In just a couple of years time, Brisbanites will have another way to cross from the CBD to Kangaroo Point, with a new bridge between the two locations set to join the city's growing collection of river crossings. This one will be a green bridge, so it'll be completely car-free. It'll also boast something that even its fellow pedestrian, bus and bicycle-only structures don't have: an overwater bar and restaurant. Brisbane Lord Mayor Adrian Schrinner has revealed that the Connect Brisbane consortium, led by BESIX Watpac, has been awarded the contract to design and construct the bridge — and that their vision for the structure includes places to stop for a drink and a bite to eat. While this town of ours has more than a few eateries and watering holes either perched over the river or next to it (including plenty adjacent to river crossings), the Kangaroo Point Green Bridge will mark a first for the city, because no other bridges have built-in bars and restaurants. "The final design of the city-shaping project showed not only would the bridge deliver a much-anticipated crossing for pedestrians and active transport users, but it would also offer recreational opportunities unique in Brisbane," said the Lord Mayor. "The Kangaroo Point Green Bridge will be more than an active travel bridge; it will become a must-visit destination for residents and visitors to our great city." Exactly what kind of restaurant and bar will call the structure home hasn't yet been revealed; however, the bridge's overwater area could also include an event space — and has a cafe in its plaza area, and other small food and beverage outlets all earmarked, too. Also part of the design: viewing platforms, so that you can stop and scope out the scenery while you're making the 460-metre walk across the river. Due to start construction this year, with a 2023 opening date targeted, the Kangaroo Point Green Bridge will stretch between the corner of Alice Street and Edward Street in the CBD over to Scott Street at Kangaroo Point. Dedicated cycle and pedestrian paths are a big feature, with the bridge spanning a minimum width of 6.8 metres — and the design features a single-mast cable stayed structure, if you're wondering what it'll look like. The Kangaroo Point Green Bridge is one of four that the Brisbane City Council currently has in the works — down from the five that were announced back in 2019. The other bridges still forging ahead include two in West End, linking to both Toowong and St Lucia, and one from Albion to Newstead at Breakfast Creek. A fifth crossing from Bellbowrie to Wacol has been scrapped following community feedback. And yes, Brisbane is clearly a city of bridges. Our governments can't get enough of them, it seems. In the CBD alone, we already have the Go Between Bridge, which caters for vehicles, cyclists and walkers between West End and Milton; the William Jolly Bridge that links Grey Street with North Quay; the foot traffic-only Kurilpa Bridge that runs from the Gallery of Modern Art over to Tank Street; the Victoria Bridge from QPAC to George Street; and the pedestrian-only Goodwill Bridge that spans from the southern end of South Bank over to the Queensland University of Technology. And, the Neville Bonner Bridge from the new Queen's Wharf precinct to the Cultural Centre Forecourt is currently under construction as well. Images: Brisbane City Council.
If you thought the Suitcase Rummage markets couldn’t get any better then I have some news for you. The best market in town just got better! Hard to believe, but it’s all true. Suitcase Rummage is taking part in the new creative community event The Home Festival, and is delivering a brand spankin’ new market, appropriately named ‘The Wardrobe Markets.’ The Wardrobe Markets will be just like the regular rummage markets were you can buy the best vintage, hand made and second hand goods Brisbane has to offer, but now instead of rummaging through suitcases the markets will be set up like a giant wardrobe. This means tables, clothing racks, lamps, rugs and other homely displays to make your shopping experience just that little bit more unique. The Home Festival has created different 'rooms' for people to visit throughout the day, (a lounge room, kitchen, study, garage etc) and the Suitcase Rummage stall holders will be setting up the scene of the rooms with their wares. PLUS there will be other events happening including live bands, workshops, zine making and outdoor screenings. The Home Festival's got it all baby. So this month you get double the market intake with the regular Suitcase Rummage on April 3 and the new Wardrobe Markets on April 9. Huzzah! Image by Jono Robert
Flick through the pages of any issue of National Geographic and the planet comes to life in all of its natural glory, particularly the colour, movement and all-round splendour of the animal world. Indeed, the magazine has been taking eye-catching wildlife photographs since 1888, and first featured one such image — a snap of a reindeer — on its cover back in 1903. From that huge 130-year history, the publication has picked out the absolute best photos in its archive for a brand new exhibition, which will make its world premiere at the Melbourne Zoo from September 8 to November 30. 50 Greatest Wildlife Photographs will showcase exactly what it sounds like — 50 breathtaking snaps of the earth's animal inhabitants, as curated by famous nature picture editor Kathy Moran, and featuring the work of iconic National Geographic photographers such as Michael 'Nick' Nichols, Steve Winter, Paul Nicklen, Beverly Joubert and David Doubilet. If last year's Photo Ark exhibition has you staring in wonder, then this promises that and more as patrons not only view the stunning sights captured, but the way that photography has evolved over the course of more than a century. Displaying as an outdoor gallery in Melbourne Zoo's Carousel Park, 50 Greatest Wildlife Photographs will be accompanied by augmented reality experience Air, Land & Sea. The interactive installation transports viewers to a watering hole where animals — hailing from Africa, the Arctic and more — graze, drink and interact with the environment around them. As well as giving patrons a glimpse at wildlife photography at its finest, Melbourne Zoo hopes the exhibition will bring attention to the plight of animals around the world. "Our hope is that, after viewing these stunning images and connecting with the wildlife at Melbourne Zoo, visitors will be compelled to remember that all animals deserve our greatest respect, awe and preservation," says Melbourne Zoo director Kevin Tanner. National Geographic's 50 Greatest Wildlife Photographs will be on display at Melbourne Zoo from September 8 to November 30. Entry to the exhibition is included in the zoo admission price. For more information, visit the website. Image: Gray Whale Hands by Thomas P. Peschak, San Ignacio Lagoon, Mexico, April 2015.
The confusers of the Brisbane music scene are back to headline Woodland this Saturday. Known for their energetic and visceral live shows, let them lull you into a false sense of security with their soulful ballads before tossing you against the wall with their loud and fast punk, covering all shades of electro-punk-pop in between. Leading up to the global release of their highly anticipated debut album Sport, RE:Enactment get back into the gigging circuit starting at one of Brisbane’s most exciting live venues. Joined by noise-rock favourites The Rational Academy, energetic indie collective The Slow Push and fleshed out by the masterful Subsea DJs, this is a showcase of home grown talent not to be missed. Although the album isn’t officially released until the 1st of March, there is talk of some sneaky copies available on the night. Be one of the first to get your hands on this eclectic release and bring along a wide array of dance moves for this one of a kind line-up.
By this point in 2020, the year has served up all manner of challenges and surprises. But in one area at least, it's rolling on as planned. Because the world can't last too long without delivering multiple new film and/or television adaptations of Stephen King's work, viewers are about to score another one — a new miniseries version of the author's 1978 novel The Stand. Hitting Amazon Prime Video in Australia and New Zealand from Friday, January15 — after debuting in America in December — The Stand joins HBO's The Outsider as the two new TV shows bringing King's work to our eyeballs over the past 12 months. Of course, as avid fans will know, this isn't the first time this particular book has made the leap to the screen. Back in 1994, it aired as a big-budget, star-studded, four-part miniseries featuring the likes of Gary Sinise, Miguel Ferrer, Rob Lowe, Ruby Dee, Laura San Giacomo, Molly Ringwald and Ed Harris. Plenty of well-known names are onboard this time around, too, because there's quite the sprawling story to tell. And, quite the timely one, although that's obviously pure coincidence. The Stand is set in a world devastated by a plague. Here, the devasation is caused by a bioengineered super flu strain, which has wiped out 99 percent of the global population. Among those that survive, a battle between good and evil plays out — with the character of Randall Flagg, a common figure in King's work (see: The Eyes of the Dragon and The Dark Tower series), featuring prominently. Alexander Skarsgård plays Flagg, while the rest of the cast includes James Marsden, Whoopi Goldberg, Amber Heard and Heather Graham, as well as Watchmen's Jovan Adepo, Paper Towns' Nat Wolff, IT: Chapter Two's Owen Teague, Arrow's Katherine McNamara, and Australian Shirley and The Daughter actor Odessa Young. Behind the lens, The Stand is the latest project from filmmaker Josh Boone — whose latest movie, The New Mutants, hit cinemas in mid-2020 after years of delays. Check out the trailer for The Stand below: https://www.youtube.com/watch?v=ytkZJSzeg7A The Stand will start streaming in Australia and New Zealand on Friday, January 15 via Amazon Prime Video, airing new episodes weekly.
Everyone deserves a hefty dose of Steve Buscemi in their lives and, across five seasons and 56 episodes, Boardwalk Empire delivers just that. The beloved actor plays Enoch 'Nucky' Thompson, a corrupt politician who is also a gangster kingpin in Atlantic City during America's prohibition era. The character is fictional, but it's based on non-fiction book Boardwalk Empire: The Birth, High Times and Corruption of Atlantic City, which focuses on comparable real-life figure Enoch L. Johnson. Created by The Sopranos alum and The Wolf of Wall Street screenwriter Terrence Winter — and executive produced by Martin Scorsese, with the iconic filmmaker also directing its pilot — Boardwalk Empire charts Nucky's ups and downs, including the government investigation into his activities. While Buscemi is the obvious star of the show, both Michael Shannon and Kelly Macdonald are top-notch, as is this weighty drama all-round.
Excusez-moi mes amis? Que faites-vous le Vendredi? Quelque chose excitant? Haha! See what I just did there? Instantly made myself look cool and chic (don’t fight it), whilst also retaining a bit of je ne sais quoi. It’s almost ridiculous how feigning knowledge of a second language instantly lifts your level of intrigue. But what can you expect, really? Everyone knows that French equals chic, and god knows it wouldn’t hurt if everyone were a tad more sophisticated. If, like me, you’re in the mood for croissants and champagne, or perhaps macaroons and un café, look no further than the Powerhouse. Their 2012 installment of the So Frenchy So Chic franchise is just around the corner so it’s time for your berets and stripy tops to make an appearance. This year the performances are by two vastly different yet amazing acts, ready to seduce you with their dulcet French tones. Asa has been described in the past as a young Bob Marley and is sure to bring a high amount of soul to the evening. Moriarty Moriarty is also set to impress as the five-piece band accompany their voices with an eclectic range of instruments - including a drill. If you are the mood for some international intrigue, So Frenchy So Chic is the event for you. Who knows, you may even find your own foreigner to feed you wine and cheese and whisper sweet accented nothings into your ear.
