No matter where you are in Australia, you probably spent the majority of 2020 in your own state — and in your own bedroom — thanks to interstate border restrictions. Limits on domestic travel have still been popping up in 2021 so far; however, if you're still keen to see more than your own backyard this year, Virgin Australia is selling 1.9 million fares to destinations around the country. And, those cheap flights are starting at $75 for a one-way ticket. Hang on, Virgin? Yes. The same airline that, less than 12 months ago, entered voluntary administration. It has since been sold to US private investment firm Bain Capital, launched a comeback sale in early July and its voluntary administration officially ended on Tuesday, November 17. Virgin's current Let the Good Times Fly flight sale runs until midnight AEST on Monday, February 8 — or until sold out. In the sale, you'll find cheap flights on a heap of routes to destinations across the country, with travel dates spanning from March to September 2021. If you've been waiting to book your first getaway for the year, now might be the time. Discounted flights span both economy and business, and include seat selection and checked baggage. Some of the routes on offer include Sydney to Ballina from $75, Brisbane to Proserpine from $84, Melbourne to Hobart from $99, Brisbane to Darwin from $165, and Melbourne to Hamilton Island from $179. The discounted flight sale is timed to coincide with Queensland reopening its border to New South Wales, which came into effect on Monday, February 1. Virgin is also increasing the frequency of trips between the two states, including between Sydney and the Gold Coast, Sunshine Coast, Cairns, Hamilton Island and Brisbane. As we are still in the middle of a pandemic, flying is little different to normal. Virgin has introduced a range of safety measures, including hand sanitisation stations, contactless check-in and face masks provided to all passengers. Wearing masks on flights became mandatory in Australia in January. Virgin is also waiving change fees and allowing unlimited booking changes between now and June 30, 2021 — extending a scheme that was initially due to end at the end of January. Virgin's Let the Good Times Fly flight sale runs until midnight AEST on Monday, February 8 — or until sold out. Find out more about current interstate border restrictions over here.
With filmmaking in her blood, Alice Englert makes her directorial debut with a movie about a mother and daughter with cinema similarly pumping through their veins. The creative force behind Bad Behaviour is the offspring of Oscar-winner Jane Campion (The Power of the Dog) and fellow helmer Colin Englert (The Last Resort), but here focuses on actor Lucy (Jennifer Connelly, Top Gun: Maverick) and stunt performer Dylan (Englert herself). There's a knowing, winking vibe to this New Zealand-shot dramedy, then, including in the Labyrinth-starring Connelly playing a former child star, as she is; Campion popping up for a memorable cameo; and Bad Behaviour's writer/director taking on the progeny-to-a-household-name part. The internet ensures that avoiding Englert's family ties is impossible, so she wryly leans into everywhere that life can and does inspire art; however, this bold and involving spiritual retreat-set feature isn't about nudges and nods, or even built on them. When there's evident parallels between what's on-screen and reality, a question springs: take all those links away and does the film still hit its marks? The answer for Englert's first stint behind the camera after acting in Ginger & Rosa, Beautiful Creatures, Campion's Top of the Lake, Them That Follow, Ratched, You Won't Be Alone and more is a resounding yes that could be shouted from the mountaintops. Bad Behaviour savvily satirises the wellness and enlightenment industry with the look of the also Aotearoa-made Nude Tuesday, but with a finely balanced understanding of its indulgences and its meaning to attendees. There's a glorious slice of The Lobster to the picture's tone, and not just because Ben Whishaw (Women Talking) features in both. Englert also constructs two phenomenal character studies, all while never being afraid to take wild turns that push everyone out of their comfort zones on- and off-screen. Open to splashing cash but closed to almost everything except her own pain, Lucy is Loveland Ranch's latest arrival, hitting the Oregon venue seeking what everyone is paying for: bliss, peace, reassuring words, kindly ears, shoulders to lean on, a renewed sense of self and the knowledge that all is well. If Lucy also decamps to the remote spot amid towering ranges to escape her own complications, that won't be on the itinerary. A phone call en route teases what loiters elsewhere, with strain echoing down the line as she tells Dylan — who is in NZ working on a big film — where she's going. It takes time and a shocking-but-earned twist to get Lucy and Dylan in the same space in Bad Behaviour's second half, when they're each weathering their own mayhem while also sifting through shared baggage, and the tension and anxiety between them seethes with a lifetime's worth of fractures and fraying. At Loveland, new-age sessions run by guru Elon Bello (Whishaw) are meant to get spiky, process trauma and demand hard work. That's even more true with its latest attendee, her dripping cynicism and her immediate distaste for self-obsessed model Beverly (Dasha Nekrasova, Succession). Everyone lapping up Elon's teachings has woes to wade through, with Lucy's distress at the path her life has taken since her heyday — she mentions a "warrior princess" role — just one problem put to the group. She's trying yet she's also igniting in a place where platitudes are doled out as wisdom and no one truly wants to do anything but hog the limelight. That the camp insists on silence between therapy chatter is an astute comic touch from Englert: the facility's customers gleefully believe that it'll help, purchasing the privilege of being told so and also struggling to comply; as scripted and portrayed, they'd also genuinely benefit from stopping to think through rather than natter about their emotions. As Lucy is stuck in agonising mother-baby role-play classes that go as well as anyone would expect — although in Englert's hands, nothing plays out as anyone could anticipate — Dylan is on set. There, plying her trade, getting bruises for her efforts and sporting a crush are her daily minutiae. Penned with precision, both of Bad Behaviour's threads tease out details about its two central women, whether unpacking Lucy's unhappiness, guilt and contempt, or exploring why Dylan seeks peril professionally and personally alike. A mother-daughter reckoning is always coming, though. Englert not only makes the build-up and the fallout equally knotty, revelatory and compelling — she commandingly establishes the ins and outs of her two protagonists beyond the most important relationship in their lives. More than four decades after her first-ever screen credit and two since winning the Best Supporting Actress Oscar for A Beautiful Mind, Connelly remains a reason to seek any project out. While she isn't Bad Behaviour's sole highlight, she's that good. Of late, she's been stellar in the TV version of Snowpiercer as well (also navigating uneasy parental bonds), but this film boasts one of her next-level performances. Stepping into Lucy's shoes is a go-for-broke effort to dive into the character's many complexities and conflicts, and Connelly is not only excellent but rivetingly raw and deeply resonant. She's also delightfully funny in the film's wry way. Englert has cast herself well, too, showing off her wit and empathy as an actor in a feature with no weak on-screen links, Whishaw, Ana Scotney (Millie Lies Low), Beulah Koale (Dual) and Marlon Williams (Sweet Tooth) among them. References to Englert and Connelly's pasts aren't all that Bad Behaviour wears proudly, clearly; thorniness is embraced just as strongly and ambition gleams bright. There's no doubting that this picture is the product of someone who knows what she wants to dig into, shower around, contemplate, excavate, call out and laugh at — and that it's made by a filmmaker who is as certain of how she wants her feature to look and feel at every moment. As cinematographer Matt Henley (Coming Home in the Dark) takes in the surroundings, it isn't difficult to spot New Zealand standing in for Bad Behaviour's American half, although there's a fitting air to that to that move in this movie. Perspective is a core part of this emotionally lingering flick, as is seeing intricacies in multiple lights as Englert shines the torch.
UPDATE, SATURDAY, MAY 23: Snowpiercer, the series, will hit Netflix Down Under from Monday, May 25. The below article has been updated to reflect this. On a futuristic earth that's been rendered a frozen wasteland, a constantly hurtling train plays host to the world's only remaining people. Humanity's attempts to combat climate change caused their dire predicament, leaving the speeding locomotive as their only solution — and instead of banding together, the residents of the Snowpiercer have transported society's class structure into the carriages of their new home. That's the story that drives Bong Joon-ho's 2013 film Snowpiercer, which marked the acclaimed South Korean writer/director's first English-language film, and one of the movies that brought him to broader fame before Netflix's Okja and 2019's Cannes Palme d'Or-winning and Oscar-winning Parasite. As well as boasting a smart, immersive and all-too-timely concept — and unpacking its underlying idea in a thoroughly thrilling and involving manner — the flick was a star-studded affair. Among the jam-packed cast: Chris Evans, Tilda Swinton, Jamie Bell, Octavia Spencer, John Hurt, Ed Harris and Bong's frequent collaborator Song Kang-ho. Given how great its premise is, it's hardly surprising that Snowpiercer has now been turned into a US TV series. First announced back in 2016, it'll finally speed across screens in May 2020 — including Down Under, where it'll drop new episodes weekly from Monday, May 25. While Snowpiercer, the series, doesn't feature any of the film's high-profile lineup, it does include a few big names of its own, such as Oscar-winner Jennifer Connelly and Tony-winner Daveed Diggs. Alongside Frances Ha's Mickey Sumner, Slender Man's Annalise Basso and The Americans' Alison Wright, they inhabit Snowpiercer's new world order. The planet outside the titular train may be a dystopia with a temperature of -119 degrees celsius, but everyone from the wealthy to the poor have been put in their place inside. Of course, that's until matters such as class warfare, social injustice and the politics of trying to survive start to fester almost seven years into the circling vehicle looping journey. Parasite is being turned into an American TV series, too, by HBO; however, that's a little further off — especially with film and TV production currently out of action during the COVID-19 pandemic. In the interim, revisiting the world of one of Bong's other excellent films will help fill the gap. And, if you need to watch or rewatch the original flick itself, Snowpiercer, the movie, is currently streaming on both Netflix and Stan. Watch the Snowpiercer series trailer below: https://www.youtube.com/watch?v=7lFMpmwn_hQ Snowpiercer, the series, will hit Netflix Down Under from Monday, May 25, with new episodes airing weekly. An exact start date hasn't been revealed yet — we'll update you with further details when they come to hand. Images: Netflix.
Come summertime, the celebratory spirit is taking over the entire state, thanks to massive events like ALWAYS LIVE. For the third year running, this festival celebrates the diversity of music in Victoria, with a mix of international headliners and local musicians taking to stages statewide from Friday, November 22, to Sunday, December 8. Some of the unmissable (and exclusive) events in ALWAYS LIVE are taking place on the final weekend. One of those is Yerambooee, a unique celebration of First Nations culture and community. This free event on Saturday, December 7 at 7pm, is hosted by elders and performers from Wurundjeri, Woi-Wurrung and Yolgnu peoples. The stage will be a nine-metre sand circle laid down in Fed Square — representative of a meeting ground filled with river sand — for a gathering unlike anything else on the festival program. Beginning with a welcome from Aunty Joy Murphy, performers will take to the stage with song, dance and music for a celebration that encourages the audience to join in — with music inspired by Djarimirri (Child of the Rainbow) — the final work of the late Yolgnu musician Geoffrey Gurrumul Yunupingu. Yeramboee will take place in Federation Square on Saturday, December 7. For more information, visit the Always Live website.
Sport. Seafood. Think about Petrie Terrace's Caxton Street and one of the two, if not both, always comes to mind. The inner-city Brisbane roadway is the home of Lang Park. It's also long been synonymous with festivals celebrating the ocean's finest. Come October 2024, it'll now add another type of fest to its roster of events, with Good Chat Comedy Club launching the inaugural Caxton Street Comedy Festival for a jam-packed Saturday overflowing with laughs. Already a place go get giggling inside Caxton Street Brewing Company — which was previously Fritzenberger, and also Casablanca before that — Good Chat is sharing its sense of humour with its base venue, plus Lefty's Music Hall, Alfie's at The Lord Alfred and The Haunt upstairs at The Caxton Hotel. Each spot will host a feast of shows, with more than 20 on the lineup across the full day. And that date? Saturday, October 19. Boasting a program featuring talents both local and from further afield, the fest will get patrons splitting their sides thanks to Lloyd Langford, Michael Hing, Geraldine Hickey, Chris Ryan, Luke Heggie, Nick Cody, Damien Power, Amy Hetherington, Emma Zammit and more. The Death by Birding podcast will record live, as will Who Knew It with Matt Stewart — so whether you like watching avian life or comedians answering quizzes, it's on the bill. For those keen to see multiple comedians at once, The Caxton Street Comedy Festival All-Star Gala will get you guffawing at a hefty roster taking to the Lefty's stage, while The Gong Show at The Haunt will enlist more than ten comedians to bust out their best in three-minute slots — and attempt to avoid being gonged off. Another certain highlight: Game On Mole Live!, which hails from Not on Your Rider and Isolation Trivia's Aimon Clark. Yes, it's another game show, but this time there's a sabotaging twist. Alongside Ian 'Dicko' Dickson, two groups of comedians face off; however, one player's entire job is to undermine their team. You'll watch. You'll laugh. You'll attempt to pick who is bad at answering questions and who is doing it on purpose. Caxton Street Comedy Festival will take its hilarity outdoors as well via streetside entertainment, and sling tins of its own Tight Five beer, which Caxton Street Brewing Company is making just for the occasion. Forget the sounds of crowds cheering at soccer or NRL, or at whichever major concert has popped up at Suncorp Stadium — aka the usual din echoing through Petrie Terrace and Paddington — because this day is replacing that soundtrack with hearty chuckles. Caxton Street Comedy Festival takes place on Saturday, October 19 at Caxton Street Brewing Co, Lefty's Music Hall, Alfie's and The Haunt, Caxton Street, Petrie Terrace. Head to the fest's website for tickets and further information.
