Has your dog always wanted to sit on a 'Game of Bones'-style throne? More importantly, have you always wanted your four-legged sidekick to pretend that they're in Westeros — all so you can take the world's most adorable photo? If so, then you might just go barking mad for Australia's latest pop-up installation. It calls itself a museum, but it's really just an excuse for you to snap pics of your cute canine against extremely photogenic backdrops. Think Sugar Republic and Melbourne's Christmasland — but, instead of focusing on desserts and all things festive (and human), Pet Stars is all about those gorgeous little animal critters that we choose to spend our lives with. The name is a little misleading, because the pop-up is "encouraging dogs only", according to its website. That said, it is hosting VIP cats-only nights as well, should you have a Ser Pounce to take along. If you're the proud parent of a "larger animal, snake or scary creature", though, you'll definitely have to leave them at home. Debuting at the Gold Coast's Carrara Market Event Space on Thursday, November 28 ahead of planned 2020 seasons in both Sydney and Melbourne, Pet Stars will boast an array of themed spaces for puppers to frolic through. In addition to 'Game of Bones', there's a Kong dog ball pit, a room that's all about chewed shoes and a doggy high tea set-up. Or, maybe your furball needs a trip to the 'Doggy Style' grooming room or the glamour room? Given the season, of course there's a Christmas-focused room on the premises — there's your end-of-year pics taken care of. As well as more than 20 snap-happy scenes, Pet Stars will feature pet cosplay and a hall of fame room. You can also hang out in a park area with your pooch, and meet other dogs and dog owners. And, you can buy merchandise while you're there — but if you want to treat your doggo to some actual edible treats, you're encouraged to bring them with you. During its Queensland run, which spans three weekends until Sunday, December 15, Pet Stars will be donating $1 from each entry ticket to the Animal Welfare League of Queensland (and it's safe to assume it'll do something similar in New South Wales and Victoria, too). Don't have your own pet? You're still welcome to head along. In fact, if you stop by the Pet Rescue Area run by AWLQ, you might even find a dog and cat to adopt, take back through the installations, snap in heaps of pics and become your life-long best friend. Pet Stars will launch at the Carrara Market Event Space, on the corner of Gooding Drive and Manchester Road at Carrara on the Gold Coast, from Thursday, November 28–Sunday, December 15 — with tickets on sale now. It's open Thursday–Sunday during its run, welcoming dogs from 12–6pm on Thursdays, 12–8pm on Fridays, 10am–8pm on Saturdays and 10am–4pm on Sundays. Cat nights take place on Thursdays from 6–7pm.
Break out your best flannelette shirt, lace up your Doc Martens and steel yourself for getting up close and personal with the writhing masses. They're the only ways to prepare for the Brightside's latest celebratory evening. Yes, the theme is music you can mosh to. That means the likes of Nirvana and At the Drive In will be sending everyone rushing for the dance floor, plus Blink 182 and Sum 41 as well. When it comes to covering such classic bands, Bayharbour, Sentiments and Headwound The Pony will be doing the honours. It all makes for a night of heavy tracks and hefty party vibes — aka the kind of night everyone wants to experience. Staying once the live music portion of the revelry is over is recommended, because that's when the Brighty DJs will spin all the other grunge, mosh and punk tunes you know, love and want to headbang along with.
Back in 1981, when Raiders of the Lost Ark made archaeologist Indiana Jones one of the biggest big-screen characters there is, it did so with fantastic casting. Harrison Ford added a new George Lucas-created franchise to his name after Star Wars and a hit was born — one that's still going a whopping 42 years later, including 39 years since Indiana Jones and the Temple of Doom gave it a sequel, 34 years since Indiana Jones and the Last Crusade initially seemed to wrap things up and 15 years after Indiana Jones and the Crystal Skull got things going again. The latest Indy entry: Indiana Jones and the Dial of Destiny, which arrives in cinemas this June. As well as bringing back its legendary star fresh from proving a cantankerous delight in streaming comedy Shrinking — yes, he dons the famous hat once more, in what's been dubbed his final appearance in the role — the new flick also makes a few fresh stellar casting moves. Getting Fleabag favourite Phoebe Waller-Bridge onboard is clearly one of them. Indiana Jones and the Dial of Destiny heads back to the 60s, and uses the Space Race between the US and the Soviet Union as a backdrop. And, as both the movie's initial teaser back in 2022, its sneak peek during the Super Bowl and now its just-dropped full trailer all show, Indiana Jones has his goddaughter in tow — with Waller-Bridge's Helena enjoying plenty of bantering, naturally, with the saga's namesake. Wondering what else is in store? In addition to Ford, Dr Henry Walton 'Indiana' Jones Jr's famous headwear and that whip — two different looks at Ford, actually, including Indy in the film's present day and Indy in the past, with the movie using digital de-ageing technology — there are Nazis to battle and the famous John Williams-composed theme soundtracking the action as well. Story-wise, the also supremely well-cast Mads Mikkelsen (Fantastic Beasts: The Secrets of Dumbledore) leads a group of Nazis trying to use The Dial of Destiny's titular trinket to change the past and claim power — a gadget that Helena has her own plans for in the name of capitalism. The archaeologist's latest outing brings in a few changes to the series, with Steven Spielberg (The Fabelmans) out of the director's chair for the first time ever, handing over the reins to Logan and Ford v Ferrari's James Mangold. And, Lucas doesn't have a part in the script, either, with Mangold co-scripting with Ford v Ferrari's Jez Butterworth and John-Henry Butterworth. On-screen, John Rhys-Davies returns as as Sallah, too, while Antonio Banderas (Official Competition), Thomas Kretschmann (Das Boot), Toby Jones (The English) and Boyd Holbrook (The Sandman) join the on-screen talent alongside Shaunette Renee Wilson (Black Panther), Oliver Richters (The King's Man) and Ethann Isidore (Mortel). And yes, if it's a big blockbuster franchise, it stars Harrison Ford, and it debuted in the 70s or 80s, then it's always coming back to the screen — as Star Wars: Episode VII — The Force Awakens and its sequels have, as well as Blade Runner 2049. Check out the full trailer for Indiana Jones and the Dial of Destiny below: Indiana Jones and the Dial of Destiny releases in cinemas Down Under on June 29, 2023. ©2022 Lucasfilm Ltd. & TM. All Rights Reserved.
Brisbane's family-owned Italian bakery does a damn good selection of authentic Italian treats. It first opened in New Farm in 2003, and since moved to Ashgrove and expanded to three locations around the city. The pastry chefs bake breads, cakes and pastries daily and one of our favourites is the cannoli. The Sicilian classic comes in three flavours: vanilla crema, chocolate crema or creamy ricotta. And at $1.35 a pop (for a mini) it would be a crime to not try this tasty and wallet-friendly delicacy. Photo: Carla Nichiata/Getty Images.
Maybe your mum really loves Patrick Swayze. Maybe you just need some more terracotta or ceramics in your life. Maybe the idea of pottering around a clay-based showcase, finding pottery gifts and sinking a few pots at the bar is your idea of a great Saturday afternoon. Whichever category you fall into, coast on over to Clayschool's Summer Show. Browse, buy, sip beverages — it's the ultimate exhibition-slash-market. Indeed, while we're talking multi-tasking, Clayschool's students are hoping to show off their unique, handcrafted designs, and sell some as ace one-off Christmas presents. What do you get the person who has everything? This. Given that it's all taking place at Wandering Cooks from 1pm on Saturday, December 15, that means food and drinks will be part of the fun as well. Four local makers will be in the kitchen whipping up their best eats, while the usual tipples will be available, of course.
In Japan there is a deep appreciation for the iconic cherry blossom (sakura) tree. The prevalence of the tree in the Japanese landscape signifies the commencement of spring, and is worthy of a national celebration. Festivities commonly include parties and picnics under the cherry blossoms. In Australia, it's Sake Restaurant and Bar that's leading the appreciation for the cherry blossom, the spring season and a bit of Japanese feasting. For the month of September, they have organised a special food and drink menu and exclusive events. The festival includes executive chef Shaun Presland's signature spring menu ($88) and spring lunch menu ($38), a $15 sake flight with suggested food matches, and the Harajuku Pop-Up Bar, a fun and casual incarnation for the restaurant. Try the special cocktail, The Kimono Doll ($17), which shows off the tantalising flavours of ichiko shochu, cherries and coco. If you want to go all-out, join the 24-seater Cherry Blossom Dinner (September 17 only, $120pp), which comes with matched sake, shochu and tea and includes courses like cuttlefish and urchin dashi jelly shooter, ocean trout and scallop tartar with truffle ponzu and caviar, and chirashi sushi rice bowl.
Tropical North Queensland is so rich in natural beauty that it's easy to forget that the region also boasts an impressive art scene. Local and international artists flock to the tropics, finding inspiration in the stunning scenery throughout the area. From local theatres and art galleries, to beachside markets and concert venues, there are plenty of ways to get your culture fix while in the tropics.
Streaming services overflow with TV series to watch, with new titles added daily, but the best of them achieve a particular feat. We all have our favourite television show that it feels like we live inside; however, that isn't a sensation that any old program can manage. From 2023's new TV offerings so far, only the best of the best can make that claim. If you've already started planning a move to Tasmania thanks to an Australian murder-mystery comedy, you understand this. If you feel in your bones like you know how you'd react to the apocalypse, or having Pedro Pascal as your surrogate dad, you do as well. And if you just want to hang out in a coffee cafe with Aussie comedians, you're definitely ticking that box. They're some of 2023's best new TV shows so far — the series that, no matter how little couch time you have or how easy it is to just revisit Parks and Recreation again, you need to see. After hours and hours of viewing, we've chosen 15 of them now that 2023 is halfway through. Play catchup and you won't be able to say that you don't have anything to watch before the year is through. DEADLOCH Trust Kate McCartney and Kate McLennan, Australia's favourite Kates and funniest double act, to make a killer TV show about chasing a killer that's the perfect sum of two excellent halves. Given their individual and shared backgrounds, including creating and starring in cooking show sendup The Katering Show and morning television spoof Get Krack!n, the pair unsurprisingly add another reason to get chuckling to their resumes; however, with Deadloch, they also turn their attention to crime procedurals. The Kates already know how to make viewers laugh. They've established their talents as brilliant satirists and lovers of the absurd in the process. Now, splashing around those skills in Deadloch's exceptional eight-episode first season lead by Kate Box (Stateless) and Madeleine Sami (The Breaker Upperers), they've also crafted a dead-set stellar murder-mystery series. Taking place in a sleepy small town, commencing with a body on a beach, and following both the local cop trying to solve the case and the gung-ho blow-in from a big city leading the enquiries, Deadloch has all the crime genre basics covered from the get-go. The spot scandalised by the death is a sitcom-esque quirky community, another television staple that McCartney and McLennan nail. Parody requires deep knowledge and understanding; you can't comically rip into and riff on something if you aren't familiar with its every in and out. That said, Deadloch isn't in the business of simply mining well-worn TV setups and their myriad of conventions for giggles, although it does that expertly. With whip-smart writing, the Australian series is intelligent, hilarious, and all-round cracking as a whodunnit-style noir drama and as a comedy alike — and one of the streaming highlights of the year. Deadloch streams via Prime Video. Read our full review. I'M A VIRGO No one makes social satires like Boots Riley. Late in I'm a Virgo, when a character proclaims that "all art is propaganda", these words may as well be coming from The Coup frontman-turned-filmmaker's very own lips. In only his second screen project after the equally impassioned, intelligent, energetic, anarchic and exceptional 2018 film Sorry to Bother You, Riley doesn't have his latest struggling and striving hero utter this sentiment, however. Rather, it springs from the billionaire technology mogul also known as The Hero (Walton Goggins, George & Tammy), who's gleefully made himself the nemesis of 13-foot-tall series protagonist Cootie (Jharrel Jerome, Spider-Man: Across the Spider-Verse). Knowing that all stories make a statement isn't just the domain of activists fighting for better futures for the masses, as Riley is, and he wants to ensure that his audience knows it. Indeed, I'm a Virgo is a show with something to say, and forcefully. Its creator is angry again, too, and wants everyone giving him their time to be bothered — and he still isn't sorry for a second. With Jerome as well-cast a lead as Atlanta's Lakeith Stanfield was, I'm a Virgo also hinges upon a surreal central detail: instead of a Black telemarketer discovering the impact of his "white voice", it hones in on the oversized Cootie. When it comes to assimilation, consider this series Sorry to Bother You's flipside, because there's no way that a young Black man that's more than double the tallest average height is passing for anyone but himself. Riley knows that Black men are too often seen as threats and targets regardless of their stature anyway. He's read the research showing that white folks can perceive Black boys as older and less innocent. As Cootie wades through these experiences himself, there isn't a single aspect of I'm a Virgo that doesn't convey Riley's ire at the state of the world — that doesn't virtually scream about it, actually — with this series going big and bold over and over. I'm a Virgo streams via Prime Video. Read our full review. DEAD RINGERS Twin gynaecologists at the top of their game. Blood-red costuming and bodily fluids. The kind of perturbing mood that seeing flesh as a source of horror does and must bring. A stunning eye for stylish yet unsettling imagery. Utterly impeccable lead casting. When 1988's Dead Ringers hit cinemas, it was with this exact combination, all in the hands of David Cronenberg following Shivers, The Brood, Scanners, Videodrome and The Fly. He took inspiration from real-life siblings Stewart and Cyril Marcus, whose existence was fictionalised in 1977 novel Twins by Bari Wood and Jack Geasland, and turned it into something spectacularly haunting. Attempting to stitch together those parts again, this time without the Crimes of the Future filmmaker at the helm — and as a miniseries, too — on paper seems as wild a feat as some of modern medicine's biggest advancements. This time starring a phenomenal Rachel Weisz as both Beverly and Elliot Mantle, and birthed by Lady Macbeth and The Wonder screenwriter Alice Birch, Dead Ringers 2.0 is indeed an achievement. It's also another masterpiece. Playing the gender-swapped roles that Jeremy Irons (House of Gucci) inhabited so commandingly 35 years back, Weisz (Black Widow) is quiet, calm, dutiful, sensible and yearning as Beverly, then volatile, outspoken, blunt, reckless and rebellious as Elliot. Her performance as each is that distinct — that fleshed-out as well — that it leaves viewers thinking they're seeing double. Of course, technical trickery is also behind the duplicate portrayals, with directors Sean Durkin (The Nest), Karena Evans (Snowfall), Lauren Wolkstein (The Strange Ones) and Karyn Kusama's (Destroyer) behind the show's lens; however, Weisz is devastatingly convincing. Beverly is also the patient-facing doctor of the two, helping usher women into motherhood, while Elliot prefers tinkering in a state-of-the-art lab trying to push the boundaries of fertility. Still, the pair are forever together or, with unwitting patients and dates alike, swapping places and pretending to be each other. Most folks in their company don't know what hit them, which includes actor Genevieve (Britne Oldford, The Umbrella Academy), who segues from a patient to Beverly's girlfriend — and big-pharma billionaire Rebecca (Jennifer Ehle, She Said), who Dead Ringers' weird sisters court to fund their dream birthing centre. Dead Ringers streams via Prime Video. Read our full review. THE LAST OF US If the end of the world comes, or a parasitic fungus evolves via climate change, spreads globally, infests brains en masse and almost wipes out humanity, spectacular video game-to-TV adaptation The Last of Us will have you wanting Pedro Pascal in your corner. Already a standout in Game of Thrones, then Narcos, then The Mandalorian, he's perfectly cast in HBO's latest blockbuster series — a character-driven show that ruminates on what it means to not just survive but to want to live and thrive after the apocalypse. In this smart and gripping show (one that's thankfully already been renewed for season two, too), he plays Joel. Dad to teenager Sarah (Nico Parker, The Third Day), he's consumed by grief and loss after what starts as a normal day, and his birthday, changes everything for everyone. Twenty years later, he's a smuggler tasked with tapping into his paternal instincts to accompany a different young girl, the headstrong Ellie (Bella Ramsey, Catherine Called Birdy), on a perilous but potentially existence-saving trip across the US. Starting to watch The Last of Us, or even merely describing it, is an instant exercise in déjà vu. Whether or not you've played the hit game since it first arrived in 2013, or its 2014 expansion pack, 2020 sequel or 2022 remake, its nine-part TV iteration ventures where plenty of on-screen fare including The Road and The Walking Dead has previously trodden. The best example that springs to mind during The Last of Us is Station Eleven, however, which is the heartiest of compliments given how thoughtful, empathetic and textured that 2021–22 series proved. As everything about pandemics, contagions and diseases that upend the world order now does, The Last of Us feels steeped in stone-cold reality as well, as spearheaded by a co-creator, executive producer, writer and director who has already turned an IRL doomsday into stunning television with Chernobyl. That creative force is Craig Mazin, teaming up with Neil Druckmann from Naughty Dog, who also wrote and directed The Last of Us games. The Last of Us streams via Binge. Read our full review. THE MAKANAI: COOKING FOR THE MAIKO HOUSE At the beginning of The Makanai: Cooking for the Maiko House, 16-year-old best friends Kiyo (Nana Mori, Liar x Liar) and Sumire (Natsuki Deguchi, Silent Parade) leave home for the first time with smiles as wide as their hearts are open. Departing the rural Aomari for Kyoto in the thick of winter, they have internships as maiko lined up — apprentice geiko, as geishas are called in the Kyoto dialect. Their path to their dearest wishes isn't all sunshine and cherry blossoms from there, of course, but this is a series that lingers on the details, on slices of life, and on everyday events rather than big dramatic developments. Watch, for instance, how lovingly Kiyo and Sumire's last meal is lensed before they set out for their new future, and how devotedly the camera surveys the humble act of sitting down to share a dumpling soup, legs tucked beneath blankets under the table, while having an ordinary conversation. Soothing, tender, compassionate, bubbling with warmth: that's The Makanai: Cooking for the Maiko House from the outset. There's a key reason that this cosy and comforting new treasure overflows with such affection and understanding — for its characters, their lives and just the act of living. Prolific writer/director Hirokazu Kore-eda simply isn't capable of anything else. Yes, Netflix has been in the auteur game of late, and The Makanai: Cooking for the Maiko House is unmistakably the work of its rightly applauded creative force. One of the biggest names in Japanese cinema today, and the winner of the received Cannes Film Festival's Palme d'Or back in 2018 for the sublime Shoplifters, Kore-eda makes empathetic, rich and deeply emotional works. His movies, including the France-set The Truth and South Korea-set Broker, truly see the people within their frames. On the small screen, and hailing from manga, the nine-episode The Makanai is no different. It's also as calming as a show about friendships, chasing dreams and devouring ample dumplings can and should be. The Makanai: Cooking for the Maiko House streams via Netflix. RAIN DOGS In 2019's Skint Estate, Cash Carraway told all; A memoir of poverty, motherhood and survival completes the book's full title. Penned about working-class Britain from within working-class Britain, Carraway's written jaunt through her own life steps through the reality of being a single mum without a permanent place to live, of struggling to get by at every second, and of being around the system since she was a teenager. It examines alcoholism, loneliness, mental illness and domestic violence, too, plus refuges, working at peep shows, getting groceries from food banks and hopping between whatever temporary accommodation is available. Rain Dogs isn't a direct adaptation. It doesn't purport to bring Carraway's experiences to the screen exactly as they happened, or with slavish fidelity to the specific details. But this HBO and BBC eight-parter remains not only raw, rich, honest and authentic but lived in, as it tells the same story with candour, humour, warmth and poignancy. Slipping into Carraway's fictionalised shoes is Daisy May Cooper — and she's outstanding. Her on-screen resume includes Avenue 5 and Am I Being Unreasonable?, as well as being a team captain on the latest iteration of Britain's Spicks and Specks-inspiring Never Mind the Buzzcocks, but she's a force to be reckoned with as aspiring writer and mum (to Iris, played by debutant Fleur Tashjian) Costello Jones. When Rain Dogs begins, it's with an eviction. Cooper lives and breathes determination as Costello then scrambles to find somewhere for her and Iris to stay next. But this isn't just their tale, with the pair's lives intersecting with the privileged but self-destructive Selby (Jack Farthing, Spencer), who completes their unconventional and dysfunctional family but tussles with his mental health. Including Costello's best friend Gloria (Ronke Adekoluejo, Alex Rider), plus ailing artist Lenny (The Young Ones legend Adrian Edmondson), this is a clear-eyed look at chasing a place to belong — and it's stunning. Rain Dogs streams via Binge. Read our full review. SILO Rebecca Ferguson will never be mistaken for Daveed Diggs, but the Dune, Mission: Impossible franchise and Doctor Sleep star now follows in the Hamilton Tony-winner's footsteps. While he has spent multiple seasons navigating dystopian class clashes on a globe-circling train in the TV version of Snowpiercer, battling his way up and down the titular locomotive, she just started ascending and descending the stairs in the underground chamber that gives Silo its moniker. Ferguson's character is also among humanity's last remnants. Attempting to endure in post-apocalyptic times, she hails from her abode's lowliest depths as well. And, when there's a murder in this instantly engrossing new ten-part series — which leaps to the screen from Hugh Howey's novels, and shares a few basic parts with Metropolis, Blade Runner and The Platform, as well as corrupt world orders at the core of The Hunger Games and The Maze Runner flicks — she's soon playing detective. Silo captivates from the outset, when its focus is the structure's sheriff Holston (David Oyelowo, See How They Run) and his wife Allison (Rashida Jones, On the Rocks). Both know the cardinal rule of the buried tower, as does deputy Marnes (Will Patton, Outer Range), mayor Ruth (Geraldine James, Benediction), security head Sims (Common, The Hate U Give), IT top brass Bernard (Tim Robbins, Dark Waters) and the other 10,000 souls they live with: if you make the request to go outside, it's irrevocable and you'll be sent there as punishment. No matter who you are, and from which level, anyone posing such a plea becomes a public spectacle. Their ask is framed as "cleaning", referring to wiping down the camera that beams the desolate planet around them onto window-sized screens in their cafeterias. No one has ever come back, or survived for more than minutes. Why? Add that to the questions piling up not just for Silo's viewers, but for the silo's residents. For more than 140 years, the latter have dwelled across their 144 floors in safety from the bleak wasteland that earth has become — but what caused that destruction and who built their cavernous home are among the other queries. Silo streams via Apple TV+. Read our full review. AUNTY DONNA'S COFFEE CAFE If comedy is all about timing, then Aunty Donna have it — not just onstage. In 2020, Aunty Donna's Big Ol' House of Fun was the hysterical sketch-comedy series that the world needed, with the six-episode show satirising sharehouse living dropping at the ideal moment. While the Australian jokesters' Netflix hit wasn't just hilarious because it arrived when everyone had been spending more time than anyone dreamed at home thanks to the early days of the pandemic, the ridiculousness it found in domesticity was as inspired as it was sidesplittingly absurd. Three years later, heading out is well and truly back, as are Aunty Donna on-screen. Their target in Aunty Donna's Coffee Cafe: cafe culture, with Mark Samual Bonanno, Broden Kelly and Zachary Ruane returning to make fun of one of the simplest reasons to go out that there is. Grabbing a cuppa is such an ordinary and everyday task, so much so that it was taken for granted until it was no longer an easy part of our routines. Unsurprisingly, now that caffeine fixes are back and brewing, Aunty Donna finds much to parody. With fellow group members Sam Lingham (a co-writer here), Max Miller (the show's director) and Tom Zahariou (its composer), Aunty Donna's well-known trio of faces set their new six-parter in the most obvious place they can: a Melbourne cafe called 'Morning Brown'. The track itself doesn't get a spin, however, with the show's central piece of naming is its most expected move. As demonstrated in episodes that turn the cafe into a courtroom, ponder whether Broden might still be a child and riff on Australian Prime Minister Harold Holt's 1967 disappearance, nothing else about Aunty Donna's Coffee Cafe earns that description. Pinballing in any and every direction possible has always been one of the Aussie comedy troupe's biggest talents, with their latest series deeply steeped — riotously, eclectically and entertainingly, too — in that approach. Think: Richard Roxburgh (Elvis) playing Rake, even though that's not his Rake character's name; Looking for Alibrandi's Pia Miranda making tomato day jokes;. stanning Gardening Australia and skewering unreliable streaming services, complete with jokes at ABC iView's expense; and relentlessly giggling at the hospitality industry again and again. Aunty Donna's Coffee Cafe streams via ABC iView. Read our full review. BEEF As plenty does (see also: Rye Lane above), Beef starts with two strangers meeting, but there's absolutely nothing cute about it. Sparks don't fly and hearts don't flutter; instead, this pair grinds each other's gears. In a case of deep and passionate hate at first sight, Danny Cho (Steven Yeun, Nope) and Amy Lau (Ali Wong, Paper Girls) give their respective vehicles' gearboxes a workout, in fact, after he begins to pull out of a hardware store carpark, she honks behind him, and lewd hand signals and terse words are exchanged. Food is thrown, streets are angrily raced down, gardens are ruined, accidents are barely avoided, and the name of Vin Diesel's famous car franchise springs to mind, aptly describing how bitterly these two strangers feel about each other — and how quickly. Created by Lee Sung Jin, who has It's Always Sunny in Philadelphia, Dave and Silicon Valley on his resume before this ten-part Netflix and A24 collaboration, Beef also commences with a simple, indisputable and deeply relatable fact. Whether you're a struggling contractor hardly making ends meet, as he is, or a store-owning entrepreneur trying to secure a big deal, as she is — or, if you're both, neither or anywhere in-between — pettiness reigning supreme is basic human nature. Danny could've just let Amy beep as much as she liked, then waved, apologised and driven away. Amy could've been more courteous about sounding her horn, and afterwards. But each feels immediately slighted by the other, isn't willing to stand for such an indignity and becomes consumed by their trivial spat. Neither takes the high road, not once — and if you've ever gotten irrationally irate about a minor incident, this new standout understands. Episode by episode, it sees that annoyance fester and exasperation grow, too. Beef spends its run with two people who can't let go of their instant rage, keep trying to get the other back, get even more incensed in response, and just add more fuel to the fire again and again until their whole existence is a blaze of revenge. If you've ever taken a small thing and blown it wildly out of proportion, Beef is also on the same wavelength. And if any of the above has ever made you question your entire life — or just the daily grind of endeavouring to get by, having everything go wrong, feeling unappreciated and constantly working — Beef might just feel like it was made for you. Beef streams via Netflix. Read our full review. POKER FACE Cards on the table: thanks to Russian Doll and the Knives Out franchise, Natasha Lyonne and Rian Johnson are both on a helluva streak. In their most recent projects before now, each has enjoyed a hot run not once but twice. Lyonne made time trickery one of the best new shows of 2019, plus a returning standout in 2022 as well, while Johnson's first Benoit Blanc whodunnit and followup Glass Onion: A Knives Out Mystery were gems of the exact same years. The latter also saw the pair team up briefly — Lyonne and Johnson, that is, although getting a Russian Doll-meets-Knives Out crossover from the universe, or just the Netflix algorithm, would be a dream. Until that wish comes true, there's Poker Face. It's no one's stopgap or consolation prize, however. This new mystery-of-the-week series is an all-out must-see in its own right, and one of 2023's gleaming streaming aces already. Given its components and concept, turning out otherwise would've been the biggest head-scratcher. Beneath aviator shades, a trucker cap and her recognisable locks, Lyonne plays detective again, as she did in Russian Doll — because investigating why you're looping through the same day over and over, or jumping through time, is still investigating. Johnson gives the world another sleuth, too, after offering up his own spin on Agatha Christie-style gumshoes with the ongoing Knives Out saga. This time, he's dancing with 1968–2003 television series Columbo, right down to Poker Face's title font. Lyonne isn't one for playing conventional detectives, though. Here, she's Charlie Cale, who starts poking around in sudden deaths thanks to an unusual gift and a personal tragedy. As outlined in the show's ten-part first season, Charlie is a human lie detector. She can always tell if someone is being untruthful, a knack she first used in gambling before getting on the wrong side of the wrong people. Then, when a friend and colleague at the far-from-flashy Las Vegas casino where Charlie works winds up dead, that talent couldn't be handier. Poker Face streams via Stan. Read our full review. MRS DAVIS It was back in March 2022 that the world first learned of Mrs Davis, who would star in it and which creatives were behind it. Apart from its central faith-versus-technology battle, the show's concept was kept under wraps, but the series itself was announced to the world. The key involvement of three-time GLOW Emmy-nominee Betty Gilpin, Lost and The Leftovers creator Damon Lindelof, and The Big Bang Theory and Young Sheldon writer and executive producer Tara Hernandez was championed, plus the fact that Black Mirror: San Junipero director Owen Harris would helm multiple episodes. Accordingly, although no one knew exactly what it was about, Mrs Davis existed months before ChatGPT was released — but this puzzle-box drama, which is equally a sci-fi thriller, zany comedy and action-adventure odyssey, now follows the artificial intelligence-driven chatbot in reaching audiences. Indeed, don't even bother trying not to think about the similarities as you're viewing this delightfully wild and gleefully ridiculous series. There's also no point dismissing any musings that slip into your head about social media, ever-present tech, digital surveillance and the many ways that algorithms dictate our lives, either. Mrs Davis accepts that such innovations are a mere fact of life in 2023, then imagines what might happen if AI promised to solve the worlds ills and make everyone's existence better and happier. It explores how users could go a-flocking, eager to obey every instruction and even sacrifice themselves to the cause. In other words, it's about ChatGPT-like technology starting a religion in everything but name. To tell that tale, it's also about nun Simone (Gilpin, Gaslit), who was raised by magicians (Love & Death's Elizabeth Marvel and Scream's David Arquette), and enjoys sabbaticals from her convent to do whatever is necessary to bring down folks who practise her parents' vocation and the show's titular technology. She also enjoys quite the literal nuptials to Jesus Christ, is divinely bestowed names to chase in her quest and has an ex-boyfriend, Wiley (Jake McDorman, Dopesick), who's a former bullrider-turned-Fight Club-style resistance leader. And, she's tasked with a mission by the algorithm itself: hunting down the Holy Grail. Mrs Davis streams via Binge. Read our full review. SWARM Becky with the good hair gets a shoutout in Swarm. Facial bites do as well, complete with a Love & Basketball reference when the culprit flees. This seven-part series about a global pop sensation and her buzzing fans and stans also has its music icon unexpectedly drop a stunner of a visual album, ride a white horse, be married to a well-known rapper, become a mum to twins and see said husband fight with her sister in an elevator. Her sibling is also a singer, and plenty of folks contend she's the more interesting of the two. Still, Swarm's object of fascination — protagonist Dre's (Dominique Fishback, Judas and the Black Messiah) undying obsession — sells out tours, breaks Ticketmaster and headlines one of the biggest music festivals there is. And, while they call themselves the titular term rather than a hive, her devotees are zealous and then some, especially humming around on social media. Donald Glover and Janine Nabers, the show's creators and past colleagues on Glover's exceptional, now-finished Atlanta — Nabers also worked on Watchmen, too — couldn't be more upfront about who they're referring to. No one says Beyoncé's name, however, but Swarm's Houston-born music megastar is the former Destiny's Child singer in everything except moniker. In case anyone watching thinks that this series is trading in coincidences and déjà vu, or just failing to be subtle when it comes to Ni'Jah (Nirine S Brown, Ruthless), the Prime Video newcomer keeps making an overt opening declaration. "This is not a work of fiction. Any similarity to actual persons, living or dead, or events, is intentional," it announces before each episode. From there, it dives into Dre's journey as a twentysomething in 2016 who still adores her childhood idol with the same passion she did as a teen and, instalment by instalment, shows how far she's willing to go to prove it. Swarm streams via Prime Video. Read our full review. CUNK ON EARTH If you've ever watched a David Attenborough documentary about the planet and wished it was sillier and stupider, to the point of being entertainingly ridiculous and ridiculously entertaining alike, then Netflix comes bearing wonderful news. Actually, the BBC got there first, airing history-of-the-world mockumentary Cunk on Earth back in September 2022. Glorious things come to waiting viewers Down Under now, however — and this gleefully, delightfully absurd take on human civilisation from its earliest days till now, spanning cave paintings, Roman empires, Star Wars' empire, 1989 Belgian techno anthem 'Pump Up the Jam' and more, is one of the best shows to hit Australia in 2023 so far. This series is a comedy masterclass, in fact, featuring everything from a Black Mirror-leaning skit about Beethoven resurrected inside a smart speaker to a recreation of a Dark Ages fray purely through sound also thrown in. It's flat-out masterful, too, and tremendously funny. This sometimes Technotronic-soundtracked five-part show's beat? Surveying how humanity came to its present state, stretching back through species' origins and evolution, and pondering everything from whether the Egyptian pyramids were built from the top down to the Cold War bringing about the "Soviet onion". The audience's guide across this condensed and comic history is the tweed-wearing Philomena Cunk, who has the steady voice of seasoned doco presenter down pat, plus the solemn gaze, but is firmly a fictional — and satirical — character. Comedian Diane Morgan first started playing the misinformed interviewer in 2013, in Charlie Brooker's Weekly Wipe, with Black Mirror creator Brooker behind Cunk on Earth as well. Over the past decade, Cunk has also brought her odd questions to 2016's one-off Cunk on Shakespeare and Cunk on Christmas, and 2018's also five-instalment Cunk on Britain. After you're done with the character's latest spin, you'll want to devour the rest ASAP. Cunk on Earth streams via Netflix. Read our full review. SHRINKING Viewers mightn't have realised they'd been lacking something crucial until now, but Shrinking serves it up anyway: a delightfully gruff Harrison Ford co-starring in a kind-hearted sitcom. Creating this therapist-focused series for Apple TV+, Bill Lawrence, Brett Goldstein and Jason Segel didn't miss this new gem's immediate potential. Lawrence and Goldstein add the show to their roster alongside Ted Lasso, which the former also co-created, and the latter stars in as the also wonderfully gruff Roy Kent to Emmy- and Golden Globe-winning effect. It too bathes in warmth amid chaos, all while understanding, exploring and accepting its characters as the flawed folks we all are. As for Segel, he's no stranger to playing the type of super-enthusiastic and super-earnest figure he inhabits again here, as seen in Freaks and Geeks and How I Met Your Mother. If Ted Lasso downplayed the soccer, instead emphasising the psychologist chats that were a pivotal part of season two, Shrinking would be the end result. Also, if Scrubs, another of Lawrence's sitcoms, followed doctors specialising in mental health rather than working in a hospital, Shrinking would also be the outcome. Round up those familiar elements and details brought over from elsewhere, and Shrinking turns them into a series that's supremely entertaining, well-cast and well-crafted — and an engaging and easy watch. The focus: Segel (Windfall) as Jimmy Laird, a shrink grieving for his wife Tia (Lilan Bowden, Murderville), making bad decisions and leaving parenting his teen daughter Alice (Lukita Maxwell, Generation) to his empty-nester neighbour Liz (Christa Miller, a Scrubs alum and also Lawrence's wife). When he decides to start checking back in, and to also give his patients like young war veteran Sean (Luke Tennie, CSI: Vegas) some tough love, it causes ripples, including for his boss Paul (Ford, The Call of the Wild) and colleague Gaby (Jessica Williams, Fantastic Beasts: The Secrets of Dumbledore). Shrinking streams via Apple TV+. Read our full review. PLATONIC Sometime in the near future, Rose Byrne, Seth Rogen and filmmaker Nicholas Stoller could easily join forces on a new rom-com. In fact, they should. Until then, buddy comedy Platonic makes a hilarious, engagingly written and directed, and perfectly cast addition to each's respective resumes. Reuniting the trio after 2014's Bad Neighbours and its 2016 sequel Bad Neighbours 2, this new series pairs Australia's comedy queen and America's go-to stoner as longterm pals who are never anything but mates — and haven't been in touch at all for years — but navigate a friendship that's as chaotic and complicated as any movie romance. That's an easy setup; however, watching the show's stars bicker, banter and face the fact that life doesn't always turn out as planned together proves as charming as it was always going to. Also, Platonic smartly doesn't try to be a romantic comedy, or to follow in When Harry Met Sally's footsteps. Instead, Platonic explores what happens when two former besties have gone their own ways, then come back together. The show knows that reconnecting with old pals is always tinged with nostalgia for the person you were when they were initially in your life. And, it's well-aware that reckoning with where you've ended up since is an immediate side effect. Enter Sylvia (Byrne, Seriously Red), who reaches out to Will (Rogen, The Super Mario Bros Movie) after hearing that he's no longer with the wife (Alisha Wainwright, Raising Dion) she didn't like. She's also a suburban-dwelling former lawyer who put work on hold to become a mother of three, and can't help feeling envious of her husband Charlie's (Luke Macfarlane, Bros) flourishing legal career. Her old BFF co-owns and runs an LA brewpub, is obsessive about his beer and hipster/slacker image, and hasn't been taking his breakup well. They couldn't be in more different places in their lives. When they meet up again, they couldn't appear more dissimilar, too. "You look like you live at Ann Taylor Loft," is Will's assessment. Sylvia calls him "a '90s grunge clown." Neither is wrong. Platonic streams via Apple TV+. Read our full review. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly. We also keep a running list of must-stream TV from across the year so far, complete with full reviews.
