a striking representation of the Sydney city centre, created by Polish-born Aussie artist Barbara Licha. She aims to bring attention to the structural beauty of our city and how we are connected not just to others but also to the place we live. This sculpture is full of movement and uses geometrical shapes to depict this intersection between people and place. It explores architecture as more than just a means to building houses, towns and cities but also as a form of art that connects us to our surroundings. [caption id="attachment_694175" align="alignnone" width="1920"] Charlotte Curd[/caption] MU BOYAN: HORIZON A three-metre-tall fleshy figure has really stolen the show this year as the most recognisable sculpture of the bunch. Mu Boyan's Horizon rests on the south Bondi headland at Marks Park and its towering stature is markedly contrasted by its peaceful pose. According to Boyan, the Buddha-like figure is an invitation to sit alongside it and empty your mind. A meditative force to be reckoned with, the sculpture is one-of-eight works in collaboration with Beijing's Central Academy of Fine Arts. [caption id="attachment_694174" align="alignnone" width="1920"] Trent van der Jagt[/caption] PENELOPE FORLANO: COUNTERPOINTS WA artist Penelope Forlano directly responded to the Bondi coastline in her sculpture Counterpoints, creating a work that is familiar yet contrasting to the natural surrounds. She began by focusing on the dynamic flow of the waves against the Hawkesbury sandstone — which once connected Australia to Antarctica 300-million years ago. The sculpture is reminiscent of both a water droplet and stone spearhead, the latter of which is meant to connect to nearby Aboriginal engravings. It is a shape that at once fits in and stands out, echoing both the enduring and ephemeral aspects of nature. [caption id="attachment_694168" align="alignnone" width="1920"] Trent van der Jagt[/caption] ALESSANDRA ROSSI: CAIRNS Referencing human-made piles of stones that have been created by cultures around the globe for centuries, Cairns uses opaque and mirrored perspex to reflect light on its surrounds. Visit it during different times of the day and you'll find yourself bathed in shimmering hues of red, pink, orange and blue. The impermanence of this light also helps convey a dichotomy between the temporary and the enduring, which is also reflected by the ocean — its ebbing waves and its surrounding solid rocks. The three pieces are by Italian artist Alessandra Rossi, who has also exhibited across Australia. Sculpture by the Sea runs until November 4. For more info, visit sculpturebythesea.com. Top image: Trent van der Jagt
Some things are just so stunning that they need to be seen multiple times, and getting to walk through Vincent van Gogh's dazzling artworks at Melbourne's multi-sensory digital art gallery The Lume is clearly one of them. So, the popular exhibition that it first opened with, and that's also toured a version around the country, will come alive again in the Victorian capital from Boxing Day 2024. Made your own Lego version of The Starry Night? Next, you can walk through the iconic painting projected large across the Melbourne Convention and Exhibition Centre. Arriving a few weeks after Leonardo da Vinci — 500 Years of Genius closes in early December, the timing of the experience's return means that you'll be able to pair summer's sunny days with some sunflowers. The big two will be back, of course — aka two of van Gogh's most popular works transformed into vivid new guises. Again, when you see The Starry Night, you'll actually be walking through it as it takes over an entire room. Love Sunflowers (the painting, as well as the plant)? Then get ready for the immersive Sunflower room, where golden petals stretch as far as the eye can see. A family-friendly experience, the van Gogh exhibition creates the sensation of diving right into the Dutch artist's paintings — and you definitely won't feel like you're just standing in an ordinary gallery. Attendees encounter van Gogh's world-famous works in fine detail thanks to state-of-the-art technology from the Melbourne-based Grande Exhibitions, which is behind The Lume. Think: high-definition projectors throwing 360-degree images onto four-storey-high walls in a 3000-square-metre gallery, with a classical musical score accompanying the vibrant colours, too, as presented in cinema-quality surround sound. While plenty will be familiar when the experience brightens up Melbourne again — including an immersive cafe inspired by the artist's Café Terrace at Night and an artist studio where you can learn the techniques behind his pieces — Finding Vincent in shared VR is making its global premiere, taking the idea of stepping into van Gogh's creativity up another level. "We have always embraced the fusion of art and technology to reimagine how audiences engage with masterpieces. This shared VR innovation is the latest step in that evolution, merging creativity with cutting-edge digital capability to create moments of awe that go beyond the traditional gallery visit," says Grande Experiences and The Lume Melbourne founder Bruce Peterson. Van Gogh at The Lume opens at The Lume, Melbourne Convention and Exhibition Centre, 5 Convention Centre Place, South Wharf, Melbourne, from Thursday, December 26, 2024 — head to the venue's website for tickets and further information. Images: Morgan Sette / Miles Noel Photography / Grande Experiences.
When the COVID-19 pandemic spread to Australia, both national and state borders began closing, and stay-at-home restrictions were implemented, the world suddenly started to feel a whole lot smaller. Hopping on a plane for a holiday was, and still is, off limits — and, for the past few months, even stepping beyond our own backyards has been forbidden. As part of Queensland's next easing of coronavirus limits, Brisbanites will soon be able to venture a little further afield. From 11.59pm on Friday, May 15, day trips within 150 kilometres of your primary residence are back on the cards. And, for most locals, they're the best kinds of getaways. If you've lived in Brisbane for more than a few months, plenty of your memories will likely involve hopping in the car, driving to the beach or mountains for a mighty fine day out, then heading home that night exhausted but happy. Here are ten places where you can do just that — all within 150 kilometres of Brisbane. SCENIC RIM Tucked between Brisbane, the Gold Coast and Ipswich, and sprawling around the towns of Beaudesert and Boonah, the Scenic Rim region is home to scenic sights, mountains and plenty of other reasons to head outdoors. If you're keen on a walk — either of the leisurely or more challenging kind — then you'll find both short and lengthier treks in the Mt Barney, Moogerah Peaks and Main Range national parks. The area is also perfect for an extremely crucial part of every day trip: driving. Sitting in the car, winding around the roads and soaking in the gorgeous scenery is what venturing to the Scenic Rim is all about. Add a detour to Canungra to your visit, too, with the spot originally starting out as a timber town in the 1800s. And, if you make a stop at Canungra Creek, if you're lucky you might spot a platypus. [caption id="attachment_574381" align="alignnone" width="1280"] Tatters via Flickr[/caption] TOOWOOMBA For years, Toowoomba was hardly at the top of any Brisbanite's must-visit list. Over the last decade or so, though, it's done a complete 360. The town has embraced the fact it's beautiful, it's also a viable tourist hotspot, and it's home to some of the richest people in Queensland who don't mind putting a bit of coin back into the place. With Toowoomba particularly known for its gardens and flowers, be sure to check out all the parks in the area — with Laurel Bank, Queens Park and Picnic Point the top three. At the latter, you'll score views out over the Great Dividing Range and the Lockyer Valley, too. Or, if you fancy looking back in time, the town also boasts a selection of impressive heritage walks. COOLANGATTA Crossing the border between Queensland and New South Wales is currently restricted to certain circumstances — well, heading out of the state is fine, but limits apply when you want to come back. You can still enjoy everything Coolangatta has to offer, though, including one of the nicest stretches of beach along the Gold Coast. Splash, sunbathe, surf or play around on the sand. If you're feeling extra adventurous and the conditions are right, swim your way around the headland to Rainbow Bay. Fancy a sweet treat? There's a Gelato Messina by the shore, too. Or, you can simply feel the ocean breeze while you walk along the coastline, whether you start at Kirra and end at Greenmount or vice versa. Spotting a whale or two isn't uncommon while you stroll, either. MALENY Perched at 436 metres above sea level, Maleny offers magnificent views of the Glasshouse Mountains, as anyone who has ever ventured to the Sunshine Coast hinterland spot knows. Since the 80s, it has also been a magnet for artists, craftspeople, writers and musicians, who all find inspiration in the dreamy landscapes. And, it's peppered with creeks, falls, gardens, reserves, dams and other natural highlights — which means that there's never a shortage of things to do. Our tip: stop by the 55-hectare Mary Cairncross Scenic Reserve, where you can take in a rainforest walk, spot birds and peer out over the landscape. Also, its Mountain View Cafe is open for takeaways. [caption id="attachment_682545" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] TAMBORINE MOUNTAIN A word of warning: Tamborine Mountain, which is 530 metres above sea level, is noticeably cooler than in Brisbane. That means that packing a scarf is recommended, especially as the weather gradually starts to pick up a chill across southeast Queensland (well, get frostier than the state's usual balmy climes, at least). Of course, there's another excellent way to keep warm while you're visiting this picturesque spot. When you're surrounded by walks, waterfalls and