UPDATE, September 17, 2020: The Red Turtle is available to stream via SBS On Demand, Google Play and YouTube Movies. Amidst the swirling chaos of streaming waves and thunderous seas, a lone man struggles to survive. Clinging to the remnants of his wrecked vessel, he's almost enveloped by the sound, fury and force of the water, his status as a mere speck in the ocean never in doubt. When he washes up on a deserted island, he finds himself similarly dwarfed by his surroundings. Sand stretches as far as the eye can see, as the taunting tide laps at the coastline. Cavernous nooks and crannies appear inviting, yet also threaten to swallow him whole. The foliage bears fruit, but little comfort. Welcome to the detailed natural realm conjured up by Dutch-British illustrator-turned-animator Michael Dudok de Wit in his feature filmmaking debut, The Red Turtle. That his Cannes Un Certain Regard special jury prize-winning effort is a co-production with beloved Japanese animation house Studio Ghibli — their first-ever such collaboration, in fact — gives an indication of the beauty and intricacy on offer. However, as magical as the movie's hand-drawn sights appear, this is a tale designed to evoke a different kind of wonder: not for an adventurous, fantastical journey, but for the complicated splendour that springs from man's relationship with the world around him. So it is that the unnamed figure explores the space that has become his new home, before swiftly turning his attention to fashioning a raft to escape back to civilisation. Alas, each attempt is stymied, particularly when an enormous red turtle starts to interfere. It's this new companion that reveals another side of our hero's predicament, and prompts the film's elegant probing of the nature of human existence — though the specifics are best discovered by watching. Part of The Red Turtle's potency comes from its simplicity, although it is far from a simple film. Instead, it's a feature that embraces conflict and contrast, and finds vast depth in defying expectations. It's largely dialogue-free, yet rages with noise and swells with the sounds of composer Laurent Perez Del Mar's gentle score. Though focused on one man's plight, its eye-catching imagery hones in on the texture of every scurrying crab, splash of water and blade of grass around him — and never fails to stress its protagonist's place in the world. While brief at 80 minutes, it fills every second and frame with emotion. Similar stranded situations have graced cinema screens before. Tom Hanks conversed with a volleyball in Castaway, while Paul Dano bonded with the corpse of Daniel Radcliffe in Swiss Army Man earlier this year. With that in mind, The Red Turtle proves enchanting not because it's novel, but because it's rich, dense, and delicately devastating in its examination of the parts of life that truly matter. Take a chance, and let this beautiful film sweep you away.
UPDATE: June 18, 2020: Spider-Man: Far From Home is available to stream via Amazon Prime Video, Foxtel Now, Google Play, YouTube and iTunes. Here's the great thing about the recent batch of Spider-Man movies: they are, like their protagonist, smaller, friendlier and far more humble than their superhero contemporaries. Crucially, they're about a teenage boy firs, and superhero stuff second, which not only keeps them grounded in about as much reality as films of this genre can hope for, but also provides for an endless source of conflict as the two themes inevitably clash. The extreme version of that incompatibility was explored in the original (Tobey McGuire) franchise, with Spidey declaring he was "Spider Man no more". Far From Home takes one step back from that level of angst, compelling Tom Holland's character not to retire the suit but leave it hanging in the closest while he goes on a European field trip with his classmates. Fair enough, too, since he and the other Avengers did just save the universe from annihilation. Who are we to begrudge him a little down time? Of course, the aftermath of the recent Avengers films (especially the 'snap') lingers long in the memories of everyone on earth, both for those who never left, and those who became dust and then returned. That divide is given a neat comedic angle in Far From Home, too, by virtue of some of Peter Parker's classmates now being five years older and more mature — which proves especially problematic in the case of Australian actor Remy Hii who emerges as a handsome rival for Peter's romantic crush, MJ (Zendaya). For Peter, though, the impact of the Endgame conflict vests squarely in the loss of his friend, mentor and father-figure, Tony Stark. To make matters worse, not only does he have to grapple with that loss in virtual secret solitude, he's also constantly being asked whether he is to be Tony's heir-apparent in replacing Iron Man as the lead Avenger. A Venetian/Parisian holiday alongside MJ and his best friend Ned (Jacob Batalon) looks to be the perfect way to leave all these worries behind for a while. That is until world-destroying monsters rear their giant heads and imperil his friends and strangers alike. This time, however, Spidey isn't alone. A mysterious new hero with remarkable powers emerges in the form of Mysterio, played by a terrific Jake Gyllenhaal. Mysterio and Peter seem like kindred spirits, blessed as they are with extreme intelligence, reluctant heroism and sensitive souls. As with the previous Spidey movies, and indeed the MCU at large, it's these intimate, quiet connections that continue to drive this universe forward far more so than the bombast of the battles and special effects wizardry. Which isn't to say there aren't still some phenomenal effects in Far From Home, including an intensely trippy, mind-bending sequence that comfortably rivals its equivalent in Dr Strange. Holland remains the perfect casting for Peter Parker: baby-faced and eminently likable, he absolutely captures the sweaty awkwardness of a teenage crush absent the confidence to actually act upon it. Zendaya, too, gets much more screen time in Far From Home, and immediately proves she's worthy of it with a witty, nuanced and really quite tender performance. Some old hands also return to bolster the supporting cast list, including Nick Fury (Samuel L. Jackson), Aunt May (Marisa Tomei) and the man who started this whole thing off back with the original Iron Man, Happy Hogan (Jon Favreau). Their presence, along with the constant allusions to Tony Stark, remind us that this is still an MCU movie, but never so much that it loses its distinct and unique feel. Its "Spidey sense", if you will. Overall, Far From Home isn't quite as polished as Homecoming, nor as resonant as Endgame. But it makes up for it in humour and heart, serving as both a fitting end to Marvel's Phase 3 and a launch pad for the new era to come. https://www.youtube.com/watch?v=Nt9L1jCKGnE
If drinking spritzes is your favourite way to sip — and basking in stunning river views is your favourite way to spend an afternoon, too — then a waterside date filled with drinks by Brisbane's ol' brown snake should definitely be in your future. That's all on the agenda at Customs House, which is celebrating the warmer weather by turning its terrace into a Chandon-pouring pop-up garden. It's the Queen Street venue's latest seasonal makeover, and it comes complete with greenery aplenty (and pops of orange as well) for you and your mates to hang out in — while peering at the river and knocking back a range of beverages, of course. The drinks list will hero the Chandon garden spritz, which combines Chandon's sparkling wine with orange bitters; however, there'll also be French, Italian and Australian vino, plus margaritas and espresso martinis. Open Thursdays–Sundays weekly until Thursday, October 27 — from 4pm on Thursdays and Fridays and 1pm on Saturdays and Sundays — the pop-up is also serving up a selection of bites to line your stomach. Customs House's beloved Moreton Bay bug croissant is back, this time featuring citrus-poached bug. Or, there's caviar with blini and crème fraiche; salmon gravlax with blood orange, smoked sour cream and chive oil; and fromage croquettes with pickled walnut and rosemary aioli.
Next time you slurp down some oysters, you needn't solely opt for natural molluscs served with lemon and Tabasco. There's nothing wrong with that old favourite; however, it has company among the oyster dishes at One Fish Two Fish's returning Oyster Frenzy. Between Wednesday, January 25–Sunday, January 29, the Kangaroo Point eatery is serving up a six-course oyster feast, taking seafood lovers through six different flavours. Start with the tried, tested and aforementioned combination, then move onto oysters with barbecue mornay and pancetta, served with tarragon and garlic butter gratin, and paired with native pepper berry and oak-aged chardonnay mignonette. You'll also be snacking on a three-cheese variety — think gorgonzola, asiago and grana padano — plus oysters with limoncello and finger lime caviar. In total, you'll slurp your way through 18 oysters all up — three per dish — for $95 per person. Because oysters are always popular, bookings are essential — with Oyster Frenzy running sittings at 6.30pm daily for dinner, and 1.30pm lunch sittings on Saturday and Sunday.
The latest addition to the ‘rom-con’ genre by writer/director duo Glenn Ficarra and John Requa (Crazy, Stupid Love), Focus is a surprisingly enjoyable film in spite of its flaws. With the audience guided early on by the Grifter’s Mantra — "Never break focus. Die with the lie." — it’s one where you’re persistently trying to anticipate the next twist and deconstruct every line to reveal its true meaning, only to find yourself constantly (and refreshingly) wrong. Fronting the film is Will Smith in a role that at last plays to his strengths of charm and wit rather than the physical kind (like so many of his recent, ill-conceived outings). Smith plays Nicky, a lifelong conman at the top of his game who one night finds himself the target of the aspiring but guileless gonif Jess (Margot Robbie). Sensing her potential, however, Nicky shows Jess the ropes and invites her to join his crew in New Orleans as they take on the unsuspecting hordes during Superbowl week. From then on, Focus buffets you with twists, deceptions and double-crosses with such marked regularity that you’re never quite sure where you stand. Key to its appeal is the chemistry between Smith and Robbie, simmering deliciously back and forth between master and apprentice, lover and temptress. Robbie’s sex appeal is undeniable, but here — unlike in The Wolf of Wall Street — it’s treated as a playful trait rather than her raison d’etre, even going so far as to make her character spectacularly bad at the art of seduction. It’s a refreshing angle and one that allows Robbie to showcase her genuine acting chops. Solid performances from Smith and Robbie notwithstanding, it’s the secondary characters, however, who ultimately prove the scene stealers (or should that be grifters?). Rodrigo Santoro (Love Actually) makes for a convincing billionaire playboy come Formula 1 team owner, BD Wong is almost unrecognisable as a cashed-up gambler with a near-sexual response to wagers, and Adrian Martinez delivers a laugh a line as Smith’s long-time accomplice ‘Farhad'. The highlight, though, is Gerald McRaney (House of Cards) in a role that very much channels his iconic Major Dad character from the early '90s. Playing Santoro's interminably suspicious bodyguard, he at one point delivers a sublime rant on today’s youth, covering off everything from lazy Sundays to panini and — best of all — “Sarcasm: another pillar of your generation. If you don’t like somebody’s jacket, don’t say ‘Hey nice jacket’, say ‘Fuck off’”. Overall, Focus might not match the sophistication of Ocean’s Eleven or the passion of The Thomas Crown Affair, but it’s an enjoyable enough distraction whose only real major letdown is an unnecessarily twisty ending.
After bringing Harry Potter, Hermione Granger and Ron Weasley back to the big screen for the first five films, the Queensland Symphony Orchestra is giving the sixth film in the wizarding franchise the same movie-and-music showcase in 2023. On Saturday, February 25, across two sessions at 1.30pm and 7.30pm, the Brisbane Convention and Exhibition Centre will come to life with the sights and sounds of the Burrow, potions classes, quidditch matches and the funeral of one beloved character — because the boy-who-lived and his pals are never far away from a theatre, or a concert hall. This time around, viewers can expect something a little different. While the event will run as usual, it's the score itself that'll stand out. After doing the honours on the first three HP flicks, veteran composer John Williams stood aside, with two-time Oscar nominee Patrick Doyle (Hamlet, Sense and Sensibility) in charge of the fourth, and Nicholas Hooper whipping up wondrous wizarding soundtracks for the final three. Hooper's score for the Half-Blood Prince is the highest-charting of all six films' soundtracks. If you're keen to accio some tickets, they go on sale on Wednesday, July 27.
One king. Six wives. Centuries of folks being fascinated with the regal story. Throw in pop songs as well, and that's the smash-hit SIX the Musical formula, as Australian audiences discovered in 2021, 2022 and 2023 — and can again in Brisbane from Thursday, January 2, 2025 at QPAC Playhouse. If you've ever needed proof that some stories never get old, the ongoing obsession with Britain's royal history provides plenty. In IRL, it's relentless. On screens and stages, a slice of regal intrigue is regularly awaiting our viewing, too, interpreting and remixing the past in the process. The Crown might've taken ample artistic license with reality, but it's got nothing on the empowering pop-scored twist on the 16th century that's been wowing audiences in SIX the Musical. This theatre sensation gleans a few cues from well-known history, adds toe-tapping tunes and makes stage magic. If you think that you know the stories of Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard and Catherine Parr, then you probably do — even those with little interest in Britain's past kings and queens are likely aware that Henry VIII had six wives — but SIX the Musical's version isn't about telling the same old tale. First premiering back at the 2017 Edinburgh Festival Fringe, then jumping to London's West End — and winning Tony Awards for Best Original Score and Best Costume Design, plus a Grammy nomination for Best Musical Theatre Album, along the way — SIX the Musical gleans inspiration from one of the most famous sextets there's ever been. It also finds its own angle despite how popular the Tudor monarch's love life has been in pop culture. So, move over 00s TV series The Tudors and 2008 movie The Other Boleyn Girl — and this one takes the pop part rather seriously. SIX the Musical is presented as a pop concert, in fact, with the Catherines, Annes and Jane all taking to the microphone to tell their stories. Each woman's aim: to stake their claim as the wife who suffered the most at the king's hands, and to become the group's lead singer as a result. Images: James D Morgan, Getty Images.