On a brisk April morning, the busiest destinations in countryside New South Wales aren't the pubs, local cafes or anything in the main stretches of these quaint towns — crowds are flocking to the various state forests. To the untrained eye, these forests have nothing of value but pine trees, but in the right conditions, the soil comes alive with carpets of glorious pine mushrooms. These crown-protected woodlands are the last bastion of mushroom foraging in NSW — a practice of times gone by that's now making a comeback in the modern world. Helping to stage that comeback is the jovial wizard of foraging: the self-proclaimed 'weedy one', Diego Bonetto. With a lifetime of foraging practice that began as a child in Northern Italy, Bonetto has made it his life's mission to share everything he can about the lost art of foraging, not only mushrooms but native plants, seaweed and weeds. But it was a brisk April morning in the Lidsdale State Forest when he led Concrete Playground on an expedition into the trees, specifically in search of juicy mushrooms and knowledge. [caption id="attachment_1007875" align="aligncenter" width="1920"] Alec Jones[/caption] The Good, the Bad and the Deadly It's no secret that mushroom foraging should not be undertaken lightly. With over 5,000 species of mushrooms that grow across NSW, an inexperienced, unguided amateur forager is at immense risk of misidentifying their harvest, which can have painful and life-threatening consequences. That's why you should never forage without expert advice. As an expert himself, Diego Bonetto cannot stress that enough — for your sake and the forest's: " The biggest mistake people make is trying to go mushroom foraging just by reading an article on the internet and downloading some pictures. There are lookalikes, there are similarities [between mushrooms]. There are ethical steps that you need to understand to protect the ecology. Harvesting wild produce is not walking into a supermarket". That's because the mushrooms you can safely eat, and even those that should be left alone, are vital to the ecosystem. Fungi decompose dead organic matter into raw nutrients to be reabsorbed into the soil. How would you feel if a giant walked into your home and ripped your compost bin off the ground? "Be nice to nature", Bonetto adds. "Nature has got plenty to worry about already". [caption id="attachment_1007974" align="aligncenter" width="1920"] Helen Algie[/caption] You may be wondering: why pine forests? Legalities and complexities of fungi ecology aside, pine forests are home to two edible and easily recognisable – to the trained eye – mushroom species: Saffron Milk Caps and Slippery Jacks. The former boasts a reddish-orange cap, typically four to 30+ centimetres across, with gills and an orange, milky sap that leaks from cuts in the flesh. They're meaty and have a mild bitter taste, and work great pan-fried, pickled, as schnitzels, or to bolster pies and casseroles. The latter has a brown, slimy cap and a spongy yellow underside free of gills, which grow up to 25+ centimetres across. With the slimy layer peeled off, it can be chopped and used in Asian-style soups, fried with butter or worked into an omelette. Any other species in a pine forest, even the iconic red-and-white-spotted fly agaric (aka fairy toadstool), is either too risky to prepare safely or outright dangerous to consume, so don't be greedy. [caption id="attachment_1007873" align="aligncenter" width="1920"] Alec Jones[/caption] Listen to the Experts Only an experienced forager can tell the edible from the deadly, so you should never claim to know how to mushroom forage until you have the qualifications, not just a weekend of research online. Booking a foraging session with someone like Diego is non-negotiable. You don't want to take home something poisonous — or break a law you didn't know existed. " It doesn't need to be me, but someone who can take you there, who's done it before, done it for a few years, and can take you through the steps of what it is you're looking for and why all those others are not [edible]." No matter what, there are three things Bonetto believes every forager should remember in the forest. "First, the assumption of knowledge is very problematic. Second, people always want to be right — be humble, it's not about you being right, it's about you being safe. Third, only harvest what you can eat that night, mushroom frenzy can make you fill six boxes, but then you don't want to process it and end up wasting it." [caption id="attachment_1007972" align="aligncenter" width="1920"] Helen Algie[/caption] Find Your Nearest Legal Foraging Ground A little-known fact: NSW is the only Australian state where mushroom foraging is legal, as long as it's done inside a State forest. While permits are required for commercial foraging, foraging for personal consumption is legal and open to all. That means you'll need to make a drive out of it. Bonetto explains it best. "I teach mushroom foraging in pine plantation State forests for a very specific reason. And as such, there are no pine plantations in Greater Sydney. The closest pine plantation you will find [to Sydney] would be in the Southern Highlands or the western slopes of the Blue Mountains". "And that's where I teach. So if you would like to harvest mushrooms legally, you need to come to a pine State forest. Unless you do it on your own property, if you have a property big enough to have pine trees and big enough to support a mushroom ecology, then you can do it on your own property. But most people do not have the kind of land in greater Sydney, am I right?". [caption id="attachment_1007973" align="aligncenter" width="1920"] Helen Algie[/caption] Plan Ahead — Far Ahead The other key consideration for a foraging booking is that the mushroom season in NSW is only eight to ten weeks long, typically from March to May. You're waiting for Goldilocks conditions, since fruiting bodies of pine mushrooms grow only after heavy rain and overnight temperatures in the single digits. Any colder, though, and the season will grind to a halt. An easy way to remember: the best time for mushroom foraging (and also the busiest) is the Easter long weekend. Bonetto preaches foresight. "Your readers might just be a bit disappointed to know the season is already over [for 2025]. So join the mailing list. If you're into mushroom foraging, join our mailing list and we'll let you know when we've released the workshop dates for 2026. Or just check all of the other workshops available on the website, or just go and talk to your neighbour. You don't need to come to Diego. There's also plenty of foraging knowledge in ethnic communities, they'll offer you tea and sit you down in the garden. People love to talk about plants. Lemme tell you." To book a foraging experience with Diego Bonetto or join the mushroom foraging waitlist, visit his website. Concrete Playground joined a foraging workshop as a guest of Destination NSW. Foraging for wild mushrooms is not without risk — some mushrooms are toxic and will cause bodily harm and even death if consumed. If in doubt, throw it out, and if you become unwell after eating wild mushrooms, call the Poisons Centre on 13 11 26. Header image courtesy of Destination NSW
When SXSW's OG film festival in Austin swoons, the entire movie world can fall in love. Just two years ago, Everything Everywhere All At Once premiered at the fest, then won a swag of Oscars exactly 12 months and one day later. Over the past decade, A Quiet Place, Us, Atomic Blonde, The Disaster Artist, Bodies Bodies Bodies and Bottoms have all premiered there. 2023 Aussie horror hit Talk to Me made the influential event one of its many early stops. And in 2024, alongside everything from Immaculate to The Fall Guy, Dev Patel's feature directorial debut Monkey Man was on the program. The line spanned blocks, and the response was rightly glowing — a standing ovation included. Of course the festival that hosted John Wick: Chapter 4's premiere a year prior first introduced this propulsive new revenge-thriller to audiences. Patel's instant action classic even namechecks the Keanu Reeves-starring franchise in its dialogue. But with Monkey Man, its star, helmer, producer and co-writer (the latter with Boy Swallows Universe's John Collee and Keith Lemon: The Film's Paul Angunawela) takes a lifetime of loving his new picture's genre in all of its forms around the globe, plus his fondness for vengeance-fuelled Korean cinema and also Bollywood musicals, then mixes it with the story of Hindu deity Hanuman, all to make his dream movie — while making one of his big dreams happen as well. 2024 marks 17 years since Patel initially came to fame in his debut acting role, playing Anwar in British teen drama Skins. In his first-ever film performance in Slumdog Millionaire, he starred in an Oscar-winner for Best Picture and Best Director. If that isn't the kind of start to an on-screen resume that fantasies are made of, then nothing is. Just a decade after stepping in front of the camera, he had an Academy Award nomination for Best Actor for Australian drama Lion, too. But even as his career took him to the Aussie-made Hotel Mumbai, not one but two The Best Exotic Marigold Hotel films, TV's The Newsroom, The Green Knight, The Personal History of David Copperfield and a pair of Wes Anderson shorts (including another Oscar-winner in The Wonderful Story of Henry Sugar), wanting to lead an action flick — and helm one — was always an ultimate goal, Patel tells Concrete Playground. "It was always an aspiration. It feels really far-fetched and it took a long while to realise it, and at times I didn't even think I was going to be the director," he advises. "I was pitching it to a director friend of mine, Neill Blomkamp [who directed Patel in Chappie], and slowly I think I got nudged into the director's seat or the driver's seat of this whole thing. But it was truly a very humbling experience and a dream come true all in one." Monkey Man follows a character known only as Kid, who Patel plays in a magnetic action-star performance (Bond producers, take note) — and also introduces as a Hanuman-worshipping adult donning a gorilla mask in the ring, where he gets pummelled at an underground fight club to get by. His true brawl is with far more than just whoever his opponent happens to be in any given bout, though. Searing with pain ever since his mother's murder when he was a child, he's on a quest for retribution not just against the man responsible, but the system and its authorities that let it happen in the fictional Indian city of Yatan — a mission that's also about the oppressed mobilising against the forces pushing them aside. Patel's film is many things, then. It's an underdog story. It's a revenge movie, clearly. It's a feature about faith as well. It's about a son's devotion to honouring his mother. It's a rally against corruption and cruelty — and subjugation and exploitation, too. It's also a picture that was originally destined for streaming only, until fellow actor-turned-filmmaker Jordan Peele (Nope) came onboard with his Monkeypaw Productions company. As a result, Monkey Man is also one helluva big-screen experience. With the movie releasing in cinemas Down Under on Thursday, April 4, we chatted with Patel about making it his own quest to bring his dream film to fruition, his first experiences with Hanuman, the ten-plus-year process of getting Monkey Man to theatres and its mix of elements. He also told us about the balancing act of starring, directing, writing and producing — as well as his cinematic influences, including from directors that he's worked with in the past, plus his journey from Skins to here, and the film's SXSW experience. On Taking It Upon Himself to Make the Kind of Movie That Patel Has Always Wanted to Be In "It's been over ten years since I first started with the idea, and started writing it. And at that point in my career, more so than now, I wasn't getting roles like this — and I don't think the industry saw people like myself like that. We were more going to be the comedic relief, or the guy that hacks the mainframe for the lead guy or whatever. But I love action cinema. I love Korean revenge films. And also, I've been exposed to Bollywood cinema with my grandparents and my parents. And I just wanted to put that in this one cannon and fucking blast it out — sorry, mind my French, but that's where this was born from." On Patel's First Experience with the Deity Hanuman — and When He Knew He Wanted to Draw Upon It for Monkey Man "My dad had a chain — or has a chain — around his neck with this little cool little Hanuman figure on it, and I always used to ask him about it. And he's like 'wait till your granddad comes and he'll tell you the story better than I can'. My granddad used to fly in from Kenya, and he used to sit in my little box room and I wouldn't let him leave, and he would tell me these cool stories of these big epic battles. And Hanuman was the character that I absolutely loved. He was kind of an outsider. He had superhuman strength. Half man, half monkey — just so cool. If you go to India, you'll see in every rickshaw or taxi, there's a little Hanuman thing swinging from the mirror. If you go to the gyms, they've got Schwarzenegger, the weightlifter Ronnie Coleman and Hanuman on the walls. He represents nobility, masculinity, strength, courage, all of those things." On How Monkey Man Evolved Over the Ten Years That It Took to Bring It to the Screen "It kept changing. You keep adding bits of armour to it. But the genesis of it, I wanted this guy who was inspired by this iconography to be a self-flagellating, masochistic young man who doesn't know how to deal with trauma, so he dons this rubber mask and is a literal performing monkey in this really claustrophobic wrestling ring. The politics of the world started to fill out the more I researched, and the mythology, but at its core it's a revenge film about faith — but it constantly evolved and changed." On Making a Film About Faith That's Also a Revenge Movie, a Rally Against Corruption and Oppression, and About a Man's Devotion to Honouring His Mother "It all does sprout from that one notion — so it's how can faith be manipulated and weaponised to the masses? How can it sway elections and influence officials, police brutality, violence against women? These systemic issues are global issues. They're not just Indian issues. And it kind of just started falling out of me. Once you have a guy that's grappling with his own beliefs in himself, in the iconography that he so fell in love with as a child and then faced trauma, and then stopped believing in anything, it starts writing itself in a way." On the Balancing Act of Making Patel's Feature Directorial Debut While Writing, Producing and Starring as Well "It definitely was. There was an imbalance more than a balancing act, I guess. It was chaos. It was absolute chaos. Looking back on it, I really don't know how I did it, actually, because we're in the middle of the pandemic and it was madness. I don't know if you've seen the documentary Hearts of Darkness, about the making of Apocalypse Now? It was kind of like my own version of that. There's a lot of hats to wear." On Preparing for the Film's Impressive and Relentless Action Choreography, Both as an Actor and a Director "I just spent a lot of time with the stunt team. We were just trying to push the action as far as we could without it feeling like choreo — I wanted it to feel primal and animalistic and raw. And actually, to try make choreo feel jagged and messy is the most difficult thing. So you're not preempting a move and waiting — and it's like, how does it feel like it's coming at you? You're getting caught off guard, and stumbling and tripping and sliding, and bouncing off windows and biting. That was the challenge with it. And we wanted to try to create a camera movement that was trying to keep up with the action, instead of preempting it." On Finding Inspiration in a Love of Action Cinema, the Art of Action Choreography, Korean Cinema, Bollywood and More "All of it, to be honest. I'm a huge fan of the genre. I am a fanboy and a consumer of this stuff. So everything from Bruce Lee — as a kid, who was my entry point to cinema — and Jackie Chan, Jet Li, Donnie Yen, Sammo [Hung], Iko [Uwais] from The Raid franchise to Keanu [Reeves] and John Wick. And then the Koreans, and the way they just blisteringly make the best revenge cinema there is — movies like The Man From Nowhere, Oldboy, I Saw the Devil. These guys — and the pathos they can infuse in their stories, as well as the most gory violence. And Bollywood, and that musical bombastic kind of cinema, all of it lives in this." On What Patel Has Learned From the Filmmakers He's Worked with That Helped with His First Stint as a Director "Having never been to an acting class or a directing workshop or anything like that, I didn't know about lenses or anything starting this. It was all just being super excited — and I guess through osmosis being around these great, very different kind of filmmakers, it's bled into this. You'll see little hints and hat tips to Danny Boyle [his Slumdog Millionaire director], and some humour, comedy to Armando [Iannucci, who directed him in The Personal History of David Copperfield] — or even David Lowery [The Green Knight's filmmaker] with some of the more spiritual aspects that deal with time and all of it. So it's all in there. On What Patel Makes of His Career Almost Two Decades After Skins First Made Him a Star "It's so hard to step back and take it all in. When you're in it, you have no objectivity. But I would say more than anything, it constantly surprises me how good the audiences and fans can be. Like with SXSW — I'd been away for a while, and I was like 'are people going to even remember me or show up for this thing?' It's been ten years. I've turned down a lot of work to make this thing. And then, lines three blocks down the road and a standing ovation. We won the audience award. It was amazing." Monkey Man opened in cinemas Down Under on Thursday, April 4, 2024. Read our review.
Get ready to hop into the mosh pit like its the 90s and early 00s at massive alternative, metal and punk music fest Good Things, which is living up to its name with its ace 2022 lineup. Headlining the tour are Bring Me The Horizon and Deftones, plus NOFX — who'll be playing 1994's iconic album Punk In Drublic in full. They'll also be joined by The Amity Affliction, Gojira and Millencolin, spanning everything from Queensland favourites to infectious Swedish punk. Oh, and just none other than Australia's own TISM playing their first live shows in 19 years. Will TISM take to the stage naked? That's now the question of the summer. 'Tis the season — and the times in general — for Ron Hitler-Barassi and company to drop their clothes but keep their masks, after all. Whatever they're decked out in, or not, expect plenty of legendary Aussie songs. Expect to have 'Greg! The Stop Sign!', 'Whatareya' and 'Ol' Man River' stuck in your head right now as well, obviously. Good Things' impressive bill also features Kisschasy playing 2005's United Paper People in full, fellow Aussie faves Regurgitator — because, just like the 90s and 00s, it wouldn't be a festival without them — and Lacuna Coil, Soulfly, ONE OK ROCK, 3OH!3, Cosmic Psychos and more. The fest is headed to Brisbane Showgrounds on Sunday, December 4. Whether you're a yob or a wanker, you'll want to be there. GOOD THINGS 2022 LINEUP: Bring Me The Horizon Deftones NOFX (performing Punk In Drublic in full) TISM The Amity Affliction Gojira ONE OK ROCK Millencolin Polaris Sabaton 3OH!3 Blood Command Chasing Ghosts Cosmic Psychos Electric Callboy Fever 333 Jinjer JXDN Kisschasy (performing United Paper People in full) Lacuna Coil Nova Twins RedHook Regurgitator Sleeping With Sirens Soulfly The Story So Far Thornhill
It's beginning to look a lot like Christmas, and in the weeks leading up to the festive day, charity organisation Street Smart Australia has partnered with restaurants and cafes around Brisbane to form Dine Smart. Diners are encouraged to add a small donation to their bill that will go towards helping the homeless. You can check out all of the participating restaurants here, and to make it easier for you, we have narrowed down our Concrete Playground top ten places to Dine Smart before Christmas. Montrachet Named after one of the most famous vineyards in the world, Montrachet in Paddington is the place to enjoy a decadent evening of wine and food. This exquisite French restaurant serves some of France's finest traditional meals such as escargot, bouillabaisse, lambs brains and crème brûlée, all executed with perfection. Wine lovers will be thrilled by the selections from regions in France including the Loire Valley, Bordeaux and from the restaurant's namesake, the vineyards of Montrachet. 224 Given Terrace, Paddington; 07 3367 0030; www.montrachet.com.au Il Centro Located on Eagle St Pier, Il Centro is one of Brisbane's most loved restaurants. Their signature dish, a rich sand crab lasagne, has won the hearts of locals and famous visitors alike. The menu has a wonderful combination of Italian cuisine and Queensland seafood, and consistently impresses. It is a dining experience second to none with attentive waitstaff, beautiful views and delicious food. Eagle Street Pier, 1 Eagle Street, Brisbane; 07 3221 6090; www.il-centro.com.au Cove Bar and Dining Down on the river at South Bank, Cove is the perfect place to enjoy sumptuous food, ice cold drinks and the sunset. Their oysters are fresh from Coffin Bay; the menu is unique and delicious; the drinks list impressive; the location ideal. Enjoy relaxed alfresco dining at its best at Cove. River Quay, Sidon Street, South Bank; 07 3844 3993; www.covebardining.com.au Bucci Bucci on James Street has the complementary hybrid of classic Italian flavours prepared with fresh modern twists. The extensive menu means that everybody will be satisfied whether after a light salad, heavy pasta or a selection of delicious cured meats. Be sure to leave room for the decadent desserts. Italian doughnuts anybody? 15 James Street, Fortitude Valley; 07 3852 3323; www.buccirestaurant.com.au Saké For an exquisite experience , Saké at Eagle St Pier is the place to go. The diverse menu incorporates the best of Japanese cuisine - sashimi, tempura, dumplings, edamame - all prepared to perfection using local Queensland seafood and traditional Japanese delicacies. And of course, you cannot go to Saké without drinking from their extensive range of Saké. Level 1, 45 Eagle Street, Eagle Street Pier, Brisbane; 07 3015 0557; www.sakerestaurant.com.au Piaf For French fare that is fair on the pocket, Piaf is the perfect dining experience. Their meals are uncomplicated and delightful and will leave you totally satisfied. This charming little bistro has a relaxed vibe that allows you to people watch while you sip on a beautiful pinot and nibble on your quail leg. Make sure you enjoy a bowl of their frites with aioli. Simple pleasure at its finest. 5/182 Grey Street Southbank; (07) 3846 5026; www.piafbistro.com.au Cabiria For those who like to keep lunch time simple with a sandwich, why not pop into Cabiria to try one of their innovative creations. Each sandwich has a twist on the original classic. Harry's Bar Egg Sandwich is filled with soft boiled eggs, anchovy and chives while the cheese toastie is filled with leek, garlic and onion for an added flavour explosion. You can also enjoy market fresh oysters and a range of charcuterie options. No 6. The Barracks, 61 Petrie Terrace; 07 3368 2666; www.cabiria.com.au Bavarian Bier Cafe It's the silly season, and it's time to celebrate. And what better way to kick off the season than with steins full of German beer and some pork (knuckle) on your fork? Prost! In light of the festive season, the Bavarian Bier Cafe have several Christmas-themed set menus to make dining out in a large group that little bit easier. Level 1, 45 Eagle Street, Eagle Street Pier, Brisbane; 07 3015 0555; www.bavarianbiercafe.com South Bank Surf Club Located in the heart of South Bank, the South Bank Surf Club is the perfect place to kick up your heels while the sun goes down. With a jazzed up surf club menu, the diverse food offerings suits all tastes and appetites. For post-work drinks or a solid hit-out on a Sunday, the SBSC is as close to the beach as you can get in Brisbane this summer. 30a Stanley Plaza, Parklands South Bank; 07 3844 7301; www.southbanksurfclub.com.au 1889 Enoteca The philosophy at 1889 Enoteca is to keep it simple, and this simplicity is what makes this place so very popular. With a non-pretentious approach, this restaurant's focus is on top-quality food and service. The waitstaff are attentive offering sage advice on wine-matching and what to order. The menu honours the 'hero' of the dish, be it the exquisitely made pasta, a red claw yabby or the delicious veal in the Saltimbocca alla Romana. A dining experience that you will revisit in your dreams. Moreton Rubber Building, 10-12 Logan Road, Woolloongabba; 07 3392 4315; www.1889enoteca.com.au
There's something for everyone to get around when it comes to Halloween, whether it's eating nauseating amounts of lollies, flexing your arts and crafts skills and fashioning yourself a costume, or pulling that five-piece (mask included) Batman get-up out of storage and donning it to feel like the superhero you really are. Trick or treating never really caught on here, but we'll be damned if we won't use the occasion as an excuse for a spooky time. And, thankfully, there are plenty of eerie events and horror-themed nights happening around town for you to dive into. Here's a list of some of the best things going on in and around Brisbane for Halloween this year, ranging from the not-so scary (a night market and a spooky-themed game of mini golf) to the truly unsettling (a 36-room horror experience in a disused old warehouse and an eerie shipping container experience).
