Last week, Australia had its first ever drive-in concert. It took place in Sydney's Robyn Webster Sports Centre in Tempe on Thursday, May 21, with Australian Idol winner Casey Donovan as the headline act. It was free and — despite the midday time slot and the slightly off-kilter artist choice — it garnered a crowd. Drive-In Entertainment Australia's first concert was an example of how it plans to run its (many) future events. From July, the company hopes to host live music concerts for up to 600 people, in 300 cars, with plans to launch eight drive-in venues across NSW and Victoria. Depending on how successful the events are, more states may follow. So, how does it work? Much like a scene out of hit 70s film Grease — or any drive-in cinema, really — you drive in, park up and watch from your car. The sound will be broadcast by an FM radio to your car, with the option for the spectacle to be live streamed via Zoom, too. You won't be able to get out of your vehicle though, unless going to the bathroom. All ticketing will be contactless, as will any snack purchases, which will be delivered to your car from onsite food trucks. It's no secret Australia's music industry has been hit hard during the pandemic, with website I Lost My Gig reporting about $340 million in lost income since COVID-19 saw the cancellation and postponement of festivals and gigs nationwide. With Australia's proposed roadmap out of COVID-19 lockdown, mass gatherings of up to 100 will be permissible from July, which isn't a sustainable outlook for all facets of the industry. Despite Falls Festival 2020 announcing its plans to go ahead, a public health expert predicts music festivals may not be able to restart until September 2021. At least with drive-in concerts, larger live music events will be able to have a small revival — even if it means you must cut shapes in your car. Australia is not the first country to trial drive-in gigs, with one of the first happening in an LA carpark back in March and another in Aarhus, Denmark last month, which sold out in minutes according to Forbes. Drive-In Entertainment Australia plans to launch eight venues across NSW and Victoria, with other states to potentially follow. Entertainers, producers, agents and managers can register for a gig from Saturday, July 18 onwards. More information and contact details can be found on the website.
Taking design cues from Everything Adorable Ever works a treat for Edwina Sinclair. The 22-year-old Brisbane designer behind Australian label Soot counts Emojis, kiddie terrycloth beach ponchos and post-swim towel huddling as the triggers for her SS14/15 collection 'Splash'. A beachworthy assortment of flowing, wide-leg pants, summery tunics and her signature knitted bubble print, Soot's spring/summer collection is a pastel-lover's paradise. An unfathomably recent graduate from Queensland University of Technology (we're talking a couple of years), industry favourite Sinclair took us through her pretty-as-blazes looks for next season. On Fusing the '30s with Emojis Soot's impossibly summery SS14/15 collection 'Splash' found its beginnings in Sinclair's enthusiasm for both structured '30s beachwear and her own Australian beach-bound childhood. "I wanted to incorporate humour, luxury and texture which are values that I aim to include in all Soot collections," she says. "Inspirations came from looking at 1930's beach loungewear and vintage pyjamas. I am all about comfort so this is subconsciously incorporated into the garments shapes." In an adorable move that reflects Sinclair's age, she found further inspiration right under her thumbs. "I further looked at Emoji's for the prints to incorporate another playful element and develop my 3D textures." On Getting Back to Aussie Roots Full of flat, flowy tunics, wide-leg pants, 'Splash' gives a firm nod to Sinclair's Australian heritage. Remember those 'ball gowns' you and your tiny crew used to make out of towels on the beach, perfect for a parental parade? Sinclair's taken those makeshift moments of Roxy towel-made haute couteur and made them into Actual Garments. "I love the beach, I am there almost every weekend!" she says. "The homage to my Aussie roots comes from the colour, the water references and some literal references too! Such as the linen towel dress — the shape came from wrapping a towel around you after a swim and the droplet jersey dress silhouette came from the terry toweling ponchos children wear at the beach!" On Her Signature Knitted Bubble Design Sinclair's signature knitted bubble bags and dresses popped up at every turn at this year's Mercedes Benz Fashion Week, with many a front rower swanning by with SOOT's most recognizable items in tow. Trending at MBFWA is a dream for most up-and-coming designers, and while Sinclair is flattered by the design's success she can see the pressure such hoo-ha can create. "It is great to have other people respond so positively to an idea that has come from a concept to a physical object," she says. "When something does have a good response it does put the pressure on to create something that will be as well received the following season." On Teaming Up With the Fam Edwina isn't the only talented sibling in the Sinclair family. 'Splash' is the first SOOT collection to feature her sister Tilly's jewellery designs. Fusing the strengths of the Sinclair sisters in one gorgeous collaboration, 'Splash' is a beautifully-executed family affair. "It is fun! Also it is very easy to talk openly about our ideas and if we disagree on something it is easy to resolve and compromise," says Sinclair. "It is really great that Tilly wanted to come on board to collaborate this season. I think the jewellery has added a nice touch to the collection." On Hanging at Home in Brisbane So where does one of Brisbane's best exports hang out when she's at home? "I like Shady Palms, Tipplers Tap and Lefty's for a drink with friends. I usually go to Jamie's Espresso Bar or Reverends to get my coffee (both in Fortitude Valley just near my studio). I shop at my favourite store which also happens to be Soot's Brisbane stockist, Blonde Venus in Fortitude Valley." Now for more pretty pictures, here's Soot's SS14/15 'Splash' collection. Check soot.com.au for stockists.
Eight weeks is a long time to spend indoors, as folks in the Greater Sydney area currently know. At present, the region's lockdown will run until at least 12.01am on Saturday, August 28, which will see it spend more than two months under stay-at-home conditions. But for the past few weeks, New South Wales Premier Gladys Berejiklian has pushed one specific tactic to help ease the city out of its current restrictions. If you've watched the state's daily COVID-19 lockdowns, you will have heard the term plenty of times: vaccination. The Premier wants NSW to hit six million jabs by the end of August — and, when that milestone is reached, that's when the state government will start looking at easing restrictions for vaccinated Sydneysiders. Premier Berejiklian has been mentioning this figure for weeks, too, but today, Tuesday, August 17, she specifically advised that "once we get to six million jabs, we'll be able to consider opportunities for what we might be able to do in September and October that we can't currently do." Obviously, this still depends upon daily case numbers. "Does it mean wheel live completely freely? No. But does it mean we'll live more freely than we do today? Absolutely," the Premier said. "There will be extra freedoms than we have today and that's an absolute assurance. Once we get to six million jabs, we'll call on [NSW Chief Health Officer] Dr Chant to make considerations of what we can allow people to do who are vaccinated." No concrete details have been given as yet regarding that vaccinated folks might be allowed to do once NSW hits six million vaccinations — if case numbers don't remain too high, that is — although eating in at bars and restaurants and getting haircuts are the kinds of ideas that've been floated over the past month. Reaching this vaccination milestone is seen as the first step in easing the Greater Sydney region out of its current lengthy lockdown. After that, when NSW reaches 70-percent and 80-percent vaccination rates, restrictions are meant to loosen even further — again, if case numbers aren't soaring — which falls in line with the country's new overall 'National Plan to transition Australia's National COVID Response' that was announced in July. "Obviously we're keen to make sure we hit the 70-percent double dose and 80-percent double dose targets. Now, at this stage, those targets will be met at the end of October for 70-percent double dose and mid-November for 80-percent double dose," said the Premier. "I want to make this very, very important point — life will be much freer than what it is today once we get to 70 percent and 80 percent. It doesn't mean we'll be completely free. It doesn't mean that we will let the virus be rampant in the community no matter our number of cases, but it will be freer than it is today. I really want to stress that point," she continued. NSW recorded 452 new locally acquired cases of #COVID19 in the 24 hours to 8pm last night. pic.twitter.com/V8iZFFHJFd — NSW Health (@NSWHealth) August 17, 2021 This isn't quite the roadmap out of lockdown that Berejiklian promised in mid-July but is yet to announce — and, other than the six million vaccination threshold, no further details or even specific details are expected to be revealed until much closer to August 28. Today, Tuesday, August 17, NSW reported 452 new locally acquired cases — and until Sunday, August 22, the entire state of NSW is currently under stay-at-home rules due to spreading cases in regional areas — so the outbreak has clearly been worsening since the Premier first promised to release that roadmap last month. The Premier has also advised that the NSW Government does expect case numbers to remain high in September and October, too; however, she expects that there'll still be scope to ease some rules for vaccinated people — with encouraging folks to get vaccinated obviously a very big part of the strategy moving forward. "Can I make it very clear that we are assuming that case numbers will go up. Now, I say that only as a realist because when you have cumulative days of high case numbers, there is a tipping point where case numbers go up," the Premier said. "Our challenge is to make sure that we keep vaccination rates up, because the more people that are vaccinated, the less likelihood of hospitalisation and the less likelihood of death." She continued: "We will have, in two or three weeks' time, a much greater proportion of the population who are protected against spreading the virus further... So all of these factors are taken into account, but I do want to stress that once we get to six million, it does give us options as to what we can consider in the months of September and October." If you're wondering were you can get vaccinated, there's a handy online map that helps you find your nearest clinic. Australia's vaccination campaign is also expected to get a boost from September now that the Moderna vaccine has been approved for use and will join the rollout. For more information about the status of COVID-19 in NSW, head to the NSW Health website.
Luxury Australian hotel chain Crystalbrook has opened its flagship rooftop restaurant on top of its Newcastle outpost, Crystalbrook Kingsley. Roundhouse is the new sky-high eatery perched above the harbour city with a strong focus on hyper-local produce. The newly opened restaurant boasts a modern Australian menu with 80-percent of its produce sourced from within a three-hour drive of the hotel. Local farmers, fisherman and artisans all make up the kitchen's bank of suppliers that come together to form dishes that celebrate the region's great produce. Drop in for a meal and enjoy the panoramic views of Newcastle and its surroundings, with local landmarks like Nobby's Head and the vast wineries of the Hunter Valley visible from the restaurant. Heading up the kitchen is chef Natalie Bolt who has previously worked in United Arab Emirates, Turkey and Thailand. On the menu, you'll find highlights like lamb rack from Pukura Estate served with smoked eggplant and wattleseed pickle, or sustainably caught Paperback market fish, baked whole and served with harissa duck fat potatoes. If you come for breakfast, you'll be treated to a tower of early morning treats and selections from the la carte menu like house-made waffles and breakfast bruschetta. Accompanying the dishes is an extensive wine list that is, of course, hyper-local. The wine on offer showcases the breadth of different wines currently being produced a stone's throw from Newcastle in the Hunter Valley.
Sydney has experienced a recent influx of sleek bistros and flash steakhouses, but none are leaning into the opulence quite like Clam Bar. This Bridge Street brasserie from the team behind Bistrot 916 and Pellegrino 2000 sets itself apart by combining the modern sensibilities of its CBD counterparts with a playful fondness for the menu items from fine diners of yesteryear. Seafood towers, prawn cocktails, anchovy toast and oysters — they're all here. Dan Pepperell (ex-Restaurant Hubert and 10 William Street), sommelier Andy Tyson (ex-Alberto's Lounge) and former Rockpool Dining Group chef Michael Clift's third venue does nothing in half measures. On the hunt for caviar? Enjoy oscietra caviar with coconut blini and créme fraiche. The menu is continually serving up surprises, from fried kingfish wings to pickled mussels, but there are also plenty of down-the-line classics to enjoy. If you're after a meal that balances the luxurious and the familiar, you can start with the tuna tartare and anchovy toast before you move onto a bowl of spaghetti with chilli and garlic clams, or simply turn straight to the three-entry steak selection of 250g flat iron, a 400g New York strip and a 600g rib eye — all of which can be served with anchovy butter, sauce béarnaise and sauce diane. All of this is housed within a CBD diner that again rides the line between modern stunner and tastefully kitsch throwback. Golden finishing, playfully mirrored wall decor, wood panelling and retro light fittings invite you into a space that's primed for you to pair an excellent surf and turf meal with a side of grilled garden peas and beef fat potatoes. Credit: Jason Loucus Appears in: Where to Find the Best Steaks in Sydney
It just got a whole lot harder to pick your weekend yum cha spot, with the newly opened Duck & Rice announcing its own regular breakfast dumpling session. This one, however, is bottomless. The 500-seat Cantonese restaurant sits high on the top of Westfield Sydney in Pitt Street Mall. Opening its doors in June this year, it boasts an expansive outdoor terrace, Asian-inspired cocktails and, now, a very tempting weekend yum cha deal. Running every Saturday and Sunday from September 7, the bottomless yum cha menu will constantly change, but you can expect to catch loads of delicious treats to the tune of roast duck, Szechuan-style cuttlefish, Yangzhou fried rice, garlicky kai lan (chinese broccoli) and a selection of dim sum and desserts. The all-you-can-eat sitting is restricted to one hour, between 11am–3pm each day, and will set you back $50 a pop. To make a booking, head to the Duck & Rice website. Images: Steven Woodburn
Screw gas guzzling tankers and utes — Bruges is taking their beer transportation system underground, preserving their UNESCO World Heritage-listed city streets with an extensive, 3.2-kilometre-long beer pipeline that will begin operation in September. This ingenious design is all thanks to the perseverance of Xavier Vanneste, the heir to De Halve Maan (Half Moon), the city's only continuously working brewery. Initially established in 1564, the brewery is an iconic part of the city — and despite urging from financial advisors, Vanneste has long refused to relocate to a more industrial location. His alternative? To build an underground pipeline from the brewery to the bottling plant. The pipeline itself is an incredibly crafty design, with Vanneste hiring tunnelling experts from the oil and gas industry and Belgium's top brewing professor (what a title!) to get the plan just right. The experts laid the pipeline using computer-guided drills, which minimised street digging and further protected the historic city. As you can expect, the budget was a big one. A total of €4 million (that's almost six million AUD) were needed for the project, and over €300,000 was raised through a crowdfunding campaign. Backers who purchased a gold membership will be entitled to a bottle of Brugse Zot Blond every day for life as part of their €7500 donation. Beer for life is a such a legendary reason to donate. As it currently stands, the pipes can fit enough beer to fill 12,000 bottles an hour. The beer will be pumped down the underground pipeline from the brewery in the city centre to the bottling plant three kilometres out of town. Vanneste's ability to get this approved came as a shock to many, especially considering no private company in history has been allowed to lay cable under the city's cobbled lanes and medieval buildings. Luckily, city officials, including mayor Renaat Landuyt, smartly saw the pipeline as an opportunity to sustain employment while maintaining the city's heritage and sharply reducing the number of beer tankers driving in and out. If the pipeline actually works and stands the test of time, Vanneste will certainly go down in history as a beer legend and a champion forward-thinker. We're already hatching dreams of an Australian-wide network of underground beer pipelines and hope one of our many craft brewers is ready to get behind the idea. If a UNESCO city can get this approved, what's to stop the rest of us? Via The Guardian. Image: Ricardo Samaniego via Flickr.
Dessert king Reynold Poernomo is expanding his sugary empire, with the former MasterChef contestant and co-owner of Chippendale's KOI Dessert Bar opening a second location on the other side of town. KOI Ryde will sling the same decadent creations Poernomo's fans have come to expect, while also offering cooking classes with some of Sydney's best dessert chefs. The Ryde dessert bar will be run by Reynold along with his mother Ike and his brothers Ronald and Arnold, but it won't be a carbon copy of the Chippendale venue. Although it will function as a cafe where you can eat your cake straight out of the cabinet, the team hopes to also introduce a brand new menu offering (brunch is on the cards) and even monthly chef's table dinners. The space will also function as the production facility for all the cakes and pastries sold at both KOI locations and a masterclass kitchen, which will host classes by Sydney's best bakers, along with Poernomo himself. As for what you'll be scoffing on, expect KOI staples including the bright green mango yuzu made with mango mousse, yuzu curd and almond sable, and the coconut kalamansi featuring coconut mousse, white cheese, kalamansi (like a Filipino lime) curd and chocolate sable.
The hospo-geniuses behind two of Sydney's cosiest bars (The Duke of Clarence, The Barber Shop) are bringing you a brand new watering hole by the harbour: Hickson House. The newest hybrid venue featuring a distillery, bar and dining room is now open. Part working distillery and part destination cocktail bar, Hickson House is set in the soaring brickwork and girders of the former Saatchi & Saatchi garage (the location of many infamous warehouse parties). The towering space boasts an extensive back bar with over 600 spirits and a menu crafted with locally-sourced ingredients. Founders Mikey Enright and Julian Train are no strangers to the Sydney bar scene either, with over eight years of experience as co-directors of the Barrelhouse Group. "Weaving the needs of a full production distillery and significant bar space into what is a unique heritage warehouse has been a challenge that we have embraced wholeheartedly," says Train. The boys aren't holding back any punches and have brought ex-Manly Spirits legend Tim Stones on board. The bespoke range of Hickson Road Gin is the star of the show, but Stones will also be slinging out vats of housemade whisky, aperitifs, brandies and other speciality spirits. To sample the creations, take a seat at the main bar — the interior is lined with dark polished timber and dotted with French blue bar stools, a reflection of the venue's harbour location. For a more intimate experience, the mezzanine High & Dry Bar overlooks the entire dining space and is the perfect spot for a cocktail and bite to eat. Intimate distillery experiences, tours and private dining experiences are also all on the cards, so keep an eye on Hickson House's socials for any upcoming events. Highlights of the botanically-inspired menu include slow-roasted lamb porchetta with juniper jus and mint gremolata ($75). For dessert, indulge in a decadent piece of gin and mango pavlova ($15). After you've found a drop you like following dinner, you can also shop at the off-license spirits store and bring a bottle (or two) home to enjoy.
The idea behind The Lume was always a stunner, giving Australia its first permanent digital-only art gallery. When the Melbourne venue started welcoming in patrons in 2021, it lived up to its immersive, multi-sensory promise, initially with a spectacular Van Gogh exhibition that let visitors feel like they were walking right into the artist's work, and then with the French impressionism-focused Monet & Friends Alive. The next showcase set to grace the site's agenda has those past shows beat, however, heroing First Nations art and music. When Connection opens on Friday, June 23, it'll feature more than 110 Indigenous visual and musical artists in a dazzling fashion. At this Melbourne Convention and Exhibition Centre gallery, the art gracing its walls tower over patrons, with the space filled with large-scale digital pieces. And Connection will be full thanks to more than 550 works — digitals and originals alike. Set to feature: art by Emily Kame Kngwarreye, Tommy Watson, Anna Pitjara, Lin Onus, Sarrita King, Kate Constantine, Wayne Qulliam, Clifford, Gabriella and Michelle Possum Nungurrayi, and many more, in a walk-through exhibition that'll present its pieces through the themes of land, water and sky Country. Their work will score a soundtrack by Yothu Yindi, Archie Roach, Emily Wurramara, Gurrumul, Alice Skye, Baker Boy and others, plus composers such as William Barton. Grande Experiences, the company behind The Lume and its touring exhibitions — Van Gogh Alive made its way around Australia, and Monet in Paris is about to do the same from June — says that Connection will boast the largest representation of First Peoples art and culture ever assembled. It'll span over 3000 square metres, and its remit is just as sizeable: highlighting pieces by past and present artists, and surveying the entire country and Torres Strait. Shining a spotlight on emerging talents while showing their work alongside their inspirations is another key mission. "The technology Connection uses breaks down a lot of barriers to entry," says Constantine, a Gadigal artist of the Eora Nation. "A lot of people like Aboriginal art because it is colourful or pretty, but a lot of people are quite challenged by Aboriginal art too, by not knowing or understanding how to interpret it or not feeling like they have permission to be involved. Connection is just so inclusive." "I see Connection as this beautiful collection of storytellers sharing our culture with the world the way that our ancestors have taught us to do," adds Professor Wayne Quilliam, a NAIDOC Indigenous Artist of the Year, who is contributing digital storytelling via drone, photography and art to the exhibition. If it sounds familiar, that's because a smaller version premiered at the National Museum of Australia in 2022, with Grande Experiences joining forces with the Canberra gallery. Connection also benefits from an advisory panel featuring Constantine, Quilliam, King, Aboriginal art specialist Adam Knight, the National Museum's lead Indigenous curator and academic Margo Ngawa Neale, arts executive Rhoda Roberts AO, and designer and film producer Alison Page. Fingers crossed that Connection takes its show on the road, too, after thoroughly wowing The Lume. Connection opens at The Lume, Melbourne Convention and Exhibition Centre, 5 Convention Centre Place, South Wharf, Melbourne, on Friday, June 23 — head to the venue's website for tickets and further information.
