Living through bushfires, drought, a pandemic and economic depression — sounds familiar, right? Australian impressionist painter Arthur Streeton might have lived a hundred years ago, but his worldview was impacted by all-too-familiar cycles of environmental, economic and political upheaval. If you don't know much about Streeton, you'll have the opportunity to get to know one of Australia's most loved landscape painters through 150 of his works — including some that haven't been shown since the 1920s — in a new retrospective exhibition at the Art Gallery of New South Wales. Head curator of Australian art Wayne Tunnicliffe took a deep dive into the Gallery's collection to uncover not only the beloved paintings hanging on the Gallery's walls, but also works within the collection that have been stored away for over 100 years. Born in 1867, Streeton's art practice evolved over six decades. Within the exhibition, you'll see that evolution and an enduring passion for Australia's natural beauty; there are his sun-drenched landscapes from the 1880s, bright, joyful depictions of Sydney Harbour from the 1890s and his bucolic paintings of the 1920s and 30s. [caption id="attachment_784956" align="alignnone" width="1920"] Arthur Streeton, 'From McMahon's Point — fare one penny' (1890), National Gallery of Australia, Canberra[/caption] He painted familiar, and often beautiful, locations in New South Wales, from Coogee and Manly beaches to the Blue Mountains and upper Hawkesbury River. His skill at capturing light, land and sea contributed to Australia's take on impressionism. His peers — artists Tom Roberts and Charles Conder — were part of a new art movement, the Heidelberg School, that was a distinctly Australian take on the global art movement. The exhibition, which runs from November 7–February 14, will feature 150 works from both public and private collections — including paintings, drawings and watercolours. It's the most significant retrospective of Streeton's art ever presented, and includes works from the artist's time in Egypt, England, Italy and in France during the second world war. As well as his final works, which show Streeton's increasing focus on environmental concerns — on his return to Australia, Streeton became more vocal about conservation and exhibiting works showing our destruction to the natural world. Tickets to 'Streeton' cost $22 and you can buy timed-entry tickets online now. If you have already purchased untimed and undated tickets for 'Streeton', your tickets will be honoured for any date and time until February 14, 2021, excluding opening weekend. For $35, you can upgrade to a Gallery Pass, which gives you access to 'Streeton' and the 'Archibald, Wynne and Sulman Prizes 2020'. Top images: 1. Arthur Streeton, 'Early summer – gorse in bloom' (1888), Art Gallery of South Australia, Adelaide, Gift of Mrs Andrew Tennant through the Art Gallery of South Australia Foundation 1982. 2. Arthur Streeton, 'The Land of the Golden Fleece' (1926). Private collection, Sydney. Photo: Jenni Carter, AGNSW.
Mystery Road's Jay Swan has always been a man of questions. With his penetrating gaze, the Indigenous detective glares a thousand enquiries whoever's way he's staring, and has for almost a decade now. But ever since the fictional character first reached cinemas in 2013, with Aaron Pedersen in the role, the exceptional big- and small-screen crime saga he anchors has also kept sparking a key query: how do you follow that up? The answers keep coming in what's now Australia's best film and TV franchise — in multiple ways, just like this gripping series itself. How do you follow up a stellar politically charged Aussie neo-western about an Indigenous detective excavating the nation's small-town woes, as well as the impact that its colonial past has on its First Nations inhabitants? With 2016's Goldstone, which doubled down on and deepened that on-screen quest. How do you then follow up that fellow silver-screen gem? By moving to television, where Mystery Road retained the same setup but revelled in a lengthier running time. Following up the show's first hit season meant making a second, and following that up has now resulted in a third. But how do you keep digging in further with each and every followup? Right now, the answer resides in Mystery Road: Origin. Origin stories: everyone's getting them. Caped crusaders like Batman and Spider-Man have several; Hercule Poirot's moustache even has its own. Jay Swan doesn't particularly need one, given that plenty about why he's the man and detective he is, and the balancing act he's forced to undertake as an Indigenous cop as well, has already been teased out. But Mystery Road: Origin isn't jumping on a trend, repeating itself or prolonging a long-running saga. It isn't trying to justify having someone else play Swan, either. Debuting via ABC iview from 8.30pm on Sunday, July 3 — and also airing weekly on ABC TV on Sundays at 8.30pm — it leaps backwards because this franchise has always danced with history anyway. It has to; you can't explore the reality of life in Australia today, the racial and cultural divides that've long festered across this sunburnt country, and all that Swan encounters and tussles with, otherwise. In Mystery Road: Origin, it's 1999 — and, when its six episodes begin, Swan isn't quite a detective yet. He's passed his exam, though, and is awaiting the official paperwork. He still sports the same intense glint in his eye, topping the character's now-famous stern expression and as inescapable a part of the saga as Australia's rust-hued terrain. He's already a man of weighty thoughts and few words, too, as viewers have witnessed in every previous instalment. Here, he's played by Mark Coles Smith (Occupation: Rainfall), who couldn't do a more impressive job of stepping into Pedersen's (High Ground) shoes. The two actors worked together on 2007–10 series The Circuit, before Jay Swan entered either's worlds, and Coles Smith has visibly internalised everything that makes Pedersen one of Australia's greatest screen presences. His younger version of Swan always feels like exactly that, crucially, and never an impersonation. Mystery Road: Origin first spies Swan as he's driving along sweeping salt plains. His destination: Jardine, his Western Australian home town, population 1000. Resident sergeant Peter Lovric (Steve Bisley, Doctor Doctor) welcomes Swan back eagerly, but his return isn't all cheers, especially when he stumbles across a robbery en route and gets cuffed by senior constable Max Armine (Hayley McElhinney, How to Please a Woman). Tensions also linger with Swan's estranged dad Jack (Kelton Pell, another The Circuit alum), the town's old rodeo hero, and with his hard-drinking elder brother Sputty (Clarence Ryan, Moon Rock for Monday). Indeed, that initial stickup, the crimewave waged by culprits in Ned Kelly masks that it's soon a part of, and those persistent family struggles will all define the detective's homecoming. As much as each addition to the Mystery Road canon always places Swan at its centre, every new entry also paints a portrait of outback Aussie life. Just like its similarly dusty predecessors in movies and TV seasons gone by, Jardine boasts a motley crew of inhabitants and its fair share of long-simmering troubles. Local prosecutor Abe (Tony Leonard Moore, Mank) claims that the town is hardly a murder capital, but killings keep popping up alongside holdups. Thanks to newly arrived Legal Aid lawyer Anousha (Salme Geransar, Clickbait), old secrets bubble up as well, including the past death of a teenage boy. Swan's return also sees him cross paths with Mary, with Tuuli Narkle (All My Friends Are Racist) as the younger version of the character previously played by Tasma Walton (Rake). Every time that Mystery Road takes another spin, another who's who of Aussie film and TV fills its frames. Here, A Sunburnt Christmas' Daniel Henshall and Blacklight's Caroline Brazier also feature as siblings from a wealthy mining family, while first-timer Grace Chow leaves an imprint as fresh-faced constable Cindy Cheung. There are no weak links among the cast, but Mystery Road: Origin easily belongs to double denim- and Akubra-clad Coles Smith as its new Swan. That's on-screen, and if more chapters were to fill in the gaps between this and the OG movie with him leading the charge, they'd be welcome. Off-screen, there's also a passing of the torch, with Finke: There & Back and Robbie Hood filmmaker Dylan River in the director's chair. He follows on from his father, Sweet Country and The Beach's Warwick Thornton, who helmed half of Mystery Road's second season. That Mystery Road: Origin has an eye firmly on the future isn't just nice or apt; it's essential. As the franchise surveys Australia's past and present landscape of racial injustice, it probes the country that's existed since white settlement, while also pondering where the nation is heading. The constantly smart, thrilling and well-written on-screen examination that results revolves around another question, actually. Swan is asked if he's a policeman or a blackfella, a query that all things Mystery Road have continued to delve into ("why can't I be both?" is his answer here), but a different line of inquiry also sits at the saga's core. A now five-entry series about the crimes that rock outback communities already rocked by engrained and historical inequality, prejudice, oppression, exploitation and land grabs, Mystery Road interrogates which horrific misdeeds and atrocious attitudes Australia is and has been willing to look past — and the grave ramifications. No one should be looking past any of Mystery Road's chapters, of course, Mystery Road: Origin included. Check out the trailer for Mystery Road: Origin below: Mystery Road: Origin is available to stream via ABC iview from 8.30pm on Sunday, July 3 — and airs weekly on ABC TV on Sundays at 8.30pm. Images: David Dare Parker.
iPhone photography apps like Instagram and Hipstamatic recreate a Polaroid-feel in our piccies. We can Lomo-fi and Poprocket our way to nostalgia-town, but still, there's something not quite right. According to the creators of Instaprint, a location-based photography booth launched last Monday, "deep down we all still miss the uniqueness of those square little photos you'd hold comfortably in your hand." Created by Breakfast, a New York interactive agency, Instaprint is the modern day equivalent of a photo booth, but with all the digital mobile perks modern technology has to offer. The device automatically detects and prints photos marked with a particular location or hashtag using old-school inkless printing techniques developed by Zink. Two Instaprint machines will be showcased at the SxSW conference in Austin this week, where tech enthusiasts can road-test the device. It's still in beta-stage, but will be officially available by March 18. That's not the only way to get your Instagrams in ink. StickyGram turns your miniature masterpieces into delightful magnets, perfect for jazzing up shopping lists, menus and notes living on the door of your fridge. The service is currently limited to select UK and US users, but as the website assures us, StickyGram will be open to the public soon.
Huge birthday, huge program, huge list of reasons to spend an entire year at the Sydney Opera House. Come October 2023, the iconic Australian venue will reach its 50th birthday, and it's doing what everyone does when it hits a massive milestone: celebrating for as long as possible. In fact, the Opera House is dedicating 12 whole months to its 50th-anniversary shenanigans, starting a year in advance. From October 2022, the acclaimed Sydney Harbour venue will kick off the festivities in the most fitting way — with From the Sails: Light Years, a nightly projection series featuring new art by Sam Doust and Art Processors, which'll adorn the structure's famous sails from Wednesday, October 19–Sunday, 30. Obviously, that's just the beginning of a hefty program, with the already-announced Amadeus starring Michael Sheen taking over the site's newly revamped Concert Hall from Tuesday, December 27, 2022–Saturday, January 21, 2023, too. Also on the bill: a full lineup that spans 230-plus performances, events and experiences, covering outdoor concerts, community events, First Nations storytelling, tours, public art, exhibitions and more, and happening in the venue's theatres, on its forecourt and online. From Thursday, October 20–Sunday, 30, that includes From the Steps: Voices at Dusk, which'll see local community choirs — as curated by resident company Sydney Philharmonia Choirs' Artistic Director Brett Weymark OAM — sing free open-air choral performances on the Opera House steps. Also outdoors, this time running from Thursday, November 10–Saturday, November 19, is a concert series at the Opera House's forecourt featuring Tim Minchin, New Zealand's Fat Freddy's Drop and two shows by Vance Joy. There'll be two free gigs, too — one dedicated to Yolŋu music and culture with Djakapurra Munyarryun, Dhapanbal Yunupingu, the Andrew Gurruwiwi Band and more on the lineup, and another that'll see Ngaiire and the Sydney Symphony Orchestra join forces. [caption id="attachment_871449" align="alignnone" width="1920"] Ngaiire[/caption] While Sydney Opera House hasn't unveiled the full program yet, with further events set to be announced in the coming months, the rest of the lineup so far features two big festivals: Inside/Out at the House and Open House Festival. The first will arrive at the beginning of May 2023, heroing performances by the London Symphony Orchestra, Australian Ballet, Sydney Symphony Orchestra, Sydney Philharmonia Choirs and Australian Chamber Orchestra. Each show will take place inside either the Concert Hall or the Joan Sutherland Theatre, but you'll also be able to watch in the forecourt, where they'll be broadcast to an openair cinema setup. At the second, Open House Festival will live up to its name across the entire month of October 2023. That means hosting performances, events and activities in every part of the Opera House, and also holding an open day where attendees can go exploring. [caption id="attachment_871446" align="alignnone" width="1920"] Ken Leanfore[/caption] Plus, Bangarra Dance Theatre will unveil the world premiere of a new production in June 2023, under incoming Artistic Director Frances Rings. Sydney Theatre Award-winning play The Visitors will receive a new staging, directed by Quandamooka man Wesley Enoch — and the Opera House will present Blak & Deadly: The First Nations Gala Concert in conjunction with Sydney WorldPride 2023. Also, the Central Australian Aboriginal Women's Choir (CAAWC) — which hails from six remote Indigenous communities in the Northern Territory — will unleash their vocals in the Concert Hall, German operatic tenor Jonas Kaufmann and an international cast will perform La Gioconda, and Mad Scenes by Jessica Pratt will showcase the Australian talent. [caption id="attachment_871445" align="alignnone" width="1920"] Daniel Boud[/caption] Marking a full-circle moment given that it was part of the Opera House's opening in 1973, Sydney Dance Company will stage three works. And, there'll be a revamped Opera House tour that highlights past performances and historic moments. Clearly, this year-long party is going to be massive — it's supported by the NSW Government's Blockbuster Funding initiative, and 'blockbuster' is the right word for it. [caption id="attachment_871453" align="alignnone" width="1920"] Prudence Upton[/caption] Sydney Opera House's 50th anniversary program kicks off in October 2022 and runs for a year. For more information, head to the Sydney Opera House website. Top images: Prudence Upton / Keith Saunders / Anna Kacera.
There are plenty of ways to pretend that it's the 80s, you live in Hawkins, Indiana and vanquishing a demogorgon is your life's mission. Listening solely to eerie synth tunes, devouring pop culture from the era, playing Dungeons & Dragons — they all fit, and so does binging Stranger Things, of course. But for one morning only, if you happen to be in the vicinity of Bondi Beach, you can go a step further. Always wanted to have an encounter with the Upside Down (well, since 2016, when the hit Netflix series first appeared)? Until 12pm today, Friday, May 27 — aka right now — you can. An IRL Upside Down rift (not to be confused with a Fast and Furious drift) has taken over the famed stretch of sand in front of the skate park, but only for a few hours. Of course, when we say real, we all know that it's a Netflix promotional stunt and not really an opening to a terrifying, monster-filled alternate dimension — but hey, if you've been counting down the years between Stranger Things' third and fourth seasons, you'll be happy to go along with it. Glowing red in its centre — naturally — and filled with branch-like vines that stick out from that luminous void, this rift isn't small. It measures 20 metres by 16 metres in size, in fact. So, again, if you're in the area, you really can't miss it. And if you're a Sydneysider who now wants to take a detour to work, or a mid-morning trip, that's understandable. If you follow the Netflix Australia and New Zealand Twitter account, you might've already made the journey — yesterday, on Thursday, May 26, it teased that something spooky was coming between 7am–12pm today, complete with coordinates (written upside down, of course). That means you may have already seen the scientists patrolling the area in hazmat suits, too, and lifeguards setting up a perimeter. The reason for the Upside Down arriving Down Under: the return of Stranger Things after a three-year gap, with the first seven episodes in the show's fourth and penultimate season hitting Netflix today, at 5pm AEST, as well. Bondi is one of 15 sites in 14 countries getting a taste of the Upside Down — alongside the Empire State Building in New York City, Duomo Square in Milan, Malecon Barranquilla in Colombia, the Gateway of India in Mumbai, Menara Kuala Lumpur in Malaysia, Al-'Ula National Monument in Saudi Arabia, Cologne Media Park in Germany, XBox Plaza in Downtown Los Angeles, Wawel Castle in Krakow, Medborgarplatsen in Stockholm, the Guggenheim Museum, Bilbao; and the Telefónica building and Plaza del Callao in Madrid. London and Tokyo are also on the list. It's been a big few years for pop culture-themed pop-ups in Australia, with the Upside Down following in Borat, Nicole Kidman, Homer Simpson and the creepy Red Light, Green Light doll from Squid Game 's footsteps in Sydney. Homer Simpson's huge head made its way to Queensland, too, while Melbourne scored an Everything Everywhere All At Once-style multidimensional laundromat and a massive Timothée Chalamet mural to promote Dune. Find the Stranger Things Upside Down rift at Bondi Beach until 12pm on Friday, May 27. You can also watch the first seven episodes of Stranger Things season four via Netflix from 5pm AEST on Friday, May 27 — and read our full review. Images: courtesy of Netflix and Aquabumps.
