Here's one of Sydney Film Festival's many annual delights: for Australian cinema obsessives who can't make it to Cannes, which is most, it's a cure for movie FOMO. Plenty of the titles that wow audiences in France each year head Down Under the next month. For 2025, here's a few, all playing between Wednesday, June 4–Sunday, June 15: Josh O'Connor (Challengers) and Alana Haim (Licorice Pizza) in heist-thriller mode in filmmaker Kelly Reichardt's (Showing Up) 70s-set The Mastermind; It Was Just an Accident, the latest feature from acclaimed Iranian director Jafar Panahi (No Bears), who is also the subject of one of SFF's 2025 retrospectives; and Dangerous Animals, hailing from Australian helmer Sean Byrne (The Loved Ones, The Devil's Candy) and telling a tale of a shark-obsessed serial killer on the Gold Coast. Musing on its eponymous author as only filmmaker Raoul Peck (I Am Not Your Negro) can, Orwell: 2+2=5 is also taking the Cannes-to-Sydney route. So is coming-of-age story Enzo from BPM (Beats Per Minute)'s Robin Campillo; Mirrors No 3, which sees German director Christian Petzold reteam with his Transit, Undine and Afire star Paula Beer; Nigeria's My Father's Shadow, the first-ever movie from the country to be selected to play on the Croisette; The Secret Agent, led by Wagner Moura (Dope Thief) for filmmaker Kleber Mendonça Filho (a Sydney Film Festival Prize-winner for Aquarius); and Vie Privée with Jodie Foster (True Detective: Night Country). Some of these titles are vying for this year's SFF prize, in the competition's 17th year — where opening night's Together, a new body-horror by Australian filmmaker Michael Shanks (The Wizards of Aus) starring Alison Brie (Apples Never Fall) and Dave Franco (Love Lies Bleeding) is also in contention. Will DJ Ahmet, a Sundance-winner after collecting its World Cinema — Dramatic Audience Award, emerge victorious? Or will that honour go to 2025 Berlinale Grand Jury Prize-winner The Blue Trail? They're also in the running. What features Tom Hiddleston's (Loki) newest performance, with The Life of Chuck directed by The Fall of the House of Usher's Mike Flanagan and based on a Stephen King novella? What also boasts Jacob Elordi (Oh, Canada), Daisy Edgar-Jones (Twisters) and Will Poulter (Warfare) in queer romance On Swift Horses, plus Richard Linklater's (Hit Man) Blue Moon with Ethan Hawke (Leave the World Behind), Margaret Qualley (The Substance) and Andrew Scott (Ripley) — alongside Carey Mulligan (Spaceman) in music-fuelled comedy The Ballad of Wallis Island, the Dylan O'Brien (Saturday Night)-led Twinless and Pike River with Melanie Lynskey (Yellowjackets) getting its world premiere? This year's Sydney Film Festival. Which event is adding to its screening venues in 2025 in a spectacular way by showing films at Sydney Opera House, too? And which fest has 201 movies from 70 countries on its lineup, with 17 world premieres, six international premieres and 137 Australian premieres among them? The answer is still the same. Other 2025 highlights include Berlin's Golden Bear-winner Dreams (Sex Love); Aussie effort Death of an Undertaker, the directorial debut of actor Christian Byers (Bump), who uses an IRL Leichhardt funeral parlour as his setting; Dreams, with Jessica Chastain (Mothers' Instinct) reuniting with her Memory helmer Michel Franco; satire Kontinental '25, from Do Not Expect Too Much From the End of the World and Bad Luck Banging or Loony Porn's Radu Jude; and What Does That Nature Say to You, the latest from South Korea's prolific Hong Sang-soo (In Our Day). Or, there's the near-future Tokyo-set Happyend, the Luca Guadagnino (Queer)-produced Nineteen, Tibetan-language anthology State of Statelessness (the first ever, in fact), Naomi Watts (Feud) and Bill Murray (Ghostbusters: Frozen Empire) in page-to-screen dramedy The Friend, Beyoncé and Kendrick Lamar collaborator Kahlil Joseph's BLKNWS: Terms & Conditions, and Vicky Krieps (The Dead Don't Hurt) and Dacre Montgomery (Stranger Things) tackling grief and possession in Went Up the Hill. Among the standouts on the festival's documentary slate, Jennifer Peedom (River) turns her focus to the quest to make the world's deepest cave dive by Thai cave rescue hero Dr Richard Harris in Deeper, 20 Days in Mariupol's Mstyslav Chernov works bodycam footage from the Ukrainian frontline into 2000 Metres to Andriivka and All I Had Was Nothingness features unused material from iconic Holocaust documentary Shoah 40 years on. Plus, Floodland is focused on Lismore, Journey Home, David Gulpilil charts the iconic actor's journey to be laid to rest, Prime Minister shines a spotlight on Jacinda Ardern and trying to open a Tokyo restaurant is at the heart of Tokito: The 540-Day Journey of a Culinary Maverick. Fans of The Texas Chain Saw Massacre, take note: it's up for discussion in Chain Reactions from Alexandre O Philippe (Lynch/Oz). If you miss the video-store era, Alex Ross Perry (Her Smell) understands, and has made Videoheaven about it — a film essay solely comprised from movie and TV clips. A New Leaf, The Heartbreak Kid, Mikey and Nicky and Ishtar director Elaine May earns SFF's second 2025 retrospective, while the fest's lineup of restored classics includes the Aussie likes of Muriel's Wedding, Somersault and Mullet, plus Angel's Egg from Ghost in the Shell director Mamoru Oshii. For viewers of all ages, the live-action How to Train Your Dragon is also on the program. Barry Keoghan's (Bird) new Irish thriller Bring Them Down; the Australian premiere of homegrown animation Lesbian Space Princess; music documentaries One to One: John & Yoko and Marlon Williams: Ngā Ao e Rua — Two Worlds; Tilda Swinton (The Room Next Door)- and Michael Shannon (The Bikeriders)-starring post-apocalyptic musical The End; intimacy coordinators getting the doco treatment; Ellis Park, about Nick Cave & The Bad Seeds collaborator, Dirty Three founder and frequent film-score composer Warren Ellis: they're on the lineup, too. So is the one-film movie marathon that is 14-hour picture Exergue — on documenta 14, which is set inside the 2017 edition of the documenta art exhibition in Germany and Greece.
Singapore is renowned for its world-class dining, efficient transport, luxury shopping and pristine streets. But you don't have to venture far to get your nature fix, with wide expanses of greenery woven throughout the city. Whether its kicking back at an eco-friendly retreat in the heart of the Garden City or wandering off the beaten path to explore Singapore's lesser-known nature reserves, we've partnered with Singapore Tourism Board to share five uncommon adventures to be had in the outdoors. [caption id="attachment_977882" align="alignnone" width="1920"] Sum Ling[/caption] Garden Pod at Gardens by the Bay With a field of Supertrees, two massive conservatories (with an indoor waterfall), a sky-high observatory, 1.5 million plants from across the globe, Michelin-rated food and a free light show, it's no wonder that Singapore's Gardens by the Bay is one of the city's most iconic attractions. There's no better way to immerse yourself in the heart of this landmark than to stay in your very own Garden Pod, situated in the Serene Garden of the Gardens by the Bay. This innovative, eco-friendly accommodation comprises four duplex suites with views of the grounds and Singapore skyline, with all of the Gardens' signature attractions at your doorstep. Sentosa Intertidal Exploration Home to wondrous attractions, picturesque beaches and family-friendly activities, Sentosa Island is a local favourite for outdoor explorations. Get close to some of Sentosa's smallest inhabitants with the Sentosa Intertidal Exploration — a one-and-a-half-hour tour which gives you a peek into the world under the sea at Siloso Beach. As the tide recedes, marine experts will teach you about the coastal ecosystem and the importance of conservation, while you encounter crustaceans, clams, gobies and crabs amongst the seagrass and coral. This experience is suitable for all children, but little ones under 12 must be accompanied by an adult. Kranji Countryside Only about a 45-minute drive from central Singapore, the Kranji Countryside brings education and nature together. The area encompasses multiple working farms that welcome visitors, as well as a WWII memorial and nature reserve. Animal lovers can dive into the colourful world of fish at Nippon Koi Fish Farm or feed the goats and sample fresh goat milk at Hay Dairies Goat Farm. Learn about sustainable and organic farming practices with a tour at Kok Fah Technology Farm or Kin Yan Agrotech, and then tuck into a farm-to-table meal at Bollywood Farms or GardenAsia. Close out your adventures with impressive views across the Straits of Johor at the Kranji Reservoir Park. History buffs can also pay a visit to the Kranji War Cemetery and Memorial, which is the final resting place for Allied soldiers who lost their lives during the Battle of Singapore and the Japanese occupation of the island during World War II. [caption id="attachment_976872" align="alignnone" width="1920"] Lim Wei Xiang[/caption] Sungei Buloh Wetland Reserve If you're spending the day in Kranji, you can't miss the Sungei Buloh Wetland Reserve. The 130-hectare park is home to a wide range of wildlife species, from herons, eagles and kingfishers to lizards, otters and even crocodiles. Despite its immense size, it's easy to roam the grounds with a free guided tour or on one of the walking trails. The network of tracks caters to various interests, whether you want to bird watch, explore mangroves or let your little ones run about on the Junior Adventure Trails. For breathtaking views, head to Eagle Point or climb the 18-metre Aerie Tower for a panoramic look at the reserve. Sisters' Islands Marine Park After years of development, the country's first marine park reopened for visitors in October, 2024. Sisters' Islands Marine Park stretches across both Sister's Islands, the western reefs of Saint John's Island and Pulau Tekukor, and provides an insight into the biodiversity of Singapore's marine life. Hop aboard a ferry for a 30-minute cruise to Big Sister's Island — Small Sister's Island is closed to the public for conservation research — where you'll be able to explore a floating boardwalk, a coastal trek, dive trails and a gallery. A major drawcard is the lagoon tidal pool, where swimmers can catch glimpses of reef sharks, turtles, seahorses and giant clams, to name a few. Book your Singapore holiday now with Flight Centre. Top image: Yik Keat. All images courtesy of Singapore Tourism Board.
Urban dwellers are usually more accustomed to seeing copious amounts of neutral tones around our cities than bright splashes of colour. It's argued that colour makes people feel happier, so wouldn't it be nice if our city looked like one big rainbow, or perhaps an array of different shades of blue or pink? Many charming little towns throughout the world have put this idea into practice, painting their buildings in bold and bright colours. The bursts of colour add an artistic ambiance to older buildings and bring a source of life to cities during the colder months, and become popular tourist destinations in the summer. Here is a collection of the best examples of places around the globe where colour reigns supreme. La Boca, Argentina Jodhpur, India Bo-Kaap, South Africa Guanajuato, Mexico San Francisco, USA Willemstad, Netherlands Antilles St John's, Canada Riomaggiore, Italy Wroclaw, Poland Salvador, Brazil Jaipur, India [via Environmental Graffiti]
If you're partial to roast pork topped with plenty of crackling, then you're probably a fan of the Brisbane German Club's pork knuckles. If you're fond sipping German brews in giant steins — after you've managed to pick one (or several) from a very hefty menu, that is — then you're likely a fan of the Woolloongabba venue in general. There's never a bad time to stop by, whether you're heading to or from the Gabba, you're just in the neighbourhood or any other reason you can think of. But heading along across four massive October weekends means celebrating Oktoberfest for 2024. Across 12 big days — from Friday, October 4–Sunday, October 6; Friday, October 11–Sunday, October 13; Friday, October 18–Sunday, October 20; and Friday, October 25–Sunday, October 27 — the beloved spot is doing everything it can to mark the occasion. Yes, that means German food, German music, German brews and more. How's that different to a usual stop a the Brisbane German Club? This time it's officially calling it an Oompah band-soundtracked party. [caption id="attachment_622731" align="alignnone" width="1920"] Anwyn Howarth[/caption] When it comes to that aforementioned pork, it's a cult-favourite dish — and it comes slow -cooked, weighing in at one kilogram, and served with fried potatoes, sauerkraut and smoked beer gravy. No matter when you make a visit, it's always popular. And, as well as drinking your way through the bar's enormous range of German beers, you can opt for schnapps as well. Thanks to its four weekends, this is the Brisbane German Club's biggest Oktoberfest ever, with entry starting at $20 on Fridays and Sundays, and $30 on Saturdays — and that price includes a commemorative half stein to keep.
Hosting season has arrived. Gather your mates for one last hurrah that will impress with minimal effort — because who needs more to do at this time of the year? We've partnered with the legends at The Kraken Black Spiced Rum to put together some easy ideas for your next summer sesh, from simple snacks and refreshments to tips on keeping cool in the heat. Whether you're just venturing into the world of hosting or are after some fresh ideas to spruce up your skills, you'll be primed to start throwing some dates in the group chat. SIP Nothing says summer quite like sipping a cold one in the backyard. In addition to the usual sessionable favourites, you can't go wrong with some convenient canned tipple, so you're not running around topping up drinks or whipping up cocktail concoctions. The Kraken has released a new canned cocktail perfect for sipping on balmy afternoons. Featuring its signature spiced rum, the Kraken Caribbean Punch delivers a tropical hit of pineapple, mango and coconut. For a fruity, icy twist, add the premixed drink to a frozen fruit slushie of mango and coconut water or pineapple and mint. Other classic options by Kraken include the Black Spiced Rum and Cola, Black Spiced Rum and Dry Ginger Ale and Black Mojito mixes. EAT Equally important is the spread. Cater to a wide range of preferences with snacks that guests can tailor to their tastes. A taco bar, salad station or charcuterie board allow even the pickiest of eaters to put together a combination of bites they'll enjoy. Add an elevated twist by including refreshing summer salads like watermelon and haloumi or spicy marinated cucumber, or a baguette board with tinned fish, dips and pickles. All of these nibbles can be prepared well in advance. Plus, you won't face complaints when they're served at room temperature. For more substantial fare that's still low effort, you can't go wrong with a rotisserie chook from your local chicken shop, which you can pair with salads, wraps or a baguette, or even a pizza kit from Hank's Hot Box that's delivered straight to your door. If you'd prefer to flex your grilling skills, keep it simple by purchasing pre-marinated cuts from the butcher or supermarket. Skewers are always great for variety and easy munching that'll cook in a flash. And don't underestimate the importance of a strong sauce. In a previous interview, Chin Chin's Executive Chef Benjamin Cooper shared his advice for pared-back hosting: "Less is more. Focus on simply cooked proteins or veg and spend your time on a wicked sauce or dressing." Not only will this save you on prep time, but it also means that you'll be able to enjoy your event. COOL DOWN It's all well and good to prepare an impressive feed, but the last thing your guests will want to do is eat if all they're feeling is the sweltering summer heat. When in doubt, look to the freezer. Stash cut fruit in the freezer for chilled nibbles — grapes work exceptionally well — and use them instead of ice cubes to cool drinks without watering them down. Cups can also be stored in the freezer or fridge for refreshing sips. Grab a facial spray, like Mario Badescu's Aloe, Cucumber and Green Tea, and keep it in the fridge or on ice for a fresh twist that serves the dual function of calming redness and making your skin glow. Don't underestimate the power of a hand fan. Leave these scattered around for guests to use at their leisure — you can even include markers and stickers so friends can decorate their own to take home. PLAY Your friends won't have any trouble keeping themselves entertained, but it's helpful to have some activities on hand for any awkward lulls in conversation, especially when you're mixing different groups of mates. Don't want the activities to be a huge focus? Go laidback with a small paint-and-sip station with watercolours and drawing pads or small canvases and easels. Otherwise, you can pick up some tapered candles and coloured tealights (like these IKEA options) for dinner candles that your guests can paint and take home. There's no shortage of zany games on TikTok, like Fear Pong. Set up a game of giant Tic Tac Toe with some strips of tape and different coloured cups, or get your hands on giant Jenga, bocce or cornhole from Sunnylife, Rebel Sport, Kmart or Big W. If you're keen to get even more active (and have ample space), go for a casual game of backyard cricket or table tennis. And when all else fails, you can't go wrong with a deck of cards or a round of UNO. GROOVE Don't overlook the power of a well-curated playlist, particularly when you've a crowd of different groups and ages. You could stick to a theme and build around it, whether it's this vibrant indie mix from Spotify, classic disco, chill hip hop or new jazz. Or, mix it up with a variety of tunes and genres. Our Editorial Director's advice for pleasing a diverse audience? "The safest bet is to have a list of certified classics, recent bangers and cheesy guilty pleasures with a few surprise or little-known tracks mixed in that could get people talking." Either way, the key is to make sure the music isn't so loud or distracting that it overwhelms conversation. Even if you love deep house, it's hard to carry a convo over those throbbing beats — remember that you can always build up to firing up a dance floor later in the night. The refreshing Caribbean Punch from The Kraken Black Spiced Rum is now available at your local bottle shop or online from Kraken's website.
Neither the cash nor inclination to hotfoot it to Byron Bay this Easter? Your folks no longer willing to stash eggs in your backyard? Despair not. Not everything shuts down on this here holy holiday anymore — there's plenty going on in Brisbane, and staying in the city will provide some good ol' hometown fun. Whether you want to see some art, catch a movie, go to a gig or feast on seafood, here's where you can do it on this glorious four-day Easter weekend.
New year, new vacation season, new gorgeous destination — and new round of chaos at HBO's favourite luxury resort chain, too. After proving not only a huge hit but the best new show on TV in 2021, The White Lotus is returning for a second spin from the end of October. And, as happened in the show's first run, holidaying at the titular chain comes with a whole heap of mayhem for the new batch of guests. Trust Tanya McQuoid-Hunt, aka the character that newly minted Emmy-winner Jennifer Coolidge was born to play, to sum it up in the just-dropped trailer for season two: "it's just been a series of very bad decisions." She's the only main figure on this new getaway, and she's travelling to the just-as-exclusive White Lotus hotel in Sicily with her husband Greg (Jon Gries, Dream Corp LLC) and assistant Portia (Haley Lu Richardson, After Yang) — however the former isn't happy that the latter is with them. Also, Tanya thinks that Greg might be cheating. While the Hawaii-set first season of The White Lotus also starred Murray Bartlett (Physical), Connie Britton (Bombshell), Steve Zahn (Where'd You Go, Bernadette), Sydney Sweeney (Euphoria), Fred Hechinger (Fear Street), Brittany O'Grady (Little Voice), Kekoa Kekumano (Aquaman), Alexandra Daddario (Songbird), Jake Lacy (Mrs America) and Natasha Rothwell (Insecure), a new cast of faces is joining Coolidge and Gries this time around — all with their own vacation issues. Checking into season two: F Murray Abraham (Mythic Quest), Michael Imperioli (The Many Saints of Newark) and Adam DiMarco (The Order) as three generations of one family; Aubrey Plaza (Best Sellers) and Will Sharpe (Defending the Guilty) as a newly wealthy couple vacationing with pals played by Theo James (The Time Traveller's Wife) and Meghann Fahy (The Bold Type); Tom Hollander (The King's Man) as an English expat away with Leo Woodall (Cherry) as his nephew; Beatrice Grannò (Security) and Simona Tabasco (The Ties) as locals; and Sabrina Impacciatore (Across the River and Into the Trees) as this White Lotus' manager. Mark Monday, October 31 in your diary, as that's when HBO's biting satire will return for its second season, including via Binge in Australia and Neon in New Zealand. Yes, we know that that's the same date as Halloween, but prepare for something twistier, more scathing and more playful than trick-or-treating — at least based on The White Lotus' exceptional first go-around, which just swept Hollywood's TV night of nights in September. Once again, creator/writer/director Mike White (Brad's Status) is behind the series — and also once again, the social satire will follow a week in the lives of titular resort's guests and employees. Season two will span seven episodes, however, prolonging the holiday fun/mess. Check out the trailer for The White Lotus season two below: The second season of The White Lotus will be available to stream Down Under via Binge in Australia and Neon in New Zealand from Monday, October 31. Read our review of season one.
