Time to get tap-tap-tapping around one of Brisbane's mini-golf courses — without any kids for company. Part of Tingalpa's The Jungle Adventure Play since 2023, this jungle-themed putt-putt spot is usually family-friendly; however, for one night a week, it ditches that setup to throw adults-only parties. From 5–8pm on Saturday nights, the Proprietary Street venue puts its bar to good use, all while you and your pals get a-hitting. Sip cocktails and beers on tap, and grab a pizza or burger from the onsite restaurant to line your stomach. Entry costs $20 — for the mini-golf only — and can be booked in advance or you can just walk in on the night. Or, if you opt for the $79 package, you'll get unlimited mini-golf games for two, plus two drinks and a pizza to share. The leafy mini golf course spans 16 holes, with a setup that includes snakes, vines, caves, ruins and bullet-riddled trucks — all trying to make getting a hole-in-one tricky. That said, there's an easy option for every hole. Putters will find two paths for each, spanning holes both indoors and outside, so you can pick between the simplest way to mini golf glory or challenge yourself. The venue also boasts a giant inflatable bag that you can jump onto, climbing walls, high ropes and an indoor ninja course — plus, dating back to early 2022, a 140-metre flying fox track. Called The Hawk, it's the longest electric flying fox in the southern hemisphere. Take a spin before or after picking up a club and you'll be moving at 22 kilometres per hour, all while strapped into a harness eight metres above the ground. It spans both indoors and outside, too, and runs in all weather.
One of the most-stunning parts of New South Wales, and Australia, now boasts a new reason for locals, Sydneysiders and interstate visitors to make a date with its spectacular scenery — and a new way to get immersed in its heritage-listed wonders. Everyone should visit the Blue Mountains at least once in their life. Everyone should combine that trip with soaking in Blue Mountains National Park. And now, everyone should also hike along Blue Mountains' Grand Cliff Top Walk. Back in 2019, it was announced that the popular trail — which passes many waterfalls and lookouts on Gundungurra Country, and offers up some dazzling views of the national park and its many eucalpyts— was getting up upgrade to the tune of $10 million. It's taken some time, but the results have been unveiled. Walking the full new stretch now means taking a two-day, 19-kilometre journey, including along more than 4000 steps and ten kilometres of track that have been newly added. Among the highlights: the rainforest, falls such as Wentworth Falls and Katoomba Cascades, and peering out over the Jamison Valley towards Mount Solitary, for starters. You'll also potentially spy everything from lyrebirds and yellow-tailed black cockatoos as you wander between lookouts, including on restored 100-year-old sandstone paths. And, the Three Sisters Aboriginal Place is on the walk as well. If you're keen to experience the entire new Grand Cliff Top Walk, it's suggested that you take an 11-kilometre stroll on the first day, beginning at Wentworth Falls, with Gordon Falls at Leura your destination. Then, on day two, you can enjoy an eight-kilometre walk that kicks off at the same spot, heading to Scenic World at Katoomba via the Three Sisters. The entire route is planned around access and accommodation, so the idea is that folks can spend two days putting one foot in front of the other is scenic surroundings without needing to carry a huge backpacks or take camping equipment with them. Walkers will also find public transport handy at either end, as well as dining options. If that still sounds like a massive endeavour, you can make your way along sections of the track as half-day or full-day walks instead. There's also guided tour options, starting with a two-hour hike with a NSW National Parks and Wildlife Service ranger. Find the Grand Cliff Top Walk in Blue Mountains National Park, starting at Wentworth Falls and ending at Katoomba. Head to the NSW National Parks and Wildlife Service website for further details. Images: R Brand.
August delivers one of Brisbane's most quietly impressive dining experiences from an unlikely setting: a beautifully converted heritage church in West End. The soaring ceilings and original architectural features create a dramatic yet serene backdrop, giving the restaurant a sense of occasion without feeling overstated. The menu centres on a seasonal tasting format, shaped by premium Queensland produce and modern technique. Dishes are precise and thoughtfully composed, balancing restraint with depth of flavour. Rather than theatrics, the focus is on clarity. Each course is designed to build gently on the last. The pacing is deliberate, encouraging guests to settle in and experience the progression as intended. Wine pairings are considered and well-matched, complementing the structure and tone of the food. (BYO Sundays are a hit with local wine-lovers who are itching to dip into their own cellars.) Service is confident and calm, guiding diners through the menu with insight but without intrusion. August feels intimate despite the scale of the space. It's a restaurant for those who appreciate detail, seasonality and a dining experience that unfolds with quiet confidence. Images: supplied.
To celebrate a momentous 50 years since the very first appearance of LEGO bricks in Australia, the Danish toymaker is putting on a Festival of Play throughout the year. LEGO is the number one toy in Australia, with each Aussie owning an average of 70 LEGO bricks. This influential product has changed many of our childhoods and reconstructed our perceptions of inspiration, creativity and play. Keep your eyes peeled for upcoming competitions, like the 50 from 50, where your creativity is put to the test for brickvention, art displays like the one appearing at Sydney's Powerhouse Museum showcasing unique mosaics of Lego brick art, or the exciting new Build with Chrome innovation, which allows you to explore and build a world of 3D LEGO creations online anywhere in Australia or New Zealand. Here, we take a look at some of the most spectacular giant LEGO creations around the world in recent times. LEGO Colosseum, Nicholson Museum Tiny Romans and architecture at this exhibition on the ancient world at the University of Sydney, which runs until early 2013. LEGO Forest, Martin Place For those who missed this spectacular surprise forest appearing in Sydney's CBD, the set of 15 LEGO flower and pine tree structures are an exact replica of the original pieces, only 66 times bigger. LEGO Forest, Broken Hill Going on tour, the forest next appeared against the vibrant backdrop of outback Australia's red dust plains in Broken Hill. Who knows where the gigantic LEGO pieces will appear next? LEGO Staircase, New York This dazzling staircase and railing in a Chelsea Loft is fashioned from an enormous 20,000 LEGO bricks, designed by artist Melissa Marks and interface designer Vicente Caride. LEGO Skyscraper, Seoul This phenomenal structure, built solely out of LEGO bricks, set the new world record for the highest LEGO building ever. The Skyscraper took 4,000 children 5 days to construct using 50,000 bricks. LEGO House, Surrey 1,000 volunteers collaborated together for BBC 2 show, Toy Stories, to create this enormous 32-million brick, two-storey house. Despite designer James May's best attempts to sell the structure to Legoland in Windsor, the house was demolished in 2009. LEGO Furniture by Lunablocks Release your inner decorator and inner kid simultaneously with these soft and stackable LEGO furniture items. They come in an array of shapes and sizes that offer endless opportunities to design and reconfigure your lounge room. LEGO Dispatchwork Using LEGO as dispatchwork is a movement launched by German artist Jan Vormann a few years ago. What started as a fun, colourful and creative way to patch old walls at the contemporary art festival in Boccignano, Italy, has now become an ongoing project spreading worldwide. LEGO Church, The Netherlands The 20 metre Church of the Holy Brick, called Abondantus Gigantus, was built last year in the town of Enschede for the Grenswerk Festival. It was designed as a venue for town meetings, raves, LEGO building contests and even a mass at one stage. LEGO Bridge, Wuppertal It took German Street-artist Megz four weeks to transform this drab bridge into a wonderment of colour and vibrance, resembling giant LEGO bricks. LEGO Car, Munich 800 kids + four days + 165,000 Lego bricks + German Automakers = Life-size replica of a BMW X1 made out of lego.
It's hard to look past the historically bright personality and sticky pub floors of Oxford Street when passing through Paddington, but the beating heart of Sydney's eastern suburbs has spent the last few years undergoing a facelift amid the challenges of lockouts and lockdowns. Paddington has one of the most tightly-knit communities of the city, with a shared pride in both its history and present-day diversity of venues and businesses. Here, we've distilled a taste of it in partnership with Paddo Collective the locals who know it best. Read on to discover some of our favourite spots to visit in the daytime, then flick the switch above and we'll dim the lights to show your favourite things to do once the sun goes down.
Exceptions exist, but Adelaide sadly remains something of a flyover city when it comes to touring artists. Yet things are looking up for a summer of Australian live music, as brand-new festival — A Day in the Gully — has revealed a stellar debut lineup. Taking over Civic Park in Modbury on Saturday, February 28, 2026, expect the good vibes to flow freely, whether you're getting up to groove or hanging with mates in the grass. Open to all ages, this one-day festival features chart-topping Aussie touring artists and emerging indie bands. Drawing thousands to the sprawling green space, much-loved headliners like Chet Faker, Ball Park Music, The Living End, Pete Murray and Mallrat bring serious credentials to the stage, having sold millions of records and toured the globe. "This new music festival is all about bringing people together. It will be a great chance to celebrate Australian live music and have some fun — right in our own backyard. I'm really looking forward to seeing everyone at Civic Park having an amazing time", says City of Tea Tree Gully Mayor Marijka Ryan. For those who love to get the inside word on the next big thing before they blow up, A Day in the Gully is inviting these acts too, with fast-rising bands like Teenage Joans and The Tullamarines delivering boundless live energy. Meanwhile, the festival is heightening the community spirit beneath the gum trees by making sure some of the region's food and wine purveyors get a spot to showcase their wares. Best of all, locals get a special treat, with City of Tea Tree Gully residents welcome to access an exclusive pre-sale, offering tickets at a $50 discount. For everyone else, first release tickets go on sale at 7am on Monday, November 17. "Our vision is to create an unforgettable experience that showcases amazing Australian artists, local food and wine, and the relaxed, welcoming vibe that makes this region so special", says Danielle Jones, Managing Director and Co-Owner of SRO Events. A Day in the Gully is happening on Saturday, February 28, 2026, at Civic Park, Modbury. Head to the website for tickets and more information.
It might be the Gold Coast's most popular stretch of sand, capping off the city's busiest tourist strip — but no matter how many times you've seen it, Surfers Paradise's beachfront always knows how to stun. Here's another way to peer at its coastal expanse: from new dining and drinking venue Coast Beach Bar & Kitchen, which will open its doors on The Esplanade in early August. Come Friday, August 5, the latest addition to the new Ocean by Meriton precinct will start welcoming in patrons, with multiple spaces for Gold Coast locals and visitors to choose from. If you're keen for a meal, the 110-seat restaurant awaits. If you're in the mood for a drink, hit up the 160-seat bar. Either way, the venue boasts uninterrupted views — aka the kind of vista that's worth dropping by for alone. Also part of Coast: a lounge area as well as the main dining room, a sizeable outdoor bar, and booths to get cosy in with your mates or date. Drinks will be whipped up at the eye-catching 14-metre-long marble bar, while dishes are cooked in the Spanish-style Josper oven. For vino lovers, your tipples will hail from the venue's 2000-bottle wine cellar, which unsurprisingly takes price of place in the restaurant. There's around 120 drops on the menu, with about 80 percent skewing local. Feeling flush with cash? Coast also boasts the Penfolds Grange Magnum Collection, which is valued at over $60,000. Thirteen signature cocktails are on offer, too, including banana daiquiris, plus a 'Coast Espresso' made with vodka, coffee tequila liqueur and creme de cacao — or you can order all the classics instead. The spritz lineup spans four types, such as rhubarb, quince and lavender versions, and there's also five mocktails available. Owners Justin and Elizabeth Allie, veterans of Longboards Laidback Eatery and Bar in Surfers Paradise, The Fish Shak in Southport and catering company Gourmet en Counter, have enlisted chef Rhett Willis (ex-Jellyfish and Cha Cha Char) to oversee the modern Australian cuisine menu. It hews share-style; think: coal-roasted yogurt bread with smoked eggplant pate; beef fillet tartar with shoyu, avocado and miso-cured yolk; and wasabi leaves with sand crab, chilli, lime and caviar — as well as prawns with XO butter and truffled baked potato chips. Oysters from Stradbroke Island are also on the menu, and mains include cauliflower steaks, lamb shoulder, wild mushrooms with silkened tofu, and a 120-day, grain-fed, dry-aged tomahawk — the restaurant's signature dish. Can't decide? Opt for one of two set menus — a three-course version, or a four-course feast that ends with a banoffee eton mess for dessert. Sprawling over 750 square metres on level one of the building, Coast takes a glam approach, style-wise, but still embraces its beachy surroundings. So, here Tasmanian oak furniture sits alongside rattan, leather, brass accents and marble fixtures, with earthy hues and sea-inspired blues and greens featuring heavily. Coast Beach Bar & Kitchen will open on Friday, August 5 at Level 1 of Ocean by Meriton, 86 The Esplanade, Surfers Paradise — operating from 11am–10pm daily
At 131 Leicester Street in Coorparoo, embracing Italian-style neighbourhood joints keeps working a charm. First came Ramona Trattoria, which gave the area an inexpensive and casual restaurant featuring traditional meals. After that eatery proved a hit, chef and owner Ashley-Maree Kent launched sibling spot Bar Rocco, an osteria that's all about pairing drinks with bites — Italian cocktails, wines and beers for the former, and shareable snacks for the latter. It too is born of Kent's enthusiasm for Italy's culinary offerings. Seating 40, Bar Rocco's wine list and cocktail options are reason enough to stop by; however, so is the Mediterranean-inspired, wood-fired food. Matching its eats and drinks perfectly is one of the venue's key aims, whether you're enjoying burrata with oxheart tomatoes and wood-roasted peach, barbecue swordfish, a gluten-free torte made with Italian dark chocolate, or prawn or flatbread dishes. The community vibe that's such a significant part of its big sister is also a driving factor at bar Rocco, especially in the al fresco area surrounded by greenery — and featuring street views. Kent's latest venture comes after she set up Roma Trattoria in Coorparoo fresh from Coolangatta's Cross-Eyed Mary, and joins a resume that also boasts time at everywhere from Quay, Three Blue Ducks and Biota through to Tartine Bakery and Paper Daisy.
For the past decade, personal health has become a paradox. Never have people exercised more, tracked more, supplemented more or optimised more and yet uncertainty has never been higher. Protein intake is debated daily. Sleep protocols multiply. Longevity routines proliferate. People are trying. Consistently. But largely without visibility. This is the cultural gap Everlab is built to address, not as another wellness brand promising better habits, but as a fundamentally different way of approaching health: calm, preventative and data-led. Their premise is simple, most people aren't failing their health because of motivation. They're failing because they're guessing. The invisible years of health One of Everlab's central ideas is that longevity doesn't begin later in life, it begins decades earlier, in the silent phase before symptoms. Most chronic conditions develop gradually and invisibly, cardiovascular disease, metabolic dysfunction, hormonal decline, inflammatory disorders. For years, people can feel entirely fine while risk quietly accumulates. Traditional healthcare rarely intersects with this phase. It is designed for treatment, not early detection. Appointments are short. Testing is symptom-driven. Investigation begins once a problem is suspected. Everlab's model inverts that timeline. Rather than waiting for symptoms, the program maps health proactively through comprehensive diagnostics across cardiovascular, metabolic, hormonal, immune and musculoskeletal systems, alongside imaging, advanced blood biomarkers and genetic insights. The aim is not diagnosis of illness. It is visibility into trajectory. Why guessing keeps people stuck Modern health culture offers abundant advice but little precision. People experiment with supplements, diets, training plans, and recovery tools. When results plateau, motivation is often blamed, discipline, consistency, adherence. Everlab reframes this entirely. Without biomarker insight, health decisions become trial-and-error. Symptoms are lagging indicators. Fatigue, weight change or poor recovery often appear only after underlying physiology has shifted. The company's position is that most people are not under-committed; they are under-informed. Through advanced blood panels screening hundreds of biomarkers, physiological testing and longitudinal tracking, Everlab attempts to replace guesswork with clarity — identifying which systems actually require attention, and which interventions are unnecessary. In this sense, the program is as much about subtraction as optimisation, reducing wasted effort, spend and misplaced focus. Beyond transactional healthcare Everlab also reflects a broader shift from episodic healthcare to continuous health management. Traditional models operate in snapshots, isolated tests, individual appointments, fragmented records. Preventative health requires continuity: baseline, monitoring, retesting, adjustment. Everlab structures this as an ongoing cycle. Members build a comprehensive baseline integrating historical records, advanced diagnostics and imaging. Results are reviewed by a multidisciplinary care team including longevity physicians and nutrition specialists. A personalised protocol is created across lifestyle, supplementation and, where clinically indicated, medication. Biomarkers are then tracked over time, typically at six- and twelve-month intervals, allowing physiological change to be measured rather than assumed. A digital platform consolidates results and trends into a longitudinal health record. Data-led prevention Everlab arrives as health culture itself matures. The early wellness era emphasised motivation. The optimisation era emphasised performance. The emerging phase emphasises measurement and prevention. In this model, biomarkers become the organising principle of decision-making. They allow risks to be identified years before symptoms, interventions to be personalised to physiology rather than averages, and progress to be measured rather than guessed. Everlab frames this shift succinctly: health decisions should be guided by data, not trends. A framework, not a fix Notably, Everlab avoids positioning itself as a quick-outcome wellness product. Its language is structural: baseline, diagnostics, monitoring, optimisation. This reflects its deeper claim, that prevention is not an intervention but a framework. The company reports that a meaningful proportion of members discover previously unknown health risks through testing, reinforcing its central thesis: feeling well does not necessarily mean being physiologically optimal. The opportunity lies in the gap between the two. Stop guessing Everlab's relevance lies less in any individual test than in the question it poses to modern health behaviour, what if the problem isn't effort, but visibility? In a category saturated with motivation and optimisation narratives, Everlab positions itself differently, as a rational infrastructure for prevention grounded in biomarkers and longitudinal data. A calm voice in a noisy space.And a reframing that may define the next phase of personal health. Stop guessing. Start knowing. To start a deep dive into your health journey visit Everlab to explore a framework suited to your needs.
Vegan eats can't be hit and miss. You want a kitchen that sources fresh, high-quality ingredients and isn't afraid to experiment with taste combinations. In this, Dicki's certainly delivers. From an understated New Farm nook of sleek white wood with indoor and footpath seating, it offers plant-based meals bursting with flavour. Once you've had smashed avo with macadamia 'feta' ($12), you'll never look back. Bad memories of buckwheat? Try them as waffles with stewed apples, cinnamon crumble and salted caramel ($16.5). Bright and fresh dishes like the Nurture Bowl ($16.5) and maple-roasted granola ($12.5) with seasonal fruit and coconut yoghurt are picture perfect, as is the decadent cake selection. Then, on Saturday and Sundays nights, food and drinks are available till 5pm. Prosecco, local beers and refreshing cocktails are paired with tasty plates like burritos with crumbed tofu and black beans ($15.5), as well as the big house-made mushroom burger with fries ($18.5). Trust us: you won't even miss the meat. Images: Dane Beesley.
Watching a Sir David Attenborough documentary means being left with two strong feelings: wanting to see the world exactly the way that the iconic broadcaster does, and wishing to always hear his narration as you walk across the planet. Consider the BBC Earth Experience the closest thing to making both happen. It takes footage from Attenborough's Seven Worlds, One Planet series, turns it into a 360-degree walk-through audiovisual event, and has the natural historian and living treasure echo while you wander. The BBC Earth Experience debuted in London in March 2023, which has been excellent news if a UK holiday was on your agenda. Here's a better development: the showcase's Down Under arrival. Melbourne is only the second city in the world to host this spectacular sight, running from Friday, October 27 at the Melbourne Convention and Exhibition Centre in an Australian-exclusive season. The experience uses cutting-edge digital-projection technology to surround attendees in visuals from the earth's seven continents, with everything from fireflies in North America to cassowary fathers and their chicks in Australia on display. In London, the attraction sprawls across more than 1600 square metres, featuring spaces dedicated to the planet seen at microscopic scale, via drone footage and on the ocean floor, too, as part of a self-guided tour that also heroes starfish, elephant seals, snub-nosed monkeys, hamsters and more. If you've already watched Seven Worlds, One Planet, you won't just be greeted by material you've already seen, but larger. The scale of the event's imagery is hefty — epic, even — but BBC Earth Experience also includes extended scenes from the show, plus bespoke narration by Attenborough. The mission is truly to make the audience feel like they've stepped right into the footage, all thanks to multi-angle screens. And, it's designed to cater to existing Seven Worlds, One Planet fans and newcomers alike. In Melbourne, offering up an educational experience for young patrons is also a big aim. There's a classroom space onsite, plus resources curated for teachers. Updated November 13, 2023.
You can't miss this triangular-shaped structure of the FV Brisbane in Fortitude Valley that purposefully takes inspiration from New York's famous Flatiron Building. It's all part of the ever-growing FV precinct, which includes Altitude rooftop bar. Of course, you're not supposed to miss it. But marvelling at its exterior is just the start — although one of its unmistakable highlights is definitely located outside, and up high as well. Lofty pools with a view are on-trend at the moment but we're certainly not complaining about that. Here, the splash-friendly spot is U-shaped, and it looks out over the city skyline. You can also book private spa lounges (should you be staycationing with a group) and then catch a flick on the outdoor deck. Or, find your bliss in FV Brisbane's yoga studio. Seeking more inspiration? Discover more at our list of the best hotels in Brisbane.
Opposites attracting is a basic romantic-comedy staple. When it comes to folks from different worlds falling head over heels even though they're told they should stay apart, Romeo and Juliet and West Side Story have long been singing that tune, too. So, focusing two different elements — the fiery Ember (voiced by Leah Lewis, Nancy Drew) and go-with-the-flow Wade (Mamoudou Athie, Archive 81) — who cross paths and enjoy sparks flying, Pixar's upcoming Elemental obviously follows in some hefty footsteps. "Elements cannot mix," Ember is told sternly in the animated flick's just-dropped full trailer, which arrives after a first sneak peek back in late 2022. From there, of course Ember and Wade keep floating and sizzling in each other's orbit, all while living their daily lives as Captain Planet-like characters in the gorgeously rendered world that is Element City. The setup is classic Pixar, however, because the Disney-owned animation studio knows what it likes and what it does well — usually to heartfelt and delightful effect. So, add this to the pile of movies about whether toys, fish, monsters, feelings and more have feelings. The question this time: what if the elements, aka fire, water, land and air, had emotions? The film dubs its characters fire-, water-, land- and air-residents, but getting big Inside Out and Soul vibes comes with the territory. That said, the new full trailer plays up the romance angle, including walk-and-talks that could've jumped straight out of the Before franchise. So far, it all looks as adorable as you'd expect, too, even if you've ever just seen one frame of a Pixar picture. Big on pastel hues, that animation springs from director Peter Sohn (The Good Dinosaur), and hits cinemas on June 15. Literally a story of water and fire trying to get along — maybe Pixar is staffed by George RR Martin fans? — Elemental also features Ronnie del Carmen (Soul) as Ember's dad Bernie, Shila Ommi (Tehran) as her mother Cinder, Wendi McLendon-Covey (The Goldbergs) as Wade's boss Gale, Catherine O'Hara (Schitt's Creek) as his mum Brook, first-timer Mason Wertheimer as Ember's neighbour Clod and Joe Pera (Bob's Burgers) as city bureaucrat Fern. And, when it hits the big screen, it'll come with a Pixar short that links back to 2009's Up. In Carl's Date, it's time to catch up with Carl Fredricksen (the late Ed Asner) and his talking dog Dug (writer/director Bob Peterson) after the former reluctantly agrees to go on a date, but is out of practice and needs the latter's help. Check out the first trailer for Elemental below: Elemental releases in cinemas on June 15, 2023. Images: © 2023 Disney/Pixar. All Rights Reserved.
