Timed around Lunar New Year, the annual BrisAsia Festival turns the city into a three-week-long party, celebrating the city's ties with Asia and the many cultures that have originated from the continent. Every year, the event serves up buffet of things to eat, sip, see and do around the River City — and if you like dumplings and tea, plus dragon dances and Asian pop, get excited about 2024's lineup. Mark Thursday, February 1–Sunday, February 18 in your diary, then make plans to hit up 20-plus events in 14 suburbs around the city, including returning favourites and new festivities alike. Fish Lane will be the site of two huge additions to the event, hosting Asian street festival Lush to help kick off BrisAsia 2024, then also becoming the home of the Southside Dumpling Festival. The first is free to attend, and will showcase everything from Asian cuisine to street art. The second pushes restaurant Southside to the fore, with Sous Chef Benny Lam taking attendees on a tour of delicious dumplings and dim sums. Pop-up kitchens will also be part of the fest, which is slinging tickets for $22, as will live performances. Elsewhere, the city's tea festival is back again, with BrisAsia ParTEA moving to Chinatown with its sips. On offer: tastings of hot and cold cuppas, bubble teas as well, craft workshops and tunes. And, the Southside by Night event that combines street food with a car meet (yes, think Fast and Furious vibes) is also returning, taking place in Willawong. BrisAsia's big summer party keeps its spot on the lineup, too, this time popping up at the Thomas Dixon Centre in West End. You can also start looking forward to Awakening, a live concert at the Sir Thomas Brisbane Planetarium. Indigenous artist and musician Glenn Barry will be joined by sound healer and Crystal Armonica artist Chiho Kagawa, plus Tibetan musician Tenzin Choegyal — and the imagery displaying on the Mt Coot-tha venue's Cosmic Skydome. BrisAsia Dance will see street dance events take over Vent Space in South Brisbane and the Queen Street Mall's main stage, while an interactive workshop series for kids will spread the fun to BrisAsia attendees of all ages.
September in Brisbane means three things: ace weather, ample things to do and a sky full of fireworks. And, while Brisbane Festival can't claim credit for the climate, it gets all of the love for the latter two. Taking over every space it can – including the heavens – the annual celebration of arts, culture, music, performance, film and more turns the ninth month of a year into a party. Traipsing around the central hub that is Arcadia, getting immersed in an indie theatre wonderland, and looking up at Riverfire are just the beginning. From September 9 to 30, this year's fest promises all of that and a whole lot more. If your calendar isn't full, you're not trying hard enough. But if you do need some help, let us pencil in these ten must-sees from the stacked Brisbane Festival 2017 lineup.
The Mansfield Tavern is an icon of Brisbane's southside, having served cold pints and hearty food to all-comers since 1974. Following a recent renovation, the down-to-earth pub has entered its next chapter, offering a refreshed bistro, beer garden and sports bar. Plus, its historic entertainment space, The Arena, is better equipped than ever, breathing new life into one of the city's famed live music venues. In the bistro, this light-filled space is a go-to spot for easygoing cuisine. Spanning the full spectrum of laidback pub staples, the menu offers shared plates and comforting dishes, like smash burgers, classic chicken parmi and a steak lineup, served with garden salad and chips or creamy ranch slaw and garlic buttered potatoes. Meanwhile, there are dedicated menus for seniors and kids. Speaking of little ones, the bistro leads directly into a landscaped courtyard with a spacious kids' play area. You also have an openair beer garden running adjacent to the bistro, adorned with festoon lighting and relaxed seating. No doubt this spot will prove popular on sunny days and sweltering evenings. The sports bar is another inviting zone, featuring pool tables and comfy furniture alongside a six-metre-wide LED screen wall primed for big games and a rowdy crowd. As for The Arena, Mansfield Tavern's storied entertainment venue, expect regular programming that maintains its 50-year history. Over the decades, the stage has featured bands like Midnight Oil, INXS and Violent Soho, while the space has routinely doubled as a boxing venue for major events. For something a little more lighthearted, the schedule is also stacked with touring comedians and family-friendly entertainment.
It arrived in 2019 with a name out of a Dr Seuss book, an aim to level-up the fish-and-chip experience while still appreciating the old-school joys (including paper-wrapped takeaways), plus a love of themed pop-up menus. Six years later, Kangaroo Point's One Fish Two Fish is set to say farewell. Brisbanites have until the end of April 2025 for a last order — or several — at the bistro, which is closing when owners Daniel and Amelia Miletic's Main Street lease finishes. "After six incredible years, it's time for us to share some bittersweet news — One Fish Two Fish will be closing its doors at the end of April as our lease has come to an end," advised the Miletics in a statement on the eatery's social media. "What a privilege it's been to host people from all over the world in our little white Queensland cottage, where we've been lucky enough to share so many special moments. We've hosted baby showers, birthdays, engagements, anniversaries, hen's parties, weddings, product launches, a few locals escaping disastrous DIY projects, and countless, long, laughter-filled lunches." "We would like to sincerely thank you for the incredible support you showed One Fish Two Fish over the years — especially through the wild rollercoaster that was COVID." One Fish Two Fish will spend its last few months serving up its existing dine-in and takeaway menus, and also continuing to host its regular events. Oyster Frenzy, the venue's annual six-course feast, is the first to return. Love Bug, where Moreton Bay bugs are in the spotlight around Valentine's Day, will also be back. Then, come March it'll be time for the last Crab and Cray Cray specials. Midtown, the martini bar that the Miletics launched in South Brisbane's Fish Lane in 2023, will become the pair's new main focus — and yes, seafood is also on the menu there. "We hope to see you soon at our newest baby, Midtown, where we'll continue doing what we love most — hosting epic events, pouring delicious drinks and serving brilliant bites," the duo shared. Find One Fish Two Fish at 708 Main Street, Kangaroo Point — open 5–9pm Wednesday–Thursday, 12–9pm Friday–Saturday and 12–8.30pm Sunday — until the end of April 2025.
Brutus is small, focused and deliberately understated. The compact aperitivo bar is designed for early evenings, pre-dinner drinks and nights that unfold without a plan. Although it sits directly across from its culinary cousin Julius Pizzeria, its focus is narrower and more contemplative: sip first, snack second. Inside, there's a tiny bar with just a handful of seats, while outside a couple of communal tables catch the Brisbane breeze and the steady hum of the precinct. The space may be limited, but intention isn't, encouraging shorter menus, sharper decisions and longer conversations. Behind the bar you'll find a considered list. Italian and Australian wines anchor the selection, and are joined by spritzes, classic aperitivi and seasonal cocktails, from expert takes on the Negroni and Americano to signatures that balance bitter, citrus and herbaceous notes. Beers and light non-alcoholic options round out the list. Food comes in the form of spuntini, the Italian small snacks designed to accompany a drink rather than dominate it. At Brutus, that means bowls of toasted nuts or salted crisps, olives and grissini. Expect combinations like fennel salami with balsamic onions and fontina, burrata paired with marinated artichokes and semi-dried tomatoes, and simple cheese plates served with chutney, cornichons and crisp pane carasau. Service is warm, casual and quietly knowledgeable, matching the bar's elegant minimalism. Whether you're popping in for a spritz before dinner, lingering at the bar as the sun dips over Fish Lane, or making a slow night of it with friends, Bar Brutus feels like a European hideaway refined for Brisbane's pace. It's a bar that doesn't ask much of you, other than to slow down, order well and enjoy the rhythm of Fish Lane as it passes by.
Look for the orange door on Ann Street and step through to Savile Row, one of Fortitude Valley's most beloved cocktail lounges. Inspired loosely by the elegance and craft of London's tailor-streets, this bar is a masterclass in atmosphere and precision. Inside, a dazzling chandelier hangs above an expansive bar that's flanked by a back wall packed with spirits – more than 900 bottles spanning whisky, gin, rum, tequila, amaro, sherry and more – all curated to offer range without being overwhelming. Behind the bar, seasoned bartenders build drinks with an eye for classic technique and seasonal nuance. Signature cocktails such as the House Martini, Savile Old Fashioned and Smoked English Highball showcase balance and simplicity, while bespoke pours speak to the team's depth of craft. The venue's multi-level layout shifts subtly from bar counter to intimate booths and mezzanine nooks, encouraging both deep conversation and relaxed group sessions. Leather seating, warm lighting and dark wood accents make it feel more like a private club than a typical nightspot. Although Savile Row's heart is cocktails and spirits, there's also a small selection of beers and wine for those who prefer something lighter. Service here is poised and assured; bartenders know regulars by name, and recommendations come with thoughtful context rather than hard sell. Whether you're marking an occasion, lingering late into the night, or simply chasing well-made drinks in an elevated setting, Savile Row delivers a memorable experience that rewards attention and curiosity. Images: Millie Tang.
It could've been stickier than a marmalade sandwich. After directing the first two Paddington movies so delightfully, and either writing or co-writing both 2014's Paddington and 2017's Paddington 2 as well, filmmaker Paul King opted to dance with another beloved pop-culture character instead of making a third date with a certain adored Peruvian-in-Britain bear. Wonka, starring Timothée Chalamet (A Complete Unknown), as the chocolatier, was also a gem. With Dougal Wilson making his feature helming debut, Paddington in Peru has turned out charmingly as well. Wilson has been behind the lens for decades on music videos, short films and advertisements. If you've seen the clips for 'Fit But You Know It' by The Streets, 'Take Me Back to Your House' by Basement Jaxx, Dizzee Rascal's 'Dream', Jarvis Cocker's 'Don't Let Him Waste Your Time', 'Psyche' by Massive Attack, Goldfrapp's 'Happiness' and 'Life in Technicolor II' from Coldplay — among other vids — then you've seen his work. He's received Grammy, MTV Europe Music Awards and UK Music Video Awards nominations for his efforts, but taking over a big bear hug of a cinema franchise that's adored by audiences of all ages (and, in The Unbearable Weight of Massive Talent, by the one and only Nicolas Cage) is quite a task. Was it daunting? How did Wilson approach it, knowing how much viewers have warmed to all things Paddington on the silver screen over the last decade — and knowing, of course, the character's history on the page, where the Michael Bond-created critter first popped up in 1958, too? "You try not to make the pressure make you have a nervous breakdown, really," he tells Concrete Playground with a laugh. While he was new to the series, he was "surrounded by a very good team who all worked on the previous films", which assisted. "I had the same cinematographer, Erik Wilson [who also lensed Better Man], as the first two films. Same producer, Rosie Alison [Wonka], who is fantastic. Mark Burton [an Aardman Animations veteran, including Wallace & Gromit: Vengeance Most Fowl] was one of the writers who worked on the first two films. And James and Jon, two of the other writers, Jon Foster and James Lamont [the creators of animated series The Adventures of Paddington], they'd also contributed to some of the writers' rooms on the first two films. Then I had the director of animation Pablo Grillo [The Little Mermaid], who was a huge part the first two films." "So I had a really good team to help me, who could, if not reassure me — because it's not something you should be reassuring yourself, but it's hard to work on that, and you just have to chip away and keep working and craft it as best you can — but they had been there before, so they were a great team to work with," Wilson continues. For the franchise's third instalment, Wilson, his veteran Paddington colleagues, plus a cast still led by Ben Whishaw (Black Doves) turning in a lovely and lively vocal performance, all have new terrain to traverse. Although Paddington hails from Peru, he's one of London's most-famous animal residents, and so the first two movies largely set their narratives in the UK. With a roster of actors that's added Emily Mortimer (The New Look) as Mrs Brown, taking over from Sally Hawkins (The Lost King) in the first two pictures, and also enlisted Olivia Colman (Wicked Little Letters) as the singing Reverend Mother at the Home for Retired Bears and Antonio Banderas (Babygirl) as riverboat captain Hunter Cabot, the third film unfurls as an adventure in the South American jungle. Paddington and the Browns (including The Agency's Hugh Bonneville, Houdini and Doyle's Samuel Joslin and Man Down's Madeleine Harris) arrive to visit Aunt Lucy (Imelda Staunton, Chicken Run: Dawn of the Nugget), then find themselves searching for her — and El Dorado. The job for Wilson, then, wasn't just stepping into a heartwarming saga that King had established and then furthered so wonderfully — it was also upping the stakes, playing with a new location, taking inspiration from Buster Keaton and Werner Herzog, and more. We also chatted with the filmmaker about how he came to make his feature directorial debut with a Paddington flick, what excited him most about the job, balancing the slapstick and emotionally resonant elements of the movie (and others), the importance of Whishaw's voicework, the cast's new big names, how his music-video background assisted and more. On How Wilson Came to Make His Feature Directorial Debut with a Paddington Movie "Well, I was quite happy doing short things. They're great fun and they're very distracting. I had made various attempts to start on a longer-form thing, but I'd always haver about whether I got the story right or get paranoid that it wasn't. And then another short thing would come along and it would be more of a delay before the long thing ever got made. But I was working on another thing — a much-smaller long thing. Then this opportunity came up and I thought 'well, unlike other attempts I was making with features, I knew this would definitely happen' — because they really wanted to make a third film. And while it wasn't what I anticipated the first thing I would maybe try to do in long-form, I realised it was a great opportunity, and as did lots of my friends. They said 'oh, it's Paddington, you've got to do that'. Also I really admired what Paul had done on the first two films. Paul was off doing Wonka, so wasn't going to do the third one. And I really admired the style. I thought the way he told those stories, the way he coordinated the world and created the character Paddington himself, and the tone of the scriptwriting was so good. And that the humour was great. It had this lovely, quite unique modern-British comedic sense. And, despite being a family franchise, he'd really made it quite smart, and you could be any age to enjoy it. So I admired all these things and I thought 'well, I should probably take this opportunity'. But I was really scared because the first two films are really cherished and really good — and very well done. And I was under no illusion that this would be easy. We had to work on the script quite a lot with the writers as well, and develop that. And then it's a real technical challenge — and we were taking Paddington out of the environment in the first two films and taking him somewhere completely new, where he'd only been fleetingly in the first two films. So yeah, it was terrifying. But I felt I had to try." On What Excited Wilson the Most About Diving Into Paddington's World "I find the first two films really funny, but also quite emotionally powerful, and I was excited to try — I guess, as well as being terrified, I was excited to try to create something that if it was at least half as good as those two films, then I felt like I would have been really happy. So that was exciting knowing that we were aspiring to make something that could be good. Specifically, I was very excited by the mixed-media approach that Paul had started in the first two films. Using animation for some parts, I loved that in my short-form work. I was really excited about how intricately and brilliantly the action sequences were done in the first two films. I was keen to get my teeth into the slapstick sequences in this film. I was very excited by the approach to the design of the cinematography and the heightened style which we were going to try to continue. It's challenging because we were in London, and London is a big character in those first two films. And it does really, the locations and buildings in London really contribute to the style. But we are obviously in a natural environment in Peru. So it was a challenge, but I was also excited to try to continue the style of the first two films in an environment that was novel to them. We tried to that by setting it within an Incan labyrinth that sort of became our stand-in for how the National History Museum works in the first film, or Hunter's riverboat becomes the same as the train in the second film. It was just trying to find proscenium arches for certain scenes that continued he style of the first two films in a way that was as fun and as intricate as they did." On the Juggling Required to Make a Warmhearted, Globe-Crossing, Treasure-Hunting Mystery Adventure That's Also About Identity, Acceptance and Kindness "If you don't have both, then it will feel quite one-dimensional. So while Paddington will always mess things up or get himself in quite serious spots of bother, it's all because he means well and it's all because he's trying to do the right thing. So that does guide you in the script-development process. Also, we were completing the circle of the trilogy, which was basically the story of an immigrant who's looking for a home, who's trying to find their home — and then in the second film, someone who becomes part of a wider community but loses that place and has to fight to get it again, and in doing so finds out finds out a bit more about himself. And in the third film, it's about the experience of an immigrant who has to ask themselves where their home really is and what home means. So there was a deeper theme lying behind all the fun and the action, and we had to bear that in mind the whole time. And it obviously comes into focus towards the end of the film where Paddington finds out something about how he ended up in that river in Paddington 2 and where he might really be from. So there was always the undercurrent of that guiding us, and Paddington's outlook on life guides us. Even in the smallest details, like there's a scene where he tries to drive the boat and ends up — spoiler alert — ends up sinking the boat by accident, and that's all just because he wants to help. He wants to do the right thing. And so it often steers you, his outlook on life. It's not gags for the sake of gags. It's gags because he's trying to do the right thing at that moment." On the Scene in Paddington in Peru, Amid the Film's Many Visually Imaginative Sequences, That Wilson Is Most Pleased About "There's a few, but the one I thought was very ambitious but hopefully we carried it off was the finale chase at the end of act three — where Paddington's being pursued by the character Hunter, played by Antonio Banderas, around an Incan labyrinth by an Incan citadel, which is very inspired by Machu Picchu. During the research and location-scouting phase of the project, I went to South America for two months and I saw a lot of Incan architecture. And I went to Machu Picchu twice and explored those ruins, and I realised that would be a great place for a chase and for all sorts of interesting physical comedic moments to develop. In the same way as Paul drew on Chaplin in Paddington 2, I'm an enormous fan of Buster Keaton, and we worked in some Buster Keaton — there's a literal homage to the famous moment where the wall falls on Buster Keaton in Steamboat Bill, Jr within this chase. Then there's references to Raiders of the Lost of the Ark. There's nods to Aguirre, Wrath of God and Fitzcarraldo. But that particular chase around the Incan ruins, that was really fun to do because we had to work out a sequence of comedic moments within a chase that we could then apply to an Incan citadel, and it just felt like a very good expression and condensation of the idea of Paddington in Peru. It's like, let's take Peru and put Paddington inside and hopefully fun will ensue." On Not Really Needing to Guide Ben Whishaw's Vocal Performance — or Imelda Staunton's as Aunt Lucy "They're somewhat old hands at this now, because they've both done two films already. And they're also just brilliant actors. So I often don't really have to tell them really much to do. I just, we get the first few performances, we might develop it, get some options — because sometimes you also don't quite know in the recording session with them exactly what will feel right within the edit, until you get the recordings back to the edit suites and then play those performances off against the other cast or the particular cut you have. But no, they really inhabit those characters. Ben is the heart and soul of Paddington. And when you hear his voice — because we didn't have his voice right at the start, we started just with scratch dialogue. You do a read-through with stand-ins. And often in the edit, it's sometimes my voice doing Paddington's voice, just because we needed Paddington to say something in particular we don't happen to have as a recording. So in the later stages of the edit, we start doing the voice sessions with Ben and with Imelda, and then those voices go in. And also, you don't have Paddington's animation to begin with. You just might have some — again, sometimes it's my incredibly crude drawings, which my editor Úna Ní Dhonghaíle [Young Woman and the Sea] had to up with. She had to do chase sequences where it's just this frozen awful drawing of Paddington. But then when you put Ben's voice on it, somehow it absolutely comes alive and the emotion sings through. And the same with Imelda. I think we got her voice quite late in the day and suddenly the scene just came alive when we put it on. I don't have to tell them to do very much. It's very, very easy with those actors because they are just so expert." On How Crucial Whishaw's Voice Is as Paddington, Especially Given That Colin Firth Was Initially Cast for the First Film "There's a magic to Ben's performance and it just shows you that it's very difficult to put your finger exactly on what it is that that really works when you see that animation combined with that voice. And I think it was very hard thing to predict. He wasn't originally the voice of Paddington, and it was switched during the editing of the first film, I believe — and then once you hear it, you think 'well, how could that ever have been a different choice?'. I think the fact that it maybe wasn't obvious when Paul and his team were making the first film, who Paddington's voice should be, is part of the magic of why Ben works. And it's quite hard to articulate why he works. He just has this — there's an element of wisdom to his voice, but there's also an element of childish innocence to his voice. It's a lovely, subtle, slightly contradictory combination. And there's a real intimacy to his performance. And also you really believe the character and you believe he cares. That's just something interwoven in the fabric of Ben's performance. What exactly, how exactly he does that, I don't know. That's the magic." On Adding Olivia Colman and Antonio Banderas to the Cast "We needed an amusing British nun who just felt like she was in a Paddington film. And as soon as someone mentioned Olivia Colman, we couldn't really think of anyone else, so that just seemed to click together. Then we sent her the script and asked if she wanted to do it, and within the same day we got a response: 'love to, I'm already learning the guitar'. So that was it. It was pretty simple. Antonio was equally keen on the project. We needed a charming Spanish riverboat captain who was quite swashbuckling, and of course your mind immediately turns to Antonio Banderas. So they just seemed the right, obvious choices for two archetypal roles. And luckily, they were very, very into it." On the Sense of Responsibility That Comes with Making a Heartwarming, Joyous Film That Offers Viewers an Escape — But Also Have Some Darkness in It "It's a big responsibility. And it's lovely to see the reactions of people who've seen the film and have found joy in it and found their spirits lifted by it. That's a wonderful thing to do. Obviously they're joyful, but you have to have the dark moments as well in order for the joy to work. And also you can't slap the joy on in too saccharine a manner, otherwise they won't feel authentic. But yes, they have a very positive outlook on the world and that all just emanates from Paddington's character, which he has an optimistic view of the world. He always looks for the good in people, and he always believes that if we are kind and polite, the world will be right. So the joy from the films, I think it all emanates from Paddington's worldview and his ability to change people. He often doesn't change that much himself, but he can change other people for the better. He'll find the good in people and change them." On Why the Paddington Films Have Struck Such a Chord with Audiences "I think basically because Paul got it right. He managed to get the character right, managed to get the tone of the humour right and managed to get the execution right. It could have been done differently, but it was just very, very smartly done. And again, you mentioned Ben Whishaw — Ben Whishaw just inhabits Paddington. And then the animation, the director of animation on all the films has been a brilliant guy called Pablo Grillo, and the combination of the way Paddington is designed and moves and animates and emotes with Ben's voice is just something, there's something magical there, and it was to the credit of all the team on the first two films that they just managed to make that resonate. So, I can't take the credit for that myself. I think that's just something that I inherited and I did my best to continue." On How Wilson's Background in Music Videos Helped with Directing His First Feature "That format of filmmaking, short-form, especially short-form set to music, is — well, the way I've done it, is there's a lot of attention to detail because you only get a short amount of time to show stuff. I also try to put stories into these pieces of videos. And I love it when the pieces are as packed as possible and as intricate as possible. So I really enjoyed applying that to the sequences in Paddington. I also thought, for the first two films, they do feel very carefully crafted and every moment seems to count. So it didn't seem too different a style for this film. Although, story is king and the story comes from the script, so I very much had to respect the scenes where the actors have to deliver a story — but I love trying to entwine that with style and design, and how it was directed and how the shots slotted together. Then it really came into its own when I was doing an action sequence or a slapstick sequence, or even a musical sequence, obviously when the Reverend Mother sings a song. So it really helped, but it was also a good new experience to do long scenes with actors performing and delivering great performances. That was maybe something that I hadn't experienced as much when I did short-form of stuff, but I really enjoyed it. I really enjoyed attacking that sort of scene as well." Paddington in Peru released in Australian and New Zealand cinemas on Wednesday, January 1, 2025.