Millions of Aussies flock to Sydney's sparkling shores each year — and, now that the borders are open, it's time to book your great escape to the city. But often, it seems, not many make it past the main attractions. That's why we're here to help. If you're considering a trip to the Harbour City, there's plenty to add to your itinerary beyond the usual highlight reel of CBD sights. Once you've made the pilgrimage to our cultural institutions and culinary heavyweights, make tracks to the neighbourhood watering holes, independent shops and small galleries locals love. We've joined forces with Destination NSW to show you how. Live like a local and uncover the hidden gems that make Sydney's inner city suburbs worth a visit. Please stay up to date with the latest NSW Government health advice regarding COVID-19. [caption id="attachment_652518" align="alignnone" width="1920"] The Grounds of Alexandria, Destination NSW[/caption] WHERE TO BRUNCH You've probably been to: Visitors are known to flock to the beloved Grounds of Alexandria (as well as its city outpost, The Grounds of the City) and the well-known Bills establishments in Surry Hills, Darlinghurst and Bondi — and we don't blame them. Besides being the perfect spot for your next Instagram photo, The Grounds of Alexandria offers a cafe, restaurant, bar, bakery, patisserie, coffee roastery, florist and markets to explore. And at Bills, it almost goes without saying that those corn fritters, creamy scrambled eggs and ricotta hotcakes are huge drawcards. But when you're ready to try something new (and avoid the queues), join the locals for the morning meal. [caption id="attachment_708584" align="alignnone" width="1920"] Reuben Hills[/caption] Next, you should go to: Nestled in the leafy streets of Surry Hills (and just a ten-minute walk northeast from Central Station), Reuben Hills delivers South American-inspired eats and house-roasted specialty coffee. Its soft-baked eggs with ranchero and kale are made to warm bellies and the chorizo brekkie roll is possibly the best spin on a classic B&E sanga you'll find in the city. Or, head slightly further out to Redfern Station, walk five minutes down Eveleigh Street, and you'll find Henry Lee's, a charming courtyard cafe with an ever-changing menu of local produce. Don't miss Henry's Dream toast with avocado, pesto, heirloom tomato, pomegranate molasses and a poached egg, and make sure to nab a batch brew made with locally roasted beans from The Little Marionette. [caption id="attachment_785522" align="alignnone" width="1920"] Lindy Lee 'No Up, No Down, I Am the Ten Thousand Things', 'Lindy Lee: Moon in a Dew Drop', MCA. Image credit: Anna Kucera[/caption] WHERE TO SEE ART You've probably been to: The Art Gallery of NSW brings together centuries of international and local talent to create one of the world's most beautiful art museums, while the Museum of Contemporary Art celebrates the work of modern artists from Australia and abroad. With rotating exhibitions, there's always something new to discover on a return trip, but if you're looking for something off the beaten track, read on. [caption id="attachment_770817" align="alignnone" width="2000"] White Rabbit 'And Now', Kimberley Low[/caption] Next, you should go to: On the hunt for something one-of-a-kind? Meet Firstdraft, Woolloomooloo's premier space for emerging and experimental art. Expect to be challenged and inspired here by ambitious art making. Next up is Chippendale's Galerie Pompom, a venue as playful as its name suggests. Stop by and explore mixed-media works from young and emerging Sydney- and Melbourne-based artists. Then from there, you can go on a gallery crawl of sorts to surrounding art spaces, including Nanda\Hobbs, Harrington Street Gallery, Goodspace Gallery at The Lord Gladstone pub and, of course, White Rabbit Gallery. [caption id="attachment_721571" align="alignnone" width="1920"] Nikki To[/caption] WHERE TO DINE You've probably been to: When on the hunt for an indulgent feast in the inner city, the Sydney Opera House sails prove a popular destination. Bennelong offers a dining experience as unique as the building it sits within, with views across the harbour and a fine-dining menu from celebrated chef Peter Gilmore. Then there's Surry Hills' queue-inviting Thai eatery, Chin Chin. Its trademark neon glow, loud music and industrial design make it a go-to for visiting food lovers. But if you've tried these big names, this is your chance to explore Sydney's neighbourhood gems — and we've got a lot. [caption id="attachment_784794" align="alignnone" width="1920"] The Sunshine Inn, Cassandra Hannagan[/caption] Next, you should go to: First and foremost, head to cosy Italian eatery Kindred in Darlington for a homely feed. It's as inviting as Nonna's kitchen, featuring house-made pasta, bread and cultured butter and it serves almost exclusively organic, bio-dynamic or natural wines. For a memorable feast in vibrant surroundings, make tracks to Surry Hills' rule-breaking Indian restaurant Don't Tell Aunty. Opt for chef Jessi Singh's set menu for $65 per person, and you'll get to try almost all the curries on the menu with the thali (curry platter). And, to really indulge in local flavours, head to The Sunshine Inn, Redfern's new restaurant and cocktail bar from the Golden Gully crew. Alongside a drinks list packed with nearby producers — including Yulli's Brews, Batch Brewing Co and Mr Black — it serves a selection of all-vegetarian, seasonal snacks. [caption id="attachment_637643" align="alignnone" width="1920"] Frankie's, Katje Ford[/caption] WHERE TO DRINK You've probably been to: The laneways of Sydney's CBD are a goldmine for a post-dinner tipple. Revellers will be well acquainted with late-night, rocker joint Frankie's Pizza. It's part dive bar, part New York-style pizza parlour, part blast from the past in 80s metal form. Then, of course, there's The Baxter Inn, the underground bar known for its 800-plus whisky offering, endless bowls of free pretzels and speakeasy vibe. But as great as Frankie's and The Baxter Inn are, they're just the tip of the small bar iceberg. [caption id="attachment_725315" align="alignnone" width="1920"] Arcadia Liquors, Kitti Gould[/caption] Next, you should go to: Down the road, you'll find one of the CBD's best courtyard bars, Since I Left You — which just so happens to hold one of the first small bar licenses ever issued in the city. Sip a hard lemonade, dig into a cheeseburger toastie and catch one of the many live gigs the bar hosts. Plus, every Saturday it offers beats, bottomless cocktails and themed brunches. A little further out in Redfern, you'll find neighbourhood stalwart Arcadia Liquors. Sample a selection of Sydney-brewed beers or sip a martini made with local gin. Continue on to Newtown, in the direction of Corridor. The name of this joint says it all — it's a slim, cosy bar with a rooftop area that offers an ace happy hour where you can sip $7 pints of local brews and $14 cocktails. [caption id="attachment_725960" align="alignnone" width="1920"] State Theatre[/caption] WHERE TO CATCH A SHOW You've probably been to: Seeing a show at Sydney Opera House is a bucket-list item. With shows ranging from cabaret and comedy to symphony and ballet — and everything in between — it's easy to find something to pique your interests. Beyond the iconic sails, you'll find Haymarket's historic Capitol Theatre, which often hosts world-class musicals, ballet and opera, as well as the heritage-listed State Theatre, which brings film, theatre and music performances to the masses. But, that's just the start of what Sydney has to offer. [caption id="attachment_637702" align="alignnone" width="1920"] Venue 505, Katje Ford[/caption] Next, you should go to: Live music comes alive at inner west gem Venue 505. Brimming with talented musicians, this spot plays host to excellent live jazz, roots, reggae, funk, instrumental and vocal entertainment Monday to Saturday — and often for free or less than $50. Down the road, the historic Vanguard has a full program showcasing local and international talents from a mixed bag of genres, including rock, soul, blues and tribute bands. When it comes to theatre, Griffin Theatre Company offers a celebration of local playwrights and actors. Stop by to see the next Cate Blanchett or David Wenham take the stage (both of whom started their careers with this iconic company). [caption id="attachment_739630" align="alignnone" width="1920"] Strand Arcade, Destination NSW[/caption] WHERE TO SHOP You've probably been to: You've probably roamed the ornate halls of the historic Queen Victoria Building, boasting 170 boutiques plus several drinking and dining options — including a spot dedicated entirely to champagne. And you've probably wandered through The Strand Arcade, with its high-end fashions. The heritage Victorian building is the place to go for something fancy and bespoke (like a hat steamed and fitted to your head) or for a swish meal at Pendolino, the decadent Italian restaurant on level four. But outside of these dazzling arcades, you'll get to experience the boutiques and purveyors the locals frequent. [caption id="" align="alignnone" width="1024"] Lunatiques, Kitti Gould[/caption] Next, you should go to: Venture out of the CBD and head to one of the many shopping streets around the inner city suburbs. Antique lovers will adore Mascot's vintage warehouse, Lunatiques. Brimming with pre-loved furniture, art, clothes and more, this is a destination for collectors and interiors aficionados alike. Trendsetters, head to picturesque Paddington and make a beeline for Di Nuovo, which offers racks of hand-picked, secondhand pieces from local and overseas high-end labels. And if you're looking for a good read for your trip, pay a visit to Glebe's Gleebooks to track down new and secondhand books. The bookshop has been a local favourite for over 40 years. You can also stop by neighbouring Sappho's, another secondhand bookshop with many hard-to-find or out-of-print titles, plus a cafe-bar in the courtyard out the back. Make your great escape to Sydney now and traverse it like a local. Discover more around the city here. Top image: Since I Left You
Any chance to see Yayoi Kusama's work in Australia is huge news, and reason to make a date — including travel plans, if needed — to get immersed in the Japanese icon's infinity rooms, and also be surrounded by pumpkins and dots. So when the National Gallery of Victoria announced that its big summer 2024–25 showcase would be dedicated to the artist, that was enough to make the resulting exhibition a firm must-see. Adding Friday-night parties to the mix is the cherry on top, then. How many ways can Melbourne go dotty for Kusama? It's time to find out from the exhibition's opening on Sunday, December 15, 2024, although answers have been arriving in advance. Kusama's five-metre-tall dot-covered Dancing Pumpkin sculpture has made NGV International's Federation Court its home first. Then came the revelation that the showcase will feature a world record-breaking number of infinity rooms and other immersive installations. And, outside the gallery on St Kilda Road, Kusama's Ascension of Polka Dots on the Trees has wrapped the trunks of more than 60 trees in pink-and-white polka-dotted material. NGV Friday Nights often forms part of the venue's high-profile exhibitions, so it should come as no surprise that the event series is back for Yayoi Kusama. The after-hours parties kick off on Friday, December 20, 2024 for some pre-Christmas fun, then run for 18 weeks until Friday, April 18, 2025. Come quittin' time for the week, Melburnians can add spots to their late-night shenanigans. If you're making a visit from interstate, you'll want to ensure you time it to hit one of the soirees on your trip. Seeing art is obviously on the NGV Friday Nights itinerary, but so is music and culinary experiences. The NGV's Great Hall will welcome live DJ sets, including from Dijok, Small FRY, Elle Shimada, Tanzer and more. In the NGV Garden Restaurant, acclaimed chefs Martin Benn is doing a residency for the exhibition's duration, serving up Asian-inspired dishes using Australian produce, Attendees can also look forward to other dining and drinking options, such as the Moët & Chandon champagne bar, Four Pillars gin bar, Yering Station wine bar and Häagen-Dazs ice cream cart — so there's sparkling, G&Ts, wine flights and frozen treats covered — plus a Japanese-inspired menu from the Great Hall and Gallery Kitchen. Gracing NGV International's walls until Monday, April 21, 2025, Yayoi Kusama features over 180 works, in the largest Kusama retrospective that Australia has ever seen — as well as one of the most-comprehensive retrospectives devoted to the artist to be staged globally, not to mention the closest that you'll get to experiencing her Tokyo museum without leaving the country. Images: Michael Pham / Tobias Titz.
Savvy sartorial shoppers, rejoice — Metre Market is back. If you went along to any of their previous events over the years, you'll know the drill. Fashion is their main domain, but you'll also find music, food, arts and other design pieces among their stalls. In fact, with giving Brisbanites an opportunity to sell their pre-loved clothes the main reason that the market originally came to fruition, you can even get in on the action by applying for a metre or two of space. And if all you want to do is browse and buy, there's plenty of that on offer too. The Metre Market Christmas Pop-Up will take place from 10am–2pm on Saturday, December 8 at Coorparoo Square, and promises to be suitably festive. Not only is it free, but it features the best things money can buy from local up-and-coming designers, artists and makers. Plus, proceeds from the rack sale part of the market — aka the fees paid for those selling their own old outfits — will be going to the Women's Legal Service Queensland.
First-time visitors to Singapore have a lot on their plate with the city's cuisine, museums, attractions and parks. But dig a little deeper and you'll find a diversity of rich experiences that'll help you get under the skin of the city. Whether this is your first trip or your fifth, these off-the-radar destinations in Singapore will help you delve into the island's vibrant history. Along the way you'll explore pristine natural spots, see unique architecture, try exquisite eats and rub shoulders with locals. We've partnered with the Singapore Tourism Board to showcase some of the best hidden gems across the country. From former military enclaves and heritage neighbourhoods to beautifully repurposed spaces and island destinations, these spots will elevate your next Singapore adventure. [caption id="attachment_864395" align="alignnone" width="1920"] Lim Wei Xiang (Singapore Tourism Board)[/caption] THE RAIL CORRIDOR A shining example of Singapore's bid to be hyper-modern while honouring its history, the Rail Corridor is a 24km-long green passage through the city's heartlands. The former railway track is a classic example of Singapore's commitment to being 'a city in a garden', while allowing wildlife to move between major green spaces. Parts of the corridor are still in development, but highlights include a former quarry, the Upper Bukit Timah Truss Bridge which was built in 1932 and a wealth of parklands. Visitors can also access the revamped (but non-operational) Bukit Timah Railway station, a conserved heritage building that first opened in 1903. [caption id="attachment_864396" align="alignnone" width="1920"] Robert Sim (Flickr)[/caption] CHANGI CHAPEL AND MUSEUM This poignant museum honours the prisoners of war and civilians that were held at the notorious Changi prison camp under the Japanese Occupation of World War II in February 1942. The families of those who were once interned at the camp have donated personal items, so the museum now offers unprecedented insights into the the fall of Singapore and prisoners' daily lives. The collection highlights include a 400-page prisoner diary and replicas of the murals painted by English bombardier and artist Stanley Warren. [caption id="attachment_864411" align="alignnone" width="1920"] Tony Hisgett (Flickr)[/caption] HAW PAR VILLA Created by Aw Boon Haw and Aw Boon Par — the sibling heirs to the Tiger Balm empire — this giant theme park in Pasir Panjang houses over 1,000 statues and 150 large-scale dioramas showcasing snippets of Chinese mythology and history. Built in the 1930s, the park was meant to provide moral guidance according to Chinese traditions. Though the original building was bombed during World War II, it was rebuilt and now features the newly revamped Hell's Museum — inspired by gruesome scenes from Chinese folklore — and dioramas depicting tales like the Legend of the White Snake and Romance of the Three Kingdoms. These days, visitors can take part in a scavenger hunt through the park for Zodiac animals or do a self-guided 'Instagram walk'. [caption id="attachment_864415" align="alignnone" width="1920"] Marklin Ang (Singapore Tourism Board)[/caption] SUNGEI BULOH WETLAND RESERVE It might be a bright, modern metropolis but Singapore is home to plenty of green spaces and nature reserves, too. At Sungei Buloh, the city's first wetland reserve, you can wander through 87 hectares of rare mangroves. Along the way, you might see some of the cheeky native inhabitants which include water monitors, mud lobsters, monkeys, mudskippers, sandpipers and the odd estuarine crocodile. There are plenty of observation posts to stop at so you can take in the impressive natural grandeur of the area. And, it's far enough off the beaten path that you probably won't be rubbing shoulders with hordes of tourists. [caption id="attachment_864423" align="alignnone" width="1920"] Singapore Tourism Board[/caption] JOO CHIAT/KATONG Named for a wealthy Chinese landowner, the Joo Chiat/Katong neighbourhood was once a coconut plantation and weekend retreat for well-heeled residents. Over the 20th century, it developed into a residential enclave for middle-class, English-speaking Peranakans and Eurasians. The area retains its eclectic pre-war architecture, though the colourful heritage shophouses have been turned into charming eateries including 328 Katong Laksa, The 1925 Brewing Co., Birds of Paradise and Rumah Bebe, as well as boutiques like Cat Socrates that stock stylish homewares, decor and accessories. There are also numerous museums exploring the area's history and culture — The Intan, Katong Antique House, and Eurasian Heritage Gallery are all worth visiting. [caption id="attachment_864426" align="alignnone" width="1920"] Singapore Tourism Board[/caption] FORT CANNING Singapore is full of history but few places capture as much of the city's past as Fort Canning Park. Over the centuries, it has been the seat of 14th century Malay kings, served as the headquarters of the Far East Command Centre for the British Army and witnessed the surrender of Singapore to the Japanese in 1942. These days, the 18-hectare space boasts nine historical gardens, the boutique Hotel Fort Canning, military history attraction The Battle Box and hosts cultural events such as Shakespeare in the Park. There's also the Instagram-friendly tree tunnel, with its spiral staircase and enormous Rain Tree. [caption id="attachment_864441" align="alignnone" width="1920"] Singapore Tourism Board[/caption] THE ISLANDS Singapore might be a city-state known for its gleaming skyscrapers and modern infrastructure, but just off its shores there's an archipelago well worth exploring. St John's Island, once a designated quarantine centre for major diseases, is now a popular destination for pristine beaches and outdoor adventures, while Kusu Island (pictured above) — named for the Chinese word for tortoise — has hidden lagoons, religious monuments and quirky folklore. Another popular spot, Pulau Ubin, is a former granite quarry that draws visitors for its military history, adventure sports, 1960s vibes and the biodiverse Chek Jawa Wetlands. [caption id="attachment_864446" align="alignnone" width="1920"] Singapore Tourism Board[/caption] DEMPSEY HILL Named for Sir Miles Christopher Dempsey, a British soldier who had a decorated military career, Dempsey Hill was once an enormous nutmeg plantation called Mount Harriet and later in the 1850s became the British-run Tanglin Barracks. Since 2007, this has been a go-to dining and entertainment district. Sample Michelin-starred Peranakan dining at Candlenut, steaks and beers at Red Dot Brewhouse and local bites at Samy's Curry Restaurant. Then, browse the retail offerings at the iconic global fashion boutique Dover Street Market (pictured above), try a pottery class at Impressions Art Studio or visit Singapore's first gin distillery at Tanglin Gin. For more incredible ways to experience Singapore, head to Singapore Tourism Board's website. Top image: Yik Keat (Singapore Tourism Board)
When Heartbreak High returned in 2022, the Sydney-set series benefited from a fact that's helped Degrassi, Beverly Hills, 90210, Saved by the Bell and Gossip Girl all make comebacks, too: years pass, trends come and go, but teen awkwardness and chaos is eternal. In its second season, Netflix's revival of an Australian favourite that first aired between 1994–99 embraces the same idea. It's a new term at Hartley High, one that'll culminate in the rite of passage that is the Year 11 formal. Amerie (Ayesha Madon, Love Me) might be certain that she can change after the events of season one — doing so is her entire platform for running for school captain — but waiting for adulthood to start never stops being a whirlwind. Streaming from Thursday, April 11 and proving as easy to binge as its predecessor, Heartbreak High 2.0's eight-episode second season reassembles the bulk of the gang that audiences were initially introduced to two years ago. Moving forward, onwards and upwards is everyone's planned path — en route to that dance, which gives the new batch of instalments its flashforward opening. The evening brings fire, literally. Among the regular crew, a few faces are missing in the aftermath. The show then rewinds to two months earlier, to post-holiday reunions, old worries resurfacing, new faces making an appearance and, giving the season a whodunnit spin as well, to a mystery figure taunting and publicly shaming Amerie. The latter begins their reign of terror with a dead animal; Bird Psycho is soon the unknown culprit's nickname. Leaders, creepers, slipping between the sheets: that's Heartbreak High's second streaming go-around in a nutshell. The battle to rule the school is a three-person race, pitting Amerie against Sasha (Gemma Chua-Tran, Mustangs FC) and Spider (Bryn Chapman Parish, Mr Inbetween) — one as progressive as Hartley, which already earns that label heartily, can get; the other season one's poster boy for jerkiness, toxicity and entitlement. Heightening the electoral showdown is a curriculum clash, with the SLT class introduced by Jojo Obah (Chika Ikogwe, The Tourist) last term as a mandatory response to the grade's behaviour questioned by Head of PE Timothy Voss (Angus Sampson, Bump). A new faculty member for the show, he's anti-everything that he deems a threat to traditional notions of masculinity. In Spider, Ant (Brodie Townsend, Significant Others) and others, he quickly has followers. Their name, even adorning t-shirts: CUMLORDS. Only on Heartbreak High — or on Sex Education, which it continues to resemble — can a faceoff between SLTs (aka sluts) and CUMLORDS fuel a season-long narrative. For Bird Psycho's campaign against Amerie, the warring factions also provide a handy backdrop, as well as a distraction that has most of the school looking the other way. But Quinni (Chloe Hayden, Spooky Files), who is running for vice captain, is determined to work out who's masterminding the vehement vendetta. Almost everyone is a suspect, especially after an attack comes during the grade's annual camp — well, nearly everyone among the dozen-ish Hartley students that earn the series' focus. The season's romantic threads also push Amerie to the fore, rekindling her romance with last term's newcomer Malakai (Thomas Weatherall, RFDS) until Dubbo export Rowan (Sam Rechner, The Fabelmans), the latest arrival, gets a love triangle burning. Darren (James Majoos) and Ca$h's (Will McDonald, Blaze) relationship has roadblocks to overcome, such as jail and libidos at vastly different speeds. Missy (Sherry-Lee Watson), Sasha's ex, finds herself attracted to someone that she'd never expect. Zoe (Kartanya Maynard, Deadloch), another of season two's additions, spearheads a Puriteen movement that advocates celibacy. As she pieces her life back together after grappling with some of the show's heaviest past storylines, Amerie's best friend Harper (Asher Yasbincek, How to Please a Woman) now has Ant pining over her. Hartley's principal Woodsy (Rachel House, Our Flag Means Death), plus Ca$h's nan (Maggie Dence, The Lost Flowers of Alice Hart) and criminal pal Chook (Tom Wilson, Last King of the Cross), round out the season's key players, on a character list that's as jam-packed as the antics filling the series' frames. Heartbreak High is in its lean-in era, where nothing is off the table. Drug-induced declarations, sex in school stairwells, pregnancy and abortion storylines, surprise redemptions, stalkers, childhood traumas, moving out of home, the utter cartoonishness of Voss (who dubs the school a "woke snowflake nightmare", and is the least successful element in the new episodes), busting out the Nutbush: they're all included, as is dancing from OTT to earnest and silly to serious. For creator Hannah Carroll Chapman (The Heights), who is behind the show's 2020s comeback — and also for her writers (Paper Dolls' Marieke Hardy, Sara Khan and Thomas Wilson-White; Safe Home's Jean Tong; Totally Completely Fine's Keir Wilkins; and The Heights' Megan Palinkas) and directors (Seriously Red's Gracie Otto, Mother and Son's Neil Sharma, and Why Are You Like This duo Jessie Oldfield and Adam Murfet) this time around — there's meaning in the season's tonal rollercoaster. Whether skewing light or heavy, entertainingly riffing on Rage or charting the constant quest to work our who you are that everyone endures in their teen years, or bringing Euphoria or the OG Heartbreak High to mind, all of the series' pinballing around explores a formative time when everything keeps seesawing and swinging by intentionally mirroring it. As was true during its debut Netflix stint to awards, acclaim and worldwide viewership, not to mention three decades back when 1993 movie The Heartbreak Kid sparked Heartbreak High to begin with, an excellent cast can ride every up and down that the show throws their characters' ways. Weatherall, Yasbincek and McDonald continue their thoughtful and layered portrayals of Malakai, Harper and Ca$h from 2022. Watson and Chapman Parish benefit from meatier storylines and deeper dives into Missy and Spider. Madon, Majoos and Hayden give Amerie, Darren and Quinni walk-right-off-the-screen energy. Rechner makes a meaningful imprint as Rowan, who is never a one-note enigmatic outsider. Investing in them, just like bingeing Heartbreak High season two, is always something that secondary schooling never is no matter what decade you're hitting the books, then the parties: easy. Check out the trailer for Heartbreak High's second season below: Heartbreak High season two streams via Netflix from Thursday, April 11, 2024. Read our review of season one. Images: Netflix.
If you're heading to Byron Bay this summer, get ready to ride the world's first solar-powered train. The two-carriage chugger was built in Sydney in 1949, but, from December 16, it'll travel along a three-kilometre track between downtown Byron Bay and Northbeach Station up near Sunrise Beach and the Byron arts and industrial estate, driven solely by the sun's energy. Byron Bay Railroad Company, which is operating as a non-profit, has spent four years restoring the train, which was in disuse. There are seats for 100 passengers, as well as standing room for extras and, importantly, space for surfboards and bicycles. To begin, the train will operate on a limited timetable, but will run once per hour between 8am and 10pm — at a cost of three bucks per person — from January. More frequent runs will be considered in line with passenger demand and operating costs. Back in the day, the train ran on diesel. Its conversion took place at the Lithgow Railway Workshop, where solar panels were added to the roof and solar-charged batteries installed. While Indian Railways did launch a solar-powered train earlier this year, the sun only powers the lights, fans and displays on that vehicle. By comparison, on this train, the batteries can power every system, including lighting, air compressors, control circuits and traction. And, should the sun hide its face for a while, they'll gain energy from the grid's green arm. One diesel engine has been removed and replaced with an electric drive package. The remaining diesel engine is staying on-board for to provide emergency back up in the case of an electrical glitch. The Byron Bay Railroad Company's services operate from 8am to 10pm daily from January. For more information, visit byronbaytrain.com.au.
If their style of performance isn’t your thing, you probably haven’t dropped by Opera Queensland’s headquarters. In fact, you might not even know that they dwell underneath the Queensland Conservatorium Griffith University steps at South Bank. But this weekend, they’re hosting two evenings’ worth of pop-up events so that you’ll pop in. Studio 4101 is a joint effort between OperaQ, QCGU and West End creatives Hub 4101. On the lawn outside, pop-up food stalls and bars will ensure no one is hungry or thirsty. Inside, three different shows will take over OperaQ’s rehearsal room. Come along for one, or stay for an entire night of entertainment. The Con’s emerging music technology artists get things started, including The Tremors, Barega Saxophone Quartet and vocalist Petah Chapman with guitarist Joel Woods. Next, watch Stravinsky’s sinister music theatre work The Soldier’s Tale. Those staying longer can catch pianist, composer and arranger Steve Newcomb in a cool late-night jazz session.
