If 2016 taught us one thing, it's that — at least as far as music icons are concerned — tragedy is always met with a tribute or several. So, with the late, great Leonard Cohen joining the list of artists claimed by the horrible year that just passed, he's also the latest to receive a public outpouring of love in concert form. Dance Me To The End Of Love — A Leonard Cohen Tribute will gather a bunch of Brisbane musicians to honour the influential figure, and invite as much of Brissie as can fit into The Brightside to watch. Everybody knows that it's a must-attend gig. Everybody also knows that 'Hallelujah' will pop up more than once. Here, tonight will be fine — and hey, that is the way to say goodbye. The Duke, Pandora's Karavan, Mel Fraser from We All Want To, Mind & Matches, Peter Fogarty, Mardi Lumsden, Beth Knights and more will help, at what's certain to be a heartfelt evening. Image: Takahiro Kyono.
First, there was the Weekend of Darkness. Now, get ready for the Weekend of Tartness — aka the sister festival The Scratch just had to have. Where the former has celebrated ales, porters, stouts and other tipples at the dark end of the spectrum since 2013, the latter cartwheels to the opposite end of the extreme spectrum of beer styles. If it is tart and tangy, it is likely to be on the menu. Over two days, the funkiest, sourest, most refreshing beers being produced in Australia and around the world will take over the taps of the Milton hangout. It might sound like a gimmick, but these biting brews have been around longer than you might think. In fact, historically, all beers used to be sour. Drinking is only part of the fun, with tasty food and a pumping soundtrack adding to the atmosphere. And if you need some more information to help you work up a thirst, knowing that there'l be tipples on offer from Boatrocker Brewing Co., Feral Brewing Company, Newstead Brewing Co., Brisbane Brewing Co. and more should do it.
There has never been someone quite like Minnie Woolsley, aka KooKoo the Birdgirl. That was the billing the American entertainer received when she starred in iconic 1932 horror film Freaks. Yes, the movie's not-so-subtle title, as well as her distinctive stage name, paint quite the picture. Woolsley suffered from a rare congenital growth skeletal disorder that made her look avian in appearance, which is what brought her to fame; however it's the reality behind the sideshow that motivates the Metro Arts production that shares her adopted moniker. Sarah Houbolt dives into the history of the weird and wonderful part of travelling circuses through the lens of her inspiration, resulting in a bizarre and completely unexpected performance. Across four shows from November 3 to 5, KooKoo the Birdgirl will unleash its unusual delights, though heading to the venue on November 2 is also recommended. That's when Freaks will screen, giving context to Houbolt's show — and gifting audiences the chance to see the classic movie in Metro Arts' cinema.
If you're not already sitting down, you will be once you realise that Brisbane doesn't have a regular vegan market. Or didn't. In news that'll make you leap back up again, the city now has its own monthly gathering dedicated to animal-free products. Brisbane Vegan Markets celebrates ethical eating choices in the best way that anyone can: bringing together all of the stalls selling all of the vegan products. Whatever type of cruelty-free food you're after, there's a very good chance you'll find it here — and it's all happening on the second Sunday of each month. Stallholders change each month, but attendees can expect guilt-free grab bites from a rotating range that has previously included I Should Coco, Tibetan Momo, Kings Indian Fusion, Fire & Dough, Tapioca Traders, Organic Frog Doughnuts, Chai Cart, Vegan Van, Vurger, Green Street Foods, Flour of Life and Popcorn Downunder — and they're just some of the traders selling their animal-free wares. Plus, there'll be clothing and cosmetics on offer too, and live music as well.
So, you know that dia de los muertos hails from Latin America — but did you know that llamas do too? Don't worry, as with everything these days, there's a festival that combines both: the Brisbane Fiesta Latina 2016. This year's Latin American shindig once again commemorates the Day of the Dead, but it also does more than that. You've either been to or heard about the many, many culture-specific festivities that grace Brisbane's public areas on any given weekend, so you know the mix of food, music, markets, dancing, and arts and crafts that we're talking about. The Fiesta celebrates 22 diverse, unique countries when it takes over West End's Russell Street from 3pm on October 29. And, once the main event is over, there's an on-theme after party at Archive Beer Boutique to keep the fun keepin' on. Dress up, win prizes, and drink the Brisbane Brewing Company brown porter with chocolate and chilli that's on offer especially for the night.
That annual occasion to eat, drink and be merry has come around; no, not Christmas, although foodies can forgiven for thinking so. Prepare to sample good food and drink good wine at The Good Food and Wine Show. It's all there in the title. If devouring delicious treats is your thing — and it is, let's be honest — then your tastes are catered for here. Try local and regional produce in the show's themed zones, such as dairy-lover's wonderland Cheese Alley, plus the craft beer heaven that is Brewer's Lane. Or learn from the best, as famed chefs Matt Moran, Miguel Maestre, Silvia Colloca, Gary Mehigan and more cook up a storm in the Good Food Theatre. When it comes to feasting and learning, there really is something for everyone. From coffee to chocolate, and market-style browsing to masterclasses, you can devour meals made by celebrity cooks, brush up on your wine appreciation skills, graze from food truck offerings and conduct a few taste tests — and that's just the beginning.
A season of Serbian cinema will light up the silver screen at the latest edition of Australia's Serbian Film Festival. On offer at select Hoyts Cinemas around the country until early November, this year's program includes a quartet of contemporary Serbian productions that between them showcase the versatility of the nation's under-seen cinematic output. Selected as this year's opening night film, A Stinking Fairytale tells the story of the unlikely romance between Ema and Moma, who live homeless on the streets of Belgrade. Another standout title is Nikola Ljuca's Humidity, which premiered at the Berlin Film Festival earlier this year and has been described by The Hollywood Reporter as "a cryptic thriller about the morally vacant lifestyles of the rich and shameless". On a lighter note, Double Trouble is a comedy about a pair of estranged brothers who find themselves on a collision course. Rounding out the program is The Black Pin, a dark comedy about a misanthropic priest at odds with his superstitious parishioners.
