Working from home certainly has its advantages, including the lack of commute, the expanded wardrobe choices and, if you have a pet, the fact that your favourite furry friend can curl by your side. Don't have your own four-legged bestie? Always eager for more doggos in your life? Add a lunchtime date with Guide Dogs Australia to your schedule, and enjoy the overwhelming cuteness of the organisation's first puppy zoom meeting. With Wednesday, April 29 marking International Guide Dog Day, Guide Dogs Australia is giving the country what it wants: adorable dogs, virtually. The puppy zoom meeting will run for half an hour from midday, and feature gorgeous little labrador guide dog puppies — as well as experienced guide dogs, too. One of the pups, a three-week-old cutie, is even called Zoom — so you can bet it'll get plenty of attention. And yes, the whole event is taking place via Zoom, the platform, as most things in life seem to be at the moment. As well as gawking at endearing dogs, you'll also learn more about the guide dog journey — and how they assist people with blindness or low vision. Guide Dogs Australia's Puppy Zoom Meeting runs for free via Zoom from 12–12.30pm on Wednesday, April 29.
It's the news beer and bar food loving Brisbanites have been waiting for — well, since the news that one of the city's favourite hangouts was moving across town, that is. Today, January 19, is the day that Tippler's Tap unveils their new digs at South Bank, and they're marking the occasion as only they can. Two words: free wings. Yes, you read that correctly. From the moment their doors swing open at midday, Tippler's famous crispy, juicy morsels of poultry will be yours for the taking — for the sum total of zilch. If you're heading along, we suggest you wear something comfortable and stretchy. When it comes to free wings, any sense of restraint is sure to go out the window. After 5pm, $2 tacos will also be added to the mix, keeping their much-loved Tuesday tradition going. Phew. And, if you need something other than a couple of beverages to help you fill in the gap between feasts of chicken pieces and Mexican bites, ask the friendly staff if you can borrow a copy of Cards Against Humanity. Who doesn't want to sink a few brews, devour some tasty treats and play everyone's favourite game, all while celebrating Tippler's grand opening? Visit Tippler's Tap at 5/182 Grey Street, South Brisbane, or check out their website and Facebook page for more information.
HBO — the makers of Game of Thrones, Girls, Veep, The Newsroom, True Detective and everything else you love — have just announced they are launching a web-only streaming service in 2015. The service will be sold as a stand-alone product, meaning you won't need a cable subscription to access it. Just think: this time next year you could legally be watching Game of Thrones. Well... sort of. Not really. Like all things excellent, access will be a little tricky for Australians. Though details are still vague, we do know that the service will only be offered to those in the US. But, just like what happened with Netflix, that premise seems unlikely to stop Australian viewers. Though blocking your location to pay for these services remains largely untested in the eyes of the law, it's thought that around 200,000 of us are using it to get our greedy little hands on the latest season of Orange Is the New Black. Australian problems aside, this move is a huge step for the cable TV industry. Showing an understanding of our selective viewing habits that are increasingly moving online, this new service will allow people to pay for the shows they want to watch without purchasing a big expensive bundle. "[This] is a large and growing opportunity that should no longer be left untapped," said HBO CEO Richard Plepler. "It is time to remove all barriers to those who want HBO." Using what we hope was an intended pun, he said the company was about to go "beyond the wall". As this has only just been announced, details are scarce. We don't know yet how much the service would cost or how it would handle its programming. When the idea was discussed before by analysts, it was suggested that HBO should stagger their quality content by making shows available online six months after their original air date. Speaking for every GoT fan out there with a basic understanding of torrenting, I would like to say on the record that that's a bad idea. Either way, it's an encouraging step in the right direction that's bound to result in a hefty debate. Hopefully it's a conversation that catches on in Australia too. Though ABC's iView and SBS On Demand are proving super handy — SBS just gave us access to a catalogue of 400 free films! — it's going to be a while until we get something as amazing as totally legal online HBO down under. Via Recode and The Guardian.
Slotted into Fortitude Valley's rising skyline, Ovolo The Valley has long made soaking up the city sights a worthwhile experience. But now the five-star stay is bringing even more atmosphere to this elevated perch, launching the new-look Above Rooftop Pool & Bar on the seventh floor, blending Mediterranean vibes with homegrown hospitality. Open from Wednesday–Sunday, this openair retreat features a sun-soaked terrace and pool, made for relishing the long and sunny days. With enough space for 60 seated or 120 standing guests, this attention-grabbing spot will come to life as late afternoons stretch into golden evenings with mezze plates, live music and colourful cocktails. Leaning into Above's coastal ambience, a renowned food and beverage team featuring consulting chef Justin North, award-winning bartender Jake Down and head chef Kya Knights has shaped a bright and fresh experience. Intended for sharing, a refined yet approachable Australian-Mediterranean menu makes for easygoing dining high in the sky. Highlights include stone-baked pita with linseed and garlic oil, classic hummus drizzled with crunchy chilli oil, beetroot and bourghal spread, and kingfish ceviche with avocado and pickled cucumber. Drawing on experience in Michelin-starred kitchens and acclaimed restaurants like Bécasse, North is well-accustomed to curating a bold, but playful encounter. As for the drinks list, Down brings over 15 years of mixology experience to Above, with his CV including major national awards, like the 2024 Diageo World Class Bartender of the Year. Punchy and expressive, he delivers reimagined classics and daring signature cocktails elevated with dynamic ingredients such as pistachio, saffron, rose, lemon myrtle and desert lime. For Above, Down has created the Mirage, an adventurous blend of Belvedere Vodka, passionfruit, rose water and desert lime soda. Paying homage to Middle Eastern flavour combinations, this refreshing, layered concoction will undoubtedly go down easily in the heat of the day or with a cool evening breeze. Above Rooftop Bar & Bar is now open at Ovolo The Valley, 1000 Ann Street, Fortitude Valley. Head to the website for more information.
If there's one thing we know about the future, it's this: battery life shouldn't be an problem. No, we don't have a crystal ball, time-travelling telephone booth or DeLorean. We're just making a guess thanks to the large number of smart minds currently dedicating themselves to the issue. Just last month, the concept of wireless charging rooms arrived to keep our devices juiced (in theory, that is). Now, adjust your visions of years to come to encompass the latest idea. It's the subject of a US patent application by Sony, and it focuses on the notion of wirelessly sucking up power while you're out and about. All you'll need is a phone, a friend and their call-making, text-sending, Facebook-updating device. If you've ever hopped onto your pal's mobile data connection, you know how the concept will hopefully work. Just swap wifi for power, and you're off and running. And, it's not just limited to smartphones — other electronic devices as computers, TVs, fridges, washing machines and microwaves will ideally able to jump in on the action and jump-start each other's batteries. The devices will have to be placed within a short range from each other for phone-to-phone charging to function, with the technology relying upon Near Field Communication, aka the same method behind other wireless syncing. And, as always, don't go throwing out your cables just yet. It might soon be a reality, but it isn't at the moment. Via Gizmodo / What a Future!!
When the middle of August arrives, the best show on television for the past seven years — other than the one-season return of Twin Peaks — will finish up. That isn't new news, but it's still monumental, especially given that Better Call Saul is the spinoff to an also-phenomenal series. Alas, unlike when Breaking Bad wrapped, there's no future immediately in sight for this excellent franchise. Perhaps that's fitting; everything has to an end, including the canny and resourceful run of an Albuquerque-based lawyer born Jimmy McGill, nicknamed 'Slippin' Jimmy' during his early con-artist days, known as Saul Goodman when he leans into shady criminal law with well-oiled charm, and rebadged Gene Takavic when he flees for a Cinnabon-serving new Nebraskan life. Even before Better Call Saul had a final air date — the last episode streams via Stan in Australia and Neon in New Zealand on Tuesday, August 16 — viewers knew what was coming. The series is TV's great tragedy precisely because we were always well aware what its prequel segments, which comprise the bulk of the show, eventuate in. The audience knows who Saul Goodman (Bob Odenkirk, Nobody) is when he's a charismatic but shifty defence attorney aiding Walter White (Bryan Cranston, Your Honor) and Jesse Pinkman (Aaron Paul, Westworld). We know what all his choices then lead to, too. Thanks to Breaking Bad and its gripping New Mexico-set crime-drama antics, we've already seen it. Better Call Saul's sixth season reckons with that knowledge. It interrogates it, toys with it and expands upon it as well. But in the first trailer for the show's swan song, which has been broken into two parts — the first started in April, the second returned in July — fellow Breaking Bad favourite-turned-Better Call Saul key player Mike Ehrmantraut (Jonathan Banks, The Comey Rule) might've said it best. "Whatever happens next, it's not gonna go down the way you think it is," the ex-cop advised. The episode we've all been waiting for did finally arrive, bringing back Walter and Jesse as was announced back in April, and it was a treat. There's always been much more to this spectacular spinoff then waiting for its predecessor's protagonists to show up, joining the obvious dots and revelling in past glories, though. First, the overall setup: since 2015, Better Call Saul has stepped back into its namesake's pre-drug lawyer days, when legitimately embracing the law was his aim. His complex relationship with his successful older brother Chuck (Michael McKean, Breeders) guided early seasons, as did his plan to work his way through the firm, the Howard Hamlin (Patrick Fabian, Gordita Chronicles)-led HHM, that Chuck co-owns. Thanks to those early aspirations, the friendship-turned-romance with fellow legal up-and-comer Kim Wexler (Rhea Seehorn, Veep) has been the show's bedrock. Blossoming interactions with Mike, then a parking attendant at the Albuquerque courthouse, also laid the groundwork for the working arrangement already seen in Breaking Bad. So did the the ambitions of budding drug kingpin Gus Fring (Giancarlo Esposito, The Boys), as complicated by two Salamanca family figures: smart and savvy footsoldier Nacho Varga (Michael Mando, Spider-Man: Homecoming), and Hector Salamanca's (Mark Margolis, Snowpiercer) alluringly crafty nephew Lalo (Tony Dalton, Hawkeye). Now, the big return: in a Better Call Saul episode fittingly called 'Breaking Bad', aka the sixth season's 11th and antepenultimate instalment, Saul's first meeting with Walter and Jesse is revisited. Observant fans already knew that the names Nacho and Lalo were mentioned in that scene in Breaking Bad itself, in a season two episode fittingly called 'Better Call Saul', despite neither character appearing in that series. Here, in new footage shot with Cranston and Paul, it all takes on greater resonance — but this franchise has never been about mere and easy nostalgia, not for a single second. Better Call Saul brings back the Walter-and-Jesse banter, as they argue in their RV meth lab. It has Jesse call his partner a "dick", but not "bitch". Crucially, it muses on and builds upon what the entire series always has: the decisions that shape, transform and define paths, and reveal the inescapable and inevitable, no matter how much anyone and everyone might want otherwise. Of course, every single moment that's been brought to the screen in sunny colour in Better Call Saul so far — which is how its pre-Breaking Bad sequences appear — desperately makes its audience wish that everything that's destined to occur, and is already known, just won't. Saul Goodman's name has always been ironic, but getting viewers crossing their fingers that things really will prove "s'all good, man" is this show's masterstroke. That said, as the series morphs from a prequel to a sequel in its last episodes, expecting Saul and Kim to live happily ever after feels like a fool's fantasy. Breaking Bad and Better Call Saul creator Vince Gilligan has many skills, and chronicling life's bleak and heartbreaking realities via meticulous and twisty character studies has always been one of them in these two extraordinary series. Also always high on Gilligan's list: giving everyone involved with both shows the roles of their lifetimes. That's why Cranston and Paul's returns were so eagerly anticipated, and why seeing Odenkirk slip back into Saul's shoes — and Jimmy's first, and Gene's as well in Better Call Saul's black-and-white follow-up scenes — has been so magnificent to watch. Getting caught up in Nacho and Lalo's stories, hoping Mike's path might take an unexpected detour, hanging on every hint of what might come for Kim: that's all as much a stroke of brilliant casting as outstanding writing, too. This series can astonish and delight like little else, including in its tightly plotted and never-predictable narrative, its sublimely cinematic imagery and its many, many marvellous performances alike. TV won't be the same without Saul Goodman, if this is the end of his road. TV has been all the better for Better Call Saul's presence, and it has six outstanding seasons to show for it. The series has always been the perfect capper to Breaking Bad — a devotee's dream in every way, including in its surprises and departures as much as its knowing nods — and, when the still-entertaining El Camino: A Breaking Bad Movie arrived in 2019, it's little wonder that it felt somewhat slight and superfluous in comparison. However Better Call Saul ends, likely not as anyone thinks as Mike warned, the series has dived deep into the choices and costs that've pushed and plagued everyone in its frames, and simultaneously surveyed how everyday tragedies do and can play out. Gilligan has cooked that up twice now, and given television an astounding high. (Fingers crossed for a Kim Wexler spinoff, obviously.) Check out the trailer for the second half of Better Call Saul's sixth and final season below: Better Call Saul streams via Stan in Australia and Neon in New Zealand, with the final episode set to air on Tuesday, August 16. Read our review of the first half of Better Call Saul's sixth season. Images: Greg Lewis/AMC/Sony Pictures Television.
The recent trend of cinemas screening 'live' showings of stage production is a strange sort of phenomenon. An imperfect marriage of mediums, these shows seem on the one hand like a rather counterintuitive concept, possessing neither the immediacy of theatre nor the aesthetic craftsmanship of film. On the other, it’s a testament to the power of great art that these screenings have proven so popular with audiences, with the quality of the productions transcending the shortcomings of the exhibition. There’s also something nicely democratic about the idea that viewers in Australia can sit down and enjoy a show from the Bolshoi Ballet or the New York Metropolitan Opera — and all for little more than the price of a ticket to an Adam Sandler movie. The latest live show to hit screens around the country is the UK Donmar Warehouse’s production of Shakespeare’s Coriolanus. It's one of the Bard’s longer, grimmer and generally less well known works, although perhaps that’s changed in the wake of the recent film adaptation directed by and starring Ralph Fiennes, the play tells the story of Caius Marcius Coriolanus, a fierce Roman General whose prowess as a military man is matched only by his woefulness as a politician. Perhaps in acknowledgement of the cross-over nature of her international viewing audience, Josie Rourke, both director of the play and artistic director of the trendily stripped-back warehouse theatre where it’s being staged, casts Tom Hiddleston (Thor) in the lead. It’s a little stunty, maybe, but he’s a great actor either way, bringing both gravitas and humanity to the play’s proud and prickly protagonist. Coriolanus has nothing but contempt for the common man, who the script portrays as a fickle, easily led mob. If the notion of a righteous patrician class is rather outdated, the 400-year-old text’s depiction of the two-faced politicians who connive behind Coriolanus’ back still feels right on the money. Hiddleston’s co-stars include a few recognisable TV figures, including Birgitte Sørensen (Borgen) as Coriolanus’ wife and Mark Gatiss (Sherlock) as his sole political ally. The entire supporting cast acquits themselves well, with one huge exception: Emma Freud as herself, the inanely bubbly presenter, whose fawning, superficial interview with Rourke between the end of intermission and the beginning of act two could not be a bigger or more nauseating distraction. Nothing like hearing about how Tom Hiddleston was recently voted MTV’s sexist man alive to put you back in the headspace for a violent Shakespearean tragedy. Perhaps the producers felt they had to spice up their broadcast with supplements. They shouldn’t have. The production is strong enough on its own. Coriolanus will be on screens for a strictly limited season. For a list participating cinemas and screening dates, visit www.ntlive.com.
Picnic season is upon us, the time of year when sitting outside with a basket full of cheese is the only place to be. Throwing a few beverages into the mix always is always recommended, but Brisbane is sadly lacking when it comes to legal spots to drink outdoors. You won't have that problem at Pinknic, however. A spin-off from the popular Rosé Revolution, which has already sold out its main 2017 event, Pinknic is the relaxed rosé lunch ready to brighten up one particular summer Sunday. Come 11.30am on December 3, pink drink lovers will descend upon The Osbourne Hotel to sip their favourite tipple and eat a hamper full of goodies. Tickets cost $35, which includes a rosé on arrival, plus smoked salmon, duck paté, a baguette, cold cuts, grilled vegetables, cheese, and a macaroon to munch on. More than 12 other fruity, not-quite-red vinos will be available to purchase if you're keen on more pink fun as well.
