Rekordelig, Strongbow, Bulmers, Pipsqueak, Magners. Cider fans will know that these are all some of the most popular brands currently on the market. But what about some international flavours? Cider has steadily become one of the most popular beverage choices in Australia but what most don’t realise is that cider has been a big thing for many years all over the world. The New Globe Theatre and InCider Trading are hosting a night dedicated to cider of many varieties. Cider House Blues will have over 40 brands from nine different countries on offer – there will be more cider than you can shake a stick at. There will be live entertainment from Ali Penney, Badlands and DJ Gosper. Tickets are $5 presale or $10 at the door. We’ve heard that space is limited though, so maybe do yourself a favour and make sure you get ‘incide’ quickly.
In the '50s and '60s, Sun Records' name proved rather appropriate. Everything shone brightly at the little label from Memphis, Tennessee, which boasted some of music's biggest names on its roster. Think Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins and Roy Orbison — and yes, that's just the beginning. Indeed, Sun's founder Sam Phillips had a knack for spotting talent and the stories to prove it, with both informing Sun Rising – The Songs That Made Memphis. In fact, there are so many tales and tunes at the heart of this rock 'n' roll cabaret that you're not just seeing a show — you're getting a musical history lesson. This is one of our five top picks from this year's Queensland Cabaret Festival. Read the full list.
All of the burger goodness, none of the meat: since opening in South Brisbane in 2019, that's been the Grassfed equation. Sadly, Brisbanites keen on a plant-based burg won't be heading to Fish Lane for much longer, with the beloved eatery announcing the worst kind of news: after more than four-and-a-half years on the stretch between Grey and Manning streets, it's closing down. On Instagram, the Grassfed team said that it will stop trading on Sunday, September 24 — and thanked burger lovers for their patronage over the years. "A huge thank you for your incredible support and the happy memories you have given us. You'll see more soppy posts from us as we draw nearer to our closing date," the Grassfed advised. Initially opening as a collaboration between ex-Urbane chef Alejandro Cancino and Brisbane Vegan Markets' Jonny Garrison, Grassfed gave Fish Lane a vegan burger bar that takes the meat out of everyone's favourite bread-based meal, but keeps plenty of flavour. Think: mock pork, chicken and beef, as well as stacked veggie burgs, plant-based sides, beers, vegan shakes topped with soy spray cream and vegan ice cream. Specific menu highlights include the katsu Japanese curry burger, which comes with its own pot of curry sauce (whether you dip your burger in it or pour the sauce on top is up to you). Among the specials, the nachos burger does indeed include tortilla chips on a bun. Or, there's the loaded Biscoff sundae as made with I Should Coco coconut soft serve, Biscoff biscuits, Biscoff spread and Biscoff sauce. Before Grassfed shuts its doors, it's doing price specials on select days, such as $6 and $7 burgs — depending on the type of burg — on some Tuesdays and Wednesdays. Keep an eye on its Instagram feed for the details. Known not just for its regular menu but also for its limited-time burgers, Grassfed is bringing back some of the latter before it says goodbye, such as its prawn burger Here's hoping that Grassfed will keep up its market presence after its South Brisbane bricks-and-mortar spot shuts up shop, given that it has proven a big favourite among the stalls as well. View this post on Instagram A post shared by Grass Fed Plantbased (@grassfedplantbased) Find Grassfed at 67 Fish Lane, South Brisbane, until Sunday, September 24 — trading from 11.30am–2.30pm and 5–9pm Monday–Friday and 11.30am–9pm Saturday–Sunday.
In these music-mad movie times, the following scene has become a familiar big-screen sight. Loitering backstage, the camera spies a talented, charismatic star. It catches a quick glimpse of its chosen figure in an unguarded moment, then charts their footsteps as they burst out the door, into a cavernous room, auditorium or arena. They're greeted by an adoring, screaming, near-ecstatic crowd — and when the person in the spotlight is doing what they do best, they're simply magic, with everything else seeming unimportant. This has proven true whether the real-life Amy Winehouse or Whitney Houston have been behind the microphone in recent documentaries, or whether Rami Malek is strutting his stuff as Freddie Mercury in Bohemian Rhapsody. In Mystify: Michael Hutchence's opening minutes, we see the same thing from the eponymous Aussie rocker and INXS frontman. Before he was dead at 37, Hutchence knew how to flash a cheeky smile when no one else was looking. With thousands of people staring back at him, he knew how to keep an audience hanging off of his every word. Alas, even when he was dripping raw charm in the middle of a gig, he knew how to hide a world of sorrow behind his grin as well. After Mystify's recognisable introduction, there's much in this passionate and intimate documentary that also feels familiar. Movies comprised of never-before-seen behind-the-scenes footage about troubled famous faces often unravel in a similar fashion, and accounts of music superstars who've died before their times tend to take a comparable path, too. If the increasing prevalence of such films, mirroring the increasing body count, isn't reason enough for society to rethink our celebrity worship and eager celebration of a sex 'n' drugs 'n' rock 'n' roll lifestyle, then nothing ever will be. Of course, that's a much bigger concern. In these tragic true tales, the home video, media interview and live performance clips obviously vary. While the broad strokes remain the same, the intricate minutiae also remains unique. Falling somewhere between sincere tribute and warts-and-all snapshot, these gone-but-not-forgotten portraits tend to ape their subjects, which Mystify does to an impressive degree. It's tender, thoughtful, energetic and electrifying, even when it's breaking your heart. Indeed, just like Hutchence himself, Richard Lowenstein's film about the singer's rise and fall has its own distinctive spark. More than two decades after his death, which was ruled a suicide by hanging, the rockstar is alive again in the movie. Naturally, it helps that the Australian filmmaker knew Hutchence personally. Not only did Lowenstein direct more than 15 of INXS' music videos throughout the 80s and 90s, but he gave the vocalist his first acting role in Dogs In Space. It also helps that Hutchence's nearest and dearest lend their frank, unfettered recollections to the doco — all unfurling as emotional snippets of voiceover laid over the archival visuals, rather than through talking heads. Although they're never seen on screen, except in old footage, the interviewee list spans siblings, family members, childhood pals, INXS bandmates, lifelong friends, staff, celebs such as Bono, and girlfriends including Kylie Minogue and Helena Christensen. What truly shapes Mystify, however, is that so much of the movie involves peering intently at its main man, and seeing what he did and didn't want everyone to see. First he's a shy yet lively kid growing up in a difficult household. Then he's a teenager drawn into the band because that's what his mates were doing. Later he's one of the biggest rock gods on the planet. Finally, he's someone understandably struggling with the trappings of fame — and coping however he can, frequently with the help of illicit substances. His eyes genuinely are the window to his soul, and to the documentary's. That's the case when Hutchence is gleaming excitedly while surveying a mass of people at the 1983 US Festival in California, and exclaiming "fucking hell" with a distinctive Australian drawl. It still applies when he's in speedos with Kylie on a boat in the middle of Hong Kong harbour, or beaming excitedly while sitting next to her on a cross-continental European train trip. And it's the same when he's looking far too sorrowful in his later years in Britain, as the tabloid scrutiny over his relationship with Paula Yates, and its role in breaking up her marriage to Bob Geldolf, reaches fever pitch. The revelations come and go, sometimes emanating from the screen in Hutchence's silent gaze, sometimes echoing in shared tidbits from Mystify's long list of candid discussions. The expected soundtrack weaves in and out as well, with the film equally pulsating with many of INXS' huge tunes — 'Never Tear Us Apart', 'What You Need' and 'Bitter Tears' among them — and taking time to dwell on the man Hutchence was beyond the music. If performing on-stage is a dance, and if navigating stardom is one too, then the metaphorical jig continues in Lowenstein's documentary. With finessed editing, plus an evocative sense of pace and tone, this is a fluid and insightful piece of cinema that finds the most effective, involving and moving way to relay its well-known story. Hutchence's plight will never be overlooked in Australia, where his songs will always remain beloved hits (and will always be pumping on a classic rock radio station somewhere). What Mystify ensures is that not only will his highs and lows always be remembered, but also his innate, unshakable allure when he was just being himself. https://www.youtube.com/watch?v=JRIFR3hkIpo
Golf courses have always tried to mimic the natural: undulating hills, thick forests, deep water and unforgiving sand. It's been a trend of recent years to flip this, instead opting for the unusual: whether that be the lush greens and rolling sand dunes of Dubai's desert golf, the foreboding doom presented by a recently dormant volcano at Lanzarote or the thrill (chill?) of ice golf in Uummannaq in Greenland. So we really shouldn't be surprised to discover a recent venture from Troon Golf and Dutch Docklands to create an 18-hole floating golf course in the Maldives, should we? A series of man-made floating platforms containing a number of holes each will be linked together by underwater tunnels. Although seemingly an exercise in extravagance, it is not without conscience. The project will be entirely carbon neutral, using solar energy, sustainable desalination and water cooling technology. The Maldives approval of the project is more than just a cash grab. With rising sea levels, precipitated by climate change, predicted to submerge a series of the Maldives islands, the government is looking offshore for solutions. President Mahamed Nasheed is even looking to purchase new land in other countries to house his people. The verdict is still out on the project, drawing out such loaded terms as 'obscene' and 'indulgent' but also 'responsible' and 'socially inclusive'.
Lapalux aka Stuart Howard is from Essex. If you’ve ever watched The Only Way is Essex you will get that this is kind of amazing, sort of like how Iggy Azalea came out of the rolling acres of Mullumbimby in regional NSW. The 25-year-old electronic music prodigy is currently the only British artist to be signed to the LA-based label Brainfeeder, the result of a spontaneous email by Howard that was returned with a personal response from Flying Lotus himself. So I guess Lapalux is kind of like electronic music’s answer to the self made YouTube success story of Justin Bieber? He has the beautiful bone structure and serious swagu to further substantiate the comparison. Lapalux will be supported by Wintercoats, Motion Picture Actress and Charles Murdoch. Tickets are available through Silo Arts.
Home to raindrop cakes, Nutella gyoza and salted caramel gyoza, Harajuku Gyoza clearly likes getting creative with its menu. The chain is fond of trying out new things with its dumpling range in particular, as its experiments with mac 'n' cheese, pepperoni pizza and marshmallow versions have demonstrated. But mixing things up isn't only about stuffing gyoza with different kinds of ingredients. That's all well and good — and tasty — but the Australian brand likes to get creative elsewhere, too. Now on the chain's winter menu: charcoal karaage chicken fondue. All of those words really do describe exactly what you'll be eating, so get ready to dip charcoal-coated bite-sized pieces of karaage chicken into a hot pot of oh-so-gooey cheese. If your stomach isn't already rumbling, it really should be. Just how long the new addition to the menu will be hanging around for your dipping pleasure hasn't yet been revealed, but a serving will cost you $14. And if you fancy pairing the new charcoal karaage chicken fondue with any of the chain's other inventive dishes — or after devouring cheeseburger gyoza, which is stuffed with burger pieces, aged cheddar, onion, pickles, mustard and tomato sauce; and mozzarella gyoza, which is filled with the obvious, then deep-fried and sprinkled with Twisties salt — that's up to you. Harajuku Gyoza's charcoal karaage chicken fondue is now available at all Australian stores — at Darling Harbour in Sydney; at South Bank and the CBD in Brisbane; and in Broadbeach on the Gold Coast.
Back in the ‘90s, Janet Jackson and Luther Vandross may have told us that the best things in life are free, but is the best comedy? You be the judge at The Pineapple Club, Brisbane Comedy Festival’s ode to improvisation and all-round place to hang out on Friday and Saturday evenings. Every weekend, the quick thinkers of ImproMafia come together for a retro-style show — and yes, it won’t cost you a cent to attend. Games, songs, quizzes and more will be on offer, including cans of pineapple. That’s the prize for being a good sport, joining in the fun and embracing that essential part of improv shows: audience participation. Fridays and Saturdays at 7.45pm at the Comedy Channel Laughter Lounge.
