First he brought the entirety of his Berkshire restaurant The Fat Duck to Melbourne for a residency, in which seats went for $525 each (plus wine). Then it was Dinner by Heston, which, while not as exorbitant, still costs a pretty penny (a starter of savoury porridge goes for $36). But now, in UK celeb chef Heston Blumenthal's latest Melbourne project, he'll be opening a series of one-night-only pop-up restaurants for a considerably affordable price — that is, $0. Yes, free. As in, no money will be changing hands, and no credit card details are required. The Hidden Heston pop-ups are part of MasterChef machine's Heston Week — and while they will no doubt involve nervous contestants fumbling over intricate and ridiculous dishes, they'll nonetheless be extremely exclusive events. So be prepared to earn yourself a place at the table. There will be four pop-ups in total, each running for one service only in a "top-secret" location in Melbourne that will only be announced before the doors open. Punters will have to keep an eye on MasterChef's Facebook, Instagram and Twitter accounts for clues, and enter online to receive an invitation. According to MasterChef, each restaurant will offer a "completely different dining experience", and the lucky winners will get "an experience they will remember forever". So, fingers at the ready — this is your chance to get a slice of the meat fruit pie without forking out a whole month's rent. The Hidden Heston pop-ups will be coming to Melbourne in March. For more info, keep checking the MasterChef Facebook page.
Sure, Bali's known for its beautiful resorts and lively beach clubs, but venture a little deeper and away from the classic Aussie tourist traps, and you'll find plenty of once-in-a-lifetime experiences that will make your trip one of a kind. How does river tubing through rainforest canyons sound? Maybe you'd rather make your own silver jewellery? Or get up early to watch the sunrise from the top of a volcano? We've rounded up eight unique, local-led adventures that let you see a different side of Bali (and beyond). And the best part? When you book an experience with your Visa card through our dedicated travel platform, Concrete Playground Trips, you'll score 10% off. So, start exploring – these are the kind of days you'll still be talking about on the flight home.
Food is usually the gift you give when you can't think of anything else. Come on, you know it's true. That said, anyone getting their dad Gelato Messina's latest special Father's Day creation can't be accused of that. Actually, anyone who buys it for their dad instead of just nabbing it for themselves deserves to be the family favourite. As it did last year — and for the past few years for Mother's Day, too — chocolates are on the brand's Father's Day menu in 2022. Chocolate biscuits, to be exact. Are mint slice biscuits a staple of your parents' pantry? Do they make you feel nostalgic for that exact reason? Well, now you can get your daad the Messina version. The gelato chain does love taking other beloved desserts and giving them its own spin; see also: honey joys, Bounty and Chokito bars, Iced VoVos, Viennetta and Golden Gaytimes, just to name a few. Messina's minty biscuits, as these bikkies are called, come in 12 packs, and feature chocolate sablé biscuits with a soft mint centre that are then covered in 65-percent single-origin Messina dark chocolate. They're being made at the brand's Rosebery headquarters, and you can only pick them up online, for $25 a box plus shipping, from 9am, Monday, August 22. Then, they'll be sent by Monday, August 29. If you really are ordering them for your dad and yours come early, try not to eat them, obviously. Gelato Messina's minty biscuits will be available to order from 9am, Monday, August 22.
Every Brisbanite has spent a Sunday afternoon at Gerard's Bar at least once, sitting in the James Street spot's outdoor area and knocking back a few wines, beers or cocktails. So, no one really needs a new reason to repeat the feat; however, a Sunday shawarma party is as good an excuse as any. Kicking off at 2pm on Sunday, June 6, the event will feature a different type of shawarma each week — as paired with sumac spiced chips with tahini mayo. That combo will set you back $20. If you'd like to choose something from the limited meze lineup, and from the drinks menu as well, that'll cost you extra. Wondering what kinds of shawarma you might be tucking into? It's a sizeable list. Gerard's is planning to work through everything from brisket with muhammara pickled chilli and Hawaii chicken with toum and red onion to harissa pork neck with cabbage and labne to machoui lamb neck with cucumber and tabouli — and they're just some of the combos your tastebuds can look forward to.
Think you've seen it all when it comes to wedding fairs? Think again — this one's a little less about the dress and a little more suited for, well, suits. Groom Fest will unite around 40 wedding vendors from all over Australia to concentrate on those who need a snappy three-piece suit and a pocket square to top it all off — the grooms of the world. There'll be much to see in the way of men's fashion, not to mention suiting, styling and grooming advice, with a barber setting up shop to do live hairstyling demonstrations. Model and rugby player Luke Casey will play MC for the day, while you wander through the stalls and get that special day sorted. To help you sail even closer to being your smoothest self, live panel sessions will cover everything from delivering a killer wedding speech to nailing that daunting first dance. There'll be plenty of food and drinks on offer, including gin tastings from Sydney-based distillery Archie Rose and live music performances from The White Tree Band (to help settle that band-versus-DJ argument once and for all). The event is open to all (not just grooms), so round up the troops for a two-hour wedding planning power session. All attendees will score a free goodie bag filled with items from Hunter Lab, a free Hello May magazine and the official Pocket Groom's Guide, written and produced exclusively for the event. Groom Fest will take place from 7.30–9.30pm on Sunday, March 31 at The Brooklyn Standard. Entry is free but RSVPs are essential — and you can add a donation to Movember at check-out if you wish. To reserve your ticket, head this way. Images: The White Tree.
Pouring a drink and overcome with a big dose of city pride? Australian Distilling Co certainly hopes so. The Aussie outfit's whole remit is making gins that pay tribute to local places — with its master distiller teaming up with distilleries in each region to craft drops that reflect everywhere from Brisbane and Perth to Bondi and Adelaide. In the case of the aptly named Brisbane Gin, that means you'll be tasting lime and ginger. When it comes to Perth Gin, lemon myrtle features heavily. Handcrafted in small batches, each product is designed to celebrate its namesake. Australian Distilling Co's range has also proven quite the award-winner, too, picking up 56 gongs in the past 18 months. Including Melbourne Gin, Sydney Gin and Darwin Gin, too, Australian Distilling Co's are available via its online shop.
Year after year, St. Jerome's Laneway Festival delivers a brilliant lineup of bands that has given it the reputation of a true music nerd's festival. A complementary mix of international and local acts have been chosen for 2012; long-time lovers of this festival are sure to find a couple of bands that they've always wanted to see. Laneway's focus on up-and-coming acts means that there's a high likelihood you'll hear a band you've never heard of who will soon be a regular guest on your iPod. This summer, you can look forward to seeing New York trio Chairlift, who produce very catchy indie songs and are soon releasing their third album; Girls, a charismatic rock-pop band whose songs are laced with innocent heartbreak and joie de vivre; quirky songstress Laura Marling; synth-rock hero M83; the genre-hopping wonder that is Feist, as well as The Pains of Being Pure at Heart, The Horrors, Twin Shadow, The Panics, Yuck, Pajama Club, Active Child and many more. Laneway are also showcasing Triple J's Unearthed winners, so you may hear the Next Big Thing before they're saturating the radio. The exuberant, party atmosphere and a crowd who's more into the music that what they're wearing makes Laneway a summer staple, so make sure you nab a ticket as soon as you can (tickets go on sale October 19). Brisbane – Saturday, January 28 at Alexandria Street, Fortitude Valley Auckland – Monday, January 30 at Silo Park, Beaumont Street Melbourne – Saturday, February 4 at Footscray Community Arts Centre Sydney – Sunday, February 5 at Sydney College Of The Arts Adelaide – Friday, February 10 at Fowler's Live Perth – Saturday, February 11 at Perth Cultural Centre Singapore – Sunday, February 12 at Fort Canning (lineup announced on October 21) The full lineup is as follows: Active Child Anna Calvi Austra Bullion Chairlift (Brisbane, Sydney, Melbourne only) Cults The Drums DZ Deathrays EMA Feist (except Adelaide^) Geoffry O'Connor Girls Givers (Sydney, Melbourne only) Glasser The Horrors Husky (Brisbane, Sydney, Melbourne only) John Talabot Jonti Laura Marling M83 Oneman The Pains of Being Pure at Heart Pajama Club The Panics Portugal The Man SBTRKT (live) Toro Y Moi Total Control Twin Shadow Washed Out Wu Lyf Yuck https://youtube.com/watch?v=r-hMISLG8nY
Melbourne is about to boast not one but two international airports, with Avalon welcoming Air Asia flights from the end of 2018. In good news for travellers, a new curfew-free terminal will be built — and is expected to service 220,000 international passengers each year. Minister for Industry and Employment Ben Carroll and Minister for Tourism John Eren announced that twice-daily flights will begin between Avalon and Kuala Lumpur, in the latest expansion of Avalon's capabilities. The Victorian Government has invested $1.5 million in infrastructure works at the airport, including ensuring that Jetstar will continue to operate at the site 55 kilometres outside of the city. The move, which comes after the Federal Government amended Avalon's lease to allow a new terminal back in 2015, is expected to open up Geelong and the Great Ocean Road to a greater number of international tourists. "We're so proud to have secured the first ever international service for Avalon — attracting thousands more visitors and bringing more business to our region," said Eren.
Five years ago, a new addition to St Lucia asked Brisbanites a crucial question: why did the fried chicken fan cross Hawken Drive? The answer: to eat all the greasy chook they could handle at poultry buffet restaurant KaiKai Chicken. Since then, the eatery has helped solve another crucial query faced by hungry chook fiends, aka whether to have one finger lickin' good piece, several, or more than anyone should actually admit to. It serves up an endless array of poultry in a dozen different flavours, plus all-you-can-eat fries, rice, other sides and desserts to round out the meal. A la carte orders are also available, but who wants that when there's bottomless fried chicken at arms reach? To indulge in all of the above, likely while wearing your stretchiest outfit, you've needed to head to Brissie's inner west — but now, thanks to the chain's second venue, you can also venture south. Now open and serving customers, KaiKai has launched its second yellow-hued store in Springwood, complete with its beloved all-you-can-eat fried chicken buffet. [caption id="attachment_640449" align="alignnone" width="1620"] Atlanta Bell[/caption] That means that you currently have twice as many spots to hit up for the chain's affordable — albeit hardly healthy — $24.95 bottomless package, which includes those 12 flavours of chicken, six types of loaded fries, steamed rice, mashed potatoes and gravy, bread rolls, and cinnamon jelly doughnut sandwiches for dessert. Also on the menu at the new Kaikai spot: a $75 option that also includes a 90-minute alcohol package spanning bottled beers, mimosas and soju jugs. If it sounds too good to be true, we're here to tell you that it's a clucking reality — as it has been in St Lucia for half a decade now. That said, visits to Kaikai do have a time limit. Just like sipping that aforementioned bottomless booze, flocking customers are asked to get their chicken fix within 90 minutes due to the demand — and, let's be honest, after an hour and a half of seeing how much chook you can feast upon, you're probably be ready to fly the coop anyway. Find KaiKai Chicken at 3/25 Watland Street, Springwood — open 5.30pm–10pm Tuesday–Thursday and Sunday, and 5.30–10.30pm Friday–Saturday.
When winter 2022 rolls around, it will have been three years since Brisbanites last feasted their way through the Night Noodle Markets. Dishing up hawker-style food and plenty of edible items on sticks, the event is an always-popular addition to the city's culinary calendar — but, due to the pandemic, it hasn't been able to set up its stalls since 2019. That's changing from Wednesday, June 15–Sunday, June 26. Yes, finally — after 2021 saw the markets announce dates and a new venue, then postpone, reschedule and ultimately cancel. With border closures and other everyday restrictions now seemingly behind us, here's hoping that this year's Night Noodle Markets can focus on what they do best: serving up delicious dishes to fill hungry stomachs. As was meant to be the case last year, the event will make its debut at the Brisbane City Botanic Gardens, moving over from South Bank — so you'll be enjoying a feed in quite the leafy surroundings. That's where it'll be based for the entire 12-night 2022 run, transforming the gardens into an openair Asian street food festival. Also on the bill: live entertainment and lion dances to go with all those stalls and pop-ups serving bites to eat and beverages to sip. And, you'll be able to bring your pets along as well. The full food lineup includes the likes Hoy Pinoy, Flying Noodles, May's Malaysian Hawker, Wonderbao, Gelato Messina and Twistto. So, that means you'll be tucking into everything from noodles and dumplings to bao and desserts, spanning options from local, interstate and nationwide eateries — and also including vegan, vegetarian, gluten-free and Halal options. On the drinks list, there'll be a Gage Roads Beer Garden, an Aperol Spritz Kombi Bar and the Dan Murphy's Zero% Bar — with the latter following on from the bottle-o chain's alcohol-free Melbourne venue and only serving up non-boozy beverages — plus Heaps Normal's alcohol-free beers and Rekorderlig's boozy ciders. Also, if you're keen to spend more time eating and less lining up, Mr Yum will also be on hand to allow you to order via your phone — skipping all the queues, selecting food from different vendors and paying in one transaction. The markets will be open from 5–9pm Sunday–Wednesday, 5–10pm Thursday–Friday and 4–10pm on Saturdays, giving you ample chances to head by. That said, although entry is free, you'll need to register for a ticket via the Night Noodle Markets website. Updated June 1.
Before Monday, March 28 comes to a close Down Under, Hollywood will have anointed a new batch of winners. After months of chatter — almost two since the nominations were announced, in fact — and even longer still of speculation, the Academy Awards will shower accolades upon its 94th round of recipients. Sweeping revisionist westerns, heartwarming animated hits, sci-fi spectacles, history-making documentaries: amid the gorgeous gowns, snappy monologues and sweet speeches that'll inevitably come with 2022's Amy Schumer, Regina Hall and Wanda Sykes-hosted ceremony, they're all in the running. Yes, the list goes in. And, in a bonus for movie lovers in Australia, you can watch 36 of this year's nominated features right now. Some are showing in cinemas, others are streaming, and a few give you options for either big- or small-screen viewings — and here's your pre-Oscars binging rundown on where to see them all. ON THE BIG SCREEN: BELFAST Nominations: Best Picture, Best Director (Kenneth Branagh), Best Supporting Actor (Ciarán Hinds), Best Supporting Actress (Judi Dench), Best Original Screenplay, Best Sound Our thoughts: Warm, cosy, rosy, charming, feel-good: typically when a film spins its story during The Troubles in Northern Ireland, none of these words apply. But with Belfast, Kenneth Branagh has made a movie set in its eponymous city when the Protestant-versus-Catholic violence was a constant sight, and also helmed a Jamie Dornan, Caitríona Balfe and Judi Dench-starring feature that's about a childhood spent with that conflict as a backdrop. Where to watch: Belfast is currently screening in Australian cinemas. Read our full review. CYRANO Nominations: Best Costume Design Our thoughts: Love can spring quickly, igniting sparks instantly. Or, it can build gradually and gracefully, including over a lifetime. In the sumptuous confines of Cyrano, all of the above happens — and, with director Joe Wright helming a handsome, detail-laden, rhythmic piece of cinema starring a fantastic Peter Dinklage, Haley Bennett and Kelvin Harrison Jr, this musical adaptation of Edmond Rostand's 1897 play Cyrano de Bergerac truly sings. Where to watch: Cyrano is currently screening in Australian cinemas. Read our full review. DRIVE MY CAR Nominations: Best Picture, Best Director (Ryusuke Hamaguchi), Best International Feature, Best Adapted Screenplay Our thoughts: Forget Green Book and Driving Miss Daisy, American Oscar-applauded films similarly about drivers, passengers and unexpected camaraderie — Drive My Car is in a lane of its own. Filmmaker Ryusuke Hamaguchi takes his central pair and his audience on a patient, engrossing and rewarding trip that cuts to the heart of dealing with life, love, loss, pain, shame and despair, and also sees how fickle twists of chance unavoidably dictate our routes. Where to watch: Drive My Car is currently screening in Australian cinemas. Read our full review. FLEE Nominations: Best International Feature, Best Documentary Feature, Best Animated Feature Our thoughts: Pairing animation with factual storytelling is still rare enough that it stands out, but that blend alone isn't what makes Flee special. Writer/director Jonas Poher Rasmussen has created one of the best instances of the combination yet, all to share the story of an Afghan refugee who was once a kid in war-torn Kabul, then a teenager seeking asylum in Copenhagen, and now talks through the astonishing ups and downs in his tale. Where to watch: Flee is currently screening in Australian cinemas. Read our full review. LICORICE PIZZA Nominations: Best Picture, Best Director (Paul Thomas Anderson), Best Original Screenplay Our thoughts: Paul Thomas Anderson's ninth feature births two new on-screen talents, both putting in two of the past year's best performances and two of the finest-ever movie debuts. In this sublime tale of friendship, romance, hanging out and navigating the 70s in San Fernando Valley, that's evident from the first grainy 35-millimetre-shot moments, as Alana Haim (of Haim) and Cooper Hoffman (son of Philip Seymour Hoffman) do little more than chat, stroll and charm. Where to watch: Licorice Pizza is currently screening in Australian cinemas. Read our full review. PARALLEL MOTHERS Nominations: Best Actress (Penélope Cruz), Best Original Score Our thoughts: Parallel Mothers is classic Pedro Almodóvar, but nothing about that description ever simply unfurls as expected. Once again, he puts Penélope Cruz at the centre of his frames, paints with the vibrant-toned costume and set design that make his movies such a blissful sight for colour-seeking eyes, and focuses on mothers of all shades navigating life's many difficulties — and the result is one of his best films so far. Where to watch: Parallel Mothers is currently screening in Australian cinemas. Read our full review. IN CINEMAS OR AT HOME: DUNE Nominations: Best Picture, Best Original Score, Best Adapted Screenplay, Best Visual Effects, Best Cinematography, Best Production Design, Best Costume Design, Best Film Editing, Best Sound Our thoughts: A spice-war space opera about feuding houses on far-flung planets, Dune has long been a pop-culture building block. It's always been something special, too — but as he did with Blade Runner 2049, writer/director Denis Villeneuve has once again grasped something already enormously influential, peered at it with astute eyes, built it anew and created an instant sci-fi classic in the process. Where to watch: Dune is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies and Prime Video. Read our full review. ENCANTO Nominations: Best Animated Feature, Best Original Score, Best Song Our thoughts: Five years after Lin-Manuel Miranda and Disney first teamed up on an animated musical with the catchiest of tunes, aka Moana, they're back at it again with Encanto. To viewers eager for another colourful, thoughtful and engaging film — and another that embraces a particular culture with the heartiest of hugs, and is all the better for it — what can the past decade's most influential composer and biggest entertainment behemoth say except you're welcome? Where to watch: Encanto is currently screening in Australian cinemas, and is also available to stream via Disney+,Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. HOUSE OF GUCCI Nominations: Best Makeup and Hairstyling Our thoughts: For the second time in as many movies, Lady Gaga is caught in a bad romance in House of Gucci. Yes, she's already sung the song to match. The pop diva doesn't belt out ballads or croon upbeat tunes in this true-crime drama about the titular fashion family, unlike in her Oscar-nominated role in A Star Is Born, but she does shimmy into a tale about love and revenge, horror and design, and wanting someone's everything as long as it's free. Where to watch: House of Gucci is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. KING RICHARD Nominations: Best Picture, Best Actor (Will Smith), Best Supporting Actress (Aunjanue Ellis), Best Original Screenplay, Best Film Editing Our thoughts: Stepping into Venus and Serena Williams' childhood as aspiring tennis stars, King Richard mostly lobs around smaller moments — and it's a tale about imperfections, struggles and contradictions in the pursuit of excellence, too. It spies the sporting greats' formative years through their father (Will Smith), but still steps through life-defining events for the entire family — and the end product is an easy win, though, rather than an all-timer Where to watch: King Richard is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. NIGHTMARE ALLEY Nominations: Best Picture, Best Cinematography, Best Production Design, Best Costume Design Our thoughts: Don't mistake the blaze that starts Nightmare Alley for warmth; in his 11th film, Guillermo del Toro gets chillier than he ever has. A lover of gothic tales told with empathy and curiosity, the Mexican filmmaker has always understood that escapism and agony go hand in hand — and here, in a carnival noir that springs from William Lindsay Gresham's 1946 novel and previously reached cinemas in 1947, he runs headfirst into cold, unrelenting darkness. Where to watch: Nightmare Alley is currently screening in Australian cinemas, and is also available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SPENCER Nominations: Best Actress (Kristen Stewart) Our thoughts: Spencer joins Kristen Stewart's resume after weighty parts in Clouds of Sils Maria, Personal Shopper, Certain Women and Seberg, and has her do something she's long done magnificently: let a world of pain and uncertainty seep quietly from her entire being. The new regal drama should do just that, of course, given its subject — but saying that director Pablo Larraín has cast his Diana well, pitch-perfect head tilt and all, is a royal understatement. Where to watch: Spencer is currently screening in Australian cinemas, and is also available to stream via Prime Video. Read our full review. SPIDER-MAN: NO WAY HOME Nominations: Best Visual Effects Our thoughts: Spider-Man: No Way Home isn't without its charms; Tom Holland and Zendaya's chemistry still sparkles, it's a definite treat to see Willem Dafoe and Alfred Molina back in the fold, and, as blasts from the pasts keep popping up, director Jon Watts cleverly juggles the varying tones of all three different web-slinging franchises. But this spider-sequel is always happiest when it's trying to catch the audience's claps and cheers just like flies. Where to watch: Spider-Man: No Way Home is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WEST SIDE STORY Nominations: Best Picture, Best Director (Steven Spielberg), Best Supporting Actress (Ariana DeBose), Best Cinematography, Best Production Design, Best Costume Design, Best Sound Our thoughts: Tonight, tonight, there's only Steven Spielberg's lavish and dynamic version of West Side Story tonight — not to detract from or forget the 1961 movie of the same name. With this swooning, socially aware remake of one of cinema's favourite stories about star-crossed lovers, the veteran filmmaker pirouettes back from the atrocious Ready Player One by embracing something he clearly adores, and being unafraid to give it rhythmic swirls and thematic twirls. Where to watch: West Side Story is currently screening in Australian cinemas, and is also available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE WORST PERSON IN THE WORLD Nominations: Best International Feature, Best Original Screenplay Our thoughts: Capturing the relentlessly on-the-go sensation that comes with adulthood, as well as the inertia of feeling like you're never quite getting anywhere that you're meant to be, The Worst Person in the World is filled with running scenes that paint a wonderfully evocative and relatable image. Those are apt terms for Norwegian writer/director Joachim Trier's latest gem overall, actually, which meets Julie as she's pinballing through the shambles of her millennial life. Where to watch: The Worst Person in the World is currently screening in Australian cinemas, and is also available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. VIA STREAMING: ASCENSION Nominations: Best Documentary Feature Our thoughts: Starting with factory recruitment on the streets, then stepping into mass production, then climbing the social hierarchy up to the rich and privileged, Ascension explores employment, consumerism and the everyday dream in China. Observational to a mesmerising degree, it lets its slices of life and the behaviour, attitudes and patterns they capture do the talking — and what a smart, telling, incisive and surreal story they unfurl. Where to watch: Ascension is available to stream via Paramount+. ATTICA Nominations: Best Documentary Feature Our thoughts: Half a century after the infamous Attica uprising at the New York jail — which ended with 33 inmates and 10 correctional officers dead, all most all at the hands of law enforcement — this intelligent, compassionate and powerful documentary asks prisoners who were there to share their stories. Entwined with archival footage, it isn't an easy watch, but it's not just grim and infuriating but gripping and essential during every second. Where to watch: Attica is available to stream via Paramount+. BEING THE RICARDOS Nominations: Best Actor (Javier Bardem), Best Actress (Nicole Kidman), Best Supporting Actor (JK Simmons) Our thoughts: If Aaron Sorkin's name is attached to a project, film or TV alike, plenty of talk always ensues. That's no different in this Sorkin-written and directed biopic about Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) — which focuses on a difficult time in their marriage, and in their sitcom I Love Lucy, but largely just makes viewers wish that they were watching that television series and the real-life Ball instead. Where to watch: Being the Ricardos is available to stream via Prime Video. CODA Nominations: Best Picture, Best Supporting Actor (Troy Kotsur), Best Adapted Screenplay, Our thoughts: CODA, the sophomore feature from writer/director Sian Heder (Tallulah), takes its cues from 2014 French hit La Famille Bélier — and it's a rare example of the remake bettering the original. Following 17-year-old Ruby Rossi's (Emilia Jones, Locke & Key) struggle to balance her commitments to her family, all of whom are deaf, with her dreams of attending music school, it's filled with warmth, naturalism, engaging performances and a welcome lack of cheesiness. Where to watch: CODA is available to stream via Apple TV+. Read our full review. COMING 2 AMERICA Nominations: Best Makeup and Hairstyling Our thoughts: Coming 2 America might make knowing jokes about pointless sequels made decades after original hits, but that winking attitude doesn't make this 33-years-later sequel to Coming to America any better. This time around, Eddie Murphy's Prince Akeem of Zamunda has to grapple with becoming king, finding out he has a 30-year-old son and realising that his country's patriarchal traditions need dismantling, and laughs are thin from start to finish. Where to watch: Coming 2 America is available to stream via Prime Video. CRUELLA Nominations: Best Costume Design, Best Makeup and Hairstyling Our thoughts: A killer dress, a statement jacket, a devastating head-to-toe ensemble: if they truly match their descriptions, they stand the test of time. Set in 70s London as punk takes over the aesthetic, live-action 101 Dalmatians prequel Cruella is full of such outfits — but if the Emma Stone-starring affair was a fashion item itself, though, it'd be a piece that appears fabulous from afar, but can't hide its seams. Where to watch: Cruella is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. DON'T LOOK UP Nominations: Best Picture, Best Original Screenplay, Best Original Score, Best Film Editing Our thoughts: On paper, Don't Look Up sounds like a dream. Using a comet hurtling towards earth as a stand-in, Adam McKay parodies climate change inaction and the circus that tackling COVID-19 has turned into in the US, spoofs self-serious disaster blockbusters and enlists a fantasy cast. But he's still simply making the most blatant gags, all while assuming viewers wouldn't care about saving the planet, or their own lives, without such star-studded and glossily shot packaging. Where to watch: Don't Look Up is available to stream via Netflix. Read our full review. THE EYES OF TAMMY FAYE Nominations: Best Actress (Jessica Chastain), Best Makeup and Hairstyling Our thoughts: Not for the first time, the eyes have it, but then they always have with Tammy Faye Bakker. The second film called The Eyes of Tammy Faye to tell the 70s and 80s televangelist's tale, this biopic, frequently puts its namesake's OTT and instantly eye-grabbing peepers in focus. That's apt, given the Jessica Chastain-starring flick hones in on perspective; however, it'd be a better film if it pondered what she truly saw, or didn't. Where to watch: The Eyes of Tammy Faye is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FOUR GOOD DAYS Nominations: Best Original Song Our thoughts: Based on a true tale and coming to the screen via a Washington Post article, Four Good Days isn't subtle — but Mila Kunis and Glenn Close's performances still hit the mark with power and empathy. They play a mother and daughter, the former a ten-year heroin addict trying to get clean for the 15th time, the latter her long-suffering mother, and both wading through a lifetime of woes in search of a brighter future. Where to watch: Four Good Days is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. FREE GUY Nominations: Best Visual Effects Our thoughts: Free Guy is a big-budget, star-led movie that primarily exists to answer two not-at-all pressing questions: what would The Truman Show look like if it starred Ryan Reynolds, and how would that 1998 classic would fare if it was about massive online video games instead of TV? In the process, it's firmly Hollywood's equivalent of mass-produced soft furnishings emblazoned with self-help platitudes and designed to sit on as many couches as possible. Where to watch: Free Guy is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE HAND OF GOD Nominations: Best International Feature Our thoughts: The Hand of God isn't a Diego Maradona biopic; however, Paolo Sorrentino's film takes its name from the soccer star's move during a 1986 World Cup match, where he used his hand to score a goal and helped win the game. Based on the filmmaker's own youth, it also tells of a time when the player was a deity to the not-yet-movie-obsessed future Italian cinema great — and the life-changing personal dramas that occurred with that soccer worship in the background. Where to watch: The Hand of God is available to stream via Netflix. Read our full review. THE LOST DAUGHTER Nominations: Best Actress (Olivia Colman), Best Supporting Actress (Jessie Buckley), Best Adapted Screenplay Our thoughts: Watching Olivia Colman play a complicated woman is like staring at the ocean: it's never the same twice; it couldn't be more unpredictable, no matter how comfortable it appears; and all that surface texture bobs, floats, swells, gleams and glides atop leagues of unseen complexity. The Lost Daughter is the latest example, and it's exceptional, with actor-turned-filmmaker Maggie Gyllenhaal making a bold directorial debut bringing Elena Ferrante's novel to the screen. Where to watch: The Lost Daughter is available to stream via Netflix. Read our full review. LUCA Nominations: Best Animated Feature Our thoughts: Even when Pixar makes a minor delight, like Luca, its usually swims well beyond most of the other family-friendly fare that gets pumped in front of young eyes. Set in Italy over a resplendent summer, this coming-of-age tale might be the closest that Pixar ever gets to making a Frankenstein movie. Forget the whole coming back from the dead part; instead, teenage sea monsters Luca (Jacob Tremblay) and Alberto (Jack Dylan Grazer) just want to belong. Where to watch: Luca is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE MITCHELLS VS THE MACHINES Nominations: Best Animated Feature Our thoughts: Fighting the robot apocalypse has rarely been as fun on-screen as it is in this feel-good, family-friendly (and family-loving) animated delight. Artificial intelligence takes over, the world's technological gadgets enslave humans, and it's up to a film-obsessed teenager and her quirky family to save the day, work through their baggage and ensure that humanity has a future — all of which makes for smart, funny, warmhearted and savvily playful viewing. Where to watch: The Mitchells vs the Machines is available to stream via Netflix, Google Play, YouTube Movies, iTunes and Prime Video. NO TIME TO DIE Nominations: Best Original Song, Best Visual Effects, Best Sound Our thoughts: James Bond might prefer his martinis shaken, not stirred, but No Time to Die doesn't quite take that advice. While the enterprising spy hasn't changed his drink order, the latest film he's gives its regular ingredients both a mix and a jiggle. The action is dazzlingly choreographed, a menacing criminal has an evil scheme and the world is in peril. But, there's more weight in Daniel Craig's performance, more emotion all round, and a greater willingness to contemplate the stakes. Where to watch: No Time to Die is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE POWER OF THE DOG Nominations: Best Picture, Best Director (Jane Campion), Best Actor (Benedict Cumberbatch), Best Supporting Actor (Jesse Plemons, Kodi Smit-McPhee), Best Supporting Actress (Kirsten Dunst), Best Adapted Screenplay, Best Cinematography, Best Original Score, Best Production Design, Best Film Editing, Best Sound Our thoughts: Jane Campion has never helmed anything less than stellar, and she's immensely capable of unearthing rich new pastures in well-ploughed terrain. With The Power of the Dog, the New Zealand director is at the height of her skills trotting into her latest mesmerising musing on strength, desire and isolation — this time via a venomous western that's as perilously bewitching as its mountainous backdrop, and is also teeming with stunning performances. Where to watch: The Power of the Dog is available to stream via Netflix. Read our full review. RAYA AND THE LAST DRAGON Nominations: Best Animated Feature Our thoughts: Featuring a vibrant animated spectacle that heroes vivid green and blue hues, a rousing central figure who is never a stock-standard Disney princess and lively voice work, Raya and the Last Dragon boasts plenty of highlights. It embraces southeast Asian culture with a warm hug; it's always detailed, organic, inclusive and thoughtful, and never tokenistic; and it benefits from the pitch-perfect vocal stylings of Awkwafina as the playful, mystical half of the film's title. Where to watch: Raya and the Last Dragon is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SHANG-CHI AND THE LEGEND OF THE TEN RINGS Nominations: Best Visual Effects Our thoughts: In Marvel's 25th film, Simu Liu anchors a film about history and destiny, too — one that's about breaking free from the past and committing to the future — and he heartily embraces the occasion. Shang-Chi and the Legend of the Ten Rings itself flits between offering up a lively picture that strives to carve out its own space in the series, and simply serving up more of the usual Marvel template but in enticing packaging, however, but it's always entertaining. Where to watch: Shang-Chi and the Legend of the Ten Rings is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) Nominations: Best Documentary Feature Our thoughts: Much of Summer of Soul (...Or, When the Revolution Could Not Be Televised) involves stunning archival footage, as recorded more than five decades ago and never seen since, capturing live performances by an astonishing lineup of musicians at the 1969 Harlem Cultural Festival. Directed by Questlove, consider this glorious documentary an act of unearthing, reclamation and celebration, then. It's a gift, too — and a phenomenal one. Where to watch: Summer of Soul (…Or, When the Revolution Could Not Be Televised) is available to stream via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. TICK, TICK... BOOM! Nominations: Best Actor (Andrew Garfield), Best Film Editing Our thoughts: Lin-Manuel Miranda's filmmaking directorial debut, Tick, Tick… Boom! charts theatre composer Jonathan Larson's (Andrew Garfield) path to the autobiographical one-man-show that shares its name — before he went on to make a little production called Rent. It's a loving ode, albeit an inescapably overexcited one. And it's also clearly a case of art imitating life, with Larson's enthusiasm for the art form he cherished so feverishly coming through strong. Where to watch: Tick, Tick... Boom! is available to stream via Netflix. Read our full review. THE TRAGEDY OF MACBETH Nominations: Best Actor (Denzel Washington), Best Cinematography, Best Production Design Our thoughts: Bringing Shakespeare to the big screen is no longer just about doing the material justice, or even letting a new batch of the medium's standout talents give their best to the Bard's immortal words. For everyone attempting the feat (a list that just keeps growing), it's also about gifting the playwright's material with the finest touches that cinema allows — and this version of Macbeth, directed solo by Joel Coen, bubbles not only with toil and trouble but with all of the above. Where to watch: The Tragedy of Macbeth is available to stream via Apple TV+. Read our full review.
Mark Friday, April 12, 2024 in your diary: that's when Fallout will jump from gaming's bunker to streaming's landscape. After 2023 saw The Last of Us leap from mashed buttons to a TV sensation for HBO, 2024 now has a big candidate to follow in its footsteps, this time via Prime Video. It's been almost three decades since Fallout first hit computers back in 1997, with three released sequels, a fourth on the way and seven spinoffs all following. Next comes a live-action television take starring Ella Purnell (Yellowjackets), Walton Goggins (I'm a Virgo) and Kyle MacLachlan (Lucky Hank). After dropping its first images earlier this week, the Fallout TV series now has a trailer — and it nails the game's aesthetic, sound and vibe. Fans of the Fallout game will already know the show's setting: a post-apocalyptic future. The series takes place 200 years after everything went pear-shaped, with people living in luxe fallout shelters ever since. When some such folks leave their cosy confines, they find a hellscape filled with mutants, wild west vibes and plenty of violence. Purnell plays vault-dweller Lucy, while Twin Peaks great MacLachlan is her dad Overseer Hank, who — as his name suggests — oversees Vault 33. On the surface, Goggins is bounty hunter The Ghoul, who has a secret past — and Aaron Moten (Emancipation) also has a pivotal part as Brotherhood of Steel soldier Maximus. The retrofuturistic dystopian series also features Moisés Arias (Samaritan), Sarita Choudhury (And Just Like That...), Michael Emerson (Evil), Leslie Uggams (Extrapolations), Frances Turner (The Boys), Dave Register (Heightened), Zach Cherry (Severance) and Johnny Pemberton (Weird: The Al Yankovic Story) as well — plus Rodrigo Luzzi (Dead Ringers), Annabel O'Hagan (Dear Edward) and Xelia Mendes-Jones (The Wheel of Time). For The Last of Us, HBO enlisted a creative force from one of the US premium cable network's past hits in Chernobyl's Craig Mazin. Prime Video has done the same with Fallout, but with Westworld creators Jonathan Nolan and Lisa Joy — who also executive produced Prime Video's own The Peripheral. As well as executive producing with Joy, Nolan directs the first three episodes. Geneva Robertson-Dworet (Captain Marvel) and Graham Wagner (Silicon Valley) are similarly among Fallout's executive producers, as well as the series' writers and co-showrunners. And yes, Bethesda Game Studios has a hand in finally bringing the games to the screen. Check out the first trailer for Fallout below: Fallout will start streaming via Prime Video from Friday, April 12, 2024. Images: courtesy of Prime Video.
