Platform sneakers, Union Jack-themed apparel, glittery outfits and anything that screams 90s girl power — it's all currently making its way around Britain as part of a huge new Spice Girls exhibition. Now open in London until August 20, moving to Manchester from August 24 to September 4, and planning to keep touring the country into 2019, Spice Up is exactly what it sounds like. If you wannabe indulging your nostalgia for one of the biggest acts of two decades ago, this is the event to zigazig-ah your way to — and attendees can also see the Spice Bus, aka the double-decker vehicle immortalised in Spice World. In total, more than 7000 items are on display, spanning everything from costumes worn by Melanie Brown, Melanie Chisholm, Emma Bunton, Geri Halliwell and Victoria Beckham — hundreds of them, in fact — to as much merchandise featuring the group's name and likeness as the organisers could find. Or, if simply spicing up your life by looking at various Spice Girls-themed bits and pieces isn't enough, the exhibition has also recreated a typical fan bedroom from the group's heyday for the ultimate blast for the past. Tickets cost £10 (AU$17.57), if you happen to be in the UK in the next two months — and there's no word yet if Spice Up will take the show on the road beyond Britain. Just cross your fingers and say you'll be there if it does.
Baz Luhrmann is known for many things; however, as everything from Strictly Ballroom to The Great Gatsby has demonstrated, subtlety isn't one of them. When you're making a hip-shakin', gyrating, pompadour-sporting Elvis Presley biopic, though — and that characteristically huge film is your first movie in nine years — that trait isn't called for anyway. So, when the second trailer for the Australian filmmaker's Elvis calls its namesake a god, it couldn't feel more fitting. Actually, it has Tom Hanks sling that term the king of rock 'n' roll's way to ramp up the sense of importance. "In that moment, Elvis the man was sacrificed — and Elvis the god was born," he narrates, in character as manager Colonel Tom Parker. That said, Elvis, the film, doesn't look content to just take the Colonel's word for it. Instead, as its just-dropped new sneak peek and original trailer from back in February both show, it's diving into why the world's most famous blue suede shoe aficionado became the icon he did — what made him tick, what influenced him, what he stood for, and how that rippled out into the world and got the planet all shook up. That's a big aim, but again, Luhrmann isn't known to shy away from a challenge. Set to release Down Under on June 23 — after premiering at the Cannes Film Festival, hosting its local debut on the Gold Coast in early June and also having a flashy premiere in Sydney as well — Elvis stars Once Upon a Time in Hollywood and The Dead Don't Die's Austin Butler as the music legend. And yes, as the footage keeps demonstrating to the requisite soundtrack of Presley's hits, he looks and sounds the part. Shot in Australia with a cast that also spans a wealth of local talent — Olivia DeJonge (Better Watch Out) as Priscilla, Richard Roxburgh (Fires) as Presley's father Vernon, Oscar-nominee Kodi Smit-McPhee (The Power of the Dog) as singer Jimmie Rodgers, and David Wenham (The Furnace) as country artist Hank Snow, for starters — the film clearly has a big story to tell. Charting the king of rock 'n' roll's rise to fame, exploring the role that manager Colonel Tom Parker played in that success and examining how Presley became the symbol of rock 'n' roll that he still remains now, 45 years after his death, as everything from touring exhibitions to his enduring status in popular culture keep showing: that's all in the movie's remit, too. And, so is examining what that rise, and that ongoing love, says about America and pop culture. Check out the latest trailer for Elvis below: Elvis releases in cinemas Down Under on June 23, 2022. Images: Hugh Stewart.
Every Martin Scorsese movie is worth waiting for, but Killers of the Flower Moon has been decades in the making. The nonfiction book that the acclaimed director's latest film adapts details events in the 1920s, in Osage County in Oklahoma, where members of the Osage Nation became wealthy through oil, then targets for white interlopers. And the feature that's bringing this true tale to the screen? It finally unites Leonardo DiCaprio and Robert De Niro in one of Scorsese's full-length flicks, after the filmmaker has spent decades working with both separately. Marty. De Niro. Leo. Yes, enough said. That's the basic maths behind Scorsese's first film since 2019's The Irishman, which premiered at the 2023 Cannes Film Festival in May, will hit cinemas Down Under in October and then heads to Apple TV+ after that. De Niro and DiCaprio have been in so many of the legendary director's movies that it's rare for any of his titles to not include one or the other. The former's run gave viewers gangster masterpieces such as Mean Streets, Goodfellas and Casino; also spans the iconic Taxi Driver, Raging Bull and The King of Comedy; and covers musical New York, New York and thriller remake Cape Fear, too — and, of course The Irishman. The latter began leading Scorsese's films in the early 2000s, kicking off with Gangs of New York, then starring in The Aviator, The Departed, Shutter Island and The Wolf of Wall Street. That's a helluva resume for both actors, and for their favourite helmer. Enter Killers of the Flower Moon — which is actually the second time that De Niro and DiCaprio have joined forces for Scorsese, after they played themselves in the director's 2015 comedy short The Audition. The actors have a past on-screen beyond that thanks to the non-Marty helmed This Boy's Life in 1993, back when DiCaprio was still a teen. That's the Scorsese–De Niro–DiCaprio history. Its main talents aside, Killers of the Flower Moon has looking backwards on its mind as well. As seen in the initial teaser in May and just-dropped full trailer now, the film jumps into a series of real-life of murders. DiCaprio (Don't Look Up) and Certain Women standout Lily Gladstone play Ernest Burkhart and Mollie Kyle, a couple that gets caught up in the investigations surrounding the mounting killings. The deaths start when oil turns the Osage Nation into some of the richest folks on the planet, and quickly, which attracts the wrong kind of notice — attention fuelled by greed and envy, and resulting in manipulation, extortion and homicide. Killers of the Flower Moon surveys that story through Burkhart, Kyle and their romance. Scorsese also co-wrote the screenplay with Eric Roth (Dune, and an Oscar-winner for Forest Gump), adapting David Gann's 2017 non-fiction book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI. And, as well as De Niro (Amsterdam), the movie co-stars Jesse Plemons (Love & Death), John Lithgow (Sharper) and newly minted Best Actor Oscar-winner Brendan Fraser (The Whale). Check out the full trailer for Killers of the Flower Moon below: Killers of the Flower Moon releases in cinemas Down Under on Thursday, October 19, and will then stream via Apple TV+ at a later date — we'll update you with streaming details when they're announced.
Hamilton may have wrapped up its debut Australian season after stints in Sydney, Melbourne and Brisbane — including a trip by Lin-Manuel Miranda himself to the latter — and its New Zealand run as well, but musical-theatre fans can stream the smash-hit show's Broadway production whenever they like. Even better: you can now croon the stage sensation's tunes with Miranda, Daveed Diggs (Snowpiercer) and the OG cast, in a way, thanks to Disney+'s just-arrived sing-along version. This is your chance to make your very own home the room where it happens, and to take a shot at the Miranda-penned lyrics that every Hamilton fan has stuck in their head on repeat. Whether you're keen to give 'The Room Where It Happens', 'My Shot', 'Burn', 'History Has Its Eyes on You' or 'Helpless' a spin, you can, all while watching the acclaimed performance. In the words of another of the show's big tunes, we expect that you'll be back, too, singing along to Hamilton more than once. Since premiering on Broadway in 2015, winning 11 Tony Awards and nabbing the Pulitzer Prize for Drama, Miranda's musical has become a pop culture phenomenon. As a result, it was always going to make the leap to the screen in some shape or form, which it did in 2020 — albeit via a filmed version of the stage production rather than a traditional theatre-to-film adaptation. Now, three years later, that recording comes with lyrics, ready for everyone that's young, scrappy and hungry to give it a go. Indeed, the vibrant, whip-smart and immediately dazzling tale of American Founding Father Alexander Hamilton first hit Disney+ on Friday, July 3, 2020 — and now the sing-along version has followed at around the same time, dropping back on Friday, June 30, 2023. If you haven't been lucky enough to catch the popular all-singing, all-dancing production onstage, this "live capture" version is the next best thing. Shot at the Richard Rodgers Theatre on Broadway in 2016, the recording features the show's original Broadway performers, including Miranda (His Dark Materials) in the eponymous role. Also seen on-screen: Daveed Diggs (The Little Mermaid) as Marquis de Lafayette and Thomas Jefferson, Leslie Odom Jr (Glass Onion: A Knives Out Mystery) as Aaron Burr, Christopher Jackson (And Just Like That...) as George Washington, Jonathan Groff (Knock at the Cabin) as King George III, Anthony Ramos (Transformers: Rise of the Beasts) as John Laurens and Philip Hamilton, Renee Elise Goldsberry (Girls5eva) as Angelica Schuyler and Phillipa Soo (Shining Girls) as Eliza Hamilton. The story, for those who aren't intimately acquainted with US revolutionary history, chronicles the Caribbean-born "bastard, orphan, son of a whore and a Scotsman" from his arrival in New York in the early 1770s. As the musical's informative opening number explains, Alexander Hamilton will go on to become "the ten-dollar Founding Father without a father", with the production charting how he "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". It's a tale that, unlike those of US Presidents Washington and Jefferson, you mightn't have heard before — which is one of the themes that the musical addresses. Just who is charged with recalling and immortalising the past, and who is remembered in the process, is a significant factor in shaping a nation's vision of itself. Check out a trailer for Disney+'s Hamilton sing-along below: Hamilton Sing-Along is available to stream via Disney+. Images: Hamilton filmed version courtesy of Disney+.
April 14, 2018, will forever go down in history as the day Beyoncé took to the Coachella stage and made it her own. If you were lucky enough to be there, you'll no doubt remember it forever. If you watched the live stream — and it became the most-watched live-streamed performance of all time, so you probably did — then you'll never forget it either. Whichever category you fell into, you likely wish you were closer to the action — to the stage for the 137-minute performance, to the 100-plus dancers, to its powerful homage to America's historically black colleges and universities, and to the backstage antics as well. Enter Netflix's Homecoming: A Film By Beyoncé, the concert documentary you definitely knew you needed, but didn't know existed until now. Yesterday, Wednesday, April 17, the streaming platform released the in-depth look at Bey's epic show, revealing "the emotional road from creative concept to cultural movement". Like the real-life performance, the film clocks in at 137 minutes, so expect a lengthy and intimate tour through the festival set everyone has been talking about for a year, including behind-the-scenes footage and candid chats that delve into the preparation process and Bey's stunning vision. You know what else is lengthy? The 40-track live album Bey just dropped on Spotify. Yep, the Queen has blessed us on two platforms this week. We are not worthy. As well as live renditions of 'Sorry', 'Crazy in Love' and 'Soldier' — the latter which was performed with former Destiny's Child group mates Kelly Rowland and Michelle Williams — from Coachella, the album, also called Homecoming, features a song by Blue Ivy (Bey's daughter) and two bonus tracks. It's also doubly exciting that the album is available on the easier-to-access Spotify, as Bey dropped her most-recent album Lemonade exclusively on Tidal, her husband Jay-Z's streaming service. The long weekend is here. You have four hours of Beyoncé content to consume. Happy listening and viewing, friends. Head to Netflix to watch Homecoming: A Film By Beyoncé and listen to the album below:
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to watching anything, we're here to help. From the latest and greatest to old favourites, here are our picks for your streaming queue from June's haul of newbies. BRAND NEW STUFF YOU CAN WATCH IN FULL RIGHT NOW BO BURNHAM: INSIDE Watching Bo Burnham: Inside, a stunning fact becomes evident. A life-changing realisation, really. During a period when most people tried to make sourdough, pieced together jigsaws and spent too much time on Zoom, Bo Burnham created a comedy masterpiece. How does he ever top a special this raw, insightful, funny, clever and of the moment? How did he make it to begin with? How does anyone ever manage to capture every emotion that we've all felt about lockdowns — and about the world's general chaos, spending too much time on the internet, capitalism's exploitation and just the general hellscape that is our modern lives, too — in one 90-minute musical-comedy whirlwind? Filmed in one room of his house over several months (and with his hair and beard growth helping mark the time), Inside unfurls via songs about being stuck indoors, video chats, today's performative society, sexting, ageing and mental health. Burnham sings and acts, and also wrote, directed, shot, edited and produced the whole thing, and there's not a moment, image or line that goes to waste. Being trapped in that room with the Promising Young Woman star and Eighth Grade filmmaker, and therefore being stuck inside the closest thing he can find to manifesting his mind outside his skull, becomes the best kind of rollercoaster ride. Just try getting Burnham's tunes out of your head afterwards, too, because this is an oh-so-relatable and insightful special that lingers. It's also the best thing that's been made about this pandemic yet, hands down. Bo Burnham: Inside is available to stream via Netflix. THIS WAY UP At the beginning of This Way Up, Áine (Aisling Bea, Living With Yourself) is being checked out of a London mental health facility by her older sister Shona (Sharon Horgan, Catastrophe). Her complaints about the lack of a spa are just jokes, but they're also one of her coping mechanisms. She wears that sense of humour like a shield as she steps back into her usual routine — teaching English to folks learning it as a second language, trying to avoid spending too much time at home and attempting not to think about her ex (Chris Geere, You're the Worst). There's shades of Catastrophe in This Way Up, unsurprisingly, and also echoes of Fleabag, Back to Life and Breeders, too. In other words, it has been a great few years for acerbic UK shows about people struggling with all the baggage, expectations and responsibilities that come with being adults — and this addition to the fold, which the always-charming Bea also wrote, continues the trend. Also evident in This Way Up's fellow comedies, as well as here, is a strong focus on women who don't have it all together, or even pretend otherwise. Áine's exploits involve everything from trying to hook up with a fellow rehab patient and getting a crush on Richard (Tobias Menzies, The Crown), the father of a French boy she tutors, to constantly being the third wheel in Shona's relationship with her boyfriend Vish (Aasif Mandvi, Evil), and she stumbles and puns her way through all of it. A second season of her antics is on the way, too, which this first batch of episodes will leave you hanging out for. The first season of This Way Up is available to stream via Stan. STARSTRUCK When Rose Matafeo last graced our screens, she took on pregnancy-centric rom-coms in 2020's Baby Done. Now, in Starstruck, she's still pairing the romantic and the comedic. In another thoughtful, plucky and relatable performance, she plays Jessie, a 28-year-old New Zealander in London who splits her time between working in a cinema and nannying, and isn't expecting much when her best friend and roommate Kate (Emma Sidi, Pls Like) drags her out to a bar on New Year's Eve. For most of the evening, her lack of enthusiasm proves astute. Then she meets Tom (Nikesh Patel, Four Weddings and a Funeral). He overhears her rambling drunkenly to herself in the men's bathroom, they chat at the bar and, when sparks fly, she ends up back at his sprawling flat. It isn't until the next morning, however — when she sees a poster adorned with his face leaning against his living room wall — that she realises that he's actually one of the biggest movie stars in the world. Yes, Starstruck takes Notting Hill's premise and gives it a 22-years-later update, and delivers a smart, sidesplittingly funny and all-round charming rom-com sitcom in the process. When a film or TV show is crafted with a deep-seated love for its chosen genre, it shows. When it wants to do more than just nod and wink at greats gone by like a big on-screen super fan — when its creators passionately hope that it might become a classic in its own right, rather than a mere imitation of better titles — that comes through, too. And that's definitely the case with this ridiculously easy-to-binge charmer. The first season of Starstruck is available to stream via ABC iView. Read