For actress and model Sarah Stephens, fashion has never been about following the rules. Instead, it's about experimentation, performance, and storytelling. Between her auditions, acting roles, modelling and events, the multi-hyphenated Australian often switches between characters and identities. Whether she's on set or scouring stores, Sarah sees style as an extension of her identity and career — a way to experiment. "Clothes are costumes to me. My everyday look is quite classic and feminine, but I'm not tied to one particular look. I like to experiment depending on my mood, event or character." Sarah's fluid approach to fashion mirrors her layered career. After winning the Girlfriend Magazine model search competition in 2006, the young girl from Sydney jetted to the glamorous world of fashion and modelling. "I sort of stumbled into modelling without a clear direction for my life, and soon found myself completely immersed in the fashion industry," Sarah tells Concrete Playground. [caption id="attachment_1028485" align="aligncenter" width="1920"] Image by Declan May - Galaxy Z Flip7 is featured[/caption] From walking 14 shows at her debut New York Fashion Week to being photographed by famed German photographer Ellen Von Unwerth for Italian and Russian Vogue, Sarah hit dizzying international success early on in her career. In Europe, she was the face of Lacoste's Love of Pink campaign, and just a few months after her 18th birthday, the model walked a coveted international runway show. Reaching these milestones so quickly came at a cost, though. "It was all too much too soon. I burnt out. I couldn't cope with the loneliness and pressure," she reflects. "As a shy and conscientious kid thrown into a ruthless, cutthroat industry, you often find yourself vulnerable to mistreatment and abuse," says Sarah. "I often didn't question what photographers, agents or clients asked of me because I didn't want to seem rude or ungrateful." A young Sarah had to make a decision. Continue down the modelling route or head home and regroup. "I was struggling both physically and emotionally. Being far from home left me feeling incredibly lonely, and the constant pressure to maintain a certain size took a serious toll on my mental health." [caption id="attachment_1028486" align="aligncenter" width="1920"] Image by Declan May[/caption] Sarah decided to head home to Australia and "reconnect with reality". It was during this time that Sarah stumbled upon another passion — acting. "I attended a summer course at the National Institute of Dramatic Art and discovered a deep passion for acting. It felt therapeutic, and the structure kept me engaged, challenged, and energised." Sarah's acting break came in the form of A24 movie The Witch, directed by Robert Eggers. Her proudest acting achievement, however, was playing Mary in The Flood, a four-person play that ran Off-Broadway in New York and at the Lyric Theatre in Belfast. Now, as the actress reaches her mid-thirties and returns to the acting industry post-COVID and U.S. writers' strike shutdowns, Sarah is leaning into her self-expression. She's just finished shooting an independent film in which she portrays an ASIO detective and is currently working on a short film with a friend. "I love how acting lets me step into entirely different lives. I have a deep passion for storytelling and the immersive nature of film." When it comes to styling herself, Sarah believes that having an everyday uniform is overrated. For the actress and model, a wardrobe full of vintage blazers, polkadots, Mary Janes, and puffy-sleeved blouses means she can transform into whichever character she's tapping into (both on and off screen). "Every outfit I put on that day dictates the role I play. It could be bold and cinematic, or it could be soft and intimate and feminine." But, it's statement pieces, she says, that make you feel the most powerful. When we met with Sarah while she was sourcing clothes from For Artists Only, UTURN Bondi and Ekoluv for an upcoming event, the actress shared how technology is instrumental for her day-to-day life, schedule and also style exploration. "For someone like me who plays with identity and storytelling, technology has become this amazing bridge between imagination and reality," Sarah says of devices like the Samsung Galaxy Z Flip7. Powered by Google Gemini*, it's a handy tool for the on-the-go person with multiple passions. As for what's going into the model and actress' schedule next, the acting world's Sarah's oyster. "Hopefully something in a period drama or maybe even a supervillain. Time will tell, and that's exactly what makes this career so exciting," Sarah shares. Explore more at Samsung. *Gemini is a trademark of Google LLC. Gemini Live feature requires internet connection and Google Account login. Available on select devices and select countries, languages, and to users 18+. Fees may apply to certain AI features at the end of 2025. Gemini is a trademark of Google LLC. Requires internet connection and Google Account login. Works on compatible apps. Features may differ depending on subscription. Set up may be required for certain functions or apps. Accuracy of results is not guaranteed. Editing with Generative Edit results in a resized photo up to 12MP. Accuracy of results is not guaranteed. Results may vary per video depending on how sounds present in the video. Accuracy is not guaranteed. If you or anyone you know is experiencing emotional distress, please contact Lifeline (131 114) or Beyond Blue (1300 22 4636) for help and support.
In the lead-up to International Women's Day on Sunday, March 8 — which celebrates the achievements of those who identify as female and how far we have come in the fight for gender equality for everyone — you can read books written by some of Australia's best female authors. For free. The catch? You just need to find them. Books on the Rail has teamed up with female-identifying Australian authors to drop signed copies of their novels on trains, buses, trams and ferries all over Sydney, Melbourne and Brisbane this week. Expect to find works written by Maxine Beneba Clarke, Clare Bowditch, Dr Anita Heiss, Jamila Rizvi, Carly Findlay, Kitty Flanagan, Gabbie Stroud and Holly Wainwright, among others. With a goal to get more people reading books by Australian women, the week-long initiative will see the famous authors hiding their own works. So, as well as picking up a new free read, you might get to meet one of your literary idols. For hints on what, where and when, keep an eye on the Books on the Rail Instagram Stories — it looks like a few copies of Jane in Love by Rachel Givney are already travelling around Sydney. Another one to look out for is Vivian Pham's The Coconut Children. https://www.instagram.com/p/B9D3hzEnJzN/ Launching in Melbourne back in 2016, Books on the Rail sees a diverse collection of books set loose on trains, trams, ferries and buses around Australia — kind of like a roving public transport library. You can also become book ninja yourself. Find out more in the Books on the Rail Facebook Group. Free novels will be dropped on buses, trains, trams and ferries around Sydney, Melbourne and Brisbane until Sunday, March 8. For hints, keep an eye on the Books on the Rail Instagram Stories.
From start to finish, Challengers plunges into a tennis match. Holding the racquets: Art Donaldson (Mike Faist, West Side Story) and Patrick Zweig (Josh O'Connor, La Chimera). The pair were childhood roommates and best friends, then doubles partners on the court. Meeting Tashi Duncan (Zendaya, Dune: Part Two), a ruthless tennis prodigy destined for big things, changed everything when they were teens — and now 13 years after first crossing her path, Art and Patrick are facing off at a competition that's basically a warm-up for the former, a multiple grand slam-winner is now married to Tashi and also coached by her, but represents Patrick's best route to a chance at big-time professional success. The bout that bounces back and forth throughout Challengers isn't the movie's only bit of tennis, of course. The latest film by Call Me By Your Name, Suspiria and Bones and All director Luca Guadagnino flits between moments in its main trio's life leading up to the pivotal bout, too, games included. So, as Art and Patrick compete in the movie's showcase showdown, years of complexity are batted back and forth alongside the ball — mentally and emotionally for the pair, and for Tashi as she watches on, seeing her husband and her ex-boyfriend do battle, and wishing that her career hadn't been ended by injury; plus literally for viewers quickly hung up on every serve and return. "I felt like we were just shooting this sequence for so long. And you're like 'dang, did we, what day is it? Wait, how is the character feeling at this point?'. Because you're still wearing the same outfits and it's supposed to be one game, but it's like the next week," explains Zendaya in Sydney, where she visited in late March on a promotional tour for Challengers accompanied by O'Connor and Faist. "I remember we had a storm, some weather issues, which ended up prolonging the process and all these kinds of things, but it was really special and cool. Sometimes I'd feel left out because I was sitting on the side watching them play and I was like 'hey guys'. But it was fun." Both in that match and whenever else Tashi, Art and Patrick are donning white and standing on green, tennis isn't just tennis in Challengers, though. "The tennis is the sex scene," notes O'Connor about a film that brings one word to mind over and over: sexy. This is a movie about three athletes in a complicated love triangle who are yearning to connect as much as they're lusting for tennis glory, as set to a propulsive and slinky electronic score by Trent Reznor and Atticus Ross (Oscar-winners for Soul). Saying that Guadagnino laces the feature with desire is an understatement — and as anyone who has seen his work, especially both Call Me By Your Name and Bones and All starring Zendaya's Dune and Dune: Part Two co-star Timothée Chalamet, will know, it's also one of his talents. [caption id="attachment_951455" align="alignnone" width="1920"] Caroline McCredie[/caption] The result: one of 2024's must-sees, no matter how you feel about tennis going in. It's also a flick with much to discuss, as Zendaya, O'Connor and Faist did when they made the trip Down Under to screen the film, and also get talking at a press conference. Similarly covered: Zendaya doing double duty as a producer on Challengers, the complexity of Tashi as a character, playing such competitive parts, the picture's love triangle and queer themes, its immersive cinematography by Call Me By Your Name and Suspiria's Sayombhu Mukdeeprom, if KC Undercover helped Zendaya prepare for her performance and making "codependency the movie", as she dubs it — and more. On Zendaya's Working Relationship with Luca Guadagnino as an Actor as Well as a Producer Zendaya: "It was really, really special. Producing is something that I'm definitely not new to, but for me it's always been a way to be creative in a different sense. I was always a shy kid, and so the more I do this, the more I love moving behind the camera. I love being able to learn from people and and grow from different directors, whether I'm a producer or not. I just like being on sets and learning and asking questions —and problem-solving and figuring out how things work. And then also I think it's being able to have — I learned quite early, I think, when I was younger, being able to have a real title allows you to be able to protect yourself in a lot of different spaces. It allows for you to be like 'actually, this is what's happening and I can be part of this conversation'. So it also allows me to protect my work and myself and people around me." On Tashi's Complexity and What Zendaya Was Most Looking Forward to Tackling in the Part Zendaya: "I guess the obvious thing to read — I mean, many things these characters do, but to read Tashi, you'd be like 'she's unlikable'. You judge her immediately. You're like 'she's too much'. It's messy. It's whatever. And so I think my job was trying to find her gooey centre, and trying to find her empathy, and why she makes the decisions and what pain it's coming from. And I think ultimately while she's ruthless, which I love, there is something to her that is — I think it's grief, I think it's grief over a career and a life that she never got to live. And I think her true love, her one true love, was always tennis. And she is trying whatever she can to be close to it, to touch it, to do it. And so she uses people to get that feeling, because she can't do it anymore on her own. And she's never really had a moment to just sit with it, and I think that she's never allowed herself a moment to feel bad for herself. She's just like 'moving on, what's next?'. [caption id="attachment_951462" align="alignnone" width="1920"] Eamonn M. McCormack/Getty Images for Warner Bros[/caption] I think we're watching that become a very real thing for her once her tangibility or her closeness to tennis is threatened by the fact that her husband's ready to be done. And she's like 'what? What do you mean?'. So these people are lifelines for her. It's her holding herself up and keeping herself alive. So yeah, I think it was figuring out her nuance and not just make her just bitchy, because I don't think she is. I think there's a reason behind everything she does, I hope." On the Competitive Nature of the Film's Lead Trio Josh: "I think the competitiveness is also out of an obsession with each other. At the beginning of this film, in terms of the competitiveness, when they're younger that's there but — I don't want speak to their characters, but Art is is on the way of falling out of love with tennis. And I think Patrick is just desperate for connection. I think all three of them are desperate for connection, whether it's Art seeking to restore the the love in his marriage or Tashi to restore this three-way love affair. I think Patrick, likewise, the tennis to him is the the utmost connection. He's always searching for that with Art, and with Tashi, too. And so I think the competitiveness comes secondary to that. But then also there's…" Zendaya: "We're so competitive with each other." Josh: "We are very competitive, but when it comes to tennis, not that competitive because we can't compete. But we were competitive between takes in things like Rock, Paper, Scissors and mini tennis, which I'm actually…" Mike: "Very good." Josh: "…Phenomenal at. That was very competitive." [caption id="attachment_951456" align="alignnone" width="1920"] Caroline McCredie[/caption] On Whether This is a Film About Love, Tennis or the Love of Tennis Mike: "It's kind of this weird thing, because I think we naturally as humans bring whatever thing that we're trying to get out of our work — we fall in love with whatever we do, whether that's storytelling in what you guys do or storytelling in what we do. And we can't help but put a piece of ourselves into that, and we're trying to get something out of that as well at the same time. And so there is this kind of bleeding of lines of that. And so it's probably both, is the truth of the matter." Zendaya: "We say it's 'codependency the movie'. I think that's what it's about. I also think it's about a million things, and I think tennis is the metaphor in which they use, or we use, to express that. What I think is really enjoyable, I think people, I've watched it with family and people who are not tennis people or don't really understand how tennis work, and they still feel like they're like 'ohhhhh' inside the match. And there's something alive in them, they still like they can follow it and it makes sense to them. While hopefully people who do really care about tennis will not be distracted by any of our imperfect forms, and will also be able to enjoy it and feel connected in their own personal way. So I hope it's for everyone." [caption id="attachment_947834" align="alignnone" width="1920"] Euphoria, Eddy Chenn, HBO.[/caption] On Which of Their Previous Roles Helped the Cast Prepare for Challengers Zendaya: "KC Undercover. No, I'm kidding. No, listen, the Disney stuff really does — it's a good training ground." Josh: "I did one sports film a long time ago, very early in my career. I had like one scene with dialogue and then one scene cycling. It was called The Program. Stephen Frears [The Lost King] is the director, it was Ben Foster [Finestkind] playing Lance Armstrong. I did no training, and I was cycling up, I think it's called the 21 turns in the Alps. And I got two turns in, and I always remember Stephen Frears was in a golf buggy going past, and all the other actors had been training for months, like Jesse Plemons [Civil War] and all these guys, and they were way ahead of me. And I was like [gasps] dying, and I was supposed to be one of the best ones. So, that doesn't answer your question, because that didn't prepare me at all." Zendaya: "That trauma." Josh: "Exactly, the trauma, I guess it taught me that I do have to prepare if I'm playing a sports person." [caption id="attachment_951463" align="alignnone" width="1920"] Caroline McCredie[/caption] On Getting Into the Win-at-All-Costs Mindset Mike: "The thing is, that what drew me to the character of Art was this idea of falling out of love with your craft. It's kind of this thing, is this idea I think when you're in your twenties, at least for me, I can speak to myself, is that I'm I moved to New York to become an actor. And I'm just grinding. All you're doing is just working, working, working, working. You're hustling, hustling, hustling. And then you finally get to a place of somewhat success and you've kind of achieved what you thought was the thing, and then you're of left with that idea of 'well, now what?'. And it's that thing — you're damned if you do, damned if you don't. It's almost a curse, almost, that thing when you achieve that monumental moment of success. You start to wonder just for yourself 'well, where else can I actually go from here? What else is there in life? Is this all of who I am? What else does compile a life of a human?'. There's a lot of questions and existentialism that goes within that. And that's honestly what I just connected with, is the truth." [caption id="attachment_951457" align="alignnone" width="1920"] Gareth Cattermole/Getty Images for Warner Bros[/caption] On the Way That Guadagnino Portrays Romance and Desire On-Screen, Including Through Tennis Josh: "Luca's always had this eye for, or an instinct to push that desire, and how to tell desire in ways that are less than obvious — and intriguing. I feel like that's just the responsibility of cinema generally, is how do you show something that is going to resonate in a new way, in a way that we haven't seen before? And yet also, Luca displays really classic, inspired-from-classics ways of telling love as well. At the same time, he references other films a lot. And so, he's always pushing it that one step further, I think. It feels exciting. Yesterday we were asked in an interview about the sex scenes. And Z was like 'there aren't any'. It wasn't a stupid question. It was a reasonable question, because it feels so on the edge of that at all times — and actually the tennis is the sex scene. That's their intimacy, and when they're vulnerable." Zendaya: "I do want to chime in real quick and say for someone who had really no idea about tennis and how it worked — because I remember all of us sitting around, and Luca was like, 'wait, so what do the lines, where do they stand like, what is this?'. And we would write out little maps and be like 'okay, so it goes here, and the ball goes here, and what does that mean?'. So for someone who really started, he really, I think, very quickly understood how to capture the the game — really did it in a way that felt very emotional as well. We never are disconnected from any one of these characters throughout their match, and I think it was very exciting how he made us feel like we were sometimes the character. You know, sometimes the camera is the player, sometimes the camera is the ball, and you just feel immersed inside of this this game. You can feel the sweat and you can feel their heartbeat. I think that that was really, really special to watch him map out, really map out shot by shot — it was a long shot list — and figure out how to take an audience on a journey visually, but also emotionally, somehow too." On How the Film Tells Its Tale Visually Thanks to Cinematographer Sayombhu Mukdeeprom Zendaya: "Sayombhu is amazing. He's such a lovely presence to be around. I think also he's got such a calmness to him, and you can watch him, he'll sit down in his chair and he just looks around, and he's checking the light. Then he'll get up and he'll test something. He'll look, he'll fix it. Then he'll just go sit back down. He's so calm, and and masterful at what he does. Obviously, his previous work, we can see that. I know this is stupid to say, but like I felt like very, I don't know, like I felt like the light kind also played so much into how our characters — it's not stupid to say, I take that back — it played into our characters. He somehow gave us some kind of youthful glow, somehow, and was able to like make us look younger through his lights, and make us feel like we were in a different part of our life with the way that. He illuminated our, I don't know, our skin or colour. I'm not sure the specific technique in which he did so, but I felt like I could see a difference in tonality with the way he chose to to light us when we're younger versus when we're older. And I never actually asked him if he did anything different, or if that was a choice by any means, but I felt it at least watching it. Something feels like when they're younger, the colours feel richer or something, like there's just like the exuberance, and then something he did, he gave us, he contributed, I think, a lot that emotional arc of where the characters go." Josh: "He's also really like such a gift for a cinematographer to allow space, so that when you — it sounds really obvious, but it's actually such a talent, to make you feel like there's not a camera there. He was really good at that creating that environment. So Sayombhu, we saw him a lot in rehearsals, and he was the sweetest, most gentle guy. And then during filming, you just see him run past and be like 'what's he doing? He's doing some magic.'. But really, apart from in the tennis match with the cameras in your face, it generally really felt like we were in our world and left to it, if that makes sense." On Exploring the Film's Love Triangle and Queer Angles Josh: "In some ways, those conversations were never needed to be had, because really it's very apparent from the beginning that love and attraction and lust they have for each other is just unanimous. The point is that the three of them are bound together from the start. The three of us were talking about the first, one of the early scenes when Zendaya comes — oh, Tashi comes — to the hotel room and the three of them are sat there on the floor, which is such a teenage feeling. I think that's captured so well. But it's really funny as well. And I think from that moment on, the three of them are bound. And so that scene where it's a sort of three-way kiss, and then Tashi's enjoying the observation of the two of them, of Art and Patrick, I just think that puts them in this this tornado together — which allows for them to be incredibly nasty to each other, and act badly and act brilliantly, and compete and push each other. And so the undertones of relationships between all three of them go up and down at all times. So it's sort of unspoken, but yeah, I can see that that's that's very much there." Zendaya: "I agree. Also, just Luca is brilliant, and he knows how to carve things out that he wants more of, and nuance. And so much is done in things that I think aren't even on the page. You know, there's the scene that's on the page, and then there's another one that the characters aren't speaking, but they're saying to us and we can all very clearly read what they're saying. I think that's where he's so masterful. I mean, he knows what he's doing. So there's such a trust in in his taste, and what his vision is, also, for the characters. And that was apparent when I had my first meeting with him. He really understood them and their connection and their love and their lust and their everything in a deeper way than was just purely on paper. So yeah, it's definitely there." On Playing Someone Who Exudes Power — and Whether Zendaya Relates Zendaya: "I guess in some ways. I think she enjoys power in a way that I don't think I would ever be comfortable with. I think to me, I have an uncomfortable relationship with that idea. But her, I think it's very clear, I think, from when we first meet her that she's completely unafraid of her power and wielding it over other people, and playing with it and and toying with it, which is what I appreciated about it. It didn't take her injury to turn into this ruthless power whatever. She was like that as a teenager. She was already going into the game like this. She was like 'I'm a winner and I know that, and I know how to control people, through whatever'. It's clear from the beginning, so I appreciated that we weren't trying to reason her personality or trying to apologise for how she is. She just is this way, and we just see her, like I said, we see that strong veneer fall apart. The the decision-making gets a little messier, because I think it's now — when she was younger, it was fun, and now it's for survival. Before she was just toying with them because it was fun. And now it's like, 'no, this is my life now'. So I think the stakes became different. I don't want to relate too much to her now. But I say don't judge them, because I find that upon first viewing, you'll have an opinion — and then you watch it again and I guarantee that opinion will change. And then you watch it again, and it might change again. I feel like every time I watch it, I'm like 'ooh, Tashi girl, what are you doing?'. And then the next thing I'm like 'actually, she didn't do anything wrong and it was Art all along'. And then I'm like 'actually, Patrick, should have never said that'. So every time I'm angry at a different character, or I feel more passionate about a different character. I feel heartbroken for — it constantly changes. So I say don't judge because I feel like your opinions will change every time you watch it. And that's the fun part about the film. You just never really have the answers you want, and that makes you question everything and question yourself. And like 'who do I feel like?' It's just one of those those pieces. That was not to promote or anything — I genuinely mean it, every time I've watched it." Josh: "But also go at least three times. But, seriously, go four times." Challengers opened in cinemas Down Under on Thursday, April 18, 2024. Read our review. Challengers stills: Niko Tavernise / Metro Goldwyn Mayer Pictures © 2023 Metro-Goldwyn-Mayer Pictures Inc. All Rights Reserved.