If Pedro Pascal wins an Emmy for The Last of Us, how charming will his speech be? From its whopping 27 nominations, how many trophies can the final season of Succession collect at Hollywood's TV night of nights? What will Jennifer Coolidge say when she beats out three of her co-stars from The White Lotus season two for the Outstanding Supporting Actress in a Drama Series award? You'll now find out in January. Hollywood's big television celebration usually takes place in September, and has already announced its 2023 nominees. But, as expected since late July, this year's Emmys will delay anointing a new round of winners. Due the current film and TV industry strikes, with both writers and actors downing tools, the awards ceremony for the small screen-centric accolades has been postponed. The new date, as announced by the Academy of Television Arts & Sciences and FOX (which will air the event): Monday, January 15, 2024 in the US, which is Tuesday, January 16, 2024 Down Under. Accordingly, the entertainment industry's beginning-of-the-year awards rush will get even busier next year. When a new annual calendar ticks over, the Oscars, Golden Globes and more hand out their latest round of gleaming trophies, celebrating films and TV shows that've shone bright over the prior 12 months — and now the Emmys will join them. 2023's awards were due to take place on the night of Monday, September 18, 2023 in the US, which is Tuesday, September 19, 2023 in Australia and New Zealand. If the strikes are still ongoing on that date, however, actors and writers can't attend the ceremony — not the red carpet, nor the awards themselves — meaning that the bulk of the televised accolades wouldn't be able to be accepted by their recipients. Also, the shindig would look mighty empty. Cue the move to reschedule, holding off until the Alliance of Motion Picture and Television Producers comes to an agreement with SAG-AFTRA and the Writers Guild of America. The Television Academy and FOX clearly hope that a January delay will be long enough. When the ceremony is held, the Emmys will likely give HBO plenty of love. In this year's nominations, the US cable network scored a massive 74 nods for just three series: Succession, The Last of Us and The White Lotus. TV's best case of family feud earned recognition for almost every actor who appeared in its fourth and final season in leading, supporting and guest roles. In the Best Actor category alone, Brian Cox, Jeremy Strong and Kieran Culkin are going head to head. The most spectacular game-to-screen adaptation yet nabbed 24 nominations in total, while vacation chaos brought about 23 nominations. The other show that racked up a comparable tally? Apple TV+'s Ted Lasso with 21 nods. Similarly in the running: everything from Andor, Better Call Saul, House of the Dragon and Yellowjackets (all in the drama fields) to Abbott Elementary, Barry, The Bear, Only Murders in the Building and Wednesday (the comedy categories), plus the likes of Beef, Daisy Jones & the Six and Fleishman Is in Trouble (limited series) as well. Hollywood talents are fighting against diminishing residual payments for performers, and to establish firm rules about the future use of artificial intelligence in the industry, among other improvements to working conditions. When they took action in mid-July, SAG-AFTRA's members joined their counterparts in the Writers Guild of America, who've been striking since May. The current strikes are affecting film releases, too, with Australian crime-thriller Force of Nature: The Dry 2 already ditching its planned August date with cinemas given that star Eric Bana a member of the striking SAG-AFTRA. It's also been rumoured that big blockbusters such as Dune: Part Two, Aquaman and The Lost Kingdom and The Colour Purple might also delay their releases, including until 2024; however, none have officially shifted their dates as yet. The 75th Emmy Awards will take place on Tuesday, January 16, 2024, Australian time. Check out the list of 2023 nominations, and head to the Emmys' website for further details.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. ZOLA It wasn't just a Twitter thread — it was the Twitter thread. Whether you read Aziah 'Zola' King's viral 148-post stripper saga live as it happened back in October 2015, stumbled across the details afterwards as the internet lost its mind or only heard about it via Zola's buzzy trailer, calling this stranger-than-fiction tale a wild ride will always be an understatement. Its instantly gripping opening words, as also used in Janicza Bravo's (Lemon) savvy, sharp, candy-hued tweet-to-screen adaptation, happen to capture the whole OMG, WTF and OTT vibe perfectly: "you wanna hear a story about how me and this bitch fell out? It's kind of long, but it's full of suspense." In the film, that phrase is uttered aloud by Zola's eponymous Detroit waitress (Taylour Paige, Ma Rainey's Black Bottom). Still, the movie firmly embraces its origins. For those wondering how a filmmaker turns a series of tweets into a feature, Bravo handles the task with flair, energy, enthusiasm and a clear understanding of social media's role in our lives. Much of the phrasing that the real-life Zola used has made its way into the conversational script, which was co-written by playwright Jeremy O Harris. Each time that occurs, the film echoes with tell-tale swooshes, whistles and dings. But those words and alerts are just the starting point; as Zola's chaotic narrative unfurls, it comes to life with a mix of the hyperreal, the loose and the dreamy. It doesn't merely tell a tale taken from the tweetstorm to end all tweetstorms, but also uses every aesthetic choice it can to mirror the always-on, always-posing, always-sharing online realm. The other person that Zola refers to in her initial statement is the cornrow-wearing, blaccent-sporting Stefani (Riley Keough, The Lodge), who she serves at work, then joins on a jaunt to Florida. They immediately hit it off, which is what inspires the invite to head south — a "hoe trip" is how Zola describes it — however, what's meant to be a girls' getaway for a stint of lucrative exotic dancing in Tampa soon gets messy. The drive is long, and Stefani's boyfriend Derreck (Nicholas Braun, Succession) quickly dampens the mood with his awkward, try-hard schtick. Then there's X (Colman Domingo, Candyman), who, while introduced as Stefani's roommate, is actually her pimp. Trafficking Zola into sex work is the real plan of this working holiday, she discovers, but she's ferociously adamant that she won't be "poppin' pussy for pennies". As the woman both relaying and riding Zola's rollercoaster of a story, Paige is fierce and finessed. It's a tricky part; making the dialogue sound authentic, and also like it could've just been rattled off on social media with a mix of emojis and all caps, requires a precise tonal balance, for starters. So does ensuring that Zola always feels like a real person, especially given the tale's ups and downs. That said, Paige is guided by Bravo at every turn, with recognising how things play online and how they pan out in reality — and the frequent disconnection between the two — one of the filmmaker's biggest masterstrokes. That's exactly what a flick that's based on a Twitter thread should offer, rather than just mining posts for punchy content that's already proven popular. Using the platform as source material definitely doesn't equal an endorsement here. Instead, it sparks a brash and bouncy feature that interrogates its inspiration and the mechanism that turned it into a whirlwind, rather than serves up a cinematic retweet. Read our full review. LAST NIGHT IN SOHO Edgar Wright must own a killer record collection. Weaving the perfect playlists into his films has ranked high among the British writer/director's trademarks ever since he made such a horror-comedy splash with Shaun of the Dead, and his own love of music is frequently mirrored by his protagonists, too. This is the filmmaker who set a zombie-killing scene to Queen's 'Don't Stop Me Now', and had characters wield vinyl as weapons. He made zoning out the world via iPod — and teeing up exactly the right track for the right moment — a key trait of Baby Driver's eponymous getaway driver. Earlier in 2021, Wright also turned his avid fandom for Sparks into his delightful first documentary The Sparks Brothers, because wearing his love for his favourite songs on his sleeves infiltrates everything he makes. So, the fact that his second film of this year is about a giddy devotee of 60s tunes really doesn't come as the slightest surprise. Last Night in Soho takes its name from an era-appropriate song that gets a spin in the film, naturally. It boasts a cleverly compiled soundtrack teeming with hits from the period, and has one of its central figures — called Sandie, like singer Sandie Shaw, who croons '(There's) Always Something There to Remind Me' on that very soundtrack — seek chanteuse stardom. As Wright is known to do, his latest movie also sports sequences that could double as music videos, and possesses a supple sense of rhythm that makes his picture virtually dance across the screen. It's a feature shaped by music, made better by music, and that recognises that music can make anyone feel like they can do anything. A partly swinging 60s-set thriller that adores the giallo films of the time with equal passion, it also flits between a cinematic banger on par with the glorious tracks it peppers throughout and the movie equivalent of a routine needle drop. Cilla Black, Petula Clark, Dusty Springfield: these are the kind of talents that Eloise (Thomasin McKenzie, The Power of the Dog) can't get enough of, even though she's a Gen Z aspiring fashion designer; they're also the type of stars that aforementioned blonde bombshell Sandie (Anya Taylor-Joy, The Queen's Gambit) wants to follow onto London's stages. Last Night in Soho starts with its wannabe fashionista, who's first seen donning her own 60s-inspired designs in her Cornwall bedroom that's plastered with posters and pictures from the period, and also dancing to 'Peter & Gordon's 1964 track 'A World Without Love'. Soon, Eloise is off to college in the big and, hopefully, working towards the fashion world. Then she meets Sandie, but only in her dreams. Actually, as she slumbers, she becomes Sandie — and navigates her chiffon-adorned quest for stardom, her breathy 'Downtown' covers and her thorny relationship with slippery bar manager Jack (Matt Smith, Official Secrets). Some of Last Night in Soho's most dazzling scenes play with these doppelgänger characters, and with the time-travelling dreamscape where they both exist, as if Wright is helming a musical. The choreography — both by McKenzie and Taylor-Joy, playing chalk-and-cheese roles, and by the film's lithe and glossy cinematography — is stunning. The effect is mesmerising, as well as whip-smart in tapping into the feature's ongoing musing on identity. This is also a horror movie and a mystery, however, so exploring what's behind these nocturnal visions is the primary focus. As a mousy girl bullied by her roommate (Synnøve Karlsen, Medici) to the point of leaping into the too-good-to-be-true Soho attic studio leased by the cranky but obliging Ms Collins (Diana Rigg, Game of Thrones), it's easy to see why Eloise flees into her dreams. But the who, what, why and how of it all — when and were clearly being answered already — isn't as simple as pure retro escapism. Read our full review. BLUE BAYOU Blue Bayou isn't Justin Chon's first film as an actor, writer, director or producer, but it's a fantastic showcase for his many talents nonetheless. It's also a deeply moving feature about a topical subject: America's immigration laws, which are complicated at best and draconian at worst. Worlds away from his time in all five Twilight flicks — because Kristen Stewart, Robert Pattinson and Anna Kendrick aren't the franchise's only breakout stars — Chon plays Antonio LeBlanc. While the Korean American tattoo artist has lived in Louisiana since being adopted as child, the name he was given upon his arrival in the US still sparks cognitive dissonance, as the job interview that opens the movie illustrates. It also doesn't stop both the casual and overt racism frequently directed his way, or the deportation proceedings that spring after he's accosted in a supermarket by New Orleans police officers. Helming and scripting as well as starring, Chon layers Antonio's situation with complexity from the outset. He's getting by, just, but his criminal record makes it difficult to secure more work — which he needs given his wife Kathy (Alicia Vikander, The Green Knight) is pregnant. He's a doting stepdad to her daughter Jessie (Sydney Kowalske, Doom Patrol), but her birth father Ace (Mark O'Brien, Marriage Story) is one of those aforementioned cops. Also, Ace has a bigoted partner, Denny (Emory Cohen, Flashback), who makes antagonising Antonio his daily mission. And, after that grocery store run-in, the latter discovers that his adoptive parents didn't ever complete the paperwork required to naturalise him as a US citizen. His life, his wife, his kids, that he has no ties to Korea: sadly, it all means nothing to the immigration system. Based on the plot description, it'd be simple to accuse Blue Bayou of throwing too much at its protagonist, dialling up his hardships and wallowing in his misery, all to tug at heartstrings. The film inspires a strong emotional reaction; however, this isn't just a case of calculating narrative machinations manipulating viewers to feel everything — or even something. There's a sense of inevitability to Chon's feature, his fourth after Man Up, Gook and Ms Purple, and it's all by design. The path that Antonio's life is forced down isn't surprising, complete with tough truths and heartbreaking realities, but it's filled with authenticity. Piling on misfortune after misfortune isn't merely a ploy when all of Blue Bayou's dramas can easily accumulate as they do here, and when no one's struggles are ever limited to just one or two troubles. There's no contrivance in sight, but rather a firm understanding of snowballing sorrows and their overwhelming impact. Still, Chon walks a delicate tightrope. He could've veered into tear-wringing movie of the week-style melodrama, clogged it up with cliches and failed to evoke even a single genuine feeling — or, alternatively, he could've deployed too much restraint and crafted a clinical, procedural film that saw Antonio as a mere cog in a system. The space he's carved out in-between is both masterful and organically messy; finding the right balance is a mammoth task, and embracing the whirlwind that sweeps along Antonio, Kathy and Jessie is inherently chaotic. The result is a stirring and empathetic film that's also precise and intricate, especially when it comes to the emotional deluge weathered by its central trio. At every moment, Blue Bayou plunges viewers into their turbulent existence, sees their plight with clear eyes and acknowledges all that that encompasses. Read our full review. THE RESCUE It isn't the first movie about the Tham Luang Nang Non cave incident to reach screens, thanks to the underwhelming The Cave. It won't be the last project to focus on the 12 Thai schoolboys and their soccer coach who were trapped in the Chiang Rai Province spot for 18 days back in 2018, either. Ron Howard (Hillbilly Elegy)-directed dramatisation Thirteen Lives hits cinemas next year, a Netflix limited series executive produced by In the Heights filmmaker John M Chu is also set to debut in 2022 and, to the surprise of no one, more are bound to follow. Still, The Rescue earns another worthy honour. The documentary isn't just an inspirational recounting of a miraculous effort that thwarted a potential tragedy, as told by the brave people who pulled off the feat, although it's certainly that. In addition, this gripping film falls into a genre that always needs more entries: celebrations of skilled people doing difficult things with precision, passion, persistence and prowess. If documentarians Elizabeth Chai Vasarhelyi and Jimmy Chin have a niche, it's this. As co-directors, the married couple has now made three films, all valuing hard work, expertise and when the former leads not only to the latter, but to extraordinary achievements. With 2015 Sundance award-winner Meru, they documented Chin's efforts with two other climbers to scale Meru Peak in the Indian Himalayas. Then came Oscar-winner Free Solo, the exceptional doco about Alex Honnold's quest to free-climb Yosemite National Park's El Capitan. The Rescue swaps clambering up for diving deep, and hones in on an event that captured international headlines as it happened, but still belongs in the same company as the duo's past two releases. Here, viewers start the film with an understanding of what happened thanks to all that non-stop news coverage, but finish it in profound awe of the talent, smarts, dedication and unflinching competence involved. Vasarhelyi and Chin spotlight the divers who extricated Tham Luang's 13 unwilling inhabitants, aka the Wild Boars soccer team — and did so as the world watched, as hours became days and then weeks, and as monsoonal waters flooded the cave despite a desperate pumping initiative. Thai Navy SEALs initially attempted the task, yet struggled in the ten kilometres of sprawling and narrow tunnels. In fact, due to the murky water and the constant deluge from the fast-falling rain, they weren't able to get far. To assist, civilian hobbyists including Brits Rick Stanton and John Volanthen were brought in — experts in their field, and volunteers for the biggest diving quest of their lives. When their crew found the boys and their coach almost four kilometres from the mouth of the cave, they then faced another dilemma: how to get them back out alive. With its ending already well-known, The Rescue starts at the beginning, letting those who were there talk through each step, and also weaving in footage from the rescue mission itself. No re-enactments — not the small amount The Rescue uses, as noted in its credits; not The Cave's awful docodrama approach; and not all the future dramatisations set to flow from Hollywood — can ever be as nerve-wracking as seeing this remarkable feat actually happen. That said, the film's interviews are also significant. While the on-the-ground and in-the-water clips show the immense level of skill at work and the enormous dangers faced, the accompanying discussions offer keen insights into the thought processes involved. And, they draw out Stanton, Volanthen and their team's distinctive personalities, ensuring that these heroes are always flesh and blood. Read our full review. PHIL LYNOTT: SONGS FOR WHILE I'M AWAY One of the most astute things that a music documentary can do is lead with its subject, whether they're a household name the world over, deserving of more fame and acclaim, or fall somewhere in the middle. With Phil Lynott: Songs for While I'm Away, that's a tricky task, as it is of any film that looks back at a figure who is no longer around — and who didn't leave a treasure trove of candid and personal materials behind, as docos such as Amy, Kurt Cobain: Montage of Heck and Zappa all benefited from. Accordingly, editor-turned-director Emer Reynolds (The Farthest) undertakes a careful juggling act, pushing Thin Lizzy singer Lynott to the fore whenever and however she can. Songs for While I'm Away is still filled with talking heads that aren't Ireland's Black, working-class rockstar — his family members, friends, colleagues and peers alike — but it's at its best when it lets its namesake's songs echo and his on-stage presence take centre stage. "You'll never see a bad photo of Phil Lynott," Thin Lizzy guitarist Scott Gorham offers in a to-camera chat, a sentiment that the film bakes into its frames. Bearing witness to a great talent always casts a spell that merely listening to other people talk about them can never match, no matter how insightful and affectionate those discussions prove. Early in Songs for While I'm Away, Reynolds lingers on footage of Lynott singing and strumming, his piercing eyes instantly demanding attention — and that clip is the doco's hook, even for first-timers to his story. The soulfulness of his lyrics, many of which are placed into context by the film's interviewees, is just as entrancing. Sometimes the documentary resembles a listening party, pairing snippets of songs with stock visuals, then dissecting the tunes; however, in diving well beyond 'The Boys Are Back in Town' and 'Jailbreak' — the two songs that Thin Lizzy, and therefore Lynott, will always be best known for — it's a canny move. Still, Songs for While I'm Away has much to unpack: Lynott's upbringing, after being born in England to a mother from Ireland and a father from Guyana, then spending his childhood with his grandparents in Dublin; his path to music stardom, with Thin Lizzy's rock cover of 'Whiskey in the Jar' giving the group their first top-ten hit; and everything that sprang from that success personally and professionally. Early in the doco, Lynott's daughters Sarah and Cathleen stress how they wish people didn't focus so much on their father's death — in 1986, at the age of 36, from pneumonia and heart failure due to septicaemia after a struggle with heroin — and Reynolds takes their words to heart, too. This is a movie that's eager to soak up as much of Lynott, and what made him the star he was, as it possibly can. Indeed, with his addiction, it's positively shy; don't expect to even hear the word 'heroin'. That's another balancing act, and one that Reynolds doesn't quite perfect, opting for skirting around the obvious instead. A film can enjoy triumphs and recognise flaws at the same time — including when it comes to someone as pivotal in the history of Irish rock 'n' roll as Lynott — but Songs for While I'm Away eventually feels a tad safe and sanitised. It's celebratory from its first moment till its last, including when its smattering of equally famous faces, such as U2's Adam Clayton, Metallica's James Hetfield, Huey Lewis of Huey Lewis and the News, and singer Suzi Quatro — who supported Thin Lizzy when they supported Slade on a 1972 UK tour — deliver anecdotes and admiration. This is a heartfelt ode, undoubtedly, and both an entertaining and engaging one, but it also dons rose-coloured glasses that feel at odds with Lynott himself. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on July 1, July 8, July 15, July 22 and July 29; August 5, August 12, August 19 and August 26; September 2, September 9, September 16, September 23 and September 30; October 7, October 14, October 21 and October 28; and November 4 and November 11. For Sydney specifically, you can take a look at out our rundown of new films that released in Sydney cinemas when they reopened on October 11, and what opened on October 14, October 21 and October 28 as well. And for Melbourne, you can check out our top picks from when outdoor cinemas reopened on October 22 — and from when indoor cinemas did the same on October 29. You can also read our full reviews of a heap of recent movies, such as Herself, Little Joe, Black Widow, The Sparks Brothers, Nine Days, Gunpowder Milkshake, Space Jam: A New Legacy, Old, Jungle Cruise, The Suicide Squad, Free Guy, Respect, The Night House, Candyman, Annette, Shang-Chi and the Legend of the Ten Rings, Summer of Soul (...Or, When the Revolution Could Not Be Televised), Streamline, Coming Home in the Dark, Pig, Big Deal, The Killing of Two Lovers, Nitram, Riders of Justice, The Alpinist, A Fire Inside, Lamb, The Last Duel, Malignant, The Harder They Fall, Roadrunner: A Film About Anthony Bourdain, Halloween Kills, Passing, Eternals, The Many Saints of Newark, Julia, No Time to Die, The Power of the Dog and Tick, Tick... Boom!.
