If Uluru's stunning Field of Light installation doesn't already have you planning a trip to the centre of the country, then the latest news out of the Northern Territory might — Litchfield Adventure Park, the NT's most popular national park, is getting a $12.1 million makeover. As part of the facelift announced by the NT Government, new areas of the 1500 square kilometre park will be opened up to visitors, including five new swimming spots and waterfalls, 40 kilometres of new four-wheel drive tracks and three new campgrounds. Established as a national park in 1986, Litchfield is located 120 kilometres south-east from Darwin, and is a particularly popular spot for day-trippers. Indeed, it's the Top End's most popular national park, attracting almost 370,000 visitors a year. The new addition — in the park's north, as reported by the ABC — expected to increase that number by 60,000 annually. At present, there's plenty at Litchfield to entice visitors anyway, including existing swimming holes, camping spots, picnic grounds, bushwalking tracks, scenic lookouts and more. A highlight for adventurous trekkers is the 39-kilometre Tabletop Track, which takes up to five days to complete, with camp sites along the way. For more information about Litchfield Adventure Park, visit the park's website.
Shaking beef isn't a great name for a restaurant, but Lúc Lắc is, and still allows the latest addition to Brisbane's Queen's Wharf precinct to nod to one specific dish in its moniker. That meal: Bo Lúc Lắc, which brothers Adonis and Nehme Ghanem, Ghanem Group's directors, came across on a research trip to Asia. They're aiming to make their new venture as memorable and as vibrant as they found the traditional Vietnamese staple — and as flavoursome. First announced in July, and serving customers since Wednesday, October 23, 2024, Lúc Lắc joins the list of Ghanem Group venues in Brisbane. Its sibling eateries and bars: Donna Chang, Boom Boom Room, Bisou Bisou, Iris Rooftop, Byblos Bar & Restaurant and Blackbird Bar, Dining & Events. Here, a combination of Vietnamese and Thai tastes await, starting with the dish that gets its nickname from the motion used when it's in the wok. Lúc Lắc's take on its signature features Kampot peppered wagyu beef, cherry tomatoes and capsicum. It's just one of the restaurant's must-tries, however. Under Ghanem Group Executive Chef Jake Nicolson and Lúc Lắc Head Chef Dann Rowell (ex-Balfour Kitchen & Bar, Longitude 131°, Silky Oaks Lodge and Southern Ocean Lodge), the range of options includes escargot and pork spring rolls, tumeric-marinated swordfish and a Vietnamese-inspired twist on tiramisu, too. Steamed and braised duck leg bao, pork bun cha, and wagyu skewers with sweet soy glaze and chilli lime butter are among the smaller dishes, while Singapore-style noodles, lemongrass-braised pork belly, and goat curry with sweet potato and Thai basil are heartier choices. Or, tuck into the roasted red duck curry with lychee and bean sprouts. Fancy fried chook? Lúc Lắc's version poaches the chicken in house-made masterstock first, then batters and fries it before adding a shrimp paste caramel. "The menus are inspired by Vietnam and Thailand, taking the best of those worlds and combining them into something super-exciting. Guests can explore a delicious pairing of local produce and Asian flavours," notes Nicolson, while also pointing out the importance of local produce. "For example, we've incorporated tropical Queensland fruits such as pink pomelo, green mango, green papaya, jackfruit and dragonfruit; splashes of house-made nahm jim and nuoc cham dressings; scatterings of locally produced Thai basil, perilla, Vietnamese mint, and coriander; and sprinklings of roasted peanuts, toasted rice and fried shallot." The 159-seat site within The Star Brisbane also operates as a place for drinks till late, when DJs provide a soundtrack. For beverages, patrons can choose from a 19-option cocktails list, with 15 boozy concoctions and four without the hard stuff. A handy tip: the Thai iced tea comes in both alcoholic and virgin varieties. Asian beers and international wines, including a riesling from the Clare Valley's Rieslingfreak made especially for Lúc Lắc, are also on offer. Design-wise courtesy of Space Cubed Design Studio, Lúc Lắc's subtropical decor features floral fabrics, brass and animal prints, all chosen to leave an imprint. If you eat indoors, you'll be in the 58-seat main area with booths — and the bar made from jade onyx stone slabs. Outdoors, 46 guests can get cosy. "We played with different materials that are very much used in Asia like rattan, and went with warmer timbers and brass lighting to create an atmospheric mood," explains Sophia Klemenz Ghanem. "The silhouettes of the pieces we selected are sculptural and varied, playing with geometric forms. We wanted to combine softer curves with sharper lines to create tension and interest." Find Lúc Lắc at The Star Brisbane, Queen's Wharf Road, Brisbane — open 12pm–late daily. Head to the restaurant's website for more details.
In case you've somehow missed the fact that it's nearly Christmas, the Brisbane Quarter precinct is reminding everyone in a big way. And in a twinkling way, too, covering 175 square metres of the CBD site with more than 8000 glowing lights. If bright bulbs make you feel merry, then head to the corner of Adelaide and George Streets, look up, and prepare to be wowed by digitally controlled, low-voltage LED pebble lights. Even better — they're being programmed to flash in various colours and patterns (think reindeer, stars, candy canes, Christmas trees and other jolly configurations). The luminous sight is currently on display, adding some extra Xmas cheer to its patch of the inner city; however you might want to stop by from 6–7pm between Tuesday, December 14–Thursday, December 16. That's when the Brisbane Quarter Christmas Pop-up will also feature Christmas carols. And if all this festive spirit is making you peckish, the precinct's bars and restaurants are doing Christmas menus.
Just because The Boys loves satirising pop culture's superhero obsession, that doesn't mean that it can't spark its own franchise. So, when the series quickly proved a hit, of course a whole Vought Cinematic Universe started springing up around it. First came the animated The Boys Presents: Diabolical. Then, Gen V arrived to take on the 'We Gotta Go Now' storyline. Get ready for more of the latter — because Prime Video has just renewed it for a second season. Gen V's freshman outing debuted back in September and won't wrap up until November; however, the streaming platform behind it has already re-enrolled. "We couldn't be happier to make a second season of Gen V. These are characters and stories we've grown to love, and we are thrilled to know people feel the same! The writers are already working on the new season — sophomore year is gonna be wild, with all the twists, heart, satire and exploding genitalia you've come to expect from the show," said showrunner Michele Fazekas (Agent Carter) and executive producer Eric Kripke (The Boys) about the second season. There's no return date for Gen V as yet, just as The Boys' fourth season doesn't yet have a release date either. But when the former does get a second spin, it'll dive back into the chaos at Godolkin University, the college for superheroes that's meant to help prepare the best of the best for caped-crusader life — until exploding classmates, creepy secret facilities and untrustworthy professors complicate matters. Season one spends time with the blood-bending Marie Moreau (Jaz Sinclair, Chilling Adventures of Sabrina), who knows that attending God U is a pivotal opportunity. After a traumatic experience when her powers kicked in, this is her chance to completely change her life — and achieve her dream of becoming the first Black woman in The Seven. Then, nothing turns out as planned. Also, things on campus (and underneath it) get shady, fast. Also starring in season one: Lizze Broadway (Based on a True Story) as Marie's roomate Emma Meyer, who can change her size; Patrick Schwarzenegger (The Staircase) as Luke 'Golden Boy' Riordan, the school's literally hot number one-ranked pupil; Maddie Phillips (Teenage Bounty Hunters) as his persuasive girlfriend Cate Dunlap; Chance Perdomo (also Chilling Adventures of Sabrina) as the magnetic Andre Anderson; and London Thor (Never Have I Ever) and Derek Luh (Shining Vale) as the gender-shifting Jordan Li. Check out the trailer for Gen V's first season below: Gen V streams via Prime Video, with a release date for season two not yet announced. Read our review of season one.
UPDATE, November 23, 2020: Human Flow is available to stream via Google Play, YouTube Movies and iTunes. Like the renowned artist he is, Ai Weiwei opens Human Flow with a splash of painterly beauty, one of many that'll be seen over the course of the film's 140 minutes. An aerial shot of the sea fills the screen, its texture glistening, its colour shimmering, and a lone white seagull soaring over its scenic expanse. Even when the movie cuts to its next image — of a vessel filled with refugees powering through the gentle waves — it looks like something from a nature documentary. In a way, that's exactly what Human Flow is: a visually striking exploration of the planet's inhabitants migrating en masse across its surface. Of course, the film is also much, much more than that. Ai has never been one to shy away from politics, and is presently exiled from his Chinese homeland as a result. Returning to a topic he has contemplated repeatedly across his particular blend of art and activism (as also seen in his studio in Lesbos, recent series of New York fences and the 60-metre-long inflatable boat now on display in Sydney), he doesn't hide the documentary's strong viewpoint on the subject at hand. Moving between more than 40 refugee camps in 23 countries in total — from Afghanistan and Israel to Germany and the US — Human Flow both depicts and denounces the reality experienced by the 65 million people currently considered displaced. As the movie informs the audience, that's a level last seen during the Second World War. Interviews pop up throughout, flitting between experts, those trying to assist and a number of the displaced themselves. Lines from poets, writers and thinkers also frequently feature on-screen, speaking of humanity's overwhelming desire to simply be treated with dignity. Further slabs of text provide facts about and add context to the film's geographical segments, while a newsfeed intermittently scrolls across the bottom of the frame. Occasionally, Ai himself makes an appearance, chatting to refugees, bearing witness and trying to grapple with the enormity of the struggles before him. He helps people onto the shore from boats, and at one point swaps his own passport with a Syrian asylum seeker. At a wedding, he even dances. As rousing and resonant as all of the above proves, it's the documentary's main imagery, and the cinematography that goes with it, that makes Human Flow such a stunning achievement. Some shots offer breathtaking bird's-eye views of the masses moving across different landscapes. Others are grainy, urgent and shot on mobile phones, immersing viewers in the daily existence of refugees everywhere. The juxtaposition tells its own story: about the ease of seeing things from afar versus the difficulties of truly diving into the details, and the vastness of the problem at hand versus the personal toll for those trying to find a better life. This film is clearly an emphatic condemnation of the refugee crisis. It's also one that knows that reading headlines is one thing, but that seeing it up close — on the ground, all around the world — is something else entirely. The end result is a moving documentary that's mammoth yet intimate in both its scope and impact. Crucially, it's also heartfelt without overtly tugging at the heartstrings. Again, Ai is well aware that his observational, unhurried images (shot with the assistance of 11 other credited cinematographers) speak for themselves. Forget a picture just being worth a thousand words – Human Flow convincingly and compellingly advocates for millions of lives, for action in a world of apathy, and for not only the free movement of people in need, but the flow of humanity towards them. https://www.youtube.com/watch?v=YP5F7-RwVgM
Among the many gifts that 80s cinema gave the world, Glenn Close's (Tehran) turn as a bunny-boiling jilted lover in Fatal Attraction is one of them. There's committed performances and then there's her Oscar-nominated effort as Alex Forrest, the book editor who embarks upon an affair with Michael Douglas' (Ant-Man and the Wasp: Quantumania) married Manhattan lawyer Dan Gallagher, then doesn't appreciate being seen as a mere fling. How does another version of Fatal Attraction follow that up? Why would one bother? How can the film's erotic-thriller storyline leap to TV, find a way forward decades beyond the genre's heyday, and update its plot and long-outdated sexual politics to today? Streaming from Monday, May 1, Paramount+'s eight-part series endeavours to answer those questions — engagingly and intriguingly, and with an excellent cast. There's an air of inevitability to the new Fatal Attraction before its first episode even begins; in this peak time for turning movie classics into television shows, of course the rabbit-stewing hit is getting that treatment. From A League of Their Own and Interview with the Vampire to Dead Ringers and American Gigolo, streaming platforms can't stop remaking the past, a trend that also sees a Cruel Intentions show in the works, plus Harry Potter and Twilight series. Fatal Attraction circa 2023 doesn't just jump on that bandwagon. In finding a way to flesh out the OG film's 119-minute narrative to almost eight hours and give itself a point of difference, it's also a murder-mystery. That's a calculating but involving move, steeping the show in another current favourite approach — see: fellow recent whodunnits Poker Face, Bad Sisters, The Afterparty, The Undoing and The Flight Attendant — and putting far more than a scorned woman in focus. Brought to the small screen by Alexandra Cunningham (Physical) and Kevin J Hynes (The Offer), with the feature's screenwriter James Dearden (Christmas Survival) co-penning several episodes — the 1987 script adapted his own 1979 short Diversion, too — the latest Fatal Attraction starts with its adulterous lawyer in prison. Formerly an assistant Los Angeles district attorney and head of major crimes on the way to a judgeship, this Dan (Joshua Jackson, Dr Death) has spent 15 years in incarceration. Petitioning for his freedom, he tells the parole board that he's thought about Alex Forrest's (Lizzy Caplan, Fleishman Is in Trouble) death every day across that decade and a half. But there's another side to his words — because, once out, he's back to protesting his innocence. More than that, he's determined to track down the killer, with help from his ex-colleague and ex-detective Mike Gerard (Toby Huss, Weird: The Al Yankovic Story). Listening in on that hearing is college student Ellen (Alyssa Jirrels, Saved by the Bell), Dan's now-grown daughter, who hasn't had any contact with her father at his request during his time inside. In Fatal Attraction's present-day thread, she's handily a psychology student specialising in Carl Jung and his collaborator Toni Wolff, and calls her mother Beth's (Amanda Peet, Brockmire) second husband Arthur (Brian Goodman, I Know This Much Is True) dad. Dan wants to reconnect, a quest that unfurls in parallel to his search for the truth, as well as the show's flashbacks to the late 00s. In the latter, he's reaching 40 and flying high until his move behind the bench doesn't pan out, which coincides with new LA arrival Alex crossing his professional path as a victim's advocate. It's telling that Cunningham also has Dirty John on her resume, while Hynes has the new TV version of Perry Mason; combine the first's romance-gone-murderous stories with the second's legal dramas and that's where their spin on Fatal Attraction largely lands. In the process, there's noticeably little eroticism beyond a tumble or two in Alex's window-filled loft, but there is a vital look at the narrative from more than just Dan's viewpoint. His privilege is called out — he's the son of a judge, even making him a nepo baby — as the show also steps through his liaison with Alex from her perspective, and then from Beth's. There's no doubting that revisiting the same events through multiple characters' eyes helps fill the series' running time; however, it also helps reinforce that all tales are shaped by whoever is telling them. Indeed, when Fatal Attraction dives into Alex's history, including the lifetime of terrible treatment from her always-philandering dad and lack of affection from her mum, it puts her mental health in the spotlight, plus her thoughts, feelings and motivations. This iteration is never just about a man who strays from his nuptials and ends up with unwanted attention, prison time and his life upended, but equally about how Alex's time with Dan appears to her, and why. Playing out across both of the series' periods, Fatal Attraction is similarly concerned with how the past forever shapes our futures, a notion it unpacks in layers. That said, it also throws in a ridiculous and questionable late development to underscore that line of thinking, which blatantly and needlessly tries to set up a second season. When the show isn't making wild swerves and delivering cliffhanger twists, it benefits from having Caplan and Jackson at its centre. Sliding into Close and Douglas' shoes is no simple task, so neither attempts to imitate their predecessors, instead capitalising upon their own patent chemistry and respective strengths as performers. Caplan has always excelled at exuding intelligence and vulnerability in tandem — amid acerbic quips, it's what helped make her part in Party Down such a gem — and Jackson has been making charming but flawed his niche since Dawson's Creek, then Fringe, then The Affair. He can't sell being 55 in Fatal Attraction's later timeline, though, and visibly isn't treated well in the hair department. The series' smart casting extends to perennial scene-stealer Huss, who could turn Mike into another show's slippery lead; the ever-reliable Peet, who is never asked to play Beth as just the betrayed spouse; and Jirrels, including while saddled with talking through much of Fatal Attraction's psychological musings. With perspective such a key part of this retelling, strong supporting performances couldn't be more essential. In fact, that too is a crucial reason that returning to this tale proves impossible to ignore, like Alex: it's still a portrait of obsession, but it spies more than just one type of fixation and one basis for it. Check out the trailer for Fatal Attraction below: Fatal Attraction streams via Paramount+ from Monday, May 1. Images: Monty Brinton / Michael Moriati, Paramount+.
