Among the many topics and ideas sung about in Hamilton, the fact that life is about seizing chances is up there with the most pivotal and resonant. In 2024 in Australia, it's time to take that notion to heart. So, you haven't seen Hamilton onstage yet? You have but you're eager to catch it again? Don't throw away your shot — the smash-hit musical is returning Down Under in July, but only to Sydney. After that, it'll finish its Aussie run. Lin-Manuel Miranda's masterpiece initially made its way to the Harbour City in 2021, then went to Melbourne in 2022 and Brisbane in 2023. The Australian production also travelled to New Zealand, Manila and Abu Dhabi, and will hit up Singapore next. Following that is its Sydney comeback, where the biggest thing in musical theatre in the 21st century — and a game-changing, award-winning, rightly raved-about sensation — will make Sydney Lyric Theatre the room where it happens from Tuesday, July 30, 2024. Hamilton's Australian return was announced in 2023, but now it has been confirmed that Sydney is its only stop. Also new news: locking in the cast that'll take to the stage, including some familiar faces and a few newcomers. Jason Arrow is reprising the role of Alexander Hamilton, Akina Edmonds returns as Angelica Schuyler, Elandrah Eramiha is back as both Peggy Schuyler and Maria Reynolds, and Brent Hill again slips on King George III's crown. This time, however, Vidya Makan will play Eliza Hamilton, Gerard-Luke Malgas does double duty as the Marquis de Lafayette and Thomas Jefferson, Etuate Lutui is Hercules Mulligan and James Madison, and Googoorewon Knox plays George Washington. Also, Tainga Savage steps up from the original Australian company — plus the international tour — to taking on the parts of John Laurens and Philip Hamilton. Still new to this song-and-dance take on 18th-century American politics? Not quite sure why it has been the most-talked about theatre show of the past decade? The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its swag of Tony Awards — 11 in fact, which includes Best Musical — it has nabbed a Grammy Award and even a Pulitzer Prize. Until 2021, Australians eager to see the show had to be content watching the filmed version of its Broadway production, which started streaming via Disney+ in 2020 (and yes, it's as phenomenal as you've heard). If you're not feeling financial enough to nab a seat, cross your fingers that the $10 ticket lottery, which offers Hamilton tickets for less than the cost of lunch, will return as well. In March 2023, Miranda came to Australia to see the local production, calling the cast "so fantastic". "I remember seeing Jason Arrow's audition — it had to have been April or May of 2020, and it was around the time that we were watching and editing Hamilton for [the Disney+] release. So they were really stacking up against the originals in a very tangible way, and so we were really proud of the incredible company that we were able to put together from there locally," he said at a press conference in Brisbane "Every original cast is like a four-minute mile," Miranda continued. "They said scientists proved you couldn't run the mile in under four minutes, and then someone did it, and then suddenly everybody's running it — and I feel like original casts are like that. It's impossible to find that first cast, and then it attracts the people who know they can do it." Hamilton's 2024 Sydney season will play Sydney Lyric Theatre from Tuesday, July 30, 2024. Head to the musical's website for further details and tickets — with seats currently on sale for shows until Tuesday, October 31. Production images: Daniel Boud.
Aussie icons like the Big Banana, the Big Crab and the Big Pineapple will forever loom large in your childhood memories. But they might be soon overshadowed by the country's next giant side-of-the-highway landmark: the Big Milo Tin. After a social media callout last month saw 80,000 Milo fans scramble to throw their support behind the idea, the proposition has snowballed, and Australia is actually going to get its own super-sized homage to the homegrown choccy malt powder. If you're thinking, 'we don't need that' — well, of course we don't. The whole thing is a big publicity stunt to celebrate Milo's upcoming 85th birthday. The structure is set to be erected by Nestlé itself somewhere in and around Smithtown on the mid-north NSW coast, where Nestlé's factory is located. Milo has the go-ahead from the local area, and is currently taking suggestions for the structure's location. The town is just off the Pacific Highway between Port Macquarie and Coffs Harbour — it's no doubt hoping to become a prime road trip pit-stop on the way up the coast. Although both Milo and Big Things are both integral to understanding Australian culture, we're not too sure about how we feel about having a big commercial product taking up space on the side of the highway. At least the Big Banana has a water park. If you really, really care about the Big Milo Tin's future, you can jump on Milo's Facebook page to throw your own suggestions into the ring. It's slated for completion in 2019, to coincide with the brand's 85th birthday.
Since December 2023, Brisbanites have been welcomed to... a real-life way to feel like you're visiting Isla Nublar, recreated dinosaurs and all. These creatures are made out of Lego, however, as part of the Jurassic World by Brickman exhibition that's turned Queensland Museum into its latest home using more than six-million blocks. Haven't wandered through it yet? You now have a couple more weeks to head along. The showcase has been a hit, unsurprisingly, with more than 200,000 people attending, including previews and across extended hours. Jurassic World by Brickman can't stay in the River City forever, though, and was originally set to close on Sunday, July 14, 2024. Now that end date has been extended by a fortnight to Sunday, July 28. When Michael Crichton put pen to paper and conjured up a modern-day dinosaur-filled amusement park, he couldn't have known exactly what he'd done — or what else, such as this exhibition, would come. The author easily imagined the story making its way to the big screen, because the Jurassic Park novel started out as a screenplay. He could've also perceived that a whole film and TV franchise could follow, and that folks would be quoting the movies for decades. And yet, we're guessing that he didn't predict recreating the Jurassic World movies, which started with the fourth flick in the series back in 2015, made completely out of Lego. Jurassic World by Brickman first popped up in Melbourne in 2021, then Sydney in 2022. At each stop, Brisbane among them, visitors can peer at more than 50 dinosaurs, props and scenes from the Jurassic World movies that have all been fashioned out of the popular plastic bricks in the process. The four-metre-tall park gates, the lab where the dinosaurs are genetically engineered, those instantly recognisable jeeps, a heap of critters: they're all there. Welcome to... your Lego Jurassic World fantasy, basically. Lego dinosaurs are clearly the main attraction and, yes, this event has gone big. You can see a life-sized brachiosaurus that weighs more than two tonnes, a huge tyrannosaurus rex, two life-sized velociraptors (Blue and Delta), and everything from a stegosaurus to a triceratops, too. Plus, patrons can check out some prehistoric creatures in the baby dinosaur enclosure, encounter more on the loose and learn how to track them over the exhibition's recreation of Isla Nublar (while using your imagination a whole heap, obviously). Lego aficionados are also able to get building while they're there, with 2.5-million bricks to play with. This is a family-friendly affair, so expect plenty of small dinosaur fans for company. Jurassic World by Brickman will now display at Queensland Museum, corner of Grey and Melbourne Streets, South Bank, South Brisbane until Sunday, July 28, 2024. Head to the venue's website for further details. Images: Anna Kucera, Australian Museum.
It has been 21 years since The Offspring topped Triple J's Hottest 100 with 'Pretty Fly (For a White Guy)', a win that still ranks as the annual countdown's most controversial result to date. It has also been nearly four decades since the band first formed in the early 80s, and almost 30 years since it came to mainstream attention with hits like 'Come Out and Play' and 'Self Esteem' — but the Californian outfit isn't done belting out its catchy brand of punk just yet. Offering music fans their latest huge blast from the past, The Offspring is heading to Australia and New Zealand for a massive tour in 2020. No, it won't be doing that brand new thing, but rather playing all of its famous tracks — including 'Gotta Get Away', 'Why Don't You Get a Job?', 'The Kids Aren't Alright' and the song that's forever cemented in Australian radio history, obviously. Still led by frontman and guitarist Bryan "Dexter" Holland — the band's only remaining member from its initial 1984 lineup, so you can definitely call him the original prankster — The Offspring will hit up Perth, Adelaide, Melbourne, Sydney, Brisbane and Auckland in April. And, because one old-school band isn't enough, it'll have company in the form of Canada's Sum 41. Basically, this big tour is your excuse to pretend its the late 90s and early 00s, bust out the appropriate attire — retro sneakers are a must — and get the words "gunter glieben glauchen globen" stuck in your head for another couple of decades. https://www.youtube.com/watch?v=AltMeuPkWRs THE OFFSPRING 2020 AUSTRALIAN TOUR DATES Perth — Sunday, April 19, HBF Stadium Adelaide — Tuesday, April 21, Entertainment Centre Theatre Melbourne — Thursday, April 23, Margaret Court Arena Sydney — Friday, April 24, Horden Pavilion Brisbane — Saturday, April 25, Riverstage Auckland — Tuesday, April 28, Spark Arena Early bird tickets for The Offspring and Sum 41's Australian and New Zealand shows go on sale from 9am local time on Friday, January 31, with general tickets on sale at 9am local time on Monday, February 3. Visit the tour mailing list to sign up for further details. Top image: Sum 41 via Selbymay for Wiki Commons.
When it comes to exploring Broome (Rubibi) and the Kimberley, we recommend packing your sense of adventure. This vast, varied stretch of country holds some of the most breathtaking landscapes and unique experiences in the world. There's ocean wilderness and colourful coral wonderlands, Aboriginal cultural sites and places of ancient, enduring story and significance. You'll see otherworldly rock forms, lush greenery and sprawling lakes, optical lunar illusions and sideways — yes, sideways — waterfalls. There's nowhere like it, and there are so many ways you can explore. Whatever way you want to adventure, we've got a standout spread of activities here to choose from — and a few ready-to-go trips if you're already packed and ready. It's time to choose your own quest out west.
Have you heard? Legendary pop and dance icons Charli XCX, Duke Dumont, Cosmo's Midnight and Sonny Fodera are taking to the stage with other stellar artists across four stunning waterside locations for the 2023 run of For The Love. On Saturday, February 25, stars from here and abroad will be taking over the Gold Coast's Doug Jennings Park for one massive day and night of good-time vibes — with the glitzy-meets-beachy locale's skyline glistening across the water as your backdrop, you'll be dancing to hits and sending out your summer on a high. The 2023 lineup is stacked. The team at Untitled Group — the same minds behind Beyond the Valley and Pitch Music & Arts — have gathered an incredibly strong list of acts to keep the energy high while FTL delivers its signature elevated experience (complete with stand-out fashion and lifestyle elements). Expect Snakehips, Budjerah and KYE, as well as Sumner and Jade Zoe, to make appearances. And while you can experience all of this as a regular punter, For The Love's VIP tickets make it that much better. Enjoy a private bar (avoiding longer lines elsewhere — huge win), upgraded amenities and access to the coveted VIP deck (for uninterrupted views of the stage) and the double-storey VIP fashion lounge (where you'll mingle with FTL's fun-loving ambassadors and social personalities). Is is, by far, the best way to experience this red-hot lineup, which is why Concrete Playground Trips has teamed up with For The Love to create an epic VIP travel package. First off, we're putting guests up in the The Island Gold Coast for two nights — just a short drive from the For The Love venue. In each room? Grey Goose Vodka Essences (to start your pre-drinking the right way) and Tend-2 Hangover Relief (the 100% organic pills that will save you a bit of pain the next day). The much-anticipated event is an exceptional way to send off summer — set your reminders now, legends. The VIP For The Love Gold Coast package is exclusive to Concrete Playground Trips. To book your curated experience, head to the website.
If you've seen the Disney Pixar film Up, chances are this picture is causing you a bit of déjà vu. As part of a new National Geographic television series, How Hard Can It Be, a team of scientists, engineers and balloon pilots recreated the scene from the hit flick in which 78 year-old Carl Frederickson escapes the ennui of his retirement home by tying balloons to his house and flying far away. Ben Howie, executive producer of the show, said the team "found it is actually close to impossible to fly a real house". After two weeks of intense planning, the team was successful in using an enormous cluster of helium balloons to lift a small, lightweight dwelling with several people inside. Each balloon required an entire tank of helium for inflation, and the house rose to a height of 3,500 metres, remaining airborne for around one hour. https://youtube.com/watch?v=C71rb-4_bOk [Via NOTCOT]
For years, Brisbane Powerhouse played host to Moonlight Cinema, with an outdoor big screen set up outside the New Farm venue's Stores Building each summer. That annual setup has since shifted to Roma Street Parklands, so Powerhouse is opening its own replacement. Even better — that new outdoor cinema will be sticking around permanently. Set to launch this coming spring and run year-round, this new excuse to watch movies under the stars — and take advantage of the fact that that's something you can do no matter the season in Brissie, even in winter — will screen everything from big-name blockbusters to arthouse flicks. It'll be run with a major exhibitor, with exactly who that'll be yet to be revealed. Still, get ready to enjoy film festivals, themed nights and events, and concert flicks and live events as well, giving movie buffs multiple reasons to head by. Whatever you choose to watch, you'll sit on chairs, cushions and rugs eating gourmet food and sipping champagne — so, all the outdoor movie staples will be covered. The outdoor cinema is one of four new additions to Brisbane Powerhouse that've just been announced, which also includes the Hap Wah Night Market. It's set to debut in March 2023, running for the entire month. It'll then pop up again in October, and also return in the Powerhouse forecourt and surrounding parks in those two months every year. Here, Brisbanites can look forward to a food-focused night market that'll score its own village precinct each time that it's up and running, and have Blade Runner-meets-Queensland theming with a dash of Cantonese culture, too. The name stems from a north Queensland sugar plantation from the 19th century, aka the state's first Chinese business, and the markets will also feature free and cheap art installations, music and films. Also on its way: the Pleasuredome, which'll make its presence known from this spring alongside the outdoor cinema. It'll take over the Powerhouse's Performance Lawn by the river, and span a cluster of glow-in-the-dark Nordic-style tents as well as a sailcloth-topped central venue, all of which will host regular shows and cater to 360 people at once. Sitting beneath Moreton Bay fig trees, it'll be able to stage long-table dinners, cabaret and theatre-style gigs, complete with full-service bars serving drinks. There'll be alfresco lounging zones, and it'll play a big part in Powerhouse's big fests such as Brisbane Comedy Fest. As well as being set up for shows and festivals for ten months of the year, it'll be used for weddings and private events, and give patrons a hangout space in-between. Last but by no means least, Keith Courtney's Kaleidoscope is also coming to the venue — this one just for a couple of months. The latest installation by the Melbourne artist, and arriving fresh from his home town, it's a 700-square-metre expanse of glass, steel, mirrors and moving prisms that features a maze of corridors decked out in a revolving showcase of lights and colours. Expect to have your senses disoriented while you're wandering through, including both motion and gravity. Kaleidoscope will sit on the Performance Lawn — before the Pleasuredome's debut — from Friday, August 12–Monday, October 3 in association with Brisbane Festival. All of these new additions — permanent and temporary alike — have been locked in under Brisbane Powerhouse CEO/Artistic Director Kate Gould's new reign, and mark the venue's first hefty changes since she was appointed in the role in mid-2021. They're also funded with help from the Brisbane City Council and the Australian Government's Restart Investment to Sustain and Expand (RISE) Fund. "Returning to Brisbane last year after an 18-year absence reminded me of our city's natural beauty. With its sultry climate and luscious landscape, it seems a shame to always head indoors for our cultural fix," Gould said. "Brisbane Powerhouse will bring art outside, creating a series of external venues for performance, film and feasting. We are grateful to Brisbane City Council for backing our vision to revitalise Brisbane Powerhouse and its environs. And there are more surprises to come." Brisbane Powerhouse's outdoor cinema and Pleasuredome performance space will launch in spring 2022, while Kaleidoscope will run from Friday, August 12–Monday, October 3 — and the Hap Wah Night Market will debut in March 2023, all at 119 Lamington Street, New Farm. For more information about the venue, head to the Brisbane Powerhouse website.