gardens, you naturally want to make the most of every trail, patch of greenery and stunning sight. Check out glow worm caves, venture along the famous skywalk, soak in the sounds and sights of falling water, and pick between a hefty array of hiking trails. Bring a picnic with you, and you can enjoy a lunch with view, too. [caption id="attachment_580697" align="aligncenter" width="1280"] Daisy R via Flickr[/caption] NOOSA Every southeast Queenslander has heard someone wax lyrical about their last trip to Noosa. Most southeast Queenslanders have been guilty of doing the gushing, too. The Sunshine Coast may be filled with coastal towns and suburbs perfect for short and long visits, but there's just something about the region around the Noosa River and Noosa National Park that continues to lure visitors in. Perhaps it's the siren's song that is Hastings Street, with its strip of shops and cafes located just a stone's throw from the beach (and no, we're not exaggerating). Perhaps it's North Shore's sand dunes and bushland, or the sleepy feel on the other side of the river. Perhaps its the fact that you could spend the day hopping between surfing, fishing in a boat while pottering along the water, then spotting pods of dolphins or whales — all just 138 kilometres north of Brisbane. [caption id="attachment_702576" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] SPRINGBROOK NATIONAL PARK Going beachy is one way to have a wet and wild day trip in the driving vicinity of Brisbane. Another: visiting Springbrook National Park. You won't actually get your feet damp; however you'll remain perfectly happy about it. Revelling in the great outdoors, you'll be distracted by the many rainforest-set walking tracks and lookouts, and by feasting on the picnic you thought to bring along, not to mention waiting until dark to spy a peek at glow worms. If you want a splash of H2O, however, the rock bridge, plunging waterfall and arched cave that comprises the Natural Arch is the place to head to. You can't swim there, but you can marvel at its crisp air and overall coolness. [caption id="attachment_702575" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] MONTVILLE Sometimes, the best thing about a day trip is the change of scenery. When you've just spent months and months at home, barely venturing outside, that's particularly true. And while there's so much to do and see at Montville that the landscape is just one highlight, those mountainous sights really are something to behold — and offer something vastly different from Brisbane as well. When you're not soaking in the view, wandering along the main gallery, shop and cafe-filled strip is recommended. The pace: leisurely, especially when you're strolling up the hill. To make a real day of it, go the long way round to get there, stop by Kondalilla Falls for a refreshing dip on the way into town, then drop into one of the vineyards on your way home. Yes, you do need wine as a souvenir. [caption id="attachment_702564" align="aligncenter" width="1920"] Tourism and Events Queensland[/caption] LAKE WIVENHOE If your only experience with Wivenhoe Dam is hearing about its levels in times of drought and restrictions, then prepare to visit somewhere both peaceful and practical. The water reserve one hour northwest of Brisbane is the kind of spot you can easily spend a day in doing little but relaxing — ie the ideal way to while away part of a weekend. Swim or potter around in your non-fuel-powered boat (if you happen to know someone who has one), fish (though you'll need a permit), or simply laze around in the fresh air. Don't forget to bring a stock of food that you can grill on the barbecue, too, to complete what we have to call a damn good outdoor experience. MOUNT NEBO If you don't feel like driving too far, but you still want to venture away from home — and you desperately need a shot of fresh air to take you out of your isolation stupor — then journey to Mount Nebo. This super-cute village lies just 45 minutes' drive west of Brisbane, at the southern end of the d'Aguilar Range. On the way, stop at Samford for brekkie at The Flying Nun Cafe, where you can pick up a takeaway snack and some caffeine. Then, when you hit the actual Mount Nebo, put one foot in front of the other on a rainforest walk, such as the one-kilometre Pitta Circuit or the eight-kilometre adventure taking in Jollys Lookout. Top image: Flickr
For as long as most Brisbanites can remember, the CBD's riverside stretch has been synonymous with bland buildings and an always-busy expressway — but that's changing. Popping up amid the hustle, bustle and boring concrete is the city's newest luxury hotel, W Brisbane is bringing a touch of ultra glam to the northern bank of the river. First announced last year as part of the chain's return to Australia, and originally set to launch in March, the hotel is now open on North Quay between the Victoria and Kurilpa bridges. The five-star spot boasts a view across the water to the Queensland Museum, the State Library of Queensland and the Gallery of Modern Art. And that's just the first of many features that might entice locals to book a staycation. Others include 312 designer rooms decked out with ten-gallon drum baths and in-suite cocktail stations, an onsite spa, and a fourth-level deck that includes an eye-catching pool, an adjacent bar and a barbecue area. While the overall look of the place takes inspiration from its location, with design agency Nic Graham & Associates working to the theme of "a river dreaming", W Brisbane's other main highlight actually springs from down south. As revealed a couple of months back, the hotel is home to Queensland's first Three Blue Ducks restaurant. A 150-seat space with views over the river, it'll serve breakfast, lunch and dinner daily, with the kitchen overseen by chefs Mark LaBrooy, Darren Robertson and Andy Allen. On the menu: Ducks' signature dishes such as spanner crab scramble, old favourites including congee with pulled pork and hay smoked salmon kedgeree, and new additions like fermented chilli glazed chicken. Plus, as well as its hefty number of places to take a kip — including 28 suites, two extra-luxe spaces that've been dubbed "Wow Suites" and one "Extreme Wow Suite" — W Brisbane also features 1100 square metres of function space. Expect the hotel to become the city's new business go-to. And, of course, Brissie's new riverside hangout as well. Find W Brisbane at 81 North Quay, Brisbane. For more information about the hotel, or to make a reservation, visit the W Brisbane website. For further details about Three Blue Ducks, head to the restaurant's website.
Lazing on the couch. Wearing your comfiest clothes. Feeling very, very cosy. For folks trying to find something — anything — to be positive about from the past year or so, these benefits of spending so much time at home should rank highly. And, whatever the weather, they're also a recipe for blissful lounge sessions. Fancy feeling extra warm and fuzzy? Keen on some agreeable viewing options that'll not just make you feel cosy, but nostalgic too? Need a feel-good fix that only a nice animated blast from your past can rustle up? Jump into that groove you've got going on the sofa, put on your snuggest outfit and settle in to relive brighter, sunnier times — we've rounded up a whole heap of retro animated flicks that you can stream or watch on VOD right now. https://www.youtube.com/watch?v=92a7Hj0ijLs ALMOST EVERY STUDIO GHIBLI FILM Getting spirited away, spending time with Totoro and chasing a moving castle are now as easy as clicking a few buttons whenever you feel like it. So is revelling in the heartwarming delights of one of the best animation studios there is, too. Over the past four decades, Studio Ghibli's reputation and popularity have only grown with each new film, with the Japanese outfit beloved the world over — for a very good reason. Whether you're fond of the talents of the great Hayao Miyazaki, or you've fallen hard for gorgeous animation by fellow Ghibli co-founder Isao Takahata, Miyazaki's son Gorō Miyazaki, and other directors Yoshifumi Kondō, Hiroyuki Morita and Hiromasa Yonebayashi, you'll find them all available to stream on Netflix. In fact, from Kiki's Delivery Service and My Neighbour Totoro to Spirited Away and The Tale of The Princess Kaguya, every solely Studio Ghibli-produced animated feature except Grave of the Fireflies and the recent Earwig and the Witch is on offer, as well as made-for-TV movie Ocean Waves. Twenty-one Studio Ghibli films are available to stream via Netflix. https://www.youtube.com/watch?v=hgW6hUO2oyg FERNGULLY: THE LAST RAINFOREST Mention the words Robin Williams and animation in the same sentence, and one film springs to mind. Aladdin deserves the instant recognition; however the 1992 hit was actually the second movie released that year to feature Williams' vocal stylings, after FernGully: The Last Rainforest. In the latter, he voices Batty Koda, an unstable bat who says he's been experimented on by people. He's fantastic, obviously — and he raps. But that's just one of the highlights of this environmental musical fantasy, which follows a logger, Zak (voiced by Jonathan Ward), who is shrunk down to fairy size by the winged, magical Crysta (Samantha Mathis). Christian Slater, Tim Curry, Cheech Marin, Tommy Chong and Tone Loc also provide voices, and the movie's message against pollution and deforestation is a worthy one. Oh, and any Aussie 90s kid knows, the entire film is set in Australia. FernGully: The Last Rainforest is available to stream via Fetch TV. https://www.youtube.com/watch?v=ZisWjdjs-gM PIXAR'S ENTIRE CATALOGUE Disney+, Disney's very own streaming platform, was always going to become the one-stop-shop for all of the entertainment behemoth's many famous brands, franchises and studios. That includes Pixar — and with the company spending the past quarter-century making lively, thoughtful, soul-lifting animated features, there are plenty of movies for fans to stream, re-stream and then stream yet again. In fact, all 25 Pixar features to-date