Art galleries don't just showcase great works by renowned talents on their own walls. They also loan out their collections, touring them to other sites around the globe. That's great news for Australians, who've been able to check out pieces from London's Tate Britain and New York's Museum of Modern Art in recent years, all without leaving the country. Come 2021, you'll also be able to feast your eyes on two big collections of European masterpieces from two different overseas institutions: from New York's The Met, which is heading to Brisbane's Gallery of Modern Art, and from London's National Gallery, which'll take over the National Gallery of Australia in Canberra. The latter, called Botticelli to Van Gogh: Masterpieces from the National Gallery, London, has just been announced — and will hit the Australian Capital Territory from March 5–June 14, 2021. If you were looking for a reason to take a local holiday interstate next year, the NGA has not just one but 60, because that's how many works this huge exhibition will feature. The gallery isn't joking about the showcase's title, either. When you'll be exhibiting Van Gogh's Sunflowers, you can throw around the word 'masterpiece' as much as you like. Other high-profile works include Rembrandt's Self Portrait at the Age of 34, plus Vermeer's A Young Woman seated at a Virginal. And, artist-wise, Titian, Velázquez, Goya, Turner, Renoir, Cézanne, Botticelli, El Greco, Constable, Van Dyke, Gainsborough and Gauguin are all also on the bill. [caption id="attachment_792837" align="aligncenter" width="1920"] Vincent van Gogh, Sunflowers 1888, National Gallery, London, Image courtesy the National Gallery, London[/caption] When peering at the exhibition's pieces, art aficionados will be taken through seven important periods in Western European art history, from a range that spans 450 years. That means exploring work from the Italian Renaissance, checking out the Dutch painting of the Golden Age, and feasting your eyes on British portraiture — as well as scoping out pieces from the 17th- and 18th-century Grand Tour, Spanish art from the 17th century, works that focus on landscape and the picturesque, and examining the birth of modern art. When Botticelli to Van Gogh: Masterpieces from the National Gallery, London hits our shores, it'll mark a big milestone, too — as the largest batch of works to venture beyond the United Kingdom in National Gallery's 192-year history. Announcing the exhibition, National Gallery of Australia Director Nick Mitzevich mentioned exactly what you're probably now thinking — that is, that the showcase is a nifty way to see the world in a period when we can't venture far physically. "At a time when Australian audiences are unable to travel overseas, we are thrilled to be able to welcome visitors to Canberra to see this exclusive showcase of world-class art," he said. Botticelli to Van Gogh: Masterpieces from the National Gallery, London exhibits at the National Gallery of Australia in Canberra from March 5–June 14, 2021, with tickets on sale now. Top images: Installation view, Vincent van Gogh, Sunflowers, The National Gallery, London © The National Gallery, London; installation view, Anthony van Dyck, Lady Elizabeth Thimbelby and Dorothy, Viscountess, The National Gallery, London © The National Gallery, London; installation view, Giovanni Giralomo Savoldo, Mary Magdalene (far left), The National Gallery, London © The National Gallery, London.
In a city where personal style reigns supreme, one creative is standing out from the crowd. New Zealand-born stylist and content creator, Paris Wycherley, mixes vintage finds, elevated streetwear and tomboy silhouettes to create a uniquely self-expressive Melbourne-inspired look. "Melbourne fashion differs from other places because it's less about labels and brands and more about showing your individuality, thrift shopping and mixing and matching lots of different pieces," says Paris. "It's kind of anything goes, which I love." As a personal stylist, Paris often sources fashion across the city. With her keen eye for standout pieces and love of all things secondhand, she can often be found scouting Melbourne's vintage circuit. From Fitzroy's Brunswick Street to Smith Street, Goodbyes to Lost and Found Market, the stylist has a sixth sense for finding vintage deals among the bargain bins. So, what are her top tips for secondhand shopping? [caption id="attachment_1027350" align="alignleft" width="1920"] Image by Declan May[/caption] "Hunting for items across Melbourne's vintage stores is honestly like a sport to me," says Paris. Her ultimate vintage finds have included a leather vest from Comme des Garçons in Berlin and some Prada kitten heels. "They ended up getting worn to death on holiday because they were the only heels I could have a boogie in without getting blisters." But when it comes to secondhand shopping success, Paris credits persistence and time. "You have to go in with an open mind, head down, [and] get to work. Sometimes I can be in the vintage stores for hours, but once you find that special piece, the juice is definitely worth the squeeze." The stylist says she's found a winner when, if she left the piece behind, she knows it'd get snapped up by another fashion fan. "[I look for] unique pieces that I know if I leave it behind in the store, I probably won't see it again. Also, classic timeless pieces. A good vintage blazer is always needed and I collect slogan vintage tees, so I cannot pass up a good slogan." Alongside her persistence, Paris also uses the Samsung Galaxy Z Flip7 to snap inspiration and log her favourite stores. The phone is supercharged by Google Gemini, making it easier to discover, capture and share your style. Think of it as a style companion, or having someone like Paris in your pocket. You can see how Paris herself uses the tool for secondhand shopping in the video below. As a personal stylist and working for her partner's label, Monphell, Paris knows what makes good taste, and it's not keeping up with the never-ending (supercharged) trend cycle. "A sign that someone has good fashion taste isn't always about what they're wearing, but how they carry themselves and the confidence with what they're wearing," she affirms. "You don't have to keep up with the latest trends or spend your entire paycheck just to look good." [caption id="attachment_1027351" align="alignleft" width="1920"] Image by Declan May[/caption] Through her styling work, Paris aims to curate fashion pieces that feel authentic to the client and, most importantly, make them feel good. "I cannot stress enough that clothes should make you feel good." With her oversized fashion looks and seemingly effortless stream of content, Paris Wycherley is a fashion creative to watch. Whether she's shooting a lookbook with Monphell or sourcing for her clients, Paris proves that finding your style and taking the time to curate your wardrobe trump quick-and-easy trends every time. Explore more at Samsung. Flex Mode supported at angles between 75°and 115°. Some apps may not be supported in Flex Mode. Gemini is a trademark of Google LLC. Gemini Live feature requires internet connection and Google Account login. Available on select devices and select countries, languages, and to users 18+. Fees may apply to certain AI features at the end of 2025. Circle to Search not available on the FlexWindow. Results may vary per video depending on how sounds present in the video. Accuracy is not guaranteed. Lead image: Samsung
When Good Chef Bad Chef and Richo's Bar Snacks chef Adrian Richardson, ex-Cha Cha Char restaurateur Chris Higgins and lawyer Liam McMahon teamed up on BŌS, a 120-seater restaurant that adores meat so much that it has its own 'Cleaver Club', it promised Brisbane more than just a meal. The Queen Street spot opened in late 2022, with a sibling bar always in the works as well. Then, from August 2023, cocktail spot The Aviary Terrace Bar started pouring. Like BŌS, you'll find this watering hole opposite Customs House, in Otto Ristorante's old Dexus Tower digs — but making the most of an 800-square-metre al fresco space. Before, after or instead of a hearty lunch or dinner, Brisbanites can hit up The Aviary Terrace Bar for drinks and bites. The venue will sling sips three days a week to begin with, from Thursday–Saturday, with Sunday trading due to kick in sometime late in September. To get there, patrons are advised to either take the lift from the complex's Queen Street entrance, or use the escalator from Adelaide Street. Either way, a sunny openair hangout with Brisbane River, Story Bridge and city views awaits — and a spot with a colour palette heroing salmon and deep green tones, plus seven booths to get cosy in, too. Patrons will also find a curated range of tipples, including cocktails, craft beer, wine and champagne — complete with bottle service to the bar's booths — and light snacks. The libations span options with bird-themed names, such as the Ibis (vodka, blanc vermouth, manzanilla, olive brine and tonic water), the White Heron (agave, rum, coconut water, lime juice, pink grapefruit juice and fresh mint) and the Green Catbird (gin, lemon juice, basil liqueur and basil leaves). And among the bites: wagyu beef croquettes, oysters, prawn and bug rolls, eggplant crisps, Korean fried chicken, garlic prawn toasties, pork dumplings and cheeseburger spring rolls. If you're keen on pairing a trip here with a stint at BŌS as well, the latter clearly goes heavy on steak — it takes its name from the Latin word for beef, after all — with steak tartare, six cuts from the grill, and three giant 1.2–2.23-kilogram options to share all on offer. That said, diners can also choose from oysters, prawn cocktails, chargrilled Fremantle octopus, Tasmanian rock lobster, pork rib eye and duck breast with black garlic as part of BŌS' embrace of different types of proteins.
When an Australian series becomes the Foxtel Group's most-watched original scripted show of all time, it's bound to keep bounding back for more seasons. That program is Colin From Accounts — and after 2022's gem of a first season saw it renewed for a second, the latter has sparked a third as well. Harriet Dyer and Patrick Brammall will be back on-screen, and also writing and executive producing, as the Aussie rom-com follows what comes next for their characters Ashley and Gordon. "We're very excited to bring you season three of our show. To be honest, with the way we ended season two it would have been weird not to make a third, so here we are. We promise we won't leave you hanging like that again. Probably," said Dyer and Brammall, confirming Colin From Accounts' third run. "We couldn't pass up the opportunity for fans to see what's next for Ash and Gordon (and Colin!). Colin From Accounts has delighted fans the world over and we're proud to commission a third season of this hilarious, chaotic and relatable series that has stolen our hearts," added Foxtel Group's Head of Scripted Lana Greenhalgh. When the series began, Dyer's (American Auto) Ashley and Brammall's (Evil) Gordon first crossed paths thanks to a flashed nipple and an injured dog, then an agreement to co-parent the pooch as it recovered. As a relationship blossomed beyond more than just taking care of the titular canine, little has gone smoothly — with the adorable Colin, and also with the pair's romance. As well as proving an Australian hit — complete with AACTAs and Logies to prove it — for real-life couple and No Activity stars Dyer and Brammall, the show has earned fans overseas, with Foxtel Group licensing it to 150 territories globally. There's no word yet as to exactly when Colin From Accounts will return, what the narrative will follow, and who among the rest of the cast and past guest stars will be back, but renewing the series comes at a crucial time for Binge. With Max launching in Australia at the end of March 2025, the latter has lost its initial big selling point: HBO's content. Here's hoping that more homegrown shows like this charming hit will get the green light to help fill the gap. There's no trailer for season three of Colin From Accounts yet, but check out the trailers for seasons one and two below: Colin From Accounts streams via Binge — we'll update you with a release date for season three when one is announced. Read our review of season one and our review of season two, plus our interview with Harriet Dyer and Patrick Brammall. Images: Lisa Tomasetti / Tony Mott / Brook Rushton.
A 90s-era Blockbuster Video might play a prominent role in the next big superhero movie headed to cinemas, Captain Marvel, but in Australia, the chain and its bricks-and-mortar outlets will soon be a mere nostalgic memory. The country is currently home to one last Blockbuster outlet in Western Australia, and one of only two remaining on the planet; however the store's owners have just announced that they're shutting up shop. As reported by Community News, Blockbuster Morley in Perth will close its doors at the end of March, with locals able to head in and say farewell for the rest of the month. Speaking with AAP, owner Lyn Borszeky said that the rise of streaming services had impacted the business. "We knew change was coming but were a bit surprised how quickly it affected our customer base once Netflix hit the Australian market." [caption id="attachment_710127" align="aligncenter" width="1280"] Blockbuster Morley[/caption] When the Morley shop says goodbye, just one Blockbuster will remain worldwide. Located in Oregon in the US, Blockbuster Bend earned the title of America's last outlet back in July 2018, when a fellow store in Alaska closed up. It's a far cry from the brand's glory days, aka the late 90s and early 00s, when it had more than 9000 stores worldwide. In Australia, the first Blockbuster store opened in Melbourne in 1991. For Perth folks who haven't completely replaced their physical media collection with a never-ending streaming queue, the Morley shop will also be throwing a closing down sale — the bittersweet part of any video store's last moments. For everyone else, hold on to those memories of spending way too long walking up and down video store aisles, picking movies based on their cover artwork, and taking home towers of plastic cases during school holidays and sleepovers. Scrolling through Netflix isn't quite the same, and doesn't throw up anywhere near as many old gems that you wouldn't have come across otherwise. Via Community News.
The turn of the century was a helluva time. Excitement and a nervous anticipation of a potential apocalypse filled the air. If you, like me, weren't around to see it firsthand, there was concern that computing systems worldwide would flatline at the turn of the century as the dates became impossible to compute. Obviously, that didn't happen. We're still here and, for better or worse, so are the computers. The entire situation left quite a mark on our culture. Now, 23 years later, the notion of Y2K is on the rise once more. As our world once again gets a little bit scary, we need to make every day count and just be ourselves. These are the brands that are bringing Y2K back for... Y23K? We'll workshop the name. PIT VIPER If Y2K is about being unapologetically yourself, Pit Viper gets top marks. There's no piece of eyewear on the market quite as flashy as these beauties. In Pit Viper's own words: "Sunrise to sunset, reef breaks to ridgelines, holeshots to holy sh*t, we build the functional, fun-loving gear that is serious about taking things less seriously". It's hard for an Aussie not to recognise these flashy fluorescent designs, and when you take a spin on the website, you'll be teleported straight back to the 2000s. Once you've adjusted, take a tour through the product range; from the iconic polarised range of 'The Originals' (The 1993 or The Miami Nights) sunnies to the rounded, heavier-duty range of 'The Slammers', there's eyewear of every shape and colour on offer. Pit Viper extends its identity through goggles suitable for dirt and snow, clothes for your head, top and 'power bottom', and even rigs to help keep the glasses on your face. [caption id="attachment_924540" align="aligncenter" width="1920"] Oleg Shatilov via Unsplash[/caption] CHAOTIC THREADS While the cultural concept of Gen Z has really only grown in recent years, the generation was quite literally born in the Y2K era, between 1997 and 2012. We might not be able to remember it all physically, but thanks to the internet, its memory is well preserved. The style of Y2K is growing in popularity among Gen Z, and that harmony is plain to see with brands like Chaotic Threads. Chaotic Threads was founded in Melbourne and prides itself on sustainability and style in equal parts. Each piece is created from a single inspiration, meaning every design is limited-run. The upside is every bit of scrap fabric will be reused to create more accessorie. The product range is always shifting, so check the website or Instagram to see what's currently available. [caption id="attachment_924503" align="aligncenter" width="1920"] Lilli via iStock[/caption] ACTUAL ANGEL A similarly Gen Z-charged brand (which also happens to be based in Melbourne) is Actual Angel. You might take a shine to these pieces if you have ever had a goth phase. Every design is handmade, ranging from heavy gothic designs to mystical pieces that tread closer to the modern fairy core. Actual Angel's range spans gorgeous stellar earring designs, chokers of all textures and colours and even tote bags made from the likes of velour satin and lace designs. It's all whimsical, comfortable and, most importantly, it's handmade independently. Actual Angel can be found on Instagram, but you can find the entire product range on Depop. [caption id="attachment_924511" align="aligncenter" width="1920"] Ivan Martynov via iStock[/caption] THREADHEADS A marker of Y2K fashion is graphic design — as technology and pop culture evolved, the option to print customised designs onto clothing became more accessible. One of the most popular graphic tee brands right now is Threadheads. Quickly achieving viral status thanks to a satirical but stylish approach to designs, this is the ideal brand for anyone with a sense of humour. Design themes cover pop culture, gaming, 80s and 90s, parody, retro, anime and more. Threadheads also loves a collab, with official collections made with Rick and Morty, DC Comics, NASA, Seinfeld, Cobra Kai and others. A new addition to the catalogue is custom tees, a great gift for any lovers of bootleg designs. [caption id="attachment_924502" align="aligncenter" width="1920"] IC Productions via iStock[/caption] DIESEL Diesel predates Y2K, going back to the vintage days of 1978. But as many fashion labels move to the next new and exciting thing, Diesel reflects on all the wonder of the Y2K era with a product range that will take you back to the finest pop videos of the noughties. How so? Diesel's specialty denim line still reigns supreme, but a closer look through the catalogue will reveal the likes of tie-dyed belt bags, futuristic metallic tops, baby tees, frayed high tops and other icons of the era. Ranging across men and women, clothes, accessories, homewares and more, there has to be something for everyone in there. [caption id="attachment_922788" align="aligncenter" width="1920"] Millie Savage[/caption] MILLIE SAVAGE The final cornerstone of Y2K fashion for us to discuss is the statement jewellery pieces. Big and bright — there was nothing minimalist about these pieces. A brand that keeps that trend alive is Millie Savage. Yet another fashion label based in Melbourne (though now also boasting a Bali studio), Millie Savage is run by an all-female team of designers that specialises in precious gems, all ethically sourced. Millie Savage has a particular love of opals, mainly sourced from South Australia. Every product has the Millie Savage touch: namely, a lack of playing by the rules. It's especially visible in the one-off beauties collection, where no two pieces are alike in the slightest. Check out the designs across rings, necklaces, earrings, bracelets and more. For more information on Pit Viper or its products, visit the website.
Teenage drug use is an undeniable occurrence. Curiosity, experimentation, peer pressure, or the desire to escape are only a few reasons why teens take drugs. Every now and then we see on the news a story about a couple of kids being expelled from school because they were found handling or taking illegal substances. But also every now and then there are more devastating consequences, as explored in the play April’s Fool. In April 2009, two weeks short of his nineteenth birthday, Toowoomba teenager Kristjan Terauds died due to complications from illicit drug use. The idea to develop this story into a play was inspired after director Lewis Jones was given Kristjan’s father’s journal to read. Jones commissioned Toowoomba writer David Burton, and he had spent months interviewing Kristjan’s friends and family. The result was a verbatim script. Using the real words and real experiences of the interviewers, Burton shaped the tragedy into into a story of love, family and strength to create a performance reflecting on the choices we make in life. Originally debuting in 2010, this is a special two-night return season. April's Fool was universally praised by youth, parents, teachers and theatre critics alike for its honesty and ability to engage while never preaching or lecturing. Don't miss this honest, heart-felt performance.
A lot of time, skill and dedication goes into building up a collection of precious goods. There's going to be a big opportunity to both flex your collection and gawk at others when the first-ever CollectFest rolls around. CollectFest is set to bring together enthusiasts of all fields, whether you're into comics, sneakers, toys and figurines, coins, stamps or more. You'll be surrounded by your people, and everyone will have a reason to celebrate, trade and sell to their hearts' content. CollectFest still has some time before it kicks off, as it's not taking place until Saturday, July 26 and Sunday, July 27, 2025, at the Brisbane Convention and Exhibition Centre. Tickets are projected to sell fast, so be ready when early bird tickets go on sale from Wednesday, September 18. Stay tuned for more information as it comes. The first-ever CollectFest will take place from July 26–27, 2025, at the Brisbane Convention and Exhibition Centre. Early bird tickets go on sale from Wednesday, September 18, 2024. For more information or to get tickets, visit the website.
El Camino Cantina has several locations around Brisbane and southeast Queensland — at South Bank, Bowen Hills, Chermside, Robina and Sunshine Plaza — and, at every one, the chain is giving the people what we want. If you're heading to a Tex-Mex bar and eatery, then you want plenty of tacos. Ideally, you want them cheap as well. Enter the brand's weekly $2 Taco Tuesday sessions, which is exactly what it sounds like. Head by every Tuesday and you can tuck into a highly affordable feed of caesar salad tacos, cheeseburger tacos and spicy cauliflower tacos, all using soft shells. There's also a special flavour each week, still just for a gold coin. If you'd like a beverage to wash your tacos down with, the regular range of margaritas, cocktails, wines and beers are on offer. Consider this a PSA: El Camino is known for its slushie machines, so you might want to sip something semi-frozen. And if you're after a couple of other varieties of taco and you're willing to spend $4 a pop instead, you have even more options. The chain is dishing up its cadillac range for that still-discounted price, spanning everything from tempura barramundi, chorizo and jerk chicken to pulled pork, sautéed steak and beef brisket.
The inaugural Vivid Residence is the headline event in Vivid Sydney's huge new food lineup. The two-week residency brings a hotly sought-after international chef behind the pass of one of Sydney's most beloved fine diners. The bad news: this exceptional dining opportunity is completely sold out — and with good reason. The once-in-a-lifetime event will give hungry Sydneysiders the chance to savour a menu from Daniel Humm — of New York's three Michelin–starred Eleven Madison Park — at Aria Sydney between Tuesday, June 6–Saturday, June 17. [caption id="attachment_902234" align="alignnone" width="1920"] Steven Woodburn[/caption] The good news: deliciously, we managed to secure a few tickets (five pairs, specifically), just for you. If you're not already aware, along with its starry reputation, Eleven Madison Park and its plant-powered plates have previously sat at number one on the World's Best 50 Restaurants list. Backdropped by the glittering harbour, Humm and his team, with the support of Aria, will offer a nine-course tasting menu (and a slightly shorter lunch menu) capturing the essence of NSW. In this exclusive Concrete Playground Trips package, you and your date will choose between a lunch and dinner service at Aria, stay in a superior heritage room at the Harbour Rocks Hotel and then enjoy breakfast the next morning. All the makings of a standout winter trip to Sydney. To secure one of the last five spots, book your package stat. Eleven Madison Park takes over Sydney's Aria from Tuesday, June 6 till Saturday, June 17. Take in the full Vivid Sydney experience with Concrete Playground Trips' exclusive event package, which includes lunch or dinner for two at the Eleven Madison Park x Aria Vivid Residence, one night at The Harbour Rocks hotel and breakfast for two the next morning. For more information, head to the website. Specific dates and dining times apply.