Each year for 17 years now, Australian beer lovers have voted on their top craft brews. Only twice has the same tipple won not just for two years in a row, but in three consecutive polls. The first to manage the feat was Feral Brewing Co's Hop Hog from 2012–14. Now, Mountain Culture's Status Quo Pale Ale has also notched up the same achievement, winning from 2022–24. Emerging victorious in the GABS Hottest 100 Aussie Craft Beers poll for 2024, this Mountain Culture sip just keeps living up to its name, clearly. The brew from the New South Wales outfit in the Blue Mountains was anointed 2022's top drop and dubbed 2023's best tipple as well. So, yes, there is indeed a status quo among Australian beer drinkers of late — and it keeps being maintained. This yeasty poll does for beer what Triple J's huge annual music countdown for bangers — and while there's only been two threepeats in the GABS list's history so far, it sure does love repeat winners. In both 2020 and 2021, Canberra's Bentspoke Brewing Co did the honours with its Crankshaft American IPA. In 2022 and 2023, that brew came in third instead, then picked up fourth place in 2024. In second spot this time: Coopers Brewery's Original Pale Ale, taking over from 2017 and 2018 winner Balter Brewing Company, with its Balter XPA notching up third place — slipping down from second in 2022 and 2023. Gage Roads Brewing Co's Single Fin Summer Ale took out fifth spot, followed by Range Brewing's Disco in sixth, Your Mates Brewing Co's Larry in seventh place, Philter Brewing's XPA in eighth, 4 Pines Brewing Company's Japanese Lager in ninth and One Drop Brewing Co's We Jammin' to round out the top ten. Mountain Culture, which is run by husband-and-wife team DJ and Harriet McCready — and has boasted Australian cricketer Pat Cummins as its first investor since November 2024 — also placed 31st with its Cult IPA, 60th with its Be Kind Rewind NEIPA and 87th with its Scenic Route brew. And yes, it had more than a little company. 2024's hottest 100 was whittled down from almost 400 vote-receiving breweries, with 70 different outfits making the list. State by state, Mountain Culture was the best New South Wales brewery, of course, while Coopers was South Australia's top spot, Balter is the highest-ranked Queensland name and Bentspoke flies the flag for the Australian Capital Territory. Bridge Road is Victoria's top representative, while Gage Road and Fox Friday earn that label for Western Australia and Tasmania, respectively. Held by GABS — or the annual festival also known as the Great Australian Beer SpecTAPular, which returns for 2025 this autumn — the countdown is a people's-choice poll decided by booze lovers around the country. If you're thinking "less background, more beer", here's what you've been waiting for: the rundown of the best beverages from the past year that just keep tempting tastebuds. Working your way through the whole 100 isn't just a great way to show your appreciation for locally made brews, either — consider it research for the 2025 countdown. GABS Hottest 100 Aussie Craft Beers of 2024 1. Mountain Culture Beer Co Status Quo 2. Coopers Brewery Original Pale Ale 3. Balter Brewing XPA 4. BentSpoke Brewing Co Crankshaft 5. Gage Roads Brewing Co Single Fin Summer Ale 6. Range Brewing Disco 7. Your Mates Brewing Co Larry 8. Philter Brewing XPA 9. 4 Pines Brewing Company Japanese Lager 10. One Drop Brewing Co We Jammin' 11. Bridge Road Brewers Beechworth Pale Ale 12. Young Henrys Newtowner 13. Stone & Wood Brewing Co Pacific Ale 14. Blackflag Brewing Rage Juicy Pale Ale 15. Pirate Life Brewing South Coast Pale Ale 16. Rocky Ridge Brewing Co Jindong Juicy 17. Capital Brewing Co Coast Ale 18. Bright Brewery Alpine Lager 19. Seeker Brewing Mystic NEIPA 20. Hawkers Beer West Coast IPA 21. Akasha Brewing Co Freshwater Pale Ale 22. Beerfarm Royal Haze 23. The Grifter Brewing Co Pale 24. Burleigh Brewing Co Burleigh Bighead 25. Black Hops Brewing G.O.A.T. 26. Hop Nation Brewing Co J-Juice 27. Blackman's Brewery Juicy Banger IPL 28. KAIJU! Beer KRUSH! Tropical Pale Ale 29. Reckless Brewing Co BX Lager 30. Fox Friday Craft Brewery Hazy IPA 31. Mountain Culture Beer Co Cult IPA 32. Little Creatures Pale Ale 33. Balter Brewing Eazy Hazy 34. Coopers Brewery Sparkling Ale 35. Mountain Goat Beer GOAT Very Enjoyable Beer 36. 10 Toes Brewery Pipeline 37. Better Beer Zero Carb 38. Hiker Brewing Co Horizon 39. Bodriggy Brewing Company Speccy Juice 40. Little Bang Brewing Co Sun Bear 41. Helios Brewing Co Dionysus Oat Cream DIPA 42. Range Brewing Lights + Music 43. CBCo Brewing CBCo Pale Ale 44. Banks Brewing Cake Eater 45. Moon Dog Craft Brewery Old Mate 46. Shout Brewing Co Mullet Pale Ale 47. Capital Brewing Co Capital XPA 48. Bad Shepherd Brewing Co Peanut Butter Porter 49. BentSpoke Brewing Co Barley Griffin 50. Matso's Mango Beer 51. James Squire One Fifty Lashes 52. Heaps Normal Quiet XPA 53. Margaret River Beer Co In The Pines 54. Moffat Beach Brewing Co Passenger Pale Ale 55. Heads of Noosa Brewing Co Japanese Style Lager 56. Green Beacon Brewing Co Wayfarer Tropical Pale Ale 57. Feral Brewing Co Biggie Juice 58. Wolf of the Willows Brewing Wolf PUP Hazy Pale Ale 59. Hawke's Brewing Hawke's Patio Pale 60. Mountain Culture Beer Co Be Kind Rewind 61. Lightning Minds Pale Ale 62. Balter Brewing Hazy IPA 63. Bridge Road Brewers Bling IPA 64. Sunday Road Brewing Cryotherapy 65. Brewmanity Mouth of Melbourne 66. Big Shed Brewing Concern Boozy Fruit 67. Coopers Brewery Australian Lager 68. Balter Brewing Cerveza 69. Capital Brewing Co Hang Loose Juice Hazy IPA 70. Coopers Brewery XPA 71. 4 Pines Brewing Company Pacific Ale 72. Black Hops Brewing East Coast Haze 73. Stomping Ground Brewing Co Gipps St Pale Ale 74. Byron Bay Brewery Premium Lager 75. Range Brewing Dreams 76. The Grifter Brewing Co Serpents Kiss 77. Wayward Brewing Co Hazy Mid 78. Curly Lewis Brewing Co Bondi Hazy Ale 79. Yulli's Brews Amanda Mandarin IPA 80. Hop Nation Brewing Co Rattenhund 81. Gage Roads Brewing Co Hazy As 82. Blackflag Brewing Affinity Tropical Pale 83. Hawke's Brewing Hawke's Lager 84. Future Magic Brewing Co Hazy Shade of Pale 85. Feral Brewing Co Hop Hog 86. Dangerous Ales Crispy Boi Lager 87. Mountain Culture Beer Co Scenic Route 88. 4 Pines Hazy Brewing Company Pale Ale 89. Gage Roads Brewing Co Side Track All Day XPA 90. Pirate Life Brewing Hazy XPA 91. Fox Friday Craft Brewery Pale Ale 92. Lord Nelson Brewery Hotel Three Sheets Pale Ale 93. BentSpoke Brewing Co Sprocket 94. Burleigh Brewing Co Twisted Palm 95. Mountain Goat Beer Tasty Pale Ale 96. Shelter Brewing Co Hazy IPA 97. White Rabbit Dark Ale 98. Jetty Road Pale Ale 99. Dainton Beer Blood Orange NEIPA 100. Bojak Brewing Calypso For more information about the GABS Hottest 100 Aussie Craft Beers of 2024, head to the GABS website.
There are plenty of ways to enjoy a blast from the past, but stepping inside a museum is one of the most reliable. Head to the Australian Museum in Sydney right now and a trip back to Peru more than 3000 years ago awaits. For its big summer exhibition for 2024–25, the venue is hosting the Aussie-exclusive season of Machu Picchu and the Golden Empires of Peru, displaying 134 priceless artefacts including the most-opulent collection of Andean gold that's ever left the South American nation. Move over Egypt: after the Harbour City institution dedicated the end of 2023 and beginning of 2024 to Ramses and the Gold of the Pharaohs, it's now time to wrap up one year and kick off another with a different journey backwards. Featuring jewels, masks and other treasures, some of which were found in royal tombs, this historical showcase hails from Peru's Museo Larco and Museo de Sito Manuel Chavez Ballon. To make the exhibition's six-month stay even more immersive, a virtual-reality tour of Machu Picchu is also part of the experience (albeit at an extra fee). Six cultures are in the spotlight: Chavín, Moche, Chimú, Nazca, Lambayeque and Inca. The array of items is also organised into six themes, taking attendees through ancient Peruvian societies' beginnings, religious beliefs and traditions, and the power wielded by royalty. Trade, agriculture, and Spanish conquistadors forcing their decline: they're covered as well. Sometimes, visitors will peer at gleaming body ornaments. Sometimes, rare ceramics await. From textiles to ceremonial tools, plus bowls to statuettes, the collection is wide-ranging — including in pairing earthy pottery tones with shining gems and metals (as well as gold, silver and gilded copper also feature). As for the VR, this highlight of the program is the first-ever virtual-reality 'fly-through' of the famous site, which won Best Use of VR at the Lumiere Awards. The experience will get you feeling as if you've been transported both back in time and to the other side of the world — not just via VR, but also 360-degree motion chairs and drone footage. The vision featured was recorded at the World Heritage-listed site when Machu Picchu was closed to visitors during the early days of the pandemic. Sydney is just the fourth place in the world to welcome Machu Picchu and the Golden Empires of Peru, after the exhibition's stops in Boca Raton in the US, Paris in France and Milan in Italy. "Full of mystery and culture dating back over 14,000 years, Peru is a stunning land of deserts etched with ancient geoglyphs shown in the Nazca Lines, soaring peaks harbouring secret cities like Machu Picchu and awe-inspiring landscapes" said Australian Museum Director and CEO Kim McKay, opening Machu Picchu and the Golden Empires of Peru. "We invite visitors to uncover the extraordinary legacy of ancient Peru, by visiting Machu Picchu and The Golden Empires of Peru exclusively here in Sydney. It is a cultural experience right at the top of everyone's travel bucket list." Machu Picchu and the Golden Empires of Peru opened at the Australian Museum, 1 William Street, Sydney on Saturday, November 23, 2024 — head to the exhibition website for further details and tickets. Images: Cain Cooper.
If you're starting to think hard about next year's travel plans, we've got a stay that warrants an extra stop on the list — and it's not a beachfront villa or five-star skyrise. South Island sheep and cattle farm Lake Hāwea Station is the only New Zealand property to have made Condé Nast's prestigious Gold List of accommodation options for 2023. Now in its third decade, the international publication's hand-selected Gold List consists of the international team of writers' favourite places to stay around the world. And, recognised for its eco-practices and luxe transformation of the farm's historic cottages, Lake Hāwea Station made the cut in the publishing house's Best Sustainable Hotels category. [caption id="attachment_882820" align="alignnone" width="1920"] Thomas Greenway[/caption] We can see why — just 15 minutes from Wanaka, Lake Hāwea Station is the first certified carbon-zero farm in Australasia, offering travellers an authentic farm experience while they stay on-site in one of its four luxe accommodation options. In their notes, Condé Nast editors wrote that it was "simply, one of the most impressive, can't-believe-this-place-could-possibly-exist retreats you'll ever be lucky enough to stay in." "[The] property's true point of difference is its pioneering ethos in New Zealand's approach to cultivation and sustainability." [caption id="attachment_882821" align="alignnone" width="1920"] Thomas Greenway[/caption] The farm has four accommodation options available: the three-bedroom glass-walled Lake House, the studio-like Little L tiny house (which comes complete with a miniature library), the simple two-bedroom Homespur cottage and the historic Packhouse cottage, which sleeps six. All houses boast stellar lake views, outdoor firepits, hot tubs and outdoor dining. [caption id="attachment_882819" align="alignnone" width="1920"] Thomas Greenway[/caption] Owners Jussie and Geoff Ross received recognition for their renovation and transformation of the 16,000-acre property which they purchased in 2018. They were also recognised for the farm's focus on animal welfare practices, enhanced farm biodiversity and their work to slow climate change — including the planting of more than 100,000 native trees. [caption id="attachment_882818" align="alignnone" width="1920"] Thomas Greenway[/caption] Jussie says that it's a sign of a changing travel industry to see a working farm on a list usually reserved for luxury hotels. "It shows that high-end travellers want to be part of a climate-positive experience," she said in a statement. "In an age of increasing demand for both climate action and transparency, Lake Hāwea Station immerses its guests in every aspect of their fight for the climate." [caption id="attachment_882817" align="alignnone" width="1920"] Thomas Greenway[/caption] Lake Hawea Station is the only New Zealand property to be crowned in Conde Nast's Gold List for 2023. You can find more info about the station's sustainability practices — and perhaps book your stay — on the official website. Top image: Thomas Greenway
When the most famous and iconic performance venue in Australia gives itself a makeover, everyone should sit up and take notice. Everyone should make a date to go sit in its seats, to be precise. Obviously, Sydney Opera House is the site in question — and its largest performance space, the Concert Hall, is about to welcome back in patrons after spending the last two years undergoing a huge revamp. The Opera House has been getting spruced up for the past ten years, actually, as part of its decade of renewal project. The Concert Hall transformation is the final and largest piece of the puzzle. In total, as funded by the New South Wales Government, almost $300 million has been spent in capital works to upgrade the Opera House overall, all leading up to its big 50th anniversary. Plenty of events are planned to mark that occasion. The first, an Australian-exclusive season of Amadeus starring Masters of Sex, Tron: Legacy, The Queen and Twilight actor Michael Sheen, has just been announced ahead of the full program. And, that blockbuster show will indeed make use of the new Concert Hall — which is looking absolutely stunning. Wondering what's changed in the Concert Hall since it closed in February 2020? A number of things, although it remains one of the world's largest and longest performing arts halls, hosting 2600 people. While respecting the space's heritage, it has now gained state-of-the-art theatre machinery and staging systems which'll help broaden the range of shows it can host — still spanning everything from classical music and contemporary concerts through to theatre and more, of course. The acoustics have also been improved for both artists and audiences, covering orchestral and amplified performances. Getting technical, there's now 18 new acoustic reflectors above the stage instead of the old acrylic versions, all finished in a magenta hue that matches the Concert Hall seats. And, the space has gained special acoustic diffusion panels as well, which are key to balancing sound — and making sure it sounds true — for non-amplified gigs. Onstage, automated risers now assist the musicians in hearing each other more clearly, and there's an automated draping system that makes it easier to switch between orchestral and amplified mode — dampening reverberation, crucially. Also, if the stage looks lower, that's because it is by 400 millimetres to improve sightlines, and make shows feel more intimate. And, in the ceiling, there's a new theatre flying system. It helps fly a greater range of lighting and scenery, which means that the Concert Hall can stage larger-scale and more ambitious shows. Enhanced access for people with mobility needs has been an essential part of the revamp as well, including a new lift and passageway that ensures wheelchair users and people with limited mobility can access all levels of the Concert Hall (even the Northern Foyer) independently. Accessible seating positions have doubled, too, in both the stalls and boxes. If you're keen to see the results, the Concert Hall reopens to the public on Wednesday, July 20. Expect its calendar to get mighty packed from there on in. Unveiling the revamp, Sydney Opera House CEO Louise Herron AM said that the venue is "thrilled to be welcoming the community back to the renewed Concert Hall. Artists and audiences are set to experience world-class acoustics in a venue that is more accessible, safer and better equipped to present the full breadth of 21st century performance." "We have been working towards this moment for a long time and are incredibly grateful to the NSW Government and to everyone else involved in making this once-in-a-lifetime project possible," Herron continued. Sydney Opera House's Concert Hall reopens to the public on Wednesday, July 20. For more information, head to the venue's website. Images: Lisa Maree Williams/Getty Images for Sydney Opera House / Daniel Boud.
