One of the reasons that it's so easy to lose yourself at teamLab Borderless, the acclaimed and hugely popular Tokyo digital art gallery that should be at the top of every visitor to Japan's must-visit list, is the way that its stunning sights keep moving around you. No one just looks at art here — they're truly immersed in it. At RISING 2025, expect that same sensation. When Melbourne's annual winter arts festival returns, expect to step into a field of red beams, too. Whether you're a local or hitting up the Victorian capital just for the fest, expect to never see The Capitol the same way again as well. After first announcing that it'd be getting swinging in 2025 — at mini golf, that is, courtesy of an art exhibition that's also a nine-hole mini-golf course that's taking over Flinders Street Station Ballroom — RISING has unveiled its full program. Hailing from teamLab alum Shohei Fujimoto, intangible #form is a massive highlight. The Japanese artist's free installation will take over The Capitol each evening complete with all of that crimson lighting, which'll respond to your movement. Sparking the feeling losing yourself in its beams and hues is 100-percent the piece's aim. With 65 events featuring 327 artists on RISING's 2025 lineup between Wednesday, June 4–Sunday, June 15, intangible #form is just one of the fest's standouts this year. Another comes courtesy of Suki Waterhouse playing her first-ever Aussie shows, which you can only see in Melbourne at the fest. After proving a drawcard in 2024, Yasiin Bey is returning to RISING in 2025, this time joined by Talib Kweli. Still on tunes, Portishead's Beth Gibbons, Aotearoa favourite Marlon Williams, septuagenarian grime stars Peter Bowditch and Basil Bellgrave, Black Star, RONA, Soccer Mommy and Japanese Breakfast are also on the bill — as is the return of eight-hour music fest-meets-block party Day Tripper, with DIIV, Mount Kimbie, Annie and the Caldwells, Bktherula, Paul St Hilaire and Bad Vacation taking to the stage. [caption id="attachment_994703" align="alignnone" width="1920"] Mathieu Bitton[/caption] If you haven't seen Hedwig and the Angry Inch before, this is your chance to redress that gap in your theatregoing, with this new Australian production of the rock musical starring Filipino Australian singer Seann Miley Moore. And if you've ever wondered if you could manage to sit still — completely — for 90 minutes, Woopsyang's "do nothing" challenge is part of RISING, and asking festival attendees to participate. Or, catch the Australian premiere of Olivier-winning hip-hop dance work BLKDOG by Botis Seva — and then grab a seat for The Wrong Gods, a new piece by S Shakthidharan, the playwright behind RISING 2024's Counting and Cracking. Celebrating Divinyls legend Chrissy Amphlett via cabaret, hearing sound artist Sara Retallick dive deep into The City Baths as a composition space, dancing again at the return of SHOUSE's Communitas, spotting Melbourne Art Trams' latest iteration rolling around town, embracing a playful stage musing on heartbreak with the appropriate soundtrack: that's all on offer, too. [caption id="attachment_994693" align="alignnone" width="1920"] Ryan Cara[/caption] Also on the agenda: peering at large-scale projections that champion Yorta Yorta ancestral connections as they flicker across Hamer Hall, all thanks to Moorina Bonini; discovering what happens when time and sound bend in the void beneath Federation Square; watching six performers work through 36 Shakespeare plays using household objects; and another date with the Bard, with Hamlet staged by a neurodiverse cast. BLOCKBUSTER, also at Fed Square, looks set to live up to its name, giving RISING a free ode to South Asian culture. Think: street food, Pakistani R&B, Punjabi rap, art trucks, workshops and more. To similarly feel spoiled for choice while hitting up just one part of the festival's program, head to Night Trade, which is again part of the program, bringing street, karaoke and microbars to a late-night art market between Capitol Arcade and Howey Place. The list goes on — including Soda Jerk switching from bringing TERROR NULLIUS and Hello Dankness to the big screen to designing a mini-golf hole for the aforementioned Swingers: The Art of Mini Golf. [caption id="attachment_994700" align="alignnone" width="1920"] Woopsyang[/caption] "RISING is about breaking conventions — bringing wild, intimate and unexpected creativity into the heart of Melbourne," said the event's Co-Artistic Directors Hannah Fox and Gideon Obarzanek, announcing 2025's lineup. "We are a festival of art music and performance that is proudly challenging and uncompromisingly inclusive. This year, audiences are invited to navigate a storm of lasers in the prismatic fantasy of the Capitol Theatre, swim through a composition of tactile sound in the City Baths, join in an audio-visual experiment deep under the ground of our town square or compete in the defiant act of doing nothing." [caption id="attachment_994704" align="alignnone" width="1920"] Mandy Wu[/caption] [caption id="attachment_994692" align="alignnone" width="1920"] Netti Habel[/caption] [caption id="attachment_994695" align="alignnone" width="1920"] Steven Marr[/caption] [caption id="attachment_994702" align="alignnone" width="1920"] Eugene Hyland[/caption] [caption id="attachment_994691" align="alignnone" width="1920"] Remi Chauvin[/caption] [caption id="attachment_994699" align="alignnone" width="1920"] Katsuyuki Seki[/caption] RISING 2025 runs from Wednesday, June 4–Sunday, June 15 across Melbourne. Head to the event's website for further information.
The 2032 Olympic and Paralympic Games won't be taking place at a brand-new version of Woolloongabba's Brisbane Cricket Ground. They won't be happening in a new stadium at Victoria Park, either. Instead, the Queensland Government has announced that it's scrapping plans to completely demolish and rebuild the Gabba — and has also rejected the recommendation to add a stadium to Herston — in favour of upgrading Suncorp Stadium and the Queensland Sports and Athletics Centre. It's almost been three years since Brisbane was announced as the host of the 2032 games, with tearing down the Gabba and building a new stadium at the same spot at the centre of the plans. But the proposal was costly, to the tune of $2.7 billion; would've required AFL and cricket teams to relocate elsewhere for years, such as a suggested temporary stadium at the RNA Showgrounds; and would've also seen East Brisbane State School next door move elsewhere permanently. As a result, the arrangements have been reviewed and revised. [caption id="attachment_782238" align="alignnone" width="1920"] The Gabba, Your Next Kid via Wikipedia Commons[/caption] The Queensland Government announced the findings of the Independent Review of Brisbane 2032 Olympic and Paralympic Venue Infrastructure on Monday, March 18, 2024 — and also which recommendations they're accepting, and which ones they aren't. The big one, of course, is ditching the Gabba plans. It's one of 27 recommendations that will be enacted. A new stadium at Victoria Park is among the three that've been rejected. Undertaken by a panel led by Brisbane's former Lord Mayor Graham Quirk, the review said that maintaining the Gabba to standard is the best approach until it can be fully demolished when a different new stadium is built somewhere else. The Queensland Government is just going with the first half of that recommendation, undertaking vital maintenance work to the home of the Brisbane Lions and Queensland Cricket. The reason for nixing the Victoria Park idea, aka the second half of the suggestion for the Gabba, is that it isn't expected that a new stadium could be built within the agreed funding. Also, the International Olympic Committee now prefers that host cities don't construct new facilities, but use already-existing sites or venues that were planned anyway regardless of the Olympics and Paralympics. Also noted: that a stadium at the site would take away its green space, and impact long-held plans to transform the patch of Herston into a 64-hectare parkland with a tree house lookout, water play gully, high-ropes course, mountain bike track, reinstated water holes and wetlands, and more. Enter those upgrades for Suncorp Stadium and QSAC, even though the review committee recommended against using the latter. The Queensland Government has also accepted the recommendation to change Brisbane Arena, the new entertainment venue earmarked for Roma Street. It will still go ahead, but will move to a different part of Roma Street Parklands. [caption id="attachment_818960" align="alignnone" width="1920"] Victoria Park[/caption] "My government will accept 90 percent of the recommendations made," said Queensland Premier Steven Miles. "One of their recommendations would have meant the demise of the Gabba, which is something we couldn't accept for such a beloved venue." "And while the concept of a new stadium at Victoria Park has merit, the uncertainty around final cost means it is unfortunately not an option." [caption id="attachment_801246" align="alignnone" width="1920"] The Department for Culture Media and Sport, Wikimedia Commons.[/caption] For more information on the Independent Review of Brisbane 2032 Olympic and Paralympic Venue Infrastructure, head to the Queensland Government website. Top image: Zvi Leve via Wikimedia Commons.
Since dropping a trailer back in September 2022, the instantly stunning-looking Suzume has sat high on animation fans' must-see lists. Given that the Japanese movie is the new release from Your Name and Weathering with You director Makoto Shinkai, it was always going to. The filmmaker's resume speaks for itself, also spanning The Place Promised in Our Early Days, 5 Centimetres per Second, Children Who Chase Lost Voices and The Garden of Words — and his features deserve to be as eagerly anticipated as Studio Ghibli's. Whether you've been excited about Suzume for months or this is the first you're hearing about it, you'd best mark your diary — because Shinkai's latest now has a release date Down Under. The film opened in Japan back in November, and will make its way to cinemas in Australia and New Zealand from Thursday, April 13. As seen in lively trailer, Suzume puts Shinkai into familiar territory visually, with the animation and art direction alone spectacularly and breathtakingly gorgeous. Every detail-filled frame of his films could easily sit on a wall — and, from the sneak peek, Suzume easily continues the trend. Story-wise, the movie follows its titular high school girl as she teams up with a mysterious young man to travel through otherworldly gates. The pair cross paths in a quiet Kyushu town, with the stranger telling the with 17-year-old Suzume that he's looking for a door. From there, they get hopping as disasters start to strike around Japan. As more doors open, more destruction follows — and it's up to Suzume to close the portals to stop the cycle. The coming-of-age tale doesn't just include doors that keep opening up in Japan's "lonely areas people have forgotten" — doors in places that'll make you want to travel far and wide through Japan, as Weathering with You did with Tokyo — but also talking cats, swirling red clouds and scampering chairs. "At its core, Suzume is based on the massive disaster that occurred in Japan twelve years ago. I'm eager to see how this film translates to international audiences: what makes sense, what doesn't, and what common ground we have across cultures," said Shinkai. "The film's imminent international release will hopefully give me the answer to those questions. And, I cannot thank our team members enough for their unprecedented talent and perseverance throughout the film's production. On behalf of the entire team, I would also like to give thanks to all the fans who have cheered us on, making Suzume possible." As they did with Your Name and Weathering with You, Radwimps provide Suzume's soundtrack. The film heads Down Under after playing the Berlin International Film Festival in February, in the prestigious event's official competition — becoming the first Japanese animated film to do so since Studio Ghibli's Spirited Away, which won the coveted Golden Bear in 2002. Check out the trailer for Suzume below: Suzume opens in Australia and New Zealand on Thursday, April 13.
"On a bitter, cold Christmas eve, one dark soul is selected for redemption by the ghosts of Christmas past, present and yet to come". So starts the narration for the trailer for new festive flick Spirited — and so starts another new take on A Christmas Carol, too. But this adaptation and updating of Charles Dickens' well-known tale has a few things that most others don't, plus a twist. First, there's tunes, because this movie is a musical, complete with plenty of big song-and-dance scenes in the just-dropped sneak peek. Also, it features Will Ferrell (The Shrink Next Door) and Ryan Reynolds (The Adam Project) leading the show. (Yes, you now have another Ferrell movie to add to your Elf-led festive binge.) Reynolds yet again plays 'ordinary guy that something unusual happens to'. Actually, he plays Clint Briggs — but thanks to films like Free Guy and The Change-Up, he has slipped into this kind of part before. Here, he's the "level-20 pain in the Dickens" who is selected by the Ghost of Christmas Present (Ferrell) to get a haunting visit, to hopefully spark him to reform his ways. As brought to the screen and stage countless times, transforming from curmudgeonly to compassionate is the aim of this spirited intervention, which also features Octavia Spencer (The Witches) as Clint's boss — and someone that the Ghost of Christmas Present is quite fond of. The twist with Spirited, other than the songs? The film unfurls A Christmas Carol's narrative from the perspective of the ghosts. Writer/director Sean Anders and his co-scribe John Morris say "bah humbug!" to the regular version of the story, clearly, with the pair reteaming after Instant Family, the Daddy's Home movies and Horrible Bosses 2 — and reuniting with Ferrell after Daddy's Home franchise as well. Apple TV+ will stream the end result, releasing Spirited on Friday, November 18, and adding it to the 'films based on A Christmas Carol' subgenre alongside everything from Ghosts of Girlfriends Past and Scrooged. Check out the trailer for Spirited below: Spirited will be available to stream via Apple TV+ from Friday, November 18.
When word first arrived in 2020 that Cali Beach was turning a Gold Coast rooftop into a beach club with pools and bars, everyone's thoughts immediately went to splashes and sips while the summer sun is shining. Just like most of southeast Queensland, Surfers Paradise doesn't get a three-month super-frosty stretch, so taking a dip in winter didn't seem out of the question, either. But this venue has had broader plans for its sky-high perch when the middle of the year has hit since 2022. For the past two years, The Rooftop Lodge has taken over the 5000-square-metre venue on a fourth-floor rooftop on the corner of Surfers Paradise Boulevard and Elkhorn Avenue, featuring snow-topped trees, an ice-skating rink and cosy lodges. That isn't the 2024 experience, however. Until spring hits, running from Friday–Sunday weekly, Cali Beach is now an inflatable nightclub. An alpine angle remains in the temporary makeover, taking cues from the Swiss Alps — albeit with poolside daybeds, which you won't find come winter at the real thing. By day on Saturdays and Sundays, you can still bask in the sun, knock back cocktails, play party games and listen to DJ-spun beats. By night, the festivities blow up, with the inflatable fun dubbed Wintersun. Inflatable igloos? Check. Fire pits? Check again. Fire performers and fireworks? That's two more checks. Lighting displays add to the mood, as do more games, giant hanging inflatables above the pool, and a wintry food and drink menu. "Cali Beach introduces new and exciting experiences each winter, and this year is no exception," said Matthew Keegan, Managing Partner of Artesian Hospitality. "This year we have the largest inflatable rooftop nightclub in Australia. It's something we have never done before." No one expected snow at the Goldie haunt when Cali Beach was initially announced, and no one would've picked that inflatables would be used for anything other than kicking back in the pools — there's four of them — either. Find Cali Beach Club on the corner of Surfers Paradise Boulevard and Elkhorn Avenue, Surfers Paradise. The Wintersun Rooftop is open until Saturday, August 31, 2024, with the venue operating from 5pm–1am on Fridays and 12pm–1am Saturday–Sunday.
Bluesfest has officially cancelled its 2026 event. In a statement on Friday, organisers attributed the decision to "rising production, logistics, insurance and touring costs, combined with softer ticket demand and international uncertainties." "For more than three decades, Bluesfest has brought extraordinary artists and audiences together in Byron Bay while also driving significant tourism and economic activity for the Northern Rivers and New South Wales," Festival Director Peter Noble said. "This makes the decision incredibly difficult. After careful consideration, we concluded we could not proceed in a way that would meet the standard our audiences, artists and partners expect." The festival had a stacked lineup planned for 2026. Headliners included Parkway Drive, Erykah Badu, The Wailers, Earth, Wind & Fire, Sublime, Counting Crows, The Black Crowes, Buddy Guy, and more. Bluesfest director Peter Noble announced last year that 2025 would be the final year, however, shortly after, he said that declaration was as much a call to action as a resignation to fate. "Do we have to say it's the last Bluesfest to get people to focus on us?" he asked at the time. Confirmation of Bluesfest 2026 then came on the same day that the Australian Greens unveiled a $20 million-a-year rescue plan to keep the country's festival scene alive and kicking. With 109,000 punters through its gates in 2025, the announcement comes as a major shock to the music community. Head to the website for more information. This article first appeared in Rolling Stone Australia. Subscribe to the Concrete Playground newsletter to get more stories straight to your inbox.