The Lego Ninjago Movie is the third Lego-based feature in a franchise that shows no signs of slowing down. It's also the first to take place entirely within an original Lego trademarked setting – the city of 'Ninjago' – and for its first half-hour feels like little more than an extended, big-budgeted commercial. Indeed, with the appearance of each new character, don't be surprised to see kids jumping out of their seats and pointing at the screen with gleeful recognition Still, while the film does its job as a marketing exercise from the get go, in terms of plot it takes a while longer to find its feet. Every day the evil Lord Garmadon (Justin Theroux) launches attacks upon the city from his evil villain volcano, and every day he's repelled by the colourful school-kids-cum-ninjas, the leader of whom is secretly Garmadon's own son Lloyd (Dave Franco). It's only once the lad's secret identity is revealed that the story shifts gears into something of a father/son reconciliation story – and while that's pretty familiar territory for the Lego franchise, it also provides the best material for the remainder of Ninjago. As with The Lego Movie and Lego Batman, this third movie utilises remarkable technology wherein almost everything on screen is assembled from computer-generated Lego pieces. Like the previous films, too, Ninjago is very self-aware, particularly regarding the Lego-ness of things like the absence of fingers and the way a Lego head can become stuck in the base of a Lego foot. It's these little flourishes that immediately feel familiar to anyone who's played with the toys before and, especially for adults, spark a pleasing nostalgia-based smile whenever they arise. The characters themselves, however, are noticeably less nuanced this time around, with only Lord Garmadon (played as a none-too-subtle parody of Donald Trump), Lloyd and Master Wu (Jackie Chan) offering any semblance of depth. The other five ninjas do provoke the occasional laugh but seem well below the calibre of the actors voicing them (Kumail Nanjiani, Zach Woods, Michael Peña, Abbi Jacobson and Fred Armisen). And yes, for those playing at home, you did count that correctly: six heroic ninjas, five of them male, which raises the age-old LEGO question: "uh...where are all the girls at?" It's a problem with which Lego is all too familiar. An internal review conducted by the company in 2008 revealed the damning statistic that 90% of its sales were directed towards boys rather than girls. Lego's response was to launch Lego Friends in 2012 – a toy line specifically intended for girls. Pretty smart move as it happens, with the company's annual profits shooting up by around 15 percent ever since. It's therefore both surprising and extremely disappointing that that same approach isn't being seen in the films. The Lego Movie's most kick-arse character was Elizabeth Banks' Wyldstyle, yet she was the only notable female in an otherwise male-driven story whose live action component centred upon a father/son bonding experience. Lego Batman, too, included only one notable female character in Rosario Dawson's Batgirl, and focused on the relationship between Bruce Wayne and the orphan boy Dick Grayson. Now we have Lego Ninjago, which not only suffers from a dearth of female characters but again deals largely with the father/son relationship between Garmadon and his estranged kid Lloyd. The only bright light in this situation is the announcement that The Lego Movie sequel will focus specifically on gender issues and the way boys and girls play with the toys in different ways. Solid fun for the kids and amusing enough to keep adults interested, whilst The Lego Ninjago Movie is the weakest entry in the franchise, it's still entertaining enough to satisfy. https://www.youtube.com/watch?v=VJBS1ogEVHE
On the small screen, 2023 started by showing the world exactly how a beloved video game should be turned into a television series. By the time the year had reached its midpoint, it had delivered one of the best TV murder-mysteries ever — from Australia, too, and also a smart and savvy comedy. Now that 2024 is almost upon us, a cringe-inducing parody of reality home-improvement programs, among a wealth of other targets, has proven a late-in-the-year stunner. So, as the best new TV shows of 2023 illustrate, no one can say that there hasn't been anything new to watch over the past 12 months. This year's television slate also gave viewers a subversive social satire, a David Cronenberg body-horror masterpiece turned into TV and a calming show about friendship in Japan. They're all among the best of the top brand-new arrivals, as are an eat-the-rich horror gem, a telemarketing true tale that has to be seen to be believed and a side-splitting history-of-the-world mockumentary. Here's an even better piece of news: not only has the past year been exceptional for television, but summer is a glorious time to reflect, revisit and, if you need to, work through your catch-up list. After filling 2023 viewing and rounding up TV highlights — and first selecting the must-sees midyear — we've now whittled down the results of all that couch time to the 15 best small-screen newcomers. THE CURSE It has always been impossible to watch TV shows by Nathan Fielder, including Nathan for You and The Rehearsal, without feeling awkwardness gushing from the screen. The films of Josh and Benny Safdie, such as Good Time and Uncut Gems, are such masterclasses in anxiety and chaos that viewers can be forgiven for thinking that their chairs are jittering along with them. From Easy A, La La Land and Maniac to The Favourite and Poor Things, Emma Stone keeps proving an inimitable acting force. Combine Fielder, the Safdies and Stone on one series, then, and whatever sprang was always going to be a must-see. Dark satire The Curse is also as extraordinary in its brilliance as it is excruciating in its discomfort. As well as co-creating the ten-part series, Fielder and Benny Safdie co-star, co-write and co-direct. Stone joins them on-screen and as an executive producer, with Benny's brother Josh doing the latter as well. And the Safdies' regular collaborator Oneohtrix Point Never, aka Daniel Lopatin, gets the show buzzing with atmospheric agitation in one of his best scores yet. Yes, The Curse is everything that the sum of these parts promises. It flows with disquiet like a burst hydrant. It fills each almost hour-long episode with a lifetime's worth of cringe. It's relentless in its unease, and also a marvellous, intense and hilarious black comedy that apes the metal Doug Aitken-esque houses that Stone and Fielder's Whitney and Asher Siegel like to build, reflecting oh-so-much about the world around it. The Curse takes the show-within-a-show route, with the Siegels eager to grace the world's screens as reality TV hosts spruiking environmentally sustainable passive homes in New Mexico's Española. The newly married pair have American pay TV network Home & Garden Television interested in Fliplanthropy, as well as their efforts to green up the community, create jobs for locals, and revitalise a place otherwise equated with struggling and crime stats. Lurking between the couple and HGTV is producer Dougie Schecter (Safdie, Oppenheimer), Asher's childhood friend with a nose for sensationalism — particularly as disharmony lingers among his stars as they try to start a family, get their show on the air, build their gleaming houses, find ideal buyers, honour the area's Indigenous history and overcome The Curse's title. The Curse streams via Paramount+. Read our full review. DEADLOCH Trust Kate McCartney and Kate McLennan, Australia's favourite Kates and funniest double act, to make a killer TV show about chasing a killer that's the perfect sum of two excellent halves. Given their individual and shared backgrounds, including creating and starring in cooking show sendup The Katering Show and morning television spoof Get Krack!n, the pair unsurprisingly add another reason to get chuckling to their resumes; however, with Deadloch, they also turn their attention to crime procedurals. The Kates already know how to make viewers laugh. They've established their talents as brilliant satirists and lovers of the absurd in the process. Now, splashing around those skills in Deadloch's exceptional eight-episode first season lead by Kate Box (Stateless) and Madeleine Sami (The Breaker Upperers), they've also crafted a dead-set stellar murder-mystery series that ranks among The Kates' best work in almost every way. The only time that it doesn't? Not putting the tremendous pair on-screen themselves. Taking place in a sleepy small town, commencing with a body on a beach, and following both the local cop trying to solve the case and the gung-ho blow-in from a big city leading the enquiries, Deadloch has all the crime genre basics covered from the get-go. The Tasmanian spot scandalised by the death is a sitcom-esque quirky community, another television staple that McCartney and McLennan nail. Parody requires deep knowledge and understanding; you can't comically rip into and riff on something if you aren't familiar with its every in and out. That said, Deadloch isn't in the business of simply mining well-worn TV setups and their myriad of conventions for giggles, although it does that expertly. With whip-smart writing, the Australian series is intelligent, hilarious, and all-round cracking as a whodunnit-style noir drama and as a comedy alike — and, as Box's by-the-book Senior Sergeant Dulcie Collins and Sami's loose and chaotic Darwin blow-in Eddie Redcliffe are forced to team up, it's also one of the streaming highlights of the year. Deadloch streams via Prime Video. Read our full review, and our interview with Kate McCartney and Kate McLennan. I'M A VIRGO No one makes social satires like Boots Riley. Late in I'm a Virgo, when a character proclaims that "all art is propaganda", these words may as well be coming from The Coup frontman-turned-filmmaker's very own lips. In only his second screen project after the equally impassioned, intelligent, energetic, anarchic and exceptional 2018 film Sorry to Bother You, Riley doesn't have his latest struggling and striving hero utter this sentiment, however. Rather, it springs from the billionaire technology mogul also known as The Hero (Walton Goggins, George & Tammy), who's gleefully made himself the nemesis of 13-foot-tall series protagonist Cootie (Jharrel Jerome, Spider-Man: Across the Spider-Verse). Knowing that all stories make a statement isn't just the domain of activists fighting for better futures for the masses, as Riley is, and he wants to ensure that his audience knows it. Indeed, I'm a Virgo is a show with something to say, and forcefully. Its creator is angry again, too, and wants everyone giving him their time to be bothered — and he still isn't sorry for a second. With Jerome as well-cast a lead as Atlanta's Lakeith Stanfield was the last time that Riley was behind the lens, I'm a Virgo also hinges upon a surreal central detail: instead of a Black telemarketer discovering the impact of his "white voice", it hones in on the oversized Cootie. When it comes to assimilation, consider this series Sorry to Bother You's flipside, because there's no way that a young Black man that's more than double the tallest average height is passing for anyone but himself. Riley knows that Black men are too often seen as threats and targets regardless of their stature anyway. He's read the research showing that white folks can perceive Black boys as older and less innocent. As Cootie wades through these experiences himself, there isn't a single aspect of I'm a Virgo that doesn't convey Riley's ire at the state of the world — that doesn't virtually scream about it, actually — with this series going big and bold over and over. I'm a Virgo streams via Prime Video. Read our full review. DEAD RINGERS Twin gynaecologists at the top of their game. Blood-red costuming and bodily fluids. The kind of perturbing mood that seeing flesh as a source of horror does and must bring. An exquisite eye for stylish yet unsettling imagery. Utterly impeccable lead casting. When 1988's Dead Ringers hit cinemas, it was with this exact combination, all in the hands of David Cronenberg following Shivers, The Brood, Scanners, Videodrome and The Fly. He took inspiration from real-life siblings Stewart and Cyril Marcus, whose existence was fictionalised in 1977 novel Twins by Bari Wood and Jack Geasland, and turned it into something spectacularly haunting. Attempting to stitch together those parts again, this time without the Crimes of the Future filmmaker at the helm — and as a miniseries, too — on paper seems as wild a feat as some of modern medicine's biggest advancements. This time starring a phenomenal Rachel Weisz as both Beverly and Elliot Mantle, and birthed by Lady Macbeth and The Wonder screenwriter Alice Birch, Dead Ringers 2.0 is indeed an achievement. It's also another masterpiece. Playing the gender-swapped roles that Jeremy Irons (House of Gucci) inhabited so commandingly 35 years back, Weisz (Black Widow) is quiet, calm, dutiful, sensible and yearning as Beverly, then volatile, outspoken, blunt, reckless and rebellious as Elliot. Her performance as each is that distinct — that fleshed-out as well — that it leaves viewers thinking they're seeing double. Of course, technical trickery is also behind the duplicate portrayals, with directors Sean Durkin (The Nest), Karena Evans (Snowfall), Lauren Wolkstein (The Strange Ones) and Karyn Kusama's (Destroyer) behind the show's lens; however, Weisz is devastatingly convincing. Beverly is also the patient-facing doctor of the two, helping usher women into motherhood, while Elliot prefers tinkering in a state-of-the-art lab trying to push the boundaries of fertility. Still, the pair are forever together or, with unwitting patients and dates alike, swapping places and pretending to be each other. Most folks in their company don't know what hit them, which includes actor Genevieve (Britne Oldford, The Umbrella Academy), who segues from a patient to Beverly's girlfriend — and big-pharma billionaire Rebecca (Jennifer Ehle, She Said), who Dead Ringers' weird sisters court to fund their dream birthing centre. Dead Ringers streams via Prime Video. Read our full review. THE LAST OF US If the end of the world comes, or a parasitic fungus evolves via climate change, spreads globally, infests brains en masse and almost wipes out humanity, spectacular video game-to-TV adaptation The Last of Us will have you wanting Pedro Pascal in your corner. Already a standout in Game of Thrones, then Narcos, then The Mandalorian, he's perfectly cast in HBO's blockbuster series — a character-driven show that ruminates on what it means to not just survive but to want to live and thrive after the apocalypse. In this smart and gripping series (one that's thankfully already been renewed for season two, too), he plays Joel. Dad to teenager Sarah (Nico Parker, The Third Day), he's consumed by grief and loss after what starts as a normal day, and his birthday, changes everything for everyone. Twenty years later, he's a smuggler tasked with tapping into his paternal instincts to accompany a different young girl, the headstrong Ellie (Bella Ramsey, Catherine Called Birdy), on a perilous but potentially existence-saving trip across the US. Starting to watch The Last of Us, or even merely describing it, is an instant exercise in déjà vu. Whether or not you've played the hit game since it first arrived in 2013, or its 2014 expansion pack, 2020 sequel or 2022 remake, its nine-part TV iteration ventures where plenty of on-screen fare including The Road and The Walking Dead has previously trodden. The best example that springs to mind during The Last of Us is Station Eleven, however, which is the heartiest of compliments given how thoughtful, empathetic and textured that 2021–22 series proved. As everything about pandemics, contagions and diseases that upend the world order now does, The Last of Us feels steeped in stone-cold reality as well, as spearheaded by a co-creator, executive producer, writer and director who has already turned an IRL doomsday into stunning television with Chernobyl. That creative force is Craig Mazin, teaming up with Neil Druckmann from Naughty Dog, who also wrote and directed The Last of Us games. The Last of Us streams via Binge. Read our full review, and our interview with Melanie Lynskey. THE MAKANAI: COOKING FOR THE MAIKO HOUSE At the beginning of The Makanai: Cooking for the Maiko House, 16-year-old best friends Kiyo (Nana Mori, Liar x Liar) and Sumire (Natsuki Deguchi, Silent Parade) leave home for the first time with smiles as wide as their hearts are open. Departing the rural Aomari for Kyoto in the thick of winter, they have internships as maiko lined up — apprentice geiko, as geishas are called in the Kyoto dialect. Their path to their dearest wishes isn't all sunshine and cherry blossoms from there, of course, but this is a series that lingers on the details, on slices of life, and on everyday events rather than big dramatic developments. Watch, for instance, how lovingly Kiyo and Sumire's last meal is lensed before they set out for their new future, and how devotedly the camera surveys the humble act of sitting down to share a dumpling soup, legs tucked beneath blankets under the table, while having an ordinary conversation. Soothing, tender, compassionate, bubbling with warmth: that's The Makanai: Cooking for the Maiko House from the outset. There's a key reason that this cosy and comforting new treasure overflows with such affection and understanding — for its characters, their lives and just the act of living. Prolific writer/director Hirokazu Kore-eda simply isn't capable of anything else. Yes, Netflix has been in the auteur game of late, and The Makanai: Cooking for the Maiko House is unmistakably the work of its rightly applauded creative force. One of the biggest names in Japanese cinema today, and the winner of the received Cannes Film Festival's Palme d'Or back in 2018 for the sublime Shoplifters, Kore-eda makes empathetic, rich and deeply emotional works. His movies, including the France-set The Truth and South Korea-set Broker, truly see the people within their frames. On the small screen, and hailing from manga, the nine-episode The Makanai is no different. It's also as calming as a show about friendships, chasing dreams and devouring ample dumplings can and should be. The Makanai: Cooking for the Maiko House streams via Netflix. FULL CIRCLE Whether on screens big and small, when an audience watches a Steven Soderbergh project, they're watching one of America's great current directors ply his full range of filmmaking skills. Usually, he doesn't just helm. Going by Peter Andrews and Mary Ann Bernard — aliases from his parents' names — he shoots and edits as well. And he's prolific: since advising that he'd retire from making features after Side Effects, he's directed, lensed and spliced nine more, plus three TV shows. Among those titles sit movies such as Logan Lucky, Unsane, Kimi and Magic Mike's Last Dance; the exceptional two seasons of turn-of-the-20th-century medical drama The Knick; and now New York-set kidnapping miniseries Full Circle. The filmmaker who won Cannes Film Festival's Palme d'Or at 26 for Sex, Lies and Videotape, earned two Best Director Oscars in one year for Traffic and Erin Brockovich, brought the Ocean's franchise back to cinemas in 2001, and eerily predicted the COVID-19 pandemic with 2011's Contagion is in his element with his latest work. Six-part noir-influenced thriller Full Circle reunites Soderbergh with Mosaic and No Sudden Move screenwriter Ed Solomon, boasts a starry cast, involves money and secrets and deception, and proves a twisty and layered crime tale from the get-go. Full Circle starts with a murder, then a revenge plot, then a missing smartphone. These early inclusions all tie into an intricate narrative that will indeed demonstrate inevitability, cause and effect, the repercussions of our actions, and decisions looping back around. The pivotal death forms part of a turf war, sparking a campaign of retaliation by Queens-based Guyanese community leader and insurance scammer Savitri Mahabir (CCH Pounder, Avatar: The Way of Water). She enlists freshly arrived teens Xavier (Sheyi Cole, Atlanta) and Louis (Gerald Jones, Armageddon Time) to do the seizing under her nephew Aked's (Jharrel Jerome, I'm a Virgo) supervision; one of the newcomers is the brother of the latter's fiancée Natalia (Adia, The Midnight Club), who is also Savitri's masseuse. The target: Manhattan high-schooler Jared (Ethan Stoddard, Mysteries at the Museum), son of the wealthy and privileged Sam (Claire Danes, Fleishman Is in Trouble) and Derek Browne (Timothy Olyphant, Daisy Jones & The Six), and grandson through Sam to ponytailed celebrity chef Jeff McCusker (Dennis Quaid, Strange World). Savitri is convinced that this is the only way to stave off the curse she's certain is hanging over her business — a "broken circle", in fact. But, much to the frustration of the US Postal Inspection Service's Manny Broward (Jim Gaffigan, Peter Pan & Wendy), his go-for-broke agent Melody Harmony (Zazie Beetz, Black Mirror) is already investigating before the abduction. Full Circle streams via Binge. Read our full review. RAIN DOGS In 2019's Skint Estate, Cash Carraway told all; A memoir of poverty, motherhood and survival completes the book's full title. Penned about working-class Britain from within working-class Britain, Carraway's written jaunt through her own life steps through the reality of being a single mum without a permanent place to live, of struggling to get by at every second, and of being around the system since she was a teenager. It examines alcoholism, loneliness, mental illness and domestic violence, too, plus refuges, working at peep shows, getting groceries from food banks and hopping between whatever temporary accommodation is available. Rain Dogs isn't a direct adaptation. It doesn't purport to bring Carraway's experiences to the screen exactly as they happened, or with slavish fidelity to the specific details. But this HBO and BBC eight-parter remains not only raw, rich, honest and authentic but lived in, as it tells the same story with candour, humour, warmth and poignancy. Slipping into Carraway's fictionalised shoes is Daisy May Cooper — and she's outstanding. Her on-screen resume includes Avenue 5 and Am I Being Unreasonable?, as well as being a team captain on the latest iteration of Britain's Spicks and Specks-inspiring Never Mind the Buzzcocks, but she's a force to be reckoned with as aspiring writer and mum (to Iris, played by debutant Fleur Tashjian) Costello Jones. When Rain Dogs begins, it's with an eviction. Cooper lives and breathes determination as Costello then scrambles to find somewhere for her and Iris to stay next. But this isn't just their tale, with the pair's lives intersecting with the privileged but self-destructive Selby (Jack Farthing, Spencer), who completes their unconventional and dysfunctional family but tussles with his mental health. Including Costello's best friend Gloria (Ronke Adekoluejo, Alex Rider), plus ailing artist Lenny (The Young Ones legend Adrian Edmondson), this is a clear-eyed look at chasing a place to belong — and it's remarkable. Rain Dogs streams via Binge. Read our full review. SILO Rebecca Ferguson will never be mistaken for Daveed Diggs, but the Dune, Mission: Impossible franchise and Doctor Sleep star now follows in the