The end of winter means warming temperatures, blooming flowers and summer inching closer. In 2023, it also means looking up. To close out August, a super blue moon will take to the sky — or a blue supermoon, if you prefer. Both terms fit, because the Earth's only natural satellite will serve up both a supermoon and a blue moon. The date to point your eyes to the heavens: Thursday, August 31. Stare upwards with your own two eyes and you'll see a noteworthy sight — but it'll actually be at its peak that morning. Heading outdoors at 11.35 AEST is recommended; however, if you train your peepers towards the sky the evening before or afterwards, you'll still be in for a glowing show. While super full moons aren't particularly rare — several usually happen each year — blue moons only happen every few years. Wondering why else you should check this one out? We've run through the details below. [caption id="attachment_769713" align="alignnone" width="1920"] NASA/Joel Kowsky[/caption] WHAT IS IT? If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know. As we all learned back in November 2016, a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit, making it particularly bright. Again, they're not all that uncommon — and because the supermoon on Thursday, August 31 is a full moon (and not a new moon), it's called a super full moon. A blue moon refers to the second full moon occurring in a calendar month. Despite the name, it isn't blue in colour. Also, despite the saying, they happen more often than you might think, but still only ever few years. The next monthly blue moon after this is set to occur at the end of May in 2026. Normally, the August moon is also a sturgeon moon, too — and while that's the case in 2023 as always, that moon has already been and gone. That's what happens when there's two months in a month, with this year's sturgeon moon happening on Wednesday, August 2. The name, doesn't refer to its shape or any other physical characteristics, but to the time of year. In the northern hemisphere, August is around the time that sturgeon fish start to show up in big numbers in North America's lakes. Of course, that doesn't apply in the southern hemisphere, but the name still sticks. WHEN CAN I SEE IT? As mentioned above, the super blue moon will officially be at its peak at 11.35am AEST on Thursday, August 31, Down Under — but thankfully it will be visible from Wednesday night Australia and New Zealand time. The moon does usually appear full for a few days each month, so you should find the night sky looking a little brighter this week anyway. That 11.35am AEST time applies in Sydney, Melbourne and Brisbane, with folks in Perth needing to look at 9.35am local time and people in Adelaide at 11.05am local time. In New Zealand, get peering at 1.35pm NZST. WHERE CAN I SEE IT? You can take a gander from your backyard or balcony, but the standard advice regarding looking at glowing sights in the sky always applies — so city-dwellers will want to get as far away from light pollution as possible to get the absolute best view. Fancy checking it out online? The Virtual Telescope Project is set to stream the view from Rome at 1.30pm AEST on Thursday, August 31, too. For more information about the super blue moon on Thursday, August 31, head to timeanddate.com.
Brisbanites have been through more than a few COVID-19 outbreaks now, and the lockdowns and restrictions that come with them. So, when they happen, we now know what to expect. In 2020, we saw what occurred when the Ekka was affected by the pandemic, for instance — and now all of those same things are happening again, including cancelling the event and scrapping the usual midweek public holiday. Last year, this exact chain of events also occurred; however, the public holiday was rescheduled to the Friday of the same week, all so Brisbanites could still enjoy a day off at that time of year and also score a long weekend. This time, the Queensland Government has announced that the public holiday will no longer proceed on Wednesday, August 11 as planned, but just when it'll be moved to won't be known until at least the end of the month. So, that day off you were looking forward to next week? That midweek sleep-in? That lazy day, even if the city was still in lockdown? Sadly, it's no longer happening. But, in terms of looking on the bright side, you will nab a public holiday at a later date in 2021 — and likely when Brisbane isn't under stay-at-home conditions. The new date is likely to give everyone a long weekend as well. https://twitter.com/AnnastaciaMP/status/1422710195231203331 Announcing the news at Queensland's daily COVID-19 press conference today, Wednesday, August 4, Deputy Premier Steven Miles said that "with the Ekka cancelled and the likelihood that we will still see some restrictions in Brisbane next week, we have made the decision to cancel the Brisbane Ekka public holiday on Wednesday. It will be rescheduled to some time later in the year. We have not yet determined when." He continued: "last year, when we delayed the public holiday to create a new special long weekend, we saw Queenslanders flock to tourist destinations, spending money in our hospitality businesses — and so we'd hope to create a similar opportunity again for Queenslanders to support our local tourism operators and local hospitality businesses. We'll have more to say about that as that decision is being made. We can cancel the holiday by regulation, so we have gone ahead and done that. To create the new rescheduled holiday, we need to go to Parliament and pass legislation. That won't be able to happen until the end of August at the earliest." The change of date will only apply to Brisbane council areas that receive the Brisbane Show Holiday; however, other councils may similarly change their show holidays to a later date due to COVID-19. Queensland reported 17 new locally acquired COVID-19 cases in the past 24 hours to 6am today, Wednesday, August 4, with 100 cases now active across the state. Brisbane's 'People's Day' public holiday will no longer take place on Wednesday, August 11, and will be rescheduled to some point later in 2021. We'll update you when a new date is announced. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. More details about the lockdown and associated restrictions can also be found on the Queensland Health website.
Melburnian and Sydneysiding bartenders take their craft truly seriously. Twisting limes, straining shakers and floating on spoons in their sleep, these lovers of a good muddle are a proud, dedicated hoard. But which city owns the mad skills: the salty sea dogs of Sydney or the metropolitan marauders from Melbourne? The convolutedly titled but cleverly programmed World Class World Cocktail Week has had enough of shouting over the fence. In a momentous stately exchange, Sydney and Melbourne will front up their finest three bartenders from two celebrated cocktail bars and swap venues for two evenings of pure exhibitionist swagger. Melbourne’s Black Pearl will take over Sydney bar The Rook on Tuesday, May 13, to sprinkle a little Victorian savvy on the lobster-loving CBD bar. On Saturday, June 17, The Rook will return the visit, with bartenders Cristiano Beretta, Jason Williams and Rollo Anderson venturing south to claim the Black Pearl as their own. Both carefully crafted teams will be whipping up their own concoctions from the stores of each venue, undoubtedly provoking some smuggery at where certain bits and pieces are kept behind the bar. Throwing down every last twist and roll, the grudge match forms part of the neat libation-loving event program of WCWCW. Carnivores will be able to pair their love of meat and liquor at the Newtown Hotel for ‘Meat Meets Whiskey’ (May 6 – May 13), where you can consume Bulleit Bourbon via bone luge, as well as many other meat-inflected concoctions. Vegetarians should probably avoid like the plague. Sydney's Hinky Dinks and Melbourne's Belle's Diner will both be tempting their fair share of nostalgics with 'Pimp Your Shake'. That entails Zacapa rum-spiked milkshakes paired with heady American desserts — the Plenty a Platano is served with warm banana doughnuts and the Peanut Buttered Rum Shake with a slice of pecan pie ($22 each). There's also a nationwide #garnishoff happening on Instagram, and your dinky orange slice ain't going to cut it. To brush up on your cocktail terminology and know what you’re looking for in an Old Fashioned, have a tipple with the bartenders in your city here and here. The end of Prohibition has never tasted so good. World Class World Cocktail Week runs a series of Australia-wide events from May 6-13, curated by celebrated Sydney foodie Ms Darlinghurst. Check out the website for more information.
Perhaps you're the kind of person who wakes up with the sun, wanting to make the most of your day off. Or, perhaps you're the type that rolls out of bed mid-morning, pops on your sunnies, and makes a beeline to the best place serving food, coffee and booze. However you like to brunch, you know that there's a difference between an ordinary boozy brunch and treating yourself to a truly great one — especially when you have a hangover and you're not in a hurry for your meal to end. To help you on your quest to find the perfect boozy brunch spot in Brisbane, we've partnered with Grey Goose, the world's finest French vodka, give you seven places that let you order a pornstar martini with your brekky, or crumpets with your house punch. The choices are bountiful.
Are you yearning for Tokyo, but also want to make the most of Brisbane's summer rather than hit up Japan in winter? Trick your tastebuds into thinking you're elsewhere at the latest edition of Riverland's bottomless brunch. The riverside venue is spending the warmest season of the year sending your stomach to everyone's favourite holiday destination — including during a three-course Sunday meal with two hours of drinks. The one big point to note: this is called brunch, but you don't need to roll out of bed early to enjoy it. This sleep-in-friendly Sunday session kicks off at 12.30pm weekly, ready for a big end to the weekend. At your sitting, you'll get beverages plus a menu that includes salmon and avocado sushi rolls, as well as pork belly skewers. Craving karaage and katsu? The first comes via chicken, while you'll find the second on offer thanks to mushroom katsu sandos. The cost: $79 per person. The view on the bar's newly revamped deck that features tiers down to the river is free, of course. Images: Red Stockholm.
Brisbane is a river city, and there are plenty of things that you can do while you're on, near or around the Brown Snake that winds through the centre of town. But The Art Boat, which returns as part of Brisbane Festival again in 2024, just might be the most-creative option — because it'll have you floating along the waterway while immersed in a cruising art party. Unsurprisingly, this event has proven a hit in the past, which is why it is back again this year. This time, it's setting sail from Pontoon B on the Clem Jones Promenade at South Bank, taking a 75-minute voyage between Thursday–Sunday from Friday, August 30–Saturday, September 21. Whichever day and time you hop onboard — at 5pm and 7pm on Thursdays; the same slots plus 9pm on Fridays; all three and also 2pm on Saturdays; and 2pm, 5pm and 7pm on Sundays — you're in for the BRIEFS FACTORY experience. The crew is doing the curating, while Fez Faanana, Mark Winmill and Brett Rosengreen will be your guides alongside special guests. Josh McIntosh has designed patterned tentacles to deck out the vessel, and DJs will be spinning music to suit the mix of burlesque, drag and circus, too — plus more awaits depending on which sail you take. The 2pm slots are designed for all ages, Thursday evenings are about date nights and Fridays will mark starting the weekend. On Saturdays, celebrating pride and glamour will shape the fun, and there's bingo and unplugged tunes on Sundays.