Fancy getting an early start on a big citywide festival? And, while you're at it, celebrating Vietnamese Lunar New Year? Before BrisAsia Festival takes over Brisbane for the first three weeks of February, filling as much of this town of ours with as many events as it can — as it does every year — it's marking the changing of the lunar calendar at the Hội chợ Tết 2023 Vietnamese Lunar New Year Festival. Your destination: Richlands. Running from 5.30–10pm on both Friday, January 13–Saturday, January 14, this LNY celebration is organised by the Queensland Chapter of the Vietnamese Community in Australia, takes place at CJ Greenfield Complex Park, and includes food stalls, lion dances, music performances and a traditional costume parade. Drop by for Vietnamese cuisine aplenty, arts showcases and possibly even learning a new skill — calligraphy is on the lineup, too. Also on offer: firecrackers, a martial arts performance, and an official festival photo booth to snap some memories while you're there.
It's lucky that Chris Pine is so likeable in Wonder Woman 1984, or the scene where his character wanders around in the titular year and marvels slack-jawed at the advancements of the period would be unbearably cheesy. It's still cheesy, and inescapably so. He's wearing a bumbag, so it has to be. But, it's also engagingly performed. The look on his face: wonder. The A Wrinkle In Time star once again plays American pilot Steve Trevor, who was last seen in 1918 in Wonder Woman. He's now a man thrust far beyond his own time, and he has much to marvel at. But this sequence also acts as a stark reminder, sending a message to the audience about the film they're watching. No matter how much returning director Patty Jenkins and the powers-that-be behind the DC Extended Universe hope that Wonder Woman 1984's viewers share the same expression — and how much they believe that simply making a sequel to their 2017 blockbuster is enough to cause it — the movie doesn't earn much more than a resigned sigh. When it hit cinemas three years ago, the first movie about Princess Diana of Themyscira — also known as Diana Prince — stood out. Even though the DCEU started five years after the Marvel Cinematic Universe, DC bested its rival by focusing on a female character in its fourth film (for Marvel, it took 21 pictures, only achieving the feat with 2019's Captain Marvel). DC didn't waste its opportunity, either. Wonder Woman isn't a mere cookie-cutter superhero flick, just focusing on a character of a different gender. It champions understanding and emotional intelligence, handles its engaging origin story with sincerity and warmth, and unfurls an adventure where both strength and vulnerability exist in tandem. It also relays a fulfilling tale; a sequel was inevitable, but the initial feature didn't just whet the audience's appetite for the next, plus all the other caped crusader films certain to follow. In other words, Wonder Woman bakes the traits that make its eponymous figure something special into its story and approach, and is all the better for it. In contrast, Wonder Woman 1984 has Diana (Gal Gadot, Justice League) tell everyone again and again that being truthful is far more important than anything else — after an opening scene set among her matriarchal society of Amazons, where she learns the lesson as a girl (Lilly Aspell, Holmes & Watson) during a high-stakes competition against older women. And, with the brightly hued film arriving after a year almost starved of franchise-related comic book tales (other than the pre-pandemic opening of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) and the long-delayed release of The New Mutants), this sequel has also decided that more is more in the easiest of fashions. Wonder Woman 1984 doesn't spin the most complicated story, but it's so repetitive and meandering across its 151-minute running time that it's needlessly bulky, muddled and weighed down. A few notable scenes aside, its glossily shot action sequences share the same dragged-out, overblown sensation. Jumping forward almost seven decades within the Wonder Woman films' timeline, Diana has taken up an anthropologist job at the Smithsonian, and turned swinging through malls on her Lasso of Truth to fight crime into her side hustle. But then insecure archaeologist Barbara Minerva (Kristen Wiig, Where'd You Go, Bernadette) starts working beside her, gets tasked with assessing a mysterious gem, and lets Donald Trump-esque infomercial salesman Maxwell Lord (Pedro Pascal, The Mandalorian) take the strange object home with him. It's no ordinary rock, however. It grants wishes, so Maxwell wants to take advantage of that power — and, unknowingly, both Diana and Barbara have already uttered their dreams aloud while holding the stone. These fantasies come at a cost, of course, even before Maxwell uses his to try to take over the world. Yes, in the script penned by Jenkins, Geoff Johns (Aquaman) and Dave Callaham (Zombieland: Double Tap), a magic rock drives the plot — and the aforementioned, overstressed idea that truth triumphs over all, too. Accordingly, it's no wonder (pun intended) that Wonder Woman 1984 feels padded out. And, with Steve's return, Maxwell's hunger for domination and Barbara's transformation into comic book character Cheetah all demanding attention, it's little surprise that Wonder Woman herself is rarely the main attraction. The film misses her, even though she's supposed to be its protagonist. Perhaps that's why the movie opts for spouting the same maxim over and over, instead of sharing her characteristics. It's harder to make a feature that reflects its chief figure when that ostensible point of focus is so often pushed aside. It's far easier to stick to a broad template, stretch it out and assume everyone will just be pleased that Wonder Woman is back in a movie that bears her name. Wonder Woman 1984 also shares Captain Marvel's struggle, because it's so generic that it doesn't ever do its central character justice — or do much more than deliver a paint-by-numbers tale set in a decades-ago era with a woman as its primary superhero. Perhaps serving up lacklustre, formulaic flicks about male and female caped crusaders alike is Hollywood's idea of equality? Viewers are always left wanting more here, because Gadot demands it. She's immensely charming and graceful as the warrior queen — radiating empathy and decency with an earthiness that should clash with Wonder Woman's shining armour and golden tiara, but doesn't — and navigates tightly choreographed stunts as deftly as big emotional moments. She's nicely paired with both Pine and Wiig, the latter first as a friend and later an adversary, but Gadot sparks her own wonder. Wonder Woman 1984 certainly knows how to trot out well-worn beats packaged as part-upbeat heroism, part-social satire, but it just doesn't realise where its true strengths reside often enough. https://www.youtube.com/watch?v=XW2E2Fnh52w
Not content with opening its first-ever Down Under venue in Brisbane back in 2019, which also doubles as its Australian base, Scottish craft beer behemoth BrewDog is now going one better. Come 12pm on Friday, November 11, the booze-loving company will also launch its second Aussie spot in the Sunshine State capital — courtesy of a three-level beer bar in Fortitude Valley. The brand's OG Murarrie location in Brisbane's east was always meant to be its debut step on the path to more Aussie outposts; however, we all know what's gotten in the way since then. Now, BrewDog is going full steam ahead on its expansion plans, including teaming up with Australian Venue Co to set up bars around the country, with sites on the way in Melbourne and Sydney. But welcoming beer lovers into its second Brissie venue is happening first. As initially revealed midyear, Brisbanites keen on a BrewDog beer in a BrewDog bar will now be able to pick between two locations. That said, BrewDog's Head of Australian Operations Calvin McDonald doesn't expect that it'll be a difficult choice. He loves the OG Brissie venue and is excited about the new Valley watering hole — but he also thinks that the Murarrie spot will continue to draw in eastsiders, while the new Brunswick Street digs will appeal to everyone else. Folks keen on checking on BrewDog's Valley home will find it in the heritage-listed Tranberg House building across the road from the Valley Metro complex, nestling into all three levels, all with their own bars pouring brews from 20 taps each. On the entry level — from Brunswick Street — beer lovers will find a space that caters to 115–120 people, while the big drawcard is the beer hall-style lower-ground floor that'll fit around 120 folks as well. Then, up on the top storey, patrons will find two six-metre-long shuffleboard tables, as well as a space that'll be able to be used for functions. Brews and food-wise, BrewDog will keep doing what its doing — pouring its own beers, celebrating other local brewers, and sticking with a pub grub-heavy menu that spans pizzas, burgers, vegan eats and the like. That includes serving up a 50-percent plant-based culinary lineup, complete with two-four-one vegan meals on Mondays, and doing $25 all-you-can-eat wings on Wednesdays. Also, to mark the Fortitude Valley bar's opening, BrewDog is also giving the first 200 customers through the doors from 12pm on launch day the chance to win a year's worth of beer. If a new bar wasn't reason enough to say cheers, surely that is. Find BrewDog Fortitude Valley at Tranberg House, 235 Brunswick Street, Fortitude Valley, from 12pm on Friday, November 11 — open afterwards from 11am–12am Thursday–Saturday and 11am–10pm Sunday–Wednesday. Images: Markus Ravik.
There's only one place in Brisbane that serves Mac Daddy burgers filled with mac 'n' cheese. Well, three if you count Miss Kay's different stores in the CBD, Mitchelton and Woolloongabba. Whether the Kris Kross joke came first, or the idea for a macaroni and dairy-filled burg, we don't care — when you're going to put cheesy pasta between two slices of bread, no one does. The pop culture-themed, American-style diner's concoction also features a beef patty, American cheese, lettuce, sweet barbecue sauce, mayo and fries; however jump jumping for its other ingredient is understandable. Cheese lovers can also enjoy a poutine burg with haloumi, or a good ol' fashioned cheeseburger of the single or double variety.