Much has changed at Portside Wharf over its almost two-decade existence to date, but Byblós Brisbane has remained a constant. One of the River City's go-tos for Lebanese cuisine has been a mainstay of the waterside Hamilton precinct, whether you're keen on a meal or drinks. When it opened in 2006, it was also the first-ever eatery from brothers Adonis and Nehme Ghanem, the pair behind hospitality outfit — and the Bisou Bisou-, Iris Rooftop-, Blackbird Bar, Dining and Events-, Boom Boom Room-, Donna Chang- and Lúc Lắc-running — Ghanem Group. As new venues make their home at Portside, Byblós is remaining in place, but it's now sporting a revamped aesthetic and refreshed menu. As announced earlier in spring, the restaurant has undergone a renovation, and is now back up and running in its new redesigned guise just in time for summer party season. When a massive makeover was announced for Portside Wharf back in 2022, Brisbanites started getting excited about more dining options, new eateries and expanded outdoor seating — and since 2023, seafood restaurant Fosh, pastry haven Rise Bakery, ice cream spot Rosé Gelateria, grilled-skewer chain Birds Nest Yakitori, gastropub Portside Social, sports bar The Ballpark Portside and the burger-slinging Dumbo have all opened their doors already. The new-look Byblós joins them, 18 years after it first launched its Hamilton digs. Patrons will now find a new focus on contemporary Lebanese cuisine, plus a reimagined design. Indoors, expect an open dining and bar area, complete with dining booths and private nooks. If you're keen to eat and drink outside, you can now step through bi-fold glass sliding doors to the plant-filled waterside al fresco space, which has also been expanded and weather-proofed. Space Cubed Design Studio was on design duties, aiming to nod to Lebanese cuisine's past and present, including by incorporating tiles handcrafted in the venue's namesake city. Food-wise, patrons can tuck into a sharing-friendly menu influenced by a 2023 research trip to Lebanon, plus a new drinks range featuring cocktails such as Lebanese Lemonade (vodka, a whole lemon, mint, arak and maraschino) and Phoenician Sunset (Licor 43, strawberry liqueur, apple and strawberry), a hefty array of spirits and a wine cellar filled with drops from around the world. "What blew us away on our trip were the intense flavours — layers of aromatic spice, fresh herbs and smoky notes from the grill — and the food heritage that the locals are so proud of. Every meal took us on a journey," advises Ghanem Group Executive Chef Jake Nicolson. "We've added our own refined interpretation to classic dishes and will take guests on a culinary adventure of our own, not just through the food, but also through the interior design that includes culturally significant elements that hark back to the history of the ancient city of Byblós." New highlights span salmon kibbeh nayeh (which is made with raw salmon, burghal, cucumber, fresh mint, red onion and fresh saj) and eggplant fatteh (fried eggplant, cow's milk yogurt, fresh mint and toasted flatbread) among the small plates. Yes, the fan-favourite rakakat, aka fried filo pastries stuffed with mozzarella, feta, parsley and onion, remains on offer. For something more substantial, the wagyu skewers feature pomegranate, pickled red onion, wild thyme and chimichurri; the Brisbane Valley quail comes with orange blossom honey, sumac and parsley, as well as pine nuts and currants; and the slow-cooked lamb shoulder is paired with mixed nuts, currants and jus. Baklava cheesecake and Turkish delight pavlova are dessert standouts — and if you can't pick what to eat, that's where the banquet menu comes in. Find Byblós Brisbane at Portside Wharf, 39 Hercules Street, Hamilton, open 11.30am–late Tuesday–Sunday. Head to the venue's website for more details.
Something delightful has been happening in cinemas in some parts of the country. After numerous periods spent empty during the pandemic, with projectors silent, theatres bare and the smell of popcorn fading, picture palaces in many Australian regions are back in business — including both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. THE UNBEARABLE WEIGHT OF MASSIVE TALENT "Nic fuckiiiiiiiiiiiiiiiing Cage." That's how the man himself utters his name in The Unbearable Weight of Massive Talent, and he knows what he's about. Now four decades into his acting career to the year — after making his film debut in Fast Times at Ridgemont High under his actual name Nicolas Coppola, playing a bit-part character who didn't even get a moniker — Cage is keenly aware of exactly what he's done on-screen over that time, and in what, and why and how. He also knows how the world has responded, with that recognition baked into every second of his his latest movie. He plays himself, dubbed Nick Cage. He cycles through action-hero Cage, comically OTT Cage, floppy-haired 80s- and 90s-era Cage, besuited Cage, neurotic Cage and more in the process. And, as he winks, nods, and bobs and weaves through a lifetime of all things Cage, he's a Cage-tastic delight to watch. The Unbearable Weight of Massive Talent is Cage uncaged, busting out the jazz that is his acting and adoring it, and it's a self-aware, super-meta love letter to its star and all who stan him. It's also a feature that couldn't exist without the thespian who has everything from Guarding Tess and Captain Corelli's Mandolin to The Croods and Pig on his resume; replacing him simply wouldn't work. Again, it's a Cage gem in letting Cage devotees revel in Cage doing every kind of Cage. That said, this Cage comedy is also so overtly designed to inspire Cage mania that it's easy to feel the buttons being pushed. It's the Cage movie that the internet has willed into existence, or film Twitter at least. Case in point: it has Cage realise that Paddington 2 is one of the best movies ever made. It is, but given how well-accepted that is, and how much online attention has stressed that fact — including its once-perfect Rotten Tomatoes score — weaving it into this Cagefest is one of the film's many exercises in stating the obvious. There is narrative around all that "Nic fuckiiiiiiiiiiiiiiiing Cage" and his marmalade bear-loving epiphany. Here, the man who could eat a peach for days in Face/Off would do anything for as long as he needed to if he could lock in a weighty new part. The fictionalised Cage isn't happy with his roles of late, as he complains to his agent (Neil Patrick Harris, The Matrix Resurrections), but directors aren't buying what he's enthusiastically selling. He has debts and other art-parodies-life problems, though, plus an ex-wife (Sharon Horgan, This Way Up) and a teen daughter (Lily Sheen, IRL daughter of Kate Beckinsale and Michael Sheen). So, he reluctantly takes a $1-million gig he wishes he didn't have to: flying to southern Spain to hang out with billionaire Javi Gutierrez (Pedro Pascal, The Bubble), who is such a Cage diehard that he even has his own mini museum filled with Cage memorabilia, and has also written a screenplay he wants Cage to star in. Yes, writer/director Tom Gormican (Are We Officially Dating?) and co-scribe Kevin Etten (Kevin Can F**K Himself) task the always-likeable Pascal with playing The Unbearable Weight of Massive Talent's on-screen audience surrogate. If you're watching a movie with Cage as Cage — one that begins with a clip from Con Air at that — then you'd likely jump at the chance to spend time with the inimitable figure. Who wouldn't? But that's just one element of the story, because two CIA agents (The Afterparty's Tiffany Haddish and Ike Barinholtz) inform Cage that his new pal is an arms dealer who's keeping a politician's daughter hostage to sway an election. And, they want him to indulge his host — undercover as himself, naturally — until they find the girl. The next key aspect of the tale: during this ruse, Cage and Javi genuinely become CBFFs (Cage best friends forever), including while working on a screenplay about new buddies who bond in chaotic circumstances. Read our full review. THE NORTHMAN Satanic goats don't talk in The Northman. Heartthrobs don't masturbate while fondling mermaid figurines, either. Still, within ten minutes, pre-teen Viking prince Amleth (Oscar Novak, The Batman), his glory-seeking warrior father King Aurvandil War-Raven (Ethan Hawke, Moon Knight) and jester-meets-shaman Heimir (Willem Dafoe, Nightmare Alley) descend into a fire-lit cave to take hallucinogens, growl, grunt, bark like wolves and fart like it's a god-given superpower. If viewers didn't know who's behind this bold, brutal, brilliant, and blood- and guts-strewn Scandinavian opus before then, there's no doubt from this trippy scene onwards: after The Witch and The Lighthouse, writer/director Robert Eggers' touch, approach and style have become that distinctive just three remarkable features into his helming career. As he first demonstrated with his potent pilgrim horror movie, then doubled down on with his mesmerising oceanside nightmare, Eggers crafts chaotic celluloid dreams about faith- and sanity-stretching dances with madness and mania. He makes features so striking that they're haunting, rippling with the devotedly realistic and the hypnotically occult in tandem. Eggers' work isn't merely meticulously tense and atmospheric; it proves blisteringly visceral to the point of feeling inescapably tangible. Indeed, his steadfast commitment to authenticity spirits the whole concept of immersive filmmaking high into movie Valhalla. See: the vivid period-appropriate detail in The Northman's Nordic villages, which'd only be more evocative if they'd time-travelled in from the ninth and tenth centuries. Sense: the entrancing swirl that springs from all of the above, complete with Eggers' unfailing idiosyncrasies. Experience: the sublime tussle with myth, fantasy and folklore that results, as it has in each of his features, to both plunge into and interrogate his history-set reveries. In this untamed and laid-bare portrait of the past, something is rotten in the state of Iceland — as it was in Denmark via William Shakespeare, and in the Pride Lands of Africa in both versions of The Lion King. Writing The Northman's screenplay with poet, novelist and Björk collaborator Sjón (Lamb), Eggers takes his cues not from Hamlet, however, but from the Old Norse legend of Amleth that inspired the iconic tragedy. The narrative still involves a son anointed to be the future king, a tragedy that shatters his regal family, and a dastardly uncle who gets murderous to seize the throne and his brother's wife, of course. And, it keeps following its protagonist as he wages a determined odyssey of feral revenge against the man who reshaped his fate so ruthlessly. "I will avenge you, father. I will save you, mother. I will kill you, Fjölnir." That's Amleth's vow as a boy on a north Atlantic island in 895 when he witnesses the latter's (Claes Bang, Locked Down) treachery. He flees after hearing his uncle bay for his head, too, and seeing him carry off Queen Gudrún (Nicole Kidman, Being the Ricardos) as a spoil of his victory. Two decades later, Amleth (Alexander Skarsgård, Succession) is a hulking, wolfskin-clad Viking berserker, living life flinging whatever weaponry he can find while viciously pillaging through the lands of the Rus. But amid the bloodlust, gore and piling-up body count, the intense marauder is thrust back onto his vengeance-seeking path. A Slavic seeress (Björk, in her first film role since 2005) whispers stark truths about his current savagery and lapsed mission against Fjölnir, reigniting his yearning for that promised slaughter — and the single-minded behemoth learns that his uncle is now sheep-farming in Iceland, having lost the kingdom in another coup. Read our full review. ITHAKA To look at John Shipton is to see the obvious, even if you've never laid eyes upon him before. The family resemblance is immediately clear, and the traits that've likely been passed down from father to son — determination and persistence, blatantly — become apparent within minutes. Shipton needs to be resolute for the battle that documentary Ithaka captures. It's a fight that's been waged for a decade now, publicly, and not just in embassies and courtrooms but across news headlines worldwide. He's visibly Julian Assange's dad, and he's been helping spearhead the campaign for the WikiLeaks founder's release. Assange fell afoul of US authorities in 2010, when his non-profit whistleblower organisation published documents about the American military's war crimes leaked by army intelligence analyst Chelsea Manning. As Ithaka makes plain, The Guardian, The New York Times and Der Spiegel revealed the same information at the same time; however, only Assange now sits in London's Belmarsh prison. Plenty about the past 12 years since Manning's leaks were exposed to the world is filled with numbers. Plenty about the ten years this June since Assange first took refuge in the Embassy of Ecuador in London is as well. The Australian editor and publisher spent almost seven years in that diplomatic space, seeking political asylum from sexual misconduct allegations in Sweden that he contended would be used to extradite him to America. If the US succeeds in its efforts, and in its espionage charges against him, he faces up to 175 years in incarceration. The list of figures goes on, but filmmaker Ben Lawrence (Hearts and Bones) makes two pivotal choices. Firstly, he surveys Assange's current struggle not through the Aussie himself, but through both Shipton and Stella Moris, his South African-born lawyer and now wife. Secondly, although those aforementioned numbers are inescapable, the riveting and affecting Ithaka brings humanity to this well-publicised plight. Moris herself sums up the movie's position best at the unveiling of a statue of Assange in Geneva. "I'm here to remind you that Julian isn't a name, he isn't a symbol; he's a man and he's suffering," she says. It's a reminder that Ithaka's audience might need, given how ubiquitous Assange's tale has become, including on-screen — in fellow docos We Steal Secrets: The Story of WikiLeaks and Risk, and in dramas Underground: The Julian Assange Story and The Fifth Estate — and how polarising he has proven. Risk attempted to grapple with his contradictions, but Ithaka almost deems them irrelevant. Lawrence doesn't dismiss, excuse or pander; rather, he knows that Shipton and Moris' point remains regardless: that how Assange has been treated for receiving and publishing information is a human rights abuse, as well as an attack on the freedom of the press. That notion echoes again and again in Ithaka alongside its rousing soundtrack by Brian Eno, and with passion; to look at both Shipton and Moris is to see the fervour blazing tirelessly in their eyes, too. Making his second documentary after 2018's Ghosthunter, Lawrence fills the bulk of his naturalistically shot frames with the pair working against Assange's possible extradition, and for justice, with that avid gleam given ample opportunities to keep burning. Again, among the litany of opinions that he's evoked over the years, the idea that the Australian deserves life in prison for distributing Manning's intel to the world — or that anyone does — shouldn't have a place. Ithaka's allegiances are never in doubt, even without knowing that Assange's brother Gabriel Shipton is one of its producers, but giving time to the WikiLeaks creator's critics wouldn't and couldn't have changed its core position. Read our full review. If you're wondering what else is currently screening in Australian cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 6, January 13, January 20 and January 27; February 3, February 10, February 17 and February 24; and March 3, March 10, March 17, March 24 and March 31; and April 7 and April 14. You can also read our full reviews of a heap of recent movies, such as Ghostbusters: Afterlife, House of Gucci, The King's Man, Red Rocket, Scream, The 355, Gold, King Richard, Limbo, Spencer, Nightmare Alley, Belle, Parallel Mothers, The Eyes of Tammy Faye, Belfast, Here Out West, Jackass Forever, Benedetta, Drive My Car, Death on the Nile, C'mon C'mon, Flee, Uncharted, Quo Vadis, Aida?, Cyrano, Hive, Studio 666, The Batman, Blind Ambition, Bergman Island, Wash My Soul in the River's Flow, The Souvenir: Part II, Dog, Anonymous Club, X, River, Nowhere Special, RRR, Morbius, The Duke and Sonic the Hedgehog 2, Fantastic Beasts and the Secrets of Dumbledore, Ambulance, Memoria, The Lost City, Everything Everywhere All At Once, Happening and The Good Boss.
Planning a date night during June? Lock it in for the middle of the week, as Post Office Square has the perfect activity. Each Wednesday, the inner-city space is hosting Rom Coms & Nom Noms for another year. There'll be flicks and food, obviously. Attendees can feast their eyes on the pop-up big screen for free — but if you're keen on a snack, there'll be grazing boxes for available from micro pub Isles Lane. And, if you're thirsty as well, the pop-up bar can help with that as well. It'll be serving wine, beer and soft drinks. As for the movies, a swoon-inducing lineup will grace the big screen. Mamma Mia! starts things off on June 2 — yes, here we go again — followed by Suddenly 30 on June 9, Sleepless in Seattle on June 16, Ali's Wedding on June 23 and 17 Again on June 30. The event opens at 5pm each week, with films starting at 5.30pm. [caption id="attachment_665789" align="aligncenter" width="1920"] Isles Lane[/caption] Top image: Kgbo via Wikimedia Commons.
Chinese Architecture is renowned for being highly avant-garde and unorthodox, but some designs can only be described as outright peculiar. From fish shapes, to huge bottle of alcohol, giant rings and God-sculpture-buildings, Chinese structures cover a lot of bases on the quirky scale. These odd designs attract a large amount of tourism to the various regions of China and are also an important aspect of the Chinese history and culture, while simultaneously demonstrating their radical modern shift in architectural design. Ranging from company headquarters to hotels, or watchtowers, here are ten of the quirkiest and most outrageous building designs throughout China. Fushun Shen Fu New Town 'Circle of Life' This 50 floor panoramic structure fitted out with 12,000 LED lights and with a diameter of 157m took a massive 3000 tons of steel and a casual billion dollars to make. Despite remarks that the dome is a ridiculous and unnecessary, the local government maintains that it is a unique and distinctive architectural design. Center of Bashu Culture Art Found in Chongqing at the Guotai Art Center, this quirky structure with needle-like protrusions is set to be finished later this year. Yichuan Northern Gate Another expensive and obscure construction, the Northern Gate currently under construction will provide a gate to the city of Yichuan in the Henan province. Although it has been likened to a belt, a trap and a bow, the gate is hoped to be a welcoming door to guests from afar with beautiful curves and rich ties to the region's history, spirituality and culture as well as being representative of Yichuan's economic development. Beijing Olympic Watchtower Consisting of five 'pins' of varying heights, this unorthodox tower is located in China's capital and is still yet to complete construction. With the highest point reaching 244.35 metres, this foreboding structure is not your average Olympic watchtower. Fangyen Mansion This building appears in the Shenyang Finance and Trade Development Zone, and attempts to resemble a coin, for fairly obvious reasons. Unfortunately the design didn't go down too well with the CNN, who in January of this year placed in the top ten ugliest buildings in the world because it apparently tries to unsuccessfully merge Western and Eastern style. Cuiping Wuliangye, Yibin city Believe it or not, this giant bottle is a Chinese liquor-producing company's factory located in Sichuan Province. Hotel of the Emperor At 41.6 metres high this hotel in Hebei, Yinjiao features in the World Guinness Book of Records as the 'largest pictographic building', aka the largest structure in the world which is both a building and a sculpture. The hotel showcases three Ancient Chinese Gods Fu, Lu, and Shou, who are known as the three wise men, symbolizing happiness, prosperity, and longevity. Sheraton Huzhou Hot Spring Resort This unique, idiosyncratic building will open its 321 rooms on the first day of the new year in 2013. Located on the edge of the stunning Lake Taihu in Zhejiang, this upmarket hotel will provide a relaxing yet unconventional stay for those bedding within its walls. Linda Hai Square The design of the Linda Hai Square on Dongsi Ring mirroring the shape of a fish was not all that well received by the Chinese people. Perhaps this one slightly overstepped the border from eccentric to just plain weird. Phoenix Island Real Estate Situated in the prime location of Sanya, Hainan Island, apartments on this corner of the world will set investors back almost $14,000 per square metre. You'd surely expect some spectacular waterfront views at a price like that.
For more than two decades, every Australian kid was familiar with Aerobics Oz Style. It's the show that kept TV-loving children from their early-morning cartoon fix — airing each day before Cheez TV and its predecessors started. Back then, between 1982–2005, the sight of leotards, tights and leg warmers probably brought a frown to your face. Now, while we're all trying to keep active in isolation, it's reason to smile. Bust out your best retro workout outfit and get ready to stretch, bend, step and tone — because Network Ten has just dropped a heap of old-school episodes on its free streaming platform. Over at 10Play, 15 90s-era instalments of Aerobics Oz Style are now available to watch (complete with 90s-era soundtracks). The bulk were first aired in February 1995; however you can also get sweaty to episodes from April and October 1996, December 1997 and February 1998 as well. Most of the available episodes were filmed in a studio, so prepare not only for some thoroughly 90s activewear fashions, but also for pastel-heavy set design from the period. If you're eager to get a glimpse of Sydney from more than 20 years ago, though, three of the episodes were shot at various outdoor locations around town — so you can get fit and check out the scenery. Need an amusing reminder of what you're in for? In 1998, TISM satirised the show in the music video for their single 'Whatareya?', which you can watch below: https://www.youtube.com/watch?v=GiHdpAVIHgo To sweat your way through 15 retro episodes of Aerobics Oz Style, head to 10Play.
It's been a busy few weeks for new eateries on and around James Street, with both Essa and The Green opening their doors. And, they aren't the only new kids on the block. The bustling Fortitude Valley precinct has also welcomed in Gemelli Italian and Bar Tano — with the former setting up its first Brisbane location, and also launching the latter as a neighbouring watering hole. You might've eaten at Gemelli's Gold Coast spots, which include a restaurant in Broadbeach and a trattoria in Nobby Beach; however, now it has made the trip up north. Settling into the McLachlan and James street corner site that was previously home to Bucci, it's serving up pizza, pasta, antipasti and sweet dishes such as deep-fried dessert gnocchi and Nutella calzones, all inside a three-level dining space. Here, you can start with the cherry tomato, buffalo mozzarella and parmesan-topped bruschetta, then move on to a black olive and black anchovy pizza or the carbonara, or opt for bistecca or saltimbocca. The drinks list favours Italian beers and wines, too, and you can sip classic Italian cocktails — negronis, bellinis, rossinis and the like — or try house concoctions such as the Sicilian margarita. Those pizzas? They're cooked in a bespoke oven from Naples. Those tipples? They hail from the bar at the back. Fancy some salumi? There's a display fridge filled with it. Decked out with timber arches to break up the space, and featuring large windows as well, Gemelli's James Street eatery has a light and airy feel. That vibe particularly stands out compared to Bar Tano, which marks the Gemelli Group's first bar — and pairs snacks, drinks and people-watching over James Street. At this 55-seater, owners James and Alec Carney have gone dark and moody; think green marble, polished concrete and plenty of mirrors. They've designed the street bar-style hangout as an aperitivo spot — not just for a happy hour, though, but for catching up with friends over a beverage. "Italy has such a rich culture and we're incredibly passionate about bringing that to Australia in a way that respects our heritage and the customs we love," explains James. "Bar Tano is inspired by Milan which is the birthplace of aperitivo and we wanted it to be a destination where you meet friends to reconnect over a refreshing aperitif and complimentary small bites." Drinks-wise, more Italian wines and cocktails feature, as well as bespoke house tipples — like the Drive Me Nuts, which blends the negroni and the old fashioned; and the Better Than Butter, which gives whisky sours a buttery spin. For something to eat, there's ricotta dip, burrata, gnocco fritto and polpettini, plus a rotating selection of salumi and cheeses. Find Gemelli Italian and Bar Tano at 15 James Street, Fortitude Valley. Gemelli Italian is open Wednesday–Sunday 12–3pm for lunch and Tuesday–Sunday 5pm–late for dinner. Bar Tano operates from 3pm–late Wednesday–Thursday and from 12–late Friday–Sunday.
Hungry? Thirsty? If you're not already, you will be soon. With everything from everyday deals to special sit-down dinners on offer, just perusing the program for Brisbane's annual Good Food Month is enough to inspire a healthy appetite. That's what happens when the city turns itself over to all things food and drink-related from July 1 to 31, after all. Prepare to rush to and from every restaurant and cafe you can think of (and a few you can't) while consuming all manner of delicious morsels. And if that sounds like you're being spoiled for choice, well, you are — but perhaps our ten top picks of events to attend can help you out.