The best glamping sites in New Zealand are made for travellers who want to explore and stay amid the country's spectacular natural landscapes without having to rough it. Either hit a few of these as you road trip through the North and South Islands or find a location you love then stock up and stay for a good few days. Whether you're after seaside glamping or a mountain escape, with fantastic lodgings scattered across the countryside, Aotearoa's best assets are on full display at these glamping destinations that get you closer to nature than any hotel (although there's no shortage of great hotels in New Zealand). Recommended reads: The Best Places to Go Glamping in Australia The Most Romantic Places to Stay in Bali The Best Spas in Auckland The Best Spas in Wellington Glam Camping, Queenstown At Glam Camping, you'll find a collection of geometric dome tents perched along a hillside looking down on the green valley and lake just a 20-minute drive from Queenstown. During the day, take the 90-minute walk around Moke Lake or go horse riding. You can even join a morning yoga class or organise a wine tasting tour around one or many of Queenstown's famous vineyards. But we are particularly excited about the Glam Camping's food and drink offerings. You can opt to cook your own food (with all the produce provided by the hosts) or let a private chef treat you and your travel buddies to a three-course feast on the property. [caption id="attachment_880413" align="alignnone" width="1920"] SJL Photography[/caption] Kawakawa Station, South Wairapa This sprawling farming property spans across rolling grassy hills by the South Wairarapa coastline. And until the end of April 2023, the Kawakawa Station team invites guests to stay in a series of large tents hidden within the pastures. But, unlike other bell tents, these have clear ceilings so guests can stargaze from the comfort of their own bed. It also has a fully equipped kitchen on the property, so you can prep your meals without needing to bring a heap of gear. You can easily spend a few days at this New Zealand glamping site, hanging out among the sheep and strolling around the property. But, if you're after a proper adventure, Kawakawa Station also offers an epic hiking experience. The three-day hike along the Station Walk takes you through forests, along creeks and right down to the coast. The team will put you up in a bunch of different accommodations along the way, too. Coromandel Luxury Escapes, Coromandel It's in the name but still deserves being repeated — Coromandel Luxury Escapes is a truly luxurious glamping site in New Zealand. It is all powered and comes with a mini fridge, oil heater, large king bed as well as a private free-standing outdoor bath. A massive deck with a BBQ is also there for you when you want to cook up some locally caught fish. Apart from the site, one of the biggest selling points is the location. It's close to some of New Zealand's best beaches, including the picturesque New Chums Beach. And, if you're up for a 50-minute drive, you've got to visit Hot Water Beach. Here, you can dig a hole in the sand to find naturally hot water bubbling up to the surface — just be careful when digging, as this water can reach temperatures beyond 100 degrees Celsius. Use Coromandel Luxury Escapes as your base when exploring the Coromandel region which is just a two-hour ferry ride from Auckland. Lavericks Bay, Christchurch The Lavericks Bay glamping spot has two tents making up this wonderfully bucolic site. Seclusion is almost totally guaranteed. Apart from the property's wandering sheep. You'll feel as if you have the entire bay and rolling countryside to yourselves — for exploring or just sitting back and taking in the views. During the day, head to the beach for some leisurely swimming at the property's private beach to check out the resident dolphins and seals that tend to float past. And, at night, you can't say no to a dip in the large wooden hot tub in which you can do some proper stargazing. There's no light pollution here, so you'll be guaranteed a stunning night sky. Waitomo Hilltop, Waitomo The Waitomo Hilltop glamping site feels like it's pulled from a fairytale. Atop a hill, in the green Waitomo countryside lies this luxury tent that's been kitted out with everything you could need. Cook up fresh pizzas in its woodfired oven, rug up by the fire pit watching movies via projector or take a dip in one of the outdoor baths overlooking the countryside. There used to be just one glamping tent available, but Waitomo recently finished creating another equally luxurious site. The new campsite has two tents joined together with a glass walkway — including three separate bedrooms, a lounge area and a massive kitchen and dining room. It is technically a tent, but looks far more like a bricks and mortar home. The Black Yurt, Oakura This one is for the keen surfers out there. You're a short walk away from Oakura's surfing beach which is known for having some fairly reliable swell. The Black Yurt is also close to town — walking distance from plenty of boutique stores, restaurants and bars. It may be one of the least remote New Zealand glamping spots on this list but it still feels miles away from crowds. The large yurt is surrounded by palms and native bushland, offering up some well-needed privacy. The interiors of the yurt are also extra cushy. There's a king bed, a queen futon mattress as well as some schmick bathroom facilities. And, if the weather is good, you can open the dome and windows to let the outside in. [caption id="attachment_879080" align="alignnone" width="1920"] Lisa Sun Photography[/caption] Tawanui Farm, Cheviot It doesn't take long to find jaw-dropping vistas outside of New Zealand's main cities. Just an hour-long drive from Christchurch lies Tawanui Farm, a working sheep, cow and deer farm. Here, the Loughnan family have set up two geodesic domes, a central camp kitchen (with couches and cooking gear all provided) and a large hot tub looking out over the pastures. It's easily one of the best New Zealand glamping sites out there. Each dome sleeps up to four people, and no matter how many guests you book for, you'll get the entire site — that makes Tawanui Farm great for larger groups. Either laze around playing boardgames and drinking in the hot tub or use it as a base to explore the rest of the region. You can fish at the local Hurunui River, swim and surf at Gore Bay or take an ATV farm tour to learn a little more about Tawanui Farm. Dealer's choice. Kanuka, Rotorua This is just about as remote as it gets. A single Kanuka glamping tent is hidden up in the bush, right next to Lake Tarawera, and can only be reached by a boat ride or hike. The campsite comes with a large tent and queen-sized bed, a bush kitchen with everything you need to cook up some grub, a dining area as well as a separate bathroom. The essentials are sorted. And, once you're all settled in, what you choose to do around here is totally up to you. The Kanuka team can provide a kayak for exploring the lake, there's a sandy beach less than 50 metres away and you can hike along a number of trails (with one leading to a natural hot pool in the bush). Ah, you've got to love New Zealand and all its thermal hot springs. [caption id="attachment_880412" align="alignnone" width="1920"] Dan Kerins[/caption] Camp Kekerengu, Kaikoura Coast If you're travelling with a bunch of mates or a big family, Camp Kekerengu is perfect. Here, you will find three large tents, a group kitchen and a covered lounge area — all with uninterrupted sea views. But, be prepared for living it a little rougher than you might like. The entire glamping site is off grid. This will force you to fully unplug and enjoy nature. You're a short walk from the beach, close to several walking trails and simply surrounded by wide open plains and rolling mountains. It's stunning. And is the perfect example of why people love to go glamping in New Zealand. Here, you get the best bits of Aotearoa's natural landscape all in one location. Feeling inspired to book a getaway unlike anything else out there? Only through Concrete Playground Trips, our new travel booking platform, can you now purchase holidays specially curated by our writers and editors. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips at destinations all over the world. Top images: Waitomo Hilltop
First, her milkshake brought all the boys to the yard. Now, a couple of Brisbane events — BIGSOUND and Sweet Relief! — are bringing Kelis to Brisbane in 2024. The thinking: why get the R&B talent to hit up one festival in the Sunshine State capital when she can take to the stage at two? Damn right, this plan is better than yours. At BIGSOUND, Kelis joins the conference lineup at the huge music event, which combines plenty of discussions with live gigs in Fortitude Valley, and returns to Brisbane from Tuesday, September 3–Friday, September 6 for its 23rd year. Then, on Saturday, September 7, Kelis will be part of Sweet Relief!'s 2024 bill. Accordingly, BIGSOUND attendees can expect to hear about her experiences in music — and maybe as a fashion icon, muse for designers, and a Le Cordon Bleu-trained chef with her own Netflix several cooking specials and cookbook My Life on a Plate to her name. At Sweet Relief!, in an exclusive show, Kelis will bust out not just 'Milkshake' and 'Bossy' but more tunes from her catalogue at the fest's second year. For company at the event, which moves to Ballymore Stadium for 2024 after debuting at Northshore Brisbane in 2023, she'll be joined by The Presets, 2024 Eurovision contestants Electric Fields, Haiku Hands, Dameeeela and Juno so far, with more to be announced. 2024 marks a quarter century since Kelis' first record Kaleidoscope and also 21 years since Tasty — featuring 'Milkshake', 'Trick Me' and 'Millionaire' — became such a hit. The singer's spot on both the BIGSOUND and Sweet Relief! is the result of a partnership between BIGSOUND and QLD Music Trails, the latter of which Sweet Relief! forms part of. [caption id="attachment_959285" align="alignnone" width="1920"] The James Adams[/caption] [caption id="attachment_861894" align="alignnone" width="1920"] Lachlan Douglas[/caption] [caption id="attachment_959282" align="alignnone" width="1920"] The James Adams[/caption] [caption id="attachment_851424" align="alignnone" width="1920"] Lachlan Douglas[/caption] BIGSOUND 2024 will take place between Tuesday, September 3–Friday, September 6 in Fortitude Valley, Brisbane. For more information, visit the event's website. Sweet Relief! 2024 will take place at Ballymore Stadium, 91 Clyde Road, Herston, on Saturday, September 7, with presales from 11am local time on Tuesday, June 4 and general sales from 11am local time on Friday, June 7 — head to the event's website for more details.
Come the really raw bits of winter, our gut instinct generally tells us to bunker down in our own homes with blanket forts and hot comforting stews. Nothing says 'let's stay home in our pyjamas tonight' like frosty air and something trashy on TV. But don't fret — mini-holidays are still achievable (even in winter) and in Melbourne weekends away are at your fingertips. All you have to do is jump into your car and go for a little spin. Cold places can make for beaut weekends away, and Melbourne's Dandenong Ranges are a very valid option. Only 35 kilometres east of the CBD, The Hills, as they're affectionately known, will make you feel like you're in a tiny European village at the best of times, or lost in the forest at the worst (hint: take a map with you). Stretching from the southern ranges to Belgrave, the foothills and hilltop villages like Sassafrass and Mount Dandenong, here are some tips for a weekend away in the area filled with woodfires, ferns and a plethora of dessert options. [caption id="attachment_581918" align="alignnone" width="1280"] Hideaway Cottage[/caption] STAY Heading up to stay a few nights? Feeling cosy in Airbnb cottages are what it's all about up there, so have yourself a gander at this one. Hideaway Cottage is right up the top of the mountain in the area actually called — fittingly enough — Mount Dandenong, and it's a sweet little stone cottage house embodying all things quaint. There's a loft bedroom up a spiral staircase, a fireplace for those wintry times and even a veranda as an added bonus. You'll be sitting out the front wrapped in your blanket cocoon saying things like "this is what life is all about" before you know it — not even minding that your toes have gone a bit numb. If you want to step it up a notch and go full forest, head up to the Linden Rainforest Retreat; it's also in Mount Dandenong, but a whole level above when it comes to indulgence. You can choose from one of four 'designer suite' retreats, there's room service, and you can even pre-order a cheese platter and/or rose petals to be strewn about your bed before you arrive. It's prime fare for a couple celebrating something special, or just for a single really going for it in the treat yo'self stakes. 100 points for you. Alternatively, just go bush and camp somewhere in the basically enormous expanse of green camping possibility that the Dandenong Ranges are. There are a bunch of well-equipped camping grounds dotted around the ranges — here's a list to start you off. But a warning to you, the Dandenongs do tend to hover a few degrees lower than the mainland down below at all times, so nights outdoors in winter will be frosty indeed. [caption id="attachment_581920" align="alignnone" width="1280"] Ripe Sassafrass[/caption] EAT AND DRINK Contrary to popular opinion, it's not all about scones up here. Okay, it is a little bit. A hot tip is avoiding the over-touristy and over-priced Miss Marple's Tearoom in Sassafras and heading a few doors down to Ripe. The café has a produce store attached, a heated deck so you can sit amongst the ferns, and a Devonshire tea that includes a hot drink in the price (unlike Miss Marple's). For those who aren't all about lashings of cream and jam, Ripe also does a solid baguette menu — and it almost goes without saying that the prosciutto, quince paste and brie is the winner over here. [caption id="attachment_581922" align="alignnone" width="1280"] Cafe de Beaumarchais[/caption] If you've done a fair whack of walking around the mountainous surroundings, it could be high time for some sweet treats. Café de Beaumarchais (also in Sassafras) has you sorted with a fairly hectic cake display and great coffee, and a general vibe making you feel like you're in a tiny village in France. For heavier fare head to Woods Sherbrooke — the Sri Lankan chef and owner's contemporary Asian menu will warm your belly on a cold winter's night. Drinking holes are a little harder to come by in the hills, so our first suggestion would be to make a big vat of your own mulled wine and drink it by the fireplace in your cottage. If you're very keen to venture on out, Belgrave is probably the place to go. Sooki Lounge on Burwood Highway isn't the hallmark that the bar it replaced, the famous Ruby's Lounge, once was, but it still does live music and organic tapas. Oscar's Alehouse, also just down the road, is a bit of Brunswick in Belgrave — there's a heap of different craft beers and you can even BYO pizza in. [caption id="attachment_581933" align="alignnone" width="1280"] RJ Hamer Aboretum, Matthew Paul Argall via Flickr[/caption] SEE AND DO Getting around in the Dandenongs can be slow-going — thanks to the one-lane Mount Dandenong Tourist Road starting at Tremont and running all the way up to Montrose — so don those old runners, flex your feet and set off on foot. It's like the hills are urging you to go a-hikin' through them, and there's plentiful walks to be done. A tip is avoiding the tourist-saturated 1000 Steps Walk on a weekend because it ends up being more of a shuffle/whoops-avoid-the-family-of-five-plus-their-dog type affair. Instead, head to the huge RJ Hamer Arboretum in Olinda. Here stand over 150 different types of trees and, when the leaves start to fall in cold weather, it has a real resemblance to Narnia. The National Rhododendron Gardens nearby are also beautiful, covered in colour, and quite hilly so you can get a bit of cardio in at the same time. [caption id="attachment_581935" align="alignnone" width="1280"] Ashim D'Sliva[/caption] Rainier days might see you heading into Belgrave's Cameo Cinemas, an eight-screen effort showing arthouse and cult hits as well as blockbusters, with an outdoor cinema in the warmer months. But if you want some more R&R (that is, if watching the new Tarzan isn't relaxing enough for you), the Japanese Mountain Retreat in Montrose has more mineral springs and massage therapies than you could have time for over a single weekend. Shopping-wise, Sassafras has options that range from homey and fragrant (Tea Leaves) to tasty pantry things (Cream), to kooky wooden puppets (Geppetto's), if that's your jam. Or, if you're up there between November and April, take home some edible souvenirs from Blue Hills Berries & Cherries by picking your own strawberries, raspberries, or cherries as fresh as they come. [caption id="attachment_548957" align="alignnone" width="1280"] Sherbrooke Falls Trail[/caption] ALRIGHT, LET'S DO THIS Public transport is sparse, but you can jump on a train and take the Belgrave line out to Upper Ferntree Gully Station, then wait for the 688 bus (every half hour or so), which runs along the Mt. Dandenong Tourist Road up the mountain. The drive is quicker — about 50 minutes from the CBD. The Burwood Highway and Mount Dandenong will take you up there pretty swiftly. Top image: Adrian Mohedano via Flickr.
Long before Photoshop became widely available photo hoaxes were much more noteworthy and had larger repercussions for contriving fake events. Today we are accustomed to seeing completely unrealistic and out-of-this-world scenes on photographic prints, but in bygone days society was a little more innocent. Whether used as propaganda in war times, t0 invent or perpetuate superstitions, to improve appearances, or to make ordinary events appear extraordinary, photo hoaxes have historically changed our perceptions, beliefs and even our actions. Here are ten of the most famous photo hoaxes (appropriately from The Museum of Hoaxes) throughout history. Portrait of a Photographer as a Drowned Man Hippolyte Bayard was angered by the lack of attention and recognition given to his independently developed process of direct positive printing, which was instead focused on his rival Louis Daguerre. In the 1830s during the race to perfect the printing process, Bayard was not remembered as the first to invent photography, yet he is known as the first to fake a photograph. To demonstrate his frustration, Bayard took a faux photo of himself as a suicide victim alongside a note reprimanding those who supported Daguerre as the discoverer of photography rather than himself. President Lincoln Due to Abraham Lincoln's lack of 'heroic-style' portraits, an amateur entrepreneur created the photo of Lincoln on the left by combining two other photographs. By cutting out Lincoln's head from a picture by Matthew Brady and pasting it onto an image of southern leader John Calhoun, this widespread image of a bold President Lincoln was created. The Cottingley Fairies Cousins Frances Griffith and Elsie Wright were playing in the garden of Elsie's Cottingley village home when a group of frolicking fairies seemingly decided to join in on their fun. The series of photos taken by the young girls captured the world's attention, providing 'proof' to many spiritualists that supernatural creatures really did exist. Little did the world know (until 1980) that the fairies were in fact only cardboard cutouts drawn by Elsie inspired by the book Princess Mary's Gift Book. Trotsky Vanishes Leon Trotsky, the second in command to Lenin in Soviet Russia during the Bolshevik Revolution of 1917, was deported and eventually assassinated in later years after demonstrating open dissent towards Stalin's policies. This photo was taken in 1920, with the original depicting Vladimir Lenin atop a platform speaking to troops at Sverdlov Square and both Trotsky and Kamenev standing beside him on his left side. This picture is one of the most famous images in the many falsified photos using paint, razor and airbrushes as part of Stalin's attempt to eliminate all traces of the 'traitor' Trotsky. Baby Hitler In the 1930s, a photo supposedly showing a baby Adolf Hitler circulated throughout England and America. The menacing scowl upon the baby's face and greasy mop of hair covering its head was distributed by Acme Newspictures Inc. and appeared in a large number of newspapers and magazines. The photo actually portrayed a young american boy, John May Warren, whose cute and and bubbly features had been manipulated to make him look more sinister. The origin of the hoax picture has been traced back to Austria, Hitler's home country, yet the identity of the forger remains unknown. Lung-powered Flying Machine One of the most successful and widespread April Fools jokes in history, this photo was run in the Berliner Illustrierte Zeitung on April 1, 1934 presenting a flying machine run by the breath from a man's lung. Many immediately thought the image to be true and International News Photo distributed the image of this 'new invention' to its American subscribers. This caused the image to go viral, with it even making it into the New York Times. The Surgeon's Photo A few months after the initial media hype following a sighting of an 'enormous monster' by a couple in the Loch Ness, a highly respected British surgeon, Colonel Robert Wilson, came forward with a picture showing a serpent rising out of the water. By far the most famous image of the 'Loch Ness Monster', this photo, named 'The Surgeon's Photo' (due to Wilson's wish to remain anonymous) was debunked in 1994, 60 years after the photo's initial release. 90 year-old Christian Spurling, on the eve of his death, revealed his role in the hoax. At his stepfather's wishes he had created a toy submarine with a sea-serpent head to appear in a photograph, which Colonel Wilson would be the frontman for. The Brown Lady of Raynham By far one of the most famous ghost pictures, the Brown Lady supposedly haunted the walls of Raynham Hall in Norfolk, England. The image was taken by two photographers for Country Life magazine, who had been setting up their cameras and apparently saw an unearthly figure floating down the stairs and subsequently snapped a photo. The appearance of the ghost has later been attributed to camera vibration, light entering the lens from the window or double exposure, yet it is unknown whether the result was produced on purpose or was accidental. The Bluff Creek Bigfoot This image represents frame 352 of Patterson and Gimlin's infamous short film about Bigfoot set in Northern California. The pair set out out to make a documentary on horseback about the beast and conveniently managed to capture footage of a female 'Bigfoot' strolling along the river bank. Skeptics argue that this image is obviously just a figure in an ape suit, yet believers counter that costumes and effects were not sophisticated enough in 1967 to create such a believable image. The quality of the film is not good enough to conclusively prove or deny the existence of the beast, so feel free to make up your own mind on the authenticity of the image. The Foetal Footprint One of the more recent photo hoaxes, this image showing the outline of the foot of a baby in utero pressing against a pregnant mother's belly has gained widespread prominence on the internet and elsewhere. Many have been fooled by this miracle photo, but in actual fact, the abdominal wall is too thick and muscular for a foetal foot to be seen so clearly, and the foot itself is also unusually large.
Sport and exercise should be accessible to everyone, not just those who can afford to participate. That's the message behind a new partnership between Decathlon Australia and SportsBox — the creator of solar-powered smart lockers stacked with free sports equipment. In fact, new research from Decathlon reveals that over two-thirds of Australians struggle with the cost of playing sport and exercising, meaning this forward-thinking initiative might just deliver the ideal solution. First arriving in Queensland — lockers are now live at Beth Boyd Park and Raby Esplanade Park in Redland City — Decathlon and SportsBox have 20 more planned to roll out across Australia in the coming months. Naturally, that means more people playing sport, living a healthy lifestyle and linking up with their community. "With 73% of Australians saying cost is a barrier to getting active, we're excited to partner with SportsBox to make sports more affordable and accessible. Everyone deserves the chance to enjoy sport, and we hope more governments and councils across the nation follow Queensland's lead to help build healthier, more active communities," says Danny Sekulich, CEO of Decathlon Australia More fitness-focused than your usual on-demand app, SportsBox makes it easy for users to get their hands on free equipment. Just download the app, find your nearest locker and select the gear you need to get up and moving. Inside, you can expect to find netballs, volleyballs, basketballs, soccer balls and more, all tailored to the specific location. Plus, the company is currently developing smart lockers for racquet sports. "More than a third of Aussies say they'd play more sport if equipment were easier to access, and we're excited to help make that possible by providing free on-demand sports gear from Decathlon in locally placed SportsBox lockers, so now anyone can start playing anytime," says Jodie Dunstan, Co-Founder of SportsBox. At the same time, medical professionals like Dr Robyn Littlewood, CEO at Health and Wellbeing Queensland, are also getting behind the concept. "The development of the SportsBox product has the potential to improve access to equipment for people to be physically active, and support community engagement across Queensland, both of which can play a role in improving the health of Queenslanders." SportsBox Equipped by Decathlon is currently available at Beth Boyd Park and Raby Esplanade Park in Redland City, Queensland. Head to the website for more information.
