Great art doesn't just happen in — or tell stories about — big cities. As its name makes plain, Bastard Territory takes place in the dry and dusty northern centre of Australia. Indeed, the new play by Darwin-raised, Brisbane-based writer Stephen Carleton transports audiences to the NT capital circa 2001, and into the lives of Russell and his partner Alistair. They run a place that's been dubbed a 'hip urban café and art gallery by day, queer cabaret dive by night'; however their bohemian establishment isn't the only thing keeping the duo on their toes. Born in Papua New Guinea, adopted by a white couple and desperate to find out his biological parentage, Russell just can't shake his past ghosts. Cue a confessional drama and a man's search for his identity, as directed by Ian Lawson, starring Benhur Helwend, Suellen Maunder and Peter Norton, and boasting a pumping '60s and '70s soundtrack. And, the production's setting isn't its only regional connection. In a reversal of the oft-seen process of creative endeavours debuting in the big smoke then touring elsewhere, Bastard Territory first graced the stage in Cairns before making its way down south.
Brisbane boy/worldly songwriter Tom Cooney has travelled many places, sung many a song, and is now back on home turf with a new repertoire to treat your ears with. Gig-goers will be in good company; Tom brings with him not only some vastly talented supporting artists – Sawtooth and O’ Little Sister – but his own widely celebrated back catalogue. His debut record Presque Vu was nominated for the Australian Music Prize, as was his second album, Repetition. Tales of the human condition, of love and loss, distance and time, pave the way for his finely crafted tunes, and provide a stunning foundation on which his new material is sure to build. 2014 will be another big year for Tom, with collaborations and more touring to come. For present and longstanding fans of Toms, or those who are inclined towards a beautiful melody and a solo acoustic performer, you’d be well advised to catch him at Black Bear Lodge. Such a stellar performer, playing in an equally styled setting, is a chance hard come by.
If nothing says 'festive summer fun' for you like war, post-traumatic stress disorder, a crumbling marriage and protracted torture, then The Railway Man is shaping up to be the perfect Boxing Day release. It's also a fair indication you should seek some form of medical assistance. Based on true events, The Railway Man tells the story of Eric Lomax — a WWII British signalman forced to work upon the infamous Burma line after the Japanese overran his base. Singled out for his role in fashioning a secret transmitter inside the prison, Lomax (Colin Firth) was subjected to extraordinary brutality and torture by his captors, the effects of which continued to torment him decades after the war's end; one conflict over, another unceasing. That second war — the private, unspoken anguish of his memories — isolated Lomax from his friends and family, including his new wife, Patti (Nicole Kidman). Even his fellow veterans refused to discuss their past; a code of silence borne as much from shame as fear. Events finally came to a head in 1980 when Lomax discovered his chief tormenter was still alive and working as a tour guide in the very complex in which he had dispensed his horrors, inviting in Lomax the possibility of long-imagined vengeance. Torture, particularly waterboarding, has become a recurrent theme in movies of late — a disturbing, confronting and just occasionally uncomfortably gratifying depiction of a very intimate savagery. The Railway Man contains several examples of this, and none are easily endured. They are, however, necessary — speaking to the heart of Lomax's condition and contributing to the extraordinary emotional impact of the final scene. As far as performances go, this is Firth at his softly spoken best. That trademark mix of schoolboy awkwardness and schoolmaster wit contributes to a beautifully nuanced character whose anguish and rage boil beneath the surface and are masked by a tight, asymmetrical smile. Kidman, too, is excellent as the wife determined to see her husband released from his pain, whilst Stellan Skarsgård brings a quiet menace to his role as Lomax's wartime friend Finlay. With much of the film taking place as flashbacks, the younger Lomax is portrayed by Jeremy Irvine, whose impersonation of Firth is eerily on the mark. For a film that covers some terrifically dark elements in excruciating detail, The Railway Man remains an overwhelmingly tender offering that won't feel at all out of place for the post-Christmas period. https://youtube.com/watch?v=ksrkKXoEJbM
Everyone has an art crush, and anyone who denies it is either lying or blind. Whether it’s Andy Warhol, Shepard Fairey, Mr Scribble or the barista that spent three years completing a creative industries degree to become the best damn milk frother this side of the river, an art crush is nothing to joke about. There’s only one way then to cure/celebrate an art crush, and that’s to draw pictures of them chronically, in your underwear while listening to So Fresh Autumn 2011 – a great year. We can only assume that’s how the art showcase Don’t Look So Offended – an exhibit of some of Brisbane’s leading artists working the styling's of their muses – came about. Hosted by Witchmeat, with names like Alrey Batol, Yannick Blattner, Amy Commins, Callum Galletly and more artistically baring all, this house party, art showcase fusion promises a creepy amount of talent. Pop on the 199, 196 or grab the closest bike, and make your way to 80 Hampstead Road, West End, to witness artists channelling their idols in a stranger’s house you’ve never been to before – sounds safe and fun!
Brisbane artist, Christopher Inwood, has created an exciting exhibition filled with intriguing pieces. Life is. 2013, showcases 30 portraits, each of which exudes a unique story and charm that is guaranteed to captivate the viewer. Inwood's preferred style is portraiture in the medium of oil painting and he has spent the past seven years perfecting his skills. The coupling of quality techniques and a fascination with the relationship between artist and sitter makes his pieces rich with meaning. Inwood's portraits are also conscious of the power of perception and interpretation, which adds to their mystery. Inwood hopes that Life is. 2013 will “pull people away from themselves to slow down for a moment, just to be or even think, letting the images engulf them”. The exhibition's launch party will be held on Saturday 30 November 7pm at Bird Gallery with live music from Augustine. To celebrate Life is. 2013, a closing party will occur on Saturday 7 December 7pm with more great music from local act, Mega Ogre and a special guest.
Dave's Pawn Shop, known for their high-voltage live sets and unrelenting grunge tunes, are stopping in at The Zoo while riding their continuing wave of success. They’ve got their EP ‘Enemy’ under their belt and a spot on the Big Day Out line up to their name, all that’s left is to bring the noise. Their set at The Zoo will be an extra special one: they’ll be joining local talents Minus Nine, Dameena, and Dead Zephyr to raise funds for Act For Kids, a charity that strives towards the safety of children against acts of abuse and neglect. Roll up early to grab your tickets on the door for a night of great music, and great deeds.