UPDATE, April 24, 2021: Parasite is available to stream via Stan, Google Play, YouTube Movies, iTunes and Amazon Video. When writer-director Bong Joon-ho lets two families roam around and unleash their best and worst in an opulent South Korean mansion, he couldn't have placed them in a better spot. The kind of house that anyone would dream of living in, Parasite's main setting is a multi-storey playground filled with wide-open spaces, gleaming surfaces and modernist decor, all opening out onto a grassy, leafy backyard. A real estate agent's fantasy as well, this not-so-humble abode is the bricks-and-mortar pinnacle of success and wealth. As created by production designer Lee Ha-jun to meet Bong's specific vision (a real house that matched the filmmaker's needs simply didn't exist), the labyrinthine structure is a puzzle box, too. Within its walls, mysteries linger. Here, anything and everything could happen. Parasite proves exceptional in every single frame and detail that it flicks onto the screen — but the way that this sprawling central home encapsulates the movie's very essence is a towering feat. Already lauded and applauded, not to mention awarded the top prizes at both the Cannes and Sydney film festivals, Parasite isn't short on achievements. Internationally renowned and beloved as the auteur behind The Host, Snowpiercer and Okja, Bong has crafted a bleak, twisty blend of black tragi-comedy, pulsating thrills and socially relevant horror — a movie that's such a phenomenal example of all that cinema can and should be that you'll want to high-five the filmmaker after watching it. Parasite possesses a pitch-perfect cast of both veteran and up-and-coming actors, all playing their parts with devastating precision. It's scripted, with Okja assistant director turned first-time co-writer Han Jin-won, to tease, mesmerise, infuriate, satirise and amuse in equal measures. And its look and pace, courtesy of the finessed work of cinematographer Hong Kyung-pyo (Bong's Mother) and editor Yang Jin-mo (Bong's Okja), is as polished and probing as its all-important setting. When viewers first meet Ki-taek (Song Kang-ho), his wife Chung-sook (Chang Hyae-jin), and their young but grown-up children Ki-woo (Choi Woo-shik) and Ki-jung (Park So-dam), they're dwelling in a damp, cockroach-infested basement apartment. They're also all out of work. Piggybacking whichever unlocked wi-fi network they can find keeps them going — and, when the streets outside are being fumigated, the family isn't opposed to keeping the windows open to take advantage of the free pest control (health consequences be damned). Combined, their only regular source of income comes from folding pizza boxes, with zero other prospects on the horizon. Then Ki-woo's former classmate Min (Park Seo-joon) asks if he'll fill in at a lucrative private tutoring gig. While Ki-woo doesn't have the requisite university degree such a position usually needs, it's easy to manufacture thanks to Ki-jung's impressive photoshop skills. Taking plenty of cues from this early bit of subterfuge, Parasite could be dubbed the ultimate 'fake it till you make it' movie. Stepping foot inside the film's main setting, Ki-Woo wows not only his new, quickly love-struck teenage pupil Da-hye (Jung Ziso), but her flighty mother Yeon-kyo (Cho Yeo-jeong) too. He's soon part of the household, which also includes tech entrepreneur patriarch Park (Lee Sun-kyun), pre-adolescent son Da-song (Jung Hyeon-jun) and their housekeeper (Lee Jeong-eun). With Ki-woo eager to bring his own family into this rich, luxurious orbit, an underhanded plan emerges. Without spoiling any specifics from this narrative juncture onwards, Bong was inspired to write Parasite after spotting a smudge on his pants. This intriguing tidbit gives very little away, although corrupting an otherwise pristine environment — and pondering whether a splatter of disarray makes supposed perfection and privilege better or worse — is the film's thematic stomping ground. The movie's lush locale draws viewers in, all so that it can shatter the allure. Slippery performances, with seemingly clear-cut characters becoming anything but, do the same. So too does Bong and his crew's exacting craftsmanship, which keeps audiences both immersed and guessing. Add shifting tones and changing genres to the fold as well, because evolution and elusiveness are among the movie's most crucial tools. Indeed, from sets and actors to framing and mood, every element of Parasite is weaponised. More than that, it's all calibrated and wielded for maximum impact. This isn't just a killer picture on all of the standard levels, however. Contemplating society's growing class collisions and inequities, Parasite also makes a killer statement. It shouldn't escape attention that three of the past year's absolute best and most astute works, all from South Korean or Japanese filmmakers, have taken aim at the increasing gap between the haves and the have nots. Or, looking to America as well, that one of 2019's great horror releases plays in the same terrain while also bringing race into the equation. Parasite shares its grifting, struggling family with Hirokazu Kore-eda's Shoplifters, its tonal flips and wiliness with Lee Chang-dong's Burning, and its malevolent tone with Jordan Peele's Us, adding to a blossoming field of urgent, intense and diverse cinema that interrogates the societal status quo with a rightfully scathing eye. That said, there's no mistaking Bong's dark, devious and delightful thriller for any other film — or for anything but a hands-down masterpiece. https://www.youtube.com/watch?v=w_0KJAzyUJc
Timing is everything in Where the Crawdads Sing, the murder-mystery melodrama set in America's Deep South that raced up bestseller lists in 2018, and now reaches cinemas a mere four years later. Its entire narrative hinges upon a simple question: did North Carolina outcast and recluse Kya Clark (Daisy Edgar-Jones, Fresh), cruelly nicknamed "the marsh girl" by locals, have time to speed home from an out-of-town stay to push star quarterback Chase Andrews (Harris Dickinson, The King's Man) from a fire tower, then resume her trip without anyone noticing? On the page, that query helped propel Delia Owens' literary sensation to success, to Reese Witherspoon's book club — she's a producer here — and to a swift film adaptation. But no timing would likely have ever been right for the movie's release, given that Owens and her husband are wanted for questioning in a real-life murder case in Zambia. Unlike the film, those off-screen details aren't new, but they were always bound to attract attention again as soon as this feature arrived. One of the reasons they're inescapable: the purposeful parallels between Owens' debut novel and her existence. Like Kya, Owens is a naturalist. The also southern-born author spent years preferring the company of plants and animals, crusading for conservation causes in Africa. Where the Crawdads Sing is timed to coincide with Owens' own life as well; it's set in the 50s and 60s and, as a child (played by Jojo Regina, The Chosen) and a teenager, Kya is around the same age that Owens would've been then. Another reason that the ways that art might link with reality can't be shaken, lingering like a sultry, squelchy day: what ends up on-screen is as poised, pristine and polished as a swampy southern gothic tale can be, and anyone in one. There's still a scandal, but forget dirt, sweat and anything but lush, vivid wilderness, plus a rustic hut that wouldn't look out of place on Airbnb. That Instagram-friendly aesthetic comes courtesy of filmmaker Olivia Newman (First Match), who helms a visually enticing movie — again, incongruously so given the story it unfurls and the location it dwells in — that's as typical as a murder-mystery meets coming-of-age tale meets southern romance can be. The film starts with Chase's body, the investigation that springs and the certainty around the insular small town of Barkley Cove that the supposedly feral and uncivilised marsh girl is responsible. Evidence is thin, but bigotry runs deep against someone who grew up with an abusive father (Garret Dillahunt, Ambulance), was left behind by her other family members and spent the bulk of her years fending for herself in poverty. That said, as in Owens' source material, that's just the framework. On the screen, though, Where the Crawdads Sing's dive into Kya's life feels like it's also been adapted from Nicholas Sparks' pages. Most of Barkley Cove has always shunned Kya, other than generous store owners Jumpin' (Sterling Macer Jr, House of Lies) and Mabel (Michael Hyatt, The Little Things), who she sells mussels to — the feature's only Black characters, who are woefully only used to stress how callous the rest of the town proves, rather than to even dream of digging into matters of race in America's south as the civil rights movement started to gather steam. Also kindly, taking on her defence, is her Atticus Finch-esque local lawyer Tom Milton (David Strathairn, Nightmare Alley). But romance still blossoms not once but twice for Kya, first with the doting, poetry-reading Tate Walker (Taylor John Smith, Blacklight), and then with arrogant rich kid Chase. That's where Newman's film prefers to reside, charting the ups and downs of Kya's affairs of the heart. That's why the movie appears so immaculate that it shimmers with a marsh-chic gleam as well. Smooching in the swamp replaces The Notebook-style kissing in the rain here. Skimming the surface replaces fleshing out what makes Kya tick, what her surroundings truly mean to her, and humanity's complex ties to nature. Kya is the strongest part of Where the Crawdads Sing, but the film makes everything about and around her so by the numbers. Taken from the book, sometimes-evocative turns of phrase litter Lucy Alibar's (Beasts of the Southern Wild) script, endeavouring to conjure up a rich atmosphere and bring Kya's inner feelings to life, including her love for the bayou. They're always far too neat, however, like everything within view. And as impressive as Edgar-Jones is as an actor (see also: fellow page-to-screen hit Normal People), it's impossible to reconcile Where the Crawdads Sing's careful words and dreamy vision of marsh life — such as the way its star is styled — with what the film tells rather than shows about its central character. Kya's kinship with the wetlands is stressed over and over, of course. Where the Crawdads Sing rarely misses an opportunity to mention it. The audience is informed that it's where she feels safe and at home, and learns to be herself — and also provides the inspiration behind her career as an illustrator, cataloguing the creatures that only live in the kind of thick bushland described in the movie's title. But viewers are still stuck doing exactly what the picture rallies against in its narrative: believing their eyes and taking appearances at face value. The only alternative is sketching in minutiae and texture that just isn't in the film — that is, bringing what's present in the book to this version of the story, including what Newman and Alibar left out, then combining the two in your head. That's not how turning novels into movies should work; they're standalone pieces of art, not visual companions. It doesn't fit the tale being told — one that includes child abandonment, sexual assault, domestic violence, and both societal and legal prejudices — but the movie's backdrop does always look stunning, as lensed with the golden glow of a tourism commercial by cinematographer Polly Morgan (A Quiet Place Part II). That's Where the Crawdads Sing, though: pretty rather than profound, meaningfully complicated or substantial. Dickinson and Smith's plights also sum up the film perfectly. While the always-welcome and ever-reliable Strathairn puts in a fine performance that's largely defined by rousing speeches, both Dickinson and Smith do exactly what's asked of them without being given much room to play anything but stock roles. That's Where the Crawdads Sing at its very best, too: always utterly standard. That said, although never visibly or emotionally, it's usually far muddier than that.
Saying goodbye to your pet as you leave for work in the morning has to be among life's most devastating moments. The look on their little face as you hurry to lock the door? Utterly soul-destroying. Nothing makes you feel more like a negligent puppy parent than the sound of their tiny, dejected footsteps as you walk away from the door. But this is a happy story, we promise. Because at the end of every working week comes two whole blissful days where you get to squeeze in maximum hang-time with your furry bud. While you may have a sweet little routine down pat (park, beach, car ride, rinse and repeat), there might be some weekend occasions where you want to bring your pupper along to some two-legged celebrations. Our friends at American Express know that you have no shame in your crazy dog-person game. Your fur baby may not share your DNA, but you love that crazy hound as if it were your own. We've put our noses to the ground and sniffed out Brisbane's best American Express-accepting, dog-loving venues. Because your pooch needs to know that he is a very, very good boy. Got yourself in another dining situation and need some guidance? Whatever it is, we know a place. Visit The Shortlist and we'll sort you out.
Since 2019 in Brisbane, a trip to Archie Brothers Cirque Electriq has meant stepping inside a circus-themed arcade bar that's primed for kidulting. And, that's still the case; however, once a month from May until November, the chain is ramping its core concepts of circus, arcade fun and nostalgic activities for adults up a few levels. Run by Funlab, the group also responsible for Holey Moley, Strike Bowling and B. Lucky & Sons, Archie Brothers is kicking off a new Showtime event series. After launching on Saturday, May 8 in Toombul, it'll take place on the second Saturday of each month, turning the venue into an adults-only circus and cocktail pop-up. From 7–10pm each month, attendees can expect stilt walkers, magicians, burlesque and beverages — and tarot card readings, face painting, unicycling, acrobatics, diabolo and balloon modelling as well. The carousel-themed Archie Brothers bar will be pouring Showtime Disco Mirror Ball cocktails, which combine Red Bull, passionfruit, cranberry juice, triple sec, whiskey and lime, while the rest of the chain's usual drinks list will be on offer, too. Food-wise, the theme park and American diner-inspired menu will span sandwiches, pizzas, sliders, onion rings, mac and cheese and other dishes. And, all of Archie Brothers' usual games and activities will be on the agenda, as will prizes. So, you'll be whipping out your Mario Kart skills, hitting the dodgems, bowling and just generally mashing buttons in May, and again come June 12, July 10, August 14, September 11, October 9 and November 13. Then, you'll be trading all the tickets you amass for gaming consoles, 90s paraphernalia and more (and there won't be any kids around vying for the same goodies). Images: Zennieshia Butts.
Yeronga's newest eatery clearly loves its location. Why else would it reference its distance and direction from the CBD in its name? And line one of its walls with shelves made from salvaged timber, offering a reminder of the area's flooded past? Yes, there's no escaping the distinctive local flavour at Seven South, though that's not all that the latest venture from former Home Cafe owners Gavin and Kylie Bartholomew champions. All-day offerings that give traditional dishes a tasty twist are the highlights of the Hyde Road restaurant's menu. Take their hot cakes for example, which come bursting lemon thyme, blueberry and ricotta, and topped with creme fraiche and pistachio praline. Or their fishcakes for lunch, of the smoked salmon variety. You'll find meals that don't feature the word "cake" in their description, of course, such as smokey bourbon and maple glazed beef ribs. Plus, Seven South is dog-friendly — because you can't open a new neighbourhood hangout without welcoming pet pooches, too.
If you've been making plans to revamp your style, but haven't been able to rustle up the coin or are sick of online shopping, here's your chance. Hugo Boss is hosting a mega sale at its outlet stores. You'll be able to score a further 50 percent off menswear, womenswear, footwear and accessories. Whether you're after a suit for a special occasion or looking to level up your work wardrobe, Hugo Boss's mid-year outlet sale will have you sorted for a fraction of the fashion label's usual prices. You'll have to get in quick to score a bargain though, with the sale running from Wednesday, July 7 until Sunday, July 11 (or until stocks last). To get stylish new threads, Melbourne mates can head to the Preston Boss outlet (Friday–Sunday only) or Essendon DFO, Perth pals to Perth DFO and Gold Coast friends to Harbour Town. The Hugo Boss mid-year outlet sale will run from Wednesday, July 7 till Sunday, July 11, or until stocks last. To find your closest outlet, visit the website.
The merriest time of the year is here, and getting festive is on everyone's agenda — and every market's around town, too. But only one will have Francophiles delighting: Le Festival's French Christmas Market, which returns for its second year after its 2021 debut. Running across Saturday, November 19–Sunday, November 20, this two-day affair will get you eating, drinking, shopping and feeling Gallic at West End's West Village. Think of it as Brisbane's usual midyear Le Festival but smaller — and filled with season's greetings. Red, white and blue lights will set the jolly tone, market stalls will sell all manner of French-inspired wares, and there'll be a French bar, too, because all that browsing and buying is thirsty work. Basically, it's the next best thing to heading to France for Christmas (all without the cost of an airfare). Images: Ange Costes
It's just been named one of the best places in the world to visit in 2022, and it's about to give you another reason to stop by. That'd be southeast Queensland's Scenic Rim region, which will play host to the state's newest music event early next year: The Long Sunset. On Saturday, February 12, the music and camping festival will sprawl across Elysian Fields in Canungra — and it'll make the most of its almost 500-acre location. Listening to live tunes may be the main drawcard, as well as bunking down for the night afterwards, but this fest will also fill its sprawling venue with other highlights. Think: cocktail bars, pop-up art galleries celebrating local artists and artisans, and a range of homegrown food highlights. The full event rundown hasn't been revealed as yet, but one key thing has been announced: The Long Sunset's headliners. Angus and Julia Stone will do their first Queensland gig together since 2018, with Brisbane's own Ball Park Music also taking to the stage. Fellow locals Hatchie and Byron Bay's Babe Rainbow are on the bill as well, and more acts are set to be announced. The fest will be an all-ages affair — organisers have used the word "wholesome" to describe it — and it's also aiming to entice visitors to check out the rest of the Scenic Rim while they're there. Combining live music with seeing Queensland's sights was the aim of this year's Queensland Music Trails, too — and The Long Sunset hails from the same team. In fact, it's aimed that the new fest will become an annual event, and form part of the Queensland Music Trails in years to come. And yes, as the name suggests, you can expect quite the dazzling display as day turns to night — with sunset at Elysian Fields seeing beams of light flicker over from the region's surrounding mountain ranges. The Long Sunset will take over Elysian Fields in Canungra, in the Scenic Rim, on Saturday, February 12. Ticket pre-sales will be available from 8am on Monday, November 8, before general sales start at 9am on Tuesday, November 9.