are available on the platform, including last year's Onward and Soul, and this year's Luca as well. That means you can now spend, hours, days and weeks reliving the ups and downs of the Toy Story saga, enjoying the antics of Ratatouille's wannabe chef, being overwhelmed with emotion thanks to Inside Out and pondering the life of a dutiful robot left all alone in WALL-E. Pixar's entire feature catalogue is available to stream via Disney+. https://www.youtube.com/watch?v=X-rpEUuxgmY THE LAND BEFORE TIME If The Land Before Time taught us anything, it's this: even in prehistoric times, when you're a cute baby dinosaur and your species rules the earth, life isn't just about roaring, eating and playing. For "longneck" Littlefoot (voiced by Gabriel Damon), his trek to find the Great Valley is filled with peril — but it also fuels one of the most beloved non-Disney, Pixar and Studio Ghibli animated films there is. Of course, Littlefoot's journey also involves life lessons, endearing adventures and plenty of other cute, tiny dinosaurs, all in a movie that sparked a whopping 13 direct-to-video sequels between 1994 and 2016 (as well as a TV series). It seems that a pre-Jurassic Park Steven Spielberg knew what he was talking about when he decided he wanted to produce a movie like Bambi, but with dinosaurs. Also a producer on this heartfelt flick: George Lucas. The Land Before Time is available to stream via Google Play, YouTube Movies and Amazon Prime. https://www.youtube.com/watch?v=1huZhKwhIQc A HEAP OF DREAMWORKS FLICKS When DreamWorks jumped into the animation game back in the 90s, it did so with a splash. In one year, 1998, it released both the computer-animated Antz and the traditionally animated The Prince of Egypt. Then, in 2001, it had audiences everywhere falling for a cranky, green, Mike Myers-voiced ogre in Shrek. Not every DreamWorks film has hit the mark, of course. For every franchise-starter such as Madagascar and Kung Fu Panda, there's been the less-successful likes of Shark Tale and Over the Hedge — and, more than many other animation studios, its flicks entertain actual kids far more than kidults. But if you're still keen for a DreamWorks-shaped trip down memory lane, both Netflix and Stan boast a sizeable array of the company's aforementioned movies, including everything from Bee Movie, Megamind and Monsters vs Aliens to How to Train Your Dragon and more. A variety of DreamWorks films are available to stream via Netflix and Stan. https://www.youtube.com/watch?v=fq2FZdvQXXg THE IRON GIANT What it means to be alive is one of humanity's oldest questions, and one of our most frequent literary and cinematic narratives as well. In The Iron Giant, a 100-foot-tall metal-eating alien robot voiced by Vin Diesel is doing the pondering, after the eponymous figure plummets from the sky and lands outside the town of Rockwell, Maine circa 1957. There, in a tale based on Ted Hughes' 1968 novel The Iron Man, he befriends a curious nine-year-old called Hogarth (voiced by Eli Marienthal), as they both try to hide from the Soviet-fearing Cold War-era US government. Marking the debut feature by director Brad Bird (The Incredibles and its sequel, Ratatouille, Mission: Impossible — Ghost Protocol and Tomorrowland), the result is one of the smartest, sweetest, most ambitious and astute all-ages animated films there is — which you'd expect from a movie that uses a towering space robot to contemplate not just human nature, but our ability to defy expectation and choose who we wish to be. The Iron Giant is available to stream via Google Play, YouTube Movies, iTunes and Amazon Video. https://www.youtube.com/watch?v=aMlIpQ5pbCk DISNEY'S CLASSICS For decades now, no childhood has been complete without a whole bunch of animated Disney movies. The Mouse House has been in the business of making feature-length animated flicks for 83 years — since Snow White and the Seven Dwarfs first released in 1937 — and it's still going strong. Obviously, everything from Pinocchio, Bambi and Cinderella to The Sword in the Stone, Robin Hood and The Rescuers are all on Disney+. More recent films, such as The Little Mermaid, The Lion King, Pocahontas, Mulan, The Hunchback of Notre Dame and Atlantis: The Lost Empire, are too. And so is the movie that combined a cartoon mouse, eight pieces of classical music and over two hours of gorgeous animation into a masterpiece: the pioneering, imaginative and highly experimental hit Fantasia. Disney's animated films are available to stream via Disney+. https://www.youtube.com/watch?v=1v6-T52zLO0 FANTASTIC MR FOX Roald Dahl, Wes Anderson and stop-motion animation: that's a match made in cinematic heaven. Dahl wrote the acclaimed 1970 children's novel about the canny and cunning titular fox, of course, while Anderson brings it to life with a voice cast that includes George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Willem Dafoe and Owen Wilson. While Fantastic Mr Fox is his first animated feature, the director behind Rushmore, The Royal Tenenbaums and The Life Aquatic with Steve Zissou is a natural when it comes to witty comedy paired with playfulness, ample sight gags and a whole lot of visual symmetry. As for the story, it follows Mr Fox's (Clooney) efforts to outsmart a trio of mean farmers — and it's told here with energy, personality and Anderson's usual charm. Fantastic Mr Fox is available to stream via Netflix. https://www.youtube.com/watch?v=S1-0Fst-J08 WHO FRAMED ROGER RABBIT It's the part live-action, part animated film that's really not for kids, and it's still a delight more than three decades later. Who Framed Roger Rabbit steps back to 1947, plays with both neo-noir and comedy, and creates a world where humans and cartoons — or Toons as they're called — co-exist. A who's who of Hollywood's late-80s best and brightest were all considered for the part of private detective Eddie Valiant (Harrison Ford, Bill Murray and Eddie Murphy among them), but Bob Hoskins is pitch-perfect in the role. Also working a charm is the film's dark but funny tone, its exceptional special effects, and the reteaming of Robert Zemeckis and Christopher Lloyd after Back to the Future. Oh, and the fact that this always-entertaining PI tale is basically an oddball take on all-time classic Chinatown. Who Framed Roger Rabbit is available to stream via Disney+. https://www.youtube.com/watch?v=bmhXPNg3DZ8 THE NIGHTMARE BEFORE CHRISTMAS More than a quarter-century ago, Tim Burton and Henry Selick served up one of the most enchanting holiday films to hit the big screen — and one that doubles as both Halloween and Christmas viewing. It's Burton's name that everyone remembers; however a pre-Coraline Selick is actually in the director's chair on The Nightmare Before Christmas, which charms with both its offbeat story and its gorgeous stop-motion animation. Burton came up with the narrative though, because Jack Skellington only could've originated from the Beetlejuice and Edward Scissorhands filmmaker's brain. Imaginative, original and engaging (even as it nods to Dr Seuss a few times), it still remains a treat for all ages no matter the time of year. The Nightmare Before Christmas is available to stream on Disney+.
Find yourself surrounded by some of the world's brightest journalists at this year's Storyology, returning to Brisbane at the end of July. Brought to you by The Walkley Foundation, Australia's networking festival of media and storytelling welcomes Australian and international journalists who'll be leading talks and lectures on today's big questions around the forever-changing industry. The festival kicks off in Brisbane on Friday evening with a panel dubbed This Book Changed My Life. Adam Suckling from Copyright Agency will moderate as three storytellers discuss the nonfiction and fiction books that have most impacted their lives. Saturday will take a 'behind the news'-style approach to uncover what journalism looks like in 2018. First up, journalists and editors (plus one cartoonist) from the likes of Buzzfeed and Guardian Australia will lead an ethical discussion on reporting some of the year's biggest stories. At noon, photojournalist Nick Moir will share the storm-chasing stories behind dramatic weather shots, before a timely discussion at 1.30pm dubbed Power Shifts: Identity, Diversity, #Metoo. Four female journalists, led by ABC Regional Queensland editor Cathie Schnitzerling, will share insights on the 'Time's Up' movement, including how their newsrooms are approaching the ever-evolving coverage and the lasting impact on diversity. The day will wrap up with a session exploring why podcasts have become the medium-of-choice for sharing true crime stories and all nuances that play into this — from nailing the tone to reporting respectfully. Storyology 2018 will take place at Palace Cinema at the Barracks from Friday, July 27 to Saturday, July 28. See the full program of events and talks here. We also have five doubles passes to the full festival to giveaway. To enter, see details below. [competition]675850[/competition] Image: Tim Marshall.
One of life's simplest, purest pleasures gets a day to shine when May 21 rolls around each year — and in 2023, Brisbane Art Design is celebrating. The River City's annual creative festival is pouring cuppas to mark International Tea Day, taking over Fortitude Valley's Ring a Bell with both a one-day shindig and a weeklong exhibition. On the date itself — a Sunday, nicely — the Brunswick Street spot will host a special tea tasting, as well as a mini makers market, with both running from 9am–1pm. From 11–11.45am, you can also listen to an in-conversation chat about tea over brunch. Whether you can make it to this communi-tea focused day or not, art showcase To the Beauteaful You keeps the celebrations hot from Sunday, May 21–Saturday, May 27. Here, you'll peer at pieces by up-and-coming photographer Lam Ha Tran, ceramic artist Georgia Richards, and visual artists Tanya Ashworth and Sariah Christensen. Yes, the theme is tea. The exhibition runs from 7am–2pm Monday–Friday, and from 8am–1pm on Saturday.
