Charles and Ray Eames had a bit of a backwards Lannister twins problem. Everyone thought they were siblings. Both were famous for their innovative design work, but people who hadn't met them would just go on ahead and assume they were brothers. They weren't. They were husband and wife. Nowadays they're often best remembered for designing chairs. They did, for sure, make some wonderful chairs. But it wasn't just furniture where they excelled. The Eames office designed almost everything. The Eameses' work was so either ahead of its time or so timeless that lots of its products are familiar objects today. The Eameses' grandson, Eames Demetrios, is about to make a brief visit to Sydney at both the Sydney Film Festival and for Vivid Ideas to talk about both his grandparents' work and his own. To help you get your head around the breadth of their combined output, we've assembled just a few examples of the family's pioneering work. Chairs The Eameses spent over a decade experimenting with shaping wood. They'd invented a surprisingly striking splint out of moulded plywood for the US army during the Second World War. When they'd moved into their new apartment in 1941, their idea of fun was to squeeze a plywood moulding machine into their spare bedroom. They'd made it themselves out of scrap wood and a bicycle-driven pump and called it 'Kazam!'. They took turns riding the bike. After the war they moved to a real studio at 901 Abbot Kinney Boulevard in LA and stayed there for the rest of their working lives, still working with plywood. One of the products of their iterative wood obsession, in 1956, was the Lounge Chair and Ottoman. The lounge was designed for furniture company Herman Miller. While the lounge chair still looks pretty space age, their Molded Plywood Chairs (below) are much more familiar. The Eameses' work in chairs went on to be so successful that today these pieces just seem, well, normal. The SFF Hub plans to have a bunch of these Herman Miller chairs on display over the duration of the festival. The Eames' Lounge Chair and Ottoman will be there, as will the Moulded Plywoods and a new version of the classic Shell Chair. You can place an order for a chair online, though, it should be noted that the price is usually where these chairs' similarity to school chairs suddenly ends. https://youtube.com/watch?v=0fKBhvDjuy0 The Long Zoom The beginning of Contact does it, as does the end of Men in Black: the almost-infinite, long zoom across the universe has been a movie staple since the '90s. The shot was pioneered by the Eameses in their 1977 film Powers of Ten, which ostensibly explored the geographic power of adding and subtracting a zero to long numbers. As the film whips out from the Chicago lakeside into the depths of space, and back again, its effortless play with scale and relentless zoom whip you into a exponential sense of pleasant disbelief. Charles Eames had done some film work, though Hollywood didn't end up being his thing. But, about the time George Lucas had the predecessor to ILM filming their Death Star in a parking lot — and well before computer-based special effects — the Eameses were polishing off a nine-minute tracking shot that traversed the known universe. Eames Demetrios will be presenting Powers of Ten alongside a selection of his grandparents' extensive corpus of short films at Eames on Eames, including Design Q&A ("known to specialists") and Music of the Fifties ("just never seen" and "fascinating because it is, in many ways, the beginning of the music video"), not to mention a restored version of the multiscreen Glimpses of the USA. Multiscreen In an age where lining up multiple screens is about as hard as putting two phones side by side, it's hard to imagine how big a deal it was to see a multiscreen image. During the cold war, the USA put on an American trade exhibition in a Moscow park, which would later become famous for the 1959 Kitchen Debate between then Vice-President Nixon and the Soviet leader, Premier Khrushchev. Not too far away from this culinary power centre, the Eameses had been commissioned to make "a major propaganda exercise designed to inject the elixir of consumerism into the heart of the Soviet empire". So they made a film. Glimpses of the USA was a massive array of seven screens designed to overwhelm Muscovites with the breadth of experience in American life. Seven landscapes, seven cityscapes or seven people popped across the screen, in quick succession. It was designed to dazzle: and it worked. Apparently, the final sequence was so powerful it brought tears to even Nikita Khrushchev's hardened eyes. Interactive Museum Exhibitions Interactivity doesn't give you bragging rights at museums these days. But in 1975, though computers had come a long way since the President of IBM ostensibly said "I think there is a world market for about five computers," they were still pretty much unheard of for the museum experience. Ray and Charles Eames put together a concept film for a makeover of New York's gargantuan Metropolitan Museum. They laid out a vision of a connected experience, where visitors could call up their favourite artwork on a computer and its display would automatically show them related items from the collection. Back then, this vision didn't wash. Reports from 1977 talk about electronic controversy: "concerns about an art museum weakening its raison d'etre by activities not concerned with the experience of original art but, instead, films, facsimiles and electronic gadgetry." The funding was withdrawn, and the touted makeover never happened. Nowadays, this 'electronic gadgetry' is just called the Metropolitan's 'website'. Innovator in the Centre Reviewing the recent documentary, Eames: The Architect and the Painter, New York Times film critic A.O. Scott compared the Eameses' influence to Steve Jobs' for the sheer breadth of the influence their design work on our everyday lives. Scott took this comparison further, saying they were also happy to be the centre of the credit: "Like Walt Disney — and like Steve Jobs — Charles Eames did not share credit. His name alone went on the studio's products." Eames Demetrios disagrees. His counterpoint to Scott easily works through the details of his grandparents' crediting history, with the opinion that a story like Charles' alleged surprise that Deborah Sussman wanted credit for Day of the Dead is "demonstrably untrue". But he adds, "I don't think it was told in malice, because it represents an emotional truth, which is that it is a very hard to feel you are getting your due when you are living/working inside someone else's worldview — especially a powerful one like the Eameses." In the absence of space for his full reply here, Demetrios points to the chapter '901 Culture' in his book An Eames Primer for more detail. A Virtual World Eames Demetrios' films started out relatively tame. Common Knowledge presaged the production method of local film 52 Tuesdays, by giving a documentary portrait of dozens of people every few weeks for a year in 1988, but he "kept thinking it would be really amazing to be able to visit a story physically. To create a parallel world that people could visit." Demetrios created the virtual world of Kcymaerxthaere, a story whose locations have leeched across out of fiction and into the physical world. "It is kind of like a novel with every page in a different place," he says. "Most of the installations are markers (in bronze or stone) that tell a piece of the story." Since 2003, the project has installed 99 sites across 22 countries. There are ten in Australia. He has aspirations to install one in the Red Centre but is open to suggestions from Sydneysiders about a site closer to home. "The key is that we need permission to install the marker permanently (or for at least 99 years)," he adds. Sydneysiders can take a turn at interpreting this world at Storytelling to Generate Fresh Perspectives at Vivid on Sunday, June 7. Eames will be telling some stories from Kcymaerxthaere, after which participants will be invited to make their own "disputed likenesses" (images based on the stories) on postcards to be sent off to previous participants. Local participants will get postcards from other workshops before too long. Melburnians can check out a Kcymaerxthaere exhibition opening at Pure and General from June 11. Good design is good hosting is good grandparenting Charles Eames saw the designer as a host, focused on getting the details right for the recipient of whatever thing he was designing. This need to design "to the need" is pervasive in the Eameses' work and its cultural spread is echoed in modern tech firms' ambitions to sweat the details. It's the same sort of obsession with details at the heart of the story of Steve Jobs anxiously calling Vic Gundotura to tweak the yellow in a Google logo. "Charles and Ray are far more famous today than they were in their lifetimes," says Demetrios. "The notion of a rockstar designer did not exist then." Their legacy is only now getting some of the mainstream attention it deserves, three years after the release of the documentary Eames: The Architect and the Painter. But it wasn't just their design skills that lasted. Their parenting and grandparenting skills kept two generations of children interested in working to preserve their legacy. Demetrios also sees time with his grandparents as the roots of his design education. "My theory is that we learned about design backwards when we were growing up — we learned all the lessons about life that we now realise were lessons about design too. Things like the fact that Charles and Ray were excellent hosts. Picnics were important; presentation was important; experience was important. "As we are older, we understand that they were teaching by example one of their key ideas: 'The role of the designer is essentially that of a good host, anticipating the needs of the guest.'" 'Interactive display' image, actually a multitouch sequencer, by Daniel Williams. The couple's grandson Eames Demetrios will be guiding audiences through a screening of some of his grandparents' short films during the Sydney Film Festival at Eames on Eames and getting a few thoughts off his chest at Vivid Ideas.
Sunny summer days and the new year are (unfortunately) still a fair while away, but you don't need the clichéd calendar date to set some new goals. In fact, if the global pandemic has thrown a bit of a spanner in your routine, now may be just time to get back into gear. As they say, there's no time like the present — there you go, another cliché to follow instead. But rather than focusing on a singular aspect like diet or exercise, why not look at your health holistically? Yep, we're talking 'healthy living' and, no, it's not just for Byron Bay dwellers and yoga lovers (not that we're jealous or anything). Simply put, it's about balance — from what you eat right down to getting enough sleep. To help you kick-start — or restart — your health resolutions, we've teamed up with the folks at nutritious ready-made meal delivery service Macros to bring you six simple lifestyle changes. Because we all know healthy habits don't happen overnight. SIGN UP TO A SUBSCRIPTION-STYLE MEAL DELIVERY SERVICE First things first: food. No one's saying all those takeaway dishes and baked treats over lockdown weren't delicious, but, by now, you may be craving something more nourishing. Food is what fuels us, so changing your diet is one of the biggest hacks to the so-called healthy life. It may be obvious, but there's a reason it can be tricky. Not all of us have MasterChef-like skills and meal prepping takes time. Not to mention how pricey clean eating can be if you don't know where to begin. One way to cut out the guesswork and set yourself up with a fridge full of dietitian-designed and super-tasty dishes is by signing up to a meal delivery service. Macros, for example, ensures every meal is prepared by chefs and delivered fresh, not frozen, so you can simply pop it in the microwave when you're ready to eat. Think the likes of massaman beef curry, cottage pie, spaghetti bolognese and herb-crusted salmon, ready in a matter of minutes. Macros has seven different plans to cater to your goals, too. If you don't live at the gym, then Macros' 'Weight Loss' plan, with low-carb meals that have less than 350 calories (if you're counting), is a solid option. Otherwise, the 'Balanced' plan is great for those looking to switch to a cleaner diet, without shedding kilos. You can also tailor your plan to suit your dietary needs, be it plant-based, dairy-free, low-carb or paleo. And, to top it off, it's a pretty affordable option, with meals starting from $8.70. Right now, you can also nab $50 off your first order, too — just sign up here. GIVE MINDFULNESS A GO If you consider mindfulness a bogus pastime, think again. From simply soaking in the tub to daily meditation, taking time to clear your head and reduce stress is a solid base for a healthier lifestyle. Think of it like this: if food is your body's fuel, then mindfulness is your mind's tonic. And, to really achieve a healthy lifestyle, you need both, on top of physical exercise, of course. Plus, amid COVID-19, we're increasingly realising what it means to keep calm during a crisis. So, where to start? Mindfulness and meditation apps are both beginner-friendly and convenient — and these days there are plenty to pick from. Headspace is one of the better-known ones and for good reason; it makes mediation accessible, even if you're a bit of a novice. Or, you can be guided by neuroscientist and philosopher Sam Harris with his app Waking Up. If getting enough shut-eye is an issue, try Calm, which includes meditation sessions, audio snippets of Bob Ross's The Joy of Painting and stories narrated by none other than Matthew McConaughey. Practices such as tai chi and yoga can help improve mental clarity, too, by combining meditation with movement — so, if you find sitting still hard, maybe give these a try. You can even add adorable animals into the equation and get bendy with baby goats, or your pooch as you downward dog in your living room, both of which are a surefire way to get a quick serotonin hit. GET PICKLING Feel bloated or sluggish? It could be your gut telling you something — literally. While everyone's body is different, fermented foods can be great for most people's gut health and keeping everything regular. The age-old preserving technique naturally ferments food, creating healthy probiotics that help strengthen your gut microbiome. It's a good way of extending food's shelf life, too. Instead of raiding the health food store and splashing some serious cash, you can make your own with everyday fridge and pantry items. Beets, beans, cucumbers, onion, fennel, cabbage, zucchini, carrots... you get the idea. Most pickling involves vinegar (white or apple cider), salt, a bit of sugar, spices and the veg of your choosing. Alternatively, get yourself a SCOBY (symbiotic culture of bacteria and yeast) and some black tea and try making your own kombucha. If you'd rather learn from the pickling pros, Sydney-based cafe and picklery Cornersmith runs a bunch of hands-on and, at the moment, live Zoom classes, where you can pick up tips on how to ferment, pickle and preserve pretty much anything. HAVE FUN WITH YOUR WORKOUT ROUTINE No one said exercise had to be boring. You may have your go-to activity, but, sometimes, getting out of the bed in the morning or hitting up the gym after work can be a struggle. We get it, life gets in the way. However, to avoid fitness fatigue, why not inject some fun into your routine? Feel like a big kid again and bounce non-stop at an indoor trampoline park, or scale to new heights at a rock climbing gym. For the latter, you'll need a partner in crime, so you can socialise while you sweat, otherwise, for a more solitary climb, try bouldering. Martial arts is another great way to train, from karate to jiu-jitsu, taekwondo and krav maga, all of which have become increasingly popular over recent years. Keen to improve your rhythm? Dancing is a great way to get your heart pumping, as well as tone muscle, whether it's ballet, salsa, ballroom or hip-hop dancing. You can even get your groove on in your living room with 80s-style aerobics by way of Retrosweat or Aerobics Oz Style. And, if you're lucky enough to live near the ocean, stand-up paddle boarding is great for your core, or you could give surfing lessons a crack. Basically, there's no end to the fun you can have while also training and conditioning your body. GET OUTDOORS AND HIT THE TRAILS It's hard to beat a vigorous bushwalk or long-distance run along the coastline, with the sun shining, the wind in your hair and stunning surrounds to distract from your own panting. Plus, it leaves you feeling pretty rejuvenated. While, yes, the physical exercise plays a massive part, being outdoors is undeniably good for the soul. And, after spending more time indoors this year, many of us have a new appreciation for being surrounded by nature. So, next time you're thinking of jumping on the treadmill, why not run in your local park? Or, if you can, take a hike in a national park, do laps in an ocean pool, kayak down a river or head out on a scenic bike ride. If you're after something a bit more restorative, forest bathing or shinrin-yoku (nature therapy) is another way to get a dose of vitamin D, just with less cardio. You simply spend time in nature, whether it's taking a stroll in any natural environment or finding a lush and peaceful spot in which to meditate. The physiological and psychological activity has benefits such as improving your immune and nervous systems, reducing blood pressure and heart rate, and improving mental health, energy levels and sleep patterns. Combining mindfulness with nature, the Japanese practice is the perfect antidote to our tech-filled and often sedentary lifestyles. TREAT YOURSELF While pampering may seem a tad extra, giving your body a little TLC is also called self care. So, treat your body like the temple it is and give it a rest every now and again. From beauty therapies to relaxing remedies, there are plenty of ways you can look after your body — outside and in. Feeling a bit lacklustre? Mani-pedis, haircuts and facials are sure to give you a boost. Then there are massages, of course, with benefits including reduced blood pressure, easing migraines and headaches, aiding pain relief and stiffness, and lowering stress levels. But, different styles address different issues, so it's important to listen to your body. Swedish and aromatherapy massages, for example, are great if you're stressed out; whereas lymphatic ones help rid your body of toxins by draining your lymphs. If you've been upping your exercise or have muscular pain, then consider deep tissue, sports, reflexology or Thai-style massages, which will help alleviate aches, increase flexibility and reduce recovery time. A healthy lifestyle starts with the food that fuels you. To help make that part easy and fuss-free, Macros delivers nutrition-packed meals straight to your door. And, if you need to, you can also pause or skip a week of your subscription at no extra cost. Better yet, Macros is currently offering $50 off your first four deliveries. So, start your health kick ASAP and sign up here.
Imagine that you had become an international superstar playing Harry Potter, then spent more than a decade as the beloved character in one of the biggest movie franchises there is. Once your wizarding time was over, you'd probably want to take on a whole range of weird, wonderful and vastly different projects. Daniel Radcliffe, the only person who fits the above description, certainly seems to be following that path — and his latest action-comedy might just be the wildest entry on his post-Boy Who Lived resume so far. Since the HP films wrapped up back in 2011, Radcliffe has played a man who wakes up with horns protruding from his head in the aptly titled Horns, as well as Victor Frankenstein's apprentice Igor in the terrible movie that's conveniently named Victor Frankenstein. He also transforms into a corpse in Swiss Army Man — a corpse whose farts make it skim across the ocean like a jet ski. And, in the first season of great TV sitcom Miracle Workers, he's an angel trying to save the world from a slacker God (Steve Buscemi). Next, though, Radcliffe is stepping into the shoes of a snarky video game developer — one who is forced into a real-life fight-to-the-death game. His ordeal is also being live-streamed as part of an illegal death-match fight club channel called Skizm. Oh, and he has guns bolted to his hands. That's the premise of Guns Akimbo, which seems to combine elements of Battle Royale, Man of Tai Chi, Scott Pilgrim vs. the World and Nerve into one clearly, gleefully over-the-top package. As seen in the movie's just-dropped new trailer, Radcliffe's character, Miles, has to try to survive when he's thrust into the city-wide game — and navigate a world where brutal gladiator-style fights have become mass entertainment. The film also stars Ready or Not's Samara Weaving and Flight of the Conchords' Rhys Darby, with New Zealand filmmaker Jason Lei Howden (Deathgasm) behind the lens. Check out the trailer below: https://www.youtube.com/watch?v=ZOFatKD0Vzo&feature=emb_logo Guns Akimbo will start screening around Australia on February 28 at special event screenings.
Down the quiet lanes of unassuming Alberta Street in Surry Hills, the exceptional Alberto's Lounge welcomes diners in via a narrow door beneath a neon glow. The intimate venue is staffed by warm knowledgeable staff who'll take you to Italian streets with plates of house-made ricotta, seasonal pastas and perfected mains. On Sundays the vibes are taken higher with Tempo della Musica, where guests are accompanied by a talented muso to serenade you as you dine. And in celebration of Vivid Sydney, the team is taking it up a notch with Gusta della Musica. For three Sundays of Vivid, the Alberto's team has designed a special food and drink menu to pair with the evening's tunes, supplied by vinyl-only DJs. On Sunday, June 4, it'll be Dan Lupica's Afro Groove and on Sunday, June 11, Italo-disco will fill the seductive space courtesy of Marco Vella. These Sundays in the Lounge are a fan fave, so the special editions are sure to sell out. Bookings are essential, so grab a table quick if you're considering it. Hollywood Quarter's Alberto's Lounge will be hosting Gusta della Musica on Sundays throughout Vivid Sydney 2023. To secure your spot, head to the website. Images: Kitti Gould.
Prepare for a serious rainbow chalk shortage in Sydney: DIY chalk rainbows are popping up across the city in Newtown, Paddington and Redfern following the State Government's removal of the rainbow crossing on Oxford Street. The movement started with a Facebook photo of radio presenter James 'Breko' Brechney colouring in a chalk rainbow outside his home. The photo soon led to Brechney creating the Facebook group DIY Rainbow Crossings and the #DIYRainbowCrossings hashtag going viral on Twitter. "I was pretty down like a lot of people when the Rainbow Crossing was ripped up," said Brechney. "The DIY chalk crossing idea really just came to me overnight ... I got my sister and housemate in on the act and when we finished our one in Surry Hills we took a few photos for Facebook and the whole thing went crazy. Everyone's now doing their own DIY Rainbow Crossings all over Sydney and I love that because it's less work for me!" The Oxford Street crossing was initially created by the City of Sydney Council as part of the 2013 Mardi Gras celebrations, and soon became a much-loved attraction, with people posing for photos while walking across it. Despite calls to make the crossing permanent from the community and local politicians such as Lord Mayor Clover Moore and State Member for Sydney Alex Greenwich, NSW Roads Minister Duncan Gay made the decision to remove the crossing. Community radio station FBI Radio has decided to get in on the action as well, chalking up their own rainbow outside the front door of their station in Redfern. "It's just a fun, little nice thing, a sign of how Sydney people are joined together when they think a wrong has been done," said program director Caroline Gates, who was inspired to join Brechney's 'chalk revolution' after seeing his Facebook photo. "We've got a volunteer group, and I just said 'Hey, anyone want to make a rainbow?'" she says. "I think a nice thing about people getting out a bit of chalk and making their own is just saying 'Screw the government, this is what we feel and what our community is'." The removal of the crossing took many Sydneysiders by surprise after road workers in Ultimo were redirected to Oxford Street to perform 'emergency road works' late on Wednesday night, as passers by booed and shared photos of the disappearing rainbow on social media. "I think people really connected with some vibrancy in our city," said Brechney. "I think the State Government has really got themselves pigheaded about removing it when it was clear, even to people initially opposed, that it was truly a fabulous addition to Oxford Street." DIY rainbow crossing behind the Newtown Hotel. DIY rainbow crossing behind the Newtown Hotel. DIY rainbow crossing in front of FBi Radio. Photography by Anita Senaratna and Rima Sabina Aouf.