As we come into the cool winter months, it warms the heart to look forward to one of the flagship events on the Sydney calendar. Vivid Sydney will be back for its twelfth year from May 27 to June 18 — and the 2022 iteration promises to be bigger than ever. The range of attractions on offer are many and varied but, at its core, Vivid Sydney is a light festival that gives colour and glow to the night sky and every conceivable canvas the city can provide. From illuminating some of Sydney's most famous landmarks to immersive exhibitions that seek to alter your perception of reality, here are ten must-see light installations on this year's program. Prepare to be dazzled. [caption id="attachment_853123" align="alignnone" width="1920"] 'Sharing the Same Life Essence', Rhoda Roberts AO and Deon Hastie, Destination NSW[/caption] 'FIRST LIGHT' First Light, the piece which kicks off the 2022 program on Friday, May 27, promises to be a stunning beginning that celebrates our rich Indigenous and First Nations culture. Vivid Sydney takes place on Gadigal land and waters, and as an acknowledgement of this, the Harbour Bridge pylons will be lit up with Sharing the Same Life Essence (Wayne Quilliam), a projection celebrating the Traditional Owners. First Light will also feature a Welcome to Country, Smoking Ceremony and performance by NAISDA dancers, culminating in a powerful and poignant opening work. Find out more here. [caption id="attachment_853125" align="alignnone" width="1920"] Spinifex Group, Destination NSW[/caption] SYDNEY HARBOUR BRIDGE 90TH BIRTHDAY The iconic coathanger has already had its own birthday party this year but, as one of the key landmarks of Vivid Sydney, you just know there had to be something special happening to mark the Sydney Harbour Bridge entering its tenth decade. Suitably, there's a storytelling angle to this year's light extravaganza, with the Historical Archive and Digitisation Team at Transport for NSW looking back into its comprehensive photo archive to tell the tale of one of the world's most famous man-made structures through the people and places it connects. The light show will be brought to life on the bridge's giant pylons by animation experts Spinifex — and it's on repeat every night of the festival. [caption id="attachment_846473" align="alignnone" width="1920"] Mandylights, Our Connected City[/caption] 'OUR CONNECTED CITY' The bright lights of Sydney are impressive all year round, but it doesn't compare to the illumination of Vivid Sydney. This year, the creative festival will be taking advantage of that already expansive canvas with Our Connected City, an installation from the creative minds at Mandylights. Hundreds of colour-changing lights will pulse through The Rocks, Circular Quay and across the harbour, lighting the CBD in a ribbon of light that spreads from the Opera House all the way to the northern pylon of the Harbour Bridge. There will also be 150 searchlight beams shining into the night sky like a series of beacons connecting the clouds to the people and land below. To add to the effect, all of these lights will be perfectly synchronised — a representation of connection come to life before your eyes. [caption id="attachment_853126" align="alignnone" width="1920"] Glenn Turner, Oracle-Liquid, Destination NSW[/caption] 'SYDNEY INFINITY' There's no doubt that one of the biggest selling points of Sydney is the incredible harbour, so it's only fitting that it will be celebrated at Vivid Sydney 2022. Glenn Turner, of internationally renowned special-effects company Oracle-Liquid, is putting the waterway front and centre with Sydney Infinity, a site- and festival-specific installation billed as the largest liquid and light show ever seen in Australia. At Darling Harbour, water and light will combine in a spectacular, infinity-shaped floating installation consisting of compressed-air water cannons, robotic fountains and thousands of LEDs (plus, the dazzling display will be synced to a soundtrack from Peewee Ferris). The sheer scale will be something to behold — the cannons will blast water 80 metres into the air and the fountains will disperse nine tonnes of water in the air per second. It's thanks to this pumping power that the exhibition can be viewed from around the city, including Pyrmont Bridge, nearby high-rises, and the harbour's floating walkway. [caption id="attachment_854523" align="alignnone" width="1920"] Temple of Joy, Elliot Routledge, Destination NSW[/caption] VIVID HOUSE Taking over Darling Quarter, Vivid House is an immersive experience that combines light and sound to stimulate your senses over three distinct installations. In A Floating World (Stephen Ferris), musicians and visual artists combine to create a sonic painting that evokes imaginary landscapes. With Progressum (aFX Global), subtlety is key as flickers of light permeate the darkness and gradually build to become one with sound. Finally, Temple of Joy (Elliott Routledge) is a tribute to the halcyon days of Sydney's nightlife. Take in all three for the full, unforgettable Vivid House experience. [caption id="attachment_853127" align="alignnone" width="1920"] James Dive, Destination NSW[/caption] 'BUMP IN THE NIGHT' While Australia isn't quite as full of terrifying, life-threatening creatures as the rest of the world seems to think, you do tend to hear unidentifiable sounds of nature on a regular basis. Was that mad cackling a cockatoo, a kookaburra, or your neighbour watching Kath & Kim reruns again? Bump in the Night (by installation artist James Dive) is an interactive exhibition that looks like a genteel campsite (complete with muffled snores coming from inside the tents) but you get to play the strange creatures in the dark, with any noise you make potentially stirring the campers. This might be one of Vivid Sydney's strangest experiences but it's also one of the most fun. [caption id="attachment_853130" align="alignnone" width="1920"] Isabel Hudson and Trent Suidgeest, Destination NSW[/caption] 'A MIRRORED CITY' A Mirrored City creates a city within a city at The Goods Line. Conceptualised by artists Isabel Hudson and Trent Suidgeest, the installation brings shimmering surfaces to reflect the rich tapestry of Sydney life. As darkness falls, lights hidden within the surfaces create a larger Sydney, one that goes far beyond the confines of the station. From some of the city's most recognisable urban landscapes to stunning beachside vistas, A Mirrored City will take you on a tour of the city, telling stories about the people and places that make it what it is, all while you stay in one place. [caption id="attachment_853131" align="alignnone" width="1920"] Michaela Gleave, Destination NSW[/caption] 'ENDLESS LOVE' The concept here — from contemporary artist Michaela Gleave — is pretty simple, but sometimes the simplest ideas are the most powerful. The words 'endless love' will be displayed as part of a giant, lit-up arch at Circular Quay. Because who doesn't want endless love — and what could be bigger and better than an enduring promise of never-ending adoration? Endless Love is Vivid Sydney's gift to the city, and it's also a message from our city to the rest of the world. Every morning, the sun rises above Sydney to herald a new day and, throughout Vivid Sydney, this message will be shining too. Oh, and you'll look great standing beneath it on Instagram, which is also important. [caption id="attachment_853132" align="alignnone" width="1920"] Atelier Sisu, Destination NSW[/caption] 'EPHEMERAL OCEANIC' For this year's festival, Walsh Bay will be turned into a floating, bubble-laden playground courtesy of Atelier Sisu artists Zara Pasfield and Renzo B Larriviere. A floating boardwalk weaves between 150 giant orbs, lit from the inside and changing colour throughout the night, projecting ever-changing patterns onto the water below. Remember the pure glee you'd get from blowing bubbles as a child? This is the grown-up version of that, but it's also a reminder that you're never too old to have fun and lose yourself in life's simple pleasures. The inherent ephemerality of this piece is also encouragement for you to consider your environment and how easily things can change. [caption id="attachment_853134" align="alignnone" width="1920"] Sinclair Park, Destination NSW[/caption] 'FRANKLY, MY DEAR...' When Vivid Sydney rolls round, everything is a canvas — iconic buildings and structures offering more surfaces and interesting angles for light to hit. The UTS School of Business is known for the paper bag-like aesthetic given to it by seminal architect Frank Gehry. Sinclair Park, the light artist behind Frankly, My Dear, noted the building is "unique and playful... an irresistible canvas", and created a site-specific work that will allow viewers to see the structure from a whole new perspective. Using lights in changing hues in the building's windows, he accents the exposed brick and unusual shapes, turning one of Sydney's most distinctive buildings into one of its most undeniably beautiful. Vivid Sydney takes place at locations citywide from May 27–June 18. For the full program and to find out more, head to the website. Planned your visit already? Remember to get social and use the hashtag #vividsydney or tag Vivid Sydney in your shots. Top image: Yarrkalpa — Hunting Ground (2021), by the Martu Artists and Curiious with soundtrack by Electric Fields and Martu Artists (inspired by Yarrkalpa — Always Walking Country, 2014), Destination NSW
Enjoy a European cheese experience without leaving Brisbane at Milton's French-inspired fromagerie. Located just near the Eiffel Tower replica on Park Road, Fromage [the Cow] do it all from breakfast through to dinner — and with a pretty stellar coffee offering and a deli counter full of cheeses to choose from, you may well find it hard to leave. Of course, you can't go past the fondue neuchatel and it's feast of gooey goodness. A cob loaf is filled with gruyere, provolone and parmesan, plus a white wine sauce, and you get breads and crudités to dip into its molten depths. Share it with a mate to halve the cheese guilt.
Thanks to a certain chest-bursting franchise that first hit screens more than four decades ago, Ridley Scott has long been synonymous with science fiction. So when the veteran filmmaker jumps onboard a sci-fi TV series — featuring androids again, but no aliens this time around — it's definitely something worth paying attention to. That show is Raised by Wolves, which is set in a dystopian future in the 22nd century, when the earth has been destroyed by war. Two androids, known only as Mother and Father, head to the planet Kepler-22b with two human embryos in their care, with the obvious aim of restarting civilisation. While it's immediately apparent that little will go as planned — that's just not human nature — don't go thinking that you'll be able to pick this striking, big-thinking series' every twist and turn.
If clothes make the man, the beard defines the attitude. Whether it's a sharp stubble, a neat fade or a bold statement moustache, the right grooming routine can elevate your whole look. That's where the Philips OneBlade 360 comes in. This all-in-one tool is built to trim, edge and shave any length of hair with precision and ease, thanks to a flexible 360-degree blade that follows the contours of your face, a five-in-one adjustable comb and a fast-moving cutter that can deal with hair of any length. To show what it can do, we've teamed up with Joe Kurdyla from Melbourne barbershop Kings Domain to walk us through four trending facial hair styles that you can nail at home with the Philips OneBlade 360. Short stubble Effortless and universally flattering, a tidy five o'clock shadow is an easy way to look put-together without appearing as though you've tried too hard. Keep it sharp by using the adjustable guard to maintain your preferred length, and let the 360-degree blade do the heavy lifting. Neat beard A short-to-medium beard with faded sides and defined edges is a low-maintenance way to enhance your face shape and jawline while still looking professional. No fuzz, no fuss. The OneBlade's precision trimmer lets you clean up the neckline and cheeks in seconds, keeping things fresh between barber visits. Full beard Bold, rugged and full of character, a full-length beard is a surefire way to make a statement. Use the OneBlade to shape and edge around the beard, especially around the cheeks and neckline, so it stays strong rather than scruffy. Retro moustache Throwback alert: whether you're going for the retro Tom Selleck look or prefer a neater, cleaner look (think: Nathan Cleary), the OneBlade's dual-sided blade helps you define edges with total control. Ditch the guard, tidy the stubble around your mo and let the whiskers take centre stage. For more information on the Philips OneBlade 360, head to the brand's website.
Maybe you like licking an ice cream cone while you stroll along the river. Perhaps a trip to the movies isn't complete without a scoop or two beforehand or afterwards. Or, you could just be keen on any and every excuse to get your gelato fix. Whichever fits, Rosé Gelateria will have you covered when it opens at Portside Wharf. The Hamilton precinct is undergoing quite a few changes at the moment, announcing late in 2022 that a $20-million makeover is in the works. Also on the way: Fosh, a seafood restaurant from the restaurateur behind Opa Bar + Mezze, Massimo Restaurant, Yamas Greek + Drink and George's Paragon; and the Gold Coast's Rise Bakery launching its first Brisbane venue. Rosé Gelateria is making the same leap as the latter, in fact, heading to the River City after setting up stores in Sanctuary Cove and Main Beach. View this post on Instagram A post shared by Rosé Gelateria (@rose.gelateria) Brisbanites will have a new boutique dessert go-to come June, with an exact opening date yet to be revealed. Yes, it'll be winter, but it's never too cold for gelato in the Queensland capital (as our obsession with the Ekka's strawberry sundaes each August shows). This ice cream spot will be located next to Dendy Cinemas, handily, and span across 56 square metres of indoor seating space, as well as an al fresco seating area. As for the fitout, it's going chic and elegant, with help from Lowry Group as the venue's builders. Rosé Gelateria is known for its rose gelato made with rosewater and topped with rose petals, but also does Biscoff gelato — using the biscuit spread, also caramel — among its 20-flavour signature lineup. The Portside shop will feature vegan and dairy-free options, too, and rotate through four limited-edition flavours each month. If you have a pet that likes frosty treats, and always tries to get a lick of yours, Rosé Gelateria will offer pet-friendly gelato as well. Husband-and-wife team Bronson Tucker and Diana Prinz came up with their range after a visit to Italy. "All our gelato flavours are inspired by a trip my wife and I took to the homeland of gelato, Florence in Italy, which is where we were taught the authentic way of crafting gelato by a local teacher," advises Bronson. That said, Rosé Gelateria doesn't just keep things cold and creamy. It'll also be serving up macarons and cookies, plus juices and milkshakes. Joining forces with Paradox Coffee Roasters, it'll be brewing a specialty coffee blend called Paper Moon, too — and expect to taste black cherry and plum with your caffeine hit. "We have poured our passion and love for gelato into the creation of Rosé Gelateria, and it's clear from the support we have received that others can feel and taste that appreciation as well," said Prinz. "We aren't your everyday gelato store. As a boutique provider, we put considerable thought into every detail, flavour and the overall experience we offer, with our customers at the forefront of each choice. Our vision for Rosé Gelateria has been to create truly beautiful spaces for friends, families and people to connect while enjoying our artisanal range of gelatos and treats. We are delighted to continue bringing this vision to life at Portside Wharf." Find Rosé Gelateria at Portside Wharf, 39 Hercules Street, Hamilton, from sometime in June 2023 — we'll update you with an exact launch date when one is announced.
Toronto welcomed a new and unique edition to its dining scene last month: Canada's first-ever restaurant tailored for the deaf. Signs, already popular with locals and tourists alike, is the brainchild of Anjan Manikumar, a hearing man who was inspired to learn American Sign Language (ASL) after realising first-hand how deaf customers struggled in restaurant situations that are simply taken for granted by others. The bar-restaurant, serving modern Canadian and international fare, employs a team of waiters who are almost entirely deaf. Choosing from over 200 deaf applicants, Manikumar found none had any waiting experience and some had never had a full-time job at all. He hopes the new venture will encourage the creation of other career opportunities for the deaf, while also promoting sign language among the community. For customers unfamiliar to ASL, the menu handily lists the sign equivalent next to each item, and a 'cheat sheet' (pictured below) translates some longer phrases, encouraging customers to engage with staff and fellow diners in this universal language. Via Buzzfeed. Photo credit: Signs.
Vancouver takes care of their own, even those without four walls to call home. A particularly high-five-worthy charity in Vancouver built pop-up shelters on benches, inviting homeless citizens to find shelter for the night. London is shuffling awkwardly across the Atlantic. Teaming up with Spring Advertising for a heartfelt and genuinely useful campaign, nonprofit RainCity Housing installed modified public benches to open eyes and raise awareness of local homelessness while actually providing homeless people a slightly improved temporary sleeping shelter. After London and Montreal's atrocious 'anti-homeless spikes' sparked furious debate and removals, Vancouver was successfully reminding the globe that it doesn't take much to offer a helping hand. RainCity, a nonprofit providing assistance to Vancouver's homeless population, designed two types of modified benches targeting citizens without shelter. The first boasted a convertible backrest which functions as an overhanging cover (with the address of RainCity Housing listed to encourage homeless people to "find a home here"). The second was more of an advertising campaign, but heartfelt nonetheless — during the day, the bench sports text reading "THIS IS A BENCH" and after sunset the text glows in the dark and changes to read "THIS IS A BEDROOM." Although this isn't a new ad campaign (in fact, the benches were installed last year), it didn't get much press amidst the London/Montreal spikes uproar. But seriously, somewhat useful covered benches win over 'anti-homeless' design any day. Via Gawker and Bustle. Images by Spring Advertising/RainCity.
Leave it to the Europeans to design something this good looking. Parisian electronics artisans Withings may have just cracked the code to creating appealing wearable tech devices this week. The secret? More wearable, less tech. This recently announced smartwatch is one of the first offerings that doesn't overshoot its target. Not endeavouring to become an iPhone strapped to your wrist or a creepy maligned face computer, the Withings Activité is a beautiful Swiss-made watch that happens to also track your exercise activity. "We tried to really turn the equation upside down," said Withings CEO Cedric Hutchings. "[We wanted] to stop trying to make a piece of technology with a screen, a piece of rubber, something you need to charge every day. We tried to start with a watch." This minimalist-as-blazes watch, which is set to be released in a few months, comes with a large analogue face and two shades of leather strap. It boasts a regular watch battery with a guaranteed life of one year, and is actually waterproof up to five metres. Its only difference from the analogue standard is a small second dial to the right of the clock's centre. This one measures either your steps or your sleep, then syncs the information to your iPhone via Bluetooth. In another cute feature, the Activité can also act as an alarm clock, gently vibrating to wake you at the lightest point in your sleep cycle. While it may not sound all that revolutionary, it certainly is refreshing in a tech market flooded with unrelentingly hideous gadgetry. Like any burgeoning technological field, there are some design issues that need to get ironed out in the smartwatch market and we need to burn our way through a few Nokia 3315s before we get to the iPhones, if you know what I mean. This is probably one of the first worthwhile products of the bunch. Of course, nerdier types are still holding out for the much-hyped Google smartwatch next month — a nifty little piece of tech that even we got excited about. But for those who are more about simplicity and style, the Activité is the way to go. It's maybe the first thing that can be useful without completely resembling a Tamagotchi. Maybe for that we can forgive its cheesy promo clip. Via The Verge.
The pandemic isn't something to giggle about, including when it's interrupting the Brisbane Comedy Festival two years in a row. After 2020's event didn't quite go as planned, the annual fest returned to Brisbane Powerhouse this past July, only to be impacted by lockdowns and changing restrictions. So, the event is coming back again in 2021 — this time, to unleash a heap of shows that were affected by the tightened rules and conditions. Welcome to the Brisbane Comedy Festival 2021 Take 2, which'll kick off on Friday, October 29 and pop up on intermittent dates all the way through until the end of May 2022. Big names, local talent, excuses to get chuckling again and again — they're all on the bill. Highlights include sets by Ross Noble, Tom Ballard, Judith Lucy, Jude Perl, Josh Earl and Lizzy Hoo, plus an Aboriginal Comedy Allstars gig, Nat's What I Reckon and sketch comedy show Brisburned. What's better than a month-long comedy festival? A comedy festival that makes a triumphant comeback, then runs covers another seven-month period — obviously.
Being seen is no longer fashion's biggest priority. Taking you right off the radar, Aussie label The Affair has created a line of 'post-Snowden' threads inspired by George Orwell's classic dystopian novel 1984 — a crowdfunded capsule collection that makes you invisible to Big Brother and lets you reclaim some ownlife using stealth technology. Taking cues right from the pages of Orwell's schoolroom required reading, the 'stealth fashion' capsule collection helps you reclaim privacy. Accordingly, the new line is dedicated to Edward Snowden, your modern Orwellian poster boy. "Edward Snowden proved that Big Brother is no longer fiction," says the team on their Kickstarter page. "The government is watching everyone via our smart phones: telescreens beyond Orwell’s wildest dreams. It's time to fight back and reclaim privacy with clothing that takes you off the surveillance grid and makes you invisible to Big Brother." Combining the colours and workwear styles described by Orwell himself, the garments all come embedded with UnPocket stealth technology. The 11 x 16 cm UnPockets are made from layers of stealth fabric that fit your phone, passport, bank cards — anything you'd like protected against wireless identity theft. Making sure the Thought Police can't get you down at a glance, The Affair's UnPockets are slipped into specially created sections of each garment: The Affair have created four different 'Party' garments (all embedded with the UnPocket) that are 'unhackable' and 'untraceable': Party Workshirt "Inspired by 6079 Smith W himself... Whether you’re rewriting history or creating smut for the proles, the relaxed workwear styling of the Party Workshirt makes this your new wardrobe essential." Party Chinos "Whether you are making love surreptitiously in the forest or being tortured in Room 101, you can be certain these Party Chinos will see you through the day in style." Outer Party Jacket "Created for the workers of Airstrip One, the Outer Party Jacket captures the eternal drive of IngSoc." Inner Party Blazer "O’Brien befriended Winston only to stab him in the back, take everything he loved and reduce him to a broken mess. So if you identity with the iron fist of the 1% then this fully-lined Inner Party Blazer is for you!" Boasting the tagline 'Make Literature Fashionable', The Affair have been using your favourite classic stories as inspiration for seven years, using the last 12 months to perfect the 1984 line. It's not the first time the label has used the celebrated novel for a design; their very very t-shirt was a shoutout to Miniluv. Giving a nod to the Orwellian spirit, the team are jumping on the Damn the Man distribution bandwagon and selling their wares through Kickstarter. Using the classic funded wares as perks set-up, the team have already raised over £2,813 of their £25,000 goal. Check out the entire 1984 collection at The Affair's Kickstarter page and check out the look book below.