The cost of living crisis is only increasing for Australians, as fuel shortages from the Iran War cause rolling supply impacts that are hitting hard, leaving Aussie drivers dry in both their tanks and their wallets. With no end to the shortages in sight, drivers are looking to their state governments for support. With global watchdogs urging consumers to do everything they can to avoid getting behind the wheel in the first place, the logical first step would be to make public transport alternatives more accessible. That ball has indeed started to roll, with the Victorian and Tasmanian governments announcing a temporary freeze on public transport fares as the pumps struggle to keep up with demand. In Victoria, where the cheapest fuel at the time of writing is $2.57 a litre (20 cents up from a week ago), all metro and regional V/Line trams, trains and buses are free to ride from tomorrow until the end of April. In Tasmania, where prices average at $2.59 at the time of writing, buses and Derwent River ferries are free from now until Wednesday, July 1. It's not a national shift, though. On Sunday, NSW Transport Minister John Graham said NSW will not offer free public transport, citing concerns that the state would lose "millions of dollars every single day" if transport were to be made free. Those millions have to be reserved for maintaining NSW's public transport network and for the long term, according to Graham, who reasoned that NSW needs to "keep the powder dry to be able to assist the broader economy." This morning, NSW State Treasurer Daniel Moukhey told 2GB that the government wants to avoid what he called an "expensive" knee-jerk reaction to the situation. The Victorian government did admit that the month without fares would result in $71 million in revenue being lost. Another hard no came through in Western Australia, where Premier Roger Cook says fares are already at a historic low, with these prices comparable to the 1980s, when "Rick Astley was at the top of the charts". In South Australia, Infrastructure and Transport Minister Joe Szakacs has yet to announce fare cuts, but has said the state is preparing a "broad suite of policies" to address costs. And no comment from Queensland either, where fares are admittedly an enormously low 50 cents. [caption id="attachment_1087611" align="aligncenter" width="1920"] James Gourley/Getty[/caption] In NSW, the decision has not been received with universal support. NSW Opposition Leader Kellie Sloane believes transport should at least be free for the Easter weekend. Meanwhile, the Rail, Tram and Bus Union, which had already called out for free transport before the state government's rejection, told the ABC that "the NSW Government has a responsibility to act", citing a need for extra services to meet demand and that the network has "plenty of spare capacity." Data from The Guardian reveals that, despite all this, NSW residents are not driving less or using public transport more — in fact, Opal Card tap-ons have decreased since February. Similarly, data from Melbourne indicates little to no change in commuter habits, despite advice to work from home whenever possible, as the global supply network struggles to adapt and the cost of living is expected to rise further for Australians. When fuel prices rise, freight companies add fuel surcharges to the cost of the goods shipped. So while commuters will continue to pay for getting anywhere, they'll start to notice price increases on groceries, dining out, rideshare services, parcel delivery and their morning coffee — inflation as a whole could increase from the current figure of 3.7 percent to five percent by June (according to forecasts from AMP), that double the chances of a recession in Australia this year to 30 percent. Images: Getty Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
Does your pet pooch have its own calendar? We're not talking about monthly cute canine pics — although every pet owner should definitely make their own. Rather, we mean a system to keep track of your doggo's social engagements. Given the number of pupper-friendly events happening around Brisbane, it's really not that far-fetched. To the growing list of markets, festivals, paddleboard sessions and more comes Paws and Pints, The Osbourne Hotel's new doggy drinking session. Taking place for the first time from 11am on November 12, it's not only a chance to take your furry best friend for a few brews — with stalls, a puppy photo booth, drinks specials over Yappy Hour and donations going to the Animal Welfare League, it's quite the occasion. If the concept sounds familiar, that's because downing a few bevs with your barking mate in tow is becoming quite the Brissie trend. In fact, if you're taking old Fido to the Valley for this booze sesh, you can also walk him around a couple of corners to The Brightside's equivalent.
Australia's loudest week in music is officially back. From Tuesday, September 2 to Friday, September 5, BIGSOUND will take over Brisbane's Fortitude Valley with live music, networking and a stacked music industry conference program. From Flume and Thelma Plum to Tash Sultana and Rufus Du Sol, BIGSOUND has long been the stage where global careers kick off. This year, more than 130 breakout and export ready artists will perform over three nights, across 18 different venues. Look out for some names you might know, including WAFIA, Kaiit, The Southern River Band, Hatchie and Polish Club and some you're going to want to know, including Azure Ryder, Letters To Lions, Le Shiv, Lazy Ghost, and potentially their youngest showcasing artist ever, Perth/Boorloo hip-hop artist Inkabee. [caption id="attachment_1016349" align="alignnone" width="1920"] BIGSOUND Conference[/caption] By day, you'll get the chance to take a peek behind the hood of the Australian music industry. The BIGSOUND Conference will feature an exciting lineup of speakers and networking events, including sessions with Briggs, Tash Sultana, Dave Rowntree (Blur), Darcus Bees (Sabrina Carpenter, Amy Winehouse), Virgin Music Group US's Cindy James and Coachella's Rene Contreras. The First Nations-led Goolwal Goolwal program will also return, spotlighting incredible artists and cultural leaders. Whether you're here to find your next favourite act or to shape the future of the industry, BIGSOUND is where it all happens. See the full lineup and get tickets at bigsound.org.au.
The big names on QAGOMA's 2025 program read like an art lover's dream dinner-party list: who wouldn't want to spend time with Olafur Eliasson, Yayoi Kusama, Archie Moore and Patricia Piccinini? Brisbanites and folks visiting from out of town can do just that with their artwork, at least, whether exploring an Australian-exclusive exhibition dedicated to the Icelandic Danish artist who once built an indoor riverbed inside the Gallery of Modern Art or seeing Indigenous Aussie talent Moore's history-making Venice Biennale Golden Lion-winning kith and kin. No strangers to the River City, Kusama and Piccinini will have pieces featured in a showcase called Wonderstruck. For locals, the 2025 lineup reads like a list of reasons to make regular dates with GOMA and Queensland Art Gallery. If you're elsewhere in Australia, consider it motivation to holiday in the Sunshine State several times. The year's program has already begun, of course, thanks to The 11th Asia Pacific Triennial of Contemporary Art. On display until the end of April, it boasts 500 works by 70 artists and collectives — and as each APT is when it fills QAGOMA every three years, it's a sight to behold. [caption id="attachment_992350" align="alignnone" width="1920"] Olafur Eliasson / Denmark b.1967 / Riverbed (installation view, GOMA) 2014 / Water, rock (volcanic stones [blue basalt, basalt, lava], other stones, gravel, sand), wood, steel, plastic sheeting, hose, pumps / Dimensions variable / Purchased 2021. The Josephine Ulrick and Win Schubert Charitable Trust Collection: The Josephine Ulrick and Win Schubert Charitable Trust, Queensland Art Gallery | Gallery of Modern Art / Collection: QAGOMA, Brisbane / © 2014 Olafur Eliasson / Photograph: N Harth © QAGOMA.[/caption]From December, Eliasson will help GOMA end 2025 — and then take 2026 almost to its midpoint — with an exhibition that'll explore three decades of his career complete with rocky landscapes, Lego cities and optical puzzles. Yes, the wonderfully immersive, aforementioned Riverbed will be back. So too will The Cubic Structural Evolution Project, which is where everyone's favourite toy bricks come in, getting gallery patrons playing with it all a part of the piece. Thanks to Beauty, visitors will see a rainbow in a veil of mist as well — and via Your Psychoacoustic Light Ensemble, audio waves will become visual. [caption id="attachment_992353" align="alignnone" width="1920"] Olafur Eliasson / Denmark b.1967 / Beauty 1993 / Installation view: Fondazione Palazzo Strozzi, Florence, Italy, 2022 / Spotlight, water, nozzles, wood, hose, pump / Dimensions variable / Courtesy: The artist; neugerriemschneider, Berlin; and Tanya Bonakdar Gallery, New York/Los Angeles / © 1993 Olafur Eliasson / Photograph: Ela Bialkowska, OKNOstudio.[/caption] "Olafur Eliasson's artworks suggest new ways of seeing and experiencing. His practice, spanning diverse installations and other works, invites reflection on our relationships — with ourselves, the environment, culture, and society," said QAGOMA Director Chris Saines "The exhibition will feature a range of artworks, many never before seen in Australia, and will include two new site-specific installations created especially for our expansive galleries." [caption id="attachment_950473" align="alignnone" width="1920"] Yayoi Kusama. The obliteration room 2002–present. Queensland Art Gallery | Gallery of Modern Art. © YAYOI KUSAMA[/caption] Between APT11 and Olafur Eliasson, Wonderstruck will take over GOMA from late June–early October — and as the name makes plain, this 100-plus-artwork collection from 70-plus artists is all about awe and wonder. The full list of pieces that'll be included hasn't yet been revealed, nor has the roster of talents involved, but the wearable sculptures of HEARD from Nick Cave (the American artist, not the Australian musician) will be among them. Also, get ready to pop stickers everywhere, because so will the return of Kusama's The Obliteration Room. From late September — a month later than initially announced — Moore's kith and Kin will make its Australian debut. When the First Nations artist earned Australia the top gong at the Olympics of the art world for the first time ever, he did so with an exhibition curated by QAGOMA's Ellie Buttrose, and with a date with Brisbane locked in for this year. Gifted to the galleries permanently, the piece didn't just make history with its Venice Biennale accolade. A hand-drawn genealogical chart that spans back 65,000 years, it also chronicles it. [caption id="attachment_951573" align="alignnone" width="1920"] Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.[/caption] Similarly on the way to South Brisbane before 2026 hits: marru | the unseen visible, which showcases works by Danie Mellor; Great and Small, heroing the role of animals in Aboriginal and Torres Strait Islander art and culture; and a dive into the space where devotional imagery and pop culture cross paths via The God of Small Things: Faith and Popular Culture, with oleographs by Raja Ravi Varma at its centre, but works by Natee Utarit and Isabel and Alfredo Aquilizan also featuring. Pieces by artists such as Kenneth Macqueen, Vida Lahey, William Bustard, Gwendolyn Grant, Joe Rootsey and Sidney Nolan will be a part of Under a Modern Sun: Art in Queensland 1930s–1950s. Tony Albert, Michael Cook, Brenda L Croft, Destiny Deacon, Fiona Foley, Genevieve Grieves, Tracey Moffat, Michael Riley, Darren Siwes, Leah King Smith and Christian Thompson are among the talents set to be in the spotlight via Snap Blak: Contemporary Aboriginal and Torres Strait Island Photography From the Collection. And Queensland's Pat Hoffie will display a range of works on paper in I have loved/I love/I will love. [caption id="attachment_992351" align="alignnone" width="1920"] Danie Mellor / Ngadjon-jii/Mamu peoples / Australia b.1971 / Dark star waterfall (still) 2023–24 / Digital projection / Courtesy: The artist / © Danie Mellor.[/caption] Queensland Art Gallery and Gallery of Modern Art 2025 Program Until Sunday, April 27, 2025 — The 11th Asia Pacific Triennial of Contemporary Art Saturday, March 15–Sunday, August 3, 2025 — Danie Mellor: marru | the unseen visible Saturday, June 21, 2025–Monday, May 3, 2027 — Great and Small Saturday, June 21, 2025 –Monday, October 5, 2026 — The God of Small Things: Faith and Popular Culture Saturday, June 28–Monday, October 6, 2025 — Wonderstruck Saturday, August 16, 2025–Monday, January 26, 2026 — Under a Modern Sun: Art in Queensland 1930s–1950s Saturday, August 30, 2025–Sunday, September 13, 2026 — Snap Blak: Contemporary Aboriginal and Torres Strait Island Photography From the Collection Saturday, August 30, 2025– Sunday, February 1, 2026 — Pat Hoffie: I have loved/I love/I will love Saturday, September 27, 2025–Sunday, October 18, 2026 — Archie Moore: kith and kin Saturday, September 27, 2025–Sunday, October 18, 2026 — Inscribing a Life Saturday, October 4, 2025–Sunday, March 1, 2026 — Contraptions Saturday, December 6, 2025–Sunday, July 12, 2026 — Olafur Eliasson [caption id="attachment_992352" align="alignnone" width="1920"] Michael Riley / Kamilaroi/Wiradjuri peoples / Australia 1960– 2004 / cloud (portfolio) (detail) 2000 / Inkjet print on banner paper / Ten sheets: various dimensions / Purchased 2002 / Collection: QAGOMA, Brisbane / © Michael Riley Estate.[/caption] [caption id="attachment_951569" align="alignnone" width="1920"] Archie Moore / kith and kin 2024 / Australia Pavilion at Venice Biennale 2024 / Photographer Andrea Rossetti / © the artist / Images courtesy of the artist and The Commercial.[/caption] For more information about Queensland Art Gallery's 2025 exhibitions, plus Australian Cinémathèque's 2025 lineup — all of which will occur at Stanley Place, South Brisbane — visit the venue's website. Top image: Olafur Eliasson / Denmark b.1967 / Your psychoacoustic light ensemble (installation view, Tanya Bonakdar Gallery, New York, 2024) 2024 / Spotlight, glass lens, mirror foil, tripod, transducer, embedded computer system / Dimensions variable / Courtesy: The artist and Tanya Bonakdar Gallery, New York / © 2024 Olafur Eliasson / Photograph: Pierre Le Hors.
Charisma forgives many sins. In film, especially, it can gloss over just about everything, from a dull storyline to glaring plot holes. Even terrible dialogue can be salvaged if the person delivering it has enough personality. And right now in Hollywood, there is no greater force of personality than Dwayne "The Rock" Johnson. The man is a strategic reserve of charm, sweating out more charisma in a 20 minute gym session than most people possess in a lifetime. Alas, not even he can save Rampage. Based on the 1986 arcade game of the same name, Rampage is another entry into the Big Dumb Fun genre – except for the fact that it's critically lacking in Fun. Like the source material, the movie's story centres upon several animals being exposed to a genetic editing vapour that rapidly transforms them into giant, city-destroying monsters. Chief amongst these creatures is George, an albino gorilla rescued from poachers and raised by his protector, Davis Okoye (Johnson). It is during this duo's few quiet, tender moments that Rampage is at its strongest, giving the story heart and Johnson his only decent lines ("The poachers shot at us, and missed. I shot back…and didn't"). Mostly, though, Rampage is a movie about people shooting at massive monsters and those monsters fighting back. To be clear, blockbusters like this have their place. Kong: Skull Island, the original Pacific Rim and the most recent Godzilla film are three fine examples of the genre done right. They each embraced their absurd premise and treated it with the same care and consideration you'd see in a period drama, offering their audiences fleshed-out characters, coherent stories and dialogue that does more than simply tell us what's happening (or what's about to). In Rampage, on the other hand, nearly every piece of key character information is literally read off a tablet in a single scene, while the scientific and technical jargon is crammed into a few ludicrous sentences that no human would ever actually say. It's the laziest form of writing and embraces every cliché in the book, from TV news reports conveniently filling in plot gaps, to the absurd corporate villains spending most of their time simply explaining to each other what they're doing as if all of their years of prior planning somehow came together without an actual discussion. In the lead role, Johnson does his level best to keep things grounded, but finds himself consistently hampered by braindead dialogue that rarely rises above "dude this" or "bro that" (at one point he actually gets shot in the gut only to reappear moments later and pass it off by suggesting it "probably missed all of his vital organs". He then comfortably pilots a helicopter, flirts with the girl and sprints through collapsing skyscrapers). Naomie Harris, for her part, has one sincere bit of backstory that briefly elevates the plot into something compelling, while Jeffrey Dean Morgan (another charismatic powerhouse) can't be accused of holding back in his wildly over-the-top performance as the Texan cowboy turned secret government agent. Their combined scenes at least give Rampage some degree of credibility – although whatever good work they do is fast undone by Malin Åkerman and Jake Lacy as the inexplicably villainous villains high up in their penthouse office. Rampage is a movie about big things tearing down buildings, and that's fine. But unless you're made to actually care about the people inside those buildings, then the stakes are about the same as watching toddlers stomp on sand-castles: pretty soon you just want the tide to come in and wash it all away. https://www.youtube.com/watch?v=coOKvrsmQiI
Stages graced with international acts? Check. A hefty lineup led by Lizzo, Flume and Mumford & Sons? Check again. Gumboots aplenty, everyone from Pussy Riot to Tony Armstrong, and three wild days at North Byron Bay Parklands? Tick them off the 2023 Splendour in the Grass checklist, too. A graveyard, though? No one had that on their Splendour bingo card, but it's part of this year's fest thanks to ABC series War on Waste, which is drawing attention to fast fashion. Sometimes, you need to see a problem to truly grasp it. That's an approach that folks have been applying to the vast piles of textiles that end up in landfill for some time — in 2022, Joost Bakker filled Melbourne's Federation Square with 3000-plus kilograms of fashion waste, for instance. A cemetery symbolising discarded clothing items is another eye-catching away to get everyone thinking about the issue, with this pop-up gracing Splendour for its full 2023 run from Friday, July 21–Sunday, July 23. "Fast fashion has exploded! We've moved to ultrafast fashion, even though 30 percent of clothing in the average wardrobe has not been worn in the last year," said War on Waste host Craig Reucassel. "We're throwing out ten kilograms of fashion per person each year. To make only the cotton clothes that we throw out each year would take as much water as there is in Sydney Harbour. Meanwhile, over 60 percent of our clothes are made from plastic derived from fossil fuels." "Through this activation, we hope to engage the festival community in meaningful conversations about the impact of fast fashion and inspire them to embrace more sustainable and ethical practices. Buy less and wear it longer!" Reucassel continued. Splendour attendees will spot the graveyard opposite the Forum and Comedy Club, acting as a commentary on the 227 million kilograms of clothing that goes to Aussie landfills every year. The site's tombstones jokingly pay tribute to items bought and scrapped quickly, yet won't decompose for hundreds of years, and offer facts about the problem. Everything featured has been recycled or repurposed, and all materials used will be recycled or repurposed again after Splendour is over. As well as getting festivalgoers thinking about their outfits, the cemetery pop-up is timed to promote War on Waste's third season, which hits the ABC from Tuesday, July 25. Splendour in the Grass runs from Friday, July 21–Sunday, July 23, 2023 at North Byron Bay Parklands — head to the festival website for further details and tickets. Images: Georgia Jane Griffiths.
3D printing: is there anything it can't do? Given that houses, office buildings, custom bikes, portable living pods, cupcakes, pizza, food in general, pot plants, toothbrushes, casts and prosthetic feet for ducks can all be printed these days, it doesn't seem like it. And while piling different flavours of chocolate on top of each other mightn't be the most revolutionary thing the technology has gifted us, it's certainly one of the tastiest. Two Sydney companies, design firm Universal Favourite and sweet treat wizards Bakedown Cakery, have joined forces to create Complements. They're staircase-shaped for the easiest possible stacking, and they come in flavours that give Japan's Kit Kats a run for their money. Fancy shortbread, fairy floss, watermelon, blackcurrent or matcha — or a combo of a couple? Single origin dark, vanilla, cookies and cream, cherry, strawberry, lemon and pistachio pieces are also available. Which ones go best together? Experimenting to find that out is the whole point. Universal and Bakedown said that they wanted "to create something outside the box that could be paired in endless combinations" — which sounds like a great reason to eat more choccies to us. Sadly, the bad news is the modular chocolate creations aren't actually for sale. Sorry. In better news, you can win a box of them from the Complements website — all you have to do is come up with your best new flavour pairing. Get dreaming.
Plenty of movies have hit cinemas and streaming in 2022, including ace and terrible flicks alike, but few films have sparked as much chatter as Don't Worry Darling. First up, it earned attention thanks to its director and cast, with the twisty thriller marking actor-turned-filmmaker Olivia Wilde's second stint behind the lens after Booksmart, and starring Florence Pugh (The Wonder) and Harry Styles (My Policeman). Then, the picture started causing talk due to a whole heap of off-screen chaos, such as awkward press conferences, possible spit and other rumoured scandals among its main figures. So, by now, everyone has heard about Don't Worry Darling. If you haven't yet seen it since it released in Australian cinemas at the beginning of October — and it is worth seeing — you can now do that at home, too. Like everything from Dune, The Matrix Resurrections, Spencer and West Side Story through to Everything Everywhere All At Once, The Unbearable Weight of Massive Talent, Elvis and Nope this year, the film has joined the list of fast-tracked flicks making their way to digital while still brightening up the big screen. Here, Pugh plays Alice, who gets stranded in the worst kind of 1950s-style ordeal despite all initial appearances to the contrary. Victory, the community where she lives with her husband Jack (Styles), appears picture-perfect; however, we all know how that can be deceiving. Indeed, the dreamy facade unravels quickly. The town is home to the men who work for the top-secret Victory Project — such as Jack — and their families, and it's where Don't Worry Darling's central duo are meant to enjoy nothing but bliss. They're given two rules to abide to, though: exercising the utmost discretion and committing 100-percent to Victory's vision, even if the town's wives don't actually know what their husbands get up to all day. That's all well and good — and terrific, in fact for most of Victory's residents — but it stops being the case for Alice. Despite a pervasive mood of optimism around the place, as well as overt reassurances by company CEO Frank (Chris Pine, All the Old Knives) and his wife Shelley (Gemma Chan, Eternals), Alice is certain that all isn't quite what it seems — or that she can or should trust what the company is so determined to impress upon the town's inhabitants. Yes, as immaculate as Don't Worry Darling looks, it's 100-percent a psychological thriller. It gives off huge The Truman Show vibes, too, as Alice refuses to acquiesce. The film also co-stars Wilde herself, playing another Victory employee's spouse, as well as Nick Kroll (Our Flag Means Death), KiKi Layne (The Old Guard), Sydney Chandler (The Golden Rut), Kate Berlant (A League of Their Own), Asif Ali (WandaVision), Douglas Smith (Big Little Lies), Timothy Simons (Station Eleven) and Ari'el Stachel (Zola). Check out the trailer for Don't Worry Darling below: Don't Worry Darling is currently screening in Australian cinemas, and is also available to stream online via video on demand from Monday, November 7 — including via Google Play, YouTube Movies and Prime Video in Australia. The film is also still showing in NZ theatres as well, and can be streamed in Aotearoa via Neon, Google Play and iTunes. Read our full review.