Here's three things you need to know about the just-released full trailer for Tiger King 2 — and three reasons that'll likely get you watching the Netflix docuseries' second season. Firstly, Joe Exotic once again protests his innocence, which is thoroughly expected. Secondly, a new face pops up to make the same statement, backing it up with "I am an Eastern European bitch, so I cannot be wrong." And thirdly, Jeff Lowe, who took over Exotic's park, claims to now have "more money than god" thanks to the program's first-season success. Obviously, when Tiger King 2 arrives on Wednesday, November 17, it'll put all of those snippets in context. It also promises to take viewers on quite the chaotic ride — again. The first series, Tiger King: Murder, Mayhem and Madness, might now feel like an early-pandemic novelties (it's what we all watched when lockdowns first hit and panic-buying toilet paper became a thing, after all), but it seems that we aren't done with cool cats and kittens just just yet. As a heap of news headlines have tracked since March 2020, this story just keeps getting wilder — so there's plenty more Joe Exotic and Carole Baskin-related details for this follow-up to cover. Indeed, when Tiger King became a huge hit, another season of the docuseries itself was floated almost right away. Then, back in September, the streamer confirmed that Tiger King 2 would surface before this year is over. Expect more details about Exotic's efforts to clear his name, Baskin's ownership of his former zoo, and what Lowe has been up to since the first season hit — and about fellow zoo-owner Tim Stark, ex-Exotic and Lowe associate Allen Glover, and Exotic's former employee James Garretson as well. This season doesn't come with a subtitle this time, but clearly it'll serve up more murder-related details, more mayhem and more madness. Tiger King 2 will also arrive before any of the other projects that've leapt on the Joe Exotic bandwagon over the past two years, endeavouring to capitalise upon the worldwide obsession with him, Baskin and the duo's strange intertwined tale. So, in the near future, you'll also be watching a dramatised series with Kate McKinnon as Baskin that's been shooting in Australia this year — but you'll be watching Netflix's continuation of the story first. Check out the full trailer for Tiger King 2 below: Tiger King 2 start streaming via Netflix on Wednesday, November 17.
Wellington is heaven for gourmands, combining all the ingredients that make for a brilliant culinary getaway. There are laneways crammed with cool, little artisanal producers; clandestine cocktail bars behind unmarked doorways; quiet suburbs hiding excellent, casual and international restaurants; centre-city breweries in abundance and a pack of wineries just over the hills. And then there's the fact that the city is wedged between a picturesque harbour and sprawling farmland, so the produce scene is very, very local. Wellington is a physically small city, so it's best explored on foot. This not only helps mitigate some of the effects of a food-filled holiday, but means there's also no stress about arranging transport or planning too far in advance. Just follow your nose and tastebuds. It's often said that Wellington has more bars and restaurants per capita than New York City. Whether or not there's any truth in this, it'll surely feel like it as you explore the many beaut spots, tasting your way through the city's unique culinary ethos. SHEPHERD Tucked away down Hannahs Laneway, Shepherd features framed botanical posters, taxidermy draped with fairy lights and jars of preserves used as decoration. And this unexpected and playful, yet refined decor is mirrored in its food. This is fine dining-quality fare in a wonderfully fun atmosphere where the staff know the origins of every ingredient. Expect plenty of local seafood, Asian condiments, fermented and pickled ingredients and some of the most creative desserts you'll ever taste. The pumpkin cardamom doughnut with peanut butter popcorn and whiskey anglaise is a favourite, but the menu is seasonal and changes almost daily so expect to find a new favourite each time you stop in. [caption id="attachment_635862" align="alignnone" width="1280"] Facebook / Fix & Fogg.[/caption] FIX & FOGG What started as a hobby for then-lawyers Roman and Andrea Jewell has turned into a bit of a peanut butter empire. Fix & Fogg was born from the couple's desire to learn new skills, and it quickly became one of the most delicious products coming out of Wellington. Swing by Hannahs Laneway, and if the peanut butter flag is out — you'll know it when you see it — then the PB will be flowing. The adorable shop window is literally tucked under a staircase and offers tastings, gourmet toast and the occasional peanut butter donut. [caption id="attachment_635860" align="alignnone" width="1280"] Facebook / Husk.[/caption] HUSK Another spot hidden down an alley, another spot that's the result of a collaboration between Wellington hospo stalwarts — HUSK is a lot of things: a cafe, a bar, a brewery, a coffee roastery and a restaurant. With true dedication, the coffee and beer venture is open from 8 or 9am till late every day. Swing by for a breakfast of sardines on toast and a Karamu Coffee flat white (with beans roasted onsite), lunch featuring pork shoulder tacos and a pint of Reet Petite, a stem ginger red IPA by Choice Bros (brewed onsite) and for cheeseburger spring rolls and a barrel-aged negroni for dinner. LAMASON BREW BAR Wellington runs on strong coffee, and Lamason is where you can try the best of it in a safe environment. You won't be mocked here if you're not really sure what the difference is between V60 and Swiss Gold. Lamason does do traditional espresso and they do serve a small selection of food, but what you really want to visit for is the specialty coffee. If you're a newbie, don't be afraid to ask the staff what they recommend. Their single origin beans each have their own unique flavour profiles, and they're beautifully profiled by siphon brewing — which is basically vacuum coffee extraction, otherwise known as magic. [caption id="attachment_635861" align="alignnone" width="1280"] Facebook / Harbourside Market.[/caption] HARBOURSIDE MARKET In Wellington, you bend the knee and swear allegiance to one of the weekend produce markets. There are a handful to choose from, but Harbourside Market is the true ruler of this realm. Every Sunday from sunrise to early arvo, locals and visitors flock to the market to get their week's fruit and veg, as well as bread, cheese, meat, fish, tofu, honey, eggs, peanut butter and so on. The markets also feature a bunch of food trucks and buskers. The roti wraps and cold brew coffee are a perfect cure to a foggy Sunday head, the waterfront vista is stunning and the people watching is excellent. Maybe you've been to Auckland, maybe you've gone to the snow in Queensland, but now it's time to set your sights on Wellington. The harbourside city may be compact, but that only makes for excellent walkability from its excellent restaurants, cafes and bars to its cultural hot spots and around the great outdoors. Use our planning guide to book your trip, then sort out your Wellington hit list with our food and drink, culture and outdoor guides.
There's something about the end of winter that gets Australian music festivals locking in their plans for spring, summer and beyond. Already as 2024's frostiest season come to a close, Meredith, Always Live, Beyond The Valley, Bluesfest, Lost Paradise and SXSW Sydney have either announced or added to their lineups. Next up: Good Things. Back when winter was just beginning, the fest confirmed that it'd be back this year and set its dates across the country's east coast. Now, its roster of acts is here just before spring arrives. Korn, Sum 41, Violent Femmes and Billy Corgan will lead the bill when Good Things heads to Melbourne on Friday, December 6, then Sydney on Saturday, December 7 and finally to Brisbane on Sunday, December 8. [caption id="attachment_970650" align="alignnone" width="1920"] Maurice Nunez[/caption] As in previous years, Good Things is again taking over Flemington Racecourse, Centennial Park and Brisbane Showgrounds. That's where you'll hear 'ADIDAS', 'Got the Life', 'In Too Deep', 'Pieces', 'Blister in the Sun', 'Add It Up', 'Today', '1979' and more from the fest's first four big names alone. The complete lineup features both international and local highlights, including Germany's Electric Callboy, plus America's Mastodon, The Gaslight Anthem, Kerry King and L7. Among the homegrown acts, Jet, The Living End and The Butterfly Effect will all take to the stage, as will Killing Heidi performing their 2000 album Reflector in full. Festivalgoers can also look forward to carnival-style stunts and acts at STAGE 666, which returns after proving a hit in 2023. This year's hefty list of bands follows in the footsteps of the reunited TISM, Bring Me the Horizon, The Amity Affliction, NOFX, Millencolin, Devo, Fall Out Boy, Limp Bizkit, Corey Taylor and Pennywise, all of which have graced Good Things in the past two years alone. Good Things 2024 Lineup: Korn Sum 41 Violent Femmes Electric Callboy Billy Corgan Mastodon Kerry King The Gaslight Anthem Jet The Living End L7 Northlane Bowling for Soup Alpha Wolf Sleeping with Sirens The Butterfly Effect 311 AViVA Destroy Boys Dragon Frank Turner and The Sleeping Souls From Ashes to New Grandson Highly Suspect Imminence Killing Heidi (performing Reflector in full) Loathe Reliqa Taylor Acorn Good Things 2024 Dates: Friday, December 6 — Flemington Racecourse, Melbourne Saturday, December 7 — Centennial Park, Sydney Sunday, December 8 — Brisbane Showgrounds, Brisbane Good Things hits Melbourne, Sydney and Brisbane in December 2024. Presale tickets go on sale at 10am AEST on Tuesday, August 27, with general sales from the same time on Thursday, August 29. Head to the festival website for more information. Good Things images: Kane Hibberd.
It's summer, or close enough to it. The temperature is warm, hot or scorching, or somewhere in-between. You can hear the sounds of someone splashing around in a cool, refreshing pool — but those noises aren't coming from your own swimming spot, because you don't have one. Many Australians can relate to this scenario each and every year (and, depending on where you live, maybe even most of the year round). Thankfully, it's a situation that Swimply is designed to counter. Even better: the pool-sharing service is relaunching Down Under at exactly the right time of year. Swimply first debuted locally in 2019, after getting up and running in the US and Canada before that; however, we all know what's happened in the world since then. Now, with Australians facing a summer without restrictions, the service is here to help you out if you don't have a mate with a pool, don't know your neighbours well enough to just pop by for a dip or live too far away from your local waterhole is too far away — and you're stuck trying to chill out in the bath or under the fan in the sweltering heat. Operating in Sydney, Melbourne, Brisbane, the Gold Coast, Sunshine Coast, Perth, Adelaide and select regional areas, Swimply is a fairly typical sharing economy-style platform. One person rents out something they have and don't use all the time, while another person with a short-term need reaps the benefits. In this case, the service lets folks with pools lease out their backyard swimming spots when they're not in use, and helps people without pools find a place for a splash, all via an iOS and Android app. If you fall into the latter category, you can hire a spot by the hour. You can also look for pools with specific facilities and inclusions — such as chairs, lounges, towels, wifi, a changing area, access to a bathroom, a barbecue, a shady spot to sit under, night lighting, pool toys and heated waters. Some allow pets, while others are fine with parties and alcohol. Before booking, you can also scope out just how many guests you can bring (and whether kids are allowed), as well as how private the pool is from the neighbours. That said, it proves most cost-effective if you're splashing around with mates, with the cost set by the owner. Prices start at $25 per hour, but those fees vary. Some hit $100, and there's plenty around the $50–70 mark. Still, if you're keen to hop in a pool — and a private one, rather than your local public spot — Swimply gives you options. Swimply is now available to download on iOS and Android.
A lot can happen in ten years. Peer around Brisbane and you'll spot the new venues, closed favourites, plethora of rooftop bars and riverside breweries, and growing skyline to prove it. For music curators and party crew A Love Supreme, the past decade has been an evolution from block parties held in carparks — as happened at its very first event — through to bigger and bolder shindigs, and quite the reputation and following. And yes, to mark its massive milestone, it's celebrating. First came a party at the Princess Theatre. Now, on Friday, March 25, A Love Supreme is taking over The Tivoli for a night of stellar tunes. The lineup is filled with favourites, so odds are you've seen one, two or more of them at the crew's get-togethers over the years — such as headliners Floating Points, plus Ruby Savage, DJ JNETT, Mike Who, Sophie McAlister, Lori and Respect. Tickets cost $89 — and whether you're a veteran or a newcomer, you'll be treated to a night of partying, dancing and ace electronic tracks to get you in the mood for both.
If you're an Uber One member who's headed to the Australian Open, you're in luck. Complimentary rides to the Rod Laver Arena in snazzy EVs are on the cards — and they'll even drop you home. For the duration of the tournament until Sunday, January 28, Kia is serving up a fleet of 30 brand-new EV9s and EV6s, which are available in the 'Kia Electric' option on your Uber app — assuming that they haven't all been snapped up at the time you're looking, of course. Given that Kia is the major partner of the Australian Open, these same types of EVs will be transporting the players to and from the tournament. So you'll have the chance to experience travelling to the matches like a star of the game, even if you get winded going up the stairs. [caption id="attachment_935839" align="alignnone" width="1920"] annieb via Wikimedia Commons[/caption] How do you snag one of these rides? Simple. When heading to the tennis, just pop 'Rod Laver Arena' as your destination. If you're going home, just pop in your address or anywhere else you feel like heading within a five-kilometre radius. If an EV is available between 9am–7pm, from until Sunday, January 28, you can select it and enjoy the ride on Kia's dime. Here's the fine print: it's capped at $100, and only available if you're an Uber One member and booking within a five-kilometre radius of the arena. Free trip to one of the greatest sporting events on the planet, all in the quiet comfort of a slick EV? That's not a bad start to any day at the tennis. The Australian Open is held at Melbourne Park. It runs from Sunday, January 14 to Sunday, January 28. Top image: Tourism Victoria via Flickr.
In 2022, The Strokes and the Yeah Yeah Yeahs were meant to share the same Splendour in the Grass bill. Karen O's band didn't make it to what became Splendour in the Mud, but the two groups have shared plenty before — and for decades. Their maps have overlapped since pre-9/11 New York, when both were formed in the turn-of-the-millennium indie-rock wave, then surfed it to success and worldwide fame. Both The Strokes and the Yeah Yeah Yeahs were born of the Lower East Side pre-gentrification. Both spun in the same orbit as late-90s saccharine pop and Y2K nu-metal rock gave way to electrifying guitar riffs and an explosive sound that'd become a whole scene. Both are led by charismatic singers who came alive onstage, but also found chaos and challenges. Alongside Interpol, LCD Soundsystem, The Moldy Peaches, The Rapture and TV on the Radio, both now sit at the heart of documentary Meet Me in the Bathroom. Based on Lizzy Goodman's 2017 book Meet Me in the Bathroom, an oral history that focuses on exactly what its subtitle says it does — Rebirth and Rock and Roll in New York City 2001–2011 — this is a fond look back at bands setting the room on fire and rolling heads as one century gave way to the next. While the film isn't about just one or two groups, it returns to The Strokes and the Yeah Yeah Yeahs again and again, and not simply because they're two of the early 00s' biggest NYC post-punk, garage-rock revival names. Listening to The Strokes' first record, 2001's Is This It, is a jolt and a buzz. With Julian Casablancas behind the microphone, it thrums and hums with the energy of hopping between bars, gigs and parties, and with the thrill of a heady night, week, month, year and just being in your 20s. Hearing O's voice is galvanising — intoxicating as well — and has been since the Yeah Yeah Yeah's self-titled EP, also in 2001. It's no wonder that directors Will Lovelace and Dylan Southern just want to keep listening, and also inhabiting that vibe. Meet Me in the Bathroom jumps around like a mixtape — or, befitting the period, like illicit tunes acquired by Napster and LimeWire, tools that aren't irrelevant to this story. Before technology changed the radio star again, making global fandom easier, better, faster and stronger, the movie's bands had to come to fruition in the first place, however. Lovelace and Southern start with images of the Manhattan skyline, and of New York's subway system. They hero Andy Warhol, Lou Reed and Blondie, ticking through New York icon after New York icon. They position The Strokes, the Yeah Yeah Yeahs and company's arrival as the next step and, by using such familiar NYC mainstays, they mark Meet Me in the Bathroom's key players as era-defining legends who were always going be legends. Before this, Lovelace and Southern's best-known film was Shut Up and Play the Hits. In that James Murphy-centric doco about what was then LCD Soundsystem's last gig at Madison Square Garden and in this alike, the directing duo are patently enamoured with their subjects. That doesn't dampen or discount Meet Me in the Bathroom's passion and insights, not for a second — but the film is preaching to the long ago-converted rather initiating 00s-period indie-rock newcomers. There's a wistfulness beyond nostalgia to the movie as well that's a few strums away from being out of tune. The years have passed, naturally. It'll never be the advent of the 21st century again, short of time-travelling DeLoreans or phone booths. Still, The Strokes' last album arrived in 2020, and the Yeah Yeah Yeahs and Interpol released new records in 2022; they're all still together and still touring. In a counterpoint to Meet Me in the Bathroom's confidence that this talent in this town was always going to lead to this tale, The Moldy Peaches' Adam Green voices early doubts: "I remember thinking maybe New York isn't the kind of city anymore that produces iconic bands." The film wouldn't exist if the names it surveys hadn't made their mark, of course, and helped ensure their scene made a mark. Viewers know that going in, but watching the process via archival footage, home movies and gig snippets from the time, much of it handheld and atmospheric — and hearing from Casablancas, O, Murphy, Green, Interpol's Paul Banks and more — is as immersive and transporting as Lovelace and Southern want it to be. A like-you're-there sensation kicks in; Casablancas looking so fresh-faced assists, plus O talking through how fronting a band helped her work out who she was. (Her comment that there were no women in rock leading the way beforehand aren't as spot-on.) O is a fascinating, mesmerising, don't-want-to-look-away point of Meet Me in the Bathroom's focus. The movie does peer elsewhere, but the audience wants it to swiftly return. Her transformation from a quiet girl with an acoustic guitar from New Jersey to a rock goddess doesn't just feel fated, but earned. Her honesty, especially when chatting about the solace from racism and sexism she sought in music, then the treatment that women in rock receive, is pivotal to making Meet Me in the Bathroom more than a vivid effort to revisit a time, place, mood and scene. Also, her candour sits in contrast to Casablancas, who the doco gravitates towards as the world did, but conveys most of what he's going to by saying little. The bigger The Strokes get, the less comfortable he is. And, given that everything in the film's frames comes from back in the day, that's without Casablancas knowing that two decades later this documentary would take its name from a track from The Strokes' second album. Affectionate, in the moment, revealing, reverent: Meet Me in the Bathroom hits all of those notes. It also covers much, from Y2K predictions to 9/11 and its aftermath, sweaty club shows to internet-enabled album leaks, and whirlwind tours through to struggling to get deals and records out. With editors Andrew Cross (Ronaldinho: The Happiest Man in the World) and Sam Rice-Edwards (Whitney), Lovelace and Southern structure the film by feel more than anything else. There's a timeline to this time capsule, but in flitting from one band to the next and back again, choosing where to linger — including an indulgent midsection spent charting Murphy's switch from producer to LCD Soundsystem frontman — and picking what to leave out, mood seems the biggest influence. That's music, though, as anyone who has happily lost themselves to The Strokes and the Yeah Yeah Yeahs on a heaving dance floor or among a jostling festival crowd knows, as does Meet Me in the Bathroom.