Believe. That's Ted Lasso's (Jason Sudeikis, Saturday Night Live) standard advice, and it's going to come in handy in the hit Apple TV+ sitcom that shares his name's upcoming third season. On-screen, the American coach and his AFC Richmond team need to believe in themselves after their promotion to the Premier League, especially when everyone around them thinks they'll be relegated before the year is out. Off-screen, fans of this award-winner can simply believe that the show will finally be back, returning mid-March almost two years after its second season. Believing has played a part in both of Ted Lasso's season-three trailers so far, too, the latest of which has just hit the pitch. The choice of song accompanying the new sneak peek is telling, and just the kind of advice that Ted would give his squad: 'You Can't Always Get What You Want'. The new trailer is filled with glimpses of ups, downs and showdowns to come set to The Rolling Stones' tune, with AFC Richmond battling that lack of belief from outside, and also clashing with the club's former assistant coach Nathan 'Nate' Shelley (Nick Mohammed, Intelligence). He walked out on the team, and on his perennially optimistic mentor Ted, for rivals West Ham United. So, get ready for a hefty rivalry — but is Ted facing off against an adversary still going to be the usual Ted? Viewers will find out across 12 episodes, which will start streaming from Wednesday, March 15. Also, Ted has both work and personal struggles to deal with, Roy Kent (Brett Goldstein, Uncle) leans into his assistant coach role, Keeley Jones (Juno Temple, The Offer) is managing her own PR firm, and AFC Richmond owner Rebecca Welton (Hannah Waddingham, Hocus Pocus 2) is all about defeating West Ham United (and her ex Rupert Mannion, played by Buffy the Vampire Slayer's Anthony Stewart Head, who owns it). While Ted Lasso has felt like streaming's biggest warm hug across its first and second seasons, it wasn't afraid to skew darker in the latter, including as Nate felt pushed aside, ignored and unloved by Ted. Viewers will know that the last batch of episodes culminated with Nate's defection — but as seen in the first teaser trailer for season three, the rest of the AFC Richmond crew still has plenty to believe in, taking one of Ted's favourite words to heart. Also part of the team, whether on or off the field: recent hotshot player Jamie Tartt (Phil Dunster, The Devil's Hour), his teammates Sam Obisanya (Toheeb Jimoh, The French Dispatch) and Dani Rojas (Cristo Fernandez, Spider-Man: No Way Home), Ted's laconic second-in-charge and long-time friend Coach Beard (Brendan Hunt, Bless This Mess), and AFC Richmond Director of Football Operations Leslie Higgins (Jeffrey Swift, Housebound). As the sitcom's first two seasons have shown, viewers definitely don't need to love soccer or even sport to fall for this series' ongoing charms — although if you obsessed over the 2022 World Cup, it might help fill the gap until the 2026 version arrives. Kind-hearted in the way that Parks and Recreation, Wellington Paranormal, Brooklyn Nine-Nine and Abbott Elementary have also proven, Ted Lasso will be in for a significant obstacle in 2023, thanks to Ted and Nate's battle. Usually, this series celebrates people who support each other, are always there for each other and form close bonds as a result. Indeed, that's what has made it so instantly likeable. But with Nate now working for the competition, change is afoot — don't expect to see the show mess too much with its winning formula, though. Check out the trailer for Ted Lasso's third season below: Season three of Ted Lasso will stream via Apple TV+ from Wednesday, March 15. Read our full review of season two.
The year was 1992. Aladdin, Home Alone 2: Lost in New York, Batman Returns, Lethal Weapon 3 and A Few Good Men ruled the international box office. Slipping into a habit and sliding in next on the list, becoming the sixth-biggest hit of the year: Sister Act. The film about singing nuns spawned a sequel, with word of a third movie floating around for years since — and, as everything from Mean Girls and Muriel's Wedding to Groundhog Day and Beetlejuice has also done, it inspired a stage musical as well. The theatre take on the Whoopi Goldberg (The Color Purple)-led film franchise debuted in California in 2006, then hit West End in 2009 and Broadway in 2011. Now, from August 2024, it's finally Australia's turn. Sister Act will make its Aussie premiere at Sydney's Capitol Theatre to see out winter, then make a date with the Regent Theatre in Melbourne from November. (If you live in other cities, start praying that it comes your way as well; however, for now, only Sydney and Melbourne seasons have been announced.) The first movie was filled with songs like 'Rescue Me', 'My Guy' and 'I Will Follow Him', making its soundtrack a smash as well, so the film was always primed to tread the boards. The Sister Act musical features original tunes, with Alan Menken (The Little Mermaid) doing the honours. Among the show's rewards so far: five Tony Award nominations and six Olivier Award nominations. "It is a joyous thing to produce a musical that has never been seen in Australia before and I feel very blessed to be bringing Sister Act to our shores," said producer John Frost, announcing the Aussie seasons. "It's a brilliant, must-see show that will lift audiences up and I know Australians will get into the habit of seeing again and again." Story-wise, the production follows Deloris, who witnesses a murder and has to go into protective custody. Her hideout: a convent. It's there that the nightclub singer finds a struggling choir, which she begins to help. So far, no cast details have been announced for the Aussie run — so who'll literally be donning a habit is yet to be revealed. View this post on Instagram A post shared by Sister Act The Musical (@sisteractmusicalau) Sister Act Australian Tour 2024: From Tuesday, August 3, 2024 — Capitol Theatre, Sydney From Sunday, November 3, 2024 — Regent Theatre, Melbourne Sister Act will hit the stage in Australia from August 2024. For further information and tickets, head to the show's website. Top image: Sister Act UK & Ireland Touring Production 2023-24, Mark Senior.
When Wonder Woman 1984 opened in cinemas Down Under at the end of 2020, it was the year's last big release. The superhero sequel was one of the very few blockbuster flicks to actually hit the silver screen since the pandemic started, too. Now, just over a month later, the Gal Gadot-starring film is doing something else notable: becoming available via video on demand while it's still showing in theatres. From Wednesday, January 27, cinephiles and caped crusader fans can stream Wonder Woman 1984 via digital movie rental services such as Google Play, YouTube Movies, Amazon Video and iTunes — to rent for AUD$29.99, or to buy for AUD$34.99. If you'd prefer to see it on the big screen, you still can at the time of writing. But if you'd like to watch it at home on your couch, that's now an option as well. The film has made over $26 million at the Australian and New Zealand box office, so plenty of folks did head out to see it in theatres — and to see what happens to Diana Prince (Gadot) in the decade that gave us parachute pants. Chris Pine returns from the first Wonder Woman movie, while Kristen Wiig and Pedro Pascal join the franchise as new antagonists. Before the pandemic, a huge movie like Wonder Woman 1984 wouldn't ever be available to view at home so quickly. Usually, films that release in cinemas don't make the jump to home entertainment for 90 days, in fact. But much has changed about the world in the past year, with Wonder Woman 1984 following in the footsteps of a heap of fellow flicks that did the same last March and April, when cinemas closed. Other features, including Hamilton, Mulan and Soul, bypassed the big screen altogether last year, too. Whether this'll keep happening in the blockbuster space Down Under is yet to be seen — but there is a growing precedent for it in overseas countries where COVID-19 case numbers remain high and either all or most cinemas are closed. Warner Bros, the Hollywood studio behind Wonder Woman 1984, announced late last year that it'd be releasing both the superhero flick and its full 2021 slate of movies in cinemas and on HBO Max simultaneously where the latter is available. That doesn't include Australia and NZ, though, because HBO hasn't yett launched in either nation. Check out the trailer for Wonder Woman 1984 below: https://www.youtube.com/watch?v=DFgnHhMLNJE Wonder Woman 1984 is currently screening in cinemas in Australia and New Zealand; however, it's also available to stream online via video on demand from Wednesday, January 27.
The 90s were great. That shouldn't be a controversial opinion. Whether you lived through them or have spent the last couple of decades wishing you did — aka binging on 90s pop culture — Cleveland Sands Hotel's New Year's Eve shindig will indulge both your retro and your festive urges. Drinks, tunes, fashion: expect all of the above at the No Scrubs: 90s and Early 00s party from 8pm on NYE. Of course, it's up to you to make sure the clothing side of thing is covered, and to get into the spirit of the season. If you want to use Mariah Carey as a style icon, it'd be fitting. Whatever you choose to wear, there's a costume competition giving away more than bragging rights. Expect to unleash your inner Spice Girl and Backstreet Boy too. TLC, Destiny's Child, Savage Garden, Usher, Blink-182, No Doubt — we'd keep listing artists, but you all know what you're getting yourselves into. Entry costs $24–25 in advance, with the fun running through until 3am. And, while you'll pay for your cocktails as you go, they will be 90s- and 00s-inspired.
Too often Japanese food is synonymous with sushi, and while there is certainly a time and place for a sushi platter or a trip to a sushi train, the Japanese cuisine scene in Brisbane has much more impressive food to offer. Here's our list of foods and a few restaurants that you may like to try (or revisit) next time you're hankering for some Japanese. Ramen and gyoza Perhaps one of the greatest delights that Japanese cuisine has to offer, ramen is now available in many Brisbane locations. Incomparably satisfying, a bowl of tonkotsu ramen preceded by a plate of gyoza is just about the perfect meal. Taro's Ramen & Cafe on Adelaide Street is as good a place as any to get your ramen. As in all good ramen restaurants, the menu is short and simple, and the few dishes they do, they do well. Proudly MSG free, Taro’s stock is flavoursome and aromatic, and the noodles and toppings are excellent quality. Japanese chain Hakataya Ramen now has four Queensland stores, two of which are in Sunnybank, and they're hard to miss for their bright yellow noren. With long benches and high wooden stools, this is a get-in and get-out kind of place. Lines are inevitably long at mealtimes, but the ramen is first rate (particularly the char siu-men), well priced and generously portioned. You can even get a free second serve of noodles (kaedama), provided you still have some soup left in your bowl. For those who are just after gyoza, head over to Harajuku Gyoza. The place is packed most nights, but there is something undeniably appealing about a speciality gyoza bar smack bam in the middle of the Valley. Image: Harajuku Gyoza Yakiniku, shabu shabu and sukiyaki Influenced by Korean BBQ, yakiniku is perfect for groups and those who don't mind having to cook their own food. In fact, cooking your own food on a central grill is probably the main attraction. Shinbashi Yakiniku in Underwood is dedicated to showcasing the quality of wagyu beef through simple preparation. Chinatown's Koh-ya is a popular dinner destination, and their huge platters come laden with various cuts of beef, along with other meats, vegetables and sides. A less smoky alternative to yakiniku is shabu shabu. Beef, vegetables, tofu and noodles arrive raw at the table to be quickly blanched or boiled in a communal hotpot and dipped in a ponzu or sesame sauce. Perennial favourite sukiyaki is cooked in a sweet soy broth and dunked in raw egg. Hosokawa in Hamilton, though known for its izakaya-style dishes and sushi, do generous sukiyaki and shabu shabu, and Sunny Breeze Restaurant in Sunnybank has shabu shabu and sukiyaki buffet nights on Tuesdays and Sundays. Image: Shinbashi Yakiniku Teppanyaki Teppanyaki is not just dinner but a show. Usually comprised of an assortment of meat and vegetables prepared on an iron griddle, the flavours are straightforward and likely to assuage even the wariest eaters. Though the food itself is simple, not so the manner of its delivery. Seated at a giant hot plate, watch as skilled chefs brandish knives and spatulas and chop, slice, toss, flip and flambe your food. For plush surrounds, try Kabuki in the Stamford Plaza Hotel, which specialises in teppanyaki. For a more laidback vibe, give Oyama in the Valley a go. Image: Kabuki Fine Dining Two of Brisbane's premier Japanese fine dining establishments are Sono Portside Wharf, Hamilton and Saké Restaurant and Bar on Eagle Street Pier. Both have elegant Japanese-style interiors, with the sunken seating option of low wooden tables and floor cushions. They also both have lengthy sushi and sashimi menus and familiar favourites such as tempura and chicken karaage. Sono Portside's signature dish is wagyu steak striploin with butter sauteed vegetables. They also offer teppanyaki (only available at the Hamilton restaurant) and fancy fare like lobster served as sashimi, grilled with avocado mayonnaise or pan-fried with garlic lemon sauce according to your preference. The six-course tasting menu comes with the option of matching wines and sake. Saké's specialities include ikura scallops (Queensland scallops topped with salmon caviar and ponzu sauce) and wagyu dumplings (steamed wagyu and ginger dumplings served with a spicy ponzu dipping sauce). There are also two separate banquet menus, and a huge variety of imported sake from which to choose. Image: Sono Fusion Depending on whether you find Japanese fusion cuisine terribly inauthentic or refreshingly innovative, you just might love Tank. Traditionalists may balk at the idea of slow-cooked lamb shoulder with a shisho mint sauce or grilled Atlantic salmon, spanner crab and macadamia milk. But if you like the idea of Japanese food infused with a modern cosmopolitanism, then Tank is just the ticket. Image: Tank
The Bagel Boys have been serving up some of the best boiled and baked bread in Brisbane over the past few years. And a little while ago, they did us all a favour and opened at a permanent address in the CBD. That's right, the Bagel Bar on Adelaide Street means you no longer need to hunt around town at various markets, grocers and cafes to get your bagel fix (or take that most drastic option, a trip to Brooklyn). As is to be expected, all bagels are rolled, boiled and baked fresh daily, and come in a wide variety of flavours. We're talkin' plain, poppy, sesame, onion, garlic, jalapeno, everything, sunflower and rye, and soy and linseed. For the sweet tooths among us, there's also blueberry or cinnamon and raisin ($2 each). If gluten ain't your friend, never fear, you can still enjoy the bagelly goodness and order one of the gluten-free options: plain or chia (because superfoods, duh. These are $3 each). All bagels can be bought individually or by the bag ($10 for six, $20 for a baker's dozen). You can also choose to buy them with a schmear or filled with savoury delights ($7–10). The filled options include the likes of schmear and salad, the BRAT (bacon, rocket, avocado and tomato with aioli) and, of course, the smoked salmon classic. We're also partial to the pastrami 'n' swiss. FYI, the Boys offer catering in both full-sized and mini bagels, so make a suggestion for your next supper shindig. As a worker, shopper or city dweller, you can stop by the Bagel Bar for a quick, cheap and tasty breakfast or lunch six days a week. Unwrap the parchment parcel, close your eyes, take a large bite, and transport your mouth and stomach to the boroughs of NYC right in the heart of beautiful Brisvegas.
From the shaken to the stirred and everything in-between — this May, the country's world-class mixology scene will be celebrated in a very big way at a month-long drinks festival. The inaugural Australian Cocktail Month is set to kick off Sunday, May 1, descending on venues across a heap of Aussie cities with a diverse lineup of crafty collaborations and exclusive concoctions. In total, 145 bars are taking part in Adelaide, Canberra, Darwin, Geelong, Gold Coast, Hobart, Melbourne, Newcastle, Perth, Sydney and Wollongong — and in Brisbane, of course. Here in the Queensland capital, 24 spots will help Australian Cocktail Month celebrate its second year. And, both boozy and alcohol-free cocktails will be on the menu. Wondering where you'll be heading? Hit up local favourites such as Byblos, Cobbler, Death and Taxes, Dr Gimlette, The Gresham, Iris, Savile Row and Sasso Italiano, for starters. Along with the other venues taking part, they'll spend the month whipping up creative-charged festival cocktails (and mocktails) using drops from both local brands — think: Brix Distillers, Four Pillars and Archie Rose — and international labels. To get among the best of it, grab a $20 Australian Cocktail Month ticket and enjoy full access to all of the participating venues' cocktail creations. Alcoholic drinks will be priced at $14 a pop, with low-alcohol and booze-free options clocking in at $10. Top image: Savile Row, Millie Tang.
What starts with a 6am First Nations ceremony on the beach, sending smoke spiralling into the sky as the sun rises? What fills 11 days from there with everything from free opera in the Gold Coast Regional Botanic Gardens and thousands of cardboard boxes on North Burleigh's Esplanade to Kate Miller-Heidke singing while you picnic and eavesdropping on phone calls? That'd be the Gold Coast's Bleach* Festival, which is returning from Thursday, August 11–Sunday, August 21 after a pandemic-affected couple of years — with a huge lineup, naturally. In 2022, this arts fest will feature 233 artists, 94 performances and 36 events — which is plenty of reasons to head along. Whether you're a Goldie local ready for a beachside celebration of culture, or you're a Brisbanite keen to make the trip down the highway to liven up your winter, there's a hefty array of drawcards to choose from. Bleach* focuses its program around four hubs: North Burleigh, for events by the beach; the Gold Coast Regional Botanic Gardens, which means that grassy shows await; Miami, with its hefty lineup of hospitality venues, including Miami Marketta; and Mudgeeraba, bringing the hinterland into the fun. But they're not the only places that the festival is headed — with HOTA, Home of the Arts and Burleigh Brewing also welcoming in the the event's program. [caption id="attachment_838774" align="alignnone" width="1920"] The Nightline, Sarah Walker[/caption] Among the events that North Burleigh will be hosting, there's First Light, that opening kickoff event; interactive virtual reality experience VOLO: Dreams of Flight, which is inspired by Leonardo da Vinci's flying machines; all the cardboard thanks to the aforementioned We Built This City; and The Nightline, which seats you at an old telephone to listen to switchboard calls. Or, there's Feast at Bleach*, featuring a three-course meal heroing native flavours by Quandamooka chef Kieron Anderson — and Unsettle, which sees Aboriginal and Torres Strait Islander young people respond to the cultural landscape via public art, film, theatre, visual art, music and dance. Over at the gardens, Opera Queensland's Home Grown Opera will echo among the greenery for three nights, while Miller-Heidke will do the honours on one afternoon. Miami will host Mi Amor Miami, with the suburb's bars, breweries and distilleries pairing live performances with drinks; Roller Coaster, which includes strapping on your own stakes and taking part; and Bliss, a blend of performance art and electronic music. The list goes on — and, over at Burleigh Brewing, Back to Back Theatre's Radial will mix video art, dance, music and fashion. [caption id="attachment_859849" align="alignnone" width="1920"] Home Grown Opera, Art Work Agency[/caption] As for Mudgeeraba, that's where Acoustic Life of Sheds will set up — in four different sheds. Four artists will set up in one location each, and attendees will travel between them to head vocals by Christine Johnston, Karl S Williams on piano, percussion by Michael Askill and Loni Fitzpatrick on the harp. Back at North Burleigh, Bleach* will also feature six groups of artists-in-residence both prior to and during the fest: Lenine Bourke and Nathan Stoneham, Lawrence English, Rising Tide Artists, Liesel Zink, Lisa Smith and Emily Grace Taylor. They'll premiere new works during the event's second week — and you can watch them in action beforehand, too. [caption id="attachment_859850" align="alignnone" width="1920"] Radial, Jorge Serra[/caption] Bleach* runs from Thursday, August 11–Sunday, August 21 at various locations around the Gold Coast. For further information, head to the festival website. Top image: Scott Belzner.
No one spent a winter weekend dancing in a North Byron Bay Parklands field at Splendour in the Grass in 2024. No one will do that in 2025, either. After 2024's festival was cancelled just weeks after unveiling its Kylie Minogue-, Future- and Arcade Fire-led lineup, the Splendour crew has advised that there'll also be no fest this year. "Hey gang, sorry it's been so quiet, but we had a little holiday ... finally. The rest of the festival team have still been busy cooking up some awesome new things for music lovers in Australia, but Splendour needs a little more time to recharge and we won't be back this year," said organisers in a statement on social media. "Think of it as a breather so we can come back even bigger and better when the time is right. Lots of other huge events on the horizon so keep an ear to the ground in the coming months — we can't wait to share what we've been working on!" View this post on Instagram A post shared by Splendour in the Grass (@splendourinthegrass) Notably, the statement about 2025's event doesn't confirm that the festival will return in 2026, but rather says that it'll be back "when the time is right". For now, put those glittery gumboots away for at least this year, in what proves another heartbreaking piece of news for Australia's live music industry. When Splendour scrapped its 2024 plans, it did so after revealing its roster of acts, and also followed on from a heap of other cancellations across the Aussie festival scene. Groovin the Moo ditched its 2024 events just a fortnight after announcing its lineup. Also, Falls Festival took summer 2023–24 off, Summergrounds Music Festival at Sydney Festival was cancelled and This That hasn't gone ahead for a couple of years. Since Splendour cancelled, Yours and Owls ditched its 2024 fest, as did Spilt Milk and Adelaide's Harvest Rock. Dark Mofo took a breather, too, while Mona Foma called time forever after its 2024 event. Bluesfest also revealed that it would say farewell after its 2025 fest, but it has been reported that that might no longer be the case. "With a heavy heart, we're announcing the cancellation of Splendour in the Grass 2024," said the Splendour team in a statement last year. "We know there were many fans excited for this year's lineup and all the great artists planning to join us, but due to unexpected events we'll be taking the year off. Ticketholders will be refunded automatically by Moshtix. We thank you for your understanding and will be working hard to be back in future years." "We're heartbroken to be missing a year, especially after more than two decades in operation. This festival has always been a huge community effort, and we'd like to thank everyone for their support and overall faith. We hope to be back in the future," added Jessica Ducrou and Paul Piticco, co-CEOs of Secret Sounds. 2024's event would've marked the festival's 22nd birthday — and its third COVID-19-era fest, following the supremely muddy 2022 iteration (which was delayed for the two years due to the pandemic's early days) and 2023's go-around. Splendour in the Grass won't take place in 2025. For more information, head to the festival website. Images: Charlie Hardy, Bianca Holderness and Claudia Ciapocha.