When someone spots a giant spider, they take notice, even when it's simply a tall metal piece of art. Seeing one of Louise Bourgeois' towering arachnids is indeed a stunning experience; however, so is watching people clock her lofty works. Her Maman sculptures demand attention. They're the type of public art that audiences just want to sit around, soak in and commune with. They're photo favourites, too, of course — and one is coming to Australia. This will be the first time that Maman has displayed Down Under, with the world-famous work heading to Sydney as part of Sydney International Art Series returns for 2023–24. As previously announced, Bourgeois is one of three hero talents scoring a blockbuster exhibition during event, alongside Wassily Kandinsky and Tacita Dean. And, the nine-metre-high, ten-metre-wide sculpture that she's best known for will be catching Aussie art lovers in its web. [caption id="attachment_914565" align="alignnone" width="1920"] Louise Bourgeois' Maman, located outside the National Gallery of Canada. Radagast via Wikimedia Commons.[/caption] That said, there won't be any physical strings of silk — but Maman is that entrancing. The sculpture hails back to 1999, and boasts its name because it's a tribute to Bourgeois' mother. The artist described her mum as "deliberate, clever, patient, soothing... and [as] useful as a spider". If you're keen to see Maman on home soil, it'll sit on the forecourt of the Art Gallery of New South Wales' South Building from Saturday, November 25, 2023–Sunday, April 28, 2024 during Louise Bourgeois: Has the Day Invaded the Night, or Has the Night Invaded the Day?'s run. And if it sounds familiar, that's because you might've seen permanent installations of the bronze, steel and marble work outside the Mori Art Museum in Tokyo — or at the Tate Modern in the UK, National Gallery of Canada in Ottawa, Guggenheim Museum Bilbao in Spain, Crystal Bridges Museum of American Art in Bentonville in Arkansas or the Qatar National Convention Center in Doha. [caption id="attachment_914560" align="alignnone" width="1920"] Louise Bourgeois 'Clouds and Caverns' 1982–89, metal, wood, 274.3 x 553.7 x 182.9 cm, Collection The Easton Foundation, New York, courtesy Kunstmuseum Den Haag © The Easton Foundation, photo: Christopher Burke.[/caption] "We are proud that the subject of our first major solo exhibition in our new SANAA-designed North Building, almost one year since opening, is the great Louise Bourgeois. We are honoured to introduce this deeply influential artist to new generations, and to have the opportunity to share the strange beauty and emotional power of her art with Sydney,' said Art Gallery of New South Wales director Michael Brand. "The scale of this exhibition, which is one of the most extensive ever dedicated to an international woman artist in Australia, demonstrates our commitment to revealing the depth and complexity of the artistic careers we explore and our commitment to celebrating the work of women artists in our collection and exhibitions." "We are proud to bring Maman, the largest spider sculpture ever made by Bourgeois, to Sydney for the very first time, and to be showcasing the extraordinary breadth of the artist's practice, which includes fabric sculpture, works on paper, bronzes, works from her series of Cells, mechanised sculpture, and more." [caption id="attachment_914563" align="alignnone" width="1920"] Louise Bourgeois 'Twosome' 1991, steel, paint, electric light, 190.5 x 193 x 1244.6 cm, Collection The Easton Foundation, New York © The Easton Foundation, photo: Elad Sarig.[/caption] A collaboration with The Easton Foundation in New York, Louise Bourgeois: Has the Day Invaded the Night, or Has the Night Invaded the Day? will showcase more than 150 works. It's the largest survey of Bourgeois' work ever displayed in Australia — and, as Brand mentioned, one of the most comprehensive ever devoted to a female artist in the country. The Bourgeois exhibition will display 13 years after the Paris-born artist passed away in New York in 2010, and after she stamped her imprint upon the art of the 20th century. Visitors to will see her Personage sculptures from the 1940s, textile works of the 1990s and 2000s, and plenty in-between, with the showcase playing up the duelling themes and ideas in her work by taking over AGNSW's major exhibition gallery and 'the Tank'. Other highlights include The Destruction of the Father, which is among the pieces that've never been displayed in Australia before; Crouching Spider, and one of the biggest works ever to grace the Tank; Clouds and Caverns, which is rarely seen in general; and the mirrored piece Has the Day Invaded the Night, or Has the Night Invaded the Day?, which shares the exhibition's moniker. [caption id="attachment_889027" align="alignnone" width="1920"] Louise Bourgeois, The destruction of the father 1974-2017, archival polyurethane, resin, wood, fabric and red light, 237.8 x 362.3 x 248.6 cm. Glenstone Museum, Potomac, Maryland. Photo: Ron Amstutz. © The Easton Foundation.[/caption] Louise Bourgeois: Has the Day Invaded the Night, or Has the Night Invaded the Day? runs from Saturday, November 25, 2023–Sunday, April 28, 2024 at the Art Gallery of New South Wales, Art Gallery Road, The Domain, Sydney, with tickets on sale from Wednesday, September 6. Sydney International Art Series runs from November 2023 — head to the AGNSW and MCA websites for further details. Top image: Louise Bourgeois 'Maman' 1999, installed during the exhibition 'Louise Bourgeois: To Unravel a Torment', Museu de Arte Contemporânea de Serralves, Porto, 3 December 2020 – 20 June 2021 © The Easton Foundation, photo: Filipe Braga.
When festival-goers converge on Woodford at the end of December for the southeast Queensland town's annual folk festival, they'll find a brand new addition at the event's Woodfordia location. Each year, the spot 75-minutes north of Brisbane by car turns into a thriving pop-up community for six days; however from this point onwards, it's also the site of a permanent new lake. Called Lake Gkula — a name that refers to the region's traditional owners, the Jinibara people, and specifically references spokesperson Uncle Noel Blair, whose indigenous name is Gkula — the body of water is now Australia's largest all-natural conservation and recreation lake, too. The man-made spot is also teeming with fish and plant life. More than 400 species of native freshwater fish are swimming in its waters, while over 4000 plants have been planted in and around the lake to date, with more planned. Crucially for both the lake's biodiversity and for human swimmers, the entire body of water is chemical-free, using pumps and injectors to keep both a constant water flow and high levels of oxygen. The water is pushed through two wetlands, which act to purify the lake while also encouraging microorganisms to thrive. If you're eager to go for a splash, it'll only be open to season campers during the 2019–20 fest, although swimming privileges will also given to artists and volunteers. Season campers will need to pay a ticket fee of $4 for adults, which'll help recover the costs of building the lake — and they'll also need to book in advance, with 50-minute slots available between 6am–6.30pm. For those who don't fall into those categories, you'll still be able to peer over the water at the lakeside bar, which'll be running during the festival and open to all Woodford patrons. At this stage, the lake will only welcome swimmers during the festival, but founder of Woodfordia, Bill Hauritz, sees Lake Gkula as a hotspot for the Moreton Bay hinterland area, so perhaps watch this space. "Groups and organisations outside our own are already expressing a keen interest in using this stunning new feature," he advised in a statement. "We know Lake Gkula will be an attraction; it's that beautiful." Costing more than $1.5 million to build, including funding from the Queensland Government, Woodford's new addition has sourced all of its water from onsite dams and a bore, with festival organisers aware that they're opening a watering hole in drought conditions. It's also partly powered by solar energy, and the Woodford team is working towards running the lake wholly on 100-percent renewable sources. The 2019–20 Woodford Folk Festival runs from Friday, December 27, 2019–Wednesday, January 1, 2002. For more information about Lake Gkula, visit the Woodford Folk Festival website.
Some desserts always tempt the tastebuds, because there's going wrong with a classic. As well as tasting great every time you bite into them, some of those same sweet treats have inspired a heap of creative takes, too. If you've ever sipped a lamington-flavoured milkshake or plunged a scoop into some Iced VoVo gelato, then you know exactly what we're talking about. The next dessert mashups on offer hail from chocolatier Koko Black — and, if you're particularly fond of nostalgic Aussie favourites, your stomach might just start growling. As part of its new Australian Classics Collection, the Melbourne-founded company is making chocolate versions of plenty of your childhood staples. Think honey joys, chocolate crackles and Golden Gaytimes, plus the perennial go-tos that are Iced VoVos and lamingtons. The artisanal range turns some of the above sweets into separate bars sold in three-packs, and some into slabs of chocolate. So, you can tuck into Gaytime Goldies, which combine vanilla and malted caramel ganache, then dip the bar in dark chocolate, before covering it with hazelnuts — or opt for a block of Koko Crackles, which features rice bubbles, caramelised coconut and white chocolate, as then dipped in dark chocolate. Also available: a Lamington Slice slab, combining chocolate marshmallow and raspberry jelly, as covered in dark chocolate and dusted with coconut; bars of Koko Vovo, aka milk chocolate-coated biscuits topped with strawberry rosewater marshmallow, raspberry jelly and coconut; and Jam Wagons, which top biscuits topped with marshmallow and raspberry jam, then coat them in milk chocolate. Or, there's also Honey Joys, if you like your cornflakes drizzled with honey, then mixed with either milk chocolate or dark chocolate. The Australian Classics Collection is available separately or as one big hamper, with prices ranging from $15.90–$169. If you're keen, they've already hit Koko Black's online store — with delivery available nationally — and will show up in its physical shops from September 24. For more information about Koko Black's Australian Classics Collection, visit the store's website. Images: Studio Round.
There's a good chance you've heard about spice bags by now, with this culinary masterpiece popping up on menus across town. Emerging in the mid-2000s, its greasy, spicy, salty combination emerged from Dublin's Chinese restaurants and has increasingly gained a cult following on our shores in recent times. Yet to discover its charms? Archive Beer Boutique in the West End is now serving an Irish Spice Bag for your dining pleasure. Loaded with crispy chicken bites, golden chips, stacks of spices, and fresh capsicum and onion, this steaming bag of goodness goes down a treat with the venue's wide selection of craft beers. Priced at $23, it's available on Archive Beer's specials board throughout the week before moving to the late-night-only menu after 9.30pm. Meanwhile, if you're keen to add even more kick to each bite, the kitchen recommends slathering the whole thing in their sweet-and-spicy Thai sauce. Archive's buzzing late-night atmosphere is ripe for a spice bag, usually best paired with a big night out and a few too many drinks. Once the hangover is really starting to kick in, you might even find yourself going for a second round the next day.
Google's innovation in geo-location tools and imaging has significantly changed how we view and interact with our world. What with Street Art View, allowing users to tag their favourite street art; People Finders connecting friends and loved ones in times of disaster; and artists capturing incredible images from Google Earth, Google blurs physical existence with digital presence to connect us in amazing ways. Whether you want to check out a destination before hitting the road or travel to the other side of the globe without leaving your seat, Google Street View can take you there. With the launch of an all new look and enhanced interactivity, real-world navigation from your net browser has never been so awesome. When you load up Google Maps, areas outlined in blue highlight where Google Street View is available. Google's loveable stick-figure Pegman will light up yellow too. Drag him onto your desired location to view the 'hood, and click on the arrows on the ground to take a little stroll. Back in 2007 at Street View's inception, only select major cities had the feature. Since then, teams of photographers have worked tirelessly to compile incredible images from around the world. Stitched together, the images form 360 degree panoramas which afford gorgeous glimpses of far away places - so good it feels like you're really there. https://youtube.com/watch?v=MwCrjfmCgO0 [Via Mashable]
For its first-ever festival away from Austin, SXSW will paint Sydney red, blue, purple and yellow. It'll also throw hot potatoes into the mix. And, it'll celebrate an Australian act like no other: the Hottest 100-topping, Mardi Gras-attending, Falls Festival-playing, Little Nas X-adored skivvy fans that are The Wiggles. Two of past big announcements in Australia's screen industry are set to combine in the Harbour City from Sunday, October 15–Saturday, October 21: documentary Hot Potato: The Story of The Wiggles and SXSW Sydney's Screen Festival. Both were first revealed in 2022, and now they'll join forces this year, with the fest hosting the world premiere of the film. Wake up, SXSW Sydney attendees: the event's first big local movie debut will get you feeling nostalgic before it heads to Prime Video. Hot Potato: The Story of The Wiggles tells exactly the tale you think it will, following the group's career over more than three decades, including the new levels of fame and popularity that 2022 threw their way. Sure, Dorothy the Dinosaur mightn't need an origin story, but OG Wiggles Anthony Field, Murray Cook, Greg Page and Jeff Fatt are getting one, with Sally Aitken (Valerie Taylor: Playing with Sharks, David Stratton: A Cinematic Life) directing. The feature-length film promises never-before-seen behind-the-scenes footage, too — and the SXSW Sydney screening will feature The Wiggles in attendance, including for Q&As and performances. The film joins a lineup that already includes nine previously announced titles, covering everything from flicks starring Indonesian rappers and documentaries about Tokyo Uber Eats rider to movies featuring viral Chinese dance crazes. Can't wait to watch your way through the fest? SXSW Sydney has also announced that Screen Festival wristbands go on sale on Friday, August 25, starting at an early-bird price of $240 and getting people wearing one into unlimited screenings. The SXSW 2023 Sydney Screen Festival also includes an array of speakers, with Queer Eye star Tan France set to hit Australia to get chatting. Indigenous filmmakers Leah Purcell (The Drover's Wife The Legend of Molly Johnson), Kodie Bedford (Mystery Road: Origin) and Jub Clerc (Sweet As) will also take to the stage; Osher Günsberg is on the SXSW Sydney bill recording an episode of his podcast Better Than Yesterday with a yet-to-be-announced special guest; and Gone Girl, The Nightingale, The Dry, Big Little Lies and Nine Perfect Strangers producer Bruna Papandrea and Binge's Executive Director Alison Hurbert-Burns will also appear. As well as showering viewers with movies and TV shows, with more titles to come — including First Nations Screen Festival programming by Winda Film Festival founder Pauline Clague — SXSW Sydney's film- and TV-focused strand will feature red-carpet premieres; digital and social content; an XR showcase; Q&As and panel discussions; parties and mentoring; and a screen market for industry deals. Free outdoor screenings are also slated, alongside indoor sessions at The ICC's Darling Theatre, Palace Cinemas Central and other yet-to-be-revealed venues. All of the above falls into the broader SXSW Sydney festival, which has been dropping lineup announcements for six months now, including in its first batch of speakers and musicians back in February, more music highlights and must-attend parties in May, details of its gaming strand in June, then two more rounds of speakers in July. SXSW Sydney will run from Sunday, October 15–Sunday, October 22 at various Sydney venues, with the SXSW Sydney Screen Festival running from Sunday, October 15–Saturday, October 21 at The ICC's Darling Theatre, Palace Cinemas Central and more venues to be announced. Head to the SXSW Sydney website for further details. If you're keen to make the most of Australia's first SXSW, take advantage of our special reader offer. Purchase your SXSW Sydney 2023 Official Badge via Concrete Playground Trips and you'll score a $150 credit to use on your choice of Sydney accommodation. Book now via the website.