Hamilton Tony-winner's footsteps. While he has spent multiple seasons navigating dystopian class clashes on a globe-circling train in the TV version of Snowpiercer, battling his way up and down the titular locomotive, she just started ascending and descending the stairs in the underground chamber that gives Silo its moniker. Ferguson's character is also among humanity's last remnants. Attempting to endure in post-apocalyptic times, she hails from her abode's lowliest depths as well. And, when there's a murder in this instantly engrossing new ten-part series — which leaps to the screen from Hugh Howey's novels, and shares a few basic parts with Metropolis, Blade Runner and The Platform, as well as corrupt world orders at the core of The Hunger Games and The Maze Runner flicks — she's soon playing detective. Silo captivates from the outset, when its focus is the structure's sheriff Holston (David Oyelowo, See How They Run) and his wife Allison (Rashida Jones, On the Rocks). Both know the cardinal rule of the buried tower, as does deputy Marnes (Will Patton, Outer Range), mayor Ruth (Geraldine James, Benediction), security head Sims (Common, The Hate U Give), IT top brass Bernard (Tim Robbins, Dark Waters) and the other 10,000 souls they live with: if you make the request to go outside, it's irrevocable and you'll be sent there as punishment. No matter who you are, and from which level, anyone posing such a plea becomes a public spectacle. Their ask is framed as "cleaning", referring to wiping down the camera that beams the desolate planet around them onto window-sized screens in their cafeterias. No one has ever come back, or survived for more than minutes. Why? Add that to the questions piling up not just for Silo's viewers, but for the silo's residents. For more than 140 years, the latter have dwelled across their 144 floors in safety from the bleak wasteland that earth has become — but what caused that destruction and who built their cavernous home are among the other queries. Silo streams via Apple TV+. Read our full review. BEEF As plenty does, Beef starts with two strangers meeting, but there's absolutely nothing cute about it. Sparks don't fly and hearts don't flutter; instead, this pair grinds each other's gears. In a case of deep and passionate hate at first sight, Danny Cho (Steven Yeun, Nope) and Amy Lau (Ali Wong, Paper Girls) give their respective vehicles' gearboxes a workout, in fact, after he begins to pull out of a hardware store carpark, she honks behind him, and lewd hand signals and terse words are exchanged. Food is thrown, streets are angrily raced down, gardens are ruined, accidents are barely avoided, and the name of Vin Diesel's famous car franchise springs to mind, aptly describing how bitterly these two strangers feel about each other — and how quickly. Created by Lee Sung Jin, who has It's Always Sunny in Philadelphia, Dave and Silicon Valley on his resume before this ten-part Netflix and A24 collaboration, Beef also commences with a simple, indisputable and deeply relatable fact. Whether you're a struggling contractor hardly making ends meet, as he is, or a store-owning entrepreneur trying to secure a big deal, as she is — or, if you're both, neither or anywhere in-between — pettiness reigning supreme is basic human nature. Danny could've just let Amy beep as much as she liked, then waved, apologised and driven away. Amy could've been more courteous about sounding her horn, and afterwards. But each feels immediately slighted by the other, isn't willing to stand for such an indignity and becomes consumed by their trivial spat. Neither takes the high road, not once — and if you've ever gotten irrationally irate about a minor incident, this new standout understands. Episode by episode, it sees that annoyance fester and exasperation grow, too. Beef spends its run with two people who can't let go of their instant rage, keep trying to get the other back, get even more incensed in response, and just add more fuel to the fire again and again until their whole existence is a blaze of revenge. If you've ever taken a small thing and blown it wildly out of proportion, Beef is also on the same wavelength. And if any of the above has ever made you question your entire life — or just the daily grind of endeavouring to get by, having everything go wrong, feeling unappreciated and constantly working — Beef might just feel like it was made for you. Beef streams via Netflix. Read our full review. THE FALL OF THE HOUSE OF USHER Of the many pies that Succession's Roy family had their fingers in, pharmaceuticals wasn't one of them. For virtually that, Mike Flanagan gives audiences The Fall of the House of Usher. The horror auteur's take on dynastic wealth gets a-fluttering through a world of decadence enabled by pushing pills legally, as six heirs to an addiction-laced kingdom vie to inherit a vast fortune. Flanagan hasn't given up his favourite genre for pure drama, however. The eponymous Usher offspring won't be enjoying the spoils of their father Roderick's (Bruce Greenwood, The Resident) business success, either, in this absorbing, visually ravishing and narratively riveting eight-parter. As the bulk of this tale is unfurled fireside, its patriarch tells federal prosecutor C Auguste Dupin (Carl Lumbly, SWAT) why his children (including Pet Sematary: Bloodlines' Henry Thomas, Minx's Samantha Sloyan, The Peripheral's T'Nia Miller, iZombie's Rahul Kohli, The Wrath of Becky's Kate Siegel and The Midnight Club's Sauriyan Sapkota) came to die within days of each other — and, with all the gory details, how. As with The Haunting of Hill House and The Haunting of Bly Manor before it, plus The Midnight Club as well, Flanagan's latest Netflix series finds its basis on the page. The author this time: Edgar Allan Poe, although The Fall of the House of Usher isn't a strict adaptation of the iconic author's 1840 short story of the same name, or just an adaptation, even as it bubbles with greed, violence and paranoia (plus death, loss, decay and the deceased haunting the livin)g. Character monikers, episode titles and other details spring from widely across Poe's bibliography. Cue ravens, black cats, masks, tell-tale hearts, pendulums and a Rue Morgue. What if the writer had penned Succession? That's one of Flanagan's questions — and what if he'd penned Dopesick and Painkiller, too? Hailing from the talent behind the exceptional Midnight Mass as well, plus movies Oculus, Hush, Ouija: Origin of Evil, Gerald's Game and Doctor Sleep, the series that results is a gloriously creepy and involving modern gothic horror entry. The Fall of the House of Usher streams via Netflix. Read our full review. POKER FACE Cards on the table: thanks to Russian Doll and the Knives Out franchise, Natasha Lyonne and Rian Johnson are both on a helluva streak. In their most recent projects before now, each has enjoyed a hot run not once but twice. Lyonne made time trickery one of the best new shows of 2019, plus a returning standout in 2022 as well, while Johnson's first Benoit Blanc whodunnit and followup Glass Onion: A Knives Out Mystery were gems of the exact same years. The latter also saw the pair team up briefly — Lyonne and Johnson, that is, although getting a Russian Doll-meets-Knives Out crossover from the universe, or just the Netflix algorithm, would be a dream. Until that wish comes true, there's Poker Face. It's no one's stopgap or consolation prize, however. This new mystery-of-the-week series is an all-out must-see in its own right, and a gleaming streaming ace. Given its components and concept, turning out otherwise would've been the biggest head-scratcher. Beneath aviator shades, a trucker cap and her recognisable locks, Lyonne plays detective again, as she did in Russian Doll — because investigating why you're looping through the same day over and over, or jumping through time, is still investigating. Johnson gives the world another sleuth, too, after offering up his own spin on Agatha Christie-style gumshoes with the ongoing Knives Out saga. This time, he's dancing with 1968–2003 television series Columbo, right down to Poker Face's title font. Lyonne isn't one for playing conventional detectives, though. Here, she's Charlie Cale, who starts poking around in sudden deaths thanks to an unusual gift and a personal tragedy. As outlined in the show's ten-part first season, Charlie is a human lie detector. She can always tell if someone is being untruthful, a knack she first used in gambling before getting on the wrong side of the wrong people. Then, when a friend and colleague at the far-from-flashy Las Vegas casino where Charlie works winds up dead, that talent couldn't be handier. Poker Face streams via Stan. Read our full review. TELEMARKETERS No one likes it when their phone rings from an unknown number, whether "no caller ID" or digits that you don't recognise flash up on your mobile's screen. Telemarketers isn't going to change that response. It won't dampen the collective ire that the world holds towards the pushy people on the other end of the line, either. HBO's thrilling three-part docuseries doesn't just reinforce what viewers already feel about the nuisance industry that thinks it can interrupt your day and life with a spiel that no one wants, and impact your bank balance in the process. In addition, it spins a true tale that demonstrates why a deep-seated dislike of telemarketing is so well-founded, and also why cold-calling operations can be so insidious. This true-crime story about the New Jersey-based Civic Development Group surpasses even the most call centre-despising audience member's low expectations of the field — and it's gripping, can't-look-away, has-to-be-seen-to-be-believed stuff. In fact, it's also an account of a tenacious duo revealing a billion-dollar fraud, and bringing this staggering whistleblower documentary to the masses. "Every other telemarketer who drives you crazy in the whole world is because of CDG," advises one of the series' interviewees. That might seem like a big claim, but co-directors Sam Lipman-Stern (Live From the Streets) and Adam Bhala Lough (The New Radical) step through its truth. The former knows the outfit's approach from experience, working there for seven years from the age of 14 after dropping out of high school, while the latter is the filmmaker cousin he wasn't aware of. Lipman-Stern is Telemarketers' on-screen guiding hand, too, but his ex-colleague Patrick J Pespas is its heart and soul. As seen early, Pespas is called a "telemarketing legend". Although he's happy snorting heroin on-camera in 2000s-era footage, he's switched on to CDG's shonkiness; more than that, he's determined to expose it even if it takes two decades. Everywhere that Lipman-Stern and Pespas look from there, this tale gets worse. It's no wonder that Uncut Gems and Good Time filmmakers Benny and Josh Safdie are among Telemarketers' executive producers, plus Eastbound & Down's Danny McBride, Jody Hill and David Gordon Green. Telemarketers streams via Binge. Read our full review. SWARM Becky with the good hair gets a shoutout in Swarm. Facial bites do as well, complete with a Love & Basketball reference when the culprit flees. This seven-part series about a global pop sensation and her buzzing fans and stans also has its music icon unexpectedly drop a stunner of a visual album, ride a white horse, be married to a well-known rapper, become a mum to twins and see said husband fight with her sister in an elevator. Her sibling is also a singer, and plenty of folks contend she's the more interesting of the two. Still, Swarm's object of fascination — protagonist Dre's (Dominique Fishback, Judas and the Black Messiah) undying obsession — sells out tours, breaks Ticketmaster and headlines one of the biggest music festivals there is. And, while they call themselves the titular term rather than a hive, her devotees are zealous and then some, especially humming around on social media. Donald Glover and Janine Nabers, the show's creators and past colleagues on Glover's exceptional, now-finished Atlanta — Nabers also worked on Watchmen, too — couldn't be more upfront about who they're referring to. No one says Beyoncé's name, however, but Swarm's Houston-born music megastar is the former Destiny's Child singer in everything except moniker. In case anyone watching thinks that this series is trading in coincidences and déjà vu, or just failing to be subtle when it comes to Ni'Jah (Nirine S Brown, Ruthless), the Prime Video newcomer keeps making an overt opening declaration. "This is not a work of fiction. Any similarity to actual persons, living or dead, or events, is intentional," it announces before each episode. From there, it dives into Dre's journey as a twentysomething in 2016 who still adores her childhood idol with the same passion she did as a teen and, instalment by instalment, shows how far she's willing to go to prove it. Swarm streams via Prime Video. Read our full review. CUNK ON EARTH If you've ever watched a David Attenborough documentary about the planet and wished it was sillier and stupider, to the point of being entertainingly ridiculous and ridiculously entertaining alike, then Netflix comes bearing wonderful news. Actually, the BBC got there first, airing history-of-the-world mockumentary Cunk on Earth back in September 2022. Glorious things come to waiting viewers Down Under now, however — and this gleefully, delightfully absurd take on human civilisation from its earliest days till now, spanning cave paintings, Roman empires, Star Wars' empire, 1989 Belgian techno anthem 'Pump Up the Jam' and more, is one of the best shows to hit Australia in 2023. This series is a comedy masterclass, in fact, featuring everything from a Black Mirror-leaning skit about Beethoven resurrected inside a smart speaker to a recreation of a Dark Ages fray purely through sound also thrown in. It's flat-out masterful, too, and tremendously funny. This sometimes Technotronic-soundtracked five-part show's beat? Surveying how humanity came to its present state, stretching back through species' origins and evolution, and pondering everything from whether the Egyptian pyramids were built from the top down to the Cold War bringing about the "Soviet onion". The audience's guide across this condensed and comic history is the tweed-wearing Philomena Cunk, who has the steady voice of seasoned doco presenter down pat, plus the solemn gaze, but is firmly a fictional — and satirical — character. Comedian Diane Morgan first started playing the misinformed interviewer in 2013, in Charlie Brooker's Weekly Wipe, with Black Mirror creator Brooker behind Cunk on Earth as well. Over the past decade, Cunk has also brought her odd questions to 2016's one-off Cunk on Shakespeare and Cunk on Christmas, and 2018's also five-instalment Cunk on Britain. After you're done with the character's latest spin, you'll want to devour the rest ASAP. Cunk on Earth streams via Netflix. Read our full review, and our interview with Charlie Brooker. Looking for more viewing highlights? We also rounded up the 15 best returning TV series of 2023, as well as 15 excellent new TV shows of 2023 that you might've missed — plus the 15 top films, another 15 exceptional flicks that hardly anyone saw in cinemas this year and the 15 best straight-to-streaming movies of the year as well. And, we've kept a running list of must-stream TV from across the year, complete with full reviews. Also, you can check out our regular rundown of film and TV streaming recommendations, which is updated monthly.
Winter is here, and while unfortunately, we will have to wait another whole year for the finale series of Game of Thrones, there is an event coming for Sydney that will tide fans over (at least temporarily). Call your banners and get ready for a medieval-style banquet in the vein of GoT from the team behind Beyond Cinema. If, like Jon Snow, you know nothing, Beyond Cinema aims to create larger than life, immersive cinema experiences, notably entering the scene with its debut production The Titanic Experience, which happened on an actual ship with a crowd of 1000 people. But you can forget steamy car windows and any kind of dainty romance, as the collective's next offering is an immersive medieval-style banquet replicating the fascinating and often terrifying world of HBO's hit series that so many have come to depend on for meaning in life. While many details of the event are still shrouded in mystery (much like the eventual outcome of the series), we can be assured that Beyond Cinema's usual flair will ensure a night of gruff entertainment. There are rumours there will be knights, a performing jester, medieval music, a meal fit for a king and many tankards of hearty ale. Seeing as it's ominously titled the Red Wedding Banquet, we may also assume there will be some recreations of scenes from George R. R. Martin's saga. Here's hoping there's no regicide at this one. The Red Wedding banquet will happen in Sydney sometime this year. We'll let you know when tickets go on sale or you can sign up for updates here.
There might be a familiar face missing when you next venture through Berry, a town located about two hours drive south of Sydney. The region's legendary Berry Sourdough Cafe shut its doors for good in October, wrapping up an incredibly popular 17-year run. But while one institution's gone, there's another in the making, with the owners' other venture Milkwood Bakery still happily baking up a storm over on Queen Street. With seven years under its belt, this one's got its own legion of fans and is known for slinging a tempting lineup of signature cakes, pastries, bread and coffee. The cabinets are chock full of sweet delights, including fruit-filled danishes, buttery croissants and delicate chocolate caramel hazelnut tarts. Savoury options might include rustic sausage rolls and pizza slices, while the bread selection showcases classics like organic sourdough and chewy ciabatta. It's the perfect pit-stop for travellers, though if you've got the time, nab a seat in the leafy courtyard for a coffee and some brunch. The extended menu features cheery options like a loaded brekky burger, cheesy toasties and a vibrant brunch bowl.
If you're a Queenslander or a Victorian with a trip to Sydney in your future — or vice versa — the pandemic has just interrupted your plans. Yes, again. With the New South Wales capital currently experiencing a new COVID-19 cluster, both its northern and southern neighbour states have declared parts of the city either hotspots or red zones, depending on their respective terminology. And, as a result, both Queensland and Victoria are shutting their borders to seven Sydney Local Government Areas. Victoria announced the news late on Tuesday, June 22, while Queensland did the same today, Wednesday, June 23 — and each state's border closures come into effect at different times, too. In Victoria, the change actually kicked in at 1am this morning. In Queensland, it'll apply from 1am on Thursday, June 24. https://twitter.com/VicGovDH/status/1407302855405363202 Accordingly, folks who've been in the City of Sydney, Waverley, Woollahra, Bayside, Canada Bay, Inner West and Randwick LGAS will no longer be permitted to enter either Victoria or Queensland, other than in a few circumstances. Victoria is allowing the state's own residents who've been in the identified LGAs, which are now classes as red zones under its traffic light-style permit system, to obtain permits to return home — but they'll then need to quarantine for 14 days. If you're not a Victorian resident and you've been in the seven Sydney regions, you can no longer enter Victoria. In Queensland, residents entering from the seven Sydney hotspots will need to go into hotel quarantine for 14 days — and non-residents will only be allowed to enter if they receive an exception, and will also need to go into hotel quarantine for a fortnight. Plus, everyone will need to complete one of the state's online travel declarations first, after that system was brought back into effect last week. https://twitter.com/AnnastaciaMP/status/1407478815853400064 Queensland actually already made a similar move on Saturday, June 19, but limited to Waverley local government area. So, when 1am hits on Thursday, June 24, it'll be joined by the City of Sydney, Woollahra, Bayside, Canada Bay, Inner West and Randwick under the state's hotspot declaration. For more information about southeast Queensland's COVID-19 border restrictions, or about the status of COVID-19 in the state, visit the Qld COVID-19 hub and the Queensland Health website. For more information about COVID-19 in Victoria and the state's current restrictions, head over to the Department of Health website.
Home to the oldest vines in Australia, the Barossa Valley is renowned worldwide for its bold and beautiful wines. In particular, it's the rich jammy reds with complexity, texture and tannin structure that have contributed heavily to this reputation. It's in this region that Krondorf Wines lives, the estate making shapes to become the next go-to premium wine producer — a fact exemplified deliciously with the release of its 2023 five-bottle collection. The Krondorf story actually begins in 1847. The hamlet was founded by a collection of people from Silesia — what is now Germany, Poland and the Czech Republic — and among them notable wine families that regularly show up on standout wine lists and bottle shop shelves across the world: Henschke, Lehmann and Nitschke. The intrepid group named their newfound home Krondorf, meaning 'crown village' in German. Today the custodians of the Krondorf legacy, under the watchful eye of chief winemaker Nick Badrice, are realising the potential of their vines with consistently award-winning drops. The ripe bottles here showcase the best of the Barossa style, perfectly illustrated in the five-strong 2023 collection. Crafted with the traditional minimalistic approach, the 2023 release includes an ultra-expressive grenache, an intense but structured cab sav and a rich and robust shiraz. The standout of the collection is the winery's newest Icon wine: the aptly named King's Mantle Shiraz. It's described as having a luscious palate, evocative of juicy black forest fruits and plums, with an earthy liquorice undertone and velvety tannins — you're going to pay a pretty penny to taste it at $150 a bottle. If you're in the area, carve out some time to visit the cellar door and wine bar. With pouring beginning in 2021, the spot's housed inside a converted heritage-listed flour mill from the 1800s. You can taste your way through the whole range — including the 2023 collection — with a bespoke wine flight or set tasting that can be happily tailored to personal taste. For those that like nibbles with their tipples, the cellar door slings artisan pizzas as well as cheese and charcuterie boards (with the option to add on Maggie Beer's premium nosh and other local produce, too). Krondorf Winery's 2023 collection is a true celebration of the winery's history and dedication to producing wines that speak to the wonders of the locale. If you're heading to this bucolic South Australian region, the cellar door is a must-visit. But if you can't make it, we suggest you peruse the 2023 collection online, choose your libation and have it sent direct — truly stellar sipping guaranteed. Concrete Playground travelled to the Barossa Valley as a guest of Krondorf Wines. Book your Krondorf cellar door tasting experience here. The cellar door is open Monday – Saturday, 12–7pm and Sunday from 12–5pm.
