What uses 16 litres of paint, 100 water bombs and has an elusive contributor named Narnia? If you guessed the graffiti version of The Lion, The Witch and The Wardrobe, you'd only be half right. Strutten is the correct answer, and if you've never heard the name before, it's a webzine celebrating Australia’s local and underground artists, that at the same time aims to educate, support and promote independent art to the wider world. As we know, most good ideas generate somewhere strange, and Strutten is without exception. It was a cool summer night on a netball court, or so the story goes, and seven friends on the same team decided competitive sports weren't all they were good at, and imagined up a webzine with style. Strutten came into it's own, showcasing Brisbane's unique culture, art, style and musical talents with the mantra 'We love what we like'. With that said, Strutten are pleased to present their official launch party at Bleeding Heart Gallery on June 17, enlisting the help of twelve of Brisbane's finest individuals. There'll even be giveaways and live music to accompany Strutten's flagship 'We love what we like' exhibition. Did I mention it was free? Also, all the proceeds from bar sales go to a community enterprise that assists communities and marginalised people. Ahh how good is that? Supporting local talent AND helping the community. You good samaritan, you.
If you're of an age when you can remember burning your friend's So Fresh CD so you could stay up to date with the coolest songs of the season, congrats. You're old now. But also, congrats, because you will seriously enjoy this So Fresh shindig. Returning for yet another round, the old-school get-together to end all old-school get-togethers is coming to The Wickham from 10pm on Saturday, April 13, 2024 — and it'll be playing bangers strictly of the 2000s and early-2010s vintage. You can expect a sing-along to The Veronicas' 'Untouched', a 'Macarena' flashmob (even though the song dates back to the 90s) and, of course, 'Mr Brightside' as a finale. Tunes from High School Musical, Glee, One Direction, Lady Gaga, Justin Bieber, Black Eyed Peas, Taylor Swift, Avril Lavigne, Katy Perry, Nicki Minaj, Kelly Clarkson and LMFAO will also feature. And, just throwing this out there: we're desperately hoping for a comeback of the Duff sisters duet 'Our Lips Are Sealed'. As always, the retro tunes will come with plenty of party fun — such as 00s-themed drinks, a balloon wall for photos, a free glitter station, and even free fairy floss and lollipops. And the dress code? Donning threads from the era is recommended. Tickets are on sale now, and of course it's obviously 18 and over — because if you're under 18 you definitely don't know what So Fresh is. Or CDs, probably. If you need some motivation, let the Duff sisters take care of that:
Sometimes, they do still make 'em like they used to: action-adventure rom-coms in this case. Drive a DeLorean back to 1984, to the year before Robert Zemeckis made DeLoreans one of the most famous types of movie cars ever, and the director's Romancing the Stone did huge box-office business — and it's that hit that The Lost City keenly tries to emulate. This new Sandra Bullock- and Channing Tatum-starring romp doesn't hide that aim for a second, and even uses the same broad overall setup. Once again, a lonely romance novelist is swept up in a chaotic adventure involving treasure, a jungle-hopping jaunt and a stint of kidnapping, aka exactly what she writes about in her best-selling books. The one big change: the writer is held hostage, rather than her sister. But if you've seen Romancing the Stone, you know what you're in for. Movies that blandly and generically recreate/riff on/rip off others will never be gleaming cinematic jewels; the good news is that The Lost City is neither dull nor dispiritingly derivative. Cinema has literally been there and done this before, but directors Aaron and Adam Nee (Band of Robbers) are gleefully aware of that fact and don't even pretend to pretend otherwise. Rather, they wink, nod, serve up a knowing tribute to the 80s fare they're following, and repeatedly make it as blatant as can be that everything they're doing is by design. Their tone is light, bouncy and breezy. Their cast, which also spans Daniel Radcliffe and a delightfully scene-stealing Brad Pitt, is always on that wavelength. Indeed, swap out the vibe or The Lost City's four biggest on-screen names and the film would fall apart, especially without Bullock and Tatum's charisma and chemistry. With them all, it remains by the numbers but also terrifically likeable. As penned by the Nees, Oren Uziel (Mortal Kombat) and Dana Fox (Cruella) — based on a story by Baywatch director Seth Gordon — The Lost City's plot is ridiculously easy to spot. Also, it's often flat-out ridiculous. Anyone who has ever seen any kind of flick along the same lines, such as Jungle Cruise most recently, will quickly see that Loretta Sage (Bullock, The Unforgivable), this movie's protagonist, could've penned it herself. Once she finds herself living this type of narrative, that truth isn't lost on her, either. First, though, she's five years into a grief-stricken reclusive spell, and is only out in the world promoting her new release because her publisher Beth (Da'Vine Joy Randolph, The United States vs Billie Holiday) forces her to. She's also far from happy at being stuck once again with the man who has been sharing her limelight over the years, Fabio-style model Alan (Tatum, Dog), who has graced her book's covers and had women falling over themselves to lust-read their pages. Loretta is hardly thrilled about the whole spectacle that becomes her latest Q&A as a result, and that makes her a distracted easy mark for billionaire Abigail Fairfax (Daniel Radcliffe, Guns Akimbo) afterwards. He's noticed her new work, spotted similarities to the ancient riches he's chasing IRL, and gets his underlings to swoop in and snatch her up. His plan: leaning on Loretta's past as a serious historian to help him find his holy grail on a remote Atlantic island. She's given zero choice, but once the puppy dog-like Alan notices she's missing, he calls in expert assistance from devilishly suave and competent mercenary Jack Trainer (Pitt, Ad Astra). Of course, it doesn't take long for Loretta and Alan to be fleeing as an odd-couple duo, attempting to find the treasure, and endeavouring to avoid Abigail and his minions — and stay alive, obviously. 'Obviously' is a word that could be thrown at almost everything that occurs in The Lost City, but there's a gaping difference between being drably dutiful to a well-worn setup and having as much fun as possible with recognisable parts. Case in point: how Radcliffe enthusiastically hams it up in a part that's a simple next step from his TV work on Miracle Workers, but is always a joy to watch. See also: how the movie uses the long-locked Pitt, who clearly enjoys toying and parodying his own image, and is even introduced on the phone, unseen but audibly eating — which immediately deserves its place in the supercuts dedicated to his fondness for acting and noshing. And, another example: the liveliness that accompanies Pitt's big rescue scene, which is equally exciting and amusing. All of this epitomises The Lost City at its best. Well, that and the rapport between Bullock and Tatum. They're game for their tasks, which largely rely upon their familiar on-screen personas — she's sharp, he's a himbo, that contrast sparks screwball banter aplenty — and yet they shine as brightly as any long-lost gems. Also welcome: the fact that the age gap between The Lost City's key couple skews Bullock's way — she's 16 years Tatum's senior — and isn't turned into a big deal. Neither is the idea that a middle-aged writer could be attractive, or that wearing glasses, not always caring about your appearance and being smart don't instantly stop the same outcome. Having a 50-something female lead, treating her like an actual human, letting her intelligence and warmth be her defining traits: these shouldn't all feel as revolutionary as they do, but they're as dazzling as the pink sequinned jumpsuit that Bullock spends much of the movie traipsing around the jungle wearing. The Lost City knows that whole setup is ludicrous, too, in a film that unpacks the cliches that've always come with its chosen genre, updates its tropes for 2022 and still embraces goofy escapism. Bullock is comfortable in her role because she's played brainy rom-com women before; The Proposal and Miss Congeniality quickly come to mind. As for The Lost City itself, it's comfortable all-round because Bullock is its anchor — even with the joyously self-aware Tatum and Pitt, and the eagerly entertaining Radcliffe, always proving just as engaging to watch. Viewers can forgive the Nee brothers, then, for stretching the film out longer than the material genuinely supports. You can excuse the flabby spots because they're rarely flat as well, and because something new and silly tends to pop up seconds later. The movie a little too bluntly advocates for its own modest pleasures, courtesy of a speech by Alan about learning not to be embarrassed about modelling for Loretta's books, but it really didn't need to: Hollywood should still make thoroughly predictable yet still well-executed and gleaming-enough fare like this, and more often.
When Disney+ made its way into the world back in 2019, it gave viewers — including folks in Australia and New Zealand — access to a huge range of Disney, Marvel, Pixar, Star Wars and National Geographic movies and shows. What it didn't do is bring Hulu, which the Mouse House owns the majority stake in, to audiences Down Under. And, with Disney+ focused on family-friendly fare, it didn't deliver the kinds of series and films that Hulu screens, either. Hulu still isn't heading our way. But, come Tuesday, February 23, Disney+ is expanding to include a new section that's basically an international equivalent of Hulu. It's called Star and, when it was first announced late in 2020, film and TV fans were advised that it'd screen "an additional 1000 unique titles... in the first year". Wondering exactly what that'll include? Well, now Disney has revealed which series and flicks will be available when Star launches. Prepare to add 159 TV series and 447 movies to your streaming options — with four of those television shows falling into the 'Star Originals' category, meaning that they'll be brand new to viewers Down Under. Three of the four newbies are Hulu shows, too, so if you've been wanting to watch Love, Victor (the spinoff from 2018 movie Love, Simon), Helstrom (which forms part of the Marvel Cinematic Universe) or Solar Opposites (an animated sitcom co-created by Rick and Morty's Justin Roiland), then you'll be able to. https://www.youtube.com/watch?v=uh-IaEaEdE0 From Star's big list of classics, plenty of titles stand out. Among the film selection, you'll find the Alien, Planet of the Apes, Die Hard and Omen franchises, plus the Predator and Taken flicks as well. And, you can also pick between older movies like Butch Cassidy and the Sundance Kid, The Fly, Never Been Kissed, Office Space, Pretty Woman and Moulin Rouge, or more recent fare such as Black Swan, Eddie the Eagle, Logan, The Favourite and Jojo Rabbit. A heap of Wes Anderson films, including Rushmore, The Royal Tenenbaums, The Grand Budapest Hotel and The Life Aquatic with Steve Zissou, are also featured. On the television front, you'll be able to binge your way through every episode of Angel, Alias, 24, Felicity, Firefly and Glee — or opt for New Girl, Prison Break, Scandal and The X-Files instead. The list goes on and, like the existing Disney+ range, you'll find a hefty focus on older shows over new titles. Star draws upon Disney's studios, such as Disney Television Studios, FX, 20th Century Studios, 20th Television and Touchstone. And it doesn't everything that Hulu does, because plenty of Hulu's series and films pop up elsewhere Down Under — like The Handmaid's Tale, for instance. That said, it's safe to expect that some of the rights deals that deliver Hulu content to other networks and streaming platforms in Australia and might change after Star's hits, moving where you can catch certain flicks and programs in the process. As you might've already guessed, Disney+'s expansion to include Star comes with a price increase. Australian subscriptions will go up to AU$11.99 per month or AU$119.99 per year, while New Zealand subscriptions will go up to NZ$12.99 per month and $129.99 per year. If you're already a subscriber, the new price won't kick in for six months, though — so whenever your next renewal hits after August 22. Star joins Disney+ in Australia and New Zealand on Tuesday, February 23, with Disney+ subscriptions costing AU$11.99 and NZ$12.99 per month or AU$119.99 and NZ$129.99 per year from that date.
This article is sponsored by our partner lastminute.com.au. Ah, New York City. 'The City that Never Sleeps'. 'The Big Apple'. 'The Capital of the World'. Whatever you call it, you know it. Recognised as the cultural capital of America, NYC is a melting pot of peoples from all over the world. It's home to some of the best arts, eateries, events and scenes in the world. Its impressive landmarks make it impossible to be mistaken for any other city. We all know the Brooklyn Bridge, the Empire State Building, and of course, Lady Liberty — even if only from our living rooms. Shows like Sex & the City, movies like When Harry Met Sally and songs such as 'Empire State of Mind', have enraptured most of us with the thrill of New York City. If you've every wanted to see what the hype is all about but haven't the slightest idea where to go in the mega-metropolis, travel and lifestyle site lastminute.com.au has you covered. They've scouted out a variety of hotels in the city's many unique neighbourhoods, from the Upper East Side's Gossip Girl style to the low-key, artsy Brooklyn vibe. Here are their favourites. (They're also offering an opportunity for Aussies to 'Win NYE in NYC', so don't miss that.) The Surrey Stars: 5Best for: Classic Upper East Side elegance Once home to some of New York's most high-profile celebrities — including JFK, Bette Davis and Claudette Colbert — the Surrey is valued for its excellent service and discretion. The hotel also offers the finest amenities, including a private rooftop garden, spa service and gourmet dining. Venture out of your room into the nearby Central Park or shop along Fifth Avenue; the best of Manhattan living is right outside your door. Affinia Manhattan Stars: 3.5Best for: Apartment living in the heart of the mid-town scene Have bad FOMO? Then this is the place for you. Spot on in the middle of the city, the Affinia Manhattan is centred around all the action. Madison Square Garden, the Empire State Building, Broadway, Times Square, Fifth Avenue shopping and Chelsea art galleries are all just a step away. The Affinia has all the old-school charm of a New York hotel, but with a modern update. So when you’re exhausted from a big day out, relax and enjoy the skyline view from your room. Sohotel New York Stars: 2Best for: Funky slice of downtown with reasonable rates Located in a unique area of lower Manhattan, the Sohotel is in a prime location for urban adventure. Enjoy world-class shops, historic cultural landmarks, delectable eats or vibrant nightlife on the historic Bowery Boulevard. Or discover the quirky neighbourhoods of Nolita, China Town and Little Italy that give the area some cultural flair. You can enjoy it all because the Sohotel offers some pretty affordable rates. Comfort and style are not compromised though — the hotel is a quirky mix of old and young New York style, which in our opinion just adds to the experience. The Greenwich Hotel Stars: 5Best for: Oasis of calm and luxury in the heart of Tribeca Planted in the heart of Tribeca, the Greenwich Hotel is a stone's throw from Wall Street, SoHo, the Meatpacking District and Chinatown. But it could be hard to leave the hotel. A true haven for relaxation, the Greenwich features an authentic Japanese spa with a lantern-lit swimming pool, luxurious lounge and treatment rooms — you might start to believe you’re at a retreat rather than a city. Also, the rooms are all so unique, comfortable and liveable that you might want to think about an extended stay. The Box House Hotel Stars: 3.5Best for: Quirky cool in Brooklyn If you're looking for something a little more offbeat, check out the Box House Hotel in Brooklyn. Located in the industrial chic area of Greenpoint, this hotel offers a variety of quirky and brightly decorated apartments (be sure to request one with a patio or terrace for views of Greenpoint or the Manhattan skyline). A short walking distance to some of Brooklyn's best restaurants and bars, the Box House Hotel offers an authentic Brooklyn experience that's anything but boring.