When is a Ridley Scott-directed, Joaquin Phoenix-starring trip to the past more than just a historical drama? Always, at least so far. Twice now, the filmmaker and actor have teamed up to explore Europe centuries ago, initially with Gladiator and now 23 years later with Napoleon — and where the Rome-set first was an action film as well, the second fancies its chances as a sometimes comedy. This biopic of the eponymous French military star-turned-emperor can be funny. In the lead, Phoenix (Beau Is Afraid) repeatedly boasts the line delivery, facial expressions and physical presence of someone actively courting laughs. When he declares "destiny has brought me this lamb chop!", all three coalesce. Scott (House of Gucci) not only lets the humour land, but fashions this muskets-and-cannons epic as a satire of men with authority and dominance, their egos, and the fact that ruling a country and defeating other nations doesn't cancel out their pettiness and insecurities. As it's off with Marie Antoinette's (Catherine Walker, My Sailor, My Love) head, it's in with Napoleon's revolutionary stirrings in Scott and screenwriter David Scarpa's take (with the scribe returning to cut the powerful down to size after the director's All the Money in the World, just as Walker apes another famous figure after playing Anna Wintour in House of Gucci). Also in: Napoleon's tinkering with facts, which'll later see its namesake and his troops fire at the pyramids. Devotion to historical accuracy isn't the movie's aim. Like The Castle of blasts from the French past, it's more interested in the vibe of the thing — said 'thing' being how Napoleon Bonaparte, later Napoleon I, follows his yearning for glory and adoration above all else. Scott stitches together a selection of his own recurrent obsessions, too, such as Phoenix sulking, savaging the quest for command and influence, Gallic days of yore as seen in his debut The Duellists and the unrelated The Last Duel, and unfettered ambition's consequences as per The Martian and Prometheus, then tops it with the requisite bicorn hat. My my, in Waterloo Napoleon will eventually surrender in this 158-minute flick — which is the short version; a four-hour director's cut is on its way to Apple TV+ once the film's cinema release is done — but he has considerable battles on three fronts to wage first. The movie's 18th- and 19th-century military frays span everywhere from Toloun to Austerlitz and Borodino. The tussling that his sizeable sense of importance sparks is as inescapable as his shadow. And attempting to repair his fragility through his romance with Joséphine de Beauharnais (Vanessa Kirby, Mission: Impossible — Dead Reckoning Part One) and desperation for a son is a conflict-filled affair again and again. When those encounters are sexual, they're filled with short, sweaty thrusts and Basic Instinct moments, as well as clashes of wills and desires. In this tumultuous marriage, food fights also feature. So hops Napoleon from vignette to vignette, war to war, one end of the continent to the other, rise to fall, Napoleonic politics to tabloid fodder, and constant conquests to multiple exiles. So jumps Napoleon from Corsican soldier to Paul Barras (Tahar Rahim, Extrapolations)-backed force, Robespierre's (Sam Troughton, The Lazarus Project) demise to the Bonaparte brothers' coup (House of the Dragon's Matthew Needham plays Lucien), capitalising upon anti-royalist feelings to donning a crown, and triumph to capitulation. With detours for dramatic flair — and comic — here and there, the broad biographical strokes are covered, plus minutiae that paints Scott's chosen picture (including Transatlantic's Sam Crane as Jacques-Louis David painting the famed The Coronation of Napoleon picture). Bringing Wikipedia to life, petulant scowling, ample buffoonery, pining for Joséphine, sumptuous cinematography by Dariusz Wolski (continuing his Scott run since Prometheus), gorgeous production design from Arthur Max (a Scott regular since GI Jane): that's the mix. Scott slips in an early scene that sums up his approach fittingly, popping up while Napoleon is in Egypt. After a mummy is presented to the general standing upright in its propped-up sarcophagus, he hops up on a stool to stare closely at its desiccated form, expecting to divine more about it just by peering in his specific manner. Napoleon isn't shy about dehydrating its titular figure's pomp, or about its guiding force's angle. No one asks "are you not entertained?", but anticipating both Napoleon and Scott thinking that of their onlookers is easy. Seesawing between impressively staged epic spectacle and marital and regal farce, Napoleon is indeed entertaining — "you think you're so great because you have boats!" is another instantly memorable piece of dialogue, as uttered thusly — and also sprawling, grandly handsome, frequently not all-conquering enough and as on the surface as an exploded horses's insides. As more than ABBA has immortalised, plus Succession's reference to Napoleon's severed collector's-item penis as well, Scott's subject is better-known than he ever craved, let alone could've dreamed. Depicting him as a little bit of everything in this character study is apt, then, with so much information about him existing that a definite take feels elusive. Perhaps that's why Napoleon isn't short on cinema stints but has hardly proven a mainstay, even if Louis Lumière first brought him to celluloid with 1897's Entrevue de Napoléon et du Pape and 1927's silent Napoléon has been revered for almost a century. Stanley Kubrick's iteration didn't eventuate, but is now being revived by Steven Spielberg. Charlie Chaplin's attempted project became The Great Dictator instead. The Bill & Ted's Excellent Adventure version might be the take of record for many until now; Phoenix acts here like he's definitely seen it. Napoleon's ever-committed lead is compelling to watch, but the film is best when he's part of a duo. Although the emperor ultimately divorced Joséphine when she didn't deliver him the heir that he demanded, his famous lovesickness — as letters document — makes it plain that he felt that way, too. Kirby is magnetic, as the role calls for, yet also pragmatic. Her Joséphine sees him as no one else does except the movie itself, and he is spellbound in her presence. The double-act setup also works when Napoleon is paired one-on-one with friends or foes, such as Austria's Francis I (Miles Jupp, The Full Monty) and England's Duke of Wellington (Funny Woman's Rupert Everett, also sneering and having a ball). This is a picture about a man clamouring not just for a legacy but for company, after all, and Scott never forgets it.
Gelatissimo brought us ice cream for dogs, a Weet-Bix flavour and a 100-percent vegan range and, now, for Easter it's getting suitably paschal. It's not only releasing a new flavour, but it's giving it away for free. The gelato chain has just launched a new Choc Cross Bun flavour, which, like its name suggests, combines traditional hot cross bun spices, chocolate gelato and chunks of actual chocolate hot cross buns. You can pick this up from one the gelato chain's 37 Aussie stores nationwide, or get it delivered to your door via UberEats, Deliveroo or DoorDash (yes, it's almost as omnipresent as God himself). It's giving away free tubs of this new flavour, too. In a new initiative called Scoop It Forward, Gelatissimo is inviting you to nominate someone who deserves some free dessert. So, if you've got a friend or family member who is working as a health professional, had to cancel their holidays or has just had a tough week, now may be the time to brighten up their month with a little bit of sweetness. You just need to head on over to the Gelatissimo website between now and midnight on Monday, April 13, add in some details about the person you think deserves free Choc Cross Bun gelato and the company will deliver as many boxes as they can to deserving folk across the country. It'll also be kicking off its Easter giving by donating some tubs to the nurses at the Prince of Wales Hospital. To nominate someone for free Choc Cross Bun gelato, head over to the Gelatissimo website before midnight on Monday, April 13. You can buy some for yourself over here.
Since 1987, if you've wanted to hit up South by Southwest, then you've needed to visit Austin in Texas. In October 2023, however, that'll no longer be the case. In what was perhaps Australia's biggest cultural news of 2022, the acclaimed tech, innovation, music, gaming, screen and culture festival and conference announced that it'll stage its first-ever non-US event in Sydney this year — and it's just added a bunch more musicians and speakers to its lineup. Headlining the latest announcement is a new featured speaker, who will be talking at the event's music-industry conference. Chris Lee (also known as Lee Sung-Su) is the Chief A&R Officer and former CEO of SM Entertainment, a K-pop powerhouse. Lee and the label have played a part in popularising breakout K-pop stars like aespa (who recently dropped a Sydney-heavy promo for their new album), SHINee, EXO, Red Velvet and NCT. Two of the biggest annual parties from SXSW Austin have also joined the program. Dr Martens and Vans slide in alongside local legends Young Henrys as major sponsors, bringing their respective music hubs — Dr Martens Presents and House of Vans — to the debut Australian festival. Both showcases are regular occurrences over in Texas, pulling big-name guests to perform, with past lineups including the likes of The Stooges, Denzel Curry, ODESZA and Wolf Alice. More artists have been added to the live music lineup, which already boasts previously announced acts Redveil, Connie Constance, Otoboke Beaver, Ekkstacy and Los Bitchos. The majority of the new announcement is dedicated to the first local Australian acts to join the program, with Teenage Joans, Phoebe Go, MALI JO$E, Ashli, Andrew Guruwiwi Band, Alter Boy, Mi-Kaisha, VV Pete, Rum Jungle and Golden Vessel's side project 1tbsp among the 18 Aussie additions. There are also seven fresh international names, including New Zealand's Soaked Oats, Japan's Chameleon Lime Whoopiepie, South Korean's HYPNOSIS THERAPY and American indie-pop star Wallice — who recently supported The 1975 on their Australian tour. [caption id="attachment_899225" align="alignnone" width="1920"] Chameleon Lime Whoopiepie[/caption] "The lineup features an essential array of styles, ranging from post-punk, jazz and experimental pop to club-tinged hip hop, R&B and indie folk," says Claire Collins, SXSW Sydney's Head of Music. "It is a vibrant snapshot of the undeniably exciting next wave of talent from across the globe, from Western Sydney to the Top End, South Korea to the UK, and beyond. We can't wait to reveal more in the coming weeks and months." The first lineup announcement back in February included American futurist, The Genesis Machine author, and Future Today Institute founder and CEO Amy Webb as the festival's first-ever keynote speaker. Webb will be joined by other featured speakers like Ben Lamm and Andrew Pask, who'll discuss their work on the de-extinction of the woolly mammoth and the Tasmanian tiger; Guy Kawasaki, Chief Evangelist of Canva and former Apple Chief Evangelist, who'll talk evolving tech; lawyer, writer and filmmaker Larissa Behrendt, fresh from helming Richard Bell-focused documentary You Can Go Now; and Saudi women's rights activist Manal al-Sharif. [caption id="attachment_899226" align="alignnone" width="1920"] Teenage Joans[/caption] SXSW Sydney will all take place between Sunday, October 15–Sunday, October 22 within a walkable precinct within the Sydney CBD, Haymarket, Darling Harbour, Ultimo, Chippendale and more. Think of the fest's footprint as a huge hub, with festivals within the bigger fest, exhibitions, talks, networking opportunities and streetside activations popping up everywhere. So far, venues named include Powerhouse Museum, ICC Sydney, UTS, Central Park Mall, the Goods Line Walk, The Abercrombie and Lansdowne Hotel. Attendees can hit up the SXSW Sydney Conference, which is where those keynotes, presentations, panels, workshops and mentor sessions come in — more than 400 of them. And, there's the SXSW Sydney Technology & Innovation Exhibitions, which is all about innovative and emerging tech and entertainment companies from across the Asia-Pacific region. Plus, at the Startup Village, up-and-comers from all industries and sectors will have space to meet, present and chat. SXSW's arts fests will span the SXSW Sydney 2023 Music Festival, which will be focused on live music venues in central Sydney — and the SXSW Sydney Gaming Festival, complete with more than 100 local and international independent games to play at venues (alongside demonstrations, launches performances, exhibitions and social gatherings). Movie and TV lovers, get excited — because the SXSW Sydney Screen Festival isn't just a film fest. There'll be flicks to see, including at red-carpet premieres; episodic content; and digital, XR and social content. Expect Q&As and panel discussions with the folks behind them as well. Can't wait, whether you're a Sydney local or planning to head along from elsewhere in Australia — or New Zealand? Platinum and industry badges are already available at early-bird prices, with more ticketing to come. SXSW SYDNEY 2023 — SECOND LINEUP ANNOUNCEMENT: FEATURED SPEAKERS: Chris Lee (aka Sung-Su Lee) SXSW SYDNEY MUSIC FESTIVAL: 1tbsp Alter Boy Andrew Guruwiwi Band Ashli Dean Brady DICE dust Elle Shimada MALI JO$E Mi-Kaisha Mikayla Pasterfield Milku Phoebe Go Teenage Joans Vv Pete PANIA GO-JO Rum Jungle Hans. hanbee Soaked Oats Nuha Ruby Ra Wallice HYPNOSIS THERAPY Chameleon Lime Whoopiepie Joining: KEYNOTES: Amy Webb FEATURED SPEAKERS: Andrew Pask Ben Lamm Guy Kawasaki Jack Reis Kyas Hepworth Larissa Behrendt Manal Al-Sharif Michael J Biercuk Per Sundin Que Minh Luu Robyn Denholm Rohit Bhargava Sam Barlow Sean Miyashiro Sheila Nguyen Sung-Eun Youn Tom Verrilli Yiying Lu Yoomin Yang SXSW SYDNEY MUSIC FESTIVAL: Connie Constance Ekkstacy Los Bitchos Otoboke Beaver Redveil SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues — head to the festival's website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
If you've ever been to Hobart, then you know all about Sweet Envy — the Tasmanian pastry shop is regarded as the best in town, and for good reason. Now, head pastry chef Alistair Wise is gracing Sydney with his new pop-up venture Drury Lane, which is currently operating out of caffeine haven Brewtown Newtown. The partnership seems to be a natural one, combining top-notch coffees and some damn good pastries for the ultimate cafe experience. The menu is much the same as Sweet Envy, including savoury and sweet options that, until now, have only been available in Hobart. We're most excited for Wise's pecan sticky bun, topped with almond cream and salted caramel ($7); these decadent buns are sure to be the major draw for this Newtown newcomer. Apart from cafe classics like cakes, cookies and lamingtons ($6), Wise is also turning out some interesting options like the pistachio croissant — which adds rosewater and frangipane to the typical French pastry ($ 6.50) — and the Witherspoon, a chocolate shortcrust with plum compote, peanut mousse and pretzel topping ($7). The posset jar ($7), layered with lemon cream, fruit and crumble, is a non-pastry option. As with any good bakery, there are daily specials on offer, including a range of rotating pies and rolls, from cauliflower and cheese to a 'tongue and cheek' pie, as well as a chicken and sausage gumbo ($8 each). Drury Lane is also pouring coffees from Brewtown's new Marco SP9 — an extremely fancy filtered coffee pour over machine that is sure turn out some excellent brews. A speciality pastry and a cuppa? Don't mind if we do. Drury Lane has popped up upstairs at Brewtown Newtown, 6-8 O'Connell Street, Newtown. It's open pen Thursday through Sunday from 10am to 4pm for the near future. For more info, visit their Facebook page.
In a provocative move usually found in the realms of contemporary art, Austrian men's magazine Vangardist has just printed 3000 copies of their latest edition with blood-infused ink from people with HIV. A new project with Saatchi & Saatchi Switzerland, Vangardist's #HIVHeroes issue aims to raise awareness of HIV and AIDS, trigger discussion around the attached social stigmas and raise funds — all profits from this edition go to charity foundations fighting the stigma of HIV/AIDS. The blood-infused ink comes from three HIV-positive donors: a wife and mother, a heterosexual man and a homosexual man. The #HIVHeroes issue comes sealed in plastic, encouraging readers to face their HIV contact fears when physically opening the magazine. According to Dezeen, Vangardist followed Harvard and Innsbruck-produced guidelines to ensure handling of the magazine had no risk of infection. Vangardist describes the plastic-sealed issue as "100% safe", a provocative nod to the prevailing social fear attached to HIV/AIDS and the people who live with it every day. "Although people with HIV can live a normal life in countries with good medical care, they are still faced with a hard social stigma of exclusion," says the Vangardist team. "Most conceal their illness for fear of losing their friends, their job or their partners or even to find a partner. Because still there are still too many people who are afraid to touch a person with HIV, to embrace or kiss. "No matter how one learns of the issue, whether one hears about in the news or reading the newspaper about it, everyone is wondering: "Would I attack this magazine? In any case, anyone who buys one of the limited edition of 3000 pieces is inevitably faced, when opening the special packaging, with its own fears and discomfort. If these are overcome, the next contact with an HIV positive person is very natural run." Vangardist's blood-printed issue is being launched to coincide with Vienna's Life Ball, one of the globe's biggest AIDS charity events. The magazine is only distributed in Austria, Germany and Switzerland, although you can contact their customer service if you want to get your hands on a copy. Via Dezeen. Images: Julian Behrenbeck.
Much about this last week of March has felt like history repeating itself — initially for Brisbanites, and now for anyone with an Easter date with Bluesfest. For the second year in a row, the Byron Bay festival won't be going ahead, with NSW Health announcing that a public health order has been signed that cancels the 2021 event. The long-running festival was set to return to Byron Events Farm (formerly Tyagarah Tea Tree Farm) just outside Byron Bay from Thursday, April 1 — for the Easter long weekend, headlined by Jimmy Barnes, Tash Sultana, Ocean Alley, Ziggy Alberts and The Teskey Brothers. But, as happened last year, COVID-19 has gotten in the way. NSW Health has advised that the move has been made "to minimise the risk of the highly infectious COVID-19 variant of concern being transmitted in the local area, as well as across states and territories." Over the past weekend, between Friday, March 26–Sunday, March 28, Byron Bay was visited by two people who later tested positive to COVID-19 as part of Greater Brisbane's current cluster. Today, Wednesday, March 31, NSW Premier Gladys Berejiklian announced that one person in Byron Bay has since tested positive as well. And, the Premier also advised that from 5pm AEDT today until at least 11.59pm on Monday, April 5, the Byron, Ballina, Tweed and Lismore shires will reinstate a number of social distancing restrictions. So, they'll be in effect exactly when Bluesfest was due to run. The north coast regions will revert back to 30-person caps for at-home gatherings, and will reintroduce the one person per four-square-metres rule at all indoor public settings, including hospitality venues. Folks in the area will also have to sit, not stand, while having a drink. And, masks will be compulsory on public transport, in retail settings and indoors in public places. [caption id="attachment_800519" align="aligncenter" width="1920"] Andy Fraser[/caption] "Infectious Queensland travellers attended a number of venues in the Byron Bay area and the new locally acquired case was infected at one of these venues," said NSW Health in its statement. "NSW Health acknowledges that the cancellation of Bluesfest is disappointing for ticket holders and event organisers; however, while urgent investigations and contact tracing are ongoing, NSW Health is adopting a cautious approach to keep everyone safe." Minister for Health Brad Hazzard noted that "while the cancellation of Bluesfest is disappointing for music lovers and the local community, I hope that ticket holders would support Bluesfest and hold on to their tickets as I understand Bluesfest will be working on a new date as soon as possible." At the time of writing, Bluesfest hasn't made a statement about the cancellation. Via the festival's last social media posts earlier today, event organisers said that an update was coming soon. NSW Health advised that it wished "to acknowledge the outstanding cooperation of Mr Peter Noble and his organising team, who were working hard to ensure Bluesfest would be conducted in a COVID-safe manner." For more information about the status of COVID-19 in NSW, head to the NSW Health website. Top image: Joseph Mayers
With every venue around offering up a set menu brunch with a tipple, it's easy to forget the longstanding tradition of high tea and champagne. And you'd be missing a trick if you hadn't checked out Sheraton Grand Sydney's offering — it's been a top high tea destination for 25 years. This summer, the hotel has taken its high tea game to the next level with the Royal High Tea. You can step into the palatial Royal Suite and experience sweeping views of Hyde Park, St Mary's Cathedral and Sydney Harbour — all while sipping fine champagne, of course. It's the newly released Moët & Chandon Grand Vintage 2012, to be exact, which will be paired with an elegant menu of high tea treats. You'll be feasting on decadent savoury dishes such as tuna tartar, black caviar and creme fraiche; miso-glazed kingfish with pickled daikon and yuzu gel; wagyu carpaccio with horseradish cream and white truffle vinaigrette; and a lobster, scallop and mango salad. Plus, no high tea would be complete without scones with jam and cream, plus other delicate fruity sweets. The fancy fare and champagne will cost you $250 per couple, or you can opt for a bottle of Dom Pérignon for $495 per couple. [caption id="attachment_755934" align="alignleft" width="1920"] Sadarka via Wikimedia Commons.[/caption] The Royal High Tea is available on select Sundays, from 12.30pm. Spaces are limited, so head here to book.
After beginning the year with a devastating bushfire season, then following it up with a global pandemic that rid the area of tourism, the Blue Mountains, it's fair to say, has has a tough 12 months. In response, Mount Tomah's Blue Mountains Botanic Garden has turned to an unlikely partner on its road towards bushfire recovery: gin. In collaboration with Sydney-based gin brand Grown Spirits, the Botanic Garden has released the Blue Mountains Grown Gin in a limited run of just 1000 bottles. All profits from the gin go to supporting the garden's horticultural and scientific staff in their efforts to restore hundreds of specimens and areas of the Blue Mountains Botanic Garden destroyed in the bushfires earlier this year. The Blue Mountains Grown Gin was created by Grown Spirits and Master Distiller Philip Moore at Distillery Botanica in Erina. It combines local eucalypt plant the silver-leaved mountain gum with juniper, valencia orange and liquorice root for a textural gin with a hint of spice. "In creating a gin homage to the Blue Mountains and the Garden, there was one botanical I was immediately drawn to, eucalyptus pulverulenta, or "Baby Blue" as some people call it," Moore said in a statement. "It brings fresh, cooling qualities to the gin much like the mountains themselves." The team recommends serving it in a G&T or a martini with a lime zest. You can also try it at Dead Ringer in Surry Hills, shaken into a cocktail called Evergreen. If you're looking for ethical holiday gifts this time of year, the Blue Mountains Grown Gin fits snuggly into a Christmas stocking. Not a gin enthusiast, but still keen to support the area? You can take a trip to the Blue Mountains — and the Garden — and spend liberally on local businesses. To start planning your adventure, check out our guide to the upper Blue Mountains and these enchanting local stays. The Blue Mountains Grown Gin is now available now for $129 at the Garden Grown Gin website or at select bottle shops across Australia.