They're the pieces of plastic no one can leave home without — if you want to catch a bus, train, tram or ferry. Sydney has Opal, Melbourne has Myki and Brisbane has the Go Card, aka the main way to pay for public transport in today's increasingly cash-less society. For now, that is. News Corp's Sydney, Melbourne and Brisbane papers are all reporting the looming end of the current ticketing cards, in favour of smartphone, smartwatch and tap-and-go bank card payments. It's one of those obvious leaps in technology that was always going to happen at some point soon. If there's a more convenient, contactless way to pay that don't rely upon everyone remembering to stuff yet another card into their wallet, then it's hardly surprising that the New South Wales, Victorian and Queensland governments are looking into it. In Sydney, a trial began on the Manly ferry last year, with patrons tapping their Mastercards instead. It's expected to expand to other forms of transport according to The Daily Telegraph, although it's worth noting that Opal multi-trip benefits don't apply to other payment systems. Melburnians can expect to scan on with a credit or debit card in trials due to start this year, focusing on Routes 11, 86 or 96, The Sunday Herald Sun notes. And in Brisbane, The Sunday Mail reports that a trial will commence either later in 2018 or sometime in early 2019, starting with the Airtrain. Moving away from dedicated transport cards — or adding other payment options — will make things easier for tourists and travellers, who shouldn't have to buy a new piece of plastic just to catch a bus or train (or pay extra for a paper ticket if they don't) when they're visiting. Ensuring the new system remains accessible for anyone that doesn't have a smartphone, smartwatch or bank card remains a concern, however. And, there'll always need to be a backup option in case someone forgets their phone, watch or wallet. Via The Sunday Mail / The Sunday Herald Sun / The Daily Telegraph. Images: Beau Giles / Binayak Dasgupta / Andrew Thomas.
Four Australian female composers. Four singers. Four dramatic operatic works inspired by mythology, literature and rare Australian birds. World premiering on one night. Streaming on the Carriageworks Facebook page at 7.30pm AEST on Saturday, April 25, the four-part Breaking Glass was meant to be performed inside the physical arts precinct from March 8–April 4, but its temporarily closure forced the show's premiere online. Presented by Sydney Chamber Opera and Carriageworks together with the Sydney Conservatorium of Music's Composing Women Program, Breaking Glass is broken into four one-act operas by female composers. There's Commute by Peggy Polias, which combines Homer's Iliad with a modern women's uneasy walk home at night; Josephine Macken's terrifying The Tent inspired by Margaret Atwood's writing; The Invisible Bird by Bree van Reyk, telling the true tale of a rare Australian parrot; and Georgia Scott's Her Dark Marauder, which uses Sylvia Plath's poetry to explore a women's battle for identity. If you can't already tell, these aren't your typical operas. Expect electronic music, "abstract aural soundscapes", smoke surrounding performers, kaleidoscopic digital projections and stories firmly planted in the 21st century. Breaking Glass world premieres on Carriageworks' Facebook page at 7.30pm. Images: Daniel Boud
Australians throw away up to 20% of the food they buy. That's one out of five of your grocery bags, into the bin. This means Australians are throwing out $8 billion worth of edible food every year, the same weight as three average size fridges. Each. Yeah, WHAT. Anyone who's worked as a function waiter, bakery barista or silver service maitre d knows that the end of the night's waste can be colossal. I've watched an entire trough of fresh king prawns and glistening oysters poured into the trash at a certain five-star Sydney hotel in front of a hungry, underpaid staff. I've seen trayloads of party pies tipped into dumpsters post album launch. I've stared bitterly as bucket after bucket of organic dinner rolls were shuffled into black plastic rubbish bags and carted away for fear of staff food poisoning lawsuits. Luckily, some young New York-based upstart app developers are using their digital talents to combat the globe's atrocious waste problem. Meet PareUp — an app that allows users to purchase restaurant leftovers at the end of the day. Retailers store inventories of their products, set prices and update listings and herald the 'offerings for the day'. The app is similar to Leftover Swap, a development which allows you to snap your food, upload it to the app and let users know where the food is, how cold it is and whether it can be delivered. The app is due to launch in NYC soon, hopefully Australian restaurants will be able to pair up with the app sometime in the near future. Until the app gets here, restaurants should take a look at their hungry, student loan-ridden staff and think twice about chucking those creme fraiche-topped tarts. Via Food Beast and Lost At E Minor.
Nevada's epic desert-based arts festival, Burning Man, is currently postponed due to nasty, nasty desert rain. The festival organisers, who have been keeping festivalgoers updated on Twitter, have officially shut down the main entrance after severe rain. With 70,000 'burners' expected to attend this year, holding up traffic much longer could prove a problem for the BM team. Rain continuing. Please do not come to Burning Man until you hear otherwise from official channels. — Burning Man Traffic (@bmantraffic) August 25, 2014 If you're not across it, Black Rock Desert's awaited annual festival hinges around the establishment of a temporary, trade-based community in the desert, sees the building of countless, epic art installations and outdoor live sets over the course of a week — not the ideal itinerary for bucketing rain. A long way from its humble San Francisco beginnings in 1986, founder Larry Harvey's desert bacchanal now has over 50 permanent staff, an army of volunteers and a seriously million-dollar budget, so the team won't be taking any willy nilly chances on this unexpected storm. The standing water has created a muddy mess, Bureau of Land Management dispatcher Mike Wilke told the Reno Gazette-Journal, so countless vehicles are being turned around on State Highway 447. Burning Man's tweets suggest the doors won't open until Tuesday midday at this point: BRC is closed until midday Tuesday due to rain and standing water. At the request of organizers, law enforcement is turning cars back. — Burning Man Traffic (@bmantraffic) August 25, 2014 With a fair bit of backlash this year surrounding the attendance of too many cashed-up techies (read: Sillicon valley billionaires), Burning Man punters are hoping the posers get disheartened by wet feet and Actually Camping. Via San Francisco Chronicle. Image: Reuters/Jim Urquhart.
Sydney lad Kilter (aka Ned East) is a beatmaker well and truly at ease in the current electronic scene. The locally-applauded producer has already supported Australian electronic bigwigs RÜFÜS, The Kite String Tangle and Art vs. Science, also remixing cuts from the likes of Duke Dumont, London Grammar and Jamie xx. But make no mistake; you won't see this 22-year-old Sydney producer playing a show solemn-faced behind the bright lights of a laptop screen. Kilter much prefers playing a more physical part in his live music, keeping mighty busy with all those keys and knobs on his MPC and microKorg, while working up a real sweat with synths and drum pads. Kilter's brand new EP Shades is released on July 11 — the same date that his 16-venue Australian and New Zealand tour hits the ground running. With the very talented producer Hatch playing in support, Kilter will turn it up at The TBC Club with a late night set on August 9. https://youtube.com/watch?v=fFHI_iyB6QM
Writer/director Paolo Sorrentino itched to create a character based on The Cure's Robert Smith. After seeing that Smith doesn't shed his '80s goth punk gear when he leaves the stage, Sorrentino became fascinated with the idea of "a 50-year-old who still completely identified with a look which, by definition, is that of an adolescent," and all the contradictions in character it implies. That's how we get Cheyenne (given life by Sean Penn), a former rock star who once fronted Cheyenne and the Fellows and now lives a quiet life on an Irish estate with his countervailing, down-to-earth wife (Frances McDormand). There's a little bit of Ozzy in him, too; after years taking drugs (though never booze), he moves slowly, dragging his grocery trolley behind him. He's prematurely old, but also stuck in youth. He's sweet, but petulant. He insists on living in the world the way he wants to live in it. And, yes, he still paints a red oblong over his lips and tucks his black jeans into Docs. This Must Be the Place is a unique comedy where you laugh with someone who's slow-paced, not quick-witted, and you laugh with him. Cheyenne's sentences are a meandering journey whose end you can't envision when you're at the beginning. Or in the middle, usually. It's uniquely funny, and in a gorgeously big-hearted way. There's a couple of lines in here so hilarious and inimitable they alone are worth watching the film for. Concrete Playground has four DVD copies of This Must Be The Place to giveaway. To go in the running, just subscribe to Concrete Playground (if you haven't already) then email your name and address to hello@concreteplayground.com.au https://youtube.com/watch?v=MuvFmg_Ge9k
So, you've found that special forever someone – someone who deals with your drama, puts up with your quirks and shares your passion for all the important stuff, like, say, fried chicken. Well clearly, there's just one thing left to do, and that's to seal the deal at your very own official KFC wedding. Yep – the international fried chicken brand has cooked up yet another idea we never knew we needed and has launched its own wedding service, exclusive to Australia. For real. Fried chook obsessives across the country now have the opportunity to get hitched in finger lickin' matrimony, with KFC already taking applications for its unique service. All couples, regardless of gender, sexual preference or religion, are invited to apply, by summing up their need for a KFC wedding in 200 words. There's no time to waste, though – only six lucky Aussie duos will get a call-up, with the weddings taking place from October 2019 to May 2020. So what's involved in the ultimate KFC nuptials, you ask? Well, you can bank on a KFC-themed wedding celebrant (we assume Colonel Sanders), a KFC photo booth for those all-important happy snaps, music, decorations and customised KFC buckets. And of course, the lucky newlyweds will get to dive into some freshly cooked KFC chicken hot from the KFC food truck. We can only hope the bride will be throwing buckets instead of bouquets and there'll be plenty of wet wipes to go around. It was this time last year that KFC launched a cheeky meditation website featuring the soothing sounds of chicken frying. If you're keen to kick off married life with some secret herbs and spices, you can apply for your own KFC wedding here.
Prepare to exclaim "yeah, science!" like Jesse Pinkman — and to see a whole lot more of Aaron Paul's Breaking Bad character. The acclaimed series is making a comeback, cooking up a movie that serves as a sequel to the show's finale. In the spotlight: Walter White's former student and protege, who happens to be in a spot of trouble (again). When we last saw Pinkman in Breaking Bad's final episode six years ago, he had just escaped captivity, all thanks to Walt (Bryan Cranston). The latter was injured in the process, but when he asked his former meth cooking partner to kill him, Pinkman couldn't bring himself to do it. So, Pinkman ran, and Walt lost consciousness just a cop arrived. And, that's how the series ended — until now. As happens when every great show comes to a conclusion, we've all wondered what happened next. Come October, fans can find out. First revealed last year, and initially given the working title of Greenbriar, El Camino: A Breaking Bad Movie will continue Pinkman's tale in a thriller written and directed by Breaking Bad creator Vince Gilligan. While details are being kept scarce, the film is set "in the wake of his dramatic escape from captivity", with Jesse being forced to "come to terms with his past in order to forge some kind of future", according to the official synopsis. Although this follow-up will span a single package rather than run across multiple episodes, it is still coming to a small screen near you thanks to Netflix. Dropping the debut teaser over the weekend, the streaming platform also revealed that El Camino will arrive soon — on October 11, so mark your calendars. As Better Call Saul diehards are well aware, Breaking Bad has never completely gone away since the OG show wrapped up in 2013; however fans eager to look forward in the show's chronology, not backwards at the early life of Bob Odenkirk's shady lawyer Saul Goodman, have something to add to their must-watch list. Whether Cranston will show up in El Camino is still the subject of rumour, but the date announcement clip does reveal another familiar face, with Skinny Pete (Charles Barker) being questioned by the cops about Pinkman's whereabouts. Check out the El Camino teaser below: https://www.youtube.com/watch?v=lZKqMVPlDg8 El Camino: A Breaking Bad Movie hits Netflix on October 11. Image: Courtesy of Netflix.
