Brisbanites, next time you head out for a bite to eat, to have drinks, see a movie or watch a footy match, you won't need to keep your mask on while you're seated. Today, Friday, September 24, marks a fortnight since Queensland Premier Annastacia Palaszczuk last announced a change to Queensland's COVID-19 restrictions, and also confirmed that the rules around masks were remaining in place in many situations. These requirements are reviewed every two weeks, so they've just been assessed again — and the rules around masks have been given a slight tweak. At the state's daily COVID-19 press conference, Queensland's Deputy Premier Steven Miles advised that "while we will be extending the restrictions related to masks, the Chief Health Officer has recommended some small changes. What that means is that once you are seated, you will be able to remove your mask. You don't need to wait until you're eating or drinking." The Deputy Premier continued: "that means when you go to the stadium and you are making your way through, you will need a mask through the gates, all the way through the concourse until you're seated. But once you're seated, you can remove the mask even if you're not eating and drinking." Miles also explained that the change will apply in all setting, including schools, hospitality and other venues. "When you go to a cafe, restaurant or licensed club, you won't have to wait until you have a drink at the table to remove your mask, you can take it off as soon as you are seated," the Deputy Premier said. You can now remove your mask while seated at work or school, or in venues such as theatres and cinemas. Teachers can also remove masks while teaching when socially distanced. — Annastacia Palaszczuk (@AnnastaciaMP) September 24, 2021 If you live in the Brisbane City Council, Logan, Moreton Bay, Ipswich, Redlands, Sunshine Coast, Gold Coast, Noosa, Somerset, Lockyer Valley and Scenic Rim Local Government Areas, it has been some time since you've been able to flash your smile at people outside of your own home. Since the end of June, in an effort to stop the region's recent COVID-19 cases from spreading, wearing masks has been compulsory across the region, although that mandate relaxed slightly in mid-August. The rules that've been in place since then aren't going anywhere for now, though, other than this slight amendment to the requirements when you're sitting down — and that'll be the case for the next fortnight. Need a refresher on the rules? Queensland has a standing mask mandate for flights, airports and stadiums, so you'll always need to mask up there — and, for the next two weeks, they'll remain mandatory in plenty of other spots. That includes on public transport, in ride shares and while waiting for both; in all indoor spaces other than your own home, including hospitality businesses, unless you're sitting down; in schools; and outdoors if you can't remain 1.5 metres away from people who aren't part of your household. Also, you will still need to always carry a mask with you. 📢 Mask wearing will be extended to Fri 8 Oct in SEQ. 😷 You must wear a face mask at all times in indoor spaces when standing and outdoors when you can't social distance. Masks can be removed while seated at work or school, and in venues. Full details: https://t.co/Zzv9jf6Pi5 pic.twitter.com/ONDrCXUID2 — Queensland Health (@qldhealthnews) September 24, 2021 Queensland currently has 20 active COVID-19 cases, with zero new locally acquired case reported in the past 24 hours. And, as always, the usual requests regarding social distancing, hygiene and getting tested if you're feeling even the slightest possible COVID-19 symptoms also still apply — as they have since March last year. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. Top image: Atlanta Bell.
After sending Brisbanites to great heights at Lina Rooftop and Soko Rooftop, and serving them Italian dishes at Mina as well, Potentia Solutions Leisure is now welcoming fans of Latin American cuisine into its latest venture. Meet Rumba, which takes inspiration from Cuba, was first announced back in January, and is now trading on St Paul's Terrace in Argentinian eatery Evita's old site. It's a case of farewelling one favourite and welcoming in another for the hospitality group; new year, new focus, clearly. Rumba goes heavy on tequila cocktails and bites to share amid colourful but raw decor. The atmosphere: relaxed yet boisterous, and stripped back while soundtracked by Latin jazz. Azulejo prints and bright hues cover the place, and there's even the remnants of a car in a hole in the wall. Vibe-wise, a roster of DJs and bands help set the mood, too, in the kind of space that's worlds away from Lina and Soko's luxe rooftops — but proves lively and enticing in its own way. On Fridays, that includes a mariachi trio, while a Columbian reggaeton night is also on the venue's roster. Of course, the big drawcard is the food and drinks spread, which spans kingfish ceviche, tune poké tostadas, corn with chipotle mayo and spicy chicken wings among the smaller options. There's also guacamole platters for two; empanadas made with smoky ground beef, olives and chimichurri; grilled octopus with yellow beetroot; and beef brisket, battered fish and braised lamb tacos. And, for dessert, diners can tuck into a share spread of churros, dessert empanadas with mascarpone and apple, and lemon and tequila sorbet. To wash all of the above down with, the 22-drink cocktail list features sangria jugs, rum and sparkling wine Cuban bowls, two fruity frozen options and pisco sours. Or, there's a small range of beer and wine, a larger spirits collection, and four options for bottle service. Rumba also does a daily 5–6pm happy with $10 cocktails and $15 beer jugs, plus$25 all-you-can-eat tacos on Thursday nights. Feel like a night brunch? That's what it's dubbing its $69 Wednesday evening specials, which spans a five-dish banquet over two hours, plus wine and beer for the same period — and a slushie or spritz on arrival. Find Rumba at 365 St Paul's Terrace, Fortitude Valley, open 5pm–late Tuesday–Saturday.
Over the past few weeks, racially motivated discrimination, oppression and injustice has been in the global spotlight. It's a subject that always demands action and attention, both worldwide and within Australia. Lately, however, it's been particularly thrust to the fore due to the Black Lives Matter movement, and protests over the death of American George Floyd at the hands of a police officer — as well as, at the local level, the ongoing fight to end the systemic mistreatment of Aboriginal and Torres Strait Islander peoples by law enforcement, and to stop Indigenous Australian deaths in custody. This isn't a new topic. The quest to end racial prejudice and inequality isn't new either. Centuries of history can attest to that fact beyond the current news headlines — and so can a wealth of powerful documentaries on the subject. Some recent films chart the American civil rights movement. Others explore the lives and impact of Indigenous Australian musicians. And, with examples from both categories, five such docos are now available to watch for free on YouTube for the entire month of June. All five films are distributed by Australian company Madman Entertainment, and all have previously screened in cinemas and/or at film festivals. They're all vital viewing, too — and, at present, doing so doesn't involve any cost or require a subscription to a streaming platform. The documentaries are now up on Madman's YouTube channel, as embedded into the company's website. Leading the bill are a trio of movies with a local angle, and with a particular interest in Indigenous music. Viewers can watch Gurrumul, the immensely moving portrait about the chart-topping late Indigenous talent from Elcho Island off the coast of Arnhem Land; then check out Murundak: Songs of Freedom, which focuses on Aboriginal protest music, specifically following The Black Arm Band and other Indigenous Australian musicians on tour; then view Westwind: Djalu's Legacy, about Yolngu elder and master Yidaki (didgeridoo) player Djalu Gurruwiwi and his efforts to pass on his culture's ancient Songlines. https://www.youtube.com/watch?v=_USf1UQIAYg Those docos are joined by two films that examine race and injustice in America, and prove particularly relevant to current US protests. 3 1/2 Minutes, Ten Bullets chronicles the 2012 murder of 17-year-old high school student Jordan Davis — who was shot at a Florida gas station after an argument over loud music — as well as trial that followed, and the media coverage and resulting protests also. Then there's Raoul Peck's potent and affecting Oscar-nominee I Am Not Your Negro, which tackles racism in America from a historical perspective. That's conveyed through the words of novelist, poet and activist James Baldwin — words written in the mid-70s, but sadly still applicable today — with Samuel L. Jackson serving as the documentary's narrator. In sharing the five films, Madman is encouraging everyone to not only watch, but to learn, listen, and talk about them with friends and family. It's also suggesting that viewers donate to support relevant causes, naming a worthy organisation — and, in some cases, multiple organisations — for each documentary. To watch Gurrumul, I Am Not Your Negro, Murundak: Songs of Freedom, Westwind: Djalu's Legacy and 3 1/2 Minutes, Ten Bullets for free until the end of June, head to the Madman website. Top image: I Am Not Your Negro.
Since 2020, fans of cowboy-themed ice cream have had two options: lick your way through a classic ol' Bubble O'Bill on a stick as you've always done, saving the bubblegum nose for last (of course), or tuck into a Bubble O'Bill tub. That's all well, good and tasty, but frozen desserts can't keep a lasso over the fictional, confectionery-based Old West figure — because Bubble O'Bill Easter eggs are now a sweet treat that truly exists. Set to hit the shelves at Woolworths on Wednesday, March 16, the 160-gram chocolate eggs aren't shaped like their namesake, however. They're regular old egg-shaped, but with swirls of strawberry marbling, pieces of caramel and chewy berry pieces mixed into the Chocolatier Australia chocolate. Love the gumball part of Bubble O'Bills? Of course you do. And they're still included in the Easter egg version, with five found inside once you crack open all that chocolate. Turning a beloved Streets ice cream into an Easter egg isn't just the domain of Bubble O'Bill, either. Returning to both Woolies and Coles this year is the Golden Gaytime Easter egg, which sports the same toffee flavour as the frosty dessert and comes coated in Golden Gaytime crumbs. And, it's available now. Yes, Easter is still more than a month away — hitting on Sunday, April 17 in 2022 — but that just means you've got plenty of time to stock up, or to mark the occasion for weeks in advance. Being an adult means eating Bubble O'Bill and Golden Gaytime Easter eggs whenever you like. Find Bubble O'Bill Easter eggs at Woolworths stores from Wednesday, March 16, costing $10 each. Golden Gaytime Easter eggs are available at both Woolies and Coles now.
Fans of Donald Glover, excellent television or both, rejoice: after a four-year gap between its second and third seasons, Atlanta is a mere month away from returning to our screens. The show's creator, co-writer, sometime-director, star and all-round driving force has been more than a little busy since we last saw him play Earnest 'Earn' Marks — cancelling and rescheduling Australian tours, playing Coachella, voicing Simba in the photorealistic remake of The Lion King, dropping albums and making Guava Island with Rihanna, and that was all before the pandemic — but now the wait for new episodes of his exceptional TV series is almost at an end. Get ready to be all about that Paper Boi again — and all about Glover as Earn, obviously. If you're new to Atlanta, it follows Princeton dropout Earn after he returns home to the titular city, then starts managing his cousin Alfred's (Brian Tyree Henry, Godzilla vs Kong) rap career. The 30-something also has an on-again-off-again relationship with Van (Zazie Beetz, The Harder The Fall), with the pair sharing a daughter, which throws up complications on a regular basis After a phenomenal second season which ranked among the best things on TV back in 2018 (as the show's first season did in 2016, too), Atlanta's third season looks set to follow Earn and Alfred/Paper Boy on tour in Europe — based on its teaser trailer. And yes, that means it's still tackling the ins and outs of its characters lives, including the daily reality of being Black in America today, while examining race, money, relationships, parenthood, art, music and trying to get by on the road on the other side of the world. Lakeith Stanfield (Judas and the Black Messiah) also returns as Darius, Alfred's righthand man, with Atlanta also boasting one of the best casts on television. [caption id="attachment_843677" align="alignnone" width="1920"] Matthias Clamer/FX[/caption] After season two gave us the marvel that was the Teddy Perkins episode, it's basically impossible to guess what Glover has in store for his on-screen alter ego and his pals, and for viewers, this time around — but, when Atlanta's third season starts streaming in Australia via SBS On Demand on Friday, March 25, it'll be a definite must-see. That said, the good news keeps coming with the bad theses days, with Atlanta set to follow in Stranger Things' footsteps. We're not talking any storyline similarities, which truly would be wild. Instead, it's been announced that Atlanta also only has one more season left after its upcoming batch of episodes, so it'll end with season four — which is set to also air in 2022, arriving sometime during spring Down Under. Check out the trailer for Atlanta's third season below: Atlanta season three will start streaming via SBS On Demand from Friday, March 25.