If you thought the concept of Christmas gin was cool, you might be pretty excited about this: a Melbourne-born small-batch gin infused with cannabis has just hit the shelves. Distilled in Healesville by The Cannabis Co, local makers of all things cannabis-infused, The Myrcene Hemp Gin is made using one of the main essential oils, or 'terpenes', found in cannabis plants, called myrcene. It's supposedly the world's first cannabis gin made with tyrene. Also found in hops, this little guy can apparently help ease symptoms of inflammation and chronic pain, and is responsible for producing some of those joyful and euphoric effects associated with cannabis. All Cannabis Co products are currently free of psychoactive substances, but, as the company pushes for the legalisation of recreational marijuana use in Australia, it hopes to release products — like gin — with CBD and THC (cannabinoids) in the future. Terpenes, like myrcene, are also known for their specific aromas and flavours, and, in The Myrcene, works a little bit like the botanicals in regular gin. The result is a sip that balances the earthy and the fruity. According to the makers, it has aromas of bubblegum, pine forest, lavender and sage, with hints of cloves and woody spice flavours on the tongue. And it works a treat alongside some tonic and fresh lemon, or a sprig of rosemary. The creators of The Myrcene stepped back in time for their inspiration, looking to the gin-makers of 17th century Britain. Word is, small distillers would often flavour their creations by distilling resins from terpenes they found in the forest. All of The Cannabis Co's hemp products are certified organic and grown here in Australia. The first batch (aptly named batch 420) has already sold out, but if you're keen to get some cannabis gin in your life, you can sign up for pre-sales of the next batch through Alchemy. First image: Letícia Almeida
When Andor begins, the new Disney+ series digs into the Star Wars franchise's past, tussling with its history. Starring Diego Luna (If Beale Street Could Talk) as its titular figure, the show is a two-season prequel to 2016 film Rogue One: A Star Wars Story, telling the tale before that tale. Luna reprises his role from the movie — a feature that was the first official Star Wars side story to reach cinemas, and unfurled the events that led to 1977's Star Wars: Episode IV — A New Hope. Yes, that makes Andor a prequel to a prequel. Yes, starting to stream its first season from Wednesday, September 21, it's also the latest example that this George Lucas-created realm will never stop sprawling across this, any or every galaxy. Long gone are the times when the space-opera saga's films were infrequent, and the main way to experience its ups and downs. A relic, too, is the idea that Star Wars is a rarity, or something that occurs every decade or so. And, absent is all traces of belief that huge sci-fi and fantasy hits won't take over every space they can, be it screens big or small, as Game of Thrones and The Lord of the Rings also have of late. That's a lot of baggage for Andor to carry — and shoulder it, it does. The result: a thrilling, confident and gloriously gritty addition to an on-screen world that viewers now either unquestioningly adore or feel like they've already seen every story ever from. An antidote to that second train of thought, Andor is a complex gem and a must-watch. With Star Wars fatigue in mind — five movies, five animated series and three prior live-action Disney+ shows have vied for wannabe Jedi and rebel eyeballs over the past decade alone, including Obi-Wan Kenobi already in 2022 — it's fitting that Andor's first moments actually recall another sci-fi franchise. Prepare to think about a different pop-culture favourite that dates back decades, recently made its own jump from cinemas to television screens and has its own debut live-action streaming series on the way, in fact. The Blade Runner aesthetic is as instantly recognisable as Star Wars' TIE Fighter roar, but Andor brings the former to the fore first, saving the latter for a few episodes down the track. That move makes a statement: there's more to Andor than being slavishly beholden to its own universe. Of course, when it arrived between Star Wars: Episode VII — The Force Awakens and Star Wars: Episode VIII — The Last Jedi, Rogue One also sent that message in its own spy-slash-heist flick way. It felt earthier and murkier, more urgent and complicated, and far more steeped in everyday reality — within its science-fiction confines, of course — and more concerned with the here and now of its specific narrative than the bigger saga picture. It was certainly and unshakeably bleaker, and felt like a departure from the usual template, as well as a welcome risk. The same proves true of Andor, which slips into its namesake's routine five years prior. The Galactic Empire reigns supreme, the Rebel Alliance is still forming and, when the series opens, Cassian is a wily thief living on the junkyard planet of Ferrix. The Blade Runner-esque sheen hovers over a different place, however: the industrial-heavy, corporate-controlled Morlana One, which couldn't be further under the boot of the Empire if it tried. As Monos-style flashbacks to Cassian's childhood aid in fleshing out, he's searching for his sister, but his latest investigatory trip results in a confrontation and the Preox-Morlana Authority on his trail. Back on Ferrix, he endeavours to hide with the help of his friend/presumed ex/mechanic/black-market dealer Bix Caleen (Adria Arjona, Morbius) and droid B2EMO (Dave Chapman, Star Wars: Episode IX — The Rise of Skywalker), while keeping his latest antics a secret from his adoptive mother Maarva (Fiona Shaw, Killing Eve). But, even after being told to drop the case, persistent Imperial Deputy Inspector Syril Karn (Kyle Soller, Poldark) and higher-ranking officer Dedra Meero (Denise Gough, Under the Banner of Heaven) aren't willing to give up. Also vital on-screen: Stellan Skarsgård (Dune) as the charismatic Luthen Rael, who Cassian first crosses paths with while trying to sell a still-packaged Imperial Starpath Unit (aka Andor's MacGuffin) to fund his getaway; and Genevieve O'Reilly (The Dry) as the returning Mon Mothma, a senator with a key part in the Rebel Alliance. Andor has a mission, after all: showing how Cassian evolves from pilfering whatever he can steal from Imperial ships, seeking out his lost sibling and eking out the only existence he can to discovering how he can fight the Empire, firstly; and also charting the beginnings of that rebellion, including how its pieces, people and planets come together in response to such a fraught political climate. If Morlana One plays like 'Blade Runner but make it Star Wars', Ferrix does the same with WALL-E. As the series progresses through its first three episodes (all of which debuted to kick off the show), plus the fourth episode that follows, it's easy to think of Fast and Furious and The Lord of the Rings at times, too. There's also a taut and intense spy-thriller vibe that's right out of creator Tony Gilroy's playbook, given that he has four Bourne screenplays to his name and helmed The Bourne Legacy before co-writing Rogue One. Crucially, though, Andor doesn't ever feel as if it's borrowing from elsewhere because it doesn't have its own strengths, sources of intrigue or direction. While its initial two instalments take their time, this series is too gripping, smart, meaty and fleshed out — and too bold and ambitious — for that. Also in 2022, Jurassic World Dominion showed how dire something can be when it stitches in elements from other movies (riffing on whole scenes, too) to make up for its own glaring lack of interest, but that's never Andor for a second. It helps that Andor has a magnificent cast, perhaps the best that Disney+ has assembled for its Star Wars series so far, even with The Mandalorian and Obi-Wan Kenobi already in its catalogue. Also assisting immensely: that its main talents relay a grounded yet impassioned story, as the plight of folks teaming up to stop nefarious influences that've turned their existence into a dystopian nightmare should be. That Luna is mesmerising, always weighty in the emotions he's conveying, and that the look of angst that's so often on his face speaks volumes about what it takes to strive to resist when the wrong forces are lingering (and they're firmly against you), couldn't be more important. And, that Andor knows the grim end that awaits — and knows that its audience knows it — is just as essential. Stepping backwards hasn't always worked for Star Wars, as Episode I — The Phantom Menace, Episode II — Attack of the Clones and Episode III — Revenge of the Sith demonstrated, but Andor isn't driven by easy nostalgia and connecting obvious dots. Rather, it interrogates and re-emphasises what the entire space fight has truly always been about anyway, and why it matters. Check out the trailer for Andor: Andor streams via Disney+ from Wednesday, September 21. Images: ©2022 Lucasfilm Ltd & TM. All Rights Reserved.
It's nice to escape out of the big city sometimes. Just a hop, skip and a jump (90 minutes) from Sydney, the Pullman Magenta Shores Resort is a worthy way to exit hectic Sydney and get a little quality R&R in. Beachfront and with numerous, luxurious pools, the resort is nestled in between Tuggerah Lake and the sea, so swimming is probably #1 on your holiday priorities list. For those who can drag themselves away from their sunlounger, the resort is the perfect gateway to the New South Wales Central Coast. Around summer, this area is your go-to for outdoor adventures ranging from surfing and paddleboarding to quad biking and ziplining through the treetops. Take your pick from beaches like The Entrance, Bateau Bay, Shelly Beach, Copacabana or Macmaster's, enjoy your cold-drip coffee barefoot in the cafes of Avoca and Terrigal, and breathe in a big gulp of fresh air at Bouddi National Park. So you can further remind yourself that you're out of the city, all rooms at the Pullman Magenta Shores (choose from a studio apartment up to a three-bed villa) have relaxing nature views, just so you can remind yourself that you're out of the city. You can kick back in the Lagoon Pool, the heated lap pool indoors if it's a bit nippy, or even the beach rock pools if you want to go crab-watching. The Resort is also home to the Magenta Shores Golf & Country Club, designed by Ross Watson and 18-holes long to fully occupy your vacation days. You're only allowed on this private green if you're staying at Pullman Magenta Shores, or if you've invested in a pricey membership, so take advantage. If you're tuckered out from the activity time or golf isn't your bag, head to the on-site Vie Spa to pamper yourself in one of their five treatment rooms. Once you're hungry from all the relaxing, head over to the resort's fine-dining Barrett's Restaurant, or Shallows Bar – there's a tasting menu as well as a wood-fired pizza oven and a range of share plates on the menu, so your belly will be just as happy as your relaxed muscles.
Fourth Village Providore has been a staple of the Mosman community since 2008, featuring a veritable medley of authentic Italian fine foods. Now the time has come to refresh its offering, with the relaunch of Fourth Village Panini Bar & Café. Serving as the latest chapter of this family business, diners can expect a welcoming communal experience where the simple pleasures of Italian cuisine ring through every dish. Bringing a new dynamic to the menu, panuozzo is set to be a standout favourite. Born on the outskirts of Naples decades ago, this classic Italian street food is where pizza meets panini. Made with woodfired pizza bread and stuffed with sumptuous ingredients, Fourth Village is offering delicious combinations like salami and mortadella with stracciatella alongside veggie options such as chargrilled Mediterranean vegetables. Drawing from the business' huge range of high-end goods, the menu extends into house-made focaccia, fresh burrata salads, pastries, woodfired pizzettes and Italian gelato. There's also a selection of tempting desserts, with Fourth Village renowned locally for its panettone french toast. Plus, it will undoubtedly be hard to resist a slice of tiramisu whenever you stop by for a coffee and panini. "While our restaurant has been a special place for many years, reopening as Fourth Village Panini Bar & Café has been a heartfelt evolution of our family's passion for sharing the authentic flavours of Italy with our community," says Dominic Quattroville, whose parents Peter and Annette founded the business. "The café brings a fresh and inviting space where everyone can enjoy our family recipes and traditions in a casual setting." The Quattroville family's culinary story dates back to 1997, when they purchased 100 acres of farmland in the Lower Hunter region. Now, the property's 3,500 olive trees are responsible for some of the finest table olives and handcrafted olive oils, whether you prefer Spanish Manzanillo, Greek Kalamata or Italian Frantoio. While olives were the initial focus, soon Fourth Village expanded into condiments, balsamic dressings, pickled vegetables and more. "Most importantly, this new chapter honours our family's commitment to genuine Italian hospitality, where every guest is treated like family. We're creating a space where people can drop in any time of day, whether it's for a morning coffee and pastry, a relaxed lunch with friends, or a quick afternoon gelato," says Quattroville. Fourth Village Panini Bar & Café is open Wednesday–Thursday and Sunday from 8am–2pm and Friday–Saturday from 8am-3pm at 5a Vista St, Mosman. Head to the website for more information.
There's going to be another murder in the building. That's the only way to interpret the news that Only Murders in the Building, the murder-mystery comedy series that's been a delight not once but twice now, is officially coming back for a third season. Clearly, New York City's deadliest fictional apartment block will strike again — and residents turned true-crime podcasters Charles-Haden Savage (Steve Martin, It's Complicated), Oliver Putnam (Martin Short, Schmigadoon!) and Mabel Mora (Selena Gomez, The Dead Don't Die) will have something else to chat about. Is there a more chaotic place to live in NYC at the moment, at least on the small screen? It doesn't appear so. As for exactly who'll be killed this time, and what the Arconia complex's resident sleuths have to say about it, that hasn't yet been revealed. (Neither has whether season three of Only Murders in the Building will indeed revolve around another murder in the building — but hey, the expected answer is right there in the show's title.) If you're still yet to experience the series' charms, it follows the odd trio of Charles-Haden, Oliver and the much-younger Mabel after they bond over two things: listening to a Serial-style podcast hosted by the show's own version of Sarah Koenig, aka Cinda Canning (Tina Fey, Girls5eva); and a death in their luxe abode. Of course, they did what everyone that's jumped on the true-crime bandwagon knows they would if they were ever in the same situation, starting their own audio series that's also called Only Murders in the Building. That's how season one kicked off — and continued, proving a warm, funny, smart and savvy series at every step along the way, as well as one of 2021's best small-screen newcomers. Now, in the show's second go-around, which is currently streaming week-to-week Down Under via Star on Disney+, Charles-Haden, Oliver and Mabel have another death to investigate. This time, it's someone they're all known not to be that fond of, so suspicions keep pointing in their direction. Again, no further details about season three have been revealed as yet — sorry, armchair detectives — including when it'll return. Considering that there was less than a year between seasons one and two, though, cross your fingers that the show keeps up the same schedule. Similarly yet to be announced: which high-profile names will join the wonderful Martin, Short and Gomez in the next batch of episodes. Both Sting and Amy Schumer have played themselves so far — and Cara Delevingne (Carnival Row) also pops up. Until more information about season three is unveiled, check out the trailer for Only Murders in the Building season two below: Only Murders in the Building's second season is streaming Down Under via Star on Disney+. Read our full review. You can also read our full review of the show's first season, too. Images: Craig Blankenhorn/Hulu.
Before they were chasing storms in Twisters, the 28-years-later sequel to one of the disaster-film blockbusters of the 90s, Daisy Edgar-Jones, Glen Powell and Anthony Ramos were no strangers to whirlwinds. Filmmaker Lee Isaac Chung, who directs the Twister follow-up, swirls alongside them in the same category. The last few years have seen the careers of all four rise rapidly. Normal People made Edgar-Jones a star. Powell has enjoyed a Top Gun: Maverick, Anyone But You and Hit Man hot streak. Ramos is a Lin-Manuel Miranda favourite with an originating part — two actually — in Hamilton and a lead role in the big-screen In the Heights adaptation. And Chung is fresh from drawing upon his own life in Minari, which won an Oscar and collected five more nominations, including for Best Director. How did this quartet end up following in the footsteps of Helen Hunt (Hacks) and the late Bill Paxton (The Circle), as well as cinematographer-turned-filmmaker (and Die Hard and Speed veteran) Jan de Bont? Chasing fun, valuing the chance to focus on the human side of weather wreaking havoc, bringing America's Tornado Alley to the screen, not only having a personal connection with the first film but wanting the second to feel personal: they're among the answers that Twisters three leads and its director shared with Concrete Playground. For Chung, growing up on the Oklahoma border means that he's also no stranger to tornadoes IRL. As a teenager in the 90s, he was mesmerised with the original Twister, as the entire world was. "That was a really big deal for me, and for my friends and for my family," he advises. Under his guidance — working with a script by The Boys in the Boat and The Revenant screenwriter Mark L Smith, which started with Top Gun: Maverick helmer Joseph Kosinski — Edgar-Jones, Powell and Ramos play storm obsessives on a mission. Make that missions, plural, beginning in college. At first Edgar-Jones' Kate and Ramos' Javi are on the road attempting to establish that tornadoes can be tamed. Then, tragedy strikes. Five years later, the pair reteam to scan the seasonal gusts that terrorise the US heartland, using portable radars that Javi has built a business around, albeit with now New York-based meteorologist Kate reluctant to be back out in the field and Javi leaving the details of his funding out of their conversation. Also seeking the same squalls is Powell's swaggering Tyler Owens, who prefers livestreaming his crew's exploits — and being a "tornado wrangler", merchandise and all — over taking the ultra-professional ethos sported by Javi's team. As Edgar-Jones and Ramos do with their characters, he ensures that this is a part that feels like only he could've slipped into. Indeed, Twisters doesn't enlist its impressive main on-screen trio just to get them caught up in the well-staged spectacle and action. [caption id="attachment_965979" align="alignnone" width="1917"] Jeff Spicer/Getty Images for Warner Bros.[/caption] No one gets out of the film without battling wild weather, of course, a process that's "like being in a washing machine, really", Edgar-Jones explains. "A great dirty washing machine," Powell adds. That said, the naturalistic imagery that Chung and cinematographer Dan Mindel (Star Wars: Episode IX — The Rise of Skywalker) paint their tale with, favouring an aesthetic approach that makes Twisters visually resemble Minari more than the standard disaster flick, also mirrors the film's handling of Kate, Javi and Tyler. There's always storms to chase, plus run from, with special effects proving both pivotal and phenomenally convincing; however, there's also a genuine sense of character as its key threesome face devastating vortexes alongside their own baggage. Appreciating the communities impacted by destructive gales feels equally as authentic. If it seems like a leap for Chung to hop from Minari to here, he went via an episode of The Mandalorian — and that his latest movie falls in the middle of those two extremes, even if it might appear closer to the latter on paper, also came up in our chat. With Twisters in cinemas Down Under since Thursday, July 11, 2024, we also spoke with Edgar-Jones, Powell, Ramos and Chung about tackling a sequel to a beloved film after almost three decades, perfecting the right look, the human element of the narrative and more, including preparing to play the resident cowboy who wants to shoot flares into the storm. "I always came to set with fireworks and rockets," Powell jokes. "Nobody ever knew when I was just going to fire those things off." On Twisters Falling in the Middle of Minari and The Mandalorian Isaac: "After I made Minari, I was editing Minari and watching The Mandalorian — that's where I decided I'd love to do an episode of The Mandalorian, just because I fell in love with that TV show. When I worked on that show, it was so much VFX work, so much work on these LED screens and on a stage that, in taking Twisters, I wanted to bring our production back out to the field and back out to Oklahoma. So it did feel like it was kind of zigging and zagging and trying to figure out what I've learned from Minari, what I've learned from The Mandalorian, trying to bring those two things together in some way." On the Appeal of Chasing Tornadoes On-Screen Anthony: "It sounds fun — and that's kind of the biggest appeal. It's something that I never thought I'd ever do. And to work with this team has been a dream. It's cool, just the thought of going out into Oklahoma and driving trucks and being in the elements out there, and working with an incredible cast — I think that's what made it so appealing. That's what made it sound like 'hey, this is something I want to do, sounds fun'." On How Growing Up on the Oklahoma Border Influenced Chung's Decision to Direct Twisters Isaac: "That was a hugely influential part of taking on this project. I felt like growing up, there aren't many big films, blockbuster films, that take place in that world. And when Twister came out, that was a really big deal for me, and for my friends and for my family. And I remember that being really special. When I saw that this project was happening, I thought it was just a once-in-a-lifetime opportunity to go back to where I grew up with a big tentpole action movie. So absolutely, that was a huge part of that decision-making." On Ensuring That This Is a Disaster Film with a Strong Human Element Daisy: "I think that was a big part of why I was so excited to be involved with this film. I'd watched Minari — I'm such a huge fan of that film and Isaac as a filmmaker — and obviously that's got a very indie sensibilities, very character-driven. And so when I heard he was making Twisters, I was so curious to see what that mixture would be like, someone who has this real interest in detail and interpersonal dynamics, but also this huge scale, this blockbuster feel. And so I think that was what was so exciting when we were involved, that all of the characters feel very beautifully drawn out. It's imbued with a lot of reverence for nature, but it also has this fun, this scale, this adrenaline to it. And I just think Isaac did such a remarkable job of really making all the individual characters feel so grounded in truth. As an actor, that's the thing I'm most excited about: to represent people truthfully." On Taking on a Sequel to a Film That's Widely Adored — and Making It Personal Isaac: "It really makes it very challenging because everybody has their own reason for loving that previous work. I'd encountered that already when I was working on the Star Wars shows, which I think Star Wars audiences are maybe the least forgiving, because I love that world so much. So I got my feet wet already with the idea of 'how do I honour something that a lot of people love for very good reasons, and still try to bring in my personal side and my own spin to things?'. In general, what I find with audiences is that if you really start with that love and appreciation for something, then they come around to whatever you choose to do as long as you're really honouring. So that was my approach with this. I wanted to honour that first film, but also make it personal to myself." On What Goes Into Playing the Resident Cowboy Storm Chaser Who Wants to Shoot Fireworks Into the Wild Weather Glen: "At the end of the day, it's Kate's journey to rediscover something she loves, something that should give her a lot of joy. And so Tyler's role in this movie is just to remind Kate why chasing something that gives you joy is the greatest pursuit of your life. And so it's fun to show up in a cowboy hat and jeans, and cowboy boots and drive trucks across the Oklahoma plains, and shoot rockets into the sky. I recommend it. It's a good way to go to work." On Favouring Naturalistic Cinematography That Grounds the Film Over a Glossy Action-Blockbuster Sheen Isaac: "I worked with an incredible cinematographer named Dan Mindel, and he's a real legend behind the camera. When he came on board, we were already talking about old western movies like The Searchers, we were talking about Kurosawa. We wanted to create a sense of place and space, and also evoke a feeling of a western with this movie. And then when we knew that we were going to be filming a rodeo, we wanted it to really feel like rodeo photography from the 1970s in magazines. So there was a lot of that thought going into the process to bring out the texture of the place. And hopefully that comes through. It was just a real joy working with him." On Filming Action Scenes in a Movie That's Not Only About Tornado Season in Oklahoma, But Was Shot During Tornado Season in Oklahoma Daisy: "Every scene felt quite laced with irony in the sense that we would have to shut down filming pretty constantly for actual weather, to then start filming again to then recreate the weather we had to shut down for. It was so incredible to really be in Oklahoma during storm season. There were a lot of tornadoes that did touch down while we were filming, and weather like I've never seen before, but it really helped us imbue the whole thing with truth. And everybody we met that was there, that were background artists from Oklahoma, they were chasers, they were also Red Cross workers, it really helped, I think, to imbue the film with as much truth as possible. The actual filming of tornado sequences is just sort of wild. It's like being in a washing machine, really. You don't really know what's happening." Glenn: "A great dirty washing machine." Daisy: "You're just hoping that there's some acting happening, but you're just kind of in it." Anthony: "Yeah, if you're getting pelted with wind and your face, you can't help but to make a face because you're getting rained on, there's dirt all over you. I see stills of me in some of the scenes that we shot, and I'm dusty and my clothes are filthy — and that's what you want when you shoot this kind of movie. You want to be in it. You want to feel that, and they were so good about making sure that we did it." Twisters opened in cinemas Down Under on Thursday, July 11, 2024. Read our review.