The OXO multicharger is like an executive penthouse for your devices. Technology enthusiasts can now charge their favourite devices in a slick and convenient home. It features a stainless steel bed that can house up to three devices. This bed is lined with soft ribs to prevent the device from scratching or slipping, and can then be raised in a swinging motion meaning that devices never have to be unplugged. Underneath there are individual cord slots which prevent any cords from tangling with one another. Then all you have to do is simply plug the device charger into the outlets, which accommodate for any adapter worldwide. A four foot power cord then connects the OXO multicharger to a power source. This is a helpful tool for those who remain forgetful about which devices they have and haven't charged. Now you can keep up to three of them in one spot, and ensure that they're always on full battery. This is also a good way to take good care of the pieces of technology that have been such an integral part of your life.
When bushfires swept through the Snowy Mountains in January 2020, Selwyn Snow Resort in Cabramurra sustained extensive damage. Unsurprisingly, the facility didn't operate during winter, spending the past focusing on clean-up and redevelopment efforts instead — and it has just announced exactly what's in store as part of its rebuild. A reopening date hasn't yet been set, but work has now started on the site, after planning approval was received last month. Also pivotal: the signing of a new 40-year lease between the New South Wales Government and the Blyton Group, the venue's owner. Accordingly, the resort is sticking around for the long haul, and it has big plans. That includes a new L-shaped Selwyn Centre, which'll house all guest facilities and services in one building — spanning ski and snowboard hire, lockers, ticketing, food and drink venues, seating and the kids club. There'll also be a new resort operations centre, where mountain staff will be based, complete with a new ski patrol setup. The staff accommodation will be moved, the chairlift will be upgraded and extended, and the snowmaking infrastructure will get a makeover. [caption id="attachment_802692" align="aligncenter" width="1920"] Render of new Selwyn Centre[/caption] Also on the agenda: two new snow carpets just for perfecting turns — and, as part of a bigger and relocated toboggan park, another 150-metre snow carpet. The latter facility will also score a platform atop its slope, and the snow sports learning area will move into the toboggan park's former space, giving it more room. Mainly aimed at children but also bound to welcome the young at heart, a Winter Wonderland will join the resort, too. Taking pride of place will be a skating rink that can operate in all conditions, and also double as a bumper car arena. Visitors will be able to walk through a miniature enchanted village, and take snowshoe walking tours of Kosciuszko National Park. Strictly for the littlies, there'll be a tubing carousel and kid snowmobiles. Selwyn Snow Resort will implement a new ticketing system as well, when it's ready to reopen. Announcing the rebuilding plan, Blyton Group Chairman Kevin James Blyton noted that "in the aftermath of the fires, we committed to building a bigger and better Selwyn and we meant it. I'm very pleased that the long-term future of Selwyn Snow Resort has been secured. Selwyn Snow Resort has been the place for thousands of families to learn to ski or snowboard over the years and I'm very pleased that this will continue for generations to come". Selwyn Snow Resort is rebuilding at its existing site at 213A Kings Cross Road, Cabramurra, New South Wales. A reopening date hasn't yet been announced — head to the resort website to keep an eye on the project's progress.
Villeneuve, Denis Villeneuve: that's who is next helming cinema's biggest spy franchise, with the filmmaker locked in to direct the 26th Bond movie. The film doesn't yet have a title. If you're wondering who'll be drinking shaken — not stirred — martinis as 007, that hasn't been announced yet, either. But putting Villeneuve in the director's chair is an impressive development, especially given his recent track record. Since 2017, taking on big-name sagas has been Villeneuve's remit. It has worked spectacularly well so far. Accordingly, after Blade Runner 2049, then Dune and Dune: Part Two — plus the upcoming Dune: Messiah — he'll move into Bond's espionage realm. [caption id="attachment_763765" align="alignnone" width="1920"] Nicola Dove © 2019 DANJAQ, LLC AND MGM. ALL RIGHTS RESERVED.[/caption] "Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since Dr No with Sean Connery. I'm a die-hard Bond fan.To me, he's sacred territory. I intend to honour the tradition and open the path for many new missions to come. This is a massive responsibility, but also incredibly exciting for me and a huge honour," said Villeneuve in a statement "Denis Villeneuve has been in love with James Bond movies since he was a little boy. It was always his dream to make this movie, and now it's ours, too. We are lucky to be in the hands of this extraordinary filmmaker," added producers Amy Pascal (Challengers) and David Heyman (Wonka). Amazon MGM Studios is behind the new take on the British agent. Villeneuve is also one of the film's executive producers, as is Tanya Lapointe — with the latter also working with the former on his Dune flicks. Everything from there, including the movie's plot and cast, is still to be revealed. If you want to start wondering whether the Sicario and Arrival filmmaker might enlist his Dune lead Timothée Chalamet (A Complete Unknown) as 007, that's up to you. Speculation about who'll next portray the character has been swirling since Daniel Craig (Queer) left the part following No Time to Die. There's no shortage of names being floated for the role by the internet, including Aaron Taylor-Johnson (28 Years Later), Aaron Pierre (Rebel Ridge), Theo James (The Monkey), Henry Cavill (Argylle), James Norton (Playing Nice) and Jack Lowden (Slow Horses) — and anyone else you can think of. Whoever gets the part, they'll be in excellent past company. Sean Connery smouldering his way through everything from Dr No to Diamonds Are Forever, Roger Moore stepping into 007's shoes between Live and Let Die and A View to A Kill, Timothy Dalton's two-film run in The Living Daylights and Licence To Kill, Pierce Brosnan's stint as the secret agent between GoldenEye and Die Another Day, Daniel Craig's contributions from Casino Royale onwards, Aussie actor George Lazenby's one-movie appearance as James in On Her Majesty's Secret Service: that's the Bond lineup since 1962. There's no sneak peek yet at the 26th Bond film, obviously, but check out the trailer for No Time to Die below: There's no word yet when the 26th Bond film will release, or its title — we'll update you when more details are revealed. Denis Villeneuve images: Raph_PH via Flickr.
Fifty years, oh-so-many epic campaigns, and everything from movies to video games, too: that's the Dungeons & Dragons story. 2024 marks half a century since the tabletop roleplaying game first had its players rolling the dice and spinning fantasy tales, a milestone that's being celebrated Down Under with the Australasian premiere of Dungeons & Dragons' leap to the stage. Get excited about DUNGEONS & DRAGONS The Twenty-Sided Tavern. Normally a trip to the theatre means engaging via watching, not by playing a part; however, that fittingly isn't the DUNGEONS & DRAGONS The Twenty-Sided Tavern experience. Audience members don't simply view this version of the game — they also play along, choosing the characters and helping shape the story. Here's how it works, as Australians have been able to discover at the Sydney Opera House Studio since Sunday, December 15, 2024: when you take your seat, you're a key aspect of the show. Entering the Forgotten Realms, you also pick the experiences and other elements of the performance using Gamiotics software, with more than 30 playable characters, 34 backgrounds and 28 combat effects involved. Still on numbers, the production also features 40-plus custom character illustrations, 40 item cards and over 300 individual pieces of content. Five actors take to the stage to bring all of the above to life, including via games, combat, puzzles and riddles — and, because of DUNGEONS & DRAGONS The Twenty-Sided Tavern's interactive nature, they're not just performing the same roles each time. Shaking things up for the audience and the cast alike, this experience is never the same twice. Images: Daniel Boud.
When Victoria's March long weekend arrives each year, festivalgoers have two reasons to head out of town — or head to the state from interstate — for a few days of tunes. Both are beloved parts of the cultural calendar. Both are such a hit that you need to enter a ballot to get tickets. And just as Golden Plains has already done, Pitch Music & Arts is announcing it 2025 details. Everyone should make the trip to the Grampians at least once, and here's as ace an excuse to do so as any: the return of the much-loved camping festival, which will host its eighth edition, taking over Moyston again. There's no lineup just yet — it drops on Tuesday, November 19, 2024 — but the 2025 dates have been locked in. The long-running celebration unleashes its fun across the Grampian Plains, with next years' festivities happening from Friday, March 7–Tuesday, March 11. Not only will its three stages play host to a sparkling lineup of local and international musical talent, as always, but the tunes will be backed by a hefty program of interactive art and installations. Basically, no matter who makes it onto the bill, attendees are in for a very big, very busy four days. Joy Orbison's 'flight fm' and 'better' have been used in teaser videos for 2025's fest so far, so that could be a lineup hint. 2024's roster featured Gerd Janson, I Hate Models, Job Jobse, Spray, XCLUB, Bambonou, Chippy Nonstop, Narciss, Mac Declos, Sedef Adasï and Hasvat Informant, among others, if you're wondering which type of electronic acts that Pitch usually welcomes. The ticket ballot is currently open — and is a necessity after the last three festivals all sold out — ahead of the program reveal; however, you can get excited now about a bigger Pitch One stage, Pitch Black getting a revamp and the Resident Advisor stage's red orb being part of the fun again. In between all the dance-floor sessions and arty things, festivalgoers will again be able to make themselves at home in the Pitch Pavilion, which is where yoga classes, meditation and sound baths usually help patrons unwind. The local-focused Club Serra will be new in 2025, championing homegrown talent. Pitch Music & Arts will return to Moyston from Friday, March 7–Tuesday, March 11, 2025. Head to the festival's website for further details, or to enter the ballot. The lineup will drop on Tuesday, November 19, 2024, with tickets sale details announced then as well. Top Images: Duncographic, William Hamilton Coates, Max Roux and Ashlea Caygill.
The National Gallery of Victoria has just announced its 2019-20 Spring/Summer program — and it's sure to get more than a few people excited. Last winter, the NGV saw over 200 works from New York's famed MoMA and over summer it housed the Escher x Nendo: Between Two Worlds — an exhibition showcasing the works of both Dutch artist M.C. Escher and Japanese design studio Nendo. So, it had some big shoes to fill. Its summer blockbuster, announced this morning, is Keith Haring | Jean-Michel Basquiat: Crossing Lines — and the NGV has succeeded in bringing yet another world-class exhibition to Australian shores. Similar to the Escher x Nendo and 2016's Andy Warhol | Ai Weiwei exhibitions, it will showcase an intersection between the two artists' lives, ideas and practices, delving into their radicalism, socio-political standings and distinctive imagery. A world-premiere retrospective exclusive to Melbourne, Crossing Lines will feature over 300 works, including Haring's iconic dancing figures and Basquiat's crown and head motifs throughout a collection of painting, sculpture, objects, drawings, photographs, notebooks and pieces in public spaces. The exhibition will also house the artists' collaborations with some of the world's most-celebrated pop culture icons, including Andy Warhol, Grace Jones and Madonna. [caption id="attachment_717213" align="alignnone" width="1920"] Untitled 1982, Keith Haring, copyright Keith Haring Foundation.[/caption] On top of this stellar exhibition, the NGV will also host a number of smaller (yet no less impressive) exhibitions over spring and summer, including a look at New Jersey artist Brian Donnelly (aka KAWS) in Companionship In The Age Of Loneliness, and a collection of hyperreal photographs by Sydney-based artist Petrina Hicks in Bleached Gothic. A photography exhibition featuring the works of over 100 contemporary photographers from around the world, and a solo show by Australian photographer Polixeni Papapetrou round out the list. Keith Haring | Jean-Michel Basquiat: Crossing Lines will run from December 1, 2019—April 13, 2020 at the National Gallery of Victoria International, Melbourne. Top images: Portrait of Keith Haring by William Coupon; Keith Haring and Jean-Michel Basquiat, copyright George Hirose; Untitled 1982, Jean-Michel Basquiat, copyright estate of Jean-Michel Basquiat.
It isn't called the big screen for nothing — and, when you head to the pictures, that's typically what you spend a couple of hours peering at. But you won't just be staring at a giant rectangle at Wonderdome, Australia's new pop-up cinema experience. In a blend of film, music and art that takes its cues from planetariums, you'll be sat in a dome watching movies that've been specifically designed to take up the whole 360-degree space that's towering above you. Melbourne Planetarium's regular fulldome sessions, the Melbourne International Film Festival's own fulldome programming and the Brisbane International Film Festival's foray into the same space a decade back have all served up this same kind of immersive view, if the overall concept sounds familiar. But when Wonderdome hits Sydney's Entertainment Quarter between Saturday, December 4–Sunday, January 30, it'll also be following in the footsteps of Coachella and Burning Man by creating a dedicated fulldome space that's all about this type of cinema-going. It'll also offer Australia's largest-ever 360-degree projection cinema. The structure itself is a geodesic steel dome that spans 21 metres in diameter, and is filled with multiple projectors, as well as a 7.2 surround sound system. To watch, you'll recline on throne-style beanbags and stare up at the movie. Given that the projection sprawls all around you, it's been likened to virtual reality — but without the goggles. During Wonderdome's debut run in Sydney, it'll screen a lineup of 22 films — including the dazzling Coral Rekindling Venus, about fluorescent coral reefs, bioluminescent sea creatures and rare marine life, from Emmy Award-wining Australian filmmaker Lynette Wallworth. Other highlights include National Geographic's Flying Monsters, about flying dinosaurs, which is narrated by the one and only David Attenborough; the climate-focused Dynamic Earth, which benefits from Liam Neeson's vocal work; and Carriberrie, which focuses on Indigenous Australian dance and song. Fulldome cinema is also known for its psychedelic and eye-popping visual displays, which is where Samskara, from artist Android Jones, comes in — plus Labyrinth, which is filled with squares, streets, passages, corridors and rooms; and Luminokaya, which lets you explore Cambodian temple complex Angkor Wat. The rest of the program also features the architecture-focused Urban Levitation; Distant Life: Alien Worlds, about whether humanity is alone in the universe; Flight of Fancy, which recreates a space jump at 120,000 feet; and other space-centric titles such as From Earth to the Universe and Journey to the Centre of the Milky Way. There's a lineup of fulldome movies for kids, too, because this is an all-ages space. Snacks-wise, you'll be able to grab something to eat and drink either before or after each Wonderdome session, with the menu including jaffles, chips, slushies, chocolates and ice creams. Plus, there'll be a gin bar, as well as a lineup of craft beers. Wonderdome's Entertainment Quarter season will also accept New South Wales' Dine & Discover vouchers, if you have some left — or you're eager to get your hands on more when two extra vouchers become available for NSW residents over the age of 18 sometime this summer. And if you won't be in Sydney this summer, cross your fingers that Wonderdome will plan stops in other cities. The fact that it's is pop-up dome obviously makes that easier. Wonderdome will pop-up at Sydney's Entertainment Quarter from Saturday, December 4 –Sunday, January 30. For more information, or for tickets from 11am AEST on Wednesday, November 17, head to the Wonderdome website.