The businesses of Boundary Street are known to serve up some of the city's tastiest food and drinks around town, and the fare delivered by Chop Chop Chang's is no exception. The menu boasts a fusion of pan-Asian street food with inspiration hailing from temple stalls and hawker markets throughout Asia. The canteen-style space offers the perfect opportunity to gather some pals and share in the many delights available. According to the menu, "good times are best shared and so is our food". The drinks menu offers a variety of both alcoholic and non-alcoholic choices. Juices, iced teas and traditional Vietnamese coffee are but a few of the more conservative picks. If you're out to play, choose from a number of Asian beers or opt for a signature cocktail, like the chilli and ginger beer mojito. For good times all around the table, grab an Asian punch to share before you sink your teeth into many, many tasty morsels. In terms of food, the menu is divided into different types of plates, seemingly crafted for sharing among a group. The son-in-law eggs or caramelised chilli lime cashews are perfect to whet your appetite. For something more substantial, the 'barbecue' and 'wok' stalls or bowls offer an array of choice. Get your hands dirty with the twice-cooked sticky beef ribs or tantalise your tastebuds with the Chang Mai chicken curry. There are a number of gluten-free, dairy-free, vegan and vegetarian options available to keep all appetites at bay. And if you really can't decide what to order, there is always the option to choose the 'Market Feed' and feast on a selection of favourites marked out by the kitchen.
As the country that gave the world Cate Blanchett, Nicole Kidman and Margot Robbie, to name just a few world-famous Aussie actresses owning the silver screen in recent years, Australia is no stranger to celebrating formidable women in cinema. It tracks, then, that the country's national centre devoted to moving pictures — aka the Australian Centre for the Moving Image in Melbourne — has curated a world-premiere exhibition dedicated to femininity across film history. Girls to the front at this six-month-long showcase, with Goddess declaring its affection for ladies of the screen right there in its name. Displaying from Wednesday, April 5–Sunday, October 1, it's both a massive and a landmark exhibition. More than 150 original objects, artworks, props and sketches will grace the Federation Square venue's walls and halls, all championing oh-so-many talented women and their impact upon cinema. [caption id="attachment_882188" align="alignnone" width="1920"] Britt Romstad, 2022, photo by Phoebe Powell. Costume: Kitty (Elaine Crombie) costume, Kiki and Kitty, Australia, 2017, designed by Amelia Gebler, courtesy of Jetty Distribution Pty Limited. Backdrop: Marilyn Monroe on the set of Some Like It Hot, photo by Don Ornitz, © Globe Photos / ZUMAPRESS.com. Image courtesy of ZUMA Press, Inc. / Alamy Stock Photo.[/caption] That lineup includes costumes that've never been displayed before, various cinematic treasures, large-scale projections and other interactive experiences. While exploring the female footprint upon film is an immensely worthy subject, Goddess will also chart how representations of femininity have changed over the years — not just in different eras, but in different places, too — and inspire a rethink of plenty of cinema's memorable female characters. Silent-era sirens, classic Hollywood heroines, unforgettable femme fatales and villains, Bollywood stars, women in China and Japan's cinematic histories: they're all being given the spotlight. Goddess will also dive into provocative on-screen moments from Hollywood's silent days through to today that've not only left an imprint, but also played a part in defining (and altering) what's considered the feminine ideal. Expect an interrogation of how women on-screen have helped to redefine fashion expectations, sparked a boundary-breaking genre and spearheaded the #MeToo movement — and to spend time thinking about how screen culture has shaped societal views of gender. [caption id="attachment_882194" align="alignnone" width="1920"] Blonde Venus, 1932, Marlene Dietrich. Image courtesy of PARAMOUNT PICTURES / Ronald Grant Archive / Alamy Stock Photo.[/caption] ACMI hasn't revealed the full slate of women highlighted, or films, or items that'll be on display, but the details revealed so far are impressive. Think: Marlene Dietrich in 1930's Morocco, Pam Grier's spectacular Blaxploitation career, Tilda Swinton in 1992's Orlando and the aforementioned Robbie via 2020's Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). Plus, Mae West's sky-high heels from 1934's Belle of the Nineties, costumes worn by Geena Davis and Susan Sarandon in 1991's Thelma & Louise (1991) and Michelle Yeoh's fight-ready silks from 2000's Crouching Tiger, Hidden Dragon will also feature. The list goes on, clearly, spanning Anna May Wong, Marilyn Monroe, Laverne Cox and Zendaya as well. And, expect everything from Glenn Close's Cruella de Vil in 102 Dalmatians to the Carey Mulligan-starring Promising Young Woman to get time to shine. [caption id="attachment_882191" align="alignnone" width="1920"] Crouching Tiger, Hidden Dragon, 2000, Yu Xiulian costume.[/caption] "The women of Goddess are bold, rebellious and defiant. Their power is expressed in numerous ways — in what they wear, how they move and the stories they tell," said ACMI Director of Experience and Engagement Dr Britt Romstad, announcing the exhibition. "ACMI's exhibition honours their influence and daring, and explores how they have transformed the face and expectations of on-screen femininity for audiences, time and time again," Romstad continued. [caption id="attachment_882195" align="alignnone" width="1920"] Thelma and Louise, 1991, L-R Susan Sarandon, Geena Davis, © MGM. Image courtesy of Moviestore Collection Ltd / Alamy Stock Photo.[/caption] Goddess will pair its wide-ranging display with soundscapes by Melbourne-based composer Chiara Kickdrum, and also feature a sprawling events program complete with late-night parties, performances and talks — and film screenings, of course. The full program, including guests, will be announced in February 2023, which is when tickets go on sale. Unsurprisingly, the exhibition is ACMI's big midyear blockbuster — and its 2023 contribution to the Victorian Government's Melbourne Winter Masterpieces series, as Light: Works from Tate's Collection was in 2022. After showing in Melbourne for its premiere season, Goddess will then tour internationally, taking ACMI's celebration of women on-screen to the world. [caption id="attachment_882197" align="alignnone" width="1920"] Limehouse Blues (AKA. East End Chant), 1934, L-R Anna May Wong, George Raft. Image courtesy of Everett Collection Inc / Alamy Stock Photo.[/caption] Goddess will display at the Australian Centre for the Moving Image, Federation Square, Melbourne, from Wednesday, April 5–Sunday, October 1, 2023. For more information, and to join the ticket waitlist, head to the ACMI website. Top image: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, 2020, Margot Robbie, © Warner Bros. Image courtesy of LANDMARK MEDIA / Alamy Stock Photo.
Back when Ekka cancellations were a thing, no one got to throw a ball in a clown's mouth. Hopping on rides, seeing fireworks and browsing for showbags were all scrapped, too. That's obviously no fun at all; however, for the farmers who were due to exhibit at Brisbane's annual show, the impact cut far deeper. So, in response, an idea was born: the Scenic Rim Farm Gate Trail. Since 2021, it has been encouraging Brisbanites to head south, hop between properties and enjoy local wares. And, even though the Ekka returned in 2022 and 2023, the trail has become a regular occurrence. In 2025, it's taking place twice: on Sunday, March 30, and then again on Sunday, July 20. Fancy throwing a little love towards the Scenic Rim's primary producers? Keen on a day out of town? Farmers in the region will be rolling out the welcome mat from 9am–3pm. Follow the itineraries and you'll be hitting up at spots such as Towri Sheep Cheeses, complete with cuddles with lambs; Boxer Brewing Co, where there'll be tastings; and Elderflower Farm, possibly including picking flowers depending on the season. That's just a taste of the list of producers involved — and if you'd like to get up close to some camels and alpacas while you're in that part of southeast Queensland, that's on the cards, too. Most of the trail's stops are dog-friendly, and bringing your esky to fill with produce is highly recommended. Picnic image: Tourism and Events Queensland.
What's more difficult a feat: to ponder everything that the universe might hold, as writer/director James Gray did in 2019's sublime Ad Astra, or to peer back at your own childhood, as he now does with Armageddon Time? Both films focus on their own worlds, just of different sizes and scales. Both feature realms that loom over everyone, but we all experience in their own ways. In the two movies, the bonds and echoes between parents and children also earn the filmmaker's attention. Soaring into the sky and reaching beyond your assigned patch is a focus in one fashion or another, too. In both cases, thoughtful, complex and affecting movies result. And, as shared with everything he's made over the past three decades — such as The Yards, The Immigrant and The Lost City of Z as well — fantastic performances glide across the screen in unwaveringly emotionally honest pictures. In Armageddon Time, Gray returns to a favourite subject: the experience of immigrants to New York. With a surname barely removed from his own, the Graff family share his own Jewish American heritage — and anchor a portrait of a pre-teen's growing awareness of his privilege, the world's prejudices, the devastating history of his ancestors, and how tentative a place people can hold due to race, religion, money, politics and more. The year is 1980, and the end of times isn't genuinely upon anyone. Even the sixth-grader at its centre knows that. Still, that doesn't stop former Californian governor-turned-US presidential candidate Ronald Reagan from talking up existential threats using inflammatory language, as the Graffs spot on TV. Armageddon Time also takes its moniker from a 1977 The Clash B-side and cover; despite the film's stately approach, the punk feeling of wanting to tear apart the status quo — Gray's own adolescent status quo — dwells in its frames. Banks Repeta (The Black Phone) plays Paul Graff, Gray's on-screen surrogate, and Armageddon Time's curious and confident protagonist. At his public school in Queens, he's happy standing out alongside his new friend Johnny (Jaylin Webb, The Wonder Years), and disrupting class however and whenever he can — much to the dismay of his mother Esther (Anne Hathaway, Locked Down), a home economics teacher and school board member. He dreams of being an artist, despite his plumber dad Irving's (Jeremy Strong, Succession) stern disapproval, because the elder Graff would prefer the boy use computing as a path to a life better than his own. In his spare time, Paul is happiest with his doting, advice-dispensing, gift-bearing grandfather Aaron (Anthony Hopkins, The Father), who's considered the only person on the pre-teen's wavelength. Gray fleshes out Paul's personality and the Graffs' dynamic with candour as well as affection, as seen at an early home dinner. There, Paul criticises Esther's cooking, orders dumplings even after expressly being forbidden and incites Irving's explosive anger — and the establishing scene also starts laying bare attitudes that keep being probed and unpacked throughout Armageddon Time. Indeed, Paul will begin to glean the place he navigates in the world. Even while hearing about the past atrocities that brought his grandfather's mother to America, and the discrimination that still lingers, he'll learn that he's fortunate to hail from a middle-class Jewish family. Even if his own comfort is tenuous, Paul will see how different his life is to his black, bused-in friend, with Johnny living with his ailing grandmother, always skirting social services and constantly having condemning fingers waggling his way. And, Paul will keep spying how Johnny is at a disadvantage in every manner possible, including from their instantly scornful teacher and via Paul's own parents' quick judgement. Filmmakers diving into their own histories is one of the prevailing flavours of recent few years, including Alfonso Cuarón's Roma, Paul Thomas Anderson's Licorice Pizza and Kenneth Branagh's Belfast — all Oscar-nominees, with Roma and Belfast also Oscar-winners. Don't call the trend navel-gazing, though. As much as these movies, and now Armageddon Time as well, are products of personal experience, all four films are also time capsules steeped in specific places and confronting corresponding realities. In Gray's addition to the fold, he doesn't like, love or appreciate everything that he surveys, with the director delving into happy and sorrowful slices of the past with wide-open eyes. There's another movie to be made that hones in on Johnny instead, but Armageddon Time knows what its audience does, and what Paul doesn't see as clearly but Gray can thanks to the passage of time: that small moments leave an imprint, small deeds left undone cause craters, and everyday aggressions and acts of oppression allowed to run rampant make the world shatter. That soul-searching hindsight explains Armageddon Time's overall neatness; when someone reflects upon what's come before and what it really meant, it's easy to spot intricacy and complexity that went unnoticed at the time, and to also simultaneously view the bigger picture. Still, while the film's conclusions might be blatant, this is a layered and subtle feature, as any coming-of-age contemplation set against a fraught social and political backdrop must be. With cinematographer Darius Khondji behind the lens as he was on Gray's The Immigrant and The Lost City of Z — and adding a different vision of New York to his resume compared to the frenetic Uncut Gems — Armageddon Time brings that texture to its visuals, which always have the look and feel of a memory. Painting in shades of brown is a straightforward, instantly evocative and significant choice; nothing in this powerful feature is ever rose-tinted. There's nothing simple about Armageddon Time's performances, either. In fact, Repeta and Webb manage something remarkable, more than holding their own against the reliably excellent Hopkins, Hathaway and Strong. The young pair's camaraderie shines, whether Paul and Johnny are getting sent to detention, bonding over space and Sugarhill Gang's 'Rapper's Delight', skiving off from a school excursion or smoking the joint that'll get Paul moved to his older brother's snobbish private school — where racism and classism is overt among the offspring of rich Republicans, and where then-Assistant United States Attorney Maryanne Trump (Jessica Chastain, The Good Nurse), Donald Trump's sister, addresses assembly. In Hathaway and Strong's work, complications and contradictions abound, with the former getting the thinner-written role and the latter the best redemptive moment, but the two combining to offer a snapshot of being seemingly progressive in a country engrained with intolerance. As for Hopkins, he's so naturalistic and effortless that even the harshest truths feel digestible in his presence. Armageddon Time is largely that sensation in filmic form, too — tenderly, poignantly and unflinchingly.
Drifting off to sleep to the sound of falling water doesn't have to be created through a mindfulness app and your imagination when you're in Tropical North Queensland. If you head to Davies Creek National Park and Dinden National Park, you can listen to the sounds of an actual babbling creek situated right next to your campsite. To get there, drive an hour west of Cairns and then pitch a tent at either the Lower Davies Creek or Upper Davies Creek campsites. Then, spend a couple of days exploring the hikes, mountain bike trails and waterfalls throughout the neighbouring parks. Just make sure you book your campsite in advance as there are only eight spots available at each campground.