our full review. LUCA Unlike Studio Ghibli, Pixar can make bad movies. The main culprit: the Cars franchise. They're a rarity among the Disney-owned animation studio's output, thankfully — because even when it makes a minor delight, like Luca, its usually swims well beyond most of the other family-friendly fare that gets pumped in front of young eyes. Set in Italy over a resplendent summer, this coming-of-age tale might be the closest that Pixar ever gets to making a Frankenstein movie. Forget the whole coming back from the dead part; instead, teenage sea monsters Luca (Jacob Tremblay, Doctor Sleep) and Alberto (Jack Dylan Grazer, We Are Who We Are) just want to belong. But, even though they can't help the fact that they're sea monsters, they'd be shunned by the village they decide to call home if anyone ever worked out that they aren't human. The pair cross paths in the water, but when Luca follows his new pal to the surface, he disobeys his parents' strict warnings. They bond over a Vespa, which they both want. Next, they befriend an ordinary girl, Giulia (first-timer Emma Berman), in a quest to win a race to nab their very own moped. The story is straightforward, but the themes still float along meaningfully in this feature debut from director Enrico Casarosa (Pixar short La Luna) — and the sun-dappled seaside animation is a dazzling treat. Luca is available to stream via Disney+. THE AMUSEMENT PARK In 1968, George A Romero changed cinema forever. Night of the Living Dead, his first film, was famously made on a tiny budget — but it swiftly became the zombie movie that's influenced every single other zombie movie that's ever followed. His resume from there is filled with other highlights, including further Dead films and the astonishing Martin, but one of his intriguing features didn't actually see the light of day until recently. It was also commissioned by the Lutheran Service Society of Western Pennsylvania to preach the evils of elder abuse, which isn't the type of thing that can be said about any other flick. The Amusement Park is incredibly effective in getting that message across, actually. As star Lincoln Maazel explains in the introduction, it aims to make its statement by putting the audience in its ageing characters' shoes, conveying their ill-treatment just for their advancing years and showing the chaos they feel as a result. That's the exact outcome as Maazel plays an older man who spends a day wandering around the titular setting, only to be constantly disregarded, denigrated, laughed at and pushed aside as hellishness greets him at every turn. Romero's film is grim, obvious and absurd all at once, and it's a powerful and winning combination in his hands. The Amusement Park is available to stream via Shudder. NEW AND RETURNING SHOWS TO CHECK OUT WEEK BY WEEK PHYSICAL On a typical early-80s day, San Diego housewife Sheila Rubin (Rose Byrne, Irresistible) will make breakfast for her professor husband Danny (Rory Scovel, I Feel Pretty), take their daughter to school, then run errands. She'll also buy three fast food meals, book into a motel, eat them all naked, then purge. Physical can be bleak — about the pain festering inside its bitterly unhappy protagonist, her constantly fraying mental health, the smile she's forced to plaster across her face as she soldiers on, and her excoriating options of herself — but it also finds a rich vein of dark comedy in Sheila's efforts to change her life through aerobics. Add the series to the list of 80s-set shows about women getting sick of being cast aside, breaking free of their societally enforced roles and jumping into something active. GLOW did it. On Becoming a God in Central Florida did, too. And now those two excellent series have a kindred spirit in this sharp, compelling and often brutally candid show. Byrne is a force to be reckoned with here, in one of her best performances in some time (and a reminder that in everything from Heartbreak High to Damages and Mrs America, she's always done well on TV). Also entrancing, engaging and difficult to forget: Physical's desperate-but-determined tone, and the way it seethes with tension beneath the spandex, sequins and sunny beach shots. The first three episodes of Physical are available to stream via Apple TV+, with new episodes dropping weekly. LOKI With WandaVision, Marvel gave the world a nodding, winking sitcom that morphed into an engaging but still quite standard entry in its ever-sprawling on-screen realm. With The Falcon and the Winter Soldier, it opted for an odd couple action-thriller that hit every mark it needed to, but rarely more. Loki, the third Disney+ Marvel series to hit streaming this year — and the third to focus on characters from the Marvel Cinematic Universe — stands out from the crowd instantly. Having Tom Hiddleston (Avengers: Endgame) step back into the God of Mischief's shoes will do that. Loki's charms don't solely radiate from its leading man, though. He's as charismatically wily as ever (as he's always been in his scene-stealing big-screen appearances in the Thor and Avengers films), but this series is helped immensely by its willingness to have fun with its premise, and also by the great cast surrounding its star. Teaming up duos is obviously currently Marvel's thing, but Loki pairs its eponymous trickster with a time cop played by Owen Wilson (Bliss), gets them palling around in buddy cop-meets-science fiction territory, and also throws in Sophia Di Martino (Yesterday) as a character that best discovered by watching. Here, come for the usual Hiddleston mischievousness, stay for everything this quickly involving series builds around him as Loki is forced to face the consequences of his past actions. The first four episodes of Loki are available to stream via Disney+, with new episodes dropping weekly. RICK AND MORTY Five seasons in, Rick and Morty has long passed the point where its premise is its main drawcard. That setup is stellar, of course, and always will be — as you'd expect of a series that takes it cues from Back to the Future, but swaps in a dimension-hopping, drunken, cantankerous grandfather and his nervous teenage grandson. What keeps viewers coming back, and also eagerly awaiting each new batch of episodes, is the show's constant ability to twist and morph in different directions in each and every new instalment. That, and its cynical-meets-absurdist sense of humour, its ability to weave in more pop culture references than should be possible while never feeling like the mere sum of its influences, and its deeply melancholic musings on life, happiness and connection. All these traits are on display in Rick and Morty season five so far, even just two episodes in. Co-creator Justin Roiland might now have another animated sitcom about an unconventional family demanding his attention — the also excellent Solar Opposites — but his first stab at the genre shows no signs of waning. Rare is the show that proclaims that existence is meaningless with such gusto, while also celebrating life's small wins and moments. Wubba lubba dub dub indeed. The first two episodes of Rick and Morty's fifth season are available to stream via Netflix, with new episodes dropping weekly. LISEY'S STORY The list of Stephen King books that've made the leap to screens big or small is hefty. The number of those on-screen projects that the author has had a hand in himself is far smaller. That alone gives Lisey's Story an air of intrigue, with every episode of this eight-part adaptation of King's 2006 novel penned by him. As the series follows Lisey Landon, the widow of a famous author, King isn't actually the MVP, though. His presence is felt — which, depending on how much of a fan you are, isn't always a good thing — but this show has plenty of other talent to assist. Firstly, the always-great Julianne Moore (The Woman in the Window) plays the titular character. Secondly, exceptional Chilean filmmaker Pablo Larraín (Ema) directs the whole show. When Moore dives deep into a role, as she's clearly given the room to here in one of her rare TV parts, she makes the figures she's playing feel as if they could walk right off the screen and into reality. When Larraín lets audiences see the world through his eyes, every frame he creates is utterly magnetic, and yet also probes and ponders everything it is peering at at the same time. It's these two traits that make Lisey's Story a must-see, although a cast that also includes Clive Owen (back on TV screens after the astounding The Knick), Jennifer Jason Leigh (Possessor), Dane DeHaan (Valerian and the City of a Thousand Planets), Joan Allen (Room), Michael Pitt (The Last Days of American Crime) and Sung Kang (Fast and Furious 9) more than helps. The first five episodes of Lisey's Story are available to stream via Apple TV+, with new episodes dropping weekly. CLASSICS TO WATCH AND REWATCH PLANET TERROR + DEATH PROOF The year is 2007. Quentin Tarantino and Robert Rodriguez team up on two films that pay tribute to 70s exploitation flicks — and they make their movies, dubbed Grindhouse, as two parts of a double feature. That's not always how audiences have been able to watch Planet Terror and Death Proof, either then or since, but this pair of memorable flicks is well worth viewing back to back exactly as the directors intended. In the first instalment, Rodriguez serves up an OTT zombie film that revolves around a go-go dancer named Cherry Darling (Rose McGowan, The Sound). In the second chapter, QT gives the world one of his best movies ever, all thanks to the psychopathic Stuntman Mike (Kurt Russell, Fast and Furious 9) and the group of women (Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)'s Mary Elizabeth Winstead, Zombieland: Double Tap's Rosario Dawson and seasoned stunt performer Zoë Bell) he tries to stalk with his supposedly indestructible car. Both directors play with familiar stories, and with narrative conventions, but that's a big part of the point. Watching them each deliver the most lurid features of their careers (which, in From Dusk Till Dawn director Rodriguez's case, is saying something) is a delight. And from its perfect casting to its nervy mood and tense car scenes, Death Proof is a flat-out wonder. Planet Terror and Death Proof are available to stream via Stan.
Remember when going on holiday meant asking your travel agent for impartial advice on where to stay, play or party? And though you suspected that Gladys Hamby had never actually stayed in that beachfront cabana soaking up cosmopolitan Broadbeach and throwing back stiff Long Islands, she scored you a free daily continental breakfast so you booked it anyway? These days you’re more likely to do your own research when planning an escape, but even better than scanning through an acquaintance’s holiday snaps on Facebook is new social travel website Hooroo. Enticing pictures are accompanied by untold stories, inside tips and destination inspiration, all from real people who really want to share their travel adventures. Once you’ve decided where to go and what to do once you’re there you can choose from thousands of discounted accommodation options all over Australia, from Melbourne and the Gold Coast to Kangaroo Island and the Fleurieu Peninsula. Get your name on their list before the site goes live on July 18 and those deals will be even sweeter. Go here and start hoarding annual leave. Sponsored post
If Brisbane sounds a little quieter than normal between Thursday, June 1–Friday, June 30 you can thank (or blame) Dine BNE City. The noise you won't be hearing? The roar and grumble of hungry stomachs, with this food program returning for 2023 after successful runs in 2021 and 2022, and serving up everything from cheap lunches and bar specials to winter roasts and cocktails in igloos. When it first arrived two years ago, Dine BNE City sprang from an understandable idea: to get everyone out and about, and eating and drinking in particular, in this fair city of ours after a tough pandemic period. As a result, it's a choose-your-own-adventure kind of affair. You can treat yo'self to a special midday meal (and more than once), or decide that you'd rather hop between watering holes. It's all up to you, and there are plenty of options to choose from. From the Let's Do Lunch program within the broader program, options start at $19, which will get you pizza or pasta at Albert Lane's Vapiano. From there, highlights include three bao and a beer for $25 at Mr Bao, steak and chips at The Walnut Restaurant for $35, and a five-course seafood banquet at Tillerman for $65. Or, there's Luke Nguyen's Vietnamese chicken salad paired with two spring rolls for $25 at Fat Noodle; Patina's Moreton Bay bug, prawn risotto and wine combo for $39; a two-course Cantonese roasted lunch at Brisbane Phoenix Chinese Restaurant for $40; and an Amalfi-style four-dish spread at Guy Grossi's Settimo for $50. Fancy adding drinks and bites to your after-work routine? Dine BNE City's quittin'-time selection, aka Bar Safari, spans oysters and champagne at Rothwell's, buns and beers at Red Hook, skewers over a schooner (and a view from the rooftop) at Sixteen Antlers, and whiskey flights with wagyu at Bar 1603. Boom Boom Room has a bar sets for snacking, and everywhere from The Hibiscus Room to Frog's Hollow Saloon and Birrunga Gallery and Dining have a special on offer. For dinner, there's also a Supper Club lineup. That's where you'll find a three-martini dinner at The Inchcolm, a six-dish banquet at Donna Chang, and tacos and tequila at Comuna Cantina — and a Middle Eastern spread with wine at Babylon, Longtime doing yum cha for two and a range of Japanese set menus at Tena as well. In addition to all of the above excuses to drop into just about every bar and restaurant in Brisbane's inner city on any day you like, Dine BNE City also serves up special events. So, get ready to sip prestigious sparkling drops at Lennons Restaurant and Bar's Champagne Icons Series, stroll the streets for Urban Wine Walk's latest outing, and learn a thing or two at rosé blending workshops at City Winery's Edward Street Cellar Door. Or, you can hit up a fireside food and wine party at the Cathedral of St Stephen, enjoy live Italian opera as you eat at Massimo, and taste the results when Walter's Steakhouse and E'cco team up for a collaborative dinner. Top image: Naga Thai, Darcy Starr.
"What do we want?" "Time travel!" "When do we want it?" "It's irrelevant!” And so it is that the Terminator franchise rediscovers its sense of humour. As for everything else, well, the ground’s a little less resolute. Somewhat appropriately, Terminator: Genisys is either the fifth film in the franchise, or the third, depending on your perspective. James Cameron, who wrote and directed the first (and best) two, openly declared both Rise of the Machines and Salvation to be blips on the radar that are best ignored, meaning — at least in his view — Genisys now rounds out the unofficial trilogy (cue joke about a director from the future going back in time to terminate inferior sequels). Certainly, Genisys goes out of its way to fit solidly within the original movie's timeline, at least to begin with. In fact, it’s worth re-watching Terminator beforehand, if only to appreciate the lengths to which director Alan Taylor and his production team have gone in painstakingly recreating some of the film's signature moments (right down to casting a Bill Paxton lookalike for the then-unknown actor’s punk cameo). The reason for the cinematic fidelity quickly becomes apparent, too, when those well-known moments from the original are hugely turned on their head. It’s difficult to explain without revealing giant spoilers, but suffice it to say Sarah Connor (played with remarkable likeness to Linda Hamilton by Game of Thrones’ Emilia Clarke) no longer needs rescuing back in 1984 by Kyle Reese (Jai Courtney), and Arnie isn’t the first Terminator to be sent back there. Everything’s changed, and therein lies both the film’s strength and weakness. As a positive, switching everything up was a sensible and necessary move to breathe new life into a franchise already guilty of retelling the same story with merely cosmetic differences. John Connor (Jason Clarke) undergoes a dramatic amendment in Genisys, and Schwarzenegger’s T-800 (easily the film’s shining light) has noticeably aged, explaining “I’m old, not obsolete”. Going back to 1984, too, is a clever device because — at least for fans of the original — as soon as the first difference becomes apparent, it raises a lot of questions that help drive the story forward. The downside, however, is that making those changes requires some serious amendments to one of the more established and analysed lores in film history, and unless you’ve got rock solid explanations to back them up, gaping potholes quickly reveal themselves. In Genisys, some are answered via hastily mumbled lines about 'nexus points’ and parallel timelines, but the more critical ones — like how terminators ended up in the timeline long before 1984, who sent them there and why — remain unanswered. It’s a clear setup for a sequel, but mostly just lazy film-making, failing to tell the story it promises. When the credits roll on Genisys, you soon realise you’ve no idea what it was actually about. 2015 is proving itself the king of the reboot, with Jurassic World already destroying box office records, and new entries for Mission Impossible, James Bond and Star Wars all to follow. Terminator: Genisys will likely find itself somewhere towards the bottom of that list, mostly because — while it’s a lot of fun — it fails to ‘wow’ us like its predecessors. The terminators’ technology is largely the same, the action sequences are again mostly variations on a theme, and somehow the phenomenal special effects of 1991’s Judgment Day still remain more jaw-dropping than most things that have come since.