UPDATE: Artemis II has launched and is on trajectory as planned. Visit the NASA website for further updates. Few cultural moments are as ingrained in our collective memory as the handful of missions that have sent astronaut crews into space or celebrities into orbit. Thankfully, this time it's the former — more specifically, Artemis II, the first crewed mission being sent to the moon since Apollo 17 in 1972. In a world and newscycle that are constantly circulating bad news, this seems like an occasion worth celebrating, but nobody seems to be talking about it. So, here's everything you need to know about Artemis II. Important disclaimer: this isn't going to be a moon landing. But, it's still an exciting mission and the first time that human beings are entering the moon's celestial neighbourhood since the Apollo missions. Artemis II is scheduled for a promising two-hour launch window that starts at 9.30am AEST tomorrow, Thursday, April 2, from where its crew of four (Reid Wiseman, Victor Glover, Christina Koch and Jeremy Hansen) will set out on the most exciting surveying job in decades. [caption id="attachment_1088418" align="aligncenter" width="1920"] Chip Somodevilla[/caption] Artemis II is performing a 10-day flyby mission, circumnavigating the celestial body to survey it for potential landing sites for subsequent Artemis missions, where NASA aims to have humans return to the lunar surface by 2028. The crew will collect data from orbit of the lunar surface and the effects of deep space travel on the human body — all to inform missions to come and a culminating long-term goal of sending humans to Mars in the 2030s. It's a mission of multiple firsts, too. The crew includes the first woman (Koch), the first person of colour (Glover), the oldest person (Wiseman) and the first non US National (Hansen) to either leave low Earth orbit or travel around the moon. It's also expected to break speed records for crewed missions on its lunar transit and reentry over the Pacific Ocean. [caption id="attachment_1088419" align="aligncenter" width="1920"] NASA astronauts Reid Wiseman, Artemis II commander, left, Victor Glover, Artemis II pilot, Christina Koch, Artemis II mission specialist, and CSA (Canadian Space Agency) astronaut Jeremy Hansen, Artemis II mission specialist, right, stop for a group photograph as they visit NASA's Artemis II SLS (Space Launch System) rocket and Orion spacecraft. Photo Credit: (NASA/Bill Ingalls)[/caption] The American-organised mission will be supported from Australia, too. NASA's Deep Space Communication Complex at Tidbinbilla and the Australian National University's (ANU) Quantum Optical Ground Station at Mt Stromlo Observatory will provide tracking and communications support for the mission. Australian astronaut Katherine Bennell-Pegg told the ABC,"In the Apollo era, Australia hosted the most amount of tracking stations outside of the US that supported Apollo. We were absolutely critical then; we are also absolutely critical now." [caption id="attachment_1088420" align="aligncenter" width="1920"] Joe Raedle[/caption] But why is nobody talking about it? A lot of hype was built for the mission's original launch in February, only for it to be postponed by hydrogen leaks, so perhaps the rescheduled date has already been swallowed by the ruthless news cycle and the stories surrounding the fuel crisis, Iran War and any other myriad of upsetting current affairs. Plenty of people are talking about space via Project Hail Mary, but this is the real deal. But now you know. Tomorrow morning, you can tune in to the live broadcast of the launch window on NASA's YouTube channel. It currently has an 80% chance of being a successful launch, pending the weather holds. Should it be a success — humanity will be taking its biggest step towards a future in the stars since Apollo 11 landed all those decades ago. Like what you see? Subscribe to the Concrete Playground newsletter to get stories just like these straight to your inbox.
These days most of us have a certain something we avoid while eating — whether it's a personal preference or an allergy. Gluten, get out. Dairy? No thanks. So, it comes as no surprise that more and more restaurants have become more tolerant of our intolerances. Now, a new health-focused, dietary requirement-friendly chain — called The Good Place — is set to open across NSW and Queensland. Former My Kitchen Rules finalist Scott Gooding has channelled his nourishing, paddock-to-plate ethos into a bricks-and-mortar example of how healthy, dietary-accommodating food can be done, launching the first Good Place in Miranda, in Sydney's south. With more stores to open in Blacktown and Central Park in Sydney and Buddina and Surfers Paradise in Queensland in the coming months, The Good Place is completely gluten- and soy-free as well as low in carbs and sugar. Plus, it's open all day, every day. Breakfast dishes such as the Kakadu Smoothie Bowl with coconut cream, MCT oil, peanut butter and Kakadu plum and the pesto omelette with chargrilled greens are evidently nutritious (and hopefully just as tasty). And while the Bubble & Squeak with pork belly, cabbage, roast potatoes, fried egg, peas and parsley with pumpkin bread is heartier and just as nutrient-packed. [caption id="attachment_717888" align="alignnone" width="1920"] Raspberry Floater[/caption] For dinner, there's everything from a creamy vegan curry to tender ox cheeks in a sticky sauce with chargrilled greens or the 12-hour slow-cooked lamb with roast potatoes and cafe de paris butter. Sweets are covered, too, and include a semi freddo made with raspberries, dark chocolate, coconut, macadamia and coconut kefir and the Raspberry Floater — hemp organic raspberry kombucha with house-made chocolate ice cream. There are also smoothies and coffee, health-conscious cocktails and a selection of certified organic and biodynamic wines for you to sip. Gooding's food is also made using organic produce that has been sustainably and ethically sourced wherever possible. The Good Place is conscious dining and, whether the name is a misaimed reference to the acclaimed Netflix show about a 'utopia' (that's actually hell) or a riff on Gooding's name, we reckon Gooding's done good. The Good Place Miranda is now open from 9am—10pm daily at level 4, Westfield Miranda, 600 Kingsway, Miranda. Outposts in Blacktown and Central Park in Sydney and Buddina and Surfers Paradise in Queensland are slated to open in coming months. We'll update you when they do.
If an arts festival is happening in Brisbane, Hiromi Tango is normally a part of it. The Japanese Australian artist's work has featured on a heap of Brisbane Festival lineups over the past decade — including in 2018, 2020, 2022 and 2023 — as well as at Botanica in the Brisbane City Botanic Gardens, plus other events around town. Usually, then, checking out her work means rushing along during an extremely limited window; however, that isn't the case with Tango's current Museum of Brisbane residency. Brisbanites have five months, until Sunday, August 11, 2024, to not only enjoy Tango's colourful creativity but to get involved themselves. Her time at the King George Square gallery includes 花弁 Hanabira (Gentle Petal), a public installation that everyone is invited to contribute to. In order to take part, you'll need to help fill MoB's Adelaide Street Pavilion with sculptural flowers. Onsite, upcycled textiles and foraged local materials await. Attendees can fashion them into blooms, then add them to the artwork. If you'd benefit from some guidance, drop-in sessions are taking place from 10am–1pm on Thursdays and Saturdays throughout Tango's residency. Or, you can just head by whenever suits you within the 10am–5pm daily opening hours. 花弁 Hanabira (Gentle Petal) takes inspiration from Brisbane's florals, as well as the changing seasons. The idea of the piece is to turn its home into a temporary flower-filled sanctuary. If it all sounds incredibly relaxing and gorgeous, it's also designed to be a meditative experience, with healing and wellness among the concepts that Tango is exploring with the work. When the Japan-born interdisciplinary artist contributes flowers to the installation herself, she does so in her usual cumulative style, which involves taking everyday objects and materials, then weaving and wrapping over them, then joining them together. Images: Joe Ruckli.
How many times can James Cameron break his own record? How many shades of blue can shimmer across the screen in one movie? Will Avatar's 13-years-later first sequel also dazzle the Oscars, as its predecessor did? Will Avatar: The Way of Water influence everything that comes after it, special effects-wise, also as the initial flick did, too? They're just some of the questions that the mere existence of this Avatar follow-up sparks. Here's another: will you get Eiffel 65's 1998 hit 'Blue (Da Ba Dee)' stuck in your head, even though it surely isn't in the film? Audiences will start finding out the answers to these queries in mid-December, when Avatar: The Way of Water hits cinemas worldwide — and Cameron has dropped a full trailer for the movie in the interim. This is Avatar: The Way of Water's second sneak peek, following an earlier look back in May — but this is one of those films that you might only truly believe exists once you're sat in a theatre watching it, because it has been in the works for that long. If you saw Cameron's initial entry in this sci-fi franchise back in 2009, you'll undoubtedly be buying a ticket. Indeed, given that the original Avatar quickly became the highest-grossing picture of all time — a record this one will try to break — it's highly likely that you did and will. Amid blue-hued CGI-filled waters and skies, and surrounded by the franchise's blue-toned Na'vi people, Avatar: The Way of Water steps back into the story of the Sully family, aka Jake (Sam Worthington, Fires), Neytiri (Zoe Saldana, The Adam Project) and their children, on the habitable moon Pandora. This time around, staying safe and alive remains a focus, as trouble keeps finding the Sullys, battles mount and striving to keep together also requires their focus. Also set to feature: Sigourney Weaver (Ghostbusters: Afterlife), Stephen Lang (Don't Breathe 2), Cliff Curtis (Reminiscence), Joel David Moore (Bones), CCH Pounder (Godzilla: King of the Monsters), Edie Falco (Nurse Jackie), Kate Winslet (Mare of Easttown) and Flight of the Conchords' Jemaine Clement. If the two sneak peeks so far have you excited about re-entering Avatar's blue-heavy world, get ready for more where that came from. A third movie is due in 2024, a fourth in 2026 and a fifth in 2028. Check out the latest Avatar: The Way of Water trailer below: Avatar: The Way of Water releases in cinemas Down Under on December 15. Images: Photos courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.
The permanent closure of Newstead Brewing Co, one of the first key names in Brisbane's craft beer scene, remains a heartbreaking development for the River City. The doors to its former Milton home didn't remain shut for long, however. Last Man Standing Brewing has not only announced that it has taken over the Castlemaine Street location — under its management, the site is already up and running again, opening its doors mere days after Newstead announced that it had bid farewell. Since Friday, March 14, 2025, the brewery co-founded by Olympian Steven Bradbury is pouring its Australian-owned and -made lager at the Suncorp Stadium-adjacent spot, and running the place in a temporary setup. If that sounds like a quick turnaround, that's because it was, with the onus on getting the place up and running ASAP — both bar service and the kitchen — before the proper Last Man Standing brewery experience launches on Friday, March 28. Befitting the Brisbane-born brewery's ownership, which also includes the sons of former Wallaby Roy Prosser, the venue's new guise will be all about sports, including big screens showing games and pub fare on the menu. And yes, if you know your Aussie Olympics history — and how short-track speed skater Bradbury won gold in the 1000 metres at the 2002 Salt Lake City games after his competitors in the final all crashed — then you'll know why Last Man Standing has its name. "Opening our own brewery and venue is not only the logical next step in our growth, but it's the realisation of our plans, dreams and hard work over the past five years," said Managing Director Damian Prosser, one of Last Man Standing's co-founders, about setting up shop in Milton. "The opportunity has come a little sooner than expected, but this is a fantastic venue in an iconic location and we're excited to create an exciting space. We'll keep the taps pouring for sports fans and locals while we get set up properly." "Independent Aussie brewers continue to be under threat from ridiculous taxes, overseas corporations, pandemics and up here, the weather — but we're not going to be swayed from our mission," added Bradbury. "We want to bring some good news to the industry, buck the trend and inspire fellow indie brewers to push on. Courage, determination, self-belief and just a little luck — that's what being the Last Man Standing is all about, and I should know!" "I love Australia, I love sport and boy do I love a few beers with my mates, and I can't think of a better sporting venue in the country to sit alongside than Suncorp Stadium. It would be a crime for this fantastic brewery to be closed while there's so much happening at the stadium and in Brisbane. We had to step in and make sure that didn't happen," Bradbury continued. Although it announced the news afterwards, Newstead Brewing Co closed down before Tropical Cyclone Alfred. As Brissie was shutting up ahead of the wild weather, so was this favourite — but forever, sadly. When it revealed that it had said goodbye, the brewery's team said "it's a sad time for Brisbane craft beer and our beloved industry," via a statement on social media, but looked back fondly on its beginnings, plus what came next, before noting the impact of the 2022 floods and how it avoided closure at the time only to say farewell now. In its prime, Newstead Brewing Co not only boasted its original location on Doggett Street — which it left in 2023 — and its second home in Milton, but also a taphouse inside Brisbane Airport's domestic terminal. Find Last Man Standing at 67 Castlemaine Street, Milton — head to the brewery's website for more details.
Move over Egypt: this summer, visiting the Australian Museum means venturing to South America. After dedicating the end of 2023 and beginning of 2024 to blockbuster exhibition Ramses and the Gold of the Pharaohs, the Sydney institution is wrapping up this year and starting 2025 with another massive must-see blast from the past. In an Aussie-exclusive season, Machu Picchu and the Golden Empires of Peru will display 134 priceless artefacts and head back over 3000 years. When it opens on Saturday, November 23, 2024, this historical showcase from Peru's Museo Larco and Museo de Sito Manuel Chavez Ballon will feature jewels, masks and other treasures, some of which have been found in royal tombs. As the name makes plain, gold is a focus. In fact, Machu Picchu and the Golden Empires of Peru boasts the most-opulent collection of Andean gold that's ever left Peru. As well as peering at its items across the exhibition's six-month stay, attendees will be able to explore Machu Picchu via virtual reality — although that part comes at an extra fee. This highlight of the program is the first-ever VR 'fly-through' of the famous site, organisers advise, and will get Australian Museum visitors feeling like they've been transported both back in time and to the other side of the world via not just VR, but also 360-degree motion chairs and drone footage. "One of the Seven Wonders of the World, Machu Picchu is a top bucket-list destination for many Australians, and this exhibition will further inspire visitors with its state-of-the-art storytelling alongside treasures from these intriguing ancient empires," said Australian Museum Director and CEO Kim McKay AO, announcing the exhibition. "I'm delighted that the Australian Museum will be hosting this exhibition highlighting the rich history and culture of ancient Peru, enabling the people of NSW and beyond to experience Machu Picchu and all our country has to offer," added Consul-General of Peru Mr José Alberto Ortiz. "Through the representation and interpretation of the myths and rituals of Andean civilisations and their rediscovery and reappraisal in the 21st century, it seems possible to reconstruct the foundational images of modern Peru." "I know the public will be captivated by our unique culture dating back more than 3000 years and will be fascinated by the stories of five empires which are still present in our country today," Ortiz continued. Sydney is just the fourth place in the world to welcome Machu Picchu and the Golden Empires of Peru, after the exhibition's stops in Boca Raton in the US, Paris in France and Milan in Italy. Expect the Australian season to be busy, given the nation's love of historical exhibitions at the Australian Museum — breaking attendance records, Ramses and the Gold of the Pharaohs, which was also produced by Neon Global, sold more than 508,000 tickets. Machu Picchu and the Golden Empires of Peru opens at the Australian Museum, 1 William Street, Sydney, from Saturday, November 23, 2024 — head to the exhibition website for further details, and tickets from Tuesday, October 8, 2024. Images: Neon Global.
If life in general hasn't been dystopian enough for you over the past few years, your next HBO obsession will be: The Last of Us, the television adaptation of the hit video game. Expect a tense future 20 years after modern civilisation has been destroyed, plus a seasoned survivor given a tough mission involving a teenager — and, amid that nightmarish quest, the kind of monsters no one wants to see. If you've been a fan of the button-mashing favourite since it first arrived in 2013, then played the sequel in 2020, then you're already devoted to The Last of Us — and you know where HBO's version is going when it arrives in January, streaming in Australia via Binge and New Zealand via Neon. If you're new to the gaming franchise, get ready for what's certain to be 2023's first big show, complete with an eerie, creepy, action-packed mood, and a story that dives into a fraught post-apocalyptic version of the US. That's been the vibe in both the initial teaser trailer from September and the just-dropped full trailer, both of which help tease out The Last of Us' premise. Pedro Pascal (The Unbearable Weight of Massive Talent) plays Joel, who has been hired to smuggle 14-year-old Ellie (Bella Ramsey, Catherine Called Birdy) out of an oppressive quarantine zone. There wouldn't be a game, let alone a television version, if that was an easy task, of course — and if the pair didn't need to weather quite the brutal journey. So far, so intriguing — and while the sneak peeks so far do indeed conjure up memories of The Walking Dead, that just comes with the basic concept. The Naughty Dog-created PlayStation game wouldn't be the huge hit it's proven for almost a decade now if it simply cribbed from that TV show, obviously. Fans of the game will note that Ashley Johnson (Blindspot) and Troy Baker (Young Justice), who voiced the Ellie and Joel in the source material, will indeed pop up in the HBO show. They'll clearly be playing different characters, however. Also pivotal to HBO's adaptation: co-creator, executive producer, writer and director Craig Mazin, who already brought a hellscape to the US network (and to everyone's must-watch list) thanks to the haunting and horrifying Chernobyl. He teams up here with Neil Druckmann from Naughty Dog, who also penned and directed The Last of Us games. Alongside Pascal and Ramsey — and Johnson and Baker — the series also boasts Gabriel Luna (Terminator: Dark Fate) as Joel's younger brother and former soldier Tommy, Merle Dandridge (The Flight Attendant) as resistance leader Marlene and Aussie actor Anna Torv (Mindhunter) as smuggler Tess. And, Nico Parker (The Third Day) plays Joel's 14-year old daughter Sarah, Murray Bartlett (The White Lotus) and Nick Offerman (The Resort) feature as isolated survivalists Frank and Bill, Storm Reid (Euphoria) pops up as Boston orphan Riley, Jeffrey Pierce (Castle Rock) plays quarantine-zone rebel Perry and Yellowjackets' Melanie Lynskey also guest stars. Check out the full trailer for The Last of Us below: The Last of Us will start streaming Down Under from Monday, January 16, 2023 — in Australia via Binge and New Zealand via Neon. Images: Liane Hentscher/HBO.