Don't sweat it. Just don't. That's a great sentiment, but putting it into action isn't always so easy. Humanity has long wanted to care less about all of the things that really don't matter, including since before self-help was a book genre — and since before there were books. Nothing else has quite summed up that concept quite like The Subtle Art of Not Giving a F*ck, though, even just in its title. It sits among a seemingly endless array of texts about living your best life and forgetting pointless strife, but Mark Manson's 2016 hit perfectly captured the idea that we should all devote less attention to matters that simply aren't worth it. First came the book. Then came the film version of The Subtle Art of Not Giving a F*ck. Since Manson's famous tome hit shelves, he's also popped up to chat about it and offer his brutally honest self-help advice — and he's returning Down Under in November 2024 to do exactly that again. Consider heading along to this The Subtle Art of Not Giving a F*ck live tour as the next step in pursuing the ultimate goal: giving less fucks. More than 20-million copies of the book have been sold, so you're probably familiar with Manson's take on living more contented and grounded lives already, but there's something to be said about hearing about it in person. Couldn't be arsed reading the text? Then this is another way to soak in its contents. Of course, Manson's spin isn't about never giving a fuck. Rather, he knows that it's wise to choose where to direct our fucks, what to give a crap about and what genuinely bloody matters. The book's chapter titles are as telling as its overall moniker, boasting names such as 'Don't Try', 'Happiness is a problem', 'You are not special', 'You are wrong about everything (But so am I)', 'The importance of saying no' and 'And then you die'. Also the author of Everything Is F*cked: A Book About Hope, Manson will be onstage exploring this train of thought at the Brisbane's QPAC Concert Hall on Thursday, November 7. Attendees can expect a deeper dive into the principles stepped through in his book, plus practical tips and stories from real life. This is an event to give a fuck about, clearly.
For a while there, it seemed like every hip hop tour to Australia was doomed to fail. Poor ticket sales, high-profile artists that don't show up, lazy and greedy managers and a general lack of any business savvy whatsoever have conspired to kill off a handful of festivals and some major tours in just the last year or two. But in the midst of all that, Rap City has not only gone ahead, it has thrived. Since its inception in 2010 the single-stage mini-festival has brought out some of the all-time greats of the game, from Ghostface Killah and DOOM to The Beatnuts and Masta Ace. This time around, Rap City will be headlined by none other than Talib Kweli, one of the most thoughtful, socially aware and lyrically gifted MCs around. His 1998 collaboration album with Mos Def — Mos Def and Talib Kweli Are Black Star — remains a masterpiece of politically and socially conscious hip hop, but over 15 years and half-a-dozen albums Kweli has proved time and again that he is one of the most gifted lyricists of his generation. With a new album, Prisoner of Conscious, recently released featuring Miguel, Curren$y, Kendrick Lamar, Marsha Ambrosius and Busta Rhymes, Kweli is sure to be at his energetic, eloquent best. Joining Kweli will be Homeboy Sandman, the rapidly rising star signed to Stones Throw Records (home to the likes of DOOM, Peanut Butter Wolf, Madlib, Australia's own Jonti and the late, great J Dilla). His praises as a lyricist and intellect have been sung by XXL, The Source, NPR, Rolling Stone and everyone in between, but his beats have a groove so good you almost don't notice that Homeboy's lyrics challenge almost every thought you have ever had. And if that weren't enough, these twin lyrical titans are being joined by Trademark 'Da Skydiver', the next big thing from the Jet Life Crew label — home to the likes of Curren$y, Smoke DZA and Sir Michael Rocks (formerly of The Cool Kids). With a handful of rapturously received mixtapes under his belt, Trademark is currently putting his finishing touches on his highly anticipated album Flamingo Barnes 2, which is due on the eve of his Australian Rap City tour. If anyone ever told you hip hop was dead, make sure you drag them along to Rap City and shut them up. MELBOURNE – Thursday October 3 @ The Hi-Fi PERTH – Friday October 4 @ Villa BRISBANE – Saturday October 5th @ The Hi-Fi SYDNEY – Sunday (Long Weekend) October 6 @ The Hi-Fi Tickets go on sale on Monday, 12 August, via Moshtix and OZTIX.
For much of Brewsvegas, hopping around town — and making your way between as many Brisbane bars, breweries, pubs and other watering holes — is on the agenda. Sometimes, though, you just want to sit in one place, have a great meal and enjoy an inventive lineup of paired beverages. Enter Felons Brewing Co's Sour Grapes Dinner. Because it's part of a beer festival, brews are still on the menu; however they'll be of the sour kind. You'll sip your way through four — and four rosés, too — while eating a four-course dinner. Felons' head brewer Tom Champion, executive chef Patrick Friesen and head sommelier Ian Trinkle have all joined forces to create the food and drink lineup, which includes smoked trout, grilled prawn salad, honey-glazed duck and a selection of cheese for dessert — plus cherry and raspberry-flavoured brews. Head along from 6.30pm on Tuesday, March 17 — and it's recommended that you nab your $90 ticket in advance, as it's bound to be popular.
Bummed you didn't get a Splendour ticket? Angry you bought dozens of Splendour tickets so you could scalp them, and now find yourself holding hundreds of dollars' worth of paper after organisers shut down the re-sale facility over the weekend? Decided not to go this year, thinking you could totally see all the bands you wanted to see when they did their sideshows? Well whoever you are, it's time to whip out those diaries and start making plans — we found the mother of all emails in our inboxes this morning, bursting with sideshow goodness. Listed below are all the details you need for nine bands — electronica wunderkind James Blake, old Splendour favourites Cold War Kids, so-hot-right-now sister act HAIM, MS MR (described to me as "Florence + the Machine, plus Lana Del Rey, with some Kavinsky thrown in"), the R&B-ish indie of Mancunians Everything Everything, Next Big Thing Jake Bugg, LA noise merchants FIDLAR, fast-rising Poms Palma Violets and kings of Florida chill Surfer Blood. And those are just nine of the eleventy-billion bands (we counted!) announced on the full Splendour lineup just a couple of weeks ago. More shows will be announced for the other bands as we get closer to the date. (Though sadly not for The National, Mumford & Sons or TV on the Radio, who are playing their only Australian shows at the festival.) Full ticketing information is on the Secret Sounds website. JAMES BLAKE Fri 26 July – Astor Theatre, Perth Tues 30 July – Sydney Opera House, Sydney Wed 31 July – Palais Theatre, Melbourne Fri 2 Aug – Town Hall, Auckland www.jamesblakemusic.com COLD WAR KIDS Monday 29 July – Metro Theatre, Sydney Tuesday 30 July – The HiFi, Melbourne Thursday 1 August – The Gov, Adelaide Friday 2 August – Capitol, Perth www.coldwarkids.com HAIM Wed 24 July – The Hi-Fi, Sydney Thu 25 July – The Hi-Fi, Melbourne www.HAIMtheband.com MS MR Fri 26 July – The Metro, Sydney Mon 29 July – The Hi-Fi, Melbourne www.msmrsounds.com EVERYTHING EVERYTHING Fri 26 July – The Corner, Melbourne Sat 27 July – The Metro, Sydney www.everything-everything.co.uk JAKE BUGG Thurs 25 July – Oxford Arts Factory, Sydney Sun 28 July – The Corner, Melbourne www.jakebugg.com FIDLAR Mon 29 July – The Corner, Melbourne Wed 31 July – Oxford Arts Factory, Sydney Fri 2 August – Spinoff Festival, Adelaide Sat 3 August – The Bakery, Perth www.fidlarmusic.com PALMA VIOLETS Mon 29 July – Northcote Social Club, Melbourne Tues 30 July – Oxford Arts Factory, Sydney www.palmaviolets.co.uk SURFER BLOOD Wed 24 July – The Corner, Melbourne Fri 26 July – Oxford Arts Factory, Sydney www.surferblood.com
Coffee is a complicated game. You need to source the right beans, grind them correctly, filter them for the specified time, perhaps froth the milk to that just-right temp and you need some pure-ass water. That's because coffee is 98 percent H2O, so some average water will mean your coffee will taste average — which is a damn shame if you've shelled out for some luxe Panama Geisha beans. Specialty coffee cafes are all over this and filter their water extensively, but baby home baristas aren't so diligent. So, to ensure they don't waste those beans on sub-par water, some genius has created a type of purified water specifically for making coffee. It's called Aquiem, and it's labelled its product as 'enhanced water'. While that sounds like total wank, it's essentially water that's been distilled to take all the extra stuff out of it. Then, a blend of good minerals that are supposedly meant to enhance the flavour of coffee are added back in. Then they're packaged and sold for a couple of dollars a pop. "What you definitely do not want is to have things like zinc and lead, fluoride, chlorine and large amounts of calcium in the water. All of that effects the taste of the coffee," co-founder Rob Vidacovich told Daily Coffee News. "What does have a favourable effect on coffee are things like magnesium, potassium, and a certain right blend of calcium." The whole idea is to allow non-pro baristas to make the most of their beans and drink a damn good cup of coffee every time. The Louisiana-based company has been working on the product for six years, but officially launched at the start of this year. Aquiem is currently sold in retailers in the state, but can be ordered online. Via Daily Coffee News.
I love a good rom-com as much as the next person. Austenland is not a good rom-com. The film tells the tale of Jane Austen-obsessed, 30-something singleton Jane Hayes (Keri Russell), who spends her life savings on visiting an Austen 'theme park' in England in her quest to find her own Mr Darcy. The foundations for a predictable and enjoyable rom-com are set. All we have to do is sit back and enjoy the ride as she battles obstacles before eventually learning that the fantasy exists in real life. Right? Right on all accounts except the most crucial: this film is not enjoyable. Actually, my apologies, there was one laugh, only it was so fleeting and unmemorable that I have already forgotten what induced it was. Likely it came from the repeatedly cumbersome attempts at a regal English accent by Miss Elizabeth Charming (played by Jennifer Coolidge in the same vein as every character ever played by Jennifer Coolidge). At least Austenland will not force you to think too much. It is predictable, which is a staple of most films of the genre — the protagonist will always find love. However, that is where we would like the predictability to cease. Unfortunately, the film's events and 'twists' are so glaringly foreseeable that you could sit at home and write the script in the time it takes you to watch it. In fact, just buy a Jane Austen novel with the money you would spend on seeing this. Perhaps the most frustrating element of this film is how unvisitable and inhospitable the actual resort it. From the instant Jane arrives she is treated horribly, due to purchasing the basic package. However, this unfathomable business plan destroys any realism in this resort, for me at least. It would have been better if this theme park had roller-coasters and fairy floss throughout. I will say that Russell is lovely to watch, and that JJ Feild will have ladies swooning as the film's resident Mr Darcy. However, that is it for the positives in this film. So use your sense and sensibility and give Austenland a miss, or at least wait until it ends up in JB Hi-Fi's bargain bin. Even then, save your $4.95.
