Not all that long ago, the idea of getting cosy on your couch, clicking a few buttons, and having thousands of films and television shows at your fingertips seemed like something out of science fiction. Now, it's just an ordinary night — whether you're virtually gathering the gang to text along, cuddling up to your significant other or shutting the world out for some much needed me-time. Of course, given the wealth of options to choose from, there's nothing ordinary about making a date with your chosen streaming platform. The question isn't "should I watch something?" — it's "what on earth should I choose?". Hundreds of titles are added to Australia's online viewing services each and every month, all vying for a spot on your must-see list. And, so you don't spend 45 minutes scrolling and then being too tired to actually commit to anything, we're here to help. We've spent plenty of couch time watching our way through this month's latest batch — and, from the latest and greatest through to old and recent favourites, here are our picks for your streaming queue from January's haul. Brand New Stuff You Can Watch From Start to Finish Now Boy Swallows Universe A magical-realist coming-of-age tale, a clear-eyed family drama, a twisty crime and detective thriller, a time capsule of Brisbane in the 80s: since first hitting the page in 2018, Trent Dalton's Boy Swallows Universe has worn its happy flitting between different genres and tones, and constant seesawing from hope to heartbreak and back again, as confidently as readers have long envisaged Eli Bell's wide grin. That hopping and jumping, that refusal to be just one type of story and stick to a single mood, has always made sense on the page — and in the excellent seven-part adaptation that now brings Australia's fastest-selling debut novel ever to the screen, it also couldn't feel more perfect. As played by the charmingly talented Felix Cameron (Penguin Bloom), Eli's smile is indeed big. As scripted by screenwriter John Collee (Hotel Mumbai), and with Dalton among the executive producers, the miniseries embraces its multitudes wholeheartedly. Like style, like substance: a semi-autobiographical novel penned by a writer and journalist who lived variations of plenty that he depicts, learned and accepted early that everyone has flaws, and patently has the imagination of someone who coped with life's hardships as a child by escaping into dreams of an existence more fanciful, Dalton's tome and every iteration that it inspires has to be many things in one bustling package. Its characters are, after all. Seeing people in general, parts of a city usually overlooked, and folks with complicated histories or who've made questionable choices — those forced in particular directions out of financial necessity, too — in more than just one fashion flutters at the centre of Boy Swallows Universe. In the Australian Book Industry Awards' 2019 Book of the Year, Literary Book of the Year and Audio Book of the Year, and now on streaming, Eli's nearest and dearest demand it. So does the enterprising Darra-dwelling 12-year-old boy who knows how to spy the best in those he loves, but remains well-aware of their struggles. His older brother Gus (Lee Tiger Halley, The Heights) hasn't spoken since they were younger, instead drawing messages in the sky with his finger, but is as fiercely protective as elder siblings get. Doting and dedicated mum Frankie (Phoebe Tonkin, Babylon) is a recovering heroin addict with a drug dealer for a partner. And Lyle Orlik (Travis Fimmel, Black Snow), that mullet-wearing stepfather, cares deeply about Eli and Gus — including when Eli convinces him to let him join his deliveries. Boy Swallows Universe streams via Netflix. Read our full review, and our interview with Bryan Brown. Society of the Snow It was meant to be a fun trip to Chile with friends and family for a game. When the Old Christians Club rugby union team boarded Uruguayan Air Force Flight 571 in Montevideo on October 13, 1972, destination Santiago, no one among them knew what would happen next. The plane didn't make it to its destination, as 1976 Mexican film Survive!, 1993 American movie Alive and now Spanish-US co-production Society of the Snow each cover. All three features boast apt titles, but only the latest sums up the grim reality and existential dilemma of crashing in the Andes, being stranded for 72 days in snowy climes with little resources against the weather — or for sustenance — and attempting to endure. Taken from the memoir by Pablo Vierci, aka La sociedad de la nieve in Spanish, only this phrase adorning JA Bayona's (Jurassic World: Fallen Kingdom) picture encapsulates the tremendous effort that it took to find a way to persist, as well as the fact that trying to remain alive long enough to be rescued meant adapting everything about how the survivors approached each second, minute, hour, day, week and month — and also links in with how a catastrophe like this banded them together, doing whatever it took to find a way off the mountains, while reshaping how they contemplated what it meant to be human. Society of the Snow isn't just a disaster film detailing the specifics of the flight's failed trip, the immediate deaths and those that came afterwards, the lengthy wait to be found — including after authorities called the search off — and the crushing decisions made to get through. Bayona, who also helmed the 2004 Indian Ocean tsunami-focused The Impossible, has made a weighty feature that reckons with the emotional, psychological and spiritual toll, and doesn't think of shying away from the most difficult aspects of this real-life situation (including cannibalism). This is both gruelling and meaningful viewing, as crafted with technical mastery (especially by Don't Breathe 2 cinematographer Pedro Luque, plus Cinco lobitos' Andrés Gil and Cites' Jaume Martí as editors), built upon brutal candour, and paying tribute to resilience and then some. Its feats extend to its hauntingly acted performances from a cast that includes Enzo Vogrincic (El Presidente), Agustín Pardella (Secrets of Summer) and Matías Recalt (Planners), all contributing to an account of camaraderie and sacrifice that deserves its Best International Feature Film Oscar nomination. Society of the Snow streams via Netflix. The Tourist Same cast, new location, similar-enough scenario: that's the approach in The Tourist's second season, which brings back what was meant to be a once-off series from 2022. In its debut run, Jamie Dornan's (A Haunting in Venice) Elliot Stanley awoke in the Aussie outback with zero memory and his life in danger. When the first six episodes ended, he'd uncovered who he was, complete with a distressing criminal past, but was en route to starting anew with Helen Chambers (Danielle Macdonald, French Exit), the constable who helped him get to the bottom of his mystery. After the show worked so swimmingly to begin with, swiftly earning its renewal, screenwriters Harry and Jack Williams (Baptiste, The Missing, Liar) switch part of their initial setup for its next spin. The story moves to Elliot's homeland, while Helen is the tourist (as is her grating ex Ethan, as played by Aunty Donna's Coffee Cafe's Greg Larsen). Remaining in the compellingly entertaining thriller-meets-dramedy's return is the lack of recollection about Elliot's history, even as he actively goes looking for it. The Tourist first rejoins its main couple on a train in southeast Asia. While not married, they're firmly in the honeymoon phase of their relationship. But the now ex-cop has a revelation: Elliot has received a letter from one of his childhood pals who wants to meet. Quickly, off to the Emerald Isle they go. Trying to shave off his bushy holiday beard in a public toilet leads to Elliot being kidnapped, plus Helen playing investigator again. As he attempts to flee his captors (Outlander's Diarmaid Murtagh, Inspektor Jury: Der Tod des Harlekins' Nessa Matthews and The Miracle Club's Mark McKenn), she seeks help from local Detective Sergeant Ruairi Slater (Conor MacNeill, Operation Fortune: Ruse de Guerre), but any dreams that The Tourist's globe-hopping couple had about happy reunions or relaxing Irish getaways are sent packing fast. Disturbing discoveries; feuding families led by the equally formidable Frank McDonnell (Francis Magee, Then You Run) and Niamh Cassidy (Olwen Fouéré, The Northman); again bringing Fargo and TV adaptation to mind: they're all influential factors in The Tourist's easy-to-binge (again) second season. The Tourist season streams via Stan. Read our full review. Echo With its ninth live-action streaming series on Disney+, the Marvel Cinematic Universe has broken out a new label:" Marvel Spotlight". It's now being applied to anything that's apparently less about ongoing MCU continuity and sports a greater emphasis on character. The idea is that watching shouldn't feel like homework, with no prior viewing required. Echo has also dropped its entire five-episode span at once, another MCU first. The focus on badging this Hawkeye spinoff about Maya Lopez (Alaqua Cox, who made her acting debut in the earlier series) as something different because it isn't just connecting Marvel dots and setting up more to come is a curious choice, though. It's also the wrong point to stress. Echo isn't worth watching thanks to a lack of constant MCU winking, nudging and future nods. In fact, given that Avenger Clint Barton (Jeremy Renner, Mayor of Kingstown), Matt Murdoch/Daredevil (Charlie Cox, Kin) and Wilson Fisk/Kingpin (Vincent D'Onofrio, Dumb Money) appear, that "no knowledge necessary" claim isn't accurate. What makes Echo a must-see, rather, is its protagonist, the authenticity with which it explores her story as an Indigenous woman who is deaf and has had a limb amputated, its cast and the potency that gathers across its run. By deviating from its standard release pattern — where it usually launches with a few episodes at once, then doles the rest out weekly — and unveiling the full series in one go, Disney isn't dumping Echo. If anything in the MCU's streaming catalogue demands a one-sitting binge, it's this. As created by Marion Dayre (Better Call Saul), and directed Sydney Freeland (Reservation Dogs) plus Catriona McKenzie (the Australian filmmaker behind 2012's Satellite Boy), Echo's power resounds with more strength the longer that it continues. The show takes time to step into Maya's backstory, explore her Choctaw community in Oklahoma, see how Kingpin's criminal enterprise reverberates through her family and thread its elements together. The three prologues that kick off the first three episodes, each telling of one of Maya's foremothers, start painting the full picture: this is an MCU TV entry made with careful attention to and affection for the cultural heritage that it depicts, and ensures that that's a genuine and crucial part of the narrative, even if Marvel also still being Marvel comes with the territory. Echo streams via Disney+. Read our full review. The Kitchen He has an Oscar, BAFTA and Golden Globe for Judas and the Black Messiah. He was nominated for all of the above accolades for Get Out, and should've won them all then, too. His resume spans Skins, one of Black Mirror's most-memorable episodes, plus Sicario, Widows, Black Panther, Queen & Slim and Nope as well. But The Kitchen marks a first for Daniel Kaluuya: his first movie as a director. Hopefully more will follow. Co-helming with Kibwe Tavares — who also notches up his feature debut behind the lens after shorts including Jonah and Robot & Scarecrow, which both starred Kaluuya — and co-penning the screenplay with Calm with Horses' Joe Murtagh, the actor makes a stunning arrival as a filmmaker. The Kitchen's setup: in the year 2044 in London, with class clashes so pronounced that not being rich is basically treated as a crime, a man (Top Boy's Kane Robinson, aka rapper Kano) living in the titular housing development crosses paths with a 12-year-old boy (newcomer Jedaiah Bannerman) who has just lost his mother, with the pair discovering that they have no one but each other as they endeavour to find a way to survive. Robinson's Izy has bought into the social-climbing dream when The Kitchen begins. He'll do so literally if he can come up with the cash for an apartment in a swankier tower away from everything he's ever known within 21 days, a dream that he's been working towards at his job selling funerals. It's at the latter that he meets Bannerman's Benji, who has nowhere to live after his mother's death and no one else to turn to for help. The film's scenario is pure dystopia, reflecting the inequities, oppressions and realities of today as all great sci-fi should. Its intimate emotional core hones in on people attempting to persist and connect, as the genre's best always does as well. Accordingly, this is an impassioned and infuriated portrait of society's gaps as everyone watching can recognise, a nightmarish vision of what might come and a thoughtful character study. As directors, Kaluuya and Tavares excel at world-building, at bringing such rich detail and texture to the screen that viewers feel like they could step straight into its social realist-leaning frames, and at guiding affecting performances out of both Robinson and Bannerman (who adds to the feature's impressive first efforts). The Kitchen streams via Netflix. Prosper Prosper is the Australian TV series that was always bound to happen. Now that it exists, it's also easy to predict remakes of this involving drama popping up elsewhere in the world. Hillsong very likely inspired the eight-part show, which turns the angling within a Sydney-based megachurch's hierarchy into a Succession riff within religious confines, but the underlying story of power, corruption, and the complicated bonds of family and faith is universal. Richard Roxburgh knows what it's like to lead an Aussie effort that gets a US spin, thanks to Rake — and here he turns in another mesmerising performance. This time, the star of Elvis, The Crown, Aunty Donna's Coffee Cafe, Force of Nature: The Dry 2, Go!, Fires and Bali 2002 in just the past four years alone plays Cal Quinn, a charismatic pastor whose belief in himself is just as strong as his devotion to the almighty. The fact that scandals keep raining down upon U Star, the name for the mix of worship and song he's trying to spread around the world with his wife Abi (Rebecca Gibney, Back to the Rafters) and their offspring, doesn't dent his certainty. The Quinns have big dreams to conquer the US, and also just-as-hefty chaos at home to deal with. Eldest son Dion (Ewen Leslie, The Clearing) wants to be more than just his dad's right-hand man, but has a fraying relationship with his wife Taz (Ming-Zhu Hii, La Brea) that's troubling him. Daughter Issy (Hayley McCarthy, Sylvie's Love) and her husband Benji (Jordi Webber, In Limbo) have their eyes on the American expansion, too. Cal and Abi are desperate to do anything that's necessary to bring Jed (Jacob Collins-Levy, The Witcher: Blood Origin), who left the church to work with the unhoused in the community, back to the fold. Throw in youngest child Moses (Alexander D'souza, Angry Indian Goddesses), a high schooler eager to understand who he truly is — and also family lawyer Eli Slowik (Jacek Koman, Faraway Downs), who knows everyone's secrets — and there's ample fuel for a rollercoaster-ride of a thriller. But as Prosper unpacks the Quinns' lives and lies, it also works in eager parishioner Rosa (Brigid Zengeni, The Artful Dodger) and her skeptical daughter Juno (Andrea Solonge, Class of 07), plus star US singer Maddox (Alex Fitzalan, Chevalier), who claims that he wants to be saved. Prosper strams via Stan. Good Grief Grief is a frequent filmic theme, but also a difficult one. Movie-of-the-week weepies have built their own set of cliches. The worst of the worst use someone's illness to try to claim that dying isn't worse than being by a person's ailing side. Dramedy Good Grief knows that the subject that's right there in its name is tricky, however — and that there's no one-size-fits-all experience of mourning. It also manages a complex task, focusing on a man who becomes a widower when his husband is killed suddenly, following his plight as he realises that not everything about their relationship was as idyllic as he thought, but never using someone losing their life solely as fodder to make its protagonist more interesting or tragic (or both). The directorial debut of Schitt's Creek's Dan Levy, who also pens his first feature screenplay, this sincere grappling with mortality and love cares about its characters deeply. It sees their intricacies and their flaws. This is also a film about the messy space that awaits when everything you thought your future holds crumbles, and then all that you're holding onto feels like it's floating away. Levy also stars as Marc, adding to a busy past year that's also seen him in The Idol, Haunted Mansion and Sex Education. When his character throws a Christmas party with his husband Oliver (Luke Evans, Nine Perfect Strangers), the only thing that doesn't seem rosy is the fact that the latter has a business trip to Paris that's taking him away mid-shindig. But