With warm weather fast approaching, now is the perfect time to plan your next getaway out of the city. These 16 Victorian stays all radiate tranquil energy, so you can escape the city for a holiday surrounded by vast fields, leafy bushland or lush rainforests. Recommended reads: The Best Hotels in Melbourne The Best Glamping Sites in Victoria The Best Dog-Friendly Hotels, B&Bs and Self-Contained Getaways in Victoria The Best Places to Stay on the Great Ocean Road Luxury Spa Cabin, Wilsons Promontory Located in the expansive Wilsons Promontory National Park, this deluxe cabin offers the opportunity to catch Aurora Australis if you're lucky, as well as a range of wildlife including koalas, alpacas and whales at the nearby beach. From $344 a night, sleeps two. Manta Ray One, Skenes Creek With stunning ocean views from its floor-to-ceiling windows, this unique property radiates sun and summer all year round. Wake to the sights and sounds of the beach before walking down for a morning dip. From $403 a night, sleeps seven. Wild Orchard Cottage, Olinda Hidden within the Dandenong Ranges, this private cottage may look quirky from the outside, but it houses a lush renovated living space and a cosy fireplace. From $350 a night, sleeps two. Lake View Private Retreat, Port Fairy Yambuk Located next to Lake Yambuk and its neighbouring beach, this homely stay promises serenity and relaxation. Keep an eye out for the local peacock who is known to come and visit the property. From $210 a night, sleeps four. Spring House, Apollo Bay Here, as the living room opens onto the deck, you're in for stunning natural ocean views. Feel the sea breeze as you relax in this one-bedroom pavilion-style home located southwest of Melbourne, just outside Great Otway National Park. From $425 a night, sleeps two. Jeraboam Eco Lodge, Moyston This environmentally friendly house in the Grampians National Park exists off-the-grid, aiming to be completely self-sufficient in energy and water. Feel good about your sustainable holiday whilst enjoying tranquil bushwalks and visits to the nearby wineries. From $140 a night, sleeps six. The Newstead Haven, Newstead Unwind in this cosy, private country home under the stars. The property's seclusion provides breathtaking views of the Milky Way. From $220 a night, sleeps six. Romantic Studio Cottage, Bright This unique two-storey cabin is engulfed in greenery from every side. Primed for relaxation, it even has an in-bedroom spa bath looking out over the trees. From $254 a night, sleeps two. Rivernook Cottage, Johanna A classic coastal Australian home with modern furnishings, ocean views and a heated indoor swimming pool. From $374 a night, sleeps four. Tranquil Getaway, Yea Designed and built by a local architect, this quaint cabin looks out over the area's reserves and mountain ranges. Bask in the serenity with the convenience of still only being a 15-minute walk from town. From $259 a night, sleeps two. Avalon House, Harrietville Featuring original timber wall panelling dating back to 1889, this beautifully-restored cabin is charming, pet-friendly and rich in historic detail. From $207 a night, sleeps two. Studio Apartment, Saint Andrews Beach Find the perfect balance of fun and relaxing at this peaceful private studio located close to a beach, brewery, wineries and several golf courses. From $165 a night, sleeps two. Coorabell, Mount Dandenong A comfy converted barn set amongst the trees. Relax in this peaceful space complete with a log fire and a spa bath looking out onto the bushland. From $450 a night, sleeps two. The Farm on One Tree Hill, Smiths Gully This stylish, modern two-storey cabin is set on 18 acres of kangaroo, horse and goat-filled fields. The pet-friendly property is located by the Yarra Valley wine region, near Kinglake Mountain Ranges and just 50 minutes from Melbourne Airport. From $230 a night, sleeps four. Avalon Spa Villa, Elevated Plains With both an indoor and an outdoor spa (that's right, two spas) overlooking lush bushland, this villa is primed for a romantic weekend of relaxation. From $260 a night, sleeps two. Cottage by the Lake, Cobaw Surrounded by lakes and gardens, this cottage sits on 50 acres of bucolic farmland. You'll feel like you're in a children's book as you cruise out onto the water in the rowboats supplied with the house. From $300 a night, sleeps eight. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Airbnb
Sydney Festival Director Olivia Ansell knows what it takes to present a world-class program — even in less-than-ideal conditions. When it was announced in 2020 that she would be taking the reins of New South Wales' flagship arts event from her predecessor Wesley Enoch, the world was gripped by pandemic lockdowns. Unable to travel internationally in search of exciting new works for her debut program in 2022, Ansell did what many resourceful creatives did to meet this unprecedented moment: she pivoted. "That time, in 2020, was an uncertain time to come into any role," she reflects. "But without [international productions] the focus then became: how can we help the creative sector recover here in Australia? How can we work with the sector and restore livelihoods and make sure that artists are getting back to doing what they absolutely should be doing, which is writing new Australian stories, commissioning new work and seeing that work fly around the country. We worked really closely with our city and state stakeholders, our partners, and our supporters to make sure that artists could practise their art, could perform, could write these stories and dream." [caption id="attachment_979110" align="alignnone" width="1920"] Olivia Ansell, Wenndle Theodoro[/caption] Even after the end of lockdowns and the eventual reopening of international borders, Ansell has had to contend with torrential drenchings from a persistent La Niña washing-out al fresco performances and, most recently, the economic headwinds of the cost-of-living crisis. But much as she did in 2020, innovating past these problems has helped her shape a festival that fits with the times. As such, affordability has been a chief concern in the development of 2025's program, which will be Ansell's final offering as Sydney Festival Director. To mark the fest's 49th year, some of the very best seats at headline productions are up for grabs for just $49, if purchased before December 2. Alongside these discounted early bird bargains, there are also plenty of free events, so Sydneysiders truly have no excuse to miss out on the creative bonanza that will sweep the city, January 4–26. For Ansell, making the festival financially accessible to all is the best way to celebrate its (almost) half-century milestone. "We've always been a festival deeply rooted in communities, that celebrates Sydney in summer and brings people together to experience compelling, groundbreaking new Australian stories, as well as international artists from all across the globe. It's our job to present work that challenges and inspires, and that invites people who have maybe never been to an arts event or a theatre production before. Making sure anyone who wants to can access a ticket or a free event is essential — whoever you are, wherever you're from, we can absolutely offer you a summer festival experience." Here are just a few of Sydney Festival 2025's best shows with early bird tickets for just $49, discounted until December 2.
If a cosy escape is on the cards, you've got your pick of idyllic stays located among the spectacular bushland of NSW's Blue Mountains. An hour's drive west of Sydney, this famed region is home to leafy treehouses, wilderness-hugged cottages and secluded cabins, all the perfect setting for a nature-filled mountain retreat. So you don't have to spend hours scrolling and invest more time into packing your bags, we've pulled together 15 of the most enchanting Airbnb stays in the Blue Mountains. Book a spot and plan your escape. Recommended reads: The Best Glamping Sites in NSW The Best Hotels in Sydney The Best Luxury Getaways From Sydney Romantic Orchard Escape, Blackheath A cosy farm stay for two, this open-plan beauty spills onto a spacious deck, with an incredible outlook across the mountains. From $829 a night, sleeps two. The Hill Station, Mt Tomah Adjacent to the botanical gardens of Mt. Tomah, this leafy retreat for two boasts an ultra-private location hidden among lush bushland and gardens. From $385 a night, sleeps two. Amaroo Mountaintop Villa, Katoomba With panoramic views of rolling mountains, this timber-filled retreat will have you and your mates feeling like kings. The outlook is best enjoyed from the outdoor spa. From $510 a night, sleeps 12. Cuckoo's Nest, Katoomba This lovingly restored cottage is located among bushland and has space for two, a barbecue ready for use and lots of rustic charm. From $190 a night, sleeps two. Spectacular Vineyard Lodge, Megalong Valley Enjoy a taste of vineyard living at this secluded boutique cottage, complete with a sunny deck unfolding onto vine-covered slopes. From $295 a night, sleeps four. Wondernest, Blackheath A luxe, Scandi-inspired abode, tucked away among the bushland of Blackheath. Cosy up and watch the stars twinkle through the bedroom skylights. From $476 a night, sleeps four. The Shed on Central, Wentworth Falls This one-time garden shed is now a quaint country cottage with a cosy rustic charm. A secluded couples' retreat for those who like relaxing in nature. From $198 a night, sleeps two. Cloud Parade, Leura A designer space with sweeping views to match, this elegant ten-guest home feels like it's perched at the top of the world. From $850 a night, sleeps ten. Two-Bedroom Eco Woolshed, Kanimbal Unplug at this eco-friendly cabin, set on 250 acres of Kanimbla farmland. Uninterrupted mountain views by day and fireside hangs by night. From $320 a night, sleeps four. Three-Bedroom Eco Woolshed, Blackheath A bigger version of the above getaway, this eco-friendly cabin with a sprawling backyard has a roaring fireplace and is primed for small group getaways. From $320 a night, sleeps six. Nugaroo Cottage, Bilpin A rustic hideaway complete with cosy loft bedroom, toasty woodfire and tranquil farm setting. Plus, plenty of friendly resident farm animals to visit. From $441 a night, sleeps four. The Hilltop Cabin, Kanimbla Soak in the beauty of Kanimbla valley with the perfect romantic escape — perched neatly on a hilltop. The dreamy countryside views are best enjoyed from the outdoor pool or next to the toasty fireplace. From $1030 a night, sleeps two. Seven Sisters Escarpment Views, Medlow Bath This mountaintop cottage feels worlds away from reality. Especially if you're taking in the views from one of two gorgeous outdoor bathtubs. From $340 a night, a sleeps four. Shuffkeshoes, Blackheath With its tranquil bush setting, two-person spa bath and toasty log fire, this Blackheath gem might be the ultimate hideout. From $375 a night, sleeps four. Piccolino, Wolgan Valley A tiny home with some truly spectacular surrounds. This one is stylish, eco-friendly and primed for unplugged getaways in the wilderness. From $340 a night, sleeps two. Top image: The Hill Station at Mt Tomah. All images: courtesy Airbnb. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
The allure of a Mediterranean beach holiday might seem tempting, but you'll find a bounty of worthy vacation spots located right here in your own backyard. And if sun, sand and surf are on the agenda, there are plenty of idyllic island escapes up and down the coast of Queensland, just waiting to be explored. Indulge in a tropical getaway to Hamilton Island, or embrace the beachside life with a few days spent lounging in The Whitsundays. We've done the hard work for you and pulled together a list of the most idyllic island accommodations you can book in Queensland. Pick a favourite, pack your sunscreen and get ready to feel the sand between your toes. Recommended reads: The Best Hotels in Brisbane The Best Glamping Sites in Queensland The Best Dog-Friendly Accommodations in Queensland The Best Islands in Australia to Visit Any Time of the Year Central Airlie Holiday Home, Airlie Beach This Airlie Beach gem has room for the whole gang, but it's the divine deck and pool overlooking the Whitsunday Islands that'll steal your heart. From $545 a night, sleeps 10. Luxury Private Retreat Villa, Urangan Your own tropical haven, just minutes from the beaches of Hervey Bay. This breezy villa boasts contemporary styling, gorgeous outdoor living and a private pool. From $235 a night, sleeps six. Yacht Club 33, Hamilton Island This newly built island escape is a study in luxury living, complete with high-end features, pool access and sweeping ocean views throughout. From $1715 a night, sleeps nine. The Little Bush Hut, Nelly Bay On a secluded patch of island paradise, this stylishly restored hut is couples' holiday perfection. Fall in love with the private setting and the covered outdoor tub. From $310 a night, sleeps two. Headland House, Picnic Bay This architectural stunner boasts a covetable location on Magnetic Island, with luxurious spaces indoors and out, and epic ocean vistas to match. From $1752 a night, sleeps ten. Point Blue, Hamilton Island With its sleek interiors, picture-perfect views and abundance of outdoor living, this island home is the answer to all types of tropical holiday cravings. From $2164 a night, sleeps eight Point Lookout Townhouse, Point Lookout This stylish townhouse comes complete with panoramic water views, a gorgeous indoor-outdoor set-up and access to the complex's infinity pool. From $580 a night, sleeps seven. Complete Straddie Beach Retreat, Point Lookout Blissful island days await at this vibrant villa, perched just metres from the beach. Enjoy the romantic loft bedroom, sun-drenched deck and shared pool. From $219 a night, sleeps three Ascension, Point Lookout Luxe out in this sprawling holiday mansion, set overlooking the waters off Point Lookout. There's a huge deck, spa room and telescope for whale-watching. From $1000 a night, sleeps 12. Romantic Dog-Friendly Cottage, Macleay Island With leafy surrounds and pristine water views, this high-set cottage makes for a dreamy island hideaway. Split time between the cosy fireplace, luxurious spa and sunny deck. From $295 a night, sleeps four. Elementa House 1, Airlie Beach Unwind in style with a stay at this Whitsundays stunner, complete with private garden, shared infinity pool and master tub with breathtaking views. From $637 a night, sleeps six. 14 The Cove, Airlie Beach This next-level waterfront stay is what holiday dreams are made of. Indulge in show-stopping views from the open-plan living zones, sprawling deck and pool. From $960 a night, sleeps six. La Boheme Studio, Jubliee Pocket Experience your own little slice of Whitsundays magic at this contemporary coastal cottage, flitting between porch hammock and incredible magnesium pool. From $155 a night, sleeps two. Shorelines 23, Hamilton Island You'll feel on top of the world at this soaring Hamilton Island apartment, featuring panoramic ocean views and a stunning shared pool located just metres away. From $495 a night, sleeps six. Hamptons House on the Hill, Airlie Beach Boasting incredible vistas across the Whitsundays, a private pool and lots of luxury features, this award-winning Hamptons-style home is total bliss. From $375 a night, sleeps four. The Moreton Mansion, Tangalooma This generous three-level abode makes for a lavish group getaway, overlooking the waters of Moreton Bay. Plus, enjoy full access to the nearby resort facilities. From $1050 a night, sleeps 16+. Bedarra Island Villa, Bedarra Island A glam island paradise surrounded by leafy palms and lapping blue ocean. This designer villa boasts a stunning deck and delightfully secluded beachside setting. From $1258 a night, sleeps eight. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy. Images: Courtesy of Airbnb
Over the last decade, Sydney's Mexican restaurant scene has had a huge renaissance. Gone are the days of only finding sour cream-laden Tex-Mex offerings and fishbowl margaritas. Now, Mexican food in Sydney is significantly more refined and reflects the dining culture of Mexico itself, rather than the cheese-filled US version. We have stacks of fine-dining Mexican eateries, mezcal and tequila bars, and small neighbourhood grocers slinging some of the greatest house-made tacos and tamales in Australia. To help you find these haunts, we've compiled this guide to the best Mexican restaurants in Sydney. Read on to find where you'll next be woofing down trays of tacos while sipping on fine tequilas and mezcals. Recommended reads: The Best Restaurants in Sydney The Best Italian Restaurants in Sydney The Best Indian Restaurants in Sydney The Best Bars in Sydney
No matter who you are, the need for a nice, long holiday is real. And, while far-flung adventures on the Mediterranean may not be in your cards, you can find a wealth of sensational coastal destinations right here in your own backyard. The stretch of the Mornington Peninsula offers sandy beaches, untouched bushland and award-winning wineries, all less than two hours south of Melbourne's CBD. You can find luxury retreats peppered throughout the region, ranging from plush waterfront hideaways to peaceful farm escapes. Get into holiday mode and start scrolling for some of the most luxurious stays you can book on the Mornington Peninsula. Because if ever there was a time to treat yourself to a taste of the high life, it's now. Recommended reads: A 48-Hour Guide to the Mornington Peninsula The Best Hotels in Melbourne The Best Summer Day Trips From Melbourne The Best Places to Go Glamping in Victoria Monterey Stud, Shoreham Set among rolling green hills, this designer farmhouse boasts both good looks and a tranquil setting. Plus, a stunning wraparound deck for sunset drinking sessions. Sleeps eight, from $900 a night. Barefoot, Blairgowrie A stylish holiday pad with a breezy indoor-outdoor flow, nestled right on the beach. This spacious beauty has loads of modern features and a solar-heated pool. Sleeps nine, from $775 a night. Bay Crest Manor, Mount Eliza Perched on top of the cul-de-sac of the Morning Peninsula, this manor resembling an ancient Greek temple boasts an unbeatable bay view. Watch the sun set in the infinity pool or take on your friends in life-sized lawn chess. Sleeps eight, from $1023 a night. Hart's Farm Retreat, Shoreham This smartly appointed farm stay makes for an idyllic couples' retreat, featuring high-end furnishings, a sun-drenched private deck and a magical outlook over olive groves and vineyards. Sleeps two, from $650 a night. Coastal Bush Retreat, St Andrews Beach Unwind in style at this quiet, leafy beach escape which boasts modern interiors, a chic coastal style and a roomy deck primed for sunset drinks. Sleeps four, from $250 a night. The Red Hill Barn, Main Ridge This charming barn has been reworked into a stylish couples' studio, featuring a bright, breezy fit-out and secluded setting in the heart of wine country. Sleeps two, from $470 a night. Crown Cove Villa, Safety Beach A luxury waterfront stunner with open-plan indoor-outdoor living that'll take your breath away. Enjoy the private jetty, dedicated dining room and spectacular heated pool. Sleeps 12, from $1590 a night. Coastal Luxe, St Andrews Beach Decked out in soothing natural tones, this designer beach pad is a dreamy home away from home. Spa, pool table and incredible outdoor living, all included. Sleeps 12, from $836 a night. Portsea Dairy, Portsea This lovingly restored farmhouse will win you over with its modern features, sun-drenched yard and spacious deck complete with an outdoor spa. Sleeps four, from $329 a night. Sunset Coastal Retreat, Mount Martha 180-degree views of Port Phillip Bay await you in this modern abode tucked away on Mount Martha. Enjoy the solar-heated pool, unwind in the spa, or take in the stunning city skyline from the expansive balcony. Sleeps nine, from $1219 a night. Images: Airbnb FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
The best breakfasts in Sydney are as diverse as the city they're served in. Sure, you'll find Vegemite on toast and every conceivable iteration of smashed avocado on the menu at these Sydney breakfast spots, but with this list we've endeavoured to look beyond the obvious and expand your culinary horizons for The Most Important Meal Of The Day. After a breakfast burrito? We have you covered. Japanese-style brunches? They're well represented here. Hungover and desperate for bacon and bloody Marys? Let us take care of you in your hour of need. We even have a few healthy options where the sugar and fat might be left out, but flavour and fun still reign supreme. And the best breakfast in Sydney isn't necessarily found in a cafe — although many are. You'll also uncover some of the best early-morning treats in bakeries, bagel shops and delis. We have all bases covered in this guide. Read on to see where you'll next be fuelling up before work or relaxing during a long, lazy Sunday morning with mates. Without further ado: here are our picks of the best breakfasts in Sydney. Recommended reads: The Best Cafes in Sydney The Best Weekday Breakfast Spots in Sydney's CBD The Best Coffee Shops in Sydney's CBD The Best Bottomless Brunches in Sydney
There's something novel about soaking in a tub with no wall in front of you, no roof above you, and no worries if anyone will spoil the moment (or see you naked). It's romantic, relaxing, and the unfamiliar nature of bathing outdoors can be, lets face it, kind of exciting. This is especially true when your bath is paired with a glass of red and the knowledge that there's a roaring fire waiting for you inside the architecturally designed house you've found yourself in. So, to make your outdoor-bath dreams a reality, we've rounded up the most enviable houses in Australia that have particularly unique outdoor-bathing scenarios. Whether you fancy relaxing in a private Japanese bathhouse, a rustic metal tub perched on a farm's timber deck, or want to stargaze from a spa-bath in a mountain cave, we've got you covered. Read on for our top stays with next-level outdoor baths across Australia. Recommended reads: The Best Glamping Sites in Australia The Best Glamping Sites in New Zealand The Best Dog-Friendly Hotels in Australia Liptrap Loft, Walkerville, Victoria This design-minded house combines Japanese architecture with rustic charm — it boasts a one-of-a-kind sunken indoor-outdoor Japanese bath in a traditional bathhouse that opens up to views of the surrounding property. From $406 a night, sleeps six. Wensley, Wensleydale, Victoria Built from recycled oregon and ironbark, this bespoke timber, architectural shed-like house is a bath-lovers paradise, with a deep indoor bath inside amongst the immaculately styled interiors, and a rustic metal bath on the wrap-around timber deck, perfect for cooling off on balmy evenings. From $995 a night, sleeps ten. Soul Wood Luxury Coast Cabin, Termeil, New South Wales Wake up to views of the bushland from this wooden tiny house. The dreamy outdoor bathtub is surrounded by tall native trees that will have you feeling completely immersed in the natural surroundings. From $300 a night, sleeps two. Woodlands Retreat, Porongurup, Western Australia Not a bath per-se, but the views this jacuzzi boasts earned itself an honourable mention. Just imagine sipping champagne with your pals and looking out over that deck submerged in steaming bubbly water, then slipping on a fluffy maroon robe to finish off the night — yes, please. From $438 a night, sleeps four. Stargazer, Beechmont, Queensland This property is enviable in every way, including a secluded location, cohesive architectural design, and a wood fire pizza oven for your entertaining needs. To top it all off, the uniquely positioned bath looks over the far-reaching countryside, taking your R&R weekend to the next level. From $278 a night, sleeps six. Secluded Studio, Byron Bay, New South Wales A designer retreat for two, complete with a glass-walled bathroom, secluded garden terrace and roomy outdoor tub to wash the salt off from a day spent in the sun and surf — it's a true hidden oasis, just minutes from the beach. From $400 a night, sleeps two. Boutique Retreat, Suffolk Park, New South Wales A cheery self-contained, beautifully styled apartment that's sure to win you over with its plush linens, palm-filled courtyard and massive pink stone outdoor tub for some quality soaking, drinking and reading. From $275 a night, sleeps two. The Enchanted Cave, Bilpin, New South Wales An actual clifftop cave, this unique couples' retreat is like something plucked from a storybook. Relax while enjoying dreamy views across the treetops from the large glass doors that open out from a deep spa bath. From $1140 a night, sleeps two. Seven Sisters Escarpment Views, Medlow Bath, New South Wales Tandem baths anyone? This mountaintop cottage feels worlds away from reality, especially when taking in the views from one of two gorgeous outdoor bathtubs. Be sure to cook dinner from the bush garden and cozy up in front of the wood fire on cooler nights. From $340 a night, sleeps four. Kestrel Nest Ecohut, Mount Adrahm New South Wales Halfway between Sydney and Melbourne, this eco-hut is nestled above a rocky mountain stream on the edge of rolling farmland and a conservation area. It features an outdoor bathtub, a fireplace and firepit, and a charming mix of timber and tiled interiors. From $460 a night, sleeps four. All photos courtesy of Airbnb. FYI, this story includes some affiliate links. These don't influence any of our recommendations or content, but they may make us a small commission. For more info, see Concrete Playground's editorial policy.
Regardless of how hard you hit the clubs or your Netflix account on a Friday night, you can rest assured that your weekend morning hunger pangs will be fully satiated by a hot plate of juicy dumplings at one of Sydney's best yum cha destinations. Dim sum literally means 'to touch someone's heart', so no matter what your preference — soupy xiaolongbao, prawn har gow, pork belly bao, crispy duck spring rolls, sang choy bao or those creamy mango pancakes, there's a carb combo out there waiting to touch your heart and fill your grumbling stomach. But not just any Sydney dim sum spot will do. It's only the best for us. That's why we created this definitive of the top places to find yum cha in Sydney. So, rather than spend your precious free time huddled over a hot stovetop, put on your stretchiest pants, grab some eating amigos and hit up one of the many incredible, dumpling depositories that Sydney has to offer. Recommended reads: The Best Pizza in Sydney The Best French Restaurants in Sydney The Best Burgers in Sydney The Best Italian Restaurants in Sydney
It comes around but once a year — the season when spookiness is at its peak. Halloween in Sydney is a frightfully fun affair, with parties, festivals and activations summoning ghoulishly good times across the city. We've rounded up the best ways to celebrate All Hallow's Eve in the Harbour City, with events to suit families with young trick-or-treaters, couples looking for devilish date night ideas, and revellers in search of death-defying dance floors.
After the long and chilly weather, things are starting to thaw out as regional hubs across New South Wales renew their focus on warm-weather activities for visitors and residents alike. This month, the Central Coast will join the fun and play host to an exciting array of events to keep people coming back for more. Central Coast is an easily accessible day trip or weekend destination for Sydneysiders. The towns along the coast are peaceful enough to avoid feeling overcrowded — and yet are lively enough to ensure there is always something to see or do. We've rounded up some of the can't-miss events happening on the Central Coast that you must add to your itinerary for your next drive up north this spring.
Now entering its second year, SXSW Sydney is a lightning rod for innovators, trailblazers, trendsetters and paradigm shifters from across Australia and the world. If you're flying in for this year's fest, we've got some suggestions for where you can lay your head after filling it with boundary-breaking ideas all day. Here are the best places to stay in and around SXSW Sydney's major hubs. Recommended reads: The Must-See Conference Events at SXSW Sydney 2024 Whet Your Appetite at the Unmissable SXSW Sydney Food Festival Eight Performances You Won't Want to Miss at This Year's SXSW Music Festival
Victoria has no shortage of standout destinations to explore throughout the year — natural, beautiful and sometimes downright surprising. The state is one of Australia's smallest yet boasts a diverse array of stunning landscapes, from tumbling waterfalls in the middle of dense forest to ancient volcanic craters now teeming with wildlife. Here, we've rounded up eight unexpected natural sights just waiting to be explored. Start plotting adventures around this lineup of must-see Victorian landmarks. Recommended reads: The Best Natural Hot Springs in Victoria The Best Walks in and Around Melbourne The Best Beaches in Melbourne The Best Places to Go Glamping in Victoria [caption id="attachment_785503" align="alignnone" width="1920"] Darren Seiler for Visit Victoria[/caption] Pink Lakes, Murray-Sunset National Park As far as bodies of water go, these ones are what you'd call true show-stoppers. Up in the wilds of northwestern Victoria, the Murray-Sunset National Park is best known for its four eye-catching Pink Lakes, which feature solid salt beds and a vibrant blush tinge thanks to the red algae growing in their waters. With the lakes shifting in colour throughout the day, the vast, flat territory makes for some pretty magical photo ops, especially during sunset and at dusk. You can soak up the untouched surrounds while trekking one of the area's many walking trails and even spend a night onsite at the campgrounds, taking advantage of the open starry skies and lake views. [caption id="attachment_785511" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] The Pinnacle Lookout, Halls Gap Rising up above Halls Gap like the bow of a Titanic made of rocks, The Pinnacle lookout is The Grampians' crowning glory, in more ways than one. It clocks in at an impressive 720 metres above sea level and boasts some unimaginably good panoramic views to match. The spectacular summit is accessed by a bunch of different hiking trails (starting from a medium-grade 45-minute trek), which'll take you winding through a rugged region of leafy bushland and rocky outcrops. Make your way up to the top, take in those dramatic vistas over the National Park's peaks and valleys, and you'll feel like you're standing atop Victoria's own version of the Grand Canyon. [caption id="attachment_785496" align="alignnone" width="1920"] Garry Moore for Visit Victoria[/caption] Buchan Caves, Buchan Some of you might find it hard to get excited about a cave. But this huge subterranean network filled with majestic limestone formations really is some exceptional stuff. Carved out by underground rivers almost 400 million years ago, Gippsland's Buchan Caves are the largest of their kind in Victoria, also holding huge Aboriginal cultural significance. You can take guided tours of the two main lit sections, known as Royal Cave and Fairy Cave, winding your way amongst the stalactites, stalagmites and calcite-rimmed pools. What's more, the adjoining Buchan Caves Reserve boasts loads of native wildlife, bushland walks and idyllic picnic spots. You can even make a mini-getaway of it and spend the night at one of the campsites. it's one of our favourite Victorian caves to explore. [caption id="attachment_845835" align="alignnone" width="1920"] Great Ocean Road Tourism[/caption] Tower Hill Wildlife Reserve, Tower Hill If you ever want to see what life's like within a dormant volcano, simply venture a few hours west to the site of Tower Hill, near Port Fairy. Here, a 30,000-year-old volcanic crater houses the Tower Hill Wildlife Reserve, featuring a striking backdrop of cone-shaped hills, wetlands and lake. And as well as boasting gorgeous scenery and bushwalks aplenty this one's steeped in history. A significant Indigenous Australian landmark and Victoria's first national park, the site was driven to ruin by early settlers, before volunteers restored it to the natural beauty it is today. The crater is also home to scores of native wildlife species — keep an eye out for the likes of koalas, kangaroos and spoonbills kicking around in this unique habitat. [caption id="attachment_785501" align="alignnone" width="1920"] Mark Watson for Visit Victoria[/caption] Californian Redwood Forest, Beech Forest Take a trip out to The Otways' famed Californian Redwood Forest and you'll find yourself quickly enveloped in an otherworldly haven of peace and tranquility. Created over 85 years ago, this plantation of towering Californian Redwoods (sequoia sempervirens) makes for quite the nature spectacular, what with its uniform rows of tree trunks, hushed forest floor and shards of sunlight filtering through the upper branches. Nothing offers a bit of perspective quite like a stroll through the 1400-strong forest, taking in the full stature of these arboreal giants. Some of them reach a whopping 55-metres tall. Enjoy a picnic lunch, hug a few trees and revel in a much-welcomed dose of Mother Nature. [caption id="attachment_785504" align="alignnone" width="1920"] Pennicott Wilderness Journeys[/caption] Skull Rock, Tidal River Victoria lays claim to plenty of famous rock formations, but this skull-shaped number emerging from the waters off Wilsons Prom might just be the coolest. Cleft Island — also known as Skull Rock for obvious reasons — is a giant granite formation hanging out by the very southern tip of the state. It's been gradually shaped and smoothed by waves over the centuries, and features a giant grassy cave hollowing out one side. For a close-up view, you can (normally) jump on a 2.5-hour cruise, departing daily from Tidal River. And if you're visiting during migration season, you could even spy a few of the area's less eerie residents, including sea birds, dolphins and fur seals. [caption id="attachment_785502" align="alignnone" width="1920"] Robert Blackburn for Visit Victoria[/caption] Trentham Falls, Trentham As one of the state's longest single-drop waterfalls, Trentham Falls are always a majestic sight to feast your eyes on. And, at a soaring height of 32 metres, we reckon they'd certainly get the tick of approval from TLC. Located within the lush forest of Coliban River Scenic Reserve — about 90 minutes northwest of Melbourne — this impressive natural water feature looms large against ancient basalt rock, the whole scene framed by leafy native vegetation. Unfortunately, you're not allowed to get too close, but you'll find the best vantage point from atop the dedicated viewing area, just a short trek from the car park. Take a moment admiring the dancing water, surrounded by shady manna gum and messmate trees, and we promise you'll feel worlds away from the big smoke. [caption id="attachment_785540" align="alignnone" width="1920"] Gillian via Flickr[/caption] The Organ Pipes, Keilor North It's not too hard to see where this unique rock formation gets its name from, with its row of towering cylindrical columns that look like they could just about start pumping out tunes. Gracing the side of a big basalt cliff, the distinctive design was naturally created back in ancient times by cooling lava. Now, it serves as a constant reminder that this region is on the edge of one of the world's largest ancient volcanic lava flows. You'll find the geological gem located within the Organ Pipes National Park, just 30 minutes out of the CBD. While you're there, be sure to catch some of the park's other quirky resident rock formations, including the mosaic-like Tessellated Pavement and another that looks like the spokes of a giant wheel. Top Image: Californian Redwood Forest, Beech Forest.