Bliss comes in many forms. One such dose of happiness: waking up to glistening water right at your doorstep, after sleeping in a cabin perched over a lake and with your very own heated plunge pool on hand for a dip. Normally that scenic vision would have you thinking of overseas holidays — planning them, too — but it'll soon be available at Pumicestone Passage. Sandstone Point Holiday Resort, aka the Bribie Island-adjacent resort that's on the mainland side of the waterway, is adding overwater villas to its accommodation offerings. Holidaymakers will have six cabins to choose from, all on stilts in the resort's new natural — and swimmable — lake, and ideally before 2023 is out. There's no better time than summer to launch a new place to stay that's all about swims and watery views, with Sandstone Point Holiday Resort's overwater villas expected to be finished before the school holidays kick in. If you're keen to check them out as soon as they open, expect to have plenty of company. There might only be six of them, but the cabins each boast three bedrooms, making them family-friendly spots to slumber. And, so far more than 23,000 people have signed up for the waitlist to be notified when bookings launch. Also included in each cabin: two bathrooms, an open-plan kitchen, and a dining and living space that opens out onto a deck. Inside, there's a fireplace for the cooler months. Outside, patrons will find an outdoor space to eat, a barbecue, a ladder going into the swimming hole and the 5000-litre private plunge pool per villa. [caption id="attachment_927444" align="alignnone" width="1920"] default[/caption] At present, the lake beneath the cabins has just been filled, with the fish and natural plant life still to come. The villas themselves are being furnished, while outdoor showers are being finalised as well — plus privacy screens for each villa, and fencing to keep the place safe. Sandstone Point Holiday Resort already includes a swim-up bar and three heated pools, so you won't be lacking in splashing options if you spend your summers pretending you're Aquaman or Ariel. The natural lake will be chemical-free, with filtration and pumps making the water flow so that people can share a swim with the fish. If you don't manage to nab a villa stay once they're welcoming in travellers but you're still keen for a swim, the lake will be open to all Sandstone Point Holiday Resort guests; however, there'll be certain times each day when it is exclusively available to folks in the cabins. Sandstone Point Holiday Resort's overwater villas are expected to open before the end of 2023 at 1820 Bribie Island Road, Sandstone Point. Head to the resort's website to join the waitlist for further information.
Dog-sharing. Yep. Read it again. Dog-sharing. Services that allow pooch owners to connect with other pooch owners to help with everyday care, pupsit for holidays, do walks and so on. It's happening. Australian service Dogshare was initially launched for dog owners only, but it's now launched a pretty damn exciting feature — a 'borrowing' feature for dog loving people in the same neighbourhood. Yep, now Dogshare allows dogless humans to 'borrow' a pup. You can provide walks or day/night dog-sitting for time-poor dog owners in your local area. There's no money involved, just love (and trust dammit, take care of those pooches). Similar Aussie service BorrowMyPooch works on the same principle but has a subscription fee for owners and borrowers, while Pawshake is free to sign up as a sitter, but owners pay to host their pups. Dogshare founder Jessica Thomas, a busy working mum to two young children and Duke, an exuberant German Shorthaired Pointer, chose to add the free dog borrowing feature in response to a wave of emails she received from non-dog owners willing to offer non-reciprocal care at no charge. "I found that there are so many people out there who genuinely love dogs and have experience caring for them, but are unable to commit to owning one for a variety of reasons," says Thomas. "The borrower gets access to a dog and all the benefits that go with it, while the owner has someone to love and care for their pet when they can't." So, how does it work? Like an online dating service, 'borrowers' create a profile on Dogshare's website, list their previous experience with dogs and flag any services they're keen to volunteer for — there's dog walking, park playdates, overnight stays, vacation stays, taking pups to the vet and other appointments or even the tiniest task of checking on the pup while their owners are at work. Borrowers can then connect with Dogshare's dog owners, who can arrange a local park meet-up and see whether you're not a total weirdo or not. Want to give it a shot? Visit Dogshare's website to create a borrower profile and meet dem pups. Image: Veronika Homchis.
It premiered at Cannes, will make its Australian debut at the Melbourne International Film Festival and is shaping up to be one of this year's biggest films. We're talking about Quentin Tarantino's Once Upon a Time in Hollywood, which sees the acclaimed filmmaker step back to five decades ago to explore Tinseltown in the summer of 1969 — when the golden age of Hollywood was waning down, and when the Manson Family shocked the world with their horrific murders. Tarantino doesn't just want movie buffs to enjoy his new movie, however. He wants to steep viewers in the whole '60s vibe, including the films that inspired his own film. To help, the writer/director has curated a season of flicks all made in the era, and they'll be screening on SBS' new (and free) World Movies channel in August. The Quentin Tarantino Presents collection is a global project, airing in approximately 20 countries around the world in the lead up to Once Upon a Time in Hollywood's release. In Australia, it kicks off on Monday, August 12 with 1969 comedy Bob & Carol & Ted & Alice, about a couple who decide to become more open in their lives. From there, the season will move on to Cactus Flower with Goldie Hawn, Ingrid Bergman Walter Matthau, as well as the Dennis Hopper-directed and -starring Easy Rider. As for the rest of the bill, it all hails from the late 50s, 60s and early 70s, including Model Shop from French writer-director Jacques Demy, student politics comedy Getting Straight with Elliott Gould, crime flick Hammerhead, and westerns Gunman's Walk and Arizona Raiders. One of the films on the list, 1968's The Wrecking Crew, is a humorous spy flick that co-stars Sharon Tate — who Margot Robbie plays in Once Upon a Time in Hollywood. The whole season will set audiences up nicely for Tarantino's latest, which follows TV star Rick Dalton (Leonardo DiCaprio) and his trusty stunt double Cliff Booth (Brad Pitt). Each movie will air with an introduction from the director, who chats with film writer and historian Kim Morgan about how they influenced Once Upon a Time in Hollywood. Check out the Once Upon a Time in Hollywood trailer below: https://www.youtube.com/watch?v=ELeMaP8EPAA SBS World Movies' Quentin Tarantino Presents collection starts airing from 10.30pm on Monday, August 12. For screening times, visit the channel's online program guide. Via Deadline / SBS Movies.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. COUSINS Early in Cousins, lawyer Makareta (Briar Grace Smith, The Strength of Water) walks Wellington's streets, chatting to her cousin Missy (Rachel House, Baby Done) by phone about the latest threat to appropriate their family's land to build a highway. As they talk, a woman with a shrub-like bob of hair and a well-worn green coat almost crosses Makareta's path — and, unbeknownst to her, it's her long-lost cousin, Mata (Tanea Heke, Waru), that she's spent most of her years desperately looking for. In another movie, this near miss would be cutesy, convenient, and spark an onslaught of superficial wisdom about opportunities, coincidences and connections. Cousins isn't that film, thankfully. Here, Makareta and Mata come oh-so-close to finding each other because that's what life entails for a Māori woman who was taken from her family as a child. Stolen away by her white father, left with an uncaring guardian and schooled in a grim home for desolate children, Mata has spent too long at arm's reach from her nearest and dearest, as the film's fractured timeline loops back to explain. She's never all that far away physically — indeed, when she's allowed to stay with her relatives during one youthful summer, a much-younger Makareta (Mihi Te Rauhi Daniels) is shocked to learn that her cousin has been living locally — but by being stripped of her culture, her ties to the past and even the name her mother gave her, Mata may as well have been sent to the other side of the world. Based on Patricia Grace's 1992 book of the same name — and brought to the screen with exceptional performances, including from House, both Keyahne Patrick Williams and Hariata Moriarty (Savage) as younger versions of Missy, and Te Ao Marama Baker, Te Raukura Gray and Ana Scotney (The Breaker Upperers) as Mata at various ages — Cousins explores how Mata's removal from her family leaves a permanent mark. Following her years in institutionalised care and the abhorrent way she's treated by her guardian (Sylvia Rands, Top of the Lake) as well, it's a story and film about colonial trauma, systemic racism and the ills of history that have affected too many First Nations people in too much of the world, and it's a heartbreakingly moving and compelling piece of cinema. Co-directing as well as acting, Grace-Smith teams up with fellow Māori woman and Waru collaborator Ainsley Gardiner to tell a tale that's intimate, impassioned and unflinchingly brought to the screen. Cousins dives headfirst into the pain that removing Indigenous people from their land and culture sparks, and doesn't ever downplay how that hurt, loss, isolation and alienation causes ripples that never subside. And yet, with its calm gaze, as well as its penchant for lingering over brief but vibrant pops of colour and greenery, this is also a movie about fighting for what matters, valuing what you can when you can, and remaining both adaptable and resilient out of both necessity and unyielding fortitude. JOSEE, THE TIGER AND THE FISH With its eye-catching pastel hues and soul-stirring affinity for water, it'd be easy to accuse Josee, the Tiger and the Fish of following in Weathering With You, Children of the Sea and Ride Your Wave's footsteps — or in Ponyo's as well. But this charming and moving Japanese delight finds its origins in a 2003 live-action film of the same name, which itself was adapted from author Seiko Tanabe's short story. The new Josee, the Tiger and the Fish still slides in seamlessly beside its aforementioned anime peers, though. That isn't a criticism by any means. These movies aren't otherwise overtly connected, but Japan's affection for gorgeously animated tales of the heart, of hope and of H2O keeps giving rise to features that may as well be different volumes in a beloved series. Present here, too, is a clear sense of melodrama as two twentysomethings literally collide — physically, more than once, in fact — and try to work out what their futures might hold. Tsuneo (Taishi Nakagawa, Samurai Marathon) has always dreamed of becoming a marine biologist, while Josee (Kaya Kiyohara, Wish) has rarely been given room to think of anything other than the present. Once the pair's paths intertwine, though, they begin to find themselves in far more similar circumstances than either could ever have foretold. The meet-cute here is really a crash-cute: thanks to Josee's hurtling wheelchair and its speedy decline down a hilly Osaka street, she goes flying into his arms. Her grandmother (Chiemi Matsutera) invites him home, and then to join them for a meal — and while Josee is unhappy about the arrangement to the point of being outwardly rude, Tsuneo soon finds himself with a job offer to be her part-time caregiver. He also works in the local dive shop, as part of his studies and quest to earn a scholarship to Mexico. But even with his friend and coworker Mai (Yume Miyamoto, The Misfit of Demon King Academy) pining for him quietly, he's drawn to the impudent Josee. The film strands its titular character in her wheelchair, in peril and in need of help more than once, but Tsuneo is adamant that she needn't ignore her dreams or resign herself to escaping the world around her. Directing his first feature after credits on TV series such as Negima! Magister Negi Magi and Noragami, filmmaker Kôtarô Tamura tells not only a love story, but a tale about embracing life's chaos. His film celebrates the importance of understanding perspectives other than your own, and of fighting for your own choices. Add it to the list of sweet, charming, empathetic and heartwarming anime doing the same — although not one of them simply wades in familiar waters. HEROIC LOSERS Thanks to the vagaries of fate — and, of late, the havoc that the pandemic has played on cinema releases — films with similar elements sometimes brighten up the big screen at the same time. Heroic Losers is one of two movies debuting in Australian cinemas this week that unites a group of small-town locals around a shared cause (the other: Dream Horse; see below). It's also one of two features out this week that pits ordinary hardworking folks against the overwhelming forces making their lives more difficult (the second: Percy vs Goliath; again, see below). Heroic Losers also boasts much in common with the treasure trove of heist flicks that have come before it. Writer/director Sebastian Borensztein (Chinese Take-Out) even includes clips of 1966's How to Steal a Million, and has the 55-year-old classic influence some of its characters' antics, too. But, premiering in Argentina almost two years ago before hopping its way around the festival circuit, including at Australia's Spanish Film Festival, this affable movie ranks among the best kind of formulaic fare. It makes you remember what you love about the genres it warmly falls into, as well as the pictures it fondly recalls — and it never leaves its viewers merely ticking through all of its standard-issue inclusions, then wishing they were watching one of those other pictures instead. The ever-reliable, always charming Ricardo Darín (Everybody Knows) plays Fermín Perlassi, a retired ex-footballer who wants to reopen a grain storage cooperative that stumbled in his small-town home of Villa Alsina a decade earlier. It's 2001, and he manages to encourage his pals and locals to support his dream. Alas, just days after Fermín deposits their life savings — and is manipulated into putting them into an account, rather than in a safe deposit box —Argentina's financial crisis sees the country's banks and their funds all frozen. This isn't the last crisis involving their money, but the group comes up with a plan. Again, as mentioned above, How to Steal a Million helps. So does the eagerness of Fermín and his gang — including Verónica Llinás (So Long Enthusiasm) as his wife, Darín's own son Chino (The Queen of Spain) as his son, and Luis Brandoni (You Only Live Once), Rita Cortese (Wild Tales) and Marco Antonio Caponi (Nobody's Watching) as well — to take their destinies into their own hands. Unravelling their heist antics, Borensztein helms a lively and likeable film that pairs its affection for their efforts with a matching affinity for the characters themselves. It all turns out as anyone can predict, but the good-natured journey is rarely anything less than pleasant. DELIVER US FROM EVIL Whether he's on screenwriting duties or he's behind the camera, a film that involves Hong Won-chan is always worthy of attention. The South Korean filmmaker penned the scripts for Na Hong-jin's gripping The Chaser and The Yellow Sea, then made his directorial debut with the entertainingly savage Office — and now, both as a writer and a helmer, he's added engaging action-packed gangster thriller Deliver Us From Evil to his growing resume. A big box office hit on home turf, this kinetic, frenetic and exceptionally choreographed affair charts the failed last hurrah of cop-turned-hitman In-nam (Hwang Jung-min, The Wailing). In Tokyo, he pulls off his final job without a hitch, but it turns out that his yakuza target has an unhinged brother that his bosses forgot to mention. And, as well as being unhappy about this turn of events to the point of seeking bloody and ruthless revenge, said sibling Ray (Lee Jung-jae, The Housemaid) shares a past with In-nam. That's enough to derail the latter's plans to live the good life in Panama for the rest of his days; however, it's not the only drama that pushes him off course. In Bangkok, his ex-girlfriend has been killed in a bungled kidnapping and extortion scheme, but her nine-year-old daughter Yoo-min (Park So-yi, Pawn) still needs rescuing. Deliver Us From Evil isn't short on plot, but it isn't needlessly overcomplicated or convoluted, either. As a storyteller, Hong has always been efficient above all else. Indeed, when multiple storylines weave through his scripts — as they usually do — they're always unfurled with exactly the flair and detail each needs and deserves. Here, he threads together In-nam's search for Yoo-min and his attempts to evade Ray, and does so with the same precision his two main characters show in their gruesome work. In this 108-minute movie, not a scene or second is wasted, in fact. While much of the minutiae, narrative-wise, hardly reshapes Hong's chosen genre, he firmly knows the difference between blandly sticking to a formula and deploying familiar elements in their best and most spirited forms. His keen eye for dynamic, slick but never mindlessly over-the-top action helps, including in frenzied chase scenes and brutal fist-to-fist battles. His willingness to let the camera linger upon its person of focus a beat longer than usual — whether In-nam, Ray or the transgender Korean woman, Yui (Park Jeong-min, Time to Hunt), In-nam teams up with to locate Yoo-min — also gives the movie its own pace. And, in its casting, Deliver Us From Evil is first-rate. Lee gets the more cartoonish role, but no scene featuring his menace, Hwang's blend of determination and desperation, or both, could ever wear out its welcome. DREAM HORSE Life-changing conversations can happen in bars — as Jan Vokes well and truly knows. Played in Dream Horse by Toni Collette (I'm Thinking of Ending Things), the Welsh supermarket employee and pub barmaid overheard Howard Davies (Damian Lewis, Billions) chatting about his past success as a racehorse owner. In his beer-fuelled boasting, he doesn't discuss how it almost left him bankrupt and divorced, but Jan is still inspired to both follow his lead and enlist his help. Having bred whippets and racing pigeons before, and won prizes for doing so, she decides she'll turn her attention to horses. Husband Brian (Owen Teale, Game of Thrones) isn't initially convinced, but soon she's studying guides, finding a mare and then a stallion, and convincing her friends and neighbours to put away a tenner a week to pay for this little endeavour. The syndicate's focus: a foal they name Dream Alliance, who spends his early days being raised on the Vokes' allotment, and eventually ends up with racing hotshot Philip Hobbs (Nicholas Farrell, The Nevers) as its trainer. Dream Horse wouldn't exist if success didn't follow, and it leaves no doubt that that's the case; however, director Euros Lyn (The Library Suicides) and screenwriter Neil McKay (Mad Money) chart lows as well as highs, and always ensure their characters are their primary focus. Dream Alliance was always going to gallop into cinemas, of course — and not just via 2015 documentary Dark Horse: The Incredible True Story of Dream Alliance. His is a story too crowd-pleasing for filmmakers to ignore, especially given the UK's penchant for against-the-odds tales about motley crews of struggling salt-of-the-earth characters who band together over an unusual but swiftly shared interest that ends up revitalising their lives in more ways than one. That's the template Dream Horse plays to, even though it's based on a true tale and an actual horse. The Full Monty, Calendar Girls and similar feel-good flicks provide as much inspiration here as the actual real-life details, in fact. Accordingly, this is a movie that's easy to get caught up in. It's almost impossible not to, really. That said, it's also a film that wears its warmth, sentimentality and shameless heartstring-pulling as a badge of honour. As a result, it's also impossible to ignore the buttons the movie keeps gleefully pushing, and the parts of the tale that must've been smoothed out to elicit the desired cheer-inducing response — even around Collette's committed performance. But this happily mawkish feature and its characters are all doing it for the "hwyl", a Welsh term that means "emotional motivation and energy", and neither is willing to let that mission dwindle even for a second. PERCY VS GOLIATH Not once but twice in Percy vs Goliath, snippets of news footage utter the three words that no one needs to speak aloud. Given its title, no one needs to spell out that seed-saving Saskatchewan farmer Percy Schmeiser (Christopher Walken, Wild Mountain Thyme) is locked in a David vs Goliath battle with agriculture and agrochemical behemoth Monsanto. By the time the biblical face-off is first mentioned in this underdog drama, it's well and truly clear that this is the case — whether or not you're familiar with the real-life story, or you've seen the 2009 documentary Percy Schmeiser — David Versus Monsanto. But actor-turned-director Clark Johnson (Juanita) and screenwriters Garfield Lindsay Miller (The Devil You Know) and Hilary Pryor (Moosemeat & Marmalade) go there anyway. They make a plethora of choices that are just as blatant and unnecessary, and it robs their film of its potency. Unexpectedly accused of stealing Monsanto's Roundup-resistant canola seeds, and determined to do whatever it takes to demonstrate his innocence and fight for the rights of his fellow farmers, Schmeiser's tale is rousing enough without needing to resort to obvious cliches. Undoubtedly, his quest was described in such terms by media at the time, and definitely would've been since as well, but Percy vs Goliath's viewers don't need to be spoon-fed so forcefully to understand why his battle matters. Thankfully, this by-the-numbers movie has Walken at its centre, which is usually a smart choice. The veteran actor might've been poorly served by his past two big-screen roles — his Irish accent in Wild Mountain Thyme is awful, and the less said about the never-funny all-ages exploits in War with Grandpa, the better — but he's reliably compelling here as Schmeiser. His character's troubles begin when he's sent a letter demanding $15,000 in payment for his supposed unlicensed use of Monsanto's patented technology. Schmeiser's wife (Roberta Maxwell, Hungry Hearts) is initially sceptical about enlisting legal help, his son (Luke Kirby, The Marvellous Mrs Maisel) is steadfastly against it and even their chosen lawyer (Zach Braff, The Comeback Trail) recommends settling; however, this farmer doesn't take kindly to being told he's a thief when he isn't, or being bullied by the big end of his industry. He initially isn't too fond of the environmental activist (Christina Ricci, Around the