UPDATE, Friday, March 15, 2024: The Aqua with Special Guests tour has changed venues, dates and lineup. 2 Unlimited are now the only support act. The new dates and venues are: Thursday, March 21 — Metro City, Perth Saturday, March 23 — Hindley Street Theatre, Adelaide Sunday, March 24 — Eatons Hill Hotel, Brisbane Tuesday, March 26 — Enmore Theatre, Sydney Wednesday, March 27 — Margaret Court Arena, Melbourne For the past year, we've all been living in a Barbie world, with Greta Gerwig's Margot Robbie-starring Barbie film the biggest thing in pop culture over the past 12 months. What happens when you combine the planet's love for the pink-hued hit with the never-ending trend that is 90s nostalgia? Aqua touring Australia to bust out 'Barbie Girl' at a big throwback party, that's what. Life in plastic will be fantastic when the Danish-Norwegian band make their first trip Down Under since 2019. Back then, the group responsible for still having their best-known single stuck in your head, plus 'Doctor Jones' and 'Turn Back Time' as well, toured on a bill filled with other acts from the era. This time, they're doing the same thing. Joining Aqua in March 2024 in Brisbane, Melbourne, Sydney, Adelaide and Perth: Belgian-Dutch dance duo 2 Unlimited, British boy band East 17, R&B group Big Brovaz, and English dance acts Phats & Small, Booty Luv and Urban Cookie Collective. Hitting up stadiums, these gigs will be a house of love with no limits. Expect everything from Get Ready', 'Twilight Zone' and 'Alright' to 'Stay Another Day', 'Turn Around' and 'The Key the Secret' to get a whirl. Your latest excuse to keep celebrating all things Barbie-related — and to get a big blast from the past — comes after Aqua popped up on the movie's soundtrack with rapper Nicki Minaj and Ice Spice on the tune 'Barbie World'. Also heading to Australia in the first few months of 2024 to party like it's the 90s on separate tours, because nostalgia will never die: TLC and Blink-182. AQUA 2024 TOUR WITH SPECIAL GUESTS LINEUP: Aqua 2 Unlimited East 17 Phats & Small Big Brovaz Booty Luv Urban Cookie Collective AQUA 2024 TOUR WITH SPECIAL GUESTS DATES: Thursday, March 21 — Brisbane Entertainment Centre, Brisbane Friday, March 22 — John Cain Arena, Melbourne Sunday, March 24 — Qudos Bank Arena, Sydney Tuesday, March 26 — Adelaide Entertainment Centre, Adelaide Thursday, March 28 — RAC Arena, Perth Aqua is touring Australia in March 2024 with special guests 2 Unlimited, East 17, Phats & Small, Big Brovaz, Booty Luv, and Urban Cookie Collective — with ticket pre sales from 10am local time on Tuesday, January 23 and general sales from 10am local time on Thursday, January 25. Head to the tour website for more information
UPDATE, APRIL 19, 2020: Due to the COVID-19 pandemic, the Queensland government has extended the public consultation period for the proposed single-use plastics ban — from Wednesday, April 15 to Thursday, April 30. The below article has been updated to reflect this change. Over the past few years, Queensland has introduced a container refund scheme and scrapped disposable plastic bags, and the Sunshine State ramping up its war on waste once again. In 2019, it released its Plastic Pollution Reduction Plan, with the government proposing a ban on single-use plastics — and now it's asking for community feedback in advance of potentially introducing legislation this year, then kicking off the ban in mid-2021. In the immediate crosshairs are plastic straws, cutlery, plates and stirrers, which could be banned from July 1, 2021 if plans proceed as currently outlined. Crucial to the proposed idea is the existence of already-available alternatives — whether they're reusable, in the case of cutlery and plates, or 100-percent compostable, as seen with paper straws and stirrers. For people with disability, some alternative products to plastic — such as bamboo, paper and metal straws — aren't always a viable option. It's worth noting that straws or cutlery that form part of another product — so if they're attached to poppers or included with tuna — won't be subject to the regime. In a second phase, which doesn't yet have a timeline, the Qld Government also committing to investigate banning coffee cups, plastic cups, heavy-weight plastic shopping bags and polystyrene containers as well. If you're eager to provide your thoughts about the plan to ban single-use plastics, you can do so online by Thursday, April 30. From this year, the Qld Government will also start banning the products from their own events; however an exact timeline from there hasn't been revealed. Also on the state's agenda: developing facilities to process and repurpose plastic, mandating the use of recycled plastics, and expanding the Plastic Free Places program, which works with retailers, events and markets at the community level to wipe out single-use water bottles, straws, coffee cups and lids, takeaway containers, food ware (such as cutlery, plates and cups) and bags. In Noosa, more than 200 businesses have signed up to the scheme. While Qld's powers-that-be are calling their proposal an Australian first, they're not the only authority figures looking to tackle the growing waste problem. Similar laws are being drafted in South Australia, Hobart is progressing down the same track and, as a nation, Australia is working towards banning all non-recyclable packaging by 2025. That's on top of plenty of smaller-scale initiatives, not only including bag bans and container schemes, but the phasing out of single-use plastics in various guises at the company level, with McDonald's, IKEA, Coca-Cola Amatil and Qantas among those making steps in the plastic-free direction. You can read more about the Queensland Government's Plastic Reduction Plan over here — and provide your feedback online by Thursday, April 30.
Sun, surf, sand, plus somewhere to sip drinks and snack on seafood — that's every beachgoer's dream. Burleigh Heads on the Gold Coast has long had the warm weather, waves and waterside lounging spots covered, and now it has a new bar and eatery positioned right on the popular strip's beachfront. A 640-person capacity venue as close to the shore as you're going to get, Burleigh Pavilion has taken over level one at 43 Goodwin Terrace. It's a two-in-one kind of place, with a 240-seater restaurant at one end and a huge hangout space at the other — all beneath four-metre-high ceilings held up by timber rafters, and within a space that goes heavy on beachy pastel hues. For those after a sit-down meal, The Tropic is the place to go. As well as water views, diners will look into the open kitchen, where head chef Guillaume Zika oversees the culinary side of things. His menu serves up plenty of seafood — think seafood platters, servings of octopus, and grilled tiger prawns with dry vermouth butter and shellfish oil — while also finding room for sobrassada with pickles, rib eye, plus coconut sorbet for dessert. Food is also available in The Terrace, Burleigh Pavilion's 400-capacity bar. Of course, you'll want a few cold beverages to go with your prawns on ice, freshly shucked oysters, beer-battered fish and chips, and four types of pizza. Drinks-wise, more than 90 wines are on offer, alongside 14 beers on tap — including locals Burleigh Brewing and Balter. Cocktails span a gin and ginger kombucha blend; Bacardi spiced rum with strawberry, lime and vanilla sugar; and another rum tipple with Malibu, pineapple, ginger syrup and lime. Find Burleigh Pavilion at Level 1, 43 Goodwin Terrace, Burleigh Heads, open daily from 11am–midnight.
If it's ethereal indie folk you're after, Dustin Tebbutt is your man. The New England native's music is described by his record label as "the music for your autumns and winters" which, in our opinion, couldn't be more accurate. The haunting isolation that comes through his high echoey vocals and crisp acoustic guitar certainly create feelings of isolation and introspection. Well, it's a good thing he's coming to town as the temperature is starting to drop. Tebbutt's latest national tour is for his latest EP, Bones, and it's gorgeous. First single 'Bones' is much like what we saw on debut EP The Breach; incredibly entrancing music that has the ability to transport its listeners far away from anyone or anything. If you enjoy the thoughtful sounds of Bon Iver or Sigur Rós, then Dustin Tebbutt is a local boy you definitely shouldn't miss. The Armidale local had a good ol' chat to Concrete Playground about roasting coffee, living in Sweden and working with Oliver Tank, right smack in the midst of his national tour. So you're on tour at the moment, and all of your shows are pretty much sold out. How has it all gone so far? It's been really great. We've got a really good crew and they're all people I know really well, so it's just like hanging out with friends really! The shows have been really nice, it's a big difference selling out shows and knowing there'll be a lot of people there to see you, as opposed to driving halfway across the county and ending up with 20 people in a room. It's been amazing and everyone has been really receptive so far, so it's good. Is this your first time performing with a band? What has that been like for you? We did Falls Festival with the band and a festival in March in Sydney with the guys, but they were really just warm up shows to get it all up and running. This is the first tour that we have headlined and the first time we've been on the road together. We've got a chance to do a few shows back to back, which has been really good. It has allowed us to have a closer look at the songs and workshop stuff a bit too. You have also done some international touring earlier this year, how was the reception to your music overseas? I was really surprised actually! I've been really lucky here to have the support of triple j and FBi that have allowed me to get in front of a lot of people quite quickly. Overseas that hasn't really been happening, it's just been word of mouth over the internet. The London show sold out and the New York show sold out, and the one in Amsterdam was packed, so it was really surprising to see that. It's kind of weird because it's very passive, going to these far away places and people happen to know about you! It's strange but it's nice. This tour is showcasing your recently released second EP Bones. Did the songs come together in a different way to your debut EP The Breach? It was a similar process in a way. Quite a few of the songs on Bones started out in the same place as The Breach, and they were kind of the ones I started writing a bit closer to the end of that period overseas. I wasn't quite finished with them when I got back but they all came from a very similar place — a lot of the themes are pretty similar as well. I think I learned a lot with The Breach EP production-wise and my own writing process, and I think Bones was more of a way to experiment with that and refine it a bit more. In a way I think they are both from the same chapter of my life, we'll have to see what the next one is. https://youtube.com/watch?v=FzdxNjwsoAI There is a wonderful remix of The Breach by Oliver Tank on the Bones EP. You two seem like a match made in heaven, how did that collaboration come about? I had seen him when he was supporting James Blake at the Opera House in Sydney, and when he first put out his EP years ago was when I just got back to Australia and I was listening to it a lot up in Armidale. It just kind of captured me straight away, I just sent him an e-mail just to see if he was interested and we just took it from there. I gave him a lot of creative control and said, "There's no agenda here, I just want you to make something that you're happy with." He took his time with it and when I heard it back for the first time it blew my mind, it was so stunning. I'm really happy that we got the chance to work together. So let's go back a bit, you moved to Sweden for two years and that is where song from The Breach EP were conceived. What drew you to Sweden and how did living their influence your music? Originally I was living in Melbourne just before that and I was playing in a few bands and roasting coffee, and my life was very sorted and on a trajectory. I just felt the need to shake it up a little bit. I had a friend who had grown up in Sweden and he was out here as well making music at the time. He told me about the scene over there and how the music is a bit different and I started to get intrigued by that, to the point where I had to go and check it out for myself. When I got there I didn't have any preconceived notions of what it would be like, so I was a bit of a sponge. Spending a lot of time with a small group of people writing music in winter, we stayed in this little country town an hour south of Stockholm for three months and it was insane. It was like the images you see on the Sigur Rós covers. It was such a beautiful place and to be so far away in a different environment was pretty inspiring. You came home to produce and record The Breach in your home studio that you built in Armidale. Do you prefer this set up to a fully-equipped professional sound studio? I really do. I actually did a lot of the drum tracking within a bigger space, which was really good because it's efficient and easy and there's not really anything logistically getting in your way. But the studio that I built was tiny; I could only just fit an office chair in there. But it made you solve problems differently, maybe instead of setting up a new microphone or getting a new guitar, because that would take you eight minutes to change everything over, you didn't. Or you couldn't fit the instrument in the room properly, so you'd play it upside down. The whole set up made me make all of these interesting choices that contributed to the overall sound of the record. If you go to a big studio where a lot of bands have tracked you risk sounding like every other record that has been made in that room. I didn't want to do that, I wanted to do my own thing and it might not have been the easiest way to do it! But I'm really happy with how it worked out. https://youtube.com/watch?v=OysNiYXWga0 Your music is very distinctive; ethereal and complex. Who would you say are your musical influences? Laura Veirs, a Canadian-born singer-songwriter, she and her husband have made six albums together now and he is one of my favourite producers. She was a geologist and she has this amazing vocabulary for songwriting and she tells the most beautiful stories through geographical metaphors. It's just stunning; she's one of my all time favourites. I guess I listened to a fair bit of Bon Iver when that first record came out, and Jeff Buckley when I was growing up, that's probably where the falsetto comes from. You've produced two wonderful EP's, any plans on releasing a debut LP album this year? I'm working really hard to make that happen. At the moment there's not a deadline, I don't want to put anything out that I'm not completely happy with. I'm just writing as many songs as I can and trying to finish them off when they feel ready. It would be really nice to get something out this year, but I'm not making any promises (laughs). What else has this year got in store for you once you've finished the Bones tour? We're heading up to Splendour in July, which will be awesome. Going to drop in to Armidale on the way back — I haven't been there for a few months so that will be good to catch up with some people there. In August there will be a festival in Port Hedland so we'll head up there for a few days. Missy Higgins is playing and the Kite String Tangle, and a few other people I'm looking forward to sharing the stage with so that will be nice. A lot of song writing this year I think, it should be a lot of fun. TOUR DATES: WED 14 MAY - Northcote Social Club, Melbourne (SOLD OUT) THU 15 MAY - Northcote Social Club, Melbourne (SOLD OUT) FRI 16 MAY - Northcote Social Club, Melbourne (SOLD OUT) TUE 20 MAY - Newtown Social Club, Sydney (SOLD OUT) WED 21 MAY - Newtown Social Club, Sydney (SOLD OUT) THUR 22 MAY - Newtown Social Club, Sydney (SOLD OUT) FRI 23 MAY - Alhambra Lounge, Brisbane SAT 26 JULY - Splendour in the Grass, Byron Bay
First, Boy Swallows Universe was a must-read book by Trent Dalton, spinning a tale about a young boy, his prophetic brother and his jailbreaking best friend as they navigate the heroin-filled underworld of 80s Queensland. Then, the Brisbane-set story became one of 2021's stage hits, earning admirers new and old while treading the boards. Next, it's about to become your next must-binge homegrown show, with Netflix announcing a streaming adaptation of the award-winning book earlier in 2022. If you've been wondering since how the latter might turn out, the platform has just dropped more details — and some behind-the-scenes photos. You can stop your fan casting, because unveiling which famous faces are taking on the novel's characters is Netflix's new news. It's a hefty list, with the eight-part limited series set to star Travis Fimmel (Raised by Wolves) as Lyle Orlik, Simon Baker (Blaze) as Robert Bell and Phoebe Tonkin (Bloom) as Frances Bell — as well as Felix Cameron (Penguin Bloom) as Eli Bell, plus Lee Tiger Halley (The Heights) as Gus Bell. Also nabbing parts: Bryan Brown (Hungry Ghosts) as Slim Halliday, Anthony LaPaglia (Nitram) as Tytus Broz, and Sophie Wilde (Eden) as Caitlyn Spies, plus Christopher James Baker (Ozark) as Ivan Kroll, HaiHa Le (Back to the Rafters) as Bich Dang and Deborah Mailman (Total Control) as Poppy Birkbeck. And, you'll see Ben O'Toole (Barons) as Teddy, Zachary Wan (Never Too Late) as Darren Dang, and Millie Donaldson and Eloise Rothfield as Shelley Huffman (aged 17 and 13, respectively). Exactly when the series will hit your queue still hasn't yet been revealed, but it's scripted by screenwriter John Collee (Master and Commander, Happy Feet, Hotel Mumbai), and the show's executive producers include Troy Lum (The Water Diviner, Saving Mr Banks, Mao's Last Dancer), Andrew Mason (The Matrix, The Water Diviner), Sophie Gardiner (Howard's End, Chimerica), Kerry Roberts (Foe, Boy Erased), and Aussie actor and filmmaker Joel Edgerton (The Underground Railroad, The Green Knight). On directing duties: Bharat Nalluri (The Man Who Invented Christmas), Jocelyn Moorhouse (The Dressmaker) and Kim Mordaunt (The Rocket). On the page, Boy Swallows Universe has snagged a slew of local awards, including Book of the Year, Literary Book of the Year and Audio Book of the Year at the 2019 Australian Book Industry Awards. The novel, which has sold a hefty amount of copies in Australia alone — 160,000 in 2019, when the play was announced — was also longlisted for Australia's most prestigious literature prize, the Miles Franklin Award. And, while bringing Boy Swallows Universe to the screen has been in the works for some time — with Harper Collins selling the television rights to the novel back in 2019, and Edgerton set to produce the show since then — if you've been waiting to actually lock your eyes on a Boy Swallows Universe series, now it's finally happening. Boy Swallows Universe will hit Netflix as an eight-part series sometime in the near future. We'll update you with further information, including a release date, when it's announced. Images: Netflix.