No, this isn’t just the easy option — although it might be the cheapest. Watching fireworks is a New Year’s Eve tradition, and they’re much better seen in person than on television. Brisbane’s annual display at South Bank is up there with the best, but if braving the crowds rushing for the 8.30pm and midnight pyrotechnics isn’t your thing, why not make a day of it by packing a tasty picnic and staking our your ideal spot along the river? Or venture out a little bit further to seek out a few lofty peaks to peer down on the action. Mt Coot-tha, Highgate Hill, Coorparoo and Kangaroo Point also offer great vantage points.
UPDATE, September 16, 2022: Sweet As - Brisbane Dessert Festival has now been postponed again until Sunday, September 17, 2023. This article has been updated to reflect that change. Most food festivals offer a variety of dishes, ranging from snacks and treats to entrees and mains. Sweet As, Brisbane's returning dessert fest, will too — as long as you're fine with meringues, marshmallows and macarons as appetisers, cakes and doughnuts for a hearty meal, and ice cream, sorbet, gelato and dessert cocktails to wrap it all up. That's just our suggested order. With all of the above usually on offer — plus everything from brownies and waffles to cheese and chocolate — there's no right or wrong way to work your way through the menu. All of the treats will be served up by a range of the city's best dessert-makers, with The World Food Markets overseeing the event. And while Brisbane is no stranger to sweet-filled festivals, it really is a situation where the more, the merrier applies. With the festival running from 10am–5pm on Sunday, September 17, 2023 at Musgrave Park, that means dessert is on the menu for a late brunch, morning tea, lunch and afternoon tea — and if you opt for to stick around for a few of those meals, there'll be no judgement. For those with dietary requirements, there'll be lactose-free, gluten-free, nut-free and vegan options across the board as well. Yep, that truly is sweet as. Also on offer: non-sugary street food, pop-up bars, cooking demonstrations and live entertainment. Tickets aren't on sale yet, but you can currently register to be notified when they become available.
Is buying vinyl is part of your regular weekend shopping plans? Whether you're scouring the racks for something specific or just generally looking for a bargain, make a beeline to the Albert Street Mall. The Queen Street Mall offshoot is playing host to a record fair — an event that marks Brisbane's regular record-selling event's big return to the CBD, in fact. Yes, you can bet there'll be plenty of tunes waiting for a new home. Taking place from 10am–3.30pm on Saturday, March 4, the Brisbane City Mall Record Fair will bring vinyl galore to the CBD location. Expect a whole range of sellers keen to offload their records to avid shoppers and collectors. Rocking Horse Records is one of the organisers, too, so the event has a Brisbane music icon's tick of approval. Entry is free, although you'll want to bring your wallet if you're eager to boost your collection. You can find all manner of delights at a fair like this, from old classics to retro wonders — and albums you never even knew existed. Befitting the type of massive record fair that's set to sprawl across this central patch of pavement, DJ El Norto will setup the decks under the Queen Street Mall archway to spin a soundtrack to shop to.
Making music can be just as political as personal for some, especially if you're Melbourne trio The Basics. Their 12-year career has seen the band go through its fair share of ups and downs, with 1000 shows locally and abroad and even a three year hiatus from the music scene (seeing frontman Wally De Backer embark on a little ol' solo venture as Goyte). Then, 2014 casually saw The Basics' Tim Heath and Kris Schroeder enter the Victorian political sphere as the Basics Rock'n'Roll Party (BRRP), to many a divided opinion. But stronger than ever with brand new material, The Basics are headed back to the stage, hitting Brisbane's Old Museum to launch their brand new EP 'The Lucky Country'. Using music to spread their messages of innovation and education, these boys are going from strength to strength (tackling an election while recording a bunch of stellar tracks at Abbey Road). Supported by fellow Melburnians The Gun Barrel Straights, this promises to be a high-energy set from the reunited De Backer, Heath and Schroeder.
Everyone knows that New Zealand has epic Lord of the Rings landscapes, but far fewer know about its quietly awesome food scene. Much like the people, the country's food is unassuming, approachable and punches above its weight. With plentiful seafood and homegrown produce, New Zealand's cuisine scene celebrates this bounty from land and sea. Come for the scenery, stay for the food — it'll be love at first bite. Good food calls for a great wine match. Enter Cloudy Bay, one of New Zealand's most acclaimed wine brands. Whether you're foraging for fresh crayfish or sailing through the Marlborough Sounds, Cloudy Bay has you covered with its diverse and elegant selection. Together, we've dished up five top-notch food experiences you can only have in New Zealand. TAKE FLIGHT AND FORAGE FOR WILD FOOD Blending jaw-dropping scenery with locally sourced food, a foraging tour with Alpine Helicopters is the ultimate way for food lovers to get a taste of New Zealand. Spend the day flying high as you glide over giant glaciers, majestic mountains, winding rivers and lush native bush, with foraging stops along the way. Fish for trout on the edge of Lake Wanaka, help your heli crew rustle up crayfish from the sea, and fill up your camera roll with the most epic landscapes you've ever seen. Once you've worked up an appetite you'll be flown to a secluded spot for a surreal lunch stop — a Kiwi bush barbecue featuring your catch and gorgeous wines to match. It's no free lunch, but it sure is priceless. Wine match: Cloud Bay Te Koko, a wild take on sauvignon blanc, is the perfect pairing for fresh crayfish. FEAST ON CUISINE COOKED IN WINE BARRELS If you thought wine barrels were just for wine, think again. For an ingenious spin on the classic barbie, sink your teeth into 'barrel cuisine' at The Stoaker Room Bistro and Bar. Using retired French oak pinot noir barrels, the clever chefs cook up mouthwatering eats which burst with smoky, earthy flavours. From goat and wild pork to mussels and salmon, The Stoaker Room specialises in wild meat and seafood. For a real gastronomic experience, arrange a private catered meal at the Cloudy Bay Shed. The Stoaker Room team will roll up with their barrels and put on an incredible multi-course feast, matched with Cloudy Bay wines and dazzling Central Otago vistas. Wine match: Cloudy Bay Te Wahi, a poised pinot noir with a bit of a wild side. GRAZE ON TAPAS AT A PUB STEEPED IN HISTORY Smack bang in the heart of old gold mining country, Bannockburn Hotel in Cromwell, Central Otago, is a restaurant that's got a tale or two to tell. First established in 1862, the Bannockburn Hotel was born during the great New Zealand Gold Rush, which saw the region flooded with prospectors chasing the golden dream. As the first pub to be granted a liquor licence in the region, the hotel was understandably a popular spot with the gold seekers. Today, the old pub remains a popular haunt. Following a makeover or two, it has been transformed into a sophisticated restaurant, with rustic touches celebrating its history. Serving up top-notch tapas made from the best local produce, Bannockburn Hotel is the ideal spot for a cold brew and a grazing session. Feast on goats cheese croquettes, chorizo, meatballs, and relish the views over the craggy, historic countryside. Wine match: enjoy the savoury bites and rich history with a lively Cloudy Bay pinot noir. SAVOUR FRESH SEAFOOD WITH VINEYARD VIEWS A culinary tour of New Zealand would not complete without a visit to Marlborough, one of the world's finest wine regions. With the sparkling waters of the Sounds just a stone's throw away, this region also boasts bountiful seafood. Experience the best of the region's goods in a picturesque vineyard setting at Jack's Raw Bar — the summertime restaurant at the Cloudy Bay winery. Relax in the outdoor wine lounge as you tuck into fresh Marlborough oysters, Cloudy Bay clams, cured salmon and other regional delicacies, all matched with Cloudy Bay wines. Wine match: Cloudy Bay sauvignon blanc, the iconic drop that put the winery on the map. DINE IN A BAY THAT'S ONLY ACCESSIBLE BY BOAT Nestled into a lush hillside, in a remote corner of the Marlborough Sounds, Bay of Many Coves is a shimmering sanctuary loaded with views. Take a boat from Picton to visit this tranquil retreat for a dreamy lunch escape. Cool down with a dip in the bay before settling in for a breezy lunch at the cafe on the water's edge. Sample the famous fish 'n' chips or seafood chowder and soak up the serenity. If you fancy a longer visit (and trust us, you will), stay overnight in one of the luxury villas. In the evening, treat yourself to a sumptuous meal in the award-winning restaurant, The Foredeck, which serves up immaculate cuisine from land and sea, and views to dine for. Wine match: an escape in the Sounds is best enjoyed with a glass of sparkling Cloudy Bay Pelorus. Discover the full Cloudy Bay range, alongside plenty more food pairing suggestions, here.
If ever a dive bar needed its own festival, it's Brisbane's Death Valley. Sinking drinks in the Morningside mainstay's beer garden, chowing down on a meal from Red Robin Supper Truck, tapping your toes to whatever's pumping through the stereo and chilling out with your friends almost feels like hanging out at a festival anyway — but now, the boozy offshoot of Southside Tea Room is about to take that vibe to the next level. Meet Death Valley Fun Camp, the brand new, must-attend weekend event you're going to want to grab a ticket to as soon as they go on sale. Part festival, part campout, it combines the best of both recreational activities. Think music, food, beverages, activities, marshmallows and sleeping in cabins at Lake Moogerah in the Scenic Rim district south-west of Brissie. Attendees will try their hand at flag-making, slosh through a mud course, paddle around on a kayak, and learn the art of pickling veggies — and that's just the beginning. When the sun goes down, they'll also help the Southside Tea Room crew and Jacob Knauth from Lucky Egg whip up dinner. A fireside gathering is on the agenda too, so brush up on your spooky stories. Afterwards, Top Shelf Wedding Band will bust out some live tunes, with members of Velociraptor and other Brisbane garage rock alumni — including Southside owners, The Grates' Patience Hodgson and John Patterson, we're betting — strutting their stuff. Sounds like the kind of weekend getaway that only exists in movies, doesn't it? Stop pinching yourself — it is really happening. Tickets start from $149, and include all meals and activities, a welcome pack complete with a camp t-shirt and a bunk bed for the night. Add an extra $79 for a refillable beer mug — the perfect container for all the Young Henrys beer and cider you can consume — with all food and drink proceeds going to Kids Helpline. Death Valley Fun Camp takes place from May 21 to 22. Tickets go on sale at 9am on Thursday, March 31. For more information, visit the event website. Image: Josh Felise.