The Sydney pub scene has undergone somewhat of a revolution over the past decade, with countless historic watering holes receiving refurbs to save them from ruin. Some have totally stripped away the old-school pub vibes, opting for sleek and creative design features, while others have only done enough to keep the roof from caving in — lovingly preserving the beer-stained carpets and wood-panelled bar tops. This list of the 20 best pubs in Sydney includes a little bit of everything: old and new, beer gardens and fireplaces, parmies and caviar, and just about everything in between. Read on to see if your favourite haunt has made the cut and potentially discover a local treasure that's been hiding right under your nose. Recommended reads: The Best Bars in Sydney Sydney's Best Beer Gardens The Best Sydney Restaurants The Best Wine Bars in Sydney
SXSW returns to Sydney this October, with another stacked lineup of keynote speakers, thought leaders and visionary innovators ready to explore the bleeding edge of technology, cinema and music. So, with so much to see and do, you'll need a few handy spots where you can catch your breath between thrilling gaming exhibits, debrief about fascinating conference speakers and rest your feet before the next round of live music acts. SXSW will take over various venues around Chippendale, Ultimo, Haymarket, Darling Harbour, the CBD and Surry Hills for film screenings, conferences, gaming events, gigs and expos from Monday, October 14 to Sunday, October 20. There's no shortage of incredible diners in the SXSW precinct where you can refuel and recharge. So to help you navigate your options, we've put together this list of top places to eat for every budget, from cheap bites to baller blowouts.
For those in search of culinary variety, food courts used to be the natural go-to. Then came the age of precincts, which boomed in the wake of the pandemic as businesses within walkable footprints banded together to form easily navigable options for a venue-hopping night out. Over the past couple of years, however, a new breed of dining destination has emerged combining the calibre of stand-alone venues that used to be the preserve of precincts with the under-one-roof convenience that was once the food court's monopoly. Hospitality hubs are fast becoming the apex predators of Sydney's dining scene, with many of the most compelling openings of 2024 falling into this ascendant category of venue. Typically operated by a single hospitality group, these multi-venue, often multi-level and, crucially, multi-purpose establishments can simultaneously cater to punters seeking very different experiences, be that a pre-dinner cocktail and a restaurant booking, a laidback after-work drink, a cute date spot or somewhere to let loose with a dancefloor. We've picked out the best of the bunch in Sydney, including two newcomers set to open within weeks. Which will you visit first? Recommended reads: The Best Italian Restaurants in Sydney The Mexican Restaurants in Sydney The Best Pizza in Sydney The Best French Restaurants in Sydney
There are 8222 islands within Australia's watery borders. You could spend your entire life hopping from one Aussie island to another and never quite make them all (well, unless you're very, very quick). So, we thought we'd save you some time and handpick 12 of the best islands in Australia. They should at least get you started. Next time you start imagining yourself on a white-sanded beach with quokkas close by, sea lions in the distance and your desk a few hundred kilometres away, these are the spots to catch a boat, plane, or ferry to. Remember: when you leave the mainland, you leave all your worries there, too. Right? Recommended reads: The Best Glamping Sites in Australia The Best Beaches in Australia The Best Dog-Friendly Hotels in Australia [caption id="attachment_688591" align="alignnone" width="1920"] Coral Coast Tourism[/caption] Abrolhos Islands, Western Australia The Houtman Abrolhos isn't just an island, it's an archipelago. 122 isles make up the marvel, more or less clustered in three groups across 100 kilometres. They lie 60 kilometres off the Coral Coast, west of Geraldton, which is four hours north of Perth. Lose yourself snorkelling or diving among colourful coral, spotting Australian sea lions and looking out for more than 90 species of seabirds, including majestic white-breasted sea eagles. For mind-blowing views, jump aboard a scenic flight and see the best Australian island from a bird's eye view. [caption id="attachment_688571" align="alignnone" width="1920"] Paul Ewart for Tourism and Events Queensland[/caption] North Stradbroke Island, Queensland Located 25 minutes by ferry off the Queensland coast, Stradbroke Island is an easy day trip from Brisbane. It's the second biggest sand island in the world after K'gari (more on that Australian island later). For swimming in gentle waves, head to idyllic Cylinder Beach; for wilder surf, make your destination the 38-kilometre-long Main Beach. Overnight stays include beach camping, as well as an array of cottages, hotels and B&Bs. Just north of Straddie is Moreton Island, a wonderland of long beaches, clear lakes and a national park. Consider sleeping over at Tangalooma, an eco-friendly resort where you can hand-feed wild dolphins and swim around a shipwreck. [caption id="attachment_773788" align="alignnone" width="1920"] Tom Archer, Destination NSW[/caption] Lord Howe Island, New South Wales Just 11 kilometres long and two kilometres wide, Lord Howe, a two-hour flight east of Sydney, is explorable within a few days. Whenever you travel on this top Australian island, you won't have to fear tourist crowds: only 400 visitors are permitted at any one time and the population is just 382. Prepare to have pretty beaches, spectacular diving sites and rugged terrain all to yourself. Among the best adventures are the Mount Gower Trail, a steep, eight-hour trek that carries you 875 metres above sea level, and Erscott's Hole, a natural wonder where you can snorkel among staghorn coral, bluefish and double-headed wrasse. With all this natural beauty, it's easy to see why it made our list of the best islands in Australia and best overall places to visit in Australia. [caption id="attachment_770035" align="alignnone" width="1920"] Tourism Australia[/caption] Bruny Island, Tasmania Bruny feels completely remote, yet it's just a 20-minute ferry ride from the coast and, with driving time added, 50 minutes from Hobart. The beauty of this proximity to the city is that, despite all the wilderness, you can find some top nosh: for fish and chips head to Jetty Cafe; for pub grub swing by Hotel Bruny; for cheese visit Bruny Island Cheese Company; and for a tipple, there's the Bruny Island House of Whisky. Meanwhile, nature lovers will find white wallabies at Inala Nature Reserve, windswept headlands at Cape Bruny Lighthouse and head-clearing watery views at Cloudy Bay. [caption id="attachment_688568" align="alignnone" width="1920"] Khy Orchard for Tourism and Events Queensland[/caption] Magnetic Island, Queensland There are hundreds of islands in the Great Barrier Reef area, offering everything from secluded campsites to five-star luxury resorts. But, for convenience, outdoor adventures and, most importantly, koala spotting, Magnetic Island is hard to go past — found just 20 minutes from Townsville. Get active with sea kayaking tours and yoga classes, get artsy at beachside markets and galleries or relax at stunning beaches like Horseshoe Bay. If you're keen to venture further, jump aboard a Great Barrier Reef snorkelling, diving or sightseeing tour. [caption id="attachment_688400" align="alignnone" width="1920"] Isaac Forman for SA Tourism Commission[/caption] Kangaroo Island, South Australia With a whopping 509 kilometres of coastline, Kangaroo Island could have you exploring for weeks. To get there, take a 45-minute ferry ride from Cape Jervis, on the Fleurieu Peninsula — around 100 kilometres south of Adelaide. Then gear up to share your holiday with sea lions, fur seals, little penguins, echidnas, koalas and, you guessed it, kangaroos. The Australian island is a haven for creatures who've struggled to survive elsewhere, especially local sea lions, who were hunted to the brink of extinction in the 19th and 20th centuries. There are numerous national parks and conservation areas, and the over 4000-strong population is big on food and wine. You also can't talk about this Aussie island without mentioning the spectacular beaches — our favourite being the one and only Stoke's Bay. [caption id="attachment_874908" align="alignnone" width="1920"] Guillaume Marques (Unsplash)[/caption] The Whitsundays, Queensland In total, The Whitsundays is made up of 74 islands. It's hard to choose the best, especially as each depends on what kind of holiday you're after. You can go camping on the famous Whitehaven Beach on Whitsunday Island, live it up at The InterContinental Resort on Hayman Island or even escape to an adult's-only oasis like Elysian Retreat on Long Island — one of the best adults-only accommodations in The Whitsundays. From any of these small islands in Australia, you can easily get to the Great Barrier Reef and countless other stunning natural landscapes. This region is also one of Australia's national parks, so it will continue to be preserved for many years to come — even if the reef itself does die off. [caption id="attachment_683983" align="alignnone" width="1920"] Tourism Western Australia[/caption] Rottnest Island, Western Australia Rottnest Island is a 90-minute ferry ride from Barrack Street Jetty, Perth, or 25 minutes from Fremantle. Like Kangaroo Island, Rottnest has given a big dose of much-needed love to Australia's wild creatures, particularly quokkas, which now number 12,000 or so. Dedicate some time to spotting them (though please don't go touching, patting or feeding), before visiting pristine beaches, such as The Basin, where you'll find an underwater playground, and Little Parakeet Bay, backdropped by striking rock formations. The best way to explore the Aussie island is by bike, but we are also big fans of getting on a sea kayak for the arvo as well. Prefer to stay here longer than a day? We recommend spending a few nights in Discovery Rottnest Island's luxe glamping tents by the beach. Phillip Island, Victoria Phillip Island's biggest drawcard is its penguin parade. Every night, at sunset, the island's resident little penguins return to their terrestrial homes, having spent the day out and about fishing. Beyond wildlife watching, go wine and craft beer tasting, bliss out with a massage or spa treatment or conquer a trail on foot, such as the Cape Woolamai Walk, which traverses dramatic clifftops along Phillip's southernmost point. Follow the links for suggestions on where to eat and drink and the best outdoor activities on Phillip Island. Unlike most of the other Australian islands on this list, you can reach this one by road: it's around 90 minutes' drive south of Melbourne, making it one of the most accessible islands in Australia. [caption id="attachment_911608" align="alignnone" width="1920"] Courtesy of Kingfisher Bay Resort[/caption] K'gari (Fraser Island), Queensland World Heritage-listed K'gari (Fraser Island) is the biggest sand island in the world. There are 184,000 hectares of the stuff, made up of 72 colours and mostly in the form of magnificent dunes, much of which are covered in rainforest. If you've time on your hands, take on the Great Walk, an eight-day epic that visits many of K'gari's 100 freshwater lakes. If not, jump aboard a 4WD and cruise along 75 Mile Beach (one of our favourite adventure experiences in Australia), take a dip at Champagne Pools along the way and pay a visit to awe-inspiring Boorangoora(Lake McKenzie), a perched lake made up of rainwater and soft silica sand. [caption id="attachment_688583" align="alignnone" width="1920"] Andrew Wilson for Tourism Tasmania[/caption] King Island, Tasmania You might have no idea where King Island is, but may have seen its cheese at the supermarket. King Island Dairy's decadent triple cream brie is an Aussie gourmet staple. But it's far from the only treat you'll be sampling in this lush place, which lies in the Bass Strait, halfway between Victoria and Tassie. Count, too, on super-fresh seafood, flavourful beef and a cornucopia of produce from local growers. When you're finished feasting, stroll along the white sands of Disappointment Bay, visit a 7000-year-old calcified forest and go horse riding by the sea. This under-the-radar travel destination is undoubtedly one of the best islands in Australia. [caption id="attachment_856441" align="alignnone" width="1920"] Tourism and Events Queensland[/caption] Bribie Island, Queensland Bribie Island isn't that far from Brisbane (a little over one and a half hours) but is a haven for local wildlife. That's because this Australian island is home to the Pumicestone Passage, a protected marine park where you'll find dugongs, turtles, dolphins and a diverse range of birdlife. All the classic Aussie land animals will be found all over the island, too. And, of course, the beaches are just stupidly beautiful. Whether you're a local or tourist, this island offers all the quintessential Australian sites you must see. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world. Top images: K'gari Island, courtesy of Kingfisher Bay Resort.
You'll go mad trying to find the best burgers in Sydney on your own — there's an almost endless number of places serving them up in every size and variety you can imagine. Bun-wise, you've got your brioche, potato, milk and gluten-free options. Fill these with beef patties, pulled pork, fried chicken, battered fish or a whole selection of vegetarian and vegan alternatives. Add in secret sauces, pickles, bacon, cheese and whatever else you can dream up. Serve them up with straight, crinkle-cut, curly, waffle or thick-cut fries and then add a heap of extra sauces for dipping. Pair it with house-made sodas, beers or cocktails. And there you have a never-ending list of how to create the best burger combo — that no one person could ever get through alone. But that's why you have us. Our team has spent years searching for the best burgers in Sydney. We've tried them at fine diners. We've hit up food trucks. We've ordered them to our homes. We've sampled them at underground bars. And we've made our way through entire menus at Sydney restaurants that only serve burgers. Through this grease-filled journey, we bring you the ultimate list of the best burgers in Sydney. We are extra proud of this one. So take your time to peruse this list, your next favourite burger joint could be here. Recommended reads: The Best Pizza in Sydney Best Mexican Restaurants in Sydney Best New Restaurants in Sydney
There's no getting around it: times are tough and many of us are tightening our belts to meet this moment of soaring living costs and reduced discretionary spending. However, if you think there's no way for you to enjoy a night out in Sydney without breaking the bank, think again. Venues across the city are doing their part to cut the cost of dining with special happy hours, bottomless deals and giveaway offers that deliver incredible bang for your buck without compromising on quality. We've rounded up some of the best dining deals the Harbour City has to offer this month. Which one will you visit first? Recommended reads: The Best Pizza in Sydney The Best Italian Restaurants in Sydney The Best Rooftop Bars The Best Mexican Restaurants in Sydney
For the second time in 2024, Hollywood's TV talents have spent a night celebrating the best and brightest shows to hit the small screen, plus the folks that make our television and streaming favourites happen. If you love awards ceremonies, or just the reminder about what to watch that they always offer, this is a busier year than usual — because there's been not just one round of Emmys, but two. Back in January, the Emmys first took place for 2024 after the 2023 event was postponed from its usual September timing during Hollywood's writers' and actors' strikes. So, now that September is here for 2024, there's another Emmys — the ones that were always due to happen at this part of the calendar. Already worked your way through the winning shows from earlier in the year? Get ready for your next batch. Here's nine shows that've just received shiny trophies that you should watch, be it for the first or the fifth time. (We've also run through the full list of nominees and winners, too.) The Bear The more time that anyone spends in the kitchen, the easier that whipping up their chosen dish gets. The Bear season two is that concept in TV form, even if the team at The Original Beef of Chicagoland don't always live it as they leap from running a beloved neighbourhood sandwich joint to opening a fine-diner, and fast. The hospitality crew that was first introduced in the best new show of 2022 isn't lacking in culinary skills or passion. But when bedlam surrounds you constantly, as bubbled and boiled through The Bear's Golden Globe-winning, Emmy-nominated season-one frames, not everything always goes to plan. That was only accurate on-screen for Carmen 'Carmy' Berzatto (Jeremy Allen White, Fingernails) and his colleagues — aka sous chef Sydney (Ayo Edebiri, Bottoms), baker-turned-pastry chef Marcus (Lionel Boyce, Hap and Leonard), veteran line cooks Tina (Liza Colón-Zayas, In Treatment) and Ebraheim (Edwin Lee Gibson, Fargo), resident Mr Fixit Neil Fak (IRL chef Matty Matheson), and family pal Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings). For viewers, the series' debut run was as perfect a piece of television as anyone can hope for. Excellent news: season two is better. The Bear serves up another sublime course of comedy, drama and "yes chef!"-exclaiming antics across its sizzling second season. Actually make that ten more courses, one per episode, with each new instalment its own more-ish meal. A menu, a loan, desperately needed additional help, oh-so-much restaurant mayhem: that's how this second visit begins, as Carmy and Sydney endeavour to make their dreams for their own patch of Chicago's food scene come true. So far, so familiar, but The Bear isn't just plating up the same dishes this time around. At every moment, this new feast feels richer, deeper and more seasoned, including when it's as intense as ever, when it's filling the screen with tastebud-tempting food shots that relish culinary artistry, and also when it gets meditative. Episodes that send Marcus to a Noma-esque venue in Copenhagen under the tutelage of Luca (Will Poulter, Guardians of the Galaxy Vol. 3), get Richie spending a week learning the upscale ropes at one of Chicago's best restaurants and jump back to the past, demonstrating how chaos would've been in Carmy's blood regardless of if he became a chef, are particularly stunning. Emmys Won: Lead Actor in a Comedy Series (Jeremy Allen White), Supporting Actor in a Comedy Series (Ebon Moss-Bachrach), Supporting Actress in a Actor in a Comedy Series (Liza Colón-Zayas) and Directing for a Comedy Series (Christopher Storer, The Bear). Where to watch it: The Bear streams via Disney+. Read our full review of The Bear season two. Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. It's been two years since the HBO comedy last dropped new episodes, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returns better than ever in season three as it charts Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland , everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Emmys Won: Outstanding Comedy Series, Lead Actress in a Comedy Series (Jean Smart) and Writing for a Comedy Series (Lucia Aniello, Paul W Downs and Jen Statsky). Where to watch it: Hacks streams via Stan. Read our full review of Hacks season three. Baby Reindeer A person walking into a bar. The words "sent from my iPhone". A comedian pouring their experiences into a one-performer play. A twisty true-crime tale making the leap to the screen. All four either feature in, inspired or describe Baby Reindeer. All four are inescapably familiar, too, but the same can't be said about this seven-part Netflix series. Written by and starring Scottish comedian Richard Gadd, and also based on his real-life experiences, this is a bleak, brave, revelatory, devastating and unforgettable psychological thriller. It does indeed begin with someone stepping inside a pub — and while Gadd plays a comedian on-screen as well, don't go waiting for a punchline. When Martha (Jessica Gunning, The Outlaws) enters The Heart in Camden, London in 2015, Donny Dunn (Gadd, Wedding Season) is behind the counter. "I felt sorry for her. That's the first feeling I felt," the latter explains via voiceover. Perched awkwardly on a stool at the bar, Martha is whimpering to herself. She says that she can't afford to buy a drink, even a cup of tea. Donny takes pity, offering her one for free — and her face instantly lights up. That's the fateful moment, one of sorrow met with kindness, that ignites Baby Reindeer's narrative and changes Donny's life. After that warm beverage, The Heart instantly has a new regular. Sipping Diet Cokes from then on (still on the house), Martha is full of stories about all of the high-profile people that she knows and her high-flying lawyer job. But despite insisting that she's constantly busy, she's also always at the bar when Donny is at work, sticking around for his whole shifts. She chats incessantly about herself, folks that he doesn't know and while directing compliments Donny's way. He's in his twenties, she's in her early forties — and he can see that she's smitten, letting her flirt. He notices her laugh. He likes the attention, not to mention getting his ego stroked. While he doesn't reciprocate her feelings, he's friendly. She isn't just an infatuated fantasist, however; she's chillingly obsessed to an unstable degree. She finds his email address, then starts messaging him non-stop when she's not nattering at his workplace. (IRL, Gadd received more than 40,000 emails.) Emmys Won: Outstanding Limited or Anthology Series, Lead Actor in a Limited or Anthology Series or Movie (Richard Gadd), Supporting Actress in a Limited or Anthology Series or Movie (Jessica Gunning) and Writing for a Limited or Anthology Series or Movie (Richard Gadd). Where to watch it: Baby Reindeer streams via Netflix. Read our full review. Ripley Boasting The Night Of's Steven Zaillian as its sole writer and director — joining a list of credits that includes penning Martin Scorsese's Gangs of New York and The Irishman, and also winning an Oscar for Schindler's List — the latest exquisite jump into the Ripley realm doesn't splash around black-and-white hues as a mere stylistic preference. In this new adaptation of Patricia Highsmith's 1955 book, the setting is still coastal Italy at its most picturesque, and therefore a place that most would want to revel in visually; Anthony Minghella, The Talented Mr Ripley's director a quarter-century back, did so with an intoxicating glow. For Zaillian, however, stripping away the warm rays and beaches and hair, blue seas and skies, and tanned skin as well, ensures that all that glitters is never gold or even just golden in tone as he spends time with Tom Ripley (Andrew Scott, All of Us Strangers). There's never even a glint of a hint of a travelogue aesthetic, with viewers confronted with the starkness of Tom's choices and actions — he is a conman and worse, after all — plus the shadows that he persists in lurking in and the impossibility of ever grasping everything that he desires in full colour. On the page and on the screen both before and now, the overarching story remains the same, though, in this new definitive take on the character. It's the early 60s rather than the late 50s in Ripley, but Tom is in New York, running fake debt-collection schemes and clinging to the edges of high-society circles, when he's made a proposal that he was never going to refuse. Herbert Greenleaf (filmmaker Kenneth Lonergan, who has also acted in his own three features You Can Count on Me, Margaret and Manchester by the Sea) enlists him to sail to Europe to reunite with a friend, the shipping magnate's son Dickie (Johnny Flynn, One Life). As a paid gig, Tom is to convince the business heir to finally return home. But Dickie has no intention of giving up his Mediterranean leisure as he lackadaisically pursues painting — and more passionately spends his time with girlfriend Marge Sherwood (Dakota Fanning, The Perfect Couple) — to join the family business. Emmys Won: Directing for a Limited or Anthology Series or Movie (Steven Zaillian). Where to watch it: Ripley streams via Netflix. Read our full review. Fargo This is a true story: in 2014, Hollywood decided to take on a task that was destined to either go as smoothly as sliding on ice or prove as misguided as having a woodchipper sitting around. Revisiting Fargo was a bold move even in pop culture's remake-, reboot- and reimagining-worshipping times, because why say "you betcha" to trying to make crime-comedy perfection twice? The Coen brothers' 1996 film isn't just any movie. It's a two-time Oscar-winner, BAFTA and Cannes' Best Director pick of its year, and one of the most beloved and original examples of its genre in the last three decades. But in-between credits on Bones, The Unusuals and My Generation, then creating the comic book-inspired Legion, writer, director and producer Noah Hawley started a project he's now synonymous with, and that's still going strong five seasons in. What keeps springing is always a twisty tale set in America's midwest, as filled with everyday folks in knotty binds, complicated family ties, crooks both bumbling and determined trying to cash in, and intrepid cops investigating leads that others wouldn't. Hawley's stroke of genius: driving back into Fargo terrain by making an anthology series built upon similar pieces, but always finding new tales about greed, power, murder and snowy landscapes to tell. Hawley's Fargo adores the Coenverse overall, enthusiastically scouring it for riches like it's the TV-making embodiment of Kumiko, the Treasure Hunter's namesake. That film hailed from Damsel's David Zellner instead, and took cues from the urban legend surrounding the purported Fargo ties to the IRL death of Japanese office worker Takako Konishi; however, wanting the contents of the Coen brothers' brains to become your reality is clearly a common thread. Of course, for most of the fictional figures who've walked through the small-screen Fargo's frames, they'd like anything but caper chaos. Scandia, Minnesota housewife Dot Lyon (Juno Temple, Ted Lasso) is one of them in season five. North Dakota sheriff, preacher and rancher Roy Tillman (Jon Hamm, Good Omens) isn't as averse to a commotion if he's the one causing it. Minnesota deputy Indira Olmstead (Richa Moorjani, Never Have I Ever) and North Dakota state trooper Witt Farr (Lamorne Morris, Woke) just want to get to the bottom of the series' new stint of sometimes-madcap and sometimes-violent mayhem. Emmys Won: Supporting Actor in a Limited or Anthology Series or Movie (Lamorne Morris). Where to watch it: Fargo streams via SBS On Demand. Read our full review of Fargo season five. Shōgun Casting Hiroyuki Sanada (John Wick: Chapter 4), Cosmo Jarvis (Persuasion) and Anna Sawai (Monarch: Legacy of Monsters) as its three leads is one of Shōgun's masterstrokes. The new ten-part adaptation of James Clavell's 1975 novel — following a first version in 1980 that featured Japanese icon and frequent Akira Kurosawa collaborator Toshiro Mifune — makes plenty of other excellent moves, but this is still pivotal. Disney+'s richly detailed samurai series knows how to thrust its viewers into a deeply textured world from the outset, making having three complex performances at its centre an essential anchoring tactic. Sanada plays Lord Yoshii Toranaga, who is among the political candidates vying to take control of the country. Jarvis is John Blackthorne, a British sailor on a Dutch ship that has run aground in a place that its crew isn't sure is real until they get there. And Sawai is Toda Mariko, a Japanese noblewoman who is also tasked with translating. Each character's tale encompasses much more than those descriptions, of course, and the portrayals that bring them to the screen make that plain from the moment they're each first seen. As Game of Thrones and Succession both were, famously so, Shōgun is another drama that's all about fighting for supremacy. Like just the former, too, it's another sweeping epic series as well. Although it's impossible not to see those links, knowing that both battling over who'll seize power and stepping into sprawling worlds are among pop culture's favourite things right now (and for some time) doesn't make Shōgun any less impressive. The scale is grand, and yet it doesn't skimp on intimacy, either. The minutiae is meticulous, demanding that attention is paid to everything at all times. Gore is no stranger from the get-go. Opening in the 17th century, the series finds Japan in crisis mode, Toranaga facing enemies and Blackthorne among the first Englishmen that've made it to the nation — much to the alarm of Japan's sole European inhabitants from Portugal. Getting drawn in, including by the performances, is instantaneous. Shōgun proves powerful and engrossing immediately, and lavish and precisely made as well, with creators Justin Marks (Top Gun: Maverick) and Rachel Kondo (on her first TV credit) doing a spectacular job of bringing it to streaming queues. Emmys Won: Outstanding Drama Series, Lead Actor in a Drama Series (Hiroyuki Sanada), Lead Actress in a Drama Series (Anna Sawai) and Directing for a Drama Series (Frederick EO Toye). Where to watch it: Shōgun streams via Disney+. Read our full review. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. Emmys Won: Lead Actress in a Limited or Anthology Series or Movie (Jodie Foster). Where to watch it: True Detective: Night Country streams via Binge. Read our full review. Slow Horses In gleaming news for streaming viewers, Mick Herron's Slough House novel series boasts 12 entries so far. In an also ace development, several more of the British author's books have links to the world of veteran espionage agent Jackson Lamb. That thankfully means that Slow Horses, the small-screen spy thriller based on Herron's work, has plenty more stories to draw upon in its future. It's now up to its third season as a TV series, and long may its forward path continue. Apple TV+ has clearly felt the same way since the program debuted in April 2022. In June the same year, the platform renewed Slow Horses for a third and fourth season before its second had even aired. That next chapter arrived that December and didn't disappoint. Neither does the latest batch of six episodes, this time taking its cues from Herron's Real Tigers — after season one used the novel Slow Horses as its basis, and season two did the same with Dead Lions — in charting the ins and outs of MI5's least-favourite department. Slough House is where the service rejects who can't be fired but aren't trusted to be proper operatives are sent, with Lamb (Gary Oldman, Oppenheimer) its happily cantankerous, slovenly, seedy and shambolic head honcho. Each season, Lamb and his team of losers, misfits and boozers — Mick Jagger's slinky ear worm of a theme tune's words — find themselves immersed in another messy case that everyone above them wishes they weren't. That said, Slow Horses isn't a formulaic procedural. Sharply written, directed and acted, and also immensely wryly funny, it's instead one of the best spy series to grace television, including in a new go-around that starts with two intelligence officers (Babylon's Katherine Waterston and Gangs of London's Ṣọpẹ́ Dìrísù) in Istanbul. When the fallout from this season's opening events touches Lamb and his spooks, they're soon thrust into a game of cat-and-mouse that revolves around secret documents and sees one of their own, the forever-loyal Catherine Standish (Saskia Reeves, Creation Stories), get abducted. The talented River Cartwright (Jack Lowden, The Gold) again endeavours to show why being banished to Slough House for a training mistake was MI5's error, while his boss' boss Diana Taverner (Kristin Scott Thomas, Rebecca) reliably has her own agenda. Emmys Won: Writing for a Drama Series (Will Smith, Slow Horses). Where to watch it: Slow Horses streams via Apple TV+. Read our full review. The Crown It's the season that originally wasn't going to happen, telling the story that's still ongoing IRL, and wrapping up a seven-year run for a star-studded regal drama that's proven a royal hit. But, thankfully, it did — with The Crown coming to an end with a sixth go-around split into two parts. The focus for the Peter Morgan (The Queen)-created show's final episodes: the relationship between Princess Diana (Elizabeth Debicki, MaXXXine) and Dodi Fayed (Khalid Abdalla, Moon Knight), including the tragic events of their trip to Paris; the changing attitudes towards the British monarchy, and Queen Elizabeth II (Imelda Staunton, Downton Abbey: A New Era) entering her ninth decade; what his mother's advancing years meant for Prince Charles (Dominic West, The Pursuit of Love); Princess Margaret's (Lesley Manville, Mrs Harris Goes to Paris) stroke and lifestyle changes; and Prince William (Ed McVey) going back to Eton, then attending St Andrew's University and forming a crush on Kate Middleton (Meg Bellamy). When The Crown began, it kicked off with Queen Elizabeth II's life from her marriage to Prince Philip back in 1947. The first season made its way to the mid-50s, the second season leapt into the 60s, and season three spanned all the way up to the late 70s. In season four, the royal family hit the 80s, while season five hopped to the 90s. News around the show's fifth and sixth seasons changed a few times, including Netflix announcing that it would end the royal drama after its fifth season, only to have a change of heart and proceed for a sixth season after all. While there was always going to come a time to say goodbye, especially given that this is a IRL tale without an end, it's hard to see how the show would've fit in everything it needed if it hadn't delivered its sixth batch of episodes — and, among everything else viewers can be glad for Debicki's excellent performance. Emmys Won: Supporting Actress in a Actor in a Drama Series (Elizabeth Debicki). Where to watch it: The Crown streams via Netflix.