Beach days and good weather aren't the only thing summer brings. With the return of music festival season, we're getting wind of Australian tour dates from heaps of cool bands. The latest news is from Okkervil River and Austra, who will be appearing at this year's Perth Festival and other sideshows around the country. Okkervil River Get ready, folk-rock fans, for a little something to spice up your musical repertoire from Okkervil River. The Texan-indie rockers have released their seventh full-length studio album, and you could hear it live this summer when they make their sixth tour of Australia. A nostalgic ode to the days of his New Hampshire-spent youth, The Silver Gymnasium is the autobiographical creation of frontman Will Sheff. Since the band members grew up in the 1980s, it's only fitting that the album stays true to the times with lots of pop influences. You probably wouldn't think of '80s pop and southwestern folk rock as a match, but Okkervil River makes it seem completely natural. Tracks like 'Stay Young' and 'Deep Down the Deep River' could be soundtrack-worthy of cult classics like The Breakfast Club and Sixteen Candles with their catchy tunes and reflective lyrics. You'll find yourself humming along, fondly (or not so) reminded of the glory days of your high school years. Sydney: 21 February, Oxford Art Factor Melbourne: 22 February, Corner Hotel Perth Festival Tickets available from Handsome Tours. https://youtube.com/watch?v=n7UeGBULQ7Y Austra The Canadian electro-pop group Austra caused a sensation at the 2012 Laneway Festival, with their exhilarating fusion of riveting vocals and electronic synth. That performance was just from their debut album, and since then they've added two new members and dropped a fantastic follow-up album. 2013's Olympia is the perfect combination of indie rock and new wave. Katie Stelmanis, the main songwriter, rings a bell of Florence Welch and London Grammar's Hannah Reid with her operatic voice. Her songwriting talents have shone as well in this second album, which is a beautiful collection of lyrically personal tracks. But perhaps its been her ability to expand the band's range of sounds — which encompasses many dimensions of trance, electro and pop — yet stay true to feeling of their first album that have made Austra so successful. They've recently had a crazy touring schedule, sharing the stage with big-timers such as The xx, Grimes and The Gossip. This summer, Austra will be returning to the country for Perth Festival, and making appearances at sideshows in Sydney, Melbourne and Adelaide. Adelaide: 13 Feb, Uni Bar Sydney: 14 Feb, The Standard Melbourne: 15 Feb, Corner Hotel Perth Festival Tickets available from Handsome Tours https://youtube.com/watch?v=ODyWKkDBb4U
Consider this a case of better late than never: if you've been hanging out to discover if there's more Yellowjackets in your viewing future, that question has now been revealed. After the show's third season wrapped up in mid-April 2025, it has taken over a month to confirm that a fourth is in the works. The survival thriller's characters know more than a thing or two about waiting in both of its timelines — so consider this a case of standing in their shoes for a short stint, too. There's no word yet as to when Yellowjackets will be back, or even when production on season four will start. Season one debuted in 2021 and became one of the best new shows of that year, then season two arrived in 2023 and season three this February. Whether there's a two-year wait as in the past between seasons, or either less or more, getting to find out what happens after season three's cliffhanger is obviously an excellent development. The renewal comes after Yellowjackets' third season became its most-watched ever — and after season three's finale proved the most-streamed Yellowjackets episode in the show's history. As created by Ashley Lyle and Bart Nickerson (Dispatches From Elsewhere), the series serves up the answer to a compelling question: if a plane transporting a New Jersey high school's girls' soccer team across America was to crash en route, how would its surviving passengers cope both at the time while lost in the wilderness and also a quarter of a century later back in their everyday lives? Accordingly, in its 90s-set scenes, Yellowjackets' teenagers do whatever it takes to endure. Hop to the 2020s era and the women that made it home aren't done with their trauma yet. Battling the elements, cannibalism, haunting secrets, shifting power dynamics, embracing the otherworldly, romantic tangles, fighting over whether being saved is even the best outcome: they're just some of the places that Yellowjackets has gone across its three seasons to date. Bringing that journey to life so far, the show's cast has spanned Melanie Lynskey (The Tattooist of Auschwitz), Christina Ricci (Wednesday), Tawny Cypress (Law & Order), Juliette Lewis (Opus), Simone Kessell (Critical Incident), Lauren Ambrose (Caddo Lake), Hilary Swank (Ordinary Angels), Sophie Nélisse ( L'Indétectable), Sophie Thatcher (Companion), Jasmin Savoy Brown (Dreams in Nightmares), Samantha Hanratty (Brilliant Minds), Courtney Eaton (Parachute), Liv Hewson (For Worse), Ella Purnell (Sweetpea), Sarah Desjardins (Dead Boy Detectives), Warren Kole (A Wonderful Way with Dragons), Kevin Alves (No Good Deed), Steven Krueger (Roswell, New Mexico), Joel McHale (Animal Control), Elijah Wood (The Monkey) and more. After it debuted, Yellowjackets was swiftly picked up for a second season because its first was that ace, then renewed for a third season before that second group of episodes even aired. In Australia, viewers can watch via Paramount+. In New Zealand, the series streams via Neon. There's obviously no sneak peek yet at season four, but check out the trailer for Yellowjackets season three below: Yellowjackets streams via Paramount+ in Australia and Neon in New Zealand — we'll update you with a release date for season four when one is announced. Read our review of season one and review of season two, plus our interviews with Melanie Lynskey and Simone Kessell. Images: Kailey Schwerman/Paramount+ with SHOWTIME.
When historians in some far-flung future crack the books on 2023, one thing that will be immediately apparent is that it was an absolute red letter year for video games. Legend of Zelda: Tears of the Kingdom, Baldur's Gate 3, Alan Wake 2, Super Mario Wonder, Diablo IV, Armored Core IV — the list of bangers goes on and on. But it wasn't just big games that shone – indie developers also had a cracker 12 months and that's what we're here to celebrate. Here, in no particular order (and, as a person with a full time job and a child, by no means exhaustive), are the best ten smaller games the year blessed us with. [embed]https://www.youtube.com/watch?v=vnClIPdnXUs[/embed] Storyteller There's no better example of a passion project on this list than Storyteller. Created by Argentinian solo developer Daniel Benmergui, it's been a labour of love that has lasted almost 14 years since he first started work. Thank goodness he stuck with it. This puzzle game plays on the concept of narrative familiarity. Each level presents you with a title — for instance 'Seeing The Ghost Of A Lover', or 'Witch Becomes The Mirror's Favourite' – and tasks you with arranging a choice of characters and scenes in a visual setup not dissimilar to comic panels to build a suitable story. Your solutions update in real time as you move elements around, allowing for rapid-fire experimentation when the stories start to get tricky. The art style could be described paradoxically as 'restrained cartoony', but it works so well, imbuing each of the characters with enough personality to give you a sense of how they operate when deployed. Perhaps its greatest strength is how approachable it is. The gameplay is so simple that you could hand it to a 90-year old who has never touched a controller and they'll be up and running in no time, particularly when using touchscreen controls on a phone, tablet or Switch. Take that, generational gap. Available on: PC/Mac, Nintendo Switch, iOS, Android [embed]https://www.youtube.com/watch?v=qrhivCSKZxk[/embed] Fading Afternoon 'Auteur' is not a word thrown around often in gaming, but it's not without merit to apply it to Russian-based developer Yeo. His latest, Fading Afternoon, is a rumination on the tension between the past, the present and the future. Step into the shoes of Seiji Maruyama, a legendary Yakuza enforcer who starts the game at the end of a stint in prison. His old crime family welcomes him back, but with advancing age and a cough that won't go away, is it really the life he wants? That's up to you to decide, with player agency forming the core of the storytelling, allowing you to fight for former glory, betray colleagues, dive into degeneracy or simply spend your hours fishing. It's got surprisingly deep combat mechanics – side note: breaking an enemy's arm and taking their weapon never stops being cool as hell – and a finely curated soundtrack that matches the various moods of the game perfectly. Plus there are controls that allow you to remove your character's jacket and sling it over your shoulder, put sunglasses on, comb your hair, light up a cigarette and more, turning something as simple as walking down the street into a moment. Fading Afternoon is not a game that holds your hand, which some may find frustrating, but approach it with an open mind and you'll encounter numerous 'wow, I didn't know I could do that' moments that are as rewarding as they are surprising. Available on: PC [embed]https://www.youtube.com/watch?v=p85VHMpE0to[/embed] Dave The Diver The game that launched a thousand online threads about what truly constitutes an 'indie', it's being included in this list because it's too damn good not to talk about. You play the portly title character as he joins an old crony on a new venture: to establish a sushi joint next to a mysterious blue hole in the ocean that teems with sea life from around the world. Spend your days exploring this marine miracle rendered in stunning pixel art and catching its inhabitants, and your nights running the restaurant, both of which present gameplay challenges that are a joy to master. It's honestly unbelievable how much South Korean developer MINTROCKET managed to cram into the game. There's a wide cast of characters; a variety of different narratives involving merpeople, shady eco-warriors, and snooty food critics; boss battles; a whole farm management element; vast amounts of upgrades for your equipment, your staff and your dishes, and a whole lot more. What's most amazing is how balanced all these elements are, allowing you to choose where to focus at any given time without feeling overwhelmed. Be warned, it is addictive and you'll find yourself wondering if you can fit in another dive when the clock says 2AM on more than one occasion. Available on: PC/Mac, Nintendo Switch [embed]https://www.youtube.com/watch?v=aOD6tKr3dHE[/embed] El Paso, Elsewhere Some breakups are amicable. Some are bad. Some lead to the apocalypse. That's just the way love goes. El Paso, Elsewhere, developed by Strange Scaffold, sees you dealing with the third type of end to a relationship. You're James Savage, a folklore researcher with a pill problem and a score to settle with your ex-girlfriend Draculae, a powerful vampire who is bringing about the end of the world from an extra-dimensional space underneath a roadside motel in El Paso, Texas. Gameplay-wise, it's an unashamed love letter to the Max Payne series, with satisfyingly chunky gunplay augmented by slo-mo dives that are as cinematic as they are tactical. In your journey through the increasingly surreal sub-floors of the motel, you'll face off against werewolves, biblically accurate angels, living suits of armour and more, each requiring you to switch up your approach which keeps the combat interesting, particularly when crowds of enemies start testing your ammo reserves. Where this game really shines is just how fucking cool it is. The script is so hard-boiled it wouldn't be out of place in a Caesar salad. Savage is pitch-perfectly voiced by Strange Scaffold's creative director Xalavier Nelson Jr., and each cutscene in between levels is a welcome narrative reward for the chaos you've navigated. It's a journey into addiction and heartbreak that will stick with you long after the credits roll. Available on: PC, Xbox One/S/X [embed]https://www.youtube.com/watch?v=00B3pbxoFvI[/embed] Blasphemous 2 There's no rest for the penitent. Spanish outfit The Game Kitchen brought us back to the grim, guilt-soaked lands of Custodia for another pilgrimage of exploration and gory combat in Blasphemous 2. The sequel leans more heavily into its metroidvania roots than its predecessor, adding in classic elements like double jumping and air dashing that give more options for both combat and traversal. There's also the expanded range of weaponry the Penitent One can wield, each with its own skill tree and strengths, meaning you'll be hot swapping up a slaughter during your journey. With its dense, lore-heavy plot that evokes shades of Dark Souls and Elden Ring, Blasphemous 2 goes beyond the usual fantasy fare into something that is more memorable (and occasionally bleak). And the world is huge, with plenty of nooks and crannies to explore whenever you unlock new abilities. Special mention should be made of the boss battles as well, with excellent character design and confrontations that induce just enough frustration to leave you fist-pumping when you finally triumph. Available on: PC, Nintendo Switch, Xbox One/S/X, Playstation 4/5 [embed]https://www.youtube.com/watch?v=XHfzY-nIQxw[/embed] Cocoon The true measure of any puzzle game is the sense of achievement you feel when you finally crack a solution. Cocoon, the first release by Danish studio Geometric Interactive (founded by former employees of Playdead, developers of Limbo and Inside, which is an immense pedigree), is a symphony of such 'Aha!' moments. It's a game about orbs. As a small winged figure, you traverse a variety of biomes that blend the biological and mechanical, discovering these various pearls along the way. Bring them to specific machinery and you can dive into them, opening up new worlds to explore. The kicker? You can carry worlds into worlds, leading to some truly matryoshka-esque puzzles that can tax your brain to the limit. These conundrums are never unfair, though. The overarching game design is beautifully done, with each mechanic introduced and explored until familiar before the next one comes along. There's no backtracking, no missed items, no external information needed – everything you need to arrive at a solution is right in front of you in that particular moment of gameplay. You only need to think. Narrative fans be warned, it's vastly more weighted to exploration than exposition, but there is a plot at play here that crescendos in a cosmic fashion. But the real story is that warm glow you get throughout as you overcome obstacles and realise hey, I am smart! Available on: PC, Nintendo Switch, Xbox One/S/X, Playstation 4/5 [embed]https://www.youtube.com/watch?v=s3ws82dj_fA[/embed] Dredge Who would've guessed that adding a handful of horror to a fishing game would be such a good recipe? New Zealand developers Black Salt Games, that's who. Leaning into the cold hard fact that the ocean is a terrifying place full of nightmares, Dredge puts you behind the wheel of a small fishing vessel as a captain whose memory was taken by a shipwreck. You'll earn your keep by pulling fish out of the ocean through a variety of methods, each with their own minigame that keeps the gameplay fresh. Some of these fish, however, are… wrong, which speaks to the wider tension of the game. There's something sinister afoot in the various archipelagos you visit, from eldritch cults to abyssal monsters, and while you're never tasked with finding a solution to these problems, investigating them is chilling fun nonetheless. Supporting the eerie atmosphere that pervades the game are some excellent decisions around gameplay mechanics. Your ship has an upgrade tree that gives pleasantly concrete results in game. The aforementioned minigames are coupled with a Tetris-style mechanic of arranging your catch in your hold, leading to some hard decisions about what to keep and to jettison when you hit the space limit. Throw in an encyclopedia that tracks all the species you catch, and you've got a range of addictive gameplay loops that'll keep you heading out to sea. Available on: PC, Playstation 4/5, Xbox One/S/X, Nintendo Switch [embed]https://www.youtube.com/watch?v=GXgktRWrHaI[/embed] Thirsty Suitors If you've ever been in public, caught sight of a former romantic partner and felt a wave of panic engulf you, then have we got a game recommendation for you. Thirsty Suitors is the product of Outerloop Games, a studio in Seattle with a penchant for exploring underrepresented cultures and themes. You play as Jala, a second generation Indian immigrant and young LGBTQIA+ woman who is back in her Pacific Northwest hometown of Timber Falls for her sister's wedding. Only thing is, dear sister is not talking to you and there are a slew of ex-romantic partners who are eager for a reckoning due to your past problematic behaviour. While topics like this could be approached in a heavy-handed manner, Thirsty Suitors instead takes an over-the-top path that is as entertaining as it is sensitive. Each ex gets a showdown that plays out through turn-based combat, combining wildly imaginative battlefields and moves with conversational back-and-forths that tackle codependency, betrayal, the expectations of South Asian parents, navigating life out of the closet and more. Better yet, victory is not about domination but understanding, giving each battle a far more satisfying denouement. Throw in a deep and humorously acrobatic cooking minigame, Tony Hawk Pro Skater-style traversal and maybe one of the best video game fathers ever, and it's a truly unique experience with emotional enlightenment at its centre. Available on: PC, Nintendo Switch, Xbox One/S/X, Playstation 4/5 [embed]https://www.youtube.com/watch?v=sKDwnRWroto[/embed] Sludge Life 2 It's time to go back to the sludge, baby! The crassest, coolest vandalism simulator made a return this year, shepherded into existence by developer Terri Vellman and musician DOSEONE. You're back as Ghost, an elite tagger turned artist manager responsible for the rapper Big Mud. He's got a gig to play, but after a night of epic partying with his Click Sick crew he's nowhere to be found. Time to leave your trashed hotel room and track him down. Sludge Life 2 builds on its predecessor in the simplest way: by being bigger across the board. There's more world to explore, more NPCs to engage with and more tools to help you get around, from sneakers that allow double-jumping to a portable launcher that throws you high into the air, helping you to reach the 100 tagging spots scattered around the city - some obvious, some fiendishly hidden. There's also a higher level of cheerful cynicism present. The world has evolved since the first game, with the corporate presence of the Ciggy Cig company now dominating the map with their efforts to get children puffing their wares (now with vitamins!). As you make your way around and talk to the inhabitants, you'll uncover a revolution brewing, which you can wind up playing your own part in. Also, the cat with two buttholes is back. Really, it's a game with something for everyone. Available on: PC [embed]https://www.youtube.com/watch?v=__hzPH3tcvA[/embed] Chants of Senaar Chants of Senaar, developed by French team Rundisc, is the answer to the question 'what if the Tower of Babel and the Rosetta Stone had a baby that was a puzzle game?' The game sees you exploring a mystical tower divided into levels populated by groups organised around castes, each of whom has a unique language consisting of logograms (or symbols that represent words, for those who haven't studied linguistics too deeply). To progress, you need to decipher these languages using a variety of context clues, interactions and signs scattered throughout the environments. Your efforts are tracked in a notebook, where you can record what you think various symbols mean and confirm them in sets once you've discovered enough of them, a mechanic that helps to defeat a brute force approach. Eventually, grammar is layered in as another aspect to consider, testing your skills even more. The tower itself is a joy to explore, with distinct colour palettes and architectural styles for each of the levels and a great use of light and shadow throughout. Breaking up the language puzzles are the occasional stealth sections, giving a welcome variety to the gameplay. As mentioned earlier, puzzle games can be measured by the sense of achievement you feel, and watching the world around you gradually become more intelligible, not to mention helping the different castes actually communicate, well, it doesn't get more satisfying than that. Available on: PC, Nintendo Switch, Xbox One/S/X, Playstation 4/5
Craft beer fans, get those hops-loving palettes ready; Sydney Craft Beer Week (SCBW) is returning. Marking its fourth year of beer-fuelled frivolity, SCBW will find its way into over 40 Sydney venues from October 18 – 26 for the city's largest celebration of craft beer from Bourke Street Bakery to the Local Taphouse. With a craft beer pub prawl (complete with beer passports), massive Carriageworks festival-within-a-festival, a wonderfully-named four-course 'beergustation', beer high teas, tap takeovers and an entire sitting of gourmet sausage/craft beer pairing, there's plenty to raise a glass to this year. And you won't need an app to let you know if you're drinking the real deal. The nine-day festival is making a snuggly home of Sydney's craft breweries, pubs, eateries and galleries — with a few pop-up installations along the way. One of the biggest and most anticipated events of the program, Sip and Savour is a two-day beer festival within the wider SCBW lineup. Bringing over 250 craft beers and ciders to Carriageworks for October 25 – 26, Sip and Savour pairs your crispy libation with local gourmet food, homebrewing, live music and a swag of interactive seminars designed to have you appreciating, brewing and tasting like a craft connoisseur. Now, about those beer passports. The so-called Craft (Pub) Crawl encourages seven days of beery exploration, with solid snaps awarded to hopping tasters at participating venues. Bragging rights abound with this one, as well as ideal tweeting conditions. Hopefully some of these winners are on offer this year. Food pairing beer lovers will love two meatlover events from Byron Bay's Stone and Wood and Northern Beaches' Ekim Brewing Co. S&W are bringing back their celebrated, pork-happy event 'The Big Pig Out' (with four pigs and all four Stone and Wood varieties on tap. Then Ekim collaborate with The Welcome for the awkwardly-named '[It's a complete] Sausage-fest!' — with five types of gourmet sausage paired with the Northern Beaches' brewing team's catalogue. Mega craft beer fan and SCBW director Joel Connolly sees the ever-developing festival as a quintessentially Sydney event. "Though we’ve grown faster than we ever imagined, we’re proud the event still has a local and relatable feel, giving everyone attending a sense of ownership of these locally produced craft beers," he says. "In a way, there is a definite form of community spirit and kinship built and celebrated during the festival, as we give craft beer a much deserved time to shine." Kicking off with a big ol' launch party at Giant Dwarf on Friday, October 17, SCBW's opening night will see over 25 Australian and international craft breweries offering up their wares and competing for your continued sippage. Sydney Craft Beer Week runs October 18 – 26. To check out the full program, visit www.sydneycraftbeerweek.com.