Perky puppies, green grass and a day filled with canine cuddles: is there anything better? On November 19 between 10am and 2pm, there really isn't. That's when Little Legs Rescue takes over New Farm's favourite open space for an event filled with all of the above. Puppy Picnic in the Park is also the event that you'll want to scurry along to whether you already have a four-legged friend to take with you or you're keen on meeting a new barking pal. In fact, if you fall into the latter category, it's a must-attend kind of get-together, giving you the chance to meet dogs that are looking for a new home, grab a foster information pack and chat to the foster coordinator. In addition, there'll be raffles and prizes on offer, with all funds raised going towards helping LLR's rescue animals, and helping the organisation keep doing that they do. Plus, it wouldn't be a picnic without a cruelty-free sausage sizzle, as well as baked treats that both humans and pooches can enjoy, cake just for dogs, and a professional photo booth so you can get the best pet snaps imaginable.
A drama released in 1989 that saw its premiere cut short because of the fall of the Berlin Wall. A tale of corruption in the sporting arena. A documentary about perhaps the greatest German director that ever lived. A lengthy father-daughter comedy that no one can stop talking about (us included). Yes, they're all part of the 2016 German Film Fest's 36-title lineup, which roams around Australia this month. In a nutshell, it's a great year to get your fix of the country's cinematic offerings. In fact, there's so much packed into the festival's heaving program that the aforementioned movies aren't even the only titles on our must-see list — though they provide a great indication of the wealth of choices available. Check some of them out when the festival comes to Brisbane's Palace Barracks between November 25 and 30.
What's yellow, able to float, usually spotted in your bath, and about to take over the West End stretch of the Brisbane River? That'd be the good ol' rubber duck, which is the main attraction at the annual Summertime Riverfest. To raise funds to support the fight against cancer, the event hosts the biggest duck race in the nation — and yes, it's quacking good fun. Watching tens of thousands of cute toys bob about in Brissie's main waterway isn't the only thing to see at the free festival, however, with the tenth anniversary program filled with entertainment. You can also watch celebs row along in a giant inflatable duck, to keep on theme. Or you could eat, drink, dance and be merry. As for the food and beverage side of the festivities, the Regatta is helping from the other side of the river courtesy of both a gourmet street bites selection (featuring oysters, skewers and pizzas) and a range of refreshments. Music-wise, Bullhorn, The Hi-Boys, Cheap Fakes, CKNU, Little Billie and His Merry Men will all take to the stage to get your toes tapping. And yes, we know that ducks are the birds of the moment, but you just know someone is going to do the chicken dance.
If you're planning on spending Saturday with a beer in your hand, then one Fortitude Valley establishment has you covered. Admittedly, serving up pints is what Bloodhound Bar does every day of the week; however in honour of Brewsvegas, they're bringing back their beloved beer fest, adding it to the city-wide celebration, and making an extra special occasion of it. At the second Hopfields, they're also making an occasion out of showcasing hops, without which we wouldn't have the brews we know and love. With that in mind, expect all the tasty ales from around the world that you could dream of — and plenty you've likely never heard of, too — including limited releases, launches of new beers and one-offs brewed especially for the event, plus a slew of classics. With names like Get Rich or Die Ryeing and Puff the Magic Flagon on the menu, you're going to want to try them all. Save some room for the cocktails though, with the humble hop flower given its moment to shine in all its forms. Image: Robert Killey Photography.
When it comes to wrapping up the weekend, trust the Triffid to have the right approach. Sunday afternoon sessions have become a staple at pubs and bars across the city; however the Newstead live music venue's take on the trend is a bit more laidback than most. Given that all anyone wants to do is drink, relax and forget that Monday is a-coming much too soon, the Triff has the ideal answer. They're serving up just that with a soundtrack to match, aka their weekly Triffid Stripped beer garden extravaganza. Here, you'll devour stripped-back sounds to cure the end-of-weekend blues, including blues — of course — plus roots, folk, contemporary jazz, soul, reggae and world music. New artists take to the stage every week, so you'll never hear the same tunes twice.
It is often said that a photograph offers a window into another world — but in these snap-happy times of selfie sticks, food pics and constantly updating Instagram feeds, what are we actually seeing? If you have a social media account, you'll be used to viewing your friends' faces, meals and latest purchases. What you're probably not accustomed to is peering much deeper. IN SITU: New Photodocumentary Work aims to reach beyond the use of photos as a casual record of everyday life, and present images that truly capture the greater aspects of human existence. The documentary photographers featured aren't interested in snapshots, but in stories — about tragedy and suffering, rituals and habits, and things most people usually don't notice. Think of their pictures as a statement of what they've actually witnessed, felt and pondered over, rather than quick shots of whatever they're doing, buying or eating. Of course, their intention is all there in the exhibition's name. When you're viewing these photos, you're not just glancing at a happy snap; you're looking through the eyes of the photographer, and simultaneously stepping into the frame with the subject. Image: Cale Searston.
A year ago, Brisbane's comic book scene got a whole lot brighter. In April 2015, Junky Comics threw open its doors and showered its customers with all the alternative, hard-to-find and all-round weird and wonderful publications, zines and graphics novels they could ask for. As their first birthday approaches, of course they're marking the occasion. This being a Junky shindig, it's not a case of if they're throwing a party, but how. The answer is both simple and not so, because this day of revelry comes in multiple parts. Who needs just one celebratory jamboree when you can have two? First, head to the Vulture Street store at 4pm on April 9 for the usual goodies — i.e. beers, sales and a rockin' raffle that could see you win Junky stock, vouchers and merch, and a little something from across-the-road neighbour Jet Black Cat, too. Then, come 7pm, scoot on over to the afterparty at The End. That's where you'll boogie along to DJ Shannon and stuff your face with Lucky Egg-provided finger food.