the evening turns heartbreaking, leaving Marc lamenting the perfection he's lost — until he learns that there's more to Oliver's jaunts to France. Accompanied by his best friends Sophie (With Negga, Passing) and Thomas (Himesh Patel, Black Mirror), a visit to the City of Love himself awaits, where the stark discoveries keep coming in tandem with earnest soul-searching. Levy helms and pens this like he's lived it, especially in the honest dialogue. He unfurls the story with humour, too, and soulfulness. And he also never lets the inescapable truth that grief never disappears — and that its evolution never ends, either — fade from view. Good Grief streams via Netflix. New and Returning Shows to Check Out Week by Week True Detective Even when True Detective had only reached its second season, the HBO series had chiselled its template into stone: obsessive chalk-and-cheese cops with messy personal lives investigating horrifying killings, on cases with ties to power's corruption, in places where location mattered and with the otherworldly drifting in. A decade after the anthology mystery show's debut in 2014, True Detective returns as Night Country, a six-part miniseries that builds its own snowman out of all of the franchise's familiar parts. The main similarity from there: like the Matthew McConaughey (The Gentlemen)- and Woody Harrelson (White House Plumbers)-led initial season, True Detective: Night Country is phenomenal. This is a return to form and a revitalisation. Making it happen after two passable intervening cases is a new guiding hand off-screen. Tigers Are Not Afraid filmmaker Issa López directs and writes or co-writes every episode, boasting Moonlight's Barry Jenkins as an executive producer. True Detective creator Nic Pizzolatto remains in the latter role, too, as do McConaughey, Harrelson and season-one director Cary Joji Fukunaga (No Time to Die); however, from its female focus and weighty tussling with the dead to its switch to a cool, blue colour scheme befitting its Alaskan setting, there's no doubting that López is reinventing her season rather than ticking boxes. In handing over the reins, Pizzolatto's police procedural never-standard police procedural is a powerhouse again, and lives up to the potential of its concept. The commitment and cost of delving into humanity's depths and advocating for those lost in its abyss has swapped key cops, victims and locations with each spin, including enlisting the masterful double act of Jodie Foster (Nyad) and boxer-turned-actor Kali Reis (Catch the Fair One) to do the sleuthing, but seeing each go-around with fresh eyes feels like the missing puzzle piece. López spies the toll on the show's first women duo, as well as the splinters in a remote community when its fragile sense of certainty is forever shattered. She spots the fractures that pre-date the investigation in the new season, a cold case tied to it, plus the gashes that've carved hurt and pain into the earth ever since people stepped foot on it. She observes the pursuit of profit above all else, and the lack of concern for whatever — whoever, the region's Indigenous inhabitants included — get in the way. She sees that the eternal winter night of 150 miles north of the Arctic Circle come mid-December isn't the only thing impairing everyone's sight. And, she knows that not everything has answers, with life sometimes plunging into heartbreak, or inhospitable climes, or one's own private hell, without rhyme or reason. True Detective streams via Binge. Read our full review. Criminal Record It was accurate with side-splitting hilarity in The Thick of It, as dripping with heartbreak in Benediction and in the world of Doctor Who in-between: Peter Capaldi is one of Scotland's most fascinating actors today. Criminal Record uses his can't-look-away presence to excellent effect, casting him as DCI Daniel Hegarty, one of the eight-part series' two key detectives. By day, the no-nonsense Hegarty is a force to be reckoned with on the force. By night, he moonlights as a driver, seeing much that lingers in London as he's behind the wheel. In his not-so-distant past is a case that brings DS June Lenker (Cush Jumbo, The Good Fight) into his orbit — a case that she's certain is linked to a distressed emergency call by a woman trying to flee domestic abuse, and who says that her partner has already committed murder, gotten away with it and sent another man to prison for the crime in the process. Hegarty contends otherwise, and gruffly, but Lenker is determined to discover the truth, find her potential victim, ascertain whether someone innocent is in jail and learn why every move she makes to dig deeper comes with professional retaliation. This is no odd-couple cop show. It's largely a two-hander, however — and saying that it couldn't be better cast is an understatement. Capaldi is already someone who makes every moment that he's on-screen better. So is Jumbo, which makes watching them face off as riveting as television gets. Passive aggression oozes from the frame when Hegarty and Lenker first confront each other. Tension drips throughout the series relentlessly, but do so with particular vigour whenever its key cops are in close proximity. Criminal Record doesn't waste time keeping audiences guessing about who's dutifully taking their role as part of the thin blue line and who's part of policing at its most corrupt; instead, it lets those two sides that are both meant to be on the upstanding end of the law-and-order divide clash, surveying the damage that ripples not just through the fuzz but also the community. While twists and mysteries are also layered in, they regularly come second to Criminal Record's extraordinary performances, plus its thematic willingness to tear into what policing should be, can be and often is. Criminal Record streams via Apple TV+. Expats Adapting Janice YK Lee's 2016 novel The Expatriates, Lulu Wang's first major stint behind the lens since The Farewell has been dubbed Expats as a miniseries. The six-parter marks a shift in location to Hong Kong and a splinter in focus to three protagonists for its guiding force — with Wang creating the show, executive producing, helming all six episodes and writing two — but she's still plunging deep into bonds of blood, deceptions amid close relationships, grappling with grief and tragedy, and being caught between how one is meant to carry on and inescapable inner emotions. It too sees not only people but also its chosen place. It's a haunting series and, albeit not literally in the horror sense, a series about women haunted. And it's spectacularly cast, with Nicole Kidman (Aquaman and the Lost Kingdom), Sarayu Blue (A Million Miles Away) and Ji-young Yoo (The Sky Is Everywhere) each stellar as its three main characters, all who've relocated for love, work or new beginnings, then make each other's acquaintance. The year is 2014, and Margaret Woo, her husband Clarke (Brian Tee, Chicago Med) and their family aren't new Hong Kong arrivals — but their past 12 months have been under a shadow ever since their youngest son Gus (debutant Connor James) went missing. No one is coping, including elder children Daisy (Tiana Gowen, True Love Blooms) and Philip (Bodhi del Rosario, 9-1-1). But while Margaret refuses to give up hope of finding her three-year-old boy, there are still lives to lead and, to help start Expats, a 50th birthday party for Clarke to host. In the lift at The Peak, the towering symbol of wealth inhabited by plenty who give the show its title, she's also insistent that her friend, downstairs neighbour and fellow American Hilary Starr (Blue) attend the shindig. The frostiness that fills the elevator also stems from Gus' disappearance, and accusations made against Hilary's recovering-alcoholic husband David (Jack Huston, Anne Rice's Mayfair Witches). When the soiree takes place, Mercy (Yoo) is there working one of her gig-economy jobs. Indeed, the lives of the privileged aren't solely this show's domain — because while this is a tale of three Americans adrift with their sorrows, where and the reality that surrounds them is equally as important as how and why. Expats streams via Prime Video. Read our full review. Death and Other Details There's no doubting that Death and Other Details loves whodunnits, or that it's made with a murderers' row of them in mind. Playing "spot the nod" is one of this ten-part series' games. Sleuthing along with its plot is the other, obviously. So, as an odd couple with an age discrepancy team up to attempt to solve "a classic locked-room mystery" — the show even calls it such — among the preposterously wealthy on holiday, and on a boat at that, where everyone has a motive and a battle over who'll seize control of a family business is also taking place, gleaning what creators and writers Heidi Cole McAdams and Mike Weiss (who also worked together on Stumptown) have been reading and watching isn't a puzzle. Nudges and references are regularly part of the murder-mystery genre anyway; here, recalling Agatha Christie's oeuvre and especially Death on the Nile, as well as Only Murders in the Building, Knives Out, Poker Face, The White Lotus and Succession, is part of sailing into a tale that's also about what we remember and why. Indeed, when other films and shows earn a wink here, Death and Other Details also digs into the purpose behind the minutiae that sticks in our memories. It's a savvy yet risky gambit, getting viewers ruminating on how they spy patterns and filter their perspectives, too, while chancing coming off as derivative. Mostly the series bobs in the first direction; however, even when it sways in the second, it still intrigues its audience to keep watching. Its seemingly mismatched pair: Imogene Scott (Violett Beane, God Friended Me) and the Hercule Poirot-esque Rufus Cotesworth (Mandy Patinkin, Homeland), with the second regularly dubbed "the world's greatest detective". Most folks might believe that label, but Imogene does not. The duo shares a history spanning two decades, from when she was a child (Sophia Reid-Gantzert, Popular Theory) mourning the shock killing of her mother that he couldn't solve. Back then, Rufus was on the case at the behest of the wealthy Colliers, who work in textiles, employed Imogene's mum as a personal assistant to patriarch Lawrence (David Marshall Grant, Spoiler Alert) and took the girl in when she had no one else. Now, both Rufus and Imogene are guests on a cruise chartered by them — she's there as basically a member of the family; he's accompanying the Chuns, with whom the Colliers are in the middle of a billion-dollar business deal — when bodies start piling up. Death and Other Details streams via Disney+. Read our full review. One of the Best Films of 2023 That You Absolutely Need to Watch — or Rewatch Killers of the Flower Moon Death comes to Killers of the Flower Moon quickly. Death comes to Killers of the Flower Moon often. While Martin Scorsese will later briefly fill the film's frames with a fiery orange vision — with what almost appears to be a lake of flames deep in oil country, as dotted with silhouettes of men — death blazes through his 26th feature from the moment that the picture starts rolling. Adapted from journalist David Grann's 2017 non-fiction novel Killers of the Flower Moon: The Osage Murders and the Birth of the FBI, with the filmmaker himself and Dune's Eric Roth penning the screenplay, this is a masterpiece of a movie about a heartbreakingly horrible spate of deaths sparked by pure and unapologetic greed and persecution a century back. Scorsese's two favourite actors in Leonardo DiCaprio (Don't Look Up) and Robert De Niro (Amsterdam) are its stars, alongside hopefully his next go-to in Lily Gladstone (Reservation Dogs), but murder and genocide are as much at this bold and brilliant, epic yet intimate, ambitious and absorbing film's centre — all in a tale that's devastatingly true. As Mollie Kyle, a member of the Osage Nation in Grey Horse, Oklahoma, incomparable Certain Women standout Gladstone talks through some of the movie's homicides early. Before her character meets DiCaprio's World War I veteran Ernest Burkhart — nephew to De Niro's cattle rancher and self-proclaimed 'king of the Osage' William King Hale — she notes that several Indigenous Americans that have been killed, with Mollie mentioning a mere few to meet untimely ends. There's nothing easy about this list, nor is there meant to be. Some are found dead, others seen laid out for their eternal rest, and each one delivers a difficult image. But a gun fired at a young mother pushing a pram inspires a shock befitting a horror film. The genre fits here, in its way, as do many others as Killers of the Flower Moon follows Burkhart's arrival in town, his deeds under his uncle's guidance, his romance with Mollie and the tragedies that keep springing: American crime saga, aka the realm that Scorsese has virtually made his own, as well as romance, relationship drama, western, true crime and crime procedural. Killers of the Flower Moon streams via Apple TV+. Read our full review, and our interview with Martin Scorsese. Need a few more streaming recommendations? Check out our picks from January, February, March, April, May, June, July, August, September, October, November and December 2023. You can also check out our running list of standout must-stream shows from last year as well — and our best 15 new shows of 2023, 15 newcomers you might've missed, top 15 returning shows of the year, 15 best films, 15 top movies you likely didn't see, 15 best straight-to-streaming flicks and 30 movies worth catching up on over the summer.
Young love can make a whole lot of life's rotten, unfair burdens bearable, but for teenagers Tamara (Sophie Hensser) and Squid (Meyne Wyatt), it may not be enough. They leave homes of absent parents, incarcerated siblings and cupboards empty of even unwholesome breakfasts to attend a scantly resourced urban Sydney public school from which most students aren't expected to graduate. If someone believes in them, it's usually fleeting. Outside of school, they run amok and make meaning of a familiar topography — the meeting ground of Town Hall, the galleried glamour of CBD shops, the strafing lights and menace of Kings Cross. The world is painted and scenes transitioned through narration, mostly Tamara's. You'll want to listen. Their dramas resonate beyond the usual boundaries of adolescence. Lachlan Philpott's script, in its first performance after winning the 2009 Griffin Award that sent it into production, is bold, poetic, insightful, truly affecting and wonderfully, literally close to home. It's extraordinary the levels to which he's been able to penetrate and embody the teenage mind — Facebook-checking and headphones-dependency unpatronisingly explained — as well as the minutiae of the school world most of us have happily repressed (Philpott couldn't; he's a teacher). Still, it's a hard one to pull off, so it's fortunate this show is so well cast and directed (by Lee Lewis, fresh off the Sydney Theatre Company's ZEBRA!). Wyatt, in particular, puts in a stunning performance as Squid, a boy of comparably few words but plenty of raw charm and an alarming intensity written in his eyes. Hensser, considering she spends two hours parlaying the incessant stream-of-consciousness of a 15-year-old girl, can notch up a success in making Tamara anything other than completely annoying, and ultimately, she makes a lot more of her than that. Her Tamara is inquisitive, bubbling with potential, cute and fragile. The two multi-purposed adults, Camilla Ah Kin and Kirk Page, are wonderful, and Ah Kin's rendering of the outwardly wry, inwardly empathetic and nostalgic teacher Ms Petchall is an undisputed highlight. Their fates play out against a Sydney skyline cuprocked into a chain-link fence. It's effusively teenage, and like so many of Griffin's inventive yet space-constrained sets, when you think you know it, you don't know it at all.
If Cottesloe starts to feel a little too sharky for your liking, take a break from the beach and head to AGWA for Heath Ledger: A Life in Pictures before it wraps up at the end of January. Celebrating the Perth-born actor's charisma, exemplary career and passionate creativity, it's a must-see for all Ledger fans. Put together by AGWA, the WA Museum and guest curator Allison Holland, the exhibition follows Ledger's career from his teenage years up to his final role in The Imaginarium of Doctor Parnassus (2009). You'll get to see costumes — including the Joker suit from The Dark Knight and the shirts he wore as Ennis del Mar in Brokeback Mountain — alongside research journals (on display for the first time) that grant an insight into how Ledger developed his roles. Also included in the show are photographic portraits by the likes of Karin Catt and Bruce Weber, Ledger's Best Supporting Actor Oscar and BAFTA, and a chronological narrative of his career — including his own experimentation with image making and creative projects as a director. Promises to be a bittersweet reminder of just how talented Ledger was, and what even greater heights he would have gone on to achieve. Image: Brokeback Mountain, 2005, © Kimberley French, photographer.