When warm weather arrives, the Snowy Mountains transform into an adventurer's playground. Lakes you wouldn't dip a toe into during winter become dazzling, sun-kissed visions, perfect for windsurfing, sailing and fishing. Walking, cycling and horse riding trails buried in snow thaw out, allowing you to wander through twisted snow gum forests, across wildflower meadows and along majestic mountain ridges, surrounded by incredible panoramas. Here are ten ways to spend time in the Snowies during the warmer months — from paddling the legendary Snowy River to catching trout in Lake Eucumbene to camping by tranquil Thredbo River. [caption id="attachment_659671" align="alignnone" width="1920"] Destination NSW.[/caption] WINDSURFING AND SAILING ON LAKE JINDABYNE Whether you're completely new to windsurfing or a seasoned expert, peaceful Lake Jindabyne, one of the highest lakes in Australia, offers escapades a-plenty. Winds are pretty steady (yet gentle) and there's not too much traffic, so you don't have to continually stress about bumping into someone else. What's more, the mountainous scenery is stunning. There's a bunch of windsurfer hire spots about, including Sacred Ride and Snowy Mountains Holidays. Alternatively, you could consider a sailboat. If you're looking for fellow sailors, check out Lake Jindabyne Sailing Club, which runs a busy program from November to March. [caption id="attachment_659673" align="alignnone" width="1920"] Jon Armstrong / Destination NSW.[/caption] PADDLING THE SNOWY RIVER Starting on Mount Kosciuszko's slopes and flowing into the Bass Strait in Victoria, the Snowy River's 352 kilometres provide ample opportunities for paddling. That said, there are rapids and tight spots a-plenty, so, unless you're experienced, it could be a good idea to find a guide. Alpine River Adventures runs adventurous, yet suitable for newbies day trips and multi-day expeditions through the ancient Byadbo Wilderness. Expect to meet platypuses and brumbies, to journey through steep gorges and to rush down grade-three rapids. [caption id="attachment_661863" align="aligncenter" width="1920"] Destination NSW[/caption] HORSE RIDING IN THREDBO VALLEY Unencumbered by snow, Thredbo Valley is a picturesque garden of pretty snow gums, towering mountain gums and open plains, with the wild Thredbo River running through. To find out what The Man from Snowy River was all about, experience it from a horse's back. Thredbo Valley Horse Riding has been running trail rides since 1993. For a taster, book a one or two-hour ride, or to spend a bit longer in the saddle, go for a half-day adventure. All rides include gear and basic instruction. If you're interested in a multi-day trip, get in touch with Cochran Horse Treks. CAMPING ON THREDBO RIVER It is, of course, possible to camp in the snow, but you've got to be tough and well-prepared. In the warmer months, pitching a tent is a lot more comfortable. There are stacks of stunning campgrounds in the Snowies and one of the loveliest is Thredbo Diggings. Perched right on Thredbo River, this gorgeous spot surrounds you with snow gums, backdropped by mountain ranges. Spend your days lazing about, going for dips, trying your luck at fly fishing and strolling or cycling on the Thredbo Valley Track. If you're in need of a nightcap, Wild Brumby distillery's warming schnapps, made with local fruit, are just up the road. Another camping option along Thredbo River is Ngargio Campground. [caption id="attachment_661864" align="aligncenter" width="1920"] Destination NSW[/caption] TROUT FISHING AT LAKE EUCUMBENE You won't have any trouble finding a spot to throw in a line at Lake Eucumbene; it's the biggest lake of the many created by the Snowy Hydro scheme. At full capacity, it's nine times the size of Sydney Harbour and 30 metres deep on average. Plus, a total of 145 kilometres of shoreline gives you lots of room to explore. Before getting started, be sure to pick up a NSW Recreational Fishing Licence, usually available at servos and caravan parks. If you don't feel confident fishing on your own, then consider a visit to Eucumbene Trout Farm, where gear and guidance are provided, as is a barbecue for a post-fishing feast. VISITING A WATERFALL There are several waterfalls in the Snowies that'll capture your imagination. One of the easiest to access is found along a walking track that leaves from Kosciuszko Education Centre, about 12 kilometres west of Jindabyne. The six-kilometre loop passes through an impressive diversity of scenery, from heathland dotted with wildflowers to giant granite boulders to mature gum trees. Keep an eye out for echidnas, wallabies and kangaroos along the way. When you reach the waterfall, be sure to wander onto the viewing platform for some beautiful sights. [caption id="attachment_659669" align="alignnone" width="1920"] Paul Sinclair / Destination NSW.[/caption] CYCLING COOMA TRAILS On the outskirts of Cooma lie 80 hectares of land known as North Ridge Reserve. Speckled with granite boulders, basket grass and bright wildflowers, including native bluebells, everlasting daisies and black anther flax lilies, it's a great spot for mountain bike riding. There's a variety of trails, offering something for everyone, from beginners to pros. And, if you're not keen on cycling, you can always walk. Whichever way you travel, the views are breathtaking — over Cooma, east towards the coast and west towards the Snowy Mountains. If you're looking for a coffee or a bite to eat in Cooma afterwards, head to The Lott Food Store. [caption id="attachment_659675" align="alignnone" width="1920"] Destination NSW.[/caption] WALKING THROUGH YARRANGOBILLY CAVES The oldest of these limestone spectacles, found in the northern section of Kosciuszko National Park, was formed millions of years ago. Several are accessible by self-guided tour, including the biggest, South Glory, where a 500-metre trail passes vast chambers like the dazzling white Ice Age Chamber, stunning rock formations and a natural skylight 55 metres above the ground. Other caves to check out include Jillabenan, covered in delicate cave coral, stalactites and helictites, as well as Jersey Cave, whose extraordinary grey and black flowstone was created by bushfires thousands of years ago. Round out your visit with a swim in Yarrangobilly thermal pool, which is a toasty 27 degree celsius all year round. [caption id="attachment_658614" align="alignnone" width="1920"] Facebook / Heli Fun.[/caption] TAKING A SCENIC FLIGHT IN A HELICOPTER Regardless of whether you've skied, snowboarded, hiked, cycled or paddled the Snowy Mountains, a scenic flight will give you a whole new perspective. Heli Fun will take you soaring above Australia's highest peaks, including Mount Kosciuszko, Mount Townsend and the Ramshead Ranges — make sure you look out for wild brumbies and familiar landmarks, such as Thredbo ski fields as you're flying high. Choose between 30-minute and 60-minute trips or a speedy ten-minute swoop over Lake Jindabyne. For an even more exciting adventure, book a wilderness picnic. Your pilot will take you on a one-hour jaunt, before leaving you in the middle of nowhere with a gourmet picnic and bottle of sparkling. [caption id="attachment_659674" align="alignnone" width="1920"] Destination NSW.[/caption] GOING WINE (AND BEER AND SCHNAPPS) TASTING The Snowies' wines might not be as well known as those of the Yarra Valley or McLaren Vale, but there's no shortage of decent drops to try. If you're into beer, get started at Kosciuszko Brewery at the Banjo Paterson Inn in Jindabyne. From there, head to Snowy Vineyard Estate in Dalgety, where Dalgety Brewing Company serves up a variety of ales, including pale, golden and red, as well as a selection of wines. On the other side of the mountain lies Tumbarumba cool climate wine region, which specialises in chardonnay and pinot noir. It's easy to spend an afternoon in the lush, Italy-inspired grounds of Tumbarumba Wine Escape and Courabyra is worth a visit, too. Discover all that the Snowy Mountains has to offer outside of winter months, from jam-packed adventures to culinary excursions and so much more.
Black Mirror: Bandersnatch did it. Kimmy vs The Reverend, You vs Wild and Cat Burglar, too. With these four titles and more, Netflix has actively embraced interactive content in recent years. Choose Your Own Adventure books have a lot to answer for, clearly, with being able to select your way through streaming picks — making choices about what happens next within a movie or show, that is, rather than simply deciding what to watch — popping up often enough that it's now just another viewing option. But only the streaming platform's new heist thriller series Kaleidoscope boasts 40,320 different ways to dive in. Here, that vast array of choices is indeed a gimmick, giving a familiar robbery narrative shiny packaging. Picking a route through Kaleidoscope's eight instalments is also automated, at least if you do what Netflix tells you. When each subscriber presses play on the series for the first time, they're given one of seven colour-coded instalments at random. From there, viewers move onto one of six chapters, any of which could roll next, and so on. The only inbuilt rule: White: The Heist, as the episode that shows the heist itself is called, always screens last. That whittles down the options to 5040, which is still a hefty number. Created by author and screenwriter Eric Garcia, whose novel Matchstick Men previously slipped him into the world of grifters — and was turned into a Nicolas Cage-starring film — Kaleidoscope also allows Netflix customers to make their episode choices manually. Whether you stick to the random order the platform throws your way or genuinely choose your own adventure, however, the result is identical. One narrative, eight chapters, thousands of outcomes: that's the show from a storytelling standpoint, with the plot itself remaining unchanged. Does one's interpretation of Kaleidoscope and perspective on its characters differ depending on which order you see its instalments? That's the aim, but the playful series proves ridiculously easy to binge no matter how you move through its Green, Blue, Violet, Red, Pink, Orange and Yellow chapters. Wherever viewers hop in, a crew of thieves awaits, all attempting to bust into an underground vault packed with $7 billion in bonds in the middle of a massive hurricane. Doing the pilfering: veteran criminal Leo Pap (Giancarlo Esposito, Better Call Saul), his lawyer and longtime friend Ava Mercer (Paz Vega, 13 Minutes) and smuggler Stan Loomis (Peter Mark Kendall, Top Gun: Maverick), plus chemistry wiz Judy Goodwin (Rosaline Elbay, Ramy), her safe-cracker husband Bob (Jai Courtney, The Suicide Squad) and driver RJ Acosta Jr (Jordan Mendoza, ZIWE). Their target: SLS, a New York corporate security outfit run by Roger Salas (Rufus Sewell, Old). Kaleidoscope also throws SLS employee Hannah Kim (Tati Gabrielle, Uncharted), her sister and roommate Liz (Soojeong Son, Servant), and FBI agents Nazan Abbasi (Niousha Noor, The Accidental Wolf) and Samuel Toby (Bubba Weiler, Dopesick) into the mix — because family ties and law enforcement are heist genre staples. Anyone who has ever seen a film or show about stealing a big score already knows the drill, and Garcia and his team of fellow writers know it. Accordingly, of course the safe is ultra-secure, and extremely difficult to both get to and break into. Of course the job is also tied to an act of revenge, too. Also, of course Kaleidoscope slots into the eat-the-rich fold that Netflix also worked so well with Squid Game. And, while he doesn't play a fast-food shop owner who's secretly a drug kingpin, of course thinking about Esposito's time on both Breaking Bad and Better Call Saul comes quickly as well. Past secrets, new rivalries, love triangles, close calls with pursuing cops, everything that can go wrong definitely going wrong: they all have a part, predictably so even amid all the shuffling. The just-keep-pressing-play hook comes from the overall puzzle, though, which is what Kaleidoscope's delivery gimmick serves up. Non-linear storytelling always involves sleuthing for clues and putting together pieces, which is why the heist genre loves it. It's also why, in these whodunnit-saturated times — Netflix did just gift the world Glass Onion: A Knives Out Mystery, after all, and has another on its way) — this series goes all in. Consequently, Kaleidoscope's audience is instantly keen to know how everything fits together, sifting through each episode for clues and details alike as the show flits between timeframes. With the entire narrative spanning a quarter-century, chapters jump between 24 years, seven years, six weeks, three weeks and five days before the heist, plus the morning after and six months later. Although each instalment is tied to a hue, only Green — which perhaps makes the best entry point — lets its eponymous colour shine visually. That's disappointing albeit unsurprising; Kaleidoscope is slickly shot, but happy sticking to an aesthetic formula. The scrambled storytelling and Esposito do plenty of heavy lifting, and overtly; thankfully, the latter alone always makes for engaging viewing. Playing determined, authoritative but also vulnerable, it's hardly astonishing that the five-time Emmy-nominee is the standout among the cast. Similarly expected: that Courtney comes across as gratingly cartoonish. That said, that's just how one of Kaleidoscope's rotations pans out. Perhaps the other 40,319 (or 5039) treat the bluster-fuelled Bob more kindly — shifting perceptions on heroes and villains, and mysteries and revelations, is all part of the gimmick. That makes an interesting thought experiment, but maybe don't go thinking about how Netflix's algorithm is dictating each viewing path through Kaleidoscope, likely to keep everyone hooked based on their past watchlist, even if it works. Check out the trailer for Kaleidoscope below: Kaleidoscope streams via Netflix. Images: Courtesy of Netflix © 2022.
For three months from Friday, August 8 to Saturday, November 8, legendary Japanese drinks company Suntory is turning Whisky Thief inside Sydney's Prefecture 48 precinct into ground zero for highballs, international guest bartenders, chefs and exclusive experiences. Suntory Bar features bespoke snacks by award-winning chef Tetsuya Wakuda. It's an exclusive chance to experience his food, with dishes created just for the residency in collaboration with the head chef of Prefecture 48's kaiseki restaurant, Garaku. The menu leans into Japanese technique with a modern edge. You'll find fried oysters with citrus mayonnaise and ikura, tuna tartare with shiso and ponzu and a "Wagyu Hambagu Burger" with Patatas Fritas. It's all designed to pair with Suntory's signature Highballs, but if you're trying the exclusive Tetsuya Wakuda snack, the recommended choice is the Hakushu Highball — a smoky take on the classic, crisp whisky and soda that's huge in Japan. The drinks cover plenty of ground, offering a deep dive into the full Suntory portfolio. You'll find a range of beers, spirits and creative cocktails showcasing Toki Whisky, Roku Gin, Haku Vodka and more. There's also a Haku-inspired Japanese slipper, BOSS Coffee reworked into an Irish coffee, whisky flights, a delicious Minus 196 spritz, and pours of Suntory The Premium Malt's beer. And for something unexpected, try Hibiki Harmony served neat over ice cream - call it a whisky take on an affogato if you will. Over the three-month stint, the bar will also host guest bartenders from around the world. They'll drop in for takeovers, special events and limited-time additions to the menu. The main Suntory Bar is open for walk-ins and bookings, Tuesday to Saturday each week. Suntory Bar is spread over two levels of Prefecture 48, a Japanese dining hub home to restaurants like Ibushi, Garaku and Omakase. The space has been given a full seasonal refresh to channel a modern Japanese garden and will bring the best parts of Japan's dining and drinking culture — including a post-work nomikai (drinking ritual) — to the heart of Sydney. If you're into Japanese spirits, rare collabs or just want a good reason to finish work on time, this one's worth locking in. Suntory Bar runs from Friday, August 8–Saturday, November 8 at Whisky Thief in Prefecture 48, 230 Sussex Street Sydney. It's open Tuesday–Thursday from 5–11pm and Friday–Saturday from 5pm–midnight. For more details and bookings head to the website.
Spoil yourself. Go on. Sure you might've been able to fly to Melbourne and back (twice) — but dining at Tetsuya's is an occasion that is slightly more palpable. This is high-flying dining, with very few institutions left like it in Sydney. And yes it may have slipped off the list of the world's top 50 and lost its third chef's hat in 2011; despite all this, there's something to be said about a restaurant that was at the forefront of Australian dining for so long and still has an extensive waitlist. It's a luxurious experience — nay, a luxurious journey. And plus, who said only the rich kids can have the all the fun? Situated smack-bang in the middle of the CBD, the refurbished, Heritage-listed site feels like you literally have left the country for dinner. The entire mansion (yes, it's huge) maintains a traditional Japanese theme — right from the front gates and valet parking, through to the polite and gentle escorting to your table. Eclectic artworks and ceramic pieces adorn the low-lit dining areas, all three of which overlook an immaculate Zen-like garden. The atmosphere is professionally formal yet ceremoniously quiet and tranquil. Tables are impeccably set with shining cutlery and crisp white tablecloths; napkins are immediately — and elegantly — thrown onto your lap. The staff is exceptionally efficient; they don't waste any time here. And they can't afford to waste time — we did warn of a culinary journey. The ten-course degustation menu clocks in at almost five hours, so get comfy. The cuisine is simple and unique and based on the Japanese philosophy of using natural seasonal flavours, with elements of French hinting through. The comprehensive (and weighty) list has over 3000 wines: you may as well go all out and get the matching wines (and extra $97) as it completes the experience. Moreover, the sommelier has done all the hard work for you and ensured that each of your dishes is precisely complimented. To get the ball rolling and whet the appetite, the complimentary truffle butter and bread is an uncomplicated yet decadent start. Fellow diners are already dropping their jaws, ramekins are almost licked clean, and a mere crumb is left. Thankfully, the first dish of the night arrives in due time before you've filled up on glorious carb/fat combo (who would've thought?). And it's a strong start: a warm savoury custard is rich and salty with bursts of flavour in every spoonful. It's paired with a Tamanohikari sake, which — not surprisingly— makes for the perfect accompaniment. Following on from this, Salad of the Sea is nice, and the marinated scampi is a confusing texture combination. Perhaps it's the frozen egg yolk? Suffice to say, truffle butter is winning thus far. The signature dish at Tetsuya's comes out at plate number four — about an hour and a half into being seated. The waiter will outline the complexities of the dish, but a word of advice: choose to ignore the details should you squirm at 'unpasteurised roe'. Matched with a Riesling, the confit of Petuna ocean trout lives up to all its expectations, delivering a full-bodied texture that isn't overly fatty. It doesn't end there, though. Two meat dishes take another 45 minutes of your time before the three desserts: because, everyone needs three desserts right? If we may be so bold, the real orgasmic taste explosion is Tetsuya's chocolate cake. Yes, it's insanely original, but it brings the five-hour voyage to an insane conclusion. While each dish was exquisitely executed and distinctively different, the truffle butter — shamefully? — has to be the hardest act to follow. Or do subsequent dishes just fail to offer that 'wow factor'? If it weren't for the entire Tetsuya's experience — from the service to the setting (to the truffle butter) — would this degustation alone be worth it? There's definitely an argument that the the roller-coaster of dishes is just too much to handle, when all we really want now is simplicity. Nonetheless, Tetsuya's is a Sydney must-do experience. It's certainly not a cheap affair, but the focus really is about a love of food crafted by chefs who are ferociously dedicated. Branch out from the burgers and enjoy one of Australia's most well regarded restaurants.
Sorry Sydney. Melbourne is getting the country's first-ever 67 Pall Mall outpost, due to launch some time in mid-2025. This incredibly luxe, global private members club is set up exclusively for wine lovers who want to sample the very best drops out there. It's not for those of us hunting down $15 bottles of ok wine at the local bottle shop; it's for top-tier wine drinkers who are willing to spend big. The joining fee is $3500 per person (being waived for a limited time!) and the current discounted yearly fee for members who sign up early is $2300 on top of that. If this is beyond your spending limits, perhaps shoot this article over to your rich sister or that well-to-do mate who always shouts the good drinks — because they might be able to bring you in as a guest. [caption id="attachment_942250" align="alignnone" width="1920"] 67 Pall Mall Singapore[/caption] So what's the deal with 67 Pall Mall? Memberships for 67 Pall Mall are highly sought after around the world. The group has sites in Singapore, London, Switzerland, France and Hong Kong. The venues are known for being some of the most incredibly designed spaces, filled with the world's greatest wines that are served and chosen by accredited master sommeliers. A huge selling point for wine connoisseurs is the fact that 67 Pall Mall offers an unmatched selection of wines by-the-glass to members — 1000 to be exact — and sells them with very minimal markup. Most of these drops are never offered by the glass so it presents a rare opportunity. What's in store for Australia's first club? The first Australian site is touted for Melbourne's Spring Street. Spread across the top three floors of the 16-story building, the private members club will let folks sip on fine wines while taking in views across the Treasury Gardens, MCG and St. Patrick's Cathedral. Floor 14 will boast a wine bar and all-day dining room with impressive 270-degree views of the surrounding area. One level up, members will get access to private rooms and semi-formal dining experiences. And the top floor will feature an extensive champagne menu, a raw bar, open air balconies, and a secluded whisky bar. This is top-end luxury stuff that's hard to come by in Australia. 67 Pall Mall's CEO Grant Ashton says, "Melbourne was chosen above all other cities as our first outpost in Australia due to its close connection to independent and outstanding wine producers, allowing us to engage with a passionate wine culture and a knowledgeable collector community." Peter Gago, chief winemaker of Penfolds, whose wines are poured in 67 Pall Mall Clubs across the globe, also commented: "From London to Singapore, 67 Pall Mall has evolved into the world's premier wine Members' Club. Now, expanding to a prime site overlooking the MCG in Melbourne, it's truly remarkable. "Melbourne, a strategic gastronomic hub, with Yarra Valley vineyards and Mornington Peninsula nearby, will soon boast 67 Pall Mall as a wine mecca. It'll attract wine enthusiasts and curious minds alike, continuing the Club's tradition." 67 Pall Mall is set to open in mid-2025 at 85 Spring Street and is currently taking applications for new members (at heavily discounted prices). For more information, head to the club's website here.
Legendary vocal-happy label 4AD (Bon Iver, Grimes, The National) has picked up its fourth ever Australian artist. Castlemaine's D.D Dumbo has just signed a big ol' deal to become one of the 4AD family. Celebrated for his minimalist style, mesmerising vocals and ridiculous ability with a 12-string guitar, D.D Dumbo has pricked the ears of the likes of Warpaint, St Vincent and Iron & Wine — picking up invitations for support slots along the way. The Victorian native has landed more support gigs for Daughter and Tame Impala in the UK, along with a debut headline show in London and a highly coveted slot at Latitude Festival. The Castlemaine local will return home in July to support the ever eclectic and straight-up magical Tune-Yards for her Splendour sideshows, working his way from Melbourne's Howler to North Byron Parklands and back to Oxford Art Factory. Jump wholeheartedly on the bandwagon this time around, this kid's going to get expensive. D.D DUMBO AUSTRALIAN DATES: 24 July - Howler, Melbourne (supporting Tune-Yards) SOLD OUT 25 July - Howler, Melbourne (supporting Tune-Yards) 27 July - Splendour in The Grass SOLD OUT 28 July - Oxford Art Factory (supporting Tune-Yards) https://youtube.com/watch?v=qG4DLc9Kotg
The Good Place wrapped up its existential laughs in 2020. The Office and Parks and Recreation have both been off screen for a few years now, and Brooklyn Nine-Nine will soon be coming to an end, too. So, you might be wondering where you're going to get your 20-minute servings of warmhearted comedy from in the future (other than from rewatching all of the above shows again and again, of course). Enter: Rutherford Falls. Each of these sitcoms, including the newcomer that you've never heard of until now, have one thing in common: they involve writer and producer Michael Schur. He held both roles on The Office, co-created Parks and Recreation and Brooklyn Nine-Nine, and created The Good Place. Yes, he has a distinctive brand of humour — and it's a delight. With Rutherford Falls, the man behind a hefty amount of the past two decades' best comedies is reteaming with one of his past stars — and co-stars. Schur also actually appeared in The Office, playing Mose Schrute, cousin to Dwight. Here, he's working with Ed Helms again, who leads the new series as a descendant of the man his town was named after. Helms' Nathan Rutherford runs tours informing the public of his family's history, and his ancestor's founding of Rutherford Falls 400 years ago. He's also proud of the statue, nicknamed 'Big Larry', that sits in a prominent place. But when it is suggested that the sculpture should be moved, he isn't happy — all in a town that borders a Native American reservation and has hardly been respectful of that aspect of its heritage. As well as Helms, in his first ongoing TV part since The Office, the new comedy stars Jana Schmieding (Blast), Michael Greyeyes (I Know This Much Is True), Jesse Leigh (Heathers) and Dustin Milligan (Schitt's Creek). And, you'll be able to see if it lives up to its Schur-penned predecessors when it hits Stan on Friday, April 23, with its entire first season available to binge that day. Check out the trailer for Rutherford Falls below: https://www.youtube.com/watch?v=qmSK3XliTk4 Rutherford Falls will be available to watch via Stan from Friday, April 23.
