Throw those GoPros, bubble bottles and novelty gumboots in your rucksack, Splendour in the Grass is returning to North Byron Parklands for another year of festival merriment. As usual, speculation has run wild in anticipation of the lineup announce — will Childish Gambino be on the lineup (and actually show)? Will there by more than three females? — but the details for Splendour 2019 are finally here. And we're happy to report that some of the rumours were true. Childish Gambino — AKA Donald Glover — himself, will be Splendouring. Well, we hope. Childish Gambino recently cancelled his Spilt Milk appearance and Australian tour due to an ongoing injury, but the lineup also doesn't state that Splendour is his only show — so stay tuned for news of a replacement national tour (hopefully). The other huge names are Chance the Rapper and Tame Impala, the former who is American rap royalty, the latter homegrown Aussie talent who were recently been announced as one of the headline acts for this year's Coachella. There's also a big female contingent — that is kick-ass but still nowhere near as big as the pool of male performers — which includes SZA, Santigold, Courtney Barnett, Thandi Phoenix, Hatchie, Meg Mac and all-female indie rock band Warpaint. Also doing their only Australian shows at Splendour will be Santigold and Slaves. The lineup seems to go on forever, including Foals, The Streets, The Lumineers, James Blake, Friendly Fires, the list goes on. Anyway, we know what you're here for. We'll cut to the chase. SPLENDOUR IN THE GRASS 2019 LINEUP Chance the Rapper Tame Impala Childish Gambino SZA Foals Catfish and the Bottlemen James Blake Santigold The Lumineers The Streets Russ What So Not Courtney Barnett Warpaint Mystery Oz Act Matt Corby Wolf Alice Friendly Fires Broods Dean Lewis Fidlar Cosmo's Midnight Meg Mac Ziggy Alberts Hayden James Dave Dope Lemon Dermot Kennedy Allday & Friends Little Simz The Rubens Maribou State Winston Surfshit Tycho Pond The Teskey Brothers Jacob Banks Wolfmother Tropical F*ck Storm Kyle Hall Local Natives Mansionair Odette Ruby Fields Mike Servito Last Dinosaurs Thelma Plum Trophy Eyes Harvey Sutherland (DJ set) K.Flay Sam Fender Slaves Pub Choir Seb Wildblood The Beths Set Mo Hatchie Honne Kwame The Nude Party Nathan Micay Slowly Slowly Pychedelic Porn Crumpets Kian Kenji Takimi Dear Seattle Charly Bliss Kaiit Phony Ppl A. Swayze and the Ghosts The Midnight Channel Tres Pist Idiots Mormor Suzanne Kraft Erthlings Telephones Moaning Lisa Thandi Phoenix DJ Jnett Wax'o Paradiso Andy Garvey Tyne-James Organ Lastlings Merve Jennifer Loveless Noise in my Head Skin on Skin Rebel Yell Nina Jirachi Body Promise Donald's House Casual Connection DJ Klasik Close Counters Merph Dameeeela Lex Duluxe Splendour will return to North Byron Parklands on Friday 19, Saturday 20 and Sunday 21 July. Onsite camping will once again be available from Wednesday, July 17. Tickets go on sale Thursday, April 11 at 9am sharp AEST through Moshtix. For more info, head to the official Splendour In The Grass site. Image: Bianca Holderness.
For the second year in a row, Splendour in the Grass will be without one of its big-name acts, with Lewis Capaldi cancelling his plans to head Down Under in July. The Scottish singer-songwriter announced in a statement that he's taking a break from touring following his Glastonbury set, which means sitting out Byron Bay's annual excuse to wear gumboots, as well as his other planned gigs in Australia and New Zealand. "The fact that this probably won't come as a surprise doesn't make it any easier to write, but I'm very sorry to let you know I'm going to be taking a break from touring for the foreseeable future," said Capaldi via social media. "I used to be able to enjoy every second of shows like this and I'd hoped three weeks away would sort me out. But the truth is I'm still learning to adjust to the impact of my Tourette's, and on Saturday it became obvious that I need to spend much more time getting my mental and physical health in order, so I can keep doing everything I love for a long time to come," he continued. View this post on Instagram A post shared by Lewis Capaldi (@lewiscapaldi) "I know I'm incredibly fortunate to be able to take some time out when others can't, and I'd like to thank my amazing family, friends, team, medical professionals and all of you who've been so supportive every step of the way through the good times and even more so during this past year when I've needed it more than ever." "I'm so incredibly sorry to everyone who had planned to come to a show before the end of the year but I need to feel well to perform at the standard you all deserve. Playing for you every night is all I've ever dreamed of so this has been the most difficult decision of my life. I'll be back as soon as I possibly can." Capaldi was set to lead the 2023 Splendour in the Grass lineup from Friday, July 21–Sunday, July 23 alongside Lizzo, Flume, Mumford & Sons and the Yeah Yeah Yeahs — the latter of which were slated to headline 2022's Splendour in the Grass lineup, but cancelled in the lead up. With his solo shows, the 'Someone You Loved', 'Before You Go' and 'Wish You the Best' talent was due to play two shows in Sydney and Melbourne, and one each in Perth, Adelaide, Auckland and Wellington, all in July. Before Glastonbury, he had also taken a break from touring. [caption id="attachment_907307" align="alignnone" width="1920"] Alexandra Gavillet[/caption] Splendour now has three gaps in its lineup, with Slowthai and Rainbow Kitten Surprise also no longer appearing at the festival. Organisers have advised that replacements for all three will be announced this week. The festival will contact Friday-only ticketholders via Moshtix about the process for refunds, while folks with tickets to Capaldi's headline shows will automatically receive their money back in full via whichever method they paid with. [caption id="attachment_891054" align="alignnone" width="1920"] Ian Laidlaw[/caption] SPLENDOUR IN THE GRASS 2023 MUSIC LINEUP: Lizzo Flume (Australian exclusive: ten years of Flume) Mumford & Sons (Australian exclusive) Yeah Yeah Yeahs Hilltop Hoods J Balvin Sam Fender Idles Little Simz Tove Lo 100 Gecs (Australian exclusive) Arlo Parks Ball Park Music Iann Dior King Gizzard & The Lizard Wizard 070 Shake Pnau Ruel Loyle Carner Benee Marlon Williams Hooligan Hefs Peach PRC Palace Dune Rats Tkay Maidza Noah Cyrus Skegss Sudan Archives Cub Sport Meg Mac X Club. Claire Rosinkranz Jack River The Smith Street Band Lastlings Jeremy Zucker Young Franco Sly Withers MAY-A The Vanns Telenova Vallis Alps Jamesjamesjames Kaycyy RVG Teenage Dads Balming Tiger Automatic Harvey Sutherland Gali Del Water Gap Royel Otis Shag Rock Big Wett Mia Wray Memphis LK Gold Fang Milku Sumner Forest Claudette Full Flower Moon Band William Crighton Hellcat Speedracer Triple J Unearthed Winners Mix Up DJs: Tseba Crybaby Latifa Tee Foura Caucasianopportunities Luen Mowgli DJ Macaroni Crescendoll Splendour in the Grass will take over North Byron Bay Parklands from Friday, July 21–Sunday, July 23, 2023 — head to the festival website for further details and tickets. Top image: Harald Krichel via Wikimedia Commons.
Another year, another collaboration between two big cinema names who keep making stellar films together. With Bugonia, Emma Stone and Yorgos Lanthimos combine for their fourth joint feature, following 2018's The Favourite, 2023's Poor Things and 2024's Kinds of Kindness. The first of the bunch earned them both Oscar nominations. The second scored Stone her second Academy Award and made Lanthimos a contender again. The latest? It's a remake of a South Korean sci-fi comedy. If you've seen Save the Green Planet!, then you'll know the story. If you haven't, get ready for Lanthimos' take on it. Either way, the Greek filmmaker's new movie is all about a CEO of a major company, two men obsessed with conspiracies, the belief that said head honcho is an alien who'll destroy earth and, as a result, a kidnapping plot — as the just-dropped initial teaser trailer illustrates. Stone (Fantasmas) is the CEO. Doing the abducting to the sounds of Green Day's 'Basket Case' in the flick's debut glimpse: Jesse Plemons — who also worked with Lanthimos on Kinds of Kindness, and won the Best Actor Award at Cannes for his efforts — plus feature first-timer Aidan Delbis. And the mindset that sparks the kidnapping? "It all starts with something magnificent: a flower, then a honey bee. The workers gather pollen for the queen," explains Plemons' character. "But the bees, they're dying. And that's the way they planned it — to make us the same as the bees. But it is not in control anymore. We are." Bugonia's cast also spans Stavros Halkias (Tires) and Alicia Silverstone (Y2K). Behind the camera, while Lanthimos directs, Will Tracy (The Menu) adapted the screenplay from Jang Joon-hwan's 2003 film. Stone is one of Bugonia's producers, too — and so is her Eddington director Ari Aster (Beau Is Afraid). The movie has a date with cinemas Down Under from Thursday, October 30, 2025, but you can probably expect to hear more about it before then if you follow international film festival news — premiering at the Venice International Film Festival, where Poor Things did and won the Golden Lion, seems more than likely. Check out the trailer for Bugonia below: Bugonia releases in cinemas Down Under on Thursday, October 30, 2025.
Back in 1982, Melbourne played host to one of China's most important ancient artworks: a collection of statues known as The Terracotta Army. Crafted between 221–206 BCE and first discovered in the Shaanxi province in 1974, it made its international debut at the National Gallery of Victoria — and now, 37 years later, it's returning for the NGV's 2019 Melbourne Winter Masterpieces series. Dubbed Terracotta Warriors: Guardians of Immortality, the five-month exhibition will feature eight warrior figures and two life-size horses from The Terracotta Army, alongside two half-size replica bronze chariots that are each drawn by four horses. They were created during the reign of China's first emperor Qin Shi Huang and were buried near his tomb more than 2200 years ago. The pieces coming to Melbourne only represent a fraction of the entire work, which numbers more than 8000 figures in total. If you're wondering how big of a deal the statues are, the answer is very. The Terracotta Army is considered one of the most important archaeological finds of the 20th century and has also been described as the 'Eighth' Wonder of the World. Displaying at the NGV from May 24 to October 13, 2019, the selected pieces will be accompanied by more than 150 other ancient Chinese treasures sourced from museums and Shaanxi archaeological sites. Expect to rove your eyes over priceless gold, jade and bronze artefacts that date back more than 3000 years, charting China's artistry across the country's formative period. Here's The Terracotta Army in all its glory: Looking to the present as well as the past, the NGV's winter season will also celebrate acclaimed Chinese artist Cai Guo-Qiang. His work is no stranger to Australia — in 2014, Brisbane's Gallery of Modern Art hosted its own showcase — however, his Melbourne exhibition will feature all new pieces. With Cai known for his large-scale installations, The Transient Landscape will include 10,000 porcelain birds suspended in a spiral formation, in an artwork that links to The Terracotta Army. Specifically, it'll create a 3D version of a calligraphic drawing that depicts Mount Li, which is where Qin Shi Huang and his terracotta warriors were buried. Another of Cai's new works will feature a porcelain sculpture of peonies placed in the middle of a 360-degree gunpowder, with his entire show taking inspiration from Chinese culture and philosophy. The world-renowned talent will also help design Terracotta Warriors: Guardians of Immortality, making the two concurrent exhibitions as immersive as possible. 'Terracotta Warriors: Guardians of Immortality' and 'Cai Guo-Qiang: The Transient Landscape' will exhibit as part of the NGV International's Melbourne Winter Masterpieces presentation, running from May 24 to October 13, 2019. For further details or to buy tickets, visit the NGV website. Images: The terracotta army, Qin dynasty (221-206 BCE), Emperor Qin Shihuang's Mausoleum, Xi'an.
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue for October — and yes, we're guessing you've already hit up The Trial of the Chicago 7, Rebecca and On the Rocks. NEW STUFF TO WATCH NOW https://www.youtube.com/watch?v=0Rsa4U8mqkw BORAT SUBSEQUENT MOVIEFILM Of all that twists and turns that 2020 has delivered, the arrival of a new Borat movie ranks among the most unexpected. Watching Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan, however, it's obvious why the famed fictional Kazakh journalist is making a comeback at this very moment — that is, just before the US election. Once again, Borat travels to America. Once again, he traverses the country, interviewing everyday people and exposing the abhorrent views that have become engrained in US society. Where its 2006 predecessor had everyone laughing along with it, though, there's also an uneasy and even angry undercurrent to Borat Subsequent Moviefilm that's reflective of these especially polarised times. It's worth noting that Sacha Baron Cohen's last project, 2018 TV series Who Is America?, also used the comedian's usual interview technique to paint a picture of the US today, and the results were as astute as they were horrifying. There are plenty of jokes in Borat Subsequent Moviefilm, which bases its narrative around Borat's attempt to gift his 15-year-old daughter (instant scene-stealer Maria Bakalova) to Vice President Mike Pence and then ex-New York mayor Rudy Giuliani to help get Kazakhstan's own leader into President Donald Trump's good graces, but this is the unflinching work of a star passionate about making a statement. Borat Subsequent Moviefilm is available to stream now via Amazon Prime Video. https://www.youtube.com/watch?v=H-Tm63y-S4s THE GOOD LORD BIRD In The Good Lord Bird's opening moments, the new seven-part mini-series tells viewers what'll happen to 19th-century US abolitionist John Brown (Ethan Hawke), its central figure. The audience sees Brown approach the gallows, with narration making plain that he's about to meet his end. Given that Brown was a real figure, the show is merely outlining his history in this regard. But even with the knowledge of his character's ultimate fate lodged firmly in viewers' minds from the outset, Hawke turns in a riveting performance every time he's on-screen. Brown not only opposed slavery, but was driven to use violence to liberate enslaved Black Americans — and the power of his conviction shines through in Hawke's blistering portrayal, as it does throughout the engaging series overall. The Good Lord Bird's voiceover and perspective comes from the fictional Henry 'Onion' Shackleford (Joshua Caleb Johnson), a boy that Brown saves but mistakes for a girl, and who also crosses paths with other historical personalities such as fellow reformer Frederick Douglass (Hamilton's Daveed Diggs) and Confederate general JEB Stuart (Wyatt Russell). As for this smart, irreverent, bold and vehement take on America's troubled past in general, it stems from the pages of James McBride's 2013 novel of the same name. The first three episodes of The Good Lord Bird are available to stream now via Stan, with new episodes added weekly. https://www.youtube.com/watch?v=NeYWT7CnFK0 SCARE ME Written and directed by Josh Ruben, and starring him also, Scare Me doesn't just like scary movies — it loves scary stories. Indeed, this pared-back horror film understands that sometimes all that's needed to keep an audience on the edge of their seats is a great tale told well. Its characters, both writers, are all about unfurling creepy narratives. Fred (Ruben) falls into the aspiring category, while Fanny (You're the Worst and The Boys' Aya Cash) has an acclaimed best-seller to her name. With each taking time out in the mountains to get some work done, these two strangers end up in Fred's cabin telling each other disturbing stories when the power goes out (and trying to one-up each other). For its first two-thirds, Scare Me makes the most of that basic concept. Fred and Fanny perform their tales, sound effects and ominous lighting kicks in — it's a stormy night, of course — and the mood is suitably perturbing. The film also demonstrates its self-awareness, namedropping other genre titles with frequency and sending in a pizza from the Overlook. When this Sundance-premiering feature decides to ponder real-life horrors as part of its layered stories, however, it proves especially potent. Scare Me is available to stream now via Shudder. https://www.youtube.com/watch?v=10dsDHszrcY TOTALLY UNDER CONTROL Perhaps the most frightening film of 2020, Totally Under Control isn't a horror movie filled with traditional bumps and jumps. For anyone who has been keeping a close eye on the constantly unnerving news served up by this hectic year, it also doesn't tell viewers anything that isn't already known. But this US-focused documentary unsettles from start to finish, all by exploring the American response to the COVID-19 pandemic. Comparisons with other countries — including South Korea, which initially had a similar caseload back at the beginning of the year — are particularly effective. To-camera interviews by officials involved in the Trump administration's response to the coronavirus, and from one volunteer given far too much responsibility for solving crucial PPE shortages, are just as telling. This isn't the first doco about COVID-19 and it won't be the last; however, as co-directed by Oscar-winning documentarian Alex Gibney (Taxi to the Dark Side, We Steal Secrets: The Story of Wikileaks, Going Clear: Scientology and the Prison of Belief) with Ophelia Harutyunyan and Suzanne Hillinger, it's absolutely essential viewing. Totally Under Control is available to stream now via DocPlay. https://www.youtube.com/watch?v=QWoiNlLqLR8 THE UNDOING If it was made less than a decade ago instead of now, The Undoing likely would've followed Gone Girl and The Girl on the Train to cinemas. This page-to-screen adaptation certainly has the cast for it — Nicole Kidman, Hugh Grant, Donald Sutherland, A Quiet Place's Noah Jupe and Edgar Ramirez — as well as a knotty mystery premise and a tension-dripping tone. But hot on the heels of Big Little Lies, The Undoing is actually HBO's latest big-name mini-series. Kidman returns, obviously, as does well-known TV writer David E Kelley (LA Law, Ally McBeal, The Practice). The former plays a successful therapist, Grace Fraser, whose seemingly happy home life and marriage to Grant's paediatric oncologist Jonathan starts to collapse when someone linked to her son's ultra-wealthy private school turns up dead. Based on Jean Hanff Korelitz's novel You Should Have Known and directed by The Night Manager's Susanne Bier, this six-part series is the epitome of #richpeopleproblems — but whether exploring heated moments in lush surroundings, or noting the type of emotions and behaviours status and standing can both encourage and hide, it's firmly aware of that fact. Thanks to a twist at the end of each episode, it's also very addictive, even when it's predictable. The first episode of The Undoing is available to stream now via Binge, with new episodes added weekly. https://www.youtube.com/watch?v=wfTmT6C5DnM DICK JOHNSON IS DEAD Mortality is no one's favourite subject. Confronting the certainty of our own demise is so difficult, we all just generally carry on as though it won't happen. And the reality that everyone we know and love will die, including our parents, is just as tough to deal with. Facing not only the fact that her father is advancing in age, but that he's suffering dementia — meaning that she'll lose him mentally before he passes away physically — cinematographer and documentarian Kirsten Johnson (Cameraperson) conjured up a playful and poignant project. In Dick Johnson Is Dead, she stages her dad's death over and over. He's very much alive and he takes part, with the father-daughter duo bonding during what time they have left together in the process. While it might sound morbid, this moving movie is anything but. As well as the scenes that give the film its title, it also provides an insightful chronicle of the Johnsons' lives. Tender, thoughtful, personal and intimate, and driven by both Dick and Kirsten's presence, the result is perhaps the most affecting feature of the year — and a very worth winner of the Special Jury Award for Innovation in Non-Fiction Storytelling at this year's Sundance Film Festival. Dick Johnson Is Dead is available to stream now via Netflix. https://www.youtube.com/watch?v=5WHZM-gDONo FEELS GOOD MAN If you've somehow managed to avoid Pepe the Frog over the past decade, then you clearly haven't spent enough time on the internet during that period. The green character became an online meme back in the 2000s, popping up on message boards and earning users' devotion. It was then was co-opted by the alt-right movement, not only becoming its symbol but getting quite a workout in the lead up to the 2016 US Presidential election. That's not how Pepe started out, however, as Arthur Jones' documentary Feels Good Man shows. Originally, Pepe was created by artist Matt Furie and featured in his Boys Club comics — and the kindly illustrator definitely didn't intend for his cute critter to become associated with prejudice, hate and offensive viewpoints. In addition to charting the history of Pepe, Feels Good Man works through Furie's ongoing fight to reclaim his creation. As you might expect given the above description, this is the type of tale that can only be true, and is also best understood by watching it unfurl. Feels Good Man does something else, though, documenting how online content can take on a life far beyond that initially envisaged, as well as offering a pivotal snapshot of how politicised every facet of American life seems to have become. Feels Good Man is available to stream now via DocPlay. https://www.youtube.com/watch?v=I4ISTHi45_s FARGO Last month, SBS added the first three seasons of Fargo to its streaming platform, in preparation for the long-awaited fourth season's arrival. Based on the Oscar-winning Coen brothers' film of the same name, this is an anthology series, so watching previous seasons before starting the new one isn't essential — but, as the latest batch of episodes demonstrates, soaking in all things Fargo is highly recommended. Dropping fresh instalments weekly, Fargo season four is easy to devour. Set in 1950 in Kansas City, Missouri, it steps into its favourite territory: a turf war. While the first episode explains that different groups have been fighting to control the city's underworld for decades, this time it's Loy Cannon (Chris Rock) and his fellow Black Americans' turn to challenge the Italian crime syndicate led by Josto Fadda (Jason Schwartzman). As always, the story from there proves both twisty and blackly comedic, and appears on-track to deliver yet another cautionary tale about the perils of underhanded and illicit activities. There's gravitas to Rock's portrayal of a man trying to carve out his place, and he's joined by a similarly top-notch cast including Jessie Buckley (I'm Thinking of Ending Things) as a nurse with a secret and Ben Whishaw (No Time to Die) as one of Fadda's put-upon offsiders. The first five episodes of Fargo's fourth season are available to stream now via SBS On Demand, with new episodes added weekly. ONES TO WATCH OUT FOR https://www.youtube.com/watch?v=eW7Twd85m2g THE MANDALORIAN Travelling to a galaxy far, far away sounds rather nice at this point in 2020. If you're a Star Wars fan, that's actually quite easy, too. While this year won't deliver a new movie in the franchise for the first time since 2014, the second season of TV spinoff The Mandalorian is heading to Disney+ from Friday, October 30. For those that missed it or need a refresher — the Star Wars universe certainly does sprawl far and wide, both within its tales and in its many different movies, shows, books and games — the Emmy-nominated show follows the titular bounty hunter (Pedro Pascal). In the series' first season, which was set five years after Star Wars: Episode VI — Return of the Jedi and aired last year, that meant tracking his latest gigs. And, it also involved charting his encounter with a fuzzy little creature officially known as The Child, but affectionately named Baby Yoda by everyone watching. Also on offer the first time around: Breaking Bad's Giancarlo Esposito playing villain Moff Gideon, aka the ex-Galactic Empire security officer determined to capture The Child; everyone from Carl Weathers and Taika Waititi to Werner Herzog playing ex-magistrates, droids and enigmatic strangers; and plenty of planet-hopping. Yes, it was firmly a Star Wars TV series, and yes, it plans to continue in the same manner. The Mandalorian's second season starts streaming via Disney+ from Friday, October 30, CULT CLASSICS TO REVISIT AND REDISCOVER https://www.youtube.com/watch?v=Ob_Sq__g01E THE HITCHCOCK COLLECTION Fans of thrillers, and of the filmmaker who became a legend by directing them, have two choices this month. Eighty years after Alfred Hitchcock first brought the story to the screen, Netflix has produced a lavish-looking new adaptation of Rebecca — a movie that intoxicates visually, but doesn't ever quite match the heights reached by the Master of Suspense's Oscar-winning version all those decades ago. But for those who'd rather luxuriate in all things Hitch, Stan is streaming a collection of his greatest hits. It doesn't include Rebecca, but when you're watching classics such as Psycho, The Birds and Rear Window — and Rope and Saboteur, too — you aren't likely to mind. All five will always stand the test of time, but Psycho's tale of a troubled man obsessed with his mother and the unfortunate woman who crosses his path has always been innately unnerving. When you're not revelling in its twists, and its famed screech-heavy shower scene, Rear Window's voyeurism-fuelled storyline (and the fact that its protagonist, played by a commanding James Stewart, is stuck at home) feels particularly relevant this year. Stan's Hitchcock collection is available to stream now. Top images: Borat Subsequent Moviefilm courtesy of Amazon Studios.