Tasers, telephoto lenses and a new spate of crimes terrifying the beachside town of Neptune: yes, Veronica Mars is back. Everyone's favourite pint-sized TV private eye is finally returning to our screens, all thanks to the show's long-awaited, eagerly anticipated fourth season. As played with the usual pluck and determination by Kristen Bell, she's ready to sleuth her way through a whole new mystery. Of course she is. Due to release in the US in July, via streaming platform Hulu, Veronica Mars' revival follows its titular heroine as she endeavours to get to the bottom of a wave of bombings that've been blasting their way through her home town. The fictional seaside spot is quite the tourist spot — especially come spring break — and Ms Mars thinks that someone wants to blight its reputation. After dropping a very brief teaser in April, Hulu has released the first proper trailer for the series — and, as well as showing the no-nonsense Veronica doing what she does best, it features a heap of familiar faces. Her dad Keith Mars (Enrico Colantoni) and on-again, off-again love interest Logan Echolls (Jason Dohring) also pop up, as does her ex-classmate Weevil (Francis Capra). Also set to make an appearance: returning cast members Percy Daggs III, Ryan Hansen and Max Greenfield, plus new inclusions such as Patton Oswalt, Clifton Collins Jr and Bell's The Good Place co-star Kirby Howell-Baptiste. Oh and JK Simmons, too, and it appears that he's the new season's bad guy. Check out the trailer below: https://www.youtube.com/watch?v=wuhCFAtFE-A If you've been following Veronica's story for the past 15 years, you'll know that the TV series originally debuted in 2004, ran for three seasons until 2007, and then set a crowdfunding record to get a film off the ground in 2014. Next came two novels and a web series spin-off — and now, as first confirmed in September last year, this eight-episode revival. Break out the marshmallows, obviously. The fourth season of Veronica Mars hits Hulu on July 26. Details of the show's Australian and New Zealand release are yet to be confirmed — we'll keep you posted.
New York did it. Melbourne did too. And now Brisbane might be joining the fold. We're talking about taking the wasted space above ugly train lines and turning it into something much more exciting — a brand new entertainment precinct, for instance. If developers AEG Ogden get their Brisbane Live project off the ground, that's exactly what will happen to the high-use transport corridor adjacent to Roma Street Station and the Roma Street Parklands. And, that outcome is now one step closer to becoming a reality, with the Queensland Government announcing that its has committed $5 million towards a business case for the proposed complex. First announced in 2016 and forming part of the plans for the long-mooted Cross River Rail project — aka the new 10.2-kilometre rail line proposed to run from Dutton Park and Bowen Hills, complete with a 5.9-kilometre tunnel under the Brisbane River and CBD — Brisbane Live is the city's answer to Madison Square Garden and Federation Square. Or, if you like, our version of Los Angeles' LA Live precinct, which the government has also compared it to. If it goes ahead, the site will feature a 17,000-seat live performance arena, plus new hotels, apartment towers and cultural facilities. The existing train station will be torn down and replaced, and the current parklands will gain an extra 12 hectares of public space, including a water-based section. It's the addition of a huge music inner-city venue — that could be used for concerts as well as sporting events — that's particularly exciting, as well as a much-needed addition to Brisbane. The new venue would put an end to the annoying trek out to Boondall to see high-profile gigs. Plus, it'll also boast a 4000-capacity club, multiplex cinemas, restaurants and bars, as well as a giant screen and amphitheatre catering for around 15,000 people. And don't forget, convenient public transport options are all part of the package. That's the great thing about building this kind of development on top of a bus and railway station: part of the infrastructure already exists. So if all goes to plan, we could be saying goodbye to the current unattractive eyesore most Brisbanites avoid if they can help it, and be welcoming the kind of place you just might spend a whole lot of time at in the future. Well, that's if the business case, which is expected to take six months to complete, determines that Brisbane Live should go ahead. The plans are currently under development, but you can get a sneak peak of just what could be in store courtesy of online flyovers available on the project website.
As winter closes in, you might be tempted to take anything that requires leaving your warm and toasty home off of your schedule. We get it. But it's no excuse. Even if it's cold outside, there are plenty of winter-friendly (and delicious) reasons to get out and about this season — especially down south. Tasmania might be known for its chilly weather, but, these days, it's also got quite the reputation as a culinary destination — and for good reason. Top-notch culinary menus make use of the freshest, seasonal and local produce and can be found all over the Apple Isle. That's why we've made it our mission to discover the Tassie restaurants that'll warm both your belly and your cold little hands this winter. Here are five of the best. Hope you're hungry. [caption id="attachment_719307" align="alignnone" width="1920"] Chris Crerar.[/caption] STILLWATER — LAUNCESTON Stillwater is quite possibly the best-known restaurant in Tasmania. Situated on the edge of the Tamar River in Launceston — and set within a restored 1830s flour mill — the space is cosy, with warm lighting and timber furnishings, and boasts stunning views. The seasonal menu is a love letter to the island state, celebrating fresh, local produce and the region's best vineyards, distilleries and brewhouses. Our tip: opt for the Arras sparkling, which some might call Australia's best answer to Champagne, paired with flavour-packed seafood dishes like the fresh Moulting Bay oysters or the Tasmanian blacklip abalone with whipped tofu, brown butter ponzu, enoki and avruga caviar for a particularly indulgent experience. A visit on a clear winter day is something special — not only will you get a great view over the water, but be treated to the spoils of a Tassie winter. Expect a menu that makes the most of the abundant and rich produce available in winter like cauliflower, beetroot and brussels sprouts along with treats like oysters and black truffle. TEMPLO — HOBART Tucked away in the back streets of Hobart, Templo is all about intimacy. Which makes it a dream find on a cold winter night. Eating at this 20-seat restaurant feels as if you're at a friend's dinner party, with the exposed brick walls, low hanging lights and close quarters creating a warm atmosphere and cheerful vibe. Choose from a concise list of unique wines, and look to the large blackboard for the ever-changing, seasonal food offering. But while the dishes rotate often, they have a consistently Italian flair to them that's unmistakable and are all made with the freshest produce. If it's available, the gnocchetti with crunchy fried bread will knock your socks off. While seemingly simple, Templo is about shared food, unique wines and a solid communal vibe, making it a charming neighbourhood stalwart and an absolute must during Tasmanian winters. FRANKLIN — HOBART There's a confidence to Franklin that's reflected in every aspect of the restaurant. The contrast of the raw, exposed concrete interior and the soft kangaroo hides and heated floors (which are a real godsend when you step in from the cold) elevates the large space from a classy wine bar to something unexpectedly elegant. Housed in an old Ford showroom within Hobart's historic Mercury Newspaper Building, Franklin is the epitome of industrial-chic. And it's not just the interior design that's special — the food is distinctive, too. With one of Australia's most talented young chefs, Analiese Gregory, and a ten-ton woodfired scotch oven both in the open kitchen, the restaurant serves a menu featuring a made-from-scratch mentality. Everything occurs on-site — whole beasts are broken down, bread is baked daily, cheeses are made and meats are cured. It's a feast for both the eyes and the tastebuds that truly champions local produce. GERONIMO APERITIVO BAR AND RESTAURANT — LAUNCESTON The second you walk into Launceston's Geronimo Aperitivo Bar and Restaurant, your winter blues will disappear. Packed with old-school charm, the space is adorned with Carrara marble, recycled timber, Greek metals, Italian ceramics and lots of warming Euro food on every table. Each dish is designed to share, so it's best to cosy up with some mates and order up. When it's cold outside you'll want to make a beeline for the confit duck leg — which is spiced with orange and star anise and comes with hazelnuts and cabbage — or maybe the fried polenta dumplings and a serve of winter veg. The bar's cherry-tinted take on the manhattan will send you home warm, full and slightly boozed. DIER MAKR — HOBART Dier Makr is made for winter. Broody and a little bit dark, the eatery sits within a large, nondescript, grey building. It doesn't exactly scream "this is one of the best restaurants in town" — but that's beside the point. Once you've found your way inside, you'll find a sleek, intimate bistro and bar where a playful degustation menu will take you on a journey of the senses. Try the seared mussels with chicken fat and mizuna-spiked golden ale. And opt for the cauliflower cooked so many different ways — you'll never look at the humble vegetable the same. Dier Makr is all about showing off the best Tasmanian produce, with a selection of natural and minimal intervention wines to match. Plus, there's a walk-in cellar if you want to bring back a souvenir. Top image: Stillwater, courtesy Tourism Tasmania and Rob Burnett.
UPDATE: NOVEMBER 6, 2019 — We knew that ABC's perennially popular music quiz show Spicks and Specks was making a comeback with the OG crew, and now we have an air date. It has been announced that the first of four specials will hit small screens at 7.40pm on Sunday, November 24, as part of the network's Ausmusic Month celebrations. The other three will drop sometime in 2020 — we'll let you know when dates are announced for those, too. What's better than watching a heap of top Australian talent sit around and talk about music? Watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind ABC TV show Spicks and Specks, which took a few cues from the UK's Never Mind the Buzzcocks, pit Aussie musos and comedians against each other, and has proven a hit several times over. A weekly favourite when it first aired between 2005–2011, it just keeps coming back — and is about to do so again for four brand new specials. When the program was first revived back in 2014, it returned with a new host and team captains. This time, it's going back to the original lineup. That means that Adam Hills, Myf Warhurst and Alan Brough will all step back into the quiz show realm yet again. When the trio did just that back in 2018, for a one-off reunion special, it became the ABC's most-watched show of the year. Unsurprisingly, that huge response played more than a small part in inspiring this new comeback. If you're already eager to show your own music trivia knowledge and play along — we all know that's as much a part of the Spicks and Specks fun as seeing the on-screen stars unleash their own skills (or lack thereof) — then look out for the first special this November. It'll air on Sunday, November 24 as part of the ABC's network-wide celebration of Ausmusic Month, and it'll naturally focus on all things local. Then, at some point in 2020, three more specials will hit the airwaves. The Spicks and Specks crew obviously hope you're feeling suitably retro, with each show focusing on a different decade — the 90s, then the 00s and finally the ten-year period we've all just lived through. And, if you need a refresher, this comedic chat about a Star Wars Christmas album will do the trick: https://www.youtube.com/watch?v=4KNMtDu7TAY Spicks and Specks will return to ABC TV on Sunday, November 24 at 7.40pm and then again in 2020. We'll keep you updated with exact dates when they come to hand.
The Salvation Project is a dramatic musical performed by an amazing group of Griffith University Applied Theatre students, reportedly confronting and enthralling at the same time. Bringing together conflicting images by juxtaposing beauty and savagery, this theatrical production touches on White Australia's relationship with the Australian landscape and its future. Exploring the blood-soaked soil of our distant past, The Salvation Project aims to reveal the possibilities of the future, and determine what is destined for Australia in the heat-haze of the horizon. The Salvation Project is conceptualised and directed by Linda Hassall.