At some point in the near future, this might be the question: what can't you book via Airbnb? The platform began as a way for travellers to spend a night in everyday homes instead of hotels, but it has long moved past simply letting folks stay in each other's houses. Its latest evolution: hanging out with celebrities, getting you locking in services such as personal chefs and trainers, and also everything from ramen-making sessions and playing beach volleyball with an Olympian to worshipping pastry with an expert and exploring Notre Dame's restoration. If none of this sounds like a huge surprise, that's because Airbnb has been levelling up simply enjoying a night in someone else's pad for a while now. Think: special listings for the Up house, Prince's Purple Rain abode, the Beetlejuice house, Shrek's swamp, Barbie's Malibu DreamHouse, the Ted Lasso pub, the Moulin Rouge! windmill and Hobbiton. It has also offered up the Bluey house, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop, the Sanderson sisters' Hocus Pocus cottage, the Paris theatre that inspired The Phantom of the Opera and a Christina Aguilera-hosted two-night Las Vegas stay, among others. [caption id="attachment_1004284" align="alignnone" width="1920"] Adrienne Raquel[/caption] This time, the platform is grouping its expanded range into three categories: services, experiences and originals. The first is meant to add to wherever you're staying, and the second is all about making the most of your getaway destination with experts and locals. As for the third, that's where the likes of Megan Thee Stallion and Sabrina Carpenter come in. With services, Airbnb has launched ten categories in 260 cities, aiming to cover hotel-style amenities such as gym access and spa treatments. Also on the list: personalised photography sessions, massages, haircuts and blow dries, makeup, manicures and pedicures, full catering and yoga. The platform is engaging providers with an average of ten years of experience, such as chefs from Michelin-starred restaurants and other award-winners. [caption id="attachment_1004285" align="alignnone" width="1920"] Saeka Shimada[/caption] Among the experiences, options are on offer in 650 cities, with each designed to give you an authentic taste of wherever you're heading — sometimes literally. Michelin-recognised Japanese chef Saburo Ishigōka is taking care of the ramen, for instance, while architect Axelle Ponsonnet will give you the scoop on Notre Dame and stylist Jamie Mizrahi will help refresh your wardrobe. You can also travel through Andean landscapes and sacred Inca sites on horseback with an expert in Andean culture, and do some Lucha libre training with a professional luchador. Fancy playing tourist in your own town with these experiences? You'll be able to. Keen to gather the gang? Later in 2025, you'll also be able to see who else is heading along on an experience before you book. [caption id="attachment_1004286" align="alignnone" width="1920"] Daehan Chae[/caption] As for the new Airbnb Originals, selections named so far include hanging out on the Short n' Sweet tour set with Sabrina Carpenter, creating an anime alter-ego with Megan Thee Stallion, hitting Rio's Leblon Beach to play volleyball with Carol Solberg, throwing a spiral and tucking into barbecue with Patrick Mahomes, celebrating all things SEVENTEEN in Seoul and getting cooking with The French Bastards' Raphaelle Elbaz. "Seventeen years ago, we changed the way people travel. More than two-billion guests later, Airbnb is synonymous with a place to stay," said Airbnb CEO and Co-Founder Brian Chesky, announcing its newest additions. "With the launch of services and experiences, we're changing travel again. Now you can Airbnb more than an Airbnb." [caption id="attachment_1004287" align="alignnone" width="1920"] Paz Olivares-Droguett[/caption] [caption id="attachment_1004288" align="alignnone" width="1920"] Dani Pujalte[/caption] [caption id="attachment_1004289" align="alignnone" width="1920"] Sela Shiloni[/caption] [caption id="attachment_1004292" align="alignnone" width="1920"] Peden + Munk[/caption] [caption id="attachment_1004290" align="alignnone" width="1920"] Damien Maloney[/caption] [caption id="attachment_1004291" align="alignnone" width="1920"] Jackie Beale[/caption] For more information about Airbnb's latest additions, and to make bookings, head to the Airbnb website. Top image: Adrienne Raquel. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Before the 1988 Brisbane Expo, South Bank didn't exist. That's how much the huge world event reshaped the city. And while that fact has been easy to forget over the years, a little upcoming spectacle called the 2032 Olympic and Paralympic Games is about to remind us how much can change when a place needs to accommodate festivities of an immense scale — with plenty of the Sunshine State's capital set to get a makeover. Tearing down and rebuilding the Gabba is one such plan. Creating a new seven-hectare riverside parkland in South Brisbane is another. Getting us all zooming around via self-flying taxis is also on the list, and so is revamping and expanding Northshore Hamilton along an extra 1.2-kilometre stretch of the river. Initially, that transformation across current industrial land along the river's northern edge is all about setting up the Brisbane Athlete Village for the Brisbane 2032 games, which has long been part of the Olympic and Paralympic planning. But once all the sporting contests are over, Brissie will score a new waterside precinct — well, a heftier version of an existing one. Deputy Premier, Minister for State Development, Infrastructure, Local Government and Planning and Minister Assisting the Premier on Olympics Infrastructure Dr Steven Miles announced on Friday, October 28 that this part of Brisbane's Olympics makeover will be accelerated, with works in the Northshore Hamilton Priority Development Area — aka that expanse by the river in Hamilton — being approved. To do so, the minister gave the go-ahead for a development scheme amendment, after consulting with the community about the proposal. "An additional 1.2 kilometres of this prime waterfront location will be transformed into a vibrant, mixed-use precinct for the community," said the Deputy Premier in a statement. "It will be one of the biggest contributions of Brisbane riverfront parkland since South Bank was established. A new commercial heart will be located along Macarthur Avenue to take advantage of increased foot traffic and maximise the invaluable new riverside parkland. This development will cement Northshore as a world-class lifestyle, recreation and events destination," Miles continued. Expect big things — 304 hectares in area, in fact, which makes Northshore Hamilton Queensland's largest waterfront urban renewal precinct. When the revamp is all done and up and running, it'll play host to shops, eateries, businesses, and places for entertainment and cultural activities. Hotels and markets have been floated for the precinct, too. Also in the plan: more than 14,000 dwellings housing 24,000-plus residents. (During its tenure as the Athlete Village, it'll host 10,000-plus athletes and team officials for the Olympics, as well as 5000-plus for the Paralympics.) [caption id="attachment_831497" align="alignnone" width="1920"] Eat Street Northshore[/caption] Brisbane will host the 2032 Olympics from July 23–August 8, 2032. We'll update you with further information about the plans for Northshore Hamilton as they're announced. Images: artists impressions, Queensland Government.
Melbourne's hotel scene just keeps booming, with an impressive new Marriott Hotel outpost set to launch in the heart of Docklands. And this one comes complete with a whole swag of onsite hospitality venues, including a swanky rooftop bar and heated infinity pool. Slated to open late June, the Melbourne Marriott Hotel Docklands will be the suburb's only five-star hotel, boasting 189 luxury rooms kitted out with features like 'retail-inspired wardrobes' and 55-inch LCD TVs. Then, there's the hefty collection of food and drink offerings, including one next to the hotel's crowning glory — the stunning infinity pool, complemented by sweeping views to the west overlooking Port Phillip Bay and the Melbourne Star Observation Wheel. Escape up here for a taste of the high life and you'll be swimming in a 28-metre wet-edge pool — or lounging on a day bed enjoying cocktails and high-end panoramas. You don't even need to be a hotel guest to take advantage, with day passes available for $68 (or $168 for a family of two adults and two children), which gets you four-hour entry to the rooftop pool and whirlpool, plus use of both the sauna and the hotel's high-tech gym. Adjacent rooftop bar Sunset House is set to be a buzzy sky-high destination where punters can kick back on lounges nibbling finger sandwiches — and quaff signature cocktails and a range of Everleigh's bottled spritzes. After dark, the menu will expamd to include chic shared plates like katsu sandos, duck jaffles, Moreton Bay bug rolls, and tuna sashimi teamed with a green chilli sambal and sesame tofu. Expect a program of nighttime DJ sets to match. Meanwhile, elegant all-day restaurant Archer's is being headed up by Executive Chef David Albert, and will champion local ingredients and producers through an offering of bold, technique-driven plates. You'll sit down to the likes of lamb tartare; Mount Martha mussels smoked over paper bark; and a dish of Great Ocean Road duck jamon with rhubarb compote, davidson plum and walnut mole. The fare's complemented by a considered drinks program from sommelier Hamish Small, including champagne aplenty. Explore further and you'll find casual all-day haunt Corsia, which trips from St Ali coffee and breakfast fare to Euro-leaning lunch dishes, and then onto after-work wines and Italian-style desserts. Cocktail lounge Ada's is the final piece of the puzzle, taking both its name and inspiration from the pioneering female mixologist that created the Savoy Hotel's famed Hanky Panky cocktail in the 1930s. The sophisticated space will be slinging chic bar snacks, revamped classic cocktails and an impressive range of non-alcoholic creations. The Melbourne Marriott Hotel Docklands will open at 15 Waterfront Way, Docklands, from late June. For more details, or to book a stay or pool access, check out the website. Images: Dianna Snape
If you're a fan of poultry pieces, then you might want to mark Thursdays in your calendar. Circle them on your wall, put a reminder in your phone, drop them into your work schedule and, if you really don't want to forget, set an alarm, too. The reason: that's when Beerhaüs in Bowen Hills is doing one-cent wings — each and every week. Nope, that figure isn't short a numeral. The special runs all day, as well, through until 7pm. You can even choose between seven different sauces, including teriyaki, barbecue and chipotle. The catch? Yes, there is one, but we don't think you'll mind. You have to buy a full-priced drink to access the oh-so-cheap wings, and you can only get ten wings per beverage. Want more? Buy another beer, cocktail, wine or soft drinks, then pay another ten cents for ten more wings. Updated November 1.
Dream-pop duo, Gypsy and the Cat, have truly infiltrated the Australian music scene in their short two year existence. Following the release of their washed-out melodies filled album 'Gilgamesh', these Melbourne DJs turned musicians have established themselves as two of Australia's most innovative masters of sound. Having toured Germany, Japan, Switzerland, Denmark, Hong Kong and the Netherlands, as well as supporting Kylie Minogue on her Australian tour last year, Gypsy and the Cat have used their infectious sound to capture the hearts of audiences all around the world. They recently provided listeners with taste of their melting pot of washed-out melodies, that is their new album Late Blue, with preview track 'Sorry'. Gypsy and the Cat will be performing at the HiFi for one night of dreamy dance tunes and sonic ballads. Prepare yourself for the band that musically is Australia's effortless enigma. Gypsy and the Cat's 'Sorry'
Easily taking out the title for the cutest and fluffiest fundraising initiative of the year, Pawgust is doing the real good work — raising money for Guide Dogs, while letting you spend some quality time with your best four-legged pal. It costs more than $50,000 to raise and train a Guide or Assistance Dog, and these pups are dearly needed by those they assist. There are over 450,000 Australians who are blind or have low vision, and to them, Guide Dogs are often a constant companion providing a vital service. Pawgust is a simple premise, but a sweet one: just walk your dog. Spend 30 minutes every day walking your doggo, for 30 days, or the whole month of August. Registering for Pawgust means you'll get sent a pedometer to use to measure your steps and how far you travel with your furry mate all up – half an hour is approximately 2km, so seems likely you'll make some decent tracks. The other side of the challenge is a little less dog-friendly: raising funds. Reach out to the people in your life who like dogs (or just like you) and get them digging into their pockets – if you're stuck for ideas, the pack you receive upon registering has some ideas and plans for how to reach out. If you're reading this dogless, that's okay too: you can just walk alone, or enlist a human two-legged friend to do it with you. There are even prizes up for grabs for those who raise the most funds or walk the greatest distance, but let's face it — achieving something pretty cool with the help of your dog is probably its own reward. To register you and your pup for Pawgust, head to pawgust.com.au.
It's about time for her arrival: Christina Aguilera's, that is, with the 'Dirrty', 'Genie in a Bottle', 'What a Girl Wants', 'Lady Marmalade' and 'Beautiful' singer heading Down Under in November for a one-night-only gig. Hitting Australia for the first time since 2007, the singer headlines Victoria's statewide music celebration Always Live, which is returning in 2023 for its second year after a successful debut run in 2022. Aguilera plays Melbourne's Flemington Racecourse on Saturday, November 25, in a show that'll also mark 20 years since her album Stripped. Not in Melbourne? This is a getaway-worthy show, given that it's the only concert she's playing on this Aussie trip. One of pop music's former Mouseketeers, the six-time Grammy-winner leads a bill that spans more than 165 artists at 60-plus events — all in Victoria. In other words, she spearheads a lineup that's designed to get the state's residents hitting up live gigs, and to entice tourists from the rest of the country to make music-filled holiday plans.
There hasn't been much to get excited about during the pandemic, but seeing fantastic film festivals jump online and offer their usually city-limited programs to Australians everywhere is definitely a rare silver lining in these difficult times. One such fest doing just that is the Sydney Underground Film Festival, which went completely virtual in 2020 and is repeating the feat in 2021. As Sydney's go-to event for all flicks weird, wonderful, out-there and anarchic, SUFF will keep doing what it's been doing well for 15 years now — but by beaming an impressive heap of movies into homes around the country. From Thursday, September 9–Sunday, September 26, cinephiles looking for something other than the usual streaming options can binge their way through the fest's 30 features and documentaries. If you like your strange and surreal movies in bite-sized servings, there'll also be nine short film programs featuring more than 100 titles. From the full-length selection, highlights include opening night's road trip comedy Sweetie, You Won't Believe It from Kazakhstan-based director Yernar Nurgaliyev; documentary Alien on Stage, about a group of UK bus drivers who decided to create their own amateur stage production based on Ridley Scott's famous sci-fi/horror classic; and Poly Styrene: I Am a Cliché, which explores X-Ray Spex frontwoman Poly Styrene's story from her daughter's viewpoint. Other standouts span Cannon Arm and the Arcade Quest, which follows an attempt to become the first in the world to play an arcade machine from the early 80s for 100 hours in a row; absurdist Japanese comedy Wonderful Paradise, as based around an eviction street party in the Tokyo suburbs; and coming-of-age comedy-thriller First Date. Or, there's Fanny: The Right To Rock, about the first all-woman band to release an album with a major record label; Ukranian effort Stranger, which sees people start to disappear from bodies of water; and Lorelai, starring familiar faces Pablo Schreiber and Jena Malone in thoughtful drama about working class life in America. SUFF will also celebrate the 40th anniversary of The Strange Case of Dr Jekyll and Miss Osbourne, which stars the inimitable Udo Kier and isn't your usual take on the famous tale — because, just like attending ace film fests, celebrating big cinematic milestones is also something you can do at home. The digital-only 2021 Sydney Underground Film Festival will run from Thursday, September 9–Sunday, September 26. For further information, or to buy tickets, head to SUFF's website.
