Winter is coming to Paddington’s Kookaburra Café, in the form of a play reading of Shakespeare’s The Winter’s Tale. Part psychological drama, part comedy, and a real ‘problem play’. It tells the story of King Leontes of Sicilia who becomes paranoid that his wife is having an affair with his friend Polixenes. In true Shakespearean fashion, actions are made, consequences are received, and revelations emerge. Hosted by the Queensland Shakespeare Ensemble, each month will feature a play reading event for members. It's a casual sit-down reading with no pre-casting. Don't think you need to prepare as all of the roles are drawn out of a hat on the night. You never know who you may be cast as! If you'd prefer to just sit and listen rather than reading along, that's fine too, but the fun is in speaking the words! Bring a copy of the script if you can - the more, the merrier! All members are welcome, and if you're not a member already, you can join on the spot for $20. Come along this Sunday to help give new life to this play text with like-minded Shakespearean connoisseurs.
Platform 2013, a celebration of the works of artists in the Australia and Asia Pacific region, will once again be bringing together installation and large-scale artworks. The exhibition forms part of the Metro Arts annual Galleries Program, in partnership with Metro Arts and Jan Manton Art. This year’s showcase will include the works of Brisbane-based artists, Judith Wright (from her ongoing series Destination), Carl Warner (and his large-scale, urban landscape photographic works), Shayle Flesser (with her depictions of living creatures and the ‘landscape’ of the human body), Indonesian-born artist Jumaadi (presenting 13 figurative bronze sculptures), and Chinese artist Miao Xiaochun (with his video works Restart and Disillusion forming one of the highlights of the exhibition). The exhibition will be officially opened by Paul Spiro, partner at Gadens Lawyers, on August 15. Tours will be available on Thursdays throughout the exhibition, hosted by curator Jan Manton.
English comedian Russell Brand is in town on Monday for a night of belly laughs. This December sees Brand return to Australia for his first full national tour entitled, I Am A Walrus. Brand first broke onto the scene as the stand out character Aldus Snow in Forgetting Sarah Marshall. Since then, he has a list of successful movies and books under his belt and an equally long list of celebrity flings. However, Brand is no stranger to stand-up comedy and his history of stand-up runs back to 2003. The I Am A Walrus tour will be the last time that Brand will feature in the spotlight for a while as he plans to have a crack at directing and weave his magic behind the scenes. Make sure you catch the show and prepare for an onslaught of hilarity. Brand has led a colourful life and is now a former sex and drug addict, so, keep in mind that the show will contain strong adult themes and coarse language.
If you caught The Danger Ensemble's most recent productions, The Hamlet Apocalypse and Loco Maricon Amor you would know that these guys put on a great show. Their last productions were critically acclaimed and their newest play promises to be just as spectacular. Their latest offering, Children of War, puts the spotlight on the children who have faced horrors and suffered in silence. This performance spans the generations and takes stories from various points in history, all the while looking through a child's eyes. The Danger Ensemble have paired up with Vanguard Youth Theatre to give a voice to the voiceless and portray the difficult relationship between children and war. This performance will ask difficult questions as it showcases what a cruel and frightening place our world can be. Make sure you see this special production, running from 14 November – 1 December.
Well-versed trio The Necks are often pinned as a jazz mini-ensemble, other times characterised by their not-quite avant-garde, minimalist, ambient sound. However you describe them, this group comprised of Chris Abrahams (piano), Tony Buck (drums) and Lloyd Swanton (bass) have come to be known as one of the great cult bands of Australia. They specialise in lengthy pieces, those which unravel themselves to reveal mesmerising, deep grooves only made possible by longstanding and well crafted chemistry. With sixteen albums to their name and a new release reigniting the flame of anticipation, The Necks are back with a sound worth reacquainting yourself with. They have received a long string of praise in the wake of their live shows, and are coming to our own Powerhouse Theatre for one night only.
In an attempt to reach the key demographic of 'women aged 14-400', The Place Beyond The Pines opens with a three-minute shot of Ryan Gosling topless. When he does eventually put on a shirt, it's only so that he can ride his motorbike with casually reckless abandon, thereby expanding that key demographic to... 'women'. Thankfully, though, this is not just another 'Ryan Gosling is nice to look at' movie, and as a result we're able to enjoy a far more nuanced and layered performance by the actor. Gosling plays Luke Glanton, a soulful carny whose heavily tattooed body (complete with dripping dagger beneath the eye) alludes to a troubled past that's never spoken of aloud. When an old flame (Eva Mendes) resurfaces and reveals they have a one-year-old son, Glanton quits his job and turns to robbing banks in an attempt to provide for the child. His accomplice and mentor is the reclusive mechanic Robin, played by Ben Mendelsohn — an actor who appears to have cornered the market in two-bit crims who drink, smoke and speak with protracted drawls. Eventually his and Glanton's activities lead to a run-in with the law, and it's at this point that the movie takes quite a turn. Instead of following the traditional three-act structure, The Place Beyond the Pines plays more like three chapters, each with their own distinct stories and characters. It's almost like an anti-Forrest Gump, in that instead of one man telling his story to three strangers at a bus stop, it's three strangers telling their separate stories to one man — the audience. In that respect, 'chapter two' follows Bradley Cooper as the earnest but ambitious cop Avery Cross. Like Glanton, he's a father of a one-year-old boy and, also like Glanton, his colleagues (Ray Liotta, Bruce Greenwood) and wife (Rose Byrne) seem to complicate, rather than complement, his life. Eventually Cross's story moves onto a third protagonist, at which point The Place Beyond the Pines attempts to reconcile all three vignettes into one neat, all-encompassing resolution that's either masterful or impossibly convenient, depending on who you listen to. The film was directed by Derek Cianfrance, whose last (and essentially plotless) film Blue Valentine was a far cry from the myriad of fateful encounters and interwoven acts of providence that take place in The Place Beyond The Pines. This is very much a film about fathers and sons, cause and effect and — some might argue — karmic destiny. It's an ambitious project (and, with a run time of 140 minutes, also a long one); however, Cianfrance and his actors manage to achieve enough drama and tension to maintain your interest right through to the end.