There's no shortage of heartbreak in Till, a shattering drama about the abduction, torture and lynching of 14-year-old Emmett Till in Mississippi in 1955. Clemency writer/director Chinonye Chukwu tells of a boy's tragic death, a mother's pain and anger, and a country's shame and trauma — and how all three pushed along America's 20th-century civil rights movement. Heartache lingers in the needless loss of life. Fury swells at the abhorrent racism on display, including in the justifications offered by the unrepentant perpetrators. Despair buzzes in the grief, personal and national alike, that hangs heavy from the second that Emmett is dragged away in the night. Fury seethes, too, because an atrocious murder like this demands justice and change, neither of which was ever going to be easy to secure given the time and place. Indeed, the US-wide Emmett Till Antilynching Act making lynching a federal hate crime only became law in March 2022. Heartbreak builds in and bursts through Till from the outset — and in sadly everyday situations. Emmett, nicknamed Bo by his family, is played as a lively and joyful teen by the impressive Jalyn Hall (Space Jam: A New Legacy). He's confident and cheery, as his mother Mamie Till-Mobley (Danielle Deadwyler, Station Eleven) has lovingly raised him to be in Chicago. But even department-store shopping for a trip to the Deep South is coloured by the threat of discrimination. So, as his departure to see relatives gets nearer, Mamie utters a few words of advice. She's stern and urgent, trying to impart to him the importance of adhering to Mississippi's unspoken rules. She implores him not to do anything that could be construed as looking at white people the wrong way, to apologise profusely and instantly whenever he has to, and to heed the different set of norms. "Be small down there," she says — and it's one of the movie's many crushing moments. More devastation follows, in a film that wouldn't need to exist in a better world but is essential viewing in this one. While stopping at a grocery store in the sharecropper town of Money, Emmett talks to white shopkeeper Carolyn Bryant (Haley Bennett, Cyrano) — a fateful incident with specifics that've long been disputed since, as seen in infuriating testimony in the feature's later court scene. Chukwu depicts Emmett being chatty and charming, commenting that Bryant looks like a movie star. She responds by heading outside to get a pistol. Emmett's cousins and friends are frightened, a reaction that proves well-founded when Bryant's husband and brother-in-law arrive at Mamie's uncle's (John Douglas Thompson, The 355) door a few evenings later. The next time that the film's central teenager is seen, he's a horrendously beaten and barely recognisable corpse. Scripted by Chukwu with producers Keith Beauchamp (director of 2005 documentary The Untold Story of Emmett Louis Till) and Michael Reilly, Till isn't called Emmett or Bo, and isn't just the murdered boy's story — because Mamie was determined to make her heartbreak mean something. Accordingly, the movie devotes much of its running time to the aftermath, as Emmett's mother turns unspeakable sorrow into two quests: to try to hold the culprits responsible and to do whatever she needs to stop this from occurring to anyone else. Chukwu's film is sincere and clear-eyed about Mamie's courageous fight and the fortitude it takes, but it never veers away from the loss and hurt behind it. This is a portrait of a woman who became an activist icon, and also an ode to someone who was committed to ensuring that her boy's senseless killing wouldn't be excused or forgotten. When Till does see Emmett again after he's ripped from his family, the feature is careful — but also faithful to Mamie's actions. Chukwu smartly and sensitively chooses not to show the violence that Emmett was subjected to. When farmhand Willie Reed (Darian Rolle, Hard Drive) hears screams from a barn, it's deeply chilling without anyone needing to witness a single blow. And Mamie's cries when she greets her son's coffin are unsurprisingly hard to shake. But America and the globe were confronted with exactly what this crime looks like when Mamie insisted on holding an open-casket funeral, a move that Till both dramatises and copies. Chukwu is still restrained, however, never making a spectacle out of Emmett's maimed face and body. And, she's aware that watching how Mamie and others respond to the bludgeoned boy — seeing their faces crumple in distress and torment, as they naturally do — is equally as powerful. In fact, Chukwu and cinematographer Bobby Bukowski (Archive 81) can barely bring themselves to peer away from Deadwyler, who stuns in frame after frame. With both subtlety and potency, she's the picture of nervous, protective worry even before Emmett leaves — a venture that Mamie is against but her mother Alma (Whoopi Goldberg, Harlem) believes will help him know his roots — and, when he's away, conveys the motherly fear that something awful will eventuate in every look and gesture. Then, when the worst does come, Deadwyler is phenomenal in showing how Mamie summons up strength from enduring such horror. Till is a film of mourning, but it's also a movie about galvanising that mourning. While awards bodies have been woefully inconsistent with recognising Deadwyler's exceptional performance, with the BAFTAs and Screen Actors Guild offering nominations but the Golden Globes and Oscars overlooking her entirely, this is a haunting portrayal. The only Black woman employed by the US Air Force's Chicago office when Till begins, as well as a widow and a single mother, there's more to Mamie than living every mum's nightmare and crusading afterwards — and although that isn't the focus of Chukwu, Beauchamp and Reilly's screenplay, Till finds ways to layer in crucial detail. How rich the film appears, especially when it's observing Mamie, Emmett and their modest but happy life in its opening chapter, is a particularly pivotal touch. Amid the dread that Mamie patently feels about Emmett's trip, and the foreboding the audience shares as well, there's such warmth radiating from the screen early on. There's such vibrance, too, because that's the existence she had worked hard to give to her child — one she knows likely wouldn't have been possible in the south. In that and every way it can be, Till is a film about love first and foremost, even when its true tale is so heartbreakingly and irrevocably altered by hate.
More than three decades since it was first published, the Watchmen series of comics is still considered one of the all-time greats of the medium. Brought to the page by writer Alan Moore and artist Dave Gibbons, the premise says plenty: in an alternative version of the world we all live in, superheroes definitely exist — but their presence has drastically altered history. Here, the Cold War turned out differently, caped crusaders largely work for the government and anyone else enforcing law and order while wearing a costume has been outlawed. Now, imagine that tale told with a satirical edge that deconstructs the superhero phenomenon, and you can see why it has hordes of devotees. Back in 2009 when comic book flicks were just starting to pick up steam — and when 23-film franchises were a mere dream — Watchmen was turned into a movie by Zack Snyder (who was fresh from 300, but hadn't made the jump to Batman v Superman or Justice League yet). Sequels clearly didn't follow; however, HBO is now hoping that the story will flourish on the small screen, enlisting Lost and The Leftovers co-creator Damon Lindelof to make it happen. Obviously, with Game of Thrones all done and dusted (at least until its prequels start hitting the screen), the network is in the market for a new pop culture phenomenon. This isn't just a straight adaptation. Apparently the ten-part series "embraces the nostalgia of the original groundbreaking graphic novel of the same name while attempting to break new ground of its own," according to HBO. If you're wondering just how that'll play out, the program's trailers might help. Building on the first teaser from a few months back, the latest trailer serves up murky mysteries, complicated heroes and villains, and a fine line between the two — plus "a vast and insidious conspiracy". To help bring the above to the small screen, Watchmen boasts quite the stacked cast, which includes Jeremy Irons, Don Johnson, Tim Blake Nelson, this year's Best Supporting Actress Oscar winner Regina King, Hong Chau, Louis Gossett Jr and Aussie actress Adelaide Clemens. The big names don't stop there, with Trent Reznor and Atticus Ross providing the score. Check out the new trailer below: https://www.youtube.com/watch?v=-33JCGEGzwU Watchmen launches on October 21, Australian and New Zealand time — with the series airing weekly from that date on Foxtel in Australia. Image: Mark Hill/HBO
UPDATE: May 10, 2020: Fast & Furious Presents: Hobbs & Shaw is available to stream via Amazon Prime Video, Foxtel Now, Google Play, YouTube and iTunes. Here's one of those sentences you never expect to see yourself writing: Hobbs & Shaw makes The Fate of the Furious look like gritty realism. Think about that for a moment. That film ended with a crew of street-racers-turned-international-super-spies being pursued by both Russian separatists and a remote-control driven nuclear submarine across an icy Siberian tundra...in Lamborghinis. And it still offered more realism and nuance than this spin-off. How is that even possible? It's better not to ask. Hobbs & Shaw is an offering that might finally have pushed things too far in a franchise defined by its ability to stretch things (plot, stunts, singlets and micro-shorts) to seemingly impossible levels. Escalation has always been the name of the game for the Fast & Furious franchise, the filmmakers forever seeking new and inventive ways of delivering essentially the same story. Like Mission: Impossible crossed with The Italian Job, each instalment sees our ragtag crew of racers tasked with pulling off ludicrous heists with fast cars and fancy driving. The villains grew larger and more megalomaniacal (from rival street racers to drug cartel bosses and Dr Evil-esque world destroyers), the cars gained enormous value (from a 1999 Nissan Skyline to the US$2 million Nissan IDx NISMO) and the cast began to approach Avengers levels of celebrity. Two of those additions were Dwayne Johnson as Luke Hobbs and Jason Statham as Deckard Shaw. Both entered the franchise as pseudo-villains, only to then be drawn into the "family" by its patriarch Dom, played by the ever-growling Vin Diesel. As Hobbs and Shaw's popularity grew, a spin-off seemed inevitable. But whilst the demand was undoubtedly there, the delivery falls well short of expectations. This movie feels like the output of an AI that was fed the data set of the franchise but was incapable of identifying its humanity (and, dare we say, heart). Yes, it features insane stunts, amazing vehicles and unceasing bromance, but none of it ever gels. In particular, the supposed friction between the two leads lacks all substance, especially since The Fate of the Furious already saw them mostly resolve their differences and become buddies. Thrust together here and told to work together like the Russian and American agents from The Man from U.N.C.L.E, Hobbs and Shaw must track down Shaw's sister (The Crown's Vanessa Kirby) after she infects herself with a deadly virus to keep it from falling into the villain's hands (played this time around by Idris Elba). Borrowing heavily, then, from Mission: Impossible 2, the story sees the trio fight against time to extract the virus before it takes hold and wipes out most of humanity. Why? Remember, we asked you not to ask questions. Ever. Because you see, very little stands up to scrutiny. Why do Hobbs and Shaw actually hate each other? Unclear. Why are they tasked with this job when the agencies that recruit them are far better equipped and motivated? Unclear. Why is Hobbs able to pull a Blackhawk helicopter down from the sky when only moments earlier he and four other fully-laden cars weren't able to do it? Jeez, get off my back already. And sure, this is a series that not only invites you to suspend belief, but actively requires you to do so. Until now, audiences have willingly obliged. Here, though, it's one step too far. The heroes and villains are invulnerable, the plot is beffudling and logic has straight up Nos'd itself into the atmosphere. It's a pity, because there's so much to like about Johnson and Statham in these roles, especially when they work as a willing duo defined by their differences rather than simply bickering with forced (and unbearably unfunny) insults. Ultimately, Hobbs & Shaw may not have killed off the franchise, but it's certainly done it no favours. It's also a perfect example of the risk of branching too far from a clearly winning formula. https://www.youtube.com/watch?v=b736ZM_KfEk
If you liked choosing your way through Black Mirror: Bandersnatch — or telling Bear Grylls what to do in interactive series You vs. Wild — then Netflix has more where that came from. Come Tuesday, May 12, you'll be able to decide what happens to everyone's favourite kidnapping victim turned wide-eyed New Yorker in a one-off Unbreakable Kimmy Schmidt special. While the Tina Fey co-created, 18-time Emmy-nominated comedy finished up its regular run with 2019's batch of episodes, which closed out the show's fourth season, it's coming back this month to put viewers in control. Netflix has actually been in the interactive game for a couple of years thanks to its children's shows like Puss in Boots, Buddy Thunderstruck and Stretch Armstrong; however this'll mark the streamer's first interactive comedy. Always wanted to curb Kimmy's (Ellie Kemper) ample enthusiasm? Keen to steer ex-socialite Jacqueline White (Jane Krakowski) towards a few sensible decisions? Think that landlord Lillian (Carol Kane) could be more eccentric and misanthropic? Just love everything that aspiring actor and singer Titus Andromedon (Tituss Burgess) does? Then this is for you, obviously. If you're fond of Jon Hamm's Reverend Richard Wayne Gary Wayne, too, you're also in luck — this interactive episode is called Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend, after all. A whole heap of other famous faces co-star as well, including Daniel Radcliffe, Amy Sedaris, Fred Armisen, Chris Parnell, Jack McBrayer and Johnny Knoxville. Story-wise, as the just-dropped trailer shows, Kimmy is preparing to marry Radcliffe's Frederick in three days. Then she finds an old library book in her beloved childhood backpack, which sets her on a collision course with the Reverend — who just might have another bunker hidden away. Viewers can expect a wedding, a journey across three US states, explosions, an evil plan and potentially starting a war against robots. Along the way, you'll help Kimmy decide if she should make out with Frederick, and choose whether Titus should wait 4000 minutes for an Uber instead of walking — and they're just the two decision points shown in the trailer. Announcing the special last year, Tina Fey explained that "fans will be able to make choices on behalf of our characters, taking different story paths with, of course, different jokes," in a Netflix statement. Check out the trailer below: https://www.youtube.com/watch?v=LZWmRUxOj9g Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend will hit Netflix on Tuesday, May 12. Top images: Netflix.
Sport. Seafood. Think about Petrie Terrace's Caxton Street and one of the two, if not both, always comes to mind. The inner-city Brisbane roadway is the home of Lang Park. It's also long been synonymous with festivals celebrating the ocean's finest. Come October 2024, it'll now add another type of fest to its roster of events, with Good Chat Comedy Club launching the inaugural Caxton Street Comedy Festival for a jam-packed Saturday overflowing with laughs. Already a place go get giggling inside Caxton Street Brewing Company — which was previously Fritzenberger, and also Casablanca before that — Good Chat is sharing its sense of humour with its base venue, plus Lefty's Music Hall, Alfie's at The Lord Alfred and The Haunt upstairs at The Caxton Hotel. Each spot will host a feast of shows, with more than 20 on the lineup across the full day. And that date? Saturday, October 19. Boasting a program featuring talents both local and from further afield, the fest will get patrons splitting their sides thanks to Lloyd Langford, Michael Hing, Geraldine Hickey, Chris Ryan, Luke Heggie, Nick Cody, Damien Power, Amy Hetherington, Emma Zammit and more. The Death by Birding podcast will record live, as will Who Knew It with Matt Stewart — so whether you like watching avian life or comedians answering quizzes, it's on the bill. For those keen to see multiple comedians at once, The Caxton Street Comedy Festival All-Star Gala will get you guffawing at a hefty roster taking to the Lefty's stage, while The Gong Show at The Haunt will enlist more than ten comedians to bust out their best in three-minute slots — and attempt to avoid being gonged off. Another certain highlight: Game On Mole Live!, which hails from Not on Your Rider and Isolation Trivia's Aimon Clark. Yes, it's another game show, but this time there's a sabotaging twist. Alongside Ian 'Dicko' Dickson, two groups of comedians face off; however, one player's entire job is to undermine their team. You'll watch. You'll laugh. You'll attempt to pick who is bad at answering questions and who is doing it on purpose. Caxton Street Comedy Festival will take its hilarity outdoors as well via streetside entertainment, and sling tins of its own Tight Five beer, which Caxton Street Brewing Company is making just for the occasion. Forget the sounds of crowds cheering at soccer or NRL, or at whichever major concert has popped up at Suncorp Stadium — aka the usual din echoing through Petrie Terrace and Paddington — because this day is replacing that soundtrack with hearty chuckles. Caxton Street Comedy Festival takes place on Saturday, October 19 at Caxton Street Brewing Co, Lefty's Music Hall, Alfie's and The Haunt, Caxton Street, Petrie Terrace. Head to the fest's website for tickets and further information.
If you've ever wanted to enjoy your nosh with casual waterfalls cascading over your feet (haven't we all?), all you need is a cheeky airfare. Nestled right at the foot of a spring waterfall in a coconut plantation and resort in Laguna, Phillipines, Villa Escudero takes novelty dining next level. A self-contained working coconut plantation, Villa Escudero was founded in the 1880s and still sports that colonial-style so prevalent in resorts in the Philippines. Featuring long bamboo dining tables set right over the water, Villa Escudero's restaurant must have some pretty pruny-footed waiters after a long shift. Sure, you could get the hose out at home and attempt to create the same effect, but Villa Escudero might have a natural one-up on your bond-losing acts. Via Lost at E Minor.
Do you have plans for the Queen's Birthday long weekend? If you don't already, you do now. Everyone's favourite Brunswick Street hangout, the Flying Cock, is about to unleash four days of fun befitting the monarch's 89th trip around the sun. That's assuming aristocratic English octogenarians like eating, drinking, dancing and dive bars, of course — but doesn't everyone? Chicken, tacos, sweet potato fries and burgers fit the first part of the bill, cheap beer jugs take care of the second, and live entertainment and DJs until late complete the trifecta. There'll be regal revelry day and night — and even if you're not so fussed about Lizzie, there's still something in this royal-themed celebration for you. Queeny’s Birthday Long Weekend pays tribute to more than just the head of the Commonwealth. QEII might be the guest of honour, should she show up; however, Game of Thrones' Daenerys, music icon Freddie Mercury and any other Queen you can think of will be getting some Flying Cock love, too.