In 2022, The Kid LAROI embarked upon his debut headline Australian tour, selling out arenas across the nation and adding more dates to meet demand. Two years later, the Aussie star otherwise known as Charlton Kenneth Jeffrey Howard is hitting local stages again, locking in tour dates for November 2024. Initially announced in 2023 and due to happen in February 2024, then postponed to October due to trying to confirm a "really big surprise and special guest" and "a bunch of other logistical stuff", The Kid LAROI's The First Time Australian tour has now set both its dates and venues. His supports at five of his seven stops: Migos frontman Quavo and Sydney's own ONEFOUR. [caption id="attachment_926206" align="alignnone" width="1920"] Adam Kargenian[/caption] "I'm really excited to confirm the November tour dates and bring my show to Australia. It's going to be incredible to perform back home and share this experience with all of you," said the singer-songwriter, revealing the new dates. "I'm also pumped to announce that Quavo will be joining the tour as a special guest. Can't wait to see you guys and make this tour unforgettable!" The Kid LAROI has made some changes to the tour itinerary, which is in support of The Kid LAROI's debut studio album The First Time and was originally set for a five-city Australian run. This was meant to be his first-ever Aussie stadium tour thanks to shows at Melbourne's AAMI Park, Perth's HBF Park, Adelaide's Coopers Stadium, Sydney's Commbank Stadium and CBUS Super Stadium on the Gold Coast. Now, however, he's hitting up HOTA, Home of the Arts on the Gold Coast, Brisbane Entertainment Centre, Commbank Stadium in Sydney, Perth's RAC Arena, Adelaide Entertainment Centre, MyState Bank Arena in Hobart and Melbourne's Rod Laver Arena. Quavo and ONEFOUR won't be on the bill on the Gold Coast or in Hobart. The First Time might've been a new 2023 arrival, but The Kid LAROI has been releasing music since 2018 — solo, and also teaming up with everyone from Juice WRLD and ONEFOUR to Justin Bieber. Accordingly, fans can look forward to hearing 'Stay', 'Without You', 'Thousand Miles', 'Love Again', 'Girls' and more come spring. The Kid LAROI The First Time Australian Tour 2024: Monday, November 11 — HOTA, Home of the Arts, Gold Coast Thursday, November 14 — Brisbane Entertainment Centre, Brisbane Saturday, November 16 — Commbank Stadium, Sydney Wednesday, November 20 —RAC Arena, Perth Sunday, November 24 — Adelaide Entertainment Centre, Adelaide Wednesday, November 27 — MyState Bank Arena, Hobart Friday, November 29–Saturday, November 30 — Rod Laver Arena, Melbourne The Kid LAROI is touring Australia in November 2024, postponed from February 2024. Head to the Australian ticketing site for more information — and for presales from 1pm local time on Tuesday, August 6 and general sales from 1pm local time on Thursday, August 8.
Some problems require quick and urgent solutions, as 2020 has demonstrated over and over again. Other struggles prove more of an inconvenience than anything else, and don't really need quite the same fast and strong response. But the latter category is still filled with the types of troubles we've all spent more time pondering than we probably should've — like trying to carry four beers back from the bar in one go, for instance. Yes, there are actually already multiple solutions to this issue. Trays exist, or you can get a friend to help. But if you're not too fond of either of those options, hospitality company Merivale, food and beverage company Lion, and marketing company Ogilvy have teamed up to create 'super schooners'. They look like regular glasses, but bigger — and they're actually comprised of four glasses in one. Basically, when you pull the super schooners apart, they break into wedge-shaped glasses. But they're easier to carry when they're all pushed together — which is exactly what they've been designed for. And, they're coming to one Sydney pub for summer, aka the prime season for sinking cold ones with the gang. The super schooners will launch at Vic on The Park in Marrickville, with brew lovers able to literally pick up a four-in-one-glass from the evening of Wednesday, November 18. Yes, their availability has been timed to coincide with the last State of Origin game. You can choose to have them filled with Furphy or Byron Bay Ale, and the entire thing will cost you $35. Sydneysiders could potentially be able to order a super schooner at other Merivale venues around town down the line, too, although nothing has been confirmed as yet. If you're located in Melbourne, Brisbane, Adelaide or Perth and you think this four-in-one glass would make your stints at the pub much, much easier, you'll have to cross your fingers that another hospitality group based in your city gets onboard with the super schooner concept. Sydneysiders can grab a super schooner from Vic on The Park, 2 Addison Road, Marrickville, from Wednesday, November 18. Merivale might roll out the concept to its other Sydney venues in the future — we'll keep you updated if that happens.
Before getting a glimpse into everyone else's lives was as simple as logging into your social-media platform of choice, a game arrived that let its players do something similar with computerised characters. A spinoff from SimCity and its city-building follow-ups, The Sims allows whoever is mashing buttons to create and control virtual people, then step through their existence. First hitting in February 2000, it has spawned three sequels, plus a whole heap of expansion and compilation packs for each — and online, console and mobile versions as well. A quarter of a century since its debut, The Sims still keeps dropping new releases. To mark its 25th birthday, there's now The Sims: Birthday Bundle. That's one way to celebrate the game's latest anniversary. Here's another: stepping inside a three-day Australian pop-up dedicated to the beloved life simulator, which is heading to Melbourne's Australian Centre for the Moving Image from Friday, February 21–Sunday, February 23, 2025. Despite The Sims' more-recent titles, thinking about the game usually means thinking about the 2000s. So, this pop-up is taking that truth to heart by celebrating the Y2K era, too. Going along involves entering inside a 2000s-era pre-teen bedroom that's been decked out by Josh & Matt Design with all of the appropriate touches. Yes, it'll be nostalgic. Yes, there'll be CD towers and blow-up couches, just to name a few decor choices. The pop-up will also feature free stations where you can play The Sims: Birthday Bundle, if the best way for you to commeroate the occasion is by diving into the franchise virtually. In addition, there'll also be a free panel about the game on the Saturday, with speakers including Josh & Matt Design's Josh Jessup and Matt Moss — who are big The Sims fans — and EA/Firemonkeys' Simulation Division General Manager Mavis Chan.
Dracula's castle is the place that nightmares are made of, as anyone who has read Bram Stoker's iconic 1897 gothic novel or seen a vampire flick knows. Nestled in the Carpathian mountains in the heart of Transylvania, it's also a place you can actually spend a night in. Well, it's a 14th century mountain-top manor that served as the inspiration for the creepy dwelling in the book, but you get the picture. Close enough, right? No, the fictional master of the undead isn't pulling his own What We Do in the Shadows-style caper; it's not a share house, and there won't be a doco crew there filming everything. And no, you don't have to willingly get lured in by a charismatic recluse who can turn into a bat, or turn up to help him with legal matters (but hey, if you want to pretend that you're Keanu Reeves in the 1992 movie, go for it). Instead, it's as simple as hitting up Airbnb to win a chance to stay at Bran Castle in Romania. The accommodation-sharing service has offered up shark tanks, van Gogh's bedroom, the Teenage Mutant Ninja Turtles' secret lair and an Abbey Road slumber party with Mark Ronson before, so you shouldn't be surprised. Now that's how you celebrate halloween. Plus, the evening will be hosted by the great grand-nephew of Bram Stoker himself, Dacre Stoker, who actually wrote a sequel to the bloodsucking classic in 2009. After riding in a horse-drawn carriage at sunset, probably seeing swooping bats and hearing howling wolves, he'll answer your knock at the door — and once he does, you're trapped until dawn. As an expert on Transylvanian lore, he'll guide you through lamp-lit corridors, creepy nooks, squeaky staircases and secret passages. There's 57 rooms in total, including lofty tower lookouts, deep dark crypts, a grand dining room perfect for an intimate candlelit dinner, and luxurious velvet-trimmed coffins to sleep in. Entrants must be 18 and over, and it goes without saying that anyone who is easily frightened shouldn't bother. For more information, visit the castle's listing on Airbnb.
Press on James St may be small but it sure packs a punch. A vibrant pink pitaya bowl punch to be precise. With management recently changing hands, Bulimba locals will be sure to recognise the health-conscious style of the new owners — the same duo behind Coco Bliss Superfood Bar. Dig into Press' signature pitaya bowl or a cup of chia seed pudding, then wash it down with a Genovese flat white made with Barambah Organics milk. Be sure to pick up a choc peanut butter cup for the road — before you cry “sacrilege!” know that these babies are completely raw, vegan, dairy free, gluten free and refined sugar free but 100% delicious.
Had a big night out in Fortitude Valley? You might not be thinking about heading back the next morning, but The New Black is a great place to come back to life. It's flagship cafe for Brisbane roaster The Black Lab Coffee Co, so you're guaranteed a soul-reviving brew alongside a selection of top-notch brunch dishes. You can keep it simple with a classic homemade granola with seasonal berries or opt for something a little more special. Our recco? The avocado on toast that's miles above those you find on most Brisbane cafe menus. This one comes with a basil pesto, watermelon radishes, kale chips, whipped ricotta and seed crackers. It's giving Melbourne and Sydney brunches a run for their money. And for those who want to really indulge for breakfast, there's The New Black's decadent espresso waffles or the fried chicken benny. This is real bougie hangover food, for those of you who prefer to eat through the pain rather than try to sleep though it.
If you've ever set up a screen or TV within viewing distance of a backyard pool so that you could watch a film while you splash around, congrats: you've brought the joy that is dive-in movies to your own patch of turf. And if you haven't, but you want to now, you're in luck. Obviously, you could still go the DIY route — or, if you'd like to sit in a hot tub in your own yard and check out a flick, you can hit up a new service called Tubflix. Founded in September 2020 by Mazviita Foto following the first round of COVID-19 restrictions, the mobile cinema experience is as straightforward as it sounds. Book in a session, and Tubflix will bring everything you need to your backyard — tub, screen and movie included. Also part of the service: a costumed usher, who'll greet guests at your doors, ask for tickets, then escort them to the cinema space. So, if you'd like to hop in a warm pool of water with your nearest and dearest and watch a movie under the stars — and not have to venture far to do so, or go to the hassle of working out what equipment you need — now you can. Hot tub cinema packages start at $385 for one tub that can accommodate up to six people, and you'll get it overnight. It'll also be dropped off the day prior, so that the tub can heat up, and picked up the day aftewards. The projector, screen and sound system are included in the price, and so are flameless candles, lanterns and fairy lights, should you want some mood lighting. If you're keen on levelling up the experience, platters, champagne, soft drink and snacks are also available. Fancy hiring a bartender to serve drinks or whip up cocktails? You can do that as well. And, in the future, private bar hire, catering, and chefs cooking teppanyaki and Italian food will also be on offer. Movie-wise, Tubflix lets you pick from watery options such as The Notebook and Palm Springs, as well as other flicks like Casablanca, Emma, Mulan, Onward and Bad Boys for Life. At the moment, neither Hot Tub Time Machine nor its sequel are on the lineup, though. Or, you can connect to the internet and pick a movie from your chosen streaming service. And, you can turn the whole experience into a special date night thanks to Tubflix's package for just that (think: flowers in the tub, and a live musician) or take a group painting class before your movie. Tubflix operates in Brisbane and on the Gold Coast. For more information, head to the service's website.
Not all moviegoing experiences are created equal. At-home viewing will always be trumped by the silver screen and, once you're out of the house to see a flick, different picture palaces offer different vibes, seats, snacks and beverages. Care more about the film than the surroundings? There are venues for that. Keeping an eye on your bank balance but still want to see the latest and greatest features? There are spots for that, too. Fancy grabbing a drink from a glam new bar, enjoying privacy shrouds in Gold Class and, in the future, settling into a next-level boutique cinema? That's all on the menu at Event Cinemas Chermside. The northside shopping centre mainstay has been undergoing a massive revamp, with its first stage unveiled late in 2022. So, if you stopped by to see a Boxing Day flick — or box-office behemoth Avatar: The Way of Water — you will have noticed a few changes. If you're a Brisbanite who hasn't been in that part of town for a while, or even just that section of Westfield Chermside, big differences await. When it comes to actually catching a movie, the venue has upgraded its Gold Class cinemas. That means new whole-body reclining seats with those privacy barriers — so no one will interrupt your viewing — and far more seats Before you get comfy in Gold Class' treat yo'self setup, however, you'll spot Event Cinemas' new lounge and bar. It's where you grab a drink, of course, and pairs timber, blue hues and geometric designs, plus twinkling lighting above. Nab your tipple of choice — including a sizeable spirits range behind the bar — then relax in velvety, jewel-toned booths. Just remember to go see your movie when it starts (or save your trip here for a post-flick chat). The Chermside cinema has also gained a marketplace-style food offering and beverage centre for your flick-viewing snacks, which serves up freshly made flavoured popcorn, nachos and churros. And, there's a lolly tree stacked with movie confectionary favourites. As exciting as all of the above is, perhaps the best part is still on its way: Queensland's first next-level Event Boutique cinema. Already operating down south, and hailing from the same minds behind Gold Class, V-Max and the multi-sensory 4DX cinema, this addition to the chain's offering takes an existing theatre, decks it out with unique theming and turns the decor into a huge drawcard. Within the intimate but roomy spaces, movie buffs will also find luxurious recliner chairs and state-of-the-art sound technology, too, plus a levelled-up food and drink menu. Exactly what Chermside's boutique addition will look like hasn't yet been revealed, and neither has an opening date. Design-wise, it'll have a similar layout to Sydney's versions, but no two Event Boutique spaces look the same. Still, if you're wondering, the New South Wales capital's George Street cinema has two boutique theatres: the 'Paparazzi' auditorium, which is inspired by red carpet glamour; and 'The Library', which is all about the art of storytelling. Also yet-to-be-announced: Chermside's Event Boutique culinary and beverage range. As a guide, Sydney's iteration launched with cheese and charcuterie, smashed avo, croissants, banana loaf, wagyu beef burgers, braised brisket pies, reuben sandwiches, goat's cheese mini pizzas, fried-to-order cinnamon doughnuts, pints of Magnum ice cream and popcorn-topped chocolate brownies — and waiter service. [caption id="attachment_725805" align="alignnone" width="1920"] Event Boutique George Street, Sydney[/caption] Find Event Cinemas Chermside at Chermside Shopping Centre, 38 Hamilton Road, Chermside. We'll update you with further details about the venue's new Event Boutique setup, including a launch date, when they're announced.
Hollywood loves an awards ceremony, and boasts a regular lineup of statuette-bestowing occasions to prove it. Stellar television shows and the folks who make them can win everything from an Emmy and a Golden Globe to a Screen Actors Guild Award and a BAFTA — and more — because cinema isn't the only screen format that likes rewarding its best and brightest at glitzy occasions with lengthy speeches and shiny trophies. Awards ceremonies are also a handy source of information for TV fans. They're fun to watch, but they can also help you work out what else you should be watching. So many television shows vie for everyone's eyeballs each year, so knowing that something has scored a few gongs (or even more than a few) might help rocket it to the top of your must-see list. Streaming platform Binge features quite a number of award-winners in its catalogue, for example, if you're not quite sure what you should marathon your way through next. In collaboration with the service, we've taken a look and picked five of our accolade-receiving favourites that you can check out now — including via a 14-day free trial for new customers.
I've lived within walking distance of Stones Corner for almost 15 years now, and sadly, I've watched the area slowly deteriorate. Its historic shopfronts have long been boarded up, retailers continue to pack up shop, and employment offices now seem to outnumber the stores that once culminated a thriving shopping precinct. Even after all these years, I've continued to walk the almost empty main strip in the hope that someone will rescue this neat little pocket of Brisbane from oblivion. Then a café named Lady Marmalade came along. Located in the old corner shop where Replay Records and CDs once kept me occupied on the weekends, Lady Marmalade is just the lodger Stones Corner has been lacking these past few years. Bare brick walls, odd ornaments and table numbers represented by rubber fruits with faces only add to the charm of the café's interesting fit-out. And as if there isn't enough to take in while you're waiting for your meal, the tables are covered with a mixture of famous art and front-page clippings from half-century old Brisbane newspapers. While the eccentric décor would undoubtedly be enough to draw in passers-by, the home-style menu and ever-changing cabinet of treats at the counter is surely enough to clinch the deal. My favourite, the haloumi sandwich – that's haloumi, roasted pumpkin, chilli and mint pesto, tomato and spinach on sourdough – is worth going back for again and again. Add a damn fine cup of coffee and some of the best baklava I've ever tasted and you've got something to tell your friends about.