56 years ago, an iconic kind of footwear was born. Actually, Doctor Klaus Martens tinkered with his own style of boot from 1945; however it takes some time to perfect the right design when you're creating shoe history. Early prototypes featured soles made out of tires and discarded rubber, for example. If you haven't already guessed, we're talking about good ol' Dr. Martens, aka the trusty boots you probably wouldn't take off when you were in high school. With the first docs going on sale in April 1960, Fortitude Valley's just-as-iconic Downes Shoes is celebrating the occasion, joining forces with Sabotage Social for an afternoon of foot-based fun. From 3pm on April 3, you can use your feet to try a new pair of boots, get a shoeshine, saunter over to the bar for a Bloody Mary, or tap your toes. With Leah Lovelaces and Kirsty Kaos taking care of the tunes, there'll be plenty of the latter — and what better way is there to break in your new prized possessions than to get in the groovin' mood?
The Triffid has inspired a whole heap of reactions over its almost 18 months of operation. Mostly enjoyment, amazement and chilled vibes as anyone who has caught a live gig, feasted on the venue's tasty bites to eat or spent a lazy weekend afternoon in their beer garden would know. Now, the Newstead hangout wants to make you laugh courtesy of the first annual Triffid Comedy session. What better way to celebrate the yearly day dedicated to gags, pranks and general silliness than an evening showcase of four fine folks who tell jokes and cause giggles for a living? Yes, head on down to the Triff this April Fool's Day — or April Fool's Night, to be exact — to see Greg Sullivan, Aaron Gocs, Michelle Azevedo and Velvet Winter burst out their gut-busting material. Given that Sullivan has more than 20 years experience, Gocs had the internet in hysterics by wearing cornrows, eating corn and listening to Korn, Azevedo rocked the Brisbane Fringe Festival and Winter is a Class Clowns national finalist, you'd be an April fool not to turn up.
If anything is can inspire us to resist the urge to hit the snooze button a Saturday morning, it's food, glorious food. You might not expect to head to an Indian restaurant at 7am to get a serving of start-of-the-day deliciousness, though — but if you do, you'll be handsomely rewarded. For one day only, Sultan's Kitchen's Paddington store is hosting a cake pop-up. And, that's just the beginning of the good news. When an event has a name as rad as Ms Fat Booty Bakes, you just know that there's more great stuff to come. If you don't believe us, just run your eyes over the following list of mouthwatering morsels: matcha black sesame marshmallows, salted chocolate buckwheat cookies, salted caramel apple pie, caramel fudge with Malteser topping, and white chocolate peanut butter and jelly cups (and yes, there's more where that came from). Now, try to pretend that you're not hungry. We certainly can't.
Following in David Bowie's footsteps is all part of a day's work for Jeff Duff. In fact, he's been doing it for years — first in his smash-hit show Ziggy, and then in his follow-up Bowie Unzipped. It's the latter that thrusts the performer into the spotlight once again, with Duff returning to Brisbane for a one-off encore of the tribute show that's all that and so much more. Channelling the thin white duke has taken on a mournful tone this year, of course; however if anyone can do the difficult task justice, it's the man who has also played Andy Warhol and even popped up in The Great Gatsby. As Bowie's '80s toe-tapper 'Let's Dance' implores, Duff will put on his red shoes and dance the blues, and belt out stunning interpretations of the inimitable artist's classic tracks as well. Hear everything from 'Life on Mars' to 'Fame' echo throughout the Judith Wright Centre, and try to remember that you're not watching the real thing. Yep, Duff's take on the music icon really is that convincing — and magical.
Every few months or so, Hollywood throws a few of its stars into the sea. Whether they're forced to conquer towering swells or left to float and flounder until rescue, the end result is usually the same: men battle nature, treading the very fine line between sinking and surviving in the process. Favouring disaster over drifting, The Finest Hours relates the details of the SS Pendleton. To date, the US Coast Guard's mission to bring the ship's crew to shore remains the greatest small boat rescue operation in history. Like many such stories, the true tale behind the film stems from a combination of bad weather, bravery and luck both good and bad. On the day Massachusetts crewman Bernie Webber (Chris Pine) intends to ask his superior officer (Eric Bana) for permission to marry his sweetheart (Holliday Grainger), a storm strikes. Two tankers are ripped in half by the hurricane-force winds and giant waves. With most of their colleagues tending to one vessel, it's left to Bernie and a tiny band of offsiders (including Ben Foster and Kyle Gallner) to jump onto a modest 36-foot boat to try and aid the other. Sadly, daring and noble deeds don't always inspire films filled with the same spirit, even when they're made with the best of intentions. The Finest Hours is set in 1952 and looks the period part. Unfortunately, the '50s are currently plastered across the screen in everything from Brooklyn to Hail, Caesar!, and frankly those offerings provide richer old-school depictions of the decade, and not just in a visual sense. Here, director Craig Gillespie keeps his tone as flat as his images are dark. Given that he also helmed the tender Lars and the Real Girl as well as the remake of Fright Night, his lack of energy is both surprising and disappointing. What The Finest Hours lacks in liveliness, it attempts to make up for in CGI-enhanced thrills. But while the splashing and crashing spectacle of the second half provide decent entertainment, they can't quite gel with the more intimate, character-based moments. It's never a good sign when the killer storm seems more subtle than the bulk of the people caught in its midst. Thank goodness for the sections devoted to the men on the struggling ship, as anchored by Casey Affleck. In his second impressive outing in as many movies following his turn in Triple 9, he endeavours to save his fellow sailors and keep The Finest Hours coasting along. The on-board drama he's immersed in might cycle through as many cliches as the rest of the film and the wet-and-wild genre in general, but it's the only part of the action presented with any tension or urgency.