Among the many gifts that 80s cinema gave the world, Glenn Close's (Tehran) turn as a bunny-boiling jilted lover in Fatal Attraction is one of them. There's committed performances and then there's her Oscar-nominated effort as Alex Forrest, the book editor who embarks upon an affair with Michael Douglas' (Ant-Man and the Wasp: Quantumania) married Manhattan lawyer Dan Gallagher, then doesn't appreciate being seen as a mere fling. How does another version of Fatal Attraction follow that up? Why would one bother? How can the film's erotic-thriller storyline leap to TV, find a way forward decades beyond the genre's heyday, and update its plot and long-outdated sexual politics to today? Streaming from Monday, May 1, Paramount+'s eight-part series endeavours to answer those questions — engagingly and intriguingly, and with an excellent cast. There's an air of inevitability to the new Fatal Attraction before its first episode even begins; in this peak time for turning movie classics into television shows, of course the rabbit-stewing hit is getting that treatment. From A League of Their Own and Interview with the Vampire to Dead Ringers and American Gigolo, streaming platforms can't stop remaking the past, a trend that also sees a Cruel Intentions show in the works, plus Harry Potter and Twilight series. Fatal Attraction circa 2023 doesn't just jump on that bandwagon. In finding a way to flesh out the OG film's 119-minute narrative to almost eight hours and give itself a point of difference, it's also a murder-mystery. That's a calculating but involving move, steeping the show in another current favourite approach — see: fellow recent whodunnits Poker Face, Bad Sisters, The Afterparty, The Undoing and The Flight Attendant — and putting far more than a scorned woman in focus. Brought to the small screen by Alexandra Cunningham (Physical) and Kevin J Hynes (The Offer), with the feature's screenwriter James Dearden (Christmas Survival) co-penning several episodes — the 1987 script adapted his own 1979 short Diversion, too — the latest Fatal Attraction starts with its adulterous lawyer in prison. Formerly an assistant Los Angeles district attorney and head of major crimes on the way to a judgeship, this Dan (Joshua Jackson, Dr Death) has spent 15 years in incarceration. Petitioning for his freedom, he tells the parole board that he's thought about Alex Forrest's (Lizzy Caplan, Fleishman Is in Trouble) death every day across that decade and a half. But there's another side to his words — because, once out, he's back to protesting his innocence. More than that, he's determined to track down the killer, with help from his ex-colleague and ex-detective Mike Gerard (Toby Huss, Weird: The Al Yankovic Story). Listening in on that hearing is college student Ellen (Alyssa Jirrels, Saved by the Bell), Dan's now-grown daughter, who hasn't had any contact with her father at his request during his time inside. In Fatal Attraction's present-day thread, she's handily a psychology student specialising in Carl Jung and his collaborator Toni Wolff, and calls her mother Beth's (Amanda Peet, Brockmire) second husband Arthur (Brian Goodman, I Know This Much Is True) dad. Dan wants to reconnect, a quest that unfurls in parallel to his search for the truth, as well as the show's flashbacks to the late 00s. In the latter, he's reaching 40 and flying high until his move behind the bench doesn't pan out, which coincides with new LA arrival Alex crossing his professional path as a victim's advocate. It's telling that Cunningham also has Dirty John on her resume, while Hynes has the new TV version of Perry Mason; combine the first's romance-gone-murderous stories with the second's legal dramas and that's where their spin on Fatal Attraction largely lands. In the process, there's noticeably little eroticism beyond a tumble or two in Alex's window-filled loft, but there is a vital look at the narrative from more than just Dan's viewpoint. His privilege is called out — he's the son of a judge, even making him a nepo baby — as the show also steps through his liaison with Alex from her perspective, and then from Beth's. There's no doubting that revisiting the same events through multiple characters' eyes helps fill the series' running time; however, it also helps reinforce that all tales are shaped by whoever is telling them. Indeed, when Fatal Attraction dives into Alex's history, including the lifetime of terrible treatment from her always-philandering dad and lack of affection from her mum, it puts her mental health in the spotlight, plus her thoughts, feelings and motivations. This iteration is never just about a man who strays from his nuptials and ends up with unwanted attention, prison time and his life upended, but equally about how Alex's time with Dan appears to her, and why. Playing out across both of the series' periods, Fatal Attraction is similarly concerned with how the past forever shapes our futures, a notion it unpacks in layers. That said, it also throws in a ridiculous and questionable late development to underscore that line of thinking, which blatantly and needlessly tries to set up a second season. When the show isn't making wild swerves and delivering cliffhanger twists, it benefits from having Caplan and Jackson at its centre. Sliding into Close and Douglas' shoes is no simple task, so neither attempts to imitate their predecessors, instead capitalising upon their own patent chemistry and respective strengths as performers. Caplan has always excelled at exuding intelligence and vulnerability in tandem — amid acerbic quips, it's what helped make her part in Party Down such a gem — and Jackson has been making charming but flawed his niche since Dawson's Creek, then Fringe, then The Affair. He can't sell being 55 in Fatal Attraction's later timeline, though, and visibly isn't treated well in the hair department. The series' smart casting extends to perennial scene-stealer Huss, who could turn Mike into another show's slippery lead; the ever-reliable Peet, who is never asked to play Beth as just the betrayed spouse; and Jirrels, including while saddled with talking through much of Fatal Attraction's psychological musings. With perspective such a key part of this retelling, strong supporting performances couldn't be more essential. In fact, that too is a crucial reason that returning to this tale proves impossible to ignore, like Alex: it's still a portrait of obsession, but it spies more than just one type of fixation and one basis for it. Check out the trailer for Fatal Attraction below: Fatal Attraction streams via Paramount+ from Monday, May 1. Images: Monty Brinton / Michael Moriati, Paramount+.
Every time one of your friends has posted something incredibly sad on Facebook and you've 'liked' it? Things are about to get a little more appropriate on the social media IV drip. After Facebook co-founder and known hoodie-wearer Mark Zuckerberg announced the possibility of a 'dislike' button in September, the site has now launched a set of Facebook 'Reactions' which shake up the mere 'like' function. There are now six new little emojis Facebook users can use to react to posts, alongside the OG 'like' button. Users can now respond to posts with love, laughter, happiness, shock, sadness and anger. We're sadly going to have to wait a teeny spell before we can branch out into Facebook's new set of emotions, with the new feature starting out as a test in just two markets, Ireland and Spain — according to TechCrunch, these two countries have been picked mainly because their national user bases have mainly limited international friend networks, so they make a more concentrated test group. If the test is a success, Facebook will roll it out worldwide. Yep, they look exactly like emojis — which is why this will probably immediately work for Facebook. We've been using them this whole time. Via TechCrunch. Image: Dollar Photo Club.
"I'm still a flight attendant, and I've been making better choices." In the just-dropped trailer for The Flight Attendant's second season, they're some of the first words that Cassie Bowden (The Big Bang Theory's Kaley Cuoco) utters — at an Alcoholics Anonymous meeting in Los Angeles, where she's moved after the dramas we all watched back in 2020. But no one ever thought that this pulpy thriller would come back and just give its protagonist a normal, average, uneventful life, so those opening moments of calm are short-lived, naturally. Cassie has picked up a part-time job, which she also tells her sober pals in LA about — but she doesn't mention that she's now moonlighting for the CIA. Yes, in its second batch of episodes, this airport novel-to-screen series is going full chaotic international espionage thriller. Expect to spy plenty of Berlin in the first sneak peek, too. This time around, Cassie is doing great things at both of her jobs — booze-free things, too — when she inadvertently witnesses a murder while on assignment for her side hustle overseas. Cue more country-hopping intrigue, with the show also filming in Reykjavik. Cue more of Cassie's inner monologues as well, even if she thinks she's seen the last of them with her last drink. Coming to Binge in Australia and streaming via Neon in NZ, The Flight Attendant has also unveiled its return date: in Australia, you can mark Thursday, April 21 in your diaries. Also new: cast members Mo McRae (Big Little Lies), Callie Hernandez (Under the Silver Lake), JJ Soria (Gentefied), Alanna Ubach (Euphoria), Cheryl Hines (Curb Your Enthusiasm), Jessie Ennis (Mythic Quest), Mae Martin (Feel Good), Margaret Cho (Awkwafina Is Nora from Queens), Santiago Cabrera (Ema), Sharon Stone (Ratched) and Shohreh Aghdashloo (The Expanse). They'll join Golden Globe- and Emmy-nominee Cuoco, obviously, plus returning co-stars Zosia Mamet (Girls), Griffin Matthews (Dear White People), Deniz Akdeniz (The High Note) and Rosie Perez (The Last Thing He Wanted). And if you're new to this small-screen adaptation of Chris Bohjalian's 2018 novel of the same name, the first season unravelled quite the twisty tale — starting high in the sky, bouncing around the globe and delivering a hectic murder-mystery. Quickly addictive, filled with sudden revelations and reversals, multiple points of interest playing out across a split-screen setup, and also sporting cliffhangers to end every episode, the slick, swift-moving series knew exactly the kind of story it was telling and went for broke. More is coming in season two, clearly. Check out the trailer for The Flight Attendant's second season below: The Flight Attendant's second season will be available to stream via Binge in Australia from Thursday, April 21 — and is headed to Neon in New Zealand. Read our full review of season one. Top image: HBO Max / Binge.
One of the most significant fashion designers of the past century is the subject of one of Australia's most significant fashion exhibitions, with the National Gallery of Victoria dedicating its big summer blockbuster show to the late, great Alexander McQueen. For fans of pioneering, boundary-pushing threads, Alexander McQueen: Mind, Mythos, Muse's four-month season promises to be bigger and better than Christmas — complete with more than 120 garments designed by the icon, plus artworks, sketches, videos and photographic works that inspired him. First revealed back in May, and now on display from Sunday, December 11, 2022—Sunday, April 16, 2023, Mind, Mythos, Muse has taken over the NGV International. Inside the Melbourne cultural institution, fashion devotees will find walls and halls filled with a stunning display, as created in collaboration with the Los Angeles County Museum of Art (LACMA). All things McQueen first graced LACMA, and now it's Australia's turn. While the LA venue organised the exhibition, drawing upon more than 60 garments and accessories from its own holdings, it contacted NGV about both contributing and running its own season. That's where 50 designs by McQueen from the NGV Collection come in, plus other artworks from each institution. Don't go thinking that this is a standard retrospective, however. As Katie Somerville, the NGV's Senior Curator of Fashion and Textiles, explained back when Mind, Mythos, Muse was announced, "it's not a go-to-whoa examination of him from a more biographical point of view". Instead, the aim is to go both deep and broad, and highlight his many sources of inspiration, "exploring him as a creative soul". The NGV has been hoping to put an exhibition like this together ever since the designer first made a splash in the early 90s, and Mind, Mythos, Muse does indeed venture back that far. The showcase features McQueen-designed items dating back to 1994, and 25 different seasonal collections — with 20 seasons covered from its the NGV's own holdings alone. Accordingly, attendees can check out examples from the autumn-winter 1995–1996 Highland Rape collection, the autumn-winter 2006–2007 The Widows of Culloden range, and spring-summer 2010's Plato's Atlantis, McQueen's final complete collection before his death in February 2010. Various sections of the exhibition dive into McQueen's oeuvre in different ways. With Mythos, for example, three collections inspired by mythological and religious belief systems sit together. Then, in Fashioned Narratives, four collections that showcase his knack for world-building are in the spotlight. Next comes Evolution and Existence, which hones in on his interest in life cycles and the human condition — and Technique and Innovation, which is rather self-explanatory. Finally, Dangerous Bodies is all about early collections with a focus on eroticism and empowerment. Helping pull together all of the above are behind-the-scenes snaps by photographer Robert Fairer, taking audiences backstage at McQueen's shows — because his parades were an event and an art — and 80-plus historical artworks spanning painting, sculpture, photography, decorative arts and works on paper, all hailing LACMA and NGV's collections. "Juxtaposing Alexander McQueen's designs with artworks in a wide range of media opens up a new perspective on his process and artistic legacy. We are thrilled to share this groundbreaking exhibition with Australian audiences," said LACMA CEO and Wallis Annenberg Director Michael Govan. "Alexander McQueen is beloved for his boundary-pushing and highly conceptual designs that set him apart from his contemporaries. With meticulous craftmanship and an intellectual rigour seldom seen on the runways before or since, he created a new vocabulary for fashion design that still resonates today. Comprising more than 120 works, this showstopping exhibition unites the collections of LACMA and the NGV for the very first time, and celebrates the timeless work of one of the true icons of late twentieth century fashion," added NGV Director Tony Ellwood AM. The NGV is no stranger to big fashion exhibitions while the weather is warm, of course, with Alexander McQueen: Mind, Mythos, Muse following its massive celebration of Coco Chanel's work over last summer. Alexander McQueen: Mind, Mythos, Muse displays from Sunday, December 11, 2022—Sunday, April 16, 2023 at the NGV International, 180 St Kilda Road, Melbourne. For more information, or to buy tickets, head to the gallery's website. Images: Installation view of Alexander McQueen: Mind, Mythos, Muse on display at NGV International from 11 December 2022 - 16 April 2023. Photos: Tom Ross and Sean Fennessy.
What do The Simpsons, Star Wars and Shrek have in common? They've all graced the big screen, they clearly share a love for the letter S and they're each huge hits. Oh, and they've all inspired their own firmly adults-only stage parodies, as pop-culture favourites starting with the 19th letter of the alphabet happen to do in Australia, it seems. Somebody once told us that Shreklesque is the burlesque and drag take pop culture's favourite green ogre that you didn't know you needed — and we're telling you that now. (And no, nobody informed you two decades ago that the animated hit would turn out like this, because no one could've predicted it.) On the bill at the aptly named show: the kind of irreverent and raunchy take on all things Shrek that The Bad Collective will be serving up with its upcoming The Stripsons, too — and, while Shreklesque has been around for a couple of years now, earning awards and acclaim in the process, the Aussie production is hitting the road for a national and New Zealand tour in 2022. That means that it's time to make a date with a production that might share a general storyline and a fondness for the colour green with the much less satirical — and actually family-friendly — Broadway hit Shrek the Musical, which came our way a year or so back, but couldn't be more different in a heap of ways. If you're wondering who had the brainwave to turn Shrek into a burlesque show, that'd be Trigger Happy as Shreklesque's creator and director. For this tour, the show's cast includes Bebe Gunn, Rainbow, Tugboat Tiffy, Baron Von Envy, Henny Spaghetti, Barbie Banks, Selin Tian, Rosaline DeRussi, Indea Sekula and De La Vinx. Wearing green is obviously recommended — although you'll be seeing plenty of it on-stage anyway. And if this is exactly your sense of humour when it comes to beloved pop-culture commodities, all that glitters is gold, naturally. SHREKLESQUE AUSTRALIAN TOUR 2022 DATES: February 18–20: The Flamingo at Gluttony, Adelaide June 3–4: Enmore Theatre, Sydney June 11: The Princess Theatre, Launceston June 15–18: The Tivoli, Brisbane June 24: The Astor, Perth June 29–July 2: Athenaeum Theatre, Melbourne July 8–9: The Opera House, Wellington July 16: Entertainment Centre, Darwin Shreklesque tours Australia and New Zealand throughout 2022, starting in Adelaide in February, then picking back up again in June and July. Head to the show's website for further details and tickets. Images: SomeFX.
The GPO is finally back — and it's become a trio of spots behind the same historic facade. Fancy hitting up a 1920s-themed lounge bar? You now can. Prefer a contemporary dining venue? That's on offer, too. And need a new post-work drinks spot? Step right in. Those three spots are The Gatsby, TAMA and The Tax Office, aka the results of a massive makeover. It was in August 2022 that it was revealed that the 136-year-old GPO site was being taken over by Artesian Hospitality, with news of its key staff, three-venues-in-one setup and opening date unveiled since. Then, from early July, GPO started welcoming Brisbanites back through its doors. Now, the full trio of its hangouts behind its heritage-listed facade. Head to The Gatsby not just for cocktails, but for hanging out around the venue's old vault — a reminder of the location's previous iterations. This joint is a late-night, walk-in-only cocktail and whisky bar on the building's upper level, with lavish decor and an upscale mood. TAMA is found on the site's ground level, complete with a private dining room, a cellar stocked with 1000 handpicked bottles of vino and champagne, and Executive Chef Richard Ousby guiding the menu. And at The Tax Office, folks can sit around an island bar and tuck into pub food-style snacks, plus beers both bottled and on tap, and a curated wine list.