UPDATE, Friday, March 15, 2024: The Aqua with Special Guests tour has changed venues, dates and lineup. 2 Unlimited are now the only support act. The new dates and venues are: Thursday, March 21 — Metro City, Perth Saturday, March 23 — Hindley Street Theatre, Adelaide Sunday, March 24 — Eatons Hill Hotel, Brisbane Tuesday, March 26 — Enmore Theatre, Sydney Wednesday, March 27 — Margaret Court Arena, Melbourne For the past year, we've all been living in a Barbie world, with Greta Gerwig's Margot Robbie-starring Barbie film the biggest thing in pop culture over the past 12 months. What happens when you combine the planet's love for the pink-hued hit with the never-ending trend that is 90s nostalgia? Aqua touring Australia to bust out 'Barbie Girl' at a big throwback party, that's what. Life in plastic will be fantastic when the Danish-Norwegian band make their first trip Down Under since 2019. Back then, the group responsible for still having their best-known single stuck in your head, plus 'Doctor Jones' and 'Turn Back Time' as well, toured on a bill filled with other acts from the era. This time, they're doing the same thing. Joining Aqua in March 2024 in Brisbane, Melbourne, Sydney, Adelaide and Perth: Belgian-Dutch dance duo 2 Unlimited, British boy band East 17, R&B group Big Brovaz, and English dance acts Phats & Small, Booty Luv and Urban Cookie Collective. Hitting up stadiums, these gigs will be a house of love with no limits. Expect everything from Get Ready', 'Twilight Zone' and 'Alright' to 'Stay Another Day', 'Turn Around' and 'The Key the Secret' to get a whirl. Your latest excuse to keep celebrating all things Barbie-related — and to get a big blast from the past — comes after Aqua popped up on the movie's soundtrack with rapper Nicki Minaj and Ice Spice on the tune 'Barbie World'. Also heading to Australia in the first few months of 2024 to party like it's the 90s on separate tours, because nostalgia will never die: TLC and Blink-182. AQUA 2024 TOUR WITH SPECIAL GUESTS LINEUP: Aqua 2 Unlimited East 17 Phats & Small Big Brovaz Booty Luv Urban Cookie Collective AQUA 2024 TOUR WITH SPECIAL GUESTS DATES: Thursday, March 21 — Brisbane Entertainment Centre, Brisbane Friday, March 22 — John Cain Arena, Melbourne Sunday, March 24 — Qudos Bank Arena, Sydney Tuesday, March 26 — Adelaide Entertainment Centre, Adelaide Thursday, March 28 — RAC Arena, Perth Aqua is touring Australia in March 2024 with special guests 2 Unlimited, East 17, Phats & Small, Big Brovaz, Booty Luv, and Urban Cookie Collective — with ticket pre sales from 10am local time on Tuesday, January 23 and general sales from 10am local time on Thursday, January 25. Head to the tour website for more information
Little in cinema gets bigger than Godzilla, even if the iconic kaiju's size can change from movie to movie. Soon, little on streaming will be as giant as the famous creature, either, with new American series Monarch: Legacy of Monsters on its way. Slotting into the Monsterverse — aka the US franchise that also includes 2014's Godzilla, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong, with Godzilla x Kong: The New Empire joining in 2024 — Monarch: Legacy of Monsters arrives in November. If you're a fictional movie or TV character facing a towering critter, any amount of Godzilla is usually too much Godzilla. If you're a creature-feature fan, however, there's no such thing as too much Godzilla. Monarch: Legacy of Monsters not only expands its own saga, but comes just as Japanese film Godzilla Minus One is about to hit as well, although the latter doesn't yet have a Down Under release date. In Monarch: Legacy of Monsters, which stampedes onto Apple TV+ from Friday, November 17, the Monsterverse is going the episodic route via a story set across generations and 50 years. It's also expanding its kaiju story with help from Kurt Russell (Fast and Furious 9) — and Wyatt Russell (Under the Banner of Heaven), too. The IRL father-son pair play older and younger versions of the same figure, with army officer Lee Shaw drawn into the series by a couple of siblings attempting to keep up their dad's work after events between Godzilla and the Titans in San Francisco in the aforementioned 2014 film. Monarch: Legacy of Monsters also involves unpacking family links to clandestine outfit Monarch, events back in the 50s and how what Shaw knows threatens the organisation. So, there'll be monsters and rampages, and also secrets, lies, revelations and mysteries. Giving audiences two Russells in one series is dream casting, as both the just-dropped first teaser in September and the newly released full trailer now shows. Also appearing on-screen: Anna Sawai (Pachinko), Kiersey Clemons (The Flash), Ren Watabe (461 Days of Bento), Mari Yamamoto (also Pachinko), Anders Holm (Inventing Anna), Joe Tippett (The Morning Show), Elisa Lasowski (Hill of Vision) and John Goodman (The Righteous Gemstones). Behind the scenes, Chris Black (Severance) and Matt Fraction (Da Vinci's Demons) have co-developed Monarch: Legacy of Monsters, while Matt Shakman (The Consultant, Welcome to Chippendales) helms the opening pair of episodes — and all three are among the series' executive producers. Check out the full trailer for Monarch: Legacy of Monsters below: Monarch: Legacy of Monsters streams via Apple TV+ from Friday, November 17, 2023.
Acting may be in Gracie Otto's blood, but it looks like the younger of the Sydney thesp dynasty is set to make her real mark behind the lens. The 27-year-old's debut feature film is a documentary, and a rollicking one at that, titled The Last Impresario. Charting the cultural impact of pioneering producer Michael White — "the most famous person you've never heard of" — it includes interviews with Kate Moss, Anna Wintour, Yoko Ono, John Waters and Barry Humphries, all anchored by Otto's good-natured but persistent probing of Michael's memories. The movie had its Australian premiere at the Sydney Film Festival, an event that means a lot to Otto. "For me, every year Sydney winter begins with the excitement of the Sydney Film Festival," she told us. "I am so proud that my film about the legendary Michael White was screened to so many of his friends and my supporters at this iconic festival. I hope audiences love the film as much as I loved making it — Michael's amazing legacy needs to be shared." But it's not just the SFF Otto looks forward to in winter; this is also the time for huddling in art galleries, loosening the belt over an Italian meal, heading mountainside, and appreciating the sudden Melbourneness of it all. To take advantage of these and even more great Sydney winter experiences, go to lastminute.com.au and line up your fun-filled days and even cooler nights. Read more winter in Sydney tips from Vivid Ideas director Jess Scully here. Follow the White Rabbit I love to see exhibitions at the MCA and Art Gallery of NSW there always seems a lot to be going on around this time of year. It's a great time to be inside and be artistically inspired when it's cold outside. I also like to go to The White Rabbit Gallery in Chippendale — they have an incredible collection of contemporary Chinese art. Hit the Laneway Bars In summer I head for open bars and restaurants at the beachside suburbs. In winter I love to experience the many small cocktail bars and wine bars that we have hidden down alleyways and backstreets in the lanes and suburbs of Sydney. It’s the only time Sydney really feels like Melbourne. Enjoy some rich Italian Winter is a great time to indulge my love of eating! Nobody worries about how much food and how many courses they eat when the weather is cold. It’s all about comfort food — steaming hot soups, rich pastas, Sunday baked dinners at home with extra helpings of roast potatoes, desserts! I love Fratelli and Bar Italia when eating out. Retreat to the Mountains It always nice to have a weekend get away and I find the Blue Mountains is a great place to find accommodation. It's close enough that it's not a big trip from Sydney but you feel like you are away and can sit by the fire! Bunker down at the Picture Palace I can never see enough movies so as soon as the Sydney Film Festival is over I head off to the Palace Cinemas in Norton Street and the Chauvel in Paddington and catch up on all the new releases I have missed over the Festival period. The Last Impresario is opening at both these cinemas on 26 June so I am really hoping to run into a lot of people going to see the film! Experience winter in Sydney with lastminute.com.au.
With hard-hitting dramas, imaginative comedies and a retrospective tribute to one of the all-time greats, the latest edition of the Alliance Francaise French Film Festival doesn't disappoint. Lighting up the screen from March 2-24 in Brisbane, the 2016 program features a diverse mix of titles showcasing the very best the French film industry has to offer. Cannes winners are set to be a highlight, with Rust and Bone director Jacques Audiard tackling the issue of asylum seekers in his new offering Dheepan, and Philippe Garrel's masterful romantic drama In the Shadow of Women. Legendary French filmmaker Michel Gondry's new film Microbe & Gasoline will also feature in the festival — which will be closed by Jean Luc-Godard's 1963 film Contempt.
This week is host to a number of promiscuous events. So, in the spirit of all things sexual, the Ghostboy with Golden Virtues show should also make it onto your to do list for this week. The Berlin style rock 'n' roll cabaret group have been (dis) gracing stages across the country at the likes of Melbourne Fringe Festival and Bohemian Ball. But as Ghostboy with Golden Virtues strut their critically acclaimed stuff back to the Judy this week they bring with them an all-new hybrid rock cabaret extravaganza. Infamous for their explosive live shows, the band really sets the bar high for live entertainment. And just in case there wasn't enough enjoyment for the evening GWGV will be supported by Avaberee and the cocktail-pop-circus that is Emma Dean. Boo ya! Don't get your knickers in a twist over this exciting event. Just get ya' but down to the Judy this Friday.
It's blast from the past time — again — thanks to Australia and New Zealand's annual dose of R&B and hip hop nostalgia. Fridayz Live previously went by RNB Fridays, but still serves up the same focus on old-school favourites no matter its moniker. On 2023's bill: Jason Derulo, Boyz II Men, Kelly Rowland and Flo Rida. 'Whatcha Say', 'End of the Road', 'Low', Destiny's Child songs — they'll all get a whirl on this tour, which does the rounds in November. Hitting up arenas at every stop, it'll kick off in Melbourne, before heading to Perth, Adelaide and Auckland. Then it's Brisbane's and Sydney's turn to finish off the run. As well Derulo and his 20 platinum singles, 90s boy band favourites Boyz II Men, Beyoncé and Michelle Williams' former colleague, and one of the biggest fans of collaborations in the business, 2023's Fridayz Live will also feature Jojo, 112, Baby Bash, Travie McCoy and Havana Brown. Making a massive event even bigger, Naughty by Nature's Vin Rock & DJ Kay Gee are on the bill, too, celebrating 50 years of hip hop with a countdown. Just like last year, Yo! Mafia will be on DJ duties, while Abbie Chatfield and Fatman Scoop are both playing host. And yes, it's a glorious time to see huge music names Down Under at the moment, with Fridayz Live's roster of talent joining tours by everyone from Kraftwerk, Devo and Paul McCartney to Sparks, Ms Lauryn Hill and Christina Aguilera, plus Chaka Khan, Fall Out Boy and more, getting retro across a whole heap of genres. [caption id="attachment_915622" align="alignnone" width="1920"] Photo by Slaven Vlasic/Getty Images[/caption] RNB FRIDAYS AND FLAVA PRESENTS FRIDAYZ LIVE 2023 LINEUP: Jason Derulo Boyz II Men Flo Rida Kelly Rowland Jojo 112 Baby Bash Travie McCoy Havana Brown 50 Years of Hip Hop Countdown: Vin Rock & DJ Kay Gee of Naughty by Nature Resident DJ Yo! Mafia Hosted by Abbie Chatfield and Fatman Scoop RNB FRIDAYS AND FLAVA PRESENTS FRIDAYZ LIVE 2023 DATES: Friday, November 10 — Rod Laver Arena, Melbourne Saturday, November 11 — HBF Park, Perth Sunday, November 12 — AEC Arena, Adelaide Thursday, November 16 — Spark Arena, Auckland Friday, November 17 — Brisbane Showgrounds, Brisbane Saturday, November 18 — GIANTS Stadium, Sydney RNB Fridays and Flava presents Fridayz Live will tour Australia and New Zealand in November 2023. Pre sales start on Tuesday, September 5, with general sales from Tuesday, September 12 at staggered times. For more information, head to the tour website. Jason Derulo image: Peter O'Dowd.
Humans aren't the only creatures feeling isolated in the time of COVID-19. At the Sumida Aquarium in Tokyo, spotted garden eels are too. And, like anyone trying to stave off loneliness, they're turning to video chats to stay connected to the world — with help from the venue's staff and, if you're keen, from you as well. From Sunday, May 3–Tuesday, May 5, the currently temporarily closed Japanese tourist attraction is encouraging lovers of marine life to make a video call to the site. Once connected, you'll be able to wave and talk to the tank of eels — more than 300 of them. It's all part of a 'face-showing festival', timed to coincide with Japan's Golden Week. Usually, it's a period of celebration, vacationing and travel, but with the country battling the coronavirus, the focus of this year's festivities is staying home. If you're wondering why eels might need to see humans waving at them via video chats — or why the aquarium has arranged the event, to be exact — it's all about health and wellbeing. Normally, the long, slender fish poke their heads out of the sand in their tank, saying hello to human visitors; however with the site out of action due to the coronavirus, and only the venue's staff in attendance, the aquatic creatures are becoming more than a little sensitive, wary and shy. Sumida Aquarium's garden eels inhabit one long tank, with attendees generally spying many, many thin bodies popping out of the sand. In person, it's quite the sight to behold. At present, though, the eels are burrowing instead — which makes it hard for staff to check on them to make sure they're okay. https://www.facebook.com/Sumida.aquarium.official/videos/3333965059986958/ The aquarium is also eager to ensure that the eels don't forget what it's like to be surrounded by humans, so they don't continue their reluctant ways once the venue re-opens. Although it has been shut since March 1, the Sumida Aquarium is typically rather busy, which isn't surprising given its location: beneath Tokyo Skytree, the towering 634-metre tower that's the second-tallest structure in the world. If you're eager to chat, you'll need to do so via iPhone or iPad — i.e. via FaceTime — with five email address set up so callers can connect. The aquarium is taking calls from 11am–3pm AEST (10am–2pm in Japan) across each of the three days, and asks participants to limit their calls to five minutes each. For further details about Sumida Aquarium's 'face-showing festival', which runs from 11am–3pm AEST (10am–2pm in Japan) between Sunday, May 3–Tuesday, May 5, visit the aquarium's website. Top image: Haya_BS via Flickr.
Julika Rudelius is a German video and performance artist. Her work explores themes of “emotional dependency, politics, abuse, and power”. Her latest series is a detailed look at high society, fashion victims, political-minded individuals and sex-crazed youths in an exposition of matierialism, self-worth and identity. IMA is screening her latest piece, which is displayed in a double-screen video projection of several women being interviewed by Julika herself on the topic of aging, privilege and plastic surgery. This is reportedly a gripping look at the inner anxieties and fears of western society’s elite, something not to be missed.
For some reason Sydneysiders have a tendency to rag on each other's hostility and unfriendliness. This probably has something to do with the city's day-to-day shortcomings — i.e. rage-inducing traffic, waiting for a bus that never comes, having to pay $5 for a soy latte etc. — that could make even Kimmy Schmidt a cranky human for a morning. It also might have something to do with Melburnians spreading the rumour Sydneysiders are jerks in the long-standing Melbourne-Sydney rivalry (which, by the way, is propagated almost exclusively by you, Melbourne). But evidently we all need to take a step back and reassess because it seems visitors to our fair country have quite a different view on things — they've just ranked Sydney as the second friendliest city in the world in the 2016 Condé Nast Traveler Readers' Choice Awards survey. Around 128,000 readers of the international publication voted in this year's survey, and the category for the friendliest and unfriendliest cities in the world was rated against criteria such as how welcome a traveller felt, how helpful its locals were and how easy it was to get around. Sydney topped the list last year, but in 2016 still came in a very respectable second to the US city of Charleston in South Carolina. No other Australian cities got a look in, but Wellington, Auckland and Queenstown all got a place in the top 20. Half the list is made up of U.S. cities, which isn't surprising considering CNT's audience. On the other hand, the unfriendliest cities in the world were named as New Jersey's Newark, Tijuana in Mexico and the Californian city of Oakland, with readers citing that they felt unsafe, overcrowded or — in the case of Newark — just sad. Naw. But here's the places you want to go for the warm smiles and welcoming gestures. CONDÉ NAST TRAVELER READERS' CHOICE AWARDS FRIENDLIEST CITIES IN THE WORLD 2016 1. Charleston, South Carolina, U.S. 2. Sydney, Australia 3. Dublin, Ireland 4. Queenstown, New Zealand 5. Park City, Utah, U.S. 6. Galway, Ireland 7. Savannah, Georgia, U.S. 8. Krakow, Poland 9. Bruges, Belgium 10. Nashville, Tennessee, U.S. 11. Edinburgh, Scotland 12. Austin, Texas, U.S. 13. Santa Fe, New Mexico, U.S. 14. Asheville, North Carolina, U.S. 15. Auckland, New Zealand 16. Reykjavik, Iceland 17. Wellington, New Zealand 18. Jackson, Wyoming, U.S. 19. New Orleans, Louisiana, U.S. 20. Burlington, Vermont, U.S. Image: Frances Gunn.