Just as your side stitches have recovered, the Melbourne Comedy Festival Roadshow is back again for another hysterical year. The biggest names in big gags are hitting the road as far as Hobart and as wide as Hong Kong and, in keeping with comedy tradition, will be warming the stage nearest you—Brisbane’s Powerhouse. Last year they visited a staggering 109 shows in 60 towns nationwide; 2014 is the invitation for bigger and better performances, with the country’s finest comics, in more places than ever before. Leading this year's shenanigans will be MC, Brian Nankervis, Greg Behrendt, Hannah Gadsby, Elbowskin and Amos Gill. Let the fear of having your friends tell you what amazing feats of mental wizardry you missed compel you to book sooner rather than later. This means your seats will be close enough to the stage so that you get picked out of the audience and have the opportunity to rub shoulders with your heroes during the funniest skit of the night, thus giving you the upper hand with your friends with the ultimate bragging rights.
Reading the title of Rachael Haynes' latest performance installation is likely to get a certain Madonna song stuck in your head, and that might just be the point. The contemporary artist, curator and writer likes to explore the limits of language and subjectivity, and to re-examine art history and philosophy in relation to gender politics. Her choice of name can't be accidental. Indeed, on several levels, Like a Burden has a fitting moniker for a collection of works about feminist histories. Again, that's Haynes' wheelhouse. In both solo and group shows around the country, she has mixed language codes and pictorial systems in her pieces, using everything from abstract and conceptual art to pop music, as well as art criticism and philosophy. Here, she incorporates video, painting and drawing within the format of a lecture performance. It's an exhibition, show and talk all in one — and a look at gender, feminism and alternative art combined, too. A burden to view, consume and contemplate, it's not.
Trivia nights mean gathering your mates around, enjoying a few beverages and trying to convert your respective stores of knowledge into glory. At this particular trivia night, you'll do all that, but there'll be a particular emphasis on your pals. Given that the topic of the evening is a certain sitcom about a band of best buddies, celebrating your chums is the thing to do. Yes, Friends is in the spotlight at Beach Burrito Company's next battle of pop culture tidbits. If you think you know everything there is to know about the show that caused viewers to agonise over whether Ross and Rachel would get together, wish that Joey and Chandler lived next door and get their hair cut like Jennifer Aniston, here's your chance to prove it. Prizes are on offer for the winning team as well as the best dressed, so you'd best find some late '90s, early '00s getup for the occasion. Remember, though, it has been 11 years since Friends was on TV, making the contest not just a test of trivia, but a workout for everyone's memories. No one told you that watching endless television reruns could turn out this way.
Women flouting society's expectations, men unsure about how to react, and trouble springing in response: Thomas Hardy's Far From the Madding Crowd may have been published 141 years ago, but the text's gender politics certainly don't seem a century old. In adapting the Victorian novel for the modern movie-going masses, The Hunt director Thomas Vinterberg and One Day writer David Nicholls clearly agree. Their condensed take on the tale may find its basis in classic literature, but it feels undated. Given the headstrong heroine they're working with, it is far from surprising that the duo thinks that writings from times gone by will resound with audiences of today. Bathsheba Everdene (Carey Mulligan) is a woman who acknowledges her disdain for her name at the outset, as well as the slim likelihood of her doing the done thing. She'd be happy being a bride but not a wife, she says. She values independence over affection, as her choices continually demonstrate. First, when assisting on her aunt's farm, Bathsheba attracts the attentions of a kindly shepherd, Gabriel Oak (Matthias Schoenaerts), then rejects his marriage proposal. Next, after inheriting her own property, a reversal of fortune sees her acting as Gabriel's boss while coping with the competing advances of a wealthy landowner, William Boldwood (Michael Sheen), and a charming soldier, Sergeant Francis Troy (Tom Sturridge). A simple account of a woman trying to choose from a trio of men, this is not, though the film does focus on Bathesheba's flitting between the three. That her suitors don't quite know what to make of her gets to the heart of the story: she may be quick to tell others what she does and doesn't like, but she doesn't quite know what she really wants. Here, Far From the Madding Crowd doesn't just do what every movie today is expected to, i.e. subvert feminine stereotypes and champion a strong lady as its lead. In its portrait of a character who astonishes even herself, it does something better, showing a complex woman complete with flaws, and capable of both making mistakes and learning from them. It helps that Mulligan — adding to her recent spate of great work in Drive, Shame, The Great Gatsby and Inside Llewyn Davis — makes for an equally fragile and fearless protagonist. Whether her hands are trembling with uncertainty or her face can't quite conceal a wry smile, she's ever the enthralling picture of complication. The actress also sets a high bar for her co-stars, though the quietly commanding Schoenaerts and the stately yet adoring Sheen are each up to the task. That Sturridge doesn't fare as well is partly a reflection of his role, playing the least sympathetic of the bunch by far. Of course, the cast's to-ing and fro-ing is perfect fodder for Dogme co-founder Vinterberg. He might be helming his first period film, but he's already shown that he knows a thing or two about labyrinthine relationships and ambiguous motivations from his Danish movie output. His eye for the countryside and fondness for close-ups similarly get another outlet, with Far From the Madding Crowd as simultaneously pastoral and intimate as a feature can be. In fact, the blend of swelling sentiments and handsome scenery suits the director so completely, there's little wonder he has crafted an offering that's beautiful and timeless in both emotion and imagery.
You are invited to celebrate the opening of Space & Place, the Queensland Festival of Photography Prize Finalist Exhibition. Here you will indulge in photographs of the highest standard, artistic creations of precision and foresight, as you bare witness to the most talented in their field receive prizes and recognition for their work. The theme for this year’s competition is landscapes and spaces in their many forms. Entrants have been encouraged to be creative with their interpretations; the result is a diverse and eclectic display of high-quality production and creation, making this a difficult task for judges, while a thoroughly enjoyable display for all who attend. There were 193 entrants into this year’s competition—the judges picked 20 finalists, who will be displayed on their own plasma screen throughout the exhibition. Other entrants will be displayed by means of a slideshow that will run throughout the opening celebrations. To see the list of finalists and entrants, head to the event website.