Hans van Vliet is a Brisbane-based electronic musician. He is recognised as a synth and beat craftsman who hand-draws his own waveforms, and his music combines chiptune samples, old-school gaming as well as live instruments, the result being a feast of aural pop music that presses all the right buttons. By day, Hans is a game and motion designer, recently creating a rhythm skateboarding game for iPhone, iPod, and iPad called Penny Time, the soundtrack to which he also wrote, and has been compared to the likes of Gotye and Foster the People. Now, his passions for music and digital art have combined to birth 7bit Hero. 7bit Hero is a bit-pop band that uses video games, audience interaction, and visuals that turn your smart phone into a joystick. You play alongside strangers in the crowd to perform as part of a band. It sees sound and technology perfectly paired, where music and video games high-five.
Inspired by the words of Miles Franklin award-winning author Alexis Wright, Dirtsong is a culmination of artists partaking in musical “conversations” about country, memories, nature, roles and community. Australia’s premier Aboriginal musicians alongside entrusted musical mavericks from the jazz scenes of Melbourne and New York will be brought together to present this latest production from Black Arm Band. Drawn from Aboriginal Australia, Dirtsong mixes traditional approaches and contemporary songs, existing repertoire and newly commissioned music to create an entirely new experience. The night boasts many talents, including Archie Roach, Lou Bennett, Emma Donovan, Deline Briscoe, Djolpa Mackenzie and William Barton, alongside guests Jimmy Barnes, Paul Dempsey (of Something for Kate), Nat Pa’ap’aa (of Blue King Brown) and Shane Howard (of Goanna). The performance is also the headlining event of Clancestry – a celebration of country by way of the arts and cultural practices of the world’s first nations peoples. It is showing one night only, and is sure to be a one-of-a-kind cultural show.
Father John Misty has been making quite the splash in the airwaves of late. Otherwise known as Josh Tillman, as well as the drummer of folk-pop group Fleet Foxes, he has been on the receiving end of rapturous critical acclaim worldwide for his smooth song writing, sweet melodies and thoughtful lyrics. Misty has wowed crowds at Splendour in the Grass, sold out shows at Sydney’s Oxford Art Factory as well as The Corner Hotel in Melbourne. Now, Father John is returning to Brisbane to continue his journey of mesmerising live audiences and captivating hearts. To Father John Misty, the performance is just as important as the music. Gig-goers are in for a unique treat—this charming entertainer brings an element of quirk to his songs, bringing them to life with the ease few can boast. Get in while you can.
If burgers are your thing then you must head along to the Red Robin Supper Club's latest pop-up night out. Chef Rory Doyle hosts ridiculously delicious nights out where he takes over a venue for the night and provides lucky Brisbanites with a taste of his favourite fare. Usually cooking with a homestyle American influence, the latest Red Robin Supper Club is certain to please burger aficionados. The food is so good that it brings a tear to the eye, and is also incredibly reasonably priced so if you're looking for a top feed and a unique experience on Saturday night head along to the Southside Tea Room for some mouth-watering morsels.
The Brisbane Society of Sound celebrates all things music and performance; though deep within their hearts rages the demon of rock and roll, and it’s begging to be released. For all your headbanging, thrash-dancing, foot-stomping needs, head along to Brisbane’s Beetle Bar to see local rock at its finest. On the bill are modern rockers Calais, the colourful pop-rock of Fushia, Skin and Bones, the mixed bag of post-hardcore, indie, blues and folk, and the ambient post-rock of Wolver. This is just one of the many events held by the Brisbane Society of Sound around Brisbane’s many music venues, and they’re the ones in the know when it comes to our city’s thriving music scene. Hot tip: check out their Facebook page for more information on this and other upcoming events. Tickets are best bought before the show as the intimate venue is likely to sell out.
Following standing ovations at the New York Burlesque Festival and general commotion at the Melbourne Comedy, Edinburgh Fringe, Glastonbury Music and Australian National Circus Festivals, The Birdmann returns to Brisbane with a new show. After blacking out, The Birdmann wakes to find himself cuffed and holding a single black stiletto. Cue flashbacks, montages, juggling of cupcakes and a one-man murder mystery of comic ingenuity. Joined by sideshow performer Tigerlil, this is sure to be an electrifying performance. Be sure to take advantage of the discounts for concession card holders and groups of six or more people. The Judith Wright Centre also offer a discounted parking deal. More info can be found on the event website.
With a classic, new-wave style, The Queensland University of Technology Art Museum brings together a collection that is pleasantly different. Centred around the idea that the best technology-based art doesn't always stem from the most high-tech or latest shiny gadget, Foundation's Edge: Artists and Technology teases out the raw creativeness that can emerge for the most basic of technologies. At the creative hands of artists Michael Candy, Lawrence English, Benjamin Forster, Caitlin Franzmann, Ross Manninng and Ken and Julia Yonetani, this display presents work that strays from the intended use of technological devices, pushing them to their potential as an art medium. Through the exploitation, deconstruction and the reworking of such commercial and recognised devices, these artists bring their work to a creative ends unexpected by the untrained eye. Be sure to check out this new and innovative collection of work – you'll be pleasantly surprised at the beauty technology can behold.
