If you like nabbing bargains, then Christmas has come a month early in 2022. Black Friday is here, and sales, sales and more sales are popping up everywhere on and around Friday, November 25. So, maybe you're keen to treat yo'self to whatever is on your wishlist. Perhaps you're getting your festive shopping done early. Or, you could be getting a jump on your 2023 holiday planning. If it's the latter that has you most excited about Black Friday, here's a destination to add to your itinerary: the Northern Territory. Via Tourism NT and a range of holiday providers, you can now score $89 flights to Australia's Red Centre and Top End, plus up to 25-percent off holiday experiences. [caption id="attachment_846391" align="alignnone" width="1920"] Tourism NT[/caption] The specials are running for Black Friday and Cyber Monday, and those $89 airfares will take you from Sydney to Uluru with Jetstar. The full range of flights includes discounts to both Uluru and Alice Springs from Sydney, Melbourne, Adelaide and Cairns, with all fares under $150. Also on offer: packages via Flight Centre, some including airfares, all with hefty discounts. Flights, accommodation and a three-day cultural getaway at Uluru start at $1435, or you can get the same setup for a wildlife and desert ranges jaunt in Alice Springs from $1380. Hotel-only packages start at $503 per person for four nights in Darwin, if you're travelling as part of a couple — and, whether you're just nabbing flights, hotels or both, there's a heap of tours and experiences up for grabs for cheap as well, with discounts between 20–25-percent off. Fancy a self-driving tour of the Red Centre? That's on the list, too, and so are Kakadu jaunts, and hitting up waterfalls and national parks. Basically, if you haven't yet made the trip to the NT, this sale gives you zero excuses to keep it that way. To check out the Black Friday and Cyber Monday holiday deals, head to the Tourism NT website. First top image: Tiwi Island Retreat, Tourism NT. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Brisbanites, get ready to sit in the room where it happens — because Lin-Manuel Miranda's game-changing, award-winning, rightly raved-about Hamilton is finally coming to town. After opening its Australian run in Sydney in 2021 and currently playing Melbourne, the hit musical has booked a 2023 date with the Sunshine State. So, mark Friday, January 27 in your diary, and don't throw away your shot to see the biggest thing in musical theatre this century. The Broadway blockbuster finally made its way to Australia in 2021, launching in Sydney with a cast that includes Jason Arrow as Alexander Hamilton, Chloé Zuel as Eliza Hamilton, Lyndon Watts as Aaron Burr, Akina Edmonds as Angelica Schuyler, Matu Ngaropo as George Washington, and Victory Ndukwe as Marquis de Lafayette and Thomas Jefferson. Thankfully, as The Book of Mormon did as well, it's touring its way along the east coast. Next stop: QPAC's Lyric Theatre. Accordingly, before next January ends, Arrow, Zuel and company — including Shaka Cook as Hercules Mulligan and James Madison, Marty Alix as John Laurens and Philip Hamilton, Elandrah Eramiha as Peggy Schuyler and Maria Reynolds, and Brent Hill as King George III — will all be exploring 18th-century American politics through song in Brisbane. Haven't become a Hamilton obsessive yet? Not quite sure why it has been the most-talked about theatre show of the past six years? The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its swag of Tony Awards — 11 in fact, which includes Best Musical — it has nabbed a Grammy Award and even a Pulitzer Prize. Until now, Brisbanites eager to see the show had to be content with trips south or watching the filmed version of its Broadway production, which started streaming via Disney+ in 2020 (and yes, it's as phenomenal as you've heard). Here's hoping that the $10 ticket lottery also comes our way, offering Hamilton tickets for less than the cost of lunch. Hamilton's Brisbane season will kick off on Friday, January 27, 2023 at QPAC's Lyric Theatre, South Bank. Head to the musical's website for further details, to join the waitlist, or to buy tickets from Monday, September 12, 2022 — with presales available from 10am on Monday, September 5. Images: Daniel Boud.
You could travel to the Murray and do nothing but eat, drink and be merry. And you should. The region is jam-packed with incredible producers, innovative makers and chefs, old-school artisans and new-wave cuisine. Having access to some of the country's best farmers and makers gives these venues the luxury of a hyper-local, hyper-seasonal approach to food and drink. From swanky bistros and rustic wineries to experimental distillers and fire-focused chefs, the Murray region is an unmissable foodie destination. If you're a flavour-chaser, prepare yourself to get amongst it all: swirl small-batch wines, discover ancient flavours and native ingredients, and experience new locavore dining experiences and European-inspired eateries. Whatever your taste, whenever you decide to visit, there's someone in the Murray region putting their heart and soul into something delicious. [caption id="attachment_662395" align="alignnone" width="1920"] Morrisons Riverview Winery and Restaurant[/caption] WINE AND DINE Trentham Estate Winery lies on the banks of the Murray, offering an award-winning cellar door experience. This much-lauded NSW Tourism Awards Hall-of-Famer boasts 45 sweeping hectares of vines producing French and Italian varietals. Officially established in 1988, it'd actually been in viticulture for decades beforehand, and it's still a family-run winery today. Snag a table at the restaurant to enjoy Modern European fare, or swing by the cellar door to just sit back and watch the boats slide by as you sip shiraz (also, unsurprisingly, award-winning). Morrisons Riverview Winery and Restaurant (pictured above) is more than just a darn gorgeous venue — this Moama winery also has a restaurant that should be on every foodie hitlist. The ever-changing menu is focused on local, seasonal produce with enough variety to suit all tastes. Sweetcorn bread with cashew sambal and burnt chilli butter sits alongside lamb backstrap with pickled cauli, greens, couscous and smoked eggplant puree, calamari caesar salad pimped with pork scratchings and garlic toast, and chips with kasundi, aioli and hop salt. The five-course 'Chef's Feed Me' option is the best way to sample the scope of these flavours. Enjoy it while sipping Morrisons' premium wine blends from its 15 hectares of vines — from chardonnay to moscato to shiraz. [caption id="attachment_893785" align="alignnone" width="1920"] The Old School Winery and Meadery, Destination NSW[/caption] SIP SOMETHING SPECIAL For something different, take a drive out to Monak Wine Co. Its first vintage was released in 2020 making it a younger winery (albeit with 25 years of winemaking experience to draw on). Here's what else you need to know: it's family-owned, works with local growers and applies exquisite attention to detail to its small-batch, handmade drops. It's an eclectic mix of wines — some minimal intervention, all very special. The cellar door opens on Friday and Saturday to slake your curiosity. The Old School Winery and Meadery (pictured above) is more than a classic winery. Sure, it makes a few small-batch, handcrafted reds, but the main point of difference is mead — traditionally fermented honey alcohol. On the site of an old Womboota school, this rustic venue offers a taste of history in more ways than one. It has been making mead for over 20 years, spearheading the honey-wine industry growth in Australia. Mead was a drink beloved by Vikings, but the unique flavour of Australian bush honey makes this unlike any European mead. Here, the team crafts everything from sweet and fortified meads to drier styles. They also make medieval mead beakers in the on-site pottery workshop. Bring a picnic and settle into the cellar door garden for an afternoon. [caption id="attachment_893783" align="alignnone" width="1920"] Corowa Whisky and Chocolate, Destination NSW[/caption] GET SPIRITED AWAY Drink less, enjoy more: that's the ethos of Echuca Distillery, championing quality and character over quantity. Based in Echuca Moama, David De Vries and his wife Fiona have decades of experience in fragrance and flavour production science. Their fastidious research and passion for playing with gin botanicals lead to unique, expressive flavour profiles. Starting with a base of grain or grape spirit distilled in Lavender, their Italian copper still, they infuse classics like dry and navy strength gin as well as combos like yuzu and ginger, a five-citrus gin and a port barrel-aged gin. In addition to liqueurs, cocktail spirits, arak and agave, Echuca has now added a whisky to the lineup. Corowa Whisky and Chocolate (pictured above) began with an underdog story of three mates buying an abandoned flour mill for a dollar. With one of Australia's youngest head distillers, this business produces a true blue Aussie whisky. It uses local organic barley grains and Murray River water to make its signature dram, aided by the drastically fluctuating temperatures of the area which leads to faster maturation. The most popular whisky, Corowa Characters, honours the team behind it and is aged in American, French and Hungarian oak. There are other whisky styles that use ex-bourbon, ex-muscat and ex-sherry casks, as well as single barrel releases and a special collab with Bridge Road Brewers, distilled from unsold kegs of beer in 2020. For those with a sweet tooth, there are Belgian chocolates crafted in-house on offer that are the perfect complement to whisky. What more could you need? [caption id="attachment_894105" align="alignnone" width="1920"] Yardbird[/caption] EAT ELITE Bistro Selle is a classic European bistro in the heart of a country city. There's a balance between comfortable familiarity, charming elegance and playful experiments. As well as freshly shucked oysters and smoked beef tartare, you'll find crispy tripe, goat ragu and a porcini-choc-fennel-malt dessert. Refined dishes are plated in an artistic, almost sculptural, way that's as pleasing to the eye as to the tastebuds. All are accompanied by an extensive wine list of Australian and European drops. The key focus of Yardbird (pictured above) is flame, from the Spanish Mibrasa woodfired oven in the kitchen to the roaring glass-fronted fire centrepiece of the dining room. It only opened in 2021, but it's been making a name for itself in the region. The decor is stylish yet warm and comforting: light-flooded, pale timber accents and post-industrial warehouse ceilings. The western European-inspired menu changes in line with the daily produce and opportunity, but can include whipped cod roe and flatbread; deep fried Crottin de Chavignol with figs, green beans and honey; bavette steak with bone marrow, persillade and green peppercorn; rosemary duck fat potatoes and mamasita-style fire-roasted corn; and poached cherry pavlova to finish. Now, imagine all that paired with a bright wine list of mineral-driven, minimal intervention vino. [caption id="attachment_893786" align="alignnone" width="1920"] The River Deck Cafe, Destination NSW[/caption] OR KEEP IT CASUAL The River Deck Cafe serves Modern Australian cuisine in Albury, overlooking the tree-lined banks of the Murray. Local and native ingredients take centre stage here, so you can really taste the region, with its creative flourish on a farm-to-table menu. It's very seasonal. So seasonal that the menu changes every two to four weeks in line with the availability of the best produce. At breakfast and lunch, it offers comforting country classics like sourdough crumpets alongside the smashed avo and house granola any city slicker expects of brekkie, followed by hearty mains like a porterhouse steak, barramundi and chips and pasta dishes. The Albury offshoot of a locally loved Lake Mulwala restaurant, Blacksmith Provedore, has distilled that same European aperitivo hour aesthetic of the original into a space within the famously top-notch Harris Farm market. With a white and grey marble bar, hanging charcuterie and rows of delicious wines, it brings more casual riviera elegance than you might expect. Plus, being in the market, it has access to the finest ingredients. As well as local produce, expect prosciutto from San Daniele, San Marzano tomatoes from Salerno and buffalo Mozzarella from Shaw River. You can start your day with luxurious pastries, a Reuben toastie or fruit-topped chia puddings. Stop by later to get in on those famous woodfired pizzas with a three-day slow-fermented base. Pair it with a spritz or cocktail special, or opt for a wine from the truly delicious list. Located at the rear of Murray Art Museum Albury (MAMA), looking over the gardens, Canvas Eatery is a bright light-filled modern space offering a peaceful retreat in the heart of Albury. It's open 8am—3pm daily but also opens on Friday and Saturday evenings from 5pm till late. It serves some of the best coffee in town, according to the locals. Not to mention craft beer and excellent wines. Food-wise, it's a fun, fresh menu, with Coco Pops, crumpets with honeycomb butter and raspberry cheesecake waffles for breakfast. An open bagel smørrebrød with herb creme fraiche, smoked salmon, avo and salmon caviar features on the lunch menu. Then by night, expect an eclectic mix of share plates, including smoked river fish croquettes, prawn toast banh mi, duck parfait with rye wattleseed waffle, and pizzas. [caption id="attachment_893788" align="alignnone" width="1920"] Paddle Streamer, Destination NSW[/caption] TAKE A TASTING TOUR Take a cruise down the river, capturing that old-timey charm on board an award-winning tour. Murray River Paddle Steamer's 'Wharf to Winery' premium cruise takes you along the Murray in an iconic, beautifully restored historic paddle steamer. The total tour is about three hours, accompanied by a captain's commentary on the history and culture of the area. Then it's time for a two-course lunch at Morrisons Winery and a guided tasting. On the way back, enjoy complimentary vino as you sail along the Murray in style. Nothing compares to meeting the folks behind the food, and The Eating, Drinking, Tasting tour with Albury Eating Travel allows you to do just that. A full-day tour of two to seven guests in a Mercedes van will take you around the region to chat with the experts themselves: small-scale, private farms, boutique wineries and distilleries. And each tour is unique and catered to your taste and the seasons. For more ways to enjoy the Murray region, check out our nature guide or history and culture guide. Or, to start planning your food pilgrimage to the Murray region, head to the website. Top images: Destination NSW (Corowa Distillery; Blacksmith Provedore, Albury).
Sydney's claim to fame as the home of the southern hemisphere's largest dedicated beauty store is set to be short-lived. Mecca opened its huge Australian flagship shop — its first flagship site in general, in fact — in the New South Wales capital in 2020; however, the retailer has just announced that it's going one better in Melbourne come 2023. The Victorian city's Bourke Street Mall will welcome a huge new 3000-square-metre flagship Mecca that'll sprawl across both the ground and first floors at 299 Bourke Street. That's more than 1000 square metres larger than the Sydney shop, and also five times bigger than the chain's current next largest store at Highpoint Shopping Centre. It'll also span over 35 times more space than its very first store on Toorak Road did two decades back. When it opens its doors in two years time, the beauty retailer huge site will obviously boast oh-so-much room for products, including a curated range from over 200 top brands — featuring everything from Nars and Charlotte Tilbury to Drunk Elephant and Diptyque, plus Mecca's own signature lines Mecca Cosmetica and Mecca Max. Exactly what else will fill its hefty floorplan hasn't yet been revealed but, if it takes a few cues from its Sydney counterpart, that could include a heap of beauty services; Mecca's dedicated labs for skin, makeup and brows; a Mecca gift-wrapping bar; and the Mecca concierge will help point you in the right direction as you're wandering around. The chain is calling its new store an "unprecedented beauty experience", so expect more than just a clone of Sydney's features. "After 24 years of opening stores across Australia and New Zealand, our flagships are the culmination of the past, present and future of Mecca as a business," said the brand's founder and co-CEO Jo Horgan. "We have a vision to create the world's most extraordinary, innovative and loved experiential retail destination where people can immerse themselves in the absolute best of global beauty." The new flagship announcement follows Mecca's recent move into the Northern Territory, opening its first store in Darwin — and reaching its 107th site across Australia and NZ. Mecca will open its new Melbourne flagship store at 299 Bourke Street, Melbourne, sometime in 2023 — we'll update you with further details when they're announced. Images: Mecca Sydney.
Music is about more than just a great tune — it also has the power to inform and inspire action. That's the idea behind the Environmental Music Prize — a $20,000 prize launched in 2022 awarded to artists exploring ideas around sustainability and conservation in their music. With voting open until Sunday, December 14, the public is invited to have their say on the tracks that get them reflecting on the importance of nature. Just choose three choice tunes and share them with your pals to help spread the word about music that speaks to the kind of world we want to live in. [caption id="attachment_1052482" align="alignnone" width="1024"] Debbie Hickey/Getty Images[/caption] "Music reminds us of what's at stake, but it also gives us hope," says Prize Founder Edwina Floch. "These songs capture the beauty of nature, the spirit of Country and the resilience of communities rising to protect it. Together, they form a powerful soundtrack for now." With the 30 finalist songs now revealed, each is jam-packed with lyrical meaning and taken to even greater heights with evocative music videos. Think King Stingray's Through the Trees, Angie McMahon's Mother Nature or DOBBY's Dirrpi Yuin Patjulinya, alongside dozens more. "Music connects where other messages can't," explains Floch. "By voting and sharing these songs, fans can help amplify the voices of artists shaping a more sustainable culture, because change begins in the stories we tell and the songs we sing." With this year's prize announced on Wednesday, December 17, the highest voted artist will join much-loved past winners like King Gizzard & The Lizard Wizard and Xavier Rudd. Both donated the money to grassroots conservation initiatives, giving even more meaning to their songwriting prowess. Voting for the 2025 Environmental Music Prize closes on Sunday, December 14. Head to the website for more information.
Every birthday is worth celebrating — but when one of Brisbane's cultural icons hits 120 years old, it's truly a special occasion. That venue: the State Library of Queensland. And, as you'd expect of a place that's been all about books, knowledge, creativity, smart thinking and expanding your horizons for so long, it's marking its big birthday in the most appropriate fashion possible. On the agenda: an Extra-ordinary Day at State Library, as the South Brisbane spot has dubbed Saturday, June 18. Tours, talks, workshops and exhibitions are all on the agenda, spanning everything from First Nations art, a peek into SLQ's conservation labs and 4.5-metre-high cardboard sculptures through to screen-printing sessions, banana leaf weaving and a treasure hunt-style mystery experience based on houses whose histories the venue has helped uncover. It all kicks off at 9.45am, with some events only running at set times and others sprawling across the day. Whatever you choose to attend, you'll be commemorating a key part of the city. Images: Kgbo via Wikimedia Commons.
It feels like it whipped past quicker than you can pick up a pair of chopsticks, but 2019 is done and dusted. Thankfully, while it was here, it brought with it a huge collection of worthy new restaurants and culinary hot-spots. Opening their doors in the year that was, we saw everything from a two-storey Cantonese restaurant by the river to a tiny degustation-only restaurant and a SoCal-inspired eatery in the Valley. Here's our wrap-up of all the best new Brisbane restaurants that impressed us in 2019 — make sure you tick them off before 2020's list starts shaping up.
Whether focused on steak joints, restaurants in general, bars, hotels, beaches or places to travel to, there's no shortage of rankings proclaiming the standout spots to spend your time, or just to live overall. Another one seems to pop up almost daily. In fact, one more has just joined the ever-growing array, and it's a hefty addition, with the first-ever Oxford Economics Global Cities Index naming the top 1000 cities worldwide. Use it as a must-visit list, a guide if you're thinking about a big move or to add fuel to one of Australia's enduring pastimes: arguing over which Aussie city tops the rest. According to the index, Melbourne earns the honours this time, coming in ninth globally. But just as the Melbourne-versus-Sydney debate starts firing up again, the latter didn't do badly at all, sitting in 16th. Australia has six cities in the top 51, with Perth ranking 23rd, Brisbane in 27th place, Canberra taking out 44th and Adelaide just missing the top 50. The nation scored seven cities in the top 100 and also in the full 1000, thanks to the Gold Coast placing 81st. To make its selections among the planet's largest 1000 largest cities — which you'll find in 163 different countries — Oxford Economics looked at five broad factors: economics, human capital, quality of life, environment and governance. It also outlined a top ten for each category, with Down Under spots earning some more love there. While no Aussie cities placed in the top ten for economics, environment or governance, Sydney came eighth in human capital, which considers educational attainment, universities, population growth, age profiles, the diversity of the population and corporate headquarters among its indicators. The second-best place in the world for quality of life, which takes into consideration life expectancy, income per person, income equality, housing expenditure, recreation and cultural sites, and internet speed? Canberra, the only Australian city in the top ten there. The Gold Coast placed 95th, Perth 135th, Brisbane 146th, Adelaide 152nd, Melbourne 185th and Sydney 230th. Over in New Zealand, Auckland placed highest at 59th on the complete list of 1000, followed by Wellington at 69th and Christchurch at 87th. All three ranked NZ cities also earned a position in the environment top ten (which covers air quality, emissions intensity, natural disasters, and temperature and rainfall anomalies) and took out the three top spots in the governance top ten (where institutions, political stability, business environment and civil liberties are assessed). Back to the overall rundown, New York emerged victorious over the other 999 cities in the index, followed by London in second. Returning to the US, San Jose came in third. After Tokyo in fourth and Paris in fifth, the next three places were again American cities, with Seattle, Los Angeles and San Francisco receiving the nod. And rounding out the top ten after Melbourne is Zurich. For more information about the Oxford Economics Global Cities Index for 2024, head to the organisation's website.