If you live and breathe games, head to the State Library for an evening of gaming-related Pechakucha. The idea behind the evening is pretty straightforward. Each speaker has the opportunity to show 20 images for 20 seconds each as a means of displaying their latest projects and inspiration. This fast-paced format is perfect for sharing all of the latest innovations and new ideas in games designs. Originally devised in Tokyo 2003, the concise approach that Pechakucha takes to presentations has spread to Brisbane and around the world. It was developed for young designers to share their ideas in an interesting and exciting manner. If only university took the same approach to lectures. Surround yourself with like-minded people and gain fresh industry knowledge about the wide world of gaming this Wednesday night.
Melbourne's annual arts festival RISING might not return until winter (running from Saturday, June 1–Sunday, June 16), but tickets are already selling out to some of the most-popular events. If you've been thinking about heading to Victoria's capital to catch hidden laneway gigs, free exhibitions and international performances, then you best start making some serious plans. To help you get the most out of this year's festival, we've teamed up with the crew at RISING to bring you three exclusive travel packages that can be booked until Tuesday, April 30. [caption id="attachment_950619" align="alignnone" width="1920"] Damien Raggatt[/caption] First off, we've got our hands on a select number of Day Tripper tickets, which give punters access to a huge day party on Saturday, June 8. For just one arvo, the arcades and laneways surrounding Melbourne Town Hall will be taken over by post-punk, acid house, hip hop and disco tunes, as well as video works and contemporary dance performances. It will be huge. This package gets you access to the block party and afterparty, and includes a two-night stay at The Howey (with a full mini-bar worth $100), which is just a short walk from all the fun. The second RISING travel package will get you VIP access to see Dirty Three's performance at Hamer Hall, which has already sold out to the general public. We're the only ones still offering access if you want to see the trio perform live on Friday, June 14 or Saturday, June 15. This deal also includes a two-night stay at The Howey (again with a full mini-bar worth $100), a couple of drinks vouchers and priority entry to the festival club. Seats are highly limited for this one, so don't wait long to nab them. Lastly, we've secured a few tickets to Sydney drill legends ONEFOUR on Saturday, June 8. The lads' raw stories of crime, poverty and social dislocation have clocked over 500-million streams, with rap stars like A$AP Ferg and The Kid LAROI also fans. Book this RISING travel package for $549 and you'll receive two tickets to the show, plus a two-night stay at Causeway 353 (with $50 of mini-bar credit). Head to Concrete Playground Trips to book these exclusive RISING packages, which are only available up until Tuesday, April 30. Top image: Ian Laidlaw.
Some music festivals fill your calendar for a day or two, or perhaps a week or so at once. Popping up midyear each year for multiple months, Open Season has much longer in its sights. The Brisbane event that's all about getting everyone out and about enjoying the River City's live music scene first launched in 2020, and now celebrates its fifth birthday in 2025 in its favourite way: with a hefty lineup that's not only heading to The Tivoli and The Princess Theatre, the venues behind the series from the outset — or to Winn Lane, where it expanded to in 2024 — but also making the Queensland Performing Arts Centre one of its homes. Six venues, 30-plus live gigs, three months: that's 2025's Open Season setup, no matter what kind of tunes that you're into. Bringing QPAC onboard means adding Sigur Rós' already-announced stint at the South Bank location's Concert Hall with the Brisbane Philharmonic Orchestra to the program, for starters. The partnership also sees First Nations fest-within-the-fest Blak Day Out team up with QPAC's Clancestry, even though the former is taking place at The Princess Theatre. On its bill: Christine Anu is joining the party, alongside Thelma Plum, Miss Kaninna and more acts still to be announced. [caption id="attachment_974235" align="alignnone" width="1920"] Alive87 via Wikimedia Commons[/caption] Indeed, this isn't the full Open Season lineup, either, with the talents revealed so far set to score more company. The names already hitting Brisbane would make any other festival jealous, though, including more from Iceland courtesy of Kiasmos, the Afro Cuban sounds of Ezra Collective, Grammy-nominee Kamasi Washington, Soccer Mommy, Killing Heidi playing their debut album Reflector to celebrate its 25th anniversary, DIIV touring on the back of their latest record Frog in Boiling Water, Cloud Control reuniting for the first time in over ten years and Moktar spinning beats. Pale Jay, Jessica Pratt, Mount Kimbie, Ravyn Lenae, Surprise Chef, MonoNeon: they're all on the lineup as well. You'll also find The Preatures, Skegss, Maxwell Byrne (aka Golden Vessel), Sahara Beck, Pruient, SHOUSE and The Gin Club taking to the stage, plus Handsome and Emma Volard at Quivr's Quiet on Set program. This years' Open Season boasts its own brew, Green Beacon's Open Season Lager, which you'll find quenching your thirst at participating venues during the festival. For bites to eat, King Street in Bowen Hills is serving up deals among its eateries, too. "This program is designed to inspire, to awaken our adventurous spirit, step out of the house and get amongst some seriously excellent live music," said The Tivoli Group Creative Director Dave Sleswick. "Every year, Open Season expands and evolves. This time, with QPAC on board, we're taking over the whole damn city. International icons, national treasures and incredible local talent will take over a variety of intimate and grand venues throughout Brisbane. It's an open invitation for everyone to experience the magic of live performance and the power of community through music." "This is the first time we've partnered with Dave and the team at The Tivoli Group to present performances at QPAC as part of Open Season; it's proving to be a brilliant collaboration, and we love that we're increasing the footprint and audience of this awesome festival," added QPAC Chief Executive Rachel Healy. "Both QPAC and The Tivoli Group are all about ensuring as many people as possible experience live performance together. We're passionate about presenting both new and emerging artists as well as those established and already loved, and shouting from the rooftops that Brisbane is well and truly a live music capital." "It's thrilling to see Open Season grow every year and the program this year is better than ever. It really is fast becoming a destination music festival for Brisbane and we're very proud to be on board." Open Season 2025 Lineup 1tbsp Accomplice Collective Christine Anu Cloud Control DIIV Emma Volard Ezra Collective Handsome Jessica Pratt Kamasi Washington Kiasmos Killing Heidi Miss Kaninna Moktar MonoNeon Mount Kimbie Pale Jay Purient Ravyn Lenae Sahara Beck Shouse Sigur Rós with the Brisbane Philharmonic Orchestra Skegss Soccer Mommy Surprise Chef The Gin Club The Preatures Thelma Plum [caption id="attachment_995853" align="alignnone" width="1920"] Maximilian Konig[/caption] Open Season 2025 runs from May–July, with pre-sale tickets available from 8am AEST on Wednesday, March 26 and general sales from 9am AEST on Thursday, March 27. For further details, head to the event's website. Open Season images: Chris Love, Darcy Goss, Kelsey Doyle and Lachlan Douglas.
For eight years now, being in the room where it happens has been the only thing that's mattered in musical theatre. Back in February 2015, Lin-Manuel Miranda's Hamilton officially opened off-Broadway. By July the same year, it was previewing on Broadway itself. The rest is Tony-, Grammy-, Olivier-, Drama Desk- and Pulitzer Prize-winning history — including a stint in Australia since March 2021, starting in Sydney, then playing Melbourne and now treading the boards in Brisbane. Anyone lucky enough to be in the room where Hamilton has been happening — and everyone who has watched the smash-hit show in its filmed form, too, courtesy of a recording from 2016 that's been streaming on Disney+ since 2020 — has experienced a phenomenon. They've also enjoyed a crash course in American history, no matter where they're from or where the musical is playing. That's always been part of the excitement for Miranda, who made the trip to Australia over the weekend of Saturday, March 4–Sunday, March 5 to be in the room where the Aussie production's Brisbane leg is happening, much to the delight of Sunshine State audiences. "My kind of dirty secret answer is we don't know much about American history in America," Miranda advised at a press conference to discuss the show. "I didn't learn any of this. All I knew about Hamilton when I picked up that book was that the dude was on the $10 bill. I knew his son died in a duel because I wrote a report about him in my junior year. I knew his son died in a duel and that he died in a duel in nearly the same spot three years later." Miranda is talking about American Founding Father Alexander Hamilton, of course, and about the Ron Chernow-penned 2004 non-fiction book about him that Hamilton is based on. After finally seeing the Australian show, which features Jason Arrow as Alexander Hamilton — the role Miranda originated — the acclaimed talent chatted through the musical's beginnings, its commitment to diversity, his songwriting process and more at a Brisbane press conference. STEPPING BEYOND WELL-KNOWN US HISTORY — AND CHALLENGING WHOSE STORIES GET TOLD Most folks don't take someone they've vaguely heard of at school and turn their tale into the biggest musical of the 21st century. Miranda isn't most folks, clearly. Armed with exactly that amount of knowledge, Miranda began to adapt Chernow's book, a process that took seven years. At its centre: the Caribbean-born "bastard, orphan, son of a whore and a Scotsman", with Miranda's musical charting Hamilton's impact upon America from his arrival in New York in the early 1770s. As the show's opening number explains, Hamilton went on to become "the ten-dollar Founding Father without a father" — and also "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". Bringing that tale to the stage wasn't just about picking a figure from US history and unpacking their tale, though, but also about exploring whose stories get told. "One of the secret ingredients in the recipe is my excitement in the fact that not a lot of people knew this story — at least, this is not a story I learned. We got a few highlights, but we didn't learn this story in our AP history classes. And so, I think that the story is just a compelling one, and I think one of the central themes in it is which stories get told and which don't depending on who survives us," Miranda noted at his Brisbane press conference. "And their reputations rise and they fall because people are complicated. There are no heroes or villains in this piece, there's just really flawed people making a really flawed country." "It's funny, the emails I would get when we first opened were always 3am emails. They weren't like 'thank you, I like your show, thank you for inviting me'. They were like 'what am I doing with my life?'. Because when you have a show that documents several lives over the course of many years, it makes you ask your own questions. And I think that's the secret also — it starts as being this very specific history piece, but it really invites you to think about what kind of legacy you'll leave." CREATING OPPORTUNITIES AND CHAMPIONING DIVERSITY Hamilton doesn't just question who gets immortalised in history, who becomes a mere footnote, who is forgotten and why. It also confronts and challenges how representation and diversity have typically been handled in theatre, in the tales told in general and in who's telling them. "It's my prerequisite for being in the room talking to you," said Miranda at the press conference about Hamilton's diverse casting, including in Australia. "I began writing musicals because I didn't see roles for myself in musicals." "I was in love with this art form, and at the same time I knew I don't dance well enough to play Bernardo or one of the Sharks [in West Side Story], and that's kind of all there is for Puerto Rican guys in musical theatre — it's just what there was, what existed," he continued. "So I really began writing the first show, In the Heights, out of this desire to write what was missing, and also represent my neighbourhood in a way that I didn't see it portrayed in mainstream media, to speak nothing of musical theatre." [caption id="attachment_846530" align="alignnone" width="1920"] Daniel Boud[/caption] "An amazing side effect of that, and with Hamilton, I realised that I'm trying to create opportunities in my shows. The concept of this piece is that we are living 200 somewhat years past when this story was told and the country looks very different than it did then, and so we get to tell this story with all its messiness — we get to tell it, too." "It also just gets us new stories. That's the other exciting part of it — to invite more people into the room means to invite new stories and to invite new narratives." [caption id="attachment_774807" align="alignnone" width="1920"] Hamilton filmed version courtesy Disney+.[/caption] FINDING HAMILTON'S SONGS ANYWHERE AND EVERYWHERE Hamilton's meaningful and essential aims will always remain crucial to its success. As anyone who has had 'My Shot', 'You'll Be Back' or 'The Room Where It Happens' stuck in their head knows, however — so, anyone who has ever seen Hamilton in any form, or even just heard its soundtrack — the show's songs are also pivotal. "I'm really egalitarian," Miranda explained about his songwriting process. "I'll take it whatever way it wants to show up. I do believe they show up, and different songwriters have different theories about it. There's the famous story of Michael Jackson's insomnia, and someone said 'Michael, why don't you get some sleep?'. And he said 'if I go to sleep, god will give the song to Prince'. I love that story." "Hamilton is a fantastic example where every kind of song got written in every kind of way," Miranda continued in Brisbane, giving examples. "'My Shot' took over a year, and it was six months before I even sat at a piano. It was very much a lyrics-first song, because I knew that my thesis was [that] Hamilton's the best writer of that circle, [so] his bars better be good. And I just worked on his bars because I wanted his bars to be good over this beat and this beat before I even put my hands on the keys." "'You'll Be Back' showed up on my honeymoon, without a piano anywhere in sight. The 'ya-da da-da da' got stuck in my head, and I think the reason it's so catchy is because I had to remember it for the two weeks I was in Bora Bora with my wife until I could get back to piano in the real world — because I was in a cabana." FINALLY MAKING THE TRIP DOWN UNDER TO SEE THE AUSTRALIAN CAST When Hamilton wraps up its Brisbane season at QPAC's Lyric Theatre on Sunday, April 23, the show will leave the country for a New Zealand run. Miranda acknowledges that he's left it late in the musical's Australian tour to make a visit — two years to the month it premiered Down Under, in fact — but, given the events of the past few years, there's a good reason for that. "Honestly, the timing was as soon as I could make it work," Miranda told the Brisbane press conference. "I think you guys know there was a moment during the global pandemic when Australia was the only company of Hamilton running in the world. That was a real beacon of hope to our actors and other companies that theatre would come back, and they'd hopefully be able to one day put on the show again." "But it was also harder to visit. You had a 14-day quarantine, and you had to really — that was the kind of time I didn't get to have, because I was writing, making and editing Tick, Tick… Boom!. So this has really been the soonest that I could see it. I made a promise to see the Australian company while it's still in Australia, and they're leaving soon, so I came as soon as I could." As every Aussie fan of Hamilton already knows, getting to see the musical is always worth the wait. "I mean, they're so fantastic," Miranda noted of the local cast, who he helped assemble virtually. "I remember seeing Jason Arrow's audition — it had to have been April or May of 2020, and it was around the time that we were watching and editing Hamilton for [the Disney+] release. So they were really stacking up against the originals in a very tangible way, and so we were really proud of the incredible company that we were able to put together from there locally." "Every original cast is like a four-minute mile," Miranda continued. "They said scientists proved you couldn't run the mile in under four minutes, and then someone did it, and then suddenly everybody's running it — and I feel like original casts are like that. It's impossible to find that first cast, and then it attracts the people who know they can do it." "So it's been wonderful to meet OG cast members last night, and also members who joined it in Melbourne or joined it in Sydney — they're really wonderful. I mean, I saw it last night, they're wonderful." Hamilton's Brisbane season runs until Sunday, April 23 at QPAC's Lyric Theatre, South Bank, with tickets available via the musical's website.