Writer-director Sarah Polley's follow-up to the much-loved drama Away from Her, Take This Waltz, follows the story of freelance writer Margot (Michelle Williams) as she meets a rickshaw driver from Toronto, Daniel (Luke Kirby). Margot shares with him an uncontrollable sexual chemistry, and when they realise they live just across the street from each other, the bombshell is dropped: Margot is happily married to sweetheart husband Lou (Seth Rogen), a gentle and caring cookbook writer. Margot finds herself in a complex and conflicting situation, not knowing whether her comfortable routine with her husband, whom she still loves, is enough in the face of the fiery desire of her alluring neighbour. She finds herself frequently trying to bump into the young man and testing the limits of her resolve by having late-night pool dips and sipping margaritas with him, yet not actually acting on the attraction. Far from being a shallow display of trivial conflicting desires, the movie poignantly illustrates the internal dilemma of whether familiarity and comfort will suffice when they come up against the temptation of exotic sex, romance, and art. Williams gives a heartwarming and evocative performance, making audiences sympathise and identify with her plight. Similarly moving displays from Rogen and Kirby work to make this film a heartwarming and complex production, which is a must-see for romantics and cynics alike. We're giving away tickets to Take This Waltz. Enter here. https://youtube.com/watch?v=xUQTNY5yaVk
Brisbane fashionistas will have a chance to get their fashion fix and support an amazing organisation at the Dress for Success Fashion Affair. Join a bevy of Brisbane beauties including Australia’s Next Top Model runner up Liz Braithwaite while they strut their stuff on the catwalk showing off the latest designs from Chi the Label. Love what you see on the catwalk? Get it into your wardrobe with pop up shops from Chi the Label as well as Oli Mac Heels, Jessica. T accessories, Endota Day Spa, Totally Baked and Wrapped with Style. All guests are asked to bring an accessory or item of clothing to donate to Dress for Success, a charity that aims to help unemployed women find work by providing them with business clothing and helping to build skills for the workplace.
Here lies an anecdote to the drab and often frosty clutches of the hump-month of June. The world of contemporary dance is having its boundaries challenged with the delightful commotion that is Essentially Dance. Passions will be stirred, borders crossed, desires ignited, and this will all be done with the sharp flick of some perfectly pointed bare feet. Queensland University of Technology boast the most vigorous dance program in Queensland and beginning on June the 5th, they are showcasing their talent and relentless work at the QUT Gardens Theatre. This original performance piece has been developed with the expertise of a collaboration of renowned choreographers, two aerial artists and the most promising group of aspiring dancers in the state. A far cry from the spectacle of swans and tiaras, this show is sure to be a tantalizing visual experience that will entertain and transfix you. Get your tickets quick! It’s only a hop, skip and a sashay away.
In a special celebratory show for their new single, Buffalo Grass, on rare 7” vinyl, Oh Ye Denver Birds will take to the Black Bear Lodge stage this Thursday, the 6th of September. On the back of their new album, Good Ivy, the Brisbane natives will be sure to please their home crowd with their energetic and joyous live sets. Riding high after having played with the likes of Toro Y Moi and Akron Family overseas, Oh Ye Denver Birds will be keen to keep their momentum going back home. With pop sensibilities as well as experimental conventions to their music, the band has matured over the past few years to deliver a mature, concise and clever debut album that will undoubtedly make up their set list. Supporting them will be Young Men Dead, Moses Gunn Collective and Feet Teeth.
To add a bit of twinkle to your Brisbane Festival experience, head along to South Bank’s Cultural Forecourt for the Brisbane Airport International Lantern Garden. Each night of the festival, the Lantern Garden will illuminate after 6pm. The free show will feature lanterns of all different cultures, as designed by celebrated creative director, Tony Assness. There is paid parking available at the South Bank Parklands and the Queensland Performing Arts Centre, both of which are a short walk away from the Cultural Forecourt, which is situated along the Brisbane River. Public transport is also ideal, with the Cultural Centre busway located nearby, as well as the South Brisbane train station. For your fill of "ooh" and "ahh" be sure to check it out.
Local literary force Holly Riding will celebrate the launch of the fifth printed issue of her debauched Nancy Zine at a very special laneway event. Nancy Zine is the often hilarious, sometimes outrageous brainchild of the young Brisbane writer. Casting her friends as contributors and featuring band interviews, tall tales and the ever-popular ‘whore-scope’ the limited edition printed piece will be distributed for free at the event. Winn Lane’s Atavist Books will play host to the launch, with live music provided by local punks The Kramers. As with previous Winn Lane Shop Late events local store’s including Outpost, EP by Easton Pearson and Ruby & Prankster will all remain open until 8:00pm and punters can enjoy refreshments at boutique eatery Flamingo Café.
With a running time of about five hours Generate invites you to witness a selection of Brisbane’s finest young musicians from the Queensland University of Technology, with acts and individuals ranging from those with contemporary, electronic, neo-folk and post-rock sounds. The perfect opportunity to discover your new favourite artist. With a sound often time compared to Julia Higgins, Gabrielle Aplin and Missy Higgins, Hannah Rosa plays a potent combination of catchy melodies with a warm and friendly stage presence that eases listeners into her world. A group of Brisbane lads that plays ballad centric folk-rock with interesting time signature changes, sweet harmonies and zingy melodies, Bandito Folk are a Jeff Buckley and Fleet Foxes influenced five-piece that play original music taken straight from the heart. With All My Efforts is a progressive music project that combines different effects and drum loops to create a strong, atmospheric sound that draws influence from artists like Explosions In The Sky, Mono and Giraffes? Giraffes! Other artists on the bill include Dear Anonymous, Gabriella’s Bands, Denmark, Matt Graham and Jess Bryne.