Continuing their love affair with all things German, Adidas' latest limited-edition sneaker pays tribute to a part of Berlin life every local and tourist is familiar with. After making beer-proof shoes for Oktoberfest, the next cab off the rank is a pair of trainers inspired by the city's subway system — or next train out of the station, if you prefer. The newest release in the brand's Originals series, the BVG x adidas EQT Support 93 / Berlin footwear have been created in conjunction with Berliner Verkehrsbetriebe (BVG), Berlin's public transport network. Available until sold out from January 16 from the Adidas flagship store and retailer Overkill, the shoes take their fabric from the subway's seat pattern, while also styling their shoelaces after its bright yellow external appearance. It's all in celebration of the BVG's 90th birthday. Donning kicks that match one of Berlin's iconic features is one thing. Walking around in shoes that also double as your train fare for a year — now that's even better. All 500 pairs include a season ticket made of fabric and attached to the tongue. And yes, you really can use it to hop onboard, with anyone wearing the sneakers entitled to free BVG use until December 31, 2018. Sure, anyone lucky enough to nab themselves a pair will pay €180 (approximately AU$280), but that's not bad for new shoes and a year's worth of travel. Via i-D. Image: Overkill.
Nestled into the fast-growing Howard Smith Wharves precinct underneath the Story Bridge, Mr Percival's looks out over the Brisbane river — and, if that's not enough, the octagonal bar and restaurant is actually perched right on top of it. Here, you can grab a beverage and a bite to eat while both peering at the snaking central waterway and sitting in a structure elevated above it. When it opened, it became Brissie's first venue of its type since Oxley's on the River in Milton was destroyed in the 2011 floods — although Mr Percival's is less about sit-down dinners and more focused on chilling out in a scenic and stylish spot. From 11am every day, Brisbanites can relax in a watering hole that's been designed with European beach clubs and the Brisbane's own park rotundas equally in mind. Think decking, six arched doorways, outdoor seats with a view underneathpink umbrellas, plus an indoor colour scheme that takes inspiration from the Mediterranean. Star windows, round lights, eye-catching wallpaper, 70s-style upholstered chairs, terracotta marble and a brass-fronted bar round out the hangout's inside decor, which was overseen by Brisbane interior designer Anna Spiro. Mr Percival's menu aims to match its look and feel. Unsurprisingly, seafood features heavily among the range of small and large plates. As for the drinks selection, it includes three types of spritz, spicy watermelon margaritas, shared cocktail jugs and more — plus rosé, bubbles, aromatic whites and light reds among the vino range. Beer-wise, Mr Percival's keeps things super local by pouring four brews from fellow HSW spot Felons through its taps. And if you're wondering about the moniker, it's a nod to Australia. Pelicans are a common waterside sight around the country, and the 1976 Aussie classic film Storm Boy — which was remade in 2019 — features a pelican called Mr Percival.
With so much to see, do and eat around Singapore, you might be feeling a little lost on how to best navigate the city. While Singapore's streets are renowned for being spotless, the humidity sometimes makes it difficult to wander long distances on foot. Get around by hopping on the efficient — and air-conditioned — Mass Rapid Transit (MRT) system instead, which runs from Changi Airport in the east to Tuas Link in the west and through major stops such as Marina Bay, HarbourFront, Chinatown and Little India. The trains operate every 2–8 minutes from 5.30am–12.30am each day and are often conveniently connected to large shopping malls, hawker centres or other attractions through covered passageways. Simply use your existing contactless card or Apple Pay to tap on, or purchase a Singapore Tourist Pass (if you're staying for less than 3-5 days) or EZ-Link Card (if you're staying for longer). With the help of Singapore Tourism, we're spotlighting five MRT stops worth hopping off for along your commute, and what to do near each station. [caption id="attachment_981017" align="alignnone" width="1920"] Afur Wong[/caption] Maxwell Located in the heart of Chinatown, Maxwell is a stop along the Thomson–East Coast line. Jump off here to explore Chinatown and some of the city's top hawker centres as you're travelling from Gardens by the Bay towards Orchard Road. You'll find the famed Maxwell Food Centre right next to the station, which boasts over 100 stalls, including the renowned Tian Tian Chicken Rice. If you're still feeling peckish, the Chinatown Complex Market and Food Centre, which is the largest hawker centre in Singapore with 260-plus stalls, and the renovated Lau Pa Sat are both a short walk away. After lunch, take a stroll through historic Chinatown with a self-guided walking tour to see sights such as the Sri Mariamman Temple, Masjid Jamae mosque and Buddha Tooth Relic Temple and Museum, with breaks for sweet treats and coffee in between. Marine Parade Further along the Thomson–East Coast line is Marine Parade, where you can walk or cycle through East Coast Park, refuel at Marine Parade Central Market and Food Centre, shop at Parkway Parade, and discover Peranakan culture at Katong-Joo Chiat. East Coast Park offers a range of activities for the whole family, from walking and cycling trails to windsurfing, paddleboarding and skateboarding, as well as a plethora of dining options. Katong-Joo Chiat dates back to the early 19th century and was a hub for Eurasian and Peranakan communities. Step back in time and learn about the neighbourhood's rich history at The Intan (a home-turned-museum), Eurasian Heritage Gallery and Katong Antique House, before snapping some photos at the iconic pastel-hued shophouses along Koon Seng Road. Finish up your day of discovery with Peranakan cuisine at Kim Choo Kueh Chang, 328 Katong Laksa or Old Bibik's Peranakan Kitchen. Bayfront You can't go to Singapore without visiting the iconic Marina Bay area. Stop at Bayfront on the Circle or Downtown lines to explore the whole precinct. At Marina Bay Sands, you can sip a sky-high drink at CÉ LA VI, enjoy a free light and water show at the Event Plaza and dance the night away at MARQUEE nightclub. For a more laidback night, take an evening stroll around Marina Bay to snap a photo at the Here is SG sculpture and explore Merlion Park, which is adjacent to the buzzing Fullerton precinct. While you're in the area, make sure to check out other unmissable attractions, such as the sprawling Gardens by the Bay and innovative ArtScience Museum. [caption id="attachment_980376" align="alignnone" width="1920"] Danny Santos[/caption] Little India From ornate temples to vibrant street art and plentiful shopping and food options, Little India is an energetic cultural hub that's worth a stop on the North East or Downtown lines. Follow the self-guided map and visit landmarks such as the Indian Heritage Centre, Tan Teng Niah House and Sri Veerakaliamman Temple. Along the way, you'll be able to browse for Indian homewares, ornaments, jewellery and textiles. If you're really ready to shop, head to Mustafa Centre, which is open 24/7 and sells everything from home appliances and electronics to camping goods, perfume, vintage collectibles and snacks across six levels. Once you've worked up an appetite, sample some local fare at Tekka Centre, which is Singapore's largest indoor wet market and a hawker centre. Other notable eateries in the area are Podi and Poriyal for cocktails and contemporary takes; The Banana Leaf Apolo, which has been serving North and South Indian cuisine since 1974; and Bismillah Biryani, which has been awarded the Michelin Bib Gourmand for eight years straight. [caption id="attachment_980381" align="alignnone" width="1920"] Paris Chia[/caption] HarbourFront If you continue on the North East or Circle lines until the final stop, you'll end up at HarbourFront. Alight here for outdoor expeditions to Sentosa or Mount Faber Park, with a break for bites at Seah Im Food Centre. Mount Faber Park is one of the oldest parks in the city and looks out across the southern coast of Singapore. With well-paved pathways, you can easily hike or cycle up to the highest peak at Faber Point. Other sites in the park include a rainbow-coloured stairway, two restaurants, cable car rides to Sentosa, a mini Merlion and even a famous public bathroom with views across the harbour. If heights aren't your thing and you'd rather not take a cable car to reach Sentosa, not to worry — you can also reach the island via car, bus, bike, monorail, or even on foot. You're in for an action-packed day once you're there, with attractions ranging from beaches and an aquarium to a waterpark, go-kart track, adventure park, Universal Studios Singapore, WWII fort and role-playing city for kids. Book your Singapore holiday now with Flight Centre. Top image: Paris Chia Photography. All images courtesy of Singapore Tourism Board.
For the best part of the past six years London artist Ben Wilson has spent his days painting pieces of chewing gum that have been stuck to the ground. Wilson transforms these sidewalk blemishes into miniature works of art. The paintings range from animals, landscapes, portraits and even messages to pedestrians. Unsurprisingly his chewing gum art has turned him into something of a local celebrity, meaning he also does paintings on request for members of the local community - including apologies to girlfriends, thank you messages from managers to employees, a R.I.P. painting for a deceased postal worker and even a marriage proposal. Despite this, Wilson has received some police interference including one arrest. Charges were quickly dropped after dozens of people wrote letters of support and Wilson was able to convince the police that it was not him actually sticking the chewing gum to the ground. To create it all, Wilson first softens the chewing gum with a blowtorch then sprays it with a lacquer and finally applies three coats of acrylic enamel. The works usually only last one or two years depending on conditions but this does not bother Wilson, as in his words "everything is transitory, what's important is the creative process." Images via Flickr users Jansos, Tezzer 57 and r3cycl3r [via Gizmodo]
Bluesfest experts already know that Iron & Wine will be folkify-ing Byron Bay come Easter 2014. But what they don't know (or haven't, until today, at least) is that the Texan singer-songwriter formally known as Sam Beam will be making headline appearances in Sydney and Melbourne. Since his last Australia tour, Iron & Wine has released two albums: the slick and poppy Kiss Each Other Clean (2011), which entered the US Billboard Chart at Number 2, and now, Ghost on Ghost. Representing yet another extension of Beam's creative repertoire, it combines '60s soul influences with dashes of '70s rock. Beam's idiosyncratic voice meets a punchy horn section, string flourishes and retro-style female harmonies. "As an artist, I think you should be exploring all the time," he told American Songwriter recently. "It's a transition in the way you think about your work. If your work is more about the process of working, then you are still in pursuit of good results, but the result is not where you get your satisfaction. It's the process — the process of exploring and doing." Iron & Wine will play the Sydney Opera House on April 22 and Melbourne's Forum Theatre on April 23. Tickets are available via Handsome Tours' website. Photo by Craig Kief.
Get your shopping done under twinkling lights while surrounded by real (not plastic) Christmas trees. No, this isn't a festive dream — it's the reality of South Bank's annual Christmas markets. Whether you've been every year since you can remember, or you've never gone a-browsing at the inner-city spot, visiting The Collective Christmas Markets is worth the trip. While the entirety of South Bank always gets into a merry mood, nothing will steal the show from the most important part of the proceedings: the wares on offer at the rows of stalls. Kicking off from 10am–9pm on Friday, December 13 and running until Saturday, December 23, you'll find handmade toys, jewellery and other trinkets just begging to be given as gifts, as well as tasty treats to add to your Christmas feast. Yep, everyone's a winner here.