Book-to-film adaptations can go either way. Francis Ford Coppola's The Godfather was so good that the novel's author, Mario Puzo, said he wished he'd written a better book. Conversely, The Cat in the Hat made you want to push sharp, salty popcorn into your eyeballs. It's usually when a film makes artistic changes from the source material that the ire of the book's fans is most extreme, and (arguably) nobody feels more passionately about the fundamentals of their favourite book than Christians. Now, I'll admit it's been a while since I read the Bible, but — try as I might — I simply cannot remember the bit about Transformers. Maybe it was in the Book of Michael? Or was it Bay? Suffice it to say, it was more than a touch surprising to see them turn up in the opening scene of Darren Aronofsky's highly anticipated film Noah. Rather than Autobots, however, these giant fallen angels (not to be confused with 'The Fallen' from, yes, Transformers) are called 'The Watchers'. Made ostensibly from stone and speaking with about as much clarity as an underwater Bane, they mark the first of several major departures from, or least reinterpretations of, one of the best-known stories of all time (the next being Noah's propensity to dispatch entire gangs of men with nothing but a tiny blade like he was some sort of biblical Jason Bourne). Thankfully, for Aronofsky, these embellishments and emendations contribute to, rather than detract from, what is literally the epic tale of good and evil. With a budget of US$125 million, Noah has the resources of a blockbuster and a narrative from scripture yet avoids many of the trappings of both. Cerebral and unsanctimonious, it is, in Aronofsky's words, "the least biblical film ever made". God is only ever referred to as 'the Creator', and themes of environmentalism and survivor's guilt outweigh those of sin and the downfall of man. As the film's eponymous lead, Russell Crowe is simply excellent. With his eyes alone he can sparkle with joy or threaten with burning menace, and in Noah that menace increasingly captures the character's singular, unwavering fidelity to his divine cause — culminating in a horrifying personal choice. Alongside him, Jennifer Connelly and Emma Watson play the loyal yet conflicted wife and adopted daughter, while Anthony Hopkins offers an amusing turn as Methuselah. Rounding out the ensemble is Ray Winstone as Tubal-cain, a descendant of Adam's son inserted into the plot to provide the film with a specific antagonist rather than relying simply on the generality of 'all sinful humanity'. Cinematically, Noah is every bit the sumptuous spectacle the story deserves, with the highlight being an enthralling time-lapse chronicle of the 'first seven days' from the Book of Genesis (albeit with an amusing cross-fade just as evolution progresses to the point of simians, whereupon — cue dissolve — man pops separately into existence). No matter your faith (or even the absence of), this is an accomplished piece of direction and a powerful story of belief, devotion and — perhaps — obsession. https://youtube.com/watch?v=UAfJulXFYlc
2013 was a major year for Major Leagues, and this year is proving a great cause of momentum for the foursome from Brisbane. Major deal signings, big festival appearances, and a new EP to boot. The next instalment in their fanfare-filled live shows comes Trainspotters, the culmination of Brisbane’s best, where rail-side shenanigans run rampant and the tunes are as sweet as the regular drinks specials. Major Leagues’ indie garage pop fits in quite nicely into the ultimate vibes of the night; they will be supported by the dreamy lads of Bruff Superior, the edgier Tempura Nights (with a few friendly faces thrown in the mix) and new favourites No Sister. Come along to see your favourites, or to indulge in bands you have yet to have the pleasure of meeting; Trainspotters is all about widening your local music loves, exercising your right to good tunes in a no-fuss pub. Free snacks (sometimes) included.
The Happy is back! Kick off the annual 4ZZZ Radiothon with good tunes and good times; HappyFest is an evening guaranteed to bring the live music joy. Top-notch bands from Brisbane and further reaches are coming together for an all-out night of music. Locals include Martyr Pirates, Mad Boots, Cobwebbs, High Beams, JugaJuga, Sezzo and Munter S Thomson, while interstate ring-ins such as Fatti Frances (Melbourne), Peter Escott (Hobart) and Melt Unit (Sydney) round out the all-star cast. All tickets can be bought on the door; existing 4ZZZ subscribers can treat themselves to a sub discounted entry of $12, while door tickets for non-subscribers are $15. So, why not ask to subscribe on your way through? 4ZZZ is the independent voice of radio, and a long-time supporter of local music. Do what you can to support them, and make the happy times last for a long time!
The next instalment of the MONO series brings to audiences a rare and inspiring treat. David Grubbs is a source of inspiration and mentorship for aspiring artists and musicians, having carved an influential path over 20 years of performance. Twelve solo albums, 150 commercial recordings and a slew of performance groups including Gastr del Sol and Squirrel Bait - Grubbs is a book of knowledge and a respected member of the creative community. His business pursuits rank as highly as his creative endeavours; David Grubbs is a contributing editor for BOMB Magazine, director of the record label Blue Chopsticks and is a board member of the ISSUE Project Room. For the first time in 10 years, Grubbs will be in Australia to treat the ears with his influential performances, and wow the minds with lectures surrounding his new book ‘Records Run the Landscape’. Be sure to not miss this very rare affair, a treat for any fan of music and the workings behind it.
What happens when you throw a rotating roster of 10-15 of Brisbane's biggest shredders and wailers in a studio together and let the music sort itself out? The super slick, self-titled debut from garage-pop powerhouse Velociraptor, an album oozing with snappy beats and boundless swagger (released August 15 via Dot Dash/Remote Control). To celebrate their debut LP — their first release since 2012's The World Warriors — Velociraptor are hitting the road, set to make a pit stop at Northcote Social Club. This is your best chance to get amongst the catchy crooning of frontman Jeremy Neale in the flesh, with lead singles 'Ramona' and 'Sneakers' guaranteed to be crowd favourites on the night. With support from Bloods and special guests, this is one gig you want front and centre on your agenda. https://youtube.com/watch?v=VqtxLk3Co5M
The last time Courtney Love popped by was 1999, when she headlined Big Day Out with Hole. Since then, the 50-year-old has released solo albums America's Sweetheart and You Know My Name/Wedding Day, as well as Hole's fourth record Nobody's Daughter (albeit without Melissa Auf der Maur, Patty Schemel and Eric Erlandson). This month, she's treating us to her very first Antipodean solo tour. Recent appearances in the UK have been triggering rave reviews. One Guardian critic described her as "enjoying her rock resurrection, leaping from vitriolic to vulnerable, often in the same breath", while The Daily Telegraph experienced 75 minutes of "slightly unhinged" and "thoroughly entertaining... raw pop punk". Rumours continue to bubble concerning a possible Hole reunion. In a recent Pitchfork interview, Love revealed that they're not necessarily without foundation. "I'm not going to commit to it happening, because we want an element of surprise," she said. "It's next year's concern, but we've hung out, we've sat down, we've met, we've jammed." https://youtube.com/watch?v=Rg_ECFpSceA
There's only one thing better than a group of underground, crime-fighting, pizza-addicted ninjas, and that's the anthromorphic kind. Teenage Mutant Ninja Turtles were, are and always will be the four gnarliest, street-fighting turtles that only took a coloured-hockey sock, pair of scissors and washing basket to transform into - thanks mum! Now, you can catch the 1990 - and best - version of Teenage Mutant Ninja Turtles at the New Globe Theatre for only 10 bucks this Wednesday. It's for all ages, so perhaps take along that little cousin who argues TNMT aren't as good as Transformers (wrong), or maybe go solo and rekindle that anamorphic crush you started to develop for badboy Raphael. Either way you shouldn't really need an excuse to admire Leonardo's courage, laugh at Michaelangelo's laziness, flail over Raphael's cheek or grow jealous over Donatello's MENSA like intelligence. Catch this mutated quartet on the big screen from 6pm - it will be such Shredder-move if you don't.