From Klimt’s portrait of Adele Bloch-Bauer to Vermeer’s Girl with the Pearl Earing, the history of art and the female form has taught us one pretty definite thing - it’s where the magic happens. Now, in a celebration of women in art, Graydon Gallery presents an exhibit of over 100 paintings and sculptures that immortalize a range of female beauties of every shape and form. The artists who’ve come together in their dozens to contribute pieces to this exhibit range in age, style and technique, but are all masters of their craft. From fine artists, such as talented Jackson Hambridge, to those more adapt with spray cans, the range put on display is only second to the exuberant quality of the overall exhibit. The female form is nothing short of complex, and each artist’s interpretation of it is a journey well worth investing in – don’t miss out.
Get your fashion fix at the next Suitcase Rummage at the Powerhouse. While these markets aren't huge in size, they are monstrous in fashion finds and boast a variety of goodies. Sort through an array of suitcases and get your hands on fabulous vintage pieces, artwork, bric-a-brac, clothing, books, hand-made clothes, shoes, records, cards and pretty much anything else you can imagine. If you're planning on selling your much-loved treasures, you will need to register your wares. Then, on Sunday bring along a suitcase filled with your offerings and spend the afternoon swapping, haggling and selecting new additions to your wardrobe. Discovering new treats and making a few dollars all under the spring sunshine, sounds like the makings of a great Sunday! After the rummage why not head to Watt Restaurant and Bar for a well-deserved drink.
The best in upcoming fashion, arts, crafts and design direct from Brisbane’s brightest, will be showcased in a one-day-only outdoor pop-up market: Queensland University of Technology brings to you Frock on the Block. The Parade Ground in the QUT Creative Industries Precinct at Kelvin Grove is where you will find the newest and aspiring fashion designers, visual artists, graphic designers, photographers, entertainers and musicians as they showcase their work in a creative setting. Not only can you pick up your one-of-a-kind wares, you can enjoy the live music entertainment, delicious delights from Brisbane’s trendy and thriving food van scene and an on-site café and bar. Wander through the stalls as a spectator or customer, or sit on the grass and soak up the atmosphere. Frock on the Block is a celebration of Brisbane’s promising creatives, and is brought to you by the QUT Ragtrade: Business of Fashion Team, and is supported by The Stitchery Collective.
Track and Field is back for a third instalment and the lineup is enough to make any music lover rub their hands with glee. Once again the event is presented by well-known music companies Mucho Bravado and Amplifire. These guys have an array of musical talent under their wings and you'll be able to catch live performances by their big name Australian acts. Headlining the event is Melbourne based Alpine who specialise in ridiculously catchy tunes with ethereal vocals, The Jungle Giants are indie pop at its best, Dune Rats will ensure you have a good night with their fast-paced surf rock vibe and finally, Asta, who was crowned triple J's Unearthed High winner, has a killer voice and talent beyond her years. To keep the party vibe pumping there will also be DJ sets from Millions, Cub Scouts, Treats, Teen Girls and Pony Club DJS. Tickets are available here.
Not too long ago, the clever folks at IncStamp created quite a challenge for an assortment of talented artists. All were asked to take a stab at rewriting history, drawing inspiration from appropriation artists such as Richard Prince, Jeff Koons and of course Andy Warhol. The contributing artists were all given the duty of remixing something pre-2000’s and now for three days we, the public, are being given an opportunity to bathe in the brilliance that was produced - for free! Have some drinks, enter some raffles, and maybe even buy some art by a whole bundle of Brisbane up-and-comers at IncStamp’s humble abode. The pieces in this exhibit promise to be in some aspects nostalgic, some thought provoking and others confronting - some being all three. Remix provides the perfect chance to experience a the past in a whole new light.
The talented Glitterbug hails from Cologne and is bringing his bag of tricks to Brisbane. This established artist has his fingers in many pies as he is a composer, producer, DJ, artist and curator. His area of expertise is in remixing, writing deep, infectious techno tracks. He takes a visual approach to his music, creating unique audio landscapes that his listeners can get lost in and explore. Glitterbug is quite the storyteller and uses his dance music to reach all listeners, inviting them to share in the experience. Joining Glitterbug on the lineup at IMA is Clare Cooper. This diverse musician has toured Europe, USA, UK, Australia, NZ and Japan performing both solo and collaborating with a mixed bag of artists. Treat yourself to a night of unique musical talent, starting at 7pm on the night of ANZAC Day at IMA. Don't you just love public holidays?
One of Australia’s most promising acts of the minute, The Rubens, are bringing their first headline tour to The Tivoli. Their largest tour to date will see them visit each capital city as well as regional centres nationwide. Along for the ride are Walk The Moon (USA) with their “swirly pop beats, infectious guitar riffs, and loud, sing-a-long choruses” (Nylon Magazine) as well as fellow national treasures Oh Mercy, who released their third studio album Deep Heat last year. The Rubens have been going from strength to strength, with their debut album beginning its chart run at #1 on iTunes and #3 on the ARIA Album chart. They were voted Unearthed Artist of the year by Triple J, have recently been signed to Warner Bros. Records and their stellar single “My Gun” hit Gold in Australia. This performance is the second of their Tivoli shows, so be sure to scoop up your share of the remaining tickets.