Since November 2024, 200,000 people have enjoyed an IRL Bluey experience in Brisbane, wandering through the immersive installation dedicated to the series in the city that the animated hit sprang from. That number is set to grow. Due to its unsurprising success, Bluey's World is sticking around the Queensland capital, extending its season until February 2026. On- and off-screen, Bluey is inseparable from Brissie. For its setting, the hit animated series takes inspiration from the Sunshine State spot. It also hails from a studio based in the River City. The Heeler home resembles Brisbane's Queenslanders, too. And back in 2022 when a replica of the Bluey house popped up temporarily, there was only one place for it. It always made sense, then, that stepping inside the famous show would happen in the exact right location. Announced in 2023, Bluey's World gets attendees walking around life-sized sets that recreate the beloved family-friendly staple. Yes, the Heeler house and yard are part of the setup — for real life. Yes, you can expect to hear "wackadoo!" more than once while you're there. Movie World might've badged itself as Hollywood on the Gold Coast, but it's no longer the only big tourist hotspot giving visitors to southeast Queensland — and locals as well — a chance to explore their on-screen favourites IRL. Sprawling across 4000 square metres, Bluey's World features the Heelers' living room, playroom, kitchen, backyard (poinciana tree included) and more. Alongside bringing the global TV sensation's sets into reality, it also boasts familiar interactive games such as Keepy Uppy and Magic Xylophone, plus other activities for both kids and adults. Haven't accompanied your own little ones, or your nieces and nephews, to Bluey's World yet? Perhaps you know that appreciating the adorable Aussie show about a family of blue heelers isn't just for children, but you still haven't made the trip. Either way, this addition to Northshore Pavilion in Northshore Brisbane is big — literally thanks to its sizeable floor plan. And yes, as seen in the series, you can arrive via CityCat, including right through until early next year. "The response to Bluey's World has been phenomenal. Seeing families laugh, play and explore the attraction firsthand has been incredibly rewarding. We set out to create a truly special experience, and it's wonderful to watch it become a must-visit Brisbane destination for fans of all ages," said Bluey's World Producer Andrew Kay. "We're so proud of the one-of-a-kind experience we've created, and with the season now extended, we can't wait to welcome even more fans to Bluey's World. Reaching 200,000 visitors in just a few months is a testament to the love and enthusiasm for Bluey. It's been amazing to see families from all over the world step into Bluey's home and immerse themselves in the Heeler family's adventures," added BBC Studios ANZ Head of Commercial Scott Modra. Visitors should plan to spend 70 minutes bounding through the experience — and will also find an indoor playground that nods to Bluey's Brisbane neighbourhood, plus spring rolls and pizza on offer at the cafe. There's a soundscape to match, plus a gift shop. Bluey's World is exclusive to Brisbane, making it a tourist attraction to fans not only locally and nationally but worldwide. Unsurprisingly, that's a big part of the push from both the Queensland Government and Brisbane City Council, who are supporting the BBC Studios- and HVK Productions-produced experience. Find Bluey's World at Northshore Pavilion, 281 MacArthur Avenue, Northshore Brisbane until February 2026 — head to the attraction's website for more information and tickets.
Before Batman squared off against Superman and the Avengers started fighting amongst themselves, another group of not-so-average folks brought their battles to the big screen. Since 2000, the X-Men franchise has charted the many clashes and intermittent truces of Professor Charles Xavier, his friend-turned-nemesis Magneto, and their respective groups of disagreeing mutants. Sixteen years later, they've graced nine films, including the original trilogy, two Wolverine spin-offs, two other excursions into the characters' backstories and this year's smash hit Deadpool. With such a sizeable history, of course their latest conflict seems familiar. But it also feels every inch its own. Indeed, there has always been a specific vibe to the X-Men movies: outcast-oriented dramas mixed with bombastic action, while always retaining a distinctive emotional core. Director Bryan Singer is at the helm of his fourth instalment, while writer Simon Kinberg is back for script number three. It should therefore come as no surprise that the '80s-set X-Men: Apocalypse once again charts outsiders looking to find their place in a makeshift mutant family. Ten years after the main events of X-Men: Days of Future Past, Professor X (James McAvoy) yet again locks horns with Magneto (Michael Fassbender), with the recently unearthed Apocalypse (Oscar Isaac) — an ancient, god-like being considered the first-ever mutant — the cause of their latest conflict. The former is intent on stopping the new threat, re-teaming with CIA agent Moira Mactaggert (Rose Byrne) and later shape-shifting mutant Mystique (Jennifer Lawrence). The latter, in the wake of his own personal tragedy, once again embraces his destructive streak and sides with the fresh force of global devastation. With teenage incarnations of Nightcrawler (Kodi Smit-McPhee), Jean Grey (Sophie Turner) and Cyclops (Tye Sheridan) also featured, X-Men: Apocalypse doesn't lack in subplots, characters or attempts to set up future sequels. Nor does it miss any opportunity to thrust a CGI-heavy fray to the fore, or to sprinkle in a few much-needed doses of humour – particularly when returning favourite Quicksilver (Evan Peters) is involved. Instead, the one thing absent is the added element the film so obviously strives for: a heightened sense of grandeur. Conveying the personal stakes motivating the main players may not be an easy feat in such a busy effort, yet it's something the movie achieves in a touching manner. Dialling up the gravity of the entire situation proves far less simple or successful. Sadly, the titular villain is the main culprit weighing the feature down. If X-Men: Apocalypse shines whenever the usual suspects share screen time, it lags when the newfound enemy starts making big speeches. In stark contrast to the actor's typical output, poor Oscar Isaac is barely allowed to make a mark, with his makeup and digitally altered voice sapping his natural charisma. Thankfully McAvoy and Fassbender continue their stellar form across their trio of prequel films, while Peters once again threatens to steal the show. When you're watching them, you're in vintage X-Men territory, even if the movie desperately wants to be something more.
The last three times that Emily Blunt graced screens, all in 2021, she battled theme park ride-inspired chaos (in Jungle Cruise), monsters that pounce on every sound (in A Quiet Place Part II) and bad Irish accents (in Wild Mountain Thyme). That's quite the trio. The British actor isn't done battling yet, however, as the just-dropped trailer for her new western series The English demonstrates. Her quest here: taking on the old west and getting vengeance. Since first making a splash in 2004's My Summer of Love and then earning attention in a big way in The Devil Wears Prada a couple of years later, Blunt has amassed a killer resume, spanning everything from The Young Victoria, The Muppets and Looper through to Edge of Tomorrow, Sicario and Mary Poppins Returns. So her involvement alone gives The English a hefty push onto must-see lists, although that's not the six-part Prime Video show's only highlight. Also helping ensure The English is worth a look: the fact that it hails from writer/director Hugo Blick (The Honourable Woman, Black Earth Rising, The Shadow Line), boasts Blunt as an executive producer as well, and has Greg Brenman (Peaky Blinders) and Colin Wratten (Killing Eve) similarly in producing roles. And, on-screen, Blunt is joined by Chaske Spencer (Blindspot), Stephen Rea (The Stranger), Valerie Pachner (Fantastic Beasts: The Secrets of Dumbledore), Rafe Spall (Trying), Tom Hughes (A Discovery of Witches), Toby Jones (The Electrical Life of Louis Wain), and Ciarán Hinds (Belfast). As for The English's storyline, Blunt plays an aristocratic Englishwoman — hence the title — named Lady Cornelia Locke, who heads to America in the 1890s with revenge on her mind. Her mission requires teaming up with Pawnee ex-cavalry scout Eli Whipp (Spencer), then making their way across a country that's bloody and violent at every turn, with the new town of Hoxem, Wyoming their ultimate destination. Also included along the way: musings on race and power, and a series of unsolved murders. Check out the trailer for The English below: The English will be available to stream via Prime Video from November 11.
Travel junkies, get planning, booking and packing: Black Friday is here, and Jetstar is serving up a heap of discounted flights to make your cheap getaway dreams come true. If you're keen on a holiday to Cairns, Byron Bay, Hobart, Uluru, Hamilton Island or more, you'll find sale fares here to help. And if you'd like to cross the ditch for a Queenstown jaunt, that's on the list as well. How cheap is cheap? Jetstar's Black Friday Fare Frenzy sale has fares starting at $39 one way, covering the Sydney to Byron Bay/Ballina route (aka always the cheapest leg when these kinds of discounts hit). But that's just the start of the sale offering, which runs for four days — until 11.59pm AEDT on Monday, November 28, unless sold out earlier. For folks travelling from Sydney, you can also make the trip to the Sunshine Coast for $59, Hervey Bay for $79, and either Hamilton Island or Cairns for $109. Given that summer is almost upon us, flights to Queensland feature heavily, although a fare to Darwin will cost $149. Melburnians can also head to the Sunshine Coast for $99, the Gold Coast for $69, Byron Bay for $79 and Hamilton Island for $129. Or, that Queenstown leg costs $209. Brisbanites, your choices include Newcastle/Port Stephens from $59, Mackay for $69 and Launceston for $99 — or, if you're happy to depart from the Gold Coast, Melbourne for $69, Cairns for $79 and Hobart for $109. Other cheap legs include Adelaide to Cairns from $159 and Perth to Cairns from $169. Wondering when to block out in your calendar? Dates vary depending on the departure and destination points, but the sale covers flights from mid-December 2o22 through till the end of March 2023. Also, don't forget that you'll either be travelling light, given that the sale fares don't include checked baggage, or paying extra for a suitcase on top. Jetstar's Black Friday Fare Frenzy sale runs until 11.59pm AEDT on Monday, November 28 — or until sold out. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
Five years in the making, W Hotel's luxury Darling Harbour development will finally bring the global hotel chain back to Sydney in October this year. Originally scheduled to open in 2020, the unmistakable harbourfront hotel has faced several delays and setbacks, but will finally swing its doors open in three months' time — and it has just revealed the next-level dining options that are in store for Sydneysiders and guests alike. The flagship restaurant and bar for the hotel will be called BTWN, playing on the building being wedged between its neighbouring expressways. This ambitious all-day eatery's kitchen is led by Head Chef Chris Dodd (ex-Aria, The Blue Door and Bistrot Plume), whose menu places emphasis on sustainability and local New South Wales produce. Hotel breakfasts and hearty dinners will be available here, with expected highlights from the mains menu including poached Murray cod, slow-cooked yoghurt-rubbed lamb shoulder and mushroom ragout. The level-three restaurant can be seen from the adjacent highway, acting as a living, breathing billboard for the hotel. Inside, designer Bowler James Brindley uses urban hallmarks and a slick chrome fitout inspired by airstream food trucks to celebrate the hotel's place in the heart of the city. Come sundown, a one-of-a-kind dessert bar labelled 2AM will open inside BTWN. Acclaimed Singaporean dessert chef Janice Wong is in charge of this venue within a venue — her first permanent outpost in Australia. Wong has twice been named Asia's best pastry chef on The World's Best Restaurants list, and runs restaurants and dessert bars across Singapore, London, Korea and Tokyo. The accomplished lover of all things decadent has crafted a menu that will appeal to both sweet tooths and more conservative dessert-enjoyers — and one that is designed to pair with BTWN's wine list and custom cocktails. 2AM's cacao forest is created using chocolate mousse, passionfruit chocolate, and consommé made from mango, lime and lychee. Or, there's the cassis plum, which places a bombe with yuzu pearls on top of elderflower yoghurt foam and choya granita. Rounding out the offerings at the sleek inner-city venue is the cocktail bar, which will keep things rolling from midday till late with a meticulously designed drinks list and sweeping views of Darling Harbour. Located within The Ribbon, the multimillion-dollar development has been designed by HASSEL architects and sits on the former IMAX theatre site (don't worry, the new IMAX is scheduled to also reopen this year). Outside of the dining options, W Sydney's drawcards include 585 stunning rooms and suites, plus exuberant shared spaces throughout the hotel including a heated rooftop infinity pool overlooking the water, a luxury spa and a gym. If you want to be one of the first to stay in the massive Darling Harbour accommodation, bookings are now open for stays starting from Wednesday, November 1. [caption id="attachment_909978" align="alignnone" width="1920"] Janice Wong[/caption] W Sydney will open its doors in October 2023 at 31 Wheat Road, Darling Harbour — head to thee Darling Harbour website for further details.
Every standout moment in life needs a soundtrack, and there's no reason that a boozy brunch session shouldn't be one of them. Starting imbibing early in the day might be celebration enough, not to mention that delicious combination of breakfast and lunch dishes that passes for brunch — but add some old-school R&B tunes and, yes, you've got a party going on. That's exactly what's on the menu at Botany Newstead's new R&B brunch sessions, which are kicking off on Saturday, March 19, then returning on the third Sunday of each month afterwards. For $50, you'll start your weekend with a margarita upon arrival, plus a food platter that includes pancakes, avocado on sourdough, bacon and eggs, and brie and crackers — and fresh fruit, potato gems, mushrooms, cheddar, pita bread and more, too. And, the kicker: the DJ-spun tracks that'll get your toes tapping. You will need to purchase your drinks as you go after that first marg, but there'll be a Patron cart doing the rounds to top up your glass — with classic, spicy, watermelon, and peach and jalapeno varieties available. And if you have a partner and/or some mates who love 90s and early 00s R&B as much as you do — everyone does — that's perfect, because heading along in groups of at least four is recommended.
"One more thing, Manson is small, like, really small — try not to stare," talkative serial killer Ed Kemper (Cameron Britton) warns FBI agents Holden Ford (Jonathan Groff) and Bill Tench (Holt McCallany) in the new trailer for Mindhunter season two. If you didn't know, Charles Manson was only 157 centimetres tall (just under 5"2), which is short — especially in comparison to Kemper's towering 206-centimetre (6"9) frame. In this season of the show — which finally drops on Netflix on Friday, August 16, returning two years after the series first hit the platform — the agents are hoping Manson (Damon Herriman) will help them solve the Atlanta child murders. For the uninitiated, across 1979–81, at least 28 kids, teens and adults were killed — and this second trailer for the show's new season shows the reaction in Georgia, the agents desperately trying to solve the case and some particularly gruesome murders. This time round, expect more criminal profiling and psychological thrills, obviously, with the show based on the excellent non-fiction book Mindhunter: Inside the FBI's Elite Serial Crime Unit. Expect more meticulous Fincher magic as well, as the Seven and Zodiac filmmaker continues his on-screen fascination with serial killers. He has company behind the lens, thanks to Australian director Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford) and US helmer Carl Franklin (Devil in a Blue Dress, Out of Time). Get creeped out by the second trailer for Mindhunter season two below (and the first here, if you haven't already): https://www.youtube.com/watch?v=PHlJQCyqiaI Mindhunter season two drops on Netflix on Friday, August 16.
Tuck into a wagyu croquettes, sip fairy floss-topped cocktails, peer at street art: that's what's on the menu at the latest eatery to join Howard Smith Wharves. The Crystalbrook Vincent has given its ground-floor eatery a makeover, farewelling Polpetta and welcoming in Mews instead — and the revamped space takes inspiration from laneway culture. That means that you'll find art by local creatives gracing the restaurant and bar's walls, including pieces by artists such as Mr.Sor2, JORDACHE and James Ellis. Towering portraits, impressive floral murals, a couple of astronauts, tiny doors: that's all there for you to stare at while you eat and drink, with Mews officially opening on Thursday, August 11. The aim: to add another layer of art to the already art-focused hotel, which started its life as The Fantauzzo, then became Crystalbrook Vincent. With both monikers, the riverside place to stay pays tribute to photographer Vincent Fantauzzo, and features more than 180 of his works across over 500 prints (yes, some pieces pop up more than once). At Mews, while you're checking out the impressive walls, you'll be able to feast on either breakfast or dinner — or drinks. During its morning operating hours, the eatery dishes up eggs benedict made with Yatala ham hock; Montville forest mushrooms; and duck, fig and rosé cassoulet with Stanthorpe green apples and peas. Yes, serving a seasonal- and local-focused menu is a key driver behind Executive Chef Andrew McCrea's culinary lineup. Indeed, 80 percent of the produced used at Mews is sourced from local artisans, farmers and fisherman from within three hours of the restaurant. From the dinner range, that includes ingredients for its flower garden, which pairs Sunshine Coast zucchini flowers with Gatton goat's curd, baked marigold, Sunshine Coast figs and olive soil; the tuna tartare, which features Gold Coast yellowfin tuna and pennywort tartare, Byron Bay mustardale and smoked Gatton egg; and the Moreton Bay bug with spicy cornbread and myrtle, Everton Park honey jus, succulent pickle and citrus paint. Other standout dinner options span those aforementioned wagyu croquettes, a Wivenhoe mushroom garden with sheep's milk on black garlic soil, plus slow-roasted three-day truffle carrot. And, for dessert, highlights include chocolate frozen mousse paired with tangelo curd, sandpaper fig and macadamia fudge, sweet marigold dew, chocolate popping compost and lime glass — as well as a dish called 'The Jackson Pollock', which features passionfruit curd, fizzy maple honeycomb, white chocolate roast and lemonade fruit coconut ice. The drinks lineup features bloody marys and mimosas over breakfast, along with a focus on Aussie wines from both up-and-coming producers and well-known names, with Witches Falls and De Beaurepaire Wines given spotlight spots on the menu. If you're keen on a cocktail, classics such as mint juleps, sazeracs and gimlets sit alongside a small range of signature concoctions. Pick something from the latter and you can try 'The 777', which features vodka, chambord, apple, wonderfoam and fairly floss; 'Big Fat Pig', which is made with bacon-infused Makers Mark bourbon, apricot and mandarin marmalade, chocolate liquor, agave and pancetta; and the 'Salute The King' featuring Brookies Mac, Brookies dry gin, mint, and sweet and sour. Find Mews at the Crystalbrook Vincent, Howard Smith Wharves, 5 Boundary Street, Brisbane — open from 6.30–10.30am weekdays and 7–11am weekends for breakfast, 5–9pm Monday–Saturday for dinner, and from 9pm Friday–Saturday for nightcaps.