Were you planning on spending the long weekend wrapped in a blanket cocoon with a season of Keeping Up with the Kardashians and a packet of Malteser mini eggs? Well, even if you weren't, here's a good enough reason to do just that: an all-reality TV streaming service is launching in Australia on Tuesday, March 22. hayu is the latest subscription video on-demand service to launch in Australia, and it's essentially Netflix but purely for reality TV. The service is part of NBCUniversal International, and will pull from their massive back catalogue of content to offer full 'box sets' of over 3000 episodes of shows like the Kardashians, Real Housewives and Made in Chelsea. Most new episodes will be available on the same day as their US release, and the platform will allow you to share snippets (i.e. Kardashian quotes) directly to your Facebook, Instagram or Twitter. It's either your worst nightmare or a vision of heaven you never thought would be socially realised. "We're excited to be unveiling March 22 as the launch date for hayu in Australia," said NBCUniversal's Jay McNamara, EVP Strategy Development and Analysis. "Curated by reality experts for reality fans, hayu is fully integrated with news feeds and social media and, uniquely, its next-generation functionality will enable Australian fans to share some of the content they love." Binge watchers of reality TV will be ecstatic (if not just secretly) over this news. As for all the haters.. hayu will launch on Tuesday, March 22. You'll be able to get a 30-day free trial, with the subscription costing $5.99 per month thereafter. For more info, visit hayu.com.
It's festival time at Brisbane Powerhouse once again, all thanks to the return of the venue's MELT: Festival of Queer Arts and Culture. Every year since 2015, the New Farm spot has celebrated the city's LGBTIQ+ community, as well as queer creativity in general — and in 2019, that means nearly 35 productions over ten days between Friday, June 28 and Sunday, July 7. Guest directed by producer and director Emily Gilmore (Spring Awakening, The Last Five Years), this year's MELT is jam-packed with music, cabaret, comedy, theatre, talks, panels and creativity — which means there's plenty to do, see, hear and dance to. From paying tribute to queer rock royalty to brightening up the place with important art, here's our five must-attend picks.
Earlier this year, Australia's caffeinated booze expert Mr Black gave fans of alcohol and coffee the premixed beverage they definitely wanted, with the company's bottled coffee negroni marking its first-ever pre-batched cocktail. Now, it's adding another tipple to the range, and it's another big hitter: the cold brew old fashioned, or cold fashioned. Yes, there's a time for coffee and there's a time for cocktails — but, sometimes, there's a time in the day when you want both and you don't want to do any of the mixing yourself. The cold fashioned is made with Mr Black coffee liqueur, rye whiskey and bitters, and you can expect both coffee and chocolate flavours to come through, as well as a bit of spice. Each bottle is going for $49 and can be used to make five cocktails (yes, that's a very reasonably $9.80 a drink). To make said cocktail, you just need to pour 100 millilitres of the sweet stuff into a glass over ice and garnish with a citrus twist — if you want to get a little fancy. It's the third new product that the Mr Black team has released during lockdown, with the company also launching a hand sanitiser in late March. As well as selling thousands (and thousands) of bottles to the public, the team donated hundreds to front-line medical workers, not-for-profits, testing clinics and medical centres. To get your hands on a bottle of cold fashioned, which, knowing Mr Black's track record, will sell out fast, head over to the Mr Black website. It's currently offering free shopping on all orders over $80. Mr Black's cold fashioned is on sale now for $49. Top image: Guy Davies.
Next time you crack open a can of BrewDog's Punk IPA, you might find yourself motivated to welcome a new four-legged addition into your family. Teaming up with Animal Welfare League Queensland, the Scottish brewery has brought its Street Dog initiative to Australia — profiling adorable dogs that are currently available for adoption across its cans. If you're the type of person that pats every pooch you see, and takes a daily walk past the local dog park just so you can get a glimpse of those adorable canines and their little faces, then you're also the kind of person who'd love to see pictures of puppers while you're sinking a brew. The photos adorn select Punk IPA packs, which have been badged 'Street Dog'. And yes, if you fall in love with the little fluffball staring back at you from the can, you can give it a home. By picking up a few Street Dog brews — which are on offer in eight- and 16-packs — you'll also be helping doggos in need another way. BrewDog is also donating all of the profits from sales of the beer to Animal Welfare League Queensland. And, although it's brewed at the company's Australian base in Brisbane, it's only making the beer available via its new online store, so everyone nationwide can stare at these canine cuties over their next cold one. Street Dog actually started in the UK earlier this year, as inspired by comedian Ricky Gervais. The comedian tweeted about his genuine fondness for Punk IPA, while also noting that businesses in general were better off giving their money to charities than paying for celebrity endorsements — and, taking his words to heart, BrewDog decided to start supporting homeless dogs, a cause that Gervais has been vocal about. Cue BrewDog cans covered with photos of dogs, which, when they launched in Britain, helped all of the pups featured on the tinnies to find homes. If you're wondering about the timing of bringing the Street Dog initiative to Australia, it's designed to help give the profiled pooches a permanent home before Christmas hits. The 375-millilitre cans will be available to purchase online until sold out. BrewDog's Street Dog limited-edition version of its Punk IPA beer is available to buy as an eight-pack for $40 and a 16-pack for $70.
When the eighth season of Game of Thrones finished its run in 2019, bringing the highly popular series to a conclusion, everyone knew that it wasn't really the end. The world created by George RR Martin will live on in his books, whenever the author finally publishes the long-awaited next instalment of his A Song of Ice and Fire series. And, because HBO likes both ratings and advertising dollars, the US cable network will keep the GoT-related TV shows going as well. Like residents of Westeros hoping that summer (or at least autumn) will last for ever, HBO isn't ready to let go of its highly successful commodity. Before GoT even finished, there had been plenty of chatter about what it'll do next, in fact. First, HBO announced that it was considering five different prequel ideas. It then green-lit one to pilot stage, scrapped it and later decided to adapt Martin's House Targaryen-focused Fire & Blood for the small screen instead. Now, the channel is reportedly in the early development phase for another GoT-related series also stemming from Martin's books. This time around, novella series Tales of Dunk and Egg looks set to get the TV treatment, Variety reports — with HBO still eager to keep building upon GoT's massive success, as the network is likely to be for the near future. The project is in the very early stages, however, so there's no word yet on who'll be involved either on- or off-screen. If it does come to fruition, Tales of Dunk and Egg will draw upon three novellas published so far: 1998's The Hedge Knight, 2003's The Sworn Sword and 2010's The Mystery Knight. Set around 90 years before the events of GoT, all three focus on the titular characters. Dunk will eventually become the future Lord Commander of the Kingsguard, Ser Duncan the Tall, while Egg is the future king Aegon V Targaryen — and both earn a mention in the A Song of Ice and Fire novels. As happened with the first proposed GoT prequel — as mentioned above — the fact that HBO is pondering making a new Westeros-set show doesn't mean that it'll end up making it to screens. Still, if you've been missing the chaos of the franchise's fictional world (and could use a return visit as a distraction from the real world), it's welcome news. Until any of the prequels actually drop, you can always rewatch the original — which is streaming in Australia via Binge — or revisit a trailer from its eighth and final season below: https://www.youtube.com/watch?v=kuLUyJdRvSU Via Variety.
When Milky Lane opened in Bondi back in 2016, it immediately generated a cult following. Thanks to its calorific concoctions, casual any-night-of-the-week vibe and celebrity endorsements, the venue has become a go-to for many Sydneysiders when an indulgent meal is a must. The chain made the jump to the Gold Coast in 2018 but, for Brisbanites, the slog down south can be long and painful (albeit worthwhile once the mega shake and burger-induced coma hits). Thankfully, there's now a solution a lot closer to home, with the team is opening a new venue at Gasworks Newstead on Wednesday, September 11. The formula has remained pretty much the same across Milky Lane's six stores so far, with five in Sydney and one in Queensland to date. On the menu: artery-clogging burgers, loaded fries and shakes. Hey, if it ain't broke. Graffiti typically lines the walls, transforming the burg joint into the sort of place that instantly makes you feel cool by association. And as for culinary favourites, there's the fried chicken Chic Kanye burger, the bacon-stuffed Kevin Bacon burg, mac 'n' cheese croquettes, deep-fried Golden Gaytimes and Kit Kat Choc Fudge Booze Shake cocktails, among others. The venue is sizeable, too, seating 200 burger fiends both inside and out. It's also mighty close to the other burg, shake and dessert-swilling eatery in the area, Betty's Burgers — but we all know how much Brissie loves meat between two pieces of bread, hefty piles of fries, milky drinks and over-the-top sweet treats. Milky Lane Brisbane opens at Gasworks, 76 Skyring Terrace, Newstead, at midday on Wednesday, September 11. For further details, visit the chain's website — or keep an eye on the store's Facebook page. Images: Milky Lane Bondi by Bodhi Liggett.
This Christmas, it's time to deck your halls with boughs of whichever greenery you'd like — and to give plenty of plants as gifts, too. That's on the agenda at VEND Marketplace, which is hosting not one but two huge Christmas Twilight Markets across the festive season. There'll be more than just succulents, cacti and indoor-friendly plants on offer; however, given that the northside spot is home to its own indoor greenhouse — aptly called the Greenhouse, naturally — that's definitely a big drawcard. Between 4–9pm on Saturday, November 25 and again at the same time on Saturday, December 9, you'll also be able to get festive at VEND's 130-plus shops, and at the array of pop-up stalls that it's setting up outside. Food trucks will keep your stomach satisfied while you're picking gifts — including for yourself — and the VEND cafe will also be serving boozy beverages and Christmas dinner specials. Also, there'll be a cocktail bar. Plus, VEND is doggo-friendly — should you want to bring your four-legged pal with you for a stint of Christmas fun. (No good boy or girl wants to stay home while you're out during the merriest time of year.) And, there'll be live tunes helping set the mood, as well as a photo booth for seasonal snaps. Images: VEND Marketplace.
Another year, another Brisbane Comedy Festival, another Sam Simmons set, another entry on our festival picks list. There's a reason for all of that. We'd waffle on about anticipating a tried and true comedy formula, but where this absurdist talent is involved, that'd require knowing what to expect — and if there's anything Simmons' previous shows have taught us, it's that expectation is futile. This is all the clues you get from Brisbane Powerhouse: "Forty year old man sits on stage and reads the phone book. G Jones 08 323 7261. I wonder what he's up to these days." His new show, A-K, does make one thing plain from the outset, though: he's moving up in the Brisbane Powerhouse world. Indeed, for seasoned fans who've caught his work over the years, watching him evolve from the depths of the venue to the main stage is quite something. Between then and now, he's casually sold out seasons at the Adelaide Fringe Festival, Melbourne Comedy Festival, the West End and the Edinburgh Fringe Festival. This is one of our top picks for this year's Brisbane Comedy Festival. Read the whole list.
UPDATE, APRIL 4: Disney has announced a new release date for Mulan, with the film now hitting cinemas on July 23, 2020. UPDATE, MARCH 13: Due to concerns around the coronavirus, Disney has announced that Mulan will no longer release on its initially scheduled date of Thursday, March 26, 2020. At present, a new release date has not been announced — we'll update you when one has been revealed. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. In Chinese history, the legend of Hua Mulan dates back to the sixth century. At the movies, the formidable female warrior first fought her way across the big screen in a 1927 silent film. The character has been no stranger to the page, stage or cinema over the past 92 years, but many folks know the tale thanks to Disney's 1998 animated musical. Now, as it has done with everything from Alice in Wonderland to The Jungle Book to Aladdin, the Mouse House is turning the story into its latest live-action remake. Once again, Mulan (played by Chinese American actor Liu Yifei) will evolve from dutiful daughter to kick-ass combatant, all to protect her family in a time of war. She's originally due to be married off to a husband chosen by a matchmaker, until the Emperor of China issues a decree stating that one man per household must serve the Imperial Army as it endeavours to fend off northern invaders. To save her ailing ex-soldier father from having to fight, Mulan disguises herself as a man, takes on the name Hua Jun and becomes an icon. Forget rousing tunes or a talking dragon voiced by Eddie Murphy. This time, the tale hits the screen without a singing and smart-talking sidekick, but with plenty of sword-swinging, arrow-flinging antics — as both its first teaser and just-dropped full trailer show. In New Zealand director Niki Caro's (Whale Rider, The Zookeeper's Wife) hands, this version of the story goes heavy on the action and empowerment, as shown in the spectacularly choreographed scenes seen so far. As well as Liu (whose resume includes The Forbidden Kingdom and The Assassins), the new Mulan features Jet Li as the Chinese Emperor, Gong Li as a witch, Donnie Yen as the protagonist's mentor, Jason Scott Lee as a villainous army leader, and Yoson An (The Meg, Mortal Engines) as her fellow fighter and love interest. The film hits cinemas next year — check out the first full trailer below: https://www.youtube.com/watch?v=KK8FHdFluOQ After being delayed from its original release date of March 28, 2020, Mulan will now open in Australian cinemas on July 23, 2020. Image: © 2019 Disney Enterprises, Inc.