Every December, fans of sparkling sights are gifted a luminous feast for their eyes. No, we're not talking about Christmas lights. Regardless of whether you're bathing in a festive glow or hardly fond of all the merriment, 'tis the season for the Geminids meteor shower to soar through the sky. It began on Wednesday, December 4 and finishes for 2024 on Friday, December 20. Even better: Down Under, it's at its peak on the evening of Friday, December 13 and the morning of Saturday, December 14. If you have a telescope at hand, it's clearly a great time to put it to use. Eager to catch a glimpse, even from just your backyard or balcony? Here's everything you need to know. [caption id="attachment_927790" align="alignnone" width="1920"] A composite of 88 photos taken over 60 minutes during the Geminids by Paul Balfe via Flickr.[/caption] What Is It? Lighting up the end-of-year skies, the Geminids meteor shower is considered the most spectacular meteor shower of the year. Again, Christmas lights aren't the only spectacle worth peering at this month. The Geminids is caused by a stream of debris, left by an asteroid dubbed the 3200 Phaethon, burning up in Earth's atmosphere — and it was first observed in 1862. Some years, you can catch as many as 150 meteors every 60 minutes, so this definitely isn't just any old meteor shower. [caption id="attachment_882304" align="alignnone" width="1920"] ESO/G. Lombardi via Wikimedia Commons[/caption] When to See It The 2024 shower kicked off on Wednesday, December 4, and runs through till Friday, December 20. As with every year, it's at its peak in Australia overnight mid-month — between Friday, December 13–Saturday, December 14, specifically. If you fancy a stint of stargazing, the best time to look up is on Saturday, December 14 from around 3.08am in Brisbane, 3.30am in Perth, 4.01am in Sydney, 4.13am in Melbourne and 4.18am in Adelaide — all local time. [caption id="attachment_699423" align="alignnone" width="1920"] NASA, Marshall Space Flight Center, Jeff Dai.[/caption] How to See It For your best chances, it's worth getting as far away from bright lights as possible. This could be a good excuse to head out of the city to a clear-skied camping spot — and pray for no clouds. To see the meteors, you'll need to give your eyes around 15–30 minutes to adapt to the dark (so try to avoid checking your phone) and look to the northeast. The shower's name comes from the constellation from which they appear to come, Gemini. So that's what you'll be looking for in the sky. To locate Gemini, we recommend downloading the Sky Map app — it's the easiest way to navigate the night sky (and is a lot of fun to use even on a non-meteor shower night). If you're more into specifics, Time and Date also has a table that shows the direction and altitude of the Geminids. The Geminids meteor shower runs until Friday, December 20, 2024 and will be at its peak during the night on Friday, December 13–Saturday, December 14. For further details, head to Time and Date. Top image: Asim Patel via Wikimedia Commons.
Warwick Thornton, Cate Blanchett, Deborah Mailman, Nick Cave and Warren Ellis: name a better Australian quintet. The director of Samson & Delilah and Sweet Country, the two-time Oscar-winner and recent Tár tour de force, the local screen mainstay, and the Bad Seeds bandmates and seasoned film composers all combine not for the ultimate Aussie dinner party, but for The New Boy. None are debuting in their jobs. All are exceptional. They're each made better, however, by the luminous and entrancing Aswan Reid. As well as playing the titular part, the 11-year-old first-time actor lives it among such a wealth of acclaimed and experienced talent — and he's such a find in such excellent company, while saying little in words but everything in every other way, that Thornton's third fictional feature owes him as much of a debt as its applauded and awarded household names. There's a spark to Reid from the moment that he's first spied grappling with outback law enforcement under blazing rays as Cave and Ellis' (This Much I Know to Be True) latest rousing score plays. His sun-bleached hair couldn't be more fitting, or symbolic, but it's the confident way in which he holds himself as New Boy, plus the determined look on his face, that sears. Wily and wiry, the feature's eponymous figure is toppled by a boomerang, then bagged up and transported to the remote Catholic orphanage doted on by Sister Eileen (Blanchett, Nightmare Alley) in the 1940s. The cop doing the escorting notes that the kid is a bolter, but the nun is just as fast in her kindness. She sees what Thornton wants his audience to see: a boy that beams with his presence and through his sense of self, even though he's been snatched up, taken from his Country and forced into a Christian institution against his will. Sister Eileen is as drawn to him as the movie, but — and not just due to the red wine she likes sipping and the subterfuge she's keeping up about the resident father's absence — she isn't as certain about what to do. The path that any new arrival at the monastery is supposed to follow is preordained: uniforms, a dorm bed, porridge, helping in the fields, obedience and church. New Boy barely subscribes, donning only shorts, sleeping on the floor and cutting in front in the food line, which Sister Eileen permits. The abbey's two other adults, the nurturing Sister Mum (Mailman, Total Control) and farmhand George (Wayne Blair, Seriously Red), are welcoming yet know the reality that's facing all of the boys in their care, particularly the First Nations kids. In the priest's name, Sister Eileen might write letters to the government urging them not to send her charges away when they're considered old enough to work — the endgame to the state, especially with the Second World War impacting labour — but Sister Mum and George are lived proof that acquiescing and assimilating is the only outcome that will be accepted. There's a spark to the new boy, too, and literally. He's meant to pray away his Indigenous spirituality in the name of dutiful conformity, and in favour of Christianity, but the faith and culture that's as old as Australia's Traditional Owners glows. He's curious, though, including about the ornate, life-sized wooden cross that's sent from France for safekeeping during the war. He wants to undo its nails, free Jesus from crucifixion and give it the property's snakes as gifts. As Thornton peppers in religious imagery, New Boy displays more in common with its carved figurine than Sister Eileen knows how to handle. This is a tale of survival and, while always its namesake's story first and foremost, it also sees two sides to it: the First Nations lad ripped away from all he knows, as well as the nun that's gone renegade within a system that sees her as lesser because she's a woman. Writing and directing — as he did with Samson & Delilah, but not Sweet Country — Kaytetye man Thornton takes inspiration from his own experience as a child sent to a missionary boarding school ran by Spanish monks. In the process, he makes a moving and needfully blunt statement about the clash that's too often been enforced upon the country's First Peoples since colonisation. Indeed, simmering with anger but also hope, The New Boy is a clear, unshakeable rebuttal of the perennially ridiculous idea that only one faith, culture or way of life can exist. And, crucially, it feels as personal as Thornton's work gets; he isn't in front of the lens as he was with the also-remarkable The Beach, where he charted his own escape away from the incessant hustle and bustle of modern life, but the sensation that emanates from the screen is overwhelmingly the same. Thornton works as his own cinematographer on The New Boy, another trademark touch — see also: anthology film The Darkside, documentary We Don't Need a Map, plus the episodic Mystery Road and Firebite — which allows him to load every inch of every immaculate frame with deep and blistering emotion. There's no such thing as a passive image anywhere in any film by any director, but Thornton's beautifully shot movies ensure that his viewers can't evade the landscape that's been forever changed by white settlement. Here, he roves over the plains outside of South Australia's Burra, where every structure for the feature was erected from scratch, and where shimmering yellow fields of wheat grow atop the ochre earth that's been inhabited by Indigenous Australians for thousands of years. He sees how the terrain has been reshaped, but never forgets who was there first. With his oh-so-perceptive eye, Thornton's visuals stunningly do what New Boy does: expresses everything with little speaking necessary. In her first on-screen role in a solely Australian film since 2013's The Turning, Blanchett talks, of course. Where much of the picture around her bubbles with loaded patience, and Reid's innate naturalism, The New Boy's biggest star is the storm amid the deceiving calm. Consumed by her struggles with her own faith while tasked with instilling it into her charges, and also now challenged by the new boy that defies her sense of logic, Sister Eileen rarely stops moving, fretting, surveying, asserting, preaching and confessing — and Blanchett is magnetic to behold. That said, it's a performance with a needed counterbalance. Without Reid's serenity, Blanchett might've come on too strong. Without Reid, too, the fact that the eponymous character's quest to endure is tinged with hard-won optimism amid its palpable fury mightn't have shone through. No matter what happens, or how rarely he's accepted for who he is, New Boy always persists.
It started back in 1956 as a singing contest between a mere seven nations. Now, more than six decades later, Eurovision is a glitter and spandex-fuelled global musical phenomenon. Forty-one countries not only in Europe but from elsewhere compete — hello Australia — and viewers tune in en masse each May to watch, sing along and add new pop tunes to their playlists. But with COVID-19 continuing to spread, the show won't go on in 2020 in Rotterdam as planned. With this year's event cancelled, that leaves a huge Europop-shaped hole in plenty of music fans' lives. Thankfully, while the live contest isn't happening, SBS is screening an alternative. Between Sunday, May 10–Sunday, May 17, the Aussie broadcaster is hosting a week-long Eurovision festival filled with new specials and repeat airings of the Eurovision grand finals from 2015–2019. It all kicks off with Road to Eurovision 2020 on Sunday, May 10, which is hosted by this year's hosts and was actually filmed in the Netherlands in December — and charts the journey towards this year's now-axed event. Then, between Monday, May 11–Friday, May 15, viewers can check out the contests that featured Australia's entrants so far — Guy Sebastian, Dani Im, Isaiah, Jessica Mauboy and Kate Miller-Heidke — with each grand final screening in full. Next, on Saturday, May 16, SBS is putting together a new special called Eurovision 2020: Big Night In. As well as watching along, Aussie Eurovision aficionados can take part. Viewers are asked to head to the SBS website before Sunday, May 3, check out all the songs and artists that would've competed if this year's contest went ahead, and then vote for your three favourites, with the results revealed on the night. SBS' usual local hosts Myf Warhurst and Joel Creasey will be overseeing the show, and this year's Australian entrant, Montaigne, will perform live as well. https://www.youtube.com/watch?v=gr-wWxu4974&feature=emb_logo Finally, on Sunday, May 17, it's time for Eurovision: Europe Shine A Light. All 41 of this year's songs will get their time to shine in a non-competitive format, with the special made in The Netherlands and hosted by Dutch Eurovision presenters Chantal Janzen, Edsilia Rombley and Jan Smit. SBS' week-long Eurovision festival will air from Sunday, May 10–Sunday, May 17 on SBS and SBS Viceland. For further details — or to vote for your favourite 2020 Eurovision acts for Eurovision 2020: Big Night In before Sunday, May 3 — head to the SBS website.
"Your nose like a delicious slope of cream / And your ears like cream flaps / And your teeth like hard shiny pegs of cream." Diner en Blanc — like Howard Moon's poem — will have you in all white. But sorry, Booshers: the fifth edition of this Brisbane event is just for the sophisticated. Now on five continents, the Diner en Blanc began in Paris 28 years ago thanks to François Pasquier and friends. This year, 2000+ of Brisbane's creme de la creme will once again dress in all white on Saturday, October 22 for the event held at a predictably stunning location that remains secret until the very last moment (over the last few years, the beautiful banks of the Brisbane River at Portside and Roma St. Parklands proved welcoming venues). Following an evening of elegance, fine dining and live music, the foodies then pack up their crystal, dinnerware, tables and litter. Like ghosts (white 'n' all), they leave behind no sign of their rendezvous (but don't get any ideas, a white sheet thrown over your figure will not do for an outfit). Diner en Blanc guests must either be invited by a member from the previous year, or get on the waiting list for a ticket. Here's what happened in 2014:
Since True Blood came to an end, Anna Paquin has kept busy; however, if you're only going to watch one of her recent projects, make it the acerbically amusing Flack. She plays Robyn, an American publicist now living and working in London. There's much to laugh about in the field of public relations, and ample drama, too — so Flack mines the industry for both as Robyn tries to navigate a seemingly never-ending array of professional chaos, and makes the most of her ever-hectic personal life as well. A couple of episodes from the show's second season are directed by her True Blood co-star Stephen Moyer, and the series' big names don't end there. Oscar nominee Sophie Okonedo pops up as Robyn's boss and the always-beloved Sam Neill features, with the latter reuniting with fellow New Zealander Paquin after they both starred in The Piano back in 1993.
Being seen is no longer fashion's biggest priority. Taking you right off the radar, Aussie label The Affair has created a line of 'post-Snowden' threads inspired by George Orwell's classic dystopian novel 1984 — a crowdfunded capsule collection that makes you invisible to Big Brother and lets you reclaim some ownlife using stealth technology. Taking cues right from the pages of Orwell's schoolroom required reading, the 'stealth fashion' capsule collection helps you reclaim privacy. Accordingly, the new line is dedicated to Edward Snowden, your modern Orwellian poster boy. "Edward Snowden proved that Big Brother is no longer fiction," says the team on their Kickstarter page. "The government is watching everyone via our smart phones: telescreens beyond Orwell’s wildest dreams. It's time to fight back and reclaim privacy with clothing that takes you off the surveillance grid and makes you invisible to Big Brother." Combining the colours and workwear styles described by Orwell himself, the garments all come embedded with UnPocket stealth technology. The 11 x 16 cm UnPockets are made from layers of stealth fabric that fit your phone, passport, bank cards — anything you'd like protected against wireless identity theft. Making sure the Thought Police can't get you down at a glance, The Affair's UnPockets are slipped into specially created sections of each garment: The Affair have created four different 'Party' garments (all embedded with the UnPocket) that are 'unhackable' and 'untraceable': Party Workshirt "Inspired by 6079 Smith W himself... Whether you’re rewriting history or creating smut for the proles, the relaxed workwear styling of the Party Workshirt makes this your new wardrobe essential." Party Chinos "Whether you are making love surreptitiously in the forest or being tortured in Room 101, you can be certain these Party Chinos will see you through the day in style." Outer Party Jacket "Created for the workers of Airstrip One, the Outer Party Jacket captures the eternal drive of IngSoc." Inner Party Blazer "O’Brien befriended Winston only to stab him in the back, take everything he loved and reduce him to a broken mess. So if you identity with the iron fist of the 1% then this fully-lined Inner Party Blazer is for you!" Boasting the tagline 'Make Literature Fashionable', The Affair have been using your favourite classic stories as inspiration for seven years, using the last 12 months to perfect the 1984 line. It's not the first time the label has used the celebrated novel for a design; their very very t-shirt was a shoutout to Miniluv. Giving a nod to the Orwellian spirit, the team are jumping on the Damn the Man distribution bandwagon and selling their wares through Kickstarter. Using the classic funded wares as perks set-up, the team have already raised over £2,813 of their £25,000 goal. Check out the entire 1984 collection at The Affair's Kickstarter page and check out the look book below.