With all of its crushing, heartbreaking weight, grief is rarely far from cinema screens. Still, even in the most thoughtful and personal film, it's an emotion that can be difficult to convey. There's such an immense difference between watching characters going through the process of mourning and actually coping with intense sorrow yourself that, when a movie gets it wrong, it's noticeable. When a movie gets it right, however, it hits with the force of a sledgehammer. Foxtrot is one of those elusive pictures: inventive, immersive and absorbing from start to finish, and so accurate in its portrayal of loss that the story feels as though it has been ripped from reality. Although inspired by writer-director Samuel Maoz's own experience in a tangential way and confronting the very real situation in Israel, it's in fact a work of fiction. It's also an astonishing piece of cinema. When a knock at their Tel Aviv door interrupts an otherwise ordinary day, Michael (Lior Ashkenazi) and Dafna Feldmann (Sarah Adler) automatically expect the worst. With their son Jonathan (Yonaton Shiray) currently completing his compulsory military service, they've been dreading this moment — and when officials deliver the news that no parent ever wants to hear, their world falls apart. The Feldmanns' shock is only the beginning of Foxtrot's story, with Maoz exploring the situation across three separate parts. After first riding the wave of grief, the film jumps backwards to spend time with Jonathan as he conducts border patrols at a remote desert outpost, before returning to the family's apartment some time latter. True of this movie perhaps more than most, where Foxtrot heads is best discovered by watching. The film's title refers to a dance as well as a military codeword, and as appropriate as the latter obviously is, it's the former that proves an apt description of this fluid foray into devastating territory. Like the fleetest of footsteps, every move Maoz makes shapes the movie's overall rhythm and keeps viewers enthralled, with actual dance sequences, surreal interludes, and eye-catching animation all part of the show. They mightn't sound like standard ways to explore bureaucracy, mourning and the many difficulties of living in a state of perpetual conflict — or to make plain the film's clear anger about life in modern-day Israel — but, in an extraordinary feat of cinematic choreography, absolutely nothing is wasted or unnecessary. The same description applies to Foxtrot's trio of central performances, for what's a dance without skilled performers moving to a beat? When Michael is riddled with deep-seeded fury, Israeli veteran Ashkenazi makes every glare in the character's eyes as explosive as his actual outbursts. When Dafna is so overcome with sadness that she can barely even speak, French talent Adler expresses a world of hurt in even the slightest of gestures. And, while newcomer Shiray could've just played Jonathan as a regular youth in a tricky situation, his portrayal is every bit as affecting and textured as the work of his older co-stars. Painting a portrait of a young man grappling with forces beyond his control and troubles of his own, Shiray serves up a disarmingly naturalistic turn that's crucial to the movie's shattering impact. Indeed, Foxtrot asks the audience to stare at its main cast harder than most films; to feel their aching hearts, to dive into their despairing minds, and to experience their unshakeable sorrow. Maoz doesn't just call upon his actors to attract attention, though, but ensures that every meticulous shot reflects the characters' internal states. Through camera placement, composition, colouring and every other visual tool in the filmmaker's arsenal, the movie's images sear themselves into viewers' brains as well. While this is only Maoz's second picture, that's his modus operandi — intimacy, intricacy, heightened emotions, awe-inspiring images and topical issues, all intertwined. It has been nearly a decade since he drove a tank through the international cinema scene with his gripping debut Lebanon, which was set during the country's 1982 war and confined its view of the conflict to the inside of a tank. But this exceptional follow-up was well worth the wait. https://www.youtube.com/watch?v=K6o5WPcCgT0
With restaurant doors closed to dine-ins and weekend getaways on hold, lots of Victorian producers are living life on the back foot right now. But of course, there's always room in your life for some locally made or -grown goodies, pandemic or otherwise. And now, you can find countless ways to support our homegrown heroes from the comfort of your couch, with the Victorian Government's new Click for Vic campaign. This new website's all about celebrating Victorian businesses and encouraging users to continue shopping local via a curation of online stores. Scroll through to find a handy edit of local booze brands, coffee merchants, fashion retailers, makers and creatives, food producers and more. You can hone in on giftwares to find that special pressie, take a virtual shopping tour of your favourite weekend destination, or browse a selection of eateries offering takeaway and pick-up fare. [caption id="attachment_775941" align="alignnone" width="1920"] Maha on Providoor[/caption] Click for Vic's also partnered up with a handful of other specialised sites to help keep Melburnians connected to their local producers, all of which can be accessed here as well. The Regional Pantry's online store is stocked with a range of goodies from all Yarra Valley producers, while High Country At Home showcases products from across the High Country region, along with expert-led virtual experiences like gin appreciation sessions and cooking classes. Co-Lab Pantry is slinging ready-made meals and pantry staples from a lineup of much-loved Melbourne venues, and over at Providoor, you can order chef-prepared dishes from favourites like Supernormal and Bomba, designed to finish and devour at home. Plus, you'll find a sprawling selection of homewares, gifts, fresh produce, booze and more, to browse and buy online from the Victorian Country Market website. Set up like a virtual marketplace, this one's easy to shop by category or region, with a broad lineup of offerings promising hours of retail therapy. Shop a huge range of local wares by heading to the Click for Vic website. Top images: Co-Lab Pantry
Founded by twins Cam and Chris Grant back in early 2017, Unyoked's tiny houses have been in high demand since the outset. There are 13 cabins across NSW, Victoria and Queensland, including one designed by Matthew McConaughey. All properties have been placed in secret patches of wilderness, in the middle of nowhere, allowing you to escape all the hustle and bustle of the city. The off-the-grid experience brings you the convenience and comforts of four solid walls, alongside the adventure, spontaneity and closeness-to-nature of camping. Unyoked's ethos is to connect back with nature to help unplug, alleviate stress and anxiety. Each cabin is designed to make you feel like you're part of the surrounding landscape, too. Think timber, oversized windows, solar power, composting toilets and a blissful lack of wi-fi. At the same time, though, simple comforts are taken care of, so you get a cosy bed, kitchen appliances, firewood, coffee, milk, herbs and the like. [caption id="attachment_745749" align="alignnone" width="1920"] Luisa Brimble[/caption] Images: Unyoked and Luisa Brimble
Seeing dinosaurs at Queensland Museum isn't new, but they aren't usually made out of Lego. From Friday, December 8, 2023–Sunday, July 14, 2024, however, the South Brisbane venue is saying welcome to... Jurassic World by Brickman, which gets building with plastic bricks based on the Jurassic World movies. Can't wait to see how more than six million Lego blocks have been used to create the four-metre-tall park gates, the lab where the dinosaurs are genetically engineered, those instantly recognisable jeeps, a heap of creatures and more? Life has found a way to get you a sneak peek the night before the exhibition opens. On Thursday, December 7, QM is hosting an exclusive preview that'll have you pretending you're in the movies from 5.15–8.30pm. At this night at the museum — a night at the largest Lego exhibition in Australia as well — Lego and Jurassic World aficionados will meet Ryan 'Brickman' McNaught, aka the man behind the showcase. You'll also get insider knowledge from him at a Q&A. Attendance also includes a signed copy of the exhibition guide and a branded tote bag, but it doesn't come cheap, costing $189 per person. There'll be drinks and bites to eat as well, which you'll need to purchase on top — and you can't take them with you while you're scoping out Lego dinosaurs. Images: Anna Kucera.
Last week's Australian Interior Design Awards had us fawning over the most majestic new spaces and mentally redecorating our own little corner of the world. But they also seemed to capture something else — a more confident, unique sense of Australian style, all earth and light, outdoorsy and unfussy. The nature of the Australian aesthetic is fodder for an exciting mini-conference at this year's Vivid Ideas. In Australian Interiors, prominent voices in Australian design such as Sibella Court, Russel Koskela, Alice Blackwood and Rachel Castle will speak on their own practice, current style and future trends. Ahead of that, they talk to us about that big question, Australianness, and how it finds expression in design. Sibella Court Sibella Court is an interior stylist, product designer, historian, globetrotter and creative director who's designed some of our favourite Sydney spaces, such as Mr Wong, Palmer ? Co and The Fish Shop (pictured above). Do you think there is such a thing as a contemporary Australian aesthetic in interior design? Contemporary Australian design doesn't follow a trend; it is eclectic and a great mix of history and creation. Geographically, we are a shipping nightmare! Our lack of product access makes Australians more creative, resourceful and awesome. There’s an embracing of collaboration and a celebration of new and upcoming designers and artisans. Australian style is laidback, and our outdoors and surrounds are already so beautiful, we are a product of our landscape. What is the future for ‘contemporary Australian' interior design? What new trends do you see emerging? Australians have their finger on the (global and local) pulse when it comes to design. Perhaps due to our distance from the rest of the world we have a slight dose of FOMO! The lifestyle of Australia influences our design: a casualness and comfort to our style, as well as creatively experimenting with all sorts of different trends, without ever actually following a trend. Social media is a huge influencer of this, especially Instagram. It is a virtual portfolio, and everyone is watching. It’s a fantastic means of discovery of artists, designers and makers, and it lends itself to being the base of exciting collaborations. Russel Koskela Russel Koskela founded Koskela with his partner Sasha Titchkosky in 2000. They've become a fixture for minimal, sustainable, unique furnishings and Russel last year won both an Idea Award and Eat Drink Design Award for his designs. Do you think there is a contemporary Australian aesthetic in interior design? Yes I do, although I don’t think it’s completely definable. I think there is a relaxed casualness and playfulness to Australian interiors that reflects our climate and attitude. What is the future for ‘contemporary Australian' interior design? It’s very difficult to pick any trends as it’s almost like ‘anything goes’ at the moment. We really noticed this when we were in Milan earlier this year — there was something there for everyone. Even with colours it was almost impossible to pick trends. Alice Blackwood Alice Blackwood is Melbourne editor at Indesign Media, having last year completed a five-year stint as Editor of DQ (Design Quarterly) magazine. Do you think there is a contemporary Australian aesthetic in interior design? Absolutely there is. The way we live and the built environments in which we live directly reference Australia's unique natural environment, our climate, lighting, lifestyle, cultural habits and more. Our love for the outdoors, for example, is hugely influential on our approach to interior design, that creation of a seamless transition between indoors and out being a common element among most contemporary Australian spaces. If I had to apply a general descriptor to the Australian aesthetic, I would say, natural, honest materials; open spaces that allow for lots of natural light; clean, uninterrupted lines (moving away from poky, old Victorian spaces), and open-plan spaces that integrate kitchen and living into one. What is the future for ‘contemporary Australian' interior design? I tend to question, are we capitalising on our local vernacular properly? I've seen a real push-pull among furniture and interior designers — some are keen to 'own' the Australian vernacular, while some feel pigeonholed by it (we are, after all, constantly fighting our 'tyranny of distance') ... In terms of emerging trends, having just come back from the Milan Furniture Fair, I saw a profusion of mixed material use, as well as natural material use, which I think resonates very strongly with our Australian aesthetic. Marble was hugely popular, the cold, beautiful, elemental 'feel' of it resonating strongly with Aussie designers already. Do you have a personal favourite bar or restaurant interior that nails ‘contemporary Australian'? At Indesign Media, we're loving Mocan and Green Grout in Canberra, which we covered recently on Habitusliving.com. It’s located on Capital Hill, and does coffee and bicycles, (how cool!). The interior fit-out features lots of beautiful timber joinery, it receives lots of natural light during the day. The fact that it also specialises in bicycles resonates strongly, I think, with our love for health and wellbeing, and being active outdoors! As well, there’s no denying the growing popularity for cycling and bike culture in Australia. Rachel Castle Rachel Castle of CASTLE designs and manufactures her own bedlinen and homeware range that is full of colour, life and non-boringness. Do you think there is a contemporary Australian aesthetic in interior design? I think these days its really hard to pinpoint a definitive Australian aesthetic. Its like asking us to define our Australian fashion; it's so varied. I think the explosion of interiors blogs and online imagery banks such as Pinterest have allowed anyone and everyone to evolve their own unique aesthetic. I think in general though, we all try to keep it quite relaxed and uncontrived. I think people now are as interested in what they put in their homes as what they put on their bodies, so its wonderful to see such an engaged audience. It's no longer necessary to pick and look and stick to it. You can read the mags, the books, go online, and start to really hone your own aesthetic and source it online, from anywhere in the world. If I had to define a style I would say its a very personal mix of natural materials and products, lots of handmade product, with pops of colour and tons of white for backdrop, and am loving seeing a resurgence for indoor plants! My personal favourite. What is the future for ‘contemporary Australian' interior design? I think we're going to see everything start to pare back a bit. There has been a trend for pattern and pattern and more pattern, which I personally love, but I think it can become a little overwhelming, so am seeing a lot more recently, in the mags especially, a simplistic, cleaner look. Metallics and blush are everywhere, which hello we love, and a softer colour palette with the neutrals and greys and pastels starting to emerge. Do you have a personal favourite bar or restaurant interior that nails ‘contemporary Australian'? I would have to say Kitchen By Mike [designed by and sharing space with Koskela]. Utilitarian, communal, friendly, warm and earthly. Yummy food too. Sibella Court, Russel Koskela, Alice Blackwood and Rachel Castle are all speaking as part of Vivid Ideas' Australian Interiors: Objects, Furnitures, Textiles from 10am - 2pm on Saturday, May 24, at the Vivid Ideas Exchange on Level 6 of the MCA. It's one of our picks of the top ten events to see at Vivid Ideas — check out the rest here.
The Thredbo Freestyle Series is one of the few comps on the planet that calls for skiers of all levels. Whether you carve it up like Lindsey Vonn or you’re still experiencing pride at your newly acquired snow ploughing skills, you can get in on the action. And let’s face it: the more variety there is, the more fun the spectators will have. Five events make up the series — Slopestyle, Ridercross, Big Air, Banzai off the Bluff and Rails — and they’ll be happening over the course of July and August. Winners will be announced in every event, and, at the end, an overall, out-of-control Freestyle champion will be crowned. To be a part of the first chapter of the affair — Rails — rock up at the Thredbo Tennis Courts on Thursday, July 17. At 3.30pm, you’ll be handed your bib; from 4pm, training will begin; and, at 5pm, skiers of all abilities, shapes and sizes will head to Friday Flat for the starting gun. Once darkness starts to fall, spotlights will take over, keeping visible the array of specially built course features and the athletes attempting to conquer them. Live DJs will be supplying the tunes. Don’t fancy competing? Just come along and watch — it's a visual spectacle worth dragging yourself out of the Rekorderlig Hot Pool for.
