Ever seen a play performed around a live steam train? No, we didn't think so. After staging 2015's The Mayne Effect in a heritage-listed building, the female-led Flowers Theatre Company has scaled things up to a beloved form of transport. Taking place at Swanbank railway station, their new large-scale production tells the kind of tales women have shared over hot cuppas and passed down over generations — i.e. accounts of wartime living, surviving during periods of combat, and helping the battle from home. Yep, you won't just be watching site-specific theatre; you'll be indulging in a slice of local feminist history as well.
After slinging massive burgers in New Farm for years, and adding a second Ascot store just this past August, DA'Burger is expanding again. From Sunday, November 25, it'll add West End to its growing empire — and a week later, it's giving away free burgs to celebrate. Settling into the 56 Boundary Street space that Copperface Jacks previously called home, DA'Burger West End will host its grand opening from 11.30am on Saturday, December 1. We'd suggest getting there early, as 200 free burgers will be up for grabs for the first customers through the door. You'll be able to tuck into either a DA'Burger with cheese or a DA'Vegan burger without spending a cent. That's right, no other purchase is necessary. If you keep an eye on the chain's social media, you'll also be able to stop by between November 25 and December 1 for another 200 freebies. Those dates and times will be announced closer to the giveaways. Hungry customers will also find a bigger menu to mark the store's bigger premises, including three function spaces and the room to make their patties in-house. Drinks-wise, there'll be 12 beers on tap, which sounds like a pretty ace way to wash down your burg of choice.
Usually, for one week each September, Brisbane becomes Australia's live music capital — even if a Melbourne survey generally claims otherwise. When BIGSOUND hits the city, it typically seems like every venue in Fortitude Valley is packed to the rafters with bands, industry folks and music-loving punters, all enjoying the latest and greatest tunes and talent the country has to offer. There's nothing usual about 2020, though. And, yes, that applies to this beloved music-fuelled celebration. In fact, after announcing back in July that it would still forge ahead this year as a physical — but socially distanced, COVID-safe and scaled-down — event, BIGSOUND has just revealed today, Thursday, September 3, that it'll now proceed as a virtual-only affair. Rather than four days of conferences, live festival showcases, secret shows and official parties, music fans can look forward to keynote addresses, online workshops, panels, discussions and an Australian artist showcase called The BIGSOUND50, all across a condensed two-day online program. The lineup wont be revealed until the end of September, but the event will still happen next month — having already moved from its normal timeslot to Wednesday, October 21 and Thursday, October 22, the digital-only BIGSOUND is keeping the latter dates. Announcing the change in an emailed statement, BIGSOUND management advised that the shift in direction stems from "ongoing COVID-19 restrictions and domestic border closures"; however the festival will adjust. It'll also address the challenges of 2020 and what that means for the industry moving forward by focusing on three specific themes: community, survival and re-futuring. [caption id="attachment_636254" align="aligncenter" width="1920"] Waax, BIGSOUND 2017. Image: Bec Taylor.[/caption] Overseeing the virtual program are Janne Scott, BIGSOUND's creative director (and Splendour In The Grass' senior creative manager); Alethea Beetson, the event's First Nations producer and programmer; and conference programmer Tom Larkin. Beetson, as well as festival co-programmers Dominic Miller and Ruby-Jean McCabe, will select the artists featured in The BIGSOUND50. Past BIGSOUNDs have showcased everyone from Gang of Youths, Flume, Tash Sultana and Courtney Barnett to San Cisco, Violent Soho, Methyl Ethel and The Jungle Giants, so its program is usually a very reliable bellwether of current and up-and-coming talent. BIGSOUND 2020 will run virtually on Wednesday, October 21 and Thursday, October 22, with further details set to be announced in late September. For more information — or to obtain a free online delegate pass — visit bigsound.org.au. Top image: Keynote speaker Mo'Ju at BIGSOUND in 2019
Gerard’s Bar know what they’re doing when it comes to cured meats and cheese pairings - in fact their menu is pretty much just that (and amazing for the record). Celebrate being a wine-loving, cheese-hungry fancy adult with a wine and cheese pairing for $30. But make sure you go with friends who won’t judge you when you inevitably transition (as we all do) from the grown-up you're pretending to be to a cheese fiend who wraps a whole wheel of brie in ham and eats it like a burger.
A man, his family and a firearm: all three sit at the heart of The Seed of the Sacred Fig. A girl and a gun might've been late, great French filmmaker Jean-Luc Godard's perfect formula for a movie, but Iranian writer/director Mohammad Rasoulof now adapts that setup around his own cinematic passion: fighting back against the Iranian regime. IRL, over the course of more than two decades, he's faced the wrath of his homeland's censorship, seen his work banned, been prohibited from making movies and from leaving the country, and endured multiple prison sentences. When Rasoulof's eighth and latest masterful and moving feature debuted at the 2024 Cannes Film Festival, he was in attendance after fleeing Iran, where a new eight-year jail term had just been handed down. The first shoots of the idea for The Seed of the Sacred Fig came to the filmmaker while the now-exiled talent was incarcerated. Imprisoned during the 2022–23 Women, Life, Freedom protests that sprang from the death in custody of Mahsa Amini, he saw the movement from inside Evin Prison in Tehran. Upon his release, it became part of his new big-screen narrative, with the picture even incorporating real on-the-ground footage. Also guiding The Seed of the Sacred Fig is a question that Rasoulof has long contemplated from his dealings with the regime — and that flowed through in his prior film, 2020 Berlin International Film Festival Golden Bear-winner There Is No Evil — also: "how do people who work with the system function internally?". As the protests about the loss of a woman arrested for allegedly wearing her hijab improperly also were, Rasoulof's Best International Feature Oscar-nominee is a snapshot of generational clashes and change, too. The man: Iman (Missagh Zareh, Homeless), who has just been promoted to investigating judge in the Revolutionary Court. The family: his wife Najmeh (Soheila Golestani, Two Dogs), college-aged daughter Rezvan (debutant Mahsa Rostami) and younger offspring Sana (Setareh Maleki, Cafe). The gun: Imam's service piece, freshly bestowed upon him for his new role. When the weapon goes missing, he starts pointing fingers, already paranoid about the public fallout from his job and now suspecting those closest to him — the youngest of which are only just learning what he does for a living. Adding to the powder-keg situation: the nationwide political uprising, which has Imam signing death sentences, comes to his home courtesy of Rezvan's friend Sadaf (Niousha Akhshi, The Lion Skin) and puts the family matriarch at odds with his horrified daughters. At Cannes — where Rasoulof's 2013 film Manuscripts Don't Burn won the FIPRESCI Prize and his 2017 feature A Man of Integrity emerged victorious in the Un Certain Regard section — The Seed of the Sacred Fig collected five different accolades from its berth in the main competition, a Special Jury Prize among them. Other film festival audience awards have also come its way, including in Sydney, plus nominations at the Golden Globes and BAFTAs. To get the movie to viewers, though, and to make it to begin with, involved shooting in secret with Rasoulof largely unable to be on set. Then came the 28-day journey out of Iran to Germany, the country that The Seed of the Sacred Fig represents at the 2025 Academy Awards. What does the global response to the film — the festival slots, popping up at Locarno, Melbourne, New Zealand, Telluride, Toronto, New York, Busan, London, Adelaide and Brisbane events as well, and many others; the nominations and prizes, right through to the Oscars — mean to Rasoulof given what he went through to bring the movie to fruition and ensure that audiences could see it? "I'm very happy that a film that half of which had not yet been shot exactly one year ago, while we were shooting, is being seen by worldwide audiences and doing so well," he tells Concrete Playground. "And I think it's not just me. I think everyone involved in its making is very happy, because what brought us together really was fighting for artistic freedom — and all we dreamt of was managing to complete the shoot without being arrested." How does Rasoulof navigate the scrutiny, oppression and attempted censorship that comes his way each time that he makes a film? How did The Seed of the Sacred Fig evolve from seeing how Iranian women were protesting to following a family of three women and an investigating judge impacted by the uprising? What does the reality of directing a movie in secret entail — and what impact does it have on the finished product, given how much energy is expended just to avoid the authorities' attention? Digging into a powerful picture that's designed to inspire questions with the man behind it, we also asked Rasoulof about all of the above. On Navigating the Scrutiny, Oppression and Attempted Censorship That Rasoulof Faces Whenever He Makes a Film "Well, I think the biggest difference, if I think about one year ago and now, is hope. Of course, I did have hope one year ago, but the hope I have now is much greater. It was really like a small crack through which the lights came in that I could see in the distance. And it's grown, and this gives me greater energy to continue working and to continue living. And I don't think it's just me. I think again, all my cast and crew feel exactly the same way or similarly." On How The Seed of the Sacred Fig Evolved From Seeing How Iranian Women Were Protesting to Following a Family of Three Women and an Investigating Judge Impacted by the Uprising "For many years, I was very curious about the people who work in the regime, in the different parts of the regime that I had dealings with — the security operators, the censorship operators, the judiciary. And I was really concerned with trying to understand, on the one hand, how they think, but also while they interrogated me, I'd be wondering 'how do we differ? Why are they unable to understand me and why am I unable to understand them?'