It was true when Star Wars: Episode IV — A New Hope hit cinema screens more than four decades ago, and it's still true now. If there's one thing everyone knows about the sci-fi world created by George Lucas, it's that it doesn't unveil its secrets quickly. All of these years later, viewers are still watching the space opera saga's twists and turns in episodic big-screen instalments (and will soon be doing so on the small screen, too). If you've been keeping an eye out for news about Disney's new dedicated Star Wars theme park zones, it's been a somewhat similar process. Of course, the force is strong with this overall idea. Yes, we've definitely got a good feeling about it as well. Soon, Disneyland Resort in California and Walt Disney World in Florida will both boast dedicated Star Wars-themed zones, called Star Wars: Galaxy's Edge. With the two set to open between the middle and the end of 2019, Disney has slowly been sharing a few more details about what fans can expect. Last year, boozy watering hole Oga's Cantina was announced. It'll be part of both spaces, bringing alcohol to the California park for the first time. Then, Star Wars aficionados learned about both Millennium Falcon: Smugglers Run and Star Wars: Rise of the Resistance. The former will put you in the driver's seat of Han Solo's beloved ship, while the latter will see you caught in the middle of a battle between the Resistance and the First Order. Now, the company has started spilling the details on the outpost of Batuu, which is where Galaxy's Edge is set. It's a hive for smugglers and rogues (naturally), and it's where you'll be wandering around when you're not exclaiming "punch it" a whole heap, trying to become best buddies with a loveable wookiee and hopping onto a star destroyer. Specifically, visitors will be getting cosy in the Batuu village of Black Spire Outpost — and there's plenty to keep everyone occupied. If you're a hands-on type, you can construct your own R2-D2 or BB-8-style droids, which you can then take home with you. You'll also be able to build your own unique lightsaber, and take a few Jedi lessons so you know how to use it. Or, pick up Resistance or First Order supplies, or look for rare goods from a galaxy far, far away (if you haven't noticed, most of these attractions involve purchasing some merchandise or a keepsake, because of course they do). When you're not giving your Star Wars skills and your wallet a workout, you'll also be able to enjoy the finest spread that Black Spire Outpost has to offer. Docking Bay 7 Food and Cargo takes the form of a multi-purpose transport shuttle docked in a hangar, and is basically an intergalactic food truck, with 'Smoked Kaadu Ribs' (aka pork ribs) and 'Ithorian Garden Loaf' (aka a plant-based meatloaf alternative) on the menu. At Ronto Roasters, spit meats will be on cooked up on a recycled podracing engine, while Kat Saka's Kettle will sell street food snacks. And then there's the Milk Stand, the go-to place for both blue and green milk. Galaxy's Edge was first made public back in 2015, will span 14 acres at each site and will prove the biggest single-themed expansion the respective parks have ever seen. The guiding concept behind both spots is to "transport guests to a never-before-seen planet, a remote trading port and one of the last stops before wild space where Star Wars characters and their stories come to life." And, to give this interactive experience the requisite soundtrack, it'll also feature new Star Wars music by the man behind its iconic score, aka Oscar-winning composer John Williams. More details are certain to come to light before Galaxy's Edge opens, but expect both location to tie into all ten Star Wars movies to date and to feature an array of beloved characters roaming around. Eventually, visitors to Disney World will also be able to spend a night or several in an immersive Star Wars-themed hotel as well, although construction hasn't started yet and an opening date hasn't been announced either. That said, Disney recently revealed that a visit to the hotel will involve boarding a launch pod and taking part in "a fully-immersive, multi-day Star Wars adventure aboard a luxury starship", with high-end dining and cabins that apparently have a space view all part of your stay. Via Disney Theme Parks Blog. Images: Disney Theme Parks Blog.
On the page and on the screen, audiences know what's in store when Sydney-born and -based author Liane Moriarty's name is attached to a book or TV series. Domestic disharmony within comfortable communities fuels her tales, as do twisty mystery storylines. When they hit streaming, the shows based on her novels add in starry casts as well. Indeed, after Big Little Lies and Nine Perfect Strangers, it might come as a shock that Nicole Kidman (Expats) is nowhere to be found in Apples Never Fall, which drops its seven episodes via Binge in Australia and TVNZ+ in New Zealand from Thursday, March 14. The Australian actor will be back in another adaptation of Moriarty's tomes, also with a three-word title, with The Last Anniversary currently in the works. Fresh from an Oscar nomination for Nyad, Annette Bening is no mere stand-in right now. Where Kidman has co-starred with Reese Witherspoon (The Morning Show), Laura Dern (The Son) and Alexander Skarsgård (Mr & Mrs Smith), and also Melissa McCarthy (The Little Mermaid), Michael Shannon (The Flash) and Luke Evans (Good Grief), Bening is joined by Sam Neill (The Twelve), Alison Brie (Somebody I Used to Know) and Jake Lacy (A Friend of the Family). If Lacy's involvement brings The White Lotus to mind, he's again at home playing affluent and arrogant — but no one is on holiday in Apples Never Fall. Rather, in West Palm Beach, the tennis-obsessed Delaney family finds their well-off existence shattered when matriarch Joy (Bening) goes missing, leaving just a banged-up and blood-splattered bicycle, a strewn-about basket of apples and her mobile phone behind. Her adult children Troy (Lacy), Amy (Brie), Logan (Conor Merrigan Turner, Thai Cave Rescue) and Brooke (Essie Randles, The Speedway Murders) are worried, while husband Stan (Neill) first advises that his spouse is merely ill, a choice that does nothing to stop suspicion rocketing his way. In addition to charting the search for Joy, the Queensland-shot Apples Never Fall bounces through ample backstory. After its introductory instalment, each episode focuses on one of the family; across them all, the timeline is split into "then" and "now". It soon becomes apparent that the doting Joy and determined Stan were talented players, then established the Delaney Tennis Academy when his aspirations were cruelled by injury, and she sidelined hers to support him and have their kids. The entire quartet of offspring all pursued the sport, too, but not to the glory that the quick-tempered Stan always wanted for the Delaney name. The closest that he got was via a former pupil (Giles Matthey, Invitation to Murder) who went on to win grand slams long after Stan was his coach. Only months before Joy's disappearance, the couple retired, an adjustment that neither is taking to blissfully. Credited more than once by her children with saving them, Joy believed that she'd be able to become an even bigger presence in their lives when she had an influx of spare time. None are overly obliging. Raking in cash as a venture capitalist, and also divorcing the wife that his family all adored, Troy is busy — plus simmering with years of anger over his strained relationship with his dad. The new age-leaning Amy is struggling to ascertain where she fits in, with a string of different jobs and courses to her name as she rents a sharehouse from a guy in his 20s (Nate Mann, Masters of the Air). Logan now prefers working at a marina and doing yoga to the Delaney obsession, yet can't bring himself to skip town away from his relatives with his partner (Pooja Shah, Escape the Night). And Brooke has a post-tennis physical therapy service that's lacking clients, and is also having doubts about marrying her restaurateur fiancée (Paula Andrea Placido, The L Word: Generation Q). Another person looms large over the narrative: Savannah (Georgia Flood, Blacklight), who graces the Delaneys' doorstep fleeing from domestic abuse, or so she claims. Seeking shelter for the night swiftly turns into virtually moving in. Joy loves her company but her brood is sceptical about the newcomer's motives. As a result, what's happened to Joy isn't the sole question lingering over Apples Never Fall. Neither is why Stan is being so cagey and erratic about where she is and what he knows. Both through Savannah's easy immersion into the family, and also when the four Delaney kids only realise over lunch that their mother might've vanished — coming to that conclusion because none have heard from her, after each of them ignored her most-recent calls — it also sparks queries about this supposedly close-knit clan's seemingly perfect facade. That's also Moriarty's remit, unpacking lives that appear idyllic, only to prove a stark reality that everyone should know: that absolutely no one's is. It's also a whodunnit staple, given that nothing exposes cracks and flaws within the bonds of blood like the possibility that a murder could've occurred from within. Apples Never Fall has the right title for that train of thought, thanks to the proverb that its moniker is taken from. The show isn't pointing its fingers at Joy's children, though, but delving into the idea that how we see and interact with the world ripples downwards through families. Although obvious, the concept underscores a series where baggage and its pain are as inescapable as balls flung from an automatic machine. That Apples Never Fall's opening episode features apples literally falling demonstrates its willingness to make easy, overt and predictable choices; it isn't plot or thematic surprises that make this engaging viewing, but the performances that go with them. While showrunner Melanie Marnich (A Murder at the End of the World) frequently sticks with tropes, and with exposition-delivering dialogue as well — especially from the two detectives (Hightown's Jeanine Serralles and Sweet Tooth's Dylan Thuraisingham) on the case — the portrayals that populate the series are layered and grounding. There's nothing that astonishes among the show's character types, either; however, Apples Never Fall is well-aware that tropes and archetypes become just that because they spring from truth over and over. Accordingly, as set within a Florida-residing clan where tennis has always dictated the pace, the latest Moriarty-based page-to-screen effort fills its frames with figures who make expected moves — unshakeably so — while also examining why that's the outcome. As the Gold Coast, Brisbane's Queensland Art Gallery and more stand in for America, the minutiae is equally familiar, spanning unfulfilled dreams, weighty pressures, nagging resentments and taking people for granted, alongside envy, infidelity, and endeavouring to forge a sense of identity beyond the notion enforced by birth or marriage. From Bening in exceptional form as a woman coming to terms with everything that she's sacrificed to fit wife and mother roles, Neill also digging through haunting regrets, and Brie and Lacy in particular fleshing out parts that could've remained one-note in other hands, this cast is up to the task of cutting to the heart of this tale and its crucial relationships, and of Moriarty's recurrent fixations. The title is right: these apples never fall far from the author's template, but Apples Never Fall still makes for intriguing and quickly bingeable viewing. Check out the trailer for Apples Never Fall below: Apples Never Fall streams via Binge in Australia and TVNZ+ in New Zealand from Thursday, March 14. Images: Vince Valitutti and Jasin Boland/PEACOCK.