Captaining an eco-friendly boat, sipping biodynamic wines and feasting on farm fresh produce — this is just the very beginning of what a sustainable weekend in Canberra could include. The nation's capital is an ideal location for travellers who want to reduce their environmental footprint while uncovering new sights, tastes and adventures. We've rounded up a list of some of the top eco-friendly eateries and drink purveyors, sustainably powered activities and luxe experiences, plus accommodation options focused on preserving the natural beauty of the territory. Use this as your guide to exploring Canberra's renowned city sights and discovering the region's hidden gems — while staying green. Please stay up to date with the latest ACT Government health advice regarding COVID-19. [caption id="attachment_810977" align="alignnone" width="1920"] Capital Brewing, Kara Rosenlund, VisitCanberra[/caption] EAT AND DRINK Canberra's top farm-to-tote-bag source for fridge and pantry staples — plus, early morning sustenance — is the Capital Region Farmers Market. More than 100 local stalls pop up every Saturday from 7–11.30am at Exhibition Park, offering everything from fresh fruit and veg to flowers, honey, bread, smoked meats, eggs and pastries. Explore it all with a coffee in hand, and get to know the local producers' tips for planet-friendly cooking and growing. For a second breakfast, head to vegan cafe and bakery Sweet Bones to enjoy another caffeine fix and sugar rush. Order a plant-based big brekkie or stock up on sweet wonders from the treats cabinet. Next, make a quick trip southeast to Pialligo Estate. It wears many hats, including cafe, restaurant, grocer, vineyard, smokehouse, small farm plot and children's playground. Enjoy the fruits of the estate over an al fresco lunch, before touring the grounds for a real paddock-to-plate experience. [caption id="attachment_810980" align="alignnone" width="1920"] Lark Hill Biodynamic Winery, VisitCanberra[/caption] Ready for a tipple? Start with sustainable malted magic at Capital Brewing Co. This Canberra craft beer baron is well on its way to becoming a zero-waste brewery, sending spent beer-making ingredients to farmers for cattle feed, composting leftovers, minimising water and energy consumption, eliminating unnecessary packaging, and more. Chip in on the environmental effort and order a banana-forward Belgian blonde ale or exquisitely tart pear and elderflower sour from the warehouse taproom. If you prefer vinous varieties on a drinks list, check out Lark Hill Biodynamic Winery. The drops here get gold stars in the organic and biodynamic wine categories, while also hitting the mark on the delicious scale. Regular sippers of riesling, chardonnay and pinot noir will be well served at this lofty location in the hills above Canberra where shale and clay soils let these hardy grapes thrive. Book a $10-per-person tasting by the open fire at the intimate cellar door and work your way through some zesty whites and dark cherry reds. [caption id="attachment_810979" align="alignnone" width="1920"] Jindii Eco Spa, VisitCanberra[/caption] DO Reconnect with nature while you enjoy a little self-care luxury at Jindii Eco Spa. This dreamy retreat is hidden within the vibrant Australian National Botanic Gardens, offering spa treatments that utilise wild harvested native ingredients and Indigenous knowledge. Unwind with a massage and mineral bath, allowing botanicals like lemon myrtle, white flannel flower and banksia seed to hydrate your skin while the expert therapists pummel all the stress out of your weary muscles. Add a little retail therapy to the rejuvenation mix and stock up on a few goodies from the spa's signature skincare range after a wander through the gardens. One fun way to explore Canberra is zipping around on an e-scooter. You might have a few childhood memories of tragic scooter tumbles, but these electric beauties are far easier and safer to handle. You can tour Lake Burley Griffin and track down famously transient The Pop Inn, which moves its wine and pizza bar to new locations around the capital most weekends. Hire e-scooters from the Canberra and Region Visitors Centre for an hour at $15 or for two hours for $25, or book the Beam and Neuron scooters via their own apps. [caption id="attachment_810978" align="alignnone" width="1920"] GoBoat, VisitCanberra[/caption] Keen to get out on the lake? GoBoat provides eco-friendly electric vessels that can ferry up to eight inland pirates (and seafaring dogs) around Lake Burley Griffin. You'll be captaining the boat yourself. It's super simple to steer and doesn't require experience or even a driver's license — however, skippers will need to be over 18 years old. Pre-packaged boat picnics and a sensible amount of BYO alcohol for passengers are encouraged, but GoBoat can also supply snacks from local eatery, Bean & Table. If you've got enough steam left for one more activity, make it an epic hike up Mount Gingera, which sits atop the western NSW/ACT border in Namadgi National Park. If you want to conquer the full 15-kilometre return journey from the carpark, expect an intermittently steep but stunning trek with endless mountain views at the summit. There are shorter trails to follow in the area and plenty of opportunities to spot native birds and frogs throughout the carefully preserved park. Keep in mind this peak can be covered by snow in the depths of winter. [caption id="attachment_810983" align="alignnone" width="1920"] Nil Desperandum, Australian Capital Tourism[/caption] STAY You can get well and truly off-grid staying in Canberra while maintaining accommodation elegance. The bell tents at Naked Cubby Co provide luxe mattresses and linens you can get lost in, as well as breakfast in bed and easy access to the cellar door at Mount Majura Vineyard, all just a 20-minute drive from Canberra's CBD. Choose between the solar-powered glamping tents perched among the vines and the tiny house on wheels near the pine forest. The facilities are similarly minimal but the nature is top-notch at Nil Desperandum, a heritage cottage in the foothills of the Tidbinbilla Range. You'll need a 4WD to make the last leg of the 45-minute journey here from the centre of Canberra, but intrepid explorers with smaller city wheels can hike the last six kilometres along the dirt roads. The charming two-bedroom cottage has solar lighting, a kitchen with a wood stove, a long drop toilet, and a veranda and fenced yard where you can spend the night cooking on the gas barbecue and reclining by the fire pit. Just remember to bring in your own firewood. Also be aware that there's limited phone reception and no power outlets, so you'll need to be pretty self-sufficient to enjoy a night or two in the reserve. [caption id="attachment_810984" align="alignnone" width="1920"] Ovolo Nishi, VisitCanberra[/caption] Alternatively, you can stay within the city limits for access to all the mod-cons you've come to love at Ovolo Nishi. While this CBD hotel is 'plugged in', it does have a clear commitment to sustainability and nature. The retro furnishings and artworks in each room are made from materials like clay, cork, refurbished eucalyptus timber and natural fibres, and the lofty atrium rooms gaze into an internal courtyard of salvaged Tasmanian tree ferns. The in-house dining at Monster Kitchen and Bar also has a sustainable focus, including a 100-percent vegetarian menu for the next year led by local seasonal produce. Discover more experiences to have in Canberra at VisitCanberra and start planning your next city break. Top Image: Mount Majura Vineyard, VisitCanberra
Last week, the crew behind Darlinghurst's Black Bottle brought its natural wine bar vibes to Sydney's inner west with the opening of PG's. The new speakeasy takes up prime real-estate along King Street, just across from the Newtown Hotel, and it's looking like a good'un. Black Bottle co-owner Lucas Cristofle and Ben Labat (The Grounds of Alexandria) have collaborated to open the venue, which has exposed brick walls, low-lighting and pink neon signs, plus bar chow by Ricky Firth and a focus on cocktails and reasonably priced wines by the glass and bottle. Their wine list focuses on the natural and organic, with local craft beers, too. Cocktails include house specialties (all $18) such as the Lavender Fields (gin and lavender oil with an absinthe rinse), the Kaffir Lime Sour (kaffir-infused vodka with lemongrass syrup and finger lime) and the extremely boozy sounding Cabron on Fire (mezcal, a smoky scotch and agave). For eats, Firth is cooking up bar snacks like chicken wings and cheeseburger jaffles, as well as bringing over the house pâté from Black Bottle. Named for mums Pat and Gigi, the speakeasy bit comes from the library cover entrance. From the street, the space better resembles a used book store than a bar — one that houses some pretty regal-looking hard covers, we might add. "The idea behind a speakeasy came from a discussion with a fellow operator in Darlinghurst who said 'prohibition is over'," says Cristofle. "To whom we replied 'Really? Then what do you call a government which tells you where, how and when to drink? We are right in the middle of [prohibition]." Once inside, the two-level bar reveals itself and, according to Cristofle, takes on a vibe of 'house party at your mums' combined with rock 'n' roll feels. To that end, they've restored the old house back to its bare bones and set it up for big name local and international acts to take the stage. The fit-out sees a mix of seating, from aged leather Chesterfield sofas to cafe-style low tables and high bar stools, along with potted plants aplenty and classical portraits adorning the walls. The location is no lucky coincidence, either. "Newtown is the only neighbourhood that stuck together and thrived [through the lockout laws] these last few years, and we respect that," says Cristofle. "We feel the Newtown community is eager for small places and a bit more human-scaled than the multi-billion dollar hospitality giants." Open daily from 4pm until late, the upstairs bar will host live gigs two nights a week, plus one-off parties and other decadent speakeasy events. There'll also be happy hour every Wednesday through Friday from 5–7pm — with $15 carafes, $10 classic cocktails and $5 tap beers on offer — and half-price wings and tinnies on offer every Wednesday. This joint is definitely worth a gander. PG's is now open at 169 King Street, Newtown. Open daily from 4pm until late.
You might not know the Mughal Empire by name, but chances are you're familiar with its legacy. The once-mighty dynasty — which ruled overlarge swathes of South Asia for over 300 years between the 16th and 19th centuries, stretching at its peak from the Bay of Bengal to western Afghanistan — was one of the region's most influential, implementing a reformist agenda that touched many areas of life, including centralised government, the rise of Urdu and the construction of iconic monuments including the Taj Mahal. The Mughals were also responsible for introducing new foods and spices to the region, leading to the creation of enduringly popular dishes like biryani, korma and chicken tikka, among others. It's this rich legacy that's being drawn upon at Cleveland Street newcomer Nawabi. Located right around the corner from Wunderlich Lane, the cosy spot leans heavily into the regal traditions of Mughlai cuisine, with a menu inspired by the opulent banquets enjoyed by Mughal emperors and nobility, and recipes that have been passed down over centuries. Stepping inside, you'll be greeted by rich, warm tones and the heady aroma wafting from the tandoor. On the menu, you'll find well-executed takes on classics — think: a range of full-flavoured biryani and rice dishes, sizzling seekh kebabs, and a variety of proteins cooked in the tandoor as well as in traditional Mughal woks, with dishes that make full use of ground and whole spices. You can pair your meal with a tandoor-fired naan or paratha, or a lesser-seen sheermal, a sweet, soft, saffron-accented flatbread made with milk. It wasn't just the spices that the Mughals brought to the table — they also knew how to end a meal on a high. At Nawabi, you can finish your feast with time-honoured Mughlai desserts, including gulab jamun, falooda and pistachio or mango kulfi. You can also go for a hearty ras malai, in which soft cottage cheese is soaked in saffron-infused milk and topped with pistachios and almonds. You might be feasting like royalty but you won't need the bank balance of a king to dine at Nawabi — aside from share platters, nothing on the menu is more than $30. If you're with a group, you can go for one of the generous banquet menus, which start at $59 per head and feature a broad spread of the restaurant's signature dishes. Plus, Nawabi offers free BYO, as well as zero corkage for its opening period. Nawabi is now open Tuesday–Sunday, from 5–10pm, at 351–353 Cleveland Street, Surry Hills. For more information, head to the venue's website.
Think of Thailand and you probably think of idyllic beaches, excellent food and lovely, welcoming people. But there's one more thing you can add to that list: trash. Specifically, agricultural and industrial waste. In the country's creative and industrial hubs, a group of environmentally conscious Thai brands are creating practical objects out of discarded materials and embodying the ethos of DEWA and DEWI, or Design from Waste of Agriculture and Industry — a method that uses design and creativity to both repurpose waste and minimise pollution. As the old saying goes: one man's trash is another man's treasure. And in this case, the proverbial trash has been repurposed to create treasure in the form of tableware, carry bags and eco-friendly upholstery. Pineapple by-products, unused medical gloves, car parts and even food scraps are all being transformed into products that are useful, eco-friendly and aesthetically pleasing. And as the other old saying goes: waste not, want not. We've teamed up with Thailand's Department of International Trade Promotion to showcase six brands that are solving environmental problems and hitting consumer demand all in one go by turning garbage into gold. THAI NUM CHOKE Thailand has a huge pineapple industry and that mammoth crop leads to a whole lot of pineapple leaves ending up as waste each year. The unwanted leaves are usually discarded via burning, causing an extra kick of waste, too. But it turns out this fibrous material doesn't need to go up in flames. At Thai Num Choke, pineapple leaves are transformed into fibres, yarns and even vegan leather before being reborn as bags, clothing and award-winning fabrics. Blended with industrial materials and hemp barks (another agricultural waste problem), the fabrics make for durable upholstery and beautiful, environmentally responsible leather. Thai Num Choke also uses natural dye sources and is looking at reclaiming other waste products to expand its innovative textile making. LAMUNLAMAI It's no secret that food waste is a big environmental issue. But what if that waste could end up back on the table — think, an egg cup made of eggshells, coffee accoutrements made of coffee grounds and a vase made of carrot pulp. At Lamunlamai, that's exactly what you'll find. Taking waste from individuals, restaurants and industry, Lamunlamai creates artisanal ceramic tablewares, the shapes and subdued natural hues of which are made to echo their source material. Utterly unique and with exquisite attention to detail, each piece is a beautiful work of art for the table which harks back to the company's origins in creating custom pieces and art installations. MUNIE The Delight Collection by Munie has very humble beginnings: weeds and waste. In Thailand, water hyacinths infest city drains and need to be regularly cleared. As it turns out, those tough but elegant masses of weeds can be turned into natural fibres that are light, quick-drying and absorbent. When woven into yarn with cotton scraps, this waste matter becomes a useful and beautiful fabric that can be used to make pillows, slippers, cushions, table-runners, hats and baskets. Munie supports a strong rural economy by investing in local workers, making its fabrics sustainable and socially conscious all the way along the production line. RUBBER IDEA Rubber Idea is a clever concept. In a post-plastic bag era, the 5 billion unused medical gloves that go to waste each year seemed like a golden opportunity to create recycled and reusable carry bags. After all, rubber is waterproof, easy to clean and the latex can be reconstituted and coloured in vibrant hues, giving you a functional and environmentally responsible bag that also provides a solution to a huge waste problem. It's not just bags that Rubber Idea has mastered. It also has a line of pet products including accessories, temperature-adjustable bedding and chewable and snack-dispensing toys. Because why shouldn't your beloved pet live the same environmentally conscious lifestyle as you? CHYWA You probably think about petrol pollution and the fossil fuels that are used to power your car regularly, but what about the environmental impact from the actual car itself? Airbags alone result in tonnes of waste each year across Asia, Europe and the US. But they're a durable material: tough, wrinkle-resistant and made to withstand stress and hard knocks. In other words, ideal for the outdoors. Chywa receives airbags and seatbelts from Thai garages and up-cycles them into outdoor lifestyle products. The range features stylish and functional camping gear including backpacks, folding chairs, shoulder bags and wide-brimmed hats. With tourism being an integral part of Thailand's economy, integrating sustainable practices to improve the ecological footprint of this industry makes complete sense. RENIM PROJECT Producing just one brand-new pair of jeans uses on average 7,600 litres of water and can create up to 60 kilograms of CO2 emissions. And when you think about how many new pairs of jeans are made each year, that's a lot unnecessary usage. With fast fashion being such a big polluter, consumers are wising up and looking for alternatives. The solution? Recycle, reduce and redesign denim via The Renim Project. This Bangkok-based label raises awareness around denim waste through Thai craftsmanship. Using all scrap parts — including zippers, buttons and leather labels — the project reforms waste into stylish new fashion items, such as eye-catching patchwork clothing, bags, accessories and even placemats and table runners. The Renim Project also collaborates on limited-run items that have made their way into LA Fashion Week. Keen to explore more waste-embracing Thai brands? For more information, visit the DITP website, or explore more of Thailand's booming creative scene here.
At Cyclery Northside, in Chatswood, you can browse a wide range of cycles including gravel and adventure bikes, road bikes, mountain bikes, e-bikes, urban bikes, and bikes for kids, as well as ex-demo models. Carrying a range of brands including Tarmac, Roubaix, Sirrus, Levo and Kenevo, the specialist cycling shop also stocks a range of thermal tights and wool socks for winter riders alongside other riding accessories. Keep an eye out for events, as the store runs guided test rides of special bikes, such as the new Levo SL lightweight e-bike. The store also offers one-day hires of its specialist ranges from $100. Images: Leigh Griffiths
If a sunny north Queensland holiday sounds like your kind of bliss at the moment, you're not alone. Spring is here, a toasty summer beckons and Australia's tropical region is mighty enticing all year round anyway. So, whether you're a Brisbanite eager to relax at the other end of the state, or you live elsewhere around the country, Tourism Tropical North Queensland has launched a new tour voucher giveaway that'll give you an extra reason to head to the area. Under the Cairns & Great Barrier Reef Travel Bonus scheme, 8000 vouchers worth $250 each are up for grabs for folks spending their holidays in Queensland's tropical north. You will need to fork out at least $1000 on your trip anyway. But, if you do, you can nab a voucher to use on tours while you're there. The scheme is open all through the warmest parts of the year, too, ending on April 20, 2022. And, unlike previous Queensland travel incentives that've been run at the state government level, these vouchers are open to all Aussies. That said, obviously folks in locked-down parts of New South Wales and Victoria won't be able to head north until the rules in their respective areas allow it, and Queensland's border restrictions as well. To take advantage of the deal, you'll need to book through one of Tourism Tropical North Queensland's travel partners, which includes Viva Holidays, My Queensland and Flight Centre. And yes, you can add the scheme to the list of incentives enticing Aussies to make the most of everything the nation has to offer — when and where they're allowed to, of course — with the Northern Territory doing a tourism giveaway this summer as well. Tourism Tropical North Queensland's Cairns & Great Barrier Reef Travel Bonus scheme runs until April 20, 2022. For more information, head to the $250 Tropical Travel Bonus website.
Some days, you wake up, go about your business as normal, and absolutely nothing unusual or exciting happens. Other days, you're hit with the unexpected announcement that new Rick and Morty has just landed. That's the way the news goes sometimes, including today, Monday, June 21 — because the first episode of the animated comedy's fifth season has just landed on Netflix. Get ready for more interdimensional adventures — and to get schwifty if you want to — because the show's specific brand of chaos is back for another go-around. Once again, Rick Sanchez and Morty Smith (both voiced by show co-creator Justin Roiland) will do what they do best: not just aping a concept straight out of Back to the Future, but wreaking havoc in as many universes as they can stumble across. Also back are Morty's mother Beth (Sarah Chalke, Firefly Lane), father Jerry (Chris Parnell, Archer) and sister Summer (Spencer Grammer, Tell Me a Story) — and, as not one but two trailers have already demonstrated, they're playing a big part in Rick and Morty's dimension-hopping antics this time. Rick and Morty trailers are more about the mood, look and feel than the storylines — so, while you can obviously expect a heap of out-there situations, battles and general sci-fi mania, just what's in store is always best discovered by sitting down and watching a new episode. In season five, though, there'll be nods to and parodies of everything from Voltron to Blade. Rick and Morty will argue, too, because that's one of the thing that this Back to the Future-inspired pair do best. If you're keen to rejoin the smartest Rick and Morty-est Morty in the universe, you can check out the fifth season's first episode now — with new episodes then dropping each week. Now, unless you're a total Jerry, you've got something to look forward to come quittin' time for the next few Mondays. Watch the latest Rick and Morty season five trailer below: Rick and Morty's fifth season will stream weekly from Monday, June 21 on Netflix in Australia and New Zealand.
This article is sponsored by our partner lastminute.com.au. Dreaming of a trip to New York? Win NYE in NYC for you and a lucky friend thanks to lastminute.com.au. Stay in the centre of the action. To make the most of your NYC stay, choose digs that are slap bang in the middle of the Manhattan action. Affinia Manhattan is a good mid-priced option or if you're in the market for something special on the Upper East Side The Surrey is fabulous. For all NYC accom check out lastminute.com.au's range here. If you like a spectacle, tap the costume and burlesque scene. Prohibition-era fashion and Gatsbyesque entertainment is the flavour of the decade in NYC, and you can easily get a hit of it by attending one of the regular parties hosted by Dances of Vice, Wit's End or the weekly Floating Kabarette at Galapagos in Brooklyn. Twice a year, Governors Island (a free five-minute ferry ride from lower Manhattan) comes alive with the Jazz Age Lawn Party hosted by Michael Arenella and his Dreamland Orchestra. Between Charlestons, you're likely to spot (and be spotted by) photographers like the Sartorialist, Bill Cunningham and many other notables in dapper ensembles (Baz Luhrmann was spotted by a friend last year). A visit to some legendary sources of thrift shopping like Brooklyn Flea, Beacon's Closet and Housing Works will be necessary for your costume. And just for fun. Nowhere does speakeasies like Manhattan. Enter Chinatown's creepiest alley, Doyers Street, and listen for the sound of music behind a pile of trashcans; that’s Apotheke. Concealed deep in a hotdog shop lurks the luxe cocktail bar Please Don't Tell. And you'd easily miss Little Branch but for the line of chic folk loitering outside its low-key entrance on a Saturday night. Dress me up! New York's H & M, Anthropologie, Madewell and Urban Outfitters megastores are fabulous, but blogs are a great resource if you want to get off the beaten track of clothes shopping. Racked and Refinery29 give a heads-up on designer sample sales as well as new store openings and events like the Manhattan Vintage Clothing Show. The East Village, LES and Williamsburg have great boutiques if you like unique, offbeat pieces. Need vintage glasses to complete your Woody Allen vibe? Moscot and Fabulous Fanny's will have just the ones for you. Crafty? Visit M & J Trimmings for sequins and studs galore. People are the key. New York is all about community. As the world's gathering-point, it attracts a very receptive sort of crowd. So make friends at bars. Get on OKCupid and talk to people. You might get invited to a party or find out about something cool happening just round the corner. It doesn't really matter where you end up, because everything that happens in NYC makes for a good story. Prepare to walk. And walk and walk. NYC is truly a pedestrian city, which is fantastic because it puts you in the thick of the action. At the risk of sounding like a grandma, make sure you have sturdy and comfortable shoes. Buy a wallet-sized subway map at a bodega and venture underground — the subway has some of the best buskers in the world, from Mariachi bands to break dancers to elderly beat poets. Brunch! On the weekend, brunch is an NYC institution. The Spotted Pig, Hundred Acres, Kittichai and every trendy restaurant up and down the Westside have special brunch menus, often with bottomless cocktails ahoy, so you can sag out into the sunlight afterward, happy as a clam. Casually go see high-profile musicians play for cheap. Check the line-up at Bowery Ballroom, Le Poisson Rouge and the Rockwood. Midnight diner meals are compulsory. Try Veselka, Seinfeld's Tom's or Katz' Delicatessen. Drunk? Order Disco Fries. Harness the power of social media. From tuning into the Facebook feeds of your NYC-based friends, or friends of friends, to searching Twitter hashtags like #bestofnyc to simply liking a fan page about regular events like the incredible storytelling series The Moth, there's infinite platforms to give you info on what’s happening right now. Walk the High Line and explore its surrounds. On the top of the Standard Hotel you'll find Le Bain, a bar with one of the best views in town plus bartenders dressed as tennis pros, circular pink waterbeds, astroturf and Nutella crepes. It's also a hop from the Chelsea gallery district and many designer flagship stores. If this list doesn't satisfy you, there's always tips from SNL's Stefon.
In the quarter-century since Pokémon first burst into the world, its slogan has gotten quite the workout. The entire franchise is about catching 'em all, but that sentiment has proven rather adaptable. When it comes to Pokémon video games, you've gotta play 'em all. Love the cards and merchandise? You've gotta collect 'em all. Adore seeing pocket monsters on-screen? You've gotta watch 'em all. Like Pokémon-themed doughnuts? You need to devour 'em all. Hang on, Pokémon-themed doughnuts? Yes, they're a real thing that you can indeed munch your way through now, all thanks to Krispy Kreme. And, in the spirit of the franchise, you really do need to catch them separately if you're eager to get your fix in-store, with a different variety of doughy goodness dropping every fortnight from Tuesday, September 7. On the menu: Pikachu, Bulbasaur, Charmander, Squirtle and Poké Ball doughnuts, with each type decked out in the appropriate colours and decorations. Obviously, if you're saying "I choose you" to a Pikachu doughnut, you're tucking into yellow icing — atop a doughnut that's filled with choc crème, then dipped in white truffle, and then decked out with a Pikachu white chocolate plaque. If you're grabbing a Poké Ball variety, you'll find it covered in white icing and red sprinkles, and also with an appropriate white choc plaque. The Bulbasaur type features green apple icing, sand sugar and a crème swirl, while the Charmander kind is orange-hued and filled with vanilla custard. And, when it comes to the light blue-toned Squirtle, it's jammed with strawberry filling. You'll find the Pokémon doughnuts at Krispy Kreme stores across New South Wales, Victoria, Queensland, Western Australia and Auckland — or, if you fancy catching 'em all in once, you can grab a 12-pack (featuring one Bulbasaur, Charmander, Squirtle and Poké Ball doughnut, two Pikachu doughnuts and six original glazed doughnuts) online. And if you're wondering why you're now able to eat 'em all, that's because Krispy Kreme is celebrating Pokémon's 25th anniversary. If you want to bust out Pokémon Go while you're snacking, or watch Detective Pikachu, that's perfectly understandable. Krispy Kreme's Pokémon range is available from Tuesday, September 7 — with a different doughnut on offer in-store every fortnight (for $3.75 each) and the full collection available online (in dozen packs for $29.95).