If Vincent van Gogh can do it, and Claude Monet and his contemporaries like Renoir, Cézanne and Manet as well, then Frida Kahlo can also. We're talking about being the subject of huge, multi-sensory art exhibitions — the kind that takes an artist's work and projects it all around you so you feel like you're walking into their paintings. First came Van Gogh Alive, which has been touring the country for the last few years. On its way next is Monet & Friends Alive, launching at Melbourne's digital-only gallery The Lume at the end of October. And, after that, Frida Kahlo: Life of an Icon is heading to Sydney as part of the hefty Sydney Festival program for 2023. Frida Kahlo: Life of an Icon will make its Australian premiere in the Harbour City — and display only in the Harbour — from Wednesday, January 4, 2023. For two months, it will celebrate the Mexican painter's life and work, taking over the Cutaway at Barangaroo Reserve with holography and 360-degree projections. The aim: turning a biographical exhibition about Kahlo into an immersive showcase, and getting attendees to truly understand her art, persistence, rebellion and skills — and why she's an icon. Visitors will wander through seven spaces, and get transported into the artist's work — including via virtual reality. That VR setup will indeed let you step inside Kahlo's pieces as much as VR can, although the entire exhibition is designed to cultivate that sensation anyway, with digital versions of Kahlo's paintings expanding across every surface. The showcase hails from Spanish digital arts company Layers of Reality, alongside the Frida Kahlo Corporation, and will feature historical photographs and original films as well — and live performances of traditional Mexican music. As part of the interactive component, attendees will also be able to make their own flower crowns, and turn their own drawings into Kahlo-style artworks. And, you'll be able to immortalise the experience in souvenir photos, too.
The folks at Moo Brew are launching a limited edition beer to celebrate some fairly limited edition humans. Available at select venues in Hobart for just a few days at the end of April, Moo Brew Wet Hop is the latest creation from the MONA's onsite brewery, and comes emblazoned with the image of a video store employee on the can, along with the slogan "a super rare beer for super rare people". The brewery has created just 70 kegs of the Moo Brew Wet Hop, so named because it was made within two days of the hops being harvested. Described as a "bright, hoppy and deliciously refreshing pilsner," it's expected to sell out within days of becoming available. To celebrate their latest baby, Moo Brew is hosting a launch party on the evening of April 26 at Video City, a VHS rental store in the Hobart suburb of Newtown. In addition to the store employees, other rare guests will reportedly include a fax machine repairman, a blacksmith, a chimney sweep and a full service servo attendant.
A menu of weapons of destruction, to be consumed to fill a hungry stomach, is one way to criticise violent solutions. The latest project from artist Kyle Bean called Soft Guerilla, a series of sculptures depicting weapons made out of harmless materials. Stage a war in the kitchen and attempt to replicate these deliciously evil masterpieces.
All things come to an end, including beloved West End hangouts. Lock 'n' Loaded is shutting up shop and making way for something new, so they're ending their ten-year Boundary Street run in the expected fashion: with one last blowout. At Loose 'n' Loaded, bands, food and fun come together in the Sunday session to end all Sunday sessions — here, under this name, literally. Kicking off at 3pm on September 10, the free farewell party will mark the end of an era in style. The bar says they've poured 13,189 Bloody Marys over the past decade, and we believe them. Cheap Fakes, Som de Calçada, Age Champion and a secret headliner will crank out the live tunes for the occasion, while LnL themselves will hand out free nibbles (until stocks last). And, while you'll have to buy your beverages, there'll be plenty on offer, with the venue serving up plenty of their last brews.
In the near future, making the most of Brisbane's sunny all-year-round weather will involve eating, drinking and taking in the River City from 100 metres above, all thanks to the new Sky Deck that's coming to the CBD's $3.6-billion Queen's Wharf precinct. But, if you were hoping to spend this summer towering high, you'll need to change your plans. Last targeting a late-2023 opening, this revamped part of Brissie will now start launching in 2024. Mark April in your diaries: at the time of writing, that's when Queen's Wharf and Sky Deck should start welcoming in visitors. The key word is 'should', because this project has been in the works for at least eight years now. The sooner that Brisbane scores a lofty spot with a restaurant, bar, glass-floor viewing platform, and 360-degree vantage out over the Brisbane CBD, Brisbane River, Mt Coot-tha and Moreton Bay, though, the better. Acting Queensland Premier Steven Miles and The Star's Chief Operating Officer Kelvin Dodt have announced that the final Sky Deck piece has been put into place, with the 250-metre long crescent-shaped platform being lifted in three parts. The first went up in September 2022 and the second in March 2023, before the third this July. "The Sky Deck is poised to become a tourist magnet as the centrepiece of the world-class Queen's Wharf Brisbane development, so to be here to mark this milestone is great," said the Acting Premier. "This will become one of the city's most recognisable skyscapes, elevating Brisbane's already-growing international reputation as a must-visit destination ahead of the 2032 Olympic and Paralympic Games. Just as importantly, Sky Deck will be for the people of Brisbane as a vibrant public space to enjoy day and night, whether for important occasions, a casual catch up or just to take in the views," added Dodt. When it does open between Alice, George, Queen and William streets, Queen's Wharf's crowning glory will combine bites, sips and taking in stunning views — all sitting atop everything other dining options, hotels, shops, apartments and a heap of public space. While part of one of Queen's Wharf's resident resorts — it's set to feature four hotels — Sky Deck will be open to the public. Also, it isn't small, with a capacity of 1500 visitors at a time. Here, folks keen to scale great heights can also host parties, with an events space part of the setup. Brisbanites, your shindigs are looking up. Specific details about Sky Deck's restaurant and bar, including their menus and operators, haven't yet been revealed; however, that glass-bottomed platform will sit around the midway mark of the structure. From the artists' impressions of the venue, locals and tourists alike can expect ample greenery and crucial outdoor seating elsewhere, the latter giving everyone plenty of places to stop, sit and take in the panoramic vista. Expect Brisbane's Sky Deck to be popular, too. The Queensland Government certainly does, anticipating that an estimated 1.4 million international, interstate and local visitors to the city each year might stop by. As for the rest of the Queen's Wharf Brisbane redevelopment area, it spans across 12 hectares in the CBD, and will include around 50 new bars, cafes and restaurant; a casino; those four aforementioned hotels; approximately 1500 apartments; and a swathe of retailers in a huge new shopping precinct. The full precinct features repurposed heritage buildings, plus the Neville Bonner Bridge and Brissie's first riverside bikeway cafe. For Brisbane inhabitants, Queen's Wharf has been in the making for so long — and the construction around it just seems to be taking forever, too — that it feels like it has always been coming. But "let's meet at Queen's Wharf" is something that'll soon be able to be said, including by visitors. Ahead of the 2032 Brisbane Olympics, the River City is transformation central, including tearing down and rebuilding the Gabba; renewing and reinvigorating South Bank, complete with a treetop walk, a permanent handmade goods market and new riverside lawns; making over Victoria Park; and revamping and expanding Northshore Hamilton. Also, a new seven-hectare riverside parkland is set to join South Brisbane, QPAC's fifth theatre is under construction and Kangaroo Point is set to score a new green bridge with an overwater bar and restaurant. Queen's Wharf is slated to start opening in the Brisbane CBD from April 2024. We'll update you when a specific date is announced — and you can find out further details in the interim via the development's website.
Everyone has different ideas of the perfect holiday - lying on a tropical beach until you're as brown as Giorgio Armani might be your thing, or maybe you dream of walking the El Camino Del Ray. But you would be hard-pressed to find someone that doesn't have a trip to Italy on their bucket list. Who could possibly not love a land of the best pizza and ice cream you will ever eat? Italy is not just about the food though, as the folks at Mr & Mrs Smith know. Their website offers reviews of the most unique and stylish hotels from all over the world, for those who are looking for an alternative to the bland monotony of Holiday Inns. They've now created a beautiful coffee-table-worthy travel guide of Italy, including, of course, 32 of the country's coolest boutique hotels from the grand, baroque kind to the sweet and rustic and hidden coastal retreats. Also included is an insider lowdown of what to do in each destination, including restaurant recommendations, what to pack and tips like which deli sells the best prosciutto or which vineyard to visit for the most romantic day. A perfect Christmas present for someone who's been talking about doing the Italy trip for far too long. To win one of five books by Mr & Mrs Smith, make sure you are subscribed to Concrete Playground then email hello@concreteplayground.com.au (for Australia) or auckland@concreteplayground.co.nz (for New Zealand) by Wednesday 7 December, 2011 at 5pm. Winners will be notified by email soon after.
If you haven't yet made the trip to Agnes in Fortitude Valley for dinner or a drink, Brisbane's current lockdown obviously isn't the time to start. You can't anyway, as the city's restaurants are only presently allowed to open for takeaway and delivery orders. But, if you'd like to load up on baked goods — and you live within ten kilometres of the venue — you are still able to hit up the restaurant's pop-up bakery. A lockdown favourite, after making appearances during previous stay-at-home stints, the eatery's bakery is back up and running between Wednesday, August 4–Sunday, August 8. You'll need to head along to 22 Agnes Street from 7am, and you'll likely want to get in early, as its tasty pastries — including danishes — are only available until stocks last each day. Social distancing is in effect for those queuing up, so prepare to stand two metres apart from your fellow baked goods fans. Whether the pop-up will continue if Brisbane's lockdown is extended again is yet to be revealed. In the near future, Brisbanites won't have to keep their eyes peeled for these lockdown pop-ups, with Agnes spinning out its bakery to its own site on the corner of James and Harcourt streets in Fortitude Valley. An opening date hasn't yet been announced; however, you'll be able to add it to your list of favourite — and permanent — bakeries sooner rather than later. [caption id="attachment_801126" align="aligncenter" width="1920"] Chatfield[/caption] From the outside, 22 Agnes Street mightn't particularly stand out, but this old brick warehouse is run by the crew behind Same Same, Honto and Bianca, and boasts the talents of acclaimed chef Ben Williamson (ex-Gerard's Bistro, The Apo). The three-level venue includes the main dining room, a downstairs wine bar and a rooftop space — and, during this lockdown, the bakery pop-up. Agnes' bakery pop-up is running from 7am until sold out every day from Wednesday, August 4–Sunday, August 8 at 22 Agnes Street, Fortitude Valley.
In addition to the unbeatable views of one of the world's great landscapes, this two-day cruise in the Great Barrier Reef is jam-packed with things to do. If you've never been to the UNESCO World Heritage-listed site — or it's been a while since you last visited it — a Sunlover Reef Cruise is the see it. Activities include water sliding, snorkelling, scuba diving, a private glass-bottomed boat tour, and even a helicopter ride to see the reef from up high. You'll also be treated to a stunning sunset which leads into a dreamy night of stargazing under the southern sky before a night sleeping under a blanket of stars in the middle of the reef. [caption id="attachment_831047" align="alignnone" width="1920"] Tourism & Events Queensland[/caption] Top images: Tourism & Events Queensland
There are no losers or weepers when it comes to the Brisbane Finders Keepers markets; everyone wins thanks to the explosion of talent that can be found here. From bespoke stationery, to sassy gift cards, to animal-shaped cushions and typewriter key cufflinks, it is clear that every creation here has been made from a labour of love. Located at the Old Museum in Herston, the heritage building bustles with enthusiastic crafters sharing trade secrets with mind-blown untalented people (like yours truly) walking around with their eyes wide and jaws to the floor. After you finish ogling (and purchasing) whichever crafty designs take your fancy you can head down to the food stalls and enjoy a delicious meal in the sun listening to the live music acts throughout the day.