Megan Shorey, a well-travelled and award-winning writer and composer of musical theatre, has a wealth of experience in the arts. Her some 25 years of cabaret, jazz, classics and contemporaries have taken her across the nation and the world in short films and festivals; hers is a career that should be (and is being!) celebrated. And now, you are invited to the festivities. Recall, a showcase of the high and higher points from Shorey’s remarkable career, is an evening of pure talent. You will see 20 local and Australian-wide artists present a concert, covering the best and the latest: Handle With Care, One In Seven, Bitter/Sweet, Undies (The Cabaret) plus a sneak peek at her latest work in progress, Spark. These shows, amongst others, will piece together the madness of Megan Shorey, a collective that will prove unforgettable.
From humble beginnings to a hugely successful career spanning two decades, You Am I have become veritable legends of Australian music. Their hall-of-fame-calibre resume reads like this: three No.1 albums, seven albums reaching the Australian top ten, countless tours and sold out shows and numerous accolades to go along with it all (despite still being labelled as 'cult favourites'). Tim Rogers, Andy Kent, Russell Hopkinson and David Lane are bringing the jams that made them a classic act, a show for the dedicated fan, performing their albums Hourly, Daily, and Hi Fi Way in their entirety. They are taking the show across Australia and the response has been massive already. Their first Brisbane show sold out, a second has since gone on sale — we wouldn't be surprised if that sold out, too. You'd best make sure it isn't the same in your city (it probably is), so you can score a ticket in time. For long-time fans of the band, this is an opportunity that cannot be missed, for there is no telling if it will come around again soon. https://youtube.com/watch?v=Nwsyr5gAEuM
Head to The Box in West End armed with your creative ideas and beverages of choice for all the DIY you can handle. Crafter Dark, besides being a wonderful play on words, is an evening of project undertakings. This coming evening will see you hone your sketchy skills in life drawing with Emily Devers, as well as putting your lifesize puzzle abilities to the test in furniture building with Second Hand. The Box is at art gallery, combined as a performance and event venue. It is an artist-run initiative, and the versatile space has played host to an assortment of creative-based events. So feel free to bring your ideas, your personal and related projects and your willingness to learn and socialise with other creatives. Your entry fee covers your materials, and you are sure to come away with talents and treasures.
A fictionalised account of Grace Kelly's marriage to Prince Rainier III of Monaco, Olivier Dahan's glittery period drama arrives in theatres on a wave of bad publicity. Repeatedly delayed by its American distributor, publically disowned by the Monacan royal family and critically savaged after its opening night premiere at Cannes, the buzz around the film is nothing short of toxic. Yet the reality is that no amount of negative press could prepare you for how awful Grace of Monaco truly is. The film takes place in the early 1960s, five years into a marriage that has lost its fairytale feel. Stifled by the minutiae of her stately duties and neglected by the emotionally distant Rainier (Tim Roth), glamorous Grace (Nicole Kidman) yearns to return to Hollywood. Instead, she finds herself a pawn in a trade dispute with Monaco's French neighbours — one that threatens to erupt into the world's most one-sided war. Blending the tepid romanticism of a made-for-TV biopic with the most tedious political drama this side of The Phantom Menace, Arash Amel's screenplay is suffocatingly dull. The dialogue, when it's not dropping lead bricks of exposition, consists mostly of groan-inducing Hallmark quotations. There are a few unintentional comedic gems, thank God, but for the overwhelming majority it's just flat-out embarrassing. Equally weak are the attempts to connect Kelly's weepy personal crisis with the fate of Monaco at large. The entire second half of the film hinges on our heroine learning proper princess etiquette — via Miss Congeniality-style training montage — in the hopes that she can soften mean old Charles de Gaulle's heart. Of course, considering that the conflict basically boils down to whether or not Monaco gets to keep operating as a tax-free haven for wealthy Frenchmen, it's difficult to see why anyone should care. Dahan's direction is as ghastly as Amel's script, with sickly golden lighting and eye-watering soft focus making the film look like something between a daytime soap and a handbag commercial. His most baffling decision, however, is the one that led him to shoot key scenes of emotional dialogue in extreme close-up. As the frame roams aimlessly from Kidman's chin to her eyeball to her earlobe as she talks, the overwhelming impression (aside from a mild feeling of motion sickness) is that the guy operating the camera is every bit as bored as we are. It's a bit of a shame really. Kidman's performance is perfectly adequate, making it far and away the movie's greatest asset. She's certainly better than the wooden, chain-smoking Roth, who sports an unconvincing British accent as the decidedly not British Rainier. None of the film's normally respectable side players — including Frank Langella as Kelly's clerical confidant, Parker Posey as a hatchet-faced matron and Roger Ashton-Griffiths as a cuddly Alfred Hitchcock — fare much better. For a story about a woman called Grace, there are few films in recent memory as lacking in the virtue of the same name. Avoid this movie like the plague. https://youtube.com/watch?v=bFYmYWa348c
Welcome to the future, a striking hyperreality envisioned by The Danger Ensemble. They have been described as a love-or-hate cast, bold, mesmerising, yet infuriating and explosive. Now, the cast of notoriety take on the story of Caligula, the first Roman emperor to meet an untimely death by assassination, his divine intervention shrouded in controversy and conspiracy even to this day. Cruelty, passion, severance and glory makes for a scandalous tale that you can dig your dramatic fangs into; a wild ride for the gutsy and the vindictive. Meet Marie Antoinette with shields and brutality, extravagance with the ever pending ultimate cost. The glamour and power of the glorious ages of Julius Caesar’s Rome will be an ideal pairing for the outrageous and spontaneous works of The Danger Ensemble. Spare no time in securing a ticket to see this story as old as time, presented in a wholly unique way.