Prosecco, you've probably been drinking a lot of it in your Aperol cocktails this summer — we don't blame you, it's delicious — but there's so much more to the bubbly Italian wine than being a splash in a spritz. Indeed, prosecco is a tasty tipple in its own right. But, to fully experience its nuanced beauty, you must go directly to the source. That's where the King Valley comes in. Located in northeast Victoria, the region is known for its irrefutably fresh produce and first-rate vino — there's even a place called Prosecco Road that's packed with neat rows of prosecco vines and rivals Northern Italy when it comes to beauty. So, to help you plan your extra bubbly getaway, we've partnered with the purveyors of fizz at Dal Zotto Wines to bring you some top prosecco-filled experiences to have in the King Valley. Get ready for one helluva bubbly weekend. EAT AND DRINK First things first, you'll need to get your prosecco fix, so head to Dal Zotto Wines. Nestled among soaring gums and rolling hills, the charming cellar door is a real family affair. Patriarch Otto Dal Zotto planted the first prosecco grapes on the property back in the 90s (which just so happen to be the very first prosecco vines in Australia) and released Australia's first prosecco in 2004. Now his sons, Christian and Michael, continue to craft quality vino, while matriarch Nonna Elena maintains the on-site kitchen garden that provides seasonal produce for the trattoria. It's all about la famiglia here, and you can taste it in every bite and drop. Work your way through the five different styles of prosecco, before tucking into homemade pizza, antipasto and charcuterie. All the produce you'll taste is grown and handpicked from the garden and — alongside the knock-out prosecco — is the real hero here. Don't forget to grab a couple bottles of your favourite bubbly to-go; you'll need it over the weekend. Trust us. If you're after something a little more substantial — and we mean substantial — head to Gamze Restaurant and Smokehouse Door in Milawa. Occupying a converted 150-year-old tractor garage, the smokehouse slings all kinds of mouth-watering meat and deliciously stodgy food, as well as local wines and craft beer. Go straight for Felix the Dog, a footlong grilled kransky with fried onion, sauerkraut and barbecue mayo, which is sure to satiate even the hungriest of travellers. While there's no prosecco here, there is a juicy 2016 Dal Zotto Cuore Del Re available by the glass and bottle. Finally, be sure to stop by Milawa Cheese Factory for a cheese and wine flight. Located in the town's historic butter factory, Milawa Cheese Company has been slinging wedges of the good stuff since 1988 and only uses artisanal cheesemaking methods. Every wheel is made by hand and preservative free, so you can only imagine the incredible flavour. In addition to the comprehensive cheese offering, there's also an on-site restaurant Milawa Kitchen and the Walnut Tree Collection gift shop. But, really, who needs gifts when you can take away cheese? SEE AND DO While it may be tempting to spend the whole weekend wining and dining, there are also heaps of fun outdoor adventures to embark on in the King Valley. Not only will you be exposed to the idyllic countryside, but sweating it out will make you feel as though you've earned the prosecco to come. Plus, those feelgood exercise-induced endorphins never go astray. Start with a trip to Paradise Falls. True to its name, it's an idyl buried deep in the Alpine National park, just outside of Cheshunt. Misty falls, mighty rocks and Australian natives to boot, this peaceful oasis is the perfect place to while away a day. And, since there are picnic facilities, you can pack a bottle of Dal Zotto prosecco and some gooey cheese and have yourself a fancy little lunch. The best part? It's only a 20-minute return bushwalk to the falls and back. If you'd prefer to check out the sites on two wheels, take the Milawa Gourmet Bike Ride. The ten-kilometre 'Pedal to Produce' route will take you past some of the region's famed gourmet food stores and give you the opportunity to procure some local treats while, of course, sampling the goods at renowned local eateries along the way. The journey will take around an hour, depending on how leisurely you pedal, and can be tackled by people of all fitness levels. Next, stop by the King River for a spot of fishing. Now, we're not suggesting you go full Rex Hunt, but casting a line can be super relaxing. There's a top-notch fishing spot at Upper King River Road, where the river meets Lake William Hovell. While you're awaiting your perfect catch — a rainbow trout or redfin, perhaps — you can take in the lush forest surrounds. How's the serenity? Finish up with a picnic by the river's edge, featuring the gourmet goods from your bike ride, a bottle of bubbles and, who knows, maybe a fish? (BYO barbecue or sashimi knives.) STAY After all that eating, drinking and sightseeing, you'll need a place to rest your weary head. Luckily, there are plenty of twee country cottages to stay in around the King Valley — one of the cutest being Cortes Cottage. Set on one of Australia's oldest operating walnut farms Valley Nut Groves, this secluded weatherboard home exudes relaxed rural vibes and is a lovely place to unwind. Comprised of two bedrooms — one with a queen-sized bed, the other with two singles — the cottage has all the creature comforts, including a clawfoot bath, record player, fully equipped kitchen and that all-important rainfall shower. It's a house built for chilling — but if you're itching for an adventure, take a short 15-minute stroll through the paddock till you reach Ovens River. Go for a swim, skip rocks, cast a line — the choice is yours. To finish the weekend on a high, we suggest popping a bottle of prosecco and watching the sunset by the river Start planning your trip to King Valley, first stop: Dal Zotto for a glass of bubbly perfection. And once you're there, share your first Dal Zotto drink experience to Instagram and hashtag #FirstDZ to go in the running to win a year's worth of Dal Zotto prosecco and many more weekly prizes.
What features a bruised and bloody Man of Steel (David Corenswet, Lady in the Lake), plus his dog Krypto dragging him home? The first teaser trailer for Superman did when it dropped in December 2024. What builds upon that scene, showing how the superhero canine first wants to play, then takes his human companion back to the Fortress of Solitude? The new almost five-minute sneak peek at the film that initially premiered at CinemaCon 2025, and has now been released online by writer/director James Gunn. Gunn hasn't just penned, helmed and produced Superman. He's also overseeing the new DC Universe in his role as co-CEO and co-Chairman of DC Studios. His take on Krypton's most-famous figure is the debut film in the new franchise, and it has a date with cinemas in July 2025 — but you can now see a bit more of it in advance, before much of what was in the first teaser follows. Alongside Corenswet as the flick's eponymous character, Superman boasts Rachel Brosnahan (The Marvelous Mrs Maisel) as Lois Lane and Nicholas Hoult (Nosferatu) as Lex Luthor, plus Gunn regular Nathan Fillion (Deadpool & Wolverine) as Green Lantern and Anthony Carrigan (Barry) as Metamorpho. Milly Alcock (House of the Dragon) also co-stars Supergirl, as part of a cast that spans Isabela Merced (Alien: Romulus), Frank Grillo (Tulsa King), Skyler Gisondo (The Righteous Gemstones) and Wendell Pierce (Elsbeth), too. As always in the Super, The Suicide Squad, and three-time Guardians of the Galaxy filmmaker's work, Gunn's brother Sean (Creature Commandos) is among the ensemble as well. If it feels like Superman has been missing for cinemas for a while — well, in these superhero movie-heavy days, that is — that's because it's been eight years, since Justice League. That's when Zack Snyder's film initially arrived in its theatrical version (Zack Snyder's Justice League, aka the Snyder Cut, debuted on streaming in 2021). In the DC Universe, Superman will be followed by Supergirl: Woman of Tomorrow in 2026, as directed by Dumb Money's Craig Gillespie. Clayface will also release in the same year, working with a script from Doctor Sleep and The Fall of the House of Usher's Mike Flanagan. As for Superman's story, the trailers aren't big on narrative detail, but Gunn's take on the character is set to be a superhero who believes in humanity's goodness — even if presumably Lex Luthor tests that idea. Check out the latest sneak peek at Superman below: Superman releases in cinemas Down Under on Thursday, July 10, 2025.
It truly is the greatest time of the year to eat. From towering grazing platters to prawn cocktails and unnecessary cheese courses at every meal, this is where you can really pull the rip cord and unleash your BES (Best Eating Self). But let's face it, tis the season for eating meat (with apologies to our plant-based friends). And while it's hard to beat the enduring festive classics like a gleaming glazed ham dotted with cloves or the once-a-year visit to turkey town, Christmas is also a great time for doing things differently so they feel special — and your third and fourth helpings are really well-earned. In this quest for memorable Christmas meat feasts, we turned to the experts. The carnivore whisperers. The ones behind the slabs representing that great trade that will never die. We asked the butchers. DARREN O'ROURKE - VIC'S MEATS, NSW "When it comes to something new as the showstopper on your festive table, in my world it's all a fantastic cut of meat. If I have the energy after the madness leading up to it, I would try a milk-poached pork neck in a bread sauce (pork neck is really versatile and where a scotch fillet steaks comes from), a slow-cooked lamb leg with a whiskey and pepper berry glaze or whole roast beef tri-tip with salsa verde as that centrepiece. And you can't forget the greens, of course." Here is Darren's beautiful collection of recommended sides: Brined and roasted whole cauliflower, anchovy and thyme beurre noisette Broccolini, kale and green beans, lemon vinaigrette Iceberg lettuce (yes iceberg lettuce!), eschallots, green olives and chardonnay vinaigrette Roast potatoes and fried caper berries and chilli Raw vegetables, bagna cauda LUKE LEYSON - GOODWOOD QUALITY MEATS, SA "Starter — Sausage rolls should be front of mind when thinking of Australian Christmas starters. To start with, you want to grab some English pork sausage meat from your local butcher. If they don't sell it separately, just remove the skins of their pork sausages (they won't be offended). Add some Christmassy flavours, such as sage and macadamia nuts, and these beauties can be prepared before the big day so you can pop them into the oven on Christmas, hassle-free." "Main course — For me, Christmas is about two things: being organised and pork (I could fit family in there somewhere, but I'm happy with my decision). This Christmas Eve, or Beermas as we call it in our family, I am slow-cooking a Boston Butt for pulled pork for the big day so all I need to do is re-heat and eat. Two things, amazingly delicious and you can use your favourite ham glaze on this whilst smoking to add a bit of Christmas spirit. Wraps, burgers, sliders, or part of a salad; pulled pork is very versatile." "Glazed ham – If you love your Australian ham and want to take your relationship with it to the next level, you need to be glazing your ham. Peel the skin off, score the fat, heat up the ham in your oven or BBQ and lather that good flavour of an amazing glaze over the top. Normally, I would go anything sweet and citrussy as my go-to but this year calls for Australian Pork's newest glaze recipe Spiced Coffee, Maple Syrup and Bacon Glaze. After all the work involved during the Christmas Week rush, us butchers will need the extra caffeine to get us through the day." ANDREW VOURVAHAKIS - ANDREW'S CHOICE, VIC "There is something really comforting about a meal centred around a roast. It's about so much more than putting food on a plate as it seems to somehow capture a theatrical element of cooking and eating whilst honouring the cook who has infused the meal with their very own meraki. We strongly believe food is a celebration and we aim recreate flavours that transport you back to time spent around the family table." "This Christmas you can't go past an Italian favourite: the porchetta. A noble dish that usually takes centre stage of family feasts around the festive season. There is a certain opulence reminiscent of Medieval banquets, sans the wild boar with an apple stuffed into its mouth. At Andrew's Choice our St. Andrews Roast Porchetta is made using the finest Australian pork loins that are hand rolled and seasoned with a traditional spice blend of garlic, rosemary and a hint of chilli, before it is tied and slowly roasted to perfection." ALASTAIR STEVENSON - GILLY'S SMALLGOODS, QLD "I think a rolled collar butt with some sweet glaze would be a great roasting option, obviously the loin is very popular but I think the collar butt is perfect with the marbling through the meat. At Gilly's we also produce mini portion hams utilising the primal cuts in the leg but I don't think you can beat the traditional bone-in leg ham … it is Christmas!" Alastair is right: it is Christmas. So whether you're sticking with a classic leg of ham, going all-out on slow-cooked lamb and homemade sausage rolls, or saying 'screw you, meat, I'm barbecuing a whole fish!', we salute you and wish you the warmest tidings for the festive season. Happy beermas, everyone. Main image: Darren O'Rourke (L) and Luke Leyson (R),
Like beer? Like trying local boutique brews? Ever feel a little overwhelmed by the number of options available? While no one should complain about the wide variety of beverages those fond of a tipple can now access, attempting to try them all can prove overwhelming. That's where Five Flavours comes in. Changing its microbrewery of the moment at each event, the festival showcases different varieties to give beer lovers a taste of the options they might be missing. On November 14, 4 Pines is in the spotlight, serving up their finest beers and ciders. Beer isn't the only thing on offer at Five Flavours though, with the festival also featuring a menu of contemporary tapas ranging from Korean barbecue chicken to kangaroo plum pies. And, the music lineup will keep patrons in the boozing, grazing mood, courtesy of live acoustic sets from Hailey Calvert, Neil James, Ross Burbury, Amber Lynn and Nick Warren.
Google unwrapped a gift for all Internet music fans in the form of their new streaming platform Google Play Music All Access. The new service is Google’s attempt to stake a claim on the music streaming market, which now has a customer base in the hundreds of millions, and steal some of the users of already popular apps Spotify and Grooveshark. The product not only offers the streaming of music and radio online but also allows users to merge their existing music libraries with the millions of tracks available on Google Play (minus The Beatles of course who are digitally exclusive to iTunes), with new tracks suggested based on their similarity to your own music. Users can then create playlists from their amalgamated music log that can also be accessed offline. Whilst these features are very similar to platforms like Spotify, it is their unique radio features that Google is hoping will prove the difference. The primary selling point is that you can reorder and skip tracks at will. That’s right, you can organise the radio that you are listening to. Unlike many other products that offer a free version, the service is subscription-only with a fee of $10 a month. However, Google are offering a 30-day free trial to sweeten the deal. You can also purchase tracks to keep forever if you want to. It can all be popped into your cloud as well, meaning you can access it anywhere, anytime, even on your Android. Google have tried to cover all needs of the online music user here and whilst the service is only available State side at the moment, it will be soon be accessible to all World Wide Webbers. The announcement wasn’t the only reward offered by the Internet moguls at Google I/O, every tech developer’s favourite annual conference. The giants are also upgrading their maps, removing the sidebar from the platform to concentrate activity on the map itself. Maps are also set to be personalized, with your favourite restaurants and hangouts appearing so that you can find you way there quickly no matter where you are. Public transport directions are also improved, meaning all we bus users can finally find out exactly where to hop off, instead of being left with an unplanned walk resembling a marathon. Plus it just looks cooler — you can even go underwater. Having a verbal conversation with Google is about to get a whole lot easier too, with the new Conversational Search feature employing data about you to create a more relevant search result. Other announcements include a new API that will sync your notifications so that if you dismiss one on your tablet, it won’t annoyingly set your phone off too; Google Now Cards to remind you about appointments and Game of Thrones episode releases; as well as other more minor developments and upgrades. Like Google Play Music All Access, these features may not be immediately accessible in Australia and New Zealand but they should be on their way soon. [Via Gizmodo]
When you're playing tourist in a city, be it your own or somewhere far from home, there are two tried-and-tested ways to get a great glimpse at your surroundings. If you're fine with heights, head up. If you're comfortable with hitting the water, get cruising. A new Sky Deck is on its way to Brisbane to help with the first option — and, with the second, so is the return of glamorous floating venue Seadeck. This three-level vessel is no stranger to joining the Queensland capital's list of things to do near, around, in or on its very own river, but it hasn't made its way to Brisbane for six years. That drought breaks from Saturday, August 10, when Seadeck is doing both brunch and sunset cruises on weekends. Then, come Brisbane Festival time for 2024, it'll become the fest's Art Boat for this year. It's actually thanks to that Bris Fest berth that Seadeck is making a comeback until the end of September, after the event was keen for fellow floating venue Oasis to do the honours for its on-the-water art experience. With Dave Auld, Managing Partner for both vessels, organisers came to the conclusion that 42-metre Seadeck with its two bars, loungers aplenty and retractable awning would be a better fit, however. Sydney's first permanent floating venue, Seadeck initially debuted in the Harbour City in October 2016, then made trips to Brisbane in both 2017 and 2018. When it launched, it was designed to be the epitome of handcrafted luxury — from the handmade tiles and custom-designed brass bar to the bespoke furniture from every corner of the glove, everything you see was tailored for floating. Each of the three decks is connected by sweeping staircases and cast iron lace railings, an homage to Hollywood's golden age of the 1920s, 1930s and 1940s. Yes, the word "swank" should come to mind. For its third stint in the River City, Seadeck is doing both brunch and sunset cruises each Saturday and Sunday between August 10–25. At the first, which costs $150 per person, you'll tuck into canapes over beer, wine and bubbles — plus either a bloody mary or a mimosa to start — while scoping out the city. At the second, you'll pay for what you want to eat and drink on top of your $30 ticket.
There are many ways to spend Halloween, from dressing up and eating too many lollies to partying and hitting up spooky events. But watching John Carpenter's Halloween on October 31 remains one of the greatest ways to spend the occasion for one simple reason: 43 years on, it's still an absolute masterpiece, as well as one of the best horror movies ever made. This year, you can also pair Jamie Lee Curtis-starring 70s classic with the latest entry in the franchise that it's spawned over the past four-plus decades. Obviously, you can match up the OG Halloween with any of the flicks in the saga each and every year — but in 2021, Halloween Kills is finally hitting cinemas. Since that first movie back in 1978, the Halloween series has been through quite a few ups and downs. Clocking up ten follow-ups and 11 movies in total until now, the slasher franchise has delivered excellent and terrible sequels, veered into remake territory, both killed off and brought back its heroine, and completely erased parts of its own past several times. And, like its mask-wearing villain Michael Myers, it always finds a way to go on. Since 2018's Halloween, that's been especially great news, with the Jason Blum-produced 11th flick in the franchise proving a smart, thrilling horror delight, and ranking second only to the movie that started it all. Indeed, the film was such a success that two more sequels are headed our way from the same team (aka Blum, writer/director David Gordon Green and co-scribe Danny McBride): Halloween Kills and Halloween Ends. Originally, Halloween Kills was due to hit screens last year, in October — when else? — but, as announced in 2020 by franchise creator John Carpenter, it moved back its release to October this year. That's now fast approaching, with fans soon able to make a return trip to Haddonfield. Yes, that means that Curtis' spirited Laurie Strode will have another altercation with her lifelong nemesis, too — because, when it's at its best, that's what this franchise is all about. Picking up where its immediate predecessor left off, Halloween Kills will also take a few cues from another movie in the series, as its initial trailer and just-dropped latest sneak peek shows. Not one but two teasers last year set the scene for the saga's 12th entry, but the latest clips dive deep into the storyline. Following the events of the most recent film, Laurie ends up in hospital with life-threatening injuries just as Michael starts stalking through Haddonfield again — which is the same storyline that Halloween II followed exactly 40 years ago. Thankfully, if the last flick is any guide, Halloween Kills shouldn't prove a needless remake. Green and McBride did a stellar job of nodding to the past while finding a new way forward with 2018's Halloween, after all — and leaving horror fans definitely wanting more. This time, too, Laurie and her daughter Karen (Judy Greer, Valley Girl) and granddaughter Allyson (Andi Matichak, Son) team up with other survivors of Michael's rampages and decide to hunt down their attacker. Check out the latest Halloween Kills trailer below: Halloween Kills will release in Australian cinemas on October 28, 2021. Top image: Ryan Green/Universal Pictures.