Summer might be behind us, and autumn may have hit its last month for 2023, but it's always warm enough to hit the water in a picnic boat in the Sunshine State. Your latest excuse? GoBoat, which is splashing its way through the Gold Coast — again. Since 2014, the Denmark-born company has been busy launching its eco-friendly picnic boats all over Europe, as well as in Canberra, Melbourne, Brisbane, Sydney's Parramatta River and Geelong. Back in 2020, it also hit Sanctuary Cove, too, but now it's sailing out of the Isle of Capri instead from Friday, May 5. Aimed at making the whole boating caper more accessible for everyday folk, the Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for some fun, fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, boasting a central picnic table with room for eight people (and all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will you less than $13 per person, per hour. A one-hour session starts from $129, with a six-hour sail setting your crew back $479. GoBoat's Gold Coast fleet sets sail from Capri on Via Roma — and before you hit the water, you'll receive a safety briefing and demonstration. All boats are speed-limited, too, and obviously decked out with safety equipment including life jackets. The vessels are family-friendly and, in even more exciting news, they're also pet-friendly. Surely you've got a very good boy who deserves a river jaunt ASAP. Find GoBoat Isle of Capri at Capri on Via Roma, Isle of Capri, 15-21 Via Roma, Surfers Paradise from Friday, May 5. For more information or to make a booking, visit the service's website.
Like Crazy is a romantic drama about the hopelessness and heartbreak of love, exploring the challenges a couple faces both by being together and being apart. The film is written and directed by Drake Doremus, and was the winner of the Grand Jury Prize for Best Picture at the 2011 Sundance Film Festival. Anna (Felicity Jones), a British college student, falls in love with her classmate Jacob (Anton Yelchin) and they embark on a passionate journey that soon becomes life-changing after Anna overstays her student visa to spend the summer with Jacob. When forced into a long distance relationship are placed in a situation that tests the love they have for each other. Like Crazy opens in cinemas March 1, and Concrete Playground has twenty double passes to giveaway. To win, just make sure you are subscribed to Concrete Playground then email your name and postal address through to hello@concreteplayground.com.au by Wednesday, February 29. https://youtube.com/watch?v=r-ZV-bwZmBw
The Australian government's attitude towards asylum seekers and immigrants has inspired many things: anger, disbelief, sadness, public outcry, plenty of well-written words and more. In Michelle Stemm, it has sparked a series of silverware pieces, with the silversmith combining her research into the impact of human migration and her chosen art form. Displaying at Artisan from August 26 to November 4, Empathy to Infiltration is the end result — and you won't find any ordinary silver platters here. The showcase visually depicts Stemm's findings through reclaimed serving items decked out with familiar symbols and recognisable motifs. Each creation is designed to express messages that Stemm considers pivotal in shaping the way the country currently thinks and feels about refugees. If you didn't think tableware could make a statement, you haven't seen this. To inform her work, the Brisbane-based practitioner conducted one-on-one interviews and researched social and print media in 2016.
Plenty of different noises have echoed across South Bank over the years, from the excited splashes of folks swimming around in the precinct's manmade beaches through to the echoes of jazz by the river, food festivals filled with munching Brisbanites and everything that the piazza has ever hosted. The next sounds that the inner-city spot will hear: the Ministry of Sound, thanks to its huge dance music orchestra show. When anyone hits 30, they tend to look backwards — to reminisce, lament leaving their twenties behind and avoid accepting that they've just hit a big milestone birthday. Ministry of Sound marked that occasion last year, and it's also getting nostalgic. The brand that started as a London club night back in 1991 has been touring an orchestral gig around Australia, in fact, that's filled with three decades of dance music bangers. First announced last year, and finally heading to Brisbane's Riverside Green from 2–10pm on Saturday, November 19, Ministry of Sound Classical is the answer to a question you didn't know you had. Ever wondered what classical renditions of Basement Jaxx, Darude, Röyksopp, Robin, Underworld, Moby, Fisher and more — played by an orchestra, and with live vocals — would sound like? This is your chance to find out. On the bill: the Ministry of Sound Orchestra, of course, as well as Groove Terminator, Sneaky Sound System, Touch Sensitive and John Course. Other DJs and performers set to do their thing include Vinyl Slingers, GRVES, Rousey, Jen E and Matt Kitshon. Conductor Vanessa Perica will lead the musicians, while live vocals will hail from Sneaky Sound System's Miss Connie, plus Reigan, Rudy, Karina Chavez and Lady Lyric. There'll also be food trucks slinging bites to eat, picnic hampers for you to graze through while you listen, a champagne bar pouring the obvious and cocktails to sip, too. Oh, and a killer riverside backdrop. As for what you'll be listening to, the list of tunes getting the orchestral treatment also spans songs by Robert Miles, Cafe del Mar, Laurent Garnier, Shapeshifter and Temper Trap.
In the pandemic's early days, Disney skipped cinema releases for three films — Soul, Luca and Turning Red — due to lockdowns, restrictions, and picture palaces either temporarily closing or having capacity limits. Instead, all three movies went straight to streaming platform Disney+. Wish you'd gotten a silver-screen experience while viewing this trio — or any one of them? Enter the new Pixar Film Fest to give you that chance. From Thursday, February 22–Wednesday, March 13, for a week apiece at various locations around Brisbane, it's debuting Soul, Luca and Turning Red in cinemas for the first time Down Under. Oscar-winner Soul sports a premise that resembles Inside Out, which has a sequel arriving on the big screen in 2024. Instead of emotions having emotions, souls do. Rather than Amy Poehler (Moxie) doing voice work, Tina Fey (Mean Girls) does. And director Peter Docter (Up) helmed them both. But Soul is definitely its own feature — and takes quite the existential trip as it follows aspiring jazz musician-turned-music teacher Joe (Jamie Foxx, The Burial) after an accident where his soul leaves his body.It's releasing in cinemas from Thursday, February 22–Wednesday, February 28. Next up is Turning Red, which'll get projectors whirring from Thursday, February 29–Wednesday, March 6. The setup: what'd happen if the Hulk was a teenage girl, but became a super-cute red panda? Or, finding a different riff on the ol' werewolf situation, what if emotions rather than full moons inspired a case of not-quite-lycanthropy? Rounding out the lineup is Luca, which is similarly about transformation. This one takes place in Italy over a gorgeous summer, also spins a coming-of-age tale and nods to Frankenstein as well. Here, teenage sea monsters Luca (Jacob Tremblay, Orion and the Dark) and Alberto (Jack Dylan Grazer, Shazam! Fury of the Gods) just want to fit in, but know that the village they decide to call home wouldn't accept them if they don't take on human form. Cinemagoers can catch it from Thursday, March 7–Wednesday, March 13.
No one needs an excuse to slurp their way through a brothy bowl of ramen, and no matter the weather, but Motto Motto South Bank has a good one: $1 serves. The chain's latest Brisbane store is celebrating its official opening with 400 super-cheap meals on Saturday, February 3. Gold coins at the ready. For $1 Ramen Day, only this store will be serving up the deal, and you will need to get in early. If you're the 401st person to rock up from 11am, sadly you'll be too late. That's your Saturday lunch sorted, while stocks last — so having an early bite to eat will be a smart plan. Also, there's a limit of one $1 bowl per person. You'll be tucking into Motto Motto's signature classic tonkotsu, which obviously features pork broth, plus shoyu kaeshi, freshly made noodles, a marinated soft-boiled egg, fresh shallots and seaweed. Folks in the line will also score a free taste of the chain's new popcorn scallop.
In 2016, Cheated Hearts fans discovered that parting was such sweet sorrow. From 10pm on Friday, May 12, they'll learn how happy coming back together can be. The beloved queer-friendly night is returning for a massive ten-year reunion, because it has indeed been that long since it started hosting music-fuelled LGBTQIA+ get-togethers in Brisbane. Your destination: La La Land, aka the upstairs space at The Prince Consort. Of course, this party is marking the occasion it in its own classic style. The music will be loud. The dance floor will be packed. And everyone will be catching up, getting nostalgic, remembering way back when and having a helluva time. The dress code: donning your party best, with glitter, costumes and going all out heartily encouraged. If you need help once you're there, free face painting is just one of the event's perks. Jane Doe, Logan, Killer Prince and Tough Sook are among the DJs hitting the decks, with tickets only available in advance for $26.62.