. And so this curiosity stayed for me, and I was always hoping I could find an opportunity to explore it in a film. In 2022, I was arrested a few months before the Woman, Life, Freedom movement began. And after the movement began — at its height, in fact — I had a chance encounter with a senior prison official, who told me how he'd come to hate himself and even thought about taking his life because of his job and his collaboration with the regime, and how fiercely he got criticised and pressurised all the time by his children because of his job. And at that point I thought it would be really interesting to tell a story about a family where such a big divide had arisen, but which would also, at the same time, allow me to pursue that question that had stayed with me for all these years about how do people who work with the system function internally." On the Parallels Between the Film Being Made Clandestinely and the Secrets Being Kept Among the Family in the Movie "The limitations move along with you from the moment you start writing the script. They always accompany you when, of course, you're working in a repressive regime. And so you've got to find new ways ahead to make your film, but that also leads to a very strong awareness of the choices you're making — because if you make the wrong choice, you might not be able to continue. So we go to sets on the basis of decisions we've made early on to suit in a very precise way. And yet, during the shoot, there will always be unpredicted variables, things, problems, unexpected scenarios whereby you've got to make a different choice to what you were expecting in the moment. So you can plan as much as you want, but it's only when it comes to executing the work that you realise 'if I can't shoot, if I can't do that as planned, how can I proceed?'. And limitations really force you to find new paths forward." On Directing a Feature When You're Not Able to Be On Set "I started shooting and making films and 35mms during the analogue periods, when you didn't know what you'd see, really — what you were filming until later when it was developed in in a lab. And so you had a general impression and general image, but you didn't have a precise image or impression. And then later on, the video assist was introduced, where you could sort of control the set and watch the monitor at the same time — which became very fascinating for me and for lots of other filmmakers, because we were able to focus on the monitor. And in a way, [that's how] we made this film — we had a monitor that I had access to online while directing remotely. And then I had a secure sound connection to the set, mediated by a number of assistants. Of course, it was very slow. There were interruptions. There were moments when the connection was lost, and so I'd lose the control of the set for various minutes and then we had to reestablish it — so it was very laborious and difficult. But what mattered the most was that I was able to maintain, the priority was for me to maintain my concentration, but also to make do with the slowness and the inevitable delays. Wherever possible, of course, I would come as close as possible to set or actually appeared a few times, and that was much more fun and much better." On the Approach to Casting — and to Building an On-Screen Family — When You're Making a Movie in Secret "It's always difficult to compose a family in any film, because the members of the family have to look similar in a convincing way to the audience. So of course, if you're making a film underground, it becomes much more difficult to compose a believable family, because you're choosing from a much smaller pool of actors. But we spent a lot of time on this with my close collaborators, examining all the possibilities. And once we selected the father and the younger daughter, we then managed to find the mother and the older daughter. But yes, it was very difficult. It was extremely time-consuming. But I think in the end we were very successful." On How Having to Work in Secret, and the Energy That Goes Into It, Impacts a Finished Film "Well, when you're working with this kind of pressure, you always do have this feeling that you may manage to escape the system, and to ignore it and to defy it, but it doesn't mean you're escaping limitations. You're simply working with a different set of limitations. What is paramount to me is that the audience, when it watches the film, should not feel that the film was made with this sort of limitation. Of course, there are lots of aspects that I would have liked to play more with under different circumstances, but let's say the priority is really for the audience to feel that they're watching something that wasn't shot under this kind of duress." The Seed of the Sacred Fig opened in Australian cinemas on Thursday, February 27, 2025.
Fernando Espinosa had the enviable opportunity to venture to the Galapagos Islands several times over the course of two years. His mission was to capture the visual majesty that is the Galapagos, a natural marvel. Using photographic techniques that help encapsulate the unique characteristics of the Islands and its inhabitants, Fernando has managed to seamlessly blend the harsh landscape, the wild vegetation and the vibrant wildlife into one astounding collection. This is nature photography as you have never seen it before. The best part is that it is free and that it lasts all month.
If there's one thing that Ben & Jerry's loves above all else, it's the obvious: ice cream in a huge array of ridiculously named flavours. It's the brand behind Chunky Monkey, Cherry Garcia, Phish Food and The Tonight Dough — and has been responsible for Liz Lemon Greek Frozen Yoghurt, Stephen Colbert's AmeriCone Dream and Schweddy Balls, too. And, once a year to the delight of your sweet treat-loving tastebuds, it loves giving away free scoops just as much. Indeed, to share its wares with the masses for nix, these frozen confection masterminds gave the world Free Cone Day, which is exactly what it sounds like — a day where your ice cream is on the house. It ran annually until the pandemic, then took a break for obvious reasons. And on Monday, April 3, it's finally back for the first time since 2019. Here's how it works: if you adore ice cream as much as Ben & Jerry's adores ice cream, then you just need to hit up your local participating store between 12–8pm AEST. You can choose whichever flavour you like, and you can also line up for a free cone as many times as you like within that eight-hour period. Free Cone Day is happening Australia-wide — worldwide, too, in more than 35 countries — at both Ben & Jerry's Scoop Stores and its Hoyts outlets. In Queensland, head to South Brisbane, Broadbeach Waters, Burleigh Heads, Gold Coast, Mooloolaba, Noosa Heads and Cairns, or Hoyts Sunnybank.
New Farm Deli and breakfast go together like eggs and hollandaise, like salmon and avocado or bacon and more bacon. Visit this early morning institution in the heart of Merthyr Village for weekend brekky and you're guaranteed to encounter a bustling, buzzy crowd seated both inside and out, watch orders fly out the kitchen and onto the tables of hungry patrons or hear the non-stop whir of the coffee machine as it grinds Di Bella beans and steams the milk for the caffeine cravers. Churning out endless cups of coffee and plates of every bacon and egg combination imaginable is a breeze for these guys, which they do seven days a week. With a menu a mile long you won't struggle for choice – in fact the sheer number of options available makes ordering a serious affair! If you too can't decide between the Fresco (smoked salmon, avocado and grilled tomato on toast) and the Merenda (pan fried mushrooms, Roma tomatoes and bacon on toast) but have the usual unwavering hankering for haloumi, you can simply make your own combination. A plate of poached eggs, grilled Roma tomato, haloumi, avocado and mushrooms with Turkish bread prove New Farm Deli are flexible and put the customer first. Not only can you choose from an endless list of breakfast options or make your own here, there are also made-to-order or cabinet-ready sandwiches and rolls as well as tarts, quiches, salads, burgers, generous bowls of pasta and an array of mouth-watering sweet treats that taunt you from behind the glass. Think hearty, homemade Italian-Mediterranean. Plus the Deli adjacent means you can pick up your specialty produce at the same time. Once you've drained the last drop of Di Bella or polished off your eggs browse the cheese and small goods counter or pick up various sized jars, cans and bottles of imported goods. New Farm Deli might not be winning any awards for food innovation or breaking new ground but boy do they know how to serve up comfort food, just the way you like it.