From the people who brought us Firefly, Cicada and The Cutting Board comes a new edition to Brisbane's riverside precinct that promises to revolutionise your standard workday lunch. This is HIVE Coffee and Eat House, opening today. Though the new cafe is located in the Riverside Centre, you can expect anything but the usual food court fare. The innovative approach to fresh, home-style cooking that we've come to love from The Cutting Board has inspired the gluten-free, vego- and paleo-friendly menu at the new eatery, where a white-on-white interior is set against front-and-centre views of the river and Story Bridge. While the breakfast menu covers both regular favourites and more inventive options, lunchtime is when HIVE really comes into its own. Designed to cater both for eating on the go and eating in, the diversity of the midday menu will impress CBD workers tired of the same-old-same-old. Here, you can choose between 'Cuts from the Oven', a meaty selection of slow-cooked beef brisket, lamb shoulder, schnitzels, meatballs and pastas with sides from the salad bar. Alternatively, opt for something from the speciality sandwich menu — think chorizo, sauerkraut and red peppers (The Spaniard) or smoked chicken, aioli, pickles and slaw (The Pier). And don't forget the burger options — with Brisbane being burger mad, HIVE offers up three varieties, including the Signature Hive Burger. Find HIVE Coffee & Eat House in the Riverside Centre Food Court, 123 Eagle Street, Brisbane City. Open from 6:30am to 4pm Monday to Friday.
Set inside a heritage Queenslander on Grey Street, The Rose & Crown brings the atmosphere of a classic London pub to South Bank. The historic building has lived many lives since 1889 – from police station to watering hole – and today continues that tradition as a warm, welcoming gastropub with unmistakable old-world character. Owned by publican Alex Derrick, who spent more than two decades working in pubs across the UK, the venue leans confidently into that tradition. One of its most distinctive features is hand-pulled cask ale, poured straight from the barrel – still a rarity in Queensland. Alongside pints of Guinness, classic cocktails and a thoughtful wine list, the bar also serves familiar favourites such as jugs of Pimm's and Bucks Fizz. The food menu follows suit, offering comforting pub fare with traditional British touches. Crowd favourites include scotch eggs and pork scratchings to start, followed by hearty mains like Cumberland sausages with mash and onion gravy, beer-battered fish with mushy peas and tartare, and the pub's signature steak and Guinness pie. Starters such as prawn cocktail and chicken liver parfait add a classic gastropub note, while desserts lean indulgent. Sundays centre around the traditional roast, with rotating options such as wagyu beef, roast chicken or a lentil and nut roast, all served with Yorkshire puddings, roasted potatoes, seasonal vegetables and plenty of gravy. Inside, the two-level pub blends London-pub cues with relaxed Brisbane charm, while outdoor spaces welcome guests (and their dogs) looking to settle in for a long afternoon. Whether you're dropping by for a pint, a hearty meal or a proper Sunday roast, The Rose & Crown delivers the kind of pub experience that feels timeless. Images: Axis Productions.
Under current COVID-19 restrictions in Australia, you can't go on an interstate holiday just yet. But, Prime Minister Scott Morrison has said it could be back on the cards by July, 2020 — so, it's time to start dreaming. There's no shortage of on-snow accommodation in Australia — from ski lodges to chalets. But a lot of it is designed for function, rather than romance. Finding a cosy cabin of your own, however, where you can snuggle in front of a roaring fire with a glass of wine in your hand, while watching the snow fall all around you isn't easy. But it's not impossible. We've searched far and wide, to scope out five cabins where you can stay right on the snow. Just don't forget to pack your skis — or snowshoes. NUMBANANGA LODGE, SMIGGINS HOLES, NSW Opened in July 2018, this secluded lodge is just minutes (by skis) from Smiggin Holes ski resort and two kilometres from Perisher Valley. Whether you want to ski or snowboard downhill all day or go on a cross-country adventure, you can – from your door. Plus, there are loads of restaurants, bars and pubs nearby, too. Three bedrooms provide room for up to six guests. The only catch is, you'll need to be quick. This is one of the only isolated, free-standing huts on snow in Kosciuszko, so it's pretty popular. Bookings, at $1200 per night in winter, are available via NSW National Parks. How much? From $1200 a night. [caption id="attachment_733860" align="alignnone" width="1920"] Lean Timms[/caption] THE EASTERN, THREDBO, NSW For incredible views of Mount Kosciuszko, the highest mountain in Australia, stay at the Cedar Cabin, which makes up one half of The Eastern: a pair of beautifully designed, luxe stays in Thredbo. The open-plan, loft-style space features vaulted ceilings, exposed timber and a piping hot Japanese-inspired onsen — the perfect place to relax after a day spent outdoors. You'll find this haven on the village's western side, around four minutes from restaurants, bars, shops, and Thredbo's diverse, scenic ski runs. How much? From $700 a night. MOONBAH HUT, SNOWY MOUNTAINS, NSW Moonbah Hut is located on private frontage on the Moonbah River, the Snowy Mountains' cleanest, most unspoilt home for trout. Give your fishing muscle a flex from your front doorstep, while keeping an eye out for wildlife – from wombats to deer to brumbies. Or bunker down inside, with a huge, open stone fireplace for company. Previous guests have taken the experience next level and invited personal chefs along for an evening. Moonbah Hut is around 20 minutes' drive west of Jindabyne. How much? From $245 a night. FOREST VIEW BUSH CABINS, CRADLE MOUNTAIN, TAS Smack bang in the middle of Tasmania's Cradle Mountain National Park are two bush cabins surrounded by forest and run by Highlanders Cottages. Hand-built with local Tasmania timber, each offers two bedrooms, den lounges and a log fireplace, plus a private deck and a fully stocked kitchen. Meanwhile, in the bathroom, you'll find a soaking tub and a shower. This is an ideal spot to unwind after wandering around Cradle Mountain's magical, snow-covered forests. How much? From $215 a night. WOMBAT CABIN, MT BAW BAW, VIC Located on the edge of Victoria's Mount Baw Baw Village, the simple, super-cute Wombat Cabin is just a quick shuffle away from both Maltese Cross T-Bar and the Frosti Frog Hollow Toboggan Park — so there's fun to be had for skiers, boarders and tobogganers of all kinds. There are two cosy bedrooms, with room for up to five guests, plus a private deck, where you can surround yourself with snow gums. When you're not adventuring on the slopes, explore Mount Baw Baw's many offerings, including Howling Huskys' husky sled dog tours. How much? From $419 a night. Looking for more? Check out these seven cosy cabins around the country. Top image: Numbananga Lodge
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. FAST AND FURIOUS 9 Fast cars, furious action stars, a love of family and oh-so-many Coronas: across ten movies over 20 years, that's the Fast and Furious franchise. It might've started out as a high-octane spin on Point Break, but this long-running series has kept motoring across nine flicks in its main storyline, and also via a 2019 spinoff. The latter, Hobbs & Shaw, actually casts a shadow over the saga's latest instalment. Because Dwayne Johnson was part of that sidestep, he doesn't show up in Fast and Furious 9. He's missed, regardless of whether you're usually a diehard fan of the wrestler-turned-actor, because he's managed to perfect the F&F tone. Over his decade-long involvement to-date, Johnson always seems amused in his Fast and Furious performances. He's always sweaty, too, but that's another matter. Entering the F&F realm in Fast Five, he instantly oozed the kind of attitude the franchise needs. He knows that by taking the outlandish stunts, eye-catching setpieces and penchant for family with the utmost seriousness, these films border on comedic — and by navigating five flicks with that mood, he's been the saga's playful and entertaining barometer. Without Johnson, Fast and Furious 9 isn't as willing to admit that it's often downright silly. It's nowhere near as fun, either. Hobbs & Shaw wasn't a franchise standout, but Fast and Furious 9 mainly revs in one gear, even in a movie that features a high-speed car chase through Central American jungles, a plane with a magnet that can scoop up fast-driving vehicles and a trip to space in a rocket car. The latest F&F is as ridiculous as ever, and it's the least-eager F&F film to acknowledge that fact. It's also mostly a soap opera. It leans heavily on its favourite theme — yes, family — by not only swapping in a different wrestler-turned-actor as Dominic Toretto's (Vin Diesel, Bloodshot) long-lost sibling, but also by fleshing out the warring brothers' backstory through flashbacks to their tragic past. Fast and Furious 9 starts with an 80s-era Universal logo, because that's the time period it heads to first — to introduce a teen Dom (Vinnie Bennett, Ghost in the Shell), his never-before-mentioned younger brother Jakob (Finn Cole, Dreamland) and their dad Jack (JD Pardo, Mayans MC). It's 1989, the elder Toretto is behind the wheel on the racetrack, and his sons are part of his pit crew. Then tragedy strikes, tearing the Toretto family apart. In the present day, Dom and Jakob (John Cena, Playing with Fire) definitely don't get along. Indeed, when Roman (Tyrese Gibson, The Christmas Chronicles: Part Two), Tej (Chris 'Ludacris' Bridges, Show Dogs) and Ramsey (Nathalie Emmanuel, Four Weddings and a Funeral) drive up to the rural hideout that Dom has been calling home with wife Letty (Michelle Rodriguez, Crisis) and toddler son Brian (first-timers Isaac and Immanuel Holtane) since the events of 2017's The Fate of the Furious, he doesn't even want to hear about the latest mission that demands their help. The only thing that changes his mind: realising that Jakob is involved and up to no good. Read our full review. VALERIE TAYLOR: PLAYING WITH SHARKS Steven Spielberg directed Jaws, the 1975 horror film that had everyone wondering if it was safe to go back into the water — and the movie that became Hollywood's first blockbuster, too — but he didn't shoot its underwater shark sequences. That task fell to Australian spearfisher and diver-turned-oceanographer and filmmaker Valerie Taylor and her husband Ron, who did so off the coast of Port Lincoln in South Australia. If it weren't for their efforts, the film mightn't have become the popular culture behemoth it is. When one of the animals the Taylors were filming lashed out at a metal cage that had held a stuntman mere moments before, the pair captured one of the picture's most nerve-rattling scenes by accident, in fact. And, before Peter Benchley's novel of the same name was even published, the duo was sent a copy of the book and asked if it would make a good feature (the answer: yes). Helping to make Jaws the phenomenon it is ranks among Valerie's many achievements, alongside surviving polio as a child, her scuba and spearfishing prowess, breaking boundaries by excelling in male-dominated fields in 60s, and the conservation activism that has drawn much of her focus in her later years. Linked to the latter, and also a feat that many can't manage: her willingness to confront her missteps and then do better. The apprehension that many folks feel when they're about to splash in the ocean? The deep-seated fear and even hatred of sharks, too? That's what Valerie regrets. Thanks to Jaws, being afraid of sharks is as natural to most people as breathing, and Valerie has spent decades wishing otherwise. That's the tale that Valerie Taylor: Playing with Sharks tells as it steps through her life and career. Taking a standard birth-to-now approach, the documentary has ample time for many of the aforementioned highlights, with Valerie herself either offering her memories via narration or popping up to talk viewers through her exploits. But two things linger above all else in this entertaining, engaging and insightful doco. Firstly, filmmaker Sally Aitken (David Stratton: A Cinematic Life) fills her feature with stunning archival footage that makes for astonishing and affecting viewing (Ron Taylor is credited first among the feature's five cinematographers). Secondly, this powerful film dives into the work that Valerie has spearheaded to try to redress the world's fright-driven perception of sharks. Like last year's David Attenborough: A Life on Our Planet, 2017's Jane Goodall documentary Jane and underwhelming 2021 Oscar-winner My Octopus Teacher, this is a movie about being profoundly changed by the natural world and all of its splendour. Read our full review. MARTIN EDEN The last time that one of Jack London's books made the leap to cinema screens — just last year, in fact — it wasn't a pleasant viewing experience. Starring Harrison Ford and a CGI dog, The Call of the Wild forced viewers to watch its flesh-and-blood lead pal around with a needlessly anthropomorphised canine, to groan-inducingly cheesy results. Martin Eden is a much different book, so it could never get the same treatment. With his radiant imagery, masterful casting and bold alterations to the source material, writer/director Pietro Marcello (Lost and Beautiful) makes certain that no one will confuse this new London adaption for the last, however. The Italian filmmaker helms a compelling, complicated, ambitious and unforgettable film, and one that makes smart and even sensuous choices with a novel that first hit shelves 112 years ago. The titular character is still a struggling sailor who falls in love with a woman from a far more comfortable background than his. He still strives to overcome his working-class upbringing by teaching himself to become a writer. And, he still finds both success and scuffles springing from his new profession, with the joy of discovering his calling, reading everything he can and putting his fingers to the typewriter himself soon overshadowed by the trappings of fame, a festering disillusionment with the well-to-do and their snobbery, and a belief that ascribing worth by wealth is at the core of society's many problems. As a book, Martin Eden might've initially reached readers back in 1909, but Marcello sees it as a timeless piece of literature. He bakes that perception into his stylistic choices, weaving in details from various different time periods — so viewers can't help but glean that this tale just keeps proving relevant, no matter the year or the state of the world. Working with cinematographers Alessandro Abate (Born in Casal Di Principe) and Francesco Di Giacomo (Stay Still), he helms an overwhelmingly and inescapably gorgeous-looking film, too. When Martin Eden is at its most heated thematically and ideologically, it almost feels disquieting that such blistering ideas are surrounded by such aesthetic splendour, although that juxtaposition is wholly by design. And, in his best flourish, he enlists the magnetic Luca Marinelli (The Old Guard) as his central character. In a performance that won him the Best Actor award at the 2019 Venice Film Festival, Marinelli shoulders the eponymous figure's hopes, dreams and burdens like he's lived them himself. He lends them his soulful stare as well. That expression bores its way off the screen, and eventually sees right through all of the temptations, treats and treasures that come Eden's way. Any movie would blossom in its presence; Martin Eden positively dazzles, all while sinking daggers into the lifetime of tumult weathered by its titular everyman. THE MOLE AGENT At this year's Oscars, the Academy of Motion Picture Arts and Sciences anointed the past year's best documentary, as it usually does — deciding that the standout factual film of the year told a tale about a man and his bond with a sea creature. My Octopus Teacher falls into a busy genre of films about being forever shaped and altered by the earth's natural splendour (see also: Valerie Taylor: Playing with Sharks), but it isn't the only one of 2021's nominees that demonstrates how unexpected connections can reap rewards, insights and new perspectives. Chilean doco The Mole Agent does the same, albeit in a vastly dissimilar manner. Its focus: an elderly man hired by a private investigator to go undercover in a retirement home. Rómulo Aitken's client suspects that the facility may be blighted by elder abuse, so he needs someone who'll blend in to do his sleuthing. Answering an advertisement for someone aged between 80 and 90, octogenarian and recent widower Sergio Chamy couldn't be more keen for the gig. He doesn't quite have a handle on the technology he'll need to use, despite trying to claim otherwise. Indeed, when he tries to show Rómulo that he can use a smartphone, he takes countless photos while claiming he's snapping none. Still, he's boundlessly eager to distract himself from his grief by taking on a new adventure, making new friends, and even learning a thing or two. For the mostly female residents at El Monte's San Francisco Nursing Home, for Rómulo and for filmmaker Maite Alberdi (The Grown-Ups) alike, Sergio is a dream — even though he's definitely not your usual spy or detective. He doesn't always fulfil his assigned tasks as asked, but he's a delight to spend time with as he endeavours to record what's going on at the home via his hidden camera-equipped glasses and pen. As they explain again and again in candid and lively chats to camera (presumably because they think they're being filmed for a more traditional type of doco), the women he's now sharing a facility with definitely agree that he's a charmer. In fact, Sergio is so charismatic that he fails to simply blend in, observe and report back. He's also a much-needed and -welcomed source of kindness and comfort to the home's residents, many of whom have no other company to turn to, and it's these interactions he largely documents in his dispatches to Rómulo via WhatsApp. Alberdi still charts his overall mission, but his general presence elicits just as much interest. With a crown for king of the home coming his way, and many of his peers fawning of him, there's much to chronicle. In her third film to focus on the elderly (after La Once and short I'm Not from Here) Alberdi sees the change he brings to people who haven't been paid this much attention in years, and also the change the spy gig brings in Sergio — and sharing her affectionate gaze is easy in this thoughtful film. MY ZOE Rare is the film that nods overtly to more than a few of its influences, yet still manages to inhabit its own niche and no one else's. My Zoe is one of those movies. Its first half bears much in common with 2017's exceptional French drama Custody, while its second half takes its cues from the greatest horror novel ever written. That combination works astonishing (and almost disarmingly) well, and nothing here every feels like a mere clone of better material. In the movie's opening section, Berlin-based geneticist Isabelle (Julie Delpy, Wiener-Dog) juggles the struggles of co-parenting with her ex James (Richard Armitage, The Lodge). They both dote on seven-year-old Zoe (Sophia Ally, The Current War), but they also argue incessantly — largely due to James' dour behaviour, cruel demeanour and ludicrous demands. By the time that Isabelle calls him "just an awful human being" in one of their arguments, the audience is already on her side. They settle their custody dispute, but the bickering doesn't subside when Zoe is found unconscious and requires hospitalisation. Eventually, though, Isabelle has another dilemma to navigate, involving a desperate ploy to get back what she's lost, a risk-taking doctor (Daniel Brühl, The Falcon and the Winter Soldier) in Moscow and an option his own wife (Gemma Arteton, Summerland) warns against. Directing, writing and starring here — as she's done with Looking for Jimmy, 2 Days in Paris, The Countess, Skylab, 2 Days in New York and Lolo before — Delpy could've made the relationship and tragedy side of My Zoe into a feature of its own, and then done the same with the science fiction-tinged exploration of loss that follows. Blending the two together befits one of her overt sources of inspiration, Mary Shelley's Frankenstein, though. For more than 200 years now, the gothic classic has examined how grief leads to drastic reactions, how science can let humans play god in increasingly bold and consequential manners, and how we're hardwired to use the latter to work through the former, as well as our fears of mortality — and My Zoe picks up those threads, interrogates them with today's medical advances in mind, and turns them into quite the haunting piece of cinema. Both sensitivity and realistic emotions linger in both of the movie's halves, and in Isabelle's actions and choices along the way. Delpy directs herself to a fantastic performance, and pairs her efforts with a poised and empathetic perspective throughout. Another savvy move, and one that epitomises how exactingly Delpy has thought through every detail: that, if you aren't paying the utmost attention during the first half, you mightn't even realise that the film takes place in the near-future. A FAMILY Just five letters are needed to turn A Family's title into the name of one of popular culture's most famous clans. The Addams crew aren't the subject of this Australian-produced, Ukraine-shot blend of comedy and drama, but it does delve into the creepy, kooky and mysterious anyway. The feature debut of director Jayden Stevens — who co-wrote the script with his cinematographer Tom Swinburn (Free of Thought) — the absurdist gem spends time with the stern-faced Emerson (first-timer Pavlo Lehenkyi). With none of his family around for unexplained reasons, he pays other Kiev locals to play their parts, staging dinners, Christmas parties and everyday occasions. They eat, chat and do normal family things, all for Emerson's camera. His actors (including Maksym Derbenyov as his brother and Larysa Hraminska as his mother) all need to stick to his script, though, or he'll offer them a surly reprimand. Olga (Liudmyla Zamidra), who has been cast as his sister, struggles the most with her role. She's also the member of this little faux family that Emerson is particularly drawn to. Her own home life with her mother Christina (Tetiana Kosianchuk) is far from rosy, with the pair suffering from her dad's absence, so eventually Olga decides that Emerson's role-play game might work there as well. A Family is a film of patient and precise frames, awkwardly amusing moments, and bitingly accurate insights into the ties that bind — whether of blood or otherwise. It's a movie that recognises the transactional and performative nature of many of life's exchanges, too, and ponders how much is real and fake in both big and seemingly inconsequential instances. To perfect all of the above, Stevens walks in Yorgos Lanthimos (The Lobster, The Killing of a Sacred Deer, The Favourite), Aki Kaurismäki (Le Havre, The Other Side of Hope) and even the usually inimitable David Lynch's shoes. His feature is austere, deadpan and surreal all at once, and smart, amusing and savage at the same time as well. Indeed, if a bigger-name filmmaker had made this purposefully and probingly off-kilter picture, it would've likely proven a film festival darling around the globe. A Family did start its big-screen run at a fest, at the Melbourne International Film Festival back in 2019. Now reaching Australian cinemas after a year that's seen everyone either spend more time with or feel more physical distance from their nearest and dearest, it feels doubly potent. Every lingering image shot by Swinburn — and all of the pitch-perfect performances that he captures — speak loudly to the cycle of yearning and disconnection that comes with being alive, and that never stops being put under a microscope. FROM THE VINE Uprooting to Italy on a whim is bound to change your life, and no one needs a movie to tell them that. Plenty of films keep stressing the message, though; if Under the Tuscan Sun and Eat Pray Love didn't get the idea across, 2020's Made in Italy tried to, and now From the Vine does the same. The only new things that this latest sun-dapped European-set jaunt has to add to its concept: talking vines, and reminders that the corporate world cares for no one and small towns can struggle. So, this movie trades in fantasies and the obvious, and does so several times over. It also relies heavily upon rural Italy's obvious scenic sights, thanks to frequently used drone shots of Acerenza, the quaint Potenza spot where the bulk of the movie is set. Lawyer-turned-car manufacturing company CEO Marco Gentile (Joe Pantoliano, Bad Boys for Life) was born and raised locally, but left as a child; however, it's the first place he thinks of heading when he quits his job after a tussle with the board over sustainability. His wife Marina (Wendy Crewson, The Nest) refuses to go with him, and their daughter Laura (Paula Brancati, Workin' Moms) is certain he's having a midlife crisis — but, after making the trip, reacquainting himself with the locals and setting back into his late grandfather's own vineyard, he realises he's found la dolce vita. From the Vine has Marco and Marina chat about La Dolce Vita, the 1960 classic, and about the Audrey Hepburn-starring Roman Holiday, too — in case the themes and messages the film is going for really weren't clear enough. They are, of course; working with a script adapted from Kenneth Canio Cancellara's novel Finding Marco by screenwriter Willem Wennekers (Buckley's Chance), filmmaker Sean Cisterna (Full Out) loves spelling out as much as possible. Not a single character seems to have a thought they don't overtly state, every plot development is telegraphed as far ahead as the movie can manage, and stressing the apparent idyll by shoehorning in yet another scenery shot happens again and again. Then there's those talking vines, as well as scenes where the adult Marco chats with his grandfather's ghost. Apparently viewers wouldn't understand exactly what's tempting Marco to give up his old existence if greenery and the dead didn't chatter. Although in far less challenging and rewarding territory than his past roles in the likes of Memento and The Sopranos, Pantoliano is the best thing about this dully formulaic flick — a result that also fits a template. Christopher Walken was in the same situation just last week with Percy vs Goliath, in fact. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; May 6, May 13, May 20 and May 27; and June 3 and June 10. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down, The Perfect Candidate, Those Who Wish Me Dead, Spiral: From the Book of Saw, Ema, A Quiet Place Part II, Cruella, My Name Is Gulpilil, Lapsis and The Conjuring: The Devil Made Me Do It.