Gelato Messina is bringing gourmet to the freezer aisle this month. The gelato mega brand has teamed up with Peters Drumstick to go mainstream — bringing its beloved gelato to supermarkets and convenience stores all over the country. Sure, you've eaten many-a-Drumstick in your day, with the brand launching in Australia all the way back in 1963 — whether it was a childhood favourite or now your late-night go-to, it's a long-standing ice cream staple. But now with the Sydney-based gelateria on board, the humble Drumstick cone of your youth has been spruced up — the Messina way. The new cones feature four classic Messina flavour combos, which were initially created in its Rosebery HQ, before being mass produced in Peters' Drumstick factory. Flavours include mango and salted coconut, made with Aussie produce and topped with mango sauce and coconut flakes; vanilla bean and peanut praline, topped with dark chocolate; roasted hazelnut gelato, made using imported Italian nuts; and, of course, dulce de leche, topped with caramel sauce and chocolate-coated biscuits. All four flavours are available at Coles, Woolworths and independent groceries across Australia. Each comes in pop art-style boxes of four, priced at $9.99 per box. As far as convenience stores and petrol stations go, only the mango and salted coconut and roasted hazelnut flavours are up for grabs as single cones for $4.90 a pop. The collab is limited though, so if you want 'em, come and get 'em. Gelato Messina X Peters Drumstick collaboration ice creams are available at supermarkets, petrol stations and convenience stores for a limited time.
It has been more than a month since Australia's cinema screens stopped flickering, with the nation's picture palaces closing due to social-distancing requirements to help stop the spread of COVID-19. And while movie buffs can still get their film fix online — via the usual streaming options, as well as the big bunch of recent big-screen releases fast-tracked to digital — your tastebuds are probably hankering for some cinema-level snacks to go with your at-home-viewing. Thanks to Hoyts and UberEats, you can now get the cinema chain's popcorn and choc tops delivered to your door. On offer: four sizes of regular salted popcorn, five flavours of gourmet popcorn (including nacho and sea salt caramel) and five types of choc tops (vanilla, boysenberry, mint, cookies and cream, and salted caramel). You can also order a selection of chips, confectionary and drinks. And, if you really want to come as close as you can to recreating the out-of-the-house movie-going experience, you can get your snacks in combos. Three kinds are available, so you'd best decide whether you'd like Malteasers with your popcorn and choc top — and if you're planning to share. For a limited time, Hoyts is also giving away free choc tops — albeit with other purchases, so you will have to splash out some cash. Buy any salted or gourmet popcorn, and you'll score a choc top as well. Or, spend more than $30 in total, and you'll also nab a choc top for free. Delivery is available between 2–9.30pm each day, and you will need to live within the delivery zone of one of Hoyts' 34 physical sites in New South Wales, Victoria, Queensland, Western Australia, South Australia and the Australian Capital Territory. Hoyts' snack range is available via UberEats, with free choc tops on offer for a limited time with any salted or gourmet popcorn purchase, or any order over $30. To order, head to UberEats.
As if the first announcement wasn't kickass enough, OutsideIn have announced the second part of their festival lineup. Locked in to be held over three levels at Manning Bar in the University of Sydney, the boutique music festival cooked up by Sydney touring and management agency Astral People and record label Yes Please returns for its third instalment on Saturday, November 29. Forecast to sell out like its 2012 and 2013 events, OutsideIn will spread its super solid lineup over three stages. Joining an already solid lineup featuring '90s US hip-hop legends The Pharcyde, Sydney's beloved electronic trio Seekae, Germany's Pantha Du Prince, America's Giraffage and Melbourne duo Client Liaison is legendary Chicago house DJ/producer Roy Davis Jr and US R&B/housemaster Brenmar, alongside Melbourne’s Noise In My Head, Adelaide’s Late Nite Tuff Guy, and Sydney's own Collarbones, Chris Barker and Basenji. With a host of both local and international artists yet to be announced, OutsideIn is back for another year of beats-you-may-have-missed and downright shindigging. OUTSIDEIN 2014 SECOND LINEUP ANNOUNCEMENT: Roy Davis Jr (US) Basenji Brenmar (US) Late Nite Tuff Guy Collarbones Noise in My Head Chris Barker FULL 2014 LINEUP: The Pharcyde (US) Seekae Pantha Du Prince (GER) Giraffage (US) Roy Davis Jr (US) Client Liaison Basenji Brenmar (US) HNNY (SWE) DJ SPINN (US) Tornado Wallace Collarbones Late Nite Tuff Guy Wookie (UK) Rome Fortune (US) Fishing Jubilee (US) Guerre Black Vanilla Retiree Sui Zhen Noise In My Head Preacha Andy Webb Moriarty Ariane Chris Barker OutsideIn is happening at Manning Bar, University of Sydney on November 29. General admission is $80 +bf. All tickets are available through Oztix. Photo credit: Voena.co
"Don't you dare ruin my childhood!" Such is the inevitable complaint from nostalgic movie fans whenever a beloved film from yesteryear is tapped by studios for a remake. Setting aside what kind of fragile childhood you must have had for a movie to be capable of destroying it, the sentiment is at least a sincere one: please be respectful. Like a thoughtless cover song robbing an original of all its heart and meaning (here's looking at you, Madonna's 'American Pie'), the arbitrary remaking, rebooting and reimagining of successful pop-culture properties threatens to expend a great deal of fan goodwill. Paul Feig's Ghostbusters was the last film to attract this level of ire, though that was as much to do with sexism as anything else (and proved doubly misguided since the female cast ended up being the best thing about it). Then came the Jumanji announcement and, again, childhoods were imperilled the world over. The beloved Robin Williams vehicle from 1995 (itself an adaptation from a book) was a critical meh at the time, but made bucketloads of cash. More importantly, however, its status as a cult classic grew with each passing day – so much so that the remake's star, Dwayne Johnson, recognised the risk early on and did his best to allay people's fears. "We wanted to do something that was respectful of the work of Robin Williams as well as creating something fresh," he insisted. So was he true to his word? Well, yes and no. Jumanji: Welcome to the Jungle certainly isn't fresh, in that it's largely just an appropriation of Tron coupled up with body-swap stories like Freaky Friday and 3rd Rock from the Sun. Nor does it really address the legacy of Robin Williams, since his character scarcely rates a mention, and the story itself in no way resembles the original. But is it a good film? Absolutely. Updating itself, quite literally, for more modern times, the film sees the original Jumanji board game transform into a mid-90s video game cartridge and promptly suck a hapless teenager into its hidden universe. Fast-forward 20 years and, in a clear nod to The Breakfast Club, the game is discovered in a storeroom by four motley teens during high-school detention. Sure enough they too – the nerd, the jock, the princess and the loner girl – find themselves pulled into Jumanji's perilous jungle. But there's a twist: they're now in the bodies of the game character they chose. So it is that the nerd becomes the muscle-bound Dr Smolder Bravestone (Johnson), the jock becomes pint-sized zoologist Moose Finbar (Kevin Hart), the loner becomes uber-babe and biologist Ruby Roundhouse (Karen Gillan) and – most amusingly – the princess becomes the portly, middle-aged cartographer Shelly Oberon (Jack Black). From there the film becomes a non-stop action-adventure romp, one in which its stars engage in a retro video game quest to return a glowing green jewel to its rightful home. The laughs are frequent, coming mostly from the body-swap setup, but also from the tongue-in-cheek references to 90s point and click games – like having non-playable characters only speak a limited number of lines that repeat themselves if you fail to progress in time. Each of the main cast members plays impressively against type, with Black in particular soaring in his part as the vacuous it-girl. Together they make an entirely likeable crew, lending the narrative a nice emotional undercurrent even as a "be true to yourself" message is jammed clumsily down our throats. Funny, breezy and full of memorable performances, nervous film buffs can rest easy. Your childhood is going to be just fine. https://www.youtube.com/watch?v=2QKg5SZ_35I
In 2020, we all started paying extra attention to where we've been, in case venues we've visited were also attended by folks who've since tested positive to COVID-19. And with new local cases popping up again in Brisbane, checking the state's list of exposure sites is once again part of everyone's routines. Queensland Health maintains a register of places that positive COVID-19 cases have visited, and urges the state's residents to get tested and/or self-isolate if they've also been to them at specific times. Now, you can also see all of the venue alerts across the state via a handy interactive map. Called COVID-19 Near Me, the statewide map gives locations specific hues depending on the action visitors are being urged to comply with, making it easy to see whether or not you must get tested and self-isolate or just monitor for symptoms. For example, bright red-coloured venues are close contact locations and, therefore, visitors are to get tested immediately and self-isolate for 14 days, even if they receive a negative test. Darker red means that you need to get tested and isolate until you receive further advice, while orange indicates casual contacts, which requires getting a test and self-isolating until receiving a negative result. Purple is used when you need to get tested and monitor for symptoms, and blue shows lower-risk locations that require visitors to monitor for symptoms and then get tested should any appear. The map is not run by the government, but is instead powered by its official data. So, Queensland residents are urged to also check the official Queensland Health website if they have any concerns about venues they may have visited. At the time of writing, the map was last updated on Tuesday, September 28. You can check out all existing COVID-19 venue alerts at covid19nearme.com.au. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. Images: screenshots of COVID-19 Near Me on Tuesday, September 28.
Bluesfest has lifted the lid on its second artist announcement for 2018, adding 16 more names to the already hefty lineup. Heading this latest stampede is Senegalese artist Youssou N'dour, who will be bringing his 20-piece band to the five-day Easter long weekend festival just outside of Byron Bay. If the name isn't ringing any bells, you'll probably be familiar with this '90s classic. Other artists joining the lineup include greatest hit-bearers Jackson Browne and Seal, Bluesfest regular Michael Franti, and British band Gomez will return to the fest for their first tour in six years. They'll place alongside two huge headliners: Lionel Richie and Led Zeppelin's Robert Plant, who will play with his band The Sensational Space Shifters. Plant's performance at Blues will mark 50 years since he first performed with Led Zeppelin, so the gravity of the performance is sure to be pretty huge. Other acts taking to the stage Tyagarah Tea Tree Farm over the weekend include Aussies Tash Sultana and John Butler Trio, Swedish duo First Aid Kit and what will be a captivating set by José González. Bluesfest returnees Joe Louis Walker, Dumpstaphunk and Eric Gales are on there too. Anyway, here's the full lineup. Better start making Easter plans — and deciding what to eat — because tickets are already on sale. BLUESFEST 2018 LINEUP SECOND ANNOUNCEMENT Youssou N'dour Seal Michael Franti & Spearhead Jackson Browne Jason Isbell and the 400 Unit Gomez Rag 'n' Bone Man The Original Blues Brothers Band Jimmy Cliff The Wailers Benjamin Booker Hurray for the Riff Raff Canned Heat Walter Trout André Cymone The Teskey Brothers FIRST ANNOUNCEMENT Robert Plant and The Sensational Space Shifters Lionel Richie The John Butler Trio Tash Sultana The New Power Generation Chic Featuring Nile Rodgers First Aid Kit Jose Gonzalez Morcheeba Gov't Mule Lukas Nelson & Promise of the Real The California Honeydrops Eric Gales Bobby Rush Dumpstaphunk Joe Louis Walker Rick Estrin & The Nightcats Bluesfest 2017 will run March 29 to April 2 at Tyagarah Tea Tree Farm, Byron Bay. More details and ticket info here. Image: Andy Fraser.