If you're going to launch a brand new online school encouraging creativity in girls, it doesn't hurt to have Marina Abramovic's backing. Or Yoko Ono's. Or Pussy Riot's. Or Sia's. Or Every Strong Awesome Wonderful Lady Doing Amazing Things Right Now. The School of Doodle did just that. A brand new, free online school geared to infuse a little creativity into girls' educations, the School of Doodle has launched a Kickstarter campaign with the support of some of the world's most high-fiveworthy women. The Portland-based (of course) SOD team (lead by Melbourne-born expat Kate Johnson) see an unacceptable lack of arts education in US schools, one they've particularly seen as detrimental to young girls' learning processes. "The arts are being cut from schools and yet all the research shows that when teens' creativity and imaginations are fortified, they excel and stay in school longer as well as develop the necessary skills for future success," says the SOD Kickstarter page. "After extensive research and interviews with teens, teachers and education reform experts, we believe that a girl’s imagination is a right and not a privilege. And, if we don’t fight to protect it, the next generation (of women and men) will suffer." The team have pooled their savings and started building their free online high school, but found funds wanting to finish the website (the key to the whole shebang). So the team looked to Kickstarter, bringing quite the flurry of famous friends to the party. Rounding up 28 all-round goal-kicking women like Marina Abramovic, Yoko Ono, Pussy Riot, Sia, Kim Gordon, Yayoi Kusama, Sarah Silverman, half the cast of Orange is the New Black and too many more to list without their inspirational faces, SOD had each fearless female submit an original doodle of their own devising. Kickstarter backers can nab an individual doodle or a colouring book with the whole series. Here's the backing team, it's honestly like scrolling through a glorious tunnel of oestrogen-charged high-fives: Right? What. A. Lineup. So once you've sent your Kickstarter backing funds, what can students actually learn at the School of Doodle? The team describe the whole thing as "part classroom and part content platform original programming, created by both teens and professionals, to engage and inspire imagination." The self-directed, free curriculum is made up of lessons called 'Daily Doodles', which end with a 'Doodle Challenge' each session for students to start putting their sweet knowledge into practice. The whole philosophy runs on creative confidence and 'being loud' through the 'three paths to imagination': Dabble, Dig, Do. If you're lurking in the dreaded so-called 'Dabble' stage (we've all been guilty of Dabbling), the team have put together a library of 'How Do' videos to get your creative juices flowing. And who's teaching these 'Daily Doodles'? This is where shit really gets cray. Salman Rushdie, Kim Gordon, John Baldessari, Yinka Shonibare, even Abramovic herself are all crafting lessons. Free lessons. From these guys: Best looking faculty lounge ever. Sure, there are no grades — students earn 'Doodle Dollars' that can be saved up and spent on live online expert chats, field trips (or 'dream trips') and other bits and pieces that 'aid imagination' (not in the Parklife way). But if Abramovic, Sia and Pussy Riot see value in a free online school boosting girls' creativity, we're on board for Doodle. Throw some cashola at the School of Doodle over here and nab one of those famously-penned doodles. Via Artnet.
When politicians start talking about public transport again, it's safe to say a state election is in the works. And, while the usual spiel is about the benefits of Myki (lol) and the inherent evilness of fare evaders, this morning's announcement is actually something to get excited about. Premier Denis Napthine today announced that if re-elected in November, his government will make trams in the CBD free of charge, and all zone 2 tickets will be capped at zone 1 prices. Better yet, Opposition leader Daniel Andrews backed the move, stating that if Labor takes office, the proposed changes will go ahead as planned. In conclusion, no matter who you vote for, this is actually happening. The changes are especially welcome news for commuters in the outer suburbs whose ticket prices will be dropping by $4.96 a day, equating to savings of around $1,200 per year. This will undoubtedly make a big difference to those struggling to keep up with Melbourne's rising cost of living — we are now ranked as the sixth most expensive city in the world. The news of free trams is even more explosive. No longer do you need to watch your back while hitching a ride from the State Library to Fed Square (seriously, I once got a $212 fine for this three-block trip); trams in both the CBD grid and Docklands will be unpoliced and free to ride from January 1. The free area will include everything between Flinders Street, La Trobe Street, and Spring Street with the added inclusion of Queen Victoria Markets. However, once you pass these zones you will have to touch on (and I'm sure the likeable folks of Public Transport Victoria will be waiting with open arms). Though the move will cost the state government upwards of $100 million, it's a win for a number of reasons. Firstly, it will ease congestion and speed up CBD travel with no one incessantly tapping their Mykis on and off, and the tourism industry will also flourish as visitors will no longer need to purchase non-refundable Myki tickets or forlornly wait for the slow and ineffective City Circle tram. However, concerns have been raised about the repercussions of such changes. Tony Morton, President of the Public Transport Users Association told The Age, ‘‘We absolutely believe that what this will do is increase fares overall." "When zone 3 tickets were abolished, any saving that there was from that was more than clawed back with increases to zone 1 and 2 fares,’’ he said. For the moment, we're remaining cautiously optimistic. Any changes that endorse and strengthen our public transport system are obviously a step in the right direction towards long-term sustainability. But at the same time, we've been burnt in the past. Via The Age. Image credit: Michael Aulia.
Forget the trashy mags conveniently placed just near supermarket checkouts, and forget whatever the real-life royals are up to, too. These days, if you're keen on regal intrigue, then you're hooked on Netflix drama The Crown. And, after two eventful seasons, you're definitely eagerly awaiting the show's third batch of episodes — following the same characters but with an all-new cast. Since 2016, The Crown has peered inside both Buckingham Palace and 10 Downing Street, unpacking the goings-on behind Britain's houses of power. Set during the reign of Queen Elizabeth II, the series has charted her wedding to Prince Philip, her coronation and the birth of her children (aka Prince Charles, Princess Anne, Prince Andrew and Prince Edward). As well as delving into the monarch's marital ups and downs, The Crown has also explored the romantic life of her sister, Princess Margaret, plus the major political events throughout the late 40s, entire 50s and early 60s. During all this, viewers have become accustomed to seeing Claire Foy as Elizabeth, Matt Smith as Philip and Vanessa Kirby as Margaret. In the third season, however, they've all been replaced to better reflect the passing of time. Fresh from winning an Oscar for The Favourite earlier this year, Olivia Colman steps into ol' Lizzie's shoes, while Tobias Menzies and Helena Bonham Carter do the same with Philip and Margaret. Also joining the show is Josh O'Connor as Prince Charles, Erin Doherty as Princess Anne and Marion Bailey as the Queen Mother. Given the change of cast, and the fact that The Crown's last episodes hit Netflix at the end of 2017, the show's third season has been eagerly anticipated. While neither last month's first teaser nor the just-dropped new sneak peek provide much at all in the way of detail, they both offer a glimpse at Colman as the Queen — with the latest teaser making fun of Her Majesty's transition from young woman to "old bat", in the words of the royal herself. Eventually, a full trailer is bound to drop, giving fans a broader look at the show's new stars. And, hopefully, touching upon the third season's storyline, which'll chart the years between 1964–1977, including Harold Wilson's (played by The Man Who Killed Don Quixote and The Children Act's Jason Watkins) two stints as prime minister. If you're waiting for the Margaret Thatcher era, and the arrival of Princess Diana, they're expected to be covered in The Crown's fourth season. For now, check out the third season's latest teaser below: https://www.youtube.com/watch?v=K_TE8yi58S8 The Crown's third season will hit Netflix on November 17. Image: Des Willie / Netflix.
Under current COVID-19 restrictions in Australia, you can't go on a holiday (locally or overseas). But, you can start dreaming. Bookmark this for when you can explore once again. Winding through the rugged expanse of Victoria's Wimmera Mallee region, lies the country's largest outdoor gallery, where the artworks are metres tall, and grace not walls, but towering grain silos. First dreamt up back in 2016, evolving from a small community art project, the now famed Silo Art Trail unfolds over 200 kilometres, where six large-scale works have transformed structures in Brim, Patchewollock, Lascelles, Rupanyup, Sheep Hills and Rosebery. The mural portraits, painted by a collective of artists in conjunction with Yarriambiack Shire Council and international street art agency Juddy Roller, capture the spirit and history of this unique corner of the world, each work offering a snapshot of its host town. If you're visiting the art trail from Melbourne, the closest silo is in Rupanyup — approximately 3.5-hours' drive from the CBD. From there, it'll take you just over two hours to reach the other end of the art trail in Patchewollock. That's the order we've listed the artworks here, but to design an alternate route, head to the Silo Art Trail website. [caption id="attachment_681273" align="alignnone" width="1920"] Nicole Reed[/caption] RUPANYUP, JULIA VOLCHKOVA When you reach Rupanyup, you'll spy a realistic pair of faces by Russian muralist Julia Volchkova, an homage to local youngsters Ebony Baker and Jordan Weidemann. Kitted out in their sports gear and looking bright-eyed and fearless, the characters are a nod to the region's younger generation and the realities of rural life for adolescents. Here, Volchkova has used monochrome tones to capture a spirit of strength, creating a lifelike mural similar to her large-scale works depicting locals across Southeast Asia. [caption id="attachment_681271" align="alignnone" width="1920"] Nicole Reed[/caption] SHEEP HILLS, ADNATE Shining a light on the region's indigenous history and community, the 80-year-old GrainCorp silos in Sheep Hills now boast a vibrant portrait of four locals — Wergaia Elder Uncle Ron Marks and Wotjobaluk Elder Aunty Regina Hood, alongside children Curtly McDonald and Savannah Marks — with a bold, dreamtime-inspired night sky as the background. The striking piece is the work of Melbourne artist Adnate, whose creative focus often lies in sharing the stories and cultures of Aboriginal Australians. Here, he has embraced the concept of customs and wisdom being passed down through the generations, and the strong ancestral bonds shared among the area's indigenous community. [caption id="attachment_681276" align="alignnone" width="1920"] Nicole Reed[/caption] BRIM, GUIDO VAN HELTEN The striking Guido van Helten mural in Brim is where it all began in 2016, spurring inspiration for the rest of the project after putting this sleepy town on the map. Melbourne-raised van Helten kicked things off strongly with his earthy-toned portrait of four farmers, all varying ages, themed around shifting ideas of community identity. The artist's work using translucent aerosol paints lends a faded, ghostlike quality to the characters, shaking the concept of time. [caption id="attachment_681274" align="alignnone" width="1920"] Nicole Reed[/caption] ROSEBERY, KAFF-EINE The latest addition to the Silo Art Trail is a captivating Rosebery mural by lawyer-turned-street artist Kaff-eine. She has set out to embrace the region's past, present and future, with a portrait of a young female sheep farmer, alongside one of a horseman bonding with his four-legged mate. Elements like cowboy boots, Akubra hat and oilskin vest aren't just an unmistakable nod to country life, but capture the strong sense of symbolism that is signature to much of Kaff-eine's work. [caption id="attachment_681275" align="alignnone" width="1920"] Nicole Reed[/caption] LASCELLES, RONE Meanwhile, over in Lascelles, there's a sense of quiet wisdom that emanates from the portrait of fourth-generation farming couple Geoff and Merrilyn Horman, wrapped around two decades-old grain silos. Captured by Melbourne's Rone in 2017, this one speaks to a people's deep, long-running connection to the land, with monochrome hues and water-blended paint creating a hazy, ghostly effect through the work. [caption id="attachment_681272" align="alignnone" width="1920"] Nicole Reed[/caption] PATCHEWOLLOCK, FINTAN MAGEE In Patchewollock, Fintan Magee's 2016 silo mural was inspired by a stay at the local pub, where he met his portrait subject, local farmer Nick "Noodle" Hulland. The colourful, 35-metre-tall piece is a fitting ode to the hard-working Aussie farming community and its rugged spirit. Hulland's shown gazing to the horizon wearing the classic faded flanny, sun-bleached hair and weathered face that so often go hand in hand with life on the land.
Hey boy, hey girl — we've got some news. Pioneering electronic music duo The Chemical Brothers is heading Down Under — for its first Aussie tour in six years. Off the back of dropping its ninth studio album No Geography just last month, the pair has just announced it'll be taking a new live show (also called No Geography) around the world this year. Stops include the UK, US and Mexico — and, luckily, also Australia. If you've been lucky enough to catch The Chemical Brothers live before, you'll know its shows aren't your average stand-behind-the-decks-and-play performances. They feature strobe lights, lasers and mind-bending images projected onto huge screens. It's sort of like a trip, without the LSD. If you haven't seen one before, take a peek at one of the psychedelic shows below. As well as new hits off the new No Geography album, including 'Free Yourself' and 'MAH', we're hoping the duo will add some throwbacks to its live performances — the late-90s and early-2000s hits 'Hey Boy, Hey Girl' and 'Galvanize' would be particularly welcome. As an added bonus, the duo will be touring the country with a big-name local: The Avalanches. The Melbourne-born electro group will be playing a live DJ set at all The Chemical Brothers' shows. If you don't know them, you'll definitely know their song 'Since I Left You'. https://www.youtube.com/watch?v=tri7gjlmfdk THE CHEMICAL BROTHERS NO GEOGRAPHY LIVE 2019 DATES Brisbane — Thursday, October 31, Brisbane Riverstage Sydney — Saturday, November 2, The Dome, Sydney Showground Melbourne — Tuesday, November 5, Melbourne Arena The Chemical Brothers No Geography Live pre-sale tickets start at 10am on Tuesday, May 7 with general tickets going on sale at 10am on Thursday, May 9. For more information, and to sign up for pre-sale access, head to the Frontier Touring website.
I love a versatile breakfast — one that can overflow into brunch or snuggle you in with a night-capping brinner. But have you heard of this recent brinnervation? Vibewire Youth Inc in conjunction with the Powerhouse Museum have poached five sharp, young industry leaders from their corporate and non-profit organisations to share ideas around the humble breakfast table, with a menu bursting with ideas and innovations. The inter-disciplinary buffet hopes to attract entrepreneurs from all areas, including science, technology, education, media and the arts. Passing the milk at August's table will be photographer Carlo Ambrosio T. Lina, social activist Justin Koonin, Project Australia founder Donnie Maclurcan, Vibewire director Annie Le Cavalier and writer Catriona Menzies-Pike. Given the topic 'Failure', these idea-creators will toast you to the tune of commercialisation, collaboration, connections and conversation. If you miss out, mark down the next fastBREAK in your calendar: they're on the last Friday of each month.
From start to finish, Challengers plunges into a tennis match. Holding the racquets: Art Donaldson (Mike Faist, West Side Story) and Patrick Zweig (Josh O'Connor, La Chimera). The pair were childhood roommates and best friends, then doubles partners on the court. Meeting Tashi Duncan (Zendaya, Dune: Part Two), a ruthless tennis prodigy destined for big things, changed everything when they were teens — and now 13 years after first crossing her path, Art and Patrick are facing off at a competition that's basically a warm-up for the former, a multiple grand slam-winner is now married to Tashi and also coached by her, but represents Patrick's best route to a chance at big-time professional success. The bout that bounces back and forth throughout Challengers isn't the movie's only bit of tennis, of course. The latest film by Call Me By Your Name, Suspiria and Bones and All director Luca Guadagnino flits between moments in its main trio's life leading up to the pivotal bout, too, games included. So, as Art and Patrick compete in the movie's showcase showdown, years of complexity are batted back and forth alongside the ball — mentally and emotionally for the pair, and for Tashi as she watches on, seeing her husband and her ex-boyfriend do battle, and wishing that her career hadn't been ended by injury; plus literally for viewers quickly hung up on every serve and return. "I felt like we were just shooting this sequence for so long. And you're like 'dang, did we, what day is it? Wait, how is the character feeling at this point?'. Because you're still wearing the same outfits and it's supposed to be one game, but it's like the next week," explains Zendaya in Sydney, where she visited in late March on a promotional tour for Challengers accompanied by O'Connor and Faist. "I remember we had a storm, some weather issues, which ended up prolonging the process and all these kinds of things, but it was really special and cool. Sometimes I'd feel left out because I was sitting on the side watching them play and I was like 'hey guys'. But it was fun." Both in that match and whenever else Tashi, Art and Patrick are donning white and standing on green, tennis isn't just tennis in Challengers, though. "The tennis is the sex scene," notes O'Connor about a film that brings one word to mind over and over: sexy. This is a movie about three athletes in a complicated love triangle who are yearning to connect as much as they're lusting for tennis glory, as set to a propulsive and slinky electronic score by Trent Reznor and Atticus Ross (Oscar-winners for Soul). Saying that Guadagnino laces the feature with desire is an understatement — and as anyone who has seen his work, especially both Call Me By Your Name and Bones and All starring Zendaya's Dune and Dune: Part Two co-star Timothée Chalamet, will know, it's also one of his talents. [caption id="attachment_951455" align="alignnone" width="1920"] Caroline McCredie[/caption] The result: one of 2024's must-sees, no matter how you feel about tennis going in. It's also a flick with much to discuss, as Zendaya, O'Connor and Faist did when they made the trip Down Under to screen the film, and also get talking at a press conference. Similarly covered: Zendaya doing double duty as a producer on Challengers, the complexity of Tashi as a character, playing such competitive parts, the picture's love triangle and queer themes, its immersive cinematography by Call Me By Your Name and Suspiria's Sayombhu Mukdeeprom, if KC Undercover helped Zendaya prepare for her performance and making "codependency the movie", as she dubs it — and more. On Zendaya's Working Relationship with Luca Guadagnino as an Actor as Well as a Producer Zendaya: "It was really, really special. Producing is something that I'm definitely not new to, but for me it's always been a way to be creative in a different sense. I was always a shy kid, and so the more I do this, the more I love moving behind the camera. I love being able to learn from people and and grow from different directors, whether I'm a producer or not. I just like being on sets and learning and asking questions —and problem-solving and figuring out how things work. And then also I think it's being able to have — I learned quite early, I think, when I was younger, being able to have a real title allows you to be able to protect yourself in a lot of different spaces. It allows for you to be like 'actually, this is what's happening and I can be part of this conversation'. So it also allows me to protect my work and myself and people around me." On Tashi's Complexity and What Zendaya Was Most Looking Forward to Tackling in the Part Zendaya: "I guess the obvious thing to read — I mean, many things these characters do, but to read Tashi, you'd be like 'she's unlikable'. You judge her immediately. You're like 'she's too much'. It's messy. It's whatever. And so I think my job was trying to find her gooey centre, and trying to find her empathy, and why she makes the decisions and what pain it's coming from. And I think ultimately while she's ruthless, which I love, there is something to her that is — I think it's grief, I think it's grief over a career and a life that she never got to live. And I think her true love, her one true love, was always tennis. And she is trying whatever she can to be close to it, to touch it, to do it. And so she uses people to get that feeling, because she can't do it anymore on her own. And she's never really had a moment to just sit with it, and I think that she's never allowed herself a moment to feel bad for herself. She's just like 'moving on, what's next?'. [caption id="attachment_951462" align="alignnone" width="1920"] Eamonn M. McCormack/Getty Images for Warner Bros[/caption] I think we're watching that become a very real thing for her once her tangibility or her closeness to tennis is threatened by the fact that her husband's ready to be done. And she's like 'what? What do you mean?'. So these people are lifelines for her. It's her holding herself up and keeping herself alive. So yeah, I think it was figuring out her nuance and not just make her just bitchy, because I don't think she is. I think there's a reason behind everything she does, I hope." On the Competitive Nature of the Film's Lead Trio Josh: "I think the competitiveness is also out of an obsession with each other. At the beginning of this film, in terms of the competitiveness, when they're younger that's there but — I don't want speak to their characters, but Art is is on the way of falling out of love with tennis. And I think Patrick is just desperate for connection. I think all three of them are desperate for connection, whether it's Art seeking to restore the the love in his marriage or Tashi to restore this three-way love affair. I think Patrick, likewise, the tennis to him is the the utmost connection. He's always searching for that with Art, and with Tashi, too. And so I think the competitiveness comes secondary to that. But then also there's…" Zendaya: "We're so competitive with each other." Josh: "We are very competitive, but when it comes to tennis, not that competitive because we can't compete. But we were competitive between takes in things like Rock, Paper, Scissors and mini tennis, which I'm actually…" Mike: "Very good." Josh: "…Phenomenal at. That was very competitive." [caption id="attachment_951456" align="alignnone" width="1920"] Caroline McCredie[/caption] On Whether This is a Film About Love, Tennis or the Love of Tennis Mike: "It's kind of this weird thing, because I think we naturally as humans bring whatever thing that we're trying to get out of our work — we fall in love with whatever we do, whether that's storytelling in what you guys do or storytelling in what we do. And we can't help but put a piece of ourselves into that, and we're trying to get something out of that as well at the same time. And so there is this kind of bleeding of lines of that. And so it's probably both, is the truth of the matter." Zendaya: "We say it's 'codependency the movie'. I think that's what it's about. I also think it's about a million things, and I think tennis is the metaphor in which they use, or we use, to express that. What I think is really enjoyable, I think people, I've watched it with family and people who are not tennis people or don't really understand how tennis work, and they still feel like they're like 'ohhhhh' inside the match. And there's something alive in them, they still like they can follow it and it makes sense to them. While hopefully people who do really care about tennis will not be distracted by any of our imperfect forms, and will also be able to enjoy it and feel connected in their own personal way. So I hope it's for everyone." [caption id="attachment_947834" align="alignnone" width="1920"] Euphoria, Eddy Chenn, HBO.[/caption] On Which of Their Previous Roles Helped the Cast Prepare for Challengers Zendaya: "KC Undercover. No, I'm kidding. No, listen, the Disney stuff really does — it's a good training ground." Josh: "I did one sports film a long time ago, very early in my career. I had like one scene with dialogue and then one scene cycling. It was called The Program. Stephen Frears [The Lost King] is the director, it was Ben Foster [Finestkind] playing Lance Armstrong. I did no training, and I was cycling up, I think it's called the 21 turns in the Alps. And I got two turns in, and I always remember Stephen Frears was in a golf buggy going past, and all the other actors had been training for months, like Jesse Plemons [Civil War] and all these guys, and they were way ahead of me. And I was like [gasps] dying, and I was supposed to be one of the best ones. So, that doesn't answer your question, because that didn't prepare me at all." Zendaya: "That trauma." Josh: "Exactly, the trauma, I guess it taught me that I do have to prepare if I'm playing a sports person." [caption id="attachment_951463" align="alignnone" width="1920"] Caroline McCredie[/caption] On Getting Into the Win-at-All-Costs Mindset Mike: "The thing is, that what drew me to the character of Art was this idea of falling out of love with your craft. It's kind of this thing, is this idea I think when you're in your twenties, at least for me, I can speak to myself, is that I'm I moved to New York to become an actor. And I'm just grinding. All you're doing is just working, working, working, working. You're hustling, hustling, hustling. And then you finally get to a place of somewhat success and you've kind of achieved what you thought was the thing, and then you're of left with that idea of 'well, now what?'. And it's that thing — you're damned if you do, damned if you don't. It's almost a curse, almost, that thing when you achieve that monumental moment of success. You start to wonder just for yourself 'well, where else can I actually go from here? What else is there in life? Is this all of who I am? What else does compile a life of a human?'