This piece of tour news will get you smiling like you mean it: The Killers are returning Down Under before 2024 is out, announcing their latest stint on Australia's stages. The Las Vegas-born rockers were last here in November and December 2022 — including playing intimate midnight shows — and will head back across the same months this year to get local crowds singing 'Mr Brightside' and 'Somebody Told Me' again. Hot Fuss, the album that gave the world those two beloved tracks — and 'Smile Like You Mean It', 'Jenny Was a Friend of Mine', 'All These Things That I've Done' and more — is the reason for the tour. 2024 marks 20 years since it first released, so Brandon Flowers and company are celebrating. More than that, they're playing two types of gigs on their Aussie trip. Most will be Rebel Diamonds shows, pumping through the group's hits across their entire career. In Sydney and Melbourne, however, The Killers are doing an extra night to work through Hot Fuss in its entirety. [caption id="attachment_972411" align="alignnone" width="1920"] © 2022 Chris Phelps[/caption] Open up your eager eyes, Australia: destiny is calling you to those two concerts apiece in the New South Wales and Victorian capitals, at Qudos Bank Arena and Rod Laver Arena, as well as to single shows at Brisbane Entertainment Centre in the Sunshine State capital and Queensland Country Bank Stadium in Townsville. Sadly, the November/December timing means that The Killers won't be repeating their AFL Grand Final berth after stealing the show back in 2017. They will be in the country for the AFLW Grand Final, however, if you want to start crossing your fingers. Given the band's lengthy back catalogue, The Killers won't just be focusing on Hot Fuss tunes at both kinds of shows on their tour, but have plenty more songs to bust out. Also likely to get a whirl as well: 'When You Were Young', 'Bones', 'Human', 'The Man' and latest single 'Bright Lights', just to name a few. The Hot Fuss gigs have been receiving a workout in the group's hometown of late, where they played a soldout residency at Caesar's Palace from mid-August till early September. The Killers 2024 Australian Tour Dates: Saturday, November 30 — Rebel Diamonds — Queensland Country Bank Stadium, Townsville Friday, December 6 — Rebel Diamonds — Qudos Bank Arena, Sydney Saturday, December 7 — Hot Fuss — Qudos Bank Arena, Sydney Monday, December 9 — Rebel Diamonds — Brisbane Entertainment Centre, Brisbane Thursday, December 12 — Rebel Diamonds — Rod Laver Arena, Melbourne Friday, December 13 – Hot Fuss — Rod Laver Arena, Melbourne [caption id="attachment_831494" align="alignnone" width="1920"] Raph_PH via Wikimedia Commons[/caption] The Killers are touring Australia in November and December 2024. Pre-sale tickets go on sale at 3pm local time on Tuesday, September 10, with general tickets on sale from 4pm local time on Monday, September 12. For further details, head to the tour website. Top image: Raph_PH via Flickr.
These days, most Sydneysiders head to the Hunter or the Southern Highlands when they're looking for a local wine. However, back in the 19th century, it wasn't necessary to go so far. Vineyards flourished all over Sydney itself — from Macquarie Street, where Australia's first grape vines were planted 230 years ago, to Parramatta to Narrabeen. You pretty much couldn't travel in any direction without feeling tempted to stop for a glass or two. For the most part, these historical vineyards were paved over at one time or another, to make way for housing, roads and car parks. Now, though, Cracka Wines wants to bring grapes back to the city. How? By getting residents to grow them on their porches, windowsills and in their backyards. And, to encourage everyone to get started, they're giving away vines of the Pinot Noir and Riesling varieties, because they're the ones that grow best in Sydney's temperate climate. This ambitious, citywide initiative is called the Urban Vineyard Project. Once the vines are growing, participants will be invited to upload them to an online map, which lets them see where other vintners are busy at work. While they're at it, they can access some helpful instructions for cultivating and harvesting grapes, and, of course, making good wine. "On average, Aussies drink around 530 million litres of wine each year!" says Dean Taylor, founder and CEO of Cracka Wines. "We want to educate them further on the wine making process and bring everyone together over a shared love of wine." For more information, visit the Urban Vineyard Project website
If you were one of the many (46,000 to be exact) people on the waiting list for London's pop-up nude restaurant The Bunyadi earlier this year, then you'll be stoked with the news that Spain is set to open its own nude restaurant — only this one will be permanent. Yep, there'll be nude meals all year-round at Innato Tenerife, which will be located on the largest of the Canary Islands, Tenerife. According to The Local, the restaurateur behind the concept Tony de Leonardis was inspired by the London pop-up and will have a similar no clothes, no phones policy. Unfortunately that doesn't mean no wallets though — you'll have to pay a hefty price of €70 for the privilege, which includes an all-inclusive buffet. Perhaps most interesting is the table situation — the waitstaff won't just bring your food, they'll stick around so you can eat it off them too. Yum? Apparently they will be wearing loin cloths and vine leaves though. For modesty. Apart from that weird feature, the setting sounds rather nice. Innato will be located in candle-lit private gardens in the town of San Isidro, with room for 44 to dine among fruit trees. Sounds very Garden of Eden. It will open on January 20 next year — here's the Facebook event if perchance you're naked and in town. Via The Local.
It's been a busy couple of months of stargazing, with both the Lyrid and Eta Aquarids Meteor Showers lighting up our skies. Tonight, Thursday, May 7, there's another reason to look up, too: a supermoon. The last in a series of four supermoons in 2020, according to NASA, this one is called a flower moon. If you're more familiar with The Mighty Boosh's take on the moon than actual lunar terms, here's what you need to know: a supermoon is a new moon or full moon that occurs when the moon reaches the closest point to Earth in its elliptical orbit. They're not uncommon; three have taken place since February. But, now, it feels especially nice to have something luminous to look out (outside of our apartments). The flower moon is named after the flowers that are usually abundant this time of year in the US, where it's currently spring. Closer to home, this supermoon corresponds with Vesak, a Buddhist holiday marking the birth, enlightenment and passing of Buddha. https://www.facebook.com/NASA/photos/a.67899501771/10158205507416772/?type=3&theater If you're keen to see it, you'll want to catch the full moon when it's most illuminated, which happens when it's opposite the sun (a term called syzygy). According to timeanddate.com, this will happen at 8.45pm AEST and 10.45pm NZST. Have your cameras at the ready, obviously — and see if you can outdo the last big batch of supermoon snaps. Usually, when a supermoon lights up the sky, we'd advise city-dwellers to get as far away from light pollution as possible to get the best view. That's not possible given the current COVID-19 restrictions in place, so you'd best take a gander from your backyard or balcony. If you can't get a clear view, The Virtual Telescope Project will be live streaming the flower moon from 4.30am AEST (6.30am NZST) here. Image: NASA/Joel Kowsky
Supported and run by UnitingCare Community, the Lifeline Bookfest helps raise funds for the Lifeline 24-hour Crisis Line and several other bereavement and crisis support groups throughout Queensland. The Bookfest is always an enjoyable event for attendees looking to find quality bargains on books and other selected materials. This year is bound to be bigger than ever, with extensive collections of books in categories such as Children’s books, Science Fiction, Art and Music, Travel, Health and many, many more. The Bookfest will be divided into three sections - High Quality, which will include near new and rare stock; Priced, which will feature a huge range of quality books; and Unpriced, where some of the best bargains can be found. The event will be running until the end of January at the Brisbane Convention and Exhibition Centre. Make sure you get there early to get your hands on some great books!
When you're sitting in a wine bar, sipping a glass of whatever vino takes your fancy and chatting to your mates or date over snacks, time seems to move more slowly, and welcomely so. But if you're the City Winery crew, the same doesn't apply to setting up wine-drinking joints. After turning Carl's Bar and Bistro's old Newstead digs into new neighbourhood bar and bottle shop Ardo's earlier in 2023, the team is already expanding, with a second outpost on its way to Graceville. Before May is out, Honour Avenue should be home to Ardo's next location. The new site will stick with the same concept, just on the other side of town. Accordingly, vino fans in Brisbane's west won't have to trek through the city to peruse the plonk-slinging chain's curated range of vino, or to get drinking onsite over pintxos, cheese and charcuterie. "We couldn't be more excited to continue to bring Ardo's to more people in Brisbane after the reception our first location in Newstead received. We always wanted to build small hubs and communities of wine lovers throughout the city, and Graceville should be the perfect setting to grow new friends and fans of Ardo's," says General Manager Doug Gilmour. "Guests can expect a wonderfully curated selection of local and international wines, our delicious small bar bites and our takeaway wine tap. In addition, we'll be launching our functions and events offering, as well as educational masterclasses in food-and-wine pairing." Like its sibling spot, Ardo's Graceville will welcome patrons in for a glass and a bite, and also let folks pick up their favourite tipples — or a new discovery — to take away. Again, offering a selection that you wouldn't just find at any bottle-o is a big source of pride, with Ardo's staff on-hand to chat you through its drops, help you make a pick and impart their expert knowledge. Here, customers can enjoy wines by the glass and the bottle. The lineup will rotate, but everything you see on the shelf will be able to be drunk on the premises or taken away. As you're getting cosy, you'll also be surrounded by vino all across the walls, plus a wine tap that looks like an altar. And, you'll be tucking into seasonal snacks to be washed down with a glass or several. In Newstead, that includes baby beet and goat's cheese tartlets, blue cheese mousse with baby fig on sourdough, smoked salmon mousse with crispy capers and salmon skin on brioche, and both mini lemon meringue and Mississippi mud pies. As for where Ardo's might settle in next, watch this space — likely soon, if the chain of vino hangouts keeps up its current expansion pace. Find Ardo's Wine Bar at 335 Honour Avenue, Graceville, from sometime mid-May — we'll update you with an exact opening date when one is confirmed. Keep an eye on the venue's website for more details.
It's likely safe to say that no one IRL has met their significant other via the unique combination of a flashed nipple, a dog on the street, then strangers coming together not only to ensure that an injured pooch gets the medical treatment that it needs, but to care for the cute pup together from that instant forwards. It's the type of situation that screenwriters conjure up. In this case, writers and actors Harriet Dyer and Patrick Brammall have done just that. But one of the charms of Colin From Accounts from its first scenes back when its initial season arrived at the end of 2022 is the fact that it takes an only-on-TV (or in the movies) kind of meet-cute and makes everything about it, and also all that's followed between its protagonists, feel authentic. The charisma between Dyer and Brammall was always going to radiate a genuine vibe. They're married. They're also no strangers to working together on an Aussie comedy series where sparks fly between their characters. The now-American Auto and Evil stars, respectively, also teamed up on the two homegrown seasons of No Activity across 2015–16 (they each appeared in the show's US remake as well, which ran for four seasons across 2017–21, and preceded both versions of the show with A Moody Christmas and Ruben Guthrie). To watch, even playing folks who wouldn't have any awareness of each other if it wasn't for an impossible-to-predict series of events as in Colin From Accounts, their shared presence couldn't be more comfortable. [caption id="attachment_881020" align="alignnone" width="1920"] Lisa Tomasetti[/caption] There's an ease to Colin From Accounts that spans far beyond its on- and off-screen driving forces, though, and a relatability. Even the sequence that gets Ashley and Gordon, aka Dyer's medical student and Brammall's microbrewery owner, crossing paths unfurls with a sense that each step along the way isn't out of the question. In fact, it all begins as everyone watching has experienced themselves: with two people not knowing what to do when they literally cross each other's path in the street. Kicking off as you mean to go on — with amusing and insightful comedy that manages not to seem too far from reality when it's at its most heightened, with a new couple and their adorable pet, and with a winning sense of humour — is firmly Dyer and Brammall's approach with Colin From Accounts.facc Accordingly, it's been no wonder that the Binge series has proved a viewer favourite at home and overseas, and earned renewal for a second season. It wasn't a surprise, either, when it started collecting a swag of awards — AACTAs and Logies in Australia, also gongs from the nation's writers' and casting guilds, plus the Breakthrough Comedy Series accolade alongside the Outstanding Performance in a Comedy Series prize for Dyer at the first-ever Gotham TV Awards in the US. Speaking with Concrete Playground about season two, which is streaming for Aussie audiences via Binge, Dyer and Brammall give the series the sheen of a miracle, however, thanks to sharing a simple fact: that Colin From Accounts began as a fun thing for the pair to write for themselves, including to act in, but without thinking that anything more would come of it. [caption id="attachment_881024" align="alignnone" width="1920"] Tony Mott[/caption] For most, that'll be the least-relatable thing about the hit series: that something this delightful can spring from merely "bouncing an idea around", as Brammall describes it, without having confidence that it'd find its way to the screen. With the pair's resumes — Dyer's also includes Down Under, Killing Ground, Love Child, The Other Guy, The Invisible Man and Wakefield, while Brammall's sports Home and Away, Griff the Invisible, The Moodys, Offspring, Upper Middle Bogan, Glitch, Overlord and Lodge 49, to name just a few other credits for both — the least-believable aspect might be that there was ever any question that the project would, could and should make it to fruition. Season two of Colin From Accounts doesn't dare feel like an easy repeat of the first. Ashley and Gordon are past the will-they-won't-they stage, but now they have the next question to ponder: should've they? The season picks up with them still regretting giving Colin away, so much so that they're desperate to get him back to the point of popping up in the park where he's playing with his new owners, becoming a big part of Colin's new humans' lives — much to the latter's chagrin — and doing whatever it takes to bring their dog back home. But that's just the opening storyline, and something to distract a no-longer-new duo from whether they really are right for each other. From there, the season digs into their romantic histories, approaches to self-pleasure and miscommunication, then what happens when meeting the parents doesn't quite gel and how they might want different things for the future. In addition to the show's original idea and sliding-door moment, we also chatted with Dyer and Brammall about their starting point for the second season, plans for Ashley and Gordon across the series' latest eight instalments, and veering down a new route in its fifth episode. If you've ever wondered how difficult it is to come up with a name that'll work for both a dog and a TV show, we plunged into that as well, then explored the naturalism of Colin From Accounts' dialogue — another factor that makes it feel so authentic — including both when it's scripted and improvised. [caption id="attachment_881023" align="alignnone" width="1920"] Tony Mott[/caption] On the Original Idea for Colin From Accounts Springing From a Nipple Flash, a Dog and Strangers Committing to Take Care of a Cute Injured Pooch Together Harriet: "We just made it up." Patrick: "We were just bouncing an idea around, really. I mean, we didn't think it would get made. It was just like 'hey, this would be fun to write something for us to act in because we're actors'." Harriet: "We wanted two people that only had chemistry. They didn't know each other, they didn't have ..." Patrick: "Anything in common." [caption id="attachment_881021" align="alignnone" width="1920"] Lisa Tomasetti[/caption] Harriet: "They were not expecting to see each other beyond that moment. It could have been a sliding-door situation where the postman didn't let the dog out, and she just flashes her nipple and he keeps driving and goes 'who was that woman?', and tells his friends at work and that's it." Patrick: "Yeah, that's right." Harriet: "But because the man didn't close the gate properly, then you've got a dog. And that's the kind of magical bit." [caption id="attachment_881022" align="alignnone" width="1920"] Lisa Tomasetti[/caption] On the Deliberation That Went Giving a Dog That Name That Also Doubled as the Moniker for a TV Series Harriet: "It's interesting. I never actually loved the name Colin From Accounts as a TV show. I didn't know what else to call it, but I thought it sounded a bit broad, but it's working. It's worked. I can't note it now." Patrick: "Are you kidding? I loved it always." Harriet: "You did." Patrick: "Yes." Harriet: "Yes." Patrick: "We did talk — Binge at one point were like 'hey, do we love the title? Do we think it should be something else?'. And we had a think and the best we could come up with was Dog with Wheels." [caption id="attachment_952631" align="alignnone" width="1920"] Lisa Tomasetti[/caption] Harriet: "Dog with Wheels is a different kind of broad." Patrick: "Yeah, yeah. No, not good." Harriet: "It's neither better nor worse, though." Patrick: "Colin From Accounts, I love it cause it's a good misdirect." Harriet: "People think it's about Patty." [caption id="attachment_964082" align="alignnone" width="1917"] Joel Pratley[/caption] Patrick: "Yeah, and that my name's Colin. But it comes from real life because we, a few years ago, fostered a dog for a short time, and he had a name we didn't like. It was Minshu. Like, well done, but we just didn't he looked like a Minshu. And so we literally that conversation we have in episode one season one, pretty much verbatim ..." Harriet: "Airlifted, yeah." Patrick: "... a conversation that we had in life. 