Ask any Aussie coffee drinker; we've entered the golden age of coffee. Cafes all around the country are putting a conscious effort into creativity on their menu, sourcing beans from farmers halfway around the world and considering more and more alternative milk solutions. Alternative milk isn't purely a dietary choice. Many love the slightly sweet note that oat milk adds to coffee. So much so that it's taken the world by storm. One brand leading this charge is Oatly. It has created a network of 'oat dealers' all across Sydney and Melbourne to connect customers with cafes over a mutual love of coffee sans dairy. So where can you find these oat dealers? In Sydney, they're spread throughout the Inner West at five local favourites.
The best glamping sites in New Zealand are made for travellers who want to explore and stay amid the country's spectacular natural landscapes without having to rough it. Either hit a few of these as you road trip through the North and South Islands or find a location you love then stock up and stay for a good few days. Whether you're after seaside glamping or a mountain escape, with fantastic lodgings scattered across the countryside, Aotearoa's best assets are on full display at these glamping destinations that get you closer to nature than any hotel (although there's no shortage of great hotels in New Zealand). Recommended reads: The Best Places to Go Glamping in Australia The Most Romantic Places to Stay in Bali The Best Spas in Auckland The Best Spas in Wellington Glam Camping, Queenstown At Glam Camping, you'll find a collection of geometric dome tents perched along a hillside looking down on the green valley and lake just a 20-minute drive from Queenstown. During the day, take the 90-minute walk around Moke Lake or go horse riding. You can even join a morning yoga class or organise a wine tasting tour around one or many of Queenstown's famous vineyards. But we are particularly excited about the Glam Camping's food and drink offerings. You can opt to cook your own food (with all the produce provided by the hosts) or let a private chef treat you and your travel buddies to a three-course feast on the property. [caption id="attachment_880413" align="alignnone" width="1920"] SJL Photography[/caption] Kawakawa Station, South Wairapa This sprawling farming property spans across rolling grassy hills by the South Wairarapa coastline. And until the end of April 2023, the Kawakawa Station team invites guests to stay in a series of large tents hidden within the pastures. But, unlike other bell tents, these have clear ceilings so guests can stargaze from the comfort of their own bed. It also has a fully equipped kitchen on the property, so you can prep your meals without needing to bring a heap of gear. You can easily spend a few days at this New Zealand glamping site, hanging out among the sheep and strolling around the property. But, if you're after a proper adventure, Kawakawa Station also offers an epic hiking experience. The three-day hike along the Station Walk takes you through forests, along creeks and right down to the coast. The team will put you up in a bunch of different accommodations along the way, too. Coromandel Luxury Escapes, Coromandel It's in the name but still deserves being repeated — Coromandel Luxury Escapes is a truly luxurious glamping site in New Zealand. It is all powered and comes with a mini fridge, oil heater, large king bed as well as a private free-standing outdoor bath. A massive deck with a BBQ is also there for you when you want to cook up some locally caught fish. Apart from the site, one of the biggest selling points is the location. It's close to some of New Zealand's best beaches, including the picturesque New Chums Beach. And, if you're up for a 50-minute drive, you've got to visit Hot Water Beach. Here, you can dig a hole in the sand to find naturally hot water bubbling up to the surface — just be careful when digging, as this water can reach temperatures beyond 100 degrees Celsius. Use Coromandel Luxury Escapes as your base when exploring the Coromandel region which is just a two-hour ferry ride from Auckland. Lavericks Bay, Christchurch The Lavericks Bay glamping spot has two tents making up this wonderfully bucolic site. Seclusion is almost totally guaranteed. Apart from the property's wandering sheep. You'll feel as if you have the entire bay and rolling countryside to yourselves — for exploring or just sitting back and taking in the views. During the day, head to the beach for some leisurely swimming at the property's private beach to check out the resident dolphins and seals that tend to float past. And, at night, you can't say no to a dip in the large wooden hot tub in which you can do some proper stargazing. There's no light pollution here, so you'll be guaranteed a stunning night sky. Waitomo Hilltop, Waitomo The Waitomo Hilltop glamping site feels like it's pulled from a fairytale. Atop a hill, in the green Waitomo countryside lies this luxury tent that's been kitted out with everything you could need. Cook up fresh pizzas in its woodfired oven, rug up by the fire pit watching movies via projector or take a dip in one of the outdoor baths overlooking the countryside. There used to be just one glamping tent available, but Waitomo recently finished creating another equally luxurious site. The new campsite has two tents joined together with a glass walkway — including three separate bedrooms, a lounge area and a massive kitchen and dining room. It is technically a tent, but looks far more like a bricks and mortar home. The Black Yurt, Oakura This one is for the keen surfers out there. You're a short walk away from Oakura's surfing beach which is known for having some fairly reliable swell. The Black Yurt is also close to town — walking distance from plenty of boutique stores, restaurants and bars. It may be one of the least remote New Zealand glamping spots on this list but it still feels miles away from crowds. The large yurt is surrounded by palms and native bushland, offering up some well-needed privacy. The interiors of the yurt are also extra cushy. There's a king bed, a queen futon mattress as well as some schmick bathroom facilities. And, if the weather is good, you can open the dome and windows to let the outside in. [caption id="attachment_879080" align="alignnone" width="1920"] Lisa Sun Photography[/caption] Tawanui Farm, Cheviot It doesn't take long to find jaw-dropping vistas outside of New Zealand's main cities. Just an hour-long drive from Christchurch lies Tawanui Farm, a working sheep, cow and deer farm. Here, the Loughnan family have set up two geodesic domes, a central camp kitchen (with couches and cooking gear all provided) and a large hot tub looking out over the pastures. It's easily one of the best New Zealand glamping sites out there. Each dome sleeps up to four people, and no matter how many guests you book for, you'll get the entire site — that makes Tawanui Farm great for larger groups. Either laze around playing boardgames and drinking in the hot tub or use it as a base to explore the rest of the region. You can fish at the local Hurunui River, swim and surf at Gore Bay or take an ATV farm tour to learn a little more about Tawanui Farm. Dealer's choice. Kanuka, Rotorua This is just about as remote as it gets. A single Kanuka glamping tent is hidden up in the bush, right next to Lake Tarawera, and can only be reached by a boat ride or hike. The campsite comes with a large tent and queen-sized bed, a bush kitchen with everything you need to cook up some grub, a dining area as well as a separate bathroom. The essentials are sorted. And, once you're all settled in, what you choose to do around here is totally up to you. The Kanuka team can provide a kayak for exploring the lake, there's a sandy beach less than 50 metres away and you can hike along a number of trails (with one leading to a natural hot pool in the bush). Ah, you've got to love New Zealand and all its thermal hot springs. [caption id="attachment_880412" align="alignnone" width="1920"] Dan Kerins[/caption] Camp Kekerengu, Kaikoura Coast If you're travelling with a bunch of mates or a big family, Camp Kekerengu is perfect. Here, you will find three large tents, a group kitchen and a covered lounge area — all with uninterrupted sea views. But, be prepared for living it a little rougher than you might like. The entire glamping site is off grid. This will force you to fully unplug and enjoy nature. You're a short walk from the beach, close to several walking trails and simply surrounded by wide open plains and rolling mountains. It's stunning. And is the perfect example of why people love to go glamping in New Zealand. Here, you get the best bits of Aotearoa's natural landscape all in one location. Feeling inspired to book a getaway unlike anything else out there? Only through Concrete Playground Trips, our new travel booking platform, can you now purchase holidays specially curated by our writers and editors. We've teamed up with all the best providers of flights, stays and experiences to bring you a series of unforgettable trips at destinations all over the world. Top images: Waitomo Hilltop
Sometimes, we all need a break from the traffic and hustle and breakneck pace of the city. So it's a good thing that in Sydney, you don't need to go far to find a peaceful retreat in nature. We've picked out ten of our favourite strolls in and around the city where you can unplug from the office, detach from your screentime and indulge in an afternoon of blissful calm this sunny season. Recommended reads: The Best Coastal Walks in Sydney The Best Bike Rides in and Around Sydney The Best Mountain Walks Near Sydney [caption id="attachment_650370" align="alignnone" width="1920"] NSW Parks[/caption] For Northern Strolls: Barrenjoey Lighthouse This dreamy water-encircled walk takes you to Sydney's northernmost point: Palm Beach's Barrenjoey Lighthouse, built in 1881. There are two walking trails that will get there. Most people choose the easy route (a gentle, one-kilometre climb), but a few adventurous types tackle the Smugglers Track: a shorter, steeper scramble, following a trail built in 1850 to keep an eye out for water-borne smugglers. Sat 91 metres above sea level, the lighthouse has 360-degree views of the Central Coast, Broken Bay and Ku-ring-gai Chase National Park. Extend your walk near Sydney by strolling down Palm Beach and finish things off with a refreshing dip. [caption id="attachment_790749" align="alignnone" width="1920"] Malabar Headland; Chad Weston via Department of Planning, Industry and Environment[/caption] For Views of Botany Bay: Maroubra to Malabar The Western Escarpment Walking Track in the Malabar Headland National Park is a one-kilometre walkway that connects Pioneers Park in Malabar with Arthur Byrne Reserve in South Maroubra. The Sydney walking track cuts through bushland and, at its highest point, affords some stunning views across the beach, the headland and Botany Bay. It runs along the western edge of the Malabar Headland Rifle Range — but outside it, rather than within it. So, you don't have to worry about shooting days spoiling your fun, and you can go sauntering seven days a week, 365 days a year. [caption id="attachment_790746" align="alignnone" width="1920"] Fairfax Lookout; Image Credit: John-Yurasek via Department of Planning, Industry and Environment[/caption] For Echidnas and Secret Beaches: North Head The historical ten-kilometre North Head walk may contain a driving path, but the true beauty of this trail is seen through the dirt road bushwalk. Beginning at North Head Sanctuary, walk through the former North Head Army Barracks before heading out into the bush. Echidnas and bandicoots lurk in the burnt orange and yellow brush before the wild path opens suddenly to a mix of coastal views. The best views are located at the Third Quarantine Station Cemetery, which looks across to Middle Head and Manly, and the Fairfax Walk, which offers an expansive lookout point across the Tasman Sea. From here, it is easy to end your afternoon at Manly Beach, stopping at the petite Collins and Little Manly Beaches along the way. Some areas of North Head are closed due to fire damage. Check the NSW National Parks and Wildlife Service website for up-to-date information. [caption id="attachment_781775" align="alignnone" width="1920"] Destination NSW[/caption] For a Walk Through History: Middle Head While the multiple World War II batteries located at Middle Head certainly set this walk apart, it's the expansive views of the eastern suburbs, Middle Harbour and Manly that really make this trek worthwhile. The two-kilometre circuit is bordered by North and South Heads and set along sheer cliffs. Climbing through underground tunnels and gun pits on the edge of the coast is a big part of the thrill here. You'll find these ruins throughout the Middle Head Fortification, and the surrounding cliffs give the remnants an eerie and significant impact. After you your Sydney walk, you can head to nearby Cobblers Beach to unwind. The track is also being extended to connect with the Sydney Harbour Scenic Walk, so keep a look out for a more expansive version of this coastal trail by the end of 2023. [caption id="attachment_781773" align="alignnone" width="1920"] Destination NSW[/caption] For Harbour Views: Spit Bridge to Manly When it comes to the best Sydney walks, this ten-kilometre coastal walk is a favourite with tourists. Begin at Mosman's Spit Bridge, where you'll follow the Middle and North Harbour shoreline paths along Fisher Bay to Clontarf Beach. From here, you'll enter the Sydney Harbour National Park at Castle Rock, and later hit Grotto Point, where you can view Indigenous rock engravings. Gorgeous views at Arabanoo Lookout and plenty of beachside walks are also on the docket. Finish off with a dip at Manly Beach before taking that picturesque ferry ride back to Circular Quay. If ten kilometres isn't enough for you, the track continues down to Chowder Bay and can be linked up with the Bradley's Head track too. [caption id="attachment_790748" align="alignnone" width="1920"] South Head; Image Credit: John Yurasek via Department of Planning, Industry and Environment[/caption] For a Little Bit of Everything: Sydney Harbour Bridge to South Head An odyssey of a walk, Sydney Harbour Bridge to South Head gives you everything our coastline has to offer. For 18 glorious kilometres (one way), the trail weaves through the secret beaches, harbour pools, rocky headlands and spectacular viewing points of the Eastern Suburbs. On the way, you'll catch unmatched views of the Royal Botanic Garden, Mrs Macquarie's Chair, Nielsen Park, Double Bay and Vaucluse House. Finish with a clothes-free dip at Lady Bay Beach — which became Sydney's first legal nudist beach in 1976 — and a sunset picnic next to South Head's red-and-white striped Hornby Lighthouse. [caption id="attachment_781767" align="alignnone" width="1920"] Hamilton Lund via Destination NSW[/caption] For the Classic Sydney Stroll: Bondi to Coogee The Bondi to Coogee walk is easily Sydney's most iconic walking trail. This six-kilometre trek gives tourists and locals alike a true sense of Sydney's coastal beauty. The hike's steep gradients are well spaced and hit each of the city's most loved beaches along the way — making this trip part-workout, part-beach bum afternoon. Apart from the namesake beaches, the Sydney walking trail also hits Tamarama, Bronte and Clovelly. While the walk could be completed in as little as two hours, it is best enjoyed with long breaks by the ocean. Keep an eye out for the announcement of the next instalment of the trail's popular Sculpture by the Sea which finally returned in 2022 after a few years off. [caption id="attachment_790426" align="alignnone" width="1920"] Peter Sherratt via Department of Planning, Industry and Environment[/caption] For Bracing Cliff Views: Bundeena to Otford If you're looking for more than a day trip, this 26-kilometre track around the Royal National Park boasts a combination of rugged bushwalks, sandy beaches and sandstone headlands with stunning ocean views. This two-day hike starts at Bundeena and concludes at Otford, with an overnight stay at North Era campground — be sure not to miss sunrise that morning. Other highlights include the stunning Wattamolla Beach, the views at Eagle Rock lookout and the crystal-clear waters at Curracurrang Cove. This multi-day adventure is enjoyable year-round as long as you prepare appropriately, but there's no better time to complete this trek than on a warm sunny day, when the swimming is at its best. [caption id="attachment_749647" align="alignnone" width="1920"] Destination NSW[/caption] For an Out-of-Town Adventure: Kiama Coast Make a proper escape from the city on the Kiama Coast walk. Its 22 kilometres of unspoilt south coastal brilliance stretches between the Minnamurra River mouth in the north and the cute town of Gerringong in the south. On this stunning Sydney walk, you'll visit wild surf beaches, rock formations, wetlands and, of course, the famous Kiama blowhole. Then there's the volcanic formations at Cathedral Rocks, the basalt columns at the Bombo Headland and the stunning Werri Beach to look forward to. There are train stations at both ends too, so it's easy to get to and from the city. [caption id="attachment_781778" align="alignnone" width="1920"] Andrew Gregory via Destination NSW[/caption] For Picnics With a View: Balls Head Reserve Set on the foreshore of Sydney Harbour, Balls Head Reserve affords exceptional views of the Harbour Bridge from the north, along with unbeatable picnic views overlooking the CBD. The reserve offers several bushwalking tracks (including one with wheelchair access), and highlights include an Indigenous waterhole and foreshore caves cut by squatters in the 1930s. Once you're done exploring, head to the secluded park where public barbecues are at the ready. When you've finished grilling up your snags, hop back over to the rocky area and enjoy your picnic while watching the harbour boats mosey by. Top image: Destination NSW.
Bali is bursting with all kinds of romantic accommodations, be they hidden up in the jungle surrounded by rice terraces or an oceanfront spot down on one of the region's countless beaches. It offers an embarrassment of riches for those looking to honeymoon, pop the big question or just run away with their special someone. Stay in a treehouse overlooking the Indian Ocean, take part in a small wellness retreat, find your own patch of paradise in luxury bamboo homes or go all out and really spoil yourselves at the most luxurious of resorts. The options are endless — and stupid-beautiful. Camaya Bali, Sideman Romance is built into every part of Camaya Bali. They have a series of private villas dotted throughout the property, each with its own unique design (made for taking advantage of the view across open planes and rice fields). They can come with pools of varying sizes and shapes as well as those netted hammocks you see all over Instagram. Thankfully, even if this place is flooded with influencers you won't see them – each villa offers absolute seclusion for guests. You can wander the grounds as much as you'd like, or let their team organise a whole host of activities for you. There are nearby whitewater rafting tours, temples and palaces, yoga centres and small villages to explore. If you're after a Big Moment, you can take a hike up into the jungle and rice fields to find the perfect proposal vista. The Korowai, Uluwatu Each of Korowai's wood-framed rooms are carved into the limestone cliff overlooking Bali's famous Impossible Beach (known for surfing, not partying). Marvel at the ridiculous uninterrupted 180-degree views across the ocean from the privacy of your own little balcony adorned with traditional Balinese décor. It's romantic and unpretentious. The glitz and glam of other Uluwatu resorts doesn't exist here. Instead, you and your partner will feel as if you've found your own hidden oasis. But, when or if you do want to get into town, the hospitable resort staff will rent you a scooter or organise a taxi ride. Plus, there are a few walkable restaurants nearby if you somehow get tired of dining at their restaurant overlooking the beach. Hangin Gardens of Bali, Payangan The Hanging Gardens of Bali sits far away from the crowds, up in the lush rainforest surrounded by local wildlife and charming rice terraces. The luxury resort has also won so many international accommodation awards thanks to the breathtaking views, super luxurious villas and warm service. Staying here, it's obvious to see why the island is at the top of so many people's travel bucket list destinations. Take the private villas for example. This high-end resort has 44 of them, each perched high atop wooden pillars overlooking the private valley below. Wake up and enjoy this view from your extra-large canopy bed before rolling out into your own private plunge pool — it's paradise on stilts. And each villa is full of character. Couples can also lean into the romantic vibes with massages, private dining experiences in the valley and breakfast served on a floating wooden boat in your own plunge pool. Desa Eko, Munduk Sometimes, a romantic getaway doesn't mean spending the entire week alone as a couple. Desa Eko is the place to come and feel a part of something bigger than yourself. It's a wellness retreat made for nature lovers, located in what the owners describe as 'the village above the clouds'. It's set in stunningly serene surrounds. You can book huts up in the trees, tents on stilted platforms or opt for the more conventional studio accommodation. But, as oasis-like as these rooms are, you will be drawn away for yoga by the river, dinners at their bamboo-clad restaurant and group hangs and hikes throughout the rainforest. It's a bit hippie. And we are all for it. Padma Resort Legian, Kuta If you're wanting a romantic place to stay in Bali, but want to be closer to the action, then the five-star Padma Resort Legian is for you. It's located near Kuta, a notorious party town with stacks of bustling beaches and places to shop — but it's far enough away that you can easily escape it all. Like Hannah Montana, you'll get the best of both worlds. Spend the day jumping from pool to pool (there are four here) and sipping on cocktails made at one of the seven bars. It's a huge resort, meaning you can carve out your own patch of tropical calm in countless nooks. You're also right on the beach. Cross the hotel lawns and set up home on this quiet sandy shore. You can do a bit of everything from here. Amarta Pesagi Retreat, Tabanan This is your quintessential romantic remote Bali accommodation. Small multi-level bamboo villas are located amongst within the jungle, surrounded by rice fields and all manners of wildlife. You feel cut off from the rest of the world, in all the best ways. Sit out on your private balcony looking into the wilderness while your partner swims in your own plunge pool below. Slide on some sandals and make your way to the restaurant for lunch or dinner. And, if you dare leave this paradise, you actually aren't that far from the outside world. Taman Ayun Temple and local villages are just a short bike ride away — and the Amarta Pesagi Retreat team will help you get there so there's no chance of getting lost in the jungle Six Senses, Uluwatu This is the place to go if you have a large budget and want a holiday where you can live in total luxury. This impressively sustainable resort is located at the southernmost tip of Bali (where you'll find most of the more high-end resorts), looking out over the ocean. The Six Senses rooms are just about as glam as you could imagine but it's the extras that make this spot even more romantic. The staff will organise floating breakfasts in your private plunge pool, quaint cinema nights under the stars, dinner for two on the beach, couples' massages, cooking classes and private tours to anywhere on the island your heart desires. Expect a superb level of service to match the views and incredible lodgings. Segara Village Hotel, Sanur This luxury hotel is set in the quiet beach town of Sanur. Head to the pool surrounded by palm trees and overgrown gardens for some solitude (or to hit up the swim-up bar. Or walk down to the beach and nab yourself one of the hotel's lounge chairs and spend the day hanging out on the beach with your loved one. The nearby town is also full of things to do — without being overly populated by swarms of tourists. Spend your days wandering along Sanur's restaurant-lined boardwalk, stopping off for a bite to eat and a cocktail (or two) and soaking up the laid-back island atmosphere before returning to Segara Village Hotel. Now you can book your next dream holiday through Concrete Playground Trips, and discover inspiring deals on flights, stays and experiences. Top image credit: Desa Eko
The first hand-made ocean pool in New South Wales was the work of convicts. In 1819, Newcastle's Commandant Morisset decided he wanted his own private swimming spot, so he ordered a bunch of resident prisoners to start digging and, after several months of hard labour, the Bogey Hole was created. Cut to 2024, and over 100 ocean pools line the NSW coast — and Sydney is home to some of the most dramatic and fun among them. Unlike Morisset's private splash palace, all of them are used widely and (mostly) freely by the public and have become as much a part of Sydney's beach culture as the surf and sand. Now winter is behind us and spring has most definitely sprung, we've picked out the ten best ocean pools in Sydney where you can swim some laps between the coast and the mighty Pacific, without the risk of rips (or sharks). Recommended reads: The Best Beaches in Sydney The Best Waterfalls Near Sydney That You Can Swim Under The Best Ocean Pools Near Sydney The Best Coastal Walks in Sydney [caption id="attachment_663536" align="alignnone" width="1920"] Paros Huckstepp[/caption] Bronte Baths, Bronte Opened in 1887, Bronte Baths is one of the oldest and most photographed ocean pools in Sydney. Its best known regular was Evelyn Whillier, who at 18 competed in the 1936 Berlin Olympics, and at 20 won gold in the 1938 British Empire Games. In the 1990s — in her late 70s — she'd head to Bronte at 5am every day to squeeze in a few kilometres. You'll meet all kinds of swimmers here — from similarly serious lappers to kids in floaties. There's ample room on the surrounding rocks for lazing about. It's also lit up after dark so consider a night swim on balmy evenings. [caption id="attachment_754006" align="alignnone" width="1920"] Destination NSW[/caption] Fairy Bower Pool, Manly The enchanting, triangular Fairy Bower Pool was built by locals, for locals, in 1929. It's located alongside Marine Parade, between Manly and Fairy Bower beaches. Adding to the magic are sculptor Helen Leete's Oceanides (also known as the 'Manly Sea Nymphs'), two curving creatures on the Sydney ocean pool's edge. When the surf's up, they look a bit like dancing aquatic spirits. Try taking a dip at sunrise or sunset for maximum effect, then hit up some local Manly cafes and restaurants or independent stores to keep it the good times going. [caption id="attachment_703447" align="alignnone" width="1920"] Destination NSW[/caption] Mahon Pool, Maroubra Mahon Pool's intertidal position makes it subject to fierce doses of Pacific swell. Drop by when the water's high and the wind's a-blowing for the biggest waves and most adrenaline-fuelled fun (just be careful getting in and out). The pool lies at the northern end of Maroubra Beach. It's hard to spot from above, but make your way down the staircase from Marine Parade car park, and you'll soon spy one of the best ocean pools in Sydney among exposed rocky outcrops. Bondi Icebergs, Bondi Members of Sydney's toughest swimming club, The Icebergs, have been proving their mettle here since 1929. To stay in the gang, you must meet every Sunday throughout winter and swim at least one lap of the pool, regardless of icy temperatures or inclement weather. If that sounds too traumatic for you, you can join the masses and stick to summer visits. One of the best equipped Sydney ocean pools on the list, the Icebergs comes with a sauna, gym, masseuse, yoga lessons and cafe. Entry is $9. [caption id="attachment_663542" align="alignnone" width="1920"] Paros Huckstepp[/caption] Bigola Rockpool, Bigola Bilgola Beach forms the floor of a steep coastal valley. It's one of the northern beaches' most secluded spots, and one of the best beaches in all of Sydney. For an adventurous walk in, take the South Bilgola Headland Walk, which starts at Newport Beach, winding its way through tea trees, bottlebrushes, paperbarks, casuarinas and cabbage tree palms. Alternatively, park just off The Serpentine. You'll find the eight-lane, 50-metre Sydney rockpool at the beach's southern end, affording spectacular views of the 60-metre-high Bilgola North Headland. McIver's Baths, Coogee Boys, butt out. McIver's is the only coastal pool in Australia for ladies only. It's been that way since 1922, when the Randwick and Coogee Ladies Swimming Club took over the lease from the McIver family. In 93 years, nothing much has changed — the ocean views are still extraordinary and only women and children are allowed in. Entry is $2.50, to be paid to the baths' volunteers upon entry. [caption id="attachment_754009" align="alignnone" width="1920"] Destination NSW[/caption] Wylie's Baths, Coogee Found just south of McIver's Baths, Wylie's welcomes people of all genders. The 50-metre Sydney ocean pool offers 180-degree panoramas of the ocean, including views of Wedding Cake Island (inspiration for Midnight Oil's instrumental rock hit of the same name). Like Bondi's Icebergs, Wylie's by Coogee Beach has all the facilities — from yoga lessons to massage sessions. Entry is $6. It's a great spot for a cool-off along the Bondi to Maroubra walk. [caption id="attachment_754159" align="alignnone" width="1920"] Destination NSW[/caption] North Curl Curl Rockpool Curl Curl's exposed, east-southeast position makes it one of Sydney's most exciting but dangerous beaches. The southerly swell surges in, driving waves to heights of 1.5 metres or more and powering hazardous rips. Lap up all the action from the safety of the North Curl Curl Rock Pool. Carved out in the mid-1930s, the Sydney ocean pool has a natural floor and rocky platforms for sunbaking (slip, slop, slap, please). At high tide, access is only available via the coastal walkway. Cronulla Rock Pool, Cronulla Cronulla's main ocean pool lies in the 300 metres of rocky platforms dividing South Cronulla Beach from North Cronulla. Opened in 1932, the Sydney ocean pool first served as a training facility for local lifeguards. These days, it's still an optimum spot for lapping and/or casual dipping, offering vast, uninterrupted vistas over Bate Bay. The Council made some upgrades in 2016, adding handrails and stairs and non-slip surfaces — helping cement its place in this list of Sydney's best ocean pools. [caption id="attachment_703770" align="alignnone" width="1920"] Adam JWC via Wikimedia Commons[/caption] Malabar Ocean Pool, Malabar For smaller crowds and a laidback, local feel, head to Malabar Ocean Pool. Created in the 1890s, it was closed down by the 1970s (as was surrounding Long Bay) due to pollution. But, in 1997, NSW Premier Bob Carr and the local MP pooled funds for a clean-up and re-vamp. These days, the water at this stunning Sydney ocean swimming pool is crystal clear and the views dreamy, especially at dawn and dusk. Image: Wylie's Baths via Destination NSW.