It couldn't have been hard to cast Pete Davidson as a stoner in Dumb Money, but getting the Bupkis star playing a part that barely feels like a part on paper is perfect in this ripped-from-the-headlines film. He doesn't give the movie's top performance, which goes to lead Paul Dano (The Fabelmans), but he's satisfyingly great as the DoorDash driver who's often trolling his brother online and in-person. He's also an example in Cruella and I, Tonya director Craig Gillespie's entertaining feature of one of the ideas that this true tale heartily disproves. Viewers know what they're going to get from Davidson, and he delivers. Wall Street thought it knew what it was in for when small-time investors splashed their cash on stock for US video-game store chain GameStop, too, but the frenzy that resulted demonstrated otherwise. It was in 2019 IRL when DeepFuckingValue aka Roaring Kitty aka Keith Gill first posted on subreddit r/wallstreetbets that he'd bought stock in GameStop, the Texas-born brand that had been struggling but he thought was undervalued. Dumb Money tells this story from Keith's digital enthusiasm through to the impact upon the financial markets, plus the worldwide attention that followed. In 2021, the GameStop situation wasn't just news. It was a phenomenon, and one of the great modern-day David-versus-Goliath scenarios. There's a reason that this recent chapter of history been turned into a movie, and not just because it's an easy candidate to try to emulate The Big Short: the big end of town kept pulling its usual strings, the 99 percent played their own game instead and the status quo was upended — temporarily. Amid its array of memes, news clips and TikTok snippets, Dumb Money meets Keith in the pandemic, where empty commutes to his industry gig contrast with netizens hanging on his virtual chatter. As the hachimaki-wearing, beer-sipping Roaring Kitty, the Bostonian YouTuber streams from his basement, talking about how "Wall Street gets it wrong all the time" — and why GameSpot might be one of those instances. His wife Caroline (Shailene Woodley, Robots) is already supportive, and viewers and forum posters begin to agree. Enter a motley crew of characters all snapping up stock: Pittsburgh nurse and single mother Jenny (America Ferrera, Barbie) dreams of being able to comfortably take care of her children, Austin college students Riri (Myha'la Herrold, Black Mirror) and Harmony (Talia Ryder, Do Revenge) have tuition to pay, and Detroit GameStop worker Marcos (Anthony Ramos, Transformers: Rise of the Beasts) sports bigger ambitions than toeing the corporate line enforced by his by-the-book boss Brad (Dane DeHaan, Oppenheimer). Keith, Jenny and company comprise Dumb Money's titular term: it's what amateur individual investors are dubbed. On the supposedly "smart money" side sit the wealthy who want to get even wealthier. Hedge fund cronies Gabe Plotkin (Seth Rogen, Teenage Mutant Ninja Turtles: Mutant Mayhem), Steve Cohen (Vincent D'Onofrio, Godfather of Harlem) and Kenneth C Griffin (Nick Offerman, The Last of Us) are all spliced into the pacy narrative from luxurious abodes — Miami mansions, well-appointed offices and country clubs — while looking like money as well as living and breathing it. With GameStop, they're aiming to make more by betting the other way. They'll profit as shares fall, which Roaring Kitty, his acolytes and their efforts to drive up the price to cash in themselves threaten. Also in the slick-and-sweating camp are Vlad Tenev (Sebastian Stan, Sharper) and Baiju Bhatt (Rushi Kota, Never Have I Ever), creators of trading platform Robinhood, which is touted as a democratising advance and widely used by GameStop stock devotees, then shifts its allegiances. Rogen, Stan and Australian filmmaker Gillespe collaborated on Pam & Tommy, which also took a slice of actuality, broke down the details, unpacked the chaos and served it up engagingly. It was an underdog tale as well — not by splitting its time between its eponymous celebrities and the folks who leaked their sex tape, but because Pamela Anderson's fight to be seen as more than a sex symbol beat at its centre. Here, the hierarchy is straightforward. There's no doubting who's battling and who already possesses the power, although an off-screen tidbit does cast a shadow over the anti-establishment push, emphasising that money talks no matter what. Among the film's executive producers are Tyler and Cameron Winklevoss, the investors famous for being portrayed by Armie Hammer in The Social Network, plus everything that movie covered about their involvement in Facebook's early days. Penned by Orange Is the New Black alumni Lauren Schuker Blum and Rebecca Angelo, adapting Ben Mezrich's 2021 book The Antisocial Network: The GameStop Short Squeeze and the Ragtag Group of Amateur Traders That Brought Wall Street to Its Knees (the author's 2009 tome The Accidental Billionaires: The Founding of Facebook, a Tale of Sex, Money, Genius, and Betrayal was the basis for The Social Network), Dumb Money isn't the first time that the GameStop stock saga has reached screens. It also won't be the last. Two-part HBO documentary Gaming Wall Street arrived in 2022 with Succession's Kieran Culkin narrating, and doco film GameStop: Rise of the Players hit the same year. Reports have also swirled about a Netflix feature starring To All the Boys' Noah Centino and written by The Hurt Locker Oscar-winner Mark Boal, and another flick called To the Moon. Whatever else does follow, this version is clearly a Gillespe joint right down to the overt needle drops, which summed up Cruella in all the wrong ways — but style and substance find a better match here. Dumb Money keeps things snappy but never too sleek; it's lively and giddy but grounded; and it's about the rise to eat the rich, not just about rich who demand eating, even if reality's revolution hasn't been that ravenous. The narrative journey is all rollercoaster, as is the stock journey — rises, falls, soaring and dipping included — and Dano's key performance straps in for it all. He's calm, earnest, determined, passionate and likeable, selling Keith's growing folk-hero status as well as the fact that he's an everyman galvanising ordinary people from his suburban home while trying to carve out a better future for his family. Dano is also excellent when dealing with Davidson as Keith's gleefully shit-stirring brother Kevin, who borrows his car without asking to make his deliveries and skims off the orders he's ferrying around. This pair constantly prove apt in the film's story in multiple ways, including by conveying eagerness for more yet not dutifully buying what capitalism is slinging. Everyone around Dano and Davidson hits their marks, albeit without as much room for depth afforded by the screenplay, but Dumb Money is all the more compelling — and right on the money — for never forgetting that this is a collective tale.
Summer means long days, beach outings and lively nights, but when the heat makes it unbearable to even venture outside, create your own slice of paradise in the comfort of your home. With the festive season around the corner and no sign of the cost-of-living crisis slowing down, turn your balcony into a vibrant destination for leisurely catch-ups over home-cooked spreads and refreshing tipples. With the help of Weber, we've pulled together five ways to elevate your outdoor living space, so you can while away the hot summer days without working up a sweat. The Weber Lumin A good barbecue is a quintessential summer experience, but it's often too tricky to turn that dream into a reality when you're stuck on an apartment balcony. Legendary barbecue brand Weber has you covered with the Lumin — a compact electric barbecue designed to be set up in smaller spaces. Don't let its size or lack of gas fool you. The multi-functional Lumin packs a punch and is able to deliver a range of cooking methods, from grilling to steaming and smoking. Simply plug the barbecue into any electrical outlet and you're ready to don your apron, crack open a cold one and get barbecuing. Pillow Loungers If you're living in the vicinity of the city, it's unlikely that you'll have space for anything bigger than a single recliner (if you're lucky). But you can still bring the beach to your balcony with Business & Pleasure Co's pillow loungers. Crafted from UV and weather-resistant Pleasuretex fabric, the Reclining Pillow Lounger boasts five adjustable settings and is easily transportable for any picnic, pool or beach needs. If you have a little more room to play with, the Modular Pillow Stack is the versatile hero to solve all your outdoor comfort needs. Arrange the pillows to suit any occasion, whether it's a cosy sofa, reading nook, sun-bathing deck or additional seating for guests. Both loungers come in a variety of sunny colours to bring a dash of Euro summer to your home and can be folded flat for storage. Cocktail Trolley Between cooking and lounging, you won't want to make the long trek back into your apartment for drinks. Round out your outdoor set-up with a cocktail trolley, which can double as storage, a counter for meal prep or a display shelf. Brighten up your aperitivo hour with Fenton & Fenton's all-weather aluminium and powder-coated outdoor bar cart, or keep things fresh with the Heller Alfresco Cooler from Temple & Webster. The latter comes complete with an 80-litre capacity for ice and drinks, as well as a drainage plug and tube for easy cleaning. To really impress your guests, we'd even recommend grilling or smoking fruit on your Lumin to create a seasonal cocktail with a smoky twist. Outdoor Rugs An outdoor rug might seem counterintuitive, but Ruggable's garden and patio rugs are a colourful way to tie your space together. The outdoor range is stain, water, fade, mould and mildew-resistant. The best part? Your rug can be thrown into the washing machine when it inevitably gets a little dirty. Whether you're looking to create a Mediterranean escape, jungle oasis or coastal haven, there's a print and style to suit every aesthetic. Greenery Experience the great outdoors, no matter your outdoor dimensions. Make even the smallest balcony feel ever-so-slightly bigger with some lush greenery. Don't have any semblance of a green thumb? Opt for artificial plants, like these click-and-fix artificial turf tiles from IKEA, luxe faux botanicals from Pottery Barn, or smaller hanging plants from The Plants Project. You won't ever have to worry about killing a fiddle leaf again. Find out more about the Lumin at the Weber website.
If there's an occasion to celebrate, W Brisbane's resident bar wants in on the action, theming its high-tea spread around different times of the year. Now that the festive season is upon us, it has switched to an appropriately merry offering. If you like drinking Christmas-themed cocktails while tucking into tiny bites to eat, then add a visit to Living Room Bar to your list. On the menu for 2024's Festive High Tea: fig mousse with cinnamon sable, pineapple marshmallow snowmen with lemon curd, rosemary and parmesan scones, maple-glazed ham pinwheels, shredded turkey tacos with cranberry sauce, lamb and rosemary pies, and more. The edible highlight? This feast will also get you building your own gingerbread house, then tucking in. 'Tis the season, after all. That's an impressive, tastebud-tempting range; however, the boozy side of things is also exciting — including a Spiced Holiday Highball cocktail featuring spice cake rum, sweet vermouth, macadamia and pineapple soda that's being made especially for the high tea. For non-alcoholic sips, endless tea and barista-made coffee come with the package. Yes, it's time to chose your pals best in need of a Xmas treat, then make a date — this high tea is on offer from Thursday–Sunday until Sunday, December 29. Price-wise, you have three options. Pay $79 each, and you'll feast your way through the food like you're Santa on Christmas Eve, and enjoy the tea and coffee. Opt for the $99 option to add a cocktail. For $109, you'll also get a glass of Veuve Clicquot champagne.
Is heading back in time as easy as entering venues across Australia when Ministry of Sound hits town? In April 2025, it will be. Another blast from the past is on its way — and another excuse to spend a couple of nights journeying back a few decades just by stepping onto the dance floor — thanks to MoS's returning (and massive) Testament parties. Whether you lived through the 90s rave scene, spent every weekend enjoying club life in the 00s or just wish you were old enough to have ticked both boxes, Ministry of Sound will take you there in 2025 — again. The Testament events toured Australia in both 2023 and 2024, and keep proving a smash. On 2025's run, Sydney, Melbourne, Brisbane and Perth are scoring both the 90s and 00s events, while the parties are also making one-day-only stops on the Sunshine Coast and the Gold Coast. Ministry of Sound itself was around through both eras, so you couldn't be in better hands to get retro via old-school 90s and 00s bangers. Each evening is devoted to one of two decades, so you'll need to attend both if you want to make shapes to tunes from 1990 through to 2009. It's a choose-your-own-adventure type of affair, however, so fans of late 20th-century beats can attend the session dedicated to 90s house, rave, trance and garage tracks if that's all that you're keen on — and lovers of 00s electro and breaks get their own shindig. The DJ lineup is headlined by international acts such as Paul Oakenfold, Roger Sanchez, Felix Da Housecat, Graeme Park, Krafty Kuts, Plump DJs, Smokin Jo and Utah Saints. Australia's own John Course, Sgt Slick, Minx and Mark Dynamix are also on the bill, alongside over 60 other names across the tour. Australian tour dates range from Friday, April 4–Sunday April 13, with the gigs taking over White Bay Power Station in Sydney, The Timber Yard in Melbourne, Brisbane's Superordinary, Perth's The Court, Miami Marketta on the Gold Coast and The Station on the Sunshine Coast. Ministry of Sound: Testament 2025 Dates and Venues Sydney: Friday, April 4 — 90s — White Bay Power Station Saturday, April 5 —00s — White Bay Power Station Melbourne: Saturday, April 5 — 90s — The Timber Yard Saturday, April 12 — 00s — The Timber Yard Brisbane: Friday, April 4 — 00s — Superordinary Friday, April 11 — 90s — Superordinary Gold Coast: Sunday, April 6 — 90s — Miami Marketta Sunshine Coast: Sunday, April 13 — 00s — The Station Perth: Sunday, April 6 — 00s — The Court Sunday April 13 — 90s — The Court Ministry of Sound: Testament 2025 Lineup Paul Oakenfold Roger Sanchez Felix Da Housecat Graeme Park Krafty Kut Plump DJs Smokin Jo Utah Saints John Course Sgt Slick Minx Mark Dynamix Adam O Agent 86 A-Tonez Alan Thompson Andy Murphy Andy Van Annabelle Gasper Alex Taylor Barking Boy Biz-E Beaver Brewster Bee Boogs Chantal Chris Fraser Craig Obey Chris Wilson Daniel Farley De Saint Elroy Ember Funky Col Goodwill Groove Terminator Graham Mandroules Grant Smillie Greg Sara Greg Churchill Gus Da Hoodrat Jace Disgrace Jade Jaime Doom Jason Digby Jayse Knipe Jen E Johnny Gleeson Kate Monroe Kid Kenobi Ken Cloud Lorna Clarkson Matt Kitshon Matt Nugnet B2B Jason Morley Mike Callendar Ming D Miss Doodes Nick Field Nick Law Phil Simmonds Phil Smart Randomplay Robin Knight Rousey Sam Hill Simon Caldwell Simon Digby Soren Steven Alkins Steve Lind Sudeep Sugar Ray Sunshine The Impossibles U-Go-B Young Jase Ministry of Sound: Testament 2025 will tour Australia in April. For further details, and to buy tickets from 10am AEST on Thursday, November 7, head to the event's website. Images: Rachel Rachel / Ashlea Caygill.