There's no official Wes Anderson Cinematic Universe. That label isn't bandied across his trailers and posters to describe connections between his movies, storylines don't continue from one film to the next and characters from past flicks aren't popping up in the writer/director's new works. Fan theories can speculate otherwise however they like; however, rather than any overarching narrative tidbits, it's the inimitable auteur's distinctive style, recurrent themes and familiar troupe of actors that connect Anderson's movies — delightfully so 13 full-length titles into his resume (if you count 2023 shorts The Wonderful Story of Henry Sugar, The Swan, The Rat Catcher and Poison as one charming anthology). Still, being a part of one of the Bottle Rocket, Rushmore, The Grand Budapest Hotel and Isle of Dogs' helmer's features is akin to entering a specific realm for his cast. Starring in an Anderson picture means working with a filmmaker with a precise aesthetic and meticulous direction, the results of which then get splashed across the screen for audiences to cherish in elaborate detail. In The Phoenician Scheme, Benicio del Toro (Reptile) and Michael Cera (Sacramento) are two such players. They're each either relative or literal newcomers to Anderson's world — del Toro first collaborated with him on The French Dispatch, while Cera was slated to be in Asteroid City but the birth of his son understandably took precedence — and they're loving it. Nothing is accidental in the making of a Wes Anderson film. Nothing is anything but intricately planned and orchestrated, in fact. Accordingly, it should come as zero surprise that del Toro and Cera weren't merely cast in the 50s-set The Phoenician Scheme — they're the only actors that Anderson had in mind for the roles of European business magnate Anatole 'Zsa-zsa' Korda and Norwegian tutor/entomologist Bjorn, respectively. Chatting with Concrete Playground, they both use the same word to describe that situation. "It's a hell of a gift," del Toro advises with a smile. "It was really a treat and a gift," says Cera. Zsa-zsa is The Phoenician Scheme's protagonist. The plan that gives the flick its name — as stored in shoeboxes, and involving a range of business partners spread far and wide (as portrayed by Here's Tom Hanks, The Studio's Bryan Cranston, Relay's Riz Ahmed, A Private Life's Mathieu Almaric, The Last of Us' Jeffrey Wright and Fly Me to the Moon's Scarlett Johansson) — is all his. Brought to life by one of Oscar-winner del Toro's greatest performances, he's also wealthy, charismatic, cut-throat in his professional endeavours and, after surviving his sixth plane crash, keen to get reacquainted with Liesl (Mia Threapleton, The Buccaneers), the nun in training that's also his estranged daughter and preferred heir. As for Bjorn, he's enlisted to teach Zsa-zsa about insects, but finds himself acting more as a personal assistant while getting close to Liesl — who is expectedly wary about her father and his endeavours — as they jet around attempting to lock in The Korda Land and Sea Phoenician Infrastructure Scheme. Cera is stellar, too, as well as a seamless fit into Anderson's repertory cast; his work here ranks up there with Arrested Development's George Michael Bluth, Scott Pilgrim vs. The World's eponymous figure, Twin Peaks' Wally Brando and Barbie's Allan among his most-memorable characters. [caption id="attachment_1006881" align="alignnone" width="1920"] Giulia Parmigiani[/caption] For co-stars, del Toro, Cera, Threapleton and the fellow talents listed above also have everyone from Richard Ayoade (Dream Productions), Benedict Cumberbatch (Eric), Rupert Friend (Companion) and Hope Davis (Succession) to Willem Dafoe (Nosferatu), Stephen Park (Death of a Unicorn), Charlotte Gainsbourg (Étoile) and Bill Murray (Ghostbusters: Frozen Empire) for company. And for plot specifics, the ensemble has "disrupting, obstructing, impeding" bureaucrats, the price of bashable rivets, lie detectors, suspicious uncles, locomotives, basketball shots, terrorists, freighters, marriages, grand hotels and heaven to navigate. They're stepping into a redemption story, and also a complex family dynamic with deep emotional resonance. This group is in another Anderson gem, then. Ask del Toro how he approaches plying his skills for Anderson, a filmmaker who is giving him rare comic parts — so much so that the actor was astonished the very first time that the director called — and he speaks about his commitment to telling the truth no matter the role. Ask Cera about conveying complicated bonds for the helmer, and also about the path that's brought him to Bjorn after more than a quarter of a century of acting, and he's all about the people around him. For both, trust and faith in Anderson are pivotal to them giving their all, and the results are on the screen. "You trust him and you try to be as honest as you can, even when you're lying," del Toro notes. On Digging Into a Wes Anderson-Penned Redemption Story That's Characteristically Both Comic and Has Emotional Depth Benicio: "I think I do what I do in every movie — I try to tell the truth. Wes and Roman Coppola, together they wrote this incredible script. You just draw from it. You know, I'm not known to do comedy — and one thing that we tried to keep in mind was 'don't try to be funny'. If the laughs come, good. If not, it's good. Don't try to make the laugh happen. Let the laughs follow. So try to tell the truth. And for me, it's just like what I do in other movies. I mean, this time I have to do it verbally, and there's a lot of dialogue. So for that, you just have to get ready and practice that dialogue. But the bottom line for me is basically what you said — it's the depth of this arc of this character. But also those dream sequences or heaven sequences, that is his subconscious also talking. It just added for the actor to know what was the arc about. It helped. It was like having your psychiatrist explaining the character as well. It's like having the psychiatrist explaining who the character is. Those dreams fed a lot of information to me of where we were on this story — also where was his emotional arc of that particular moment in the story." Michael: "I think the material and the writing takes care of a great deal of that for you. If it's able to get you invested in the story — which, it's just such strong writing — you feel it when you read the script. You feel and you know completely — you know where the feeling is going to come from and how you know it needs to be rendered. But even so, I found the movie much more moving in the end than I even expected, even after having shot it. I find it to be very moving." On How del Toro, Cera and Mia Threapleton Worked Together to Convey Their Characters' Deepening Bond Across the Film Michael: "We did have a little bit of a rehearsal period, fortunately, with the three of us and with Wes. And we just really worked, the four of us privately, for a couple of weeks — like two weeks or so. And it's a great thing to be able to do. It makes you get ahead of things a little bit. It allows you to come up with some observations and ideas that that later can feed into the work. And it also, but most importantly I think, just creates a strong sense of a team and comfort and trust with each other. And that carries into the work, I think. But we discovered, also I think, in reading it, discovered the dynamics and the emotions that these characters feel toward each other. And what it feels like for to be betrayed, when there are betrayals that happen. It was nice to get ahead of all of that and find the specific way in, and what was specific about it — because I love the way it's played. Things are salvaged even though there's a major betrayal. And there's an emotional bond that helps them all pull through that even, which is really nice. A really nice turn, I think." On the Significance of Anderson Writing Specific Parts for Del Toro and Cera Benicio: "Well, it's a hell of a gift. I think that we never talked about anything. 'Hey, did you write this for me? Am I your second choice?'. I never really questioned that. He called me up. He sent me the first 20 pages. I have to go back and explain to you that when I got The French Dispatch and he first called me, I was super elated. It was hard to believe that Wes Anderson was calling me to be in one of his films, because most of the movies I do, even though they're fiction, they tilt towards documentaries. Wes movies, they're fiction but they tilt more to theatrics — to the theatre, let's put it that way. When he called me up the first time, I was a little bit like 'wow, is he, is he really?'. I immediately thought 'wow, he's thinking outside the box, he's going against stereotypes'. Because there's many actors that do comedy better than me, and he could have gone to those actors. But for some reason, he pulled me into that world, his world. And I was really elated by it. When I read the part of The French Dispatch, it was like it was so good, and then I realised that it came to an end and another story happened and that was it — and it was like 'wump, wump, wump'. I was little bit like 'oh, wow, I could really get into this character, the painter Moses'. And so then that happened. I did the film. I had a blast working with him. When you work with Wes, you have to let the kid in you, you've got to let them out, the imagination. You have to play. It's a lot of fun. It reminded me — I was trained in the theatre, so it was kind of like back to the future, in a way. It was like I had travelled back in time to my beginnings, studying with Stella Adler and being on the theatre. And then come to this, when he sent the first 20 pages, I was like 'oh wow, this is amazing'. But I thought that might be it. And then he sent the next 20 pages and I'm still in the movie. And then the next 20 pages — and then I'm going 'oh my god, now this is going to be hard work'. So it was kind of like one of those, and I was really excited — and it's a gift from Wes. But at the same time, you had to really put on, strap on your boots and get to work, because there was a lot of work to do." Michael: "I didn't know that really, to be honest. So I'm not sure — like I don't know exactly what his process was with that or when I came into his mind for it. But obviously just so happy to be considered and invited. Wes had offered me one role once before, in Asteroid City, and I ended up not being able to do it because of the birth of my son interfering with the dates. So I was so disappointed. I mean, obviously it was the most-important kind of life event for me. So it was all good, but it was just horrible timing. I was like 'oh no, I finally got offered by Wes to come along and be a part of his one of his productions and I can't go'. It was heartbreaking. But this more than redeemed it. So I was just happy that he was still thinking of me, and then so delighted to read it and to discover this character — and so caught, really, by surprise by how involved of a role it was too in the whole story, and in the whole play of everything. I didn't expect to be given such an opportunity by him. So it was really a treat and a gift." On Cera's Knack for Taking on Distinctive, Specific Characters That Aren't Going to Be Mistaken for Any Others, Including in Arrested Development and Twin Peaks Michael: "It's the greatest thing when you get a piece that's exciting to read and an amazing opportunity as an actor. I remember reading the script for Arrested Development when I was like 14 or 13, and really, it was very clear how special it was. I don't know — I think there are things that you just gravitate toward and you just want in. There are a lot of things that I have felt that about that I didn't have a chance to work on, too, but you're just like 'oh, I need this. I want this. I get this. I love this world. I love the people making it'. So when you are lucky enough to get onto the ones that you feel that way about, it's the greatest." [caption id="attachment_1006861" align="alignnone" width="1920"] Roger Do Minh/TPS Productions/Focus Features © 2025 All Rights Reserved.[/caption] On How Working with a Filmmaker with Such a Precise Visual Style Influences the Way an Actor Approaches a Role Benicio: "Well, you know his movies are handmade. There's nothing there that is — let's say CGI, very little. You might have to use something but very little is CGI. Everything is built. Everything is put together. Everything is really — you can touch it. So my approach to it was the same way I approach any movie: is just try to tell the truth unless, and trust Wes that if I do what I do, he will take it to the finish line. He will do his thing and take it to the finish line. And, like any actor, you try to tell the truth — even when you lie. So that's what you do in a Wes Anderson movie as that's an actor. You trust him and you try to be as honest as you can, even when you're lying. That's what I did. Hey, there might be other ways, but everybody's different." Michael: "Well, you have a lot of faith in him. You have a lot of trust in Wes, because you know that he's across every inch of the movie and he's not going to let something get through that breaks the spell or destroys the nuance of what he's creating. So you just feel you're in incredibly good hands and he's going to make you shine — and make you look better than what you did, even. So working with someone on that level, it makes you feel very confident. And then you can you can try things and you can work with confidence. That feeling is not always there, and sometimes you have the opposite feeling, and it's really hard to really put yourself out there as an actor when you have that, when you have doubts." On What Cera Makes of His Journey as an Actor Over More Than a Quarter of a Century, Leading Him to The Phoenician Scheme Michael: "I feel really lucky to be doing this for a living and doing what I was attracted to from that age. When I was a kid, it wasn't like a career. It was just something I loved. And then it turned into something that was kind of a job, but I loved that, too. It's an interesting life. I've had a very positive experience of coming up as a child actor and turning into an adult person who's acting. There are obviously the famously unfortunate versions of that. But for me, I was always just around great people. [caption id="attachment_1006880" align="alignnone" width="1920"] Giulia Parmigiani[/caption] It was exciting to be nine years old and having colleagues that were grown people that you admire and that took care of me and showed me how to do it. Even first assistant directors and things, when I didn't even know what I was doing. I didn't know where I was supposed to go, what I was supposed to, what I was supposed to say — and people helped me. So I feel very lucky. I've had a very good road to be where I am now. And it's really nothing but good luck that made it that way. I just have had really good people around me." The Phoenician Scheme opened in cinemas Down Under on Thursday, May 29, 2025. Film stills: courtesy of Focus Features © 2025 All Rights Reserved.
When the National Gallery of Victoria dedicates its blockbuster summer or winter exhibitions to big fashion names, one word usually applies no matter which designer is in the spotlight: stunning. It was true back in 2022 when the Melbourne venue turned its focus to Alexander McQueen, for instance, and also in 2021 when it did the same with Gabrielle Chanel. Expect the same across the summer of 2025–26 — it's Vivienne Westwood's time to shine, plus Rei Kawakubo from Comme des Garçons' moment as well. Displaying at NGV International across Sunday, December 7, 2025–Sunday, April 19, 2026, Westwood | Kawakubo is both an Australian and a world first, pairing pieces by both the British talent and the Japanese designer in one massive showcase. No matter which of the duo's works you're looking at, you'll be revelling in rule-breaking, status quo-subverting threads. Some helped define the fashion of the punk movement in the 70s. Others have earned the world's attention at the Met Gala. In-between, items donned by supermodels, seen in films and from collections worn by plenty of well-known names feature. [caption id="attachment_1011671" align="alignnone" width="1920"] Rhianna wearing Comme des Garçons, Tokyo (fashion house), Rei Kawakubo (designer) at The Met Gala, 2017. Photo © Francois Durand via Getty Images.[/caption] In total, more than 140 designs are gracing the NGV. To assemble such a wide range, the gallery has sourced pieces from New York's Metropolitan Museum, The Victoria & Albert Museum, Palais Galliera and the Vivienne Westwood archive, plus its own collection. Over 40 works are new gifts to the gallery from Comme des Garçons especially for Westwood | Kawakubo, as chosen by Kawakubo. Among the full lineup of items: punk ensembles made famous by The Sex Pistols and Siousie Sioux, the wedding gown that Sarah Jessica Parker (And Just Like That...) wore in Sex and the City: The Movie and the tartan dress that Kate Moss stepped into in Westwood's Anglomania collection in the mid 90s — and also a version of Rihanna's petal-heavy 2017 Met Gala outfit, plus pieces from collections that Lady Gaga and Tracee Ellis Ross (Black Mirror) have sported. Westwood | Kawakubo spans from taffeta to tweed, vinyl and leather to silk, and corsetry to ruffles and knitwear, then — and much beyond. The exhibition is designed to step through Westwood and Kawakubo's careers across five thematic strands, including the former's punk-era work and the influence of the movement on the latter, their shared needs to rebel against the norm, how the two women have looked either forward or back in their pieces, eschewing objectification and using fashion to make a statement. [caption id="attachment_1011673" align="alignnone" width="1920"] Vivienne Westwood, London (fashion house), Vivienne Westwood (designer) Look 49, from the Anglomania collection, autumn–winter 1993–94. Le Cercle Républicain, Paris, March 1993. Photo © firstVIEW. Model: Kate Moss.[/caption] Top image: excerpt of Vivienne Westwood, London (fashion house), Vivienne Westwood (designer) Look 49, from the Anglomania collection, autumn–winter 1993–94. Le Cercle Républicain, Paris, March 1993. Photo © firstVIEW. Model: Kate Moss.
If you enjoy getaways of the pampering, wellness-oriented and soaking kind — you're in luck. Victoria is set to score the country's largest-ever hot springs experience at the majestic 12 Apostles, opening in 2026. The $200 million 12 Apostles Hot Springs & Resort project will be the biggest hot springs offering in Australia, sprawling over a 79-hectare site encompassing multiple onsite hospitality venues, 70 baths and a 150-room wellness resort. "Traditionally hot springs have been associated with places like Japan and Europe, but Australia has seen an enormous renaissance on natural bathing," Founder and Principle Design Consultant of Spa Sessions Naomi Gregory says. "I see this as being the premium bathing location in the country." [caption id="attachment_907721" align="alignnone" width="1920"] Image: 12 Apostles Hot Springs & Resort, renders[/caption] Details on the new hot springs resort and spa are scarce at the moment, but will feature natural bathing sourced from geothermal mineral springs set approximately 1km below the site. Victoria is quickly becoming a hot spring haven, with future plans including a 900-kilometre trail filled with bathing spots dubbed The Great Bathing Trail to span along the Victorian coast. The latest announcement follows the recent opening of Mornington Peninsula's Alba Thermal Springs and Spa, Gippsland's Metung Hot Springs and Peninsula Hot Springs' huge, ongoing expansion plans. [caption id="attachment_907722" align="alignnone" width="1920"] Image: 12 Apostles Hot Springs & Resort, renders[/caption] 12 Apostles Hot Springs & Resort is set to open in 2026. More to come. Images: Renders, supplied.
When Cocaine Bear made its leap from a true tale to a movie that was always bound to fall short of reality, it arrived with a promotional online game where a bear chomps on cocaine, plus people who get in its way, in a playful riff on Pac-Man. Called The Rise of Pablo Escobear, the game is more entertaining than the film, but it isn't the best low-fi button-clicking tie-in of 2023. That honour now goes to Feed Eggs, which anyone that's seen I Think You Should Leave with Tim Robinson season three will immediately want to play. How does a sketch comedy where assholes take centre stage work in a game about feeding eggs to a bigger egg? The answer to that is sublime, impossible to foresee, and completely in tune with the show's obsession with office culture at its most grating — and people being oh-so unbearably irritating. Eat-the-rich stories are delicious, and also everywhere; however, Succession, Triangle of Sadness and the like aren't the only on-screen sources of terrible but terribly entertaining people. I Think You Should Leave with Tim Robinson has been stacking streaming queues with appalling folks since 2019, as usually played by the eponymous Detroiters star — and long may it continue. In season three, which dropped in full on Netflix on Tuesday, May 30, the show takes its gallery of assholes literally in the most ridiculous and unexpected way, so much so that no one could ever dream of guessing what happens in advance. That's still this sketch comedy's not-so-secret power. Each time that it unleashes a new batch of six episodes, all screaming to be binged in one 90-minute sitting, there's no telling where Robinson, co-creator and co-writer Zach Kanin (Saturday Night Live), and their committed colleagues will venture. Three key constants: Robinson giving his rubbery facial expressions a helluva workout, memes upon memes flowing afterwards and a fresh round of quotable lines that'll never get old — even if you used to be a piece of shit slopping up steaks, and babies know it. Each of I Think You Should Leave with Tim Robinson's skits tend to hone in on someone being the worst in some way, doubling down on being the worst and refusing to admit that they're the worst (or even that they're wrong). And, while everyone around them might wish that they'd leave — that feeling is right there in the name — the central antagonist in every sketch is never going to. Nothing ever ends smoothly, either. In a comedy that's previously worked in hot dog costumes and television shows about bodies dropping out of coffins to hilarious effect, anything can genuinely happen to its parade of insufferable characters. In fact, the more absurd and chaotic that I Think You Should Leave with Tim Robinson gets, and the more unpredictable, the better that the show gets as well. It should come as zero surprise, then, that no description can do I Think You Should Leave with Tim Robinson's sketches justice. Almost every one is a comedic marvel that has to be seen to be believed, as again delivered in 15-minute episodes in the series' third run. The usual complaint applies: for a show about people overstaying their welcome, the program itself flies by too quickly, always leaving viewers wanting more. Everything from dog doors, designated drivers and novelty venues to HR training, street parking and wearing the same shirt as a stranger are in Robinson's sights this time, plus people who won't stop talking about their kids, wedding photos and proposals, group-think party behaviour, paying it forward and boss-employee beefs as well. Game shows get parodied again and again — an I Think You Should Leave with Tim Robinson staple — and gloriously. Season three also finds time to skewer viral videos and folks desperate to make them, obnoxious audiences not once but twice, one-note pundits enamoured with the sound of their own voices and the kind of competitive romantic shows that reality TV is filled with. Indeed, although the nine-to-five grind has always been a treasure trove for I Think You Should Leave with Tim Robinson's jerks, so have the screens that are as deeply entrenched in our lives. That innocent idea that every kid has about the people beamed into their homes, how wonderful they must be and wanting to be just like them? Robinson douses it with vodka shots. The series also makes plain that a camera is just a magnifying glass, especially when it comes to vexing traits. I Think You Should Leave with Tim Robinson may thrive on being erratic, but it's easy to see its evolution from the cancelled-too-soon Detroiters. In the 2017–18 sitcom, Robinson and I Think You Should Leave with Tim Robinson regular Sam Richardson (The Afterparty) play best friends, next-door neighbours and colleagues, the latter at a Detroit advertising agency specialising in low-budget ads that are frequently OTT and ludicrous. Kanin co-created the series with Robinson and Richardson, plus Joe Kelly, who went on to co-develop Ted Lasso. Sans moustache, Jason Sudeikis also executive produced and gave Detroiters its first big guest star — someone dealing with over-eager characters who weren't assholes, but also wouldn't take no for an answer. In its instant-gem debut season, its equally wild and wonderful second season in 2021, and now the just-released season three, I Think You Should Leave with Tim Robinson has kept evolving. More often than before, Robinson lets his co-stars play the asshole, too. Some have been here and done that magnificently before — Richardson, of course, plus the also-returning Will Forte (Weird: The Al Yankovic Story), Patti Harrison (She-Hulk: Attorney at Law), Conner O'Malley (Bodies Bodies Bodies), Tim Heidecker (Killing It) and Biff Wiff (Jury Duty) — while some pop up as they do in seemingly every comedy ever made, which is where Fred Armisen (Barry) and Tim Meadows (Poker Face) come in. Among the newcomers, when Jason Schwartzman (Spider-Man: Across the Spider-Verse) and Ayo Edebiri (The Bear) join in, they're also on the pitch-perfect wavelength. Social awkwardness and awfulness is infectious within I Think You Should Leave with Tim Robinson's frames. It's also the driving force behind Netflix's best-ever comedy, and the best way that anyone can spend an hour and a half — or four-and-a-half hours now, to be honest, because watching one season of this sidesplitting series always sparks the need to re-binge the others ASAP. Check out the trailer for I Think You Should Leave with Tim Robinson season three below: I Think You Should Leave with Tim Robinson streams via Netflix. Images: Netflix.
The Northern Rivers' food scene has got a new kid on the block, and it's bringing more than a little of the Big Apple with it. Tucked inside a newly renovated community business precinct in Byron Bay, Baloney's is a New York-Italian-style deli and cafe that's serving up nostalgia, deli meats and loaded sambos — no baloney. It's been brought to life by founder George McFarlane as a passion project that puts a breezy Byron spin on Italian-American food culture. And while the two-hander sandwiches might be the initial drawcard, the space itself — designed by Northern Rivers studio Happy Hour — is full of character. Inside, you'll find black-and-white checkerboard tiles, a standing espresso bar and a restored vintage church bench that serves as a nod to old-school delis, while outside, a sun-soaked, 40-person deck sets the stage for relaxed al fresco hangs. View this post on Instagram A post shared by Baloney's Deli (@baloneys_deli) If you reckon the name sounds playful, that's exactly the point. Inspired by the Americanisation of mortadella — a meat banned by the US government during the Italian migration waves of the late 19th and early 20th centuries — 'baloney' became both a regulation-friendly substitute and, in time, slang for 'nonsense'. And McFarlane is actively leaning into the word's double meaning, too: "I am not Italian or American, however I am passionate about Italian and American food so I'm a phoney baloney," he tells Concrete Playground. As for the menu? Expect stacked sandwiches with a personal twist. Each one is named after someone close to McFarlane — like the Spicy Gabita, a tribute to his partner — who, according to McFarlane, is "a little bit spicy" — that sees eggplant, mozzarella, rocket, fermented chilli and balsamic layered on fluffy focaccia. You'll also find other creative combinations like the Alt Tayo, which features lemon-spiked cannellini beans, roast capsicum and vegan basil pesto, alongside the likes of a classic Reuben and, of course, a loaded mortadella, stracciatella and green olive number. If that's not enough to get you road tripping, there's also java juice by Coffee Supreme, artisan deli goods and a rotating selection of sandwich specials. Baloney's also carries the influence of McFarlane's time cutting his proverbial teeth at Mortadeli in Torquay, Victoria, and Byron's much-loved Pixie Food & Wine. Baloney's is another feather in the cap for the burgeoning Byron food scene, which continues to evolve far beyond açai bowls and organic smoothies. Baloney's is located at 10-12 Shirley Street, Byron Bay. It's open Tuesday–Sunday, 8am–2.30pm. For more info, head to the venue's Instagram page.