Think exceptional wine regions and Bordeaux, the Napa Valley and Bilbao likely come to mind. Lausanne in Switzerland, Portugal's Porto, Mendoza in Argentina and Adelaide right here in Australia might as well. So should New Zealand's Hawke's Bay, your next must-visit destination for a vino getaway, with the Aotearoa locale just earning a massive honour: being named the 12th Great Wine Capital of the world. The global program celebrates spots responsible for top-notch drops, and it's a prestigious list. All of the above places have received Great Wine Capital status already, and so have Cape Town's Cape Winelands in South Africa, Mainz and the Rheinhessen wine region in Germany, Valparaíso Casablanca Valley in Chile and fair Verona in Italy. Joining the ranks isn't easy, involving a tough selection process that examines the region's winegrowing industry and vino tourism alongside its history, educational opportunities and more. Hawke's Bay has been recognised for its 200-plus vineyards, 125 wine producers and more than 30 cellar doors — and growing more than 40,000 tonnes of grapes in 2022 alone. The North Island region's variety of tourism experiences also boosted its fortunes, as well as its popularity with both NZ and international travellers. Visitors to the area can enjoy everything from bike tours between cellar doors and long vineyard lunches to picnics and picking parties, plus ample opportunities to pair a glass or bottle with something to eat. The worldwide kudos comes as Hawke's Bay continues to recover from Cyclone Gabrielle in February 2023, offering a much-needed piece of good news in a tough year. "Cyclone Gabrielle may have dealt us a blow, but this recognition shows that Hawke's Bay is still the top-quality wine destination it always was," said Hawke's Bay Tourism CEO Hamish Saxton, announcing the Great Wine Capital status. "Hawke's Bay's inclusion as one of just 12 Great Wine Capitals of the world is of regional and national significance. It is recognition that Hawke's Bay wines are among the world's best, and that our nation's wine growing industry, while still young, offers quality to rival the world's oldest," he continued. "We have long known that Hawke's Bay, as New Zealand's Food and Wine Country, stood out for its winemaking. This new achievement gives Hawke's Bay a unique positioning in New Zealand and the world. The climate, unique soils and the innovation of so many talented individuals, have come together to deliver an accolade the region wholeheartedly deserves. It is a true legacy for the region and will continue to deliver benefits to industry, education, business and tourism for the years to come." The Great Wine Capitals Global Network dates back to 1999, was unsurprisingly started in Bordeaux to showcase and support the very best wine-producing regions, including helping foster collaborations between them. Now that Hawke's Bay has gotten the nod — after first trying back in 2009 — it's Aotearoa's one and only inclusion, because each country can only grace the list with a single location. Find out more about the Great Wine Capitals of world over at the program's website. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Brisbanites, if you like cruising the river, you'll soon will be able to head to Breakfast Creek to hop on an eco-friendly picnic boat — all thanks to Denmark-born outfit GoBoat. But if you're keen to enjoy a meal, a few drinks and the general experience of floating on the river with your mates before then, you can, because the company has popped up in Kangaroo Point first. You can still look forward to GoBoat's official launch a bit further north of the CBD, or you can jump the gun and jump aboard in the city first. Yes, it's time to start getting excited about cruising along the river in a different way, with the vessels setting sail from Dockside Marina for a limited time. Aimed at making the whole boating caper more accessible for everyday folk, the Scandinavian-designed vessels are slow-moving, a breeze to operate and don't require a boating licence, making for some fun, fuss-free sailing sessions. In a win for the planet, they also run on silent, pollution-free, electric engines, and are crafted from a mix of reclaimed timber and recycled PET bottles. Each of the contemporary GoBoats clocks in at 18-feet long, and boasts a central picnic table with room for eight people (and for all the necessary snacks and booze). And despite what you might be thinking, they're even affordable enough to fit your budget — simply BYO food and drinks, find enough eager sailors to jump aboard and a GoBoat session will start at around $15 per person, per hour. That's $119 hourly for the first hour, but the longer you book, the cheaper it gets. And, in great news for your pooch, the company's vessels are pet-friendly — surely you've got a very good boy who deserves a river jaunt. Images: Lean Timms. Updated August 17.
It's happening again. Another year, another round of shiny trophies being handed out throughout Hollywood. Indeed, before Monday, March 13 comes to a close Down Under, Tinseltown will have anointed a new batch of Oscar winners. The nominations dropped in late January, speculation over who'll emerge victorious dates back well into 2022, and now it's time for the Academy Awards to name its latest greats at its 95th ceremony. Here's hoping that the focus will be on the films rather than mid-ceremony mayhem in 2023. The past year boasts no shortage of exceptional flicks deserving plenty of love — whether multiverse chaos, war epics, high-soaring sequels, music biopics or Irish gems end up scooping the pool, sharing the attention or going home empty-handed. Plus, in a bonus for movie lovers in Australia, you can watch 37 of this year's nominated features right now. Some are playing in cinemas, others are streaming, and a few give you options for either big- or small-screen viewings. Here's your pre-Oscars binging rundown on where to see them all. ON THE BIG SCREEN: AFTERSUN Nominations: Best Actor (Paul Mescal) Our thoughts: The simplest things in life can be the most revealing, whether it's a question asked of a father by a child, an exercise routine obeyed almost mindlessly or a man stopping to smoke someone else's old cigarette while wandering through a holiday town alone at night. Following the about-to-turn-31 Calum (Paul Mescal, The Lost Daughter) and his daughter Sophie (debutant Frankie Corio) on vacation in Turkey in the late 90s, this astonishing feature debut by Scottish writer/director Charlotte Wells is about the simple things — but Aftersun is always a movie of deep, devastating and revealing complexity. Where to watch: In Australian cinemas. Read our full review. ALL THE BEAUTY AND THE BLOODSHED Nominations: Best Documentary Feature Our thoughts: Nabbing the Golden Lion at the 2022 Venice Film Festival, this documentary by Citizenfour Oscar-winner Laura Poitras is a film about many things: photographer Nan Goldin, her complicated history, her work, her chronicles of the LGBTQIA+ community and the 80s HIV/AIDS crisis, and her efforts to counter the opioid epidemic all included. Flitting between her images, recollections, and ongoing battle to bring the company and wealthy family behind OxyContin to justice by targeting their ties with galleries, All the Beauty and the Bloodshed is also a passionate, empathetic and piercing emotional epic. Where to watch: In Australian cinemas. Read our full review. AVATAR: THE WAY OF WATER Nominations: Best Picture, Best Production Design, Best Visual Effects, Best Sound Our thoughts: When James Cameron's second dip in what's now officially a franchise manages to be as involving as he wants it to be, and has audiences eagerly awaiting its third, fourth and fifth instalments in 2024, 2026 and 2028, it's an absolute visual marvel. When that's the case, it's also underwater, or in it. Yes, Avatar: The Way of Water takes its subtitle seriously, splashing that part of its name about heartily in as much magnificently detailed 3D-shot and -projected glory as its director, cinematographer Russell Carpenter (a True Lies and Titanic alum) and hard-working special-effects team can excitedly muster. Where to watch: In Australian cinemas. Read our full review. CLOSE Nominations: Best International Feature Film Our thoughts: When 13-year-olds Léo (debutant Eden Dambrine) and Rémi (first-timer Gustav De Waele) dash the carefree dash of youth in Close's early moments, rushing from a dark bunker out into the sunshine — from rocks and forest to a bloom-filled field ablaze with colour, too — this immediately evocative Belgian drama runs joyously with them. Girl writer/director Lukas Dhont starts his sophomore feature with a tremendous moment, one that sees his two leads bolting from the bliss that is their visibly contented childhood to the tussles and emotions of being a teenager, and it only gets better from there. Where to watch: In Australian cinemas. Read our full review. EMPIRE OF LIGHT Nominations: Best Cinematography Our thoughts: 1917, director Sam Mendes jumps back to 80s for this ode to cinema — to the coastal town of Margate in Kent, where the Dreamland Cinema has stood for 100 years in 2023. In Empire of Light, the art deco structure has been rechristened The Empire, and is where a small staff under the overbearing Donald Ellis (Colin Firth, Operation Mincemeat) all have different relationships with their own hopes and wishes. But duty manager Hilary (Olivia Colman, Heartstopper) and new employee Stephen's (Micheal Ward, Small Axe) stories are thankfully far more complicated than simply paying tribute to a medium. Where to watch: In Australian cinemas. Read our full review. LIVING Nominations: Best Actor (Bill Nighy), Best Adapted Screenplay Our thoughts: Somehow, Bill Nighy made it all the way into his 70s before receiving a single Oscar nomination; his nod for Living isn't a career nod, however, but thoroughly earned by his sensitive turn as a dutiful company many facing life-changing news. Set in 50s-era London, it's an adaptation several times over — of Akira Kurosawa's 1952 film Ikiru, which takes inspiration from Leo Tolstoy's 1886 novella The Death of Ivan Ilyich. At all times, Nighy, director Oliver Hermanus (Moffie) and screenwriter Kazuo Ishiguro (also the author of The Remains of the Day and Never Let Me Go) live up to that lineage. Where to watch: Living officially opens in Australian cinemas on Thursday, March 16, with preview screenings from Friday, March 10–Sunday, March 12. TÁR Nominations: Best Picture, Best Director (Todd Field), Best Actress (Cate Blanchett), Best Original Screenplay, Best Cinematography, Best Film Editing Our thoughts: The least surprising aspect of Tár is also its most essential: Cate Blanchett being as phenomenal as she's ever been, plus more. The Australian Nightmare Alley, Thor: Ragnarok and Carol actor — "our Cate", of course — best be making space next to her Oscars for The Aviator and Blue Jasmine as a result. Playing a celebrated, pioneering maestro who plummets to a personal and professional low just when it seems her fortunes can't soar higher, Blanchett is that stunning in Tár, that much of a powerhouse, that adept at breathing life and complexity into a thorny figure, and that magnetic and mesmerising. Where to watch: In Australian cinemas. Read our full review. TO LESLIE Nominations: Best Actress (Andrea Riseborough) Our thoughts: Forget the controversy that's surrounded Andrea Riseborough's inclusion among this year's Oscar nominees. A stunning performance is a stunning performance no matter whether other famous names advocate for accolades on its behalf or not — and the Possessor and Amsterdam star is indeed stunning in To Leslie. There's such weight and soul to her titular portrayal in this tale of redemption, after single mother Leslie wins the lotto, drinks and parties away the proceeds, then tries to reconnect with her now-adult son (Owen Teague, The Stand) six years latter, plus face a town with a long memory. Where to watch: In Australian cinemas. Read our full review. TRIANGLE OF SADNESS Nominations: Best Picture, Best Director (Ruben Östlund), Best Original Screenplay Our thoughts: Beware the luxurious worlds of Ruben Östlund's films. Beware any feelings of ease, opulence or awe that spring at ski resorts, in art museums, or, in Triangle of Sadness, within the fashion industry and on high-end holidays, too. The Swedish filmmaker isn't interested in keeping his characters comfortable regardless of their lavish surroundings, which proves true with his second feature in succession to win Cannes Film Festival's prestigious Palme d'Or. Here, he has modelling, influencers and the super-rich in his sights, plus unpacking societal structures and the divides they rely on (and cause). Where to watch: In Australian cinemas. Read our full review. THE WHALE Nominations: Best Actor (Brendan Fraser), Best Supporting Actress (Hong Chau), Best Makeup and Hairstyling Our thoughts: The actors have it: in The Whale, Brendan Fraser (No Sudden Move), Hong Chau (The Menu) and Sadie Sink (Stranger Things) are each masterful, and each in their own way. For viewers unaware that this drama about a reclusive 600-pound English professor stems from the stage going in, it won't take long to realise — for multiple reasons. As penned by Samuel D Hunter from his award-winning semi-autobiographical play, The Whale's script is talky and blunt. It also favours one setting. But the performances that Darren Aronofsky (mother!) guides out of his cast are complicated, masterful and powerful. Where to watch: In Australian cinemas. Read our full review. WOMEN TALKING Nominations: Best Picture, Best Adapted Screenplay Our thoughts: Get Rooney Mara, Claire Foy, Jessie Buckley, Frances McDormand and more exceptional women in a room, point a camera their way, let the talk flow: Sarah Polley's Women Talking does just that, and the end result is phenomenal. The actor-turned-filmmaker's fourth effort behind the lens does plenty more, but its basic setup is as straightforward as its title states. Adapted from Miriam Toews' 2018 novel of the same name, it draws on events in a Bolivian Mennonite colony from 2005–9, where a spate of mass druggings and rapes of women and girls were reported at the hands of some of the group's men. Where to watch: In Australian cinemas. Read our full review. IN CINEMAS OR AT HOME: BABYLON Nominations: Best Original Score, Best Production Design, Best Costume Design Our thoughts: What happens when aspiring 1920s actor Nellie LaRoy (Margot Robbie, Amsterdam), veteran leading man Jack Conrad (Brad Pitt, Bullet Train) and eager show business everyman Manny Torres (Diego Calva, Narcos: Mexico) navigate Golden Age Hollywood, starting at the same decadent soirée? That's what jazz-loving, La La Land Oscar-winning, Tinseltown-adoring writer/director Damien Chazelle charts in Babylon — and how. This is a relentless and ravenous movie that's always a lot, not just in length, but is dazzling (and also very funny, and sports an earworm of a Justin Hurwitz score) when it clicks. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies and Prime Video. Read our full review. THE BANSHEES OF INISHERIN Nominations: Best Picture, Best Director (Martin McDonagh), Best Actor (Colin Farrell), Best Supporting Actress (Kerry Condon), Best Supporting Actor (Brendan Gleeson and Barry Keoghan), Best Original Screenplay, Best Original Score, Best Film Editing Our thoughts: The rolling hills and clifftop fields look like they could stretch on forever in In Bruges writer/director Martin McDonagh's The Banshees of Inisherin, even on a fictional island perched off the Irish mainland. For years, chats between Padraic Súilleabháin (Colin Farrell, After Yang) and Colm Doherty (Brendan Gleeson, The Tragedy of Macbeth) have sprawled similarly — and leisurely, too — especially during the pair's daily sojourn to the village pub over pints. But when the latter calls time on their camaraderie suddenly, his demeanour turns brusque, and nothing for these characters will ever be the same. Where to watch: In Australian cinemas, and streaming via Disney+, Google Play, YouTube Movies and Prime Video. Read our full review. THE FABELMANS Nominations: Best Picture, Best Director (Steven Spielberg), Best Actress (Michelle Williams), Best Supporting Actor (Judd Hirsch), Best Original Screenplay, Best Original Score, Best Production Design Our thoughts: "Movies are dreams that you never forget," says Mitzi Fabelman (Michelle Williams, Venom: Let There Be Carnage) early in Steven Spielberg's autobiographical The Fabelmans. Have truer words ever been spoken in any of the director's 33 flicks? Uttered to her eight-year-old son Sammy (feature debutant Mateo Zoryon Francis-DeFord), Mitzi's statement lingers, providing the film's beating heart even when the coming-of-age tale it spins isn't always idyllic — which is often, as Sammy hits his teen years (played by The Predator's Gabriel LaBelle), chases his movie dreams and navigates his family. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. PUSS IN BOOTS: THE LAST WISH Nominations: Best Animated Feature Our thoughts: Who doesn't want to see a kitty swashbuckler voiced by Antonio Banderas (Official Competition), basically making this a moggie Zorro? Based on the 2011 Puss in Boots' $555 million at the box office, that concept is irresistible to plenty of folks — hence, albeit over a decade later, sequel Puss in Boots: The Last Wish. Pairing the right talent to the right animated character doesn't instantly make movie magic, of course; however, The Last Wish, which literally has Puss seeking magic, is among the best films that the broader Shrek saga has conjured up so far. Where to watch: In Australian cinemas, and streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. VIA STREAMING: ALL QUIET ON THE WESTERN FRONT Nominations: Best Picture, Best Adapted Screenplay, Best International Feature Film, Best Original Score, Best Cinematography, Best Production Design, Best Visual Effects, Best Makeup and Hairstyling, Best Sound Our thoughts: Helming and co-scripting, All My Loving director Edward Berger gives All Quiet on the Western Front its first adaptation in German, its native tongue. The film focuses on 17-year-old Paul Bäumer (debutant Felix Kammerer) and his ordeal after naively enlisting in 1917, thinking with his mates that they'd be marching on Paris within weeks. This is a movie haunted: by the callous disregard for human lives by power-seekers far removed from any fatal consequences, the wide-eyed fervour and blind faith with which boys pledge themselves to war, the desperation in the thick of the fray, and oh-so-much death. Where to watch: Streaming via Netflix. Read our full review. ALL THAT BREATHES Nominations: Best Documentary Feature Our thoughts: Pictures can't tell all of All That Breathes' story, with Delhi-based brothers Nadeem Shehzad and Mohammad Saud's chats saying plenty that's essential. Still, the images that Shaunak Sen (Cities of Sleep) lets flow across the screen — and, befitting this poetic documentary's pace and mood, they do flow — in this Sundance- and Cannes-winner are astonishing. The pair adore the black kites that take to India's skies and suffer from its toxic air quality, tending to the creatures' injuries. As Sen watches, this film trills about urban development, its costs and consequences, and caring for others both animal and human. Where to watch: Streaming via Binge. ARGENTINA, 1985 Nominations: Best International Feature Film Our thoughts: As reliable a screen presence as cinema has ever been blessed with, The Secret in Their Eyes, Truman and Everybody Knows-starring Argentinian actor Ricardo Darín is magnetic in this weighty and important courtroom drama. Filmmaker Santiago Mitre (15 Ways to Kill Your Neighbour) dramatises the Trial of the Juntas, focusing on public prosecutor Julio César Strassera (Darín) and his deputy Luis Moreno Ocampo (Peter Lanzani, Maradona: Blessed Dream) as they attempt to bring military officials who led the country under its 1976–1983 dictatorship to justice for crimes against humanity. Where to watch: Streaming via Prime Video. BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS Nominations: Best Cinematography Our thoughts: Everyone wants to be the person at the party that the dance floor revolves around, and life in general, or so Alejandro González Iñárritu contends in Bardo, False Chronicle of a Handful of Truths. Everyone wants to be the filmmaker with all the fame and success, records, winning prestigious awards and conquering Hollywood, he also asserts. Alas, when you're this Mexican director, that isn't as joyous or uncomplicated an experience as it sounds. On-screen, his blatant alter ego is a feted documentarian (Daniel Giménez Cacho, Memoria) applauded at home and overseas, and also a man conflicted again and again. Where to watch: Streaming via Netflix. Read our full review. THE BATMAN Nominations: Best Visual Effects, Best Makeup and Hairstyling, Best Sound Our thoughts: The elder Waynes are still dead, and have been for two decades. Bruce (Robert Pattinson, Tenet) still festers with pain over their loss. And the prince of Gotham still turns vigilante by night, cleaning up the lawless streets one no-good punk at a time with only trusty butler Alfred Pennyworth (Andy Serkis, Long Shot) in on his secret. Still, as directed by Dawn of the Planet of the Apes and War for the Planet of the Apes' Matt Reeves, and co-scripted with The Unforgivable's Peter Craig, The Batman offers a more absorbing version of the character than seen in many of the past Bat flicks that've fluttered through cinemas. Where to watch: Streaming via Netflix, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLACK PANTHER: WAKANDA FOREVER Nominations: Best Supporting Actress (Angela Bassett), Best Original Song, Best Visual Effects, Best Costume Design, Best Makeup and Hairstyling Our thoughts: Black Panther: Wakanda Forever isn't the movie it was initially going to be, the sequel to 2018's electrifying Black Panther that anyone behind it originally wanted it to be, or the chapter in the sprawling Marvel Cinematic Universe that it first aimed to be — this, the world knew once Chadwick Boseman passed away. That vast void isn't one this film can fill, but returning director Ryan Coogler still has a top-notch cast — Letitia Wright, Angela Bassett, Danai Gurira, Lupita Nyong'o and Winston Duke, plus new addition Tenoch Huerta, most notably — drawing eyeballs towards his vibrant imagery. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLONDE Nominations: Best Actress (Ana de Armas) Our thoughts: Usually when a film leaves you wondering how it might've turned out in other hands, that isn't a great sign — but Blonde, the years-in-the-making adaptation of Joyce Carol Oates' fictionalised Marilyn Monroe biography of the same name, demands a watch. It's a fascinating movie, including for what works astoundingly well and what definitely doesn't. In the first category: Ana de Armas (The Gray Man) as Norma Jeane Mortenson, the woman who'd become not just a star and a sensation during her life, but an icon across the six decades since. Where to watch: Streaming via Netflix. Read our full review. CAUSEWAY Nominations: Best Supporting Actor (Brian Tyree Henry) Our thoughts: Trauma is a screenwriter's best friend; however, few films are happy to sit with trauma in the way that (and as well as) Causeway does. Starring Jennifer Lawrence (Don't Look Up) as a military veteran sent home from Afghanistan after being blown up, working her way through rehab and determined to re-enlist as soon as she has medical sign-off — plus Atlanta and Bullet Train's Brian Tyree Henry as a New Orleans mechanic with his own history — this subtle, thoughtful and powerful movie grapples with the fact that some woes do genuinely change lives, and not for the better. Where to watch: Streaming via Apple TV+. Read our full review. ELVIS Nominations: Best Picture, Best Actor (Austin Butler), Best Cinematography, Best Film Editing, Best Production Design, Best Costume Design, Best Makeup and Hairstyling, Best Sound Our thoughts: Making a biopic about the king of rock 'n' roll, trust Baz Luhrmann to take his subject's words to heart: a little less conversation, a little more action. The Aussie filmmaker's first feature since The Great Gatsby isn't short on chatter. It's even narrated by Tom Hanks (A Man Called Otto) as Colonel Tom Parker, the carnival barker who thrust Presley to fame. But this chronology of an icon's life is at its best when it's showing rather than telling. That's when Elvis is electrifying, in no small part due to its treasure trove of recreated concert scenes — and Austin Butler (Once Upon a Time in Hollywood) as the man himself. Where to watch: Streaming via Google Play, iTunes and Prime Video. Read our full review. EVERYTHING EVERYWHERE ALL AT ONCE Nominations: Best Picture, Best Director (Daniel Kwan and Daniel Scheinert), Best Actress (Michelle Yeoh), Best Supporting Actress (Jamie Lee Curtis and Stephanie Hsu), Best Supporting Actor (Ke Huy Quan), Best Original Screenplay, Best Original Score, Best Original Song, Best Film Editing, Best Costume Design Our thoughts: Imagine living in a universe where Michelle Yeoh isn't the wuxia superstar she is. No, no one should want that reality. Now, envisage a world where everyone has hot dogs for fingers, including the Crouching Tiger, Hidden Dragon icon. Next, picture another where Ratatouille is real, but with raccoons. Then, conjure up a sparse realm where life only exists in sentient rocks. An alternative to this onslaught of pondering: watching Everything Everywhere All At Once, which throws all of the above at the screen and a helluva lot more thanks to the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert. Where to watch: Streaming via Binge, Prime Video, Google Play, YouTube Movies and iTunes. Read our full review. FIRE OF LOVE Nominations: Best Documentary Feature Our thoughts: What a delight it would be to trawl through Katia and Maurice Krafft's archives, sift through every video that features the French volcanologists and their work, and witness them doing their highly risky jobs against spectacular surroundings. That's the task that filmmaker Sara Dosa (The Seer and the Unseen) took up to make superb documentary Fire of Love about the couple's lives — and, as set to the otherworldly sounds of Air, her magnificent effort is an incredibly thoughtful, informative and moving film from start to finish. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. GLASS ONION: A KNIVES OUT MYSTERY Nominations: Best Adapted Screenplay Our thoughts: This murder-mystery opens with a puzzle box inside a puzzle box. The former is a wooden cube delivered out of the blue, the latter the followup to 2019 hit Knives Out, and both are as tightly, meticulously, cleverly and cannily orchestrated as each other. With writer/director Rian Johnson (Poker Face) back at the helm and Daniel Craig (No Time to Die) playing southern detective Benoit Blanc again — alongside a new star-studded cast — long may this franchise keep sleuthing. Long may it have everyone revelling in every twist, trick and revelation, as the breezy blast that is Glass Onion does. Where to watch: Streaming via Netflix. Read our full review. GUIILLERMO DEL TORO'S PINOCCHIO Nominations: Best Animated Feature Our thoughts: Guillermo del Toro hasn't yet directed a version of Frankenstein, except that he now has in a way. Officially, he's chosen another much-adapted story, but there's no missing the similarities between the Nightmare Alley filmmaker's stop-motion Pinocchio and Mary Shelley's ever-influential horror masterpiece. Both carve out tales about creations made by grief-stricken men consumed by loss. Both see those tinkerers help gift existence to the inanimate because they can't cope with mortality's reality. Both notch up the fallout when those central humans struggle with the results of their handiwork, too. Where to watch: Streaming via Netflix. Read our full review. A HOUSE MADE OF SPLINTERS Nominations: Best Documentary Feature Our thoughts: A House Made of Splinters premiered at Sundance in January 2022, with Danish documentarian Simon Lereng Wilmont returning to Eastern Ukraine after The Barking of Distant Dogs to tell of the residents at The Lysychansk Center for The Social and Psychological Rehabilitation of Children. That timing saw his latest film debut before the Russian invasion, but the war's impact since 2014 make itself felt as the kids in the doco's frames step through their experiences — and grapple with a fraught reality — in a facility that's only meant to house them for nine months until their paths from there can be plotted. Where to watch: Streaming via Docplay. MARCEL THE SHELL WITH SHOES ON Nominations: Best Animated Feature Our thoughts: It started as an in-joke, thanks to a voice put on by Parks and Recreation Jenny Slate for her now ex-husband Dean Fleischer-Camp. Then came their 2010, 2011 and 2014 shorts, plus two best-selling children's picture books. On- and off-screen, the world's cutest talking shell has taken the internet-stardom path from online sensation to more — and the sweet, endearing, happily silly, often hilarious and deeply insightful Marcel the Shell with Shoes On is a touching meditation upon loss, change and valuing what's truly important, as well as an all-round gem. Where to watch: Streaming via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MRS HARRIS GOES TO PARIS Nominations: Best Costume Design Our thoughts: The title is accurate: in Mrs Harris Goes to Paris, war widow and hardworking cleaner Ada Harris (Lesley Manville, The Crown) takes a surprise windfall to the French capital in the 50s to buy her very own Christian Dior dress. Cue class-clash snootiness (personified by The Godmother's Isabelle Huppert as a disapproving fashion house bigwig) and unexpected kindness (including from a model, accountant and Marquis played by Warrior Nun's Alba Baptista, Ticket to Paradise's Lucas Bravo and Benedetta's Lambert Wilson), in the kind of tale that plays out exactly as expected, albeit nicely. Where to watch: Streaming via Google Play, YouTube Movies, iTunes and Prime Video. NAVALNY Nominations: Best Documentary Feature Our thoughts: In August 2020, Russian opposition leader Alexei Navalny was poisoned while flying from Tomsk to Moscow. The toxin: a Novichok nerve agent. That's just one aspect of the Vladimir Putin opponent's story in recent years, which filmmaker Daniel Roher (Once Were Brothers) shot as it unfolded for his documentary Navalny. The details are astonishing and infuriating, with Navalny a candid and determined interviewee. No matter whether you know the details from copious news headlines or you're stepping through his tale for the first time, this doco couldn't be more gripping. Where to watch: Streaming via Docplay, SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE QUIET GIRL Nominations: Best International Feature Film Our thoughts: This tender, affecting and resonant Gaelic-language coming-of-age film sees the world as only a lonely, innocent, often-ignored child can. Devastatingly moving and beautiful, The Quiet Girl also spies the pain and hardship that shapes its titular figure's world — and yes, it does so softly and with restraint, but that doesn't make the feelings it swirls up any less immense. Filmmaker Colm Bairéad, who directs and adapts Claire Keegan's novella Foster, makes a stunning feature debut. Also exceptional is newcomer Catherine Clinch as pivotal nine-year-old Cáit. Where to watch: Streaming via SBS On Demand, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. RRR Nominations: Best Original Song Our thoughts: The letters in RRR's title are short for Rise Roar Revolt. They could also stand for riveting, rollicking and relentless. They link in with the Indian action movie's three main forces, too — writer/director SS Rajamouli (Baahubali: The Beginning), plus stars NT Rama Rao Jr (Aravinda Sametha Veera Raghava) and Ram Charan (Vinaya Vidheya Rama) — and could describe the sound of some of its standout moments. What noise echoes when a motorcycle is used in a bridge-jumping rescue plot, as aided by a horse and the Indian flag, amid a crashing train, after all? Where to watch: Streaming via Netflix. Read our full review. THE SEA BEAST Nominations: Best Animated Feature Our thoughts: One of the undying ideas about monsters is also one of the most humane: perhaps what we perceive as monstrous doesn't always deserve that label. Set centuries back in prime seafaring times — but, thanks to the eponymous creature, clearly a work of animated fiction — The Sea Beast ponders this notion after seasoned beast-hunter Jacob Holland (voiced by The Boys' Karl Urban) pledges to slay a critter dubbed the Red Bluster. Here, eye-catching animation and a familiar but still potent story combine in Big Hero 6 and Moana co-director Chris Williams' hands. Where to watch: Streaming via Netflix. TOP GUN: MAVERICK Nominations: Best Picture, Best Adapted Screenplay, Best Original Song, Best Film Editing, Best Visual Effects, Best Sound Our thoughts: Top Gun: Maverick flies high when its jets are soaring. The initial Top Gun had the perfect song to describe exactly what these phenomenally well-executed and -choreographed action scenes feel like to view; yes, they'll take your breath away. Thankfully, this time that Tom Cruise (Mission: Impossible — Fallout)-led adrenaline kick is accompanied by a smarter and far more self-aware film, as directed by TRON: Legacy and Oblivion's Joseph Kosinski. Top Gun in the 80s was exactly what Top Gun in the 80s was always going to be — but Top Gun in the 2020s doesn't dare believe that nothing has changed Where to watch: Streaming via Paramount+, Binge, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. TURNING RED Nominations: Best Animated Feature Our thoughts: What'd happen if the Hulk was a teenage girl, and turned into a giant, fuzzy, super-cute red panda instead of going green and getting ultra-muscular? Or, finding a different riff on the ol' werewolf situation, if emotions rather than full moons inspired a case of not-quite-lycanthropy? These aren't queries that most folks have thought of, but writer/director Domee Shi certainly has — and they're at the core of Pixar's Turning Red, her debut feature after winning an Oscar for 2018 short Bao, and a movie with particularly astute and endearing results. Where to watch: Streaming via Disney+, Google Play, YouTube Movies, iTunes and Prime Video. Read our full review.