This year, as we are wont to do, we ate a lot of meals. We ate mussels and Mexican in Sydney, sushi and salted caramel in Melbourne and fried chicken and Frankenstein foods in Brisbane, as well as some excellent meals on our travels. But, when it comes down to it, at the end of 12 months of noshing, there are only a few truly memorable meals that spring to mind immediately — the ones that were so good, we gushed about them for the next three weeks and nagged our partners/colleagues/friends to return with us ASAP. Here are the dishes burned into our taste memory — if their respective eateries still list them on the menu, book a table immediately. ROUGAMO (CHINESE BURGER) AT XI'AN BIANG BIANG, SYDNEY What if I told you one of Sydney's most memorable burger experiences can be found at a Chinese restaurant in Haymarket? That's right, this year Xi'an Biang Biang introduced us to 'rougamo', aka the world's oldest 'hamburger'. Originating in the Shaanxi province of China, this ancient meat sanga is made from a flaky pastry pocket stuffed with juicy pork shreds. It's soft. It's crunchy. It's everything. Expect warm fatty juices to run down your arm and awkward stares from strangers when you go to lick it off. Let's just say, we can see why it caught on. — Erina Starkey, Sydney food and drink reviewer KANGAROO AND CROCODILE, CALYPSO DREAMS AT MOMOFUKU SEIBO, SYDNEY Puffed kangaroo tendon and crocodile soup aren't things you'll usually see at Seiobo. But neither is Jock Zonfrillo. The native-ingredient wizard, from Adelaide's Orana, helmed the kitchen alongside head chef Paul Carmichael for one night in October, dishing up creative Caribbean dishes with Australian twists. The night began with the above — the broth was rich, the puffed tendon light and tangy — and ended with a dessert of buttermilk and eucalyptus. If you see this elusive pair on a lineup together anytime in the future, I recommend you make a reservation, tout de suite. — Samantha Teague, editorial manager A post shared by Marco Fanuli (@marco_fanuli) on Sep 24, 2017 at 12:41am PDT TEA SANDWICH AT AFRICOLA, ADELAIDE I had dreams about this sandwich on the night after I first tried it. It's a simple yet exceedingly delicious creation: crispy roasted chicken skin on crustless white bread with flat-leaf parsley and a generous lick of chilli mayonnaise. Served with a dish of hot drippings from Africola's signature peri peri chicken (usually spiked with Bourbon if chef Duncan Welgemoed is lingering behind the bar), no less. It's the ultimate hangover cure, which they need to start packaging up and shipping around the country. — Samantha Payne, Sydney contributor WAFFLE-COATED SATED CARAMEL ICE CREAM AT ANNAM, MELBOURNE Salted caramel remained as popular as ever this year and new Vietnamese restaurant Annam was all over it. When I visited in November I revelled in a glorious six courses finished with an an epic waffle and coconut-battered deep-fried ice cream, drizzled in salted caramel sauce. Achieving that moreish balance between salty and sweet this was the perfect way to finish the feast — the modern twist on a Chinese restaurant favourite has easily been one of my fave dishes of 2017. — Ashleigh Whitehill, Melbourne contributor A post shared by Samantha Teague (@teaguese) on Oct 23, 2017 at 4:33am PDT SCALLOP, HAM AND PEAS AT SASAKI, SYDNEY This is what happens when Yu Sasaki recreates pea and ham soup. The head chef and owner of our best new Sydney restaurant of 2017 used prosciutto jelly, scallops and pea shoots to create an Instagram-friendly, edible yin yang symbol that transported its eaters to snotty childhood winters. The restaurant's menu changes frequently, so this is no longer on offer, but there are many other next-level dishes — like the Japanese Madeleines — to enjoy. — Samantha Teague CHICKEN PARMA SPRING ROLLS AT LITTLE BIG HOUSE, BRISBANE Of all of the culinary hybrids cooked up by foodie Dr Frankensteins, Little Big House's might be the most unexpected: chicken parma spring rolls. They're also one of the tastiest, from the oh-so-crispy pastry to the succulent sauced-filled filling. And to think we've all been eating them separately for all of these years. — Sarah Ward, weekend editor KINGFISH SAN CHOY BAU AT ESTER, SYDNEY Most Ester regulars will be familiar with its famed kingfish and mandarin dish, but if you're lucky enough to see kingfish san choy bau on the menu, order it immediately. A recurring special on the menu, the Ester team basically pick the flesh off the roasted kingfish head (which would have gone into the bin otherwise) and then roll it up in a lettuce head with mint, cress and delicious spicy sambals. — Tahlia Phillips, business director A post shared by Jamie // JamJam (@jamjam.li) on Dec 9, 2017 at 6:32pm PST SMOKED MUSSELS AT DEAR SAINTE ÉLOISE, SYDNEY As overall winner of Concrete Playground's best new Sydney bar of 2017, it's no surprise I indulged in one of my favourite meals sitting at the long copper bar of Dear Sainte Eloise. The dish that, for me, carries the succinct menu selection is the smoked mussels on toast ($14). Like bruschetta from the sea, the briny broth is slurpable and the mussels are plump and succulent. The combination of crunchy carrots and fresh parsley with the shellfish is supremely well-balanced — much like Dear Sainte Éloise itself. Pair it with a expertly recommended glass of white from the extensive 350 plus wine list and you'll know exactly why this laneway spot has quickly secured a place in sydney food-loving hearts. — Marissa Ciampi, Sydney contributor PORK BELLY SALAD AT AGRARIAN KITCHEN, HOBART They say you don't win friends with salad but when the salad in question has chargrilled pork belly and a perfectly poached egg, which, when broken, runs through the freshest mixed leaves I've ever eaten, you might want to rethink that statement. Everything the Agrarian Kitchen uses on their menu comes from their on-site garden and farm giving the food this incredible energy and life to it. A must-visit if you're in Tassie. — Samantha Payne HUITLACOCHE AT CHULA, SYDNEY Fungus fans, this one's for you. Potts Point eatery Chula is dishing up a superb "Mexican pizza" called the tlayuda de huitlacoche. This intriguing dish sees a crispy tortilla base topped with refried beans, Oaxacan cheese and blistery black clumps of corn smut (yep, smut). Both a disease and a delicacy, this unusual Mexican ingredient reveals pungent earthy flavours with a funky kick of blue cheesiness. If you like truffle, you need to give huitlacoche a try. — Erina Starkey PANI PURI AT TONKA, MELBOURNE By no means a new dish, but my first pani puri experience — and it delivered becoming something I continued to chase throughout 2017. Tonka's fragrant, slightly warm aromatic water is addictive poured into those crispy parcels filled with potato, mung bean, tamarind chutney and dates. — Quinn Connors, partnerships editor A post shared by Lauren Vadnjal (@lrnvdnl) on Mar 1, 2017 at 4:06pm PST GLUTEN-FREE LAMB RAGU PAPPARDELLE AT KINDRED, SYDNEY Back when I was diagnosed as coeliac in the early 2000s I used to eat rice cakes and tiny pieces of toasted gluten-free bread and think that this was my life now. Slowly, it got better; restaurants started to bring in sans-gluten supermarket spaghetti as an alternative and stopped serving burgers in lettuce cups (mostly), but we still hadn't hit the gluten-free golden age. So I personally don't think it was overdramatic to shed a tear when this bowl of pappardelle was placed in front of me at Kindred — not only was it GF, but the Cleveland Street restaurant makes it fresh in-house, just the same as its regular pastas and breads. It was a special pasta moment and I have returned to Kindred multiple times to relive it. — Lauren Vadnjal, deputy editor PORK BELLY CONGEE AT EITHER OR, SYDNEY Well thought out in design, drinks and food, Either Or serves a menu of Asian-inspired breakfast favourites. The pork belly adobo congee is a clear winner, featuring umami flavours and served with mushrooms, micro greens and a poached egg on top. — Quinn Connors A post shared by Vicky Hanlon (@vicsta.gram) on Dec 22, 2017 at 5:11pm PST CHOCOLATE SOUR CREAM LAYER CAKE AT BEATRIX, MELBOURNE When things get tough, eat cake. The best way to eat a takeaway slice of Nat Paull's infamous Beatrix chocolate sour cream layer cake is straight out of the box on the walk back to North Melbourne Station. It's an old favourite of mine that never, ever disappoints — the buttercream frosting is cloud-like in texture and moreish at the same time, while the dried raspberry crumble on top finishes off with a sharp, sweet aftertaste. — Nathania Gilson, Melbourne contributor VEGAN PATATE PIZZA AT GIGI'S, SYDNEY While Sydney's New York-style pizza scene is somewhat dwindling, rising from the ashes of the woodfire is a healthy crop of simpler pizza restaurants using fewer (but better) ingredients. Newtown's Gigi's has gone one step further and is making fully vegan Associazione Verace Pizza Napoletana-certified pizzas in traditional Neapolitan style. Physical restraints would be required to hold me back from finishing the patate pizza with thin-sliced roasted potato, garlic, rosemary and black truffle pâté. Pair it with a natural wine and Gigi's rocket, radicchio, apple, pistachio and cinnamon salad. Plus, you can feel good about supporting the plant based ethical eating movement over pizza and wine. — Kitti Smallbone, Sydney photographer
Life keeps finding a way to bring new movies in the Jurassic franchise to cinemas — and its characters keep finding a way to come face to face with prehistoric creatures. Three years after Jurassic World Dominion, the saga's latest instalment will stomp into picture palaces come winter Down Under. Welcome to ... Jurassic World Rebirth. Also, welcome to a cast featuring Scarlett Johansson (Fly Me to the Moon), Jonathan Bailey (Wicked) and Mahershala Ali (Leave the World Behind) embarking upon a clandestine mission to a secret island that was home to the research facility for Jurassic Park's original dino sanctuary. The date for your diary to discover how that turns out (which, for the human characters involved, will be badly): Thursday, July 3, 2025. The idea at the heart of the series' seventh entry, as the just-dropped first trailer for the flick shows: on the landmass at the centre of the new movie, different species of dinosaurs to those that the films have featured before roam — species that were considered too dangerous for the park. Johannson plays covert operations expert Zora Bennett, who heads there with Bailey's palaeontologist Dr Henry Loomis and Ali as her righthand man Duncan Kincaid — and company — to obtain genetic material that could help develop drugs to save human lives. Accordingly, Rebirth turns a Jurassic World movie into a heist film — with pesky rampaging ancient beasts. As well Johansson, Bailey, and Moonlight and Green Book Oscar-winner Ali, the movie's lineup of on-screen talent also spans Rupert Friend (Companion) as a pharmaceutical executive; Manuel Garcia-Rulfo (The Lincoln Lawyer) as a civilian who gets dragged into the mission after becoming shipwrecked; Luna Blaise (Manifest), David Iacono (The Summer I Turned Pretty) and Audrina Miranda (Lopez vs Lopez) as the latter's family members; and Philippine Velge (The Serpent Queen), Bechir Sylvain (Black Mafia Family) and Ed Skrein (Rebel Moon) among Zora and Krebs' crew. In the feature's storyline, five years have passed since the events of Jurassic World Dominion — which, for audiences, followed 2015's Jurassic World and 2018's Jurassic World: Fallen Kingdom in the Jurassic World saga, plus 1993's Jurassic Park, 1997's The Lost World: Jurassic Park and 2001's Jurassic Park III in the OG Jurassic Park trilogy. Jurassic World Rebirth director Gareth Evans (The Creator) is new to the franchise, but knows a thing or two about flicks about fighting giant creatures courtesy of 2010's Monsters and 2014's Godzilla. Rebirth does have a key link back to the debut Jurassic Park movie, however, with screenwriter David Koepp returning after co-penning the initial film and scripting the second solo. (Koepp also returns to grappling with dinosaurs after a three-movie run writing screenplays for Steven Soderbergh with Kimi, Presence and Black Bag.) Check out the first trailer for Jurassic World Rebirth below: Jurassic World Rebirth releases in cinemas Down Under on Thursday, July 3, 2025.
If you hadn't noticed, fermentation is a bit of a thing. One of the driving forces behind the movement is the fact that fermented food and drinks can help promote good bacteria in your gut. So it's not surprising that one of the more popular workshops at Cornersmith — who dish out hearty breakfasts and hold workshops in cheesemaking, pickling and fermenting among others — is the wild soda class, where you learn to make a fermented, fizzy fruit beverage that's both delicious and good for your digestion. On Thursday December 1 we collaborated with the fermentation geniuses at Cornersmith and hosted two wild soda workshops at the Stoneleigh Hotel in Chippendale. The workshops were inspired by our partnership with Stoneleigh, and their philosophy of using wild fermentation to make the wine in their Wild Valley range (it uses a similar fermentation process as wild soda does — read about it here). Head fermenter Jaimee Edwards taught two classes on how to make your own fermented, fizzy fruit drink using wild ingredients. We made a lemon verbena, dianella berry and mint soda which turned out a beautiful bright purple colour and tasted pretty delicious. Alongside Edwards was the Stoneleigh wine ambassador India Munari, offering her insight in the relationship between the process of making wild soda and Stoneleigh's range of wild fermentation wines. Take a look through our photos and see what went down on the night. For those who couldn't attend, you can go DIY and follow Jaimee's instructions in our wild soda feature here. Or, you can head to the Stoneleigh Hotel and sample some tastings of Wild Valley wine — it's open until December 11. Try some Wild Valley wild fermentation wine at the Stoneleigh Hotel, a sandstone house in Chippendale overrun by nature. It's at 48 Kensington Street, Chippendale from November 11 until December 11. Images: Kimberley Low.
It's been over a decade since Harry Potter and the Deathly Hallows — Part 2 reached cinema screens, wrapping up the big-screen story about a certain Boy Who Lived. But, to the delight of wannabe wizards and witches everywhere, the franchise hasn't faded away. The Fantastic Beasts films have kept it alive in cinemas, and Harry Potter and the Cursed Child has done the same on the stage. Also, Harry Potter events have been a common occurrence, and dedicated stores sling merchandise related to the saga. For a few years, another addition to the wizarding realm has been rumoured: a TV series. There was a reunion special for the movies back in 2022, to celebrate ten years since they concluded, but word has persisted that all things HP would eventually accio up a spot on streaming. Those reports are swirling again, with Bloomberg breaking the news that a deal is apparently close. Also, it revealed that said show would remake the story that everyone has already seen on the big screen, with each season focusing on a different book. The details are still scarce, however, and nothing has been officially confirmed. So, who it'll star, who'll be guiding it behind the scenes and when it'll release are all obviously yet to be announced. That said, the idea is that HBO Max, the channel's streaming service, and Warner Bros would make a show that can go further in-depth into each of the novel's storylines — because movies can only cover so much. That means a return to Hogwarts, and obviously new faces playing Harry, Hermione, Ron and company. This is really a case of when, not if. The Lord of the Rings, Star Wars and the Marvel Cinematic Universe have all made the leap to streaming, after all. And no huge pop culture phenomenon ever truly disappears these days, so the Harry Potter realm is bound to reappear — if not with this project, then something else down the line. There's clearly no trailer for this Harry Potter series as yet, but you can check out the trailer for the very first film below: The Harry Potter TV series doesn't yet have a release date — we'll update you if and when more details are announced. Via Bloomberg.
Get your dancing shoes on, because one big ol' glittery party series is headed to your living room. LGBTQI+ club night Poof Doof is throwing weekly digital dance nights — so expect to get down to anthems by the likes of Gloria Gaynor, Madonna, Pet Shop Boys and Cher, 'cause this party is here, loud and (very) queer. The legendary Melbourne party collective is streaming Poof Doof Direct every Saturday from 9pm via Facebook, Twitch and YouTube. Each week, you'll be treated to pumping tunes from a range of DJs. And of course, it wouldn't be a proper Poof Doof party without some drag performances, too. Coming up on Saturday, May 2, is a massive one-off Poof Doof Sydney party live streaming straight from The Ivy. Poof Doof took up residency in the Sydney institution last November and has been dishing up a weekly dance-heavy night ever since. Not even COVID-19 can keep it completely quiet. Expect to be dancing to a packed lineup of DJs, including headlining act Sneaky Sound System, Sveta, Troy Beman and James Alexandr. Plus, catch dazzling drag performances from queens Danni Issues, Hannah Conda and Faux Fur, with Jimi The Kween hosting the entire night. For Sydneysiders wanting to take their night in to the next level, you get a Poof Doof Party Pack ($75) delivered to your door. It'll be filled with vodka, two cans of red bull, some soda water and two Hahn Super Drys. Orders can be made here prior to 9am on Saturday. To catch a glimpse of what you're in for, check out the video below. https://www.facebook.com/PoofDoof/videos/1048635328855408/
When you spy the cast of The SUI Ensemble's latest show all wearing the same outfits, don't be alarmed. Actually, getting a little weirded out over a group of folks donning platinum blonde wigs, black turtlenecks and a you-can-do-anything attitude is okay. They promise they'll soothe your fears and generally cure all that ails you, though. Just listen to their voices, do what they say, and prepare to say goodbye to stress and pain. Welcome to Hot Cult, the Anywhere Theatre Festival show that doesn't just explore the realm of charismatic sales pitches and motivational talks — it immerses you in it. Turning the East Brisbane Bowls Club into their headquarters from May 11 to 14 and again across May 18 to 21, this group of go-getters have an array of challenges in store for participants. Given that The SUI Ensemble are known for getting their audiences involved, consider yourself warned: when you sign up, you're not just opting to sit and passively watch. But, like cults do, they're not going to be overt about it. "It's all about seeing how that can be done without the audience even being aware of it," says director Esther Dougherty.
Bushfire-affected communities are doing it tough across Victoria right now. So far, upwards of 700 structures have been destroyed, and more than 1000 agricultural properties have been impacted. With community support needed more than ever, we've put together a list of ways you can donate to leading bodies, fundraise for devastated businesses or dine and shop with those contributing essential funds to the cause. Donate to the VFF Disaster Relief Fund Activated in times of crisis, the Victorian Farmers' Federation (VFF) Disaster Relief Fund provides much-needed financial support to bushfire-affected farmers as soon as possible. The peak advocacy body has just put out a call, asking for the public to dig deep and provide financial support. Head to the website to donate. View this post on Instagram A post shared by YIAGA (@yiaga.au) Show Your Support for Fowles Wines Situated on 300 acres in Avenel, the long-standing winery Fowles Wine has been severely damaged, with the family behind the business losing their home, sheds, vineyards and most of their livestock. While the cellar door and restaurant have survived, Fowles says people can support their recovery by making a wine purchase through the website, joining the wine club or visiting the cellar door now that it has reopened. Moondrop x Mel Hack Bushfire Donations New Shanghai-inspired cocktail bar, Moondrop is hosting Canada-based whiskey specialist Mel Hack for its first-ever guest shift. Having worked at some of the world's best whisky bars, Hack is teaming up with Moondrop's Jesse Kourmouzis to serve four cocktails showcasing Canadian and Asian flavours. Held from 5–10pm on Saturday, January 17, $1 from every cocktail purchase will be donated in support of the Australian bushfires. Head to Instagram for more information. View this post on Instagram A post shared by YIAGA (@yiaga.au) Harcourt Fundraiser at The Victoria Hotel Woodend with Rock & Ranges With the destroyed Harcourt Cooperative Cool Store housing products and produce for over 90 small businesses, Rock & Ranges Brewing Co-operative lost all but two kegs in the blaze. The team is donating these to a fundraiser, held from 12pm on Sunday, January 18, at The Victoria Hotel Woodend, with all beer sales going towards those impacted by the Harcourt fires. Head to Instagram for more information. Donate to Henry of Harcourt Operating since 1994, Henry of Harcourt is a small family-run orchard and cider mill, specialising in top-notch dry ciders and over 40 varieties of apples. With the Harcourt fires devastating the Henry family's home, orchard and much-loved community space for regional traders, a fundraiser has been launched to help secure the business's future. Head to the GoFundMe to donate. View this post on Instagram A post shared by YIAGA (@yiaga.au) Donate to Maison LAPALUS and Maidenii Also found at the Harcourt Cooperative Cool Store were the operations of winemaker Maison LAPALUS and vermouth brand Maidenii. Led by culinary community stalwarts Shaun Byrne and Gilles Lapalus, the businesses lost vital stock, equipment, and raw materials in the fires, including a ten-year-old solera system used to age liquors. Head to the GoFundMe to donate. Donate to A Glass Of Independent wine business A Glass Of was another business decimated by the Harcourt fires. Launched in 2020, it offers a curated collection of wines, hand-picked by restaurant sommeliers and delivered in 200-millilitre recyclable pouches. The business has lost all equipment, wine and packaging, so any support goes a long way. Head to the GoFundMe to donate. Donate to Coolstore Cafe Running alongside the local storage facility, Coolstore is a cherished local cafe serving coffee, cake and light lunches. Opened in August 2024, owners Bonnie and Remy Sowman have lost their business and income, with a fundraiser up and running to help the couple and their three kids get back on their feet. Head to the GoFundMe to donate. Shop with High Country at Home With the bushfires directly impacting crucial tourist numbers exploring rural Victoria, you can lend your support by buying from small businesses through High Country at Home. This digital platform by Tourism North East lists locally made products, including cool-climate wines, handcrafted homewares and premium chocolates, while offering a way to book future stays and experiences. Head to the website to make a purchase. View this post on Instagram A post shared by YIAGA (@yiaga.au) 600 Above 20 Percent Donations Located in Woodend, local wine bar 600 Above has showcased local wineries, breweries, and distilleries since 2023. On Sunday, January 18, the venue will donate 20 percent of all sales to the Harcourt community, helping to support those most impacted by the fires. Head to Instagram for more information. View this post on Instagram A post shared by YIAGA (@yiaga.au) Donate to the Hotel Care Foundation The Australian Hotels Association Victoria (AHA) is accepting donations for its Hotel Care Foundation, with local venues having already raised $50,000 for bushfire-affected communities, emergency services and first responders. AHA members, partners, suppliers and patrons are encouraged to donate. Head to the website for more information. Bushfire Relief Market and Raffle at Hyphen Spaces Head along to Carlton North third space Hyphen Spaces and its neighbour Sleepy's Cafe and Wine Bar from 12–6pm on Saturday, January 31, to catch a bushfire relief market and raffle. Featuring artisan products and baked goods from local creators and makers, all proceeds go towards Sikh Volunteers Australia, whose food van is a common sight during national emergencies. Meanwhile, a winning raffle ticket might score you a $150 dinner voucher for two at Sleepy's, a hand-woven scarf from artist Christy Chudosnik or an original Ying Wang artwork valued at $690. Head to Instagram for more information. BlazeAid Fundraiser at Tallboy & Moose Spend the afternoon sipping on top-quality brews alongside a feel-good sausage sizzle, as Preston brewery Tallboy & Moose hosts a beer and snags fundraiser for BlazeAid from 12–4pm on Saturday, January 24. With $2 from selected beer purchases and 100 percent of sausage sizzle sales going to a great cause, BlazeAid is a volunteer-run organisation that supports families and individuals in rural Australia following natural disasters. Head to Instagram for more information. Maidenii & Maison Lapalus Fundraiser at Gin Palace Much–loved cocktail bar Gin Palace is rallying behind Maidenii and Maison LAPALUS co-directors Shane Byrne and Gilles Lapalus from 4pm–3am on Monday, February 2. Hosting the Pour it Forward fundraiser, all takings are being donated to the pair, whose businesses were destroyed in the Harcourt bushfires. With Byrne a bartending alumnus of the bar, Maidenii's vermouth has been poured at Gin Palace for over a decade. Get down to experience a one-night-only cocktail list and plenty of legendary chicken sandwiches. Head to Instagram for more information. Toorak Cellars BBQ Summer Series 50 Percent Donations As part of its 15th birthday celebration, Toorak Cellars is hosting the second edition of its BBQ Summer Series. With some of Melbourne's best culinary duos taking charge of the tongs every Sunday from February 1–March 15, Toorak Cellars will donate 50 percent of all profits from the series to the Harcourt Relief Fund. Meanwhile, the wine bar will also be showcasing Madeinii-based martinis and Love Shack Brewing Co beers, both severely affected by the fires, throughout the event. Head to Instagram for more information. BlazeAid Fundraiser at Bar Local Drop From the backstreets of Collingwood, newcomer Bar Local Drop is hosting a bushfire fundraiser from 2pm–late on Saturday, January 31. With all proceeds going towards BlazeAid, the bar is putting together a delightful snack menu using ingredients donated by local friends, including Oceanmade, Natoora and JR Foster Meats. Think juicy skewers, pizzettas, tapioca fritti and more. To drink, Stomping Ground has supplied the beers, while Bar Local Drop is pouring Bress Wines throughout the day, showcasing the winery after it was damaged in the Harcourt fires. Meanwhile, there'll be booze, meat and wine raffles to help raise even more funds. Head to Instagram for more information.