. There's a lot of questions and existentialism that goes within that. And that's honestly what I just connected with, is the truth." [caption id="attachment_951457" align="alignnone" width="1920"] Gareth Cattermole/Getty Images for Warner Bros[/caption] On the Way That Guadagnino Portrays Romance and Desire On-Screen, Including Through Tennis Josh: "Luca's always had this eye for, or an instinct to push that desire, and how to tell desire in ways that are less than obvious — and intriguing. I feel like that's just the responsibility of cinema generally, is how do you show something that is going to resonate in a new way, in a way that we haven't seen before? And yet also, Luca displays really classic, inspired-from-classics ways of telling love as well. At the same time, he references other films a lot. And so, he's always pushing it that one step further, I think. It feels exciting. Yesterday we were asked in an interview about the sex scenes. And Z was like 'there aren't any'. It wasn't a stupid question. It was a reasonable question, because it feels so on the edge of that at all times — and actually the tennis is the sex scene. That's their intimacy, and when they're vulnerable." Zendaya: "I do want to chime in real quick and say for someone who had really no idea about tennis and how it worked — because I remember all of us sitting around, and Luca was like, 'wait, so what do the lines, where do they stand like, what is this?'. And we would write out little maps and be like 'okay, so it goes here, and the ball goes here, and what does that mean?'. So for someone who really started, he really, I think, very quickly understood how to capture the the game — really did it in a way that felt very emotional as well. We never are disconnected from any one of these characters throughout their match, and I think it was very exciting how he made us feel like we were sometimes the character. You know, sometimes the camera is the player, sometimes the camera is the ball, and you just feel immersed inside of this this game. You can feel the sweat and you can feel their heartbeat. I think that that was really, really special to watch him map out, really map out shot by shot — it was a long shot list — and figure out how to take an audience on a journey visually, but also emotionally, somehow too." On How the Film Tells Its Tale Visually Thanks to Cinematographer Sayombhu Mukdeeprom Zendaya: "Sayombhu is amazing. He's such a lovely presence to be around. I think also he's got such a calmness to him, and you can watch him, he'll sit down in his chair and he just looks around, and he's checking the light. Then he'll get up and he'll test something. He'll look, he'll fix it. Then he'll just go sit back down. He's so calm, and and masterful at what he does. Obviously, his previous work, we can see that. I know this is stupid to say, but like I felt like very, I don't know, like I felt like the light kind also played so much into how our characters — it's not stupid to say, I take that back — it played into our characters. He somehow gave us some kind of youthful glow, somehow, and was able to like make us look younger through his lights, and make us feel like we were in a different part of our life with the way that. He illuminated our, I don't know, our skin or colour. I'm not sure the specific technique in which he did so, but I felt like I could see a difference in tonality with the way he chose to to light us when we're younger versus when we're older. And I never actually asked him if he did anything different, or if that was a choice by any means, but I felt it at least watching it. Something feels like when they're younger, the colours feel richer or something, like there's just like the exuberance, and then something he did, he gave us, he contributed, I think, a lot that emotional arc of where the characters go." Josh: "He's also really like such a gift for a cinematographer to allow space, so that when you — it sounds really obvious, but it's actually such a talent, to make you feel like there's not a camera there. He was really good at that creating that environment. So Sayombhu, we saw him a lot in rehearsals, and he was the sweetest, most gentle guy. And then during filming, you just see him run past and be like 'what's he doing? He's doing some magic.'. But really, apart from in the tennis match with the cameras in your face, it generally really felt like we were in our world and left to it, if that makes sense." On Exploring the Film's Love Triangle and Queer Angles Josh: "In some ways, those conversations were never needed to be had, because really it's very apparent from the beginning that love and attraction and lust they have for each other is just unanimous. The point is that the three of them are bound together from the start. The three of us were talking about the first, one of the early scenes when Zendaya comes — oh, Tashi comes — to the hotel room and the three of them are sat there on the floor, which is such a teenage feeling. I think that's captured so well. But it's really funny as well. And I think from that moment on, the three of them are bound. And so that scene where it's a sort of three-way kiss, and then Tashi's enjoying the observation of the two of them, of Art and Patrick, I just think that puts them in this this tornado together — which allows for them to be incredibly nasty to each other, and act badly and act brilliantly, and compete and push each other. And so the undertones of relationships between all three of them go up and down at all times. So it's sort of unspoken, but yeah, I can see that that's that's very much there." Zendaya: "I agree. Also, just Luca is brilliant, and he knows how to carve things out that he wants more of, and nuance. And so much is done in things that I think aren't even on the page. You know, there's the scene that's on the page, and then there's another one that the characters aren't speaking, but they're saying to us and we can all very clearly read what they're saying. I think that's where he's so masterful. I mean, he knows what he's doing. So there's such a trust in in his taste, and what his vision is, also, for the characters. And that was apparent when I had my first meeting with him. He really understood them and their connection and their love and their lust and their everything in a deeper way than was just purely on paper. So yeah, it's definitely there." On Playing Someone Who Exudes Power — and Whether Zendaya Relates Zendaya: "I guess in some ways. I think she enjoys power in a way that I don't think I would ever be comfortable with. I think to me, I have an uncomfortable relationship with that idea. But her, I think it's very clear, I think, from when we first meet her that she's completely unafraid of her power and wielding it over other people, and playing with it and and toying with it, which is what I appreciated about it. It didn't take her injury to turn into this ruthless power whatever. She was like that as a teenager. She was already going into the game like this. She was like 'I'm a winner and I know that, and I know how to control people, through whatever'. It's clear from the beginning, so I appreciated that we weren't trying to reason her personality or trying to apologise for how she is. She just is this way, and we just see her, like I said, we see that strong veneer fall apart. The the decision-making gets a little messier, because I think it's now — when she was younger, it was fun, and now it's for survival. Before she was just toying with them because it was fun. And now it's like, 'no, this is my life now'. So I think the stakes became different. I don't want to relate too much to her now. But I say don't judge them, because I find that upon first viewing, you'll have an opinion — and then you watch it again and I guarantee that opinion will change. And then you watch it again, and it might change again. I feel like every time I watch it, I'm like 'ooh, Tashi girl, what are you doing?'. And then the next thing I'm like 'actually, she didn't do anything wrong and it was Art all along'. And then I'm like 'actually, Patrick, should have never said that'. So every time I'm angry at a different character, or I feel more passionate about a different character. I feel heartbroken for — it constantly changes. So I say don't judge because I feel like your opinions will change every time you watch it. And that's the fun part about the film. You just never really have the answers you want, and that makes you question everything and question yourself. And like 'who do I feel like?' It's just one of those those pieces. That was not to promote or anything — I genuinely mean it, every time I've watched it." Josh: "But also go at least three times. But, seriously, go four times." Challengers opened in cinemas Down Under on Thursday, April 18, 2024. Read our review. Challengers stills: Niko Tavernise / Metro Goldwyn Mayer Pictures © 2023 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
It's been seven years in the making, but Sydney's new Metro line, connecting Sydenham in the city's southeast to Chatswood in the north, is now set to welcome passengers from Sunday, August 4. In addition to platforms at existing stations like Martin Place and Sydney Central, six new stations have been constructed along the line, but these transport hubs will offer more than just access to trains. To take advantage of the influx of Sydneysiders using the Metro, placemaking plans are in the works to develop precincts in and around new stations. The first to be unveiled is in Barangaroo, where new footpaths, over 200 trees and plants, 38 new streetlights and new bike parking facilities, as well as pleasant seating areas, taxi ranks and bus stops have been installed. Travellers leaving the station via the Nawi Cove entrance will find a fascinating monument marking the spot where the Barangaroo Boat was discovered. The well-preserved 200-year-old remains of a vessel were unearthed in November 2018 during the Metro station's excavations and it is believed to be the oldest colonial-era Australian-built craft to ever be fully excavated, recorded and raised. A dramatic, rusting iron inlay, depicting a nine-metre-long, three-metre-wide overview of the boat as it was found buried in the soft harbourside earth, has been etched into the pavement. The craft would most likely have been used to ferry cargo around Sydney Harbour during the earliest days of European settlement. Other areas of the precinct have yet to be completed but they should be accessible to the public by the end of the year. These areas will feature upgraded roads leading to the Dalgety Bridge and a major new car park at 25 Hickson Road as well as a pedestrian footpath and bicycle path on the eastern edge of Hickson Road. Not only will the new Barangaroo precinct service the new Barangaroo ferry hub and the eateries and bars around Crown Towers, Cockle Bay and Darling Harbour, but it will also offer better access to the Walsh Bay Arts Precinct and Roslyn Packer Theatre, which is currently difficult to reach using public transport. Impressive as the Barangaroo precinct may be, there is arguably an even more astonishing feat of infrastructure hiding beneath Sydney's streets just a few blocks away. The Martin Place superhub, also set to open on Sunday, August 4, will feature 3,000 square-metres of retail and dining space spread over three levels encircling a cavernous atrium where escalators will deliver passengers to the station's platforms. For more details on the Sydney Metro's City and Southwest Line head to the Sydney Metro website. Images: Transport for NSW
Timothée Chalamet (Dune: Part Two) playing Bob Dylan. Nicole Kidman (The Perfect Couple) getting steamy with Harris Dickinson (Blitz) in an erotic thriller. Daniel Craig (Glass Onion: A Knives Out Mystery) leading the latest film from Challengers director Luca Guadagnino, who reteams with the tennis hit's screenwriter Justin Kuritzkes. A Complete Unknown, plus the Australian premieres of both Babygirl and Queer, are just three standouts on the upcoming Westpac Openair Cinema program, but they're indicative of an impressive full lineup. After teasing its 2025 slate throughout November, the Sydney summer favourite has now dropped its complete program. Big screen, big highlight of January and February for Harbour City cinephiles, big movies: when Westpac Openair Cinema returns to Mrs Macquaries Point with its three-storey-high screen to kick off another year, it'll tick all of those boxes. The Chalamet-led A Complete Unknown had already been revealed as the outdoor picture palace's opening-night pick, screening on Thursday, January 9 to start 41 nights of movies under the stars in stunning surroundings — but now it has plenty of company. Maria, with Angelina Jolie (Eternals) as famous soprano Maria Callas, is also on the bill — and, as with A Complete Unknown, Babygirl and Queer, will be playing to Westpac Openair Cinema audiences before releasing in theatres elsewhere in Australia. The 1972 Munich Olympics-set September 5 and and Sweden's The Last Journey fall into the same category, alongside the previously announced Bridget Jones: Mad About the Boy. Spit, the Gettin' Square followup featuring David Wenham (Fake) returning to the role of Johnny Spiteri, will premiere to close out the season on Tuesday, February 18 — but before that, the Pierre Niney (The Book of Solutions)-led latest take on The Count of Monte Cristo will also make its first appearance Down Under, in a session in conjunction with the Alliance Française French Film Festival. Elsewhere, spanning both titles that were named in advance and new additions, audiences can look forward to Paul Mescal (All of Us Strangers) in Gladiator II; the first Wicked movie with Ariana Grande (Don't Look Up) as Glinda and Cynthia Erivo (Pinocchio) as Elphaba; and 2024 Cannes Palme d'Or-winner Anora from Tangerine, The Florida Project and Red Rocket filmmaker Sean Baker. Or, there's My Old Ass, about a teen who receives life advice from her older self — who happens to be played by Aubrey Plaza (Agatha All Along) — and Spanish auteur Pedro Almodóvar's (Parallel Mothers, Pain and Glory) English-language feature debut The Room Next Door, with the iconic director teaming up with Tilda Swinton (Fantasmas), Julianne Moore (May December) and John Turturro (Mr & Mrs Smith). With We Live in Time, audiences can look forward to Florence Pugh (Dune: Part Two) and Andrew Garfield (Under the Banner of Heaven) in a romance from Brooklyn filmmaker John Crowley, which follows a couple's relationship across a decade — and with Nightbitch by The Diary of a Teenage Girl, Can You Ever Forgive Me? and A Beautiful Day in the Neighbourhood director Marielle Heller, viewers can watch Amy Adams (Dear Evan Hansen) playing a stay-at-home mum who turns canine. [caption id="attachment_981883" align="alignnone" width="1920"] Buffet Digital, @patstevenson[/caption] Ralph Fiennes (The Wonderful Story of Henry Sugar) is at the centre of witty papal election thriller Conclave, alongside Citadel's Stanley Tucci, Killers of the Flower Moon's John Lithgow and Spaceman's Isabella Rossellini; Better Man puts Robbie Williams in the spotlight, but is never a mere traditional music biopic; and A Real Pain is helmed by and stars Jesse Eisenberg (Fleishman Is in Trouble), doing the latter opposite Kieran Culkin (Succession). Or, there's musical crime comedy Emilia Perez from Jacques Audiard (A Prophet, Rust and Bone), which won stars Karla Sofia Gascón (Harina), Zoe Saldaña (Special Ops: Lioness) and Selena Gomez (Only Murders in the Building) the 2024 Cannes' Best Actress prize to share — and also Irish rappers Kneecap playing themselves in the delightful film that shares their name. Notting Hill, Dirty Dancing, the original Bridget Jones' Diary and Crazy, Stupid, Love have blasts from the past covered — and, although it's only from earlier in 2024, so does the Sydney-shot The Fall Guy. [caption id="attachment_981867" align="alignnone" width="1920"] Fiora Sacco[/caption] For bites to eat, this year's season will feature a Festival of Food, with Luke Nguyen (Botanic House's Culinary Director), Danielle Alvarez (Chef and Sydney Opera House's Culinary Director of its event venues) and Scott McComas-Williams (Love Tilly Group's Group Executive Chef) curating. Three dining experiences will greet moviegoers. At the casual Luke Nguyen at The Point, Vietnamese fusion menu will be on offer. Summer House Dining by Danielle Alvarez is all about Mediterranean-inspired meals and full-service dining. And at Fabbrica at Chandon Garden, there'll be a pasta bar-style menu. As happens every year, tickets to Westpac Openair Cinema likely to go quickly when they go on sale at 9am AEDT on Monday, December 9. Across the summer of 2018–19, more than 40,000 tickets sold within the first two days of pre-sale, for instance — so put it in your diary ASAP. [caption id="attachment_980238" align="alignnone" width="1920"] Buffet Digital, @patstevenson[/caption] [caption id="attachment_980239" align="alignnone" width="1920"] Buffet Digital, @patstevenson[/caption] [caption id="attachment_978120" align="alignnone" width="1920"] Fiora Sacco[/caption] [caption id="attachment_978121" align="alignnone" width="1920"] Chris Grundy[/caption] Westpac Openair 2025 runs from Thursday, January 9—Tuesday, February 18. Tickets go on sale at 9am AEDT on Monday, December 9, 2024 — head to the event's website for more details.
Between them, Jane Austen, William Shakespeare, JRR Tolkien, Bram Stoker, the Brontë sisters, Virginia Woolf and Sir Arthur Conan Doyle are responsible for a wealth of literary treasures. So are Oscar Wilde, Harold Pinter, William Blake, Charles Dickens, Lewis Carroll, Lord Byron, TS Eliot, Thomas Hardy, James Joyce, DH Lawrence, John Keats, William Wordsworth and Rudyard Kipling, plus AA Milne, Beatrix Potter, Dylan Thomas, Sir Kazuo Ishiguro and Zadie Smith. HOTA, Home of the Arts on the Gold Coast mightn't seem like the usual place to celebrate them all, but it is until the start of August 2025, all thanks to Writers Revealed: Treasures From the British Library and National Portrait Gallery, London. Announced earlier in the year, open since mid-April and running till Sunday, August 3, this exhibition is all about paying tribute to great authors and writers — beyond libraries, bookstores, and your own bookshelf or Kindle. Indeed, getting the chance to revel in the talents behind some of the finest works of literature ever committed to paper in a stunning showcase across a gallery's walls is rare. Writers Revealed is a world-first. What features at an exhibition devoted to wordsmiths? Eager word nerds can see author portraits, plus rare handwritten manuscripts and first editions. More than 100 literary artefacts and portraits span the likenesses of the writers responsible for Pride and Prejudice, Romeo and Juliet, The Lord of the Rings, Dracula, Wuthering Heights, Sherlock Holmes and other masterpieces, as well as texts themselves, with five centuries of literature covered. As the exhibition's full name states, this is a collaboration between the British Library and the National Portrait Gallery, London. If you're wondering why the two institutions are pairing portraits with books, one of the showcase's aims to explore how literature and visual expression are linked. Also in the spotlight: the legacy of influential writers, plus digging into their creative processes. A draft of Dracula, what's thought to be the only Shakespeare portrait to be painted while he was alive, a picture of Austen by her sister, John Milton's publishing contract for Paradise Lost, letters from both Smith and Ishiguro: they're among the highlights that can be found across 1000 square metres in HOTA's Gallery 1. "We are thrilled to collaborate with the National Portrait Gallery on Writers Revealed, a truly unique exhibition that brings together some of the most exceptional objects from our collections. Visitors will experience rare first editions and exquisite manuscripts alongside celebrated portraits of the writers who created them," said Alexandra Ault, Lead Curator of Modern Archives and Manuscripts at the British Library, announcing the exhibition. "Featuring treasures that rarely leave our gallery in London, this major new exhibition will bring HOTA's visitors closer to some of the most-important figures in English literary history," added Catharine MacLeod, Senior Curator of 17th Century Collections at the National Portrait Gallery. "Encountering these displays, visitors will discover what is revealed and what is hidden when life, writing and portraiture intersect." Writers Revealed: Treasures From the British Library and National Portrait Gallery, London displays at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise, Gold Coast until Sunday, August 3, 2025. Head to the gallery's website for further details and tickets.
When Yo came out we thought it was totally ridiculous. A single use app that just sends the word 'Yo' to your friends, it seemed like another sign of the world going app crazy — a new age equivalent of the creepy and superfluous Facebook poke. (Seriously, that thing was solely used by your grandparents and first-time flirters). But, despite our cynicism, the app took off in a big way and has now led the way for something even better. Working in exactly the same as Yo, but bearing a different message, Beer?! has been born. Finally saving your text-tired thumbs from making six separate motions on the keypad, Beer?! allows you to assemble your drinking buds with a single effective motion. There's no ambiguity; no unique invitation to be carefully crafted. Beer?! is as simple as it gets. It's about drinking beer. Soon. Possibly with you. With no emojis, no timestamps and no awkward 'seen' messages, single use apps like Beer?! have a strangely alluring appeal. As people become increasingly confounded with their smartphone's latest fandangled features and constantly evolving uses, simplicity like this is looking pretty good. Available now from the app store, it helps that the service is both free to download and free to use. It also comes with a surprising endorsement from Portugal The Man. So, that's something. Of course, to use the app properly you'll have to arrange some details in advance. Your friend is only able to communicate with the word 'Beer?!' so you'll need to figure out if a reply equals confirmation, and if so, where you'll be heading. There's never been a better time to adopt a pub as your local. We'd advise you to just call them, but really, that would defeat the whole purpose. Via PSFK. Photo credit: Daveybot via photopin cc.
Contemplating a renovation? Before you head to IKEA or the nearest op shop, stop right here. Why settle for standard seating, expected entranceways and simple staircases when you could be installing sandpits under work desks and doors that double as ping pong tables, slides and skate ramps? Interior design is one thing, but home hacking is quite another. Here are ten ways to turn an ordinary house into a carnival ground. Forms in Nature Light Sculpture Turn your room into a scene from Nightmare Before Christmas at the flick of a switch. Ernst Haeckel’s drawings are the inspiration behind this sculpture, created by Danish designers Thyra Hilden and Pio Diaz. A complex, unruly root system surrounds a bright light. "The shadows engulf the room and transforms the walls into unruly shadows of branches, bushes and gnarled trees," the designers explain. "Mirrorings are thrown out upon the walls and ceilings and provide weak Rorschach-like hints of faces, life and flow of consciousness. Dimming the lights transforms the installation and one senses a weak fire burning deep in the center of the forest." Image: Hilden and Diaz Surfing with the sand between my toes Why settle for working from home when you could, simultaneously, be working from the beach? This installation takes the freelancer's freedom to a whole new level. Created by artist Justin Kemp, who's based in Massachusetts (about thirty or so miles from the coast), 'Surfing with the sand between my toes' aims to blur the lines between work and play. "The sand is relaxing, but for me it's more a symbol of my permanent vacation," he explains. "It's the design of a lifestyle where 'work' becomes so satisfying that vacation and retirement become undesirable. It's a permanent state of chill." Image: Justin Kemp The Ping Pong Door Here's a way to create more space, get your daily exercise and maintain a healthy competitiveness with your roommates, especially if you're living in a teeny-tiny apartment: a door that turns into a ping pong table. It's the brainchild of Berlin-based designer Tobias Fraenzel. "Design can and should be fun," he says. "A product that generates positive emotions in people, that brings them together and gets used again and again, that is a good product!" Image: Marcel Koehler Bedroom-to-Pool Waterslide Where Professor Digory Kirke's wardrobe led to Narnia, the cupboard in this proposed country mansion reveals a water slide connected to a pool. Yet to be realised, the plans are the creation of Neil Collins Architects, who specialise in one-off homes. The slide would be part of a £2 million, three-bedroom, underground dwelling entered via a TARDIS-style elevator. Image: Neil Collins Bookshelf-Staircase-Slide Why waste time walking up and down the stairs when you could be sliding? This multifunctional staircase has something for everyone. Architecture firm Moon Hoon came up with it when commissioned to design the Panorama House, a spacious home for a six-piece Korean family. It's one amongst many staircase-slides that are injecting fun into the daily routine. Image: Namgoong Sun The Cloud Sofa If you've never recovered from Neverending Story, here, at long last, is the antidote. Spend a little part of every day floating on your own private cloud. A shiny silver oval on the floor is what makes the Cloud Sofa as magical as Falkor. Its mysterious magnetic force can keep both you and your softest-ever sofa hovering all night long. We have D.K. & Wei Design to thank. Image: D.K. Wei The Skateboard House Welcome to Bart Simpson's dream home. There's not a single surface — inside or outside — that can't be skated on. It's the vision of ex-world champion, pro-skater and CEO of Sole Technology Inc. Pierre Andre Senizergues. He approached architect Francois Perrin and designer-skateboarder Gil Lebon Delapoint to make it happen. La Gaite Lyrique Museum in Paris exhibited a wooden prototype in 2011. Real-life construction is underway in Malibu, California. Image: Pierre Andre Senizergues Pirate Ship Bedroom Do you have a belief, deep-down, that Walt Disney should've cast you, instead of Johnny Depp, in Pirates of the Caribbean? You could see a psychiatrist. But it might well be cheaper to install a pirate ship in your bedroom. Designed by Steve Kuhl, this suspended schooner is entered via rope bridge and exited via secret slide. For miscreants, there's a one-person jail cell. Image: Steve Kuhl Moss Bathroom Mat The ingenious thing about this is that, as long as you shower frequently-ish, you don't need to water it. A latex frame holds together 70 x 6cm pieces of foam, planted with three types of moss: ball, island and forest. Not only do they form a complex microcosmic forest, they also feel super-soft underfoot. It's the creation of Swiss designer Nguyen La Chanh. "The idea was to find a new way of having your plants inside," she explains. "Not only plants in pots quietly standing in the corner of a living room, but alive plants, evolving in the house." Image: Nguyen La Chanh DIY Grass Couch All you have to do is find a piece of furniture, pack the frame with soil, plant some seeds and let them grow. Of course, a regular mowing and trimming routine is part of the deal. Back in 2006, these popped up all over San Francisco as part of the Let's Green this City initiative.