If you've decided to take an experience-based approach to gift giving this year, we will always suggest that you go with the satisfaction-guaranteed gift of food. You could, for example, extend an invitation to enjoy a meal and merriment at an iconic Brisbane institution like The Regatta Hotel. The breezy and versatile venue's open-air courtyard, private dining rooms and award-winning restaurant all deliver a reliably summer-friendly backdrop for myriad festive season occasions. However, if you'd rather give your gift recipient the chance to pick their own venue of choice, then the good people at Australian Venue Co. have made it completely foolproof. You can purchase a gift voucher to use at any of their 200+ pubs and bars across Australia — including 50 right here in Brisbane. Australian Venue Co gift cards are an extremely easy gift solution for your fun friends or hard-to-impress corporate clients. Bonus if they invite you to come along. With no need to lock in a specific location or book a time, picking the perfect Australian Venue Co. gift card really is as simple as browsing their extensive list of bars, pubs and restaurants for inspiration.
What's better than watching a heap of top Australian talent sit around and talk about music? Watching them do all of the above while answering questions, competing for points and just generally being funny, too. That's the concept behind ABC TV show Spicks and Specks, which took a few cues from the UK's Never Mind the Buzzcocks, pit Aussie musos and comedians against each other, and has proven a hit several times over. A weekly favourite when it first aired between 2005–2011, it just keeps coming back — including its current series of new specials. When the program was first revived back in 2014, it returned with a new host and team captains. This time, it's back with its original lineup. That means that Adam Hills, Myf Warhurst and Alan Brough have all stepped back into the quiz show realm yet again. When the trio did just that back in 2018, for a one-off reunion special, it became the ABC's most-watched show of the year. Unsurprisingly, that huge response played more than a small part in inspiring this new comeback. If you're already eager to show your own music trivia knowledge and play along — we all know that's as much a part of the Spicks and Specks fun as seeing the on-screen stars unleash their own skills (or lack thereof) — then you probably lapped up the show's Ausmusic Month special last year. And, in the first half of 2020, you probably enjoyed its 90s episode and episode dedicated to 00s tunes as well. Next up, it's tackling past decade, focusing on all the tracks, bangers, one hit wonders and more that released between 2010–2019. When it airs at 7.40pm AEST on Sunday, December 20, viewers can expect questions about the best and the worst songs the last ten years had to offer — and expect not just Adam, Myf and Alan, but musicians Kate Miller Heidke and Vance Joy and comedians Claire Hooper and Luke McGregor as well. The 10s-focused episode marks the fourth of Spicks and Specks' specials, wrapping up its four-show comeback over the past year. And, if you need a refresher in the interim, this comedic chat about a Star Wars Christmas album will do the trick: https://www.youtube.com/watch?v=4KNMtDu7TAY Spicks and Specks: 10s Special will air on ABC TV on Sunday, December 20 at 7.40pm. The show's Ausmusic Special, 90s Special and 00s Special are all currently available to stream via ABC iView.
When Death and Taxes started slinging whisky in Burnett Lane, it set up shop in a heritage-listed building that dates back to the 19th century. So, when the team behind it decided to open another CBD spot, they followed a tried-and-tested pattern. Dr Gimlette sits on the opposite side of the mall, and goes heavy on cocktails and spirits in general, but it too has nestled into a location with a significant past. That address: 109 Edward Street, which was home to Metro Arts before it made the move over to West Village in West End. In the arts centre's former base — a building that also dates back to the 19th century, and is considered one of Brisbane's oldest — Dr Gimlette has turned the ground floor into a luxe and cosy cocktail bar with a big focus on table service. Here, Martin Lange, Wiebke Lange, Blake Ward and Belle Ward want you to take a seat, get comfortable and enjoy having your drinks brought to you. The team has taken inspiration from top bars elsewhere, such as The Savoy in London, The Dead Rabbit in New York and Black Pearl in Melbourne, to bring Brissie a sit-down drinking experience. Opt for a martini, and it'll be made right in front of you, too — shaken, stirred, thrown or nitro frozen, and with your choice of garnishes and gin — all thanks to the venue's two martini carts. The 30-beverage cocktail menu covers all the classics, and favours ingredients from local suppliers. Or, you can opt for a spritz on tap, which'll rotate its selection. And, as you'll notice upon walking in, Dr Gimlette isn't short on spirits if you'd prefer the hard stuff by itself. Its eye-catching bar boasts more than 800 bottles, or you can pick from the beer and wine range as well. Decked out with a nine-metre-long marble bar, leather booths, timber aplenty and dim lighting, the venue takes its old-school feel and its sense of cosiness seriously. At the time of writing, due to pandemic restrictions, it caters to 50 patrons — but will only double that number to 100 when there's no COVID-19 rules in place. And if you're wondering about the name, it harks back to surgeon Rear-Admiral Sir Thomas Gimlette, who is credited with being the first to add lime cordial to gin, creating a combination that'd go on to become the gimlet. Find Dr Gimlette at 109 Edward Street, Brisbane — open 3pm–1am Sunday–Thursday and 3pm–2am Friday–Saturday. Images: Grace Elizabeth Images.
Get ready for 18 days of around-the-block queues and arguing with people who refuse to put away their phone. That's right, Melbourne movie lovers: the Melbourne International Film Festival is a mere three-and-a-bit weeks away, and the freshly spoiled lineup is as diverse and enticing as ever. Of the more than 300 films and 52 countries represented on this year's MIFF program, the Australian contingent looks particularly impressive. The festival kicks off on July 31 with the world premiere of Predestination, a time travel thriller starring Ethan Hawke and Noah Taylor. Tony Ayres' period crime film Cut Snake has been tapped for the centrepiece gala, while closing night will feature Joel Edgerton and Melissa George in the Melbourne-set police drama Felony. Other local highlights include SXSW's Aussie darling The Infinite Man; Amiel Courtin-Wilson's grim but beautiful new drama Ruin; a destined-to-offend reboot of the classic Ozploitation film Turkey Shoot; and the latest cine-centric documentary from Not Quite Hollywood director Mark Hartley, Electric Boogaloo: The Wild, Untold Story of Cannon Films. American indie cinema will also have a strong showing this year, with major titles including Richard Linklater's 12-year passion project Boyhood, Kelly Reichardt's lauded environmental thriller Night Moves and James Gray's fourth consecutive Palme d'Or competitor The Immigrant. Nicholas Cage, meanwhile, proves he still knows how to act as the titular character in David Gordon Green's new character piece Joe, while Bill Hader and Kristen Wiig give rare dramatic performances in The Skeleton Twins, which also won a screenwriting award at Sundance. Speaking of major festival winners, MIFF patrons can look forward to not one but two new films from Quebecois enfant terrible Xavier Dolan, in the form of the breathtaking mother-son drama Mommy and the tense psychological thriller Tom at the Farm. The former film shared the Jury Prize at the Cannes Film Festival with Goodbye to Language, a 3D experimental work from the 83-year-old Jean Luc-Godard. The tense, strikingly shot Czech drama Honeymoon won Jan Hrebejk directing accolades at his native Karlovy Vary last July, while a little closer home, the Dardenne Brothers' Two Days, One Night deservedly took the top prize at this year's Sydney Film Festival. Melbourne's programmers have also continued their impressive run of Asian cinema, with standouts including Wong Kar-wai's long awaited martial arts epic The Grandmaster and the immaculately photographed Chinese neo-noir Black Coal, Thin Ice. More daring MIFFers might also want to check out the latest blood-soaked opus from Japanese provocateur Sion Sono, Why Don't You Play in Hell, described by Film.com critic David Ehrlich as "quite possibly mankind's greatest achievement". From the documentary section, no film buff should skip Jodorowsky's Dune, a fascinating and often hilarious look at what many people consider the single greatest movie never made. Also on tap: master documentarian Errol Morris probes the mind of former US defence secretary Donald Rumsfeld in The Unknown Known, while Michel Gondry animates a series of interviews with Noam Chomsky, posing the question Is The Man Who Is Tall Happy?. Alternatively, if all that sounds too challenging, maybe try I Am Big Bird, a no-holds-barred expose about Sesame Street's resident yellow pigeon. MIFF 2014 runs from July 31 until August 17. Tickets go on sale to the general public at 11am on Friday, July 11. For more information, visit the MIFF website
We firmly believe that no one should ever have to settle for weak tea bags, cheap toiletries or anything less than a well-stocked bar downstairs when booking a hotel stay. Thankfully, New Zealand is teeming with boutique hotels that are high on class and have everything you want for a special overnight stay. We've rounded up the boutique hotels and plenty of newcomers that are worth your time. The thick of a global pandemic seems like an unlikely time to open a brand new hotel, but the past few months have seen a surprising number of boutique properties pop up across New Zealand. That's great news for locals, and also for Australians looking for an excuse to take advantage of the trans-Tasman bubble on their next holiday. If you're looking for some inspiration for your next getaway, how about booking a room at Auckland's striking new brick-clad hotel? Dunedin also has its own new five-star boutique worthy of a visit, and there's an attractive design-led property in Wellington, too — and they're just a few of the new places to consider. NAUMI STUDIO HOTEL, WELLINGTON This eclectic new boutique hotel in Wellington's Cuba Street precinct showcases the work of local artists and designers. The 116-room Naumi Studio Hotel Wellington is the fourth property to arrive from Singapore-based private hospitality label Naumi Hotels in New Zealand and, like its sister properties, the Wellington outpost is an absolute feast for the eyes, with bold spaces "inspired from seafaring, the literary world and an enduring love." Guests will see the work of several New Zealand artists and designers. A large-scale floral backdrop in the reception area was created by Art Dep't NZ and is completely covered in gold leaf. Underfoot the botanical theme is brought to life by rugs from painter Karl Maughan, while the lobby features a larger than life floral sculpture from light artist Angus Muir. There are six room types to choose from, and the onsite bar serves up the likes of lychee mojitos and bourbon sours. THE HOTEL BRITOMART, AUCKLAND The striking brick-clad Hotel Britomart was officially the country's first 5 Green Star hotel when it opened last year. That certification marks a commitment to sustainability during the build and the use of eco-friendly materials. It offers 99 guest rooms and five suites — three of which have lush sky gardens and front-row seats overlooking the Waitemata Harbour. Cheshire Architects, who also master-planned the Britomart neighbourhood, looked after the new hotel both inside and out. Inside are "cocoon-like" rooms with timber-lined walls, tiled bathrooms and built-in sofas. Smaller touches include hand-made ceramics, bronze-and-paper table lamps and minibars full of locally sourced treats. You don't have to walk far for a first-class meal, either. The ground floor is home to several new food and beverage offerings, including a seafood-focused restaurant from the Orphans Kitchen team, the new 70-seater from top chef Michael Meredith, and the refreshed outpost of Cafe Hanoi. HOTEL FITZROY, AUCKLAND Privately owned hotel group CPG Hotels is currently in the process of opening a collection of boutique five-star hotels across New Zealand. One of the first under the Fable banner is Hotel Fitzroy. Located just a short walk from the main strip of Auckland's shopping and dining precinct, Ponsonby, the property takes over a historic two-storey villa. A contemporary black-panelled building stands behind the property, bringing the room count to ten. Inside, each guest room has been outfitted with premium soft furnishings, linens and amenities. There's also an intimate library for guests to unwind or enjoy complementary snacks and fine wine. Hotel Fitzroy offers custom experiences including a dedicated host service and tailored activities. While the property doesn't offer an on-site restaurant, guests can order continental or cooked tray service breakfast direct to their room. The complimentary mini-bar is also replenished daily, while the room service menu is available 24 hours. THE DAIRY AND THE CENTRAL PRIVATE HOTEL, QUEENSTOWN The folks from Naumi Hotels haven't only brought their bold, design-led approach to the capital. Queenstown also welcomes two new eye-catching properties from the Singapore-based private hospitality label. Rustic glamour and old-world charm meet in Queenstown's The Dairy Private Hotel, while sister property The Central Private Hotel brings a fresh take on retro postmodernism. At both boutique properties, guests can take their pick from 14 spacious rooms — every space comes with its own bright cacophony of colour. Each property comes equipped with an inviting lounge area and its own complementary