When the Gold Coast Film Festival kicks off for 2025, it'll launch with a Carey Mulligan-starring British comedy about a man keen to get his favourite musicians back together. By the time that it wraps up after a 12-day run, the event will have seen Pete Murray and Peter Andre grace its screens as actors, and also walk its red carpets. This year's event isn't solely focusing on flicks with a connection to music, but that theme is coming through anyway. Two more examples: documentary Pavements, which focuses on the band Pavement but is far from your standard doco, and a retro session of musical favourite Grease. Mulligan (Spaceman) features in The Ballad of Wallis Island, while Murray makes his first feature film in Blue Horizon and Andre takes his first lead movie role in dramedy Jafaican. Story-wise, the first also involves a lottery winner on an isolated island, the second follows a music star who might be heading to jail and the third — which is world-premiering on the Gold Coast — focuses on a small-time criminal attempting to rustle up cash fast to look after his grandmother. Across Wednesday, April 30–Sunday, May 11, GCFF 2025 also has sport in the spotlight via documentaries Queens of Concrete, about three skateboarders trying to balance being teens with attempting to score an Olympics berth; 7 Beats Per Minute, which hones in on freediving champion Jessea Lu; and Ballkids, chronicling the eponymous position at the Australian Open. The Edge, another world premiere, chronicles the experience of being an elite athlete for three women, including Australian powerlifter Lily Riley. In The Cigarette Surfboard, too, surfer Taylor Lane uses his love for riding the waves as a way to learn and raise awareness about protecting the beaches, especially from cigarette butts. Among this years' Australian contingent — in addition to Blue Horizon and the bulk of the sports-related titles above — drama Kangaroo Island charts a homecoming to the place that gives the movie its name, Hagar's Hut puts a young girl who is escape abuse at its centre, romance Christmas Keepsake adds a festive layer, body-swapping drives Carnal Vessels and My Eyes is based on true events as it tells of an optometrist attempting to save her daughter's sight. My Tai is a comedy but it might feel timely, given that it's about a bar threatened by an impending cyclone. The international lineup includes Japanese drama Cottontail, French comedy Funny Birds, India's Together at 35, Yellowjackets star Sophie Nelisse in the World War II-set Irena's Choice and a bookseller endeavouring to avoid escaping into fantasy in France's Jane Austen Wrecked My Life — and also Architecton, a musing on architecture from Victor Kossakovsky, the director behind the 2020's stunning animal-centric documentary Gunda. For attendees keen for a feast of short films, SIPFEST, Shorts in Paradise remains on the GCFF lineup as well, screening for free on the HOTA Outdoor Stage. And for those eager to do more than watch movies, the Women in Film Lunch is back, while the Gold Coast Film Festival Awards Gala will feature a celebration of 2025 Chauvel Award-winner Robert Connolly (The Dry, Force of Nature: The Dry 2, Magic Beach). "The 2025 Gold Coast Film Festival is set to be our most exciting yet, with a bold and diverse programme that celebrates incredible storytelling from Australia and around the world. From red carpet galas and world premieres to inspiring industry events, GCFF continues to champion filmmakers, connect audiences and showcase the Gold Coast as a vibrant hub for cinema," said GCFF CEO Luke Wheatley, announcing the program. "We can't wait to welcome film lovers, industry professionals, and storytellers to experience the magic of the festival." [caption id="attachment_997752" align="alignnone" width="1920"] Screenshot[/caption] The 2025 Gold Coast Film Festival runs from Wednesday, April 30–Sunday, May 11 at HOTA, Home of the Arts and other venues on the Gold Coast. For more information and to buy tickets, visit the festival website.
Five years ago, a new addition to St Lucia asked Brisbanites a crucial question: why did the fried chicken fan cross Hawken Drive? The answer: to eat all the greasy chook they could handle at poultry buffet restaurant KaiKai Chicken. Since then, the eatery has helped solve another crucial query faced by hungry chook fiends, aka whether to have one finger lickin' good piece, several, or more than anyone should actually admit to. It serves up an endless array of poultry in a dozen different flavours, plus all-you-can-eat fries, rice, other sides and desserts to round out the meal. A la carte orders are also available, but who wants that when there's bottomless fried chicken at arms reach? To indulge in all of the above, likely while wearing your stretchiest outfit, you've needed to head to Brissie's inner west — but now, thanks to the chain's second venue, you can also venture south. Now open and serving customers, KaiKai has launched its second yellow-hued store in Springwood, complete with its beloved all-you-can-eat fried chicken buffet. [caption id="attachment_640449" align="alignnone" width="1620"] Atlanta Bell[/caption] That means that you currently have twice as many spots to hit up for the chain's affordable — albeit hardly healthy — $24.95 bottomless package, which includes those 12 flavours of chicken, six types of loaded fries, steamed rice, mashed potatoes and gravy, bread rolls, and cinnamon jelly doughnut sandwiches for dessert. Also on the menu at the new Kaikai spot: a $75 option that also includes a 90-minute alcohol package spanning bottled beers, mimosas and soju jugs. If it sounds too good to be true, we're here to tell you that it's a clucking reality — as it has been in St Lucia for half a decade now. That said, visits to Kaikai do have a time limit. Just like sipping that aforementioned bottomless booze, flocking customers are asked to get their chicken fix within 90 minutes due to the demand — and, let's be honest, after an hour and a half of seeing how much chook you can feast upon, you're probably be ready to fly the coop anyway. Find KaiKai Chicken at 3/25 Watland Street, Springwood — open 5.30pm–10pm Tuesday–Thursday and Sunday, and 5.30–10.30pm Friday–Saturday.
Regina George and the Plastics told us that Wednesdays are for wearing pink. In fact, they've advised us of that more than once. But on Wednesday, February 7, the middle of the week is for eating doughnuts without spending a cent, too, to promote the latest Mean Girls film. All day, Donut King is handing out freebies — and keeping Australians happy with their eponymous blend of sweets and carbs. The chain is known for its hot cinnamon doughnuts, and that's exactly what it'll be giving away at participating stores across Australia. Donut King hasn't advised exactly how many doughnuts are up for grabs, and it is a while-stocks-last affair. The big caveat, other than the first-in-best-dressed rule: there's a limit of one free hot cinnamon doughnut per person. Also, you do have to hit up a Donut King shop in-person, with the giveaway not available for deliveries. The brand's locations include everywhere from Chatswood and Top Ryde to Leichhardt and Hurstville in Sydney; Northcote, Sunshine, The Pines and Southland Westfield in Melbourne; Brisbane's Indooroopilly, Carindale, Chermside and Mt Gravatt; Perth's Ocean Keys and Midland Gate; and Adelaide's Glenelg, Tea Tree Plaza and more. But, you will need to check if your local Donut King outpost is taking part. View this post on Instagram A post shared by Donut King (@donutking_au) The new Mean Girls movie adapts the stage musical based on the OG 2004 movie, stars Australian actor Angourie Rice as Cady Heron and hit cinemas in January. Check out the trailer below — before, during or after tucking into a free doughnut: Donut King is giving away free doughnuts on Wednesday, February 7 at the chain's participating stores around the country. To find your closest shop and check its opening hours, head to the Donut King website.
4 Walls, Brisbane's biggest all-ages music festival, is back for 2013, boasting a collection of some of the biggest local names of the underground scene. Favoured by the airwaves, Jeremy Neale, Pigeon, Go Violets, Cub Scouts and Tourism are some of the acts featured on the line up, with a host of other bands and artists across three stages for the full-day event. This event is not just about the music — Four Walls is a day of live acts, plus DJs, as well as spaces to relax, and food and drink, adding up to a great-value day out. Brought to you by Youth Music Industries and the Queensland Academy for Creative Industries, each aims to promote the music of young people by facilitating performances, recording, publishing and broadcasting their work. This event is known to sell out, so be sure to grab your tickets online prior to the day.
Opening this weekend at Fortitude Valley's Institute of Modern Art are two large-scale exhibitions of different intent and form. Brisbane-born artist Gary Carsley has put together an exhibition that blends art and nature in a wonderful display of interactive installation art. Blending indoor and outdoor space, Sciencefictive encompasses two gallery spaces in which audiences can wander through, viewing garden scenes through custom-made apertures, called ‘Moongates’. Each nature scene encourages reflection and ponders the relationship between natural spaces and how it can mesh with our social settings. The Working Life is an ensemble exhibition, with works from numerous artists. It is a reflective series examining the effects of personal troubles and large-scale social calamities. These micro and macro examinations showcase a renewed interest in the aspect of labour and its importance to communities and interpersonal relationships. These international and Australian artists have crafted these works in the years post the financial crisis and utilise film and performance techniques to bring each artistic vision to the fore. The Working Life analyses corporate hypocrisy, fraud and injustice in an effort to create dialogue on the issues surrounding working life. The Working Life features art by Richard Bell, Andrea Fraser, Marianne Flotron, Melanie Gilligan, Jesse Jones, Darius Mikšys, Stuart Ringholt, and Copenhagen-based artist collective, Superflex. The exhibition was curated by Aileen Burns and Johan Lundh. Both exhibitions will open on Saturday, May 31, with special preview drinks at 4pm for IMA members only, followed by a talk by exhibiting artist Gary Carsley.
This article is sponsored by our partners, the State Library of Queensland. Fast with words and fleet with a turn of phrase? Then you might just be the next poetry slam champion. The Australian Poetry Slam '14 is looking for a fresh batch of lyrical voices to brave the stage and battle it out in a war of pithy, punchy prose — be it traditional poetry, hip hop-inspired rhymes, a story or a monologue. It all starts with local heats around the state, including in Brisbane on September 5. Winners then progress to the Queensland State Final on September 26 at the State Library, where creative wordsmiths will wield their verse in two-minute bursts of their own original material. The ultimate prize: bragging rights, of course, but also qualifying for the national final in Sydney (where $12,000 of cash and prizes await). For those new to sharing short spoken word poems with crowds, a series of workshops precede the heats to help equip the poetically keen but practically inexperienced. Develop performance skills, fine-tune stage technique, build confidence as a writer, or simply enjoy plenty of time getting used to addressing a crowd. Not interested in performing? The State Final offers plenty of other fun, too. Live music will set the mood, and the audience isn’t just there to watch — they’re also the judge.
If catching a real-life talk by Barack Obama is on your intellectual bucket list, then you're about to get your chance to tick it off — the former United States president is coming Down Under for a speaking event next month. The New Zealand United States Council yesterday revealed that it'll host Mr Obama for two exclusive talks next month, with the first to be held at Auckland's Viaduct Events Centre on March 22. He will then fly into Sydney for a second talk at the on March 23 which, according to News Corp, will be held at the Art Gallery of NSW. "President Obama's presidency had an extraordinary impact on the world and during his service, New Zealand's deep friendship with the United States was strengthened politically, culturally, in trade and investment, innovation and security," said NZUS Council Chairman Leon Grice in a Facebook post. Mr Obama visited Australia twice during his eight-year presidency. This will be his first post-presidency trip to the country. The finer details are yet to be announced and it's not yet known if the event will be open to the general public. We'll let you know when more details are confirmed.
Just because The Boys loves satirising pop culture's superhero obsession, that doesn't mean that it can't spark its own franchise. So, when the series quickly proved a hit, of course a whole Vought Cinematic Universe started springing up around it. First came the animated The Boys Presents: Diabolical. Then, Gen V arrived to take on the 'We Gotta Go Now' storyline. Get ready for more of the latter — because Prime Video has just renewed it for a second season. Gen V's freshman outing debuted back in September and won't wrap up until November; however, the streaming platform behind it has already re-enrolled. "We couldn't be happier to make a second season of Gen V. These are characters and stories we've grown to love, and we are thrilled to know people feel the same! The writers are already working on the new season — sophomore year is gonna be wild, with all the twists, heart, satire and exploding genitalia you've come to expect from the show," said showrunner Michele Fazekas (Agent Carter) and executive producer Eric Kripke (The Boys) about the second season. There's no return date for Gen V as yet, just as The Boys' fourth season doesn't yet have a release date either. But when the former does get a second spin, it'll dive back into the chaos at Godolkin University, the college for superheroes that's meant to help prepare the best of the best for caped-crusader life — until exploding classmates, creepy secret facilities and untrustworthy professors complicate matters. Season one spends time with the blood-bending Marie Moreau (Jaz Sinclair, Chilling Adventures of Sabrina), who knows that attending God U is a pivotal opportunity. After a traumatic experience when her powers kicked in, this is her chance to completely change her life — and achieve her dream of becoming the first Black woman in The Seven. Then, nothing turns out as planned. Also, things on campus (and underneath it) get shady, fast. Also starring in season one: Lizze Broadway (Based on a True Story) as Marie's roomate Emma Meyer, who can change her size; Patrick Schwarzenegger (The Staircase) as Luke 'Golden Boy' Riordan, the school's literally hot number one-ranked pupil; Maddie Phillips (Teenage Bounty Hunters) as his persuasive girlfriend Cate Dunlap; Chance Perdomo (also Chilling Adventures of Sabrina) as the magnetic Andre Anderson; and London Thor (Never Have I Ever) and Derek Luh (Shining Vale) as the gender-shifting Jordan Li. Check out the trailer for Gen V's first season below: Gen V streams via Prime Video, with a release date for season two not yet announced. Read our review of season one.
Pirates of the digital kind will be well aware of Village Roadshow's quest to rid the country of internet plundering, with the film company stepping up their efforts in the last year or so. This time twelve months ago, they commenced legal action against one movie streaming site. In October, co-chief executive Graham Burke announced plans to start suing illegal downloaders. A successful bid to stop Australians from accessing The Pirate Bay and four other sites followed in December — and they're just getting started. In their latest move, the folks responsible for releasing films such as the Harry Potter and Fantastic Beasts franchises, The LEGO Movie, Batman v Superman: Dawn of Justice and more on our shores have filed a Federal Court application to block 41 additional piracy-enabling culprits. Torrent sites, streaming portals and direct download sites are included, spanning the likes of Demonoid, EZTV, ExtraTorrent, LimeTorrents and Torrent Downloads, as well as CouchTuner, 123Movies, Putlocker, WatchFree and WatchSeries. In many cases, multiple URLs are included for each site. Given their success last time around, Roadshow wants the next round of bans to be modelled on the last, which didn't include rolling injunctions — that is, the ability to add proxy and mirror sites to the list as they spring up. To combat that inevitable occurrence, they're proposing that ISPs file and affidavit and pay $50 per domain name whenever a new site arises. For anyone with access to a VPN, this news probably won't drastically alter your content acquiring behaviour. Or, the awareness that the driving force doesn't always keep in step with the rest of the globe when it comes to releasing big films. Indeed, one of Roadshow's most eagerly awaited titles of the year — The LEGO Batman Movie — arrives on Aussie screens more than a month and a half after most of the world. In a nation already known to swashbuckle when it comes to timely access to new films and TV shows, that might just send them flocking to their computers rather than the cinema. Via Computerworld. Image courtesy of Warner Bros. Pictures.