If there's one thing Brisbanites like, it's watching Studio Ghibli films. Understandably, a whole heap of cinemas around town have been happy to oblige, hosting their own events dedicated to the Japanese animation house over the years. Now it's Dendy Coorparoo's turn, screening four Ghibli favourites between Thursday, December 5 and Wednesday, December 11. As part of the Ghibli Films program, fans will get yet another chance to catch these Japanese gorgeous features on the big screen — in both their original and English-dubbed versions. Yes, you should make like a moving castle to see Howl's Moving Castle this time. And yes, you'll feel like you've been Spirited Away once again. Both of the above films are on the lineup, as are Princess Mononoke and My Neighbour Totoro, with dates and times for each movie varying. If you've missed these flicks in their limited cinema runs or fest appearances in the past, consider this your chance to catch up (with tickets costing $15 per session, or $12 for Dendy members). Check out the Spirited Away trailer below to get in the mood, too: https://www.youtube.com/watch?v=nsrWpFmB2bQ
When Spilt Milk announced that it wasn't taking place in 2024, instead delaying its next festivals until 2025, it looked like fans of the event were in for a hefty wait till they could next hear live tunes echo from its stages. But if you're on the Gold Coast — or can get there — that's no longer the case. Spilt Milk's regular fests remain postponed until next year; however, it's still returning in November for a new gig series. Meet Spilt Milk House Party, aka the shindigs you throw when you're not throwing your regular shindig. If the tactic sounds familiar, that's because Yours and Owls is deploying it in 2024, too, calling it a pre-party instead. The idea is the same, though: get a bunch of acts to play at a smaller event, rather than the usual big festival rollout. For its version, Spilt Milk hasn't skimped on talent. In addition to his already-announced Australian tour, Troye Sivan leads the Spilt Milk House Party lineup. For company, he'll have Glass Animals, G Flip, Artemas and Sycco. The quintet have a date with the Broadwater Parklands on Saturday, November 23. Spilt Milk House Party Lineup: Troye Sivan Glass Animals G Flip Artemas Sycco
Looking for an excellent wine to sip? Plenty of prizes, nods and gongs have you covered. Looking for a great bar to drink a few glasses in? That's the domain of the Wineslinger Awards — which announced its top 50 venues for 2020 back in August, and has now revealed its picks for the best four wine-sipping spots in the country. Wine lovers in Melbourne, Adelaide, Brisbane and Geelong, rejoice — your patch of turf is home to one of 2020's top vino venues in Australia. Only one can boast the overall winner, though, and that'd be Melbourne. This year's Wineslinger award went to the Carlton Wine Room — and that's a particularly nice win given that the venue was closed for almost seven months of the year due to COVID-19 lockdowns. In the other fields, Adelaide's Leigh Street Wine Room nabbed the 'Best New Haunt' prize. Yes, that gong is rather self-explanatory. And in the 'Maverick' category — which is awarded to a venue that pushes the limits — Brisbane's Snack Man emerged victorious for defying food-and-wine pairing combinations (including matching Chinese snacks with European vino). The three aforementioned awards were all voted on by more than 100 industry experts; think sommeliers, winemakers, hospitality tastemakers and journalists. But for vino aficionados at home, there's also the 'People's Choice' prize — and that went to Union Street Wine in Geelong, which has been serving great drops since 2014. [caption id="attachment_789256" align="aligncenter" width="1920"] Carlton Wine Room[/caption] For folks looking for your next drinking spot, you now have four places to add to your must-visit list — whether they're close to home or you're making travel plans for when life gets back to normal. If you need further suggestions, the 50-venue shortlist shared the love around the country, with 15 bars in New South Wales and the Australian Capital Territory, 12 in Victoria, eight in Western Australia, and five each in South Australia, Tasmania and Queensland. The Wineslinger Awards were created in 2018 by Rory Kent, who also founded the Young Gun of Wine Awards. Where the latter prize aims to recognise stellar up-and-comers, the former is all about excellent and innovative places where vino lovers can enjoy an ace drop. Announcing this year's Wineslinger winners, Kent noted that "2020 has been the toughest year ever for Wineslingers in this country, and that's made it equally tough on cutting edge winemakers who rely on the passionate individuals and their brilliant venues to capture the imaginations of wine lovers". He continued: "we're so excited to celebrate the places and hospitality professionals serving up the best wine experiences in the country, and after months of lockdown and restrictions, getting back to supporting them in person." For further details about this year's Wineslinger Award winners, visit the awards' website. Top images: Carlton Wine Room, Snack Man, Leigh Street Wine Room, Union Street Wine.
While La Niña may be threatening hot vax summer, no doubt you still intend on living it up over the warmer months. After all, you've got mates to catch up with, new bars to check out and a swathe of live gigs to see. And, with all these social occasions coming up, you're probably keeping an eye out for some new summer threads. Lucky for you, top seltzer brand White Claw has teamed up with local fashion brand Barney Cools to bring you the ultimate wardrobe to cruise around in this summer. The brands are basically the epitome of summer, so the collab makes sense. And the best news? You can score it for free. The White Claw x Barney Cools all-white capsule collection includes three epic items: a terry cord party shirt, a breezy vintage-style tee and corduroy cap. Each limited-edition piece is designed to be genderless, too, so they'll suit anyone and everyone who's keen to make the most of summer. Oh, and did we mention that the prize also includes one White Claw variety pack? The new-release pack includes four flavours: watermelon, mango, lime and grapefruit. There are ten White Claw x Barney Cools packs to be won around the country. Should you win, you'll score some White Claws and all three clothing items, so you can don them to the beach, pub, park and just about everywhere else you plan to hit this summer. Keen to win some new summer threads? Enter your details below to go in the running. [competition]836217[/competition]
We've seen plenty of services which will print your phone photos, but just when you thought iPhoneography couldn't get any more nifty, designer Mac Funamizu has conceptualised instant iPhone printouts for photos on the go. His iPhone case would allow your pretty iPhone pics to be printed Polaroid-style. The concept includes other functional features. For example, if you upload the photo to a website, you can add an QR code for the URL on the back. For a geo-tagged photo, you can also include the map to show where the photo was taken. Says Funamizu, "Yes, I’m one of those people who still relish the feel (and smell) of photos." [Via Lost at E-Minor]
Whether you like them filled with jam and cream or prefer plain cake all the way, the lamington is a perfect dessert. It's a piece of sponge cake covered in chocolate sauce and desiccated coconut — what's not to love? And, as excellent as it is on its own, it also fares exceptionally well when it's combined with other foods. Everything from lamington gelato to lamington milkshakes have already proven this fact, as has lamington-flavoured vodka, too. One particularly creative and ace take on this Australian favourite? A lamington-cruffin hybrid — which turns one food mashup into a bigger food mashup like the baked-goods version of Inception. Sorry, lamington purists, this definitely isn't cube-shaped. But it exists thanks to Lune Croissanterie. The Kate Reid-founded bakery fills its Frankenstein's monster of a lamington-croissant-muffin with raspberry jam and whipped cream, then dips it in chocolate ganache and desiccated coconut. Without the latter, it just wouldn't be a lamington. And if that description has got your tastebuds in a tizzy, you can nab one — or several — in-store only at Fitzroy, Armadale, South Brisbane and Burnett Lane until Saturday, September 30. The lamington cruffins lead Lune's September specials menu, because the chain likes serving up a different mix of limited-edition treats each month. Some are returning favourites, like these coconut-topped numbers, while others are newcomers. Either way, your stomach will be thankful. Also on the list across the first month of spring: baklava ka, aka Lune's take on the Greek dish. Instead of filo, this version uses Lune's laminated pastry, then fills it with orange blossom, honey, walnut and pistachio. Or, depending on the store, you can tuck into Lune's carrot cake croissants, complete with carrot and walnut frangipane; Middle East-inspired beetroot goat's curd pastry, which is made with beetroot hummus, beetroot powder, goat's curd and za'atar; and The Turtle, aka a pain au chocolat that goes big on chocolate (frangipane), pecans (candied) and salted caramel (gooey). Lune's September specials are available until Saturday, September 30. Different stores — including Fitzroy, the CBD and Armadale in Melbourne, and South Brisbane and Burnett Lane in Brisbane — boast different specials. From Armadale, South Brisbane and Burnett Lane only, you can also order some online. Images: Peter Dillon.