Anger doesn't need words to echo. In The Survival of Kindness, it resounds so urgently without a comprehensible remark spoken that it creates its own simmering soundtrack. Stepping behind the lens for his first feature since 2013's Charlie's Country, Dutch Australian filmmaker Rolf de Heer gives his latest movie an actual score — largely an atmospheric, wind-beaten piece by first-timer Anna Liebzeit, but also with strings and birds — however, his audience can always hear rage at its loudest. It reverberates in an attention-grabbing opening where a colonial bloodbath is made of cake icing. It may as well whistle, too, when the feature's protagonist is left caged in the blazing rays against a claypan desert landscape that's instantly recognisable as Australian. And that fury about oppression and discrimination, plus the privilege that's behind it, keeps silently singing as a woman wanders — which isn't all that The Survival of Kindness is about, but is primarily what it depicts. Credited only as BlackWoman, and portrayed in a phenomenally expressive performance by the Democratic Republic of the Congo-born, Adelaide-based Mwajemi Hussein — a debutant who had never even been to a cinema before she made the film — The Survival of Kindness' central figure does indeed walk. The red dunes get scrubbier, desolate ruins appear, then remote shacks and empty towns. Next comes a lake, and finally an industrialised city. Through each, BlackWoman keeps putting one foot in front of the other, striding forth in search of safety and solace, with sorrow evident, and also to subsist. To make that relentless trek, she must break free first, after the masked folks initially seen cutting cake drive BlackWoman into sun-bleached isolation. Days pass, plus freezing nights, both with only the battling ants for company. Those little critters are determined, but rarely more so than de Heer's heroine. The Survival of Kindness' first scenes are calculated to engage and stun. As they segue from the model of a massacre atop a dessert to BlackWoman incarcerated in dark of night outside, then to her trailer being towed to the desert, they're crafted to clash and contrast as well. There's nothing dreamy for a moment about what de Heer's film is saying, but a dreamlike quality lingers in the way that he unfurls this unflinching narrative. His story so overtly deploys Australia's terrain, with the movie shot in South Australia and Tasmania, but never says that's where it takes place. It spends much of its first half with little but ochre soil and virtually cloudless skies surrounding BlackWoman, but townships and cityscapes are a part of its world. It feels as if it is peering backwards and peeking forward simultaneously, while also being firmly a product of the present. It brings fellow Aussie greats Walkabout and Mad Max to mind, and also has a dialogue with the pandemic and the #BlackLivesMatter movement. It dwells in the aftermath of a catastrophe, yet leaves its plague unnamed. That inscrutability is wholly by design; BlackWoman could've strolled through history, across an apocalyptic future or right now and her dystopian tale wouldn't differ. That's one of the raw and resonant messages beating down on The Survival of Kindness as harshly as the sun, noting how cruelly those of wealth, power and white skin have long treated people of colour. In a feature also sporting a sense of absurdist playfulness, finding footwear routinely turns out badly — when BlackWoman secures a pair from a corpse, they're swiftly snatched with a gun pointing her way — in a smart and loaded piece of foreshadowing. When the land that she moseys over becomes more populated, the film's lead is soon scavenging for clothing for a different type of protection: so that she can smear white ash around her eyes beneath one of her oppressors' full-facial coverings, as needed to keep walking without her race being spotted. Hussein is always noticed, though. A social worker off-screen, she blasts a matter-of-fact, always-resolute and innately empathetic stare at everything from those warring insects to boot-clad skeletons. She too is impish when she's stripping mannequins for their attire — rapping the head of one dressed as a policeman with its own truncheon — and almost jocular when she's bartering with a forlorn man mourning his wife over water and, yes, those pesky kicks. BlackWoman's eyes are always scrutinising the horrors before her, and Hussein's soulful peepers are frequently surveyed in turn. Such is the quiet force rippling in her performance, one that just keeps having to weather the world's worst tendencies, that it's impossible to imagine The Survival of Kindness feeling as human as it does while burdened with so much bleakness and ire without her presence. Not merely because the title says so, Hussein's is a face of kindness, giving the movie a warm and lively focal point amid its rampant suffering and atrocities. That said, BlackWoman does eventually have company in BrownGirl (Deepthi Sharma, another debutant) and BrownBoy (fellow first-timer Darsan Sharma), who come to her assistance and welcome her into their camaraderie. Between them, goodwill endures — but The Survival of Kindness knows, sees and stresses how truly rare that is in its own realm and in the reality it's so eagerly reflecting within its frames. It isn't by accident that de Heer begins with violence in miniature, immediately and blatantly posing his picture as a condensed portrait of life and history as we know it. Similarly, the lack of intelligible dialogue and the anywhere, anytime air purposefully ensures that BlackWoman's plight remains deeply universal. For Aussie viewers, there's nothing global about the scenery captured by cinematographer Maxx Corkindale, who also lensed the de Heer-produced documentary My Name Is Gulpilil about the director's The Tracker, Ten Canoes and Charlie's Country star. Add The Survival of Kindness to the pile of local features that do what only the best can — fare such as Mystery Road, Goldstone, Sweet Country and High Ground in the past decade, for instance — by making such oft-used dusty expanses seem like they've been unearthed solely to fuel the picture they're so essential to. Corkindale also looks upwards, watching the heavens cycle in time-lapse. He gazes at minutiae, adopts BlackWoman's gas mask-wearing perspective and, throughout it all, shoots with pure naturalism. He draws attention to the act of seeing, too, which couldn't be more pivotal: de Heer isn't making a doco here, but The Survival of Kindness is still bearing enraged witness.
Sara Jordenö might be in Australia to screen her debut documentary at this year's Sydney Film Festival; however showcasing Kiki to cinephiles down south isn't the only stop on her itinerary. Much to the delight of creative types further north, she's also heading to Brisbane. The visual artist turned documentarian will chat about collaboration in documentary cinema — and social practice public art projects, too — at the Institute of Modern Art. Given that Kiki offers audiences an energetic look at New York City's voguing ballroom scene, she'll certainly have plenty to discuss. There's a reason that Sydney Film Festival not only programmed her film but also anointed Jordenö one of the fest's ten women directors to watch, after all. And that honour caps off a big year all-round for the Swedish filmmaker, with Kiki also screening at the 2016 Berlin International Film Festival and taking home the Teddy Award for its troubles.
Owned by renowned First Nations artist Brian 'Binna' Swindley, Janbal Gallery offers visitors a unique opportunity to learn about Aboriginal culture through art and storytelling experiences. Binna is a local Kuku Yalanji man from Mossman and the gallery is lovingly named after his late mother. Binna hosts painting workshops on weekdays, with morning and afternoon sessions available. Choose from either a small boomerang or canvas to paint, with all paints and tools supplied. An impressive range of traditional Aboriginal artwork is on display at the gallery, with items available for purchase, too. Image: Tourism Tropical North Queensland.
Before 'indie' meant more than 'independently signed', Neutral Milk Hotel fit the term by all accounts. Reaching cult status only after their 1999 breakup, the American outfit have since inspired Tumblr posts the world over with angst-soaked lyrics such as "How strange it is to be anything at all." As part of their reunion tour, Neutral Milk Hotel were set to headline the dust-biting Harvest Festival, but made sure to remember their generation-spanning fans here in Aus. Yep, for their first Aussie shows ever, the full lineup from everyone's favourite record — 1998's In the Aeroplane Over the Sea — will be brought to The Tivoli on November 12. The once-in-a-lifetime shows will see NMH joined by M. Ward and Superchunk. So c'mon fanboys and girls, grab the last of the tickets that went on sale Friday October 11; they mightn't last much longer.
Sometimes they're shaved and sprinkled atop pasta, risotto or eggs. Sometimes they're used to flavour cheese. To the joy of libation lovers, they've also been worked into creative types of cocktails. The foodstuff in question: truffles. A king among culinary must-haves, they don't just tantalise tastebuds every time they're mentioned, but get snapped with such frequency that they fill up social media feeds the way they fill up stomachs. Northern Italy's woods are also abundant with them, especially the tuber magnatum — otherwise known as the white truffle. But before these highly sought-after morsels can make their way into kitchens, onto plates, and into many a willing and eager mouth, someone has to spend their time and expend their energy finding the edible fungus. The Truffle Hunters introduces viewers to multiple elderly men and their adorable dogs who all do just that, with their lives revolving around roving the forest and searching out the prized food. It might sound like a relaxed pursuit — as walking through trees with your pet pooch to fill your pockets with a delicacy is bound to — but it's a highly competitive endeavour, and one that the documentary's central figures are intensely passionate about. For Aurelio, the only thing he loves more than foraging for truffles is Birba, his partner in the hunt. Alas, he worries that when his days are over, there'll be no one to care for his adored canine companion. The cantankerous Angelo has no such concerns, but he does have a plethora of gripes. Now an ex-truffle hunter disillusioned with the way that the industry has evolved over time, he's happiest when he's attacking his typewriter with gusto, using it to chronicle his myriad woes and complaints. In earning the film's attention, these two very different men are joined by the committed Sergio, who enjoys his task with his dogs Pepe and Fiona by his side — and by Carlo, who takes his walks with his own four-legged companion Titina. The latter duo are the source of some of The Truffle Hunters' most memorable scenes, with Carlo's beloved pastime forbidden by his wife. Unperturbed, he routinely sneaks out at night to search with a torch in hand. Cycling between these men's stories, directors Michael Dweck (The Last Race) and Gregory Kershaw (cinematographer on The Last Race, and also on this) chart their individual efforts. The titular subjects try care for their canines, argue with others encroaching on their turf, type missives about how the world has changed and, in Carlo's case, keep absconding by moonlight. Their hounds remain a focus, including their efforts to avoid poison baits. Devoted to capturing the pooch perspective however they can, Dweck and Kershaw aren't above using puppy cam as well. Seeing truffle hunting from a dog's viewpoint may be an easy gimmick, but it's also both a joy and a thrill — and emblematic of the film's fondness for flavour and character above all else. Narration is absent, talking heads don't clog up the screen, and no one is on hand to describe the ins and outs of the business in the spotlight, with Dweck and Kershaw favouring immersion rather than explanation. It's a fitting approach, and a purposeful one, even if the documentary takes on a relaxed air from start to finish. The Truffle Hunters is a leisurely movie that's content to chronicle its subjects' easy-going lives, lean into their eccentricities and survey their lush surroundings — and, even clocking in at just 84 minutes, it's an unhurried gem of a documentary — however, it's also carefully compiled. Truffle aficionados will spot the symbolism, of course. When chefs whip up bites to eat using the fungi, they enhance the charms of a raw ingredient by weaving it into a painstakingly crafted dish — and The Truffle Hunters does the filmmaking equivalent. When working in the kitchen and making a movie alike, it takes skill and precision to bring out the best in something, while also simultaneously arranging it in an exacting fashion. If Dweck and Kershaw happen to be as adept at cooking as they are at directing, they'd make exceptional chefs indeed. The pair's efforts behind the camera are certainly enough to whet appetites; shots of truffles being grated over plates will do that. That said, The Truffle Hunters doesn't ever earn the culinary documentary genre's least-wanted term, because no one here is interested in making mere food porn. Instead, this sumptuously and patiently lensed affair is a record and a musing. It details a way of life, and the men behind it, that's likely to wane. To place that foreseeable change in context, it shows how everything surrounding truffles is becoming an ever-lucrative business. In the process, it also ponders the way that traditions fade — when the number of people keeping them alive continues to decline, and also when profit becomes a heftier source of motivation for those taking over. As these elements swirl through the documentary — which also boasts Call Me By Your Name filmmaker Luca Guadagnino as its executive producer — it serves up a rich and substantial cinematic meal. https://www.youtube.com/watch?v=eg7QTqm_i4o
Parachute Youth are on the brink of something big. The Australian duo's hypnotic single, 'Can't Get Better Than This' is one of the most requested tracks on Triple J and has had electro lovers bopping their heads and drooling. The lads are currently touring their single across Australia and will be playing their only Brisbane show at The Bowler Bar on May 6. Penciling them into your diary is a must. If you haven't heard Parachute Youth, make sure you check them out. The inventive pair combine clever lyrics with funky beats and the result is down right smooth. Their video for 'Can't Get Better Than This' has had over a million views. Shot in Burkina Faso, it features footage from the locals' annual bike race and is pretty spectacular. Doors open at 10pm and The Bowler Bar house DJ's will keep the party going long into the night. You've got no excuse for missing out on what's bound to be a great night as Monday is a public holiday. What better way to spend a Sunday night than listening to sweet tracks and enjoying a May long weekend celebratory glass of champagne or two.