UPDATE: MAY 15, 2018 — Because you can't really enjoy a cheese board without a glass of time, The Cheese Riot has this week launched a series of cheese and wine hampers. They range from $119–159, feature some top Australian wines, and can be ordered here. Australian farmers put out some seriously delicious cheese, but, if you live in the city, the best stuff isn't necessarily easy to find. Most are made on country farms, several hours' drive away, and don't often make it to major supermarkets. The good news is that a cheese lover by the name of Anna Perejma wants to change all that. She's the founder of The Cheese Riot, a brand new service brings boutique Aussie cheeses to your doorstep. The Cheese Riot is the result of Perejma travels around the country, sampling all the cheese she could get her hands on. Picking the tastiest and boldest varieties, she's now connecting directly with the cheesemakers and producers where possible, then popping their wares into boxes and sending them to subscribers all over Australia. As well as 600 - 800 grams of cheese per box, each shipment also includes a changing range of Aussie-made accompaniments, such as chutney, pastes, honey and matching teas. Two subscription options are available: the Give Me Cheese box for $89, and the Give Me Premium Cheese box for $129, which features harder-to-find cheeses or special batches. They're sent to most places in Australia, with Sydney metro residents receiving same-day delivery "It's like the Dollar Shave Club, but for cheese," explains Perejma. "Every month, you'll get a selection of cheeses delivered to your house, most made by small producers who live in the middle of nowhere. The idea is to unlock products people want but can't get." It's a venture driven by Perejma's love of Australian wares, and her eagerness to share our delicious dairy products. "Our products are just as good as anything you'll find internationally, but don't get enough recognition." And before you start wondering about Perejma's credentials, her resume includes events officer at the Australian Specialist Cheesemakers' Association — yes, the ASCA really exists — where she recently organised the & Cheese event series that included a Young Henrys beer and cheese pairing and a Four Pillars gin cocktails and cheese pairing at Moya's Juniper Lounge. We're pretty confident you can trust her palate. In addition, Perejma wants to "take the wank out of cheese" and encourage a sense of community around sharing it. "You can enjoy cheese any way you like, be that on your own with Netflix and a glass of wine or with a bunch of friends at a picnic in the park." The Cheese Riot will also be hosting artisan cheese appreciation classes in Sydney, through AirBnb Experiences. For more information about The Cheese Riot, visit their website. By Jasmine Crittenden and Sarah Ward.
Following in the footsteps of Toshiro Mifune, the Japanese acting icon and frequent Akira Kurosawa collaborator, isn't an easy job. But enlisting Hiroyuki Sanada (John Wick: Chapter 4) to tread where the Rashomon, Seven Samurai and Yojimbo star once did is a genius move in television's second adaptation of Shōgun. James Clavell's bestselling 1975 novel has reached the small screen before, in 1980. Back then, with Mifune as war hero Lord Yoshii Toranaga, it told its tale in five movie-length parts. Now, boasting the resolute and restrained Sanada in the role (and also as one of the show's producers), it returns 44 years later as a sweeping, dazzling and thrilling ten-episode miniseries — streaming on Disney+ Down Under from Tuesday, February 27 — that perfects many things, its casting high among them. Sanada has equally well-chosen company; picking him, Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as Shōgun circa 2024's leads is a masterstroke. The 17th century-set series makes plenty of other excellent decisions, but getting its core trio right is still pivotal. Richly detailed, the samurai series knows how to thrust its viewers into a deeply textured world from the outset, with complex performances at its centre an essential anchoring tactic. Sanada's Toranaga is among the political candidates vying to steer the future of the country. Jarvis is John Blackthorne, a British Protestant sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman with her own complicated history, who is also tasked with translating for the Englishman. Each of Shōgun's three key characters encompasses much more than their basic descriptions, of course. The portrayals that bring them to the screen make that plain from the moment they're each first seen. Weight and heft have long lingered in Sanada's layered performances — be it in his turns in J-horror's original Ringu films, or in Sunshine, Lost and Westworld — which befits a regent with his own plans for his nation, separate from his fellow council members, a year after of the death of the last supreme ruler. He cuts a contemplative but determined figure, who is as canny with strategy as with seizing opportunity; Blackthorne's arrival sees him in both modes. Reminiscent of Tom Hardy (Venom: Let There Be Carnage), Jarvis brings raw bluster and astonishment to his part at first, then slowly dawning understanding. As for Sawai, she exudes duty, stoicism, shrewdness and sorrow as a woman whose choices are so rarely her own. When it opens, Shōgun finds feudal Japan in crisis mode given its heir is to young to rule, Toranaga facing enemies and Blackthorne among the first of his compatriots that've made it to the nation, the latter much to the alarm of Japan's sole European inhabitants, all Catholic and from Portugal. While it is indeed still a story where a Westerner enters as an outsider, then becomes enmeshed in the daily goings-on, this Shōgun doesn't ever present Blackthorne's as the only or chief perspective. Sanada is the show's first-billed talent. The series' devotion to unravelling its narrative with Toranaga, Mariko and Blackthorne evenly at its heart never wavers. And, nor does its exploration of perspective — because what a splintering Japanese society means to one of its leaders, an interloper fresh to its shores and someone accustomed since childhood to be at its whims ("we live, and we die; we control nothing beyond that," Mariko says more than once) is completely different. Early in, creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) don't let the fact that "barbarian" is flung around by almost everyone escape attention. Usually it refers to Blackthorne, as used interchangeably with "anjin", the Japanese term for pilot. Toranaga swiftly gleans how handy the Brit's 500 muskets and 20 cannons will be if the acrimony directed his way by his regent counterparts results in war. His new vassal lives at his direction, then, as does Mariko. She'd prefer to surrender her life than exist without her disgraced family or stay with a warrior husband (Shinnosuke Abe, Keiji Shichinin) that she feels nothing warm for, but honour dictates otherwise. It's obligation, too, that has her convince her spouse's niece-by-marriage Usami Fuji (Moeka Hoshi, Turn to Me Mukai-kun) to submit to a heartbreaking decree, which is how Mariko is introduced. In another of the dialogue's aphorisms, people are compared to pebbles that are pushed here, there and everywhere by the elements. It isn't just the metaphor that lands, but also the granularity; Shōgun looks and feels intricate, and is staged and plotted to match. Spies, love, loyalty, courtesan life, gardening practices, earthquakes, rabbit stew, duplicitous allegiances, ambition in a variety of forms, how gravely one's word can be taken: they're all weaved in. In its overarching narrative, Toranaga is beckoned to Osaka, where his main rival Ishido Kazunari (Takehiro Hira, Gran Turismo: Based on a True Story) wants to put him in his place to snatch up overseeing the country for himself. That's truly the framing, however, as is Blackthorne initially washing up in a fishing village. Although Toranaga declares several times that he's not after the titular position, Shōgun is another series for the streaming pile that's about fighting for supremacy, as Game of Thrones and Succession both famously were. As with just the former, it's another grand and gripping epic. While it's impossible not to see those links, knowing that both battling over who'll grasp power and traversing sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. Rather, Marks and Kondo's spin on Clavell's book is a reminder of how magnificent and mesmerising such efforts can be when they're at their very best. The scale is immense, and yet there's no skimping on intimacy. With authenticity as its guide, the minutiae is meticulous, demanding that the utmost notice is paid to everything at all times. The scenery alone is so exquisitely and sumptuously shot that it'll doubtless inspire tourist pilgrimages. Shōgun is visceral, too; gore is also no stranger from the get-go, when being boiled alive proves one way to deal with Japan's newcomers — and frequently from then on, including via seppuku. This is potent, thoughtful and immediately engrossing viewing, and lavish and precisely made also. As skilled at giant setpieces as it is at plunging into political scheming and emotional yearning, Shōgun makes getting drawn in instantaneous. Check out the trailer for Shōgun below: Shōgun streams via Disney+ from Tuesday, February 27. Images: Katie Yu/FX.
Do you remember making time capsules when you were younger? You'd fill a little shoebox with your most prized possessions like an Eiffel 65 CD, a daisy chain your friend made you, and a battered magazine cut-out of Titanic-era Leonardo DiCaprio, and then write a letter to your future self. Twenty years later when it came time to open it you'd either forgotten where it was entirely or found it and wished you hadn't. Well, legendary author Margaret Atwood is essentially doing that with her latest book. It may be housed in a more sophisticated version of your shoebox, but her current work-in-progress will be stowed away unread for the next 100 years. This will all take place because of a larger initiative started by Scottish artist Katie Paterson. The Future Library Project will see one author per year contribute to a collection of works to be published in 2114. This year organisers planted 1,000 trees in Norway that will be used to print the books in 100 years time. Atwood is the first author to take part, but she seems unfazed by the project and its absolutely crippling reminder of our collective mortality. "When you write any book you do not know who's going to read it, and you do not know when they're going to read it," she told The Guardian. "You don't know who they will be, you don't know their age, or gender, or nationality, or anything else about them. So books, anyway, really are like the message in the bottle." In fact, the project raises many questions about the nature of writing and reception. Will people still have books then? Will we speak exclusively in emojis and gifs? How will they convert the text into the direct brain waves they use to input information from their flying cars and jetpacks? In speaking about the project, Paterson stated the 100-year time span was very deliberate. "[It's] not vast in cosmic terms ... it is beyond many of our current lifespans, but close enough to come face to face with it, to comprehend and relativise," she said. It's a scary prospect, and an extremely daring project to take on as a writer. Where an author's job is usually to articulate and discuss life in historical and social context, this throws everything out of whack. The people who will read and review this upcoming work haven't even been born yet! Personally, we've got out fingers crossed we're going to make it. Modern science and all, right? Either that, or we'll just give our great, great grandkids the heads up. Via The Guardian.
Since 1888, a pub has stood on the stretch of Fortitude Valley's Wickham Street approaching Brunswick Street, albeit under different names over the years. And, that's still the case thanks to The Prince Consort — an eight-venue collective that opened in 2020, and serves up both drinks and bites to eat. As every Brisbanite who has visited the Valley in the past few years will know, The Prince Consort has taken over the heritage-listed hotel most recently known as The Elephant. In the process, it has reinstated the site's 132-year-old original moniker, too — so it's a case of the old combining with the new. Sparking the change is the pub's new owners, Tilley & Wills Hotels, which already boasts Sydney's Greenwood Hotel and Oxford Art Factory among its venues. It has given the premises a thorough revamp, including the creation of different new spaces with varying themes and focuses. As manager Jason Hirt explains, the result allows Brisbanites "to choose between a heritage-style classic English pub, a luxe supper club, a Los Cabos-inspired taco and tequila adventure, a music-driven underground edge, a chilled garden bar and more". Live music venue The Foundry is no longer part of the space, but The Prince Consort remains home to Greaser, which was already part of The Elephant — as well as newcomers La La Land, The Garden Bar, 400 Rabbits Cantina, The Bowie Rooms, The Yorke Suites and The Naughty Corner. The Prince Consort itself resides on the ground floor, in the parlour, and operates as a gastropub. La La Land, which is located upstairs, gives venue a luxurious supper club-style bar with booth seating, VIP private rooms, a tapas-heavy menu and the ability to live-stream events from around the world — plus a dance floor beneath a crystal chandelier. Downstairs, The Garden Bar claims the site's openair space, this time with plants, pastel hues and a stadium screen. As the name suggests, 400 Rabbits Cantina is all about food, especially tacos, while The Bowie Rooms live up to their theme and The Yorke Suites are designed for musicians and creatives. And, as for The Naughty Corner, you'll need to head by to see what it's about — but, among all of these venues-within-a-venue, fans of The Elephant's woodfired pizzas can rest assured that they're still on offer. In the kitchen, head chef Jack Powlay (ex-Gerard's Bistro) is overseeing the menu. Drinks-wise, folks can sip their way through 89 beers on tap across the site, as well as sizeable cocktail list.
Good things happen when the minds behind Peters Ice Cream and Gelato Messina come together. In the summer of 2019 — centuries ago — the dessert experts unveiled a limited-edition line of gourmet Drumsticks. Fast forward to spring 2020 and the country is prepping for a summer of social-distancing on beaches and eating plenty of Messina X Peters gelato bars. The new creation, which has just landed in the freezer aisle of your local supermarket, comes in three chocolate-coated, gooey-centred flavours — flavours you'll familiar with if you're already a Messina fiend. You can choose from the choc hazelnut number, which comes with layers of chocolate biscuit, cocoa gelato, a hazelnut sauce and a chocolate coating; the espresso dulche de leche bar, with espresso gelato and dulce de leche enrobed in milk chocolate; or the strawberry cheesecake gelato. The latter sees biscuit, lemon-infused gelato and strawberry sauce covered in light pink chocolate. All three flavours are available at Coles, Woolworths and independent groceries across Australia. Each comes in pop art-style boxes of four, priced at $10 per box of four. If you can't — or don't want to — leave the house, the gelato bars are also available to order Australia-wide via Couchfood. Gelato Messina X Peters Drumstick collaboration gelato bars are available at supermarkets, petrol stations and convenience stores.
Each year, at the turn of winter to spring, Hindus celebrate Holi, a festival exalting colour that leaves participants saturated in bright hues. Holi serves as the inspiration behind the Color Run, a unique 5k race touring 18 United States cities. Runners are invited to join the "3.1 miles of color madness" that comprise the untimed Color Run purely for the sake of a good time. The only race requirements are that all participants wear a white t-shirt and be willing to be greeted with a blast of coloured pigment upon completing every leg of the race. The pigment, made of 100% natural food-grade cornstarch, is colour-specific for each portion of the race. After the first kilometre, runners are splattered with yellow; after the second, they are doused in blue. And so it continues until the end of the 5 kilometres, when each runner is covered head-to-toe in a brilliant mish-mash of every hue imaginable. https://youtube.com/watch?v=ZWsfHC-0d6A [Via PSFK]
Passion. Vulnerability. Determination. This is what Mia Thompson offers when asked what's needed to make a career out of dance. The full-time artist speaks from a position of experience, having had both feet planted in the world of dance since childhood. "I started dancing when I was 4," Thompson shares. "I wouldn't say I was a superstar — just running around in a cute little tutu thinking everything's great. I have six sisters, so I think it was a way to get us into a controlled space together that was also artistic. It's in our family's blood to be artistic." Embarking on any creative journey is difficult — embarking on one as your 9–5 that satisfies your inherent creativity and enables you to share your craft with the world is especially so. With the support of LG SIGNATURE — a proud partner of Sydney Dance Company and supporter of the wider arts community — we had a chat with Thompson, exploring her travels to the world's stages, her current position with Sydney Dance Company and what it takes to be a full-time dancer. [caption id="attachment_866757" align="alignnone" width="1920"] Pedro Greig[/caption] "I THOUGHT WHAT YOU DID WITH DANCE WAS TEACH" Not fussy on her favourite style, Thompson fell in love with all forms of dance. Ballet, jazz, modern, hip-hop — for Thompson, it was a joy to just be moving. In high school, after watching an older sister perform, she realised that the world of dance extended further than the classes she was in. "I thought what you did with dance was teach," she laughs. "I saw the Queensland Ballet do The Sleeping Beauty and I was like, 'They're getting paid to do that?! I want to do that!'" After finishing high school, Thompson joined Queensland Ballet's professional program. "I did one year but the director didn't really like me — he thought I was only doing it 'cos my sister was. I was told it'd be unlikely that I'd get a contract with them, and that I could stay and get my training or find another program with a segue into another company." A heavy blow, but a blessing in the end. Because, what's vital to flourishing in the world of professional movement art? "A school or teacher that supports you as an individual. You can go to the top school in Europe, but it might not be the top school for you. If they don't understand you, they're not going to give you the most that you can get out of yourself as an artist. I was so headstrong on getting a ballet career, so being in a contemporary [dance] company now, maybe Queensland Ballet could see something I couldn't." Following her training in Queensland, Thompson went westwards with a successful audition for WAAPA. Living away from home for the first time, evolving as a dancer and starting friendships, the tingle for travel set in. Thompson secured a spot in the Scottish Ballet where, in 2018, she was promoted to first dancer. [caption id="attachment_865975" align="alignnone" width="1920"] Rimbaud Patron[/caption] LANDING ON HOME SOIL While at the Scottish Ballet, she met her future fiancé. "He wanted to do contemporary and I told him about Sydney Dance Company. We were just friends at this point, and I was like 'You should go'." He auditioned, got in and the pair got together, giving long-distance love a go for a year. In the audience of a Sydney Dance Company production — and seeing the new-found articulation in her partner's body — Thompson had a revelation: "With ballet, you're striving for perfection. Watching the [Sydney Dance Company] dancers — the way they moved and the understanding they had for their body — there was nothing that I could relate to. I wanted that, I wanted to be able to speak on behalf of myself and my body." Dance is a notoriously cutthroat industry. There's limited spots, stiff competition and a relatively short career span. "You have no idea how many dancers, even in Europe, are just desperate to get into Sydney Dance Company. We are the leading contemporary dance company in Australia, even in the world. Young artists leaving school are just so keen to get in, they want to know everything about you, it's like we're celebrities. It's very easy to forget — I remember myself at that age, dancers would walk past and my jaw would drop. Even before I auditioned, that was me looking at the company." The chance to audition arose and she took it. She got the longed-for call and high-tailed it Down Under, finishing her time with the Scottish Ballet as Cinderella. As Thompson speaks, she radiates an almost palpable enthusiasm for her vocation. Sydney Dance Company's stellar reputation is one that has not only been earned, but continues to be a work in progress. "If we're not performing, a typical day starts at 9.30am and ends at 6pm. You rehearse repertoire or create new work, explore ways of moving. You can have your steps, but every day I see dancers in the mirror or talking to each other trying to find new ways to develop it. It literally never stops growing, which is beautiful in itself." [caption id="attachment_866753" align="alignnone" width="1920"] Pedro Greig[/caption] "IT'S FLOW STATE" When seated behind a desk, it's difficult to imagine a work life dedicated to exploring and executing movement. Beyond perfecting shape after shape, there's a bottomless list of to-dos. "After a show," Thompson shares, "you'll see most of the dancers in a cubicle, with our feet shoved in an ice bucket to cool." Plus, there's warm-up classes, prehab/rehab (to safeguard those hardworking bodies), rehearsals, feedback sessions and self-review videos, collaboration, hair and makeup, stage direction and spacial notes. The end result? Expertly controlled dancers commanding the stage, allowing audiences to connect and feel something. When asked what it feels like to perform on stage, Thompson's eyes widen and she lifts her chin. "When I dance I feel a great sense of freedom and release," she smiles. "It's like I'm in a trance. There's no better feeling than feeling completely lost on stage, surrounded by your colleagues. Working with them but also feeling completely alone in this world. It's my happiness, it's my sadness, it's my expressive therapy. It's flow state." Defining what it takes to be a full-time dancer is so subjective that it's no simple task. But, when you reflect on Thompson's persistence and determination, her desire to understand her body and to collaborate on stage, and the palpable energy and emotion that buzzes around her when she speaks about dancing, it's clear that it's not just a job. "Some days can feel like work," Mia finishes. "But the minute you step out on stage, you just get lost in it." A supporter of the wider arts community, LG SIGNATURE is a proud partner of Sydney Dance Company. Head to the website to learn more about the partnership. Top image: Pedro Greig
iAustralia's COVID-19 vaccination rollout has been unfurling at a snail's pace, and amid much confusion — especially regarding which jabs are available to Aussies under 40. They're not the only dilemmas when it comes to getting vaxed, however. Actually being able to access the vaccine is a big issue, obviously, but getting to and from appointments might also be causing you troubles if you don't drive and aren't too keen on catching public transport. To help make travelling to vaccination appointments easier, ridesharing service DiDi is offering discounted rides to hubs and clinics, and to GPs giving the jab — and back as well. The special will give you up to $10 off both trips, with each person getting access to two discounted fares. The discount is available in all areas that DiDi operates in, which includes plenty of places. Sydney, Melbourne, Brisbane, Perth, Adelaide and Canberra are all on the list, as are Cairns, Coffs Harbour, Geelong, both the Gold and Sunshine coasts, Newcastle, Ballarat, Bendigo, Townsville, Toowoomba and Wollongong. Also included: Bunbury, Bundaberg, Busselton, the Central Coast, Gladstone — Tannum Sands, Hervey Bay, Mackay, Port Macquarie, Rockhampton, Shepparton and Wagga Wagga. All up, DiDi is committing $1 million to the scheme, which'll equate to around 100,000 trips. Folks eager to take advantage of the discounted program — which the company is calling DiDi Vaccinate — just need to jump onto the company's app and complete a short questionnaire to get access. "The recent lockdowns across the country, particularly in Sydney, has shown that Australia's vaccination rollout needs to kick up a gear to avoid future snap lockdowns occurring," said DiDi Australia spokesperson Dan Jordan in a statement. "We're happy to be able to play our part in supporting the vaccination drive as we are aware that not everyone has easy access to a vaccination hub, so we're trying to make the process as easy as possible to support Australia's full recovery from the pandemic." DiDi Chuxing launched in China in 2012 and has quickly become a huge player in the global ridesharing game — it has since bought out Uber's Chinese operations and has stakes in numerous companies, including Ola, Taxify, Lyft and Grab. To get your two discounted DiDi Vaccinate trips, download the service's app (for iOS or Android).