Halloween's just around the corner and if you're anything like us you're busy collecting classic horror films to scare your weak-willed friends and family. For those not inclined to dress up as zombies from The Walking Dead and make trouble all over the city, the scary movie marathon is naturally the go-to plan. But it wasn't always that way. Every good horror fan got their start somewhere a little more tame. And, if you were young or shameless enough in the early 1990s, that start was through the work of R.L. Stine. The legendary Goosebumps writer responsible for a ridiculous number of YA hits, R.L. Stine was a God in every primary school. In the popularity pecking order, your coolness was inevitably judged by how many of his books you had read and everyone would have a copy handy to retreat into during reading time. It was the closest thing we could get to the blood and gore our parents wouldn't let us watch on screen. But, what if all that hysteria and literary mystery never had to end? Some bona fide genius on Tumblr has solved all the problems we never knew we had — they've re-imagined our favourite horror flicks as Goosebumps books for adults (or very inappropriate reads for children). Covering classics like Friday the 13th, The Shining, Carrie and Psycho, If It Were Stine looks at all the hardcore stories through the gloriously pulpy lens of Stine. Of course, if these were available in our childhood we would have grown up with serious problems. Paranoia, sleep problems and anxiety to say the least. When I was eight, my dad let me watch The Candyman with him because I thought it was about Willy Wonka. Who knows how I would have turned out had that been avoided. But, on the plus side, these books would make bestsellers for adults. Let's bring it back; make it cool again. Copyright, be damned. Someone should launch a Kickstarter campaign to make this a reality ASAP. Via AV Club. All images via If It Were Stine.
It's not taken long for Heaps Normal to feel at home in Australian drinking culture. The Sydney-based non-alcoholic brewer only debuted six years ago, but it's quickly cemented itself as one of the most popular brands for inclusive drinking. It's also not the sort of brand to rest on its laurels, as its latest innovation of non-alc beer that's tap-compatible proves. To celebrate this new frontier, Heaps Normal is partnering with over 30 pubs across the country to pour the new brew for free this Friday, March 27. Now, a tap-compatible beer may not sound like an innovation, but it is for the non-alcoholic kind. To summarise, beer taps are kept at a frosty temperature (because nobody likes a warm beer), but the lower density and sugar content of non-alcoholic beers typically causes them to freeze in these conditions. Heaps Normal has cracked the code for its brand-new draught, utilising a preservative-free approach of naturally derived fibre and the 100 percent malt body of the beer to prevent freezing inside the lines and protect the liquid from contamination. "A lot of non-alcs are thin and watery by necessity," said Heaps Normal's co-founder and chief product officer Ben Holdstock. "We've always brewed with body and balance in mind, and it turns out that approach was the key to making draught work." The revolution comes just in time for a broader shift in Aussie drinking culture, indicated by a 2024 study that revealed non-alcoholic beer popularity had risen to 10 percent of total beer sales in Australia, and that the global non-alcoholic beer market is due to hit $43 billion USD in value by next year. "Jumping from the fridge to the tap, and really nailing the most traditional of Aussie swill formats, is symbolic of how far the non-alc category has matured and developed. For knock-offs, mid-week sessions and everything in between, it's a new normal for the bar," says Heaps Normal co-founder and CEO Andy Miller. Now, after testing the beer at select pubs in Sydney and Melbourne, Heaps Normal's National Bar Shout will get pubs and bars pouring 3500 schooners of the good stuff for free, you just need to visit a participating venue between 5 and 7pm this Friday, March 27. See the full list of participating venues in Victoria, New South Wales, Queensland and ACT on the Heaps Normal website. Images: supplied Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
With gathering and venue restrictions in place following Victoria's recent almost two-week lockdown, and Greater Sydney and southeast Queensland both currently in lockdown, it's currently a tricky time to host Australia's biggest film festival. The Melbourne International Film Festival kicks off on Thursday, August 5, and announced its full 2021 program back in mid-July; however, responding to the reality both in the city and nationwide at present, it's making some considerable changes to its format. In 2020, the event was forced to go digital due to the pandemic — a development that's part of this year's lineup, too, but in conjunction with physical screenings in Melbourne and Victorian cinemas. Initially, in-person sessions were set to span the festival's first week or so, before the event closed up online. Now, MIFF has announced that it's flipping that order and expanding its virtual component. Accordingly, for the full duration of the festival, MIFF will screen more than 90 features and a range of short films via its online platform MIFF Play. They'll be available to not only to Melbourne viewers, but to cinephiles Australia-wide, which'll make for handy viewing for those under stay-at-home conditions. Last year's jump to digital resulted in MIFF's biggest festival yet, audience-wise, in fact — and this year's online selection will now start the fest with 2021 Sundance hit CODA, a coming-of-age story about the daughter of adults who are deaf, which is also an English-language remake of French feature The Bélier Family. Which other movies will be added to the online lineup haven't yet been revealed, but MIFF has announced a number of new titles that'll screen in cinemas between Thursday, August 12–Sunday, August 22. That's when Melburnians will be able to see this year's Cannes Film Festival Palme d'Or -winner Titane, which saw French filmmaker Julia Ducournau (Raw) become only the second female filmmaker to win the coveted prize. Also headed to MIFF straight from the prestigious fest: romantic-comedy The Worst Person in the World from director Joachim Trier (Thelma, Oslo, August 31st); JFK Revisited: Through the Looking Glass, a Donald Sutherland- and Whoopi Goldberg-narrated documentary from Oliver Stone; and Abdullah Mohammad Saad's Rehana Maryam Noor, the first film from Bangladesh to officially screen at Cannes. During the physical portion of the program, Leah Purcell's exceptional The Drover's Wife The Legend of Molly Johnson will still take the opening night slot, just on Thursday, August 12. Due to gathering limits, MIFF will also screen the feature at a range of other venues, including The Astor Theatre, The Sun Theatre, Pentridge Cinema, Lido Cinema and CBD venues. The fest's already-announced lineup still remains in place, which means that Melburnians can also look forward to seeing Adam Driver-starring musical Annette; Memoria, which features Tilda Swinton in Cemetery of Splendour filmmaker Apichatpong Weerasethakul's English-language debut; and Bergman Island, the Tim Roth and Mia Wasikowska-starring latest title from Mia Hansen-Løve (Things to Come). Other highlights include No Sudden Move, Steven Soderbergh's crime flick with Don Cheadle, Benicio Del Toro and Jon Hamm, and Pig, which sees Nicolas Cage play a truffle hunter (yes, really). The 2021 Melbourne International Film Festival runs from Thursday, August 5–Sunday, August 22 — screening online for the festival's entire duration, and playing at a variety of venues around Melbourne from Thursday, August 12–Sunday, August 22. For further details, visit the MIFF website.