It all started with a purchase and a push. In the early 1970s, playwright Alan Bennett (Alex Jennings) bought a house in London's Camden Town, and helped the elderly Miss Shepherd (Maggie Smith) move her broken-down vehicle. She was far from the area’s favourite inhabitant, with few others willing to offer such assistance, but little could he know what his one act of kindness would bring. Shepherd wouldn’t just stay in the suburb for nearly two decades: she'd park the van she lived in in Bennett’s driveway. The story of The Lady in the Van might sound like the type of tale that could only be cooked up by a couple of screenwriters, but Nicholas Hytner's film is based on the real-life Bennett’s actual experiences. Well, mostly. The movie version of the award-winning theatre production of the same name has fun with the concept of art capturing life, throwing an extra Bennett — a duplicate to do his writing, while he lives his life — into the mix. Other winking meta-textual nods to Bennett himself, and to Bennett and Hytner's previous stage-to-screen effort, The History Boys, also feature. Accordingly, both Bennetts peer out their window as the eccentric, cantankerous Shepherd yells at recorder-playing children, repeatedly paints her various cars a very distinctive shade of yellow, and generally shakes up the otherwise quiet and friendly neighbourhood over the years. Always complaining about her many illnesses but refusing any help, she’s a force to be reckoned with, as well as a woman with a backstory spanning ambulance driving, time in a nunnery, a musical past and a brush with the law. As her unlikely friendship with Bennett blossoms, she's also the film’s most convincing element. While Bennett has clearly worked with the material before, and Hytner directed the initial stage version, Smith’s interpretation of Shepherd is the main attraction. In fact, the English actress is another Lady in the Van veteran, receiving an Olivier Award nomination for playing the role in the original 1999 theatrical production, and also resuming the part in the 2009 radio adaptation. Like the charming acting treasure she is, she ensures Shepherd is more than just a victim of sympathy or mockery — or a means for changing Bennett's perspective of the world. For an actress with so many iconic performances to her name, including Harry Potter and Downton Abbey in recent years, it's a testament to her efforts that this ranks among her most memorable on-screen work. Smith's prominence does highlight the feature's struggles in other areas, though. TV-style images give the movie a standard, almost bland look, while too-timid pacing makes it seem much longer than its 104-minute running time. That the film began its life as a play is obvious. Never the less, the film's quirky story and Smith's compelling performance more than make up for any minor issues.
Savvy sartorial shoppers, rejoice — Metre Market is back. If you went to their first event back in February, you'll know the drill. Fashion is their main domain, but you'll also find music, food and arts among their stalls. In fact, with giving Brisbanites an opportunity to sell their pre-loved clothes the main reason the market came to fruition, you can even get in on the action by applying for a metre or two of space. And if all you want to do is browse and buy, there's plenty of that on offer too. The second Metre Market will take place on April 24 at the Morningside School of the Arts, and promises to keep the market mania rolling. Not only is it free, but it features the best things money can buy from the likes of White Owl Boutique, Frankie Lou Heath, Oddnuts Apparel, Phoebe Paradise, Emma Louise, Iron Hides, Jada Blue, Axsher candles and Soul Quartz — among other stalls, of course.
Where does a young musician get their start? And what does the Aussie youth scene have to offer? Looking in the direction of 4ZZZ for answers to those questions is a sensible decision for a big bunch of reasons. The community radio legends have had their finger on the sonic pulse for more than four decades now — and they also boast their own annual showcase dedicated to under 25s. That'd be Street Soundzzz, which takes over Zed's headquarters for a Saturday arvo filled with tunes, markets and even a sausage sizzle. If you're an aspiring muso or an avid gig goer and you're in the right age bracket, you'll want to be there. Max Chillen & The Kerbside Collective, Makeout Creek and Regular Band are among the acts making sure everyone gets their groove on, should you need another incentive to attend. You can also win every music fan's dream, aka the chance to program the 4ZZZ Youth Show. If that's not the future of music, we don't know what is.
You might need a thousand monkeys working at a thousand typewriters to come up with the phrase "the blurst of times" — but you don't need them to tell you about how ace the festival of the same name will be. When an event is inspired by a quote from The Simpsons, it already has a fair head start in the awesomeness stakes. A lineup of 24 of the country's best current punk, rock, hardcore and jangly pop acts keeps making that case, as does the event's spread over three Valley venues. Basically, to hear the former, you'll have to head to the latter. So, find Dune Rats, BAD//DREEMS, Methyl Ethel, Kirin J Callinan and The John Steel Singers — plus Polish Club, The Murlocs, Moses Gunn Collective and The Lulu Raes, too — at The Zoo, The Brightside and The Foundry. Seeing them all on one bill is the kind of thing that doesn't happen very often, so you'd best get your ticket quick. It'll be the best of times. Don't say we didn't warn you.
Forget worms — the early bird gets gourmet bites to eat, farm-fresh produce to line the cupboards, and an enjoyable morning of browsing and shopping at Milton Markets. Every Sunday morning from 6am — and 7am in winter — more than 80 stalls descend upon the corner of Cribb and Little Cribb streets in the inner western suburb to sell tasty wares. From whenever you feel like waking up until midday, you can wander through massive fig trees to join them. Returning for their first run of the year on February 5, the Milton Markets know that you probably have a hankering for a few things, and they're set to deliver. If duck egg pasta, Dutch syrup waffles, artisan honey and handmade goats cheese gets your stomach grumbling, you can stock up here. Don't worry if all of the above sounds familiar, too — and not just because you've been to a market around town before. In fact, if you went to the Red Hill Farmers Markets when they were up and running, you know what you're in for. Milton became the new site (and provided the new name) for the local favourites in early 2016.
It's not every day that someone is called the modern-day Mark Twain. It's not every day that an American writer wins Britain's Man Booker Prize either. Thanks to his novel The Sellout, Paul Beatty achieved both — and now he's coming to Brisbane to talk about it. It's not every day that you get to hear a critically acclaimed author discuss his work, too. At An Evening with Paul Beatty on May 21, he'll chat about the book that turned the literary world upside down with its purposefully challenging concept: after The Sellout's narrator is forced to weather personal tragedy and a spate of other struggles, he decides to reinstate slavery and segregate the local high school. Only a writer with his smarts could turn the situation into an insightful, intelligent, satirical gem that turns an uncomfortable topic into an absurdist scenario, and raises a plethora of questions in the process. Sydney Festival director Wesley Enoch will host the chat, and, drawing attention to race relations closer to home than The Sellout's Californian setting, spoken word artist Fred Leone will present a new poem inspired by his Tongan and South-Sea Islander heritage. The latest event in UPLIT's in-conversation series, expect a powerful, memorable, thought-provoking evening.