The flashy girl from Flushing is headed to Broadway, with beloved sitcom The Nanny making the leap from the small screen to the New York theatre scene. Of course, the protagonist of the 90s series is no stranger to the latter circles. For six seasons between 1993–98, the show charted the chaos that followed when Fran Fine (Fran Drescher) knocked on the door of British-born Broadway producer Maxwell Sheffield (Charles Shaughnessy) and nabbed a job looking after his three children. Thanks to the theme song that you likely now have stuck in your head, you should remember The Nanny's overall premise: working in a bridal shop in Queens, Fran was dumped by her boyfriend, started selling cosmetics, then scored her new gig — because she had style, flair and she was there. Across 146 episodes, the series followed the aftermath as kids Maggie (Nicholle Tom), Brighton (Benjamin Salisbury) and Grace (Madeline Zima) all adjusted to her presence. Mr Sheffield fell for Ms Fine's charms, his business partner CC Babcock (Lauren Lane) was unimpressed and butler Niles (Daniel Davis) welcomed the change. Sitcom co-creators Drescher and Peter Marc Jacobson are behind the new stage version of the show, alongside Crazy Ex-Girlfriend star Rachel Bloom and executive music producer Adam Schlesinger. Beautiful: The Carole King Musical's Marc Bruni is set to direct — but the musical's cast, as well as when it'll actually hit the stage, is yet to be revealed. We do know that Drescher won't be reprising her famous role. In a statement, she said "of course I would do it myself, but we'd have to change the title to 'The Granny'", Variety reports. As well as its existing narrative links to Broadway, The Nanny also featured plenty of gags about musicals Fiddler on the Roof and My Fair Lady — and that catchy theme song — so there's plenty of material to work with. If you need a refresher, all six seasons are currently streaming in Australia on Stan. https://www.youtube.com/watch?v=iL6tbu1Blzs The Nanny is the latest screen favourite to earn a stage adaptation, following in the footsteps of Bring It On, Mean Girls, The Bodyguard, Amelie, Waitress, Muriel's Wedding, Moulin Rouge!,Mrs Doubtfire andMagic Mike. A stage version of The Devil Wears Prada is also in the works, as are theatre adaptations of Empire Records, The Notebook, The Princess Bride and Aussie classic Starstruck. Via Variety.
It's been 13 years since Danny Rogers and Jerome Borazio decided to fill a Melbourne alleyway with tunes in 2005. Thankfully, Laneway Festival has just confirmed it will be heading back to its collection of unconventional venues for another year, revealing it's 2018 dates and first two headliners. Returning to Melbourne, Sydney, Adelaide, Brisbane, Fremantle, Auckland and Singapore next January and February, Laneway will raise a plastic cup to the middle of summer with what looks to be one heck of a lineup. Following on from the announcement of two of 2018's headliners — California's inimitable Anderson .Paak with his live band The Free Nationals, and Canada's Mac DeMarco — the festival has dropped the full lineup. On it is a slew of exclusive sets, which will see you get down to BABADNOTGOOD, Odesza, The Internet, and sway along to The War on Drugs and Father John Misty. The full lineup was initially slated to be announced tomorrow, but has been brought forward after it was leaked online this morning. Visa pre-sale tickets go on-sale this Thursday, September 14 and the rest of the tickets going on sale at 9am on September 18. But, enough chit-chat — here's the full 2018 lineup. LANEWAY 2018 LINEUP Aldous Harding Alex Cameron Amy Shark Anderson .Paak & The Free Nationals BABADNOTGOOD (exclusive to Laneway) Billie Eilish Bonobo (exclusive to Laneway) Cable Ties City Calm Down Dream Wife Father John Misty KLLO** Loyle Carner Mac DeMarco Miss Blanks Moses Sumney ODESZA (exclusive to Laneway) Rolling Blackouts Coastal Fever (Sandy) Alex G Shame Slowdive Sylvan Esso The Babe Rainbow** The Internet (exclusive to Laneway) The War On Drugs TOKiMONSTA Wolf Alice (exclusive to Laneway) **not playing Fremantle LANEWAY FESTIVAL 2018 DATES Singapore — Saturday, January 27 Auckland — Monday, January 29 Adelaide — Friday, February 2 Melbourne — Saturday, February 3 Sydney — Sunday, February 4 Brisbane — Saturday, February 10 Fremantle — Sunday, February 11 Tickets go on sale Monday, September 18 at 9am AEST from Laneway Festival. Image: Andy Fraser.
You may remember a few months back we had a look at some of the best zines that the creative minds in Brisbane had to offer. There was some great stuff; words, art, thought – everything. Now there is a newcomer in their midst, a zine that aims to provoke with words and to promote the authors and their creativity; it goes by the name WISEenough. To celebrate its first hard copy collection of work (collated from submissions from some of Brisbane’s best wordsmiths), there will be a shindig at the home of some of Brisbane’s best artistic endeavours, The Box. There will be live poetry installations and some food and drink on offer, as well as some performances from some interesting Brisbane musicians. Scott Wings, White Elephant and The Bell Divers will be performing sets between 7pm and 10pm, so make sure you get wise and get on over to The Box on time to celebrate with some of our city’s brightest minds. Entry is by donation.
The Australian and Queensland governments have put the call out for some good old-fashioned brain power, in an effort to help save the world's largest living organism. The Great Barrier Reef has copped it pretty hard of late, suffering coral bleaching events in both 2016 and 2017, and more recently sporting a nasty outbreak of crown-of-thorns starfish. And experts warn things will only get worse for the reef if climate change issues are ignored and rising ocean temperatures cause irreversible damage of their own. As SBS reports, the problems have inspired the two governments to launch a $2 million challenge, which will tap into local minds to find ways to protect and restore the country's great natural wonder. Federal Environment Minister Josh Frydenberg described the initiative as "an open invitation to our greatest scientific minds, industry and business leaders, innovators and entrepreneurs to develop innovative solutions which will protect corals and encourage the recovery of damaged reefs." Applications can focus on any aspect of the Great Barrier Reef's restoration, including boosting coral regeneration rates and protecting coral from its main physical stressors. Applications are open now through the Advance Queensland Small Business Innovation Research initiative. Check out all the info on their website. Via sbs.com.au
So there’s this group of guys from Brisbane, right? They have a lot of wild hair going on, a large serving of swag and like to make a hectic amount of noise under the name Millions. Apparently they also like wearing suits and making good decisions. If you haven’t heard of these guys before, don’t feel too bad because they’ve only been kicking for around six months. I advise you to listen up and pay attention, because after the news they received on Thursday, Millions will be a household name in no time. Just announced as the Triple J Unearthed Winners for Splendour in the Grass 2011, these local lads will be opening the festival as well as gracing the same stage as legends like Kanye West and Coldplay. Luckily for you Brisbane-ites, the band already had a local gig planned and will be headlining at Woodland on Friday 24 June before going into intense rehearsal mode. What I'm trying to say, is basically you’re a fool if you don’t show. C'mon guys, this is your last chance to claim you were a groupie before Millions get famous at Splendour!
Rumour has it Google employees get unlimited “sick” days, but chances are only the most raging of hangovers would convince them to stay at home. The company in charge of ruling the world gave an exclusive tour of their NYC offices, and they make the idea of working from home in your pyjamas flicking tabs between Microsoft Word and Facebook while spilling toast crumbs over your MacBook look dreadfully boring. CEOs everywhere, take note: The way to get employees eager to show up to work is not with fruit box deliveries or permission to cellotape cheesy family photographs to office cubicles. A more effective way to increase workplace morale is with Pac-Man arcades and game rooms where employees can fight brain block with a round of pool. For those who find silence more conductive to creativity the compound also features a Google Library eschewing books (so last decade) in favour of secret rooms. And for days when heating last night’s leftovers in one of the multiple “micro” kitchens (which are incidentally bigger than most people’s apartments) doesn't sound appetising there are cafés dishing up free hot meals. One of them even has a rooftop theme and an interior resembling a wooden sauna. Interesting to think what the disgruntled employees of Facebook would have to say about that wee perk. Evidently the building is also occasionally used for working. This can take place in sleek cubicle spaces housing both actual humans and Star Wars B1 Battle Droid replicas, from the comfort of a lounge chair in a space modeled on an NYC apartment, or in the Broadway-themed New Amsterdam conference room. Scroll through the images, turn green with envy and try to think of one cooler office in which to have Friday afternoon drinks. Google's "computer museum". The game room. One of the many "micro" kitchens, which appears to be connected to the Pac-Man arcade. Free M&Ms in the micro kitchen. The Google Library. A B1 Battle Droid from Star Wars. Inside the Five Borough Café. These walls are a continuous impression of what's behind them, giving the impression of viewing the NYC skyline from a balcony. A room poking fun at a cramped NYC apartment. via Refinery29.