Hungry, mon amis? Whether you're hankering for a hearty helping of steak frites and crème brulée, a warming bowl of French onion soup with a side of chicken liver parfait, or you're inclined to dine fine on escargot, millefeuilles and other cordon bleu showstoppers, Sydney's array of French restaurants — from humble bistros and swanky brasseries to elevated eateries serving haute cuisine — have plenty to satisfy. Here is our pick of the best places in Sydney for French feeds of every kind. Recommended reads: The Best Italian Restaurants in Sydney The Mexican Restaurants in Sydney The Best Pizza in Sydney
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are nine that you can watch right now at home. Longlegs Faces carve deep impressions in Longlegs, in both their presence and their absence. As Agent Lee Harker, Maika Monroe (God Is a Bullet) does so with a clenched jaw, permanently on-edge eyes and mere bursts of words, aka the guise of a woman who'll never stop being vigilant in every moment but doesn't always know exactly why. As the movie's namesake, as announced in the opening credits, Nicolas Cage (Dream Scenario) has audiences straining to catch whatever glimpse they can whenever they can — and when a full look comes, it's scorching and haunting in tandem in the stare alone. Blair Underwood (Origin) gives Harker's boss Carter a weary gaze, but with fully rounded life experience beyond his FBI gig evident behind it. Alicia Witt (Switch Up) plays Ruth Harker, mother to Lee, as distance and struggle personified. As she relays a tale as survivor Carrie Anne Camera, Kiernan Shipka (Twisters) demonstrates how disconnected a grim reality can be from a dream. For his fourth feature following 2015's The Blackcoat's Daughter, 2016's I Am the Pretty Thing That Lives in the House and 2020's Gretel & Hansel — the first of which also starred Shipka — writer/director Osgood Perkins has clearly assembled an excellent cast for his unease-dripping, get-under-your-skin, torment-your-nightmares serial-killer thriller. Another face leaves an imprint beyond his actors, however. Bill Clinton's portrait assists with setting the scene as it adorns bureau offices, with the majority of the movie taking place in the 90s. Think the FBI and three decades back, and there's no lack of pop-culture touchstones. The Silence of the Lambs is one. Monroe's portrayal as a newly minted operative tracking a murderer is every bit as layered, complex and unforgettable — and awards-worthy — as Jodie Foster's (True Detective: Night Country) Oscar-winning performance was. Longlegs streams via Prime Video. Read our full review, and our interview with Maika Monroe and Osgood Perkins. MaXXXine As played as an unrelenting force by Mia Goth (Infinity Pool), even when slasher killers have other plans, Maxine Minx was always going to go big and never go home. To wrap up the horror trilogy with the ambitious actor at its centre (when Goth hasn't also been playing Pearl, its other protagonist, as both an elderly and a younger woman), MaXXXine shoots for the stars as well, including in shifting to new surroundings. Gone is the New Zealand-standing-in-for-Texas production base of X and its prequel Pearl. Absent is the claustrophobic feel of mainly making one spot the franchise's location, whether it was taking place in the 70s in its first entry or in the 1910s in its second. This Los Angeles-set leap to 1985 sparkles with the same scorching drive and determination as its titular figure — and Minx, Goth, writer/director Ti West (Them) and MaXXXine alike won't accept a life, or a swansong instalment in one of the best sagas in the genre in the 2020s, that they do not deserve. From its debut with 2022's X, which turned a porn shoot in a remote farmhouse into a bloody stalking ground, West's big-screen series has always understood that sex and violence so often intersect in the arena that it's paying tribute to: moving pictures. X, Pearl and now MaXXXine also see how censors and the pearl-clutching equate one with the other. Equally, these pictures glean how a woman with a libidinous appetite — or simply the craving to succeed and the unwillingness to settle — can be deemed a larger threat to morality than a murderer. They also spy what a battle it too frequently is for women to chart their own path free of society's expectations, no matter their aspirations. West not only continues splattering these ideas through the Elizabeth Debicki (The Crown)- and Kevin Bacon (Beverly Hills Cop: Axel F)-co-starring MaXXXine, but layering them, plus stacking his latest unpackings of them with X and Pearl. The true target in his current sights, however: what it just might cost to make it in a realm as ruthless and ravenous as stardom. MaXXXine streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Elizabeth Debicki and Kevin Bacon. The Bikeriders Can a dream ever exist for more than a fleeting moment? That isn't just a question for oneirology, the field of psychology focused on studying the involuntary visions of our slumbers, but also applies whenever tales of motorcycle clubs rev across the screen. Stories of hitting the open road on two wheels, finding camaraderie and community in a group of likeminded outsiders, and perhaps discovering a purpose along the way are stories of chasing dreams — of freedom, of belonging, of mattering, of meaning in a world seemingly so devoid of it if you don't fit in the traditional sense. So it was in TV series Sons of Anarchy and in Australian film 1%, two titles set within the roar and rush of biker gangs in recent years. So it was in The Wild One, 1953's Marlon Brando-starring classic that immortalised the query "what are you rebelling against?" and the reply "whaddaya got?". Now, so it equally proves in The Bikeriders, about a 60s and 70s leather- and denim-wearing, motorbike-riding crew formed after infatuation got motors runnin' when founder Johnny (Tom Hardy, Venom: Let There Be Carnage) saw The Wild One on TV. A family man, Johnny has a dream for the Vandals MC out of America's midwest — and so does Benny (Austin Butler, Dune: Part Two), the closest thing that the club has to a spirit animal. The latter is introduced alone at a bar wearing his colours, refusing to take them off even when violence springs at the hands of unwelcoming patrons. He won't be tamed, the sixth feature from writer/director Jeff Nichols after Shotgun Stories, Take Shelter, Mud, Midnight Special and Loving establishes early. He won't be anyone but his smouldering, swaggering, rebel-without-a-cause self, either. Courtesy of the Vandals, he not only has the space to stand firm, but the assurance. He's a lone wolf-type, but knows that he has the devoted backing of the pack anyway. Johnny has fashioned the gang as a tribe and a place to call home for those who can't locate it elsewhere, and is open about how his fellow bikers need Benny — and how he does as well — to look up to. The Bikeriders streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Austin Butler. Twisters A cinema plays a key part in Twisters. Frankenstein flickers across its screen, but mother nature proves not only more of a monster, but also an audience member worse than folks who can't manage to spend two hours in a darkened room without their phones. There's a knowing air to featuring a picture palace in this disaster-flick sequel from Minari director Lee Isaac Chung and The Boys in the Boat screenwriter Mark L Smith, reminding viewers how deeply this genre and this format are linked. Almost three decades ago, as co-penned by Michael Crichton fresh off Jurassic Park's mammoth success, 1996's Twister packed movie theatres worldwide to the tune of nearly half-a-billion dollars, doing so with a spectacle. No matter if its sequel reaches the same heights at the box office globally, it too delivers better-on-the-big-screen sights, chief among them Chung and cinematographer Dan Mindel's (Star Wars: Episode IX — The Rise of Skywalker) naturalistic imagery. For those unaware going in that the filmmaker behind six-time Oscar contender Minari — a helmer who received a Best Director Academy Award nomination for his gorgeous and heartfelt work, in fact — is also steering Twisters, it isn't hard to guess from its look, including in its opening moments alone. The movie begins with storm chasers doing what they enthusiastically do. It also kicks off with a horror turn of events thanks to a tornado that exceeds their expectations, and with the crew's survivors afterwards struggling with trauma that'll later drive them forward. In these scenes and beyond, this isn't a picture of visual gloss and sheen, as witnessed right down to its lighting. Twisters remains polished, of course. It also can't tell its tale without CGI. But a choice as pivotal as valuing a genuine aesthetic tone over a gleaming one has a massive impact. Twisters streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Daisy Edgar-Jones, Glen Powell, Anthony Ramos and Lee Isaac Chung. Inside Out 2 They're basic: joy, sadness, fear, disgust and anger, that is, the five emotions that swirled inside human heads in Pixar's 2015 hit Inside Out. In nine-years-later follow-up Inside Out 2, that quintet of feelings isn't enough to cope with being a teenager, which is where anxiety, envy, ennui and embarrassment come in. The newcomers arrive with the onset of puberty, literally overnight. They have no time for simple happiness; they've levelled up some of the emotions adjacent to sorrow, fright, dismay and fury, too. Although its now 13-year-old protagonist Riley Andersen (Kensington Tallman, Summer Camp) isn't actively choosing how to manage her feelings because her feelings themselves are doing that for her, Inside Out was always an all-ages ode to mindfulness, as is its sequel — and discovering how to accept and acknowledge apprehension, unease and nerves is here, like in life, a complicated balancing act. In the Inside Out world, feelings are characters, led in Riley's noggin by the radiant Joy — who, with Amy Poehler (Moxie) shining with Leslie Knope-esque positivity in the voice-acting part, is one of Pixar's best-ever cast figures. In an ideal inner world, they all get along. But workplace comedy-style, getting viewers thinking about Parks and Recreation again, that's never the case. Joy, Sadness (Phyllis Smith, Barb and Star Go to Vista Del Mar), Fear (Tony Hale, Quiz Lady), Disgust (Liza Lapira, The Equalizer) and Anger (Lewis Black, The Last Laugh) have their routine down pat when Inside Out 2 kicks off. They can handle everything from high-stakes hockey games, complete with a stint in the sin bin, through to learning that Riley's best friends Grace (Grace Lu, Fight Krewe) and Bree (debutant Sumayyah Nuriddin-Green) will be going to a different high school. Then their status quo is upended by the Inside Out equivalent of new colleagues storming in. Inside Out 2 streams via YouTube Movies, iTunes and Prime Video. Read our full review. A Quiet Place: Day One There seems little that could be utopian about an alien invasion film where people are picked off by hulking, spider-limbed, lightning-fast, armour-clad creatures who punish every sound with almost-instant death, but prequel A Quiet Place: Day One makes the opening status quo of horror franchise-starter A Quiet Place look positively idyllic. If you're forced to try to survive an extra-terrestrial attack, where better to be than at your well-appointed farmland home with your family, as the John Krasinski (IF)-helmed and -starring 2018 feature depicted? Most folks, including the third movie in the saga's protagonist Samira (Lupita Nyong'o, Black Panther: Wakanda Forever), a terminal cancer patient with just a service cat called Frodo left as kin, can only dream of being that lucky — not that there's much time for fantasising about a better way to be conquered by otherworldly monsters when what looks like meteors start crashing down to earth. Samira is in hospice care as the A Quiet Place big-screen series, which also spans 2021 release A Quiet Place Part II, steps back to the moment that its apocalyptic scenario begins in New York. She hugs her black-and-white feline companion like letting go would untether her from life even before existence as the planet knows it changes forever — when she's sharing surly poems among other patients, being convinced to attend a group excursion to see a marionette show and, when the promise of pizza on the way home is nixed, telling kindly nurse Reuben (Alex Wolff, Oppenheimer) that he's not actually her friend. Written and directed by Pig filmmaker Michael Sarnoski, A Quiet Place: Day One explores the ground-zero experience for someone who feels so alone in this world and connected only to her devoted pet, and also answers a question: how do those on more than two feet react when the worst that humans can imagine occurs? A Quiet Place: Day One streams via YouTube Movies, iTunes and Prime Video. Read our full review. In a Violent Nature Again and again, fans of slasher films have seen the one about the unhinged murderer butchering teen victims. They've seen more than one, in fact. It's a horror convention: take a bunch of young adults, then dispense with them person by person as a killer works through childhood trauma. Penning and helming his first feature — his short Z Is for Zygote was included in The ABCs of Death 2, and he did special effects work on Psycho Goreman, too — writer/director Chris Nash knows the basics of his chosen genre as much as any other diehard viewer. He's just as aware of the great, and greatly influential, flicks gone by such as Halloween and Friday the 13th. He's well-versed in their tropes in storytelling and in form alike. Making his full-length debut with a picture called In a Violent Nature, he's also clued up on what happens when someone sinister gets a-stalking in scenic surroundings. Plot-wise, Nash isn't trying to break the mould with his account of Johnny (Ry Barrett, Massacre at Femur Creek) and the folks who are unlucky enough to fall across his path. But the filmmaker asks a question: what if a rampaging slaughterer's terrors came not with a score heralding their every menacing move (even when those tunes can become iconic, as John Carpenter's Halloween music has), but with the ordinary silence of everyday life in nature punctuated only by noises just as commonplace, and then by the sounds of a killer at their insidious worst? In its imagery, In a Violent Nature adds another query: what if the audience wasn't biding its time with those likely to perish, tension dripping from not knowing when and where the murderer would strike, but was stuck at the side of the force causing such gruesome mayhem as the inevitable approaches? There's seldom any escape from a slasher; however, Nash finds a new way to take that idea literally. In a Violent Nature streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Promised Land The transfixing terrain of Mads Mikkelsen's face has been cast against formidably frosty and inhospitable climes before, weathering mirroring weathering. Sporting a piercing and determined glint in his eye, the Danish acting great has previously surveyed the Scandinavian landscape, too, seeing possibility where others spot peril. It was true in Arctic, in Valhalla Rising and now in The Promised Land: there's no stare as mesmerisingly resolute as his. When Ludvig Kahlen, Mikkelsen's latest character, insists that he can do what no one else has done — to begin with: settling the heath on the heather-covered Jutland moorland and building a colony for the king, a feat considered virtually impossible in the mid-18th century — doubting him isn't a possibility for anyone in the movie's audience. The BAFTA-nominated Another Round star has danced in historical drama territory for his countryman director Nikolaj Arcel in the past as well, with the pair reteaming after 2012's Oscar-nominated A Royal Affair. A different king sits on the throne in this film, Frederick V instead of Christian VII; however, the regal shadow remains inescapable. This time, Mikkelsen and Arcel tell not of a doctor influencing a monarch and a country, but of a soldier aligning his quest for a better future with a sovereign's wish, and learning what it means to chase a dream only to realise that you need something less tangible. Kahlen's attempt to farm land considered barren is equally a battle against entitlement and arrogance thanks to his clash with Frederik de Schinkel (Simon Bennebjerg, Borgen), a cruel local magistrate who contends that the king's land is his own — and feels far enough away from Copenhagen for there not to be any consequences for his claim. The Promised Land streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Taste of Things Cooking is an act of precision. It's also one of feeling. On the movie that nabbed him the Best Director award at the 2023 Cannes Film Festival, Trần Anh Hùng (Éternité, Norwegian Wood) helms with the same care, spirit and emotion that his characters display in the kitchen. The Taste of Things' audience has a front-row seat to both, as this 1885-set French picture begins with dishes upon dishes being whipped up and the feature's gaze, via cinematographer Jonathan Ricquebourg (Final Cut), lenses their creation intimately and sumptuously. The film's extraordinary opening 30 minutes-plus, as the camera is trained on the stove and counter with slight detours around the room to collect or wash ingredients, is meticulously crafted and at the same time instinctual. Think: the sensations of observing the finest of fine-dining chefs and being a child watching your grandmother make culinary magic, as nearly every kid has, all rolled into one appetising introductory sequence. In the home of gourmand Dodin Bouffant (Benoît Magimel, The King of Algiers), and in its heart, his personal chef Eugénie (Juliette Binoche, The New Look) is so skilled and fastidious that she'd do small-screen hit The Bear proud; she's clearly a conjurer of the culinary arts, too. Hùng and Ricquebourg — the latter a well-deserving Lumiere Award-winner for his efforts here — are methodical with the choreography of setting the scene, while equally deeply immersed in the flow of the kitchen's tasks. As soundtracked by chirping birds, if this was The Taste of Things for 135 minutes and not just half an hour-ish, it'd remain a mesmerising movie. (A word of warning: eat before viewing, lest hunger pangs not just simmer but boil over.) Adapting 1924 novel The Passionate Epicure: La Vie et la Passion de Dodin-Bouffant, Gourmet by epicure Marcel Rouff as he scripts and directs, Hùng does more than fashion among the most-handsomely staged and shot imagery of a meal coming to life, but his approach to this entrée establishes the flavour. The Taste of Things streams via YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May, June and July 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2024's 15 best films, 15 best new TV shows, 15 best returning TV shows and 15 best straight-to-streaming movies from the first half of the year. Also, here's 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows as well.
Friends, it's time to pay fealty to the king of all food groups: pizza — that divine fusion of carbs, cheese and yummy toppings that's impossible not to love and will rarely let you down. In Sydney, pizza comes in many forms, from mammoth New York-style slices to authentically blistered Neapolitan pies. Here is our pick of the very best pizzerias the Harbour City has to offer. Image: 170 Grammi, Trent van der Jagt Recommended reads: The Best Italian Restaurants in Sydney The Mexican Restaurants in Sydney The Best Steak in Sydney The Best Burgers in Sydney
Spring is upon us, which means beautifully balmy days that are perfect for a stroll by the sea are right around the corner. But with so much shoreline right on Sydney's doorstep, which coastal walk should you choose? To help you solve this eternal conundrum, we've picked out our favourite trails that are just a stone's throw from the city. These 11 stunning walks have it all: sparkling harbourside views, wild bushland with native flora and fauna, hidden pathways, and heaps of historic sites. And they range from easy one-hour treks to epic multi-day adventures. Grab your sneakers, your mates and your sunnies, and get walking. Recommended reads: The Best Beaches in Sydney The Best Ocean Pools in Sydney The Best Walks in and Around Sydney The Best Bike Rides in Sydney BEST HARBOUR VIEWS: BRADLEY'S HEAD TO CHOWDER BAY You'll find some of the best Sydney Harbour vantage points tucked away on this lower-North Shore coastal walking track. This leisurely four-kilometre beachside walk in Sydney begins at Taronga Zoo Wharf and extends to Mosman's charming Chowder Bay. The trail hugs the coast tightly, and its proximity to the harbour allows for unobstructed views of the Harbour Bridge, Opera House and city skyline. The trek also boasts military relics and an amphitheatre at Bradley's Head. it is easily one of the best coastal walks in Sydney. Once you work up an appetite, have a well-deserved lunch at one of the Bay's many cafes and seafood restaurants — Ripples being a local favourite. [caption id="attachment_754226" align="alignnone" width="1920"] Destination NSW[/caption] BEST MULTI-DAY ADVENTURE: BONDI TO MANLY Launched in late 2019, the 80-kilometre Bondi-to-Manly walk stretches along the east coast and harbour shore, between the two eponymous beaches. The multi-day coastal walk in Sydney meanders past all of the expected highlights — think secluded coves, spectacular views, bushland, clifftops, and landmarks such as the Sydney Opera House and the Sydney Harbour Bridge — as well as significant Indigenous sites such as Aboriginal engravings at Grotto Point, and the ancestral reburial site and rock art at Reef Beach. Plus, while you're moseying, you can follow your journey on the walk's app which is available to help you plan and track your walk. As the name makes plain, it starts and ends at Bondi and Manly beaches, but there's plenty to see in between. And if you're wondering how long it takes, suggested itineraries split the walk into two, three, four, five and seven-day routes, although you can obviously make the journey along one of the very best coastal walks in Sydney however you see fit. [caption id="attachment_838835" align="alignnone" width="1920"] Andrew Gregory, Destination NSW[/caption] THE HIDDEN GEM: WYARGINE RESERVE TRACK Only accessible during low tide, this hidden track runs from Chinamans Beach to Balmoral Beach, and is an unexpected adventure. Start out at the historic Parriwi Lighthouse, then follow the trail along steep steps to sudden views of Middle Harbour. After arriving at Chinamans' tiny and peaceful shore, the (approximately) one-kilometre trek to Balmoral is quick but difficult, as it weaves directly along the rockshelf. Along the Sydney coastal walk, you'll spot gorgeous beachfront properties and impressive yachts aplenty. If you take the walk in the opposite direction, it'll eventually link up with Spit Bridge to the north. [caption id="attachment_838836" align="alignnone" width="1920"] Destination NSW[/caption] MOST CHALLENGING TREK: ROYAL NATIONAL PARK COAST TRACK If you're looking for more than a day trip, this 26-kilometre track around the Royal National Park boasts a combination of rugged bushwalks, sandy beaches and sandstone headlands with views across the Tasman Sea. This two-day coastal hike starts at Bundeena and concludes at Otford, with an overnight stay at North Era campground — be sure not to miss sunrise that morning. The campground and some areas of the hike are unfortunately closed at this time, so it's best to check the NSW National Parks website before heading out and just tackling a section of the hike if the whole thing isn't possible. Other highlights include the stunning Wattamolla Beach, the views at Eagle Rock lookout and the crystal-clear waters at Curracurrang Cove. Time your trip right (between May and October) and you might even spot a migrating humpback whale at some point across the 48 hours. [caption id="attachment_653090" align="alignnone" width="1920"] Destination NSW[/caption] BEST COASTAL BUSHWALK: NORTH HEAD While this historic Sydney coastal walk does contain a driving path, the true beauty of this trail is seen through the dirt road bushwalk. Begin your trek at North Head Sanctuary, three kilometres south of Manly Beach. Walk through the former North Head Army Barracks before heading out to the bush, where echidnas and bandicoots lurk in the burnt orange and yellow brush. Then, the wild path opens suddenly to a mix of coastal views, with the best located at the Third Quarantine Cemetery — which looks across to Middle Head and Manly — and the Fairfax Walk, which looks far out over the Tasman Sea. From here, it is easy to end your afternoon at Manly Beach, stopping at the petite Collins and Little Manly Beaches along the way. Some areas of the North Head coast walk are currently closed for upgrades. Check the National Parks website for up-to-date details. [caption id="attachment_781774" align="alignnone" width="1920"] Destination NSW[/caption] NOT JUST FOR TOURISTS: MANLY TO SPIT BRIDGE This ten-kilometre coastal walk in Sydney is often recommended to tourists for good reason. Begin at Mosman's Spit Bridge, where you'll follow the Middle and North Harbour shoreline paths along Fisher Bay to Clontarf Beach. From here, you'll enter the Sydney Harbour National Park at Castle Rock, and later hit Grotto Point, where you can view Indigenous rock engravings. Gorgeous views at Arabanoo Lookout and plenty of Sydney beachside walks are also on the docket. Finish off with a dip at Manly Beach before taking that picturesque ferry ride back to Circular Quay. If ten kilometres isn't enough for you, the track continues down to Chowder Bay and can be linked up with the Bradley's Head track too. [caption id="attachment_754225" align="alignnone" width="1920"] Destination NSW[/caption] BEST PANORAMIC VIEWS: MIDDLE HEAD While the multiple World War II batteries located at Middle Head certainly set this walk apart, it's the expansive views of the eastern suburbs, Middle Harbour and Manly that really make this trek worthwhile. The two-kilometre coastal walking circuit is bordered by North and South Heads and set along sheer cliffs. Climbing through underground tunnels and gun pits on the edge of the coast is a big part of the thrill here. You'll find these ruins throughout the Middle Head Fortification, and the surrounding cliffs give the remnants an eerie and significant impact. After you your walk, you can head to nearby Cobblers Beach to unwind. The track is also being extended to connect with the Sydney Harbour Scenic Walk, so keep a look out for a more expansive version of this coastal trail by the end of the year. [caption id="attachment_781771" align="alignnone" width="1920"] Ethan Rohloff via Destination NSW[/caption] BEST HISTORIC SIGHTS: COCKATOO ISLAND A UNESCO World Heritage Site, Cockatoo Island has an illustrious history — including housing a prison, a ship-building facility, a reform school and a wartime boat repair port. Haunted history tours are on regularly, as are other events, talks and art exhibitions related to the island's environmental and historical past. It's also been earmarked for a vast transformation that'll see it become a sprawling arts and culture district. Set off the shores of Balmain and Birchgrove, the island boasts 360-degree views of the Parramatta River and is perfect for picnics. We suggest making a weekend of your Cockatoo getaway, with a waterfront campground and heritage holiday houses available for hire. [caption id="attachment_781761" align="alignnone" width="1920"] Andrew Gregory via Destination NSW[/caption] BEST FOR PICNICS WITH A VIEW: BALLS HEAD RESERVE Set on the foreshore of Sydney Harbour, Balls Head Reserve affords exceptional views of the Harbour Bridge from the north, along with unbeatable picnic views overlooking the CBD. The reserve offers several coastal bushwalking tracks (including one with wheelchair access), and highlights include an Indigenous waterhole and foreshore caves cut by squatters in the 1930s. Once you're done exploring, head to the secluded park where public barbecues are at the ready. When you've finished grilling up your snags, head back over to the rocky area and enjoy your picnic while watching the harbour boats mosey by. End it all by strolling along the beachside walk, digesting all that great barbecue grub. [caption id="attachment_781768" align="alignnone" width="1920"] Hamilton Lund via Destination NSW[/caption] SYDNEY'S MOST ICONIC TRAIL: BONDI TO COOGEE The Bondi to Coogee walk is easily the most iconic coastal walking trail in Sydney. This six-kilometre trek gives tourists and locals alike a true sense of Sydney's coastal beauty. The hike's steep gradients are well spaced and hit each of the city's most loved beaches along the way — making this trip part-workout, part-beach bum afternoon. Apart from the namesake beaches, the trail also hits Tamarama, Bronte and Clovelly. While the walk could be completed in as little as two hours, it is best enjoyed with long breaks by the ocean. Keep an eye out for the announcement of the next instalment of the trail's popular Sculpture by the Sea which finally returned in 2022 after a few years off. THE NEWEST ADDITION: BARANGAROO FORESHORE WALK The final section of the Barangaroo foreshore walk opened in April 2021 completing the 11-kilometre stroll along the harbour. You can now meander from Woolloomooloo to the Anzac Bridge through sections of the foreshore that were previously inaccessible to pedestrians. Along the Sydney coastal walk, you'll be treated to views of the Sydney Harbour Bridge, Royal Botanic Gardens, Sydney Opera House and all the new delights that Barangaroo is offering up. Included in the path is the Wulugul Walk which takes you around Barangaroo Reserve and The Streets of Barangaroo's range of bars and eateries. The Waterman's Cove part of Barangaroo foreshore is also set to welcome a pavilion made from recycled Sydney oyster shells, which is sure to make quite an eye-catching addition to your future strolls, jogs and bike rides. Top image: Destination NSW, James Horran
If you enjoy getaways of the pampering, wellness-oriented and soaking kind — you're in luck. Victoria is quickly becoming a hot spring haven, with future plans including a 900-kilometre trail of bathing spots dubbed The Great Bathing Trail to span along the Victorian coast. In the meantime, there are plenty of newly-opened and established favourites to explore. Regional Victoria boasts some of the best hot springs in the country, from geothermal pools overlooking stunning views to majestic spa precincts complete with restaurants. If you're looking to escape the city for some well-earned self-care, here are the natural hot springs and wellness destinations to put on your must-visit list. Recommended reads: The Best Spas in Melbourne The Best Heated Pools in Melbourne A Weekender's Guide to the Mornington Peninsula The Best Winter Day Trips From Melbourne
The best glamping sites in Australia are made for those of us who want to get up close to nature — without having to skimp on any of our comforts. We want to hear the sounds of local wildlife rummaging about nearby. We want to smell the native plants and sea air as we wake up. But we also want running hot water, aircon (if the season calls for it) and quality bedding. Room service never hurts, either. So, if you're looking for a holiday that provides all of the above, read on. Here, we have some of Australia's best glamping sites, located in some of the most unique and beautiful natural landscapes — from remote deserts to lush rainforests and tropical islands. Recommended reads: The Best Glamping Sites in NSW The Best Glamping Sites in Victoria The Best Glamping Sites in Queensland The Best Pet-Friendly Hotels in Australia Nightfall, Queensland Set within Queensland's Lamington National Park is the luxury glamping site Nightfall. There's only five permanent, hand-built tents on the property, each spaced far enough apart to give visitors the feeling of total isolation. In summer, you can roll up the canvas walls to immerse yourself in the surrounding forest — native birds gather in treetops and the nearby Christmas Creek is perfect for a little swim. You can even choose to bathe outside in nature, without the fear of anyone walking past. For winter, keep the walls down, have a hot bath inside, turn on the rotating fireplace and get proper cosy. The Nightfall team will also feed you throughout your stay — they pride themselves on providing organic meals, focusing on food cooked over the fire. Each daily meal is served in a different location, taking full advantage of the vast forest surrounding your glampsite. Produce is sourced from the onsite kitchen garden, wild Aussie bush tucker plants, the local farms of Scenic Rim and organic markets in Brisbane. Sustainability is at the core of everything done here, helping make this one of the best places to go glamping in Australia. Discovery Rottnest Island, Western Australia Rottnest Island is a must-see for anyone going on an adventure in Western Australia. For one, this is where you'll snuggle up to quokkas and take all the adorable selfies you could want. But there's a lot more going on here too, including an array of stunning white sandy beaches and hidden coves. And we can think of no better way to experience this island paradise, just off the shores of Perth, than by hitting up the Discovery Rottnest Island glamping site. These low-impact tents are set amongst the dunes of Pinky Beach, right by the water. The entry-level options have ensuites and private decks, while the larger ones have their own kitchens, walk-in robes and extra-large bathrooms. From this beachside location, you can go on sea-kayaking treks, do a bit of snorkelling, head inland for some hiking or just sit on the shoreline all day long, dipping in and out of the clear blue waters at your own leisure. [caption id="attachment_874857" align="alignnone" width="1920"] South Australian Tourism Commission[/caption] Wilpena Pound, South Australia This is far more than your usual glamping site. Yes, the natural surrounds are truly epic in scale and your luxury tents come with all your creature comforts, but Wilpena Pound has a special ethos that respects the traditional landowners of the Flinders Ranges region — the Adnyamathanha people. The area is known for its geological history, ancient fossils and Aboriginal rock art. And the team here works closely with local Indigenous communities to educate guests about the cultural significance of the land they're on. During your stay, you can go on an Aboriginal cultural tour of the area, led by an Adnyamathanha guide. You'll be taken on a hike through the Flinders Ranges, experiencing the landscape through the eyes of its Traditional Owners. The Wilpena team can also organise a 4WD tour, scenic flight or another stellar jaunt through the bush. Meals combine modern Aussie cuisine with Indigenous ingredients — all prepared with genuine respect for the Adnyamathanha people. It's not just for show. Balgownie Estate, Victoria Spend your next weekender sipping top-notch wines on an outdoor lounge on your own private deck and soaking up sunset-flooded rural views — all smack-bang in the middle of lush vineyards at Balgownie Estate. The winery's large collection of tents is kitted out with rugs, lighting, furnishings, air-con, tea and coffee, and bar fridges. There are three tent types on offer at this Australian glamping site — choose between the Bell Tent, the Bell Tent Twin and the Safari Tent — the latter of which is probably bigger than your CBD apartment, boasting a four-poster queen-sized bed, ensuite and kitchenette. Sal Salis, Western Australia This is where the desert meets the sea — an extraordinary and unique part of Australia that should be on all travel bucket lists. There are a range of accommodations dotted along the Ningaloo Reef, but Sal Salis is just that bit extra special. The 16 off-grid wilderness tents are located right on the beach, surrounded by little else but untamed nature. Swing in your hammock all day long, gazing into your stupid-beautiful views with an ice-cold beer at hand, or get exploring. The Sal Salis team will help you out with sea kayaks, stand-up paddleboards, snorkel gear and wetsuits. They'll even take you out for some guided experiences. This is an all-inclusive Australian glamping site, too — activities galore and drinks from the open bar are yours to enjoy. There's not a single need to hold back here. Happy Glamper, Victoria This is a really unique glamping experience: you pick your own campsite along Victoria's Mornington Peninsula and the Happy Glamper team will set everything up for you right there. Arriving before you, they'll install one of their large canvas tents — which comes with a bed, lounge chairs, board games, magazines and a spread of other things. And when you're done, they'll pack it all down and clean up — lush. The mobile glamping company even helps with big gatherings — if you make a big, multi-tent booking, the team's willing to go far beyond their usual patch in the Mornington Peninsula. Either head to a beachside campground or a block of private land, and your bespoke experience will appear. The fine print? You'll need to book your campsite separately — either find your own or opt for one of the recommended sites. Paperbark Camp, New South Wales The definition of 'tent' is stretched a little bit at Paperbark Camp. These canopies rest up on large wooden stilts and are surrounded by private decks. Technically, the rooms do have canvas walls, so tents they are. Each of the NSW glamping sites comes with an openair ensuite bathroom complete with freestanding bath and separate shower. It's mightily luxurious. Plus, there's stacks of things to do in the area. The property has a series of trails through the namesake paperbark, gum and mangrove