Since 2011, DJ Tom Loud's travelling dance party Hot Dub Time Machine has ripped up stages the world over, offering a rolling crossfade of the last six decades of pop-music. Now, ready to sink his teeth into a new chapter of music-infused revelry, Loud's announced his latest project, Hot Dub Wine Machine — a series of al fresco get-togethers that'll take over four of the country's best-loved wine regions. This Australia-wide tour follows the raging success of Hot Dub Wine Machine's inaugural event, which saw over 6000 wine and music lovers flock to McLaren Vale's Serafino Winery in December last year. This time around, the scenic vistas and rolling hills of Hope Estate in NSW's Hunter Valley, Rochford Estate in Victoria's Yarra Valley, Ocean View Estate in Queensland's Somerset Valley, Home Hill Winery in Tasmania's Huon Valley, and Houghton Winery in WA's Swan Valley (so many valleys!), will play host to the festivities. Each boutique event will run from early afternoon through to after dark, and feature a hand-picked smorgasbord of Australian musical talent. This will all lead into one of Hot Dub's signature sets, which will see audiences dancing their way from 1954 to today, as the DJ mixes an iconic song from each year. Backing up the tunes, expect a careful curation of locally-sourced gourmet eats, craft beer, cocktails, and of course, some sensational vino from these iconic Australian wine regions. Safe to say, it's probably the rowdiest event these wineries will host all year. Hot Dub Wine Machine will take over Home Hill Winery on Saturday, March 4, Hope Estate on Saturday, March 18, Rochford Estate on Saturday, March 25, Ocean View Estate on Saturday, April 1, and Houghton Winery on Saturday, April 8. Tickets are now on sale here. Images: Pat Stevenson. Updated: January 19, 2017.
What a time to be alive for gin lovers. Last month, we introduced you to a rainforest-infused gin from Byron Bay. Now, we're heading south, to Tasmania, where brand new distillery Southern Wild has just opened. Its first offering is a trio of gins known as Dasher + Fisher, named for two rivers that travel from Tassie's snowy mountains to its northwest coast. Each spirit represents a section of the rivers' journey, the first being 'Mountain', the second, 'Meadow' and the third, 'Coast'. What all three have in common is a trio of uniquely Tasmanian botanicals: pepperberry, lavender and wakame seaweed. Distiller George Burgess, who's been perfecting his recipes for a decade, then blends these base botanicals with additional native ingredients, sourced from local growers, to give each gin its distinctive profile. "My goal, right from the get-go, was to try and create a gin that would allow me a multi-layered experience," says Burgess. "It took a lot of experiments and a lot of work to try and get that layering to the point where it was achieving what I set out to do." 'Mountain' is a dry-style drop, which puts the pepperberry up front, surrounded by another ten botanicals, including eucalypt, rosemary and sage. 'Meadow', a modern gin, emphasises the lavender, which is combined with 14 other botanicals, including freshly-picked oranges. Meanwhile, 'Ocean' is all about powering up the wakame seaweed, made more complex thanks to 11 other botanicals. You can buy Dasher + Fisher online, via Southern Wild's website. To visit in person, get yourself to Devonport, on Tassie's north coast. The distillery is open Monday to Wednesday between 10am and 5pm, and Thursday to Sunday from 10am till late. There are live music events and, if you're keen to take a tour with George, it's a good idea to book in advance. Images: Jason Loucas.
If you're just a hunk, a hunk of burning love for the one and only Elvis Presley, and you live in Australia, you've been having quite the few years. A massive exhibition dedicated to the king of rock 'n' roll came our way, Baz Luhrmann's AACTA-winning and Oscar-nominated biopic Elvis wowed fans, and Sofia Coppola's Priscilla is the headed to the big screen soon. Also on offer: a new Presley-focused stage musical that debuted in Sydney in August, is now playing Melbourne's Athenaeum Theatre, and has just locked in its 2024 dates and stops. Called Elvis: A Musical Revolution, this production features more than 40 of the singer's hits, because there's just that many songs to include. All of the expected favourites are worked into the biographical musical, which means everything from 'Jailhouse Rock', 'Hound Dog', 'That's All Right' and 'All Shook Up' through to 'Suspicious Minds', 'Heartbreak Hotel', 'Burning Love' and 'Blue Suede Shoes'. 'Good Rockin' Tonight', 'Earth Angel', 'Don't Be Cruel' and 'Are You Lonesome' get a whirl as well, as do 'Blue Moon of Kentucky', 'See See Rider', 'Can't Help Falling in Love' and 'A Little Less Conversation'. That's what the show's audience hears. As for what everyone sees — what makes the musical one for the money, naturally — the production's story tells Elvis' tale from his childhood in Tupelo, Mississippi through to his triumphant '68 Comeback Special. If you've seen the aforementioned Elvis, none of it will be new news, but Elvis: A Musical Revolution works its hip-swinging magic anyway. Sydney will get a return date with the musical from February 2024, with Elvis set to be in the building at the State Theatre again. After that, it's Her Majesty's Theatre's turn in Adelaide from April, Crown Theatre in Perth's time in the spotlight from May and HOTA, Home of the Arts on the Gold Coast's from June. Starring Rob Mallett (House Husbands, Singin' in the Rain), Elvis: A Musical Revolution hails from David Venn Enterprises, which has also been behind Cruel Intentions: The '90s Musical, The Wedding Singer and Bring It On: The Musical — and arrives via a partnership with Authentic Brands Group, the owner of Elvis Presley Enterprises. Also behind the scenes, the musical's book comes courtesy of David Abbinanti and Sean Cercone — who have Saturday Night Fever: The Musical and Ghost: The Musical on their resumes — with Abbinanti also composing the orchestrations, arrangements, and additional musical and lyrics. "We couldn't be happier about the response from audiences, and look forward to celebrating the life and music of Elvis Presley with even more Elvis fans and theatre lovers across the country," said producer David Venn. "It's a testament to our cast and creative team, as well as the enduring legacy of The King." ELVIS: A MUSICAL REVOLUTION 2024 AUSTRALIAN DATES: Until Sunday, December 24, 2023 — Athenaeum Theatre, Melbourne From February 2024 — State Theatre, Sydney From April 2024 — Her Majesty's Theatre, Adelaide From May 2024 — Crown Theatre, Perth From June 2024 — HOTA, Home of the Arts, the Gold Coast Elvis: A Musical Revolution is currently playing Melbourne, and will keep touring Australia until at least mid-2024. Head to the show's website for further details, tickets for Melbourne and to join the ticket waitlist elsewhere. Images: Ken Leanfore / Daniel Boud.