The best kind of brunch is one that starts during that critical time bracket between 9.45am and 11.30am (a little too late for breakfast, a bit too early for lunch) and lasts until the sun starts going down. In order to make the good times go the distance, you need a well constructed playlist and an extensive spread of food options. And, of course, you are going to need drinks. After all, a well stocked drinks tray is the cornerstone of any successful brunch. What isn't is facing a table full of boozed up guests before the clock strikes 1pm. Now, thanks to an increased demand for delicious low- and no-alcohol options, you can let the brunch beveragino generously flow without getting everyone totalled. We've teamed up with Tempus Two to handpick some liquid inspiration to impress your guests and make your party an affair to remember (literally). THE MOOD: Popping bottles THE SERVE: 2020 Tempus Two Lighten Up Prosecco Nothing kicks off a brunch better than ceremoniously plucking the cork from a bottle of fizz to the sound of wild applause. It's the ultimate sensory trigger that signals a special occasion is going down. The 2020 Lighten Up Prosecco by Tempus Two has the full flavour of a traditional prosecco with crisp notes of citrus and green apple — but at 6.8 percent alcohol volume and a lower calorie count, you can enjoy more than JTO (Just The One). To put that number into context, that's a massive 30 percent less alcohol (and calories) than a standard bottle of prosecco. We'll drink to that. [caption id="attachment_747074" align="alignnone" width="1920"] Walter's Steakhouse[/caption] THE MOOD: Gorgeously garnished THE SERVE: The 'lightly bleeding' mary A good cocktail can be a work of art. And presenting a tray of artfully constructed concoctions can really wow a crowd, especially with some unexpected little touches in the final execution. Like the umami one-two punch of a cornichon and pickled onion alongside a good stalk of leafy celery on your bloody mary. To go the distance, make them what we're going to call a 'lightly bleeding' mary. Top your tomato juice and Worcestershire with a half measure of vodka or gin — or substitute the booze with a quality, non-alcoholic botanical spirits by the likes of Vera, Sea Arch or Seedlip (the Garden 108 is recommended here). All flavour, no regrets. THE MOOD: F Scott Spritzgerald THE SERVE: The springtime spritz Invoke a Gatsby-esque garden party with a bright, signature spritz that not only looks fantastic on the table but can be sipped throughout the duration of brunch. Start with a scoop of ice, then add a generous dash of Lyre's Italian Orange (a very, very good booze-free substitute for Aperol or Campari), pour in your favourite prosecco (the fruity profile of the Tempus Two Lighten Up would work perfectly), and top with soda. Add a twist of orange peel and two slices of strawberry and you're golden. THE MOOD: On the beers THE SERVE: Heaps Normal So you kicked off the morning with bottles of bubbles and a selection of delicately composed treats but now it's afternoon, your guests have settled in and you've just opened a bag of chips. It's beer o'clock, as they say in France. Keep a few tins of Heaps Normal's exceptional Quiet XPA in your fridge. Brewed to less than 0.5 percent alcohol by volume but with refreshing malty sweetness and long finish, it's a great companion for a leisurely day of drinking. THE MOOD: Something smooth THE SERVE: 2020 Tempus Two Lighten Up Pinot Noir Whether you want to serve it lightly chilled or get pouring straight off the wine rack, a good red is always a friend to brunch hosts and guests alike. The Lighten Up Pinot Noir from Tempus Two gives up great wafts of black cherry and a juicy full flavour that makes it as drinkable as any other promising pinot, but with an alcohol content of 6.8 percent, you can keep quaffing this one for that little bit longer — where a standard 750ml bottle would have anywhere between seven to nine standard drinks, there are only four in a bottle from the Lighten Up series. Your cup overfloweth! For more information about the low-alcohol Tempus Two Lighten Up range, head to the website. Top image: Tempus Two
Each year in cinema, the big screen delivers plenty of must-sees. Thanks to streaming, the small screen does, too. But there's a truth that lingers whenever you sit down to watch a movie: they can't all be great. That's a fact that the just-announced Razzie nominations for 2021's worst films well and truly recognise, as the Golden Raspberry Awards have for 42 years now. Yes, cinema's award season is upon us again, but that doesn't just mean celebrating the best flicks of the past year, which is what the likes of the Oscars and the Golden Globes aim to do. Also getting some love, albeit of the unwanted kind, are 2021's terrible movies. Leading the pack among the 42nd Razzie nominations is the Netflix version of Diana the Musical — aka the Princess Diana-themed movie of the past year that wasn't the much, much, much better Spencer — which picked up nine nods. It's joined by Karen, a film that matches its name, with five nominations; the needless Space Jam sequel Space Jam: A New Legacy with four nods; and straight-to-streaming Mark Wahlberg vehicle Infinite and abysmal heist flick The Misfits with three apiece. Other movies getting some attention: the Amy Adams-starring The Woman in the Window and Dear Evan Hansen, with the actor also earning a Worst Actress nomination for the former; House of Gucci, with Jared Leto's awful efforts recognised in two different categories; and no fewer than eight Bruce Willis flicks. That's how many titles he starred in last year, and the Razzies have even made their own field for them to compete against each other. Like any awards, the Razzie nominations are subjective, of course. Donning a ridiculous blonde mop while hamming up every scene he's in, Ben Affleck turns in an entertaining performance in The Last Duel, but this year's Razzies' Best Supporting Actor category clearly doesn't agree. The 2021 Razzie Award winners will be announced on Sunday, March 27, Australian and New Zealand time. Check out the full list of nominees below: GOLDEN RASPBERRY NOMINEES 2022: WORST PICTURE Diana the Musical Infinite Karen Space Jam: A New Legacy The Woman in the Window WORST ACTOR Scott Eastwood, Dangerous Roe Hartrampf (as Prince Charles), Diana the Musical LeBron James, Space Jam: A New Legacy Ben Platt, Dear Evan Hansen Mark Wahlberg, Infinite WORST ACTRESS Amy Adams, The Woman in the Window Jeanna de Waal, Diana the Musical Megan Fox, Midnight in the Switchgrass Taryn Manning, Karen Ruby Rose, Vanquish WORST SUPPORTING ACTOR Ben Affleck, The Last Duel Nick Cannon, The Misfits Mel Gibson, Dangerous Gareth Keegan (as James Hewitt, the muscle-bound horse trainer), Diana the Musical Jared Leto, House of Gucci WORST SUPPORTING ACTRESS Amy Adams, Dear Evan Hansen Sophie Cookson, Infinite Erin Davie (as Camilla), Diana the Musical Judy Kaye (as both Queen Elizabeth and Barbara Cartland), Diana the Musical Taryn Manning, Every Last One of Them WORST PERFORMANCE BY BRUCE WILLIS IN A 2021 MOVIE Bruce Willis, American Siege Bruce Willis, Apex Bruce Willis, Cosmic Sin Bruce Willis, Deadlock Bruce Willis, Fortress Bruce Willis, Midnight in the Switchgrass Bruce Willis, Out of Death Bruce Willis, Survive the Game WORST SCREEN COMBO Any klutzy cast member and any lamely lyricised (or choreographed) musical number, Diana the Musical LeBron James and any Warner cartoon character (or Time-Warner product) he dribbles on, Space Jam: A New Legacy Jared Leto and either his 17-pound latex face, his geeky clothes or his ridiculous accent, House of Gucci Ben Platt and any other character who acts like Platt singing 24-7 is normal, Dear Evan Hansen Tom and Jerry (aka Itchy and Scratchy), Tom & Jerry WORST DIRECTOR Christopher Ashley, Diana the Musical Stephen Chbosky, Dear Evan Hansen Coke Daniels, Karen Renny Harlin, The Misfits Joe Wright, The Woman in the Window WORST REMAKE, RIPOFF or SEQUEL Karen (inadvertent remake of Cruella deVil) Space Jam: A New Legacy Tom and Jerry Twist (rap remake of Oliver Twist) The Woman in the Window (ripoff of Rear Window) WORST SCREENPLAY Diana the Musical, script by Joe DiPietro, music and lyrics by DiPietro and David Bryan Karen, written by Coke Daniels The Misfits, screenplay by Kurt Wimmer and Robert Henny, screen story by Robert Henny Twist, written by John Wrathall and Sally Collett, additional material by Matthew Parkhill, Michael Lindley, Tom Grass and Kevin Lehane, from an "original idea" by David and Keith Lynch and Simon Thomas The Woman in the Window, screenplay by Tracy Letts, from the novel by AJ Finn
Singer-songwriter Gregory Alan Isakov is a bit of an anomaly in the music world. Despite his success in music (he has clocked over 300 million streams on Spotify), Isakov still spends as much time as possible on his land, sewing seeds, growing crops and recording in his home studio. It's a testament to Colorado's beauty — the US state is famous for its vast prairies, rugged mountains and tumbling waterfalls. It's also a musical paradise, with 360 festivals held every year. And we want you to experience all that this state has to offer. So, to celebrate Isakov's upcoming Australian tour, we're giving away a trip to his homeland. For five days, you and a mate will get to explore some incredible scenery, plus see Isakov live in concert at the legendary Red Rocks Amphitheatre in Denver. This epic prize, worth a cool $5596, includes return flights to Denver, Colorado, three nights in a loft-style room in lower-downtown hotel The Maven, tickets to Isakov's show and a bunch of other local adventures — all thanks to Visit Denver. Next up, thanks to Colorado Tourism Office, you'll have two days of free exploration around Colorado with a rental car and accommodation in a town of your choice (within two hours' drive of Denver). And if you don't land the main prize, we also have tickets to give away to his concert here in Brisbane on Wednesday, March 6. Enter with your details below for a chance to win. [competition]709429[/competition] Image: Colorado Josh.
Back when MySpace Tom was still a known person being we discovered that playing around with contrast and camera angles could remove pores, noses and any other unsightly facial features that made us look like normal humans. Then Instagram came along and retro-chic became the new high contrast, though this time the entire world was "enhanced": Skies were consistently a halcyon shade of blue, inner-city roads were somehow rife with beat-up Kombis and any annoying details, scenic or human, were happily obliterated. But if you ever find yourself frustrated that you find it hard to recognise your friends in real life because sometimes they have pimples and regular-sized eyes, the Normalize app might be of some assistance. Normalize was created by app developer Joe Macirowski after he became fed up of seeing already beautiful sights being distorted by the Valencia haze. The app, which costs $0.99, takes the Instagram picture and runs it through a series of complex algorithms to try to remove the effects and return the image to its original state. A shared picture manipulated with any of the effects on Instagram becomes stripped of its original information, making it otherwise impossible to view them normally without making tedious manual corrections. With Normalize you can upload a photo and use a simple sliding scale to clean up the colours, borders and brightness to see the image as it would have appeared to the naked eye. Apparently the app doesn’t always work perfectly, but it’s comforting to know that sunsets are sometimes pretty IRL too.
We've made it to the last month of winter (it's almost time to burn your beanies and unpack your togs) and to celebrate Falls Festival has just gifted us with one helluva lineup. Helping to ring in the art and music festival's 27th year is a pretty exciting gang of musical mates headlined by America pop singer and star Halsey, who'll be performing songs off her Platinum albums Badlands and Hopeless Fountain Kingdom. She's joined by Ezra Koenig-fronted rock band Vampire Weekend, who've just dropped their latest album Father of the Bride, British electro duo Disclosure and Icelandic indie pop band Of Monsters and Men. True to form, the Falls 2019 local lineup is equally exciting, and every bit as broad. Homegrown acts hitting the stage include The Voice himself John Farnham, who'll be belting out hits from some of his nineteen albums, including, we're sure, 'You're the Voice'. Aussie dance trio Pnau, dance floor regulars Peking Duk, folk singer Vera Blue and rapper Baker Boy will all be making appearances, too. As always, the tunes are backed by a colourful curation of art events, performances, pop-ups, markets, wellness sessions and gourmet eats. It's all happening over New Years at the usual spots in Tassie's Marion Bay, Lorne in Victoria, the North Byron Parklands and the Fremantle Oval Precinct, WA. But here's what you're here for — the full lineup. FALLS FESTIVAL 2019 LINEUP Halsey (no sideshows) Vampire Weekend Disclosure Peking Duk Of Monsters and Men Pnau Lewis Capaldi Milky Chance John Farnham Banks (no sideshows) Dope Lemon Vera Blue Yungblud G Flip Crooked Colours Parcels Thelma Plum #1 Dads Waax Baker Boy Psychedelic Porn Crumpets Amyl & The Sniffers The Japanese House Pink Sweat$ Good Doogs Cxloe Totty Tash Sultana (Byron Bay only) What So Not (Lorne only) Wolfmother (Marion Bay only) Matt Corby (Fremantle only) + More to be announced FALLS FESTIVAL 2019 DATES Lorne, VIC — December 28–31 Marion Bay, TAS — December 29–31 Byron Bay, NSW — December 31–January 2 Fremantle, WA — January 4–5 Falls Festival 2019 will take place over New Years. Pre-sale tickets are available from 9am on Monday, August 12, with general sales kicking off at 9am on Wednesday, Wednesday, August 14. For more info and to buy tickets, visit fallsfestival.com.