Block) who pops up to crowdfund for his cause, either, but sometimes he needs her bigger-picture thinking. Yes, everything in Percy vs Goliath unravels as expected, and Johnson, Miller and Pryor's choices emphasis that unmissable truth. The film didn't need to be as routine and drama-free as it is, but Walken gives it far more spirit than it possesses otherwise. THE MEDDLER In The Meddler, it doesn't take long for German Cabrera to admit the obvious: he has an addiction. By day, the Guatemala City resident works as a mechanic, a trade he's keen to teach to his four sons. By night, he leaves his family at home while he trawls the streets until dawn, doggedly searching for whichever splashes of blood, crime and drama that he can capture with his always-recording camera. Cabrera is compelled to document the city's chaos so that he can expose it, he explains. As the block of text that opens the film notes, 2100 homicides were reported in Guatemala City in 2013, making it the 12th most violent place in the world. Cabrera records everything that he can — nightly fights, drunken behaviour, medical emergencies and dead bodies alike — with TV networks airing his footage, and even eventually dedicating an entire segment called The Night Watcher to his visuals. He's proud about the fact that he doesn't get paid for his efforts. As The Meddler watches him as he watches on, he seems to enjoy what he's seeing, too. In fact, Cabrera takes his role as a self-appointed observer to heart, simply standing by camera in-hand while scenes and events scream for someone's intervention, and often just recording anyone who happens to stumble into his view. Directed by feature first-timers Alex Roberts and Daniel Leclair, The Meddler has charged itself with a complicated task — because its subject and his actions and motivations are equally complex. When the documentary spends time driving around with Cabrera, peers at him while he's on the road and hears him talk about his desires to better the city, it purposefully brings Taxi Driver to mind. When it spies his eagerness to voyeuristically seek out and shoot Guatemala City's nocturnal chaos night after night, it summons up Nightcrawler as well. Neither comparison paints Cabrera in a favourable light, or a straightforward one. The Meddler thrusts him to the fore and its filmmakers don't interject in his monologues, question his statements or try to explain his choices; however, the doco's aesthetic and editing choices don't wholly land on his side, either. Indeed, this is a knotty character study that appreciates Cabrera's stated quest, and also acknowledges all of the thorniness that comes packaged with him and his after-dark hustle. When the film uses his footage, it's chilling and unsettling. When it forces viewers to contemplate his presence in the night and accompanying penchant for sensationalistic imagery, it's just as eerie. GREAT WHITE When a giant shark chomps its way through the cinematic ocean, audiences are meant to side with its scared human prey. But some creature features give viewers multiple reasons to do the opposite — and to find their own way to liven up a dull and formulaic movie. Perhaps the film's non-fish characters are woefully one-note or unlikeable, or both. Maybe the script is so simplistic, even in a well-worn genre, that a shark munching random keys on a typewriter probably could've written something better. Or, it could be that every plot development, performance, visual, and score choice is so overwhelmingly predictable that tension is as rare as a vegan great white. Actually, there's no maybes about any of the last three statements when it comes to horror's latest shark-centric outing, which turns Queensland's waters into a buffet for a ravenous critter. Great White marks the feature debut of director Martin Wilson, and only the second movie script for screenwriter Michael Boughen (Dying Breed); however, that its producers have 2010 Aussie shark film The Reef and its now-in-production sequel The Reef: Stalked on their resumes — plus homegrown 2007 crocodile flick Black Water and its 2020 sequel Black Water: Abyss — will surprise absolutely no one. Great White's setup will be familiar to anyone who has even heard of a shark movie before, let alone watched one. The twist: despite reassurances by marine biologist-turned-seaplane pilot Charlie (Aaron Jakubenko, Tidelands) that the time just isn't right for teeth-gnashing ocean predators to fill their empty stomachs, climate change seems to have changed the titular species' habits. So, on a lucrative charter gig that'll help keep his business financially afloat, Charlie, his girlfriend Kaz (Katrina Bowden, 30 Rock), their cook Benny (Te Kohe Tuhaka, Love and Monsters), and their paying customers Joji (Tim Kano, Neighbours) and Michelle (Kimie Tsukakoshi, The Family Law) find themselves under threat. They've headed to a remote island of personal significance to Michelle, and Joji is clashing with Benny before they even spot the resident great white's last victim. To ramp up the stakes, Kaz is telling Charlie that she's pregnant, too. Quickly, the quintet become the creature's next targets, including while cast adrift in a life raft that could use Life of Pi's Richard Parker for company. Just as speedily, Great White's audience will wish that something — anything — that hasn't previously graced Jaws, The Shallows, 47 Metres Down or even The Meg's frames would happen in this thrill-free bob into been-there, done-that waters. SPIRIT UNTAMED The first time that a Kiger Mustang named Spirit cantered across the silver screen, it was in 2002's Oscar-nominated Spirit: Stallion of the Cimarron. Back then, the film marked just the sixth theatrical feature that Dreamworks Animation had brought to cinemas — following Antz, The Prince of Egypt, The Road to El Dorado, Chicken Run and Shrek — and if anything stood out, it was the movie's hand-drawn animation. Almost two decades later, Spirit Untamed returns the energetic and determined horse back to theatres. The movie he's in still looks gorgeous, even if computers have replaced pencils in bringing him to life. That said, this isn't actually the franchise's second step, with Netflix series Spirit Riding Free also telling the apple-loving animal's story across 78 episodes since 2017. In both look and feel, Spirit Untamed has more in common with its streaming counterpart than its big-screen predecessor, unsurprisingly. It's happy to primarily court the show's young audience, too. Indeed, while voice work by Jake Gyllenhaal (Spider-Man: Far From Home), Julianne Moore (Lisey's Story), Walton Goggins (Fatman), Andre Braugher (Brooklyn Nine-Nine) and Eiza González (Godzilla vs Kong) is designed to appeal to adults, there's little else but scant traces of nostalgia and pastel-hued imagery to keep anyone past their teens interested. Her vocals stem from a different actor — with Isabela Merced (Dora and the Lost City of Gold) doing the honours — but Fortuna Esperanza "Lucky" Prescott still sits at the heart of Spirit Untamed. Like Spirit Riding Free, the new film tells of Lucky's arrival in the frontier town of Miradero, her connection with Spirit and her efforts to save him from wranglers (led by Goggins). Also covered: her budding friendship with fellow horse-lovers Pru (voiced here by Little's Marsai Martin) and Abigail (Mckenna Grace, Annabelle Comes Home). They're the pals she needs when Spirit and his wild companions are snatched up by the nefarious rustlers, who plan to ship the horses off and sell them. Together, the pre-teen trio then sets off across the dangerous plains, determined to save the galloping animals and do the right thing. There's an obvious but still welcome and powerful message in Lucky's story, as she ignores her worried dad's (Gyllenhaal) warnings and her doting aunt's (Moore) fussing, choosing to follow her own heart and path instead. (Her father frets because her mother, voiced by González, worked as a horse-riding stunt performer and died during a show.) Similarly pleasing, even if the movie basically just remakes the TV show's first episode: that this all-ages wild west tale heroes women, although it pales in comparison to the recent Calamity, a Childhood of Martha Jane Cannary. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on January 1, January 7, January 14, January 21 and January 28; February 4, February 11, February 18 and February 25; March 4, March 11, March 18 and March 25; and April 1, April 8, April 15, April 22 and April 29; May 6, May 13, May 20 and May 27; and June 3. You can also read our full reviews of a heap of recent movies, such as Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters, The Little Things, Chaos Walking, Raya and the Last Dragon, Max Richter's Sleep, Judas and the Black Messiah, Girls Can't Surf, French Exit, Saint Maud, Godzilla vs Kong, The Painter and the Thief, Nobody, The Father, Willy's Wonderland, Collective, Voyagers, Gunda, Supernova, The Dissident, The United States vs Billie Holiday, First Cow, Wrath of Man, Locked Down, The Perfect Candidate, Those Who Wish Me Dead, Spiral: From the Book of Saw, Ema, A Quiet Place Part II, Cruella, My Name Is Gulpilil, Lapsis and The Conjuring: The Devil Made Me Do It.
Sometime in the near future, Brisbanites will be able to mosey through wetlands, kayak and canoe in a lake, ride along rainforest mountain-bike trails, peer out from a treehouse lookout and climb a high-ropes course — all on the edge of Brisbane's CBD. That's what's slated for the revamped Victoria Park, with the Herston spot in line for a hefty makeover. The first step: shutting the Victoria Park Golf Course and reopening its 45-hectare expanse as a public park. That initial move has already been taken, in fact. Sorry, golfers. And, with all that land now reclaimed, the Brisbane City Council has announced that everyone can head along to the grassy locale for picnics, to kick a footy around and to walk your dog. It's the first time in nearly a century that the land has been open to everyone, too, if you need even more of an excuse to head by. Given that this is just the first step in the site's transformation — which has been dubbed Victoria Park Vision — more changes are on the way. Brissie residents can still make the most of all that greenery while that's happening, though, including by sitting underneath the site's jacaranda trees. And, the existing putt putt course, driving range, bistro and function centre are all staying open while the revamp takes place, should you have the urge to play mini golf or grab a bite to eat. "Opening the park to the public is a major step in our plan to deliver a once-in-a generation project which will restore the park to its former glory and reconnect visitors with local history, culture and nature," said Brisbane Lord Mayor Adrian Schrinner. "Brisbane residents have helped shape what all 64 hectares of parkland will look like and we're in investing $83 million over four years to start to bring this vision to life, which will eventually see waterholes and wetlands, nature playgrounds, an adventure valley and so much more," he continued. First announced in mid-2019, the new vision for Victoria Park will significantly change the current space. Late in 2020, following several stages of community consultations and draft proposals, the council released its final plan for what that'll entail. Over the 64-hectare site — the golf course's 45 hectares, plus some surrounding land — the park will specifically increase the area dedicated to green space. Also on the agenda: a cultural hub, artwork and trails paying tribute to Australia's Indigenous heritage, plus plenty of shady foliage including revegetated forests and pockets of native bushland. There'll be dining areas and picnic spots, too, and community gardens — or perhaps even a small urban farm or urban orchard. Multipurpose spaces such as a green amphitheatre will be designed to host events year-round as well, including performances and exhibitions. [caption id="attachment_793561" align="aligncenter" width="1920"] An artist's impression of Victoria Park once the revamp is complete.[/caption] In addition to the aforementioned Lake Barrambin — where you'll be kayaking and canoeing — the site will feature lagoons and wetlands, a 'nature and water play gully' for kids, restored waterholes for wildlife, and waterside boardwalks to mosey along. And the existing Centenary Pool will be part of the park, if you're keen for a dip. When it's all done, the transformed Victoria Park will become Brisbane's biggest new park in five decades, and one that'll alter the face of the inner city. A completion date for the revamped park is yet to be set, but we can all now drop by, laze around on the grass and watch that change happen. Find Victoria Park on Herston Road, Herston. For more information about the overall transformation, visit the Brisbane City Council website.
While the Sunshine Coast might be best-known for its world-class coastline and truly magnificent beaches, there's plenty to explore inland in this part of Queensland. And the charming town of Montville is the perfect base from which to set off on outdoor adventures in the subtropics. In fact, Montville might be one of the quaintest spots you'll find on the Sunshine Coast. Located on the Blackall Range, the town used to be known by the admittedly cooler name Razorback, but was changed following, of all things, a town meeting. Nevertheless, the picturesque hamlet is a superb spot for your next out-of-town escape. The town itself is home to great restaurants, cafes, boutiques and galleries, and it's on the doorstep of impressive scenic walks and swimming holes. Where to start? We've teamed up with Wild Turkey to put together a list of our favourite ways to enjoy the great outdoors in and around Montville. UPDATE: Due to damage from recent extreme weather in southeast Queensland, some places mentioned may be closed or operating differently. Check websites for the latest updates before visiting. [caption id="attachment_843812" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] EXPLORE THE KONDALILLA NATIONAL PARK Montville is perhaps best known for its close proximity to the idyllic Kondalilla National Park. One of the best ways to take in the epic scenery here is via the Kondalilla Falls Circuit. The slightly challenging but rewarding four-kilometre walking trail takes you from the eponymous waterfall through a verdant valley of lush, green rainforest to a cool rockpool at the top of the falls, before leading to the bottom of the valley where you'll get the best view of the falls. The walk back up is a little tough, but you'll be rewarded with encounters with stunning native flora like bunya pines, piccabeen palms and pink ash. [caption id="attachment_843814" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] SPEND A NIGHT IN THE SUNSHINE COAST HINTERLAND While there are plenty of cute Airbnbs and hinterland cottages in this part of the Sunshine Coast, the region is also perfect for camping. Located along the Sunshine Coast Hinterland Great Walk is the Flaxton walker's camp, which offers a series of campsites peppered through a towering eucalypt and ash forest with a ferny undergrowth. The site is only accessible via a 16-kilometre walk, but we assure you it's worth the effort — you'll be rewarded with truly majestic surroundings and be woken by birdsong as the sun rises. If you fancy bringing the 4WD, the nearby Hunchy Hills Bush Camp is situated on a former banana and pineapple plantation less than five minutes' drive from the centre of Montville. It offers a superbly secluded setting, with each of the three sites boasting a fire pit and log seats. [caption id="attachment_844583" align="alignnone" width="1920"] Elliott Kramer[/caption] SWIM, KAYAK OR PICNIC AT THE BAROON POCKET DAM The Sunshine Coast may well be an area synonymous with stunning beaches, but you'll be pleasantly surprised to know it also boasts some beautiful inland waters as well. Enter Baroon Pocket Dam, a picturesque lake located between Montville and the nearby town of Maleny that offers beautiful picnic grounds, swimming, fishing, as well as plenty of local wildlife. We'd recommend renting a kayak for a few hours to explore the lake and its many surrounding tributaries. [caption id="attachment_843815" align="alignnone" width="1920"] Garry Zhuang (Unsplash)[/caption] GO-KART ON AUSTRALIA'S LARGEST COMMERCIAL TRACK Okay, maybe you're a bit over bushwalking by this point, so you'll be stoked to know that the oh-so-nearby town of Landsborough is home to the largest commercial go-kart track in Australia. Whether you're an adrenaline junkie, looking for something to keep the moody teenager in the family distracted, or just keen for a revvin' good time, the aptly titled Big Kart Track is sure to be a hit. The 1.2-kilometre track includes a series of wide looped turns as well as some serious hairpins, which you can take on in a cart capable of reaching speeds of up to 70 kilometres per hour. The track is open seven days a week for you to live out your Formula One dreams, at much more manageable speeds. Nighttime and wet-weather sessions are also on offer for more experienced drivers. [caption id="attachment_843813" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] EXPLORE THE MARY CAIRNCROSS SCENIC RESERVE Back to walking again, but that's only because there are just so many awesome places to check out while you make those steps count. The stunning Mary Cairncross Scenic Reserve is as scenic as its name suggests and is home to 55 hectares of subtropical rainforest overlooking the beautiful landscape of the Glass House Mountains. The reserve boasts a number of leisurely walking trails and guided tours that'll get you up close with the enchanting surrounds, while the Rainforest Discovery Centre is where you can learn about the diverse life that makes up the ecosystem of this beautiful forest via a bunch of cool multisensory educational exhibits. While you're out and about, keep your eyes peeled for local birdlife — the park plays host to nearly 150 different species. GO LUXURY CAMPING AND SLEEP UNDER THE STARS You've probably heard of glamping, but Starry Nights Luxury Camping takes things to a whole other level. Situated in the bucolic hinterland by the waters of the gently flowing Petrie Creek, these lush grounds host handmade tents spanning 75 square metres, each set on a raised platform of polished recycled barn floor wood. Inside there are hand-carved stone basins, a roaring fireplace, hot running water for both showers and opulent baths in the claw-footed tub, a fully stocked kitchenette, flushing toilets and king-sized beds with organic linen. Settle in among the eucalypts and rolling hills and take in a decadent evening under the stars. Find out more about Wild Turkey's Discovery Series at the website. Top image: Tourism and Events Queensland
In Stay of the Week, we explore some of the world's best and most unique accommodations — giving you a little inspiration for your next trip. In this instalment, we go to The Lindis in Canterbury, New Zealand, where you'll find small but mighty luxe pod accommodations overlooking the Ahuriri Valley's dramatic landscape. If you're itching to get away and ready to book an Aotearoa holiday now, head to Concrete Playground Trips to find a fabulous line-up of deals on roadtrips around New Zealand — including car rental, accommodation and breakfast. WHAT'S SO SPECIAL? These nature pods are inspired by the tiny homes you've seen popping up all over Australia and New Zealand — but so much more luxurious. The design of the rooms, the epic views and the access to the nearby lodge all make for a spectacular stay. THE ROOMS What the Lindis pods lack in size (they're about 18 square metres), they more than make up for with amenities. Each totally private room boasts a king-size bed with lush linens, ensuite with premium toiletries and private bathtub, an outdoor sitting area and, crucially, heating for when the outside temperature drops. But one of the best features comes in the form of the pod's structure itself. Three of the sides are covered in double-glazed mirrored glass than spans from floor to ceiling — perfect, in other words, for sitting in bed and marvelling at the incredible valley views before you. The Lindis pods are also entirely separate from everything else on the property, but you are within a short walk of the property's main lodge. Head here for the property's main dining room, a bar, lounge areas, a games room and a billiards room. FOOD AND DRINK One thing to note up front: at The Lindis, daily breakfast, lunch, pre-dinner drinks and canapes, multi-course dinner and the minibar is all included in the price of your stay. Because a truly relaxing getaway should involve needing to make as few decisions as possible. On the menu, you'll find produce that's either locally sourced or harvested from the property's on-site garden, from wild venison to porcini mushrooms and even locally caught seafood. The ever-evolving menu can also be paired with a nightly rotating selection of New Zealand and international wines. THE LOCAL AREA The Lindis is located in the Ahuriri Valley on New Zealand's South Island. Up here you'll spend your time among rugged mountain ranges, wetlands bursting with wildlife, tussock grasslands and vast beech forests. If you're looking for peace, quiet and reconnecting with nature, you're in the right place. THE EXTRAS Sure, you could take in the rugged terrain from your bed or outdoor terrace, but The Lindis also offers plenty ways that allow you to experience the land from up close. Take yourself on a hike or e-bike ride through the valley, or saddle up for a horseback tour for a truly unforgettable experience. Want to see it from above? The Lindis also offers helicopter flights so you can truly feel on top of the world. If you're after something more leisurely, book a picnic or barbecue package. And, when the sun goes down, join the team for a spot of spectacular stargazing. Head to The Lindis website to book a stay at one of its luxurious pods. Feeling inspired to book a truly unique getaway? Head to Concrete Playground Trips to explore a range of holidays curated by our editorial team. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips in destinations all over the world.
The Little Singapore Restaurant Sunnybank has been a favourite of locals since opening in 2005. The two CBD locations, 'Uptown' and 'City' have also proved popular with those after quick, tasty and affordable meals. The menu and decor are largely consistent across all three restaurants, as is the quality. Little Singapore offers many Malaysian favourites like roti canai, lobak, Hainanese chicken and char kway teow. The seafood combination chow mein is a standout – crispy egg noodles and assorted seafood in a Hong Kong style white sauce. Standard alcoholic beverages are available and the drinks list also includes many refreshing non-alcoholic options like red bean crushed ice, taro milk tea and watermelon juice (served in sealed plastic cups). The City restaurant is conveniently located on Charlotte Street, right next door to Archives Fine Books. Like its sister restaurants, it can be counted on for flavoursome and affordable meals, and though the service may not necessarily be polished, it is very fast.