This year, the AICE (Australia Israel Cultural Exchange) Israeli Film Festival, the only country-wide event to focus on Israeli film, celebrates ten years of bringing assumption-shattering documentaries and controversial features to Australian audiences. Opening night will see the national premiere of The Ballad of the Weeping Spring, nominee for nine Israeli Academy Awards and winner of four. Stylistically influenced by both spaghetti Westerns and samurai epics, it explores the often blurred lines between life and art in its portrayal of the emotional reunion of a once legendary band torn apart by tragedy. Other highlights of the fortnight-long festival include The Gatekeepers, an Oscar-nominated documentary in which six ex-leaders of the Shin Bet (Israel's internal secret service) discuss their success and failures in "overseeing Israel's war on terror"; Good Garbage, winner of Best Documentary at Shanghai's Magnolia Film Festival, which depicts the hardships of 200 Palestinian families who depend upon the Hebron Hills garbage dump for survival; and Zaytoun, a drama about the development of an unusual friendship between a Palestinian orphan and an Israeli fighter pilot. "The festival continues to highlight not only the breadth and strength of the Israeli film industry, but also presents the broad spectrum of Israeli society and everyday issues," explains co-curator Keith Lawrence. "A common thread in many of the films this year is that of the concerns of young adults — social, sexual and political — whether Jewish, Christian or Muslim."
After playing host to Brisbane's decadent Lobster Shack pop-up, Petrie Terrace is now home to the city's newest American-themed eatery and watering hole. Open in the spot formerly known as Sandy's Goodtime Bar, Fat Belly Jack's is the inner-city area's new home of fried chicken, bourbon, whisky and beer. The new venture actually comes from the folks behind the aforementioned short-term lobster and Champagne venture. Indeed, they were so impressed with its success that they decided to settle into 48 Petrie Terrace for the long haul. This time around, though, they're all about Nashville-style poultry pieces cooked in a southern-style batter, then dunked in spicy coatings that range from mild to 'really fucking hot', as well as specially paired boilermakers. Food-wise, patrons can choose from burgers, wings, tenders, and either quarter or a half birds, which all come with bread, pickles and a choice of sides. And as far as those accompaniments go, Fat Belly Jack's is slinging bacon-fried greens, Memphis slaw, creamed corn, mac 'n' cheese and crinkle cut fries. With bare brick walls on display, neon signs a-blazing, and a soundtrack of American blues, rock, soul, funk and country music, the venue leans into its theming; however, other than the chook, it's the huge back bar that's the focal point. A sizeable range of American spirits sits alongside a rotating lineup of US beers, plus Fat Belly Jack's special boilermaker menu. Spanning from high-end to more affordable options, the lineup includes the likes of the Baller Boiler, pairing Deep Creek IPA with five-year-old Willet Pot Still Reserve whiskey, as well as the Poor Boy, which combines a can of Pabst Blue Ribbon with a shot of Jameson. Find Fat Belly Jack's at 48 Petrie Terrace, Brisbane. It's open from 12–10pm Tuesday–Saturday, or until later if busy.
Much of 2020 so far has been all about staying indoors — and you want those interiors to look as great as possible. Art and design lovers, that's where the Queensland Art Gallery and Gallery of Modern Art's regular design market comes in. And, responding to the COVID-19 pandemic, this one is going virtual. Browse, buy and then prepare to get cosy — or stay that way. You'll be buying things for your home as you sit inside your home. Find jewellery, ceramics, textiles, homewares and more at the 17-day-long maker market, which will feature plenty of creative folks selling their wares online when it runs Friday, May 15–Sunday, May 31. https://www.instagram.com/p/B_i5LbDAJYz/ The QAGOMA Store website will be hosting the virtual design market, and all purchases will be shipped to your door. And while GOMA will likely host another design market once the silly season rolls around — as previously has every year — if you feel like getting your gift shopping out of the way now, it'll make you feel like Christmas has come early.
Sydneysiders, don't throw away your shot to see the biggest thing in musical theatre this century — again. Lin-Manuel Miranda's game-changing, award-winning, rightly raved-about Hamilton is returning to the Sydney Lyric Theatre after its lockdown-induced shutdown. You'll only have a few months to be in the room where it happens, however, before Melburnians will get their turn. In Sydney, the hit show will return to the stage on Tuesday, October 19 — a day before fellow big-name musical Come From Away will also resume its local season. Hamilton's Lyric Theatre run is now set to last until Sunday, February 27, with the production already slated to kick off its Melbourne shows at Her Majesty's Theatre from Wednesday, March 16. Like much about life after lockdown, there'll be a few rules in place for Sydneysiders eager to take an all-singing, all-dancing trip through US history, with updated conditions of entry set to come into effect. While Come From Away has already announced that it'll only be welcoming in fully vaccinated audiences, the requirements to see Hamilton haven't yet been revealed, other than noting that the show will operate "in line with the relevant NSW Government Public Health Order when it is available." All current ticketholders will be contacted by the Sydney Lyric Theatre with the updated guidelines, while all new customers will be need to accept the conditions of entry when they buy their tickets. The Broadway blockbuster finally made its way to Australia earlier this year, opening in March with a cast that includes Jason Arrow as Alexander Hamilton, Chloé Zuel as Eliza Hamilton, Lyndon Watts as Aaron Burr, Akina Edmonds as Angelica Schuyler, Matu Ngaropo as George Washington, and Victory Ndukwe as Marquis de Lafayette and Thomas Jefferson. Also featuring in this lively exploration of 18th-century American politics in song: Shaka Cook as Hercules Mulligan and James Madison, Marty Alix as John Laurens and Philip Hamilton, Elandrah Eramiha as Peggy Schuyler and Maria Reynolds, and Brent Hill as King George III. Haven't become a Hamilton obsessive yet? Not quite sure why it has been the most-talked about theatre show of the past six years? The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its swag of Tony Awards — 11 in fact, which includes Best Musical — it has nabbed a Grammy Award and even a Pulitzer Prize. The filmed version of its Broadway production also just won an Emmy. Over the past few months — and before March this year — Australians eager to see the show had to be content with watching that stage-to-streaming recording, which hit Disney+ in 2020 (and yes, it's as phenomenal as you've heard). Tickets for Sydney shows are back on sale, with seats for dates between Tuesday, December 21–Sunday, February 27 set to release on Friday, October 1. Melbourne tickets are currently on sale now, too — and Brisbanites, start crossing your fingers that Hamilton plans a move up north after its Melbourne run. Hamilton will return to the Sydney Lyric Theatre from Tuesday, October 19–Sunday, February 27, with tickets on sale now. It'll then kick off its Melbourne season at Her Majesty's Theatre from Wednesday, March 16. Head to the musical's website for further details. Images: Daniel Boud.
UPDATE, August 18, 2023: Bound Festival will no longer be going ahead for 2023. Next time that you hit the beach, Ash Grunwald and Phil Jamieson could provide the soundtrack, wine-fuelled picnics might be on the agenda and brews in a beer hall could await. When you're not tapping your toes, eating and drinking, yoga and meditation sessions might be ensuring that you're as relaxed as possible — all amid the sand, surf and sun of Burleigh Heads. There's no coulds or mights about any of the above actually accuring at Bound Festival, which will take place from Friday, September 22–Sunday, September 24. The only question? If you're set to soak them in. This three-day event will combine food, wine, music and wellness on the Gold Coast, returning for a second year but under a new name. If the general concept sounds familiar, that's because it happened in 2022 as Burleigh Festival. The destination again: Justins Park on the Burleigh Heads Foreshore. And, yes, all those bites, sips, tunes and relaxation sessions are setting up shop right by the water once more. Ash Grunwald, Phil Jamieson, Felivand, Apricot Ink and Golding are all locked in behind the microphone, with additional music acts to be announced, including a headliner to close the main stage's lineup on the Sunday. If it's the culinary part of the program that has you most excited — other than the setting, which is always a drawcard — Bound Festival hasn't unveiled its vendors as yet; however, the focus is firmly local. Standout Burleigh and Gold Coast eateries will serve up dishes, covering meals considered local specialties and international cuisines. And, the picnic precinct will revolve around cellar doors and serve ample cheese, brews aplenty will be on offer in the beer hall, and non-alcoholic options will get their time to shine as well. Games and a barbecue spread are also on the agenda — and, as for the wellness activities, they'll score their own dedicated zone. Also featuring: HIIT sessions, plus discussions about finding your bliss. There, too, the full lineup is still to come. BOUND FESTIVAL 2023 LINEUP: Ash Grunwald Phil Jamieson Felivand Apricot Ink Golding more to come Bound Festival runs from Friday, September 22–Sunday, September 24 at Justins Park on the Burleigh Heads Foreshore, Burleigh Heads. For further information, head to the event's website.
One of Brisbane’s best breakfasts can be found at an unassuming café on Samford Road in Gaythorne. Grub Street operates in a small space but packs a flavourful punch. The menu was conceived with the idea of giving suburban breakfasters options other than ‘cookie cutter franchise coffees and golden arches’, and in this respect it succeeds mightily. Innovative flavour combinations will delight the most committed of food snobs. Bacon and eggs barely make an appearance, and the best part is, you won’t miss them at all. Crispy pumpkin and haloumi fritters with spinach, dukkah, tzatziki and grilled chorizo makes for a tasty yet light brunch, while the carrot pancakes with grilled haloumi, spinach and beetroot relish are a delicious vegetarian option. For those who can’t envision brunch without eggs, the green eggs and ham (pesto scrambled eggs with ham off the bone and toast) or the bacon and egg burger will satisfy. The menu changes with seasonal availabilities, but you’re guaranteed a great meal no matter when you pay Grub Street a visit. Seating is available in the outside courtyard of the café, but to beat the heat and traffic noise, take a seat in the air conditioning inside. From there, you can watch the kitchen pumping out the amazing brunch and lunch dishes, or browse the selection of home made relishes and chutneys for sale.