If you could only use one word to sum up 2023 at the movies so far, that word would be Barbie. If you had to use a colour instead, it'd be pink. And the filmmaker of the year to-date? None other than Greta Gerwig. Why? Because the rosy-hued, Gerwig-helmed doll-to-screen flick has been everywhere — getting everyone buzzing via its many, many trailers before it arrived; packing in picture palaces once it officially released; breaking box-office records aplenty; and now becoming the highest-grossing title of 2023. First, a recap. Do you guys ever think about how well the film has been doing at filling cinema seats? Barbie really has been smashing it at bringing in audiences. In Australia, the movie made history almost instantly, notching up the biggest opening at the Australian box office for 2023 so far by raking in $21.5 million including preview screenings over its first weekend. In the process, it earned the biggest opening weekend ever for a film directed by a female filmmaker. That was in July. Then, in August, Barbie became the first movie by a solo female director to make $1 billion at the global box office. When it achieved that feat, the feature did so in just 17 days from release, earning that massive stack of cash faster than any other movie from Warner Bros (even beating Harry Potter and the Deathly Hallows: Part 2's 19-day run). So, Barbie now surpassing The Super Mario Bros Movie as the highest-grossing film of 2023 is hardly surprising — but it is still glorious news that calls for a giant blowout party with all the Barbies, planned choreography and a bespoke song, Also, Barbie is the biggest box-office hit worldwide, and also in each of Australia and New Zealand, of this year to-date. And if you're wondering how its Barbenheimer pal is going, aka Christopher Nolan's vastly dissimilar atomic-bomb thriller Oppenheimer, it sits third worldwide — separated by The Super Mario Bros Movie. In Australia, it's fourth after Avatar: The Way of Water. In NZ, Avatar: The Way of Water is second, the Moana re-release third, then The Super Mario Bros Movie with Oppenheimer at fifth. Making so much cash — over $1.3 billion and counting since mid-July — has also rocketed Barbie into the top 15 among the highest-grossing movies of all time globally. And, besting Avengers: Age of Ultron at 14th, Frozen II at 13th and Top Gun: Maverick at 12th isn't out of the question, with all three between the $1.4–1.5-billion mark. If Barbie tops Frozen II, it'll become the highest-grossing film ever by a female filmmaker. It's already the highest-grossing by a solo woman helmer, with the Frozen sequel co-directed with a male filmmaker. Yes, as the Margot Robbie-starring flick makes plain with its frames, Barbie really can be anything. The famous doll can be President, a Nobel Prize-winning physicist, a diplomat and a Supreme Court justice. It can be a mermaid, doctor, lawyer and Pulitzer-winner, too. Off-screen, Barbie the movie definitely is a helluva pioneer in breaking records as well. Back to 2023's box office, the Robbie- and Ryan Gosling (The Gray Man)-led film sits above not only The Super Mario Bros Movie and Oppenheimer worldwide, but also Guardians of the Galaxy Vol. 3, Fast X, Spider-Man: Across the Spider-Verse, The Little Mermaid, Mission: Impossible — Dead Reckoning Part One, Elemental and Ant-Man and the Wasp: Quantumania. Check out the Barbie trailer below: Barbie is showing in Australian and New Zealand cinemas now. Read our review. Via Variety.
Eating your way along South Bank's Little Stanley Street precinct, whether on the roadway itself or on the parallel Grey Street, has long been an around-the-world affair, as Alemré Hospitality Group is more than aware. The Brisbane company is behind Olé Restaurant, Mucho Mexicano and Vici Italian, and will soon add Calida, a new Argentinian steakhouse, to its portfolio. From Wednesday, June 19, 2024, the outfit's sixth restaurant — alongside a second Mucho Mexicano in Hawthorne, plus Downtown Istanbul in the same suburb — will open its doors. Seating 180, Calida naturally has plenty of meat on its menu. Think: empanadas to start with; dishes such bistec tartar, marinated lamb rump skewers, pressed beef short ribs, chorizo pork sausages and slow-cooked whole lamb shoulder; and an array of different cuts of steak from the grill, all served with chimichurri sauce and Australian red gum smoked salt. Even the bread comes with a beef jus. If it's sizzling steak that tempts your tastebuds, the options under Alemré Executive Group Chef Adam Starr's guidance all use S.Kidman beef — whether you're eager for a 220-gram eye fillet, 300-gram sirloin or 400-gram wagyu rump. And if you're keen to sample several choices without having to make too many decisions, you have two ways to go about it: a $120 mixed-grill platter for two or a $63 banquet with a minimum of two diners, with the latter also covering a dulce de leche sandwich cookie for dessert. Those keen for seafood instead can pick between span oysters with vinegar and chives, grilled octopus with potato salad, salmon ceviche and grilled barramundi. There's also a number of cheese-heavy dishes for vegetarians, including ricotta and mozzarella empanadas, smoked baked cheese and roasted portobello mushrooms with manchego cheese. And for sweets beyond the dulce de leche sandwich cookie, Calida offers dulce de leche lava cake with vanilla ice cream; guava and passionfruit mousse with flourless white-chocolate sponge; and the traditional Argentinian torta rogel made from layers of crisp pastry and vanilla meringue, plus, yes, dulce de leche. Whatever satisfies your stomach, you can wash it down with wine from both Argentina and Europe, Quilmes beer and Latin-inspired cocktails such as the Fernet con coca — aka Fernet-Branca and Coke. If you order a Margarita de Roca, one of the restaurant's signature sips, you'll be enjoying tequila, dragonfruit, and jalapeño. With the Mermalada, bourbon and marmalade combine. And for something that catches the eye as well, the ¡Viva la Argentina! layers gin, blue curaçao and citrus flavours. Going for a warm vibe to match its food, Calida's design aesthetic favours raw brick and stonework, moody lighting and Argentinian textiles — and, if you're sitting in the booths, look out for the ficus. The fitout will backdrop not just everyday meals, but also events focused on the country in the eatery's spotlight, Latin celebrations more generally, and beef and wine dinners. In other words, you'll have a heap of reasons to head by more than once. Find Calida at 1/164 Grey Street, South Brisbane from Wednesday, June 19 — open 11.30am–9pm Sunday–Thursday and 11.30am–10pm Friday–Saturday. Head to the venue's website for further details.
As both The Dry and Force of Nature: The Dry 2 demonstrated, Jane Harper's mysteries feel right at home on-screen. After the Australian author's first two Aaron Falk books made the leap to cinemas starring Eric Bana (Memoir of a Snail), and proved hits, of course more adaptations of her work were set to follow. The Survivors is next — first announced between The Dry and Force of Nature reaching picture palaces, heading to Netflix as a six-part limited series, and now officially joining your streaming queue at the beginning of June. The Survivors isn't linked to either Falk tale, so he isn't part of the narrative. Instead, the Tasmanian-set story follows families still coping with the loss caused by a massive storm in their seaside town 15 years earlier. Filmed in Tassie, too, it follows the aftermath of two people drowning and a girl going missing in Evelyn Bay, as the just-dropped trailer teases — and as viewers can watch in full from Friday, June 6, 2025. Tragedy isn't just in this coastal town's past, however. An incident like that is never forgotten. So, when a young woman's body is found on the beach, old wounds are unsurprisingly reopened. The series is pitched as both a murder-mystery and a family drama, and the sneak peek features elements of both. Cast-wise, The Lord of the Rings: The Rings of Power's Charlie Vickers and Bridgerton season four's Yerin Ha play couple Kieran Elliott and Mia Chang, who return to their hometown. Also featuring: Damien Garvey (Nugget Is Dead?: A Christmas Story), Catherine McClements (Apple Cider Vinegar), Martin Sacks (Darby and Joan) and Robyn Malcolm (After the Party), plus Jessica De Gouw (The Union), Thom Green (Exposure), George Mason (Black Snow) and Shannon Berry (Fake). Filmmaker Tony Ayres is behind The Survivors' streaming adaptation, adding to fellow TV series Nowhere Boys, Glitch, Stateless, Clickbait and Fires on his resume — and Cherie Nowlan (The Irrational) both directs and executive produces, Ben C Lucas (Nautilus) also does the former and Harper the latter. The Survivors joins Netflix's slowly growing slate of Australian shows, which it has been growing since Tidelands became the first local production three years after the streaming service officially launched Down Under. Among the others: Heartbreak High, Wellmania, Boy Swallows Universe, Territory and Apple Cider Vinegar. Check out the trailer for The Survivors below: The Survivors streams via Netflix from Friday, June 6.
A beach has long sat at the end of Morningside's Colmslie Road. For the past few years, so has Brisbane's newest riverside precinct — and it's about to get bigger. Sprawling across 30 hectares by the water in the River City's inner east, Rivermakers is already home to Revel Brewing Co, Mas & Miek's ceramic workshop and Bavay Distillery. Next comes The Hills of Rivermakers, which is weaving around the site's existing venues to turn the location into a new dining and entertainment precinct. In a year that's already seen Potentia Solutions Leisure open Claw BBQ & Grill, the second of its crab shack eateries, on this side of town at Carindale, the hospitality company that's also behind rooftop bars Lina and Soko, tequileria Carmen and Azteca at Queen's Wharf is now launching its most-ambitious project yet. On Wednesday, December 11, 2024, Brisbanites will be able to head to The Hills, where spots to eat and drink will sit alongside a range of things to do. There'll be an urban winery, for instance, as well as an openair cinema. Rivermakers' Heritage Quarter is at the centre of The Hills — a place with history, given that the restored building dates back to 1910, was once the Commonwealth Acetate of Lime Factory and also operated as an armament factory in World War I. Across its lengthy past, this patch of Brisbane hasn't ever been a hub with different culinary zones, however, accompanied by river views. The urban winery will give locally crafted vino some love, pairing drops with charcuterie boards and cheese platters. You'll be able to sit either indoors in the lounge or out under the stars. Fancy a slice instead? The Hills will also feature a pizzeria lab, heroing seasonal ingredients and getting patrons dining on tables and chairs on the grass. Fish and chips will be on the menu at the seafood market, spanning oysters, prawns, calamari and more, while the gelato factory will be on hand to cover dessert. From breakfast through till dinner, the bakery and cafe will welcome in customers. For a coffee fix, The Hills will boast its own roastery. For a beer over pub food, The Roadhouse is your destination. Food- and drink-wise, the list doesn't stop there, but not everything is launching upon opening. Serving up meats, dairy and produce, The Providore will join the site in 2025. Outdoor movies will grace The Hills' cinema screen, where film lovers can sit on bean bags, picnic blankets or on the lawn, and pair their viewing with bites from the onsite eateries. Or, to get up close with animals, head to the pop-up petting zoo featuring alpacas, rabbits, chickens, ducks, goats, guinea pigs, pigs and sheep. For those keen to throw their own celebration, a 400-person events hall is available to book, as is the more-intimate Events Engineers Hut. The openair cinema, lawn and picnic area, and petting zoo can each be reserved as well. The Hills is also planning to deck out the place with seasonal theming, starting — of course — with festive fun across Tuesday, December 17–Monday, December 23. Find The Hills of Rivermakers at 82 Colmslie Road, Morningside from Wednesday, December 11, 2024. Head to the precinct's website for further details.
Australia's toast game just levelled up with a little help from our neighbours across the ditch. If you're a fan of slathering nut butters across slices of heated bread, then you've likely heard of cult-favourite Wellington brand Fix & Fogg — and instead of stuffing your suitcases with their products when you're coming back from a New Zealand holiday, you can now head to Woolworths to pick up ten different types. Woolies already stocked two Fix & Fogg products: Everything Butter, which combines a bit of everything as the name suggests (aka hemp, chia, sesame, sunflower, flaxseeds, pumpkin seeds, peanuts and almonds), plus granola butter (which is made with toasted South Island oats, cashew nuts, coconut, sunflower seeds, chia seeds and peanuts). Joining them are multiple types and sizes of peanut butter, plus a range of other creative flavours. Peanut butter and jelly in a jar, anyone? If you're all about the OG peanut butter by itself, you can go smooth or crunchy in either 375-gram and 750-gram jars. Or, there's the chilli and paprika-spiced Smoke and Fire peanut butter in 275-gram containers, as well as choc berry and almond-heavy versions of the Everything Butter. In Australia, you'll now find the ten Fix & Fogg varieties at all 990 Woolies locations nationwide from today, Monday, August 15. For folks new to Fix & Fogg, it makes the type of nut butters that you'll easily want to eat by the spoonful, sans toast — which is one of the reasons that the company has evolved from selling its wares at Wellington markets to picking up a huge homegrown and now international following. Fix & Fogg's expanded presence at Woolies comes after the brand hit the US in a big way in 2021, getting stocked at 3500 Whole Foods stores around the country. Find ten of Fix & Fogg's nut butters on Woolworths shelves from Monday, August 15.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures and plenty of people staying home in iso will do that — that's no longer always the case. Maybe you've had a close-contact run-in. Perhaps you haven't had time to make it to your local cinema lately. Given the hefty amount of films now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are 18 that you can watch right now at home. EVERYTHING EVERYWHERE ALL AT ONCE Imagine living in a universe where Michelle Yeoh isn't the wuxia superstar she is. No, no one should want to dwell in that reality. Now, envisage a world where everyone has hot dogs for fingers, including the Crouching Tiger, Hidden Dragon icon. Next, picture another where Ratatouille is real, but with raccoons. Then, conjure up a sparse realm where life only exists in sentient rocks. An alternative to this onslaught of pondering: watching Everything Everywhere All At Once, which throws all of the above at the screen and a helluva lot more. Yes, its title is marvellously appropriate. Written and directed by the Daniels, aka Swiss Army Man's Daniel Kwan and Daniel Scheinert, this multiverse-hopping wonder is a funhouse of a film that just keeps spinning through wild and wacky ideas. Instead of asking "what if Daniel Radcliffe was a farting corpse that could be used as a jet ski?" as their also-surreal debut flick did, the pair now muses on Yeoh, her place in the universe, and everyone else's along with her. Although Yeoh doesn't play herself in Everything Everywhere All At Once, she is seen as herself; keep an eye out for red-carpet footage from her Crazy Rich Asians days. Such glitz and glamour isn't the norm for middle-aged Chinese American woman Evelyn Wang, her laundromat-owning character in the movie's main timeline, but it might've been if life had turned out differently. That's such a familiar train of thought — a resigned sigh we've all emitted, even if only when alone — and the Daniels use it as their foundation. Their film starts with Evelyn, her husband Waymond (Ke Huy Quan, Indiana Jones and the Temple of Doom's Short Round and The Goonies' Data) and a hectic time. Evelyn's dad (James Hong, Turning Red) is visiting from China, the Wangs' daughter Joy (Stephanie Hsu, Shang-Chi and the Legend of the Ten Rings) brings her girlfriend Becky (Tallie Medel, The Carnivores) home, and IRS inspector Deirdre Beaubeirdra (Jamie Lee Curtis, Halloween Kills) is conducting a punishing audit. Then Evelyn learns she's the only one who can save, well, everything, everywhere and everyone. Everything Everywhere All At Once is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE LOST CITY Sometimes, they do still make 'em like they used to: action-adventure rom-coms in this case. Drive a DeLorean back to 1984, to the year before Robert Zemeckis made DeLoreans one of the most famous types of movie cars ever, and the director's Romancing the Stone did huge box-office business — and it's that hit that The Lost City keenly tries to emulate. This new Sandra Bullock- and Channing Tatum-starring romp doesn't hide that aim for a second, and even uses the same broad overall setup. Once again, a lonely romance novelist is swept up in a chaotic adventure involving treasure, a jungle-hopping jaunt and a stint of kidnapping, aka exactly what she writes about in her best-selling books. The one big change: the writer is held hostage, rather than her sister. But if you've seen Romancing the Stone, you know what you're in for. As penned by writer/director duo directors Aaron and Adam Nee (Band of Robbers) with Oren Uziel (Mortal Kombat) and Dana Fox (Cruella) — based on a story by Baywatch director Seth Gordon — The Lost City's plot is ridiculously easy to spot. Also, it's often flat-out ridiculous. Anyone who has ever seen any kind of flick along the same lines, such as Jungle Cruise most recently, will quickly see that Loretta Sage (Bullock, The Unforgivable), this movie's protagonist, could've written it herself. Once she finds herself living this type of narrative, that truth isn't lost on her, either. First, though, she's five years into a grief-stricken reclusive spell, and is only out in the world promoting her new release because her publisher Beth (Da'Vine Joy Randolph, The United States vs Billie Holiday) forces her to. She's also far from happy at being stuck once again with the man who has been sharing her limelight over the years, Fabio-style model Alan (Tatum, Dog), who has graced her book's covers and had women falling over themselves to lust-read their pages. And Loretta is hardly thrilled about the whole spectacle that becomes her latest Q&A as a result, and that makes her a distracted easy mark for billionaire Abigail Fairfax (Daniel Radcliffe, Guns Akimbo) afterwards. The Lost City is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MEMORIA When Memoria begins, it echoes with a thud that's not only booming and instantly arresting — a clamour that'd make anyone stop and listen — but is also deeply haunting. It arrives with a noise that, if the movie's opening scene was a viral clip rather than part of Thai filmmaker Apichatpong Weerasethakul's spectacular Cannes Jury Prize-winning feature, it'd be tweeted around with a familiar message: sound on. The racket wakes up Jessica Holland (Tilda Swinton, The Souvenir: Part II) in the night, and it's soon all that she can think about; like character, like film. It's a din that she later describes as "a big ball of concrete that falls into a metal well which is surrounded by seawater"; however, that doesn't help her work out what it is, where it's coming from or why it's reverberating. The other question that starts to brood: is she the only one who can hear it? So springs a feature that's all about listening, and truly understands that while movies are innately visual — they're moving pictures, hence the term — no one should forget the audio that's gone with it for nearly a century now. Watching Weerasethakul's work has always engaged the ears intently, with the writer/director behind the Palme d'Or-winning Uncle Boonmee Who Can Recall His Past Lives and just-as-lyrical Cemetery of Splendour crafting cinema that genuinely values all that the filmic format can offer. Enjoying Memoria intuitively serves up a reminder of how crucial sound can be to that experience, emphasising the cavernous chasm between pictures that live and breathe such a truth and those that could simply be pictures. Of course, feasting on Weerasethakul's films has also always been about appreciating not only cinema in all its wonders, but as an inimitable art form. Like the noise that lingers in his protagonist's brain here, his movies aren't easily forgotten. Memoria is available to stream via SBS On Demand. Read our full review. AFTER YANG What flickers in a robot's circuitry in its idle moments has fascinated the world for decades, famously so in Do Androids Dream of Electric Sheep?, Blade Runner and Blade Runner 2049. In writer/director/editor Kogonada's (TV series Pachinko) After Yang, one machine appears to long for everything humans do. The titular Yang (Justin H Min, The Umbrella Academy) was bought to give Kyra (Jodie Turner-Smith, Queen & Slim) and Jake's (Colin Farrell, The Batman) adopted Chinese daughter Mika (Malea Emma Tjandrawidjaja, iCarly) a technosapien brother, babysitter, companion and purveyor of "fun facts" about her heritage. He dotes amid his duties, perennially calm and loving, and clearly an essential part of the family. What concerns his wiring beyond his assigned tasks doesn't interest anyone, though, until he stops operating. Mika is distressed, and Kyra and Jake are merely inconvenienced initially, but the latter pledges to figure out how to fix Yang — which is where his desires factor in. Yang is unresponsive and unable to play his usual part as the household's robotic fourth member. If Jake can't get him up and running quickly, he'll also experience the "cultural techno" version of dying, his humanoid skin even decomposing. That puts a deadline on a solution, which isn't straightforward, particularly given that Yang was bought from a now-shuttered reseller secondhand, rather than from the manufacturer anew. Tinkering with the android's black box is also illegal, although Jake is convinced to anyway by a repairman (Ritchie Coster, The Flight Attendant). He acquiesces not only because it's what Mika desperately wants, but because he's told that Yang might possess spyware — aka recordings of the family — that'd otherwise become corporate property. After Yang is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. AMBULANCE Following a high-stakes Los Angeles bank robbery that goes south swiftly, forcing two perpetrators to hijack an EMT vehicle — while a paramedic tries to save a shot cop's life as the van flees the LAPD and the FBI, too — Ambulance is characteristically ridiculous. Although based on the 2005 Danish film Ambulancen, it's a Michael Bay from go to whoa; screenwriter and feature newcomer Chris Fedak (TV's Chuck, Prodigal Son) even references his director's past movies in the dialogue. The first time, when The Rock is mentioned, it's done in a matter-of-fact way that's as brazen as anything Bay has ever achieved when his flicks defy the laws of physics. In the second instance mere minutes later, it's perhaps the most hilarious thing he's put in his movies. It's worth remembering that Divinyls' 'I Touch Myself' was one of his music-clip jobs; Bay sure does love what only he can thrust onto screens, and he wants audiences to know it while adoring it as well. Ambulance's key duo, brothers Will (Yahya Abdul-Mateen II, The Matrix Resurrections) and Danny Sharp (Jake Gyllenhaal, The Guilty), are a former Marine and ostensible luxury-car dealer/actual career criminal with hugely different reasons for attempting to pilfer a $32-million payday. For the unemployed Will, it's about the cash needed to pay for his wife Amy's (Moses Ingram, The Tragedy of Macbeth) experimental surgery, which his veteran's health insurance won't cover — but his sibling just wants money. Will is reluctant but desperate, Danny couldn't be more eager, and both race through a mess of a day. Naturally, it gets more hectic when they're hurtling along as the hotshot Cam (Eiza González, Godzilla vs Kong) works on wounded rookie police officer Zach (Jackson White, The Space Between), arm-deep in his guts at one point, while Captain Monroe (Garrett Dillahunt, Army of the Dead), Agent Anson Clark (Keir O'Donnell, The Dry) and their forces are in hot pursuit. Ambulance is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE UNBEARABLE WEIGHT OF MASSIVE TALENT "Nic fuckiiiiiiiiiiiiiiiing Cage." That's how the man himself utters his name in The Unbearable Weight of Massive Talent, and he knows what he's about. Now four decades into his acting career to the year — after making his film debut in Fast Times at Ridgemont High under his actual name Nicolas Coppola, playing a bit-part character who didn't even get a moniker — Cage is keenly aware of exactly what he's done on-screen over that time, and in what, and why and how. He also knows how the world has responded, with that recognition baked into every second of his his latest movie. He plays himself, dubbed Nick Cage. He cycles through