Dear Dear Evan Hansen: don't. If a movie could write itself a letter like the eponymous figure in this stage-to-screen musical does, that's all any missive would need to communicate. It could elaborate, of course. It could caution against emoting to the back row, given that cinema is a subtler medium than theatre. It could advise against its firmly not-a-teenager lead Ben Platt, who won one of the Broadway hit's six Tony Awards, but may as well be uttering "how do you do, fellow kids?" on the big screen. It could warn against shooting the bulk of the feature like it's still on a stage, just with more close-ups. Mostly, though, any dispatch from any version of Dear Evan Hansen — treading the boards or flickering through a projector — should counsel against the coming-of-age tale's horrendously misguided milk-the-dead-guy narrative. When the most interesting thing about a character is their proximity to someone that's died, that's rarely a great sign. It's the realm of heartstring-tugging illness weepies and romances where partners or parents are bereaved, sweeping love stories are shattered and families are forever altered, and it uses the sickness or death of another person purely as a prop to make someone that's alive and healthy seem more tragic. That's worlds away from engaging sincerely with confronting mortality, loss, grief or all three, as so few movies manage — although Babyteeth did superbly in 2020 — and it's mawkish, manipulative storytelling at its worst. Dear Evan Hansen gives the formula a twist, however, and not for the better. Here, after a classmate's suicide, the titular high schooler pretends he was his closest friend, including to the dead kid's family. A anxious, isolated and bullied teen who returns from summer break with a fractured arm, Evan (Platt, The Politician) might be the last person to talk to Connor Murphy (Colton Ryan, one of the Broadway production's understudies). It isn't a pleasant chat, even if Connor signs Evan's cast — which no one else has or wants to. In the school library, Evan prints out a letter to himself as a therapy exercise, but Connor grabs it first, reads it, then gets furious because it mentions his sister Zoe (Kaitlyn Dever, Dopesick). Cue days spent fretting on Evan's part, wondering if he'll see the text splashed across social media. Instead, he's soon sitting with Cynthia Murphy (Amy Adams, The Woman in the Window) and her husband Larry (Danny Pino, Fatale), who inform him of Connor's suicide — and that they found Evan's 'Dear Evan Hansen' note on him, and they're sure it's their son's last words. With his high school misery amply established through catchy songs, and his yearning to connect as well, Evan opts to go along with the Murphys' mistaken belief, including the idea that he and Connor were secretly the best of pals. As penned for both theatre and film by Steven Levenson (Tick, Tick... Boom!) — with music and lyrics by Benji Pasek and Justin Paul (The Greatest Showman) — this plot point is meant to play with awkwardness and longing, but it's simply monstrous. Indeed, the longer it goes on, with Evan spending more time with Connor's wealthy family than with his own mum Heidi (Julianne Moore, Lisey's Story), a nurse always working double shifts, the more ghastly it proves. It's lazy writing, too, because this isn't just a tale that defines its lead by their connection to a deceased person; it's about someone who intentionally makes that move themselves, then remains the recipient of all the movie's sympathies. It'd be generous to wonder if Dear Evan Hansen feels more nuanced and earnest writ large on the stage — genuinely reckoning with Evan's actions, which see him become a viral sensation and inspiration, rather than merely excusing his lies because he's lonely, and also dismissing Connor as mostly angry and unliked. Or, if perhaps the theatre version highlights the potential dark comedy in such abhorrent choices being made by a teen that desperate to fit it and be found by others. Either way, it wouldn't change the movie's approach. Director Stephen Chbosky has a history with disaffected youth thanks to The Perks of Being a Wallflower, which he adapted from his own novel. Via the same film, he also has form with oversimplifying details to evoke strong emotional reactions. That's Dear Evan Hansen all over, no matter how unconvincingly it tries to be an uplifting tale of self-acceptance. Platt's casting doesn't help; he played a college student almost a decade ago in Pitch Perfect, and was never going to pass for a high schooler under a camera's gaze, especially with such emphatic and mannered overacting. He's inescapably forceful, appears to think he's still in a theatre and really just resembles an adult satirising teens. While Dear Evan Hansen sings heartfelt ballads about sociopathic behaviour, and bakes cognitive dissonance deep into its frames as a result, it'd be far too magnanimous to see Platt's performance as a response to the musical's many thematic and tonal mismatches. His co-stars can't save the film, but they surround him with far better work — especially from the reliably impressive Dever, plus Adams and Moore making the most of their thin parts, and also Amandla Stenberg (The Eddy) as one of Evan's high-achieving but also struggling classmates. Those standout supporting performances illustrate one of the movie's most unfortunate traits, apart from the story it's working with: its constant and incessant self-sabotage. Among the cast and the film's aesthetic choices, there's occasionally enough that hits its marks, but that can't balance out everything that doesn't. The fluid and kinetic camerawork busted out for early number 'Sincerely, Me' delivers another prime example, noticeably contrasting with the feature's otherwise static look and mood — only for the latter to return once it's done. Of course, lively cinematography and choreography could never overcome Dear Evan Hansen's questionable narrative and wildly misplaced sentiments, or its misfire of a central portrayal, but so many of the picture's choices feel like it's writing hate mail to itself.
Over-the-top food and drink mashups might be popping up on seemingly every menu these days, but one has been around for much, much longer. That'd be the humble shandy, which mixes beer with something that's definitely not beer — something lemon-flavoured, usually — and makes for perfect summer sipping. Why just knock back a brew when you can also be drinking mango juice, ginger beer and squash? That's the thinking behind The Bavarian's summer shandy series — although no, you won't be downing all of the above ingredients at the same time. Instead, those tipples and a heap of others are featured in nine different shandies, which'll set you back between $10–15 each, come in 500-millilitre steins and are available all summer long. On the menu: the Summer Mango, which combines Franziskaner Hefe Weissbier with mango juice; the Michelada, a blend of 4 Pines Kolsch, bloody mary spiced juice and lime juice (with a chilli-salt rim); the Nightcap, which pairs Hofbrau Dunkel with coffee liqueur; and the Snake Bite, a mix of Bulmers apple cider, 4 Pines Kolsch and Chambord. Butterscotch, apple rye spice, whiskey and ginger, and a tequila concoction are also available — the latter called the Largarita — because these shandies can also include liqueurs and spirits. You'll find The Bavarian at Eagle Street Pier, Chermside, The Barracks, Toowoomba, Sunshine Coast, Robina, Broadbeach, Coomera, Mackay and Rockhampton in Queensland.
UPDATE, February 15, 2024: The Sporting Globe x 4 Pines is still on its way. Head to The Sporting Globe's website for further details. For more than a quarter century, no stint in the Gold Coast was complete without a sighting of the Hard Rock Cafe's giant neon guitar. You might not have been heading to the music-themed bar and eatery. You mightn't have ever set foot inside it, in fact. But if you were in Surfers Paradise, you still saw the towering musical instrument. It also acted as handy meeting point, because everyone — tourists, locals and Brisbanites on weekenders down the coast — could instantly spot it. In 2022, Hard Rock Cafe said goodbye to its perch in the Paradise Centre on the corner of Cavill Ave and Surfers Paradise Boulevard, and its sky-high guitar has now said farewell along with it. But with that closure comes space for a new arrival: The Sporting Globe x 4 Pines, a brewpub offshoot of the sports bar brand, which'll launch its second-ever site with 4 Pines Brewing Company by summer 2024. The prime location is scoring a $6.5-million makeover, which will see it gain a microbrewery and the Gold Coast's largest island bar. 4 Pines will take care of the former, and its beers will pump through some of the venue's 80 taps, including special releases whipped up with Queensland in mind. Hard Rock Cafe wasn't small — it needed room to fit in all that music memorabilia — and The Sporting Globe x 4 Pines won't be either, accommodating 900 patrons. The brewpub will also feature a restaurant, with the menu yet to be revealed, plus function spaces. Swapping tunes for sports, patrons will be able to check out their favourite codes on 70 high-definition TVs, plus a nine-screen video wall. While sitting in The Sporting Globe x 4 Pines' signature booths, you'll also view touchscreen booth TVs. Although this is just the second The Sporting Globe x 4 Pines brewpub, with the first already operating at King Street Wharf in Sydney, The Sporting Globe brand spans 19 bars around the country. In Queensland, it boasts sites at Robina on the Gold Coast, plus Logan and Chermside in Brisbane, with all The Sporting Globe venues falling under Signature Hospitality Group. "The Sporting Globe has grown significantly since launching in Geelong 13 years ago, with an established venue network across Victoria, New South Wales and Western Australia, and a growing presence in Queensland," said The Sporting Globe's founder and CEO James Sinclair, announcing the new Cavill Avenue digs. "Iconic Surfers Paradise was a natural next step, and something the team and I have been working towards for a long time. The unique experience and vibe we create will be a major win for continued efforts to revitalise the precinct and re-establish Surfers as the original and true heartbeat of the Gold Coast," he continued. "4 Pines have an impeccable reputation for creating legendary beer and we look forward to another long and successful partnership based on big dreams and a shared vision for the venue." The Sporting Globe x 4 Pines brewpub is set to open on the corner of Cavill Ave and Surfers Paradise Boulevard by summer 2024 — we'll update you with an exact launch date when one is announced. Keep an eye on The Sporting Globe's website for further details in the interim. Hard Rock Cafe image: Mohd Fazlin Mohd Effendy Ooi via Flickr. The Sporting Globe x 4 Pines images: of the King St Wharf venue.
Good things not only come to those who wait, but great and downright excellent things do, too — at least where Harvest Rock's 2025 lineup is concerned. Unveiled two days later than initially planned, the full rundown of acts slated to play the two-day Adelaide music festival is a list to get excited about. There's no "someday" about when The Strokes will next be in Australia now: headlining Harvest Rock and doing an Aussie-exclusive show, they're the main event on Saturday, October 25. Harvest Rock has been teasing The Strokes' spot on the bill since it pushed back its lineup announcement. Now, Julian Casablancas, Nick Valensi, Fabrizio Moretti, Nikolai Fraiture and Albert Hammond Jr are indeed locked in. Also taking to the stage on the fest's first 2025 day are The War on Drugs, also doing an Australian-exclusive gig. Vance Joy, M.I.A., Lime Cordiale and Genesis Owusu will be wowing Saturday crowds as well, as will The Presets, The Jungle Giants, Cloud Control, Bag Raiders and more. If you're a fan of Wolfmother's self-titled debut album, you're also in luck: the Australian band will play it in full. Harvest Rock's Sunday, October 26 lineup boasts Jelly Roll as its headliner, followed by Royel Otis, Groove Armada doing a DJ set, Shaboozey, PNAU, Lauren Spencer Smith, Ruel and Sneaky Sound System — and others. The fest's second day is also scoring the Ministry of Sound Classical treatment, aka dance music hits played live by an orchestra. Before August arrived, no one was likely expecting to attend Harvest Rock this year. The travelworthy festival made its debut in 2022 and returned in 2023 for a second spin, but sat out 2024. Then came the welcome news that the event is back on the agenda for 2025, a comeback that not every fest that presses pause for a year manages (see: Splendour in the Grass, which announced its 2024 dates and lineup, then ditched its plans and didn't return in 2025 — and also Groovin the Moo going through the same cycle of reveals and cancellations, and also missing 2025). The venue for Harvest Rock: still Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina. When the event was first born, hailing from the Secret Sounds crew — who were also behind Splendour in the Grass — it not only aimed to get everyone dancing in a park in Adelaide each spring, but also delivered a weekend-long blend of music, food and wine. That's once more the setup. Accordingly, the festival also spans Adelaide's top restaurants and eateries serving up dishes, a culinary-focused stage and wine tastings. In 2025, the Amuse-Bouche Stage is part of the lineup, for instance, bringing together culinary figures, podcasters and comedians — with Ben Harvey and Belle Jackson, Nat's What I Reckon, the Marmalade trio and folks from the music bill also featuring. For a bite and a sip, Wildwoods & Cellar Door by Duncan Welgemoed & Nick Stock, Denny Bradden's Dirty Doris Diner, Regent Thai, Africola Canteen, Anchovy Bandit and Gang Gang are among your options. And, label-wise from the vino selection, so are Ochota Barrels, Yangarra, Basket Range Wines, Murdoch Hill, Grant Nash, Sherrah, S.C.Pannell / Protero, Shaw + Smith / Other Wine Co, Henschke, Les Fruits / Parley, Bloomfield, Stoke Wines, Worlds Apart, Koerner, First Drop, Torbreck, Adelina and Champagne Taittinger. [caption id="attachment_1017207" align="alignnone" width="1920"] Jimmy Fontaine[/caption] Harvest Rock 2025 Lineup Saturday, October 25: The Strokes The War on Drugs Vance Joy M.I.A. Lime Cordiale Wolfmother The Presets Skream & Benga Genesis Owusu The Jungle Giants Cloud Control Vacations Bag Raiders (live) Teenage Joans Divebar Youth Sunsick Daisy Oscar The Wild Any Young Mechanic Sunday, October 26: Jelly Roll Royel Otis Ministry of Sound Classical Groove Armada (DJ set) Shaboozey PNAU Lauren Spencer Smith Ruel Sneaky Sound System The Dreggs Drew Baldridge Julia Cole Folk Bitch Trio Mild Minds Anna Lunoe Velvet Trip Towns Coldwave Colter Apollo Amuse-Bouche Stage lineup: Hosted By Ben & Belle Nat's What I Reckon Marmalade Artist Appearances and more to be announced Food: Dirty Doris Diner Regent Thai Africola Canteen Anchovy Bandit Gang Gang & Many More Wine: Adelina Basket Range Bloomfield First Drop Grant Nash Henschke Koerner Les Fruits / Parley Murdoch Hill Ochota Barrels S.C.Pannell / Protero Shaw + Smith / The Other Wine Co Sherrah Stoke Wines Taittinger Torbreck Worlds Apart Yangarra Harvest Rock 2025 is set to take place across Saturday, October 25–Sunday, October 26 at Rymill Park / Murlawirrapurka and King Rodney Park / Ityamai-itpina, Adelaide. Head to the festival's website for further details — with presale tickets available from Tuesday, August 19 and general sales from Wednesday, August 20. The Strokes top image: Jim Bennett/Getty Images. Harvest Rock images: Ian Laidlaw / Mitch Lowe / Zennieshia Butts.
If you're in Brisbane and you spend the first day of 2026 catching Dom Dolla, Kid Kudi and Addison Rae — plus Chris Stussy, KETTAMA, Luude, 070 Shake, Balu Brigada, Cassian and more — you'll be starting the year in quite the memorable fashion. If you're in Perth and you dedicate Saturday, January 3 to the same, you will be, too. Your destination: Wildlands, which has dropped its 2026 lineup. Some music festivals spark a fear of missing out, usually thanks to a stacked roster of acts in one set location. Others help solve that feeling. For those in Brisbane and Perth, Wildlands falls into the second category if you've been watching announcements roll in for Beyond The Valley and Lost Paradise. Plenty of the folks on both of those event's bills are now also heading to Queensland and Western Australia. [caption id="attachment_1005090" align="alignnone" width="1920"] shevindphoto[/caption] Wildlands' Sunshine State stop has moved a day from its usual timing — swapping ending one year with starting the next one. Brisbanites can put Thursday, January 1 in their diaries, then, with Brisbane Showgrounds playing host to the fest. The change of date was made to ensure that all headliners could hit the stage in peak slots. In Perth, Wildlands has always made its way into town in the early days of the new year, so 2026 is no different. Arena Joondalup is again the festival's home, this time on Saturday, January 3. Channel Tres, Fcukers, Miss Kaninna, NOTION and sim0ne are just some of the other names on the lineup, with everyone on the bill set to benefit from new stage designs. One example: a new 360-degree in-the-round stage with raised dance floors. Brisbane first welcomed Wildlands to the city at the end of 2019, with the teams behind Victoria's Beyond The Valley and Perth's Origin Fields fests giving the Queensland capital a big new summer party. Then, it was over the summer of 2022–23 that the festival expanded to Perth and Adelaide as well. Adelaide's event isn't happening in 2026, however. [caption id="attachment_1018445" align="alignnone" width="1920"] Dillon Matthew[/caption] Wildlands 2026 Lineup Dom Dolla Addison Rae Kid Cudi Chris Stussy KETTAMA Luude 070 Shake NOTION SOTA Cassian Channel Tres Balu Brigada Fcukers Jazzy ZULAN sim0ne TEED RONA. Miss Kaninna WAX OFF Willo Mincy Mowgli May Wildlands 2026 Dates and Venues Thursday, January 1 — Brisbane Showgrounds, Brisbane Saturday, January 3 — Arena Joondalup, Perth Wildlands will hit Brisbane and Perth in January 2026. Head to the festival website for further details and tickets — including registering for presales, which start at 6pm local time on Tuesday, August 26, 2025. Wildlands images: Matija Smojver, Brendan Cecich and zanetaprell.
Fancy a journey without the actual need to travel? Then venture to the Old Museum where The Middle East will be performing as part of their national tour to promote their latest album release, I Want That You Are Always Happy. Co-mixed, produced and recorded by Mark Myers, the album debuted and peaked at number 11 on the Australian Album Charts. The Middle East was initially formed in Townsville in 2005. For a band with such humble beginnings, they have since gone on to play on national radio (Triple J) and at major musical festivals (Splendour, Big Dry Out, Big Sound and the Woodford Folk Festival included), and have also toured internationally. But now they’re back after working on their latest album and a brief band split. Their show at Sydney’s The Metro is already sold out and tickets to the Old Museum are going fast. They’ll be backed up on their tour by support acts, Leader Cheetah and Grand Salvo. We’re just happy they’re back together and playing some sweet music again. Catch The Middle East in Brisbane for one night only. Oh, and keep an ear out for Jesus Came To My Birthday. You’ll recognise it once you hear it. It’s going to be your new favourite song.