If Emily had been made two or three decades earlier, it might've starred Frances O'Connor, rather than boast the Australian actor-turned-filmmaker as its writer and director. Back in the 90s and 00s, O'Connor played with literary classics in movies such as Mansfield Park and The Importance of Being Earnest, plus a TV version of Madame Bovary. Now, making an accomplished and emotive debut behind the lens, she explores how Emily Brontë's Wuthering Heights might've come to be. Is a Kate Bush-inspiring piece of gothic romantic fiction of such passion and yearning — the only one from a writer lost to tuberculosis at the age of just 30 in 1848 — the result of a life touched by both? That's a question that this fictionalised biopic ponders. Emily begins with another query, however, although it's also basically the same question. "How did you write it?" Emily's (Emma Mackey, Death on the Nile) older sister Charlotte (Alexandra Dowling, The Musketeers) demands. "How did you write Wuthering Heights?" As one Brontë grills another, "I took my pen and put it to paper" is Emily's literal answer, offered as she reclines, pale and not long for this world, alongside printed versions of her now-iconic story. The response provided by the gorgeously shot, impressively acted and deeply moving Emily is far more complicated, but O'Connor's choice to open her movie with this scene and question is both clever and telling. One perspective on great artists, including of words, is to view their work as intertwined with their lives — aka this feature's preferred vantage. A key perspective of Emily, too, is not letting the small amount of detail known about the middle of literature's three Brontë sisters dictate how this story is told. That copy of Wuthering Heights by Emily's side? It bears her name, as does every iteration printed today, but her book wasn't first published under her real moniker — her pen name was Ellis Bell — until two years after her death. With Emily, O'Connor doesn't just pluck everything from her own imagination, but conceives of context for a novel that still haunts and entrances today. Before she's close to saying farewell, the film's namesake is a shy, sensitive but strong-minded young woman seen as the family black sheep — in her minister father Patrick's (Adrian Dunbar, Line of Duty) eyes, visibly, given that she always comes second to Charlotte and the younger Anne (Amelia Gething, The Spanish Princess), and also further afield. "They call you the strange one," Charlotte advises with exasperation at Emily's demeanour, her penchant for staying home and for fondness for roaming, rolling and falling in green among the wily, windy moors. There's no absence of kindness among the sisters, but Emily's keenest affinity springs with her scampish brother Branwell (Fionn Whitehead, Voyagers), an aspiring creative whose attachment to alcohol and opium impacts his dreams. Into this Yorkshire maelstrom arrives handsome curate William Weightman (Oliver Jackson-Cohen, The Lost Daughter), instantly winning over Charlotte and Anne with his lyrical sermons and his Valentine's wishes, and the village of Haworth as well, but initially leaving the guarded Emily sceptical. So, when Patrick decrees that William will help with Emily's French lessons, she's reluctant in general — including about their burgeoning connection. In a movie filled with standout scenes so potent that many other flicks would long to possess them, a debate in the Gallic tongue about blind faith proves one of Emily's most electrifying. That said, sparks don't merely fly in verbal discussions, as the frantic but careful attention given to the era's complicated disrobing demonstrates once Emily and William submit to their smouldering attraction. Teaming up with cinematographer Nanu Segal (A Spy Among Friends) and editor Sam Sneade (The Suspect) — and with strings-fuelled assistance from composer Abel Korzeniowski (The Courier) — O'Connor finds heat and solace against the picture's bucolic backdrop. At its lustiest, Emily never threatens Lady Chatterley's Lover, but it too is earthy, full-hearted and focused on a tactile romance. The impressionistic filmmaking itself evokes the whirlwind of sensations swirling and stirring inside its central figure, whether the movie is cutting to black, deploying handheld camerawork or energetically setting the pace through quick edits. Throw in that often-urgent score, as well as elemental sound design that whirrs with the wind but also knows how to punctuate its emotions with silence, and to watch Emily is to feel as feverish as O'Connor contends that Emily did, or might've, or could've. It isn't just a compliment to O'Connor to note that she pens and helms a feature she would've once fronted. Such is the now-director's standing as an actor — in a career that's also spanned Love and Other Catastrophes, A.I. Artificial Intelligence, The Hunter, The Conjuring 2, Cleverman and The End — that they're words of praise to Mackey as well. The Sex Education star ripples with intensity even in the stillest and quietest of moments, constantly conveying Emily's ever-churning thoughts and feelings in something as simple but loaded as a pensive gaze. Emily adores peering intently at her face and Mackey is up to the scrutiny, but one of her powerhouse scenes involves Emily donning a mask. Playing a storytelling game, and bringing to mind the origins of Mary Shelley's Frankenstein in the process, she spooks Charlotte, Anne, Branwell and William by claiming to be the spirit of the Brontës' dead mother. How symbolic this exchange is, too, laying bare the influence of grief upon the family and displaying what Emily is capable of when she doesn't have to worry about the face she's showing the world. How wonderful it'd be to see Mackey cast as Catherine in a future adaptation of Wuthering Heights as well, if another soon joins the many past takes — 1939's Oscar-nominee, 1992's Juliette Binoche-led flick and 2011's Andrea Arnold (Cow)-directed one, to name a few — on-screen. For now, though, if there's a misstep in Emily, it's the nods given to the Brontës' speculated sibling rivalry. All three sisters made their mark on the page, and on history — Charlotte is responsible for Jane Eyre, of course, and Anne for Agnes Grey and The Tenant of Wildfell Hall — and having them in competition with each other feels reductive. Still, it never undoes the movie, and it does help answer the big early question slung Emily's way. How did she write Wuthering Heights? In a family of sharp, intelligent, talented women, by being utterly and unflinchingly herself.
Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. After a fake lineup posted was 'leaked' prior to the official triple j announcement to catfish all us suckers eagerly awaiting the list of acts that will be appearing, the details for Splendour 2016 are finally here. In what is the best news we've heard this year, The Strokes (The Strokes!!!) will be Splendouring for their only Australian show. It also seems the predictions for The Cure were incredibly, amazingly correct — meaning that we'll be seeing both The Strokes and The Cure this July. It's almost too much to handle. Joining them is one heck of a lineup that includes The Avalanches — who haven't played a gig (that wasn't a DJ set) in over ten years. Fingers crossed the show coincides with new music. Iceland's Sigur Rós and Irish artist James Vincent McMorrow will also being doing one-off Australian shows at the festival, Courtney Barnett will make her first appearance at Byron, while James Blake and At the Drive-In will return, as will locals Flume and Sticky Fingers. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2016 LINEUP The Strokes (only Aus show) The Cure Flume The Avalanches (only Aus show) James Blake At The Drive-In Violent Soho Hermitude Band of Horses Sigur Ros (only Aus show) Santigold Matt Corby Sticky Fingers Boy & Bear Courtney Barnett Jake Bugg The 1975 Leon Bridges Duke Dumont (DJ set) James Vincent McMorrow (only Aus show) The Kills The Preatures What So Not Years And Years Gang Of Youths Illy Peter, Bjorn & John Golden Features Crystal Fighters Ball Park Music Tegan & Sara DMA'S Jack Garratt Hayden James City Calm Down Snakehips Mark Lanegan Michael Kiwanuka Jagwar Ma King Gizzard & The Lizard Wizard The Jungle Giants The Internet Motez Marlon Williams Lido Emma Louise Kim Churchill Nothing But Thieves Lapsley Kacy Hill Slumberjack Robert Forster (10 Years On) Beach Slang Urthboy Little May Boo Seeka Ganz Spring King Melbourne Ska Orchestra Fat White Family Total Giovanni Methyl Ethel Slum Sociable L D R U In Loving Memory of Szymon Blossoms High Tension Roland Tings Sampa The Great The Wild Feathers Harts Ngaiire montaigne Tired Lion Green Buzzard Jess Kent Gold Class Lucy Cliche Opiuo Mall grab Dom Dolla Paces Just A Gent Dro Carey Running Touch Wafia World Champion Suzi Zhen Remi Nicole Millar Dreller Feki Kllo Banoffee Plus... Moonbase Comander The Meeting Tree Twinsy Purple Sneaker Djs Human Movement Panete Swick Amateur Dance Ribongia Splendour will return to North Byron Parklands on Friday 22, Saturday 23 and Sunday 24 July. Onsite camping will once again be available from Wednesday, July 20. Image: Bianca Holderness.
Choosing a beer to drink should be simple. But even if you're determined to drink local and support Australian brewers, there are just so many beverages and brands to pick from. That's the dilemma everyone faces when they go to the bottle shop — so imagine how difficult it is to select the top brews at the Royal Queensland Food and Wine Show Beer Awards. The folks behind the annual accolades have managed to pick their preferred beverages for 2021, with the results announced on Wednesday, March 3. The awards span a heap of categories, with more than 480 individual beers submitted (and if you're now thinking that choosing the winners sounds like your dream job, that's understandable). Sydney Brewery earned the biggest gong of the awards, the Grand Champion Beer, for its pilsner — and that wasn't the only major field it topped. It was also named the best small/medium brewery and, in the minor categories, won for its lager. If you're a Sydneysider looking for some motivation to visit its Surry Hills site, you've just found it. Obviously, if there's a category for smaller brewers, there's one for larger outfits, which the Gold Coast's Black Hops Brewing won. And, there's also a best new brewery field, with Stomping Ground Brewing Co in Melbourne doing the honours. As for the champion brewpub, that went to Moffat Beach Brewing Co on the Sunshine Coast. [caption id="attachment_684633" align="aligncenter" width="1920"] Sydney Brewery[/caption] Being held in the Sunshine State, the awards also anoint a best Queensland beer, with Aether Brewing's Hop Skip Jump IPA Draught getting the nod — and winning the strong beer field, too. Other breweries to pick up a trophy include Gypsy Fox Brewing Co from Grose Vale in New South Wales, which makes the best amber dark ale; Brisbane's All Inn Brewing Co, who do the best porter or stout; and fellow Brisbanite Felons Brewing Co, with its Dark Side Bourbon Barrel Stout claiming the hybrid beer field. For more information about the 2021 Royal Queensland Food and Wine Show Beer Awards winners, head to the show's website. Top image: Stomping Ground, David Hyde.
Back in the '80s, Bruce Springsteen was onto something — and so was Courtney Cox. As immortalised in one memorable music video, the boss and the Friends star know the joys of dancing in the dark. So does No Lights No Lycra, Brisbane's weekly evening dedicated to getting your groove on without glaring brightness, staring revellers or shiny outfits. For $6 in pocket change, it's an open, accessible, friendly and non-judging space to make shapes and make your worries go away. Go along once, and we're betting you'll end up with a regular Tuesday night fixture in your diary.