When it was announced back in 2016 that Moulin Rouge! was being turned into a stage musical, fans around the world thought the same thing in unison: the show must go on. Since then, the lavish production premiered in the US in 2018, then hit Broadway in 2019, and also announced that it'd head Down Under in 2021 — and if you're an Aussie worried about whether the latter would actually happen after 2020's chaos, it looks like the same mantra applies to its planned Melbourne season. Moulin Rouge! The Musical has put out a casting call for auditions in both Melbourne and Sydney in January and February 2021, with working towards June rehearsals and August previews part of its timeline. So, once the second half of next year hits, you could be watching the spectacular show — which is based on Baz Luhrmann's award-winning musical movie, of course — at Melbourne's revamped Regent Theatre. The musical brings to life the famed Belle Époque tale of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the film is known for its soundtrack, celebrating iconic tunes from across the past five decades. The stage show carries on the legacy, backing those favourites with even more hit songs that have been released in the 19 years since the movie premiered. And, when Moulin Rouge! The Musical makes its Aussie debut, it'll be doing so in the movie's 20th anniversary year. https://www.youtube.com/watch?v=p68Q1G1A_k4&feature=emb_logo The musical is heading to Melbourne in the hands of production company Global Creatures, along with the Victorian Government. The Government is also a big player behind the Regent's upgrade works, having dropped a cool $14.5 million towards the $19.4 million project. It co-owns the site, along with the City of Melbourne. While Moulin Rouge! The Musical's exact season dates haven't been revealed, you can register for the ticket waitlist via the production's website. Moulin Rouge! The Musical will hit The Regent Theatre, at 191 Collins Street, Melbourne in 2021 — with the show currently working towards an August 2021 kick-off date. To register for the ticket waitlist, head to the production's website. Moulin Rouge! The Musical image: Matthew Murphy.
Beverly Hills, 90210 did it. Saved by the Bell and Gossip Girl, too. If a teen-focused series is a hit, odds are that'll end up back on our screens years and even decades after it first popped up, telling new high school-set tales with a new cast for a new generation — and that's exactly what's happening with Australia's beloved Heartbreak High. Back in 2020, Netflix announced that it was bringing the series back — and now that revival is almost here. The series itself will join your streaming queue on Wednesday, September 14, and the platform keeps dropping trailers in the interim. Indeed, after the first teaser arrived at the beginning of August, the streamer has just unveiled the full sneak peek. Yes, it definitely looks like a 2020s take on the Aussie classic. Yes, this new batch of students still attend Hartley High, the fictional school that everyone watching was obsessed with when the OG version of the show first aired way back when. And yes, teenage chaos is still the main focus, including everything from friendship fights, yelling about vaginas from the top of a building and throwing dildos at walls through to a public sex map that charts who at Hartley has hooked up with who. 90s kids, prepare to feel emotional — the initial series screened for seven seasons and 210 episodes between 1994–99, and wasn't just a high school-set Aussie show; it was the high school-set Aussie show of the era. The original Heartbreak High was filled with now-familiar faces, too, including Alex Dimitriades, a pre-Home and Away Ada Nicodemou, and Avengers: Endgame and Mystery Road's Callan Mulvey as Drazic. It painted a multicultural picture of Australia that was unlike anything else on TV at the time. And, for its six-year run across two Aussie networks, the Sydney-shot show was must-see television — not bad for a series that started as a spinoff to the Claudia Karvan and Alex Dimitriades-starring 1993 movie The Heartbreak Kid. This time around, a revelation turns Hartley High student Amerie (Ayesha Madon, The Moth Effect) into a pariah, and also sparks a rift with her best pal Harper (Asher Yasbincek, How to Please a Woman). Attempting to repair her reputation, she calls on help from her new friends Quinni (Chloe Hayden, Jeremy the Dud) and Darren (first-timer James Majoos). Back when Netflix announced the cast, it described Amerie as a smart, big-hearted but loud working-class girl, and Harper as the person at Hartley that everyone is a little afraid of, including teachers. Quinni, who has autism, is "a brain trying to connect to a body and a heart", while Darren is "the warmest snarky shit-stirrer you're ever likely to meet". Other characters include Malakai (Thomas Weatherall, All My Friends Are Racist), a Bundjalung boy and basketballer who is new at Hartley High; Dusty (Josh Heuston, Thor: Love and Thunder), an insecure bass player in an indie rock band; Sasha (Gemma Chua-Tran, Mustangs FC), who has been badged "the coolest, sexiest, and chiccest lesbian at the school"; and Ca$h (Will McDonald, Home and Away), a mullet-wearing drug dealer, food delivery driver and pet duck owner. Rachel House (Hunt for the Wilderpeople, Baby Done) plays Hartley High's principal, too — and yes, Netflix is still streaming the original series, should you feel like a double dose of nostalgia. Check out the latest trailer for the new Heartbreak High below: Heartbreak High will be available to stream via Netflix on Wednesday, September 14.
If you're a wannabe wizard or witch looking for more Harry Potter magic in your life, the last few years have provided plenty of ways to accio up some enchanting fun. Harry Potter-themed potions bars have popped up across Australia and New Zealand, Harry Potter and the Cursed Child hit the stage in Melbourne, and screenings, parties, escape rooms, scavenger hunts and other HP-centric events have been common everywhere, really. You can also play Pokemon Go-style game Wizards Unite or browse your way through the online Harry Potter at Home portal whenever you like, too. Soon, all of above will pale in comparison to the kind of space HP fans can really lose themselves in — and one that, hopefully, visitors will need a Marauder's Map to get around. That'd be a dedicated Harry Potter theme park, which is set to open in Japan in the first half of 2023. Fingers (or wands) crossed that international travel is back to normal by then. As first reported earlier this year, the new park will take over part of the existing Toshimaen amusement park in Tokyo's Nerima ward. That site has been up and running for 94 years, but will close at the end of August 2020 — so Warner Bros Studio Tours, Warner Bros Japan, Seibu Railway Co Ltd, ITOCHU Corporation and Fuyo General Lease Co Ltd are teaming up, waving a few magic wands about and turning a section of it into a Harry Potter-theme park. [caption id="attachment_761496" align="alignnone" width="1920"] Toshimaen. Image: Rsa via Wikimedia Commons[/caption] Called Warner Bros Studio Tour Tokyo — The Making of Harry Potter, the new venture will take more than a few cues from the existing Harry Potter attraction in London, which spans costumes, props, exhibitions and special events. That means there'll be a focus on sets that fans can tour, rather than rides. If you were hoping to play quidditch, travel by portkey or ride the floo network, that doesn't seem to be on the agenda, sorry. Instead, visitors will be taken "on a fascinating behind the scenes tour of the Wizarding World series," according to the statement officially announcing the Tokyo park. Over a space of about 30,000 square metres that'll include a soundstage and backlot area, there'll be movie sets that were designed and built by the creators of the Harry Potter series, as well as original outfits and items from the films. Overall, it's expected to take patrons about half a day to wander through it all. [caption id="attachment_761499" align="aligncenter" width="1920"] Warner Bros Studio Tour London[/caption] Warner Bros Studio Tour Tokyo — The Making of Harry Potter will be ticketed, unsurprisingly, but outside the entrance it'll also feature a landscaped area filled with sculptures of Harry Potter figures — and that'll be accessible to both park visitors and local residents. The Tokyo Metropolitan Government will be turning the rest of Toshimaen Amusement Park's grounds into a public park, with the Harry Potter tour and the rest of site coordinating their development plans. Japan is already home to a Harry Potter theme park zone at Universal Studios Japan in Osaka — so diehard devotees just might have to visit two of the country's cities. When it comes to fruition, add the dedicated Harry Potter theme park to Japan's hefty range of pop culture-themed attractions. A Super Nintendo amusement park zone is due to open at the aforementioned Universal Studios Japan in Osaka this year, a forthcoming Godzilla attraction will let you zipline into the monster's mouth, and a Studio Ghibli theme park is in the works — and Tokyo already boasts huge Godzilla and Gundam statues, as well as the Studio Ghibli Museum just outside the city. Top image: Warner Bros Studio Tour London.
Imagine Planet of the Apes, but hurtling 65-million years backwards in time rather than forwards. What would a crashed spaceship's survivors find? Jurassic Park's favourite critters, obviously. Now imagine that other hit franchise, but also with a twist. Instead of making a new playground for genetically engineered dinosaur clones, picture people being plonked in the prehistoric creatures' existing realm. Whichever of the above options that you're now thinking about, you're currently on 65's wavelength. There's a bit of the Predator series to the upcoming sci-fi flick's just-dropped first trailer as well. And, there's a touch of Logan and A Quiet Place, too. The latter actually gets a boost thanks to writer/directors Scott Beck and Bryan Woods, who penned the first AQP feature. Here, however, they're also giving the world what it's always wanted, even if it didn't know it yet: Adam Driver fighting dinos. The White Noise, House of Gucci, Annette and Star Wars actor has long had a knack for interesting choices, and 65 fits the bill for that whole Driver-versus-prehistoric animals setup alone. If a movie about Idris Elba fighting lions can exist, aka Beast, so can this . There's more to 65's narrative, of course but it really does sound cobbled together from all that aforementioned science-fiction fare. Driver plays pilot Mills, who is charting a long-range exploratory mission through space when his ship is hit by an undocumented asteroid. Out of the 35 passengers, only young Koa (Ariana Greenblatt, In the Heights) is also left once they realise where and when they've landed — which sparks a fight to survive. Chloe Coleman (Gunpowder Milkshake) is also credited among the cast, but this looks set to largely remain a two-hander — well, two people and however many dinosaurs come rampaging their way. Viewers can see the end result in cinemas in March 2023, after a few release-date delays over the past year. And, among the film's impressive pedigree, The Evil Dead filmmaker Sam Raimi is one of its executive producers, while Wednesday and White Noise composer Danny Elfman is on score duties. Check out the trailer for 65 below: 65 releases in cinemas Down Under on March 9, 2023.
Now streaming on Disney+, Moon Knight arrives as the latest chapter in a seemingly non-stop franchise that's near monopolised popular culture over the past decade and a half. The newest episodic series to join the Marvel Cinematic Universe, it adds yet another tale to the saga's ever-expanding web of superhero stories — this time focusing on a character first seen on the page back in the 70s; hardly as well-known as the likes of Iron Man, the Hulk, Captain America, Thor and Captain Marvel; and otherwise wholly unseen in the MCU so far. Moon Knight also starts unfurling as the latest instalment in another trend. For the second time in less than a year, Oscar Isaac stars in a must-see streaming series. In cinemas in-between, he's also added Dune and The Card Counter to his resume, too, because the compulsively watchable actor pinballs between projects vast and intimate — and between blockbusters and character-driven pieces. His two most recent small-screen projects couldn't demonstrate that chasm better, although Moon Knight has more in common with 2021's Scenes From a Marriage than it might initially seem. Or, to be accurate, it boasts one very specific and important shared trait: it wouldn't be what it is without Isaac's magnetic performance. Make that performances. The setup: in this six-episode miniseries, Isaac plays Steven Grant and Marc Spector. They're one and the same due to a case of dissociative identity disorder, although this is news to mild-mannered British gift-shop employee Steven. Usually, he wishes that he could lead tours at work, obsesses over studying Egyptian history and, thanks to a sleeping disorder, chains himself to his bed at night. But as gaps in his days lead him to learn, he is also American mercenary Marc Spector — or, to be exact, vice versa. Complicating matters further, he's the on-earth conduit for the Egyptian moon god Khonshu (voiced by Mythic Quest's F Murray Abraham) as well. Already struggling with being able to tell the difference between being awake and asleep, Steven's role as the moon god's offsider is a source of stress, unsurprisingly — especially with shadowy cult-like figure Arthur Harrow (Ethan Hawke, The Good Lord Bird) hanging around. Character-wise, the Steven/Marc combo swiftly proves as complex as the MCU has delivered so far in Moon Knight's first four episodes, as deepened even further during a continent-hopping mystery-adventure that has him doing Khonshu's bidding. That's where Harrow comes in, complete with unfinished business with the moon god and big plans of his own. Archaeologist Layla El-Faouly (May Calamawy, Ramy) also adds another layer, sporting ties to Marc's past that Steven is initially unaware of, and sparking a patch of romantic rivalry. Even within franchise confines, Isaac is mesmerising playing duelling dual personalities in Moon Knight, turning in the kind of portrayal that the MCU has been lacking. It isn't known as an actor's showcase, which is why even this far in — 27 movies and now six Disney+ series — the sprawling saga's standout performances make a splash bigger than throwing mjölnir into an ocean. It's what made Tom Hiddleston a hit in his big-screen outings, and also in fellow streaming show Loki. Also on the small screen, the greater texture served up by Elizabeth Olsen and Paul Bettany, and the scene-stealing perfection of Kathryn Hahn as well, ensured that WandaVision left an imprint, too. Isaac bests them all; while Marvel's knack for casting has long been one of its superpowers — even with simply entertaining rather than necessarily meaty performances resulting — it flexes those talents magnificently in Moon Knight. Indeed, it's as shrewd a casting move as has been made to-date in this pop-culture behemoth. The fact that Moon Knight also tasks Isaac with playing someone that film and TV fans aren't already acquainted with is also pivotal. Welcomely, the Marvel formula feels fresher here. The series still spins an origin story, and will undoubtedly tie into the broader narrative to come. It also often falls back on a template between daring to be stranger and weirder. And yet, by branching off with a previously unseen protagonist, this is the first MCU Disney+ series that doesn't feel like homework. That isn't a slight upon WandaVision, The Falcon and the Winter Soldier, Loki and Hawkeye, but recognition that reaching in new directions reaps considerable rewards. Moon Knight doesn't lack in star power, of course — there's a reason that Isaac is rarely seen suited up with his face covered, Hawke is also fantastic, and they bounce off of each other compellingly — but it hasn't enlisted its big-name MCU newcomers to merely go through the by-the-numbers motions. Similarly leaving an impression: having Egyptian filmmaker Mohamed Diab (Clash) direct four episodes, and getting American sci-fi/horror wunderkinds Justin Benson and Aaron Moorhead (Synchronic, The Endless, Archive 81) to helm the other two. Both help ensure that Moon Knight's biggest thrills come from its best asset, especially given that he's doing double duty in a Dr Jekyll and Mr Hyde-style premise — and the scenes where Steven and Marc bicker with each other about who gets to control their shared body (which happens via reflective surfaces such as mirrors and puddles, and are shot with not just flair but boldness), are the show's clear highlights. The Indiana Jones nods, and the swings in The Mummy's direction, are clunkier, but the end product is still easily the most intriguing small-screen Marvel effort so far. Actually, when Moon Knight does ultimately end up overtly linking into the MCU in its final two episodes — and if it smoothes itself down in the process — that'll feel like a let down. Check out the trailer for Moon Knight below: The first episode of Moon Knight is available to stream via Disney+, with new instalments dropping weekly. Images: courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.
Empty streets. Long lines of cars at COVID-19 testing sites. Six-foot buffers between people. Doomscrolling. Rampant online misinformation about the pandemic. Five years ago, these were all a reality — and that's when Ari Aster has set his fourth feature. Eddington is also the acclaimed writer/director's fourth film in seven years, following Hereditary in 2018, Midsommar in 2019 and Beau Is Afraid in 2023. Two years after stressing out Joaquin Phoenix in the latter flick, the filmmaker has more tension and chaos in store for the Oscar-winning actor, all in the early days of the COVID-19 pandemic. Eddington ventures into a New Mexico town of the same name, and into the locale's attempts to cope with the abrupt change to life as its citizens know it. Phoenix (Joker: Folie à Deux) portrays the spot's sheriff Joe Cross, who decides to run for mayor against incumbent Ted Garcia (Pedro Pascal, The Last of Us). Both the first teaser trailer earlier in 2025 and the just-dropped full sneak peek at the A24 release — which premiered at Cannes in May — paints an unsettling picture, not just for the feuding Joe and Ted, but also for Joe's wife Louise (Emma Stone, Kinds of Kindness). Offering a calmer vibe is Vernon Jefferson Peak (Austin Butler, The Bikeriders), whether he's meeting Joe or popping up preaching on the internet. The storyline: putting Joe and the mayor on a collision course that leads to arguments and slaps in the new trailer. Their conflict unsurprisingly causes ripples throughout Eddington, in a tale that's set to see townsfolk clash in a period that we all know couldn't have been more heightened and stressful. Aster is back cultivating unease, then, as he did so expertly in his initial three features. Alongside Phoenix, Butler, Stone and Pascal, the filmmaker has enlisted Luke Grimes (Yellowstone), Deirdre O'Connell (The Penguin) and Micheal Ward (Empire of Light) to help among his cast. Eddington releases Down Under on Thursday, August 21, 2025. If you're in Sydney or heading to the Harbour City for the 2025 Sydney Film Festival, it's also screening there until Sunday, June 15, as well as at the fest's SFF 2025 Back By Popular Demand sessions until Friday, June 20. Check out the full trailer for Eddington below: Eddington releases in cinemas Down Under on Thursday, August 21, 2025 — and is also screening at the 2025 Sydney Film Festival until Sunday, June 15, and at its SFF 2025 Back By Popular Demand sessions until Friday, June 20.