'What does he look like? He looks like a Colin. He looks like Colin from accounts'. And we did that, and it amused us to call a dog Colin From Accounts. And so because these two characters, they meet on the same frequency. That's what turns each other on about the other. So that made sense to make that the name of the show, because that's a weird thing when they meet." [caption id="attachment_952629" align="alignnone" width="1920"] Lisa Tomasetti[/caption] On the Starting Point for Season Two as Writers, and Diving Further Into Ashley and Gordon's Lives and Relationship Harriet: "We knew that we had to get the dog back, otherwise no one would forgive us. But we knew that it couldn't be that simple —we had to give them obstacles. They couldn't just be like 'oh, here you go'. And so it did feel a little hijinks-y trying to give them — they try, it's blocked, they try, it's blocked, but ultimately, they got him. We just had to get him back. And then once we solved that — we wanted to solve that nicely by the end of the first episode, because we didn't want to spend a lot of time on what felt pretty obvious — but then it was like 'okay, so we got him'. We also talked about do we work without him? We opened the curtain of that, and then we got him back. So that kind of curtain is still a little open, because well, now we've got him, but should we still stay together?" [caption id="attachment_964083" align="alignnone" width="1917"] Joel Pratley[/caption] Patrick: "That's right, because just before that moment happens in episode one, Gordon's like 'you know, let's just see what we're like without him, just us'." Harriet: "And then: knock, knock, knock." Patrick: "And then: knock, knock, knock — and things take over. But really, what we knew we wanted to explore in this season was the baggage that people bring to a relationship. And it's a little bit more Gordon's baggage because he's been a single pants man for so many years. He's in his 40s, and he's just never had a long, meaningful relationship." Harriet: "And he's less front-footed about his stuff. I think Ashley wears her heart and all her BS on her sleeve, whereas he's kind of tucking it away into weird corners. And trying to present this clean guy. And then she finds that box of beers and is like 'what? Just be open about whatever you are'." [caption id="attachment_952630" align="alignnone" width="1920"] Lisa Tomasetti[/caption] Patrick: "That's right. So we knew we wanted to open doors in each of them. Now that they're together, what does that mean? So that's what we did. And then we just thought about what do we want the other characters to do?. And we thought of some setpieces in episode four — at the start of episode four, there's a funny kind of moment in our new relationship, which we thought was funny, a bit sexy, and also a bit cringy and real. And we thought that's not only funny, it could be a great conversation-starter for people in relationships to talk about their sexuality." Harriet: "And what their sexuality means to them, and what does it look like when they're by themselves, and habits and all that kind of stuff." [caption id="attachment_964084" align="alignnone" width="1917"] Joel Pratley[/caption] Patrick: "And in episode five, we changed the format of the show a little bit, just to play with something, a particular idea. And the idea we had for that is something that happens to Ashley, and that dictated the form of that show. It's quite different to the other episodes." Harriet: "Yeah, five is a bit different." Patrick: "And then we wanted to meet Gordon's family. And so these things kind of presented themselves, and we placed them around the season where we felt it was appropriate for them to come up." Harriet: "Yep." Patrick: "And then before you know it, you've got a season, you've got eight shows." On Ensuring That the Show's Dialogue Sounds Authentic — Both as Writers and as Actors Harriet: "Because we wrote it, we have a healthy disrespect for it. Learning lines is very easy when you or he wrote it. And also, it's funny, our script supervisor, they're the ones that come over and go 'it's actually and not but' — and we had to pretty quickly go 'we're probably not going to say what we wrote'. But sometimes we have to because we're hitting points. And also sometimes the joke is written so well that you do have to learn exactly the rhythm of it." Patrick: "Yeah." Harriet: "But there's definitely moments that ad-lib happened, and we just always left space for that. And our director Trent O'Donnell [who also directed No Activity] was so good at that. He'd give you a bit to riff on — like that whole bit with the unicycle that was so kind of iconic in season one, 'was this yours? How long have you been single?', that was a bit that he just called out from behind the camera because the props and art department put a unicycle there. That wasn't in the script, but then it ended up in the trailer. So the show is just the sum of its parts like that. Because Patty said ' hey, I want Gordy's house to be filled with half-completed hobbies'. So they had there like herbs, a punching bag ..." Patrick: "A drum kit." Harriet: "Drums, the unicycle. And it was just like this man has so many hobbies and he's not seeing any of them through." Patrick: "That's right, because it speaks to character." [caption id="attachment_964086" align="alignnone" width="1917"] Lisa Tomesetti[/caption] Harriet: "And so that realism that you're talking about, every department delivers on that, and then we just play with all the world." Patrick: "And we always, we're never too strict about the script. As Harry just said, we leave about ten percent for play, because you might find some magic there." Harriet: "And if you've got time, we go 'let's do a fun run', and that's all the characters. Just say your favourite bits of the script, but if there's something else that's popping into your head, say that." Patrick: "Or if the line isn't working for an actor, we'll just go 'don't worry about that. What do you want to say instead?'." Harriet: "But sometimes if the pitch doesn't feel right — especially some day players, they'll have an idea of what Colin From Account is, and so they'll pitch a joke that's just not it. And we'll be like 'oh my god, it's so good, but not that'. But also 'have a go, let's do that, and then we'll just do one as a script because we need it for the big guys upstairs, they're asking for it'." Patrick: "But equally, some people are great at improvising in that way. But the thing to make it feel like 'oh, this does not feel like this is the scripted bit and this is the improvised bit'. It's all got to feel real." Harriet: "Yes, yes." Patrick: "And when we're writing, that's very much one of our primary things is to make it feel like something that humans would actually say, rather than a bit of exposition." Harriet: "That's right. So some of the stuff that is definitely scripted feels improv because it's just a bit throwaway — it's not overly worked." Colin From Accounts streams via Binge, with both season one and season two available now. Read our reviews of season one and season two. Top image: Joel Pratley.
Spring Sundays were made for sipping whichever tipple takes your fancy — and as much of it as takes your fancy — over a mid-morning meal. Here's an option we recommend: rosé. 'Tis the season to drink pink while soaking in Brisbane's sunny vibes. 'Tis an ace way to start off the last day of the weekend as well. Billykart West End's Bottomless Rosé Brunch definitely has all of the above in mind — and on the menu — on Sunday, October 30. Yes, that means that you can help end the month with non-stop rosé, with two hours of vino and cocktails costing $85. The drinks part of the event is unlimited; however, the food isn't. Your culinary options will likely include corn fritters with tomato, basil, chilli and guacamole; cheese soufflé with bacon or cured ocean trout, poached eggs and herb hollandaise; and house-made crumpets with honeycomb butter . This rosé-fuelled event is part of Fish Lane's Rosé Revolution for 2022 — which means that there's more rosé-sipping fun across the South Brisbane precinct to enjoy throughout October.
Violent Femmes enamoured audiences in 1992 when they first visited Australia with Nirvana as their support act. They proficiently conducted a Falls Festival sea of fans to sing along to 'Auld Lang Syne' to welcome the new millennium and wrapped up a not-so-brief tour of the country in early 2007. Now, for the very first time, the legendary Violent Femmes will grace the Sydney Opera House at the end of this year. It's been over 30 years since the American trio released their debut self-titled album that sold nine million copies and impressed them into 1980s (and now) music history. The soundtrack to burger-eating and highway cruising, Violent Femmes has most certainly stood the test of time and will see the indie-rock professors perform as part of Music at the House, the program reinvigorating contemporary music at the Sydney Opera House. Founding members Gordon Gano and Brian Ritchie, with new drummer Brian Viglione will be performing the 1983 album that started it all in its entirety, as well as tracks from their impressive follow-up Hallowed Ground. Further Australian tour dates are yet to be released and such a late December diary entry does leave Falls Festival doors open. In any case, we've got 'Blister In The Sun' on repeat and are waiting tight. Violent Femmes play at the Sydney Opera House on Monday 29 December 2014. Tickets start from $59 +BF and will go on sale to the general public at 9am, Friday 15 August. Head to the Music at the House website for all the details. https://youtube.com/watch?v=ekL7o8BQkZM
Whether you want to stay rustic and pitch a tent, find the best spot to park your hippie van or lounge around in a luxe, beachfront bungalow sipping margaritas, there's a place on the Coral Coast for you. Here, we take a look at five of the best accommodation options between Perth and Exmouth — from the lush yet earthy Novotel Ningaloo to the friendly Kalbarri Seafront Villas to the laidback Dongara Tourist Park. LUXURY: NOVOTEL NINGALOO, EXMOUTH Novotel Ningaloo's primary bragging point is that it's the only accommodation on Sunrise Beach. But rather than imposing itself on its pristine surroundings, the resort aims to blend in effortlessly. That means earthy colours, natural materials and organic shapes. Rooms feature king-size beds, spa baths, high ceilings and private balconies, and vary from standard doubles to two-bedroom bungalows. Go for the latter if you're after uninterrupted ocean panoramas. Hit the onsite restaurant and bar for sunset meals and cocktails. HOME AWAY FROM HOME: KALBARRI SEAFRONT VILLAS These neat villas are located on the Kalbarri waterfront. They come with free use of dinghies, so you can explore the Murchison River at your leisure, and should you need any tips, your friendly hosts will help you out. Accommodation varies from studios to villas to a two-storey townhouse, with most rooms offering excellent water views. Plus there's an outdoor pool and a barbecue area. As far as value for money goes, this is one of the best options on the Coral Coast. HOMEY HIDEAWAY: OCEANSIDE VILLAGE, DENHAM, SHARK BAY If you were any closer to the water, you'd be sleeping in a submarine. Oceanside Village is on absolute beachfront, meaning that your door is literally 20 metres from the surf. Accommodation consists of free-standing, self-contained villas. Opt for one-bedroom or get fancy with the two-bedroom arrangement, complete with private balcony and panoramic views. Free Wi-Fi, free Foxtel, barbecue facilities and a pool are all part of the deal. COMFORT: BROADWATER MARINER RESORT, GERALDTON Stroll just 50 metres from Broadwater Mariner Resort and you'll find yourself at peaceful Champion Bay, a favourite swimming spot among Geraldton locals. The resort's 107 guest rooms are beautifully decorated and dotted among landscaped gardens. Choose accommodation to suit you — from studios to spacious, three-bedroom apartments. Next door, the L'attitude 28 Restaurant offers a menu inspired by local produce and a long wine list, with an emphasis on vintage and boutique drops. BUDGET: DONGARA TOURIST PARK Bring a tent, roll up with your caravan or book into a deluxe cabin — whichever way you want to holiday, Dongara Tourist Park can make it happen. You'll find its acres of green, rolling grass right on the coast at Port Denison, 3 kilometres south of the cute, sleepy village of Dongara. The marina is just three minutes away, for easy launching of boats, and during lobster season, you can buy fresh crustaceans direct from local fishers. If, however, you'd rather someone else do the cooking, there's a great restaurant just a short walk away.
The days are long and drenched with sunlight, and you've got time on your hands to lie on the sand or in the grass and while it away with a book into the late summer hours. But you want the hours to be worthwhile, and sometimes it's really difficult to make a decision or to know where to start. Moreover, you want something enjoyable and easy to read that isn't going to turn your brain to marshmallow. So to help you out, Concrete Playground has come up with some suggestions for the best books to read over your summer. We've got new stuff and old stuff. Books you've never heard of and books everybody's heard of. Romances, mysteries, high quality smut, and stories both sweet and weird and wonderful. Compiled lovingly by somebody who's found the first legitimate use for her English major, we hope that these books delight you and make summer all the more wonderful. The Savage Detectives by Roberto Bolano If you've spent time in inner-city bookshops over the past couple of years, you've probably noticed a slow infiltration of the name Roberto Bolano onto every 'Recommended' shelf around. It's been a long time since an author has taken on cult status quite like Bolano has. When once asked what me might have done had he not become a writer, Bolano answered "a homicide detective. I would have been the sort of person who comes back alone to the scene of a crime by night, unafraid of ghosts." He said that just a few months before his untimely death in 2003, and ever since Bolano's ghost has been figuratively haunting international literature. The Savage Detectives is one of his greatest works. Divided into three sections, the novel is ostensibly about the adventures of two young Mexican poets from the 1970s until the turn of the twentieth century, as they drink, have sex, travel the world, and argue long and loud, narrated solely by the people they come into contact with. Written in luminous, ferocious prose, you have never read anything like The Savage Detectives before. If you read nothing else this summer but for the newspaper and the labels on bottles of cider, please, we implore you, read this. Citrus County by John Brandon John Brandon is one of 'those McSweeney’s guys'. Trumpeted by Dave Eggers, amongst others, as a kind of modern-day Catcher In The Rye (but then, isn’t everything?), Citrus County pulses with the heat and humidity of the backwaters of Florida. Combining your standard narrative of lonesome adolescence with the most sinister kind of crime novel, Citrus County has become something of an underground literary sensation. The story follows Toby, a fourteen year old with a case of minor delinquency, and his tentative relationship with Shelby, the new girl in his class. The catch is that Toby has kidnapped Shelby's four-year-old sister Kaley and hidden her in a bunker in the woods. The story emerges out of the sluggish apathy of the swamps and sun and hits you like a slap in the face, completely subverting your expectations about what novels are 'supposed' to do. It is at once 'easy to read' when it's too hot to think too hard, while also being a very, very good book. Axolotl Roadkill by Helene Hegemann Axolotl Roadkill, both when it was published in its original German two years ago and then translated into English earlier this year, was smothered in hype, like so many chips soaking in a puddle of cheap pub gravy. For one thing, the book was written by a seventeen-year-old girl, a filmmaker from Berlin who comes across as both bone-achingly cool and distressingly talented. For another, it's a bit like the first season of <em>Skins</em> in novel form. One effusive reviewer aptly praised Hegemann for "conjuring dialogue like David Mamet, romanticising the afterlife like Jack Kerouac and hallucinating as sadistically as the Marquis de Sade." That just about sums it up. Axolotl Roadkill is at once a portrait of a young girl so emotionally stunted there’s no hope for a happy ending or any kind of redemption, and also a broader critique of a society which prefers to float along on the surface of things, refusing to grow up or to ever really care about anything too deeply. The novel isn’t perfect – and got waylaid with nasty accusations of plagiarism which Hegemann, playing semantics, termed 'mixing' – but it is savage, and raw, and completely worth reading, regardless of the suffocating hype. Outer Dark by Cormac McCarthy Cormac McCarthy has the uncanny ability to render both horrific and beautiful descriptions from the same bloody, violent subject matter, in all of his novels. The sentences are long, heartwrenching rambling things which read as though a desert mystic is spinning them out of the threads of the dark universe around him. For that is very much the image of Cormac McCarthy, arguably the world's most adored misanthrope. While his more well-known novels are those that have been adapted to cinema, like The Road and No Country For Old Men, Outer Dark, his second novel, is worthy of just as much rapturous attention. Set somewhere in the deep south at the turn of the century, Rinthy gives birth to her brother Culla's baby, who abandons the baby in the woods. The novel follows the two of them, wandering separately, looking for the baby and attempting to assuage the sin. The world of Outer Dark is one abandoned by God, with no causality, and where human beings are indistinguishable from animals. It may be disturbing and unsettling, but Outer Dark is one of the finest things you could read over the next few stifling months. The Heart is A Lonely Hunter by Carson McCullers Regularly included in lists of the top 100 English language novels of the 20th century, The Heart Is A Lonely Hunter was a sensation when it was published in the 1940s, propelling Carson McCullers, a waif-like twenty three year-old in androgynous clothing, into the throes of the literary spotlight. The novel centres on a deaf man, John Singer, in a Southern small town during the depression. Four characters - one an alcoholic labourer, another the owner of a diner, a black doctor and a young, idealistic teenage girl - all flock to him, each believing that he is the only person in the world who can truly understand them, despite not being able to hear a single word they say. No matter the heartache each character expresses, one thing comes across: the bitter loneliness and isolation that plagues the lives of the most disparate people, who cannot connect. Office Girl by Joe Meno In some senses Office Girl is a little like a Zooey Deschanel movie. It's a little bit twee, but not in an un-endearing sense. The semi-experimental novel published by Joe Meno earlier this year is the story of two former art-school kids in late '90s Chicago. Both ride around the city on their bikes, Jack recording the sounds of everyday life, while Odile defaces public advertisements with pictures of hairy genitalia. Often a little absurd and self-conscious, the novel is also an affectionate portrait of what it's like to be creative and lost in your twenties. Appropriately enough for a novel about people who want to change the world through art, the novel comes complete with photographs by Todd Baxter and illustrations by Cody Hudson. Cloud Atlas by David Mitchell Cloud Atlas was published almost nine years ago, so it's hardly a new phenomenon, but given that the film version has just been released, there has never been a more apt time to read the book before you go to sit in a cinema and gaze adoringly at Ben Whishaw while appreciating the sheer moxy of the Wachowskis and Tom Twyker in adapting such a profoundly unadaptable book. The novel is composed of six different story lines, structured in a pattern very similar to Italo Calvino's If on a winter’s night a traveller, but with the added feature of a 'mirror' effect. Stretching from the nineteenth century into a post-apocalyptic future, and dabbling in genres as various as crime, science fiction and South Pacific adventure, each narrative ends abruptly at a moment of suspense, only to be returned to in the second half of the book. Completely original and endlessly entertaining, Cloud Atlas is definitely worth toting around with you to the beach until the pages get logged with sand. Blindness by Jose Saramago Saramago won the Nobel Prize for literature back in 1998 and remains one of the only Nobel laureates whose work is truly enjoyable to read. Blindness is one of his best-known works. In an unnamed city at an unnamed time, an epidemic of blindness begins to sweep through the population, an infection seemingly spread from just looking upon a blind person. For the safety of the rest of the city, the government locks up those afflicted in an abandoned mental asylum in the middle of the forest, fighting an increasingly hopeless battle and leaving them at the mercy of themselves. Eventually conditions degenerate, and the inmates are left to roam the devastated city trying to survive. On the most simplistic level, the blindness is allegorical of lack of sight, from a man who lived through dictatorship, and revolution. In this world it is the small heroisms of individuals that count. NW by Zadie Smith Although nothing Zadie Smith has written, arguably, has equalled her debut novel <em>White Teeth</em>, her books are reliably excellent. NW is all about roots, specifically about what it's like to be from North West London, where with its halal butchers, African hairdressers and housing estate blocks, seems a world away from the clean white avenues of central London. The novel follows four people now in the their mid 30s, all raised on the same housing estate, over the summer of 2010. Like the streets of North West London itself, the things which happen in the story are fractured and volatile, and there are only tentative conclusions. Seen across the complexities of race and class, NW is also about the kind of angst and disillusionment of people who are told they're supposed to be happy, yet can't feel it, let alone see it. Pulphead by John Jeremiah Sullivan Pulphead is a collection of long essays, which, when you say it just like that, doesn’t sound like a particularly riotous thing to read. But the essays in Pulphead are those of a man styling himself as a next generation David Foster Wallace, Jon Ronson or even Hunter S. Thompson. They are, in short, brilliant. With a wit and energy rarely present in journalism, Sullivan takes us to a Christian rock festival and Tea Party rallies. He races across the south in search of obscure lost blues musicians and nineteenth century botanists and then a few pages later we find him pondering the origins of Axl Rose and Michael Jackson. The stories in Pulphead form a journey through the back roads and badlands, with John Jeremiah Sullivan, a journalist previously published in The Paris Review and The New York Time, undertaking a quest for some kind of enlightenment in the parts of America we rarely see or even acknowledge.