Before donning a face covering became a regular part of life for everyone during the pandemic, one of the most famous mask-wearing figures in popular culture was doing it first. And, the fictional character will be doing so again in Australia — but, although The Phantom of the Opera was set to head to Sydney from September this year, and then to Melbourne from November, the famed musical's upcoming dates have been postponed. Accordingly, the music of the night will still be crooning its way into both cities via to a new season of the acclaimed Tony-winner; however, it'll now happen sometime in 2022 instead. New dates haven't been announced as yet, but Opera Australia, who is staging the production, advised that it had decided to push its shows to next year due to "the uncertainty created by the ongoing restrictions imposed by both the New South Wales and Victorian Governments because of the indefinite COVID-19 lockdowns." "This has been a really difficult decision for OA and our partners to make and has certainly not been made lightly when so many people will be affected," said Artistic Director Lyndon Terracini. "After making box office history at the Opera House, it was clear that Australians were very excited about this new production of the world's most successful musical, and we'd brought together a fantastic cast of Australian performers, it's heartbreaking to have to postpone." When it does eventually hit the stage, the current production of The Phantom of the Opera will arrive in Down Under after breaking records in the UK and touring the US for seven years. Australia will become just the third country to witness this take on the tale, in fact. Obviously, all of the familiar songs are part of it, such as 'All I Ask of You', 'Masquerade' and the titular number. You'll also be lapping up Maria Björnson's original costumes, too. But, if you've seen the show before, expect the chandelier to look a little different. Australian musical theatre performer Josh Piterman is set to play the Phantom, after first wearing the character's mask in London pre-pandemic. He'll be joined by a cast and orchestra of 65 people, which'll make The Phantom of the Opera one of the largest musical productions in Australia. If you need a refresher on the musical's story, it follows soprano Christine Daaé and the masked musical genius who lives beneath the Paris Opera House — and the latter's obsession with the former. Although first turned into a stage musical in the 80s, it's based on Gaston Leroux's 1910 novel. And yes, you might've seen the 2004 movie, which starred Gerard Butler as the Phantom. https://www.youtube.com/watch?v=-jpaw9dft2Y The Phantom of the Opera will tour Australia in 2022. Tickets for current shows will remain valid for the production's new dates, when they're announced. For further information, head to the musical's website. Top image: Michael Le Poer Trench.
A road trip along Victoria's Great Ocean Road should be on every Australian's travel bucket list. Hit up the small beach towns of Torquay, Lorne, Apollo Bay, Port Campbell and Warrnambool to discover Aussie surf culture at its finest and spend some time within the region's stunning natural surrounds. But first things first: you've got to sort out your accommodation. You can live that camping life, but we have curated this list of luxe hotels, guest houses and villas for those wanting more comfort. TORQUAY RACV TORQUAY RESORT The RACV Torquay Resort is located right at the beginning of the Great Ocean Road, boasting sweeping views of the coast and the surrounding golf course. Whether you join a chill yoga class, unwind with a sweaty sauna session or treat yourself to a day at the luxurious day spa, there are plenty of ways to unwind at this Torquay property. BOOK IT NOW. THE SANDS TORQUAY The Sands Torquay has been a mainstay of the area's luxe accommodation offerings for quite some time. People come back here, over and over again. And now that it has had a massive makeover, there are even more reasons to stay here. We're talking an indoor pool, outdoor tennis courts, large dog-friendly rooms, and Bunker restaurant, which serves up elevated pub classics to locals and hotel guests alike. BOOK IT NOW. WYNDHAM RESORT TORQUAY This large resort is one of the only hotels located right on the beach in Torquay — most are set back further, with local beach houses lining the shores instead. The location is one of Wyndham's greatest features. You can get down to Torquay's Fisherman's Beach within a couple of minutes and walk right into town in under 20 minutes. It's ideal for those wanting a chill beachside getaway. BOOK IT NOW. LORNE MANTRA LORNE This old-school resort has been a popular place to stay in Lorne for decades, and it's easy to see why. Mantra Lorne's heritage buildings are set right on the beach, within 12 acres of landscaped gardens (including tennis courts and croquet lawns). No other local accommodation will beat this location nor its traditional feel that's been seamlessly blended with modern amenities. The refurbished indoor mineral pool and glam steam rooms are just a couple of examples of such contemporary offerings. BOOK IT NOW. CUMBERLAND LORNE RESORT Cumberland Lorne Resort is located up on the hills above Louttit Bay, boasting stunning views across town. But it isn't up in the middle of nowhere. It's still close to the best bits, surrounded by local cafes and boutique stores. Head here for a sleek and modern stay, with luxurious penthouses as well as one- and two-bedroom apartments available to those road-tripping along the Great Ocean Road. BOOK IT NOW. APOLLO BAY SEAFARERS GETAWAY Few Great Ocean Road accommodations compare to this one. You have uninterrupted views up and down the coast from each of the studios and lodges that sit within eight hectares of grassland. From here, you can either head up to The Otway National Park's undulating green hills and woodland or walk down to the Seafarer's pristine beach within minutes. Whales and dolphins can often be seen in the surf, koalas can be found in the gumtrees and alpacas can be hand fed in the field. What more could you ask for? BOOK IT NOW. APOLLO PANORAMA GUESTHOUSE Perched up in the hills, a little further back from the beach, this five-bedroom guesthouse looks down over Apollo Bay and a big stretch of the Great Ocean Road. It is made for groups of mates or a big family, thanks to its many rooms, the kitchen with double-vaulted ceilings and the large deck with barbecue. We wouldn't blame you for stopping your trek along the coast to spend the rest of your time up here. BOOK IT NOW. PORT CAMPBELL EASTERN REEF COTTAGES Staying here feels like spending time at your mate's old family beach house. It isn't a glam hotel nor is it a bougie bread and breakfast. It is a humble set of cottages set within lush green surroundings not too far away from town. Either go for the large four-bedroom cottage or nab one of the smaller units that look out over the courtyard. Each accommodation has its own kitchenette and all the essential amenities. Eastern Reef Cottages is a really decent budget option in the sleepy town of Port Campbell. BOOK IT NOW. SOUTHERN OCEAN VILLAS If you're coming up this way for the 12 Apostles, then this spot will more than do. The famous cliffs and rock plinths are just a five-minute drive from the accommodation, while the town centre is easily walkable. The villas also offer a variety of different accommodation options. Capable of comfortably accommodating two to six people, each villa has an open-plan kitchen, lounge and dining room with two or three bedrooms and a scenic outdoor deck (each with a barbecue). BOOK IT NOW. WARRNAMBOOL DEEP BLUE HOTEL & HOT SPRINGS The Deep Blue Hotel & Hot Springs, Victoria's very first hot springs hotel, is made for those who want to run away and really relax. We mean it — lean into that self-care lifestyle. Book some time in the many indoor and outdoor geothermal pools, treat yourself to a massage and scrub, then finish with champagne and oysters at the hotel's restaurant. You can then spend other days exploring the town and the nearby beaches — which can be seen from many of the rooms' private balconies. BOOK IT NOW. LADY BAY RESORT The Lady Bay Resort in Warrnambool is a self-contained accommodation located right across the street from the beach, allowing guests to do what the locals do — swim along the coast, hit the local bars and pubs and even do some work (if you must). There's also an in-house restaurant, arcade room and outdoor pool for those who just want to rest at the property. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world. Top image: Weyne Yew (Unsplash)
For an entire month leading up to Christmas, kicking off back on November 25, Brisbane's CBD gets into the festive spirit. King George Square becomes home to a 22-metre-tall tree, decorations line the Queen Street Mall and markets pop up. As part of a program called Christmas in Brisbane, City Hall gets bathed in nightly light shows, too, and roving performances take place along the mall. Also on the Christmas list in 2022: a jazz lounge around the Queen Street Mall's stage, with performances by local quartet Scat. From Friday, December 9–Saturday, December 24, Brisbanites can stop by for a merry soundtrack that doesn't just involve listening to Mariah Carey and George Michael over and over (and over and over some more). The jazz performances are free, and run for five hours daily across two time slots. Get all up in the Christmas jazz over lunch from 12–2.30pm or listen to smooth tunes from 5–7.30pm during late-night trading. Or, if you have a hefty amount of shopping to do — or you work in the CBD — dropping by for both is definitely an option.
Another month, another piece of important bridge news in Brisbane. This time, the Queensland capital isn't gaining a new expanse across the river. This latest development isn't about giving the city a new restaurant in a bridge, either. Instead, we come bearing the revelation that the five-decade-old Victoria Bridge from Queen Street to South Bank is getting an upgrade. The aim? Making moseying over the structure much less sunny. Whether you're heading from the CBD over to the Cultural Centre, or you're taking the reverse meander, the views are always excellent from the Victoria Bridge — but the sun is almost aways glaring. That's about to change, however, as part of Brisbane City Council's new City to South Bank Vision. Yes, shade is about to make a heap of difference to cross-river strolls. The council has advised that it will build a new shade structure over Victoria Bridge's pathway, aiming to provide year-round weather protection for pedestrians. Exactly when it will be added hasn't been revealed as yet, though. And, the roadway section of the bridge — which is only open to buses — will remain uncovered. "A large number of pedestrians, including both residents and visitors, already travel across Victoria Bridge each day," said Lord Mayor Adrian Schrinner, announcing the news. "Shading Victoria Bridge will significantly enhance walkability between South Brisbane and the CBD, particularly during the hotter months of the year," the Lord Mayor continued Placing shade over Victoria Bridge is just one element of the City to South Bank Vision. Also included: tearing down Milano's and the Pig 'N' Whistle in the Queen Street Mall to make the precinct more open, and potentially adding pop-up gin bars, brewery tastings and food trucks in their place. The council will also purchase Reddacliff Place between George Street and the Victoria Bridge to save it from future development. [caption id="attachment_900947" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Brisbane sure does love its bridges. Forget the River City — the Bridge City should be our nickname. New green bridges are in the works at Kangaroo Point and Breakfast Creek. And, the Neville Bonner Bridge from the new Queen's Wharf precinct to the Cultural Centre Forecourt is currently under construction as well In the CBD alone, we already have the Go Between Bridge, which caters for vehicles, cyclists and walkers between West End and Milton; the William Jolly Bridge that links Grey Street with North Quay; the foot traffic-only Kurilpa Bridge that runs from the Gallery of Modern Art over to Tank Street; and the pedestrian-only Goodwill Bridge that spans from the southern end of South Bank over to the Queensland University of Technology. And, of course, the Victoria Bridge from QPAC to George Street — soon with added shade. For more information about Brisbane City Council's City to South Bank Vision, head to Councillor Vicki Howard's website.
Good things happen when the minds behind Peters Ice Cream and Gelato Messina come together. In the summer of 2019 — centuries ago — the dessert experts unveiled a limited-edition line of gourmet Drumsticks. Fast forward to spring 2020 and the country is prepping for a summer of social-distancing on beaches and eating plenty of Messina X Peters gelato bars. The new creation, which has just landed in the freezer aisle of your local supermarket, comes in three chocolate-coated, gooey-centred flavours — flavours you'll familiar with if you're already a Messina fiend. You can choose from the choc hazelnut number, which comes with layers of chocolate biscuit, cocoa gelato, a hazelnut sauce and a chocolate coating; the espresso dulche de leche bar, with espresso gelato and dulce de leche enrobed in milk chocolate; or the strawberry cheesecake gelato. The latter sees biscuit, lemon-infused gelato and strawberry sauce covered in light pink chocolate. All three flavours are available at Coles, Woolworths and independent groceries across Australia. Each comes in pop art-style boxes of four, priced at $10 per box of four. If you can't — or don't want to — leave the house, the gelato bars are also available to order Australia-wide via Couchfood. Gelato Messina X Peters Drumstick collaboration gelato bars are available at supermarkets, petrol stations and convenience stores.
Being houseproud is the new social. Whether you're an avid viewer of Grand Designs and invest hours lusting over interior design accounts on Instagram, or you're just feeling ambivalent towards your living space after having spent so much time in it recently, there's one thing worth remembering: even the subtlest of changes can make a big difference to how a room looks and feels. In partnership with Samsung, we have curated eight effortlessly stylish objects from makers in Australia and further afield. These homewares and furniture pieces will seamlessly complement the room of your choice while elevating it to new design heights. PERCY FLOOR LAMP, MCMULLIN AND CO ($449) McMullin and Co has a focus on simplicity in its creations, as well as a love for elegant scalloped edges and serpentine lines. The Percy Floor Lamp's powder-coated black stem is an example of the meandering curve that's been admired throughout art history for what it signifies: liveliness, activity and something of interest for the eye. Complete with a linen shade, this floor lamp casts a beautiful light and is just one of the many striking pieces of furniture and design wares offered by the Sydney-based design studio. We love imagining it next to one of McMullin and Co's bed heads as a floor or table lamp, or placed in the corner of the living room to bring an unimposing glow — perfect for mood lighting during a late-night movie marathon. THE SERIF, SAMSUNG (FROM $1249) Gone are the days where you need to hide your eyesore TV set or find some way to make a large black screen (and its many cables) work with your living room aesthetic. Stylish from any angle, Samsung's The Serif is an innovative format for home televisions that harkens back to the days of freestanding TVs, but with a modern update. Celebrated industrial designers Ronan and Erwan Bouroullec are behind The Serif's unique design, and it is fast building a cult following. What we love most about The Serif is its versatility — its 360-degree design, with a unique 'I'-shaped profile and removable legs means it looks great no matter where in the room you place it. But it's not only for the interior aesthetes. The visual harmony of the Bouroullec brothers' design is complemented by Samsung's QLED picture quality. It includes features like smart connectivity and Ambient Mode, where you can display your own photos and images (or one of the exclusive patterns from the Bouroullec brothers) on the screen, which also auto-adjusts to surrounding light settings. Plus, through NFC technology, you can place your compatible phone on the top shelf and play tunes through the TV speakers*. ECLIPSE #2098 RUG, PAMPA ($3260) This year's long winter stuck indoors really brought rugs and floor coverings into focus. Now, as we head into summer, a flatweave wool rug is an appealing addition to the floor of nearly any room in your house — and it's perfect to layer with heavier rugs as the cooler months return. This hand-woven piece from Pampa is made using the traditional practice by Argentinian weavers, where the looms used are the arm span of the weaver. The textile panels are then joined together to create the finished rugs, giving a lovely handmade touch to this investment purchase. Pampa's interest in colour theory is evident in this rug: the creamy beige becomes almost pink next to its complementary moss green. ANNA VARENDORFF, SMALL 'EDGING OVER' THICK TUBE VASE, ACV STUDIO ($290) We've seen vases in cylindrical form popping up in designer feeds recently. But this one by award-winning Melbourne-based artist Anna Varendorff is a little different. Each vase is individually handmade and has a buffed matte finish, bringing interest and imperfection to the smooth stainless steel. No two are exactly the same. The tube is wide enough to hold medium- and thick-stemmed fresh foliage and dried flowers. As you can tell from the image above, it will be a unique focal point in any room for you (and guests) to marvel at. OLIO ARMCHAIR, DESIGN BY THEM (FROM $3658) This chair is the work of three designers: Sarah Gibson and Nicholas Karlovasitis (who work together under Gibson Karlo and are co-founders of Design by Them), and Melbourne School of Design lecturer, Christina Bricknell. The Olio Armchair brings together the talents and interests of the Australian design trio in sculptural form, material and tactility to create this modern addition to your furniture collection. The piece features curved and cylindrical elements to create an inviting seat in which to rest, read and watch. It's available in a variety of coverings including a beautiful ivory bouclé, lush navy velvet and several leather options. CUSHION, VEIKKANEN ($225) If you're looking for a beautiful, graphic-print cushion to bring some colour to your interior ensemble, look no further than Veikkanen. The Melbourne-based brand offers a series of one-of-a-kind cushions with patterns, graphics and colours informed by its founder's training in both textiles and graphic design. Veikannen chooses natural and recycled materials wherever possible, and custom-makes each cushion using the process of hand-tufting. Watch out for each drop of limited-edition products on Instagram — they sell out fast. And if you're interested in taking these funky vibrant visuals to your wall, art and hangings are also available in limited releases or by commission. DREAMWEAVER LIGHT, POP & SCOTT ($890) With a steel frame hand-woven with organic cotton yarn and dipped in colour at its base, this lamp shade beautifully demonstrates strong elements coming together in harmony with a focus on function and form. Choose from a colour palette of rust, oatmeal, chartreuse, blush and navy to design your ideal lighting to suit your space. Pop & Scott has a passion for contemporary Australian design, and places a focus on sourcing quality materials and using ethical means of production to create timeless pieces. These shades are made to order by the family business, and a tree is planted for each purchase via Carbon Neutral. J4 TABLES, JAMES HOWE (ENQUIRE) Furniture and lighting designer James Howe has created a table that invites us to pay attention to light and shadow, and how they interact. Crafted with timber and acrylic, the varied surfaces speak to Howe's interest in materials and minimalism. The J4 table's name is perhaps a nod to Danish designer Børge Mogensen's J39 chair that Howe cites as his inspiration to become a furniture designer. To find out more about The Serif, visit the Samsung website. * Only supported by Android OS-based smartphones that support Near Field Communication (NFC) wireless information sharing.