What do you get the KFC lover who has everything? The recipe for the Colonel's 11 secret herbs and spices is the holy grail for fried-chicken fans, and a date to down drumsticks should always be on the menu. But if your chicky chicky fry fry-adoring pal — or yourself — wants to look finger lickin' good whether or not you're not licking your fingers after a chook-heavy meal, Kentucky Fried Couture will do the trick. KFC is no stranger to merchandise and gimmicks, dropping ugly Christmas sweaters (including a pet version), releasing augmented reality games, offering wedding services, doing cocktails, and letting you meditate to the soothing sounds of chicken frying and gravy simmering. It also had a super-Aussie range of apparel and items on sale back in 2018. This time, however, the fast-food brand wants you to don varsity jackets, hoodies, party shirts, bucket hats and more. Forget two-piece feeds — these are your new favourite pieces from the Colonel, and they're all available online via the KFC merch store. Love Zingers so much you need a tee to proclaim it to the world? Obsessed with past KFC logos? Looking for something comfy to eat fried chicken in? Trying to bring bumbags back? You're all sorted here. Prices start at $20, which will get you a pair of KFC socks — either with the Colonel's face on them, or sporting drumsticks aplenty. At the other end of the scale, that varsity jacket will cost you $90. Even better, you'll be doing a good deed by supporting efforts to improve mental health, with profits going to the KFC Youth Foundation and its charity partners The Black Dog Institute, ReachOut Australia and Whitelion. Are KFC threads more resilient when it comes to fried-chicken grease? There's only one way to find out. Shop KFC's new merch via the fried-chicken chain's online store.
If you happen to find yourself in Woollahra on a wintry Sunday afternoon, you now have a choice when it comes to warming up with a roast. On one hand, you might slip into Bistro Moncur and swap $45 for a heartening serve of Dewsbury pork belly, duck fat potatoes and Yorkshire pudding designed by London-born chef Tom Deadman. The menu changes every six weeks, so there are plenty of reasons to return. On the other hand, you could, in the same building, opt for the Woollahra Hotel. Here, $32 will get you a traditional roast. Your plate will come loaded with slow-roasted pork belly, alongside braised red cabbage, glazed carrots and crispy roast potatoes — all lathered in house-made gravy. Red wine is always a good idea with a Sunday roast, and you'll find plenty of drops to choose from on sommelier Mark Blake's list, including many organic, vegan and preservative-free wines. Grab a seat in the shiny public bar, which was polished within an inch of its life during a major reno in 2023, or head for the neon-lit, greenery-splashed courtyard. Either way, you have until September. Bottom image: Anna Kucera
UPDATE: MAY 28, 2020 — Since publication of the below article, the Japan Tourism Agency has clarified in a Tweet that the subsidy scheme, called the Go To Travel Campaign, is to "stimulate domestic travel demand within Japan after the COVID-19 pandemic and only cover a portion of domestic travel expenses". The scheme is still under consideration by the Japanese Government. Due to the COVID-19 pandemic, global tourism as we once knew it virtually disappeared overnight, with borders closing, flights grounded and overseas holidays off the cards for months now. But with Australia, New Zealand and other nations around the world gradually beginning to loosen their coronavirus restrictions, that might eventually change — and if you're wondering where to venture to first, the Japanese government wants to help fund your next getaway. As reported by The Japan Times, the Japan Tourism Agency has announced a tourism subsidy scheme that'll pay a portion of travel expenses for visitors coming into the country. If the idea sounds familiar, that's because the Mediterranean island of Sicily is doing the same thing, as it revealed a few weeks back. JTA's chief Hiroshi Tabata told a press conference that the program would come into effect when Japan's COVID-19 case numbers subside and the country subsequently reopens its borders — which he said could be as early as July. Few other details have been revealed as yet, including exactly what costs the scheme will reimburse (such as flights, accommodation and venue tickets). Still, if strolling across Shibuya's scramble crossing, visiting the Studio Ghibli museum, wandering through a kaleidoscopic maze of digital art, singing karaoke in a ferris wheel and eating Godzilla-themed desserts next to a building-sized Godzilla statue are all on your must-do travel list (and they all definitely should be), this is welcome news. The Japanese agency expects to spend a massive ¥1.35 trillion — approximately AU$19 billion — on the tourism initiative, a move designed to help revive the struggling sector. As The Japan Times also notes, Japan's visitor numbers for January–April 2020 are down 64.1 percent compared to the same period in 2019. And, with the Tokyo Olympics rescheduled from 2020 to 2021 due to COVID-19, there's no longer a guaranteed influx of travellers expected this year. Japan has been under a state of emergency since early April, but it was lifted on Monday, May 25 by Prime Minister Shinzō Abe, with infection numbers — especially in Tokyo — continuing to fall. While lockdowns have been loosening in some regions around the country in recent weeks, the latest move also includes Tokyo, where restrictions on restaurants, bars, libraries and museums are also starting to ease. For further details about the Japan Tourism Agency tourism scheme, keep an eye on the agency's website. Via The Japan Times.
Coffin Flop fans, rejoice — we don't yet know if world's wildest supremely fictional TV series will make a new appearance when I Think You Should Leave with Tim Robinson returns for season three, but something else just as absurd and wonderful will either way. Will Corncob TV earn another mention? How awkward will this Netflix sketch comedy's namesake get? Which examples of the absolute worst behaviour will it satirise? Do you need to slop up some steaks while watching? How slicked-back is your hair right now? Expect to answer all of this and more on Tuesday, May 30. Baby, baby, baby, that's when one of the best comedies currently being made will return with six new episodes, as led by Detroiters star Tim Robinson. His surreal comic stylings have already gifted viewers hot dog suits, Garfield houses, tense plane encounters and babies who know you used to be a piece shit, and he has plenty more in store as the just-dropped trailer for the third season teases. I Think You Should Leave with Tim Robinson first arrived in 2019 when, on one otherwise normal day, folks sat down on the couch, switched on their televisions, started scrolling through Netflix and came across an instant cult-hit comedy. The best sketch comedy of that year, and one of the best TV shows in general, too, the series' first season was ridiculously easily to binge — and flat-out ridiculous. You don't even need two hours to get through all six episodes but, once you're done, you'll wish that it went for at least twice as long. When season two arrived in 2021, it was just as phenomenal. OTT, hilarious, finding gags about a secret excuse to help men explain away pee stains on their pants, plus quite the loud and lurid shirt, and then a daggy hat — that's this series. Absolutely no one excavates, explores and satirises social discomfort with the gusto, commitment and left-of-centre viewpoint of Robinson, with his skits diving headfirst into excruciating situations, dwelling there and letting them fester. It's no wonder that the former Saturday Night Live comic has a hit on his hands. Just try looking away from his flexible facial expressions alone. That proves the case in the sneak peek, which is filled with multiple fake game shows, adult babies, fedoras, crying and Robinson at his silliest, and will already get you cringing as it's 100-percent designed to do. In season three, Robinson will again be joined by Will Forte (Weird: The Al Yankovic Story), plus everyone from Jason Schwartzman (I Love That for You) and Fred Armisen (Barry) to Ayo Edebiri (The Bear) and Tim Meadows (Poker Face). Sam Richardson (The Afterparty) is also back, once again giving Detroiters devotees a glorious reunion. The series also boasts some big names off-screen, with The Lonely Island (aka Brooklyn Nine-Nine's Andy Samberg and his regular comedy partners Akiva Schaffer and Jorma Taccone) its executive producers. Check out the trailer for I Think You Should Leave with Tim Robinson season three below: I Think You Should Leave with Tim Robinson's third season will be available to stream via Netflix from Tuesday, May 30. Images: Terence Patrick, Netflix.
Zach Braff is doing it, Amanda Palmer turned it into an art form, and now crowdfunding has landed on the Sydney hospitality scene with Stanley Street's IconPark. It's a simple enough genesis story: Spreets co-founder and former CEO Dean McEvoy bought a property, asked Paul Schell (formerly of Ruby Rabbit) to open a business, and got a potentially revolutionary concept instead. Happy accidents, hey? "People get great ideas in hospitality, but they don't have access to the capital, infrastructure and knowledge to make it a reality," explains McEvoy. "And we saw that dynamic from other industries where crowdfunding was working and by early indicators we are on the right track." And, with noise already coming from New York, California and London to launch the platform overseas, it sounds like he is underplaying his hand. "Our aim is to actually go big on this one ... it's going to be a global brand." Come Tuesday, March 25, the winner of the inaugural three-month residency will be announced, and a new tri-level hospitality concept will be born at 78 Stanley Street — albeit for a brief tenure before season two. One hundred and seventeen hands answered IconPark's premier cattle call. McEvoy, Schell and their team then shrunk that number to 24 before they teamed up with mentors Darren Robertson (Three Blue Ducks), Sudeep Gohil (Droga 5), Chris Morrison (Head Sommelier at the Guillaume group), Joel Meares (Time Out) and Claire Bradley (Inside Out Magazine) to pick the final six. The ball is now in our court. "The consumer decides and lets the IconPark platform know what is the product they want to experience," says Schell. "The main reasons why hospitality businesses fail is that they are not really hitting on something the market wants — you can go and spend millions on a lease and fitout and then open the doors and find out no one really wants what you've got," elaborates McEvoy. "So this mechanism lets the customer have early input into what will and won't work." Given the explosion of the small bar scene — and how Sydney's ever-growing appetite for new culinary destinations seems only surpassed by its appetite for opening them — it is astounding to think this platform has not surfaced earlier. Okay, let's meet your season one finalists (in order of most pledgers at the time of writing) and find out what a $50 pledge will get you: https://youtube.com/watch?v=htsQ34VJKlU Stanley St. Merchants An all-hours sustainable funhouse from the mind of West Wind Gin's Jeremy Spencer with rock 'n' roll chef Matt Stone, and coffee shop of the year St Ali (from Victoria). These boys will feed and caffeinate you; settle in for amaro and dominos or head upstairs to cocktail guru Bobby Carey (formerly of Shady Pines) for a mess hall-themed tipple. $50 pledge: $50 voucher redeemable throughout the building. Ruby's BBQ Husband-and-wife team and Bondi-ites Ruby and Eli Challenger promise a man-cave to bring the fabled flavours of US BBQ to Stanley Street; smoked meats, trivial pursuit, potential for a mini-golf set-up and cocktails courtesy of Fat Rupert's bar manager Sean Duncan. Condiments, competitions and meat by the gram. $50 pledge: A share platter and booze for two. Sedgwick Ave Street art. Hip Hop. Katz-style sandwiches. NYC cocktails and coffee. All that and internationally renowned chef Alejandra Saravia. Sedgwick Ave wants to bring a bit more Brooklyn to Stanley Street than it can handle. Oh, and check out the Mr Brainwash walk-through they pulled off to prove their networking skillz. $40 pledge: Sit yourself down for a cocktail class with Paul Flynn. https://youtube.com/watch?v=tVvrQaGKd2Q Min Joo Social K-Pop karaoke, cocktails, photo booths and Korean BBQ are looking for a home on Stanley Street under the guidance of Jamie Woolcott, David Wright and Phil Bracey. $50 pledge: $50 to spend in the building. British India Trading Co. A celebration of cultural cross-pollination centred around British India and heaped with chef Matt Taylor's Michelin star experience to bring you an exploration of flavours that keep vegos, meatheads and booze hounds satiated equally. $55 pledge: A Royal British India platter for two. https://youtube.com/watch?v=2bkahk4_WcU Blackcats Jazz, gin and wagyu beef. Jay Gray (formerly of Lobo Plantation), Pia Andersen (vintage songstress) and chef Phil Tsompansis have partnered with Victor Churchill Meats (that gallery-like Woollahra butcher that's been tempting vegetarians since 1876) to promise coffee, late-night tunes and choice cuts within a 19th-century gin palace decor. $50 pledge: Dinner and a show. https://youtube.com/watch?v=g4IQRENio20 All six finalists will be vying for your attention at Taste of Sydney (March 13-16) to ensure their spot in the top four. Applying next time? Ruby's BBQ got over the line by tempting the panelists back for seconds during the tasting session and Sedgwick Ave set the bar for branding. McEvoy recalls, "We walked down to work one morning down here and the whole front of our building had been tagged with the words Sedgwick Ave; it was a really nice piece … and they only revealed who they were on the last day of applications." Mind you, if Stanley St Merchants stays in top spot, you may not get the chance. "I intend to make the profit book strong enough that they don't want us to go," says Spencer when asked about a future past IconPark. But McEvoy has his own plans: "Our goal is to really create a hospitality icon for the future that people will look to in a couple of years and say, they really set a trend for the city."
After an intolerably long break from international travel, the end is finally nigh. Yes, my friends — borders are reopening and the holiday planning can officially begin, with overseas adventures no longer a pipe dream. If your ideal getaway is one spent unwinding on white sandy beaches, lounging by infinity pools, indulging in water-based activities and soaking up the spicy temperatures of a tropical climate, then Fiji should be top of your holiday hit-list. Its borders are set to reopen to Aussie tourists from this Thursday, November 11 and we can already taste the coconut cocktails. So, we've rounded up some next-level Fiji escapes you can book right now for a tropical sojourn; from group-friendly hilltop villas to beachside stays for two. You've waited too long for a holiday to settle for anything less than luxurious — hunt down that passport and lock in one of these dreamy Fijian stays. MARAVU PARADISE, SAVUSAVU This secluded beauty boasts endless water views, 2.5 acres of lush gardens and a stunning infinity pool to take all the views in. How much? From $457 a night, sleeps six. TOKORIKI ISLAND RESORT, TOKORIKI ISLAND Bliss out at this highly awarded adults-only oasis, where the rooms feature absolute beachfront settings, private infinity pools and leafy tropical surrounds. How much? From $835 a night, sleeps two. Larger room options also available. SAVASI ISLAND RESORT, SAVUSAVU Set amongst jungle-like gardens and endless beaches, this private island resort feels like a true holiday escape. Sparkling pools, modern villas and relaxation aplenty await. How much? From $583 a night, sleeps two. Larger room options also available. DENARAU ISLAND HOME, DENARAU ISLAND A luxe, two-bedroom resort pad nestled amongst acres of tropical gardens, with lagoon-style pools and a private beach on its doorstep. How much? From $1331 a night, sleeps six. YOUR PRIVATE FLOATING HOTEL, DENARAU ISLAND The ultimate floating escape, all to yourself — this spacious catamaran boasts a suite of luxury mod-cons and fancy finishes for a true taste of the holiday high life. How much? From $472 a night, sleeps eight. [caption id="attachment_831413" align="alignnone" width="1920"] Amber Toms[/caption] SIX SENSES RESORT, MALOLO ISLAND This resort's 24 designer villas are surrounded by crisp white beaches, sparkling ocean and all the holidaying facilities you could want. Plus, each opens onto its own private pool. How much? From $1525 a night, sleeps four. Alternate room options also available. DENARAU GARDEN VIEW VILLA, DENARAU ISLAND Located within a lush five-star resort just metres from the sand, this stylish garden villa is the contemporary island paradise you've been craving. How much? From $1163 a night, sleeps four. KOKO SAVUSAVU HONEYMOON VILLA, SAVUSAVU Soak up sweeping views from the infinity pool and deck at this high-set honeymoon villa, surrounded by nature and primed for romantic getaways. How much? From $410 a night, sleeps three. THREE PALMS VILLA, SIGATOKA A roomy, group-friendly getaway with breezy indoor-outdoor living and panoramic ocean views. Split your days between poolside lounging and frolicking on the adjacent beach. How much? From $675 a night, sleeps six. THE WARWICK FIJI, SIGATOKA A luxurious suite at this five-star property involves ocean views from the balcony, pampering at the spa and some knockout dining experiences — all in one stunning spot. How much? From $372 a night, sleeps two. Alternate room options also available. VALE I YATA, MALOLO ISLAND This spacious, group-friendly retreat is nestled right on the water, surrounded by palms and with views for days. Expect high-end finishes and a blissful poolside terrace. How much? From $601 a night, sleeps eight. NAVUTU STARS RESORT, MATAYALEVU An intimate, eco-friendly resort where you'll wake to the sound of lapping waves, surrounded by nature. In your own beautifully kitted out beachside bure, no less. How much? From $409 a night, sleeps two. Alternate room options also available. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Top Image: Tokoriki Island Resort
A new restaurant inspired by French cuisine and specialising in seafood has opened in the shadow of the Sydney Harbour Bridge from a mainstay of Sydney's hospitality scene. Whalebridge is the latest venue from The Sydney Collective, the team behind the Watsons Bay Hotel, The Farm in Byron Bay and The Imperial. It boasts a prestigious head chef, ultra-luxurious menu and unbeatable harbour views. Now open in the former Circular Quay digs of longstanding seafood restaurant Sydney Cove Oyster Bar, the harbourfront venue is headed up by Executive Chef Will Elliot who has previously worked across London's St John, Melbourne's Cumulus Inc. and fellow Sydney CBD French bistro, the beloved Restaurant Hubert. "What's exciting about Whalebridge is the opportunity to prepare and plate a menu which is entirely new to Sydney," says Elliot. "These are produce-driven dishes rooted in traditional French technique and the articulation of those flavours." On the menu, you'll find house specialities that celebrate French cooking and fresh local seafood including bouillabaisse de Marseille and lobster thermidor. An array of charcuterie and an expansive selection of caviar will be on offer to start you off, as will mains like stuffed zucchini, duck confit and steak or mussel frittes. Accompanying the dishes will be a 150-strong wine list pulling from renowned regions in both France and Australia. "I love good produce treated simply, that's why I love French cooking. It has very humble origins, but it's been refined over so many years to bring out the best in something, without masking what made it good in the first place," Elliot continues. Most striking at Whalebridge is the view, with an uninterrupted view of the Sydney Harbour Bridge from the outdoor seating that's calling out to be enjoyed with a glass of French wine and a spread of oysters, scallops and kingfish. Whalebridge is open midday–3pm and 5–9pm Monday–Thursday, and midday–9.30pm Friday–Sunday.
Sometimes, the best gifts are the ones that are practical, keep you busy or get you feeling crafty. We're talking gardening, tools, all things arts and crafts and the latest gadgets. Finding things to keep you occupied and using your hands is super important, especially over the holiday season, when most people have more time on their hands than they know what to do with. Luckily, Amazon has heaps of cool stuff to support your DIY era over the summer break. Here are some of our top choices. 1. Self Watering Pots Gardening can be harder than you think, so starting off with these SpringUp Self-Watering Pots is a good way to beat the summer heat. These pots come with a detachable saucer and a water storage system that automatically keeps your plants hydrated. Plus, drainage holes prevent plants from being overwatered. Made from sleek white, durable, recyclable plastic, they can be used indoors or outdoors — the perfect gardening gift for your green-thumbed friends and family. [caption id="attachment_840175" align="alignnone" width="1920"] Markus Spiske (Unsplash)[/caption] 2. Sewing Starter Pack If you can't afford expensive new clothes as a gift, sewing clothes yourself is a great backup. Gifting the Sew It Yourself with DIY Daisy kit will not only give your friends some cool new threads (eventually), but it'll also provide them with endless hours of fun DIY-ing. This colourful, size-inclusive book is perfect for sewers of all stages and abilities, from beginner to master, with guides on everything you need to get started, including equipment, materials, basic techniques and step-by-step projects. 3. Beer Cooler There is nothing worse than warm beer, and if you've noticed your dad's still using the scruffy stubby he has had since the 80s, maybe it's time for an upgrade. Enter the Huski Beer Cooler. Made from marine grade 316 stainless steel and triple insulated, this little thing means business. Our favourite thing about this beer cooler, however, is that it adjusts to fit differently sized cans or bottles – so no matter what you're drinking, it will fit. 4. Gardening Gloves These PHIRAH Gardening Gloves are everything we've ever dreamed of. Cute, practical and comfortable, we'd wager anyone with these will be inspired to spend much more time out in the garden. Offering full protection from dirt and bugs (no dirty fingernails with these gloves,) they're made from breathable and sweat-absorbent canvas material, which means they actually feel good to wear. Our favourite thing about them has to be the ergonomically designed thumbs, which make it easy to grip those pesky garden tools. Say no more. 5. Storage Rack Organizer Don't quote us, but organising the home and pantry has to be one of the most common things to do over the Christmas and New Year's break. After a year of putting it off and with no more excuses, the time always comes. Here, to make it all a bit easier is the HuggieGems 4 Pack Magnetic Spice Storage Rack Organizer. For the fridge, it's got a strong magnet attachment that allows you to store extra items on the outside, which is especially useful for those who live in small spaces. It is also super easy to adjust when needed. 6. Candle Making Kit Why buy candles when you can make them yourself? This candle-making kit has everything you need. Follow the step-by-step instructions to make your very own soy candle using natural soy wax, pure spices and easy-to-use tools. Not only do you get to make a candle, but you can also have fun doing it. It also comes in a cute gift box, so you don't even have to wrap it. 7. Origami Kit A cute gift for kids or origami beginners, the Complete Origami Kit is bound to provide hours of fun. The kit includes clear and easy-to-follow instructions for creating 30 projects, including step-by-step diagrams, as well as 96 sheets of origami folding paper and two sheets of gold metallic paper. [caption id="attachment_978071" align="aligncenter" width="1920"] Kicia Papuga via iStock[/caption] 8. Jewellery Pliers Apparently, making jewellery isn't actually that hard, you just need the right pliers for the job. Enter the Shynek Jewellery Pliers. Coming in a set of three including needle-nose pliers, round-nose pliers and wire cutters, the kit is not only great for jewellery making but is also handy for jewellery repair, wire wrapping and other DIY crafts. 9. Gardening Tools Another idea for the green thumbs, this Grenebo Gardening Tools set has it all. Made from stainless steel, the set includes eight tools, including pruning shears, a weedier, a transplanter, a cultivator and more, all in a cute little bag so you can carry your tools wherever you go. The bag also doubles as storage, so it's a win-win. 10. Cross Stitching Kit Embroidery is well and truly trendy again. So the AUTOWT Beginner Cross Stitching Kit may be the ideal gift for anyone looking for a new hobby. The kit includes all the gear you need, as well as needle art illustrations for instructions. Once finished, the embroidery can be hung on the wall for decoration, or can also be embroidered on pillowcases, towels and backpacks. Images: Supplied by Amazon. Disclaimer: This article contains affiliate links, Concrete Playground may earn a commission when you make a purchase through links on our site.