During its debut Night Feast, Brisbane Powerhouse will be filled with people — and not just in the way you'd expect. Plenty of Brissie folks will flock to the riverside space for bites to eat, drinks to sip and fire pits to sit by, and they'll be joined by giant humanoids eager to explore our fantastic planet. Taking inspiration from the 1973 animated flick Fantastic Planet, this larger-than-life light installation from artist Amanda Parer will take over the New Farm venue with a towering spectacle of out-of-this-world sights. With the movie set in a world where such gargantuans roam the earth, rendering humanity as we know it savages, consider this bright, bold piece the next best thing to stepping into that realm. [caption id="attachment_890920" align="alignnone" width="1920"] Amanda Parer, Kanizaj for Klanglich[/caption] Operating 4.30–9.30pm from Wednesday–Sunday in its first two weeks — then starting at 2pm on Saturdays and Sundays from Saturday, March 18 — at the Powerhouse forecourt, Fantastic Planet will make its presence known next to the building's iconic facade. If you start thinking about how fragile and humble life is when faced with something so huge, that's the point. As for the rest of Night Feast, it pairs food from top Brissie chefs with roving performances and an impressive arts program — laser beams that look like intergalactic events included. [caption id="attachment_893196" align="alignnone" width="1920"] Markus Ravik[/caption] Top image: Lachlan Douglas.
In 2020, for only the third time in the event's history — and the first time since the Second World War — Brisbane's annual Ekka isn't going ahead in-person. But, that doesn't mean that it isn't going ahead at all. While the physical Ekka was cancelled for this year back when the city was going into COVID-19 lockdowns, and the annual public holiday has even been moved, the show will live on as an online event. So, your August plans can still involve showbags, baby animals, Bertie Beetles and strawberry sundaes. Ekka Online runs from Friday, August 7–Sunday, August 16 — and, in its virtual format, that means ten days of fun via digital means. Courtesy of ten online channels, you'll be able to watch streamed live music, peer at cute critters in the baby animal nursery, get to know Queensland's dog and cat community, and check out a heap of baking and cooking demonstrations. There'll also be fireworks on Thursday, August 6, to get things started, because it wouldn't be the Ekka without them. Of course, there's more going on than that — including when it comes to two Ekka staples. Sure, you can't crash dodgems and throw a ball in a clown's mouth for a prize this year; however you will be able to stock up on showbags and feast on ice cream. First, the showbags. Around 400 different types will be available during the first-ever virtual Ekka marketplace. The online buying frenzy will also include award-winning medal winners from the Royal Queensland Food and Wine Show (RQFWS) competitions, retailers who've been a part of the show for years, and local makers and creators. Now, the tasty part of proceedings: the strawberry sundaes. They'll be available physically, thanks to a number of drive-thru pop-ups at the Showgrounds, on King Street, and everywhere from Morayfield, Milton, Loganholme and Springfield to Skygate near the airport, Albany Creek and Chermside too. Check out the full list of venues and times online —and, as well as sundaes, the pop-ups will be selling dagwood dogs as well. Plus, if you're keen on more than a few of the iconic desserts — 20 or 100 of them, that you whip up yourself at home — you can buy DIY sundae-making kits, too. You'll receive all the ingredients that are used to assemble the sundaes at the Ekka, and you'll also be doing a good deed by supporting medical research via The Prince Charles Hospital Foundation for The Common Good. Ekka Online runs from Friday, August 7–Sunday, August 16. Updated August 7.
It's that time again: time for the Alliance Française French Film Festival to gift Australian movie-goers with its annual cinema showcase. 2022 marks the event's 33rd round of fests, so get ready to watch your way through more than 40 flicks that'll whisk you off to France while you're munching popcorn in your cinema seat. There's no shortage of highlights from this year's complete lineup — including the festival's opening night pick, the 19th-century Paris-set Lost Illusions — but Claire Denis' Fire is easily one of the most exciting films on the bill. It'll play AFFFF straight from the Berlinale, and marks the acclaimed French filmmaker's first release since 2018's exceptional High Life. It also stars her Let the Sunshine In lead Juliette Binoche, with the romantic drama pairing the latter up with French actor Vincent Lindon (Titane) for the first time. Also a standout: Happening, winner of the 2021 Golden Lion at the Venice Film Festival, which adapts Annie Ernaux's autobiographical novel about the rights of women in France in the 60s. It just nabbed filmmaker Audrey Diwan a BAFTA nomination for Best Director, and follows a bright young student who gets pregnant, then sees her options — for her future, and regarding what to do about her situation — quickly dwindle. When AFFFF heads to Brisbane's Palace Barracks and Palace James Street between Wednesday, March 16–Monday, April 18 (including its encore sessions), the exceptional Petite Maman also sits at the very top of the fest's must-see list. The latest film from Portrait of a Lady on Fire's Céline Sciamma, it already made a few Australian festival appearances in 2021, and channels the director's trademark sensitivity and empathy into a sci-fi-skewing tale of mothers and daughters that's instantly among Sciamma's best. Other top picks include the latest film in the OSS 117 spy spoof series, OSS 117: From Africa With Love, once again starring The Artist Oscar-winner Jean Dujardin; François Ozon's Everything Went Fine, which sees the Summer of 85 filmmaker tackle the right to die with dignity; Paris, 13th District, a love story from A Prophet and Rust and Bone's Jacques Audiard; and Murder Party, a murder-mystery with big Cluedo vibes. Or, there's also Anaïs in Love, a rom-com about a woman having an affair with a married man but then falling for his wife; bipoic Authentik, about French hip-hop duo Suprême NTM; World War II drama Farewell, Mr Haffmann, as based on the play; and friendship drama The Braves, about two twentysomething women following their dreams to become theatre actors. Plus, AFFFF's retro program is also a cinephile's delight, showcasing the work of actor and filmmaker Alain Delon — including via Purple Noon, which adapts Patricia Highsmith's novel The Talented Mr Ripley.
The Jungle Love Festival is a brand new music and arts festival, set to take place in November at the picturesque Moogerah Dam. Details are still being kept hush-hush at the moment, but anticipation is building steadily. To further stoke the fires of expectation, the team behind the festival are hosting a launch party at new West End venue, The Motor Room. There will be live art from Brisbane art collective, Lost Movements, a performance by Leanna Donovan aka Pent Upglamour and musical performances by Desmond Cheese (pictured) and HRBRT. Also, Stone and Wood Brewing will be on tap and the Bun Mobile will be parked right outside. Yum! Discounted festival tickets will be for sale at the event, so if you are interested in the idea of being the first to experience the newest festival in Queensland, make sure you are in attendance. Also, Trainspotters will be hosting the launch-party after party, so you can get all your pent up partying out in one night. Keep your eyes on the Jungle Love website for line-up announcements and ticket sales.
There are those times that simply cry out for a glass of bubbly to lend a little class to the occasion: maybe you're celebrating big events, pulling out the stops for festivities or just raising a glass to the glorious sunny weather. To get you inspired for a summer of sparkle, we've paired a range of seasonally suitable activities with a fine Henkell Blanc de Blancs sparkling wine. From camping to croquet, cookouts to private cruises, we're here to help you and your pals take this summer to its finest, fizziest heights. Make the most of the great outdoors and Queensland warmth — here are five ways to enjoy the season with a glass of sparkles in hand. [caption id="attachment_688571" align="alignnone" width="1920"] Paul Ewart.[/caption] PICTURESQUE GLAMPING Brisbane has a ton of glamping options within easy reach but far enough from the city hubbub. You can join the regular parties up at Glamping Maleny — they bring the open fire and activities like archery, quad biking and woodchopping, you BYO tipple. Or head to a beachside, tropical locale at Stradbroke Island's Minjerribah Camping. Its mini Adder Rock village of glamping tents, under the native tea trees and pandanus, features every amenity you'd need on a camping trip (and then some; hi, free wifi), plus water views. And naturally, there's nothing more 'glam' than a glass of sparkling to round it all off. Whether you've spent your day hiking, swimming or learning new outdoor skills, you deserve to feel fancy when you settle back around the campfire together. Roast some marshmallows and toast to living your best life. [caption id="attachment_593135" align="alignnone" width="1280"] Emily Davies.[/caption] SUNNY PICNICS Brisbane has a number of BYO parks, and this summer it's high time you got intimately acquainted. After all, who doesn't love a picnic? Spread out your blankets in New Farm Park, Celebration Lawn in Roma Street Parklands, The Green at South Bank or the aptly named Picnic Island, and enjoy the fresh air, nature and fizzy wine to your heart's content. You might catch some live music, but food, bevs and fine company are really the main event. Pack a picnic, fire up the park barbie or stop by one of the nearby delis to pick up gourmet goodies to complement a warm afternoon on the grass with a couple chilled bottles of Henken Blanc de Blancs. BACKYARD BARBIE There's not much else that says Aussie summer than chucking some fresh seafood on the barbie. Pair it with a glass of sparkling, and you'll really be in full swing. Luckily for u,s we're right near a scuttling crop of Moreton Bay bugs and plenty more delectable sea creatures ready for your summer cookout. The scrumptious soft-fleshed beasties can, of course, be thrown on the barbie, but you may also consider a New England-style boil — bugs or lobsters with corn, potato, sausage, lemon and lashings of butter — to feed a hungry crowd. CLASSY LAWN GAMES If you're after old-fashioned fun with some old-world class, rent the croquet grounds at McIlwraith Croquet Club for an afternoon. This Auchenflower institution, located in a beautiful wooden heritage building, is perfect for a sophisticated summer do. A sport where you can stroll and chat, drink-in-hand? Sign us up. Wearing your finest white linens and wide-brimmed hats (sun safety first, people), pop some bottles of Henkell Trocken on ice, and undertake the most leisurely and genteel of battles. Lay out the finger sandwiches, scones and fruitcake — or if that's just one step too far, fire up the barbie and slap a few snags on there. Either way, it'll all be simply marvellous. DAYS ON THE RIVER The riverboat party is a glorious way to see this city, bubbly in hand as you catch some respite from the heat thanks to that river breeze. Do it all yourself with Aquarius cruise charters; the whole boat is yours to decorate and fill to the gills with your heartiest crew. The boat will pick you up at Dockside in Kangaroo Point and whisk you away for a riverboat adventure. If you like, Aquarius can cater the whole affair, or you can BYO eats and stock the bar for a personalised cruise along the Brisbane River. If you're having too much maritime fun, you can also extend for an additional fee. Summer is here and it's time to pop the bubbly. Pick up a bottle of Henkell Blanc de Blancs or Henkell Trocken for your next sparkling occasion.
One of Brisbane's venues is going green this summer, celebrating a big pop-culture phenomenon that's still getting plenty of affection two decades after it first hit. Yes, after all this time, everyone still loves animated favourite Shrek. So, Kickons is hosting the ultimate Shrek party for adults: Shrek Rave. Rediscover why it really isn't easy being an ogre while listening to a Shrek DJ set, and joining in on a Smash Mouth sing-along. Still remember the words to the band's version of 'I'm a Believer'? Of course you do, and you have the song stuck in your head right now. Also part of the fun: Shrek-themed drink specials including Shrek Juice, Donkey Drank and Farquaad Fizz; free green glow sticks; an all-green dress code (obviously); a free green glitter bar; and a prize for best Shrek-inspired outfit. Here, all that glitters is indeed gold — and green — with the party happening from 9pm on Friday, December 9. Tickets cost $26.91 per person.