2015 brought you a cornucopia of hideous yet good for you root veggies, international restaurant swaps and bargain basement lobster, among other gustatory revelations. So, what's in store for 2016? Well, the restaurant transplants are set to continue with Copenhagen's Noma popping up later this month, and not-so aesthetically appealing foodstuffs are sticking around (see: algae). But just when you thought chefs and food technologists couldn't invent anything weirder, they come up with the goods. Then again, with the likes of Bompas and Parr setting up food museums, we shouldn't be surprised. This year is set to deliver a slew of culinary adventures, from cocktails you can inhale to niche food festivals, to more dishes featuring native Australian ingredients. Here are ten trends we've got our money on. [caption id="attachment_555266" align="alignnone" width="1280"] Attica[/caption] NATIVE AUSSIE INGREDIENTS Kylie Kwong's been caramelising wallaby tail and stir-frying native greens for a few years now, while Melbourne's Attica offers a dish of salt cured red kangaroo with bunya bunya (pictured). By and large though, Australian chefs have been slow to capitalise on Australia's indigenous produce. That might change when Copenhagen's two Michelin-starred restaurant Noma pops up in Sydney on January 26 for ten weeks. Head chef Rene Redzepi is passionate about expressing an area's unique environment through his cooking, and is sure to use our best native ingredients while he's here. Read more about the incredible potential of native foods over here. [caption id="attachment_555499" align="alignnone" width="1280"] blumblaum via Flickr[/caption] ALGAE Kale's still kicking around, but algae is closing in. In October, an upmarket Californian store put the world's first ever algae cooking oil on its shelves. With scientists warning us off other veggie oils due to their toxicity, this new product promises "goodness to your heart, the kitchen and the planet". Expect it to be added to foods and beverages to reduce fat and cholesterol and add a bit of extra protein and antioxidants. Meanwhile, a design collective has imagined a futuristic opera, in which singers grow algae with their breath during the show and give it to audiences to eat afterwards. But maybe that belongs under theatre trends. [caption id="attachment_555557" align="alignnone" width="1280"] Hunter and Barrel[/caption] PLAYING WITH FIRE Lucky we've been giving you inside info on Sydney's best caves, because your troglodyte skills are about to come in handy. When electricity arrived, we cast aside one of humankind's oldest technological developments, but, as any dedicated hiker knows, there ain't no potato like a campfire-cooked potato. So expect to see a lot more cooking with fire this year, whether it's at Hunter & Barrel, Firedoor or Hartsyard. Just don't think you can go wandering into any of these pubs with your marshmallow on a stick. [caption id="attachment_555568" align="alignnone" width="1280"] Stefano via Flickr[/caption] DNA MATCHING Not as in, would you like a chardonnay or a cup of genes with that salad, but choosing foods that best suit your DNA to avoid unpleasant symptoms and improve your health. Yep, it's a thing. It turns out your wheat intolerance mightn't be just about gluten, it might be linked to a plethora of factors, especially your DNA. Old mates Bompas and Parr are already onto this, having worked on a project that created bespoke cocktails based on your DNA last year. And Dr. Fredric Abramson, founder of Digital Nutrition, is already offering a service that helps you match your diet to your genes. So get on it. [caption id="attachment_555298" align="alignnone" width="1280"] Fir0002 via Wikimedia Commons[/caption] GETTING GOATY With bacon having some copped some bad press for its carcinogenic qualities, goat sales are on the rise. It's profitable news for Aussie farmers, who are the world's biggest exporters of goat meat. Long a staple of Bangladeshi, Nepalese, Sri Lankan, Pakistani and Indian diets, the horned creature will be making its way onto mainstream menus more and more often . In London, Aussie-born chef Brett Graham is already on the bandwagon at The Ledbury. NICHE FOOD FESTIVALS So, it happened before processed meat was added to WHO's top five most cancerous items, but Sydney hosted its biggest ever bacon party in August 2015. And Pinot Palooza, a touring festival devoted to the mighty pinot noir, is now a mainstay on the annual calendar. Last year also saw Melbourne host its first gin festival, Juniperlooza, and a festival 100 per cent dedicated to Nutella will be hitting Adelaide in April. Food festivals have been around for thousands of years, but we reckon they're going to get more and more specific in 2016. [caption id="attachment_555572" align="alignnone" width="960"] Master's 'Roast Potato' by kseet via Instagram[/caption] SWEET AND SAVOURY DESSERTS Everyone knows what a decent dash of salt can do for a good chocolate. And the ebullient marrying of sweet and savoury flavours is likely to feature in desserts all over the planet in 2016. New Yorkers are already sampling beetroot, carrot and sweet potato yoghurts, courtesy of Blue Hill founder Dan Barber, and here in Sydney Master is pushing the sweet-savoury envelope with their roast potato ice cream dessert. In Melbourne, Lume is going down the same lines with their beetroot cake dessert, and Mammoth is confusing everyone's tastebuds with their sugary doughnut lobster burger. INHALABLE COCKTAILS Many of our favourite bars look to the cocktail's 'golden age' for inspiration. And with good reason — an old-fashioned or a martini is hard to beat. But the inhalable incarnation of the cocktail is bringing the drink into the 21st century. This is thanks to Bompas and Parr, who ran a pop-up bar named Alcohol Architecture in London last August. Visitors were invited to walk into a 'cocktail cloud', created with enormous humidifiers. Inspired by the duo, Brisbane Festival got on this last year, creating a breathable gin and tonic room as part of their 2015 program. We can't wait to see where this goes next. LEAVES OF ALL KINDS Your iceberg lettuce just won't cut it anymore. And neither will your cos, rocket or radicchio, for that matter. Your salads are about to get much, much fancier and more diverse. Heston Blumenthal was onto it at 2015's Fat Duck pop-up in Melbourne — he organised exclusive access to a source of local oyster leaves, which he combined with chicken, grilled onion emulsion and spiced celeriac sauce. [caption id="attachment_555270" align="alignnone" width="1280"] Superfood Sushi[/caption] GOING VEGAN Veganism is nothing new, but this year looks like it might be the one to firmly cement it as a full-blown cuisine. And for a while there, it looked as though the whole of Sydney's King Street might go vegan. It added vegan superfood sushi and Bliss 'n' Chips — where soy-based protein and konjac are transmogrified into incredibly convincing deep fried seafood dishes — to the strip, and and then, in news that shocked many, Gigi announced it was taking animal products out of its pizzas. All three businesses seem to be thriving, so we're banking on more vegan openings and conversions this year. But for now, here are our top ten vegan joints. Top image: Bompas and Parr
Back in the 2000s, if you weren't listing to Interpol and Bloc Party, were you really in the 2000s? No, no you weren't. The former arrived out of Manhattan in the late 90s, then helped define the city's turn-of-the-century indie music scene with The Strokes, Yeah Yeah Yeahs, TV on the Radio and The National. Hailing from Britain and also coming together just before Y2K, the latter initially scored some hefty approval in 2003 via Franz Ferdinand's lead singer Alex Kaprano. From those beginnings, both bands became indie rock greats. Next, they're heading to Australia to remind music lovers why. Busting out everything from 'Slow Hands' to 'She's Hearing Voices', the two groups will share the same bill on a co-headlining tour of the country's east coast in November, starting at the Sidney Myer Music Bowl in Melbourne, then hitting Sydney's Hordern Pavilion and finally playing the Brisbane Riverstage. For Interpol, it'll be their first visit Down Under since 2019, plus their debut chance to play 2022 album The Other Side of Make-Believe in Australia. Tracks from past records such as Turn on the Bright Lights, Antics and El Pintor will also feature. Bloc Party are making the trip after last rocking Aussie stages in 2018, and will perform songs from Silent Alarm, A Weekend in the City, Intimacy and 2022 LP Alpha Games. "We are so happy to be hitting the road with our friends Bloc Party in Australia. Come on down!" said Interpol, announcing the tour. "The histories of Bloc Party and Interpol are intertwined at various stages of our careers. It made perfect sense to us to solidify that by playing some massive shows together in one of our favourite countries on earth. We can't wait to get back to Australia in November," added Bloc Party's Kele Okereke. INTERPOL AND BLOC PARTY AUSTRALIAN CO-HEADLINE TOUR 2023: Thursday, November 16 — Sidney Myer Music Bowl, Melbourne Saturday, November 18 — Hordern Pavilion, Sydney Wednesday, November 22 — Riverstage, Brisbane Interpol and Bloc Party are touring Australia's east coast in November 2023, with presales from 9am on Wednesday, July 5 and general sales from 9am on Friday, July 7. Hit up the tour website for further details. Bloc Party images: James Kellegher. Interpol image: Ebru Yildiz.
He's an Australian treasure, he's one of Hollywood's recent villainous go-tos and he definitely isn't in Voyagers. That'd be Ben Mendelsohn, who comes to mind anyway while watching this sci-fi thriller. In a softer mode, the Rogue One and Ready Player One star could've played Colin Farrell's part here. That's not why Voyagers makes him pop into viewers' heads, though. Rather, it's because his brand of slippery menace still slinks through this space-set flick, all thanks to its most vivid performance. Should an upcoming movie ever need a fresher-faced version of Mendelsohn's latest bad guy or next morally complicated figure, Dunkirk, The Children Act and Black Mirror: Bandersnatch's Fionn Whitehead needs to be on speed dial. He channels Mendo perfectly as Zac, one of 30 test tube-bred teenagers who are rocketed into the heavens as humanity's last hope for survival. In the latter half of the 21st century, Earth is near-uninhabitable, so he's on an 86-year mission to a newly located planet. The young Humanitas crew's main purpose is to beget the next generations who'll colonise their new home — but, after learning that he's being drugged into obedience, Zac decides not to play nice. Ten years in, when the quieter Christopher (Tye Sheridan, X-Men: Dark Phoenix) realises that the drink they all call 'blue' contains an unidentified compound, the decision is easy. First Christopher, then Zac, then the rest of their shipmates all stop sipping it and start letting their hormones pump unfettered for the first time in their intricately designed and highly controlled lives. Richard (Farrell, The Gentlemen), the lone adult and the closest thing any of the crew have ever had to a father, is suddenly treated with suspicion. Christopher and Zac begin testing boundaries, indulging desires and flouting rules, too — and realising that they're both attracted to dutiful Chief Medical Officer Sela (Lily-Rose Depp, Crisis). Then an accident changes the dynamic, with the two pals challenging each other while fighting to lead. Factions are formed, chaos ensues and the very folks entrusted with saving the species are now simply trying to outlast each other. The fact that Whitehead's performance recalls Mendo as strongly as it does is fitting; almost everything about Voyagers brings another movie or story to mind, actually. When it comes to warring youths, Lord of the Flies, The Hunger Games and The Maze Runner all get a nod. In the space film genre, Solaris, Passengers and High Life do as well. The list goes on, increasing with each of Voyagers' foreseeable twists and turns. When the infighting starts revolving around a potentially mysterious presence, for instance, the feature nudges its audience to think about Alien and Prometheus. In spacewalking beyond the Humanitas, Gravity and The Midnight Sky get a look in (among a hefty roster of past flicks that've also stepped into the inky sky, of course). When the picture simply lingers within the spaceship's stylish but restrictive walls and ripples with unease, 2001: A Space Odyssey casts a shadow. And, in its musings on parenthood, Interstellar and Ad Astra spring to the fore. Still, as it shuffles, jumbles and reassembles much of its bulk from recognisable parts pilfered from elsewhere, a number of interesting ideas sit at the heart of Voyagers. Yes, they've been tackled in various ways before, but they still leave an imprint. Writer/director Neil Burger has both Limitless and Divergent to his name, so he's no stranger to big-thinking science fiction flicks that contemplate intriguing ideas while also following in other footsteps. Here, he wonders not just if life has any meaning, but if there's any genuine meaning to life when a person's function in the bigger picture has already been determined from their first breath right up until their last. He also ponders exactly what humans have spent our entire existence as a species surviving: whatever external forces have come our way, or the ongoing, never-ending repercussions of our very worst impulses? It doesn't offer up any new answers to these trains of thought, or give themes and topics like paranoia, claustrophobia, toxic masculinity, nature versus nature and free will a particularly fresh spin, but Voyagers remains resonant enough. It has a timely relevance, arriving after the globe has spent a year indoors trying to stay alive, and its picture of easy self-destruction is both undeniably blunt and unmistakably effective. Films like this keep hitting screens because we're all aware that humanity's worst enemy is itself. That's a truth we'll never stop grappling with, in fact. As a result, predictability always comes with the territory — because humans have proven such predictable creatures. Accordingly, it isn't the least bit surprising that Voyagers sticks to the familiar, and doesn't provide much of a different take on the age-old realisations at its core (even as Zac tries to lie, bully and manipulate his way to power in a manner reminiscent of recent world leaders). Nonetheless, the feature's ruminations still hit home, even amid all of its winks to other movies. Also convincing is the film's set design, which weaponises its grey surfaces and seemingly endless corridors, transforming every corner and passage into a maze literally of humankind's own making. Voyagers' gleaming overall look wavers between sterile and slick, in another canny touch — this is a movie about finding middle ground between lives of unthinking compliance and primal hedonism, after all. And, cast-wise, Sheridan, Depp and Farrell do what they need to with their straightforward parts. Like Whitehead, Sheridan also helps sum up the movie overall, too. He already faced off against the real Mendo in Ready Player One, so he leaves viewers enjoying his calmly commanding efforts and remembering other flicks. In a picture that's both derivative and engaging, that seems to be Voyagers' chosen mission. https://www.youtube.com/watch?v=zadWJ8tPmnU
UPDATE, February 28, 2021: Rocketman is available to stream via Netflix, Foxtel Now, Google Play, YouTube, iTunes and Amazon Video. "It's obviously not all true, but it's the truth," says Elton John about Rocketman. Trust the British superstar to sum up his own lively, dreamlike musical biopic perfectly. Cinematic celebrations of beloved singers and bands often aim for little more than supremely skilled impersonations, toe-tapping greatest-hits soundtracks and broad rags-to-riches overviews; indeed, it's an approach that won Bohemian Rhapsody several Oscars. But there's a vibrant spark to Rocketman as it charts Reginald Dwight's transformation into Elton Hercules John. A glorious tone, too, which couldn't work better. Showing how fantastical the ups and downs of fame, fortune and rock stardom can be by sashaying through a sea of surreality, the result is a winning marriage of form and feeling. Bursting into a support group wearing wings, horns and a blazing orange devil costume in the movie's opening moments, an 80s-era John (Taron Egerton) lays bare his sins. He's an alcoholic, cocaine addict, sex addict, bulimic, shopaholic, fond of prescription drugs, dabbles with marijuana and, if that's not enough, he also has anger management issues. That's Rocketman's warts-and-all baseline — the unflinching description of its protagonist at his lowest point, in his own words. Of course, we all already know how things turn out, but the film spends its two-hour running time unpacking and explaining John's troubles. Two intersecting threads come into focus: his ascent to the top of the music world, and his simultaneous descent into depression, frustration and loneliness. From his therapy circle, John follows his younger self (Matthew Illesley) to his childhood home, with the singer stepping through his unhappy formative years as the son of bitter, bickering parents (Bryce Dallas Howard and Steven Mackintosh). When his talent for tunes starts shining brightly, the biopic traces his long quest for success, including teaming up with lyricist Bernie Taupin (a well-cast Jamie Bell), who becomes a lifelong friend. After a 1970 trip to the US shoots John into the music stratosphere, the film watches as he rockets higher and higher, chronicling the hits, glitz, raucous parties and romantic dramas — complete with his first proper romance, with his manager John Reid (Richard Madden). But what goes up must come down, with the movie charting John's personal crashes as well. Story-wise, so far, so standard. The familiar superstar origin tale and cliched sex, drugs and rock 'n' roll trajectory don't dissipate. But from the moment that John breaks into song while recounting his woes, then dances and sings his way along a visibly desaturated 50s suburban London street with the childhood Reggie by his side, Rocketman thoroughly eschews the standard approach. Biographical details guide the narrative as expected, with the film stringing together a timeline that spreads over four decades, however it's emotion that drives every scene in Lee Hall's (Victoria & Abdul) screenplay. As proved the case in Hall and John's first collaboration on Billy Elliott the Musical, blending sentiment and song couldn't be more pivotal, poignant or important. Nor could Rocketman's core creative decision, because this isn't just a music biopic. It's unashamedly a musical biopic, and those extra couple of letters make a significant difference. With structure and staging that brings Hugh Jackman's Peter Allen musical The Boy From Oz to mind — not to mention a standout central performance — Rocketman is presented with razzle-dazzle showmanship that could easily see the movie adapted into a live production. Sequins, glitter, shiny platform shoes, oversized glasses and over-the-top outfits have long been part of John's public persona, and it's that theatricality that director Dexter Fletcher draws upon. That said, he's not simply fashioning the film after John's flamboyant attire. The intention, and one that comes to life with as much deep-seated feeling as eye-catching flashiness, is to convey John's true inner state rather than slavishly sticking to the truth. How better to show how young Reggie saw music as an escape from his difficult upbringing than to make his success seem like a dream? To demonstrate just how electrifying and unreal John's breakout gig felt than to literally depict him and the heaving crowd floating in the air? From the song-and-dance highs of finally making it, to the boozy, woozy, literally sinking lows of feeling all alone when the world is at his feet, the list of vivid and expressive examples goes on. Not only set to all of the expected tracks, but using them to plot an engaging emotional journey, the final product takes more cues from Fletcher's last two official directorial credits — on the upbeat Proclaimers jukebox musical Sunshine on Leith, as well as the Egerton-starring sports biopic Eddie the Eagle — than his uncredited job taking over for the fired Bryan Singer on Bohemian Rhapsody. Without an ounce of surprise, Rocketman is all the better for it, even when it makes crowd-pleasing moves with some of its song choices, and doesn't dive as deep into its narrative and themes as it perhaps could. Still, the two biopics share a crucial element, apart from the obvious. It's unlikely that the Oscars will award two actors for portraying real-life stars two years in a row, but Egerton puts in a thrilling, multifaceted performance worthy of ample recognition. He's a candle in the wind and defiantly still standing, all while singing John's songs himself and soaring across this rousing movie. https://www.youtube.com/watch?v=NTm5DWgL-MU
Connected to the stars in more ways than one, the Aster rooftop bar at the InterContinental Sydney is gearing up to host a series of cuisine-meets-zodiac sessions throughout August. Led by Byron Bay-based astrologer Grace Tebble, Astrology Hour is the place to be for those seeking a guided journey through the cosmos, plus a few tasty sips and bites along the way. Held every Thursday evening in August on the hotel's 32nd floor, Astrology Hour is centred around the four elements — air, water, fire and earth. Featuring themed cocktails, paired small plates and personalised readings from Tebble, these playful sessions include one-on-one birth chart interpretations and otherworldly readings inspired by the mystical. As for the menu, your journey includes a glass of fizz on arrival, alongside two elemental cocktails (or glasses of wine), including options like Air, a light and floral gin-forward concoction heightened with pine, jasmine and rose. Meanwhile, the snack pairings include Fire, a chargrilled angus beef yakitori served with kimchi mayo and crispy onion. "Astrology hour is an opportunity to become more in tune with your connection to the cosmos," says Tebble. "It's about unlocking a new level of self-awareness in a really fun and creative setting. We've curated each drink and dish to reflect the energy of the four elements so that people can experience their star sign via the senses." Images: Steven Woodburn.