The Australian festival scene's worst-kept secret for 2023 has been confirmed: Post Malone is headlining Spilt Milk. When the melancholic hitmaker announced his latest solo tour Down Under, he named venues in Sydney, Brisbane and Melbourne, but also had Canberra, Gold Coast, Ballarat and Perth listed without specific sites. We predicted that those stops would see him play Spilt Milk — and, yes, that theory was right. Music lovers and festival fans in Canberra, Ballarat, Perth and the Gold Coast, Post Malone is on his way. The fest will kick off its 2023 season on Saturday, November 25 at Exhibition Park in the nation's capital, then head to the Gold Coast Sports Precinct on Sunday, November 26. The following weekend, it'll hit up Ballarat's Victoria Park on Saturday, December 2, before wrapping up on Sunday, December 3 at Claremont Showgrounds in Perth. The latter stop marks Spilt Milk's debut in the Western Australian city, and might just see the fest prove even more popular than it usually does. In 2022, that year's three stops all sold out in less than seven days. Post Malone has company on the fest's stages, with Dom Dolla and Latto also leading the bill. So, expect to hear everything from 'Sunflower' and 'I Like You' to 'Rhyme Dust' and 'Big Energy'. Tkay Maidza and Aitch also rank among Spilt Milk's impressive 2023 names, with Chris Lake, Dermot Kennedy, Budjerah, Cub Sport, Lastlings, Partiboi69, Ocean Alley, Peach PRC, Royel Otis also set to hit the stage. [caption id="attachment_851189" align="alignnone" width="1920"] Billy Zammit[/caption] Also, because this fest is also about food, there'll be bites to eat from Chebbo's Burgers, 400 Gradi, Chicken Treat, and the BBQ and Beer Roadshow. Originally only held in Canberra, then expanding to Ballarat, then the Gold Coast and now Perth, the multi-city one-dayer has cemented its spot as a must-attend event for a heap of reasons. In 2023, this just-announced lineup is one of them. [caption id="attachment_851187" align="alignnone" width="1920"] Jordan Munns[/caption] SPILT MILK 2023 DATES: Saturday, November 25 — Exhibition Park, Canberra Sunday, November 26 — Gold Coast Sports Precinct, Gold Coast Saturday, December 2 — Victoria Park, Ballarat Sunday, December 3 — Claremont Showgrounds, Perth SPILT MILK 2023 LINEUP: Post Malone Dom Dolla Aitch Budjerah Chris Lake Cub Sport David Kushner Dermot Kennedy Djanaba Grentperez Jessie Murph Lastlings Latto Levins & Friends (Guilty Pleasures) Lime Cordiale May-A Mincy Ocean Alley Pacific Avenue Partiboi69 Peach Prc Poolclvb Redhook Royel Otis The Buoys The Dreggs Tia Gostelow Tkay Maidza Also in Canberra: Apricot Ink Clique & Brittany Demarco G.A.C.T (Just Tneek, Kinetictheory, Bin Juice, Geo) Sputnik Sweetheart Zach Knows + more to be announced Triple J Unearthed Winner Also on the Gold Coast: Bill Durry Friends Of Friends Logan Peach Fur + more to be announced Triple J Unearthed Winner Also in Ballarat: Ango Ben Gerrans Blue Vedder Sami Srirachi Yorke Triple J Unearthed Winner Also in Perth: Don Darkoe Dulcie Sammythesinner The Vault Djs + more to be announced Spilt Milk will hit Canberra, Ballarat, the Gold Coast and Perth in November and December 2023. Pre-sale tickets go on sale on Tuesday, July 11 and general sales on Thursday, July 15 — at 8am AEST for Canberra tickets, 8am AWST for Perth tickets, 9am AEST for Ballarat tickets and 11am AEST for Gold Coast tickets. Head to the festival website for more info and to register for pre-sales. Top image: Jordan Munns.
"Think about how screwed up we would be if we had survived a plane crash, only to end up eating other." That's Yellowjackets in a nutshell, as Christina Ricci (Wednesday) so perfectly describes in the just-dropped full trailer for the show's third season. In store this time around is more then-and-now glimpses of exactly how a New Jersey high school's girls soccer team remained alive — well, some of them — after being stranded in the wilderness following a plane crash, and also what it took to endure and, of course, what the experience did to them. Yellowjackets wants viewers to be its bloody Valentine this year — and more cannibalism, more haunting secrets, more fights to persist and more hunting are set to fill the series' third go-around, as both the first glimpse and initial trailer in 2024, and now a bigger sneak peek, all illustrate. Again, the action is split between two periods, following its characters both in the immediate aftermath of their traumatic accident and also when the past keeps intruding upon their present after decades have gone by. As viewers discovered when it debuted in 2021 and became one of the best new shows of that year, the instantly intriguing (and excellent) series hops between the 90s and 25 years later. Across two seasons until now, life and friendship have proven complex for Yellowjackets' core quartet of Shauna (The Tattooist of Auschwitz's Melanie Lynskey as an adult, and also No Return's Sophie Nélisse as a teenager), Natalie (I'm a Virgo's Juliette Lewis, plus Heretic's Sophie Thatcher), Taissa (Law & Order's Tawny Cypress, and also Scream VI's Jasmin Savoy Brown) and Misty (Ricci, and also Atlas' Samantha Hanratty). The trailers for season three also put it this way: "once upon a time, a bunch of teenage girls got stranded in the wilderness ... and they went completely nuts." The full setup: back in 1996, en route to a big match in Seattle on a private aircraft, Shauna, Natalie, Taissa, Misty and the rest of their teammates entered Lost territory. The accident saw everyone who walked away stuck in the forest — and those who then made it through that ordeal stuck out there for 19 months, living their worst Alive-meets-Lord of the Flies lives. After swiftly getting picked up for a second season because its first was that ace, Yellowjackets was then renewed for a third season before that second group of episodes even aired. In Australia, viewers can watch via Paramount+. In New Zealand, the series streams via Neon. In season three, the returning cast — which includes Simone Kessell (Muru) as the older Lottie and Lauren Ambrose (Servant) as the older Van, characters played in their younger guises by Australian actors Courtney Eaton (Mad Max: Fury Road) and Liv Hewson (Party Down) — will be joined by Hilary Swank (Ordinary Angels) and Joel McHale (The Bear). And from season two, Elijah Wood (Bookworm) is also back. Check out the full trailer for Yellowjackets season three below: Yellowjackets season three will start streaming from Friday, February 14, 2025 via Paramount+ in Australia and Neon in New Zealand. Read our review of season one and review of season two, plus our interview with Melanie Lynskey.
Surrounded by towering mountain vistas, Ayrburn is the brand-new must-visit destination in New Zealand's Arrowtown, just 20 minutes from Queenstown. The ambitious precinct already features six venues plus its own vineyard — and it's expanding. Still to come is a flagship fine-diner, a butcher, a bakehouse, luxury housing and a hotel right by a waterfall. The mind behind the project, Chris Meehan of Winton Property Group, hopes the destination can become the top most visited attraction in Queenstown, with the precinct designed to be a year-round hub for holidays. Snow-capped mountains in the winter, mild summers that never tip past 30 degrees, and Arrowtown's famous changing of the leaves in autumn provide the backdrop for a genuinely impressive food and drink program. As you wander through the precinct, the smell of a fire and the sound of a trickling creek are never too far away. This idyllic atmosphere persists across the six distinct venues that are already open at Ayrburn, each of which serves its own purpose. The Menure Room (named after its previous occupation) serves as a hybrid wine bar, pub and cellar door. The menu here provides pieces of advice like "drink some wine, talk some sh*t", with Central Otago vino at the centre of its offerings — particularly Ayrburn's own already award-winning range. You can taste your way through these outstanding drops with the wine flight of your choice, pairing the samples with moreish share plates of gildas, chicken liver parfait on brioche, and caramelised cauliflower croquettes. The Woolshed has more of a focus on homely cooking and sizeable cuts of meat, functioning as a sleek yet approachable bistro for long lunches and celebratory dinners. Must-try menu highlights here include the Southland venison tataki paired with nashi pair, spring onion, togarashi and coriander; and the grilled octopus with a chilli sesame dressing. There's three more venues comprising The Burr Bar, a breezy spot up on the hill serving inventive takes on margaritas and gin sours; The Dairy, where you'll find scoops of black forest or salted caramel ice cream; and The Dell, an outdoor meeting area built to facilitate events and live entertainment. The latest space to open at Ayrburn is the Barrel Room — a moody private bar and diner lined with wine barrels and sporting a lavish fitout complete with a baby grand piano. Shut out from the outside world with low lighting and an expansive dining room, this hidden adult playground will have you whiling away the hours over great food and wine, losing track as time passes by. Yet to arrive is the flagship venue Billy's which will open towards the end of 2024. Set in a huge homestead-style building, the 170-capacity pièce de résistance of the Ayrburn dining precinct has been billed as an experiential dining experience with each room consisting of its own unique theme. Open 12 months of the year, Ayrburn is another reason to spend a ski season hitting the slopes in Queenstown, but it's also a reminder that New Zealand's show-stoppingly stunning South Island should be at the top of your travel hit list all year round, especially for any foodies and all of the wine aficionados out there. You'll find Ayrburn at 1 Ayr Avenue, Arrowtown. Head to the precinct's website for more information on each of its venues.
Mary Poppins was one of my favourite childhood films. I was lucky enough to get my hands on my very own copy on VCR (recorded from television of course) so I could watch it whenever I wanted to: frequently. Combine this with a love of stage musicals and I am one very happy lady because at QPAC this summer, we have the privilege of jumping feet first into a footpath chalk drawing of wonderful characters, originally created by P. L. Travers in the 1930s around a magical nanny who was blown by the East wind to No. 17 Cherry Tree Lane. The musical version of the story has been created by Disney as something of a mix between what we all remember from the film, and the broader storyline traversed in the series of eight books. It will contain all of your favourites, including Chim Chim Cher-ee, A Spoonful of Sugar, Feed the Birds, Jolly Holiday and of course Supercalifragilisticexpialidocious.