When New Year's Eve rolled around in 1999 with its blend of Y2K excitement and anxiety — including fears about how the world, or at least the technology relied upon to run it, might crash — Emily Browning wasn't yet a teenager. Thanks to the film The Echo of Thunder and TV series High Flyers, she was also already an actor, however. Over a quarter of a century later, the Australian Ghost Ship, Lemony Snicket's A Series of Unfortunate Events, The Uninvited, Sucker Punch, Magic Magic, God Help the Girl, Legend, Golden Exits, The Affair and American Gods talent is back at the last evening of the 90s. In One More Shot, she can't escape it. The Aussie comedy, which premiered at SXSW in Austin before its local debut at the 2025 Melbourne International Film Festival, and will hit streaming later in the year via Stan, is a time-loop movie. Rather than Bill Murray waking up each morning to Sonny and Cher's 'I Got You Babe', Browning resets to the front door of a NYE shindig where the sounds of James' 'Laid' echo from the just-starting party inside. After a career so far that's taken her to Hollywood and back Down Under on multiple occasions, Browning is making her own return: to Australian film. The last time that she starred in a homegrown picture was in 2011's Sleeping Beauty. The only other local fare that she's had reach screens between then and now is 2023 Prime Video series Class of '07, which is set at a high-school reunion as an apocalyptic wave hits. The Fox with Jai Courtney (Dangerous Animals), Damon Herriman (Together) and Miranda Otto (The Lord of the Rings: The War of the Rohirrim) is next, as written and directed by Danger 5's Dario Russo. Genre-wise, Browning is charting new territory in each of her three latest Aussie projects, too, embracing her comedy era. When you're leading a movie about reliving the same night over and over again — One More Shot's New Year's Eve cycle is sparked by a magical bottle of tequila — then you're leading a film about choices. Whenever the genre pops up, be it with Groundhog Day, Edge of Tomorrow, Happy Death Day and its sequel, Palm Springs, video-game adaptation Until Dawn or TV series Russian Doll, decisions and selecting the right options are always at their heart. That's a theme that aligns with Browning's approach to her career, especially in the two decades after playing A Series of Unfortunate Events' Violet Baudelaire opposite Jim Carrey (Sonic the Hedgehog 3) as Count Olaf. The film hit cinemas when she was just 16. That kind of fame wasn't her dream, even though she grew up with an avid love of movies. As Minnie Vernon, her One More Shot character, also does as she keeps retracing her steps as the new millennium dawns, Browning learned from it. Her Lemony Snicket experience has influenced how she has chosen projects since. "It's very much feelings-based, and also a desire to not repeat myself — not for the sake of optics or anything, but just because I get bored really easily. So really, I just go towards what interests me," she tells Concrete Playground. "Of course, there's about ten people in Hollywood who get their pick of any movie they want, and I'm certainly not one of them. And so a lot of it is also what's available to me at the time," Browning continues. "It's a combination of that and things that I love. But I've only done one or two things that I really didn't like and that I did because I needed to work. And I think I'm too — I just don't think I have the constitution for that. And so I really mostly just wait for something to come along that speaks to me in some way, and sometimes I wait for a really long time — sometimes I have huge breaks in work. I mean, I'm so incredibly lucky. There are so many talented actors out there who don't ever get the opportunities that I've been given, and so I feel like incredibly lucky for that, but I just follow my gut. I'm just going with what feels right to me." In One More Shot, Browning's Minnie is an anaesthetist who's having a chaotic day that she thinks rekindling her on-again-off-again romance with Joe (Sean Keenan, Exposure) will fix. More than that, she believes that plunging into a relationship with him now that he's back from New York will solve her general sensation that something's missing from her existence. Their loaded pal Rodney (Ashley Zukerman, In Vitro) and his wife Pia (Pallavi Sharda, Spit), who are parents to an infant and feeling the stress of the change to their lifestyle, are their hosts — but the night instantly alters for Minnie when she meets Joe's new girlfriend Jenny (Aisha Dee, Apple Cider Vinegar), then swerves again (and again and again and again) when taking a swig of tequila sees her kick off the party from the beginning once more. [caption id="attachment_1017510" align="alignnone" width="1920"] Nick Robertson | @nickmickpics[/caption] When Class of '07 gave Browning her first taste of comedy as an actor, she was apprehensive. As the series proved, she needn't have been. Browning was also uncertain when One More Shot came her way — especially about playing drunk, one of acting's most-challenging tasks. Again, the same applies. A particular highlight of the Nicholas Clifford (Monologue)-directed, Alice Foulcher- and Gregory Erdstein (That's Not Me)-co-written film, which also features Hamish Michael (Scrublands: Silver), Anna McGahan (Darby and Joan) and Contessa Treffone (Totally Completely Fine) among its cast: Browning's ability, even though every protagonist in every flick hopefully changes and evolves, to convey that shift when those changes and evolutions are firmly in the spotlight — each step along the way, each tweak. How do you respond when a time-loop rom-com that sparks its temporal trickery with slinging shots hits your inbox? What's exciting about diving into comedy more than two decades into your career? Does a transformation arc change how you approach playing a character in a movie like this? In our chat, Browning also filled us in on all of the above, plus finding Minnie's mix of vulnerability and selfishness, acting tipsy, her journey since her first on-screen credit at the age of 11 and the thrill of making Australian projects. On How You React When a Time-Loop Comedy About a Magical Bottle of Tequila Comes Your Way "So every script you get sent, there's sort of a little blurb, like the kind of elevator pitch of the story that's trying to like sum it up in a paragraph or two. I guess that's for the actors who get sent so many scripts that they don't have time to read them all, but I'm just always happy to read a script. The blurbs are also never written by the creatives — they're written by someone at an agency somewhere. And so I read the blurb and I was like 'romantic comedy about a time travelling bottle of tequila?'. I was like 'aaah, I don't know about this. I'm not so sure'. But then I read the script, because I just like to read scripts, and I got not even probably 10–15 pages in and I was like 'oh, wait a sec'. I could just tell immediately that the quality of writing was really good. And I found it really funny. And then by the time I was through it, I was really nervous. I wasn't immediately sold, mostly because I didn't know if I could pull it off. When I first read it, I read it as though Minnie was getting progressively drunker through the whole film. And playing drunk is really, really, really hard to do, and so I was like 'oh, I don't know, this might be too much of a challenge'. But I really related to the themes of the choices that you make in life meaning that you have to say goodbye to other possible choices, and how do you decide what you want your life to look like — and the feeling of regret, and the kind of grass-is-always-greener feeling. And I really loved it. And then I when I spoke to Nick Clifford, the director, he just really further sold me on it. And yeah, I'm really excited about it. I feel really, really proud of it now." On Embracing Comedy After Initially Being Apprehensive Before Class of '07 Gave Browning Her First Comic Role "I love it. I love it so much. And I love it because it still feels really hard to me. I'm a person who gets bored really easily and I like to be challenged. I mean, I know that's a really trite thing to say. I know everyone says that. But without the fear of failing spectacularly, I feel like I don't have the — how do I explain this? I only really am able to be my best, most-creative self when I'm under a lot of stress and when I'm feeling really anxious. I guess it's maybe kind of an ADD thing where I just don't have enough dopamine in my brain unless I'm kind of borderline panicking. And so I think, yeah, comedy still feels really scary, and that's why I love to do it. And I really also, I really credit Class of '07 and Kacie Anning [Madam], the creator of that show, for opening that up in me — because she really put me through the wringer. We were playing improv games and doing a bunch of crazy stuff to prepare for that show. And she was pushing me. She was like 'you're still too afraid of being embarrassed. You still have to be more of a dickhead'. Like, 'you have to embarrass yourself more'. And it really broke something open in me, because I think before that I was really terrified of embarrassing myself, and I kind of wanted — I did a lot of straight drama, and I think I got to the limits of what I could do in my career without being willing to embarrass myself. And so now that's a fun and exciting risk for me — when I read a script where I'm like 'ohh, I'm going to look like a real idiot doing this', that's a pro now instead of a con." On Playing a Character Whose Change and Evolution Scene by Scene Isn't Just in the Spotlight — It's One of the Key Points of the Film "It was a challenge — there's so much repetition of setpieces and of moments, but ideally you don't want it to be repetition of the emotion or the acting, because then it becomes a really boring film. So that was a huge challenge, was like 'okay, how do I make sure every loop, the similarities between every loop' — like the literal similarities — 'feel different enough every time we're doing it?'. And I try not to think too much about how the audience is going to respond to a film. I don't really think that's my job when I'm filming it, when I'm acting. But I definitely wanted to make sure that Minnie, that there was some or a lot of variation between each time loop. But I think having such a clear transformation arc was really fun, actually. I love playing kind of an unlikeable character, and I just think it's more interesting and more fun. And I think Minnie, the fact that we get to watch Minnie over the course of the film go from unlikeable to a-little-bit-more likeable is really great. There's nothing more fun, honestly, than playing a character who has no self-awareness. There's something really freeing about it. As someone who's a total people-pleaser, there's something so enjoyable about playing a character who just doesn't give a shit about other people's feelings." On Finding Minnie's Balance of Yearning and Vulnerability, But Also Selfishness and Recklessness — and Plenty More "It's interesting. I think so much of that is a credit to the writing. I'm trying to get better in my work. I'm trying to get better at being proud of myself and owning the things that I'm good at — which I think growing up in Australia can sometimes be a tricky thing, when it's always like 'oh, don't get too full of yourself'. But I have always thought of myself or I've thought of actors as a medium in the way that paint is a medium. Like, I'm a paint colour and a director chooses to paint with me. And I know I've said this to a few actors and they're completely horrified by it, but an actor has very little control in the outcome of a film. And I think that this is why actors can become such nightmares sometimes, because they have this delusion of control and this need for control, where there really isn't any. It's really a job where you don't get much creative control. And so I think that I just am trying to tap into exactly what I imagine Minnie feels in the moment, and I get that from the script. I know that sounds like kind of a cheap answer. It makes it sound like I have no agency. But I'm a real overthinker in every other area of my life — but when it comes to work, if a character feels right and if a story feels right, something clicks for me where I'm really not thinking very much. I'm not a studious actor. I'm not poring over the script every day. My favourite thing is to get in there and talk about the scene with the director and with the other actors, and then just do it. And when I'm doing, I'm not thinking about it at all." On the Difficulties of Acting Drunk — But Only Really Needing to Act Tipsy Here "One of the ways that Nick Clifford reassured me about taking on the role was by telling me that she doesn't get progressively drunker. She actually resets for every loop. So really, Minnie is only ever tipsy, which is a lot easier — because I think that there's a broader area to play with with tipsiness. Some people, you can tell if they're tipsy — some people, you can't. Minnie is an anaesthetist. She's in a very serious profession. She probably went to a great school and her job means that she's taken very seriously. So I feel like Emily's normal personality-level silliness is probably Minnie's tipsiness. So I wasn't really thinking about playing tipsy. I was just thinking about playing Minnie being maybe slightly less reserved than she normally would be — or than she would be at work. The only moment in the film that I really felt that I was playing inebriated in some way was the scene with Sean in the bathroom, where Minnie does a line of C-Word's [Michael] cocaine. I've had conversations with a lot of people who were on cocaine, and I found that much easier than playing drunk — because essentially, a person on cocaine is just talking a bit faster and a bit more excitedly and animatedly, but really they just don't give a fuck what you have to say. They just want to hear the sound of themselves talking. And I was like 'yeah, I can do that.' That's a lot easier to act than drunk. Whereas drunk is like — when I see a great drunk performance, I'm really, really, really impressed by it. People think it's impressive when actors cry easily. I'm like 'no anyone can do that'. When someone can play drunk, that's when I'm really — I think that's really incredible. I don't know if I can really do it, to be honest with you." On Browning's Path From Making Her Screen Debut Almost Three Decades Ago in The Echo of Thunder Through to Now "That was my first acting role, and it kind of happened by accident. It was very random. A friend's parents saw me in a school play and knew a casting director, and the casting director was looking for an eight-year-old girl — and it kind of just happened. Before then, I loved movies so much. I loved movies. All I did was watch movies. But I just didn't think — I never made the connection in my mind that that was a job you could do. And then it just happened, and I was like 'cool, I guess this is my job now'. And it meant that I got to be out of school for a few months of the year, and it felt more interesting to me than school did. But I think from the beginning, I was like 'well, this is what I do now, I guess'. And then I remember doing Lemony Snicket when I was 14, and I loved that experience, but it was my first time in LA and it really freaked me out in a way that was like 'I actually don't think this is the life that I want'. I was there, I was in West Hollywood, and I was meeting all these young actors who seemed so — they just seemed to not have any other life outside of making films and it just all felt a bit yuck to me. And so I actually kind of quit for a few years, and didn't start again until after high school. But even that, it's only really in the last few years, since COVID, that I've really felt like I fully committed to wanting to be an actor — which is crazy because I'm in my mid-30s now. But it took me a long time. I was very afraid for a long time. The idea of being famous has always been terrifying to me. I'm only now at the point where I'm like 'okay, I think I know myself well enough and I can let myself accept the fact that I would like to be successful'. I still don't want to be famous. I still have no interest in being — like, I don't want to be in superhero movies, really. But I would like to do this for the rest of my life, and I would like to be able to do really interesting roles. And that means learning how to play the game to some degree, I guess, which feels gross, but I think it's just part of it. I've spent a lot of time leaning in and then pulling back, and hiding from the scarier elements of the industry — or the elements that were scary to me. And now I finally feel like I'm at a place where I'm like 'okay, I want to do this for real', even though I have been doing it for real for a long time. But I finally feel ready for it." On Coming Home for a Project — and One More Shot Being Browning's Australian Film Since 2011's Sleeping Beauty "Honestly, other than my gut, it's the fact that I get to come home. It's a huge drawcard to be able to work at home. And honestly, more and more recently, so much of the most interesting stuff that I've been reading has been Australian stuff. So it's been a really lucky thing — especially during the strike and everything, when a lot of my friends just had to wait it out. And the fact that I was still able to be reading stuff in Australia, I feel really, really lucky for that, that I have this other — it's not a second career, it's all part of the same career, but the fact that I can come home and work is really, really incredible, especially now considering that everything's a bit more global now. With streaming, people see things from all over the world and you can be anywhere. I'm not going to take a job in Australia just because it's in Australia, but if something is in Australia that I already love, it's going to make me even more excited about it. I think One More Shot — and The Fox as well — are both things that I'm incredibly excited about. And they both happen to have been made here, which is really cool. It makes them even more special." One More Shot screens at the 2025 Melbourne International Film Festival — and will stream via Stan later in 2025. MIFF 2025 runs from Thursday, August 7–Sunday, August 24 at a variety of venues around Melbourne; from Friday, August 15–Sunday, August 17 and Friday, August 22–Sunday, August 24 in regional Victoria; and online nationwide from Friday, August 15–Sunday, August 31. For further details, visit the MIFF website. One More Shot images: Ben King/Stan.