Stephen King's literary output contains multitudes. Horror, which the author has been best-known for since his 1974 debut Carrie, is just one genre on his bibliography. Accordingly, a life-affirming tale about the fact that we all also contain multitudes — Walt Whitman's poem Song of Myself is naturally quoted — isn't a surprise from the writer. Filmmaker Mike Flanagan bringing King's novella The Life of Chuck to the big screen might've been less expected, though, if the director behind recent TV must-sees The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass and The Fall of the House of Usher wasn't again exploring characters not initially appreciating, then slowly dawning upon the fact, that the choices they're making aren't necessarily ones that are making them happy. Flanagan has adapted King's work before, first with 2017 film Gerald's Game, then with 2019 The Shining sequel Doctor Sleep. Neither was a fantasy/drama that celebrates life's wonders and small joys — and just relishing existing for the time that we each have in general — however. That's The Life of Chuck through and through, with Flanagan's characteristically perceptive version of the King story that was first published in 2020 compilation If It Bleeds proving one of the most-heartwarming viewing experiences of 2025. Consider the 2024 Toronto International Film Festival's People's Choice Award-winner if not an antidote then a helpful reminder whenever minor annoyances blight your days: this picture understands that revelling in the delights, not the dramas, is a more-fulfilling mindset. Being a part of the film's cast was an instant yes for Karen Gillan (Douglas Is Cancelled), who initially starred in Oculus for Flanagan. The 2013 horror movie brought the Scottish actor to the US before playing Nebula in the Marvel Cinematic Universe and rolling the dice in the Jumanji franchise joined her resume. And yes, The Life of Chuck immediately stood out, she tells Concrete Playground. More than that, the picture's thoughtful examination of relishing tiny, everyday wins and treasures, and discovering what and who truly light up your life, is "such an interesting thing to dive into just as a human being," Gillan advises. "It's a great question to ask yourself." "I found myself asking myself this in preparation for the film, and after having watched the whole film. I asked myself 'how am I spending my precious time on this planet in the way that I want to?' and 'am I doing the things that make me truly happy?'. And 'if it were to all end tomorrow, what would I go and do that I've been too scared to do?'. And it was such an interesting way to reflect on how I'm living my life. So I just found it really moving on just a human level." [caption id="attachment_1017401" align="alignnone" width="1920"] Amy Sussman/Getty Images[/caption] In The Life of Chuck, Tom Hiddleston (Loki) portrays the titular character, as do Jacob Tremblay (Queen of Bones), Benjamin Pajak (Honeypot KK) and debutant Cody Flanagan at various stages, all as the flick steps through its namesake's existence in reverse. The movie begins as the end of days approaches, with society crumbling with it. Think: the internet disappearing forever, the sea enveloping cities, ordinary routines proving pointless and the hospital where Felicia Gordon, Gillan's character, works being inundated with those unsurprisingly unable to face the fast-ticking clock put on everything they know. Confusion reigns, including about a particular new development that Felicia's schoolteacher ex Marty Anderson (Chiwetel Ejiofor, Bridget Jones: Mad About the Boy) also notices: TV and billboard advertisements filled with Charles Katz's image and thanking him for his "39 years of service", and radio ads as well. While there's nothing like being forced to confront your mortality to spark a reassessment of what's important in life, who matters, and how you want to spend the time that you have and direct your energy towards, that idea echoes in The Life of Chuck's following chapters, where nothing apocalyptic lingers in the narrative's timeline. And, it buzzes and hums in a movie that is anything but standard in digging into a concept that is no stranger to the screen. Spontaneously answering the call to dance, developing and embracing your passions, carving out time for life's pleasures where you can, treasuring your loved ones: in a picture also featuring Mark Hamill (The Sandman) as Chuck's grandmother and giving Ferris Bueller's Day Off great Mia Sara (Dorothy and the Witches of Oz) a rare screen part as his grandmother, these moments and realisations are essential. Everyone from Annalise Basso (Blind River), David Dastmalchian (Murderbot), Harvey Guillén (Companion) and Matthew Lillard (Five Nights at Freddy's) to experienced Flanagan cast members such as Kate Siegel, Rahul Kohli, Samantha Sloyan and Carl Lumbly (all most recently in his The Fall of the House of Usher), plus also Violet McGraw (Doctor Sleep), similarly get their time to shine in The Life of Chuck. Gillan receiving hers also added to her parts beyond Guardians of the Galaxy and MCU fare — to a filmography already overflowing with them, of course, going back to her first on-screen role in Rebus; then to The Kevin Bishop Show, The Well, playing Amy Pond on Doctor Who and more in the UK; and also the Jumanji films, NTSF:SD:SUV, Selfie, 7 Days in Hell, In a Valley of Violence, Gunpowder Milkshake, Dual, Late Bloomers, her feature directorial debut The Party's Just Beginning and other titles since. It is indeed refreshing when Gillian isn't donning the Nebula makeup for a role. "I would say that the biggest difference is that I just kind of feel like I'm at the spa every morning when I'm not in the Nebula makeup. Because the Nebula makeup is intense. And it's so cool and it's so worth it, but they've got the scalpels and stuff. It's not one of those spa-like experiences. And then any other job, it just feels so luxurious in comparison," she shares. "So I love playing Nebula, but it is really nice to just have a normal face." We also spoke with Gillian about reteaming with Flanagan, playing someone trying to look after everyone else as the world disintegrates, fleshing out a complicated relationship alongside Ejiofor in their brief screentime together and The Life of Chuck as a source of inspiration — and also being a King fan starring in a King movie, swinging from big franchises to more-intimate projects and the film's feeling of quiet urgency, among other topics. On the Unique Prospect of a Film That Celebrates Life and Its Wonders, the Multitudes That We All Contain and Treasuring the Small Moments "The script completely stood out to me. So I've worked with Mike Flanagan before, on a movie called Oculus. He's actually the whole reason that I moved from Scotland to America. And so it was one of my first roles in Hollywood. So when I got the call for this project, I was ready to sign up having not even read the script because I was so excited about working with him again. And I love all the Stephen King adaptations that I've seen. So it was a bit of a no-brainer. But when I actually read this script, it was like 'this is like nothing else I've ever read before'. It's so unique — even just the structure of it. It's told in reverse and the whole first chapter is the end of everything, and then you learn that that's all a metaphor for one man's life, Chuck. And it was just such a beautiful exploration into an ordinary man's life, and really focusing on those smaller moments that don't usually get screentime in movies — and showing the beauty of those moments." On What Excited Gillan About Stepping Into Felicia's Shoes "There were so many things about the character that I thought was really interesting. I really was intrigued by the fact that she had taken on this caretaker position in everyone's lives around her. And I kind of filled in a whole backstory as to why that would be the case — because it's not really explored so much in the short story or the film. But it was a really interesting character to dive into, because she's this real caretaker-type, and you can see that in her relationship with her ex-husband Marty. But then we throw her into the end of the universe, the end of everything, and you can just see how much she's still trying to fulfil that position and keep everybody going — and maintain optimism when everyone is just giving up around her. And I thought that was such a beautiful character trait." On Fleshing Out a Complicated Relationship Alongside Chiwetel Ejiofor in Their Brief Amount of Screentime Together "We didn't actually do so much reading the scenes with each other or anything like that. We just spoke and had conversations, and we did that both separately with Mike Flanagan to really flesh out characters and backstories, and then talked together. But the first thing that we ever shot together was the long phone call scene, and it was his side of the phone. So we made sure that we were present for each other — and so I hid in a bedroom upstairs and would just call him on the phone, and then we would film his side of the scene. So I was just in some random person's bed in the house, no one else was there in the house that we were in, just kind of talking to him on the phone. And that brought such a sense of authenticity to the whole thing. And then he did the same thing for me when I filmed my side of the conversation. What was nice about that was having not done it over and over again prior to that — like, the first time he properly heard that scene would have been through the telephone." On If a Film About Life's Quiet Wonders and Being the Centre of Your Own Universe Gets You Thinking About Those Ideas in Your Own Life "Yeah, it's so true. And this film really reminded me of that. And I found myself being really filled with gratitude for all the little things that sometimes you can take for granted. And yeah, I think honestly, it was just such an existential experience watching the film when it was all finished. I came away from it crying, but they were happy tears. And I just think that's so rare that film does that to its audience." On the Film's Tonal Balance — Proving Heartfelt and Sweet, But Also Clear-Eyed About the Truth That Life Is Fragile and We're All Only Here for a Short Amount of Time "I think you just have to trust Mike. He has it. And all I really tend to do is just try to approach each scene from the most-truthful place possible — and ask myself the question 'how would I genuinely feel if this was happening?'. And then what I do is I think of a time when I genuinely felt that emotion, and try to access it so that I don't really have to act — if that makes any sense — because I'm generally feeling something. And that's all I'm focused on. I'm not necessarily like 'how does this fit into the bigger picture?'. I think that, for me, is the director's job, and I'm just there to bring some authenticity and to genuinely feel things." On Starring in a Stephen King Adaptation When The Shining Is One of Your Favourite Films "I know — a non-horror one, which feels even more rare and unique. It was just mindbending. I'm like 'what? I'm in a Stephen King thing?'. That just seems like, to me, as big as it gets. And actually he loved the film, which was so cool — because I know that he wasn't a fan of The Shining, and he loved The Life of Chuck. And I got to meet him, and he came and supported the film, and came to the premiere at the Toronto Film Festival — and I met him and I was pregnant, and he told me to have a good one, and I'm never going to forget that." On the History Among the Cast and Crew of The Life of Chuck — and Not Just Gillan and Mike Flanagan's History Together "So I had such a good time on Oculus. Really, that's one of the best experiences I've ever had on a film. And then I found myself really wanting to have that experience again. Because I visited set, I visited Mike when he was filming The Haunting of Hill House, the series. And I was looking around and I saw all the same crew members as Oculus, and I was like 'I want to do this again'. And I was like 'put me in something'. And then he did. And it's The Life of Chuck. And it was just so great to reteam with him and see how he's evolved, and actually how he's exactly the same — which is mainly how I experienced it. He hasn't changed that much, even though his career has gone into the stratosphere. He's still the same old Mike. But he has evolved in ways as a filmmaker, and that's really cool to see. I just loved it. I had the best time." On the Ease That Comes with Repeat Director Collaborations "Definitely. It's just like any person that works with a new colleague or one that they've got a shorthand with. It's exactly that. You sort of have to feel each other, figure out each other's rhythms a little bit, get on the same frequency — and it's just so nice when you don't have to do that introductory period every single time. You can just dive back in. Some of the directors I've worked with have very distinctive ways of working, and sometimes you have to recalibrate and be like 'okay, so this director likes to give notes over a giant megaphone thing. This one is going to want me to improvise. This one's going to want me to stick to the script'. And so it's nice to just know what you're getting into again. And also they know how you work and can get the best out of you — because the best directors, in my opinion, are different directors to each actor, because each person needs something slightly different. And so it's nice when they really understand how I work as an actor." On the Impact That Working with Flanagan the First Time on Oculus Had on Gillan's Career "It really did bring me over to the States. It literally got me a visa to be able to stay in the States, which meant I was available for auditions and that's how I managed to have a career over in the States. So it just kickstarted everything for me. And it was a massive challenge for me as an actor to lead a film. I was young at the time and it was quite a demanding role. And so that made me have to level up and up my game. And so for my development as an actor, it really helped me get a lot better." [caption id="attachment_888782" align="alignnone" width="1920"] Marvel Studios. © 2022 MARVEL.[/caption] On Being Able to Swing Between Big Franchises Such as Guardians of the Galaxy and the Marvel Cinematic Universe, Plus the Jumanji Films, and More-Intimate Projects "That just feels like such a treat as an actress. I'm like 'that's so great to not be completely pigeonholed, and to get to do projects of all different sizes and genres'. I mean, that's my dream. I would hate to be bound by typecasting or anything like that. [caption id="attachment_756013" align="alignnone" width="1920"] Jumanji: The Next Level[/caption] I think I'm just looking for great characters and great stories, and it truly doesn't matter if it's a $200-million film or $200,000 film. It's like 'I don't care'. It's about making good cinema at the end of the day, and I just feel really lucky that I've had a variety of experiences." On If You Tap Into Something in Particular to Bring The Life of Chuck's Feeling of Quiet Urgency — That Life Needs to Be Lived Urgently to Be Lived Fully — to the Screen "I would say so. I was definitely asking myself questions about how I'm living my life. And I started to have these visuals — like, 'imagine if I just had an hourglass with the sand falling through it for my whole life, what level of the sand would it be at?'. And it's something so wild to think that it's constantly dwindling away. And you kind of forget that as you go about your day to day, and you think 'oh, that's not going to happen to me' and 'that's never coming' — but it is. None of us are getting out of this. And so, yeah, I think it's first of all really important to remember from time to time in your life. And I really had to think about that in terms of the character and what she would do in the moments where she knew that those were her last. Who does she want to reach out to? And I think what I learned is so much of the stuff that we focus on in our lives would just fall away in those final moments. Like, we think we focus on accolades, achievements, money — and none of that matters at the end of it all. What matters is being around the people that you love and love you. And that's definitely what I've found in the character." The Life of Chuck opened in Australia cinemas on Thursday, August 14, 2025 and in New Zealand cinemas from Thursday, July 31, 2025.
Melbourne isn't the only patch of Victoria that's gaining a new place to celebrate creativity in 2025, and adding something different and welcome to Australia's cultural scene in the process. While the state's capital city is set to become home to the Australian Museum of Performing Arts in December, championing the nation's contribution to music, theatre, opera, circus and dance in a city that's never short on any of those artforms, Halls Gap at the foothills of Gariwerd/Grampians National Park is gaining the National Centre for Environmental Art before winter is out. Again, the venue's focus and its location match perfectly. If you're going to open an Aussie-first gallery that's dedicated to works about the natural world, doing so in stunning surroundings is a must. The National Centre for Environmental Art is the brainchild of the Wama Foundation and, as it hones in on artistic narratives heroing the earth, will form part of the organisation's new art and environment precinct. When it begins ushering patrons through its doors — at a yet-to-be-revealed midyear 2025 date — the National Centre for Environmental Art will launch as stage one of the broader hub, alongside the Gariwerd/Grampians Endemic Botanic Garden, plus new artwork around the grounds. From there, immersing art within the landscape will continue to be a highlight of stage two, which will also boast a sculpture trail. So, you'll be enjoying the site's affection for both creativity and nature indoors and out. Inside, Western Australian artist Jacobus Capone will be in the spotlight at the centre's debut exhibition, with End & Being contemplating the planet's warming, the crisis as a result and the influence that humans have had upon the situation. The Fremantle-based artist creates everything from paintings and video installations to photos and performances — and will take visitors to Bossons Glacier at Mont Blanc in France without leaving Victoria, all by documenting a performance staged above and beneath the icefall. [caption id="attachment_1006306" align="alignnone" width="1920"] Astrid Muller[/caption] "Our program, encompassing new commissions, group exhibitions and nationally touring shows, will be rooted by a spirit of inquiry. Our take on the genre of environmental art is expansive, offering ample space for both playful exploration and deep contemplation," explains Wama Foundation CEO Pippa Mott of the National Centre for Environmental Art's aim. "Jacobus and I are deeply honoured to be part of Wama's inaugural exhibition and to present a project that, like Wama, seeks to foster a dialogue between art, humanity and the environment," added curator José Da Silva, who is also UNSW Galleries' Director and previously was part of the Queensland Art Gallery and Gallery of Modern Art's team in Brisbane, including leading the Australian Cinémathèque. "Capone's work, with its profound sensitivity to environmental change and human vulnerability, speaks directly to that mission, and has guided our decisions to present this particular project." [caption id="attachment_1006309" align="alignnone" width="1920"] Astrid Muller[/caption] [caption id="attachment_1006310" align="alignnone" width="1920"] Jacobus Capone and Moore Contemporary[/caption] [caption id="attachment_1006311" align="alignnone" width="1920"] Jacobus Capone and Moore Contemporary[/caption] Find the Wama Foundation and The National Centre for Environmental Art at 4000 Ararat-Halls Gap Road, Halls Gap, Victoria, Australia sometime from winter 2025 — head to the Wama Foundation website for more details.
An enchanting swimming experience awaits a mere one-hour drive from Brisbane CBD. Park at the Cedar Creek Falls carpark then follow a short track along the gorge lookout all the way to the pools. Greenery and scrub overhang on rocky outcrops, framing the waterfall as it tumbles into the natural swimming pools below. The water is remarkably cool even when the pool catches full sunlight. You can lie on the warm rocks, soaking up the summer heat, then splash into the water for a quick rejuvenation. Rinse and repeat until refreshed. There are picnic tables and barbecues, so bring the esky and some pals and share a magical day of waterfall-bathing. Image: Tourism and Events Queensland
WOMADelaide is returning to Adelaide's Botanic Park/Tainmuntilla from Friday, March 6 to Monday, March 9, 2026 — and the festival's first lineup announcement has landed, featuring 49 artists from around the globe. Headlining the 29th edition are Yothu Yindi, Obongjayar and Marlon Williams, with a program that will span from Bhutan to the Kimberleys, Cuba to Ukraine, and far beyond. View this post on Instagram A post shared by WOMADelaide (@womadelaide) Yothu Yindi will celebrate 35 years of Tribal Voice, while London-based Nigerian artist Obongjayar — known for his feature on Fred again..'s hit 'adore u' — will bring his blend of Afro-funk to Adelaide. Marlon Williams will perform alongside Kapa Haka group Ngā Mātai Pūrua, and Indian-American artist Ganavya will showcase her fusion of spiritual jazz and South Asian classical music. Other highlights include 82-year-old First Nations gospel singer Kankawa Nagarra, Cuban Grammy-nominee and Buena Vista Social Club alumnus Roberto Fonseca, Palestinian DJ Sama' Abdulhadi (returning after seven years), and soul sensation Jalen Ngonda, fresh from his Glastonbury debut. The festival will also feature Australian exclusives, including Belgian choreographer Anne Teresa de Keersmaeker's groundbreaking Rosas danst Rosas, Ukrainian-Canadian project Daughters of Donbas, French electronic act Orange Blossom, and Bhutan's first-ever representatives, the Bhutan Balladeers. They join previously announced acts including Yolngu rapper and dancer Baker Boy, US singer-songwriter Iron & Wine, Irish folk group Beoga and Pacific Break winner Mantis from Vanuatu. Since its debut in 1992, WOMADelaide has become one of Australia's most beloved festivals, celebrating music, arts and dance from across the world. The 2026 event will also see the return of Taste the World, WoMarkets, KidZone, Planet Talks and The Sanctuary Restaurant, alongside Around the Park performances scattered throughout the site. "Few festivals in the world are able to showcase the breadth and diversity of music, arts and dance on such a large scale while appealing to all ages and tastes," says WOMADelaide Director Ian Scobie. "It's a glorious opportunity to discover new sounds and embrace artists you love." WOMADelaide 2026 will run from Friday, March 6 to Monday, March 9 at Botanic Park/Tainmuntilla in Adelaide. Head to the WOMADelaide website for tickets and the full lineup. Images: Supplied
Spanning from South Brisbane to West End, the stretch of eateries nestled between the parallel roadways of Fish Lane and Melbourne Street are fast becoming one of the city's best places to grab a bite. Throw a stone, and you'll find a French wine bar, a rippin' rib shack, a shipping container Vietnamese eatery and Gelato Messina, just to name a few places that have set up shop in the area. Chu the Phat joined them on May 5, serving up Hong Kong, Korean and Taiwanese-style street food inspired by hawker stalls. Dubbed a younger sibling to the CBD's Madame Wu — the two are both run by the same company, rawGROUP, who also boast Beach House Bar & Grill among their culinary stable — Chu the Phat aims to offer a more casual version of its predecessor's Eagle Street nosh in its new multi-level digs. Downstairs provides a place for casual drinks around the bar or dropping in to pick up a takeaway lunch. Upstairs, it's all about sitting down in a more intimate space around the open-plan kitchen, whether you're munching through snacks, starters, stir fries and more, or settling in for a tasting banquet. Doing double duty at Madame Wu and Chu the Phat, executive chef Brendon Barker aims to conjure up a feast of Asian flavours, as his menu demonstrates. Kick things off with pork and kimchi spring rolls or crispy red fried pigs' tails, indulge in some potato bread with smoked brisket and duck egg gribiche, opt for diamond shell crabs wok-tossed with bull head sauce and rice cakes, or enjoy twice-cooked black onyx beef kalbi (that is, Korean barbecued beef short ribs). Then, wash it all down with a selection from the wine, spirits and cocktail-heavy drinks list, with the latter a veritable pun wonderland — The Chudriver, How Chu Doing, Phat Chance, Phat Boy Slim, Chu Bacca and Manphattan all feature. Find Chu the Phat at 111 Melbourne Street, South Brisbane. Head to the eatery's website and Facebook page for more information.