Press on James St may be small but it sure packs a punch. A vibrant pink pitaya bowl punch to be precise. With management recently changing hands, Bulimba locals will be sure to recognise the health-conscious style of the new owners — the same duo behind Coco Bliss Superfood Bar. Dig into Press' signature pitaya bowl or a cup of chia seed pudding, then wash it down with a Genovese flat white made with Barambah Organics milk. Be sure to pick up a choc peanut butter cup for the road — before you cry “sacrilege!” know that these babies are completely raw, vegan, dairy free, gluten free and refined sugar free but 100% delicious.
When international art collective teamLab launched Borderless, its Tokyo-based permanent digital-only art museum, the kaleidoscopic space became the most-visited single-artist site in the world in just its first year of operation. Wherever the outfit pops up — be it in Shanghai oil tanks, Japanese hot springs or Melbourne — its installations are always hugely popular. So it's no wonder that the group keeps expanding its footprint by opening more permanent locations. Late in 2019, teamLab launched a new venue in Shanghai, which is also called Borderless. This year, it also started a museum called SuperNature in Macao. And, come 2024, it'll set up shop in The Netherlands as well — thanks to a new permanent digital art exhibition in Utrecht, which'll become the Europe's first centre dedicated to digital art. Called Nowhere, the next teamLab site will take over a 3000-square-metre space — and fill it with a range of the collective's typically vibrant and luminous works. While specific details about these pieces are yet to be revealed, Nowhere will be home to 'Future Park' and 'Athletics Forest' areas like its other venues. That means digital art fans can expect an all-ages, educational range of works, as well as engaging and fun activities that'll get you to physically interact with the pieces on offer. With the space's opening still four years away, clearly more details will be provided in that period; however teamLab will be pondering familiar themes. In a statement about the new exhibition, the group noted that it'll be exploring the expanding and spreading notion of beauty, the way it changes people's perceptions, and the fact that "everything exists in a fragile yet miraculous continuity over an extremely long period of time" — and that it's aiming "to create an experience through which visitors recognise this continuity itself as beautiful". In other words, it sounds like teamLab's next batch light and projection-heavy art will once again dazzle, immerse and get audiences thinking as they wander through and interact with the new space. In terms of its location, Nowhere will form part of an impressive spot, too. It'll nestle into the ground floor of Utrecht's new biodiversity-focused Wonderwoods development, which'll feature more than 360 trees and almost 9750 shrubs and plants in a green urban space next to Utrecht Central Station — so, before you mosey around teamLab's digital wonders, you have soak in some natural splendour as well. Of course, digital art aficionados Down Under will need to cross their fingers that international travel has returned to normal by 2024 — so put visiting Nowhere on your post-pandemic travel bucket list. teamLab Nowhere will open at Wonderwoods, Jaarbeurs Boulevard, Utrecht, at a yet-to-be-announced 2024 date — we'll update you with further details when they're announced. Top image: teamLab SuperNature. Mountain of Flowers and People: Lost, Immersed and Reborn, 2020, Interactive Digital Installation, Endless, Sound: Hideaki Takahashi © teamLab.
Spraying reboots, remakes, sequels and prequels across cinema screens like a spirit supposedly sprays ectoplasm — gushing reimaginings, spinoffs and seemingly never-ending franchises, too — Hollywood ain't afraid of no ghosts. It loves them in horror movies, obviously, but it adores the spectre of popular intellectual property even more. These phantoms of hits gone by can be resurrected again and again, all to make a profit. They haunt both cinemas and box-office blockbuster lists, making film-goers and the industry itself constantly feel like they're being spooked by the past. With 14 of Australia's 15 top cash-earning flicks of 2021 all falling into the been-there-done-that category in one way or another, looking backwards in the name of apparently going forwards is now mainstream filmmaking 101, and the big end of town rarely likes bustin' a money-making formula. After more than a few pandemic delays, that's the world that Ghostbusters: Afterlife floats into — a world that's made worshipping previous glories one of the biggest cash-spinners show business could've ever dreamed up. The fourth feature to bear the Ghostbusters name, but a new legacy sequel to the original 1984 film, this reanimated franchise entry certainly sports a fitting subtitle; treating its source material like it's nirvana is firmly filmmaker Jason Reitman's approach. To him, it might've been. Although he established his career with indie comedies such as Thank You for Smoking and Juno, he's the son of director Ivan Reitman, who helmed the OG Ghostbusters and its 1989 follow-up Ghostbusters II. To plenty of fans, those two initial comedy-horror flicks were something special as well; however, acknowledging that fact — and trying to recreate the feeling of being a kid or teen watching the first Ghostbusters nearly four decades ago — isn't enough to fuel a new film. To be fair, the younger Reitman isn't particularly interested in making a new movie; Be Kind Rewind's "sweded" Ghostbusters clips are more original than Ghostbusters: Afterlife. Instead, he directs a homage that sprinkles in links to its predecessor so heartily that it's probably easier to name the scenes and details that don't scream "hey, this is Ghostbusters!" as loudly as possible. And, even when Reitman and co-screenwriter Gil Kenan (Poltergeist) appear to shake things up ever so slightly, it all still ties back to that kid-in-the-80s sensation. Sure, Ghostbusters: Afterlife's protagonists aren't adult New Yorkers, but they're small-town adolescents who might as well have ambled out of one of the era's other hot properties: Steven Spielberg-helmed or -produced coming-of-age adventure-comedies about life-changing, Americana-dripping, personality-shaping escapades. Phoebe (Mckenna Grace, Malignant) is one such child, and a new inhabitant of the cringingly titled Summerville, Oklahoma at that. With her mother Callie (Carrie Coon, The Nest) and brother Trevor (Finn Wolfhard, The Goldfinch), she's made the move because the granddad she never knew just passed away, leaving a dilapidated rural property to his estranged family. The townsfolk speak his nickname, "dirt farmer", with mocking and intrigue, but his actual moniker — and all that equipment he's left behind — brings big changes Phoebe's way. While being Dr Egon Spengler's granddaughter doesn't initially mean too much to her, other than giving her love for science a genetic basis, she's soon segueing from testing out ghost traps with local teacher Mr Grooberson (Paul Rudd, The Shrink Next Door) to cracking Egon's secret efforts to stop a world-shattering supernatural event. Who ya gonna call? Reitman and Kenan's teen fantasies, presumably. The pair haven't taxed themselves with their screenplay, which reads like backyard cosplay. That said, when they're not getting characters to utter the obvious — including "who ya gonna call?", of course — or trotting out mini marshmallow men for no good narrative reason, Reitman and Kenan do expend ample energy differentiating Ghostbusters: Afterlife from 2016's Ghostbusters. Wrongly maligned by manchildren who claimed that women bustin' ghosts somehow ruined their childhoods despite the fact they're now ostensibly grown, the latter is a comic gem that's far nearer in tone to the 1984 flick than this new nostalgia dump. But the female-fronted film didn't linger on every Ghostbusters nod it could shoehorn in every 30 seconds or so, and definitely didn't regard all those winks as the sole reason it existed, so Ghostbusters: Afterlife is here to redress that (and, continuity-wise, to flat-out ignore that the last movie was ever made). It seems that Hollywood does want to blast away some spirits after all: the remnants of prior franchise entries that didn't thrill their diehard fans. There's no point asking if this is what blockbuster filmmaking is now, because we've all seen the proof countless times — but even Spider-Man: No Way Home's theme park-esque references to past web-slinging iterations still recognised the movies that weren't universally loved. The Matrix Resurrections plugged into its chequered history even deeper, defiantly making its two worst predecessors indispensable to the latest movie. But Ghostbusters: Afterlife doesn't dare challenge, surprise, or do anything other than pander to and try to evoke claps and cheers from viewers easily pleased by loving what they've always loved. Bringing back familiar faces, blatantly ripping off the original Ghostbusters' ending, tastelessly resurrecting (via CGI) the late Harold Ramis as Egon: there is no inspiration here, only bland, tedious, sentiment-coddling cinematic gruel. If only Reitman approached Ghostbusters: Afterlife less like inevitably inheriting the family business, and more like the smart, sharp and very funny comedies already on his resume. If only he'd brought over just a single proton-pack blast of Young Adult and Tully's disdain for idolising the past. If only he'd given the engaging Grace something more to do than act out his own path — learning to follow in her grandfather's footsteps, just as Reitman does with his dad. There's more where these laments came from, too. If only there really was something strange, unusual, wacky and silly in this movie's neighbourhood, other than Rudd never ageing. If only Ghostbusters: Afterlife wasn't just empty and easy fan service: the movie. If only it wasn't bloated, shot like a parody of an 80s all-ages adventure, far too influenced by Wolfhard's Stranger Things, wasteful of its cast, and determined to remind its audience over and over that better Ghostbusters films exist. This fourquel only has eyes for one movie, it ain't afraid to show it, and it isn't itself — and that's what it leaves you wishing you'd watched again instead.
Good news gaming fiends: Melbourne's first hotel games-inspired room is now available for you to live out all your gamer dreams. View Melbourne has created a 35-square-metre room that's custom-made for gaming, providing guests with everything they need for the ultimate game night. It's essentially a fully loaded paradise for gamers and, yes, it's as good as it sounds. The PC corner includes an MSI MEG Trident X2 computer, dual 27-inch 170Hz Esports gaming monitors, a full Elgato streaming setup and a game library that boasts an extensive collection that's continuously updated. The setup also includes an Xbox controller, MSI gaming headset, mouse, keyboard and a Logitech speaker system. Meanwhile, the couch and main television are perfectly set up for all kinds of console gaming, from intense solo sessions to epic four-player parties. The main machine is a Nintendo Switch hooked up to a 55-inch Samsung TV complete with Apple TV, accompanied by four Nintendo Switch pro controllers. On the games front, all the Nintendo faves are available, including the big Mario titles, Super Smash Bros. Ultimate, Pokémon: Let's Go Pikachu and The Legend of Zelda: Tears of the Kingdom. Plus, guests also have access to a huge catalogue of NES, Super NES, Game Boy, Game Boy Colour, Game Boy Advance, Sega Genesis and Nintendo 64 games, all of which are available to play via the Switch. Now, let's talk perks. The room comes with bottomless popcorn, which you'll make in the room yourself; a whole fridge filled with energy drinks, soft drinks, beer and wine; various spirits; and a fully stocked snack bar with an array of gamer faves (yes, even Cheetos). The popcorn is complimentary, but you'll pay for everything else that you eat and drink. The room is full of gamer memorabilia without feeling crowded, and the customisable RGB lighting adds a cool touch (don't worry, you can turn it off if it isn't your thing). Up to five people can stay in the room, so it's the perfect space for epic Mario Party sessions. The setup includes a king bed which can transform into two singles, a sofa bed, and the option to add a portable bed. The room is inclusive for two guests, with each additional adult costing $40 per night. Kids under 12 stay free if they're using existing bedding. For those looking to stream, the high-speed internet and Elgato gear, and even a ring light are there for a seamless experience. And if you're in Melbourne for business, the PC corner doubles as a workspace. In short, the room is a cool blend of nice hotel amenities and a gamer's dream setup, offering a fresh, fun way to stay in Melbourne if you're visiting — or a dream staycation if you just want to live out your 12-year-old kid fantasy. Find View Melbourne at 562 St Kilda Road, Melbourne — and head to the View Melbourne website for bookings.
Maybe you love sport so much you'll watch as many types on as many screens as possible. Or, maybe you're not much of a fan — but you still love a pub filled with sports-watching patrons. Either way, a decent sports bar is a great place to grab a beer and hang out for a few hours. You'll sit, you'll chat to your mates, you'll knock back a few beers and you'll soak in the vibe. Brisbane has more than a few options. If you've ever ventured anywhere in south-east Queensland around State of Origin time, you'll know that we love our competitive endeavours. We've teamed up with the Hahn Brewers to bring you this list – ten places to head whenever the next big match of whatever game takes your fancy comes around. THE PINEAPPLE HOTEL If you can pick a good sports bar by the number of patrons inside its walls when a game is on, then consider the Piney a winner. Just down from the Gabba, you'll find the Woolloongabba pub packed whenever the Brisbane Lions are playing — and even more so before and after each game. Its close proximity is certainly a main attraction; however, if you're after a decent meal, so is its restaurant. Sit down for a steak, or stay in the main area for a $10 lunch or daily dinner deal. THE CAXTON HOTEL AFL fans have the Piney within walking distance of the Gabba. On the other side of the city, Suncorp Stadium's Caxton Street location means that rugby league and soccer fans have plenty of options. You can't go past the place that shares its name with the road its on, though. One of the city's oldest licensed premises, it's also the go-to pre- and post-match spot. Getting there early before a game is recommended, because — unsurprisingly — The Caxton is usually overflowing with people. BARCADIA BAR AND KITCHEN Walking up Oxford Street, you can tell when you're getting close to Barcadia. Or, to be exact, you can hear the Bulimba bar. Yep, it's noisy. That's a sign of people having a good time, though — and when it comes to watching energetic folks run around a field, court or track, that's exactly what you want. Plus, their food menu is filled with ideal watch-and-eat options, including five types of wings, make-your-own tortillas, cured meat platters and wagyu spring rolls. THE DEFIANT DUCK Three words: live sports streaming. That's just what you want to hear when you're searching for somewhere to watch your favourite kind of sport — and that's just what The Defiant Duck offers. And American-style food, too, including mac 'n' cheese croquettes, toasted reuben sandwiches, glazed cola beef ribs and chilli dogs. THE FLYING COCK Need to get your sports fix in the Valley? Head to The Flying Cock. As well as boasting a name you're not going to forget, the Brunswick Street venue boasts a heap of other drawcards: screens, food and booze being chief among them. And while they often host sports-focused shindigs for big occasions, you don't just need to venture in their direction when a grand final is on. Drop in for whatever game is on on a Sunday, and grab a hot chicks special. Yes, it includes chicken. BUFFALO BAR American sports fans, Buffalo Bar has you covered. Don't worry, they also like other kinds of sporting activities; however watching a game of American footy while eating a Big Texan burger might just make you feel like you're in Friday Night Lights. This is a venue that held a festival dedicated to all things US just a few months back, after all. Our tip: treating yourself to dessert is a great way to either celebrate or commiserate, depending how your team fares. Who doesn't want a dish called a Snickers Mess? BREAKFAST CREEK HOTEL Steak. Sports. What else do you need? We really could end our description of Breakfast Creek Hotel here, because we're sure you've been there; but hey, when a place is great, why not keep singing its praises? Brekkie Creek's beer garden is a particularly ace spot to watch summer games, should you like cricket. If you're keen on eating as well, booking a table is a good idea. In fact, if you want to soak in the busy vibe during peak times, that's good advice regardless of appetite. THE FOX HOTEL Screens? The Fox Hotel has them, and then some. In fact, it has multiple levels filled with multiple bars sporting multiple themes to match its multiple screens (just try saying that a few times quickly). Expect to see all the standout games at the South Brisbane watering hole, all the small ones as well, and just about everything in between. Like many of Brissie's big places, The Fox also hosts a nifty Melbourne Cup function, if horse racing is your sport of choice. THE REGATTA Standing at The Regatta in Toowong, you're certain to comment on the view. Now, you could be talking about the 142-year-old pub's riverside location or your line of sight to the nearest sports-playing television. Both are great, and both are worth the trip to the city's inner west. Plus, while you watch your favourite team kick a few goals, hit a few runs or dunk a few baskets, you'll be standing on the site of another momentous achievement. Yep, this heritage-listed haunt was the site of a protest back in 1965 by two ladies rallying against the fact that they weren't then allowed inside. Now, the Regatta's Merle bar is named after one. PIG 'N' WHISTLE Take a map of Brisbane's inner-city and surrounding suburbs, throw a dart at it, and it'll likely land near one of the six Pig 'n' Whistle pubs around town. If you're in the vicinity of the CBD, you can walk to the chain's Queen Street Mall, King George Square and Riverside spots; otherwise venture to the Valley for Brunswick Street's venue, head over the river to West End's newest addition, or journey to the western suburbs to the OG Indooroopilly pub that started it all. At each, you'll find big screens and a big menu of British fare. That's all any sports fan could ask for — and likely a packed-out place with a buzzing atmosphere. Sign up to Hahn Brewers and settle down for a drink this weekend.
The BrisStyle team is a rather busy bunch, putting on markets around Brisbane with frequency. If you're particularly after a treasure trove of handmade goodies — and who isn't? — then you'll want to hit up its opportunity to browse and buy that's dedicated to exactly those kinds of objects. Fashion, art, jewellery, homewares — if someone's been using their nimble fingers to make it, then you can probably trade your hard-earned cash for their hard work. In fact, there'll be more than 50 artisans selling their wares. And, while you're shopping, you'll also be able to grab a bite at the onsite cafe and listen to live tunes from local musos. The Handmade Markets always take place on Saturdays, on the fourth Saturday of each month. So, mark Saturday, September 28 and Saturday, October 26 — and Saturday, November 23 as well — in your calendar now. Head along from 10am–3pm, with it all taking place in the Queensland Museum's whale mall. Images: BrisStyle.
G20 brought many things to Brisbane: Obama, Russian warships, awkward speeches, global media attention, and inconvenient road closures among them. It also saw the city shout its name in giant, brightly-painted letters at South Bank. You've seen them. You took a photo. You used it as an easily identifiable meeting spot. Brisbane gained an inner-city landmark that wasn't a bridge or associated with a hairdresser (yes, we're talking about Stefan tower), as well as its own answer to the Hollywood and I Am Amsterdam signs. And boy, didn't it prove popular. Your Twitter, Facebook and Instagram feeds have told the story for months. Of course, the government swiftly announced that it would stay as a permanent attraction, but it turns out that there's a hitch. There will be a sign displayed along the river on the Cultural Centre Forecourt — but it won’t be that exact same one. As anyone in the vicinity today has probably noticed, those letters are being removed, one by one. No, the city hasn’t been renamed 'ISBANE'. It's just that the current sign wasn't built to stand the test of time, or to weather Brisbane's punishing summer elements. The original installation hasn't fared so well during the recent storms and showers of hail, so it is being taken away; however another, sturdier version will pop up by June 6. That’s only a couple of months to wait before you can start taking happy snaps of it again. Fittingly, the date the new sign is scheduled to be in place is Queensland Day. Via The Age. Image: Dominka Lis.