If you're under the impression that Bundaberg is only good for sugarcane and rum, you're sorely mistaken. While it's true that the Bundaberg region is responsible for much of Australia's agricultural industry, in recent years the area's endless output of fresh produce has also led to a rise in local farm-to-table restaurants, with some of Australia's top cooking talent setting up shop in the area. Meanwhile, thanks to the region's prime position along Queensland's coastline, the area boasts a host of natural landmarks that comfortably go toe-to-toe with Australia's best-known destinations. It's also only a four-hour drive from Brisbane. Read on to find some of our favourite places to eat, drink and play in Bundaberg. [caption id="attachment_749802" align="alignnone" width="1920"] Pocket Storehouse by Paul Beutel[/caption] EAT Bundaberg might still be a country town at heart, but it's got more than a few awesome dining experiences that give it a cosmopolitan touch. The Windmill Cafe Bargara is a must-visit stop when you're in the mood for some of the region's best coffee, which is made with fresh filtered rainwater. The menu offers all your favourite breakfast and lunch classics, alongside plenty of vegan and vegetarian options. Plus, it has an in-house gelateria serving 25 sweet flavours that are best enjoyed on a stroll along the coastline. Back in Bundaberg city is another headline restaurant: Water Street Kitchen. Led by chef Alex Cameron and his partner Jen Cameron, the meals are delicately put together using ingredients produced on a range of local farms. Having initially run a successful catering company, the duo decided it was time to put a face to their creations, opening their cosy restaurant in 2017 and quickly becoming one of the city's most acclaimed fine-dining destinations. [caption id="attachment_752093" align="alignnone" width="1920"] Paul Beutel[/caption] Once you start craving another coffee, Alowishus Delicious is a fine choice, having taken home top honours from the 2018, 2019 and 2020 Countrywide Cafe of the Year awards. And when it's finally time to make dinner plans, head down to the H2O Restaurant & Bar. You'll find high-quality modern Australian dishes, with a striking view of the Burnett River to match. [caption id="attachment_749822" align="alignnone" width="1920"] Kalki Moon by Paul Beutel[/caption] DRINK Bundaberg's reputation for rum certainly precedes it, but the Kalki Moon Distilling & Brewing Company has built its legacy within the world of gin. As the first Queensland distillery to win first prize for its London-style gin at the Australian Distilled Spirits Competition, Kalki Moon has also received a range of commendations from around the globe. Be sure to stop by the distillery's cellar door for a free guided tour and samples of its handcrafted tipples, and to pick up some souvenirs to take back home. Across town at the Ohana Cider House and Tropical Winery you'll discover some delightful drinks that wouldn't be out of place at any big-city bar. Having taken a holiday to Hawaii and fallen in love with the tropical climate, founders Zoe Young and Josh Phillips left behind their desk jobs in Perth to buy a piece of Bundaberg land, where they established their much-loved tropical winery. Since then, they've gone on to release ciders ranging from dry apple to pineapple and strawberry, as well as produce some of the region's top vino. Ohana Cider and Tropical Winery by Paul BeutelIf you can't wait to get your hands on some more Bundaberg-made wine, your next stop has to be the Hill of Promise Winery, located 40-minutes south of Bundaberg in the township of Childers. Here, winemaker Terry Byrne carries on the traditions of his Sicilian family, who moved to the region in the early 1900s, by making fortified reds to sparkling whites and Italian classics like limoncello. For an expertly made cocktail, Bert's is the place to be. Honouring the life of local aviator Bert Hinkler — who achieved a flurry of Australian flying records — the 1920s-themed bar ensures his pioneering spirit lives on. There are pizzas and share plates, plus a lengthy list of cocktails and aperitifs, including specialities like French pear martinis. [caption id="attachment_749819" align="alignnone" width="1920"] Lady Musgrave Island[/caption] DO The Bundaberg region is alive with natural wonders that draw visitors from all over the world. One of the most unique is the Mon Repos Nightly Turtle Encounter, a once-in-a-lifetime experience that'll leave you feeling like David Attenborough in the making. During Bundaberg turtle season, which runs from November to March, you can experience turtle conservation first-hand on the only ranger-guided turtle encounter on the east coast. Between November and January, you can witness mother turtles emerge from the deep blue and make their way up the beach to nest under the moonlight. Later in the season (late-January to late-March), you'll be able to look on as adorable hatchlings emerge from their sandy nests and scurry down to the beach. Next, dedicate some time to exploring the Southern Great Barrier Reef. Bundaberg is perfectly positioned at the first and most accessible point of the reef, and coral cays Lady Musgrave Island and Lady Elliot Island are the best places to experience the pristine waters and diverse marine life that the region is famous for (and, no doubt, why you're there). To explore Lady Musgrave Island and spend a day snorkelling with turtles, manta rays, tropical fish and other sea life, book a day trip with Lady Musgrave Experience. Your day tour includes transportation on a luxury catamaran from the Bundaberg coast, plus morning tea, lunch and afternoon tea. [caption id="attachment_749818" align="alignnone" width="1920"] Lady Musgrave Island by Melissa Findley/Bundaberg Tourism[/caption] Just to the south is the picturesque Lady Elliot Island, which showcases some breathtakingly beautiful lagoons, as well as the last coral cay amid the Southern Great Barrier Reef. You can access the island for a day trip via a scenic flight with Lady Elliot Island Eco Resort or, if you want to stay a little longer, book a night's stay in one of its cosy glamping tents. Naturally, it wouldn't be a trip to Bundaberg without a stop in at the Bundaberg Rum Distillery. You'll get to roam the sprawling museum and learn the secrets behind what it takes to be a master blender. A visit to The Bundaberg Rum Distillery guides you through a state-of-the-art facility before you take a break at the bar. [caption id="attachment_749815" align="alignnone" width="1920"] Bundaberg Rum Distillery[/caption] The Bundaberg Region has activities for outdoorsy types aplenty, there are endless hikes to embark upon within the Cania Gorge National Park and Mount Walsh National Park. For something with a little less action, the white-sand beaches of Elliot Heads are just 20 kilometres from Bundaberg city, making it the perfect spot to catch Queensland's famous sun. [caption id="attachment_749827" align="alignnone" width="1920"] Kellys Beach Resort[/caption] STAY Situated overlooking the black volcanic beaches of the Queensland coast, C Bargara Resort is a luxe stay for weekenders looking to make the most of their time in Bundaberg. The resort sports a collection of bright apartments and penthouses, plus a sleek swimming pool with a sundeck. For something more back-to-basics, Kellys Beach Resort's charming self-contained eco villas are set against a backdrop of tropical gardens, while there are also tennis courts, a spa and a sauna for maximum relaxation. Bundaberg has plenty of great camping spots, too. The Burrum Coast National Park showcases an oceanfront camping area along Kinkuna Beach, while the Cordalba National Park places you among some of the state's best hiking trails deep within the eucalypt woodland. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world. Top image: Lady Musgrave Island by Darren Jew/Tourism and Events Queensland.
Poirot goes horror in A Haunting in Venice. As unsettling as it was in its pointlessness and indulgence, Death on the Nile's moustache origin story doesn't quite count as doing the same. With Kenneth Branagh (Belfast) back directing, producing and starring as the hirsute Belgian sleuth for the third time — 2017's Murder on the Orient Express came first — Agatha Christie's famous detective now gets steeped in gothic touches and also scores the best outing yet under his guidance. The source material: the acclaimed mystery writer's 1969 novel Hallowe'en Party. Returning screenwriter Michael Green (Jungle Cruise) has given the book more than a few twists, the canal-lined Italian setting being one. Venice makes an atmospheric locale, especially on October 31, in the post-World War II era and amid a dark storm. But perhaps the most important move that A Haunting in Venice makes is Branagh reining in the showboating that became so grating in his first two Poirot movies. Even if you've never read Christie's work or seen Poirot on the screen before, three details have become as widely known as the figure's existence: he's a detective, he's eccentric and, to the benefit of solving cases upon cases, he's obsessive. Thankfully, three also seems to be the magic number in letting the investigator's quirks feel lived in during his current cinema run, rather than constantly overemphasising every idiosyncrasy. Both A Haunting in Venice and Branagh's performance are all the better for that choice. When not just puzzling but also spooking is on offer, such a shift is essential, allowing bumps, jumps and eeriness to set the mood and style over an overdone central portrayal. Branagh is helming a haunted-house story this time around, after all — and while ghost tales need people to torment, overblown identities shouldn't be the most disquieting thing about them. He's also made a picture about grief and trauma, two experiences that change personalities. In relocating to the sinking island city and withdrawing from the whodunnit game, his new status quo when the film begins, A Haunting in Venice's Poirot has already done his own toning down. It's 1947, a decade after the events seen in A Death on the Nile, and bodyguard Vitale Portfoglio (Riccardo Scamarcio, The Translators) helps keep life quiet by sending away everyone who seeks the sleuth's help. The exception: Ariadne Oliver (Tina Fey, Only Murders in the Building), a Christie surrogate who is not only also a celebrated author, but writes crime fiction based on Poirot (with Fey slipping into her shoes, she's a playful source of humour, too). When the scribe comes a-knocking, it's with an invite to a séance, where she's hoping that her pal will help her to discredit the medium, Joyce Reynolds (Michelle Yeoh, Everything Everywhere All At Once), who has the town talking. The supernatural isn't Poirot's thing, unsurprisingly. Usually, that applies to the stories that he's in and his perspective. But Ariadne herself is starting to be convinced that Joyce might be the real deal, as she explains while persuading her friend into assisting. In A Haunting in Venice, belief isn't much Poirot's thing either — although unnerving visions do begin lingering in his view. As much as Branagh, cinematographer Haris Zambarloukos (another veteran of the first two pictures), composer Hildur Guðnadóttir (an Oscar-winner for Joker) and editor Lucy Donaldson (The Midnight Club) have fun diving into horror, and they do, embracing the occult was never going to be on the cards for movie's main character. Instead, getting his mystery-solving mojo back is part of the predictable plot; more than in Branagh's past two Poirot flicks, A Haunting in Venice feels comfortable rather than inert in its formula. From that setup, the film unfurls over one night and in a sole spot: a grand yet crumbling palazzo. The building was previously an orphanage where many kids met their death and has seen other folks follow them since, with local legend chalking up the abode's misfortunes to "the children's vendetta". Ex-opera singer Rowena Drake (Kelly Reilly, Yellowstone) now owns the structure — and it's her daughter Alicia's (feature debutant Rowan Robinson) passing that's inspired her to enlist Reynolds' services. Count her among the suspects when a body shows up, alongside Leslie Ferrier (Jamie Dornan, The Tourist), Drake's family doctor; Leopold (Jude Hill, Branagh's Belfast breakout), his precocious son; Olga Seminoff (Camille Cottin, Call My Agent!), the mansion's housemaid; Desdemona and Nicholas Holland (The Crowded Room's Emma Laird and Everyone Else Burns' Ali Khan), brother-and-sister war refugees; and Maxime Gerard (Kyle Allen, West Side Story), Alicia's American former fiancé. The expected Poirot template still dictates A Haunting in Venice's basics; few deductive skills are needed to see why Hallowe'en Party's name and city were changed to fit the franchise's mould, for instance. So, murders occur, fingers are pointed, everyone has a motive and the movie's main man gives his brain a workout. Also, getting the pool of accused jostling — and the actors playing them, of course — remains as baked into the feature as in its predecessors. This rogues' gallery makes a finer job of it than the past talents in the same position with Branagh. They're more cohesive as a group, and even as well. Fey sparkles with acerbic wit, Yeoh is confidently serene, Cottin frays nervily, Laird is a picture of unease, and having Dornan and Hill play father and son again after Belfast is a nice touch. With Branagh bringing more nuance to his role than ever, his co-stars never feel like they're being thrust into the shadows by their director and lead. There's zero subtlety in the filmmaking, though, nor should there be in a gleeful gothic-horror spin on Poirot. Cue a wealth of visual flourishes that convey a murder-mystery with purposefully disorientating excess — and shine. Thanks to Venice, the horror genre's fans will already be thinking about 70s great Don't Look Now, which arrived in cinemas before that decade's Murder on the Orient Express and Death on the Nile. Spotting odes to Italian giallo master Dario Argento are easy to find, too. Close ups, tilted angles, wide-angle shots, leaping from high to low perspectives, tight focus, making the utmost of the Venetian architecture: they all add to the macabre-and-loving-it air. They also boost a much-needed point of difference in these whodunnit-heavy times. Branagh's flicks have been outshone comically by everything from Knives Out and its sequel to the small screen's Only Murders in the Building and The Afterparty, so getting creepy proves a successful way of fending off their spirits; fittingly, it's a canny trick and enough of a treat.
A drive to the airport in a rideshare is one of life's mundane experiences, whether or not you're en route to a wedding, and also regardless of if you're meant to be collecting your partner and their dry-cleaned suit along the way. In Fake, this routine journey on an average Melbourne day is a masterclass in tension, a portrait of an unravelling and an unwanted realisation unfurling with no escape. With journalist Birdie Bell (Asher Keddie, The Lost Flowers of Alice Hart) sitting in the backseat as much that she's trusted melts down, it's a stunning episode of television, arriving five instalments into this eight-part Australian thriller that brings its page-to-screen and reality-to-fiction tale to Paramount+ in full from Thursday, July 4. Viewers spend the preceding four episodes of Fake waiting for a moment like this. For those who haven't read Stephanie Wood's memoir of the same name, charting her time dating a former architect-turned-grazier who pairs his grand romantic gestures with erratic behaviour, there's still no doubt that it's coming. It has to, and not just because series creator Anya Beyersdorf (The Twelve) and her co-scribes Jessica Tuckwell (Year Of) and Hyun Lee (Born to Spy) have Birdie's beau Joe Burt (David Wenham, Elvis) note in voiceover that she was onto him from the get-go. While Fake is a love- and lies-fuelled saga, it's also about how someone gets taken in not by the kind of tales that Joe spins but by the emotions that they prey upon, even when their intuition tingles at the outset — and how deceptions like this, from someone manipulating others and someone fooling themselves alike, always shatter. The words "Joe, 51, grazier" on a dating app introduce the ex-property big shot to Birdie; however, everything that he utters on their first date almost halts their romance there. When the pair meet at a sleek bar, he has a business acquaintance (Yuchen Wang, White Fever) in tow and talks only of himself, grandstanding with the recognisable arrogance of someone who refuses to believe (or simply hasn't stopped once to consider) that they aren't the most-interesting person in the room. She cuts and leaves quickly, despite his insistence to the waitstaff that they'll share more wine. Then she ignores his persistent follow-ups afterwards, until she doesn't. Stylistically, Beyersdorf, her co-writers, and also directors Jennifer Leacey (Prosper), Emma Freeman (The Newsreader) and Taylor Ferguson (Fires) adopt two approaches to bringing both Joe's flurry of messages and Birdie's inner questioning to audiences. The contents of texts and emails are written across the screen, overlaid upon the scene's ordinary background — train windows feature heavily — and also spoken aloud, as worries about being almost 50, single and heartbroken from a failed IVF experience are similarly given voice through repeated snippets of conversation. Sometimes, Birdie's own words haunt her. Sometimes, Joe's do. Sometimes, the judgement of her sniping mother Margeaux (Heather Mitchell, Ricky Stanicky) echoes. Combined, the impact is inescapable: when his indefatigable pursuit joins her lifetime of doubts, especially that she's being too fussy and will always be alone, relenting to his overtures and investing in his narrative is the inevitable outcome. Fake relays its story within this psychological space — a place where it's clear to everyone, including to Birdie, that little is right — to explore how a person who investigates for a living succumbs to fantasy over fact. Joe gleefully spins dreams, beginning with his quiet farm life, then escalating into bigger and bolder promises. He also ticks the basics, such as showing interest, sticking around, declaring his love and making Birdie feel like romance hasn't passed her by. But Joe equally has a tale for everything that always seems tall. He misses as many dates as he makes, his excuses mushrooming as well. His ex-wife receives ample blame, frequently with the smack of convenience. He's cagey about specifics, too, and vague and defensive when questioned. When Leacey, Freeman and Ferguson, plus cinematographer Sky Davies (House of Gods), devote Fake's frames to staring Birdie's way, they push Keddie's excellent performance to the fore — and it is exceptional. She's the lead in a yell-at-the-TV type of show, where viewers can't help but say aloud that Birdie is making the wrong choice again and again, and grounding those ill-fated decisions in relatable emotions isn't a simple task. The more that Fake peers, the more that it also turns the sight of its protagonist hoping yet fraying into a mirror. One of Birdie's potential articles at work is about homelessness, a situation that's never as far away as most would like to think — and one of Fake's throughlines is that being Birdie with Joe isn't beyond anyone's realm of possibility. Wenham, no stranger to on-screen shadiness and slipperiness but with memories of SeaChange's Diver Dan still imprinted in Australia's pop-cultural memory, is equally first-rate. His remit isn't straightforward, either, selling the charm that still wins Birdie over in tandem with the sketchiness that's lurking beneath Joe's striving facade — and the character is almost ceaselessly striving — which is a gig on par with both Joshua Jackson (Fatal Attraction) and Edgar Ramirez's (Wolf Like Me) efforts in season one and two of medical-meets-romance scam series Dr Death. Indeed, Wenham does such an unshakeable job as Joe that by the time that Fake spends the aforementioned fifth episode in a car with Birdie, his presence doesn't stop cutting deep, nor showing the scars that it's carving, even just over the phone. It's hardly astonishing, then, that Fake is impossible to stop binge-watching once its first instalment puts its pieces in place: that warning-sign initial date, Birdie's loneliness trumping her niggling uncertainty, society's conditioning that to be a woman of a certain age without a partner and kids is to be a failure, the disappointment that we can all direct at ourselves if we haven't met our own expectations and, of course, the clash of Joe's dubiousness and his magnetism, for starters. It's also far from surprising that when the route to the airport beckons, and one of 2024's best episodes of TV with it, Fake's audience is right there in the Uber with Birdie, riding and feeling the same bumps. Check out the trailer for Fake below: Fake streams via Paramount+ from Thursday, July 4, 2024.