Well-loved Sydney Chinese restaurant New Shanghai has opened its first Queensland restaurant in the Brisbane CBD at Queens Plaza. Famous for delicious dumplings, xiao long bao and pan-fried pork buns made from a secret family recipe, New Shanghai is a must-visit spot for CBD-dwellers and workers. The striking interior aims to take diners back in time to the 1930s Shanghai streets. With a focus on authenticity and fantastic taste, New Shanghai is sure to be a hit amongst those looking for a change from the CBD food courts or fine dining restaurants. And as is custom with every New Shanghai restaurant, there is a live dumpling making theatre where diners can watch the chefs in action. Queens Plaza, 226 Queen Street, Brisbane; http://www.newshanghai.com.au
What do Byron Bay, Busselton, Bali and Bangkok all have in common? Alongside everywhere from Launceston, Newcastle, Uluru, Cairns, Darwin, The Whitsundays, and the Gold and Sunshine Coasts through to Singapore and Phuket, you can nab a cheap flight there and back as part of Jetstar's latest sale. This time around, fares start at $33. The one catch: you'll need to be a Club Jetstar member (but you can sign up now to get in on the bargains). There always seems to be an airline sale popping up, but this one has a heap of discounts on a huge number of fares, with 100,000 flights on offer. You do need to get in quick, however, as it's running for just 48 hours. The cheapest domestic price, $33, gets you between Sydney and Ballina/Byron, but Launceston–Melbourne is only $43, Brisbane–Whitsunday Coast and Newcastle–Melbourne are both $49, Gold Coast–Sydney is $50, Sunshine Coast–Sydney starts at $52 and Hobart–Melbourne begins at $58. To get from Brisbane to Cairns, you'll pay $76 — and from Sydney to Uluru is $105, Melbourne–Busselton / Margaret River is $135 and Darwin–Sydney is $156. The list goes on, including for overseas jaunts, where the Perth–Singapore route starts at $139, Melbourne–Singapore begins at $189, Adelaide–Bali is $215, Sydney–Phuket kicks off at $279 and Brisbane–Bangkok starts at $285. If you're keen, the sale runs from 12pm AEDT on Wednesday, March 19–11.59am ADST on Friday, March 21, 2025 — or until sold out, if snapped up earlier. And yes, if you're eager for a holiday at reduced prices, you'll want to get in quick. Travel periods vary, but you should find dates betwen late-March 2025–early-February 2026 across the full spread of specials. You'll pay extra for checked baggage if you need it, however, or you'll want to travel super light. Club Jetstar membership costs $65 a year, which you can join online while making a flight booking, and also gives you 20-percent off checked bags and seat selection. [caption id="attachment_976497" align="alignnone" width="1920"] Jesse Shaw Photography[/caption] The Club Jetstar March member-only sale runs from 12pm AEDT on Wednesday, March 19–11.59am ADST on Friday, March 21, 2025 — or until sold out, if snapped up earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to the five-star, adults-only Tokoriki Island Resort in Fiji. We love this place so much that we teamed up with the resort to offer an exclusive five-night travel deal — including a discounted room rate, complimentary massages and a bunch of extra goodies. WHAT'S SO SPECIAL? There are so many islands in Fiji to choose from when holidaying to this tropical part of the world, but this particular private island offers up a totally kids-free travel experience. And, Tokoriki Island Resort is all about luxury — with the proof in the countless awards the spot's won for its lavish offering. If you're looking to really treat yourself on your next vacay, staying here is sure to do the trick. THE ROOMS The entry-level accommodation at Tokoriki Island Resort comes in the form of small beachfront bures. These 60-square-metre freestanding rooms look fairly rustic, but come with aircon, modern furnishings and a gorgeous outdoor tropical shower surrounded by lush gardens. You even have a cheeky hammock outside your bure for post-swim hangs with a book and glass of vino in hand. Then there are the upgrades: go for your own bure with a private plunge pool or one of the larger villas that come with or without a pool. No matter which accommodation you choose, you'll be surrounded by nature and have uninterrupted views across the surrounding beaches and coves. THE DINING When you're staying on a private island, you are fully dependent on your accommodation to provide food — so it better be good. Thankfully, these guys don't miss a beat on the dining front. For breakfast, we recommend ordering the floating champagne breakfast. When lunchtime rolls around, head to the restaurant, dine on your own balcony or get the team to make you a beach picnic hamper. This stellar offering is nothing compared to the long list of dinner options. Get around the à la carte menu championing South Pacific and Asian cuisines — using locally sourced ingredients — or splash some cash on one of the extra-special dining experiences. There's the four-person teppanyaki feast, the champagne and sashimi degustation out on the jetty or the romantic private sunset dinner. Each and every meal served at this luxury Fiji resort comes with a side of sweeping beachfront vistas. You really won't get tired of these views. [caption id="attachment_877271" align="alignnone" width="1920"] Brook Sabin, Cloud 9 floating bar courtesy of Tourism Fiji.[/caption] THE LOCAL AREA Tokoriki is one of the many picturesque Mamanuca Islands in Fiji — and it has been privately owned for over 25 years. That means you won't find hordes of tourists here. It's a sanctuary surrounded by wild natural surrounds. And it's pretty easy to get to as well. If you jump in a chopper from the main airport on Nadi, you'll arrive in about 15 minutes. Or if you go by boat (which is included in the deal we are slinging on Concrete Playground Trips), it will take about an hour. Once you're here, you can explore the long white-sand beaches and lush rainforest or jump on a boat and tour around the neighbouring islands. There are over 20 islands located in this tropical archipelago, with a few floating bars also dotted about for good measure. It's in a prime position for guests who want to do a little island hopping in Fiji. THE EXTRAS This is a five-star tropical island resort, meaning you'll find extras aplenty. You can do the usual snorkelling around the local reefs or learn to scuba dive, or you can do something a little different — think fishing trips on a catamaran, small-group tours to nearby islands and a series of bespoke couple's activities. And if you book our five-night stay at Tokoriki Island Resort, you're set to receive loads of extras. This includes complimentary massages, cocktail tastings, daily afternoon tea, snorkel trips around the local reef and return transfers by boat. It's all sorted for you — just book your flights, pack your bags and get ready for one incredibly luxurious holiday in Fiji. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
Staircases are structures which most of us use everyday without a second thought. But like most pieces of design, a healthy dose of intelligence and inventiveness can always be injected. With a little creative flair, staircases can become the focal point of a room, a structure of dual purpose with storage capabilities, or even a type of artistic sculpture, which goes above and beyond and it's simple architectural function. Here are ten of the most innovative and incredible staircases in the world. Jagged Wooden Staircase This staggered staircase is a highly effective use of space as it not only includes storage areas within each step, but the size of the rise is also twice that of the run. Despite appearing somewhat dangerous, these stairs made by Swedish architects Gabriella Gustafson and Mattias Stahlbom are actually both comfortable and safe. Storybook Staircase Adding the spines of your favourite storybook classics to your household staircase is a fantastic and original way to add some flavour to an otherwise boring structure. Share your stair-climbing adventures with Tom Sawyer, Peter Pan or Mowgli to ensure you never have a dull ascent of the stairs again. Lello Bookshop Staircase This beautifully ornate staircase appears in the Lello Bookshop in Portugal. The smooth lines of the stairs and railings glide seamlessly over each other as they part and rejoin and fold over each other to create a magnificent grand staircase. Tate Modern Slide Staircase Carsten Höller is an incredibly unique designer who has undertaken many exciting and interactive projects such as flying machines, frisbee houses, and sliding staircases. The above photo depicts Höller's spiral staircase at the Tate Modern Exhibition in London as part of the Unilever series. Höller is interested in the spectacle of watching people spiral down these 'slides for adults', as well as the 'inner spectacle' one has as they hurtle down the delightful structures. Light Bulb Staircase Captured perfectly by Dennis Fischer, this staircase is a marvel of art, architecture and ingenuity. Bookshelf Staircase This white bookshelf staircase provides the perfect storage space for books and ornaments. Rather than having the awkwardly sized cupboard under the stairs or a wall of wasted space, this bookshelf is a much more effective and aesthetically pleasing solution of what to do with the area beneath a staircase. Void Staircase Chic, clean and seemingly floating in mid-air, this void staircase designed by Guido Ciompi provides a novel way for guests at The Gray Hotel in Milan to ascend and descend stairs. Whilst also providing its functional purpose, the staircase is a pioneering design that is becoming much more popular in residential settings. Spiral Staircase to Nowhere This spiral staircase in Munich goes exactly where its name suggests. Wall Stairs Not only an effective use of space, these wall spaces are also a clever way to block off upstairs areas from unwanted visitors. The disappearing staircase design from Aaron Tang arose when he was asked to 'define what a door was and could be'. Undulating Steel Staircase The fluid strips of hot-rolled steel in the flagship Longchamps store in New York City were designed by Thomas Heatherwick, who is renowned for his unorthodox solutions to architectural problems. Here, he aimed to attract shoppers to the above-street-level store through the striking steel strips flowing smoothly upstairs. Tansu Cabinet Staircase This organic staircase is a seamless integration of functional stairs with a wooden cabinet set. The structure assimilates perfectly to the warm decor of the room, thanks to the inspired design by Dan Morsheim from Dorset Custom Furniture. Flying Roller Coaster Staircase This roller coaster staircase is a a public art sculpture in Duisberg, Germany named 'Crouching Tiger and Turtle'. The intricate structure takes visitors on a wild spin - and pretty intense workout - over and around the steel and zinc construction to take in the sights of the surrounding area. We can thank Ulrich Genth and Heike Mutter for this innovative design, which took eight weeks to assemble.
I only have a couple of regrets from uni. Not reading Shaun Tan's The Arrival is one of them. It was a set reading for one of my writing subjects and I couldn't get my paws on a copy. But not to worry, I have recently acquainted myself with Shaun's work and have fallen in love with his amazing visual landscapes. Shaun Tan? Who be that, I hear you non-educated (joking) folk say? He is not a recurring character in Nelly/Snoop songs (Sean John), like I heard yelled out in a lecture. No, no, he is an Oscar-winning illustrator and author known for his meticulous attention to detail and ability to tell stories with his astonishing drawings. The Art of Story is a chance for you to see Shaun's illustrations for free, and unlike my library dilemmas, you'll be able to see these uninterrupted for 2 weeks. There'll be limited edition prints from many of his well-known books: The Rabbits, The Red Tree and The Arrival to name a few. Also featured will be The Lost Thing, which put a hot little golden statue in Mr Tan's hands. Power on down to the 'House from June 28 and be truly amazed. You won't regret it!
Before Deborah Mailman became one of Australia’s most-loved performers, and before Wesley Enoch took on the role of artistic director at Queensland Theatre Company, they wrote The 7 Stages of Grieving. That was in 1995, the one-woman play helping shape their careers that followed. Twenty years later, it remains among their best works. The 7 Stages of Grieving shares personal stories and public grief, all stemming from the state of Indigenous Australians and the impact of Aboriginal history. Decades may have passed; however, this narrative of hope stemming from hurt, and of reaching for reconciliation beyond tragedy and simply surviving, is as timely and topical today as it was then. Here, Chenoa Deemal takes the lead in the latest staging of a performance that doesn’t just tell a wealth of tales but opens up a conversation about issues that continue around the country. Theatre is rarely as funny, devastatingly sad, politically relevant and culturally profound as this.
Is sand crab lasagne Queensland's most famous dish? Since the early 90s, when Gillian Hirst put it on the menu at the now-closed Il Centro on Eagle Street, the seafood spin on an Italian staple has been a firm Sunshine State favourite. Your latest spot to tuck in: West Village in West End, which has added both Zazu Dining & Bar and Hirst's lasagne to its ever-growing culinary offering. The Boundary Street precinct has welcomed this newcomer on the corner of Mollison Park. Zazu Dining & Bar's menu heroes pan-Asian and modern European fare, which means tucking into tiger prawn cone spring rolls, Balkan-style beef and pork kebabs, six types of oval-shaped pizza and three kinds of dumplings, as well as bao, carpaccio and chicken karaage. Other Zazu Dining & Bar highlights include oysters with creme fraiche or pickled jalapeno and chilli floss, crispy duck pancakes, glazed pork hock pancakes and a one-kilogram slow-cooked lamb shoulder. And the lasagne? It comes in a 500-gram serving with abalone cream and black caviar, and is recommended to be shared. The dessert lineup dishes up vanilla cheesecake, sorbet and chocolate fondant — and there's no shortage of indulgences on the cocktail roster. Three daiquiris (strawberry, mango and passionfruit) sit alongside six martinis (classic, French, espresso, spiced rum espresso, passionfruit and pink lychee), three negronis (classic, silver and cloud) and five margaritas (classic, chilli, strawberry, flamingo and Tommy's), for starters. Wondering what a cloud negroni is? It's topped with pineapple foam, crushed chocolate and crushed honeycomb. From there, you can also sip whisky sours, old fashioneds, mojitos, cosmopolitans and more. A number of the cocktails also come in mini versions if you're only after a smaller beverage. A hefty 90-plus-option wine menu, an array of spirits and beers, and also mocktails round out the drinks list — with the vino choices on the eye-catching wine wall spanning the globe but also favouring Australian drops. Design-wise, Zazu Dining & Bar's look is sleek, featuring glass, black, grey and greenery aplenty. Mood is a big focus here, with noise and lighting sensors to help. And, if you've got an occasion to celebrate, the venue also includes a sunken private dining room and a mezzanine function space.
Brisbane comes alive in summer. Riverside bars and restaurants fill up with people taking advantage of longer days, barbecue smells waft throughout the city's parks and arts and culture venues host all manner of summer events. Yes, you can certainly run away to beaches along the coast for spectacular nature-filled getaways. But when you want a city break, this is the ultimate way to do it. From sunup till sundown, here's how to spend a weekend in the River City when you're treating yourself to a weekend break, whether it's your first time visiting or you're a Brisbanite looking to make the most of what the city has to offer. [caption id="attachment_698056" align="alignnone" width="1920"] Brisbane Powerhouse's Wonderland Festival[/caption] FRIDAY Kick off your weekend Brisbane break by finding a premium sunset spot. We have two easy options for you. First off, there's Kangaroo Point Cliffs. Head up here to watch the sun go down over Brisbane's skyline, so BYO picnic hamper. Another one of our favourite ways to experience Brisbane's vibrant sunsets is by heading down to the water. You can walk alongside the river or hang at one of the many bars that dot its banks, but we think you can go one step better by going on a leisurely sunset kayaking tour. Operators like Adrenaline and River Life have guides who'll take you to the best sunset viewing spots. An unbeatable sunset view is an ideal prelude for an evening experiencing Brisbane's thriving arts and culture scene. Head to Fortitude Valley comedy bar Blute's Bar to see big Aussie names working on new material as well as newbies who may just surprise you with true silliness, Brisbane Powerhouse for a diverse array of both international acts and the best of Brisbane's local alternative arts scene, or QPAC for a big-ticket stage show. [caption id="attachment_875466" align="alignnone" width="1920"] Motion Dining[/caption] SATURDAY If you didn't go too hard the night before (or if you stayed up all night long), we say you should sneak in a sunrise viewing from Mt Coot-tha. Seeing Brisbane and its surrounds slowly wake up to the sun's golden glow is a magical experience — and one that's only a 15-minute drive from the CBD. From here, make your way to the Powerhouse Farmers Markets, and browse over 120 stalls showcasing all kinds of foodie delights. Expect fresh farm produce, flowers and artisan products, as well as food trucks and coffee kiosks — more than enough, in other words, to set you up for a big day of exploring. Next, take your bounty to the adjacent New Farm Park (pictured below). This is one of Brisbane's oldest and largest parks, so you won't struggle to find a secluded spot where you can graze well into the afternoon — while doing some sly people watching as well, of course. [caption id="attachment_876238" align="alignnone" width="1920"] Michael (Unsplash)[/caption] Suitably fuelled, hop on the ferry from New Farm Park and head to South Bank and the impressive Gallery of Modern Art. Here you'll find a whole host of exhibitions and film screenings showcasing the work of local and international artists as you see firsthand just how far Brissie's arts and culture scene has come in recent years. If you're wanting to take a glimpse at Brisbane's burgeoning local arts scene, head up to Fortitude Valley to spot some eye-catching street art. We recommend you take it at your own pace, exploring the local area with a self-guided tour. Once you've got your art fix, the sun will be starting to dip and you'd have likely spent a lot of time on your feet. Our tip: unwind in style with cocktails and bar snacks at The Charles', set within the luxurious surrounds of The Westin Brisbane. Settle in for a sundowner at this sleek lobby bar an antipasto platter that'll whet your appetite for dinner. Once you've warmed up the cogs of your stomach, it's time for dinner — and why not treat yourself to an evening of local produce? You can do just that at the stylish Motion Dining, where executive chef Peter Iwanczyk oversees a diverse menu that puts locally sourced ingredients front and centre. Whether you take a seat at the chef's table overlooking the theatre of the grill or you nab an al fresco riverside table, you'll be treated to some of Queensland's freshest seafood, premium steaks and more. [caption id="attachment_827832" align="aligncenter" width="1920"] Three Blue Ducks[/caption] SUNDAY Sundays are made for taking it easy. That's why our go-to Sunday morning activity in Brisbane is a leisurely stroll through the City Botanic Gardens. This centrally located park is an oasis of calm located right on the river. Take your time wandering the grounds, taking in the views with a necessary coffee in hand. For brunch, it's all about Three Blue Ducks. This restaurant's ethos centres around paddock-to-plate dining — that means everything you get is locally sourced, seasonal and respectfully prepared. It's also pretty damn tasty, so you'll quickly understand why this is one of Brisbane's favourite breakfast destinations. Walk off your brunch by visiting Brisbane's much-loved Riverside Markets. Every Sunday, this patch of the riverbank transforms into a mini festival with live music, food trucks and stall after stall selling local wares. Pick up a few last-minute souvenirs here, bringing some memories of this Brisbane city break back home with you. Looking to make the most of your next city break? Find your home away from home with Marriott Bonvoy. Book your stay now at the website. Top image: Brisbane Local Marketing (Unsplash)
It only takes one run for an event to establish itself as a much-loved addition to its city. The River Pride Parade achieved that feat in 2024. Last year, for the first time ever, boats went floating through Brisbane to give the Queensland capital a LGBTQIA+ celebration cruising down the city's main waterway. Held as part of Melt Festival, the flotilla's debut was such a success that the event is also locked in for a 2025 return. Sydney has the Sydney Gay and Lesbian Mardi Gras Parade, which takes over Oxford Street for a night of celebration. Melbourne has the Midsumma Pride March, its equivalent in Fitzroy Street, St Kilda. Brisbane's show of pride is the only one that requires a watercraft, but that fits the River City. In 2025, River Pride Parade will help close out Melt on Saturday, November 8. This time, colourful, sparkles-adorned and flag-waving vessels will venture from West End to Brisbane Powerhouse, again embracing everything that a pride parade should be — just on the water. More than 50 boats and other watercraft are expected to take part, accompanied by daytime fireworks and a mood-setting playlist. You can register now to hit the river, or you can mark your calendar and make plans to score a prime viewing spot at South Bank, Howard Smith Wharves, Brisbane Powerhouse and New Farm Park. 2025's Melt Festival runs from Wednesday, October 22–Sunday, November 9. So far, River Pride Parade isn't the only event on the lineup, after Brisbane Powerhouse announced that Broadway icon Bernadette Peters is coming to the fest for an Australian-exclusive show. "River Pride Parade is fast becoming a cornerstone event of Melt Festival — a much-loved community celebration of LGBTQ+ visibility and unity that floats through the heart of our city. After making waves in 2024, this year's parade will be bigger and bolder, with some fun surprises along the way," said Emmie Paranthoiene, Melt's Executive Producer. "We're thrilled to open Melt Festival with Broadway royalty Bernadette Peters and close it with a river-wide celebration of pride. It's the perfect way to bookend three extraordinary weeks of queer art and culture." Melt returns in 2025 after being reborn in 2024 as a fringe-style celebration of queer arts and culture that not only fills Brisbane Powerhouse, but spreads across the city — and onto the river, clearly. Last year, more than 120 events popped up in 70-plus venues across southeast Queensland, complete with a Wicked-themed Halloween ball, a pool party and plenty more. Melt Open 2024 will run from Wednesday, October 23–Sunday, November 10, with the River Pride Parade taking place on Saturday, November 9. Head to the festival website for additional information, and to register for the parade. Melt Festival 2025 runs from Wednesday, October 22–Sunday, November 9. Hit up the festival website for more details. Images: Markus Ravik.