Two entries into their feature filmmaking career, there's no such thing as a bad horror movie from Danny and Michael Philippou. Talk to Me was a smash in every way possible: at festivals, with audiences, at the box office, with awards bodies and at introducing not just Australia but the world to a pair of potent new voices in the genre. With absolutely sign of second-film syndrome creeping in, the Adelaide-born twins' sophomore flick Bring Her Back is also an instant unease-dripping cinema great. While a Talk to Me sequel is also in the works, Danny and Michael have detoured into a different reckoning with loss and death first. And, where their debut movie featured Miranda Otto (The Lord of the Rings: The War of the Rohirrim) as its big name, their second enlists two-time Oscar-nominee (for Blue Jasmine and The Shape of Water) Sally Hawkins. There's also no such thing as a dull conversation with the Philippou brothers, either. When Concrete Playground had a date to discuss Talk to Me with them back in 2023, Danny was apologetic that Michael was unexpectedly AWOL — and he was also bubbling with joking ribbing. This time, both siblings are present and keen to natter, but Danny has lost his voice. "Too much excitement. Too much screaming," he advises. It doesn't stop him from engaging enthusiastically and energetically, although that's always this duo's vibe. The brotherly teasing remains as well. They've been dubbed "horror twins" more than once since they've made the leap from RackaRacka's viral YouTube videos to worldwide movie stardom — and while that's a term that normally brings on-screen characters like the Grady girls from The Shining to mind, rather than filmmakers, Danny and Michael can get onboard with it. "I'll embrace the term," says Michael, after first pondering whether it means that he and his brother are horrific. "Horror twins, we're all for it," adds Danny. If the label "horror siblings" was being used instead, it could also apply to key figures in both of their features so far, however. Bring Her Back's version: 17-year-old Andy (Billy Barratt, Invasion) and his younger sister Piper (first-timer Sora Wong), who has a visual impairment. Grief haunts this film from the outset, as Andy and Piper find themselves grappling with a tragedy and in need of a foster home, albeit ideally just for the three months until the former turns 18 and can obtain guardianship for the latter. Enter Hawkins as Laura, who has lost a daughter, and now welcomes orphaned children into her suburban house with an empty pool and an ominous circle surrounding the property. Enter Oliver (Jonah Wren Phillips, How to Make Gravy), the withdrawn, non-verbal boy already in her care, too. For Andy, Piper and viewers alike, Bring Her Back then plunges into an atmosphere of festering stress — and an environment within the storyline where anxiety and unshakeable mourning radiates from Laura, Oliver unsettles with just a stare and his presence, both siblings mightn't be equally wanted and not all motives are altruistic. Talk to Me confronted the end that awaits us all via personal loss as well — and embraced the yearning to hold onto loved ones now gone through a severed embalmed hand that, when grasped by the living, acted as a conduit to those who've shuffled off this mortal coil. There's no lopped-off appendage acting as a beyond-the-void communication device in Bring Her Back; however, the Philippous are proving themselves experts in dealing with familiar and frequently explored horror-movie themes firmly in their own ways, and also in new fashions each time. Beating, needling and piercing at the heart of both of their films to date is a truth that everyone knows in their gut but rarely vocalises: that losing someone means never being okay, or at least the same, ever again. Bring Her Back is another stellar feature from the co-director pair, with Danny penning their screenplays with co-scribe Bill Hinzman, that boasts a strong emotional core, then — and with thoughtfully written, resonant and relatable characters, even when they're making dread-inducing and disquieting choices. The Philippous' second film is also blessed with a phenomenal turn from a giving-her-all Hawkins, who certainly didn't navigate the same terrain when she was portraying Mrs Brown and taking in Paddington in that franchise's first two movies. One more Bring Her Back feat: it'll ensure that no one ever looks at kitchen knives and perhaps their own limbs in the same way again, while lingering in everyone's mind whenever diving into coping with grief and complicated families fuels any other future movie. When it gets gory — and it does — this is a film that audiences react to audibly. "We don't want them to faint," says Danny. "If you're prone to fainting, bring a pillow. Gasps are good, but please don't faint," adds Michael. "We apologise to the fainters," Danny pipes back in. As they both explain, they also found Bring Her Back affecting to direct, something that they mostly agree didn't really happen in their RackaRacka days. Cue the brotherly riffing again: "actually, Michael, we once set off a bomb and a stick got lodged into Michael's cheek. I thought I saw some tears from his loser," says Danny; "they were tears of joy," is Michael's reply. After Talk to Me exploded with such success, they were still committed to making Bring Her Back at home in Adelaide — and to original horror. Why? That was also part of our discussion. Plus, among other topics, Danny and Michael chatted with us about how the feature's origin story also involves being inspired by a friend's little sister, plus classic films like What Ever Happened to Baby Jane?; getting Hawkins onboard and then not wanting to let her down; and the pride that comes with being a prime example of how online videos are sparking a new generation of filmmakers, just as video stores in the 80s and 90s did. On How Talk to Me's Massive Success Helped Lead to Bring Her Back Danny: "It was like we had to sign on for the next project straight away, because I could feel the anxiety overtaking my body — and if we didn't sign up for something, I felt like I would have never made another movie again. Because you overthink it, and you're overshadowed by things. And if you're just making something, you can't think about it, you just have to do it. So yeah, that was part of the thing with Bring Her Back — like, let's just sign on. Let's start the process." [caption id="attachment_986977" align="alignnone" width="1920"] Jono Searle/Getty Images for AFI[/caption] Michael: "It was being developed at the same time as Talk to Me. So it was a script that was already kind of almost ready to go." Danny: "It was bubbling away." Michael: "It was bubbling away in background." Danny: "It was bubbling away." On Drawing Upon Real-Life People, Classic Films and Personal Experiences to Build Bring Her Back — and Realising When These Pieces Were All Fitting Together Danny: "I think it's once we found some of those ending beats. And once you really solidify those things, building up to that is so much easier when you know where you're going — because a big part of the writing process is just putting together scenes and ideas and moments. And there's no real road map. But once you have a final destination, that's where you're like 'oh gosh, this is really powerful. This sort of speaks to everything that we've been writing'. And the build up to that just felt like, yeah, it was solid." On Finding New Ways Into Interrogating Grief and Death, Two Frequently Explored Horror Themes Danny: "It's still something that we haven't fully expressed yet. And naturally when you're writing, you're writing about things that have happened to you or are happening to you in that moment, and it didn't feel like we fully explored that subject yet. And we couldn't go into it thinking 'there's been all these films about grief already, we can't make another one'. We just had to make sure it was personal to us, and it was drawing from our own experiences, so that way it could feel more unique. We can't go into it overthinking what people are going to think or how it's going to be received. You just have to make something that's true to you." On Tapping Into the Truth That Losing Someone Never Means Being Okay — or At Least Never Being the Same Again Danny: "It was weird because we had a loss at the start of pre-production, and the film became our way of dealing with it and figuring that stuff out. And the script changed because of it. And there was a scene in the pool shed towards the end of the movie where it felt like we were saying goodbye to somebody, and it was directed through tears. So it was never a strategised thing. It was just something we were dealing with and expressing." Michael: "Yeah, some of the scenes are supposed to be horror. And then they turned out sad. I've never cried before directing, but I did in that scene." Danny: "Yeah, yeah. And my co-writer, when he saw the film, he's like 'what? What movie is this? What? What is this? We didn't write this'. And I was like 'we were just responding to what was happening, so it changed'." On Never Being Afraid of Horror Tropes, But Always Grounding Them in Character Danny: "There's something exciting about existing within the horror tropes. And some people deny that they're making a horror film. We do try to work it at a drama level and have it work as a horror film, too, but we're not afraid of those tropes — and embracing those tropes. And then doing your own spin on those tropes is always a fun thing. It's always about grounding it with our characters and in this place. And there's something about having the Australianisms of some of those moments and those beats, I think, that automatically puts it in a different lens from other films, if that makes sense." On the Key Aim When It Comes to Putting a Strong Emotional Core and Thoughtfully Written Characters at the Heart of the Philippous' Films Michael: "For them to work as real human beings. And even, say Laura, she's not outrightly evil — she's driven to madness from grief. It's swallowed her. So it's the world that has made it this way, and she was unable to let go, and what does that look like? It's the spiral. It's a lot about what the circle represents as well. So it's those things that, hopefully, you can empathise with certain characters — even if you don't agree with what they're doing, you understand why they're doing it." On Making Another Firmly Australian Horror Movie, and Doing So at Home, After All of the Offers That Came Following Talk to Me Danny: "There's something that just felt right about it. And we had so many offers, like dozens and dozens. And the budgets were mind-blowing. And the idea of doing it was so, it felt — yeah, that just seems so impossible to even to be offered that. But it didn't feel right. It didn't feel natural. And it didn't feel real. This feels real. This feels personal. And this is a proper expression — and we have full control over these characters and this narrative. [caption id="attachment_1007259" align="alignnone" width="1920"] Scott Ehler[/caption] And A24 is a studio that allows us to go wherever we want with the script and with the edit. And they're not sitting there — it's not filmmaking by committee. It's filmmaker-driven. So it just feels like — it just felt right." On the Pitch to Get Two-Time Oscar Nominee Sally Hawkins Onboard Michael: "She was the first person on our list, and we were thinking 'there's no fucking way Sally Hawkins is going to say yes to working with us'. But we sent them the script, we sent her people the script. And she read it, and we heard back and she said that she loved it, and wanted to jump on a zoom. And we had one meeting with her. And I was kind of afraid with the big Hollywood name, of an ego or something. I don't know, I don't know what I was picturing. But when we spoke to her, she's so down to earth. So amazing. She understood all the nuances in the script that no one else had, and she connected with it not because it was a horror film, but from a character point of view. She really understood Laura. And she was a bit intimidated by playing her as well. I don't know if she was wondering whether she could pull it off. But so, that was the first person that we reached out to, and it was who we got, which was incredible. And she blew everyone away. She's amazing." On What a Performance Like Hawkins', Including in Such a Complicated Part, Gives You as a Director Danny: "It was like the biggest fear of this movie was letting Sally Hawkins down. We didn't want to, us, put together this piece of crap when she's given a part of her soul for this performance. So that was always a thing in the back of your mind. You're like 'oh, please, we can't let Sally down. Please'." Michael: "And the film was structured to be in chronological order as much as possible. So you know these big scenes are coming, and you're so excited because you know Sally's going to go there. So there's those scenes, and you're watching it on the monitor, and there's this magic in front of your face. It's the most-unbelievable experience. And then you can just say little things to Sally, just one or two words, and she just understands. And she will just do another take with these subtle changes, but still in that character. It's unbelievable. It's so, so amazing to watch." On What Inspired the Scenes in Bring Her Back That'll Ensure That Audiences Never Look at Kitchen Knives or Their Limbs in the Same Way Again Danny: "It's just about tapping into stuff that makes you uncomfortable, especially when you're writing horror and stuff. Like metal on teeth, that is so upsetting to me, and so it's about tapping into that and writing about it, and finding a visual that surrounds that. And then when you go back through it, it's about finding a way to tie that back into character, back into theme." Michael: "And grief is all-consuming." Danny: "But also, all of it represents more than just that." Michael: "I know, I know, but I'm saying that's one part of it. And then when you have things like that that go into those ideas, what is the physical representation of the themes and what we're talking about from a character point of view? And those scenes, just they come — and it's one of those things. We didn't want to shy away from it, when that stuff does happen. And I don't think we did." Danny: "I don't think we did." On How It Feels to Be an Example of How YouTube Can Be a Launchpad for Filmmakers to Hone Their Skills, Find Their Voice, Then Make the Leap Into Features Danny: "Just so proud, because filmmakers or storytellers can exist in all platforms and can come from anywhere. They could be — like the future Steven Spielberg, he could be there, or she could be there, right now, just only having access to their phone, and that doesn't make them any less of a storyteller. So I like that. Even when we're in meetings now, we're really pushing creators and different people, and letting them know that this is the next gen. [caption id="attachment_1007252" align="alignnone" width="1920"] Scott Ehler[/caption] These people want to be able to express themselves, and they've got different mediums to use it. That doesn't make them any less of an artist. Yeah, I feel very proud of that." Bring Her Back released in cinemas Down Under on Thursday, May 29, 2025. Read our review of Talk to Me, and our interview with Danny Philippou about Talk to Me.
Dishing up a young, fun take on Southeast Asian fare, with an infusion of classic Aussie ingredients, Chubby Cheeks has burst onto the scene in Paddington. Making its home within Oxford Street's former Max Brenner site, the vibrant Thai street food eatery has all the makings of a neighbourhood favourite, with all exposed brick, raw timber and bold tropical prints. From the same minds that brought you Mona Vale's coastal café and retail space Armchair Collective, Songpol and Lyn Manoonpong, it's pitched at that coveted balance between relaxed and stylish. The menu leans to the crafty, bringing traditional Asian flavours to life with the addition of top local produce. Big-flavoured fare includes the likes of tea-smoked duck breast on banana blossom salad, a 12-hour smoked Rangers Valley wagyu brisket with green papaya and a burnt chilli sauce, and crispy turmeric rice crêpes, stuffed with either prawns and pork, or tofu. If you're rolling with two or more people, leave decisions at the door and share your way through the $49 tasting menu. From the central bar comes some equally gutsy cocktails — including a Thai-spiced negroni, and a bright and breezy lemongrass and lychee caprioska — a beer list mixing local craft brews with crisp Asian imports, and a largely Aussie wine lineup heroing lighter, fresher varietals.
Winter is here and, unlike the disappointing Game of Thrones finale, the change of weather is actually a good thing. The new season brings with it that cosy jeans-and-sweater weather and crisp, invigorating air — all of which means you can spend the majority of your time cosied up next to a fireplace. While Sydney is known for its sunshine and beaches, it doesn't mean the city stops once the temperature drops. In fact, there are many activities worth getting out from under the doona for — some indoorsy, some outdoorsy. So you don't miss out on any of these winter happenings, we've partnered with Tanqueray to bring you some top activities to tackle this season. From getting snug in a cinema for Sydney Film Festival to ice skating at Bondi Beach, there's plenty to keep you entertained with, of course, a gin in hand. CELEBRATE WORLD GIN DAY What better way to kick off winter (aka gin season) than with a whole day dedicated to your favourite spirit? World Gin Day falls on Saturday, June 8 this year — the start to the Queen's birthday long weekend. So, in honour of this spirit and Australia's undying love for it, hit the streets and head to any bar in town. If you're a gin aficionado though, you'll be best perched at one of Sydney's best gin bars. Try a whole range of gins at The Barber Shop with Tanqueray London Dry, Bloomsbury, Lovage, Old Tom, Rangpur, Sevilla and Tanqueray Ten all on offer to create a top-notch G&T or martini. Or at Gin Lane, you can go for one of several Tanqueray cocktails, with old school options like the Aviation, with Tanqueray, maraschino liqueur, creme de violet and fresh-pressed citrus, or something spritzy like the Hibiscus & Rose Fizz, with rose-infused Tanqueray, hibiscus, orange, rose syrup, pressed-organic raspberry and prosecco — all served in a smoking pipe. And if you really want to celebrate, Jacoby's Tiki Bar is the place, with Neptune's Punch, a four-person cocktail containing Tanqueray, rum, cognac, orange liqueur, passionfruit, falernum, orgeat and lemon. And, seeing how it's winter, best pay the extra fiver and it'll come on fire. GO FOR A TWIRL ON BONDI'S ICE SKATING RINK Where else can you watch surfers catch waves, all while gliding across the ice? Water doesn't freeze over in Sydney in winter — except in Bondi. The suburb's beachside ice skating rink will pop up again for three weeks this year. At Bondi Winter Magic, there'll also be a 22-metre ferris wheel alongside the outdoor rink, as well as a program with an avalanche of frosty fun. After all that action on the ice, you'll probably feel like a little post-skate celebratory tipple (particularly if you managed to last the whole time without falling). Keep the water views going, and head to Bondi's famed Icebergs Dining Room and Bar with million-dollar views of the beach. Order the Classic Aperitivo, made with Tanqueray gin, Italian bitters, house-made grapefruit cordial, orange juice, basil and soda; it's a tasty way to unwind. For something more low-key, head to Bondi Beach Public Bar for a classic negroni or the Tanqueray gin 'n' juice with a twist. [caption id="attachment_721080" align="alignnone" width="1920"] Archibald Prize Winner: Lindy Lee by Tony Costa.[/caption] HAVE AN ARTY AFTERNOON THEN GO FOR A LATE LAVISH LUNCH With Australia's most prestigious portrait award — The Archibald — plus the Wynne and Sulman Prizes all showing at the Art Gallery of NSW, it would be remiss not to put on your winter woollies and head to the gallery. Need even more of a reason? A huge retrospective of Marcel Duchamp (the man who made art out of a urinal) is also running this winter. After getting your cultural fix, wander down to Woolloomooloo and treat yourself to a late, long lunch at Riley St Garage. The industrial, art deco restaurant has a share plate menu, with everything from oysters and a raw bar offering to heartier dishes like the crispy pork knuckle. And better yet, you'll find $2 oysters available Tuesday to Saturday for 55 minutes starting at 5pm. Make it in time for cheap oysters, and you can spend a bit more on some fine gin cocktails like the Pet Sounds with gin, rosé, plum and pet nat, or a classic G&T with Tanqueray London Dry, Sevilla or Ten complete with Fever Tree tonic. SIP PRE-SHOW COCKTAILS BEFORE SEEING SOME LOCAL EMERGING TALENT This year, Belvoir Theatre is hosting 25A — a series of low-budget (but story-rich) plays supporting emerging theatre talent. Showing in the Downstairs Theatre, the plays running over winter include The Astral Plane, an energetic comedy that's simultaneously enlightening and deeply felt, showing from June 12–29; Skyduck: A Chinese Spy Comedy from July 11–20; and Te Molimau, a futuristic story of a young woman on a sinking island in the Pacific Ocean, running from August 7–24. Tickets are priced at an extremely reasonable $25 (online or at the door), with previews costing only $20, meaning you can splurge a little beforehand. Just a short walk from Belvoir is Redfern small-bar-cum-Italian-eatery, Vasco. The bohemian bar has an extensive cocktail list, with the Heart-Shaped Box, made of Tanqueray gin, house-made kiwi shrub, citrus and orange blossom, a particular crowd favourite. Foodwise, there's some Mediterranean snacks like antipasti, meatballs served with bread and bruschetta as well as lots and lots of homemade gnocchi. [caption id="attachment_618730" align="alignnone" width="1920"] State Theatre by Lottie P via Flickr.[/caption] CATCH A SYDNEY FILM FESTIVAL PREMIERE AT THE STATE THEATRE Sydney Film Festival is back and this year it's got Oscar nominees, Sundance hits and even some titles straight from Cannes. Throw in plenty of famous faces, a few more local flicks and a heap of acclaimed docos, and another busy fest will grace our city till Sunday, June 16. The full program is packed with just about every genre, with many screenings hosted at the decadent State Theatre. Book a film at the State Theatre, and afterwards, pop next door to Gowings Bar & Grill at the QT Hotel. Here you can sip the signature Perfect Bubbles cocktail with Tanqueray Ten, strawberry aperitif, lemon, rhubarb shrub and sparkling wine or order the Clover Club made with Tanqueray gin, raspberry, lemon and egg white. Celebrate the return of winter with a Tanqueray tipple in hand at home or around your city. Top image: Gin Lane.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are ten that you can watch right now at home. BARBIE No one plays with a Barbie too hard when the Mattel product is fresh out of the box. As that new doll smell lingers, and the toy's synthetic limbs gleam and locks glisten, so does a child's sense of wonder. The more that the world-famous mass-produced figurine is trotted through DreamHouses, slipped into convertibles and decked out in different outfits, though — then given non-standard makeovers — the more that playing with the plastic fashion model becomes fantastical. Like globally beloved item, like live-action movie bearing its name. Barbie, the film, starts with glowing aesthetic perfection. It's almost instantly a pink-hued paradise for the eyes, and it's also a cleverly funny flick from its 2001: A Space Odyssey-riffing outset. The longer that it continues, however, the harder and wilder that Lady Bird and Little Women director Greta Gerwig goes, as does her Babylon and Amsterdam star lead-slash-producer Margot Robbie as Barbie. In Barbie's Barbie Land, life is utopian. Robbie's Stereotypical Barbie and her fellow dolls (including The Gray Man's Ryan Gosling as Stereotypical Ken) genuinely believe that their rosy beachside suburban excellence is infectious, too. And, they're certain that this female-championing realm — and the Barbies being female champions of all skills, talents and appearances — has changed the real world inhabited by humans. But there's a Weird Barbie living in a misshapen abode. While she isn't Barbie's villain, not for a second, her nonconformist look and attitude says everything about Barbie at its most delightful. Sporting cropped hair, a scribbled-on face and legs akimbo, she's brought to life by Saturday Night Live great Kate McKinnon having a blast, and explained as the outcome of a kid somewhere playing too eagerly. Meet Gerwig's spirit animal; when she lets Weird Barbie's vibe rain down like a shower of glitter, covering everything and everyone in sight both in Barbie Land and in reality, the always-intelligent, amusing and dazzling Barbie is at its brightest and most brilliant. Barbie is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. TALK TO ME An embalmed hand can't click its fingers, not even when it's the spirit-conducing appendage at the heart of Talk to Me. This is an absolute finger snap of a horror film, however, and a fist pump of a debut by Australian twins Danny and Michael Philippou. As RackaRacka, the Adelaide-born pair have racked up six-million-plus subscribers on YouTube via viral comedy, horror and action combos. As feature filmmakers, they're just as energetic, eager and assured, not to mention intense about giving their all. Talk to Me opens with a party that's soon blighted by both a stabbing and a suicide. It segues swiftly into a Sia sing-along, then the violent loss of one half of the Aussie coat of arms. A breakout hit at the 2023 Sundance Film Festival, where it sparked a distribution bidding war won by indie favourite A24, it's constantly clicking, snapping and ensuring that viewers are paying attention — with terror-inducing imagery, a savvy sense of humour, both nerve and the keenness to unnerve, and a helluva scary-movie premise that's exceptionally well-executed. The picture's outstretched mitt is the Philippous' Ouija board. That withered and scribbled-on paw is also a wildly unconventional way to get high. In a screenplay penned by Danny with fellow first-timer Bill Hinzman, but based on Bluey and Content executive producer Daley Pearson's short-film concept — yes, that Bluey — shaking hands with the distinctive meat hook is a party trick and dare as well. When the living are palm to palm with this dead duke, in flows a conjuring. A candle is lit, "talk to me" must be uttered, then "I let you in". Once heads are kicking back and the voices start, no one should grasp on for more than 90 seconds, as Hayley (Zoe Terakes, Nine Perfect Strangers) and Joss (Chris Alosio, Millie Lies Low) explain. But, as she navigates the anniversary of her mother's death, Mia (Sophie Wilde, The Portable Door) is