In a poor UK village, two school-aged friends realise they can make money by finding discarded metal and selling it to a local scrap dealer. The more obsessed they get with finding valuable materials, the more dangerous their quest becomes. It's almost impossible to describe this film without making it sound like a bleak slog, so now that we're done with the story summary, let's get to the meat of it: The Selfish Giant is one of the best films of the year: captivating, often funny, and filled with the most naturalistic performances you're likely to see. The two kids at the heart of the story are so damn good, it's worth seeing for them alone. But everything in this film works, and we're presented with a view of a tough working class that seems accessible, familiar and genuine, regardless of your own social background. The film is directed by one of the UK's most fascinating filmmakers, Clio Barnard. Her debut feature The Arbor in 2010 was unlike anything you've ever seen before. Not quite a documentary, not quite a dramatised narrative, it challenged the idea of how stories can and should be told. Barnard is one of the few filmmakers working who seems to be reinventing film in a way that feels tremendously exciting. Barnard based the two main characters of The Selfish Giant on children she met while filming The Arbor, so it's a little curious that she named one of the kids 'Arbor'. Is there a deeper meaning there? The story claims to be partly based on Oscar Wilde's short story of the same name, a fantasy about a giant who tries to keep children out of his yard. It looks like it's a million miles away from Barnard's social realist film, but Wilde's fable is key in understanding the depths behind much of the film. It is by no means necessary — on its own, the film is a complete, satisfying experience — but by hinting at a deeper connection to literature beyond the walls of the cinema, Barnard again expands a straightforward story into something more exciting. At a tight 91 minutes, Bernard wastes no time, giving us an incredible character tale that other filmmakers might take twice as long to accomplish. Be sure to see it. https://youtube.com/watch?v=qPLRZrMflG4
The nature of the Brisbane music scene reveals itself to be ever-tangled, with musicians swapping and changing bands, sharing in the love and talents to make supergroups of ultimate power. Such is the Brisbane-born, Melbourne-homed Black Vacation, the dreamy shoegaze pop band with psych inspiration and floating soundscapes. With members from Feathers, Kids Cryptic/Thigh Master, Marl Carx as well as individually recognised artists of great promise, Black Vacation was made and consequently relocated to Melbourne to seek out their musically inclined dreams. Now they’re back, and they’ve been given the ultimate homecoming of the infamous Trainspotters headline spot to treat local ears and indulge in other bands of equal delight. They’re joined by Melbourne friends Ciggie Witch, who will warm your bones with indie pop comforts, as well as Pare Ohm from down south, plus Blonde Tongues and Curlew, both boasting local talents. Trainspotters regularly proves itself as a hub of talent and good times. Get in before the dancing space and free snacks are snapped up!
If you casually visited a swamp at twilight at the full moon, encountered an otherwordly swamp queen who hypnotised you into a state of delirium and tried to coax you into murky waters, she'd probably sing you something like Willow Beats' newest single 'Merewif'. The Sydney duo's latest release features lyrics derived from stories of Hare Krishna folklore which, combined with shore-lapping wave sounds, twisting synth and solid baseline, give the whole thing a disturbed nursery rhyme vibe (in a good way, not a Ring Around the Rosy way). You can get a little closer to this weird futuristic fantasy as the uncle-niece duo set off on a national tour this August. The Aussie dates will be their first live appearances in seven months, long anticipated by the very respectably-sized fanbase the two won with the release of their debut EP Alchemy last year — along with their elemental, naked dancing-inducing sets at Falls and Strawberry Fields. 'Merewif' is the first release from their forthcoming Willow Beats EP (due for release later in the year), which means there's plenty of mystical, lush electronica from this duo to look forward to. For now, catch them at Black Bear Lodge on August 8. https://youtube.com/watch?v=PLKF8b_bpSw
When cabaret and comedy are fuelled in a control-free environment, you know great things are in store. A perfect eye-opener for the over-committed, Confessions of a Control Freak attempts to trade in the frantic with the free-living-lifestyle all in one live performance. What happen’s when the suit up business woman trades corporate wear for yoga pants? When is it okay to switch mergers for margaritas? Confessions of a Control Freak has already had successful runs and sold shows in Melbourne and Adelaide, and now it’s Brisbane’s turn for a little Namaste. The show stars former ballerina and self-confessed control freak Belinda Raisin, as well as pianist Jamie Teh. Whether you’re a soccer mum who needs a reality check, a lawyer who has more suits than sense, or you’ve already discovered what happens when you let go a little, you best trot along to this live-show awakening – it’ll be more motivational than any book, and probably around the same price.
The hotly anticipated resurgence of Melbourne MC, Illy, will explode on to Brisbane’s own Zoo Stage this week. Assisted by pals of the highest calibre, Illy will be celebrating the success of his latest album Cinematic by way of an extended tour, which is already proving a sold-out success. The album is the fourth from the hip-hop highroller, this time joined by various cameo appearances from friends Daniel Merriweather, Hilltop Hoods and Drapht, and was produced by heavyweight M-Phazes. Illy has made strides since his first release, proving his own relatable charms, when matched with his admirable determination and finesse for the craft, are unstoppable. He’ll be joined by party favourites Jackie Onassis, as well as the cheeky Remi. Be sure to grab your tickets early - this is sure to be a hotly sought after gig for his ever-growing following, and in such a small arena it’s sure to be a unique experience.