The grilled calamari comes seasoned with lemon myrtle. Warrigal green gnocchi is its pasta of choice. Peppermint gum lamb is one of its signature mains, jaffa mousse with eucalyptus honeycomb sits on the dessert menu, and a beer that pays tribute to mango and macadamia Weis bars is on the drinks lineup. They're some of the highlights at Brisbane's newly opened Dapl, which serves up modern Australian cuisine with a focus on native Aussie ingredients, and sits inside Creek Street's Amora Hotel. The revamped five-star site was formerly known as the Novotel, then underwent a hefty revamp to the tune of $30 million, with the hotel itself relaunching at the end of 2023. At the time, it officially unveiled its new guise with a rooftop pool deck with skyline views, a lobby bar pouring cocktails and 296 rooms located over 14 floors. The next step: Dapl welcoming in diners. Executive Chef Jamie Renfrey oversees the kitchen, with more than 30 native ingredients taking pride of place in his menu, which is available as à la carte dinner dishes and either two- or three-course set menus. "I grew up experimenting in the back garden, growing various vegetables, such as heirloom tomatoes, which was my grandfather's passion. Dapl's menu celebrates that family spirit while intertwining innovative twists in a vibrant display of Australian cuisine, past and present," says Renfrey of a culinary lineup that also includes scorched king prawns with karkalla, native spice salmon gravlax, kangaroo loin served with a davidson plum jus, and a pork cutlet paired with rosella and honey mustard. The beverage selection includes that Mango Mac kettle sour beer from Revel Brewing Co, gin and whisky from 23rd Street Distillery, and a range of wine and cocktails. Among the latter, the Tropical Punch combines tropical gin with seasonal tropical fruits, triple sec, prosecco and sugar syrup — and the Citrus Sparkler is made with red citrus gin, limoncello, rosemary and tonic. Dapl's nature and botanical themes aren't just on display in its dishes and drinks. They're literally on display in the decor, too, with designers Cottee Parker overseeing the fitout. Think: a feature wall painted with a leafy scene, earthy hues all round and foliage watermarks elsewhere. Find Dapl at the Amora Hotel Brisbane, 200 Creek Street, Brisbane City — open for breakfast from 6.30–10am Monday–Friday and 6.30–10.30am Saturday–Sunday, and for dinner from 6–9.30pm daily. Head to the restaurant's website for reservations and further information.
Before craft and microbreweries popped up on every corner of the city, the combination of Brisbane and beer meant one thing: XXXX. The company's Milton brewery loomed large over the inner west, with tours providing a taste of their tipples, and the Alehouse combining yeasty beverages with tasty food. Of course, the building hasn't moved (and taking a tour still features high on local booze-lovers' to-do lists), however the bar and restaurant at the end of the beer-coloured rainbow has recently had a facelift. Prepare to find a completely different Alehouse next time you want to sit back, relax and enjoy the freshest XXXX on tap. Fans of drinking outdoors — i.e. everyone — can flock to the all-new beer garden, while anyone seeking something a little more intimate can hole up in the inside dining room. Thanks to Brisbane-based design firm Elm Interiors, the whole place has been decked out with a rustic meets industrial feel. Think classic feature pieces, plenty of greenery and a vibe that knows how to make you feel welcome. Extended trading hours from Monday to Saturday means that there's now more chances to enjoy the all-day Alehouse experience — and their new menu, too. With pub staples such as beer-battered fish with hand-cut chips, grain-fed beef burgers, sirloin with bearnaise sauce and roasted salmon, perhaps beer won't be the only thing luring patrons to this iconic, 135-year-old brewery. XXXX Brewery tours are $32 for adults and $18 children. Tours run Monday to Thursday (11am, 12:30pm, 3pm, 5pm), Friday (11am, 12:30pm, 3pm, 5pm) and Saturday (11am every ½ hour until 2pm, 3pm and 5pm). To book, head over here.
Craving the kind of cake your mum definitely doesn't make, but find yourself in the CBD rather than Newstead or South Bank? Sweet treat fans, rejoice — Chester Street Bakery has set up a third store in the centre of the city. Since late July, Brissie's favourite bakers have been slinging their creative creations from their new digs inside the entrance to the King George Square bus station. Just like its express setup over the river, expect another small in size, big in taste location from the same dessert-focused empire as Doughnut Time and Mister Fitz. Delicious from start to finish, CSB's menu features their signature cakes, hot chocolates and other edible items; if you're already fan, you know the drill. Their big cakes have garnered a huge reputation over the years, whether rainbow layers, death by chocolate, cookie dough or doughnut offerings take your fancy. Or, opt for frozen goodness courtesy of cookie monster, red velvet and banana split ice cream cakes. With Oreo-crusted unicorn cream pie Nutella pavlova, Kit Kat cheesecakes, M&M Brownies, Ferrero choc tops, and peanut butter whip shakes also served up, the list well and truly goes on.
There's no need to shake off that Swiftmania, Australia. The world's biggest pop star right now has hit the country, unleashed the first three nights of the Aussie leg of her Eras tour, broken records and given everyone an enchanted time. There's no way that you could not know that Taylor Swift has arrived Down Under, with Melbourne her first stop. That trio of initial gigs even means that she makes more appearances at the MCG in 2024 than most AFL teams, in fact. So, you went along and it was gorgeous, and you're still keen to get your Swiftie on. Or, you're hitting the Sydney concerts at Accor Stadium from Friday, February 23–Monday, February 26 and want to get the full lowdown. Missed out completely? Eager to figure out how to cope? We can help you with that as well. We were lucky enough to hit up an Eras show in Melbourne, so we have the details. We've outlined logistical tips if you're watching Swift's three-hour spectacular in Sydney, too — plus Swift-related events across Sydney, Melbourne and Brisbane. And yes, the Eras concert film will help fill that blank space in your calendar. Here's our Australian Eras tour 101: [caption id="attachment_941681" align="alignnone" width="1920"] TAS Rights Management[/caption] The Show (and Yes, It's as Sensational as You've Heard) Before even getting to the show, most fans have memorised the setlist, seen most of the performances on social media and created perfect recreations of Swift's Eras tour costumes. They know what's to come. But are they ready for it? Absolutely not. From the moment that Swift enters the stage — emerging from the giant flower petals that everyone has seen in countless videos of already — the MCG loses its shit. It's the feeling of being a part of the international tour that's been obsessed over for so many months that draws up the excitement. We don't need to be surprised. We just want to be a part of these legendary moments. Swift doesn't disappoint, on any level, for none of the three-hour show packed with hits. She runs through each of her albums, spanning 18 years of music, ticking off the bangers as the crowd screams the lyrics along with her — no matter what era they come from. She doesn't lose breath or miss a beat for a moment. She's done this show god knows how many times now and knows exactly what she's doing. She's a total pro. [caption id="attachment_941679" align="alignnone" width="1920"] TAS Rights Management[/caption] But while Swift soars in her most upbeat hits, the more-emotional ballads show her real vulnerability. The walls seem to really come down for a few moments. This is best seen in her ten-minute version of 'All Too Well', captivating the audience for the entire song while it's just her on stage with a guitar in a stunning red-and-black sequinned coat. She gets visibly angry, is particularly pointed with some harsh lyrics and takes the audience with her on the journey of hating the celeb we all know this song is about. From start to finish, Swift repeatedly reminds you why she is an icon — and that she's got plenty of more eras to come. Let's just hope that she brings them back Down Under to smash some more records and give us another (or first) chance to see her IRL. [caption id="attachment_941680" align="alignnone" width="1920"] TAS Rights Management[/caption] Tips to Help Make Hitting the Gigs as Gorgeous as Possible When it comes to the kit you'll be wearing, most Swifties go down one of two routes. You can sequin the house down and be inspired by her tour looks, or try to recreate one of her iconic music-video ensembles. Glitter is almost a must, even if it covers your bathroom at home for months afterwards. And friendship bracelets. You've got to invest in some if you want to participate in those sweet community feels at the concert, when everyone is swapping bracelets with one another, sharing their excitement for what's to come. It couldn't be more wholesome. While heels might go with your outfit, flats are probably the smartest choice. Everyone gets a seat, but you'll be standing and dancing for over three hours. Everyone in the crowd tries to sit down in between eras when the stage gets changed over and Swift quickly swaps into a new outfit, but it's not enough to save your poor feet (especially as there isn't that much time between albums). Beyond that, be sure to bring a portable battery for your phone. Even if you say you won't take videos, you likely will. And there are plenty of times during the night when fans turn on their camera lights and sway along to the slow jams. For most of us, this will kill our batteries in an hour. [caption id="attachment_940691" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons.[/caption] If you're heading to one of the four Sydney shows, it's time to start planning your journey. Gates open at 4.30pm, and everyone has assigned seating, so there's no need to camp out overnight to secure the best spot. The show will kick off around 6.20pm, with Sabrina Carpenter handling opening duties. Get down early to see what she rhymes with Sydney during her iconic 'Nonsense' outros. While there is car parking available, it's almost fully booked up already, so public transport is the optimal option for heading in. Travel on PT is included in your ticket, and both express trains and major event buses are running each night to deal with the masses of Swifties making the pilgrimage to Sydney Olympic Park. If you're attending on the Friday or Saturday, leave yourself some extra time — Blink-182 is performing at Qudos Bank Arena on both these days, so there will be two lots of music lovers travelling to the same spot. Everyone's journey in will be a little different, of course, but if you head to Central, Redfern or Strathfield Station, you'll be able to get a direct train. While there are a couple of spots to eat near Accor Stadium, it's not exactly a cornucopia of food and drinks. Consider hitting up a venue near one of these key stations for an early dinner or a couple of celebratory cocktails. City Oltra is a perfect pitstop for a few slices of some of the city's best pizza and a glass of orange wine just metres from Central Station. If mimosas on a rooftop are more of the vibe, consider stopping over at The Old Clare Hotel. As for Redfern, The Sunshine Inn, RaRa Ramen, Redbird and BrewDog are all stellar options for a pre-gig feed. Or, if you're just after a few top-notch drinks, Arcadia Liquors always does the trick. Plus, Strathfield is filled with plenty of standout dining options. Our picks for a cheap and cheerful meal: Korean fried chicken and a bottle of soju from the no-frills CC Train, or a big brothy bowl from Hansang. Not Going? How to Play Along Elsewhere Look what you made Australia do, Swifties: put on Taylor Swift-themed festivities everywhere and anywhere, to prolong the lavender haze swirling not just around Melbourne and Sydney, but Brisbane as well. From candlelight tributes and colourful cocktails to painting pottery and showing off your knowledge of Swift trivia, you have options. Sydney: Sydney well and truly has Swift fever, so if you're a Lover lover but you're not heading to Accor Stadium, there are plenty of Taylor-themed events happening all across the Harbour City. There's Taylor Swift bottomless brunch at both Harry's by Giuls and Above 319, Eras-themed doughnuts at Miss Sina, and limited-edition cocktails at Moxy Sydney and Alibi Bar and Dining. Crown Sydney is hosting a Swiftie High Tea at Teahouse until Sunday, February 25. The extravagant afternoon activity features a lineup of sweet treats representing some of Swift's most beloved albums — like the 1989, a lavender ganache with yuzu and almond streusel — as well as some savoury mouthfuls like whisky teriyaki wagyu and Sichuan miso-baked toothfish. If you want to flex your knowledge, Taylor Swift Trivia is popping up across Western Sydney, including Guildford on Sunday, February 25 and Penrith on Wednesday, February 28. The Argyle is getting in on the action with a Taylor Rave on Thursday, February 22 and, if you think you'll be full of energy after the show and you're looking to kick on with some more big TS sing-alongs, Oxford Art Factory is hosting a series of unofficial afterparties on the nights of the Friday, Saturday and Sunday shows. [caption id="attachment_940473" align="alignnone" width="1920"] Paolo Villanueva via Wikimedia Commons.[/caption] Melbourne: While most of the Taylor Swift-themed parties and events in Melbourne took place just before or during her time in the city, there is one way to still join in the fun in the week following: Candlelight: A Tribute to Taylor Swift. The hour-long concert features Swift's music played by a string quartet. It's running at Collingwood Town Hall on Saturday, February 24 at 6.30pm and 8.30pm. The moody candlelit performance is a brilliant chaser for any Swiftie who went to the shows, or even those who couldn't nab the hotly fought-over tickets. Brisbane: Every Brisbane Swiftie, and most Brisbanites in general, is well aware that T-Swift isn't bringing Eras to the Queensland capital. To commiserate, you can calm down in a number of ways — including at Fritzenberger South Bank's Swift-themed trivia night on Wednesday, February 21, then at a tribute party on Saturday, February 24 at Fortitude Valley's The Sound Garden, where a DJ will be spinning all the requisite tunes. Also on Saturday, February 24, head to Clontarf's The Craft Haven to make and paint Taylor Swift-inspired pottery. Then, on Sunday, February 25, Fluffy is taking its cues from the singer back in Fortitude Valley. And, come March and April, Candlelight: A Tribute to Taylor Swift will help you embrace your Swift love story at Grand on Ann, too. [caption id="attachment_922251" align="alignnone" width="1920"] Trafalgar Releasing[/caption] How to Enjoy Eras Whenever You Want Back in October 2023, singing and dancing along to the Eras tour without actually attending the Eras tour became possible. That's when Swift released concert film Taylor Swift: The 'Eras' Tour, which took in over $260 million at the worldwide box office when it hit the big screen. It also got everyone excited when it arrived on digital. Its next stop, if you're ready for it: Disney+ from Friday, March 15, complete with five extra tunes — 'cardigan' and four acoustic tracks — that haven't featured in other versions of the movie. You don't need to be a Swiftie to enjoy the film. In fact, watching it might turn you into one no matter how you feel about the pop superstar going in. There's no denying that the singer knows how to put on a helluva show — and the cinematography on display, plus the energetic direction by Sam Wrench (Billie Eilish Live at the O2), gives viewers an intimate experience across 169 minutes while also stressing how massive the Eras tour gigs are. The feature was shot over three concerts at Los Angeles' SoFi Stadium in August 2023 — so, not at Swift's largest-ever gigs of her entire career at the MCG across Friday, February 16–Sunday, February 18, 2024 — and everything about it is dazzling. That includes the costume changes, choreography and setlist, and the fact that the tour and the film both exist as an ode to Swift's knack for reinvention. Check out the trailer for Taylor Swift: The 'Eras' Tour Concert Film below: Taylor Swift's Eras Tour plays Australia until Monday, February 26. Head to the tour website for further details. Taylor Swift: The 'Eras' Tour will stream via Disney+ from Friday, March 15, 2024. Read our review. Taylor Swift Australian Eras tour images: TAS Rights Management.
Street art, public art, towering murals, creativity, urban transformation, outdoor works that liven up the River City: at Brisbane Street Art Festival, they're all in the spotlight. Each year for ten years now, this festival has splashed around a celebration of literally painting the town. In 2025, it's marking that milestone with nine days of installations, exhibitions, demonstrations and workshops — and by adding new art around the Queensland capital. Leans, Carley Cornelissen, Fintan Magee, Sofles, Dean Tyson, Rossella RZ and Simon Degroot are among the artists who'll be using their talents across Brisbane — some of whom have joined the festival before — with this year's BSAF taking place between Saturday, May 10–Sunday, May 18. If you're keen to see how their mural work will give Brissie a new coat of paint, you'll be wanting to head to Northshore, Spring Hill, the CBD, Fish Lane and DFO Brisbane. [caption id="attachment_894229" align="alignnone" width="1920"] Macami[/caption] At Northshore, Superordinary is again acting as a base for the fest, and will gain a number of new pieces — while also hosting the Aussie return of Meeting of Styles across Saturday, May 10–Sunday, May 11. This is the first time that the graffiti initiative has hit Brisbane, with 40 local and international artists taking part. Think of it as a fest within the broader fest, complete with live painting, revelling in the art of spray painting and passing on skills. The first-ever Brisbane/Meanjin Paste Up Festival also falls into both BSAF and Meeting of Styles — also at Superordinary. Here, paste-up as a form of street art gets some love, giving it recognition that it doesn't always receive as a type of public art, and acknowledging the format's many guises from single posters to both intended and unintentional collages. BSAF overall commences with a party, again at Superordinary — and again also celebrating Meeting of Styles — on Saturday, May 10. If you're keen to up your knowledge among watching the festival's talents make art, sessions span aerosols, graffiti lettering, sticker art, calligraphy, collage and brushwork. Or, if you'd like to appreciate Brisbane's street art while cycling around the city, you can take one of two tours — the first starting at Howard Smith Wharves, the second kicking off at Fish Lane. [caption id="attachment_715977" align="alignnone" width="1920"] Drapl and Treazy, Aimee Catt[/caption] [caption id="attachment_894223" align="alignnone" width="1920"] Fintan Magee by @mellumae[/caption] [caption id="attachment_894226" align="alignnone" width="1920"] Macami[/caption] [caption id="attachment_894227" align="alignnone" width="1920"] Macami[/caption] [caption id="attachment_659368" align="alignnone" width="1920"] tuyuloveme[/caption] [caption id="attachment_715976" align="alignnone" width="1920"] Aimee Catt[/caption] [caption id="attachment_894228" align="alignnone" width="1920"] Macami[/caption] The 2025 Brisbane Street Art Festival runs from Saturday, May 10–Sunday, May 18. For more information, head to the event's website. Top image: soggybreadissad.