Slumbering surrounded by red kangaroos, emus, echidnas and koalas just got cosier, and more targeted to couples keen on an animal-filled getaway without their mates in tow. Up at Australia Zoo, the Queensland tourist attraction has been welcoming overnight guests to Beerwah since 2022, launching The Crocodile Hunter Lodge with two-bedroom cabins. Now, it's expanded its accommodation options to include one-bedroom spaces, adding four new rustic lodges. If you're keeping count, that gives Australia Zoo 12 cabins in total now, all tailored for memorable and unique holidays. Here, patrons can visit the zoo, check out all creatures great and small, then stay the evening. There's even a wild group of eastern grey kangaroos that are seen hopping around the place each day. The four new one-bedroom 'Red Kangaroo' cabins come complete with wraparound decks that peer out over the site's bushland surroundings, as well as the wildlife within it. Expect to spy microbats, owls, kookaburras, possums and parrots, too, with nest boxes placed around the lodges to create homes for each. Also included: king-size beds, kitchens in each cabin, heated floors, smart TVs in the lounge, private carports and stone bathtubs for post-zoo soaks. Plus, guests all get access to The Billabong, the Crocodile Hunter Lodge's 25-metre infinity pool, which also looks out over the native wildlife. "We're delighted to introduce four wonderful one-bedroom cabins for guests, which will help us cater to groups of different sizes," said Terri Irwin. "The Lodge offers a unique and immersive experience that not only reflects on our conservation work, but honours Steve's important dream to connect people with wildlife and encourage them to become true conservationists." Whichever size cabin you stay in, your visit comes with unlimited Australia Zoo entry, where more than 1200 animals await — and a peek inside the Australia Zoo Wildlife Hospital. Getaways here still don't come cheap, though, with prices starting at around $949 for an overnight visit for two adults. For larger groups planning a visit, three-bedroom cabins will also join the site in 2023, with an exact opening date yet to be revealed. When it first opened its doors, The Crocodile Hunter Lodge launched alongside the zoo's Warrior Restaurant & Bar, if you're looking for somewhere to grab a bite during your trip. Boasting a focus on Aussie cuisine, locally sourced ingredients, and paying homage to Indigenous Australians and the plants that have long been part of First Nations diets, it welcomes in lodge guests and general punters for breakfast, lunch or dinner, and also for group bookings in its private dining room. The Crocodile Hunter Lodge's grounds also spans more than 3000 native trees and shrubs, including greenery that provides food for species such as the endangered glossy black cockatoo, with sustainability and conservation is a big focus. Find The Crocodile Hunter Lodge at 88 Irwin Road, Beerwah, Queensland. For further information, or to make a booking, visit the venue's website.
The 2011 World’s 50 Best Bars list has been published by Drinks International, curated by editor Lucy Britner and US drinks writer, Camper English (I can imagine someone with that name sipping cocktails on a daily basis). The pair asked the opinion of around 100 bar professionals, including the Playboy Club’s Salvatore Calabrese, 'King of Cocktails' Dale DeGroff, Esquire US’s David Wondrich and diamond ice-carver Hidetsugu Ueno. These votes were combined with global votes and resulted in a list with bars from 16 countries. Your local favourite may not be on the list, but rest assured that all fifty are well worth the visit next time you find yourself in one of the world's culture capitals. Here are the top ten (and you can download a guide to all of them here). 1. PDT, New YorkPDT, short for Please Don't Tell, is a sexy speakeasy with a deep-fried twist - you can order drunk snack food from the low-key joint, Crif Dogs (from where you enter via the false rear wall of a phone booth), next door. An old-fashioned with a side of frankfurt? Yes please. Where: 113 St. Marks Place, New York 2. Connaught, LondonThe height of London elegance, if you order a martini the waiter will pour gin and vermouth from a crystal tumbler at your table and let you choose an infused bitters from their many flavours. Where: The Connaught, Carlos Place, London 3. Artesian, LondonModern touches like purple mock-snakeskin leather chairs and excellent service brings this Grand Victorian-styled bar into this century and at the top of the list. Play dominos whilst you sip on a rum-based cocktail. Where: Regent Street, 1C Portland, London 4. Death & Co, New YorkSome of the best cocktails in New York can be had in this dark, shadowy speakeasy. Where: 433 East 6th Street, New York 5. Milk & Honey, LondonThis bar is tucked away so not anyone can just wander in - it's members only for most of the week. Regular people can visit at the beginning of the week to try the phenomenal cocktails. Where: 61 Poland Street, London 6. American Bar at the Savoy, LondonThe bar that bore the ultimate cocktail guide, this is London's most iconic imbibing institute. Good luck getting a seat. Where: The Savoy, 100 Strand, London 7. 69 Colebrooke Row, LondonIf you were very, very rich, this bar might feel like your lounge room, complete with bow-tied butlers to make you cocktails and pour your water in tall glasses from cocktail shakers. Where: 69 Colebrooke Row, Islington, London 8. Drink, BostonAll you have to do is a name a flavour you feel like and a personalised drink will be yours. Where: 348 Congress Street, Boston 9. Harry’s New York Bar, ParisHemingway, Sartre and Blondin were all regulars at this famous bar that invented the Bloody Mary and the White Lady. A Paris must. Where: 5 Daunou street, Paris 10. Black Pearl, MelbourneSplit over two levels, head up if you'd like to drink out of Royal Doulton glassware or downstairs for a beer. Either way, you'll have a good time. Where: 304 Brunswick St, Fitzroy, Melbourne Also... A special mention to Sydney's own Eau de Vie who finished in 13th place, and Wellington's Matterhorn who finished 33rd. For the rest of the list, click here.
Don't go saying that you don't have anything to watch between Thursday, August 7–Sunday, August 24. In cinemas around the Victorian capital, for 18 movie-filled days, 2025's Melbourne International Film Festival boasts a program more than 275 flicks deep. This year's MIFF is where The Chronology of Water, the feature directorial debut of Kristen Stewart (Love Lies Bleeding), will screen for the first time Down Under — and where Urchin, which notches up the same feat for Babygirl's Harris Dickinson, will as well. Both are heading to Melbourne fresh from their Cannes premieres. MIFF will also give the city its initial chance to see early pandemic-set western Eddington from Ari Aster (Beau Is Afraid), celebrate a music icon with the world premiere of Jimmy Barnes: Working Class Man, enjoy the full Norwegian Sex trilogy that culminated with 2025 Berlinale Golden Bear-recipient Dreams (Sex Love), get unsettled by Daisy Ridley (Cleaner)-led Australian found-footage horror We Bury the Dead, take the family to animated sequel The Bad Guys 2 based on Aussie author Aaron Blabey's books, pay tribute to The Texas Chain Saw Massacre and much, much more. If I Had Legs I'd Kick You starring Rose Byrne (Physical) is the fest's opening-night pick, Parasite composer Jung Jae-il is coming to Australia to conduct the movie's score live in an Aussie exclusive and Cannes Palme d'Or-winning It Was Just an Accident by Jafar Panahi (No Bears) is on the lineup, too — and so is The Passion of Joan of Arc with a new score by Julia Holter performed live. Richard Linklater's (Hit Man) Blue Moon with Ethan Hawke (Leave the World Behind), Margaret Qualley (The Substance) and Andrew Scott (Ripley) is just one of two of the director's features on the bill. The other: Nouvelle Vague, with the American helmer bringing the French New Wave to life. Her Smell's Alex Ross Perry is another filmmaker with two titles on the lineup. With Videoheaven, a movie essay solely comprised from movie and TV clips, he pays tribute to the video-store era — and with Pavements, he focuses on the band Pavement via an experimental blend of documentary, narrative, musical and more. The director is among MIFF's 2025 guests as well, including as a juror for its Bright Horizons award, the fest's $140,000 official competition for filmmakers that was introduced back in 2022. After Aftersun screened in the comp's debut year, its filmmaker Charlotte Wells is this year's jury president. The aforementioned Urchin and If I Had Legs I'd Kick You are in the running for 2025's Bright Horizon prize, as are the likes of Cannes hit Sound of Falling, Un Certain Regard award-winner The Mysterious Gaze of the Flamingo, the Bangkok-set A Useful Ghost, and Matthew McConaughey (Agent Elvis)- and Kurt Russell (Monarch: Legacy of Monsters)-starring crime-thriller The Rivals of Amziah King. It isn't hard to find more standouts across the complete MIFF program, such as dramedy Sorry, Baby, which has had the film festival circuit talking since Sundance; Left-Handed Girl, with first-time director Shih-Ching Tsou boasting Anora Oscar-winner Sean Baker as her co-writer and editor; legal drama Two Prosecutors; and Kelly Reichardt's (Showing Up) Josh O'Connor (Challengers)-led The Mastermind. Others include O'Connor again in the small town-set Rebuilding, coming-of-age story Enzo from BPM (Beats Per Minute)'s Robin Campillo, Wagner Moura's (Dope Thief) Cannes-winning performance in The Secret Agent, Bi Gan's (Long Day's Journey Into Night) Resurrection, the surveillance culture examination of documentary The Perfect Neighbor, 1000 Women in Horror's cinematic celebration, Aussie animation Lesbian Space Princess, the true crime-focused Zodiac Killer Project, Peter Dinklage (Wicked) as The Toxic Avenger and horror-comedy Zombucha! with Jackie van Beek (Audrey). The festival's retrospectives titles are always a highlight, and 2025's picks are no different — whether you're keen to mark 25 years since Looking for Alibrandi reached the screen via a 4K restoration; also see Sweetie, the debut feature from Jane Campion (The Power of the Dog), get the same restored treatment; flash back to BMX Bandits; or work your way through MIFF's largest-ever tribute to a single director via the 27-film Chantal Akerman: Traces strand. From Friday, August 15–Sunday, August 31, MIFF Online is also back so you can watch along from your couch.
One of the world's most visited multi-sensory experiences will come alive across Australia this year. After successful runs in Sydney and Auckland, Van Gogh Alive is setting off on a national Aussie tour, hitting Adelaide from Wednesday, June 23 before moving on to Brisbane, Canberra, Perth and Newcastle. The project is the brainchild of Melbourne-based Grande Exhibitions, which, for the past 15 years, has hosted immersive exhibitions and gallery experiences in over 150 cities across the world. The company also owns and operates Rome's Museo Leonardo da Vinci. A family-friendly experience, Van Gogh Alive creates the sensation of walking right into the Dutch artist's paintings. Attendees experience his world-famous work in fine detail thanks to Grande Exhibitions' state-of-the-art technology, which uses 40 high-definition projectors. A classical musical score accompanies the vibrant colours, too, as presented in cinema-quality surround sound. And, two of Van Gogh's most popular works have been transformed into new guises — with the Sunflower infinity room and the an immersive Starry Night walkthrough area also part of the experience. The Adelaide edition of Van Gogh Alive is popping up as part of the city's new winter arts festival, Illuminate Adelaide, and will take place in a purpose-built 25,000-square-foot gallery in North Adelaide. The gallery, which has been named The Grand Pavilion, will feature an exact recreation of Van Gogh's painting Cafe Terrace at Night in the foyer. Tickets are now available via Ticketek and start at $35 for an adult or $95 for a family. Details on the dates and venues for the rest of the national tour are still to come — so if you're in Brisbane, Canberra, Perth and Newcastle, watch this space. You can stay up to date with everything Van Gogh Alive by keeping an eye on the exhibition's website. Van Gogh Alive will run from Wednesday, June 23 in Adelaide's new The Grand Pavilion before moving on to Brisbane, Canberra, Perth and Newcastle. Dates beyond Adelaide are yet to be revealed — we'll update you when more details come to hand. Top image: Rebecca McMillan Photography
Lean, mean and a Nazi-killing machine: that's Sisu and its handy-with-a-hunting-knife (and pickaxe) protagonist alike. This stunningly choreographed Finnish action film's title doesn't have a literal equivalent in English, but means stoic, tenacious, resolute, brave and gritty all in that four-letter term; again, both the movie and the man at its centre fit the description. Former soldier Aatami Korpi (Jorma Tommila, perhaps best-known internationally for 2010's Rare Exports: A Christmas Tale) has one aim. After he strikes gold and plenty of it in Lapland's far reaches, he's keen to cash in. For someone who has already lost everyone and everything to World War II, that requires transporting his haul; however, the year is 1944 and German troops still lurk even as the combat winds down. Accordingly, getting those gleaming nuggets from the wilderness to a bank means facing a greedy and unrelenting platoon led by Helldorf (Aksel Hennie, The Cloverfield Paradox), who can spy a payday and an exit strategy for himself. Before anything yellow shimmers, Nazi-filled tanks are sighted, a single shot is fired or a blow swung, Sisu explains its moniker as "a white-knuckled form of courage and unimaginable determination". Text on-screen also advises that "sisu manifests itself when all hope is lost." As a film, Sisu may as well be shorthand for John Wick meets Inglourious Basterds meets Django, the iconic 1966 spaghetti western that Quentin Tarantino riffed on with Django Unchained, too — plus all of that meets the work of legendary spaghetti western director Sergio Leone as well. The carnage is that balletic. The Nazi offings are that brutal, roguish and inventive. And valuing deeds over dialogue as a lone figure dispatches with nefarious forces against an unforgiving landscape, and no matter what they throw at him, is firmly the setup. "He is one mean motherfucker that you don't want to mess with," the Nazis are told of Sisu's one-man death squad after they cross paths, the Germans think that their numbers will win out, and Aatami swiftly and savagely shows their folly. Of course, Helldorf and his underlings don't heed that advice. They're heading to Norway, destroying villages and also transporting a wagon filled with Finnish women they've taken captive, such as the spirited Aino (Mimosa Willamo, Memory of Water) — and the nihilistic Helldorf is soon fixated on the gold at any cost. That's a bad choice for the Nazis but great news for audiences. Enter: minefields proving deadly and also coming in handy, oh-so-many limbs going flying, the most grisly way to breathe underwater that's possibly been seen in cinema, taking the battle onto boats and planes, and Aatami continually demonstrating why he's earned such a fierce reputation. The latter doesn't take kindly to Nazis, as no one should, nor to being attacked, having his gold stolen and, like Keanu Reeves' best character of late, seeing his dog threatened. Sisu writer/director Jalmari Helander also helmed dark festive action-comedy Rare Exports, giving seasonal flicks a memorably twisted spin. Then, although to much lesser success, he cast Samuel L Jackson (Secret Invasion) as a US President evading terrorists-slash-hunters in the woods in 2014's Big Game. Here, he knows which footsteps he's treading in — Mad Max: Fury Road also springs to mind in Sisu's staging, setting and elements of its story — and also how to make his film its own extravagantly bloody and entertaining spectacle. There's ticking boxes, and then there's colouring them in with your own hues and designs so that yes, they've been marked off but in your distinctive manner. Sisu works through everything that audiences think will happen, even winkingly signposting via named chapters splashed across the frame with western-esque font, and yet it's no mere exercise in lazily fulfilling a checklist. Helander is too willing to get as OTT and pulpy as he can manage, to get as immersed in the film's playfully and gruesomely engrossing violence as he's able to, and to keep one-upping the creative and downright novel kills at Aatami's hands. In every case, he's giddily going for broke — and frequently getting in close via cinematographer Kjell Lagerroos (another Memory of Water alum). Sisu casts its solo hero against a sprawling setting that's oppressive in its immenseness in classic western style. The colour palette is colder, though; the feature surrounds Aatami with visible, inescapable, ever-present and grey-tinged desolation, as reality dictates of war movies. Helander paints this intense, grim and devastating big picture, while also seeing the gore and dirt and sweat intimately and intricately. What would the John Wick franchise be without Reeves? Django without the great Franco Nero (who popped up in John Wick: Chapter 2) in his breakout role? A Fistful of Dollars and its sequels without Clint Eastwood (Cry Macho)? The question now: what would Sisu be without the irrepressible Tommila? Every single one of the films just mentioned boasts a sublime mix of perfectly chosen stars and directors doing their utmost — brothers-in-law Tommila and Helander among them. With so few words uttered, Tommila's physical performance has to convey everything. So, a stare screams with ferocity, a gaze at Aatami's dog bubbles with emotion and a twitch is never just a twitch. Watching silent protagonists dispensing with a constant onslaught of foes also gets audiences mirroring the characters, aka surveying the scene for even the slightest change or sign given that even the smallest details can alter so much. As villains get slain again and again — and Aatami keeps weathering what's blasted his way — Sisu unleashes its barrage with weight. That isn't only because the atrocities of the Second World War should never be forgotten. All those lingering views of messy and madcap carnage? They don't just notice Aatami's actions, but show what he goes through as he persists and subsists. This is a film about survival as much as it's about payback. It has stakes and makes them plain, even as it's as blatant a good-versus-evil movie as they come. It's grounded in the past, stripped down to bangs and smacks and crunches that pack a visceral and emotional punch (smashes and crashes, too, with meticulous sound design that makes every pop and snap echo), and pulled off with cartoonish flair. Sisu is many things, just like the term itself in its native Finland — and impossible to stop watching is one of them.