New York did it. Melbourne did too. And now Brisbane might be joining the fold. We're talking about taking the wasted space above ugly train lines and turning it into something much more exciting — a brand new entertainment precinct, for instance. If developers AEG-Ogden get their Brisbane Live project off the ground, that's exactly what will happen to the high-use transport corridor adjacent to Roma Street Station and the Roma Street Parklands. In the city's answer to Madison Square Garden and Federation Square, the former will be torn down and replaced, and the latter will gain an extra 12 hectares of public space, including a water-based section. New hotels, apartment towers, cultural facilities and a 17,000-seat live performance arena will also help liven up the area. Given that large inner-city venues are noticeably lacking in the Queensland capital, it's the last part of the proposal that should get most locals excited. The new venue will supposedly host everything from major acts to sporting events, and put an end to the annoying trek out to Boondall to see high-profile gigs. Plus, it'll also boast a 4000-capacity club, multiplex cinemas, restaurants and bars, as well as a giant screen and amphitheatre catering for around 15,000 people. And don't forget, convenient public transport options are all part of the package. That's the great thing about building this kind of development on top of a bus and railway station: part of the infrastructure already exists. So if all goes to plan, we could be saying goodbye to the current unattractive eyesore most Brisbanites avoid if they can help it, and be welcoming the kind of place you just might spend a whole lot of time at in the future. Well, that's if it garners state government approval, of course. The plans are currently under consideration, but you can get a sneak peak of just what could be in store courtesy of online flyovers available on the project website. Via Brisbane Development.
You total high tea fiends. You spoon-wielding dessert hunters. You long-dedicated market stall hunters. Here's what you clicked, perused and ate with your eyes on Concrete Playground this year, the most popular articles of 2014. Needless to say, you're a hungry bunch with good taste, on an unrelenting quest for the perfect cup. 10. The Ten Best Milkshakes in Brisbane 9. The Ten Best Bookstores in Brisbane 8. The Ten Best Beaches Near Brisbane 7. The Ten Best Vintage Homewares Stores in Brisbane 6. The Five Best Dessert Spots in Brisbane 5. National Young Writers' Festival Announce 2014 Program 4. The Five Best Italian Restaurants in Brisbane 3. The Seven Best High Teas in Brisbane 2. The Ten Best Coffee Spots in Brisbane 1. The Ten Best Markets in Brisbane
Can it be? Looks like your favourite black comedy of the late '80s — full of suicide, scrunchies and Christian Slater’s dazzling smile — has been remade into a glam and glitter musical. Heathers, the 1988 cult film, is arguably the edgiest of the high school satire canon. Telling the story of two high school students who unwittingly turn suicide into a popular teen craze, Heathers makes Clueless and Mean Girls look like after-school specials. Complete with double murders and underage terrorism, this brutal take on teenage groupthink is hardly a likely candidate for the jazz hands of musical theatre. And yet… brimming with romance, brilliantly brutal insults and teens wearing colour-coordinated powersuits to school, something tells us this creepy Tim Burton-esque tale has always been waiting to be set to music. How very.
If you're a southeast Queenslander that's fond of twinkling lights, you might get struck by a big case of envy each winter. That's when Vivid dazzles Sydney, Melbourne gets lit up by its Rising festival, Dark Mofo brings the fire to Tasmania and Adelaide's Illuminate gets luminous. But basking in a glow doesn't have to mean heading out of state, all thanks to the new Big City Lights fest. Debuting this July, it'll shine a light on the Gold Coast for four radiant evenings. When it comes to peering at all things twinkling, night is the time to do it — and Big City Lights has plenty that'll sparkle. Stemming from Placemakers* Gold Coast, who also look after annual arts festival BLEACH*, it's taking over the Goldie's CBD in Southport from Wednesday, July 7–Saturday, July 10. Expect installations, audio-visual experiences, huge digital works, 3D-mapping and projections spanning rooftops, building facades, alleyways, car parks and shopfronts. Southport will boast five separate art zones: in Nerang Street, Scarborough Street, Young Street, Regent Lane and Davison Lane. They'll get glowing thanks to local, Australian and international artists, with Michaela Gleave, Buchan Group, Jacob Leary, IKONIX, Claudio Kirac, Kirsten Baade and Peter Thiedeke all set to feature. [caption id="attachment_858964" align="alignnone" width="1920"] Fear Eats the Soul, Michaela Gleave. Image: Remi Chauvin.[/caption] That includes Gleave's Fear Eats the Soul, a giant sign on a five-minute electrical glitch loop, which'll appear in Nerang Street; Leary's Excesssssscape in Davison Lane's Hutong Garden, which blends sculpture, video and painting; and Buchan Group's Dancing Particles, also in Regent Lane, which'll use infrared sensors to scan the audience and project them onto buildings Among the other highlights, there's IKONIX's Quantum, also in Nerang Street, which'll turn The Scarborough Centre into a moving canvas — and Buchan's Bug Hunt, a game of hide and seek using spotlights in Southport Central in the Young Street. A wall of neon, Kirsten Baade's Big City Eyes features radiant peepers that even blink and wink, while IKONIX's Iridescence is a tunnel of of light and colour. [caption id="attachment_858961" align="alignnone" width="1920"] Bug Hunt, Buchan.[/caption] Live tunes from The Riot, Genie Boy and more are also on the bill, and bars and eateries such as Mr P.P.'s Deli & Rooftop, Vinnie's Dive Bar and Last Night on Earth are also getting in on the action. And yes, if you're a Brisbanite, this is just your latest excuse for a trip south this winter — alongside a rooftop alpine lodge surrounded by snow, a new hotel with a swim-up pool bar and Miami's street art fest. [caption id="attachment_858963" align="alignnone" width="1920"] Big City Lights, Kirsten Baade.[/caption] Big City lights runs from Wednesday, July 7–Saturday, July 10 in Southport. For more information, head to the festival's website. Top image: Iridescence, Ikonix.
Suitcases at the ready, eager travellers: your dream Japanese getaway is back on. After two-and-a-half years of border restrictions due to COVID-19, the nation will fully reopen to individual international tourists from Tuesday, October 11 — and you won't need to book a package through a travel agency, or abide by the country's pandemic-era visa restrictions, to enjoy your holiday. Prime Minister Fumio Kishida announced the news on Thursday, September 22 US time during a trip to New York, The Japan Times and Nikkei Asia reported. "We are a nation that has flourished through the free flow of people, goods and capital," the Japanese Prime Minister advised at a press conference at the New York Stock Exchange, as per Reuters. "COVID-19, of course, interrupted all of these benefits, but from October 11 Japan will relax border control measures to be on par with the US, as well as resume visa-free travel and individual travel," he said. That means that visitors to Japan will be able to make their own travel arrangements — a huge change to the current rules, even though requirements were only altered recently. Until May, the country was closed to international tourists. Then, the Japanese government started trialling in letting strictly controlled package tours, including with Australian tourists. Next, in early June, it broadened those entry requirements to allow in visitors from a heap of nations under the same rules. And, since early September, it has permitted travellers, including from Down Under, to make the journey even when they aren't on guided tours, as long as they have organised their flights and accommodation through a travel agency. From October 11, dropping the visa requirement applies to visitors from nations that weren't required to obtain tourist visas before the pandemic — including from Australia and New Zealand. So, in several ways, heading to Japan will return to the pre-COVID-19 status quo. Japan is also ditching its daily cap on international arrivals, which is currently set at 50,000, on the same date. The timing is fantastic for Studio Ghibli fans eager to make a date with the animation house's upcoming theme park — which opens on Tuesday, November 1. Desperate to hit up a Super Nintendo theme park, too? Always wanted to walk across Shibuya's famous scramble crossing? Keen to sing karaoke in a ferris wheel — or simply eat and drink your way around all the ramen joints and izakayas possible? This is supremely welcome news for you as well. Japan's new border rules will come into effect on Tuesday, October 11. For further details about visiting Japan and its border restrictions, head to the Government of Japan website. Via The Japan Times / Nikkei Asia / Reuters.
Talking to an audience, or one-to-one, former-billionaire Chris Anderson still comes across as pretty approachable. Anderson is curator — and owner — of the smart, global talk-fest, TED, where talks are notes-free and never more than 18 minutes long. Anderson was in Australia last weekend for TEDxSydney's 2012 collection of talks about robots, quantum computing, imaginary friends and the durability of dirty words. After all but one of the other speakers had taken to the stage, Anderson spoke briefly about TED-Ed, which combines videos and mash-ups into a kind of "magic blackboard", and the Worldwide Talent Search for TED2013. After he left the stage, Concrete Playground was lucky enough to sit down with Chris Anderson for almost exactly a TED Talk's worth of time. You come across, from a distance, as very gentle. Do you find that helps you run a big conference like TED? I don't think anyone's ever asked me that before. Interesting. I think I probably am gentle. Maybe I'm gentle. There's lots of ways to run a business. And I do many of them really badly: but I do have a great team. And TED has a life of its own. So, it's amazing to see it take off around the world. Every day is a surprise. Teenagers get ignored a lot in public. Why did you pick teenagers as your target for TED-Ed? Well, our existing talks are aimed at adults and are certainly devoured by a lot of university-age students. And a little bit in schools. But they're not optimised for school use. They're too long. They displace too much class time. They're aimed at adults. And so, given that ideas matter most for people whose world views are still being formed, and given how important education is to everyone's future, we kind of have no choice, but to do something for that age group. And we spent a lot of time thinking about it. And talking to teachers, and listening. And this is where we've ended up. We've got a lot of interest among 18 and up. And we just wanted to move down. And maybe, if this is successful, we'll continue the trip down. Towards, you know, birth. [laughs] What was school life like for you? You talk a lot about better ways of education. Is that informed from a bad experience or a good experience when you were younger? I was brought up in an international school in the Himalayas in India. And it was a fabulous experience, actually. In fact, if I had a wish … if every kid could spend a few years in an international school, a lot of issues would go away. Because, without even trying, you end up a global soul. And, you know, all the big problems in the world are essentially global problems. So, it would be nice if the people who were trying to solve them were taking a global perspective instead of a tribal perspective, which is why we can't solve a lot of what's out there. So, no — it was a wonderful experience. It was lots of time outdoors. Lots of time in nature. And an incredible cast of characters in the school. So, it was great. I watched the TED-Ed talk 'Questions no one knows the answers to'. I really enjoyed that one. When do you think we might know the answers to some of those questions? You're in a good position to have an idea. There was a bunch of different questions thrown into there. I mean, one of the questions — about 'Why aren't we seeing alien life?' — I think there really is chance that in the next fifteen years that we learn a lot on the question. There's a lot of technologies coming online that will allow real spectroscopic information from nearby planets. We might be able to detect vegetation. There's a lot of things that might show up. And we're involved in this project right now to open up, crowd-source, the search as well. To get millions of people looking for signals, not just a few scientists. I would die happy, if we found real contact with another intelligent species out there. It would be totally thrilling. What do you think might be some of the new questions, once we get rid of the old ones? I certainly think it's right that the more we know, the more questions we have. Reality is infinitely complex. And you have to just view it as: each step of the journey is interesting, exciting and useful. I think I've said before that learning something is a different psychological process to consuming something. That most things we do have a law of diminishing returns. You eat ice-cream, and the fourth and fifth taste aren't quite as nice as the first taste. Knowledge — it actually works the other way. The more you know about the world, the more your sense of wonder explodes. And that's actually really cool. That gives me a lot of hope for the future of TED for one thing. You've said before that there's always one talk that really surprises you. What really surprised you today? I thought the talk on quantum computing was mind-blowing. And if quantum computers come along, all bets are off as to what that means for technology. Charles C Mann wrote a great book called 1491 updating America's pre-Colombian history with things he thought every kid should know. What do you think that grown-ups, kids, should know at the moment, much more generally? I think one of the things is how flawed and quirky human nature is. We don't yet have that mental model. A lot of kids are brought up to believe that they're special snowflakes, or [that] their only job in life is to find their passion and it'll all be okay. And the truth is we're really complex biological machines. And we do a lot of things amazingly, and we do a lot of things really badly, actually. Because we evolved for a different era, and a different set of environmental requirements. And so, knowing that, and learning to navigate around that is a really important part of education. What are you reading right now? Do you have time to read? Less time. I think that's probably true of everyone. We're launching this TED Books initiative, based on shorter books. On the idea that most ideas don't have to be expressed at 80,000 or 100,000 words. They can actually be expressed in maybe 20,000 words. So, TED Talk: 2,500 words. TED book: 20,000 words. Then, non-fiction book: 80,000 words. So, there's a sort of niche there. And it means that you can sit down and read in an hour and a half. I think that's actually a great length. So that's what I'm reading right now: we're going to be publishing these new TED books, one every two weeks. And I'm reading a lot of those. And they're pretty cool. Are you happy? I am happy. Most of my life I've been happy. They say it's seventy percent hard-wired, and the rest is magic. I'm unbelievably lucky —I've got one of the world's most enjoyable jobs, surely. And you know I get to see this thing growing in a way I couldn't have imagined. I'm married to an amazing woman who's a much better impacter of the world than I am. [laughs] So, yeah. I'm a lucky person. Photo by the amazing Enzo Amato, and additional assistance by Tully Rosen.