Plotting the traditional structure of a film trilogy results in a sort of 'N' symbol on a graph. Part 1 (the incline) offers the introduction to the characters and concludes with a satisfying, inspirational victory (the first peak). Part 2 then explores the characters in greater depth, exposing their shortcomings and instilling both doubt and conflict until all hope seems lost (the descent and trough). Finally, Part 3 sees the protagonists discover — or at least 'relearn' — the true strength of their convictions, allowing an eventual, all-encompassing victory in the conclusion (the ultimate peak). The Hangover trilogy, however, does not follow this structure. On its graph, 2009's Part I held the line well and provided one of the surprise hits of the year courtesy of some snappy writing, extreme political incorrectness and three terrific characters (the fourth guy really is a spare). Instead of marking the descent, though, Part II just ran with the exact same formula. It was Part 1 all over again, except Bangkok was subbed in for Vegas and the baby was replaced by a monkey. So going into Part III, the big question was always going to be: would this be 'Part I again, again' or something genuinely different? The answer was the latter, which in turn begged a second question... was that a good idea? In this third instalment, our three wolf-packers — Phil (Bradley Cooper), Alan (Zach Galifianakis) and Stu (Ed Helms) — are one again forced into a nightmarish series of disasters in order to rescue their friend Doug (Justin Bartha...who really is the spare). Regrettably, Hangover Part III centres upon the trilogy's most annoying character, Mr Chow (Ken Jeong), whose whiny, sort-of-Asian, sort-of-gay, sort-of-hip-hop-gangsta ramblings grate the ear like a screaming baby on a packed plane during descent. During one early scene in which Chow's butchering a karaoke cover of 'Hurt', Bradley Cooper winces and asks "what the fuck are we watching!?" He's not the only one to think it. By focussing on Chow and favouring a more conventional plot over the simple yet effective premise of 'rediscovering unremembered anarchy', The Hangover Part III boldly — if also mistakenly — shifts the focus away from the very thing that made the franchise a success: its 'wolf pack'. They still have their moments, especially Galifianakis; however, this is a far more 'normal' movie and as a result, so too become the characters. There are still loads of laughs and it's a definite improvement on the carbon-copy disappointment of Part II, but the tiny coda that pops up part-way through the final credits (certainly worth staying for) shows us what might have been had they just found a way to use the original amnesic plot structure in a new and different way.
Winter has well and truly settled in, and what better way to embrace it than with a trip to the snow? Not only do you get to try out your moves on the slopes, if you're at the winter haven of Thredbo, you can match it with time lounging about the fire or in the hot pools, watching your mate go for glory in a snowboarding comp and savouring a few delectable mulled ciders. Rekorderlig are offering you the chance to win this winter dream vacay — including flights, accommodation and ski hire — for a group of six, just by entering their Facebook comp. Sweetening your weekend away even more, the Swedish giants of cider have a little something extra and exclusive lined up. They're hosting an intimate winter forest picnic, Swedish style, on Thredbo's golf course on Saturday, September 13. What's 'Swedish style' you ask? Well it's not this. Rather, think an al fresco four-course meal of Swedish-inspired recipes (not this) eaten from beneath warm blankets while you overlook a striking skyline of snow stretching as far as the eye can see. Then add in a whole bunch of Rekorderlig to complete your magical Swedish stopover. Will there be reindeer? You'll have to enter via the Rekorderlig Facebook page to find out.
UPDATE, MAY 2, 2020: The Australian Lockdown Comedy Festival has announced its full lineup and its premiere date. This article has been updated to reflect these changes. When COVID-19 started having an impact on Australian events, the Melbourne International Comedy Festival was one of the first to scrap its plans for 2020. The Brisbane Comedy Festival, which was already underway, also cancelled its final week — and in New South Wales, the Sydney Comedy Festival completely shuttered its event for this year, too. That means that the country's funniest folks now have some extra time on their hands — indoors, while social distancing, of course. And, they still have plenty of jokes to tell, which is exactly what Stan's new Australian Lockdown Comedy Festival is aiming to capitalise upon. Heading to the platform weekly from 7pm on Saturday, May 9 — dropping four episodes in total — the streaming-only laughfest will feature lockdown sets from comedians such as Wil Anderson, Cal Wilson, Nazeem Hussain, Dave Hughes and Zoe Coombs Marr, who'll all share material from their planned 2020 gigs. Also on the lineup: Tommy Little, Geraldine Hickey, Dilruk Jayasinha, Steph Tisdell, Aaron Chen, Sam Campbell, Michelle Brasier and Nath Valvo, as well as Tom Ballard, Randy Feltface, Claire Hooper, Becky Lucas, Sam Taunton, Nikki Britton, Demi Lardner and Tom Walker. Yes, it's a hefty list, and also features Lauren Bonner, Oliver Twist, Blake Freeman and Bec Charlwood. Each comedian has recorded their set from their homes, so expect jokes told in their kitchens, bedrooms, lounge rooms and even bathrooms. They've also be handled all the tech requirements themselves, such as setting up and operating their own cameras, in order to abide by social-distancing requirements. That said, they did have access to a director via video conferencing. Every Australian Lockdown Comedy Festival episode will feature at least six different comedians performing short standup comedy spots — including one MCing the episode. And if you're looking for some local laughs before the fest starts streaming, Amazon Prime Video has just dropped ten comedy specials from MICF stars, too. The Australian Lockdown Comedy Festival hits Stan weekly for four weeks from 7pm on Saturday, May 9.
If you thought that the White Lotus resorts in Hawaii and Sicily were luxe, Thailand's counterpart has news for you: "our hotel is the best in the world," guests are told upon checking in, as viewers can see in the just-dropped full season-three trailer. A new batch of travellers is making the chain their temporary home away from home, and a new round of chaos is certain to ensue. Also exclaimed in the latest sneak peek: "what happens in Thailand stays in Thailand". The acclaimed series returns for its third run in mid-February 2025 — and while a vacation at an opulent hotel is normally relaxing, that isn't what folks find in this show. It was true in the first season in 2021, then in season two in 2023, each with a largely different group of holidaymakers. Based on the various glimpses at season three over the last few months, that's of course set to be accurate again in the eight-episode run that arrives from Monday, February 17 Australian and New Zealand time. Walton Goggins (Fallout), Carrie Coon (Ghostbusters: Frozen Empire), Jason Isaacs (The Crowded Room), Michelle Monaghan (MaXXXine), Leslie Bibb (Palm Royale) and Parker Posey (Mr & Mrs Smith) are among the vacationers hoping to enjoy a White Lotus stay this time, alongside Sam Nivola (The Perfect Couple), Patrick Schwarzenegger (Gen V), Sarah Catherine Hook (Cruel Intentions) and Aimee Lou Wood (Sex Education). Families, couples and friends on getaways: they're all covered by the above cast members. From season one, Natasha Rothwell (How to Die Alone) is back Hawaii spa manager Belinda, who advises that she's there on an exchange program to take some knowledge back to Maui. Season three also stars Lisa from BLACKPINK, Lek Patravadi (In Family We Trust), Tayme Thapthimthong (Thai Cave Rescue), Nicholas Duvernay (Bel-Air), Arnas Fedaravičius (The Wheel of Time), Christian Friedel (The Zone of Interest), Scott Glenn (Bad Monkey), Dom Hetrakul (The Sweetest Taboo), Julian Kostov (Alex Rider), Charlotte Le Bon (Niki), Morgana O'Reilly (Bookworm) and Shalini Peiris (The Ark). Bad feelings, seeking pleasure but finding pain, threatening to drink oneself to sleep, wanting to always live like this, family reunions, angry rich men, possible prison sentences, protecting the hotel: alongside guns, dancing, judgemental pals, missing pills, snakes, swims, monkeys, ambulances, complaints about gluten-free rice and a body bag, they're all featured in the clips from season three, which takes place over the course of a week. Where the Mike White (Brad's Status)-created, -written and -directed satire's first season had money in its sights and the second honed in on sex, eastern religion and spirituality is in the spotlight in season three. What'll be in store after this? While the third go-around is 2025's must-see viewing, HBO has already renewed The White Lotus for its fourth season. Check out the full trailer for The White Lotus season three below: The White Lotus returns on Sunday, February 16 in the US, which is Monday, February 17 Down Under. At present, the series streams via Binge in Australia and on Neon in New Zealand. Images: HBO.
Are you a big shot professional with no time for trams and trains? Do you scoff at the mere mention of Myki or cringe whenever a commoner has the audacity to breathe on your Armani suit? Well, you're in luck. Melbourne's first business-class commuting service is here. No longer will you have to associate with our city's unwashed riff raff. Officially launched yesterday, SuitJet is a startup bus service for white-collar workers to commute to and from the city. Set to start operating next month, SuitJet offers its users a seat on a customised Mercedes-Benz coach and allows them more space and comfort in which to complete their Very Important Work en route to the office. "[It's] a club for people who wish to leverage modern transport and technology to upgrade and simplify their weekday travel," their website reads. Importantly, "Membership is open to all corporate dress city commuters." With a return ticket to the city setting you back $30, riding with SuitJet will cost significantly more than any Myki fare. However, with roughly an hour more time to work on board per day, they claim the long-term benefits will greatly outweigh the initial expense. "That's an hour of work you don't have to do after having dinner with the kids and a cup of tea with your wife," SuitJet co-founder Darren Heiberg told The Age. Many of the finer details are yet to be decided, with the pick up and drop off points to be dictated by consumer demand. However, registrations so far have elucidated something unexpected. Most members seeking entry to this exclusive club are not disgruntled suits seeking respite from the perils of the train lines from Brighton or Toorak, but those who have been overlooked by the public transport system entirely. Most registrations have reportedly come from suburbs without train stations at all. Despite outwardly naming it a 'business class' service, founders of the company reportedly deny the accusation that their service would create a class divide. Though Mr Heiberg is apparently considering changing the name to something that doesn't include the word 'suit'. Good idea. Via The Age.
Sydney's favourite Japanese-themed dive bar is turning three, and as you can imagine, the celebrations are set to be ridiculously over the top. While it's true that pretty much every night is a bit of a party at Goros, from Monday, November 26 to Saturday, December 1, the antics will be kicked up a notch with a week of themed events, from a best-of Goros trivia to a Japanese hip hop gig and wacky game show challenges. That is, of course, in addition to the usual sake bombs, dress-up karaoke and retro arcade games that are always on offer. Throughout the birthday week, drinks will be free-flowing, with Asahi taking over the taps, and special highball cocktails made from premium Nikka whisky. Entry to each event is completely free, however, if you want a table, you better book stat. Anyone who's ever been to a Goros event knows it fills up pretty quickly. Put on your party hats and check out the full lineup of birthday celebrations below. THE BEST OF GOROS TRIVIA The epic birthday week officially kicks off on Tuesday, November 27 with a 'Best of Goros' trivia night, which will feature a round-up all the best questions from past trivia events. Rounds will include questions about The Simpsons, Rick and Morty and The Office (US), as well as Japanese pop culture, hip hop music and video games. If trivia is not your strong suit, there will also be a number of interactive bonus rounds, with a stack of prizes up for grabs including Asahi gift packs, tickets, bar tabs, merchandise and more. BONENKAI PARTY It may officially be hump day, but this Wednesday, November 28, you can party like it's the end of the week (or year — we're almost there) at Goros' first-ever Bonenkai party. The traditional celebration, which means "forget the year" in Japan, is pretty much just an excuse for office workers to get loose and let out all their workplace frustrations. We hear you, Japan. As per the tradition, those dressed in a tie will be expected to wear it on their heads (it's a thing) plus there will be DJs and go-go dancers to help coax the introverts out of their shells. Bring your work colleagues, your best mates, girl gang whoever. Everyone's invited. GOROS' CASTLE Time to reach out to your most athletic friends, this Thursday, November 29 will see Goros host an evening of wacky challenges inspired by Japanese game show Takeshi's Castle. While you may not be dodging boulders or pole vaulting across water, you may be asked by your teammates to enter an all-you-can-eat dumpling contest, to compete in a Mario Kart racing tournament or partake in an Instagram scavenger hunt. Those who have no fear can also sign themselves up for the 'blow the ball' challenge, which will see two participants blow wasabi balls at each other. GOROS' BIG BIRTHDAY BASH So you're probably starting to feel a little tired after a week of shenanigans at Goros, but trust us, you won't want to miss the most epic night of all: Goros' big birthday bash. For the first time in Goros' history, the Surry Hills venue will host a live music performance by an international artist. For this ultra-special occasion, the venue has lined up Japanese rapper and hip hop star, Coma-Chi, who will be recording her latest album down under. And wait, the party doesn't end there. Le Fruits DJs will hit the decks after with a troupe of neon dancers on the dance floor because this is Goros and anything can happen. Goros' birthday week runs till Saturday, December 1. To ensure you experience all the party antics, secure a table by emailing book.goros@solotel.com.au
No one simply likes Caramilk. Cadbury's caramelised white chocolate is adored, obsessed over and flat-out loved with undying passion, whether it's being served in standard block form or being worked into cocktails. We could keep listing more words of utter and complete devotion — and keep outlining other different ways to eat the cult-favourite dessert, too — but you get the picture. When it comes to this specific type of choccie, there's no such thing as too much. Love Caramilk? Like ice cream as well? Then you'll want to sink your teeth into Cadbury's new collaboration with Peters Ice Cream. The resulting dessert is as straightforward as it sounds, but hey, when it comes to making Caramilk ice creams on sticks, there's really no need to overcomplicate matters. Available in Australian supermarkets from today, Monday, July 26, the new Caramilk desserts coast Peters' ice cream with the beloved chocolate. So, no more needing to choose between a few squares of the smooth and creamy chocolate and something frosty. The look a little like Magnums, but in that golden Caramilk hue — and, if you're already a fan of the chocolate, they're certain to tempt your tastebuds. They come in individual servings and in boxes of four, so you can either pick up some to share or stock up on dessert for the next few days. Getting in quickly is recommended, though, given how popular all things Caramilk typically prove. Cadbury's Caramilk ice creams are now available in supermarkets — and will set you back $4 each, or $8.50 for a four-pack.
If you are ordering pizza for home delivery, there is generally one mood you are in: a lazy one. There's nothing like laying on the sofa after a hard day at work, turning on some trashy TV, and sinking your teeth into slice after slice of your favorite pizza. But, folks, pizza delivery just got better. Red Tomato Pizza in Dubai has introduced one-button pizza delivery. Simply press the button on your Red Tomato fridge magnet, and your favorite order will be delivered to your door. Impressed yet? Each magnet can be synced to your smartphone via Bluetooth and set up with your order. Every time you push the button, your phone will notify the pizza company. You do still have get up and answer the door when the delivery guy arrives, unfortunately. https://youtube.com/watch?v=AU0KYo8_9Zs [via Gizmodo]
As any Irish whiskey lover would know, one day just isn't enough to celebrate the spiritous amber liquor. So the folks behind Merivale's pubs and bars are doing us a solid and extending World Whiskey Day for an entire week and turning all its tap beers into boilermakers for just an additional fiver. This means alongside your cold beer, you can purchase a $5 shot of Jameson Caskmates IPA Edition — a whiskey finished in craft beer barrels — between Monday, May 13 and Sunday, May 19. As the Sydney hospitality empire has venues scattered all across the city, there are plenty of places to quench your fire-water thirst. If you're by the waterside, step into The Newport or Coogee Pavilion. In the inner west? Head into The Vic on the Park, The Queens Hotel or Mascot's Tennyson Hotel. In the east, you've got speakeasy Charlie Parker's, The Beresford or inside Oxford Street's trendy hub, The Paddington. If you're wanting a post-work beer with an added kick, your CBD options are almost endless with York 75, Hotel CBD, The Royal George, Palings Kitchen and Bar, various bars in The Establishment, the Angel Hotel, The Grand Hotel, Palmer & Co and The Wynyard all offering the beer and whiskey combo. And if you're feeling a bit peckish, you can grab or a slice of pizza at Pool Club or some Mexican tacos at El Loco at The Slip Inn or El Loco at Excelsior to complement your boilermaker. Merivale's World Whiskey Day promotion runs from Monday, May 13–Sunday, May 19. For more info, visit the website. Top image: Smelly Goat and Queens Hotel.
What can an archive reveal? Certainly something of the past, of course, but what can it say about the present? For Melbourne-based artist Brook Andrew, the ethnographic postcards and novelty items from early to mid twentieth century hold particular interest for the way they represent indigenous people as well as their colonising counterparts. Converting found postcards into colourful and signature-patterned boxes, Andrew will build a wall of these boxes in Artspace, allowing the viewer to look at the images as a kind jumbled puzzle to be deciphered and contemplated. Andrew's artistic territory combines race, history and the baggage that comes with these themes using text, neon and found ephemera. The artist will be talking about his installation, Lives in Paradise, on July 20 @ 5.00pm at Artspace.