For such a tiny island, Jamaica has had a disproportionate impact on global culture. Naturally, Bob Marley's ubiquitous portrait and defiant, uplifting anthems are the first exports to come to mind. But then there's the rest. It's thanks to Jamaica's 10,911 square kilometres of sundrenched Caribbean goodness that we can gawk at physics-defying athletes, fantasise about encountering Sean Connery or Ursula Andress under a waterfall, and luxuriate in the world's finest coffee and rum. THE FASTEST MAN IN THE WORLD One of his legs is a half-inch shorter than the other. During warm ups, when his competitors are stressed to the max, he's usually found dancing. His height measures in at 6 feet, 5 inches — too tall for sprinting, according to convention. And he describes himself as 'lazy'. Against quite a few odds, Usain Bolt, who grew up in a country town in Trelawny, Jamaica, is the fastest man on the planet. At the 2009 World Championships, held in Berlin, he set the current world record for both the 100 metre sprint, at 9.59 seconds, and the 200 metre sprint, at 19.19 seconds. EVERY JAMES BOND NOVEL YOU’VE EVER READ In 1946, Ian Fleming bought fifteen acres on a cliff-face on Jamaica’s north coast, built a house and named it Goldeneye. He then wrangled an agreement with his employer, The Sunday Times, which allowed him to take January and February off work. When each new year rolled around, he'd hole himself up in his Caribbean hideaway and write a new James Bond saga. By his death in 1964, twelve novels and two books of short stories were completed. These days, Goldeneye is a fancypants hotel and resort where people like Richard Branson and Harrison Ford hang out. BLUE MOUNTAIN COFFEE In Jamaica's Blue Mountains grow some of the most expensive coffee beans you'll find anywhere. Online, they'll set you back $180 a kilogram. They're cultivated in small acreages, between 600 and 1500 metres above sea level, where the moist, cool environment increases the ripening period to as long as ten months. Consequently, the natural sugars within the beans have oodles of time to develop, giving them their famous smooth flavour. JERK Finding a local eatery is never difficult to do in Jamaica. That's because the chief national dish, jerk, gives its whereabouts away, as a result of its mouthwatering aroma. Jerk cooking involves rubbing or marinating meat (usually chicken or pork) with a fiery blend of ingredients known as Jamaican jerk spice. Pimento and Scotch bonnet peppers are crucial, but you can also add cinnamon, nutmeg, thyme, cloves, garlic, salt and shallots. PREMIUM AGED RUM FROM APPLETON ESTATE When Christopher Columbus visited Jamaica in the 15th century, he brought with him sugarcane and rum. Thanks to the island’s lush climate, some of the finest spirits to ever pass the lips of humankind were soon in production. One such place is Appleton Estate — Jamaica’s oldest sugar estate and distillery — which is located in the heart of Jamaica on an incredible 4,614 hectares in the picturesque Nassau Valley. Appleton Estate has continued their craft in the traditional way, using copper pot and column stills for the distillation process, American oak barrels for ageing and naturally limestone-percolated water from the hills of cockpit country. A master blender then blends the spirit by hand, creating the distinctive flavour profiles and handcrafted feel for which Appleton is renowned. Fun fact: Appleton is one of the few rums in the world that can claim terroir: the unique flavour that only comes from being wholly produced in a single location. DUNN'S RIVER FALLS Dunn's River Falls is one of the few waterfalls in the world that you can climb without being in constant fear that you're going to tumble to some horrendous watery death. Even though they're 55 metres high, they're 180 metres long, because they're conveniently shaped like stairs, officially referred to as 'travertine terraces'. In Dr. No (1962), Honey Ryder (Ursula Andress) emerges from the sea at the base of the falls, where she runs into James Bond (Sean Connery). REGGAE, SKA, DUB, ROCKSTEADY Bob Marley might be the most legendary of Jamaican musicians, but he's just the start of the record catalogue. Peter Tosh, Jimmy Cliff, and Toots and the Maytals were all raised on the island too. Reggae took hold in the late 1960s, but before that, there was rocksteady, which The Wailers cut their teeth on, and earlier still, ska. With the '70s emerged dub, spearheaded by producers like Lee 'Scratch' Perry and King Tubby. A WAY OF LIFE THAT ISN'T AN –ISM Some people have fallen into the habit of describing Rastafari as Rastafarianism, but it's a term that followers don't use — and don't like to hear. That's because they're generally extremely critical of 'isms'. The Rastafari movement kicked off in Jamaica in the 1930s. Rastas worship Haile Selassie I, who was the Ethiopian emperor between 1930 and 1974. They refer to 'conventional society' as Babylon, rejecting what they see as its oppression, consumerism and way too much focus on quashing sensual pleasures. COOL RUNNINGS Cool Runnings might have been created by Disney, but its story was inspired by Jamaica and parts of it were shot there. The film hit cinemas in 1993, debuting at box office #3, and was the last movie featuring John Candy released before he passed away. It is (very) loosely based on the real-life experiences of Jamaica's national bobsled team, which made its debut at the Winter Olympics in 1998 at Calgary, Canada. CIVIL RIGHTS One of Jamaica's national heroes is civil rights activist Marcus Garvey. He founded the Universal Negro Improvement Association (UNIA) in Jamaica in 1914 before moving to Harlem in 1916. Like Martin Luther King, he was a rousing orator, and spent years travelling across America, attracting thousands and thousands of loyal followers. His major contribution was boosting African Americans' pride in their culture and encouraging their return to their homelands in Africa.
Darlings, everyone knows fashion week parties are more important than the actual runway shows. The whole point of these annual get-togethers is to see who’s had plastic surgery recently and who is sleeping with whom. Just because Brisbane may not be on the same scale as New York doesn’t mean we have to miss out on the bitchy fun - this Friday night, Alhambra will come alive with champagne drinking, fashionably clad cliques for Just Another Fashion Weak Pardy. As with any good soiree, entertainment is a must and the organisers of this event have pulled through and booked some great local talent. The Jungle Giants will be launching their EP, with Tiger Beams and Galaxy supporting them. DJ sets from the John Steel Singers DJs, Lambda DJs and LL Cool James will ensure that lots of awkward dancing from people in high heels will ensue. Seeing as this event only happens once a year, do you really want to miss out on air kissing (and then silently judging people for wearing last season’s clothes)? Certainly not. Skip to it – fashion week’s not the same without it.
Accustomed to digital deception across all types of visual media, it often takes us more than one look to realise that an effect has been achieved solely by the human hand. The new food-art stylings of Hong Yi, or 'Red' as she is nicknamed, almost look too perfect to be real. An artist/architect, Red set herself the task of creating a new artwork using only comestibles, every day for a month. From a serene cucumber landscape to a dragonfruit dragon in battle rapture, the resulting scenes are highly detailed, innovative and beautiful. Hong Yi loves painting "but not with a paintbrush"; her other works have included a painting made using a basketball, a portrait of Ai Weiwei in sunflower seeds, and another of Adele using melted candles. Check out her Facebook page to see deluxe Louis Vuitton mushrooms and more. Via Colossal.
Kicking goals, winning hearts, starring in a docuseries, inspiring statues, making history on the field and on TV: in 2023, the Matildas have been doing it all. Next, the Sam Kerr-captained squad has been immortalised by the Australian National Dictionary Centre, inspiring Australia's latest Word of the Year. 'Matilda' has been chosen as the Australian National University-based organisation's pick of 2023 thanks to the Tillies' huge successes, plus the devotion they've inspired across the country. With huge crowds heading to the team's games at the Women's World Cup, then backing it up at the recent Olympic qualifiers — and millions of people watching the former on TV as well — the words 'Matildas' and 'Tillies' have certainly been uttered countless times by most of us this year. [caption id="attachment_912965" align="alignnone" width="1920"] Liondartois via Wikimedia Commons[/caption] "The team name (Matildas, or Tillies for short) and singular form (Matilda) were everywhere as Matildas mania swept the country, with Australians transfixed by every minute of play," advised the Australian National Dictionary Centre in a statement announcing its new Word of the Year choice. And if you're wondering about the word's history in Australia, "from the 1880s, matilda was one of the names for a swag, a bag of possessions carried by an itinerant man looking for work," explains the Centre's Director Dr Amanda Laugesen. "These days most people would only know this in relation to the song Waltzing Matilda." "It's only since the mid-1990s that the women's soccer team has been called the Matildas, but after this year's World Cup the word has once again cemented itself in the Australian lexicon." [caption id="attachment_913693" align="alignnone" width="1920"] Rovena Rosa/Agência Brasil via Wikimedia Commons[/caption] Matilda emerged victorious from a shortlist that also included 'noer', 'yesser', 'truth-telling' and 'hallucinate', with the first three linked to this year's referendum for the Australian Indigenous Voice to Parliament. In 2022, 'teal' was the Word of the Year, with 'strollout' getting the nod in 2021, 'iso' in 2020 and 'voice' in 2019. For more information about the Australian National Dictionary Centre's word of the year, head to the centre's website.
Time to bust out your overalls and dust off the shopping cart. A popular monthly market has returned to Canberra and is going to have you picking up way more than the usuals — a jar of local honey and a handmade soy candle, that is. Love Local Markets will take place on the last Sunday of every month between 9am–2pm at The Plot at Pialligo Estate. Here, you'll find a range of vendors offering local produce and products, including fresh food, drinks and lifestyle goods. While you're there, make sure you check out everything the estate and its neighbours have on offer, including the Pialligo Market Grocer, the Farm Shop Cafe, Wren & Rabbit Interiors, Pink Flamingo Interiors and Bisonhome. Plus, being conveniently positioned near the inner south and Fyshwick precincts, the location makes it a great way to start your day before taking on other activities in the Canberra region. Make sure you grab the loose change hanging around the house or swing by an ATM on the way as the stalls are cash only and there aren't any EFTPOS facilities. Love Local Markets will take place from 9am–2pm on the last Sunday of each month (excluding December) at The Plot at Pialligo Estate. For more information, visit the website here.
You've heard of bed and breakfasts. In fact, you've probably even stayed at a couple. They're all well and good; however a new cocktail-focused hotel is offering up something even better than brekkie with your room: a bed and beverage experience. If you're in the vicinity of Los Angeles from September onwards, head to ten-room The Walker Inn to enjoy an intimate and relaxing evening complete with a nightcap or several (and painkillers when you check out). And no, you won't just guzzle whatever's in the mini-bar in your vintage-heavy room. Instead, you'll get the kind of high-quality home bar setup you could only dream of having in your actual house, complete with a recipe book to guide you through the cocktail-making process. You'll be shaking, mixing and stirring your own drinks in no time. Don't think that The Walker Inn isn't for sociable clientele, though. With the '20s-style hotel also boasting its own bar, you'll have plenty of opportunities to sip on a mixologist-made beverage and mingle with other patrons, if that's what you'd prefer. Some rooms even have their own secret staircase leading back down to the shared lounge area. Basically, think of The Walker Inn as accommodation for those who want a couple of options for winding down after a nice meal out with friends, which is exactly how owner David Kaplan describes it. Similar establishments have popped up in Paris and Los Feliz, so it seems like this is part of a growing trend. Fingers crossed that some clever person brings the concept to Australia — and soon. Via PSFK and Skift.
Sake is a drink known by many but — in Australia at least — understood by very few. It's a beverage that's generally relegated to fancy sushi work lunches where your boss is picking up the bill, but, truth is, the fermented Japanese rice wine is much more versatile than that. You can order a bottle to pair with fish at your next dinner party, but you can also pick up a pull-tab can to take to a party or add some to prosecco and soda for a Japanese-style summer spritz. There are many ways into sake, and we've laid them out below. Need a refresher first? Have a read of our bluffer's guide to sake then get started. [caption id="attachment_628082" align="alignnone" width="1920"] Sakeshop[/caption] FOR THOSE WANTING AN EASY INTRODUCTION TO SAKE A Japanese sake providore located in both Melbourne and Sydney, Sakeshop is your one-stop shop for all things sake. Here, tastings and internationally recognised sake courses are held and there's even an extensive Japanese beer selection — so there's really no greater place to immerse yourself in the blossoming world of sake appreciation. Pick up one of the Hanamikura Aya 200ml with its cute little ring-pull tab lid, throw it in your beach bag and sit in the sun sipping on the peachy and pear flavours with the sounds of summer echoing in your ears. FOR THOSE SICK OF APEROL SPRITZES The ultimate in spring and summertime drinking is a Japanese yuzushu made with equal parts one-year-old Junmai sake and yuzu juice (a type of native Japanese grapefruit). It's great either on the rocks or in a spritz — the perfect alternative to an Aperol Spritz for 2017–18. It's lively, fresh and zesty with a hint of a jasmine floral and pink grapefruit character on the nose. On the palate, it's delicate and strikes the perfect balance between tart citrus flavours and sweet characters. Try the Heiwa Shuzo Yuzushu in a wine glass filled with ice, 30ml Yuzushu topped with a dry prosecco (the Dal Zotto from Australia's King Valley is always a winner) and a splash of soda with a twist of lemon. Be careful, though — they're so dangerously delicious that you might be wondering where the bottle went in no time. FOR THOSE WANTING TO ADD A BIT OF JAPANESE HISTORY TO THEIR DINNER Hailing from the third-oldest sake brewery in Japan, which was established in 1548, Yoshinogawa is the Rolls Royce of sake: elegant, high quality and impeccably made. Made by the 20th generation of the Kawakami family, Yoshinogawa Ginjo Gokujo is created using a combination of techniques, both ancient and modern, to craft what is considered to be a classic yet modern interpretation of the style. Floral, with just a hint of umami character, it's almost ethereal on the palate. Pop down to the Fish Markets and pick up some salmon, slice it up and make a ginger and soy glaze while lightly searing the fish in a pan, crank The Go-Go's and pour some of this sake chilled for the ultimate trifecta. [caption id="attachment_645960" align="alignnone" width="1920"] Studio Hortenzia.[/caption] FOR THOSE LOVERS OF JAPANESE AESTHETICS Now, not all sakes are from 469-year-old breweries. Some are just brand spanking new, like the newly released Toji Sake from Melbourne couple Yuta and Shar Kobayashi. Distilled with Yuta's childhood memories of drinking sake with his grandfather, this approachable sake draws upon traditional Japanese flavours but modernised for an Australian palate. Crisp, perfumed and well balanced would be a perfect accompaniment to a trip to see the contemporary art collections at Sydney's White Rabbit or GOMA in Brisbane. Plus, the bottle is a work of art in itself — you'll want to keep it. FOR THOSE NEEDING A MEMORABLE HOUSEWARMING GIFT Your friend's just moved into a new place and you want to bring a housewarming gift that's not a plant (that they will inevitably overwater) or a set of cheese knives (that are beautiful but they'll probably never use). Enter the versatile bottle of sake. Grab an all-rounder like the Dewazakura Dewa Sansan Junmai Ginjo — it's great for sipping on a hot day and can also be used as a base for curing fish because of its signature fragrant perfume and delicacy on the palate. It's also available in a 1.5-litre bottle if you really want to earn your place as friend of the year. Top image: Sakeshop.