If jungle vibes inside a Coorparoo warehouse sounds like your perfect outing, head along to the Jungle Collective's indoor plant sale on Saturday, February 8 and Sunday, February 9. It's the latest greenery-filled Brissie market from The Jungle Collective, a Melbourne nursery that stocks all kinds of weird and wonderful species. Yes, it is trucking its way up north again for another Queensland venture. Whether you're after a hanging pot plant, some palms for the garden or a giant Bird of Paradise, chances are you'll find it here. Have a reputation for killing your cacti? Overwatering your ferns? Don't worry — there'll be horticulturalists on site on the night to give you advice and chat through any questions you might have. Get inspired by greenery aplenty and learn to incorporate plants into your home and living spaces, all while browsing and soaking up some tunes. Best get in quick though — these markets are always popular, with more than 170 different species usually on offer. Due to expected demand, the sale will be held in four sessions on Saturday (8-10am, 10am-noon, 12-2pm and 2-4pm) and two on Sunday (10am-noon, 12-2pm), and attendees will need to register for free tickets in advance from midday on Monday, January 27. Plus, if you wear at least two items of beach attire — and spend at least $10 — you'll get $5 off your purchase, because this sale is 'summer'-themed.
Each year we anticipate the arrival of December 25. Because of the day off, the promise of an afternoon spent dozing in a hammock — and the arrival of Messina's annual Christmas cake. And while the gelato chain last year went for a festive response to Sydney's lockout laws in the form of Santa trying to fit down a chimney, it's decided to take on a quintessential Australian dessert for 2017: the trifle. Enter The Christmas Coma. This epic ice cream creation will feature layer upon layer of everything that is good about Christmas — but instead of being soggy and slightly regrettable, this one will have you licking the glass bowl. So what's in it? The trifle will be layered with — here we go — vanilla custard gelato, whipped cream, peach jellies, raspberry marsala jelly, raspberry meringue, sherry-soaked jam rolls and bloody peach sorbet. Plus, it'll be garnished with white chocolate and cherry truffles and come with Messina brandy custard and chocolate-coated nuts to douse all over the mess. The trifle, which serves 18–20 (or less if you really commit), costs $120 and can be ordered for pickup between December 22 and Christmas Eve. In Sydney you can pick one up from Rosebery, Darlinghurst, Bondi, Miranda, Penrith, Tramsheds and Parramatta. If you're in Melbourne, you can get one from the Fitzroy or Windsor outposts — and the South Brisbane store will be making them too. Hopefully nan won't take it personally. The Christmas Coma is available to order at gelatomessina.com from 9am on Tuesday, December 5.
Love may not cost a thing, as many a pop song has told us, but a nice date often requires a little cash. The good news, of course, is that taking your significant other out for dinner needn't empty out your bank account. On the other hand, if you have some money to splash around, there's always a top-notch place to do so. Brisbane's dining scene caters for both scenarios and everything in between at that. If you're all about quality time rather than dolling out the cash; if your wallet is feeling healthy, but not too stuffed; and if you're eager to go all out for a special occasion (or just because) — we've teamed up with Suncorp to find a tiptop date spot for any budget. Suncorp's Platinum Credit Card* works with your existing spending habits, earning you extra points for every dollar you spend on everyday essentials like groceries, that cheeky mid-week wine or this date you're now planning. Read on to discover five places for your next date night — whether you're looking to spend under $40 or ready to make it rain. [caption id="attachment_637609" align="aligncenter" width="1620"] Anwyn Howarth.[/caption] UNDER $40: TARO'S RAMEN, ASCOT A trip to Tokyo isn't the most affordable date, sadly, even if you're an online shopping wizard and manage to nab super cheap airfares. A trip to Taro's Ramen will make you feel like you've made the flight anyway, however, even it takes far less time to get to one of its authentic-style eateries around town. Heading to the original spot in Ascot is recommended, as is sitting outside on Racecourse Road, ordering a fiery bowl of tonkatsu and slurping away. A spicy, noisy broth makes the heart grow fonder, perhaps? Of course it does — and a delicious noodle soup from one of Brisbane's premiere Japanese joints, paired with a refreshing splash of sake, most definitely will. UNDER $60 PER PERSON: NOTA, PADDINGTON Taking over the Paddington space formerly occupied by relocated fine-diner Montrachet, Nota is big on casual style — but refreshingly light on your wallet. On the menu are "simple but satisfying meals", according to owners (and ex-Moda alumni) Kevin Docherty and Sebastiaan de Kort, aka the kind that go well with a few relaxing wines and great conversation. Standouts include the slow-cooked octopus with raspberry emulsion, fennel and citrus; and the Brisbane Valley quail with sweet corn polenta and burnt butter. And if you're after more of a snacks-and-vino kind of date, and less of a sit-down affair, you can get cosy at the bar and tuck into a range of bites that start from $5. UNDER $80: HELLO GORGEOUS, NEWSTEAD You've gotta love a bar and restaurant with a name that doubles as an ace greeting for your date. Grab your gorgeous partner, take them along to this Newstead spot and welcome them to a neon-hued meal with a cruisy tropical vibe. Cocktails are a huge highlight at Hello Gorgeous — and if you or your other half prefer flavoursome beverages with a bit less booze (or one of you has to guide the chariot home), both non-alcoholic and low-alcoholic options are available. As for the food, it's all designed to share, like the fun you'll be having. Go small with oysters, ceviche, beef carpaccio or stuffed chilli crab; graze over a charcuterie, cheese or vegetarian board (or several); or opt for tuna loin burgers, lamb cutlets or black angus tenderloin from the mains selection. UNDER $100: MR PERCIVAL'S, BRISBANE CITY Are you a firm believer that a stellar date needs a sublime location? If so, then Mr Percival's is the place you're looking for. One of the first spots to open at the CBD's revamped Howard Smith Wharves precinct, this bar and restaurant isn't simply sat next to the river; as the movie pelican it takes its name from, it's perched on top of it. That means that you and your partner can snuggle up inside an overwater octagon, take in the view and swoon over the pastel pink decor (when you're not swooning over each other, naturally). Nosh on lobster rolls, whipped cod roe served with a warm baguette, and anchovies topped with olive oil, lemon and garlic, because seafood is unsurprisingly a focus here. Then, pick from 17 different cocktails or 50 wines — and feel the love. ONE BIG BLOWOUT: 1889 ENOTECA, WOOLLOONGABBA If the way to your loved one's heart is through their Italian-loving stomach, you'll want to make a beeline to Woolloongabba's resident Roma-style restaurant at the cosy end of Logan Road. 1889 Enoteca has been a Brisbane favourite for years, not only thanks to its heaped bowls of sugo-topped rigatoni, sand crab linguine, succulent veal saltimbocca or espresso-soaked tiramisui, but because you'll get comfy in a booth and never want to leave. For those who are really heading in for the long haul, the four-course Roma menu is a top way to tuck into many of the eatery's signature dishes — and comes with matched wines in both half and full-glass options. Speaking of vino, 1889 Enoteca is known for its packed cellar, so expect to be spoiled for boozy choice. Seize the day, make your everyday moments count and get rewarded all the while with Suncorp. *Issued by Citigroup Pty Limited ABN 88 004 325 080 AFSL No. 238098 Australian credit licence 238098.
Here's your latest excuse to stop dreaming about a holiday and start booking: a flight sale by new Australian low-cost airline Bonza. Soaring through the local skies since January, the carrier is already all about cheap fares, but now it's doing 20-percent off all of its routes and destinations for a five-day start-of-spring frenzy. New to Bonza? The local outfit was initially announced in 2021, then secured regulatory approval this year, launching its first flights shortly afterwards. It boasts two bases so far: the Sunshine Coast, where it's been soaring out of since January; and Melbourne's Tullamarine Airport, which joined the list in March. From November, the Gold Coast will become its third home. [caption id="attachment_916931" align="alignnone" width="1920"] Tennis Australia/ Fiona Hamilton[/caption] This fresh face in the Aussie aviation scene isn't just about more-affordable tickets all year round, but also opening up routes to more of the country's regional destinations. On its list so far: 18 destinations and 34 routes. They're all getting the 20-percent-off treatment — and you've got from 10am on Thursday, September 7 up to 11.59pm on Monday, September 11 to book. As for where you can travel, Bonza's coverage includes the Whitsunday Coast, Cairns, Rockhampton, Mackay, Townsville, Bundaberg, Gladstone and Toowoomba — and also Port Macquarie, Newcastle, Albury and Mildura. Prices start at $39.20. The caveats: you'll need to want to travel this year, specifically from Tuesday, October 10–Wednesday, December 6. Also, you'll need to use the promo code LETSGO when you book. And, that discount is only applicable to the actual fare. So, any costs for bags, seats and payment fees aren't getting cheaper. With the code, if you don't use it at the time of booking, you'll miss out — you can't go back and apply it later. To book during the Bonza sale, you'll need to download the airline's app or hit a registered local travel agent. App-only online reservations are one of the carrier's points of difference. Another: an all-Australian in-flight menu, spanning both food and craft beer. Bonza's flight sale runs from 10am on Thursday, September 7–11.59pm on Monday, September 11. For more information, and to buy fares — using the using the promo code LETSGO — head to the airline's website to download its app for Android and iOS. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Trivia nights usually mean teaming up with your mates, enjoying a few beverages and trying to convert your respective stores of knowledge into glory. At this particular trivia night, you can do all that — just virtually, from your own (possibly orange) couch. And, you can do so while celebrating 90s TV series Friends, which is in the spotlight at this online battle of pop culture tidbits. If you think you know everything there is to know about the show that caused viewers to agonise over whether Ross and Rachel would get together, wish that Joey and Chandler lived next door, and get their hair cut like Jennifer Aniston, here's your chance to prove it. Play along from 7.30pm AEST on Friday, April 24, with a live host overseeing the live-streamed Friends Virtual Quiz — and tickets costing $10, There'll be prizes, and if you want to break out those 90s and early 00s fashions while joining the fun from home, absolutely no one will stop you. No one told you that watching endless television reruns could turn out this way — or binging on episodes on Stan, either, if you you want to boost your knowledge with a marathon in the lead up to the quiz. Images: Friends via Stan.
Hell hath no fury like a Netflix user with a dodgy internet connection trying to watch the end of Stranger Things. Presumably Netflix has felt the wrath of this fury, and has today introduced a new feature that will allow Netflix subscribers to download selected TV shows and movies to their mobile devices to watch offline. Just like Spotify's download button, Netflix's new feature will let users download shows to their mobile device through their iOS or Android app. It won't cost anything extra — you just need to update your Netflix app. The new feature will certainly help make long-haul flights and train trips a little less painful, and be super useful for people who live in countries where mobile internet is limited or expensive. If you already use the Netflix mobile app, it'll probably save you some dollars too as you can subtly download entire seasons on your work's Wi-Fi. However not every show will be able to be downloaded straight away — to start, it'll just be Orange is The New Black, Narcos and The Crown.