Here's a great way to get people to pay attention to almost anything: add Paul Rudd. Movie fans have known that truth since the 90s, when he first grabbed everyone's attention in Clueless. Sure, some of his early big-screen roles — such as Romeo + Juliet as well — tried to convince us that Rudd was the lesser romantic alternative, but we all knew better. Sorry, mid-90s films, you were wrong. At the beginning of the pandemic, New York City even enlisted Rudd to spread the word about COVID-19 safety — that's how deep the "add Paul Rudd to anything" rule goes. So getting the Ant-Man and Ghostbusters: Afterlife star to run around NYC to plug Billy Eichner's new queer rom-com Bros just makes sense, obviously. Eichner is doing the running with him, bringing back his beloved comedy game show Billy on the Street for a brand-new episode to promote his new flick. Rudd has already been on the series before, in a season-three episode called 'Would You Have Sex with Paul Rudd?'. You don't have to pay many people $1 to say yes to that. This time, Eichner and Rudd jog around, stick a microphone in people's faces and ask if folks will see Bros — and tell them that Rudd wants them to. "Paul Rudd demands that you see Bros," Eichner says to one New Yorker. "I'm in" is the response, naturally. Rudd also carries that aforementioned man, upon request. Not everyone is as obliging, however. "I'm sorry I'm not Florence Pugh!" Eichner screams in response to one rejection, as only Eichner can. If this is your first Billy on the Street experience, the show sees comedian Eichner take to the New York City pavement to ask ordinary folks about movies, music and TV shows, often with a celebrity in tow. During its main run from 2011–17, episodes also involved Eichner yelling at his unsuspecting contestants about their questionable pop culture taste or utter lack of entertainment knowledge — yep, right there on NYC's streets, with a camera pointing their way — and the end result was a hilarious dream to watch for audiences, too. As for Bros, it releases in cinemas Down Under on October 27 — and sees the Parks and Recreation and Difficult People treasure becomes the first openly gay man to co-write and star in his own major studio film. He plays a podcaster who has been asked to write exactly this kind of flick, and falls in love himself (with Killjoys' Luke Macfarlane) along the way. Eichner co-wrote the Bros script with director Nicholas Stoller (Bad Neighbours and its sequel), while Judd Apatow (The King of Staten Island, Trainwreck) produces. On-screen, the cast includes Ts Madison (Zola), Monica Raymund (Chicago Fire), Guillermo Díaz (Scandal), Guy Branum (Hacks), Bowen Yang (Fire Island) and Amanda Bearse (Married with Children). Check out the trailer for Bros below: Bros opens in cinemas Down Under on October 27.
It's a war that's been waged for decades among regional bakeries the country over: who's dishing up Australia's best pie? Whose pastry comes closest to perfection? Which filling reigns supreme? Well, this year's top dog has officially been named, with Kyneton's Country Cob Bakery taking out top honours at the 2019 edition of Australia's Best Pie and Pastie Competition. While you might have your own thoughts about which pie makes the best road trip accompaniment, this nationally recognised contest is run by the experts at the Baking Association of Australia. The 2019 competition saw 12 professional judges sample a whopping 1760 pies from 345 bakeries, across three days. And for the third year in a row, Country Cob claimed the top title, this time winning over tastebuds with a caramelised pork and pepper pie creation loaded with local ingredients. It's an impressive run for baker brothers Ryan and Chan Khun, who've owned and operated the bakery for the past three years. [caption id="attachment_726906" align="alignnone" width="1920"] The award-winning pie.[/caption] The two backed up their big win with 11 other gold medals, including taking out the title of Best Seafood Pie for their curry scallop number, and scoring Best Gourmet Pie with that same champion pork round. Other winners included Gusto Bakery's curried pumpkin, feta and spinach number for Best Vegetarian Pie (which you can find in Fairfield and Moonee Ponds), and Whittlesea Bakehouse claimed the title of Best Plain Chunky Beef Pie. Further afield, JoJo's Gluten Free in the Bass Coast Shire took out Best Gluten-Free Pie as well as Best Pastie overall. Coeliacs might want to lock in a road trip ASAP. And if you fancy sampling Country Cob's primo pie for yourself, Kyneton sits about an hour north of Melbourne just off the Calder, making the perfect pit-stop on a trip to Bendigo. The champion pastry will be sticking on the menu for the foreseeable future. Find Country Cob Bakery at 130-132 Mollison Street, Kyneton, Victoria — it's open from 6am–4.30pm on weekdays and 6am–3pm on weekends.
Exploring the sprawling, popular metropolises of Tokyo and Osaka undoubtedly makes for a great holiday, but your visit to Japan isn't complete until you escape the crowds and experience the countryside. The stunning vistas are the perfect antidote to the hectic buzz of the major cities, and give you the chance to explore sacred mountaintops, luminous lakes and soaring waterfalls. Located just a couple of hours north of Tokyo via shinkansen (bullet train), the region of Tohoku — which literally means 'northeast' — is an ideal escape for your next visit to Japan. It makes for a special destination all year round with some of the nation's most striking landscapes dotted throughout six prefectures: Aomori, Akita, Fukushima, Iwate, Miyagi and Yamagata. So, to provide you with some inspiration, we've picked out five unbeatable nature trails that won't have you missing the city anytime soon. GOSHIKI-NUMA It might come as a surprise to learn that a place as beautiful as Goshiki-numa can be just 100 years old. Also known as the Five Coloured Lakes, they sprung to life in 1888 when the nearby Mount Bandai erupted, spewing aluminium and silicon into the water and resulting in the clear, turquoise lakes that are a a major attraction for locals and tourists today. A four-kilometre path that links the lakes is a relaxing walk, with plenty of elevated viewing platforms to snap some great shots. There's also the chance to rent a rowboat and live our your Studio Ghibli dreams as you push across Bishamon-numa, the largest of the lakes on offer. LAKE INAWASHIRO In the shadow of Mount Bandai, Lake Inawashiro is another picturesque spot that offers visitors some incredible outdoorsy opportunities. Throughout the warmer months of the year, the lake is a popular spot for locals to carve up the water on a jet ski, while winter brings a raft of snow sports enthusiasts out of the woodwork. If the weather's nice and clear, take the 3.6-kilometre path on the north side of the lake for some of the best views of Mount Bandai. And, once you've taken a dip in the pristine waters and dried off on the sandy lake beach, your next stop has to be the nearby Morohashi Museum of Modern Art. It has the third largest collection of Salvador Dali artworks in the world, with around 330 of his pieces on display. TATSUZAWA FUDO FALLS As you explore Tohoku, you'll quickly realise that the region is home to many of Japan's most epic waterfalls. Located deep in the forests east of Lake Inawashiro, the Tatsuzawa Fudo Falls provide a tranquil pit stop during your trip. The short walk to the falls is surrounded by steep hillsides with trees clinging to the side, and, as you make your way to the end of the trail, you'll be welcomed by a free-flowing stream coming over the rocks from high above. These hidden falls are particularly special to visit during the warmer months, as the thick treetops provide a great escape from the humidity of the countryside. MOUNT HAGURO Considered one of the most sacred mountains in the region, Mount Haguro is one of the must-do hikes in Tohoku. The walk starts at the Zuishinmon Gate — from there, you'll delve into this ancient forest of cedar trees and climb up 2446 stone steps that have been designated a Japanese national treasure. Along the serene two-kilometre path that winds its way through the forest, there are some fascinating sights to explore. But the Five-Storey Pagoda is certainly the most impressive. Constructed in the iconic Kokerabuki-style over 600 years ago, it's especially notable due to its earthquake-proof design, which features an ingenious wooden pendulum that counterbalances the structure as it sways. [caption id="attachment_751830" align="alignnone" width="1920"] ChiefHira via Wikimedia Commons[/caption] MOUNT GASSAN For more than a thousand years, pilgrims have climbed to Mt. Gassan's 1984-metre summit. The tallest of the Dewa Sanzan, Yamagata's three sacred mountains, it's not uncommon to catch the Yamabushi mountain monks scaling its hillsides to this day. While Gassan might be the toughest climb in the region, it's well worth the effort once you witness the views from the top. While there are loads of ways to get to the peak, the four most popular routes range from nine to 15 kilometres, making for a very achieveable sunny day out on the mountainside. Note that it's only opened from July to September due to the weather. Need more reasons to visit Japan's stunning Tohoku region? For more travel inspiration and to start planning your adventure, head this way.