drinks hour serving award-winning New Zealand wines. With a nod to its past as Queenstown's original 'dairy' (corner store), The Dairy also offers an old-fashioned sweet selection. Here, you'll also find an outdoor jacuzzi with views across the picturesque Remarkables. FABLE DUNEDIN, DUNEDIN Dunedin's historic Wains Hotel has been given a new lease on life under the new masthead Fable Dunedin. The boutique five-star opening, found just a short walk from the Octagon, brings the Victorian-era hotel into the modern age without losing the glory of its past. Guests are welcomed by a concierge in a top hat and tails, before being guided to one of 50 luxurious rooms or suites that come lined with vibrant, custom-designed carpets and specially commissioned tartan blankets paying homage to the city's Scottish ties. The Press Club restaurant and bar is led by Fable Group executive chef, Jinu Abraham. Abraham has prepared a menu sourced heavily from local suppliers alongside an extensive whisky menu. There's slow-cooked lamb shoulder served with miso-glazed pickles, Otago wild fallow with venison boudin noir, and pork belly matched with scallops. OHTEL, WELLINGTON Just a skip, hop and a jump from Wellington's iconic Oriental Bay, Ohtel is New Zealand owned and operated and was architecturally designed and built by Alan Blundell. After being inspired to create a baby 'design hotel' following a trip to New York in 2000, Alan set about bringing the 10 room, four-storey structure to life. Ohtel is known for its locally-sourced menu offerings, such as freshly baked goods from Pandoro some 300-odd metres down the road, and organic dairy products from Zany Zeus in Lower Hutt. Keep your eyes peeled for their sister site which has recently opened in Auckland's Viaduct. THE INTREPID HOTEL, WELLINGTON New kid on the block and dubbed the 'traveller's hotel', The Intrepid Hotel brings the wide world to Wellington, without the MIQ requirements. Having just undergone earthquake strengthening, the former Cadbury chocolate warehouse, built in 1909, is situated on Ghuznee Street, which means it has some of the city's best bars and restaurants at your fingertips. On that note, be sure to venture around the corner to Pomodoro Pizza, then satisfy your sweet tooth at Lashings. As an added draw, you can forego the kennels and bring your beloved pooch with you because The Intrepid Hotel has set aside a special room — complete with a designer dog bed — to accommodate you and your furry friend. THE MARTINBOROUGH HOTEL, WAIRARAPA A self-proclaimed "beautiful old girl", the Martinborough Hotel is the perfect place to stay once you've braved the sketchy Rimutaka Hill road from central Wellington. This hotel began as a way station for prosperous travellers to and from the South Wairarapa's huge isolated sheep stations back in the 1880s. The hotel was restored back in 1996 to become a hotspot, known for its bar and restaurant, among locals and tourists alike. In the heart of the town centre, this is an easy place to crash after a few glasses of Pinot Noir on your tour of the local vineyards (via crocodile bike, of course). PLUME VILLAS MATAKANA, AUCKLAND CITY If the fast-paced city life is driving you to a near on meltdown, then a peaceful country escape may be just the ticket. An hour drive north from Auckland (depending on the state of the traffic) brings you to the up-and-coming town of Matakana. Here you'll find the quaint-yet-modern Plume Villas. Joining the already established vineyard, restaurant and conference centre, Plume Villas is the latest addition to the family and it is evident that the owners have poured their love into the properties. Plume has all the basic amenities, as well as a petanque court, swimming pool and even a wine library. A great place to stay for a weekend of wine tastings, and of course eating your way around the local Saturday markets. HOTEL DEBRETT, AUCKLAND Hotel DeBrett is an art deco-style, luxury hotel located smack bang in the middle of Auckland City. The hotel offers a range of room styles, each uniquely decorated with eclectic interiors, and the in-house restaurant, DeBretts Kitchen, is also worth a visit, even if just to scope out the grand glass atrium roof overhead. Although, this boutique inner-city hotel is arguably best-known for its decadent 1920s-themed high teas, where the dress code is 'Flappers and Dappers'. Don't fret if your suitcase doesn't include any Great Gatsby-esque attire, because for just $15 you can deck yourself out in a house-provided costume kit containing faux pearls, a feather boa and more. So, in short, there's no excuse for party poopers. THE BOATSHED, WAIHEKE ISLAND If you're wanting a piece of laidback island time luxury then The Boatshed on Waiheke Island is the place for you. This 5-star boutique accommodation is tastefully nautical and there is a range of modern sea-themed rooms to choose from. Each room boasts magnificent panoramic views of the ocean but if you're looking to celebrate a special occasion, we suggest you opt for the Owner's Cottage, which sleeps four. Here, stretching across a generous 210 square metres, you will find three fireplaces, a full chef's kitchen, BBQ, heated pool and to top it all off; a grand piano. QT, WELLINGTON Part art gallery, part eclectic collector's showroom, checking into the QT Wellington is a surreal experience. Situated on Cable Street, opposite Te Papa Museum, this swanky hotel is a treasure trove of oddities. Despite Wellington's fantastic hospitality scene, you're forgiven if you don't want to venture out of the hotel into the wind gusts that whip around Tory Street. There are three stellar options to eat and drink on site. And it's worth noting that the hotel's French-inspired Hippopotamus Restaurant and Cocktail Bar does an exquisite high tea. This is a great activity to schedule for your next weekend away.
Game, set, match, music: the 2024 Australian Open might be jam-packed with Grand Slam tennis action, but it's also serving up a few aces for fans of live tunes. In 2023, the annual Melbourne sports event launched the AO Finals Festival, which gets a heap of talents taking to the stage. Unsurprisingly proving a hit, the fest returns this year. Attendees will be treated to a program of live acts on three of the event's final four days, all in John Cain Arena. 2024's AO Finals Fest will start on Thursday, January 25, on AO Pride Day. Then, it's back for both the women's final on Saturday, January 27 and the men's equivalent on Sunday, January 28. A stellar lineup awaits, including Tash Sultana, Peach PRC and Yaeji on the Thursday; DMA's, Ruel and The Jungle Giants on the Saturday; and Groove Armada, Rudimental and Sunshine & Disco Faith Choir on the Sunday. Just like in 2023, the stacked bill doesn't come as too much of a surprise, given that it has again been curated with help from the respected music heads at Untitled Group — the brains behind Pitch Music & Arts, For The Love, Grapevine Gathering and more. Expect plenty of company, with the 2023 event selling out. Accordingly, 2024's AO Finals Festival has moved venues, shifting to John Cain Arena to take advantage of its 10,000-person capacity. Tickets can be bought individually per day, or matchgoers can upgrade their tennis tickets to head to the festival. As always, there'll be scores of food and drink pop-ups scattered throughout Melbourne Park, as well as big screens showing all the on-court action. AO FINALS FESTIVAL 2024 LINEUP: Thursday, January 25: AO Pride Day Tash Sultana Peach PRC Yaeji Anesu Djanaba DJ Luv You Saturday, January 27: Women's final DMA's Ruel The Jungle Giants Tia Gostelow Mell Hall Sunday, January 28: Men's final Groove Armada Rudimental Sunshine & Disco Faith Choir Latifa Tee Cooper Smith Images: Ash Caygill.
The BrisStyle team is a rather busy bunch, putting on markets around Brisbane with frequency. If you're particularly after a treasure trove of handmade goodies — and who isn't? — then you'll want to hit up its opportunity to browse and buy that's dedicated to exactly those kinds of objects. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. In fact, there'll be more than 50 artisans selling their wares. And, while you're shopping, you'll also be able to grab a bite at the onsite cafe and listen to live tunes from local musos. The Handmade Markets always take place on Saturdays, on the fourth Saturday of each month. So, mark Saturday, September 28 and Saturday, October 26 — and Saturday, November 23 as well — in your calendar now. Head along from 10am–3pm, with it all taking place in the Queensland Museum's whale mall. Images: BrisStyle.
It's usually impossible to upstage Tilda Swinton. But in The Souvenir, Honor Swinton Byrne manages that elusive feat. Adding another acting powerhouse to the family, it's a case of like mother, like daughter — although, even when they're sharing the same scene in Joanna Hogg's deeply moving drama, the younger Swinton never feels like she's just following in her famous mum's footsteps. Tilda always seems to calmly float above the rest of us, whether she's playing an ageless nobleman, a vampire or a witchy dance instructor. By contrast, Honor has a weighty, grounded but nervous presence. She's not only firmly of this world; here, as 80s-era film student Julie, she's increasingly bogged down by it. At first, everything seems simple for The Souvenir's polite protagonist. Julie lives in a well-appointed flat in an upscale area of London, comes from a moneyed family and, like all aspiring filmmakers, has an idea for her first big project. Eager to make a movie about a working-class boy and his mother, she's also aware of her favourable station in life — in a general sense. She tells her friends that she's determined to broaden her horizons, but she's always able to rely on her mother (Tilda Swinton) when things threaten to get tough. And, when she falls hopelessly for someone who's not quite who he appears, she's instantly smitten and beguiled, albeit heartbreakingly unprepared for their relationship's darker twists and turns. A girl, a guy, and all the ups and downs that such a pairing inevitably sparks — at the most basic level, that's The Souvenir. But if ever a movie was more than its most simplistic plot description, it's this perceptive affair. Julie's relationship with the arrogantly refined and charismatic Anthony (Tom Burke) feels like a turning point from the moment they meet, as the young woman is obviously intrigued by the older civil servant. As their lives entwine, however, their romance evolves from exciting to shattering as his secrets slowly spill out. Along the way, Hogg takes her main character on an adult coming-of-age journey, all while barely venturing beyond Julie's apartment. The acclaimed British writer/director also takes viewers through her own formative years, with the film inspired by her own memories. Once again, The Souvenir's star isn't merely walking in someone else's shoes by playing Hogg's on-screen avatar. As Julie endures a traumatic but inevitable awakening — the distressing revelation that life always has an inescapable rough side — Swinton Byrne proves the movie's crucial anchor. She's clearly playing a highly personal part, with her role so intricate and specific that it can only be drawn from reality. In a film overtly placed among society's upper rungs, she's also the wide-eyed bridge that opens Julie's particular plight to the rest of the world. Realising that love and ambition can cut both ways is a universal sensation, after all — and, by peering deep into a precisely defined scenario, Hogg always relays this life-changing sentiment. Gazing back at her own experiences, fracturing the rosy facade of hindsight and not only facing the pain, but laying it open for everyone to see — that's a brave task. Even fictionalised, as The Souvenir is, it makes for stunning viewing. As she's done since her 2007 debut Unrelated, Hogg is unafraid to take aim at all that seems safe, easy and cosy. Committed to unpacking the woes of Britain's well-heeled, she's similarly unafraid to show the hurt that's always lingering beneath the surface, too. Here, she unravels the heady swirls of first romance, the hopeful outlook of a young woman finding her place in the world, and middle-class comfort, watching as they all become toxic. That she does so in long, distanced, cool-hued shots that survey Julie's blinkered realm makes The Souvenir all the more powerful, conveying its alluring beauty and its empty flipside in tandem. Insightfully scripted, lensed and performed — not only by Swinton Byrne, her always-exceptional mother and a pitch-perfect Burke, but by Richard Ayoade in a small but pivotal role — The Souvenir ultimately acts as its own memento. Meticulous, intense and devastatingly astute, the film leaves an imprint that lingers long after its frames have stopped flickering. Thankfully, this quiet but powerful tale won't stop for too long. As the movie announces in its closing moments via text on-screen, The Souvenir's story will continue in a second part, due in 2020. https://www.youtube.com/watch?v=t9Al2nC0vzY
Brace yourself Brisbane, the annual Fete de la Musique is back to sprinkle talented musicians throughout our city. If you're out and about this Friday it will be hard to avoid the sound of music wafting through throughout the heart of Brisbane. Hotspots for the Festival include Southbank, the Queen Street Mall, Fortitude Valley and libraries across town. Musicians may even be brightening your commute to work as surprise shows will be held on public transport, stations and stops. Why not make a day of it and follow the trail of music and enjoy our pretty city. The Queensland Saxophone Orchestra will be getting' jazzy on the Kurilpa Bridge, you can find the gorgeous O' Little Sister entertaining crowds with her dreamy folk tunes in the Queen Street Mall and duo G'day China will help you relax with their soulful songs at Little Stanley Street grassy area. Visit the website for more information about the long list of artists and playing times.