When you head to a gallery or museum, peruse its walls and halls, and stare at a famous work of art, you spend time bathing in visible beauty. If you're peering at a painting, then colours, compositions and brush strokes grab your attention. Should you be looking at a sculpture, it's the lines, shapes and forms that stand out. Even if you're the most dedicated art fan, you're really only engaging one of your senses — that's why it's called visual art. You can't touch something as iconic as the Venus de Milo, for example. You certainly can't taste it either, and it doesn't emit a sound or aroma. But if you have ever found yourself wondering just what the ancient Greek work smells like, or how some of The Louvre's other notable artworks might tickle your nostrils, you can now douse yourself in perfume inspired by eight of the Parisian museum's pieces. For the first time, The Louvre has teamed up with French beauty brand Officine Universelle Buly to create a range of scents that draw upon the gallery's masterpieces — not only for art-lovers to spray over their body, but in scented candles, scented postcards and scented soap sheets too. As well as the world's most famous statue with missing arms — which apparently smells like lilies and musk — the lineup takes its cues from Jean-Auguste-Dominique Ingres' La Baigneuse and Grande Odalisque, Thomas Gainsborough's Conversation in a Park, Jean-Honoré's The Lock and Georges de La Tour's Joseph the Carpenter. You can also smell like Lorenzo Bartolini's Nymph with Scorpion or, still on sculptures, you can opt for the Winged Victory of Samothrace. If the latter sounds familiar, that's because it featured in Beyonce and Jay-Z's 'Apeshit' video last year. https://vimeo.com/347284474 Buly's collection of The Louvre-themed products doesn't come cheap — ranging from just under €6 for a postcard, to around €17 for soap, to €125 for a candle or perfume. If you don't have a trip to Paris in your future, you can order the artwork-inspired scented products online.
Artists often attempt to picture the world from alternative views and odd angles in order to get a fresh perspective on the quirks and idiosyncrasies of everyday life. For Canadian photographer Laurel Johannesson the world is at its most bizarre and beautiful when viewed through water. While swimming in Lido di Venezia in Italy, Johannesson found herself fascinated by the dream-like world of mirror images, refracting light and warped figures that emerged when she began taking photographs while submerged in water. The resulting photographs provide a mesmerising insight into our world, familiar yet somehow alien in their distortion, with the artist seeing the dream-like vulnerability of the images as alluding to "the equation between desire and voyeurism". And by printing on metallic paper and laminating the images with a thick layer of acrylic, Johannesson was able to enhance the already otherworldly quality of the photographs. For those of us that cannot see the images in the flesh, here is a virtual tour through Johannesson's fascinating new exhibit.
Your worst technological nightmares are returning to your streaming queue. No, we don't just mean forgetting your password, having trouble logging in, getting an error message that your account doesn't exist after you just used it yesterday or being stuck watching buffering instead of the program you're trying to see. First, Black Mirror's Twitter account broke a four-year silence. Next, Charlie Brooker's dystopian sci-fi hit has dropped a sneak peek at its next batch of technological nightmares — aka the first trailer for the show's long-awaited sixth season. This season is being teased as "the most unpredictable, unclassifiable and unexpected season yet", which is saying something given everything that Black Mirror has thrown at the screen in past seasons (and in choose-your-own-adventure-style movie Black Mirror: Bandersnatch). "I've always felt that Black Mirror should feature stories that are entirely distinct from one another, and keep surprising people — and myself — or else what's the point? It should be a series that can't be easily defined, and can keep reinventing itself," Brooker told Netflix about season six. "Partly as a challenge, and partly to keep things fresh for both me and the viewer, I began this season by deliberately upending some of my own core assumptions about what to expect. Consequently, this time, alongside some of the more familiar Black Mirror tropes we've also got a few new elements, including some I've previously sworn blind the show would never do, to stretch the parameters of what 'a Black Mirror episode' even is. The stories are all still tonally Black Mirror through-and-through — but with some crazy swings and more variety than ever before." Wondering when you might be staring at your own black mirror again to watch Black Mirror? The show will return to Netflix in June, ready to add some extra chill to winter Down Under — with an exact date yet to be announced. Cast-wise, the series makes a comeback with another stacked roster of familiar faces, including Zazie Beetz (Atlanta), Annie Murphy (Kevin Can F**k Himself), Paapa Essiedu (Men), Josh Hartnett (Operation Fortune: Ruse de Guerre), Himesh Patel (Station Eleven), Rob Delaney (The Power), Rory Culkin (Swarm), Salma Hayek Pinault (Magic Mike's Last Dance), Aaron Paul (Westworld), Kate Mara (Call Jane), Michael Cera (Life & Beth), Danny Ramirez (Stars at Noon), Clara Rugaard (I Am Mother), Auden Thornton (This Is Us) and Anjana Vasan (Killing Eve). How exactly will the series manage to be even more dispiriting than reality over the past few years? That's increasingly been one of its dilemmas — and noting that something IRL feels just like Black Mirror has become one of the cliches of our times — but this'll be the mind-bending effort's first round of episodes following the pandemic. No one has ever watched the Brooker-created series for a pick-me-up, though. Since first hitting the small screen in 2011, Black Mirror has spun warped visions of where technology may lead us — and, no matter what tale the show has told so far across its 22 instalments (including that interactive movie), the picture has usually been unnerving. So, imagine what the program will cook up after what we've all been living through since it last aired. Brooker has already riffed on COVID-19 in two Netflix specials, actually: Death to 2020 and Death to 2021, which offer satirical and star-studded wraps of both years with mixed success. For something completely different, he also jumped back into choose-your-own-adventure content with animated short Cat Burglar, which hit Netflix back in 2022, has viewers play through it as a thieving feline called Rowdy and gets you to answer trivia questions to advance the story. Check out the first trailer for Black Mirror's sixth season below: Black Mirror season six will stream via Netflix some time in June. We'll update you when an exact release date is announced. Images: Netflix.
Vintage Fashion is a trend standing strong against the test of time. From the roaring twenties to the austere forties, to the brash eighties and hipster new millenium, vintage attire offers a unique nostalgic addition to fashion you just can’t find in modern clothing stores. The crafty collectors from The Way We Wear have banned together once again to produce a vintage fashion fair that will have you believing your browsing a boutique with Bettie Page. Audry Hepburn once said, “my look is attainable - women can look like me by flipping out their hair, buying large sunglasses and the little sleeveless dresses.” Although I believe no women could ever truly match such a beauty, we sure as hell can try! With racks, shelves, cabinets and tables filled to the brim with beautifully preserved garments, it really is going to be difficult to stop the spending. A little bird did tell me a secret though. She said if you find an item at the fair with a 1960’s price tag you have to buy it for that price, (tip: look for British Pound pricing). So start saving your pennies and keep those purses plump so you can have a wardrobe that will be glamorous for years to come.
Nadine Labaki directs and stars in this amusing modern fable about a group of women in a remote Lebanese village who try to defuse mounting inter-religious tensions by finding obscure ways to distract their menfolk. Lead by the beautiful Amale (Labaki), the women of the village, both Muslim and Christian, band together to find various ways to stop the men from following in the civil strife that has engulfed their country. In an attempt to keep the peace, the women conspire to hire exotic dancers, lovingly drug sweet pastries and remove weapons from the village. However, not all of their extraordinary ideas go to plan, resulting in a serious of comic, and chaotic, incidents. Following on from Caramel, Labaki's second feature film in the director's chair made official selection at Cannes in 2011 and this year at Sundance, as well as making its debut on Australian screens at the recent Sydney Film Festival. Concrete Playground has ten double passes to give away to see Where Do We Go Now? To be in the running to win a pair of tickets, make sure you're subscribed to Concrete Playground then email your name and postal address to hello@concreteplayground.com.au
When you're Australia's oldest film festival and you screen hundreds of movies each and every year, how else do you keep standing out after notching up seven decades of cinema celebrations? If you're the Melbourne International Film Festival, you start your own major accolade. That was MIFF's approach in 2022, when it announced the new $140,000 Bright Horizons Award. Adding the gong to its lineup annually, the Victorian capital's major film fest has just revealed its 2023 winner: Senegalese-French love story Banel & Adama. When you're such a long-running event and you show so many flicks year in and year out, how do you highlight newcomers worth knowing about? That's the Bright Horizons Awards' remit. In 2023, 11 titles were chosen to compete again as part of the festival's full lineup, but only one could emerge victorious. That winner hit Melbourne fresh from playing in-competition at Cannes, and marks the feature debut of Franco-Senegalese writer/director Ramata-Toulaye Sy. Banel & Adama follows it titular characters (Khady Mane and Mamadou Diallo), who are happily in love in a rural village in Senegal's north. But when Adama shies away from being the future chief, their romance — which has already been complicated by Banel being married off to Adama's older brother Yero first — sparks repercussions. Sy cast her star-cross'd lovers-focused film not only with first-time actors, but with non-professionals hailing from the region she uses as her setting. She also shot her movie entirely in the Pulaar language, a variant of Fulah from the area. To take out the 2023 Bright Horizons Award, Banel & Adama competed against features such Australian efforts Shayda (MIFF's opening-night film) and The Rooster (starring Hugo Weaving, Love Me); 2023 Cannes Un Certain Regard winner How to Have Sex, about three British teen girls on a boozy getaway; Earth Mama, an A24 release by Grammy-nominated music video veteran Savanah Leaf; and Inside the Yellow Cocoon Shell, which follows a musical journey across the Vietnamese countryside. Also, Disco Boy stars German talent Franz Rogowski (Great Freedom) and Animalia explores an alien invasion in Morocco. Fellow contender Tótem, which spends a single day with a seven-year-old, earned a Special Jury Mention for Mexican actor-turned-director Lila Avilés (The Chambermaid). Picking Banel & Adama as the winner, and showing Tótem some love: co-jury presidents Saul Williams and Anisia Uzeyman, who directed 2022's Bright Horizons-winner Neptune Frost; documentarian Alexandre O Philippe (Lynch/Oz, Leap of Faith: William Friedkin on The Exorcist); former Cannes Camera d'Or-recipient Anthony Chen (Wet Season); and Indonesian filmmaker Kamila Andini (Yuni). Announcing their selections, the jury said that Banel & Adama "is a film that speaks directly to the times with a cinematic language and landscape that challenges and confronts while drawing you into its immense beauty. A mysterious and strong first film from a young filmmaker with bright horizons". And about Tótem, it advised that "the rich subtleties and nuance of this circular story draws us in and makes us a part of its family". The MIFF jury also gives out another of fest's prizes: the $70,000 Blackmagic Design Australian Innovation Award. Also first arriving in 2022, it recognises an outstanding Australian creative from one of the festival's movies, and can span span a large number of roles, including the winning flick's director, technical or creative lead, or other craft positions. This year's recipients: Soda Jerk for their latest clip-based satire Hello Dankness, which the jury called "a clear-eyed, sharply satirical take on one of America's most troubling chapters, transformative use of existing footage, and groundbreaking manipulation thereof". The winner of 2023's brand-new First Nations Film Creative Award was also unveiled at the festival's closing night, with directors Adrian Russell Wills and Gillian Moody winning for autobiographical documentary Kindred. And, scoring 2023's MIFF Audience Award: This Is Going to Be Big, about Sunbury and Macedon Ranges Specialist School in Bullengarook staging a John Farnham-themed musical. The 2023 Melbourne International Film Festival runs until Sunday, August 20 in-person, and until Sunday, August 27 via MIFF Play, the fest's online platform.