At the moment, you can't go down to your local, order yourself a pint and chat with the bartender, but that doesn't mean you have to go thirsty. While you're at home, it could be a good chance to shake things up, sample new liquors, brews or wines instead of your go-to VB and even maybe brush up on your cocktail making skills. The only thing holding you back will be your supply — and right now, after a few weeks of staying at home more, we're betting it's looking a little lacklustre. One way of making sure your liquor cabinet is always well-stocked is signing up to an online subscription service — and in Australia there are many. Whether you're after wine, tinnies or whisky, a number of local booze subscription services are ensuring you don't go thirsty while social distancing. Here are eight of the best. CRAFT BREWS AND NATTY WINES FROM GOOD BOOZE PROJECT (MR WEST) Mr West is known for many things, but its bottle shop packed with craft beers and minimal-intervention wines is a standout. Previously, you had to visit the Melbourne bar to get said tipples, but now you can have them delivered with its subscription service, the Good Booze Project. Its mission is simple: deliver incredible booze to your door. So, expect to be sipping top-notch tipples from independent producers from around the globe. You can opt for boxes of three, six or 12 wines and six or 12 beers delivered to your door every month. There's the Explorer, Lover or Buff subscription levels for both wine and beer — and you can upgrade anytime. The Good Booze Project delivers across Australia and your box will arrive chilled every month, too, so you can crack open a cold one as soon as it hits your front porch. Right now, new members can nab a free Mr West crystal wine or beer glass pack (valued at $35), too — just enter SIGNMEUP at checkout. Plus, if you want something a little stronger to see you through iso, you can add on an order of Mr West's 1.5-litre 'bagnums' of negroni and espresso martini. For more information on the subscription levels and to sign up, head here. ARTISANAL GINS FROM GIN SOCIETY If you're a G&T person or a lover of a dry gin martini, look no further than Gin Society, which treats its subscribers to a full-sized bottle of a small-batch gin every two months. The company launched back in 2018 and features a range of local and international gins, with a focus on drops you won't find at your local bottle shop. Each time one of these hand-picked, premium gins lands at your doorstep, it'll be accompanied by an edition of Gin Journal magazine, too, featuring expert tasting notes, suggested cocktail recipes, bartender profiles, reviews and details about the gin's origins. Everything you need to ensure you enjoy that bottle of artisan booze to its fullest. So if you're not a gin whiz yet, you will be soon. The subscription will set you back $95 bimonthly, which includes a full-sized bottle of gin, the magazine, exclusive invitations to future Gin Society events and cost of delivery, no matter where you live in the country. Sign up for your bimonthly gin fix here. [caption id="attachment_765523" align="alignnone" width="1920"] Naked Wines[/caption] BOUTIQUE LOCAL VINOS FROM NAKED WINES Online cellar door Naked Wines launched in 2012 with the aim of connecting at-home wine drinkers with winemakers across Australia and New Zealand. Since then it's grown to include more than 53 winemakers, including the likes of Enfant Terrible from Adelaide Hills, Le Petit Mort from Queensland's Granite Belt and Hilltops, NSW, plus Blindside from Margaret River. So, if you're looking to stockpile your cellar, you could be doing it with some top-notch drops from around the country. Its subscription service is a little different to others, and instead of signing up for a delivery every so often, you become a 'wine angel' for $40 a month. The money will go into your Naked Wines account and you can spend it how you wish, plus get a stack of discounts, exclusive wines and a free bottle once a month, which you'll receive with your next purchase. You can get cases of six, 12 or 15 bottles delivered to your doorstep. And right now you can nab a $100-voucher to spend on a case if you're a first-time Naked Wines customer (and over 18). Just head here to make your purchase. If you're based in Sydney, Melbourne or Perth, your Naked Wines could be winging their way to you by the next working day. For Adelaide, Brisbane and Canberra, delivery is within two-to-four business days. It's also free delivery for members if you're in Melbourne, Sydney and Perth, however there are delivery costs of up to $20 outside of those cities. To order your first box — and get $100 to spend on it — head here, then sign up to become a wine angel. HARD-TO-FIND AND NEW-WORLD WHISKIES FROM WHISKY LOOT Keeping you suitably soused while you're stuck at home is Whisky Loot. And while it mightn't be new, there's never been a better time to get small-batch and hard-to-find whiskies delivered straight to your door. The monthly subscription service delivers a box of three 60-millilitre bottles, with a different theme every time, so you'll never drink the same tipple twice. The aim is to expand your palate and educate you along the way. So, if you're just entering the world of whisky or looking to sample something other than your go-to firewater, this is for you. As well as three tasty ambers, you'll receive expert tasting notes and a tasting journal (with your first box), both of which will help take you from whisky novice to aficionado. And although it's a subscription service, you can do it month-to-month, with no lock-ins. Best of all, Whisky Loot is offering $10 off your first order if you opt for the subscription, making it just $49 for your first round, which includes free standard shipping across Australia. All you have to do is enter SUPPORT5 at checkout. Plus, it'll be donating $5 from each box to Hospo Voice in support of the hospitality industry, which is doing it pretty tough right now. So, you can cheers to a good cause. For more information about Whisky Look and to sign up, head here. WINES PICKED BY TOP SOMMELIERS FROM THE BOROUGH BOX Pick this and you'll pretty much be getting the cream of the crop of natural wines, with Lo-Fi Wine directors James Audas (Noma) and Tom Sheer (Love, Tilly Devine) behind every box. This monthly vino subscription has just launched and features a range of sustainable, organic and biodynamic wines from every corner of the globe, with a particular focus on small-batch producers. So, expect Aussie favourites such as Good Intentions Wine Co, Das Juice, and Jauma alongside European wines, including Matassa (France), Lammidia (Italy), and Gut Oggau (Austria). Every box will contain six wines and contain one or two whites, one skin contact, one rosé, a couple of reds and occasionally a sparkling — though the ratios will vary. Plus, every bottle will come with information on where its from, who made it, what's in it and some tasting notes. You'll be spending $180 a month, but if you're a lover of minimal-intervention drops — and hate deciding which ones to buy — it's worth it. In April, deliveries will happen every Monday, then from May, you'll get your box on the first Monday of the month. Currently, The Borough Box is only available for delivery across Sydney and Melbourne. Keen to try some top-notch natty drops — every month? Head here to sign up. DIY COCKTAIL KITS FROM COCKTAIL PORTER Trying to up your bartending game? Enter Cocktail Porter. Founded Sydney's Cameron Northway (co-owner of Rocker), this at-home cocktail making subscription is sure to deliver the goods. The subscription works similarly to most DIY food delivery services, except with booze — and is available nationwide. You'll get fixings for a different seasonal drink delivered to your door, along with a recipe card, pre-measured ingredient and premium spirits, for $135, which may seem a lot to fork up at once but it'll make 14–18 cocktails (about a tenner each). Each month will feature a different cocktail, curated by world-class bartenders and based on "global drinking trends". In past months, there's been the likes of a treacle old fashioned with sweet Italian vermouth, burnt orange-vanilla syrup and cacao-macadamia bitters; a classic gin martini with your choice of flavoured vermouth; and a bloody mary with turmeric vinegar. If you're not ready to commit, Cocktail Porter also has a heap of one-of cocktail box options, includes a mini espresso martini kit for $69.95. If you're keen to get shaking and stirring, sign up here. WINE (YES, MORE!) FROM VINOMOFO Vinomofo has made a name for its not-so-snobby, fun approach to wine nerdery, since starting life in a tiny Adelaide garage back in 2011. Its sprawling online wine selection now caters to over 500,000 members worldwide. So it's safe to say it knows what it's doing when it comes to grape juice. There are two subscription packages to choose from — The Black Market ($139) and The Mofo Club ($179) — and you can opt to get them dropped off every one, two or three months. Each includes 12 wines, which is a bargain compared to some of others. While both packs are mixed, The Black Market features more reds; The Mofo is a mix or white and red wines, plus you'll get a link to some tasting notes so you can up your vino game as you sip away. It delivers across the country — and we mention you can get $25 off your first order if you sign up now? No? Just click here and you'll see. To sign up — and get $25 off your first order — head to Vinomofo's website. NEW-RELEASE AND CRAFT BREWS FROM BEER CARTEL Sydney-based beer haven Beer Cartel knows a thing or two about the big wide world of ales and lagers. And its not just a bricks-and-mortar bottle-o either, with its online store stocking over 1000 craft beers, handpicked from top breweries across Australia and overseas. And, if you're after regular beer deliveries, you can sign up to its Beer Club, which first began in a Kennards storage unit in 2009 and claims to be 'Australia's longest running beer subscription'. A The Bootlegger six-pack subscription deal will set you back $39.99 per month and will include three new releases and three of Beer Cartel's core range. The Speak Easy (12 beers) costs $69.99, with six new and six of the Cartel's go-to brews, while The Black Market pack features 12 new and super limited-release brews, which will cost $89.99. It ships Australia-wide, too, so if you can't make it down to the shops to stock up, these guys have got you covered. To join the club, head here. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
When JK Rowling dropped those last terrible three words on us at the close of Harry Potter and the Deathly Hallows, all was not well. It would never be well without Harry, Ron, Hermione fighting the Dark Lord in a series of fantastical and wholly engrossing scenarios. But little did we know, this would not be the end of the Age of Harry Potter. Thanks to the internet and the sheer demand for all things HP, Harry has lived on through new books, fan website Pottermore, film spinoff trilogy Fantastic Beasts and Where to Find Them, a series of film screenings accompanied by a live orchestra and all manner of pop-ups around the world. But one of the biggest things to come of the post-Harry Potter era has been Harry Potter and the Cursed Child, JK Rowling's West End play that's essentially the eighth book in the series. And now — are you ready for it, muggles? — producers Sonia Friedman and Colin Callender have announced that the acclaimed play will be making its way to Australia in early 2019. Harry Potter fandom aside, it's something all theatre-goers can get excited about. Since debuting in July 2016 the production has won 22 awards and has repeatedly sold out at London's Palace Theatre. It will head to Broadway next year, before gracing Melbourne's Princess Theatre in early 2019. So what exactly is The Cursed Child about? Well, it picks up 19 years after Harry Potter and the Deathly Hallows and that abominably cheery epilogue on Platform 9 3/4. Harry is now an overworked Ministry of Magic employee, and the play focuses on both him and his youngest son Albus Severus Potter as they grapple with the past and future. The production is presented in two parts, so you'll have to book into two performances, either on the same day (matinee and evening) or on consecutive evenings. Update, June 27, 2018: It was announced this morning that tickets for the Australian premiere of Harry Potter and the Cursed Child will go on sale at 9am (AEST) on Monday, August 6, 2018 via harrypottertheplay.com. Muggles can also follow that link to join the mailing list and receive priority booking access. The dates for the show, which will be shown exclusively in Melbourne at the Princess Theatre, have also been released, with preview performances running from January 16, 2019 to February 22, 2019 and regular performances running from February 25, 2019. Ticket prices will range between $65–175, with 40 seats priced at $40 released for every performance, too. For more information about the cheap ticket initiative, full dates and cast announcement keep an eye on the website. Image: Manuel Harlan. By Lauren Vadnjal and Nita Fredricks.
If 2015's slate of documentaries has taught audiences anything — and filmmakers, too — it's the value of personal recordings, private scribblings and lost tapes. Kurt Cobain: Montage of Heck, Amy and Listen to Me Marlon all used previously unheard ramblings, unread notes or unseen footage as their basis, all to great effect. Their accounts of famous subjects unfolded in the best manner possible: in their own unguarded words. Sourcing its treasure trove of audio from a shoebox stashed in a basement for decades, Peggy Guggenheim: Art Addict endeavours to do the same as it peers back at the achievements of its titular socialite and collector. Indeed, her musings, all immortalised in the late 1970s by her biographer, provide the highlights of an otherwise cursory film. Guggenheim is a fascinating figure who lived a life most can only dream of, and her personality drips through in her voice and recollections. The material assembled around it, while plentiful, can only feel ordinary in comparison. It traces over the same details, rather than filling in the gaps. Meanwhile, Guggenheim's own mutterings and the accompanying chats, clips and images, seem content with offering description rather than depth. They still tell quite the tale, of course. Born into one of New York's wealthiest Jewish families, the daughter of Titanic victim Benjamin and niece of museum namesake Solomon, Peggy eagerly took on the role of rebel and black sheep, with her refusal to conform to expectations one of the strengths of her ventures in the art world. In Paris in the 1920s, she started buying pieces that caught her eye, and continued to do so until her death in Italy in 1979. In between, she befriended many an artist, founded galleries in Europe and the US, saved pieces from the Nazis and unearthed emerging talent such as Jackson Pollock. When director Lisa Immordino Vreeland isn't letting Guggenheim do the talking, she's compiling the usual mix of archival footage and interviews, with Marina Abramovic and Robert De Niro among those featured. It's the same tactic the filmmaker used in her last effort, Diana Vreeland: The Eye Has to Travel — but while both movies are straightforward in their approach, there's considerably less energy and personality this time around. Vreeland's struggle with tone — never quite knowing whether to interrogate the gossip that surrounded Guggenheim's personal affairs or to simply recount the rumours — certainly contributes to the film's lack of liveliness, as does its insistence on serving up a standard biographical documentary instead of a true reflection of its subject. It still makes for pleasant-enough viewing, particularly for art addicts themselves, but it never manages to fully do Guggenheim justice. In fact, it's only her vocal presence that stops the movie from amounting to little more than an interesting video of a Wikipedia listing. Peggy Guggenheim: Art Addict will screen for a limited number of sessions at New Farm Cinemas during the last two weekends of January. For sessions times, go here.
The folks at BrisStyle are a rather busy bunch. A few times a year, they put on twilight markets in King George Square. Also on their agenda: a decluttering craft market. And, if you're particularly after a treasure trove of handmade goodies (and who isn't?), they're hosting another opportunity to browse and buy that's dedicated to those kinds of objects. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. While you're shopping, you'll also be able to grab a bite at the market's food precinct and listen to live tunes from local musos. The BrisStyle Handmade Markets will run three times in 2019, so mark your calendars now. Head along from 10am–6pm on selected Saturdays — on April 27, August 24 and December 7 — with it all taking place outside the State Library of Queensland. Image: BrisStyle.
This time last year, we'd all spent far too much time in front of our TVs. Sadly, that hasn't changed all that much in 2021. That's life during a pandemic — which means that you've likely rewatched all your favourite television shows, and possibly more than once, while we've all been spending more time indoors of late. There's nothing like getting cosy with a TV series you truly love, whether for the second, fifth, 11th or 20th time. But if you're always eager to add some fresh standouts to your viewing list, 2021 has definitely delivered plenty so far. They're the new series that'll sit atop your rewatch pile in years to come, because they're all just that exceptional. Love powerful dramas that interrogate the past? This year has served up those. Fancy smart new comedies with local ties? Yep, 2021 has thrust those in front of eyeballs, too. Also debuting over the past six months: new gems from the teams behind old favourites, twisty thrillers and more than a couple of series with casts that knock it out of the park. Yes, the list goes on. With the year at its halfway point, here are our picks of 2021's best new TV and streaming series that you owe it to yourself to seek out now. THE UNDERGROUND RAILROAD Two words: Barry Jenkins. Where the Oscar-nominated Moonlight director goes, viewers should always follow. That proved the case with 2018's If Beale Street Could Talk, and it's definitely accurate regarding The Underground Railroad, the phenomenal new ten-part series that features Jenkins behind the camera of each and every episode. As the name makes plain, the historical drama uses the real-life Underground Railroad — the routes and houses that helped enslaved Black Americans escape to freedom — as its basis. Here, though, drawing on the past isn't as straightforward as it initially sounds. Adapting Colson Whitehead's Pulitzer Prize-winning novel of the same moniker, the series dives deeply into the experiences of people endeavouring to flee slavery, while also adopting magic-realism when it comes to taking a literal approach to its railroad concept. That combination couldn't work better in Jenkins' hands as he follows Cora (Thuso Mbedu, Shuga), a woman forced into servitude on a plantation overseen by Terrance Randall (Benjamin Walker, Jessica Jones). As always proves the case in the filmmaker's work, every frame is a thing of beauty, every second heaves with emotion, and every glance, stare, word and exchange is loaded with a thorough examination of race relations in America. If something else this affecting reaches streaming queues in 2021, it'll be a phenomenal year for audiences. The Underground Railroad is available to stream via Amazon Prime Video. WHY ARE YOU LIKE THIS Named after a meme, and focusing on characters that can hardly be described likeable but are nonetheless instantly recognisable, Australian sitcom Why Are You Like This takes aim at 21st century life. Its three main figures are all twentysomethings endeavouring to navigate a never-ending onslaught of personal and professional problems, such as getting fired, battling with colleagues, money troubles, hiding boyfriends, losing moon cups and trying to spark a workplace revolution but ending up getting other people fired — so, yes, they're just like the rest of us. Penny (series co-creator Naomi Higgins, Utopia) wants to be an ally to everyone. Her bestie Mia (Olivia Junkeer, Neighbours) matches that determination with both self-assurance and a self-serving mindset; if she's sticking up for anyone, it's always herself. Rounding out the trio is Penny's housemate and aspiring drag queen Austin (Wil King), whose glittery outfits and super-sized personality can't always hide his internal crumbling. Across the show's six-episode first season, these three friends keep trying to stand out in their own ways. They also keep demonstrating both their best and worst traits. As satirical as it is candid and relatable, Why Are You Like This knows that everyone and everything is awful, and leans in. And, in terms of the series' style of comedy, the fact that Higgins created the show with lawyer and illustrator Humyara Mahbub and Aunty Donna's Mark Samual Bonanno says plenty. Why Are You Like This was available to stream earlier in 2021 via ABC iView — keep an eye on the platform in case it pops up again. Read our full review. IT'S A SIN More than two decades after creating Queer as Folk, Russell T Davies gives the television landscape another excellent queer drama. The screenwriter and television producer has been busy over the intervening period thanks to everything from Doctor Who to Years and Years — and he also has 2015's Cucumber to his name, too — but It's a Sin is one of the very best things on his lengthy resume. Stepping back to the AIDS crisis of the 80s and early 90s, the five-part miniseries follows a group of friends chasing their dreams in London. Ritchie (Olly Alexander, Penny Dreadful) heads to the city to become an actor, and to avoid telling his stern parents that he's gay. Roscoe (Omari Douglas) flees his parents' home when they keep threatening to take him back to Nigeria. Colin (Callum Scott Howells) arrives for an apprenticeship at a high-end tailor shop, but soon finds himself seeking an escape from his lecherous boss. Given the era, there's no doubting where the story will head. It's a Sin is as joyous and vibrant as it is soulful and heartbreaking, though. Ritchie, Roscoe and Colin not only cross paths, but form a makeshift family in their modest flat, with the former's college friends Jill (Lydia West, Dracula) and Ash (Nathaniel Curtis) rounding out the quintet. Neil Patrick Harris and Stephen Fry also feature, but they're never It's a Sin's stars — because, in series that looks and sounds the period part at every moment, the show's five main players are simply phenomenal. It's a Sin is available to stream via Stan. STARSTRUCK When Rose Matafeo last graced our screens, she took on pregnancy-centric rom-coms in 2020's Baby Done. Now, in Starstruck, she's still pairing the romantic and the comedic. In another thoughtful, plucky and relatable performance, she plays Jessie, a 28-year-old New Zealander in London who splits her time between working in a cinema and nannying, and isn't expecting much when her best friend and roommate Kate (Emma Sidi, Pls Like) drags her out to a bar on New Year's Eve. For most of the evening, her lack of enthusiasm proves astute. Then she meets Tom (Nikesh Patel, Four Weddings and a Funeral). He overhears her rambling drunkenly to herself in the men's bathroom, they chat at the bar and, when sparks fly, she ends up back at his sprawling flat. It isn't until the next morning, however — when she sees a poster adorned with his face leaning against his living room wall — that she realises that he's actually one of the biggest movie stars in the world. Yes, Starstruck takes Notting Hill's premise and gives it a 22-years-later update, and delivers a smart, sidesplittingly funny and all-round charming rom-com sitcom in the process. When a film or TV show is crafted with a deep-seated love for its chosen genre, it shows. When it wants to do more than just nod and wink at greats gone by like a big on-screen super fan — when its creators passionately hope that it might become a classic in its own right, rather than a mere imitation of better titles — that comes through, too. And that's definitely the case with this ridiculously easy-to-binge charmer. Starstruck is available to stream via ABC iView. Read our full review. WAKEFIELD Scroll through the list of Wakefield's cast members, and many a famous Australian name pops up. Ryan Corr (High Ground), Wayne Blair (Rams), Kim Gyngell (Brothers' Nest), Harriet Dyer (The Invisible Man), and comedians Felicity Ward and Sam Simmons are just some of them, but this ABC series belongs to phenomenal British talent Rudi Dharmalingam (The Split). With an Aussie accent so flawless that all other actors attempting the feat should study it in the future, he plays nurse Nik Katira. His workplace: the eponymous Wakefield, a mental health hospital in the Blue Mountains. Nik's days involve caring for his patients, navigating the usual workplace politics and grappling with his personal life, with all three often overlapping. That might sound like the usual medical drama, but Wakefield isn't ever as straightforward as it might appear. From its very first episode — one of five directed by The Dressmaker filmmaker Jocelyn Moorhouse, with the other three helmed by The Rocket's Kim Mordaunt — the series purposefully throws its viewers off-kilter. With roving cinematography and looping stories, it keeps everyone watching guessing, just as the figures within its frames are doing about their daily existence (including and sometimes especially Nik). Already set to be one of Australian TV's most impressive new series of the year — and likely the best of the year, too — Wakefield is gripping, twisty, powerful and almost devastatingly empathetic about a topic that is rarely handled with as much care and understanding. In other words, it's a knockout. Wakefield is available to stream via ABC iView. MARE OF EASTTOWN Kate Winslet doesn't make the leap to the small screen often, but when she does, it's a must-see event. 2011's Mildred Pierce was simply astonishing, a description that both Winslet and her co-star Guy Pearce also earned — alongside an Emmy each, plus three more for the HBO limited series itself. The two actors and the acclaimed US cable network all reteam for Mare of Easttown, and it too is excellent. Set on the outskirts of Philadelphia, it follows detective Mare Sheehan. As the 25th anniversary of her high-school basketball championship arrives, and after a year of trying to solve a missing person's case linked to one of her former teammates, a new murder upends her existence. Mare's life overflows with complications anyway, with her ex-husband (David Denman, Brightburn) getting remarried, and her mother (Jean Smart, Watchmen), teenage daughter (Angourie Rice, Spider-Man: Far From Home) and four-year-old grandson all under her roof. With town newcomer Richard Ryan (Pearce, The Last Vermeer), she snatches what boozy and physical solace she can. As compelling and textured as she always is, including in this year's Ammonite, Winslet turns Mare of Easttown into a commanding character study. That said, it's firmly an engrossing crime drama as well. Although yet again pondering the adult life of an ex-school sports star, The Way Back's Brad Ingelsby isn't just repeating himself by creating and writing this seven-part series, while The Leftovers and The Hunt's Craig Zobel takes to his directing gig with a probing eye. Mare of Easttown is available to stream via Binge. GIRLS5EVA First, a word of warning: the hit song that brought fictional late 90s/early 00s girl group Girls5eva to fame is such an earworm, you'll be singing it to yourself for weeks after you binge through the sitcom that bears their name. That's to be expected given that Jeff Richmond, the composer behind 30 Rock and Unbreakable Kimmy Schmidt's equally catchy and comedic tunes, is one of the talents behind it. Tina Fey and Robert Carlock produce the series, too, so you what type of humour you're in for. Starring Sara Bareilles (Broadway's Waitress), Busy Philipps (I Feel Pretty), Renée Elise Goldsberry (Hamilton) and the great Paula Pell (AP Bio), Girls5eva follows four members of the eponymous band two decades after their heyday. Their initial success didn't last, and life has left the now-fortysomething women at different junctures. Then a rapper samples their hit, they're asked to reunite for a one-night backing spot on The Tonight Show, and they contemplate getting back together to give music another shot. As well as being exceptionally well-cast and immensely funny, the series is also bitingly perceptive about stardom, the entertainment industry and the way that women beyond their twenties are treated. Also, when Fey inevitably pops up, she does so as a dream version of Dolly Parton — and it's as glorious as it sounds. Girls5eva is available to stream via Stan. Read our full review. CALLS Everyone has heard about the response that The War of the Worlds reportedly sparked back in 1938. That's when Orson Welles adapted HG Wells' novel into a radio play, and the result was so convincing that it reportedly incited panic among listeners. Watching Calls, it's easy to understand how. 'Watching' isn't exactly the right term for this mystery series, though. Like all those folks glued to their radios 83 years ago, Calls' audience is forced to listen intently. Indeed, in terms of visuals, the series only provides two types: words transcribing the conversations heard, and abstract visuals that move and shift with each sentence uttered and every suspenseful pause left lingering. Accordingly, focusing on the snippets of phone chats that tell the program's stories is what Calls is all about. Remaking the French show of the same name, and directed by Evil Dead and Don't Breathe's Fede Álvarez, something much more than a small-screen version of a story-fuelled podcast eventuates. A starry cast voices the chats — including everyone from Parks and Recreation duo Aubrey Plaza and Ben Schwartz to Wonder Woman 1984's Pedro Pascal and The Lodge's Riley Keough — but it's the tension and power of their words that leaves an impression. Each of the nine episodes tells a short story that eventually builds an overall picture, and getting caught up in them all is far easier than the underlying concept might initially make you think. Calls is available to stream via Apple TV+. MADE FOR LOVE When author Alissa Nutting penned Made for Love, no one needed to think too hard about her source of inspiration. Now bringing its tale to the small screen courtesy of the series of the same name, her story ponders one of the possible next steps in our technology-saturated lives. Hazel Green-Gogol (Cristin Milioti, Palm Springs) seems to live a lavishly and happily with her tech billionaire husband Byron (Billy Magnussen, Aladdin). They haven't left his company's desert campus in the entire ten years they've been married, in fact. The site is designed to cater for their every desire and whim, so they shouldn't need to go anywhere else — or that's how Byron views things, at least. Then his next big idea looks set to become a reality, and Hazel decides that she can't keep up the charade. She certainly doesn't want to be implanted with a chip that'll allow Byron to see through her eyes, access her feelings and always know where she is, and she's willing to take drastic actions to escape his hold over her life. Bringing the plot to the screen herself, Nutting favours a darkly comedic and sharply satirical vibe as she follows Hazel's quest for freedom, with Made for Love filled with blisteringly accurate insights into the tech-dependence that's become a regular part of 21st century existence. That said, the series wouldn't be the gem it is without Milioti, as well as Ray Romano (The Irishman) in a scene-stealing supporting part as Hazel's father. Made for Love is available to stream via Stan. LOS ESPOOKYS It has taken almost two years for the delight that is Los Espookys to reach Australian screens — and it'll take you less than three hours to binge its six-episode first season. This HBO comedy is both worth the wait and worth devouring as quickly as possible, though. The setup: horror aficionado Renaldo (Bernardo Velasco, Museo) wants to turn his obsession into his profession, so he starts staging eerie scenarios for paying customers, enlisting his best friend Andrés (Julio Torres, Shrill), pal Úrsula (Cassandra Ciangherotti, Ready to Mingle) and the latter's sister Tati (Ana Fabrega, At Home with Amy Sedaris) to help. Torres and Fabrega co-created the show with Portlandia and Saturday Night Live's Fred Armisen, who also pops up as Renaldo's parking valet uncle. This mostly Spanish-language series only uses its biggest name sparingly, however, because its key cast members own every moment. Following the titular group's exploits as they attempt to ply their trade, and to weave it into their otherwise chaotic lives, Los Espookys always manages to be both sidesplittingly hilarious and so meticulous in its horror references that it's almost uncanny. There's nothing on-screen quite like it and, thankfully, it has already been renewed for a second season. Los Espookys is available to stream via Binge. RUTHERFORD FALLS He co-wrote and produced The Office. He did the same on Parks and Recreation and Brooklyn Nine-Nine, which he co-created as well. And, he gave the world The Good Place — which makes Michael Schur one of the best in the business when it comes to kind-hearted, smart and savvy small-screen laughs. His new show, Rutherford Falls, continues the streak. Co-created with star Ed Helms and showrunner Sierra Teller Ornelas (Superstore), it also boasts his usual charm and intelligence and, as with all of the above programs, it's exceptionally well-cast. Plus, it's immensely easy to binge in just one sitting, because each one of its ten first-season episodes leave you wanting more. The setup: in the place that gives the sitcom its name, Nathan Rutherford (Helms, Aunty Donna's Big Ol' House of Fun) runs the local history museum. One of his descendants founded the town, and he couldn't be more proud of that fact. He's also very protective of the towering statue of said ancestor, even though it sits in the middle of a road and causes accidents. So, when the mayor (Dana L.Wilson, Perry Mason) decides to move the traffic hazard, Nathan and his overzealous intern Bobbie (Jesse Leigh, Heathers) spring into action. Nathan's best friend Reagan Wells (Jana Schmieding, Blast) helps; however, the Minishonka Nation woman begins to realise just how her pal's family have shaped the fate of her Native American community. Also featuring a scene-stealing Michael Greyeyes (I Know This Much Is True) as the enterprising head of the Minishonka Nation casino, Rutherford Falls pairs witty laughs with warmth and sincerity, especially when it comes to exploring the treatment of First Nations peoples in America today. Rutherford Falls is available to stream via Stan. Read our full review. THE SERPENT One day, Tahar Rahim will likely win an Oscar. He's that phenomenal an actor, as he has shown in everything from A Prophet, The Past and Daguerreotype to The Eddy and The Mauritanian. In The Serpent, however, he's never been more unsettling — but given that he's playing Charles Sobhraj, that comes with the territory. If the real-life French serial killer's name doesn't ring a bell, then this eight-part series will make sure you'll never forget it. The instantly riveting drama tells a grim true tale, and an unnerving one. With his girlfriend Marie-Andrée Leclerc (Jenna Coleman, The Cry) and accomplice Ajay Chowdhury (TV first-timer Amesh Edireweera), Sobhraj targeted young travellers in Bangkok and south Asia in the 70s — usually luring them in with a scam first, or trying to flat-out steal their money, then drugging them, killing them and stealing their passports. Ripper Street writers Richard Warlow and Toby Finlay intertwine Sobhraj, Leclerc and Chowdhury's murderous exploits with the efforts of Dutch diplomat Herman Knippenberg (Billy Howle, Star Wars: Episode IX — The Rise of Skywalker) to find two missing tourists. After being tipped off about two bodies by a loud-mouthed Australian in Thailand (Damon Herriman, Judy & Punch), Knippenberg begins to piece together the broader story. It's easy to feel just as he does while watching The Serpent, actually, because getting swept up in its distressing details is simply inevitable. The Serpent is available to stream via Netflix. Looking for more viewing highlights? Check out our list of film and TV streaming recommendations, which is updated monthly.