What's better than gazing at the Vivid lights from the Museum of Contemporary Art's rooftop Sculpture Terrace? Doing so with a glowing, gin-infused cocktail in your hand, that's what. To that end, Bombay Sapphire is taking over the space this festival, with a pop-up dedicated to boozy and warming concoctions. If you're one to feel the cold easily, order the Winter Warmer in Laverstoke. Served in a comforting tea and saucer, this creation is a blend of ginger, chocolate butter and vermouth. Yep, it's your post-dinner cocktail and dessert sorted in one hit. Another sweet, sweet option is the Chocolate & Roses. For die-hard G&T drinkers, there are a few twists on the classic and they all feature native ingredients. Choose from lemon myrtle and thyme, karkalla (a native coastal succulent) and orange or finger lime and sage. Meanwhile, The Barber Shop Bombay Sapphire Negroni comes with picture-ready glow-in-the-dark glasses. Aussie artist Jonny Niesche will be lighting up the MCA facade this year. His installation Virtual Vibration, created exclusively for Vivid Sydney, will turn the building into a shifting, mesmerising image — combining the formality of high modernism with wild psychedelia — set to a soundtrack by composer Mark Pritchard. While the bar will be free to enter throughout Vivid (from Friday, May 25 till Saturday, June 16) it will be closed to the public on the opening night — as it's hosting the sold out Artbar: Vivid edition — and closed for private events on June 1 and 6. The Bombay Sapphire x MCA Pop-Up Bar will be open throughout Vivid Sydney on most Wednesday, Friday and Saturday nights, from 5–9pm. For the full schedule, check the website. Top image: Sam Whiteside
A menu of weapons of destruction, to be consumed to fill a hungry stomach, is one way to criticise violent solutions. The latest project from artist Kyle Bean called Soft Guerilla, a series of sculptures depicting weapons made out of harmless materials. Stage a war in the kitchen and attempt to replicate these deliciously evil masterpieces.
UPDATE, September 20, 2021: Come From Away will resume its Sydney season for fully vaccinated audiences from Wednesday, October 20, after closing temporarily during Sydney's lockdown. This story has been updated to reflect that news. Already an enormous success on Broadway, in London's West End and in Melbourne, Tony and Olivier award-winning musical Come From Away has been touring its remarkable true tale around Australia's east coast. Based on real post-September 11 events, the acclaimed production went back to Melbourne since January 2021 for an encore season of kind-hearted charm, and now returns to Sydney in October — to the Capitol Theatre from Wednesday, October 20 until at least Sunday, November 28, after its original June–August season was postponed due to Sydney's lockdown. If you aren't familiar with the musical's plot or the actual events that inspired it, it's quite the exceptional story. In the week after the September 11 attacks in 2001, 38 planes were unexpectedly ordered to land in the small Canadian town of Gander, in the province of Newfoundland. Part of Operation Yellow Ribbon — which diverted civilian air traffic to Canada en masse following the attacks — the move saw around 7000 air travellers grounded in the tiny spot, almost doubling its population. Usually, the town is home to just under 12,000 residents. To create Come From Away, writers and composers Irene Sankoff and David Hein spent hundreds of hours interviewing thousands of locals and passengers, using their experiences to drive the narrative — and, in many cases, using their real names in the show as well. The result is a musical not just about people coming from away (the term that Newfoundlanders use to refer to folks not born on the island), but coming together, all at a time when tensions were running high worldwide. Since being workshopped in 2012, having a run in Ontario in 2013, then officially premiering in San Diego in 2015, Come From Away has become a global smash hit. After opening on Broadway in 2017, it was still running before the theatre district closed due to COVID-19. The musical wowed crowds in the West End, too — and, when it first opened in Melbourne in July 2019, it became the Comedy Theatre's most successful musical in the venue's 91-year history. Along the way, the show has picked up a Tony Award for best direction of a musical, six other nominations, and four Olivier Awards out of nine nominations. Come From Away is planning to reopen in October in line with the New South Wales Government's roadmap for transitioning out of lockdown, which sees theatre shows start again when 70-percent of eligible NSW residents have had both jabs — which is expected mid-month. And, the production will be able to welcome in a 75-percent capacity audience. Proof of full COVID-19 vaccination will be required to attend a Come From Away performance, and the production also has a mandatory vax policy for its cast and crew https://www.youtube.com/watch?v=-zmvy1p2FOE&feature=emb_title Images: Jeff Busby.
When New Zealand Prime Minister Jacinda Ardern announced the two-way trans-Tasman bubble back in April — allowing Australians to travel to NZ without quarantining upon arrival — she noted that it could and would be paused if and when outbreaks occur. Accordingly, with Sydney identifying two locally acquired COVID-19 cases this week, and implementing restrictions and a mask mandate in response, the NZ Government has advised that it's stopping its arrangement with New South Wales for the time being. Today, Thursday, May 6, the NZ Government advised that the quarantine-free travel between NZ and NSW is being suspended, effective from 11.59pm NZ time. "Officials have assessed that with several outstanding unknowns in the situation in Sydney it is safest to pause the quarantine-free travel," it announced in a statement. The NZ Government hasn't specified a timeframe for the pause, but its statement notes that "this will be under constant review". The aim: to give NSW authorities time to investigate the source of the two cases, which have been linked via genome sequencing to a returned overseas traveller — but no physical connection between the current cases and the recent returnee has been identified as yet. Whether you're a Sydneysider on holiday in NZ or a New Zealander who has recently returned from across the ditch, anyone now in NZ who has been at one of the locations of interest in Sydney is required to isolate, then call NZ's Healthline on 0800 358 5453 to obtain advice about getting tested for COVID-19. And, if you're currently in Australia and you've been to one of the Sydney venues identified, you should not travel to NZ. https://twitter.com/covid19nz/status/1390189898209001475 This isn't the first time that the trans-Tasman bubble has been paused, with NZ suspending flights from Western Australia at the beginning of May in response to Perth's recent cases. Flights between NZ and WA were given the all-clear to resume just a day later. To find out more about the status of COVID-19 in NSW, head to the NSW Health website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
When it came time to get rid of my break up shoes (the ones my ex bought for me as he dumped me, a misguided attempt to soften the blow) to avoid wearing any more evidence of my heartache, I (anti-climactically) threw them in the bin. But what are you meant to do with everyday objects that remind you of lost love? Where do the gifts, love notes and left-behind odd socks end up? In 2006, Croatian-based artists and exes Olinka Vištica and Dražen Grubišić found themselves with a number of physical reminders of their broken relationship. What started as 'what do we do with all this crap?', grew into the Museum of Broken Relationships — first a travelling exhibition, then a permanent museum in Zagreb, Croatia, with an outpost in Los Angeles and a virtual collection online. Now, as part of the Melbourne Writers Festival's love-themed 2019 program, the cathartic exhibit has set up camp in the CBD's No Vacancy Gallery for the month of September. After a call for submissions, Vištica and Grubišić have curated a selection of items evoking memories of heartbreak and healing donated by Melburnians, which appear alongside favourites from the museum's permanent collection. Each piece is presented with a story — some simply a few words, others long tales of another time and place — and reflects how we love, and how we cope with loss. The exhibition will be open in Melbourne until the end of September — here are the highlights. [caption id="attachment_740627" align="alignnone" width="1920"] "Marie, I am getting a flat for myself, I will be back here Sunday night to sort my things out."[/caption] DECEMBER 25, 1975, AUSTRALIA The 1970s equivalent of getting dumped by text: ending a ten year relationship with a note. In just a couple of sentences, Marie conveys the hollow feeling we've all felt when disappointed by someone we loved. Did she keep this in a shoe box under the bed, forgotten about for four decades? Did she get it out occasionally and think back on the man she married, who left her for his secretary on Christmas Eve, just months after they found out she was unable to have children? With Marie's parting line we sense how heartache heals over time: "No signature. How dare he assume I would know who it was from." JUNE, 2006–DECEMBER, 2007, MELBOURNE, AUSTRALIA The owner of a dozen duct-tape roses says, looking back, they serve as a reminder that difficult things pass. Made by a high school girlfriend for Valentines Day many moons ago, the roses are a symbol of the carefree spirit of young love, kept gathering dust for more than a decade, long after that love fizzled out, because it just didn't seem right to throw away a gift made with so much skill, time and patience. MAY, 2016–FEBRUARY, 2018, MELBOURNE, AUSTRALIA Amid hundreds of artefacts in the museum's worldwide collection, revenge and vindication are pretty common themes — from the axe used to hack an exe's furniture to pieces, to a toaster taken across the country ("how are you going to toast anything now?"), to voodoo dolls made from shirts belonging to former lovers. Sometimes our methods of coping with pain are more productive than others. These buttons were cut from the clothing of a Melburnian's cheating ex before his possessions were given back to him. The story reads, "I found this act incredibly cathartic in itself, apart from knowing it would annoy him immensely. Sometime later, I sent him some buttons. Not necessarily the right ones." THIRTEEN YEARS, HELSINKI, FINLAND If we're looking for themes among the artefacts, infidelity sure is up there — a universal experience felt from Melbourne to Helsinki. In 2012, a wife sat on the floor of her hallway, cutting a small plastic figurine into pieces, waiting for her husband to come home so she could confront him about his affairs. His response to being caught out in his lies? To take the postcards of two American silent film stars, which his wife had said reminded her of them, from their place on her dressing table mirror, and tear them to pieces in front of her face. AUGUST, 2003–MAY, 2006, SAN FRANCISCO, USA A belt left on the back seat of a lover's car, a mere week before a move away brought the passionate relationship to a stuttered end. Under the anonymity of the museum's format, the belt's accidental owner speaks candidly of watching meteor showers, naked, in a playground: "Kinkiness on a park bench underneath a blazing sky, there was more on fire than just those shooting stars." The item is donated as a way of saying thank you to the man that made them feel alive: "I never got the chance to tell him that I love him, but at least everyone who reads this will know." SUMMER, 1993, ZAGREB, CROATIA Pieces in the museum aren't all representative of tumultuous, decades-long marriages ending in tears. We all have so many relationships throughout our lives — with family, friends, our bodies, fleeting romances and brief encounters — and the collection has become a space for saying goodbye to absent parents, lost limbs, and people we knew for just a little while. From in the middle of the Croatian War of Independence, a first sexual experience is remembered with a little yellow flag from the ship that witnessed it. The Museum of Broken Relationships is at No Vacancy, Melbourne, from September 1–29. Entry is free and the gallery is open Tuesday–Friday, 12pm-6pm, and Saturday–Sunday, 12pm–5pm. Images: Tracey Ah-kee.
Last year, we scored a musical adaptation of Aussie flick Muriel's Wedding. Now, another classic 90s flick is getting the stage musical treatment and heading on down to Melbourne: Adam Sandler's smash-hit film The Wedding Singer. Hitting the Athenaeum Theatre from Friday, June 19, The Wedding Singer: The Musical Comedy is an all-singing, all-dancing stage show based on its hilarious namesake 90s flick. And it's from the same crew that propelled it to sell-out success on Broadway and across the UK, including the writer of the original movie, Tim Herlihy. This one promises to yank you right into The Wedding Singer's 1980s world of big hair and classic wedding bangers, thanks to a toe-tapping score that's sure to prompt a few hearty crowd singalongs. It retells the story of party-loving wedding singer and wannabe rock star Robbie Hart, who's left stranded at the altar at his own nuptials. Heartbroken, he sets out to destroy every other wedding he's a part of, until a chance encounter with a waitress: Drew Barrymore's character Julia. Now, he just has to win over the girl... and somehow put a stop to her own upcoming marriage along the way. The Wedding Singer: The Musical Comedy hasn't announced runs in any other Aussie cities just yet, but we're crossing our fingers and warming up the vocal cords in readiness. We'll keep you posted as soon as any news drops. In the meantime, you can watch the OG nostalgic film trailer: https://www.youtube.com/watch?v=8yjOXMTa6vA The Wedding Singer: The Musical Comedy shows from Friday, June 19, at the Athenaeum Theatre, 188 Collins Street, Melbourne. Join the ticket wait-list over at the website.
Since mid-October, New Zealanders have been able to visit some Australian states as part of a one-way travel bubble. In just a couple of months, Australians might also be able to hop across the Tasman, with New Zealand Prime Minister Jacinda Ardern announcing that the NZ Cabinet had agreed to establishing a two-way bubble from early 2021. At a post-Cabinet press conference today, Monday, December 14, the NZ Prime Minister said the Cabinet had agreed "in principle" to a travel bubble with Australia in the first quarter of 2021, pending confirmation from the Australian Government and "no significant changes in the circumstances of either country". Over the weekend, a quarantine-free travel bubble free between New Zealand and the Cook Islands was announced, which is set to come into place before the bubble with Australia. The NZ Prime Minister revealed a starting date for both would announced in the New Year "once remaining details are locked down". At present, New Zealand travellers are allowed to visit all Australian states and territories, apart from WA, without quarantining on arrival — but, because the bubble is only one way at present, they must enter 14 days of managed isolation on return to NZ and pay for it. While the details are yet to be finalised, it's great news for those who've been dreaming of overseas holidays since the pandemic began. You can start slowing planning your first international jaunt, too — we've rounded up some of our favourite glamping sites, wineries, sights and restaurants in NZ over here. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website. To find out more about the virus and travel restrictions in New Zealand, head over to the NZ Government's COVID-19 hub.
The past 14 months or so haven't delivered many reasons to laugh. They haven't seen many big-name international comedians hit our stages to try to get us giggling and guffawing, either. But Bill Bailey is about to help end both of those unwanted streaks, with the British favourite bringing his En Route to Normal tour to our shores this October and November. It has been three years since Bailey last had the country chuckling back in 2018 — and then rewatching Black Books yet again and chuckling some more, naturally. This time, he's coming our way following a sold-our tour of New Zealand, where he also been filming a new trans-Tasman comedy panel series called Patriot Brains. So, if you need something to watch while you wait to see him live, consider this a hearty suggestion. Known for everything from Have I Got News for You and QI to Spaced, Hot Fuzz and Skins, Bailey will be pondering some of life's big questions during his En Route to Normal sets. And, while the pandemic is certain to get a mention, he actually named the show before lockdowns, social distancing and always knowing how many active cases are in your state became our current definition of normal. Bailey will kick off the tour in Queensland, before making his way — and taking his distinctive locks — to Western Australia, South Australia, Tasmania, Victoria, New South Wales and the Australian Capital Territory. Plus, in some states, he won't just be sticking to capital cities. BILL BAILEY EN ROUTE TO NORMAL TOUR 2021: October 23 — Empire Theatre , Toowoomba October 25 — QPAC Concert Hall, Brisbane October 28 — The Events Centre, Caloundra October 29 — Star Theatre, Gold Coast October 31 — Mandurah Performing Arts Centre, Mandurah November 1 — Riverside Theatre, Perth November 5 — Thebarton Theatre, Adelaide November 8 — Princess Theatre, Launceston November 8 — Wrest Point Entertainment Centre, Hobart November 12 — Ulumbarra Theatre, Bendigo November 13 — Costa Hall, Geelong November 14 — Civic Hall, Ballarat November 15 — Palais Theatre, Melbourne November 19 — Wollongong Town Hall, Wollongong November 21 — State Theatre, Sydney November 23 — Coliseum Theatre, Sydney November 27 — Royal Theatre, Canberra November 28 — Civic Theatre, Newcastle Bill Bailey's En Route to Normal tour will make its way around the country this October and November. For pre-sale tickets between 12pm Thursday, May 20–5pm, Sunday, May 23, for general ticket sales from 12pm Monday, May 24 and for further information, head to the tour website. Top image: Andy Hollingworth.