How do you find a single missing person in a country of over a billion? That's the terrifying dilemma faced by a desperate father, after his 12-year-old son goes missing. A sobering portrait of a pandemic concern in poverty-affected India, Richie Mehta's film works thanks to his unexaggerated approach to the subject matter. There's not a hint of melodrama here, and the tale is all the more compelling for it. For a film set half a world away, Siddharth hits very close to home. The film takes its title from the name of the missing boy, who in the opening scene we see being loaded onto a bus by his father, Mahendra (Rajesh Tailang). Siddharth is on his way to Ludhiana, hundreds of kilometres away, where he's due to start work in a trolley factory. Child labour is illegal in India, but commonplace nevertheless. And for the family of four, no longer able to survive on Mahendra's meagre wages as a street corner zipper repairman, the second source of income will be crucial. When Siddharth fails to return to Delhi for the Diwali festival a month later, the assumption is that he simply couldn't secure passage home. But as time passes without any word, Mahendra and his wife, Suman (Tannishtha Chatterjee), grow increasingly concerned. When they finally call the owner of the factory, he tells them that the boy ran away more than a fortnight ago. Unable to believe Siddharth wouldn't simply return home, the fear then becomes that he has been kidnapped. Based on a first person anecdote Mehta — a Canadian filmmaker of Indian descent — heard while travelling in Delhi, the story examines multiple social issues facing India. Recent statistics show that nearly 40,000 children disappear in the country each year, many of them sold into slavery or prostitution or forced out onto the streets to beg. Indeed, the problem is so endemic, so normalised, that at one point someone suggests that Mahendra simply have another child. Such callous pragmatism extends to the police force and child protection agencies, overworked and undermanned as they are. But so too does it extend to Mahendra himself, who is soon confronted with the financial cost of continuing the search for his son. It costs him a month's savings just to pay for a train ticket to Mumbai. Suman blames him for sending Siddharth away, and it's easy to agree with her. But then again, did he even have a choice? The grim economic reality of the family's situation is the stark spotlight under which Mehta's film unfolds, and ultimately makes it that much more confronting. https://youtube.com/watch?v=wNMDwpMrxmQ
Whether in collectives or as individuals, a ton of artists are leaving their mark on canvas and walls all around Brisbane. Two such visual magicians are Vlada and Jaimee. You may recognise them a few ways. They comprise one half of rising musical stars Major Leagues, but they also go by separate artistic pseudonyms. Allow me to introduce Junky (Vlada) and Kool Thing (Jaimee) — two of the most interesting artists in town. Junky's detailed illustrations are a sight to behold, while Kool Thing's beloved Pet Portraits have made her hot property to animal lovers everywhere. These pals have been decorating walls across Brisbane for some time, and now they are joining forces for a collaborative exhibition at Jamie's Espresso this Thursday. We decided to have a chat to both artists to find out what makes them tick. Jaimee, in a quick sentence, tell us about your art style! J: My direction might be associated with a street art and/or comic art style. Jaimee, Where did you come up with the idea for Pet Portraits? J: My amazing mother placed that seed in my mind. Thanks mum. How has the response been since you started producing them? J: Dog lovers from all over the country are so encouraging toward this endeavour. It's on its way to becoming a legitimate small business, yippy! Vlada, your illustrations are incredibly detailed! What sort of illustrations do you enjoy drawing the most? V: When I first started drawing I pretty much just drew thousands of pictures of Gambit from X-Men (really focusing on the six pack), so I think doing graphic novel style drawing will always be my favourite thing to do. However Jaimee and I have done a few big murals around the place and they have always been crazy fun. We have been lucky that the lovely people that have let us massacre their walls have just let us have free reign over the space and we get to draw pictures of laser squids and intergalactic bunny rabbits and all kinds of fun things. What/where do you draw your influences from? J: I sway toward anything with intentional and detailed line work. Traditional Japanese prints from old favourites like Hokusai or modern Israeli street artist like UNGA, have surly been an encouragement in the way my work polishes out. V: The artists I follow and fawn over are a huge influence on my work. After I finish something I spend a significant amount of time making sure I haven't plagiarised. I have a little spongy baby brain. Same goes for comic books and whatever I'm reading at the time. Oh and pretty much everything I eat. I'm way too inspired by food. What can you tell us about your upcoming exhibition? What can we expect? J: Vlada and I will each have four to five pieces on display, consisting of our latest inspirations. It will probably look a lot like our Tumblr feed, because us gals don't get out much. V: For this particular exhibition all the works will be fairly new. I never intended on having a theme; however, as I finished everything they all ended up being black-and-white inked pictures. For anyone that has seen any of Jaimee's work she has a solid style that has this incredible ability to adapt and change but maintains its integrity, which is something I really respect about her work. Generally it'll be a collection of new stuff and hopefully will be visually delicious! You are quite active amongst the Brisbane cultural scene; what do you like about Brisbane culturally at this point in time? J: Brisbane has many integral components that make our cultural hub beautiful, including our music and street art. I have recently been city hopping on a national tour with Vlada and our band mates in Major Leagues and we were blown away by the amount of gorgeous street art from the main cities we travelled to. I only hope we will have more tolerance for artistic speech on our streets because I feel that there is a lack of it within our Brisbane culture. I'm super excited for progression in Brisbane's cultural hub. There is much to look forward to. V: Brisbane is wonderful. There are always great bands playing, exhibitions to see, beers to drink and burritos to consume. Brisbane will just keep on growing creatively as well. There are some great minds in this bustling metropolis of ours. Oh yes, and hanging out at Kodak Beach of course. Who are some artists or musicians that you would recommend to someone looking to immerse themselves in Brisbane culture? J: Sam McKenzie (Illustrator) Jesse Olsen (illustrator/tattoo artist), Theresa Fryer (cinematographer) As for musicians, Babaganouj, ROKU MUSIC, Cub Sport and The Good Sports. V: I know for a fact that Jaimee's list and mine are incredibly similar so refer to Jaimee Fryer's list. Ha. But my addition to the artist list would have to be Phoebe Paradise. Where are your favourite places to eat / drink / party around town? J: I go to The Tiller in Alderley for coffee every day; The Scratch bar for my beer needs and The Underdog is a swinging place I'd like to party down at more often. V: Well you can't go wrong with drinking beers on a deck — if you have a deck that is. We have a deck and it is popular past time in our home. Food wise, Vietnamese pork rolls from my bakery in East Brisbane are a solid lunchtime treat and fun dancing times at Black Bear Lodge on the weekends are brilliant, especially if it's a No Diggity night. Ooooh Damn. Kool Thing and Junky will be hosting an exhibition at Jamie's Espresso this Thursday. Check out their work from 6pm.
Here's one way to warm up your winter: heading to Northshore Hamilton for wild nights filled with everything from cabaret, burlesque, circus and music to magic and a Shinjuku-inspired bar. From Wednesday, July 27, that's on the bill thanks to a new entertainment precinct pop-up called Twilight Electric. Yes, heading by when the sun is setting is highly recommended. This luminous limited-time venue will boast two big drawcards: Blanc de Blanc Encore, which has proven a Brisbane Festival favourite in the past; and a Brisbane season for Maho Magic Bar. And if you're wondering why, it's all happening in the lead up to this year's Bris Fest — which'll unfurl its jam-packed 2022 lineup, moon-focused events and all, in September. With the return of Blanc de Blanc Encore comes the return of the Spiegeltent, which'll be filled with the kind of party that'd make Jay Gatsby envious. Think: glamour, hedonism, opulence, an OTT vibe and extravagance aplenty, all thanks to Strut & Fret, who've also brought Feasting on Flesh, A Company of Strangers, Cantina, Dream Menagerie, LIMBO, Blanc de Blanc and Limbo Unhinged our way in the past. Blanc de Blanc Encore combines tunes, big dance numbers, acrobatics and other circus tricks, risqué humour and a vintage French aesthetic — so, there's a little something for everyone. The vibe is pure cheekiness, so if you're a little sensitive, this mightn't be for you. As for Maho Magic Bar, it's a bar, a performance space and a show all in one — all thanks to Broad Encounters, aka the folks behind that eerie Edgar Allen Poe-inspired warehouse experience A Midnight Visit that creeped out Brisbane in 2021. Here, neon lighting sets the mood, cherry blossoms hover above, and sake cocktails and shōchū lead the drinks menu. Also, magic shows happen at your table. An immersive event from the moment that you approach its glowing exterior, it's designed to replicate a night out in Shinjuku in Tokyo, and conjure up an 'anything can happen' feeling. The ace thing about the setup: whether you adore magic or don't think it's your thing, you'll still be entertained given the atmosphere (and the drinks and those lights) are a massive part of the allure. Still, magic is nonetheless a big part of it. Busting out illusions: Osaka's Shohgo Yamashita, the gender stereotype-busting Kaori Kitazawa and close-up magician Sarito. Find Twilight Electric at Northshore Hamilton from Wednesday, July 27. For further information and to buy tickets, head to the Twilight Electric website. Top image: Maho Magic Bar, Trentino Priori.
When September 1994 rolled around, and a new sitcom about six New York City-dwelling friends first debuted on television screens, no one could've known just what would follow. It made stars out of Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry and David Schwimmer, and made seemingly everyone keen to copy Aniston's hairstyle — and it unleashed a genuine pop culture phenomenon that's still watched and rewatched by adoring fans all these years later. The setup is so very simple, and it's one that plenty of other shows have also tried. But Friends manages to distill a familiar and straightforward idea into 236 episodes of entertaining comedy. Call it 'The One with the Huge Longevity', 'The One That No One Seems to Be Able to Get Enough Of' or 'The One That Made Sitting on Orange Coffee Shop Couches and Singing About Smelly Cats Cool'.
When May hits, the Gold Coast will boast yet another attraction — and it doesn't involve sun, surf, sand or theme park rides. Southeast Queensland's popular tourist destination will open its new $60.5 million, six-level art gallery, which'll become the country's largest art gallery outside of a capital city. If the news sounds familiar, that's because it was first announced back in 2018, with an early 2021 opening date set at the time. And yes, it's sticking to that timeframe. While the pandemic has delayed more than a few things over the past year, the new addition to HOTA, Home of the Arts at Surfers Paradise's isn't among them. It'll launch on Saturday, May 8. Art lovers can get excited about a multi-floor gallery with more than 2000 square metres of exhibition space, including a main area that'll be used for touring exhibitions, plus a permanent collection space across three levels, a children's gallery and an area for storing works that aren't on display. Simply called the HOTA Gallery, it has been built at the top of the site's concert lawn, and overlooks HOTA's outdoor stage. View-wise, there'll be much to look at if you're keen on gazing at creative pieces. That includes two sculptural installations that'll be placed outside, as created by Queensland Waanyi artist Judy Watson and Sri-Lankan born, Sydney based artist Ramesh Mario Nithiyendran. Watson's artwork will hero Indigenous native plants, plus a pathway that forms a topographical map of Nerang prior to European settlement. Piccabeen basket and dilly bag sculptures designed with Quandamooka artists Libby Harward and Elisa Jane Carmichael will also feature, as will a two-metre-tall feather canopy and snippets of local language sandblasted onto the bleachers. As for Nithiyendran, he has crafted a six-metre-high, double-sided sculpture made out of bronze, concrete, neon and fibreglass that's designed to reflect the vibrancy of the new building. Visitors will also be able to peer at something other than the art gracing the walls, with the building featuring a rooftop bar and restaurant. Called The Exhibitionist Bar, it'll take over 233 square metres, and pair panoramic views with tapas, share plates, cocktails, wine, beer and house-made sodas. And, it's also opening in May. Both indoor and outdoor terrace seating will feature, and you'll get a vantage that sprawls over the Goldie's waterways, Surfers' Paradise skyline and the hinterland. Plus, in terms of decor, the venue is taking its cues from rainforests — as does the building itself, which is inspired by William Robinson's 'The Rainforest'. HOTA Gallery and The Exhibitionist Bar are both set to open at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise on Saturday, May 8. For more information, visit the HOTA website. Top images: Scott Chrisman, Pixeltape Media
For the past few years, the unnerving Séance installation has been popping up around southeast Queensland and spooking the region out. From Thursday, October 3—Sunday, December 8, 2024, it's back again — because when better than the lead up to Halloween? This time around, it's setting up its big, white container at South Bank's Maritime Museum alongside fellow pop-ups Maho Magic Bar and Flight. Unlike most shipping containers around the place, this one isn't being used to transport furniture. And, given that the word 'séance' is written on the side in black, it's definitely more than a little ominous. Participants will be able to take a seat inside, and then put on a headset. You'll next be told to put both hands on the table. The lights go out, leaving the place in absolute darkness — and, for 20 uneasy minutes, you'll be taken on an immersive journey led only by touch and sounds. Expect to feel confused, repulsed and struck with temporary claustrophobia. According to organisers, numerous participants have bailed halfway through sittings in the past. You're probably thinking that there's something dark or supernatural about the whole thing — and going by the name, we don't blame you. But the installation's organiser says that 'séance' is simply a French word meaning 'session' or 'sitting'. And so Séance is a sensory experience that looks at the psychology of both sensory deprivation and the dynamics of a group sitting together. It's a scary indicator of how easy it is for confusion, disorientation and information overload to affect our judgement. (We're serious when we say Séance is not recommended for the claustrophobic, the easily frightened or those afraid of the dark.) Artists David Rosenberg and Glen Neath of Darkfield (who have collaborated in other sensory deprivation projects before) are the creative masterminds behind the project, which has been described as 'disorienting' and 'deeply unsettling'. And if need more of an idea of what you're in for, you might've listened to Darkfield's at-home experiences in the past few years, too — such as Double, Visitors, Eternal and Knot — and experienced a few bumps and jumps.
It's only taken a few short years for the British Film Festival to become a highlight of Australia's busy festival calendar, and their first titles for their fourth year demonstrate why. Fancy seeing this year's Cannes Palme d'Or winner? Or a host of high-profile titles direct from their premieres at the Venice and Toronto film festivals? Or a restored version of the David Bowie-starring sci-fi classic The Man Who Fell to Earth? Well, they're all on the bill when the festival returns to Brisbane's Palace Barracks from October 27 to November 16 Ken Loach's I, Daniel Blake — which took top honours in Cannes back in May — takes a look at the British welfare system through the filmmaker's usual social realist lens, and ranks among the most highly anticipated of the bunch. It's joined by the high-profile likes of opening night's A United Kingdom and closing night's A Monster Calls. The former tells the true tale of a Botswana prince (Selma's David Oyelowo) who caused a scandal when he married a white Englishwoman (Gone Girl's Rosamund Pike), and is also slated to open the London Film Festival. Directed by The Impossible's Juan Antonio Bayona, A Monster Calls adapts a fantasy novel about a young boy coping with his mother's terminal illness, and features Liam Neeson as the voice of the titular creature. Audiences will also get the chance to see crime-drama Trespass Against Us, which not only stars Michael Fassbender and Brendan Gleeson, but marks the film debut of the Chemical Brothers' long-term visual collaborator Adam Smith. For cinephiles looking for something completely different, rom-com fans can get their fix watching Gemma Arterton and Sam Claflin in Their Finest, from An Education helmer Lone Scherfig. And because all good film fests don't just look forward to future hits but also peer back to the greats of years gone by, this year's British Film Festival has curated a ten-movie tribute to some of the country's enduring cinematic heroes. As well as Bowie proving his out-of-this-world acting abilities, catch Gary Oldman getting his punk on in Sid and Nancy and feast on the epic action adventure that is Highlander.