As a screenwriter, Hossein Amini's name has graced successful book-to-film adaptations of thriller Drive, romance The Wings of the Dove and drama Jude, so seeing the scribe make his directorial debut with his own version of Patricia Highsmith's The Two Faces of January is far from surprising. The perfect storm of themes and styles exists in a story wholly suited to the first-time filmmaker's penchant for flawed characters and psychological developments, as set in the golden labyrinthine delights of Greece in the early 1960s. Forming a troika of trouble, sweet-talking, swindling tour guide Rydal (Oscar Isaac) meets wealthy American Chester MacFarland (Viggo Mortensen) and his younger wife, Colette (Kirsten Dunst), amidst Athens' famed Acropolis. He brands them an easy mark and they're wary of his overt charms, yet they all quickly — albeit tentatively — warm to each other's company. Their respective first impressions prove devious when the MacFarlands' past resurfaces. Soon, everyone is seemingly on the same side and on the run, but deception still reigns in their web of love, lies and larceny. The film's moniker references the Roman god for whom the titular month is named, typically depicted as having a pair of heads — one looking to the past, one to the future. Parallels with the duo of strong-willed men at the movie's centre are obvious; however, that doesn't make them any less effective. Both visually and narratively, Amini cloaks his dual duelling leads in shadows that question their allegiances and motivations. With a languid pace, he ponders their connection and divergence as they continue to clash and contrast. Are they bound by more than bad choices, inopportune circumstances and a shared affection for Colette? Selling the constant tone of suspicious questioning is an excellent cast aptly pitched to explore the failings of their protagonists. It shows that Amini and Isaac have worked together previously, their pairing continuing to create rich, resonant characters. Likewise successful is Isaac's match with Mortensen and Dunst, with the film ever the tight three-hander. The former is finessed even as he slowly frazzles, while the latter is given a more assured role than much of the rest of her resume has been built upon. Highsmith's works have earned cinema incarnations before, most notably Strangers on a Train and The Talented Mr. Ripley. Tense and intricate, paranoid and precise, similarities seethe through a feature that looks as exquisite as its tale proves smoothly unsettling. It may all build to a finale seen before in idea and execution, but there's no doubting the film's satisfying manoeuvring and old-fashioned refinement. Read our interview with The Two Faces of January costume designer Steven Noble about developing the film's dreamy, 1960s Greek Isles look here. https://youtube.com/watch?v=MhhsDkfX3Fw
Join in the celebrations of the homecoming of Mik Shida’s works when this internationally recognised artist comes to Brisbane’s own Powerhouse. His works, spanning some 10 years and many countries, takes indoor and outdoor spaces and transforms them into monolithic works with minute details. He reconstructs spaces and perceptions through stylising and saluting classic techniques, pairing mastery and bewilderment. His murals are monumental artworks that demand note and admiration. Shida’s latest collection, Mythographies, continues in the same direction as previous works, guided by imagination and intuition. It’s been described as the culmination of his works and experiences as an artist. The exhibition has toured through Sydney and Melbourne, finding its final place of celebration in Brisbane, where Shida’s painting career first began. A fitting location, particularly for a collection of work so enamoured by and concerned with history. A dazzling combination of Science Fiction Art, French Post-Impressionism and Russian Symbolist Art, where the ethereal meets the immovable. It must be seen to be believed and experienced.
The weather is warmer, school's out, juicy mangoes have hit the fruit stand... this can only mean one thing, summer is just around the corner. With the start of summer comes the start of festival season, the first cab off the rank this party season is Stereosonic. Stereosonic is a favourite amongst electronic music lovers, last year the festival broke records with its biggest crowds to date. This years line up features big name international such as Calvin Harris, Major Lazer, Example, Carl Cox, Diplo and Flux Pavillion. Homegrown artists that are also playing on the day include Strange Talk and Peking Duck amongst others. Tickets are available via Ticketmaster and are selling out quickly. Welcome summer and the festival season this Sunday by heading along to Australia's best showcase of electronic music acts, Stereosonic.
Fans of Mumford & Sons need Sign No More: the folk darlings are bringing their banjos and heartbreaking harmonies to Brisbane’s Riverstage as part of their Australian Stopover Tour. Brisbane is one of 10 stops on their mass tour which sees the gentlemen visit metro and regional venues across the country. Mumford & Sons, having given audiences the #1 hit “Little Lion Man” back in 2009, is a band whose music is orchestrated for live shows; their latest offering Babel is even more adrenaline-filled than their debut, which is an exciting prospect for punters who have experienced Mumford shows themselves or are yet to. Supporting the lads will be North American singer/songwriter Willy Mason as well as equally as uplifting über group, Edward Sharpe & the Magnetic Zeros. Ticket holders would be advised to look at public transport options for the evening as parking on site is strictly limited.
“This is a sink or swim album”, TZU say of their fourth studio album, Millions of Moments. With no rap in this record, the hip-hop group has expanded and explored new musical territory on their latest album, which is sure to surprise from a live perspective. On the back of lead singles, 'Beginning of the End' and 'Beautiful' that have garnered acclaim from critics and fans alike, TZU will be bringing their new ambitious sound all around Australia. No strangers to the touring arena expect a showcase of new sounds and many classics on their Millions of Moments tour. TZU will be rolling into Brisbane this Saturday at the iconic Zoo with special guests SIETTA. Doors open at 8pm.
Following two sold-out shows in 2012, Trichotomy are back with a newer and bigger show for the Judith Wright Centre. The trio, formerly known as Misinterprotato, are set to round off their trilogy of performances at the JWC with a new direction, designed for the Performance Space. This time partnering with audiovisual artist Andrew Gibbs, the group will perform an immersive concert: they will combine sound and vision, new specially-composed tracks as well as new works of the recently-recorded album, to showcase their unique strand of jazz in a whole new way. Real-time interactions between the music and visual elements will create a one-off live experience that is sure to impress.