Much-hyped multi-space venue Shell House has opened its doors with the first of its four bars and eateries, Menzies Bar. Named after the former occupancy of the building, the Menzies Hotel, the luxe bar and eatery serves a bistro-style menu curated by The Point Group executive chef Joel Bickford and his team. The ground-level space that houses The Menzies Bar has been restored and renovated with the help of interior stylist Anna Hewett and Woods Bagot Architects. The bar and restaurant have been given a stunning makeover with warm bronze and gold marble complimenting a leather fit-out featuring a blackened steel bar, overhead bar hamper storing more than 1000 bottles of spirits and a marble fireplace. The Menzies Bar is open Monday–Saturday from midday until 2am with offerings ideal for lunch, dinner or a snack while you enjoy a drink. Small plates include spanner crab benedict on potato crumpets ($18), smoked eggplant and parmesan polpette ($12), chicken liver eclairs ($16) and yellowfish tuna with capers and a boiled egg ($22). When it comes to larger dishes, you'll find the likes of vongole and fermented chilli linguini ($26) and spiced fried kingfish collar alongside bistro classics like a wagyu beef burger ($26) and 400-gram boneless rib eye served with lemon and olive oil ($60). A vibrant selection of cocktails (all $22) are also on hand. The In-Cider Trading features scotch, coffee, fig, cider caramel and smoked honey; while The Dolphin's Sicilian Margarita has made its way to the new venue, combining tequila with limoncello, Sichuan, and fresh lemon. And, if you're looking for an after-work drink, the bar will host Martini Hour Monday–Saturday between 4–6pm where the classic cocktail stirred through shards of countertop ice will be served alongside fresh lobster rolls for $10 apiece.
Whenever Vivid takes over Sydney to kick off winter, the city instantly gets brighter. Unleashing a huge festival of lights and vibrant installations (and music and talks as well) will do that, of course. And, come Friday, May 27–Sunday, June 18 this year, the popular event might just beam a little stronger than usual — returning for the first time since 2019, after cancelling its 2020 and 2021 events due to the pandemic. Vivid's just-dropped full 2022 lineup certainly boasts plenty of highlights — and more than 200 events in total. Sticking with all that eye-catching light to begin with, there'll be more than 50 luminous installations dazzling the city, including two particularly spectacular attractions by the water. The first, Sydney Infinity by Oracle Liquid, is a water sculpture in Darling Harbour that'll feature 12 80-metre-high water shoots, plus a Sydney-inspired soundtrack by DJ Pee Wee Ferris. And the second, at Walsh Bay, will see a 100-metre floating Light Walk pop up for folks to mosey along, including more than 200 giant, bubble-esque spheres that'll hover eight metres in the air. [caption id="attachment_846473" align="alignnone" width="1920"] Mandylights, Our Connected City[/caption] There's also Endless Love from Michaela Gleave, which'll arch that phrase over Circular Quay; Leila Jeffreys' piece in the same spot, Temple, which is all about Sydney's bird life; and Yarrkalpa — Hunting Ground, which'll light up the Sydney Opera House's sails with First Nations art by the Martu Artists, as aided by creative technologists Curiious (and with a soundtrack by Electric Fields and Martu Artists). Also, Vivid will host First Light, a Welcome to Country celebrating the Gadigal people and Country on Friday, May 27. And, Our Connected City by Mandylights will literally shine new light on the city's landmarks, setting up 200-plus searchlights beaming over Sydney Harbour, CBD buildings and the Cahill Expressway. Plenty of Vivid's other light works were revealed back in February — such as the overall Light Walk, a certain-favourite that'll host works from 62 light collaborators and 114 light artists from five countries, and mark Vivid's longest-ever continuous Light Walk; and Ken Done's For Sydney With Love which'll be projected onto the facade of Customs House. There's also Convergence in the disused Goods Line railway tunnel at Central Station, aka Vivid's largest-scale laser exhibition ever, as well as Ramesh Mario Nithiyendran's Earth Deities. [caption id="attachment_846469" align="alignnone" width="1920"] Mike Eggert and Dan Hong, Destination NSW[/caption] In something completely new for 2022, Vivid will throw its first-ever Vivid Sydney Dinner, which'll celebrate the city in a whole heap of ways. Taking place at Merivale's Ivy Ballroom and hosted by Justine Clarke, it'll combine music, talks, food and wine — and lights, because it's Vivid — with a lineup that spans Ken Done, Julia Baird, the Vivid Sydney Brass Band, James Morrison, Ngaiire, Virginia Gay and Kate Monroe, plus food by chefs Dan Hong and Mike Eggert. On the talks part of the program, American filmmaker Aaron Sorkin is headed to Sydney to discuss the intersection of politics and drama, as seen so often in his work — so expect everything from The West Wing and The Newsroom to The Trial of the Chicago 7 and Being the Ricardos to get a mention. Also among the big names getting chatty: musician, artist and actor Troye Sivan, who'll talk with Patrick Abboud; and US journalist Gretchen Carlson, whose story was told in the film Bombshell. Get ready to enjoy this section of the lineup up late, too — thanks to the aptly named Vivid Ideas Up Late. It'll pop up at the Museum of Contemporary Art, the Australian Museum, the Powerhouse Museum and the National Maritime Museum, hosting free nights filled with talks, performances, fashion, music and food. And, the overall Vivid Ideas bill will also feature James Valentine and HG Nelson's the Even Greater Sydney Committee at Parliament House, as well as tales about Sydney from folks such as Jonathan Biggins, Kate McClymont, Leah Purcell and Stephen Page. Over at The Great Hall at The University of Technology Sydney, more than 60 events will also join the program, including seminars and film screenings. [caption id="attachment_811633" align="alignnone" width="1920"] Sampa the Great, Lucian Coman[/caption] Music-wise, Vivid is no slouch, either. It never is. Vivid Live at Sydney Opera House will feature Paul Kelly, Thelma Plum and Ash Naylor during a gig dubbed Time And Tide: Four Decades of Song; Sampa The Great's new show An Afro Future; and Berlin-based piano star Nils Frahm performing Music for Sydney, for starters. Also on the lineup: Tkay Maidza in the Joan Sutherland Theatre, Spiritualized at Luna Park's Big Top, three nights of live music and short films in Darling Harbour, free DJs every night at The Goods Line, and 150-plus music events in total. Included in the latter figure is Carriageworks' program of tunes, featuring Perfume Genius, CHAI, TOMM¥ €A$H, Cate Le Bon, Divide & Dissolve and more. In some cases, the venues will be as big of a drawcard as the performers, with gigs set for Central Station's Grand Central Concourse, Tumbalong Park, Phoenix Central Park, The Calyx – Royal Botanic Garden Sydney, The Bearded Tit, Cell Block Theatre and National Art School as well. Yes, you'd best clear your calendar for the end of May and first few weeks of June — Vivid is about to keep you mighty busy. Vivid Sydney 2022 will run from Friday, May 27–Sunday, June 18. For further information and tickets, head to the event's website. Top images: Convergence, Mandylands / Earth Deities, Ramesh Mario Nithiyendran, Jessica Maurer, Kane-Sullivan.
Arguably the worst part of travel is the bit where you actually have to travel. Sitting in an over-cramped, over-air-conditioned metal tube for 20+ hours almost makes post-pasta swims in the Mediterranean seem too much trouble than it's worth (almost). But until we're at The Fifth Element stage where we can just hop in a capsule and get knocked out cold for the duration of the journey, we'll just have to be content with airlines' attempts at cutting down flight times and transfers. So it was welcome news for Aussie travellers when, in December last year, Qantas announced it would introduce a direct flight from Australia to Europe. And now the non-stop flights have officially gone on sale, with the first one set to take to the air on March 24, 2018. The new route will take passengers from Perth to London daily in approximately 17 hours, thanks to their new Dreamliner 787-9 aircraft, which is set to start flying in October. It will be the first and only direct flight from Australia to Europe. It will also be considerably quicker than their current route, which, with their partnership with Emirates, includes a stopover in Dubai. Melburnians will be able to fly to London via Perth, with Qantas also swapping out its daily Melbourne-Dubai-London flight for a daily Melbourne-Perth-London service. Travellers from other cities will have the option to go via Perth when booking too. "This is a game-changing route flown by a game-changing aircraft," Qantas CEO Alan Joyce said in a Qantas press release. "Australians have never had a direct link to Europe before, so the opportunities this opens up are huge." We first reported on this back in October 2017, when Qantas were still in negotiations with the Western Australian Government and Perth Airport to lock down the new route. It seems they managed to reach an agreement, as the new Perth-London flight will operate from Qantas' domestic terminal at Perth Airport, to make the stopover as smooth as possible for travellers coming from other states. Qantas will also build a new international transit lounge at the airport. The layout for the airline's new Dreamliner fleet will be two-thirds the size of the 747s they will eventually replace and have only 236 seats (as opposed to the 747's 364 seats). Economy will have a 3:3:3 seat situation (as opposed to the 3:4:3), as well as USB ports and an extra inch of leg room. Hurrah for leg room! The first Perth to London route will take off on in March 24, 2018, and flights are on sale now.
Lego Camera is a 3-Megapixel camera made entirely out of its namesake. It is a new go-to gadget for any shelf that’s looking a little bare and any hands that are feeling a little bored because, being Lego, you can add extra pieces to build a totally customised camera. Fortunately, it can't be pulled apart, which means you won’t find yourself scrambling on all fours looking for that missing piece. The camera, available online at Urban Outfitters, has pretty simple features: fixed focus, digital zoom, in-built flash and a 1.5 inch colour-screen with memory to store 8 shots. This may be marketed to the younger generation, but for those who never outgrew their childhood Lego fixation to operate this is certainly a fun option. [Via Desktop Mag]
The Devon Cafe crew landed in Bondi Junction with the opening of DOPA, a Japanese-focused joint starring a simple, fresh rice dish curated exclusively for the health-conscious Bondi local: the donburi. The Bondi Junction location is the seventh for the rice bowl-slinging franchise, and brings the full range of reimagined rice bowls focused on sustainable production and high quality ingredients. The signature dish is a more nutritious substitute for some of the traditional fast food joints available within the confines of Westfield Bondi Junction. Opt for the donburi and you'll be met with 20 variations featuring teriyaki chicken, pork katsu and wagyu beef tongue. And, because this is Bondi we're talking, a vegan-friendly Bondi-exclusive dish was added to the menu upon opening. The 'Bondi don' stars a plant-based patty on a bed of rice, topped with vegan cheese, mustard, tomato sauce and shredded nori. For a sweet treat, take your pick from the dessert selection. The soft and chewy mochi daifuku ranges from matcha to fruity flavours like strawberry; cool off with a light strawberry parfait, or opt for a slice of DOPA's original or matcha cheesecake. Plus, there is also an extensive selection of fruity in-house brewed teas to sip on in order to cool down on a sweltering summer day.
Sometimes, we're all looking onwards, upwards and forwards because we're thinking about the future. In a 16-month period that's seen normality as everyone knows it change and evolve rapidly, that's hardly surprising. But don't forget to look up literally, too — especially when must-see sights keep gracing the night sky. When it comes to vibrant astronomical visions, the past few weeks have well and truly delivered. First, the Lyrids meteor shower lit up the night. Then, the 'pink' supermoon did its lunar thing. Every autumn, the Eta Aquarids meteor shower also sets the sky ablaze, and it's that time now. This year, the shower will be at its most spectacular early on Friday, May 7 — very early, in fact. If you're eager to catch a glimpse, even from just your backyard or balcony, here's how. WHAT IS IT The Eta Aquarids might not be as famous as Halley's Comet, but the shower is actually a distant relation — because the bits and pieces you see flying around were on Halley's path a really, really long time ago. And, rather than only being visible every 76 years (the next Halley's Comet sighting is in 2061), the Eta Aquarids come around every year, usually between April 19–May 28 every year. The shower's name comes from the star from which they appear to come Eta Aquarii, which is part of the Aquarius constellation. So, that's what you'll be looking for in the sky. Luckily, being in the southern hemisphere, we get some of the best views in the world. On average, you can see up to 20–40 meteors per hour. [caption id="attachment_769233" align="alignnone" width="1920"] Via Wikimedia Commons[/caption] WHEN TO SEE IT The shower will reach a peak in the early morning of Friday, May 7, but will still be able to be seen for a few days on either side. The best time to catch an eyeful is just before dawn after the moon has set, so around 4am. This year, at that time, you'll be in the running to see as many as 50 meteors every 60 minutes. Each will be moving at about 225,000 kilometres per hour, shining extraordinarily brightly and leaving a long wake. The shower's cause is, essentially, the Earth getting in the comet's way, causing stardust to fry up in the atmosphere. HOW TO SEE IT Usually, when a meteor shower lights up the sky, we'd tell city-dwellers to get as far away from light pollution as possible to get the best view. If you can't venture out of town at the moment, you can still take a gander from your backyard or balcony. To help locate the shower, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Eta Aquarids. It has been updating this daily. The weather might get in the way of your viewing, though. Sydney is set for showers until Friday — fingers crossed that the wet weather takes a break during the early hours. It's also forecast to be partly cloudy in Melbourne until the weekend, mostly sunny in Brisbane, showery and cloudy in Perth, and partly cloudy in Adelaide. This year, the meteor shower will also have to compete with the moon, which is expected to reduce visibility — so catching a glimpse pre-dawn after the moon sets is your best bet.
Red Eye Records is indisputably a landmark destination for any music fan. This legendary music store oepend in 1981 and is now Sydney's largest independent music retailer. The York Street location is a haven for lovers of vinyl. You'll be able to find new tunes as well as older ones here, on a variety of modern and outmoded mediums. Red Eye revels in being able to track down rare records and other items for its customers, and the staff are music experts and are stoked to share their knowledge with you. Regardless of what you're after, you'll be sure to find a world of musical and memorabilia gold. Images: Arvin Prem Kumar
At times it seems baffling that in a city of 4.6 million people we’re struggling to keep our live music industry afloat. With the recent demise of the Annandale Hotel, there’s a gaping hole in Parramatta Road, once an inner west institution and home to Australia’s foremost musicians. Capped off with the new lockout laws, there’s now some gloom hanging over Sydney’s nightlife. However, beyond the parameters of the CBD entertainment precinct, fresh meat is stewing in the inner west. The Roller Den is a spanking new venue that will occupy the basement of the Imperial Hotel in Erskineville. With an emphasis on hosting local and international acts of a variety of genres, this promising space is already creating some serious buzz with its stellar launch line-up. A beacon of LGBTQI solidarity, the Imperial Hotel is an iconic local establishment, immortalised by The Adventures of Priscilla: Queen of the Desert as the Erko drag hang-out, a nightspot brimming with queens and cabaret. “We’re not trying to take away from the existing identity, we’re just trying to expand it and bring other demographics in,” says the venue's booking agent Laurie Mahon from Kingdom Sounds. This initiative to broaden the existing character will encompass a potential rooftop and a slew of art events alongside the live music agenda. "The Imperial Hotel have committed to a live music project throughout the entire venue,” says Mahon. And with the next few weeks oozing with home-grown musical talent, such as Stonefield and King Gizzard and the Lizard Wizard, there’s been a gratifying show of support. As well as national favourites, Kingdom Sounds have hauled in a spread of international acts with cult followings as well as crafting niche mini-festivals, such as the Japan Music Festival and Fiend Fest 2014. There will also be a series of indie club nights hosted by Common People, as well as a monthly hip hop night kicking off in a few short weeks. Coupled with the live music expertise of Kingdom Sounds, these types of events are testament to Newtown’s thrivingly eclectic music scene. Tucked just behind King Street, the Roller Den is anticipated to be the keystone of a colourful new nightlife hub. It's part of an effort to revive the community-driven scene that birthed The Whitlams and AC/DC. The fast-selling launch party will be headlined by boisterous blues-rockers and proud inner westies The Snowdroppers. There's also a swag of Sydney outfits, such as Born Lion and The Dead Love, giving the event a strong local thrust. There's also a sister space named The Corner Store that is creeping steadily into focus. This neighbouring room will offer a more intimate experience and nurture local bands, who will then graduate to the Roller Den as their popularity increases. All in all, there's plenty of potential crammed into to this rejuvenated Erko haunt. From gothic/darkwave pioneers through to Tokyo's vibrant underground music scene, it's certainly an early display of diversity. "We definitely won’t be pigeonholed into a hipster club or a metal club," says director of Kingdom Sounds Steve Sewell. "We listen to everything, we’re not closed minded about music." With some "very solid, international names" that are yet to be announced, this bold venue is set to make a lot of noise in the coming months.
Winter might currently be in full swing in Australia, but here's a trusty reminder that there's plenty of summer fun to look forward to: the ticket ballot for 2025's Meredith Music Festival is officially open. If spending three days and two nights watching one stage at the Meredith Supernatural Amphitheatre is your favourite way to kick off the warmest season of the year, then you'll want to go in the running to attend the regional Victorian fest ASAP. 2025 marks the beloved event's 33rd year, and its' promising "a midland melodrama in three parts". This three-decade-plus tradition will take over its namesake locale across Friday, December 5–Sunday, December 7, 2025. In the festival's own words, patrons can look forward to the "same shape, same size, and all on the one stage" once more. The other crucial date for your diary right now is Monday, August 11, 2025 — and 10.33pm AEST specifically that day. As at Wednesday, July 16, 2025, that's when the three-day BYO camping festival's ticket ballot is open until for this year. So, book that long weekend, enter for tickets, then cross your fingers that you'll be spending a trio of days at The Sup. There's no lineup as yet, as Meredith has long stopped being the kind of festival where attendance is dictated by whoever is taking to the stage. In both 2023 and 2024, the roster of acts dropped in mid-August. This year, Meredith has confirmed that 2025 lineup will be revealed with the ballot draws. 2023 saw Kraftwerk, Caroline Polachek, Alvvays, Alex G, Eris Drew & Octo Octa, Flowdan, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Sneaky Sound System, No Fixed Address, Souls of Mischief and plenty more on the bill. For 2024, Jamie xx, Waxahatchee, Genesis Owusu, Mk.gee, ZAPP, Angie McMahon, The Dare and Glass Beams were just some of the fest's names. Meredith Music Festival will return to Meredith from Friday, December 5–Sunday, December 7, 2025. To put your name in the ballot to get your hands on tickets, head to the festival's website before 10.33pm AEST on Monday, August 11. Images: Chip Mooney, Ben Fletcher, Chelsea King and Steve Benn.