"I never expected that my work would amount to anything," says celebrated Australian Chinese artist Lindy Lee in conversation with Concrete Playground. "One dreams, but I never dreamed that I would ever have a proper career in art," she says. It's a humbling statement from the artist whose retrospective Lindy Lee: Moon in a Dew Drop opened at MCA Australia earlier this month. Celebrating her dynamic and often experimental 40-year practice, with more than 70 works including paintings, flung metal pieces and immersive installations, the exhibition is one of the most exciting events in Australia this summer. If you're not familiar with Lee's art, she says her work is never about giving off a message or trying to explain something. "But rather [to create] an experience for the viewer where they find themselves whittling out questions and curiosities," says Lee. "Art exceeds what anyone can say about it. When viewing it, it is almost self-reflective." The multidisciplinary artist has a playful approach to her art in which process is as important as the finished piece. There are Lee's early photocopy works from the 80s, wax paintings and whole-room installations. And there's the dazzling steel sculpture 'Secret World of a Starlight Ember', made up of thousands of tiny perforations and located in the Museum's forecourt, which you'll want to catch at night — and undoubtedly take a selfie. But there are also six artworks that are particularly close to Lee's heart, which, according to the artist are not to be missed. For Lee, they represent different points of her practice, direction and philosophies — and they're pretty great to look at, too. [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'NO UP, NO DOWN, I AM THE TEN THOUSAND THINGS' Lee's practice is deeply rooted in Daoism and Ch'an (Zen) Buddhism philosophies, with her works often examining the connection between humanity and the cosmos. But it wasn't always so, which is why her work 'No Up, No Down, I Am the Ten Thousand Things' is such a seminal piece. "[It] was the first work that I ever created with a direct intentional relationship with Zen philosophy," says Lee. 'No Up, No Down, I Am the Ten Thousand Things' takes over an entire corner of the Museum, with approximately 1200 colourful photocopies, marked with flung ink (an ancient Chinese art form), scattered across the walls and floor. The bold work first exhibited at the Art Gallery of NSW in 1995 and has been recreated by Lee thanks to the MCA's Director and exhibition curator Elizabeth Ann Macgregor — her first curated exhibition since the MCA's 2012 Anish Kapoor show. [caption id="" align="alignnone" width="1920"] Ken Leanfore[/caption] 'MOONLIGHT DEITIES' This massive, immersive piece of art was commissioned especially for the exhibition and is made up of 31 perforated paper discs, varying from two to ten metres in diameter. So expect the wow-factor when walking through this one. Predominantly black and white with "the silvery light you get on a full moon night", 'Moonlight Deities' has a sense of otherworldliness to it. On the surface, it's all about dark and light, silhouettes and shadow, with moon crater-like projections dancing across the room. There's little difference between the discs and the shadows they cast, which, as you walk through the room, create a sense of liminality — all connecting back to Ch'an buddhism. "I have a fascination with time. In Zen philosophy, the thing I find immeasurably fascinating is the notion that time is actually an ingredient of what we are," says Lee. "We're all impermanent. And in the universe everything changes." [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'BIRTH AND DEATH' 'Birth and Death' is Lee's most personal work in the exhibition. "It remains one of the most important works I've ever done," says the artist. Created as an homage to her late nephew Ben after he passed away aged 22 from cancer, 'Birth and Death' touches on political and cultural themes such as migration, Chinese culture and the White Australia policy. "But the essential purpose of this piece was to honour Ben and give him his place in five generations of family," she says. "It's about paying honour to someone I cared very much about." The work is made up of 100 accordion books, with books dedicated to members of Lee's family at various stages of their life. Using red, the work evokes an association with blood as much as it does with China. It is as visually impactful as it is evocative. [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'STRANGE CONDENSATIONS' Lindy Lee is no stranger to experimentation in art. In fact, it is a major part of her process and with 'Strange Condensations' she surrenders to it. Her flung bronze works came about from seeing accidental bronze drippings on a foundry floor and, naturally, she wanted to turn it into art. By taking molten bronze and flinging it at surfaces, the artist creates almost cosmic constellations — in a hazmat suit, no less. Again stemming from her Buddhist beliefs, 'Strange Condensations' — and its making — is symbolic of the universe as an infinite net, constructed and dependent on everything within it. "What I love about [flung bronze] is that it's uncontrollable. Everything that exists in that moment makes that mark," says Lee. "Each shape is unique and it is absolutely about the conditions of the time that creates them. And thus it is with life." [caption id="" align="alignnone" width="1920"] Anna Kucera[/caption] 'OPEN AS THE SKY' AND 'UNNAMEABLE' If you thought splashing 1200-degree metal around was experimental, think again. Wanting to make her flung bronze works three-dimensional, Lee turned to a litre of Pauls custard — as a cooling substance to drop molten metal into. With the metal rolling into itself while cooling, it creates spontaneous forms that Lee then scales up. The end result is a series of gnarled, pitted sculptures like 'Open As the Sky' and 'Unnameable'. As well as being the product of a cool science experiment, these works are the artist's own version of gonshi (ancient scholar's rocks) and, in turn, celebrate her Chinese heritage. "It takes an immense energy of geological transitions and force over thousands of years to make [gonshi]. That's why they're admired; they literally contain the movement of the universe through them. So, you know, I wanted to make my own." 'Lindy Lee: Moon in a Dew Drop is showing at MCA Australia until February 2021. The gallery is currently open 10am–5pm, Tuesday–Sunday, with COVID-19 measures in place. Entry is free and unticketed. For the latest info on NSW border restrictions, head here. If travelling from Queensland or Victoria, check out Queensland Health and DHHS websites, respectively. Top images: Anna Kucera.
Durex is about to launch its Naked Box project, a design competition that will let your work be seen by naked people everywhere. Specifically calling for young designers, the Naked Box competition offers a rare opportunity for emerging artists to work with a global brand and have their work showcased around the world. If you're quite keen on drawing, design, or otherwise have an arty bone in your body (pun gleefully intended), Durex wants you to help them out by designing their new condom pack, to be sold globally. This means your designs could be the first thing people turn to during critical moments in bedrooms from Brisbane to Bratislava. While you're not allowed to be too rude and have to mind your language, the Naked Box competition website offers tools like Vibrating Pencils and Ribbed Rollers to help you out in the design process. There's also a design gallery where weekly winners are announced so that you can see what you're up against. Aside from the grand prize, there's also a bunch of other assorted cool stuff you can get your hands on, including iPads, underwear, t-shirts and other non-specific Durex paraphernalia. To enter, all you need to do is submit your design through Facebook. Entries open on March 7 and close on April 17 at midnight GMT, so there's plenty of time to get designing. Punters can also vote on Facebook for their favourite designs and evaluate each entrant's hard work for themselves.
Summer isn't even here yet, and 2023's Meredith Music Festival hasn't happened so far either, but it isn't too early to start thinking about autumn 2024. The reason? That's when the Aunty team unleashes its other big annual festival at the same Victorian spot, with Golden Plains just announcing its packed lineup. Music lovers, next year's pilgrimage to the Meredith Supernatural Amphitheatre to dance among the autumn leaves will take place from Saturday, March 9–Monday, March 11, 2024. So, mark those dates in your diaries ASAP. Then, go enter the ticket ballot, as the second round is up and running until 10.16pm AEDT on Monday, October 23. This Golden Plains will mark the fest's sweet 16th, and comes with The Streets, Yussef Dayes, King Stingray and Black Country, New Road leading the bill. So, that means one of the defining voices of 00s-era Britain in Mike Skinner, Dayes' drumming and jazz prowess, a Yolŋu surf‑rock favourite that Aunty has been trying to get on the lineup for ages and one helluva post-punk band — and that's just the first four acts. Joining the above is everyone from Cymande, Charlotte Adigéry and Bolis Pupul, Wednesday and Regurgitator to Boris, RVG, Kutcha Edwards and WITCH (We Intend To Cause Havoc). The list still goes on from there, too. Catering to 12,000 punters each year across three days and two nights, Golden Plains has long proven a favourite for its one-stage setup, which skips the need for frantic timetabling. How does the Aunty crew describe 2024's fest? "Come as you fancy. Time and space to wibble. A soundtrack built for wobble. Autumnal autonomy. Two days and two nights at the Meredith Supernatural Amphitheatre, with controls set to premium mode," they advise. "The Sup' has been designed and refined over 30‑odd years for the sole purpose of hosting something truly remarkable. It's one of the best places on earth to spend a long weekend with friends and lovers — finding yourself, losing yourself and losing yourself again." GOLDEN PLAINS 2024 LINEUP: The Streets Yussef Dayes King Stingray Black Country, New Road Cymande Charlotte Adigéry and Bolis Pupul Wednesday Regurgitator Boris RVG Kutcha Edwards WITCH (We Intend To Cause Havoc) Braxe + Falcon MAVI Anz MJ Lenderman DJ Koco Sarah Mary Chadwick Elsy Wameyo Soju Gang Split System The Belair Lip Bombs Storytelling with Uncle Barry Golden Plains will return to the Meredith Supernatural Amphitheatre from Saturday, March 9–Monday, March 11, 2024. Head to the festival's website for further details, or to enter the ballot's second round before 10.16pm AEDT on Monday, October 23. Images: Benjamin Fletcher / Theresa Harrison.
The Athlete's Foot pride themselves on helping you find your fit, and if you haven't found a fun run that suits your exercise style yet, you're in luck — we're coming up to the major running event season for 2013. While nothing like an actual marathon, fun runs range from the absolute crazy to the absolute gruelling. Whether you're in costume, taking a stroll, or crawling through mud, some things remain the same: it's a great way to get fit, socialise, and have some fun. If you're planning to do one or more of these, make sure you've got the right shoes to tackle all the obstacles. The folks at The Athlete's Foot pride themselves on excellent service and really know what shoes you need. Drop into one of their 130 stores nationwide or shop online. They have footwear solutions for muddy runs and colour runs, and they know all about the shoe technologies to keep you ahead of zombies, Spartans, and more. 1. The Zombie Escape Survival Challenge One of the most inventive fun runs around, and in keeping with the current zombie fad, the Zombie Run pits runners against zombies. Runners must brave various obstacles while pursued by 'zombies', who have professional make-up applied before being let loose to go after the runners' brains. The organisers' recommendation for preparation is "Run. Watch zombie movies. Run some more." Spectator tickets are available for those who wish to purely watch the action. When and where: 13 April (Brisbane, Gold Coast), 13 May (Sydney), 13 June (Melbourne, Perth)Length: 5kmCost: TBC, pre-register here. 2. Cupid's Undie Run Purported as putting "the hilarity back into charity", the Cupid's Undie Run tells hopefuls to leave their Sunday best at home and don nothing but their underwear. Participants raise money for the Children's Tumour Foundation of Australia, an organisation dedicated to fighting neurofibromatosis, a genetic disorder which can cause deafness, blindness, cancer, and chronic pain. Runners are rewarded for their good deeds with prizes, post-race entertainment, drinks, and awards. Get in the spirit with some cool red, pink, or purple Nike Frees — flexible footwear in great colours for the run. When and where: The weekend before Valentine’s Day at Bungalow 8 and the Barangaroo Foreshore Walk, SydneyLength: 1.5kmCost: $30 3. The Color Run The Color Run certainly puts the fun into the run. Decked out in white shirts, runners are blasted by volunteers, staff, and sponsors with a new colour each kilometre: pink, orange, yellow, blue, then a mishmash of colours for the final stretch. Stick around at the finish line for more colour, food, and activities. Participants are encouraged to raise money for charity; the Color Run has a different charity partner for each city. The run in Sydney supports HeartKids Australia, which provides support to children with heart disease and their families. When and where: 10 February (Sydney) at Sydney Olympic Park, with other capital cities throughout the yearLength: 5kmCost: $55 (solo) or $50 (4+ group) 4. Tough Mudder The Tough Mudder run means taking a cup of tough with a spoonful of humour. Designed by British Special Forces, the run is an obstacle course which tests strength, endurance, and solidarity but is more enjoyable than a marathon. 'Mudders' work in teams, with the option of wearing outrageous team costumes, and are greeted at the end with live music, beer, and good cheer. A season pass is available for entry to all Australian events, including those already sold out. When and where: 13 & 14 April (Sydney), 17 & 18 August (Sunshine Coast), 14 & 15 September (Melbourne), 12 & 13 October (Sydney) or 26 & 27 October (Perth)Length: 18–20kmCost: $80-$180 5. Spartan Race The Spartan Race is no joke. In a bid to transport participants back to ancient times, the race, a little sibling of the Spartan Death Race, is set on harsh terrain with obstacles of fire, water, mud, and barbed wire. The first races in the season are 'Sprints' of 7km, which progress to 'Super' of 14km and 'Beast' of 21km. People can fly solo or register as a team, and the Spartan Kids race allows children to experience some of the challenges. The race is followed by food, drink, and stalls. When and where: 2 March (Melbourne), 16 March (Sydney) and 22 June (Brisbane)Length: 7km (Sydney, Melbourne) or 14km (Brisbane)Cost: $85-$95 6. Mother's Day Classic - Sponsored by The Athlete's Foot Kill two birds with one stone by getting fit and raising money for breast cancer research. People can choose to run or walk the easy Mother's Day Classic course, which has a 4km or an 8km version. If you are one of the fastest, or have the largest school team, corporate team, or friends and family team, you could score a trophy. It's a perfect day out for the family, with entertainment, food vendors, and kids’ activities, such as face painting and jumping castles, on site. Participants can be sponsored for their run or walk by setting up an online fundraising page. The Athlete's Foot is one of the major sponsors of this event, and you should look out for their stand after you complete the race to score awesomely rewarding treats (like their 'I did it!' medals last year). Make sure you get fitted properly for your training in your nearest store, and join them on Facebook — we hear rumours they are giving away lots of tickets for free, plus training tips, training nights, and more very soon. When and where: Mother's Day, 12 May, at The Domain, Sydney (other capital cities and regional areas also hold events)Length: 4km or 8kmCost: $20-$50, with special prices for families 7. True Grit If you’re looking for minefields, 4 metre high cargo nets, rivers of fire, and crisscrossing routes, True Grit is for you. The term 'fun run' is used loosely for True Grit; with over 30 obstacles in each military-style event specially designed by Australian Special Forces, it is not for the faint-hearted. Two training programs assist participants in their preparation, as well as improving fitness and body strength. Their promotional videos will either entice you or scare you away from the challenge. When and where: 11 & 12 May (Adelaide), with other capital cities to be announced soon. Pre-register here.Length: 10–12kmCost: $70-$120 8. Greatest Athlete The Greatest Athlete Challenge is much more than a fun run: participants compete for the chance to appear on the Greatest Athlete TV Series which will appear on the Nine Network from September 2013. The challenge is an obstacle course with 16 obstacle stations, ranging from easy to advanced. The top 50 men and women win a place on the TV series, where they will battle against each other and well-known sporting legends for $200,000 in cash and prizes. TV-shy athletes can take the 'Adventure Challenge', a modified, non-TV version of the course. When and where: 18 May (Gold Coast, Brisbane), 25 May (Sydney), 1 June (Canberra), 8 June (Melbourne), 15 June (Adelaide), 29 June (Perth)Length: 5kmCost: $110 (Adventure), $145 (TV Series) or $350-$500 for a season pass 9. The Warrior Challenge This is an obstacle course for people who don't mind getting dirty. Stretching over forest, bitumen, mountain terrain, mud, and snow, the Warrior Challenge organises tough challenges throughout the year, regardless of the seasons. The Samurai Challenge is coming up in March, with large mud pits, huge walls, cable climbs, commando crawls, a snow pit, and prizes for the winners. Accommodation and food packages are on offer, and there's no need to worry about the kids, who can be left to amuse themselves in a jumping castle. When and where: 2 March at Lake Mountain Alpine Resort, VictoriaLength: 15kmCost: $55 (early early bird), $69 (early bird) or $79 (regular admission) 10. The Great Tribal Chase Working in tribes of two to six, people scour Sydney's streets for 'checkpoints' by solving riddles on their clue sheet. At each checkpoint, there are two activities to be completed, which might be a history question or a puzzle. Tribes raise money for Good Beginnings Australia, a charity that provides support to disadvantaged children and their parents. There are great prizes for those who solve the most puzzles and raise the most money. When and where: 5 May at Sydney CBD and foreshoreLength: 4 hoursCost: $24 (individual), $49 (family) If you need some inspiration to start training, make sure you visit The Athlete’s Foot. We're also loving their latest Brooks Float or Feel range, in stores and online now.
It's been one year since The Star Brisbane's grand opening, and the impressive lineup of restaurants, bars and entertainment venues is a strong pick for tourists and locals looking for a group outing destination. Whether you're rounding up your friends for a birthday dinner, chasing pre-concert cocktails, or looking for a dance floor, we've partnered with The Star Brisbane to highlight the top on-site spots where you can prove that everything's better when shared with friends. Aloria Perched on The Star Brisbane's Sky Deck, 100 metres above the CBD, Aloria is perfect for groups who want to celebrate in style. The carefully selected local seasonal produce shines in this Australian-European kitchen — where Queensland-sourced seafood will get your mouth watering, while the 'cellar in the sky' features a curated wine list with a river view to match. Cucina Regina What's more Italian than long tables and share-style plates? Cucina Regina is The Star Brisbane's Italian dining destination and ideal for groups looking for a feast. With wood-fired pizzas and homemade pasta, here, you can enjoy classic flavours with modern flair in a family-style meal. You can even book the private dining room for more formal functions. Just don't forget the tiramisu. Sokyo Is Asian food what you're looking for? Sokyo is The Star Brisbane's sleek and signature Japanese restaurant. The small plates encourage communal dining, with a menu by Executive Chef Alex Yu featuring dishes such as sashimi, wagyu, snapper and Sokyo's signature rolls. Pair this with bright cocktails and a sophisticated setting, and it's a great option to add to your "accomdates-groups" list. Cicada Blu If you want a scenic bar in Brisbane's CBD, pull up a stool at Cicada Blu. The open-air Sky Deck bar boasts unparalleled views and a menu of botanical cocktails like the Gin & Jam, Golden Hour Fizz, and the indulgent Cocoa Highlands with chocolate-infused Glenfiddich. For groups, shared cocktail carafes make it easy to sip and socialise—making Cicada Blu a go-to for laid-back gatherings with a view. Fat Noodle Wanting to book in a meal before your group karaoke or clubbing? Fat Noodle is built for groups who hunt for bold, explosive flavours. The street food-inspired share plates are perfect for splitting across the table and the fun atmosphere will keep the energy high before your next Brisbane night out. LiveWire LiveWire is The Star Brisbane's entertainment precinct. Whether you're joining in on trivia, enjoying the sparkle of drag bingo, or catching live music from headline acts like Havana Brown, Ladyhawke, and Groove City, there's something to keep all your friends entertained. The bar features a range of classic cocktails and beverages, space to dance, and a place to hang out once you've eaten your way through The Star Brisbane. For more group options, check out The Star Brisbane's website. Over 18's only. Drink responsibly. BET WITH YOUR HEAD, NOT OVER IT.
Caviar isn't the type of food you eat every day. Nine courses of caviar — well, that's a meal that probably hasn't ever crossed your mind. That's what's on offer at Bacchus' decadent caviar degustation dinner. If you thought their five-course truffle degustation was indulgent, this takes treating yo'self to a whole other level yet again. From October 3 to 21, the South Bank restaurant will be whipping up a showcase of the best caviar from around the world, including Australia's own. On the menu is sashimi and yoghurt with Russian sturgeon caviar, wild scampi caviar from Western Australia, a caviar and ravioli combo, caviar and cheese, and a finale dish that'll apparently leave a lasting impression. To be honest, the whole dinner should — surprising no one, this caviar-tastic experience doesn't come cheap. In fact, it's a bust-open-the-piggy-bank kind of meal, costing $249 per person. If you've found a pot of gold at the end of a rainbow, opt for the version with continuous Ruinart R de Ruinart Champagne for $399, and ponder the fact that you'll likely never have a dinner this fancy again.