Since 2015, gin lovers around the country have tripped over themselves to get their spirit-loving fingers on a bottle of Four Pillars' Bloody Shiraz Gin — and that's before they've even had a sip of alcohol. The limited edition shiraz-infused concoction really is that good. It's one of the most coveted booze releases of each year, in fact. So, we thought you'd like to know that the next batch goes on sale on Tuesday, May 31. If you haven't come across the gin before, it's basically what it says on the label: gin infused with shiraz grapes. This gives the spirit a brilliant deep cerise colour and some sweet undertones (without a higher sugar content). That, along with its higher alcoholic content — 37.8 percent, compared to an average 25 percent in regular sloe gin — makes the Bloody Shiraz Gin a near-perfect specimen. It can be used in cocktails where you'd usually use your regular gin — or you can keep things simple with a G&T. Four Pillars initially created the game-changing gin when it came into a 250-kilogram load of shiraz grapes from the Yarra Valley. Experimenting, the Victorian distillers then steeped the grapes in their high-proof dry gin for eight weeks before pressing the fruit and blending it with the gin, and hoping like hell it would turn out well. It did. 2022's bloody great Bloody Shiraz Gin also comes as a limited-edition option, with Australian photographer and artist Luke Shadbolt helping create an eye-catching bottle. His impressive artwork is printed directly onto the glass, using a copper etching of one of his photographs of the Australian ocean — and is designed to take its cues from Hokusai's The Great Wave. Also bloody excellent: doing more than just selling the cult-favourite drop, Four Pillars has also made Bloody Shiraz Gin chocolate. Using leftover grape skins from crafting the tipple in the spotlight, these fruit and nut chocolate bars have been whipped up by Hunted+Gathered using ground grape skins mixed with cocoa butter and raw sugar, plus cashews and sultanas. If your tastebuds are tempted, it's super-limited, and you can get it in bundles with the Bloody Shiraz Gin. Clearly, it's been a bloody nice time for Four Pillars of late, with the Bloody Shiraz Gin range dropping just weeks after it relaunched its revamped Healesville base. And yes, that's one of the places that you can pick you the new gin and chocolate. The 2022 Four Pillars Bloody Shiraz Gin and Bloody Shiraz Gin chocolate will go on sale around the country on Tuesday, May 31. Bottles cost $85, while bundles with chocolate cost $90. Head to the Four Pillars website to make a purchase — or hit up the Four Pillars Distillery at Healesville, Victoria and the Four Pillars Lab in Surry Hills, Sydney.
International sportswear label Adidas continues its efforts to save the world's oceans, unveiling a new range of running kicks crafted ingeniously from recycled plastic pulled from the beach. It's the latest in a series of collaborations with environmental organisation Parley for the Oceans, with the two groups teaming up to reduce ocean plastic by transforming it into sports gear. Set to drop on April 16, the planet-friendly range features two slick new shoe designs — the UltraBOOST and UltraBOOST X — in variations for both guys and girls. The colour palette of deep blues and greens takes its cues from "the urban harbour", and an integrated NFC chip in the right sole lets you access learning experiences about plastic pollution with a few taps of your phone. But even better than looking and feeling good, each pair means that approximately 11 plastic bottles will prevented from reaching the ocean. This new line follows the success of Adidas' previous Parley collaborations, which sold over one million products in 2017 alone. This year, the two companies have their sights set on cracking the five million mark, which you have to agree is no small drop in the ocean. The UltraBOOST and UltraBOOST X will only be available for a limited time, though keep your eyes peeled for new and updated Adidas X Parley products dropping regularly throughout the year. Adidas has also committed to phasing out the use of newly-manufactured plastic in its products, and to supporting Parley in a range of research and development, innovation and education initiatives. Find the latest collaborative ocean plastic range online and instore.
Australia is no stranger to alcohol subscription services. Signing up to get some top-notch gin or vino delivered regularly to your door turned out to be a pretty popular move last year, after all. But none have taken the concept quite as far as booze retailer Craft Cartel Liquor, which has just unveiled a new subscription that'll send you out an actual craft beer vending machine, followed by a year's worth of refills. Yep, if you thought you had it bad for boutique beer, the El Patron subscription is here to put your obsession to shame. Members will first score themselves a customised vending machine, which'll be delivered to their door. Then, Craft Cartel will refill it with quality independent Aussie brews every three months during your annual subscription, including favourites from the likes of Brisbane's Ballistic Beer Co, Jetty Road on the Mornington Peninsula and Newcastle's Foghorn Brewing. Of course, with up to 400 beers delivered each quarter, this is much more than a solo mission — it's designed to, say, level-up your entire office's after-work drinks game, or offer a crafty addition to your local sports club's beer offering. Just as with the $499 monster-sized 100 Beer Case that Craft Cartel released before Christmas last year, this latest offering doesn't come cheap. In fact, you'll have to rustle up a cool $10,000 a year to afford the annual membership. We hope you have a decently sized work crew or group of beer-loving mates to split that cost with. There are also only four — yes, four — of the vending machine subscriptions on offer, so if you do have the dosh, you'll want to move quick. That $10,000 outlay will get you a few extra perks as well, including a beer pong table, private tastings and tours at a bunch of your local breweries, access to Craft Cartel's premium concierge service, various brewery bar tabs and ten membership welcome packs valued at $2000 a pop. If that all sounds a little much for the bank account, Craft Cartel is also releasing a trio of other new beer club memberships, starting from a far more manageable $20 per month. However, spots for these are very limited, too. Pre-sale for all four memberships — including El Patron — kicks off at 11am this Friday, April 16, with sales open to the general public at 11am on Monday, April 19. To learn more about Craft Cartel Liquor's new memberships — and to sign up for the pre-sale period — head to the company's website.
When John Carpenter gave the world the exceptional slasher flick that is Halloween, the iconic filmmaker also gave us all something to watch each and every October 31. No one wants to limit themselves to just one scary movie on the spookiest day of the year, though. And while the Halloween franchise has plenty of entries (some excellent, some terrible, some average), it's not the only thing worthy of your eyeballs while you're carving pumpkins, eating candy and dressing up in the most frightening costume you can conjure up. While 2020 has been unsettling all round for everyone, it has also served up a heap of unnerving flicks — especially (and fittingly) via streaming platforms. So if your idea of a perfect Halloween this year involves getting reacquainted with that groove on your sofa and binging your way through the latest and greatest horror movies that are currently offer, we've rounded up a ten-movie viewing list that'll do the trick. You'll need to supply the treats, obviously. https://www.youtube.com/watch?v=iZHg9xcK83s THE MORTUARY COLLECTION When The Mortuary Collection begins with a kid on a bicycle making his way towards a creepy multi-level mansion in a remote part of a small town — a mortuary, as the title makes plain — you can be forgiven for thinking that it's about to step into Goosebumps or Scary Stories to Tell in the Dark-style territory. That firmly isn't the case, even though this horror flick serves up an anthology of unnerving tales all framed by an overarching narrative. In the bigger picture, as set in the 80s, Raven's End mortician Montgomery Dark (Clancy Brown, Billions) finds a young woman called Sam (Caitlin Custer, Teen Wolf) hovering around the house. She says she's enquiring about the 'help wanted' sign outside and, as they chat, he starts talking her through the histories of folks who've died in the town. Cue four separate segments that feature everything from tentacled monsters and sleazy frat boys to creepy corpses and escaped asylum patients. Each story within the bigger story tells a tale about bad choices leading to bad outcomes, and they're so richly staged that even the briefest still keeps viewers interested. Writer/director Ryan Spindell might be making his feature debut, but from his handling of the movie's equally ominous and entertaining mood to its well-executed lashings of gore, he has crafted himself quite the calling card. The Mortuary Collection is available to stream via Shudder. https://www.youtube.com/watch?v=Atqf47wM5Gg RELIC It's a recognisable setup: a remote house, a family haunted by decades-old troubles, a murky history that's still leaving an imprint and tension levels rising when, naturally, strange things start to happen. But Australian horror movie Relic has more than a few surprises up its sleeves as it follows three generations of women in a Victorian-based family. In fact, while the slow-burning affair is set in a nerve-shatteringly creepy house that's up there with many a horror great, and it serves up well-executed jumps, bumps and unnerving sensations, this smart, thoughtful and constantly disquieting film also uses its concept and plot to ponder the physical and emotional impact of ageing, including dementia. It all starts with the disappearances of the widowed and elderly Edna (Top of the Lake's Robyn Nevin). Her daughter Kay (Mary Poppins Returns' Emily Mortimer) arrives from Melbourne to join the search, with her own offspring Sam (Bloom's Bella Heathcote) in tow, but then Edna reappears suddenly without any explanation for her absence. In the assured feature directorial debut of Japanese Australian filmmaker Natalie Erika James, Kay and Sam still need to try to ascertain just what happened, though, and work out why Edna's house — and, increasingly, Edna too — seems so sinister. Relic is available to stream via Stan. https://www.youtube.com/watch?v=HNZQ2GG833o SHE DIES TOMORROW When She Dies Tomorrow splashes Kate Lyn Sheil's face across the screen, then bathes it in neon flashes of pink, blue, red and purple, it isn't easily forgotten. It's a vivid, visceral, even psychedelic sight, which filmmaker Amy Seimetz lingers on, forcing her audience to do the same as well. Viewers aren't just soaking in trippy lights and colours, though. They're staring at the expression beneath the multi-hued glow, which seethes with harrowing levels of shock, fright, distress and anxiety. That's understandable; this is the look of someone who has just had the most unnerving realisation there is: that she is going to die tomorrow. Yes, that's the film's premise, with Sheil's Amy believing that her life will end the next day. But it's how the on-screen Amy copes with the apocalyptic news, and how it also spreads virally from person to person, that fuels this gloriously smart and unsettling thriller. Toying with surreal Lynchian moments yet always feeling disarmingly astute, She Dies Tomorrow follows the spread of that potentially paranoid, persecution-driven delusion like a contagion, with the haunting feature's cast also including Katie Aselton (Bombshell), Chris Messina (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)), Josh Lucas (Ford vs Ferrari), Tunde Adebimpe (Marriage Story) and Jennifer Kim (Mozart in the Jungle). She Dies Tomorrow is available to stream via VOD on Google Play, YouTube Movies, iTunes and Amazon Video. https://www.youtube.com/watch?v=jQ8CCg1tOqc #ALIVE Train to Busan and Peninsula aren't the only recent films to wonder how South Korea might cope with a sudden zombie outbreak. The unrelated #Alive also explores the concept, focusing on a video game streamer as an unexplained disease turns most of Seoul's residents into members of the guts-munching undead. Holed up in the seeming safety of his family's apartment, Oh Jun-u (Burning's Yoo Ah-in) doesn't initially take the situation well. As shuffling hordes lurk outside, his dismal food supply rapidly declines, and he worries about the safety of his parents and sister, he attempts to survive — and to fight off the gnawing feeling that perhaps his struggle is futile. A box office hit when it released in South Korean cinemas this year, #Alive never feels as formulaic as its premise might suggest. In fact, this horror-thriller proves constantly tense, and not just because pandemic films have that effect at the moment. Making his first feature, writer/director Il Cho handles the zombie scenes with urgency and makes ample room for quiet moments; however, his best decision is casting the ever-watchable Yoo. #Alive is available to stream via Netflix. https://www.youtube.com/watch?v=RlfooqeZcdY THE PLATFORM Set in a series of confined spaces, stressing the immense disparities between the haves and the have nots, and watching as people fight over everyday items — food, in this case — The Platform couldn't be more relevant to 2020. That's a coincidence, of course, with this twisty Spanish thriller first screening at film festivals in 2019 before hitting Netflix this year. It all starts when Goreng (Iván Massagué) wakes up in a prison cell. He's on level 48 and, as his cellmate Trimagasi (Zorion Eguileor) explains, there are 47 storeys above and who knows how many below. He can see this for himself, however, because the concrete room has a hole in the centre of both the ceiling and floor. Through this opening, their daily meal descends on a platform, before moving to the lower levels. For the folks at the top, that means that a huge feast awaits. Alas, as the platform makes its way down level by level, each cell is faced with leftovers, scraps, bones and eventually nothing. Funny, furious, grim and violent all at once, The Platform is also impeccably staged and shot, stressing the claustrophobia of its setting as well as the dog-eat-dog mindset that quickly develops among its characters. The Platform is available to stream on Netflix. https://www.youtube.com/watch?v=SNlKbqHqGcY HOST Not to be confused with Bong Joon-ho's creature feature The Host, nor with the terrible sci-fi romance of the same name based on a novel by Twilight author Stephenie Meyer, Shudder's engaging horror flick Host is relevant to the absolute minute. Indeed, it could've only been made this year. The setup: bored in COVID-19 lockdown, a group of British friends (Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward and Edward Linard) decide to spice up their weekly Zoom catchup by enlisting a medium to conduct an online seance. Obviously, anyone who has ever seen a scary movie before knows that this is a bad plan, and that things won't end well. It's not so much what happens here that serves up the film's thrills, however, but how director Rob Savage (Strings) unfurls this creepy, timely premise. Frightening and tense features solely set on computer and mobile phone screens are by no means new — see Unfriended, Searching and Profile, just to name a few recent examples — but this is a savvy, cleverly managed and suitably spooky addition to the genre. It'll also turn you off trying to summon the dead next time you jump on Zoom yourself. Host is available to stream via Shudder. https://www.youtube.com/watch?v=auVZKcxV7XQ SWALLOW Some films boast a stellar lead performance, so much so that you couldn't imagine the movie without it. Some find their strength in a clever, astute and engaging premise. Swallow ticks both boxes — and combines them with a mood and look that instantly make an imprint. In the feature debut of writer/director Carlo Mirabella-Davis, young housewife Hunter Conrad (Haley Bennett, The Devil All the Time) seems to have it all. She has married into a wealthy family, her husband (Austin Stowell, Fantasy Island) has a high-flying job, they've been gifted a lavish house surrounded by countryside and she's now expecting. But, when she isn't being left home alone day in, day out, she's expected to be dutiful and doting by her controlling new family. So, to regain a sliver of power over her life, Hunter starts swallowing strange objects. Bennett is phenomenal as a woman slowly awakening to her restricted reality, fighting to break free and coming to terms with her past, putting in a quiet, nuanced yet potent performance. And the film itself walks confidently in the footsteps of masterpieces such as Safe and Rosemary's Baby, while always following its own path. Swallow is available to stream on Stan. https://www.youtube.com/watch?v=NeYWT7CnFK0 SCARE ME Written and directed by Josh Ruben, and starring him also, Scare Me doesn't just like scary movies — it flat-out loves scary stories. Indeed, this pared-back horror film understands that sometimes all that's needed to keep an audience on the edge of their seats is a great tale told well. Its characters, both writers, are all about unfurling creepy narratives. Fred (Ruben) falls into the aspiring category, while Fanny (You're the Worst and The Boys' Aya Cash) has an acclaimed best-seller to her name. With each taking time out in the mountains to get some work done, these two strangers end up in Fred's cabin telling each other disturbing stories when the power goes out (and trying to one-up each other, naturally). For its first two-thirds, Scare Me makes the most of that basic concept. Fred and Fanny perform their tales, sound effects and ominous lighting kicks in — it's a stormy night, of course — and the mood is suitably perturbing. The film also demonstrates its self-awareness, namedropping other genre titles with frequency and sending in a pizza from the Overlook. When this Sundance-premiering feature decides to ponder real-life horrors as part of its layered stories, however, it proves especially potent. Scare Me is available to stream now via Shudder. https://www.youtube.com/watch?v=TJvKDp54YjM SPIRAL It shares its name with the next movie in the Saw franchise, which'll hit cinemas next year. But this Spiral gives a familiar premise a smart, topical and resonant twist. In the mid-90s, Malik (Jeffrey Bowyer-Chapman, UnREAL) and Aaron (Ari Cohen, IT: Chapter Two) move to a small town with the latter's teenage daughter Kayla (Jennifer Laporte, iZombie), seeking a quieter, happier life away from the city. They're initially greeted warmly by neighbours Marshall (Lochlyn Munro, Riverdale) and Tiffany (Chandra West); however, in general territory traversed by many a horror film before this, things aren't quite what they seem. Indeed, when Malik comes home one day to find a homophobic slur graffitied on their living room wall, he starts to get suspicious about the cliquey community they're now calling home — fears that Aaron doesn't share. There is clearly much about Spiral that fits a template, but director Kurtis David Harder and writers Colin Minihan and John Poliquin do an shrewd job of moulding this unsettling movie into a timely statement. The result: a feature that's as much about spooky terrors as societal ones, and that possesses a considerable bite. Spiral is available to stream via Shudder. https://www.youtube.com/watch?v=nj6JIzrIzxk BLACK BOX Blumhouse, the filmmaking company started and run by producer Jason Blum, has quite a number of horror flicks to its name. It's responsible for Get Out, Happy Death Day, the latest Halloween and this year's version of The Invisible Man, with that list only continuing — and in 2020 it has launched a movie anthology series on Amazon Prime Video as well. Black Box is one of the flicks in the Welcome to the Blumhouse franchise, and it's the best of the four released so far. Written and directed by feature first-timer Emmanuel Osei-Kuffour Jr, the Black Mirror-esque sci-fi/horror hybrid focuses on photographer Nolan Wright (Mamoudou Athie, The Front Runner), who is struggling to regain his memory after a traumatic car accident. Then he's given the opportunity to try an experimental new treatment by brain specialist Dr Lilian Brooks (Phylicia Rashad), and this film starts toying with identity, loyalty and ethics. There aren't all that many surprises, narrative-wise, but Athie is excellent, Osei-Kuffour Jr maintains a sense of intrigue and, more often than not, the movie hits an emotional note, too. Black Box is available to stream via Amazon Prime Video.
After heading Down Under for Laneway Festival earlier in 2023, Japanese Australian singer-songwriter Joji will finally give his Aussie and Kiwi fans the chance to catch a glimpse of him at his own headline gigs when he returns for a run of arena shows. The viral hitmaker will make his way Down Under following his current US run of gigs, starting by bringing the Pandemonium tour to Australia's east coast across three dates in November. The tour will kick off in Sydney at Qudos Bank Arena on Thursday, November 16, before moving to the Brisbane Entertainment Centre on Saturday, November 18 and Rod Laver Arena in Melbourne on Monday, November 2o. From there, Joji will cross the ditch and arrive in Auckland for a one-off New Zealand show at Spark Arena on Wednesday, November 22. Joji's debut headline Australian and New Zealand shows have been a long time coming. After fostering a cult following on YouTube, he pivoted his talents to music in 2017, releasing three studio albums across the following six years. The entire trio of albums has spawned Top 40 hits in Australia, New Zealand and the US, and Joji is one of only a handful of artists that can claim to have multiple songs with over a billion streams on Spotify — with 'Glimpse of Us' and 'Slow Dancing in the Dark' both passing this impressive milestone. Concertgoers can expect the heartfelt emotions of Joji's ballads alongside a sprinkling of humour, with his live shows receiving online notoriety for the performer's onstage hijinx between and during songs. Scottish dance producer and singer Sam Gellaitry will be supporting all four dates, alongside rapper SavageRealm, who is currently opening for Joji on his North American tour. JOJI'S PANDEMONIUM TOUR: Thursday, November 16 — Qudos Bank Arena, Sydney Saturday, November 18 — Brisbane Entertainment Centre, Brisbane Monday, November 20 — Rod Laver Arena, Melbourne Wednesday, November 22 — Spark Arena, Auckland Joji will play four shows in Australia and New Zealand in November 2023. Ticket pre-sales start at 12pm on Thursday, August 24 via Frontier Touring, followed by the general sale at 2pm on Friday, August 25. Head to the tour website for further details.
The end of the year isn't just about having a few days off, feasting on too much food and generally feeling merry. It's also about devouring dystopian visions of humanity's technology-saturated future. Because Black Mirror has become as much a part of Christmas as lazing about and eating too much, the Charlie Brooker-created series has dropped its latest instalment: a choose-your-own-adventure-style movie. Called Black Mirror: Bandersnatch and available on Netflix right now, the film lets viewers decide what happens next. Yes, it's really just like the Choose Your Own Adventure books that you couldn't get enough of as a kid. At various moments during the movie, two options appear on the screen, asking you to select your preferred course of events. Picking what kind of cereal computer programmer Stefan (Fionn Whitehead) should eat, and what type of music he should listen to, is just the beginning. Set in 1984, the film follows 19-year-old Stefan as he tries to turn his favourite book, Bandersnatch, into a game — including the novel's branching pathways. His dad (Craig Parkinson) seems supportive, and so does the gaming developer (Asim Chaudhry) who gives him a job, but his programming idol (Will Poulter) keeps making comments about free will. Where the interactive movie goes from there isn't simply best discovered for yourself — it's decided by you as well. Variety reports that the multiple-choice effort features five main endings, if you're keen to see if you can work your way through them all. Black Mirror: Bandersnatch can be viewed in as little as 40 minutes, although it typically takes 90 minutes to get through. Before you start literally hitting the remote over and over, here's the trailer: https://www.youtube.com/watch?v=XM0xWpBYlNM Black Mirror: Bandersnatch is now streaming on Netflix.