action-hero Cage, comically OTT Cage, floppy-haired 80s- and 90s-era Cage, besuited Cage, neurotic Cage and more in the process. And, as he winks, nods, and bobs and weaves through a lifetime of all things Cage, he's a Cage-tastic delight to watch. The Unbearable Weight of Massive Talent does have a narrative around all that Cage as Cage, as penned by writer/director Tom Gormican (Are We Officially Dating?) and co-scribe Kevin Etten (Kevin Can F**K Himself). Here, the man who could eat a peach for days in Face/Off would do anything for as long as he needed to if he could lock in a weighty new part. The fictionalised Cage isn't happy with his roles of late, as he complains to his agent (Neil Patrick Harris, The Matrix Resurrections), but directors aren't buying what he's enthusiastically selling. He has debts and other art-parodies-life problems, though, plus an ex-wife (Sharon Horgan, This Way Up) and a teen daughter (Lily Sheen, IRL daughter of Kate Beckinsale and Michael Sheen). So, he reluctantly takes a $1-million gig he wishes he didn't have to: flying to southern Spain to hang out with billionaire Javi Gutierrez (Pedro Pascal, The Bubble), who is such a Cage diehard that he even has his own mini museum filled with Cage memorabilia, and has also written a screenplay he wants Cage to star in. The Unbearable Weight of Massive Talent is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. THE SOUVENIR: PART II In showbusiness, nepotism is as inescapable as movies about movies. Both are accounted for in The Souvenir: Part II. But when talents as transcendent as Honor Swinton Byrne, her mother Tilda Swinton and writer/director Joanna Hogg are involved — with the latter working with the elder Swinton since her first short, her graduation piece Caprice, back in 1986 before Honor was even born — neither family ties nor filmmaking navel-gazing feel like something routine. Why this isn't a surprise with this trio is right there in the movie's name, after the initial The Souvenir proved such a devastatingly astute gem in 2019. It was also simply devastating, following an aspiring director's romance with a charismatic older man through to its traumatic end. Both in its masterful narrative and its profound impact, Part II firmly picks up where its predecessor left off. In just her third film role — first working with her mum in 2009's I Am Love before The Souvenir and now this — Swinton Byrne again plays 80s-era filmmaking student Julie Harte. But there's now a numbness to the wannabe helmer after her boyfriend Anthony's (Tom Burke, Mank) death, plus soul-wearying shock after discovering the double life he'd been living that her comfortable and cosy worldview hadn't conditioned her to ever expect. Decamping to the Norfolk countryside, to her family home and to the warm but entirely upper-middle-class, stiff-upper-lip embrace of her well-to-do parents Rosalind (Swinton, The French Dispatch) and William (James Spencer Ashworth) is only a short-term solution, however. Julie's thesis film still needs to be made — yearns to pour onto celluloid, in fact — but that's hardly a straightforward task. The Souvenir: Part II is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. RRR The letters in RRR's title are short for Rise Roar Revolt. They could also stand for riveting, rollicking and relentless. They link in with the Indian action movie's three main forces, too — writer/director SS Rajamouli (Baahubali: The Beginning), plus stars NT Rama Rao Jr (Aravinda Sametha Veera Raghava) and Ram Charan (Vinaya Vidheya Rama) — and could describe the sound of some of its standout moments. What noise echoes when a motorcycle is used in a bridge-jumping rescue plot, as aided by a horse and the Indian flag, amid a crashing train? Or when a truck full of wild animals is driven into a decadent British colonialist shindig and its caged menagerie unleashed? What racket resounds when a motorbike figures again, this time tossed around by hand (yes, really) to knock out those imperialists, and then an arrow is kicked through a tree into someone's head? Or, when the movie's two leads fight, shoot, leap over walls and get acrobatic, all while one is sat on the other's shoulders? RRR isn't subtle. Instead, it's big, bright, boisterous, boldly energetic, and brazenly unapologetic about how OTT and hyperactive it is. The 187-minute Tollywood action epic — complete with huge musical numbers, of course — is also a vastly captivating pleasure to watch. Narrative-wise, it follows the impact of the British Raj (aka England's rule over the subcontinent between 1858–1947), especially upon two men. In the 1920s, Bheem (Jr NTR, as Rao is known) is determined to rescue young fellow villager Malli (first-timer Twinkle Sharma), after she's forcibly taken by Governor Scott Buxton (Ray Stevenson, Vikings) and his wife Catherine (Alison Doody, Beaver Falls) for no reason but they're powerful and they can. Officer Raju (Charan) is tasked by the crown with making sure Bheem doesn't succeed in rescuing the girl, and also keeping India's population in their place because their oppressors couldn't be more prejudiced. RRR is available to stream via Netflix. Read our full review. THE DUKE Back in 1962, in the first-ever Bond film Dr No, the suave, Scottish-accented, Sean Connery-starring version of 007 admires a painting in the eponymous evil villain's underwater lair. That picture: Francisco Goya's Portrait of the Duke of Wellington. The artwork itself is very much real, too, although the genuine article doesn't appear in the feature. Even if the filmmakers had wanted to use the actual piece, it was missing at the time. In fact, making a joke about that exact situation is why the portrait is even referenced in Dr No. That's quite the situation: the debut big-screen instalment in one of cinema's most famous and longest-running franchises, and a saga about super spies and formidable villains at that, including a gag about a real-life art heist. The truth behind the painting's disappearance is even more fantastical, however, as The Duke captures. The year prior to Bond's first martini, a mere 19 days after the early 19th-century Goya piece was put on display in the National Gallery in London, the portrait was stolen. Unsurprisingly, the pilfering earned plenty of attention — especially given that the government-owned institution had bought the picture for the hefty sum of £140,000, which'd likely be almost £3 million today. International master criminals were suspected. Years passed, two more 007 movies hit cinemas, and there was zero sign of the artwork or the culprit. And, that might've remained the case if eccentric Newcastle sexagenarian Kempton Bunton (played here by Six Minutes to Midnight's Jim Broadbent) hadn't turned himself in in 1965. As seen in this wild caper from filmmaker Roger Michell (My Cousin Rachel, Blackbird), Bunton advised that he'd gotten light-fingered in protest at the obscene amount spent on Portrait of the Duke of Wellington using taxpayer funds — money that could've been better deployed to provide pensioners with TV licenses, a cause he had openly campaigned for (and even been imprisoned over after refusing to pay his own television fee). The Duke is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. WASH MY SOUL IN THE RIVER'S FLOW A silent hero and a rowdy troublemaker. That's what Ruby Hunter calls Archie Roach, her partner in life and sometimes music, then characterises herself. She offers those words casually, as if she's merely breathing, with an accompanying smile and a glint in her eyes as she talks. They aren't the only thoughts uttered in Wash My Soul in the River's Flow, which intersperses concert and rehearsal clips with chats with Hunter and Roach, plus snippets of biographical details from and recollections about their lives as intertitles, and then majestic footage of the winding Murray River in Ngarrindjeri Country, where Hunter was born, too. Still, even before those two-word descriptions are mentioned, the film shows how they resonate within couple's relationship. Watching their dynamic, which had ebbed and flowed over three-plus decades when the movie's footage was shot in 2004, it's plain to see how these two icons of Australian music are dissimilar in personality and yet intertwine harmoniously. Every relationship is perched upon interlocking personalities: how well they complement each other, where their differences blend seamlessly and how their opposing traits spark challenges in the best possible ways. Every song, too, is a balance of disparate but coordinated pieces. And, every ecosystem on the planet also fits the bill. With Hunter and Roach as its focus, Wash My Soul in the River's Flow contemplates all three — love, music and Country — all through 2004 concert Kura Tungar — Songs from the River. Recorded for the documentary at Melbourne's Hamer Hall, that gig series interlaced additional parts, thanks to a collaboration with Paul Grabowsky's 22-piece Australian Art Orchestra — and the movie that producer-turned-writer/director Philippa Bateman makes of it, and about two Indigenous stars, their experience as members of Australia's Stolen Generations, their ties to Country and their love, is equally, gloriously and mesmerisingly multifaceted. Wash My Soul in the River's Flow is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. BLIND AMBITION From fleeing Robert Mugabe's Zimbabwe to taking their nation's first-ever team to the World Wine Blind Testing Championships in Burgundy, Joseph, Tinashe, Marlvin and Pardon have quite the story to tell. The quartet met in South Africa, where they each individually made their home long before they crossed paths. They all also found themselves working with wine, despite not drinking it as Pentecostal Christians — and, in the process, they discovered a knack for an industry they mightn't have even contemplated otherwise. That's the tale that Blind Ambition relays, and it's a rousing and moving one. Indeed, it won't come as a surprise that the movie won Australian filmmakers Warwick Ross and Rob Coe (Red Obsession) the 2021 Tribeca Film Festival Audience Award for Best Feature Documentary. Blind wine testing is a serious business; the first word isn't slang for inebriation, but describes how teams sample an array of wines without knowing what they're drinking. Then, they must pick everything from the country to the vintage to the varietal within two minutes of sipping. As stressed both verbally and visually throughout the doco, there's a specific — and very white — crowd for this endeavour. Accordingly, Team Zimbabwe instantly stands out. Heralding diversity is one of their achievements; their infectious joy, pride and enthusiasm for the field, for competing at the Olympics of the wine world, for the fact that their plight has taken them from refugees to finding a new calling, and for opening up the world to African vino, is just as resonant. Blind Ambition is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. FANTASTIC BEASTS: THE SECRETS OF DUMBLEDORE What a difference Mads Mikkelsen can make. What a difference the stellar Danish actor can't, too. The Another Round and Riders of Justice star enjoys his Wizarding World debut in Fantastic Beasts: The Secrets of Dumbledore, taking over the part of evil wizard Gellert Grindelwald from Fantastic Beasts: The Crimes of Grindelwald's Johnny Depp — who did the same from Fantastic Beasts and Where to Find Them's Colin Farrell first, albeit in a scripted change — and he's impressively sinister and engagingly insidious in the role. He needs to be: his fascist character, aka the 1930s-set movie's magical version of Hitler, wants to eradicate muggles. He's also keen to grab power however he must to do so. But a compelling casting switch can't conjure up the winning wonder needed to power an almost two-and-a-half-hour film in a flailing franchise, even one that's really just accioing already-devoted Harry Potter fans into cinemas. Nearly four years have passed since The Crimes of Grindelwald hit cinemas, but its successor picks up its wand where that dull sequel left off. That means reuniting with young Albus Dumbledore, who was the best thing about the last feature thanks to Jude Law (The Third Day) following smoothly in Michael Gambon and Richard Harris' footsteps. And, it means explaining that Dumbledore and Grindelwald pledged not to harm each other years earlier, which precludes any fray between them now. Enter magizoologist Newt Scamander (Eddie Redmayne, The Trial of the Chicago 7) and his pals. Well, most of them. Newt's assistant Bunty (Victoria Yeates, Call the Midwife), brother Theseus (Callum Turner, Emma), No-Maj mate Jacob (Dan Fogler, The Walking Dead), Hogwarts professor Lally (Jessica Williams, Love Life) and Leta Lestrange's brother Yusuf Kama (William Nadylam, Stillwater) are accounted for, while former friend Queenie (Alison Sudol, The Last Full Measure) has defected to Grindelwald. As for the latter's sister Tina (Katherine Waterston, The World to Come), she's spirited aside, conspicuously sitting Operation Avoid Muggle Genocide out. Fantastic Beasts: The Secrets of Dumbledore is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. NOBODY HAS TO KNOW Before Belgian actor and filmmaker Bouli Lanners started gracing screens big and small — writing and directing projects for the former as well — he trained as a painter. If you didn't know that fact, it'd be easy to guess while watching Nobody Has to Know. He helms and scripts, as he did 2011 Cannes award-winner The Giant, plus 2016's The First, the Last. He acts, as he has in everything from A Very Long Engagement and Rust and Bone to Raw and Bye Bye Morons. But it's the careful eye he brings to all that fills Nobody Has to Know's frames that immediately leaves an impression, starting with simply staring at the windswept Scottish scenery that provides the movie's backdrop. It's picturesque but also ordinary, finding visual poetry in the scenic and sweeping and yet also everyday. That's what the feature does with its slow-burning romantic narrative, too. On a remote island, Philippe Haubin (Lanners) has made a humble home. Working as a farmhand, he stands out with his arms covered in tattoos and his accent, but he's also been welcomed into the close-knit community. And, when he's found on the beach after suffering a stroke, his friends swiftly rally around — his younger colleague Brian (Andrew Still, Waterloo Road), who spreads the word; the latter's aunt Millie (Michelle Fairley, Game of Thrones), who ferries him around town; and her stern father Angus (Julian Glover, The Toll), who welcomes him back to work once he's out of hospital. But Phil returns with amnesia, which unsurprisingly complicates his daily interactions. He doesn't know what Brian means when he jokes about Phil now being the island's Jason Bourne, he has no idea if the dog in his house is his own, and he has no knowledge of any past, or not, with Millie. Nobody Has to Know is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. MORBIUS Jumping into the Sony Shared Universe from the DCEU — that'd be the DC Extended Universe, the pictures based around Batman, Superman, Wonder Woman, Suicide Squad and the like (but not including Joker or The Batman) — Jared Leto plays Morbius' eponymous figure. A renowned scientist, Dr Michael Morbius has a keen interest in the red liquid pumping through humans' veins stemming from his own health issues. As seen in early scenes set during his childhood, young Michael (Charlie Shotwell, The Nest) was a sickly kid in a medical facility thanks to a rare disease that stops him from producing new blood. There, under the care of Dr Emil Nikols (Jared Harris, Foundation), he befriended another unwell boy (debutant Joseph Esson), showed his smarts and earned a prestigious scholarship. As an adult, he now refuses the Nobel Prize for creating artificial plasma, then tries to cure himself using genes from vampire bats. Morbius sports an awkward tone that filmmaker Daniel Espinosa (Life) can't overcome; its namesake may be a future big-screen baddie, but he's also meant to be this sympathetic flick's hero — and buying either is a stretch. In the overacting Leto's hands, he's too tedious to convince as a threat or someone to root for. He's too gleefully eccentric to resemble anything more than a skit at Leto's expense, too. Indeed, evoking any interest in Morbius' inner wrestling (because saving his own life with his experimental procedure comes at a bloodsucking cost) proves plodding. It does take a special set of skills to make such OTT displays so pedestrian at best, though, and that's a talent that Leto keeps showing to the misfortune of movie-goers. He offers more restraint here than in Suicide Squad (not to be confused with The Suicide Squad), The Little Things, House of Gucci or streaming series WeCrashed, but his post-Dallas Buyers Club Oscar-win resume remains dire — Blade Runner 2049 being the sole exception. Morbius is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. SONIC THE HEDGEHOG 2 It was true in the 90s, and it remains that way now: when Jim Carrey lets loose, thrusting the entire might of his OTT comedic powers onto the silver screen, it's an unparalleled sight to behold. It doesn't always work, and he's a spectacular actor when putting in a toned-down or even serious performance — see: The Truman Show, The Majestic, I Love You Phillip Morris and his best work ever, the sublime Eternal Sunshine of the Spotless Mind — but there's a reason that the Ace Venture flicks, The Mask and Dumb and Dumber were some of the biggest movies made three decades back. Carrey is now a rarity in cinemas, but one franchise has been reminding viewers what his full-throttle comic efforts look like. Sadly, he's also the best thing about the resulting films, even if they're hardly his finest work. That was accurate in 2020's Sonic the Hedgehog, and it's the same of sequel Sonic the Hedgehog 2 — which once again focuses on the speedy video game character but couldn't feel like more of a drag. The first Sonic movie established its namesake's life on earth, as well as his reason for being here. Accordingly, the blue-hued planet-hopping hedgehog (voiced by The Afterparty's Ben Schwartz) already made friends with small-town sheriff Tom Wachowski (James Marsden, The Stand). He already upended the Montana resident's life, too, including Tom's plans to move to San Francisco with his wife Maddie (Tika Sumpter, Mixed-ish). And, as well as eventually becoming a loveable member of the Wachowski family, Sonic also wreaked havoc with his rapid pace, and earned the wrath of the evil Dr Robotnik (Carrey, Kidding) in the process. More of the same occurs this time around, with Sonic the Hedgehog 2 taking a more-is-more approach. There's a wedding to ruin, magic gems to find and revenge on the part of Robotnik. He's teamed up with super-strong echidna Knuckles (voiced by The Harder They Fall's Idris Elba), in fact, while Sonic gets help from smart-but-shy fox Tails (voice-acting veteran Colleen O'Shaughnessey). Sonic the Hedgehog 2 is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. DEADLY CUTS The Full Monty wasn't the first to do it, and it definitely hasn't been the last. But for the quarter century since that crowd-pleasing comedy became an enormous worldwide hit, British movies about underdogs banding together to save their livelihoods and communities have no longer been scrappy battlers themselves. Irish film Deadly Cuts is the latest, joining an ever-growing pile that also includes everything from Calendar Girls to Swimming with Men — and first-time feature writer/director Rachel Carey knows the formula she's playing with. Each such picture needs to be set in a distinctive world, follow a close-knit group, see them face an apparently insurmountable task and serve up a big public spectacle that promises redemption, and every step in that recipe is covered here. But a movie can stick to a clear template and still boast enough spirit to make even the creakiest of plot inclusions feel likely and entertaining enough, and that's this low-budget affair from start to finish. It does raise a smile that AhhHair, the glamorous hairdressing contest that Deadly Cuts' main characters want to enter and win, is all about innovation in its chosen form. The movie itself would never emerge victorious at such a competition, but it's filled with broad, blackly comic fun along the way, even if it boasts about as much subtlety as a mohawk. The setting: Piglington, Dublin, an as-yet-ungentrified corner of the Irish capital, where the titular salon is a mainstay. The aim: saving the shop from being torn down and replaced with shiny new apartments. The wholly predictable complications: the determination of corrupt local politician Darryl Flynn (Aidan McArdle, The Fall) to forge ahead with the development, which'll boost his bank account; and the suburb-scaring thugs led by the overbearing Deano (Ian Lloyd Anderson, Herself), who throw their weight around at every chance they get. Deadly Cuts is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. IT SNOWS IN BENIDORM Forty-four years have passed since Timothy Spall first graced the silver screen — and what a gift he's given both cinema and television since. He won Cannes Best Actor prize for Mr Turner, earned five BAFTA nominations in five years between 1997–2002, popped up in lively Aussie crime flick Gettin' Square, stole every scene he was in in The Party and recently proved formidable in Spencer. He has everything from multiple Harry Potter movies to playing Winston Churchill in The King's Speech on his resume, too, and also routinely improves whatever he's in with his presence alone. In fact, he does exactly that with It Snows in Benidorm, which'd be a mere wisp of a film otherwise. Following a just-made-redundant bank employee to Spain, this meandering drama by Spanish filmmaker Isabel Coixet (Elisa & Marcela) frequently mistakes mood for depth — and while Spall can't polish away its struggles, he's always the key reason to keep watching. A fan of the weather and little else, Spall's Peter Riordan has given decades of his life to his employer, and is so settled into the routine he's fashioned around his job that it's as natural and automatic to him as breathing. Accordingly, when he's unceremoniously let go, he finds it difficult to adjust. He's told that being freed from the monotony of his work is a gift, allowing him to retire early — so in that spirit, he heads off to the Mediterranean coast's tourist mecca to spend time with the brother he otherwise rarely talks to. But upon his arrival, Peter finds his sibling conspicuously absent. He still stays in his high-rise apartment, but what was meant to be a family reunion-style holiday now becomes a detective quest. Helping him is Alex (Sarita Choudhury, And Just Like That...), who worked with Peter's shady club-owning brother, might know more than she's letting on about his whereabouts, and also welcomes her new pal's tender companionship the more that they spend time together. It Snows in Benidorm is available to stream via Google Play, YouTube Movies, iTunes and Prime Video. Read our full review. OFF THE RAILS In need of a bland and derivative friends-on-holidays flick that's painted with the broadest of strokes? Keen to dive once more into the pool of movies about pals heading abroad to scatter ashes and simultaneously reflect upon their current lot in life? Fancy yet another supposedly feel-good film that endeavours to wring humour out of culture clashes between English-speaking protagonists and the places they visit? Yearning for more glimpses of thinly written women getting their grooves back and realising what's important on a wild Eurotrip? Call Off the Rails, not that anyone should. Coloured with every cliche that all of the above scenarios always throw up, and also covered from start to finish in schmaltz, the debut feature from director Jules Williamson is a travel-themed slog that no one could want to remember. A grab bag of overdone tropes and treacly sentiment, it also doubles as an ode to the songs of Blondie, which fill its soundtrack — but even the vocal stylings of the great Debbie Harry can't breathe vibrancy into this trainwreck. Once close, Kate (Jenny Seagrove, Peripheral), Liz (Sally Phillips, Blinded by the Light) and Cassie (Preston, Gotti) now just call on big occasions — and even then, they're barely there for each other. But when fellow pal Anna dies, they reunite at her funeral, and are asked to carry out her final wish by her mother (Belfast's Judi Dench, in a thankless cameo). The task: catching a train across Europe, through Paris to Girona, Barcelona and Palma in Spain, to recreate a backpacking jaunt the four took decades earlier. Specifically, they're headed to La Seu, a cathedral with stained-glass windows that look particularly spectacular when the sun hits at the right time (the film calls it "god's disco ball"). Anna already bought their Interrail passes, and her 18-year-old daughter Maddie (Elizabeth Dormer-Phillips, Fortitude) decides she'll join the voyage, too. Off the Rails is available to stream via Google Play, YouTube Movies and Prime Video. Read our full review. Looking for more at-home viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows, or check out the movies that were fast-tracked to digital in January, February, March, April and May.