If you've been following the rise of Tesla in the hope that one day they might make electric cars mainstream and affordable, you'll be glad to hear that the car and energy company has taken a big step in that direction. Today Elon Musk's California-based company will start production on its first mass-market electric car, the highly anticipated Model 3. Model 3 passed all regulatory requirements for production two weeks ahead of schedule. Expecting to complete SN1 on Friday — Elon Musk (@elonmusk) July 3, 2017 Why is this such a big deal? Because up until now, Tesla's vehicles — the Model X and the Model S — have clocked in at well over $100,000. This new Model 3, however, will be on the market for 35,000 USD (around 46,000 AUD or $48,000 NZD). That's a lot more affordable, and around the same price that other electric cars, like the Chevy Bolt or the Nissan Leaf. A major drawcard of a Tesla vehicle is its driving range — on a single charge, you can expect to travel about 350 kilometres. That's a lot further than pretty much any other electric car at the same price point, except perhaps the Chevy Bolt. The Model 3 comes with room for five people (the driver included), the ability to go from zero to 100 kilometres in 5.6 seconds, autopilot hardware and a five-star safety rating. Tesla will start production of these cars today, and has some ambitious goals. The aim is to be cranking out 5000 cars per week by the end of this year, and double that throughout 2018. And, to cater to the growing number of electric vehicles on the road, Tesla has plans to double the number of charging stations currently available and to operate a bunch of trucks that can service cars in remote areas. Those who've got $1500 to spare can reserve a Model 3 now and expect delivery by mid-2018. Although, perhaps we won't need cars when Musk's high-speed vacuum tube Hyperloop comes into play. Via The New York Times.
If you're a vegetarian, worshipper of eggplant or just a keen home cook — which, let's face it, many of us are becoming — chances are Yotam Ottolenghi has had some impact on your life. In fact, we bet you've got at least one of his bestselling cookbooks in your cupboard. And, this week, you can get some tips and tricks from the cult Israeli chef when the Sydney Opera House streams its 2019 chat with him. Streaming at 3pm AEST on Sunday, April 26, the recording is from the Opera House's Talks and Ideas program. Ottolenghi's Aussie visit followed the publication of his book Simple, which celebrates the joys of fuss-free dishes, featuring 130 easy-to-make yet super-tasty dishes. The renowned chef will be in conversation with Malaysian Australian cook Adam Liaw and they'll be discussing everything from what makes a recipe simple to the humble cauliflower, bold flavours and cooking for kids. So, even if you're a bit of a novice in the kitchen, this talk is sure to get you cooking up a storm soon enough. But, Ottolenghi will be talking about much more than that, too. Firstly, there are all his other books, like the Middle Eastern-inspired Jerusalem, the vegetarian-friendly Plenty and the dessert bible Sweet, a collaboration with Melbourne pastry chef Helen Goh. Then, there are his documentaries and his regular writing gigs: a weekly column in Feast magazine and a monthly column in The New York Times. [caption id="attachment_768174" align="alignnone" width="1920"] Flickr/Stijn Nieuwendijk[/caption] The talk is part of the Sydney Opera House's three-month digital program From Our House to Yours, with free content streamed nightly from Wednesday–Sunday. While you wait for the full talk to stream on Sunday, you can also check out the Opera House staff's favourite five Ottolenghi recipes here, as well as five fun facts about the famed chef. Image: Ken Leanfore
Ever wondered what happens to a Playboy Bunny after she’s given an affectionate tap on the cottontail by Mr Hefner, and sent on her jolly way? No, neither did we. That is until we saw American photographer Robyn Twomey’s ‘Playboy’ collection. The fine art portrait photographer, who has shot the likes of Glenn Close, Bill Gates and Ashton Kutcher, photographed a number of former Bunnies after meeting the women at a recent Playboy reunion in Las Vegas. Beautifully shot and powerfully impartial, Twomey has captured each woman’s individuality – some choosing to play on their Playboy heritage, some not. The full portfolio is available on Twomey’s website, showing a fresh insight into life after Playboy. Photos by Robyn Twomey.
The winner of multiple awards at the Edinburgh Festival Fringe 2011, Leo tells the story of an unassuming man with a huge imagination. Stuck in a room with nowhere to go, Leo tests the limits of his strange new world and delights in the discovery that he is, in fact, superhuman. He can scale walls like Spiderman, dance on the ceiling like Fred Astaire and meditate in mid-air like an Indian guru. Challenging the rules of gravity as well as genre, multi-talented dancer, actor, gymnast and clown Tobias Wegner, who is also the show's creator, is bringing this perplexing and perspective-bending experience to Auckland Arts Festival.
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With Australians knocking back an average of 50,000 takeaway coffees every 30 minutes, and one billion paper cups winding up in landfill each year, it's pretty clear that our on-the-go coffee habits need to undergo a drastic change. But no matter how many reusable cups hit the market, that throwaway culture is a hard one to shake. We've been taking tiny steps to address the problem, though; last year the City of Sydney trialled standalone bins for one-use coffee cups and, just recently, a Sydney cafe banned all disposable cups. But the latest product to help make our caffeine addictions somewhat better for the environment is the RecycleMe cup — a new 'more recyclable' takeaway coffee cup, which is being trialled in Sydney and Melbourne this week. This little guy is the brainchild of Australian-owned paper and packaging specialists Detpak and California-based Smart Planet Technologies, who were looking to create a disposable cup that could be easily recycled through the usual paper and cardboard recycling stream. At present, regular coffee cups cannot be recycled like other cardboard items due to their waterproof polyethylene lining, and there is currently no facility in Australia that is able to recycle them. The RecycleMe cups differ because they have a mineral-based lining that's easier to be removed, and means up to 96 percent of the cup can be recycled. The RecycleMe cups can't go straight into your regular recycling bin, though. As part of the trial, patrons who order takeaway coffees will have to turf their empty cups and lids into the special blue bins in-store. From there, the lining will be removed before the cups head to a regular paper recycling facility to be processed and made into new paper and cardboard products. While having to dispose of your takeaway cup at the cafe you bought it from sort of defeats the purpose of getting a disposable one in the first place, it is a step in the right direction — particularly if the cups can enter the regular recycling stream rather than simply going to landfill. You can test the final product at Toby's Estate in Sydney and Melbourne Museum, where the RecycleMe cups will be in use until Sunday, August 20. Detpak aims to have the RecycleMe cups on the commercial market within six months.
December might be all about festive viewing for some, but this year's merriest month is also delivering a new dose of TV medical nightmares. As promised since mid-2022 and feared since the first season in 2021 — if you're not fond of hospital horror stories, that is — Dr Death is returning with another true-crime tale about a sinister surgeon. The new doc in the spotlight: surgeon Paolo Macchiarini, who earned the nickname 'Miracle Man' for his innovative operations. But his charm starts to fade when investigative journalist Benita Alexander approaches him for a story — a tale that'll change her life forever, too. Once again, all of the details are drawn from reality. Once again, Dr Death is bound to prove disturbing whether you already know the ins and outs or you're set to discover them for the first time — as terrifying medical details, especially about deadly doctors, always do. The just-released trailer will get you feeling unsettled already, in fact, before the series drops all eight of its season-two episodes on Stan on Friday, December 22. Édgar Ramírez (Florida Man) plays Macchiarini, while Mandy Moore (This Is Us) steps into Alexander's shoes. Macchiarini's first reason for getting famous: leading the surgery for the world's first synthetic organ transplant. As for why else he's been in the news, that's what watching the series will tell you. When it hit streaming queues in mid-2021, Dr Death initially focused on Christopher Duntsch (Joshua Jackson, Fatal Attraction), a surgeon who was full of charm when he was trying to encourage folks with spinal pain and neck injuries into his operating theatre — or when he was attempting to convince hospitals, particularly in Texas, to hire him. But again and again, those surgeries ended horrendously. Actually, that's an understatement. Duntsch's story is done and dusted; however, he was just the first medical professional that the OG Dr Death — aka the Wondery podcast that shares the TV show's name — has explored. Since then, the audio series has released two further seasons, with its third batch of episodes now providing the basis for the second TV adaptation. Check out the trailer for Dr Death season two below: Season two of Dr Death will stream via Stan from Friday, December 22. Images: Scott McDermott/Peacock.
With its iconic steps sequence and distinctive use of montage, 1925 Soviet-made movie Battleship Potemkin changed the way the world thought about film. Making enduring efforts such as Solaris and Stalker, Russian director Andrei Tarkovsky also achieved the same feat during the '60s and '70s. And in 2003, roaming historical drama Russian Ark did too courtesy of a single 96-minute take. Yep, this was more than a decade before Birdman tried something similar. They're just some of the highlights of Russian film history, and there's more where they came from. In fact, that's the domain of the Russian Resurrection Film Festival, which brings future classics and beloved greats alike to Australian cinema screens for an annual celebration of Russian movie making. In its thirteenth year, the fest has curated a collection of twenty efforts that showcase just what makes the country's film output so stellar. Whether you're keen on diving into a duelling epic, going swashbuckling with a beloved animated pirate, or catching a glimpse of uncompleted relics from the past, you'll find plenty to watch here — plus our five must-see picks, of course. FLIGHT CREW Flight Crew falls into the disaster film genre — on account of its content, not its quality or performance. In fact, it's the number one movie at the Russian box office this year, as well as one of the top six of all time. Audiences sure do love watching efforts about earthquakes, volcanoes and trouble on planes, after all, and this one has all three. It's actually a remake of a 1979 Russian blockbuster disaster movie of the same name, because constantly rehashing the past isn't limited to English-language flicks, but boy oh boy does it sound entertaining. THE STUDENT Not every film is going to appeal to every member of the audience, but most people can recognise ambition when they see it. And that's the case with The Student, which some viewers will love and others won't — but honestly, it's genuinely hard to not be enthralled by director Kirill Serebrennikov's visual, thematic and storytelling confidence. Adapting a controversial play, he tells the tale of a teenager who starts questioning everything from his classmates swimming costumes to his biology teacher's lessons as he becomes more and more immersed in religion. The end result certainly got Cannes talking, and it's completely different to any other high school-set film you're likely to come across. ICEBREAKER You can probably count on one hand the number of movies you've seen about a ship striking an iceberg. Actually, to be precise, you can probably count it on one finger. Without a floppy-haired Leo in sight (or Celine Dion's warbling in earshot), Icebreaker might just join the fold as it recounts the real-life exploits surrounding a boat in 1985. Or, it might skirt the obvious and plunge into other polar catastrophes. You'll have to watch to find out, however, the film is made by the same folks behind train-based disaster flick Metro from 2013. That effort was cheesy and cliched, sure, but isn't that what disaster flicks are meant to be? MOSCOW NEVER SLEEPS An Irish filmmaker heads to Moscow with Moscow Never Sleeps — though that's the story behind the movie, rather than the movie itself. In his second Russian-made feature, writer/director Johnny O'Reilly dives into the nation's capital through the antics of five different people going about their daily lives over a 24-hour period. Yep, just about everywhere you can think of boasts a film like this (or a few), but there's a reason that they keep popping up. How better to get a glimpse into the reality of another city and country than through overlapping, intertwined narratives? ALEXANDER NEVSKY A word of warning: this historical drama clocks in at over three hours. But, unlike most lengthy efforts you see at the cinemas these days, there's not a superhero, hobbit or transforming car on screen. Instead, Alexander Nevsky hails from 1938, marks the first sound film directed by Battleship Potemkin's Sergei Eisenstein, is based on a real Russian prince, and has been named among the best movies ever made. As far as really getting a glimpse of the full scope of Russian filmmaking is concerned, there's nothing in the program like it. The Russian Resurrection Film Festival tours the country from October 27, screening at Sydney's Event Cinemas George Street Sydney and Event Cinemas Burwood from October 27 to November 5, Brisbane's Event Cinemas Myer Centre from November 2 to 9, and Melbourne's Australian Centre for the Moving Image from November 10 to 16. For more information, visit the festival website.