forests, where plenty of kangaroos roam. You can cycle into town within 15 minutes and hang out at the beach, or go for a long canoe trek to Huskisson and back, stopping off for a cute picnic and swim on the banks of Currambene Creek. Sanctuary by Sirromet, Queensland Not only home to grapevines as far as the eye can see, but also a restaurant with views over Moreton Bay, a nine-hole modified form of golf and regular live concerts — Mount Cotton's Sirromet Winery also has onsite glamping within its expansive 560-acre grounds. Visitors to this place, Sanctuary by Sirromet, can get cosy in one of 18 tents, with each featuring a king bed, plush places to sit, al fresco dining furniture, bathrooms and reverse cycle air-conditioning to cope with southeast Queensland's usually warm weather. Every safari-style abode also includes a minibar filled with Sirromet wine, and all bookings include complimentary breakfast at Tuscan Terrace (midweek) or Restaurant Lurleen's (weekends). You can add on all kinds of winery experiences, too, allowing you to take full advantage of the unique location. All these additions help make Sanctuary by Sirromet one of the best glamping sites in Australia. Peninsula Hot Springs, Victoria The Peninsula Hot Springs' series of luxury glamping tents allow visitors to spend the night onsite, mere steps from the geothermal baths, saunas, pools and other wellness offerings. The Victoria glamping retreat is a classy affair, with the tents nestled amongst the natural environment, boasting thermally-heated concrete floors, custom-made furniture and beds decked out in plush linens. Guests are treated to private ensuites and walk-in robes, complimentary breakfast, and access to the precinct's many wellness experiences. All that's left to decide is how much pampering can you fit into a weekend. [caption id="attachment_876464" align="alignnone" width="1920"] Tourism Australia[/caption] Banubanu Beach Resort, Northern Territory Run away to the Northern Territory's Bremer Island for a tropical island holiday. It's well and truly off the beaten path, so you'll be away from the crowds, surrounded only by well-preserved wilderness. To make it even more remote, head to Banubanu Beach Retreat, right at the northernmost tip of the island. Here, you'll find five glamping tents sitting pretty on the beach. All rooms come with a king or twin single, an ensuite, a deck with views over the water and an outdoor shower — the penthouse bungalow even has its own plunge pool. And as you are so far away from everything, a stay here also includes transfers to and from the mainland, all meals (courtesy of onsite chefs) and access to all the kayaking and snorkel gear you could need. Just bring your togs and a sun hat — there's no need to wear anything else during your stay. Marramarra Lodge, Hawkesbury River This ultra-luxe glamping site near Sydney is set within the picturesque Marramarra National Park, right on the Hawkesbury River. Arrive in style, by boat from Mooney Mooney or Brooklyn, before setting yourselves up in one of the large open-plan safari tents. Each of the Marramarra Lodge tents boasts a king-sized bed, large riverstone-clad bathroom, aircon, all your linen and towels, a fully stocked mini bar, and tea- and coffee-making facilities. You can even get room service delivered. But the best feature has got to be the private timber deck that offers up uninterrupted views across this stunning spot that's just an hour out of Sydney. Bay of Fires Retreat, Tasmania As far as glamping goes, Bay of Fires Bush Retreat is laidback. The large bell tents are basic, but come with a king bed, power for recharging your tech and space for you to store your gear — more than your swag will allow for. Then, there's a communal kitchen and toilet block. You can choose to cook up some of their pre-prepared meals or BYO grub to fuel you through your adventuring. Unlike many of the other inclusions in this list, here you're closest to actually camping (but you've still managed to score a big comfy bed). The local area is ripe for exploring. The retreat is located within the bushlands at the southern entrance to Tasmania's Bay of Fires. You're not really in walking distance from a lot, but you can quickly drive to all the best bits of the area. Head north from the retreat along Gardens Road to find the iconic white sand beaches, crystal blue water and the orange-hued granite boulders the Bay of Fires is so renowned for. Werribee Open Range Zoo, Victoria Going on an African safari is on so many travel bucket lists. But they are an investment trip and fairly far away from Australia's shores. So, if you want to do some holidaying that's reminiscent of an overseas safari, the Werribee Zoo's slumber safari is for you. Expect tents all set up and ready to go in a private section of the zoo, close to the giraffes, elephants and lions — but still safely hidden behind fences. Worry not. Kick back in your tent with all the usual amenities — plus a private deck overlooking the zoo's open plains. Then, head to some closed-off parts of the zoo, where most visitors never go, to see the animals up close. It's a behind-the-scenes tour of Werribee Zoo with glamping accommodation, a three-course dinner and sunset drinks. Longitude 131°, Northern Territory This is one of Australia's most famous glamping accommodations — Longitude 131°. Here, set within iconic red sand dunes, each luxury tent gives guests views over Uluru itself. You won't want to miss any of the sunsets or sunrises from your room, and thankfully you won't even need to get out of bed to experience them. Floor-to-ceiling glass windows will have you mesmerised by the surrounding landscape for your entire trip. You'll also have a private deck (with fireplace and day bed), a king bed and large ensuite bathroom. The grounds? Built like a luxury resort. They have restaurants and bars onsite — the most impressive being Dune Top, which even has its own plunge pool complete with uninterrupted views of the surreal vista. Plus, there's a spa for those who want to be pampered. This is an incredible glamping site for the most special of special occasions. Save this Red Centre stay for one of life's major milestones. Sierra Escape, New South Wales Sierra Escape — the luxe glamping retreat in Mudgee — is located 260 kilometres northwest of Sydney. The 280-acre property boasts spectacular views and is home to wildlife, including kangaroos, deer and various native birds. So yeah, basically, it's paradise. The Carinya tent — if you can even call something this opulent a tent — includes floor-to-ceiling windows, large indoor and outdoor freestanding bathtubs and a firepit area. It's insulated for all seasons, and there's even a deck out front where you can kick back and watch the sunset from one of the best places to go glamping in NSW. Pebble Point, Victoria The Twelve Apostles is a must-see when touring The Great Ocean Road. But few people know about the hidden glamping site located behind these cliff tops and rock formations. There are six safari tents at Pebble Point, which may not look out over the ocean but do offer countryside views that are nothing to gawk at. Besides, they're super close to the beaches situated at the end of the Great Ocean Walk. Rooms come with king beds, ensuite bathrooms and access to the communal kitchen area and barbecue site. But keep in mind: the tents aren't heated. It can get fairly cold on the Victorian coast in winter, so be sure to bring your thermals and woolly jumpers. The beauty of these comfortable-yet-simple glamping tents is that you won't be breaking the bank, while still getting all the best bits of sleeping amongst Australia's unique wildlife and natural scenery. Feeling inspired to book a glamping getaway? Book your next dream holiday with Concrete Playground Trips — with deals on flights, stays and experiences at destinations around the world. Top images: Sal Salis
Each of Sydney's best Italian restaurants is different in its own way. Many of the old-school institutions have been serving the same tried-and-trusted dishes for decades — after all, there's no need to reinvent food that's already been perfected. The service at these classic diners can either be laidback and homey or refined and romantic — simply choose your preferred vibe. And then you have the new wave of Italian eateries in Sydney. Treat yourself to fine dining degustations in converted lofts. Sip on negroni sbagliatos while your basil pesto is freshly made at your table. Or sample some innovative fusions as Italian fare is blended with cuisines from around the world. Whether you're craving tiramisu served by the scoop, pasta dishes swimming in rich sauce or fresh-baked focaccia still warm from the oven, these are the Sydney Italians that can give you your fix. Recommended reads: The Best Pizza in Sydney The Best French Restaurants in Sydney The Best Restaurants in Sydney The Best Wine Bars in Sydney
Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from July's haul. Brand-New Stuff You Can Watch From Start to Finish Now Fake A drive to the airport in a rideshare is one of life's mundane experiences, whether or not you're en route to a wedding, and also regardless of if you're meant to be collecting your partner and their dry-cleaned suit along the way. In Fake, this routine journey on an average Melbourne day is a masterclass in tension, a portrait of an unravelling and an unwanted realisation unfurling with no escape. With journalist Birdie Bell (Asher Keddie, The Lost Flowers of Alice Hart) sitting in the backseat as much that she's trusted melts down, it's a stunning episode of television, arriving five instalments into this eight-part Australian thriller that tells a page-to-screen and reality-to-fiction tale. Viewers spend the preceding four episodes of Fake waiting for a moment like this. For those who haven't read Stephanie Wood's memoir of the same name, charting her time dating a former architect-turned-grazier who pairs his grand romantic gestures with erratic behaviour, there's still no doubt that it's coming. It has to, and not just because series creator Anya Beyersdorf (The Twelve) and her co-scribes Jessica Tuckwell (Year Of) and Hyun Lee (Born to Spy) have Birdie's beau Joe Burt (David Wenham, Elvis) note in voiceover that she was onto him from the get-go. While Fake is a love- and lies-fuelled saga, it's also about how someone gets taken in not by the kind of narratives that Joe spins but by the emotions that they prey upon, even when their intuition tingles at the outset — and how deceptions like this, from someone manipulating others and someone fooling themselves alike, always shatter. The words "Joe, 51, grazier" on a dating app introduce the ex-property big shot to Birdie; however, everything that he utters on their first date almost halts their romance there. When the pair meet at a sleek bar, he has a business acquaintance (Yuchen Wang, White Fever) in tow and talks only of himself, grandstanding with the recognisable arrogance of someone who refuses to believe (or simply hasn't stopped once to consider) that they aren't the most-interesting person in the room. She cuts and leaves quickly, despite his insistence to the waitstaff that they'll share more wine. Then she ignores his persistent follow-ups afterwards, until she doesn't — but really should've. Fake streams via Paramount+. Read our full review. The Devil's Bath Suspense and tension, how to cultivate such a strong atmosphere of unease that it feels as if it drips from the screen, the darker side of human nature, sheer existential exasperation: writer/directors Veronika Franz and Severin Fiala know these things. The Austrian filmmakers are just as well-aware of how to make movies that crawl under your skin as much as distress does with their characters. For that sensation at its very best, see: Goodnight Mommy, their Oscar-submitted 2014 debut (which was then remade in America in 2022). The Devil's Bath earns the same description, too. The duo's first feature since 2019's Riley Keough (Under the Bridge)-starring English-language horror flick The Lodge, it needles deep as it follows new bride Agnes (Anja Plaschg, Axolotl Overkill), who is thrilled to be starting her married life to Wolf (David Scheig, Heribet), even if that joy doesn't seem completely reciprocated. Relationship disharmony bubbles at the heart of this 18th century-set film, but that's not the only force bearing down on a woman that no longer has any agency — and, soon, little hope left simmering as well. Franz and Fiala begin The Devil's Bath with a different scene of domestic struggle. They haunt their viewers from the outset, too. First up, a woman throws a baby over a waterfall, then turns herself in for punishment, knowing that she'll meet her end via decapitation. With that scene as a prologue, it hardly appears strange that Agnes is thrilled to receive a severed finger as a wedding gift — a digit that's meant to bring luck for starting a family. But nothing in the way of good fortunes spring when she's soon away from her other loved ones, left alone in a woodland cottage as Wolf works by day, stuck navigating his disinterest in the bedroom each evening and frowned upon constantly by her new mother-in-law (Maria Hofstätter, Andrea Gets a Divorce). There's history to Franz and Fiala's screenplay, which draws upon real events, and the mood of despair that seeps from returning Goodnight Mommy cinematographer Martin Gschlacht's grey-toned frames sports a can-only-be-true bite to it. There's little sunshine shed on the imagery, or on the way that people treat each other — and there's even more terror in realising that the lines between this arresting picture's vision of the past, even as set within a deeply superstitious and puritanical community, and today are far from faint. The Devil's Bath streams via Shudder and AMC+. The Imaginary Since Studio Ponoc made its feature debut in 2017 with Mary and the Witch's Flower, a question has remained: when is its next film coming? That query was answered in 2023 in Japan, and has now arrived in 2024 on streaming — and The Imaginary is a delight worth the wait. If you didn't know when sitting down to either of the company's movies that they hailed from an animation house founded by a Studio Ghibli alum, you'd guess while watching. A producer on The Tale of the Princess Kaguya and When Marnie Was There — and also The Boy and the Heron since — Yoshiaki Nishimura scripted Studio Ponoc's second picture, too. His source material is the AF Harrold-penned, Emily Gravett-illustrated British children's book that gives The Imaginary its name, just as Mary and the Witch's Flower found its story on the page as well. Prepare to be enchanted, even as viewers beyond the film's homeland get their third flick this year about imaginary friends. Not just Blumhouse horror movie Imaginary but the John Krasinski (A Quiet Place Part II)-directed IF have nothing on this, though, despite sharing more than a few plot details. This'll sound familiar, then: imaginary friends exist, but can't always be seen as children grow up and forget about their buddies. When they're no longer a kid's best friend, they dwell in their own space, eager to have a flesh-and-blood pal again. So discovers Rudger (Kokoro Terada, Tokyo Poltergeist), companion to Amanda (Rio Suzuki, Yu-Gi-Oh! Go Rush!!). He's been dreamed up, she's human, and they spend every moment of her spare time in the attic above her home — which is itself above her widowed mother's (Sakura Andô, Godzilla Minus One) closing-down bookshop — going everywhere that she can conjure up. Alas, thanks to the sinister Mr Bunting (Issei Ogata, Kotaro Lives Alone), the one exception to spying imaginaries as an adult, they're torn from each other's side. Bringing Nishimura's screenplay to life with vivid and gorgeous hand-drawn visuals, director Yoshiyuki Momose's (Ni no Kuni) feature doesn't just cast aside the other recent pictures that served up spins on a similar situation. He does that as well, of course, but also achieves what Japanese animation manages so splendidly and consistently: dives into the fantastical with a wellspring of genuine emotions. The Imaginary streams via Netflix. Omnivore What does it take to get a world-famous chef out of their kitchen? Every time that a new culinary series reaches the screen, that should be the audience's question. Why has someone so skilled in the art of cooking — a talent that they've meticulously and passionately honed for years, to great success and also to the immense benefit of grateful diners — stepped out of their favourite place and in front of the camera? In plenty of such instances, chefs remain chefs on-screen. They talk. They cook. They give viewers the lowdown on how to prepare their dishes at home. Getting René Redzepi out of Noma and onto streaming wasn't about following that well-thumbed recipe, however. Rather, in the David Attenborough- and Planet Earth-inspired Omnivore, he branches beyond the three-Michelin-starred Copenhagen eatery that's been voted the planet's best by The World's 50 Best Restaurants a whopping five times — from 2010–12, and also in 2014 and 2021 — to instead tell the tale of some of the staple ingredients that humanity wouldn't and couldn't exist without. Eight types of foodstuffs receive Omnivore's attention in its first season, starting with chilli, then moving onto tuna, salt, bananas, pigs, rice, coffee and corn. A certainty while watching, and listening to Redzepi narrate the journey: never thinking about any of these ingredients the same way again. Expect to yearn to taste different spicy meals, to visit Japan's tuna markets, to cook with the best of the best salt and to try kinds of bananas that you didn't previously know existed. Expect to gain a greater appreciation of the entire ecosystem that gets each one of the show's chosen foods to your plate — and the impact of the world's ecosystem upon them, and vice versa. Alongside Redzepi and Anthony Bourdain: Explore Parts Unknown alum Matt Goulding, filmmaker Cary Joji Fukunaga (No Time to Die, Beasts of No Nation, True Detective season one) is one of Omnivore's driving forces, and it shows visually. Also evident: the care and dedication that Redzepi has put into sharing the series' slices of life, including the intimate portraits of those involved in the production of everything from pork products to corn's many edible uses. Omnivore streams via Apple TV+. Read our interview with René Redzepi and Ben Liebmann. Abbott Elementary The Parks and Recreation comparisons were there from the start with Abbott Elementary. This Emmy- and Golden Globe-winning comedy charts the hustle and bustle at the titular underfunded school in Philadelphia, rather than a government department in Pawnee, but the similarities have always been glaring. Janine Teagues (Quinta Brunson, Miracle Workers) is the eager-beaver second-grade teacher keen to do everything she can for her students. Ava Coleman (Janelle James, Monsters at Work) is the principal content with coasting by on the bare minimum. There's even a newcomer in substitute Gregory Eddie (Tyler James Williams, The United States vs Billie Holiday), with whom sparks fly on Janine's part. It might seem a bold move to use one of the greatest-ever — warmest-ever, too — sitcoms as a template, or even just follow closely in its footsteps, but Abbott Elementary is up to the task. Those awards, which Parks and Recreation also deserved but rarely received, are well-earned by a series that is all heart, kindness and affection for one of the most-important careers there is, as well as appreciation for the obstacles facing US public-school teachers today. In its third season, Abbott Elementary knows that even a winning formula that's been proven elsewhere needs shaking up. So, it does the equivalent of Parks and Recreation sending Leslie Knope (Amy Poehler, Inside Out 2) to Washington by having Janine work for the school district to attempt to bring about change for her pupils at a higher level. It's a move that brings in the always-welcome Josh Segarra (The Big Door Prize) as her new boss, and also Keegan-Michael Key (IF) as the Superintendent that's his boss — and disrupts the status quo at the educational institution that she adores, including for her idol Barbara Howard (Sheryl Lee Ralph, Ray Donovan), plus colleagues Melissa Schemmenti (Lisa Ann Walter, The Right Mom) and Jacob Hill (Chris Perfetti, Sound of Metal). The idea that one person can and does make a difference, no matter the recognition they do or don't receive, beats strongly in this good-natured series, which Brunson created and co-writes. So does a sense of humour about grappling with whatever the day throws your way, be it professional or personal chaos. Abbott Elementary streams via Disney+. Arcadian Filmmakers love imagining the world once life as we currently know it ceases to be. Even if some scenarios no longer play like hypotheticals — anything about pandemics, obviously, a realm that Contagion perfected with prophetic skill years in advance of COVID-19 — post-apocalyptic stories help us sift through the what ifs that plague our worst nightmares about humanity's possible unravelling. Accordingly, Arcadian doesn't unfurl a unique scenario, as a family endeavours to endure 15 years after the bulk of civilisation has been eradicated. But as it fill its duration with a father and his teenage boys as they eke out as happy a life as anyone can under such circumstances, or attempt to, all while needing to avoid monsters that strike by night and fear the light, this film has a few key components that make it stand out. Director Benjamin Brewer (The Trust) taunts his characters with foes that prove a striking feat of creature design, instantly carving their own place apart from the hordes of prior movie monsters. Also, the patriarch doing whatever it takes to protect his sons is played the one and only Nicolas Cage, who continues to hop between vastly dissimilar roles in the same month in Australia that's also delivered Longlegs to cinemas. Cage's Paul could be pals with John Krasinski's Lee from A Quiet Place, although he's parenting solo in Arcadian. Giving his kids as normal a routine as one can in the circumstances is his aim. The script by producer Mike Nilon (Braven) also gives him offspring curious about their reality, and insistent critters who aren't going to leave anyone alone. While there's a little convenience to parts of the plot, Cage, plus Jaeden Martell (Barry) and Maxwell Jenkins (Dear Edward) as Paul's sons Joseph and Thomas — and also Sadie Soverall (Saltburn) as a survivor from a nearby farm that isn't fond of outsiders — all give weighty performances that convey the emotional toll of fighting for every second and deeply realising that you'll never know if your next moment will be your last. And don't discount what affecting portrayals and unnerving beasts can do when combined. It isn't easy to craft creatures that not just startle but surprise as much as Arcadian's do. Trust Cage's latest genre effort, which also brings his work in Mandy, Color Out of Space and Pig to mind, to achieve that feat. Arcadian streams via Stan. Skywalkers: A Love Story When it comes to scaling great heights on-screen, viewers often fall into two camps if they're not real-life daredevils themselves. Some appreciate the spectacular sights and stunning feats safe in the knowledge that all that they're viewing is filmed footage, even in a documentary. Some still feel the need to virtually peer through their fingers, riding the same nerve-shredding fear that'd rush over them if they were confronted with the scene IRL. Whichever is your go-to, expect one of those reactions to arise while sitting down to Skywalkers: A Love Story. The movie played Sydney Film Festival 2024 in IMAX, but seeing it on a small screen doesn't rob it of its visual impact. Russian couple Ivan Beerkus and Angela Nikolau are rooftoppers, starting out solo, first joining forces when he asked her to collaborate on a sponsored trip, then climbing higher and higher around the world — and the recordings of their gravity-defying ascents up buildings, along sky-high ledges, onto cranes on towering building sites and wherever else they can clamber up to is jaw-on-the-floor material for those who'd much rather remain on the ground. With 2018 documentary Momentum Generation about the era of surfers that Kelly Slater came up in, director Jeff Zimbalist unpacked an insular world for the masses with its main players as guides. Sharing the same credit with producer and first-time helmer Maria Bukhonina on Skywalkers: A Love Story, he takes the same approach with a different pastime. As a subtitle, A Love Story doesn't merely describe Beerkus and Nikolau's fixation with rooftopping, though, with Skywalkers laying bare their relationship from its beginning to the climb that threatens to send them on their separate ways: making it to the the tip of Merdeka 118, the Kuala Lumpur structure that reaches 678.9 metres into the heavens, ranking second on the world's largest skyscrapers list only to Dubai's Burj Khalifa. Nikolau doesn't just stand atop lofty properties, either, but busts out gymnastic and acrobatic poses, adding even more peril to their endeavours. Folks with a need to conquer such buildings aren't always worried about the legalities of their feats, making such a mission doubly tense — and giving this doco a heist-film feel as well. Beerkus and Nikolau smartly earmark the date of the 2022 World Cup final, when Argentina beat France on penalties, as their moment to go where no one had before on the just-built structure. Watching the outcome is nail-bitingly riveting. Skywalkers: A Love Story streams via Netflix. New and Returning Shows to Check Out Week by Week Sunny It doesn't matter what the weather holds for Suzie Sakamoto: with her husband and son missing when Sunny begins, the series' titular term can't apply to her days. An American in Kyoto (Rashida Jones, Silo), she's filled with grief over the potential loss of her Japanese family, anxiously awaiting any news that her spouse Masa (Hidetoshi Nishijima, Drive My Car) and their boy Zen (debutant Fares Belkheir) might've survived a plane crash. She'd prefer to do nothing except sit at home in case word comes; however, that's not considered to be mourning in the right way according to custom and also isn't appeasing her mother-in-law (Judy Ongg, Kaseifu no Mitazono). When Suzie soon has a robot for company — a homebot, an artificial-intelligence domestic helper that's an unexpected gift from Masa in this ten-part series, which adapts Colin O'Sullivan's 2018 novel The Dark Manual for the small screen — dwelling in her sorrow doesn't appear to be what he'd want in his absence, either. In this near-future vision of Japan, homebots are everywhere, aiding their humans with chores, organising tasks and plenty more — everywhere other than the Sakamoto house with its firmly anti-robot perspective, that is. Amid asking why her husband has not only sent the eponymous Sunny her way, but also why it's customised specifically to her, questions unsurprisingly spring about his true line of work. Has Suzie been married to a secret roboticist, rather than someone who designs refrigerators? What link does his job have with his disappearance? How does someone cope in such an already-traumatic situation when the person that they're possibly grieving mightn't be who they've said they are? Often with a science fiction twist, Apple TV+ can't get enough of mysteries. That truth is as engrained as the service's fondness for big-name talent, including across Severance, The Big Door Prize, Hello Tomorrow!, Silo, Monarch: Legacy of Monsters, Constellation, Sugar and Dark Matter. Thankfully, there's no content-factory feel to this lineup of shows. Sunny's closest equivalent hails from beyond the brand, bringing Charlie Brooker's Channel 4-started, now Netflix-made Black Mirror to mind, but even then it's far more interested in its characters than their relationship to technology. That said, that people and how they use tech remain the real enemy, not gadgets and advancements themselves, hums at the core of both series. Sunny streams via Apple TV+. Read our full review. Futurama Good news, everyone — yet again. Futurama keeps returning, following an initial 1999–2003 run, then another from 2008–13, with a new comeback that began in 2023 and has not just this 2024 season locked in but also two more in years to come. Across the quarter of a century so far that Matt Groening's iconic show that's not The Simpsons has been on and off the air, much has changed about life off-screen. As a result, the details that it can project onto 31st-century existence have evolved as well. Squid Game parodies and NFTs would've made zero sense during the animated comedy's past stints, for instance. But whether satirising Y2K or chatbots, Futurama has almost felt adrift from time, blowing its own TV bubble to spoof the specifics of the day in its far-flung setting while consistently retaining the same vibe. Watch an early 00s-era episode, then one from the new batch, and it seems like nothing has passed between them. That's a skill that deserves all of the appreciation. For many other series, including ones that've existed for a far shorter duration, it's the stuff that dreams are made of — and, if he were real, that only someone like Professor Hubert J Farnsworth (Billy West, Spitting Image) could've managed. Futurama's longevity is a testament to its smart writing, sharp sense of humour and a setup that can keep pinballing in all directions. Where former 20th-century pizza delivery guy Philip J Fry (also voiced by West) can venture with the Professor and the crew of the latter's Planet Express cargo company — so, also with ship captain Turanga Leela (Katey Sagal, Dead to Me); robot Bender Bending Rodríguez (John DiMaggio, Transformers: Rise of the Beasts); and fellow employees Hermes Conrad (Phil LaMarr, Craig of the Creek), Amy Wong (Lauren Tom, Dragons: The Nine Realms) and Zoidberg (also West agin) — is limited only by Groening, fellow guiding hand David X Cohen (Disenchantment) and their team's imaginations. In the latest episodes, sometimes art heists come their way. Sometimes book clubs beckon. Bender's ancestry and the Martian equivalent of bullfighting all pop up, too. Layered in each is a mile-a-minute feast of jokes and a reflection of humanity's chaos today through a highly fictitious future. Long may it continue. Futurama streams via Disney+. Time Bandits If you're a history-loving kid who adores learning about existence before you popped into the world, doesn't fit in at home or at school thanks to that fascination, and regularly has your nose buried in a book, what's your ultimate fantasy? Time Bandits first explored that idea back in 1981, and now it's back to do it again in 2024. It takes bravery to go where Monty Python members Terry Gilliam and Michael Palin first did, remaking the pair's beloved movie — which The Man Who Killed Don Quixote's Gilliam directed and The New Incomplete and Utter History of Everything's Palin co-wrote with him — decades later. Taika Waititi, Jemaine Clement and Iain Morris are three such courageous folks. Together, the trio add a television take on the family-friendly flick to TV resumes that already include Wellington Paranormal, What We Do in the Shadows, Reservation Dogs, Our Flag Means Death, Flight of the Conchords and The Inbetweeners, and do so while giving audiences a gloriously entertaining time. Forget wondering if this second spin was necessary, aka the usual line of thinking when anything earns a new look; instead, the question is why didn't it happen earlier? Again, the focus is a boy called Kevin (Kal-El Tuck, Andy and the Band). Again, his parents (Wakefield's Felicity Ward and Deadpool & Wolverine's James Dryden) don't appreciate him or his interests. And again, the past demands even more of his attention when it suddenly and unexpectedly bursts out of his wardrobe. Cue zipping between different chapters of times gone by, via a scenario that the Bill & Ted franchise clearly owes a debt to, with the eponymous group (Better Nate Than Ever's Lisa Kudrow, Shardlake's Tadhg Murphy, You Don't Know Me's Roger Jean Nsengiyumva, The Riot's Rune Temte and Guillermo del Toro's Cabinet of Curiosities' Charlyne Yi) reluctantly taking Kevin in. Waititi (Next Goal Wins) directs a few episodes, too, and appears on-screen. Clement (Avatar: The Way of Water) also does the latter. They're having a ball both in front of and behind the lens, a sense of fun that infuses every episode whether it's taking a trip to Troy, making a visit to the Mayans or dwelling in medieval times. Cue spotting more familiar faces along the way, such as Waititi regular Rachel House (Heartbreak High), Wellington Paranormal's Mike Minogue and Karen O'Leary, Next Goal Wins' Oscar Kightley, the What We Do in the Shadows movie's Jonny Brugh, Our Flag Means Death's Con O'Neill, plus Shaun Micallef (Aunty Donna's Coffee Cafe) and Ross Noble. Time Bandits streams via Apple TV+. Recent Big-Screen Gems to Watch (or Rewatch) Now That They're Streaming Perfect Days When Lou Reed's 'Perfect Day' enjoyed its initial sublime movie moment in Trainspotting, it soundtracked a descent into heroin's depths, including literally via the film's visual choices. For three decades since, that's been the tune's definitive on-screen use. Now drifts in Perfect Days, the Oscar-nominated Japan-set drama from German filmmaker Wim Wenders (Submergence). This slice-of-life movie takes its name from the song. It also places the iconic David Bowie-produced classic among the tracks listened to by toilet cleaner Hirayama (Kôji Yakusho, Vivant) as he goes about his daily routine. Fond of 60s- and 70s-era music, the Tokyo native's picks say everything about his mindset, both day by day and in his zen approach to his modest existence. 'Perfect Day' and Nina Simone's 'Feeling Good' each also sum up the feeling of watching this gorgeous ode to making the most of what you have, seeing beauty in the everyday and being in the moment. Not every tune that Hirayama pops into his van's tape deck — cassettes are still his format of choice — has the same type of title. Patti Smith's 'Redondo Beach', The Animals' 'The House of the Rising Sun', Otis Redding's '(Sittin' on) The Dock of the Bay' and The Rolling Stones' '(Walkin' Thru the) Sleepy City' also rank among his go-tos, all reflecting his mood in their own ways. If there's a wistfulness to Hirayama's music selections, it's in the manner that comes over all of us when we hark back to something that we first loved when we were younger. Perfect Days' protagonist is at peace with his life, however. Subtly layered into the film is the idea that things were once far different and more-conventionally successful, but Hirayama wasn't as content as he now is doing the rounds of the Japanese capital's public bathrooms, blasting his favourite songs between stops, eating lunch in a leafy park and photographing trees with an analogue camera. Perfect Days streams via Stan. Read our full review. Love Lies Bleeding In Love Lies Bleeding, a craggy ravine just outside a dusty New Mexico town beckons, ready to swallow sordid secrets in the dark of the desert's starry night. Tumbling into it, a car explodes in flames partway through the movie, exactly as the person pushing it in wants it to. There's the experience of watching Rose Glass' sophomore film emblazoned across the feature's very frames. After the expertly unsettling Saint Maud, the British writer/director returns with a second psychological horror, this time starring Kristen Stewart in the latest of her exceptionally chosen post-Twilight roles (see: Crimes of the Future, Spencer, Happiest Season, Lizzie, Personal Shopper, Certain Women and Clouds of Sils Maria). An 80s-set queer and sensual tale of love, lust, blood and violence, Love Lies Bleeding is as inkily alluring as the gorge that's pivotal to its plot, and as fiery as the inferno that swells from the canyon's depths. This neon-lit, synth-scored neo-noir thriller scorches, too — and burns so brightly that there's no escaping its glow. When the words "you have to see it to believe it" also grace Love Lies Bleeding — diving into gyms and in the bodybuilding world, it's no stranger to motivational statements such as "no pain no gain", "destiny is a decision" and "the body achieves what the mind believes" — they help sum up this wild cinematic ride as well. Glass co-scripts here with Weronika Tofilska (they each previously penned and helmed segments of 2015's A Moment in Horror), but her features feel like the result of specific, singular and searing visions that aren't afraid to swerve and veer boldly and committedly to weave their stories and leave an imprint. Accordingly, Love Lies Bleeding is indeed a romance, a crime flick and a revenge quest. It's about lovers on the run (Ant-Man and the Wasp: Quantumania's Katy O'Brian pairs with Stewart) and intergenerational griminess. It rages against the machine. It's erotic, a road trip and unashamedly pulpy. It also takes the concept of strong female leads to a place that nothing else has, and you do need to witness it to fathom it. Love Lies Bleeding streams via Prime Video. Read our full review, and our interview with Rose Glass. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May and June this year — and our best 15 new TV shows, returning TV shows and straight-to-streaming films of 2024's first six months. There's also our highlights from January, February, March, April, May, June, July, August, September, October, November and December 2023. And, you can also scope out our running list of standout must-stream shows from last year as well — and our best 15 new shows of 2023, 15 newcomers you might've missed, top 15 returning shows of the year, 15 best films, 15 top movies you likely didn't see, 15 best straight-to-streaming flicks and 30 movies worth catching up on over the summer. Top image: Apple TV+.