Family feuds are a deadly business in Bad Sisters, Apple TV+'s latest must-see. Just don't believe the first word in its title for a second. Starring, co-written and co-developed by Sharon Horgan, as Catastrophe was before it, this ten-part streaming series focuses on the Garvey girls, a quintet of Irish siblings who became bonded by more than blood when they were orphaned years earlier. Horgan's Eva took on the matriarch role and has doted on her siblings Grace (Anne-Marie Duff, Sex Education), Ursula (Eva Birthistle, The Last Kingdom), Bibi (Sarah Greene, Normal People) and Becka (Eve Hewson, Behind Her Eyes) ever since, even now that they range from their late twenties through to their forties. Used to doing whatever they must for each other, there's nothing bad about their sisterly devotion — but it just might include killing Grace's husband. A pitch-black comedy, a murder-mystery and a family drama all in one — an Irish riff on Big Little Lies, too, although it's actually adapted from Belgian TV's Clan from back in 2012 — Bad Sisters ponders two questions. Firstly, it wonders what lengths loyal siblings would truly go to to protect one of their own. Secondly, it contemplates what comeuppance women pushed to their limits will exact upon the source of their misery. Indeed, it's a darkly funny revenge fantasy as well, and a puzzle to compulsively sleuth along with. Do the Garveys get their wish? How will they try to make their dream a reality? Will their various murder plots work? What'll go wrong next? These queries also keep coming, and unfurling the answers makes for equally riveting, entertaining, empathetic and amusing viewing. Bad Sisters begins on the day of a funeral, farewelling John Paul Williams (Claes Bang, The Northman) after Grace makes sure that his erection won't be noticed first. Her dead husband has long been nicknamed 'The Prick' anyway, with his four sisters-in-law all thoroughly unimpressed, to say the least, about the toxic way he openly treated his dutiful wife. They're all sick of the underhanded abuse he also directed towards each of them, as well as anyone he didn't like, and the unearned air of superiority that always came with it. Calling him manipulative, callous, misogynistic, racist, narcissistic, spiteful, vicious, pitiless, ruthless, flat-out intolerable — they all fit. When a guest offers condolences at JP's wake, Eva's response is: "I'm just glad the suffering's over". When she's then asked if he was ill, she replies with a blunt and loaded "no". Relief lingers during JP's sendoff, but so does tension. Eva, Ursula, Bibi and Becka long wanted The Prick dead and, as flashbacks show, had been planning to bring about that very end. Complicating matters: two insurance agents, aka half-brothers Thomas (Brian Gleeson, Death of a Ladies' Man) and Matthew Claffin (Daryl McCormack, Good Luck to You, Leo Grande), who start nosing around as John Paul is being laid to rest. Their family-run outfit is meant to pay out on his life insurance policy, but it's a hefty amount of cash and will bankrupt the firm. And with Thomas' wife Theresa (Seána Kerslake, My Salinger Year) heavily pregnant and on bed rest, the Claffins already have their own share of family stresses. As brought to Apple TV+ by Horgan with United States of Tara, New Girl and 30 Rock's Brett Baer and Dave Finkel, Bad Sisters uses that insurance investigation to justify its jumps backwards — and it's a savvy tactic. In its weekly instalments, the series works through JP's awfulness and the Garveys' campaign of vengeance in two directions, contrasting the sisters' motivations in the months leading up to their brother-in-law's death with the aftermath. That said, exactly how Grace ends up a widow, who's responsible and which of the siblings knows what all drive the show's whodunnit angle, sharply and entertainingly so. Bad Sisters teases out the precise reasons that Eva, Ursula, Bibi and Becka can't stand JP, too, because The Prick's abysmal behaviour made enemies out of everyone around him over and over. Boasting a devilish setup is just one of Bad Sisters' drawcards. What a premise it is, though. The whole 'offing your arsehole brother-in-law' idea may seem obvious at the outset, but this is a series with both bite and warmth as it unpacks what happens when women don't have any other options but potentially breaking bad — and sticking together. The pervasive feeling: wish fulfilment and catharsis, as Grace's siblings attempt to make everyone's lives better, even if it requires one of the most drastic moves there is. Just as Horgan inhabits her part with fierce affection, as characters played by the This Way Up star tend to sport, the entire ten-episode run bubbles with unfailing determination. It's dedicated to seeing the horrors of coercive control and the harrowing ordeal that is life with someone like JP, but it's as devoted to maintaining hope in the Garveys' sense of sorority. Bad Sisters is also unflinching about perfecting the right balance between twisted, heartfelt, weighty, amusing, sincere and audacious — as resolute as it is about filling its frames with scenic Irish sights. The show's roster of writers and directors, which includes Dearbhla Walsh (Tales From the Loop), Rebecca Gatward (The Spanish Princess) and Josephine Bornebusch (Love Me) behind the lens, ensure four outcomes: lapping up every twist and turn; wishing you're a Garvey yourself; planning a getaway to Ireland; and feeling seen if you've ever been treated terribly by someone you love or even someone you know, be it a relative, friend, neighbour, boss, colleague or acquaintance of an acquaintance. There's no doubting the impact of Bad Sisters' on-screen talents in making it such an instantly addictive Irish delight, however. It isn't merely the central murder-mystery that lures viewers in — and the comic way the series cycles through the Garveys' schemes — but also the show's wonderful leading ladies. From Horgan through to Hewson, the eponymous sisters are exceptionally well-cast, with all five actors conveying the clan's strengths, flaws, differences, fights and camaraderie, including at an individual level and together. Duff is especially heartbreaking as the spouse who has convinced herself that her husband's exploitation and cruelty is normal, while the Bang ensures that the potently odious, easily despised JP is abhorrent on every level but never cartoonish. They're all ably supported by the charmingly bumbling Gleeson and just charmingly charming McCormack, who help reinforce that every family has its ups and downs — including when no one is contemplating homicide. Check out the trailer for Bad Sisters below: Bad Sisters streams via Apple TV+.
UPDATE, June 14, 2020: Devs is also now streaming in full on new Foxtel-run platform Binge. This article has been updated to reflect that change. If you're a fan of watching smart, rewarding, deep-thinking science fiction, then you're probably a fan of Alex Garland's. Originally an author, he initially came to fame as the writer of 90s bestseller The Beach, before moving into screenwriting with the script for 28 Days Later. More screenplays followed, including Sunshine, Never Let Me Go and Dredd — but it was his 2014 directorial debut Ex Machina that showed the extent of his filmmaking prowess. Annihilation proved a highly worthy addition to his resume in 2018, too, even after it was shuffled onto Netflix rather than screening in cinemas in much of the world. Given his track record so far, any new project by Garland is cause for excitement. This year, direct your enthusiasm towards new series Devs. The writer/director has made the leap to television with a cast led by Nick Offerman, Ex Machina's Sonoya Mizuno, Love's Karl Glusman, American Horror Story's Alison Pill and Bad Times at the El Royale's Cailee Spaeny — and, as currently streaming on Foxtel Now and Binge in Australia, it's a trippy ride into cerebral sci-fi territory. The eight-part show also radiates unease from its very first moments, all while sporting both a mood and a futuristic look that prove simultaneously unsettlingly and alluring. The setting: Amaya, a US technology company that's massive in size yet secretive in its focus, especially when it comes to its big quantum computing project. When Sergei (Glusman) is promoted to its coveted, extra clandestine Devs division, his girlfriend and fellow Amaya employee Lily (Mizuno) is thrilled for him. But when Sergei doesn't come home from his first day, Lily starts looking for answers — including from the company's guru-like leader Forest (a long-haired, very un-Ron Swanson-like Offerman). As intriguing as it is involving — as both Ex Machina and Annihilation were, too — Devs is the kind of series with twists and turns that are best discovered by watching; however as each second passes by, the stranger and more sinister it all appears. Expect conspiracies, tech thrills and big questions, in a series that does what all the very best sci-fi stories do: tackle big existential questions and intimate everyday emotions in tandem, all while asking 'what if?'. Also a highlight is Devs' spectacular set design and overall look, with Garland bringing striking, dark yet vivid images to his first small-screen project. Giant woodland areas, floating cube-like workspaces glimmering in golden hues, shimmering fields, a towering statue of a small child — they're all part of the show's appearance, and its mysteries. Check out the trailer below: https://www.youtube.com/watch?v=t8klax373ds The first season of Devs is available to stream on Foxtel Now and Binge. Images: FX Networks.
Godzilla is still big, but the picture around cinema's most-famous kaiju gets smaller in Monarch: Legacy of Monsters, the Japanese-created creature's new TV series. This ten-episode show sits within the American Monsterverse, which has previously filled movie theatres with 2014's Godzilla, 2017's Kong: Skull Island, 2019's Godzilla: King of the Monsters and 2021's Godzilla vs Kong — and it hits streaming, arriving on Apple TV+ from Friday, November 17, with a scaled-down focus on family drama. People matter in Monarch: Legacy of Monsters, far more than they have in any of the US franchise's instalments so far. The folks hopping around the globe chasing the giant critter and its fellow titans are also worth caring about. As a result, there's nothing little about how engaging Monarch: Legacy of Monsters proves. Getting Kurt and Wyatt Russell involved helps. The real-life father-son pair portray the same character — not for the first time; see: 1998's Soldier when Wyatt (Under the Banner of Heaven) was still a child — with not just ease but charisma. That isn't surprising; as the younger Russell's resume keeps demonstrating through Cold in July, Ingrid Goes West, Lodge 49, The Falcon and the Winter Soldier and more, the apple hasn't fallen far from the tree when it comes to acting talent. Wyatt slips into Lee Shaw's military uniform in the 1950s, Kurt (Fast and Furious 9) plays the retired elder version in the mid-2010s, and jokes reference how well the pivotal figure has aged to make the maths work out (in the later timeline, Shaw has to be in his 90s). Needing to make that gag is worth it for such stellar and captivating casting. Monarch: Legacy of Monsters isn't about Shaw's family, however — at least not as bonded by blood. In 2015, a year after the G-Day events of the 2014 film, San Franciscan teacher Cate Randa (Anna Sawai, Pachinko) is suffering from kaiju-inflicted PTSD and mourning her missing father Hiroshi (Takehiro Hira, Gran Turismo: Based on a True Story), making a trip to Japan to pack up his Tokyo apartment challenging several times over. There, she finds artist Kentaro (Ren Watabe, 461 Days of Bento), a shared history and links to secret government monster-hunting organisation Monarch. Those ties comes courtesy of a satchel filled with documents that Bill Randa (John Goodman, returning from Kong: Skull Island) is seen tossing into the sea in a 70s-set prologue; having possession of it sparks chaos for not only Cate and Kentaro, but also the latter's hacker ex-girlfriend May (Kiersey Clemons, The Flash). When a shadowy international outfit is on your trail, who can assist? Given that Shaw was a 50s-era colleague of Hiroshi's parents Keiko (Mari Yamamoto, also Pachinko) and Bill (played by Inventing Anna's Anders Holm in the earlier timeline), his help is swiftly needed. Amid Cate, Kentaro, May and Shaw's attempts to evade the "like the CIA, but for Godzilla" operation pursuing their every move, Monarch: Legacy of Monsters also dives into Shaw, Keiko and Bill's backstory. Shaw is enlisted into the monster realm exactly because he's enlisted, then deployed to ensure Keiko's safety as she follows her research into strange radiation trails in The Philippines — a phenomena that fellow scientist Bill is also interested in. While the Russells provide Monarch: Legacy of Monsters with its biggest names, and add depth to Shaw's emotional journey by perfecting the same mannerisms and line deliveries — not to mention letting that family charm kick in — series co-developers Chris Black (Severance) and Matt Fraction (Da Vinci's Demons) have cast their show well across the board. When beastly behemoths are simply being talked about rather than sighted, the human story never feels like filler padding out the frame until the next monster melee, which stems as much from the performances as the commitment to ensuring that pixels aren't the sole attraction. Each with their own Russell, both groups provide space for everyone's part of the narrative, plus the portrayals that go with it, to make an impact. Screenwriting convenience and cliche comes into play in fleshing out some backstories, but Clemons and Yamamoto especially have no trouble selling it. In addition to excellent casting, the series welcomely makes an even better move: taking the Monsterverse back where all things Godzilla started off-screen, aka Japan. When the creature that has multiple Tokyo statues devoted to it, plus a dedicated store as well, first erupted into cinemas in 1954 to spark a 33-film homegrown saga, it was in the shadow of World War II as an indictment of nuclear conflict's destruction and consequences — and those origins get the most meaningful nod yet in the US franchise through Keiko, Cate and Kentaro. All things Godzilla thankfully haven't moved to America IRL. Godzilla Minus One returns the kaiju to live-action Japanese movies in 2023 for the first time since 2016's exceptional Shin Godzilla, while three animated flicks (2017's Godzilla: Planet of the Monsters, and 2018's Godzilla: City on the Edge of Battle and Godzilla: The Planet Eater) have filled the gap in-between. But there's been an emptiness to the Monsterverse when it has barely cared about that history, even if making titans a worldwide threat and noting that Zilly doesn't respect national boundaries has merit. Call them kaiju, call them titans, call them massive unidentified terrestrial organisms (or MUTO): they're as meaningful as they've always been in Monarch: Legacy of Monsters. While the show's main attention might reside with two eras of people on two different searches, Godzilla and its fellow critters aren't ignored. They wander, smash and swim. They cause awe and fear alike. They tower, sleep, destroy and — with Zilly in particular — protect. As Monarch: Legacy of Monsters hones in on people, in fact, it explores the array of reactions that Godzilla can inspire, the range of thinking as well and, as intended for almost seven decades, the self-reflection about atomic bombs and warmongering that the very idea of Godzilla was designed to conjure up. Balancing heart and weight while feeling grounding amid gargantuans isn't a tiny task. Making sure that people and titans are equally as important to the narrative isn't a minor feat, either. Nor is using special effects to wow with onslaughts and dwarf with scale, getting a theme tune echoing into earworm territory almost as much as the stone-cold classic original Godzilla music and making a TV entry to a franchise that plays like the main attraction. Whichever Godzilla tales that Japan spins will always be the kings of the saga, and long may they continue charging onto screens — but Monarch: Legacy of Monsters puts down a giant footprint for Hollywood's dalliance with the atomic lizard, and a much-needed one given that more will only keep coming, including the silver screen's Godzilla x Kong: The New Empire in 2024. Check out the trailer for Monarch: Legacy of Monsters below: Monarch: Legacy of Monsters streams via Apple TV+ from Friday, November 17, 2023.
La Lune Wine Co. has cemented itself as one of Fish Lane's most reliable places to drink very well. Co-owned by restaurateur Paul McGivern — who was behind The Wolfe — and Bailee Dewes, the wine bar has evolved into a confident, wine-first venue that rewards curiosity and repeat visits. While the influence leans French, La Lune isn't interested in strict tradition. Instead, the focus is on breadth, balance and relationships, with a substantial wine list that moves easily between Australia, France and beyond. A rotating selection of premium wines is also available by the glass via Coravin, allowing guests to explore rarer and premium bottles without committing to a full bottle. The list changes constantly, shaped by collaborations and close connections with winemakers. Food is designed to sit comfortably alongside the wine rather than compete with it. Guests can choose between an à la carte menu or a structured tasting menu, both built with pairing in mind. Expect thoughtful dishes that feel generous and unfussy, alongside charcuterie and cheese. For those keen to go deeper, the tasting menu offers a more immersive way to experience how the kitchen and cellar work together. Recently, La Lune has expanded to include a small bottle shop, making it possible to take home favourite discoveries from the list. Regular winemaker dinners add another layer, regularly selling out thanks to the venue's strong producer relationships and loyal following. With reclaimed French oak, intimate tables and a relaxed atmosphere, La Lune Wine Co. is less about pretending you're in Paris and more about creating a place Brisbane genuinely wants to linger.
Every dive bar needs a beer garden, plus a deck, retro lounge, rooftop space and ample bamboo and AstroTurf too. You'll find all that at Fitz + Potts, as well as a funky hangout that's as relaxed as its location. We don't just mean its spot on Nundah's Sandgate Road — we also mean its breezy vantage on the second storey of an old Queenslander. Indeed, the décor of 70s wares screams instant chill, whether you're nestling into the kind of couch your grandmother still has, or settling in under a beach umbrella and next to a pink flamingo. If you need some more help forgetting your worries, a screen playing movies can probably assist, particularly if you like flicks from the 80s. Yes, there's more to Fitz + Potts than meets the eye — which includes a 100-percent plant-based menu. It's serving up pizzas, jaffles, sliders, rice paper rolls, bao, loaded chips and more, all without meat. And, because this place is dog-friendly, you can even nab some snacks for your pooch. Drinks-wise, choose between a beer or cider on tap, a vegan wine or a selection of cocktails. The latter includes six types of martini, plus plenty of old faves like mojitos, whisky sours, old fashioneds and sangria. Updated August 13, 2020.
On your next getaway in southeast Queensland, head up in the world, then stay there. Located 45 minutes out of the Gold Coast in the Scenic Rim region — which Lonely Planet named one of the best places in the world to visit in 2022 — Tamborine Mountain is the area's lofty tree-change go-to. From December 2024, the scenic site will also be home to a new boutique motel. The latest accommodation option from the team behind Cassis Red Hill in Victoria's Mornington Peninsula, The Tamborine boasts 23 rooms in its 80s-style abode, which takes its design cues from haciendas. When you're getting cosy, you'll be doing so in king-sized beds — and with mountain views no matter which room you're in, including from either a private balcony or a terrace. If you're keen for a splash as well, there's a heated mineral pool and spa. The Tamborine will also include a lounge and bar area, where complimentary continental breakfast is served each morning, hosted aperitifs are on the menu each afternoon, and drinks and bar snacks can be ordered to enjoy poolside. The drinks focus: locally sourced sips. But if you're eager to use the motel as a base to explore the rest of the mountain, the crew here understand — and have a curated array of experiences beyond the site's doors to suggest. "Whether it be immersing oneself in nature, enjoying a tipple at one of the many and emerging microbreweries and distilleries, or exploring the artisan wares the mountain is famous for, The Tamborine will be the perfect escape for our guests. We want guests leaving feeling enriched and connected, and eager to return," advised co-owner Nina Aberdeen. "We are beyond excited to open the doors to The Tamborine and share this special place with our guests. The hotel is designed to offer a seamless connection between our guests, our hosts, the natural surrounds and the local community," added co-owner Gina McNamara. "Every detail has been crafted to ensure that when guests arrive, they feel a deep sense of relaxation and belonging. We can't wait to see them experience the stunning views, unwind by the pool and explore everything the Scenic Rim has to offer." Find The Tamborine at 99 Alpine Terrace, Tamborine Mountain, Queensland, from early December 2024. Head to the motel's website for bookings and further details.
Perusing the menu at Petite brings the restaurant's name to mind. Diners will find 20 dishes on offer, each listed next to a wine that the team at the Fortitude Valley newcomer has chosen to pair perfectly with it, whether you're opting for a glass or a bottle. The goat's cheese croquettes are matched with a sauvignon blanc from Sancerre, for instance, and the the pan-fried gnocchi with comte cream gets a grenache blanc from Rhône to accompany it. Pick an eye fillet with pepper cognac sauce among the two steak frites options instead and it comes coupled with a merlot from Pomerol. The idea behind the latest venture from Cameron and Jordan Votan is to focus on French favourites. Cue the concise offering, although a second page of the menu spans to cheeses, desserts such as creme brûlée and chocolate soufflé, sweet wines, spirits, cocktails and other beverages. The brothers have broadened their focus from the Chinese cuisine on the menu at Happy Boy and Snack Man, but remained in the same East Street strip that they clearly love. Petite also follows pop-ups Kid Curry, Nice Thai and Mini, with the latter also taking tastebuds on a trip to France. Its chef Aubrey Courtel (ex-Greenglass) now leads the new restaurant's kitchen. Petite doesn't quite embody its moniker in size, however. On the main floor, including in leather booths beneath glass chandeliers, 70 diners can tuck into the eatery's dishes. Upstairs in the private dining room, groups of between eight and 50 can get comfortable while seated. The steel-frame windows that line the corner spot, which faces Ann and James streets, also make the space roomier. They give Petite another feel, too: the team describes the setup for passersby as akin to peering into a dollhouse. Something that both those strolling along outside and patrons eating inside can't miss is the open kitchen, where everything from baked scallops and kingfish carpaccio to onion tarte gratin with creme fraiche, cordon bleu and pork terrine is also whipped up. Of course, only those dining at Petite can settle in for the night, which is heartily encouraged — complete with a special button in the online booking system tailored for those taking their time. Whether Courtel and the crew are serving up confit duck or the ice cream or sorbet of the day, they're skewing simple and humble with their ingredients. Among the vino choices, Petite also keeps cognisant of price. Glasses start from $15, with the venue ensuring its sips are affordable by sourcing its wine from smaller producers across France. Design-wise, as well as the attention-grabbing windows, concrete pillars are a big feature — another touch that connects Petite with Happy Boy. If you know your Fortitude Valley history or just look outside, you'll also know that they nod to the suburb's air raid shelters. Find Petite on the corner of East and Ann streets, Fortitude Valley, open from 5.30pm–late Tuesday–Saturday. Head to the restaurant's website and Instagram for further details. Images: Callie Marshall.
If you prefer your overnight getaways with a healthy dose of wildlife thrown into the mix, Sydney's newest eco-retreat will be right up your alley — because it's located smack-bang in the middle of Taronga Zoo. Officially opening today — Thursday, October 10 — the Wildlife Retreat at Taronga is offering the ultimate sleepover with Sydney's biggest animals. Currently you can glamp overnight at the zoo as part of the Roar and Snore experience, but this is the zoo's first permanent accommodation offering. The impressive new structure is the work of acclaimed Australian studio Cox Architecture, and sees five lodges built into the zoo's bushland. There are 62 designer suites all up, with choices of harbour, bush, animal or treetop views. Best of all, the sounds and sights of Mother Nature will be literally out your front door — the retreat is located in a sanctuary where koalas, wallabies, red kangaroos, echidnas and platypus live. So you can wander out to spot some at your own leisure, or else join a tour of a still-quiet zoo at sunrise. The retreat is, importantly, located on Cammeraigal country, and we're told that Taronga worked with Cammeraigal Traditional Custodian Professor Dennis Foley and Gurindji Woolwonga woman Susan Moylan-Coombs to ensure that guests have access to information on local Indigenous history and culture. [caption id="attachment_745450" align="alignnone" width="1920"] The view from the restaurant, Me-Gal.[/caption] Food is set to be another big drawcard here, as the retreat also boasts a new restaurant, Me-Gal (the Cammeraigal word for 'tears'). It's dishing up an Aussie-accented offering centred around local produce and native ingredients — think Fraser Island spanner crab with fried saltbush, and NSW beef with king oyster mushrooms. As you have probably gathered, rooms at the Wildlife Retreat at Taronga don't come cheap. Rates start from $790 per night for two adults, which includes the two-course dinner, breakfast, general admission to Taronga Zoo, and a some very cute encounters Australian animals. But, as well as a pretty unique experience, your cash will go towards a good cause. As the retreat is owned and operated by non-profit Taronga Conservation Society Australia, each stay at the retreat will contribute to helping the zoo caring for its animals, as well as contributing to conservation and education programs across Australia. The retreat will no doubt be a drawcard for international tourists, but would make for a great night away for a special occasion where you really want to splash out. The Wildlife Retreat at Taronga is now open at Taronga Zoo Bradleys Head Road, Mosman. You can book now here.