Quiet and understated, Adelaide isn't always easy to navigate if you're a tourist. So much of the good (and there is a lot of good) is hidden in plain sight. That's where it helps to have some insider advice. We've teamed up with Pullman Hotels and Resorts to bring you a guide to Adelaide's less obvious but obviously fabulous experiences. Putting our heads together with Pullman Adelaide's chief concierge Enrico Angelletti, we've curated a list of must-dos that will leave you wanting more of Adelaide — from new art spaces to old smelly cheese shops, and from pizzeria nightclubs to tranquil gardens. Enrico (aka Ric) has been in the hotel business for nearly 38 years, and is looked up to by junior staff for his passion and expertise for helping guests find extraordinary experiences in Adelaide. His food knowledge is particularly strong — it comes at least in part from his Italian background. Check out the rest of our Explore More content series to hone your itinerary for some of Australia's best holiday destinations. ART & DESIGN ACE OPEN Born in response to dramatic cuts in arts funding, ACE Open is a new and innovative gallery space dedicated to creating challenging conversations with its audience. It showcases a diverse range of Australian and international artists who present experimental, unconventional work. Only launching in early 2017, ACE Open has quickly made a name for itself as being one of the most exciting art spaces in Adelaide, uncompromising in its dedication to quality and enthusiasm for creative risk-taking. Don't miss: Next Matriarch — an exhibition showcasing art from Indigenous women. SISTER GALLERY Created by artists Mia Van den Bos and Ashleigh D'Antonio, Sister burst onto the Adelaide art scene with its incredible stream of contemporary and experimental art from all over Australia. The gallery celebrates young, upcoming and underground artists with a bold point of view and a non-traditional approach. Located just outside of the city in Bowden (near some fabulous cafes and markets), Sister is easily accessible via the tram from the city. It's actually the perfect way to experience something totally different while exploring one of Adelaide's burgeoning cultural centres. Don't miss: Sister's October Openings, which will run in the gallery for two months. JAMFACTORY An Adelaide institution, JamFactory is a haven for all things ceramic and sculptural. Doubling as an education institute, it has purpose-built studios for the design and manufacture of jewellery, ceramics, furniture and glass. Because of its educational bent, visitors are not only able to buy direct from the artists but are able to get a sneak peek into cutting-edge processes and the next wave of influential Australian designers and makers. There's also the opportunity to participate in workshops and classes from industry leaders. Don't miss: Confluence. Presented in association with Tarnanthi Festival, it's an exploration of the work of Indigenous artists from all around Australia. ENSEMBLE ADELAIDE A concept store by and for locals, Ensemble is a new independent retail experience that puts good, sustainable design above all else. The recent home of the Slow Fashion Festival, Ensemble houses the work of local designers and artists, including BB Shoemaker and Goods Studios, and allows shoppers to buy direct from makers and artists. Beautifully curated and wonderfully relaxed, Ensemble is a space of beauty and collaboration that also highlights the innovation and spirit of the Adelaide creative scene. Don't miss: Seeing the makers work and chatting to them about their process. FOOD & DRINK NOLA Travel to New Orleans in the heart of Adelaide. Located in the city's relaxed East End, Nola is all about good beer, even better whiskey and delicious creole cuisine. Transforming Adelaide's stables building into the quintessential New Orleans speakeasy, the bar is a completely singular experience in the city's somewhat overcrowded small bar scene. Pouring at least 26 different craft beers at any given time, and having an ever-changing lineup of artisan whiskies, a menu designed for sharing (which features classics like cornbread, beignet and gumbo) and outdoor dining all summer, it's southern hospitality done right. Don't miss: The fried chicken is the most celebrated dish on Nola's menu for very good reason: it's light, crispy and just spicy enough to cut through all those beers. SUNNY'S This isn't your nonna's pizza. She'd probably like it, though. Serving Naples-style woodfired pizza with the best in South Australian beer and wine (and some very good cocktails), Sunny's is part restaurant and part club, with tables being cleared for live DJ sets every weekend. Located in the newly revitalised Solomon Street in the city's West End, Sunny's regularly involves collaborators representing the best of Adelaide's food scene. Delicious from start to finish. Don't miss: For all of its experimentation, Sunny's is still all about the classics. Their margherita is second to none. Pair that with their zesty Campari watermelon cocktail and you're set for summer. EAST END CELLARS Part bottle shop, part bar and 100 percent gourmet, East End Cellars is the perfect place to get your wine education. The shop has been pouring local wines (as well as a large variety of international labels), running educational tastings and preparing some of the most delicious food and decadent cheeseboards in the city for two decades. Everything is dedicated to getting the most out of your drink. Wines are expertly paired to your meal, and every week there is a guided tasting of their featured winery, where you can learn more about South Australian product from the best in the business. Don't miss: The huge selection of South Australian spirits, beers and wines exclusive to East End Cellars. THE SMELLY CHEESE SHOP An Adelaide Institution, The Smelly Cheese Shop has all your cheese needs covered. Located in the Central Markets, the shop stocks high-end and artisanal cheeses from all over South Australia and the world. With everything from imported French brie to Kangaroo Island feta, The Smelly Cheese Shop places quality above all else, offering customers the opportunity to have a real and in-depth experience with a true cheesemonger at the counter. In a state known for its passion for quality food, this shop is the pinnacle of excellence. Don't miss: The Smelly Cheese Shop runs classes all year round for the budding cheese connoisseur in all of us. They sell out notoriously quickly, so it pays to do your research and book in advance. WELLBEING & LIFESTYLE [caption id="attachment_643375" align="aligncenter" width="1920"] National Parks SA[/caption] MORIALTA CONSERVATION PARK While Adelaide is often derided as Australia's biggest small town, walking through Adelaide, you can see that size or space doesn't matter — it's all about how you use it. Located just 10 kilometres from the CBD, Morialta Conservation Park feels like another world, filled with rugged ridges, waterfalls and native woodlands. Visitors can challenge themselves with a variety of different hiking trails and, as they walk, be treated to expansive panoramic city views of the city and coast. And while you're walking, keep your eye out for native animals (koalas 24x7). Don't miss: A park. Adelaidians love Morialta, so it's best to head there early to save an inevitable car argument. BOTANIC GARDEN AND HIMEJI GARDEN If you can't leave the city but still want to get back to nature, the Botanic Garden and Himeji Garden should be at the top of your list. Designed by Japanese landscape artist Yoshitaka Kumada, the Himeji garden is a slice of beauty and tranquillity in the middle of Adelaide's bustling southern quarter. Featuring beautiful Japanese plant life, including black pine trees and gorgeous blossoms, the gardens are a favourite for Adelaidians who want to switch off and take some time out for reflection. Don't miss: Spring/summer sees the gardens truly come to life. Explore more with Pullman. Book your next hotel stay with Pullman and enjoy a great breakfast for just $1.
Everything about the Bavarian Beer Cafe screams Germany — its theming, its menu of schnitzel, German sausage, roast pork, apple strudel and black forest cake, and its lengthy list of schnapps and weissbier. And yet, one glance out of the Eagle Street Pier establishment's windows or over its balcony, and there's no mistaking that this slice of Bavaria is smack-bang in the middle of Brisbane. Looking at the Brisbane River will do that, naturally. It's the best of both worlds — as well as one of the CBD's best spots to grab a beer and a bite if you want a killer view.
Seven days a week, Bellissimo Coffee's Oxford Street outpost serves up caffeinated beverages, plus brunch, lunch and bakery bites, all while the sun shines. But as great as that is for a daytime pick-me-up, snack or meal, and has been for a decade now, it means that the old warehouse-turned-eatery isn't welcoming in customers after dark — until Thursday, July 21 rolls around. Meet Besitos, the 80–90-seater Mediterranean-infused pop-up restaurant that'll soon share Bellissimo's Bulimba digs three nights a week. A product of the location's 2021 revamp, which saw the venue nab a a sleek and rustic new look courtesy of interior designers Alkot Studio, the new dinner spot takes over the area that Bellissimo previously used to roast its coffee beans. On the menu: candle-lit dinners in an industrial-but-cosy space, plus a food lineup from Executive Chef Marco Torrisi (ex-Joey's) that heroes dishes prepared on the open kitchen's flaming charcoal grill. Yes, you'll get a prime view of your meal being cooked while you wait, with the culinary range changing seasonally. When Besito's opens, it'll launch with a winter menu that'll feature emu tartare, charred octopus, and bone marrow with salsa verde on toasted brioche, as well as baguettes paired with Spanish anchovies, burnt miso toothfish tacos, Mooloolaba king prawns and hot pot mussels. Most dishes will be small, with patrons encouraged to order a heap — aka sample their way through, rather than agonise over picking just one thing. There will be three large plate options, though: casarecce pasta with Canadian scallops, chargrilled market fish and angus sirloins. For dessert, a trio of choices also awaits, spanning a modern take on tiramisu with housemade espresso ice cream and coffee syrup, chargrilled pineapple given a chocolate crumb and paired with basil-infused ice cream, and a range of housemade gelato. Drinks-wise, 12 wines will be available by the glass and plenty more by the bottle, while cocktails, beers and spirits also feature. Naturally, the Besitos martini features Bellissimo cold-press coffee, as well as vodka and coffee liqueur. When the restaurant kicks into gear at 5pm from Thursday–Saturday, don't go expecting the usual Bellissimo setup, but at night, however. The kitchen setup will change with the switchover to Besito's every evening, as will the full roster of staff. "Besitos is the next chapter in the Bellissimo story, marking a continuation of connections made during mornings spent at our cafe and transcending our communities' dining experience from day to night," said Bellissimo owner Mark Bignell. "This exciting new venture is our special way of giving back to our community — we wouldn't have a business without Bulimba." "We've been waiting for the perfect moment to share our team's talent, dedication, and passion with Brisbane foodies and are beyond excited to help revitalise the ferry end of Oxford Street," Bignell continued. Find Besitos at 35 Oxford Street, Bulimba, from Thursday, July 21 — open Thursday–Saturday from 5pm–late.
Beyond: Two Souls is a staggering achievement in gaming. If you're a semi-regular gamer, you already know that. But it's if you don't include games in your current recreational repertoire that the information is most pertinent. Because Beyond is quite unlike your Grand Theft Autos, Call of Dutys, Wii tennises and nearly every other blockbuster title on the market, and it might be the one that sucks you in. Made for a reputed $28 million, Beyond stars Ellen Page and Willem Dafoe in leading roles and screened its demo at this year's prestigious Tribeca Film Festival. It sits somewhere between cinema and what we think of as games, crafting an interactive drama that you play in the first person. French studio Quantic Dream, who explored a similar form with Heavy Rain (2010), are really concerned with the possibilities of immersive storytelling using new technologies. Curious? Here are a few reasons to give Beyond: Two Souls a go. Because you like film and TV Let's face it, of all the screen arts, video games are not the ones known for their complexity of story, character or emotion; they're known for their abundance of things to shoot at. But storytelling comes first in Beyond: There are some action scenes, but they happen in the broader context of the life of one specific girl, Jodie Holmes (Page), who is blessed/cursed with various psychic powers that make her valuable to the CIA and government research departments but chilling to her parents and peers. Her whole life she has felt a connection to the invisible 'entity' Aiden, and much of the tension in the game comes from the love/hate relationship she has with her constant companion. As the player, you see Jodie from the ages of six to twenty-one, though you play the chapters out of chronological order, piecing together the puzzles of her life. "We tried to create an interactive experience, more than just another video game," said Beyond's writer/director David Cage at a recent game preview in Sydney. He takes his cues from the world of cinema, adding elements from the game designers' toolkit to make you even more invested in the story. Because you want to see Ellen Page's Oscar-worthy performance There are so many sub-reasons it's great to see Ellen Page in the main role in Beyond, and the fact that she's not some 'sassy' and pneumatically boobed animation — she's Ellen Page — is just the tip of the iceberg. "A mix of technology and talent" is Cage's catch cry for Beyond, which would've been a far lesser game without the perfect female lead to embody your journey. And embodying it really is — Page is not just lending her voice or her face; she and the rest of the cast acted out this 2000-page script in a bare room kitted out in the latest in performance capture technology. They even developed a new method of capturing eye movement, placing small markers all around the eye to track minute muscle contractions and so basically eliminating that 'cold dead eyes' effect that has long plagued computer-generated imaging. The process is truly a sight to behold. In this sometimes testing, sometimes liberating environment, Page puts in an entrancing performance as Jodie, a character who's a pretty intense contradiction of feelings over many years of her life. "It's really bare acting," says Cage. "It's just you in this silly suit and all you can trust is your imagination, the script, the director helping you and, of course, the other actors. But it's really about acting in its pure, pure form." Because you think emotional journeys are the core of story "The idea is really to make you feel emotions that are usually rarely found in video games," says Cage. Specifically, rather than stress, competition and (a hopefully cathartic) rage, there's more hurt, mourning, nervousness, pride and love. Beyond's emotional palette is that of growing up, moving forward and mourning (Cage was inspired to write the story after the death of someone close to him). While there's plenty of this kind of exploration going on in indie games, such as That Game Company's phenomenal Journey, Beyond is perhaps the only big-budget, high-production-value game with this agenda. "We really tried to put you in the shoes of this young woman," says Cage. "You will feel like you've known her since she was a kid because you've been with her in the happy and difficult moments of her life, you know what she went through and where she comes from. My hope is that by the time you are done with the game and you turn off the console you will be a little bit sad, because you may never see her again." Because you won't get stuck on level 6 Or any level before or after. Beyond is all about the consequences your actions have on a life. And just like life, there are no do-overs. Instead, the game will funnel you on to the next chapter, via a slightly different road. Get caught by the cops? Maybe your invisible friend can help you out of those cuffs. Asphyxiate in a fire? Here's that 'come toward the light' sequence you were definitely going to see at some point. You will not keep dying at that one tricky spot in perpetuity. That means no matter your skills, Beyond will take you about 12 hours to play through. The control scheme is also a bit different and quite simple — an annoyance to some regular gamers but great for newbies. Quantic Dream have carefully designed the gameplay to be so integrated into the story that it's basically invisible, and at its best moments, it's very elegant. The goal is not to pull you out of the story with the trials of a complex controller dance but to allow you to lose yourself in it. And if it's the controller itself that unnerves you, Beyond even allows you to sync up your Android or iOS device and use familiar swipes and taps instead. Because you won't be able to help it Beyond has its successes and failures it's true, but its single-minded inventiveness is so inspiring, film and new media makers are lapping it up. It's a bold step in the direction of 'convergence', which sees film and games blend, borrow from each other and sometimes forge something completely new. Don't play it now and you'll instead see some flicker of it, in some medium, some time in the future. Beyond: Two Souls is out now on PS3.
Enjoying a few beverages but avoiding a hangover is everyone's dream; however soon, it might be more than that. As far as booze alternatives go, a synthetic alcohol dubbed "alcosynth" (what else?) could just be the holy grail, offering drinkers the same happy, sociable sensations but without the morning-after consequences. It's little wonder that British professor and researcher David Nutt, who discovered the new substance, is testing two versions for widespread use. He's claiming that his hangover-free drink could replace normal alcohol by 2050, making seedy weekends a distant memory. Say goodbye to feeling like garbage after a big Friday night. Nutt and his team studied substances that have a similar effect on the brain, then designed their own non-toxic, highly secret formula that mimics the positive aspects of being drunk — aka that warm, chatty feeling everyone's seeking after a busy week. In doing so, they've avoided any impact upon parts of the brain that are negatively influenced by booze. It all sounds pretty great, though it does also seem a little too good to be true. Time will tell if hangovers really will go the way of landlines, flip phones and other long-gone remnants of the past, but until then we'll live in hope. Via Travel and Leisure.
Put down your So Fresh CD. Crack open your teenage piggy bank. Keep practicing your Usher slide glide. It's time to bust out your R&B love — not only at mammoth shows around the country, but at jam-packed after party. A full-blown R&B frenzy is set to sweep the nation this November thanks to RnB Fridays, which will descend on stadiums in Melbourne, Sydney, Brisbane, Perth and Adelaide between November 9 and 17 (not all on Fridays, mind you). The event has managed to pull a pretty serious lineup of international music legends straight from the 90s and early 2000s. And, because you can't get too much of a good thing, plenty of them will be keeping the fun going after the main show. The official RnB Fridays after parties won't boast tour headliner Usher; however it's not short on names otherwise. Lil Jon, Estelle, Fatman Scoop and Ginuwine will all do double duty, as will DJ Spinderella and Pepa from Salt-N-Pepa, plus DJ Kay Gee and Vin Rock from Naughty By Nature. Joining them in Sydney and Melbourne is singer and rapper Trey Songz, while YO! MAFIA and Aussie R&B DJ Horizon will also be hitting the decks. You'll need a separate ticket for the after parties, which are held in separate venues — with tickets costing $49.90 for Melbourne's shindig on Level 3 of the Crown Casino on Saturday, November 10, the same amount at The Tivoli in Brisbane on Friday, November 16 and $96.30 to hit up The Marquee at The Star Sydney on Saturday, November 17. RnB Fridays Live at will hit Melbourne's Marvel Stadium on November 10, Brisbane Showgrounds on November 16 and Spotless Stadium in Sydney on November 17 — with the after parties taking place on the same dates at Level 3 of the Crown Casino, The Tivoli and The Marquee at The Star Sydney. Tickets for the after parties are now on sale. Image: Mushroom Creative House.