2020 didn't bring much that sparked joy, but it did let Sydneysiders wander through a large-scale, multi-sensory Vincent van Gogh exhibition that projected Dutch master's works onto walls, columns and floors. In 2021, art lovers will be able to repeat the feat, this time with a heap of French Impressionist masterpieces — because Monet & Friends — Life, Light & Colour is heading to town from March. The idea behind Monet & Friends is the same as its predecessor. It stems from the same team as well. As you wander around the Royal Hall of Industries in Moore Park from Friday, March 12, you'll feast more than just your eyes on huge projections of Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, Paul Cézanne and Edgar Degas' work. Light, colour, sound and fragrance are also all part of the exhibition, which is designed to make you feel as if you're walking right into the hefty array of paintings. The list of 19th- and early 20th-century artists showcased goes on, too, including Édouard Manet, Henri de Toulouse-Lautrec, Berthe Morisot, Alfred Sisley and Mary Cassatt. Also featured are Gustave Caillebotte, Armand Guillaumin and Henri-Edmond Cross, plus Paul Signac and Georges Seurat. Once more, the project is the brainchild of Melbourne-based Grande Exhibitions, which, for the past 16 years, has hosted immersive exhibitions and gallery experiences in over 145 cities around the world. The company also owns and operates Rome's Museo Leonardo da Vinci. For Monet & Friends, it's once again using state-of-the-art technology that combines 40 high-definition projectors to create multi-channel visuals, all while a classical musical score accompanies the vibrant colours in cinema-quality surround sound. When you're peering at pieces by the 15 featured artists, you'll be doing so in a socially distanced setting — with visitor numbers restricted to maintain enough space (which will exceed the one person per four-square-metres required by New South Wales' COVID-19 rules). So, that means that you'll have less company than you'd usually expect at a big exhibition of French Impressionist art. It also means that sessions are probably likely to get booked out quicker than normal, though.
It's bright, lively, neon-lit, and wholly unapologetic about blending colour, cocktails and Tex-Mex cuisine — and now, the fast-growing El Camino Cantina has doubled its Brisbane footprint. After setting up shop in Bowen Hills last year, the chain has launched a second joint in Westfield Chermside. It's the latest expansion for the brand, which also operates in Sydney and Melbourne, all under the guidance of Rockpool Dining Group (Sake, Burger Project and, of course, Rockpool Bar & Grill). For its first venue in Brissie's north, El Camino's new site seats 220, taking over the space formerly inhabited by Hermosa. If you've already been to the existing local eatery, then you'll know this casual dining venue takes its vibe seriously. Think loud and over-the-top, complete with giant margaritas, rock 'n' roll jukeboxes, fluorescent signage and a heap of Tex-Mex staples. Menu-wise, all of the chain's favourites make the jump to the new spot. Slushie machines serve up brain freezes in margarita form, with El Camino's coming in multiple sizes and many renditions, including a tropical Red Bull flavour. Other options span a host of beers from near and far, and a sizeable collection of mezcals and tequilas. The food lineup remains fun and casual, like the drinks. Think fiery buffalo wings, sizzling fajitas, plump burritos, soft shell tacos loaded with punchy flavour combinations, and unlimited complimentary corn chips and salsas. The brand's Bowen Hills specials are available at Chermside, too — including $2 tacos on Tuesdays, ten-cent wings on Wednesdays and half-price fajitas on Thursdays.
When The Triffid starts welcoming patrons at 11am at Saturday, January 25, 2025, here's a tip: rush through the door, find your favourite spot and settle in for the long haul. Trust the Newstead venue to have all your plans covered. Want to listen to the nation's biggest countdown? Have a few brews? Play bingo? Consider it all sorted. On the agenda: Triffid J's Hottest 100 Party, which boasts not only free entry but also drinks specials. And, you'll be in a place that exists thanks to someone who knows a thing or two about the triple j Hottest 100: Powderfinger's John Collins. The Triffid's shindig will make the most of the venue's leafy beer garden, where burgers, cheese and bacon fries, salt and pepper squid, and sweet potato croquettes are among the options to help line your stomach. The usual drinks list also includes spicy passionfruit margaritas, cherry whisky sours, lychee martinis and strawberry watermelon daiquiris — summery drinks if ever we heard of them. And as for the festivities, countdown bingo is on the agenda, as are beer pong and a jug-holding competition. Or, show off your skills in the handball arena. And yes, there's prizes to be won — other the prize of a great day.
Back in 2021, Brisbane scored a new riverside market — and it wasn't a once-off. Yes, Portside's markets are returning, because everyone likes shopping and hanging out by the water. And the theme of 2022's first event: Valentine's Day, of course. If you and your other half really like browsing and buying, taking in the riverside air, and having a reason to stop for a bite and a drink, you'll want to head to Hamilton on Sunday, February 6. From 12–3pm, you can shop, stroll, sip and purchase gifts — a key point, given the theme — which sounds like a mighty fine weekend itinerary. A heap of stalls will be offering up everything from art and plants to ceramics and accessories — and more, if you're stuck for present ideas. And, if those hunger pangs strike — or you're just keen on having a drink — the precinct's usual restaurants and bars are right there, including everywhere from Pineapple Express Cafe, Bamboo Basket, Burrito Bar and Ginga Sushi to Mr & Mrs Jones, Belvedere Bar 'n' Grill, Byblos Bar and Restaurant, Gusto da Gianni and Sono. Images: Claudia Baxter.
It's called a cabinet of curiosities and, once you walk inside The Inchcolm by Ovolo in Spring Hill, the L-shaped glass counter filled with all kinds of knickknacks will definitely pique your interest. Maybe your eyes will be drawn to the Etch A Sketch, the plate with John Lennon's face on it, the bowling pin and the cassette tape. Or, you could instantly scope out the mannequin head, the Polaroid camera or the Elvis Presley box set. Either way, the cabinet is quite the centrepiece — and conversation piece, too. The gleaming piece of furniture has been part of the The Inchcolm since 2018, when the now century plus-old site was first taken over by the Ovolo hotel chain. Now, it remains after the venue's latest revamp. Visually, not too much has changed, but Ovolo has altered a few names here and there, and also shifted the focus of its entryway bar setup. The Inchcolm by Ovolo is actually the hotel's new moniker, and it's the first 'by Ovolo' site in Australia. As for the bar, the space formerly known as Salon de Co is now called The Inchcolm Bar. If you're not staying on the premises, it's the latter that's the main drawcard — and it has ditched its sit-down restaurant in favour of a boutique bar and bistro vibe. Its inspiration: Bar Marmont at Los Angeles' Chateau Marmont. In other words, the theme here is retro glamour, all in keeping with the buildings old-school heritage. Or, as Dave Baswal, Ovolo Group Managing Director ANZ, explains, "think a 1920s Paris salon where Gertrude, Ernest and Pablo would comfortably rub shoulders while sharing trailblazing ideas." Yes, he's talking about Stein, Hemingway and Picasso. If you visited The Inchcolm before the change of focus, you'll still recognise the velvet furnishings, dark-hued colour scheme, mood lighting and eye-catching floral wallpaper. Now it all adorns a space that's both a bar and a bistro in one. So, you can sit back and sip martinis — there's 11 different types on the menu, and the five signature versions cost just $12 during the daily martini hour from 5.30–6.30pm — or you can choose from an all-day dining lineup between Tuesday–Saturday. Food options include cheeseboards, charcuterie, escargot, steak tartare, caviar and oysters to nibble on — plus steak frites, gnocchi, southern fried chicken and burgers for something more substantial. Three kinds of toasties, including one with three cheeses, are also on offer, as is tiramisu, mud cake and creme caramel for dessert. If you're after something to drink other than martinis, the wine list spans seven pages, while the spirits offering runs over five. And, if you'd like to combine your visit with an overnight stay, The Inchcolm by Ovolo is dog-friendly, and features a complimentary sweets bar.
When Babylon Brisbane opened its doors at the end of December 2022, it didn't just mark the first Sunshine State outpost for the eatery that's been serving up dishes and drinks in Sydney since 2019. It also saw 145 Eagle Street gain the first of two new venues, the second of which has just launched as well: waterfront bar Babylon Garden. Initially announced back in November, too, Babylon Garden is the 500-person, 645-square-metre outdoor hangout space accompanying Babylon Brisbane's sitdown indoor 120-person setup. So, you can head inside for a restaurant meal with river views, or spend your afternoon or evening right by the water on two tiers of terraces, sipping beverages in the open air. As with indoors, Babylon Gardens' design is overseen by Brisbane's Hogg and Lamb, the architects behind the Sydney venue. This time, pale bricks are a big feature, plus timber furniture, leather banquettes, and palm trees and plants aplenty. You'll sit at green marble tabletops at high and low tables, and your drinks come from a ten-metre brass bar. On the menu amid that greenery, and while soaking in the fresh air: Middle Eastern and East Mediterranean bites and cocktails. The food lineup is a collaboration between Babylon Brisbane's Head Chef Ferdinand Sariin and Babylon Sydney's Head Chef Robert Taylor, with standout options including crispy chicken wings with Baharat spice, harissa and labneh; homemade falafel with tahini sauce, dukkah and lemon; and pumpkin kebabs with coriander, muhammara and Aleppo chilli. For something sweet, there's also assorted baklava, plus three-piece servings of Turkish delight. Drinks-wise, the range of beers on tap and by the bottle heroes brews from around the world, as does the hefty wine list. With bubbles, the focus unsurprisingly falls heavily on French champagne. Folks keen on a cocktail will find Middle Eastern-meets-East Mediterranean flavours shining through here, too, as tasted in the Semiramis' Throne (made with Tanqueray Sevilla, mastic liqueur, apricot, lemon, falernum and orange blossom), Devine Levanthyme (limoncello, lemon gin, thyme, sugar and egg white) and Turkish espresso martini (with Turkish coffee and cardamom-infused Metaxa 7, chocolate liqueur, orgeat and cold brew). Find Babylon Garden at 145 Eagle Street, Brisbane — open 11am–11.30pm Sundays–Tuesdays, 11am–12am Wednesdays, 11am–1.30 Thursdays and 11am–2am Fridays–Saturdays. Images: Markus Ravik.
No one should ever need a specific excuse to celebrate Australia's First Nations culture, but Quandamooka Festival offers one anyway: a three-day event on Minjerribah, also known as North Stradbroke Island, that heroes Aboriginal and Torres Strait Islander art, music, dance, food, stories and more. Returning to Country for the first time since 2019, this year's event is jam-packed with highlights — including Roger Knox, Shakaya and Electric Fields leading the music lineup. Also on the bill: Sycco , Emma Donovan and the Putbacks, Joe Geia, Benny Maza, Georgia Corowa, Keely and CKNU. And, given that the festival also heroes Quandamooka talent — with the Quandamooka Peoples hailing from the Moreton Bay region — local musicians Sachém, Nix Grose and Maibre Grenfell will also perform. They'll take to the stage across the fest's three-day run between Friday, August 26–Sunday, August 28, as part of a wide-ranging program that'll spans everything from eco boat tours and art exhibitions through to whale watching and cultural tours — and more. Dance groups will come from across southeast Queensland and northern New South Wales to perform, and storytelling, plus insights into the region's cultural heritage, will fuel the lineup as well. There's plenty to celebrate; the Quandamooka Peoples, the Traditional Custodians of the Quandamooka Estate, have ties to Minjerribah dating back 20,000 years. Quandamooka Festival also highlights the diverse landscape across the Redlands and Moreton Bay islands, and the creatures that call it home, as explored from a First Nations perspective. The festival includes food stalls and artisan market stalls, too, alongside fibre art and weaving workshops, plus Kunjiel (corroboree).
Touring to Australia for the first time in more than five years for your first Aussie festival headlining slot since 2011 is one way to celebrate 35 years as a band. The group: Tool. The fest: Good Things. For 2025, Maynard James Keenan and company lead the fest's big names. Also on the bill: Weezer and Garbage. Get ready to hear 'Sober', 'Forty Six & 2', 'Buddy Holly', 'Island in the Sun', 'Vow' and 'Only Happy When It Rains' like it's the 90s and early-00s again — all on Sunday, December 7 at Brisbane Showgrounds. The rest of the bill includes All Time Low, Machine Head and The All-American Rejects, as well as Knocked Loose, Lorna Shore, Refused, New Found Glory and Make Them Suffer. And, you can catch Dayseeker, James Reyne, Kublai Khan TX, Cobra Starship, Goldfinger, Tonight Alive and more. Good Things 2025 Lineup Tool Weezer Garbage All Time Low Machine Head The All-American Rejects Knocked Loose Lorna Shore Refused New Found Glory Make Them Suffer Dayseeker James Reyne Kublai Khan TX Cobra Starship Goldfinger Tonight Alive Bad Nerves Civic Dead Poet Society Fever 333 Gwar High Vis Inertia Palaye Royale Scene Queen South Arcade Wargasm Windwaker Yours Truly Top Tool image: Scott Moran. Good Things images: Kane Hibberd.
Brisbane is a river city, and there are plenty of things that you can do while you're on, near or around the Brown Snake that winds through the centre of town. But Brisbane's Art Boat, which returns for a second year in 2022 as part of Brisbane Festival, just might be the brightest option — because it'll have you moseying along the waterway while checking out dazzling installations. Unsurprisingly, this cruising art party proved a hit in 2021, which is why it is back again this year. Once more, it'll set sail from Northshore Brisbane, doing a 105-minute loop — although some sessions will hit the water from South Bank instead, and run for 90 minutes, while 135-minute Northshore-to-South Bank routes are also available on some dates. Whichever one you pick, Australian visual artist Lindy Lee will be doing the honours in supplying the art part of Brisbane's Art Boat, decking out the floating venue as part of a festival-first collaboration. Get ready to be surrounded by celestial floating art thanks to installation The Spheres, which takes inspiration from Ancient Greek philosopher and mathematician Pythagoras. While it'll be cruising along all across the fest, Brisbane's Art Boat will host a midnight voyage on Saturday, September 10 so that patrons can peer up at that evening's full moon — perhaps after you've hit up the Museum of the Moon at West End's West Village? Also on the bill: dawn cruises, a mindfulness program and open docked sessions on Tuesday evenings (where you can hop onboard and see The Spheres without sailing away). Plus, Northshore's Brisbane Festival hub will host performances, a pop-up riverside bar and plenty to eat, so you can extend the fun before and after your boat jaunt.