Not every film that wins an Oscar, earns a nomination for Hollywood's night of nights or gets selected by its country to go in the running for the coveted accolades makes it to cinemas Down Under beyond festivals. A movie can have international fests buzzing as well, yet still bypass a big-screen release in Australia. That's the fate for plenty of features; however, gone are the days when skipping a date with picture palaces was a sign of a bad movie. The streaming era means that a new flick is always dropping on one of the many platforms that are available to Aussie audiences. While they can't all be excellent, that's no different to what does make it to the silver screen. The gems that go straight to home viewing are up there with the gems that do get the movie-theatre treatment — as the highlights from January–June 2024 make clear. There are indeed Academy Award-winners on this list, as well as nominees. Films that'll compete next year, festival favourites, movies with big-name stars or from high-profile directors: they all feature as well. If you haven't caught them on the couch already alongside fellow straight-to-streaming standouts from 2024's first six months, take this as your motivation, whether you're after shattering documentaries, truth-is-stranger-than-fiction comedies, affecting dramas, gorgeous animation or plenty of horror. 20 Days in Mariupol Incompatible with life. No one should ever want to hear those three devastating words. No one who is told one of the most distressing phrases there is ever has them uttered their way in positive circumstances, either. Accordingly, when they're spoken by a doctor in 2024 Oscar-winner 20 Days in Mariupol, they're deeply shattering. So is everything in this on-the-ground portrait of the first 20 days in the Ukrainian port city as Russia began its invasion, with the bleak reality of living in a war zone documented in harrowing detail. Located less than 60 kilometres from the border, Mariupol quickly segues from ordinary life to an apocalyptic scene — and this film refuses to look away. Much of its time is spent in and around hospitals, which see an influx of patients injured and killed by the combat, and also become targets as well. Many of in 20 Days in Mariupol's faces are the afflicted, the medics tending to them in horrendous circumstances, and the loves ones that are understandably inconsolable. Too many of the carnage's victims are children and babies, with their parents crushed and heartbroken in the aftermath; sometimes, they're pregnant women. Directed by Pulitzer Prize-winning journalist Mstyslav Chernov, and narrated by him with the grimness and soberness that can be this movie's only tone, 20 Days in Mariupol even existing is an achievement. What it depicts — what it immerses viewers in with urgency, from shelled hospitals, basements-turned-bomb shelters and more of the city destroyed day after day to families torn apart, looting, struggling to find food and bodies of the dead taken to mass graves — needs to be viewed as widely as possible, and constantly. His footage has also featured in news reports, but it can and must never be forgotten. Doctors mid-surgery demand that Chernov's camera is pointed their way, and that he shows the world the travesties taking place. The Ukrainian reporter, who has also covered Donbas, flight MH17, Syria and the Battle of Mosul for the Associated Press, does exactly that. He's doing more than ensuring that everyone bears witness, though; he makes certain that there's no way to watch 20 Days in Mariupol, which shows the vast civilian impact and casualties, and see anything but ordinary people suffering, or to feel anything other than shock, anger and horror. 20 Days in Mariupol streams via DocPlay. Society of the Snow It was meant to be a fun trip to Chile with friends and family for a game. When the Old Christians Club rugby union team boarded Uruguayan Air Force Flight 571 in Montevideo on October 13, 1972, destination Santiago, no one among them knew what would happen next. The plane didn't make it to its destination, as 1976 Mexican film Survive!, 1993 American movie Alive and now Spanish-US co-production Society of the Snow each cover. All three features boast apt titles, but only the latest sums up the grim reality and existential dilemma of crashing in the Andes, being stranded for 72 days in snowy climes with little resources against the weather — or for sustenance — and attempting to endure. Taken from the memoir by Pablo Vierci, aka La sociedad de la nieve in Spanish, only this phrase adorning JA Bayona's (Jurassic World: Fallen Kingdom) picture encapsulates the tremendous effort that it took to find a way to persist, as well as the fact that trying to remain alive long enough to be rescued meant adapting everything about how the survivors approached each second, minute, hour, day, week and month — and also links in with how a catastrophe like this banded them together, doing whatever it took to find a way off the mountains, while reshaping how they contemplated what it meant to be human. Society of the Snow isn't just a disaster film detailing the specifics of the flight's failed trip, the immediate deaths and those that came afterwards, the lengthy wait to be found — including after authorities called the search off — and the crushing decisions made to get through. Bayona, who also helmed the 2004 Indian Ocean tsunami-focused The Impossible, has made a weighty feature that reckons with the emotional, psychological and spiritual toll, and doesn't think of shying away from the most difficult aspects of this real-life situation (including cannibalism). This is both gruelling and meaningful viewing, as crafted with technical mastery (especially by Don't Breathe 2 cinematographer Pedro Luque, plus Cinco lobitos' Andrés Gil and Cites' Jaume Martí as editors), built upon brutal candour, and paying tribute to resilience and then some. Its feats extend to its hauntingly acted performances from a cast that includes Enzo Vogrincic (El Presidente), Agustín Pardella (Secrets of Summer) and Matías Recalt (Planners), all contributing to an account of camaraderie and sacrifice that deserves its Best International Feature Film Oscar nomination. Society of the Snow streams via Netflix. The Devil's Bath Suspense and tension, how to cultivate such a strong atmosphere of unease that it feels as if it drips from the screen, the darker side of human nature, sheer existential exasperation: writer/directors Veronika Franz and Severin Fiala know these things. The Austrian filmmakers are just as well-aware of how to make movies that crawl under your skin as much as distress does with their characters. For that sensation at its very best, see: Goodnight Mommy, their Oscar-submitted 2014 debut (which was then remade in America in 2022). The Devil's Bath earns the same description, too. The duo's first feature since 2019's Riley Keough (Under the Bridge)-starring English-language horror flick The Lodge, it needles deep as it follows new bride Agnes (Anja Plaschg, Axolotl Overkill), who is thrilled to be starting her married life to Wolf (David Scheig, Heribet), even if that joy doesn't seem completely reciprocated. Relationship disharmony bubbles at the heart of this 18th century-set film, but that's not the only force bearing down on a woman that no longer has any agency — and, soon, little hope left simmering as well. Franz and Fiala begin The Devil's Bath with a different scene of domestic struggle. They haunt their viewers from the outset, too. First up, a woman throws a baby over a waterfall, then turns herself in for punishment, knowing that she'll meet her end via decapitation. With that scene as a prologue, it hardly appears strange that Agnes is thrilled to receive a severed finger as a wedding gift — a digit that's meant to bring luck for starting a family. But nothing in the way of good fortunes spring when she's soon away from her other loved ones, left alone in a woodland cottage as Wolf works by day, stuck navigating his disinterest in the bedroom each evening and frowned upon constantly by her new mother-in-law (Maria Hofstätter, Andrea Gets a Divorce). There's history to Franz and Fiala's screenplay, which draws upon real events, and the mood of despair that seeps from returning Goodnight Mommy cinematographer Martin Gschlacht's grey-toned frames sports a can-only-be-true bite to it. There's little sunshine shed on the imagery, or on the way that people treat each other — and there's even more terror in realising that the lines between this arresting picture's vision of the past, even as set within a deeply superstitious and puritanical community, and today are far from faint. The Devil's Bath streams via Shudder and AMC+. Hit Man The feeling that Glen Powell should star in everything didn't start with Top Gun: Maverick and Anyone But You. Writer/director Richard Linklater (Apollo 10 1/2: A Space Age Childhood) has helped the notion bubble up before as early back as 2006's Fast Food Nation, then with 2016's Everybody Wants Some!! — and now he riffs on it with Hit Man. When viewers want an actor to feature everywhere, they want to see them step into all sorts of shoes but bring their innate talents and charm each time. So, Linklater enlists Powell as Gary Johnson, a real-life University of New Orleans professor who wouldn't be earning the movie treatment if he didn't also moonlight as a undercover police operative with a specific remit: playing hitmen with folks looking to pay someone to commit murder, sting-style. Johnson doesn't just give the gig the one-size-fits-all approach, though. Once he gets confidence in the job, he's dedicated to affording every target their own personal vision of their dream assassin. So, Powell gets to be a polo shirt-wearing nice guy, a long-haired master criminal, a besuited all-business type and more, including the suave smooth-talker Ron, the persona he adopts when Madison Figueroa Masters (Adria Arjona, Andor) thinks about offing her odious husband. Hit Man is as a screwball rom-com-meets-sunlit film noir, and an excellent one, as well as a feature based on a situation so wild that it can only stem from fact. Alongside charting Gary's exploits in the position and the murkiness of falling for Madison as Ron, it's also an acceptance that the kind of darkness and desperation needed for a person to want to hire a stranger to kill to make their life better isn't a rarity — if it was, Gary's services wouldn't have been needed. Linklater has been in comparably blackly comic but also clear-eyed territory before with Bernie, the past entry on his resume that Hit Man best resembles. The also-ace 2011 Jack Black (Kung Fu Panda 4)-led picture similarly told a true tale, and also sprang from an article by journalist Skip Hollandsworth. This time, Linklater penned the script with Powell instead of Hollandsworth, but the result is another black-comedy delight brimming with insight. Hit Man is a movie about finding one's identity, too, and Powell keeps showing that he's found his: a charismatic lead who anchors one of the most-entertaining flicks of the year. Hit Man streams via Netflix. Frida For almost a century, the art-loving world has peered at Frida Kahlo. Her self-portraits have stared steadfastly back. You can glean much about a person from how they commit their own likeness to canvas; whether donning a velvet dress, reclining in a hospital bed, standing between curtains, sitting opposite herself, or accompanied by a black cat and a monkey, Kahlo was unflinching. Exhibitions have adored her work, whether she's taking centre stage in her paintings or not, for decades upon decades. Creatives in other mediums have shown the same affection, be it via books (1983's Frida: A Biography of Frida Kahlo), biopics (2002's Frida, with Black Mirror's Salma Hayek as the artist; before that, 1983's Frida Still Life), operas (as first hit the stage in 1991) or ballets (Broken Wings debuted in 2016). 2024's Frida brings Kahlo back to the screen with a new approach that she'd surely approve of: making her directorial debut with this portrait of the iconic Mexican painter, editor-turned-director Carla Gutierrez (who spliced fellow biodocs RBG and Julia) lets her subject speak for herself and her own complexity. Actor Fernanda Echevarría (Ella Camina Sola) actually does the talking, because the treasure trove of materials that Gutierrez has gained access to — illustrated diaries, essays and letters, photos and footage, plus interview transcripts by Frida: A Biography of Frida Kahlo's Hayden Herrera — doesn't include Kahlo's voice. But the impact remains: this is Kahlo as she saw herself and as she was herself, as she always fought to convey when she was living. Drawing upon Kahlo's art, Gutierrez also uses animation by Sofía Inés Cázares (Daughter From Another Mother) and Renata Galindo (A la mala) to accompany Kahlo narrating her childhood, her medical studies, her life-changing accident at the age of 18, her marriage to fellow artist Diego Rivera, her other romantic liaisons, and her thoughts about all of the above and more. It's an inspired touch, and not just in breaking up the black-and-white archival visuals with dances of colour. Seven decades since her death in 1954, Kahlo still feels alive in her work, but the latest raw, rich and deeply resonant documentary to pay tribute to her finds its own way to express and honour that sensation. Frida streams via Prime Video. American Fiction Here's Thelonious 'Monk' Ellison's (Jeffrey Wright, Rustin) predicament when American Fiction begins: on the page, his talents aren't selling books. Praise comes the Los Angeles-based professor's way for his novels, but not sales, nor attendees when he's part of writers' festival panels. And even then, publishers aren't fond of his latest manuscript. Sick of hearing that his work isn't "Black enough", and also incensed over the attention that fellow scribe Sintara Golden (Issa Rae, Barbie) is receiving for her book We's Lives in Da Ghetto, he gets a-typing, pumping out the kind of text that he vehemently hates — but 100-percent fits the stereotype of what the world keeps telling him that Black literature should be. It attracts interest, even more so when Monk takes his agent Arthur's (John Ortiz, Better Things) advice and adopts a new persona to go with it. Soon fugitive convict Stagg R Leigh and his book Fuck are a huge hit that no one can get enough of. Because of the story spun around who wrote the bestseller, too, the FBI even wants to know the author's whereabouts. Deservedly nominated for five 2024 Oscars — including for Best Picture, Best Actor for Wright and Best Supporting Actor for Sterling K Brown (Biosphere) as Monk's brother Clifford — American Fiction itself hails from the page, with filmmaker Cord Jefferson adapting Percival Everett's 2001 novel Erasure. Wright is indeed exceptional in this savvy satire of authenticity, US race relations and class chasms, and earns his awards contention for his reactions alone. Seeing how Monk adjusts himself to a world that keeps proving anything but his dream is an utter acting masterclass, in big and small moments alike. As the film dives into the character's personal chaos, that's where Brown's also-fantastic, often-tender performance comes in, plus Leslie Uggams (Extrapolations) as Monk's mother and Tracee Ellis Ross (Candy Cane Lane) as his sister, and also Erika Alexander (Run the World) as a neighbour who is a fan of his — not just Stagg R Leigh's — work. Don't discount how excellent American Fiction is beyond its literary hoax setup, in fact; as a character study, it's equally astute. American Fiction streams via Prime Video. Fancy Dance Lily Gladstone might've won the Golden Globe but not the Oscar for Killers of the Flower Moon, but her exceptional resume shows every sign of more awards coming her way. Fancy Dance, the other movie to join her filmography in 2023 — it premiered at Sundance that year, but only makes its way to streaming worldwide now — is yet another example of how the Certain Women and First Cow star is one of the very-best actors working right now. Where Gladstone's time in front of Martin Scorsese's lens showcased her mastery of restraint, playing an aunt trying to do what's best for her niece and a sister searching for her absent sibling benefits from her equal command of looseness. Jax, her character, is a pinball. When she bounces in any direction, it's with force and purpose as well as liveliness and determination, but the choice of where she's heading is rarely her own. All she wants is to find Tawi (debutant Hauli Sioux Gray) and protect 13-year-old Roki (Isabel Deroy-Olson, Three Pines), but set against the reality that law enforcement mightn't look as enthusiastically for a missing Indigenous woman — or treat one with a record attempting to do right be her family with consideration — that's far from an easy task. Writer/director Erica Tremblay hails from the Seneca–Cayuga Nation, where much of Fancy Dance is set. As Gladstone is, she's also an alum of Reservation Dogs — including helming two episodes — and so is experienced at depicting everyday reservation life with authenticity. Accordingly, her first fictional feature after documentaries Heartland: A Portrait of Survival and In the Turn takes a social-realistic approach in its details, especially when it's simply surveying the space and empathy that First Nations versus white Americans aren't given. Because Jax has a criminal history, child services deems her unfit to look after Roki, or even to take the teen to the powwow where the girl is certain her mum will attend to again steal the show in the mother-daughter dance competition; instead, Jax's white father (Shea Whigham, Lawmen: Bass Reeves) and stepmother (Audrey Wasilewski, Ted) are their choice of guardians. Fancy Dance's protagonist isn't one to simply acquiesce to that decision, and Gladstone makes both her fire and her pain palpable — and her tenderness for Roki, who is weightily portrayed by her Under the Bridge co-star Deroy-Olson, as well. Fancy Dance streams via Apple TV+. Infested For those firmly of the idea that there's no new stories in horror, just fresh takes on well-established sources of fear, Infested isn't here to change minds. Rather, the French movie is the latest poster child for what looking at a tried-and-tested concept anew can do, including while pairing it with up-to-the-moment social commentary. The genre staple here: spiders. When writer/director Sébastien Vanicek begins his feature debut — which he co-scripts with Florent Bernard (Meet the Leroys) — it's with a specific breed of the venomous eight-legged scurrying nightmares unearthed, literally, in a Middle Eastern desert. Within moments of emerging from the earth, the critters make the smugglers that are attempting to capture them pay. Horror fans should clock that Infested nods to classic ways to kickstart a scary flick from the outset, then, bringing The Exorcist's opening scene to mind. Prayer won't help the Parisian banlieue residents soon fighting arachnids for their lives, however, after Kaleb (Théo Christine, Gran Turismo: Based on a True Story) innocently purchases a new addition to his bedroom menagerie of exotic pets from a local convenience store. As he disagrees with his sister Manon (feature first-timer Lisa Nyarko) about selling the apartment that they've inherited from their mother, grapples with his grief, trades in sneakers to his neighbours to stump up a buck and is faced with small-minded prejudice just by stepping outside his door, what happens when Kaleb soon has a spider (and quickly, more than one) to track down? The critter he calls Rihanna was always going to escape, so havoc unsurprisingly eventuates. That's not to say that Infested goes through the motions. With energy and style as well as needling suspense, Vanicek makes a creature-feature equivalent of British alien-invasion gem Attack the Block, with shades of Les Misérables — the 2019 crime-thriller, not Victor Hugo-penned tale — and 2022's fellow standout Athena. He also gets his audience squirming. He filters his recognisable setup through welcome eyes. He knows how to make a heightened situation feel real to the deep distress of arachnophobics, and to get terror and tension scuttling through veins. And, he ensures that desperately rallying against forces that won't let you escape, in a setting that embodies that exact notion, proves both urgent and immediate. Infested streams via Shudder and AMC+. Stopmotion One of the most-haunting performances in Australian cinema belongs to Irish Italian actor Aisling Franciosi. She's acted in The Fall and Game of Thrones, I Know This Much Is True and Dracula: Voyage of the Demeter, and Jimmy's Hall and the upcoming Speak No Evil remake before and since, but her deservedly AACTA Award-winning work in The Nightingale — the second feature from The Babadook's Jennifer Kent, which follows a former convict's quest for revenge against a British officer in 1820s Tasmania — is stunning, searing and unforgettable. Also stellar half a decade later: Franciosi's turn in Stopmotion, which hails from the UK, has her playing the daughter of an animation genius and again tasks the immensely talented actor with confronting trauma. It's the product of a filmmaker in Robert Morgan with an uncompromising vision, too, with the English writer/director making his feature debut almost a decade after helming the D Is for Deloused segment in The ABCs of Death 2 with a movie that's never afraid to commit to its eerie chills, psychological thrills and macabre sense of wonder. Franciosi's Ella Blake has spent her entire life being told that her mother Suzanne (Stella Gonet, Breeders) is an unparalleled master at making the dead appear alive — because that's one way to see Stopmotion's eponymous art form. She's also spent much of her existence assisting rather than pursuing her own dreams, including after arthritis robs her mum of being able to use her hands to craft the exacting movements that their chosen medium requires. When the film begins, overwork has Ella fraying. Emotional cruelty has her internally raging, although she won't admit it. Suzanne has a project to finish, demanding her daughter's utmost commitment. When tragedy compounds her stress, Ella escapes into own creative vision instead, conjuring up a twisted fairy tale aided by a girl (Caoilinn Springall, The Midnight Sky) from an apartment neighbouring her new makeshift studio. Saying what Morgan unleashes from there is inventive, powerful and extraordinary — in live-action and animation alike — is an understatement. Stopmotion streams via Shudder and AMC+. Lumberjack the Monster Spanning big-screen releases, TV and straight-to-video fare, Takashi Miike has notched up 115 directorial credits in the 33 years since making his helming debut. Lumberjack the Monster isn't even the latest — it premiered at film festivals in 2023, which means that miniseries Onimusha and short Midnight have popped up since — but it is Miike back in horror mode, where 1999's Audition and 2001's Ichi the Killer famously dwelled. Here, the inimitable Japanese filmmaker and screenwriter Hiroyoshi Koiwai (Way to Find the Best Life) adapt the eponymous 2019 Mayusuke Kurai novel. Its namesake character also exists on the page in the movie itself, in a picture book. This is a serial-killer picture, though, and with more than one person taking multiple lives. A mass murderer wearing a bag over their head and swinging an axe is on a rampage, and lawyer Akira (Kazuya Kamenashi, Destiny) and surgeon Sugitani (Shôta Sometani, Sanctuary) aren't averse to dispensing death themselves. A clash is inevitable, not that the slick Akira expects it, or that his costumed attacker anticipates that their current target will survive his blade, sparking a cat-and-mouse game. Lumberjack the Monster doesn't just weave in fantasy boogeyman stories, offings upon offings, and characters with dark impulses going head to head. The police are on the case, giving the film a procedural layer, as well as Akira motivation to hunt down his assailant first. Science fiction also washes through, with brain-implanted chips and modifying human behaviour both for worse and for better part of the narrative. There's also a moral-redemption element weaved in. Consequently, it's no wonder that this tale is Miike joint. As well as being prolific, Miike loves making his resume the ultimate mashup. To name just a few examples, see: the yakuza action of Dead or Alive, superhero comedy Zebraman, titular genre of Sukiyaki Western Django, samurai efforts 13 Assassins and Blade of the Immortal, period drama Hara-Kiri: Death of a Samurai, video-game adaptation Ace Attorney, romance For Love's Sake, thriller Lesson of the Evil, vampire movie Yakuza Apocalypse and the crime-driven First Love. Unsurprisingly, Lumberjack the Monster is specifically the engrossing — and bloodily violent — Frankenstein's monster of a flick that Miike was always going to relish making when splicing together such an array of elements came his way. Lumberjack the Monster streams via Netflix. The Kitchen He has an Oscar, BAFTA and Golden Globe for Judas and the Black Messiah. He was nominated for all of the above accolades for Get Out, and should've won them all then, too. His resume spans Skins, one of Black Mirror's most-memorable episodes, plus Sicario, Widows, Black Panther, Queen & Slim and Nope as well. But The Kitchen marks a first for Daniel Kaluuya: his first movie as a director. Hopefully more will follow. Co-helming with Kibwe Tavares — who also notches up his feature debut behind the lens after shorts including Jonah and Robot & Scarecrow, which both starred Kaluuya — and co-penning the screenplay with Calm with Horses' Joe Murtagh, the actor makes a stunning arrival as a filmmaker. The Kitchen's setup: in the year 2044 in London, with class clashes so pronounced that not being rich is basically treated as a crime, a man (Top Boy's Kane Robinson, aka rapper Kano) living in the titular housing development crosses paths with a 12-year-old boy (newcomer Jedaiah Bannerman) who has just lost his mother, with the pair discovering that they have no one but each other as they endeavour to find a way to survive. Robinson's Izy has bought into the social-climbing dream when The Kitchen begins. He'll do so literally if he can come up with the cash for an apartment in a swankier tower away from everything he's ever known within 21 days, a dream that he's been working towards at his job selling funerals. It's at the latter that he meets Bannerman's Benji, who has nowhere to live after his mother's death and no one else to turn to for help. The film's scenario is pure dystopia, reflecting the inequities, oppressions and realities of today as all great sci-fi should. Its intimate emotional core hones in on people attempting to persist and connect, as the genre's best always does as well. Accordingly, this is an impassioned and infuriated portrait of society's gaps as everyone watching can recognise, a nightmarish vision of what might come and a thoughtful character study. As directors, Kaluuya and Tavares excel at world-building, at bringing such rich detail and texture to the screen that viewers feel like they could step straight into its social realist-leaning frames, and at guiding affecting performances out of both Robinson and Bannerman (who adds to the feature's impressive first efforts). The Kitchen streams via Netflix. Orion and the Dark Learning to face life's chaos, or even just recognising that life is chaos, has a particular term when Charlie Kaufman is making movies and audiences do the confronting. Describing something as Kaufmanesque sprang from the screenwriter and filmmaker's stunning run at the end of the 90s and beginning of the 00s — the Spike Jonze (Her)-helmed Being John Malkovich and Adaptation, plus the Michel Gondry (Microbe & Gasoline)-directed Human Nature and Eternal Sunshine of the Spotless Mind — and it's stuck ever since. Joining the trio of Synecdoche, New York, Anomalisa and I'm Thinking of Ending Things as well, all three of which he penned plus helmed, is new family-friendly animation Orion and the Dark. A Kaufmanesque kid-appropriate flick? It exists, and it's wonderful. Feature first-timer Sean Charmatz (TV movie Trolls Holiday in Harmony) directs, and Emma Yarlett's 2014 children's book provides the source material; however, this account of a boy afraid of the dark who then meets the literal Dark (voiced by The Afterparty's Paul Walter Hauser) is a Kaufman affair through and through. Also, iconic German filmmaker — and one-time Parks and Recreation star — Werner Herzog (The Fire Within: A Requiem for Katia and Maurice Krafft) pops up. Loaned the vocal tones of Jacob Tremblay (The Little Mermaid) as a child and Colin Hanks (The Offer) as an adult, Orion is petrified of sleeping without the lights on. And, just like the kids in Monsters, Inc that are scared of creatures in their cupboards, Orion and the Dark's protagonist is frightened of something real. Dark exists and, alongside Orion's parents (The Fall of the House of Usher's Carla Gugino and Bull's Matt Dellapina), is exasperated by the boy's response to nighttime. He can't help taking it personally, in fact, then offers to assist. For one 24-hour period, as darkness falls around the world, he gets Orion to accompany him on his travels with friends Sleep (Natasia Demetriou, What We Do in the Shadows), Insomnia (Nat Faxon, Our Flag Means Death), Quiet (Aparna Nancherla, The Great North), Unexplained Noises (Golda Rosheuvel, Bridgerton) and Sweet Dreams (Angela Bassett, Black Panther: Wakanda Forever) to demonstrate that being distressed is unfounded. It isn't just Herzog's involvement and a joke about David Foster Wallace's Infinite Jest that prove that this is a movie as much for adults as kids; amid its gorgeous animation, its understanding of existential dread is also that astute. Orion and the Dark streams via Netflix. Spaceman Should astronaut become a dictionary-certified synonym for melancholy? Cinema believes so. Its latest case in point comes via Spaceman, where life temporarily lived above and beyond the earth replaces gravity with loneliness and disconnection for Jakub Prochazka (Adam Sandler, You Are So Not Invited to My Bat Mitzvah). He's six months into a solo trip past Jupiter to investigate an eerie phenomenon in the heavens when this adaptation of Jaroslav Kalfař's 2017 sci-fi novel Spaceman of Bohemia kicks off. His quest is both time-sensitive and celebrated. South Korea is in close pursuit, he's frequently being told by Peter (Kunal Nayyar, Night Court), his contact at ground control — and Commissioner Tuma (Isabella Rossellini, Cat Person) happily keeps dialling him in for PR opportunities. As he soars through a strangely purple sky, however, endeavouring to fulfil his mission while pleading for maintenance approval on his crumbling ship, all that's really on his mind is his wife Lenka (Carey Mulligan, Maestro). Pregnant and left at home alone, she's no longer taking his fast-as-light-speed phone calls. Then Hanus (Paul Dano, Mr & Mrs Smith) scurries in beside Jakub, demanding attention — as a giant spider in space is always going to. For the best part of a decade now, seeing a live-action movie starring Sandler has meant heading to Netflix. In Australia, even Uncut Gems, his greatest-ever performance, arrived via the streaming platform. Alongside The Meyerowitz Stories (New and Selected) and Hustle, add Spaceman to the list of such features that give their star worthy parts and would've made welcome cinema releases. It isn't new news that Sandler is an excellent actor in dramatic and/or weightier roles, or that his career is more than the Billy Madison and Happy Gilmore-style comedies that he first became known for. Spaceman director Johan Renck (Chernobyl) has cast him expertly, in fact, in this tale of isolation, arrested development, otherworldly arachnids and amorous entanglements. Sending Sandler on an Ad Astra-, First Man- and Solaris-esque trip proves contemplative and empathetic — and, amid spider's-eye flashbacks to his complicated childhood in the Czech Republic, time spent with Lenka on the ground and floating around the film's claustrophobic main setting, also brimming with raw and resonant emotion. Spaceman streams via Netflix. STEVE! (martin) a documentary in 2 pieces To do justice to Steve Martin's life, career and impact requires more than just one movie. So, the engagingly and entertainingly in-depth, intimate, affectionate and informative STEVE! (martin) a documentary in 2 pieces explores the comedian and actor's existence in a pair of parts. The first is subtitled 'Then', honing in on his childhood and early stand-up days. The second, aka 'Now', jumps in when he made the leap to movies in the late 70s, which is where The Jerk, Pennies From Heaven, Planes, Trains and Automobiles, Dirty Rotten Scoundrels, Parenthood and LA Story comes in — and, of course, includes his tours with his ¡Three Amigos! co-star Martin Short, as well as their murder-mystery-comedy TV hit Only Murders in the Building. The initial half gets Martin narrating, sharing reflections personal and professional as accompanied by archival footage aplenty (and ample tapes of his stints in front of audience). The latter section treats him as an interviewee, with his wife Anne Stringfield, Short, Jerry Seinfeld (who has had Martin as a guest on Comedians in Cars Getting Coffee) and Tina Fey (who also co-starred with Martin in Baby Mama) among the talking heads. Behind it all is documentarian Morgan Neville, an Oscar-winner for 20 Feet From Stardom, as well as a filmmaker who is clearly taking his stylistic cues from his subject. That's noticeable in STEVE! (martin) a documentary in 2 pieces' moniker, for starters — it throws caution to the winds of grammar and title formats just as Martin has to comedy rules, as the two-part film makes plain again and again. No matter how well-acquainted you are with Martin, insights flow freely in this fascinating way to spend three hours surveying the ways that he's made people laugh over decades upon decades, beginning with doing magic tricks and working at Disneyland on his school holidays in the 50s. Revelations bound through about Martin as a person, too; more than once, he notes that his life has felt as if it has played out backwards, and not just because he only first became a father in his 60s. Clips of his stand-up act, and the response to it in the 60s and 70s, are gold. Hanging out with the man who originally was only going to create Only Murders in the Building, not star in it, when he's bantering with Short are as well. STEVE! (martin) a documentary in 2 pieces streams via Apple TV+. Am I OK? The question in Am I OK?'s title is indeed existential: is Lucy (Dakota Johnson, Madame Web) coping with being a thirtysomething in Los Angeles treading water emotionally, romantically and professionally? From there, more queries spring. Can she — or, more accurately, will she — shoot for more than not quite dating the smitten Ben (Whitmer Thomas, Big Mouth), right down to shaking his hand at the end of their evenings out together, and also for something beyond working as a day-spa receptionist while putting her passion and talent for art on the back burner? Is she capable of breaking free of a comfort zone padded out with spending all of her spare time with her best friend Jane (Sonoya Mizuno, House of the Dragon), including being so predictable that she always orders the same thing at their brunches at their favourite diner? Regarding the latter, she gets a push when Jane agrees to a lucrative transfer to London, splitting the pair for the first time since they were teenagers. Am I OK? is an arrested-development coming-of-age movie, then, and a film about being honest about who you are and want to be. Change comes for us all, even when we've built a cocoon to protect our happy status quo — and, at the heart of this romantic drama, change clearly comes for Lucy. She's forced to consider a path forward that doesn't involve solely being defined as half of a platonic duo. She also confronts the feelings for her coworker Brittany (Kiersey Clemons, Monarch: Legacy of Monsters) and the truth about her sexuality that she's never previously admitted. Am I OK? is a coming-out tale, too, but it treats Lucy's stuck-in-a-rut existence and at-first-tentative attempts to embrace how she truly feels holistically, seeing how life's passage inevitably shifts how we see ourselves. If the movie feels more honest than it might've been, that's because screenwriter Lauren Pomerantz (Strange Planet) spins a semi-autobiographical story. Also, the directing team of real-life couple Tig Notaro (2 Dope Queens) and Stephanie Allynne (who helmed Notaro's 2024 special Hello Again) — who met making 2015's In a World… — demonstrate the ideal light-but-delicate touch. Plus, Johnson and Mizuno exude genuine BFF chemistry, with the former again showing why fare such as this, Cha Cha Real Smooth, How to Be Single, The Peanut Butter Falcon, A Bigger Splash, Suspiria and The Lost Daughter, a diverse group of pictures, is a better fit than the Fifty Shades trilogy or a Spider-Man spinoff. Am I OK? streams via Binge. Looking for more viewing highlights? We picked the best 15 films that've reached cinemas in 2024's first half, too, plus the 15 best new TV shows of 2024 so far and the 15 best returning TV shows. We also keep a running list of must-stream TV from across the year so far, complete with full reviews. And, you can check out our list of film and TV streaming recommendations, which is updated monthly.