Donning a costume, going door to door and chirping "trick or treat" is a tried-and-tested way to celebrate Halloween. Watching spooky movies is another. Tucking into themed bites to eat while sipping cocktails to match is one more method of getting into the spirit of the occasion. And then there's simply putting pumpkins all over the place. In one manner or another, all of the above are part of Trick or Treat Little Stanley Street, the Halloween event that turns a stretch of South Bank into one of Brisbane's go-to spots to mark October 31. The annual street party first debuted before the start of the pandemic, then took a break, then returned in 2023 — and it's back again in 2024. This year's event runs across Friday, October 25–Saturday, October 26, from 5–9pm on both days, so you can begin your Halloween shenanigans before the eeriest date on the annual calendar. There's a trick-or-treat trail for kids — this is a family-friendly fest — but also plenty for adults, including hitting the precinct's eateries. Little Stanley Street's restaurants and bars will be serving up themed specials. The menu details haven't been revealed as yet, but past years have seen spooky sangria, bloody margaritas and a heap of pumpkin dishes on offer. If Halloween to you means scary movies — or films with horror themes that aren't necessarily fright-inducing — then you'll want to hit up the Little Stanley Street South Lawn during Trick or Treat Little Stanley Street. A big screen will be playing all-ages-appropriate titles such as Scooby-Doo, Monster Family, The Addams Family and Casper. Also part of the festivities: Halloween decorations everywhere, a ghost train, roving entertainment and craft workshops for the little ones. Attendance is free, but registering in advance is recommended if you're keen to head along.
They've been filling Sydneysiders' stomachs with amazing Italian meals for years, but it seems Otto Ristorante seek more northern palates. After conquering the New South Wales fine dining scene, the Woolloomooloo mainstay has expanded to Brisbane. Opening yesterday, Tuesday, June 15, at 480 Queen Street, Otto's appearance means you can try the eatery's modern take on Italian classics — and no, we're not just talking about the usual pizza and pasta set-up. Instead, you'll find Byron Bay Berkshire pork cutlets, eggplant parmigiana and butterflied spatchcock on the menu, plus a seven-dish tasting menu with optional matching beverages. Okay, so that all sounds good and delicious, but whether you eat meat or avoid it, your salivating is only beginning. Otto's signature whole roasted suckling pig for eight will keep the former satisfied, while their new vegan lineup caters for the latter. And there's a mighty nice wine list to go along with both, naturally. That's the food and drink side of the equation covered; however Otto isn't just about consuming scrumptious things. Setting up shop on the fourth level of one the Brissie CBD's most-awaited developments, it also features an exterior bar with killer river views, and access to the building's high-rise park. Otto Ristorante Brisbane is now open at 480 Queen Street. For more information, visit their website.
Another year, another rainbow-filled February and early March. And, now that the parade has unleashed 2022's fabulous lineup upon Sydney, another Mardi Gras has come to an end. Whether you made the trip down south to celebrate or partied along from home, it's been a big few weeks — which means that you might need to wind down at a Mardi Gras recovery pool party. The venue: W Brisbane, at the opulent hotel's fourth-level rooftop pool and wet deck area. The reason: adding another shindig to this vibrant time. The setup: DJ-spun pride anthems and vodka cocktails, all from 2–7pm on Sunday, March 13. On the decks, DJ ENN and DJ Nate will be keeping the vibe pumping. Luna Thicc, Sarah Problem and Stefani Stefani will also be adding performances to the afternoon and evening, too. Drinks-wise, you'll be choosing between the 'Stay Golden' (made with Absolut citron, finger lime, kaffir soda and edible gold paint) and the 'Loud and Proud' (with Absolut rainbow, berry cordial, coconut water and butterfly pea soda), all while tucking into char sui pork baos, lobster chipotle tacos and Philly cheesesteak rolls. Tickets cost $60, and bringing your togs is obviously essential.
Huge birthday, huge program, huge list of reasons to spend an entire year at the Sydney Opera House. Come October 2023, the iconic Australian venue will reach its 50th birthday, and it's doing what everyone does when it hits a massive milestone: celebrating for as long as possible. In fact, the Opera House is dedicating 12 whole months to its 50th-anniversary shenanigans, starting a year in advance. From October 2022, the acclaimed Sydney Harbour venue will kick off the festivities in the most fitting way — with From the Sails: Light Years, a nightly projection series featuring new art by Sam Doust and Art Processors, which'll adorn the structure's famous sails from Wednesday, October 19–Sunday, 30. Obviously, that's just the beginning of a hefty program, with the already-announced Amadeus starring Michael Sheen taking over the site's newly revamped Concert Hall from Tuesday, December 27, 2022–Saturday, January 21, 2023, too. Also on the bill: a full lineup that spans 230-plus performances, events and experiences, covering outdoor concerts, community events, First Nations storytelling, tours, public art, exhibitions and more, and happening in the venue's theatres, on its forecourt and online. From Thursday, October 20–Sunday, 30, that includes From the Steps: Voices at Dusk, which'll see local community choirs — as curated by resident company Sydney Philharmonia Choirs' Artistic Director Brett Weymark OAM — sing free open-air choral performances on the Opera House steps. Also outdoors, this time running from Thursday, November 10–Saturday, November 19, is a concert series at the Opera House's forecourt featuring Tim Minchin, New Zealand's Fat Freddy's Drop and two shows by Vance Joy. There'll be two free gigs, too — one dedicated to Yolŋu music and culture with Djakapurra Munyarryun, Dhapanbal Yunupingu, the Andrew Gurruwiwi Band and more on the lineup, and another that'll see Ngaiire and the Sydney Symphony Orchestra join forces. [caption id="attachment_871449" align="alignnone" width="1920"] Ngaiire[/caption] While Sydney Opera House hasn't unveiled the full program yet, with further events set to be announced in the coming months, the rest of the lineup so far features two big festivals: Inside/Out at the House and Open House Festival. The first will arrive at the beginning of May 2023, heroing performances by the London Symphony Orchestra, Australian Ballet, Sydney Symphony Orchestra, Sydney Philharmonia Choirs and Australian Chamber Orchestra. Each show will take place inside either the Concert Hall or the Joan Sutherland Theatre, but you'll also be able to watch in the forecourt, where they'll be broadcast to an openair cinema setup. At the second, Open House Festival will live up to its name across the entire month of October 2023. That means hosting performances, events and activities in every part of the Opera House, and also holding an open day where attendees can go exploring. [caption id="attachment_871446" align="alignnone" width="1920"] Ken Leanfore[/caption] Plus, Bangarra Dance Theatre will unveil the world premiere of a new production in June 2023, under incoming Artistic Director Frances Rings. Sydney Theatre Award-winning play The Visitors will receive a new staging, directed by Quandamooka man Wesley Enoch — and the Opera House will present Blak & Deadly: The First Nations Gala Concert in conjunction with Sydney WorldPride 2023. Also, the Central Australian Aboriginal Women's Choir (CAAWC) — which hails from six remote Indigenous communities in the Northern Territory — will unleash their vocals in the Concert Hall, German operatic tenor Jonas Kaufmann and an international cast will perform La Gioconda, and Mad Scenes by Jessica Pratt will showcase the Australian talent. [caption id="attachment_871445" align="alignnone" width="1920"] Daniel Boud[/caption] Marking a full-circle moment given that it was part of the Opera House's opening in 1973, Sydney Dance Company will stage three works. And, there'll be a revamped Opera House tour that highlights past performances and historic moments. Clearly, this year-long party is going to be massive — it's supported by the NSW Government's Blockbuster Funding initiative, and 'blockbuster' is the right word for it. [caption id="attachment_871453" align="alignnone" width="1920"] Prudence Upton[/caption] Sydney Opera House's 50th anniversary program kicks off in October 2022 and runs for a year. For more information, head to the Sydney Opera House website. Top images: Prudence Upton / Keith Saunders / Anna Kacera.
It's happening again: in response to a new community case of COVID-19 in Brisbane, other states are changing their health advice and border requirements. So, if you're a Brisbanite planning to head south soon, you're located elsewhere and you'll soon be travelling to the Sunshine State, or you've recently journeyed from the latter to another state, you might have some new rules to adhere to. New South Wales has issued two pieces of health advice. The first from NSW Health says that anyone who is in the state and has been in Brisbane or the Moreton Bay area since Saturday, March 20 should abide by the requirements outlined by Queensland Health regarding venues visited. It also advises that anyone who falls into that category and went to Mamma's Italian Restaurant in Redcliffe from 12.30–3.10pm on Sunday, March 21 must get tested immediately and go into isolation for 14 days. As noted in the second alert, NSW Health now requires anyone who has been in Brisbane City Council or Moreton Bay Regional Council areas in the past fortnight and enters NSW from 12.01 am today, Saturday, March 27, to fill out a passenger declaration form — which includes confirmation of whether you've visited any venues of high concern. And if you have been in a venue of high concern as listed by Queensland Health, you should not enter NSW at all. https://twitter.com/NSWHealth/status/1375392223844429825 Victoria has mandated that anyone who has entered the state from Brisbane and Moreton Bay since Friday, March 12 needs to immediately self-isolate, get tested within 72 hours and stay isolated until they receive a negative result. It's imposing this rule strictly, with Brisbanites who'd travelled to Geelong for the Brisbane Lions versus Geelong AFL match on Friday, March 26 asked to leave the ground when the new requirement came into effect. Brisbane and Moreton Bay have also been designated an orange zone under Victoria's traffic light travel permit system. That means that if you're entering Victoria from the area, you have to apply for the appropriate permit. And you won't be given one if you have COVID-19 symptoms. Upon arrival in Victoria, you'll also have to self-isolate immediately, get a coronavirus test within 72 hours of arriving and stay in isolation until you return a negative result. https://twitter.com/VicGovDH/status/1375358820634013696 How long these new border requirements will apply hasn't been revealed. Other states have similar rules in place, with Western Australia mandating that anyone who has arrived in WA from Queensland since Saturday, March 20 and visited any of the affected locations during the relevant times must get tested immediately for COVID-19 and self-quarantine. The ACT requires 14-days of quarantine for arrivals from Greater Brisbane since Saturday, March 20 who visited any of the close contact exposure sites, and testing and self-isolating until receiving a negative result if you've arrived in the same period but haven't been to any of the places listed. Tasmania won't allow entry from folks who've been to sites in Brisbane now deemed high risk, and everyone else who has arrived from Brisbane and Moreton Bay since Monday, March 8 is asked to monitor for symptoms. The Northern Territory requires anyone who has been to a high-risk venue to get tested within 72 hours and isolate until receiving a negative result, while South Australia is yet to update its travel advice. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Like eating? Like South Bank? Then you're going to love the combination of the two. Yes, it's Regional Flavours time again. If you haven't made it along to the inner-city precinct's signature food and wine festival over the past seven years, don't make that same mistake again. For two days, the length and breadth of the parklands will become a culinary wonderland, complete with themed spaces for all of your favourite taste sensations. At Queensland Taste, you'll find wine and cheese samples, market stalls and live music. At The Hunting Club on Saturday and Sunday, you'll find all things meat matched with beers. Plus, there will be areas dedicated to dessert and picnics. Along with all this, there will be classes, demonstrations and presentations from chefs such as George Calombaris, Darren Purchese, Jocelyn Hancock and Darren Robertson. If you just feel like feasting, there will be a long line of produce stalls and food trucks serving up meals.
They say a picture is worth a thousand words, and when it comes to press photography, the adage rings true. News stories accompanied by striking imagery always stand out above the rest. The best photojournalists prove that the camera can be mightier than the keyboard in getting to the essence of an issue. Every year, the Nikon-Walkley Awards for Excellence in Photojournalism recognise the best in the field, and every year, the cream of the crop feature in a corresponding photography exhibition. 2014's finalists and winners are now touring the country. Latest stop: Brisbane. The 2015 Nikon-Walkley Press Photography Exhibition revisits the snaps that didn't just make headlines, they made people read the headlines, and the corresponding articles, too. From media moguls arguing to cricket bats breaking, this is a photography show combined with a time capsule, showcasing the outstanding moments in sports, daily life and news reportage captured over the past 12 months with stunning artistry. Image: Sylvia Liber, Illawarra Mercury, Little Princess.