Imagine sitting under the gentle glow of candlelight, enjoying a live performance of Coldplay's "Sky Full of Stars." Thanks to The Concert by Candlelight series, this could soon be true. Returning for its fourth year, the series will host The Music of Coldplay by Candlelight across three locations, Sydney, Perth and the Gold Coast. While it may not be the band itself, world-class vocalists and a live band from London's West End will honour legends Chris Martin, Jonny Buckland, Guy Berryman, and Will Champion with powerful performances. The performers will kick things off at 7.30pm Darling Harbour Theatre at ICC Sydney on Saturday, September 13. The show will take over The Star Theatre on the Gold Coast on Friday, September 19, before making the journey west to Perth's Convention and Exhibition Centre on Saturday, September 27. Given that Coldplay visited fans down under relatively recently in 2024, it's unlikely they'll be gracing us with their presence anytime soon. So, The Music of Coldplay by Candelight may be the closest thing to the real deal Aussies can get, at least for a while. Each concert is a one-night-only event, and they're coming up faster than you think. So get in quick; tickets are likely to sell out fast. The Music of Coldplay by Candlelight will be held in September in Sydney, Perth, and the Gold Coast. Performances start at 7.30pm. For more information or to book tickets, visit the website. Images: Supplied.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Brisbane at present. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. PIG Nicolas Cage plays a truffle hunter. That's it, that's the pitch. When securing funding, those six words should've been enough to ensure that Pig made it to cinemas. Or, perhaps another high-concept summary helped. Maybe debut feature writer/director Michael Sarnoski went with these seven words: Nicolas Cage tracks down his stolen pet. Here's a final possibility that could've done the trick, too: Nicolas Cage does a moodier John Wick with a pig. Whichever logline hit the spot, or even if none did, Pig isn't merely the movie these descriptions intimate. It's better. It's weightier. It's exceptional. It always snuffles out its own trail, it takes joy in subverting almost every expectation and savouring the moment, and it constantly unearths surprises. Cage has spent much of his recent on-screen time fighting things — ninja aliens in the terrible Jiu Jitsu and possessed animatronics in the average Willy's Wonderland, for example — in movies that were clearly only made because that was the case. But, when he's at his absolute best, he plays characters whose biggest demons are internal. Here, he broods and soul-searches as a man willing to do whatever it takes to find his beloved porcine pal, punish everyone involved in her kidnapping and come to terms with his longstanding, spirit-crushing woes. Cage's over-the-top turns are entertaining to watch, but this is a measured gem of a portrayal, and a versatile, touching, deeply empathetic and haunting one that's up there with his finest ever. Sarnoski keeps things sparse when Pig begins; for the poetically shot film and its determined protagonist, less is always more. Rob Feld (Cage) lives a stripped-back existence in a cabin in the woods, with just his cherished truffle pig for company — plus occasional visits from Amir (Alex Wolff, Hereditary), the restaurant supplier who buys the highly sought-after wares Rob and his swine forage for on their walks through the trees. He's taken this life by choice, after the kind of heartbreak that stops him from listening to tapes of the woman he loved. He's found the solace he can in the quiet, the isolation and the unconditional bond with the animal he dotes on. (He's tampered down the full strength of his pain in the process, obviously.) But then, because bad things can happen in cabins in the woods even beyond horror flicks, Rob's pig is abducted in the dark of the night. Now, he's a man on a mission. He has a glare and a stare, too. As the swine's distressed squeals echo in his head, Rob stalks towards Portland to get her back. He has an idea of where to look and who to chase, but he needs Amir to chauffeur him around the city — and Pig is at its finest when its two main characters are together, unpacking what it means to navigate tragedy, fear, loss, regret, uncertainty, an uncaring world and a complicated industry, all in Rob and Amir's own ways. Read our full review. BIG DEAL Recognisable faces spilling essential facts about important topics: it worked for Damon Gameau's documentaries That Sugar Film and 2040, and it works for the Christiaan Van Vuuren-fronted Big Deal. With the same emphasis on being accessible, engaging, clear, sometimes light-hearted and even hopeful, the tactic has also done what it's meant to in Craig Reucassel's various small-screen doco series — see: War on Waste and Fight for Planet A: Our Climate Change — so it should come as little surprise that he directs this big-screen takedown of money in Australian politics. Accordingly, one of the Bondi Hipsters joins forces with a member of The Chaser to lay bare the murky minutiae behind buying sway in our democracy. The subject couldn't be worthier of attention, especially in the lead up to the next federal election, which needs to be held by May 2022. The approach taken in Big Deal couldn't be more familiar, but it proves effective for the same reason it did when sugar and the environment were in the spotlight. These films take something that's crucial, rustle up all the convincing detail, expose tidbits the average viewer mightn't know, compile the appropriate talking heads (which here includes experts, journalists, lobbyists, and current and former politicians such as ex-Prime Minister Malcolm Turnbull, former senator Sam Dastyari and current senator Jacqui Lambie) and make it personal. And, if it matters to the person on-screen as they explore a pivotal topic through the lens of their own life, then it's easy for audiences to take their lead. Van Vuuren couches his deep dive into cash for political access, the inequity it represents and the lack of transparency behind it, in two factors: his six-month experience quarantining in hospital with a rare form of tuberculosis, and his awareness of the kind of world he wants his kids to live in. In one of the few gimmicks alongside oversized novelty cheques and Van Vuuren singing, those children build towers of blocks that signify the significant fossil fuel donations to Australia's Labor and Liberal political parties, putting a few additional relatable faces on the subject — because the matters here really do impact everyone. That extended stretch under medical care underscores the documentary's entire perspective, though. Van Vuuren worries that Australian politics is taking more cues from the US than the nation's population realises, or can easily discern given that donations to political parties only need to be disclosed once a year, and nothing underscores one of the big chasms between the two countries like healthcare. It's a blunt card to play, especially during a global pandemic, but it makes the point savvily and well. No Aussie should want to follow America's lead if it could potentially weaken our universal healthcare scheme and the free or affordable treatment available under it, obviously. And, as the film plots out, everyone should want to stop that — and stop corporate interests splashing cash to influence the direction of the nation, especially when everyday Aussies can barely get access to their elected representatives. Read our full review. THE KILLING OF TWO LOVERS If you stare at something long enough, you don't just see the obvious. You notice everything, from the details that fail to immediately catch your attention to the way things can change instantly right in front of your eyes. The Killing of Two Lovers is all about this idea, and on two fronts. It puts a fractured marriage before its lens, ensuring its struggles and troubles can't be ignored. It also takes its time to peer at its protagonist, the separated-and-unhappy-about-it David (Clayne Crawford, Rectify), and at all that his new life now entails. In a sparse small town — with the film shot in Kanosh, Utah — its central figure attempts to adjust to living with his ailing widower father (Bruce Graham, Forty Years From Yesterday). His wife Niki (Sepideh Moafi, The L Word: Generation Q) remains in their home with their four children, as they've agreed while they take a break to work through their problems. David isn't coping, though, a fact that's apparent long before his teenage daughter Jess (Avery Pizzuto, We Fall Down) gets angry because she thinks he isn't fighting hard enough to save their family. He's trying, but as Crawford conveys in a brooding but nervy performance — and as writer/director/editor Robert Machoian (When She Runs) and cinematographer Oscar Ignacio Jiménez (Immanence) can't stop looking at in lengthy and patient takes — he can't quite adapt to the idea of losing everything he knows. There's an element of Scenes From a Marriage at play here, although The Killing of Two Lovers pre-dates the new remake — and so much of the feeling in this gorgeously shot movie comes from its imagery. When it's hard to look away from such rich and enticing visuals, it's impossible not to spot and soak in everything they depict. Each frame is postcard-perfect, not that those pieces of cardboard ever capture such everyday sights, but wide vistas and the snowy mountains hovering in the background are just the beginning. With its long takes, The Killing of Two Lovers forces its audience to glean the naturalistic lighting that never casts David and Niki's hometown in either a warm glow or grim glower. Repeated images of David alone, especially in his car, also leave a firm impression of a man moving and solo. And, presenting most of its frames in the 4:3 aspect ratio, the film also possesses an astonishing and telling sense of space. Nothing is bluntly boxed in here, but everyone is trying to roam within the claustrophobic patch of turf they've scratched out. And, within the feature's square-shaped visuals springs an added fountain of intimacy that cuts to the heart of such close relationships, such as when David and the kids all pile into his truck, or during one of David and Niki's car-bound dates. Read our full review. PALAZZO DI COZZO If Franco Cozzo was to spruik Palazzo Di Cozzo the same way he's promoted his baroque furniture business over the decades, he'd likely repeat one phrase: "grand documentary, grand documentary, grand documentary." He'd do so because that's what he's known for, and because his ads peppered with "grand sale, grand sale, grand sale" are a part of Melbourne's history, even inspiring a single that hit the charts. On the city's TV screens, Cozzo has been the face of his eponymous homewares store, so much so that he's a local celebrity. His lively exclamations fill much of this doco, too, through archival clips, observational footage of him at work and a to-camera interview. In the latter, he sits on one of the ornate chairs he's made a fortune selling, and answers interview questions like he's holding court — and for Melburnians familiar with his name and citywide fame, and for the uninitiated elsewhere, Palazzo Di Cozzo explains both the reason he's regarded as such a prominent personality. Written and directed by feature-length first-timer Madeleine Martiniello (The Unmissables), the result is a film about the hardworking jump its subject took from arriving in Australia from Sicily in 1956 to becoming part of the cultural fabric of his new home. Speaking about the mural painted of Cozzo in Footscray, graffiti artist Heesco notes that his tale is "the migrant dream"; however, while this affectionate film happily stresses that point, it also blissfully takes the easiest route. As a straightforward chronicle that covers the basics — who Cozzo is, what he's done, and also where, when, why and how — Palazzo Di Cozzo ticks the expected boxes in an informative and engaging-enough fashion. It tracks his story from making the move to Melbourne by boat and starting out as a door-to-door salesman, through to his 70s and 80s heyday, his frequent media presence, and his standing today. It lets his personality lead the way, too. And, the film also spends some of its early moments chatting to people who've decked out their houses with his wares, or watched their parents to do the same, to underscore what the rococo aesthetic has meant to Italian expats as an opulent slice of home. But even when one interviewee is in tears recounting how hard her mum and dad must've worked to spend $17,000 on Cozzo furniture in the 70s, there's always a sense that Palazzo Di Cozzo isn't scratching as deep as it should. The documentary doesn't avoid moments that Cozzo would rather forget, and even shows him getting irate when questioning heads in a direction he doesn't like; however, it also indulges rather than interrogates the persona that's leapt up around him over the years. Cue too many instances of people parroting his style of English back to him, and indulging a cartoonish stereotype — and very little effort to understand why that's the image Cozzo chose, what his popularity for playing that part says about Australia and its attitudes towards migrants, and also what the nostalgia afforded his way now says as well. DIE IN A GUNFIGHT How does a filmmaker tell viewers that he's seen Baz Luhrmann's Romeo + Juliet without telling them that he's seen Baz Luhrmann's Romeo + Juliet? If he's Collin Schiffli (All Creatures Here Below), he makes Die in a Gunfight. Anyone else who has watched Romeo + Juliet even once will spot its influence over this pale and obnoxiously grating imitation, not just because it focuses on star-crossed lovers who happen to be the children of generations-old bitter rivals — that'd be Ben Gibbon (Diego Boneta, Love, Weddings and Other Disasters), son of one media baron, and Mary Rathcart (Alexandra Daddario, The White Lotus), daughter of another — but because more than a few of its frames could sit side by side with R+J's and look like mirror images. The vibe takes inspiration from Luhrmann's classic as well, but amped up several notches as if exaggerated copying is the sincerest form of flattery. The over-edited, overly slick overall aesthetic does, too, and ends up looking and feeling as if a film student has just discovered every button on the camera and in the edit suite. And, it might be purely a coincidence that the movie nods to Luhrmann's Australian nationality by casting Travis Fimmel (Dreamland) as an Aussie assassin. You could be generous and think that. But even if it is serendipitous, the fact that Fimmel's character plays like the worst Down Under caricature there is — and that the clearly white figure is called a didgeridoo at one point — couldn't sum up this misfire any better. The narrative tracks most of the usual Shakespearean beats, with Ben and Mary's parents trying to keep them apart — and, in Mary's case, another suitor stalking around with the exact same aim. In not-so-fair Manhattan where Schiffli and screenwriters Andrew Barrer and Gabriel Ferrari (Ant-Man and the Wasp) lay their scene, the pair's two households, both alike in dignity, do indeed turn their ancient grudge into new mutiny. And, misadventure and piteousness definitely ensue, as does heartbreak and bloodshed. When Die in a Gunfight sticks to its obvious source materials, it's a slog and nothing more than an inept duplicate twice over. When it attempts to mix things up, it still just grasps onto well-worn action and romance cliches, and also proves equally unoriginal. It doesn't help that Boneta plays Ben like a brat, that chemistry between him and Daddario is patently absent, or that Justin Chatwin (CHiPs), as the third part of the movie's love triangle, gives big — and bad — pantomime energy. The animated sequences filling in backstory, Billy Crudup's (Where'd You Go, Bernadette) knowing narration and an annoying penchant for splashing character names on-screen in giant lettering all does nothing to improve the feature, either. The Bard's most famous love story has spawned many adaptations, and Luhrmann's take on it has sparked plenty of imitators, but this is the very worst of both worlds. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on May 6, May 13, May 20 and May 27; June 3, June 10, June 17 and June 24; July 1, July 8, July 15, July 22 and July 29; August 5, August 12, August 19 and August 26; and September 2 and September 9. You can also read our full reviews of a heap of recent movies, such as Locked Down, The Perfect Candidate, Those Who Wish Me Dead, Spiral: From the Book of Saw, Ema, A Quiet Place Part II, Cruella, My Name Is Gulpilil, Lapsis, The Conjuring: The Devil Made Me Do It, Fast and Furious 9, Valerie Taylor: Playing with Sharks, In the Heights, Herself, Little Joe, Black Widow, The Sparks Brothers, Nine Days, Gunpowder Milkshake, Space Jam: A New Legacy, Old, Jungle Cruise, The Suicide Squad, Free Guy, Respect, The Night House, Candyman, Annette, Shang-Chi and the Legend of the Ten Rings, Summer of Soul (...Or, When the Revolution Could Not Be Televised), Streamline and Coming Home in the Dark.
Get ready to feel insecure about your age. That dynamo 17-year-old with the Grammys and the dance moves and the best friend named David Bowie is set to finally hit our shores in July. Lorde will play eight massive shows across the country including Melbourne, Adelaide, Perth, Sydney, Newcastle and Brisbane. After a heartbreaking cancellation and an illness postponement earlier in the year, this will be Lorde's first Australian stadium tour after playing smaller clubs and the Laneway circuit. Ever the social media savvy teenager, Lorde announced the rescheduled tour dates with a Twitter pic, sprinkled with crystal ball and lightning bolt Emojis. While we're sure to get the full Royal(s) treatment from her 2013 breakthrough album Pure Heroine, the highly-anticipated tour is said to have some big surprises in store. It's been announced there will be a large-scale light show component, but we're keeping our fingers crossed for a cameo from Ziggy Stardust. In good news for wunderkinds nationwide, every show on the tour will also be all ages. Stands to reason, really — if the main act is underage why should you have to flash ID? https://youtube.com/watch?v=f2JuxM-snGc
We know it's nothing revelatory, but we've spent far more time staring at our own four walls these past 18 months. Our homes have become our havens (and our hells), meaning it's high time to spruce up our pads. And one surefire way to give your living room a lift or brighten up your bedroom — even if you rent — is with some brand-new homewares. But this is your sanctuary, so any old couch won't do. Instead, pick up some wares that'll spark serious joy, and save yourself from the less-than-joyful activity of assembling flat-pack furniture while you're at it. In partnership with Great Southern Bank, we're helping you skip the flat-pack struggle — and still stick to your savings goals. In fact, with Great Southern Bank, you can actually top up your savings account with The Boost, which lets you add small amounts (between $0.01 and $5) to your savings as you spend on stunning new wares. So, if you're after colourful handmade ceramics, plush sofas, linen sheets and quirky chairs, check out these eight stores with homewares that won't break the bank. CASTLERY If you'd describe your taste in homewares as 'modern minimalist' then check out Castlery. There's something decidedly homey and comfortable about its affordable furniture range, though it still has a sleek edge. This 100-percent online store also makes it dead easy to browse from the comfort of your couch. Want a new dining room set? Take your pick of retro-style sideboards, mango wood tables and sleek dining benches. Or, maybe it's time to finally get rid of your nan's hand-me-down sofa and replace it with a luxe sectional. Whatever you're looking for, Castlery probably has it — and at a competitive price — so jump online stat. Be sure to sign up to its mailing list for a cheeky $50 off your first order, too. BED THREADS The clue is in the name here, so if you're looking to level up your bedding, look no further. Bed Threads is your go-to for linens and will set you up with the snoozing ensemble of your dreams. You can mix and match its 100-percent flax linen sheets, with more than 20 colours to pick from. Plus, you can currently score 20 percent off its 'build your own bundle' sets. The great news, though, is that Bed Threads services other rooms, offering a great selection of bath and table accessories to bring some pep into every space, including waffle towels, vibrantly hued table linens and quirky serveware. It's got a concise-but-killer collection of cookbooks, too. [caption id="attachment_798511" align="alignnone" width="1920"] Cassandra Hannagan[/caption] OPUS DESIGN Fun and functional, Opus Design's homewares range from subtle and understated to ostentatious and fun. Whether you're after a new set of knives or big-ticket items like coffee tables and chairs, everything here looks and feels high-end — but without the hefty price tag. A great shout if you're looking to pick up a few pieces to breathe new life into your living room, it also offers free delivery across Australia on orders over $100. Result. THIRD DRAWER DOWN Melbourne-based shop Third Drawer Down is a top homewares contender (which thankfully has a comprehensive online store, too). Stocking bold (and sometimes tongue-in-cheek) designs from an impressive list of local and international artists, Third Drawer Down celebrates individualism and playfulness with its carefully curated selection of wares. Everything here is as much a work of art as it is a functional piece of furniture, so expect a heap of bright colours, out-there drawings, crude knick-knacks and pop-culture influences. This is a great store if you're after a fun statement piece (or a few) without wanting to fork out a fortune. GOODSPACE Goodspace is a humble Instagram page dedicated to redeveloping and repurposing preloved furniture. Not only will you score something unique for your pad, but you'll also be doing the earth a solid with these sustainable pieces. The social media store sells all manner of small and large storage units, tables, chairs, sofas and lamps, to name but a few. The price on these beauties varies greatly, so be sure to check its swag regularly. It also recently launched its own line of bright-hued checkerboard rugs that'll add a splash of colour and help spiff up any room. MUD Founded in 1994, Mud has been going strong for 27 years with its minimalist ceramic designs. Perhaps best known for its handmade porcelain range brought to life by designer Shelley Simpson, Mud is all about clean, colourful pieces that are as much about the artistic process as they are functionality. So, if you're in the market for a statement salad bowl, a new mug or some unique hanging lights, check out its online store. SUNDAY SOCIETY This Brisbane-based store delivers across Australia, which is the first bit of great news you need to hear. The second? Sunday Society embraces individualism and creativity while remaining approachable in aesthetic and, perhaps more importantly, price. It has a diverse range of lounge and bedroom furniture as well as a timeless selection of outdoor wares. Style and sophistication go hand in hand every step of the way here, so no matter what you're looking for, you're bound to find something that suits your taste. LOUNGE LOVERS Whether it's the comfortable, stylish sofas or rustic, asymmetrical tables stocked at Lounge Lovers, you may find yourself being surprised at the price tag on these slick pieces. Lounge Lovers keeps things simple by offering concise variations on a number of easily workable themes. Classic and contemporary designs are brought to life via chic colour palettes that range from neutral to jewel tones, allowing you to add your personal flair to any of these accessible pieces. Great Southern Bank is empowering Aussies to get clever with their banking. Whether you want to stick to your savings goals with The Boost or hide your house deposit fund from yourself with The Vault, Great Southern Bank helps you get there. For more information on savings tools and home loan options, head to the Great Southern Bank website. Top image: Opus, Cassandra Hannagan
The silly season is upon us. Time to let go of those inhibitions and indulge in the excess of the season. Whether you're hosting Chrissie lunch, heading to a summer barbie or organising the office drinks, you'll want to make sure you're dining and sipping well. So, to help you sort out the menu, we've teamed up with our friends at Pernod Ricard, purveyors of festive tipples like Mumm, Chivas, St Hugo and Jacob's Creek, to bring you some top-notch food and beverage pairings for the festive season. Whether you're after a traditional roast, barbecued seafood or some tasty little canapés, we've tracked down a tip-top tipple to complement your Christmas fare. OYSTERS AND CHAMPAGNE It's a classic pairing; there's just something about the smooth, tannic saltiness of an oyster paired with a fizzy, dry Champagne that makes for a perfect (and rather lush) starter. Mumm's signature Cordon Rouge is a key drop to pair with your raw bar this Christmas. The nose offers hints of white and yellow peach with some delicate notes of lychee and pineapple, and on the palate, you can expect a complex yet well-balanced mouthfeel with lots of fresh fruity notes and the tiniest hint of caramel to balance. Pop and pour some Mumm as you shuck oysters with the family. And make sure everyone gets a go at opening their own oyster. SALMON AND A SPRITZ Fresh, bubbly and fun, the prosecco spritz is like that friend you invite to everything because you know they'll be the life of the party. And Jacob's Creek's version is no different — plus it makes hosting a breeze with the aromatic, orangey spritz flavours already bottled up. All you've gotta do is pour over ice and garnish with a slice of orange. As for the food, we recommend pairing those bitter orange notes and herbaceous aromas with the salty, oily flavours of smoked salmon blinis with cucumber, creme fraiche and salmon roe. It's elegant, sophisticated and dead easy to prep and serve. GRILLED PRAWNS AND ROSÉ With the heat, sunshine and general summer vibes, Australian Christmas typically favours seafood —what's more Australian than chucking a few shrimp on the barbie? Well, should you live in an apartment sans barbecue or just can't be bothered with the whole 'uh oh the prawn has fallen through the grate', this grilled alternative is quick, easy, flavourful and pairs quite well with a glass of rosé or two. Marinate the prawns in butter, lemon juice, garlic and herbs, and then place under your oven grill for two to three minutes. Plate up the prawns and get some chilled Jacob's Creek Le Petit Rosé on the pour. And with this pairing falling in line with the pinky orange Pantone colour of 2019, you'll not only eat like a king but a stylish, on-trend one at that. CHRISTMAS ROAST AND CAB SAV Even though it's likely to hit 30-plus degrees this Christmas, it's still hard to beat a traditional Christmas roast lunch on the big day. If you're going for a roast turkey, goose or chicken, complete with all the trimmings, you'll need a wine that can hold its own against the mammoth meal. St Hugo cabernet sauvignon pours an inky red-purple and offers a spicy bouquet of cherries, blackberries and a touch of star anise. On the palate expect a full body with roasted chestnut flavour and oaky vanilla, that finishes with an acidity that brings it all home. CHOCOLATE AND WHISKY Chocolate and whisky — it's got decadence written all over it. To achieve maximum opulence, you'll want to find a drop that'll be enriched by a chocolate pairing. The Chivas Regal 18 is a blended scotch whisky aged to bring out a smooth, spicy and slightly sweet flavour profile. The buttery toffee and caramel notes are complemented by dried fruit and a hint of spice and dark chocolate. Pour a nip over a single ice cube to pull out the flavours, and pair it with a square (or block) of rich, dark chocolate — or, even more decadent, a fudgy chocolate cake. Start planning your festive menus — Christmas will be here before you know it. Purchase any two eligible Pernod products from a Cellarbrations, The Bottle O, IGA Liquor or Big Bargain Bottleshop, and go in the draw to win a $500 travel voucher. There's one voucher to win every day till Christmas. And really, what could be better for the holiday spirit than winning an actual holiday?