Turning the cute and cuddly into the rude and crude isn't a new concept. Everything from Greg the Bunny to Meet the Feebles to Ted has been there and done that with varying degrees of success, while the irreverent Who Framed Roger Rabbit bounced through somewhat similar terrain as well. It's not a lack of originality that proves The Happytime Murders' undoing, however. Rather, it's failing to realise that an amusing (albeit well-worn) premise still needs some fluff in its felt. He might come from a puppetry pedigree, but almost every single joke in Brian Henson's new film offers a variation on the same thing: what if puppets drank, did drugs, swore and had sex? Henson, son of The Muppets mastermind Jim Henson and director of both The Muppet Christmas Carol and Muppet Treasure Island, wasn't responsible for The Happytime Murders' script. That honour goes to Todd Berger (It's a Disaster, Cover Version), although there's little in the way that Henson executes the screenplay that extends past playing up the obvious. In fact, other than flesh-and-blood stars Melissa McCarthy, Maya Rudolph and Elizabeth Banks, the movie's best touch actually springs from the writer's pen. In a film that endeavours to dive into nostalgic territory only to tear it apart in a sea of filthy fabric, having misbehaving puppets snort sugar as their substance of choice is a clever inclusion. Something sweet becomes something toxic, mirroring the picture's own gleeful approach. Made of blue material and sporting a gloomy attitude to match, Phil Philips (voiced by Bill Barretta) roams Los Angeles' streets as a wizened gumshoe. In short succession, two events change his life: he's hired by a seductive new client, and, working her case, he's found at the scene of a violent crime in a puppet porn shop. Before you can say "an octopus fondling cow udders" (something that happens in The Happytime Murders in graphic detail), another killing occurs, and Phil is teamed up with police detective Connie Edwards (McCarthy) to get to the bottom of it all. That the murder victims were all stars on 80s puppet TV show The Happytime Gang complicates matters, as does the fact that Phil was once the LAPD's first puppet cop (and Edwards' partner). While the puppet body count keeps climbing, little else in The Happytime Murders evolves across its mercifully brief running-time. From start to finish, it thinks that toys ejaculating silly string and having Basic Instinct moments is the height of humour. And let's be clear — we're not saying that puppets behaving badly can't be funny, just that it wears not just thin but threadbare here, and incredibly quickly. To give them credit, the filmmakers do try to branch beyond the Team America-style debauchery, setting their story in a world where the plush are treated like second-class citizens, dubbed 'felties' by their 'meat sack' oppressors and given no respect, in an attempt to parallel real-life racial discrimination. And yet, as well-meaning as that part of the story is, it's simply used to set up more debased jokes. It's also hardly unique, especially if the aforementioned Who Framed Roger Rabbit was one of your childhood favourites. Similarly working against the limp film is its unconvincing appearance, which never sells the idea that humans and talking pieces of cloth are actually interacting. There's an awkward, stilted feeling emanating from every scene, and it speaks volumes that the movie's most entertaining sequence involves Bridesmaids co-stars McCarthy and Rudolph and absolutely no characters fashioned from floppy material. Of course, a lot of hard work and skill went into making the furry figures come to life, as behind-the-scenes footage over the picture's closing credits shows. But, as the otherwise unseen green-suited puppeteers manoeuvre stitched-together toys, their efforts contribute to a stitched-together film that can't survive on a rote noir storyline, some human energy and too many gags about puppets gone wild. https://www.youtube.com/watch?v=SQ8R5xJeYfU
Sometimes, it's fun to hang out underground. And sometimes, it's just as fun to head on up to street level. Brooklyn Standard has fast become known for its cosy hiding spot underneath Eagle Lane, but it's about to bring the revelry up to the surface. Every fortnight between April and June, the bar is turning the end of the week into a laneway celebration. That's seven shindigs in three months, for those keeping count, so mark April 2 and 17; May 1, 15 and 29; and June 12 and 26 in your diaries. This being an outdoor event in Brisbane, food trucks are a given, with three different mobile eateries offering up their delicious meals at each event. There'll also be drinks from Young Henrys and The Brooklyn Brewery, and tunes spun by old school DJs. Now, that's how you make a Brooklyn Standard Laneway Party the hottest free ticket in town.
Around 1400 kilometres north of Brisbane lies Crater Lakes National Park and, within it, you'll find Lake Eacham. This dreamy spot — formed by a volcanic crater — is encircled completely with rainforest. Spend your time in whatever way suits you, be it swimming, fishing, hiking, picnicking or jumping in a kayak (but note that motorboats aren't allowed). Both Lake Eacham and the forest in its vicinity are part of the World Heritage-listed Wet Tropics of Queensland, which means they're protected so tread with care. Image: Tourism and Events Queensland
With the sun usually shining and frozen, creamy treats available on almost every corner, it's never a bad time to be an ice cream lover in Brisbane. This March, however, dedicated fiends will find a concentrated dose waiting, thanks to the city's first day-long, dedicated ice cream extravaganza: the Brisbane Ice Cream Festival. On March 11, the festival will bring together more iced confections than you've probably ever seen in one spot. And, it has found the perfect location for such sweet, sweet shenanigans. When you're about to unleash an entire city's worth of ice cream upon the eager masses, you head to a place with a history of doing just that — the old Peters Ice Cream Factory in West End. Whatever kind of ice cream or gelato takes your fancy, you can bet that you'll find it here. That means coffee-flavoured popsicles from Queen of Pops, ice cream sandwiches courtesy of Boss Bites, fruity icy poles from Frozen Sunshine, and an ice cream burger made exclusively for the event by the Red Hook gang. Because Brisbanites like doughnuts just as much as they like ice cream, Minus 32 will be on hand to serve a fantasy-level combo of the two. And, while their very own store mightn't be up and running just yet (the current ETA is April), it wouldn't be an ice cream event without Gelato Messina stopping by — their menu is to be revealed. The Doughnut Bar's scrolled deliciousness, Cowch's decadent desserts, IcePhile's deep-fried morsels and J'adore Les Crepes bon batches of batter will be on the menu too, alongside offerings from Ice Cream Curls, Ruby the Little Red Ice Cream Van, Hett's n Ice Shaved Ice and more. There'll also be some savoury to go with all that sweetness — here's the lineup of vendors: Gelato Messina Ice Cream Curls Queen of Pops Minus 32 Frozen Sunshine Boss Bites Icephile J'adore Les Crepes La Macelleria The Doughnut Bar Mister Fitz Ruby Ice Cream Cowch CocoWhip Red Hook Hett's n Ice Nitrogenie Alfred & Constance pop-up bar King of Wings Rolls Pho Mi Micasa Two Teas Live music and boozy frozen beverages will also be on available, because it's a festival after all. Wear something stretchy, because it's going to be an over-indulging kind of day. It's also going to be quite the popular event, of course, with attendees required to register on the festival website to help cope with demand. There'll be three sessions throughout the day — 11am to 1pm, 1pm to 3pm, and 3pm to 5pm — with numbers capped at 1800 people for each. Registrations are free, and open at 10am on March 1.
The World's 50 Best has just unveiled its long list, ranking the best restaurants in the world from 51 to 120 (expanding, for the first time, beyond 100). And there are quite a few dramatic changes. Melbourne's Attica — which was last year's top ranking Aussie restaurant at number 20 — has dropped 64 places, coming in at 84. Fellow Victorian Brae, which last year ranked 58, has this year missed out on the top 100, coming in at 101. The surprising changes don't seem to have just affected Australia's entries, either, with Eater noting that Thomas Keller's famed NY restaurant Per Se had dropped 35 places, down to 115 from last year's 81. This could mean, in seemingly sad news for Australia, that no national restaurants will feature in the top 50. But, hope is not completely lost. Seeing as it hasn't made an appearance in the long list, the 50 could, possibly, feature Sydney fine-diner Quay. This year will be the first time the restaurant, which has previously featured in the top 100 list nine years in a row between 2009 and 2017, has been reviewed by the World's 50 Best since its extensive renovations in 2018. [caption id="attachment_677791" align="alignnone" width="1920"] Quay by Nikki To[/caption] While the World's 50 Best is exceedingly popular, it's not without controversy. The awards have copped much criticism for prioritising "expensive European-esque tasting-menu restaurants run by men", as stated by Eater, and for its separate 'Best Female Chef' award. Famed chef Dominique Crenn, of the acclaimed Atelier Crenn in San Francisco, won the award in 2016 and has long been critical of the list's lack of diversity. Crenn slammed the female-specific award in an interview with the Washington Post, saying, "It's stupid. A chef is a chef." The late and great Anthony Bourdain also questioned the award's modern-day relevance — way back in 2013. https://twitter.com/Bourdain/status/319441022688051200 The World's 50 Best will be announced at a ceremony in Singapore next Tuesday, June 25. Get ready for some big changes here, too — this year, there will be an equal gender balance across the award's 1000-plus global voting panel for the first time. Plus, the awards have this year barred any former winners from being on the list, so there'll be no Eleven Madison Park nor Osteria Francescana. You can check out the full list of the World's 50 Best top 50–120 restaurants here. The top 50 will be announced on Tuesday, June 25. Top image: Attica
After spending most of his career dancing the tango with Simon Pegg, the loveable Nick Frost gets the chance to take the lead. It's a shame that the tune he's moving to is so embarrassingly out of key. A bland, salsa-themed rom-com without a single surprising bone in its silk-and-sequin-clad body, Cuban Fury is a comedy of the most risk averse and unimaginative kind. The premise goes like this: Bruce Garrett (Frost) is a former child salsa dancer, now lonely, overweight engineer, who spends his days being belittled by his womanising colleague Drew (Chris O'Dowd). But Bruce's passions are reignited by the arrival of his new boss, a beautiful American woman named Julia (Rashida Jones). She's way out of his league, physically speaking, but it turns out Julia loves salsa, which puts Brucey in with a chance. All he has to do is get his groove back. Frost is an endearing screen presence and ensures Bruce is easy to root for. He's also not a bad dancer, as it turns out. Sadly, natural comic charm and fancy footwork can only do so much when the script is as woeful as this. Working from an 'original idea' by Frost, Jon Brown has produced a screenplay that is predictable, cliched and strangely scarce in actual jokes; what few there come usually at the expense of either Bruce's weight, or the campy mannerisms of Bejan (Kayvan Novak), a flamboyantly gay man in Bruce's dance class. Such a cringingly one-dimensional representation is typical of all the supporting characters, which is an even bigger shame considering the genuinely high calibre of the cast. O'Dowd lands a handful of funny lines, but ultimately can't do much with such a stock-standard slime ball. The great Ian McShane, meanwhile, is left to slum it in his role as Bruce's grizzled former dance instructor Ron. Still, the most thankless part belong to Jones, whose talents as comic performer go unforgivably unexploited. Introduced via full body panning shot, it's immediately clear that Julia will be nothing more than the love interest; a pretty face for Bruce and Drew to dance-battle over. There's an unpleasant, all-too-common double standard at play in Cuban Fury's body and gender politics. Bruce finds his mojo and gets the girl in spite of his weight, yet Julia is only seen as an object of desire because she's physically attractive. That being said, it's hard to be seriously offended by a movie as generic and forgettable as this one. The highest praise Cuban Fury deserves is that will rightfully fade from the public consciousness as soon as it disappears from theatres, doing little likely long-term harm to the careers of anyone involved. https://youtube.com/watch?v=tpiyFHf7GKU
Meet Australian cinema's new heroine. Myrtle 'Tilly' Dunnage (Kate Winslet) wouldn't consider herself a star at anything other than making stunning dresses, nor does she try to conquer anything but her own doubts and cruel small-town gossip. However, she's the guiding force in a film that warmly embraces local flavour, deftly navigates everything from drama to mystery to comedy, and serves up an offbeat, engaging time at the movies. Tilly is the titular figure in The Dressmaker, which charts her homecoming to outback Australia after being driven away as a child. Scandal surrounds her return, linked to the death of a boy years ago. She can't remember all the details, yet is determined to do whatever it takes to put together the pieces. Her mother, 'Mad' Molly (Judy Davis), isn't much help, and most of the townsfolk barely offer a hello. Only the handsome, lovelorn Teddy McSwiney (Liam Hemsworth) and the secretly fashion-conscious Sergeant Farrat (Hugo Weaving) give Tilly a warm welcome, until the rest of her neighbours get wind of her winning ways with a sewing machine, that is. Soon, she's transforming the drab populace of housewives and shopkeepers' daughters with Parisian designs — but, as often proves the case in such insular, one-street communities, their newfound politeness can't always be trusted. If Tilly's scenario sounds like a bit of a mixed bag of figures and genres, that's because it is. The motley crew of characters she's surrounded by includes a stern schoolteacher (Kerry Fox), mean pharmacist (Barry Otto) and more, as played by a who's who of Australian actors (Sarah Snook, Gyton Grantley, Rebecca Gibney, Shane Jacobson, Alison Whyte, Shane Bourne and Sacha Horler among them). Her story flits between romance and revenge, laughs and long-held secrets, and standoffs and tears. Happy moments are followed by sad, with the film's tone veering in several directions. Thankfully, though, none of this mishmash of elements can be seen as a bad thing. Even when it threatens not to work, it still does — and in quite striking fashion. Skipping between seemingly mismatched parts is what The Dressmaker does best; this is a movie that introduces its lead with the words "I’m back, you bastards," then later has her stop a footy match by showing up in a jaw-dropping outfit, after all. There's always a bit of quirkiness, though not too much, to balance out the darker narrative threads, or some stunning sartorial sights to brighten up the frame, or a sympathetic exchange between Tilly, Teddy and/or Molly to temper the broader strokes of comedy. Accordingly, it's a fine return to film for writer/director Jocelyn Moorhouse — making her first feature since 1997’s A Thousand Acres — who brings Rosalie Ham’s 2000 novel of the same name to the screen with verve and then some. It's also a fine return to Australian shores for Winslet, who starred in the locally made Holy Smoke back in 1999, and hasn't lost her gift for our accent. That's not Winslet's only strength, nor the handsomely shot, 1951-set film's either. She perfects the mix of determined and vulnerable that Tilly radiates— though Davis, Weaving and Hemsworth do their parts, stealing scenes with one-liners, making a supporting player more than comic relief, and oozing allure and emotion respectively. Together, they make for a multifaceted bunch, as does The Dressmaker as a whole. And if the film encourages Australian audiences to see homegrown fare in a cinema — as it should — then it's a champion in its own right, alongside its shining protagonist.