It's that time again, seafood-loving Brisbanites, with the Sandstone Point Hotel bringing back its annual Oyster and Seafood Festival in 2021. If you're a fan of slurping down molluscs or munching on other morsels from the ocean, prepare to be in your element. Taking over the venue on Saturday, October 16, the day-long celebration of salty, slimy deliciousness will treat your tastebuds to oysters from all around the country, asking whether you can discern the difference. Get them freshly shucked at the fest's bars — and if you need something to snack on otherwise, you can feast on the rest of the ocean's finest bounty at an array of seafood market stalls. Mussels, calamari, prawns, bugs, fish: they're all on offer. Anyone who really, truly loves their oysters can make a date with competitive portion of the day, too, because it wouldn't be a food festival without a contest. Here, that means downing a heap oysters, and also peeling prawns. Chef demonstrations and live music are on the bill as well, all as part of a cruisy day hanging out by the water. And, you'll find plenty of drinks at the bar to help wash down all that seafood. Image: Sandstone Point Hotel.
It's happening again: if a particular hit murder-mystery comedy is going to keep living up to its title, there's set to be another murder in the building. Viewers are currently watching what happens when someone is killed in New York's fictional Arconia complex for the fourth time, thanks to Only Murders in the Building season four — and a fifth round is now on the way as well. Everyone is already well-aware of the show's setup, too. Each season, a new murder takes place in the apartment tower that its main sleuthing trio call home. It was true in 2021's season one, 2022's season two and 2023's season three, as well as in the now-streaming season four. When season five will arrive hasn't been revealed, but the series has been dropping new episodes annually so far. Variety reports that there'll be ten episodes in the fifth season — so, ten more chances to see Selena Gomez (The Dead Don't Die), Steve Martin (It's Complicated) and Martin Short (Schmigadoon!) as neighbours and podcasters Mabel Mora, Charles-Haden Savage and Oliver Putnam. There's no word yet on guest stars, with Only Murders in the Building fond of enlisting plenty of other famous faces. Sometimes they play themselves, as Sting (The Book of Solutions) and Amy Schumer (IF) have. Sometimes the show gets Meryl Streep (Don't Look Up), Paul Rudd (Ghostbusters: Frozen Empire), Tina Fey (Mean Girls) and more into character. At present, in a season that's also taken them to Hollywood, Mabel, Charles and Oliver are looking into the death of Sazz Pataki (Jane Lynch, Velma), Charles' stunt double. They're also grappling with the fact that a Tinseltown studio wants to turn their podcast into a film. Cue Molly Shannon (The Other Two), Eugene Levy (Schitt's Creek), Eva Longoria (Tell It Like a Woman) and Zach Galifianakis (The Beanie Bubble) all popping up, with season four's new cast members also including Melissa McCarthy (Unfrosted), Kumail Nanjiani (Ghostbusters: Frozen Empire) and Richard Kind (Girls5eva). Alongside Short, Gomez and Martin, plus Lynch, fellow long-running Only Murders in the Building regulars Michael Cyril Creighton (American Fiction) and Da'Vine Joy Randolph (a newly minted Oscar-winner for The Holdovers) are also a part of season four. As always, knowing that there'll be another death in the Arconia doesn't mean knowing what's to come in season five — other than Mabel, Charles and Oliver getting sleuthing, with a heap of fellow big-name talent both helping and hindering their investigations. There's obviously no trailer yet for season five, but check out the full trailer for Only Murders in the Building season four below: Only Murders in the Building streams Down Under via Star on Disney+, with season four streaming now. Season five does not yet have a release date. Read our reviews of season one, season two and season three. Via Variety.
In 2022, The Kid LAROI embarked upon his debut headline Australian tour, selling out arenas across the nation and adding more dates to meet demand. Two years later, the Aussie star otherwise known as Charlton Kenneth Jeffrey Howard is returning to local stages again in November 2024. Initially announced in 2023 and due to happen in February 2024, then postponed to October due to trying to confirm a "really big surprise and special guest" and "a bunch of other logistical stuff", The Kid LAROI's The First Time Australian tour is back on. When he hits Brisbane on Thursday, November 14, he'll have Migos frontman Quavo and Sydney's ONEFOUR in support. The Kid LAROI has made some changes to the tour itinerary, which is in support of his debut studio album The First Time. This was meant to be his first-ever Aussie stadium tour; however, in the Queensland capital he's playing Brisbane Entertainment Centre. The First Time might've been a new 2023 arrival, but The Kid LAROI has been releasing music since 2018 — solo, and also teaming up with everyone from Juice WRLD and ONEFOUR to Justin Bieber. Accordingly, fans can look forward to hearing 'Stay', 'Without You', 'Thousand Miles', 'Love Again', 'Girls' and more come spring.
When all else fails, escape into cinema: that's the movie-lover's mantra. There's nothing quite like staring at the silver screen in a cavernous theatre, soaking in its shimmering sights with nothing else but darkness around you and communing with the artform as it flickers by at 24 frames per second. And, that's a truth that remained intact in 2021, even with temporary pandemic-induced cinema closures once again part of our reality for another year. As anyone who yearned to watch a film somewhere other than their own couch knows — to revel in the escape that only these celluloid dreams bring, too — absence definitely makes the heart grow fonder. Whether picture palaces near you were up and running or affected by lockdowns, they still screened a wealth of fantastic movies in 2021. They showed terrible ones as well, but that always comes with the territory. We watched and reviewed them all each week no matter what, exceptional and terrible alike, and somehow managed to whittle all the standout flicks down to this: our picks for the year's 12 absolute best movies. 2021 might've been another swirl of chaos in general, but movie magic always delivers. THE POWER OF THE DOG Don't call it a comeback: Jane Campion's films have been absent from cinemas for 12 years but, due to miniseries Top of the Lake, she hasn't been biding her time in that gap. And don't call it simply returning to familiar territory, even if the New Zealand director's new movie features an ivory-tinkling woman caught between cruel and sensitive men, as her Cannes Palme d'Or-winner The Piano did three decades ago. Campion isn't rallying after a dip, just as she isn't repeating herself. She's never helmed anything less than stellar, and she's immensely capable of unearthing rich new pastures in well-ploughed terrain. With The Power of the Dog, Campion is at the height of her skills trotting into her latest mesmerising musing on strength, desire and isolation — this time via a venomous western that's as perilously bewitching as its mountainous backdrop. That setting is Montana, circa 1925. Campion's homeland stands in for America nearly a century ago, making a magnificent sight — with cinematographer Ari Wegner (Zola, True History of the Kelly Gang) perceptively spying danger in its craggy peaks and dusty plains even before the film introduces Rose and Peter Gordon (On Becoming a God in Central Florida's Kirsten Dunst and 2067's Kodi Smit-McPhee). When the widowed innkeeper and her teenage son serve rancher brothers Phil and George Burbank (Spider-Man: No Way Home's Benedict Cumberbatch a career-best, awards-worthy, downright phenomenal turn, plus Antlers' Jesse Plemons) during a cattle-run stop, the encounter seesaws from callousness to kindness, a dynamic that continues after Rose marries George and decamps to the Burbank mansion against that stunning backdrop. Brutal to the lanky, lisping Peter from the outset, Phil responds to the nuptials with malice. He isn't fond of change, and won't accommodate anything that fails his bristling definition of masculinity and power, either. Read our full review. FIRST COW Gone are the days when every image that flickered across the screen did so within an almost square-shaped frame. So, when a director today fits their visuals into a much tighter space than the now-expansive norm, it's an intentional choice. They're not just nodding to the past, even if their film takes place in times gone by. With First Cow, for instance, Kelly Reichardt unfurls a story set in 19th-century America, but she's also honing her audience's focus. The Certain Women filmmaker wants those guiding their eyeballs towards this exquisite movie to truly survey everything that it peers at, to see its central characters — chef Otis 'Cookie' Figowitz (John Magaro, Overlord) and Chinese entrepreneur King-Lu (Orion Lee, Zack Snyder's Justice League) — and to realise that neither are ever afforded such attention by the others in their fictional midst. There's much to take in throughout this magnificently told tale, which heads to Oregon as most of Reichardt's movies have. In its own quiet, closely observed, deeply affectionate and warm-hearted fashion, First Cow is a heist movie, although the filmmaker's gentle and insightful spin on the usually slick and twist-filled genre bucks every convention there is. It first meets Cookie as he's searching for food, and meets King-Lu when Cookie helps him evade a group of Russians. The seeds of friendship are sown and, when the duo next crosses paths, they spend an alcohol-addled night sharing their respective ideas for the future. Those ambitious visions get a helping hand after the Chief Factor (Toby Jones, Jurassic Park: Fallen Kingdom) ships in the region's highly coveted first cow, with Cookie and King-Lu secretly milking the animal in the dark of night, then using the stolen liquid to make highly sought-after — and highly profitable — oily cakes. Read our full review. LICORICE PIZZA A Star Is Born has already graced the titles of four different films, and Licorice Pizza isn't one of them. Paul Thomas Anderson's ninth feature, and his loosest since Boogie Nights — his lightest since ever, too — does boast a memorable Bradley Cooper performance, though. That said, this 70s- and San Fernando Valley-set delight isn't quite about seeking fame, then navigating its joys and pitfalls, although child actors and Hollywood's ups and downs all figure into the narrative. Licorice Pizza definitely births two new on-screen talents, however, both putting in two of 2021's best performances and two of the finest-ever movie debuts. That's evident from the film's very first sublimely grainy 35-millimetre-shot moments, as Alana Haim of Haim (who PTA has directed several music videos for) and Cooper Hoffman (son of the late, great Philip Seymour Hoffman, a PTA regular) do little more than chat, stroll and charm. The radiant Haim plays Alana Kane, a Valley dweller of 25 or 28 (her story changes) working as a photographer's assistant, which brings her to a Tarzana high school on yearbook picture day. Enter the smoothly assured Hoffman as 15-year-old Gary Valentine, who is instantly smitten and tries to wrangle a date. From there, Licorice Pizza charts the pair's friendship as it circles and swirls, and as they often sprint towards each other — chronicling everything else going on in the San Fernando Valley, where PTA himself grew up, too. The result is a shaggy slice-of-life film that Anderson has penned partly based on stories shared by Gary Goetzman, an ex-child talent turned frequent producer of Tom Hanks movies. Spanning everything from waterbed sales to high-tension truck drives — and child-acting stardom, gasoline shortages and mayoral campaigns as well — Anderson lets Licorice Pizza saunter along leisurely like it's just stepped out of the 70s itself, and coats it in that anything-can-happen vibe that only comes with youth. Read our full review. PROMISING YOUNG WOMAN Promising Young Woman would've made an excellent episode or season of Veronica Mars. That's meant as the highest compliment to both the bubblegum-hued take on the rape-revenge genre and the cult-status private detective series. Writer/director Emerald Fennell clearly isn't blind to the parallels between the two, even casting Veronica Mars stars Max Greenfield (New Girl) and Chris Lowell (GLOW) in her feature debut. Don't go thinking the Killing Eve season two showrunner and The Crown actor is simply following in other footsteps, though. At every moment, the brilliant and blistering Promising Young Woman vibrates with too much anger, energy and insight to merely be a copycat of something else. It's a film made with the savviest of choices, and provocative and downright fearless ones as well, in everything from its soundtrack to its weaponised pastel, peppy and popping Instagram-friendly imagery. Played by Carey Mulligan, and drawing upon her near-peerless ability to express complex internalised turmoil, Cassie Thomas is inebriated and alone at a nightclub when she's introduced. Three men discuss women over beverages by the bar, and notice Cassie while talking, with one commenting, "they put themselves in danger, girls like that". No woman brings sexual assault upon themselves, with this whole intelligent and astute revenge-thriller rebuffing the bro-ish bar guy's early observation in every way possible, and meting out punishment to those who think similarly. Cassie won't stand for such attitudes and, as she embarks upon a vigilante quest, the movie takes her to bold places. Boasting a relentlessness that mirrors the persistence of grief and pain after trauma, Promising Young Woman never lets its protagonist's rage subside, proving furious from start to finish — and sharing that feeling even in the film's most overt setups and obvious scenes (which are also some of its most entertaining) is a foregone conclusion. Read our full review. ANNETTE Dreamy and dazzling from its first moments, rock opera Annette bursts onto the screen with a question: "so may we start?". "Please do", fans of Holy Motors director Leos Carax should think to themselves, and devotees of Ron and Russell Mael as well — and yes the later, aka art-pop duo Sparks, are clearly having a moment in 2021 (see: The Sparks Brothers below). All three appear on-screen in Annette's opening, joined by Adam Driver (Star Wars: Episode IX — The Rise of Skywalker), Marion Cotillard (We'll End Up Together) and Simon Helberg (The Big Bang Theory). In a glorious, song-fuelled, sing-and-walk scene, no one is playing a character yet, but they're all still playing a part. They're setting the vibe in a sensational way, and the tune is pure Sparks, with the pair both composing the movie's music and writing the feature itself with Carax. The tone bubbles with the duo's avant-garde sensibilities, too, and the whole song echoes with the promise of remarkable things to come. Nine years ago, Carax gave the world a once-in-a-lifetime gem. Annette is a different film to Holy Motors, obviously, but it gleams just as brightly and with the same beguiling, inimitable, all-encompassing allure. There's an ethereal, otherworldly quality to Carax's work — of heightening reality to truly understand how people feel and act, and of experimenting with artforms to interrogate them — and that sensation seeps through every second of his gleefully melodramatic musical, which deservedly won him the Cannes Film Festival's Best Director award. Everything about Annette has been turned up several notches on every setting, from its lush and lavish imagery to its cascade of toe-tapping, sung-through tunes that keep propelling the narrative forward. Every detail of that story has been amplified, too, as this tragic fairy tale follows standup comedian Henry McHenry (Driver), opera star Ann Defrasnoux's (Cotillard), their mismatched but passionate and all-consuming love, and their titular daughter — with the latter played by a marionette. Read our full review. NITRAM It's terrifying to contemplate something so gut-wrenchingly abominable as the bodies-in-barrels murders, which director Justin Kurzel and screenwriter Shaun Grant depicted in 2011's Snowtown, and to face the fact that people rather than evil were behind them. Nitram courts and provokes the same response. Exploring the events preceding the Port Arthur massacre, where 35 people were murdered and 23 others wounded in Tasmania in 1996, it focuses on something equally as ghastly, and similarly refuses to see the perpetrator as just a monster or a Hollywood horror movie-style foe. It too is difficult, distressing, disquieting and disturbing, understandably. In their third collaboration — with 2019's blazing True History of the Kelly Gang in the middle — Kurzel and Grant create another tricky masterpiece, in fact. That Nitram is about a person is one key reason for its brilliance. The film's core off-screen duo don't excuse their protagonist. They don't justify the unjustifiable, explain it, exploit it or provide neat answers to a near-unfathomable crime. Rather, they're careful in depicting the lone gunman responsible for Australia's worst single-shooter mass killing, right down to refusing to name him. In an exacting movie in every way possible, they also benefit from exceptional performances by Caleb Landry Jones (Finch) as the film's namesake, Judy Davis (Mystery Road) as his wearied mother, Anthony LaPaglia (Below) as his father and Essie Davis (The Justice of Bunny King) as his lottery heiress friend. Read our full review. THE WORST PERSON IN THE WORLD Sometimes, a performance just flat-out shakes and startles you — in a good way, that is. In her 2021 Cannes Film Festival Best Actress-winning role, Norwegian actor Renate Reinsve (Phoenix) turns in that type of complex, layered, no-holds-barred and relatable portrayal. She's magnificent, and thoroughly deserves all of the shiny trophies sent her way. She plays Julie, a young Oslo resident who doesn't ever earn The Worst Person in the World's title, but nonetheless pinballs through the mess of her millennial life. Across 12 chapters, plus a prologue and epilogue, almost everything about the character's existence changes within the mere four years that the movie focuses on: dreams, goals, studies, careers, loved ones, boyfriends (including Bergman Island's Anders Danielsen Lie), apartments, friends and her perception of herself. That aforementioned moniker stems from a comment that Julie spits her own way, actually, because she's often aware of her own chaos. Writer/director Joachim Trier (Thelma) is just as cognisant of how romantic dramedies like this tend to turn out, which both feeds and enables Reinsve's astonishing performance — because this isn't the usual cliche-riddled affair. Every rise and fall that comes Julie's way transcends tropes to contemplate what growing up, being an adult and forging a life is really like, including at both the sunniest and the most heartbreaking extremes. As a character study, The Worst Person in the World is a masterpiece. As a snapshot of an age and life stage, it's just as canny, insightful and excellent. Read our full review. TITANE Eye roll-inducingly terrible bumper stickers be damned; no one honks if they're horny in Titane. Revving when aroused is more this petrol-doused body-horror film's style, spanning characters both flesh and chrome. When she's seen writhing in fishnets atop a flame-adorned vintage Cadillac, the stony-gazed Alexia (debutant Agathe Rousselle) is working. She's titillating a Fast and Furious-style car crowd with her sexed-up display, but the car model still seems to hum with every gyration. After wrapping up, murdering a grab-happy fan with the metal chopstick keeping her hair up and then showering off the gooey, gory evidence, she's soon purring rhythmically inside that gleaming vehicle. Yes, in a plot detail that spilled the instant Titane premiered at this year's Cannes Film Festival, where it won the prestigious Palme d'Or, this is the French car sex flick. How does someone fornicate with an automobile? In her sophomore effort after the also-phenomenal teen cannibal film Raw, writer/director Julia Ducournau isn't too interested in those specifics. Instead, she's more concerned with shrewdly linking mechanophilia with agency and control, particularly over one's feelings and body. Her narrative starts its drive in Alexia's childhood, then speeds forward to her time as a fugitive posing as a fire chief's (Vincent Lindon, At War) long-missing son — and proves not just the French car sex film, nor merely a car sex movie about a woman partly forged from titanium (and with a penchant for piercing her way through those who block her road), but a ferocious and unflinching thriller that's also beautiful, tender and compassionate. If Ducournau had made her script out of metal, she'd be moulding it in its molten form. If her feature was a car instead, it'd be that libidinous, fire-emblazoned Cadillac, which arrives with a bang, lures Alexia in and then lets loose. Read our full review. THE SPARKS BROTHERS "All I do now is dick around" is an exquisite song lyric and, in Sparks' 2006 single 'Dick Around', it's sung with the operatic enthusiasm it demands. It's also a line that resounds with both humour and truth when uttered by Russell Mael, who, with elder brother Ron, has been crafting art-pop ditties as irreverent and melodic as this wonderful track since 1969. Sparks haven't been dicking around over that lengthy period. They currently have 25 albums to their name, and they've taken on almost every genre of music there is in their highly acerbic fashion. That said, their tunes are clearly the biggest labour of love possible, especially as the enigmatic duo has always lingered outside the mainstream. They're the band that all your favourite bands, actors and comedians can't get enough of, but they're hardly a household name — and yet, decade after decade, the Maels have kept playing around to make the smart, hilarious and offbeat songs they obviously personally adore. Everyone else should love Sparks' idiosyncratic earworms as well — and, even for those who've never heard of the band before, that's the outcome after watching The Sparks Brothers. Edgar Wright, one of the group's unabashed super fans, has turned his overflowing affection into an exceptional documentary. It's the Shaun of the Dead, Baby Driver and Last Night in Soho director's first factual effort, and it's even more charming and delightful than the films he's best known for. That said, it'd be hard to mess up a movie about Sparks, purely given how much material there is to work with. Russell and Ron, the former sporting shaggier hair and the latter donning a pencil-thin moustache rather than the Charlie Chaplin-style top lip he's brandished for much of his career, are also heavenly interviewees. That's the thing about these now-septuagenarian siblings, every Sparks tune they've ever blasted out into the world, and this comprehensive yet always accessible film that's instantly one of 2021's best: they're all joyously, fabulously, eccentrically fun to an infectious and buoyant degree. Read our full review. THE LOST DAUGHTER Watching Olivia Colman play a complicated woman is like staring at the ocean: it's never the same twice, it couldn't be more unpredictable, and all that surface texture bobs, floats, swells, gleams and glides atop leagues of unseen complexity. It's fitting, then, that The Lost Daughter tasks The Favourite Oscar-winner with glaring at the sea, and doing so both intently and often. A necessity of the narrative, as penned on the page by My Brilliant Friend's Elena Ferrante and adapted for the screen by actor-turned-filmmaker Maggie Gyllenhaal, it's a touch that washes through the movie with extra force due to its star. Colman plays literature professor Leda, who fills much of her time peering at the water as she summers on a Greek island — and getting caught up in the lives of Nina (Dakota Johnson, The Nowhere Inn) and her frequently screaming toddler. While both gazing at the waves and taking in the onshore domestic dramas, Leda sees her own ebbs, flows, thorns and flaws reflected back. The idea that bringing life into the world isn't the existence-defining triumph of femininity it's sugar-coated as doesn't simply sit at the heart of Ferrante's novel and Gyllenhaal's debut stint behind the lens; from the instant that Colman is seen collapsing on the pebble-strewn shoreline in the picture's opening, it laps over The Lost Daughter's every moment. As seen in its present-day storyline and its flashbacks to the past (with I'm Thinking of Ending Things' Jessie Buckley as Leda), its protagonist is a woman haunted by everything having kids has brought, as well as guilt-stricken by all that's followed — and this bold and affecting movie confronts that rocky truth. For any director, this is audacious and intricate terrain, but Gyllenhaal proves as exceptional and daring a filmmaker as she is a performer. Read our full review. BAD LUCK BANGING OR LOONY PORN Banging is the certainly word for it; when Bad Luck Banging or Loony Porn begins, it's with high school teacher Emi (Katia Pascariu, Beyond the Hills) and her camera-wielding husband Eugen (first-timer Stefan Steel) having loud, enthusiastic, pink wig-wearing sex — and filming it. Romanian writer/ director Radu Jude (I Do Not Care If We Go Down in History as Barbarians) shows the explicit three-minute snippet of footage as others will see it, because others will indeed see it: the students at Emi's school, their parents and her fellow teachers among them. All genitalia and thrusting and lustful talk (and shouted queries through the door from whoever is looking after the couple's child), this graphic opening also makes a firm statement. So many people within the film's frames will take issue with it as vocally as Emi and her partner are enjoying themselves — and they're unmistakably enjoying themselves — but Jude definitely isn't one of them. What follows is a razor-sharp satire of a world that's so indifferent to so much, but so unaccepting of carnality. The film wields that notion as a weapon, all as Emi and Bucharest's other residents also navigate the pandemic. In the cinema verite-style first section, Emi rushes around the city on foot, learning of the sex tape backlash while surrounded by everyday hostilities and vulgarities. Next, Jude unleashes scathing and playful cine-essay snippets about Romania's past, the planet's present, human behaviour, and how porn is used as both a scapegoat and anaesthetic. Then, Emi is interrogated by parents and teachers, their judgement and hypocrisy on full display — in the climax to an already brilliant, biting and bleakly hilarious achievement. Read our full review. DUNE A spice-war space opera about feuding houses on far-flung planets, Dune has long been a pop-culture building block. Before Frank Herbert's 1965 novel was adapted into a wrongly reviled David Lynch-directed film — a gloriously 80s epic led by Kyle MacLachlan and laced with surreal touches — it unmistakably inspired Star Wars, and also cast a shadow over Hayao Miyazaki's Nausicaä of the Valley of the Wind. Game of Thrones has since taken cues from it. The Riddick franchise owes it a debt, too. The list goes on and, thanks to the new version bringing its sandy deserts to cinemas, will only keep growing. As he did with Blade Runner 2049, writer/director Denis Villeneuve has once again grasped something already enormously influential, peered at it with astute eyes and built it anew — and created an instant sci-fi classic. This time, Villeneuve isn't asking viewers to ponder whether androids dream of electric sheep, but if humanity can ever overcome one of our worst urges and all that it brings. With an exceptional cast that spans Timothée Chalamet (The French Dispatch), Oscar Isaac (The Card Counter), Rebecca Ferguson (Reminiscence), Jason Momoa (Aquaman), Josh Brolin (Avengers: Endgame), Javier Bardem (Everybody Knows), Zendaya (Spider-Man: No Way Home) and more, Dune tells of birthrights, prophesied messiahs, secret sisterhood sects that underpin the galaxy and phallic-looking giant sandworms, and of the primal lust for power that's as old as time — and, in Herbert's story, echoes well into the future's future. Its unpacking of dominance and command piles on colonial oppression, authoritarianism, greed, ecological calamity and religious fervour, like it is building a sandcastle out of power's nastiest ramifications. And, amid that weightiness — plus those spectacularly shot visuals and Hans Zimmer's throbbing score — it's also a tale of a moody teen with mind-control abilities struggling with what's expected versus what's right. Read our full review. These are our 12 favourite films of 2021 — but the year was filled with plenty of other excellent movies. We've also put together lists of the best films hardly anyone saw this year, the best straight-to-streaming movies and the other standouts from 2021 that you should catch up on over summer. Don't say you don't have anything to watch.