Hailing from Sydney, The Rubens comprise of four ridiculously talented musicians, three of whom are brothers. These boys have a knack for writing music that swells with soul and drips with bluesy goodness. 'Lay it Down' and 'My Gun' feature soothing vocals and showcase the quartet's obvious song writing skills. Their tunes have the ability to circle around your head long after the music has stopped. The Rubens only formed last year, but have since experienced a whirlwind of success. Frequent plays on Triple J, a spot at this year's Splendour in the Grass festival and an album recorded and produced in New York are some of the highlights from the past year, but, the boys are showing no signs of slowing down. The Rubens are embarking on a national tour this month as they celebrate the release of their debut, self-titled album. Head to The HiFi this Friday to find out what all the fuss is about.
Performance Anxiety explores the every day events that get our hearts racing, palms sweaty and tongues tied. This innovative performance draws parallels between every day anxiety provoking performances and the anxieties experienced by a stage performer. What makes this concept so interesting is that we can all relate. Whether it be in the bedroom, boardroom or classroom, we've all felt the familiar flurry of butterflies. Performance Anxiety is performed and choreographed by Brian Lucas. He has been described as “one of Australia's most commanding actor-dancers” by The Australian, so you know you're in for a good night. This 90 minute performance is held in a cabaret setting, intentionally designed to be intimate so the audience can sit back and take everything in. Brian's performance features dance, voice and sound and the result is both spectacular and confronting. The Powerhouse recommends this performance for those above the age of 15 years.
Robert Forster is returning to the stage after taking a year off from performing. He's back with a show that features old and new songs, as well as a cover or two. Forster is one of the founding members of Brisbane's iconic music group, The Go-Betweens. He also has extensive experience in songwriting and performing, making him a pro at entertaining. Foster has nine albums with the much-loved Go-Betweens as well as four solo albums under his belt. In 2008, Forster released his latest solo album, Evangelist which was wonderfully received by critics, as well as old and new fans. As if Forster wasn't busy enough, he has also released a book, The 10 Rules of Rock and Roll. Warming the stage for Forster on Tuesday and Wednesday nights will be home-grown six piece, The John Steel Singers. Celebrate our talented local musicians and head along to The Powerhouse for what will be a night full of toe-tapping and head-bopping.
Ridiculous as it may sound, some of the most compelling on-screen moments of the past decade have been found in the simple 30-second commercial spots for Apple products. Think back, for example, to the excitement on the face of the deaf girl as she's finally able to use sign language on her mobile phone, or the hypnotic dancing silhouettes cutting loose to Jet's ridiculously catchy 'Are You Gonna Be My Girl'. Best of all, picture that deployed soldier on the distant battlefront, tearfully touching the screen just as his newborn son gently does the same from all the way back home. Like the products they were marketing, Apple ads tapped into the notion of selling ideas and emotions — not items — and $500 billion later it was pretty clear we liked what we saw. Because of that, though, one of the biggest challenges facing the Steve Jobs biopic Jobs was to simply be better than the ads for the products he invented, and on most fronts it was, unfortunately, unsuccessful. Not unlike 2010's The Social Network, the Jobs film tracks its protagonist's story from his college days through to his stewardship over what is now, economically, the largest company in the world. We're presented with an unflattering portrayal of the man whose extraordinary vision sat alongside his infamous temper, ego and capacity for cruelty, particularly in matters concerning close friends and family. Steve is played by Ashton Kutcher in a performance that impressively captures the tech legend's mannerisms and cadence. The problem, however, is that Jobs feels more like a movie about Apple than the man who founded it. Whilst we're presented with at least some of his highs and lows (the movie is at its best during those low points, most notably his dismissal by the Apple board), whenever the products rate a mention, they're given almost comical reverence; messianic machines bathed in ethereal light. There's no denying the Cult of Apple exists, but this film wasn't the place to indulge it, and when coupled with some serious omissions, such as Jobs's founding of Pixar, it's hard to not consider this biopic more Performa than performer. https://youtube.com/watch?v=FrvkCS0ZGPU
Clay Smith, a fusion artist, brings together the styles of modern and low-brow art, in its many entertaining and promotional forms, to create satirical and thought-provoking pieces. Two of his seminal series are coming together for one highly esteemed exhibition: Techknotopia vs Cultural Tempest. He looks at unravelling possibility, of foreign lands and unrecognisable characters, and two such collections that examine these ideas from varying angles will prove an entirely-immersive experience for art fans and plainly curious alike. Techknototopia has been dubbed, by Smith himself, as “digital Technology unfolding, un-folding like Alice falling down the rabbit hole”. He takes elements from the “gaming world”, where characters not unlike those of Wonderland are transported into this parallel universe, like pieces of an ever-changing puzzle. Cultural Tempest looks at a fresh-faced traveller’s experience with new surroundings on debut overseas explorations. Having been presented in overseas collections, plus many times over on home soil, Clay Smith’s art is well travelled and celebrated. Don’t miss your opportunity to see what the fuss is about.