Under normal circumstances, when a new-release movie starts playing in cinemas, audiences can't watch it on streaming, video on demand, DVD or blu-ray for a few months. But with a worldwide pandemic forcing picture palaces across the globe to shut down temporarily in the interest of public safety, the film industry is being forced to adjust. While no one in Australia can currently head to their local movie theatre, sit in a darkened room with a crowd of fellow film buffs and feast their eyes on the silver screen, that doesn't mean we aren't eager to see the latest flicks. In fact, as these quarantine days turn into isolation-heavy weeks, you can be forgiven for craving something new to watch. So, film distributors have started fast-tracking their recent releases from cinemas to streaming — movies that were playing in theatres when they closed, flicks that had just released and even films that didn't yet get the chance to hit the big screen. Here's a dozen you can watch right now at home. https://www.youtube.com/watch?v=KLAJyugYEiY THE INVISIBLE MAN Our critic says: "As written and directed by Australian filmmaker Leigh Whannell, this slow-building version of The Invisible Man isn't an account of a scientist corrupted by his latest discovery, as seen in its predecessors. Rather, it's a portrait of a woman at the mercy of a man who'll do anything and use any means to get what he wants. The end result: psychological horror mixed with futuristic science-fiction and layered with a piercing societal statement, and it's as effective as it sounds. Of course, anyone who saw Whannell's previous feature Upgrade will realise that this is the only interpretation of The Invisible Man that he could've made. The Aussie talent continues his fascination with body modification and tech-enabled surveillance, as well as his fondness for hyper-kinetic action, a pervasive mood of dread and tension, and a sparse, sleek look — plus his interrogation of the kind of society that, with not too many imaginative tweaks needed, we just might be headed for." — Sarah Ward The Invisible Man is available to stream via Google Play, YouTube and iTunes. Read our full review. https://www.youtube.com/watch?v=ygzqL60kvwU BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) Our critic says: "From the moment that Margot Robbie stole the show in Suicide Squad, a Harley Quinn-focused spinoff was always inevitable. So, knowing when they're onto a good thing — and witnessing their now Academy Award-nominated Australian star keep rising in fame via I, Tonya, Mary, Queen of Scots, Once Upon a Time in Hollywood and Bombshell — the folks behind the DC Extended Universe have gone and done the obvious. Thankfully, the powers-that-be learned a few lessons along the way, leaning into everything that first made the anarchic character attract so much big-screen attention. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is vividly stylised, irreverently upbeat, and both frenetic and fluid. To the benefit of every fight and chase scene, it's also more concerned with eye-popping action choreography than overblown special effects. The movie's riotous mood, lurid colour scheme and kookily comic sensibilities can't smooth out all of its bumps, though, but put it this way: Suicide Squad, this definitely isn't." — Sarah Ward Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) is available to stream via Google Play, YouTube and iTunes. Read our full review. https://www.youtube.com/watch?v=UrmnEHSJx-M COME TO DADDY Our critic says: "Following a map to a remote waterside location, Norval Greenwood (Elijah Wood) knocks on his father's door, reuniting with the man he hasn't seen for more than 30 years. It's a tense, awkward scene, with more of the same following — and, in a movie that segues from reunion drama to unsettling mystery flick to crime thriller, things only get unhinged and deranged from there. Marking the feature directorial debut of New Zealand producer-turned-filmmaker Ant Timpson (The ABCs of Death, Turbo Kid, Deathgasm), Come to Daddy proves an anarchic, unruly and very amusing ride, complete with committed performances not just from Wood, but from Martin Donovan, Michael Smiley and The Breaker Upperers' Madeleine Sami as well. It's also inspired by reality, although to say more would be to reveal too much about a movie that revels in its twists and turns. And in its ample splashes of gore and blood, too." — Sarah Ward Come to Daddy is available to stream via Google Play, YouTube and Umbrella Entertainment. https://www.youtube.com/watch?v=HxKXiQvyG_o ONWARD Our critic says: "Onward tells the tale of brothers Ian and Barley Lightfoot (Marvel co-stars Tom Holland and Chris Pratt), two teenage elves who've grown up without their dearly departed dad. Thanks to an unexpected flash of long-dormant magic, they're given the chance to spend one last day with their father — but, in order to do so, they'll have to undertake a perilous quest in Barley's rundown van Guinevere. From this description, you might've noticed that Pixar's usual formula isn't at play here, with the company branching beyond the "what if toys/cars/rats/robots/monsters/feelings had feelings?" setup that's served it so well in everything from the Toy Story franchise to Inside Out. Rest assured, however, that Onward's central elf siblings do indeed experience a whole heap of emotions as they cast spells, try to decipher mysterious maps, endeavour to avoid curses, explore their complicated brotherly relationship and team up with a part-lion, part-bat, part-scorpion called The Manticore (Octavia Spencer)." — Sarah Ward Onward is available to stream via Google Play, YouTube and iTunes, and will hit Disney+ on Friday, April 24. https://www.youtube.com/watch?v=uxAWKALOCAg THE HUNT Our critic says: "When The Hunger Games pit people against each other in an elaborate battle royale-style fight to the death, it did so in a dystopian post-apocalyptic world. In Craig Zobel's The Hunt, a similar situation applies — but, taking aim at the political divides so prominent between the left and right in America today, this satirical horror-thriller is firmly set our current reality. Here, 14 strangers awaken in a remote woodland area, gagged but with access to a giant crate of weapons. Soon afterwards, the shooting starts. Pitting "deplorables" against "liberal elites" in a film with the kill-or-be-killed chaos of reality TV parody Series 7: The Contenders and action choreography that'd make the John Wick franchise proud, The Hunt is nowhere near as savage, smart or politically astute as it thinks it is. That said, thanks to a steely lead performance by GLOW's Betty Gilpin, a playful sense of humour and a willingness to toy with audiences as much as it does with its characters, it entertains far more often than it provokes." — Sarah Ward The Hunt is available to stream via Google Play and iTunes. https://www.youtube.com/watch?v=FbHkNiIyl3I THE WAY BACK Our critic says: "Pitched as Ben Affleck's big comeback role after a run of average-at-best flicks — including his short-lived turn as Batman — The Way Back follows a faded man who used to be a big deal. His character was once a high school basketball star; however the years since have been filled with bad choices, tragedy and an overabundance of alcohol. Given the chance to relive his glory days by coaching the school's struggling current team, he embarks on a quest for redemption. As well as boasting Affleck's best performance since Gone Girl, it's to The Way Back's credit that this underdog story on multiple levels doesn't always take the obvious route. Still, it's guilty of leaning on illness-related heartbreak for easy, cliched emotional manipulation, rather than trusting its central performance. Affleck feels like he's trying a little too hard to follow in his brother Casey's footsteps, too, with similarities to the far superior Manchester by the Sea evident." — Sarah Ward The Way Back is available to stream via iTunes. https://www.youtube.com/watch?v=Je22_P3Qm7U THE GENTLEMEN Our critic says: "When in doubt, they say to go back to your roots. Given that Guy Ritchie's last two films were Aladdin and King Arthur: Legend of the Sword, it's fair to assume that doubt had squarely reared its head. As the director's name alone evokes the sound of cockney rhyming slang and the image of grimy London back alleys, dancing bedazzled elephants were about as off-brand as it gets. So he goes back to his roots with The Gentlemen — and it's a warm and welcome return. Overall, The Gentlemen is fun, to put it in the simplest of terms. It's certainly not without its faults — the patchwork of styles, from action film to hip hop music video and everything in between is constantly jarring — but the general experience is an agreeable one. Like the scotch