The Crystalbrook Vincent has given its ground-floor eatery a makeover, farewelling Polpetta and welcoming in Mews instead — and the revamped space takes inspiration from laneway culture. Here, you can tuck into a wagyu croquettes, sip fairy floss-topped cocktails and, while doing both, peer at street art by local creatives such as Mr.Sor2, JORDACHE and James Ellis. The aim: to add another layer of art to the already art-focused hotel at Howard Smith Wharves, which pays tribute to photographer Vincent Fantauzzo, and features more than 180 of his works across over 500 prints (yes, some pieces pop up more than once). At Mews, while you're checking out the impressive walls, you'll be able to feast on either breakfast or dinner — or drinks. During its morning operating hours, the eatery dishes up eggs benedict made with Yatala ham hock; Montville forest mushrooms; and duck, fig and rosé cassoulet with Stanthorpe green apples and peas. Yes, serving a seasonal- and local-focused menu is a key driver behind Executive Chef Andrew McCrea's culinary lineup. Indeed, 80 percent of the produced used at Mews is sourced from local artisans, farmers and fisherman from within three hours of the restaurant. From the dinner range, that includes ingredients for its flower garden, which pairs Sunshine Coast zucchini flowers with Gatton goat's curd, baked marigold, Sunshine Coast figs and olive soil; the tuna tartare, which features Gold Coast yellowfin tuna and pennywort tartare, Byron Bay mustardale and smoked Gatton egg; and the Moreton Bay bug with spicy cornbread and myrtle, Everton Park honey jus, succulent pickle and citrus paint. And, for dessert, highlights include chocolate frozen mousse paired with tangelo curd, sandpaper fig and macadamia fudge, sweet marigold dew, chocolate popping compost and lime glass — as well as a dish called 'The Jackson Pollock', which features passionfruit curd, fizzy maple honeycomb, white chocolate roast and lemonade fruit coconut ice. The drinks lineup features bloody marys and mimosas over breakfast, along with a focus on Aussie wines from both up-and-coming producers and well-known names, with Witches Falls and De Beaurepaire Wines given spotlight spots on the menu. If you're keen on a cocktail, classics such as mint juleps, sazeracs and gimlets sit alongside a small range of signature concoctions. Pick something from the latter and you can try 'The 777', which features vodka, chambord, apple, wonderfoam and fairly floss; 'Big Fat Pig', which is made with bacon-infused Makers Mark bourbon, apricot and mandarin marmalade, chocolate liquor, agave and pancetta; and the 'Salute The King' featuring Brookies Mac, Brookies dry gin, mint, and sweet and sour.
The perfect outfit could be out there, waiting for you. For the last few months, years or longer, it could've just been hanging in someone else's wardrobe. Isn't that the thrill that gets everyone heading to a secondhand market? We're all thinking the same thing: what if someone else's trash really is our very own treasure? Excess Baggage operates on that idea, filled with stalls and tables of pre-loved wares looking for a new home. If you have your own bits and pieces that you no longer need, keep an eye out for future events — but if you're keen to pick up a bargain while browsing through fashion, homewares, books and more, then make a beeline to Paddington's BrisWest Centre. The secondhand sale runs from 9am–3pm on Saturday, July 21, with music setting the mood. And if all of that perusing makes you work up an appetite, there'll be homemade spring rolls and everyone's favourite market snack — a sausage sizzle.
When Queensland's Go Cards were introduced, they were billed as a quicker, easier way to pay for public transport — but if you've ever had trouble topping up, been wrongly slugged for not touching off or been forced to pay paper ticketing prices after leaving your card at home, then you might disagree. In fact, you've probably been dreaming of a day when you won't need that little piece of plastic. Well, we have good news: ditching your Go Card is getting closer to becoming a reality. Back in 2018, it as revealed that the Queensland Government was planning to trial and implement electronic payment methods for public transport. Then, in 2020, the first such test got underway on the Gold Coast. The latest step: giving the smart-ticketing technology a run on Queensland Rail services, which is what's happening on the Ferny Grove line right now. So, since Monday, June 6, you can now pay for your ticket using your smartphone; Visa, MasterCard or AMEX credit or debit card; or smart watch. All you need to do is tap on and off using your card or device, as long as you're only travelling between Ferny Grove and Central stations — not beyond. From Mon 6 Jun, our next #SmartTicketing customer trial is coming to Ferny Grove train line!🚆 You'll be able to tap on & off using a credit or debit card, smartphone or smart device.* https://t.co/74kjENTV4a *T&Cs apply. For travel between Ferny Grove & Central for adult fares. pic.twitter.com/gwuHMcQ6ra — Translink (@Translink_QLD) June 4, 2022 In even better news, the train trial will be expanded to include other lines before 2022 is out, although which routes will be covered hasn't yet been advised. That said, more than 230 smart ticketing gates will be installed across 19 Queensland Rail stations. After that, the contactless payment testing will move to Queensland buses and ferries, covering more than 13,500 smart ticketing onboard payment devices. And if you're wondering how the Goldie's light rail trail has been going, more than one million trips have used the technology as at May 2022. [caption id="attachment_811655" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Queensland Government $371 million smart-ticketing project is designed to complement rather than replace the existing system. That means that if you do happen to be attached to your Go Card for some reason, you can keep using it. Originally, the plan was to roll out the system across all of Queensland by 2023; however, whether that's still the case, and exact timings of when Brisbanites can expect to ditch their Go Cards, hasn't yet been revealed. Smart ticketing is currently being trialled on the Ferny Grove line on Queensland Rail trains. For further details, head to the Translink website. Top image: Kgbo.
Stellar LGBTQIA+ celebrations, the Sunshine State capital and sparkling spring weather: that's the Melt Festival formula every year, including in 2025. This returning fest is taking over the River City between Wednesday, October 22–Sunday, November 9. On the lineup: 18 days packing more than 60 venues with hundreds of performances and events. Getting excited about 2025's Melt Festival has been easy for most of the year. First, the Brisbane LGBTQIA+ fest announced that Broadway icon Bernadette Peters was making the River City her only Australian stop just for the event. Then, it also confirmed that the River Pride Parade would float its boats for another year. After that came news of 1000 Voices, uniting singers from queer and pride choirs en masse. Next came its initial big program drop. There's nothing like a full bill, though. Think: pageants, parades, musical theatre, comedy, choral installation, burlesque, visual arts, theatre, films such as Lesbian Space Princess and The Rocky Horror Picture Show, and plenty more. The fringe-style celebration of queer arts and culture fills Brisbane Powerhouse, and also spreads further across the city. Sugar by Tomáš Kantor is one highlight, with the cabaret taking cues from Pretty Woman and boasting tunes from Chappell Roan, who has been on the Melt lineup herself in the past. Or, catch the return of BRIEFS with Jealousss, plus the Briefs Bus doing guided tours that explore Brisbane's queer history. Comedian Urzila Carlson is on the program, too, as is actor and activist Zoe Terakes (Ironheart, The Office, Talk to Me) doing an in-conversation session. [caption id="attachment_1017774" align="alignnone" width="1920"] brizzypix[/caption] 2025 newcomer Melting Pot is giving Brisbane Powerhouse a pop-up venue each week, featuring the likes of QUIVR DJs, Miss First Nation heats and queer line dancing — plus Melt artists putting on showcases and other surprises. Theatrical performance Rhythmology digs into factory resets as a theme, while daytime disco Play Date is designed for families. Reuben Kaye, the full Miss First Nation drag contest, a queer wrestle party, Femme Follies Burlesque: they're all on the lineup as well. Kaye is heading to the fest to give his cabaret show enGORGEd, which'll feature Camerata — Queensland's Chamber Orchestra, its Sunshine State premiere. Shining the spotlight on Aboriginal and Torres Strait Islander drag queens, Miss First Nation is also making a date with Brisbane for the first time, bringing the finale to the city after putting on state heats around the nation in the lead-up. The Tivoli is your go-to for Melt's high-energy queer wrestle-party, while Femme Follies Burlesque will bring its sapphic moves to The Wickham. Or, you can catch The Lucky Country, a new musical about what it means to be Australian — and the myths and contradictions that come with it — in 2025. Malacañang Made Us and Whitefella Yella Tree are also treading the boards, the first about the Filipino Australian experience and the second telling a love story. There's also a queer boat party on floating venue Oasis; the return of Queer PowerPoint; and a drag Scream Queen shindig with Naomi Smalls and Yvie Oddly, plus Drag Race UK's Kyran Thrax. Or, check out a heap of instruments and performers suspended by rope to pay tribute to Brisbane's punk history, Gerwyn Davies' series of portraits in collaboration with Open Doors Youth Service's trans and gender-diverse young people, and Instagram imagery given a new life in Micah Rustichelli's Demon Rhythm. Top images: Atmosphere Photography/brizzypix.
Maybe G&Ts are your favourite tipple and, if you're sipping drinks at your favourite bar, you always have one within reach. Perhaps you've never found a vodka cocktail that you haven't loved, or you've made it your life's mission to try all the whiskies (yes, spanning both whisky and whiskey) that you can find. Or, you could simply like broadening your horizons when it comes to knocking back the good stuff, and supporting independent producers while you're at it. Since 2015, the boozing sipping party that is Indie Spirits Tasting has covered all of the above — and it's back in 2022 after a couple of pandemic-affected years. Move over, craft beer — at this east coast event, which'll return to Melbourne in May, Brisbane in July and Sydney in September, it's craft spirits' time to shine. Everyone has been to plenty of days dedicated to brews, brews and more brews, but this touring shindig is solely about all the whisky, gin, vodka, rum, tequila, vermouth and mezcal you could ever want. More than 30 exhibitors and master distillers are on the bill, showcasing over 200 craft spirits. Clearly, your booze-loving tastebuds will be in heaven. As well as tasting away, attendees will also be able to chat to the folks behind the craft and independent tipples on offer, listen to talks on booze-related topics — Melbourne options include learning what it takes to start your own alcohol brand, celebrating Aussie whiskies and understanding all the different styles of gins — and buy bottles to take home with you. "We started the Indie Spirits Tasting events back in 2015 as a way for a few smaller distilleries and brands to be able to showcase their products to the trade," explains founder David Spanton. "Thanks to the enthusiasm of curious consumers who want to know about the latest bar and drinking trends and who are passionate about local and truly handmade craft products, the event has expanded to include both thirsty drinks enthusiasts and the bartenders that serve them." This year's events will feature brands such as Never Never Distilling Co, Poor Toms, Boat Rocker, Wolf Lane and Archie Rose, some of which will be pouring limited-edition tipples. And while the big focus is on homegrown spirits, a few international names will be on the bill as well — taking your tastebuds on a trip, including through French cognacs and American gins. INDIE SPIRITS TASTING 2022: Sunday, May 8 — The Craft & Co, Collingwood, Melbourne Sunday, July 17 — Lefty's Music Hall, Petrie Terrace, Brisbane Sunday, September 4 — Potts Point Hotel, Kings Cross, Sydney Indie Spirits Tasting starts its 2022 events in Melbourne in May, before heading to Brisbane in July and Sydney in September. For further information or to buy tickets, head to the Indie Spirits Tasting website.
The latest in the impressively long line of remarkable French-Canadian dramas, Louise Archambault's Gabrielle finds poignancy in an unexpected place. Produced by Luc Déry, who scored back-to-back Oscar nominations for Incendies and Monsieur Lazhar, the film follows the trials and tribulations of its titular character, a kind-hearted 22-year-old with significant developmental disabilities. Combining heartfelt storytelling with nuanced handling of issues rarely explored on screen, it's a tender, uplifting picture that marks another big win for the cinema of Quebec. The evanescent presence at the centre of the film is Gabrielle Marion-Rivard, a first-time actress who, like her character, suffers from a rare genetic disorder called Williams syndrome. It's a condition that manifests itself in the form of learning impairment, along with a high level of sociability. From the moment we see her, Gabrielle reminds us of a primary-schooler: cheeky, gregarious and eternally curious but also fragile and incapable of real independence. The film's naturalistic script focuses on two key relationships. The first is the connection Gabrielle shares with her elder sister, Sophie (Mélissa Désormeaux-Poulin), her protector and closest friend. The second is her romantic attachment to Martin (Alexandre Landry), a similarly challenged young man who sings with Gabrielle in a choir for the mentally disabled. They're an adorable couple, until things turn sexual, at which point Martin's protective mother abruptly pulls them apart. Archambault tackles potentially uncomfortable subject matter with both empathy and frankness. The extent to which people in Martin and Gabrielle's situation are capable of having an adult relationship is a difficult and thought-provoking question, one that most of us have probably never considered. The film's depiction of the pair's burgeoning physical intimacy is delicate and deeply moving; you want so desperately for them to be happy, but you also completely understand the desire of Martin's mother, to protect her son from consequences he cannot understand. Marion-Rivard seems utterly at ease in the front of the camera, bringing authenticity and charm to a truly wonderful character. Supporting her is Landry, a professional actor who is not learning disabled but never once falls into the traps that depictions of the mentally handicapped sometimes do. Perhaps the most heartbreaking performance is that of Désormeaux-Poulin as Gabrielle's sister. The love she feels for her sibling is palpable, yet with it comes a sense of responsibility. The question of how much personal happiness you can sacrifice for someone you care about is a difficult one. Yet it's something that almost everyone must at one time or another face. It's that emotional honesty that makes Gabrielle so powerful. Archambault never condescends to her characters, nor does she indulge in mawkishness or stifling political correctness. Everybody, be they disabled or not, has their limits. But they also have potential beyond what you might assume. https://youtube.com/watch?v=4l4cV6KjlxU
Aunty Donna have been busy over the past few years. Since 2020, they've brought both Aunty Donna's Big Ol' House of Fun and Aunty Donna's Coffee Cafe to the small screen. They've played corpses in Dungeons & Dragons: Honour Among Thieves, and also dropped a $30 bottle of wine that's literally called $30 Bottle of Wine, too. The Australian comedy troupe embarked upon a world tour in 2023 as well, selling 90,000-plus tickets. If you're keen to see Mark Samual Bonanno, Broden Kelly and Zachary Ruane live, your next chance arrives in 2025. Aunty Donna have announced that they're hitting the stage again, not only in Australia and New Zealand, but also in the UK, Ireland, the USA and Canada. So far, only dates for the first four parts of the world have been locked in, kicking off in August in Hobart, then hopping to Brisbane, Sydney, Wellington, Christchurch, Auckland and Dublin before September is out. October brings gigs in the United Kingdom, while Adelaide, Perth and Melbourne get their turn in December. Audiences will enjoy the Drem experience, with Aunty Donna unveiling their brand-new live sketch show. Will everything be a drum again? Will morning brown get a tribute? How much room should you leave for Christmas pud? If you're instantly thinking about these questions, you're clearly already a fan. In the trailer for the tour, Bonanno, Kelly and Ruane are promising big things in their comedic usual way. "In 2025, Aunty Donna will be touring the greatest live comedy show ever seen by human beings," the trailer advises. "You have asked 'is it funny?'," it continues. "Leading experts in the field have made it perfectly clear that it is the best comedy show ever made." [caption id="attachment_866548" align="alignnone" width="1920"] ABC[/caption] In a statement announcing the tour, Kelly builds upon that sentiment. "We're very excited to show Drem to the world. Performing live is what we do best and we can't wait to bring this show out to everyone," he says. "It's the best thing we've ever made and it's the best thing that anyone in the world will see. It's better than anything anyone else has ever done or seen." Check out the trailer for Aunty Donna's Drem tour below — and the full Down Under tour dates, too: Aunty Donna's Drem Tour 2025 Dates Friday, August 22–Saturday, August 23 — Odeon Theatre, Hobart Monday, August 25–Thursday, August 28 — Fortitude Music Hall, Brisbane Monday, September 1–Thursday, September 4 — Enmore Theatre, Sydney Tuesday, September 9 — Opera House, Wellington Thursday, September 11 — James Hay Theatre, Christchurch Saturday, September 13 — Kiri Te Kanawa Theatre, Auckland Monday, December 1–Tuesday, December 2 — Thebarton Theatre, Adelaide Thursday, December 4–Friday, December 5 — Regal Theatre, Perth Friday, December 12–Sunday, December 14 and Wednesday, December 17–Thursday, December 18 — Palais Theatre, Melbourne [caption id="attachment_791048" align="alignnone" width="1920"] Netflix[/caption] Aunty Donna's Drem tour kicks off Down Under in August 2025. For further information and tickets, head to the Aunty Donna website.