Between May 18 and 21, make the drive to Noosa to do something other than take a swim. Catching some surf, sun and sand will likely be on your agenda anyway — that's what happens on the Sunshine Coast, after all — however the tourist spot will be in the thick of their annual food and wine festival. Eating multiple courses on a golf course, partying while drinking pinot, hanging out at a jazz supper club and enjoying a culinary tour through the hinterland are just some of the events on offer as the town goes gastronomy crazy, and the surrounding area too. Indulge in a feast of Queensland seafood, have a cheeky champagne, learn Indigenous cooking techniques or dine on the waterfront — whatever cuisine-focused celebration takes your fancy, you'll probably find it on the menu. Basically, it's the kind of fun you'll want to make a weekend of. You've heard of eating, drinking and being merry; this is eating, drinking, being merry and being beachy as well.
Among the many gifts that Japan has given the world — ramen, sake, Godzilla, Pokemon, the list goes on — bonsai is perhaps the most relaxing, even if you haven't mastered the art yourself. Cultivating tiny trees certainly sounds soothing, but it's not a skill we all have. Still, regardless of how green your thumbs are (or aren't), we all can enjoy the calming bliss of looking at these small wonders. On May 20 and 21, Brisbane's Royal on the Park hotel is the place where miniature plants come to life, thanks to The Bonsai Society of Queensland and The Association of Australian Bonsai Clubs' bonsai exhibition. It forms part of their National Bonsai Convention, but the important part for us non-bonsai-making folks is that their creations will be on display, looking cute and comforting, for anyone that wants to take a gander. Warning: stare long enough, and you will want to take up bonsai yourself. Don't say we didn't tell you.
Do you remember a time before a certain frozen alcoholic beverage no one can get enough of? Well, before there was was frose, there was rose. It's pink, sweet and everything that's great your drink of choice, just without the slushiness. It's also the main attraction at Jellyfish Restaurant every Sunday from 11am. You know what that means: boozy brunch. For $85 per person, you'll be treated to a glass on arrival; however, you'd best settle in and cancel your plans for the rest of the day. Yes, there's more sipping and some eating to be done. Sitting at the Eagle Street eatery's communal table, you'll share a Mediterranean-inspired meal while trying three or four different varietals of the beverage in the spotlight. Just be warned: once you head along for the first time, you'll probably want to rush back the next week. Why not?
It's a pretty clever move — and one that probably made you think about this event more than you might've otherwise. Rather than just calling the celebration of New Zealand's finest craft beers what it really is (aka a boozefest), the powers that be have labelled it a symposium. That means that you can feel like you're partaking in something scholarly as you're sipping on brews from across the ditch. Given that you'll be able to sample a whole host of beverages you probably haven't come across before, there really is an educational side to it. In Brisbane, three places are getting in on the action: Bloodhound Bar, The Scratch and Tippler's Tap. Each will offer up their own take on the event, plus their own selection of world-class NZ brews, on their own days. Basically, whichever you pick you're in for an afternoon and evening of themed, informative fun. And, while the symposium runs from February 1 to 6, it's time to culmination on Waitangi Day, which really couldn't be any more appropriate.
Who doesn't want to fling some tropical fruit around on a public holiday? It's a strange concept, we know — and one that's exactly as silly and simple as it sounds — however this day seems to not only embrace tradition, but novelty. Of course, when it comes to throwing pineapples, there's only one iconic, 131-year-old venue for it. Head to one of Kangaroo Point's finest, enjoy the other Australia Day merriment (including pub food, brews and the Hottest 100), and then try your luck in the 11th annual competition. The winner won't just receive bragging rights, but $750 for their efforts.
For two days each May, most of Brisbane heads to Musgrave Park to pretend they're in the Mediterranean. Yes, it's Paniyiri time again, with the city's massive Greek festival taking over West End with quite the array of food, drink, partying and more. There's a reason that more than two million people have gone along over the past four decades. In the event's 41st year, there's grapes to stomp, coffee to sip and plates to smash, plus TV stars to rub shoulders with and cooking demonstrations to watch, too. And, it wouldn't be Paniyiri without everyone's favourite entertaining displays. If dancing is more your style, watch Greek Dancing with the Stars or celebrate 40 years of the Hellenic dancers. If devouring as much as you can is your idea of fun, take part in the festival's regular food contests. Can you eat more olives or honey puffs than anyone else? Here's your chance to find out. Because you're never too old to try new things, Paniyiri has also added something different to the mix in 2017: The Plateia, which aims to recreate the sights, tastes and smells of a traditional Greek Village. Inside, you'll find Greek coffee, a sweet shop selling desserts, a seafood tavern cooking fresh octopus on the coals, a wine bar serving up Greek brews and tipples, and a traditional taverna whipping up souvlaki. Make sure you leave room for some haloumi, calamari and dolmades as well.
Break out the hairspray — or, find your best big wig: glam rock is coming to town. Lycra, spandex, face paint, leather, ear-piercing screams and oh-so-much gyrating are all certain to be on the bill as well. Of course, The Triffid's latest shindig might be as much about the outfits as it is about the music, but don't think the latter won't be banging a gong. At Spandex 2017: A Celebration of Glam Rock, Old Fashion, Driving Conditions, Elko Fields, Chelsea Rockwells and Hell & Whiskey will be breaking out the '70s and '80s hits come 7pm on May 12. If you love to boogie, get down and get with it. Jumping from the style's beginnings with David Bowie and his UK cohort through to the hair rock that followed, there'll be plenty of glam goodness. Guns N' Roses, Mötley Crüe, Queen, Van Halen, Skid Row, Twisted Sister, The Darkness, Poison, Sweet, Warrant and Joan Jett will all pop up on the playlist, so, like Axl once shouted, you'll be taken down to paradise city.