Secret Sounds, the organisation behind some of the country's most beloved festivals and memorable tours including Splendour in the Grass, has announced a huge tour of southern Queensland and northern New South Wales to raise money for flood-affected communities. The tour promoter hopes to raise $1 million over a one-month period, with those funds donated to organisations such as Lifeline, GIVIT, Koori Mail Bundjalung Community Flood Relief and Northern Rivers Community Foundation. The Flood Aid tour will take place over three separate gigs, kicking off with a dance-heavy lineup at the Kingscliff Hotel on Saturday, March 19. Heading up the bill is a DJ set from arguably Australia's biggest dance music export, Flume, alongside Sweden's DJ Seinfeld, Pure Space's Andy Gavey, Jono Ma, Rona and Dameeeela — who's fresh off becoming the first Indigenous Australian to perform a Boiler Room set. The other two shows will take place on the next Saturday, on March 26, at Fortitude Valley Music Hall and Byron Beach Hotel. Brisbane will be treated to sets from Bernard Fanning, The Rubens, Cub Sport (doing a DJ set), Last Dinosaurs, Stevan and Hanni, while Byron Bay will play host to Wolfmother, Dune Rats, Tex Perkins, Jez Mead, Waax, Kobie Dee and Mylee Grace. In addition to these gigs, Flight Facilities have also allocated 100 of the tickets to their huge Airfields show at Sydney's Victoria Park this Saturday, March 19 for the flood relief appeal. The hometown show will feature sets from the headlining duo, Grammy-nominated Canadian DJ Jayda G, as well as Cosmo's Midnight, CC:DISCO!, Sycco, Merci, Mercy and Mel Blue. Another way you can get involved is by buying merch from Secret Sounds. A special line of tongue-in-cheek 'Where the Muddy Hell Are You?' t-shirts and hats has been created, and a flood aid auction is also in the works. [caption id="attachment_846570" align="alignnone" width="1920"] Nick Green[/caption] SECRET SOUNDS FLOOD AID 2022: Saturday, March 19 at Kingscliff Hotel, Kingscliff — Andy Garvey, Dameeeela, DJ Seinfeld, Flume (DJ set), Jono Ma and Rona Saturday, March 26 at Fortitude Valley Music Hall, Brisbane — Bernard Fanning, The Rubens, Cub Sport (DJ set), Last Dinosaurs, Stevan and Hanni Saturday, March 26 at Byron Bay Hotel, Byron Bay — Wolfmother, Dune Rats, Tex Perkins and Jez Mead, Waax, Kobie Dee and Mylee Grace Tickets for Secret Sounds Flood Aid gigs are on sale from midday Thursday, March 17. Head to the Secret Sounds website for all the information
You sure couldn't accuse Sydney restaurant Bill & Toni's of expanding too quickly. After all, it's only now — with more than 50 years under its belt — that the Darlinghurst institution is preparing to add three more venues to the family, including one in both Victoria and Queensland. So, why now? Well, the venue has a new owner, Chris Montel, who, since taking over last year, has swiftly made plans to launch three more outposts by the end of 2018. Surfers Paradise and Melbourne's Lygon Street will each get their slice of Bill & Toni's in the coming months, followed by a venue in Montel's own stomping ground of Cronulla later in the year. The aim for each, according to Montel, is to recreate the vibe and offering of the original — everything from the retro-leaning decor to the memorabilia lining the walls will be reimagined for the new spaces. The loveable old-school diner has cemented its status as a cult favourite of Sydney's Italian dining scene with its generous fare, pinball machines and the complimentary orange cordial that makes its way onto most of the tables. But, arguably, its charm lies in the fact that it's been around forever, and we're not quite convinced that will resonate with new cities and communities — especially Lygon Street, which is full of long-running old-school Italian joints already. While details for the Cronulla restaurant are still vague, the planned interstate outposts will be a little smaller, each boasting just one level and room for about 150 people, though they'll be dishing up the same short and snappy menu Darlinghurst folks have been loving for years. Time will tell if those hefty serves of crisp chicken schnitzel and spaghetti bolognese will win over a few new lifelong fans. Bill & Toni's will open on the Gold Coast, Melbourne and Cronulla in Sydney's south this year. We'll let you know opening dates and exact locations of the three new venues as they drop. Until then, you can visit the OG Bill & Toni's at 72–74 Stanley Street, Darlinghurst. Images: Kimberley Low.
For a place named after somewhere hellish or hidden, Netherworld is all rather inviting. Shelves of board games. Rows of arcade games. A wall of old-school consoles with retro televisions to match. Daytona given pride of place. The sound of The Simpsons' theme filtering through the playing space. Brisbane's first arcade game bar is sure to become your new favourite hangout. From the moment you walk into Netherworld, you'll notice a laidback vibe — and games a plenty, unsurprisingly, all urging you to leave your workweek woes at the door. If you like hitting flippers, smashing buttons and passing go, all while eating juicy burgers and downing homemade sodas, you'll like it here. Trust us.
If you're a fan of the biggest thing in musical theatre in the 21st century — that'd be Lin-Manuel Miranda's game-changing, award-winning, rightly raved-about Hamilton — then you'll know that the show's dialogue and lyrics can be adapted to plenty of situations. So, when it comes to making sure that you get to see the stage sensation during its Australian run, you'd best take the play's very own advice. No, you don't want to throw away your shot. When April 2023 comes to an end, so will Hamilton's Aussie seasons, after what's been a huge few years for the hit show. After opening its Down Under run in Sydney in 2021 and currently playing Melbourne, the musical has booked a 2023 date with Brisbane from January. When that's over, however, Aussies will no longer be able to sit in the room where it happens. Australia's big loss is New Zealand's hefty gain, with Hamilton hopping across the ditch from May 2023. Haven't become a Hamilton obsessive yet? Can't make the remaining Melbourne shows, or enjoy a date with the Sunshine State's season? Maybe you've got an Auckland holiday in your future. The Broadway blockbuster's Aussie production boasts a cast that includes Jason Arrow as Alexander Hamilton, Chloé Zuel as Eliza Hamilton, Lyndon Watts as Aaron Burr, Akina Edmonds as Angelica Schuyler, Matu Ngaropo as George Washington, and Victory Ndukwe as Marquis de Lafayette and Thomas Jefferson. If you want to see all of the above on home soil — plus Shaka Cook as Hercules Mulligan and James Madison, Marty Alix as John Laurens and Philip Hamilton, Elandrah Eramiha as Peggy Schuyler and Maria Reynolds, and Brent Hill as King George III — you'll need to make plans ASAP. Still new to this song-and-dance take on 18th-century American politics? Not quite sure why it has been the most-talked about theatre show of the past six years? The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. In addition to its swag of Tony Awards — 11 in fact, which includes Best Musical — it has nabbed a Grammy Award and even a Pulitzer Prize. Until 2021, Australians eager to see the show had to be content watching the filmed version of its Broadway production, which started streaming via Disney+ in 2020 (and yes, it's as phenomenal as you've heard). If you're not feeling financial enough to nab a seat, you can try the $10 ticket lottery, which offers Hamilton tickets for less than the cost of lunch. TodayTix, the platform behind it, has just launched in Brisbane, so fingers crossed those discounted tickets will make their way to Queensland as well. And yes, there's another Hamilton quote that might get you all hopeful about a return: you'll be back. That might be the case eventually, somewhere down the line, but who wants to risk a massive wait? Hamilton's Australian season will finish in Brisbane in April 2023. Head to the musical's website for further details, or to buy tickets. Images: Daniel Boud.
Brisbanites, it's finally time to drop it like it's hot again — because Snoop Dogg is coming back to our fair city. For the first time since 2014, the rapper is hitting stages Down Under as part of this new 'I Wanna Thank Me' tour, which'll be playing Brisbane Entertainment Centre at 7pm on Tuesday, March 7. If this sounds familiar, that's because this tour was initially due to happen in 2022, only to be postponed. Now, Snoop Dogg has locked in the rescheduled dates. Clearly, fans of the musician/actor/cook book author/wrestling MC/wine brand owner will be breaking out the gin and juice. Snoop will also be inspiring hip hop aficionados to be the life of the party and, if you can remember his time as Snoop Doggy Dog and Snoop Lion across his career, to ask about his name as well. Yes, you can expect to hear singles such as 'What's My Name?', 'Gin and Juice', 'Drop It Like It's Hot' and 'Snoop's Upside Ya Head', as well as tracks from his last few albums — with his 17th record from 2019, I Wanna Thank Me, sharing its moniker with the tour. Since then, he's also dropped two more albums: From tha Streets 2 tha Suites in 2021 and BODR in 2022, with another, Missionary, also in the works.
When Godzilla first crawled out of the ocean and into cinemas, the famous movie monster made its debut appearance in the shadow of the Second World War. The link between the film's fears of nuclear holocaust and what Japan had just experienced wasn't an accident, in a picture that isn't just an excellent creature feature — the franchise-starting flick is stellar all round, including its glorious score. It was back in 1954 that Godzilla initially greeted the world. Now, almost seven decades later, 37 other movies have followed. The latest: Godzilla Minus One, which gives Zilly fans a long-awaited new Japanese Godzilla movie and takes its namesake back to the country's postwar era. As seen in the just-dropped first trailer for Godzilla Minus One, Japan is still coping with the aftermath of WWII's atomic bombings when the kaiju appears. The question: in a place that's already rebuilding, how will everyone both endure and battle against this towering critter? In a feature written and directed by Takashi Yamazaki (Lupin III: The First, Ghost Book), cue plenty of rampaging through the streets by Godzilla, plus fleeing by the film's humans. Cue buildings levelled, the ground both rumbling and crumbling, and explosions wreaking more havoc, too. Referencing going backwards from zero in its moniker, cue a film that follows people trying to survive and fight — all back in the time that gave birth to all things Godzilla. Reaching cinemas in Japan on Friday, November 3 and the US on Friday, December 1, but without a release date Down Under as yet, Godzilla Minus One marks the first live-action Japanese Godzilla release about its namesake since 2016's excellent Shin Godzilla. Since then, three animated efforts — 2017's Godzilla: Planet of the Monsters, and 2018's Godzilla: City on the Edge of Battle and Godzilla: The Planet Eater — have arrived on streaming, however. The franchise also includes America's take on Godzilla, starting with a low in 1998, then including another try in 2014, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong. Godzilla x Kong: The New Empire, a sequel to the latter, is due in 2024. And, TV series Monarch: Legacy of Monsters is due to hit before the end of 2023. Check out the trailer for Godzilla Minus One below: Godzilla Minus One will hit cinemas in Japan on Friday, November 3 and the US on Friday, December 1, but doesn't yet have a release date Down Under — we'll update you when one is announced.
The 80s were a booming time for teen movies, but one film from the era will always stand out from the crowd. Like protagonist, like picture, clearly. Ferris Bueller (Matthew Broderick) might be the most popular student at his suburban Chicago high school, but he's not one for blending in — even when he's skipping school with his anxiety-riddled best friend Cameron (Alan Ruck) and laidback girlfriend Sloane (Mia Sara), all while their principal is on their tail. Almost 35 years since it first reached cinemas, Ferris Bueller's Day Off has become not just a classic but an iconic flick — and, no matter how many times you rewatch it, it's easy to see why. Written and directed by the great John Hughes (Sixteen Candles, The Breakfast Club), it's as amusing as it is entertaining. And yes, it'll have you wanting to sing 'Twist and Shout' in a parade.
During Brisbane Festival, South Bank will be filled with people — but not just in the way you'd expect. Plenty of Brissie folks will flock to the riverside space for shows, gigs and more, and they'll be joined by five giant humanoids eager to explore our fantastic planet. Taking inspiration from the 1973 animated flick Fantastic Planet, this larger-than-life light installation takes over the Cultural Forecourt with a 40-foot-tall spectacle of out-of-this-world sights. With the movie set in a world where such gargantuans roam the earth, rendering humanity as we know it savages, consider this bright, bold piece the next best thing to stepping into that realm.
Visit Bowen Hills for nine days each August and the sounds of the Ekka echo through the suburb. Hit up the inner-city spot since August 2023, however, and you'll hear plenty of cracking at Claw. This crustacean-slinging joint on King Street is an American-influenced crab shack, pairing seafood with barbecue fare in a massive sports bar. How massive? Taking over the space that food truck park Welcome to Bowen Hills previously called home, Claw can cater to 1000 people donning bibs, slicing into a steak, sipping boozy slushies and watching a match. Obviously, the crab shack heroes its fondness for seafood in its moniker, with king crab its signature menu item. You'll nab it in buckets, prepared Baja-style, and paired with chilled shrimp, oysters, lemon and cocktail sauce — and you'll pay $199 for the venue's delicacy. Also on offer: plank-roasted salmon, shrimp enchiladas, rib-eye steaks topped with half a lobster tail, jalapeño bacon burgers, fried chook, beef short ribs, Texas smoked beef brisket, Carolina pulled pork, buffalo chicken wings and blackened shrimp tacos. Add Cheetos mac 'n' cheese as a side, then feast on a salted choc brownie sundae for dessert. To wash down all of the above, frozen cocktails and craft beers are in the spotlight. Claw's drinks list features boozy slushies — think: margaritas, mango daiquiris and beergarita made with Coronas to share — plus both local and international brews, with an exposed keg room heroing the latter. If you prefer wine, there's a short array of options. And for more cocktails, go for guava or cactus apple margs, the root beer float, an apple pie-inspired tipple and a two-person concoction that's served in "a shark-infested fishbowl". For sports fans, large-screen TVs are a given, while DJs and live music will provide a soundtrack. Plus, because this is a family-friendly joint, there's even a playground for children. And, for everyone, arcade games will get you mashing buttons.