enthusiastically consumed by the film's unofficial narrator, Fletcher (a delightful turn by Hugh Grant), The Gentlemen is a little rough at first, but smoother with every sip until you're silly drunk and smiling like a fool." — Tom Glasson The Gentlemen is available to stream via Google Play, YouTube and iTunes. Read our full review. https://www.youtube.com/watch?v=llt7-EQP6dg EMMA Our critic says: "In the latest big-screen version of Jane Austen's beloved novel, well-heeled chaos ensues — as much chaos that can within stately and sprawling country manors, while compliant, silent servants are always on hand, and amidst polite conversation constantly tinted with gossip (although as Downton Abbey keeps demonstrating, that's plenty). Emma circa 2020 does everything it's supposed to, including using its sumptuous production and costume design to paint a vivid picture of Regency-era England, but it adds little of its own personality. Austen's prose, here shaped into a screenplay by The Luminaries' author Eleanor Catton, still sparkles with wit. Making her feature filmmaking debut, photographer and music video director Autumn de Wilde retains the novel's playful mood, and pairs it with a sweeping sense of visual symmetry that'd do Wes Anderson proud. And yet, this adaptation feels mostly indistinguishable from the many other unchallenging film and TV versions of literary classics that've reached screens over the years. In fact, the end result is fine, but in the passable rather than excellent sense of the word." — Sarah Ward Emma is available to stream via Google Play, YouTube and iTunes. Read our full review. https://www.youtube.com/watch?v=78k9Mhgzy74 JUST MERCY Our critic says: "Just Mercy boasts much that other films would envy, such as an emotive true tale, serious subject matter that's sadly still relevant today and a top-notch cast. Eyes blazing, his voice calm yet commanding, and compassion driving his every move, Michael B. Jordan is especially fantastic as real-life lawyer Bryan Stevenson — and he's matched by a restrained but no less resonant Jamie Foxx as a man on death row and resigned to the lie of the land in the deep south. But the feeling that this has all been seen before is used to particularly compelling effect here. It's something that writer/director Destin Daniel Cretton is clearly cognisant of, as he was when he focused on troubled teens living in a group home in the excellent Short Term 12. Layering in other cases, such as that of fellow condemned prisoner Herbert Richardson (Rob Morgan), the filmmaker draws attention to the unending spate of real-life stories such as these. That's not a new revelation, but it bears heavily on a movie that's already weighty anyway." — Sarah Ward Just Mercy is available to stream via Google Play, YouTube and iTunes. Read our full review. https://www.youtube.com/watch?v=szby7ZHLnkA SONIC THE HEDGEHOG Our critic says: "Cast-wise, there's a clear standout. Jim Carrey is back in full force, dropping the most endearingly over-the-top performance audiences have seen from him in ages. As villain Dr Robotnik, he's somehow even more cartoonish than the CGI Sonic — and it's spectacular. Like Sonic's running, however, there's far too little of it throughout. Instead, the lion's share of screen time is reserved for Sonic (voiced by Parks and Recreation's Ben Schwartz) and his new pal Tom Wachowski (James Marsden), the local sheriff who's helping him avoid capture. Giving credit where credit's due, Marsden delivers the goods, charming his way through scenes that ought to have tanked hard. Schwartz, too, makes the inspired choice of keeping Sonic low-key instead of manic, resulting in a far more likeable hero." — Tom Glasson Sonic the Hedgehog is available to stream via iTunes. Read our full review. https://www.youtube.com/watch?v=bpbKh4FqR2g RICHARD JEWELL Our critic says: "All it took was a concert and a backpack for Richard Jewell's (Paul Walter Hauser) life to change forever. That's the real-life story that monopolised news headlines 24 years ago. It's also the tale that Jewell, with his desperate desire to work in law enforcement, was overjoyed to have attached to his name. And, it's the narrative that Richard Jewell tells, although Clint Eastwood's involvement should make it obvious that it doesn't end there. As demonstrated with gusto in the latter years of his five-decade directorial career, Eastwood is drawn to heroes. He's not just fascinated by people acting bravely, but by true tales of fortitude in the face of pressure, scrutiny, admonishment and even contempt by society, authorities and bureaucracy. American Sniper's flag-waving tribute to the deadliest marksman in US military history, Sully's recreation of the Miracle on the Hudson and subsequent investigation, and The Mule's account of an octogenarian forced to become a drug courier to make ends meet — they all fit the profile, as does Jewell's swift slide from saviour to suspect." — Sarah Ward Richard Jewell is available to stream via Google Play, YouTube and iTunes. Read our full review. https://www.youtube.com/watch?v=D-7ACXBRP-g BLOODSHOT Our critic says: "Vin Diesel as Frankenstein's monster? Vin Diesel reliving the same events over and over again, Edge of Tomorrow-style, to right a past wrong? Vin Diesel filled with tiny robots — including in a Terminator-esque scene where half his face is exposed, revealing the nanotechnology gleaming beneath his flesh? Throw in shades of Universal Soldier and RoboCop as well (and some speedy car chases, because Diesel sure does love getting fast and furious behind the wheel), and that's Bloodshot. Yes, as well as tasking Diesel with playing a US soldier brought back from the dead, Bloodshot attempts to revive a variety of parts itself — all cobbled and spliced together from multiple other science-fiction stories and action flicks. Indeed, the fact that Bloodshot is actually based on a comic book character dating back to 1992 doesn't seem anywhere near as important to first-time feature director David SF Wilson as nodding at a heap of other pop culture titles." — Sarah Ward Bloodshot is available to stream via Google Play, YouTube and iTunes. Read our full review.
Here's one thing that Brisbane will never get tired of: new waterside spots to while away a day at, especially over drinks and a bite to eat. Rivermakers Heritage Quarter has been around for more than a year now, but it's still a newcomer in this town of ours. So, Saturday, January 28 is your chance to stop by if you haven't already. This patch of Colmslie Road in Morningside has turned into a new must-visit destination, and is now marking two big January countdowns in the appropriate way. That'd be with beers — strawberries and cream sour ales, to be specific — while both the GABS Hottest 100 and Triple J Hottest 100 run. Listen to the best 100 tunes of the past year while celebrating the best 100 brews: that's what's on the agenda from 11am. Make a beeline for Revel Brewing Co's Rivermakers site for one of the biggest dates on the calendar whether you like tunes, beers or both. Bookings are recommended, though — two celebrations means plenty of folks saying cheers.
Maybe you've sipped mulled wine at a winter market. Perhaps, when the weather gets colder each year, you make a beeline to whichever bar is serving the coveted concoction. Or, you could have fond memories of vacations spent in Europe downing plenty of glühwein. Whichever fits, drinking warmed-up wine is one of the best parts of the frosty season — including at home. Because everyone should be able to sip this delicious tipple even if they're not leaving the house — because of lockdowns, winter lethargy or any other reason — Jam Shed Wines has started making mulled wine mixes. You add it to a bottle of shiraz, heat it in a saucepan, bring it to simmer and then let it steep. After that, you can add oranges, berries and/or stone fruit as garnishes, pop in some orange liqueur if you'd like, and then you get drinking. It's that straightforward, although there is one catch: you can only pick up the mix with bottles of the brand's shiraz. Consider it a two-for-one kind of deal, given that you need some wine to make use of the mulled wine mix anyway. It's a limited-time-only special, too, with the mix on offer with Jam Shed shiraz at independent retailers while stocks last. You'll also score a jam jar to sip your soul- and stomach-warming homemade tipple out of, with the brand's shiraz retailing at $13 per bottle. And yes, only drinking mulled wine all winter — out of all the different types of booze you could possibly choose from — is completely acceptable. Jam Shed Wines is giving away mulled wine mixes with bottles of its Jam Shed Shiraz at independent retailers for a limited time. For further details about the brand, head to its website.