Enjoy a European cheese experience without leaving Brisbane at Milton's French-inspired fromagerie. Located just near the Eiffel Tower replica on Park Road, Fromage [the Cow] do it all from breakfast through to dinner — and with a pretty stellar coffee offering and a deli counter full of cheeses to choose from, you may well find it hard to leave. Of course, you can't go past the fondue neuchatel and it's feast of gooey goodness. A cob loaf is filled with gruyere, provolone and parmesan, plus a white wine sauce, and you get breads and crudités to dip into its molten depths. Share it with a mate to halve the cheese guilt.
Heisenberg Haus is a family owned German-style restaurant set Set in Ipswich's Top of Town precinct. Pull up a seat at one of the communal tables, order a beer and a pretzel, and later on maybe grab a serving of käsespätzle, which, if you haven't had it before, is a big ol' gooey serving of wheat dumpling noodles, fried onion and cheese. Lots and lots of cheese. This dish is a long-cherished chalet staple — and while it's not Arctic weather, the chill of a Queensland winter is reason enough to indulge, don't you think?
If ever an event could straddle the line between gross and fun, it's this one. For 35 years, the Story Bridge Hotel has commemorated Australia Day by seeing if one scurry pest could outrun another. It all started as a bet between friends back in 1981, and now it's an annual party. And yes, it's something that every Brisbane resident really must experience for themselves at one point or another. 14 races, complete with a steeple chase, is just the beginning, with live music, street entertainers, costume contests and food trucks all part of the action. Basically, it's a great excuse to throw a shindig without worrying about pest control.
It was true in 2023 and it's set to prove the case again in 2024: if you can't find something on the SXSW Sydney lineup for you, you aren't looking hard enough. Want to enjoy the massive tech, innovation, screen, music, games and culture festival, but saving your pennies? That's where its free Tumbalong Park hub comes in — and it too is returning for another year. When SXSW Sydney runs its second fest across Monday, October 14–Sunday, October 20, it'll also host its second public program at Darling Harbour. Here, it doesn't matter if you're also heading to the music festival or the screen festival, trying to catch as much of the entire event as possible or aren't paying for any SXSW tickets at all. Whichever fits, you can check out more than 60 hours of free entertainment, including tunes, talks and movies. [caption id="attachment_953722" align="alignnone" width="1920"] Jaimi Joy[/caption] Just-announced highlights include Silverchair's Ben Gillies teaming up with songwriter Tushar Apte and futurist Johannes Saam, which ticks both the music and tech boxes; a 60th-anniversary screening of iconic surfing film The Endless Summer, hailing from the screen portion of the program and including an after party; and a day-long showcase of Indian creativity to wrap up the fest, with +91 Calling! featuring an array of different music genres. Attendees can also catch Bush Shorts, a selection of short films by Australia's First Nations and Indigenous talents; conference talents getting chatting at Meet the Speaker sessions; an innovation showcase that's all about rockets, robotics and more; and a Fortnite competition for high schools. On top of all of this, there will also be food trucks, plus pop-up activations from a range of brands — and yes, the Suntory -196 Extreme Vending Machine will be back. [caption id="attachment_953715" align="alignnone" width="1920"] Ian Laidlaw[/caption] SXSW Sydney's lineup drops are in full swing, after a first batch came in May, then a second round in June. In July, the fest revealed not one, not two, but three rounds of additions to its 2024 program. Also on the bill across the rest of the fest beyond the free Tumbalong Park hub: Australian The New Boy filmmaker Warwick Thornton, The Babadook composer Jed Kurzel, the UK's Jorja Smith on the 'Be Honest' musician's Australian tour, human rights lawyer Jennifer Robinson, author Johann Hari, Australian race car driver Molly Taylor, pianist Chad Lawson, Westworld's Luke Hemsworth hosting a session about the Tasmanian tiger and Aussie astronaut Katherine Bennell-Pegg. Or, get excited about Heartbreak High star Ayesha Madon, cricketer David Warner, Mortal Kombat director Simon McQuoid, TikTok marketing head Sofia Hernandez and documentary Slice of Life: The American Dream. In Former Pizza Huts, about the new uses of former Pizza Hut buildings across America. There's still more where they came from, plus more to come. [caption id="attachment_953724" align="alignnone" width="1920"] Jaimi Joy[/caption] [caption id="attachment_953717" align="alignnone" width="1920"] Paul McMillan[/caption] [caption id="attachment_923290" align="alignnone" width="1920"] Brendon Thorne/Getty Images for SXSW Sydney[/caption] SXSW Sydney 2024 will run from Monday, October 14–Sunday, October 20 at various Sydney venues, including Tumbalong Park, 11 Harbour Street, Sydney. Head to the SXSW Sydney website for further details. Top image: Brendon Thorne/Getty Images for SXSW Sydney.
If you're a lover of contemporary art, there are two things you've probably found yourself in repeated fights over. Firstly, why a canvas with naught but a single monotone colour deserves to hang in a gallery and, secondly, why live art is more than just 'crazy for the sake of crazy'. So, the artist nailed his arm to a wall? It's about politics. She had all her clothes cut off by strangers? Gender. It's an artist's job to test the bounds of acceptance and cover unchartered ground, but some artists are notorious for taking that extra step into the unknown. We thought we'd take a look into the extreme history of the artform — the highs, the lows, and all the wilfully mutilated body parts. (TW: self harm and sexual content.) Pyotr Pavlensky nailed his testicles to some cobblestones November last year saw millions of men sympathetically shift in their seats as Russian performance artist Pyotr Pavlensky drove a decent-sized nail through his scrotum and into Red Square. After receiving worldwide attention (that headline is clickbait in any language), Pavlensky stated his actions were a form of political protest against Russia's ever-increasing "police state". "The performance can be seen as a metaphor for the apathy, political indifference and fatalism of contemporary Russian society," he said. Such tactics were not new to this ballsy artist either as 2012 saw him sew his mouth shut in support of the recently imprisoned Pussy Riot. It's one way to get people talking, but at what cost? Vito Acconci hid under gallery floorboards while masturbating While we're on the topic of male genitals, it's definitely worth bringing up American artist Vito Acconci and his seminal work 'Seed Bed' (pun entirely intended). First performed in 1972 at New York's Sonnabend Gallery, this controversial and generally well-regarded work involved the artist hiding under a makeshift ramp in the gallery space and masturbating for eight hours a day. While it outwardly seems like the engineered scheme of a sexual deviant, the work is famous for being enormously effective on its audience members. While standing in the desolate gallery space, gallery-goers could hear Acconci murmuring explicit sexual thoughts via a loudspeaker, and were uncomfortably conscious of his presence under their feet. 'Seed Bed' has since been re-performed by Marina Abramovic in a very welcome inversion of the original work's testosterone overload. Marina Abramovic stared at thousands of strangers in silence until they cried This woman is the queen of all things performance art. Aside from taking on 'Seed Bed', she has a wealth of her own legendary artworks including 'The Artist is Present', a piece that inspired a documentary in its own name. For 736 hours and 30 minutes, Abramovic sat in silence at the Museum of Modern Art staring at whoever sat opposite her. The piece proved so cathartic for audience members it has spawned not only a film, but a fan blog called Marina Abramovic Made Me Cry — the artwork had this effect on the artist herself too when her ex-lover came to visit. Don't be fooled though; Abramovic is tough as guts. In her work 'Rhythm 0' she had audiences inflict pleasure and pain on her body with objects including honey, a scalpel, a rose, and a loaded gun; and in 'Rhythm 10' she played a Russian knife game dodging her fingers with 20 knives in quick succession. There are a lot of men in live art, but this woman may be the most hardcore there is. Tehching Hsieh punched a time clock every hour, on the hour, for a year Abramovic has described Hsieh as a "master" of the form. He's done the dirty stuff — he lived alone in a wooden cage unable to read, write, or listen to radio or TV for an entire year. He then went the other way — wilfully living outside for another whole year. But in the time in-between, he undertook 'Time Clock Piece'. From 1980-1981, Hsieh punched a factory-style time clock every hour, on the hour. After shaving his head at the outset, the artist took a photo of himself each hour and the subsequent documentary evidence, as the hair grows and grows, shows a passing of time equal parts beautiful and woefully depressing. Santiago Sierra tattooed these women's backs in exchange for heroin It's impossible to be indifferent to the kind of work that Sierra does. With most pieces including people from disadvantaged backgrounds in less than desirable positions, to many the art looks a lot like exploitation. In '160cm Line Tattooed on 4 People', Sierra found four heroin-addicted sex workers who were willing to have their backs tattooed in exchange for a single shot of heroin. While on the surface this seems outright despicable, the self-aware nature of the act did serve as a counter-point for many. After all, structures of power can never change if they aren't first exposed. Taras Polataiko had women contractually obliged to marry strangers In the live art piece 'Sleeping Beauties', Ukrainian artist Taras Polataiko found five female volunteers to feign sleep in an art gallery and endure the kisses of thousands of strangers. And here's the kicker: if they ever opened their eyes after a smooch, they were contractually obliged to marry the kisser. The agreement stood for gallery-goers too — in order to gain kissing privileges you had to present a valid ID and sign a legal document promising you to marriage. The performance ended on a meaningful note however, as the beauty opened her eyes to find a woman's lips. As Ukraine still hasn't legalised same-sex marriage, the work raised important questions about the issue and thankfully gave the participants a loophole to wriggle out of . Chris Burden was crucified to a Volkswagen There's nothing artists love more than a good crucifixion to dredge religion up in their work. If you thought Madonna jumping on a cross for a music video was out there, in his 1974 work 'Trans-fixed', American artist Chris Burden actually crucified himself to a Volkswagen Beetle. For no immediately apparent reason, either. The car came out of a garage for two minutes, revved a little, then returned inside. Obviously he was never one to shy away from pain. In 1973's 'Through the Night Softly' he got down to his underwear and crawled through glass, and in his aptly-titled 1971 work, 'Shoot', he was shot point blank in the arm with a rifle. More power to him. Joseph Beuys spent three days in a small room with a coyote The creeper to inspire all creepers, Joseph Beuys was an influential German artist whose 1974 work 'I Like America and America Likes Me' consisted of him skulking around a gallery in New York with naught but a coyote, some straw to sleep on, and a disturbing get-up that made him look like a gothic shepherd. He was taken from the airport via ambulance, never having stepped on American soil and stated of the work, "I wanted to isolate myself, insulate myself, see nothing of America other than the coyote." Once his time was up, he shared an awkward hug with the somewhat domesticated creature and boarded a plane home. Mike Parr had his lips, eyes, and ears sewn together The only Australian addition to this list, Parr has made a name for himself in the field of self-mutilation. This six-hour endurance piece, 'Close the Concentration Camps', was done in protest to the prolonged detention of asylum seekers during the Howard era, and has a disquieting resonance to this day. In 2002 there were reports some detainees had sewed their mouths shut in protest, but the trauma felt very distant to many Australians. Parr's act of solidarity at the Monash University Museum of Art brought this violence uncomfortably to the fore. Francis Alys enlisted the help of 500 volunteers to move a sand dune 10cm to the left One of the main arguments people have against modern art is that it's inconsequential, and Francis Alys' work certainly makes a good case for them. In his most-famous piece, 'When Faith Moves Mountains', this Belgian artist took to the outskirts of Lima and recruited 500 people to move a sand dune, one shovel at a time, slightly to the left. In response to intense confusion from everyone in the world, he responded, "Sometimes making something leads to nothing, sometimes making nothing leads to something." Artists are nothing if not riddlers, I guess.
Feel a hankering for some chortles, but also watching your budget? Trying to squeeze in as many laughs as possible into your life in general? Keen to finish your working week with some chuckles? Eager to celebrate quittin' time for the week somewhere other than the bar closest to your work? All of the above situations are catered for at Brisbane Powerhouse's returning free comedy night Knockoff. A favourite over the years — and at the Brisbane Comedy Festival — it's popping up again from 6pm on Friday, November 19 to help you kick off the weekend in the funniest way possible. This time around, get ready to giggle along with Angus Gordon, Ting Lim, Chris Martin and Shad Wicka, plus Emma Zammit on MC duties. Just head on down to the New Farm spot and prepare to get your funny bone tickled on Powerhouse's Turbine Platform for 60 very amusing minutes.