UPDATE, July 20, 2020: The Lion King is available to stream via Disney+, Google Play, YouTube and iTunes. Picture this: as gorgeously detailed nature documentary footage plays, an exceptional cast of big-name actors lend their voices to prowling lions. In addition to vocalising the animals' thoughts and feelings, the human-uttered dialogue gives the majestic big cats an epic story, charting the ups and downs of a young cub born to the king and queen of the pride. The tale that follows combines parts of Hamlet, Star Wars and Kimba the White Lion, complete with love, loss, courage, threats, rebellion and father-son issues. It features witty one-liners and catchy songs, plus antics involving hyenas, meerkats, warthogs, hornbills and mandrills. But, even as the famous tones, engaging emotional beats, amusing gags, rousing music and lively array of critters all work their magic, something seems a little out of place — namely, the rendering of all of the above with such lifelike visuals. That's The Lion King circa 2019 in a nutshell. Using technology that has only improved since he turned The Jungle Book into a naturalistic spectacle three years ago, filmmaker Jon Favreau remakes another of Disney's cartoon hits with this different kind of animated wizardry. Here, unlike in his adaptation of Rudyard Kipling's classic text, there's no visible trace of humanity — and that just might make all the difference. Such an absence is true to The Lion King's source material, obviously, but without a character such as Mowgli scampering around, this special effects onslaught lacks an anchor. The film couldn't look more realistic, and yet it never feels real. While audiences have long become accustomed to getting swept away by Hollywood's trickery — especially since digital capabilities began bringing extraordinary sights to the screen — The Lion King can't quite manage the feat. Narrative-wise, anyone familiar with the 1994 movie knows what's in store. This version might credit a different writer, with Jeff Nathanson (Pirates of the Caribbean: Dead Men Tell No Tales) adapting the original screenplay by Irene Mecchi, Jonathan Roberts and Linda Woolverton, but it has really just been given a new coat of CGI paint. As initially presented to the animal kingdom in an awe-inspiring ceremony, young Simba (JD McCrary) is fated to follow in his father Mufasa's (James Earl Jones) regal paw prints, much to the dismay of the latter's scowling, scheming brother Scar (Chiwetel Ejiofor). And so, a plot is hatched. Instead of preparing for his destiny with help from his mother (Alfre Woodard) and best friend Nala (Shahadi Wright Joseph as a cub, Beyonce once she's grown), Simba is tricked into becoming an outcast. He runs free with pint-sized pals Timon (Billy Eichner) and Pumbaa (Seth Rogen), and adopts their carefree attitude. As an adult lion (now voiced by Donald Glover), he's eventually forced to reassess his choices, as well as his role and place in the Pridelands. The cynical might say that this return to The Lion King lacks humanity behind-the-scenes, too, given all that the surefire box office hit represents. Disney keeps turning its animated back-catalogue into live-action fare — or photorealistic ones in this case — with a clear plan in mind: tap into nostalgia, then profit. Still, even knowing where it stands in the huge entertainment behemoth's filmmaking assembly line, the movie doesn't lack feeling. It's clearly the result of great affection and attention to detail, ensuring that its animals really do look like they're simply strutting through the savannah. Astutely chosen cast members such as the returning Jones, the melodic Glover, and the hilarious Eichner and Rogen all invest their four-legged alter-egos with resounding emotion. Coming back to the material that originally won him an Oscar, composer Hans Zimmer gives the story another stirring score, while Elton John and Tim Rice's reused tunes all hit the same stirring marks as they once again muse about love and life. Indeed, you can almost see the human fingerprints on the film, including in its gently moving tufts of lion fur, sweeping plains and flowering greenery — or the genuine love and care that went into them, to be more accurate. That said, viewers also bear witness as one of the most beloved movies of the past quarter-century is transformed into a very expensive and true-to-life cat video. That's no knock on feline clips or nature docos. Cooing over a cute mouser is one of life's simplest pleasures, and marvelling at the splendour of the natural world is one of its great privileges. But, watching The Lion King, it's impossible to get completely lost in any of these joys. Or, for that matter, to surrender to the slavishly faithful story or undeniably impressive visuals, which work well separately and yet don't convincingly fit together. Perhaps it isn't by accident that Timon and Pumbaa steal the show as they frolic through the film's frames, with an ad-libbing Eichner and Rogen proving the picture's standouts (sorry, Beyonce fans). It isn't new, but the wisecracking comic duo do espouse a fitting motto, and one that Disney probably hopes viewers truly take to heart this time around. It's possible to say "hakuna matata" to The Lion King redux, and feel the love for its highlights without falling tail over paws for the end product. Alas, it's harder to shake the sensation that it doesn't convincingly take its place in the cinematic circle of life. That opening, though, as recreated nearly frame-by-frame in all of its electrifying glory — it's a complete and utter wonder, albeit one that the rest of the movie can't manage to match. https://www.youtube.com/watch?v=7TavVZMewpY
Back in 2000 and 2003, the world probably didn't need a couple of films based on Charlie's Angels, with Cameron Diaz, Drew Barrymore and Lucy Liu taking on the hit 1976–81 television series. Almost two decades later, the world doesn't really need a third Charlie's Angels movie about a private detective agency, its formidable ladies and their globe-trotting hijinks, either. But the franchise is back anyway — with a few new faces. Also called Charlie's Angels, the latest flick both revisits the franchise's familiar scenario with a fresh cast, and reportedly continues on from both the TV show and the the first two films. Star-wise, it features Kristen Stewart, Aladdin standout Naomi Scott and British up-and-comer Ella Balinska. Elsewhere, Elizabeth Banks sits in the director's chair, co-wrote the script and plays Bosley. Well, one of them — Patrick Stewart and Djimon Hounsou both pop up as Bosley, too. Like her Twilight co-star Robert Pattinson, Stewart has made some savvy film choices since farewelling the vampire romance saga, including Clouds of Sils Maria, Certain Women and Personal Shopper — and while this upbeat action flick about kick-ass ladies saving the world clearly shares little else in common with her recent dramatic roles, here's hoping it continues her good run. She certainly seems to be having plenty of fun in the two Charlie's Angels trailers so far, with the latest combining ample espionage antics with a shout-out to day drinking. Music fans can also look forward to the new movie's soundtrack, with Ariana Grande, Miley Cyrus and Lana Del Rey all collaborating on the song 'Don't Call Me Angel' — and Grande featuring on four other tracks. The film's big collaborative tune is a bit of a throwback of its own, given that 2000's Charlie's Angels also featured a killer hit, aka Destiny's Child's 'Independent Women'. Catch the latest glimpse of the new Charlie's Angels in the trailer below: https://www.youtube.com/watch?v=7VTg3YWqHuQ&feature=youtu.be Charlie's Angels releases in Australian cinemas on November 14, 2019.
Every year, come Good Friday, two things happen in Shorncliffe. Firstly, the sea-faring vessels competing in the Brisbane to Gladstone Yacht Race sail by. Secondly, Bluewater Festival holds a party to celebrate. Watching boats is on the agenda, however, given that the day starts with early morning yoga on the beach and ends with fireworks, there's more than that on offer. Catch some live tunes, enjoy the sight of dragon boats, peruse market stalls, grab a bite from gourmet food vendors or just find a spot of grass to relax. That's how you turn Good Friday into a great Friday.
It's no secret that when it comes to cocktails, Melbourne can mix it with the best. In the past year alone, the Victorian capital has been named among Punch's top five global drinking destinations for 2023, Bar Liberty's Nick Tesar took out the title of Australia's Best Bartender and CBD bar Caretaker's Cottage nabbed a spot in the latest edition of The World's 50 Best Bars extended 51–100 list. So what more fitting place to host Australia's groundbreaking new immersive cocktail exhibition, Art of Mixology? Transforming Southbank's Kingpin into an interactive gallery space from Friday, March 3–Sunday, March 12, the showcase is set to serve up a heady fusion of art and drink design that'll shine a fresh light on the world of cocktail making. It's being brought to life with the help of award-winning production agency VANDAL and R L Foote Design Studio. [caption id="attachment_888883" align="alignnone" width="1920"] Kingpin[/caption] Gracing the adults-only exhibition are works by six renowned local artists, who've each been commissioned to reimagine a different cocktail as a signature installation, complete with striking visuals, soundscapes and other interactive elements. Among them are interdisciplinary digital artist Mikaela Stafford (whose vibrant works have appeared at the Tate Modern), celebrated artist and food designer Ryan L Foote, and projections maestro and White Night regular Nick Azidis. [caption id="attachment_888877" align="alignnone" width="1920"] Mikaela Stafford[/caption] Making your way through Art of Mixology, you'll encounter their creative interpretations of various Kingpin cocktails, resulting in everything from large-scale sculptures and visual illusions through to aromatic bubbles floating through the space. Highlighted drinks include a lychee rose martini, the Zombie and the elegant Butterfly Flower. The exhibition is designed to be explored as you would a giant interactive cocktail menu, pondering each concoction and its ingredients before settling on your chosen sip. Of course, along with the visuals and other sensory details, your tastebuds are in for a treat here — each of the six featured cocktails will be available for visitors to enjoy while they're soaking up the art. Tickets come in at $20, which includes your choice of one signature cocktail (or booze-free alternative). You can purchase more drinks while you're there, too. [caption id="attachment_888884" align="alignnone" width="1920"] Kingpin[/caption] [caption id="attachment_888879" align="alignnone" width="1920"] Kingpin's Butterfly Flower[/caption] Art of Mixology will run from Friday, March 3–Sunday, March 12 at Kingpin, 8 Whiteman St, Southbank. Tickets are $20, available online.