Driving along the beautifully tree-lined Esher Street in Tarragindi, it comes as a pleasant surprise to find a big rustic chalkboard inviting you to the local cafe/deli. As you walk in, be instantly reminded of walking into your favourite aunty's house. You know, the aunty that bakes delicious treats, pinches your cheeks until they throb with pain, has her house filled with vintage wares and has enough stock in her pantry to survive a nuclear disaster? Yes, that one! Part deli, part cafe, part gift shop, the Italian inspired menu offers all day breakfast and made-in house cakes and biscuits. The locally roasted Veneziano coffee is hard evidence of owners who walk, talk and breathe coffee. Esher St Cafe is filled with vintage and upcycled furniture, but the real treat is sitting in the backyard booths, where you are able to really appreciate the beautiful Brisbane weather, yet somehow feel like you are soaking it in all by yourself. After consuming a cup of their fine caffeine brew, we opted for the corn fritters and the avocado smash with haloumi. No regrets there. Perfectly cooked fritters involved a crispy exterior and a warm, fluffy interior and finished with a dollop of organic sour cream are extremely satisfying on a cold winter's morning. After deciding to test the fullness of our stomachs, we couldn't resist a slice of the cake of the day. Local baker Nikki, proves that she means business with her orange and almond cake, ridiculously moist but not overpowered with sweetness. Making the most of local produce, there are few places in Brisbane that provide tailor made hamper service. Lucky for us, whatever your budget and/or food preferences the friendly staff here are able to put together a delicious picnic or gift hamper filled with gourmet goodies - perfect for any special occasion or a sit down feast at the many local parks. After all, as with any trip to your aunty's house, you can never walk away empty handed!
Celebrating July 4th in Australia by doing something other than watching aliens blow up the White House is one of those "any excuse for a party" type of deals. Sure, most of us don't actually need a reason for a shindig — but isn't eating, drinking and being merry that little bit more enjoyable when you've got an occasion to commemorate? If you answered yes, and you're fond of wings and whiskey, then Buffalo Bar's three-day Festival of the Free is definitely for you. And if you need something more to get you excited, then perhaps corn tossing, laneway tailgate-style shenanigans, a Lady Liberty food challenge and Seinfeld trivia will do the trick. Add live bands to the mix, and this American-themed extravaganza has everything from food to entertainment — and a Jack Daniel's pop-up bar as well. Plus, come Sunday, the fun keeps on keepin' on with a $65-per head, three-course Independence Day Feasting Package complete with Buffalo signature wings, smoked beef brisket and warm apple pie. Yum.
This addition to Northshore Hamilton is here for a good time — a saucy time, too — but not for a long time. Putting a patch of riverside space to use before it starts to become the Olympic Media Village for the 2032 Brisbane Olympic and Paralympic Games, At the end of 2023, the Pink Flamingo Spiegeland opened its doors for a seven-year stay on Bincote Street. Get ready for spicy cabarets by the river, plus drinks, all in a custom-designed 400-seat pavilion. If you're a fan of risqué performances, then you might've enjoyed a show over beverages in The Pink Flamingo Spiegeclub in Broadbeach since 2019. Now, it's the River City's turn without hitting the highway. And if you're wondering what a spiegelclub is, it takes cues from both spiegeltents and cabaret clubs, combining the vibe of both. Fans of burlesque, comedy and cabaret — and acrobatics and drag, too — can soak in a production at a purpose-built site that unsurprisingly follows the Gold Coast venue's lead when it comes to its favourite colour: pink, of course, as befitting its name. Hosting eight performances a week, The Pink Flamingo Spiegeland pairs its performances with food and cocktails. And as for what you'll be watching, Suavé, La Teaze and Ripped are the resident productions. All three shows now playing Brisbane have previously graced the stage on the Goldie — and yes, Ripped is a male revue if you're keen on a Magic Mike-esque experience.
Among the many ways to decide which wine next swirls around your glass, then across your tastebuds, Australia's Young Gun of Wine stands out. Since 2007, the awards have thrown some love at up-and-coming wine labels and winemakers across the nation, and not just because they make top-notch vino. These accolades take into account the whole story behind their tipples of choice each year — and 2024 now has its top 50. "Every year, we're seeing new ideas from the emerging talent, and they're shaping the environment that we get to enjoy. It's also not just about the products — it's the learnings that peers can take from their adventurous winemaking. It's also how they're presenting, labelling and talking about their work — how they're connecting with wine professionals and consumers," said Rory Kent, who founded YGOW, about 2024's picks. "That's why, uniquely and since day one, the wines for the Young Gun of Wine Awards are not tasted blind. These awards are as much about vision and leadership as they are about the quality of wine in the glass." 2024's top 50 spans drops from around most of Australia. Victoria is home to more spots on the list than anywhere else with 20, followed by South Australia with 17. New South Wales and Australian Capital Territory account for six wine labels and winemakers, Western Australia for four and Tasmania for three. The range also goes big on new names, which covers half of the finalists. This is the 18th year that YGOW has taken place, with the top 50 just one element. Now that Kent and his fellow 2024 judges — Jeremy Shiell from Winespeake, winemaker Meg Brodtmann, wine critic Nick Stock, Atlas Vinifera's Abby Moret and Orbis Wines' — have shared their favourites, winners of the accolades' six annual trophies will be unveiled on Tuesday, June 18. [caption id="attachment_681000" align="alignnone" width="1920"] Adam Bruzzone, South Australian Tourism Commission[/caption] The Young Gun of Wine is the overall prize, while the Winemaker's Choice is a peer-chosen gong, Best New Act goes to a first-time finalist, Danger Zone to a boundary-pushing wine product, and The Vigneron to makers who show love in tending to their land and vines. The People's Choice award is self-explanatory, and currently open for votes until Tuesday, June 18. [caption id="attachment_773167" align="alignnone" width="1920"] Visit Victoria[/caption] Young Gun of Wine 2024 Top 50: New South Wales / Australian Capital Territory: Agitate (Andrew Ling) Aristotelis Ke Anthoula (Tony Zafirakos and Maddison Park-Neilson) Intrepidus Wines (Chrissie Smith) Linear Wines (Nathan Brown) M&J Becker Wines (Meagan and James Becker) Sabi Wabi (Peta Kotz) South Australia: Agricola (Callum Powell) Alpha Box and Dice (Sam Berketa) Cape Jaffa Wines (Giulia Fiorovic and Federico Pezzino) Curator Wine Co (Daniel Zolotarev) Guthrie (Hugh Guthrie) J & S Fielke (Jemma and Steven Fielke) Jean Bouteille Wines (Jean-Baptiste Courdesses) Kenny Wine (Andrew Kenny) Mountadam (Caitlin Brown) Parley Wine (Melissa Woods and Sarah Feehan) Poppelvej (Uffe Deichmann) Saltfleet Wines (Kyle Egel and Jonny Cook) Scanlon Wines (Harry Scanlon) Turon Wines (Turon White) Wangolina (Anita Goode) Worlds Apart Wines (Louis Schofield) XO Wine Co (Greg Clack and Kate Horstmann) Tasmania: Aunt Alice (Alice Davidson) Marco Lubiana (Marco Lubiana) Utzinger Wines (Matthias Utzinger) Victoria: Alessandro Stefani (Alessandro Stefani) Alkimi Wines (Stuart Dudine) Allevare (Lucy Kendall and Alysha Moscatt) ECK Wines (Emily Kinsman) Gum Wine (George McCullough) Honky Chateau (Chris Ryan) Jones Winery & Vineyard — J6 Wines (Benjamin Jones) Juliard Wines (Jules Morey and Bernard Morey) Little Frances (Erin Frances Pooley) Mac Forbes Wines (Hannah Maltby) Meredith Wines (Ben Luker) Mise En Place Wines (Doug Lilburne) Musical Folk (James Becker) Nomads Garden (Ben Dahlenburg) Patch Wines (Matt Talbot) Port Phillip Estate (Tim Perrin) Portsea Estate (Matt Lugg and Will Ross) Scion (Rowly Milhinch) Tillie J Wines (Tillie Johnston) Werkstatt Wine (Bridget Mac) Western Australia: Fervor (Callum Garland) Chalari Wines (Alexi Christidis) Mon Tout (Nic Bowen and Richard Burch) Vallée du Venom (Rhys and Emma Parker) For more information about Young Gun of Wine, head to the awards' website. 2024's winners will be announced on Tuesday, June 18.