In cinemas, 2024 will feature fewer superheroes than normal. Marvel is only releasing Deadpool & Wolverine, while DC is taking the year off as it prepares to start its franchise anew. On the small screen, there mightn't be as many Marvel Cinematic Universe TV shows, either. But if you like your caped-crusader fix to be as chaotic as possible — and if you have a big dose of superhero fatigue with the usual sprawling sagas — you'll be pleased to know that The Boys will be back in your streaming queue midyear. After college-set spinoff Gen V arrived in 2023, earning a season-two renewal in the process, The Boys itself will return for season four from Thursday, June 13, 2024. The exact release date comes after a first trailer for the new season was dropped in December, teasing plenty of mayhem — to the utter lack of surprise of viewers of 2019's first season, 2020's second effort and 2022's third go-around. When The Boys makes its comeback, it'll see the world dealing with Homelander (Antony Starr, Guy Ritchie's The Covenant)-versus-Starlight (Erin Moriarty, Captain Fantastic) factionalism, and just being ready to tear itself apart in general. Victoria Neuman (Claudia Doumit, Where'd You Go, Bernadette) is getting closer to the Oval Office, too, with Homelander pulling the strings. Also on the way: no-nonsense Brit Billy Butcher (Karl Urban, Thor: Ragnarok) dealing with the fact that he's only got months left, and that he's no longer leading The Boys — aka the eponymous ragtag team intent on bringing down Vought International, Homelander, and the company's caped-crusader industry and dominance. And, there's a new face, with Jeffrey Dean Morgan (The Walking Dead) joining the cast, adding another Supernatural link after Jensen Ackles did the same in season three. The Boys focuses on a group of caped crusaders, like most things seem to these days; however, in a world where viewers have been conditioned to lap up narratives about powerful folks who are supposedly better than most, this series both satirises and questions that very idea. Here, superheroes work for Vought. They're still the main form of entertainment, but they're real, the most famous celebrities there are and inescapable in daily life, too. The absolute top talent is known as The Seven, but most are hardly role models when the public isn't looking. That has made quite the change from the usual cinematic universes as the Prime Video show has kept notching up the seasons, all coming to the small screen after being adapted from Garth Ennis and Darick Robertson's comic book series of the same name. As well as Starr, Moriarty, Doumit and Urban, Jack Quaid (Oppenheimer), Jessie T Usher (Smile), Laz Alonso (Wrath of Man), Chace Crawford (Gossip Girl), Tomer Capone (One on One), Karen Fukuhara (Bullet Train), Colby Minifie (I'm Thinking of Ending Things) and Cameron Crovetti (Goodnight Mommy) will all return — with Susan Heyward (Hello Tomorrow!) and Valorie Curry (The Lost Symbol) also set to be season four newcomers. Check out the first trailer for The Boys season four below: The fourth season of The Boys will start streaming via Prime Video from Thursday, June 13, 2024. Read our reviews of The Boys season three and Gen V.
When Wonder Woman 1984 opened in cinemas Down Under at the end of 2020, it was the year's last big release. The superhero sequel was one of the very few blockbuster flicks to actually hit the silver screen since the pandemic started, too. Now, just over a month later, the Gal Gadot-starring film is doing something else notable: becoming available via video on demand while it's still showing in theatres. From Wednesday, January 27, cinephiles and caped crusader fans can stream Wonder Woman 1984 via digital movie rental services such as Google Play, YouTube Movies, Amazon Video and iTunes — to rent for AUD$29.99, or to buy for AUD$34.99. If you'd prefer to see it on the big screen, you still can at the time of writing. But if you'd like to watch it at home on your couch, that's now an option as well. The film has made over $26 million at the Australian and New Zealand box office, so plenty of folks did head out to see it in theatres — and to see what happens to Diana Prince (Gadot) in the decade that gave us parachute pants. Chris Pine returns from the first Wonder Woman movie, while Kristen Wiig and Pedro Pascal join the franchise as new antagonists. Before the pandemic, a huge movie like Wonder Woman 1984 wouldn't ever be available to view at home so quickly. Usually, films that release in cinemas don't make the jump to home entertainment for 90 days, in fact. But much has changed about the world in the past year, with Wonder Woman 1984 following in the footsteps of a heap of fellow flicks that did the same last March and April, when cinemas closed. Other features, including Hamilton, Mulan and Soul, bypassed the big screen altogether last year, too. Whether this'll keep happening in the blockbuster space Down Under is yet to be seen — but there is a growing precedent for it in overseas countries where COVID-19 case numbers remain high and either all or most cinemas are closed. Warner Bros, the Hollywood studio behind Wonder Woman 1984, announced late last year that it'd be releasing both the superhero flick and its full 2021 slate of movies in cinemas and on HBO Max simultaneously where the latter is available. That doesn't include Australia and NZ, though, because HBO hasn't yett launched in either nation. Check out the trailer for Wonder Woman 1984 below: https://www.youtube.com/watch?v=DFgnHhMLNJE Wonder Woman 1984 is currently screening in cinemas in Australia and New Zealand; however, it's also available to stream online via video on demand from Wednesday, January 27.
It's been more than two decades since Baz Luhrmann's Romeo + Juliet changed the game when it came to screen adaptations of Shakespeare — and delivered a stunning soundtrack along with it. There are many things that make the 1996 movie great, from its stellar casting to the filmmaker's inimitable style. But tracks by everyone from The Cardigans to Radiohead to Everclear to Garbage rank right up there with its biggest strengths. It's no wonder, then, that The Tivoli is throwing quite the soiree to celebrate one of the best-ever collections of movie tunes. If you missed the same shindig at Brisbane Festival a few years back, don't make the same mistake again. At Young Hearts Run Free, the venue will become a rock masquerade, with patrons dressing up, dancing the night away, and listening to live performances of the entire soundtrack — with Tom Dickins leading the charge, as joined by other musicians and special guest performers. The full lineup is yet to be revealed, but prepare for quite the star-crossed night come Saturday, December 21.
When it comes to ticket lotteries to score you budget-friendly seats to smash-hit stage musicals in Brisbane, it really is beginning to feel like a tale as old as time. Mary Poppins had one. Hamilton did as well, plus Moulin Rouge!, too. The next on the list: Disney's Beauty and the Beast: The Musical, which wants you to be its guest for cheap. How cheap? For just $24 a seat via TodayTix, which has been behind past Brissie lotteries. The first chance to head along at a significant discount opened on Friday, February 2, and will close on Friday, February 9 — with winners advised each Friday for the coming week's performances. After the first round, the lottery will open on Saturdays at 12.01am weekly. For every single Brisbane show, there'll be 24 of the $24 tickets available. Disney's Beauty and the Beast musical is headed to QPAC's Lyric Theatre in Brisbane from Thursday, February 15, on its latest stop Down Under as a newly reimagined and redesigned production. Playing until April, this Beauty and the Beast first made its way to the stage in the UK in 2021, and reworks the original show that premiered in the US in the 90s — adapting Disney's hit 1991 animated movie musical, of course. Fans can expect the same Oscar-winning and Tony-nominated score courtesy of composer Alan Menken and lyricist Tim Rice, including all the beloved tunes such as 'Be Our Guest' and 'Beauty and the Beast'. It also comes with new dance arrangements by David Chase, and with original choreographer Matt West revisiting his work. And yes, that $24 price is accurate. Yes, this is your chance to see the acclaimed production for less than the price of a dinner (and, at some places, breakfast and lunch). To take part in the lottery, you will need to download the TodayTix app, which is available for iOS and Android. And if your name is selected, you'll have an hour to claim your tickets from when you receive the good news. If you need a reminder, you can also sign up for lottery alerts via TodayTix, too. Check out the trailer for Disney's Beauty and the Beast: The Musical below: Disney's Beauty and the Beast: The Musical plays QPAC's Lyric Theatre in Brisbane from Thursday, February 15, 2024. To enter the Today Tix $24 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Images: Daniel Boud.
Forget Sizzler. The days of devouring as much as you can under the all-you-can-eat chain's green ceilings might've been and gone across most of Brisbane, but there are still plenty of places to get a bottomless feast in this city. And if it's an unlimited stash of wings and loaded fries that you're after, then The American Diner Co. at Enoggera has you covered on a Monday evening. On Monday, July 9, 16 and 23, head by from 5pm to tuck into poultry pieces and topping-smothered hot chips, with the servings keeping on coming for an hour. Sure, it's not the healthiest dinner, but it might be one of the tastiest. Any all-you-can-eat regular will know that these kind of deals always have a few conditions. Here, as well as the 60-minute time limit, the unlimited spread will set you back $20 plus a drink purchase. Finally, everyone sitting at your table has to take part — but it really shouldn't be hard convincing your friends to go along. Image: The American Diner Co.
UPDATE, September 4, 2020: High Life is available to stream via Stan, Google Play, YouTube Movies and iTunes. Another unique, distinctive and thrilling film by a stellar director. Another movie so impressive, it's instantly among the decade's standouts. And, another exceptional Robert Pattinson performance. We'd say that it's becoming a welcome trend, however this pattern has been recurring since RPatz stopped wearing sparkly makeup and fake fangs. Complain all you like about the Twilight series — we don't have much that's positive to add — but the vampire romance saga gave two of today's best young actors an enormous platform, as well as the currency to choose their next roles wisely. So both Pattinson and Kristen Stewart keep doing just that, and cinema is all the better for it. In the former's case, see the likes of Cosmopolis, The Rover, The Childhood of a Leader, The Lost City of Z, Good Time and now High Life. With his latest film, Pattinson rockets into space under the guidance of director Claire Denis, which proves a match made in movie heaven. In recent years, the future Batman star has increasingly cornered the market on existential yearning, a feat that the inimitable French auteur has also been pursuing since she first stepped behind the camera thirty years ago. There's a philosophical angle to both Pattinson and Denis' work, not just depicting the quest for purpose that drives us all, but delving into the intricacies and horrors of searching and struggling — as explored across multiple settings, stories and genres. Of course, there's no more apt a place than a spaceship to grapple with life's meaning, or lack thereof. Perhaps that's where Pattinson and Denis, either together or apart, were always headed. As their vessel charts a course for a black hole, Monte (Pattinson), Tcherny (Andre Benjamin), Boyse (Mia Goth) and the ship's other inhabitants bide their time doing what they're told. They're prisoners jettisoned into the great beyond in the name of punishment, redemption and science, although resident doctor Dibs (Juliette Binoche, star of Denis' last release Let the Sunshine In) has her own plans for the captives. That's the bulk of High Life's narrative, in a broad and linear sense. The film begins with Monte roaming the halls with just a baby named Willow for company, and pressing buttons every 24 hours to stay alive, adding a palpable sense of hellish foreboding to its already moody, brooding atmosphere. Also amplifying the movie's tone is its carnal obsession, and not just in the name of necessary procreation (a room dubbed the 'Fuck Box' is also onboard). With scripting assistance from both credited and uncredited co-scribes, including novelists Nick Laird and Zadie Smith, writer-director Denis teases out High Life's tale. Sometimes, the film gets caught in the minutiae of Monte and Willow's monotonous but happy-enough lives. Sometimes, it flashes back to the ship's busier, darker, more populous and tumultuous times. Sometimes, it ventures into memories on firm soil — recollections so steeped in nature, including thriving plant-life and scurrying animals, that the otherwise space-bound film always retains an earthy feel. Of course, it's that juxtaposition that sits at the heart of this immensely intelligent, ambitious and rewarding movie. To wrestle with human existence, and with our very purpose, is to realise that we're all careening forward in a state of constant chaos, hurtling towards inescapable darkness, all while trying to grasp onto whatever we can. Quiet moments spent chatting and contemplating in the ship's own garden; lustful encounters, both alone and with others; the need to connect, whether by sex, violence or love: as they each pop up on screen, they illustrate High Life's point. 'Illustrate' is a key word when it comes to Denis' work, as she has proven across her French-language career. High Life may be the director's first film in English, but her visuals have always transcended dialogue with their probing, patient stare — as well as the sensation that they're scrutinising everything in sight as deeply and carefully as possible. Here, clinical, institutional surfaces say so much when contrasted with babbling streams and sprouting leaves. They say even more when placed opposite bodies and fluids in all of their icky, sticky glory, and against ruminative faces with furrowed brows and eyes all a-flicker as well. While the movie boasts other acting highlights, including a no-holds-barred Binoche in her steeliest guise yet, it won't come as a surprise that Pattinson's restless gaze provides the film's favourite canvas. That said, Denis and her cinematographers Yorick Le Saux (Personal Shopper) and Tomasz Naumiuk (Nina) don't simply glare, but rather stalk, circle and glide around the picture's leading man. Denis's movie doesn't do much that similar science-fiction fare has, would and will, for that matter. But while shooting into the stratosphere to ponder what it all means has become a genre of its own, High Life proudly stands in its own space boots. Perhaps that's why both the film and Pattinson seem like such a perfect fit, and why the final product both soars high and burrows deep: you won't catch either meekly treading where everyone else has before. https://www.youtube.com/watch?v=JZeIHrx7Oyc
We're going back ... back to see Back to the Future, this time as a musical on the Sydney Lyric Theatre's stage. First floated 20 years ago by the big-screen trilogy's screenwriter Bob Gale, then finally premiering in 2020, the song-filled take on Marty McFly and Doc Brown's exploits has proven an award-winning success in London's West End and on Broadway. In 2025, the DeLorean is finally heading to Australia. The power of Back to the Future isn't really a curious thing. As viewers have known since 1985, the Michael J Fox (The Good Fight)-starring sci-fi/comedy is timeless delight. But as well as making film lovers weep with joy for almost four decades, the iconic movie has been making other folks sing — the casts of the Olivier Award-winning Back to the Future: The Musical, that is. Aussie audiences will get to see the results from September 2025 in the show's Down Under premiere season. Exclaiming "great Scott!" is obviously the only fitting response to this development, and to the production in general — and there's clearly plenty to get excited about. Since initially racing towards clocktowers onstage in the UK since early 2020 (around a pandemic hiatus or two, of course), Back to the Future: The Musical has picked up the Olivier Award for Best New Musical, and then was nominated for two Tony Awards in 2024. And yes, the show does indeed follow the Marty McFly and Doc Brown-led story we all know and adore, but with songs, including renditions of Chuck Berry's 'Johnny B Goode' and Huey Lewis and the News' 'The Power of Love' and 'Back in Time', naturally. Australian fans will now want to speed at 88 miles per hour towards the Harbour City, given that it is the only Aussie city where a season of Back to the Future: The Musical has been announced so far. If you won't be making a visit to the New South Wales capital by plane or DeLorean, start crossing your fingers that the production heads to other Aussie cities — or pop on your own white lab coat, start tinkering around with electronics and whip up your own time machine to try to make it happen. There's no exact date for the show's Down Under opening yet, other than sometime in September 2025, but you can now join the ticket waitlist to find out as soon as more details are announced. Also featuring music and lyrics by OG Back to the Future composer Alan Silvestri and acclaimed songwriter Glen Ballard (Jagged Little Pill the Musical), plus a book by Gale — who co-penned all three Back to the Future film scripts with filmmaker Robert Zemeckis (Here) — Back to the Future: The Musical was nominated for seven Olivier Awards. It only won the big one, but emerged victorious over heavy-hitters and fellow screen-to-stage shows Moulin Rouge! The Musical and Frozen. "I am thrilled to be bringing Back to the Future: The Musical to Australia, premiering at the Sydney Lyric in September 2025. Australian audiences are going to be blown away to see how this iconic story has been recreated for the stage," said Australian producer John Frost for Crossroads Live Australia. "To paraphrase Marty McFly, you guys are ready for this, and your kids are gonna love it (too)! If Bob Zemeckis and I time-travelled back to 1980 and told our younger selves that the script they were struggling to write would become a West End and Broadway musical now making its way to Sydney, Australia 45 years later, they'd kick us out of their office and call us crazy," added Gale. "Well, sometimes, crazy ideas give birth to great entertainment, and now Bob and I are eager to share our musical vision with Sydney audiences. This musical production has exceeded our original expectations on every level. Regardless of whether you've seen the original film, Back to the Future: The Musical, with its incredible stagecraft, will delight and enthrall you, your kids, your parents, and everyone you know!" Check out the trailer for Back to the Future: The Musical below: Back to the Future: The Musical is playing Sydney Lyric Theatre, 55 Pirrama Road, Pyrmont, Sydney from September 2025. Head to the show's Australian website to join the ticket waitlist and keep an eye out for more details. Images: Matthew Murphy and Evan Zimmerman, and Sean Ebsworth Barnes.