Your favourite restaurant's wine list might be impressive, but if the best drops are only available by the bottle, you've got to be willing to pay up to get a taste. However, Coravin has come up with a range of nifty products that allow wine-lovers to pour by the glass without popping the cork. Throughout May, they're spreading the gospel around the globe with the Coravin World Wine Tour. Taking over five much-loved wine bars around the country, every bottle on their menus will be poured by the glass. Returning to previous destinations including Melbourne, Sydney and Adelaide, the tour is also adding Perth and Noosa to its stops for the first time. Making the most of the brand's by-the-glass tools, vino fans will have the chance to indulge in rare and diverse bottles without having to stump up for the full cost. Held from Thursday, May 1–Saturday, May 31, there's a good chance a sophisticated wine bar near you is getting involved. In Sydney, the Coravin World Wine Tour touches down at Love, Tilly Devine. Tucked away in a Darlinghurst laneway, this cherished spot is bursting through the week with wine-lovers who know their stuff. With 300 bottles to choose from, guests can sip their way through the list, or pair a glass or two with dishes from a highly seasonal food menu highlighting local farmers, growers and makers. In Melbourne, Richmond's Clover is where you can celebrate a shared love of natural vinous pleasures, complemented by fire-cooked delights. "It's really going to, quite literally, open up the possibilities for our guests to try something new, and allow our team to open more and more of their favourite wines; some a little unusual, and all delicious," says James Griffin, Beverage Manager at Love, Tilly Devine. "A few to look out for are the incredible skin contact wines of Staffelter Hof, the world's oldest working winery at nearly 1,200 years old, Patrick Sullivan's superb Victorian single-vineyard chardonnays, and the irresistible Poppelvej wines of Uffe Deichmann, McLaren Vale's best lo-fi Danish winemaker." Meanwhile, Adelaideans are invited to Jennie Wine Bar to experience its refined wine collection, where each bottle has a story to tell, from its environmental origins to its grower's personality. More than just a wine bar, you can roam the walls to find the perfect bottle to take home. Shadow Wine Bar is Perth's debut host, where a sleek industrial space comes to life with cuisine and wine delivered with a special nod to Italy. Lastly, Noosa's 16-seat Atelier Wine Bar offers a contemporary cellar-like space primed for indulging in 150 world-class vintages and elegant European-inspired small plates. "A new generation of wine drinkers are increasingly curious, adventurous, and willing to experiment with new varieties and styles. Offering more wines by the glass allows drinkers to find their new favourite variety, region, or style, without taking the risk of buying a whole bottle," says Coravin Founder, Greg Lambrecht. "We are delighted to be working with five iconic Australian wine destinations to bring our World Wine Tour to five states, giving Australian wine lovers an unparalleled level of choice for wine by the glass." The Coravin World Wine Tour takes place across multiple venues around Australia from Thursday, May 1-Saturday, May 31. Head to the website for more information. Images: Kera Wong, Jack Fenby, Jacqueline Jane.
Seen every part of Brisbane there is to see? That's all well and good — but have you seen your hometown turned into an interactive, animated illustration? At the Museum of Brisbane, artist Megan McKean has created an exhibition called Bristopia that will help you explore the place in a completely different way. Adding Brisbane to her list of illustrated locales (alongside Paris, Palm Springs, London and Sydney), McKean's largest commission to date is a six-metre-wide rendering of all of the cities landmarks, from the usual suspects to the other elements that are part and parcel of living in Brissie. Think the Story Bridge, the Gabba and the snaking river, plus all those palm and jacaranda trees that locals just stop noticing. Oh, and scrub turkeys, of course. More than that, the interactive aspect of the exhibition lets you create your own ideal version using Megan's illustrated bits and pieces. If you've always dreamed of a city filled with more parks than Leslie Knope could even conjure up, here's your chance to turn it into your own picture — as part of a showcase that not only wants attendees to explore Brissie as it currently stands but to also think about its future.
If you have firm thoughts on South Bank's place and purpose in Brisbane, then you might've shared them with the Queensland Government back in 2022. That's when news of the precinct's upcoming revamp was revealed, complete with a draft proposal outlining how the 42-hectare patch of the River City's inner city could change — and it was also when the public was asked to comment on those ideas. More than 25,000 pieces of feedback were received. Two years later, the new South Bank Master Plan has been unveiled. The riverside stretch has been part of Brissie since 1992, but it is about to look significantly different. With the location notching up more than three decades since it was turned into public parklands after Expo 88, the new plan focuses on how it can evolve for the people of Brisbane over the coming years. Accordingly, a trip to South Bank in the future will involve hopping along a treetop walk, strolling along wider footpaths, shopping at a permanent handmade goods market and taking a longer promenade to Kangaroo Point. Many of these additions and expansions were in the blueprint initially, alongside refreshing Little Stanley Street's dining options, adding a beach plaza and enhancing the Queensland Performing Arts Centre cultural forecourt. A key part of the overall concept, as announced by Queensland Minister for State Development and Infrastructure, Minister for Industrial Relations and Minister for Racing Grace Grace, is to focus on South Bank's southern and northern gateways — so where the Maritime Museum currently sits, and also the BRISBANE sign — plus Grey Street. One big aim: to make Grey Street "one of the world's most-recognisable subtropical people-centric streets". Here's what's definitely staying the same: the arbor, the BRISBANE sign, the existing heritage buildings, the rainforest, the Rainforest Green, the Riverside Green and the River Quay lawn. But the plans from there are hefty, ranging from relocating the Epicurious Garden to Little Stanley Street and adding a busy tucker trail, through to removing the piazza and also Flowstate, and expanding the lagoon. More riverside lawns, including one that peers over the beach and the city, and more riverside eateries are also on the list. Throw in temporary river stages, a potential water taxi from the Cultural Centre, more outdoor dining, laneways, a digital water wall, an island archipelago in the water play zone, an elevated lookout and a reflecting pool, and that's still only part of what's in store. "We know that people want more greenery and shade, enhanced connections to surrounding areas like the CBD, Kangaroo Point Cliffs and Gabba, and more active transport opportunities — this plan delivers that and more," said Grace. "South Bank is a lasting legacy of Expo 88 and its Master Plan envisions how South Bank can help create our next big legacy, including from the Brisbane 2032 Olympic and Paralympic Games. We want to ensure the legacy of these investments is felt for residents and visitors for decades to come." Susan Forrester AM, Chair South Bank Corporation, called the plan "a testament to the collective efforts of the community, who provided invaluable feedback and insights throughout the planning process and played a crucial role in shaping the future of South Bank. "With 89 percent of respondents expressing support for the plan's vision, we are prioritising increased greening of the precinct, improved accessibility and travel connectivity improvements. We have a unique opportunity to reimagine South Bank and create an incredible legacy for future generations." Given that this is a long-term blueprint, exactly what will be in place when — including ahead of the 2032 Olympic and Paralympic Games — hasn't been finalised. But Brisbane's Olympics transformation was never going to forget South Bank, which is also set to welcome QPAC's fifth theatre, the Neville Bonner Bridge connecting to the Queen's Wharf precinct, and the new Kangaroo Point green bridge with an overwater bar and restaurant. For more information about South Bank's revamp, head to the South Bank Master Plan website.
Getting creative is a tried-and-tested way to de-stress. Sometimes, you don't just want to whip up a masterpiece, though — you also want to blow off steam. Enter splatter rooms, aka the paint-flinging alternative to smash rooms such as Rage Cage, which lets you hit stuff with a baseball bat. At this imaginative activity, you can throw colours at the canvas in the name of art and catharsis. Keen to get a-splattering? Meet The Splatter Room, which is part of Portside Wharf's new Art Month in May. You'll find it next to the Dendy cinema from Friday–Sunday across the month, letting you get messy in a space that'll be white when you enter, then covered in paint when you leave. The paid activity costs $60 per session, which includes all of the supplies that you'll need and an hour to use them. An obvious word of warning: don't wear something that you're not comfortable with getting covered with paint, even though you'll be donning a protective garment over the top. The Splatter Room sits on the Art Month lineup alongside a big street party at the Hamilton precinct, and also dedicating the month's markets to local creatives and artists. At the first, which takes place from 1–6pm on Saturday, May 4, there'll be free art activations, plus pop-ups serving up bites to eat and sips to drink. At the second, more than 35 stalls will sling their wares. The street party will also include free splatter sessions at 3, 4 and 5pm four groups of ten — until booked out. And, away from the paint, there'll be live tunes thanks to a roving brass band, Caribbean percussion and a DJ. The folks from Pink Flamingo, which opened in Hamilton late 2023, will also be family-friendly circus shows. Fancy lawn games instead? That's also on the bill. As for the food, Fosh, Rise Bakery, Bird's Nest Yakitori, Byblos and Gusto Da Gianni are among the venues taking part. Then, when it's time for the Portside Wharf Creative Market on Saturday, May 18, free splatter sessions will be on offer again at the same times — and for the same group sizes. You'll also be able to shop for pottery, homewares and art. Pet portraits will be available, too, for free for the first 25 folks or for $10 afterwards. You'll either need to bring your furry best friend or a photo of them. Your dog can also get creative via peanut butter lick painting, which is exactly what it sounds like. [caption id="attachment_819236" align="alignnone" width="2560"] Claudia Baxter[/caption]
It's happening again: Dune, the sci-fi epic with a tumultuous on-screen history, is stuck in another cinematic sandstorm. There's always a feeling of déjà vu around Dune chaos, after David Lynch's 80s version became one of the most unfairly maligned sci-fi films ever crafted, and Alejandro Jodorowsky's take sadly didn't make it to screens (see: excellent documentary Jodorowsky's Dune). For filmmaker Denis Villeneuve's (Blade Runner 2049) two-part vision of Frank Herbert's 1965 book, off-screen events keep stopping it from reaching picture palaces when planned — initially COVID-19, and the latest setback coming during the writers' and actors' strikes. Pop culture's spiciest sci-fi saga went through this before a few years back, with Dune: Part One delayed considerably in the pandemic's early days, jumping from Boxing Day 2020 to early December 2021. Now, as expected since SAG-AFTRA joined the WGA on strike in mid-July, Dune: Part Two is pushing back its release date from November 2023 to March 2024. The film's Twitter account (now X) now states "only in theatres March 15", which is the US date. Because films open on a Thursday Down Under, Dune: Part Two should now release in Australia and New Zealand on March 14. Variety reports that Godzilla x Kong: The New Empire will also move release dates from mid-March to mid-April 2024 — and shifts back are also still being considered for Aquaman and The Lost Kingdom and The Colour Purple. Already, Force of Nature: The Dry 2 has been delayed, with no new date announced as yet; and so have Kraven the Hunter, the sequel to Ghostbusters: Afterlife, tennis flick Challengers, the Ethan Coen (The Ballad of Buster Scruggs) solo-directed Drive-Away Dolls and Spider-Man: Beyond the Spider-Verse, all either to 2024 or with no date confirmed so far. Villeneuve's first Dune scored ten Oscar nominations and six wins, but only told part of the novel's story. Cue Dune: Part Two to keep the tale going when it now hits the silver screen next year. As seen in not one but two trailers so far, war has arrived on the franchise's spice-laden planet, and Paul Atreides (Timothée Chalamet, Bones and All) and the Fremen are ready to fight. The former doesn't just want to face off against the folks who destroyed his family, but for the sandy celestial body, with Zendaya's (Euphoria) Chani at his side. The first film had Paul head to Arrakis because his dad Duke Leto Atreides (Oscar Isaac, Moon Knight) had just been given stewardship of the planet and its abundance of 'the spice' — aka the most valuable substance in the universe — and then get caught up in a bitter battle with malicious forces over the substance. It also saw Paul meet the population of people known as the Fremen, including Chani, plus Javier Bardem's (Lyle, Lyle Crocodile) Stilgar, which is who he and his mother Lady Jessica (Rebecca Ferguson, Silo) are with in Dune: Part Two. Expansive desert landscape, golden and orange hues (again, Villeneuve helmed Blade Runner 2049), sandworms, the director's reliable eye for a spectacle and Hans Zimmer's (The Son) latest likely Oscar-winning score: they've all shown up in the new film's two glimpses so far. So have some of the franchise's new players, with Austin Butler ditching his Elvis locks as Feyd Rautha Harkonnen, the nephew of Stellan Skarsgard's (Andor) Baron Harkonnen. Christopher Walken (Severance) and Florence Pugh (The Wonder) also join the saga as Emperor Shaddam IV and his daughter Princess Irulen. From the first film, Josh Brolin (Outer Range), Dave Bautista (Guardians of the Galaxy Vol. 3), Stephen McKinley Henderson (Beau Is Afraid) and Charlotte Rampling (Benedetta) return, while Léa Seydoux (Crimes of the Future) is another fresh addition to the cast. Off-screen, Villeneuve has brought back not just Zimmer, but Oscar-winning Australian director of photography Greig Fraser (The Batman), Oscar-winning production designer Patrice Vermett (Vice), Oscar-winning editor Joe Walker (The Unforgivable), Oscar-winning visual effects supervisor Paul Lambert (First Man) and Oscar-nominated costume designer Jacqueline West (Song to Song). Hollywood's actors are on strike to fight against diminishing residual payments for performers, and to establish firm rules about the future use of artificial intelligence in the industry, among other improvements to working conditions. When they took action in mid-July, SAG-AFTRA's members joined their counterparts in the Writers Guild of America, who've been striking since May. Check out the latest Dune: Part Two trailer below: Dune: Part Two will now release in cinemas Down Under on March 14, 2024. Via Variety / The Hollywood Reporter.
Over the past decade, Disney has made a hefty commitment to remaking its animated classics as live-action movies, as seen via the two Alice in Wonderland films, Cinderella, Beauty and the Beast, Dumbo and Aladdin, to name a few. The next to get the same treatment is 101 Dalmatians, and the Mouse House is going with the same approach it used with the Maleficent flicks. Yes, there'll be spotted dogs in Cruella, but this Emma Stone-starring spinoff is all about its villainous namesake. Set to release in May — and currently slated for cinemas, rather than making the move to Disney+ like Mulan did last year — Cruella focuses on Estella de Vil before she becomes the puppy-kidnapping figure that everyone already knows. It's the 70s, she's in London, and she's an outcast and a grifter. Estella is also desperate to become a fashion designer, and draws the attention of industry veteran Baroness von Hellman (Emma Thompson, Last Christmas). Obviously, Estella's relationship with the Baroness isn't going to end well. Even if you only have the faintest memories of 101 Dalmatians, Estella clearly has to morph into that tale's antagonist. And, based on the just-dropped first trailer for Cruella, she's going to do so in a movie that seems to have seen what Joker did — including the fact that it won Joaquin Phoenix an Oscar — and decided that's a good model to run with. As well as Stone, her two-tone hair and striking outfits — and Thompson, too — Cruella features Richard Jewell's Paul Walter Hauser, Outside the Wire's Emily Beacham, Yesterday's Joel Fry, The Good Place's Kirby Howell Baptiste and 1917's Mark Strong. The film marks a reunion between Hauser and director Craig Gillespie, after they worked together on I, Tonya, while the script is co-written by Isn't It Romantic's Dana Fox and The Great's Tony McNamara. If a live-action version of Cruella de Vil sounds familiar, that's because Disney has done it before. Back in 1996, Glenn Close took on the role in 101 Dalmatians, and then sported a heap of black and white again in 2000 sequel 102 Dalmatians. So, never one to leave its past works alone for too long, the Mouse House is following in its own footsteps in multiple ways with Cruella. Check out the trailer below: https://www.youtube.com/watch?v=gmRKv7n2If8 Cruella releases in Australian and New Zealand cinemas on May 27.
The only resort on Daydream Island in The Whitsundays has finally reopened after being devastated by Cyclone Debbie back in March 2018. And, after a huge $100 million redevelopment, Daydream Island Resort is doing it in serious fashion — with a 200-metre living reef, three restaurants, a poolside bar and an outdoor cinema to boot. The exclusive resort reopened today — Monday, April 15 — with 277 fully refurbished suites that span ocean, garden and pool views. Those aren't any ordinary ocean views, either, with crystal clear turquoise waters surrounding every corner of this tiny oasis. And the massive, newly landscaped pool wraps throughout the resort's tropical gardens and links to its coral beaches, offering views of the Great Barrier Reef beyond. The resort's living reef has also been revitalised — it's a coral lagoon that spans 200 metres and surrounds the central building, with its 1.5 million litres of water housing over 100 species of fish, coral and invertebrates. Guests can learn from local marine biologists while helping to feed baby stingrays and explore the new underwater observatory that lies four metres below sea level. [caption id="attachment_716885" align="alignnone" width="1920"] Looking from from the pool.[/caption] Daydream Island will also boast three distinct restaurants and three bars, all of which feature seasonal and local produce. Fine-dining restaurant Infinity offers panoramic ocean views and a menu of Asian-fusion eats, along with a teppanyaki private dining room. Then there's Inkstone Kitchen and Bar, a modern Australian restaurant using native ingredients. Think crispy skin coral trout sourced from Bowen, served over squid ink linguine, and surrounded by thin slices of smoked crocodile and Australian caviar, too. For cocktails, you'll head over to the gin bar, Tonic. The third dining greenhouse-style option, Graze will open in the coming months, along with two other bars. An outdoor cinema will launch in June, too. While you're in the region, don't miss the chance to do a bit of exploring and check out the nearby Whitehaven Beach, which is listed as one of the best beaches in the world.Those keen to explore the Whitsundays further can book snorkelling, helicopter tours, sailing, jet-skiing and island-hopping experiences through the resort. Of course, all this doesn't come cheap. Rates start at $392 per night — and that's just for a standard room. Start saving now, or just daydream by having a scroll through the photos. Daydream Island Resort is now open. For more to see and do in the region, check out our Outside Guide to the Whitsundays.