Behold a mystical race of Golden Age Hollywood stars-come-slug people. Springing from the allied imaginations of a mother-daughter duo, these hand-drawn portraits ingeniously wed the most mesmeric of faces to the most spazzy of Tyrannosaurus Rex stump arms. Proving that great and surprising art is often born from unlikely collaborations, illustrator Mica Angela Hendricks initiated the project in an accidental kind of way because her four-year-old always sets her beady eyes on her mum's luxe art supplies. When Hendricks recently tried to reserve a flashy new sketchbook for her own use, her crafty daughter Myla retaliated by appropriating classic mummy-language: "If you can't share, we might have to take it away if you can't share." Reluctantly, Hendricks allowed the wily kid to add a body to the elegant female head she'd just drawn. The result, a magnificent dino-woman, is rightly described by Hendricks on her blog as "carefree". A series of mother-daughter collabs followed, creating a funny little world of amoebic slugs and astronaut beavers with high-society noggins which somehow come across as believable beings. (I am fondly reminded of a young nephew who once claimed he had an imaginary friend called 'Prawn-Egg' with "the head of a prawn and the body of an egg". It would be great to see that illustrated.) Hendricks' blog post about the project reveals the amusing creative competitiveness between Myla and her, and how the activity has taught her to be less rigid in creative undertakings: "Yes, some things (like my new sketchbook) are sacred, but if you let go of those chains, new and wonderful things can happen. Those things you hold so dear cannot change and grow and expand unless you loosen your grip on them a little ... Most importantly, I learned that if you have a preconceived notion of how something should be, YOU WILL ALWAYS BE DISAPPOINTED. Instead, just go with it, just ACCEPT it, because usually something even more wonderful will come out of it." The logical next step would be to invent backstories for these characters with details supplied by both artists, to produce a very original book that would inspire kids and adult artists alike. See more of Mica and Myla's images on Mica's blog. Via Colossal.
Maybe viewing old episodes of Aerobics Oz Style helped you stay active during 2020's first long lockdown. Perhaps you've been obsessed with the now-iconic Key & Peele aerobics meltdown sketch for years, as everyone should be. Or, you might've watched the excellent Kirsten Dunst-starring On Becoming a God in Central Florida and got bitten by the water aerobics bug. Whichever fits — or even if none of the above applies to you — leotards, exercise and all things 80s haven't been far from our screens in recent years. And, they'll feature again in a big way in Apple TV+'s new ten-part dark comedy series Physical. Set in the decade that's always going to be synonymous with leg warmers, Physical sees Rose Byrne make the leap from hanging out with talking CGI rabbits in terrible book-to-screen adaptations to getting hooked on aerobics. She plays Sheila Rubin, a San Diego housewife who has always played her dutiful part as expected, but struggles with her self-image and her sense of self in general. Then, the only form of exercise that TV shows and movies seem to think that anyone did back in the 80s suddenly enters her life. Cue a journey that brings Sheila success, sees her forge her own path beyond being a wife and mother, and also turns her into a lifestyle guru. As seen in both the first sneak peek last month and the just-dropped new trailer, she obviously won't be posting about her daily life on social media — but this show is set in the peak VHS era, so expect videotapes to play a part in the story. Physical is set to start streaming on Friday, June 18, and will drop its first three episodes in one hit before releasing the rest weekly afterwards. Naturally, big hair and spandex are set to play a huge part in the supremely 80s-looking series. Alongside Byrne, the show stars Rory Scovel (I Feel Pretty), Dierdre Friel (Second Act), Della Saba (Ralph Breaks the Internet), Lou Taylor Pucci (American Horror Story), Paul Sparks (The Lovebirds) and Ashley Liao (Fuller House). Desperate Housewives and Suburgatory's Annie Weisman created, wrote and executive produced Physical, and serves as its showrunner, while Cruella's Craig Gillespie, Dead to Me's Liza Johnson and Love Life's Stephanie Laing all enjoy stints in the director's chair. Check out the latest trailer trailer below: Physical starts streaming via Apple TV+ on Friday, June 18.
El Camino Cantina's approach to margaritas is like Gelato Messina's to frozen desserts, taking inspiration far and wide from other beloved foodstuffs. In the past, the lively Tex-Mex chain has served up candy-flavoured margs, Long Island iced tea-flavoured ritas and soft drink-influenced tipples. Next on the list: Vodka Cruiser versions. On offer at the chain's Queensland venues at South Bank, Bowen Hills, Chermside, Robina and Sunshine Plaza: nine flavours of its beloved ritas that pay tribute to the ready-to-drink staple. You'll be able to knock them back until Saturday, September 30 — in 15-ounce ($21) and 24-ounce ($25) glasses topped with a Grand Marnier float, and as happy-hour specials from 4–6pm Monday–Friday (costing $12.50 and $15). Flavours on offer include Summer Peach, Lush Guava, Pure Pineapple and Wild Raspberry — and also Ripe Strawberry, Sunny Orange Passionfruit and Bold Berry. Or, you can sip Juicy Watermelon and get some tang with Zesty Lemon Lime. If you're a fan of its margs, you'll probably have noticed that El Camino mixes up its menu regularly with specials like these — which gives you more excuses to try more flavours.
When you're a bar that nods to all things spooky in your name, and you boast more than a couple of monster-themed pinball and arcade machines, then you're going to like the end of October. Netherworld does, of course. Indeed, the Valley pub celebrates Halloween in the expected style each and every year. So, what's on the agenda, other than a few pumpkins around the place? The venue's themed beer fest is back, and so is its annual A Netherworld Halloween party. The latter hits on Tuesday, October 31, getting into the spirit of the occasion on the appropriate date. Expect a ghoulish night of scary fun, complete with those horror-centric pinball tables. Yes, you can call it a monster mash if you like. You know that the track will get a spin, and you know that you're going to dance to it, creepy cocktail in hand. [caption id="attachment_605021" align="alignnone" width="1280"] Sarah Ward[/caption] iiWii and Grieg will also help provide tunes, singing live onstage — and the Hellmouth Diner is catering its menu to suit the theme, too. And, there'll be a karma keg for Bat Conservation and Rescue Qld Inc, so your drinks will help a good (and apt) cause. Plus, if you dress up for this evening of Halloween gaming goodness, you'll score five free tokens for your trouble. You might also win the costume contest. Entry is free, with the spooky fun going down between 6pm till late. And there is a theme within the theme, if you fancy dressing up like a vampire. [caption id="attachment_669756" align="aligncenter" width="1920"] Cole Bennetts[/caption] Top image: Sarah Ward.
Next time you sip gin, you could be hanging out in a double-decker bus in scenic surroundings — and either enjoying free tastings of strawberry eucalyptus-flavoured gin on the vehicle's bottom level, or heading upstairs to work your way through a three-drink cocktail flight. Thanks to Brisbane Distillery, this very experience is now on the menu, with the West End-based spirits company launching its new True Spirit of Brisbane bus. Hitting up the Riverside Markets in the City Botanic Gardens every Sunday, the True Spirit bus sports a blue exterior, serves samples out of the window and features booth seating under the pop-up roof on the top deck. For those happy with a tasting (or several), you'll be able to choose from Brisbane Distillery's Game of Eucalyptus Gin, Queensland Dry Gin and Brown Snake Rhum. You'll also be able to buy bottles to take home with you, too. Fancy hanging for a bit longer? The cocktail flights cost $24.99, and feature three beverages, each coming in at half a standard drink. Two different flight menus are available — both starting with a G&T, of course. From there, you can opt for a tomato-flavoured tipple and a citrusy drink called Parks and Recreation. Or, you can channel your inner Paddington with a marmalade cocktail, then follow it with a pink concoction.
From the mind of writer/director Rian Johnson comes Looper, a dizzying example of incredible and imaginative storytelling through told the lens of Science Fiction. Looper features rapidly-rising star Joseph Gordon-Levitt and established veteran Bruce Willis playing the same character, only 30 years apart. The film sets a new standard for time travel story lines and is a gripping and imaginative film. Fans of mind-bending twists and fast paced action will enjoy this movie, which also features great performances from Emily Blunt, Paul Dano and Jeff Daniels. Get to your nearest theatre and watch what is fast becoming one of the most talked about films of the year.
When Botanica: Contemporary Art Outside returns to light up the Brisbane City Botanic Gardens for another year, it won't just host its own standalone festival. The luminous mix of art and nature forms part of the broader Brisbane Art Design fest, which is also on the River City's agenda for 2023. As the name gives away, this event is all about both art and design, complete with that radiant patch of nature in the middle of the CBD, celebrating ceramics, a wearable art and fashion parade, and up-late gallery parties. BAD 2023 will run across three weekends between Friday, May 12–Sunday, May 28, with each three-day stint offering something different. Think of it as three programs in one, all focusing on its own part of the city, and spanning more than 150 events all up. First, the heart of town gets some love from Friday, May 12–Sunday, May 14, then it's the northside's turn from Friday, May 19–Sunday, May 21. Finally, the fest will head south from Friday, May 24–Sunday, May 28. Weekend one will indeed start with Botanica, and also feature the flagship Clay: Collected Ceramics at MoB — which includes five new exclusively commissioned works, plus plenty of pieces by Brisbane's best ceramicists. The CBD's time in BAD's spotlight will welcome pop-up art studious around the place as well, live projections at Howard Smith Wharves, and exhibition talks at Birrrunga Gallery and QUT Art Museum. [caption id="attachment_827605" align="alignnone" width="1920"] Finders Keepers[/caption] Then, for weekend two, the action focuses on Fortitude Valley, Newstead, Albion, Bowen Hills, Northshore and Toowong. The Finders Keepers markets are part of the bill, as is an In Conversation series hosted by Design Institute of Australia. A hefty highlight will be the weekend's Up Late parties, thanks to shindigs held after hours in independent art spaces such as FireWorks Gallery in Bowen Hills, POP Gallery and The Station Brisbane in the Valley, Superordinary at Northshore and Toowong's Land Street Gallery. Also, Fortitude Valley's industrial, product and architectural studios will be showcased on a walking tour, The Black Market Albion is doing live art and food trucks, and ceramics get pushed centre stage again via a workshop at Mas & Miek Ceramic House in Newstead. Last but by no means least, Brisbane's south gets its time to shine over the final three-day stretch, heroing South Brisbane, Woolloongabba, West End, Yeronga and Yeerongpilly — and specifically their creative outlets and fine art institutes. So, visits to Dead Puppet Society's space, Queensland College of Art at Griffith University, Metro Arts, The Paint Factory and Bag End Studio are all on the lineup. So too is Clayschool's latest alumni show and market. Like art that you can strut around in? That's where Fish Lane's fashion parade comes in. At Southside, the precinct will also host an art dinner. And if you're keen on a soundtrack, Echo & Bounce in Woolloongabba is welcoming in local DJs at a laneway soiree. Don't forget to hit up the closing party, too, at Yeerongpilly's Station Road Creative Precinct. [caption id="attachment_892874" align="alignnone" width="1920"] Botanica via Brisbane City Council[/caption] Top image: Andre Cois.