The days might be shorter, but that just means more time for hearty comforting food and cosy drinks. This winter, venues across South East Queensland are leaning into the seasonal spirit with themed menus, special events and plenty of reasons to gather with mates — from candle-making classes and Sunday brunches to al fresco spritz-filled sundowners. Whether you're craving riverside views, a playful new night out or just an honest winter feed, these nine venues are well worth rugging up for. The Kenmore From seasonal specials to boozy hot chocs, there are plenty of ways to enjoy The Kenmore's wisteria-filled courtyard this winter. Right now, the western suburbs gem is plating up a high tea for two for $45, with an option to add a two-hour drinks package for $30 a head. Or, pair your tower with a limited-time Bailey's or espresso martini hot chocolate, both of which are available throughout the season. For a more romantic outing, date night is sorted with a two-course dinner and a bottle of wine for just $99 per couple, available Monday to Friday. The venue is also catering to groups, with a brand-new Sunday brunch menu running until the end of August — and no minimum spend to book the whimsical wisteria-framed courtyard for your next function. The Jindalee Hotel No plate is safe as The Jindalee plates up a taste of the Mediterranean this winter. The new Greek Feast menu is built for sharing, a generous spread that includes the likes of haloumi salad, slow-braised lamb shoulder and spicy loukaniko sausage pasta and is best paired with the island-inspired Santorini Sips cocktail menu (coconut marg, anyone?). On Thursday, August 15, things get a little cheekier with Candy's Mama Mia Cabaret Show, an adults-only evening of drag, burlesque and interactive games, with a two-course dinner included. Then on Friday, September 19, test your knowledge at a Greek- and Mediterranean-themed trivia night with a two-course meal and prizes for the sharpest teams. Riverland Eagle Street's expansive al fresco hang-out is embracing the cooler months with a stacked winter lineup. You can wine and dine riverside at the new Scarlet Bottomless Brunch, backdropped by sweeping views of the Story Bridge and vibrant seasonal floral displays, with multiple package options starting at $40. Or, banish the midweek blues by settling in for Uncorked Wednesdays, complete with flowing wine, charcuterie and live music from 6–8pm for $69. If you like your date night with a little sparkle, the Twilight Dinner for Two includes a curated three-course menu, riverside seating and soft city lights. For something more interactive, Wick & Sip and Sip & Sparkle offer a more hands-on experience — these expert-guided candle-pouring and earring-making workshops (plus a glass of wine) will be running all season. Coomera Lodge Hotel Coomera Lodge Hotel is dialling up the winter magic this season with four private igloos now open for bookings. Each one is decked out with twinkling lights, comfy seating and plenty of charm, perfect for intimate group hangs, special occasions or a snug date night — and you can settle in and order from the venue's seasonal winter menu to enjoy delicious eats and drinks delivered right to your dome. Whether you're escaping the chill or just looking to shake up the routine, this is winter dining with a side of wonder. Burleigh Town Hotel Claim bragging rights over your mates this season at Burleigh Town Hotel's Winter Play-Offs. Round up your crew for weekly game nights, running every Thursday through August, where you can test your skills (or just talk a big game) over food and drinks. The dedicated sports bar menu is made for fuelling the fun, packed with crowd-pleasers that pair perfectly with cold beers and friendly rivalries. Hope Island Tavern If you're craving a taste of Euro summer, Hope Island Tavern might be your next best bet. This winter, the Gold Coast venue is channelling sun-drenched afternoons on the Amalfi Coast with its Eurosummer menu of coastal bites, crisp spritzes and holiday-style ambience that invites guests to slow down and soak it in. On weekends, Aperitivo Arvo takes over from 2–5pm — $35 per person scores you a table of tapas and a spritz, best enjoyed under the sun with good company. Whether you're feasting or just grazing, this is your passport to a Euro-style escape, no boarding pass required. Regatta Hotel Toowong's stately Victorian watering hole is embracing the chill this winter with elevated comfort food and warming sips. Tuesdays bring hands-on fun with Crust Almighty, where you build your own pizza with a range of fresh ingredients, while Thursdays are home to The Winter Catch, a generous and deliciously messy seafood boil for two. In the courtyard, a two-person meze platter sets the tone for casual catch-ups — ideal for pairing with a mulled wine or cider, available all winter long. Salt Bar Kingscliff's Salt Bar is turning up the heat this winter with Festival of the Sun, a three-month celebration of flavour, creativity and community running through September. In addition to weekly live music on Fridays and Saturdays, Wednesday trivia and free kids' activities every Sunday, you can also head in for a Paint & Sip session on Thursday, August 14, or a Resin & Sip night on Thursday, September 18, both inviting you to get crafty with a glass of wine in hand. Newnham Hotel Escape to a dazzling Neon Winter Wonderland at the Newnham Hotel, where glowing lights, immersive decor and private igloos set beneath the stars set the scene for everything from date night to group hangs. Igloo bookings are available Tuesday to Sunday, with exclusive Friday and Saturday sessions priced at $30 per person and including a share board stacked with seasonal bites. The Upper Mount Gravatt spot — which unveiled a smart new look in February — will be home to this immersive seasonal experience until Sunday, September 21. For more information — and to explore more great venues — download The Pass app.
It's the moment that many a price-conscious Australian fashionista has been hoping for — the opening of our very own H&M. Yes, right here, Down Under, we'll soon be able to indulge in the highly trendy yet easy-on-the-budget range that shoppers across five continents have been enjoying for seasons. The store, to be launched during the first few months of 2014, will be occupying a space in Melbourne's illustrious 150-year-old GPO building. With 5,000 square metres of area and three floors, it will be a full concept flagship number, as well as one of the most expansive H&M shops to be found anywhere on the planet. What's that sound I hear? Your bank account heaving an enormous sigh? "We are very excited to announce that we will be opening the first H&M store in Melbourne, Australia during 2014," commented Hans Andersson, country manager for H&M Australia. "We look forward to bringing fashion and quality at the best price to Australian customers." Watch this space for more launch news.
In the Queensland summer, there’s nothing better than enjoying a meal and good company in the great outdoors. A gentle breeze, a pleasant view and perhaps a tasty beverage are just the icing on the al fresco cake. Here are some of Brisbane’s best al fresco dining options. South Bank Surf Club The South Bank Surf Club is al fresco dining at its finest; in fact - you can't dine inside. The lower level, with the bar and kitchen, is the perfect place for a quick drink or meal. The upper level houses a massive wooden deck with views over Streets Beach and across the river at the city. For something more intimate, dine alfresco on 'the catwalk’. This strange and thin architectural platform will give you a bird's eye view over punters below and views out to Streets Beach and Brisbane city. 30aa Stanley Plaza Parklands, South Brisbane Merthyr Bowls Club Whether you’re a lawn bowls pro or simply a patient observer, it’s impossible to avoid being charmed by the ambience and beautiful location of Merthyr Bowls. Set right on the Brisbane River and backing on to Oxlade Drive, New Farm, the food is affordable, the beer is cold, and if the weather’s right, you’ll be hard pressed to find a better place to spend a leisurely afternoon. 60 Oxlade Drive, New Farm Beach Burrito Company Beach Burrito Company opened their first Brisbane restaurant earlier this year, introducing their summery vibe and casual dining to Fortitude Valley. Best of all, they’ve made the most of the space behind their Brunswick Street store and created a beach-style courtyard (beware: it’s tough on shoes) for patrons to enjoy while chowing down on tacos, burritos and jalapeno poppers, and sipping a ghetto can beer. The endless summer has arrived. Shop 2/320 Brunswick Street, Fortitude Valley Next Door Kitchen & Bar Like a side of 1920’s Speakeasy glam with your lunch? Then Next Door Kitchen and Bar is for you. While you might expect to find a venue like Next Door in a hidden basement, this one is located on Little Stanley Street, where you can relax with a decadent cocktail while the hustle and bustle of South Bank passes you by. Pair that ambience with a menu perfect for shared dining, and you’ve got yourself sorted for the afternoon or evening. Shop B11 Little Stanley Street, Southbank The Balfour Kitchen The team behind The Balfour Kitchen have managed to transform a house in suburban New Farm into a resort-style dining haven. You can eat inside, but why bother when the balcony and front garden are so perfectly appointed? Greenery including bamboo lines the driveway and garden, giving a tropical feel that goes perfectly with the Asian-influenced menu. 37 Balfour Street, New Farm
From 1279–1213 BCE, Ramses II ruled over Egypt. When Saturday, November 18 rolls around this year, a collection of items from the pharaoh's rule 3000-plus years ago will gleam in Australia. First announced back in 2021, and now locking in its dates and details, Ramses & the Gold of the Pharaohs will display more 181 rare artefacts and treasures at the Australian Museum in Sydney — including sarcophagi, animal mummies, royal masks, jewellery, amulets and other golden items from the ruler's tomb. Focusing on Egypt's third pharaoh from its 19th dynasty — a ruler also known as Ramses the Great, who enjoyed the second-longest reign of any pharaoh, and is considered a symbol of the country's prosperous ancient New Kingdom period — this showcase is set to be big. The Australian Museum has dubbed it the largest cultural collection Down Under in more than a decade, in fact. While the hefty number of objects featured is impressive, so is their rare status; some of the pieces included haven't ever left Egypt before. [caption id="attachment_908639" align="alignnone" width="1920"] World Heritage Exhibitions[/caption] Bringing a slice of history to Australia's shores, Ramses & the Gold of the Pharaohs will be filled with items from museums and historical sites in Egypt, which are being loaned to the exhibition by Egypt's Supreme Council of Antiquities. Also included: letting attendees enter two of the ruler's monuments — the Tomb of Queen Nefertari, and the temples of Abu Simbel — virtually. [caption id="attachment_908637" align="alignnone" width="1920"] Paris Exhibitions[/caption] "Mystery surrounds Egypt's origins, religions and monumental architecture — many of which were built during the reign of Ramses II," said The Secretary-General of Egypt's Supreme Council of Antiquities Dr Mostafa Waziry, who is also an archaeologist, launching the countdown to Ramses & the Gold of the Pharaohs. "This ability to transcend age and time has ensured the Egyptians have an eternal place in history, and I invite visitors to discover for themselves why Ramses II is often regarded as the greatest, most celebrated and most powerful pharaoh of all time." [caption id="attachment_908641" align="alignnone" width="1920"] World Heritage Exhibitions[/caption] "The AM is thrilled to present these exceedingly rare objects in an exhibition where visitors can appreciate their astonishing beauty and enduring history firsthand. Ancient Egypt holds intrigue and fascination for all age groups, and I know Ramses & The Gold of the Pharaohs in Sydney will introduce the mystery of the pharaohs to new generations of locals and visitors alike," added Australian Museum Director and CEO Kim McKay AO. Presented in partnership with World Heritage Exhibitions, Neon and the Houston Museum of Natural Science, with support by Egypt's Ministry of Tourism and Antiquities, and also funding from the NSW Government's Create NSW Blockbusters Funding initiative, Ramses & the Gold of the Pharaohs heads to Australia after showing in Houston and San Francisco in the US, as well as its current season until September in Paris. Sydney was also meant to celebrate a different Egyptian rule, Tutankhamun, a few years back; however, Tutankhamun: Treasures of the Golden Pharaoh, which was due to bring more than 150 items to the Australian Museum in 2021, was cancelled due to the pandemic. [caption id="attachment_908640" align="alignnone" width="1920"] World Heritage Exhibitions[/caption] [caption id="attachment_908638" align="alignnone" width="1920"] World Heritage Exhibitions[/caption] Ramses the Great and the Gold of the Pharaohs will display at the Australian Museum, 1 William Street, Sydney, from Saturday, November 18 until May 2024 — head to the exhibition's website for further details, and tickets from Monday, July 17. Top image: Paris Exhibitions.
In the lead-up to new Hollywood-set satire The Studio premiering its first season on Apple TV+, the streaming platform kept doing something that's a well-established element of the entertainment industry: name-dropping. This is the latest project from long-time collaborators Seth Rogen and Evan Goldberg after Superbad, Pineapple Express, This Is the End, Bad Neighbours and its sequel, The Interview, The Night Before and plenty more, with the pair co-creating, co-writing, co-directing and executive producing the series. Rogen (Mufasa: The Lion King) stars, with Catherine O'Hara (The Wild Robot), Ike Barinholtz (Curb Your Enthusiasm), Kathryn Hahn (Agatha All Along) and Chase Sui Wonders (City on Fire) rounding out the main cast. That's a starry group already. Across two trailers, however, a heap of guest parts and cameos were revealed — including for Bryan Cranston (Argylle), Zoë Kravitz (Blink Twice), Paul Dano (Fantasmas), Olivia Wilde (Don't Worry Darling), Charlize Theron (Fast X), Anthony Mackie (Captain America: Brave New World), Zac Efron (A Family Affair), Sarah Polley (Women Talking) Greta Lee (Past Lives), Ice Cube (Teenage Mutant Ninja Turtles: Mutant Mayhem), Rebecca Hall (Godzilla x Kong: The New Empire), Adam Scott (Severance), Ron Howard (Jim Henson Idea Man) and Martin Scorsese (Killers of the Flower Moon). A few days before the show's Wednesday, March 26, 2025 debut Down Under, the full list of well-known talents appearing on-screen arrived. Dave Franco (Love Lies Bleeding), Jean Smart (Hacks), Johnny Knoxville (The Luckiest Man in America), Josh Hutcherson (The Beekeeper), Quinta Brunson (Abbott Elementary), Ramy Youssef (Poor Things), Steve Buscemi (Transformers One), Zack Snyder (Rebel Moon), Aaron Sorkin (Being the Ricardos) and Parker Finn (Smile and Smile 2) are among them, too. It's clear through the roster of names, in The Studio's ten-part initial season itself, and from talking with a number of the show's cast and guiding forces: this is a series with the utmost of love for the art of making pictures, even as it savvily pokes fun at the whole business around movies. The task that Rogen and Goldberg have set themselves, and achieve winningly, is anchoring the act of parodying Tinseltown with details drawn from real-life experiences, assistance from that enviable lineup of Hollywood folks joining in and a celebratory insider spirit. Rogen plays Matt Remick, a film executive who has only ever wanted one job: to run the fictional Continental Studios. It doesn't take long for that dream to come true, or for the character to realise what being a studio head truly means. "I got into this because I love movies. But now I have this fear that my job is to ruin them," he tells his mentor and predecessor Patty Leigh (O'Hara). That line is indicative of The Studio's knack for turning reality into astute, acerbic but affectionate viewing — Rogen and Goldberg once heard it themselves, uttered by an IRL executive. "They're all really close to our experience in some way, shape or form," James Weaver — who co-runs Point Grey Pictures, the production company behind The Studio, with Rogen and Goldberg — tells Concrete Playground about the link between the series' characters and scenarios and actuality. That said, the team's own interactions across their careers were just the beginning. "We met with a lot of people in the industry who are friends of ours, who had run studios, et cetera, and tried to mine their experience for when we're not around. What do they say behind closed doors? And so I think we tried to have an understanding of what those conversations were like." Personal inspiration remains key across the show, though. "Giving a note to a filmmaker that you really respect, and a note that you know is not going to be popular, is something we've definitely had to do," Weaver continues. That 'been there, felt that' vibe is also crucial to the search for validation at the heart of The Studio. Everyone wants it, executives and megastars alike, whether by getting a gig, having their ideas heard, making a hit, leaving a legacy, winning awards, being thanked in public or being seen to have a worthy job. "Wanting to be thanked at an award show because that's the only evidence that you did anything on it is something that we've seen as well," Weaver advises. "I think we're hoping that that's coming through, that the authenticity of our experience is in the show, and that's partially, I think, what people seem to be liking." In Matt's Continental team, three fellow studio employees are rarely far from his side: Barinholtz's Sal Seperstein, another seasoned executive; Hahn's Maya Mason, the company's marketing head; and Wonders' Quinn Hackett, an up-and-comer. From their respective time in the business, each is familiar with the types of characters that they're portraying — and that knowledge played a part in their performances, sometimes directly and sometimes in a more general sense. "A lot of studio executives I've worked with over the years, some great, some not so great, but I pulled little moments from a lot of them and put them into Sal," Barinholtz notes. "I have not one specific person. What they wrote was what I basically followed. But as I was putting the costumes on, there's definitely some humans, one could say," Hahn says. For Wonders, "my best friend is an assistant to a director, and she is someone who's very precocious, very ready to take over the world, but definitely has to earn her stripes and bide her time, and I think lots of young, ambitious people can relate to that. So that's one person I had in mind." As Continental's execs weather everything from endeavouring to capitalise upon the intellectual property-driven movie trend by making a Kool-Aid flick to attempting to capture an expensive golden-hour one-take shot — plus missing footage, casting conundrums, trailer scandals, the Golden Globes and annual US movie theatre-owner convention CinemaCon — chaos is their baseline. Still, Wonders also sees the series as having "a big sense that if you love what you do and you do it with integrity, as sappy as that is, there is going to be something in it for you, some sort of goodwill that comes your way. I feel like these characters find they have sad lives where they just are so dedicated to this one thing, and at the end of the day they kind of find their family. So that's a nice universal message". [caption id="attachment_997078" align="alignnone" width="1920"] Photo by Eric Charbonneau/Apple TV+ via Getty Images.[/caption] And that oner? It isn't just a focus of a storyline within the show; long takes are also part of its own style. "It felt like every scene was a play, like you're doing a different play every scene — and just once you got dialled in, once we rehearsed and you knew what you were doing, it was really exhilarating to be in that zone," Barinholtz shares. "It's definitely more challenging, but then it's amazing how much you can accomplish," adds Hahn. "There's something heightened about doing it as a oner that I really, really love." We also chatted with Goldberg, Weaver, Barinholtz, Hahn and Wonders about the love that's baked into The Studio, that search for recognition that drives its characters, ensuring that the series is relatable far beyond Hollywood insiders, its visual approach, those cameos and more — including how Barinholtz and Hahn's past TV comedy roles on recent greats such as The Mindy Project, Parks and Recreation and The Afterparty came in handy. On How Everything in the Series, Jokes and Cameos Included, Filters Through the Show's Love for the Film Industry James: "At the beginning of the show, we really knew that this was going to be about having a show about how we love making movies. So I think it comes through the lens of that, everything that happens. So in terms of making jokes about A24 or some of the other companies that are in there, we've made movies with A24. They're great people. They do incredible work. And so I think the entire show is about our experience in Hollywood for the last 15 years, and I think we're trying to bring some truth and some sense of 'this is how it is', but also all through the lens of humour and fun. As far as the cameos, each of them came about in different ways. Some of them are people we've worked with in the past. Some people like Martin Scorsese or Zoë Kravitz, we met for the first time — and either through the script that Seth and Evan had written or through meetings, we talked to them about how we wanted to portray them in the show. And they were really excited and game. There is a history, whether it be The Player or The Larry Sanders Show, of Hollywood satirising itself. And so that was something that people understood, what we were going for, and people were really trusting and excited to be there. I think that we're not necessarily worried that people are going to see the show as some sort of takedown of Hollywood, because we love Hollywood and we love the fact that we get to make movies. It really is more of a presentation of our experience through the comedic lens than it is any takedown of the industry." On Barinholtz, Hahn and Wonders' First Impressions When The Studio Came Their Way Kathryn: "I mean, just to hear that these humans were involved. And I've never really worked with Seth and Evan together. And just the writing of it was just hilarious. And to think of these humans in those parts was really exciting. I couldn't wait to jump in." Chase: "They're telling very risky jokes, and I remember reading them on the page and thinking 'this is something I've heard behind closed doors, but never on television for all eternity'. So it's always good when you feel like you're doing something that's pushing boundaries." Ike: "I remember Seth called me and said 'hey, we're writing ...'