Every year during our wintertime, so many lucky folks jet off to Europe and other parts of the northern hemisphere seeking sin-filled holidays, but there are still stacks of Aussie destinations that are warm and summery throughout the year. If you're seeking a coastal vacay, there's no need to get on a long-haul flight — especially with the likes of Byron Bay being a short trip away. In northern NSW, this dream destination boasts sun, sand and rainforest in abundance. Plus, it's full of romantic studio spaces and quaint coastal bungalows, ideal for unwinding with your significant other or favourite travel buddy. We've done the hard work for you and rounded up 20 of Byron Bay's greatest couples' escapes. Book a favourite, pack your bags and prepare for that well-deserved beach retreat. Recommended reads: The Best NSW Glamping Spots The Best Hotels in Sydney The Best Beach Camping Sites in NSW The Best Luxury Stays Near Sydney WOLF BEACH RETREAT, BYRON BAY A sleek, modern take on the classic beach shack, complete with open-plan living and secluded backyard. Cocktails on the deck are a must. How much? From $295 a night, sleeps two. THE STUDIO, BYRON BAY Decked out in soothing whites and natural finishes, this serene hideaway is primed for maximum relaxation. Check in and recharge in style. How much? From $263 a night, sleeps two. THE BUNGALOW, BYRON BAY It's hard not to embrace the Byron lifestyle at this relaxed coastal retreat, featuring modern boho styling throughout and a tropical garden out back. How much? From $427 a night, sleeps four. BEST LOCATION IN BYRON, BYRON BAY This stylishly minimalist studio space is the epitome of a calming getaway. It's filled with natural light and located just a quick stroll from the beach. How much? From $271 a night, sleeps two. LUXURY LOFT, BYRON BAY New York loft meets tropical bungalow for this breezy Byron hideaway. Get set for daily soaks in the outdoor tub, surrounded by nature. How much? From $395 a night, sleeps three. HILLSCAPES STUDIO, BYRON BAY Escape the hustle at this serene studio space, among the trees. A fireplace promises cosy nights and the deck boasts panoramic views. How much? From $242 a night, sleeps two. CACTUS ROSE VILLA, BYRON BAY With chic white interiors, a palm-fringed pool and a romantic loft-style bedroom, this private villa will have you living the holiday dream. How much? From $548 a night, sleeps two. PACIFIC EDGE, BYRON BAY Want to wake to the sound of the waves? This self-contained couples' escape is newly built and perched just minutes from the beach. How much? From $220 a night, sleeps two. BYRON BAY STUDIO, BYRON BAY A designer retreat for two, complete with glass-walled bathroom, secluded terrace and roomy outdoor tub. All just a quick hop from the beach. How much? From $379 a night, sleeps two. BAM STUDIO, BYRON BAY The luxurious self-contained hideaway you'll never want to check out of. Destress with the help of a private leafy garden and sun-dappled deck. How much? From $292 a night, sleeps two. EAST COAST ESCAPES STUDIO 105, BYRON BAY A contemporary coastal abode boasting a sun-drenched deck and beachy white colour palette, this one's handily located between the shops and the sand. How much? From $262 a night, sleeps two. JADE STUDIO, BYRON BAY Swap city life for some time spent recharging at this bright, breezy studio. It's got a sunny courtyard, outdoor shower and cracking location close to the shoreline. How much? From $297 a night, sleeps two. THE LOFT, BYRON BAY This beautifully restored cottage has cruisy coastal vibes on tap, just a ten-minute walk from Byron's Main Beach. The ultimate couples' hideout. How much? From $633 a night, sleeps two. THE APOLLO STUDIO, BYRON BAY Your own Mediterranean-inspired paradise, in the heart of town. With luxe fixtures and a leafy courtyard, this self-contained bungalow is a true holiday gem. How much? From $252 a night, sleeps two. THE TREEHOUSE, BYRON BAY A light-filled hilltop escape, with sweeping views across the trees. This designer space boasts a leafy terrace and ten acres of lush green backyard. How much? From $283 a night, sleeps two. SCANDINAVIAN SIMPLICITY, BYRON BAY Filled with luxe touches and boasting its own sunny green courtyard, this Scandi-inspired studio has holiday charms aplenty. An ideal escape for two. How much? From $180 a night, sleeps two. BASK & STOW SEA, BYRON BAY A cheery splash of Palm Springs style, by the beaches of Byron. This whitewashed villa features resort-worthy interiors and a sparkling plunge pool. How much? From $448 a night, sleeps two. PARADISO PROPERTY, BYRON BAY Embrace beachside living with a stay at this quaint bungalow for two. It's a breezy, open-plan situation, flanked by two grassy, sun-drenched courtyards. How much? From $339 a night, sleeps two. BOUTIQUE RETREAT, BYRON BAY A cheery self-contained apartment that's sure to win you over with its plush linens, palm-filled courtyard and pink stone outdoor tub. How much? From $275 a night, sleeps two.. ARTFUL WAREHOUSE CONVERSION, BYRON BAY Swap the beach shacks and bungalows for a stay at this lofty converted warehouse, featuring mod-industrial styling and some primo mountain views. How much? From $344 a night, sleeps two. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Potential is such a loaded term. Everyone is meant to have it. We're all petrified that we're not realising it. Chasing it, searching for it, grappling with it and coming to grips with possibly not living up to it — and that it can change and evolve as well — can all knock a person off-kilter. That's true of life, and also within Apple TV+ dramedy The Big Door Prize in both its 2023-premiering first season and now 2024's second season. Lead Chris O'Dowd, like everyone, knows that the baggage that comes with the word is inescapable. "I think you're right in that potential is such a loaded term and such an arbitrary one, really. We've just decided that this could be a thing. There isn't any proof for anything, if we want to buy into the premise that a potential is something that exists at all," The IT Crowd, Bridesmaids and Juliet, Naked talent tells Concrete Playground. "So I shudder to think, but it's probably true that it comes from some sense of entitlement to something better than you have or you are. And I think that keys into all of our egos. And, I suppose as a structure for a series, therefore it makes a lot of sense." Adapted from MO Walsh's novel of the same name, with Schitt's Creek alum David West Read bringing the text to the screen, The Big Door Prize pushes the concept of potential in more than just a general sense. At its heart is a machine that could be magical and is definitely mysterious: the Morpho, which turns up in the fictional US town of Deerfield out of the blue to spit out blue cards with white text proclaiming what everyone should be. Dusty, O'Dowd's high-school teacher character, is told by the contraption that "teacher/whistler" is his destiny — once he slowly warms up to giving the gadget a go after being the local cynic at first. But for him, as for his loved ones and neighbours, receiving a piece of paper that proclaims to inform you of your life's purpose doesn't provide all of the answers. Big questions sit at the heart of this thoughtful and contemplative dramedy, clearly. Also navigating how to react to the Morpho — and, of course, to the idea that anything can advise you what you should be devoting your existence to — is Deerfield's resident ex-hockey player-turned-Italian restaurateur Giorgio. As played by Josh Segarra, he's a dose of almost-constant optimism, as the Scream VI and She-Hulk: Attorney at Law actor also was in now-dearly departed comedy The Other Two. Giorgio doesn't share Dusty's uncertainty about the Morpho, but a card announcing "superstar" doesn't set him on a straightforward path, either. Getting existential comes with the series, then — a show that feels perfectly timed for the pandemic era, O'Dowd notes, as everyone reassesses what they want out of life and who they want to be after such a jolt of a period. But when you're starring in The Big Door Prize, your job is to take the audience on that journey, Segarra advises. "We just have to play each moment to each moment and make it as believable as possible, and then allow the viewers to ask the questions," he explains. Acting in the series doesn't stop you wondering what you'd do if a Morpho appeared in front of you, though, or what you'd want your card — or vision, the machine's next level, which features 32-bit clips instead — to show. With season two of The Big Door Prize now streaming, plunging back into a community that's flocked to a clairvoyant console to give them the answers that everyone wants, we chatted with O'Dowd and Segarra about their first reactions when a series about a mysterious machine that tells everyone their life potential crossed their paths — and also their dream Morpho fortunes, the show's mix of comedy with hope and tragedy, what gets them excited about a new project and more. On O'Dowd and Segarra's Initial Reactions to a Show About a Small Town That's Upended by a Mysterious Machine That Tells Everyone Their Life Potential Chris: "I was intrigued. I read the book first — because I always find if you have that opportunity, and sometimes that's not the case, but if the opportunity arises where you can read the book first, I think it's a better process of doing it. Because it means that you first find what the intention of the writer is, and then the person who's adapting, you know instantly what their intention is by what they've left out. And I thought as a premise it was very intriguing and promising. Reading this mid-COVID, it kind of offered this reset to life that I think people were discussing anyway, and that something could act as a catalyst for that reset and this recharging of their new versions of themselves. In a post-pandemic world, it felt very attractive to get on-screen. That's what I thought initially." Josh: "I love what you said about that because that's the truth. The way the book reads, MO Walsh's book, it reads very spiritual — and it's fiction, and you're still following these characters, but in a way, it also felt like a self-help book, because as you're reading it you are in your time with the characters asking the same questions. So then you get to our show, that's no longer our job to ask the big questions that we're delivering. We just have to play each moment to each moment and make it as believable as possible, and then allow the viewers to ask the questions." On Dusty's Journey From Being a Cynic About the Morpho to Using It as a Guide — and What That's Like for O'Dowd to Play Chris: "Poor old Dusty is clutching his straws. Emotionally and mentally, he doesn't know how to deal with these huge upheavals in his life. He felt fairly settled, so it's fun to play somebody who goes from probably the biggest cynic in town about this new machine — they put up a kind of ideological forcefield against the idea of it being anything — and then becomes really the rabble-rouser for it and the Pied Piper, leading people back to. It speaks to how much upheaval it has had on his own mentality. So there's a lot of nice little meandering changes going on for Dusty, so I feel very lucky for that." On What Appeals to Segarra About Playing a Character with Such Outward Optimism in The Big Door Prize – and in The Other Two as Well Josh: "Probably the way that it makes me feel after I'm done every day. I like playing positive characters because they allow me to put their shoes on for a day and allow me to feel pretty positive. I feel like it always feels better when you're putting out love, when you're putting out kindness — so when I play characters like that, it makes me feel like I went through like a like a flight simulator. I was in the flight simulator, I didn't have to fly the plane, but it sure felt like I did. And I like finding the heart of the characters, so sometimes they might be written one way and I'm going to try my best to figure out what makes them tick, what makes them move. But these, thankfully, are written with a lot of heart, both Lance and Giorgio." On Contemplating, or Not, the Human Need for Answers and for Validation When You're Making a Show About a Magical Machine That's Giving Life Advice Josh: "I try not to think about it too much. It was Chris yesterday that said something that I've been thinking about. He dropped so many gems on me. Yesterday, he said 'our jobs are playing the triangle in an orchestra, and we can't concern ourselves with what the drums are doing'. So the drums in our case are David and our writers room. They're taking these ideas, these big questions and making sure that they're seamlessly strewn about. But our jobs are to take the moment and make it as believable as possible, get from A to B and tell the story the way it needs to be told." On Finding the Balance of Comedy, Hope and Even Tragedy in The Big Door Prize Chris: "There's so much pathos going on with Dusty, and a lot of ups and downs. And tonally, it can be tricky sometimes, because you want people to be invested in the sadness of a breakup while also not letting the laughter completely die out. I think it's important for us to always keep those balls in the air. Otherwise, you're just watching a single ball — and that's the worst job I've seen." Josh: "The worst." Chris: "I'll watch it for a while just because I like seeing people do stuff with their hands." Josh: "That would be a funny act, if you never added the second and third ball. It'd be like an Andy Kaufman bit." Chris: "Yes, it would really depend on how it was lit." On What Gets O'Dowd and Segarra Excited About a New Role, and a Project Like The Big Door Prize, at This Point in Their Respective Careers Chris: "For me, this one was fun because it was such a big idea. And I think getting inside the guts of that can be very satisfying. Because you're really just trying to make a lot of it — when you're playing the kind of role I am, anyway — relatable. You're the audience, really. When you're kind of the grounded person in a show saying 'this doesn't make sense, guys' a lot and then become romantic about what would happen, actually, if it were all true — that's probably how we want the audience to feel. You want them to feel a little cynical at the start so you have to somehow reel them in. I was interested by the prospect of that. And I grew up if watching those Amblin movies where you tell very detailed truths through a very high concept. In the same way that ET was about divorce and Jaws was about getting old, this is in many ways about the great reset. And so to be part of the big idea like that was enticing." Josh: "Exactly that. Plus the idea that I'd get to work with Chris. I'd get to play a former professional hockey player." Chris: "Woo!" Josh: "I'd get to wear track suits for my entire wardrobe. And we got to live in Atlanta while we did it. All pretty good things. I'm still asking Apple to let me jump to the front of the line at the Genius Bar, but they haven't really approved that that request quite yet." On Whether O'Dowd and Segarra Would Use the Morpho If It Was Real — and What They'd Hope Their Card Would Say or Vision Would Show Josh: "Absolutely." Chris: "Oh yeah, I'd do it. I'd do it. In like Flynn, why not?" Josh: "In a heartbeat." Chris: "Rich poet." Josh: "That'd be fun." Chris: "I don't know what, maybe it's inherited — but you know, it's a magic card, so it doesn't really matter." Josh: "I like that. I'd like to go with a chef. I wish I knew how to cook better. I can cook a couple mean meals, like I make a nice chicken parmesan, I make a good breakfast. But I'd like to be able just to kind of — you know those people that can look in their fridge and see what's left and then throw together an amazing meal? I'm not one of them and I wish I was." The Big Door Prize streams via Apple TV+. Read our reviews of season one and season two.
Get ready for red carpet specials, awkward presenter gaffes and all the bitter celebrity reaction shots your heart could possibly desire — it's time for the Oscars. This means one thing for all of us playing at home and not taking away $150,000 gift baskets: Concrete Playground's 2015 Academy Awards Drinking Game. As always, both Concrete Playground and the Academy support responsible drinking and the brevity of acceptance speeches. Now, thank the Academy and get into it. ONE SIP Jack Nicholson wears sunglasses. Harrison Ford wears an earring. Diane Keaton wears gloves. Harvey Weinstein is mentioned. Neil Patrick Harris (NPH) sings during his opening monologue. Jennifer Lawrence does something adorably 'real' (three drinks if it's a fashion mishap). Winner thanks God or Jesus. Winner 'pays tribute' to his/her extraordinary fellow nominees. Winner's speech is played off by the orchestra. Channing Tatum misreads his teleprompter (three drinks if he reads 'Channing' or 'Pause for laughter' aloud). TWO SIPS NPH makes a Birdman / Batman joke (three drinks if Michael Keaton does). NPH references the leaked Sony emails. Rosamund Pike makes a joke about her co-presenter being scared of her (five drinks if it’s actually funny). Steve Carrell prosthetic nose is joke-nominated for 'Best Supporting Actor'. NPH jokes that the bathroom queue is the only thing bigger than Chris Hemsworth's arms. Eddie Redmayne and Benedict Cumberbatch do a bit together about playing mathematical geniuses. You’ve actually heard of any of the nominees for 'Documentary Short Subject' or 'Foreign Language Film'. Matthew McConaughey says any (or all) of: 'Alriiiight', 'Okaaay' and 'Wooooow'. JK Simmons jokes that the orchestra is not quite in time. NPH does a bit involving a Birdman voiceover in his head that mocks various nominees. Robin Williams gets the biggest applause during the 'In Memorium' section. Someone jokes that American Sniper is the only thing more divisive than the war it's set in. Winner describes his/her film as 'important'. Winner describes his/her film’s director as 'a genius'. Brad Pitt pokes fun at actors who become directors (CUT TO Angelina Jolie smiling). Chris Hemsworth has a ponytail. THREE SIPS Liam Hemsworth has a ponytail. NPH reads the leaked Sony emails. TARS from Interstellar presents an award and tells the best joke of the evening. John Travolta welcomes to the stage "Academy Award Winner — Royce Witherspork" You’ve actually seen of any of the nominees for 'Documentary Short Subject' or 'Foreign Language Film'. Winner thanks Allah or Mohammed. Meryl Streep acknowledges her now 19 nominations and says "One more and I get a free meatball sub." NPH jokes that Boyhood is nothing special because he did Doogie Howser back in '89 and we've been watching him not grow up ever since. Any joke about Alan Turing being the only one who could make sense of something (five drinks if it's Oscars voting). Someone from The Theory of Everything thanks Stephen Hawking instead of God. NPH attempts to break Ellen's record for most-retweeted selfie. Mickey Rooney gets the biggest applause during the 'In Memorium' section. Joaquin Phoenix comes dressed as a turn-of-the-century blacksmith. NPH jokes that there have been 'back to back' gay hosts for the Oscars (five drinks if he then says he's looking forward to Clooney hosting in 2016). Selma wins Best Picture but the director isn't allowed to walk all the way to the stage. Congratulatory kiss or embrace from presenter 'gets awkward'. CHUG YOUR DRINK Bruce Willis has a ponytail… or a combover. NPH sings his opening song in black face to redress the 'white nominees only' situation (we genuinely hope he doesn't do this). Peter Jackson announces plans to turn his valet parking receipt into an epic nine-hour trilogy. Meryl Streep comes in a dress made from all her melted-down Oscars. JK Simmons hurls his award at the orchestra’s drummer and levels the most horrific slur in broadcast history. ISIS wins 'Best Foreign Short Film'. Grand Budapest Hotel wins Best Picture, Kanye crashes the stage and says Hotel Rwanda was easily the better hotel. Michael Keaton wins Best Actor but, having gone too deep into character, produces a gun and goes 'Full Birdman'.