Choosing a birthday gift for your food-loving friends is easy. You just wine and dine them, meaning you both get to enjoy the spoils of dining out. But when it comes to the holiday season (AKA silly season), our calendars are already filled with parties, lunches, drinks and every other type of social occasion — and this year is tipped to be busier than most. So, what do you get them? After a year of being relatively housebound (or, at least, state-bound), it's time to up the ante by treating them to a full blown food-fuelled travel adventure. There's more to fancy big-city fine diners, after all. Dig a little deeper and you'll discover Australia's exceptional culinary offerings from country to coast. In partnership with Tourism Australia, we've rounded up ten gift-worthy dining (and wining) experiences to rock a food-lover's world, including everything from guided bush tucker tastings to sky-high feasts. You can bet they won't be forgetting these next-level presents in a hurry.
If his headline speaker gig at the first-ever SXSW Sydney filled Charlie Brooker with tech nightmare inspiration, viewers are about to reap the benefits: more Black Mirror is on its way. The dystopian anthology series released its sixth season in 2023, and now Netflix has renewed it for another batch of episodes. Imagining how humanity's use of technology can keep going wrong clearly hasn't met its limits yet. Variety reports that Black Mirror will start production on season seven before 2023 is out — but details from there are scarce. The number of instalments, who'll star and which storylines will feature haven't yet been revealed, but Brooker (Cunk on Earth) and fellow executive producers Annabel Jones (also Cunk on Earth) and Jessica Rhoades (Station Eleven) are expected to return. Locking in Black Mirror's next season so soon after its last is a contrast to the show's fate between season five and season six. After the former dropped its three episodes in 2019, fans were left waiting and wondering about more to come. Then, in 2022, word started circulating that the sixth season was in the works. In April 2023, the series' Twitter account posted "what have we missed?" — then the trailers started coming, ahead of season six's arrival in June. The show's most-recent instalments pondered streaming algorithms with Salma Hayek Pinault (Magic Mike's Last Dance) and Annie Murphy (Kevin Can F**k Himself), true crime with Samuel Blenkin (The Witcher: Blood Origin) and Myha'la Herrold (Bodies Bodies Bodies), and an alternative 1969 with Aaron Paul (Westworld), Josh Hartnett (Operation Fortune: Ruse de Guerre) and Kate Mara (Call Jane). Also on its list: a paparazzi tale with Zazie Beetz (Atlanta), Clara Rugaard (I Am Mother) and Danny Ramirez (Stars at Noon) — and the first Red Mirror episode, going full horror, with Anjana Vasan (Killing Eve), Paapa Essiedu (Men), Katherine Rose Morley (The Syndicate) and David Shields (Benediction). Season six was teased as "the most unpredictable, unclassifiable and unexpected season yet", which is saying something given everything that Black Mirror has thrown at the screen in past seasons (and in choose-your-own-adventure-style movie Black Mirror: Bandersnatch). And yes, Brooker does keep facing quite the challenge: making something that manages to be even more dispiriting than reality over the past few years. That's increasingly been one of the show's dilemmas — and noting that something IRL feels just like Black Mirror has become one of the cliches of our times — but clearly he has more ideas. There's no trailer yet for Black Mirror's seventh season, of course, but you can check out the trailer for season six below: Black Mirror season seven will stream via Netflix, but doesn't yet have a release date — we'll update you when one is announced. Read our review of season six, and our interview with Charlie Brooker. Via Variety. Images: Nick Wall / Netflix.
Brisbane based artist, Yanick Blattner, has been making waves within the art scene for quite some time now. The multi-disciplinary artist graduated with a Bachelor of Fine Art in 2013 and has produced several solo exhibitions including Point to Point, Never Odd or Even and It's all gone Shane Warne: 708 wickets in one hour. Check out some of the pieces from these exhibitions on his website. Blattner has been a busy man of late organising his latest exhibition, Low Blow. He is fascinated by the male identity, expression of aggression and the relationship between the humans and animals. All of these themes ooze into his work. At the core of Low Blow is Blattner's display of the similarities between man and beast through his stunning artworks. Opening hours are Thursday – Friday 11am – 5pm and Saturady 12pm – 4pm. Why not explore this interesting topic and get a little wild while perusing Yannick Blattner's latest body of work.
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we take you to the multi-award-winning Saffire Freycinet on Tasmania's East Coast. We've also teamed up with Saffire Freycinet to offer an unforgettable two-night stay in one of its Luxury Suites. The exclusive deal includes three meals at the private restaurants, complimentary lounge and minibar beverages and a $100 voucher to use on the hotel's spa treatments and signature experiences. This is peak treat-yourself stuff. WHAT'S SO SPECIAL? This Tassie hotel is like no other — from the panoramic views across the Hazards Mountains, Freycinet Peninsula and pristine waters of Great Oyster Bay to the hyper-personalised service, sleek design of the rooms and the long list of bespoke travel experiences. You'll pay handsomely to stay here, but it is totally worth it. Earmark Saffire Freycinet for the next time you're looking to spoil yourself silly. THE ROOMS This vast property has just 20 suites. Plus, the restaurant, bar and luxe spa are only accessible to hotel guests, so it often feels like you have the whole place to yourself. Each of the rooms looks out over the surrounding bay and mountains — seen through the floor-to-ceiling windows and private decks. Design-wise, the large suites are made up of an eclectic mix of traditional and contemporary fittings, with locally made timber pieces sitting alongside mid-century classics such as chairs designed by Charles and Ray Eames and Herman Miller. Super king beds (yes, they've super-sized the beds), double walk-in showers and deep baths, extensive complimentary mini-bars, bluetooth music systems, retractable LCD TVs, private courtyards and fast wifi are also on the menu at each accommodation. FOOD AND DRINK All things local are celebrated at Saffire Freycinet's two dining rooms. Palate Restaurant is home to an elegant degustation menu that changes every day depending on what's coming out of the nearby paddocks and waters. You always have the option to pair each course with a sustainably made Tassie wine, too. The Lounge is a little more laidback, offering up a space to chill with a book or quietly hang with your travel buddies. During the day, you can enjoy fresh local produce from the barbeque and outside terrace. And at night, the lounge livens up a little as guests mingle with evening canapes and pre-dinner drinks in hand. It's serving The White Lotus realness. THE LOCAL AREA This lavish hotel is set within Tasmania's Freycinet National Park, home to stunning vistas and a thriving local ecosystem — think koalas, roos and colourful birds rummaging around lush green forests. It is also home to some of the state's most famous beaches, mostly notably Wineglass Bay. The Saffire Freycinet team will help organise scenic flights over the area, guided hikes to some of the greatest vistas and boat trips for those wanting to sneak in some snorkelling and boat-side swimming. You can arrive at the hotel by air or via the Great Eastern Drive. During this road trip, you'll pass by several wineries with cellar doors and eateries such as Devil's Corner, Spring Vale, Craigie Knowe, Milton, and the famous Kate's Berry Farm in Swansea. Hobart is also just a 2.5-hour drive away, so you can easily stop by the city for a couple of days before or after your stay. THE EXTRAS Saffire Freycinet has won award after award for its extensive list of luxury travel experiences — easily added to any stay. Each of the 14 unique activities focuses on connecting guests to place through nature, culture and produce. You can do some beekeeping on the property, taste fresh oysters at its own oyster farm (with sparkling wine in hand, of course), join one of the small group (or private) cruises of the area, quad bike around the mountains with a guide and learn how to fly-fish in the Currawong Lakes. Follow these food, culture and adventure tours with a late afternoon spa sesh. Get a massage, scrub or facial before soaking in a bath overlooking the natural surroundings. This is an unbelievably dreamy place. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world.
Wearable technology has been around for a few years now, but hasn't really taken off. Google Glass tried to get everyone to stick a computer on their face, while the Apple Watch attempted to move smartphones onto everyone's wrists; however, as cool and suitably futuristic as both are, they're hardly must-have gadgets. Enter Snapchat, their first foray into the hardware realm, and the pair of sunnies everyone's going to want. We'll let you ponder that concept for a few moments, because sunglasses that record 10-second bursts of video sound both amazing and familiar, and not just because there's been a rumour that Snapchat has been working on something like this floating around for a while now. Called Spectacles and revealed by The Wall Street Journal in an interview with Snapchat CEO Evan Spiegel, they're basically a cheaper version of Google's eyewear with one specific function; but hey, letting everyone do something they already could in a slightly different way has worked out pretty well for them so far, hasn't it? As well as turning the act of taking photos into a mostly hands-free task (unless you can press buttons with your mind, you're still going to have to lift a finger to the frames to start each clip, sadly), Spectacles boast two major drawcards. Firstly, they look like regular glasses, rather than Robocop-like attire, complete with black, teal and coral styles. And even better, they're going to be affordable, at US$130 a pair. Other features include a 115-degree lens designed to mimic the human field of vision, as well as the ability to capture circular images to approximate our natural perspective. And yes, everything you record with your new toy will then upload to your Snapchat account, after connecting to your phone via wifi. No word as yet regarding an Aussie release date, but a limited number are due out in the US sometime over the next couple of months. Via The Wall Street Journal. Image: Business Insider.
Need an extra sweet escape? To celebrate National Donut Day, held on Friday, June 6, Donut King has teamed up with luxury hotel brand Ovolo Hotels to create the 'Hot Cinni Hotel'. This collaboration is perhaps not what you'd normally expect for such an occasion. However, it quickly becomes obvious that this promotion hasn't cut any corners when it comes to fostering suite dreams. In an immersive hotel takeover, the heritage-listed Ovolo Woolloomooloo will see two of its elegant suites transformed into cinnamon doughnut-filled luxury stays. Decked out with shimmering pink accents, cinnamon-painted walls, colourful pop art and a Donut King-inspired bed adorned with plush fabrics, the 'Hot Cinni Suite' experience is like no other. Yet this doughnut-led experience goes beyond mere design. Guests will also see the suite filled with cinnamon doughnut-inspired scents and services, from aromatic diffusers and bathroom amenities to pink art-deco glassware and deluxe towels. Best of all, an exclusive room service offering means hot cinnamon doughnuts will arrive at your door with just the push of a button. That all sounds a little bonkers, but don't think the hotel is finished yet. Donut King and Ovolo Hotels have extended the fun to other areas of the hotel, with every guest invited to get amongst the celebration. In the lobby, pink and cinnamon lighting pay homage to the humble cinnamon doughnut, while the hotel's resident mixologist has created the Cinnitini — a spice-forward cocktail. Also in the bar, discover special nibbles like Donut King cinnamon doughnuts with dulce de leche; cauliflower bites with cinnamon-laced mayo; and chicken skewers with cinnamon barbecue sauce. As for other guests who happen to book a stay at Ovolo Woolloomooloo during this limited-time activation, they're welcome to order room service doughnuts for free. Just know, bookable stays for the Hot Cinni Hotel are only available from Friday, June 6–Sunday, June 9. "Partnering with Donut King to offer our guests an undeniably exhilarating and unexpected culinary experience during their stay is a sweet deal," says James Clark, General Manager at Ovolo Sydney. "We're constantly exploring new experiences for our guests to enhance their stay, and we believe they will absolutely crave and love this limited yet delightfully sweet addition." Bookings for the Hot Cinni Hotel open from Thursday, May 29 at 9am, with stays available from Friday, June 6–Sunday, June 9. Head to the website for more information.
This post is sponsored by our partners, lastminute.com.au. Luxury isn't the first thing that comes to mind when you think about Western Australia. The general impression is that it's filled with sharks, snakes, and all manner of things that can kill you. But really, it's home to some of the country's most spectacular sites and tourist attractions as well as luxurious hotels. Not only do these places have nets and fences to keep the snakes out, they do it in style. Berkeley River, Broome You know a place is fancy when you can't even get to it by car. To set foot upon the lavish ground of Berkeley River, you must arrive by air or water — a task assisted by the float plane that transports registered guests. While up in the air, you'll also have a moment to appreciate the beautiful surrounds. Situated on the Kimberley Coast, this hotel has 20 ocean views including the Timor Sea, Reveley Island and the mouth of the stunning Berkeley River. Injidup Spa Retreat, Yallingup Who better to specialise in spa and relaxation than Western Australians? In summer, it already feels a little like a sauna, and there's nowhere better than a spa bath to wash away all that red dirt. Injidup Spa Retreat is just that — a retreat. A member of the Small Luxury Hotels of the World, this hotel is an adults-only experience founded on the principles of tranquility and privacy. Guests are all offered spacious and secluded villas with private plunge pools and panoramic views of the Indian Ocean and, better yet, the wineries of Margaret River are right at your doorstep. Pullman Resort Bunker Bay, Dunsborough While you're in the wine region (if you're lucky enough to be pulling some sort of luxury-resort pub crawl), Pullman Resort Bunker Bay is well worth the visit. Located south-west of Perth, this five-star resort has taken out the top prize from the Australian Hotels Association as Best Resort-Style Accommodation, and has 150 luxurious studios and villas to fill all your exotic, leisurely needs. Swimming pool? Check. Spa? Check. Tennis Courts? Check. Access to one of the most beautiful beaches in the country? Yep. Protected by the Cape Naturaliste Peninsula, Bunker Bay has the most startlingly clear and azure water you'll ever see. Even if there were sharks, you'd see them coming a mile off. Crown Metropol Perth Hotels like this are a rarity in Australia. Overlooking the Swan River, Crown Metropol Perth proves that you really can have the exotic island life with all the perks of being in the city. While this luxury hotel has regular rooms suitable to corporate or basic traveller, it also boasts private cabanas, a day spa, a fitness centre and a huge resort-style pool. Seriously — look at that pool. It alone is worth the trip. Cable Beach Club Resort & Spa, Broome Cable Beach is known for the extraordinary. The water is clear and stunning, the weather is always superbly warm, and there's the opportunity to ride camels along the sand. Camels! They're native to Australia, but I doubt most of us have ever seen one, let alone felt its galumphing hooves under us. Cable Beach Club Resort & Spa is the only resort overlooking this magical beach, and it's pretty impressive in its own right. With studios, bungalows, private villas and suites, all set alongside gorgeous, tranquil gardens, the resort echoes the nature of the region well — tranquil, spectacular and happily out of the ordinary. Book your next WA escape now at lastminute.com.au.
Popularity and greatness aren't the same thing, especially in art, but it's always nice when one — or some — of the movies that are getting audiences flocking to cinemas are among the year's best. 2023 managed that feat with Barbie and Oppenheimer. Across 2024's first six months, Dune: Part Two is leading the charge, and spicily. So, if you did see the latest trip to Arrakis at your local picture palace, you saw one of the highlights of the year so far. The newest exploits of House Atreides and the Fremen fuel just one of 2024's standouts starring Zendaya. Tennis love-triangle drama Challengers, the other, is also merely one of the new flicks this year to feature Josh O'Connor, too — as folks who caught Italian gem La Chimera know. As with every year, this turn of the calendar has been filled with filmic variety, including among the movies that we should all be talking about well into the future. Some won Oscars. Others would've in different years. Some unpack icons. Others demonstrate why particular actors are icons. Some whisk audiences back to the past. Others feel like reliving a memory. Even at 2024's midpoint, whittling down the top silver-screen releases so far isn't an easy task. It's true now as it always is no matter the year: more than 15 excellent features have debuted on screens Down Under between January–June, whether they were brand-new around the world or just new to us after premiering elsewhere in 2023. The absolute best of the best demand an immediate rewatch. They delight, surprise, challenge and engage. Give them another spin — or, if you missed them to-date, a first look — and you're in for a helluva ace viewing experience. Perfect Days When Lou Reed's 'Perfect Day' enjoyed its initial sublime movie moment in Trainspotting, it soundtracked a descent into heroin's depths, including literally via the film's visual choices. For three decades since, that's been the tune's definitive on-screen use. Now drifts in Perfect Days, the Oscar-nominated Japan-set drama from German filmmaker Wim Wenders (Submergence). This slice-of-life movie takes its name from the song. It also places the iconic David Bowie-produced classic among the tracks listened to by toilet cleaner Hirayama (Kôji Yakusho, Vivant) as he goes about his daily routine. Fond of 60s- and 70s-era music, the Tokyo native's picks say everything about his mindset, both day by day and in his zen approach to his modest existence. 'Perfect Day' and Nina Simone's 'Feeling Good' each also sum up the feeling of watching this gorgeous ode to making the most of what you have, seeing beauty in the everyday and being in the moment. Not every tune that Hirayama pops into his van's tape deck — cassettes are still his format of choice — has the same type of title. Patti Smith's 'Redondo Beach', The Animals' 'The House of the Rising Sun', Otis Redding's '(Sittin' on) The Dock of the Bay' and The Rolling Stones' '(Walkin' Thru the) Sleepy City' also rank among his go-tos, all reflecting his mood in their own ways. If there's a wistfulness to Hirayama's music selections, it's in the manner that comes over all of us when we hark back to something that we first loved when we were younger. Perfect Days' protagonist is at peace with his life, however. Subtly layered into the film is the idea that things were once far different and more-conventionally successful, but Hirayama wasn't as content as he now is doing the rounds of the Japanese capital's public bathrooms, blasting his favourite songs between stops, eating lunch in a leafy park and photographing trees with an analogue camera. Read our full review. Love Lies Bleeding In Love Lies Bleeding, a craggy ravine just outside a dusty New Mexico town beckons, ready to swallow sordid secrets in the dark of the desert's starry night. Tumbling into it, a car explodes in flames partway through the movie, exactly as the person pushing it in wants it to. There's the experience of watching Rose Glass' sophomore film emblazoned across the feature's very frames. After the expertly unsettling Saint Maud, the British writer/director returns with a second psychological horror, this time starring Kristen Stewart in the latest of her exceptionally chosen post-Twilight roles (see: Crimes of the Future, Spencer, Happiest Season, Lizzie, Personal Shopper, Certain Women and Clouds of Sils Maria). An 80s-set queer and sensual tale of love, lust, blood and violence, Love Lies Bleeding is as inkily alluring as the gorge that's pivotal to its plot, and as fiery as the inferno that swells from the canyon's depths. This neon-lit, synth-scored neo-noir thriller scorches, too — and burns so brightly that there's no escaping its glow. When the words "you have to see it to believe it" also grace Love Lies Bleeding — diving into gyms and in the bodybuilding world, it's no stranger to motivational statements such as "no pain no gain", "destiny is a decision" and "the body achieves what the mind believes" — they help sum up this wild cinematic ride as well. Glass co-scripts here with Weronika Tofilska (they each previously penned and helmed segments of 2015's A Moment in Horror), but her features feel like the result of specific, singular and searing visions that aren't afraid to swerve and veer boldly and committedly to weave their stories and leave an imprint. Accordingly, Love Lies Bleeding is indeed a romance, a crime flick and a revenge quest. It's about lovers on the run (Ant-Man and the Wasp: Quantumania's Katy O'Brian pairs with Stewart) and intergenerational griminess. It rages against the machine. It's erotic, a road trip and unashamedly pulpy. It also takes the concept of strong female leads to a place that nothing else has, and you do need to witness it to fathom it. Read our full review, and our interview with Rose Glass. The Zone of Interest Quotes and observations about evil being mundane, as well as the result when people look the other way, will never stop being relevant. A gripping, unsettling masterpiece, The Zone of Interest is a window into why. The first film by Sexy Beast, Birth and Under the Skin director Jonathan Glazer in more than a decade, the Holocaust-set feature peers on as the unthinkable happens literally just over the fence, but a family goes about its ordinary life. If it seems abhorrent that anything can occur in the shadow of any concentration camp or site of World War II atrocities, that's part of the movie's point. It dwells in the Interessengebiet, the 40-square-kilometre-plus titular area that comprised and surrounded the Auschwitz complex, to interrogate how banal genocide was to those in power; commandant Rudolf Höss (Christian Friedel, Babylon Berlin), even gloats that his name will be remembered and celebrated for its connection to mass extermination. Höss was a real person, and the real Nazi SS officer overseeing Auschwitz from 1940–43. His wife Hedwig (Sandra Hüller, Anatomy of a Fall) and five children are similarly drawn from truth. But The Zone of Interest finds its way to the screen via Martin Amis' fiction novel of the same name, then hones its interest down from the book's three narrators to the Höss family; a biopic, it isn't, even as it switches its character monikers back to reflect actuality. This is a work of deep probing and contemplation — a piece that demands that its viewers confront the daily reality witnessed and face how the lives of those in power, and benefiting from it, thrived with death not only as a neighbour but an enabler. Camp prisoners tend the Höss' garden. Ashes are strewn over the soil for horticultural effect. Being turned into the same is a threat used to keep the household's staff in line. All three of these details, as with almost everything in the feature, are presented with as matter-of-fact an air as cinema is capable of. Read our full review. Anatomy of a Fall A calypso instrumental cover of 50 Cent's 'P.I.M.P.' isn't the only thing that Anatomy of a Fall's audience won't be able to dislodge from their heads after watching 2023's deserving Cannes Film Festival Palme d'Or-winner. A film that's thorny, knotty and defiantly unwilling to give any easy answers, this legal, psychological and emotional thriller about a woman on trial for her husband's death is unshakeable in as many ways as someone can have doubts about another person: so, a myriad. The scenario conjured up by writer/director Justine Triet (Sibyl) is haunting, asking not only if her protagonist committed murder, as the on-screen investigation and courtroom proceedings interrogate, but digging into what it means to be forced to choose between whether someone did the worst or is innocent — or if either matters. While the Gallic legal system provides the backdrop for much of the movie, the real person doing the real picking isn't there in a professional capacity, or on a jury. Rather, it's the 11-year-old boy who loved his dad, finds him lying in the snow with a head injury outside their French Alps home on an otherwise ordinary day, then becomes the key witness in his mum's case. Also impossible to forget: the performances that are so crucial in telling this tale of marital and parental bonds, especially from one of German's current best actors and the up-and-coming French talent playing her son. With her similarly astonishing portrayal in The Zone of Interest, Toni Erdmann and I'm Your Man's Sandra Hüller is two for two in movies that initially debuted in 2023; here, she steps into the icy and complicated Sandra Voyter's shoes with the same kind of surgical precision that Triet applies to unpacking the character's home life. As Daniel, who couldn't be more conflicted about the nightmare situation he's been thrust into, Milo Machado Graner (Alex Hugo) is a revelation — frequently via his expressive face and posture alone. If Scenes From a Marriage met Kramer vs Kramer, plus 1959's Anatomy of a Murder that patently influences Anatomy of a Fall's name, this would be the gripping end result — as fittingly written by Triet with her IRL partner Arthur Harari (Onoda: 10,000 Nights in the Jungle). Read our full review. Priscilla Yearning to be one of the women in Sofia Coppola's films is futile, but for a single reason only: whether she's telling of teenage sisters, a wife left to her own devices in Tokyo, France's most-famous queen, the daughter of a Hollywood actor, Los Angeles high schoolers who want to rob, the staff and students at a girls school in the American Civil War, a Manhattanite worried that her husband is being unfaithful or Priscilla Presley, as the writer/director has across eight movies to-date, no one better plunges viewers into her female characters' hearts and heads. To watch the filmmaker's span of features from The Virgin Suicides to Priscilla is to feel as its figures do, and deeply. The second-generation helmer is an impressionistic great, colouring her flicks as much with emotions and mood as actual hues — not that there's any shortage of lush and dreamy shades, as intricately tied to her on-screen women's inner states, swirling through her meticulous frames. Call it the "can't help falling" effect, then: as a quarter-century of Coppola's films have graced screens, audiences can't help falling into them like they're in the middle of each themselves. That's still accurate with Priscilla, which arrives so soon after Elvis that no one could've forgotten that the lives of the king of rock 'n' roll and his bride have flickered through cinemas recently. Baz Luhrmann made his Presley movie in Australia with an American (Austin Butler, The Bikeriders) as Elvis and an Aussie (Olivia DeJonge, The Staircase) as Priscilla. Coppola crafted hers in North America with a Brisbanite (Jacob Elordi, Saltburn) in blue-suede shoes and a Tennessee-born talent (Cailee Spaeny, Mare of Easttown) adopting the Presley surname. The two features are mirror images in a hunk of burning ways, including their his-and-hers titles; whose viewpoint they align with; and conveying what it was like to adore Elvis among the masses, plus why he sparked that fervour, compared to expressing the experience of being the girl that he fell for, married, sincerely loved but kept in a gilded cage into she strove to fly free. Read our full review, and our interview with Cailee Spaeny. Robot Dreams Heartbreak is two souls wanting nothing more than each other, but life having other plans. So goes Robot Dreams, another dialogue-free marvel from Spanish filmmaker Pablo Berger, who had audiences feeling without words uttered with 2012's Blancanieves — and showed then with black and white imagery, as he does now with animation, that he's a master at deeply expressive visual storytelling. His fourth picture as a director was nominated for Best Animated Feature at the 2024 Academy Awards. In most years, if it wasn't up against Studio Ghibli's The Boy and the Heron, it would've taken home the Oscar. It earns not just affection instead, but the awe deserved of a movie that perfects the sensation of longing for someone to navigate life with, finding them, adoring them, then having fate doing what fate does by throwing up complications. Usually this would be a boy-meets-girl, boy-meets-boy or girl-meets-girl story. Here, it's a dog-meets-robot tale. The time: the 80s, with nods to Tab and Pong to prove it. The place: a version of Manhattan where anthropomorphised animals are the only inhabitants — plus mechanised offsiders that, just by placing an order and putting together the contents of the package that arrives, can be built as instant friends. Eating macaroni meals for one and watching TV solo in his small East Village apartment each evening, Dog is achingly lonely when he orders his Amica 2000 after seeing an infomercial. As he tinkers to construct Robot, pigeons watch on from the window, but they've never been his company. Soon