When it came time to get rid of my break up shoes (the ones my ex bought for me as he dumped me, a misguided attempt to soften the blow) to avoid wearing any more evidence of my heartache, I (anti-climactically) threw them in the bin. But what are you meant to do with everyday objects that remind you of lost love? Where do the gifts, love notes and left-behind odd socks end up? In 2006, Croatian-based artists and exes Olinka Vištica and Dražen Grubišić found themselves with a number of physical reminders of their broken relationship. What started as 'what do we do with all this crap?', grew into the Museum of Broken Relationships — first a travelling exhibition, then a permanent museum in Zagreb, Croatia, with an outpost in Los Angeles and a virtual collection online. Now, as part of the Melbourne Writers Festival's love-themed 2019 program, the cathartic exhibit has set up camp in the CBD's No Vacancy Gallery for the month of September. After a call for submissions, Vištica and Grubišić have curated a selection of items evoking memories of heartbreak and healing donated by Melburnians, which appear alongside favourites from the museum's permanent collection. Each piece is presented with a story — some simply a few words, others long tales of another time and place — and reflects how we love, and how we cope with loss. The exhibition will be open in Melbourne until the end of September — here are the highlights. [caption id="attachment_740627" align="alignnone" width="1920"] "Marie, I am getting a flat for myself, I will be back here Sunday night to sort my things out."[/caption] DECEMBER 25, 1975, AUSTRALIA The 1970s equivalent of getting dumped by text: ending a ten year relationship with a note. In just a couple of sentences, Marie conveys the hollow feeling we've all felt when disappointed by someone we loved. Did she keep this in a shoe box under the bed, forgotten about for four decades? Did she get it out occasionally and think back on the man she married, who left her for his secretary on Christmas Eve, just months after they found out she was unable to have children? With Marie's parting line we sense how heartache heals over time: "No signature. How dare he assume I would know who it was from." JUNE, 2006–DECEMBER, 2007, MELBOURNE, AUSTRALIA The owner of a dozen duct-tape roses says, looking back, they serve as a reminder that difficult things pass. Made by a high school girlfriend for Valentines Day many moons ago, the roses are a symbol of the carefree spirit of young love, kept gathering dust for more than a decade, long after that love fizzled out, because it just didn't seem right to throw away a gift made with so much skill, time and patience. MAY, 2016–FEBRUARY, 2018, MELBOURNE, AUSTRALIA Amid hundreds of artefacts in the museum's worldwide collection, revenge and vindication are pretty common themes — from the axe used to hack an exe's furniture to pieces, to a toaster taken across the country ("how are you going to toast anything now?"), to voodoo dolls made from shirts belonging to former lovers. Sometimes our methods of coping with pain are more productive than others. These buttons were cut from the clothing of a Melburnian's cheating ex before his possessions were given back to him. The story reads, "I found this act incredibly cathartic in itself, apart from knowing it would annoy him immensely. Sometime later, I sent him some buttons. Not necessarily the right ones." THIRTEEN YEARS, HELSINKI, FINLAND If we're looking for themes among the artefacts, infidelity sure is up there — a universal experience felt from Melbourne to Helsinki. In 2012, a wife sat on the floor of her hallway, cutting a small plastic figurine into pieces, waiting for her husband to come home so she could confront him about his affairs. His response to being caught out in his lies? To take the postcards of two American silent film stars, which his wife had said reminded her of them, from their place on her dressing table mirror, and tear them to pieces in front of her face. AUGUST, 2003–MAY, 2006, SAN FRANCISCO, USA A belt left on the back seat of a lover's car, a mere week before a move away brought the passionate relationship to a stuttered end. Under the anonymity of the museum's format, the belt's accidental owner speaks candidly of watching meteor showers, naked, in a playground: "Kinkiness on a park bench underneath a blazing sky, there was more on fire than just those shooting stars." The item is donated as a way of saying thank you to the man that made them feel alive: "I never got the chance to tell him that I love him, but at least everyone who reads this will know." SUMMER, 1993, ZAGREB, CROATIA Pieces in the museum aren't all representative of tumultuous, decades-long marriages ending in tears. We all have so many relationships throughout our lives — with family, friends, our bodies, fleeting romances and brief encounters — and the collection has become a space for saying goodbye to absent parents, lost limbs, and people we knew for just a little while. From in the middle of the Croatian War of Independence, a first sexual experience is remembered with a little yellow flag from the ship that witnessed it. The Museum of Broken Relationships is at No Vacancy, Melbourne, from September 1–29. Entry is free and the gallery is open Tuesday–Friday, 12pm-6pm, and Saturday–Sunday, 12pm–5pm. Images: Tracey Ah-kee.
On the scale of personal injustices, there are few more contemptible or infuriating misdeeds than taking credit for another person’s work. In the artistic world it’s considered a violation of such repugnance that it’s said to offend one’s very ‘moral rights’, being both ’the right of Attribution’ (the right to be recognised as the creator of an original work) and ’the right against False Attribution’ (the right to prevent someone else from saying your work is theirs). Big Eyes, the latest film by director Tim Burton, is a true story based on one of the most egregious example of that violation in living history. Beginning in the late 1950s, it chronicles the decade-long deception perpetrated by the artist Walter Keane (Christoph Waltz) and his iconic ‘big eyes’ paintings. The key word there is ‘deception’, because in reality they weren’t his paintings at all; they were painted by his wife, Margaret (Amy Adams). With millions of dollars made from sales and celebrities the world over seeking their own originals, Big Eyes is a fascinating study in sexual politics and the exponential toxicity of deceit, particularly in an age when the status of a divorced single-mother was tantamount to both social and professional exile. In the leads, Adams and Waltz are both perfectly cast. Adams brings a wonderful sensitivity to the role, capturing the irrepressible passion of an artist and the burgeoning guilt of a woman who chose financial security over artistic integrity. Opposite her, Waltz is pure charisma: a salesman with a cheshire cat grin and an undeniable talent for marketing. The man could sell sand to a desert, then convince himself he invented the sand. ‘Delusional Disorder’ is the medical term for his condition, and its destructive powers are neatly showcased here. This is by far one of Burton’s most understated films, eschewing most of his traditional quirkiness and cartoonish aesthetic in favour of a picture most reminiscent of Ed Wood. Even the score, provided almost inevitably by Danny Elfman, opts for the subtle touch with hardly a whole-tone scale to be heard. That’s not to say there isn’t fantastic design at play, with the set, costuming and even colour choices wonderfully recreating '50s and '60s kitsch. It’s all very pretty, but just like its subject matter, Big Eyes is something of a masquerade: a fetching and uncomplicated visual that belies a much darker truth.
Welcome to the new breed of combat movies. In Eye in the Sky, soldiers fight terrorists from the comfort of their desks, while the bulk of the people debating which course of action to take, and even those actually carrying out the strike, aren't on the front lines, but watching on from other continents. Their task is seemingly simple: apprehend two extremist ringleaders in Kenya. In the UK, Colonel Katherine Powell (Helen Mirren) oversees operations, with her mission changing from a capture to a kill when she discovers a suicide attack may be imminent. On the ground in Nairobi, undercover agent Jama Farah (Barkhad Abdi) spies on the culprits, manoeuvring an insect-sized camera into their safe house. His aren't the only images of the scene, with two Las Vegas-based drone pilots (Aaron Paul and Phoebe Fox) looking on with their fingers on the trigger. But when a nine-year-old girl (Aisha Takow) wanders into the target zone, Powell is forced to seek advice from her superiors, including the supportive Lieutenant General Frank Benson (Alan Rickman) and a raft of indecisive politicians worried about the potential ramifications. The mechanics and morality of war are the movie's main concerns — and while many a cinematic dissection of conflict has probed the same topic, director Gavin Hood (Ender's Game) has crafted a film that's purely a product of its time. Technology is key, both in the way the story unfolds for the characters, and the way it is presented to the audience. Powell and the majority of her colleagues observe matters from the safety of their own countries, yet can take lives at the press of a button. Viewers share the same position, and see the same intercut spy cam, drone and satellite footage — though they can only watch on with a combination of horror, anxiety and flabbergasted amusement, unable to intervene or do more. Indeed, Eye in the Sky is designed to inspire many a question, and leave everyone pondering the various troubling answers. That it succeeds isn't simply a result of the film's intelligent approach to its subject, but of its tone: part military thriller, part bureaucratic farce. Viewers will find themselves inching towards the edge of their seats, even as they chuckle grimly as yet another person in power tries to avoid making a hard decision. There's no ducking the films more heavy-handed elements, including an intrusive score, conveniently increasing stakes, and the blatant attempt to evoke an emotional reaction by placing a child in peril. But there's also no avoiding its effectiveness, both in contemplating a difficult subject and constructing an exercise in tension. The considered mood Mirren brings to her pivotal role proves the perfect weathervane for the film's fortunes, and of the way in which it achieves its aims. She's the movie's robust centre, brimming with as much texture as toughness. Among the rest of the cast, Paul plays his part with the right amount of worry and uncertainty, while the late Rickman's trademark wry charm gets a fitting final outing. Given the intensity of the situation that surrounds them, that they provide the complex feature with convincing portrayals is no small feat.
It's that time again: time for the Alliance Française French Film Festival to gift Australian movie-goers with its annual cinema showcase. 2022 marks the event's 33rd round of fests, so get ready to watch your way through more than 40 flicks that'll whisk you off to France while you're munching popcorn in your cinema seat. There's no shortage of highlights from this year's complete lineup — including the festival's opening night pick, the 19th-century Paris-set Lost Illusions — but Claire Denis' Fire is easily one of the most exciting films on the bill. It'll play AFFFF straight from the Berlinale, and marks the acclaimed French filmmaker's first release since 2018's exceptional High Life. It also stars her Let the Sunshine In lead Juliette Binoche, with the romantic drama pairing the latter up with French actor Vincent Lindon (Titane) for the first time. Also a standout: Happening, winner of the 2021 Golden Lion at the Venice Film Festival, which adapts Annie Ernaux's autobiographical novel about the rights of women in France in the 60s. It just nabbed filmmaker Audrey Diwan a BAFTA nomination for Best Director, and follows a bright young student who gets pregnant, then sees her options — for her future, and regarding what to do about her situation — quickly dwindle. When AFFFF heads to Brisbane's Palace Barracks and Palace James Street between Wednesday, March 16–Monday, April 18 (including its encore sessions), the exceptional Petite Maman also sits at the very top of the fest's must-see list. The latest film from Portrait of a Lady on Fire's Céline Sciamma, it already made a few Australian festival appearances in 2021, and channels the director's trademark sensitivity and empathy into a sci-fi-skewing tale of mothers and daughters that's instantly among Sciamma's best. Other top picks include the latest film in the OSS 117 spy spoof series, OSS 117: From Africa With Love, once again starring The Artist Oscar-winner Jean Dujardin; François Ozon's Everything Went Fine, which sees the Summer of 85 filmmaker tackle the right to die with dignity; Paris, 13th District, a love story from A Prophet and Rust and Bone's Jacques Audiard; and Murder Party, a murder-mystery with big Cluedo vibes. Or, there's also Anaïs in Love, a rom-com about a woman having an affair with a married man but then falling for his wife; bipoic Authentik, about French hip-hop duo Suprême NTM; World War II drama Farewell, Mr Haffmann, as based on the play; and friendship drama The Braves, about two twentysomething women following their dreams to become theatre actors. Plus, AFFFF's retro program is also a cinephile's delight, showcasing the work of actor and filmmaker Alain Delon — including via Purple Noon, which adapts Patricia Highsmith's novel The Talented Mr Ripley.