"Show me what you got!" someone will yell at The Brightside after 8pm on May 13. Don't worry, armaheadon isn't here — but you will want to get schwifty. How many folks will sing the tune Rick and Morty came up with to appease song-loving aliens and save the earth? Plenty. And the live karaoke comp is just one part of the Warner Street venue's Adventures through the Multiverse. Getting into the partying spirit to celebrate the news that Rick and Morty season three is coming (after dropping the first episode as an April Fool's gag, it'll arrive at some point over the US summer), and certain to be garner as much enthusiasm as Mulan McNugget Szechuan teriyaki sauce, the Brighty's shindig keeps the fun coming with plumbus temporary tattoos, an adult jumping castle and free face masks on entry. While you're living it up like an eccentric scientist and his constantly distressed teenage grandson, you can listen to renditions of TV and game theme songs by The Morty's, as well as other tracks spun by special guest DJs Mulan McNugget Sauce (aka Sophie Luna) and DJ Taylor Schwifty (aka Aimon Clark). Expect video games on the big screen too, which might be the next best thing to interdimensional cable, and more themed cocktails than even Rick could drink in one sitting. Plus, don some brown pants and a white lab coat, dress up as Birdperson or summon your inner Mr Meeseeks to squanch yourself a chance to win a $100 venue card. Be there, or be Jerry.
As much as we all might want to, not everyone can make it down south for the Melbourne International Comedy Festival. No, we're not happy about it — but it's time to turn that frown upside down, because you can go to the next best thing. Yes, the Melbourne International Comedy Festival Roadshow is back for another year of touring hilarity. Bringing the best of the fest to the Brisbane Powerhouse, its showcase of highlights and hijinks is almost like being there. This year's line-up of local and international acts is certain to tickle your funny bone, with Dave Callan, Carl Donnelly, Andy Saunders, Daniel Fernandes and Sharul Channa on the bill. Catch all five funny acts live on stage during one chuckle-heavy set, trading their best jokes for your loudest laughs.
He has played Rocky and Rambo, commanded The Expendables, told people "Stop! Or My Mom Will Shoot" and is set to show up in Guardians of the Galaxy Vol. 2. Yes, he's none other than Sylvester Stallone, and he's one of the kings of the '80s — particularly when it comes to average then, amazing now action flicks about elite cops and arm wrestling comps. Yes, you read that last part correctly. After making four Rocky flicks, two Rambo movies and even directing Saturday Night Fever sequel Staying Alive, Stallone added Cobra and Over the Top to his resume in 1986 and 1987 respectively — and now, Netherworld is adding them to their Two Bit Movie Club. The arcade bar will play the films, SBS Comedy's Ben McLeay will host, you'll watch surrounded by games, and everyone will feel like they've stepped back in time. Now that's a might fine way to spend a Sunday evening.
"I know it's only rock 'n' roll, but I write about it," sang no one, officially — though if anyone was going to paraphrase the Rolling Stones to describe the relationship between writing and music, it's probably someone at Australia's only literary festival dedicated to the two. After launching in 2016, A Rock & Roll Writers Festival returns for a second year of tackling tunes-inspired text from April 1 to 2 at the Old Museum. Crooning, scribbling: both are encouraged at the weekend-long event; however it's chatting about both and how they intersect in panel and interview sessions that proves the fest's catchy refrain. Here, authors, artists, journalists and musicians come together to discuss the relationship between art and freedom, stereotypes of rock 'n' roll stardom, the role of music criticism and the way that a picture can convey the vibe of a live gig, among other topics. And, not only will they trade words about songs in what are certain to be energetic and melodic conversations, but you can head along to watch. The lineup features everyone from rockers Adalita and Tim Rogers, to radio stars Zan Rowe and Rhianna Patrick, to writers Nick Earls and Iain Shedden — plus Rolling Stone Australia editor Rod Yates and seasoned music photographer Sophie Howarth, too, from a speaker list that just keeps on keeping on. If you're looking to get your toes tapping before all their talking, the festival has also put together a handy compilation of playlists from this year's guests to really put you in the rock 'n' roll mood.
If there's one thing that Brisbanites like more than talking about our weather (it's hot — we're with you), it's a good old-fashioned music tribute. Songs, bands, fallen stars, the year that was: we're only a couple of weeks into 2017, but the calendar has been full of them. At Ric's on January 28, Bob Marley is in the spotlight. If you're wondering why, we'll counter with the obvious: why not? What would've been his 72nd birthday is just around the corner, but this evening of tunes is all about celebrating his life and legacy. As well as renditions of the likes of 'I Shot the Sheriff', 'No Woman, No Cry', 'Is This Love' and 'Buffalo Soldier', attendees can enjoy the musical stylings of Shem Reggae, the only Aussie artist who has worked with members of the Wailers. So, get up, stand up and make your way to the Valley for a night of Marley magic to remember.
Forget everything you think you know about Australian films, such as the silly ideas that get splashed around every couple of years. No, they're not all the same. Yes, we do like to watch them. And yes, our history is filled with ace gems beyond the obvious. In fact, we made a genre our very own back in the 1970s and 1980s, and none other than Quentin Tarantino became such a fan of Aussie flicks that he cast John Jarratt in Django Unchained. We're talking about Ozploitation, aka the violent delights that became cult hits. A hitchhiker used as bait by a serial killer? A town being subject to experiments that cause rapid body decomposition. Who doesn't want to watch those? The specific films in question are the Jamie Lee Curtis-starring Roadgames, as well as Body Melt featuring a young Lisa McCune and Andrew Daddo, and they're the main attraction at Kristian Fletcher's Ozploitation Double Feature at Metro Arts on January 27. Heading along with net you two things: a great night at the movies, and an even deeper appreciation for our national cinema.