With 24 percent of London's rush-hour traffic now made up of cyclists, the call for infrastructure upgrades is growing louder. Following the deaths of six cyclists within a fortnight last November, more than 1000 concerned riders staged a 'die-in' outside the Transport for London headquarters in mid-December. Now, architect and cycling fan Lord Norman Foster is proposing a solution: the SkyCycle. It's 135 miles (or 217km) of car-free cycle paths that would be built in the air, supported by pylons, at a height of three storeys, above the routes established by London's current railway lines. Fifteen metres of width would handle up to 12,000 cyclists every hour. More than 3 million people would live and work within ten minutes' of one of SkyCycle's 200 access points. "It's a lateral approach to finding space in a congested city," Lord Foster said. "By using the corridors above the suburban railways we could create a world-class network of safe, car-free cycle routes that are ideally located for commuters." SkyCycle is a collaboration between Foster and Partners, Space Syntax and Exterior Architecture. Space Syntax director Anna Rose compared the system's potential to that of previous major infrastructure changes that have "transformed the fortunes" of London. "Bazalgette's sewer system helped remove the threat of cholera to keep London at the forefront of the Industrial Revolution; the Underground strengthened London's core by making long-distance commuting possible," she said. "SkyCycle is conceived in this tradition as a network of strategic connections from the suburban edges to the centre, adding the much needed capacity for hundreds of millions of cycle journeys every year with all the social, economic, environmental and health benefits to London that follow." However, London is not the final stop. Sam Martin of Exterior Architecture told the Guardian that SkyCycle's ambition is, ultimately, international in scope. "The dream is that you could wake up in Paris and cycle to the Gard du Nord. Then get the train to Stratford, and cycle straight to London in minutes, without worrying about trucks and buses." The catch? The usual — time and money. The current projected cost is £220 million and the construction period is up to 20 years. In the meantime, however, Londoners have been taking advantage of their new cycle super highway. Via Inhabitat.
Exercise should be fun. It is a great way to feel fit and fresh and make new friends along the way. Running on that treadmill can be repetitive though, and by now you are probably zoned out of Zumba. So we're all ears to new workout options and technologies that can rejuvenate our routines. Thankfully, creative trainers all across the world have been hard at work creating the next big thing for you and your friends to throw yourselves into. These weird trends are taking over gyms, parks and post-workout coffee discussions everywhere. Want the endless energy to conquer whatever heights a new workout takes you to? We recommend you get fitted in the latest Boost technology found in the Adidas adistar Boost, available in limited release from our friends at the Athlete's Foot. Bokwa Where: Nationwide Dance-inspired fitness classes show no sign of fatiguing any time soon, and Bokwa is the latest craze stepping out onto the floor. Bokwa is cardio with a culture, fusing conditioning with customary African dance to create a full body workout that will leave you craving more. The best part is you can be as uncoordinated as you like and still join in, with the steps all spelling out basic numbers, letters and words. So basically if you have read this far into the article, you can Bokwa. Virtual Reality Cycling Where: Athlete Lab, Sydney and Best Practice Personal Training, Brisbane Virtual Reality cycling takes cyclists on a virtual vacation from inside their own gym. The class utilises a large projector or screen display to simulate scenery and environments from all across the world to crash through the cycling constraints of the four walls surrounding exercisers. Whether you are peddling the pavement in New York or assailing the Alps, you will find yourself working up a serious sweat whilst dodging cars without the danger. TRX Suspension Training Where: Fitness First centres across Australia or your own home TRX Suspension Training is ready to get you navy-fit anywhere, anytime. All you need are suspension bands and your own body weight to perform a rewarding resistance workout that caters to all levels of fitness and gets you fit for whatever life throws your way. You do not even have to pay for a gym membership as the bands can be put up anywhere from your bedroom to the local park. Bingo! Quidditch Where: Across Australia Yes, you read correctly. Quidditch is taking over the world as Harry Potter fans look to keep the magic going. There is no need to have read or seen any of the books or films to take part though, with all equipment, including your very own broomstick, supplied and rules very easy to pick up. Once you embrace looking silly alongside everyone else, you will probably end up having the best time you have ever had with a broomstick between your legs. So lace up those runners, mount up and seek that snitch. Street Workouts Where: Anywhere outdoors Street workouts provide you with the best opportunity to head outdoors for your exercise this winter. This workout emphasises the utilisation of public facilities and your surrounding environment. You could do activities such as pull-ups on the monkey bars, dips on the park bench and jumping over obstacles, parkour style. Plus, it is all for the price of free. Extreme Obstacle Courses Where: Nationwide Whether you want to be a Tough Mudder or a Spartan Racer or both, there is an extreme obstacle race out there waiting for you to conquer it. These gruelling courses stretch up to 20 kilometres and allow you to test all elements of your endurance as you crawl through mud, swing over pools and climb over walls. Then they zap you with live wires, just to make sure your heart is in it. It is all worth it at the end, though, as you are rewarded with that glorious sense of athletic achievement and personal pride. Backwards Running Where: Outside Backwards running is the process of running backwards. See, it is nice and simple. Aside from being a fun way to imagine the world in reverse, it also is said to be good for your fitness, as it can improve your balance and take the strain off muscles used in that boring forward running. This is a good time to pull on a pair of adistar Boosts, as the extra cushioning in the sole provides support for the heel when running backwards. Check out this clip for some motivation. One to try on a track very clear of obstacles. Cycle Karaoke Where: Currently only the US Cycle Karaoke — or Cyclaoke, as we have taken to calling it — finally provides an opportunity to sing your way into shape. It aims to get you exercising at your optimal heart rate, so if your rendition of Queen's 'Bicycle Race' is proliferated with panting, then you should ease off a little. Then again, if you are belting out 'Eye of the Tiger' with ease then you really need to focus on your pedal power rather than your power ballad. Either way, it is exercise at its embarrassing best. Antigravity Yoga Where: Nationwide Ever wondered what it would feel like working whilst airborne? If so, then antigravity yoga is for you. By settling into a supportive silk hammock you can exercise off the ground and remove a significant amount of stress from your body. Combining elements of yoga, dance and the aerial arts, it will help you form a concrete core as you have fun learning to fly. Man Versus Horse Marathon Where: Wales, United Kingdom If none of these are for you, though, and you want the ultimate challenge, then you should race a horse. The annual Man Versus Horse Marathon covers a 35km cross-country course and is the ultimate test of man versus animal. You can take on the horse all by yourself, or you can take two gym buddies with you and claim team glory. With only three human winners in the 32-year history of the race, your name could go down in history forever. Before you head out on these 10 super-charged new workouts, it helps to have the endless energy harnessed by the new Adidas adistar Boost on your side. They're in limited release at the Athlete's Foot now. How do you boost? These four athletes have a few ideas to rival our own. Vote for your favourite to be in the running for your own pair of Adidas adistar Boost running shoes. https://youtube.com/watch?v=nTH4KKY5_5s https://youtube.com/watch?v=RJYVuVV-yC4 https://youtube.com/watch?v=u3-xitE0fy0 https://youtube.com/watch?v=juY_jxiCJms Top image: Tough Mudder contestants in costume.
With gigs and shows popping back onto calendars again over the last six months, bands and concert promoters have been forced to get creative to abide by COVID-19 restrictions. Local favourites have thrown seated gigs in small regional towns, performed to a sea of cars at drive-in concerts and are even set to take to revolving stages as part of NSW's first major music festival of 2021. Although gathering restrictions have begun to roll back and normalcy is beginning to return to the live music scene across the country, these unique opportunities to catch bands in unexpected locations don't seem to be going anywhere. Take Live At Last, for instance. It's the new live music series that will see fan-favourite Australian musicians perform at intimate venues across the country. In Sydney, it'll feature Hockey Dad, the band behind the aforementioned drive-in gigs, who'll perform in beloved bar Frankie's Pizza on Thursday, April 29. The show will be a unique chance enjoy Frankie's new Dan Pepperell-crafted pizza menu while catching the Wollongong surf-rock duo up close, with the CBD bar having a much smaller capacity than the 3000-person Big Top Luna Park the band recently sold out. A venue the size of Frankie's playing host a band of Hockey Dad's popularity could result in chaos, so you'll have to win tickets in order to get access to the gig. To go into the ballot to head along, you just need to hit up the Secret Sounds website and enter your details. Announced after the Hockey Dad show — but happening the day before — is Live At Last's Brisbane stopover. Last Dinosaurs and Dear Seattle will hit the stage at The Triffid on Wednesday, April 28. To head along, you'll also need to try to win tickets via the Secret Sounds website. Then, the series of gigs is set to move to other parts of the country. If you're wondering where else Live At Last will head, that's yet to be revealed. [caption id="attachment_772790" align="alignnone" width="1920"] Hockey Dad by Ian Laidlaw[/caption] Live At Last is set to kick off on Wednesday, April 28 with Last Dinosaurs and Dear Seattle at The Triffid in Brisbane — and then head to Frankie's Pizza on Thursday, April 29 with Hockey Dad. To win tickets and to keep an eye out for future events, head to the event's website. Top image: Frankie's Pizza by Katje Ford Updated April 16.
The URBNE Festival is all about unleashing Brisbane's creative side and enjoying our gorgeous city by using all of its nooks and crannies. The team behind this ingenious idea are a bunch of young creatives from a kaleidoscope of creative backgrounds joined by the common goal of making Brisbane both more creative and accessible. Held from the 28th – 30th March, URBNE has got your weekend sorted. Our picks include Brisbane's Biggest Clothing Swap where you can score a sweet get-up at the Queens Wharf car park just by parting with some pre-loved clothes of your own. It's good for your wallet and sustainable, who doesn't love guilt-free shopping (plus, it's free). On Saturday head to Queens Wharf car park for an art attack. From 11am-4pm there will be a large art market with pieces from local artists. If you're after a little bit of adventure on your Saturday afternoon, Scavenger Snaps is for you. While away the hours on the hunt for photos sprinkled throughout the hidden pockets, lane ways and streets of the city. Who needs lazy Saturdays when you can carve up the streets as Street Skate Jam includes free skate lessons and demonstration's by Brisbane's best. Or, tick parkour off your bucket list by participating in a workshop session at Miller Park. Then, wind down with a film at the State Library, entitled, City Dark. Check out the URBNE website for more info.
Sick of playing Scrabble in generic sans serif? Lovers of words and type alike can spell their way to satisfying word play with these designer Scrabble sets by Andrew Capener. Capener wanted to "excite people about typography by giving them the ability to choose what font their scrabble set would come in." Beauty and quality are Capener's design priorities, with solid walnut and birch woods used to create the board, pieces and box. The A-1 Scrabble designer sets come in a single font of choice, or you can always mix and match with the assorted font pack. [Via Flavorwire]
Russian photographer and world traveller Murad Osmann is asking his Twitter fans to #followmeto all the incredible, exotic places he and his girlfriend have been exploring across the globe. And his followers, plus millions of other people across the internet, are certainly having no trouble doing that: Osmann's photographic journey takes viewers on a trip of their own, which is stunning in more ways than one. Osmann's series depicts backgrounds of beautiful scenery from the most distinct and glorious cities, mountains, buildings, and even shopping centres around the world. The feature that sets his photographs apart from other scenic pictures, however, is the subject within each and every image: Osmann's girlfriend appears with her back to the lens in the centre of each frame, clasping her lover's hand and leading him to these various attractions — however, often due to her limited clothing, she herself may easily become the main attraction of the shot. The idea for the image series first began in Barcelona in 2011 when the photographer's girlfriend got fed up with him snapping every sight they saw and consequently tried to pull him away from the lens. Instead, this gave birth to the vast photo series that the loved-up couple have been working together on practically ever since. From his hometown Moscow to his study-town London, holiday spots such as San Sebastian and Disneyland, and even more mundane scenes such as riding an escalator or being pushed in a shopping trolley, take a look at these original and dazzling images that will be sure to make you want to travel the world with your loved one. Via Daily Mail. Rooftop Pool, Singapore Entering the Gates of Disneyland, California The Meadows of Austria The Rice Fields in Bali The Big Ben and House of Parliament, London The Lovebirds Fly High in a Hot Air Balloon San Sebastian, Spain The Kremlin and Red Square, Moscow The Back Streets of Venice Strolling through the Aisles of Ikea 10,000 Buddhas Monastery, Hong Kong Brandenburg Gate, Berlin
When a music star drops news that they're heading Down Under on their very own podcast, believe them. Jessie Ware did just that back in May, advising that she'd be playing Australian music festival Summer Camp later this year — and now the fest has confirmed that she'll be headlining. Ware will play the event's two stops in December 2023, with Summer Camp kicking off on in Melbourne on Saturday, December 2, then heading north to Sydney on Sunday, December 3 — with inner-city venues for each city still to be revealed. [caption id="attachment_899478" align="alignnone" width="1920"] Raph_PH via Wikimedia Commons.[/caption] It's been a long time between Australian visits for the UK disco-pop queen. The last time she graced our shores was for Laneway Festival all the way back in 2013. In the period since, she's released four albums, including the immensely critically acclaimed What's You Pleasure in 2020 and its equally vibrant recent follow-up That! Feels Good!. But now Ware's drought of Aussie appearances is officially coming to an end. Ware initially let the news slip on an episode of her podcast Table Manners with Jessie and Lennie Ware, when the singer and her mother Lennie were joined by a fellow pop icon: Australia's very-own Dannii Minogue. While the episode traverses the dynamics of the Minogue family and the delights of panna cotta, one eagle-eared Twitter user noticed that Ware dropped the unannounced goss that she'd be heading Down Under. "I'm actually going to Australia in November for this festival called Summer Camp," Ware said while discussing travel plans, and the possibility of doing a Table Manners series here in Oz. [caption id="attachment_911167" align="alignnone" width="1920"] Jack Grange[/caption] Summer Camp hosted its inaugural festivals in Sydney and Melbourne in 2022, combining top-notch tunes and LGBTQIA+ pride through a stacked lineup featuring Years & Years, Sophie Ellis-Bextor, Big Freedia, Cub Sport and The Veronicas. 2023's full plans haven't yet been revealed, other than Ware doing the honours. Who'll be joining her is among the details still to come. Ware has also just dropped her latest single, a new duet version of 'Freak Me Now' with Róisín Murphy, which you can check out below: SUMMER CAMP FESTIVAL 2023 AUSTRALIAN DATES: Saturday, December 2 — Melbourne, venue TBC Sunday, December 3 — Sydney, venue TBC Summer Camp will play Sydney and Melbourne in December 2023. For further details or to nab tickets, head to the festival's website.