If you've always wanted to follow in the footsteps of Rasputin, but just couldn't find the right Contiki tour, we're here to help. There's a certain stigma that, in order to travel through Russia, you need to simultaneously wield a knife and be prepared to denounce democracy at any moment. There's some weird idea that it's filled lunatics, haters of English-speakers and that every street peddler possesses a stare of death. Well, take it from our experience — that's a total load of rot. Russia is home to some of the world's most incredible architecture, highest fashion and interesting people, and flights are on par with the cost of a trip to London. English isn't widely spoken — and you might have to adopt a diet of carrot cake and Cornettos to avoid attempting the language — but if you're chasing great experience over a great tan, lock in Russia for your summer vacay. [caption id="attachment_554510" align="alignnone" width="1280"] farhad sadykov via Flickr[/caption] WHERE TO GO If it's your first time in Russia and you're strapped for time, stick to the Western side — that is, St Petersburg, Moscow and Sochi. St Petersburg is an artist's dream, Sochi is the adventurer's city and Moscow is the New York of Russia (though they'd never admit it). Each city has every scene you can imagine — dive bars, high-end food precincts, live music venues, and a cathedral on every corner. If you want to experience a less hectic and clustered Russia — but still want to survive as an outsider — travel around the small towns outside Moscow, commonly known as the Golden Ring. It's a great route if you're chasing the peaceful life in the Russian province, beautiful countryside views and ancient architecture. [caption id="attachment_554526" align="alignnone" width="1280"] Kyle Taylor via Flickr[/caption] HOW TO GET A VISA Nothing great comes without at least one hurdle — and this one is a toughy. You're going to have to print some forms, post them off and pay some cash money for a little piece of paper to stick in your passport. Normally you have to apply for a Russian visa in person, but the Sydney consulate kindly allows you to post your application in. Check out their guidelines here. On your application form, you'll have to make sure you list every single country you've visited before. Seriously, if you forget that brief stopover you had once in Singapore, there'll be no visa for you. Oh, and you'll need an invitation from the hotel or hostel you're staying at during your stay in Russia. If you're Airbnb-ing it, you will have to obtain an invitation online. Stress Free Visas is a reliable, UK-based company that will help you obtain an invitation compatible with your visa within a day (for $40). [caption id="attachment_554509" align="alignnone" width="1280"] Chao Mama Hostel[/caption] WHERE TO STAY Hostels in Russia are seemingly some of the cleanest and cheapest in the world, but, of course, you're always at risk of getting a flea-ridden dud. In St Petersburg, Chao Mama hostel should be your go-to — seriously, work your trip around their availability so you can stay here. Its location is walking distance to St Isaac's Cathedral and a bed in a six-bed dorm is around a stupidly affordable $9AUD a night. They have homemade Belgian waffles for breakfast and the entire place is slick, clean and modern. If you're willing to empty your bank account on a luxe stay, then W Hotel is by far the trendiest, most convenient stay this side of the Baltic. In Moscow, just Airbnb it. The best hostels are on Airbnb anyway, and there are truly some pretty remarkable, not-too pricey views you could be waking up to. It's pretty easy to sort the reliable hosts from those looking to lend their dirty couch out for some quick cash. Use your know-how and, for God's sake, don't take a chance on a place that only shows one pixelated photo of a kettle. And if the listing is written in Cyrillic, steer clear — purely because making contact is going to be more hassle than it's worth. [caption id="attachment_550676" align="alignnone" width="1280"] Severyanin[/caption] WHERE TO EAT AND DRINK Unfortunately, not all Russian cuisine isn't something to get excited over. It seems all the time they spent building cathedrals, museums and invading different countries meant they simply forgot to forge an interesting cuisine. Most meals are meat and potato based, and farm-fresh fruit and vegetables are somewhat of a myth. So you can either eat cheap Chinese (of which there is plenty of) or take our advice on where to find meat and potatoes done not so bad. The traditional, must-try Russian dishes are stroganoff, borsch (beetroot soup), meat dumplings and honey cake. You can order delicious interpretations of these meals in St Petersburg's Severyanin. Their honey cake is famous (with good reason), and every Sunday from 2-5pm they host a Russian tea ceremony, complete with the homemade pies, jams, bagels and sweets pictured above. Other great restaurants in the area include Zoom Cafe (for breakfast), Pelmenya (for dumplings) and Macarena (for seafood). [caption id="attachment_550687" align="alignnone" width="1280"] Cafe Pushkin[/caption] In Moscow, head to the Novokuznetskaya District for a great bite. You can grab anything from a Japanese curry from Tanuki to a croque madame from Paul French Bakery — and of course there's some great Russian restaurants around too. Cafe Pushkin is one of the more famous, pricey restaurants in Moscow with renowned borsch, a dining room as posh as a museum and service that will have you feeling as royal as Catherine II. They're open from breakfast for dinner, and we recommend booking a table a few days in advance. On the drinks front, here's a serious don't: don't drink homemade vodka. If you're a traveller that has a tendency to make friends with locals and hence accept their invitation for a meal in their cabin in the woods, then this is your hot tip. Stay away from the moonshine. It'll probably kill ya. Just stick to the store-bought spirits, beers, illegally-imported Moldovan wine and rooftop bars (of which, there are many). [caption id="attachment_554517" align="alignnone" width="1280"] Larry Koester via Flickr[/caption] WHAT TO DO St Petersburg is a marvel of a city, made of more colours than Faber Castell HQ. Its architecture is incredible — the kind of exotic avant-garde structures, alien sensibilities, and strict Stalin-era designs you really won't find in any other country. St Isaac's Cathedral, The State Hermitage Museum and The Church of the Savior on Spilled Blood are all must-sees. You could easily stay here a week and still not have done everything in and around St Petersburg, but the necessary out of town stops include heading to Pushkin to visit Catherine Palace and Peterhof State Museum Preserve. If you're a solo traveller, make a hearty attempt at catching public transport there, but if you're in a group of three or more, a taxi is affordable (and makes the trip a lot easier). [caption id="attachment_554524" align="alignnone" width="1280"] Ana Paula Hirama via Flickr[/caption] In Moscow, allocate a good, sunny day to Gorky Park (pictured). Then another good, sunny day to the Museum of the Great Patriotic War. Hire skates or a bike (not a Segway) at both places as each are enormous and almost impossible to see properly without a set of wheels. If you're looking for more galleries and museum, The State Tretyakov Gallery, Tsarytsyno Open-Air History and Architectural Museum and Lenin's Mausoleum (where you can see Lenin's embalmed body) all deserve top rungs on the to-do list. [caption id="attachment_550679" align="alignnone" width="1280"] Adam Baker via Flickr[/caption] OTHER TIPS Bite the bullet, and learn to read Cyrillic as well as basic phrases and words.This isn't Bali. Most everyone speaks Russian exclusively, with perhaps a smidgen of German or English. Spa-see-ba is thank you. Stras-voot-yeah is hello. Make sure you have the Google Maps app on your phone. It gives the correct metro lines and stopovers right down to the minute. Use Uber, and always put your address in before you head out in case you don't have internet — it's much easier to have the address stored than having to pronounce a Russian street name. You might find yourself in a traffic jam with an Uber driver who is about to crack it because he's being dolled by the mile, not the minute. That's a good time to say spa-see-ba. He'll probably call you a prostituka. Don't lose your passport. That visa inside is the most important thing you have in Russia. If you lose it, you'll be detained in our embassy, promptly kicked out of the country and dished out a five-year ban from returning. No ifs, no buts — and don't even bother with the waterworks. These guys have dealt with more international disputes than you have Instagram followers. The empathy card is about as useless as a Georgian flag in South Ossetia. There's so much to see and do in Russia, and this is really only a snapshot of what this country has on show. It's a place everyone should venture to at least once — and there's no riskier/better time then now. Here's some Boney M to get the ball rolling. [embed]https://www.youtube.com/watch?v=5yTVWXYctoY[/embed] Top image: haylee via Flickr
Music lovers Down Under are accustomed to bands only playing in parts of Australia and New Zealand, sparking fan travel plans to other cities. When Coldplay brought their Music of the Spheres world tour this way on Saturday, November 18–Sunday, November 19, it did so only at an exclusive Perth leg of the tour that marked their only stop in this neck of the woods for 2023. Start getting excited about 2024, however — because Coldplay already have. It'll be all yellow in Melbourne for two October dates next year, then in Sydney for a pair of November shows — and also in Auckland for a one-night visit the same month. The Chris Martin-fronted band will play Marvel Stadium on Wednesday, October 30–Thursday, October 31, then Accor Stadium across Wednesday, November 6—Thursday, November 7, before heading to Eden Park on Wednesday, November 13. Coldplay's current tour kicked off in March 2022, meaning that the band will have been on the road for almost three years when they make their return to Australia and Aotearoa. Packed stadiums have also been awaiting; every show between now and October 2024 has already sold out, with the group playing Kuala Lumpur, Manila, Singapore, Bangkok, Athens, Bucharest, Budapest, Lyon, Rome, Düsseldorf, Helsinki, Munich, Vienna and Dublin before their return trip Down Under. So far, over nine million tickets have been sold since the beginning of the tour. When they take to the stage in Sydney, Melbourne and Auckland, the British band will play their first shows in each city since 2016. Fans can look forward to a setlist that covers Coldplay's 26-year history — 27 by the time those October and November 2024 dates roll around — including everything from 'Clocks', 'Fix You' and 'Sparks' to 'A Sky Full of Stars', 'Viva la Vida' and 'The Scientist. PinkPantheress and Emmanuel Kelly will be on supporting duties — and the tour's infinity tickets will be back, releasing at a later date and letting fans attend for $32 per ticket. COLDPLAY 'MUSIC OF THE SPHERES' WORLD TOUR AUSTRALIA AND NEW ZEALAND DATES 2024: Wednesday, October 30–Thursday, October 31 — Marvel Stadium, Melbourne Wednesday, November 6—Thursday, November 7 — Accor Stadium, Sydney Wednesday, November 13 — Eden Park, Auckland Coldplay will tour Australia and New Zealand in October and November 2024, with pre-sale tickets available from 10am local time on Wednesday, November 29 and general sales from 10am local time on Friday, December 1. Head to the Coldplay website for further details and to register for the pre sale. Images: Anna Lee.
There's something about the mix of music and comedy that's particularly alluring. Perhaps everyone likes jokes accompanied by a melody, or wants to laugh while tapping their toes? Maybe it's not just the fusion of gags and tunes, but the underlying creativity? Either way, as everything from This is Spinal Tap to Tenacious D to Flight of the Conchords has demonstrated, musical comedy is a certain hit. The folks at The Foundry obviously agree, which is why they're launching a regular evening dedicated to the idea. From December 6, the first Sunday of every month will be dedicated to Haha Singsong — aka a night that promises to satisfy your musical and comedic cravings in one neat package. A packed lineup of Damien Power, Dan Rath, Jackie Morgan, Reuben Brown, Emerson Snowe, Corporate Vibes and Cool Music World will christen the concept, so expect flailing limbs and giggle fits aplenty. And, if this gets you grooving and tickles your funny bone, you should also expect to carve out a regular spot on your calendar for a repeat visit.
Getting to Howard Smith Wharves just got easier, especially travelling to the revamped space beneath the Story Bridge via the very thing it peers out over: the Brisbane River. While the site's ferry terminal opened in December 2021, and the CityHopper and Cross River Ferry Service have been servicing it since, the CBD spot is only now becoming part of the CityCat route. From Monday, May 27, 2024, you can cruise into and out of Howard Smith Wharves all day each day. The first services start at 6.10am daily, and the last run at around 11.30pm on weeknights and midnight on weekends. So, there's no more needing to get off at Riverside and walk up to HSW — even if that stroll does come with a nice riverside vantage. If you're thinking "finally", that's understandable. Any new riverside precinct in inner-city Brisbane was always going to need to be part of the CityCat network — and 45,000 people per year have already been getting to Howard Smith Wharves via the CityHopper and Cross River Ferry Service. "Howard Smith Wharves is not only one of Brisbane's most beloved entertainment areas, but directly linked to the iconic Fortitude Valley precinct, so a permanent CityCat stop at the wharves makes perfect sense," said Brisbane Lord Mayor Adrian Schrinner. "The introduction of these daily services will mean that more people can easily travel between Howard Smith Wharves, the city and South Bank, as well as a host of other terminals along the river as they see the best of Brisbane." The CityHopper and Cross River Ferry Service will keep running as they have been, giving folks a heap of ways to get to HSW via the river, but the CityHopper will move its timings by three minutes. Howard Smith Wharves started opening in late 2018, giving Brisbane a riverside brewery in the heart of the city — plus everything from Japanese, Greek and Cantonese restaurants to an overwater bar. Since then, it's been making the most of its perch by the water in every way except one; however, that's changed now that it's part of the now-19 stop CityCat network. Getting there and back via CityCat from Monday, August 5 will also only cost you 50 cents per journey for six months, when the Queensland Government slashes all Translink public transport fares to half a dollar for half a year. CityCat services to and from Howard Smith Wharves, which is located at 5 Boundary Street, Brisbane, commenced on Monday, May 27, 2024. Head to the Translink website for timetables and further details. Top image: Reuben Nutt.
Yeah, so this happened. Wellington pub The Green Man decided to go ahead and serve locally-brewed stout beer featuring a cheeky little amount of stag semen. While we're half-heartedly reeling and equally intrigued, we have a lot of questions. Responsible for this drinkable abomination are local Wellington brewers Choice Bros, probably looking for a little free publicity pre-Beervana. Well, they certainly got that. We're assured that the deer semen is "export quality", however that was judged. The stag was apparently "milked" and had a restful sleep afterwards. Warning, you might grab a sick bag for this next bit. According to the brewers, the stout beer apparently has a "creamy" mouthfeel. Ugh. "Everyone so far has swallowed and not spat… The beer itself is excellent. It’s a creamy chocolate stout with coffee notes. The semen… well that’s something you’ve got to experience to describe," pub director Steve Drummond, a man who clearly knows his sexual innuendo, told BuzzFeed. If you can believe it, this is not The Green Man's first time serving semen-infused bevs. Stuff reported that "In 2011 its apple-infused horse semen shots proved popular with women, while 2013 saw syringes of stag semen on offer." God help us all. After doing the calculations of the novelty factor to lifelong trauma ratio, we'd love to hear of any brave, disgusting souls who head down to The Green Man on Victoria Street in Wellington to try this horrific cocktail out. Please, show yourselves. Via BuzzFeed.
Brisbane's latest nightlife spot wants to wow patrons before they even step foot through the door. It's keen to make its customers feel like they've been whisked somewhere far from the Queensland capital, too. First up, to get inside, you need to step along an LED walkway that has the entrance glowing, its stairs as well, then clubgoers once you're in. And those vibes from places far beyond the River City? Ibiza, Miami and Las Vegas are all influences. Enigma opened in Brisbane to start off August 2024, giving Fortitude Valley a new nightclub. The Brunswick Street spot boasts a $9.3-million fitout, which attendees can enjoy on Friday and Saturday evenings. As the luminous sights and overseas inspirations make plain, the aim is to whisk clubgoers away from their routine even if they're not leaving Brissie. "It targets those seeking an escape," explains Hallmark Hospitality Group's Cade Hopman, with the hospitality adding Enigma to its array of venues. Visuals also accompany the beats inside, in a space that joins Maggie May, Lefty's Music Hall, The Lord Alfred and Hey Chica! are among the company's fellow venues in Brisbane. Retro's and Finn McCool's have locations both here and on the Gold Coast. And the latter is also home to The Cavill Hotel, Sandbar, Lost Kingdom and Asylum — while Hallmark is also behind The Spotted Cow in Toowoomba. Enigma's resident tune-spinners include Tasha Lee, Curdin, SF Fudge, Sophie Bridges, Nestor Vargas and Apolloco, setting the mood whether you're hitting the dance floor or hanging out in the seven booths surrounding the DJ in the VIP area. As for the drinks options, classics such as margaritas, Long Island iced teas, Aperol spritzes and espresso martinis sit alongside the club's signature sip. Opt for The Enigma and you'll be drinking vodka, white rum, gin, blue curacao and raspberry, plus Red Bull. Find Engima at 299 Brunswick Street, Fortitude Valley — open from 9pm–4am Friday–Saturday. Head to the venue's website for more details.