There's no Academy Award solely for vocal performances. If there was, Lupita Nyong'o might've added another of Hollywood's prized statuettes to her mantle when the 2025 ceremony rolls around. A decade after taking home an Oscar for 12 Years a Slave, her first feature, and following standout work in everything from Black Panther and Us to Little Monsters and A Quiet Place: Day One since, she's the voice of Roz — short for ROZZUM unit 7134 — in the big-screen adaptation of Peter Brown's The Wild Robot. Unsurprisingly, she's marvellous and moving, taking viewers on an emotional journey even while playing a robot without facial expressions. When Roz is fresh out of the box, powering up on an animal-filled island devoid of humans in a futuristic vision of earth, Nyong'o lends her vocals to the perky Siri and Alexa peer that audiences will wish spoke back to them from their own devices. As the task-oriented mechanical helper learns that there's more to life than her programming — as she befriends a gosling that she names Brightbill (Kit Connor, Heartstopper) and a fox called Fink (Pedro Pascal, Drive-Away Dolls), too, and wins over other wild critters who are initially fearful of the metallic interloper — the warmth that begins to infuse Roz's tones couldn't feel more genuine. The Wild Robot doesn't only prove a gem thanks to Nyong'o's pivotal performance, but it wouldn't be even a fraction of the film that it is without her. In 2024, the actor has had two movies in cinemas. In A Quiet Place: Day One, speaking was one of the worst things that anyone could do. In The Wild Robot, Nyong'o's entire portrayal comes down to talking. "I love that you made that comparison. I hadn't even thought about it that way," she tells Concrete Playground when we point out the contrast, and also ask what she seeks out in new projects at this point in her career. "What gets me excited? I think about the character that I've been offered to play, and I think about what I will require to play the character — and what I could learn as well from playing the character, what I'm curious about. If the character makes me ask questions of the world and of myself and I'm excited to find out the answers, then I want to play that character," Nyong'o explains. When The Wild Robot came her way, she didn't say yes immediately, however. For Nyong'o, voicing Roz was always going to need to be a creative collaboration; just showing up to speak her lines and leaving it at that isn't how she wanted to work. "I don't know how to be just a voice for hire. I have opinions and I want to share them, and I want to make sure that the person I'm sharing them with wants to hear them," she notes. Nyong'o joined the film after meeting with director Chris Sanders and understanding his vision. "You shape these things together. You go on this journey together, and she is a creative force just like every other artist in this film, for sure," he tells us. "And I have to say, she's an absolute genius. Taking Roz apart bit by bit to understand her thinking kept me honest as a writer," he continues. The Lilo & Stitch, How to Train Your Dragon and The Croods director — and voice of Stitch — couldn't be more enthusiastic about the latest picture that now sits on his packed resume (also on his filmography from the 90s when he was starting out: production design on The Lion King, visual development on Beauty and the Beast, and story credits on both alongside Aladdin). Before signing on for The Wild Robot, Sanders describes himself as "book-adjacent" to Brown's illustrated tome, as his daughter had read it. "I saw it sitting around the house and I'd actually forgotten about it until the day I came into DreamWorks to look at what was in development. And there was the book, and they described it, and I thought 'that's the one I'm interested in'," he advises. As the feature's writer and director, he's crafted a version that takes inspiration from Hayao Miyazaki's enchanting Studio Ghibli fare, classics such as Bambi and the work of painter Claude Monet, too — and a gem for all ages. How does Nyong'o tackle a voice-acting part — and, whether she's seen on-screen or heard echoing from it, how does she find the right voice for a character? What kind of thinking and planning goes into expressing Roz's inner journey? How important was it to Sanders that the film didn't shy away from animals being animals, not just in appearance but also into recognising the food chain and cycle of life? We chatted with the pair about all of the above as well, and more, including how animated movies trade in big emotions —because we all have that flick, or several, that we'll never forget — and how that sits in your mind when you're making one. On How Nyong'o Approaches a Voice-Acting Part, Especially Playing a Character Without Facial Expressions Lupita: "I think the animators did a great service to Roz — and a great service to an audience — by not giving her facial features. Because then we stay truer to the fact that Roz is not a feeling entity. She is a robot and has a goal — she's goal-oriented and her goal, luckily, is to be of service to whomever purchased her. So that lends itself to kindness. And she's also very adaptable, so she's able to adapt to the behaviours and expressions of the wild animals that she is now living with. And through that, you can adopt sensibilities akin to emotional expression. I like figuring that out cerebrally. How do I play a character without emotions but still be able to convey a bunch of emotions, and then trust that an audience will project their emotions onto her? We are given that license because she doesn't have facial expressions, so she's not doing it for us. We were very much a part of the performance." On Finding the Right Voice for the Right Character Lupita: "It starts off with understanding the given circumstances of the character. What are the facts, right? And so for Roz, one of the main facts that was very important was that she is a programmed robot. That was very informativem and it led me to listen to automated voices like Siri and Alexa, the voices on TikTok and Instagram — they were an inspiration, their relentless, positive vibrancy was the inspiration there. For someone like Red in Us, I knew that there had been a strangulation at some point, and so that fed my imagination on what could that sound like if you were strangled. Things like that. Then I also work very closely with a vocal coach, and I worked with her on both Us and The Wild Robot, and that's really helpful to just externalise my ideas and make sure that I'm doing it in as healthy a way as possible to stave off injuries." On What Sanders Was Excited to Bring to the Screen in Adapting The Wild Robot Chris: "The story for sure. I've always wanted to do a robot movie. And the other thing that I never thought I'd get a chance to work on would be an animal movie like this. This is a lot like Bambi — the forest, the animals, the creatures. And it's a real forest, they're only slightly anthropomorphised. Bambi is a huge favourite. It always will be. One of the things I think that you cannot understate is the emotional power of that film. It has a staying power and a beauty that we wanted to emulate. Aspire to it, actually, is a better way to say it — that and the art of Miyazaki films. These are things that have a huge influence on us as animators and filmmakers. So we had big boots to fill if we were going to equal the power and the scale of those of those stories. Our animators really took to it, by the way. I didn't understand until they started working on the film the level of excitement that they had to do animals that were animals. That kind of movement, I guess, is really a huge thing for an animator. They're usually doing animals carrying cell phones and they have jobs, etcetera. Animals that are animals, there's a purity to the motion that I was really struck by. The animation went unusually quickly because of the lack of things, like jackets and coats and stuff. And so it was a joy to see all of this come to life day by day." On the Importance of Not Shying Away From the Reality of Animals Being Animals Chris: "It was critical because if there isn't consequence, then the story is just not going to work. We don't want to shy away from any of those things because we need that kind of ballast. I would actually harken back to things in The Lion King — if you don't have consequences, you're not going to have that emotional resonance, and I don't think you going to have a movie that works. So death shows up several times in this movie. The first time, of course, is the critical and pivotal event where Roz accidentally, quite literally, runs across this goose's nest by accident and that sets this whole story in motion. Later on, we revisit it, but we often revisit it with humour. We get a laugh out of it. It's a dark kind of humour, but boy is it effective. The animals on this island have programming, and that's the way that Roz looks at it. She's a creature of human programming, and she sees the animals as running programs as well. I thought that was a really interesting way to look at the world, and one of the load-bearing ideas and themes of the film is the idea that someday you may have to change your programming in order to survive. In our lives, we are creatures of habit, we resist change, and we may have to change the way we think. I think that sometimes we're so fearful of losing ourselves for some reason. I think we're very protective of ourselves. I can only speak for myself, but I get that — but whenever I've been forced to see things in a different way, I've been better for it." On What Goes Into Conveying Roz's Inner Journey Through a Vocal Performance Lupita: "I would say the intention was set at the beginning. Before I took on the role, I asked Chris why he thought I would be good for it, and he said he liked the warmth of my voice. So that was very good information for me, so that I knew what I had for free to offer Roz, and so that was where we would end up — that's the voice when Roz has taken on and embraced the role of mother most fully, that she sounds most like me. And then in the process, a two-and-a-half-year process, the script is developing, and along with it our understanding of who Roz is and how we experience her evolution is also developing. That was really quite technical, and we had certain markers, certain benchmarks for where the quality of my voice was shifting. And I did it quite technically, so it dials up in a way that when you're watching the performance is perhaps, hopefully, quite subtle and unnoticeable — until you meet the robots that are more like the other robots like her, towards the third act of the film." On the "Miyazaki by Way of Monet" Visual Approach to the Natural World Within the Film Chris: "All these things we've been talking about, what a perfect line of questioning actually, all these things are linked together like spokes of a wheel. I felt that it was absolutely critical, and I pushed very hard for this level of sophistication in the look of the movie. Think back to what we were talking about with Bambi, that level of sophistication, I felt, would make our audience see this film in the right way, if that makes sense. This is a film that kids will love. Kids should go see it. Families should go see it. But it's not a little kids' film — it's a film. And that's how Walt Disney looked at those stories as well, he always said so. So that level of sophistication helps us to get into the film in a certain way, and it really immerses us in a way that I've never seen a film like this accomplish. I have gotten so much feedback since we finished the film that it really blurs the line between a live-action film and an animated film, frankly, the way that you see it — and that was very deliberate. And I have to credit the artists and the incredible advances that DreamWorks had made technologically that allowed this look. The funny thing is all that technology opened this film up so that humans are more present than ever before. Literally everything is hand-painted. It would be as if I took out a brush and started painting dimensionally in space. That's exactly what they were doing. So there are no forms underneath the trees or the rocks. It's free handed. So the beauty that you get from that, there's no substitute for it. There's an analogue warmth that we reconnected with on this journey that we've taken through CG." On How Animation Allows Audiences to Have Big Feelings — and Thinking About That When You're Making an Animated Film Lupita: "You have to keep the audience in mind. One of the things that I remember us discussing, Roz has a lot of robotic language, just mumbo jumbo that she says — and you want to keep that in a way that allows for children to grow their vocabulary, and also a way for adults to understand and appreciate what she is saying. But you can't make it too difficult that you lose the children altogether. So those were fun workshops where we tried different words. I remember in the script, there was a time when a character asks Roz something and she goes 'hmm, let me see'. But 'hmm', that's a very human expression, and so I said 'processing' and everybody broke out laughing, and it became part of Roz's vocabulary. For children, that is perhaps maybe a new word — children never say processing, I can't imagine they do. But in that sense, you've expanded their vocabulary and stayed true to the character." Chris: "It's something I don't know if I'm really thinking about it, but in a sense I'm striving for it as I'm working on scenes. I'm scaling things. I think one of the neat things about taking a story like Peter Brown's to the screen is the potential for how big these feelings can be. I'm always going for audacity and scale. And I will run a scene over and over and over in my head, modifying it before I even commit anything to paper a lot of the time, until I'm feeling I've found every edge of the boundaries of that particular moment, and I've built it as large as it possibly can be. Because why wouldn't you, you know? Why wouldn't you? And then the really amazing thing is, I take it only so far, and then we have our actors and our and our animators — and eventually the cinematographer, the lighting, and then eventually Kris Bowers [who composed The Wild Robot's soundtrack]. I cannot overstate his contribution as well. I credit him for, I think, the gosh-darn best score I've ever heard in a movie ever." On What Nyong'o Makes of Her Career Over the Past Decade Since 12 Years a Slave Lupita: "I was sitting at the premiere of The Wild Robot at TIFF [the Toronto International Film Festival], and there was a moment, I think it was a moment when Brightbill is flying away and a feather floats into Roz's hands. And it's a very emotional moment within the story. But in that moment, I was just caught, I was struck by the truth that I have been living out my dreams and this project is another dream come true. I was just filled with gratitude, because not everybody gets to live out their dreams so exactly. And I've had that wonderful, wonderful privilege, and I just don't take it for granted. It's been deliberate. It's sometimes been scary. I've had to say no before I knew I could in order to wait for the project that felt like it would give me the kind of expansion I was looking for. And those times that I've said no have paid off. And looking at the last ten years, I'm very, very proud of the work that I've been able to do, and I look forward to continuing to live out my dreams one decision at a time." The Wild Robot opened in Australian cinemas on Thursday, September 19, 2024.
Any reason to take a holiday is a good reason to take a holiday, but a little bit of international acclaim certainly doesn't hurt when it comes to choosing a getaway spot. So, if you've been thinking about heading to Kangaroo Island at some point, or making the trip to Australia's Red Centre to soak in Uluru-Kata Tjuta National Park's wonders, here's the push you might've been waiting for: they've both been named by The New York Times as two of the best places to visit in 2023. The publication has put together a '52 Places to Go' list for this year, with the pair of Aussie destinations earning mentions. Even better: Kangaroo Island, the South Australian landmass that's also the nation's third-largest island, landed in the top ten. The location came in seventh, and was specifically called out for its "incredible wildlife, breathtaking ocean views, and its status as an ecological haven". [caption id="attachment_688401" align="alignnone" width="1920"] Vivonne Bar/SA Tourism Commission[/caption] If you're wondering exactly where the NYT says you should check out on the island, that'd be the Kangaroo Island Koala and Wildlife Rescue Centre, especially its private tours of its animal hospital facilities and bottle-feeding a joey while you're there — and watching sea lions at the Seal Bay Conservation Park. The Southern Ocean Lodge also scored a shoutout for when it reopens. Uluru-Kata Tjuta National Park, Australia's second spot on the list, ranked 29th. It was recognised for being "the shape-shifting sandstone heart of a continent and its Indigenous heritage" — and yes, its world-famous monolith obviously got a mention. [caption id="attachment_869882" align="alignnone" width="1920"] Tourism NT[/caption] Still Down Under but across the ditch, the entire city of Auckland pipped both Australian locales by coming in fifth, and was dubbed New Zealand's "culinary capital". According to the NYT, travellers should add visits to Hugo's Bistro, Cazador, Omni and Little French Cafe — which serves up "mille-feuille rivaling Paris's best" — to their itineraries. Elsewhere around the globe, London came in first for being "a buzzing city ready for a coronation, a brand-new airport link and a prehistoric colossus"; with Morioka in Japan sitting in second; Monument Valley Navajo Tribal Park taking out third place; and Scotland's Kilmartin Glen in fourth. Rounding out the top ten, alongside Auckland in fifth and Kangaroo Island in seventh: California's Palm Springs at sixth, Vjosa River in Albania at eighth, Accra in Ghana sitting ninth and Tromso in Norway at tenth. Other places named include Brazil's Lençóis Maranhenses National Park, the Namib Desert in Southern Africa, Flores in Indonesia, Nîmes in France, Vilnius in Lithuania, and Sarajevo in Bosnia and Herzegovina. [caption id="attachment_886033" align="alignnone" width="1920"] Little French Cafe[/caption] For The New York Times' full 52 Places to Go list for 2023, head to the publication's website. Top image: Ben Goode via South Australian Tourism Commission. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world — including Kangaroo Island.
We're teaming up with Intrepid for a season of adventure throughout 2024, and we need your help to put it all together. If you've got a craving for a food-fuelled adventure and are pretty savvy with a camera and video tools, you could secure your place on a ten-day tour of Vietnam with Intrepid Travel as our newly-appointed roving reporter, capturing every moment of the experience and helping us share the wonders that travel has to offer. This adventure will take you from one end of the country to another, seeing famous sights like Ha Long Bay and the Mekong River Delta. Along the way, you'll sample the specialty cuisines the country is known for, seeing the sights fly by on an overnight train ride, explore quiet fishing villages and the busy streets of Hanoi and Ho Chi Minh City alike. Just remember, keep that camera charged and ready for the money shots and the little snippets you can't see coming. We'll need your footage and creative skills to put together a video to showcase the trip and others like it. To enter, you just need to fill out the form below and submit an original video entry to prove you've got what it takes to get behind the camera and shoot a video as a roving reporter for Concrete Playground. It doesn't need to be a travel video, just as long as it shows you've got an eye for good content and have the practical skills to film and edit footage. Good luck, winners will be contacted by midnight on Friday, August 30. [competition]965314[/competition] Images courtesy of Intrepid Travel
Before getting a glimpse into everyone else's lives was as simple as logging into your social-media platform of choice, a game arrived that let its players do something similar with computerised characters. A spinoff from SimCity and its city-building follow-ups, The Sims allows whoever is mashing buttons to create and control virtual people, then step through their existence. First hitting in February 2000, it has spawned three sequels, plus a whole heap of expansion and compilation packs for each — and online, console and mobile versions as well. A quarter of a century since its debut, The Sims still keeps dropping new releases. To mark its 25th birthday, there's now The Sims: Birthday Bundle. That's one way to celebrate the game's latest anniversary. Here's another: stepping inside a three-day Australian pop-up dedicated to the beloved life simulator, which is heading to Melbourne's Australian Centre for the Moving Image from Friday, February 21–Sunday, February 23, 2025. Despite The Sims' more-recent titles, thinking about the game usually means thinking about the 2000s. So, this pop-up is taking that truth to heart by celebrating the Y2K era, too. Going along involves entering inside a 2000s-era pre-teen bedroom that's been decked out by Josh & Matt Design with all of the appropriate touches. Yes, it'll be nostalgic. Yes, there'll be CD towers and blow-up couches, just to name a few decor choices. The pop-up will also feature free stations where you can play The Sims: Birthday Bundle, if the best way for you to commeroate the occasion is by diving into the franchise virtually. In addition, there'll also be a free panel about the game on the Saturday, with speakers including Josh & Matt Design's Josh Jessup and Matt Moss — who are big The Sims fans — and EA/Firemonkeys' Simulation Division General Manager Mavis Chan. "As Australia's home of videogames, ACMI is so chuffed to be celebrating the 25th anniversary of The Sims! For 25 years, The Sims has provided a platform for so many kinds of imaginative play for multiple generations, allowing them to achieve great feats of digital architecture, guide their Sims to dizzying success — or cruelly remove their pool ladders. With each new expansion and sequel, The Sims has expanded its complex social world, reflecting changes to real-life society, and facilitating even more forms of self-expression in its passionate player base," said ACMI Curator Jini Maxwell, announcing the pop-up. "As a long-term Sims player myself, I'm so thrilled to celebrate the game's cultural legacy and personal significance in this event and free talk hosted by ACMI." EA Presents The Sims 25 is popping up from Friday, February 21–Sunday, February 23 at ACMI, Federation Square, Melbourne — head to the venue's website for more details.
UPDATE, JULY 30, 2020: Sundays on the Law was due to run each week until Sunday, August 30; however it will no longer go ahead. This article has been updated accordingly. When the sun is shining in Brisbane, claiming a patch of grass, stretching out and enjoying a bite to eat is one of the best things that you can do. That's most of the time in this fair city of ours — and, if you're looking for a place to relax on a Sunday afternoon, Brisbane Powerhouse's Performance Lawn is awaiting. Combine the historic riverside spot with food trucks and live jazz, and you have Powerhouse's Sundays on the Lawn series. It takes over the venue's front turf from 1–4pm each Sunday. The laidback kind of afternoon hangout we all need every now and then (or maybe even more often), it's the type of event to bring your best picnic blanket to, plus your mates and some cash for something to eat and drink — and then let the event take care of the rest. Food-wise, expect an array of Brissie's best trucks serving the likes of wood-fired pizza, burgers, lemon meringue doughnuts and gelato. And, when it comes to the jazzy tunes, the folks from the Jazz Music Institute will be doing the honours. Sundays on the Lawn takes place on the Brisbane Powerhouse Performance Lawn each Sunday from 1–4pm. Top image: Kgbo via Wikimedia Commons.