When spring hits Brisbane each year, it doesn't just herald the arrival of warmer weather and blossoming jacarandas. For most of September, it also means that Brisbane Festival is here. Over the first few weeks of the season, the citywide event brings a swathe of performances, concerts, art and other activities to town — and, following a smaller-scale event in 2020, this year's fest will be back doing what it does best. The full 2021 lineup hasn't been announced as yet, and won't be until next moth; however, that doesn't mean Brisbanites can't start getting excited already. Over the past few months, Brisbane Festival has been revealing bits and pieces of its program or this year. From returning favourites and stage productions that were supposed to happen last year to new shows glare, there's plenty to look forward to. 2020's Street Serenades — a series of street parties and gigs in Brisbane suburbs — is making a comeback, so you can expect to hear live tunes and see engaging performances across the city's 190 neighbourhoods once again. The program is dedicated to popping up in every one of the nearly 200 suburbs around town, in fact, with this year's event gaining additional funding. Something that Brisbanites have also already heard about: the long-awaited stage adaptation of Boy Swallows Universe, which was first announced back in 2019. It was actually meant to premiere at Brisbane Festival in 2020, until the pandemic hit, and will now take to the stage this year. And, in the just-announced camp, Bris Fest will get everyone thinking about a certain suave espionage agent — which'll be rather timely given that pandemic-delayed Bond flick No Time to Die is finally set to hit cinemas later this year. Here, though, the 007 action comes courtesy of The Little Red Company. In a show called Skyfall, performers Naomi Price and Luke Kennedy will pay homage to the cinematic spy by crooning tunes, including past Bond themes by Shirley Bassey, Tom Jones, Nancy Sinatra, Gladys Knight, Paul McCartney and Adele. For their gigs, they'll also be giving the South Bank Piazza a makeover, turning it into a Monte Carlo-style club. [caption id="attachment_816003" align="aligncenter" width="1920"] Dylan Evans[/caption] Also on the bill: Kate Miller-Heidke, who'll kick off her new national tour at the festival; Client Liaison, playing The Tivoli; Jess Hitchcock's Songs That Made Me; and Dead Puppet Society's new production Ishmael, which'll have its world premiere. As for what else you'll be seeing and hearing between Friday, September 3—Saturday, September 25, that'll be revealed mid-July. Brisbane Festival will run from Friday, September 3—Saturday, September 25, with the full program announced on Tuesday, July 14. For further details, keep an eye on the festival's website.
If you spend your weekday working hours in Brisbane's CBD, you're likely always looking for ace coffee spots. Everyone has their favourites, but variety is the spice of life and the best way to break up the nine-to-five grind. So, from mid-March, you might want to add inner-city newcomer Lait Noir on Edward Street to your caffeine-and-pastry rotation — especially if you like filling your breaks with sleek surroundings. Feel like getting a taste of Paris over a Toby's Estate coffee and a raspberry almond coconut tart, too? That's also on the menu at this fresh addition to 144 Edward Street, which is taking over the space previously home to Roll'd Vietnamese. Lait Noir takes its cues from French cafes, complete with luxe decor designed by Outkast. Here, you'll get a caffeinated brew beneath seven-metre-high ceilings and over A-grade marble bench tops. "I have lived in Brisbane for ten years, and there has never been a go-to destination for takeaway or dine-in on the finer side in the CBD," says Charlotte Bourguignon, Lait Noir's Operations Manager. "We will launch Brisbane's first Parisian-style dining with guests able to watch the hustle and bustle go by from their seat." "We are so proud to be opening our doors for workers, visitors and locals to experience a little bit of Paris, right here in the CBD. We pride ourselves on quality and service, with all of our pastries and desserts made with true French ingredients from some of the best French suppliers in Brisbane. Our oven is world-class and trust me when I say all of Brisbane need to taste one of our pies." [caption id="attachment_891100" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] That oven is Queensland's first Unox Speed-X oven, and it'll be pumping out a hefty range of baked goods. Lemon muffins, apple tarts and mini French doughnuts sit among the sweet bites, while quiches, frittatas and beef bourguignon pie are highlights from the savoury range. And, from a dessert-focused range, lemon meringue tarts, passionfruit tarts, choc-fudge caramel brownies and carrot cake are sure to tempt tastebuds. Lait Noir will also do salads, including a roasted vegetable option, plus sandwiches, toasties and wraps. The cheesy egg and bacon croque toastie instantly sounds like a must-try. If you happen to work in the building, it's also planning to do a concierge service for tenants. [caption id="attachment_891101" align="alignnone" width="1920"] Kgbo via Wikimedia Commons[/caption] Find Lait Noir at 144 Edward Street, Brisbane, from mid-March — operating from 6.45am–5pm Monday–Friday.
If your Easter routine usually involves a seafood feast, then you might want to make a date with a certain Kangaroo Point fish 'n' chippery this year. From Friday, March 29–Sunday, March 31, One Fish Two Fish is serving up plenty of the ocean's finest for the occasion, all as part of a $95 four-course meal that starts with seafood platters and remains just as indulgent from there. In the past, One Fish Two Fish has called this yearly feast Great Friday; however, in 2024 it's keeping the specials going for three days. So, the name still applies, but it's a whole-weekend deal. That means more chances to head along. Those platters are made to share, and come stacked with pacific oysters, Moreton Bay bugs, cooked Mooloolaba prawns, blue swimmer crab and green-lip mussels. Next comes pineapple and mint granita as a palette cleanser, then grilled goldband snapper with Amalfi salad. We've only listed three rounds so far, with the fourth course getting sweet. To wrap things up, you'll be tucking into hot cross bun bread and butter pudding. If you're keen to eat in, you'll need to book a spot for one of five sittings: 11.30am–1.30pm, 2–4pm and 5.30–7.30pm on Friday; and 12–2pm on both Saturday and Sunday. There's also a takeaway menu featuring fish 'n' chip fare, and a different Easter treat across Saturday–Sunday: $25 lobster croissants.
Is sand crab lasagne Queensland's most famous dish? Since the early 90s, when Gillian Hirst put it on the menu at the now-closed Il Centro on Eagle Street, the seafood spin on an Italian staple has been a firm Sunshine State favourite. Your latest spot to tuck in: West Village in West End, which has added both Zazu Dining & Bar and Hirst's lasagne to its ever-growing culinary offering. Already home to Ippin Japanese Dining, Italian Street Kitchen, Yamas Greek + Drink, Picnic Cafe, Kurtosh, Anita Gelato, Nodo Donuts, Beirut Bazaar and more — with Rich & Rare on the way, too — the Boundary Street precinct has welcomed this newcomer on the corner of Mollison Park. Zazu Dining & Bar's menu heroes pan-Asian and modern European fare, which means tucking into tiger prawn cone spring rolls, Balkan-style beef and pork kebabs, six types of oval-shaped pizza and three kinds of dumplings, as well as bao, carpaccio and chicken karaage. Other Zazu Dining & Bar highlights include oysters with creme fraiche or pickled jalapeno and chilli floss, crispy duck pancakes, glazed pork hock pancakes and a one-kilogram slow-cooked lamb shoulder. And the lasagne? It comes in a 500-gram serving with abalone cream and black caviar, and is recommended to be shared. The dessert lineup dishes up vanilla cheesecake, sorbet and chocolate fondant — and there's no shortage of indulgences on the cocktail roster. Three daiquiris (strawberry, mango and passionfruit) sit alongside six martinis (classic, French, espresso, spiced rum espresso, passionfruit and pink lychee), three negronis (classic, silver and cloud) and five margaritas (classic, chilli, strawberry, flamingo and Tommy's), for starters. Wondering what a cloud negroni is? It's topped with pineapple foam, crushed chocolate and crushed honeycomb. From there, you can also sip whisky sours, old fashioneds, mojitos, cosmopolitans and more. A number of the cocktails also come in mini versions if you're only after a smaller beverage. A hefty 90-plus-option wine menu, an array of spirits and beers, and also mocktails round out the drinks list — with the vino choices on the eye-catching wine wall spanning the globe but also favouring Australian drops. Design-wise, Zazu Dining & Bar's look is sleek, featuring glass, black, grey and greenery aplenty. Mood is a big focus here, with noise and lighting sensors to help. And, if you've got an occasion to celebrate, the venue also includes a sunken private dining room and a mezzanine function space. Find Zazu Dining & Bar at West Village, 97 Boundary Street, West End — open from 11.30am–late Monday–Sunday.
Australia's much-loved cook, author, restaurateur and The Great Australian Bake Off host Maggie Beer is helping you become a culinary whiz while you're spending more time at home. So, next time you're reaching for the instant noodles, do yourself a favour and turn to Maggie. Dubbed Cooking with Maggie, the series features the cooking legend whipping up delicious dishes in her Barossa home. She'll be putting up a new video every day via Instagram or Facebook, showing you how to make an easy rustic-style dish in under 20 minutes. From eggplant and eggs to a caramelised onion and Persian feta side dish and Maggie's take on a panzanella salad, every recipe uses simple ingredients, which you probably already have most of sitting in your pantry. Otherwise, a quick trip to your local grocer — or your garden if you've a green thumb like Maggie — will sort you out. But perhaps best of all is watching Maggie in her own kitchen, offering up little wisdoms. Her enthusiasm and charm is undeniable and will warm your soul. So, even if you're not looking for dinner inspiration, you may want to watch the affable cook anyway. Because, we're all in need of a little comfort — food or otherwise — right now. https://www.facebook.com/OfficialMaggieBeer/videos/242070486919378/
"What are you up to?". It's a familiar question and, when asked by a friend, it's a considerate and good-natured query that shows their genuine interest. But when it's posed by the wrong person, it comes loaded with expectations and inherent judgement — like the type you might find at a gathering of family members and life-long family pals who've turned their gaze in your direction because you're at the age where interrogating every inch of your existence has become their preferred form of sport. In Shiva Baby, this question comes in multiple ways and is asked multiple times. Attending a shiva, the wake-like mourning ritual observed in the Jewish faith, college senior Danielle (Rachel Sennott, Call Your Mother) is on the receiving end of this barrage. Stuck in a house full of enquiring minds, she feels every needling probe thrust her way by relatives and friends of relatives, all asking about her life, future, job, studies and romantic status, and even her weight. She's trapped in an everyday, immensely relatable situation, of course, but one that's never anything other than awkward — and first-time filmmaker Emma Seligman ensures that her audience feels every second of Danielle's discomfort. Danielle doesn't quite know how to answer the onslaught, partly because she doesn't want to and feels as if she shouldn't have to. She's right, obviously. Hours earlier — with the film's blackly comic dramas occurring over a single day — she was happily astride the older, richer Max (Danny Deferrari, Private Life) in a lavish Manhattan apartment. That's how Shiva Baby opens, and he gifts her an expensive bangle afterwards, as well as cash as payment. To her parents and relatives, she refers to her job as "babysitting". The film never intimates that Danielle is ashamed of doing sex work, and refreshingly so, but it gives the impression that she'd prefer not to have a conversation about it with all the busybodies already poking their noses in her direction. Accordingly, she doesn't explain that she missed the funeral because she was having sex. When she arrives at the shiva with her parents Debbie (Polly Draper, Billions) and Joel (Fred Melamed, WandaVision), she has to ask which distant relative died more than once. A recent NYU graduate in her mid-20s, Seligman writes and stages this whole scenario with the specificity of someone who knows the claustrophobia, tension, horrors and social distress these gatherings can inspire, and the cringing that happens deep inside every time. She also knows that there's never just one complication, or even just a couple. As Danielle navigates all that quizzing, she's also confronted with two people she'd prefer not to see: Max, who has his wife Kim (Dianna Agron, Glee) and their baby daughter in tow; and Maya (Molly Gordon, The Broken Hearts Gallery), her ex-girlfriend from high school who's now bound for law school. According to the Greek chorus-esque throng of voices always nattering throughout the event, Maya has done better for herself out of the two. Again, that's the level of gossiping and judgement that surrounds both women. Seligman is careful not to buff down Danielle's edges or flaws, though. This isn't a tale about a preposterously perfect millennial forced to deal with grating but societally sanctioned scrutiny, but rather a movie about someone complex, full of contradictions, sometimes smart and savvy, sometimes immature and reckless, and always just as easy to empathise with as wince at. It charts how she struggles through everyday woes that we all have, but in a microcosm of a situation. Shiva Baby is an exceptionally written film, and an astutely penned one, as proves evident in every word Danielle utters and every sentence directed her way. That's also apparent in the reality that everything around Danielle just keeps escalating in an instantly recognisable fashion. We've all been there, and more than once, even though most of us haven't stood in these exact shoes. Seligman isn't the first filmmaker to spin a cinematic tale that's exactingly, intimately specific, and also proves universal again and again. She taps into that juxtaposition masterfully, however — just as that very combination made Greta Gerwig's Lady Bird the heartfelt and honest movie it was, and this year's Oscar contender Minari by writer/director Lee Isaac Chung, too. Shiva Baby feels authentic and lived-in, which is what nudges everyone watching to feel as if they've lived it as well, and to see clear parallels with their own experiences. The roving and floating camerawork, bobbing in and around the assembled crowd all cramped within one ordinary house, helps considerably. It aims to get viewers seeing the chaos from Danielle's perspective, and achieves that goal with every shot. The fact that the score ramps up the unease, its strings rattling nerves just as effectively as every incident and altercation at the shiva, is one of Seligman's other immersive and well-executed flourishes. From the way that she radiates both stress and aimlessness in her posture, to her deadpan facial expressions, Sennott's layered performance is unsurprisingly crucial, too. Danielle is such a ball of jostling traits that even the slightest tilt in a direction other than the multitudes seen here could've upset Shiva Baby's entire mood and impact. Also outstanding is Gordon, who has stolen scenes in Booksmart and Good Boys in the past, and makes this much more of a two-hander than it might've played otherwise. Shiva Baby is a comedy, and plenty of that humour comes from how Sennott and Gordon weather a mundane but also gut-wrenchingly painful social situation with the full knowledge that their characters can only hope to simply get through it. This is a movie that lives and breathes the idea that sometimes laughter is the only option, in fact. It's anxious and nerve-wracking, and also witty and entertaining — and it leaves no doubt that Seligman, Sennott and Gordon all have big futures. They'd still all likely cringe if you asked them "what are you up to?", though.
When you want to get wet on a whim in Tropical North Queensland, head to Crystal Cascades. This stunning swimming spot is a popular place for locals to plunge and it's located only a 20-minute drive from the Cairns CBD. Crystal Cascades boasts a series of swimming holes and waterfalls that tumble down the mountain in a section of Freshwater Creek. If you don't feel like walking far, cool off in one of the cascade's lower pools. Or, if you're keen for a longer stroll, head to the top to take a dip at the larger waterfall at the track's end. The arching rainforest canopy provides for shady swimming and the granite boulder-filled creek helps to keep the pools cool year-round. There are picnic tables and barbecue facilities available too, so pack yourself some seasonal tropical fruit to refuel after all your waterfall exploration.