You can always count on Hunter S. Thompson for memorable epigrams and useful life lessons. The same man who pioneered Gonzo journalism, penned Fear & Loathing in Las Vegas and requested that he have his ashes fired out of a cannon has always been good for a bit of advice. And as an inveterate drinker and connoisseur of a range of substances, he tended to know what he was talking about. Since his suicide in 2005, various bits and pieces have posthumously emerged from the Thompson archive, most recently with Playboy's publication of its entire correspondence with him during the 1960s and 70s. This, of course, was when Playboy was a little bit classy, and included writings from Vladimir Nabokov, Kurt Vonnegut, Anne Sexton and Saul Bellow amongst its pictures of scantily-clad women. Found amidst the papers was Thompson's hangover cure, undated and scrawled on stationary from the Beverly Hills Hotel. The cure reads: "P.S. — inre: Oui's request for "my hangover cure" — it's 12 amyl nitrites (one box), in conjunction with as many beers as necessary. OK H." That's right kids, it's beer and amyl nitrate that will really kill that throbbing in your skull. According to Hunter S. Thompson, anyhow. If you want to check out the rest of his Playboy correspondence you can do it here. [Via Gawker]
When a TV show is as warm as Ted Lasso — when it feels like getting a hug in TV form while you're watching it, in fact — wanting to step right into its frames is an understandable reaction. Fans of the hit soccer-themed sitcom will be able to go one better in October, however, if they're lucky enough to score one mighty nice Airbnb booking: The Crown & Anchor, aka the show's go-to pub in the heart of Richmond. Taking a page out of Ted's (Jason Sudeikis, Saturday Night Live) book, here's a few things for you to believe in: yourself, always; that you deserve a London getaway; and that you can nab one of the three reservations for this AFC Richmond-themed stay. Like all of Airbnb's pop culture-related listings — see also: Hobbiton, the Paris theatre that inspired The Phantom of the Opera, the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage, to name just a few — this one is around for a spectacular time but not a long time. The Crown & Anchor will be open for three overnight visits: on Monday, October 23, Tuesday, October 24 and Thursday, October 25. Each booking will welcome in four Ted Lasso-loving Greyhounds supporters, though, so you can gather your obsessed mates and plan one helluva UK jaunt. As well as a night in the pub that's located right around the corner from Ted's apartment — and maybe a dash of the American coach's always-upbeat attitude just by stepping onto the show's home turf — the three groups that nab the reservations will also enjoy nods to the series in a number of ways. You'll sit down to pub fare from The Prince's Head (aka the IRL pub) over a discussion about all things Ted Lasso, wear AFC Richmond gear and cheer on local Richmond sports teams. You'll also play darts, give the pinball machine a go, sit at Ted's go-to table for a round of chess and sing karaoke. And, all that AFC Richmond merch hangs in the bedrooms as well. Biscuits are also part of the visit — naturally — over tea (sorry, Ted is wrong when he calls it "garbage water"). And, you'll be welcomed virtually by the show's Mae, who is played by Annette Badland (Midsomer Murders). All of the above will set you back just £11 (AU$20) plus taxes and fees, with the price reflecting the number of soccer players on the pitch. That said, while the once-in-a-lifetime accommodation comes ridiculously cheap, you do still need to fork out for your flights there and back, plus everything else to do with your London trip. If you're keener than Roy Kent (Brett Goldstein, Uncle) about scowling or Coach Beard (Brendan Hunt, Bless This Mess) about saying as little as possible, you'll need to try to score a reservation at 5am AEDT / 4am AEST / 7am NZDT on Wednesday, March 22. When that date rolls around, you will have seen the first episode of Ted Lasso season three, too — and likely be even more eager to get as close as you can to slipping into the show. And if you strike it lucky with the reservation and want to go all Beard After Hours while you're at The Crown & Anchor, that's up to you. For more information about The Crown & Anchor's listing on Airbnb, or to apply to book at 5am AEDT / 4am AEST / 7am NZDT on Wednesday, March 22, head to the Airbnb website. Images: Henry Woide. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Do you like Italian food? Then let us introduce you to the happiest place on earth. Your stomach has probably been craving pasta, pizza and gelato since news of Eataly World first started circulating — and those rumbles are only going to get louder now that the world's first Italian food theme park has opened. Located in Bologna, Italy, and calling itself an agro-food park, the site takse patrons on a trip from the field to the fork. That involves six interactive experiences, more than 40 places to eat, over 100 stalls and shops, and a dedicated parmesan cheese bar. In fact, over nearly 20 acres, Eataly World features restaurants, kitchens, grocery stores, classrooms, farms, laboratories and more, showcasing everything from livestock, dairy products and the cereals that become pasta, to preserves, Italian desserts and the best in both boozy and non-alcoholic beverages. As well as boasting free entry — aka making a good thing even better — Eataly World offers ticketed daily classes on pizza, pasta, gelato sorbet, truffles, wine, olive oil and more as part of its schedule, ensuring visitors don't just wander through this Italian food-focused realm, but can pick up a few new skills as well. To get around the massive area, bikes are also available. Eating, drinking and cycling in Italy: it sounds like a culinary holiday dream. The park is the latest venture from Oscar Farinetti, the founder of Italian food and grocery chain Eataly, which has locations in New York, Boston and Dubai. And while it has taken some time to come to fruition — it was first announced a few years back, and then set for a 2015 opening that didn't happen — it looks like it has been worth the wait. Speaking to Eater last year, Eataly vice-president and Eataly World CEO Tiziana Primori said the park would mix entertainment with education. "We call it from the farm to the fork because you can see all the steps of the chain, from the animals to the raw materials and workshops and restaurants." The hope is that the park will attract as many as 10 million visitors each year, providing a boost to Bologna tourism in the process. The city already boasts a number of gastronomic attractions, including a medieval marketplace and the world's only gelato university. https://www.youtube.com/watch?v=ou5uPuVBub4 Via Eater. Images: Eataly World By Tom Clift and Sarah Ward.
The Noosa Eat & Drink Festival is making its grand return in 2024 with a fantastic epicurean program worthy of a journey to the Sunshine Coast. There aren't many events that bring leading chefs, acclaimed restaurants, live music and beach parties together, but this event offers all that and more in one of the country's most picturesque coastal destinations across four days from Thursday, May 30 to Sunday, June 2, 2024. From multi-course lunches at Noosa's buzziest hotspots to celebrity chef masterclasses and sunset drinks on the beach, read on for the various mouthwatering ways to experience Noosa Eat & Drink in 2024. Festival Village The heart of the Noosa Eat & Drink Festival is the two-day Festival Village across Saturday, June 1 and Sunday, June 2. Grab your tickets for one of the interactive chef-hosted masterclasses including a Bandita Masterclass with Jason Jones and Seabourne Distillery, and a dessert masterclass with sweets superstar Anna Polyviou. Then grab a wine, beer or cocktail from world-class purveyors as you explore the Producers Pavilion throughout the day to procure local honey, condiments, ceramics and more. This year's Main Stage program at the Festival Village will showcase cooking demos led by notable foodie personalities and celebrity cooking competitions. Once the sun goes down, a lineup of entertaining performers will keep the crowds warmed up, from guest DJs to six-piece live band Bermuda Social. You can regularly recharge with a bite from one of the pop-up restaurants and stalls, or unwind in style at the VIP Lounge. VIP ticket-holders can enjoy a complimentary welcome drink of Chandon Garden Spritz and catering by Lanai Noosa in lounge seating on a private lawn. They'll also get front-row seating by the main stage and priority entry. Book your Festival Village tickets here. Beach Events The festival will take over Noosa Main Beach with back-to-back twilight events and a Sunday brunch from Friday, May 31 to Sunday, June 2. These sprawling oceanside shindigs are so sought after that one of them sold out within a couple of days of tickets going on sale. That's right, tickets for the official opening party on the Friday evening have already been snapped up entirely. However, the Sunday Festival Sundowner — the beach party that caps off the weekend with tequila, dancing and revelry — is now on sale so get in quick. Earlier on the Sunday, The Minuty Beach Brunch will take place with a menu curated by George Calombaris and MasterChef alumni Sarah Todd, paired to complement the flavour profile of Château Minuty rosé which will be flowing on the day. Book your tickets now. On Saturday, June 1 Noosa Main Beach will be taken over as the Saturday Beach Club where groups can book tables or picnic rugs and enjoy Italian-style grazing platters by Locale and drinks for a leisurely hang to make the most of the gorgeous setting. Rally your crew and book in for a session pronto. Restaurants It wouldn't be a spotlight on Noosa's food scene without the involvement of beloved local restaurants. Refined classics Locale, Noosa Waterfront and Season will join fresh favourites Seabourne Distillery, Mariella Mexicantina, Bandita Mexican and Sum Yum Guys for special menus and exclusive events. Among the highlights: The Locale Long Italian Lunch presented by Cloudy Bay for which the terrific Hasting Street Italian eatery is collaborating with visiting chef Will Cowper of Otto Brisbane for a traditional Italian-style feast paired with Cloudy Bay wines. Tickets go on sale from March 14. Another option is going down a little further south at the Peregian Beach Hotel for the Local Love Lunch where guests will enjoy a four-course lunch starring the best local and native produce with beverages courtesy of Seabourne Distillery and wines from Alpha Box & Dice. Get tickets here on March 14. If a Mexican feast with mezcal is more your speed, get on board for the Bandita Late Lunch, where the Bandita Noosaville team will join forces with Mextrade — Australia's top distributor of tequila, mezcal and Mexican craft spirits. Tickets will be available here from March 14. And one of the waterfront institutions of Noosa Main Beach, Season Restaurant, is hosting a lavish Asian dining feast at the Season Restaurant x Shaw + Smith Lunch with wines courtesy of the renowned Mclaren Vale winery at which winemaker Adam Wadewitz will be on hand to guide you through each pairing. Bookmark this link to secure your tickets. There's also a special collaboration between Khanh Ong and Betty's Burgers, a gin tour, a local craft beer tour, and a laneway party at Noosa Junction. There will also be a floating dining experience on the luxe Catalina Noosa and even an island takeover. Tickets are strictly limited and sold separately per event, so make sure to get in quick. Purchase tickets and find out more at the Noosa Eat & Drink Festival website.
What music goes best with turning eight-million Lego bricks into the largest collection of life-sized Lego Star Wars models ever assembled? 'Luke's Theme', aka the franchise's main tune? 'The Imperial March' when things get tricky? 'Parade of the Ewoks', just because? That's a question for Ryan McNaught aka Brickman, who has been spending time turning plastic rectangles, squares and other shapes into a recreation of a galaxy far, far away. The end result: Lego Star Wars: The Exhibition, which is a world-first showcase of Lego models based on the George Lucas-created space saga. It'll arrive in Australia in 2025, making its global premiere — and it sparks another question for attendees: which tracks will pair well with walking through this Lego Star Wars wonderland? The force is strong with this one — the Lego-building force, that is. Exactly where all of those millions of Lego bricks will display hasn't been revealed as yet, and neither have exact exhibition dates, but you can start getting as excited as a Skywalker learning how to first use a lightsaber. The full list of models that'll feature also hasn't been unveiled so far, but battle scenes between Luke Skywalker and Darth Vader will be on display, plus Qui-Gon Jinn and Darth Maul duelling, and also Emperor Palpatine's throne flanked by two Royal Guards. If you're in Melbourne and Sydney, you can also get a sneak peek right now — with the first two at Westfield Doncaster from Wednesday, May 1–Monday, May 6, and the third at Sydney Arcade's huge Lego store (the world's largest, in fact) for the month of May. As it constructs an immersive experience and follows in the footsteps of the Jurassic World franchise, which has also scored the Lego treatment from Brickman, Star Wars: The Exhibition has plenty of material to draw upon. On-screen, the series spans the initial film trilogy that released from 1977–83, then the prequels from 1999–2005, then the sequels — including The Force Awakens, The Last Jedi and The Rise of Skywalker — from 2015–2019. Rogue One, Solo, The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi, Andor, Ahsoka: the list goes on across the big and small screens. There's also TV's The Acolyte, which arrives in June 2024, plus the wealth of animated efforts in the saga. "Building real people and characters is one of the hardest things you can possibly make out of Lego bricks. Each model not only has to represent who it is in incredible detail, but also needs to capture the moment, the emotion, the struggle, the tension," said McNaught about Lego Star Wars: The Exhibition. "Translating those epic scenes, iconic characters and spacecraft from Star Wars into little bricks is really hard and that's why they are rarely done, and even more so on this scale. Nobody has ever recreated these fight scenes at this scale out of Lego before — and I'm excited to be able to help premiere this in Australia for the first time in 2025." Lego Star Wars: The Exhibition will hit Australia in 2025, with when and where still to be revealed — we'll let you know more when it is announced. Head to the exhibition's website to sign up for updates in the interim.
Whether it sports a catchy beat, an intoxicating riff, a punchy melody or instantly quotable lyrics, a brilliant pop tune never gets old. As Girls5eva demonstrates with its second season, the same proves true for smart and hilarious sitcoms about pop stars who climbed the charts, lived the late-90s/early-00s girl group fantasy and, two decades later, are trying to become more than one-hit wonders. And yes, this Tina Fey-executive produced sitcom — which shares the same joke-avalanche approach that 30 Rock, Unbreakable Kimmy Schmidt, Great News and Mr Mayor do, too — is also filled to the brim with ridiculously infectious songs. When it first hit streaming in 2021, Girls5eva introduced viewers to the eponymous band when reclaiming their fame wasn't even a blip on their radars — until, unexpectedly, it was. Dawn Solano (Sara Bareilles, Broadway's Waitress), Wickie Roy (Renée Elise Goldsberry, Hamilton), Summer Dutkowsky (Busy Philipps, I Feel Pretty) and Gloria McManus (Paula Pell, AP Bio) had left their days as America's answer to the Spice Girls behind, barely staying in contact since the group split and their fifth member, Ashley Gold (Ashley Park, Emily in Paris), later died in an infinity pool accident. But then rapper Lil Stinker (Jeremiah Craft, Bill & Ted Face the Music) sampled their single 'Famous 5eva', and they were asked to perform backing vocals during his Tonight Show gig. Jumping back into the spotlight reignited dreams that the surviving Girls5eva members thought they'd extinguished long ago — well, other than walking attention-magnet Wickie, who crashed and burned in her attempts to go solo, and was happy to fake it till she made it again. Dawn had settled into life as a mother (to four-year-old Max, played by debutant Julius Conceicao), wife (to school guidance counsellor Scott, played by Billions' Daniel Breaker) and manager at her brother's (Dean Winters, Joe vs Carole) Italian restaurant. Summer was an Insta-celebrity among conservatives and Christians thanks to her longstanding marriage to ex-boy band member Kev (Andrew Rannells, The Prom). And Gloria was a successful dentist whose other claim to fame since Girls5eva was being part of the first gay couple to get divorced in New York City. It's a glorious premise, as brought to life with a pitch-perfect cast — there's zero weak links among Bareilles, Goldsberry, Philipps and pell — with Girls5eva's first eight-episode season bopping through the group's contrasting personalities and their shared dynamics. As they reunited, Wickie's oversized ego, Dawn's uncertainty, Summer's seeming ditziness and the now-forthright Gloria's engrained trauma from pretending to be straight back in the day all swirled around. So too did a cavalcade of clever and perceptive gags about the show's two favourite topics, unsurprisingly: the ludicrous chaos of the entertainment industry, in the 90s and now alike; and the way not only showbiz but the world in general treats women, especially anyone beyond their 20s. Arriving on Stan in Australia and TVNZ On Demand in New Zealand on Friday, May 6, dropping three episodes at once before unfurling weekly afterwards, season two picks up where its predecessor left off, in narrative, vibe and themes. It's also back with more rapid-fire pop-culture references and digs; the same knowing, light but still sincere tone; and a new parade of delightful tunes composed by Jeff Richmond, Fey's husband and source of music across every sitcom she's produced. Having stormed the Jingle Ball stage at the end of the last batch of episodes, Girls5eva now has a new record deal on their own terms, with Dawn penning all of their songs. That said, they're signed to a label owned by the Property Brothers, they've been given just six weeks in the studio by their assigned executive (Grey Henson, Suburgatory), and Gloria busts her knee during a show as they're hitting the publicity circuit. One of the joys of Girls5eva — one of many — is how gleefully absurd it skews, all while fleshing out its central quartet, their hopes and desires, and their experiences navigating an industry that treats them as commodities at best. That silliness is as much a trademark of Fey-produced comedies as Richmond's soundtracks, and it's a template that creator/showrunner Meredith Scardino clearly learned while writing for Unbreakable Kimmy Schmidt and co-scripting the Unbreakable Kimmy Schmidt: Kimmy vs the Reverend movie. It's easy to watch Girls5eva and spot similarities with 30 Rock, Kimmy and the like as a result, but the devil is in the detail in everything with Fey's name attached. Wickie boasts plenty in common with 30 Rock's Jenna Maroney and Kimmy's Titus Andromedon, for instance, but feels like a sibling, not a clone. She's a new song from a familiar band, rather than a cover version — and the same can be said of Dawn, Summer and Gloria, all of whom have counterparts in fellow sitcoms that feature Fey's fingerprints. Girls5eva has always been about second acts, second chances and new beginnings — and wading through the baggage that can hinder all three — so the fact that it hums to a recognisable refrain has never been anything but extremely fitting. The show's sophomore season finds much to satirise with that in mind, while also diving deeper and pushing Wickie, Dawn, Summer and Gloria to grow. Another of its supremely apt underlying riffs: how difficult it is to follow your own heart and let your light shine when life keeps putting you in the same old box. That pulsates through as Wickie falls in love with someone other than herself, Dawn keeps trying to balance her home and work commitments, Summer adjusts to singledom and Gloria woos back her ex-wife (Janine Brito, Wine Country), only to wonder if that's what she really wants. Along the way, there's an onslaught of goofy gags for every occasion (Wickie's boyfriend is a "lunch lord", for example), as well as a tune. Sometimes, Dawn is trying to work all 430 definitions of the word 'set' into a song. Elsewhere, the group belts out bangers such as immediate earworm 'BPE (Big Pussy Energy)'. At one point, they take cues from The Beatles and hit up a rooftop to play the anthemic 'Bend Not Break', which is actually about Gloria's knee injury, to the NYC streets. And season-one highlight 'New York Lonely Boy' gets an equally melancholic and lovely sequel called 'New York City Moms', too. There's power and self-reflection, ridiculousness and earnestness, determination and heart in everything about this series, music, jokes, characters and storylines included — and it just keeps proving a laugh-a-minute gem to watch. Check out the trailer for Girls5eva season two below: The first three episodes of Girls5eva's second season hit Stan in Australia and TVNZ On Demand in New Zealand on Friday, May 6, with new instalments dropping weekly afterwards. Read our full review of season one. Images: Stan/Peacock.
Passion flows as feverishly through the Australia's women's national football team as talent, and Matildas: The World at Our Feet boasts plenty of examples to show it. Covering the lead up to the 2023 FIFA Women's World Cup, this six-part documentary series sees enthusiasm and emotion everywhere, regardless of who the squad is playing, why or where, and the end score. Kicking goals? Joyous. Winning games? Euphoric. Taking every step needed to do their best at soccer's ultimate contest, especially because it's being held on home soil for the first time ever? A positively peppy and determined task. Inspiring girls across Australia to follow in their footsteps? For Sam Kerr and company, that's what their hard work is all about. To start this Disney+ doco's sixth episode, Kerr and several teammates chat about how much it means to them to be galvanising tomorrow's female athletes, a topic that pops up more than once across the entire series. In this particular instalment, they also discuss the equivalent influence in their own lives: Cathy Freeman's 400-metre gold-medal run at the 2000 Sydney Olympics. "We didn't have a role model in women's football, or any sport," shares goalkeeper Lydia Williams. "Watching Cathy Freeman at 2000, that just kind of ignited my dreams," she continues. "At the time, I was just amazed — blown away that every single person in the country could be talking about one person, and she was a female athlete," adds Kerr. "As I sat in my lounge room as a nine-year-old girl and watched her, that inspired me to one, be proud of who I am, but to also follow my sporting dreams to play football for Australia," says fellow striker Kyah Simon. The force of their feelings radiates from the screen, even more so in light of the squad's 2023 Women's World Cup achievements so far. Indeed, while Matildas: The World at Our Feet has been streaming since April, but it couldn't be more essential viewing as the team progresses through the pinnacle of international soccer — and that Freeman adulation, and those dreams of having the same impact, couldn't be more apt. With their stunning quarter-final defeat of France in the longest penalty shootout in the tournament's history, the Matildas likely eclipsed all other Aussie sporting moments in viewership since Freeman's famous race. The influence that their current campaign is having Australia-wide can't be so easily boiled down to numbers, but it's just as massive. No matter how the Matildas' Women's World Cup plays out from their semi-final match against England onwards — they're guaranteed to hit the pitch again after that, either to vie for the whole thing or compete for third place — consider Matildas: The World at Our Feet the origin story. The team's past goes back further than 2021's hosting announcement and coach Tony Gustavsson's present tenure, of course, but director Katie Bender Wynn (The Will to Fly) focuses on Kerr, Williams, Simon, Katrina Gorry, Mary Fowler, Ellie Carpenter and more as they prepare for 2023's global contest. The successes, the struggles, the sacrifices: they're all included. Game-day thrills, behind-the-scenes glimpses, to-camera interviews: they are as well. A rousing portrait of Australia's favourite national sporting team as it embraces its biggest moment yet: that's the whole must-watch doco. Bender Wynn takes her cues from soccer in the documentary's approach, celebrating the team overall first and foremost, yet always seeing the exceptional contributors that make today's Matildas era what it is. When the doco lingers among the group, their communal energy is palpable and infectious. Gustavsson's always-positive attitude, beaming brightly like a Swedish Ted Lasso with a wealth of the right football experience, comes through just as strongly. Amid peeks at spirited training sessions and camaraderie-filled camps, too, it's no wonder that each victory feels not just exuberant but truly shared. As Gustavsson puts the Matildas on an ambitious path to face top nations like the US, Spain and Canada as Women's World Cup prep, it's similarly hardly surprising that any loss hits hard, as always accompanied by the coach finding at least one learning or benefit as a silver lining. As captain, Australia's leading international goal scorer across both women's and men's soccer, and the best female striker in the world — when a calf injury isn't keeping her off the turf — Kerr earns the doco's individual focus early, but also swiftly shares the spotlight. As she chats, including in New York on breaks from both the Matildas and Chelsea, and while finding a slice of normality in London around her Women's Super League schedule, she doesn't just sing Freeman's praises, championing everyone that she's representing her country with. Some pre-date her on the team. Others she's grown up with. A few she's clearly an idol to. How they all can combine to ideally win the Women's World Cup is as crucial to the candid Kerr as it is to the series. Matildas: The World at Our Feet also charts midfielder Gorry's journey through motherhood, including returning to play after giving birth — and, with Tameka Yallop's daughter as well, sees the difference that having children and family around during the Matildas' camps makes. It follows forward Fowler's leap overseas as a teenager, and her growing confidence in the game while playing in France and England, albeit away from her family. It watches defender Carpenter go from strength to strength for Lyon, then face coming back from an anterior cruciate ligament injury in time for the Women's World Cup. Williams explores her connection to Country, her role as a leader and her memories of the Matildas back when washing their own kits was a given. The fleet-footed Caitlin Foord talks through the commitment required not just on her part to get to this point, but from her single mother when she was a kid. Just like passion, there's no shortage of stories in Matildas: The World at Our Feet, whether Steph Catley is stressing the Matildas' "never say die" mentality, Emily Gielnik is all nerves leading up to proposing to her girlfriend, or Kerr is rightly fuming when she's the subject of a horrendously sexist article after besting Tim Cahill's all-time goal-scoring record. Along the way, this fly-on-the-wall series lays bare the heart, soul and perseverance that've gone into the current phenomenon that has all of Australia talking and barracking, and also supporting women's sport. No one gets to the final four in a World Cup and becomes national darlings overnight, as everyone in this insightful and sincere doco's frames constantly stresses. In fact, celebrating the Matildas right now without stepping through everything that Kerr and her teammates have gone through first would feel incomplete — so, without watching this series — is a bit like hitting the crossbar while taking a penalty kick. Check out the trailer for Matildas: The World at Our Feet below: Matildas: The World at Our Feet streams via Disney+.