Gathering the country's best of the best, the annual Melbourne Royal Wine Awards (MRWA) took place on Thursday 27 October at the Victoria Pavilion after receiving a colossal 2,350 entries this year (South Australia submitted the most with 967). Taking home The Champion Victorian Winery Trophy was Yarra Valley's Oakridge Wines led by chief winemaker David Bicknell. On top of its other five gold medals from this year, Oakridge also claimed Best Victorian Chardonnay in 2021. Elsewhere, Scotchman's Hill snagged The Trevor Mast Trophy for Best Shiraz for its 2021 Shiraz, an offering that was also awarded Best Victorian Shiraz. As for the coveted Jimmy Watson Memorial Trophy, Barossa vineyard Hentley Farm had the honour of claiming the title this year thanks to its Old Legend grenache featuring a medium body and notes of strawberry, red currant and nutmeg. "The Melbourne Royal Wine Awards recognise and celebrate excellence in Australian winemaking. The Jimmy Watson Memorial Trophy was first awarded 60 years ago and is the trophy winemakers from all around Australia want to win. Melbourne Royal congratulates South Australia's Hentley Farm on being the 2022 winner," Brad Jenkins, Melbourne Royal CEO, shared. Meanwhile, for the first time in a number of years, The Francois De Castella Trophy for Best Young White went to a category other than chardonnay—the Macclesfield Grüner Veltliner 2022 by Longview Vineyard in Adelaide Hills. In addition to its Francois De Castella Trophy, Longview Vineyard also earned Best Pinot Gris/Grigio, Best Single Varietal White, and Best Cabernet Sauvignon. You can check out the full list of award winners at the Melbourne Royal Wine Awards website. Top image: Kelsey Knight
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. ALI & AVA All plot, all the time: that's how some filmmakers craft movies. Every scene leads to the next, then to the next and so on, connecting the story dots so that event A plus event B (plus event C, event D, event E and more) neatly equals wherever the narrative eventually ends up. Clio Barnard is not one of those writers or directors. Every scene always leads to the next in every film that tells any tale, no matter who's spinning it, but much of what happens in the Dark River and The Selfish Giant helmer's movies doesn't change, shift or drive the plot at all. Indeed, her features often have storylines that seem straightforward, as the tender and tremendous Ali & Ava does. But that uncomplicated appearance — including here, where a man and a woman meet, sparks fly, but complications arise — couldn't be more deceptive. In Ali & Ava, that man and woman are indeed Ali (Adeel Akhtar, Killing Eve) and Ava (Claire Rushbrook, Ammonite), both residents of Bradford in Barnard's native West Yorkshire. He's a working-class landlord — a kind and affable one, noticeably — from a British Pakistani family, and was once an EDM DJ. She's an Irish-born teacher's assistant at the school where one of Ali's tenants' children attends. Frequently, he's on drop-off and pick-up duty, because he is that helpful to his renters. So, when the skies open one day during his school run, Ali offers Ava a ride home rather than seeing her walk to the bus in the pouring rain. They chat, click, laugh, bond over a shared passion for music and slowly let their guards down. But what would a romance be, especially an on-screen one, if the path to love truly was effortlessly smooth? With a lyrical social-realist bent that'd do Ken Loach, living patron saint of British lyrical social-realist filmmaking, proud — see: Loach's I, Daniel Blake and Sorry We Missed You for his two most recent examples — Barnard unpacks everything that roughs up Ali and Ava's tentative courtship. But there's another English director who springs to mind, too, thanks to the way that Ali & Ava can turn from poignant to portentous in a second: This Is England and The Virtues' Shane Meadows. His work finds bliss and joy in ordinary, everyday moments, and also violence and menace as well. One can become the other so quickly that, if it didn't all feel so genuine and authentic, a case of whiplash might be the end result. All three filmmakers possess a commitment to detailing lives that aren't typically fodder for celluloid dreams; all three, including Barnard with The Selfish Giant and now Ali & Ava, make features in the vein that are potent, perceptive, dripping with empathy and as emotionally raw as films come. Ali, friend to everyone, is troubled by more than just regret about no longer hitting the decks. He has a wife, Runa (Ellora Torchia, Midsommar), who no longer loves him or wants to be with him. But he's too proud to tell his family, so they still live together while she keeps studying. That brings judgement his way, with his sister Usma (Krupa Pattani, Ron's Gone Wrong) vocal in her disapproval about his growing closeness with Ava. It makes Ava apprehensive as well, unsurprisingly. She already has enough of her own worries as it is, caring for her five kids — some of which have had kids of their own — as a single mother. One, her son Callum (Shaun Thomas, Miss Peregrine's Home for Peculiar Children), remains affected by his father's death a year earlier, and also his parents' breakup before that. He's far from welcoming to Ali as a result, terrifyingly so, hating even the idea of him as his mother's potential friend. Read our full review. AFTER BLUE (DIRTY PARADISE) In his 2017 feature debut, French writer/director Bertrand Mandico took to the sea, following five teens who were punished for a crime by being sent to a mysterious island. Sensual and lurid at every turn, The Wild Boys was never as straightforward as any description might intimate, however — and it proved both a tempest of influences as varied as Jean Cocteau, John Carpenter and David Lynch, and an onslaught of surreal and subversive experimentation several times over. Much of the same traits shine through in the filmmaker's second feature After Blue (Dirty Paradise), including an erotic tone that's even more pivotal than the movie's narrative. Mandico makes features about bodies and flesh, about landscapes filled with the odd and alluring, and where feeling like you've tumbled into a dream most wonderful and strange is the instant response. Tinted pink, teeming with glitter, scored by synth, as psychedelic as bathing in acid and gleefully queer, the fantastical realm that fills After Blue's frames is the titular planet, where humanity have fled after ruining earth. As teenager Roxy (debutant Paula-Luna Breitenfelder), who is nicknamed Toxic by her peers, tells the camera, only ovary-bearers can survive here — with men dying out thanks to their hair growing internally. In this brave new world, nationalities cling together in sparse communities, with roving around frowned upon. But that's what Roxy and her hairdresser mother Zora (Elina Löwensohn, Mandico's frequent star) are forced to do when the former meets and saves a criminal called Kate Bush (Agata Buzek, High Life), who she finds buried in sand, and are then tasked by their fellow French denizens with tracking her down and dispensing with her to fix that mistake. If Dune met The Love Witch, the resulting film still wouldn't be as seductive, kaleidoscopic and phantasmagorical as After Blue — a picture that, as The Wild Boys also proved, has to be seen to be truly understood. Obviously, that's accurate of every movie; again, though, Mandico couldn't be more disinterested in making features that can be neatly summarised or unpacked. He isn't fond of holding back, either, and so After Blue dives straight into its maximalist adventure quest, ramping every sight, sound and performance up to levels that'd do This Is Spinal Tap proud. His latest release isn't a mockumentary, but an exercise in excess over and over that's turned up far past 11. Guns are named after designer brands like Gucci and Chanel; Kate Bush sports a third eye between her legs that sparks stirrings in Roxy; pleasure bots are the only masculine presence sighted, and even then they're forbidden; cigarettes wriggle like insects; and goo drips and oozes whenever it can, for instance. As well as pre-empting the current Stranger Things-inspired Kate Bush mania by almost a year (After Blue first premiered at the Locarno Film Festival in August 2021), Mandico doesn't make brief features. With a sizeable array of shorts to his name dating back to 1998's Le cavalier bleu, he seizes his opportunities when he's playing with long-form flicks. That gives After Blue more than two hours to luxuriate in its look, sound and vibe — a 70s-meets-80s sci-fi/western heaven — but also makes its narrative feel slight. Of course, the tale itself isn't the main attraction, but the style-over-story focus also doesn't scuttle into the background. But whenever the plot lags or zips by, aka Mandico's two pacing struggles, tentacles slide into view, nipples shoot metallic balls, a line of dialogue becomes a hilariously absurd gift, and either cinematographer Pascale Granel (Simple Passion) or composer Pierre Desprats (Olga), or both, deliver a piece of sound and/or vision that's trippy and sublime. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on March 3, March 10, March 17, March 24 and March 31; April 7, April 14, April 21 and April 28; and May 5, May 12, May 19 and May 26; and June 2, June 9, June 16 and June 23. You can also read our full reviews of a heap of recent movies, such as The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow, The Souvenir: Part II, Dog, Anonymous Club, X, River, Nowhere Special, RRR, Morbius, The Duke, Sonic the Hedgehog 2, Fantastic Beasts and the Secrets of Dumbledore, Ambulance, Memoria, The Lost City, Everything Everywhere All At Once, Happening, The Good Boss, The Unbearable Weight of Massive Talent, The Northman, Ithaka, After Yang, Downton Abbey: A New Era, Wheel of Fortune and Fantasy, Petite Maman, The Drover's Wife The Legend of Molly Johnson, Doctor Strange in the Multiverse of Madness, Firestarter, Operation Mincemeat, To Chiara, This Much I Know to Be True, The Innocents, Top Gun: Maverick, The Bob's Burgers Movie, Ablaze, Hatching, Mothering Sunday, Jurassic World Dominion, A Hero, Benediction, Lightyear, Men, Elvis, Lost Illusions and Nude Tuesday.
Bad news for Occupy protesters: Bernado Bajana has created a new riot shield which does much more than just shield officers. Inspired by the shell of the armadillo, this has an adjustable visor which allows officers to be protected from any projectiles launched from in front or above. Furthermore, if things get real rowdy, the shield is lined with multiple taser strips. Furthermore, it has a built-in pepper spray which can reach up to 30 feet. Both of these attacks are conveniently trigger-operated. Regardless of your thoughts on protesting and police misuse of power, you've got to admit that this is a pretty nifty piece of design. It would be pretty handy to have one of these when you brave the crowds at the upcoming Boxing Day sales. Those crowds can get pretty pushy. [via TrendHunter]
The Ryan vs Seth debate incited gang wars (it's all Seth, all the time people, come on). Marissa made our eye twitch with stiff acting and then tore our hearts out in season three (no spoilers hey). Summer retrospectively became our life and style guru. And still, no true O.C. fan can hear Imogen Heap's 'Hide and Seek' without tearing up just a little bit. For everyone whose teenage expectations of life and love were shaped by the O.C. and Peter Gallagher's eyebrows, listen up: in conjunction with Melbourne's The Bait Shop, Woolly Mammoth is throwing a huge O.C.-themed party this weekend. Cue Youth Group, Death Cab for Cutie, Eels, Jem, The Futureheads, Spoon et al playing on repeat. They're offering a bar tab for the winner of 'Most Early 2000s Inspired Outfit' (a complex but honourable title), life-sized cutouts and O.C. visuals, and it's all part of a nostalgic 2006: A Year in Dance shindig (because living in the past is the perfect party theme). Entry is free, so cancel all existing plans and start fashioning an outfit with maximum spaghetti straps and low-waist jeans that are neither skinny nor flared.
Two months after the Greater Brisbane area went into a snap three-day lockdown in response to a COVID-19 case, and following a period since that has been clear of community-acquired cases, state authorities have announced a new local infection. A doctor who had contact with two COVID-19 patients at the Princess Alexandra Hospital has now tested positive. Queensland Health first issued an announcement about the case late on Friday, March 12, and has now followed up today, Saturday, March 13 by outlining places that residents should note. By now, it has become a familiar routine — and, in this case, if you've visited these spots on the dates and during the times outlined, you should get a test for COVID-19 immediately and quarantine until you receive your results. This applies regardless of whether you have any coronavirus symptoms or not. On the high-risk list, all due to visits on Thursday, March 11: West End's Morning After from 2–3.15pm, Corporate Box Gym in Greenslopes from 5.45–7pm and the Stones Corner Hotel in Stones Corner from 7–7.45pm. Queensland Health has also identified McDonald's Coorparoo as a low-risk site, applying to visits from 3.10–3.20am on Thursday, March 11 — and the Corporate Box Gym in Greenslopes is on the low-risk list as well, but applying from 7pm that day. That means that anyone at either place at those times is being asked to monitor for symptoms and get tested if any arise. Patients and staff who may have been in contact with the doctor at the PA Hospital on Thursday, March 11 are also being contacted — and being quarantined, tested or both. https://twitter.com/qldhealthnews/status/1370334300114018304 In response to the current case, Queensland is changing some of its restrictions. All hospitals, aged care and disability services in the Greater Brisbane area — which includes Brisbane, Ipswich, Logan, Moreton Bay and Redlands — are now closed to visitors for at least three days, and anyone who does go inside has to wear a mask. The PA Hospital was also placed on lockdown on Friday night. The emergency department remains open, though, but Brisbanites are asked to get care at a nearby hospital or at a GP instead if they can. Queensland Premier Annastacia Palaszczuk said that the government will be "keeping the public updated over the next 72 hours. The next 72 hours is pretty critical to see if there has been any further community spread". For now, though, no other restrictions are tightening. Overnight, the state loosened caps on the amount of people who can gather in homes and in outdoor public areas, to 100 and 500 respectively. While Premier Palaszczuk said that the government isn't requiring the general community to wear masks at this stage, the usual advice applies — including maintaining a 1.5-metre distance from other people, washing our hands thoroughly, and the standard social distancing and hygiene tactics that have been in place for the past year. Queensland currently has 42 active cases of COVID-19, including the one community case, from a pandemic-wide total of 1379 to-date. For more information about the status of COVID-19 in Queensland, head to the QLD COVID-19 hub and the Queensland Health website. Top image: Google Maps.
For one morning, on what might be the only occasion that Sydneysiders can use this phrase and mean it literally, the Vengabus is coming. Getting everybody jumping is the Uber Pride Ride, a party bus that's hitting the Harbour City for Sydney WorldPride, and running across three weekends — but only one special trip will feature Vengaboys. The Dutch pop group are in Australia for the latest So Pop tour, which plays Sydney on Thursday, February 16. That morning, the band will take a tour of the city with a lucky busload of folks, in a VIP experience that you'll have to keep an eye on Uber's Instagram account to win tickets to. If you want to call the Uber Pride Ride the Vengabus for the rest of its run — from Friday, February 17–Sunday, February 19, Friday, February 24–Sunday, February 26 and Friday, March 3–Sunday, March 5, operating from 6.30–10pm daily — then that's up to you. But, whether you're a Sydney local or a visitor hitting the city just for WorldPride's first-ever stint Down Under, you'll have company in the form of a heap of drag queen stars. Each night's trips will feature different talents busting out onboard activities — so you might be in for a ride filled with drag bingo, karaoke or an inner-city disco on wheels with Jojo Zaho, Carla From Bankstown, Coco Jumbo, Cassandra Queen, Karen From Finance, Annie Mation and more. The Uber Pride Ride is also hosting educational talks from First Nations LGBQTIA+SB advocacy organisation Black Rainbow. Like to party on the way to the party? This is the hop-on-hop-off — and free — bus for you. It'll take an hour-long City Circle loop, departing at 6.30pm, 7.45pm and 9pm each evening, starting at Australian Museum on William Street. From there, it'll head to St James Station, Powerhouse Museum, Central Station, Albion Street in Surry Hills, Flinders Street in Darlinghurst, Oxford Street in Paddington, then via Craigend and William streets back to the beginning. Like free Uber Pool trips as well? On one weekend, from 12–10pm Friday, February 24–Sunday, February 26, the rideshare company is also doing $100 off trips. The Uber Pride Ride will take to the Sydney CBD's streets from Friday, February 17–Sunday, February 19, Friday, February 24–Sunday, February 26 and Friday, March 3–Sunday, March 5, running from 6.30–10pm daily, with a special one-off Vengaboys-hosted ride on the morning of Thursday, February 16. The Uber Pool Pride Offer runs from 12–10pm Friday, February 24–Sunday, February 26, offering $100 off trip. For more information, head to the Uber website.
In the midst of the hype of the recent premiere of Season 5 of multi award-winning series Mad Men comes a Mad Men-themed interactive video on YouTube created by The Fine Brothers. Combining gameboy-style graphics with the characters and settings of Mad Men, writer and director Doctor Octoroc allows users to step into the shoes of Don Draper, completing tasks to save Sterling Cooper. With three alternate endings, the future of the company rests in the hands of the user whose decisions will determine which outcome will be reached. With a similar aesthetic to old-school Pokemon games popular back in the '90s, the syncopated music and references to Roger's promiscuity and Don's heavy drinking make for a pretty neat game.
It has won 11 Tony Awards. It's one of the Obamas' favourite musicals. A filmed version of its Broadway production was nominated for several Golden Globes. It was also the hit of Sydney since early 2021, and it's now making its way to Melbourne — and, if you're as keen to see Lin-Manuel Miranda's game-changing musical Hamilton as its namesake was about American politics in the 18th century, you just might be able to nab yourself a cheap ticket. As has happened with The Book of Mormon, Harry Potter and the Cursed Child and Moulin Rouge! The Musical, a ticket lottery is being held for Hamilton's Melbourne run at Her Majesty's Theatre. And, this one is cheap. Very cheap, in fact. Via Today Tix, you can sign up for your chance to score a ticket for just $10. Yes, that figure is accurate. Obviously, you won't want to throw away your shot to see the most talked-about musical of the decade for less than the price of a cocktail. To take part in the lottery, you will need to download the Today Tix app — which is available for iOS and Android — and submit your entry each Friday. The lottery will go live at 12.01am every Friday morning and close at 1pm the next Thursday, with winners drawn between 1–6pm on that Thursday. If your name is selected, you'll have an hour to claim your tickets from when you receive the good news. The first lottery will open on Friday, March 4, covering performances for dates between March 15–20. From then onwards, you'll be entering on a Friday, then hearing if you're successful on the following Thursday, all for performances that start the next week. And, if you need a reminder, you'll also be able to sign up for lottery alerts via Today Tix, too. The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its 11 Tony Awards, which include Best Musical, it has nabbed a Grammy Award and even a Pulitzer Prize. After hitting Broadway in 2015, then West End in 2017, Australians have been finally getting their turn — including Melburnians from Tuesday, March 15. Usually, tickets will set you back $70–200 a pop, so the $10 lottery really is an absolute bargain. Thinking about heading south from interstate to be in the room where it happens? A $10 ticket obviously makes that trip to Melbourne a much cheaper option. [caption id="attachment_817298" align="alignnone" width="1920"] Hamilton, Daniel Boud, Destination NSW.[/caption] This isn't Miranda's first musical to hit Australia, of course, with his take on the classic 2000s film Bring It On: The Musical hitting Melbourne in 2018 and quadruple Tony Award-winning In The Heights playing a short season at the Sydney Opera House in 2019. While you wait for your lottery shot, you can watch the filmed version of Hamilton with the original Broadway cast on Disney+ — yes, it's as phenomenal as you've heard. Hamilton's Melbourne season kicks off on Tuesday, March 15 at Her Majesty's Theatre. Visit the musical's website for further details. To enter the Today Tix $10 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Top image: Hamilton, Daniel Boud, Destination NSW.