Rummaging through someone else's stuff for secondhand bargains is a pretty great way to spend a Sunday morning, but The Scratch have found a way to make it even better. Proving that even if it ain't broke, you can still fix it, they've combined a garage sale with refreshing beverages. Yes, they're geniuses. The Scratch Trash 'N’ Treasure is exactly what it sounds like: a flea market in a dive bar. Trawl through all the junk, toys, bric-a-brac, books, comics and beer memorabilia on offer, haggle your way to a great price and then wash down the taste of victory with your pint of choice. It's the only place where you can walk around drinking a beer while you shop — or while you sell all those trinkets you no longer need. If you've got your own pile of pre-loved goods you're happy to part with for cash, you can also become a stallholder by contacting the bar in advance.
Thirsty? If you're not now, you will be once you've read this. That's the only appropriate reaction to a festival of beer, after all. Just think of all the amber liquids and foamy goodness. Okay, enough drooling; here are the important details every ale lover needs: More than 130 beers and ciders will be on offer, plus an international food court. To set the mood for a full day of booze and food, there'll also be live music and DJs. Eating and drinking might be the main attractions at Brisbane Beer Fest's 2015 outing, but this is also an event for those serious about their beverages. Amid the tasting and the sampling of more tipples than you could dream of, you can also meet the folks behind 20-plus breweries and find out their tricks of the trade. If there's a beer heaven, this is it. Image via Green Beacon Brewing.
Since Kwan Brothers opened in Alfred Street last May, it has earned fans by knowing what people want. Yes, everyone wants to grab a bite to eat well into the evening, no one wants to book ahead, and sharing is caring. Kwan Brothers caters for all of this, complete with delivery and pick-up options, as well as cocktails and beer. Now everyone’s favourite Chinese restaurant is at it again, safe in the knowledge that you can’t get too much of a good thing. Why celebrate an occasion just once? Why not revel in happy times again and again? For Chinese New Year, they’re serving up ten days of fun, starting with their delicious banquet. Sure, you can devour their meals any time, but when else can you see lion dancers perform, sing karaoke in the hidden bar and possibly win a trip to Hong Kong just by going along — and then do it all again night after night for over a week?
Skills like sewing used to be passed down from generation to generation, but the times, they are a-changin’. Well, actually, they’ve already changed. Being handy with a needle and thread is no longer something many of us can boast, as much as we might like to. Those dreaming of becoming a sewing wiz need dream no more, thanks to the folks at Needlefruit and their tailor-made workshop program. If you’ve ever wanted to make your own cute dress or cool skirt, or be able to say that the funky cushion on your couch was just something you stitched together, now you can. Or at least learn how. Everyone from sewing novices to embroidery experts can find a class to cater for their existing talents (or lack thereof) — and everyone in between, too. Check out the website for the latest sessions. And don’t think this is just for the ladies. Sewing for Dudes is exactly what it sounds like — and it sounds awesome.
Woolloongabba Art Gallery’s first 2015 installation showcases the practices of intaglio printmaking (that's etching and engraving) in Western Cape York since 2012. The Western Cape Region is well known for its totemic three-dimensional carvings; however, little is known about the printed paper works of the region. As such, the exhibition Ground provides a window into the lesser known aspect of this region’s art, with many of the works on show being displayed for the first time. Featuring artists based in Mapoon, Weipa, Naprunam and Aurukun, Ground derives most of its work and focus from the Num Print School program. The Num Print School was developed by Wei’Num to collate and document the region’s growing printmaking sector, introducing new artists to audiences and buyers. The travelling workshop allowed artists to develop, design and proof ongoing works with reoccurring visits.
Whether you’re digging something special out of the back of your wardrobe or whipping up a new one just for the occasion, one thing’s for certain: you need to be donning your best costume on Saturday night. Cosplay isn’t just for pop culture conventions – it’s also for celebrations of all things gaming. Like an 8-BIT Party, of course. Yes, slip into some spandex and head along to The Motor Room, where the geeks will inherit a patch of West End for the evening. There’ll be night markets, street food, themed art exhibitions by Laneous and Drapyl, an audiovisual extravaganza courtesy of VJ Tesla and live video game music by Boss Fight and Spirit Bunny. Oh, and games. Lots of games. Hopefully Space Invaders, Pac-Man, Frogger, Super Mario Bros. and the like. The shenanigans are open to everyone, young and old — and if you have an old console at home, you can even bring your own fun. Let the gang at Earshot know in advance, and they’ll set you up with a TV and couch. That’s how you level-up not just in the game, but in life.
Loving Fleetwood Mac is the right thing to do, even if their lyrics try to tell us otherwise. The Triffid clearly agrees, so they've put together an evening of song to celebrate. The Newstead venue is calling it a tribute, but we're calling it a rock 'n' roll party. How else can you bask in the glory of a band that has sold over 100 million records, was inducted into the Rock and Roll Hall of Fame and still remains popular almost fifty years after they first formed, after all? Five acts will offer their spin on twenty of the Mac's classic tracks, and you can dance, sing and pretend it's the '70s. Expect Mosman Adler, Avaberée, Born Joy Dead,Greg Chiapello and the duo of Jackie Marshall and Melissa Fraser to tackle the likes of 'Landslide', 'Tusk', 'Dreams', 'Seven Wonders' and more — aka some of the biggest singles of the last few decades. Classic rock covers never seemed so cool, and with a night of reimagined hits to look forward to, you won't stop thinking about tomorrow.
There are music festivals, and then there's the Queensland Music Festival — and never should the two be confused. There's nothing quite like the whole-of-state, 17-day-long music frenzy, with QMF so jam-packed, so extensive in its program and touring schedule, and so logistically intricate, that it only happens once every two years. That means odd-numbered calendars are ones to savour, for those who like all kinds of tunes. Under artistic director James Morrison, the festival does everything it can to showcase the joy of music. In fact, the multi-instrumentalist himself even teams up with Megan Washington and Marian Petrescu for a one-of-a-kind jazz performance. Local icons Topology are also on the QMF bill of course, partnering with the Australian Voices on Unrepresentative Swill: Sing, Prime Minister. Their unique show takes words right out of our former leaders' mouths, sets them to music, and features narration by Adam Spencer. Venturing to different parts of Queensland is all part of the QMF experience, such as attending the Opera at Jimbour. It's the kind of event to make a whole day of, with market stalls taking care of your food and drink needs, plus free waltzing lessons getting you moving and grooving. Those seeking more free fun but wanting to stay closer to home best head to Seed, which champions the very best local independent bands before they’ve hit the mainstream airwaves. Or, there's Logan's Under This Sky premiere production, boasting a cast of 700 singing, dancing and playing on a football field. But wait, there's more — including the interactive fun of Keys to the City. Pods of pianos will pop-up across 40 locations, combining special guest performers with anyone in the vicinity who wants to tickle the ivories. Then, a free outdoor concert brings it to a close. Yes, QMF really does know how to throw a festival.