Lurking behind every 18th birthday, beyond the alcohol legally drunk and nightclubs gleefully danced through, is an unspoken truth: life only gets more chaotic from here. That realisation doesn't usually spring during the celebrations, toasts and happy speeches of the big day itself — or necessarily within weeks, months or even a few years afterwards, either — however, it's inescapable nonetheless. In To Chiara, it blazes brightly for the movie's eponymous teenager (Swamy Rotolo). It shatters her sense of normality, too. But she isn't the one hitting the milestone that every adolescent yearns for. Instead, the party that helps start this Italian drama is actually for the 15-year-old's elder sister Giulia (Grecia Rotolo), with the pair's friends and relatives alike marking the occasion as countless other families have: with dinner, festivities and delighted emotions. As captured with a raw, fluid and naturalistic style like everything that both precedes it and follows, Giulia's birthday is a portrait of exuberance — until, for Chiara, it isn't. She plays up a garden-variety case of sibling rivalry, including during a performative dance contest. She revels in still being her doting dad Claudio's (Claudio Rotolo) favourite. And she thinks nothing of sneaking outside to have a smoke, only slightly worrying if her father will find out. But it's there, cigarette in hand, that Chiara watches her uncles get into a verbal scuffle outside. Then, in the aftermath, she spies her doting dad rushing off to deal with the fallout. Also, later that evening, perturbed by the feeling that something isn't quite right, it's Chiara who witnesses the family car explode outside their home, and spots Claudio fleeing under the cloak of darkness. The newest neo-realist film by Italian American writer/director Jonas Carpignano, To Chiara is also his third set in the Calabrian region, in the small coastal town of Gioia Tauro. It's the latest entry in a series that explores the area's mix of residents, segueing from refugees from North Africa in 2015's Mediterranea to the Romani community in 2017's A Ciambra, and now to the 'Ndrangheta. Call the latter the mafia, call them an organised crime syndicate, call them just part of living Southern Italy — whichever you pick, Chiara has always just considered them her loved ones without knowing it. Learning how her dad pays the bills and why he's now a fugitive, gleaning that her mother (Carmela Fumo) must be aware, trying to uncover where Giulia stands, attempting to cope with everything she thought she knew crumbling in an instant: that's what this gripping and moving film has in store for its young, headstrong, understandably destabilised protagonist from here. From the moment that Chiara begins to make her big discovery — piecing together the details stubbornly, despite being warned that her questions won't have welcome answers — it's easy to recognise why such a tale fascinates Carpignano. It's the story that sits in the shadows of other gangster flicks and shows, because so many are also about the bonds of blood; in decades gone by, it could've been Mary Corleone facing the same situation in The Godfather franchise or Meadow Soprano doing the same in The Sopranos. To Chiara also unfurls the ultimate tale of innocence lost, forever fracturing the bubble of an idyll that Chiara has spent her life inhabiting without ever realising, and causing her to now see the parent she has always adored in a completely different light. Nothing signals leaving childhood behind, no matter your age, more than having the entire foundation for your existence shift, after all. As gleams fiercely in its phenomenal lead's eyes, nothing is more devastating, either. Working with cinematographer Tim Curtin, as he did in A Ciambra — actors from which also pop up here, too, when Chiara starts expressing her shock via destructive outlets — Carpignano rarely ventures far from his protagonist. While film doesn't merely play out in close-ups, it'd be something else entirely without the deep and intimate gaze it holds with the teen, and the way it lets audiences stare into her soul as a result. Sometimes gliding, sometimes jittery, the handheld camerawork matches Chiara's inner state. Whether she's demanding answers from Giulia or following secrets into hidden spaces, every visual touch is aligned with her energy and her emotions, in fact. The score by Dan Romer (Dear Evan Hansen) and Benh Zeitlin (Carpignano's Mediterranea, and also his own Beasts of the Southern Wild) vibrates on the same wavelength as well, but To Chiara is always a movie about perception — and how it observes its titular figure, and also mirrors how she discerns the world around her, is oh-so-crucial to the feature's stunning impact. And, from its heady early moments to its poignant ending, this is indeed a stunning film. It's also a picture anchored by a remarkable lead performance — a jewel among a glimmering cast, all nonprofessional actors, as Carpignano has drawn upon for this entire trio of movies. As their names make plain, the talents behind To Chiara's main characters are all related, and all let that inherent comfort with each other calm and complicate their on-screen dynamic. Swamy Rotolo is nothing short of revelatory, though. Playing someone who once felt like she was sliding smoothly through the world, only to find that her fortunate status quo is slick not from luck, love or joy but the spoils of the criminal underworld, she's sincerely dogged and desperately uncertain at once. She sports the invincibility of youth, and also the pain when that facade fractures. That she often looks and feels like she could've stepped out of another female coming-of-age gem, Mustang, is the highest of compliments. Just as convincing: the slow-burning feature's delicate balancing act, with To Chiara careful not to judge or champion anyone's choices, or the path that's led some Gioia Tauro locals to the 'Ndrangheta, or to make its namesake a hero or a victim. Weighing up the two sides of the equation — the privilege and prejudices that Chiara didn't openly know she had and their sources, plus the stakes, costs and future ramifications of living a life tainted by crime — is the movie's central figure's task, which she navigates through emotional outbursts, tense glimpses inside her town's underbelly, on-the-ground forays into her father's reality and legally mandated foster-care arrangements alike. Accordingly and fittingly, when another 18th birthday party rolls around to bookend the deserving Cannes Film Festival 2021 Best European Film-winner, the idea that adulthood is chaos takes on a different tone. To Chiara never shakes that notion or tries to dispel it, but instead grapples and lives with it, and makes for potent and resonant viewing in the process.
Salted caramel, bacon and pecan. Roasted garlic. Blue cheese and fig. If these three flavours aren't enough to convince you that this Ipswich ice cream parlour does things a little differently, we're not sure what will. Fitted out like an old-school milk bar from your parents' era — think chequered floors and the crew wearing retro red and white striped aprons, polka-dot swing skirts and neck ties — Ungermann Brothers is a family run joint that makes ice cream in less-than-traditional flavours. Have some fun trying to come up with the ultimate scoop combo — perhaps pumpkin seed oil and dutch spice? Or coffee, cardamom and liquor with carrot cake? There are also gourmet dessert dishes on offer including ice cream sandwiches, chocolate brownie with bumbleberry ice cream and homemade waffles with pork belly and smoked vanilla ice cream.
UPDATE, March 4, 2021: Moonlight is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Amazon Video. "At some point, you gotta decide for yourself who you're going to be. Can't let nobody make that decision for you," Miami drug dealer Juan (Mahershala Ali) tells nine-year-old Little (Alex Hibbert). They're warm words of wisdom offered by someone who wouldn't be seen as a substitute father figure in most movies — and given to a shy, bullied boy desperately in need of a guiding hand. Their connection, defying expectations and complicated by Little's crack-addicted mother Paula (Naomie Harris), forms much of Moonlight's first chapter, but their interactions will influence the entire film. As the story progresses, Little grows into awkward teenager Chiron (played by Ashton Sanders), a young man who still struggles with who he is and how he feels. Then, finally, he transforms into the hardened, Atlanta-based Black (Trevante Rhodes), styling himself in Juan's image. He'll keep trying to forge his identity, while grappling with the different visions of masculinity around him, as well as his own sexuality. As he comes of age, he'll also be shaped by his mother's troubles, the nurturing presence of Juan's girlfriend Teresa (Janelle Monáe), and his friendship with his classmate Kevin (played by Jaden Piner, Jharrel Jerome and André Holland over the years). Written and directed by Barry Jenkins from an unstaged play by Tarell Alvin McCraney, Moonlight is a film of moments and mindsets, one that values sensations and textures more than any other storytelling tool. Jenkins constructs the emotions and experiences of his protagonist from the people, places, dreams and encounters that define him at any given point, plus his ongoing quest to find a persona, a companion, and a space that provides comfort and solace. Narrative-wise, it might sound slight. Thematically, visually and in its performances, Moonlight is a powerhouse. Stressing how things left unseen and unsaid are as crucial as sights glimpsed and words uttered, every frame, look and line of dialogue proves a piece of the puzzle that is Chiron in his various guises. Often, Jenkins and his college roommate turned cinematographer James Laxton make the audience stare into the eyes of their leads, conveying a pain and a yearning that borders on contagious. More frequently, the filmmaking team adopts their character's perspective, gazing into a world teeming with uncertainty. Subjectivity reigns, such as when the dialogue and imagery fall out of synch during moments of distress, or when a painful memory is cast in heightened, almost neon hues. Even when the film peers in from the outside, the little things still matter, be it green blades of grass spied up close, a hand grasping at sand during an intimate exchange, or a man removing the armour-like grill from his teeth. Jenkins seamlessly brings all of the above together, creating a cinematic symphony of the patterns and rhythms that come with deciding who you're going to be. However, he also crafts a sensitive stage for his three lead actors to infuse their protagonist with heart and soul, as a poor, black, queer boy becomes a man. Though matched in every scene by exceptional co-stars — including the charismatic, stereotype-defying work of Ali, as well as the quiet tenderness of Holland — the main trio are never anything less than devastating.
You know the feeling of not being able to put a face to a name? Well, that's the feeling you just might get when you're looking at Soda Mouf's work. You've seen Mouf's pieces before — but you probably don't know who they're by, or where you spotted them. On July 1, that will change, with the artist and illustrator's latest efforts lining the walls of Beach Burrito Fortitude Valley. It's a leap from the streets to the gallery for the Aussie graffiti fiend — and it's also a fitting way to celebrate a whole year of the Brunswick Street Mexican joint showcasing creativity as well as meat-filled tortillas. Expect Mouf's usual highly original style, as influenced by pop, skateboard and '90s hip-hop culture, all plastered across a new collection of prints. Expect beer and burritos to celebrate, too, because that's what a BBFV art show is all about. Well, that, having a fun night out, and hopefully buying a cool piece of art to take home with you.
Phatchance and Coptic Soldier, two solo indie hip-hop artists from Sydney, have gained a large cult following through a tireless touring schedule – including two national tours and supports for Method Man & Redman, DJ Premier and The Beatnuts – and a high energy stage show. This work ethic is paying off – the accolades are rolling in for the two artists and they don’t look to be slowing down any time soon. Following the success of their unique dual-disc acoustic hip-hop EP and an subsequent at-capacity residency at Sydney’s Oxford Art Factory, the two artists are taking to the road again, unplugged, for the ‘Hey, where’s your DJ?’ tour. Phatchance and Coptic Soldier will play x & y Bar this Sunday, joined by their full live band and supported by close collaborator Jon Reichardt. This will be the only chance you’ll be able to catch the two artists before they go into hiding to work on their respective long player – don’t miss out!