If you're anything like us, you probably use pay day to book yourself a long-overdue dentist appointment, pay your rent and buy groceries that aren't on Manager's Special — y'know, the necessary stuff. But sometimes — especially if you've just got a bonus, pay rise or your tax back — you want to treat yourself to something nice rather than practical. We're talking holidays, massages and even just nights at the cinema with friends. But don't move too fast. You've still got to make your money last until the morning of pay day when you need to scrape together a few coins for a coffee. That's why we've teamed up with Westpac to find five ways to treat yourself when that slice of financial pie comes rollin' in hot to your bank account. Not only are they all awesome experiences — but, if you're a Westpac customer, you can nab them all at sweet discount on the Westpac Rewards Hub. And, best of all, none of them include gloves and drills rummaging around in your mouth. You're worth it. BOOK YOURSELF AN OFF-GRID CABIN RedBalloon has been around for a while, but it's still one of the best go-tos for finding experience-based gifts (a gift to yourself is still a gift) that you probably wouldn't have thought of yourself. If you've been hankering for a mini getaway for a while now and think it's time to fly the coop, tune in: RedBalloon have some whopper deals. Spend a romantic night in a French cottage in the Mornington Peninsula with a partner, or head to Tilba on the south coast of NSW to an eco pod for an experience a little more off the grid. The best bit? If you book through the Westpac Rewards Hub, you get a further discount when you spend $175 or more. BUY THOSE OVERSEAS FLIGHTS It's still a little cold and summer is still a whole month away, so you're more justified than ever for impulse-booking overseas flights. How about escaping to the Philippines or Portugal? They're both on our 2019 travel bucket list. If you're still unsure, take a scroll through Expedia's last-minute options or its destinations of the week. You'll also get 10 percent off if you book through the Westpac Rewards Hub. Then you just need to book in that annual leave. SCHEDULE IN A WEEKEND MASSAGE Is your happy place smack-bang face down on a table being kneaded by someone with strong-yet-soft hands while some sleep-inducing music plays and the smell of rosewater subtly wafts around you? Then you, my friend, need to book in a massage. Think of it as a way of neutralising your body after a long week at work. Try Endota Spa — its massages range from soothing relaxation and remedial through to the two-hour couples experience, while its extensive array of facials cater to all types and include Endota's Dermalogica, Glycolic, HydroPeptide and Hydro-microdermabrasion treatments. It's sure to turn you into a greasy (in a good way) ball of bliss. Top tip: buy a gift card from the Westpac Rewards Hub to save yourself a few dollars. TREAT YOURSELF TO A NIGHT AT THE MOVIES Perhaps one of the greatest personal (and relatively affordable) pastimes is heading to the movies for an evening, whether it's seeing the latest blockbuster or checking out something obscure and Latvian. It's also the only place that popcorn for dinner is fine. You can't put a price on treating yourself to a night out but, if you don't want that price to blow out, grab some discounted movie tickets via the Westpac Rewards Hub so you can spring for the extra large popcorn. [caption id="attachment_673026" align="alignnone" width="1920"] Trent van der Jagt[/caption] BUY THOSE ITEMS IN YOUR ICONIC CART Pay day is treat day, so there's no reason it can't be buy-that-dry-clean-only-suede-onesie-you've-had-in-your-Iconic-cart-for-two-months day, too. Grab yourself some new threads to say well done on making it through another week at work without crying at your desk or spilling soy sauce on your shirt again. Or, buy yourself some new clothes because you've spilt soy sauce on all your shirts — any reason works. With free delivery and returns, and over 20,000 products, we barely even need to mention that you'll also cop ten percent off a full-price purchase through the Westpac Rewards Hub. Enjoy this splurge and plan for the next one. Open your own Westpac Choice account here.
There's a festival for almost everything, or so it often seems — and when it comes to crucial and complex topics that demand discussion, that's where the Festival of Dangerous Ideas comes in. The Sydney event has been exploring provocative subjects since 2009, hopping between a number of different venues. And in 2022, that chatter, debate and eagerness to push boundaries will make the move to Carriageworks. FODI heads to the Eveleigh spot across the weekend of Saturday, September 17–Sunday, September 18, and it has just unveiled exactly what'll have everyone talking. Leading the lineup: Facebook whistleblower Frances Haugen, tattoo-artist-to-the-stars Scott Campbell, UK historian Adam Tooze, and power and propaganda expert Ruth Ben-Ghiat. [caption id="attachment_862481" align="alignnone" width="1920"] Frances Haugen[/caption] Gaining global attention for leaking tens of thousands of internal Facebook documents that showed how the company has pursued profit over public safety, data engineer Haugen will obviously chat about social media — including how it has been weaponised, plus Australia's relationship with Facebook. She'll also talk about corporate responsibility, another topic linked to her former employer, in what promises to be a thoroughly fascinating discussion. Campbell appears as part of FODI's arts lineup, putting on a weekend-long installation. Fancy getting inked by him for free? You can, but Whole Glory comes with a twist. He'll give you a tatt without you having to pay a cent — but it'll all happen without him meeting, looking at or talking to you at all. Also, you won't have any input into the art. You'll simply need to trust him, and be willing to take a chance to get quite the permanent souvenir. [caption id="attachment_862485" align="alignnone" width="1920"] Scott Campbell[/caption] Back to the more serious side of the program, economic commentator Tooze has the general state of the world in his sights, namely why humanity can't manage to do better in the face of climate change, war and likely recessions. As for Ben-Ghiat, she'll examine the rise of authoritarian strongmen in politics today, surveying Russia, China, America, Turkey and more, and diving into leader cults, disinformation and the other techniques that've been used to put such figures in power. Also on the FODI 2022 lineup: writer, poet and comedian Alok Vaid-Menon, who'll use their own experience as a gender non-conforming artist to encourage the audience to view gender in as expansive a way as possible; psychologist Steven Pinker, giving a defence of the ideals of enlightenment and advocating for the necessity of reason in the Hitch Memorial Keynote; tech columnist and Rabbit Hole podcast host Kevin Roose, who'll focus on the algorithm's control of our lives; and Noongar woman and author Claire G Coleman, who'll probe the usual story that's spun about Australian colonisation. [caption id="attachment_862488" align="alignnone" width="1920"] Jodie Barker[/caption] Author Sisonke Msimang will tackle the way that Australia's pandemic lockdowns impacted Melbourne and Sydney's multicultural communities, while Peter Greste and Kylie Moore-Gilbert whether the Australian passport is becoming less powerful. Also, Senator Jacqui Lambie will deliver the festival's opening keynote, talking about her career, and the fest will host a special live recording of podcast A Rational Fear. Other sessions will cover everything from censorship and being cancelled through to sexual assault, the increasingly automated future, and America's declining political, social and cultural influence. There'll also be a showcase of emerging thinkers called Fresh Blood, plus a fast-paced lineup of illuminating bite-sized talks on topical subjects called Unthinkable. And, FODI's arts and installation lineup across the Carriageworks precinct will include Wiradjuri artist Brook Andrew's world-premiere piece MURUNY/Breathe, which uses a depiction of the brain to unpack the relationship between Indigenous and non-Indigenous peoples — plus Lucy Peach's multimedia celebration of periods, a game show experience about dark truths called Truthmachine by Counterpilot, and Legs On The Wall doing an improvisational theatre work about trust. [caption id="attachment_862487" align="alignnone" width="1920"] Jodie Barker[/caption] The 2022 Festival of Dangerous Ideas runs from Saturday, September 17–Sunday, September 18 at Carriageworks, 245 Wilson Street, Eveleigh. To peruse the full program, and to buy festival tickets, visit the festival website.
This is it, folks. The Big Dance. After the Sydney Mardi Gras festival's culmination at the parade that stops the city, the top ticket in town is the one that gets you into the Entertainment Quarter. The party lands on March 4 this year and the bill features twins for the win, with the unavoidably catchy pop stylings of The Veronicas opening the show for indie legends Tegan and Sara. Beats will be curated by a massive mix of DJ talent from home and abroad, including Sylvin Wood, Joelby and the best named DJ ever, DJ Dan Murphy. All American Boy, Steve Grand, will also perform. Image: Sydney Mardi Gras.
In New York City the afterparty for the World's 50 Best Restaurants award ceremony is wrapping up. We can only imagine (and dream of) how delicious the canapés would have been, how many recipes were swapped with slurred handwriting, and how cheery (read: boozy) all those chefs are right now. But perhaps one of cheeriest is Ben Shewry — his restaurant Attica was just named a very respectable number 33 in the world. The ranking is pretty consistent with last year's results, with the Melbourne restaurant dropping only one spot from 2015. It's a very good position for an Australian restaurant to be — and perhaps why the awards yesterday announced they'll be holding the 2017 ceremony in its hometown. Brae, which is located in regional Victoria, moved up to number 65, while Sydney's Quay went from 58 to 98. Taking back the number one spot is Massimo Bottura's Osteria Francescana — and if you've watched Chef's Table, you'll be nothing but stoked for the guy. He's swapped places with last year's victor, Spain's El Celler de Can Roca, which has moved back into second place, while Noma has slipped from third down to number five. Probably because it's been on sabbatical in Sydney for the last few months.
All the way from Japan, this collaboration between noise pop guru Cornelius and enigmatic J-pop vocalist Salyu will make its Australian premiere at Sydney Festival. They're a potent match; while Cornelius has the beats finesse to keep any crowd on its feet until the wee hours, Salyu has the vocal skill and dynamic to keep him on his toes. She is, after all, the artist responsible for the haunting 'Kaifuku Suru Kizu', from Quentin Tarantino’s Kill Bill. Expect plenty of surprises. Cornelius Presents Salyu x Salyu is one of our top ten picks of the Sydney Festival. Check out our other favourite events over here.
Between work and errands, who has time to visit art galleries during the week? Luckily, the Art Gallery of NSW is kind enough to invite us into their galleries every Wednesday until 10pm for their ongoing Art After Hours event. Art After Hours is art like you've never experienced it before and it doesn't seem to be going anywhere anytime soon, as it recently celebrated its tenth anniversary. Think of it like an art party to help dispel the hump day blues. With live music, food, drinks, lectures, film screenings and a chance to view the museum's collections, you'll think you're at the most exclusive event in town. Scheduled for April's Art After Hours will be tours of Afghanistan: Hidden Treasures from the National Museum, Kabul and contemporary art exhibits. Catch some Biennale talks and exhibitions after hours while you still can, including the States of Mind film series, with films that explore the themes of memories and time. https://youtube.com/watch?v=2gyu825_bYw
With the number of new cases of COVID-19 in NSW increasing over recent days — with 21 recorded in the 24 hours leading up up to 8pm on Thursday, July 30 — Woolworths is "strongly encouraging" its customers and staff to wear masks in stores across NSW, the ACT and parts of Queensland. While the wearing of masks is only mandatory in Victoria, Woolworths says it hopes the recommendation will help reduce community transmission of COVID-19 in the other states. "As the largest private sector employer with stores in almost every community, we feel it's important we lead the way in helping reduce community transmission of COVID-19," Woolworths Group CEO Brad Banducci said in a statement. "Masks and face coverings are a highly visible symbol of the persistence of COVID-19. By encouraging and role modelling their use, it will further support the steps we need to collectively take to stop the spread of the virus and keep our team and customers safe." The retail group is encouraging all NSWand ACT residents to wear faces masks or coverings when visiting or working at Woolworths supermarkets, Big Ws, Dan Murphy's and BWS shops from Monday, August 3. It's also encouraging Brisbanites in hotspot areas to wear masks from tomorrow, Saturday, August 1. The decision comes as new COVID-19 clusters are recorded in suburbs across Sydney, with 94 cases linked to Thai Rock in Wetherill Park, 57 with Casula's Crossroads Hotel and 19 to Potts Point. Two of Brisbane's recent confirmed cases are also linked to Sydney's Potts Point cluster, but are both people in isolation. Queensland recorded just one new case in the past 24 hours, but Queensland Health sent out a public health alert on Wednesday, July 29 detailing places visited by two Queenslanders who returned from Melbourne via Sydney, failed to self-quarantine and tested positive to the coronavirus. These include restaurants, shops, school and medical centres in Brown Plains, Park Ridge, South Bank, Springfield, Springwood, Sunnybank and Woodridge. Queensland Health is continuing to update the list over here. Face masks will be strongly encouraged when visiting or working at Woolworths Group venues in NSW and ACT from Monday, August 3 and in Queensland hotspots from Saturday, August 1. You can find out more over here.
Flying interstate can be frustrating at the best of times — especially during peak periods — but you can expect more than a few cancellations and delays this weekend as some Jetstar employees prepare to strike over three days, on Friday, December 13 until Sunday, December 15. Last week, both the Australian Federation of Air Pilots (AFAP) and the Transport Workers' Union (TWU) voted to proceed with industrial action in response to ongoing failed negotiations with the airline. The TWU has announced that it will hold a series of two-hour work stoppages on the Friday, while the AFAP will hold two four-hour stoppages — one on Saturday, and one on Sunday. In a statement released today, Jetstar Group CEO Gareth Evans said that, because of the action, Jetstar will cancel 44 flights on Saturday and another 46 on Sunday — which is 90 of an estimated 740 across the weekend. If you're flying with Jetstar on these days and your flight is affected, you've probably been sent your new flight details. Jetstar has re-timed flights and transferred some passengers to Qantas flights to avoid too much chaos, but there's likely to be delays to across Sydney, Melbourne, Avalon, Brisbane, Cairns and Adelaide airports. https://twitter.com/YourAFAP/status/1204269727264034816 The TWU is at loggerheads with Jetstar after failed negotiations with the airline that sought to secure a number of demands for employees – like more rest breaks, annual wage increases of four percent and a guaranteed 30 hours of work a week. TWU National Secretary Michael Kaine said that "disappointingly, Jetstar have rejected the vast majority of the workers' demands outright". Jetstar, however, says the impact of the TWU action is likely to be "minimal" as it would involve "less than half" of its regular ground staff. In a statement released last week, Evans said that the airline has offered a three percent annual wage increase to the union. The AFAP strikes are set to be more disruptive — as they will leave aircraft without anyone to actually fly them. However, despite earlier reports that the action could impact flights over the upcoming busy Christmas period, the union has said that it won't strike between Saturday, December 21 and Friday, January 3. The strikes will take place this weekend, December 13–15. If your flight has been cancelled or changed, Jetstar will contact you directly. For any further flight status updates, check the Jetstar website.
[nggallery id=62] You'd be hard pressed these days to find a name more synonymous with good bread than Sonoma. In the wheat and yeast-sensitive, organic-obsessed age of the millennium, this humble yet rapidly expanding family-run business has found its market. What started out as a popular bread stall at Paddington Markets has lead to four Sonoma cafe openings around Sydney and, more recently, a newly opened wing on Bondi's Campbell Parade. Tucked under a large residential and retail block, the Bondi venue is a lot more spacious and slick than its cousin in Glebe, and provides outdoor seating only. As a bakery-style joint, it forgoes big cooked breakfasts for champions' ready-to-eat sandwiches, soups and baked goods that rarely spill over the $10 mark. The standout from the freshly made sandwiches is the minted chicken tarragon on miche bread ($9). Another must-try is Sonoma's avocado, sea salt, and squeezed lemon on sourdough ($7), which comes with optional tasty extras like marinated fetta and cured meats. Those with an unshakable sweet tooth can choose from powdered almond croissants, citron tarts or Sonoma's delicious spice-infused honey muesli, available by the bagful. It's the bread, however, that really steals the show. The array of crusty 'boules' and 'batards' ($7) in the window entices passers-by off the street, including sourdough (kalamata olive or soy linseed), spelt fruit loaf and dense blocks of seeded rye. Sonoma prides itself on using only organic flour and natural yeasts in the baking process, and the results speak for themselves. Last but not least, the Sonoma boys have some serious pull in the coffee arena, with Sydney's cult-favourite roasters Single Origin producing a unique Sonoma blend that's smooth and approachable. All in all what the Bondi cafe lacks in rustic charm and warmth it makes up for in terms of the reliability and value of its product. The best way to go is to grab a fresh loaf, some preserves and a coffee, and retreat to your living room. It's a tough life - yes - but someone's gotta do it.
Tim Ho Wan, the world's cheapest Michelin-starred restaurant, is finally set to open in George Street's HSBC Centre this Thursday, June 23. Delayed since back in October 2015, the new flagship will no doubt see lines for days once this dim sum behemoth opens its doors. While the Chatswood branch has been rockin' it since March 2014 — and venues have since opened in Burwood, Pitt Street and Melbourne — the CBD flagship has taken far longer than expected. But, at long last, it's here — and you can't miss it. The bright sign on George Street is like a beacon beckoning you inside for delicious dim sum. Sydneysiders who have visited a Tim Ho Wan before can expect a familiar vibe at the new location. But unlike the Pitt Street takeaway outpost, this one is a sit-down affair — and as their flagship, it's set to be their biggest yet. There's no doubt their famous fluffy pork buns will make their way onto the menu, as will the highly photogenic spinach and prawn dumplings. They're also looking to add a golden lava dessert bun (that is, one filled with a salted egg custard) to their core menu, likely a competitive nod to the Din Tai Fung signature dish. Tim Ho Wan, led by ex-Four Seasons Hong Kong chef Mak Kwai Pui, opened back in 2009 and received its Michelin star the following year. Sydney was the lucky first city outside Southeast Asia to welcome the acclaimed dim sum house. Of course, a CBD location will mean long queues — but it hasn't stopped us before, and it certainly won't stop us from enjoying these delectable dumps now. Tim Ho Wan Sydney will open at 10am on Thursday, June 23 at the HSBC Centre, 580 George Street, Sydney. For more information, visit their Facebook event.