If you've ever been to a gig featuring an Australian band, streamed their tracks, read a book by a local author, hit your nearest theatre for a play or musical, wandered through an exhibition, or enjoyed an Aussie movie or TV show — and, of course, you've done some and probably all of the above — then you've interacted with Australia's arts industry. These aren't the only ways that the nation's creatives have an impact, and this country of ours wouldn't be the place it is without them. So, the Federal Government has unveiled a hefty package of support: a new $286-million National Cultural Policy. Announced on Monday, January 30 by Prime Minister Anthony Albanese and Minister for the Arts Tony Burke, the fresh policy has been badged "a new chapter in Australia's cultural story". The aim: to help boost the $17-billion industry that's generally been underfunded in the past, and has suffered through a particularly tough period during the pandemic — an industry that employs around 400,000 Aussies. Today we've got big news for the Australian arts and entertainment industry – and for fans of the incredible work we produce here. We're supporting the industry and the hundreds of thousands of jobs it creates, after a decade of neglect and missed opportunities. pic.twitter.com/MVV5wjFLFK — Anthony Albanese (@AlboMP) January 30, 2023 The National Cultural Policy outlines the government's plan for Australia's arts, entertainment and cultural sector over the next five years — and it's full of big inclusions, from upping support, creating new institutions and helping ensure that Aussie stories reach our screens in today's streaming-heavy times. "Our new cultural policy Revive will provide the support Australian artists need to thrive and grow," said the Prime Minister. "I am excited by the potential it will unleash, and to see our extraordinary and diverse Australian stories continue to be told with originality, wit, creativity and flair. It builds on the proud legacies of earlier Labor governments that recognised the importance of art and culture to Australia's identity, social unity and economic prosperity." [caption id="attachment_836832" align="alignnone" width="1920"] Alice Springs gallery, Tourism NT[/caption] Among the big-ticket items, a new National Aboriginal Art Gallery in Alice Springs and an Aboriginal Cultural Centre in Perth are worth getting excited about — with the former receiving $80 million in funding and the latter $50 million. The policy puts a significant and needed focus on First Nations art, including legislation to stop fakes and their impact. A creative workforce strategy specifically for Indigenous Australians will be developed as well, and $11 million will go towards establishing a First Nations Languages Policy Partnership between First Nations representatives and Aussie governments. Also on the list: creating four new bodies in the arts space, including a First Nations-led body to give Indigenous Australians autonomy over decisions and investments. It'll be part of a new organisation called Creative Australia — aka the Australia Council for the Arts, but renamed and upgraded, and given an extra $199-million in funding over four years. Creative Australia will also span Music Australia, which'l be dedicated to contemporary music industry and receive $69.4 million; Writers Australia, for writers and illustrators creating new works, nabbing $19.3 million in funding; and a new $8.1-million Centre for Arts and Entertainment Workplaces, which'll be devoted to making sure creative workers get fair wages, work in safe spaces and are protected from harassment and discrimination. [caption id="attachment_885816" align="alignnone" width="1920"] Genesis Owusu and members of the Sydney Symphony Orchestra by Alex Turley.[/caption] And, in important news for Australia's screen industry, a long-sought-after Aussie content quota for streaming platforms is also part of the National Cultural Policy, starting no later than July 1, 2024. "During that time online streaming platforms have taken off, but our Australian content obligations haven't. I know we can do better," said Burke on social media, noting that there's currently no requirements for the array of streaming services available Down Under to invest in Aussie movies and shows. View this post on Instagram A post shared by Tony Burke (@tony_burke_au) Among a hefty list of inclusions, the National Cultural Policy also covers an extra $11.8 million in funds for the National Gallery of Australia to tour its collection around the country; a $12.9-million digital lending rights scheme, which'll earn money for authors, illustrators and editors when their works are borrowed from libraries; splashing $8.5 million in more cash into the Regional Arts Fund; and continuing Festivals Australia. For more information about Australia's new National Cultural Policy, head to the Australian Government's website. Top image: Splendour in the Grass, Savannah van der Niet.
Brisbane's 'burbs continue to prove their worth as the dining scene expands from the confines of the CBD. The latest score for Bardon is Smoked Paprika, which has opened its doors on Macgregor Terrace. Sugar, spice and all things nice fill the mean all-day breakfast and lunch menus, inspired by the chef's European heritage and served with an Aussie twist. Peruse the menu, order and pay at the counter, then dabble in a spot of people-watching while you wait for the kitchen to work their magic. A word of warning: the courtyard-style cafe is not air conditioned, so be prepared to embrace the balmy Brisbane weather. For a small cafe, Smoked Paprika are delivering big things in the kitchen. The menu is loaded with unique dishes, and very meal that arrives on customer's tables is plated with care, flair and a subtle artistry, ensuring a perfect breakfast 'gram for your friends and followers to swoon over on their smartphones. The Smoked Paprika breakfast ($16.90) can be thought of as a mashup of breakfast favourites, as spiced beef is served on Turkish bread with poached eggs, a creamy hollandaise, roasted tomatoes, grilled haloumi, and a handful of rocket for good measure. This signature dish proves to be a crowd favourite, with a plate adorning almost every table in sight at Sunday brunch. The whipped persian feta on sourdough ($11.90) served with avocado, lemon and house spice mix is another excellent contender if your heart and stomach desire a light but creamy, classic. Just like the breakfast menu, the lunch offerings here don't mess around. Hearty salads, pasta and burger options are sure to satisfy your lunchtime hunger pains. And if its a thirst you seek to quench, the coffee is good, the juices are fresh and the smoothies come served in mason jars. Catering for the suburban surrounds, Smoked Paprika is little-people friendly, offering a dedicated kids' menu. Boiled eggs with soldiers ($9.90), crepes with Nutella ($6.90) and a classic ham and cheese toastie ($6.90) are sure to keep Brisbane's little stomachs happy.
Aah, aerobics — if any form of exercise instantly conjures images of the '80s, it's this blend of bending, stretching and waving your arms and legs about. And if you grew up during the spandex-wearing decade in Australia, two things probably spring to mind: Aerobics Oz Style and Jane Fonda. Because everything retro is cool again, Work-Shop is combining the two for their Aerobics Fonda Style classes. You'll get your heart pumping and limbs flailing, and yes, you can even wear a leotard and legwarmers if you really want to. While the energetic moves are the main attraction, the pumping '80s soundtrack is worth turning up for alone. It's not a real aerobic workout if you're not getting sweaty to Madonna, Michael Jackson, Rick Astley and Prince, is it? Just don't take it too seriously — we all saw how that turned out for Key & Peele.
Think there's just one Hottest 100 in January? Think again. The second important countdown of the month actually goes rather well with the music poll that just proclaimed Billie Eilish's 'bad guy' the nation's best track of 2019. In the GABS Hottest 100 Aussie Craft Beers list, great brews are in the spotlight. And, just like its music counterpart, a worthy victor has come out on top. That'd be Stone & Wood, with the Byron Bay brewery no stranger to the top spot. In fact, it won the 2011, 2015 and 2016 polls — and, with its ascent back up to prime position this year, it bested 2017 and 2018 winner Balter Brewing Company. The label had four beers in the top 100 list in total, which is clearly something to toast to — ideally with the brand's winning 'Pacific Ale' in your glass, obviously. Clearly, plenty of folks did just that throughout 2019. Run by GABS — or the annual brew fest also known as the 'Great Australian Beer SpecTAPular' — the countdown is a people's choice poll decided by booze-lovers around the country. Now in its 12th year, a record 35,500 voters took part this time round. Elsewhere on the list, 18 brews that first wet lips in the past year were included in the GABS Hottest 100, and 79 percent of the beers on the list are made by independently owned breweries. If you're particularly keen on either, GABS have also released rundowns of the Hottest 100 New Craft Beers and the Hottest 100 Indie Craft Beers (those owned independently) plus the next 100 from the main countdown. If you're thinking "less background, more beer", here's what you've been waiting for: the rundown of the best beverages from the past year that just keep tempting tastebuds. Working your way through them isn't just a great way to show your appreciation for locally made brews — consider it research for the 2020 countdown. From Tuesday, January 28, Dan Murphy's will also be selling 24-packs of beers from the list, which are available through its website. GABS HOTTEST 100 AUSSIE CRAFT BEERS OF 2019 Stone & Wood 'Pacific Ale' (Australian pale ale) NSW * Balter 'XPA' (Pale ale) QLD Bentspoke 'Crankshaft' (American IPA) ACT * Young Henrys 'Newtowner' (Australian pale ale) NSW * Your Mates 'Larry' (Australian pale ale) QLD * Bridge Road 'Beechworth Pale Ale' (Australian pale ale) VIC * Feral 'Biggie Juice' (New England IPA) WA Balter 'Hazy' (New England IPA) QLD NEW Kaiju! 'Krush! Tropical Pale Ale' (Pale ale) VIC * Hop Nation 'Jedi Juice' (New England IPA) VIC * Balter 'IPA' (American IPA) QLD Bentspoke 'Barley Griffin' (Australian pale ale) ACT * Burleigh 'Twisted Palm' (Australian pale ale) QLD * Black Hops 'Pale Ale' (Australian pale ale) QLD * Gage Roads 'Single Fin' (Australian pale ale) WA * Coopers 'XPA' (American pale ale) SA * NEW Bentspoke 'Cluster 8' (Imperial IPA) ACT * Capital 'Hang Loose Juice' (New England IPA) ACT * Coopers 'Original Pale Ale; (Australian pale ale) SA * Balter 'Captain Sensible' (American pale ale) QLD Philter 'XPA' (Australian pale ale) NSW * Black Hops 'Hornet' (American IPA) QLD * Stone & Wood 'Cloud Catcher' (Australian pale ale) NSW * 4 Pines 'Pacific Ale' (Australian pale ale) NSW Balter 'Dazy' (Double New England IPA) QLD NEW Balter 'Hazy DC' (New England IPA) QLD NEW 4 Pines 'Pale Ale' (American pale ale) NSW Modus Operandi 'Sonic Prayer IPA' (American IPA) NSW * Colonial 'Pale Ale' (American pale ale) WA/VIC * Bentspoke 'Sprocket' (American IPA) ACT * Capital 'Coast Ale' (California Common) ACT * James Squire 'One Fifty Lashes' (Australian pale ale) NSW Black Hops 'Super Hornet' (Imperial IPA) QLD * Grifter 'Serpents Kiss' (Fruit beer) NSW * Moon Dog 'Old Mate' (American pale ale) VIC * Grifter 'Pale' (Australian pale ale) NSW * Furphy 'Furphy Refreshing Ale' (Kölsch) VIC Colonial 'South West Sour' (Hoppy sour) WA/VIC * Stomping Ground 'Gipps St Pale Ale' (American pale ale) VIC * Your Mates 'Sally' (American IPA) QLD * NEW Coopers 'Session Ale' (Pale ale) SA * Brick Lane 'One Love' (Australian pale ale) VIC * Coopers 'Sparkling Ale' (Australian sparkling ale) SA * Dainton 'Blood Orange Neripa' (New England IPA) VIC * Heads Of Noosa 'Japanese Lager' (Pale lager) QLD * NEW Bondi Brewing 'Beach Beer Bondi' (Australian pale ale) NSW * Ballistic 'Oaked XPA' (Pale ale) QLD * 10 Toes 'Pipeline' (Australian pale ale) QLD * Feral 'Imperial Biggie' (Double New England IPA) WA NEW Balter 'IIPA' (Imperial IPA) QLD Feral 'Hop Hog' (American pale ale) WA 10 Toes 'Happy Days' (American IPA) QLD * Capital 'Rock Hopper IPA' (American IPA) ACT * Little Creatures 'Pale Ale' (American pale ale) WA/VIC Bentspoke 'Red Nut' (Red IPA) ACT * Young Henrys 'Natural Lager; (Kellerbier) NSW * Modus Operandi 'Former Tenant Red IPA' (Red IPA) NSW * Jetty Road 'Pale Ale' (American pale ale) VIC * Mountain Goat 'Goat' (Hoppy lager) VIC Moon Dog 'Splice Of Heaven Pine-Lime' (Milkshake IPA) VIC Big Shed 'Boozy Fruit' (New England IPA) SA * Young Henrys 'Motorcycle Oil' (Porter) NSW * Balter 'Strong Pale Ale' (American pale ale) QLD Colonial 'IPA' (Australian IPA) WA/VIC * Wayward 'Raspberry Berliner Weisse' (Berliner weisse) NSW * Currumbin Valley 'Grape Bubblegum Sour' (Kettle sour) QLD * NEW Capital 'Trail Pale Ale' (American pale ale) ACT * Brick Lane 'Base Lager' (Helles lager) VIC * Stone & Wood 'The Gatherer' (American wheat) NSW * Fixation 'Fixation IPA' (American IPA) VIC * Young Henrys 'IPA' (Australian IPA) NSW * NEW Thirsty Crow 'Vanilla Milk Stout' (Sweet stout) NSW * Bentspoke 'How's It Gosen?' (Gose) ACT * NEW Bridge Road 'Beechy XPA' (Australian pale ale) VIC * 10 Toes 'Lager' (Australian pilsner) QLD * Green Beacon 'Wayfarer' (Pale ale) QLD Bondi Brewing 'Bondi Draught' (Australian pilsner) NSW * NEW Capital Big 'Drop Double IPA' (Imperial IPA) ACT * NEW Your Mates 'Macca' (Helles lager) QLD * NEW Brick Lane 'Red Hoppy Ale' (American amber/red) VIC * NEW Hemingway's '7th Heaven Tropical Ale' (Australian pale ale) QLD * NEW Stone & Wood 'Sticky Nectar' (Milkshake IPA) NSW * Capital 'Evil Eye Red IPA' (Red IPA) ACT * Burleigh 'Bighead' (Pale lager) QLD * Beerfarm 'Asam Boi Gose' (Gose) WA * Black Hops 'Caribbean Haze' (New England IPA) QLD * NEW Hop Nation 'Dreamfeed; (New England IPA) VIC * NEW Nail 'VPA' (Pale Ale) WA * Young Henrys 'Stayer (Mid)' (Hoppy lager) NSW * Moon Dog 'Beer Can' (Hoppy lager) VIC * 4 Pines 'Indian Summer Ale' (American pale ale) NSW Akasha 'Mosaic IPA' (American IPA) NSW * Green Beacon 'Windjammer' (American IPA) QLD Brouhaha 'Strawberry Rhubarb Sour' (Kettle sour) QLD * Akasha 'Korben D. Double IPA' (Imperial IPA) NSW * Mountain Goat 'Summer Ale' (Blonde ale) VIC Bridge Road 'Bling IPA' (American IPA) VIC * Range / Mr Banks / Mr West 'Participation Award' (Double New England IPA) QLD * NEW Your Mates 'Donnie' (Porter) QLD * Batch 'Pash The Magic Dragon' (Kettle sour) NSW* * — Brewed by an independent brewery. NEW — First brewed in 2019. Via Brews News. Top image: The Crafty Pint.