It's not every day that a city gets a new film festival — and yet, in just the last year, Brisbane has opened its doors to two. When the death of the long-running Brisbane International Film Festival saw the Brisbane Asia Pacific Film Festival pop up as a replacement, it also inspired the Queensland Film Festival. In fact, QFF aims to help fill the void left by BIFF's cancellation, and to showcase the kind of international movie gems that no longer make it to Brisbane. The festival's full inaugural program is filled with films that will never, ever show in a multiplex near you. That includes documentaries about land-locked fisherman to comedies about submission and domination. You know the types of flicks we're talking about. Festival co-directors Dr Huw Walmsley-Evans and John Edmond are starting small, with 12 features, two shorts and three free discussion panels — including four Australian premieres — largely concentrated over a three-day period in one venue. Of course, it's quality, not quantity that matters. Given the movies on offer from July 24 to 26 at New Farm Cinemas, there's plenty of the former. Academy Award nominee and Cesar winner Timbuktu opens the festival, kicking things off with a powerful portrait of life under jihadist rule. At the other end of the spectrum, both in terms of QFF's schedule and in tone, the previously announced The Forbidden Room brings everything to a close with a delightfully unhinged love letter to the very medium of film. In between, Brisbane cinephiles can feast on features such as The Strange Colour of Your Body's Tears, a freak-out horror movie that ravishes the senses and then some in its Australian premiere. There's also the Viggo Mortensen-starring colonialist Argentinian western Jauja, minimalist gem The Strange Little Cat, blockbuster French TV miniseries P’tit Quinquin, and a restoration of the landmark The Colour of Pomegranates. For movie fans that just can't wait for QFF to get started, a free screening of the otherworldly The Vanquishing of the Witch Baba Yaga precedes the festival. And for those keen on chatting and contemplating as well as watching, two discussions about film criticism talk the talk about analysing movies. Yes, it sounds like a film festival all right, as well as an ideal way to spend a cold July weekend. That's when BIFF once used to run, those with long memories might recall. Hopefully QFF can follow in its footsteps for years to come. The Queensland Film Festival runs from July 24 to 26 at New Farm Cinemas. Check out the festival website for more details.
Get your fix of guilty pleasure flicks each month at Tragic Tuesdays, the monthly screening of a cult classic, a forgotten favourite or perhaps a movie you’ll never admit to watching on the regular. For the launch of Tragic Tuesdays is perhaps the most dreadful of them all. Head along to see Zardoz, the movie so woeful, starring iconic lad, Sean Connery, who would probably rather forget he donned a loincloth, suspenders and thigh-high boots for the role. And that ponytail… Zardoz, the story of the future and a trained killer finds his humanity in a community of immortals as they seek to preserve humankind’s treasures. Yep… so bad, it’s good. Grab your ticket (popcorn is included) and grab your prime seat in the New Globe Theatre. Then, when it’s all over, mark it in your diary again for next month - you can catch Tragic Tuesdays on the 4th Tuesday of every month!
Brisbane, prepare to be WOWed. There's no other way to describe the Women of the World festival, an event that celebrates the achievements of women and tackles the barriers that hold ladies back. It's also the festival's name, of course. WOW started in London in 2011, and now takes place in 24 cities around the globe. Its first ever stopover in Brisbane is something special, and it has the program to prove it. Stars, scientists, writers, artists, business leaders and more all feature in a three-day showcase of girl power. Jude Kelly, the festival's creator, is on the bill, for those keen to hear from WOW's main woman herself — and she's joined by everyone from Kath and Kim’s Jane Turner to feminist funny woman Kathy Lette. They'll be sharing insights and dissecting issues, on topics as varied as women in technology, ladies leading the way in business, modern perceptions of sex, the scrutiny of appearance that comes with fame, and the process of ageing. The workshop lineup dives into journalism, coding, scriptwriting, self defence and combatting everyday sexism, among others, and also includes a daily dance session. Through this wide-ranging array of speakers, subjects and sessions, WOW endeavours to inform and inspire, an aim it looks like it has well and truly covered. The festival also attempts to leave a long-lasting legacy through conversations, networks and instilling the belief that change can happen. Now, that's a wow moment.
Who wouldn't want to live in a community that throws a celebration to say hello its new arrivals? If you happen to call anywhere near Annerley, Greenslopes or any adjacent inner-south suburbs home, then that's exactly where you happen to live. And WELCOMEfest is that greeting party. In fact, WELCOMEfest offers friendly and hearty salutations to all fresh inhabitants — not just of the area, city or state, but of the country too. The annual shindig is part of World Refugee Week, and ranks among Australia’s largest multicultural festivals. Bringing Brisbane’s diverse cultural communities together is its aim, as is showcasing everyone’s contribution to the nation. More than 17,000 people attend each year, so this really is a festival that the whole region gets behind. International cuisine, world music, dance performances, DJs, workshops, sports — WELCOMEfest really has it all. And like all good get-togethers, there's even an afterparty.
How often can you say that you'll be drinking Belgian, barrel-aged, sour beers made in the Flemish red style? We're talking about Rodenbach's beverages, concocted with special malt, aged for over a year, and flavoured with fruit, for those not in the know — and you can't say you'll be drinking them very often. That changes this Friday, thanks to the folks at Brewski — well, it changes for one night only. The Petrie Terrace craft beer bar is turning over their taps to the kind of beverages you won't just find in your local bottle-o, and you might never have had the opportunity to try otherwise. Expect three of Rodenbach's essential brews, including the delectable Rosso that tastes like sour cherries, raspberries and cranberries. As an extra treat, the famed unfiltered, unpasteurised and unblended Foederbier will also be available for the first time in Australia. And those after the best of the best better grab a glass of the bottle-only, super fruity Caractère Rouge, voted Europe's Best Fruit Flavoured Beer in 2013. Read our feature 'Pucker up for sour beers: The cult brew you've never heard of'. Image: Dollar Photo Club.