. And I said 'I'm in'. And he said 'it's a show about Hollywood'. I said 'I'm in'. And he said 'Catherine O'Hara is going to be in it'. I said 'I'm in. I'm already in.'. It was the world's easiest 'yes'. It was just literally the world and the writing, and having them and Catherine — and Bryan Cranston, who is in really good physical shape. Beautiful body. It was the world's fastest and easiest 'yes'." On the Search for Validation That's at the Heart of the Show Evan: "I would say the nice thing about that element of the series is we set out not to make an aspirational version of Hollywood, but to make a real version of Hollywood. And that is the real version of Hollywood. People are very cynical and all that in the world today, but Hollywood is mostly people who are wildly passionate, care deeply and would rather do this than anything else in the world — no matter how high or low they are on the totem pole of success. People just are passionate in a way that most industries aren't. And so we get to tap into those hopes and dreams in making the show, merely by trying to replicate the real experiences we've had. And, of course, it doesn't always work out for people, and sometimes it does and sometimes it doesn't, but the passion is the thing that bleeds through it all." On the Importance of Balancing Satire and Affection for the Cast — and the Fact That The Studio Takes the Art of Filmmaking Very Seriously Chase: "I think it's important. And one thing Seth and Evan really tried to hit is the realism of the comedy, and comedy born of situations where people are just trying their hardest and it's just these doofuses who can't quite get it right. It also helps when our production design is impeccable, the way we filmed it is so high-level and it just naturally lends itself to a more elevated, smart type of comedy than just a slapstick sort of thing." Kathryn: "Because everything is so elevated, you really feel a certain responsibility to uphold the world around you and the filmmaking around you. And there is less opportunity for hamming around. So everything feels very focused in a way that keeps the energy legit and high and focused." Ike: "Could not say it better than they just did, so I won't." [caption id="attachment_997090" align="alignnone" width="1920"] Photo by Eric Charbonneau/Apple TV+ via Getty Images.[/caption] On How Barinholtz and Hahn's Past Work on Fellow TV Comedies Such as The Mindy Project, Parks and Recreation and The Afterparty Helped Them on the Path to The Studio Kathryn: "All good ensembles." Ike: "Yes, yes." Kathryn: "Great ensembles." Ike: "Great showrunners." Kathryn: "Yes." Ike: "Great writing." Kathryn: "Great writing." Ike: "We're lucky to have been through a lot of those and seen how they all work. And this was different than all those, just because they went about it a different way. But I think you learn every time you do a show, every time you do an episode of a show or whatever, you learn something, you learn a new trick. So it definitely makes it easier." On the Elements of the Series That Most Felt Real for the Cast and Crew James: "It all feels real to us. I mean, I think we day to day are in these conversations about what kind thing to get behind in terms of a movie or TV show — or who's a filmmaker or a performer that we really believe in. Then we have to have those conversations about 'how is this thing going to make people money?'. It's really this idea of art versus commerce that I think is at the centre of what the show is. But as Evan was just saying, I think then you put overlay that with characters who care deeply about doing something artistic, but also care deeply about not getting fired. And so I think those two ideas are butting up against each other at all times. And that feels very real. The executives that we've been working with for 15 years are friends of ours. We've watched them get married to each other and there's a lot of like, a lot of community, in terms of the people that this show is portraying. And so it all feels very real to us when it goes through that lens. Seth and Evan are also just very, very funny people. So when it comes to making the jokes and the scenarios out of the real thing, they're just very talented at making that funny and entertaining. But it comes from a real place, and I think that's why hopefully people like respond to the show." Ike: "I'm friends with a lot of people who are studio executives, and I think they like to drink a lot. And so I stole that, and I drink a lot in the show. In real life, moderation — but in the show, I have a problem." Kathryn: "Always moderation." Ike: "Always moderation. That's the takeaway." Chase: "I think also studio execs are people who wield a lot of power, but when they're put in front of actors, who are these big personalities, they can be very shy and kind of cower away. And that's something that's both really fun to play the comedy of and also show the humanity of these characters." Ike: "That's a good answer." Kathryn: "I definitely have been in things in which I've seen the mockups for the posters or the possible trailers, and clearly no one has seen the show or the movie. They're so wildly not what the movie's about." Ike: "Yes, yes, yes." On Making the Series Relatable Outside of Hollywood Ike: "I think that the guys, Seth and Evan, did a very good job — even though the show is undeniably set in this world of movies and studios and executives, I think a lot of the situations in each of these episodes are things that everyone has dealt with. We've all had a boss who's gotten too drunk. We've all wanted credit for something and we are afraid we're not going to get credit for it. We've all been jealous of a coworker at some point. So I think a lot of the themes that they deal with in the episodes are universal, and whether you are someone who works in entertainment or around entertainment, or you have nothing to do with entertainment, you'll recognise a lot of those themes and scenarios, and hopefully they'll make you laugh." Kathryn: "Chances are people watch entertainment, so they'll get an idea of what the situations are. But also it's made with love, and so I think that's a different thing, too. There's such care for these characters and there's such love for this business of making movies, and nobody's really tearing down anybody. And I think that that also feels fun for an audience, too." On the Visual Approach When You're Making a TV Series About Filmmaking Evan: "For our show, the method we filmed it came from two different sources. One was, directorially Seth and I have done a lot of improv comedy feature films where we do a wide shot, medium and we get cross coverage of closeups, and then in editing we mess with all the improv we did. And we just wanted to do something very different, so we thought long extended takes would be a great way to do that and to make it more directorial as opposed to written and edited. Then through that conversation, we talked about how it could impact the actual storytelling — and the thing we wanted to embrace was the panic that a lot of these people experience in these jobs. These studio heads, even though they're very powerful and very passionate and very intelligent, they're often panicking because they can just lose their job for one big disaster. One flop and their whole job, maybe even their career, could be done or messed up for a long time. So we thought it would good to anchor people in that mania, and in that intensity, and let them feel the panic — and the best way to do that is make it feel like you are a person, like you are the cameraman, like there's an individual there. So we used one lens with long takes, and it whips back and forth just like your own head would if you were in that room experiencing the scenario that our characters are." On Working with Seth Rogen in His Many Roles on the Series: Star, Co-Creator, Co-Director, Co-Writer and Executive Producer Ike: "Oh man, I'd worked with him a couple times but never as a director. And he's really incredible, I think, at acting and being present in the scene — but he's watching everything. So if there's a slight little problem in a take, if the camera operator accidentally bumps into someone and the camera shakes for half a second, Seth has seen it. And he will just start laughing and go 'let's go again'. But he's just very tuned in. I'm very impressed at how much. You would think, that for who he is and what he ingests, he would be just not — but he is so freaking tuned in. And he's also just an incredibly good-natured guy. I think a lot of times, if something goes wrong, I've seen directors or producers blow their stack and get mad — and I don't know, it's just they're nice Canadian boys who just don't get that upset." [caption id="attachment_997093" align="alignnone" width="1920"] Photo by Eric Charbonneau/Apple TV+ via Getty Images.[/caption] Chase: "Doesn't yell, doesn't get mad." Ike: "They don't yell." Kathryn: "You could see sometimes when you screwed up and you're trying to find a word, and then you see him, you see him basically shake his head and look at you." Chase: "Yeah, yeah, yeah." Kathryn: "And you're like 'well, save me'." On the Securing The Studio's Many, Many Cameos James: "Martin Scorsese was someone that we all admire and never thought we would have a chance to meet. Seth and Evan wrote a script with him as that character, and we sent it to him and he read it, and he was like 'yeah, I'd love to do it'. And then all of our heads exploded, basically. But then people like Charlize Theron or Zac Efron, they're all people that we have worked with in the past, so they were people that we could talk to directly and say 'hey, we have this idea for a character for you in our show'. And then there were some new people we got to meet, like Zoë Kravitz or Olivia Wilde. They were characters that we wrote for the show, and we just had to meet with them and get their ideas on that character. Seth and Evan were on a lot of zooms with each of them before they signed on. But it was nice, because I think once Martin Scorsese said yes, there were several phone calls that I started with 'so Martin Scorsese's doing the show — so can you do the show?'. And that was really nice, because people would generally say 'yeah, sure'." The Studio streams via Apple TV+.
Fans of The Handmaid's Tale have had to wait longer than expected for its fourth season, with the dystopian series' next batch of episodes among the many things that were postponed due to the pandemic. But, come April, that delay will come to an end — and if you're wondering what's in store, another tense trailer has just dropped. This is the third time that viewers have gleaned a sneak peek at the show's next season, after a first teaser last year and a second glimpse last month. And yes, June (Elisabeth Moss) is still battling against Gilead after season three's cliffhanger ending. In fact, after everything that the oppressive regime has done to her and her loved ones — and the ways in which it has changed life for women in general — she's firmly out for justice and revenge. The new season will kick off Down Under on Thursday, April 29, airing weekly on SBS and streaming episodes via SBS On Demand in Australia and Neon in New Zealand. Based on the three trailers so far, you can expect your anxiety levels to ramp up several notches while you're watching. Of course, viewing The Handmaid's Tale has never been a stress-free experience. Given its storyline, that was always going to be absolutely impossible. Fans will be seeing where the show's narrative heads for some time to come, too, with a fifth season of The Handmaid's Tale green-lit before the fourth even airs. Toppling a totalitarian society that's taken over the former United States, tearing down its oppression of women under the guise of 'traditional values', and fighting for freedom and equality doesn't happen quickly, after all. Neither does exploring the tale initially started in Margaret Atwood's 1985 book via an award-winning TV series. Check out the latest season four trailer below: The fourth season of The Handmaid's Tale will hit start airing in Australia and New Zealand on Thursday, April 29 — on SBS TV, and to stream via SBS On Demand and Neon, with new episodes arriving weekly.
Fancy a stylish beachside escape where you can unwind with the help of salty air and stunning views? A trip to NSW's stunning Central Coast will tick all those boxes, no long-haul flight required. Located just over an hour north of Sydney, the region is peppered with designer beachfront abodes and charming coastal resorts promising holiday vibes on tap. We've done the hard work for you and pulled together 11 of the Central Coast's finest places to stay, each of which can be found on Concrete Playground Trips. Book your spot, pack a bag and get set for an indulgent weekend by the water. MANTRA ETTALONG BEACH Each and every one of the apartment-style accommodations (including studios, one and two-bedroom apartments and penthouses) look out over the Central Coast's picturesque Broken Bay, Brisbane Water and Lion Island. Expect large light-filled living spaces, fully equipped kitchenettes, an outdoor pool, heated spa, day spa and gymnasium all within the property's confines. 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And when you need some downtime, simply dip into one of the two onsite pools, grab some food on the newly renovated terrace, play a few sets on the tennis court and cook up some dinner at one of the barbecues — beer or spritz in hand. BOOK IT NOW. FORRESTERS BEACH RESORT This coastal property has recently had a big makeover and has now been transformed into a contemporary Hamptons-style retreat. The 34 guest rooms come with king-size beds, large two-person spas and private balconies, which either look out over the property's swimming pool with heated spa, waterfall, tropical native gardens or one of the lush courtyards. While here, you should also check out the rolling series of events taking place in the entertainment space and hit up the restaurant, bar and salon — it's treat yourself time. BOOK IT NOW. CROWNE PLAZA TERRIGAL Terrigal is a popular spot during summer, filling with out-of-towners seeking to escape the city without going deep into the wilderness — you've got great surf, plenty of restaurants and cafes, a few really good rooftop bars and streets filled with boutique stores for when you feel like a little late afternoon shopping. And Crowne Plaza is one of the most sought-after places to stay in town. The 4.5-star hotel has 199 guestrooms and boasts a bunch of luxe amenities, including an outdoor pool overlooking the beach, a day spa, two restaurants and its own cocktail bar. BOOK IT NOW. NRMA OCEAN BEACH HOLIDAY RESORT You've heard of glamping in safari tents, but have you heard about glamtainers? Now, this might just be a totally made-up word only used by NRMA, but we are all for it. The team here has turned shipping containers into small holiday homes, decked out with all the essentials — guests will have aircon, a kitchenette with a connected lounge and dining area, their own private bathroom and an outdoor deck with barbecue. But if that's not your vibe, these guys do have a bunch of cottages available, too. BOOK IT NOW. LASCALA HOLIDAY HOUSE This seven-bedroom home is made for big groups of mates or a couple of families who are looking for a glam getaway on the Central Coast. You can squeeze up to 22 people on beds. And it still doesn't feel cramped. That's thanks to the large rooms, plenty of common areas and the stunning pool that overlooks the water. It even has its own bar, billiards room, squash court and tennis court. This is the kind of place you'll remember staying at forever. BOOK IT NOW. GLENWORTH VALLEY ADVENTURES This huge property, set a few kilometres back from the beach, is known for being the place to go for horse-riding, quad biking, kayaking, abseiling and just about any other adventure activity. But there are also a whole host of accommodations — in the form of glamping tents and eco villas. Our favourites are the villas, especially the deluxe version that has its own woodfired hot tub. Escape to the country (even though you're just an hour or so out of Sydney) and either join in on the activities available or simply relax and enjoy nature. Choose your own adventure here. BOOK IT NOW. CAVES COASTAL BAR AND BUNGALOWS Stay at these bungalows, villas or the four-bedroom beach house to get direct access to the famous Caves Beach. It is but a few steps from the property. You can also wander in the opposite direction to find Lake Macquarie. Some of the best parts of the Central Coast are right here. And the accommodations are a bit alright, too. Expect contemporary Hamptons-style rooms with luxe amenities and access to the outdoor pool. Plus, if you book one of the bungalows, you'll get access to the adults-only part of the property. That means you'll be totally free from noisy kids. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world. Top image: Bouddi National Park, Destination NSW
Let me preface this by saying that I am by no means an expert in the world of movement. However, what I can offer to you dear readers is a review from the perspective of someone who appreciates dance but can’t tell the difference between a plié and a pirouette. Last Friday night I was fortunate enough to be privy to a performance of the world-renowned Sydney Dance Company doing their latest production The Land of Yes and The Land of No. I was slightly hesitant as I attended alone, however my fellow audience members and alone time made the situation ripe for eavesdropping. A mixed bag of people whose only apparent shared interest was dance, numerous conversations floated around me discussing the performance ahead. A lucky seat next to a knowledgeable couple meant I was witness to a quick course in the history of the director Rafaela Bonachela, and what was in store for me for the next 70 minutes. Bonachela has established himself as a leader in contemporary dance choreography, and this performance was to be a representation of that. The storyline of The Land of Yes and The Land of No was created as a representation of how our chaotic world is so crowded with signs, directions and instructions on such a large scale that overwhelmed people miss all of them as they go about their lives. The beauty of the performance is that it clearly highlights that at different times everybody goes through the same feeling of isolation within a busy crowded world and though we may sometimes feel alienated, people will always come to our assistance. The particular collection of dancers that were performing from the Sydney Dance Company formed a very attractive cohort indeed. The variety of male and female performers, each with very diverse and beautiful looks, all acted so equally it was impossible to identify any one dancer as the lead. I would guess this was done on purpose to represent the cacophony that is the human race. The attire that adorned the dancers may not have been pointe shoes and tutus, but it was a perfect fit for the production regardless: bare feet and simple white outfits, although all unique in styling were obviously linked to each other through a repeated use of fabric and pleating. This choice in wardrobe worked well for the performance is it again highlighted the link between humans despite their differences. The set production played a very important role in The Land of Yes and The Land of No, as the entire choreography was set around it. There were a large number of fluorescent light bulbs arranged on stage that would definitely not look out of place in a Daft Punk or Justice concert, but added an interesting youthful element to an otherwise plain stage. Throughout the show there was a level of anticipation to see how the light changes related to the scene ahead as they occurred prior to dancers entering. And change they did right from the beginning. The performance opened with a black out and then from the light bulbs a singular doorframe emerged. The first dancer on stage was a lone female whose solo to a quiet classical piece represented a struggle with living in this century. Shortly after a male companion with the task of ‘saving her’ joined her on stage. It was interesting to note how there were clearly two different levels of choreography that Bonachela had created for the piece as, after the slow beginning a larger number of lights were turned on, the music became more dominating and a larger cohort entered the stage. Throughout the show these two levels continually alternated. The sections where either all or the majority of dancers were on stage were my favourites; the way the choreography was created was very clever in highlighting how everybody goes about their life doing the same activities without generally noticing each other. In a style that was highly reminiscent of primary school music canons, the dancers would go about doing the same routines at different times before sometimes overlapping or falling into sync briefly. As the show wore on, the interaction between the different dancers became more and more frequent in both the slower and faster paced sections. Perhaps as a representation of how humans need to look to each other in order to find sanity in this crazy world. Overall I would recommend The Land of Yes and The Land of No as it addresses some very current and universal themes about the way society is conducting itself and the detriment it is doing to humans. It’s a lecture on humanity in dance form! The Land of Yes and The Land of No opens at Sydney Theatre on October 18.