Before the pandemic, when a new-release movie started playing in cinemas, audiences couldn't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with the past few years forcing film industry to make quite a few changes — widespread movie theatre closures will do that, and so will plenty of people staying home because they aren't well — that's no longer always the case. Maybe you haven't had time to make it to your local cinema lately. Perhaps you've been under the weather. Given the hefty amount of titles now releasing each week, maybe you simply missed something. Film distributors have been fast-tracking some of their new releases from cinemas to streaming recently — movies that might still be playing in theatres in some parts of the country, too. In preparation for your next couch session, here are eight that you can watch right now at home. Furiosa: A Mad Max Saga To Valhalla, George Miller went: when Mad Max: Fury Road thundered across and shone upon the silver screen in 2015, and it did both, it gave cinema one of the greatest action movies ever made. It has taken nine years for the Australian filmmaker to back up one of the 21st century's masterpieces with another stunt-filled drive through his dystopian franchise — a realm that now dates back 45 years, with Mad Max first envisaging a hellscape Down Under in 1979 — and he's achieved the immensely enviable. Fury Road and Furiosa: A Mad Max Saga's white-hued, silver-lipped war boys pray to gain entry to a mythological dreamscape just once, but Miller keeps returning again and again (only 1985's Mad Max: Beyond Thunderdome, in a now five-film series that also includes 1981's Mad Max 2, is anything less than heavenly). "The question is: do you have what it takes to make it epic?" Miller has Chris Hemsworth (Thor: Love and Thunder) ask in Furiosa as biker-horde leader Dementus, he of the post-apocalyptic Thor-meets-Roman gladiator look and chariot-by-motorcycle mode of transport. Returning to all things Mad Max after an affecting detour to 2022's djinn fable Three Thousand Years of Longing, the writer/director might've been posing himself the same query — and he resoundingly answers in the affirmative. An origin story-spinning prequel has rarely felt as essential as this unearthing of its namesake's history, which Fury Road hinted at when it introduced Furiosa (then played by Charlize Theron, Fast X) and made her the movie's hero above and beyond Mad Max (Tom Hardy, Venom: Let There Be Carnage). Discovering the full Furiosa tale felt imperative then, too, and with good reason: Miller had already planned the figure's own film to flesh out her background before her celluloid debut, and that she existed well past her interactions with Max was always as apparent as the steely glare that said everything without words. Now with both Anya Taylor-Joy (The Super Mario Bros Movie) and Alyla Browne (The Lost Flowers of Alice Hart) playing the lead, Furiosa lives up to that promise. Furiosa: A Mad Max Saga streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Anya Taylor-Joy, Chris Hemsworth and George Miller. Monster When a movie repeats its events through fresh eyes, answers usually follow. But as Hirokazu Kore-eda opts for the Rashomon effect in Monster, using a technique that fellow great Japanese filmmaker Akira Kurosawa deployed with one of his famous features, the director that won the Palme d'Or for 2018's Shoplifters refuses to stop asking questions. In this picture, which picked up the Queer Palm at the 2023 Cannes Film Festival — and again sees Kore-eda collaborate with Kazuko Kurosawa (The Third Murder), daughter of Akira, as its costume designer — layers keep mounting. There's no shortage of cinema that stresses how there's never merely one set of peepers to peer through, but in this masterful and moving addition to that realm, from one of the best at conveying empathy that film as a medium benefits from today, each pass in search of the full story builds a case not just for filtering the world through more than what's easy and reactive, but through acceptance and understanding. Kore-eda knows this: that perspectives, just like perceptions, can be misleading, blinkered and blinded. So when rumour proclaims that a new teacher frequents hostess bars, when a boy has tales of being called names by the same educator, when said man points the finger at the kid as a bully to one of his classmates instead and when the two children at the centre of the situation are friends with a cherished bond, a clearcut view is in short supply. This is the first movie since 1995's Maborosi that the filmmaker has only helmed and not also written, but Yûji Sakamoto's (In Love and Deep Water) Cannes Best Screenplay-winning script is a classic entry on the director's resume. Monster is also Kore-eda's homecoming, after making his post-Shoplifters films until now elsewhere — 2019's The Truth in France, then 2022's Broker in South Korea — and it's a stellar return. Monster streams via YouTube Movies, iTunes and Prime Video. Read our full review. The Watchers A quarter of a century ago, M Night Shyamalan started coaching audiences to associate his surname with on-screen twists. Now that The Sixth Sense writer/director's daughter Ishana Night Shyamalan is following in his footsteps by making her first feature, decades of that viewer training across Unbreakable, Signs, The Visit, Split, Glass and more laps at The Watchers' feet. The question going in for those watching is obvious: will the second-generation filmmaker, who first worked as a second-unit director on her dad's Old and Knock at the Cabin — and also penned and helmed episodes of exceptionally eerie horror TV series Servant, on which her father was the showrunner — turn M Night's well-known and -established penchant for surprise reveals that completely recontextualise his narratives into a family trademark? Viewing a Shyamalan movie from The Sixth Sense onwards has always been an exercise in piecing together a puzzle, sleuthing along as clues are dropped about how the story might swiftly shift. It's no different with The Watchers, which Ishana adapts from AM Shine's novel and M Night produces. The younger filmmaking Shyamalan leans into the expectations that come with being her dad's offspring and picking up a camera, making a supernatural mystery-thriller horror flick and living with his brand of screen stories for her entire life. That said, while it's easy to initially think of The Village when The Watchers sets its narrative in isolated surroundings where the woods are filled with threats, and also of Knock at the Cabin given that its four main characters are basically holed up in one, Ishana demonstrates her own prowess with this Dakota Fanning (Ripley)-led flick, including by heartily embracing her source material's gothic air. The Watchers streams via YouTube Movies, iTunes and Prime Video. Read our full review, and our interview with Ishana Night Shyamalan. The Beast Watching a film by French writer/director Bertrand Bonello can feel like having a spell cast upon you. In movies such as 2016's Nocturama and 2019's Zombi Child, that's how magnetic and entrancing his blend of ethereal mood and dreamy imagery has felt. So it is with The Beast, too, another hypnotic feature that bewitches and also probes, because none of these three Bonello flicks ask their viewers to merely submit. Rather, they enchant while raising questions about the state of the world, whether digging into consumerism and anarchy, hierarchies of race and class, or the role of humanity in an increasingly technology-mediated society. The latter is the domain of the filmmaker's loose adaptation of Henry James' 1903 novella The Beast in the Jungle — a take that, as its author didn't and couldn't, perceives how the clash of humanity's emotions and artificial intelligence's data-driven analysis is fated to favour the cold and the calculating. In 2044, the very fact that people are guided by their feelings has rendered them unsuitable for most jobs in The Beast's AI-dominated vision of the future. Played with the mastery of both deeply conveyed expression and telling stillness that's long characterised her performances, Dune: Part Two, Crimes of the Future and No Time to Die's Léa Seydoux is Gabrielle, who is among the throngs relegated to drone-like drudgery in this new world order. To shift her daily reality, where she reads the temperature of data cores, she only has one path forward: a cleansing of her DNA. It involves spending sessions immersed in a black goopy bath to confront her emotions and past, a procedure that she's told will rid her of her trauma and baggage. Crossing paths with Gabrielle at the treatment centre, Louis (1917 and True History of the Kelly Gang's George MacKay) has the same choice. The Beast streams via YouTube Movies and Prime Video. Read our full review. Housekeeping for Beginners Every film is a portrait of ups and downs, no matter the genre. Without change and complications, plus either a sprinkling or a shower of chaos, there's little in the way of story for a movie to tell. In just three features, each hitting cinemas Down Under in successive years since 2022, Macedonian Australian filmmaker Goran Stolevski has demonstrated how deeply he understands this fact — and also that life itself is, of course, the same rollercoaster ride. So, when Housekeeping for Beginners starts by jumping between a joyous sing-along and a grim doctor's visit, he lays that juxtaposition between existence's highs and the lows bare in his third picture's frames. He has form: You Won't Be Alone, his folkloric horror film set in 19th-century Macedonia, segued early from new life to a witch's fate-shaping demands; Of an Age, a queer love story that unfurls in Melbourne, kicked off by flitting between dancing and a desperate against-the-clock rush. In You Won't Be Alone, the shapeshifting Wolf-Eateress who chose an infant to be her protege was played by Anamaria Marinca, the Romanian actor who has proven an unforgettable screen presence ever since the one-two punch of 2004's TV two-parter Sex Traffic — which won her a Best Actress BAFTA — and 2007's Cannes Palme d'Or-winning film 4 Months, 3 Weeks and 2 Days. Stolevski reenlists her assistance for Housekeeping for Beginners, and also illustrates his awareness of another immutable fact: that the eyes of Anamaria Marinca relay tales all by themselves. Here, they're weary but sharp and determined. They're devoted yet fierce, too. They possess the unrelenting gaze of someone who won't stop fighting for those she loves no matter what it takes, and regardless of how she initially reacts, a path that her social-worker character Dita is no stranger to traversing. Housekeeping for Beginners streams via YouTube Movies and iTunes. Read our full review. Kingdom of the Planet of the Apes Move over New York — it's time for New South Wales to be overrun by a simian civilisation. Kingdom of the Planet of the Apes doesn't swap the Statue of Liberty for the Sydney Harbour Bridge. Rather, it was just made in Australia; this franchise is long past needing to anchor itself in a specific location, but America's west coast is the in-narrative setting. No it-was-earth-all-along twists are necessary, either, as France's famous gift to the US signalled back in 1968 when Pierre Boulle's novel La Planète des singes initially made it to the screen. More than half a century later — plus four sequels to the OG Planet of the Apes, both live-action and animated TV shows, Tim Burton's (Wednesday) remake and the reboot flicks that started with 2011's Rise of the Planet of the Apes — the saga's basics are widely known in pop culture. The titular planet is humanity's own. In this vision of the future, a different kind of primate runs the show. Since day one, every Planet of the Apes tale has been a mirror. Gazing into the science-fiction series means seeing the power structures and societal struggles of our reality staring back — discrimination, authoritarianism and even the impact of a world-ravaging virus should ring a bell— but with humans no longer atop the pecking order. These are allegorical stories and, at their best, thoughtful ones, probing the responsibilities of being the planet's dominant force and the ramifications of taking that mantle for granted. Not every instalment has handled the task as well as it should've, but those that do leave a paw print. Coming after not just Rise of the Planet of the Apes but also 2014's Dawn of the Planet of the Apes and 2017's War for the Planet of the Apes, Kingdom of the Planet of the Apes from The Maze Runner, The Maze Runner: The Scorch Trials and The Maze Runner: Death Cure director Wes Ball falls into that category. Kingdom of the Planet of the Apes streams via YouTube Movies, iTunes and Prime Video. Read our full review. La Chimera It's a film about searching for treasure, and it is indeed a treasure. La Chimera is also dreamy in its look and, while watching, makes its viewers feel as if they've been whisked into one. There's much that fantasies are made of in writer/director Alice Rohrwacher's fourth feature, which follows Corpo Celeste, The Wonders and Happy as Lazzaro — God's Own Country breakout and The Crown star Josh O'Connor leading the picture as a British archaeologist raiding tombs in 80s-era Italy chief among them. Thinking about Lara Croft, be it the game, or the Angelina Jolie (in 2001 and 2003 flicks)- or Alicia Vikander (2018's Tomb Raider)-led movies, is poking into the wrong patch of soil. Thinking instead about the way that life is built upon the dead again and again, and upon unearthed secrets as well, is part of what makes La Chimera gleam. Rohrwacher's latest, which also boasts her Happy as Lazzaro collaborator Carmela Covino as a collaborating writer — plus Marco Pettenello (Io vivo altrove!) — resembles an illusion not just because it's a rare mix of both magical-realist and neorealist in one, too (well, rare for most who aren't this director). In addition, this blend of romance and drama alongside tragedy and comedy sports its mirage-esque vibe thanks to being so welcomely easy to get lost in. As a snapshot of a tombaroli gang in Tuscany that pilfers from Etruscan crypts to try to get by, it's a feature to dig into. As an example of how poetic a film can be, it's one to soar with. The loose red thread that weaves throughout La Chimera's frames, intriguing folks within the movie, also embodies how viewers should react: we want to chase it and hold on forever, even as we know that, as the feature's 130 minutes tick by, the picture is destined to slip through our fingers. La Chimera streams via YouTube Movies, iTunes and Prime Video. Read our full review. IF Imaginary friends should be seen, but people trying to survive an alien invasion should not be heard. So goes John Krasinski's recent flicks as a filmmaker. While IF, The Office star's fifth feature behind the lens, has nothing to do with 2018 horror hit A Quiet Place or its 2020 sequel A Quiet Place Part II, the three movies share a focus on the senses and their importance in forming bonds. When Krasinski's two post-apocalyptic hits forced humanity into silence for survival, they contemplated what it meant to be perceived — or not — as a basic element of human connection amid the bumps, jumps and tale of a family attempting to endure. With IF, the writer/director also ponders existence and absence. It skews younger, though, and also more whimsical, for a family-friendly story about a girl assisting made-up mates that are yearning Toy Story-style to have flesh-and-blood pals again. The horror genre still lingers over IF, however. It doesn't haunt in tone, because this isn't 2024's fellow release Imaginary; rather, it's a sentimental fantasy-adventure film, enthusiastically so. But from the moment that the movie's narrative introduces its IFs, as the picture dubs imaginary friends, it's easy to spot Krasinski's inspiration. In New York staying with her grandmother Margaret (Fiona Shaw, True Detective: Night Country) while her dad (Krasinski, Jack Ryan) is having heart surgery, 12-year-old Bea (Cailey Fleming, The Walking Dead) starts seeing pretend creatures. Aided by Cal (Ryan Reynolds, Ghosted), who lives upstairs from Bea's nan, she then has a task: reuniting critters such as Blue (Steve Carell, Asteroid City), the purple-hued furry monster that, alongside Minnie Mouse-meets-butterfly Blossom (Phoebe Waller-Bridge, Indiana Jones and the Dial of Destiny), is one of the first IFs that she spots, with the now-adults that conjured them up as children. IF streams via YouTube Movies, iTunes and Prime Video. Read our full review. Looking for more viewing options? Take a look at our monthly streaming recommendations across new straight-to-digital films and TV shows — and fast-tracked highlights from January, February, March, April, May and June 2024 (and also January, February, March, April, May, June, July, August, September, October, November and December 2023, too). We keep a running list of must-stream TV from across 2024 as well, complete with full reviews. And, we've also rounded up 2024's 15 best films, 15 best new TV shows and 15 best returning TV shows from the first half of the year. Also, here's 2023's 15 best films, 15 best straight-to-streaming movies, 15 top flicks hardly anyone saw, 30 other films to catch up with, 15 best new TV series of 2023, another 15 excellent new TV shows that you might've missed and 15 best returning shows as well.
If life's chaos has made your world feel a little small of late, what better antidote than to head outdoors and catch a few of the world's biggest creatures frolicking majestically in the sprawling blue ocean. Watching whales swim around, complete with tail-slapping, breathtaking acrobatics and clouds of water sprayed from blowholes, is sure to instil a sense of wonder and release. When it comes to whale watching, us Aussies have it made. Not only are we surrounded entirely by water, but our east coast is a route favoured by many whales on their annual migration to and from Antarctica. And that means ample opportunity to spy these gentle giants in action — either from atop dry land, or right out there beside them on the water. From the scenic lookouts of Eden to a boat cruise around Wilsons Prom, we've rounded up eight of Australia's best spots for whale watching. Grab your binoculars and venture coastward for a whale spectacular. Recommended reads: The Best Whale Watching Spots Along the NSW Coast The Best Beaches in Australia Eight Epic Holidays for Animal Lovers You Can Book Now [caption id="attachment_772713" align="alignnone" width="1920"] Visit Melbourne[/caption] Bass Coast, Victoria From May to October, the waters of Gippsland's Bass Coast come alive with migrating marine mammals — mostly humpback and southern right whales, but also the odd orca flashing its distinctive black and white markings. And you'll find plenty of opportunities to catch them all in action, by embarking on a jaunt along the Bass Coast Whale Discovery Trail. Running the perimeter of Phillip Island and around to Inverloch, this coastal stretch is peppered with primo whale viewing points, most decked out with informative signage so you can dabble in some history and knowledge along the way. Some of the most popular pit-stops include Cape Woolamai and the soaring cliffs of Pyramid Rock. [caption id="attachment_772704" align="alignnone" width="1920"] Visit Warrnambool[/caption] Warrnambool, Victoria Located at the end of the Great Ocean Road, the coastal hub of Warrnambool is a renowned spot for scoping out these majestic creatures, as scores of female southern right whales descend on the waters of Logans Beach to calve between June and September. A dedicated platform located in the dunes often offers the best vantage point for views of this 'whale nursery' and you can call ahead to the Visitor Information Centre to check up on any recent activity before you visit. Got some time up your sleeve? Make a road trip of it by following the Whale Trail west through more viewing spots near Port Fairy and Portland. [caption id="attachment_772711" align="alignnone" width="1920"] Wildlife Coast Cruises[/caption] Wilsons Promontory, Victoria The secluded beaches and rugged wilderness of Wilsons Promontory have made it a favourite destination for hiking and camping, but the waters surrounding its scenic coastline also happen to pull their fair share of humpback whale visitors, stopping by on their southerly migration between late August and October each year. For a shot at seeing a few of these majestic travellers up close, opt for a day on the water with the Wilsons Prom Whale Cruise, helmed by the team at Wildlife Coast Cruises. Departing from Port Welshpool Jetty, this informative six-hour boat trip takes you past stunning coastal hot-spots like Refuge Cove and Rabbit Island, promising a high chance of spying at least one or two new whale friends. [caption id="attachment_772705" align="alignnone" width="1920"] Jervis Bay Wild[/caption] Jervis Bay, New South Wales Sitting halfway along whales' annual 5000-kilometre migration route, Jervis Bay on the New South Wales South Coast is known to be a favourite pitstop for humpback and southern right whales. Between May and November, the region's calm, still waters are an aquatic playground of choice for many of these supersized creatures, as they take some time out from their lengthy journey to rest up and play with their babies. For some great whale spotting, with views across the Jervis Bay Marine Park, try the Cape St George Lighthouse or the Point Perpendicular Lighthouse — where a lookout towers 90 metres above sea level. Otherwise, you can opt for an on-water whale experience with a renowned operator like Jervis Bay Wild. [caption id="attachment_772830" align="alignnone" width="1920"] Tom Park for Destination NSW[/caption] Cape Solander, Kamay Botany Bay National Park, New South Wales Promising striking sandstone clifftops, sweeping ocean views and an excellent vantage point for the passing pods of humpback whales each June and July, Cape Solander makes for a worthy winter day-trip destination. Located in the Kurnell area of Kamay Botany Bay National Park, this scenic coastal spot has been known to notch up over 100 whale sightings in one day, with the gentle giants frolicking as close as 200 metres from the shore. A dedicated viewing platform features plenty of whale-related information, and there's usually a couple of knowledgeable volunteers there sharing facts and tallying up the day's sighting count. Southern right whales also make an appearance here, along with the odd orca and minke whale. [caption id="attachment_772710" align="alignnone" width="1920"] Visit Eden[/caption] Eden, New South Wales The Sapphire Coast town of Eden is a whale-watcher's paradise. After all, the surrounding waters of Twofold Bay are known as the 'Humpback Highway', so numbered are the humpback whales that swim through here en route home to Antarctica each year. You'll spy plenty of these mighty creatures between September and November, while pods of baleen and toothed whales make their own similar journeys in early spring. The town itself is chock full of great vantage points for shore-based whale spotting, not least of which is the Rotary Park lookout, set right out on the point. And for those braving the water, there's no shortage of charter boats offering a variety of whale-watching tours. Also, head here in October and you can hit up the Eden Whale Festival. [caption id="attachment_772707" align="alignnone" width="1920"] Stradbroke Island[/caption] Minjerribah, Queensland For some breathtaking whale-watching action just a quick ferry trip from Brisbane's bayside, lock in a trip to Minjerribah, aka North Stradbroke Island. Between late May and early November, the region welcomes scores of its most majestic annual visitors, with up to 200 humpback whales passing through each day on their journey between Antarctica and the Great Barrier Reef. Perched at around 35 metres above sea level, the headland at Point Lookout offers a top-notch view of these creatures breaching and tail-slapping in the balmy waters. Hervey Bay, Queensland Located across from K'gari, the protected waters of Queensland's Hervey Bay entice thousands of humpback whales each year, so your chances of scoring a sighting are solid. It is the world's first Whale Heritage Site, after all. The ocean giants are usually spotted here between mid-July and November, frolicking and launching themselves spectacularly into the air as they teach their young the tricks of the trade. For the ultimate closeup, your best bet is to head out on the water yourself, joining one of the many local whale-watching tours. If you're feeling brave, the crew at Hervey Bay Whale Watch & Charters even offers the chance to jump in and swim right alongside these mega-sized mammals. Top image: whales at Hervey Bay by Visit Fraser Coast. Feeling inspired to book a getaway? You can now book your next dream holiday through Concrete Playground Trips with deals on flights, stays and experiences at destinations all around the world.