The National Gallery of Victoria's revolving door of blockbuster exhibitions shows no sign of slowing, with an exceptional meeting of creative minds next set to grace its halls. Running from Friday, June 9–Sunday, October 8 as part of the Melbourne Winter Masterpieces series, the NGV will play host to world-premiere exhibition Pierre Bonnard: Designed by India Mahdavi. This major showcase is set to feature more than 100 works by the famed French painter, seen through a fresh lens as accompanied by contemporary scenography by internationally renowned architect and designer Mahdavi. Originally slated to debut in 2020 before the pandemic did its thing, the highly anticipated exhibition has been curated in conjunction with Paris' Musée d'Orsay — home to the world's largest collection of Bonnard works. [caption id="attachment_890701" align="alignnone" width="1920"] 'The dining room in the country', 1913, Pierre Bonnard. Minneapolis Institute of Arts, The John R. Van Derlip Fund.[/caption] An icon of late 19th and early 20th century art, and a good mate of Henri Matisse, Bonnard is known for his colourful, textural depictions of French life, offering stylised yet subtle glimpses of intimate domestic scenes, urban backdrops and natural landscapes. Pierre Bonnard: Designed by India Mahdavi will showcase a hefty collection of the artist's own paintings, drawings, photographs, prints and other decorative objects, alongside works from his contemporaries — including Édouard Vuillard, Maurice Denis, Félix Vallotton and cinematic pioneers the Lumière brothers. [caption id="attachment_890702" align="alignnone" width="1920"] 'The window', 1925, Pierre Bonnard. Tate, London. Presented by Lord Ivor Spencer Churchill through the Contemporary Art Society, 1930.[/caption] Considered one of the world's most influential architects, multi-award-winning Mahdavi has been commissioned to help bring the historic pieces to life via her scenography, tasked with creating a setting that complements Bonnard's signature use of colour and light. "Monsieur Bonnard and I share the same passion: colour," Mahdavi explains of the exhibition. "I love his subjective perception of colour — the way he transforms the intimacy of everyday life into something sublime." Pierre Bonnard: Designed by India Mahdavi will include numerous pieces on loan from the Musée d'Orsay, as well as other museums and private collections in Europe, Australia and the USA. They'll be joined by significant works from the NGV's own collection, including Bonnard's 1900 painting La Sieste (Siesta). [caption id="attachment_890703" align="alignnone" width="1920"] 'Siesta (La Sieste)', 1900, Pierre Bonnard. National Gallery of Victoria, Felton Bequest, 1949.[/caption] 'Pierre Bonnard: Designed by India Mahdavi' will run at the NGV International from Friday, June 9–Sunday, October 8. For more information, see the venue's website. Top image: 'Coffee', 1915, Pierre Bonnard. Tate, London. Presented by Sir Michael Sadler through the NACF, 1941.
When Whitney Houston sang 'I Wanna Dance with Somebody', the world believed her. It wasn't just the energetic beat or joyous tone that struck a chord, but the dynamic power of Houston's voice. Her prowess wasn't new news — released in 1987, the track was the first single from her second album, and became her fourth consecutive number one single in the US. And yet, when she trilled so explosively about finding someone to dance with, she seemed like a woman who not only wanted to share her life with that one special person, but also wanted to share her talent with the entire planet. With Whitney, director Kevin Macdonald tests that theory. Giving the pop superstar the same probing treatment that has driven his previous movies about Bob Marley, artist Cai Guo-Qiang and fellow documentarian Errol Morris, among others, the filmmaker behind Touching the Void, State of Play and Black Sea explores the what, how and why of Houston's life in a thoughtful and solemn fashion. What did she want out of her career? How did she try to achieve it? Why did her story turn out the way it did? They're the questions at the heart of this birth-to-death portrait, all examining the tragic tale of someone who sang like no one else, crooned hits that were heard around the globe and broke music records, but was rarely able to be herself. If you're already a fan, you'll know the minutiae. Even if you're not, you'll still be aware of Houston's substance abuse issues, and the way that her life came to an end. Macdonald combines candid interviews with Houston's loved ones — including her gospel singer mother Cissy Houston and her ex-husband Bobby Brown — with archival footage, performance clips, family photos, recording demos and behind-the-scenes glimpses of the movie's eponymous figure. Of course, it's not only Houston's specific tale that feels familiar, but the fact that this narrative has played out with plenty of other famous folks of late. Recent documentaries about Amy Winehouse and Kurt Cobain relayed very similar details, and Whitney: Can I Be Me? tread very similar ground just last year, albeit relying more heavily on backstage footage and focusing more firmly on Houston's relationship with friend Robyn Crawford. Whitney mightn't tell viewers much that's new; however it assembles its various pieces with a force on par with Houston's roaring voice. The editing on display in the film's contextual montages — which weave together ads and events from the time, Houston's work, and intimate photographs — sets a swift pace that never lets up, as Macdonald squeezes as much as he can into the documentary's two-hour running time. There are gaps, with Brown refusing to talk about drug use, and only some parts of Houston's career getting in-depth attention. There are also splashes of particularly incisive, penetrating insight, including a dissection of the impact of race and class. And there's one huge, heartbreaking revelation, although the way it's treated as a third-act twist sits cheaply and uncomfortably. Throughout it all, there's Houston herself. As the rise-and-fall music biopic genre understands all too well, there's no substitute for letting a film's subject prove their merits in their own way, with their own voice and in their own words. In Whitney, it's seeing Houston perform that shapes the documentary's sorrowful melody — and, expressly, seeing her shows evolve over the years. First, she's a bright-eyed teenager making her first TV appearance. Soon, she's the most famous singer in the world, unleashing her distinctive take on 'The Star-Spangled Banner' at the 1991 Super Bowl. Later, she's an object of derision during her final tour, which caused walkouts when she came to Brisbane, as the movie shows. Out of all of the above, it's her 1983 rendition of 'Home' on The Merv Griffin Show that echoes throughout the doco, so much so that Macdonald uses it to bookend the picture. With Houston radiant in a purple dress but shining brighter out of sheer talent, the clip perfectly embodies the film's message: that she simply wanted to sing, dance and soar, but couldn't chase away her demons as she chased her dreams. https://www.youtube.com/watch?v=lU2g2w70kG0
What do perusing the inaugural SXSW Sydney conference program and scrolling through Netflix have in common? Artificial intelligence, cybernetics, tech-enhanced dating, social media's ups and downs, science fiction-esque healthcare applications, digital afterlives and interactive gaming all feature in both — and the list goes on. On the streaming platform, you'll find the above in Charlie Brooker's Black Mirror. Since starting with a squeal in 2011, the British anthology series has become pop culture's go-to place for futuristic visions dripping with unease. It ponders what might come, often with prophetic insight, and imagines how humanity's use of any given gadget or advancement will bring out our worst impulses. No one is going home from SXSW Sydney with nightmares, of course. Still, it couldn't be a better place for the creator of Black Mirror to dive into the latest in tech and future innovations. He's one of the keynote speakers at the first-ever SXSW outside of Austin, Texas since it was founded in 1987, getting chatting in an interview-style discussion about his hit series, its ideas and what fascinates him about technology. "Luckily I don't have to deliver a speech," he tells Concrete Playground after freshly arriving in Sydney. "When you say 'keynote speaker', I always get a stab of fear like an anxiety dream where you haven't done your homework, because I have not prepared a speech. So I'm just going to answer questions as off the cuff as I can." [caption id="attachment_922397" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] From the moment that Brooker was added to the SXSW Sydney lineup, joining a bill that also features Chance The Rapper celebrating 50 years of hip hop and Future Today Institute CEO Amy Webb musing on tomorrow's possibilities — plus literally hundreds of other speakers and sessions — the two seemed a dream pairing. Somehow, this is the first time that Brooker and SXSW have connected at all. "I've not been to South by Southwest in the States. I've not been there, and I've never been to Sydney before, either," he explains. "So these are two firsts for me happening concurrently, so that's very exciting, and I'm intrigued to see what it's all about." As well as Brooker's in-conversation session on Wednesday, October 18, SXSW Sydney is about everything from streaming algorithms to simulations. True crime features on the SXSW Sydney Screen Festival lineup, too — but no, even with the two clearly sharing plenty of fields of interest, the event isn't happening inside the latest and sixth season of Black Mirror that arrived this past June. [caption id="attachment_917938" align="alignnone" width="1920"] Netflix[/caption] What should get fans of Brooker's work particularly buzzing is his SXSW Sydney plans beyond regaling an audience. On the list for the former video gaming journalist, satirist, Wipe franchise host, creator of both Big Brother-but-zombies gem Dead Set and the Cunk mockumentaries, and the reason that Netflix also has choose-your-own-adventure-style interactive short Cat Burglar in its catalogue: "digging into obviously the screen side of things, and also the video games and technology side of things". Will the next season of Black Mirror find its basis in SXSW Sydney's talks upon talks? Will Sydney inspire a new Philomena Cunk instalment after this year's Cunk