What do Euphoria, Yellowjackets, Wednesday, Atlanta, Mr & Mrs Smith, Dark Matter, The Umbrella Academy, The Penguin, Overcompensating and Sirens all have in common, other than being TV shows? Next, what do they also share with Beyoncé's online footprint? Music supervisor Jen Malone is the connection between all of the aforementioned television series, with the four-time Emmy-nominee working on each of them. Then, SXSW Sydney 2025 links Malone with Dr Marcus Collins, Beyoncé's former Digital Strategy Director — because the two have just been announced on the event's Music Festival speaker lineup. When April was coming to a close, SXSW Sydney started dropping its first music acts for this year's fest. A month later as May winds down, it has now revealed the initial list of folks who'll be getting chatting as part of the conference side of SXSW Sydney 2025's Music Festival. How do you stack TV and streaming hits — and movies, too — with the exact-right songs? Malone will take to the stage to spill the details. How should you approach marketing strategy in the music business, and what can you learn from doing just that for megastars ? That's where marketing professor, For the Culture: The Power Behind What We Buy, What We Do, and Who We Want to Be author and ex-Beyoncé team member Collins will come in. Both Malone and Collins are on the bill when SXSW Sydney returns for its third year between Monday, October 13–Sunday, October 19, 2025. As it tends to each year, the festival has been unveiling its latest lineup in bits and pieces, after also revealing that there'll be more free programming and an initial look at the overall speaker lineup in recent months. "SXSW Sydney is about big ideas, bold conversations and unexpected connections. It's a chance to hear directly from the people who open doors — the buyers, curators and deal-makers — and to better understand how to cut through, stay independent or scale globally. Whether you're building a team, exploring how AI can support your creative and business goals, or just looking for inspiration from other creative industries, this is where the conversations start," said SXSW Sydney's Head of Music Claire Collins about the first round of Music Festival speakers. "We're proud to bring this talent to Sydney, and to connect them with the broader SXSW Sydney community. It's a week packed with fun, discovery, and opportunities to connect, collaborate and imagine what's next for music in our region and around the world." Malone and Collins will have company from a wide array of other SXSW Sydney Music Festival guests, such as Brian Hobbs, SXSW in Austin's Director of Music Festival Programming; Patrick Daniel from Reeperbahn Festival in Germany; Airing Your Dirty Laundry podcast host Daphne Berry; Alex Berenson, the All Flowers international label group's Senior Director of A&R; and Justin Sweeting, the founder of Hong Kong's Clockenflap Festival. Also among the names on the program so far: Hallie Anderson, who co-founded Rareform marketing team, Ode strategic agency's Jashima Wadehra, Mardi Caught from marketing and artist services outfit The Annex, music networking platform GigLifePro's Priya Dewan and Pal Norte Festival's Macarena González. If you missed it, the roster to date of musicians that'll be showing off their talents spans both international and local acts. In the first camp: Jasmine 4.t, Freak Slug and Ristband + Pivots from the UK; Slowwves from Thailand; Japan's Suichu Spica 水中スピカ; New Zealand's Serebii and Tusekah; and Cardinals from Ireland. Flying the flag for Aussie acts to begin with: Jamaica Moana, JJ4K, RICEWINE, Sacred Hearts, Swapmeet and BADASSMUTHA. In total, this year's fest is due to feature more than 300 music performances. And, that's just the live tunes side of the event. Across its 1600-plus sessions, SXSW Sydney 2025 will also boast over 550 conference and professional development sessions, 90-plus movie screenings and over 150 games. [caption id="attachment_984093" align="alignnone" width="1920"] Nina Franova/Getty Images for SXSW Sydney[/caption] [caption id="attachment_965208" align="alignnone" width="1917"] Jaimi Joy[/caption] [caption id="attachment_953711" align="alignnone" width="1920"] Jaimi Joy[/caption] SXSW Sydney 2025 runs from Monday, October 13–Sunday, October 19 at various Sydney venues. Head to the SXSW Sydney website for further details. Top image: Brendon Thorne/Getty Images for SXSW.
Digital art is taking over the Australian Centre for the Moving Image in a huge way in 2024. The Melbourne venue might be known for its cinemas, as well as past exhibitions about Martin Scorsese, David Bowie, Disney animation and women in Hollywood, but it doesn't just celebrate movies and television. If it can grace screens, it can feature here — including at the Marshmallow Laser Feast: Works of Nature showcase that's displaying until April, and then at just-announced fellow world-premiere Beings. Interactive pieces using innovative technology firmly fit ACMI's remit, which is exactly what its big winter exhibition will be about. The playful event explores the work of art and design collective Universal Everything, featuring 13 pieces from its 20-year career. And the experience that you have while walking through Beings won't be the same as anyone else's. [caption id="attachment_944195" align="alignnone" width="1920"] Future You' by Universal Everything, installation view, Digital Impact, Barcelona, Spain, photo by Eva Caraso.[/caption] On display from Wednesday, May 22–Sunday, September 29, 2024, this new reason to head to ACMI wants attendees to not merely look at, but also move and dance in front of its large-scale screens and projected artworks. Beings' pieces will respond differently to each visitor, using evolving algorithms and generative technology. That makes you part of the art as well. Founded in 2004, Universal Everything began in a garden studio in Sheffield, England, which is where Creative Director Matt Pyke initially set up shop. Now, the collective — which includes animators, architects, cinematographers, designers, developers, engineers and musicians — works globally. Its creations display around the world, too, with stints in London, Seoul, Paris, Istanbul and New York before its upcoming Melbourne exhibition. [caption id="attachment_944193" align="alignnone" width="1920"] 'Friends' by Universal Everything[/caption] Beings' pieces — four of which will be brand-new world-premiere artworks themselves — frequently use the kind of tech that Hollywood studios and video-game makers deploy. Expect to peer at and play with an assortment of characters, and to feel like you've stepped into a movie or a game as well. The exhibition will unravel Universal Everything's creative process, including via hand-drawn sketches that'll be seen by the public for the first time. [caption id="attachment_944198" align="alignnone" width="1920"] 'Into the Sun' by Universal Everything, installation view, Lifeforms exhibition, 180 Studios, photo by Jack Hems.[/caption] "This is technology with heart and soul. Innovative, interactive and enriching, Universal Everything's joyous creations bring warmth and a sense of humanity. Whether you have an eye for design, an interest in new tech or are simply looking for some fun, this family-friendly experience will leave you with a smile. ACMI is the home of endless play this winter — no two visits to Beings will be the same," said ACMI Director and CEO Seb Chan, announcing the exhibition. "I relish this opportunity to push our studio practice even further, with some never-before-seen artworks created for Melbourne audiences. And as ever, I'm looking forward to being surprised by unexpected visitor responses to the show. We hope they have lots of fun," added Universal Everything's Pyke. [caption id="attachment_944196" align="alignnone" width="1920"] 'Future You' by Universal Everything, installation view, More than Human, Afundación, A Coruña, Spain, image courtesy of the artists.[/caption] As is ACMI's custom, an exhibition at the Federation Square venue spans more than just the showcase itself. While the specifics are still to be revealed, there'll be late-night access, as well as a new contemporary dance series that features Melbourne choreographers. Beings is also family-friendly, so activities for kids — for preschoolers in general, and over the school holidays — are on the agenda. [caption id="attachment_944201" align="alignnone" width="1920"] 'Transfiguration' by Universal Everything.[/caption] [caption id="attachment_944199" align="alignnone" width="1920"] 'Kinfolk' by Universal Everything.[/caption] [caption id="attachment_944200" align="alignnone" width="1920"] ''Maison Autonome' by Universal Everything, installation view, image courtesy of the artists.[/caption] [caption id="attachment_944194" align="alignnone" width="1920"] 'Symbiosis' by Universal Everything.[/caption] Beings will display at ACMI, Federation Square, Melbourne, from Wednesday, May 22–Sunday, September 29, 2024 — head to the ACMI website for further details or to get tickets. Images: courtesy of Universal Everything. Top image: 'Infinity' by Universal Everything.
It's the silly season, which means top tipples with your family, friends and work besties. Booze doesn't just make for a good time; it also makes for a great gift idea. If you're struggling to come up with a good grog gift this festive season, we've got you covered. Here's our round-up of drinks that tickled our fancy these holidays, from top-shelf whiskies to alcohol-removed wines. WINE 'Tis the season to cheers to the sun, and what better way than with some natty wines for Friend-mas. If you have a mate who loves their natties or is just dipping their toes into this world of wild ferments, SPON by Odd Culture wine shop and bar has curated the ultimate gift pack dubbed the Natty Wine Primer. It includes a sparkling pét-nat, white, red (one best served chilled) and a couple of skin contact numbers (orange and rosé). If you're looking for more bubbles, it's also slinging a gift pack called The Most Wonderful Time of the Year with a sparkling shiraz perfect for Christmas day, a grand cru champagne for New Year's Eve and an easy-going pét-nat for New Year's Day brunch. If the vinophile on your gift list is all about tradition, a case of wine from one of Australia's first families of wine should be on your shopping list. Brown Family Wines is Aussie through and through and now has five wine brands under its belt: Brown Brothers, Pirie, Devil's Corner, Tamar Ridge, and Innocent Bystander. You can't go wrong with the new Tarrango chilled red wine for something youthful and fresh. For something plush and velvety, Devil's Corner has a range of Tassie pinots that will make for a great vino on the Christmas table. There's also a slew of wine advent calendars on the market, from Good Pair Days to Laithwaite's Wines, if you'd prefer to leave the wine selections up to the somms. Good Pair Days has some of the best merch out there for a wine-lover, and it's no different with the wine advent calendars on offer this year. You can choose from options with a picnic set, a wine chiller set, a beach box — complete with a tote bag, hat and towel — or the standard pack. WHISK(E)Y Is your mum a fan of the dark spirits? Is your bestie a whisky fiend? Here are our top choices for the spirit savants in your lift this silly season. There are so many kinds of whiskies out there, but if you're on the lookout for something that's trying something new, you can't go wrong with Waterford Whisky. It's an Irish tipple that celebrates and advocates for terroir in whisky, and it only uses local Irish-grown grain with organic and biodynamic options on its roster. For something even more uncommon, opt for the peated version; it's the only whisky on the market that uses Irish peat to dry its barley. Plus, the blue glass bottle looks great on the shelf. If you know your whisky-lover is a sucker for scotch, you could go for Waterford Whisky's spiritual cousin, Bruichladdich. Another dram that celebrates terroir (started by the same person, in fact). The unpeated, non-chill-filtered single malt whisky, The Classic Laddie, is a crowd-pleasing option that works for many palates. If you want to surprise them with some top-shelf whiskies, you can always check out The Whisky Ark, which offers premium membership options, and has an excellent selection of scotch like Tamdhu and Glengoyne as well as exclusive Japanese whiskies. If you can't decide on a particular dram, leave the selection to the experts and go for an advent calendar. Liquor Loot puts out a gin and whisky calendar every year, and this year has expressions from Japan, Australia, Ireland, America, Scotland and more. And if you want to gift something that will keep surprising them throughout the year, why not set them up with a Whisky Club membership? Every month, they'll receive a new and often exclusive drop like the festive collab from Westward Whiskey and Rutherglen winery Stanton & Killeen: the Westward Whiskey Vintage Muscat Cask. GIN What's Christmas without cocktails, and what are cocktails without gin? There are literally thousands of versions of gins on the market today. From Australian drops that highlight native botanicals like Hickson House and Green Ant Gin to Japanese takes highlighting unique flora like Roku. Gin is special because it is very malleable, taking on the flavour profiles of whatever botanical is used. Kangaroo Island Gin is a new favourite of ours, and it has just released a special Spiced Pudding Gin that will bring a festive flair to your mate's G&T with cinnamon, clove, dried fruits and spice. If you know your gin-tastic friend isn't into traditional festive flavours, Four Pillars has launched its collab with Go-To skincare, 'My New Go-To Gin' made with quandong (Australia's native peach) to amp up that stone fruit goodness, perfect for summery cocktails over the holidays. TEQUILA Now, this spirit can be a bit of a dark horse, not unlike the person who usually calls for tequila shots at your Christmas holiday party. Why not go for the real deal, something extra special with a blow-the-budget option for your bestie with Herradura Legend? It is a first-of-its-kind Añejo tequila that has only recently launched in Australia. It's made with 100% blue weber agave that is traditionally cooked, naturally fermented, twice distilled, and matured for at least 12 months in heavily charred new American white oak barrels, resulting in soft caramel, toasted vanilla, oak, and lingering hints of agave. You could even convert some staunch whisky-only drinkers with this spirit. FOR SOMETHING DIFFERENT Not everyone is reaching for the classic whiskies and bourbons. Some people like to be more adventurous with their palate with grappa, moonshine, ouzo, arak and rakija. Sydney-based DNA Distillery makes the traditional Balkan fruit brandy rakija with Aussie shiraz grapes in classic, gold and pear (made with Aussie pears) expressions, perfect for your friend who has no more space on their wine rack and is over gin. It even has a gift box perfect for the flavour seeker in your life looking for something new. Did you have a mate who finally got to go on their Euro summer and hasn't been quiet about it since? Let them relive that luxe-Euro vibe with Tommy's Booze. The Melbourne-based Italian liquor company has put together a gift set with full-sized bottles of limoncello, mandarino, and lampone, perfect for those who love a refreshing digestif after the Christmas feast. NON-ALCOHOLIC If you have a mate who has opted to be dry, there's no reason not to treat them to the excellent non-alc options out there. Like Edenvale Wines, alcohol-removed wines are mindfully made to recreate the flavour profile of traditional alcoholic wines. We loved the GSM blend that tricked our unofficial drinks expert. For people who love the taste of beer but not the buzz, Heaps Normal is a crowd favourite, but Capital Brewing Co. is also pushing out some quality booze-free brews. And if you want to give them a selection, Beer Cartel has you covered with its cracking alcohol-free craft beer mixed pack. Top Images: Our Whisky Foundation Christina Kernohan, Liquor Loot.
As House of the Dragon's second season finale set up, big things are happening in Westeros. With fellow Game of Thrones prequel A Knight of the Seven Kingdoms dropping a sneak peek ahead of its 2025, big things are happening for the George RR Martin-created realm on-screen, too. Here comes some more big news related to the hugely popular page-to-TV fantasy franchise, which just keeps proving a hit for HBO: winter is coming to House of the Dragon, giving fans just two more seasons of its Targaryen feuds. In a press conference, House of the Dragon showrunner Ryan Condal has advised that as well as the already-announced third season of the show — which was greenlit before season two even aired — a fourth season is planned. After that, there'll be no more time with Rhaenyra Targaryen (Emma D'Arcy, Mothering Sunday), Alicent Hightower (Olivia Cooke, Slow Horses) and everyone else that's been squabbling over the Iron Throne since 2022. As both The Hollywood Reporter and Variety report, Condal also said that the third season of House of the Dragon is likely to go into production in early 2025, and span eight episodes as season two did. Why get viewers obsessing over one ending, given that season two just wrapped up on Monday, August 5, Down Under, when they can dig into two? That's where this information puts House of the Dragon aficionados. But while you start to come to terms with another stint in the Seven Kingdoms coming to its conclusion, your next Game of Thrones-related watch is already confirmed thanks to the aforementioned A Knight of the Seven Kingdoms. HBO has always been quick to lock in more House of the Dragon. It took a mere one episode when the series premiered for the US network to sign on for season two, after all. But after giving Game of Thrones eight seasons, it seems that HBO is now also quick to know when not to drag out a storyline, even for one of its massive shows. There's no details yet on when either season three or season four of House of the Dragon will bring back its flowing long blonde hair, carnage, fire, dragons, conflicting factions and fights for supremacy — including if it'll be in winter in Australia and New Zealand, as has proven the case for both season one and two. Game of Thrones was always going to spark spinoff shows. Indeed, when HBO started thinking about doing a prequel six years ago, before the OG smash had even finished its run, it was hardly surprising. And, when the US network kept adding ideas to its list — including a Jon Snow-focused series with Kit Harington (Eternals) reprising his famous role, novella series Tales of Dunk and Egg and an animated GoT show, to name just a few prequels and spinoffs that've been considered, but may or may not actually come to fruition — absolutely no one was astonished. So far, just House of the Dragon has reached screens, with A Knight of the Seven Kingdoms, the Dunk and Egg adaptation, arriving next. Check out the trailer for House of the Dragon season two below: House of the Dragon streams Down Under via Foxtel and Binge in Australia, and SoHo, Sky Go and Neon in New Zealand. Seasons three and four don't yet have release dates. Read our review of season one and our review of season two. Via Hollywood Reporter / Variety. Images: HBO.