Toronto welcomed a new and unique edition to its dining scene last month: Canada's first-ever restaurant tailored for the deaf. Signs, already popular with locals and tourists alike, is the brainchild of Anjan Manikumar, a hearing man who was inspired to learn American Sign Language (ASL) after realising first-hand how deaf customers struggled in restaurant situations that are simply taken for granted by others. The bar-restaurant, serving modern Canadian and international fare, employs a team of waiters who are almost entirely deaf. Choosing from over 200 deaf applicants, Manikumar found none had any waiting experience and some had never had a full-time job at all. He hopes the new venture will encourage the creation of other career opportunities for the deaf, while also promoting sign language among the community. For customers unfamiliar to ASL, the menu handily lists the sign equivalent next to each item, and a 'cheat sheet' (pictured below) translates some longer phrases, encouraging customers to engage with staff and fellow diners in this universal language. Via Buzzfeed. Photo credit: Signs.
Hairy Maclary, that adorable rascal of a dog most of us grew up with, is back, in the stage adaptation of Lynley Dodd's classic book series. Having just wrapped up seasons in Melbourne and Perth, the Hairy Maclary and Friends stage show is now featuring here in Brisbane where it will run from the 9th to the 19th of January. Joined by his pesky friends, Hercules Morse, as big as a horse, Bottomley Potts covered in spots, Schnitzel von Krumm with the very low tum and Scarface Claw, the toughest tomcat in town, Hairy Maclary will be bringing to the stage some of his most adventurous tales. Through music, sing-a-longs and some very convincing costumes, this fun-filled show brings to life some of our oldest and dearest canine friends. Whether you're a parent, fan of the story book, or simply looking for a fun activity to fill in the school holidays, Hairy Maclary and Friends is a must see spectacle for children and families.
For the uninitiated, The Maccabees are currently considered by those in the know (including the international music bible NME) to be the latest darlings of the British rock scene. Having first made a somewhat quiet entrance in to the fickle world of the London music industry, they now find themselves at the top echelon of English guitar music. An uncanny ability to combine pop mentality with interesting and diversely themed tunes has seen their audience rapidly grow since the release of their first LP, Colour It In, in 2007. January saw the release of their third album, Given to the Wild, awarded the Triple J album of the week slot after it debuted at number five in the British charts. After two sell out shows at Brixton Academy, they have arrived on our fair shores to perform at the Groovin’ the Moo festivals. Fortunately for us city dwellers, a slew of sideshows have also been added. They take centre stage at the Hifi to showcase what will surely be a memorable set. Dust off your Chelsea boots, slip into a pair of drainpipe trousers and make sure you catch them in an intimate venue so you can brag to your friends in years to come, that you saw them back in their ‘early days’.
It's been almost four years since El Camino Cantina first opened in Queensland, bringing its now-signature vibe — think: loud, bright and filled with giant cocktails, rock 'n' roll jukeboxes, free sombreros and other Tex Mex fare, plus the requisite food and drink menu — to Bowen Hills in Brisbane. Since then, the chain has been getting comfortable around the state's southeast, including at Chermside and South Bank in the River City, and also Robina on the Gold Coast since 2020. None of those venues have beach views, though. It's true when you're on holidays, kicking back in far-flung locations with a drink in your hand. It's true if you're a Brisbanite heading down to the Gold Coast for a day, weekend or short getaway, or if you're a coast local as well. That unfaltering reality? That everything tastes better when it's paired with ocean sights. So, El Camino has combined that idea with its tacos and OTT margaritas, launching in Surfers Paradise's revamped Paradise Centre. First revealed in late August, and now slinging its wares seven days a week, the new chain boasts all the usual El Camino's components — plus the sea breeze and a vantage out over the waves while you eat. Skulls, crosses, cacti and lightning bolts still feature heavily, alongside a corrugated iron bar decorated with flame graffiti, and a custom-designed Ben Brown mural featuring a surfing skeleton. Indoors, El Camino's Surfers Paradise seats 220 patrons — with booths, high-top tables for large groups and swing-style seats all on offer — while there's room for 30 in the al fresco dining space. The menu sticks with all the favourites, spanning fiery buffalo wings, sizzling fajitas, plump burritos, and soft-shell tacos loaded with punchy flavour combinations. A key difference? This is the brand's first to also serve up breakfast, with brekkie tacos coming packed with grilled sirloin and scrambled egg, refried black beans and queso fresco, and streaky bacon with jalapeno and cheddar. Also on the lineup: El Camino's signature specials, including $2 tacos on Tuesdays and ten-cent wings on Wednesdays. Slushie machines, a popular feature at the chain's other venues, are part of the fitout as well. Cue big nights and brain freezes. El Camino's margaritas come in multiple sizes and renditions — such as a tropical Red Bull flavour, which really says it all. Other options include a host of beers from near and far, and a sizeable collection of mezcals and tequilas. Until mid-October, the new spot is also hosting a margarita festival. Called Ritapalooza, it's serving up those frosty, boozy beverages in 24 different flavours. On the limited-edition menu: Wizz Fizz, Jelly Belly, Skittle, fairy floss and grape Nerd varieties, as well as Hubba Bubba, marshmallow and fairy bread. And yes, El Camino has plenty of company in the Paradise Centre. First, axe-throwing bar Maniax announced that it was branching out to the venue, setting up shop there at the beginning of August. Then TGI Fridays revealed the same, although exactly when in the coming months that chain will open its new venue — its Australasian flagship and first-ever beachside venue, in fact — is yet to be revealed. And, Mark Wahlberg's Walburger's chain is also on its way sometime soon with its first Queensland outpost. Find El Camino Cantina on level one in the Paradise Centre, 2 Cavill Avenue, Surfers Paradise.
There's no forgetting the opening moments of Scrublands, Australia's latest rural noir entry. For viewers streaming along via Stan, where the four-part series is available in full, there's no chance of not being instantly hooked, either. After an otherwise ordinary Sunday congregation, as his worshippers disperse slowly from his rural church's car park, Riversend priest Byron Swift (Jay Ryan, Muru) starts shooting with a sniper rifle. Five locals — farmers Alf (Fletcher Humphreys, The Stranger) and Tom Newkirk (Scott Major, Heartbreak High), shop owner Craig Landers (Martin Copping, The Dunes), mechanic Hugh Grosvenor (debutant Ben de Pagter) and accountant Gerry Torlini (Adam Morgan, The Royal Hotel) — are killed, with the man of the cloth not living out the fray himself. After that introduction, the bulk of Scrublands picks up a year later as the small, remote and deeply drought-stricken town is still attempting to live with an event that it'll never get over. In drives journalist Martin Scarsden (Luke Arnold, True Colours), who has been dispatched from Sydney to write about the situation 12 months after the unthinkable occurred. Capturing the colour of the situation is his remit, in an article that his Sydney Morning Herald editor wants for weekend supplement reading, and is also meant to be Scarsden's easy way back to the job after a traumatic last assignment. To the shock of no one but the investigative reporter, his welcome is mixed. It also won't astonish viewers that the journo's time interrogating the truth behind the tragedy proves anything but straightforward and uneventful — and neither director Greg McLean (Jungle) nor screenwriters Felicity Packard (Ms Fisher's Modern Murder Mysteries), Kelsey Munro (Bump) and Jock Serong (a scripting debutant) expect that basic framework to come as a surprise. Scrublands remains a mystery; however, it's the why that haunts its frames, not the who. That question lingers over the townsfolk that cross Scarsden's path, although there's already been an official tale since the massacre occurred. In the rubber-stamped version doing the rounds and fuelling news headlines, abuse allegations were levelled at Swift just days before the incident. So, in external law enforcement's minds, that's long been the case closed. But Scarsden is increasingly unconvinced. Far from writing the "torture porn" that he's initially accused of, he begins digging deeper, despite as much hostility about him endeavouring to unearth the facts swirling as surrounds to his presence in Riversend at all. Bookstore and cafe proprietor Mandy Bond (Bella Heathcote, C*A*U*G*H*T), a single mum and the first local that Scarsden meets, swings from cordial to frosty and then more open. Police officers Robbie Haus-Jones (Adam Zwar, Squinters) and Monica Piccini (Freya Stafford, New Gold Mountain) vary in their cooperation. Resident chief landowner Harley Reagan (Robert Taylor, The Newsreader) is blunt but reluctant about imparting anything but his family's generational history in these parts. Among those who lost fathers and husbands — such as teenagers Allen Newkirk (Stacy Clausen, True Spirit) and Jamie Landers (Zane Ciarma, Neighbours), and the latter's mother Fran (Victoria Thaine, Nowhere Boys) — the response is equally as complicated. Recurring among most of Riversend's inhabitants: the certainty that the picture painted of the cleric that changed everything isn't what it seems. The list of Australian films and TV shows that involve a big-city outsider galloping in to run through a regional area's problems, struggles and secrets is considerable, including The Dry, Black Snow, Limbo and Deadloch in recent years. Scrublands happily fits the bill. As those past movies and series have shown, and this page-to-screen effort based on Chris Hammer's novel as well, such a setup can provide the basis for weighty and compelling stories when presented with care, thought and style. McLean isn't in Wolf Creek or Wolf Creek 2 territory. While the eye-catching imagery that the filmmaker and his cinematographer Marden Dean (Clickbait) offer up can lean on familiar visual tropes, relying on standard formula isn't the approach overall. Any narrative scenario, no matter how well-used — including to the point where it feels like a national genre — can feel worth diving into when fleshed out with riveting details. Scrublands is a clear case in point. This isn't a story backdropped by parched red earth as far as the eye can see, but by the dry scrubby landscape as the name suggests. Like picture, like themes, then. Emotional complexities between characters intertwine, spread and hook in like undergrowth, in that remote small-town way. In other series such as The Clearing and The Lost Flowers of Alice Hart as well, and in The Royal Hotel on the big screen, too, Australia's recent screen output has kept making plain the ties, secrets and lies that can bind when everyone knows everyone, or thereabouts — plus the thorns that lurk for outsiders. A sense of stifling often courses through Australia's rural noir efforts, even when filled with vast expanses. When it seems like all there is is space, often there's nowhere to run to. As Scrublands' take on the interloper mining for answers, Arnold adds an arresting and grounded performance to a resume that flits from The Tunnel, Black Sails, Glitch and Home and Away to playing Michael Hutchence in Never Tear Us Apart: The Untold Story of INXS. This genre needs not only a gripping mystery but an involving protagonist, and TV's new addition ticks both boxes. While Ryan's casting as a charismatic and beloved priest, at least until he started gunning down parishioners, gives away that there's a twist to come involving Swift — and that the man of god won't just be seen in the series' introduction — he's still expertly deployed given the role's charming, empathetic and no-nonsense turns, as seen in flashbacks. And as Bond segues between the past and the present sections, Heathcote wears both hope and grief like a second skin. Hammer, a former journalist himself, penned a rich and atmospheric novel that screamed to reach the screen. As well as the non-fiction The River and The Coast, both of which preceded 2018's Scrublands to bookshelves, he's also given Scarsden two more stints on the page so far: Silver in 2019 and Trust in 2020. Expect them both to appeal to streaming powers that be, giving Australia a new Jack Irish- and Mystery Road-like franchise. If Hammer's Ivan Lucic and Nell Buchanan novels — 2021's Treasure and Dirt, 2022's The Tilt and 2023's The Seven — also get the same treatment, that wouldn't be a surprise, either. Check out the trailer for Scrublands below: Scrublands streams via Stan.
New year, new murder in the building — in the fictional Arconia in New York, that is. That's what's in store for fans of Only Murders in the Building, the true-crime comedy that proved one of 2021's surprises and delights. Knowing they're onto a good thing, Hulu in the US quickly renewed the hit series, and now it's coming back in June with another killing to solve. If you missed the first season in 2021, it takes a great idea and turns it into an amusing murder-mystery gem. If you've ever listened to a true-crime podcast, decided that you'd make a great Serial host yourself and started wondering how you'd ever follow in Sarah Koenig's footsteps, then Only Murders in the Building is definitely the series for you. The show focuses three New Yorkers who basically follow that same process. Here, actor Charles-Haden Savage (Steve Martin, It's Complicated), theatre producer Oliver Putnam (Martin Short, Schmigadoon!) and the much-younger Mabel Mora (Selena Gomez, The Dead Don't Die) are all obsessed with a podcast hosted by the fictional Cinda Canning (Tina Fey, Girls5eva). They find themselves unexpectedly bonding over it, in fact. And, when someone turns up dead in their building, they decide that they can sleuth their way through the case by getting talking themselves. [caption id="attachment_824354" align="alignnone" width="1920"] Craig Blankenhorn/Hulu[/caption] That's how the first season panned out. Think Knives Out, but a sitcom and also a little goofier. Now, as the just-dropped first trailer for the show's second season shows, Charles-Haden, Oliver and Mabel are weathering the fallout from the last batch of episodes — namely, season one's big finale — and they have another murder to investigate (and another podcast season to chat about it on, obviously). Complicating their efforts this time around are a trio of factors: their public implication in the death in question; the fact that there's now a competing podcast about them and this new murder; the suspicions of their neighbours, who think they're guilty. Exactly how that'll play out won't be known until Tuesday, June 28, when Only Murders in the Building returns — but, whatever happens, both Cara Delevingne and Amy Schumer will be involved, with the pair joining the cast as guest stars. Check out the trailer for Only Murders in the Building season two below: Only Murders in the Building's second season will start streaming Down Under via Star on Disney+ on Tuesday, June 28. Read our full review of the show's first season. Images: Craig Blankenhorn/Hulu.
There is indeed a bell in one of The Belvedere Hotel's bars. When most folks at the northside pub say "The Bel", though, they're referring to the watering hole itself. A Woody Point mainstay since 1901, this waterside bar is back open and pouring drinks after a hefty makeover. If sips with an ocean view take your fancy — and with shimmering sunsets part of those vistas, too — then this grand old establishment has you sorted in its new guise. Parent company Lewis Land Group has put more than $10 million into revitalising the historic spot, with the results now on display for patrons to enjoy. To make the most of its location, the vibe and setup alike are breezy and open. And all that space? It means being able to cater for 1000 people. Perched on Bramble Bay, The Bel now features revamped dining spaces and terraces, plus a new first-floor bar area with shimmering sunset views. Expect a shady time if you're keen to have a beverage outside. On level one, there's also a new dining spot — and the public bar is also all new. Fans of the venue's outdoor Pavilion bar and bistro will be hanging out in refreshed surroundings, and now sitting in booths. "The Belvedere is a generational favourite, deeply entwined with the community spirit and the blissful outdoor lifestyle that defines Queensland," said Lewis Land Group's Queensland Regional Manager Chris Allison. "Our redevelopment has been meticulously planned and executed to enhance and preserve historic elements while elevating the experience for today's patrons." For those stopping by for a bite, you'll definitely have company. Allison advises that "more than 20,000 people come through the doors each week" and that the venue is "on track to sell approximately 270,000 schooners of beer and 40,000 parmys this year". The Bel's all-day food menu now benefits from a pizzeria and gelato bar onsite, serving up everything from squid ink truffle salami slices to mango scoops. Elsewhere, the culinary range includes chilli scrambled eggs and lemon crepes for breakfast, salt and vinegar calamari and sticky chicken wings among the lunch and dinner starters, and hot and cold seafood platters to share as a highlight among the mains range. Or, tuck into lobster three ways — in a pie, with prawns over pasta or as part of a surf 'n' turf special — as well four steak choices and a steak sandwich. There's also three types of oysters, fried chicken burgers, pork knuckles and crispy noodle salads on offer. For dessert, if you're keen for more than gelato, banana split parfait, a chocolate tart, deconstructed blueberry cheesecake and Biscoff crepes await. And for entertainment beyond a meal, a drink, the mood and the view, trivia nights take place on the deck each Wednesday. Find The Belvedere Hotel on the corner of Woodcliffe Crescent and Oxley Avenue, Woody Point — open from 8am–12am Sunday–Thursday and 8am–1am Friday–Saturday. Images: Zennieshia Butts.