Sometimes, he's played by an over-the-top Robert Downey Jr. As TV fans know, sometimes a curmudgeonly Benedict Cumberbatch does the honours. Ian McKellen has even taken the job, as has Will Ferrell. In fact, on the big and small screens for over a century, a lengthy list of actors have stepped into Sherlock Holmes' shoes and worn his deerstalker cap. But Netflix's new film isn't really about the famed sleuth — instead, it's about his sister. As brought to the screen by Stranger Things' Millie Bobby Brown, Enola Holmes is the family's youngest sibling. Naturally, she has a mystery to solve — she is a Holmes, after all. When her mother (Helena Bonham Carter) goes missing on the morning of Enola's 16th birthday, it's up to the teenager to find out where she has gone and why. Her brothers, Sherlock (Henry Cavill) and Mycroft (Sam Claflin), aren't too pleased, though. They're not very happy with her demeanour either, and would rather send her to a finishing school to learn how to become a 'proper' young lady. As the just-dropped full trailer for Enola Holmes shows, yes, Enola does say "the game is afoot". She also becomes caught up in quite the adventure, as based on Nancy Springer's young adult book series. This is a period-set version of the Holmes story, too, not a modernised one — so expect to see Enola flit around 1880s England when the movie hits Netflix on September 23. In addition to Brown, The Crown's Bonham Carter, The Witcher's Cavill and The Nightingale's Claflin, the film also stars Medici's Louis Partridge as a young runaway Lord who crosses Enola's path. Behind the camera, Fleabag and Ramy's Harry Bradbeer directs — with the filmmaker earning an Emmy in 2019 for the former. Check out the trailer below: https://www.youtube.com/watch?v=1d0Zf9sXlHk Enola Holmes hits Netflix on September 23. Image: Alex Bailey.
Halloween is over, so it's officially that time of year: time to get Mariah Carey's 'All I Want for Christmas Is You' stuck in your head for two months straight. That's been a Christmas tradition since 1994, when the upbeat ditty became everyone's go-to seasonal soundtrack — and it has only grown in popularity since. Back in 2019, the track even topped the US charts. It didn't achieve that feat back when it was initially released, making it the song that has taken the longest journey ever to the top spot. And yes, the end of the year was obviously filled with plenty of festive cheer before Carey released the song, but no one can now remember Christmas without it. Last year, the singer actually gave us all another holiday staple, too, thanks to Apple TV+'s Mariah Carey's Magical Christmas Special. What's better than just listening to 'All I Want for Christmas Is You' on repeat? Watching the pop queen sing it, obviously. If you were planning to rewatch the 2020 special again this year, that's understandable — but Carey has another gift for us. As Apple TV+ has just announced, she's teaming up with the streaming platform again on Mariah's Christmas: The Magic Continues. Another Christmas, another Mariah Christmas special. Yes, that's the present we all need in 2021. While Carey has re-recorded 'All I Want for Christmas Is You' several times, and already has several holiday albums to her name, this new special will coincide with her new festive single 'Fall in Love at Christmas'. It's a collaboration with Khalid and Kirk Franklin, and they'll all be performing it on Mariah's Christmas: The Magic Continues. As for what else the special has in store, that'll be unwrapped sometime in December. If that's now all you want from the rest of 2021, Mariah's Christmas: The Magic Continues hasn't been given an exact release date yet — but obviously it'll arrive at the right time of year. There's no trailer for the special as yet either; however, because we already know you're humming it to yourself, you can check out the music video for 'All I Want for Christmas Is You' below: Mariah's Christmas: The Magic Continues will hit Apple TV+ sometime this December — we'll update you with an exact date when it's announced.
Tokyo is a city of extremes. It has the physicality of a big city, which it is, yet the people are personable and warm. The toilets sing, the streets are immaculate and everything from dentist's surgeries to street signs is adorned with a cartoon character. This bite-sized whirlwind guide to Tokyo is here to give you a snapshot of what you should add to your trip list. Whether you're going to experience the breathtaking blooms of the cherry blossom season, to shop till you drop or to consume your weight in ramen, half the fun of exploring a new city is discovering your own favourite locations. Armed with a guide to Tokyo, you'll be set up to scratch the surface and carve out your own perfect-sized Tokyo trip. First, some general tips: walk everywhere (sneakers a must), explore a new district each day and do not commit to using a toilet unless you're 100% confident you know how to flush it. Trust us. ACTIVITIES Street Go-Karting What better way to explore this vibrant city – especially for Mario Kart lovers – than on a street go-karting experience? Discover downtown Tokyo including Asakusa, Ueno, the sky tower and more. Just don't forget your driver's licence. Top points on Nintendo won't count for squat when you're on the ground in the city. District: Akihabara Mori Tower Take in panoramic views of Tokyo from the Roppongi Hills Observation Deck in Mori Tower. This place is also home to contemporary art gallery Mori Art Museum — located on floors 52 and 53 — where exhibitions are varied and world-class. Head up high and take in both the art and spectacular views. District: Roppongi Cherry Blossoms You cannot think of Japan without the cherry blossoms — they are truly iconic and an absolute must-see if you're there. If you are lucky enough to be in Tokyo during cherry blossom season, there's everything from petal-filled festivals to optimal viewing spots in the city. So, no matter what you feel like doing in sakura season, you will be spoiled for choice. District: all over Shibuya Crossing There are countless things to see and do in Tokyo, but one of the greatest pleasures can be those brief moments when you are doing nothing but sitting and watching the crowds of fantastically dressed locals walk by. If you're after some truly spectacular people watching, head to the renowned Shibuya Crossing, and wonder at the flashing neon lights as throngs of people come and go. Want a bird's eye view? Head to Shibuya Sky and take in the city from the Sky Edge, the rooftop deck with glass railings. theLet the lights absorb you as you become one with the energy of Tokyo. District: Shibuya [caption id="attachment_893096" align="aligncenter" width="1920"] Tsukiji Fish Market.[/caption] EATING Food Courts Apart from the toilet flushing thing, the other best practical Tokyo tip we can share is to explore the food courts below all major department stores. Descending into the midst of what is the most plentiful display of every food item ever created is akin to what it probably felt like for Augustus Gloop at Wonka's Factory. You can buy a salad and it can come with a mini ice pack to keep it cool. Pure genius. Hit up Tokyu Foodstore if you're near Shibuya Station, but you will find one of these food courts in the basement of any department store. District: all over Fish Markets Lovers of Japanese cuisine should not pass up the chance to visit one of the largest food markets of its kind and explore Tokyo's food culture and culinary history at the Tsukiji Fish Market and Toyosu fish market. Toyosu is the new inner market located in central Tokyo. Weave your way through the stalls, hear stories from the stall holders, and taste the authentic and fresh sushi. District: Tsukiji, Toyosu Izakaya Ism Izakayas have a casual bar-like atmosphere and also serve food. There are thousands of them in Tokyo. With a distinctly local vibe and with the addition of English menus, the food here is brilliant, the atmosphere energetic and the sake flowing. District: Shimokitazawa [caption id="attachment_893088" align="aligncenter" width="1920"] Tokyo.[/caption] SHOPPING T-Site Tucked away in dreamy Daikanyama is T-Site, the architecturally stunning Tsutaya bookstore that demands hours of attention. A beautiful place to spend the afternoon pouring over the never-ending shelves of books that cover every conceivable topic, this huge double-storey space houses an incomparable selection of both English and Japanese titles. There's also a cute cafe on the second floor where you can rest your weary eyes. District: Daikanyama Dover Street Market Joined at the hip with the Uniqlo store in snazzy Ginza, Dover Street Market is an absolute must. Renowned for being the Comme des Garçon's mothership, IRL it's kind of like six super beautiful boutiques stacked on top of each other stocking many trendy designer labels (like Jacquemus, Ann Demeulemeester, Rick Owens and the entire Comme des Garçons range). District: Ginza Loft You cannot make it to the end of your trip without purchasing a sparkly sticker, glitzy notepad or wacky highlighter. Brighten up your office supplies at the stationary floor of Loft, where all your wildest kawaii organisation dreams become realities. Countless pens, stickers and colourful folders await you here. Multiple locations 1LDK Be the most well-tailored version of yourself at 1LDK, an amazing clothing and lifestyle store with locations in trendy Aoyama and Nakameguro. Stocking brands like Maison Margiela, Bless, COSMIC WONDER Light Source and Orphic, it's a real haven for high-quality everyday wear in a minimalist, timber-fitted space. District: Nakameguro, Aoyama Parco If you've come to Tokyo to indulge in some retail therapy, a great one-stop shop is Parco. The one-stop shop features all the classics, like Frapbois, Issey Miyake and Comme des Garçons, as well as a range of pop-ups and event stalls that can change overnight. Grab an onsite iced coffee to give you the energy boost you need to continue your Tokyo adventure. District: Shibuya Once you've booked your trip to Tokyo, Klook will ensure the rest of your trip is easy, affordable and full of all the highlights. To start planning, head to the website.
If you like music and skiing, Snow Machine has served up a winning combination of the two since 2020. It takes place in chilly climes. It enlists a heap of top-notch talent to provide the tunes. And, as it soundtracks a snow-filled week, it plays out like a massive frosty party. For Australians, it also boasts another huge drawcard: getting you to take an overseas alpine holiday. When Snow Machine first debuted its savvy mix, it did so in Japan. Then came an expansion to Queenstown in New Zealand in 2022, where it's still going strong and will return come September 2024. Thinking ahead to the colder weather in the northern hemisphere in 2025, the fest has not only locked in its plans for Hakuba, its OG home, but is expanding to Niseko as well. Snow Machine has also unveiled the lineup for its two next Japanese dates, with Hakuba first up from Tuesday, March 4–Sunday, March 9, then Niseko from Monday, March 10–Saturday, March 15. Chase & Status leads the bill in both locations, with Action Bronson, Hot Chip doing a DJ set, Melanie C, A-Trak and Ken Ishii among the other names. Attendees will catch a club set from Bob Moses as well, plus DJ sets from each of Jungle and Sbtrkt. The roster of talent keeps going from there with Claptone, Cyril, Dillon Francis, DJ Kentaro, DJ Nobu & Wata Igarashi, Horse Meat Disco, Jimi the Kween, Monorochrome and Riton — plus Vintage Culture in Niseko only. Snow Machine Japan might next return when autumn will be kicking off Down Under, but it's one helluva excuse for a getaway during Japan's snow season. No matter where it's taking place, this is the hottest festival for the colder months, treating festivalgoers to action-packed days on the slopes, après ski events and its hefty lineup of international acts against an idyllic backdrop. And, because this is Japan, onsen trips, sake aplenty and yakitori bites are usually also on offer. Other than the wintry setting, one of the things that sets Snow Machine apart from other music fests is being able to book your entire getaway with your ticket. Packages span five or seven nights of accommodation, and include a festival ticket across the entire event, plus a four-day lift pass for Goryu & Hakuba 47, Tsugaike, Iwatake, Happo, Norikura and Cortina in Hakuba — and Niseko United in Niseko. A word of warning: unsurprisingly, the packages are popular. Although the Snow Machine Japan 2025 lineup has only just been announced, packages are already 70-percent sold out. If you're keen to take care of your own place to slumber and just nab a festival ticket, that's an option as well — via both day and four-day passes. Snow Machine Japan 2025 Locations and Dates: Tuesday, March 4–Sunday, March 9 — Hakuba Monday, March 10–Saturday, March 15 — Niseko Snow Machine Japan 2025 Lineup: Chase & Status A-Trak Action Bronson Bob Moses (club set) Claptone Cyril Dillon Francis DJ Kentaro DJ Nobu & Wata Igarashi Horse Meat Disco Hot Chip (DJ set) Jimi the Kween Jungle (DJ set) Ken Ishii Melanie C Monorochrome Riton Sbtrkt (DJ set) Vintage Culture (Niseko only) Snow Machine Japan 2025 will be held across Tuesday, March 4–Sunday, March 9 in Hakuba and Monday, March 10–Saturday, March 15 in Niseko. For more information and tickets, visit the festival's website. Images: Pat Stevenson. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Look what Australia's massive demand for Eras Tour tickets made Taylor Swift do: add extra shows to her next trip Down Under. After two rounds of presales for the singer-songwriter's February 2024 concerts in Melbourne and Sydney, and before general sales even start, the 'We Are Never Getting Back Together', 'Shake It Off' and 'Bad Blood' musician has announced an extra gig in both cities. If you've been struggling to nab a seat so far, and also stressing about the next ticket release on Friday, June 30, this enchanted news — which comes due to "historically unprecedented demand" — means that there'll be a heap more on offer. Tickets for both new dates will also go on sale on Friday, June 30. Good luck in the queue, Swifties. [caption id="attachment_907314" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons.[/caption] The additional shows come at the end of her stints in both cities, so Swift will now play MCG in Melbourne across Friday, February 16–Sunday, February 18, then head north to hit the stage across at Sydney's Accor Stadium from Friday, February 23–Monday, February 26. At all gigs, she'll have Sabrina Carpenter in support. That blank space in your calendar that you were hoping to fill with Swift working through her entire career so far, playing tracks from each of her studio albums in a three-hour, 44-song, ten-act spectacular? You now have more chances to do so. [caption id="attachment_906254" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons[/caption] Sadly, Swift hasn't added concerts in any other cities across Australia. And, this is apparently it, with Frontier, the touring company that's bringing the star our way, advising that "no further dates will be added for the Australian tour". The Eras Tour kicked off in March in the US, where it's still playing. Swift will also head to Mexico, Argentina and Brazil in 2023 — and Japan, Singapore, France, Sweden, Portugal, Spain, the UK, Ireland, The Netherlands, Switzerland, Italy, Germany, Poland and Australia until August 2024. [caption id="attachment_906252" align="alignnone" width="1920"] Ronald Woan via Wikimedia Commons.[/caption] This'll be Swift's first tour Down Under since 2018, when she brought her Reputation shows to not only Sydney and Melbourne, but Brisbane and Perth, too. Thanks to the extra dates now, she'll become the first artist since Madonna in 1993 to perform three concerts at the MCG — and the first-ever artist to play four concerts at Accor Stadium. It's no wonder that the Victorian Government declared her Melbourne stint a major event so that anti-scalping legislation would apply to tickets. TAYLOR SWIFT: THE ERAS TOUR AUSTRALIAN DATES 2024: Friday, February 16–Sunday, February 18 — Melbourne Cricket Ground, Melbourne Friday, February 23–Monday, February 26 — Accor Stadium, Sydney Taylor Swift will bring The Eras Tour to Australia in February 2024. General ticket sales for the Melbourne shows start at 10am AEST on Friday, June 30, with the Sydney shows on sale at 2pm AEST on Friday, June 30. Head to the tour website for further details. Top image: Ronald Woan via Wikimedia Commons
Not only a destination to soak in crystal-clear waters during the warmer months and explore undeveloped islands, New Zealand's Far North has a food culture worthy of shouting from the rooftops. With a big focus on seasonal produce, menus are ever-changing and no two visits to the Bay of Islands will taste the same. Thanks to its handy placement on the fringe of the world's largest ocean, you can expect to lap up an abundance of seafood plus locally made cheese, chocolates and wine all year round. This is your guide to eating and drinking in the Bay of Islands. Before even setting off on your island adventure, the outskirts of Kerikeri has a number of eateries worth swinging into. The Rusty Tractor is a good place to get a feel for the community and refuel with generous portions. The family-friendly cafe is the kind where everyone knows everyone. On this visit the barista could be found hopping between the coffee machine and working in the gardens, while another local was spotted making himself at home behind the counter for a chat. The menu offers a contemporary (and hefty) take on breakfast classics, including mince on toast with poached eggs and onion rings, mushrooms in a cobb loaf with pea and feta salsa verde, and cinnamon sugared doughnuts. If you're in the business of caffeine, the cafe uses first-rate Supreme beans and has the option of a four-shot coffee bucket. If you have an afternoon to wile away, Marsden Estate is a short trip from the airport. At the winery you can enjoy an educational wine tasting before settling on your preferred varietal. We also suggest grabbing the antipasto platter of local cheeses, handmade terrine, dips and spreads and perching under the vines in the courtyard. Afterwards, take a stroll around the subtropical vineyard gardens with another glass of vino in hand. [caption id="attachment_986518" align="alignnone" width="1920"] The Old Packhouse Market[/caption] For something on the run (especially if you're around on a weekend), head to The Old Packhouse Market. Found in Kerikeri, literally in an old packhouse, the weekly gathering of more than 100 vendors is the perfect spot to load up on supplies before heading off on a road trip. Expect to pick up everything from homemade pies to raw milk, deep-fried oyster po' boys and fruit and vegetables from producers that reside just around the corner. Enjoy your finds while listening to live music, receiving a palm reading or getting a reflexology massage. Across the road is another must-visit attraction. As soon as you enter Makana Confections the smell from the adjoining factory will be tugging on your heartstrings. The best part is that free samples are handed out upon arrival in the gift shop so you can try before you buy — you'll also see staff crafting the exact same thing through the window, so you know it's fresh. The cafe offers a lineup of gelato, chocolate truffles, cakes and slices for dine-in or takeaway. While you're in Kerikeri, head to Cafe Jerusalem for authentic Israeli cuisine that encapsulates the flavours of the Levant. En route to Russell, you'll pass through Paihia. Here you'll have the option of quick bites spanning kebabs, pizza and ribs. On the other side of the one-way bridge from the township lies the official birthplace of New Zealand, Waitangi. As part of the historical Waitangi Treaty Grounds you can enhance your visitor experience by witnessing the unveiling of a traditional hāngi — a Māori method of cooking in the earth with hot stones. Hāngi chefs will introduce the cooking process before you tuck into the feast. [caption id="attachment_986502" align="alignnone" width="1920"] Paroa Bay Winery[/caption] Once off the car ferry en route to Russell, make a short detour for Paroa Bay Winery, a family-owned property set against the rolling hills and overlooking Paroa Bay. The boutique vineyard has a big focus on sustainability, using techniques of dry-grown vines across chardonnay, sauvignon blanc, syrah, cabernet franc, cabernet sauvignon, malbec and merlot. Go for a tasting flight and stay for the Mediterranean and European-inspired menu at onsite restaurant, Sage. With its award-winning restaurant set right on the water, The Duke of Marlborough is a pristine destination to stop in Russell for a bite to eat. The property was erected in 1827 and later became the first licensed hotel in New Zealand. The property still retains its vintage appeal; the rooms are grand with high ceilings, the walls are covered with marine memorabilia and the solid furniture certainly has a story to tell. The restaurant is all about showcasing local seasonal produce and modern interpretations of classic favourites. You can expect to sample local oysters or oven-roasted fish that was caught directly in front of the hotel. The beverage list is extensive with over 100 wines and 30 beers from the Bay of Islands to Burgundy. The wine tasting rack is a good option for indecisive diners, offering three generous samples to sip back as the sun drops over the inlet. [caption id="attachment_986497" align="alignnone" width="1920"] The Gables[/caption] Just down the main strip from The Duke is The Gables, the oldest licensed restaurant in the country. The building was originally built by an immigrant shoemaker who purchased the land from a Māori chief. It's now owned by Robert and Jenny Loosley, who have retained the old world charm and a collection of documents — including the original deed of sale. The kitchen aims to showcase classic New Zealand flavours, with fresh local seafood and grass-fed meat big players on the menu. Elsewhere is Hone's Garden in the warmer months offers wood-fired pizza, fresh beer and friendly community vibes; and Hell Hole is a great option to start your day with loaded bagels and fresh coffee. GETTING THERE Kerikeri Airport is the region's main port of call. From Auckland Airport it's a breezy 50-minute flight to the sleepy terminal. Alternatively, it will take you just over three hours to drive from Auckland to Paihia and Russell. Find your very own Aotearoa New Zealand here.