The Growlers are bringing their sweet sounds all the way from their hometown Costa Mesa, California to Black Bear Lodge. This five-piece are no strangers to the stage as the lads have played gigs everywhere from London, Brazil and Coachella. The American quintet has played with the likes of The Black Keys, Dr. Dog, Devendra Banhart, Julian Casablancas and Night Beats. Along with being a bunch of attractive scruffy surfer dudes who all sport great hairstyles, The Growlers have a long list of quality psychedelic rock tracks. Bop along with the sunny sounds of Someday which not only shows off the band's lyrical ability but also their appreciation of the theatrical. On stage shows sometimes consist of crazy costumes and even crazier wigs. Other notable tracks to get you psyched for Wednesday night's show include 'One Million Lovers' and 'Wandering Eyes'. It's the boys' first time in Australia so head down to the bear's den and give them a warm welcome. Be sure to check out our chat with singer, Brooks Neilsen before seeing them live!
It is a truth universally acknowledged that classics of literature stand the test of time. There is no better example than a classic story, one with many an adaptation and growing audience, than Jane Austen’s masterpiece, Pride and Prejudice. When a highly desirable gentleman of great style and circumstance graces Netherfield Park, the greater township of Meryton and its eligible ladies spiral into frenzy. It is a tale of virtues and vices, following your heart or your head. A timeless classic, one which has been graced with various faces over its many, many years. The beautiful venue that is the Brisbane Arts Theatre fits this tale like a glove; it is one of Brisbane’s longest running theatre groups, and know the sacred bounds of traditional theatre. Your beloved tale of Elizabeth Bennet is in safe hands. There are an abundance of ticketing options available, so be sure to gather your likeminded gentlewomen for an evening of homage to the fair Mr. Darcy as intended to be seen: in the flesh.
If you're one of the many people who listed getting fit as a New Years resolution then lace up your joggers and head to the Resolution Run. Don't fret if you've already caved and opted for a sleep in over a morning jog, there is no judgement here and it's also never too late to start. The fun run begins at River Stage and continues to the Botanic Gardens. Meet the other runners at 6am for a 6.10am start. You can run, walk or crawl (depending on fitness levels) the track while Brisbane's super pretty scenery provides a great backdrop. What's more, you can feel great inside and out by supporting the Heart Foundation, the feature charity of the Resolution Run. Get your friends together and start the New Year in the way you intended, it will set the tone for a happy and healthy 2014. For entry details visit the Resolution Run website.
Paniyiri Festival turns the big three-five this year! That’s right, Australia’s biggest celebration of all things great and Greek is back again, and it’s ready for a party – and psst, you’re invited. What’s in store for you? On Friday, treat your tastebuds to the best honey puffs, moussaka and souvlaki this town has to offer, then take your derriere to the dancefloor and cut a rug Greek style. Yep, this means Zorba. Then go eat more honey puffs. Then drink some of the delicious Hellenic beverages they’ve got on offer. Ouzo? Don’t mind if I do-zo! Go do a little bit more Zorba. Olive eating competition? Already there. How do the fairground rides in the corner look? Safe? Just pay the five bucks and strap in. Oh… the haloumi doesn’t sit right in my stomach after all that. I think I’ve out-funned myself… take me home. Then when the Hellenic hangover’s gone, go back on Saturday and do it all over again.
Guess what’s all the rage in Hollywood these days? No, I don’t mean Botox. And no, I’m not talking about Oxy Cotin or Adderall or whatever prescription drugs people abuse these days. No, no no no. I am talking about the opera darling! Pleasing to the senses without having to go to rehab after wards, the opera theatre’s the latest and greatest hangout graced by lovely ladies such as Emmy Rossum and Chloë Sevigny. QPAC’s getting in on the action with its first production of the season, The Girl of the Golden West. Set amongst the rough-and-tumble of a Californian mining camp, this new production blends all the action, romance and pace of the greatest Hollywood westerns with a treasure trove of Puccini’s melodies. It’s the perfect opportunity to dress up pretty and drink some nice champagne while watching an amazing show – and it’s all in the name of getting cultured a la Sevigny.
For those of you concerned that you might be falling into the deadly throes of old age and abandon with every year that passes, never fear because the good folks at Vinyl are bringing back Nanna Nights. Nanna Nights means every second Wednesday, Vinyl will combine the very best things in life into a night that can only be best described as relaxed. There’s just something about a top-notch acoustic repertoire, a collection of board games, great food, alcohol and company that just can’t seem to be beat. Next up on Nanna Nighs' musical agenda is The Rocketsmith's front man and all round talented and cheeky dude Dom Miller. It’s like a game: Start at Nanna Nights for 50 points, then proceed to The Hi-Fi for more musical debauchery and an additional 50 points. Everyone’s a winner! And who doesn’t like hearing a mini wooden tower collapse unto itself with the sweet sound of acoustic tunes playing in the background? I’m expecting chess, Connect 4, Jenga and an abundance of old school games for the 90s kids out there. Battleship, anyone?
Are you a radar detector? What does that even mean? Does it matter? Darwin Deez is in town! If you've forgotten already, Mr Smith (seriously) was here for Parklife last year and is back for a headline Australian tour. The man/machine/lead singer describes Darwin Deez's sound as a combination of 'Thriller and Dismemberment Plan' and is reminiscent of The Strokes, Beck, MGMT and The Flaming Lips. New York produces some pretty amazing talent, and it did not surpass this young musician. He got his big break playing shows at the legendary Sidewalk Cafe, similarly responsible for launching the career of Regina Spektor. Darwin has also been a fixture on Australian radio, breaking into the semi-prestigious Triple J Hottest 100 with 'Radar Detector' coming in at number 28. You can expect an indie-pop dance fest at a Darwin Deez show; a magical hybrid of energy and positivity, most often shown through the band's spontaneous urge to break boy band-esque dance moves. Radar detector expectation: pretty damn good. See Darwin Deez for yourself at The Zoo on Thursday 5 May.