up for going as far as she can. Here, being consumed by sinister spirits, not consuming booze, is an escape. That, and filming whatever twisted chaos happens when you connect with the otherworldly. It isn't all fun and frights and games, though; when her best friend Jade's (Alexandra Jensen, Joe vs Carole) 14-year-old brother Riley (Joe Bird, First Day) takes part, traumatic consequences spring. Talk to Me is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Danny Philippou. THE NEW BOY Warwick Thornton, Cate Blanchett, Deborah Mailman, Nick Cave and Warren Ellis: name a better Australian quintet. The director of Samson & Delilah and Sweet Country, the two-time Oscar-winner and recent Tár tour de force, the local screen mainstay, and the Bad Seeds bandmates and seasoned film composers all combine not for the ultimate Aussie dinner party, but for The New Boy. None are debuting in their jobs. All are exceptional. They're each made better, however, by the luminous and entrancing Aswan Reid. As well as playing the titular part, the 11-year-old first-time actor lives it among such a wealth of acclaimed and experienced talent — and he's such a find in such excellent company, while saying little in words but everything in every other way, that Thornton's third fictional feature owes him as much of a debt as its applauded and awarded household names. There's a spark to Reid from the moment that he's first spied grappling with outback law enforcement under blazing rays as Cave and Ellis' (This Much I Know to Be True) latest rousing score plays. His sun-bleached hair couldn't be more fitting, or symbolic, but it's the confident way in which he holds himself as New Boy, plus the determined look on his face, that sears. Wily and wiry, the feature's eponymous figure is toppled by a boomerang, then bagged up and transported to the remote Catholic orphanage doted on by Sister Eileen (Blanchett, Nightmare Alley) in the 1940s. The cop doing the escorting notes that the kid is a bolter, but the nun is just as fast in her kindness. She sees what Thornton wants his audience to see: a boy that beams with his presence and through his sense of self, even though he's been snatched up, taken from his Country and forced into a Christian institution against his will. Sister Eileen is as drawn to him as the movie, but — and not just due to the red wine she likes sipping and the subterfuge she's keeping up about the resident father's absence — she isn't as certain about what to do. The New Boy is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Warwick Thornton. RED WHITE & BRASS Watch Red, White & Brass and you'll never see the pre-game or half-time entertainment at a big sporting match the same way again. Of course, if Rihanna, or Beyoncé with Destiny's Child, or a heap of hip hop and rap legends are taking to the stage at the Super Bowl, you won't question it — but if there's a community band on the turf, you might start wondering when they first picked up their instruments, why and if it was only four weeks ago to make it to this very gig. Are they just out there because they were that desperate to see their team play? And, because they missed out on expensive and instantly sold-out tickets? Were they so eager, in fact, that they bluffed their way into a gig by claiming to already be a musical group, then had to speedily do anything and everything to learn how to get melodic, and obviously not embarrass themselves, in a passion-fuelled whirlwind of pretence and practice? A band solely forming to score access to a rugby game sounds like pure screenwriting confection. Often enough, though, when tales like that make it to the silver screen, it's because they're so wild that they can only be true. Such is the case with Red, White & Brass' premise, as it notes at the outset, with co-writer Halaifonua (Nua) Finau scripting the story with first-time feature director Damon Fepulea'i from his very own experiences. Back in 2011, New Zealand hosted the Rugby World Cup, which was a source of particular excitement to Aotearoa's Tongan population, and especially to avid aficionados at a Wellington church. The kind of fans that were showing their devotion by decking out their homes in the Tongan flag top to bottom, hitching the red-and-white cloth to every free space on their cars and carrying around the symbol on their phone cases, they were determined to see Tonga play France in their own home city, and willing to whatever it takes to do so — wholesomely, in the type of underdog story about fervour, ingenuity, self-belief and luck that engagingly makes for an easy and warm-hearted cinema crowd-pleaser. Red, White & Brass is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with John-Paul Foliaki and Damon Fepulea'i. CARMEN Breaking down a classic tale best known as an opera, rebuilding it as a lovers-on-the-run drama set across the US–Mexico border and making every moment burst with emotion, Benjamin Millepied's Carmen is a movie that moves. While its director is a feature debutant, his background as a dancer and choreographer — he did both on Black Swan, the latter on Vox Lux as well, then designed the latest Dune films' sandwalk — perhaps means that the former New York City Ballet principal and Paris Opera Ballet Director of Dance was fated to helm rhythmic, fluid and rousing cinema. His loose take on Georges Bizet's singing-driven show and Prosper Mérimée's novella before it, plus Alexander Pushkin's poem The Gypsies that the first is thought to be based on, is evocative and sensual. It's sumptuous and a swirl of feelings, too, as aided in no small part by its penchant for dance. And, it pirouettes with swoon-inducing strength with help from its stunningly cast leads: Scream queen and In the Heights star Melissa Barrera, plus Normal People breakout and Aftersun Oscar-nominee Paul Mescal. When Mescal earned the world's attention in streaming's initial Sally Rooney adaptation, he had viewers dreaming of fleeing somewhere — Ireland or anywhere — with him. Carmen's namesake (Barrera) absconds first, then has PTSD-afflicted Marine Aidan (Mescal) join her attempt to escape to Los Angeles. Carmen runs after her mother Zilah (flamenco dancer Marina Tamayo) greets the cartel with thunderous footwork, but can't stave off their violence. Aidan enters the story once Carmen is smuggled stateside, where he's a reluctant volunteer border guard in Texas alongside the trigger-happy Mike (Benedict Hardie, The Drover's Wife The Legend of Molly Johnson). As the picture's central pair soon hurtle towards California, to Zilah's lifelong friend Masilda's (Rossy de Palma, Parallel Mothers) bar, they try to fly to whatever safety and security they can find. That may be fleeting, however, and might also be in each other's arms. Carmen is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Benjamin Millepied. HOW TO BLOW UP A PIPELINE Every story is built upon cause and effect. One thing happens, then another as a result, and so a narrative springs. Inspired by Andreas Malm's non-fiction book of the same name, How to Blow Up a Pipeline isn't just strung together by causality — it's firmly, actively and overtly about starting points, consequences and the connections between. Here's one source for this impassioned tale about determined and drastic environmental activism: the warming world. Here's an originator for that, too: fossil fuels, humanity's reliance upon them and the profits reaped from that status quo. Now, a few outcomes: pollution, catastrophic weather changes, terminal illnesses, stolen and seized land, corporate interests prioritised over ecological necessities, and a growing group that's driven to act because existence is at stake. Turning a text subtitled Learning to Fight in a World on Fire into a fictional feature, How to Blow Up a Pipeline joins all of the above, stressing links like it is looping string from pin to pin, and clue to clue, on a detective's corkboard. In his second feature after 2018's smart and effective camgirl horror Cam, writer/director Daniel Goldhaber isn't trying to be subtle about what dovetails in where. With co-screenwriters Jordan Sjol (a story editor on Cam) and Ariela Barer (also one of How to Blow Up a Pipeline's stars), he isn't attempting to rein in the film's agenda or complexity. This movie tells the tale that's right there in its name, as eight people from across America congregate in Texas' west with a plan — an octet of folks who mostly would've remained loosely connected, some strangers and others lovers and friends, if they weren't desperate to send a message that genuinely garners attention. Goldhaber's latest is explosive in its potency and thrills, and startling in its urgency, as it focuses on a decision of last resort, the preparation and the individual rationales before that. How to blow up hedging bets on-screen? That's also this tightly wound, instantly gripping, always rage-dripping picture. How to Blow Up a Pipeline is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SISU Lean, mean and a Nazi-killing machine: that's Sisu and its handy-with-a-hunting-knife (and pickaxe) protagonist alike. This stunningly choreographed Finnish action film's title doesn't have a literal equivalent in English, but writer/director Jalmari Helander's (Rare Exports: A Christmas Tale) latest effort means stoic, tenacious, resolute, brave and gritty all in that four-letter term; again, both the movie and the man at its centre fit the description. Former soldier Aatami Korpi (Jorma Tommila, also Rare Exports: A Christmas Tale) has one aim. After he strikes gold and plenty of it in Lapland's far reaches, he's keen to cash in. For someone who has already lost everyone and everything to World War II, that requires transporting his haul; however, the year is 1944 and German troops still lurk even as the combat winds down. Accordingly, getting those gleaming nuggets from the wilderness to a bank means facing a greedy and unrelenting platoon led by Helldorf (Aksel Hennie, The Cloverfield Paradox), who can spy a payday and an exit strategy for himself. Before anything yellow shimmers, Nazi-filled tanks are sighted, a single shot is fired or a blow swung, Sisu explains its moniker as "a white-knuckled form of courage and unimaginable determination". Text on-screen also advises that "sisu manifests itself when all hope is lost." As a film, Sisu may as well be shorthand for John Wick meets Inglourious Basterds meets Django, the iconic 1966 spaghetti western that Quentin Tarantino riffed on with Django Unchained, too — plus all of that meets the work of legendary spaghetti western director Sergio Leone as well. The carnage is that balletic. The Nazi offings are that brutal, roguish and inventive. And valuing deeds over dialogue as a lone figure dispatches with nefarious forces against an unforgiving landscape, and no matter what they throw at him, is firmly the setup. Sisu is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. INDIANA JONES AND THE DIAL OF DESTINY Old hat, new whip. No, that isn't Dr Henry Walton 'Indiana' Jones' shopping list, but a description of Indiana Jones and the Dial of Destiny. While the fifth film about the eponymous archaeologist is as familiar as Indy films come, it's kept somewhat snapping by the returning Harrison Ford's on-screen partnership with Fleabag's Phoebe Waller-Bridge. When this 15-years-later sequel to 2008's Indiana Jones and the Kingdom of the Crystal Skull begins — swinging into cinemas after 1981's Raiders of the Lost Ark, 1984's Indiana Jones and the Temple of Doom and 1989's Indiana Jones and the Last Crusade, too — Indy's trademark fedora and strip of leather have already enjoyed ample action. So has the George Lucas-created franchise's basic storyline. If you've seen one Indy outing in the past 42 years, you've seen the underlying mechanics of every other Indy outing. And yet, watching Ford flashing his crooked smile again, plus his bantering with Waller-Bridge, is almost enough to keep this new instalment from Logan and Ford v Ferrari filmmaker James Mangold whirring. Across the quintet of Indy flicks — a number contractually locked in at the outset, even if it took almost half a century to notch them all up — a trinket always needs recovering. Whether it's a relic, stone, cup, carving or, as here, a device by Ancient Greek mathematician, philosopher and inventor Archimedes that might facilitate time travel, nefarious forces (typically Nazis) always want said item as well. Also, only antics that've influenced the likes of Tomb Raider, National Treasure and Jungle Cruise can ensure that whatever whatsit is at the heart of whichever picture stays out of the wrong hands. The object in question falls into those mitts at some point, of course. Indy goes globetrotting and cave diving to save it, and skeletons and creepy-crawlies tend to get in his way. Reliably, he has female company. Frequently, there's a young offsider tagging along. A constant: the whole escapade bounding to the tune of John Williams' rousing theme, which is now acoustically synonymous with adventure. Indiana Jones and the Dial of Destiny is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE BOOGEYMAN Teenagers are savage in The Boogeyman, specifically to Yellowjackets standout Sophie Thatcher, but none of them literally take a bite. Grief helps usher a stalking dark force to a distraught family's door; however, that malevolent presence obviously doesn't share The Babadook's moniker. What can and can't be seen haunts this dimly lit film from Host and Dashcam director Rob Savage, and yet this isn't Bird Box, which co-star Vivien Lyra Blair also appeared in. And a distressed man visits a psychiatrist to talk about his own losses, especially the otherworldly monster who he claims preyed upon his children, just as in Stephen King's 1973 short story also called The Boogeyman — but while this The Boogeyman is based on that The Boogeyman, which then made it into the author's 1978 Night Shift collection that gave rise to a packed closet full of fellow movie adaptations including Children of the Corn, Graveyard Shift and The Lawnmower Man, this flick uses the horror maestro's words as a mere beginning. On the page and the screen alike, Lester Billings (David Dastmalchian, Boston Strangler) seeks therapist Will Harper's (Chris Messina, Air) assistance, reclining on his couch to relay a tragic tale. As the new patient talks, he isn't just shaken and shellshocked — he's a shadow of a person. He's perturbed by what loiters where light doesn't reach, in fact, and by what he's certain has been lurking in his own home. Here, he couldn't be more adamant that "the thing that comes for your kids when you're not paying attention" did come for his. And, the film Lester has chosen his audience carefully, because Will's wife recently died in a car accident, leaving his daughters Sadie (Thatcher) and Sawyer (Blair) still struggling to cope. On the day of this fateful session, the two girls have just returned to school for the first time, only for Sadie to sneak back when her so-called friends cruelly can't manage any sympathy. The Boogeyman is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEG 2: THE TRENCH Jaws, but bigger. Jurassic Park but sharks. Like a prehistoric underwater predator scooping up a heap of beachgoers in one hefty mouthful, describing what The Meg and its sequel Meg 2: The Trench are each aiming to be is easy. Ridiculous big-screen fun that sets Jason Statham (Fast X) against multiple megalodons, his scowl as shiny as their razor-sharp teeth: they're the type of waters that this creature-feature franchise also wants to paddle in. Since debuting in cinemas in 2018, all things The Meg have always had a seriousness problem, however. They're at their best when they're also at their silliest, but they're rarely as entertainingly ludicrous as they're desperate to be. This five-years-later follow-up might task Statham with shooting harpoons while riding a jet ski at a tourist-trap holiday destination called Fun Island — and also busting out the line "see ya later, chum", which lands with such a sense of self-satisfaction that it feels like the entire reason that the movie even exists — but such gleeful preposterousness is about as common as a herbivore with a meg's massive chompers. Again based on one of author Steve Alten's books — he's penned seven so far, so more flicks are likely — Meg 2: The Trench doesn't just want to ape the Jurassic series. It does exactly that overtly and unsubtly from the outset, but this film is also happy to brazenly treat multiple movies from a few decades back as fuel for its choppy antics. When the feature starts, it's 65 million years ago, dinosaurs demonstrate the cretaceous period's food chain, then a megalodon shows who's boss from the water. Obviously, life will find a way to bring some of this sequence's non-meg critters into the present day. Next comes a dive in The Abyss' slipstream, before embracing being a Jaws clone again — even shouting out to Jaws 2 in dialogue — but with a Piranha vibe. Before it's all over, Meg 2: The Trench also flails in Mega Shark Versus Giant Octopus' direction, just with a visibly larger budget. Meg 2: The Trench is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June, July and August, too. You can also peruse our best new films, new TV shows, returning TV shows and straight-to-streaming movies of 2023 so far
It has been 13 years since Planet Earth, the 11-part documentary series that combined stunning high-definition images of this place we all call home with David Attenborough's inimitable narration. It has been three years since Planet Earth II, the show's six-part sequel, did the same too. A third program, Planet Earth III, is slated to join them in 2022 — but you don't need to wait that long for your next Attenborough-voiced nature doco fix. Four years in the making, Netflix's Our Planet will help fill the gap. Releasing in April, it isn't related to BBC's Planet shows — which also include The Blue Planet and Frozen Planet — but it does still feature Attenborough's informative tones. Across eight episodes, the iconic broadcaster and natural historian will talk viewers through the planet's remaining wilderness areas and their animal inhabitants. The series is made in partnership with the World Wildlife Fund, so expect to see plenty of astonishing and majestic critters. And we do mean plenty. Our Planet was filmed in 50 countries across all the continents of the world, heading everywhere from the remote Arctic wilderness to the South American jungles — and to sprawling African landscapes and the depths of the ocean, as well. In total, it took 600 crew members to shot the series, who helped capture a plethora of never-before-filmed sites over more than 3500 filming days. It's also filmed in ultra high-definition at 4K resolution, so should your TV support it, you'll be in for quite the detailed glimpse at the natural world. Check out the full trailer below: Our Planet starts streaming on Netflix on April 5. Image: (c) Ben Macdonald/Silverback Films.
A small, rotating cast of volunteer musicians come together as The String Orchestra of Brooklyn (SOB) to produce site-specific musical experiments and collaborations with other New York area musicians. According to executive director and founder Eli Spindel, the strength of SOB lies in the orchestra's versatility. "We have the flexibility to take risks and follow our musical curiosity wherever it might lead," he said. Recently, SOB's "musical curiosity" led to a collaboration with ISSUE Project Room on the March 17 production of String Theories 2012. Held in St. Ann's Church in Brooklyn, String Theories featured the works of four commissioned composers: Anthony Coleman, Eric Wubbels, Spencer Yeh, and MV Carbon. The goal of the project was to create performances on a larger-than-realistic scale, playing on the physicality of the orchestra members and adopting new musical techniques. "It will definitely get a bit rowdy," Spindel said pre-performance. Upcoming events include the 2012 Parks Concert Series, where SOB, in collaboration with The Fort Greene Park Conservatory, has joined the outdoor concert lineup. https://youtube.com/watch?v=UU6VdE35Htg
What does a group of pink guards do when they hit an Australian beach? That isn't likely to be a storyline in Squid Game when it returns for its second season on Boxing Day 2024, but we have been given the answer in the lead up to the show's much-anticipated comeback anyway. In Melbourne on the morning of Tuesday, December 10, 2024, St Kilda Beach welcomed 200 visitors, all kicking back on the sand — on towels, reading, sitting under umbrellas, throwing balls, flying kites and more — in eye-catching Squid Game attire. As announced on Monday, December 9, Netflix sent a continent of pink guards to the seaside patch of the Victorian capital to remind everyone that the show's second season is on the way — and soon — in an eerie fashion. There wasn't a green tracksuit in sight, but there were plenty of jumpsuit- and mask-wearing folks enjoying a morning out. This isn't the first time that the streaming platform has brought the South Korean sensation Down Under. When season one proved a massive success, the creepy Red Light, Green Light doll from the show towered over Sydney Harbour. Up at Sydney's Luna Park, you'll have another chance to get some IRL Squid Game action — without any murder, of course — when an immersive experience hits the tourist attraction to get you playing Red Light, Green Light from Monday, December 16, 2024. Three years have passed since Squid Game became an award-winning Netflix sensation — for viewers and, in the show itself when new episodes drop, for Seong Gi-hun (Lee Jung-jae, The Acolyte) as well. Audiences and Player 456 are alike are in for a new round of life-or-death matches when the streaming smash finally returns, although only the series' protagonist will be fighting for survival again while on a quest to shut down this chaos forever in season two. No one watching should ever want Squid Game to end; however, the show itself will wrap up in 2025 with season three. First comes the long-awaited second season to end 2024, though, where Player 456 is back in the game with new fellow competitors for company. Netflix has been dropping multiple early looks at season two, including a teaser trailer to kick off November — and it finished off the month with a new glimpse at what's to come. As the show's protagonist dons his green threads once more for the new season, his new fellow competitors are wary of his motives. Also part of the recent teases: Lee Byung-hun (The Magnificent Seven) as Gi-hun's nemesis Front Man, plus Wi Ha-joon (Little Women) also back as detective Hwang Jun-ho. For season two, Gong Yoo (Train to Busan) also returns as the man in the suit who got Gi-hun into the game in the first place; however, a show about a deadly competition that has folks battling for ridiculous riches comes with a hefty bodycount. Accordingly, new faces were always going to be essential — which is where Yim Si-wan (Emergency Declaration), Kang Ha-neul (Insider), Park Sung-hoon (The Glory) and Yang Dong-geun (Yaksha: Ruthless Operations) all come in. Squid Game's pink guards took over St Kilda Beach in Melbourne on the morning of Tuesday, December 10, 2024. Head to Netflix's social media for more details. Squid Game season two streams via Netflix from Thursday, December 26, 2024. Season three will arrive in 2025 — we'll update you when an exact release date for it is announced.
How many ways can Melbourne go dotty for Yayoi Kusama? Everyone is about to find out. The National Gallery of Victoria's big summer 2024–25 exhibition is dedicated to the Japanese artist, complete with a five-metre-tall dot-covered Dancing Pumpkin sculpture in NGV International's Federation Court, plus a world record-breaking number of infinity rooms and other immersive installations, many featuring spots. There'll be polka dots inside and out around the venue, including on the plane trees on St Kilda Road. On Wednesday, November 27, 2024 — in the lead up to the exhibition's run from Sunday, December 15, 2024–Monday, April 21, 2025 — the NGV has unveiled the beginnings of Kusama's latest artwork. A version of Ascension of Polka Dots on the Trees is being staged in Melbourne, with more than 60 trees outside the gallery having their trunks covered in pink-and-white polka-dotted material. The first row has been completed, which anyone in the vicinity can now check out — and by early in the week commencing Monday, December 2, 2024, all four lanes of St Kilda Road in front of the NGV will be brightly wrapped. With over 180 works set to feature, in what'll be the largest Kusama retrospective that Australia has ever seen — as well as one of the most-comprehensive retrospectives devoted to the artist to be staged globally, not to mention the closest that you'll get to experiencing her Tokyo museum without leaving the country — stepping foot inside the NGV will still be mandatory for art lovers. But Kusama is also livening up the road for everyone to enjoy all day and all night long. In the past, including when Ascension of Polka Dots on the Trees debuted at the Kirishima Open Air Museum in Japan in 2002, a red-and-white colour scheme has been used; however, Melbourne has scored its own bold-pink iteration. Ascension of Polka Dots on the Trees is obviously free to view, joining several other artworks that won't cost anyone a cent to see during the exhibition. The aforementioned Dancing Pumpkin is already on display. NGV International's glass waterwall is also going pink, but with black rather than white dots. Kusama's new version of Narcissus Garden, which dates back to 1966 and will feature 1400 30-centimetre-diameter silver balls this time around, is set sit in front of the waterwall and in parts of Federation Court. Plus, the yellow-and-black spheres of Dots Obsession will hang over the Great Hall. Then there's the artist's sticker-fuelled, all-ages-friendly The Obliteration Room, where audiences young and old pop coloured dots everywhere — 'obliterating', as Kusama calls it — to cover an apartment interior that's completely white otherwise. Overall, Yayoi Kusama will step through the 95-year-old artist's eight decades of making art via a thematic chronology. Some pieces hail from her childhood. Some are recent. Her output in her hometown of Matsumoto from the late 30s–50s; the results of relocating to America in 1957; archival materials covering her performances and activities in her studios, especially with a political charge, in the 60s and 70s; plenty from the past four decades: they'll all appear. [caption id="attachment_950480" align="alignnone" width="1920"] Yayoi Kusama, 2022 © YAYOI KUSAMA[/caption] Yayoi Kusama displays at NGV International, St Kilda Road, Melbourne from Sunday, December 15, 2024–Monday, April 21, 2025. Head to the NGV website for more details and tickets. Images: Yayoi Kusama's Ascension of Polka Dots on the Trees, 2002/2024, on display along St Kilda Road, Melbourne for the National Gallery of Victoria's Yayoi Kusama exhibition until 21 April 2025. © YAYOI KUSAMA. Photo: Tobias Titz.