We've all contemplated what cars, aircraft and computers might look like in another 20 years. But often, the smaller things in life aren't subjected to the same kind of speculation. Take the ball, for example. Who could have foreseen its evolution from a beachy plaything to a robot, set to facilitate the future of mobile gaming? 21st-century toy experts Orbotix, that's who. In 2011, the Colorado-based company released the first incarnation of 'sphero' and, though its limitations prevented it from making too many waves, version 2.0 is a whole different story. At first sight, sphero 2.0 is nothing more than a sturdy white ball, big enough to fit into the palm of your hand. Hooked up to its recharging cradle, however, it takes on an Aurora-style inner glow, and linked via Bluetooth to your smartphone, it's a brand-new remote control car that can travel as far as 30 metres away. But that's just the beginning. Two levels are available through the basic app: 'free' and 'level-up'. The first allows you to direct sphero 2.0 anywhere you like at speeds of up to two metres per second and take on the included plastic jump ramps. The second mode allows you to gain points for the successful execution of tricks, providing access to new speeds and colours — there are thousands of possibilities. You can even set up an account and record your achievements online. This system is a smart way of hooking the user's interest. On top of that, 25 apps — many of them free — have been made specifically for sphero 2.0. These vary from social, multiplayer contests to multi-ball tournaments to augmented reality games. Sharky the Beaver, for example, transforms the ball into a cupcake-chasing beaver, while The Rolling Dead turns the surrounding floor into a zombie-fest. Sphero 2.0 can handle rough play, hard surfaces and the great outdoors, as it's made of polycarbonate, which is both waterproof and exceptionally strong. It's compatible with iPod, iPhone and iPad, as well as the equivalent Android devices. Battery life is about one hour. The Bluetooth connection is seamless and reliable. On the not-so-good-side, the device does tend to be a drain on phone battery power. Plus, when playing games that depend on it being picked up or jolted, the mechanism is not always immediately responsive. That said, sphero 2.0 is definitely a highly impressive improvement on the original and has the potential to add a whole new dimension to mobile gaming. Thanks to Orbotix, we have two sphero 2.0s to give away. To be in the running, subscribe to the Concrete Playground newsletter (if you haven't already), then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
We all know the fun things that can happen when a nostalgic childhood treat is reimagined for a grown-up audience. And the latest collaboration from gelato masters Messina and Sydney distillery Archie Rose is certainly one of the goodies. The pair has gone and reworked the classic neapolitan ice cream combo into a limited-edition trio of spirits, heavy on the retro-tastic dessert vibes and ready for your spring cocktail sessions. Available from Monday, September 7, the Neapolitan Set features three 200-millilitre spirit varieties crafted on produce from Messina's own Aussie farms, paying homage to the familiar pink, white and brown scoops that have long graced dinner tables across Australia. There's a strawberry and pink peppercorn gin, a vanilla and pandan vodka, and a chocolate-inspired cacao husk and hazelnut whisky. Archie Rose individually distilled a swag of top-quality ingredients to create each sip and has even come up with some suggested cocktails to put them to good use. For example, the gin teams locally foraged pink peppercorn and native river mint with juicy strawberries from Messina's farm in Dural, NSW. They say this one works particularly well matched with some of Messina's strawberry sorbet in a blushing riff on the miami vice cocktail. Meanwhile, the collaboration vodka uses fragrant pandan and sustainably sourced Tongan vanilla beans to create a spirit that's the perfect addition to a grasshopper. And the whisky stars roasted hazelnuts from both Italy and the Messina farm in Seymour, Victoria, along with macerated husks from rare cacao beans. Best try that one blended with a scoop of Messina's hazelnut gelato in a creamy toblerone concoction. While the spirit set will be available to buy online and from select bottle shops, Messina will also be dishing up a supporting act with a limited-edition decorated neapolitan gelato tub up for grabs from September 7. Plus, stay tuned for a virtual neapolitan cocktail masterclass, presented by Messina and Archie Rose on September 25. Find the Archie Rose x Messina Neapolitan Set ($109) at select bottle shops, the Archie Rose bar and on the Archie Rose website, from September 7.
Imagine a fully immersive theatre experience with a choose-your-own-adventure twist — and lots of macabre nods to Edgar Allan Poe — and you'll have some idea of what to expect at A Midnight Visit. Since July, A Midnight Visit has taken over a disused Brisbane warehouse and, due to popular demand, it's now extending its season till November 21. This captivating experience is part performance, part playground and part film set and is being brought to life across 36 rooms of an eerie Fortitude Valley warehouse. The show's intricate design, epic scale and explosive energy have proved to be a freakishly good night out for folks who enjoy unearthly delights. Be transported into a dream world that has been imagined by a team of 100-plus creatives including actors, circus performers, musicians, dancers and burlesque artists, plus a crew of innovative sound, film-set and costume designers. Expect an air of David Lynch, some Stanley Kubrick vibes and even a hint of Stranger Things, with a spot of steampunk thrown in for good measure. It's the largest immersive theatre piece to be staged in Australia so you can expect the experience to be a wild ride. [caption id="attachment_830810" align="alignnone" width="1920"] Nigel Hallett[/caption] A Midnight Visit is playing till Sunday, November 21 at 95 Robertson Street, Fortitude Valley. For more information and to book tickets, visit the website. Images: A Midnight Visit by Peter Wallis, Nigel Hallett, Anna Kucera, Tim Da-Rin, Jeff Busby.
Autumn's here, which means less time at the beach and more time doing indoorsy things like art and theatre and music. Luckily, a stack of bands and singer-songwriters are gearing up to tour the east coast during the next few months, helping to ease your transition into cooler weather. Narrowing them down into a top five has been no mean feat, but, in partnership with JBL Link Speakers, we've come up with these recommendations to kickstart your gigging adventures. And while you're waiting for the gigs to roll around, we curated a handy Spotify list to get you pumped. Listen to it on some JBL Link 10s — anywhere you like because these babies are portable and last you five hours — and you'll feel as if you're almost (we said almost) at the gig already. Here they are, the five gigs to add to your calendar this autumn. All shows are likely to sell out quickly, so don't dilly-dally: get your mitts on tix as soon as your wallet will allow. CAMP COPE This year, Camp Cope's second album, How to Socialise and Make Friends, nabbed a coveted 7.8 review on Pitchfork. A follow-up to their 2016 self-titled debut, the sophomore continues to address misogyny, sexual assault and sexism in the music industry via songwriter Georgia Maq's clever blending of the personal and the political. Lead single 'The Opener', with its quotable lines like "Yeah, just get a female opener, that'll fill the quota", came in at number 58 on the 2017 triple j Hottest 100. On the back of this commercial and critical success, the outspoken Melbourne-based folk-punk-rock trio is gearing up to take its fierce live act across Australia. WHERE AND WHEN — Thursday, March 15 and Friday, March 16: Thornbury Theatre, Melbourne — Saturday, March 17: The Tivoli, Brisbane — Friday, March 23: Metro Theatre, Sydney — SOLD OUT ALEX THE ASTRONAUT AND STELLA DONNELLY Two young Aussie songwriters who aren't afraid of tackling the big issues are teaming up for a joint tour this April. One is Sydney-born, Alex The Astronaut, whose single 'Not Worth Hiding', about openly owning your sexuality, became a bit of an anthem for the 'yes' campaign in the lead-up to the same-sex marriage postal survey. The other is Perth's Stella Donnelly, whose 'Boys Will Be Boys' deals with victim blaming following sexual assault and rape. WHERE AND WHEN — Saturday, April 14: Festival 2018 in South Bank, Brisbane (free) — Wednesday, April 18: Oxford Art Factory, Sydney — Wednesday, April 25: The Corner Hotel, Melbourne THE SMITH STREET BAND It's been almost a year since Melbourne's The Smith Street Band treated us to a national headline tour. But that's not to say they've been resting on their laurels. In 2017, the boys rocked out at several major festivals, including Groovin' the Moo and Splendour in the Grass, supported Midnight Oil and gigged all over the US and Europe. Plus, their new album More Scared of You Than You Are of Me entered the ARIA Charts at number three. Over the next few months, they'll be appearing pretty much everywhere in Australia with support from Bec Sandridge, who toured the UK and Europe last year on the back of new single 'I'll Never Want A BF', and Press Club, who've been basking in big love following the release of their debut single 'Headwreck'. WHERE AND WHEN — Saturday, March 24: Enmore Theatre, Sydney — Monday, April 16: The Tivoli, Brisbane — Saturday, May 12: Hawthorn Arts Centre, Melbourne — SOLD OUT ALEX LAHEY Alex Lahey's catchy melodies and honest lyrics have been scoring airplay ever since she released 'You Don't Think You Like People Like Me' in 2016. Last year, she followed up with debut album I Love You Like a Brother — which made the 2017 Triple J Listeners' Album of the Year list — before touring the UK and the US (including an appearance on Late Night with Seth Myers) and returning home to scoop up the Levi's Music Prize. She's spending March gigging around the UK and Europe, before kicking off the Huge and True tour here in Australia. WHERE AND WHEN — Friday, April 6: Factory Theatre, Sydney — Saturday, April 7: The Triffid, Brisbane — Wednesday, April 17: 170 Russell, Melbourne DZ DEATHRAYS If you're keen to thrash your way through autumn, then get along to one of DZ Deathrays' shows. The Queensland-based duo, who cut their teeth at house parties around Brisbane, are heading out on the road to launch their newest album Bloody Lovely, which is all about solid, old-fashioned party rock songs. Providing support will be up and coming bands Clowns, These New South Whales and Boat Show. Several gigs have already sold out, but new dates have been added, so you've still got a chance if you get onboard and grab a ticket ASAP. WHERE AND WHEN — Wednesday, May 9: Metro Theatre, Sydney — Wednesday, May 23: 170 Russell, Melbourne — Thursday, May 24: The Triffid, Brisbane Get your tix and amp yourself up for the gig with our Spotify playlist — played on some swish JBL Link speakers, of course. And if you don't have wifi and Bluetooth-enabled, voice-activated, durable, long-lasting and, most importantly, high-quality speakers in your possession, we've got some to give away here. https://open.spotify.com/user/concreteplayground/playlist/2k4LuQ65AP4xn0ekGTH1qM
Baz Luhrmann's The Great Gatsby was, as we all knew it would be, better as a trailer than a movie. It's hard to forget the first time I saw that beautifully designed gold art deco logo in the first ad, the dark beat of Jay-Z and Kanye's 'No Church in the Wild' and the shimmying of African-American flappers drinking champagne in a convertible. Gatsby's mansion looks every bit like the epic party hub described in the book, and though the film fails on the level of emotional depth and pace, visually it's spectacular. As becomes clear in this before-and-after video, by Gatsby's VFX supervisor Chris Godfrey, that mansion, in fact, never existed: green screen computer-generated effects make up even more of the set than you might expect. Let Lana Del Rey's irresistibly transfixing 'Young and Beautiful' take you through the digital construction of Gatsby's opulent world.
The Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA), curated by the Museum and Art Gallery of the Northern Territory in Darwin, are annual awards for First Nations artists from across the country. This year, NATSIAA award winners will be announced online — and all Australians can get to know the nominees via a virtual gallery — as well as vote for their favourites in the Telstra People's Choice Award. Each year, the awards celebrates contemporary artworks across a broad range of disciplines. Think paintings, craftsmanship, photography and textile works. There are 65 finalists from across the country, and what makes the awards so special is the diversity in storytelling; there are perspectives from coastal regions, desert towns, cities and everywhere between. [caption id="attachment_776094" align="alignnone" width="1920"] Telstra Bark Painting Award Winner 2019, Noŋgirrŋa Marawili. Photo: Fiona Morrison[/caption] For 37 years, Telstra NATSIAA has represented the art of the nation — culturally, geographically and historically, as well as looking to our future. And long-standing partner Telstra has been part of the awards for almost three decades. For those who plan to visit the Northern Territory, you can also experience the artworks in person at the Telstra NATSIAA Exhibition at the Museum and Art Gallery of the Northern Territory from Saturday, August 8. And it's good news for those of us who'd usually miss out on the awards ceremony, as this year's presentation (usually held on the grounds of the museum) will be broadcast online. You can join host Brooke Boney on Friday, August 7 to find out which artists have won by visiting the Telstra NATSIAA website from 6pm. While you're there, check out the fully interactive, virtual gallery and chuck a vote in for your favourites.
If you love cheese, but are sick of spending the bulk of your pay cheque on it, here's a solution: take a cheese-making class. Sure, it'll cost you pretty penny, but then you'll have the knowledge to make endless cheese at home, whenever you want. Also, thanks to Omnom Cheese Shop's new virtual burrata, bocconcini and ricotta workshop, you can learn along at home as well. The Sydney-based cheese outfit is adding a series of online classes to its repertoire, taking place at 6pm on Wednesday, September 23 and Wednesday, October 21. During the 80-minute class, you'll learn to how to make three types of cheese — in real-time, via Zoom, with plenty of live tips as you go. You'll also receive a DIY cheese-making kit delivered to your door as part of your $59 ticket. You will need to have some kitchen equipment on hand, and to pick up some milk and cream — with full details sent out a week before the class. Hot tip: in-person, Omnom's cheese-making sessions regularly sell out, so its online classes are certain to be popular. Another suggestion: if you want to pair your cheese-making with wine, well, that definitely isn't frowned upon. Omnom Cheese Shop's virtual burrata, bocconcini and ricotta workshop takes place at 6pm on Wednesday, September 23 and Wednesday, October 21.
Mother's Day is usually a time for family gatherings. Think brunches, barbecues, roasts, leisurely lunches and just generally spending the day with your mum. Due to the COVID-19 pandemic, the celebratory occasion will play out a little differently than usual in 2020 — however, if you're a Queenslander, you'll still be able to enjoy the day with your nearest and dearest. Well, at least some of them. From this Sunday, May 10, groups of up to five people from one household will be able to visit another household — an increase from the current limit of two visitors per residence. As announced today, Thursday, May 7, by Queensland Premier Annastacia Palaszczuk, it's a reward "because Queensland has been doing such a great job", with the focus firmly on families. As Queensland's Chief Health Officer Dr Jeannette Young explained, "it's about five people, maximum, of one family group, one household group, going to another household group". The five-person limit only applies to homes — not to other venues or spaces — and it doesn't cover people from more than two households. So, two people from one household and three people from another household can't both visit a third household at the same time. There's no limit on the number of people who live in the household receiving the visitors, though — so if you live with four other people, and all five of you are going to visit a household with six residents, that's acceptable. https://twitter.com/AnnastaciaMP/status/1258171026443169792 That still won't allow plenty of families all gather together at once, but Dr Young suggests that people split up their visits — as receiving multiple visits from different households during the same day will also be allowed. "I'm sure there's a lot of mums out there who'd love to see one household in the morning and another in the afternoon and another in the evening," she noted. With Queensland's new cases of COVID-19 remaining low — with just 12 confirmed in the past seven days, from a total of 1045 cases since the pandemic began — the State Government is slowly beginning to ease back stay-at-home and social-distancing requirements. Queenslanders can now leave home for select recreational purposes, ranging beyond essential activities, and the state is considering allowing bars, cafes and restaurants to reopen in June. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Showing your love for Gelato Messina's wares is easy. When you're not tucking into its regular scoops and nabbing its specials, you can don its merchandise line or get saucy with its personal lubricant. And, you can sip your way through Messina cocktails, too, including the returning Easter option that Cocktail Porter will bring to you. No, a ready-to-drink tipple won't arrive at your door. Instead, this Messina DIY drinks kit lets you whip up your own boozy beverages — and, because it's that time of year, you'll be sipping the end results out of an Easter egg. You read that correctly, because what's the point of being an adult at Easter if you can't combine sweet treats with alcohol, and do so in quite the OTT (but delicious) way? Going big on salted caramel, this kit helps solve the familiar dilemma everyone has had since they hit drinking age. No one likes choosing between tucking into an orb of chocolate and having another beverage, after all, and now you don't have to. One note: there isn't actually any gelato as part of the pack, but the cocktails do use Messina's popular dulce de leche topping as a pivotal ingredient. So, you'll get that, as well as Baileys, cold-drip coffee and Mr Black Coffee Liqueur. You'll also receive chocolate Easter eggs, obviously, which you'll pour your mixed liquids into — as well as pieces of salted caramel popcorn to pop on top. You can pick between two different-sized packs, with the small kit costing $80 and making five drinks, and the large costing $145 and making 12. Cocktail Porter delivers Australia-wide, if that's your Easter drinking plans sorted. To order Cocktail Porter's salted caramel Easter egg cocktail kit, head to the Cocktail Porter website.
Losing yourself in a giant Pac-Man-inspired maze may or may not be your idea of the ultimate reality break, but it is something you'll actually be able to pencil into the diary when The Pac-Maze hits Melbourne, Sydney and Brisbane next year. Yep, someone has created a human-size version of the classic 80s arcade game that had you losing hours navigating tiny yellow Pac-Dots and avoiding ghosts. As with most immersive, themed experiences happening across Australia these days, this one's popping up in secret locations on unknown dates. At this stage, all we know is that it's only popping up for one day in each city — and that you can sign up for notifications and first dibs on pre-release tickets via the website. The Pac-Maze comes courtesy of the same masters of nostalgia that brought you the adults-only Lego bar, The Brick Bar, which means you can expect a bunch of interactive fun that'll delight both your adult self and your inner kid. Organisers are promising an immersive escape room-style experience, held within a 1.5-kilometre, LED-lit maze, with the chance to score prizes if you're quick enough to elude those multi-coloured ghosts (aka Blinky, Pinky, Inky and Clyde). You can play solo or in teams of up to ten, though there are only 500 tickets in total up for grabs in each city. To stay in the loop and snag pre-release tickets, visit The Pac-Maze website.