Here at Concrete Playground, we're big proponents of the night-time economy. Cities that keep things moving after dark often offer the best in food, beverages and culture. And while Australians are notorious morning people (who love their 8am flat whites), data from Visa has shown that we still find a lot of value in getting out in the evening. The Visa Australia Night-time Economy Index 2025 is a new in-depth analysis measuring data such as spending, vibrancy, venues open and even the number of nightworkers who are boosting the economy after dark. According to the data, Melburnians are getting off the couch the most frequently and spending their hard-earned dollars on bars, restaurants, and late-night feeds. Sydney and its surrounding metro areas also nabbed 12 of the 20 top night-time hotspots, proving that the city is slowly bouncing back from its lockout laws. Of course, it's not exactly surprising that the two most populous East Coast cities are ruling the after-dark economy. However, there are also several regional areas, such as Newcastle and Lake Macquarie, that are tapping their cards once the sun sets. Canberra is also increasing its evening spending, thanks to tourists and the opening of more eateries. To learn more about the future of the night-time economy and what's trending after dark right now, Concrete Playground's Managing Editor, Eliza Campbell and Staff Writer Alec Jones shared their insights. CP: Melbourne was named the number one night-time hotspot in Australia according to data from Visa. Does this surprise you? Eliza: It doesn't surprise me at all. This city has an inherent underground nature that invites you to always be exploring and looking beyond the surface — particularly after dark. And nightlife isn't limited to weekends, either. Between gallery exhibitions, secret music gigs and speakeasy bars, there's something to get lost in at all hours, any day of the week. CP: 12 out of 20 of the night-time hotspots were in Sydney and its metro areas. What's your favourite thing about Sydney after dark? Alec: This began to pick up in late 2023 after we all shook off the last of lockdown fever, but it's that feeling of merriment in the air. It's like static electricity. Walking past busy bars and restaurants in suburbs like Darlinghurst, Surry Hills, and Newtown, hearing the chatter and seeing people share food and drinks with their friends and family, it never fails to make me smile. CP: What's one trend you're seeing emerge in the night-time economy that excites you? Eliza: The resurgence of secret gigs and DJ sets. I love the idea of last-minute announcements to see some of the world's best artists in intimate settings — first-come, first-served. There's less of a distinction between going to a live gig and going to a bar now. We want once-in-a-lifetime cultural experiences that blend seamlessly into the fabric of our city's nightlife, and I'm so here for it. Alec: Venues in Sydney that are really performing are the ones with a loyal audience, but also a hook. Something you can't find anywhere else, whether it's on the menu or just in the space. People aren't going out just to get drunk or have a feed; they're doing it to go to these specific places. [caption id="attachment_885691" align="alignleft" width="1920"] Above Board[/caption] CP: What's your top tip for planning the perfect night out? Eliza: Have a rough outline of the kind of evening you want to have — but leave room for spontaneous adventures. There's nothing worse than not knowing where to go or what to do next, but equally, some of the best nights are all about the memories you make getting from point A to point B. CP: What's a venue or precinct that gets the night-time experience right? Alec: YCK Laneways in the Sydney CBD has actually done a great job of revitalising an area that doesn't really scream "nightlife." The bars in that area are some of the most interesting venues you'll find in the city and are all within walking distance of one another (and your bus or train home). Eliza: One of my favourite Melbourne venues that absolutely nails the night-time experience is Collingwood's Beermash — and its (somewhat secret) adjoining speakeasy bar, Above Board. Beermash spotlights independent craft beer and wine producers and lets you take-away or drink-in at bottleshop prices. Al fresco drinks on the Smith Street terrace can be followed by award-winning cocktails upstairs in what's, in my opinion, one of Melbourne's most unique hidden bars. From casual and fun to cosy and intimate — the perfect evening trajectory. View this post on Instagram A post shared by Beermash (@beermash) [caption id="attachment_1025682" align="alignleft" width="1920"] Hyde Park[/caption] CP: How is nightlife intersecting with other parts of culture (like art, fashion, live music) in interesting ways right now? Eliza: What's interesting about the intersection of nightlife and culture right now is that there's less separation than ever before. With the rise of low- and no-alcohol trends, nightlife in 2025 isn't just about partying or bar-hopping anymore. People still want to experience their city after dark — but that now spans the full spectrum of the arts: galleries and museums staying open late, fashion infiltrating the food and drink scene, and live music spilling out from bandrooms into public (and often free-entry) spaces across the city. CP: Where's your favourite after-dark venue? Eliza: An after-dark venue needs good music, good drinks and just the right amount of grunge. For me, that's Heartbreaker in the CBD. Catch me screaming post-punk revival with a negroni in hand in the early hours of the morning. View this post on Instagram A post shared by Heartbreaker Bar 💔 (@heartbreakerbar) Alec: Crows Nest on the lower North Shore has exploded since the Metro station opened, Parramatta is packed with great venues, and love it or hate it, Bondi continues to be iconic without trying very hard. Ask a local who lives in a different part of Sydney from you and follow their advice. [caption id="attachment_994726" align="alignleft" width="1920"] Carriageworks[/caption] CP: What do you hope to see more of in our after-dark spaces from both venues and councils? Eliza: I'll always scream and shout about supporting the Arts. Free entertainment like live music, performance and exhibitions not only supports our incredible local arts community but also helps people stay connected to the endlessly inspiring, exciting and thought-provoking creative industries — especially in tough political and economic climates. The more we can bring people together, the better. Alec: Regular events like night markets consistently draw big crowds from locals, but what if instead of the same old gozleme and chips-on-a-stick stands, we got famous restaurants from around Sydney to get involved? That'd help connect communities with food and drink they can't usually find on their side of whatever the closest bridge is (we don't cross any of them enough). CP: For people who say, "There's nothing to do after 9pm anymore", what would you tell them? Alec: You're not trying very hard. You can find something really cool if you just look a little bit harder. Eliza: I'd say, "Where are you? Obviously not in Melbourne." Discover the vibe near you. Lead image: FG Trade Latin / Getty
When Dexter wrapped up its blood-splattered run back in 2013, it left plenty of fans wanting more. By now, the fact that almost every beloved TV show arises from the dead at some point is hardly new news — see also: Gossip Girl, Saved By the Bell, Twin Peaks and the upcoming Sex and the City small-screen sequel series, just to name a few — but resurrecting television's mild-mannered forensics expert by day, serial killer by night feels particularly fitting. So, get ready to watch your way through Dexter: New Blood, which sees Michael C Hall (Shadowplay) return as Dexter Morgan. The series wouldn't be worth it without him, obviously. He leads a ten-episode limited series that's due to hit the US on Sunday, November 7 and then arrive Down Under via new streaming platform Paramount+, although exactly when it'll start streaming locally hasn't yet been revealed. Hall isn't the only familiar face making a comeback, either, with Jennifer Carpenter (Dragged Across Concrete) set to return as Dexter's sister Debra. If you're wondering how that works because you remember how the original series ended, the just-dropped full sneak peek for the Dexter revival gives a few more details. John Lithgow (Perry Mason) is also coming back as the Trinity Killer — presumably in flashbacks, given the character's fate the first time around. As both the show's first teaser trailer and this new glimpse demonstrate, eight years have passed when Dexter: New Blood kicks off, just as they have for audiences. Accordingly, the series finds its namesake living a quiet life in the small town of Iron Lake, New York, and trying to forgo his murderous urges. He's going by the name Jim Lindsay, which nods to author Jeff Lindsay, who penned the series of novels the show was initially based on — and he seems happy in his new life. But then Dexter's new hometown is rocked by unexpected events, and his old ways start calling again. As fans saw over and over in Dexter's original eight-season run, resisting picking up a knife isn't all that easy for the program's protagonist. Both trailers feature plenty of blades, all within its namesake's vicinity. And if you're wondering what else to expect, the cast also includes Julia Jones (The Mandalorian), Alano Miller (Sylvie's Love), Johnny Sequoyah (Believe), Jack Alcott (The Good Lord Bird) and Clancy Brown (Promising Young Woman). And, this new trailer comes with a big surprise at the end as well. Check out the latest Dexter: New Blood trailer below: Dexter: New Blood is set to stream in Australia via Paramount+. The new series will start airing in the US from Sunday, November 7; however, an exact streaming date Down Under hasn't been announced as yet — we'll update you when it is.
Fans of classic racing games like Mario Kart are in for a real treat as the BattleKart crew prepares to bring a live-action version to Melbourne in February 2024. For the augmented-reality racing game, drivers will jump into a real electric go-kart and whiz around an empty 3000-square-metre shed in West Footscray that's lit up by projectors. But you won't just be driving around a lit-up racecourse — you'll be properly interacting with it as well. Pass over mystery boxes to get bonuses like speed boosters, missiles you can shoot at other drivers (using the triggers on your steering wheel), and oil that causes others to spin out. It's all very Nintendo 64 Mario Kart, just without the licensing. And if racing isn't your jam, you can try a bunch of different driving games at BattleKart. Get around an augmented reality soccer game where you 'kick' balls around the lit-up field — or an IRL version of Snake where you try to grow the longest tail while avoiding everyone else. These do sound cool, but the adrenaline-inducing races are sure to be the highlight. BattleKart already has 23 sites across Europe, with this being its first Australian venture. According to its team, this will be the first time technology like this will be available to the Australian public as well. BattleKart is set to open in February 2024 at 50 McArthur Street, West Footscray. For more information, check out the venue's website.
First, Boiler Room announced the news that Brisbane had been waiting for: its debut date in the Queensland capital, arriving 14 years after the London-born club culture-loving outfit first popped up. Then, the event has unveiled another crucial piece of information, aka who'll be hitting the decks at Brisbane Showgrounds this spring. If nothing says warm weather to you quite like dancing in a crowd, here's something for your calendar — with STÜM, Spray, Y U QT, Dr Dubplate and Juicy Romance all on the lineup. They'll be joined by Soju Gang, Neesha Alexander, Scalymoth and Rominndahouse from 2–10pm on Saturday, November 16, 2024. Boiler Room is no stranger to Australia thanks to past stops in Sydney and Melbourne, but hasn't made its way to the River City until now. The word that you're looking for? Finally. The Brisbane date sits between Boiler Room's return to Melbourne in late October and its latest Sydney gig in early December. Both have already sold out. [caption id="attachment_971379" align="alignnone" width="1920"] Jordan Munns[/caption] Boiler Room Brisbane 2024 Lineup: STÜM Spray Y U QT Dr Dubplate Juicy Romance Soju Gang Neesha Alexander Scalymoth Rominndahouse
One of Brisbane's historic sites is enjoying a new life. Since 1889, the building at 271 Grey Street in South Brisbane has been a police station, a squatter's den and a Spaghetti House, as well as a Ship Inn and, most recently, Little Big House. In its latest guise, the two-level Queenslander remains a watering hole. It's still benefiting from the significant spruce up that the building received as Little Big House, in fact. But head by now for a drink, a bite or to while away an afternoon doing both and you'll be hitting up a London-inspired gastropub. Alex Derrick has taken over the heritage-listed spot, renamed it The Rose & Crown and gleaned inspiration from more than two decades spent in Britain — including working in pubs, and winning awards for doing so. Drop in for a drink and you can get a brew of cask beer, with The Rose & Crown the only place in Queensland pouring it straight from the cask. In digs decked out by the aforementioned Bella Derrick, an interior stylist — complete with nods to the UK, of course, and a new three-metre olive tree taking pride of place in the garden — you can also sip your way through the 40-selection wine list, which includes pudding wine. Or, there's the pub's house lager, a heap of other beers on tap and by the bottle, two types of spritzes, and classic cocktails such as margaritas and gimlets. The food menu owes a debt to Britain, naturally. Expect to tuck into scotch eggs, homemade steak and ale pies, pork scratchings, grilled sardine and tomato tarts, beer-battered fish with mushy peas, and Cumberland sausages with mashed potato and onion gravy. Every Sunday, roast dinners are available all day — in beef, chicken and nut varieties, complete with Yorkshire puddings — while dessert options span sticky date pudding and treacle tart. The Rose & Crown also hosts a weekly pub quiz. Prefer belting out a tune instead (whether or not it is by a British artist)? Make a date with the karaoke room. Screens around the place show sport, while live music is on the bill. Also, soaking in a London vibe here comes far cheaper than an airfare to the other side of the world. Images: Axis Productions.
Recently, a wave of international hotel chains have been choosing Melbourne as the first spot to drop their luxury accommodations in Australia — Lanson Place and The StandardX. And the latest to join the fold is 1 Hotels, which is preparing to open a luxury hotel at the newly revitalised Northbank Precinct in May 2025. Located right on the Yarra River, the pet-friendly hotel will be home to 277 guest rooms and 114 hotel-branded residences, a slew of drinking and dining destinations, a resident-only rooftop and a lavish day spa. The level-five spa will have a large sauna, steam room, jacuzzi and swimming pool, plus its own gym with in-house trainers. As with 1 Hotels in London, Hollywood and New York, this Melbourne site will include swathes of reclaimed and recycled materials as well as stacks of plants and other natural elements. All in all, you'll find over 2000 plants scattered throughout 1 Hotel Melbourne, plus there'll be direct access to a 3500-square-metre riverside park. This park is part of the new Seafarers Rest precinct, which sits within the broader Northbank Precinct. This oft-forgotten wedge of land between Flinders Street and the river — located opposite Southbank and accessed via the Seafarers Bridge — is preparing for a massive glow-up. And 1 Hotel will be one of its main attractions. 1 Hotel Melbourne is slated to open in May 2025, and will be found at 9 Maritime Place, Melbourne. For more information, you can check out the hotel's website.
Kano — "a computer anyone can make" — will soon be a widespread reality, following a Kickstarter campaign that's raised more than US$1 million. London-based tech geniuses Alex and Jonathan came up with the concept about a year ago. They felt that, in comparison with the toys they had growing up, today’s technology is inaccessible. Alex’s seven-year-old cousin, Micah, clarified the issue — and set the challenge — when he asked why couldn’t computers be “as simple and fun as lego”? Over the following 12 months, Alex and Jonathan travelled the world, talking to children, parents, educators and artists. All the research led to the development of Kano. According to Alex, "It’s based on three principles — simple steps, storytelling, physical computing — and tying them all together, with a sense of play and exploration.” Kano arrives in the consumer’s hands as a kit. Starting from scratch, the user builds the computer, powered by Raspberry Pi, as well as a speaker, a wireless server, HD video, music, and a custom-designed case. A basic introduction to coding enables the step-by-step construction of simple games such as Pong and Snake, as well as the modification of more complex games like Minecraft. Beyond that, the possibilities are limited only by the user’s imagination. Kano is open source, so there’s access to an abundance of software. Back in May, Alex, Jonathan and their team released a run of 200 prototypes, which sold out quickly and inspired plenty of positive reviews. When it came to expanding their scope, they turned to Kickstarter. Upon going live last month, the campaign achieved its initial goal of US$100,000 within 18 hours. Since then, a stretch goal of US$1 million has been conquered. Open until December 19, the campaign is still accepting donations of $119, which buys a Kano kit.
If you only managed to watch a handful of 2021's best new TV shows, odds are that you still saw one knockout newbie starring Jean Smart. The veteran actor turned in two stellar performances in two exceptional television series last year, starting with murder-mystery drama Mare of Easttown, then following it up with comedian-centric comedy Hacks. Clever, hilarious and insightful, the latter earned her both an Emmy and a Golden Globe, too, and deservedly so. And, if the about-to-drop season season of Hacks proves anywhere near as great, she might just repeat both feats in the next 12 months. It's obviously impossible — and also flat-out ridiculous — to pick whether someone will nab a shiny trophy for their work based on a trailer alone. Smart was that phenomenal in Hacks' first season, though, so it's a fair prediction even without seeing any upcoming footage. In the just-released full sneak peek for season two, she's once again playing seasoned Las Vegas comic Deborah Vance, of course, who viewers saw notch up 2500 shows in last year's episodes. Now, after taking stock of her career, the character is headed out on the road. Still by the acerbic Deborah's side: Ava Daniels (Hannah Einbinder, North Hollywood), who started as her assistant last time around. As the first season charted, the chalk-and-cheese pair hardly got along. Deborah is a comedy legend, while Ava is a 25-year-old who made the move to Hollywood, has been living out her dream as a comedy writer, but found her career plummeting after a tweet crashed and burned. That said, the series is far, far more than just an odd-couple comedy. Season two's eight episodes will follow the duo as they workshop Deborah's new standup set around the US — and will start dropping Down Under on Friday, May 13 via Stan. They'll arrive the same day as they air in America, in fact, which means that you'll be watching two episodes per week rather than binging on all of Hacks' next season in one go. Also returning: Broad City's Paul W Downs as Deborah and Ava's mutual manager Jimmy, Megan Stalter (The Megan Stalter Show) as his clueless assistant Kayla, It's Always Sunny in Philadelphia's Kaitlin Olson as Deborah's daughter DJ, Carl Clemons-Hopkins (The Chi) as Deborah's Chief Operating Officer Marcus and Christopher McDonald (Ballers) as casino owner Marty. They'll be joined by Hacks newcomers Laurie Metcalf (Lady Bird), Martha Kelly (Euphoria), Ming-Na Wen (The Book of Boba Fett) and Susie Essman (Curb Your Enthusiasm), as well as guest stars Margaret Cho (The Flight Attendant) and Devon Sawa (Chucky). And if you're wondering why Hacks has proved so ace so far — other than Smart and her co-stars — it was created by three of the talents behind Broad City: writer Jen Statsky; writer/director Lucia Aniello; and Downs, who does double duty in front of and behind the lens. Check out the trailer for Hacks season two below: Season two of Hacks will start streaming via Stan from Friday, May 13. Season one is available to stream now. Read our full review of season one.
If a great restaurant is all about the location, food and talent, then Brisbane's next big addition has hit a trifecta: it's opening on Queen Street in the CBD with prime river views, features a meat-heavy menu with a particular focus on steak, and hails from restaurateur Chris Higgins (ex-Cha Cha Char) and TV chef Adrian Richardson. That new eatery is BŌS, a 120-seater settling into Otto Ristorante's old Dexus Tower digs from Tuesday, November 15 — and that's just the first stage of its launch. BŌS takes its name from the Latin word for beef, which is indeed reflective of its menu. Here, you'll find steak tartare, eight cuts from the grill included a bacon-wrapped fillet mignon, and two giant 1.2–1.5-kilogram options to share all on offer. The pasture- and grain-fed beef and wagyu range is also complemented by a lineup of cuts in a glass dry-ageing cabinet, which guests can buy and reserve, then eat via the BŌS 'Cleaver Club' whenever they feel like it. View this post on Instagram A post shared by @bos_brisbane Clearly, if steak is your favourite meal, you'll be in heaven, with Higgins, Good Chef Bad Chef and Richo's Bar Snacks star Richardson, and lawyer Liam McMahon teaming up to give the River City its next carnivorous go-to. Diners will also find oysters three ways, chargrilled Fremantle octopus, house-smoked salmon, sand crab lasagne, crackling-wrapped pork loin and duck breast with black garlic on the menu, however, as part of BŌS embrace of different types of proteins. The culinary theme, other than meat: modern Mediterranean, as also seen in the lineup of handmade small goods like salamis, bresaola and pastrami; the southern rock lobster with hand-cut mafaldine pasta; and the hand-stretched buffalo mozzarella. Overall, Richardson is also taking cues from La Luna, his bistro in Carlton in Melbourne since 1998. "For over ten years we've been waiting for the right time to bring the soul and character of La Luna's style of cuisine to Brisbane," he explains. View this post on Instagram A post shared by @bos_brisbane BŌS' sides range covers creamy mashed potatoes, wagyu-fat roasted spuds and a selection of other vegetables, while the dessert options include vanilla bean crème brûlée, Basque cheesecake, strawberries and cream, cheeses, ricotta doughnuts and dark chocolate brownies. Espresso martinis and affogatos fall into the 'liquid dessert' category, but thanks to restaurant manager and sommelier Romain Maunier (Montrachet, La Cache a Vin), the drinks list spans far further. The vino choices favour drops from high-end producers in Australia, France and Italy, and the cocktail and spirits offerings fills seven pages. Keep an eye out for an around-the-world gin selection, Bond-style martinis, share jugs of sangria and three kinds of spritzes. Decor-wise, this Sunshine State newcomer heroes green hues and a plush fitout, with local interior design outfit Alkot Studio also favouring rounded edges, warm light, plenty of linen, and polished marble and brass. That's what you'll soak in while sitting at tables and banquettes, or in the restaurant's al fresco seating. View this post on Instagram A post shared by @bos_brisbane While all the above should tempt you in the door ASAP, plan a return trip to BŌS from January 2023, which is why its champagne and cocktail terrace bar — called The Aviary Terrace Bar — will open. Primed for summer sips, but also bound to be a must-drink spot year-round given Brisbane's usually sultry weather, it'll do full bottle service with city views. Find BŌS on level four, 480 Queen Street, Brisbane, from Tuesday, November 15 — open 11.30am–12am Tuesday–Saturday. The Aviary Bar and Terrace is set to open in January 2023, and we'll update you with further details close to its launch.