How do you say goodbye to one of Australia's great music festivals? Bringing together as many local acts as possible, filling the event's stages with homegrown talents, is one excellent option. When Bluesfest bids farewell with its 2025 fest, it'll also have help from international artists, but so far the lineup is jam-packed with Aussie names. It's the end of an era, and it's going out with some impressive assistance. Come April 2025, Crowded House, Ocean Alley and Vance Joy will lead the roster of talent getting behind Bluesfest's microphones in Byron Bay for the last time, as already revealed back in August. The festival has now dropped its second lineup announcement, which adds everyone from Hilltop Hoods and Budjerah to Kasey Chambers and The Cat Empire to the bill — and there's more on the list now, and still more to come. [caption id="attachment_969986" align="alignnone" width="1920"] LD Somefx[/caption] On their return to Bluesfest, Hilltop Hoods will headline Sunday night lineup. Also no strangers to the event: Xavier Rudd and John Butler. From there, the bill also features Miss Kaninna, Velvet Trip, Melbourne Ska Orchestra, CW Stoneking, Lachy Doley Group, Ash Grunwald and Kim Churchill. The new additions will join Tones and I, Gary Clark Jr, Rag'n'Bone Man, RY X, Allison Russell, Christone 'Kingfish' Ingram and plenty others across Thursday, April 17–Sunday, April 20, 2025. Another announcement is on its way soon, which is when international artists will start hitting the roster. [caption id="attachment_969990" align="alignnone" width="1920"] Joseph Mayers[/caption] "While this lineup focuses on our homegrown talent, it's still a strong blues and roots announcement, staying true to the heart of what Bluesfest has always been about. I can't begin to tell you how many incredible artists have reached out, wanting to be part of our final festival," said Festival Director Peter Noble about the second Bluesfest 2025 lineup drop. "Scores of amazing talents from across the country have thrown their hats in the ring. It's a testament to how special this festival is to the Australian music community. As much as I would love to include everyone, there are only so many spots we can fit into one lineup." "That said, I'm thrilled to welcome back some of our all-time favourites. You can't say no to artists who have helped shape this festival over the years, including Hilltop Hoods returning after a 20 year gap — and how can we be doing a best of Bluesfest without Xavier Rudd, John Butler, The Cat Empire and the incredible Kasey Chambers, alongside some rising Australian stars who represent the future of our music scene? This mix of legendary performers and up-and-coming talent is what makes this announcement so special and uniquely ours." The festival has been showered with affection since news arrived, also back in August, that it was planning to wrap up after the 2025 event. An ePetition has been launched by New South Wales MP Tamara Smith, asking the NSW Government to put together a rescue package for Bluesfest — a petition that'll be debated in the state's parliament if it hits 20,000 signatures. "It's been truly humbling to see how much Bluesfest means to so many of you. While the future remains uncertain, I am encouraged by the petition that's been raised to keep the festival going by our state member of parliament. There's real hope that with your continued support, and the backing of our community, we might just keep the Bluesfest legacy alive for generations to come," advised Noble. Bluesfest 2025 Lineup: First announcement: Crowded House Vance Joy Ocean Alley Tones and I Gary Clark Jr Rag'n'Bone Man RY X Allison Russell Christone 'Kingfish' Ingram Brad Cox Here Come the Mummies The California Honeydrops Marc Broussard Pierce Brothers Taj Farrant Fanny Lumsden 19-Twenty WILSN Cimafunk Neal Francis Second announcement: Hilltop Hoods Xavier Rudd John Butler The Cat Empire Kasey Chambers Melbourne Ska Orchestra CW Stoneking Budjerah Lachy Doley Group Ash Grunwald Kim Churchill Miss Kaninna The Beards Velvet Trip FOOLS ROSHANI Sweet Talk The Memphis Three featuring Fiona Boyes, Jimi Hocking and Frank Sultana [caption id="attachment_969988" align="alignnone" width="1920"] Roger Cotgreave[/caption] [caption id="attachment_969989" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_969987" align="alignnone" width="1920"] LD Somefx[/caption] [caption id="attachment_867504" align="alignnone" width="1920"] Kurt Petersen[/caption] Bluesfest 2025 will run from Thursday, April 17–Sunday, April 20 at Byron Events Farm, Tyagarah. Early-bird tickets are on sale now — for further information, head to the Bluesfest website.
As far as annual traditions go, slathering yourself in pale makeup, splattering on some fake blood, shuffling along the streets and pretending you have a hunger for human flesh is up there with the most interesting. For ten years now, that's what Brisbanites have been doing, thanks to a yearly celebration of all things undead and not quite living. Yes, the Brisbane Zombie Walk has become entrenched in the city's calendar of activities. The event's purpose is twofold: revel in a horror staple and raise awareness for The Brain Foundation. That it does so while combining shock and silliness is one of the reasons it has endured, becoming the most successful gathering of its type in the world. This year, markets, movies, music and a makeup booth — for touchups of extra ghoulishness — are all part of the all-ages mayhem. Then, head to the apocalypse-themed after party at The Foundry to keep the fun going well into the early hours of the morning, aka the ideal time for ample zombie antics.
If there's one thing everyone needs this Christmas, it's food. And if there's one thing that makes grocery shopping two days before the biggest eating day of the year bearable, it's heading to a farmers' market that's also a music festival. That's where The Gap Farmer's Market Christmas Twilight Music Festival comes in — that is, the only place you want to be gathering supplies from on December 23. From 3pm, more than 100 stalls will be selling their freshest fruit, vegetables, meat, seafood, eggs, pasta, cheese, breads, juices and more, while a host of bands provide the perfect soundtrack. If you've ever been to The Gap Farmer's Market before, you'll know that their festive edition is your one-stop shopping destination. And if you haven't, here's your chance to check them out. Yes, you'll be able to pick up arts, crafts and artisan gifts, should you have more than a little last-minute scrambling to do.
Why drink at one watering hole, when you can head to two, three, six or 11? That's always been the motivation behind everyone's favourite boozy journey, aka a pub crawl. And, it's the exact same type of thinking behind the Urban Wine Walk. Taking another wander around Brisbane, it's the bar-hopping excuse every vino lover needs — if you need an excuse, that is. From midday until 4pm on Saturday, September 10, you'll saunter around Fortitude Valley — and between the likes of Bisou Bisou, Summa House, The Osbourne Hotel, Baedecker, Stone and Wood Brewery and more — sampling wines and having a mighty fine time. Other spots on the list: Gerard's Bar, Alfred & Constance, Evita, Baja, Soapbox Beer and The Prince Consort. As for the tipples at each of the 11 spots, they'll be taken care of by a heap of top wineries such as Konpira Maru, Mary's Myth, Witches Falls and Silent Noise, so prepare to get sipping. Tickets cost $75, and are on sale now, with places limited. This moving cellar door will not only serve up more than 33 wine tastings, but also your own tasting glass — plus a voucher for some food.
Eager to turn that hump day frown upside down? Like wearing stretchy pants? Here's your new Wednesday go-to. When the middle of the working week hits from Wednesday, September 29, Fortitude Valley's La Costa is dedicating its evening menu to bottomless gnocchi and pizza. Head by from 5pm, get comfy for 90 minutes, then discover how many slices you can handle — and how much gnocchi as well. You'll eat as much as you can from an eight-dish menu, which'll change each month. To start with, pumpkin, five-cheese and seafood varieties of gnocchi are on offer, as are five types of pizza that include chorizo, a vegetable-topped option, seafood, mushroom and pancetta, and mortadella. As with all all-you-can-eat deals, there are rules. To get the $25 special, everyone at your table needs to partake. Also, you'll only get one serving of pizza or gnocchi at a time, and you'll have to finish it before you get your next one. And, that 90-minute time limit will be strictly enforced. There's a gluten-free option as well, which'll cost you an extra $5. And, if all that pizza and gnocchi is making you thirsty, you'll get a beer or wine with your meal — included in the price. Beyond that, negronis and Aperol spritzes will cost you $10 a pop.
Perched on Brisbane's inner-city outskirts for the past 141 years, the XXXX Brewery has become a bona fide landmark. It's the source of much of the beer drunk across town, a place to sip plenty of pints after seeing where the brewing magic happens, and — noticeably — the reason that the suburb of Milton often smells like yeast. This November, it'll also become Brissie's newest music venue, with the iconic spot hosting a festival with bands and brews for the first time ever. Knocking back cold ones while you're catching live tunes may be an everyday gig experience; however, usually when you're enjoying this combo, you're not hanging out in a huge brewery. XXXX Presents: Live at the Brewery will change that when it takes over the site from 2–9pm on Saturday, November 16. Not only is it the XXXX Brewery's first event of this kind — it's the first time it has opened its gates to the public, other than for tours or to patrons at the onsite Alehouse, for 26 years. While the music lineup won't be revealed until mid-September, Brisbanites can look forward to five local and interstate artists, who'll all perform at the base of the brewery's towering, logo-adorned silos. The folks at Jet Black Cat Music have been charged with picking the bill, building on their past work at the End Of The Line Festival and drawing upon the curatorial skills evident in their West End record store. As well as bands, XXXX Presents: Live at the Brewery will have food stalls, a post-fest shindig at the Alehouse and plenty of limited-edition merchandise — should you need a souvenir from your day spent drinking and partying at the home of the Milton Mango. And, while the festival is a once-off affair, attendees will get two chances to wander around the XXXX site, with each ticket also including a free return visit before June 30, 2020 for a brewery tour. XXXX Presents: Live at the Brewery takes place from 2–9pm on Saturday, November 16 at the XXXX Brewery, 185 Milton Road, Milton. Pre-sale tickets will be available from 9am on Monday, September 16 — sign up here for further details. We'll let you know when the lineup drops in mid-September.
This year's Brisbane Festival is going big on art, featuring the event's largest-ever visual arts program. That means that it's going big on free fun, too — because plenty of its dazzling sights are popping up around town in outdoor spots, letting Brisbanites enjoy their wonders without spending a cent. Head to the Festival Garden at South Bank from Tuesday, September 6–Saturday, September 24 to see one such glorious display, which hails from New York artist Jen Lewin. The Pool is bringing its 100-plus light pads to Brisbane and, yes, you're allowed to hop on them. Also, you won't need your wallet. The piece is inspired by Australia's tidal pools, and asks its audience to step, jump and dance across its floating circles. As you skip, bounce and shuffle, those discs beam and swirl with light — activated by your footsteps, changing with your every move and always creating something new to marvel at. You might've seen images and videos of The Pool from its past berths, because it's a well-travelled installation. Doing the rounds since 2008, it has brightened up Abu Dhabi, Beijing, Hong Kong, Istanbul, Jerusalem, Lisbon, Los Angeles, Mexico City, New York City, Prague, Shanghai, Sydney and Taipei and more. Now, Brisbane joins the list. Top image: Marcus Carter.
A stellar local cafe turns a pleasant community into a special one, with invigorating coffee and top-notch cuisine serving as a hotspot for nourishment and neighbourly chats. Playing a pivotal role from our high streets to our country towns, the local legends operating these coffee corners deserve a rousing round of applause. With this in mind, much-loved coffee roaster Toby's Estate launched the annual Local Legends competition. Featuring every cafe in Australia brewing enticing espresso from Toby's beans, communities across the country voted for their favourite local spot. In Queensland, Frankie's Woombye took home the state's sought-after title. Founded by Rebecca Galler in 2019, her journey to opening amid the Sunshine Coast hinterland was long and winding. But the ride was worth it, as the region has rarely known cafe cuisine this good. From the early hours, full-bodied coffee is served from the airy front counter alongside elevated all-day brunch and lunch options like eggs benedict, rosti stacks and brisket reuben burgers. After a coffee or two, there's also the chance to order a round of craft beers or cocktails. To celebrate Frankie's prize, we've had a chat with Rebecca to explore the story behind the business and her favourite foodie haunts around Woombye. Tell Us About the Inspiration Behind the Name We named the business after our daughter, Frankie. She was six months old when we purchased the cafe. How Did You Get Into the Hospitality Industry? I've been in hospitality since the age of 14. I started waitressing at a well-known restaurant in the Barossa Valley and have stayed in the industry since. I moved from South Australia to Sydney and worked for some of the top chefs in Australia before I was poached to Queensland for work. After we'd had our daughter, I knew it was time to really step into the goal I'd been working towards for 15 years. What's Your Go-To Coffee Order, and Do You Have a Trick for Making the Perfect Cup Every Time? Double espresso all day, every day! Always back flush the machine before every espresso and long black – magic! What's the Perfect Pairing With a Morning Coffee From Your Menu? Our house-made cakes and tarts are quite special, so I'd recommend our Biscoff tart or white chocolate matcha tart. What Made You Choose to Open in the Area You're in Today? The rural Sunny Coast lacked a cafe and bar with soul, so I wanted to make my mark on this small country town. I wanted to put Woombye on the hospitality map and make sure it's known for something more than just the Big Pineapple. What Future Plans Do You Have in Store For Your Cafe? I always have so many ideas – we're looking forward to launching something very cool in early 2025. It's a secret but everything will be revealed soon! Where's Your Favourite Local Spot to Grab Dinner or a Drink After Work? I love Maiori Pizzeria. Sarah and Antonio have done a cracking job with their space. They're both from Sardinia, so you know the pizzas are as authentic as they come. What Are Some Other Local Small Businesses You Think People Should Support? Little ol' Woombye is home to some of Australia's best produce and the people behind these spots deserve recognition. Beth and Simon of Woombye Cheese make some of the hands-down most delicious cheese in the country. We use their award-winning washed rind cheese on our menu and it's superb. Woombye Butchery is another local favourite, with Amanda and James being our meat supplier from the beginning and deserving a lot of credit. What's Important For You When Choosing a Coffee Partner? Choosing a coffee partner involves much more than just good-tasting coffee – although it doesn't hurt! I chose Toby's Estate because their communication was fast, honest and trustworthy. Not only is their equipment first-class, but they believed in us and wanted us to succeed from the start. I'm forever grateful to the Queensland team! What's Your Favourite Toby's Estate Roast? Woolloomooloo is my go-to roast. While the flavour is intense, the chocolate and butterscotch notes make it perfect for your everyday brew. Frankie's Woombye is the Toby's Estate Local Legends winner for QLD in 2024. For more information on it or other cafes that serve Toby's Estate, visit the website.