Halloween's just around the corner and if you're anything like us you're busy collecting classic horror films to scare your weak-willed friends and family. For those not inclined to dress up as zombies from The Walking Dead and make trouble all over the city, the scary movie marathon is naturally the go-to plan. But it wasn't always that way. Every good horror fan got their start somewhere a little more tame. And, if you were young or shameless enough in the early 1990s, that start was through the work of R.L. Stine. The legendary Goosebumps writer responsible for a ridiculous number of YA hits, R.L. Stine was a God in every primary school. In the popularity pecking order, your coolness was inevitably judged by how many of his books you had read and everyone would have a copy handy to retreat into during reading time. It was the closest thing we could get to the blood and gore our parents wouldn't let us watch on screen. But, what if all that hysteria and literary mystery never had to end? Some bona fide genius on Tumblr has solved all the problems we never knew we had — they've re-imagined our favourite horror flicks as Goosebumps books for adults (or very inappropriate reads for children). Covering classics like Friday the 13th, The Shining, Carrie and Psycho, If It Were Stine looks at all the hardcore stories through the gloriously pulpy lens of Stine. Of course, if these were available in our childhood we would have grown up with serious problems. Paranoia, sleep problems and anxiety to say the least. When I was eight, my dad let me watch The Candyman with him because I thought it was about Willy Wonka. Who knows how I would have turned out had that been avoided. But, on the plus side, these books would make bestsellers for adults. Let's bring it back; make it cool again. Copyright, be damned. Someone should launch a Kickstarter campaign to make this a reality ASAP. Via AV Club. All images via If It Were Stine.
It's that time of year, Brisbanites — time to say goodbye to winter, cold weather and gloomy moods, and to offer up a big hello spring, sunshine and blossoming flowers. If the change of season has you feeling not only extra chipper, but also eager to get outside and make the most of it, Roma Street Parklands has just the event for you, too: its returning Blooms and Tunes event. For 2022, Blooms and Tunes is taking place from 11.30am–5pm on Saturday, September 10 and Sunday, September 11 — and combining live music, an immensely picnic-worthy spot and the Parklands' already impressive greenery. You'll sit, listen to music and have a bite to eat, and you'll also be able to check out the flowers blooming around the site's Celebration Lawn. [caption id="attachment_784308" align="aligncenter" width="1920"] Brisbane Marketing[/caption] Tunes-wise, the lineup includes THUMP, The Dillion James Band and King River Rising on Saturday, with Bullhorn, Jason Daniels Band, The Lyrical and HEAVY WAX doing the honours on Sunday. You can bring your own snacks along, or order a hamper from The Garden Room Cafe. Also, the Celebration Lawn is licensed from 10am–8pm as long as you're having a substantial meal.
It's been more than two decades since the Peninsula Hot Springs became one of Victoria's must-visit spots, especially if you enjoy getaways of the pampering, wellness-oriented and relaxing kind. Since then, the Fingal venue and its geothermal pools have become synonymous with blissful jaunts beyond the city. But in the coming years, it might become just one stop on a whole trail filled bathing spots — all thanks to the proposed Great Victorian Bathing Trail. First floated back in 2019, and set to gain its next new location mid-2022 when Metung Hot Springs opens its doors in East Gippsland — also stemming from the team behind Peninsula Hot Springs — the Great Victorian Bathing Trail is exactly what it sounds like. It'll span more than 900 kilometres along the Victorian coast, and have one big aim: linking the state's hot springs and other bathing spots into one must-trek route for folks fond of soaking away their woes. Also slated to join the trail: Phillip Island Hot Springs and Saltwater Hot Springs on Phillip Island, Nunduk Spa Retreat in the Lake Wellington part of Gippsland, 12 Apostles Hot Springs on the Great Ocean Road, Geelong Mineral Spa and the Eden project in Anglesea. The soon-to-launch Alba Hot Springs on the Mornington Peninsula is joining the lineup, too. Gippsland Regional Aquatic Centre in Traralgon will also feature, for fans of splashing around in a regular community pool, and so will Warrnambool's existing Deep Blue Hot Springs. [caption id="attachment_845455" align="alignnone" width="1920"] Peninsula Hot Springs, Visit Victoria[/caption] In other words, if you're keen to escape the big smoke and kick back in a body of water — steamy or cool alike — the Great Victorian Bathing Trail will help you connect the dots. The plan will see the route stretch from Portland in the state's southwest over to East Gippsland, and also include beaches along the way. The idea: to give Victoria a calming tourist attraction to rival hot springs and spa hotspots such as Beppu and Kurokawa in Japan, Guangdong in China, and the Nordic region's many go-tos — including in Iceland, Norway, Sweden, Finland and Denmark's Copenhagen harbour bath trail. [caption id="attachment_845443" align="alignnone" width="1920"] Peninsula Hot Springs[/caption] The numbers for Peninsula Hot Springs certainly give the concept plenty of hope, given that about 500,000 annual visitors make the visit to the spot. 2030 has been outlined as the ideal launch date — but, given that was the plan pre-pandemic, that timing could easily change. The good news is the Mornington Peninsula's new Alba Thermal Springs and Spa, which forms part of the trail, will launch in September and is already taking bookings. And while an exact date for Metung's midyear opening hasn't yet been revealed, hot springs fans can look forward to a multi-faceted attraction and wellness precinct with steamy thermal pools and sauna options. It'll encompass various hot springs bathing facilities at the main King Cove site, and also a spa relaxation centre and further hot springs constructed at the nearby King Cove Golf Club, all-around 3.5 hours out of Melbourne. And, there's set to be a glamping site as well. For more information about the Great Victorian Bathing Trail, head to the project's Facebook page. Top image: Peninsula Hot Springs, Visit Victoria.
It isn't easy to eat fried chicken in moderation. The same applies to bao, too. So if you're planning to take advantage of Bao Bar's new all-you-can-eat night, we have two tips for you: wear something comfortable and stretchy, and arrive hungry. Every Tuesday evening from 5–9pm, the South Brisbane eatery is welcoming in patrons with ravenous stomachs, all for its new weekly bottomless Korean fried chicken and bao sessions. Over the course of an hour, you'll munch your way through four types of chicken, including original, soy garlic, and both regular and spicy sweet chilli. You'll also tuck into two different kinds of chicken karaage bao, as well as prawn crackers, cheese fries, kimchi fries and braised pork fries. The full all-you-can-eat feast will set you back $26.90 for your 60-minute feed, and you'll need to eat in — and that's all that's on the menu on Tuesday evenings. If you need something to wash all that chicken down with, Bao Bar is also doing $5 Young Henrys' Newtowner tinnies on Tuesday nights, too.
Tasmania is home to brilliant restaurants and cafes that rival the mainland's best. And if you're looking to get a richer understanding of where phenomenal food actually comes from, there really is no better place. With the island's inland farms and coastal regions bursting with remarkable produce, Tassie is full of growers ready to guide you through an enlightening, hands-on adventure that will give you a unique culinary and agrarian perspective (not to mention the very likely chance that they'll feed you very, very well indeed). Here, we've teamed up with Tourism Tasmania to highlight a selection of experiences that offer hands-on foodie encounters to seek out and savour. [caption id="attachment_865676" align="alignnone" width="1920"] Tourism Australia[/caption] 41 DEGREES SOUTH Set a 40-minute drive west of Launceston on the outskirts of Deloraine, 41 Degrees South is a salmon farm, wetland and ginseng plantation. Featuring 20 freshwater ponds filled with water sourced from nearby Montana Falls, the farm invites you to take a self-guided tour to explore the sustainable processes that support this world-class producer of salmon. The property's owners, Ziggy and Angelika Pyka, also make the most of Tasmania's cooler climate with a thriving grove of Korean and American ginseng. Wander through the crops before making a purchase at the on-site store and stopping by the cafe to enjoy a dish made with the freshest salmon washed down with a local wine or beer. [caption id="attachment_866893" align="alignnone" width="1920"] Tourism Australia[/caption] TWAMLEY FARM Twamley Farm is a picturesque working farm spread across 7000 acres flanking the Tea Tree Rivulet near the charming village of Buckland. The property offers farmyard activities, accommodation and cooking classes that provide an opportunity to level up your skills in Italian and French cooking. Hosted by the gourmet catering business, Gert and Ted, the classes — fronted by the eponymous Gert — will show you how to prepare a range of dishes before you sit down for a long lunch with your fellow attendees. With several classes to choose from, including spring harvest feasts and festive season treats, Twamley Farm's stunning setting is the ideal place for a countryside culinary escape. [caption id="attachment_866852" align="alignnone" width="1920"] Pure Foods[/caption] PURE FOODS EGG FARM Head to a top-notch cafe in Tassie and there's a good chance it's using Pure Foods Eggs in the kitchen. Experience what goes into this superior product via a 'Pure Tour' a foodie experience touted as the "ultimate eggspedition" that'll take you on a journey through the company's scenic property in the Northern Midlands region and the largest free-range egg farm in Tasmania. Throughout the 90-minute behind-the-scenes tour, you'll explore the custom-built facilities and see how its high-tech production methods set a new industry standard. After seeing the happy hens in action, you'll receive a dozen free-range eggs to take home so you can whip up your favourite dish with the finest eggs on the island. [caption id="attachment_866851" align="alignnone" width="1920"] Sirocco South Forage and Feast[/caption] SIROCCO SOUTH FORAGE AND FEAST Mic Giuliani, the man behind Sirocco South, is a local foraging master with over 50 years of experience. So yes, Mic was doing it before it was cool. You can catch him serving delicious Tassie-inspired Italian cuisine at Hobart's Farm Gate Market every Sunday or on one of his Sirocco South foraging trips where he'll show you how to find food in the wild. Once you've collected enough seasonal ingredients, Mic goes to work producing a six-course lunch featuring quality meat and seafood paired with award-winning wines from Bream Creek Vineyard. Overlooking the spectacular Frederick Henry Bay, Sirocco South is a deluxe foraging experience in an idyllic location that helps guests appreciate the wonders of wild food. In short: it's heaven on earth for foodies. [caption id="attachment_866889" align="alignnone" width="1920"] Tourism Australia[/caption] UNEARTHED CHEFS TOUR Get a rare glimpse into the operations of some of Tasmania's top growers and producers via an Unearthed Chefs Tour. This morning or afternoon adventure sees you transported from your accommodation to the seriously delicious Tasting Trail Cradle to Coast to meet some of the North-West's finest culinary creators. The tour will take you around a saffron farm, to search for truffles and then on to a luxurious wine tasting at Lake Barrington Estate, with a stop to admire the coastline along the way. A heavenly lunch prepared by chef Naomi Parker is also on the agenda, as is a wander through Sheffield — the Town of Murals — before arriving back at your accommodation. [caption id="attachment_865666" align="alignnone" width="1920"] Tourism Australia[/caption] FORK N FARM HOMESTEAD The ForknFarm Homestead is a striking 24-acre property set in the scenic surrounds of the West Tamar Valley. It's a popular destination for farm-stays thanks to its charming cabins and it also hosts artisan cooking workshops where you can level up your talents with owners Cassie and Aaron "Lob" Lobley. Over the years, this enterprising duo has mastered a host of agrarian culinary skills, ranging from cheesemaking and open-fire cooking to pickling and preserving. There's a host of one-day and two-day sessions to consider or you can create a personalised experience if you attend in a group of four or more. [caption id="attachment_865674" align="alignnone" width="1920"] Tourism Australia[/caption] BLUE HILLS HONEY Blue Hills Honey's distinctly Tasmanian product comes from 2000 beehives hidden deep within the lush takayna/Tarkine rainforest. While this award-winning apiary specialises in leatherwood honey, the honey house also offers a selection of other varieties like manuka, blackberry and meadow. This craft honey farm has been in operation for over 60 years and you can see how it all works on its rural property in the community of Mawbanna. Alongside a factory for touring and a tasting room, there's a cafe overlooking the surrounding farmland that serves everything from honey-baked brie to Thai beef salad. [caption id="attachment_865672" align="alignnone" width="1920"] Tourism Australia[/caption] OYSTER BAY TOURS AT FREYCINET MARINE FARM Freycinet Marine Farm is beloved for its Pacific Oysters and Tasmanian Blue Mussels. Owned by Giles and Julia Fisher since 2005, the cafe makes for the perfect pitstop if you want to sample the region's famed cuisine. You can discover how the product arrives in the shop with a fantastically hands-on (and knees-in) Oyster Bay Tour. With the help of an expert guide, the tour will see you wade into shallow waters to harvest oysters straight out of the sea and show you how to shuck 'em like a pro. To finish, you'll get to enjoy your freshly claimed oysters and mussels with a glass of local riesling. [caption id="attachment_865678" align="alignnone" width="1920"] Tourism Tasmania[/caption] CURRINGA FARM In Hamilton, about a one-hour drive from Hobart, Curringa Farm presents an idyllic chance to experience life on a Tasmanian working farm. Spanning 750 acres, this sheep and cropping property has won numerous awards for its charming cottage accommodation. Whether you're heading along for the day or staying overnight, Curringa Farm has two immersive tours on offer to suit your travel plans. The 'Shearers Smoko' is a two-hour walking tour of the farm where you'll meet and greet sheep and farm dogs alongside a morning or afternoon tea. Meanwhile, the 'BBQ Lunch & Farm Tour' presents an outstanding paddock-to-plate experience. [caption id="attachment_866894" align="alignnone" width="1920"] Jamie Roberts[/caption] THE TRUFFLEDORE On the foothills of Cradle Mountain is where you'll find this truffle-filled farm, accommodation and shop. From October till April, The Truffledore is open for tastings and tours on Fridays and Sundays from 9am–4pm. Head off on the 45-minute tour to feed the farm animals and discover where the delicious winter truffles are grown. During the winter months, you can hunt and harvest truffles for yourself on Saturdays. Just make sure you book ahead of time to secure a spot. If one day on the farm isn't enough, book into one of the charming cottages for a delightful overnight stay. Ready to plan a trip for your tastebuds around Tasmania? To discover more, visit the website. Top image: Tourism Australia
Outdoor music festivals aren't solely synonymous with summer, but one event takes its winter setup to great heights in more ways than one. At Snow Machine, the weather won't just be a bit cooler. Wearing a jumper won't do, either. This is both a chance to enjoy live tunes and a ski trip — and it's returning to Queenstown in 2024. It's the hottest festival for the colder months, packed with five snow-filled days of music and adventure at two mountain-topping ski resorts. On the just-dropped lineup for this year sits a reliable list of must-see names, including Peking Duk, The Rubens, Angus & Julia Stone, Bag Raiders and Cub Sport, who all help to give Snow Machine's winter wonderland a thumping soundtrack. After launching in Japan in 2020 (and returning there this year), the festival was actually supposed to make its arrival in Aotearoa in September 2021 but was cancelled due to the pandemic. It finally debuted in September 2022, then returned in 2023. Next, it makes a comeback from Tuesday, September 3–Sunday, September 8, 2024. Attendees will be treated to action-packed days on the slopes, après ski events on both Coronet Peak and The Remarkables, and a hefty roster of talent against the idyllic backdrop of New Zealand's adventure capital. Also dropping in to share the stage will be Atomic Blonde, Danny Clayton, Jimi The Kween, Lee Mvthews and Matt Corby — and also Montell2099, Old Mervs, Sachi, SHOUSE, Sin & Brook, Snakehips, Teenage Dads, The Knocks and the Poof Doof Ski Club. Other than the wintry backdrop, one of the things that sets Snow Machine apart from other music fests is being able to book your entire getaway with your ticket. Packages span both five and seven nights of accommodation, and include access to all three evenings at the main arena, plus a five-day ski pass. If you'd rather make your own way or pass on the skiing, there are ticket-only options — and VIP packages if you really want to do it in style. Festival goers are also encouraged to immerse themselves in the adventure capital by adding on heli-skiing, jet boating, bungy jumping, canyon swinging and skydiving — and that's on top of Snow Machine's huge welcome party and other festivities. Another annual highlight: the Polar Bare, which endeavours to set a world record for the most amount of people heading down the slopes their swimwear. Snow Machine 2024 Lineup: Angus & Julia Stone Atomic Blonde Bag Raiders Cub Sport Danny Clayton Jimi The Kween Lee Mvthews Matt Corby Montell2099 Old Mervs Peking Duk Poof Doof Ski Club Sachi SHOUSE Sin & Brook Snakehips Teenage Dads The Knocks The Rubens Tom Tilley and Hugo Gruzman present First Base Snow Machine 2024 takes place from Tuesday, September 3–Sunday, September 8 in Queenstown, New Zealand. Presale tickets go on sale on from 12pm AEDT / 11am AEST / 2pm NZDT on Thursday, February 22, with general tickets available from 12pm AEDT / 11am AEST / 2pm NZDT on Friday, February 23. For more information, visit the festival's website. Images: Daniel Hildebrand/Pat Stevenson/Ben Lang. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
With Australia banning non-essential events with more than 100 people due to COVID-19 — and mandating that everyone arriving from overseas self-isolate for 14 days, too — Melbourne's arts and cultural scene has started to go into shutdown mode. The city's major institutions have already announced temporary closures, and now the Melbourne Symphony Orchestra is joining them. While MSO has announced that it's suspending all concerts with audiences in attendance from Monday, March 16–Monday, April 13, it's planning to host an online concert series — because, even if audiences can only watch and listen online from their couches, the music must go on. The series kicked off with a live-stream of Russian composer Rimsky-Korsakov's Scheherazade at Hamer Hall on Monday, March 16, followed by MSO's Beethoven & Mendelssohn gig on Thursday, March 19. Then, the series will show recordings of past performances that have never been seen online before every Thursday night and Sunday afternoon. Music lovers can check out the performances via MSO's YouTube channel. https://youtu.be/MCBYvd5LKa4 Updated: Monday, March 30, 2020
Nearly two decades after Hae Min Lee's murder, the Baltimore high school student's horrific plight continues to dominate the true crime landscape. After featuring on the first season of Sarah Koenig's grimly addictive podcast Serial, it's now forming the basis for a new documentary series, The Case Against Adnan Syed. Announced by HBO, the four-hour effort will pick up where everyone's 2014 obsession left off, not only exploring 18-year-old Lee's death in 1999 and her ex-boyfriend Syed's conviction in 2000, but the latter's ongoing quest to have the extremely complex legal matter reassessed in the years since he was found guilty. Everything from Lee and Syed's relationship, to the original police investigation and trial, to the developments up until now will feature, with the film gaining exclusive access to Syed, his family and his lawyers. The series couldn't come at a more crucial time for Syed, who was convicted of first-degree murder, sentenced to life in prison, and continues to fight his case through the courts. While he was granted a new trial in 2016, that ruling was subsequently appealed by the State of Maryland — only for the Court of Special Appeals to agree to vacate Syed's conviction and finally give him that retrial just this past March. A date for the actual retrial hasn't yet been set, however. Splashed across the small screen, it's certain to make for compelling viewing — but if you think you've spent too much time mulling it all over across the past five years, filmmaker Amy Berg has you beat. Unsuprisingly given how complicated the matter is, the director has been working on the project since 2015. And, with her excellent doco background — with Berg helming 2006's Oscar-nominated 2006 Deliver Us from Evil, about molestation in the Catholic Church; examining the West Memphis Three's quest for freedom in 2012's West of Memphis; and tackling the sexual abuse of teenagers in the film industry in 2014's An Open Secret — her new venture is certain to be thorough. Currently in post-production, The Case Against Adnan Syed will air sometime in 2019. Plus, as they did for West of Memphis, Nick Cave and Warren Ellis will provide the score. Image: Adnan Syed via Syed Family / Courtesy of HBO.