15 years after the original, and 12 years after the first sequel, is anyone really clamouring for a third xXx? Probably not, but then again, there was also a time where nobody was all that interested in a new Fast and the Furious movie either, and now it's one of the most popular film series' in the world. xXx: Return of Xander Cage has a lot in common with the recent films in the automotive franchise, beyond the chrome dome and cocky attitude of their shared leading man. In an age where so many Hollywood action flicks are bogged down by pomposity and existential angst, these Vin Diesel vehicles offer dumb fun at its absolute finest. The major difference between the two franchises is that, while the Fast and Furious films play fast and loose with the laws of physics, Return of Xander Cage scarcely bothers with them at all. In reintroducing extreme athlete turn super spy Xander Cage (Diesel) by having him ski – yes, ski – through a Dominican rainforest, director D.J. Caruso and screenwriter F. Scott Frazier make it abundantly clear they have little interest in telling a story set in the real world. Frankly, that's fine by us. This isn't Jackie, damnit, this is xXx! It's hard to imagine anyone in the audience will actually care why a cabal of super crims want to steal a piece of hardware capable of turning satellites into projectiles. The important thing is that Cage is out to stop them, and he's going to look dope while he does it. Diesel is joined by an outstanding set of supporting players, each sexier and seemingly less suited to the world of international espionage than the last. Hong Kong and Thai martial art stars Donnie Yen and Tony Jaa, Bollywood icon Deepika Padukone, and Australia's own Ruby Rose are just a few of the names on the roster – and while their roles are thin and their dialogue often painfully cheesy, the cast never seems anything less than 100 per cent committed. The same can also be said for Toni Collette as a tough-as-nails CIA handler. Nothing the character does makes a modicum of sense, but we'll be damned if Collette doesn't make her entertaining to watch. If nothing else, Return of Xander Cage deserves considerable credit for the diversity of its cast. It's hard to think of a recent ensemble blockbuster that featured fewer white men – and while part of that probably has to do with the involvement of Chinese investors behind the scenes, it also fits in nicely with the film's political throughline. There's no flag waving here – indeed, an attempt by the CIA to appeal to our hero's sense of patriotism is met with a quip: "there are no more patriots, just rebels and tyrants." Outsiders all, Cage and his fellow daredevils have no time for authority, or the overreach of a system that puts security before civil liberty. And while it's a stretch to call the film a reaction to a Trump presidency, his ascension makes the film's rebellious spirit and multicultural flavour that much more appealing. Having said that, no one is buying a ticket to the new xXx movie to get a hot take on global politics. They're buying it to see things go boom – and go boom they certainly do. Caruso and co. deliver big time on the action, crafting set-pieces that (mostly) manage to toe the line between knowingly silly and genuinely exhilarating. It's hard to think too hard about the gaping holes in the plot when Vin Diesel is riding a motorbike underwater. And who said cinema was dead? https://www.youtube.com/watch?v=MQEFmHsseaU
Pinball-loving folks, you'd best give your fingers a workout — one Sunday each month, you're going to need them. We're not suggesting that your digits don't come in handy every other day, but you'll want them fit and flexible when Saccharomyces Beer Cafe, Young Henry's Brewing Co and Retro Toys combine for the ultimate end-of-week button mashing session. That's when all of the above thrown open SBC's doors for their regular social pins (which might just be an excuse to drink, flip balls and be merry, but hey, you don't hear us complaining). Entry costs $15, but once you handed over your cash, all your playing is taken care of all day. And, you'll get a frosty schooner for your troubles. Competition-wise, expect to start practising from 10am, then work your way through the qualifying rounds — playing four machines twice each — to try to reach the four-person finals. There will be other mini contests throughout the day, but keep your eyes on the big prizes. Yes, beer is involved in each and every one of them.
Welcome to a brave new world, art, film, media and culture fans. What's that, you ask? Well, it's a world in which thinking about the science and sensation of looking and viewing in this technology-heavy, screen-focused times is going to become one of our most frequent pastimes. We don't just like to watch and observe, these days. We also like to contemplate how and why. Truly stepping into the space where art and analysis combine, Christopher Handran's The Curve of Sensations both offers audiences an experience and asks them to think about it. Displaying at Metro Arts until March 1, the exhibition ponders and deconstructs all of those domestic devices, and the content that plays on them, that we all know, use and love. Expect a spectacle that will make you consider the very forms of media in front of you — which is what all great art, screen or otherwise, should do, isn't it? In terms of impact, Handran is aiming big, given that he takes the showcase's name from research into cinema pioneers Louis and August Lumiere. Without them, watching as we know it would't have been possible.
Ever feel like your life is going in circles? Ever wondered if that could be a good thing? Don't go accepting your quarter-life malaise just yet, because we're actually talking about giving your hips a big ol' swing. At Work-Shop's Hoop Dreams classes, you'll forget all your troubles and embrace all things circular thanks to a toy you probably haven't thought about in years. Yep, that'd be the hula-hoop. You'll step into its round confines, start moving your core, and then try to holdback the smiles and giggles. Plus, Claire Odgen will be on hand to help, just in case hula-hooping doesn't come naturally. As well as plying her talents around town, Odgen started her own circus school back in 2009, so you know you're in good hands — or with good hips. Image: via S. Pakhrin.
If you have a smartphone — and who doesn't? — then you've probably heard that blue light is bad for you. That's the shade of illumination that device you can't stop pawing at emits, and it's also the reason that you mightn't sleep so soundly at night. So, that's one side of the lighting spectrum. On the other sits the soothing tones of pink, glowing brightness. If blue light keeps you awake, pink keeps you calm — and doesn't artist Corrie Furner know it. Her latest exhibition champions that very concept in its name, and demonstrates it in its pieces. Here, you really will keep calm and carry on. Or, you'll head to Metro Arts between February 15 and March 4 for a dose of light-based relaxation that will also force you to explore the how and why. Expect many a flickering, but of the good kind. Strobe lights are out, sources of light that reset your equilibrium are in.
Not in love with love? Lacking adoration for public displays of affection? Feeling less roses and hearts, and more thorns and sadness? For anyone whose life can't be summed up by a greeting card, Valentine's Day can have that effect. We've all been dumped at least once. We've all nursed a broken heart. We've all cursed the annual February celebration of buying overpriced flowers and chocolate. Now, at The Brightside on February 18, we can all enjoy the antidote to this much-too-romantic time of the year. At The Break Up Party, songs that everyone commits to heart when their relationship heads to quitsville is on the playlist. Yes, it's going to be oh-so-cathartic. If you're flying solo, it's the anti-love party you've been waiting for. If you're attached but can't abide the sickly sweet side of things, it is too. Granola Boy, New Age Notion and Sleepwell will provide the tunes — epic break up songs, of course — and bucket cocktails will help get you in the mood.