Maybe you're still planning your winter getaway. Perhaps you're already thinking about spring holidays. Or, you could just be keen to grasp any excuse to take a vacation. Whichever fits, as long as you're eager to spend your next break somewhere in Australia — which still gives you a heap of options — then Jetstar has the sale for you. On offer: domestic fares from $35, which spans trips from Sydney to Byron Bay. The rest of the prices are still cheap, however, and the list of destinations is sizeable. The Gold Coast, the Sunshine Coast, the Whitsunday Coast, Hamilton Island, Hobart, Launceston and Uluru are all covered, and all the usual capitals as well, with prices and routes varying depending on the departure point. Dubbed Jetstar's mates' rates sale, this batch of discounted fares includes $62 flights from Sydney to Melbourne, and $110 fares from the Harbour City to Cairns. From Victoria, prices kick off at $39 to Tasmania, and also cover $141 legs to Margaret River. Brisbanites can go to Mackay for $65 and Darwin for $106, too. From Adelaide, deals include $49 to Melbourne and $101 to the Sunshine Coast, while Perth's options start at $149 to Brisbane — and that's just the beginning of the sale's fares. You will need to be happy to head away from July 23–September 20 or October 11–December 12, though. Dates for sale flights also vary depending on the departure and arrival points. There are a few rules, as is always the case. All sale fares are one-way, and they don't include checked baggage — so you'll need to travel super light or pay extra to take a suitcase. Jetstar's mate's rates sale runs until 11.59pm AEST on Tuesday, June 20 — or until sold out, if snapped up earlier. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
For eight years now, being in the room where it happens has been the only thing that's mattered in musical theatre. Back in February 2015, Lin-Manuel Miranda's Hamilton officially opened off-Broadway. By July the same year, it was previewing on Broadway itself. The rest is Tony-, Grammy-, Olivier-, Drama Desk- and Pulitzer Prize-winning history — including a stint in Australia since March 2021, starting in Sydney, then playing Melbourne and now treading the boards in Brisbane. Anyone lucky enough to be in the room where Hamilton has been happening — and everyone who has watched the smash-hit show in its filmed form, too, courtesy of a recording from 2016 that's been streaming on Disney+ since 2020 — has experienced a phenomenon. They've also enjoyed a crash course in American history, no matter where they're from or where the musical is playing. That's always been part of the excitement for Miranda, who made the trip to Australia over the weekend of Saturday, March 4–Sunday, March 5 to be in the room where the Aussie production's Brisbane leg is happening, much to the delight of Sunshine State audiences. "My kind of dirty secret answer is we don't know much about American history in America," Miranda advised at a press conference to discuss the show. "I didn't learn any of this. All I knew about Hamilton when I picked up that book was that the dude was on the $10 bill. I knew his son died in a duel because I wrote a report about him in my junior year. I knew his son died in a duel and that he died in a duel in nearly the same spot three years later." Miranda is talking about American Founding Father Alexander Hamilton, of course, and about the Ron Chernow-penned 2004 non-fiction book about him that Hamilton is based on. After finally seeing the Australian show, which features Jason Arrow as Alexander Hamilton — the role Miranda originated — the acclaimed talent chatted through the musical's beginnings, its commitment to diversity, his songwriting process and more at a Brisbane press conference. STEPPING BEYOND WELL-KNOWN US HISTORY — AND CHALLENGING WHOSE STORIES GET TOLD Most folks don't take someone they've vaguely heard of at school and turn their tale into the biggest musical of the 21st century. Miranda isn't most folks, clearly. Armed with exactly that amount of knowledge, Miranda began to adapt Chernow's book, a process that took seven years. At its centre: the Caribbean-born "bastard, orphan, son of a whore and a Scotsman", with Miranda's musical charting Hamilton's impact upon America from his arrival in New York in the early 1770s. As the show's opening number explains, Hamilton went on to become "the ten-dollar Founding Father without a father" — and also "got a lot farther by working a lot harder, by being a lot smarter and by being a self-starter". Bringing that tale to the stage wasn't just about picking a figure from US history and unpacking their tale, though, but also about exploring whose stories get told. "One of the secret ingredients in the recipe is my excitement in the fact that not a lot of people knew this story — at least, this is not a story I learned. We got a few highlights, but we didn't learn this story in our AP history classes. And so, I think that the story is just a compelling one, and I think one of the central themes in it is which stories get told and which don't depending on who survives us," Miranda noted at his Brisbane press conference. "And their reputations rise and they fall because people are complicated. There are no heroes or villains in this piece, there's just really flawed people making a really flawed country." "It's funny, the emails I would get when we first opened were always 3am emails. They weren't like 'thank you, I like your show, thank you for inviting me'. They were like 'what am I doing with my life?'. Because when you have a show that documents several lives over the course of many years, it makes you ask your own questions. And I think that's the secret also — it starts as being this very specific history piece, but it really invites you to think about what kind of legacy you'll leave." CREATING OPPORTUNITIES AND CHAMPIONING DIVERSITY Hamilton doesn't just question who gets immortalised in history, who becomes a mere footnote, who is forgotten and why. It also confronts and challenges how representation and diversity have typically been handled in theatre, in the tales told in general and in who's telling them. "It's my prerequisite for being in the room talking to you," said Miranda at the press conference about Hamilton's diverse casting, including in Australia. "I began writing musicals because I didn't see roles for myself in musicals." "I was in love with this art form, and at the same time I knew I don't dance well enough to play Bernardo or one of the Sharks [in West Side Story], and that's kind of all there is for Puerto Rican guys in musical theatre — it's just what there was, what existed," he continued. "So I really began writing the first show, In the Heights, out of this desire to write what was missing, and also represent my neighbourhood in a way that I didn't see it portrayed in mainstream media, to speak nothing of musical theatre." [caption id="attachment_846530" align="alignnone" width="1920"] Daniel Boud[/caption] "An amazing side effect of that, and with Hamilton, I realised that I'm trying to create opportunities in my shows. The concept of this piece is that we are living 200 somewhat years past when this story was told and the country looks very different than it did then, and so we get to tell this story with all its messiness — we get to tell it, too." "It also just gets us new stories. That's the other exciting part of it — to invite more people into the room means to invite new stories and to invite new narratives." [caption id="attachment_774807" align="alignnone" width="1920"] Hamilton filmed version courtesy Disney+.[/caption] FINDING HAMILTON'S SONGS ANYWHERE AND EVERYWHERE Hamilton's meaningful and essential aims will always remain crucial to its success. As anyone who has had 'My Shot', 'You'll Be Back' or 'The Room Where It Happens' stuck in their head knows, however — so, anyone who has ever seen Hamilton in any form, or even just heard its soundtrack — the show's songs are also pivotal. "I'm really egalitarian," Miranda explained about his songwriting process. "I'll take it whatever way it wants to show up. I do believe they show up, and different songwriters have different theories about it. There's the famous story of Michael Jackson's insomnia, and someone said 'Michael, why don't you get some sleep?'. And he said 'if I go to sleep, god will give the song to Prince'. I love that story." "Hamilton is a fantastic example where every kind of song got written in every kind of way," Miranda continued in Brisbane, giving examples. "'My Shot' took over a year, and it was six months before I even sat at a piano. It was very much a lyrics-first song, because I knew that my thesis was [that] Hamilton's the best writer of that circle, [so] his bars better be good. And I just worked on his bars because I wanted his bars to be good over this beat and this beat before I even put my hands on the keys." "'You'll Be Back' showed up on my honeymoon, without a piano anywhere in sight. The 'ya-da da-da da' got stuck in my head, and I think the reason it's so catchy is because I had to remember it for the two weeks I was in Bora Bora with my wife until I could get back to piano in the real world — because I was in a cabana." FINALLY MAKING THE TRIP DOWN UNDER TO SEE THE AUSTRALIAN CAST When Hamilton wraps up its Brisbane season at QPAC's Lyric Theatre on Sunday, April 23, the show will leave the country for a New Zealand run. Miranda acknowledges that he's left it late in the musical's Australian tour to make a visit — two years to the month it premiered Down Under, in fact — but, given the events of the past few years, there's a good reason for that. "Honestly, the timing was as soon as I could make it work," Miranda told the Brisbane press conference. "I think you guys know there was a moment during the global pandemic when Australia was the only company of Hamilton running in the world. That was a real beacon of hope to our actors and other companies that theatre would come back, and they'd hopefully be able to one day put on the show again." "But it was also harder to visit. You had a 14-day quarantine, and you had to really — that was the kind of time I didn't get to have, because I was writing, making and editing Tick, Tick… Boom!. So this has really been the soonest that I could see it. I made a promise to see the Australian company while it's still in Australia, and they're leaving soon, so I came as soon as I could." As every Aussie fan of Hamilton already knows, getting to see the musical is always worth the wait. "I mean, they're so fantastic," Miranda noted of the local cast, who he helped assemble virtually. "I remember seeing Jason Arrow's audition — it had to have been April or May of 2020, and it was around the time that we were watching and editing Hamilton for [the Disney+] release. So they were really stacking up against the originals in a very tangible way, and so we were really proud of the incredible company that we were able to put together from there locally." "Every original cast is like a four-minute mile," Miranda continued. "They said scientists proved you couldn't run the mile in under four minutes, and then someone did it, and then suddenly everybody's running it — and I feel like original casts are like that. It's impossible to find that first cast, and then it attracts the people who know they can do it." "So it's been wonderful to meet OG cast members last night, and also members who joined it in Melbourne or joined it in Sydney — they're really wonderful. I mean, I saw it last night, they're wonderful." Hamilton's Brisbane season runs until Sunday, April 23 at QPAC's Lyric Theatre, South Bank, with tickets available via the musical's website.
Think Capri, and you likely think of the island off Italy's coastline. Southeast Queensland also boasts the Isle of Capri, however, in the Nerang River on the Gold Coast. And it's there that you'll find your next spot for Southern California-meets-Mexican eats while peering at the water, with newcomer Isla Cantina opening its doors. Back in mid-2022, the Capri on Via Roma shopping centre was snapped up by Mulpha Hospitality Group, who is behind this new restaurant and bar as well. Isla Cantina is nestled next to Edgewater Dining & Lounge Bar, can welcome in 100 people, and sports a coastal-appropriate earthy and airy fitout by Brisbane-based architect and interior designer Simone Barr from DAARC — and, amid greenery and neutral hues, those views. Mark Marshall, Mulpha's Area Executive Chef for Queensland, has overseen Isla Cantina's culinary lineup, which unsurprisingly goes heavy on seafood given the venue's location. Fried red snapper tacos are a particular highlight, sitting alongside spanner crab tostadas, snapper ceviche, cachaca- and lime-cured ocean trout, and yellowfin tuna tiradito. If you're keen to venture beyond the ocean's finest, eight-hour slow-roasted lamb barbacoa, adobe barbecue chicken, and flank steak paired with bone-marrow butter, fire-roasted onions and tomatillo salsa are also on the menu, plus jackfruit carnitas. For dessert, options include barbecue pineapple, as well as the sweet-and-spicy blend that comes with chocolate and chipotle mousse. And, you'll also lean into a melange of flavours in the cocktail range, which is filled with drinks ready to be sipped on Isla Cantina's breezy deck. Authentic Mexican cocktails lead the show, margaritas obviously included, and also the paloma, and the beer-based chelada and michelada.
“Film in the hands of a great filmmaker has the power to change lives; the power to bridge cultural divides; the courage to explore and tell our stories; to inform and entertain; to deliver better understanding into hearts and minds.” The Asia Pacific Screen Awards (APSAs) are back for 2012 in all their diversity and richness. This year the QPAC playhouse will play host to filmmakers from over 30 countries in attendance for what is regarded as one of the region’s highest honours in film. Over the past five years, 180 films have been nominated for a prestigious APSA, all of which have and have been expected to exhibit its own unique story in its own way, based in its country of origin. To catch the APSAs, tune into the live webcast from 7pm.
Slotted into Fortitude Valley's rising skyline, Ovolo The Valley has long made soaking up the city sights a worthwhile experience. But now the five-star stay is bringing even more atmosphere to this elevated perch, launching the new-look Above Rooftop Pool & Bar on the seventh floor, blending Mediterranean vibes with homegrown hospitality. Open from Wednesday–Sunday, this openair retreat features a sun-soaked terrace and pool, made for relishing the long and sunny days. With enough space for 60 seated or 120 standing guests, this attention-grabbing spot will come to life as late afternoons stretch into golden evenings with mezze plates, live music and colourful cocktails. Leaning into Above's coastal ambience, a renowned food and beverage team featuring consulting chef Justin North, award-winning bartender Jake Down and head chef Kya Knights has shaped a bright and fresh experience. Intended for sharing, a refined yet approachable Australian-Mediterranean menu makes for easygoing dining high in the sky. Highlights include stone-baked pita with linseed and garlic oil, classic hummus drizzled with crunchy chilli oil, beetroot and bourghal spread, and kingfish ceviche with avocado and pickled cucumber. Drawing on experience in Michelin-starred kitchens and acclaimed restaurants like Bécasse, North is well-accustomed to curating a bold, but playful encounter. As for the drinks list, Down brings over 15 years of mixology experience to Above, with his CV including major national awards, like the 2024 Diageo World Class Bartender of the Year. Punchy and expressive, he delivers reimagined classics and daring signature cocktails elevated with dynamic ingredients such as pistachio, saffron, rose, lemon myrtle and desert lime. For Above, Down has created the Mirage, an adventurous blend of Belvedere Vodka, passionfruit, rose water and desert lime soda. Paying homage to Middle Eastern flavour combinations, this refreshing, layered concoction will undoubtedly go down easily in the heat of the day or with a cool evening breeze. Above Rooftop Bar & Bar is now open at Ovolo The Valley, 1000 Ann Street, Fortitude Valley. Head to the website for more information.
The days are getting longer, after-work swims are back, frangipanis scent the air, and we've officially completed the switch to iced drinks only. That can only mean one thing: summer has arrived. Like clockwork, MILKLAB's Summer Sensations program is back for another year to help us kick our coffee ruts aside with a season-defining new drop of drinks. Each year, the number one plant-based barista milk brand officiates the start of summer with a curated lineup of summer-approved drinks. Each drink has been developed with specialty coffee roasters Golden Brown Coffee to be equal parts delicious and aesthetic. If 2024 was the year of strawberry matcha and adding sparkling water to espressos, yuzu, and cold brew, what's in store for summer 2025? We asked MILKLAB for a sneaky first look at this summer's trending drinks, from matcha to coffee and beyond. Glazed Doughnut Iced Latte Hailey Bieber may have made us temporarily think of skincare when we think of glazed doughnuts, but this summer, that's about to change. Why? Because we're set to see the Glazed Doughnut Latte pop up on cafe menus everywhere and become your new summer sweet treat. Think espresso, white chocolate, and caramel shaken over ice until frothy and served alongside MILKLAB Macadamia on a hot summer's commute. If you've ever wanted to turn a doughnut into a drink, this is absolutely for you. Mango Matcha If matcha has become a part of your daily routine — and your entire personality — you will be thrilled to see the Mango Matcha popping up everywhere this year. Yes, it's time to bid farewell to the 2025 zeitgeist's favourite drink, the humble strawberry matcha. Just like your beloved iced matcha, this one comes with a hefty dose of everyone's favourite summer fruit, mango. Perfectly whisked matcha poured over ice, the right balance of MILKLAB Oat, vanilla, and a punchy layer of mango purée make this drink the perfect way to welcome summer. Who knows, you might even like it better than the strawberry version. Ube Matcha Ube has taken the drinks world by storm in Asia, and now it's Australia's turn. If you haven't seen it on menus yet here, prepare for its total takeover of cafes this year. The bright purple drinks are made with ube, a technicolour sweet potato native to the Philippines that has a nutty, earthy vanilla-like flavour. The ugly-on-the-outside and purple-on-the-inside vegetable is boiled down and turned into a delicious syrup, perfect for drinks. Think of it like one of nature's prettiest and tastiest sweeteners. This summer, find it adding a purple punch to your regular matcha — perfect if you're not a fan of overly sweet drinks. Almond Iced Pistachio Latte Pistachios have had one of the biggest years on record, soaring in popularity and becoming an ingredient in just about everything. Now that summer has arrived, you can expect to see it added to coffees. Different from the in-your-face flavour profile of Dubai chocolate, here you'll find the pistachio (and white chocolate syrup) whisked vigorously and dissolved into your espresso shot, meaning each sip tastes of the delicious ingredient we all can't get enough of. Then, it's topped with MILKLAB Almond and garnished with crushed pistachios and pistachio spread. Coconut Mango Frappe Just because you don't drink coffee doesn't mean you should miss out on having an ice-cold drink at a cafe this summer. Frappes are back in a big way this year, so prepare to see them on cafe menus across the country, and even bars for the sober-curious among us. Think of the Coconut Mango Frappe as the piña colada's daytime equivalent, but with mango. Mango, MILKLAB Coconut, coconut cream, ice and sugar syrup are blended up and served topped with shredded coconut and a lime wedge. Best enjoyed from a glass dripping with condensation when the mercury rises. Find your new summer obsession in store at your favourite cafe now, or head to MILKLAB's website for more inspiration.