Talk about a big hook: while shark movies and serial-killer films comprise their own unnerving genres, each swimming with ample must-see viewing, Dangerous Animals combines the pair into an entertaining thriller mashup. The Gold Coast-made and -set picture boasts marine predators aplenty. The real monster in the hierarchy, however, lives on land and is very much human. Indeed, in a post-Jaws world — June 2025 marks five decades since Steven Spielberg's blockbuster sparked many a permanent case of galeophobia — one of The Loved Ones and The Devil's Candy filmmaker Sean Byrne's aims with his third feature, and first in ten years, is to do justice to rather than villainise the feared toothy fish. His new antagonist: Tucker, Dangerous Animals' shark-obsessed murderer. The victim of an attack in his younger days, he's now in the cage-diving business. As viewers learn early on, tourists frequenting his boat to swim with the ocean's creatures get more than they bargained for. From Jai Courtney (American Primeval) in the part, the movie receives exactly what it needs, though: an unforgettably terrifying performance, bringing to life a figure that's charismatic from the outset, while equally unsettling from the get-go as well. Tucker charms his customers, but there's aways an edge to him. He's menacing and obsessive, and also believable and fleshed out — and a little vulnerable, too. When Dangerous Animals introduces American-in-Australia Zephyr (Hassie Harrison, Yellowstone), everyone watching knows that the dedicated surfer is bound to paddle into Tucker's orbit, even as the solo traveller is making a rare connection with local real-estate agent Moses (Josh Heuston, Heartbreak High). The screenplay by first-timer Nick Lepard obliges — but this isn't the type of film where foreseeing such a turn of events kills the tension and suspense. Although Tucker abducts Zephyr to indulge his sadistic shark-feeding ritual, she knows the true threat and isn't afraid to sink her own teeth into fighting back. An engaging big-screen experience results, as does a movie that earned a rare endorsement on its way to cinemas Down Under. At 2025's Cannes Film Festival, Dangerous Animals became the first shark film to ever grace the event's program. "To be the first shark film to be officially selected for Cannes was kind of mindblowing," Byrne tells Concrete Playground. "And to be in Directors' Fortnight as well, which traditionally is a very film-literate sidebar — but it was a great vote of confidence that, I think, the selection committee saw this as a subversion of the traditional shark film." [caption id="attachment_1009141" align="alignnone" width="1920"] Belinda Rolland © 2025.[/caption] "What I loved the most was, the Cannes experience, that was the first time that an audience had seen the finished film," Byrne continues. "So I was terrified. And because it is a very film-literate audience over there, I was thinking 'how are they going to perceive this?'. But they absolutely understood that this is just a fun, unhinged night at the movies, and really responded to that, and laughed and gasped. And we got a ten-minute standing ovation. So, yeah, it was incredibly gratifying. But to begin with I was petrified, because it was the first time that an audience had seen the finished film and on quite a big stage, so the stakes felt high." Playing Tucker, the stakes are raised for Courtney, too. It's a complex role — and one that Byrne has likened to Kathy Bates in Misery, Jack Nicholson in The Shining and Christian Bale in American Psycho. The Australian actor, making his second homegrown flick in succession after the immensely different, family-friendly Runt, hasn't shied away from playing the bad guy across his career so far. Here, the IRL true-crime fan was excited about the many layers to his Dangerous Animals part, as he adds to an on-screen resume that began two decades back in short Boys Grammar — and has spanned the likes of Jack Reacher, A Good Day to Die Hard, Terminator Genisys, the Divergent movies and two Suicide Squad entries in Hollywood. Is a willingness to get dark behind the range of antagonistic parts to Courtney's name? "I think it's just something that's started to happen. You find things that are in your wheelhouse," he advises. "And I'm not afraid of that or necessarily in search of it, either. It's just that, I guess, things that tend to be the stuff that come my way, that meet up with where my interests are, happen to be that way. But the goal for me is just to try and shake it up whenever I can. And fortunately films like Runt come along and I get to play a loving father of two, and completely depart from this world whatsoever. As long as I pepper a few of those in here and there, hopefully I'm not pigeonholed too heavily." A premise like Dangerous Animals' is a rarity, no matter how common both shark and serial-killer fare are separately. Yes, for both Byrne and Courtney, that's a drawcard. Respecting the film's sea-dwelling creatures, complete with using real animal footage as much as possible, was another key element for its director. So was the fact that this is as much a movie about the importance of love, and the power that someone believing in you can give. For its star, Tucker's dance sequence to Steve Wright's 'Evie' wasn't a motivating factor — but it's one of the film's most-memorable moments in a flick filled with them. We also chatted with Byrne and Courtney about the above, unpacking Australian larrikins and ideas around Aussie masculinity, how starring in a shark picture leaves you feeling about them and their career journeys as well, among other subjects. On the First Reaction When a Horror Movie About a Shark-Obsessed Serial Killer Stalking the Gold Coast — and About Man Being the Real Monster, Too — Comes Your Way Jai: "I think I read something that felt really original. It was a great story and had really strong characters at the centre of it, which is a sort of immediate way in — because I think with something like this, you get a loose logline before you're about to crack it open and it's like 'okay, it could go either way'. But Nick Lepard, who wrote our script, had really done a lot of work in giving these characters maybe a bit more depth than you'd come to expect from a film of this nature. And I think that's what made it a bit of a unique experience, and certainly made it appealing to me to want to get involved with. I think Tucker, he's so much more than the shark-obsessed serial killer. And we don't get to explore tons of his backstory, but there is a lot of colour to him, and I think seeing a chance to bring all that to life with this undertone of his morally ambiguous intentions was what really attracted me to it. And then, just speaking to Sean and kind of getting on common ground as far as what we thought was necessary for him. I didn't want this character to feel like a broad-strokes-washed-over-evil-intentions guy. If that was the movie he was trying to make, I don't think I would have been there. But I think we both wanted him to feel like there was a sort of deception there. And it had to feel fun. I wanted it to feel familiar and uniquely Australian, but also the genre speaks to the world, and we play into all the classic tropes that you might expect. It also does a good job of not taking yourself too seriously. There's a few winks to the audience in this film, where I think if you get onboard — it's why it's so important to see it with an audience, too, I really believe, because there's an energy to it that when you're sharing the space with others who are on the same ride, it becomes really palpable." Sean: "I tend to write my own scripts, much to the frustration of my agent and manager. And then this crossed my desk, and immediately I was just struck by the high-concept of serial killer film meets shark film. And I thought 'why hasn't anyone done this?', especially when you had the fact that this is the first shark film where the sharks aren't really the antagonist — man is. So I felt like Nick Lepard had actually kind of cracked the code. Because, Jaws masterpiece though it is, has done such a disservice to the sharks, where the same formula has been followed over and over again to the point that sharks are beginning to become an endangered species — because it was so culturally seismic. And so to get this shark film that was unlike any other shark film, but also had a conservation angle — but on top of that, was just a wild, fun night at the movies — it was just irresistible.' On Exploring Tucker's Layers — Including His Childhood Shark Attack and the Physical Scars It Left, Plus the Trauma, Vulnerability and Emotional Damage — All While He Remains a Shark-Obsessed Serial Killer Jai: "You just have to find the quiet moments and allow them to be there without trying to sell it too hard. The camera is an interesting thing, because it sees things that are saved for the audience for later. It's not like on set — you can't kind of like sell it all for the people that are in the room. And I think Tucker, there's an opportunity with him sometimes — where even just his response to certain comments made by Zephyr, or questions he's asked by Heather [Ella Newton, Girl at the Window] in the start of the film, there's things that can be quite potent. I just wanted to find opportunities with him to reveal a bit of his tenderness. And I think that's the thing that, for me, was like the gateway into figuring out who he was — is like this wound. We don't get to hear a lot about it in the film. There's one moment that sort of touches on it. But there's a bit of arrested development. He's stuck in a place where he was abandoned as a kid, and this somewhat otherworldly encounter touched him, and that's by way of being victim of an attack. But it almost made him feel chosen in a way. And so a lot of that is really just figuring out the path for yourself, where you're going 'alright, here's this bloke who's got this gaping wound in him, this trauma, but feels this immense connection to the animal'. All of that is just sort of say that he's found a crusade for himself that feels real. And it might be misguided, but he has a true belief in it. And so there you have the building blocks of who he might be, and then the fun part is stacking on the colourful bits on top. Even just costume and makeup and finding his look, finding the shape of his body — I mean, that for me, it's all part of building who Tucker is, and I wanted him to feel like a real salty, kind of born-out-of-the-marina, familiar Australian figure." On Courtney's Chance to Turn in a Horror Performance That Aims to Be as Memorable as Kathy Bates in Misery and Jack Nicholson in The Shining Jai: "Oh no, I didn't really approach it with any of that in mind. I just approached it with a goal to just do something that was dynamic and big, and get to explore all the corners of this human, really. And I think Sean and I were onboard with each other, and there was an immediate trust. And I think he let me — I was kind of like 'you help me with the temperature, and the volume of where we're pulling moments up and down and in and out, and I'll take care of sending it as hard as I think it needs to'. I mean, the material is there. But that stuff is a blueprint, it's not prescriptive. Every actor is going to come and do that with their own instincts. I saw a version of it in my head when I first read it, and I felt like that was the version that would work for the film. And fortunately I was given the chance to do it, and I'm proud with what we came up with." Sean: "I think any kind of horror film that stands the test of time, the antagonist haunts the audience's nightmares well after they've left the cinema. But I wanted it to be a great time as well. You think of Hannibal Lecter, and as disturbing as he is, he's fun. And Kathy Bates in particular, that character is just so wonderfully goofy, and she doesn't swear. And there's a certain theatricality to antagonists in commercial horror films, and we really wanted to aim for that and keep it fun. But also, the great thing about Jai is he's such a great character actor. I knew he would bring emotional nuance to the character where it was required — and capture the broken child inside the man, and point to this shark attack that he'd had as a child and capture all that. But also, he was also Captain Boomerang. He's got this wild charisma that reminded me of kind of Eric Bana in Chopper. And that's how the spider catches the fly, with charisma and letting tourists, they let their guard down. And finally, he's physically really intimidating and genuine — he could kill you with one punch. So I just thought combining the charisma with the kind of character actor that he is and the physical intimidation would be a really electric mix, to the point that I thought that this was the role that he was born to play. And so I was so thankful that we got him." On What Goes Into a Good Dance Sequence for Courtney, Given That He's in Quite the Unforgettable One in Dangerous Animals Jai: "God, I couldn't even tell you. I was daunted by that whole thing, because I'm by no means a dancer and it should never be filmed when I'm dancing. But we knew what it wanted to feel like. It's completely unchoreographed and just improvised. Tucker's kind of having this wrap party for his own little film that he's made, and it's a private look at this person in a light that we don't really get to spend a lot of time with them outside of that moment in the film. That needle drop of 'Evie' was written into the script. I know that song very well. I could already see it and hear and feel it. And I didn't plan any of it. I just had to go in, get in that mindset that he's in that night and just go for it. I think we did it in two takes. We did one, and we just ran it again from a different angle, and it was just me and Shelly [Farthing-Dawe, In Vitro], our cinematographer, with a handheld camera in the space. It was kind of like 'what we get is what we get'. And fortunately it turned out to be something really fun." On Unpacking Australian Larrikins and Ideas Around Aussie Masculinity Through Tucker Sean: "I think we've all had that kind of tour-guide experience. It doesn't necessarily need to be a shark-diving boat, but we're always in the hands of the tour guide. So yeah, there was that, but also he's almost an outdated representation of the kind of masculinity or toxic masculinity that I think the film works as a Trojan horse to say that this is something that needs to be kind of defeated. And Moses, in many ways, is the anti-Tucker. But I think it's inherent in the title. It's called Dangerous Animals. He is definitely more dangerous than what's in the water. But ultimately, I think Zephyr is the most-dangerous animal — and the allegory is she needs to defeat this. This is something that needs to be defeated. His philosophy needs to be destroyed." On Whether Being a True-Crime Fan Helps When You're Portraying a Serial Killer Jai: "I think so. I think I leant on my curiosity for people that are capable of things that we can't quite understand. And yeah, I do just have a fascination with it. It's one of those things where I think it's easy to judge that and feel like for some reason you're excusing these behaviours, or we're glorifying it or whatever — but I don't know, I've just always been fascinated by how close we might get to people that are capable of these crazy things without even knowing it. And that's interesting to me. You know, you don't really know who you're sitting next to on the bus or in a pub or whatever, and for some reason that doesn't terrify me — it intrigues me. There's not a story you could tell me that's too dark. I'm kind of here for it in a strange way. So yeah, I guess it led me in a little bit. But even with Tucker, the experience of shooting it, there were moments that hit a limit. There's a night we had where Ella Newton, who plays Heather, is strung up in the harness over the open water in the middle of the night, screaming for her life — and everyone was squirming, honestly, after a few minutes. We were all kind of, the whole crew, myself included, we're just like 'can we make this stop? This is too much'. And it's a testament to her performance and what she was giving it. But yeah, when your disbelief is suspended somewhat, even as a performer, you know you're stepping into wild territory." On the Importance of This Being Not Just a Killer Shark Flick and a Serial-Killer Movie, But Also a Survivalist Thriller, Plus a Film About Love and Finding Someone Who Helps You Believe in Yourself Sean: "Oh absolutely. I'm so glad you said that, because I think that's almost a central theme — that it's about love, or the difference that love can make in a life, and what an absence of love can do to a person as well. And I think it's this collision course between these two broken people that have had to learn to survive on their own, which actually sharks do. They're birthed in the shallows, and then they're left on their own to survive. So in many ways, Zephyr and Tucker know each other better than anyone else on the planet does — in a similar way to De Niro and Pacino doing Heat. Even though they're opposites and they're trying to kill each other, it's like, well, they actually understand each other as well. I think ultimately, Zephyr uses the ocean to ease her loneliness, and she uses it in a way that's about solace — whereas Tucker takes advantage of the ocean, ultimately, and it comes back to bite him." On How Making a Film About Sharks — Even When They're Not the Villain of the Movie — Leaves You Feeling About Them Afterwards Jai: "Sharks are scary. Let's get one thing straight, right: I don't think anyone's not scared of sharks. Maybe there are people out there that have a completely different affinity with them, but I don't need to come closer than anyone should. I would love to cage dive with whites. I've been in a tank, in a cage with some sharks, but they weren't exactly maneaters, so, you know, I wasn't in fear of my life. But there's something so incredible and mythical about giant beasts that could consume humans, that I think it's rare — that's sort of a rare quality on this earth. You think of big cats and maybe bears, and other than that, there's things that will kind of poison you. But sharks are a very unique threat, and they live in a world that we really can't get too close to or understand. So I think there's always going to be this quality to that that keeps people in fear. But they're beautiful. And nature is beautiful. And it's just the nature things. There's a line in the movie about it not being the shark's fault, Tucker references his own, being the victim of his own attack, and yeah, that is the case — it isn't." On How Crucial It Was to Use Real Shark Footage, Including to Dispel the Notion That They're Villainous Creatures Sean: "I feel like shark films recently have become so reliant on CGI, just because you can have lots of them in the shot. And they tend to be super sleek and more like a video game. But since Jaws, there's been so much overfishing of sharks. And they carry scars the same way that we do. And so I wanted to present them in a kind of documentary, real light — because our scars as humans are a big part of our personality. So I wanted to depict that with the sharks and show them as the majestic creatures that they truly are. And the only way to do that is treat them with the respect and show them for real. So 80 percent of the sharks that you see are real. Everything underwater is real. It's all taken from 4K footage that our shark researcher sourced to match storyboards and photographic references. The only CG is the fins above the water, because it's pretty much impossible to cover the intricate shark blocking with real shark fins. And all the shark photography really happens underwater because no one ever captures fins. So that was a necessity. But yeah, it just felt like I hadn't seen that in a shark film for such a long time, just real sharks in their element and appreciating them in all their beauty." [caption id="attachment_804997" align="alignnone" width="1920"] The Suicide Squad[/caption] On How Courtney's Franchise Experience in Everything From Die Hard and Terminator Flicks to the Divergent Series, Jack Reacher and Suicide Squad Helps on a Film Like Dangerous Animals Jai: "Filmmaking is weirdly all the same. Your experience of it might change because the budget is different, but that's really not — you're just telling different stories. It doesn't really get better or worse. Maybe some people wouldn't like to work on a film of this size and give up a few basic luxuries, but that doesn't really — having more money to spend on screen doesn't make something more fulfilling to make. Sometimes it's just the bare-bones stuff where the story is as good as it gets and the character's really well rounded out and you're working with a phenomenal director, and it can be a really contained drama, but it's just as alive to shoot because of what we do as storytellers, as people that play dress ups. And it's all make believe. It's nice to put a big costume on sometimes and jump around on huge stunt rigs, and get to be involved with epic crash sequences or whatever. It's a lot of fun. But I enjoy the intimate, small stuff just as much. I guess I'm fortunate to be able to shake it up and operate in many different spaces." On What It Means to Courtney to Be Able to Come Home and Make Films That Are as Diverse as Runt and Dangerous Animals Jai: "It's everything. I hope that never ever ends. Australia's such a great place to work. I love the crews there. I've been fortunate to be part of some really special films — and I don't think it'll ever change. As long as we keep telling stories, I'll keep wanting to be involved." On Byrne's Journey From The Loved Ones Through The Devil's Candy to Dangerous Animals Sean: "I think it's probably a perception out there that if you do something that a lot of people end up seeing and gets some kind of cult status, that there's going to be money on tap. And the unfortunate reality is if you write original films about humans hunting other humans, they're not that easy to get off the ground. That's why there's more supernatural films than there are serial-killer films, because it's easier to blame the devil. In fact, I kind of had to do that in The Devil's Candy to get the money. So I've written constantly in the years between The Loved Ones and The Devil's Candy, and The Devil's Candy and Dangerous Animals, and optioned all of my scripts. But then Hollywood is so risk-averse, that that's why they want something that can mitigate the risk and justify their decision. Hence it's got to be either IP-driven or a sequel, or kind of supernatural — and that's why I was so thrilled when this crossed my desk. I had another film that was a lower budget that actually got the money at the same time as Dangerous Animals. So after all that time, it was like an embarrassment of riches. But Dangerous Animals felt the most-commercial choice, just because it's a shark film that has a very loyal following, plus it's a serial- killer film. And I was really happy to have that safety net that I could explore the extreme nature of man, but have the loyal shark fans to hold it up." On How Courtney Sees His Path From His First Screen Acting Role Two Decades Back, Through Huge Hollywood Franchises, Comedies, Local Fare and Much In-Between Jai: "I don't know. I'm still figuring it out, I think. Just trying to stay engaged with the material that I'm choosing nowadays. I'm a big believer in it all being part of the story, and there's some elements of that that you can control and a lot you have none over. So, I don't know, man. It gets tough out there. I'm just really grateful to get to do this for a living. There's nothing else I would be doing or ever will. [caption id="attachment_884171" align="alignnone" width="1920"] Kaleidoscope. Cr. Courtesy of Netflix © 2022.[/caption] And I really am in touch with that gratitude when I'm working. It's a real pleasure to get to do this. So I'm just trucking along, trying to keep growing as an artist — and try to hopefully do stuff that I'm thrilled to roll out of bed and get to involve myself in." Dangerous Animals opened in cinemas Down Under on Thursday, June 12, 2025.
Forget socks and jocks this holiday season. This year it's all about experiences. So why not give the gift of local travel and send your friends and family on an enviable journey that sets them up for a stellar 2022? Plus, you'll be helping Australia's tourism industry get back on its feet. It's a win-win. If you know someone who's itching to reunite with big adventure travel experiences, you can stock up on multi-day hike vouchers or surprise them with a whale shark swimming adventure. In partnership with Tourism Australia, we've pulled together a list of thrilling experiences to help you pick the perfect present for the adrenaline seeker in your life.
Got some old vintage lying around? Stop, drop and SWOP it. This West End clothing exchange is here to encourage unique and original sustainable fashion. The store is a hive for finding that one-off piece your wardrobe simply needs. Buyers are big on inclusivity as well as promoting anti-waste, so most of the clothing you'll find is affordable, and there tends to be plenty of options for all body types. Plus, the racks are sorted into colour-coded sections, so you'll be able to sort through a rainbow of clothes when choosing your next preloved selection.
If you're looking for the shindig to end all shindigs this weekend, don't just head to the Valley — hop aboard the Hogwarts Express. Or pretend to, complete with all the Harry Potter costumes such a journey needs. To mark twenty years of enchantment, the Brightside is once again celebrating a certain boy wizard, his wondrous world, and the books and films that defined many a childhood. Of course, their latest Harry Potter Party is a grown-up affair as always, complete with freshly brewed Butterbeer and boozy polyjuice potion. Plus, apart from drinking and dressing up — which everyone does, so consider yourself warned — there's plenty of other potty party fun to be had. Dance to the resident Slytherin DJs, find out whether the sorting hat thinks you're a Gryffindor or a Hufflepuff, grab a free house badge and wand, don a deathly hallows tattoo, munch on Honeydukes candy and just generally magic the night away. Tickets cost $10 for general shenanigans from 8.30pm, or $15 if you'd like to outwizard other HP fans over a round of trivia from 7pm.
While the Sunshine Coast might be best-known for its world-class coastline and truly magnificent beaches, there's plenty to explore inland in this part of Queensland. And the charming town of Montville is the perfect base from which to set off on outdoor adventures in the subtropics. In fact, Montville might be one of the quaintest spots you'll find on the Sunshine Coast. Located on the Blackall Range, the town used to be known by the admittedly cooler name Razorback, but was changed following, of all things, a town meeting. Nevertheless, the picturesque hamlet is a superb spot for your next out-of-town escape. The town itself is home to great restaurants, cafes, boutiques and galleries, and it's on the doorstep of impressive scenic walks and swimming holes. Where to start? We've teamed up with Wild Turkey to put together a list of our favourite ways to enjoy the great outdoors in and around Montville. UPDATE: Due to damage from recent extreme weather in southeast Queensland, some places mentioned may be closed or operating differently. Check websites for the latest updates before visiting. [caption id="attachment_843812" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] EXPLORE THE KONDALILLA NATIONAL PARK Montville is perhaps best known for its close proximity to the idyllic Kondalilla National Park. One of the best ways to take in the epic scenery here is via the Kondalilla Falls Circuit. The slightly challenging but rewarding four-kilometre walking trail takes you from the eponymous waterfall through a verdant valley of lush, green rainforest to a cool rockpool at the top of the falls, before leading to the bottom of the valley where you'll get the best view of the falls. The walk back up is a little tough, but you'll be rewarded with encounters with stunning native flora like bunya pines, piccabeen palms and pink ash. [caption id="attachment_843814" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] SPEND A NIGHT IN THE SUNSHINE COAST HINTERLAND While there are plenty of cute Airbnbs and hinterland cottages in this part of the Sunshine Coast, the region is also perfect for camping. Located along the Sunshine Coast Hinterland Great Walk is the Flaxton walker's camp, which offers a series of campsites peppered through a towering eucalypt and ash forest with a ferny undergrowth. The site is only accessible via a 16-kilometre walk, but we assure you it's worth the effort — you'll be rewarded with truly majestic surroundings and be woken by birdsong as the sun rises. If you fancy bringing the 4WD, the nearby Hunchy Hills Bush Camp is situated on a former banana and pineapple plantation less than five minutes' drive from the centre of Montville. It offers a superbly secluded setting, with each of the three sites boasting a fire pit and log seats. [caption id="attachment_844583" align="alignnone" width="1920"] Elliott Kramer[/caption] SWIM, KAYAK OR PICNIC AT THE BAROON POCKET DAM The Sunshine Coast may well be an area synonymous with stunning beaches, but you'll be pleasantly surprised to know it also boasts some beautiful inland waters as well. Enter Baroon Pocket Dam, a picturesque lake located between Montville and the nearby town of Maleny that offers beautiful picnic grounds, swimming, fishing, as well as plenty of local wildlife. We'd recommend renting a kayak for a few hours to explore the lake and its many surrounding tributaries. [caption id="attachment_843815" align="alignnone" width="1920"] Garry Zhuang (Unsplash)[/caption] GO-KART ON AUSTRALIA'S LARGEST COMMERCIAL TRACK Okay, maybe you're a bit over bushwalking by this point, so you'll be stoked to know that the oh-so-nearby town of Landsborough is home to the largest commercial go-kart track in Australia. Whether you're an adrenaline junkie, looking for something to keep the moody teenager in the family distracted, or just keen for a revvin' good time, the aptly titled Big Kart Track is sure to be a hit. The 1.2-kilometre track includes a series of wide looped turns as well as some serious hairpins, which you can take on in a cart capable of reaching speeds of up to 70 kilometres per hour. The track is open seven days a week for you to live out your Formula One dreams, at much more manageable speeds. Nighttime and wet-weather sessions are also on offer for more experienced drivers. [caption id="attachment_843813" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] EXPLORE THE MARY CAIRNCROSS SCENIC RESERVE Back to walking again, but that's only because there are just so many awesome places to check out while you make those steps count. The stunning Mary Cairncross Scenic Reserve is as scenic as its name suggests and is home to 55 hectares of subtropical rainforest overlooking the beautiful landscape of the Glass House Mountains. The reserve boasts a number of leisurely walking trails and guided tours that'll get you up close with the enchanting surrounds, while the Rainforest Discovery Centre is where you can learn about the diverse life that makes up the ecosystem of this beautiful forest via a bunch of cool multisensory educational exhibits. While you're out and about, keep your eyes peeled for local birdlife — the park plays host to nearly 150 different species. GO LUXURY CAMPING AND SLEEP UNDER THE STARS You've probably heard of glamping, but Starry Nights Luxury Camping takes things to a whole other level. Situated in the bucolic hinterland by the waters of the gently flowing Petrie Creek, these lush grounds host handmade tents spanning 75 square metres, each set on a raised platform of polished recycled barn floor wood. Inside there are hand-carved stone basins, a roaring fireplace, hot running water for both showers and opulent baths in the claw-footed tub, a fully stocked kitchenette, flushing toilets and king-sized beds with organic linen. Settle in among the eucalypts and rolling hills and take in a decadent evening under the stars. Find out more about Wild Turkey's Discovery Series at the website. Top image: Tourism and Events Queensland
When your nine-to-five plays out like a well-oiled machine, it can sometimes feel like each week is a little same-same. But Brisbane is brimming with a fine bounty of things to experience and explore each and every day. So aside from casual laziness and a little lack of inspiration, there's really nothing stopping you from squeezing some adventure and spontaneity into your schedule. We've teamed up with Mazda3 to help you celebrate the little things that bring a sense of adventure to life. Shake things up, as we give you seven different detours to take each week in Brisbane. From Monday to Sunday, enrich your everyday with one completely achievable activity that inspires you to take the scenic route as you go about your daily routine. This week, sneak in a lunchtime gallery visit, take a tour of a Buddhist temple and hit up a free comedy show. Plus, we've got your future detours sorted for the new few weeks here. All require no more effort than a tiny break from the norm — what's your excuse for not trying them all?