"Nic fuckiiiiiiiiiiiiiiiing Cage." That's how the man himself utters his name in The Unbearable Weight of Massive Talent, and he knows what he's about. Now four decades into his acting career to the year — after making his film debut in Fast Times at Ridgemont High under his actual name Nicolas Coppola, playing a bit-part character who didn't even get a moniker — Cage is keenly aware of exactly what he's done on-screen over that time, and in what, and why and how. He also knows how the world has responded, with that recognition baked into every second of his his latest movie. He plays himself, dubbed Nick Cage. He cycles through action-hero Cage, comically OTT Cage, floppy-haired 80s- and 90s-era Cage, besuited Cage, neurotic Cage and more in the process. And, as he winks, nods, and bobs and weaves through a lifetime of all things Cage, he's a Cage-tastic delight to watch. The Unbearable Weight of Massive Talent is Cage uncaged, busting out the jazz that is his acting and adoring it, and it's a self-aware, super-meta love letter to its star and all who stan him. It's also a feature that couldn't exist without the thespian who has everything from Guarding Tess and Captain Corelli's Mandolin to The Croods and Pig on his resume; replacing him simply wouldn't work. Again, it's a Cage gem in letting Cage devotees revel in Cage doing every kind of Cage. That said, this Cage comedy is also so overtly designed to inspire Cage mania that it's easy to feel the buttons being pushed. It's the Cage movie that the internet has willed into existence, or film Twitter at least. Case in point: it has Cage realise that Paddington 2 is one of the best movies ever made. It is, but given how well-accepted that is, and how much online attention has stressed that fact — including its once-perfect Rotten Tomatoes score — weaving it into this Cagefest is one of the film's many exercises in stating the obvious. There is narrative around all that "Nic fuckiiiiiiiiiiiiiiiing Cage" and his marmalade bear-loving epiphany. Here, the man who could eat a peach for days in Face/Off would do anything for as long as he needed to if he could lock in a weighty new part. The fictionalised Cage isn't happy with his roles of late, as he complains to his agent (Neil Patrick Harris, The Matrix Resurrections), but directors aren't buying what he's enthusiastically selling. He has debts and other art-parodies-life problems, though, plus an ex-wife (Sharon Horgan, This Way Up) and a teen daughter (Lily Sheen, IRL daughter of Kate Beckinsale and Michael Sheen). So, he reluctantly takes a $1-million gig he wishes he didn't have to: flying to southern Spain to hang out with billionaire Javi Gutierrez (Pedro Pascal, The Bubble), who is such a Cage diehard that he even has his own mini museum filled with Cage memorabilia, and has also written a screenplay he wants Cage to star in. Yes, writer/director Tom Gormican (Are We Officially Dating?) and co-scribe Kevin Etten (Kevin Can F**K Himself) task the always-likeable Pascal with playing The Unbearable Weight of Massive Talent's on-screen audience surrogate. If you're watching a movie with Cage as Cage — one that begins with a clip from Con Air at that — then you'd likely jump at the chance to spend time with the inimitable figure. Who wouldn't? But that's just one element of the story, because two CIA agents (The Afterparty's Tiffany Haddish and Ike Barinholtz) inform Cage that his new pal is an arms dealer who's keeping a politician's daughter hostage to sway an election. And, they want him to indulge his host — undercover as himself, naturally — until they find the girl. The next key aspect of the tale: during this ruse, Cage and Javi genuinely become CBFFs (Cage best friends forever), including while working on a screenplay about new buddies who bond in chaotic circumstances. If The Unbearable Weight of Massive Talent could only be described by referencing a different Nicolas Cage movie — and just one, despite how many references it throws at the screen like it's a Vampire's Kiss-style Cage cavorting in the street — it'd be Honeymoon in Vegas. The 1992 rom-com boasts an ever-watchable Cage performance as most of his work does, but it formulaically flirts with rather than matches his level. The Unbearable Weight of Massive Talent wants of be plenty of other Cage flicks, though, giddily and entertainingly so; however, the film itself can't meet his most memorable fare. In a Moonstruck-esque move, it's as enamoured with its leading man as he is with Cher in that 35-year-old gem. It plays its core bromance with Wild at Heart-level passion, and covets The Rock-style action mayhem. Cage is unforgettable as Cage here in a dream part for him and viewers alike, but striving for Raising Arizona's madcap antics, Adaptation's multi-Cage movie-industry metaness, Color Out of Space's full out-there Cage and everything in-between is a big ask. How glorious it is that this is the end result, though: a movie that's so unashamedly Cage, more than anything else has every actively tried to be, and yet also isn't quite Cage enough. It's still engaging and amusing enough, but it's noticeably broad and easy with its jokes, and too content to coast by on the nonstop, blatant-as-can-be Cageness of it all. Again and again, that made-for-the-internet feeling twinges, as if Gormican has fashioned a meme of a movie stitched together with gleefully retweeted and reposted Cage clips in mind. While The Unbearable Weight of Massive Talent isn't an ego-stroking vanity project — a hefty achievement — or filled with anything but pure Cage dedication, it's the film equivalent of getting a casual line reading from its main man when you know what wild wonders only he's capable of. Indeed, as enjoyable as all this Cage-as-Cage-satirising-Cage is (Cage cubed, basically), the film is also workmanlike beyond the committed Cage and Pascal — both of whom light up the frame with off-kilter portrayals, make their characters' camaraderie feel authentic, and would shine together in a buddy comedy that isn't 100-percent Cage worship. There's fun and oh-so-much nostalgia for the Leaving Las Vegas Oscar-winner's career highs, lows and everything else, but there's also laid-on-thick cheese and little depth. While riffing on its central figure is the aim of the game, it's light when it comes to incisively skewering Hollywood, how it treats talents as distinctive (and massive) as Cage, and why his fame has taken the rollercoaster ride it has. But this sunnily shot, bouncily paced, well-intentioned affair definitely does the two things it needs to above all else: goes all-in on Cage, albeit not to a Mandy-esque degree, and makes everyone only want to watch Cage's work from now on.
Richard Jordan has written and produced a play that will resonate with any tech-savvy social media fiend. Machina is centred on David Sergeant's world. He has recently signed up to social networking site, Machina, and sold his soul to it. David isn't just one of those people who checks all social media platforms before getting out of bed (guilty), he has taken things to a whole new level. The protagonist has uploaded his consciousness onto the site and fully entered the digital world, for good. The audience joins those left behind who are scratching their heads and desperately trying to understand if this was a voluntary decision. Why not SMS, Snapchat, Facebook message or Tweet your friends to get together for Machina, as this is a play not to be missed. It'll make you think twice about how much of ourselves we lose to the digital world, what's more, the world of Machina might feel a little bit too like our own.
In Spider-Man: No Way Home, everyone's favourite friendly neighbourhood web-slinger still does whatever a spider can. (Don't expect the catchy cartoon theme song, though.) To be precise, Spidey's latest outing — starring Tom Holland (Chaos Walking), as every live-action film in the ever-sprawling Marvel Cinematic Universe that's featured the superhero has — sees him do whatever spider-men have for decades. The masked crusader shoots webs, flings them about New York and swings around the city. He helps people, battles crime, literally hangs out with his girlfriend MJ (Zendaya, Dune) and saves the world, too. As the movie's trailers revealed, Spider-Man also fights whoever his on-screen predecessors fought. The twist that isn't a twist because it's part of the flick's marketing: that villains from Tobey Maguire and Andrew Garfield's stints as Spidey show up here. Those familiar faces, including Willem Dafoe (The Card Counter) as the Green Goblin, Alfred Molina (Promising Young Woman) as Doctor Octopus and Jamie Foxx (Soul) as Electro, aren't Peter Parker's initial problem, as viewers of 2017's Spider-Man: Homecoming and 2019's Spider-Man: Far From Home will already know. No Way Home picks up immediately after the latter, after Spidey's secret identity has been blasted across the internet by online conspiracist J Jonah Jameson (JK Simmons, Ride the Eagle). The media swiftly make Peter "the most famous person in the world", the public get hostile and his college prospects — and MJ and Ned's (Jacob Batalon, Let It Snow) as well — take a hit. The only solution he can see: asking Doctor Strange (Benedict Cumberbatch, The Power of the Dog) to cast a spell to make everyone forget who he is. With drastic magic comes drastic consequences, hence those recognisable nefarious folks who know Spidey — and definitely know that he's Peter Parker — yet don't recognise the MCU's version. Marvel's next flick after this one is Doctor Strange in the Multiverse of Madness, so the franchise is about to go big on alternate worlds, but No Way Home still doesn't actually jump into that domain first. It's a curious choice on the whole huge saga's part to take cues from the animated delight that is Spider-Man: Into the Spider-Verse, which relished having multiple spider-realms, got inventive with both its concept and visuals, won an Oscar and is easily the best spider-flick to-date, all without sitting within the MCU itself. Indeed, the live-action franchise's third stand-alone Spider-Man movie can't shake the feeling that it's playing catch-up. Directed by Jon Watts, as all three recent web-slinging films have been, No Way Home does more than give flesh, blood and spandex to an ace idea already brought to the screen a mere three years back. It also delivers the heftiest helping of fan service that the Marvel Cinematic Universe has ever dished up. The franchise has long enjoyed hitting all the obvious crowd-pleasing notes, but Martin Scorsese's 2019 comment that compared MCU fare to theme parks rings particularly true here — unsurprisingly given this Spider-Man outing wants to elicit the loudest of screams and shouts from its audience. Buy the ticket, take the cinematic ride, ooh and aah over every clear spin and foreseeable twirl: amid the stock-standard CGI-packed action scenes and triple-layered Spidey nods to iterations past, not all that long ago and present, that's what No Way Home seeks from its viewers. And, it takes the rollercoaster approach to evoking that reaction, rolling its story down the most glaring of tracks. You can anticipate each jolt and shake on any given amusement ride, see every up and down coming, and still relish the experience — and that's what No Way Home is hoping for. It wants to be the fun flick that gleefully makes Spidey fans' dreams come true, and to coast on the buzz of all those fantasies fulfilled. That's all busy and nostalgic and undemandingly entertaining but, even though No Way Home isn't short on twists that haven't been laid out in the trailers, this is one of the least surprising MCU films yet. Three-time Spider-Man screenwriters Erik Sommers and Chris McKenna make every expected move they can with this greatest hits package, both within the usual Marvel formula and with the parts of their script that are meant to startle and astonish. As a result, No Way Home's best moments swing in one of two directions: weighty or silly. Much of the movie hovers in the middle, resembling the empty space between an arachnid's silky threads, but when it either burrows deep or keeps things goofy, there's enough that sticks. Pondering the cost of being Spider-Man, the film doesn't fling itself into new territory — and yet it manages to add extra strands to the 'being a superhero is tough' scenario by recognising how such woes keep recurring. Finding laughs in the whole situation isn't unique either, and No Way Home isn't as funny or as loose as Homecoming or Far From Home. Still, that's the vibe that suits Holland; in his stretch in the red-and-blue suit, he's always played Peter like an excited, awkward and overwhelmed teen who's daffily grappling with what it all means, which is particularly pivotal here. There is one brief glorious moment during No Way Home's climax — a trio of shots, all edited together rapidly and framed to match each other — that perfects what Watts is aiming for overall. It's astute, amusing, enjoyable and, although still undeniably obvious, thoughtfully taps into the existential Spidey struggle while simultaneously proving loving and playful. It's the full web, even spanning just seconds, but that term doesn't fit the bulk of the feature that sprawls around it. No Way Home isn't without its charms — Holland and Zendaya's chemistry still sparkles, it's a definite treat to see Dafoe and Molina back in the fold, and, as blasts from the pasts keep popping up, Watts cleverly juggles the varying tones of all three different web-slinging franchises — but this spider-sequel is always happiest when it's trying to catch the audience's claps and cheers just like flies.
For everyone who has ever been to a festival, soaked in everything it has to offer but wished it went for longer, the Scenic Rim's annual celebration of the region's food and drink firmly understands. When it has rolled around in past years, Eat Local Week has served up a massive incentive to wander around the southeast Queensland area. Indeed, the jam-packed event has always been so overflowing with things to fit in that it has made a big move, expanding to become Eat Local Month in 2023. That hefty change was announced earlier this year, with the first-ever month-long program spanning across a huge 32 days from Thursday, June 1–Sunday, July 2. That's quite the way to celebrate the fest's 12th birthday, and it'll be overflowing with ways to do so, too, thanks to the 139 different events on the just-announced Scenic Rim Eat Local Month 2023 program. "When Eat Local Week started in 2011, ten events were staged, attended by a few hundred people. In 2014, the program featured 80 events with 15,000 attendees and last year, in 2022, there were 125 events and almost 40,000 attendees. This year, there's 139 events," said Scenic Rim Regional Council Mayor Greg Christensen, announcing the lineup. Eat Local Month also has the support of some impressive food names thanks to its ambassador chefs. Alison Alexander, Ash Martin, Brenda Fawdon (Picnic Real Food Bar), Cameron Matthews (Mapleton Public House), Caroline Jones (Three Girls Skipping), Glen Barratt (Wild Canary), Javier Codina (Moda), Josh Lopez (Monstera Group), Kate Raymont (Scenic Rim Farm Shop Café) and Richard Ousby (Ousby Food) were already on the list before the 2023 program dropped. Now, chefs Jack Stuart (Blume and The Bowl at Boonah) and Simon Furley (The Paddock at Beechmont Estate) have joined them. All that culinary talent is getting behind a heap of excuses to eat and drink — and explore — while showcasing Scenic Rim produce, the people behind it and a region that was named one of the best places to visit in 2022. On offer: 37 long lunches, degustations and dinners; 43 workshops and classes; and 37 tours and experiences. And more, spanning both new additions to the lineup and returning favourites, including an array of 'meet the producer' events. Making a comeback this year is the beloved winter harvest festival, which will feature 70-plus stalls, complete with camel milk products and carrot ice cream. Still on those orange-coloured vegetables, the usual day dedicated to them is back as well, and you'll even be able to pull them up out of the soil. [caption id="attachment_883177" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Elsewhere, attendees can look forward to a degustation dinner at Witches Falls Winery on Tamborine Mountain; Copperhead Restaurant's first sunset soiree; and Floravesence — An Evening in the Flowers, which will take place on Elderflower Farm's flower field, and feature floral-leaning Cauldron Distillery cocktails. Or, there's a Mediterranean long-table feast in the olive grove at Olive View Estate, and the broader fest's inaugural fermented food festival — which is all about pickling and the like. Gin-blending classes, edible-flower picking sessions (and then using said blooms to decorate cupcakes), rainforest picnics, burgers and beer on the grass, a three-course feast heroing native ingredients, truffles aplenty, sunset cocktails: they're all on the agenda, too. "In its 12th year and in a new month-long format, Australia's most authentic paddock-to-plate, food and farming experience now has more time to shine the light on the farmers, growers, producers, artisans, chefs and creators in our region, and on our spectacular seasonal produce.This expansion reflects the hard work of our community, and the support of visitors from across the country," continued Mayor Christensen. Scenic Rim Eat Local Month 2023 runs from Thursday, June 1–Sunday, July 2 at various locations in the Scenic Rim. Head to the festival's website for more information and tickets.
It's true when you're on holidays, kicking back in far-flung locations with a drink in your hand. It's true if you're a Brisbanite heading down the coast for a day, weekend or short getaway, or if you're a Gold Coast local as well. That unfaltering reality? That everything tastes better when it's paired with beach views — including lively Tex-Mex brand El Camino Cantina's OTT margaritas. The chain's Surfers Paradise outpost marks its 13th nationwide and sixth in Queensland, including at Bowen Hills, Chermside and South Bank in Brisbane, and also Robina on the GC since 2020. If you've been to one of its venues, you know what to expect menu- and vibe-wise, but this is the only Sunshine State spot with that beachy backdrop. For newcomers to the chain, think loud, bright and filled with giant cocktails, rock 'n' roll jukeboxes, free sombreros and other Tex-Mex fare. Skulls, crosses, cacti and lightning bolts also feature heavily, alongside a corrugated iron bar decorated with flame graffiti — and the new joint will also boast a custom-designed mural by Ben Brown featuring a surfing skeleton. El Camino's Surfers Paradise digs seats 250 patrons, including the 30-seat al fresco dining space, with booths, high-top tables for large groups and swing-style seats all available — the latter playing up the beachfront angle. Slushie machines, a big feature at the chain's other venues, are part of the fitout as well. Cue big nights and brain freezes. El Camino's margaritas come in multiple sizes and renditions — such as a tropical Red Bull flavour, which really says it all. Other options include a host of beers from near and far, and a sizeable collection of mezcals and tequilas. The food lineup is as fun and casual as the drinks, spanning fiery buffalo wings, sizzling fajitas, plump burritos, and soft shell tacos loaded with punchy flavour combinations. The Surfers Paradise joint also boasts El Camino's signature specials, including $2 tacos on Tuesdays and ten-cent wings on Wednesdays. And, it's also the brand's first spot to also serve up breakfast, with brekkie tacos coming packed with grilled sirloin and scrambled egg, refried black beans and queso fresco, and streaky bacon with jalapeno and cheddar.
December might be all about festive viewing for some, but this year's merriest month is also delivering a new dose of TV medical nightmares. As promised since mid-2022 and feared since the first season in 2021 — if you're not fond of hospital horror stories, that is — Dr Death is returning with another true-crime tale about a sinister surgeon. The new doc in the spotlight: surgeon Paolo Macchiarini, who earned the nickname 'Miracle Man' for his innovative operations. But his charm starts to fade when investigative journalist Benita Alexander approaches him for a story — a tale that'll change her life forever, too. Once again, all of the details are drawn from reality. Once again, Dr Death is bound to prove disturbing whether you already know the ins and outs or you're set to discover them for the first time — as terrifying medical details, especially about deadly doctors, always do. The just-released trailer will get you feeling unsettled already, in fact, before the series drops all eight of its season-two episodes on Stan on Friday, December 22. Édgar Ramírez (Florida Man) plays Macchiarini, while Mandy Moore (This Is Us) steps into Alexander's shoes. Macchiarini's first reason for getting famous: leading the surgery for the world's first synthetic organ transplant. As for why else he's been in the news, that's what watching the series will tell you. When it hit streaming queues in mid-2021, Dr Death initially focused on Christopher Duntsch (Joshua Jackson, Fatal Attraction), a surgeon who was full of charm when he was trying to encourage folks with spinal pain and neck injuries into his operating theatre — or when he was attempting to convince hospitals, particularly in Texas, to hire him. But again and again, those surgeries ended horrendously. Actually, that's an understatement. Duntsch's story is done and dusted; however, he was just the first medical professional that the OG Dr Death — aka the Wondery podcast that shares the TV show's name — has explored. Since then, the audio series has released two further seasons, with its third batch of episodes now providing the basis for the second TV adaptation. Check out the trailer for Dr Death season two below: Season two of Dr Death will stream via Stan from Friday, December 22. Images: Scott McDermott/Peacock.
Five years ago — and plenty of years before that as well — South Bank spent a winter weekend each year doubling for France. From crepes and baguettes to mussels and champagne, if it treated your tastebuds to a Gallic feast, it was on offer here. At Le Festival, aka the Brisbane French Festival, so was saying bonjour to French culture without paying for an airfare. Then the pandemic hit, putting the event on hold for three years. When Le Festival returned in 2023, it made the move to Victoria Park / Barrambin for the first time. In 2024, the fest is shifting again, to return to South Bank for a three-day riverside French party across Friday, July 5–Sunday, July 7. If you regularly wish that you were on the other side of the world staring at the Eiffel Tower, sipping champers and living the Emily in Paris life, this is the closest that you'll get to a European summer without leaving Brisbane. Francophiles, get ready for an array of French staples — although the wine selection is always especially popular, as are the cheese display and macarons. While 2024's full details haven't yet been revealed, drinking French red and white wines, sparkling rosé, beer and non-alcoholic beverages is always on the menu, too. Thanks to Le Festival's market, attendees can also browse for homewares, gifts, fashion, books and magazines, with showcasing French and French-inspired products the key aim. Entertainment-wise, alongside live music, the fest typically features cabaret performances and can-can dancing. Masterclasses, including on French table art, will be on the lineup this year as well. Taking over the South Bank Cultural Forecourt and Parklands from 4–10pm on the Friday, 8am–10pm on the Saturday and 8am–5pm on the Sunday, Le Festival has something specific to celebrate in 2024: the Paris Olympics, which will follow Brisbane's embrace of France by three weeks. Images: Ange Costes.