Fiji has cemented its ongoing status as one of the go-to island holiday destinations for Australian travellers. It's a little further abroad than local spots like The Whitsundays and Bali, but the beaches and rainforests of the South Pacific are magical enough to warrant the extra miles. While you may have spotted honeymooners and influencers paddling about luxury bungalows on stilts in the middle of a private bay (and wished to join) you don't have to empty the bank account to enjoy some of these 300 islands. Instead, you can island hop at your own pace and budget, finding the best hidden beaches and reefs within the archipelago. Here are some of our favourite spots to help you start planning your next Fiji trip. [caption id="attachment_877268" align="alignnone" width="1920"] Tourism Fiji[/caption] YASAWA ISLANDS This group of 20 volcanic islands is known for being accessible to people on just about any budget. Within small villages, you can find family-run hostels and hotels as well as larger luxury resorts. But one of the most appealing parts of visiting the Yasawa Islands is the culture. Here, you are significantly more likely to come across locals living a traditional island life, running small eateries and fishing off the shores. Unlike the privately owned islands, these haven't been paved and manicured for tourists. Getting around the islands is also super easy. You can arrive here by ferry and island hop using their Bula Pass — it's essentially a hop-on, hop-off boat pass for the local islands. No need to get a helicopter or private boat to see the best of these authentic parts of the country. [caption id="attachment_877285" align="alignnone" width="1920"] Get Lost[/caption] KADAVU ISLAND Kadavu is Fiji's fourth largest island and perfect for travellers looking for adventure. The island has been purposely kept wild, letting nature do its thing. Head to Kadavu Island for hikes up into dense vine-covered forests to find hidden waterfalls and natural springs. Or take to the water on sea kayak tours, paddling from lagoon to lagoon, stopping off at small coral reefs and local villages along the way. You can also take longer treks out to The Great Astrolabe Reef, one of the largest barrier reefs in the world, for more snorkelling and incredible bucket list scuba diving. Despite being just a 50-minute flight from Nadi (where international flights arrive and depart), this island feels far off the beaten path. The stress and hustle of the big city grind will seem a million miles away while you explore this tropical wilderness. [caption id="attachment_877276" align="alignnone" width="1920"] Kokomo Private Island[/caption] MAMANUCA ISLANDS These famous islands are more orderly and landscaped than the previously mentioned destinations but they're far from being a Joni Mitchell song: they haven't totally paved this paradise yet. You'll find some of most beautiful white sand beaches in these parts alongside a smattering of resorts and private beach clubs. Spend your days island hopping by boat, jet ski or kayak to explore some of the 20 picturesque islands. Great surf breaks are also a starring feature in these parts, with the famous heart-shaped Tiny Tavurua and Namotu island resorts being perfectly situated for any activities involving stellar waves. Another big drawcard for the Mamanuca Islands, is the ease at which you can get here. It takes about 20 minutes to get here from Nadi via ferry. And, thanks to its popularity, it's also simple to organise trips around the islands — either ask your accommodation to recommend a good one or find your favourite guide hawking their tours on the beach. Editor's tip: book a romantic seven-night holiday at an adult's only resort here (which includes all transfers, a couple's massage and a dolphin safari tour). [caption id="attachment_877272" align="aligncenter" width="1920"] Malamala Beach Club by Brook Sabin[/caption] VANUA LEVU If you're truly wanting to get away from the tourist crowds head to Vanua Levu, the second largest island in Fiji. Here, you'll find just one paved road which connects the two main towns of Labasa and Savusavu (as well as plenty of dirt tracks where the buses and cars will still traverse). Explore the rambling countryside, hike up into the hills and hit up some of the peaceful beaches. When staying here, make sure you also visit the neighbouring island of Taveuni. It's another of Fiji's forgotten islands (at least when it comes to international travellers), but boasts the stunning Bouma National Heritage Park — a haven for hikers and bird watchers, and home to the famous Tavoro Falls and pools. [caption id="attachment_877286" align="alignnone" width="1920"] Elliot Grafton[/caption] LOMAIVITI ISLANDS A collection of 16 islands make up this region to the east of Viti Levu, the main island of Fiji, and they are significantly less touristy than the Mamanucas and Yasawa Islands. The inner islands of this group are relatively developed and welcome a small number of tourists regularly. But, as soon as you get to those on the outer islands and the even-further-afield Lau islands, you find yourselves significantly more isolated. It's a lot harder to travel these parts, with only the most patient and well-prepared travellers heading beyond — to be well rewarded for their efforts. When visiting the Lomaiviti Islands, we recommend you stay on Ovalau or one of its nearby islands which are all connected by colourful coral reefs. Come here to get away from the crowds and experience a more chill island life. [caption id="attachment_877270" align="alignnone" width="1920"] Tourism Fiji[/caption] Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world. Top images: Turtle Island Resort
The National Gallery of Victoria has today revealed its summer centrepiece: a bold new world premiere exhibition pairing the work of Dutch artist M.C. Escher and Japanese design studio Nendo. Much like the NGV's 2016's Andy Warhol and Ai Weiwei show, Between Two Worlds celebrates two very different creators, bringing them together in an assembly of immersive art and design. More than 150 of Escher's prints and drawings created between 1916 to 1969 have made their way to Melbourne from the Gemeentemuseum in The Hague for the artist's first ever major exhibition in Australia. Optical illusion is what he's best known for — his intricate pieces use patterns and design to warp space and perception. You'll need to take second, third and fourth looks at pieces like Day and night and Drawing hands. To really mess with your mind, Nendo — led by designer Oki Sato — has created an immersive gallery space that's just as trippy. The studio has taken inspiration from Escher to manipulate geometry and space to warp perception, giving you an imagined sense of what it would be like to enter Escher's mind boggling world. Expect lots of mirrors, shrinking corridors and projections that will mess with your brain (in a good way). The exhibition will officially open tomorrow with the gallery's exclusive black tie NGV Gala. Then it opens to the public on Sunday, December 2 and will run until April 2019 alongside a public program of talks, workshops and the NGV's Friday night parties. Escher x Nendo: Between Two Worlds will run from December 2 until April 2019 at NGV International. Images: Eugene Hyland and Sean Fennessy.
Just how many finished cigarettes have been stamped out on the footpath, or casually flicked into the gutter? According to Greenbutts, no less than 4.5 trillion annually. And while these trillions of cigarette butts (typically made from cellulose acetate) are technically biodegradable, they take between 10 and 15 years to decompose. In 2006, cigarette butts amassed to 24.7% of the rubbish collected during the International Coastal Cleanup. Greenbutts has introduced a 100% natural alternative to traditional, chemical-laden cigarettes. Greenbutts' cigarette filters are composed of plant seeds, natural flax, cotton and de-gummed hemp, all bound together by natural starch and water. When covered by a thin layer of soil, discarded Greenbutts will sprout into flowers: a much lovelier and eco-friendly sight than a squashed butt. [Via Lost At E Minor]
This coming August, your daughter probably isn't getting married. In fact, you mightn't even have a daughter at all. But if you'd like to spend the month saying "you come into my house on the day my daughter is to be married" while holidaying in the very mansion featured in The Godfather, that's now a genuine possibility. Movie lovers have Airbnb to thank for this opportunity, with the accommodation service adding the chance to follow in the footsteps of the most iconic gangster movie ever made to its list of pop culture-themed one-off experiences. Just this year alone, it has listed the Bluey house, the Moulin Rouge! and the Scooby-Doo Mystery Machine for stays. If you wanted to solely plan your getaways around living life like you're in your favourite movie or television show, Airbnb has definitely here to help lately. The platform's current impressive home away from home arrives to celebrate The Godfather's 50th anniversary, and will have one lucky person and up to four of their pals whiling away an entire month in the Staten Island mansion in New York that's seen in Frances Ford Coppola's masterpiece. The film features the outside of the house, but you'll get to scope out the inside as well — all 6248 square feet of it, which was built in 1930. When you're not channelling your inner Marlon Brando, Al Pacino, James Caan or Diane Keaton, you'll have plenty to do — there's a big saltwater pool, a pub in the basement, a game room and a gym. In fact, you'll have the run of the five-bedroom, seven-bathroom abode, other than the basement closets and the attic. You do need to be keen for a lengthy trip, with just one reservation available for 30 nights from August 1–31. And, like all of Airbnb's similar offerings in the past, you're responsible for getting yourself there and back — so if you do get lucky and score the booking, travel isn't included in the price. For those making the jaunt from Down Under, that turns this stint of The Godfather worship into a more expensive option. That said, the mansion itself will cost you just US$50 per night. And, if your bank balance is up to it, a stay here will get you away from Australia and New Zealand's frosty climes and into a Staten Island summer. If you're still keen, you can apply to book at 3am AEST on Thursday, July 28 via the Airbnb website. Another caveat: this is a family home when it's not welcoming in Airbnb guests, and it's located in a quiet neighbourhood, so stays are strictly limited to you and the four folks you take with you — with no outside guests allowed. If the timing doesn't work for you, it's likely only a matter of time until Airbnb finds another pop culture-themed getaway that'll tempt your wanderlust. Here are two places on our wishlist: Buffy's house from Buffy the Vampire Slayer and Twin Peaks' Black Lodge. For more information about the The Godfather mansion listing on Airbnb, or to apply to book at 3am AEST on Thursday, July 28, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Marc McAndrews.
Lock up your children, Hocus Pocus fans. Actually, if you have kids, you'll want to leave them at home on your next getaway. Just in time for Halloween, Airbnb has conjured up a particularly witchy stay in Salem, Massachusetts: the Sanderson sisters' cottage, which comes complete with broomsticks, bubbling cauldrons, cobwebs, curious cats, creaking floorboards, potions in apothecary bottles and spellbooks. Get ready to run amok, amok, amok to indulge your Hocus Pocus and Hocus Pocus 2 love, with this one-time-only listing arriving not only for the spookiest time of year, but because the latter flick — a 29-years-later sequel to the beloved 1993 film that starred Bette Midler (The Addams Family 2), Sarah Jessica Parker (And Just Like That...) and Kathy Najimy (Music), with all three returning as Winnie, Sarah and Mary Sanderson this time around — hits Disney+ on Friday, September 30. A screening of that movie is included in your magical stay, too, whether you've caught it already by then or you manage to hang out for the ultimate viewing experience. The bewitching date to pop into your diary: Thursday, October 20. But, as tends to be the case with Airbnb's pop culture-themed one-offs, only one booking is being taken. The cottage will welcome in two guests for a one-night stay, with reservations opening at 4am AEDT on Thursday, October 13 via the Airbnb website. There is a fee for the accommodation, costing US$31 dollars — but, if you're lucky enough to score the booking and you're travelling from Down Under, flights and transportation aren't included in that cost. That obviously makes it a much more expensive prospect. Still, this spellbinding experience will be the first time that anyone has been able to get slumbering (and scheming) like the Sandersons. And, it also includes the chance to try the enchantments listed in the Manual of Witchcraft and Alchemy, as well as exploring Salem's history via visits to some of the town's purportedly haunted properties. And yes, the black flame candle flickers. Of course it does. In fact, expect candlelight to be a huge part of your trip — in every room. The cottage has been recreated as though it's 300 years ago, after all. (Bathroom facilities are in a separate outhouse, for example.) "We all know that the Sanderson sisters' story might not have ended when we turned to dust, nor did our shenanigans," said Kathy Najimy, aka Mary Sanderson, helping Airbnb announce the Hocus Pocus stay. "What better way to celebrate the season than to host guests at the trio's historic haunt for a night they'll remember for years to come?" Najimy continued. The Sanderson sisters' cottage joins Airbnb's growing list of movie and TV-inspired getaways, including the Bluey house, the Moulin Rouge! windmill, the Scooby-Doo Mystery Machine, The Godfather mansion and the South Korean estate where BTS filmed In the Soop just in 2022 alone. For more information about the Hocus Pocus mansion listing on Airbnb, or to apply to book at 4am AEDT on Thursday, October 13, head to the Airbnb website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Helynn Ospina.
If your life could use a bit more Pixar magic at the moment, then Disney is here to help, with the Mouse House rushing the beloved animation studio's latest film to Australian and New Zealand audiences via digital rental and its streaming platform Disney+. Featuring the voices of Chris Pratt, Tom Holland, Julia Louis-Dreyfus and Octavia Spencer, Onward was originally slated to release on the big screen Down Under on Thursday, March 26; however those plans changed when cinemas were ordered to shut. While the movie did play in Australian theatres for a few days over the weekend immediately beforehand, giving dedicated audiences a sneak peek, cinemas were hardly packed at the time — so, if this elf-filled adventure is still on your must-watch list, you're not alone. Pixar fans will be able to get their animation fix via video on demand from Friday, April 3, which'll require paying separately to view the film. Or, if you're already a Disney+ subscriber — or you've been thinking of becoming one — you'll be able to watch Onward on the company's own streaming platform as part of its regular package from 6pm on Friday, April 24. Story-wise, Onward tells the tale of brothers Ian and Barley Lightfoot (Marvel co-stars Holland and Pratt), two teenage elves who've grown up without their dearly departed dad. Thanks to an unexpected flash of long-dormant magic, they're given the chance to spend one last day with their father — but, in order to do so, they'll have to undertake a perilous quest in Barley's rundown van Guinevere. From the above description, you might've noticed that Pixar's usual formula isn't at play here, with the company branching beyond the "what if toys/cars/rats/robots/monsters/feelings had feelings?" setup that's served it so well in everything from the Toy Story franchise to Inside Out. Rest assured, however, that Onward's central elf siblings do indeed experience a whole heap of emotions as they cast spells, try to decipher mysterious maps, endeavour to avoid curses, explore their complicated brotherly relationship and team up with a part-lion, part-bat, part-scorpion called The Manticore (Spencer). Fast-tracking Onward to digital platforms is the latest example of film industry's efforts to adapt to the changes forced by the spread of COVID-19. In Australia and New Zealand, Disney follows fellow distributor Roadshow's lead — with the latter also speeding up the online release of a number of its big titles as well. Check out the trailer for Onward below: https://www.youtube.com/watch?v=HxKXiQvyG_o Onward will be available to purchase separately on digital platforms in Australia and New Zealand from Friday, April 3, before hitting Disney's streaming platform Disney+ as part of its regular package at 6pm on Friday, April 24. Images: © 2019 Disney/Pixar. All Rights Reserved. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
The past lingers. At the heart of Scrublands, both in its debut season in 2023 and now in its second — aka Scrublands: Silver — history doesn't just fade as time goes by. Portrayed by Luke Arnold (Last King of the Cross), investigative journalist Martin Scarsden witnessed this truth in action in the town of Riversend the first time that this page-to-streaming series based on Chris Hammer's novels hit the small screen. There, the character was chasing a story about a shocking tragedy impacting the entire community. As he met and became closer to bookstore-slash-cafe proprietor and single mother Mandy Bond, as played by Bella Heathcote (The Moogai), he wasn't just watching on from the outside, either. Streaming on Stan from Thursday, April 17, 2025, season two of Scrublands swaps Mandy's hometown for Martin's. In their new coastal surroundings of Port Silver, she isn't free from the past's persistent grasp despite being a newcomer to the close-knit seaside spot; however, her other half is equally haunted. Martin left town as a teenager to pursue his journalism dreams, but not before sparking a scandal. Until the first episode begins, he hasn't been back since. What's meant to be a fresh beginning for a couple already burdened by recent woes soon gets swept in other directions. The murder of Martin's childhood best friend Jasper (Hamish Michael, Apple Cider Vinegar), Mandy being named as the key suspect and Martin using his reporter instincts to try to get to the bottom of another mystery affecting the woman he loves will do that. So will Scarsden's own history bubbling back up. Looking back to the start of their Scrublands journey with Arnold and Heathcote, the pair are both clear that one season was all that they were focusing on when they initially stepped into Martin and Mandy's shoes — even though Hammer's novels about their characters had already notched up three entries thanks to 2018's Scrublands, 2019's Silver and 2020's Trust. That approach was partly pragmatic. "I think having been in this game for a while, you very much try to practice not getting ahead of yourself. And I think we were all in that mode, going 'okay, this would be great. We know the books are there. And so if we do a good job, we might be asked to come back and do some more'," Arnold tells Concrete Playground. "But at first you're just going 'hey, let's try to get through this thing and not screw it up, and then let's see what people think'." "It is always tough when there is this existing property there that people really love — sometimes that can go well, sometimes it can go the opposite way, and you find 'ohh no, you didn't', and it wasn't what the fans wanted or something went awry. So I think first season, we were just trying to do the best we could with that. And then I think the response to the show was so great and kind of beyond what we could have hoped for, so once that happened, things quickly started moving towards coming back for season two." Heathcote was instantly drawn to Mandy when the project crossed her path via Wolf Creek, Rogue and Jungle director Greg McLean, who she worked with on fellow Aussie series Bloom, but the pitch was for a one-and-done project. "Bizarrely, not at the time," she advises when asked about whether season two was ever on her mind to begin with. "I've now drunk the Kool-Aid and now I've read all the books, but in the first season I didn't — because it was pegged as a miniseries, and I thought 'okay, great'. But now I think we're all hooked, on the books and each other. I just want to work with everyone again." "There was something so comforting about coming back to this role, and being back with Luke, and Sarah Roberts [Runt], Toby Truslove [La Brea], taking the band on tour to WA. It feels sort of like coming home." Both Arnold and Heathcote have enjoyed a coming-home journey themselves, as Australian actors who enjoy overseas success tend to. (See also: Jacob Elordi and Odessa Young with The Narrow Road to the Deep North, Ashley Zukerman with In Vitro, and Radha Mitchell and Jesse Spencer with Last Days of the Space Age, to name just a few recent examples). Scrublands' two leads each have the almost-requisite Aussie soaps on their resumes, Home and Away for Arnold and Neighbours for Heathcote — and, for Arnold, four seasons on seafaring American series Black Sails, around gigs in everything from Rush Hour and MacGyver to Lethal Weapon; for Heathcote, a main part in Dark Shadows led to the eclectic likes of Not Fade Away, Pride and Prejudice and Zombies, The Neon Demon, Fifty Shades Darker, Professor Marston and the Wonder Women and The Man in the High Castle. Neither have been absent from Australian fare lately, though, via the likes of Glitch, The End, Preppers, True Colours and Arnold's Home and Away stint, plus Relic, C*A*U*G*H*T and others for Heathcote. With Scrublands, they're both hooked, including as viewers. Indeed, both binged Silver's four parts, texting each other, when they were able to see the finished product. And yet, Arnold wouldn't be bringing Scarsden to the screen at all if he had followed the advice given to him back on his first taste in the business, as assistant sword fight choreographer on 2003's Australian-made Peter Pan more than a decade before playing Michael Hutchence in Never Tear Us Apart changed the course of his career. The person offering those ignored words of wisdom: The White Lotus season three's Jason Isaacs. Heathcote's early experiences also resonate with her now, specifically when it comes to being part of a great cast on Scrublands (The Artful Dodger's Luke Carroll, Good Cop/Bad Cop's Debra Lawrance, Spit's David Roberts, The Twelve's Tasma Walton and Transfusion's Damian De Montemas are among Silver's ensemble). "Oh man, it's everything. I remember early on in my career, just being really terrified of working with some big-name actor — but you're also as good as the actors around you. It's pretty hard to act in a vacuum if the people around you aren't good," she notes. From the process of stepping back into Martin and Mandy's shoes for the second time, navigating complicated emotional journeys and pondering how the past keeps haunting, through to why this Aussie noir hit resonates and whether either of its leads initially dreamed of where acting would take them, we also chatted to Arnold and Heathcote about plenty more. On What Excited Arnold and Heathcote When Scrublands First Came Their Ways Luke: "I hadn't read the books yet. It came through a lovely casting director, Lou Mitchell here in Melbourne — who, back in the day, I used to read for her at auditions for other people. And so when it came through her and I had a look, and because I have in the last few years also been writing — and writing mystery novels, fantasy, mystery stories — being able to play a writer in a mystery show just felt like the perfect fit. There's sometimes a little battle in my head between the writer and the actor, and I was like 'oh, I get to bring both sides of my creative self to this job'. And so from when I put the first tape down, I put it down with my now-fiancée, and out of all the jobs I've ever done, it was the one, she was reading opposite me, she thought it was a done deal from the beginning — and ended up being right. So I think Martin and I were a good fit from the beginning, and it is a very comfortable place for me to be when I get to step into it." Bella: "It did get me excited. It's so funny, because it came about in a really surprising way. Greg McLean and I had a project that we were doing together that fell apart, and I emailed him just checking in about something and he said 'you know what, I'm doing this show, and I feel like you might be right for this role in it'. And it was Mandy. And he's like 'read the scripts and tell me what you think' — the thing that we all say to each other, where it's like 'oh, don't worry if you don't like it'. And I read it and I just ripped through them. And then I was just like 'where do I sign?'