Ever wondered exactly what goes into training a guide dog? Love the idea of cute pooches helping people? Eager to spend as much time surrounded by four-legged cuties as possible? You can tick all of the above boxes at the Guide Dogs Queensland Open Day — and, given that the organisation doesn't let people peel behind the scenes often, you'll be getting a glimpse at something extra special. From 10.30am on Saturday, September 7, you can see where the magic happens — where adorable pups grow into life-changing companions for people who are blind or vision impaired. You'll meet dogs of all ages, watch training demonstrations, learn your own name in Braille and discover how to navigate through an obstacle course without using your sight. You can also browse market stalls, grab a bite from the onsite food trucks and check out the live entertainment. For kids, there'll also be an inflatable zone. Tickets cost $10 for adults. The joy of being swarmed by so many puppers who'll go on to do so much good — well, you can't put a price on that. Image: Guide Dogs Queensland.
With your next dessert, you could help send a message to the Australian government about climate change. That's the aim behind Ben & Jerry's new limited-edition 'Unfudge our Future' flavour. Made with almond milk, the chocolate and peanut butter non-dairy ice cream features chunks of fudge brownies and peanut butter cookie dough and, as well as tempting your tastebuds, it's designed to raise awareness about the country's use of fossil fuels. The latest addition to the brand's range is specifically part of a campaign targeted at Aussie leaders, complete with personalised tubs created for Prime Minister Scott Morrison, Treasurer Josh Frydenberg and Minister for Energy and Emissions Reduction Angus Taylor. Ben & Jerry's has joined forces with 350.org Australia and the Climate Council, with all three are calling for the Australian Government to invest in sustainable and renewable energy in this year's budget, and to adopt a science-based approach to climate change in general. Accordingly, the flavour links in with a new section on Ben & Jerry's website that allows you to send a message to the Prime Minister, Treasurer and Minister for Energy and Emissions Reduction. And, for every punnet sold, Ben & Jerry's will also be donating part of the proceeds to 350.org Australia. It is hosting a virtual ice cream and climate change event on Thursday, August 20, too; however, because it includes free ice cream, registrations have already reached capacity at the time of writing — unsurprisingly. Fans of both non-dairy ice cream and fighting against climate change can pick up the new 'Unfudge our Future' flavour at Ben & Jerry's stores, as well as grocery and convenience stores around the country — and, via delivery services. For more information about Ben & Jerry's new limited-edition 'Unfudge our Future' flavour, and its campaign against fossil fuels, visit the brand's website.
As well as having a catchy name, Kangaroo Point's One Fish Two Fish always serves up a decent catch. If you're fond of shellfish, you'll particularly agree with that statement in July. On Friday and Saturday evenings until the end of the month, the seafood eatery is focusing on crab and crayfish. Just because it's winter, that doesn't mean you can't treat yo'self. The affordable option costs $49, and is dubbed the Feast of the Crab banquet. You'll tuck into tempura zucchini flowers filled with blue swimmer crab, then move onto charcoal bao stuffed with crispy soft shell crab, plus sriracha and lime slaw. Also on the menu: Fraser Isle spanner crab croquettes, as well as razor prawn ravioli with creamy spanner crab sauce. If you have some cash to splash, you can also opt for a whole mud crab that's tossed in a work with ginger, soy and Asian herbs, which costs $95 per kilogram. Or, munch your way through the whole grilled crayfish with your choice of confit garlic butter or housemade XO sauce, which comes in at for $195 per kilogram. Whichever Crab and Cray Cray Season special you pick, bookings are essential by contacting the venue.
The thing about the great outdoors is that there's a depth to it that photos and secondhand accounts can't fully capture — its full grandeur has to be experienced firsthand to be truly appreciated. Whether you're hoping to catch a glimpse of rare species endemic to the region, hankering after an adrenaline rush — or simply can't imagine a holiday without taking in the natural wonders of your destination, the landscapes of the American South are just waiting to be explored. In partnership with Travel South USA, we've curated a range of ways to get into the great outdoors in each of the South's nine states. Mammoth Cave — Kentucky A UNESCO World Heritage Site, Mammoth Cave is the world's longest known cave system, with over 400 miles (over 643 kilometres) explored. Visitors can take guided tours to marvel at its vast chambers, unique rock formations, and fascinating underground ecosystems. Not only is it the largest cave system in the world, it's also situated in a National Park that's ideal for hiking, biking and camping. Atchafalaya National Heritage Area — Louisiana One of the most ecologically diverse regions in the US is found in south-central Louisiana's Atchafalaya National Heritage Area. Not only is the Atchafalaya the nation's largest freshwater swamp, the twisting bayous are where alligators, raccoons, bears, catfish, shrimp, crawfish and over 270 species of birds call home. Within the swamp grounds, ancient oak trees and impressive cypress trees also tower — and can be seen when exploring the swamp on a guided tour either by boat or kayak. Whitewater Rafting in Almost Heaven — West Virginia For an experience that gets you out of your comfort zone and into the splash zone, take to West Virginia's river rapids. The state is home to world-class whitewater rafting, with the highest density of whitewater runs in the country. Beginners all the way through to rafting veterans are all welcome, with family-friendly fun and wild adrenaline-pumping adventures alike to be found in Almost Heaven's wide range of rivers. The rafting is so good in West Virginia that National Geographic crowned it a 2024 "Best of the World Experience". Loggerhead Sea Turtles at Edisto Beach State Park — South Carolina South Carolina's beaches are as warm as they are wide, and are home to a population of loggerhead sea turtles — one of the seven species of the beak-and-flipper-boasting marine reptiles worldwide. Female loggerheads return to the beaches where they were born to nest and every year between May and August, Edisto Beach State Park is home to returning loggerheads and hatchlings as they make their treacherous scurry out to sea. Ranger-guided nighttime beach walks during this period offer a chance to witness the baby turtles take their first breaths and first scurries firsthand. Katy Trail State Park — Missouri Built along the corridor of what was once the Missouri-Kansas-Texas railway, today the Katy Trail State Park is home to the longest continuous rail trail in the US — and an unrivalled way to witness the heritage of the state. The trail consists of 26 trailheads stretching over 386 scenic kilometres meandering through once-thriving small towns along the Missouri River, wine country in the state's east and rural farmland in the west. Hugh Branyon Backcountry Trail — Alabama Situated along Alabama's beautiful Gulf Coast beaches, the Gulf State Park spans a formidable 6150 acres (about 2500 hectares). Despite the size, the Hugh Branyon Backcountry Trail makes exploring this expanse of pristine nature much more accessible. Over 28 miles (about 45 kilometres) of paved trails it's possible to explore all nine of the distinct ecosystems that make up the State Park. There are a plethora of wildlife-watching opportunities and the trail is ideal for hiking and biking, making it a homegrown favourite that was crowned 2024's Best Recreational Trail by USA Today. Coastal Mississippi — Mississippi Mississippi's extensive coastline is a nature lover's playground. Whether by boat or on foot, there are breathtaking Gulf views to behold and a smorgasbord of experiences unique to the region, including the possibility of fresh local seafood in the catch of the day on a chartered fishing trip or shrimping excursion. The coast's many serene bayous and waterways are ideally suited for exploring from a kayak or paddleboard, while a boat ride is the best way to reach the Gulf Islands National Seashore's pristine beaches. Birdwatchers can flock to Pascagoula River Audubon Center to spot migratory species and there are countless coastal trails just waiting to be strolled along. WildSide in Pigeon Forge — Tennessee In the backyard of Tennessee's Great Smoky Mountains with over 18 miles (about 28 kilometres) of trails across 900 acres of terrain (about 365 hectares) lies WildSide, one of the ultimate adventure parks in the South. Head off-road on guided UTVs (utility terrain vehicles) or on a mountain bike for thrilling wilderness experiences to suit every skill level and appetite for adrenaline. Grandfather Mountain — North Carolina Standing at 5946 feet (1812 metres), Grandfather Mountain in northwest North Carolina is more than just the highest peak of the Blue Ridge Escarpment, which is itself one of the chains that make up the expansive Appalachian Mountains. With 16 distinct natural ecosystems, the mountain is classified as an International Biosphere Reserve owing to its rare plant and animal diversity, many of which are also endemic or endangered. The reserve has a multitude of hiking trails, opportunities to see local species in natural habitats and is also home to America's highest suspension footbridge. Find your next adventure in the South. Discover more unforgettable destinations and start planning your trip with Travel South USA.
It's the first Australian-produced show to win the Tony Award for Best Musical. It's based on an adored Baz Luhrmann-directed, Nicole Kidman and Ewan McGregor-starring film that celebrates its 20th anniversary this year. With its tale of star-crossed lovers set to a toe-tapping soundtrack, it's been a Broadway sensation — and it's finally opening in Australia. That'd be Moulin Rouge! The Musical — and, if you're as keen to attend its Melbourne premiere season as its central duo are about each other (and about professing their affection through song), then you just might be able to nab yourself a cheap ticket. As has happened with The Book of Mormon, Harry Potter and the Cursed Child and Hamilton, a ticket lottery is being held for the production's homegrown debut run. Via Today Tix, you can sign up for your chance to score a ticket for just $30. Yes, that figure is accurate. This is your spectacular (spectacular) chance to see the acclaimed screen-to-stage musical for less than the price of a dinner. To take part in the lottery, you will need to download the Today Tix app — which is available for iOS and Android — and submit your entry each week for the next week's performances. The lottery will go live at 12.01am every Thursday morning, starting from today, Thursday, November 11, with winners drawn between 1–6pm on the following Wednesday. If your name is selected, you'll have an hour to claim your tickets from when you receive the good news. If you need a reminder, you can also sign up for lottery alerts via Today Tix, too. Opening at Melbourne's Regent Theatre on Friday, November 12, Moulin Rouge! The Musical brings to life the famed Belle Époque story of young composer Christian and his heady romance with Satine, actress and star of the legendary Moulin Rouge cabaret. Set in the Montmartre Quarter of Paris, the show is known for its soundtrack, celebrating iconic tunes from across the past five decades. The film was, too; however, the stage version backs up the movie's tracks with even more hit songs that have been released in the two decades since the feature premiered. Usually, tickets will set you back $95–219 a pop — so the $30 lottery really is an absolute bargain. There's no word yet on whether Moulin Rouge! The Musical will head to other Aussie cities later on. It's possible, as other big musicals, such as The Book of Mormon, have — and Hamilton has announced a move from Sydney to Melbourne, too. But, if you don't want to risk it, those located interstate should to start planning a trip ASAP — we think it'll be more than worth it. Moulin Rouge! The Musical will make its Australian premiere at Melbourne's Regent Theatre from Friday, November 12. To enter the Today Tix $30 lottery, download the company's iOS or Android app, and head to the company's website for more information — and to set up an alert. Images: Michelle Grace Hunder.
Brisbane's getting another alcohol-fuelled brunch, and this one has a dress code — of leotards, lycra, spandex, leg warmers, and anything glittery, sparkly, shiny and neon. While you're channelling a thoroughly 80s vibe, teased hair won't go astray. Perhaps it'll even make you more aerodynamic on the roller rink. While it was originally planned for June, Sunday, August 11 is your chance to dress up in all of the above and strap on a pair of roller skates. You can't dance around a Roller Disco Brunch without them. When you're not busting out your smooth retro moves to plenty of the era's hits — yes, Cyndi Lauper songs will be given a spin by the DJ — you'll be tucking into a meal and quenching your boozy thirst. Tickets are on sale now, with multiple sessions taking place at Prohibition. Peachy keen, jelly bean? Aware that brunch doesn't have to happen before midday? You can book in for slots from 11am–12.30pm, 1–2.30pm and 3–4.30pm, which include unlimited pizza, bottomless bubbles and skate hire, all for $63. Fancy simply putting on some skates and getting active? You can do that from 5–6.30pm and 7–8.30pm for $31.50, with the fee also covering skate hire. Updated June 28.
When Moonlight Cinema returns for its 2019–20 season, the annual feast of outdoor movies will give film fans exactly what we all want. Sure, we're all keen to roll out our picnic blankets, sit under the stars and stare up at the big screen — but, given that this openair cinema launches at the end of each and every year, we also want Christmas movies. In the week leading up to the big festive day, Moonlight will screen Last Christmas, Die Hard, Home Alone, Love Actually and Elf. Yep, all the basics are covered. They're not the only highlights from the just-dropped November, December and January program, but they sure do twinkle brightly among a heap of other movie standouts. If you're wondering what else will tempt your inner cinephile from November 28 in Sydney and Melbourne, November 30 in Perth and December 14 in Brisbane, it's a lengthy list. With recently or newly released movies a big part of Moonlight's lineup, expect to watch Rocketman, Hustlers, Joker, Ford v Ferrari, Knives Out, Cats, Star Wars: Episode IX — The Rise of Skywalker and Charlie's Angels — and, in some cities, to see Brad Pitt twice thanks to Once Upon a Time in Hollywood and Ad Astra. Moonlight also showcases advanced screenings of upcoming films, so add the Nicole Kidman, Charlize Theron and Margot Robbie-starring Bombshell and Tom Hanks in It's A Beautiful Day in the Neighbourhood to your must-see pile. Going retro, the outdoor cinema will mark 20 years since Bring It On first waved its pom poms, step back into The Matrix in some cities, and revisit last year's A Star Is Born — as well as Bohemian Rhapsody in Sydney, Melbourne and Perth. Dirty Dancing is also on the bill, like every year — it wouldn't be a Moonlight without it. The February and March lineup will be announced on January 15, so there are even more movies to come. As always, Moonlight will also boast its usual food truck and licensed bar offering, and its reserved bean beds. You can also BYO booze everywhere except Brisbane — and bring your dog everywhere but Perth. MOONLIGHT CINEMA 2019 DATES Sydney: Nov 28–Mar 29 (Centennial Park) Melbourne: Nov 28–Mar 29 (Central Lawn at Royal Botanic Gardens) Perth: Nov 30–Mar 29 (Kings Park and Botanic Garden) Adelaide: Dec 13–Feb 16 (Botanic Park) Brisbane: Dec 14–March 29 (Roma Street Parkland) The Moonlight Cinema kicks off on November 28. For more information and bookings, visit the website. Top image: Moonlight Cinema Brisbane, Melbourne, Perth and Sydney.
It's a scientific fact that you can't have too much laughter — or if it isn't, it really should be. Giggling is good for you. A hearty laugh is a heck of a good workout. And checking out the hilarious stylings of up-and-coming comedians doesn't just offer amusement for eager audiences, but supports aspiring talent. That's what's on offer at Brisbane newest funny festival, which is called Bris Funny Fest, funnily enough. Until August 28, the fresh addition to the city's cultural calendar will showcase the comic stylings of a whole host of locals that aren't quite household names yet — but one day, they just might be. Check out caveman gags over jugs of beer, let improv masters get you guffawing, catch Brissie's take on a Chicago and New York comedy favourite, laugh along with amusing ladies, and see more sketches than Saturday Night Live has ever aired. Okay, so the last one is a bit of an exaggeration, but hey, whatever kind of comedy you're looking for, you'll probably find it here.