It's that time again for 2024: time for Australia's Red Centre to glow with other hues, including across ranges dating back 300 million years, thanks to giant puppets and on the ochre earth. Every April, Parrtjima — A Festival in Light returns to the Northern Territory with art, music, talks and an all-round celebration of First Nations culture. This year's event is on now, kicking off on Friday, April 12 and running till Sunday, April 21 — and if you're not there or on your way, this is what you're missing out on. When Arelhe Urrperle strolls along, people take notice. A six-metre-tall puppet that weighs 600 kilograms wandering around draws attention. Seeing it mosey through Alice Springs Desert Park, sharing Arrernte stories and language, is a main attraction at 2024's Parrtjima — A Festival in Light, in fact — and just one of the highlights of this Indigenous arts festival. Erth, which has also brought dinosaurs and sharks to life around the country in the past — and held prehistoric picnics featuring puppets — is behind Arelhe Urrperle. In New South Wales, Marri Dyin, which also reaches six metres in height, has taken a stroll at Vivid Sydney 2018 and 2019, plus at the Nights on Crown Festival in Wollongong in 2019. Arelhe Urrperle is specific to the Red Centre, however, with Erth's puppeteers training local Indigenous performers to operate the roving puppet for Parrtjima's 2024 run. Representing Arelhe matriarchs, Arelhe Urrperle is one of this year's signature installations — and a new addition to Parrtjima for 2024. Fancy feasting your eyes on illuminated cars that form a collage of work celebrating Eastern, Western and Central language groups? Walking through an immersive passageway that pays tribute to late Arrernte leader Dr MK Turner? Thanks to fellow installations Arrernte and Honouring, they're also on the festival's program right now. One of the Northern Territory's annual highlights — and one of its dazzling sights, alongside natural features Uluru, the Tjoritja gorges and Kings Canyon, plus nightly light show Wintjiri Wiru, as well as Bruce Munro's Field of Light and Light Towers — this arts, culture and storytelling event takes place against the MacDonnell Ranges. 2024 marks the ninth Parrtjima, with its lineup focusing on the importance of interconnectedness across First Nations culture for this year. That's partly happening through two things that are always on the bill: two of the festival's regular annual attractions, aka a huge artwork that transforms a 2.5-kilometre stretch of the majestic ranges, showering it with light each night of the festival; and Grounded, the installation projected over the red dirt at tourism and conservation facility Alice Springs Desert Park. The Ranges Light Show has taken over additional projection space in 2024, while Grounded has become more interactive. Over its opening weekend, the program also included a three-night marketplace for the first time in the fest's history. The Northern Territory Indigenous Business Network (NTIBN) Buy Blak Market featured both food and other products from local Aboriginal businesses. On the music roster across the entire event, Troy Cassar-Daley, Shellie Morris, Miiesha and Mulga Bore Hard Rock are taking to the stage. Cassar-Daley and Morris are also on the talks lineup, alongside Floyd Doyle and Dr Josie Douglas. Parrtjima – A Festival in Light runs from Friday, April 12–Sunday, April 21, 2024, at venues around Alice Springs in the Northern Territory. For more information, visit the festival website. Images: Parrtjima – A Festival in Light. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
If every trailer started with narration by Taika Waititi, we'd all spend our entire lives solely watching sneak peeks at upcoming movies. They all don't, of course — but, unsurprisingly, the just-dropped second glimpse at Thor: Love and Thunder definitely does. Arriving a month after the superhero sequel's first teaser back in April, the new trailer begins with an unseen Waititi — who directs again as he did with Thor: Ragnarok, co-writes with Jennifer Kaytin Robinson (Sweet/Vicious), and appears on-screen as Korg — giving viewers a few instructions. "Kids, get your popcorn in. Let me tell you the story of the space viking," he utters. The tale he unfurls steps through Thor's (Chris Hemsworth, Extraction) years spent saving the world, the aftermath, and his evolution from "dad bod to god bod" post Avengers: Endgame — plus his efforts to reclaim his title "as the one and only Thor". But if you watched the film's first trailer, you'll know that his task doesn't end as he expects. Now, his ex-girlfriend Jane Foster (Natalie Portman, Vox Lux) is in possession of Mjolnir. This new look at the upcoming movie — the 29th MCU film overall, following Doctor Strange in the Multiverse of Madness, and also the fourth to focus on Thor — dives deeper into Thor and Jane's woes, gets Chris Hemsworth in the buff, and unveils two of the feature's big new additions. That'd be Russell Crowe (Unhinged) as Zeus and Christian Bale (Ford v Ferrari) as Gorr the God Butcher, a galactic killer with a world-changing plan: eradicating the gods. Also covered: goofy vibes, as that Waititi-voiced narration makes plain; a firmly comedic mode, obviously; and general caped crusader chaos. Thor has to give up his search for inner peace to stop Gorr the God Butcher, and call upon help from King Valkyrie (Tessa Thompson, Passing) and Korg — plus Jane, who seems to be settling into her new role quite nicely. Shot in Australia, clearly looser in mood than most MCU entries, and arriving in what's already a huge year for Waititi — after getting streaming viewers swooning over warm-hearted pirate comedy Our Flag Means Death, and also featuring in a portrait that won the Archibald's Packing Room Prize — Thor: Love and Thunder hits cinemas Down Under on Wednesday, July 6. It marks Portman's return to the MCU after appearing in the first Thor flick back in 2011, but sitting out the rest. And, also set to pop up are the Guardians of the Galaxy crew (as played and/or voiced by Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Bradley Cooper and Vin Diesel). Check out the new trailer for Thor: Love and Thunder below: Thor: Love and Thunder opens in cinemas Down Under on Wednesday, July 6. Images: photos by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.
Curating the perfect wine list is an oft-underrated skill. How do you balance pleasing the crowd while also pushing the envelope? Creating something far-reaching while still carving out an identity? Well, a group of Australian venues have been recognised at the international Star Wine List of the Year awards for 2023 for doing just that, with a Sydney bar taking out the top prize in one of the categories. The Star Wine List of the Year International Final took place in Stockholm in June, with Redfern's La Salut becoming the first-ever Australian venue to ever claim gold in one of its fields. The Cleveland Street haunt that specialises in Spanish and Catalonian wines, with an onus on minimal-intervention drops, was nominated for two different awards: Best Medium-Sized Wine List and the Special Jury Prize. While London's Michelin-starred Trivet took out the top mid-sized list gong for venues offering 200–600 wines, La Salut was crowned the champion in the Special Jury Prize. [caption id="attachment_860300" align="alignnone" width="1920"] La Salut, Dexter Kim[/caption] This award recognises "a venue that has done something extra with their wine list, such as the direction, the style or the value". La Salut beat out finalists from across Europe, North America, Africa and Asia to claim the prize, being praised for the exemplary spotlight it places on Spain's best vino and the storytelling it achieves through its curation. "It often feels like Spanish wine is largely ignored by wine-focused venues in Australia, which is a huge shame considering that Spain is currently producing some of the most exhilarating wine in the world," says La Salut co-owner Matt Swieboda. "I suppose our philosophy might be different to others in that we want to really push guests to try wine styles that they may never have had the opportunity to have tried." [caption id="attachment_658147" align="alignnone" width="1920"] Embla[/caption] Elsewhere, other Australian spots received nominations but didn't claim gold. Melbourne's Embla was nominated for the Best Short List for bars with under 200 wines, Bentley Restaurant & Wine Bar was nominated in the Grand Prix for bars with over 600 wines, and Perth's Rockpool Bar & Grill received nominations for both the best wine list with Austrian wines and Best Sparkling Wine List. A couple of regional favourites also picked up nominations, with Margaret River's Setter's Tavern recognised in the sustainability-focused category and Mornington Peninsula's Ten Minutes by Tractor earning some love in the Best By the Glass List category. You can start making plans for a few wine-fuelled nights around Australia — and abroad ‚ by browsing the full list of nominees and winners. [caption id="attachment_637744" align="alignnone" width="1920"] Bentley Restaurant + Bar[/caption] For more information about the Star Wine List of the Year, head to the awards' website. Top image: Nikki To.
Best Picture Will Win: 12 Years a Slave Should Win: Her Her was an almost perfect movie; however, its engaging quirkiness will also likely be its downfall, robbing it of the kind of gravitas the Academy likes to see in its dramas. There's also the Academy's history of loving history. Seventeen of the last 24 winners in the Best Picture category have been stories based on real events, and while that does keep American Hustle in the mix (which notably took out the Screen Actors Guild back in January), the asymmetry between 'cute crime caper' and 'essay on reprehensible crimes against humanity’ places 12 Years A Slave firmly in the driver’s seat. What then of Gravity? History’s not on its side either. Sci-fi is batting 0-84 in the Best Picture category, though the Academy won’t mind denying it the Best Picture victory since its director, Alfonso Cuarón, is a shoe-in for Best Director. Best Director Will Win: Alfonso Cuarón Should Win: Alfonso Cuarón Steve McQueen’s been on a golden run since his debut with Hunger, so much so that it would take either a monumental collapse in talent or his outright departure from the industry to think he won’t — in the next five years — walk away with this statue. For the 2014 awards, however, Cuarón should, and almost certainly will, come in for the win. Gravity was a breathtaking film, and with barely more plot than there is oxygen in space, the responsibility for that vests first and foremost in its direction and the performances Cuarón secured from his two leads. Last week’s BAFTA win for the Mexican director only narrows the odds further. Best Actor Will Win: Matthew McConaughey Should Win: Oscar Isaac Let’s talk about Leo first. The feeling that the guy is due is palpable, but just because a roulette table throws up nine reds in a row doesn't mean it has to be black’s turn next time round. While DiCaprio's Wolf of Wall Street performance was a fearless endeavour, it still lacked the critical poignancy of an enslaved parent or HIV-positive pioneer. A two-horse race hence seems most likely, and as good as Chiwetel Ejiofor was in 12 Years A Slave, McConaughey’s remarkable reinvention by way of smaller, character driven ensemble pieces has earned him both enormous respect and the Golden Globe. The big surprise here is Oscar Isaac, whose sublimely reserved yet beguiling performance in Inside Llewyn Davis didn’t even garner a nomination. Best Actress Will Win: Cate Blanchett Should Win: Cate Blanchett There’s arguably never been a better description of Meryl Streep than Colin Firth’s suggestion that she is "unreasonably good". Typically, then, in August: Osage County we saw just the latest in an impossibly long line of flawless performances so good one feels the interests of fairness might warrant handicapping her somehow for all future roles, perhaps by only allowing her to speak in vowels. Yet she won’t win this year. In a collection of powerhouse performances by a field of nominees who’ve all previously won the award save for Amy Adams, it was Cate Blanchett who proved the undeniable standout. Her Jasmine was elegant desperation and icy vulnerability wrapped up in an overt, sexually charged Ingmar Bergman-esque archetype. She’s already won the SAG, Golden Globe and BAFTA, making this about as sure a thing as the Oscars permit. Best Original Screenplay Will Win: Her Should Win: Her With ‘Will’ and ‘Should’ locked in there, Her would seem a foregone conclusion, but it’s not nearly that clear-cut. Was Spike Jonze’s screenplay the most original of the nominees? Absolutely. Was it also the best? Again, yes, but does that mean it will win? …Probably. Standing in its way is American Hustle, whose script — while lengthy — was a rollicking, unceasing procession of zingers, plot twists and exquisite turns of phrase. It also has the box office momentum behind it. For Her to win, which it should, it’ll need the Academy to consider the ‘Original’ part of 'Best Original Screenplay’ its most important characteristic.
Usually when you visit Japan — something that's now back on the agenda thanks to the country's newly reopened borders — you can't also enjoy a meal from one of Copenhagen's most acclaimed restaurants. But for ten weeks between March and May 2023, you'll be able to soak in the sights of Kyoto and eat dishes from René Redzepi's Noma, all courtesy of the latter's latest residency. That timing also coincides with cherry blossom season, so add all those gorgeous pink flowers to your itinerary, too. Every now and then — more often prior to the pandemic, obviously — Redzepi's globally renowned, three-Michelin-starred, five-time World's Best list-topping eatery hops around the planet, temporarily setting up shop in another city. It's done just that in Japan before, just in Tokyo; in Sydney as well; and in Tulum, Mexico. Who doesn't want to head to Japan more than once, though? The Kyoto residency will take place at Ace Hotel Kyoto, another outpost of the hotel chain that just opened its first Australian venue in Sydney earlier in 2022. The dates to pop in your diary: Wednesday, March 15–Saturday, May 20, with services running four days a week for lunch and dinner, once per day, between Wednesday–Saturday. [caption id="attachment_874227" align="alignnone" width="1920"] Yoshihiro Makino[/caption] "I believe Kyoto to be the birthplace of the western tasting menu, and it remains one of the most important cities through which to understand the fine dining scene today. Much of my own journey and inspiration can be boiled down to a handful of important moments, and going to Japan and Kyoto for the first time is one of them. We have always wanted to return and explore this region as a team," said Redzepi, announcing the pop-up. "We have been working on this specific project for the past two years, and we have had a team on the ground since late spring, foraging and researching what will form the foundation of our Kyoto menu. Our main inspiration comes from the very heart of Kyoto, the kaiseki cuisine, while not at all being a Japanese restaurant. We come to be inspired, to learn, to absorb new creative processes and to hopefully bring back new perspectives and a clearer vision for how to be Noma," Redzepi continued. In Ace Hotel Kyoto's 64-seat restaurant, Redzepi and his team will serve up a menu that highlights produce from the Kyoto region — and spring produce specifically, given that'll be the season in Japan at the time — with ingredients sourced from local farmers, hunters, fishmongers and foragers. Diners will pay €475 / around AU$745, for the menu — and there's an accompanying beverage option, with a choice of boozy and non-alcoholic drinks, for €300 / AU$ 470 per person. Then, there's a ten-percent service charge as well, and all costs have to be paid when you book. Yes, this is a true treat yo'self kind of experience. Reservations for meals only open at 11pm AEDT on Monday, November 7, and expect them to book out quick — Noma's pop-ups always do. Ace Hotel Kyoto is also doing meal-and-stay packages, so you don't have to travel far once you're finished feasting. They also aren't cheap, starting at ¥120,000 JPY / €846 / AU$1321 for two nights for two people. That price also includes a deluxe king room, free daily breakfast, an early check-in and late check-out, and two reservations at Noma's Kyoto residency — but the costs of the Noma meals and beverages will be separate. Wondering what else to do in Japan? Check out this Concrete Playground Trips package, which'll take you on a cultural tour from Kyoto to Tokyo. Noma's Kyoto residency will run from Wednesday, March 15–Saturday, May 20, 2023, at Ace Hotel Kyoto, 245-2 Kurumayacho, Nakagyo Ward, Kyoto, 604-8185, Japan. For more information, and to sign up to book reservations with room packages when they become available, head to the Ace Hotel Kyoto's website. For restaurant reservations only — which will become available from 11pm AEDT on Monday, November 7 — head to the Noma website to sign up for the restaurant's newsletter. René Redzepi / Noma images: Amy Tang. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
You can put a beloved animated series into cryogenic stasis, but someone is going to thaw it out one day. In Futurama's case, US streaming platform Hulu has announced plans to defrost the Matt Groening-created show about life in the 31st century, marking the second time that it has been brought back. Originally airing from 1999–2003, the futuristic animated series then returned from 2008–2013 — and now it'll be revived again in 2023. Obviously, in the words of Professor Hubert J Farnsworth: good news, everyone! Hulu has announced a new 20-episode run for Futurama, as well as the return of most of the original voice cast. That means that you'll be spending more time with Philip J Fry (voiced by Billy West), the 20th-century pizza delivery guy who managed to get accidentally cryogenically frozen on New Year's Eve 1999, only to defrost a thousand years later — and then get a job delivering packages with Planet Express, the cargo company run by Farnsworth, his distant nephew. It also means more antics with one-eyed Planet Express captain Turanga Leela (Katey Sagal); fellow company employees Hermes Conrad (Phil LaMarr), Amy Wong (Lauren Tom) and Zoidberg (also West); and everyone from self-obsessed starship captain Zapp Brannigan (West again) and his amphibious 4th Lieutenant Kif Kroker (Maurice LaMarche) through to scheming corporation owner Mom (Tress MacNeille). One key cast member who hasn't yet been confirmed for the Futurama revival: John DiMaggio, aka the voice of constantly sauced robot Bender Bending Rodríguez. Variety reports that it's still hoped that DiMaggio will return for this trip back to the animated future, but if that doesn't happen, Bender will be recast. Whoever will be exclaiming "bite my shiny metal ass!", Futurama will keep doing what it did hilariously well over its past seven seasons and four direct-to-DVD movies: peering at life in the year at 3000 and beyond in its offbeat way. "I'm thrilled to have another chance to think about the future... or really anything other than the present," said David X Cohen, Futurama's head writer and executive producer, in Hulu's announcement. "It's a true honour to announce the triumphant return of Futurama one more time before we get canceled abruptly again," added The Simpsons great Matt Groening. Viewers Down Under can likely expect to watch the new Futurama via Disney+, given that the Mouse House owns Hulu and airs Hulu shows in Australia and New Zealand via its Star expansion — but expect further specifics to be confirmed, alongside a premiere date, as 2023 approaches. New episodes of Futurama are set to air in 2023 — we'll update you with further details, including where you'll be able to watch Down Under, when they're announced.
For most millennials, the Nokia name evokes memories of a very different technological era; a time when colour screens were barely a thing and phones weighed about the same as a small child. Well, just as we've done the whole growing up thing, so too has this long-serving phone brand, with owner HMD today unveiling its new line of products. The Finnish company dropped the news at the Mobile World Congress in Barcelona, introducing an anticipated trio of smartphones (the Nokia 6, the Nokia 5, and the Nokia 3), alongside a revamped version of Nokia's classic 3310. With new minimalist designs and headline-aiming features, these new phones are attempting to tap into a fresh generation of discerning phone users. Here are five dot points about the new Nokias that you can use for prime water cooler material at work. THEY'LL RUN ANDROID NOUGAT All three smartphones will offer that classic Android experience, boasting monthly security updates and all the latest Google services. Yes, that includes your new digital bestie, Google Assistant — the integrated feature that lets you engage in two-way conversation with your phone. THEY WON'T BREAK THE BANK In a win for anyone with a budget to stick to, these beauties sit at the blessedly affordable end of the smartphone spectrum. The Nokia 3 will retail globally at around AU$190, the Nokia 5 at AU$259, and the Nokia 6 at AU$314. THE SCREENS ARE NOKIA'S MOST ADVANCED YET Nokia has definitely upped its game in the visual department, with the new phones boasting screens that are both big and beautiful. They've opted for Corning Gorilla Glass laminated displays, with a 5.5" full HD screen for the Nokia 6, a 5.2" IPS HD display for the Nokia 5, and a 5" screen for the Nokia 3. EACH PHONE'S FEATURES MULTIPLY PER MODEL Each phone has its own unique features that'll appeal to different kinds of users; from the 8MP wide aperture cameras in both front and back of the Nokia 3, to the Dolby Atmos sound, smart audio amplifier, and dual speakers of the Nokia 6. Although this makes it more of a 'choose what features suit you' situation, it makes it slightly hard to pick one phone. THE NOKIA 3310 IS MAKING A COMEBACK And in a nostalgia-inducing move, Nokia also announced the return of its best-selling 3310 — a new-school riff on a handset first released back in 2000. This little head-turner comes in four distinctive colours (warm red gloss, yellow gloss, dark blue matte, and grey matte), retails at just AU$67, and blitzes plenty of its competitors with a 22-hour talk time. Unfortunately, with local providers switching off the 2G network, this one's probably not really an option for Aussie consumers.