It only took three years for Wynnum Fringe to evolve from a three-day festival to an almost three-week run. Returning in 2023 for the fourth time, the event is sticking with that extended setup. It's easy to see why, not only because the fest keeps drawing crowds to Brisbane's bayside — with 36,000 people heading along in 2022 — but also thanks to the jam-packed lineup it keeps curating. This year's includes Shrek-inspired burlesque, ABBA sing-alongs, Daryl Braithwaite and a ferris wheel for starters, plus Robert Forster taking to the stage, a dog celebration, Will Anderson and Jimeoin doing comedy sets, and pop-up bars as well. Running from Wednesday, November 15–Sunday, December 3, 2023's lineup of shows and events includes that sultry — and wholly unofficial — take on everyone's favourite animated ogre franchise, plus a corresponding burlesque and drag parody of The Simpsons. Still riffing on beloved pop-culture staples, Wynnum Fringe is staging the latest season of Speed: The Movie, the Play, which brings the 90s action film into IRL in the name of comedy. Sweden's most-famous music group earn a tribute via free community choir The Wynnum Takes It All — singing, yes, a version of 'The Winner Takes It All'. As for Braithwaite and Forster, they sit alongside Diesel, Sarah McLeod, Marcia Hines and Rhonda Burchmore in what's clearly a stacked list of Australian talent taking to the stage. To hear 'The Horses' echo, you'll want to head to the closing Rock the Bay event, which also features Hines and The Bamboos. The comedy bill not only includes Anderson and Jimeoin, but Dave Thornton and Geraldine Hickey as well. Laughing is part of seeing Ancient Greece-set comedy GODZ, too, while the Wynnum Fringe Comedy Gala is back for a one-night-only stint of giggling. After opening ceremony yana marumba (Walk Good) kicks off 2023's festival, attendees can look forward to an adults-only magic show, silent disco walking tours, Chocolate Starfish doing Meatloaf's Bat Out of Hell, Massaoke Oz getting everyone belting out songs and Cheap Fakes playing the Pulp Fiction soundtrack. Or, there's a club devoted to Broadway tunes, a dose of Shakespeare in 60 minutes and a Bluey and Bingo experience — plus What Would Dolly Do?, which is about worshipping Dolly Parton. For hanging out between shows, the garden hub returns to George Clayton Park, which is where Wynnum Fringe's spiegeltent will sit — and a ferris wheel, food trucks and bars. It's also the site of Puppypalooza, complete with dog-focused markets, dog competitions, dog photography and everyone bringing their pooches along.
It has been two short weeks since Banksy pulled what might be the artist's greatest prank yet — ripping one of his own paintings to shreds the very moment it was sold at auction. And if you just can't get enough of the stunt, Banksy has released a new extended video that peers behind the scenes as it all goes down. Called Shred the Love: The Director's Cut, the nearly three-minute clip is available on the artist's website, and reveals not only what went down when Banksy's Girl with Balloon artwork self-destructed as the hammer fell on the winning bid, but what was supposed to happen. Alongside the bidding at London's Sotheby's auction house, footage of someone pressing a button on a remote to start the shredding process, and the shocked mayhem afterwards, Banksy reveals that the entire painting was supposed to be cut to pieces. "In rehearsals it worked every time," the video notes. https://www.youtube.com/watch?v=vxkwRNIZgdY Understandably, the stunt has sparked plenty of chatter both in the art world and in general over the past fortnight, including suggestions that the work has now gone up in value. The Telegraph reports that the collector with the winning £860,000 (AU$1.6 million) bid has decided to keep the piece, which has been retitled Love is in the Bin — although if Banksy had gotten his way, only torn strips of the painting would remain. The new video expands upon the original clip that Banksy posted in the immediate aftermath of the October 5 prank, showing a shredder being secretly built into the artwork, with an explanation that this was done a few years ago "in case it was ever put up for auction". Sotheby's has repeatedly advised that it had no knowledge of the prank before it happened. "It appears we just got Banksy-ed," Alex Branczik, head of contemporary art for Europe, told The Art Newspaper. Of course, whether Banksy is building the world's most depressing theme park, crafting a dark tourism ad for Gaza, opening a Bethlehem guesthouse with a view of the Israeli-Palestinian border or spray painting his pieces all over the globe, the artist's work tends to make a statement. The latest stunt certainly does continue Banksy's fascination with both creation and destruction, which has long been a theme at the centre of the street artist's work. Images: Olga Rozenbajgier, The Art of Banksy / Banksy.
The very beginning of Nick Broomfield's new Whitney Houston documentary features voiceover from one of the singer's friends talking about how she died. We all know the story: one of the most talented voices of our time succumbed to substance abuse and drowned in a bathtub. But her friend posits that while drugs were involved, perhaps they weren't the root cause. Perhaps Whitney Houston died of a broken heart, she says. This sad idea settles over the rest of the film like a cloud, as Broomfield recounts the story of a supremely talented yet obviously troubled young woman surrounded by people unable or unwilling to get her the help that she needed. The Whitney we first see is so young that it's difficult for us to believe she'll become the woman in the bathtub. She's bubbly and bright, singing in her gospel choir at church (led by her mother, gospel singer Cissy Houston). That trademark smile is instantly recognisable. She's just a kid with a huge voice, and she's happy. But that huge voice soon proves to be both a blessing and a curse. Signed at the age of 19, Whitney was thrown into the deep end of an industry that had its own plans for her, moulded into a pop princess by a team of men who worked at Arista Records. Interviewing some of them in the present day, it seems the muscle memory of their puppeteering is still fresh. Her old management team still talks about her like an object rather than a person, and there's little doubt that their level of control over Whitney contributed negatively towards her mental and physical health. You're left feeling sad and frustrated, wanting to call these men into account. Why didn't they help her? Whitney: Can I Be Me uses a large amount of footage from the singer's 1999 world tour, some of which is absolutely staggering. At this point in her life her voice was still in prime condition – the effort she puts into every single song leaves her drenched in sweat; her calling card "I Will Always Love You" works the audience up into a frenzy; while her ability to "caress notes", as the Arista representatives say, is unrivalled. In a time where there was no Beyoncé and certainly no Janelle Monae or Nicki Minaj, Whitney's music was a carefully crafted brand of pop, and was often sent back to the studio for being "too black-sounding". The movie's title becomes a sad realisation that hits you mid-way through. As much as this is a story about Whitney losing her life, it's also about her losing herself. The sweetest parts of the film come from home video footage of Whitney just sitting around eating takeaway and watching movies, or acting out silly scenes with her husband Bobby Brown. In these moments, we're reassured that she has friends and family who love her. And yet ultimately, these relationships all fall apart. Even Robyn, her childhood friend who stuck with her for years, eventually fades away. A lot is made in the film about Robyn and Whitney's relationship, and whether it was more than just a friendship. But regardless of whether Whitney was gay, or bisexual, we get the feeling Robyn is one of the pillars in her life. That they parted ways mid-tour seems to just weaken Whitney's grip on her voice, her health, and her increasingly unhappy marriage. The footage of her being interviewed by Diane Sawyer in 2002 about her addictions is especially moving. When asked what her biggest devil was, she replies that it is herself. Whitney: Can I Be Me paints a tragic portrait of a woman who didn't have the right people around her, nor the drive to get herself the help she required. To add to the grey cloud, Whitney's daughter Bobbi Kristina lost her life in 2015 in eerily similar circumstances. Sadly, the film feels more like a story about this pattern of unhappiness than it does a celebration of the singer's talent – a shame for a woman who had so much. https://www.youtube.com/watch?v=1G2fY0xci_c
It has won 11 Tony Awards and is one of the Obamas' favourite musical, and now Lin-Manuel Miranda's game-changing musical Hamilton is finally coming to Australia. The critically acclaimed hip hop musical, for which Miranda wrote the music, lyrics and the book, is about the life of Founding Father Alexander Hamilton, as well as inclusion and politics in current-day America. As well as its 11 Tony Awards, which include Best Musical, it has nabbed a Grammy Award and even a Pulitzer Prize. After hitting Broadway in 2015, then West End in 2017, and beginning its third tour of the US earlier this year, Australians can finally catch Hamilton — when it makes its Southern Hemisphere premiere at the Sydney Lyric Theatre in March 2021. While this is not new news, with the musical heading Down Under first announced back in May 2019, the fact that it's still planning to go ahead in seven months despite the global pandemic is. And, Aussies keen to head along will be able to snag tickets in just a few weeks. Those who've signed up to the waitlist — or do so before Sunday, August 23 — can get pre-sale tickets from 10am on Monday, August 24. General public tickets will then go on sale at 9am on Tuesday, September 1. Tickets will set you back $70–250 a pop — but there'll be a limited number going for just $10, available as part of the Hamilton lottery. We'll be sure to let you know more details about that when they're announced. [caption id="attachment_731122" align="alignnone" width="1920"] Joan Marcus[/caption] There's no word yet on whether it'll head to other Aussie cities later on — it's possible, other big musicals, such as The Book of Mormons, have. But, if you don't want to risk it, those located interstate should to start planning a trip ASAP — we think it'll be more than worth it. Of course, if you're hoping to make the journey to NSW from interstate, you'll be keeping your fingers crossed that all the internal borders will finally be open by next March. It's not Miranda's first musical to hit Australia, either, his take on the classic 200s film Bring It On: The Musical hit Melbourne in 2018 and quadruple Tony Award-winning In The Heights just finished a short season at the Sydney Opera House last year. In the meantime, you can watch the filmed version of Hamilton with the original Broadway cast on Disney+ — yes, it's as phenomenal as you've heard. Hamilton will make its Australian premiere at the Sydney Lyric Theatre from Wednesday, March 17–Sunday, August 1, 2021. You can sign-up for pre-sale tickets now before they are released at 10am on Monday, August 24 via Ticketmaster. General public tickets will then go on sale at 9am on Tuesday, September 1. Image: Hamilton, Broadway. Photo by Joan Marcus.
For residents of the Greater Brisbane area, plus folks who spent some of your Christmas and New Year break in the region, 2021 has gotten off to a hectic start. The city's Grand Chancellor hotel cluster sparked six COVID-19 cases — all of the new, more contagious B117 coronavirus strain — resulting in a three-day lockdown, increased local restrictions, and changes in domestic border rules between states as well. The cluster also saw Prime Minister Scott Morrison declare Greater Brisbane a COVID-19 hotspot at the commonwealth level — a decision that came out of the first Australian national cabinet meeting for 2021, and covered the Brisbane, Logan, Ipswich, Moreton and Redlands local government areas. Now, just over a week later — and 14 days since local transmission is thought to have occurred — Australia's Chief Medical Officer Professor Paul Kelly has announced that the hotspot status has been revoked. That new status became effective at 12.01am today, Sunday, January 17. "This hotspot was declared out of an abundance of caution because we saw for the first time a case of this new more transmissible strain in the community," said Kelly. "Like so many instances throughout the pandemic, we've now seen another success story in our response." When Greater Brisbane was deemed a federal-level hotspot, every state and territory across Australia implemented border restrictions with the area — and in some cases, the entire State of Queensland. As the situation has settled, those rules have been changing again. In New South Wales, folks who had been in the Greater Brisbane area since January 2 were required to isolate during the Queensland region's lockdown. Now, however, there are no restrictions in place. Victoria closed its borders to Greater Brisbane, and implemented a new traffic light-style system to cope with domestic outbreaks and corresponding restrictions on entering the state in general. Greater Brisbane was initially classed as a 'red zone', which meant anyone who had been in the area couldn't head to Victoria. As at 6pm on Saturday, January 16, it became an 'orange zone' instead — so entry is now allowed after applying for a permit, then self-quarantining, getting a coronavirus test within 72 hours of arrival and remaining in isolation until a negative test result is received. https://twitter.com/VicGovDHHS/status/1350229906488102913 Tasmania declared the Greater Brisbane region a high-risk area. Anyone who had arrived in Tasmania after spending time in Greater Brisbane since January 2 had to immediately self-isolate, while anyone who had been in the area and wants to travel to Tassie isn't allowed to enter without an exemption. That's still the case, although the rules will be reviewed and updated on Monday, January 18. In the Northern Territory, a hotspot declaration meant that anyone entering the NT from Greater Brisbane area had to go into quarantine for two weeks. That declaration was revoked on Monday, January 11. South Australia brought in a quarantine requirement, too, requiring arrivals from Greater Brisbane to to isolate for two weeks. That was revoked at 12.01am on Sunday, January 17, although anyone entering SA from the area must now have a COVID-19 test on day one, five and 12 of their trip to the state. The Australian Capital Territory required anyone who had been in the Greater Brisbane area since January 2 to go into isolation for 14 days from when they were last in the area; however, that was revoked at 2pm on Monday, January 11. Over in Western Australia, a hard border has been brought back in with all of Queensland, with WA closing to anyone who has been in the Sunshine State since January 2. That's still in effect — so anyone who receives an exemption to still enter WA has to go into quarantine for 14 days, and undertake COVID-19 testing within 48 hours of arrival and again on day 11 of their quarantine. For more information about the status of COVID-19 in Australia, visit the Australian Government Department of Health website.
If you're a Lorde fan, there's no better news than this: in February 2026, the 'Royals', 'Green Light', 'Solar Power' and 'What Was That' singer-songwriter will hit the stage in Brisbane. The New Zealand star's Ultrasound world tour is bringing its gigs Down Under, heading to four cities in Australia and making dates with arenas at every stop. Ella Yelich-O'Connor last took her Solar Power tour this way in 2023. This time, as part of a run of concerts that begins in September 2025 in the US — and also includes gigs in Canada, the UK and across Europe — she has levelled up venue-wise. In the Queensland capital, Brisbane Entertainment Centre is Lorde's destination, playing on Monday, February 16, 2026. There might be a three-year gap between Yelich-O'Connor's last Down Under shows and her upcoming Ultrasound tour concerts; however, in addition to writing and recording Virgin, she's been busy making a surprise Sydney club appearance back in May 2025 at a Lorde-themed night. The focus of Lorde's 2026 Brisbane gig: 2025 album Virgin, which features the aforementioned 'What Was That' — her first original new track in four years — alongside 'Man of the Year', 'Hammer', 'Favourite Daughter' and 'Shapeshifter', and hit number one in Australia upon debut. Images: Joseph Okpako/WireImage and Thistle Brown.