Each year, the National Gallery of Victoria commissions a new temporary structure to evoke a fresh perspective on the gallery. Previous years have seen a pink car wash and an openair maze pop up in the NGV's Grollo Equiset Garden, but 2018's Architecture Commission, announced today, will be a direct reflection of the gallery itself. A collaborative effort between Melbourne firm Muir and landscape architecture studio Openwork. Doubleground draws inspiration from past and present aspects of NGV International. The design is centred on a dramatic passageway that recalls the triangular patterns found within the NGV's Great Hall glass feature wall and on the gallery's roof. Elements of the NGV Garden will literally be raised up as sections of the garden become sharp embankments, creating canyon-like passageways below. The Sir Roy Grounds-designed building also provided inspiration for Doublegrounds decking area, which echoes the NGV International's foyer, while a bamboo garden reflects the building's former bamboo courtyard. Architect Amy Muir used her memories of visiting the gallery as a child to compose a blueprint for the new commission. "The 2018 Architecture Commission provides an intervention that challenges the role of the NGV Garden," Muir said of her studio's designs. "Acknowledging the intent and architectural language of the original Roy Grounds building, the Commission seeks to bring the memories of place back into play." Promoting the positive relationship between architecture, landscape and civic space, Doubleground was chosen ahead of 73 other entries from around Australia due to its collaborative and multi-disciplinary approach. As 2018 marks the 50th anniversary of the NGV International, gallery Director Tony Ellwood explained the new commission "offers visitors a unique opportunity to reflect upon and re-examine the history and design of the Gallery as an integral part of Melbourne's public realm". The 2018 NGV Architectural Commission will be free to visit in the Grollo Equiset Garden at NGV International from November 2018 until April 2019.
When it comes to winter family getaways, Sydney is often overlooked in favour of snowier spots further south. But the Harbour City is full of unexpected wintry delights—both indoors and out. Think cosy corners, hearty pub fare, awe-inspiring exhibitions, and close-up wildlife encounters. Add kids into the mix, and it becomes even more magical. From spotting humpbacks along the Bondi to Coogee Coastal Walk and soaking up Harbour views aboard the iconic Manly Ferry to sampling global eats at Hay St Market, we've rounded up some of the best family-friendly activities to help you plan your next escape. Plus, if you're keen to stay in the city, Marriott Bonvoy is offering 10% off your stay across six hotels—all you need to do is sign up (for free). It's also the perfect excuse to extend your stay. Pack your puffer and rally the little ones—here are nine top family-friendly things to do in Sydney this winter. Wander Through Hay St Market If the weather turns grizzly or you're facing decision paralysis over what to eat, Hay St Market—Sydney's newest hawker-style foodie hub—is an ideal spot for the whole family to explore. Bringing together 48 traders and over 25 international cuisines under one roof, the market buzzes with lively, aromatic stalls serving everything from freshly-baked sourdough and creamy cannoli to juicy citrus, melt-in-your-mouth sashimi, and premium cuts of meat. To keep the food adventure going, walk across to Spice Alley in Chippendale—just a short stroll from Four Points By Sheraton Sydney, Central Park. Picnic In the Royal Botanic Gardens While many botanical gardens around Australia boast magnificent, manicured grounds, few compare to Sydney's historic Royal Botanic Garden. Home to more than 27,000 plant species and boasting uninterrupted views of Sydney Opera House and Sydney Harbour Bridge, it's the ultimate spot to roll out a picnic rug and absorb some precious winter rays. There are plenty of things to keep the little ones entertained, too. Wander through the aromatic herb garden, the vibrant wildflower meadow, and the sun-drenched succulent garden—or book the kids into a nature-inspired craft workshop. Spot Whales Along Bondi To Coogee Coastal Walk Revered as one of the most picturesque walks along Australia's east coast, the Bondi to Coogee Coastal Walk is a year-round favourite—but it's especially popular from May to November during the annual humpback whale migration. The walk stretches about six kilometres one way, is suitable for all fitness levels, and offers vantage points aplenty, including Ben Buckler Point, Clovelly Beach, Waverley Cemetery, and Gordon's Bay. Mornings and late afternoons are the best times to spot whales, which often breach close to shore—but bring a pair of binoculars to get an even closer view of the action. Ride Sydney's Iconic Manly Ferry Keen to check out one of Sydney's iconic beaches? Jump aboard Sydney's historic Manly Ferry. Departing regularly from Circular Quay, the 30-minute journey is packed with spectacular Sydney Harbour views, including the Sydney Harbour Bridge, the Sydney Opera House, and Kirribilli House. A must on any first-timer's Sydney itinerary, Manly offers plenty to explore once you arrive, with viral eateries like Norma's Deli, Butter Boy, and Chica Bonita regularly drawing crowds daily. Plus, the ferry terminal is just a quick stroll from Sydney Harbour Marriott, Circular Quay making it the perfect day-trip if you're staying close by (and scoring 10% off your stay). Run Amok at Luna Park Speaking of ferries, hop aboard the Milson's Point Wharf ferry at Circular Quay and spend a day exploring Luna Park—one of Sydney's most iconic amusement destinations. The heritage-listed theme park blends vintage carnival charm with modern thrills like the sky-high Coney Island Devil's Drop, the gravity-defying Rotor, the classic Ferris Wheel, and The Big Dipper—the world's first-ever double-launch single-rail rollercoaster. Get Up-Close with the Animals At Taronga Zoo Taronga Zoo is a playground for all ages that rolls education and fun into one, and has offered unforgettable wildlife encounters for over 100 years. Committed to wildlife conservation, the zoo is home to 4,000 animals across 350 species, including majestic African lions and Western Lowland gorillas, playful fairy penguins, and adorable pygmy hippopotamuses. To kick the adrenaline up a notch and see some wildlife from a new perspective, strap in for a climb on the zoo's thrilling high ropes course. Adventure Underwater at SEA LIFE Sydney Aquarium Home to over 4,000 animals across more than 300 species, SEA LIFE Sydney Aquarium is a sample of the seven seas right in the heart of the city. With immersive themed zones like Jurassic Seas, Shark Valley and Penguin Expedition, it showcases the world's largest variety of Australian aquatic life—and has become a rite of passage for Sydneysiders and young visitors alike. Highlights include Pig, the resident rescue dugong, up-close shark scuba encounters, and a walk-through tunnel where rays and sharks glide overhead. Plus, it's just moments away from W Sydney, making it well within reach for an easy yet exciting day out. Tour Sydney's Historic Cockatoo Island Once a convict gaol and shipyard, Cockatoo Island is now a UNESCO World Heritage-listed site just nine minutes by ferry from Barangaroo Wharf. The largest island in Sydney Harbour, it offers a fascinating mix of historical tours suitable for all ages, plus regular cultural exhibitions and events. After exploring, pull up a seat at one of the family-friendly waterfront cafes and watch a flurry of boats glide past—and if you're staying at Pier One Sydney Harbour, take the scenic route back and wander through Barangaroo. Get Inspired at Sydney's Art Galleries The Art Gallery of NSW is a cultural cornerstone and arguably one of the most significant art galleries in the state — if not the country. While it's known for showcasing a program of both local and internationally acclaimed artists, it also offers a mix of compelling creative activities for the little ones, including Australia's first children's art library on lower level 3, weekly Storytime sessions, and interactive exhibitions. This winter, check out the annual Archibald, Wynne and Sulman Prize (on display until August 17), and the Young Archie finalists. Down by the Harbour, The Museum of Contemporary Art Australia is the only public museum dedicated exclusively to contemporary art in the country. A must-visit for modern art lovers, it hosts a rotating lineup of globally acclaimed artists—including Cerith Wyn Evans' monumental light sculptures, on display from June until October. Families can also enjoy drop-in drawing classes, and unstructured creative art play for kids under five. Ready for a jam-packed family adventure? Book your Sydney escape before September 30 to access 10% off your stay and dining with Marriott Bonvoy. All you have to do is sign up as a member—and it's completely free. With access to exclusive member rates, your stay will also earn points towards free nights at over 30 hotel brands around the world. Book your stay here. T&C's apply and vary by participating hotels including blackout dates, cancellation restrictions and more. Offer may not apply in properties not participating in the award and redemption of Marriott Bonvoy.
Three decades after Expo '88 transformed the southern banks of the Brisbane river, and 26 years since the area was turned into permanent parklands, South Bank is set for its latest change. As first revealed as part of last year's 25th birthday celebrations, the precinct is set to gain a new riverside green space — a new 6816-square-metre precinct, in fact. As announced by the Queensland Government, the new addition will take over the spot previously occupied by South Bank's riverside restaurants, which were affected in the 2011 floods. Those buildings were demolished in 2017, and will now be replaced by parkland, including barbecue facilities, public art, a water feature, a place for riverfront events and a function space. Construction is set to begin mid-year, revamping the former restaurant sites, and incorporating and upgrading surrounding existing outdoor areas. Brisbane Times reports that the new river lawn will be 1.5 times larger than the River Quay lawn, and both a riverside lounge and a plant-filled shade house will be added. Further, a path will connect the promenade and the arbour, the promenade itself will be straightened, shady trees will be planted through the terraced lawns and the rainforest will be extended. South Bank also recently welcomed a new temporary creative space in the former Arbour View Café precinct, called Flowstate. It features an immersive digital art installation, an open-air performance pavilion and a grassy relaxation zone, and is intended to be in place for between 18 months and three years.
Everyone has their Christmas viewing rituals, whether you watch your way through every Home Alone movie each year (yes, even the recent one), pop on It's a Wonderful Life with the family after a big lunch or prefer saying yippee ki-yay to Die Hard. Until recently, however, it's likely that watching Australian festive flicks wasn't high on your list, given this country of ours doesn't have all that much seasonal fare to its name. Back in 2020, streaming service Stan aimed to help change that with A Sunburnt Christmas, a festive caper about a criminal, some kids and end-of-year hijinks — aka Australia's answer to Home Alone and Bad Santa, in a way. In 2022, the platform is set to add another homegrown title to its catalogue sometime before Christmas hits, too. Given it stars Miranda Tapsell and Matt Okine, it looks worth a watch based on its cast alone. [caption id="attachment_700158" align="alignnone" width="1920"] Top End Wedding[/caption] Christmas Ransom stars Okine (The Other Guy) as every kid's second-favourite person during festive season: the owner of a toy store. Things aren't too merry for his character, however, when his shop is held up by thieves on Christmas Eve. And yes, as the name makes plain, he's held for ransom. These kinds of Christmas movies usually involve children, whether or not they turn them into Macaulay Culkin-level stars — so obviously a couple of kids get caught up in the heist. To save the day, they enlist the help of Tapsell (Top End Wedding), who plays a pregnant security officer. Announcing the film, Stan notes that it's inspired by Home Alone, Die Hard and Elf. If you've ever seen just one Christmas flick for even just a few minutes, you will have spotted plenty that's predictable about the setup. Alongside Tapsell and Okine, Christmas Ransom stars Ed Oxenbould (Wildlife), Genevieve Lemon (The Tourist), Bridie McKim (Bump), Evan Stanhope (Thor: Love and Thunder), Tahlia Sturzaker (Ascendant) and Chai Hansen (The Newsreader) — and boasts Adele Vuko (Wham Bam Thank You Ma'am) in the director's chair. Add it to your festive viewing alongside this year's other big Aussie Christmas film, if it also surfaces in time: the upcoming movie based on Paul Christmas classic 'How to Make Gravy'. Otherwise, this newcomer will join the likes of A Sunburnt Christmas; Bush Christmas, both the 1947 and 1983 versions; the animated Around the World with Dot; and recent-ish horror movies Red Christmas and Better Watch Out — the latter also featuring Oxenbould. Christmas Ransom will be available to stream via Stan sometime this festive season — we'll update you with an exact date when one is announced.
February 14 means different things to different people — but if you're a fan of Yellowjackets, that date in 2025 is now all about just one thing. Two years after its second season, the survivalist thriller will return on Valentine's Day to kick off its third round, again following the survivors of a plane crash both in the immediate aftermath and a quarter of a century later. As viewers discovered when it debuted in 2021 and became one of the best new shows of that year, the instantly intriguing (and excellent) series follows a New Jersey high school's girls soccer team in the 90s after their plane plummets into the forest, and also checks in with everyone that's left 25 years later. Across two seasons so far, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (The Tattooist of Auschwitz's Melanie Lynskey as an adult, and also No Return's Sophie Nélisse as a teenager), Natalie (I'm a Virgo's Juliette Lewis, plus MaXXXine's Sophie Thatcher), Taissa (Law & Order's Tawny Cypress, and also Scream VI's Jasmin Savoy Brown) and Misty (Wednesday's Christina Ricci, as well as Atlas' Samantha Hanratty). The full setup: back in 1996, en route to a big match in Seattle on a private aircraft, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost territory. The accident saw everyone who walked away stranded in the wilderness — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. As well as announcing the show's return date, Yellowjackets dropped a first teaser trailer for season three, although it's brief at just 15 seconds in length. In quick flashes, the sneak peek does feature violent altercations, screaming and mask-wearing figures among the 90s-era group, however. So, business as usual, then. [caption id="attachment_894499" align="alignnone" width="1920"] Colin Bentley/SHOWTIME.[/caption] After swiftly getting picked up for a second season because its first was that ace, Yellowjackets was then renewed for a third season before that second group of episodes even aired. In Australia, viewers will be heading to Paramount+ come Friday, February 14, 2025. In New Zealand, the series streams via Neon. In season three, the returning cast — which includes Simone Kessell (Muru) as the older Lottie and Lauren Ambrose (Servant) as the older Van, characters played in their younger guises by Australian actors Courtney Eaton (Mad Max: Fury Road) and Liv Hewson (Party Down) — will be joined by Hilary Swank (Ordinary Angels) and Joel McHale (The Bear). Check out the first teaser trailer for Yellowjackets season three below: Season three of Yellowjackets will start streaming from Friday, February 14, 2025 via Paramount+ in Australia — and streams via Neon in New Zealand. Read our review of season one and review of season two, plus our interview with Melanie Lynskey. Via Variety.