exuberantly strutting the streets hand in hand with his maker, the android is a dream pal, however, this kismet pairing isn't what gives Robot Dreams its name. Read our full review. Civil War Civil War is not a relaxing film, either for its characters or viewers, but writer/director Alex Garland (Men) does give Kirsten Dunst (The Power of the Dog) a moment to lie down among the flowers. She isn't alone among this stunning movie's stars on her stomach on a property filled with Christmas decorations en route from New York to Washington DC. Also, with shots being fired back and forth, no one is in de-stressing mode. For viewers of Dunst's collaborations with Sofia Coppola, however — a filmmaker that her Civil War co-star Cailee Spaeny just played Priscilla Presley for in Priscilla — the sight of her face beside grass and blooms was always going to recall The Virgin Suicides. Twenty-five years have now passed since that feature, which Garland nods to as a handy piece of intertextual shorthand. As the camera's focus shifts between nature and people, there's not even a tiny instant of bliss among this sorrow, nor will there ever be, as there was the last time that Dunst was framed in a comparable fashion. Instead, Civil War tasks its lead with stepping into the shoes of a seasoned war photographer in the middle of the violent US schism that gives the movie its name (and, with January 6, 2021 so fresh in everyone's memories, into events that could very well be happening in a version of right now). The US President (Nick Offerman, Origin) is into his third term after refusing to leave office, and the fallout is both polarising and immense. Think: bombed cities, suicide attackers, death squads, torture, lynchings, ambushes, snipers, shuttering the FBI, California and Texas inexplicably forming an alliance to fight back, Florida making its own faction, journalists killed on sight, refugee camps, deserted highways, checkpoints, resistance fighters, mass graves and, amid the rampant anarchy, existence as America currently knows it clearly obliterated. (Asking "what kind of American are you?" barely seems a stretch, though.) The front line is in Charlottesville, but Dunst's Lee Smith is destined for the White House with Reuters reporter Joel (Wagner Moura, Mr & Mrs Smith), where they're hoping to evade the lethal anti-media sentiment to secure an interview with the leader who has torn the country apart. Read our full review. La Chimera It's a film about searching for treasure, and it is indeed a treasure. La Chimera is also dreamy in its look and, while watching, makes its viewers feel as if they've been whisked into one. There's much that fantasies are made of in writer/director Alice Rohrwacher's fourth feature, which follows Corpo Celeste, The Wonders and Happy as Lazzaro — God's Own Country breakout and The Crown star Josh O'Connor leading the picture as a British archaeologist raiding tombs in 80s-era Italy chief among them. Thinking about Lara Croft, be it the game, or the Angelina Jolie (in 2001 and 2003 flicks)- or Alicia Vikander (2018's Tomb Raider)-led movies, is poking into the wrong patch of soil. Thinking instead about the way that life is built upon the dead again and again, and upon unearthed secrets as well, is part of what makes La Chimera gleam. Rohrwacher's latest, which also boasts her Happy as Lazzaro collaborator Carmela Covino as a collaborating writer — plus Marco Pettenello (Io vivo altrove!) — resembles an illusion not just because it's a rare mix of both magical-realist and neorealist in one, too (well, rare for most who aren't this director). In addition, this blend of romance and drama alongside tragedy and comedy sports its mirage-esque vibe thanks to being so welcomely easy to get lost in. As a snapshot of a tombaroli gang in Tuscany that pilfers from Etruscan crypts to try to get by, it's a feature to dig into. As an example of how poetic a film can be, it's one to soar with. The loose red thread that weaves throughout La Chimera's frames, intriguing folks within the movie, also embodies how viewers should react: we want to chase it and hold on forever, even as we know that, as the feature's 130 minutes tick by, the picture is destined to slip through our fingers. Read our full review. The Taste of Things Cooking is an act of precision. It's also one of feeling. On the movie that nabbed him the Best Director award at the 2023 Cannes Film Festival, Trần Anh Hùng (Éternité, Norwegian Wood) helms with the same care, spirit and emotion that his characters display in the kitchen. The Taste of Things' audience has a front-row seat to both, as this 1885-set French picture begins with dishes upon dishes being whipped up and the feature's gaze, via cinematographer Jonathan Ricquebourg (Final Cut), lenses their creation intimately and sumptuously. The film's extraordinary opening 30 minutes-plus, as the camera is trained on the stove and counter with slight detours around the room to collect or wash ingredients, is meticulously crafted and at the same time instinctual. Think: the sensations of observing the finest of fine-dining chefs and being a child watching your grandmother make culinary magic, as nearly every kid has, all rolled into one appetising introductory sequence. In the home of gourmand Dodin Bouffant (Benoît Magimel, The King of Algiers), and in its heart, his personal chef Eugénie (Juliette Binoche, The New Look) is so skilled and fastidious that she'd do small-screen hit The Bear proud; she's clearly a conjurer of the culinary arts, too. Hùng and Ricquebourg — the latter a well-deserving Lumiere Award-winner for his efforts here — are methodical with the choreography of setting the scene, while equally deeply immersed in the flow of the kitchen's tasks. As soundtracked by chirping birds, if this was The Taste of Things for 135 minutes and not just half an hour-ish, it'd remain a mesmerising movie. (A word of warning: eat before viewing, lest hunger pangs not just simmer but boil over.) Adapting 1924 novel The Passionate Epicure: La Vie et la Passion de Dodin-Bouffant, Gourmet by epicure Marcel Rouff as he scripts and directs, Hùng does more than fashion among the most-handsomely staged and shot imagery of a meal coming to life, but his approach to this entrée establishes the flavour. Read our full review. Dune: Part Two Revenge is a dish best served sandy in Dune: Part Two. On the desert planet of Arrakis, where golden hills as far as the eye can see are shaped from the most-coveted and -psychedelic substance in author Frank Herbert's estimation, there's no other way. Vengeance is just one course on Paul Atreides' (Timothée Chalamet, Wonka) menu, however. Pop culture's supreme spice boy, heir to the stewardship of his adopted realm, has a prophecy to fulfil whether he likes it or not; propaganda to navigate, especially about him being the messiah; and an Indigenous population, the Fremen, to prove himself to. So mines Denis Villeneuve's soaring sequel to 2021's Dune, which continues exploring the costs and consequences of relentless quests for power — plus the justifications, compromises, tragedies and narratives that are inescapable in such pursuits. The filmmaker crafts his fourth contemplative and breathtaking sci-fi movie in a row, then, after Arrival and Blade Runner 2049 as well. The vast arid expanse that constantly pervades the frames in Dune: Part Two isn't solely a stunning sight. It looks spectacular, as the entire feature does, with Australian cinematographer Greig Fraser (The Creator) back after winning an Oscar for the first Dune; but as Paul, his widowed mother Lady Jessica (Rebecca Ferguson, Silo), and Fremen Stilgar (Javier Bardem, The Little Mermaid) and Chani (Zendaya, Euphoria) traverse it, it helps carve in some of this page-to-screen saga's fundamental ideas. So does the stark monochrome when the film jumps to Giedi Prime, home world to House Harkonnen, House Atreides' enemy, plus Arrakis' ruler both before and after Paul's dad Duke Leto (Oscar Isaac, Spider-Man: Across the Spider-Verse) got the gig in Villeneuve's initial Dune. People here are dwarfed not only by their mammoth surroundings, but by the bigger, broader, non-stop push for supremacy. While there's no shortage of detail in both Part One and Part Two — emotional, thematic and visual alike — there's also no avoiding that battling against being mere pawns in an intergalactic game of chess is another of its characters' complicated fights. Read our full review, and our interview with Greig Fraser. The Promised Land The transfixing terrain of Mads Mikkelsen's face has been cast against formidably frosty and inhospitable climes before, weathering mirroring weathering. Sporting a piercing and determined glint in his eye, the Danish acting great has previously surveyed the Scandinavian landscape, too, seeing possibility where others spot peril. It was true in Arctic, in Valhalla Rising and now in The Promised Land: there's no stare as mesmerisingly resolute as his. When Ludvig Kahlen, Mikkelsen's latest character, insists that he can do what no one else has done — to begin with: settling the heath on the heather-covered Jutland moorland and building a colony for the king, a feat considered virtually impossible in the mid-18th century — doubting him isn't a possibility for anyone in the movie's audience. The BAFTA-nominated Another Round star has danced in historical drama territory for his countryman director Nikolaj Arcel in the past as well, with the pair reteaming after 2012's Oscar-nominated A Royal Affair. A different king sits on the throne in this film, Frederick V instead of Christian VII; however, the regal shadow remains inescapable. This time, Mikkelsen and Arcel tell not of a doctor influencing a monarch and a country, but of a soldier aligning his quest for a better future with a sovereign's wish, and learning what it means to chase a dream only to realise that you need something less tangible. Kahlen's attempt to farm land considered barren is equally a battle against entitlement and arrogance thanks to his clash with Frederik de Schinkel (Simon Bennebjerg, Borgen), a cruel local magistrate who contends that the king's land is his own — and feels far enough away from Copenhagen for there not to be any consequences for his claim. Read our full review. Challengers Tennis is a game of serves, shots, slices and smashes, and also of approaches, backhands, rallies and volleys. Challengers is a film of each, too, plus a movie about tennis. As it follows a love triangle that charts a path so back and forth that its ins and outs could be carved by a ball being hit around on the court, it's a picture that takes its aesthetic, thematic and emotional approach from the sport that its trio of protagonists are obsessed with as well. Tennis is everything to Tashi Duncan (Zendaya, Dune: Part Two), Art Donaldson (Mike Faist, West Side Story) and Patrick Zweig (Josh O'Connor, La Chimera), other than the threesome themselves being everything to each other. It's a stroke of genius to fashion the feature about them around the game they adore, then. Metaphors comparing life with a pastime are easy to coin. Movies that build such a juxtaposition into their fabric are far harder to craft. But it's been true of Luca Guadagnino for decades: he's a craftsman. Jumping from one Dune franchise lead to another, after doing Call Me By Your Name and Bones and All with Timothée Chalamet, Guadagnino proves something else accurate that's been his cinematic baseline: he's infatuated with the cinema of yearning. Among his features so far, only in Bones and All was the hunger for connection literal. The Italian director didn't deliver cannibalism in Call Me By Your Name and doesn't in Challengers, but longing is the strongest flavour in all three, and prominent across the filmmaker's Suspiria, A Bigger Splash and I Am Love also. So, combine the idea of styling a movie around a tennis match — one spans its entire duration, in fact — with a lusty love triangle, romantic cravings and three players at the top of their field, then this is the sublime end product. Challengers is so smartly constructed, so well thought-out down to every meticulous detail, so sensual and seductive, and so on point in conveying Tashi plus Art and Patrick's feelings, that it's instantly one of Guadagnino's grand slams. Read our full review, as well as what Zendaya, Josh O'Connor and Mike Faist had to say about the film when they were in Australia. All of Us Strangers As Fleabag knew, and also Sherlock as well, Andrew Scott has the type of empathetic face that makes people want to keep talking to him. Playing the hot priest in Phoebe Waller-Bridge's (Indiana Jones and the Dial of Destiny) acclaimed comedy, he was the ultimate listener. Even as the Moriarty to Benedict Cumberbatch's (The Wonderful Story of Henry Sugar) Holmes, and with a game always afoot, conversation flowed. All of Us Strangers puts this innate air — this sensation that to be in Scott's company is to want to unburden yourself to his welcoming ears — at its tender and feverishly beating heart, this time with Paul Mescal (Foe) as one of his discussion partners. Dreamy and contemplative, haunting and heartfelt, and also delicate and devastating, the fifth film by Weekend and 45 Years writer/director Andrew Haigh, which is his first since 2017's Lean on Pete, is stunningly cast with Scott in seeing-is-feeling mode as its isolated screenwriter protagonist alone. That Scott is joined by Mescal, Claire Foy (Women Talking) and Jamie Bell (Shining Girls) gives All of Us Strangers one of the finest four-hander casts in recent memory. Awards bodies clearly agree, with nods going around for everyone (alongside wins for Best Film and Best Director, the British Independent Film Awards gave all four of the feature's core cast members nominations, with Mescal scoring the Best Supporting Performance trophy, for instance). Haigh isn't merely preternaturally talented at picking the exact right actors to play his on-screen figures, but it's one of his most-crucial skills, as every performance in his latest shattering picture demonstrates. It comes as no surprise that Scott, Mescal, Foy and Bell are all excellent. It's similarly hardly unexpected that Haigh has made another movie that cuts so emotionally deep that viewers will feel as if they've been within its frames. Combine these stars with this filmmaker, though, and a feature that was always likely to combine its exceptional parts into a perfect sum is somehow even more affecting and astonishing. Read our full review. How to Have Sex Movies don't have pores, but How to Have Sex might as well. Following a trip to Greece with three 16-year-old best friends who want nothing more than to party their way into womanhood — and to get laid, too — this unforgettable British drama is frequently slick with sweat. Perspiration can dampen someone when they're giddily excited about a wild getaway, finishing school and leaving adolescence behind. It can get a person glistening when they're rushing and drinking, and flitting from pools and beaches to balconies and clubs. Being flushed from being sozzled, the stickiness that comes with expending energy, the cold chill of stress and horror, the fluster of a fluttering heart upon making a connection: they're all sources of wet skin as well. Filmmaker Molly Manning Walker catalogues them all. Viewers can see the sweat in How to Have Sex, with its intimate, spirited, like-you're-there cinematography. More importantly, audiences can feel why protagonist Tara (Mia McKenna-Bruce, Vampire Academy) is perspiring, and the differences scene to scene, even when she's not quite sure herself. How to Have Sex also gets those watching sweating — because spying how you've been Tara, or her pals Em (debutant Enva Lewis) and Skye (Lara Peake, Halo), or lads Badger (Shaun Thomas, Ali & Ava) and Paddy (Samuel Bottomley, The Last Rifleman) in the neighbouring resort unit, is inescapable. Walker has been there herself, with parts of her debut feature as a writer and director drawn from her own time as a Tara, Em or Skye while also making the spring break and Schoolies-like pilgrimage from England to the Mediterranean. When the movie doesn't lift details directly from her own experience, it shares them with comparable moments that are virtually ripped from western teendom. One of the feature's strokes of genius is how lived-in it proves, whether Tara and her mates are as loud and exuberant as girls are when their whole lives are ahead of them, its main character is attempting to skip her troubles in a sea of strobing lights and dancing bodies, or slipping between the sheets — but not talking about it — is changing who Tara is forever. Read our full review, and our interview with Molly Manning Walker. Drive-Away Dolls No one might've thought of Joel and Ethan Coen as yin and yang if they hadn't started making movies separately. Since 2018's The Ballad of Buster Scruggs, their latest feature together as sibling filmmakers, the elder of the Coen brothers went with Shakespearean intensity by directing 2021's The Tragedy of Macbeth on his lonesome — while Ethan now opts for goofy, loose and hilariously sidesplitting silliness with Drive-Away Dolls. The pair aren't done collaborating, with a horror flick reportedly in the works next. But their break from being an Oscar-winning team has gifted audiences two treats in completely different fashions. For the younger brother, he's swapped in his wife Tricia Cooke, editor of The Big Lebowski, O Brother, Where Art Thou? and The Man Who Wasn't There, on a picture that couldn't slide more smoothly onto his resume alongside the madcap antics that the Coens combined are known for. Indeed, spying shades of the first of those two features that Cooke spliced in Drive-Away Dolls, plus Raising Arizona, Fargo and Burn After Reading as well, is both easy and delightful. As a duo, the Coen brothers haven't ever followed two women through lesbian bars, makeout parties and plenty of horniness between the sheets, though, amid wall dildos and other nods to intimate appendages, even if plenty about the Ethan-directed, Cooke-edited Drive-Away Dolls — which both Ethan and Cooke co-wrote — is classic Coens. There's the road-trip angle, conspiracy mayhem, blundering criminals in hot pursuit of Jamie (Margaret Qualley, Poor Things) and Marian (Geraldine Viswanathan, Cat Person), dumb men (those crooks again) in cars and just quirky characters all round. There's the anarchic chases, witty yet philosophical banter and highly sought-after briefcase at the centre of the plot, too. And, there's the fact that this is a comedic caper, its love of slapstick and that a wealth of well-known faces pop up as the zany antics snowball. The Joel-and-Ethan team hasn't made a film as sapphic as this, either, however, or one that's a 90s-set nod to, riff on, and parody of 60s- and 70s-era sexploitation raucousness. Read our full review, and our interview with Ethan Coen and Tricia Cooke.
If you're planning on spending a Saturday with a beer in your hand, then one Fortitude Valley establishment has you covered. Admittedly, serving up pints is what Bloodhound Bar does every day of the week; however in honour of Brewsvegas, they're bringing back their beloved beer fest, adding it to the city-wide celebration, and making an extra special occasion of it. At the fourth Hopfields, they're also making an occasion out of showcasing hops, without which we wouldn't have the brews we know and love. With that in mind, expect all the tasty ales from around the world that you could dream of — and plenty you've likely never heard of, too — including limited releases, launches of new beers and one-offs brewed especially for the event, plus a slew of classics. Check out the drinks list and start salivating. With names like Sparkle Muffin, Alligator Tugboat, Unicorn Tears and 'Morning Blend' Coffee Milkshake IPA on the menu, you're going to want to try them all. Save some room for the cocktails though, with the humble hop flower given its moment to shine in all its forms.
Brisbane's dining scene has matured into something confident, layered and unmistakably its own. The city no longer feels like it's trying to catch up – it's setting its own rhythm, driven by chefs who understand produce, restraint and how to create atmosphere as much as flavour. From intimate tasting-menu destinations and heritage-bistro revivals to riverfront institutions and fire-fuelled showstoppers, these restaurants represent the breadth of what Brisbane does best right now. Some are refined and hushed, others are generous and loud. All are worth booking ahead. Recommended reads: The Best Waterfront Venues in Brisbane The Most Romantic Restaurants and Bars in Brisbane Brisbane's Best Dog-Friendly Bars, Cafes and Restaurants
Something delightful has been happening in cinemas across the country. After periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — at present, spanning both big chains and smaller independent sites in Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. BLACK WIDOW Closure is a beautiful thing. It's also not something that a 24-film-and-growing franchise tends to serve up often. Since 2008, the Marvel Cinematic Universe has operated with the opposite aim — extending and expanding the series at every turn, delivering episodic instalments that keep viewers hanging for the next flick, and endeavouring to ensure that the superhero saga blasts onwards forever. But it's hard to tick those boxes when you're making a movie about a character whose fate is already known. Audiences have seen where Natasha Romanoff's (Scarlett Johansson, Marriage Story) story finishes thanks to Avengers: Endgame, so Black Widow doesn't need to lay the groundwork for more films to follow. It's inexcusable that it has taken so long for the assassin-turned-Avenger to get her own solo outing. It's indefensible that this is just the second Marvel feature to solely focus on a female figure, too. But, unlike the missed opportunity that was Captain Marvel, Black Widow gives its namesake a thrilling big-screen outing, in no small part because it needn't waste time setting up a Black Widow sequel. Instead, the pandemic-delayed movie spends its 143 minutes doing what more MCU flicks should: building character, focusing on relationships, fleshing out its chosen world and making every inch of its narrative feel lived-in. The end result feels like a self-contained film, rather than just one chapter in a never-ending tale — which gives it the space to confidently blend family dramas with espionage antics, and to do justice to both parts of that equation. Sporting an impressive cast that also includes Florence Pugh (Little Women), David Harbour (Stranger Things) and Rachel Weisz (The Favourite), Black Widow begins in 1995, in small-town Ohio. Here, Harbour and Weisz play Alexei and Melina, parents to young Natasha (Ever Anderson, Resident Evil: The Final Chapter) and Yelena (Violet McGraw, Doctor Sleep), and the portrait of all-American domesticity — or that's the ruse, at least. The film doesn't revel in small-town life, neighbourhood playtimes, 'American Pie' sing-alongs and an existence that could've been ripped from The Americans for too long, however, with the quartet soon en route back to Russia via Cuba at shady puppetmaster Dreykov's (Ray Winstone, Cats) beckoning. When the action then jumps forward to 2016, and to the aftermath of that year's Captain America: Civil War, Natasha hasn't seen her faux family for decades. On the run from the authorities, she isn't palling around with the Avengers, either, with the superheroes all going their separate ways. Then the adult Yelena (Pugh) reaches out, because she too has fled her own powers-that-be: Dreykov, the fellow all-female hit squad she's been part of for the last 21 years, and the mind-control techniques that've kept her compliant and killing. There's an unmistakable air of Bourne and Bond to Black Widow from there, but this deftly satisfying flick doesn't trade the MCU's blueprints for other franchises' templates. With Australian filmmaker Cate Shortland (Somersault, Lore and Berlin Syndrome) in the director's chair, this welcome addition to the franchise spins a thoughtfully weighty story about women trapped at the mercy of others and fighting to regain their agency. Read our full review. THE SPARKS BROTHERS "All I do now is dick around" is an exquisite song lyric and, in Sparks' 2006 single 'Dick Around', it's sung with the operatic enthusiasm it demands. It's also a line that resounds with both humour and truth when uttered by Russell Mael, who, with elder brother Ron, has been crafting art-pop ditties as irreverent and melodic as this wonderful track since 1969. Sparks haven't been dicking around over that lengthy period. They currently have 25 albums to their name, and they've taken on almost every genre of music there is in their highly acerbic fashion. That said, their tunes are clearly the biggest labour of love possible, especially as the enigmatic duo has always lingered outside the mainstream. They've had some chart success, including mid-70s hit 'This Town Ain't Big Enough for the Both of Us', Giorgio Moroder collaboration and disco standout 'The Number One Song in Heaven', and the supremely 80s 'Cool Places'. They're beloved by everyone from Beck and 'Weird Al' Yankovic to Jason Schwartzman and Mike Myers, too. They're the band that all your favourite bands, actors and comedians can't get enough of, but they're hardly a household name — and yet, decade after decade, the Maels have kept playing around to make the smart, hilarious and offbeat songs they obviously personally adore. Everyone else should love Sparks' idiosyncratic earworms as well — and, even for those who've never heard of the band before, that's the outcome after watching The Sparks Brothers. Edgar Wright, one of the group's unabashed super fans, has turned his overflowing affection into an exceptional documentary. It's the Shaun of the Dead, Hot Fuzz and Baby Driver's first factual effort, and it's even more charming and delightful than the films he's best known for. That said, it'd be hard to mess up a movie about Sparks, purely given how much material there is to work with. Russell and Ron, the former sporting shaggier hair and the latter donning a pencil-thin moustache rather than the Charlie Chaplin-style top lip he's brandished for much of his career, are also heavenly interviewees. That's the thing about these now-septuagenarian siblings, every Sparks tune they've ever blasted out into the world, and this comprehensive yet always accessible film that's instantly one of 2021's best: they're all joyously, fabulously, eccentrically fun to an infectious and buoyant degree. The world has always needed more Sparks on a bigger stage; now, to the benefit of everyone that's ever loved them and anyone just discovering them, it's stopped dicking around and is finally delivering Read our full review. DATING AMBER "You look like a shit version of that guy from Blur". Before his reluctant first kiss, they're the exact words that the shy Eddie (Fionn O'Shea, Normal People) hears from the gum-chewing Tracey (Emma Willis, Vikings) — and the rest of their behind-the-building encounter, which is the result of pure peer pressure from Eddie's bullying classmates and zero actual desire on his own part, goes just as well. Afterwards, he soon finds himself face to face with another girl from his grade. This time, the similarly picked-on Amber (Lola Petticrew, A Bump Along the Way) has a far different assessment. In fact, she has a proposal, suggesting that they start dating each other to stop their peers from constantly taunting them about their sexuality. She's gay, she's picked that Eddie is as well, and this arrangement will help them stay in the closet in County Kildare circa 1995 until they finish the school year, graduate, and then both chase different futures. Plucky, no-nonsense and enterprising — she makes cash by renting out caravans in the park her widowed mother (Simone Kirby, Calm with Horses) runs to teens looking for somewhere to have sex — Amber wants to move to London to open "an anarchist bookshop with franchise potential". Quiet, determined to convince himself and the world that he's straight, and accustomed to tiptoeing around his parents' (This Way Up's Sharon Horgan and Extra Ordinary's Barry Ward) unhappy marriage, Eddie is training to join the military just like his dad, a path he clearly doesn't really want to follow. A warm and witty hormone-fuelled coming-of-age tale about seeking happiness, following your heart and breaking free of others' expectations, Dating Amber charts Eddie and Amber's faux relationship — including the camaraderie they feel as they play their parts, the comic subterfuge that comes with pretending they're the school's hottest couple, and the complications that spring the longer their charade continues. In another rom-com, this charming pair would simply be the queer best friends always by the straight protagonist's side, but thankfully that isn't the film that writer/director David Freyne brings to the screen. Instead, making his second feature after impressive zombie flick The Cured (and demonstrating his ability to hop seamlessly between genres in the process), the Irish filmmaker crafts a movie that's tender, thoughtful, perceptive and hilarious. His knack for 90s-era teen dialogue helps every exchange feel authentic, especially in the schoolyard. Even with the picture clocking in at a mere 92 minutes, the time and space he gives his central characters, as well as their hopes, dreams, fears and yearnings, is always noticeable. He helms a sunny but never visually glossy movie, too; however, alongside his insightful screenplay, he's served best by his core duo. In this amusing and astute gem, O'Shea and Petticrew put in wonderfully nuanced and layered performances that bring depth and emotion to every frame, and give them both a strong calling card for future roles. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; May 6, May 13, May 20 and May 27; June 3, June 10, June 17 and June 24; and July 1. You can also read our full reviews of a heap of recent movies, such as Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down, The Perfect Candidate, Those Who Wish Me Dead, Spiral: From the Book of Saw, Ema, A Quiet Place Part II, Cruella, My Name Is Gulpilil, Lapsis, The Conjuring: The Devil Made Me Do It, Fast and Furious 9, Valerie Taylor: Playing with Sharks, In the Heights, Herself and Little Joe.