When it comes to taking to the streets, spraying some paint around and stencilling up a storm, Banksy isn't the only artist worth celebrating. In fact, street art is thriving in Brisbane — so much so that there's now a returning festival dedicated to it. That'd be the Brisbane Street Art Festival, which unleashes its second iteration around the city from February 11 to March 3. If you're wondering just what it involves, let us throw a few numbers your way: 61 artists, more than 30 venues, and one satellite mini-fest in Nambour, just for starters Everything from live graffiti to projections in public spaces to plenty of parties are on the bill, and at places as varied as Red Hill's old Skate Arena, the Queensland Museum and many a street around the city, too. If that all sounds rad — and it really does — then you have no excuse not to take part. Did we mention that performances, classes, pitch sessions, workshops and even sonic cinema are on the bill too?
The key to being happy at this hectic time of year is simple: good tunes equals good times. With that in mind, why not join local band Good Oak for their festive contribution: The Second Annual Good Oak Xmas Party. On December 17 from 4pm, they'll be taking over The Triffid for some rockin' merriment, and they won't be alone. It ain't no party without a heap of other bands strutting their stuff, so expect Sahara Beck, Harry Hookey, Nat Dunn, Big Bad Echo and Brad Butcher to be in attendance too. The good news keeps on coming, with the gig entirely free, the sounds certain to stir up some Americana-style vibes, and other friends and guests expected. All that's left is for The Shambolics to play their first ever show, and for you to turn up.
In Little Men, growing up is filled with illuminating revelations — some obvious, and some that can only be gleaned over time. Case in point: when 13-year-old New Yorkers Jake (Theo Taplitz) and Tony (Michael Barbieri) become firm friends thanks to a chance meeting and a shared love of fantasy novels, everything instantly seems brighter. But as circumstances conspire to test their bond, they also discover that even the strongest glow casts a shadow. Theirs is a case of opposites attracting. Jake is quiet, reserved and fond of art, while Tony is outgoing, outspoken and dreams of becoming an actor. To them, this doesn't matter — but life has a way of telling them otherwise. They're able to see past class clashes and playground taunts until conflict grows between Jake's father Brian (Greg Kinnear), a struggling actor, and Tony's mother Leonor (Paulina García), who runs a dress shop in the building that Jake's family has just inherited. Raising the rent in line with the area's increasing gentrification would make a drastic difference to both. For Brian, it would mean a steady source of income and a chance to lessen the financial burden on his wife Kathy (Jennifer Ehle). For Leonor, it would mean having to close her store and move on. While the importance of many of Little Men's exchanges might be readily apparent, this isn't a film that trades in big moments, takes sides or offers easy solutions. Instead, it thoughtfully and patiently observes as Jake and Tony respond and adapt to the complex reality around them. In that way, it calls to mind writer-director Ira Sachs' previous film, the bittersweet Love Is Strange. Indeed, Little Men could've easily been called Life Is Strange — and, like its predecessor, much hinges upon the work of its cast. It's the understated performances of Taplitz and Barbieri, specifically, that ensures the film stays on track, with the two bringing their characters to life without an ounce of cliche. When Jake and Tony decide to give their respective parents the silent treatment until they resolve their feud, their posture and expression says plenty. As the younger actors excel at making their gradual, subtle coming-of-age awakening feel authentic and relatable, Kinnear, García and Ehle help paint the world around them in the necessary shades of grey. Of course, the film's naturalistic palette doesn't quite use those tones — in fact, it favours crisp imagery and a whimsical, upbeat score. But crucial to both is balance, rather than exaggeration. Life, after all, is comprised of more than just one simple extreme or the other.
There really is a festival for everything, as the latest event to take over the Brisbane Powerhouse shows. Presented by the Brisbane Writers Festival, the Inspire Festival carves its own niche by encouraging attendees to ponder weighty subjects and pursue a more meaningful, creative life. Three jam-packed talks comprise the fest's 2016 program — and we mean jam-packed both in terms of the content set to be discussed and the talent set to do the chatting. Inspire TALK sees Stan Grant, Trent Dalton, Robin Bailey and Kelly Higgins-Devine dissect the very art of conversation, while Inspire DEMOCRACY gathers Jan Owen, Eyal Halamish, Mark Bahnsich, Dr Lorann Downer and Erik Jensen to contemplate the very timely topic of voting. And then there's Inspire DRIVE, which examines ambition and motivation with Michael Ross, Orange Sky Laundry's Nic Marchesi and Lucas Patchett, Tim Fairfax and Catherine McGregor — aka all Australian or Queenslander of the Year award-winners. So, that's your Saturday sorted; however the Inspire Festival doesn't just work its magic via panel sessions. In its attempt to evoke inspired thought and positive action, it also brings everyone together for Friday night drinks, though you'll have to buy a festival pass to enjoy that part of the fun.
If you've dismissed A Day On The Green in the past, or thought it was just something your parents would be interested in, you might want to rethink that opinion. Sure, you're getting older, but the national event is definitely skewing younger, as its next gig well and truly demonstrates. Yep, all things '90s Aussie rock is on the agenda this time around, courtesy of a lineup that would've made a music fan's dreams two decades ago. Who are we kidding — it should still inspire plenty of excitement now. That's the only appropriate reaction to the news that You Am I, Something For Kate, Spiderbait, Jebediah and The Meanies will be sharing a stage. All five acts have done the rounds many, many times over the years, but they haven't actually all been on the same tour bill at the same time. As a result, we're guessing A Day On The Green is about to turn into a legendary local music hangout. Tickets go on sale from June 14 — and with this array of acts, we'd suggest getting in quick.
Music shapes lives, creates memories and becomes intertwined with special events — and that certainly proves true in Daffodils. The New Zealand indie cabaret tells the tale of teddy boy and a farm girl who meet, marry and seem to have all their important occasions marked by a New Zealand pop-rock soundtrack. If you were wondering just which tunes that might entail, allow us to provide a list. Everything from Crowded House to Dave Dobbyn pops up, plus Bic Runga, Chris Knox, The Mint Chicks, The Exponents, Darcy Clay, The Mutton Birds, Th'Dudes, The Senators, The Swingers and Blam Blam Blam. The sonic, sweet end result isn't just a slice of heaven — it'll make you sway, too. And while it must come to an end after 70 minutes, you can always pretend that's not the case. That's right: don't dream its over.