According to the great Aussie poet Henry Lawson, "Beer makes you feel the way you ought to feel without beer." Maybe our national penchant for a good brew began with his outback wanderings. It's hard to say. But what we do know is that nothing cuts through the heat quite like a cold, tasty drop. And with the rise and rise of more complex flavours and creative approaches across Australia, our options are only getting tastier. No longer do our 'beer events' comprise of hanging around in a muddy paddock knocking back a VB or ten. Every year, dozens of annual events pay homage to beer in all kinds of inspired ways, from epic city-consuming festivals to quirky one-offs focusing on a particular pastime (like building boats out of beer cans). Here's your handpicked guide to the most fun events and the finest froth in the next 12 months. SYDNEY CRAFT BEER WEEK Sydney Craft Beer Week entered its fourth incarnation in 2014. For a relatively new event, it's made up some serious ground in a short time, with 100 events held over nine days across 50 venues. Headline parties included all-day/all-night 'Sip and Savour' sessions, where more than 250 beers and ciders were sampled under one roof (that'd be the only roof big enough Sydney, the one belonging to Carriageworks); the James Squire Open Day, which saw beer fans pack into their beloved Malt Shovel Brewery in Camperdown; and a mega closing party hosted by The Rocks Brewery and Bar, where the brewing gets done by sixth generation descendants of convicts. MELBOURNE GOOD BEER WEEK Melbourne Good Beer Week is similarly youthful. First held in 2011, it proved so impressive that numbers doubled in 2012. That is some upward swing. And it isn't merely the punters who are into it. Visiting brewer Brendan Moylan, who hails from California's renowned Moylan's Brewery, described 2012's event as "the best, most professional and most diverse" beer festival he'd ever been to. Diverse is definitely the word. In 2014, more than 200 happenings popped up on surfboards, in vintage trains, in three-hatted restaurants and in local pubs. Melbourne Good Beer Week 2015 is set for May 16-24. WA BEER WEEK In contrast to its East Coast counterparts, WA Beer Week has the distinction of being Australia's oldest week-long beer celebration, which is rather fitting given that Australia's very first craft brewers set up in Fremantle. The event turned 13 in 2014, with more than 60 events held between October 25 and November 2. Craft beer aficionados planed, trained and automobiled their way west to partake in beer degustations, open brew days and behind-the-scenes tours and taste brand new releases. TASMANIAN BEERFEST At Tassie Beerfest, you get to do your sampling in a beer garden edged by 150 metres of water frontage. As the organisers will tell you, that's about the length of 2,500 stubbies lined up. What started as a boutique bender back in 2005 is now one of the biggest beer festivals in the nation. For one weekend in mid-November, at Hobart's Princes Wharf No. 1, Tasmania's best micro- and macro-breweries go head to head with beers from all over the planet. You can expect more than 300 brews and 12,000 people. If you're feeling a touch nostalgic for the festival's more intimate days, check out the Tasmanian Micro Brew Fest, a separate, one-day event that's all about keeping things local. QUEENSLAND BEER WEEK As of 2012, there's been yet another reason to head north while the cold is still holding on down south. Queensland Beer Week makes its presence felt all over the state, from the New South Wales border to the tropics of the Far North. So, in between spotting humpbacks, catching waves and dodging stingers, you can check out the latest in Queensland brewing, wherever you are. Events include masterclasses, new releases, degustations, talks and tastings. BITTER AND TWISTED INTERNATIONAL BOUTIQUE BEER FESTIVAL The Bitter and Twisted International Boutique Beer Festival is every bit about letting out your inner quirk as it is about the 100 or so brews on offer. It's highly likely that the setting has quite a bit to do with it. The event takes over the eerie confines of NSW's Maitland Gaol, which was a maximum security jail up until 1998. There's a foodie element too, with dishes from all four corners of the planet and a cracking live music program. Last year saw performances from The Griswolds, Jebediah, James Bennett and Morgan Joanel, among others. The Bitter and Twisted International Boutique Beer Festival happens on the first weekend in November. THE AUSTRALIAN BEER FESTIVAL Held on one weekend in October (during Oktoberfest), the Australian Beer Festival traditionally sees at least two streets in The Rocks road-blocked to make way for carousers. All the action centres around the Australian Hotel, one of craft brewing's spiritual homes in Sydney, and all the beers on offer are created right here, down under. The program includes live music, blind tastings, 'Meet the Maker' sessions and, for those who reckon their home brew has got what it takes, a chance to dominate in the Home Brewing Championships. THE GREAT AUSTRALASIAN BEER SPECTAPULAR The Great Australasian Beer Spectapular is given a bit of an edge by the fact that breweries in Australia and around the world cook up new beverages especially for the event, including James Squire and Little Creatures. That's right, you'll be testing some flavours that haven't been experienced anywhere else, ever. Plus there's a massive array of extracurricular activities. The last event included paddle art, paddle races (with five full cups on board), table tennis, giant Jenga, cornhole, roaming musicians and a gourmet food market. Spectapular 2015 will be held in two states: May 22-24, at Melbourne's Royal Exhibition Building, and May 30 at Sydney's Exhibition Hall, Australian Technology Park. GEELONG BEER FESTIVAL For the next Geelong Great Australian Beer Festival, to be held February 21, 2015, at Geelong Racecourse, you're invited to dress as none other than the elusive Where's Wally. Or as your favourite superhero. Anything a bit bold and out-of-the-ordinary. The one-day shindig matches 200+ craft beers and ciders with a good dose of local colour. There's a home brewing competition, a beertography photo contest and a bunch of live acts, including roving entertainers, stand-up comedians, cabaret performers and live bands. DARWIN BEER CAN REGATTA No event screams Australia quite like the Darwin Beer Can Regatta. Since 1974, people have been turning up at Darwin's Mindil Beach in their thousands to cheer it on. To enter, you have to create your very own water-going vessel — out of beer cans. (You can add a milk carton or two to the mix, if drinking enough tinnies to get your boat afloat proves too challenging). The only catch is that you're absolutely not allowed to test for sea-worthiness before the day. After all, the whole reason people turn up is to watch your boat slowly disintegrate with you in it. Oh, and there's also a coda, in the form of a thong-throwing competition. The next Darwin Beer Can Regatta is scheduled for July 12, 2015.
Double chocolate, salted caramel, peanut butter. Leave your green smoothies at the door and treat yourself to one of Brisbane's dense blocks of deliciously decadent dessert. One of the most simultaneously indulgent and stripped-back of the baked good family, the humble brownie has been celebrated by Brisbane institutions in many a mouthwatering form. From heart-shaped morsels to the forgotten sister of the brownie, the Blondie, Brisbane knows its way around the sweet rectangular crowdpleaser. Popping up in the glass cabinets of Jocelyn’s Provisions, the degustations of Bacchus and farmers markets of Jan Power, the mighty brownie has a special place in Brisbanite hearts. Now arrange a coffee date and get amongst Brisbane's best brownies, it's high time you treated yourself. Flour and Chocolate Flour and Chocolate are a Brisbane institution when it comes to all things baked, so it should come as no surprise that they whip up a darn good brownie. Make your way to Morningside on a Friday and experience the beauty of brownie day. Double chocolate and salted caramel are the store's staple flavours but monthly specials like peanut butter are pretty hard to say no to. While some varieties are flourless, all of them are absolutely straight-up delicious. Brownie budget: $5 Jocelyn's Provisions It's near impossible to talk baked goods in Brisbane without mentioning Jocelyn’s Provisions. At Jocelyn's, the often forgotten sister of the brownie — the Blondie — is given a chance to shine. A rich and chewy texture, abound with chunks of white chocolate and macadamia nuts should be reason enough for you think twice before judging the lack of cocoa. A classic fudge brownie and alternatives like pecan and chocolate are also available. Brownie budget: $5.70 Dello Mano Dello Mano's reputation precedes them after being named favourite brownie by Oprah Winfrey and Ashton Kutcher. And boy oh boy, do they live up to the hype. At $5.50 a pop, the saying 'good things come in small packages' could not ring more true. After carefully selecting your flavour from the fridge, do yourself a favour and wait until your brownie drops to room temperature before eating, in order to experience its true wonderment. For those poor souls who don’t live in Brisbane or can’t get to the Teneriffe bricks and mortar store and café, you’ll be please to know you can order the luxury brownies online in either a 9 or 16-piece gift box and spoil someone special (or yourself). Brownie budget: $5.50 I Heart Brownies Found exclusively at Jan Power’s Farmers Markets, selected cafes in Brisbane and available for ordering online, I Heart Brownies are like little chocolate hugs. Heart-shaped and dusted with icing sugar, these babies are gluten free and available in a variety of sugar-filled flavours. We hearted Classic Chocolate and Delightfully Turkish. Top notch. Brownie budget: $4 Malt Malt Dining prove there's always space on a menu for a great brownie, even in fine dining. The Attic present the Malt Brownie with salted caramel, chocolate textures and peanut brittle. Two pieces of dense, fudgy brownie are delicately sandwiched together with a creamy vanilla bean ice cream. Brownie budget: $15 Moo Moo: The Wine Bar and Grill Although Moo Moo might be known for their steaks, be sure to leave room for their hot fudge sundae — featuring our baked star. Cooked to order and plated with ice cream, chocolate fudge sauce, chewy honeycomb and fresh flowers, this one is a feast for your eyes and your stomach. The brownie is warm and cake-like, soaking up the chocolate fudge sauce and making for an extremely decadent end to an evening. Brownie budget: $19 Kokopod Salted caramel. Peanut butter. Raspberry. They're brownies, but not as you've had them before. We got our hands on the heart-shaped sweet raspberry and peanut butter kind, and raspberry took the cake — but only just. Popping up at the Carseldine Markets, the mastermind behind Kokopod, Brigid, is a professionally-trained chocolatier and only uses fair trade Swiss chocolate. The proof of quality lies in the brownie. Brownie budget: $4 The Bakers Arms While not technically a brownie, the salted caramel and popcorn hedgehog from The Bakers Arms deserves an honorable mention. A fudgy textured hedgehog with generous chunks of biscuity goodness is crowned by sticky salted caramel popcorn that will leave cavities in your molars and a smile on your face all day long. Brownie Budget: $5 Chester Street Bakery and Bar Chester Street has seen a myriad of brownies adorn its beloved glass cabinet. The current offering is a rich, classic chocolate brownie smeared with white chocolate ganache. Just like yin and yang, the opposing chocolate forces compliment magically and bring harmony to the universe. Brownie budget: $5 Bacchus This one comes with a catch: four other dessert degustation courses. Oh. Yeah. It might look like a work of art, but that won't stop you eating the brownie at Bacchus. The most decadent of them all, not in sweet richness but in the gold foil and culinary skill involved, the dessert is served up as course two of five in the venue's dessert degustation. The brownie is perfect in texture and served with Frangelico ice cream and a tempered chocolate cylinder lined with hazelnut crumb and filled with hazelnut mousse. Brownie budget: $49 (Bacchus degustation)
They're super compact and slimline enough to be stashed into even the most petite of purses, but memobottle's reusable, flat water bottles have achieved some very big things with their latest Kickstarter campaign, achieving full funding in a record-busting nine hours. The Aussie company first launched back in 2014 in an effort to help kick single-use plastic bottles to the curb, with co-founders Jonathan Byrt and Jesse Leeworthy taking to the crowdfunding platform to introduce and fund their two original, easy-to-carry, rectangular designs. Three years on, the pair have now unveiled their long-awaited second range, memobottle H2.0, completely blitzing their Kickstarter campaign in the process. The latest of these minimal designs include The Slim, which holds 450mL, and the extra petite A7, which can carry 180mL while taking up even less bag space than your phone. Admittedly, the bottles don't hold a heap of water, but they will get you through meetings or the journey from home to work. For anyone who's big on accessorising, there's also a range of interchangeable lids in copper and matte black, as well as copper desk stands and fitted leather bottle sleeves crafted by Aussie label Kinnon. The Kickstarter campaign for memobottle H2.0 is live until September 24, with one percent of all pledges donated to water.org. Jump on board to reduce your use of plastic, add to your minimalist aesthetic and help memobottle reach its goal of halving single-use bottle consumption by the year 2020. memobottle H2.0 is now being funded on Kickstarter. You can find more info and back the project here.
Not in love with love? Lacking adoration for public displays of affection? Feeling less roses and hearts, and more thorns and sadness? For anyone whose life can't be summed up by a greeting card, Valentine's Day can have that effect. We've all been dumped at least once. We've all nursed a broken heart. We've all cursed the annual February celebration of buying overpriced flowers and chocolate. Now, at The Brightside on February 18, we can all enjoy the antidote to this much-too-romantic time of the year. At The Break Up Party, songs that everyone commits to heart when their relationship heads to quitsville is on the playlist. Yes, it's going to be oh-so-cathartic. If you're flying solo, it's the anti-love party you've been waiting for. If you're attached but can't abide the sickly sweet side of things, it is too. Granola Boy, New Age Notion and Sleepwell will provide the tunes — epic break up songs, of course — and bucket cocktails will help get you in the mood.
Natalie Portman doesn’t. Neither does Pamela Anderson, Bill Clinton or Ellen Degeneres. That’s right, none of these people eat animals. We’re always hearing about how going vegetarian or vegan can have health benefits, but what will it do to your social life? We’ve pulled together five of the best vegetarian and vegan restaurants and cafes in Brisbane to negate that last fear. Vege Rama For a CBD lunch option that’s 100% free of animal products, you can’t go past Vegerama. There’s a range of hot foods including soups, curries, enchiladas and lasagna; a salad cabinet brimming with fresh veggie combinations; and even some raw desserts, so you’re covered no matter what you’re craving. Don’t ask us how they do it, but nothing served at this place is short of absolutely delicious. Shop 30 Post Office Square 270-280 Queen Street, Brisbane City; Level E Myer Centre 91 Queen Street, Brisbane City Botanica Botanica has been making friends with salad since early 2013. Stepping slightly away from the CBD, Botanica flies the vegetarian flag for Red Hill. Appearing on ‘best of’ lists all over the place and famed for its flavour-packed salads, the menu is also vegan-friendly and offers a range of mouthwatering, gluten free desserts. Shop 9 1 Enoggera Terrace, Red Hill Banana Lounge Having only opened this year, The Banana Lounge has hooked its fair share of animal-free fans. Proving that vegan food is most certainly not boring food, you can expect colourful fare such as quinoa muesli trifle, raw pasta dishes (with pasta made from zucchini), generously piled burgers, raw cheesecakes and tropical breakfast pancakes. 1 170 Boundary Street, West End Fundies Among the trendy cafes of Paddington, it’s easy to discount this little green shop on Given Terrace. However, they do one of the best tofu scrambles in town, so make sure you drop in next time you’re in the area. Fundies is also a health store stocking all of your vegan and vegetarian essentials, from groceries to hair products. 219 Given Terrace Paddington 4064 Kuan Yin Teahouse Everything at Kuan Yin Teahouse is vegan, but you’d never know. This popular postage stamp-sized eatery in Fortitude Valley serves imitation meat dishes such as Peking duck rolls and Taiwanese fried chicken, but you can be assured that there are no animal products to be found in anything on the menu. The meals are cheap (it’s not hard to stuff yourself silly on less than $15) and the décor is no-nonsense. There are no EFTPOS facilities, so take some cashola. 198 Wickham Street, Fortitude Valley
Ten years ago, in March 2015, Netflix launched in Australia. It wasn't the first streaming service eager to give Aussies new couch-time choices — it wasn't even completely new, thanks to local film and TV lovers accessing the US version before the platform officially arrived Down Under — but it still gave the nation's at-home viewing landscape a milestone moment. The great streaming service rush followed, spoiling audiences for choice via an array of other platforms. Although another new streamer no longer seems to pop up every week, a big player has just hit the market: Max. Warner Bros Discovery's Max platform has launched to Australian viewers as at Monday, March 31, 2025. If you're a fan of HBO's TV shows, you'll be excited. You should also be well-aware of Max's Aussie debut, given that it has been rumoured since 2024, was then confirmed the same year, and scored an exact launch date earlier this year before dropping pricing and plan details. First, the crucial info for The Last of Us fans: this is where you'll need to head to check out the game-to-screen series' second season when it debuts on Monday, April 14. When The Rehearsal returns for its second season on Monday, April 21, you'll also need a Max subscription to see what Nathan Fielder has whipped up next. If you're addicted to The White Lotus or excellent hospital-set newcomer The Pitt, they're rounding out their current seasons on both Max and Binge, which was previously the home of the bulk of HBO's output Down Under. The Righteous Gemstones is among the other series playing on both platforms until their present run wraps up. Max is also your go-to for other HBO Originals, returning, new and old alike, such as House of the Dragon, A Knight of the Seven Kingdoms and any other Game of Thrones spinoffs; Euphoria; upcoming IT prequel series Welcome to Derry; and everything from True Detective, The Sopranos, Six Feet Under, The Wire, Oz, Deadwood, Big Love, True Blood, Big Little Lies and Westworld through to Succession, The Larry Sanders Show, Sex and the City, Flight of the Conchords, Bored to Death, Girls, Veep, Barry and Enlightened. The platform's own Max Originals — so made for it, rather than for HBO — cover And Just Like That..., Peacemaker, The Other Two and more, while the Warner Bros television library also spans Friends, Rick and Morty (including Rick and Morty: The Anime), Gilmore Girls, Gossip Girl and others. Adventure Time, Looney Tunes and Scooby Doo are among the cartoon names available on the service. In addition, content TV networks Discovery, Cartoon Network, TLC, Food Network, ID and HGTV are also part of the platform. If you're a film obsessive, access to recent cinema releases at home is one of Max's drawcards. Movies from Warner Bros Pictures from the year, such as Joker: Folie à Deux, Trap, Beetlejuice, Beetlejuice, Twisters, The Lord of the Rings: The War of the Rohirrim and Super/Man: The Christopher Reeve Story, are all available from launch. Going forward, Max is also set to screen blockbusters fast-tracked from their silver-screen dates. Warner Bros is behind big franchises like The Lord of the Rings, Dune, the DC Universe and Harry Potter, too, so expect them as well. On most streaming platforms, classic flicks aren't a priority. If you like a blast from the past with your viewing, the TCM hub boasts all-time greats such as Singin' in the Rain, North by Northwest, The Maltese Falcon, 2001: A Space Odyssey, Casablanca, The Wizard of Oz, A Clockwork Orange, The Exorcist, Willy Wonka and the Chocolate Factory, Rebel Without a Cause, Bonnie and Clyde, One Flew Over the Cuckoo's Nest, All the President's Men, Ben Hur, Cool Hand Luke, Mean Streets, Enter the Dragon and Gaslight, all from launch. In its first month of Aussie operations, Max will also welcome Brian Cox (The Electric State)-, Lisa Kudrow (No Good Deed)- and Parker Posey (Thelma)-starring new film The Parenting; Fast Friends, a game show about loving a certain sitcom; and Ted Lasso star Brett Goldstein's new stand-up special The Second Best Night of Your Life. From the Warner Bros back catalogue, Dune, The Batman, The Matrix Resurrections, Elvis, Black Adam, Shazam! Fury of the Gods, all ten seasons of Friends and three seasons of The Leftovers are also on the way. Regarding plans and pricing, there's three of the former — starting with a basic package that includes ads, then offering standard and premium options. The first spans full HD resolution and two devices streaming simultaneously, as does the second, with the latter also including 30 downloads to watch offline. Opt for premium and 4K resolution plus Dolby Atmos sound are featured, if they're available per title; four devices can stream simultaneously; and the downloads go up to 100. In a launch special until Wednesday, April 30, 2025, the basic with ads plan is available for $7.99 per month for the first 12 months or $79.99 for the first year (or $11.99 per month/$119.99 per year from Thursday, May 1, 2025). The standard plan special is $11.99 per month for the first 12 months or $119.99 for the first year ($15.99 per month/$159.99 per year afterwards), while premium is available for $17.99 per month for the first 12 months or $179.99 for the first year (or $21.99 per month/$219.99 per year afterwards). As for Binge, when it launched, giving subscribers access to HBO's catalogue was one of its big selling points. The deal between Binge, Foxtel and Warner Bros Discovery — which owns HBO — was extended in 2023; however, it was reported at the time, accurately so it proves, that Max might debut in Australia from 2025. Max is available direct to consumers via its website and app stores — you sign up for it by itself — for viewing via mobile, tablet, gaming consoles and connected TV, but it is still keeping a connection with Foxtel. If you subscribe to the pay-TV service, you'll have access to the Max app without paying extra. Max is available in Australia from Monday, March 31, 2025 — head to the streaming service's website for more details.