on Earth? And how does someone navigate a tech, innovation, ideas, music, screen and gaming conference when they gave the world a series that's become synonymous with tech anxiety? As Brooker soaked in the Harbour City's weather — "it seems like there's about ten times the amount of light here, whereas in Britain it always feels a bit like it's on eco-saving mode" — he told us about all of the above, plus marvelling at getting to talk to anyone about Black Mirror, being mistaken for being anti-technology and his dream to make a Black Mirror game. [caption id="attachment_922398" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] ON DISCUSSING BLACK MIRROR AT SXSW — AND STILL MARVELLING AT THE SHOW'S IMPACT Ask Brooker if he ever imagined that Black Mirror would bring him to SXSW's stage and he's emphatic that it didn't even cross his mind. "I didn't conceive that I would be talking to anyone about it other than myself, so I'm amazed and delighted that I can talk to anyone about the show. I wouldn't have foreseen it at all," he advises. "Our first episode, the story of that is quite divisive. Certainly way back yonder when doing the very first episodes of the very first series, at that point I thought 'wow, this is never going to…'. I just, in my head, assumed it would only ever be of interest colloquially in Britain." "It's been astonishing that the show has travelled, as they say, or it's got legs or whatever you want — global reach, whatever you call it. That is constantly startling to me." "I've come here to Sydney, so I'm on the other side of the world from where I normally am. I don't often go out of London, basically. I'm a writer, so I spend most of my time sitting typing in in West London. And so I have to occasionally check myself. I think it's weird I've flown all the way to Sydney, Australia, and I can talk to people who've heard of the show. That's quite odd — that does my head in." ON BLACK MIRROR BECOMING SHORTHAND FOR TECH ANXIETIES, DYSTOPIA AND NIGHTMARES It's inspired by The Twilight Zone. It surveys the tech landscape. It's famed for predicting everything from Prime Minister pig scandals to social currency systems. And it features a spectacular cast, with Daniel Kaluuya (Nope), Gugu Mbatha-Raw (Loki), Jon Hamm (Mad Men), Sarah Snook (Succession), Andrew Scott (Fleabag), Annie Murphy (Schitt's Creek), Salma Hayek (Magic Mike's Last Dance), Zazie Beetz (Atlanta), Breaking Bad co-stars Aaron Paul and Jesse Plemons, and Miley Cyrus are just some of its stars. Black Mirror isn't just a series that the entire world knows about, though. It has become a term itself. That too isn't something that Brooker ever anticipated. "It is weird. It's an odd thing to have done. I remember the first time I really thought 'ohh okay, this has entered common vernacular in ways beyond the reach of the show itself'. I think it was in 2016 that somebody said, 'hey, did you see Hillary Clinton just referred to something as being a bit Black Mirror?'. And I thought 'oh my god, that's a bit Black Mirror in itself'." "So it's weird. Actually, the only aspect of that I find frustrating is when people assume I'm going to be anti-tech or that I'm some Luddite who thinks we should smash all computers up with his shoe, because I'm actually quite pro-technology. It would be the worst job if you hated technology, doing Black Mirror, because a lot of it involves thinking about product design of some gizmo or other that someone's going to use to wreck their own life. What it's showing is that it's human foibles that are the problem, not the amazing tool that is technology in and of itself." "So that's the only aspect I find frightening. That said, I love it if people are going say, 'oh, that's a bit Black Mirror' about some new Samsung fridge that comes out that sings to you every time you pour milk from it. That's all free publicity for me." ON POTENTIALLY FINDING NEW BLACK MIRROR OR PHILOMENA CUNK IDEAS AT SXSW SYDNEY Anyone who's ever watched Black Mirror is always wondering what's coming next, whether the series is dropping an interactive film such as 2019's Bandersnatch or years have passed between seasons (four from 2019's fifth season to 2023's sixth, for instance). If you've seen Cunk on Earth and its predecessors Cunk on Shakespeare, Cunk on Christmas and Cunk on Britain, the same train of thought applies. Perhaps SXSW Sydney might inspire the next chapter in both Brooker-created shows. "I was thinking we should send Cunk here, because we're always looking for nice filming locations, apart from anything else. And I know Diane [Morgan, who has played Philomena Cunk since 2013–15's Charlie Brooker's Weekly Wipe] hates it when it's cold. That's her main complaint — she doesn't like being anywhere cold." "Hopefully I'll go home with a head full of all sorts of things. It's interesting because, like I say, it's a new experience for me being here — and then we're also we're going to travel a bit over the next week." "I'm looking forward to digging into the video games and VR side of things that are going on the South by Southwest, partly because I used to be a video games journalist — so I'm also very interested in all of that as well." ON EXPLORING INTERACTIVE AND GAMIFIED STORYTELLING WITH BLACK MIRROR: BANDERSNATCH — AND THE DREAM OF MAKING A BLACK MIRROR GAME A series about technological possibilities, Black Mirror fills its frames with new gadgets and inventions — and new evolutions of today's tech as well. As Black Mirror: Bandersnatch showed when it had audiences pushing buttons to guide a gaming programmer through his decisions, Brooker's hit also likes tinkering with its own technology. He'd like to do more. "I'd love to do a sort of full-bore video game, as it were. With Bandersnatch, actually the original design was even more explicitly game-y than the finished thing ended up being. There were going to be achievements you could unlock, and stuff like this. And it was structured a bit more like an escape room puzzle that you had to solve," he explains. [caption id="attachment_922399" align="alignnone" width="1920"] Kevin Lake[/caption] "It feels like it's a very different skill set. I think the most-impressive video games that I encounter tend to be, when they tell a story, they tell it in a way that you couldn't do in any other medium. So I'm thinking of games like Lucas Pope — he did a game called Papers, Please and a game called Return of the Obra Dinn." "Those are both fascinating and very different, but really interesting forms of storytelling. I think all scriptwriters should sit down with those games and see how they tell a story in a very deceptive way — they're puzzles, but they tell quite complex stories." "I'm in awe of that sort of thing. I don't think I probably have the skillset to be able to think that way. But I'd love to see a full a full-blown Black Mirror video game. That'd be great." Charlie Brooker in Conversation takes place at SXSW Sydney at 1pm on Wednesday, October 18 in the Pyrmont Theatre at ICC Sydney, 14 Darling Drive, Sydney. SXSW Sydney runs from Sunday, October 15–Sunday, October 22, and SXSW Sydney Screen Festival from Sunday, October 15–Saturday, October 21. Head to the SXSW Sydney website for further details. Black Mirror streams via Netflix. Read our review of season six. Cunk on Earth also streams via Netflix. Read our review. Top image: Netflix.
If you had plans to see Childish Gambino in Australia and New Zealand in 2025, you were likely paying close attention when he announced in early October that he was cancelling the remainder of his North American tour, and also his UK and European dates. A trip Down Under was meant to follow, and wasn't scrapped at the time; however, it's officially no longer going ahead. There'll be no summertime magic after all, then, after the musician that you also know as Donald Glover first announced four Australian shows for 2025, then expanded his local dates before general ticket sales even started. For the rapper, hip hop talent and Mr & Mrs Smith actor, this was set to be his first trip to these shores since 2019. Dates at Auckland's Spark Arena in January, then at the Brisbane Entertainment Centre, Sydney's Qudos Bank Arena, Melbourne's Rod Laver Arena and RAC Arena in Perth are all now cancelled. When Gambino's shows elsewhere were scraped, he advised on social media that he'd been "to the hospital in Houston to make sure of an ailment that had become apparent" after a show in New Orleans. "After being assessed, it became clear I would not perform that night, and after more tests, I could not perform the rest of the US tour in the time asked. As of now I have surgery scheduled and need time out to heal," the statement continued. "My path to recovery is something I need to confront seriously. With that said, we have made the difficult decision to cancel the remainder of the North American tour and the UK and European dates. Tickets will be refunded at point of purchase." [caption id="attachment_955315" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] This situation might sound familiar. When Gambino last headed this way — complete with a headline spot at Splendour in the Grass — it was after initially announcing a 2018 Australian tour, then cancelling it due to an ongoing injury. Before that, he performed at Falls Festival in 2016. Gambino mightn't have been on Aussie stages for a spell — and still won't be anytime soon — but Glover had the final two seasons of Atlanta, both in 2022, reach screens since he was last Down Under. Voice work on Spider-Man: Across the Spider-Verse, producing TV series Swarm, the aforementioned Mr & Mrs Smith: they've all joined his resume as well. He'll also be heard as Simba again in Mufasa: The Lion King, the prequel to 2019's photorealistic version of The Lion King, before 2024 is out. [caption id="attachment_955317" align="alignnone" width="1920"] Eli Watson via Flickr.[/caption] Childish Gambino 'The New World' Tour 2025 Australia and New Zealand Dates Tuesday, January 28 — Spark Arena, Auckland — CANCELLED Saturday, February 1 — Brisbane Entertainment Centre, Brisbane — CANCELLED Tuesday, February 4–Wednesday, February 5 — Qudos Bank Arena, Sydney — CANCELLED Friday, February 7–Saturday, February 8 — Rod Laver Arena, Melbourne — CANCELLED Tuesday, February 11 — RAC Arena, Perth — CANCELLED Childish Gambino is no longer touring Australia and New Zealand in January and February 2025. Head to the tour website for further details. Top image: The Cosmopolitan of Las Vegas via Flickr.