This year will be the return of international travel for many of us. After such a long time between global jaunts, you wouldn't be blamed for running away to Europe or the US. But there's plenty of fun to be had a little closer to home. Within a few hours, you could be sipping cocktails on a beach in Bali or eating your way around Tokyo. And that's only the beginning. Asia is bursting with diverse cultures, dramatic landscapes and delicious things to eat and drink — which you can experience for yourselves by booking one of these seven getaways via Concrete Playground Trips. [caption id="attachment_893314" align="alignnone" width="1920"] Daniel Bernard (Unsplash)[/caption] SOUTH KOREA FOOD AND DRINK TOUR Love your Korean fried chicken? Or your lunchtime bibimbap? Then you best check out this eight-day culinary tour that takes you from city restaurants to rural farms, trying some of the country's best dishes. Most of the tough travel decisions will also be taken care of during your vacay — hotels, local transport and a bunch of unique food and culture activities. It makes discovering the flavourful diversity and heritage of this rich culinary scene all too easy. BOOK IT NOW. THE ULTIMATE SEMINYAK ESCAPE If you're looking for a stylish stay in one of Bali's most sought-after locations, then Double-Six Luxury Hotel will likely be your jam. Raising the bar for beachfront luxury, this hotel is set along the iconic Double-Six Beach, within walking distance of some of Seminyak's best bars, restaurants and shopping streets. Serving up exceptional service alongside delicious eats and hand-crafted cocktails from four bars and restaurants, this five-star hotel has everything you need for a relaxing Bali getaway. But we aren't just getting you a room here. You'll also get daily breakfasts, one hour of free alcoholic and non-alcoholic drinks each day, a dinner for two at Suzie Q and vouchers for its spa. This is how you Bali. BOOK IT NOW. [caption id="attachment_893317" align="alignnone" width="1920"] Colin Meg (Unsplash)[/caption] EXPLORE THE BEST OF BORNEO'S NATURAL WONDERS Experience natural wonders and abundant wildlife only found in Borneo during this ten-day adventure. You'll hang out with orangutans in Sepilok, cruise along the Kinabatangan River, chill out on the stunning Manukan Island and get a taste of city life in Kota Kinabalu. It ticks off all the top spots in Borneo, while taking you to some hidden gems only known by locals. You'll also travel with a small group of fellow nature-loving travellers, making some new mates for life. BOOK IT NOW. [caption id="attachment_893088" align="alignnone" width="1920"] Jezael Melgoza (Unsplash)[/caption] TOUR FROM TOKYO TO OSAKA Home to sake, geishas, karaoke, kawaii culture and onsens, Japan's got a lot going for it. And on this nine-day trip, you'll get to see the country at its very best. Take in the neon nightlife of Tokyo, relax in the manicured gardens of Nikko and discover thousands of years of culture and history in Kyoto. Of course, no trip to Japan would be complete without trying a heap of local dishes, so world-class sushi, ravishing ramen and delectable donburi are all on the menu. Experience the culture and charm of the Land of the Rising Sun during this ultimate Japan holiday. BOOK IT NOW. [caption id="attachment_883655" align="alignnone" width="1920"] Tom Bixler (Unsplash)[/caption] AFFORDABLE LUXURY STAY IN LOMBOK We are obsessed with Lombok — Bali's less crowded neighbour. It has a high calibre of beaches, food and hospitality but at a significantly lower price point and with fewer tourists. To best take advantage of this stunning island, we teamed up with KU Villas Lombok to create three different travel deals. The first deal is the simplest and includes a two-night stay with daily breakfasts (for two people) in this lavish accommodation for just $105 a night. The second deal includes a three-night stay, private chauffeur, $200 credit for the clifftop SIWA Clubhouse, a one-hour massage for each guest and all your breakfasts — and is just $455 total for two people. And the third deal is $655 for all the same inclusions plus extra spa treatments. BOOK IT NOW. [caption id="attachment_893322" align="alignnone" width="1920"] Silver Ringvee (Unsplash)[/caption] IN-DEPTH CULTURAL TOUR OF VIETNAM Trace Vietnam's eastern coastline on this epic 15-day adventure, tackling the country from south to north and discovering the many wonders that lie along the way. From the modern chaos of Ho Chi Minh City all the way up to old-world Hanoi, you'll experience tumultuous history, colonial charm, vibrant colours, delicious food and inspiring scenery on your adventure. You'll join a boat cruise along the Mekong Delta, tour the backstreets of Hoi An with a local, enjoy a rural homestay in Da Bac and explore the beautiful karsts of Lan Ha Bay. If you've ever wanted to visit Vietnam, this is how you do it properly. BOOK IT NOW. [caption id="attachment_893321" align="alignnone" width="1920"] Marvin Meyer (Unsplash)[/caption] LAIDBACK BALI SURFING TRIP Calling all surfers. Or anyone who is keen to try surfing and isn't worried about looking like a fool while learning. This tropical getaway takes guests to Keramas, a somewhat sleepy surfer town in the south of Bali for three to seven nights. Dig into delicious dishes and poolside bites from Komune Resort and Beach Club, head out to tackle the four surf breaks right out the front of your hotel or take a stand-up paddleboard out for a ride (skipping the waves altogether). Whether you want to surf every day or just watch the surfers from your pool, this trip will have you sorted. BOOK IT NOW. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips to destinations all over the world. Top image: Nomadic Julien (Unsplash)
There is nothing worse than being stuck indoors, crammed in your grey cubicle staring at the boundless unread emails, and surviving on a diet of coffee and vending machine chips. Thankfully, Spring in Brisbane's CBD has offered the perfect workday solution. Located on the corner of Felix and Mary Streets, Spring provides an escape from all things bland and boring and offers you a warm, light and inviting dining space. Even in their busiest times, you can be guaranteed a speedy and delicious lunch. The pulled chipotle pork, guacamole and fresh tomato salsa baguette is as flavoursome as it is filling. The strawberry fool is rather the opposite of it's title, an elegant array of strawberries, passion fruit, berry jellies, meringue and marshmallow. Spring's staff are visibly passionate about their food and can confidently recommend menu items according to your needs and tastes. Overall, the atmosphere at Spring is what sets this gem apart from all the other dining options in the city. So leave your office dramas, stretch your legs and indulge in a little gourmet heaven.
As we're sure you've heard, Japan has quite a reputation as a travel destination. But even beyond the most hyped experiences — like eating endless bowls of ramen in Tokyo, walking among cherry blossoms with views of Mount Fuji, feeding deer in Nara — the country has an incredible array of lesser known regions that, if you cover, will take your holiday from great to practically life changing. For instance, the region of Tohoku in Japan's northeast is one of the country's less travelled but no less impressive destinations. It presents visitors with outstanding dining, unique stays and natural landmarks that'll blow your mind. So, if you truly want to make your next trip to Japan one to remember, consider riding the shinkansen (bullet train) just a couple of hours north of Tokyo, where you'll discover a wealth of experiences that you likely weren't aware existed (until now). VISIT AN ANCIENT EARTHQUAKE-PROOF PAGODA Found throughout Yamagata Prefecture, the Three Mountains of Dewa are considered some of the holiest anywhere in the country. And while Mount Haguro, Mount Gassan and Mount Yudono each provide a spectacular setting to explore during sun or snow, only the foremost has a 600-year-old pagoda buried deep within its cedar forest. Make your way down Mount Haguro's famous 2446 stone steps and you'll soon be surrounded by towering cedar trees. After a short walk, you'll come across the so-called Five-Storey Pagoda, which features an interior wooden pendulum that counteracts the shock of an earthquake. The pagoda dates back to the Heian Period (794–1185) and was rebuilt in the late 14th century — and it's been standing strong ever since. DO A FOUR-DAY PILGRIMAGE WITH A MOUNTAIN MYSTIC You'll also have the chance to reconnect with nature in the most fascinating way possible within the holy Three Mountains of Dewa. Link up with a mountain mystic such as Master Hoshino — a white-robed priest who teaches the ancient Japanese mountain religion known as Shugendo — and you'll learn about a range of traditional techniques to refresh your body and soul. This practice is called yamabushido. During your four-day 'journey', you'll hike a series of sacred trails, stay in a pilgrim lodge and try waterfall meditation. Shugendo dates back to the eighth century and combines elements of Shinto, Buddhism, Animism and mountain faith to explore ways to reduce excesses in day to day life. Here, you can try it for four days and see how you go. PRETEND YOU'RE WALKING ON THE MOON AT THIS EPIC CRATER Set along the border of Miyagi and Yamagata Prefectures, Mount Zao features some of Tohoku's most spectacular scenery. Besides the steaming hot springs and sprawling ski resorts that dot the landscape, the area's biggest draw is the renowned Okama Crater. Surrounded by three soaring mountaintops, the active volcano's distinctive shape has earned it the nickname of the 'cauldron'. Great to visit all year long, Mount Zao's steep landscape comes alive with alpine flowers during summer, while autumn reveals a charming smattering of red and yellow vegetation that contrasts with the turquoise crater below. SEE CONTEMPORARY ARTWORKS FROM YOKO ONO AND YAYOI KUSAMA Japan's well known for its forward-thinking tech innovations, but it's also the birthplace of some of the world's greatest contemporary artists. Featuring a permanent collection of 38 commissioned projects, the Towada Art Center, in Aomori Prefecture, is dedicated to showcasing many of the nation's top artists, alongside some international superstars, too. Inside, you'll come across an eclectic mix of installations by the likes of Yoko Ono, Ron Mueck, Yayoi Kusama and Ana Laura Aláez, among many others. With the gallery's airy, purpose-built design linked intrinsically with the outside world, there's a range of striking exhibition rooms, a café and a collaborative art space to explore. DISCOVER THE SECRETS OF SAKE AT A 400-YEAR-OLD BREWERY The precise origins of sake might still be something of a mystery, but who better to guide you through its ancient history than a producer who's been making it for more than 400 years? Situated in Yonezawa City, Yamagata Prefecture, the Toko Sake Museum highlights the work of Kojima Sohonten, a renowned sake brewery that, 24 generations on, is still owned by the original family. Inside the museum, you'll be guided through the traditional brewing techniques and tools that provide the foundation for the brand. Meanwhile, in the adjoining shop, you'll get to sample a variety of sakes and umeshu, a plum liqueur that'll please your tastebuds. STAY IN A HOTEL INSPIRED BY YAMAGATA'S NATURAL BEAUTY Shigeru Ban is perhaps one of Japan's more famous architects and was the brains behind some of the world's most beautiful buildings. Having moved to Yamagata in 2014, Ban was struck by the natural beauty of the area and soon set about translating this into the design of the Shonai Hotel Suiden Terrasse. With everything but the foundation and the building's core made out of wood, the entire two-storey structure is designed to sink into the surrounding rice fields, making for one very peaceful stay. Featuring stunning views of the mountains and fields in the distance, the hotel also has a luxe onsen and a restaurant serving local produce. SAMPLE JAPANESE VINO AT A RENOWNED WINERY Japan might be most famous for its rice wine, but those who love the grape-based variety are in for a treat — if they know where to look. During your visit to Tohoku, drop into Takahata Winery, in Yamagata Prefecture, and take your pick from some stellar vintages, which are produced from grapes surrounding the property or on a nearby farm. Inside the shopfront, you'll come across award-winning wines ranging from chardonnay and pinot noir to cabernet sauvignon. Plus, there's a host of locally produced cheeses and snacks to pair with your wine. Need more reasons to visit Japan's stunning Tohoku region? For more travel inspiration and to start planning your adventure, head this way. Top image: Okama Crater by Σ64 via Wikimedia Commons.
Back in 2021, news arrived that Round the Twist was joining The Adventures of Priscilla, Queen of the Desert, Muriel's Wedding, Strictly Ballroom, Starstruck and Moulin Rouge! in making the leap from Australia's screens to its theatres as a stage musical. If you've ever, ever felt like you needed to see the classic 90s and early 00s Aussie children's TV series with singing and dancing, the end result is debuting in Brisbane, with Round the Twist The Musical making its world premiere as part of Queensland Theatre's 2024 season. The homegrown gem has gone the screen-to-stage route with a show that already has the entire country well-acquainted with its characters. Taking over QPAC's Playhouse from Tuesday, November 12–Sunday, December 8, it closes out Queensland Theatre's 2024 run. We bet you're now more excited right now than a Twist family member in a lighthouse. Airing for two seasons between 1990–93, then another two from 2000–01, Round the Twist adapted Paul Jennings' popular books into an offbeat fantasy series. If you were the right age, it was must-see TV — and now it's your next must-see musical. Here's hoping that the new stage production not only does justice to the show that absolutely every Aussie kid watched in the 90s and 00s, and more than once, but that it taps into its balance of humour, strangeness and scares. There's definitely a big lighthouse involved, because of course there is. Obviously, we all know which song absolutely has to be included — and multiple times, ideally. Yes, it's the theme tune by Andrew Duffield that you've now got stuck in your head and will keep singing to yourself for the rest of the week. (And no, we're not sorry for putting it there.) Writer/composer Paul Hodge and director Simon Phillips (Muriel's Wedding: The Musical, Ladies in Black) are guiding the show, which will focus on single father Tony Twist; his children Pete, Linda and Bronson; and their efforts to save their home from the Gribble family while also attempting to solve a 200-year-old mystery. Expect haunted spaces, ghosts, smelly feet and a crystal ball as well, and songs. Images: Lyndon Mechielsen. Updated: Friday, November 22, 2024.
They're the masters of immersive thrills, such as smash-hit shipping container installations Seance, Coma and Flight — also known as the Darkfield series. But not even the folks at Realscape Productions are immune to the realities of pandemic life. They're currently locked down with the rest of Melbourne, putting their nerve-jangling real-life projects on hiatus until later in the year. Luckily, in the meantime, Realscape and Darkfield (UK creators) have teamed up for a brand-new audio experience fans can enjoy from the comfort of home. This one's called Double and, while it's delivered remotely, it's geared to be every bit as creepy and unsettling as its IRL predecessors. It launched on Friday, July 17 and is presented via the producers' new digital project Darkfield Radio. Like its siblings, it plunges participants deep into an immersive experience by perplexing the senses — this time, with the use of a 360-degree binaural sound, played through your own headphones. Double requires a two-person set-up, with players seated across a table from each other. The pair of you will then tune into a special 20-minute broadcast, at the exact time as hundreds of other players across the country. And there's just one rule to follow: everyone has to be who they say they are. True to form, the exact details are kept vague until you're living the immersion, but we do know Double pulls inspiration from the Capgras delusion, a condition which sees a sufferer convinced that a loved one has been replaced by an imposter (sometimes an evil-intentioned one). Prepare to have your truths shaken and the familiar warped, right there at your kitchen table. Top images: Alex Purcell
Every Friday night, you'll find Bibo Wine Bar's Head Sommelier Louella Mathews drinking wine with her regulars. COVID-19 hasn't gotten in the way of this tradition, either, with Mathews now recreating the experience for fans of the Double Bay bar via Zoom — with the help of some Bibo-like virtual backgrounds, of course. To help keep staff employed while the wine bar is closed to dine-in customers, Mathews and the Bibo team have launched Bibo at Home. Like many Sydney restaurants and bars, Bibo is currently offering takeaway and delivery meals — including an eight-course chef's menu for a very reasonable $50 — as well as wine and cocktails to go. But, Mathews has taken the at-home wine bar experience a step further and is now offering personalised wine boxes paired with one-on-one Zoom consultations. Called Sommelier's Choice, the personalised wine boxes with bonus human interaction were launched by Mathews in response to her "withdrawal from connecting with customers on the restaurant floor". Once you've connected with Mathews via Bibo, she'll set up a Zoom meeting (or phone call, or interview — "whatever they feel comfortable with") and "we'll have a chat about the weather, the current pandemic crisis and then, of course, to what wine they would enjoy". "The process is very natural and as if you were ordering wine in a restaurant", says Mathews. "I don't have one set of criteria, but a few basic questions include what they generally like to drink and how adventurous they would like to be." Once you've had a chat, Mathews will put together a box of six wines with tasting notes and food pairing suggestions, which you can either pick up from the wine bar or have delivered if you live within five kilometres from Double Bay. All of this will set you back $200 — about $33 a bottle. Much cheaper than you'd be paying if you were to drink six bottles at the wine bar itself. And you get access to one of Australia's brightest wine minds, too. Mathews, before working at Bibo, managed the wine list and 4000-bottle cellar at Sydney's Rockpool Bar & Grill, and is currently studying for the Court of Master Sommeliers Advanced (that's just one level under Master Sommelier, which is the focus of Netflix's Somm). What you'll get in your box, depends on your tastes, of course, but Mathews says it'll be like "taking a trip around the world, but without the fuss of border patrol". In the current COVID-19 crisis, travelling via your tastebuds doesn't sound like a terrible idea. It's been a month since bars, restaurants and cafes were forced to close their doors to dine-in customers as part of the government's non-essential indoor venue closure, and, while it looks like some restrictions could be relaxed in another month, one expert says hospitality venues are unlikely to be open again until September. Jobkeeper allows businesses to pay eligible employees a fortnightly wage, but does not cover some casual employees and those on a temporary worker visa. This has led to businesses looking for new ways to stay connected with customers and make money, such as delivery booze services, virtual happy hours and cooking classes. For customers looking for other ways to help their locals, Mathews suggests, as well as the obvious buying a meal or wine, to leave them a five-star review on the likes of Google, Facebook and Tripadvisor and to 'share, like and comment' on their posts on social media. "Small business can't afford — especially now — PR or marketing companies," she says. "So little things really do help and only take a second of your time." When it's all over though, get ready for a massive party at Bibo "to celebrate that we survived this mess". To order food, wine or cocktails from Bibo Wine Bar, head to the website. To find out more about the Sommelier's Choice box and set up a Zoom meeting, email louella@bibowinebar.com.au.