So, you're an actor and you want to win an Emmy? Based on the just-announced 2022 nominees, here are a few ways to go about it. First, star or guest star in Succession, the HBO behemoth that just nabbed 25 nods, including 14 for acting. Or, appear in the US cable network's fellow recent hit The White Lotus, which scored 20 noms, eight of which were for its cast. Being on Apple TV+'s Ted Lasso works, too, given that it just picked up 20 nods for the second year in a row — and ten of them went to its on-screen talent. Yes, they're the big three shows that scooped the pool at this year's Emmy nominations. All three are competing in different categories — Succession in the drama field, The White Lotus in the limited series section and Ted Lasso in comedy — so they don't have to battle it out among themselves. That said, plenty of each series' individual actors are nominated against their co-stars, although that's a bit of a trend in 2022. Announced in the early hours of Wednesday, July 13 Australian and New Zealand time, the list of shows notching up the nods also includes Hacks and Only Murders in the Building with 17 each, Euphoria with 16, and Severance, Squid Game, Barry and Dopesick with 14. Squid Game also became the first-ever drama series nominee that isn't in the English language. Ozark collected 13 nominations, as did the fourth season of Stranger Things — but, bucking the trend, none of the latter's nods came for its performances. The Marvelous Mrs Maisel nabbed 12, while Pam & Tommy collected ten. That means it's been a great 12 months for eat-the-rich dramas, wild based-on-true-story miniseries (with The Dropout and Inventing Anna), returning favourites that've been off the air for a few years (including Better Call Saul and Barry) and former Saturday Night Live stars (Bill Hader and Jason Sudeikis, specifically). Seeing excellent new thrillers Severance and Yellowjackets earn some attention is also fantastic — and What We Do in the Shadows should just have a standing nomination in the Best Comedy category. Who'll emerge victorious will be announced on Tuesday, September 13 Down Under — and plenty of exceptional shows and actors are in the running. But, you can't have a hefty rundown of nominees without a few glaring gaps. Pandemic series Station Eleven deserved more than just one acting nomination. The wonderful Reservation Dogs was somehow thoroughly overlooked, as was the stellar We Own This City and the second season of Girls5Eva. Plenty of folks were recognised for Only Murders in the Building, but not Selena Gomez. And the astonishing Pachinko only nabbed an Outstanding Main Title Design nomination. The 73rd Emmy Awards will take place on Tuesday, September 13, Australian time. Here's a rundown of the major nominations — and you can check out the full list of nominees on the Emmys' website: EMMY NOMINEES 2022 OUTSTANDING DRAMA SERIES Better Call Saul Euphoria Ozark Severance Squid Game Stranger Things Succession Yellowjackets OUTSTANDING COMEDY SERIES Abbott Elementary Barry Curb Your Enthusiasm Hacks The Marvelous Mrs Maisel Only Murders in the Building Ted Lasso What We Do in the Shadows OUTSTANDING LIMITED SERIES Dopesick The Dropout Inventing Anna Pam & Tommy The White Lotus OUTSTANDING TELEVISION MOVIE Chip 'n' Dale: Rescue Rangers Ray Donovan: The Movie Reno 911!: The Hunt for QAnon The Survivor Zoey's Extraordinary Christmas OUTSTANDING LEAD ACTOR IN A DRAMA SERIES Jason Bateman, Ozark Brian Cox, Succession Lee Jung-jae, Squid Game Bob Odenkirk, Better Call Saul Adam Scott, Severance Jeremy Strong, Succession OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES Jodie Comer, Killing Eve Laura Linney, Ozark Melanie Lynskey, Yellowjackets Sandra Oh, Killing Eve Reese Witherspoon, The Morning Show Zendaya, Euphoria OUTSTANDING LEAD ACTOR IN A COMEDY SERIES Donald Glover, Atlanta Bill Hader, Barry Nicholas Hoult, The Great Steve Martin, Only Murders in the Building Martin Short, Only Murders in the Building Jason Sudeikis, Ted Lasso OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES Rachel Brosnahan, The Marvelous Mrs Maisel Quinta Brunson, Abbott Elementary Kaley Cuoco, The Flight Attendant Elle Fanning, The Great Issa Rae, Insecure Jean Smart, Hacks OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Colin Firth, The Staircase Andrew Garfield, Under the Banner of Heaven Oscar Isaac, Scenes From a Marriage Michael Keaton, Dopesick Himesh Patel, Station Eleven Sebastian Stan, Pam & Tommy OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Toni Collette, The Staircase Julia Garner, Inventing Anna Lily James, Pam & Tommy Sarah Paulson, Impeachment: American Crime Story Margaret Qualley, Maid Amanda Seyfried, The Dropout OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES Nicholas Braun, Succession Billy Crudup, The Morning Show Kieran Culkin, Succession Park Hae-soo, Squid Game Matthew Macfadyen, Succession John Turturro, Severance Christopher Walken, Severance Oh Yeong-soo, Squid Game OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES Patricia Arquette, Severance Julia Garner, Ozark Jung Ho-yeon, Squid Game Christina Ricci, Yellowjackets Rhea Seehorn, Better Call Saul J. Smith-Cameron, Succession Sarah Snook, Succession Sydney Sweeney, Euphoria OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES Anthony Carrigan, Barry Brett Goldstein, Ted Lasso Toheeb Jimoh, Ted Lasso Nick Mohammed, Ted Lasso Tony Shalhoub, The Marvelous Mrs Maisel Tyler James Williams, Abbott Elementary Henry Winkler, Barry Bowen Yang, Saturday Night Live OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES Alex Borstein (The Marvelous Mrs. Maisel) Hannah Einbinder, Hacks Janelle James, Abbott Elementary Kate McKinnon, Saturday Night Live Sarah Niles, Ted Lasso Sheryl Lee Ralph, Abbott Elementary Juno Temple, Ted Lasso Hannah Waddingham, Ted Lasso OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR TELEVISION MOVIE Murray Bartlett, The White Lotus Jake Lacy, The White Lotus Will Poulter, Dopesick Seth Rogen, Pam & Tommy Peter Sarsgaard, Dopesick Michael Stuhlbarg, Dopesick Steve Zahn, The White Lotus OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR TELEVISION MOVIE Connie Britton, The White Lotus Jennifer Coolidge, The White Lotus Alexandra Daddario, The White Lotus Kaitlyn Dever, Dopesick Natasha Rothwell, The White Lotus Sydney Sweeney, The White Lotus Mare Winningham, Dopesick OUTSTANDING GUEST ACTRESS IN A DRAMA SERIES Hope Davis, Succession Marcia Gay Harden, The Morning Show Martha Kelly, Euphoria Sanaa Lathan, Succession Harriet Walter, Succession Lee You-mi, Squid Game OUTSTANDING GUEST ACTOR IN A DRAMA SERIES Adrien Brody, Succession James Cromwell, Succession Colman Domingo, Euphoria Arian Moayed, Succession Tom Pelphrey, Ozark Alexander Skarsgard, Succession OUTSTANDING GUEST ACTRESS IN A COMEDY SERIES Jane Adams, Hacks Harriet Sansom Harris, Hacks Jane Lynch, Only Murders in the Building Laurie Metcalf, Hacks Kaitlin Olson, Hacks Harriet Walter, Ted Lasso OUTSTANDING GUEST ACTOR IN A COMEDY SERIES Jerrod Carmichael, Saturday Night Live Bill Hader, Curb Your Enthusiasm James Lance, Ted Lasso Nathan Lane, Only Murders in the Building Christopher McDonald, Hacks Sam Richardson, Ted Lasso
Each year when winter hits Melbourne, there is an energy to the city as it comes to life with the annual festival of music, arts and performance, RISING. Running from Wednesday, June 4 to Sunday, June 15, RISING's exciting lineup fills the streets, galleries and hidden corners with 65 events featuring work from over 300 boundary-pushing artists. The exhibits and installations happen nonstop throughout each day, but once night falls, Melbourne is truly invigorated, with a whole new side of the city to uncover. Whether you're a local or just visiting, the festival is an invitation to get out, stay up late, and explore Melbourne at its most vibrant and delightfully unpredictable. Planning a trip? Here's our pick of unmissable experiences to make your Melbourne sojourn an unforgettable one. 'Intangible #form' at The Capitol If you're looking for something fun (and free) to do after dark, Shohei Fujimoto's immersive installation, Intangible #form, at The Capitol is a standout in this year's RISING lineup. Entering the space feels like stepping into a sci-fi dream, with glowing red laser beams shifting and responding to your movements, pulling you into an almost hypnotic state. Open from 4.30pm to 10.30pm daily during the festival, it's one you can't miss. Reed House A good RISING itinerary deserves meals as memorable as the art you'll see. Reed House delivers just that. This Lonsdale Street restaurant sits within a landmark heritage building in the heart of the city, and features a humble menu inspired by British brasseries, which is exactly what you want on a cool Melbourne night. It's the perfect spot to fuel up before a night of performances, or to debrief on your day's discoveries over dinner and drinks. 'Kill Me' — Marina Otero RISING consistently delivers performances that push boundaries, and this year is no exception. This year's must-see is Kill Me, a provocative new performance by Argentine choreographer Marina Otero that (literally) bares all. It's exactly the kind of thoughtful, unapologetic work RISING champions, guaranteed to keep you talking long after the show ends. Night Trade A festival favourite during past years, RISING's Night Trade transforms Melbourne's Howey Place and surrounding laneways into a nocturnal playground. Wander around to discover a mix of music, art, and food, including late-night bites and micro cocktail bars, and experience performance art from artists like Saeborg and Nyege Nyege up close and personal. There's plenty to see — all for free — and it's all set against the backdrop of Melbourne's famous laneways. Apollo Inn Tucked discreetly off Flinders Lane and by the team behind famed restaurant Gimlet, Apollo Inn captures Melbourne's late-night charm with cocktails to match. Dimly lit and always (quietly) buzzing, it's the kind of place you want to end up after an evening of exhibition-hopping, to plan tomorrow's adventures or just soak in the city's after-hours energy. [caption id="attachment_1000969" align="aligncenter" width="1920"] Eugene Hyland[/caption] 'Swingers: The Art of Mini Golf' For a little extra rebelliousness, head to the Flinders Street Station Ballroom for Swingers: The Art of Mini Golf – a one-of-a-kind playable art exhibition. This nine-hole mini-golf course is no ordinary game, because each hole is an artwork created by female artists, including Miranda July, Kaylene Whiskey, and Saeborg. The concept is a nod to the rule-breaking 19th century women who invented the game after being refused access to the real course. Open from Wednesday, June 4 to Sunday, August 31, go for a late-night slot and experience the surreal, interactive installations that challenge traditional notions of mini golf. 'Frida Kahlo: In her own Image' at Bendigo Art Gallery If you're keen to keep the cultural exploration going after RISING, you can take a short road trip out of town to Bendigo for Frida Kahlo: In her own image, exclusive to the Bendigo Art Gallery, and make a day of it by exploring the township. Just two hours away from Melbourne CBD, the exhibition offers an intimate look at the iconic Mexican artist's revolutionary life and art. It's the perfect complement to Melbourne's RISING, rounding out your weekend of new experiences. So pick your favourite spots, embrace after-dark adventures, and discover why a winter in Melbourne is genuinely unforgettable. Head to visitmelbourne.com.au to discover more of what makes Melbourne every bit different. Images courtesy of Melbourne. Every bit different. By Jacque Kennedy
A road trip through the American South is one of those epic, once-in-a-lifetime journeys. It's also the epitome of Americana and offers an unrivalled way to experience the South. The sheer distance between many of the South's most distinctive sights, sounds, culture and history can only be bridged via four wheels, and there's no freedom quite like the one when you take to the road. Your next destination depends only on your interests and how much fuel (or gas, as it's known in the States) is in the tank. In partnership with Travel South USA, we've curated the best routes in each of the South's nine states to accelerate your trip planning. Create an adventure that's entirely your own by linking up different sections of the region's countless routes. Whether you want to cruise through vibrant towns, savour Southern cuisine or catch your breath in the face of awe-inspiring natural scenery, the open road can take you there in the South. Route 66 — Missouri One of America's most iconic highways, driving along Route 66 is a classic American road trip. Affectionately known as "Mother Road", the route covers over 450 kilometres traversing America from east to west, but Missouri's stretch is one of the highway's best segments. Not only will you pass through two of Missouri's largest cities, encounter well-preserved motor courts harkening to a bygone era and enjoy incredibly scenic views, it also takes in some of the Route's most historic attractions and is lined with fascinating landmarks that will have you stopping the car every couple of miles. Music, Marches and Mardi Gras — Alabama The South is and historically has been a region of outsized cultural impact in America — and a road trip through Alabama is one of the best ways to see the history of the US firsthand. Stop in the central cities of Birmingham, Montgomery and Selma, where Dr. Martin Luther King and Rosa Parks made history; in Muscle Shoals where music history was made with recordings by many of America's most influential artists; and in Mobile, which is one of America's oldest cities, the birthplace of Mardi Gras and where you'll find fresh seafood straight out of the Gulf. For miles of powdery white sand, beaches, resorts and plenty of outdoor fun, be sure to stop at Alabama's coastal cities of Gulf Shores and Orange Beach too. Outer Banks Scenic Byway — North Carolina Extending for over 138 miles (about 220 kilometres), the Outer Banks Scenic Byway follows the barrier islands off the coast of North Carolina. Showcasing the region's scenery and history, you'll drive alongside pristine beaches, windswept dunes and local landmarks. In addition to the charming coastal towns en route, be sure to add these must-sees to your road trip itinerary: Wright Brothers National Memorial, which commemorates where the first flights in heavier-than-air aircrafts took place; Jockey's Ridge, the tallest living sand dune system on the Atlantic coast; Cape Hatteras National Seashore, where you'll find America's tallest lighthouse; and fuel your sightseeing by filling up on oysters along the North Carolina Oyster Trail. The Kentucky Bourbon Trail — Kentucky The American South is the birthplace of bourbon and nowhere is it better to experience that culture than in Bourbon country itself along the Kentucky Bourbon Trail. The trail takes you through the state's legendary distilleries, showcasing the craft of bourbon-making. With the option to stop at a few distilleries in the state or at each and every single one, the trail can last anywhere from four days to a whole leisurely month on the road — all while taking in the rest of the sights of Kentucky too. Tennessee Scenic Trails & Byways — Tennessee Tennessee's 95 counties are filled with hidden gems just waiting to be explored. Take the scenic route and embark on any number of the state's 16 self-guided scenic drives. The trails and byways are a breeze to follow — they're well marked by brown signs — and you'll discover captivating attractions, local eateries and noteworthy stops along the way. Highland Scenic Highway — West Virginia Nestled in the Monongahela National Forest, the Highland Scenic Highway is one of the most stunning drives on America's East Coast. Over 43 miles (about 70 kilometres) the route traverses crystal clear rivers and wild forest where native spruce trees tower. This unmissable drive promises panoramic views and adventures in the Potomac Highlands and is one of the best ways to experience West Virginia's natural beauty. [caption id="attachment_988789" align="alignnone" width="1920"] Angela Liguori[/caption] Scenic Highway 11 — South Carolina Named after the Native Americans who once called the South Carolina foothills home, Cherokee Foothills Scenic Byway (South Carolina Highway 11) captures some of the most stunning views of South Carolina's mountains and landscapes. Along the highway, take in views of Table Rock State Park's 350-million-year-old granite dome. Stop along the way for a hike or canoe in the State Park, or continue driving to experience the beautiful Wildcat Branch Falls from the comfort of your car. Natchez Trace Parkway — Mississippi If you've ever wondered where the largest octagonal home in America can be found, the answer lies along the Natchez Trace Parkway at Longwood, a historical home that's listed on the US National Register of Historic Places. Spanning 444 miles (about 715 kilometres) through Mississippi and two other states, the scenic drive includes historical points of interest and passes through lush forest where outdoor adventures such as biking, hiking, birdwatching, picnicking, or camping amidst the state's wilderness await. Great River Road — Louisiana See all of Louisiana along the Great River Road which follows the Mississippi River from north to south. This route is a designated All-American Road, which means it contains features that can't be found anywhere else in America. On this route, you'll find UNESCO sites such as Poverty Point World Heritage Site, where artifacts dating back to 1700–700 BC are still being uncovered; the Frogmore Plantation and Gins, a still-functioning cotton farm that tells story of slavery in the area; the tallest state capitol building in the US in Baton Rouge; and New Orleans where an abundance of museums can be explored alongside world-class venues and restaurants and a thriving live music scene. Find your next adventure in the South. Discover more unforgettable destinations and start planning your trip with Travel South USA.
With its latest movie-fuelled event, Underground Cinema is hoping that you've never felt like this before — and that you love Patrick Swayze and Jennifer Grey dancing up a storm in a much-loved 1987 romantic drama. As part of the outfit's new Immersive Cinema spin-off, it's promising to plunge cinephiles into the world of Dirty Dancing. And give you the time of your life, presumably. Hitting outdoor venues for three nights in each Sydney and Melbourne in March 2019, Dirty Dancing: The Immersive Cinema Experience won't just screen one of Swayze's biggest film roles, but will recreate the world of the popular film. That means that attendees will travel back to 1963 in spirit, check into Kellerman's Mountain House in the Catskills, and enjoy a day of painting classes, volleyball, croquet and — of course — dance lessons. You can probably also expect a stint of carrying watermelons, as well as a talent show. It all ends with a sunset screening of Dirty Dancing on the big screen. You'd be just a fool to believe that's all that's on the agenda. Actors and dancers will roam around like the wind, and, food and drink-wise, Americana-style eats and several pop-up bars slinging summery cocktails are on offer for those with hungry eyes (and stomachs). You'll also be able to wander through recreations of Kellerman's famous fictional spaces, from the staff quarters where Francis 'Baby' Houseman gets her first taste of dirty dancing, to the studios where she learns all the steps from and starts swooning over Johnny Castle, to the restaurant where nobody puts Baby in a corner. Like the film version of Kellerman's, the event is also an all-ages affair — Underground Cinema's first that'll welcome families and kids along. And everyone is encouraged to dress up like it's the 60s, although appropriate footwear for dancing is a must. Tickets are available in two tiers, with the $89.90 'Kellerman's Guest Experience' giving you access to all of the above, and the $129.90 'Time of My Life Package' (naturally) also letting you sashay in via express entry, nab a premium elevated viewing spot, explore secret spaces and take a group dance class with one of Kellerman's dance instructors. Dirty Dancing: The Immersive Cinema Experience will take over The Domain in Sydney on March 15–17, and Flemington Race Course in Melbourne on March 22–24, 2019. Tickets for members go on sale at midday on Thursday, November 15, with general public tickets available from 10am on Monday, November 19.