It might seem as if there's something shiny and brand new hitting the small screen all the time — and there is — but flicking through your streaming queue isn't just about finding something that you've never heard of before to watch. Among the non-stop array of television at everyone's fingertips, beloved favourites keep proving why they're must-see TV. Some even inspire menu choices, too. 2024's returning cohort so far has had us all shouting "yes chef!" again, welcoming back one of the best detective shows there is, and stepping into the worlds of stand-up and late-night comedy. Getting ridiculously catchy (and funny) girl-group tunes stuck in our heads, adoring an Aussie rom-com and embracing superhero satire have also been on the agenda — as has saying a pretty, pretty, pretty, pretty great goodbye to an iconic series. With 2024 halfway through, we've made our picks of the top returning television shows of the year's first six months — aka the established delights that have splashed another ace new season our way, and also made us want to go back and rewatch past seasons. Your future binges will thank us. The Bear Serving up another sitting with acclaimed chef Carmy Berzatto (Jeremy Allen White, The Iron Claw), his second-in-charge Sydney (Ayo Edebiri, Inside Out 2) and their team after dishing up one of the best new shows of 2022 and best returning shows of 2023, the third season of The Bear is a season haunted. Creator and writer Christopher Storer (Dickinson, Ramy) — often the culinary dramedy's director as well — wouldn't have it any other way. Every series that proves as swift a success as this, after delivering as exceptional a first and second season as any show could wish for, has the tang of its prior glory left on its lips, so this one tackles the idea head on. How can anyone shake the past at all, good or bad, the latest ten episodes ruminate on as Carmy faces a dream that's come true but hasn't and can't eradicate the lifetime of internalised uncertainty that arises from having an erratic mother, absent father, elder brother he idolised but had his own demons, and a career spent striving to be the best and put his talents to the test in an industry that's so merciless and unforgiving even before you factor in dealing with cruel mentors. Haunting is talked about often in this third The Bear course, but not actually in the sense flavouring every bite that the show's return plates up. In the season's heartiest reminder that it's comic as well as tense and dramatic — its nine Emmy wins for season one, plus four Golden Globes across season one and two, are all in comedy categories — the Faks get to Fak aplenty. While charming Neil (IRL chef Matty Matheson) is loving his role as a besuited server beneath Richie aka Cousin (Ebon Moss-Bachrach, No Hard Feelings), onboard with the latter's commitment to upholding a Michelin star-chasing fine-diner's front-of-house standards and as devoted to being Carmy's best friend as ever, he's also always palling around with his handyman brother Theodore (Ricky Staffieri, Read the Room). They're not the season's only Faks, and so emerges a family game. When one Fak wrongs another, they get haunted, which is largely being taunted and unsettled by someone from basically The Bear equivalent of Brooklyn Nine-Nine's Boyles. For it to stop, you need to agree to give in. In Storer's hands, in a series this expertly layered as it picks up in the aftermath of sandwich diner The Original Beef of Chicagoland relaunching as fine-diner The Bear, this isn't just an amusing character-building aside. The Bear streams via Disney+. Read our full review. True Detective: Night Country Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective has returned as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. True Detective: Night Country streams via Binge. Read our full review. Hacks Sometimes you need to wait for the things you love. In Hacks, that's true off- and on-screen. 2024 marks two years since the HBO comedy last dropped new episodes, after its first season was one of the best new shows of 2021 and its second one of the best returning series of 2022 — a delay first sparked by star Jean Smart (Babylon) requiring heart surgery, and then by 2023's Hollywood strikes. But this Emmy- and Golden Globe-winner returns better than ever in season three as it charts Smart's Deborah Vance finally getting a shot at a job that she's been waiting her entire career for. After scoring a huge hit with her recent comedy special, which was a product of hiring twentysomething writer Ava Daniels (Hannah Einbinder, Julia), the Las Vegas mainstay has a new chance at nabbing a late-night hosting gig. (Yes, fictional takes on after-dark talk shows are having a moment, thanks to Late Night with the Devil and now this.) At times, some in Deborah's orbit might be tempted to borrow the Australian horror movie's title to describe to assisting her pitch for a post-primetime chair. That'd be a harsh comment, but savage humour has always been part of this showbiz comedy about people who tell jokes for a living. While Deborah gets roasted in this season, spikiness is Hacks' long-established baseline — and also the armour with which its behind-the-mic lead protects herself from life's and the industry's pain, disappointments and unfairness. Barbs can also be Deborah's love language, as seen in her banter with Ava. When season two ended, their tumultuous professional relationship had come to an end again via Deborah, who let her writer go to find bigger opportunities. A year has now passed when season three kicks off. Ava is a staff writer on a Last Week Tonight with John Oliver-type series in Los Angeles and thriving, but she's also not over being fired. Back in Vanceland, everything is gleaming — but Deborah isn't prepared for being a phenomenon. She wants it. She's worked for years for it. It's taken until her 70s to get it. But her presence alone being cause for frenzy, rather than the scrapping she's done to stay in the spotlight, isn't an easy adjustment. Hacks streams via Stan. Read our full review. Girls5eva One of the funniest TV comedies of the 2020s is back with its third season, and as hilarious as ever. So what are you waiting five? If that question doesn't make any sense, then you clearly haven't yet experienced the wonder that is Girls5eva. It starts with a numerical pun-heavy earworm of a theme tune that no one should ever skip, then bounces along just as catchily and sidesplittingly in every second afterwards. A move to Netflix for season three — after streaming its first and second seasons via Peacock in the US and Stan in Australia — deserves to see the Tina Fey-executive produced music-industry sitcom switch from being one of the best shows that not enough people are watching to everyone's latest can't-stop-rewatching comedy obsession. In other words, this a series about a comeback and, thanks to its swap to the biggest player in the streaming game, now it's making a comeback itself. If it becomes a Netflix smash, here's hoping that it'll be famous at least one more time. Two years have passed for longterm fans since Girls5eva last checked in with Dawn Solano (Sara Bareilles, Broadway's Waitress), Wickie Roy (Renée Elise Goldsberry, She-Hulk: Attorney at Law, and also a Hamilton Tony-winner), Summer Dutkowsky (Busy Philipps, Mean Girls) and Gloria McManus (Paula Pell, Big Mouth), but the gap and the change of platforms haven't changed this gem. Consider the switch of streamer in the same way that Dawn and the gang are approaching their leap back into their girl group after two decades: as an all-in, go-hard-or-go-home, whatever-it-takes relaunch. Now firmly reunited, the surviving members of Girls5eva have taken to the road. So far, however, their big Returnity tour has been happy in Fort Worth. In the Texan city, their track 'Tap Into Your Fort Worth' keeps drawing in crowds, even if that's all that concertgoers want to hear. Also, the Marriott Suitelettes for Divorced Dads has become their home away from home, but resident diva Wickie isn't content just playing one place. Always dreaming huge, massive and stratospheric, she sets the band's sights on Radio City Music Hall, booking them in for a gig at a fee of $500,000. Cue a six-month timeline to sell it out — a feat made trickier by the fact that the show is on Thanksgiving — or risk ruin. Girls5eva streams via Netflix. Read our full review. Curb Your Enthusiasm A quarter of a century is a long time to spend with Larry David, even with gaps along the way. Friends and acquaintances of the fictionalised version seen in Curb Your Enthusiasm might have some not-so-positive things to say about investing that chunk with TV's great curmudgeons. If you're a fan of the satirical series that's been airing since 2000, however, 12 seasons isn't enough. But David has called time on his second small-screen smash. CYE hasn't beaten Seinfeld's episode count, but it has been on-screen on and off for far longer than the famous show about nothing. And as the ending approached, of course the inimitable force behind both started Curb Your Enthusiasm's final season with the series' version of Larry going where Seinfeld's characters closed out their story: jail. He's there not due criminal indifference, though, but rather thanks to the opposite. In Atlanta to attend a rich fan's (Sharlto Copley, Beast) birthday party, on a paid gig courtesy of the success of Young Larry — CYE's in-show show about David's childhood — he gives a bottle of water to Leon's (JB Smoove, Office Race) Auntie Rae (Ellia English, Blood Pageant) while she's in line to vote. That's illegal, the cops pounce immediately and one of the season's key threads is born. Larry being Larry, of course he wasn't really trying to make a stand against ridiculous voter-suppression laws. Larry still being Larry, he's also content to capitalise upon being seen as a hero, complete with droves of media attention. And, Larry never able to be someone other than Larry, he's still his petty normal self regardless of how much praise flows from Bruce Springsteen. Before Beef was winning Golden Globes, Emmys and other awards for trivial squabbles, David got there first — and before The Rehearsal and The Curse's Nathan Fielder was inspiring cringing so vigorous that you can feel it in your stomach, David was as well. The show's swansong season is vintage Curb Your Enthusiasm, including when a lawyer who looks like one of David's many enemies, overhearing golfing lessons, throwing things at CODA Oscar-winner Troy Kotsur, getting disgruntled over breakfast menus cutting off at 11am and bickering with the late, great Richard Lewis (Sandy Wexler) are involved. As always, it continues to be fascinated with whether someone as set in his ways as David, who was the inspiration for George Constanza, can and will ever change. He won't, and watching why that's the case only stopped being comedy gold when the ten-episode 12th season said farewell. Curb Your Enthusiasm streams via Binge. Read our full review. Colin From Accounts When Colin From Accounts arrived for its first season in 2022 with a nipple flash, a dog and strangers committing to take care of a cute injured pooch together, it also began with a "will they, won't they?" story. Ashley (Harriet Dyer, The Invisible Man) and Gordon (Patrick Brammall, Evil) crossed paths in the street in Sydney when she gave him a random peek, then he was distracted behind the wheel. Thanks to the titular pet, the pair were soon intricately involved in each other's lives — and a delightful small-screen Aussie rom-com was the end result as they endeavoured to work out what that actually meant. In season two, which picks up after the duo gave Colin From Accounts to new owners and then immediately regretted the decision, a couple of things are different from the outset: Gordon and Ashley are on a quest to get their pup back and they'll stop at almost nothing for their family to be reunited, and this award-winning series is now in "should've they or should've they not?" territory about its central romance. Falling in love is easy. Being in the honeymoon period, whether or not you've actually tied the knot — Colin From Accounts' protagonists haven't — is clearcut, too. Taking a relationship further means peeling away the rosy and glowing surface, however, which is where the series follows its medical student and microbrewery owner in its second season. Accordingly, through surprising news, meeting family members, historical baggage and more, Ashley and Gordon are still trying to navigate the reality of intertwining their lives, and also who they are as a couple. Creators, writers and stars Dyer and Brammall keep performing their parts to perfection; given they're married IRL and no strangers to working together (see: No Activity), the chemistry and naturalism isn't hard to maintain, but they're not just playing themselves. They're also particularly gifted with dialogue, ensuring that everything that the show's characters are saying — be it amusing, heartfelt, acerbic, insightful or all of the above — always feels authentic. Colin From Accounts streams via Binge. Read our full review, and our interview with Harriet Dyer and Patrick Brammall. Outer Range It was true of season one of Outer Range and it doesn't stop proving the case in season two: thinking about Twin Peaks, Yellowstone, Lost, The X-Files, The Twilight Zone and primetime melodramas while you're watching this sci-fi western series is unavoidable. In its second go-around, throw in Dark, too, and also True Detective. Here, an eerie void on a Wyoming cattle ranch sends people hurtling through time, rather than a cave beneath a nuclear power plant — and that concept, time, is dubbed a river instead of a flat circle. The idea behind Outer Range, as conjured up creator Brian Watkins for its debut season in 2022, has always been intriguing: what if a tunnel of blackness topped by a mist of floating energy suddenly opened up in the earth? Also, where would this otherworldly chasm lead? What would be the consequences of taking a tumble into its inky expanse? What does it mean? It isn't literally a mystery box Dark Matter-style, but it also still is in everything but shape — while contemplating what effect such a phenomena has on a rancher family that's worked the land that the ethereal cavern appears on for generations, as well as upon the broader small-town community of Wabang. Getting trippy came with the territory in season one, in an entrancing blend of the out-there and the earthy. Season two doubles down, dives in deeper and gallops across its chosen soil — a mix of the surreal and the soapy as well — with even more gusto. Just like with a vacuum that materialises on an otherwise ordinary-seeming paddock, no one should be leaping into Outer Range's second season unprepared. This isn't a series to jump into with no prior knowledge, or to just pick up along the way. It isn't simply the premise that Outer Range takes its time to reveal in all of its intricacy, a process that remains ongoing in season two; the characters, including Abbott patriarch Royal (Josh Brolin, Dune: Part Two), his wife Cecilia (Lili Taylor, Manhunt), their sons Perry (Tom Pelphrey, Love & Death) and Rhett (Lewis Pullman, Lessons in Chemistry), and stranger-in-their-midst Autumn (Imogen Poots, The Teacher), receive the same treatment. Outer Range streams via Prime Video. Read our full review. Loot Across ten extremely amusing initial episodes in 2022, Loot had a message: billionaires shouldn't exist. So declared the show's resident cashed-up character, with Molly Wells (Maya Rudolph, Teenage Mutant Ninja Turtles: Mutant Mayhem) receiving $87 billion in her divorce from tech guru John Novak (Adam Scott, Madame Web), then spending most of the sitcom's first season working out what to do with it (and also how to handle her newly single life in general). That she had a foundation to her name was virtually news to her. So was much about everything beyond the ultra-rich. And, she was hardly equipped for being on her own. But Loot's debut run came to an entertaining end with the big statement that it was always uttering not so quietly anyway. So what happens next, after one of the richest people in the world decides to give away all of her money? Cue season two of this ace workplace-set comedy. Created by former Parks and Recreation writers Alan Yang and Matt Hubbard, in their second Rudolph-starring delight — 2018's Forever was the first — Loot splices together three popular on-screen realms as it loosely draws parallels with Amazon founder Jeff Bezos and his philanthropist ex-wife MacKenzie Scott. At her charity, as Molly's staff become the kind of friends that feel like family while doing their jobs, shows such as 30 Rock and Superstore (which Hubbard also has on his resume) score an obvious sibling. As its protagonist endeavours to do good, be better and discover what makes a meaningful life, The Good Place (which Yang also wrote for) and Forever get company. And in enjoying its eat-the-rich mode as well, it sits alongside Succession and The White Lotus, albeit while being far sillier. Loot streams via Apple TV+. Read our full review. The Boys "Superheroes, they're just like us" has been an unspoken refrain humming beneath on-screen caped-crusader tales in recent decades. Possessing great powers doesn't mean knowing how to wield power, or greatness, or how to navigate the daily elements of life that don't revolve around possessing great powers, as movies and TV shows in the Marvel Cinematic Universe, the DC Extended Universe and beyond have kept stressing. Even as it dispenses a much-needed antidote to superhero worship's saturation of big- and small-screen entertainment — even as it has made distrusting the spandex-clad and preternaturally gifted its baseline — The Boys has also told this story. Across the entire extent of human history, what's more recognisable than power and dominance bringing out the worst in people? As adapted from Garth Ennis and Darick Robertson's comics series of the same name by showrunner Eric Kripke (Supernatural) since 2019, this series has stared at the grimmest vision of a world with tights-adorned supposed saviours. It's a show where murder at the hands of supes, which is then covered up by the company profiting from elevating them above the masses, is an everyday reality. It's a dark satire. It's gleeful in its onslaught of OTT violence and sightings of genitals. What it means to grapple with the struggle to hold onto humanity has firmly been at The Boys' core since its first episode, however, making it a mirror. It has never been hard to see where art imitates life in this account of its namesake rag-tag crew (Thor: Ragnarok,'s Karl Urban, Oppenheimer's Jack Quaid, Wrath of Man's Laz Alonso, One on One's Tomer Capone and Bullet Train's Karen Fukuhara) saying "enough is enough" to the US' downward spiral. With flying, laser-eyed, super-strong, supernaturally speedy and otherwise-enhanced beings commercialised by a behemoth of a company called Vought International, The Boys has never been subtle at pointing its fingers at the many ways in which pop culture and the corporations behind it hold sway. The show's parallels with American politics in its portrait of a factionalised nation torn apart over a polarising leader who considers himself above the law are equally overt. Of course, the series is just as blatant in unpacking the consequences of letting the pursuit of power run riot. In its narrative, in chasing supremacy above all else, humans and supes really are just like each other — a truth season four doesn't ever let slip from view. The Boys streams via Prime Video. Read our full review. Breeders Sitcoms about raising a family are almost as common as sitcoms in general, with the antics of being married with children up there with workplace shenanigans as one of the genre's go-to setups. Thanks to the OG UK version of The Office, Martin Freeman knows more than a little about employment-focused TV comedies. Courtesy of The Thick of It and Veep, actor-turned-director Chris Addison and writer Simon Blackwell also fall into that category. But Breeders, which the trio created and thrusts them into the world of mining parenting for laughs, isn't your standard take on its concept. As became immediately evident when the British series began in 2020, and remains the case now that it's wrapping up with its current fourth season — which aired overseas in 2023 but only hit Down Under in 2024 — this show does't subscribe to the rosy notion that being a mother or a father (or a son or daughter, or grandmother or grandfather) equals loveable chaos. There's love, of course. There's even more chaos. But there's also clear eyes, plus bleakness; again, this is largely helmed and scripted by alumni of two of the best, sharpest and most-candid political satires of the 21st century, and always feels as such. Season four begins with a time jump, with Breeders' overall path tracking Paul Worsley (Freeman, Secret Invasion) and Ally Grant's (Daisy Haggard, Boat Story) journey from when their two kids were very young — including babies, via flashbacks — to their teenage and young-adult years now. Consequently, five years on in the narrative from season three, another set of actors play Luke (Oscar Kennedy, Wreck) and Ava (debutant Zoë Athena) in this farewell run as the first is moving in with his girlfriend and the second explores her own love life, as well as grappling with the inescapable reality that her elder brother's ups and downs have always monopolised her family's attention. Paul and Ally also have the ailing health of Paul's parents Jim (Alun Armstrong, Tom Jones) and Jackie (Joanna Bacon, Benediction) to manage, in addition to the ebbs and flows of their own often-fraught relationship, plus just dealing with getting through the days, weeks, months and years in general (Ally turning 50 is one of this season's plot points). That this all sounds like standard life is part of the point; watching Breeders is like looking in a mirror, especially in its unvarnished and relatable all-you-can-do-is-laugh perspective. Freeman's knack for swearing will be especially missed. Breeders streams via Disney+. Abbott Elementary The Parks and Recreation comparisons were there from the start with Abbott Elementary. This Emmy- and Golden Globe-winning comedy charts the hustle and bustle at the titular underfunded school in Philadelphia, rather than a government department in Pawnee, but the similarities have always been glaring. Janine Teagues (Quinta Brunson, Miracle Workers) is the eager-beaver second-grade teacher keen to do everything she can for her students. Ava Coleman (Janelle James, Monsters at Work) is the principal content with coasting by on the bare minimum. There's even a newcomer in substitute Gregory Eddie (Tyler James Williams, The United States vs Billie Holiday), with whom sparks fly on Janine's part. It might seem a bold move to use one of the greatest-ever — warmest-ever, too — sitcoms as a template, or even just follow closely in its footsteps, but Abbott Elementary is up to the task. Those awards, which Parks and Recreation also deserved but rarely received, are well-earned by a series that is all heart, kindness and affection for one of the most-important careers there is, as well as appreciation for the obstacles facing US public-school teachers today. In its third season, Abbott Elementary knows that even a winning formula that's been proven elsewhere needs shaking up. So, it does the equivalent of Parks and Recreation sending Leslie Knope (Amy Poehler, Inside Out 2) to Washington by having Janine work for the school district to attempt to bring about change for her pupils at a higher level. It's a move that brings in the always-welcome Josh Segarra (The Big Door Prize) as her new boss, and also Keegan-Michael Key (IF) as the Superintendent that's his boss — and disrupts the status quo at the educational institution that she adores, including for her idol Barbara Howard (Sheryl Lee Ralph, Ray Donovan), plus colleagues Melissa Schemmenti (Lisa Ann Walter, The Right Mom) and Jacob Hill (Chris Perfetti, Sound of Metal). The idea that one person can and does make a difference, no matter the recognition they do or don't receive, beats strongly in this good-natured series, which Brunson created and co-writes. So does a sense of humour about grappling with whatever the day throws your way, be it professional or personal chaos. Abbott Elementary streams via Disney+. The Big Door Prize If there was a Morpho machine IRL rather than just in The Big Door Prize, and it dispensed cards that described the potential of TV shows instead of people, this is what it might spit out about the series that it's in: "comforting". For a mystery-tinged dramedy filled with people trying to work out who they are and truly want to be after an arcade game-esque console appears in their small town, this page-to-screen show has always proven both cathartic and relatable viewing. Its timing, dropping season one in 2023 as the pandemic-inspired great reset was well and truly in full swing, is a key factor. Last year as well as now — with season two currently upon us — this is a series that speaks to the yearning to face existential questions that couldn't be more familiar in a world where COVID-19 sparked a wave of similar "who am I?" musings on a global scale. The difference for the residents of Deerfield in this second spin: their journey no longer simply involves pieces of cardboard that claim to know where the bearer should be expending their energy, but also spans new animated videos that transform their inner thoughts and hopes into 32-bit clips. When the Morpho first made its presence known, high-school teacher Dusty (Chris O'Dowd, Slumberland) was cynical. Now he's taking the same route as everyone else in his community — including his wife Cass (Gabrielle Dennis, The Upshaws) and daughter Trina (Djouliet Amara, Fitting In) — by letting it steer his decisions. But whether he's making moves that'll impact his marriage, or his restaurant-owning best friend Giorgio (Josh Segarra, The Other Two) is leaping into a new relationship with Cass' best friend Nat (Mary Holland, The Afterparty), or other townsfolk are holding the Morpho up as a source of wisdom, easy happiness rarely follows. Season two of this David West Read (Schitt's Creek)-developed series still treats its magical machine as a puzzle for characters and viewers to attempt to solve, but it also digs deeper into the quest for answers that we all undertake while knowing deep down that there's no such thing as a straightforward meaning of life. As well as being extremely well-cast and thoughtful, it's no wonder that The Big Door Prize keeps feeling like staring in a mirror — and constantly intriguing as well. The Big Door Prize streams via Apple TV+. Read our full review, and our interview with Chris O'Dowd and Josh Segarra. The Tourist Same cast, new location, similar-enough scenario: that's the approach in The Tourist's second season, which brings back what was meant to be a once-off series from 2022. In its debut run, Jamie Dornan's (A Haunting in Venice) Elliot Stanley awoke in the Aussie outback with zero memory and his life in danger. When the first six episodes ended, he'd uncovered who he was, complete with a distressing criminal past, but was en route to starting anew with Helen Chambers (Danielle Macdonald, French Exit), the constable who helped him get to the bottom of his mystery. After the show worked so swimmingly to begin with, swiftly earning its renewal, screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) switch part of their initial setup for its next spin. The story moves to Elliot's homeland, while Helen is the tourist (as is her grating ex Ethan, as played by Aunty Donna's Coffee Cafe's Greg Larsen). Remaining in the compellingly entertaining thriller-meets-dramedy's return is the lack of recollection about Elliot's history, even as he actively goes looking for it. The Tourist first rejoins its main couple on a train in southeast Asia. While not married, they're firmly in the honeymoon phase of their relationship. But the now ex-cop has a revelation: Elliot has received a letter from one of his childhood pals who wants to meet. Quickly, off to the Emerald Isle they go. Trying to shave off his bushy holiday beard in a public toilet leads to Elliot being kidnapped, plus Helen playing investigator again. As he attempts to flee his captors (Outlander's Diarmaid Murtagh, Inspektor Jury: Der Tod des Harlekins' Nessa Matthews and The Miracle Club's Mark McKenn), she seeks help from local Detective Sergeant Ruairi Slater (Conor MacNeill, Operation Fortune: Ruse de Guerre), but any dreams that The Tourist's globe-hopping couple had about happy reunions or relaxing Irish getaways are sent packing fast. Disturbing discoveries; feuding families led by the equally formidable Frank McDonnell (Francis Magee, Then You Run) and Niamh Cassidy (Olwen Fouéré, The Northman); again bringing Fargo and TV adaptation to mind: they're all influential factors in The Tourist's easy-to-binge (again) second season. The Tourist streams via Stan. Read our full review. Heartbreak High When Heartbreak High returned in 2022, the Sydney-set series benefited from a pivotal fact: years pass, trends come and go, but teen awkwardness and chaos is eternal. In its second season, Netflix's revival of the 1994–99 Australian favourite embraces the same idea. It's a new term at Hartley High, one that'll culminate in the Year 11 formal. Amerie (Ayesha Madon, Love Me) might be certain that she can change — doing so is her entire platform for running for school captain — but waiting for adulthood to start never stops being a whirlwind. Proving as easy to binge as its predecessor, Heartbreak High's eight new episodes reassemble the bulk of the gang that audiences were initially introduced to two years ago. Moving forward is everyone's planned path — en route to that dance, which gives the new batch of instalments its flashforward opening. The evening brings fire, literally. Among the regular crew, a few faces are missing in the aftermath. The show then rewinds to two months earlier, to old worries resurfacing, new faces making an appearance and, giving the season a whodunnit spin as well, to a mystery figure taunting and publicly shaming Amerie. The latter begins their reign of terror with a dead animal; Bird Psycho is soon the unknown culprit's nickname. Leaders, creepers, slipping between the sheets: that's Heartbreak High's second streaming go-around in a nutshell. The battle to rule the school is a three-person race, pitting Amerie against Sasha (Gemma Chua-Tran, Mustangs FC) and Spider (Bryn Chapman Parish, Mr Inbetween) — one as progressive as Hartley, which already earns that label heartily, can get; the other season one's poster boy for jerkiness, toxicity and entitlement. Heightening the electoral showdown is a curriculum clash, with the SLT class introduced by Jojo Obah (Chika Ikogwe, The Tourist) last term as a mandatory response to the grade's behaviour questioned by Head of PE Timothy Voss (Angus Sampson, Bump). A new faculty member for the show, he's anti-everything that he deems a threat to traditional notions of masculinity. In Spider, Ant (Brodie Townsend, Significant Others) and others, he quickly has followers. Their name, even adorning t-shirts: CUMLORDS. Heartbreak High streams via Netflix. Read our full review and our interview with Thomas Weatherall. House of the Dragon It's a chair made out of swords. So notes Daemon Targaryen's (Matt Smith, Morbius) description of the Iron Throne. Not one but two hit HBO shows have put squabbles about the sought-after seat at their centre so far, and the second keeps proving a chip off the old block in a fantasy franchise where almost everyone meets that description. If the family trees sprawling throughout Game of Thrones for eight seasons across 2011–19 and now House of the Dragon for two since 2022 (with a third on the way) weren't so closely intertwined in all of their limbs, would feuding over everything, especially the line of succession, be such a birthright? Set within the Targaryens 172 years before Daenerys is born, House of the Dragon keeps the black-versus-green factionalism going in season two, to civil war-esque extremes over which two offspring of the late King Viserys the Peaceful (Paddy Considine, The Third Day) should wear the crown and plonk themselves in the blade-lined chair. The monarch long ago named Rhaenyra (Emma D'Arcy, Mothering Sunday) as his heir. But with his last breaths, his wife Alicent Hightower (Olivia Cooke, Slow Horses) claims that he picked their eldest son Aegon II (Tom Glynn-Carney, Rogue Heroes) instead. In King's Landing, the response was speedy, with Rhaenyra supplanted before she'd even heard over at Dragonstone that her father had passed away. Based on George RR Martin's Fire & Blood, House of the Dragon has also long painted Rhaenyra as the preferred type of chip off the old block. She too wants peace, not war. She also seeks stability for the realm over personal glory. If Viserys spotted that in her as a girl (Milly Alcock, Upright) when he chose her over Daemon, his brother who is now Rhaenyra's husband, he might've also predicted the dedication that she sports towards doing his legacy, and those before him, proud. Conversely, Aegon, also the grandson of Viserys' hand Ser Otto Hightower (Rhys Ifans, The King's Man), sees only entitlement above all else. Martin's tales of dynasties trade in the cycles that course through the bonds of blood, especially in House of the Dragon. Everyone watching knows what's to come for the Targaryens in Daenerys' time, right down to an aunt-nephew romance as the counterpart to Daemon and Rhaenyra's uncle-niece relationship. (No one watching has started this prequel series, the first spinoff of likely many to Game of Thrones, without being familiar with its predecessor). Ice-blonde hair, ambition that soars as high as the dragons they raise and fly, said flame-roaring beasts of the sky, the inability to host happy reunions: these are traits passed down through generations. Some are a matter of genes. Martin continues to explore why the others persist. House of the Dragon streams via Binge. Read our full review. Looking for more viewing highlights? We picked the 15 best new TV shows of 2024, too. We also keep a running list of must-stream TV from across the year so far, complete with full reviews. And, you can check out our list of film and TV streaming recommendations, which is updated monthly.
Sydneysiders don't let a little cold or rain stop them from heading to the pub to catch up with mates. If you ask us, the biggest factor that'll make or break a drinking sesh is the food — whether it's a pre-game feast or some cheeky snacks to keep the good vibes going. From locally sourced produce to Mediterranean-inspired bites and juicy burgers, the menus at these beloved pubs cater to all palates. With the help of Solotel, we've rounded up five Inner West mainstays that offer impressive dishes to pair with your drinks, so your next get-together can continue well into the night.
Sydney's cocktail scene is about to heat up this winter as popular Spanish liqueur Licor 43 is partnering with five top South American and Spanish restaurants to introduce the Carajillo 43. This twist on the classic Carajillo (kah-rah-HEE-yoh) cocktail combines fresh espresso with Spanish liqueur, known for its sweet, citrusy flavours, which come from a secret blend of 43 ingredients. For a limited time, from July 19, the first 43 amigos to order a meal can score a complimentary Carajillo 43 when they mention this promotion at each venue. Keep reading to find out where and how you can join the fiesta.