Remember the name Rasmus King. Based on 2022's slate of Australian films and television shows, that shouldn't be hard. The Byron Bay-born newcomer hadn't graced a screen, large or small, before this year — and now he has no fewer than four projects pushing him into the spotlight before 2023 arrives. Most, including surfing TV drama Barons, capitalise upon the fact that he's a pro on the waves IRL. Two, 6 Festivals and the upcoming sci-fi featurette What If The Future Never Happened?, get his long blonde locks whipping through the Australian music scene. The latter is based on Daniel Johns' teenage years, actually, and has King playing that pivotal part. If he's half as impressive in the role as he is in father-son drama Bosch & Rockit, Silverchair fans will have plenty to look to forward to. When writer/director Tyler Atkins opens his debut feature, it's in the late 90s, along Australia's east coast, and with King as eager surfer Rockit — son to weed farmer Bosch (Luke Hemsworth, Westworld). Sometimes, the titular pair hit the surf together, which sees Rockit's eyes light up; however, Bosch is usually happy tending to his illicit business, making questionable decisions, and coping with splitting from his son's mother Elizabeth (Leeanna Walsman, Eden) with the help of other women. Then a couple of unfortunate twists of fate upend Rockit's existence, all stemming from his father. Begrudgingly, Bosch is pushed into stepping outside his drug-growing comfort zone by an old friend-turned-cop (Michael Sheasby, The Nightingale) and his corrupt partner (Martin Sacks, Buckley's Chance). When a bushfire sweeps through the region shortly afterwards, he's forced to go on the run to stay alive. Bosch & Rockit approaches Bosch's absconding from Rockit's perspective, adopting the line that the former gives his boy: that they're going to Byron for an extended holiday. Atkins doesn't feed the same idea to its audience, but ensures that viewers understand why a bright-eyed teenager would take his dad at his word — not just because he doesn't know what Bosch does for a living, which he doesn't; or he's naïve, which he is; but also because he's eager to hang onto his biggest dream. There's sorrow in King's spirited performance, with Rockit more affected by his parents' split, bullying at school and the isolation that comes with finding solace in the sea, usually alone, than Bosch has the shrewdness to spot. There's earnestness as well, because what struggling kid who's desperate for the kind of love that genuine attention signifies, as Rockit visibly is, won't blindly believe whatever fantasy their dad or mum sells them for as long as possible? King does a magnetic job of conveying Rockit's inner turmoil, and expressing his uncertainty, too. There's an effortlessness to his portrayal, whether Rockit is lapping up Bosch's presence like a plant swaying towards the sunlight, listlessly left to his own devices when his dad decides he'd rather chase Byron local Deb (Isabel Lucas, That's Not Me), or finding a kindred spirit in Ash (Savannah La Rain, Surviving Summer), another restless and yearning teen vacationing under less-than-ideal circumstances and feeling like she's alone in the world. Avoiding formulaic plotting isn't Bosch & Rockit's strong suit, however, as the film makes plain at every turn. That's evident in both of its namesakes' trajectories, for starters — with Bosch a small-time crim falling afoul of the wrong people, with help from bad luck, then trying to start anew; and Rockit an innocent kid stuck with subpar parents, forced to grow up faster than he should, but hanging onto whatever he can. When a wave tumbles over a surfer's head, crashing towards the shore, it's both a new revelation and a routine occurrence every single time — and, as well as showing that sight whenever Rockit takes to the ocean, aka frequently, that's also how Bosch & Rockit feels. The depths in its two central performances, Hemsworth's included, can't completely sweep aside the film's well-worn storyline, but the feature's sincerity goes a long way. A movie can be sentimental and still ring true, too, which this repeatedly does. Knowing that you're having your heartstrings pulled isn't just blatant, but almost instantaneous, and yet this tender tale is still easy to drift along with. While King proves Bosch & Rockit's biggest asset, Hemsworth's impact can't be underestimated — and shows why he has never just been "the other Hemsworth". Like his brothers, his early career weaved through local soaps (Neighbours in his case, which Chris and Liam also popped up on), plus other Aussie TV series (including Blue Heelers, All Saints and Tangle). As his siblings are, he's now best-known for his overseas success, with Westworld forever altering his resume as the Thor franchise has for Chris and The Hunger Games did for Liam. Here, there's a weight and texture to Luke's empathetic work as the well-meaning, perennially hapless Bosch that ranks it among his best, and is crucial to the film. Atkins also ensures that his audience understands why Rockit wants to be with his charismatic yet careening dad, even when he does know better. Indeed, scenes where Hemsworth and King banter, whether slinging the most Aussie curse-filled exchanges each other's way or bickering in public, are among Bosch & Rockit's standouts. It's lucky that its key duo bring so much to their portrayals; elsewhere, Bosch & Rockit is undeniably scenic, but never surprising. Often, Ben Nott's (How to Please a Woman) cinematography looks like a postcard — especially when the picture lingers on the obvious shots, such as the famous Cape Byron Lighthouse, or loiters on dolphins and whales while its characters frolic along the coast. Of course, those pieces of card sent from holiday spots usually come bearing heartfelt statements behind the eye-catching gloss, a trait that Bosch & Rockit also shares. Little about growing up is simple, nothing about parenting is, and love and hope can't help anyone escape either reality — all notions that resonate from this straightforward, always-familiar but also evocative film.
Tokyo Tower's stunning views, Studio Ghibli's theme park, various Godzilla statues, Mount Fuji, ramen everywhere, all of the temples, taking the shinkansen, karaoke on a ferris wheel, the Rainbow Bridge, cherry blossom season, the best sushi you'll ever eat, becoming addicted to Pocky: these are some of the highlights of a trip to Japan. In fact, when it comes to dream vacation itineraries, they're just the beginning. Something else that should be on your list: Suganuma Village. The World Heritage-listed site sits on the Shō River, and is known not only for its stunning scenery — think: spectacular mountains and forests — but for its Gasshō-style thatched-roof houses. Usually, visitors to the town can only appreciate them by looking, not staying within them, with the village normally only open to residents after dark. Indeed, that's been the case for decades, and it's the reason that the locale is considered a hidden spot; however, via Airbnb, that's changing for two lucky travellers for a two-night stay. Add a once-in-a-lifetime getaway to this nine-home spot to the list of unique experiences that the accommodation platform has offered up in recent years, alongside the Ted Lasso pub, Hobbiton, the Paris theatre that inspired The Phantom of the Opera, the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion, the South Korean estate where BTS filmed In the Soop and the Sanderson sisters' Hocus Pocus cottage, to name just a few. The Suganuma stay boasts something else special, though: it's free. As with all Airbnb specials, the service's price — here, $0 — only covers accommodation and the specific inclusions listed. Travelling there and back isn't part of the deal, so you'll be paying to fly to Japan and home. Still, this is the type of experience that doesn't come up often (or, before now, ever). And, you'll be hosted by the Nakashima family, who are fifth-generation locals, under their 170-year-old thatched roof. During your two-evening trip, you'll be immersed in the area's cultural traditions while marvelling at those distinctive buildings, which boast the style they do to last — as the Nakashimas' home clearly has — and because of winter's heavy snow. "I am delighted to open my family's home for a unique stay that will enable guests to enjoy the traditional life of our beautiful village of Suganuma. Through our collaboration with Airbnb, my family and I look forward to providing guests with unique experiences that have been part of our village for centuries," commented Mr Shinichi Nakashima. "We are honoured to offer a truly unique experience in Suganuma village, a World Heritage Site, through our collaboration with Airbnb. The rich history and vibrant culture of this charming small town, coupled with the warm hearts of the people who live there, will make for a fascinating and restorative stay. We hope this campaign brings attention to this beautiful destination for both Japanese residents and guests from around the world," stated Mr Mikio Tanaka, Mayor of Nanto City, Toyama Prefecture. If you're keen, you'll want to try to score the only booking at 10am AEST / 12pm NZST on Friday, June 30 — and if you're successful, you'll be having a money-can't-buy stay across Monday, July 17–Wednesday, July 19 this year. The reservation includes a welcome tea, plus Gokayama tofu, mountain vegetables and fish caught from the local river, as prepared by Mr Nakashima; a guided bike tour around the village and its surroundings; a hands-on workshop to learn about crafting thatched roofs; and also finding our more about the town's traditions such as making washi and sasara, a paper made of local fibre and a traditional instrument, respectively. And, you'll also be treated to a light show with folk songs one night, Suganuma Village's residents illuminating their homes. For more information about the Nakashima family's Gasshō home listing on Airbnb, or to apply to book at 10am AEST / 12pm NZST on Friday, June 30, head to the Airbnb website. Images: Satoshi Nagare. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
2023's working year might've only just begun, but it's already time to book in a big overseas holiday. Put in that leave request ASAP. Block out your calendar. Bust out your suitcase, too, and make sure your passport is up to date. Your destination: the Empire Polo Club in Indio, California, because Coachella is back for 2023 with a characteristically impressive roster of acts. Mark April 14–16 and April 21–23 in your diaries — including if you you're just keen to check out the livestream. (Remember, Coachella was livestreaming its sets long before the pandemic.) The full bill is a jaw-dropper, as usual, with Bad Bunny headlining the Friday nights, BLACKPINK doing the Saturday nights and Frank Ocean on Sunday nights. Also on the bill: a stacked array of acts that also spans everyone from Calvin Harris, Gorillaz, The Chemical Brothers, ROSALÍA and Blondie through to The Kid LAROI, Björk, Fisher, Charlie XCX, Porter Robinson and Idris Elba. Whether you're after new tunes, the biggest music names right now or dripping nostalgia, it's on offer at Coachella 2023. Anyway, let's be honest, you haven't truly read any of those words — you'll be wanting this: View this post on Instagram A post shared by Coachella (@coachella) For music lovers planning to watch along from home, Coachella will once again team up with YouTube to livestream the festival. That's no longer such a novelty in these pandemic times but, given the calibre of Coachella's lineup, it's still a mighty fine way to spend a weekend. For those eager to attend in-person, you can signup for access to tickets over at the festival's website — with pre-sales starting at 11am PT on Friday, January 13 (aka 5am AEST/6am AEDT on Saturday, January 14). At the time of writing, the festival advises that there are very limited passes left for weekend one, so your best bet is the second weekend. COACHELLA 2023 LINEUP: $uicideboy$ ¿Téo? 070 Shake 1999.ODDS 2manydjs A Boogie Wit Da Hoodie Adam Beyer AG Club Airrica Alex G Ali Sethi Angèle Ashnikko Bad Bunny Bakar Becky G BENEE Big Wild Björk BLACKPINK Blondie Boris Brejcha boygenius BRATTY Burna Boy Calvin Harris Camelphat Cannons Cassian Charli XCX Chloé Caillet Chris Stussy Christine and the Queens Chromeo Colyn Conexión Divina DannyLux Dennis Cruz + PAWSA Despacio Destroy Boys Diljit Dosanjh Dinner Party featuring Terrace Martin, Robert Glasper and Kamasi Washington DJ Tennis + Carlita Doechii Dombresky Domi & JD Beck Dominic Fike Donavan's Yard DPR LIVE + DPR IAN DRAMA EARTHGANG El Michels Affair Eladio Carrión Elderbrook Elyanna Eric Prydz presents HOLO Ethel Cain Fisher + Chris Lake FKJ Flo Milli Fousheé Francis Mercier Frank Ocean Gabriels GloRilla Gordo Gorillaz Hiatus Kaiyote Horsegirl Hot Since 82 IDK Idris Elba Jackson Wang Jai Paul Jai Wolf Jamie Jones Jan Blomqvist Joy Crookes Juliet Mendoza Jupiter & Okwess Kali Uchis Kaytranad Keinemusik Kenny Beats Knocked Loose Kyle Watson Labrinth Latto Lava La Rue Lewis OfMan Los Bitchos Los Fabulosos Cadillacs LP Giobbi Maceo Plex Magdalena Bay Malaa Marc Rebillet Mareux Mathame Metro Boomin Minus the Light MK Mochakk Momma Monolink MUNA Mura Masa NIA ARCHIVES Noname Nora En Pure Oliver Koletzki Overmono Paris Texas Pi'erre Bourne Porter Robinson Pusha T Rae Sremmurd Rebelution Remi Wolf Romy ROSALÍA Saba Sasha & John Digweed Sasha Alex Sloan Scowl SG Lewis Shenseea Sleaford Mods Snail Mail SOFI TUKKER Soul Glo Stick Figure Sudan Archives Sunset Rollercoaster Tale Of Us TESTPILOT The Blaze The Breeders The Chemical Brothers The Comet Is Coming The Garden The Kid LAROI The Linda Lindas The Murder Capital Tobe Nwigwe TSHA TV Girl Two Friends UMI Uncle Waffles Underworld Vintage Culture Wet Leg Weyes Blood WhoMadeWho Whyte Fang Willow Yaeji Yung Lean YUNGBLUD Yves Tumor Coachella runs from April 14–16 and April 21–23 at the Empire Polo Club in Indio, California. Find out more information and register for tickets at coachella.com — with pre-sales starting at 11am PT on Friday, January 13 (aka 5am AEST/6am AEDT on Saturday, January 14).
Cairns is known for its tropical rainforests and world-famous reef, but what you probably didn't know is that the region also lays claim to a burgeoning craft beer and spirits scene. The Cairns Brewery & Distillery Tour lets you get up close and personal with five of the area's top independent booze-makers in one glorious afternoon. The small, guided group tours run three times a week, as well as on request, usually kicking off with a sit-down lunch and a tap brew at the celebrated Sauce Brewing Co. Other stops might include the likes of Macalister Brewery, Barrier Reef Brewing, Wolf Lane and FNQ Spirits. You'll get to chat to the makers, sample their wares and get a grasp on what goes into your favourite tipple, too. [caption id="attachment_829630" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Top images: Tourism and Events Queensland/ Tourism Tropical North Queensland
In 2023, IKEA celebrated 80 years of operation. To mark the occasion, it unveiled the Nytillverkad collection, which scours the company's design archives to bring back pieces that've proven a hit in the past, and also riff on its prior highlights in general. Like anyone commemorating a big birthday, the Swedish giant isn't done with the festivities yet. Just because it's now 2024, that doesn't mean that it can't keep dropping retro products. With the brand's lengthy history, there's a reason that almost everyone can't remember a time the chain was a homewares go-to. Started by Ingvar Kamprad, aka the IK in IKEA's moniker, it began in 1943 and moved into furniture in 1948. The company then opened its first store in Sweden a decade later — and came to Australia in the 70s. It's the decade of IKEA's Aussie arrival — and the 60s as well — that gets a massive nod in the Nytillverkad collection's latest drop, which hit stores and online on Wednesday, January 10. Think: shaggy rugs, bold patterns and swivel armchairs. Think bright pops of colour as well. Among the side tables, cushion covers and more, 12 of the newly available pieces are re-introductions, with IKEA's Karin Mobring and Gillis Lundgren reviving them from the brand's history. "Vintage furniture has made a big comeback lately, and there's been a growing demand for certain IKEA products that have become collector's favourites," said IKEA Sweden Global Design Manager Johan Eidemo. "That is why we decided to bring back a selection of our design icons, and we are excited to see interest coming from customers of all ages, especially young people who are discovering our design legacy and using these vibrant solutions to express themselves at home. To us, these products are the essence of democratic design, they are timeless, as they combine a beautiful form, a great function, sustainability, an affordable price, and quality that lasts long." Does your lounge room need a white and chrome two-tier side table that first graced IKEA's catalogue in 1971? A yellow-hued armchair from 1969? A black armchair that's designed to reduce stress from 1967? A pendant lampshade that debuted in 1979? They're part of the Nytillverkad range's current vintage focus. Prices vary from $5.50 for a cushion cover to $299 for an armchair — and like with all IKEA limited-edition drops, including its recent first-ever workout collection, you'll want to get in quick before everything sells out. IKEA's Nytillverkad collection is on sale now in Australia, in store and online, until stocks last. Head to the IKEA website for further details.