It isn't often that a snowboarding documentary is described as "a story about the mysteries of the human brain", and so when it is, one cannot help but sit up and take notice. Thankfully, the recognition given to The Crash Reel is much deserved. The film tells the engrossing tale of professional snowboarder Kevin Pearce, who was well on his way to winning gold at the 2010 Vancouver Winter Olympics before a horrifying injury suffered during training left him hospitalised in a deep coma. After fighting his way back, he decides he wants to strap the board back on despite advice from his doctors that one more blow to his head could kill him and the frank admission from his brother David, "I just don't want you to die." Twice Oscar-nominated director Lucy Walker (Waste Land) rides the emotional slopes with filmmaking guile, knowing exactly when not to stop, resulting in a hard-hitting and inspirational tale that snowboarding has never seen the likes of previously. Thanks to Hopscotch Films, we have five double passes to give away to a special screening of The Crash Reel on July 29, which will feature Kevin Pearce in a Q&A after the film. The screening starts at 6.30pm at the Hayden Orpheum Cremorne. To be in the running, subscribe to our newsletter (if you haven't already) and then email hello@concreteplayground.com.au with your name and address.
Close that Netflix-riddled laptop, kick back that unwashed doona and bundle up in All The Knits, there's plenty of happenings worth leaving the house for this weekend. From interactive sound sculptures to pop-ups and unmissable NYC rappers, we've given you a little rundown of the five best things to get out and about for. Orange is the New Black's not going anywhere. Sonic Social The Biennale may have wrapped for another two years, but hot on the heels of genre-defying and New York-based art stars is Performance Space's Sonic Social. Hauling in some participatory and experimental ideas, Performance Space is teaming up with the MCA to keep your cultural calendar topped up. The month of June will be studded with sound-based performances scattered throughout the museum. Whether the works be roaming between floors or tucked in discreet nooks, Sonic Social's aim is to respond to the MCA's architecture and activate neglected spaces. When: Thursday, 12 June - Sunday, 29 June Where: Museum of Contemporary Art Australia , 140 George St, The Rocks, NSW How much: FREE Frank There’s no one quite like Frank, the person, and there’s nothing quite like Frank, the film. The former, as played by Michael Fassbender while wearing a papier mache mask, is a soul seemingly eccentric but really just looking for the essence of creation and contentment. The latter is quirky by design but beautifully bittersweet by execution, revelling in all life’s failures and flaws. Frank leads an experimental rock band with the fittingly unpronounceable name of The Soronprfbs, and that’s exactly where Jon (Domhnall Gleeson) finds him. As the reconfigured group ventures from the Irish wilderness to the South by Southwest festival in Austin, Texas in search of musical fulfilment, the solace they find comes from internal, not external, forces. Read our full Frank review over here. When: Thursday, 19 June - Wednesday, 30 July Where: Various cinemas How much: $15 - $20 West Elm and Etsy Pop-up West Elm are teaming up with Etsy this weekend to bring you an afternoon of crafty goodness from your favourite online designers. From 1pm to 6pm on June 21, you'll be able to track down and purchase unique items made by local artisans. Better yet, there's no need for postage fees or waiting periods. Etsy has curated a stellar line-up of 16 sellers, offering everything from nifty jewellery and funky stationary through to re-purposed timber homewares and hand-poured soy candles. There will be a broad range of handmade products oozing with style and personality. Plus, you'll get to chat to your local innovators over treats and tunes. When: Saturday, 21 June - 1:00pm Where: West Elm Sydney , 472 Oxford Street, Bondi Junction How much: FREE Mykki Blanco Cross-dressing spitfire MC Mykki Blanco is in the country for Dark Mofo, heading north afterward to blow Sydneysider minds at Good God. One seriously multitalented artist, NYC-based Blanco is a rapper, performance artist and poet who grew up listening to riot grrrl music. The significantly internet-hyped New Yorker's setlist will inevitably include writhing party jam 'Wavvy' and heavier tracks like the recently released 'Initiation' — both as likely to intrigue audiences as attract them to the dance floor. Think bass heavy, post-trap anthems with a killer MC at the helm. When: Saturday, 21 June - 1:25am Where: Good God Small Club , 53 - 55 Liverpool St Sydney How much: 30 +BF The Farmed Table Pop-Up The idea of sustainable eating has become a prominent feature on menus around Sydney, with more and more restaurants taking a marked step away from fine dining towards a communal, local approach to food culture. As the world widens, we’re becoming more conscious of our immediate surroundings and how we can benefit from them. Enter The Farmed Table — Brendan Cato's pop-up venture, hosted by Bangbang cafe in Surry Hills, aiming to provide good, sustainable food in a community environment. When: Saturday 6.30pm - 10.30pm Where: 113 Reservoir Street, Surry Hills How much: $55 for food only and $80 for matching wines. Brothers Wreck — Belvoir Brothers Wreck is a superb piece of theatre. Set in Darwin, Jada Alberts’ contemporary drama follows the life of a tight-knit, if troubled, Indigenous family. Daily life in the top end is interrupted by torrential rain, plenty of expletives and much laughter. The play follows the redemptive journey of Ruben (Hunter Page-Lochard), a 21-year-old masquerading as a tough guy to get through the grief of losing his best friend, Joe, to suicide. Brothers Wreck is powerful storytelling, which deservedly received a standing ovation on opening night. Go and see this play. When: Saturday, 24 May - Sunday, 22 June Where: Belvoir St Theatre Upstairs , 25 Belvoir St, Surry Hills How much: $68/48/35 Dune Rats Brisbane’s Dune Rats leave the rules at home, abiding by one big ol’ proviso: "no kooks, no gutties." Whatever the blazes that means, these bloody corker dudes surf self-generated waves of laidback party-fuelled philosophy. Dune Rats' BC Michaels, Danny Beusa and Brett Jansch have been away from home for some time now, heading to the US, staying in a New York AirBnB warehouse, driving along the West Coast from San Diego to Vancouver and filming their own (sorta) web series American Death Trip of Dreams. After months on the road, the Dunies will head back home to Australia for a national tour, showcasing their debut album released on June 1. It’ll be the first time the trio have played to home audiences for months and is guaranteed to be one messy affair. Check out our chat with Dune Rats bass player Brett Jansch over here. When: Saturday, 21 June - 8:00pm Where: Oxford Art Factory , 38-46 Oxford Street Darlinghurst How much: $18.50 Patyegarang - Bangarra Dance Theatre Bangarra Dance Theatre is celebrating its 25th anniversary with another masterful fusion of storytelling and contemporary dance. Building on one of the earliest collaborations between Aboriginal people and the new settlers, Patyegarang traces the relationship between a spirited young indigenous woman and an English astronomer. It's a little bit like Australia's own Pocahontas adaptation but with cutting edge choreography. Imbued with a spirit of optimism and collaboration, Patyegarang promises an electric tribute to our first people, excavating an overlooked historical tale and providing an opportunity to reflect on Australia's future as a new nation. When: Friday, 13 June - Saturday, 5 July Where: Sydney Opera House , 2 Macquarie St Sydney How much: $29 - $89 Words by the Concrete Playground team.
This December, you can score a bottle of vino for as little as $8.50 a pop thanks to Vinomofo's Boxing Day Sale. Running from Friday, December 25 till Thursday, December 31, the sale will offer up to 70 percent off a heap of local and international wines — and it'll all get delivered straight to your doorstep for free. So, get ready to stock up on vino to help ring in the New Year. Vinomofo is an online wine company for those who love wine, but without all the pretension that sometimes comes with it. The Melbourne-based company delivers wine to thousands of people around the world — so it's safe to say it knows what it's doing when it comes to grape juice. The Boxing Day sale will see some of the biggest price drops from Vinomofo yet and will include more than 100 wines. It'll be adding additional daily wine deals over the week, too. Think celebratory champagne, epic-value prosecco and plenty of summer-suitable rosé, plus a huge range of white and red varieties — all for a steal. And, to top it off, shipping for all orders purchased in that time period will be free. Score epic wine deals via Vinomofo's Boxing Day Sale — for a limited time only.
For the first time, Chinatown, Thaitown and Koreatown are joining forces for Lunar Streets, and extending an invite to you and your family/friends during this year's Lunar New Year celebrations. Graze like a sheep (it's their year) down Sussex, Campbell and Pitt Streets from dusk till late on Saturday, February 14. There'll be long alfresco tables set up for the occasion, so you can commune with friends new and old while chowing down on your dim sum/noodles/curry/sashimi/some glorious mix of the four. Performances by roving entertainers and a mix of Asian pop hits courtesy of PopAsia top off the night, a new high on Sydney's Chinese New Year calendar.
Having an after-work tipple at a physical bar is just one of many social happenings that have been paused as measures to contain COVID-19 ramp up. But one South Australian alcohol company is keeping the spirit alive — albeit virtually — with its newly launched Digital Happy Hour. The crew behind Applewood Distillery and Unico Zelo wines is here to turn your isolation frown upside down, with interactive tasting sessions live streamed nightly from 5.30pm AEDT. Available via the Unico Zelo Facebook page, Digital Happy Hour will see Founder Brendan Carter crack open and discuss a different bottle of wine each night, with viewers invited to join in with questions and comments of their own. Expect funny stories, banter aplenty, blind-guessing wine, "shit wine invention" reviews and lots of down-to-earth wine chat. Then at 6.30pm AEDT, head over to the Applewood Facebook page for a nightly spirits-focused live stream with Brand Ambassador Henry Hammersla. He'll be sharing some fun cocktail recipes for you to recreate at home — such as the much talked about Quarantini — as well as taking questions about all things booze. And as far as the actual drinking goes, Unico Zelo has you sorted with its Iso-Vino Care Package — a mixed dozen wines you can get delivered to your door, with free shipping. Or perhaps you'd prefer to stock up with Applewood's Isolation Gin Pack, featuring three of its signature gins for $199.99. Head over to Unico Zelo Facebook page at 5.30pm AEDT and Applewood Distillery's at 6.30pm nightly for Digital Happy Hour and Iso-Cocktails.
By August, winter can begin to feel as though it's been dragging on forever. Some of us, like migratory birds, make an annual pilgrimage to our favourite Northern Hemisphere destination, avoiding the darker months altogether. Others dig in like grizzly bears, travelling no further than is necessary to obtain food and money. Fortunately, one of Australia's geographical benefits is its proximity to an abundance of eternally sun-kissed destinations. Whether you prefer the seemingly boundless expanse of the Pacific Ocean, or the monsoonal mystery of the Indian Ocean - the warmest ocean in the world - you're only ever a a few hours' flight time away from winterless climes. So, if you're feeling as though you'd like a quick preview of summer before December ushers in the main act, here are ten destinations that could well have you digging out your long lost swimmers. Eratap, Vanuatu If you happen to be sitting at an airport on the eastern seaboard of Australia right now, this view is just three hours and twenty minutes' travelling time away. That's a three hour flight to Vanuatu's capital, Port Vila, and a twenty minute drive to the pier pictured above. Even though the exclusive resort of Eratap is comprised of just twelve villas, all located on the waterfront, it occupies an entire peninsula, incorporating eight acres of lush gardens and three lonely beaches. Plus, the resort's gardeners will drop you to one of several surf breaks just off the beach should you feel the inclination. Semara Luxury Villa Resort, Bali If you like your rooms over-sized, your ocean views panoramic and your gardens perfectly manicured, Semara is likely to tick all your boxes. Located on Bali's southernmost point, this resort features seven commodious, architect-designed villas, which overlook the Indian ocean from the spectacular heights of Uluwatu's stunning white limestone cliffs. Zeavola, Phi Phi, Thailand Encompassing an unspoiled stretch of too-white-to-be-true sand on Phi Phi Don Island's northern tip, Zeavola promises an indulgent experience based on sensual pleasure. The accommodation, modelled on island-style housing, is built of hand-hewn teak, and the landscaping features quiet gardens, romantic outdoor showers and hand-painted murals. Wayalailai Ecohaven Resort, Fiji One of the few 100% locally owned resorts in the Pacific Islands, Wayalailai offers a beach-side break in the heavenly Yasawa Islands that isn't quite as devastating on the wallet as other, more luxurious options. Run by nearby villages, Wayalailai features traditional-style bures (both doubles and dorms) and enables the visitor to experience Fijian society and culture as it occurs on a daily basis, rather than as a construction for the purpose of tourist entertainment. Prices start at $70, inclusive of three meals, and you can even pitch a tent for $55. All profits go to improving living standards and increasing access to education in local communities. Aitutaki Lagoon Resort and Spa, Cook Islands Many a well-seasoned traveller has concluded that Aitutaki Lagoon is the most beautiful in the world. 'No artist's palette could ever conceive of a more perfect, more luminous turquoise,' Steve Daley wrote in Unforgettable Places to See Before You Die. The only resort in the Cook Islands to occupy its own private island, the Aitutaki Lagoon Resort and Spa, perched on the lagoon's edge, is renowned for its intimate, Polynesian-style over water bungalows. Te Tiare Beach Resort, French Polynesia Te Tiare Beach Resort - one of the smallest and most intimate in French Polynesia - is located on Huahine, one of the less visited and most tranquil of the country's islands. There's a local farmer's market, a strong traditional fishing culture and an abundance of fertile plantations and orchards - vanilla, noni fruit, taro, watermelon, mango, papaya, banana and breadfruit are all made for the South Seas. You can choose your bungalow according to your tastes - garden, premium garden, beach, lagoon overwater or deep overwater. L'Escapade Island Resort, New Caledonia Like French Polynesia, New Caledonia offers a little European je-ne-sais-quoi without the pain of a gruelling long-haul flight. In fact, it's less than three hours' time in the air from Sydney. Similarly to the Aitutaki Lagoon Resort and Spa, L'Escapade inhabits its very own private island, twenty minutes' boat ride from Noumea. Access to both inner and outer lagoon areas enables an array of sun-blessed activities, from swimming and snorkelling to windsurfing and kayaking. 69 bungalows - both over water and terrestrial - comprise the accommodation. Fregate Island, Seychelles With 2000 free-roaming Giant Aldabra Tortoises, hundreds of Hawksbill Turtles' nest and an indigenous forest rehabilitation plantation, Fregate Island is not just one of the world's most prestigious holiday destinations, it's also an important conservation project. Visitors can rent one of 16 spacious private pool residencies, a five-building estate or an entire island. Niyama, Maldives The world's first underwater live music club and a 24-hour spa mean that Niyama offers more than your regular beachside vacation. Located forty minutes by seaplane from Male, it features over water pavilions and stand alone studios with unimpeded views of the horizon. The onsite restaurant serves meals just five hundred metres from the water's edge. Sila Evason Hideaway and Spa, Thailand Found on the northern tip of Koh Samui, Sila Evason is famous for is its 41 pool villas, each of which comes with its own private infinity edge pool. They're set in twenty acres of native forest, on a sloping headland, and offer panoramic views of the ocean and surrounding scenery. There's also a Six Senses Spa on the premises.
If you're a vegetarian, worshipper of eggplant or just a keen home cook, chances are Yotam Ottolenghi has had some impact on your life. In fact, we bet you've got at least one of his bestselling cookbooks in your cupboard. Next year, you'll be able to learn a few more tips and tricks from the renowned Israeli chef as he heads to Down Under for a speaking tour. The trailblazing chef, author, TV personality and restaurateur whose name has become its own cooking style is touring the country in 2023 off the back of his book Ottolenghi Flavour, which builds on his love for innovative vegetable-based recipes. And yes, this'll sound familiar, as he was planning to head Down Under in 2021 and at the beginning of 2022 — but we all know what got in the way. [caption id="attachment_864021" align="alignnone" width="1920"] Stuart Simpson[/caption] Yotam Ottolenghi — Flavour of Life will hit Sydney, Canberra, Adelaide, Brisbane, Melbourne, Auckland and Wellington in January — and, as well as dishing up a few spicy secrets behind mouthwatering hits like miso butter onions and spicy mushroom lasagne, the show will provide an opportunity to hear directly from the man himself about his influences and experiences. It also promises to delve into Ottolenghi's experience as the owner of famed London restaurants Nopi and Rovi, how he approached home cooking during the COVID-19 pandemic and how you can dial up the flavour in your own kitchen. [caption id="attachment_768174" align="alignnone" width="1920"] Flickr/Stijn Nieuwendijk[/caption] YOTAM OTTOLENGHI 2023 AUSTRALIAN TOUR: Saturday, January 21 — Canberra Theatre Centre Sunday, January 22 — ICC Sydney Monday, January 23 — Adelaide Convention Centre Wednesday, January 25 — Kiri Te Kanawa Theatre, Aotea Centre, Auckland Friday, January 27 — Michael Fowler Centre, Wellington Saturday, January 28 — QPAC Concert Hall, Brisbane Sunday, January 29 — Hamer Hall, Arts Centre Melbourne The Yotam Ottolenghi — Flavour of Life will tour Australia and New Zealand in January 2023. For further details or to buy tickets, head to the tour website.