If there's one thing we grew up hearing from our mothers, it's "don't follow strange men you've just met in Mexico into abandoned churches in the middle of nowhere". Or something like that. In any case, you'll be shaking your head just like your mum within the first half hour of Truth or Dare, as you follow the sordid activities of a group of teenagers on spring break as they become embroiled in a ~deadly~ game. Regardless of how your mother phrased her advice, we're sure it was much more sensible and well-intended than this waste of time of a film. Somehow earning the stripe of being from Jason Blum's Blumhouse Productions team (who brought you Get Out, Insidious and Whiplash), we have a feeling this is one movie Blum deigns to forget pretty quickly – as will most people who watch it. The film follows a group of teenagers on spring break (ugh) who, after the standard montage of tequila and bars and hook-ups (uuugh), find themselves playing a game of truth or dare with a stranger who soon gets weird and jumps ship. That leaves Olivia (Lucy Hale) and a bunch of her friends to finish the game, only to realise that the game isn't finished with them. Yeah, that's right – another movie where pretty young people are killed off one by one. This time it would seem a demon curse is the culprit. Unsurprisingly, Truth or Dare is extraordinarily silly, from the setup all the way down to the ridiculous facial effects that look as though they're the result of too many pingers and one of those carnival fun mirrors. It's meant to be scary, and to indicate how dark and terrifying a demon it is we're dealing with here (spoiler alert: not very). More disturbing is how little the characters seem to care when their mates start kicking the bucket. Teens these days, huh? The only semi-interesting story element relates to one character's struggle with how to come out to his strict father. Unfortunately, most everyone is dead before it can really develop into anything worthwhile. Thin in plot, thick in bad acting and dialogue, we dare you to turn your back on this limp sponge of a film. https://www.youtube.com/watch?v=Cgnk3MLw9TM
Think bright sights in Brisbane, and Riverfire probably springs to mind. Or, if you're fond of all things festive, any one of the city's Christmas displays might, too. But the Brisbane City Botanic Gardens plays host to another must-see luminous attraction each year: Botanica: Contemporary Art Outside, which turns the riverside CBD spot into a dazzling outdoor art gallery — after dark as well. The 2022 event is all locked in, so mark Friday, May 20–Sunday, May 29 in your diary. For ten days, from 5–10pm daily, the gardens will come alive with artworks, installations and projections, with nine pieces set to liven up the already-scenic inner-city spot. On the artist lineup: Leila Honari, Julie Monro-Allison, Tim Gruchy and more. And if previous years' pieces are anything to go by, expect everything from the gardens' plant life to its furniture and buildings to get quite the vibrant makeover. All those shimmering sights will be paired with twilight walks, interactive workshops and talks, as well as a discovery trail for children. You'll be able to watch artworks created live, too — and contribute to them — and also hit up food trucks and an outdoor bar from Friday–Sunday. Of course, the Brisbane City Botanic Gardens has always been more than just that patch of grass and trees at the edge of the CBD thanks to its gorgeous greenery, ponds filled with cute turtles, free exercise classes and more — but it's never more alluring than during this fest. And if you missed the first three events in 2018, 2019 and 2021 — or if you went along and loved it — 2022's event promises a whole heap of new garden wonders. Either way, prepare to roam through the centre of Brisbane and see its natural splendour in a whole new way. Top image: 'Museum of our lost world' (2021) by Simone Eisler.
Sunday session: they're two of the finest words in the English language, particularly if you like ending your weekend in style (and forgetting that you have to go back to reality the next day, even just for a few hours). Thanks to Salt Meats Cheese, they're about to be joined by a few more excellent terms: $9 espresso martinis with free tapas. From May 20, that's what's on the menu from 2pm to 6pm every Sunday at their Gasworks store. Farewell your few days off with a sip, a bite and some live tunes — and get a free tapas with every cocktail. Yes, as part of the new weekly event, every mixed boozy concoction (aka not plain old wine, beer or spirits) comes with your pick of arancini on rocket, bruschetta, meatballs, calamari, a mini cheese plate or a deep-fried pizza pocket, with the food costing absolutely nothing. Gathering the gang and settling in for the arvo is highly recommended. Plus, extra dishes will only set you back $6.
Located a 3.5-hour drive inland from Cairns, the Undara Experience is billed as a truly incredible way to experience the Gulf Savannah. Many visitors are drawn here to explore the mind-blowing 160-kilometre lava tubes which are some of the longest in the world — but there's a whole lot more discover while you're in this part of the world. Start your day with breakfast in the bush with billy tea and cheeky kookaburras for company. Then, take a bush walk around the edge of a volcanic crater at Kalkani Crater and finish the day with a sunset wildlife tour complete with cheese and sparkling wine. Consider yourself a night owl? You can stay up late with your fellow travellers and enjoy yarns by the campfire. Accommodation options range from huts and tents to restored railway carriage lodgings and homesteads. The grounds also feature a billabong-style swimming pool, plus a licensed bistro and cafe. The Undara Experience also hosts the Undara Outback Rock and Blues Festival annually, with more than 12 hours of live music over the ANZAC Day long weekend. Image: Tourism Tropical North Queensland.
Whether you're staring at an iconic painting or making a date with an inflatable dreamscape, a great piece of art can whisk you far away from your everyday routine. Exceptional art has always done that — and that's an experience we could all use right now. Thankfully, before 2021 comes to an end, Brisbane won't be short on vibrant pieces to peer at and mosey through. On the agenda: surveying masterworks, gazing up at giant birds and scoping out glowing arches on a boat. Just remember to take a breather between each one as you hop around the city.
People can be very particular about their Indian food. Once they've found a place they like, they give up the search forever and settle into a lifetime of fidelity to that one Indian restaurant. On occasion they may step out on their main curry squeeze, only to come running right back. Curryville could be that restaurant for you. The very modest looking Morningside establishment has built up a loyal and sizeable following of Southsiders, pleased to find such a consistently high standard of Indian fare available on Wynnum Road. The chicken or vegetable chaat makes for a great entrée – two crisp samosas, smashed and topped with chopped red onion, coriander, home made tamarind sauce, yoghurt sauce, another sauce made of mint and coriander, and a chickpea broth ($12.95) – the zesty flavours whet the appetite for what's to come. Curryville's mains are vibrant in flavour, with no muddy aromas or same-same tasting curries. We recommend the old standard, Chicken Tikka Masala ($23.20 with rice) as Curryville does an excellent version, and even hardened carnivores should enjoy the assorted Vegetable Jalfrezi ($22.95 with rice). As a curry house, they are pretty flexible when it comes to modifications and adjustments to their dishes, but the Goat Karahai ($23.20 with rice) is not available in a mild version. Though the menu warns of its spiciness, the heat certainly doesn't come close to overshadowing the flavour. The restaurant also claims to have the hottest curry in Brisbane, the Chicken Hai Hai. This may be nothing more than marketing puff, but we have not yet dared to try it. For something a bit different, Curryville also offers the 'Chef for your Table' experience. If you book a table for four or more, and request to be the 'Chef for your Table', then on the evening of your visit, you are invited into the kitchen to assist with the preparation of the mains.
If you want to see the Great Barrier Reef without spending hours on a boat, Lizard Island Resort is the ideal place to base yourself. This luxury lodge is quite literally surrounded by the reef meaning you can roll out of bed and right into one of the world's natural wonders in minutes. But it's not just its proximity to the reef that lures people to the island. The all-inclusive accomodation helps take the guesswork out of holiday planning with meals, drinks, snorkelling gear, paddleboards, sea kayaks and more included in your stay. The toughest choice you'll make during your trip will be deciding which of the opulent day spa treatments will make you feel the most relaxed. If you do want to explore a little further, the resort has an onsite naturalist that hosts guided walks to share the island's cultural heritage, particularly that of the Traditional Land Owners, Jiogurru of the Dingaal Aboriginal people.
If you're a dinosaur fan in Sydney, life keeps finding a way to indulge your interest in prehistoric creatures. Sydney's latest: Jurassic World: The Exhibition, which roars into town with life-sized, lifelike critters, as well as a celebration of 30 years since the first Jurassic Park movie initially rampaged across the big screen. A showcase with the same name displayed in Melbourne back in 2016, but this Harbour City visit comes after stops everywhere from London, San Diego, Paris and Madrid to Seoul, Shanghai and Toronto — running from Friday, September 22, 2023–Sunday, February 18, 2024. Expect to feel like you've been transported to Isla Nublar, complete with a walk through the big-screen saga's famed gates. From there, you'll walk through themed environments featuring dinos, including a brachiosaurus, velociraptors — yes, get ready to say "clever girl" — and a Tyrannosaurus rex. Also linking in with the animated Jurassic World: Camp Cretaceous series, there'll be baby dinos, including the show's Bumpy. Sydneysiders and visitors to the New South Wales capital can get roaming, and staring at animatronic dinos, at the 3000-square-metre SuperLuna Pavilion at Sydney Showground in Sydney Olympic Park. Now, all that's left is to decide which Jurassic franchise character you want to emulate (the best choices: Laura Dern's palaeobotanist Ellie Sattler, Sam Neill's palaeontologist Alan Grant and Jeff Goldblum's mathematician Ian Malcolm, of course). And no, when Michael Crichton penned Jurassic Park in 1990, then Steven Spielberg turned it into a 1993 film, they wouldn't have expected that this'd be the result three decades — and five more movies — later.
How does Wednesday Addams (Jenna Ortega, Death of a Unicorn) fare against airport security screenings? Why is she willingly returning to a school for the first time ever? What happens when she plays with dolls? How has Tim Burton (Beetlejuice Beetlejuice) worked Joanna Lumley (Amandaland), Steve Buscemi (The Studio), Billie Piper (Kaos) and Thandiwe Newton (Mufasa: The Lion King) into Wednesday's cast for the series' second season? Some of that has been revealed in the just-dropped teaser trailer for the Netflix hit show's long-awaited comeback — and any other questions you have will begin receiving answers soon. Wednesday has not only unveiled its first season two sneak peek, but also announced its return dates. There's two, because the streaming platform is going with a split release this time around. Part one arrives on Wednesday, August 6, 2025, then part two on Wednesday, September 3, 2025. Conjuring up another spot in your streaming queue three years after its first season released, Wednesday again follows its namesake to Nevermore Academy in its second season — and again features a fresh mystery for her to solve, amid navigating a new round of other woes. The initial trailer also spans her reunion with roommate Enid (Emma Myers, A Minecraft Movie), Wednesday likening her second trip to Nevermore to "returning to the scene of the crime", bees, pink mist, creepy and kooky playthings, swinging axes and a few truths. "Wherever there's murder and mayhem, you will always find an Addams," Wednesday notes — followed by "I do my best work in the dark". Season two will also feature more of Catherine Zeta-Jones (National Treasure: Edge of History) as Morticia, Luis Guzmán (Justified: City Primeval) as Gomez, Isaac Ordonez (Color Box) as Pugsley and Luyanda Unati Lewis-Nyawo (Dreamers) as Deputy Ritchie Santiago, all getting meatier parts than in season one. Among its new cast members, not only Lumley, Buscemi, Piper and Newton are onboard, but also Evie Templeton (Criminal Record), Owen Painter (Tiny Beautiful Things), Noah B Taylor (Law & Order: Organised Crime), Frances O'Connor (The Twelve), Haley Joel Osment (Blink Twice), Heather Matarazzo (Paint) and Joonas Suotamo (The Acolyte) — plus Christopher Lloyd (Hacks), following Christina Ricci (Yellowjackets) among the stars of the 90s Addams Family films popping up in Wednesday. Fred Armisen (Fallout) remains Wednesday's take on Uncle Fester, however — one that Netflix is so keen on that there's talk of a spinoff about the character. In its first season, Wednesday unsurprisingly proved a smash, breaking the Netflix record for most hours viewed in a single week, then doing so again — notching up 341.23-million hours viewed in its first week, then 411.29-million hours viewed in its second. All things Addams Family have always found an audience, with the Ricci-led 90s films beloved for decades for good reason, and the 1960s TV show and 1930s The New Yorker comics before that. Check out the first teaser trailer for Wednesday season two below: Wednesday season two arrives in two parts, with part one dropping on Wednesday, August 6, 2025 and part two on Wednesday, September 3, 2025, both via Netflix. Read our full review of Wednesday season one. Images: Helen Sloan/Netflix © 2025.