. Because I thought she was great, and I loved how spunky she was. And I loved how much — there's something that I do that tat I really share with Mandy, where if she likes someone, she hangs shit on them. If she doesn't like someone, she also hangs shit on them. But if she really likes someone, then she just hangs even more shit on them. And I just loved that interaction that she had with both Martin and Byron [Territory's Jay Ryan in season one], and how quickly it cut through and established these relationships. Particularly the Byron storyline, I was just so impressed at how you could really feel the intimacy between them in such a short period of time. You know that expression 'show don't tell'? I just thought it did that so well, but with the thrill of the crime drama. And yeah, I just thought it was so well done and I loved it." On How the Job and Your Performance Evolves When You're Stepping Back Into a Character's Shoes for a Second Season Bella: "I guess it does evolve, because you're just layering up, aren't you? I get terrified before every job. I maybe erroneously thought that — no, I just know that I get terrified before every job. But this one felt like I put more pressure on myself or I was scared because I loved Mandy in season one, and I didn't want to do her a disservice in season two. So god, I hope I didn't. I guess the circumstances evolve, and you just put that suit back on and hope that you show up and do it justice." Luke: "It's interesting, because it's both much more comfortable and it's nice knowing 'okay, I know to a degree where this guy sits'. I also think sometimes the trap is to get too comfortable in that, and to make sure you're really looking at what the arc of this season is, what the story is. In a lot of ways, there's a lot of things that are completely different between these two seasons. The first season, Martin is the outsider. He is not emotionally or personally connected to this mystery in any way. He's got his own personal journey going on, but he is the somewhat-dispassionate journalist coming in just to tell this story, and everyone else in town has been traumatised and connected to it. This is the opposite. When we when we jump into Silver, it's Martin's old best friend who's been murdered — in a town where a lot of terrible things happened to Martin, but also he did some things that we'll find out he has some regrets, some shame over, potentially. The person who is accused of the murder is his now-partner. So he could not be more personally connected to every aspect of it. So in that way, he's going to approach it completely differently to how he did the mystery in season one. So it's somewhat comfortable, but also a completely new character in some ways." On Whether One of the Challenges of Returning to a Role Is Conveying How a Character Has Grown and Changed Between Seasons Luke: "I think so, mainly in context to Martin and Mandy. The potential relationship is only just blooming by the end of season one. So the whole year has happened for those two. So I think that's the hardest bit of catch-up to do, is to work out 'all right, how close are these two? How established is the relationship? How much trust has been built?'. Because very quickly, going back to Port Silver and the events that happened there, both of them realise that maybe they have to question how much this other person is opening up to them, how much they trust them, how truthful they're being. [caption id="attachment_929182" align="alignnone" width="1920"] Sarah Enticknap[/caption] So I think that is the first thing that we had to consider — what this relationship between Martin and Mandy is, how that year has been between, how established are things, how much do they trust each other? And because it is an ongoing series — but each of these is its own standalone mystery. So in some ways, you want to get that established really quickly so you can get into the real meat of what this season's about." On How Heathcote Approached Mandy's Complicated Emotional Journey in Scrublands: Silver Bella: "I really just went off what was on the page and in the book. Although, you know what comes to mind — and this is a book that has really spoken to me, a book that I've told everyone I know to read and rabbited on about for so long. I don't know if you've ever read it? Any Ordinary Day by Leigh Sales. Oh my god, so just this idea that Mandy — everything that's happening to her is so in the present, but given everything that's happened in season one, it's just like she just has to keep going on, even given everything happened with Byron and with her dad. But she has this son and she has to raise him. And there's all this stuff happening and it's just a trauma that she doesn't have time to process right now because she just has to do the next indicated thing, and she's just so focused on Liam. It's almost like Martin has to try to think of things around the crime and what's going on, because all she can think about is like 'where's my son? I have to go get him. Is he okay? Who is he with right now?. And in some ways, I guess that sort of protects her, insulates her. I feel like if you looked at Mandy five weeks later, she'd be grappling with something different than just what she's dealing with in the shock of the moment." On Navigating the Conflicts Within Both Martin and Mandy — One So Astute in His Work and Yet Awkward in His Personal Life, the Other Fiercely Protective of Who She Loves But Struggling with Trust in Their Relationship Luke: "I think it's the great thing about having the whole story from the beginning — this feeling that 'all right, we've got all these four episodes', and so even before starting, you get to chart some evolution about what can change for him over the course of the story and why. And I think it is knowing that this guy has mostly been on his own, single, bouncing around the world, caring about one thing — which is the story — and believing that is important above all things. That would even mean that in a lot of these situations, while he would be making friends, building relationships, if some of those people are implicit in the story, if they're part of it, that he'd know professionally it's his job to put that aside in the service of the truth. So I think once you know that that is a core part of who Martin is, then it becomes a little easier to play those moments where he could maybe act in ways that are disappointing or upsetting to the people around him. And I do think that's the fun of the season. Every time you do any part, it's always fun to look at 'all right, what are you hoping they learn through the course of this story? So how do we take them a few steps back from that at the beginning?'. And I think it's sometimes the most fun stuff to see when characters are oblivious, when they put a foot wrong — when you hopefully still enjoy watching them, but you can also be frustrated by them as well." Bella: "I think she just loses patience pretty quickly with Martin and his jealousy, Martin and his inability to deal with his past and his family. I think she calls him out on it quite a few times because she just hasn't, doesn't, they don't have time to luxuriate in whatever six months of couples' therapy they need in order to deal with this. It's just like 'get over yourself. Go deal with your family. I'm going to do this thing that's right in front of me. I'm going to deal with the next crisis. I don't have time for whatever nonsense you're bringing to this'." On the Series' Exploration of the Fact That the Past Can Haunt You — Whether You've Tried to Leave It Behind in a New Setting or You're Returning Home Bella: "I don't think you need to dig deep into it because it's true. I mean, it's true for me. I think we're all shaped by our past and whatever traumas we've experienced or whatever loss we've experienced, so I think it's just something that we all carry. We carry the scars of it, hopefully to a lesser extent — or hopefully we are able to do the work so that it doesn't impact our daily life in a way that becomes unmanageable. But I guess I just agree with what Mandy says, because that's been my experience." Luke: "I think what was really great is there were extensive flashbacks in the book, and I think Felicity [Packard, Pine Gap], our writer/producer, and Ben Young [Hounds of Love], our director this season, and everyone else did a really good job of going 'okay, how do we crystallise the ideas, the themes, the character moments in those very broad flashbacks down to something that fits our format?'. And I think they did a fantastic job of that. I think it's really about tying the tragedies of Martin's history here to his own actions, and to the man he is now. And knowing that, yes, some of those blocks he might have emotionally and relationship-wise all have to do with those walls he put up at a very young age, and those decisions he made to go 'no, this is important, what I'm doing is important, so I'm going to go down that road'. So I think it's a theme that pops up with a lot of characters there, but what's fun is I think all those themes, those character moments and the mystery all end up overlapping each other really nicely." On Why the World of Scrublands Resonates with Audiences, Both on the Page and as a TV Series Luke: "This Aussie-noir thing is obviously captivating people here and around the world. It taps into that feeling of Australia I think we all have — I feel like each of these stories so far take place in an Australian small town where some dark things happened, where you've got this tight-knit community. And there is something interesting here, I think, compared to Riversend. Riversend was a place where an awful thing happened that I think really affected the whole community in terrible ways. There's a bit of a different thing going on here with Port Silver, where the change is different — there's some stuff here that happened in the past that compromised everyone and there is still some pain of that, but there's also this gentrification and other shift happening in the town. But I think overall it's that mix of a really good mystery, first and foremost. I think sometimes we can put those darker themes front and centre, and the mystery is somewhat there to support a story that's more interested in theme, in pain, in trauma — and sometimes those stories can be fantastic. But I think this story, for us, especially when we lift it to the screen, we're really trying to tell the mystery first and making sure that we fill it in with all that beautiful texture, but that from scene to scene, we're keeping you on the hook, trying to find out what happened, why and who committed the crime." Bella: "I talk to my dad about this a lot because he loves crime fiction, and it's sort of the only genre he reads. And it tracks because he was a lawyer. I can see why that would be fun for him. But I also I ripped through these books so quickly, and I don't typically read crime fiction. I read them all in two days each — less, maybe. Just couldn't put them down. And I don't know, why is that? They're just delicious and moreish. And you can't, you just want to know what happens. I want to know what happens. I wanted to know what happened watching the show. I was trying to prep this job I'm doing now, and I just thought 'I'll just watch one episode' — and then cut to it's midnight and I'm supposed to be working the next day, and I'm like 'shit, okay, stop watching them'. And I was texting with Luke, and he was still up in Australia because he and his partner had stayed up to watch them. Yeah, they're just moreish." On Scrublands: Silver Taking Aussie Noir to a New Setting in Coastal WA and Helping Expand the Vision of Australia On-Screen Luke: "I think it is the kind of secret weapon of the season, that we could not get over when we were there. This is not a side of Australia people have seen a lot of. Augusta, the town that we shot in, is like the most-southwesterly point of Australia. It's got its own little microclimate. There are humpback whales that you're seeing every day. And funnily enough, there was just this amazing silver sheen over the whole place. Very different to season one, and very different to most things that we've seen in Australia. And I think it is really great. And that just because we're making so much more stuff — and I think we're making so much interesting stuff these days, and enough of it, that we don't feel like what it would have been in the old days, where if you were trying to make a show in Australia that you wanted to export to the world, there's almost an Australian brand. And so you go 'no, don't try and' — like a show like this, you might go 'no, no, no, you buy a show that looks like this from somewhere in Europe. Let's do another McLeod's Daughters or something like that'. Where, because we're exporting so much great stuff these days, we do get to step outside that. We do get to shoot in all corners of the country, and I think it's really exciting for so many reasons. We get to really start showing the world that this isn't just a bunch of beer-drinking — even though, look, we drink a bit of beer in this as well — but it's it's not quite that one image of Australia that we were showing for a very long time." Bella: "My god, I love it — and I love the fact that they let us do it, because I think for most people, Australia, its selling point is the sun-bleached country or the beaches and sunshine and barbecues or something. So to be given — permission is the wrong word, but to be given carte blanche to shoot in winter in WA. And it's so beautiful, it's so breathtakingly beautiful that coast in winter, and the whales and that lighthouse. I just thought it was so idyllic and just really set a certain tone and mood, and I think it's incredible. I'd never been to WA before shooting there, so I'm grateful that we shot there. Because Australia, everywhere you go just feels like it could be its own little universe. They're so different, season one to season two, those settings are so vastly different — and both are so, so special and so beautiful." On What You Learn From Playing Parts Like Martin and Mandy for Two Seasons Bella: "The thing that comes to mind is that you can be tough and sensitive. That you can be tough and vulnerable, and that those things aren't mutually exclusive. I think through so much of my twenties, I thought you were either one or the other, and I feel like Mandy is all of those things all at once." Luke: "I think there's a great window, in both seasons, there's a real window into journalism that I didn't quite know before that's really interesting, and that I had to get my head around then to start playing Martin. Being in the arts, I do think we're often going to the human element first, and are empathy-forward in our ways of how we think about any story. And so just ticking over into not only the mindset of a journalist, I guess, where it's like 'it's about the truth, it's about the facts, that's what's important' — the human element is part of it, but your job as a journalist is to go in and get the truth first, and that's what matters. And I think that's so fun to play. I don't think is a spoiler to say that Toby Truslove as Doug Monkton is back, and so is Sarah Roberts as Beth, so when you get these scenes between the journos, I think that's really, really fun. And that's something that also feels different. We've seen a lot of shows of cops talking and lawyers talking and that kind of thing. I think that the camaraderie and competition between journalists is really fun to play, a whole new window. So I think extending my understanding of that world and getting to play with that is one of my most favourite elements." On Whether Arnold and Heathcote Ever Dreamed of Where Their Careers Have Taken Them Both at Home and Overseas When They Were First Starting Out — Behind the Scenes on Peter Pan and in Australian Film Acolytes, Respectively Luke: "No, of course not. It's funny on that job, being assistant to the swordmaster from Peter Pan. I'm just like everyone watching The White Lotus season three at the moment. And so I was still at high school, really, doing that job — and Jason Isaacs from White Lotus was playing Hook. And on my last day, I went in and had a chat with him, and he was like 'so what are you going to do now?' And I was like 'ohh, I'm going to go to film school, or do a writing course or go to acting school'. And there in his full Hook regalia, he was like 'well, just so you know, writers and directors often have much happier lives than actors'. And I was like 'all right' — and I ended up not taking his advice and went to drama school. And during that time, you're just hoping — like you really get it in your head that 'hey, if I can be a jobbing actor, if I can get to a point where I make most of my money from being an actor, that'll be great'. And that is a kind of dream, and it is tough. It's really hard to do. So then you spend, for a while there, doing a bunch of jobs that are really rewarding but without any — you'd go and do an acting job and then you go back to one of the countless terrible casual jobs that I've done in between. And that felt like 'well, this might be my life'. And then going through those couple of years where I got to do Never Tear Us Apart and Black Sails, obviously that really changed things. Since then, I've just been able to solely work in the creative industries, and I am eternally grateful for it. And there's always a sense that it could change at any moment. But on that, I think as well, that also led me — not to go on a whole big thing, but from that as well, that led to a bit of time where I was spending a lot of time overseas. And I then also had that moment where I was like 'oh, I don't — this isn't the life I want'. It's very easy to get drawn into this feeling of trying to go bigger and further away. And while I'm always open to working overseas, there was a shift even before 2020, when I really, I think, felt really appreciative of the industry we have here in Australia, the great things we do and being able to have this quality of life — working with these people on projects like this was really appealing. So what I'm really most grateful for is that I was able to come back to Australia and really cement myself here, and the work I've been doing the last few years has been some of the most fun and rewarding I've done." Bella: "I suppose that's what you want when you start as an actor, but also I had no concept of really where it could go — because I didn't have anyone in my family who was in this industry. It seemed sort of improbable. But I just didn't want to do anything else, so it's just like 'well, this is what I have to do'. I mean, it's a dream. I still think about that now, like the fact that I've just been able to earn a living doing this thing for the last, jeez, 18 years or whatever it's been now, feels like a small miracle." On What Heathcote Looks for in a New Homegrown Project When Adding to Her Recent Run of Scrublands, Bloom, The Moogai and More Bella: "I guess it's the same thing I'd look for overseas — just a role that speaks to me and creatives that I'm excited by. I mean, The Moogai, for example, I just thought that was a really important story and I'm always fascinated by horror films that are sort of an allegory for something bigger than just horror, genre. And Bloom, I remember just being excited to work with Phoebe [Tonkin, Boy Swallows Universe], and I was in Australia — and I met with Greg and Glen [Dolman, I Met a Girl], the writer, and just thought this would just be a laugh. I also love the comedic element of it, or the situation just felt so ludicrous, to play this old woman, this very uptight old woman, but in a young woman's body. It's giving Freaky Friday. And then Scrublands, I just love Mandy. I just thought she had such spunk. A friend of mine said something once: 'you need two out of three'. And it was pay, creative, location. Sometimes, if you're lucky, you get all three. And I suppose that's how I make most of my decisions." On What Gets Arnold Excited About a New Role in General Luke: "It can go both ways. I think what excites me sometimes is if there's some crazy challenge — where the script is so good and there's some amazing challenge in there that I haven't done yet. And you go 'all right'. And it's going to push me in ways where I can't rely on the things I think I know and the things I've done before, and just launch into something with faith in the people I'm working with and in the process, and get to just stretch myself in new and exciting ways. That's both really exciting — and also what's really exciting sometimes is when I feel like 'oh, I think I'm the right guy for this job'. It's a really rewarding, exciting thing, because there's so much self-doubt here. And every job you do, you always go 'well, everyone's going to think I suck in that'. And every audition you do, you go 'of course, I'm not going to get this'. But occasionally these things come forward where you're like 'I think this is my skill set. I think I know how to do this. And I think I can maybe bring something to this that not every actor could'. And I think, from a kind of craft sense — and just, as we said, how long I've been in this industry — it's a really nice thing when I feel 'oh, I think I could be helpful to this thing'. And that's why there was maybe a sense with Martin that I felt like 'oh, I think my writer's mind will be really useful in this role'. Because when you are in the position where your character is, you are with the audience as you're putting the pieces together, you are part of shaping the story and putting the pieces of that mystery together, I did feel like 'oh, I think I might be the right actor to make this character work'. So I think that is sometimes a great thing, when I can enter into something with a little less self-doubt and a little more excitement to bring all of me to a role." Scrublands: Silver streams via Stan from Thursday, April 17, 2025. Read our review of season one. Images: David Dare Parker / Sarah Enticknap.