Where's the weirdest, wildest, strangest and most unexpected place you've seen a live show? Wherever it might be, would you like to best it? That's the challenge that Anywhere Festival gives Brisbane audiences every year, because this event's love of putting on theatre everywhere it possibly can is right there in its name. When you're not watching performances in a bar, you might be heading to a park — or a brewery, cemetery or someone's house. They're just some of the spots that Anywhere Festival is sliding into in 2023, with the event returning from Thursday, May 4–Sunday, May 21. Other destinations hosting theatre, comedy, dance, cabaret, music, circus, spoken word or poetry include libraries, paint factories, museums, laneways, galleries and a Harry Potter-themed store — and also a YMCA, a couple of universities, community centres, cafes, a beach and an old Stefan salon. The 2023 event begins as it has in previous years, starting with a big laneway party on Fish Lane. From there, you can ponder cabin fever in someone's apartment, watch a dance work in an airport terminal, catch a musical parody of The Human Centipede and listen to live tunes in a Woolloongabba pedorthic clinic. Or, if you'd like to learn how to survive a zombie apocalypse — a handy skill — that's happening at a school. Also on the lineup: pondering disaster at The Wilderness Society, musing on the worst funerals ever at South Brisbane cemetery, an immersive ten-year reunion at Blute's, songs about shopping at Garden City, a production about a hellish seaside escape at Northshore's beach, and the 12.7 million lights of the QUT Sphere backdropping music and movement. There's a show about the best bubbles — not the drinks — as well, and a string quartet at Sir Thomas Brisbane Planetarium. Dancing in a park, a circus show about the history of booze while beer is being made around you, an ode to introverts, wizard trivia and wondering what'd happen if Shakespeare's characters were still alive today are on the bill as well. [caption id="attachment_852664" align="alignnone" width="1920"] Geoff Lawrence[/caption] Top image: Stuart Hirth.
"There are eight billion people on this planet, but only 25 awards to be given out tonight". If you've ever dreamed about winning an Emmy, Oprah Winfrey just worked out your odds each year: over 300 million to one. Of course, that just makes every batch of recipients at Hollywood's night of TV nights all the more special — including 2022's, which just received its shiny trophies today, Tuesday, September 13, Down Under. Hosted by Saturday Night Live's Kenan Thompson, this year's ceremony started with an important question. "If it weren't for TV, what would be do in our free time?" Thompson asked — and if you spend plenty of your after-work hours watching the non-stop array of new and returning series always competing for your eyeballs, you understand. The Emmys always provide an answer to a different query, too, showing us all the reasons why we do keep reaching for the remote during our couch time. In 2022, the ceremony's winners included both returning favourites and new hits. Succession — or Business Throne, as it was dubbed by Girls5Eva — kept winning awards. That isn't a surprise given that it nabbed a whopping 25 nominations to begin with, including 14 for acting. The White Lotus also earned itself some new mantle knickknacks from its 20 noms, as did Ted Lasso from the same amount of nods. And Squid Game also got lucky, and a green light. Similarly among the highlights, beyond the gongs themselves: Lizzo's tearful speech about representation and body image in the media, and wanting to see someone like herself on TV; Amy Poehler and Seth Meyers riffing while handing out an award, which never gets old; Only Murders in the Building's Selena Gomez, Steve Martin and Martin Short doing the same, particularly Martin and Short's banter about each other's careers; and Brett Goldstein promising not to swear while picking up his award, then doing it anyway (he does play Roy fucking Kent, after all). Or, there was Jennifer Coolidge refusing to give up her "once in a lifetime" shot to thank everyone, and just dancing to the music playing her off; The White Lotus creator Mike White talking about his time on Survivor (yes really); and the fact that the ceremony started with opening musical numbers to the Friends, The Brady Bunch, Law and Order, Stranger Things and Game of Thrones themes (again, yes really). Now, back to those winners — you'll find the full list below, as well as who they were up against. Fancy knowing more about this year's must-see highlights? Check out our top ten picks, too. EMMY NOMINEES AND WINNERS 2022 OUTSTANDING DRAMA SERIES Better Call Saul Euphoria Ozark Severance Squid Game Stranger Things Succession — WINNER Yellowjackets OUTSTANDING COMEDY SERIES Abbott Elementary Barry Curb Your Enthusiasm Hacks The Marvelous Mrs Maisel Only Murders in the Building Ted Lasso — WINNER What We Do in the Shadows OUTSTANDING LIMITED SERIES Dopesick The Dropout Inventing Anna Pam & Tommy The White Lotus — WINNER OUTSTANDING LEAD ACTOR IN A DRAMA SERIES Jason Bateman, Ozark Brian Cox, Succession Lee Jung-jae, Squid Game — WINNER Bob Odenkirk, Better Call Saul Adam Scott, Severance Jeremy Strong, Succession OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Jodie Comer, Killing Eve Laura Linney, Ozark Melanie Lynskey, Yellowjackets Sandra Oh, Killing Eve Reese Witherspoon, The Morning Show Zendaya, Euphoria — WINNER OUTSTANDING LEAD ACTOR IN A COMEDY SERIES Donald Glover, Atlanta Bill Hader, Barry Nicholas Hoult, The Great Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jason Sudeikis, Ted Lasso — WINNER OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Elle Fanning, The Great Issa Rae, Insecure Jean Smart, Hacks — WINNER OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Oscar Isaac, Scenes From a Marriage Michael Keaton, Dopesick — WINNER Himesh Patel, Station Eleven Sebastian Stan, Pam & Tommy OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Toni Collette, The Staircase Julia Garner, Inventing Anna Lily James, Pam & Tommy Sarah Paulson, Impeachment: American Crime Story Margaret Qualley, Maid Amanda Seyfried, The Dropout — WINNER OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES Nicholas Braun, Succession Billy Crudup, The Morning Show Kieran Culkin, Succession Park Hae-soo, Squid Game Matthew Macfadyen, Succession — WINNER John Turturro, Severance Christopher Walken, Severance Oh Yeong-soo, Squid Game OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES Patricia Arquette, Severance Julia Garner, Ozark — WINNER Jung Ho-yeon, Squid Game Christina Ricci, Yellowjackets Rhea Seehorn, Better Call Saul J. Smith-Cameron, Succession Sarah Snook, Succession Sydney Sweeney, Euphoria OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Anthony Carrigan, Barry Brett Goldstein, Ted Lasso — WINNER Toheeb Jimoh, Ted Lasso Nick Mohammed, Ted Lasso Tony Shalhoub, The Marvelous Mrs Maisel Tyler James Williams, Abbott Elementary Henry Winkler, Barry Bowen Yang, Saturday Night Live OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Alex Borstein (The Marvelous Mrs. Maisel) Hannah Einbinder, Hacks Janelle James, Abbott Elementary Kate McKinnon, Saturday Night Live Sarah Niles, Ted Lasso Sheryl Lee Ralph, Abbott Elementary — WINNER Juno Temple, Ted Lasso Hannah Waddingham, Ted Lasso OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Murray Bartlett, The White Lotus — WINNER Jake Lacy, The White Lotus Will Poulter, Dopesick Seth Rogen, Pam & Tommy Peter Sarsgaard, Dopesick Michael Stuhlbarg, Dopesick Steve Zahn, The White Lotus OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Connie Britton, The White Lotus Jennifer Coolidge, The White Lotus — WINNER Alexandra Daddario, The White Lotus Kaitlyn Dever, Dopesick Natasha Rothwell, The White Lotus Sydney Sweeney, The White Lotus Mare Winningham, Dopesick DIRECTING FOR A DRAMA SERIES Jason Bateman, Ozark Ben Stiller, Severance Hwang Dong-hyuk, Squid Game — WINNER Mark Mylod, Succession Cathy Yan, Succession Lorene Scafaria, Succession Karyn Kusama, Yellowjackets WRITING FOR A DRAMA SERIES Thomas Schnauz, Better Call Saul Chris Mundy, Ozark Dan Erickson, Severance Hwang Dong-hyuk, Squid Game Jesse Armstrong, Succession — WINNER Jonathan Lisco, Ashley Lyle and Bart Nickerson, Yellowjackets Ashley Lyle and Bart Nickerson, Yellowjackets DIRECTING FOR A COMEDY SERIES Hiro Murai, Atlanta Bill Hader, Barry Lucia Aniello, Hacks Mary Lou Belli, The Ms Pat Show Cherien Dabis, Only Murders in The Building Jamie Babbit, Only Murders in The Building MJ Delaney, Ted Lasso — WINNER WRITING FOR A COMEDY SERIES Quinta Brunson, Abbott Elementary — WINNER Duffy Boudreau, Barry Alec Berg, Bill Hader, Barry Lucia Aniello, Paul W Downs and Jen Statsky, Hacks Steve Martin and John Hoffman, Only Murders in The Building Jane Becker, Ted Lasso Sarah Naftalis, What We Do in The Shadows Stefani Robinson, What We Do in The Shadows DIRECTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE Danny Strong, Dopesick Michael Showalter, The Dropout Francesca Gregorini, The Dropout John Wells, Maid Hiro Murai, Station Eleven Mike White, The White Lotus — WINNER WRITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE Danny Strong, Dopesick Elizabeth Meriwether, The Dropout Sarah Burgess, Impeachment: American Crime Story Molly Smith Metzler, Maid Patrick Somerville, Station Eleven Mike White, The White Lotus — WINNER OUTSTANDING VARIETY SKETCH SERIES A Black Lady Sketch Show Saturday Night Live — WINNER OUTSTANDING VARIETY TALK SERIES The Daily Show With Trevor Noah Jimmy Kimmel Live! Last Week Tonight With John Oliver — WINNER Late Night With Seth Meyers The Late Show With Stephen Colbert OUTSTANDING COMPETITION PROGRAM The Amazing Race Lizzo's Watch Out for the Big Grrrls — WINNER Nailed It! RuPaul's Drag Race Top Chef The Voice OUTSTANDING WRITING FOR A VARIETY SPECIAL Ali Wong, Ali Wong: Don Wong Ian Berger, Devin Delliquanti, Jennifer Flanz, Jordan Klepper, Zhubin Parang, Scott Sherman, The Daily Show With Trevor Noah Jerrod Carmichael, Jerrod Carmichael: Rothaniel — WINNER Nicole Byer, Nicole Byer: BBW (Big Beautiful Weirdo) Norm Macdonald, Norm Macdonald: Nothing Special The 73rd Emmy Awards will took place on Tuesday, September 13, Australian and New Zealand time. For more information, head to the Emmys' website. Top image: HBO.
How much green will be seen at 2025's Laneway Festival? With Charli XCX headlining, expect the Brat hue to be everywhere. Given the event's February timing, and the fact that Charlotte Emma Aitchison is headlining, it's going to be Brat summer Down Under. It's set to be a Djo, Beabadoobee-, Clairo-, Barry Can't Swim- and Remi Wolf-soundtracked summer as well, with the quartet also among the big names on Laneway's lineup. Charlie XCX was last in Australia in 2023 for Sydney WorldPride and For the Love, and before that in 2020 at Laneway. If you're keen to see the 'Guess', '360', 'Apple', 'Speed Drive', '1999', 'Doing It' and 'Boom Clap' talent this time, you'll need a Laneway ticket, as she's playing exclusively at the fest. [caption id="attachment_975321" align="alignnone" width="1920"] Harley Weir[/caption] In 2025, she'll have company from BICEP doing their CHROMA AV DJ set, Olivia Dean, Eyedress and Skegss, too, alongside STÜM, RONA, Hamdi, Joey Valence & Brae, 2hollis, Fcukers, Ninajirachi, Julie, and Girl and Girl. The event started by Danny Rogers and Jerome Borazio in the mid-00s is playing Brisbane Showgrounds in the River City on Saturday, February 8, 2025. [caption id="attachment_974759" align="alignnone" width="1920"] Charlie Hardy[/caption] Laneway Festival 2025 Lineup Charli XCX Beabadoobee Clairo Barry Can't Swim BICEP present CHROMA (AV DJ set) Djo Remi Wolf Olivia Dean Eyedress Skegss STÜM RONA Hamdi Joey Valence & Brae 2hollis Fcukers Ninajirachi Julie Girl and Girl + Triple J unearthed winners Top images: Charlie Hardy/Maclay Heriot. Updated Wednesday, October 16, 2024.