Unlike a certain lab coat-wearing grandfather and his nervous grandson, we can't all exclaim "wubba lubba dub dub" and zap our way to a different part of the multiverse when things aren't going our way. But, we can get schwifty, kick back and watch a couple of animated interdimensional adventurers unleash their specific style of chaos, with Rick and Morty set to return in 2021 for its fifth season. Once again, Rick Sanchez and Morty Smith (both voiced by show co-creator Justin Roiland) will do what they do best: not just aping a concept straight out of Back to the Future, but wreaking havoc in as many universes as they can stumble across. Also back are Morty's mother Beth (Sarah Chalke, Firefly Lane), father Jerry (Chris Parnell, Archer) and sister Summer (Spencer Grammer, Tell Me a Story) — and, as both the initial trailer for season five and the just-released second sneak peek both show, they're playing a big part in Rick and Morty's dimension-hopping antics this time around. Glimpses at Rick and Morty's upcoming episodes are more about the mood, look and feel than the storylines. The show's trailers tease a heap of the out-there situations, battles and general sci-fi chaos that its characters will find themselves dealing with, and leave the specifics for the new season itself. That's been the case with season five so far, naturally — with nods to and parodies of everything from Voltron to Blade bundled into the two trailers to-date, because that's the way the news goes. As for when you'll be able to watch the next batch of Rick and Morty anarchy — and rejoin the smartest Rick and Morty-est Morty in the universe, of course — the fifth season will start airing week-to-week in the US from mid-June. Hopefully Netflix Down Under will follow suit shortly afterwards. That's what happened with season four, which released its long-awaited episodes in two batches in 2019 and 2020. Watch the latest trailer below: https://www.youtube.com/watch?v=Tks_1uCO5kA Rick and Morty's fifth season will start airing weekly from June 20 in the US. Down Under, the show airs on Netflix — and we'll update you with a release date for the new season when one is announced.
Take every horror movie staple, every expected line and all the usual eerie settings, then throw in a beloved childhood character that's stopped being friendly and turned savage instead. That's a recipe for one of the most intriguing movies of the year, Winnie-the-Pooh: Blood and Honey. Yes, it's a slasher film starring Winnie-the-Pooh. Yes, really. And yes, it looks set to forever change the way you see the childhood favourite. The flick itself isn't new news, but it now has a trailer — and it's as creepy as the whole concept sounds. "Oh bother!" is definitely the mood, after Christopher Robin returns to the Hundred Acre Wood as an adult, years after leaving his pals Winnie, Piglet, Eeyore, Tigger, Kanga and Roo behind. All that time alone hasn't turned out well, and there's about to be a body count to prove it. No, the idea that Pooh might turn murderous hasn't ever crossed anyone's minds before. Gracing pages for almost a century — plus screens big and small for decades — Winnie-the-Pooh has done many things in his time, but getting grisly hasn't been one of them. Ever since AA Milne first conjured up the honey-loving, walking-and-talking teddy bear back in the 1920s, Pooh has enjoyed plenty of adventures involving his human and animal friends, and tried to eat as much of his favourite foodstuff as possible. We've all seen the cartoons and toys, and also watched films such Goodbye Christopher Robin and Christopher Robin in recent years. To director Rhys Waterfield, however, Pooh is no longer cute and cuddly, even if he's a honey-fiending teddy bear who normally doesn't wear pants (although he appears to here). And if you're wondering about the tone of Winnie-the-Pooh: Blood and Honey, other than horror, the filmmaker's other upcoming titles include Firenado, Sky Monster and Rise of the Loch Ness. Clearly, Pooh breaking bad all falls into B-movie territory, which the premise makes plain as well. The setup: after seeing their food supplies dwindle as Christopher grew up, Pooh and Piglet have spent years feeling hungry. They've turned feral, in fact, even eating Eeyore to survive. So when Christopher returns, it sets the pair on a rampage, which leads to them a rural cabin where a group of university students are holidaying. From that summary, it's obvious what'll happen from there. The trailer cements that fact, and throws in more horror tropes than you could fit in a pot of honey in the process. Exactly when Winnie-the-Pooh: Blood and Honey will reach screens Down Under, and where, also hasn't yet been announced — and the film's release date in the US and UK is also yet to be set at this point — but it's heading to DVD and VOD rather than cinemas. Wondering why something that's usually so sweet and innocent is being given the creepy, bloody, eerie horror treatment — turning Winnie-the-Pooh into a killer, no less? It's because the character has just entered the public domain in America. Disney no longer holds the copyright, and no one can now hold the exclusive intellectual property rights over the character, opening the door for wild interpretations like this slasher flick. Check out the Winnie-the-Pooh: Blood and Honey trailer below: Winnie-the-Pooh: Blood and Honey doesn't yet have a release date Down Under — we'll update you when further details are released. Images: Jagged Edge Productions.
Life's not easy for an intrepid, jet-setting rubber duck. Earthquakes, typhoons, stabbing, drowning and censorship are just some of the hardships that Dutch artist Florentijn Hofman’s oversized plaything has faced since first venturing from the bath in 2007. And now, an explosion that’s making international headlines. Twelve hours before the bird was scheduled to become the unrivalled star of Taiwan’s New Year’s Eve celebrations, it deflated without warning in front of crowds of shocked fans, turning into nothing but an enormous piece of yellow plastic. So far, no one really knows why. The sun was shining; the water was still — to all eyes, the northern port of Keelung in which the duck was floating seemed as safe as a hot tub. “We want to apologise to the fans of the yellow rubber duck,” organiser Huang Jing-tai said to journalists. “The weather is fine today and we haven’t found the cause of the problem. We will carefully examine the duck to determine the cause.” According to the Central News Agency, an eyewitness suggested that eagles may have been the problem, having been spotted scratching the avian invader with their claws. This is the second occasion on which one of Hofman’s ducks has exploded in Taiwan. Last month, in Taoyuan, strong winds following a 6.3 magnitude earthquake caused the installation’s back end to burst during inflation. Having proved quite a hit at Cockle Bay last year, the Rubber Duck will return to Sydney Festival on 10 January, this time taking up residence in the Parramatta River. Its visit will not be affected by these overseas traumas; a separate Rubber Duck is safely sequestered away for the event. Via ABC.
If you've only ever spotted one thing about former wrestler-turned-actor Dwayne Johnson, we're betting you've noticed that he already looks like he has superpowers. And if you've been watching The Rock's on-screen career as he's amassed a hefty movie resume over the past couple of decades, you've probably also observed a second key point: he overwhelmingly loves joining franchises. Cases in point: The Mummy Returns and The Scorpion King, his multiple Fast and Furious flicks (and spinoff Hobbs & Shaw), Journey 2: The Mysterious Island, GI Joe: Retaliation, and both Jumanji: Welcome to the Jungle and Jumanji: The Next Level. New to that list is Black Adam — and, fittingly, here he plays someone with superpowers. The latest entry in the DC Extended Universe — aka the movies that revolve around Batman, Superman, Wonder Woman, Aquaman and the whole Justice League gang, because Marvel isn't the only comic book company with a film and TV universe — Black Adam is also a spinoff from past DCEU flick Shazam!. Johnson plays an ancient prisoner turned god who was given powers almost 5000 years back, then captured in a tomb. Now, he's free and on the loose in the modern world. Is Black Adam a hero or villain? On the page, he's one of Shazam's archenemies — but as the just-dropped trailer for Black Adam shows, grappling with that question is a big part of this new movie. Given that he's played by the always-likeable Johnson, you can probably expect him to fall further on the side of good than evil. Black Adam hits cinemas Down Under on October 20, with Johnson's Jungle Cruise director Jaume Collet-Serra helming. Also featuring on-screen: Aldis Hodge (One Night in Miami) as Hawkman, Noah Centineo (the To All the Boys I've Loved Before franchise ) as Atom Smasher and ex-Bond star Pierce Brosnan as Dr Fate, plus Sarah Shahi (Sex/Life), Marwan Kenzari (Aladdin), Quintessa Swindell (Voyagers) and Bodhi Sabongui (A Million Little Things). And if Black Adam has you thinking about Shazam!, it is getting a sequel this year, too, with Shazam! Fury of the Gods due in cinemas in December. Check out the trailer for Black Adam below: Black Adam opens in cinemas Down Under on October 20.
The year Falls Festival is really teasing us. After announcing that they would expand to Western Australia this year back in June, and then confirming that none other than Childish bloody Gambino would be headlining earlier this month, this morning they've let slip another headliner before the full lineup is released this afternoon. And, much to our delight, it's London Grammar. Yep, the British trio will return to Australia for Falls Music & Arts Festival over the New Years period. It's a quick return to the country — after all, they only toured last year — and they'll join musical (and acting and writing) wunderkind Donald Glover to play all four shows. As always, Falls will be heading to Lorne in Victoria for four nights, and Marion Bay in Tassie and Byron Bay on the NSW coast for three nights over New Year's Eve. They'll also be setting up shop in Fremantle for the first time with Falls Downtown, a two-day city festival slated to take place over the weekend of January 7-8. The main stage will be set up in Freo's town square, while an old-world ballroom and a stone-walled church will house the smaller ones. They'll also be taking over the abandoned Myer building, turning it into a creepy crib for art installations, "unexpected performance areas", markets and "bunkered basement danceterias". There'll even be a small number of glamping tents on the roof. It sounds similar to some of Melbourne Music Week's activations of abandoned spaces, and it sounds insane. This new iteration of the festival and the announcement of Childish Gambino as headliner is another win for Falls, who sell out their Lorne event basically every year. Since its inception in Lorne back in 1993, the festival has grown to span three cities, which include the original site on the Great Ocean Road, Marion Bay in Tassie and, since 2013, Byron Bay. But here's the dates. The full festival lineup will be announced this afternoon. Stay tuned. Lorne, Victoria: December 28-31 Marion Bay, Tasmania: December 29-31 Byron Bay, NSW: December 31 - January 2 Fremantle, WA: January 7-8 Tickets for Falls Festival 2016/17 will go on sale at 9am on Tuesday, August 30 via their website.