For much of the past two weeks, Greater Sydney residents have been masking up as part of the New South Wales Government's response to two recent locally acquired cases of COVID-19. Donning face coverings has been compulsory in indoor public settings and on public transport, rules that were tweaked slightly last week but still scheduled to remain in place until 12.01am on Monday, May 17 — and today, Sunday, May 16, NSW Premier Gladys Berejiklian has confirmed that the mask mandate will indeed end tomorrow. Sydneysiders, including those who live in Wollongong, the Blue Mountains and the Central Coast, will no longer need to wear a mask on public transport and at public indoor venues. That covers customer-facing staff members in hospitality as well, and anyone in gaming areas. So, you won't have to don a mask in any situation across the state. But, they will still remain strongly recommended. Basically, if you can't guarantee social distancing somewhere — or you're using public transport — you're advised to wear them. https://twitter.com/NSWHealth/status/1393733822450081792 The restrictions have been eased because no further local COVID-19 cases have been identified over the past week. Although NSW Health is yet to find a direct link between the two recent community-acquired cases and a case with the same genomic sequence in a returned overseas traveller, the NSW Government is still happy to ease restrictions. Compulsory mask-wearing isn't the only current restriction that's changing for Greater Sydney residents. As also announced today, at-home gathering caps will be completely scrapped, singing and dancing will be permitted again in indoor venues, and you'll be able to standing up while drinking. To find out more about the status of COVID-19 in NSW, head to the NSW Health website.
It seems a pretty hard task to follow Hannah Gadsby's international smash-hit show, Nanette. After all, the one-woman stand-up performance copped serious praise on its 18-month travels across Australia and the UK, even scooping the top honours at both the Melbourne International Comedy Festival and Edinburgh Festival Fringe. It also spawned its very own Netflix special. And when Gadsby used the show to announce she was quitting comedy for good, we thought that was it. But indeed, the beloved Aussie comedian gave the follow-up a red hot crack when she returned to the stand-up stage with her latest work, Douglas, named after her own pet pooch. While Nanette pulled apart the concept of comedy itself, dishing up an insight into Gadsby's past, Douglas takes you on a "tour from the dog park to the renaissance and back". Gadsby took Douglas to stages across Australia and New Zealand in late 2019 and early 2020, and now, to the delight of house-bound people across the world, is bringing it to Netflix next month. Available to stream globally from Tuesday, May 26, the show will bring us all some much-needed comic relief. As Gadsby says: "mark it in your socially-distant calendars...then wash your hands". https://twitter.com/Hannahgadsby/status/1249668347693654019 Hannah Gadsby's 'Douglas' will be available to stream globally on Netflix from Tuesday, May 26.
A smokejumper stationed to a Montana watchtower, plagued by past traumas and forced to help a teenage boy evade hired killers, Those Who Wish Me Dead's Hannah Faber actually first debuted on the page. Watching Angelina Jolie bring the whisky-swilling, no-nonsense, one of the boys-type figure to the screen, it's easy to assume otherwise. The part doesn't quite feel as if it was written specifically for the smouldering movie star, though. Rather, it seems like the kind of role that might've been penned with Liam Neeson or Denzel Washington in mind — see: this year's The Marksman for the former, and 2004's Man on Fire for the latter — then flipped, gender-wise, to gift Jolie a new star vehicle. On the one hand, let's be thankful that that's not how this character came about. Kudos to author Michael Koryta, who also co-writes the screenplay here based on his 2016 novel, for conjuring up Hannah to begin with. But on the other hand, it's never a great sign when a female protagonist plays like a grab bag of stock-standard macho hero traits, just dressed up in a shapelier guise. It has been six years since Jolie has stepped into a mere mortal's shoes — since 2015's By the Sea, which she wrote and directed — and she leaves no doubt that Hannah is flesh and blood. There's still an iciness to the firefighter, and she still has the actor's cheekbones and pout, but Maleficent, she isn't. She's bruised, internally, by a fire that got away and left a body count. After hanging out with her colleagues, parachuting out of cars and brooding in her tower, she's soon physically in harm's way as well. As Those Who Wish Me Dead's plot gets her to this juncture, it also cuts back and forth between forensic accountant Owen Casserly (Jake Weber, Midway) and his son Connor (Finn Little, Angel of Mine), plus assassins Patrick and Jack (The Great's Nicholas Hoult and Game of Thrones' Aiden Gillen). Thanks to a treasure trove of incriminating evidence against important people that no one was ever supposed to find, these two duos are on a collision course. When they do cross paths — while Owen is trying to take Connor to stay with Ethan (Jon Bernthal, The Peanut Butter Falcon), his brother-in-law, a sheriff's deputy and one of Hannah's colleagues — it also nudges the boy into the smokejumper's orbit. As he demonstrated with his scripts for Sicario, Hell or High Water and Wind River, actor-turned-writer/director Taylor Sheridan (12 Strong) favours a patient approach. His narratives frequently boast an entire forest's worth of moving parts, and he's never in much of a rush to piece them all together. Accordingly, he takes his time bringing Hannah and Connor into each other's lives, and unfurls their ordeal from there with the same unhurried air. Those Who Wish Me Dead isn't interested in fleshing out its characters any more than the plot demands, however. The audience spends ample time with the film's central duo, yet can't claim to really get to know them. They're both haunted by what they've seen and lost, and neither is keen to spill too many words talking it through — but, although both Jolie and her young Australian co-star Little do exactly what they're asked, and even impart as much soulfulness as they each can on top, these characters could've been shaken out of any western-leaning, action-infused crime-thriller. They could equally walk right out of this flick and into the next formulaic entry in the genre. Also just as familiar: the cat-and-mouse games that ensue as Hannah and Connor try to reach the authorities, Patrick and Jack attempt to track their every move, and Ethan and his pregnant wife Allison (Medina Senghore, Happy!) become entangled in the drama. Naturally, an encroaching blaze fuels a significant part of the narrative — which proves inevitable from the very first frame, but does at least give Sheridan and cinematographer Ben Richardson (Mare of Easttown) a smokier visual palette. As its score keeps stressing, this is meant to be a tense film. It isn't; ticking boxes so dutifully is rarely suspenseful, as the otherwise vastly dissimilar Spiral: From the Book of Saw has also demonstrated recently. Still, Those Who Wish Me Dead does possess its own distinctive look. While texture and urgency are largely absent from the story, all those leaves and flames do their best to approximate the same sensations. Your eyes will register the difference, but your blood pressure will remain undisturbed. Occasionally — not enough, but occasionally nonetheless — Sheridan, Koryta and co-writer Charles Leavitt (Warcraft: The Beginning) don't make the obvious choice. When the feature allows Hannah and Connor's melancholy moods to linger, or does the same with a shot that doesn't immediately thrust the plot forward, it toys with being a more interesting film. The same applies to the way that it lets Allison play the hero, albeit after first putting her through a violent ordeal while she's literally barefoot and pregnant. Patrick and Jack are also curious inclusions. They're so one-note, it's hard to see what actors of Hoult and Gillen's calibre saw in the parts, but they'd also likely make a great double act in an In Bruges-esque Martin McDonagh flick. Jolie is tasked with anchoring this melange of elements, which she does; however, this isn't a feature that star power can bolster. Instead, Those Who Wish Me Dead is a generic movie that flirts with more, led by an impressive lead who's capable of more. It wants to burn bright, but usually only flickers. https://www.youtube.com/watch?v=sV6VNNjBkcE
When the Australian Government announced last week that pubs, bars and nightclubs would be closing the following day to help contain COVID-19, it led to the mass-buying of booze across the country. Bottle shops are not impacted by the closures, but it didn't stop Aussies stocking up just in case. Booze is just the latest item to be targeted by panic-buying, with toilet paper going first, then essential food items. Supermarkets across the country have since introduced strict two-pack-per-person limits on coveted items, such as eggs, sugar, white milk, frozen desserts and canned tomatoes, and now bottle shops are following suit. Australia's major bottle shops have today, Tuesday, March 31, introduced new temporary restrictions on alcohol. "In partnership with all major Australian alcohol retailers...we have applied moderate restrictions on the amount of produce customer can purchase," a statement on the BWS website reads. "Don't worry, supply isn't drying up, these changes have been made to ensure this is enough for everyone to responsibly enjoy their drink at the end of the day." Thankfully, the limits aren't quite as strict as those on food. In NSW, Vic, ACT, Qld, NT, SA and Tas, there are per person, per transaction limits on six categories, with customers able to buy from up to two different categories at a time: 12 bottles of wine two casks of wine (up to ten litres) two bottles of spirits (up to two litres) two cases of beer two cases of pre-mixed spirits/RTDs two cases of cider [caption id="attachment_766137" align="alignnone" width="1920"] Stephen Dann via Flickr[/caption] The above restrictions have been enforced at major stores around the country, both in-store and online, including Woolworths Group's BWS and Dan Murphy's; Aldi; and Coles's Liquorland, First Choice Liquor and Vintage Cellars. The new limits follow and supersede the restrictions introduced by the Woolworths Group last week. In WA, the purchase limits are stricter, to adhere to state regulations, with customers able to buy a maximum of two from the following categories: 11.25 litres of beer, cider or pre-mixed spirits; 2.25 litres of wine; one litre of spirits; and one litre of fortified wine. All the alcohol retailers are also encouraging social distancing, have introduced maximum capacities at their stores, and are offering pick-up, with some offering delivery. The temporary alcohol limits are now in place at stores across Australia. To find out more about the status of COVID-19 in Australia and how to protect yourself, head to the Australian Government Department of Health's website.
Music festival fans, where's your head at? We can tell you where it'll be if you're looking to send off the year with a stacked lineup of dance floor favourites: Glenworth Valley. The end-of-year staple Lost Paradise has just announced its return for 2023, and it's making a comeback with plenty of big names. Between Thursday, December 28–Monday, January 1, Lost Paradise will unleash a massive program of live music and DJ sets that include appearances from headliners Flume, Dom Dolla and Foals, plus Basement Jaxx, Bicep and Carl Cox on the decks. The Central Coast festival also shares some names with the recently announced Beyond the Valley lineup — namely Kelis, The Jungle Giants, Channel Tres, Cassian, Jayda G, DJ Heartstring, Overmono, Lastlings, BIG WETT and salute. Other notable names include local festival favourites like Lime Cordiale, PNAU, Winston Surfshirt, Royel Otis and Sycco; pop heavyweight Holly Humberstone; 'Afraid to Feel' hitmakers LF System; and international dance mainstays Kettama, Barry Can't Swim, Ewan McVicar and Yung Singh — the last of which has racked up nearly a million views on his Melbourne Boiler Room set from earlier in the year. https://www.youtube.com/watch?v=AWZ5F00eG_k Since first unleashing its specific flavour of festival fun back in 2014, Lost Paradise has become a go-to way to see out one year and welcome in another — and with its just-dropped roster of talent for 2023, that's set to be the case across its riverside setup again this time around. Also on the bill: wellness, art, sustainability, ideas and food, all as part of a four-day camping festival. So, there's plenty to get excited about and to tempt you to make the journey an hour out of Sydney. While the full rundown of activities hasn't been revealed as yet, the lineup hints at pottery sessions, workshops centred around First Nations culture and speed dating. And, camping-wise, options span everything from rent-a-tents to luxury glamping. This year, Lost Paradise is opting to steer away from a traditional first-, second- and third-release ticket strategy. Instead, ticket prices will gently increase in accordance with demand. Of course, it's the Lost Paradise lineup that'll get you to the festival in the first place. So, enough chatter; here it is: LOST PARADISE LINEUP 2023: Artist Lineup Flume Dom Dolla Foals Kelis Lime Cordiale Pnau The Jungle Giants Channel Tres Holly Humberstone Overmono Winston Surfshirt Lastlings Royel Otis Sycco Dice Haiku Hands Big Wett Skeleten Cat & Calmell Velvet Trip Sloan Peterson Pirra Jet City Sports Club Salarymen Birdee 王煒 Thunder Fox Sputnik Sweetheart DJ Lineup Bicep (DJ Set) Carl Cox (Hybrid Set) Jayda G Basement Jaxx (DJ Set) Kettama DJ Heartstring Cassian Ewan McVicar Lf System Barry Can't Swim Salute Stüm Sam Alfred Yung Singh Heidi Saorise c.frim Litmus (Live) Club Angel James Pepper Ayebatonye Elijah Something Mincy Caleb Jackson Crybaby Jacqui Cunningham Conspiracy Crew Caitlin Medclaf Troy Beman Shantan Wantan Ichiban Flexy Ferg Waxlily Cleo Sasha Milani Madami Lost Sundays Soundsystem Cricket Mash Anika Silly Lily Zach Williams Toaka Lost Paradise returns to Glenworth Valley from Wednesday, December 28–Sunday, January 1. Pre-sale tickets are available from Tuesday, August 29 with general tickets from Wednesday, August 30. For more information, head to the festival's website. Top image: Jordan Munns.
The Sydney Fringe Festival will be transforming its own headquarters as part of the 2014 program, turning it into a three-level bar, theatre, info point and communal crafternoon gathering space. 'The Campground' at 5 Eliza Street, Newtown will serve as one of the hubs for a full month of comedy, cabaret, circus, theatre, music, art and out-of-the-ordinary events. The other hub? Well, for that you'll have to go exploring. "[Last year's hub] Emerald City was great but this year we moved to a new creative vision for the festival that we feel suits the geography and energy of Sydney better," festival director Kerri Glasscock tells us. "Instead of creating the traditional static festival garden [or] hub we wanted to create a roaming hub that moved throughout the festival, highlighting a number of different precincts and encouraging festival-goers to explore more of the city and keep it fresh." To that end, laneway hubs will take over a different part of town each weekend. We're particularly looking forward to seeing Darlinghurst's Foley Lane come over all Montemartre, with jazz and swing music, street performers and crepes, but Newtown's King Street and Sydenham's Faversham Street are also scheduled to throw multi-day bashes. Back at the more stationary Campground, each of the three levels has been given a mission and a name — 'the Tent', 'the Campfire' and 'the Annex'. Downstairs in the Tent is where to hide away to drink, view the exhibition on the walls and gather Fringe-related information, while upstairs at the Campfire is the place to tell stories, with artist talks, performances and sketching and snow globe-making workshops the order of the day. On the top floor is the Emerging Artist Annex, a 60-seat pop-up theatre for some of the festival's newcomers. "We wanted a space where the general public could come and experience art making, no matter what your skill level, be it hobby or master," says Glasscock. "So we have created mini spaces within the Campground where you can come and draw, knit or participate in a crafternoon." The four weeks of the program revolve around loose themes — Inner City in week one; Community, Ideas and Laughs in week two; family in week three; and something juicily titled 'The Final Frontier' in week four. "We wanted to engage as many practising local artists as possible and encourage as many partnerships and collaborations as possible," says Glasscock. "The festival offers a unique opportunity to try out an idea that has been brewing or work with a fellow artist you have wanted to collaborate with." Unlike some of the big fringe festivals of the world, the Sydney Fringe has always been open to anyone who wants to put on a work, which has sometimes resulted in a mixed bag of experiences for people. But Glasscock thinks they may have a solution to that, while still keeping the festival's open-access ethos. "We like to say that we don't curate the art but we curate where it goes," she says. "This is a new approach to the festival this year and has so far worked really well. It means that care has been taken to place the right content in the right venue so hopefully it is a better experience for the artists, the venues and the punters." Venues this year range from the perennial Factory Theatre to Freda's, Giant Dwarf, the Glebe Justice Centre, Rookwood Cemetery, the Record Crate and Venue 505. Opening the festival is the Ignite Launch Party on August 31, curated by Potbelleez Ilan Kidron and winding its way down Crown Street. The Fringe continues until September 30, and its full program is now available on the festival website.