End your 2018 with a bender — a cheese-filled bender, that is. After serving up raclette on the regular throughout the past 12 months, Fromage the Cow is ending the year as it has happily spent it. And how it wishes to go on into 2019, we're assuming. NYE Raclette sees the dedicated Milton dairy spot set up its raclette stations once again, with staff on hand to manage them as usual. All you need to do is mosey on up, fill your plate with potatoes, charcuterie meats, roasted onion, baguette and pickles, and then get the gooey, oozing cheese slathered on top. For $85 per person, you'll also receive a canapé-style entree and a yet-to-be-revealed dessert. Odds are, they'll feature cheese. And, you'll also get a glass of Veuve Ambal Blanc de Blancs when you walk in the door. Anything else you'd like to drink, you'll need to pay for. Fromage the Cow's usual raclette nights book out rather quickly, and this one is likely to be no different, so reserving your spot early is recommended. It kicks off at 6pm for 6.30pm on Monday, December 31 — and if you're getting boozy afterwards, you'll have a cheese-lined stomach. Image: Fromage the Cow.
It's the absolute last thing Melbourne needs right now, but just after 9am this morning, Wednesday, September 22, the city was hit by what's reported to be an earthquake. Yep — we're out here deep into Lockdown 6.0, having clocked up over 200 days of stay-at-home orders, and the universe goes and dials up the drama with the literal shifting of tectonic plates. Just who exactly Melbourne pissed off so badly, is yet to be revealed. The experts over at the Seismology Centre shared details of the quake on Twitter, confirming a magnitude 5.3 earthquake hit Gippsland and was felt right across Melbourne, a good 100 kilometres away. The earth shakes lasted about 20 seconds, which proved pretty exciting stuff for this particular writer who hadn't even had their morning coffee yet. The preliminary magnitude 5.3 estimation is yet to be officially confirmed and may be revised. As you can imagine, Twitter fired up instantly following the quake, as people rushed to swap notes on Melbourne's 843576th bad news event of the year. There'll be more information to come as the experts recover from this sneak environmental attack. But in the meantime, here are some winning reactions from the Twitterverse. We'll bring you more information as details unfold on the earthquake event from this morning. Sounds like Melbourne's going to be in need of a good construction industry — Josh Withers (@JoshuaWithers) September 21, 2021 im pretty sure an earthquake is the sixth seal opened during the apocalypse. good news melbourne, just one to go! — Jim Malo (@thejimmalo) September 21, 2021 Statewide earthquake in Vic, 5.6. Whoever is writing this script of the impending apocalypse is getting ridiculously heavy-handed, I mean just fucking introduce a fun love interest or something and give us a breakhttps://t.co/erVIIzC7Ny — Marieke Hardy (@mariekehardy) September 21, 2021 pic.twitter.com/appe69o1u5 — fungbunger (@parsfarce) September 21, 2021 At what point do we accept that God hates Melbourne? — James Colley (@JamColley) September 21, 2021 FACT: Melbourne are 0-1 in VFL/AFL Grand Finals that immediately followed magnitude 6.0+ earthquakes in Victoria pic.twitter.com/7cGOgsMfUY — Michael (@HiReception) September 22, 2021
When Baz Luhrmann makes a new film, the world takes notice — including the Australian Academy of Cinema and Television Arts and its annual awards. No stranger to heaping the filmmaker's movies with accolades, with every single one of his past flicks from Strictly Ballroom through to The Great Gatsby scoring nominations (and those two specific titles winning Best Film), AACTA has continued the trend by showering the director's latest in 2022 nods. Topping the just-announced nominations for this year's AACTA Awards — which were previously called the AFI Awards, before changing their name — Elvis picked up a whopping 15 nods, the most of any film. The accolades recognise the best and brightest in Australian cinema and television each year, with Mystery Road: Origin also scoring the same amount of noms in the TV categories. In their respective formats, Elvis and Mystery Road: Origin have plenty of company. The former is competing against Here Out West, Sissy, The Drover's Wife The Legend of Molly Johnson, The Stranger and Three Thousand Years of Longing for 2022's Best Film, for instance — and the latter is up against Bump, Heartbreak High, Love Me, The Tourist and Wolf Like Me for the year's best television drama. The winners of those categories, and AACTA's full list of fields, will be announced in early December on two dates: Monday, December 5 and Wednesday, December 7. Also highlights among the film nominees: 13 nominations apiece for The Drover's Wife The Legend of Molly Johnson and Three Thousand Years of Longing, Austin Butler getting an unsurprising Best Actor nomination for playing the King of Rock 'n' Roll, Nude Tuesday scoring a heap of love, acting nods for the powerful Blaze and a whole heap of recognition for The Stranger, including for writer/director Thomas M Wright. And, among the TV cohort, Mystery Road: Origin also picked up five noms in the four acting fields for TV dramas, spanning Mark Coles Smith, Tuuli Narkle, Daniel Henshall, Steve Bisley and Hayley McElhinney; Love Me and The Twelve nabbed ten nominations each across all categories; and Heartbreak High's James Majoos received the show's sole acting nod. Across both film and TV, a heap of international names graced the acting nominations, too, a common AACTAs trend. On 2022's list: Idris Elba and Tilda Swinton for Three Thousand Years of Longing, both the aforementioned Butler and Tom Hanks for Elvis, Sean Harris for The Stranger, Jackie van Beek and Jemaine Clement for Nude Tuesday, Joanna Lumley for Falling for Figaro and Jamie Dornan for The Tourist. Here's a selection of this year's major AACTA nominations, ahead of the awards' ceremonies on Monday, December 5 and Wednesday, December 7 — and you can check out the full list on AACTA's website: AACTA NOMINEES 2022: FILM AWARDS: BEST FILM Elvis Here Out West Sissy The Drover's Wife The Legend of Molly Johnson The Stranger Three Thousand Years of Longing BEST INDIE FILM A Stitch In Time Akoni Darklands Lonesome Pieces Smoke Between Trees BEST DIRECTION Baz Luhrmann, Elvis Hannah Barlow and Kane Senes, Sissy Leah Purcell, The Drover's Wife The Legend of Molly Johnson Thomas M Wright, The Stranger George Miller, Three Thousand Years of Longing BEST LEAD ACTOR Austin Butler, Elvis Rob Collins, The Drover's Wife The Legend of Molly Johnson Joel Edgerton, The Stranger Idris Elba, Three Thousand Years of Longing Damon Herriman, Nude Tuesday BEST LEAD ACTRESS Aisha Dee, Sissy Leah Purcell, The Drover's Wife The Legend of Molly Johnson Julia Savage, Blaze Tilda Swinton, Three Thousand Years of Longing Jackie van Beek, Nude Tuesday BEST SUPPORTING ACTOR Simon Baker, Blaze Jemaine Clement, Nude Tuesday Malachi Dower-Roberts, The Drover's Wife The Legend of Molly Johnson Tom Hanks, Elvis Sean Harris, The Stranger BEST SUPPORTING ACTRESS Jada Alberts, The Stranger Jessica De Gouw, The Drover's Wife The Legend of Molly Johnson Olivia DeJonge, Elvis Joanna Lumley, Falling For Figaro Yael Stone, Blaze BEST SCREENPLAY Baz Luhrmann, Sam Bromell, Craig Pearce and Jeremy Doner, Elvis Jackie van Beek, Nude Tuesday Leah Purcell, The Drover's Wife The Legend of Molly Johnson Thomas M Wright, The Stranger George Miller and Augusta Gore, Three Thousand Years of Longing BEST DOCUMENTARY Ablaze Clean Everybody's Oma Franklin Ithaka River TELEVISION AWARDS: BEST DRAMA SERIES Bump Heartbreak High Love Me Mystery Road: Origin The Tourist Wolf Like Me BEST TELEFEATURE OR MINISERIES Barons Savage River The Twelve True Colours Underbelly: Vanishing Act BEST COMEDY PROGRAM Aftertaste Five Bedrooms Hard Quiz Shaun Micallef's Mad as Hell Spicks and Specks Summer Love BEST LEAD ACTOR IN A TELEVISION DRAMA Mark Coles Smith, Mystery Road: Origin Jamie Dornan, The Tourist James Majoos, Heartbreak High Sam Neill, The Twelve Hugo Weaving, Love Me BEST LEAD ACTRESS IN A TELEVISION DRAMA Isla Fisher, Wolf Like Me Claudia Karvan, Bump Kate Mulvany, The Twelve Tuuli Narkle, Mystery Road: Origin Bojana Novakovic, Love Me BEST COMEDY PERFORMER Wayne Blair, Aftertaste Patrick Brammall, Summer Love Harriet Dyer, Summer Love Tom Gleeson, Hard Quiz Charlie Pickering, The Weekly with Charlie Pickering Doris Younane, Five Bedrooms BEST SUPPORTING ACTOR IN A TELEVISION DRAMA Hayley McElhinney, Mystery Road: Origin Jacqueline McKenzie, Savage River Heather Mitchell, Love Me Brooke Satchwell, The Twelve Magda Szubanski, After the Verdict BEST GUEST OR SUPPORTING ACTRESS IN A TELEVISION DRAMA Steve Bisley, Mystery Road: Origin Brendan Cowell, The Twelve Daniel Henshall, Mystery Road: Origin Damon Herriman, The Tourist Thomas Weatherall, Heartbreak High