Returning for a second year after a widely-publicised Parklife rebrand, national electronic dance music festival Listen Out has locked in dates for another year. Spearheaded by organisers and promoters Fuzzy (the team behind Field Day, Shore Thing and Harbourlife), Listen Out marked its debut last year to generally upward thumbs and rants about Azealia Banks' smokebomb. Stopping by Sydney, Perth, Melbourne and Brisbane in spring, Listen Out's so-called 'boutique' set-up will "showcase the best dance music in a small but perfectly formed setting," according to Fuzzy. The nationally-touring festival will return to Sydney's Centennial Park, Perth's Ozone Reserve and Melbourne's Observatory Precinct, with a change in Brisbane venue from Southbank's Cultural Forecourt to the Brisbane Showgrounds. Headlined by staggeringly popular UK duo Disclosure last year with highlights including Azealia Banks (very briefly), AlunaGeorge and Classixx, this year's lineup sees Flume, Chet Faker, Zhu, Schoolboy Q and more crank the beats up in the Brisbane Showgrounds. LISTEN OUT 2014 LINEUP: FLUME (only 2014 shows) CHET FAKER ZHU SCHOOLBOY Q FOUR TET YG TA-KU TOTALLY ENORMOUS EXTINCT DINOSAURS (DJ Set) SHLOHMO BONDAX YOUNG FATHERS YAHTZEL (DJ Set) GOLDEN FEATURES TKAY MAIDZA TRIPLE J UNEARTHED WINNER + more Image by Dominic Loneragan. https://youtube.com/watch?v=Lk3vbB_yuk0
This post is presented by the All New Toyota Corolla Sedan. There's plenty of fun to be had in this city each week, but there's only a small handful of truly fresh urban adventures to be had. We've partnered with Toyota to find the very best of these shiny-new experiences in Brisbane. Presented by the All New Toyota Corolla Sedan, these are our picks to put you on the road to a life of goodtimes. Now your only challenge is getting to them all. This week is all about jaffle appreciation, rooftop hot tubbing, handling the heat and smashing art forms together. Eat: Little Pawpaw It can be hard being the younger sibling, especially when your older sister is so successful. This week the Venzin Group (owners of Pawpaw Cafe, Mons Ban Sabai, Picnic and Green Papaya) made the bold, unheard of move to open their fifth venture north of the river. Going where no southsider has ever gone before, Little Pawpaw’s first week has not been without rave reviews and we hear they are bringing back the jaffle. Enjoy the kitsch and vibrant interior while sipping your favourite Campos brew. 145 Kitchener Road, Kedron Drink: Limes Fortunately for us Queenslanders, it’s never too late in the year to celebrate a rooftop relaunch. Limes Hotel’s top deck was recently refurbished, and finally christened last weekend — with Olympic synchronised swimmers to seal the deal. Expect a relaxed space to kick back at the alfresco cinema, enjoy resort-style drinks and a Sunday afternoon barbecue, or stay up late for the midnight pool parties. Most notable to the reno are the two rooftop hot tubs. Pack your togs (or not) and head over for a dip. 142 Constance Street, Fortitude Valley See: Seen + Heard GoMA is here to prove that pop culture isn’t all Andy Warhol and Simpsons references. The latest exhibition, Seen + Heard, is here for a good time, not for a long time, and draws on major artworks, installations and multiples from the gallery’s collection. The works address the intersections, clashes and marriages of pop culture, music, sound and visual art with pieces from sculptural sound pioneer Nam June Paik and musical, performance and sound installations to keep you ticking. See it and hear it until April 3. Do: judge a chilli comp Kettle and Tin is doing the honours by kicking off Brewsvegas’ with the first festival event, the Second Annual Chilli Cook Off. This Sunday contestants coming from various Brisbane restaurants will compete for the prestigious title of Chilli Master. If you think your tastebuds are ready to handle the heat, trot on over from 11am to help judge the People’s Choice award. And when the spice gets the better of you, Burleigh Brewing Co will have your back with a crafty cold one.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=UtVe_8CS6vU RADIOACTIVE Even without sourcing and quoting an exact number, it's obvious that an immense amount of people owe their lives to Marie and Pierre Curie's research on radioactivity. Without their work — Marie's passion project, which she reluctantly agreed to collaborate on with Pierre after they first crossed paths in Paris — cancer treatment would've likely been vastly different over the past century. The results for scores of cancer patients would've been as well. But the pair's discovery of two new elements, radium and polonium, also led to disturbing side effects and cataclysmic events that changed the course of history in other ways. Radioactive touches upon both, from life-saving oncology usage and the ability to conduct x-rays on World War I battlefields to the bombing of Hiroshima and Chernobyl's nuclear reactor meltdown. Via the inclusion of clips in a 50s hospital, in Japan, in the Ukraine and at a nuclear bomb test in Nevada in 1961, this becomes a far more thoughtful feature than its usual biopic trappings often indicate (and make no mistake, much of the script reads from the biopic-101 playbook). It might seem strange for a film about Marie to leap forward at different moments, jumping to years and decades past her death in 1934, all to show how the physicist and chemist's work made and continues to make a colossal impact upon the world. But that's the most interesting thing about Radioactive: its willingness to contemplate both the significant benefits and proven dangers of Marie (Rosamund Pike, an Oscar-nominee for Gone Girl) and Pierre's (Sam Riley, Rebecca) pioneering discoveries. The latter is tasked with vocalising this battle in his acceptance speech for their shared 1903 Nobel Prize in physics, acknowledging the struggle but opining that "mankind will derive more good than harm". As directed by Marjane Satrapi (Persepolis) and adapted from Lauren Redniss' graphic novel about the Curies, Radioactive film doesn't simply take Pierre at his word, however. It shows his radiation sickness, and Marie's. It touches upon the backlash when news of radioactivity's health effects started becoming widely known. And those aforementioned flash-forwards to both positive and negative applications of the Curies' research keep the same conversation going, because Radioactive doesn't try to offer a right or wrong answer. Something can be two things at once, after all, as this often-probing movie shows in a variety of ways. Read our full review. https://vimeo.com/451401547#at=17 BRAZEN HUSSIES Chatting to activists involved in Australia's women's liberation movement during the 60s and 70s, Brazen Hussies doesn't lack in witty and wise ladies making pivotal points. But it's filmmaker Margot Nash (The Silences) who offers one of this documentary's most telling observations, and the one that crystallises exactly why this movie had to be made. "History has to be told over and over again," she advises. She's a talking head in the film, rather than the writer or director behind it — those roles fall to first-timer Catherine Dwyer — but she couldn't encapsulate Brazen Hussies' purpose any better if she was the doco's driving force. As the feature explains, it's easy for people to overlook this chapter of history, and the fact that it all happened so recently. It's easy to forget that women's lives were drastically different, as was the way they were regarded by the world around them. Brazen Hussies surveys pay inequality, legal abortion, funding for childcare, the way both queer women and Indigenous Australian women are treated, society's abhorrence of female sexuality and the first Advisor on Women's Affairs to a head of government anywhere in the world — plus everything from tackling domestic violence and the victim-blaming that can go along with it, to the simple struggle to survive that single mothers faced as well. But this happens in tandem with a historical recounting of Australia's actual fight for women's liberation, with Dwyer inspired by working on 2014 documentary She's Beautiful When She's Angry (which did the same from a US perspective). She examines what drove the more than 25 women she counts among her eponymous group to act and what they achieved, of course. At every moment, however, she's just as interested in how they battled for that change. Having access to a treasure trove of materials helps considerably in this engaging, informative and impassioned film. If the doco's talking-head lineup is impressive, it's bested only by the immense range of archival images and footage that Dwyer and editor Rosie Jones (director of The Family) splice together. With the rest of the filmmaking team, the pair sifted through more than 4000 photographs, journals, artworks and posters, and 800-plus news clips, documentaries and dramatic movies — and, unsurprisingly, Brazen Hussies is all the more detailed for it. Read our full review. https://www.youtube.com/watch?v=roo8p8sDX24&feature=emb_logo A LION RETURNS Following the clandestine return of a radicalised Muslim man to Sydney to see his dying mother, A Lion Returns is a film about extreme actions and the consequences they bring. And yet, as written and directed by Serhat Caradee — marking his second feature after 2009's Cedar Boys — it's a movie driven primarily by talk about those actions. Indeed, its opening third takes place in a car outside the Alamein family residence, where brothers Omar (Danny Elacci, Trust) and Jamal (Tyler De Nawi, On the Ropes) reunite in secret while their relatives gather inside. Before academic Omar can work out how to usher Jamal inside without anyone else seeing, especially their father Yusef (Taffy Hany, East West 101) who is likely to call the police, the siblings discuss everything that has led them to this juncture. Omar outlines the grim health predicament their ailing mother Manal (Helen Chebatte, Alex & Eve) faces, with hospice her next step. He also demands answers from Jamal about why he left his own wife (Jacqui Purvis, Neighbours) and young son to fight in Syria, makes his brother explain exactly what he did during his time with the Islamic State and tries to ascertain what he hopes to achieve by making a comeback. A Lion Returns is so dialogue-heavy — and so driven by two- and three-way conversations about bonds of family, faith, the lengths one will go to for both and the repercussions that follow — that it could've easily graced the stage instead of the big screen. But there's an intimacy to this independent, low-budget, shot-in-ten-days Australian drama about ripped-from-the-headline matters that's cinematic. Set in an ordinary vehicle and a just-as-standard suburban home, and unfurling in real time, its visuals mightn't provide an overt spectacle; however, the connection that Caradee evokes with his complicated characters, and with the complex ideas and themes they discuss and sift through, benefits from the film's ability to get literally close to the animated chatter happening within its frames. This is a feature that makes every move possible to place its audience in the heat of the moment with its arguing family members, to share their tension and to confront the same thorny issues with them, and does so with precision. There are few surprises, narrative-wise, as not only Jamal's abandoned loved ones but the defector himself grapple with his choices and the shadows they've left overseas and at home, but A Lion Returns excavates a difficult situation with assurance and poise, as well as with passionate performances. https://www.youtube.com/watch?v=qPie_hKO6pM IP MAN: KUNG FU MASTER It's unlikely that filmmakers will ever get sick of making movies about Ip Man, much in the same way that they never seem to tire of bringing the likes of Sherlock Holmes and Dracula to the screen. Ip Man was a real person, though. A martial arts grandmaster in the kung fu style known as Wing Chun, his life spanned fascinating chapters in both mainland China and Hong Kong, including a stint with the police force and training Bruce Lee — and it has also spawned many a film over the past couple of decades as a result. Ip Man features in movies about Lee, naturally. He has been the driving force behind the Donnie Yen-starring Ip Man, Ip Man 2, Ip Man 3 and Ip Man 4: The Finale, too, and Wong Kar-wai's The Grandmaster as well. And, first in The Legend Is Born – Ip Man, then in Kung Fu League and now in Ip Man: Kung Fu Master, he has been played by wushu champion-turned-actor Dennis To (who actually had a minor role in Ip Man and Ip Man 2). In Ip Man: Kung Fu Master, To steps into the famed figure's shoes during his law enforcement stint in Foshan. First, he's the subject of a revenge scheme by the daughter of a mobster who is killed in police custody despite Ip Man's best efforts to ensure otherwise. Then, he's targeted by the Japanese army as they make their presence known in the period between the first and second Sino-Japanese wars. Both elements of the story intertwine — as does the birth of Ip Man's first son, and his need to protect his family as multiple parties endeavour to hunt him down — but writer/director Li Liming is far more interested in the movie's frenetically choreographed martial arts scenes than its narrative. Indeed, anything that doesn't involve fighting often feels like filler. There's no doubting the impact of Ip Man: Kung Fu Master's balletic displays of flying fists, though, or how stylishly they're shot. They can't substantially lift a film that'll never be the go-to Ip Man movie, or even one of the best flicks about him either, but they're the standout elements of an otherwise average movie. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; and October 1, October 8, October 15, October 22 and October 29. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle. The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta, Rebecca, Kajillionaire, Baby Done, Corpus Christi, Never Rarely Sometimes Always and The Craft: Legacy. Top image: A Lion Returns via Bonafide Pictures.
When it comes to ticket lotteries to score you budget-friendly seats to smash-hit stage musicals in Brisbane, it really is beginning to feel like a tale as old as time. Mary Poppins had one. Hamilton did as well, plus Moulin Rouge!, too. The next on the list: Disney's Beauty and the Beast: The Musical, which wants you to be its guest for cheap. How cheap? For just $24 a seat via TodayTix, which has been behind past Brissie lotteries. The first chance to head along at a significant discount opened on Friday, February 2, and will close on Friday, February 9 — with winners advised each Friday for the coming week's performances. After the first round, the lottery will open on Saturdays at 12.01am weekly. For every single Brisbane show, there'll be 24 of the $24 tickets available. Disney's Beauty and the Beast musical is headed to QPAC's Lyric Theatre in Brisbane from Thursday, February 15, on its latest stop Down Under as a newly reimagined and redesigned production. Playing until April, this Beauty and the Beast first made its way to the stage in the UK in 2021, and reworks the original show that premiered in the US in the 90s — adapting Disney's hit 1991 animated movie musical, of course. Fans can expect the same Oscar-winning and Tony-nominated score courtesy of composer Alan Menken and lyricist Tim Rice, including all the beloved tunes such as 'Be Our Guest' and 'Beauty and the Beast'. It also comes with new dance arrangements by David Chase, and with original choreographer Matt West revisiting his work. And yes, that $24 price is accurate. Yes, this is your chance to see the acclaimed production for less than the price of a dinner (and, at some places, breakfast and lunch). To take part in the lottery, you will need to download the TodayTix app, which is available for iOS and Android. And if your name is selected, you'll have an hour to claim your tickets from when you receive the good news. If you need a reminder, you can also sign up for lottery alerts via TodayTix, too. Check out the trailer for Disney's Beauty and the Beast: The Musical below: Disney's Beauty and the Beast: The Musical plays QPAC's Lyric Theatre in Brisbane from Thursday, February 15, 2024. To enter the Today Tix $24 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Images: Daniel Boud.
No one grows out of Easter. You're never too old for all the chocolate you can handle — and for an annual excuse to treat your sweet tooth however you like. But there are definitely adults-only ways to celebrate the occasion, including over high tea. At Motion Dining at Marriott Brisbane, for instance, getting a huge choc fix on Saturday, April 8 and Sunday, April 9 also involves three hours of drinks. For two days only, from 12.30–3.30pm on both Easter Saturday and Easter Sunday, this Queen Street spot is serving up chocolate hazelnut tarts, passionfruit dark chocolate sandwiches, and jasmine tea mousse and strawberry cream groove tarts — and chocolate scones with rose, lychee and strawberry reserve, plus spiked Baileys cream tarts as well. Upon arrival, you'll sip a Toblerone cocktail served in a chocolate bunny, too, as part of a drinks package that'll flow for the duration of your sitting. Also on offer: Moet & Chandon rosé champagne among other boozy beverages. Heading along costs $149 per person, and includes a savoury spread featuring finger sandwiches in multiple varieties. Think: shrimp, cucumber and dill; smoked turkey, watercress and apple; ham, tomato and relish; and egg and herb.
Brazilian beer company Antarctica Beer has created one of the most innovative products to ever come out of a brewery, the Beer Turnstile. Created for the Rio de Janeiro Carnival, one of the world's biggest parties, of which Antarctica Beer is the official sponsor, it was designed to inspire partygoers to catch public transport to and from the festival. When they arrived at the subway station to head home, they did not have to buy a ticket; all the drinkers had to do was pop their empty beer can into the turnstile and, once it was recognised by the reader in the machine, they gained access to their ride home. Whilst the turnstile was an excellent business move — if people do not have to drive they can of course drink more Antarctica Beer throughout the evening — it likely contributed to the 43 percent decrease in drink driving recorded at this year's event and lowered the impact of the festival on the environment, as every can submitted was recycled and the turnstile averaged more than 1000 patrons an hour. It also created less mess for the city to clean, music to the ears of some happy Brazilian workers. Via PSFK.
Record Store Day might only come once a year, but each month, Brisbane gets into the spirit of the occasion. A treasure trove of vinyl descends upon a specific spot in this fair city of ours, showering music fiends in the stuff collectors' dreams are made of. Brisbane Record Fair is the type of event that gives aficionados reason to salivate, deliberate, negotiate, and then spend, spend, spend — after rifling through crates and crates of rare material, obviously. And since 2020, it has been popping up in a brand new place, with the monthly event moving from West End to Aspley. Thousands of items are for sale, with Brisbane Record Fair taking over the Aspley Central Shopping Centre at 1368 Gympie Road. Expect a smorgasbord of sounds — offering up music of all types — when you head along to the next event from 8.30am–3pm on Saturday, March 13. Vinyl-wise, whether you're after a decades-old gem or something newer on an LP or a 45, chances are you'll find it here. Sellers come from far and wide to share their wares, including private collectors parting with their sonic pearls. And no matter the time of year, a selection from their stash would make a perfect present, whether for someone else, or for yourself. Updated March 12.
Each year, the advertising world's mad men and women descend on Cannes for a week-long jaunt on the Riviera. Aside from likely providing the world with more instances of cocaine use by aged executive creative directors than any other event in the world, the Cannes Lions Advertising Festival showcases the world's best commercial creativity across a variety of mediums, including TV, print, outdoor, PR and online. The proliferation of new media channels and the growth of social media has made an already cluttered marketing world a dangerous place to be for cowardly chief marketing officers and the brands they steward. Last year, Old Spice made headlines for their ability to engage consumers in a campaign that repositioned a tired brand in one fell swoop via innovative use of social media. But what lay at the heart of the campaign was its ability to make an emotional connection with audiences through humour. Ads, after all, are a like people: the ones you love and hate are the same ones you remember. This year's best 15 ads were decided over the weekend, with the Grand Prix being awarded to the 'Write The Future' campaign launched by Nike during last year's FIFA World Cup in South Africa. Here they are, ordered according to how they impressed us here at Concrete Playground HQ. https://youtube.com/watch?v=R55e-uHQna0 1. 'Force' by Volkswagen Agency: Deutsch Los Angeles https://youtube.com/watch?v=dBZtHAVvslQ 2. Cannes Grand Prix 2011: 'Write The Future' by Nike Agency: Wieden + Kennedy Amsterdam https://youtube.com/watch?v=xdOoJjvr0GM 3. 'Braids' by H2OH! Drink Agency: BBDO Argentina https://youtube.com/watch?v=CoxCF1xZ7Pk 4. 'After Hours Athlete' by Puma Agency: Droga5 New York https://youtube.com/watch?v=2qD_PiZAz6k 5. 'Premature Perspiration' by Axe Agency: Ponce Buenos Aires https://youtube.com/watch?v=TLgetLmlggA 6. 'The Entrance' by Heineken Agency: Wieden + Kennedy Amsterdam https://youtube.com/watch?v=VFFnfHQhg-s 7. 'Shoelace' by Otrivin Nasal Spray Agency: Saatchi & Saatchi Geneva https://youtube.com/watch?v=DtCU43MteYY 8. 'Slo Mo' by Carlton Draught Agency: Clemenger BBDO Melbourne https://youtube.com/watch?v=8I550mx8QlI 9. 'See The Person' by Scope Agency: Leo Burnett Melbourne https://youtube.com/watch?v=T3guZ7dMAkc 10. 'Born Of Fire' by Chrysler Agency: Wieden + Kennedy Portland https://youtube.com/watch?v=BKnhyhm3GdQ 11. 'Office' by Mexican Insurance Institution Association Agency: Ogilvy Mexico https://youtube.com/watch?v=nCgQDjiotG0 12. 'Chrome Speed Tests' by Google Agency: Google Creative Lab New York https://youtube.com/watch?v=Oech5Rpom2g 13. 'Cage Cop' by Skittles Agency: BBDO Canada https://youtube.com/watch?v=lZqrG1bdGtg 14. 'Dead Island Trailer' by Deep Silver Agency: Deep Silver https://youtube.com/watch?v=k0fm3JS4p8U 15. 'Demo Slam: Chubby Bunny' by Google Agency: Google Creative Lab New York [Via Mumbrella]