There's a right way and a wrong way to give someone a living gift. Puppies and kittens might be the cutest things ever, but they're the kind of responsibility you shouldn't sign someone else up for. Opting for something flowery or leafy is the much safer option — which makes The Botanist a must-visit destination. At the Bakery Lane florist, you'll find succulents and cacti galore, aka plants even someone lacking a green thumb can look after. Beautiful blooms and designer homewares also line the store's shelves for those who'd prefer a bright but fleeting burst of colour, or something to put them in.
Four decades back, and three as well, Clown in a Cornfield would've stood out on a video store's shelves. It would've proven an instant hot rental, in fact. The slasher film just has that kind of title. The immediately evocative name comes from the page, where this tale of a killer jester sparking bloody mayhem rather than big laughs in a rural Missouri community initially appeared courtesy of author Adam Cesare. Not just for its moniker, the book won the 2020 Bram Stoker Award for Best Young Adult Novel. Eli Craig, the director of Clown in a Cornfield as a film — and its and co-screenwriter with Carter Blanchard (G vs E) — is no stranger to terrific titles himself. He was initially interested in this as his third feature due to its name, because who wouldn't be? That tracks across his career, however; his first two movies also had marvellous monikers. Fifteen years ago, Craig's Tucker and Dale vs Evil started earning horror- and comedy-loving devotees, and now is deservedly considered a 21st-century classic. When Little Evil arrived in 2017, it also had a title that stood out. How much stock does Craig put in a great name for a movie? "I think a great title is what gets people's attention more than almost any marketing. And it's very fun to me to mashup a title in a way that feels provocative — like you say, and unique. And feels like it tells the story," he tells Concrete Playground. "But then when you go see the movie, it actually has a lot more depth and complexity than the title gives you. So for Tucker and Dale vs Evil, it seems kind of silly and goofy — and, of course, it is a very heightened comedy. But it also has these layers of things it's about, and that is much deeper than you would think." "And it's the same with Clown in a Cornfield," Craig continues. "I think once people see it, they'll be like 'oh, this is actually saying a lot of things. It's not just a goofy movie about a clown and a cornfield'." Clown in a Cornfield is definitely a flick about a clown and a cornfield. It makes good on that promise. It also pushes horror further to the fore than Craig's past features did. This is equally a slasher that uses that high-concept premise to dig into generational divides, economic uncertainty, and both capitalism and the American dream gone wrong, though. As it follows high schooler Quinn Maybrook (Katie Douglas, Ginny & Georgia) and her widower father (Aaron Abrams, Children Ruin Everything) to Kettle Springs, where the latter is about to be the new town doctor — and where the existing resident adults, such as Sheriff Dunne (Will Sasso, George & Mandy's First Marriage) and Mayor Arthur Hill (Kevin Durand, Kingdom of the Planet of the Apes), yearn for the locale's past, while teens such as Arthur's son Cole (Carson MacCormac, Shazam! Fury of the Gods) are looking forward instead — it has societal bite to go along with its blood and gore. In Clown in a Cornfield, the character that lives up to the movie's moniker is Frendo, the mascot for the local Baypen Factory, which once kept much of the town employed. Since the corn outfit closed down, its harlequin has become a symbol of happiness and prosperity corrupted, embodying everything that Kettle Springs has lost — and sparking that chasm between its authority figures and everyone of their age with the next generation. In both the picture's 90s-set opening and its present-day bulk, a slicing-and-dicing Frendo is hardly a pal, then. It's positively homicidal, with dispensing with Quinn and her peers its aim. Craig himself has a phobia of them — "I'm terrified of clowns," he shares — but these makeup-adorned figures have long been both jovial and creepy characters in pop culture. His isn't the first feature to play up their eerie side, of course, including in the last decade. IT and IT: Chapter Two became huge box-office hits in 2017 and 2019, and a TV prequel is on the way to HBO. The currently three-strong Terrifier franchise has been getting gruesome on-screen since 2018, with a fourth flick in development. Is making a movie about a murderous clown cathartic when you're already afraid of them? Our chat with Craig started there. Also covered: Clown in a Cornfield's clear love for other slasher and horror films, what goes into a great scary-flick kill, and how the gulf between the film's younger and older characters also provides inspiration for some of its humour, including a pitch-perfect moment with a rotary phone — plus why Douglas was the right choice for Quinn, and fleshing out Sasso and Durand's parts. What does the affection now held by horror-movie lovers for Tucker and Dale vs Evil 15 years on, even if it wasn't the success that Craig was expecting when it released, mean to him, too? That was part of our discussion as well. On Being Afraid of Clowns While Making a Movie About Murderous Jesters — and No, It Isn't Cathartic "I've always found them to be very duplicitous and very not-trustworthy. And I always thought it was kind of funny that clowns would go to kids' birthday parties. I find magicians kind of scary, too. And we once had a magician to my son's birthday, but we elected not to have a clown. But in my last film Little Evil, I had a scene with a clown that spontaneously combusted on fire, because the kid had superpowers — and I really was thinking 'I have to do more with these clowns because they are just naturally disconcerting'. You'd think that maybe I'd have less fear of clowns now, but it's actually the opposite. I think Frendo has surprised me at various publicity events already, where he sneaks up behind me — and I'm always the one that's like 'aah'. So I haven't gotten over my fear of clowns, but there is something quite magical and fun about them, too. So it's that mixture of fear and loathing." On Clown in a Cornfield's Societal Bite — aka Making a Killer Clown Flick About Generational Chasms, Capitalism Gone Wrong and Economic Uncertainty "That was in the book, and that's why I wanted to make the movie, because I was really surprised at what Adam Cesare was able to get at about this generational anger, I think — and this divide between a younger generation that's more progressive and maybe cares about the earth and cares about their future, and maybe an older generation that just feels like they're just harvesting the earth for their own greed. And I thought that frustration is just really apropos to our time. And also, I would say the thing that's so interesting about using a clown to tell that story is that originally clowns were like court jesters, and they were the only ones that were kind of allowed to tell truth to power and to tell the king what maybe was really up — but they had to do it with a sense of humour and satire. So this movie, in a way, it's fun because it has these layers of truth underneath it, and it's a clown telling that story to people. That isn't necessary to love the movie. You could love the movie and not really care about anything deeper. But I think through humour and entertainment is a lot of the ways we get some of our ideas that break through the walls to meet us. So that was quite fun to play with." On Balancing the Film's Evident Love for Slasher and Horror Greats That've Gone Before with Being Its Own Addition to the Genre "I just want to embrace all the movies I saw as a kid. I grew up in the 80s and early 90s, and watched everything from the Halloween movies, Friday the 13th, all of Freddy Krueger stuff — and I also loved the comedy-horror movies like Evil Dead 2. And so a lot of it, to me, just lives in like this bouillabaisse inside my brain, and I don't necessarily know when I'm picking a trope from this movie or that, but they kind of live there. And it's funny to watch other people pick them out and say 'oh, you did this here and this here'. I just kind of feel the tropes and I start writing them, and I don't necessarily pick them all out. The one thing is Jaws, I did play directly to Jaws in this movie, because that is probably my favourite horror movie that goes under the radar as not really being a horror movie — but it definitely is. It scared the pants off me." On What Makes a Memorable Slasher-Movie Kill for Craig — and How Easy or Difficult That Is to Achieve "Well, I think a lot about how to heighten it, how to make it just a little bit more than say — I always love the Scream movies, but I find that Ghostface with this knife gets a little repetitive, so I'm trying to come up with a new way for each kill to be just slightly different. And what are the tools this farmer-type Frendo the clown might use? And so you come up with pitchforks and chainsaws and axes and sledgehammers and all kinds of tools, and then you just try to heighten that and make it something people will grin at and laugh and cheer, and also be freaked out about, all at the same time." On Skewing More on the Horror Side of the Scale Than Comedy Compared to Craig's Previous Features "I did a real comedy-first horror with Tucker and Dale, and then I did almost just a comedy with horror elements with Little Evil. And I really wanted to dive back into horror and do kind of a hard-R, gritty in some ways, horror film — but with some levity because that's just the way I am. I'm not a really dark person — and I like humour in my stories. And I think there's just humour in the darkest parts of life." On Layering the Film with Comic Touches That Also Get to the Heart of Its Generational Clash "When you have the opportunity to nail a joke that also is just inherent in the theme, it really makes me smile. It makes me really excited when I'm sitting there writing and I go 'oh, oh, this is going to be really good' — because you're not breaking out of the story to make a joke. It's just very much within the context of the film. So it's really exciting when those present themselves. I don't feel like I'm making a joke. I feel like comes to me out of the ether. And it just presents itself to me, and then that's the opportunity to do it. There's a few points in this movie that grabbed the theme and make a joke out of it." On Knowing That Katie Douglas Was Clown in a Cornfield's Lead "You'd be surprised — I wanted to cast her before even auditioning her. I had watched a ton of her work. I saw that she had been working since she was about six years old, and she actually has a ton of work under her belt — and all of the stuff I saw from her from, like Ginny & Georgia and also this show called Pretty Hard Cases, and she did some Lifetime movies and she did some short films, and I literally went in and I watched them all. And I just always saw this sort of grounded, natural performance with the toughness and an edge to her, and sort of a sarcasm to her, that I felt just was Quinn. She auditioned for it, and completely nailed the audition. And I couldn't have been more blessed to have somebody that was so ready for being number one on the call sheet. She was so ready to lead this film. And she carried the film — and she does a fantastic job." On the Kind of Guidance That You Give Actors Like Will Sasso and Kevin Durand When They're Tasked with Fleshing Out Horror-Movie Characters That Could Be Cartoonish in Other Hands "I tell them kind of exactly what you just said. I wanted this character to be deeper, and we talk about what their motivations are. So usually they're not thinking about the characters being a villain — they're thinking about them being justified. So every good actor is always justifying their hatred or villainy for their character, and it make has to make sense to them. So anytime it doesn't make sense, we have to work on it. But those guys are so talented. They brought so much of themselves to the role. Will Sasso, as the sheriff, was just fantastic because he's threatening and creepy, but he's also just funny. He just brings a sense of humour and life to everything he does. And Kevin Durand, I don't think I could get an actor that could be this role without playing into something that we've seen before. He really created a new character. And that was really important that we weren't like the Joker or something. He was really, really his own — and very grounded and more gritty and real — character." On the Response to Tucker and Dale vs Evil 15 Years on — and What It Means for It to Be So Beloved as a Horror-Comedy Cult Classic "It actually means I'm not crazy. So when I first made that film, I just believed in it naively, like with all of my heart. And I thought 'well, this is just going to be the biggest hit since Evil Dead 2'. And it wasn't that way. It didn't come out as a big hit. I thought I was making the next Shaun of the Dead or Evil Dead 2 — and it went to some great film festivals, but then once we came out, it kind of disappeared for a while. And then over the years, people discovered it, and it truly became what I always believed it would be by now. And it's kind of validated my own feeling of art and my feeling of 'what entertains me should entertain other people'. Because I'm just ultimately trying to make a film that that I want to go see. And if people start telling me they don't like what I would want to go see, it becomes much harder to make a movie. And now I feel like 'wait a minute, maybe, maybe my sensibility is a sensibility a lot of other people share'. So that means a lot." Clown in a Cornfield released in cinemas Down Under on Thursday, May 8, 2025.