Want to weave yourself into this city's rich narrative? Tying in with the exhibition of works by street photographer Alfred Elliott, Capturing Place is a photography workshop and window into an inspired way of looking at our beauty of a home. It is open to camera wielders of all experience levels. Run by local photographer Carl Warner, this walking workshops takes you past Brisbane's best buildings and places while you're taught a variety of methods to capture our city. Warner is a Brisbane photographer who has shown work extensively throughout Australia and uses the camera to record the detail he observes in urban, industrial and natural environments. He will lead the group on the exploration of the city's richest visual opportunities (i.e. not just Town Hall and South Bank). Make sure to bring your own camera, water and walking shoes.
May 2 might be known as Free Comic Book Day around the world; however, Junky Comics — aka Brisbane's new and creative comic book store — is giving it a different spin. They're focusing on zines, and they're thinking closer to home. As well as enjoying the sales on stock from Fantagraphics, Drawn and Quarterly, Nobrow, Topshelf, DC, Marvel and Vertigo, customers can take home work created by local zine makers for free. Or, they can take them out the door and up the road to the End, where the afterparty will start rocking from 6pm. The zine theme is also in full swing in the store's first workshop, hosted by Holly Riding. For a gold coin donation, you can learn tips of the trade, such as the best printing facilities, how to source contributors and how to put your ideas on paper. You can also design, write and create a zine on the day, while mingling with like-minded creative folks. Book now as spaces are limited, and then start thinking about how great it will be to make your own publication. Read our feature on Junky Comics.
Burger-loving Brisbanites no longer need feel pangs of hunger and envy whenever Huxtaburger comes up in conversation. Well, for one day, that is. Melbourne's American-style hamburger haven is venturing up north, but it's for a limited time only. Huxtaburger head honcho Daniel Wilson will actually be in town to share his culinary style as part of the annual James St Food & Wine Trail, but he couldn't leave without sharing his famed meat-and-bread combination as well. At 12.30pm on Saturday August 1, he'll be signing copies of his new cookbook — aptly called The Huxtaburger Book, of course — at Scrumptious Reads, with the first twenty patrons to buy a copy receiving a free, freshly-made burger. Arriving early is advised, obviously, but if you do miss out, don't despair. Remember, you can also glean his burger secrets in printed form, and then go home and try to make your own.
There is nothing better than a good vintage shopping haul. No matter what amount you choose to spend, there is always something that is worth a purchase. Are you into clothes, books or jewellery? Odds are you can find is this weekend at the Winn Lane Yard Sale. Everything on sale is second-hand, meaning there are tons of pre-loved goods you can grab for a bargain. In addition to the usual fair, you will be able to nab some furniture, records and even plants (that’s right, plants!). These markets are on bi-monthly and have been running on and off for the past few years. In addition to the amazing stalls being set up, all permanent shopkeepers will have sales going all day, so there is double the value on offer. Check out the Winn Lane Facebook page for more details. It will be a great day for shopping, make sure you take advantage of it!
Metaphor in its sublime power brings together some very talented Brisbane illustrators for a special exhibition, showing throughout July. Phoebe Paradise, a local aficionado of the visual arts, works with the humble process of putting pen to paper, making watercolours shine and gouache imagery. Her work is inspired by punk aesthetics, grungy and unpolished, accessible and low-brow, fun and playful yet intriguing as it casts the mind back to decades ago. Erin Michelle Ward is a visual artist who specialises in animation. Her Prismacolor pencil works, infused with watercolour paints and paper cut-outs help to showcase her talents as a multimedia artist, while her recent focus on plants, dinosaurs and tortoises prove her playful side, endearing her to her audiences and entertaining in the strict circumstances. Finally, Elle-Louise Burguez works with textas, pens, ink and watercolours to play with light and colour in her works. She encompasses happiness in her images, playing with mediums and making a statement to create the illusive double-take. Come along to see the works of these very different but equally-talented ladies, and to perhaps purchase a unique piece as the ultimate souvenir.
Less sophisticated than a high-brow concert, but no where less impressive. More than your average gig, but relaxed and friendly, accessible and enjoyable. Welcome to Dots+Loops, the show where you won’t be pushed around by manic punters on the way to the bar, but your moving around between stages and amenities won’t disrupt the performance, followed by the usual snooty shushes of a seated show. No sweating or swearing, no pretension or pettiness. We’re there for the show. Some of the country’s most talented will be shining brightly in some of the most unique performances available for viewing at the moment. Nico Muhly, the New York-based composer, unstitches the parameters of music of the classics and of contemporary radio; his work is best known in the composition of songs by Grizzly Bear, The National, even Usher, all while working in orchestral spheres since his graduating from Juilliard a decade ago. He brings to us Drones with viola, violin and piano, with live electronics to further impress the senses. In Teaching Others We Teach Ourselves is the work of Judd Greenstein, the work of a viola septet inspired by Greenstein’s previous works in the NY indie-classical scene. Ensemble works help to enforce Greenstein’s passion for rhythm and texture, haunting lows and soaring highs, a treat for Dots+Loops.
Have you ever wondered what drives that certain talented person to pursue the cut-throat passion of dance? What happens behind the curtain, and how did they end up here in the first place? Virtuosi, the feature-length documentary by award-winning choreographer and filmmaker Sue Healy, sound tracked by New Zealand’s own Mike Nock, is the answer to all your questions about those who make a name for themselves through the art of dance, and what it takes to turn their craft into a successful career. Healy delves into the lives of eight New Zealand dance artists. Intimate and revealing, astounding and awe-inspiring, this documentary uncovers the lives that were always destined for great things on the stage, often a rare opportunity that comes at a great price. These stories are told with great care and respect by Healy, whose own understanding has informed her approach to create a truly unique viewing experience.
The days are dwindling down, and you've come to a stressful realisation: you've left your Christmas shopping until the last minute again. Let's face it, you're not alone. Thankfully, trawling the mall isn't your only option when it comes to finding a gift or grabbing ingredients for a delicious meal. For the first time ever, the Carseldine Markets is hosting a twilight event brimming with the spirit of the season. Get your list ready, because all the art, craft and fresh produce stalls you know and love will be on site, just waiting to help you out of a festive fix. They'll also be joined by a themed food court (because you'll need to eat while you browse), as well as ample entertainment. Yes, it's a Christmas wonderland. Warning: if you're more of a Grinch than one of Santa's elves, you'd best prepare yourself for an overdose of holiday cheer. Image via Carseldine Markets.