SXSW is taking over Sydney between Sunday, October 15–Sunday, October 22. It's the first time that the world-renowned music, film, tech and gaming conference has left the US — and it has a jam-packed eight-day program in store. Included on the lineup is a slate of over 700 speakers, who will be appearing on talks and panels during the festival's massive conference. You can browse the full schedule at the SXSW Sydney website, but it's pretty overwhelming with plenty of not-to-be-missed sessions popping up each and every day. In order to help you plan out your fest, we've compiled our picks for the cream of the crop — ten absolute must-catch conference sessions at SXSW Sydney 2023. Our recommendations include looks at Australia's arts and culinary scenes, big-name creatives sitting down for exclusive chats, and even a panel that we've pulled together ourselves pondering the future of journalism and digital learning. APPETITE FOR DISTRACTION: YOUTH, INFORMATION AND THE DIGITAL AGE Gone are the days of "I read an article about". Gone are even the days of "actually, I just saw the headline". We're now well and truly in the age of "I watched a TikTok". The way that we absorb information is constantly changing, and right now video is ruling — especially among gen z and millennials. Concrete Playground's very own SXSW Sydney panel is looking at just this, pulling together a group of video-first creatives to discuss how young people are consuming info in the digital age. The panel will feature Pedestrian.TV's Issy Phillips to discuss news and journalism in the era of short-form video; astrophysicist and scientific communicator Kirsten Banks to chat about the role of TikTok, Reels and YouTube in sparking people's love in all things space; and Concrete Playground's very own Ben Hansen to talk about how we're searching for recommendations and deciding how to fill our calendar in 2023. Catch Appetite for Distraction: Youth Information and the Digital Age at 2pm on Wednesday, October 18 at Room E3.9, ICC Sydney. [caption id="attachment_917272" align="alignnone" width="1920"] Anthony Quintano via Wikimedia Commons[/caption] 50TH ANNIVERSARY OF HIP HOP FEATURING CHANCE THE RAPPER "As we celebrate 50 years of hip hop in 2023, I'm reminded of the transformative power this culture has had, not just on the world stage, but on the streets of Chicago's South Side," said Chance The Rapper, announcing his SXSW Sydney appearance. The three-time Grammy winner is appearing on the event's lineup to discuss the global impact of the genre five decades after DJ Kool Herc first isolated percussion breaks, then repeated them — and made history. "Chance The Rapper is renowned for both his chart topping and community advocacy. There's few out there like him, who take what they've made and use it to build the dreams of others," noted SXSW Sydney Managing Director Colin Daniels. The conversation should be top of the must-see list for all hip hop heads and music lovers in general. It also stands as the marquee session in a program full of hip hop — including other panels like Hip Hop How a Generation Is Changing the World, films like OneFour: Against All Odds, and boundary-pushing sets from rappers Redveil, Barkaa, Zion Garcia and Flyanna Boss. Catch 50th Anniversary of Hip Hop ft. Chance the Rapper at 1pm on Thursday, October 19 — check the website for venue details. [caption id="attachment_856346" align="alignnone" width="1920"] Dan Boud[/caption] THE PICTURE OF DORIAN GRAY — MICHAEL CASSEL AM AND KIP WILLIAMS IN CONVERSATION After selling out multiple Sydney, Melbourne and Auckland runs, and before it hits the UK's West End with an iteration starring Succession's Sarah Snook, Sydney Theatre Company's The Picture of Dorian Gray is being dissected at SXSW Sydney. Premiering in Sydney in 2020, this take on the tale uses video and theatre to get its star playing 26 characters. In the Australian runs, Eryn Jean Norvill has done the honours, and brilliantly, with Snook following in the actor's footsteps abroad. Renowned producer Michael Cassel AM will sit down with Sydney Theatre Company's Artistic Director Kip Williams to discuss the imaginative, groundbreaking and thought-provoking stage show. Developed right here in Australia by a local creative team during the pandemic, the The Picture of Dorian Gray is a real success story for Australia's arts scene — and this is your chance to take a look under the hood and hear what's next for the production. Catch The Picture of Dorian Gray — Michael Cassel AM and Kip Williams at 4pm on Tuesday, October 17 — check the website for venue details. [caption id="attachment_820444" align="alignnone" width="1920"] Nine Perfect Strangers, Vince Valitutti/Hulu[/caption] A SPOTLIGHT ON BLOSSOM FILMS In a late addition to the SXSW Sydney program, Australian icon Nicole Kidman is joining the event. Adding one of the nation's most famous acting names at home and in America to perhaps the biggest tech, innovation, screen, music, games and culture festival that Australia has ever seen is fitting. 2023 marks 40 years since Kidman starred in BMX Bandits, but that's not why she'll be taking to the SXSW Sydney stage as part of its massive speaker lineup. Instead, she'll be chatting with her producing partner Per Saari about her production company Blossom Films. On its resume: the Nickers-starring Big Little Lies, Nine Perfect Strangers, The Undoing and Rabbit Hole, as well as this year's Elizabeth Olsen (Doctor Strange in the Multiverse of Madness)-led Love & Death. Catch A Spotlight on Blossom Films on at 11am on Thursday, October 19 — check the website for venue details. DERRICK GEE — HOW TO TALK MUSIC (ON THE INTERNET) You may have come across the soothing tones of Derrick Gee's voice on your TikTok or Instagram feeds chatting about Erika De Casier, audio equipment or the international influence of yacht rock. If you haven't, this is your sign to get lost in his videos right now. Gee will be hitting the SXSW Sydney stage to discuss the wonders of discussing music on the world wide web. Sometimes music feels like this indescribable thing, but other times genres feel like they've been talked to death; however, Gee has a distinct way of finding the story and the humanity in the music he chats about. This is a must-see session whether you're a band or promoter looking to change up how you communicate your music online, a lover of all things sound or just like Derrick Gee's videos. Catch Derrick Gee — How to Talk Music (On the Internet) at 11.30am on Friday, October 20 at The Guthrie Theatre, UTS Building 6. INDIGENOUS COLLABORATION: MAKING FILMS THAT HEAL Māoriland Film Festival, the world's largest Indigenous film festival, joins the SXSW Sydney lineup in conjunction with UNESCO Wellington City of Film with a panel featuring award-winning talent from across the film industry. The focus: discussing Indigenous collaboration, plus creating films that facilitate change, and help the audience and the filmmakers heal. On the panel: writer and director Chantelle Murray (My Name is Mudju, Elvis, Thor: Love and Thunder); Chelsea Winstanley (Jojo Rabbit, What We Do in the Shadows, Moana Reo Māori, Talk to Me), the first Indigenous woman to be nominated for the Best Picture Oscar; Māoriland Film Festival Director and producer Libby Hakaraia; and independent film and television producer, director, writer and presenter Tainui Stephens. Catch Indigenous Collaboration: Making Films That Heal at 3.30pm on Monday, October 16 at Cinema Theatre, UTS Building 6. BETTER THAN YESTERDAY WITH OSHER GÜNSBERG TV personality and author Osher Günsberg is bringing two live episodes of his podcast Better Than Yesterday to SXSW Sydney. The man of many talents — including the host of Australian Idol and The Bachelor, creator of the satirical news parody NTNNNN: Night Time News Network Nightly News and narrator of Bondi Rescue — will take to the stage for two long-form interviews about how we can work towards a brighter tomorrow. The first, on Wednesday, October 18, will be with psychotherapist and holistic counsellor Diane Young. Günsberg and Young will discuss the ramifications of addiction — however, they'll do so with the hope of creating a constructive conversation that will leave the audience feeling "better than yesterday". The following day, Günsberg will sit down with activist, politician and Midnight Oil frontman Peter Garrett. The conversation will traverse Garrett's storied career and also see the musician announce a brand new musical project. Catch Better Than Yesterday with Osher Günsberg at 10am on Wednesday, October 18 and 10am on Thursday, October 19 — check the website for venue details. [caption id="attachment_917939" align="alignnone" width="1920"] Netflix[/caption] CHARLIE BROOKER IN CONVERSATION If you're a bit wary of technology's ever-growing influence in humanity's daily lives — be it artificial intelligence, streaming algorithms, social media, drones, augmented reality or online dating, to name just a few examples — then Charlie Brooker and Black Mirror might be one of the reasons. Since 2011, they've been spinning dystopian nightmares about what might happen as tech evolves. In plenty of cases, they've been satirising and interrogating innovations we use today, and what their next step might be. Yes, that makes Brooker the perfect speaker to get chatting at SXSW Sydney. "Black Mirror consistently leads the cultural conversation on what we face in the now or may confront in our future, offering a chance for reflection and change. Charlie embodies what attendees can expect from SXSW Sydney: creativity and innovation," says SXSW Sydney Managing Director Colin Daniels. Catch Charlie Brooker in Conversation at 1pm on Wednesday, October 18 — check the website for venue details. [caption id="attachment_759108" align="alignnone" width="1920"] Alana Dimou[/caption] WHAT IS THE FUTURE OF CHINATOWN? Sydney's Chinatown finds itself in an interesting situation. In some ways, it's continuing to thrive, with the streets packed every Friday night and a fleet of new venues arriving post-lockdown. At the same time, urban sprawl, the cost of living and changing migration patterns have seen the city's Asian diaspora move out to the suburbs more and more. Moderated by Soul of Chinatown's Eddie Ma, this panel will break down where Chinatown is now and what's to come for the bustling inner-city district. The roster of experts joining Ma includes acclaimed chef and Chinatown resident Dan Hong (Mr Wong, Ms. G's, MuMu), property developer and Chinatown advocate Brad Chan, and award-winning architect Qianyi Lim. Catch What Is The Future of Chinatown? at 10am on Wednesday, October 18 at Theatrette, Powerhouse Museum. HORROR & AUDIENCE: WHY WE LOVE TO BE TERRIFIED Whether you love them, hate them or love to hate them, people flock to horror movies — and thanks to studios like A24 and an exciting batch of homegrown horror filmmakers, the genre is having a real moment right now. This panel features four leading voices in horror movies, discussing why they find the genre enthralling, the art of horror storytelling and where the spookiest of films are heading. Daley Pearson leads the lineup of speakers, bringing experience from his eclectic career to the stage, including executive producing Bluey, creating the concept for Danny and Michael Philippou's Talk to Me and playing Thor's roommate Darryl on Team Thor and Team Daryl. Joining Pearson will be Wyrmwood director Kiah Roache-Turner, filmmaker Natalie Erika James (Relic) and Causeway Films producer Samantha Jennings (Talk to Me, You Won't Be Alone, Of An Age). Catch Horror & Audience: Why We Love to Be Terrified at 2pm on Thursday, October 19 at Cinema Theatre, UTS Building 6. SXSW Sydney runs from Sunday, October 15–Sunday, October 22 at various Sydney venues. Head to the SXSW Sydney website for further details. Top image: Brittany Hallberg.
Brisbane's winters aren't as harsh as those endured down south, but that doesn't mean that Queenslanders don't feel the cold. Within a couple of hours' drive of Brisbane there's a stack of country towns ideal for visiting when swimming and sunbathing are off the agenda. Plan one of these short trips and you could be tucking into local produce beside roaring log fires, warming up with walks through ancient rainforest, meeting super-friendly locals in old-fashioned pubs and whale watching from some of the best vantage points on Australia's east coast. MOUNT NEBO If you don't have much time, but desperately need a hit of fresh air to take you out of your mid-winter stupor, journey to Mount Nebo. This super-cute village lies just 45 minutes' drive west of Brisbane, at the southern end of the D'Aguilar Range. On the way, stop at Samford for brekkie at The Flying Nun Cafe, where you'll be tucking into potato and feta hash cakes with poached eggs, roasted carrot purée and chorizo crumb beneath the stained glass windows of a former church. When you hit the actual Mount Nebo, warm up with a rainforest walk, such as the one-kilometre Pitta Circuit or the eight-kilometre adventure taking in Jollys Lookout, before heading to Mount Glorious for a fireside lunch at Elm Haus Cafe. How far? A 45-minute drive [caption id="attachment_682545" align="alignnone" width="1920"] Tourism Queensland[/caption] TAMBORINE MOUNTAIN Pack your scarf: winter on Tamborine Mountain, which is 530 metres above sea level, is noticeably cooler than in Brissie. If your day trip is an excuse for a feast, then book a table at Three Little Pigs Bar and Bistro. A stone fireplace takes care of central heating, while the chefs transform local produce into delectable dishes. Another lovely spot for lunch is among the log fires of Cedar Creek Estate Vineyard's Hamblin Room. Stay for a wine tasting, before rugging up to explore Tamborine Mountain's many walks, waterfalls and gardens. How far? A one-hour drive [caption id="attachment_682544" align="alignnone" width="1920"] Tourism Queensland[/caption] MARYVALE Encircled with farmland, and perched on the edge of the Main Range National Park, Maryvale packs a lot of punch. In town, you'll come across the Maryvale Crown Hotel, built in 1912. If you're not careful, you might find yourself spending your whole day (and night) there; it's a proper, old-fashioned country pub, filled with friendly folks. Should you manage to get away, you'll find plenty to pique your curiosity around Maryvale, including the ancient rainforest and breathtaking lookouts of heritage-listed Main Range National Park, found five minutes' drive east from the pub. How far? A two-hour drive [caption id="attachment_682543" align="alignnone" width="1920"] Tourism Queensland[/caption] STANTHORPE For a day trip that involves plenty of wine tasting, make Stanthorpe your destination. It's the gateway to the Granite Belt, which is developing quite the reputation for its experiments with alternative varieties. At Balancing Rock, you'll be trying a wild yeast syrah, and at Ballandean Estate, there's a range of unusual drops, including jacquez, a grape believed to have originated in North America and also known as black spanish. Prefer beer? Get your winter warmer at Granite Belt Brewery, with a chocolate porter. In between drinks, wander around Stanthorpe's delis and cafes, and be sure to visit Suttons Farm for homemade apple pie — it's a perfect wintry afternoon tea. How far? A two-and-a-half-hour drive [caption id="attachment_682551" align="alignnone" width="1920"] Dayboro[/caption] MOUNT MEE Another town where you can rise above winter is Mount Mee, which, like Mount Nebo, is part of the D'Aguilar Range, and lies around 75 minutes' drive northwest of Brisbane. Get your bearings and lift your spirits at Dahmongah/Mount Mee Lookout, which gives you panoramic views of Brisbane, the coastline to the east, and the Glasshouse Mountains to the west. Continue to soak up the mind-blowing scenery during lunch at Birches Restaurant. If time is on your side, then drive ten minutes' north to visit bohemian Woodford, famous for its huge annual folk festival, or stop by Dayboro on the way home, for idyllic countryside, cafes, breweries and wineries. How far? A 75-minute drive MALENY Maleny, at 436 metres above sea level, affords magnificent views of the Glasshouse Mountains. Since the 1980s, it has been a magnet for artists, craftspeople, writers and musicians, who find inspiration in the dreamy landscapes. There's an abundance of cafes, dishing up wholesome, homemade fare — exactly what you want to be eating on a chilly day. Visit Maleny Food Co for gourmet cheese, Shotgun Espresso for comforting dishes, including spiced poached chicken broth, and Monicas Cafe, for hearty burgers and gourmet sangas made from organic produce. How far? An 90-minute drive BLACKBUTT Home of the Blackbutt Avocado Festival (returning in September 2021), this historical settlement started out in the 1840s as a timber town. It must've been thirsty work because, in 1910, a population of 300 managed to keep five hotels open. These days, just one survives: the Radnor, which was built over a century ago. When you're done carousing with the locals, head to the Blackbutt Bakery to dig into a cracking pie, followed by a caramel snickers mallow crown (if you can get one — they sell out fast). Blackbutt is along the Brisbane Valley Rail Trail, the longest continuous rail trail in Australia, which travels for 134 kilometres from Ipswich to Yarraman. Definitely consider taking your bike. How far? A two-hour drive CANUNGRA Canungra, which lies in the Gold Coast Hinterland, was born as a timber town in the 1800s. These days it's home to numerous artists and artisans. Step back in time with a beer at the Canungra Hotel, before wandering around art galleries and workshops. Running through the heart of them all is Canungra Creek, where, if you're lucky, you might spot a platypus. Go beyond town to visit cellar doors, including Albert River's grand Auchenflower House Billiard Room; O'Reilly's, where you're welcome to spend the afternoon picnicking with a gourmet hamper in hand; and Sarabah, to escape to vineyards and banish all thought of winter in the city. How far? A one-hour drive NORTH STRADBROKE ISLAND North Stradbroke Island isn't exactly a country town, and you probably wouldn't normally associate it with winter, but bear with us. For a start, it's the closest place to Brisbane where you can go whale watching while keeping your feet firmly planted on the ground. What's more, the North Gorge Walk is considered one of the best spots in Australia for spotting humpbacks. Don't forget your binoculars. More reasons we love Straddie in the winter include the spectacular sunsets and the fact that you can explore as you please, without jostling sweaty summer crowds. How far? A 50-minute drive plus a 45-minute ferry ride [caption id="attachment_770996" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] NOOSA HEADS Another day trip destination that involves whale watching is Noosa Heads, on the Sunshine Coast. When it comes to vantage points, you're spoilt for choice — try your luck at Main Beach, Sunshine Beach, Castaways Beach or while strolling along the stunning 11-kilometre coastal walk in Noosa National Park. It's even more breathtaking at sunset. Alternatively, climb aboard a whale watching tour and head out to sea. As at Straddie, you'll be able to spend your day soaking up Noosa's extraordinary natural beauty without battling hordes of sun-seekers. How far? A two-hour drive Top image: Tourism and Events Queensland
For every Australian that was a toddler from the 90s onwards, and their counterparts worldwide as well, heroes wear blue, yellow, red and purple skivvies. Since the early 90s, The Wiggles have been one of the biggest Aussie names in children's entertainment, and one of the country's most-successful global hits. Alongside Bananas in Pyjamas and Bluey, they're part of a trio of homegrown icons in pop culture's early-childhood space, all thanks to the decision by Anthony Field, Jeff Fatt, Greg Page and Murray Cook to turn their university studies in the area, plus their experience in music — Field and Fatt were part of The Cockroaches, while Page was in Dead Giveaway and Cook in Bang Shang a Lang — into an album for kids. The rest is history, which The Wiggles just keep making. In Triple J's Hottest 100 of 2021, three decades after the group's self-titled debut album, they topped the poll with a cover of Tame Impala's 'Elephant'. Also among the troupe's recent achievements and highlights: appearing at the Mardi Gras parade, playing Falls Festival, earning some love from Lil Nas X and bringing the OGs back together for adults-only shows. Premiering at the first-ever SXSW Sydney, documentary Hot Potato: The Story of The Wiggles — which is now streaming via Prime Video — has joined their resume as well. Onstage for today's toddlers — plus every batch of preschoolers since 'Get Ready to Wiggle' and 'Dorothy the Dinosaur' first started echoing — The Wiggles serve up business as usual. Whether playing at home or around the world, the Aussie entertainers put on a child-pleasing live show. Other than Field, the folks donning the skivvies have changed, with the troupe becoming bigger, more culturally diverse and championing gender balance. At gigs specifically focused at 90s and 00s kids who are now well past The Wiggles' prime demographic, Field, Fatt, Page and Cook have reformed for reunion tours. As seen in Hot Potato: The Story of The Wiggles, both types of concerts draw huge crowds. For Field, Fatt, Page and Cook, life has been shaped by wearing bright colours, singing to fans young and older alike, and getting 'Hot Potato' and 'Fruit Salad' lodged in everyone's brains — and lives have been moulded by their efforts in turn. Early-childhood teaching philosophies have always sat at the forefront of The Wiggles, which the OG four attribute to their success. Young devotees who dance along to their tunes then become adults who still think fondly about their first-ever favourite group. Hot Potato: The Story of the Wiggles clearly has much to cover, then, all within a 104-minute doco that does much more than trade in nostalgia: as directed by Valerie Taylor: Playing with Sharks and David Stratton: A Cinematic Life filmmaker Sally Aitken, it chronicles how four friends started a phenomenon that's taken them everywhere from small Aussie shows to Madison Square Garden, and sparked a beloved group that shows no signs of stopping. With the movie now delighting audiences, Field, Fatt, Page and Cook spoke to Concrete Playground about all things Wiggles, including reflecting upon their careers via the doco, the whirlwind last few years for the OGs and why they're so beloved. And if you're wondering if Fatt, Page and Cook wear skivvies or their famous colours now, Page bought yellow sneakers just for the film's premiere "to have something yellow in my wardrobe", Fatt says he "definitely avoids the purple" and Cook does "have some skivvies though, but they're black". ON THEIR RESPONSE TO A DOCUMENTARY BEING MADE ABOUT THE WIGGLES Anthony: "This New Zealand company approached us about doing it. So they were filming us for the last couple of years and being with us, and then got all this archival footage, and got fans to send in a whole lot of stuff — and just got all these incredible photos right through our career. We were all a step away from the actual creatives of it, and the storytelling. It was pretty well Sally [Aitken] and Fraser [associate director Fraser Grut] with the guys in New Zealand who put it together. But I was a bit scared to see it. I found it very emotional and beautiful — and sad and happy, all that stuff. A lot of great memories." Murray: "When someone's going to make a documentary about you, you're not involved in the decision-making. There's a bit of trust involved and you just hope that they do the right thing. But once we met the filmmakers, Fraser and Sally, we got to know them a bit, and I felt very trusting that they'd tell the story honestly. You don't want to whitewash — you just want the the truth to be told, I think." Jeff: "And Fraser grew up with The Wiggles. So, he held us in very high esteem." Greg: "I think, too, that because he did, because he was a fan as a child, he got the essence of what the documentary is, and that is showing that connection between us and the children, and that connection that continues on today with the new Wiggles. I think that really sums it up beautifully. And I think the overall tone of the picture is one — can you believe I said picture, like moving picture? — the tone of the documentary is one of joy and happiness. Really, that's what it's about. And I think he's done a great job, and so has Sally." ON REFLECTING ON THEIR CAREERS VIA THE FILM Greg: "It must have been such a challenge to try and cram 30 years into probably 100 minutes or so. But they've done a really good job at capturing those high points and the low points along the way — the milestone moments of The Wiggles. To sit there and watch it back for us, I know personally it was really interesting because living it from the inside, you see it very differently to how other people have seen it. But then to step outside of that now and watch it in a different perspective, it's really quite fascinating." Anthony: "You see little bits on YouTube of things we did 15 years ago, but this was like a line of just what happened. And just at the end of it, I was overwhelmed by it all." Murray: "I thought it was quite moving at at times. There was a lot of joy there, but there were a few tears. It does give you an opportunity to reflect on what it was that we achieved and what we created. I think it's really great for the world to see the people behind The Wiggles — that it's not just four goofballs, although we are that — but that there's theory and philosophy behind it. But also just seeing the journey that we went on together, it was really lovely to be able to see that." Greg: "It's interesting because when people ask us questions like they did in the documentary, they're asking questions that we probably never asked each other. And a lot of things we kind of took for granted that we're on the same page about, or we just felt that we would all feel the same way about, but I think there were some differences — not major differences at all. It's kind of funny, like we never sat around and shared a lot about our own feelings about things. A lot of the time, we were talking about the show, the production that we were going to do, there was a lot of that stuff. So I think for me it was really a chance to hear the other guys' perspective on what The Wiggles was to them." ON REALISING THAT THE WIGGLES WERE BECOMING A PHENOMENON Anthony: "In Australia, we went from birthday parties to playing fundraisers for the Nursing Mothers Association, which was really good. They'd sell the tickets and get a percentage of the tickets, they were fundraisers for them and it was great because, basically, it just was word of mouth. The Wiggles in those days, we weren't on television and we weren't on the radio. But the big step up in America, when I knew that things had changed, was when we went over and the people in customs recognised us — not in a bad way. That's when I went 'things have changed here'. It was because Disney took our TV series and put it on four times a day on their channel. And we became massive in America and Canada, and it was amazing." Murray: "I don't think we thought it would go around the world until we actually spent a bit of time in America. For us in the 2000s, from about 2002 on, America was a fairly big focus because it was very successful there. Once we started doing things like playing Madison Square Garden and doing the Macy's Thanksgiving Day parade, it became a little bit surreal, for me anyway. We'd be sitting on buses going to these cities in America that in a lot of cases we've heard of but never been to, and it was a great adventure but it was also a little bit hard to get your head around." Jeff: "From the early days, for example, when we put out the first video and it really made a connection with our audience — and just little steps like that. We'd quite often play for the Nursing Mothers Association in little halls, and that started getting traction. So the audience was continually building in those regional areas and in the city. So there were these little steps along the way, so it wasn't like a huge leap — it was a very gradual thing for us." Greg: "I think, too, it's interesting that people use words like 'global phenomenon' or 'global empire'. For us, it was never about that. It was just about being able to do something that we loved and do it well. And for that reason, every time we had a little bit of success, it felt like we had achieved so much more than what we ever set out to do. And every step along the way, it just kept building and building. So on reflection, I think that was probably the biggest thing about the doco — to sit back and watch those milestone moments be played back. It's like 'well, god, I can't believe we did that because we never set out to do it' — it was just all these happy bonuses that came along. We've had a a blessed time and I think, I hope, that people take away from the doco the fact that when you do something in life that you really enjoy, if it brings joy to other people and that joy is something that's shared both ways, and if everybody's life can be filled with joy, then it's a really great thing." ON THE WIGGLES' ONGOING SUCCESS Murray: "I think that what made The Wiggles successful in the first place is a few things. One of them is that we had this philosophy that was being child-centred, which is a philosophy from early-childhood education where you put the child first and you think about where they're at in terms of their development. We tried to use that in The Wiggles, I think quite successfully. Also just things like we're pretty genuine about it. We're very genuine about what we're doing and what we're trying to achieve. And the songs are good, I think, and really connect with the audience. What's happened after we moved on is that mostly Anthony's seen to it that those things are intact, that the philosophy's still there, that the way of speaking to the audience is still there, the songs are there. So I think that has carried on through the decades and kept The Wiggles in the forefront." Anthony: "I think the bottom line for us is that we have to entertain, and keep children interested and educate them if we can. We're more about pro-social skills, and I think that we've kept the early-childhood philosophies at the forefront, and we haven't gotten too carried away with too many bells and whistles. When we play a live show, we can go off the script at any time, as opposed to a lot of children's shows that are taped. We can, if a child calls out something, we can go with it. That keeps it interesting for us as well. I think that for all those reasons we still love it. I love it still." ON THE WIGGLES' TARGET DEMOGRAPHIC GROWING UP, BUT REMAINING WIGGLES FANS Greg: "I think for those fans, it's the connection to their childhood, when they were young — hopefully carefree and innocent. It's a time of your life where, if you can connect to that inner child when you're in your 20s or 30s, it's something to celebrate. And if The Wiggles are that connection for people, it's a great channel to be able to play music for them and come to our shows, and it's great for us too, actually." Murray: "Oh it's fantastic." Greg: "Because it connects us to that time of our lives as well, when we were doing something that we absolutely loved doing and very privileged to be a part of so many people's lives in a way where they did embrace us and they still do." Jeff: "And for Australian fans, us topping the Triple J, Hot 100, that certainly boosted things with our older audience now." Anthony: "We get told that it was a positive part of their childhood. And when those shows, when we do those adult shows, we don't change our show at all. I mean, pretty well, we're just the same — in the documentary, Paul Paddick, who plays Captain Feathersword, thought it was going to be a chance to swear on stage. And we said 'no, it's got to be exactly how it was or we're going to ruin what these people think about us'." ON THE HOTTEST 100, LIL NAS X AND THE HIGHLIGHTS OF THE LAST FEW YEARS Anthony: "It's been awesome. I'm still going with The Wiggles, so the eight Wiggles, and I'm loving that we've had Jeff come on stage, Murray come on stage, Greg come on stage with us — and it just proves that we're all part of the Wiggles family. Lil Nas was amazing. He made a couple of fun tweets that he'd like to do a collaboration — I really did think it was tongue in cheek — but we did get to meet him at Falls. Falls Festival was just the best, and hanging out with Australian bands that are in their 20s that grew up with the Wiggles, it's just been great. The Hottest 100 was surreal. And musically, it was great because I got to experience Tame Impala, who I knew nothing about — so it was educational for me." We're ready to wiggle with you! 💛💜💙❤️ — The Wiggles (@TheWiggles) April 27, 2022 Murray: "It's funny that so much of what we've done over the years, like going to America, quite a lot of the things we've done have been uncharted. And we've always had this sense of doing things for the adventure of it — and I think this is again something that we never expected. We never expected the initial success that we had, and we never expected that 30 years later we would be playing for those kids who grew up — and no one ever thought that we'd be on Triple J at all, let alone topping the Hottest 100. So it's just wonderful. It's like some sort of icing on the cake, I guess, that we can still get together and have fun with our audience, but also to spend time with each other, and really go back and do this thing that we loved and this amazing thing we created together. Jeff: "At the time we didn't even know who he [Lil Nas X] was. I was totally out of touch with all. But looking at it now, it's crazy." Hot Potato: The Story of The Wiggles streams via Prime Video. Read our review.