If you liked alternative and indie rock in the late '00s, then Common People probably means something to you. We're not talking about the ace Pulp song, though you should think highly of that as well. We're talking about the club night that used to play all the best tunes. If you ever went along, you'll be keen for another Common People experience. If you didn't but it sounds like your thing, you probably are as well. Either way, you're in luck, with The Foundry hosting a one-night-only reunion. Put on some comfy shoes, and prepare to dance the night away to everything from LCD Soundsystem to Dizzee Rascal and Arcade Fire to Missy Elliott.
There's no Academy Award solely for vocal performances. If there was, Lupita Nyong'o might've added another of Hollywood's prized statuettes to her mantle when the 2025 ceremony rolls around. A decade after taking home an Oscar for 12 Years a Slave, her first feature, and following standout work in everything from Black Panther and Us to Little Monsters and A Quiet Place: Day One since, she's the voice of Roz — short for ROZZUM unit 7134 — in the big-screen adaptation of Peter Brown's The Wild Robot. Unsurprisingly, she's marvellous and moving, taking viewers on an emotional journey even while playing a robot without facial expressions. When Roz is fresh out of the box, powering up on an animal-filled island devoid of humans in a futuristic vision of earth, Nyong'o lends her vocals to the perky Siri and Alexa peer that audiences will wish spoke back to them from their own devices. As the task-oriented mechanical helper learns that there's more to life than her programming — as she befriends a gosling that she names Brightbill (Kit Connor, Heartstopper) and a fox called Fink (Pedro Pascal, Drive-Away Dolls), too, and wins over other wild critters who are initially fearful of the metallic interloper — the warmth that begins to infuse Roz's tones couldn't feel more genuine. The Wild Robot doesn't only prove a gem thanks to Nyong'o's pivotal performance, but it wouldn't be even a fraction of the film that it is without her. In 2024, the actor has had two movies in cinemas. In A Quiet Place: Day One, speaking was one of the worst things that anyone could do. In The Wild Robot, Nyong'o's entire portrayal comes down to talking. "I love that you made that comparison. I hadn't even thought about it that way," she tells Concrete Playground when we point out the contrast, and also ask what she seeks out in new projects at this point in her career. "What gets me excited? I think about the character that I've been offered to play, and I think about what I will require to play the character — and what I could learn as well from playing the character, what I'm curious about. If the character makes me ask questions of the world and of myself and I'm excited to find out the answers, then I want to play that character," Nyong'o explains. When The Wild Robot came her way, she didn't say yes immediately, however. For Nyong'o, voicing Roz was always going to need to be a creative collaboration; just showing up to speak her lines and leaving it at that isn't how she wanted to work. "I don't know how to be just a voice for hire. I have opinions and I want to share them, and I want to make sure that the person I'm sharing them with wants to hear them," she notes. Nyong'o joined the film after meeting with director Chris Sanders and understanding his vision. "You shape these things together. You go on this journey together, and she is a creative force just like every other artist in this film, for sure," he tells us. "And I have to say, she's an absolute genius. Taking Roz apart bit by bit to understand her thinking kept me honest as a writer," he continues. The Lilo & Stitch, How to Train Your Dragon and The Croods director — and voice of Stitch — couldn't be more enthusiastic about the latest picture that now sits on his packed resume (also on his filmography from the 90s when he was starting out: production design on The Lion King, visual development on Beauty and the Beast, and story credits on both alongside Aladdin). Before signing on for The Wild Robot, Sanders describes himself as "book-adjacent" to Brown's illustrated tome, as his daughter had read it. "I saw it sitting around the house and I'd actually forgotten about it until the day I came into DreamWorks to look at what was in development. And there was the book, and they described it, and I thought 'that's the one I'm interested in'," he advises. As the feature's writer and director, he's crafted a version that takes inspiration from Hayao Miyazaki's enchanting Studio Ghibli fare, classics such as Bambi and the work of painter Claude Monet, too — and a gem for all ages. How does Nyong'o tackle a voice-acting part — and, whether she's seen on-screen or heard echoing from it, how does she find the right voice for a character? What kind of thinking and planning goes into expressing Roz's inner journey? How important was it to Sanders that the film didn't shy away from animals being animals, not just in appearance but also into recognising the food chain and cycle of life? We chatted with the pair about all of the above as well, and more, including how animated movies trade in big emotions —because we all have that flick, or several, that we'll never forget — and how that sits in your mind when you're making one. On How Nyong'o Approaches a Voice-Acting Part, Especially Playing a Character Without Facial Expressions Lupita: "I think the animators did a great service to Roz — and a great service to an audience — by not giving her facial features. Because then we stay truer to the fact that Roz is not a feeling entity. She is a robot and has a goal — she's goal-oriented and her goal, luckily, is to be of service to whomever purchased her. So that lends itself to kindness. And she's also very adaptable, so she's able to adapt to the behaviours and expressions of the wild animals that she is now living with. And through that, you can adopt sensibilities akin to emotional expression. I like figuring that out cerebrally. How do I play a character without emotions but still be able to convey a bunch of emotions, and then trust that an audience will project their emotions onto her? We are given that license because she doesn't have facial expressions, so she's not doing it for us. We were very much a part of the performance." On Finding the Right Voice for the Right Character Lupita: "It starts off with understanding the given circumstances of the character. What are the facts, right? And so for Roz, one of the main facts that was very important was that she is a programmed robot. That was very informativem and it led me to listen to automated voices like Siri and Alexa, the voices on TikTok and Instagram — they were an inspiration, their relentless, positive vibrancy was the inspiration there. For someone like Red in Us, I knew that there had been a strangulation at some point, and so that fed my imagination on what could that sound like if you were strangled. Things like that. Then I also work very closely with a vocal coach, and I worked with her on both Us and The Wild Robot, and that's really helpful to just externalise my ideas and make sure that I'm doing it in as healthy a way as possible to stave off injuries." On What Sanders Was Excited to Bring to the Screen in Adapting The Wild Robot Chris: "The story for sure. I've always wanted to do a robot movie. And the other thing that I never thought I'd get a chance to work on would be an animal movie like this. This is a lot like Bambi — the forest, the animals, the creatures. And it's a real forest, they're only slightly anthropomorphised. Bambi is a huge favourite. It always will be. One of the things I think that you cannot understate is the emotional power of that film. It has a staying power and a beauty that we wanted to emulate. Aspire to it, actually, is a better way to say it — that and the art of Miyazaki films. These are things that have a huge influence on us as animators and filmmakers. So we had big boots to fill if we were going to equal the power and the scale of those of those stories. Our animators really took to it, by the way. I didn't understand until they started working on the film the level of excitement that they had to do animals that were animals. That kind of movement, I guess, is really a huge thing for an animator. They're usually doing animals carrying cell phones and they have jobs, etcetera. Animals that are animals, there's a purity to the motion that I was really struck by. The animation went unusually quickly because of the lack of things, like jackets and coats and stuff. And so it was a joy to see all of this come to life day by day." On the Importance of Not Shying Away From the Reality of Animals Being Animals Chris: "It was critical because if there isn't consequence, then the story is just not going to work. We don't want to shy away from any of those things because we need that kind of ballast. I would actually harken back to things in The Lion King — if you don't have consequences, you're not going to have that emotional resonance, and I don't think you going to have a movie that works. So death shows up several times in this movie. The first time, of course, is the critical and pivotal event where Roz accidentally, quite literally, runs across this goose's nest by accident and that sets this whole story in motion. Later on, we revisit it, but we often revisit it with humour. We get a laugh out of it. It's a dark kind of humour, but boy is it effective. The animals on this island have programming, and that's the way that Roz looks at it. She's a creature of human programming, and she sees the animals as running programs as well. I thought that was a really interesting way to look at the world, and one of the load-bearing ideas and themes of the film is the idea that someday you may have to change your programming in order to survive. In our lives, we are creatures of habit, we resist change, and we may have to change the way we think. I think that sometimes we're so fearful of losing ourselves for some reason. I think we're very protective of ourselves. I can only speak for myself, but I get that — but whenever I've been forced to see things in a different way, I've been better for it." On What Goes Into Conveying Roz's Inner Journey Through a Vocal Performance Lupita: "I would say the intention was set at the beginning. Before I took on the role, I asked Chris why he thought I would be good for it, and he said he liked the warmth of my voice. So that was very good information for me, so that I knew what I had for free to offer Roz, and so that was where we would end up — that's the voice when Roz has taken on and embraced the role of mother most fully, that she sounds most like me. And then in the process, a two-and-a-half-year process, the script is developing, and along with it our understanding of who Roz is and how we experience her evolution is also developing. That was really quite technical, and we had certain markers, certain benchmarks for where the quality of my voice was shifting. And I did it quite technically, so it dials up in a way that when you're watching the performance is perhaps, hopefully, quite subtle and unnoticeable — until you meet the robots that are more like the other robots like her, towards the third act of the film." On the "Miyazaki by Way of Monet" Visual Approach to the Natural World Within the Film Chris: "All these things we've been talking about, what a perfect line of questioning actually, all these things are linked together like spokes of a wheel. I felt that it was absolutely critical, and I pushed very hard for this level of sophistication in the look of the movie. Think back to what we were talking about with Bambi, that level of sophistication, I felt, would make our audience see this film in the right way, if that makes sense. This is a film that kids will love. Kids should go see it. Families should go see it. But it's not a little kids' film — it's a film. And that's how Walt Disney looked at those stories as well, he always said so. So that level of sophistication helps us to get into the film in a certain way, and it really immerses us in a way that I've never seen a film like this accomplish. I have gotten so much feedback since we finished the film that it really blurs the line between a live-action film and an animated film, frankly, the way that you see it — and that was very deliberate. And I have to credit the artists and the incredible advances that DreamWorks had made technologically that allowed this look. The funny thing is all that technology opened this film up so that humans are more present than ever before. Literally everything is hand-painted. It would be as if I took out a brush and started painting dimensionally in space. That's exactly what they were doing. So there are no forms underneath the trees or the rocks. It's free handed. So the beauty that you get from that, there's no substitute for it. There's an analogue warmth that we reconnected with on this journey that we've taken through CG." On How Animation Allows Audiences to Have Big Feelings — and Thinking About That When You're Making an Animated Film Lupita: "You have to keep the audience in mind. One of the things that I remember us discussing, Roz has a lot of robotic language, just mumbo jumbo that she says — and you want to keep that in a way that allows for children to grow their vocabulary, and also a way for adults to understand and appreciate what she is saying. But you can't make it too difficult that you lose the children altogether. So those were fun workshops where we tried different words. I remember in the script, there was a time when a character asks Roz something and she goes 'hmm, let me see'. But 'hmm', that's a very human expression, and so I said 'processing' and everybody broke out laughing, and it became part of Roz's vocabulary. For children, that is perhaps maybe a new word — children never say processing, I can't imagine they do. But in that sense, you've expanded their vocabulary and stayed true to the character." Chris: "It's something I don't know if I'm really thinking about it, but in a sense I'm striving for it as I'm working on scenes. I'm scaling things. I think one of the neat things about taking a story like Peter Brown's to the screen is the potential for how big these feelings can be. I'm always going for audacity and scale. And I will run a scene over and over and over in my head, modifying it before I even commit anything to paper a lot of the time, until I'm feeling I've found every edge of the boundaries of that particular moment, and I've built it as large as it possibly can be. Because why wouldn't you, you know? Why wouldn't you? And then the really amazing thing is, I take it only so far, and then we have our actors and our and our animators — and eventually the cinematographer, the lighting, and then eventually Kris Bowers [who composed The Wild Robot's soundtrack]. I cannot overstate his contribution as well. I credit him for, I think, the gosh-darn best score I've ever heard in a movie ever." On What Nyong'o Makes of Her Career Over the Past Decade Since 12 Years a Slave Lupita: "I was sitting at the premiere of The Wild Robot at TIFF [the Toronto International Film Festival], and there was a moment, I think it was a moment when Brightbill is flying away and a feather floats into Roz's hands. And it's a very emotional moment within the story. But in that moment, I was just caught, I was struck by the truth that I have been living out my dreams and this project is another dream come true. I was just filled with gratitude, because not everybody gets to live out their dreams so exactly. And I've had that wonderful, wonderful privilege, and I just don't take it for granted. It's been deliberate. It's sometimes been scary. I've had to say no before I knew I could in order to wait for the project that felt like it would give me the kind of expansion I was looking for. And those times that I've said no have paid off. And looking at the last ten years, I'm very, very proud of the work that I've been able to do, and I look forward to continuing to live out my dreams one decision at a time." The Wild Robot opened in Australian cinemas on Thursday, September 19, 2024.
The ingredients you will need The dough250g flour12g waterPinch of table salt Pork mince filling1 thumb sized portion grated ginger3 pieces green shallots100ml water300g Chinese cabbage300g pork mince2 tbsp soy sauce1 tbsp sesame oil1 tsp sugar2 tsp corn flour How to make the dough Mix water, flour and salt together to form dough then knead for 3 minutes or until firm and elastic. Spray or drizzle with vegetable oil and cover with plastic. Let the dough rest for 30 minutes. Ideally, the dough should be thinker in the centre and thinner around the edges. When you fold the edges together it shouldn't be too think. The Chinese usually roll the dough individually by dividing it into smaller portions. It is generally easier, however, to roll the dough out with a pasta machine or rolling pin to 2mm thick before cutting it with a round pastry cutter on a floured workbench. How to make the filling Grate the ginger and finely chop the shallots. Mix these ingredients into 100ml water and rub the shallots between your fingers to extract the juice. Let the mixture sit for 30 minutes. Blanch the cabbage leaves for 1 minute in boiling water then strain. Dice the cabbage. Mix cabbage, soy sauce, sesame oil, sugar, corn flour and the ginger shallot mixture into pork mince. To finish Put 1 full teaspoon of filling in the middle of the portioned dough and wet edges with water to prevent sticking. Fold the dough working outwards in. Dust dumpling with flour to prevent sticking. To cook, simply boil for 5 minutes. Serve hot with combination of vinegar and soy sauce. This recipe is based on the traditional Jiao-zi dumpling originating in northern China, interpreted by Zachary Ng. Image: Andrea Nguyen.
Everyone likes a bit of Shakespeare in the springtime, especially in an outdoor arena. There’s something about the old-school storylines, language and costumes that just seems right being viewed in natural surroundings. For their 2011 season, the Queensland Shakespeare Ensemble are bringing to life The Merchant of Venice the way it was meant to be seen. Performing in the Roma Street Parklands Amphitheatre, the audience is seated on-stage with the story coming to life around them. If both the seating and Shakespeare’s words haven’t been enough to reel you in, then hear ye, hear ye. It’s directed by major international Shakespeare director Curt L. Tofteland, and stars the senior drama lecturer from the University of Queensland, Dr Rob Pensalfini. If studying Shakespeare in year 12 made you want to pull out your hair, I feel seeing this production would change you into a lover of The Bard. The show’s season also runs for two and a half weeks so you have plenty of time to catch it.