Would the latest big-screen adaptation of Stephen King's Firestarter have been better or worse if it had included The Prodigy's hit of the same name, aka the most obvious needle-drop that could've been chosen? Although we'll never know, it's hard to imagine a film with less personality than this page-to-screen remake. Using the 1996 dance-floor filler would've been a choice and a vibe — and a cliched one, whether gleefully or lazily — but it might've been preferable to the dull ashes of by-the-numbers genre filmmaking that's hit screens instead. Zac Efron looking so bored that blood drips from his eyes, dressing up King's 1980 story as a superhero tale (because of course) and having its pyrokinetic protagonist say "liar liar, pants on fire" when she's torching someone aren't a recipe for igniting movie magic, or for even occasionally just lighting a spark. That said, the best thing about Firestarter circa 2022 is actually its 'Firestarter'-free score, and with good reason. It hails from legendary original Halloween director John Carpenter, plus his son Cody Carpenter and regular collaborators Daniel A Davies (all fresh from 2018's Halloween and its follow-up Halloween Kills). It's a savvy touch not merely for the kind of atmospheric, eerie, mood-defining electro-synth sounds that only the elder Carpenter can deliver, but because he was originally slated to direct the first version of Firestarter in 1984, only to be ditched because The Thing — now a stone-cold sci-fi/horror classic — didn't do well enough at the box office. While both features could've desperately used Carpenter behind the lens, at least the initial flick didn't feel like all it was burning was the audience's time and patience. Then, now and in King's book, Firestarter follows the McGee family, whose lives would blaze brighter if they didn't have abilities most folks don't. After volunteering for a clinical trial in college, Andy (Efron, Gold) and his wife Vicky (Sydney Lemmon, Fear the Walking Dead) have telepathic and telekinetic powers; being experimented on with mind-altering chemical compounds will do that. And, from birth, their now 11-year-old daughter Charlie (Ryan Kiera Armstrong, It: Chapter Two) has been able to start fires with her mind. How director Keith Thomas (The Vigil) establishes this backstory says more than it should about the movie, how blandly it turns out and what it might've been with more flair. A flashback to Charlie getting fiery as a baby is laughable, and kindles exactly zero thrills, scares or unease. But, flickering over the opening credits as old video footage, Andy and Vicky's time as test subjects ripples with tension and creepiness — that's swiftly extinguished and never felt again. Unsurprisingly, the McGees have spent years attempting to blend in, hiding their powers and fleeing the shady government department, The Shop, that's responsible for their situation — and now sports a keen interest in using Charlie as a weapon. Alas, as the girl grows, holding her abilities back is becoming harder. Andy and Vicky argue about what's better: training her to suppress the flames or teaching her how to harness them. Then she literally explodes at school, The Shop head honcho Captain Hollister (Gloria Reuben, City on a Hill) puts bounty hunter John Rainbird (Michael Greyeyes, Rutherford Falls) on their trail and the heat is on. (No, that track from Beverly Hills Cop, which reached cinemas the same year that the OG Firestarter did, doesn't feature here either.) When a film gets its viewers thinking about the songs that aren't on its soundtrack, and more than once, it's a flaring warning sign. It's a scorching indictment of how uninvolving the new Firestarter is, too. Its predecessor isn't great, only really proving notable for starring a nine-year-old Drew Barrymore, but at least its chase-driven plot was propulsive. Here, Thomas and screenwriter Scott Teems (another Halloween Kills alum) scale back the story to spend half of the picture dwelling in the McGee's incognito existence, barely a few scenes on the run, and then turning in the least climactic finale in The Shop's secret base they possibly could. It all smacks of trying to cash in on King fandom after It and It: Chapter Two's huge success, and also continuing producer Jason Blum's penchant for remaking, reviving or riffing on movies gone by (see also: the Groundhog Day-but-horror Happy Death Day franchise, the latest The Invisible Man, Freaky Friday-but-horror flick Freaky and the past two Halloween films). At least this Firestarter doesn't have a white actor playing its First Nations hitman, although that doesn't mean that Greyeyes — who is so great in streaming sitcom Rutherford Falls — gets anything resembling a fleshed-out part. At least his character isn't written as inappropriately fascinated with Charlie this time, a wholly unpleasant aspect of the original's narrative that's thankfully cut. Asking much of its cast isn't on the new Firestarter's agenda, though. Reuben is cartoonish and saddled with clunky dialogue ("you are a real-life superhero," she somehow spits with a straight face); Kurtwood Smith (The Dropout) goes unhinged with aplomb as the man originally behind the mind-bending drug, but is underused; Armstrong is mostly tasked with scowling a lot. And while that blood oozing from Efron's peepers isn't genuinely caused by his visible lack of interest in his role, and there's a quiet power to his passive performance, it's the most relatable thing in the movie for audiences feeling just as underwhelmed. At least Firestarter 2022 is short, too, clocking in at 20 minutes less than the initial feature; there's a difference between burning fast and dazzling, however. When the psychokinetic pyrotechnics come — less often than you'd think in a film called Firestarter — the movie just looks cheap, the budget seemingly extending to a wind machine, a smoke machine, some shoddy CGI and piles of ashes. Letting King's underlying themes blaze away instead isn't the flick's aim, either. Firestarter is still about the sins of parents playing out through their children, as well as the ills of government wreaking havoc on ordinary families, but only in the broadest and most simplistic of ways. Even the Carpenter score, as welcome and excellent as it is, unintentionally undercuts the film — reminding the audience that the iconic filmmaker did helm a King adaptation once, aka 1983's haunted car flick Christine. Rewatching that is a far better move than seeing this cold Firestarter rehash fail to catch aflame.
Our Flag Means Death might be no more, after the pirate rom-com was cancelled after two seasons, but getting giggling at Rhys Darby is still on the agenda. The New Zealand comedian has hardly been away from the screen for more than 15 years, ever since Flight of the Conchords became one of HBO's best-ever sitcoms, so he's been inspiring laughs for years. For the first time in nearly a decade, however, he's returning to the stand-up stage — and he's coming to Australia. Fans can expect gags about AI, robots, dads wearing tight jeans and more — and the mix of absurdity and insights that have always marked Darby's brand of comedy — when The Legend Returns tour plays Brisbane's Princess Theatre on Wednesday, April 30. [caption id="attachment_915747" align="alignnone" width="1920"] Our Flag Means Death, Nicola Dove[/caption] Between calling band meetings on Flight of the Conchords and finding love while swashbuckling on Our Flag Means Death, his career has spanned everything from The X-Files, A Series of Unfortunate Events and Wellington Paranormal to Sweet Tooth, SpongeBob SquarePants and Monsters at Work on the small screen. On the big screen, Darby has also been a frequent presence, thanks to The Boat That Rocked, What We Do in the Shadows, Hunt for the Wilderpeople, Jumanji: Welcome to the Jungle, Jumanji: The Next Level, Uproar, Next Goal Wins and plenty more. [caption id="attachment_980410" align="alignnone" width="1920"] Gage Skidmore via Flickr[/caption]
Putt putt fans of Brisbane — so, everyone in Brisbane — it's time to do the monster mash while you're tap, tap, tapping your way around a mini golf course. This city of ours is home to more than a few places to unleash your short game, but only one of them keeps busting out seasonal theming and giving you a reason to celebrate special occasions with a putter in your hand. For the past two Christmases, the Victoria Park Putt Putt Course has given itself a festive revamp. Mini golf is more fun with reindeer, obviously. Earlier in 2021, the venue celebrated Easter as well, courtesy of a candy-themed course. Now, it's getting into the Halloween spirit by giving its greens a spooky makeover. No, missing a hole in one won't be the most terrifying thing about your next stint on the course. From Friday, September 17–Sunday, October 31 (naturally), the site will become home to all things frightening. If a haunted house was to meet up with a mini golf course, this is what it'd look like. So, you'll be putting around greens with names like Pumpkin Patch, Witch's Way, The Freaky Forest and Skeleton's Graveyard. Obviously pumpkins will feature heavily — plus skeletons, spiderwebs, grave headstones, ghosts and all the usual scary paraphernalia. Bookings are essential, with the course open from 6am–10pm daily. Fancy a few holes before work? Want to add some fun to your lunch break? Need something to look forward to come quitting time? They're all options. Just remember that it's a family-friendly affair, so you'll likely have plenty of company. Tickets cost $22 per adult. Images: Pandora Photography.
Feel like getting fast and furious? Got the need for speed? Want to live out your Mario Kart fantasies? Slideways has you covered. Whether you choose to channel your inner Vin Diesel or simply don some overalls and a red cap (or neither), motoring fun is on the agenda in the multi-coloured Eagle Farm space — a 425-metre, two-level indoor track, complete with a bridge, tunnel and loop of the carpark. It's the best kind of car-related activity the area has to offer, because getting stuck in traffic on Kingsford Smith Drive doesn't count. Afterwards, keep the revving revelry going by hopping in one of the site's new full-motion race car simulators.
Since the first Iron Man film in 2008, Marvel has trained superhero fans well. Notching up 33 movies in its enormous cinematic universe with 2023's The Marvels and showing zero signs of stopping, the comic book company has basically taken over the big screen, with this year delivering Ant-Man and the Wasp: Quantumania and Guardians of the Galaxy Vol. 3, too — and, as always, there's plenty more flicks on the way. Marvel hasn't just taken over picture palaces. Via Disney+, the small screen is also home to many a MCU story, including Secret Invasion and season two of Loki in 2023. Keen to see your favourite spandex-clad crime-fighters try to save the world in person as well? Along with splashing Marvel's heroes and villains across every screen it can find, that's also coming — and soon. Marvel Universe LIVE! is exactly what it seems — and if it sounds familiar, that's because it was meant to head Down Under in 2020, but then the pandemic hit. So, when it makes the trip to Australia in April 2024, it'll be unveiling its show to Aussie audiences for the first time. The production takes more than 20 characters such as Spider-Man, The Avengers and the Guardians of the Galaxy, teaming them up on stage and letting audiences marvel (pun intended) at their exploits. Featuring everyone from Iron Man, Thor, Black Panther and the Hulk to Captain America, Doctor Strange and Black Widow, it tasks the beloved superheroes with facing off against some of Marvel's infamous villains, including Nebula, Loki and Green Goblin. And, it packages their antics with video projections, special effects, pyrotechnics, martial arts, and both aerial and motorcycle stunts. The performance is aimed at all ages and, in news that's about as unsurprising as most wisecracks that Tony Stark ever uttered, the show has proven a massive success in the United States, Latin America and Europe. As a result, it was only a matter of time until it hit Australia after its pandemic delay. Obviously, attendees won't be watching Robert Downey Jr (Oppenheimer), Chris Hemsworth (Extraction II), Benedict Cumberbatch (The Wonderful Story of Henry Sugar), Scarlett Johansson (Asteroid City) and Tom Hiddleston (The Essex Serpent) — or any of the many, many other high-profile stars who feature in the Marvel Cinematic Universe, because that list truly seems endless. But, if you're happy to get your Marvel fix however you can, then you can do just that in arenas and stadiums around the country in 2024. Marvel Universe LIVE! will premiere its Aussie run in Brisbane, before heading to Melbourne, Sydney and Adelaide. "Our tremendously talented creative team and a nearly superhuman cast have created a show that brings the grandeur of Marvel to life," said Marvel Universe LIVE! producer Juliette Feld Grossman. "This production creates an experience that immerses families in non-stop action, creating movie-style thrills and jaw-dropping stunts that showcase the powers of your favourite superheroes right before your eyes." MARVEL UNIVERSE LIVE! 2024 DATES: Thursday, April 4–Sunday, April 7 — Brisbane Entertainment Centre, Brisbane Friday, April 12–Monday, April 15 — Rod Laver Arena, Melbourne Friday, April 19–Monday, April 22 — Qudos Bank Arena, Sydney Friday, April 26–Sunday, April 28 — Adelaide Entertainment Centre, Adelaide Marvel Universe LIVE! is touring Australia in April 2024 — head to the event's website for more information, and pre-sale tickets, with general tickets available from 10am on Tuesday, November 28, 2023
For residents of Brisbane, southeast Queensland and Northern New South Wales, the week commencing Monday, March 3, 2025 is starting with a key piece of advice: stay safe and dry. The Bureau of Meteorology has advised that Tropical Cyclone Alfred is forecast to impact the area, including potentially making landfall near the Sunshine State capital. Wet, windy and wild weather is expected from Bundaberg down to the Gold Coast and into the Northern Rivers, complete with daily rainfall totals up to 600 millimetres — and authorities are telling residents to prepare now. As at 4am AEST, Tropical Cyclone Alfred is around 465 kilometres northeast of Brisbane and 410 kilometres east northeast of Maroochydore, but the Category 2 storm is due to head south, then west. First, on Monday it is predicted to keep travelling southeast, away from Queensland's coastline, the Bureau advised in a morning update. Come Tuesday, however, it'll shift, coming back towards the southern Queensland coast. ⚠️Issued 4:51am AEST Monday 3 March 2025⚠️ 🌀The latest track map for Tropical #CycloneAlfred is available. Regardless of the track Alfred takes, severe coastal hazards are likely for southern #Qld and north-east #NSW. Track Map & Cyclone Bulletin: https://t.co/OGEZjBtOPJ pic.twitter.com/hhckFxyQtj — Bureau of Meteorology, Queensland (@BOM_Qld) March 2, 2025 While updates will keep being issued, the forecast for Brisbane and the Gold Coast for Thursday, March 6 already notes "cyclone possible" on the BOM website. The Bureau presently notes that "heavy to locally intense rainfall is forecast for southeast Queensland and northeastern New South Wales from Wednesday as Alfred approaches the coast" — and that the regions should all be on flood watch. "We are seeing sustained winds near the centre of the cyclone of 95 kilometres an hour and wind gusts to 130 kilometres an hour," Senior Meteorologist Jonathan How also advised. "It is moving in a southeasterly direction at around 13 kilometres an hour, sort of about a running pace, moving down towards the southeast." On Sunday, March 2, Brisbane City Council issued a weather alert communicating that Alfred "will potentially produce damaging or destructive wind gusts and isolated heavy rainfall which may cause flash flooding, from late Wednesday through until the weekend", and urged Brisbanites to "make all necessary preparations for possible severe weather impacts". On the list: clearing yards and gutters, securing loose items outside and trimming tree branches. The BCC website has a guide for being prepared for an emergency that's worth bookmarking. Also on Sunday, Queensland Premier David Crisafulli held a press conference about the storm, revealing that waves in some parts of the state — in the Wide Bay area — were already hitting 14 metres due to the cyclone. He also said that an official Tropical Cyclone warning was likely in the coming days. It has been 35 years since Cyclone Nancy threatened Brisbane. Back in 2019, Cyclone Oma also sat off the coast. While the River City mightn't seem like cyclone territory, the 1893 and 1974 floods were the result of cyclonic weather systems — and the latter was caused by a slow-moving cyclone. The Bureau's Brissie forecasts predict possible showers on Monday, a shower or two on Tuesday, wind and showers on Wednesday, all with temperature maximums of 31, 30 and 28 — and with winds up to 90 kilometres an hour on Wednesday. Thursday's prediction is currently "very high chance of rain" plus "the chance of a thunderstorm" and "destructive wind gusts exceeding 130 kilometres an hour possible depending on movement and development of Tropical Cyclone Alfred". From there, wind and heavy rain is expected on Friday, then showers across the weekend. Your plans for the week obviously might change due to the weather situation. Already, the AFL has flagged that it's keeping an eye out given that the first game of the 2025 season, with premiers Brisbane facing Geelong, is scheduled to take place at the Gabba on Thursday night. The Bureau of Meteorology will continue to update its warnings and maps regularly — visit its website for further details and updates.
Calling all extreme Nirvana fans, this has to be one of the most intensely freaky fan-out Airbnb stays yet. You can now stay the night in Kurt Cobain and Courtney Love's '90s rented Los Angeles apartment, where Cobain penned 'Heart-Shaped Box' in the bathtub. Cobain and Love rented the 1500 square-feet '20s-built space from 1991-92, when Love was expecting little Frances Bean and Cobain wanted more songwriting and painting time — he did both in the apartment. Owned by a lucky dude called Brandon Kleinman, the Fairfax/Melrose area space has been cleaned up since the Cobain/Love days (thank god) and gets rented out a few times a year by super fans. So this: And this: Has been cleaned up by Kleinman to look like this: And this: For about US$250 a night, you'll have wifi, two bedrooms and take baths in the 'Heart-Shaped Box' bathtub. But apparently the listing has now been viewed 1000 times this week, so this price could very well go up. Keen for more of a sticky beak into Cobain/Love life? Check out Brett Morgen’s documentary Montage of Heck (one Sundance film we're hoping makes it to Australia.) Via Vulture. Images: Vinnie Zuffante/Getty, NY Daily News, Airbnb.
After first spooking out southeast Queensland residents back in 2018, the unnerving Séance installation is returning to the region. This time around, it's bringing its big, white container to HOTA, Home of the Arts on the Gold Coast — from Wednesday–Sunday between Thursday, October 28–Sunday, November 14. Unlike most shipping containers in the city, this one isn't being used to transport furniture. And, given that the word 'séance' is written on the side in black, it's definitely more than a little ominous. Participants will be able to take a seat inside, and then put on a headset. You'll next be told to put both hands on the table. The lights go out, leaving the place in absolute darkness — and, for 20 uneasy minutes, you'll be taken on an immersive journey led only by touch and sounds. Expect to feel confused, repulsed and struck with temporary claustrophobia. According to organisers, numerous participants have bailed halfway through sittings in the past. You're probably thinking that there's something dark or supernatural about the whole thing — and going by the name, we don't blame you. But the installation's organiser says that 'séance' is simply a French word meaning 'session' or 'sitting'. And so Séance is a sensory experience that looks at the psychology of both sensory deprivation and the dynamics of a group sitting together. It's a scary indicator of how easy it is for confusion, disorientation and information overload to affect our judgement. (We're serious when we say Séance is not recommended for the claustrophobic, the easily frightened or those afraid of the dark.) Artists David Rosenberg and Glen Neath of Darkfield (who have collaborated in other sensory deprivation projects before) are the creative masterminds behind the project, which has been described as 'disorienting' and 'deeply unsettling'. And if need more of an idea of what you're in for, you might've listened to Darkfield's at-home experiences either last year or this year — such as Double, Visitors, Eternal and Knot — and experienced a few bumps and jumps. [caption id="attachment_804877" align="alignnone" width="1920"] Séance in Sydney in 2017[/caption]