One of the most spectacular must-sees on any Tokyo trip will soon be back on every tourist's itinerary: digital-only art gallery teamLab Borderless. When it opened in 2018, the stunning spot instantly became one of Japan's top destinations. Since mid-2022, however, the venue has been closed while it shifted to a new site. Thankfully, wandering through its dazzling array of artworks is about to become a reality again from January 2024. Breathtaking, kaleidoscopic, glorious, delightful, worth a trip to Tokyo all by itself: all of those descriptions apply to teamLab Borderless, which became the most-visited single-artist museum in the world during its first year of operation. Expect all those gushing terms to flow again when it reopens at Azabudai Hills in central Tokyo, relocating from its past Odaiba base. [caption id="attachment_912403" align="alignnone" width="1920"] teamLab, Sea of Clouds © teamLab[/caption] First, the bad news: to get there, you'll no longer be crossing over Tokyo's gorgeous Rainbow Bridge. That's the only negative aspect of move, however. Among the excellent news, the new teamLab Borderless will feature both evolved and brand-new artworks. So, even if you've been before at its old digs, you won't just be seeing the same things — even though they're definitely worth enjoying more than once. [caption id="attachment_912401" align="alignnone" width="1920"] teamLab, Microcosmoses (tentative title) © teamLab[/caption] If you were lucky enough to mosey around the OG spot before the pandemic, you'll know that the Borderless experience involves vibrant, constantly moving, always-changing interactive digital art keeps that keeps glowing and rearranging before your eyes. As the name makes plain, nothing is fixed or static here. Pieces move from one space to the next, and interact with other works. Sometimes, several different projections and installations mingle together. For attendees, peering at the end results isn't merely a passive experience, with the venue encouraging patrons to "wander, explore and discover". While the full list of works that'll feature at teamLab Borderless 2.0 hasn't yet been revealed, the pieces announced so far include the jaw-dropping Light Sculpture series — which cycles through an array of light formations and colours — as well as an eye-catching mirrored infinity room-style space that's tentatively been titled Microcosmoses. teamLab might be best-known for its Tokyo site, but it doesn't only operate in Japan. A second teamLab Borderless has already been open in Shanghai since 2019, and others are slated for Jeddah in Saudi Arabia and Hamburg in Germany — the former without an exact opening date, the latter slated to launch in 2025. The organisation also operates a different museum in Macao, and has its first teamLab Phenomena on the way for the Saadiyat Cultural District in Abu Dhabi, again targeting a 2024 launch. The list goes on, with teamLab's works a drawcard wherever they pop up. [caption id="attachment_868130" align="alignnone" width="1920"] teamLab Borderless: MORI Building DIGITAL ART MUSEUM, Azabudai Hills, Tokyo © teamLab[/caption] [caption id="attachment_912400" align="alignnone" width="1920"] Birth © teamLab[/caption] [caption id="attachment_912402" align="alignnone" width="1920"] teamLab, Microcosmoses (tentative title) © teamLab[/caption] teamLab Borderless Tokyo: MORI Building Digital Art Museum will reopen at its new location at Azabudai Hills, Garden Plaza B B1F, 1-2-4 Azabudai, Minato-ku, Tokyo sometime in January 2024 — for more information, visit the museum's website. Top teamLab, Universe of Water Particles, Transcending Boundaries; teamLab, Flowers and People, Cannot be Controlled but Live Together © teamLab.
As far as unnerving settings go, The Third Day's couldn't be better, with the HBO miniseries unfurling its story on Osea Island. The real-life locale boasts an intriguing history, including its purchase in 1903 by brewing company heir Frederick Nicholas Charrington, his passionate efforts to turn it into a treatment centre for addicts and alcoholics, and the fact that he was once apparently suspected of being Jack the Ripper. Osea also spans just 1.5 square kilometres, sits within an estuary along England's east coast and is connected to the mainland via a Roman-built causeway, which can only be accessed during low tide. Both within the show and in reality, that means that cars are limited to making the journey during two four-hour windows each day. At all other times, travellers can only get to and from the island by boat. So, if you venture over but don't time your return drive just right, you'll end up stuck there until the tide next subsides — whether you like it or not. That's exactly what happens to Sam (Jude Law, The Nest) and Helen (Naomie Harris, Spectre). The Third Day tells its main tale via two separate halves, with its three 'summer' episodes focusing on Sam and its trio of 'winter' segments switching to Helen. Their experiences have unmistakable parallels, but start out differently. Sam doesn't intend to visit the island, only making the trip after he rescues a teenage girl nearby. Helen books a holiday rental with her daughters Ellie (Nico Parker, Dumbo) and Talulah (debutant Charlotte Gairdner-Mihell), but those plans don't pan out. Accordingly, both Sam and Helen are forced to adjust to a sudden change in circumstance, and miss their initial windows to leave Osea in the process. The longer they stay — and the more they interact with the island's residents, such as pub proprietors Mr and Mrs Martin (The Outsider's Paddy Considine and Chernobyl's Emily Watson) — the harder it becomes to head home. Each of The Third Day's halves takes place over three days, as per the show's title. Each day proves even more chaotic than the last, too. And, each altercation that Sam and Helen has with Osea's inhabitants only plunges them both deeper into the small island's many big mysteries. Here, Osea is a place of distinctive traditions, beliefs and rituals. The locals are not only fighting among themselves to retain their way of life, but will do whatever it takes to preserve the customs they proudly claim date back to ancient times. So, when Sam notices that a bathroom floor is covered in salt, and Helen and her daughters keep spotting the same symbol graffitied on the island's buildings, that's just the start of their strange journeys. Both groups keep seeing dead animals, too — and they're hardly greeted warmly by the insular community, including those who do and don't wear masks. If you're already thinking about Midsommar, you won't stop while you're watching. As horror's creepy cabin subgenre has shown, good things rarely happen when someone finds themselves in a secluded spot on-screen. That idea proves just as true in tales of island trips gone awry — including shows that ran for too long such as Lost, terrible horror remakes of decades-old TV series like Fantasy Island and now The Third Day. The details vary (no one in Lost intended to end up on a beach, for instance), but the underlying concept is simple. Take a picturesque setting, fill it with folks eager to escape their troubles, then use those gorgeous surroundings and that bliss-seeking mentality to augment their underlying woes. When done well, however, the notion is far from straightforward. And, thanks to the exceptional work of its main screenwriter and co-creator Dennis Kelly (Utopia) and his colleague Felix Barrett (director of Britain's Punchdrunk theatre company), The Third Day takes to the idea in an instantly engaging and involving way. Plenty about the miniseries' storyline feels familiar at first, by design. An unsettling tone radiates from The Third Day's opening moments, though, working hard to push everyone out of their comfort zone. For Sam and then Helen, that happens easily as their trips to Osea just get weirder and weirder. For the show's viewers, the efforts of directors Mark Munden (The Secret Garden) and Philippa Lowthorpe (Misbehaviour) and their cinematographers Benjamin Kracun (Promising Young Woman) and David Chizallet (Mustang) couldn't be more crucial. The Third Day is a striking piece of folk-horror TV all round, but what often proves most staggering is its constant ability to immerse its audience so firmly in its characters' headspace. Roving visuals that feel cast adrift, toying with focus and perspective, placing the camera unnaturally close to Law's face, letting Harris's stare bore through the screen, colouring the island's forest with almost-otherworldly hues — they're all deployed here, and they all work a treat. Also excellent are Law and Harris, with the former turning Sam's swift unravelling into riveting viewing, and the latter as steely as she has ever been on-screen. The Third Day's entire supporting cast is terrific, too, which includes Katherine Waterston (Fantastic Beasts: The Crimes of Grindelwald) as an American visitor obsessed with the island's history and the imposing John Dagleish (Farming) as a local who doesn't take kindly to strangers. It isn't streaming in Australia along with the show's six main parts, but The Third Day also boasts a third section. 'Autumn' screened overseas as a twelve-hour live event, and is set during the big festival that Osea's residents are preparing for during Sam's half of the story. You don't need to have seen it to get the full tale, but even just knowing it exists paints a picture — because this is a series that dives headfirst into its sea of eeriness. Check out the trailer for The Third Day below: https://www.youtube.com/watch?v=T43V6z9wYyE The Third Day is available to stream via Binge. Images: Liam Daniel/HBO.
When Wine Machine and Snow Machine first popped up, pairing vineyards and alpine settings with live tunes, one of each event's big drawcards was right there in their names. Dream Machine's moniker isn't quite as descriptive; however, it still sets the scene. Fancy hitting up a music festival in a tropical setting? That's on the bill at this dream event — including in 2023. Dream Machine first took place early in 2022, at a secluded beachside resort in The Whitsundays, after initially planning to go ahead in 2021 but getting waylaid by the pandemic. For its next event from Thursday, June 8–Monday, June 12, it's still going tropical, this time in Nusa Dua in Bali. If you've been longing to hear your favourite tunes while surrounded by your friends and while taking a trip to a beachside resort in Indonesia, this fest has you covered. 2023's dest will take place over a five-day, four-night run again, too, and bring together a hefty lineup of must-see talent. On up the party-forward bill: 1300, Boy & Bear, Client Liaison, Girl Talk, San Cisco, Spacey Jane, Sycco and Vera Blue, as well as Harvey Sutherland and Peking Duk hitting the decks for DJ sets. Yes, the list goes on. If the simple activity of grooving to tunes in tropical surroundings, including by the pool and ocean, isn't enough motivation for you, festival-goers will have a range of resorts to choose from in the fest's ticket package options. Keen to treat yo'self to a beachfront stay? You can add that to your itinerary. At the 2022 event, you could also enjoy other activities, such as kayaking, paddle boarding, jet skiing and waterside cocktails — fingers crossed they're on the roster as well. [caption id="attachment_873059" align="alignnone" width="1920"] Sam Hendel[/caption] Unsurprisingly, this isn't a cheap festival to attend, but accommodation, transfers and festival tickets are all included in the fest packages. Folks feeling particularly flush can also upgrade their tickets to gain VIP access to the festival's compound to watch the main stage shows, where there'll be a cocktail bar, chill zone, table service, fancy toilets and sit-down dinner options. And, you'll score luxury airport transfer upgrades and access to an exclusive pool party at Manarai Beach Club, complete with special guest DJs. DREAM MACHINE 2023 LINEUP: 1300 Boy & Bear Client Liaison Girl Talk (USA) Groove City Harvey Sutherland (DJ Set) Holy Holy Hot Dub Time Machine Illy Jimi The Kween Ldru Mell Hall Northeast Party House Peking Duk (DJ Set) San Cisco Sideboob Spacey Jane Stace Cadet Sycco Tori Levett Tyson O'brien Vera Blue Winston Surfshirt Dream Machine takes place from Thursday, June 8–Monday, June 12 at Nusa Dua, Bali, Indonesia, with pre-sales from 6pm AEDT on Tuesday, October 18 and general sales from 12pm AEST on Wednesday, October 19 via the festival's website. Dream Machine images: Brittany Long / Pat Stevenson. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world. That includes a Bali escape surrounded by nature, if you're keen to extend your stay around Dream Machine,
They won't change your tyres, but they will fill your fridge with fresh and delicious deli items. Hawthorne Garage is a gourmet grocer and deli serving specialty products, local produce and gourmet treats 6am-8pm everyday. The best available fresh produce is sourced and selected directly from growers at the markets each morning and sold alongside fresh cut meats, freshly baked bread and Campnell & Bradley fresh flowers at the Garage. If that wasn't enough, the deli doubles as a cafe serving breakfast, lunch, coffee and treats to sustain you while you shop.
It's often said that modern technology is ruining our lives; turning us more and more in on ourselves in a dangerous spiral of introversion, narcissism and disconnection from the physical world. And can you blame us? An iPhone can look significantly more appealing than the other sweating, mouth-breathing humans we sit next to on public transport or pass on the morning commute. But, occasionally there comes along a real reminder that the human race isn't totally doomed to becoming robotic unfeeling drones. A new project by Sydney photographer Pete Hawk is one such reminder. In Stranded Corridors, Hawk takes to frequented 'corridors' about town – the tunnel at Central, Newtown's King Street, and the wind tunnel opposite Redfern station. Using one light, he photographs people passing by and asks them to write something about themselves. Think Humans of New York, but in black and white, and coming to you from your own backyard. It's a simple idea, but Hawk's photographs are really quite beautiful. And the captions people have written offer snippets of their lives, aspirations and worries, which range from life advice ("Wear colour and enjoy your night.") to confession ("I fell in love. Twice."), and where they're going to (Zumba) or coming from (Japanese class). If the popularity of projects like HONY has taught us anything, it's that we love to peek into other people's lives. It speaks to some of those good old-fashioned human pastimes — like voyeurism and eavesdropping — but packaged in an artful, socially acceptable format. It's the perfect way to people watch without the awkward eye contact. All images via Pete Hawk.
Before Dolly Parton's own musical about her life makes its theatre debut, premiering on Broadway in 2026, always loving the music icon on stage is easy thanks to Here You Come Again. Telling the story of a massive fan of the legend and their imagined version of a star like no other, this fellow song-fuelled production is filled with Parton's tunes. It has her stamp of approval, too, and it's coming to Australia in 2025. Here You Come Again has locked in stops in six cities, starting with Melbourne, playing at the Comedy Theatre from July. From there, it'll enjoy a stint at Theatre Royal Sydney from September, before touring to Perth, Newcastle, Canberra and Adelaide at yet-to-be-announced dates. There's no Queensland season so far, but cross your fingers that one gets added. At each of its Aussie destinations, get ready to hear 'Jolene', '9 to 5', 'Islands in the Stream' and 'I Will Always Love You', among other tracks, as the show's protagonist navigates the ups and downs of life with his own fantasy of Dolly by his side. Playing that pivotal part, so slipping into the rhinestones and blonde hair, is Here You Come Again co-creator Tricia Paoluccio — and yes, she's also a Dolly fan. "I've loved Dolly my whole life and have been singing her songs since I was a little girl. It's been my dream to create a musical comedy that celebrates her music while imagining how she might help someone in a real-life way," said Paoluccio, who conjured up the show with Emmy Award-winning comedy writer and songwriter Bruce Vilanch, plus director Gabriel Barre. "Having Dolly's personal stamp of approval on this piece makes it even more special, and I can't wait to bring this production to Australia!" In the US and UK, Here You Come Again has played soldout seasons — and expect it to prove popular Down Under, too. Alongside Paoluccio, Australian Dash Kruck (Little Shop of Horrors, Jesus Christ Superstar) stars, with the local run also set to feature an all-Australian ensemble, plus a live band helping to bring Parton's music to life. Here You Come Again Australian Tour From Thursday, July 10, 2025 — Comedy Theatre, Melbourne From Friday, September 12, 2025 — Theatre Royal Sydney, Sydney Dates TBC — Perth Dates TBC — Newcastle Dates TBC — Canberra Dates TBC — Adelaide Here You Come Again starts touring Australia from July 2025, with ticket presales for Melbourne and Sydney from 9am on Wednesday, March 12 and general sales from Friday, March 14 — head to the production's website for more details, and for waitlists for other cities. Images: UK production, Hugo Glendinning.