Can a fourth wall be smashed if it's barely even a gauze curtain? For audiences, Deadpool & Wolverine plays out on sturdy IRL surfaces that can be shattered — cinema screens first, then home entertainment's TVs and computers and phones forever afterward — but the film's to-camera asides, self-reflective jabs, in-gags, sarcasm, meta references upon meta references and all-round superhero satire aren't breaking, busting through or saying bye, bye, bye to anything. There's nothing to destroy when the idea that movies are their own worlds separate to the reality that they're viewed in simply doesn't exist in the third picture with Deadpool in its title, 11th X-Men feature and 34th entry in the Marvel Cinematic Universe. This is still a flick spinning make-believe as it makes fun, but one that acknowledges how everyone interacts with pop culture: by knowing personal and industry goings-on tangential to the in-film action, such as that Ryan Reynolds (IF) is married to Gossip Girl's Blake Lively, Hugh Jackman (Faraway Downs) is Australian and newly divorced, Disney bought Fox in the battle of Hollywood studios and the MCU hasn't had the strongest of times of late. Deadpool & Wolverine may spend a fair portion of its duration in a wasteland-like place called The Void; however, viewers don't watch anything in a vacuum. This isn't the only feature to recognise that truth, nor the lone Deadpool movie to do so. That said, there's leaning into the fact that no one can completely split any art from their contextual awareness around it, and then there's this level of commitment. Comparing one of its major settings to the Mad Max realm within seconds of arriving there — and within months of Furiosa: A Mad Max Saga releasing — is merely one further example. Nods, shoutouts and wisecracks go everywhere, including deep into the Marvel comics, their prior leaps to the screen, gripes about the latter, Tinseltown manoeuvrings, box-office fortunes, abandoned projects, stalled future flicks and actors' romantic lives. Reteaming after Free Guy and The Adam Project, Reynolds and director Shawn Levy co-penned the screenplay with Zeb Wells (She-Hulk: Attorney at Law), plus Paul Wernick and Rhett Reese (who return from 2016's Deadpool and 2018's Deadpool 2), but the internet may as well have earned a scripting credit. For those less head over heels with Deadpool's merc-with-a-mouth schtick than Reynolds visibly has been for the eight years and running, consider this the only-way-out-is-through approach: there's more stacked on top of more, then huge piles of more again, then more and more sprinklings as well, especially when it comes to jokes that can't occur without referring to details well beyond Deadpool & Wolverine's frames. Reynolds, Levy and company own the onslaught with the transparency of the film's absent barrier — and while that isn't the same as ensuring that the bit always works or avoids getting repetitive (on both, it doesn't), it firmly helps establish part of the feature's vibe. This probably should be named Deadpool with Wolverine, but adding James 'Logan' Howlett to Wade Winston Wilson isn't just about superheroes teaming up, then the bickering banter and frenemy frays that result. Deadpool & Wolverine also gains energy from the scowling, growling, unhappy-to-be there mutant with the adamantium skeleton, giving it what past Deadpool jaunts have deeply missed: some tonal balance. Spirit first, story second: that's also Deadpool & Wolverine's gambit. As it cracks the boundaries between Disney and Fox's respective Marvel domains, and endeavours to win over the naysaying Wolverine — two tasks with glaring parallels between what's happening in its narrative and for viewers — it spins a straightforward tale given stock-standard sprawling franchise complications. The world is in peril. Masses will die. Multiple villains have schemes. The ill-fated sphere needs a hero, and that hero needs aid from another. Or: told by the Time Variance Authority's Mr Paradox (Matthew Macfadyen, Succession) that his timeline needs pruning following the events of 2017's Logan, Deadpool can only save everyone that he loves from being snuffed out by finding a new Wolverine from across the multiverse. But, they'll also have to flee The Void where unwanted intellectual property is dumped, and where Charles Xavier's maniacal twin Cassandra Nova (Emma Corrin, A Murder at the End of the World) controls and manipulates everything. Although the plot doesn't lack specifics, be it Wade's eagerness to join the Avengers to impress his ex-fiancee Vanessa (Morena Baccarin, The Flash), Logan grappling with trauma and mistakes, Paradox's machine that's due to eradicate Earth-10005 or Cassandra messing with minds, the tale itself never feels like the point. While the minutiae is engaging enough, when Deadpool mentions more than once that he's now Marvel Jesus, believe the intent behind those words. After Ant-Man and the Wasp: Quantumania was a flop, with the MCU's route towards the fifth and sixth Avengers flicks requiring reworking after off-screen developments, and as 2024's only film in the series, there's some world-saving needed for this saga, too. Deadpool & Wolverine's method of going about it is crashing well-known pieces together for fun — not just its titular characters, but also via more surprises than at a Kinder factory, with one reveal particularly wittily done. There's that favouring atmosphere above all else again; refreshingly, despite teasing several times that Jackman will likely keep playing his role till he's 90, no one can accuse this movie of solely or mainly trying to lay groundwork for the franchise's 35th entries onwards. There's no missing where Deadpool & Wolverine's strengths reside, though: in Jackman, Corrin and Macfadyen. That Reynolds can irreverently and acerbically snark the hell out of Deadpool and sell the meta-ness of it all has been plain for almost a decade now, and he rides Wade's emotional journey here effectively as well, yet his co-stars couldn't be more pivotal. Sometimes slicing and stabbing at each other's regenerative flesh in a Honda Odyssey, sometimes trading barbs for glares, sometimes dispensing with foes in a side-scrolling frenzy, the odd-couple act with Jackman gleams and wipes the dull clash that 2009's X-Men Origins: Wolverine flatly served up from memories. In addition to donning his character's yellow suit, Jackman himself wears weariness, anger, disappointment and regret like it too is fused to his framework, getting more and more moving the longer that he dons the claws. It's been 24 years now since the debut X-Men and if there's a potential Marvel messiah here for his Real Steel helmer, it's him. Also, memorable bad-guy alert not once but twice: Corrin is an unnerving delight as Cassandra gets into peoples' heads — not just figuratively — and Macfadyen hams it up superbly. Layered within the nudging and parodying, stream of inside-baseball shots, shiny display of Disney's new IP wares, OTT violence and retro-leaning tunes — Goo Goo Dolls, Avril Lavigne, the Grease soundtrack and Madonna all echo prominently — is a takeaway that life isn't a mystery, but rather is all about acceptance. It's worth fighting for. It deserves you giving a shit, not coasting. Nonetheless, learning to come to terms with missteps and mourning, and faded dreams and paths not taken, is inescapable no matter if you have adversaries to vanquish, universes to rescue, lost loves to woo, identities to reconfigure, reputations to salvage and caped-crusader squads to wow. Cue another instance of mirroring. Levy mightn't be actively aiming to tell viewers that looking past Deadpool & Wolverine's tussles with itself is also part of this package, yet it still sticks when some of the film's scenes struggle with blandness visually and in their effects, the corporate-synergy angle is laid on thick and, regardless of what Reynolds quips, there's also a sense of holding back now that Disney is pulling the strings. Looking for a devilishly self-aware Deadpool and Wolverine romp, though? Just like a prayer, this'll take you there.
He's back! It's been eight long years since we first heard Thom Yorke's glitchy solo grooves in The Eraser now, out of nowhere, he's dropped a sneaky surprise album overnight. Tomorrow's Modern Boxes sees Yorke return to his trademark sound with a full LP of sneaky sneakster electronica. But you won't find this album in stores just yet. As always, Yorke has something else in mind. Similar to the release of Radiohead's In Rainbows where fans could pay whatever they wanted for an online download, Tomorrow's Modern Boxes has been released via BitTorrent. It's a bold move. Seeking alternative methods of distribution, Yorke has chosen to embrace the technology the music industry struggles with the most. The album, in fact, is the world's first paygated BitTorrent bundle. "It's an experiment to see if the mechanics of the system are something that the general public can get its head around," reads a statement on the Radiohead website. "If it works well it could be an effective way of handing some control of internet commerce back to people who are creating the work." By releasing the music direct to the public, artists are able to keep a much larger share of the profits. For each album sold, BitTorrent reportedly takes a 10 per cent cut and Yorke gets the remaining 90. This combined with the savings on production and publicity means they are able to set the price at a mere US$6. Score. "It it works, anyone can do this exactly as we have done," the statement reads. "[This would enable] those people who make either music, video or any other kind of digital content to sell it themselves. Bypassing the self elected gate-keepers." BitTorrent's CCO Matt Mason told Mashable that this is a system many artists will soon be employing. And, why not? Unless you work at a record company, it seems like a win-win situation. Tomorrow's Modern Boxes is available for download via BitTorrent now. You can listen to the first single 'A Brian in a Bottle' prior to downloading. But don't be stingy, give this legend his $6 for the full thing.
If you're a dog person, being surrounded by wagging tails and beaming pooch faces is one of the happiest feelings in the world. Here's another: doing your part to assist animals in need. Each year — a pandemic hiatus aside — the RSPCA's Million Paws Walk combines the two, asking Brisbanites and their puppers to go for a stroll to help raise funds for an obviously extremely worth cause. Come Sunday, May 26, this endorphin-sparking mosey returns for 2024, taking over the Forgan Smith Lawn at the University of Queensland in St Lucia. Whether you're keen to dress up for the occasion — in a matching outfit to your four-legged bestie, of course — or just pop on your sneakers and usual workout attire, then join in from 10.30am (with registrations from 8am). Entry costs $17.50 for adults and $15 for concessions, with the money raised going towards RSPCA Queensland's work rescuing, rehabilitating and rehoming animals. In addition to the exercise, you and Rover can browse a heap stalls afterwards, listen to live tunes and grab a bite to eat from food trucks. There's also dog competitions and games as well. Can't make it to UQ? Check out the full list of venues around Queensland. Top image: Call of the Wild Pet Photography.