Years of labour are plastered across the face of Maud Watts (Carey Mulligan). She hasn't just toiled away in a sweatshop-like laundry since she was a child — she was born there, and had no choice but to follow her mother into the gruelling line of work. At the age of 24, and as a wife to Sonny (Ben Whishaw) and mother to George (Adam Michael Dodd), she thinks she knows what her future holds. Her story isn't unique. That's why it's important. That's why Suffragette is important too. There's no mistaking the spirit that seethes through both the character and the feature. Both endeavour to subvert the status quo, give a voice to the masses and plead for gender equality. It’s a vital cause, embodied in an everywoman-type protagonist and an impassioned — albeit blunt and traditional — period drama. Accordingly, Suffragette charts the horrors of Maud's reality while agitating for an alternative. And it does so via a simple but effective story. After seeing a brick thrown through a shop window as part of the crusading campaign, Maud is convinced by a colleague (Anne-Marie Duff) to find out more. She soon realises that she has to fight not only for the right to vote, but for a world in which she doesn't receive less pay for more work, watch her lecherous boss take advantage of the ladies under his supervision, or be expected to do what her husband tells her without question. The members of her group, the Women's Social and Political Union, are ignored, attacked, arrested and treated like criminals, forcing them to increasingly adopt more drastic measures. Helena Bonham-Carter appears in a supporting role as an ailing chemist and activist, while Meryl Streep pops up in a blink-and-you'll-miss-it appearance, giving a speech as real-life movement leader Emmeline Pankhurst. Providing an example of the male power refusing to concede ground, Brendan Gleeson plays a police inspector determined to put the feisty femmes in their place. More than anything, however, Suffragette belongs to the woman behind its heroine. Once again, Mulligan is subtle but stirring, expressing more in her face and physicality than the dialogue can say, while also offering a convincing transformation from onlooker to instigator. Plus, she adds a second powerful feminist role to her 2015 resume after a similarly outstanding turn in literary adaptation Far From the Madding Crowd. Mulligan is the standout player, but she's not the only highlight. Though the script by writer Abi Morgan (The Iron Lady) is earnest, obvious and rather conventional, director Sarah Gavron (Brick Lane) doesn't waste a frame — or a handsomely lensed image — in conveying its point. And while the end result may be heavy-handed, that doesn't lessen the film's message or its impact. Tellingly, its strongest statement remains long after the credits roll. Suffragette may take viewers back more than a century, and much may have changed since then. But the battle for parity among the sexes is far from over.
In 1995, the man who brought audiences RoboCop and Total Recall made the Pretty Woman meets Flashdance mashup no one was screaming out for. Filmmaker Paul Verhoeven won a Razzie Award for worst director for his racy efforts — and the movie took home six others from a record 13 nominations, including worst picture and worst screen couple (for any combination of two people or two body parts). Indeed, saying that Showgirls was pretty poorly received upon its release is quite the understatement, but thankfully, that's not the end of the film's story. In the two decades since, plenty of love has been thrown its way. Now, depending on who you talk to, it is considered a cult camp effort, a misunderstood satire and a prime example of the "so bad it's good" phenomenon. To celebrate the feature's 21st anniversary, Kristian Fletcher and New Farm Cinemas are giving Brisbane cinephiles the chance to come to their own conclusions — and to revisit a flick they mightn't have seen on the big screen. Yes, audience participation is welcome. Yes, there'll be showgirls roaming around the cinema before the screening. Yes, the event promises to be as wild as the film.
So, you've spent the last two months hunkered down in front of your television, video game controller firmly in hand. The release of Fallout 4 was always going to have that kind of impact — but, if you're finally ready to venture out of your bunker and rejoin the rest of the world, The Brightside has the perfect event for you. The Fortitude Valley hangout is throwing another of their famous UV parties; however this time they're giving it a twist. As well as glow-in-the-dark paint galore, everyone's favourite post-apocalyptic role-playing action game is in the spotlight (well, in the lack of a spotlight, given that lurking in the dark is one of the shindig's themes). Expect the beer garden to get a bit of a dystopian makeover, and expect to flaunt your knowledge of Fallout and Elder Scrolls over a few rounds of Bethesda trivia. And, because it wouldn't be a Brighty party without live music, expect Far West Battlefront, The Brave, Wildheart and Kings to take care of the tunes, too — plus Bayharbour, who'll be launching their new single.
It's the one day of the year that drinking in the morning is considered acceptable. We're talking about the Super Bowl, aka the sports event you're either already fanatical about, or suddenly willing to feign an interest in just to take part in the accompanying tomfoolery. The Fox's plans for the day are sure to please the former and entice the latter, particularly when it comes to pairing the main event with a couple of tasty accompaniments. We're not doubting the enthusiastic vibe that will be oozing through the South Brisbane venue. We're just recognising that every sports spectacle needs the right food and drink. The Super Bowl falls on a Monday, so the Fox will be serving up their famous $10 chicken wing deal. Yes, everyone needs to devour a kilo of poultry — or try to. And no, if that doesn't take your fancy, it's not too early for a beer and a burger. Don't worry, with American footballers running across all of the venue's screens, no one here will notice.
So, you're dreaming of floats, feathers, sequins and samba, but you're not leaving Brisbane anytime soon. Thankfully, there's some good news. Those with Carnival envy — i.e. everyone who's wishing they're going to Rio de Janeiro's world-famous annual event — can mosey along to the next best thing. Yes, the Boundary St Carnaval Parade & Party is back again. For twenty years, the folks at Rio Rhythmics have been showering the city with the flair and flavours of Brazil, and they're showing no signs of stopping. There's an added element to the 2016 event, as well. February 6 also marks the date of the real thing in Rio, too, so expect everyone to be celebrating that little bit more. With Brazilian bands, samba classes and a street parade on the bill, attendees will have plenty of reasons to get into the spirit of the occasion. And, it's free — which, as we all know, is much, much more affordable than a plane ticket to South America. Image: Alex Jackson.
When most people think about germs, they think about antiseptic, hand-washing and just generally doing whatever they can to avoid them. When Taylah Moore thinks about germs, she's turning the topic of disease-causing bugs, bacteria and microorganisms into art. Yes, one person's phobia is another's source of inspiration. Yes, her solo exhibition considers a subject most people avoid like the plague, and one that once helped cause the plague as well. Yes, GERMS will infest Love Love Studios, where Moore is a resident artist. It's the next show to deck the halls and walls of the artist-run initiative, which has been a community favourite since it was established back in 2008 in Teneriffe, before moving to its current Milton digs in 2014. Not every gallery space resides above a skateboard store, after all; however that's not the only reason to make it along. Sadly, GERMS isn't just Love Love's latest artistic display — it's also its last.