Remember how it rained all last winter? Well get set for another rainy season, folks: as I write this I'm looking out on to a rain-sodden Oxford Street. What with Sydney being all about beaches and carousing in the sun, we seem to cope less well with the wet and the cold. But there's so much this city has to offer, and in particular when it's miserable out and the nights get too cold to venture outdoors, one of the nicest things to do is hang out with a book. Or better yet, hang out in one of Sydney's lovely independent bookshops, which we should all be supporting. With this in mind, we present to you our pick of Sydney's ten best bookstores. 1. Gertrude & Alice Where: 46 Hall St, Bondi Beach Wall to wall books. Books from ceiling to floor, interspersed with communal tables. Gertrude & Alice is what Shakespeare's is to Paris, and provides a welcome haven amongst the surfers and backpackers of Bondi Beach. The food served is fresh and universally excellent, and it's one of the best places to go if you're feeling a bit lonesome, because the welcoming communal tables ensure that you'll always feel at home. Named after Gertrude Stein and Alice B. Toklas, the famous expat American couple who encouraged the careers of Hemingway and Henry Miller, amongst others, there's a lot of heart to this place, as well as lovely velvet sofas and delicious chai. They also boast a Hemingway room, quieter and lined with reference books and the perfect place to woo another attractive bookworm. 2. Better Read Than Dead Where: 265 King Street, Newtown I have spent a lot of money in this place. I only realised how many times I was in there over the summer when one of the sales girls said to me "You're in here all the time, and I've always wanted to say I really like your dresses." Which was lovely to hear, because the rest of my scanty budget goes towards dresses. Better Read Than Dead have one of the best staff recommendation systems around, and they'll often hook you up with things you'll love forever which you'd never find on your own. Everyone working there is incredibly helpful and chatty if you engage with them, but they'll otherwise leave you to your own devices. Close to Camperdown Memorial Park, one of the nicest things to do when it's sunny is to get yourself a book and find a tree to lie under and read. 3. Berkelouw Books Where: 19 Oxford Street, Paddington, 8 O'Connell Street, Newtown, 70 Norton Street Leichhardt and 708 New South Head Road, Rose Bay Berkelouw are kind of everywhere right now - seriously, there's one adjacent to a carpark in Cronulla. But each of them feels individual, and each of them are awesome. The better branches of Berkelouw are the older ones: Paddington and Leichhardt, as well as the newer, but adorable, Newtown branch. Berkelouw comes with a cafe and comfy leather couches for you to squish up in and read for hours, and there's also a separate second hand section which is always worth a look. I would personally recommend the Newtown Berkelouw, if only because of its close proximity to T2 and Guzman y Gomez, it's welcome student discount, and the fact that the first time I went in they were playing The Smiths. 4. Gould's Book Arcade Where: 37 King St, Newtown You cannot argue with this place. It is the undisputed king of second-hand books in Sydney. You could disappear into this place and never come out again. I would wager you could find a gateway to Narnia in Gould's. With a liberally relaxed policy when it comes to organisation, you'll find Marxist histories of industrial labour sitting side by side with a 1996 travel guide to Slovakia. But stick around for a couple of hours (and you can, it's open until midnight, after all) you'll find treasure for a pittance. At the centre of the store was, until his death in May of 2011, Bob Gould himself, the silvery-bearded stalwart of Sydney's sixties counter-culture who was once arrested for his anti-Vietnam and anti-establishment activities. 5. Kinokuniya Where: Level 2 The Galleries, 500 George Street, Sydney Kinokniuya is the only big chainstore included on the list, but this list would be nothing without it. The Japanese bookstore giant believes in promoting art and culture, not just hocking the best-selling pulp-literary tat to people, and has been one of the most welcome additions to the city in the past few years. Kinokuniya is awesome - it has everything, the stuff you can't find anywhere else, ever. You can spend hours hanging out in the light-filled building which overlooks the criss-crossing pedestrian traffic of the George and Park Street intersection. It boasts an entire Japanese section, the best range of graphic novels and manga and an incredible range of art and design books, as well as every kind of fiction under the sun. Kinokuniya also features an in-store gallery to showcase emerging artists. 6. Gleebooks Where: 49 Glebe Point Road, Glebe, 536 Marrickville Rd, Dulwich Hill and 191 Glebe Point Road, Glebe (Antiquarian & Second-Hand) Gleebooks is a Sydney institution. The city's most reliable independent bookseller for many years, they stock an unbelievably vast range of books; fiction and non-fiction alike, and often play host to talks by international and national figures, including The Chaser boys. When they talk about independent booksellers being in peril, you know that Gleebooks will be the last to go. Its second-hand and children's sections are located further up Glebe Point Road, and are completely worth the walk up the hill. Also, a Dulwich Hill branch recently opened up which is a very welcome addition to an often neglected portion of the Inner West. 7. Ariel Books Where: 42 Oxford St, Paddington and 103 George Street, The Rocks Ariel have a fantastic selection of art, architecture and design books adorning their shelves. The shop's interior is open and clean, although there are some delightful lanterns which pretty up the place, and it has the benefit of being open until midnight. Mostly it's the awesome range of books and the atmosphere of the place which makes Ariel so nice, but you can also get yourself a Moleskine, some Mexican kitsch ornaments or some chocolate, if they take your fancy. A stone's throw away from the College of Fine Arts and on the edge of the city's hipster quarters, the place is filled with a mix of spaced-out locals, art school kids and some very attractive bookish types. 8. Sappho Books, Cafe & Wine Bar Where: 51 Glebe Point Road, Glebe Sappho's is a cafe and wine bar as well as a second-hand bookshop, and has the loyal custom of many of the local Sydney University students. The pokey little shop has a huge range of books on every subject matter and has been hosting regular poetry nights for the last couple of years. You're always certain to find what you're looking for, and often in really nice editions: some of the copies from the '50s and '60s you'll find are so nice you'll want to frame them. This is also the only place on this list where you can sit with a book and a glass of wine, or a jug of sangria, until the wee hours under the shade of the jasmine and banana trees. 9. Ampersand Cafe Bookstore Where: 78 Oxford St, Paddington So easy to miss amongst the tumultuous crowds on Oxford Street, Ampersand is bigger than it looks from the street and a haven away from the city and the crowds. With a good range of second-hand books tucked away across three floors and offering amazing, cheap first-edition copies of books like The Master & Margarita and The Human Stain, Ampersand also wins on the coffee front - it is truly excellent. Downstairs is a communal table if you feel like making some friends, or you're perfectly welcome to hang out on your own. 10. Journeys Bookstore & Cafe Where: 127 Trafalgar Street, Annandale Journeys is another very cute bookstore and cafe, housed in a converted terrace, where you're invited to flip through the pages of books while sipping some tea. The titles are all handpicked, and there'a seriously good travel section. Upstairs is the best bit, a bright airy room decked out with comfy couches, and surrounded by seven bookcases. Each case represents a region of the world, and you'll find travel guides, history, fiction and travel literature to match every country in that part of the world. If you wish you were elsewhere there's no better place to imagine it.
Back in 2010, Ryan Gosling starred in a crime drama called All Good Things, playing a real estate heir suspected to be behind his wife's disappearance, as well as other murders. It isn't a highlight on his resume, but you'll see the feature very differently once you've watched six-part HBO docuseries The Jinx: The Life and Deaths of Robert Durst — because Gosling's character is based on Durst, and because filmmaker Andrew Jarecki directed both the movie and the series. True crime isn't a new genre, but The Jinx proved one of its big hitters when it was initially released in 2015. While it was originally airing, Durst was arrested on murder charges, with the criminal proceedings still ongoing to this day. Jarecki's series draws upon more than 20 hours of interviews with Durst, conducted over a number of years, and it'll drop you right into the middle of a twisty case. The minutiae is best experienced by watching, but the show's finale isn't easily forgotten.
After shooting Elvis on the Gold Coast, Baz Luhrmann dubbed the Queensland city "Goldiewood". For four days in February 2024, the coastal spot will certainly become the centre of the Aussie film and television industry when the Australian Academy of Cinema and Television Arts sweeps into town. As well as hosting its annual awards, AACTA will put on a festival around the accolades — and after announcing its first program details in 2023, that lineup has just expanded. A series of free outdoor film screenings, a Yellowjackets Q&A, and chats with the teams behind Colin From Accounts and The Lost Flowers of Alice Hart lead the new additions for AACTA Festival, which takes place from Thursday, February 8–Sunday, February 11 at HOTA, Home of the Arts. For those keen to see a flick under the stars, you have three options, all with Aussie ties. Of course Barbie tops the list, as part of a barbecue bash where dressing up is highly encouraged — cinephile Barbie, anyone? — and there will indeed be the appropriate food spread. Also hitting the screen: a 25th-anniversary screening of 10 Things I Hate About You, celebrating the Heath Ledger-starring film, this time with a 90s shindig. And, rounding out the movies is The Greatest Showman, complete with Australian filmmaker Michael Gracey on hand to introduce the Hugh Jackman (Faraway Downs)-led flick. Yellowjackets fans, get excited about Aussie actors Courtney Eaton (Mad Max: Fury Road) and Liv Hewson (Party Down), aka teen Lottie and teen Van, talking about the series — including its cliffhangers and supernatural elements. Leah Purcell (Shayda) will discuss The Lost Flowers of Alice Hart, while the Colin From Accounts chat will feature producers Ian Collie and Rob Gibson (who both also worked on Scrublands) ahead of season two's arrival. [caption id="attachment_894476" align="alignnone" width="1920"] Kailey Schwerman/SHOWTIME.[/caption] Now that the AACTA nominations have been announced — which hadn't happened before AACTA Festival's first lineup drop — sessions where you can meet both the film and TV contenders have been added as well. Exactly who'll be attending hasn't been revealed as yet, however. Also joining the bill is music by Sunny Luwe, Kent Dustin and Alisha Todd; panels about streaming's future and screen trends in general; and a speed-networking session for women in the industry. AACTA Festival already boasts a heap of other highlights, all surrounding AACTA's Industry Awards on Thursday, February 8 and then its main glittering ceremony on Saturday, February 10. If Talk to Me creeped its way onto your list of favourite Australian horror movies, directors Michael and Danny Philippou will dive into it. Warwick Thornton is also on the lineup to discuss The New Boy as part of the fest's 'meet the creators' events, as are the teams behind Limbo, Sweet As and The Newsreader. Trent Dalton will talk about the Boy Swallows Universe TV series — and, giving the event one of its international standouts, Lessons in Chemistry's Bonnie Garmus is on the bill as well. There's also behind-the-scenes explorations of The Matrix, the stunts of Mad Max: Fury Road and, for some more overseas flavour, Spider-Man: Across the Spider-Verse's animation. Or, enjoy a chat with Wellmania and The Way We Wore's Celeste Barber about her career, then find out more about Aussie-made Robbie Williams biopic Better Man and the sequel to Mortal Kombat. AACTA Festival will run from Thursday, February 8–Sunday, February 11 at HOTA, Home of the Arts, 135 Bundall Road, Surfers Paradise Gold Coast. For further details, head to the fest's website.
What's better than one queer-focused film festival each year? Two, of course. That's always been the motto of the the Sydney-based Queer Screen, which puts together the Mardi Gras Film Festival during the first half of every year and then gives cinephiles the Queer Screen Film Fest to close out the annual calendar. Two fests are still on the agenda in 2021 — but, after MGFF paired in-cinema sessions with an online program, QSFF will only be screening online. Running from Thursday, September 16–Sunday, September 26, the latter is popping up while Sydney is in lockdown, so you'll have plenty of viewing options from your couch. And, it'll be playing virtually nationally, letting fans of LGBTIQA+ flicks tune in Australia-wide. More than 40 films are on the bill, spanning new highlights and a few favourites that've graced Queer Screen's two fests in previous years. Among movies from 17 countries and in 18 languages, new standouts include François Ozon's 80s-set Summer of 85, about a two teens and their summer fling; Taiwanese drama Dear Tenant, which explores the experience of being a gay man in the country today; Lola, an award-winner that focuses on a trans girl and her estranged father on a trip to the Belgian coast; and A Sexplanation, which ponders the stigma that still surrounds talking about sexuality. And, from the past standouts, lesbian rom-com Signature Move, Germany's acclaimed Free Fall and Wild Nights with Emily, about poet Emily Dickson, all feature.
"When was the last truly fucking nasty, nasty, bad pop girl?" the latest teaser trailer for The Idol asks. Whatever the answer to that question IRL, it seems that HBO viewers — and subscribers to Binge in Australia and Neon in New Zealand — are about to meet someone who earns that description on-screen come June. After dropping sneak peeks since July 2022, the US cable channel's new music industry-set series finally has a release date. And, of course, another glimpse at what's to come. That celebrity is Jocelyn, as played by Voyagers' Lily-Rose Depp. She's quite the big deal, but a nervous breakdown got in the way of her last tour. Now she's back — and she wants be known as the greatest and sexiest pop star in America again. As the new trailer shows, nightclub impresario Tedros (Abel Tesfaye, aka The Weeknd) just might be a part of that big return. There's a whole lot of parties, drugs, attractive actors and drama in The Idol's teasers so far, which hardly comes as a surprise given that Sam Levinson is one of its creators alongside The Weeknd. By now, audiences know that when something on HBO proves a huge hit, the network goes all in. One case in point: all things Game of Thrones, including House of the Dragon, plus the hefty list of other spinoffs also in the works. Another example: Euphoria, which Levinson is best known for, and appears to share its vibe with The Idol. Here, there's complicated relationships, too. Jocelyn and Tedros' time together is complicated by his sordid past, for instance, but also might gift her with a romantic awakening. Where the show goes from there will start to be revealed from Monday, June 5 Down Under, after it premieres at 2023's Cannes Film Festival. The Idol's stacked cast also includes Red Rocket's Suzanna Son, Boy Erased's Troye Sivan, Schitt's Creek's Dan Levy, singer-songwriter Moses Sumney, BLACKPINK's Jennie Kim, Only Murders in the Building's Da'Vine Joy Randolph, Hacks' Jane Adams, Bodies Bodies Bodies' Rachel Sennott and Inglourious Basterds' Eli Roth. Also set to pop up in the series: Hank Azaria (Hello Tomorrow!), Hari Nef (The Marvellous Mrs Maisel), Steve Zissis (Happy Death Day 2U), Melanie Liburd (This Is Us), Tunde Adebimpe (Marriage Story), Elizabeth Berkley Lauren (Saved By the Bell) and Nico Hiraga (Booksmart), plus Anne Heche (All Rise) in what'll be one of her last performances. When it was originally announced in November 2021, The Idol was set to span six episodes, all filmed in Los Angeles — with She Dies Tomorrow's Amy Seimetz directing every single one. But back in April 2022, it was revealed that Seimetz had left the project and reshoots were underway as a result. How that'll impact the end product is obviously yet to be seen, but the teasers so far should have you intrigued anyway. And, so should the fact that A24 are also behind it, after 2023's already-stellar Beef. Check out the latest teaser trailer for The Idol below: The Idol will premiere on Binge in Australia and Neon in New Zealand on Monday, June 5.. Images: Eddy Chen/HBO.
Something delightful is happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are starting to reopen — spanning both big chains and smaller independent sites in Sydney and Brisbane (and, until the newly reinstated stay-at-home orders, Melbourne as well). During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made over the past three months, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=W-fxRXzfi0U KAJILLIONAIRE When Evan Rachel Wood played a troubled teen in 2003's Thirteen, the then 16-year-old received a Golden Globe nomination. For her work in Westworld since 2016, she has nabbed multiple Emmy nods. So when we say that the actor puts in her best performance yet in Kajillionaire — the type of portrayal that deserves several shiny trophies — that observation isn't made lightly. Playing a 26-year-old con artist called Old Dolio Dyne, Wood is anxious but yearning, closed-off yet vulnerable, and forceful as well as unsure all at once. Her character has spent her entire life being schooled in pulling off quick scams by her eccentric parents Robert (Richard Jenkins, The Shape of Water) and Theresa (Debra Winger, The Lovers), who she still lives with, and she's stuck navigating her own street-wise brand of arrested development. Old Dolio knows how to blend in, with her baggy clothes, curtain of long hair and low-toned voice. She also knows how to avoid security cameras in physical feats that wouldn't look out of place in a slapstick comedy, and how to charm kindly folks out of reward money. But she has never been allowed to truly be her own person — and, from the moment that Wood is seen on-screen, that mournful truth is immediately evident. Kajillionaire introduces Old Dolio, Robert and Theresa as they're falling back on one of their most reliable swindles: stealing packages from post office boxes. But two developments drive its narrative, and make Old Dolio realise that she's far more than just the third part of a trio. Firstly, to make a quick $20 to help cover overdue rent, she agrees to attend a parenting class for someone she meets on the street, and is struck by how far removed its teachings are from her own experiences. Secondly, on a return flight back to Los Angeles from New York as part of a travel insurance grift, her parents meet and befriend outgoing optometrist's assistant Melanie (Gina Rodriguez, Annihilation). So accustomed to playing the role dictated to her by Robert and Theresa, and never deviating from it, Old Dolio isn't prepared for the emotions stirred up by both changes to her status quo. But July's poignant and perceptive movie — a film that's a quirky heist flick, a playful but shrewd exploration of family bonds, and a sweet love story — is perfectly, mesmerisingly equipped to navigate her protagonist's efforts to reach beyond the only loved ones and the only type of life she has ever known. In fact, the result is one of the most distinctive, empathetic and engaging movies of the year. Read our full review. https://www.youtube.com/watch?v=TbIxi2VHTTk BABY DONE A relic of a time when women were considered wives, mothers and little else, the public need to comment on whether someone has a baby or is planning to have a baby is flat-out garbage behaviour. In your twenties or thirties, and in a couple? Yet to procreate? If so, the world at large apparently thinks that it's completely acceptable to ask questions, make its judgement known and demand answers. Baby Done offers a great take on this kind of situation. Surrounded by proud new parents and parents-to-be at a baby shower, Zoe (Rose Matafeo) refuses to smile and nod along with all the polite cooing over infants — existing and yet to make their way into the world — and smug discussions about the joys of creating life. An arborist more interested in scaling trees at both the national and world championships than starting a family, she simply refuses to temper who she is to fit society's cookie-cutter expectations. Her partner Tim (the Harry Potter franchise's Matthew Lewis, worlds away from his time as Neville Longbottom) is on the same wavelength, and they visibly have more fun than everyone else at the party. With a title such as Baby Done, it shouldn't come as much of a surprise when this New Zealand comedy soon upsets Zoe and Tim's status quo. She discovers that she's expecting and, while he starts dutifully preparing to an almost unnervingly sensible extent, she also struggles to face the change that's coming their way. Comedies about the trials and tribulations of parenthood, and of the journey to become parents, are almost as common as people asking "when are you two having kids?" without prompting at parties. But this addition to the genre from director Curtis Vowell and screenwriter Sophie Henderson (both veterans of 2013 film Fantail) approaches a well-worn topic from a savvy angle. Zoe clearly isn't a stereotypical mother-to-be, and doesn't experience the stereotypical feelings women have been told they're supposed to feel about having children — and Baby Done leans into that fact. Also pivotal in her first big-screen lead role is comedian Matafeo. Indeed, it's easy to wonder whether the movie would've worked so engagingly and thoughtfully with someone else as its star. Brightly shot and breezily toned, there's still much about Baby Done that's familiar; however, charting one woman's pregnancy experience, and her backlash to the widely accepted notion that motherhood is the be all and end all of a woman's life, proves poignant and charming more often than not here. Read our full review. https://www.youtube.com/watch?v=EU-Z90SEqGQ&t=20s CORPUS CHRISTI No one wants to live in a world where Parasite, the best movie of 2019, doesn't exist. But if it didn't for some reason, it's highly likely that Corpus Christi would've been this year's Best International Feature Film Oscar winner, rather than just a nominee. This Polish drama also focuses on people pretending to be something they're not. As directed by Warsaw 44 and The Hater's Jan Komasa, and written by the latter's screenwriter Mateusz Pacewicz, it casts a wry eye over much about life in its homeland today, too. And it isn't afraid to call out hypocrisy, societal divisions and greed, either — literally, in the latter case, with its protagonist making a speech about it at the local sawmill. There are few other similarities between Corpus Christi and the movie it lost to, but perhaps the only one that really matters is how blisteringly and rousingly it unfurls its on-screen gifts. Well that, and how striking every second of the film looks, pairing its grey, hazy aesthetics with its complicated account of an ex-juvenile delinquent who poses as a small-town priest. The imposter's name is Daniel and, as played with soulful intensity by Bartosz Bielenia, he's a complex figure. First seen serving out the final days of his reform school sentence, he has made a fan out of the facility's head priest Father Tomasz (Lukasz Simlat). In fact, if his criminal record didn't preclude it, he'd follow in the elder man's footsteps and join the seminary. Instead, he's released to work in a sawmill. Through a series of events that never feels convenient or strained, however, he's soon welcomed by the locals as their new spiritual advisor. Daniel genuinely has faith and believes in his task, so the jump from playing lookout as his fellow inmates dispense a brutal beating to endeavouring to help his congregation is easy. Loosely inspired by real-life details, Corpus Christi gifts its young protagonist an unexpected second chance — and an unlikely opportunity to follow his heart and make a difference to an insular community — but he's not the only figure within its frames with a troubled past to overcome. As a film about a masquerading cleric, tension and foreboding seethes through every second, but it's the bubbling and brooding movie's contemplation of what redemption and benevolence really means that hits the most potent notes. Read our full review. https://www.youtube.com/watch?v=atKsEdLKPLo&feature=emb_logo THE WOMAN WHO RAN Alcohol. Conversation. A scene-stealing cat. Combine all three in one movie, and not only is South Korean great Hong Sang-soo firmly in his element, but he delivers exactly the type of film that has won him a legion of fans. Given how prolific the director is, it'd be easy to assume that he'll soon run out of ways to combine his usual trademarks. Similarly, it'd be understandable to expect that he'll eventually exhaust all of his ideas. But like other impressive filmmakers who seemingly never stop working — Japan's Hirokazu Kore-eda (Shoplifters), Sion Sono (Tokyo Vampire Hotel) and Takashi Miike (First Love) come to mind — Hong's features never run out of new ways to twist his favourite touches, themes and inclusions together. They're often brief, they're usually an equally melancholy and charming delight, and they're always perceptive. If you've seen his past standouts such as Nobody's Daughter Haewon, Hill of Freedom, Right Now, Wrong Then and Yourself and Yours — all of which have done the rounds of Australian film festivals, as all of Hong's movies do — then you'll know what you're in for, and you'll already be excited. In The Woman Who Ran, which premiered at this year's Berlinale, booze flows freely. (Craving soju while watching Hong's work is a common side effect.) Drinking plenty of it is Gamhee, as played by Hong regular Kim Min-hee, a 2017 Berlinale Best Actress winner for On the Beach at Night Alone. Gamhee is enjoying her first time away from her husband in five years, visiting friends around Seoul while he's off on a business trip. In the filmmaker's typical fashion, much of The Woman Who Ran unfurls as his characters simply chat — about lives, hopes, dreams, problems and, with a pesky neighbour in the movie's funniest moment, about feeding stray felines. Hong's penchant for long, patient takes, playful repetition and echoes, and expertly timed crash-zooms are all used to winning effect, in a movie that slots perfectly into his busy oeuvre (he's made 23 movies since 1996) and yet always feels distinctively insightful. Also, and it cannot be stressed enough, look out for one helluva kitty. https://www.youtube.com/watch?v=cYQzdhjHeIE&feature=emb_logo&mc_cid=ccf652e7a2&mc_eid=1628bbb5f5 HONEST THIEF Another Liam Neeson-starring movie, another bland action film with little else going for it beyond its main attraction. The genre must pay well, but it has sadly been years since the Irish actor's particular set of skills anchored a fist-flinging, chase-filled feature worthy of his talents. In Honest Thief, Neeson plays elusive bank robber Tom, who is also known as the 'in-and-out bandit'. A year after unexpectedly falling in love with psychology graduate student Annie (Kate Walsh) — and a year after he last indulged his pilfering urges, too — he decides to turn himself in to the FBI in exchange for a lesser sentence and the chance to make a real future. Answering his call, agents Baker (Robert Patrick) and Meyers (Jeffrey Donavan) are skeptical that he's actual the culprit. When their colleagues Nivens (Jai Courtney) and Hall (Anthony Ramos) are given the case, however, they take another approach that sees Neeson rushing around Boston and fighting for his life against corrupt, trigger-happy law enforcement officials. There's only one real surprise in store in Honest Thief, a movie that writer/director Mark Williams (A Family Man) and his co-scribe Steve Ullrich (The Timber) could've almost cobbled together using scenes from other Neeson action vehicles. No one is astonished that, despite being a bank robber, Neeson's character is the movie's hero. No one should expect anything unusual in its workman-like action choreography or by-the-numbers plot, either. But the fact that the movie also features a heap of well-known names and faces alongside Neeson — including The Umbrella Academy's Walsh, The X-Files' Patrick, Fargo's Donovan, Aussie Stateless star Courtney and Hamilton's Ramos — is a little startling. They're all wasted, because Honest Thief only tasks its other actors with giving Neeson someone to talk to, kiss, hunt down or flee. That's how generic this addition to his resume proves. Indeed, 2020 hasn't been great for Neeson fans, even with Made in Italy eschewing action for father-son bonding. His most recent great roles might've only been back in 2016 and 2018, courtesy of Silence, Widows and The Ballad of Buster Scruggs, but they currently seem like a distant memory. https://www.youtube.com/watch?v=gjkLx3-hK2Y NEVER TOO LATE Jack Thompson and Jacki Weaver rank among Australian acting royalty, with his resume spanning everything from Sunday Too Far Away to The Great Gatsby, and an Oscar nomination for Animal Kingdom sitting among her many credits. James Cromwell might be American, but he has earned a soft spot in many an Aussie's heart thanks to Babe and Babe: Pig in the City. Joining forces for Never Too Late definitely isn't a high point of any of their careers, however. They also feature on-screen alongside local veterans Max Cullen (Acute Misfortune), the New Zealand-born Roy Billing (Mystery Road), British star Dennis Waterman (80s series Minder) and Shane Jacobson — because few Australian films exist these days without the latter — but this broad comedy set in an Adelaide nursing home can't use its recognisable cast to distract from just how lumbering it is. Known as the Chain Breakers, Cromwell, Thompson, Cullen and Billing's characters all served in Vietnam, becoming famous for a daring escape. But, along the way, Cromwell's Jack Bronson lost contact with Weaver's Norma — until, decades later, he uses some sly trickery to cross her path again at the Hogan Hills Retirement Home for Returned Servicemen and Women. Due to groan-worthy plot contrivances, their reunion is short-lived, inspiring Jack and his now-elderly and ailing pals to concoct another big getaway plan. Cue an Aussie spin on the geriatric heist film genre, in the same vein as Going in Style and King of Thieves but with romance as a motivation and tourism shots of South Australia featuring heavily. Never Too Late attempts to ruminate on the vagaries of ageing, the struggles of living with regret and the fact that it can take a lifetime to chase one's dream, but the film's cast sport wrinkles deeper than the movie's themes. After last directing the abysmal A Few Less Men, director Mark Lamprell is in similarly dismal territory here. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on July 2, July 9, July 16, July 23 and July 30; August 6, August 13, August 20 and August 27; September 3, September 10, September 17 and September 24; and October 1, October 8 and October 15. You can also read our full reviews of a heap of recent movies, such as The Personal History of David Copperfield, Waves, The King of Staten Island, Babyteeth, Deerskin, Peninsula, Tenet, Les Misérables, The New Mutants, Bill & Ted Face the Music, The Translators, An American Pickle. The High Note, On the Rocks, The Trial of the Chicago 7, Antebellum, Miss Juneteenth, Savage, I Am Greta and Rebecca.
It's that time again, seafood-loving Brisbanites, with the Sandstone Point Hotel hosting its annual Oyster Festival. If you're a fan of slurping down molluscs, prepare to be in your element. The fact that you'll be doing so while you're on Bribie Island adds to the fun, of course. Taking over the venue on Saturday, October 19, the day-long celebration of salty, slimy deliciousness will treat your tastebuds to oysters from all around the country, asking whether you can discern the difference. They'll be freshly shucked at the fest's oyster bars — and if you need something to snack on in-between, you can feast on the rest of the ocean's finest (and sip a few beverages) at an array of seafood and wine stalls. Anyone that really, truly loves their oysters can also take part in the competitive portion of the day, because it wouldn't be a food festival without a contest. Chef demonstrations and live music are on the bill as well, alongside a cruisy day hanging out off the Brisbane mainland, with entry costing $5. Image: Sandstone Point Hotel.
It's time to clean out your stein, wash off your lederhosen and reacquaint yourself with the wonders of oom pah pah music, because Oktoberfest is back again. The world's most (in)famous piss-up has outdone itself again this year with 6 million people expected to show up for the 179th instalment. As always, the real winners of the festival shall be the brewers, who are expected to sell in excess of last year's 8 million litres at a touch over US$12 a glass. The festival was kicked-off in traditional fashion on Saturday, September 22 with Munich mayor Christian Ude's tapping of the first keg. With a cry of "O'zapft is!" ("It's tapped!") the Bavarian festival, in all its dirty, drunken, debaucherous glory, was launched for another year of liver-beating, cardio-destroying-mayhem. Here is a little peek into the thrills and spills of the first week of Oktoberfest 2012. Oom Pah Pah, Oom Pah Pah That's How it Goes! Beer-drinkers Wonderland Ordinary Man Drinks Beer: Becomes Legend A Boy in Traditional Dress Surveys the Damage A Tiny Snapshot of the Estimated 6 Million Oktoberfest Revellers It's On for Young and Old A Man Wearing Hops on his Head: Doesn't it look so innocuous like this... Oktoberfest - When One Beer is Never Enough Polish Girls in Traditional Polish Dress Get In On the Oktoberfest Action Bavarian Men in Traditional Dress Totally Look the Part: Moustaches and All "Prost!" ("Cheers!")
Whether you dread that early morning alarm or jump out of bed excited for each day, chances are you need (and deserve) a break — because everyone does every now and again. We understand annual leave is precious and it can be easy to fall into the trap of packing your itinerary full of non-stop adventures. But there's no shame in the relaxation game if that's what you're really craving. So we've gone on a hunt for the top experiences around New South Wales that'll leave you feeling refreshed and rejuvenated — from quick (but effective) outdoor yoga classes to multi-day rainforest retreats.