With Brisbane heading into another lockdown from 4pm on Saturday, July 31 until at least the same time on Tuesday, August 3 — this time encompassing 11 Local Government Areas in southeast Queensland, including both the Sunshine and Gold Coasts — home cooking and takeaway is back on the menu. Fancy the latter more than the former? Spent too much time baking during January, March and June's similar stint at home? Eager to order in for any reason possible? If you fall into any of the above categories, and you're keen to both support local eateries and keep an eye on your bank balance, Deliveroo is ditching its delivery fees for orders from most restaurants for three days. From 4pm on Saturday, July 31 until the end of Tuesday, August 3, the service is doing free delivery from a hefty range of Brissie restaurants. It's also doing the same on the Gold and Sunshine coasts, if that's where you're based. More than 1700 eateries will be covered, so expect to have plenty of choices if you're keen to get something delivered without spending a cent. The aim: to encourage folks to help local restaurants during this latest stay-at-home period and, because that's the world we live in, to help stop panic buying at supermarkets as well. Plus, to ensure that all of the eateries involved aren't missing out on revenue or left out of pocket, Deliveroo is footing the bill for the discounted amount, too. If you're suddenly hungry, you'll need to place an order via the Deliveroo app. There are a few caveats, unsurprisingly, with the free delivery deal not extending to KFC or to places listed in the app as 'delivered by restaurant'. You'll also need to spend at least $10 at most eateries, $12 at McDonald's, Subway and Baskin-Robbins, and $15 if you're purchasing from Red Rooster. Deliveroo is doing free delivery across Brisbane, the Gold Coast and the Sunshine Coast from 4pm on Saturday, July 31 until 11.59pm on Tuesday, August 3. To make an order, head to the Deliveroo app.
No strangers to a party, the Treasury Casino is getting into the swing of summer with not just one shindig, or two, but six. On the first three Friday nights in December and the last three in January, the inner-city venue is opening up its courtyard, setting up pop-up bars and letting the drinks flow. Taking place from 4.30–7.30pm on Friday, December 7, 14 and 21 — plus January 11, 18 and 25 — Summer Time Drinks is really all about kicking back when the working week is done, enjoying the sunny weather and letting the season wash over you. If you're heading out for a big night to celebrate the weekend, the festive season or the new year, it's a way to warm up for the evening. If you're just looking for a few tipples on the way home, consider it your stopover before the bus or train comes calling. Entry is free, and includes live entertainment in the Treasury's courtyard. And while the beverages aren't free, sorry, you'll be able to knock back a couple of particularly zesty selections of spritz cocktails.
If you thought there was some pretty good drinking to be found here in your own backyard, it turns out you were spot on. Sydney has proven it's delivering some world-class drinks skills, with new entrant Maybe Sammy nabbing a spot in this year's prestigious World's 50 Best Bars awards – the only Australian bar to do so. And as if ranking at number 43 on the list wasn't enough, the cocktail bar also beat out plenty of contenders to be named the awards' Best Bar in Australasia. Not too shabby at all, considering co-owners Stefano Catino, Vince Lombardo and Andrea Gualdi only opened the bar in The Rocks at the start of this year. Catino said he is "blown away" by the ranking, saying a big thanks to the team for bringing their "clear vision" for the bar to life. Referencing the glam hotel bars of the world, while pulling inspiration from the 50s Rat Pack's era, Maybe Sammy has made quite a splash in its first few months of life. Its luxurious styling nods to old-school Vegas glamour, all blush pink velvet banquettes and lush indoor greenery, while the list of theatrical signature drinks pays homage to the classics. [caption id="attachment_744476" align="alignnone" width="1920"] Vince Lombardo and Stefano Catino at the awards.[/caption] This isn't Maybe Sammy's first time in the winner's circle, either — it also took out the title of Best New International Cocktail Bar at the revered Spirited Awards in the US earlier this year, and bartender Guali was the Australian bartender of the year in 2017 for his work at sister venue Maybe Frank. And while Sydney might have trailed behind a certain southern city in this year's Global Liveability Index, you could argue it reigns supreme when it comes to drinkability. Melbourne scored just one spot in the World's 50 Best Bars' 51-100 list for 2019, with long-time contender Black Pearl clocking in at number 80. As well as claiming the country's only Top 50 position, Sydney had three other bars in the mix for the Top 100: PS40 ranking at 95th, The Baxter Inn placing 79th and long-running favourite Bulletin Place taking 66th spot. Just saying. The best of them all, though, is New York's all-day restaurant-bar Dante's — it was named the World's Best Bar at the ceremony in London earlier this morning, jumping up from its 2018 position of 9th. The World's 50 Best Bars awards were this year judged by 510 expert voters across 58 countries. If you're in Sydney, you can drop by Maybe Sammy for a celebratory drink — the bar does a $5 happy hour on mini martinis, negronis and irish coffees from 4.30–5.30pm. You can check out the full lineup of the World's 50 Best Bars 2019 here, and see 51-100 here.
Something delightful has been happening in cinemas across the country. After months spent empty, with projectors silent, theatres bare and the smell of popcorn fading, Australian picture palaces are back in business — spanning both big chains and smaller independent sites in Sydney, Melbourne and Brisbane. During COVID-19 lockdowns, no one was short on things to watch, of course. In fact, you probably feel like you've streamed every movie ever made, including new releases, comedies, music documentaries, Studio Ghibli's animated fare and Nicolas Cage-starring flicks. But, even if you've spent all your time of late glued to your small screen, we're betting you just can't wait to sit in a darkened room and soak up the splendour of the bigger version. Thankfully, plenty of new films are hitting cinemas so that you can do just that — and we've rounded up, watched and reviewed everything on offer this week. https://www.youtube.com/watch?v=dQKaZS9bK5U BLACKBIRD Helming an English-language remake of 2014 Danish film Silent Heart, director Roger Michel realises a crucial fact: if you're going to amass a cast that includes Kate Winslet (Ammonite), Mia Wasikowska (Judy & Punch), Sam Neill (Rams), Lindsay Duncan (Made in Italy), Rainn Wilson (The Meg) and Susan Sarandon (The Jesus Rolls), you need to give every single actor something weighty to do. So, working with a script written by Christian Torpe (TV's The Mist), as the original feature also did, the Notting Hill, Le Week-End and My Cousin Rachel filmmaker ensures that his high-profile cast members all get their time in the spotlight in the dialogue-heavy Blackbird. Their lesser-known co-stars Anson Boon (1917) and Bex Taylor-Klaus (13 Reasons Why) are similarly given their moments. As an ensemble effort, this illness-driven family reunion drama makes the most of its on-screen talent — and that remains the primarily by-the-numbers movie's biggest achievement as it endeavours to balance its weepie premise with its increasingly heated war of words. Playing characters who have been brought together in immensely difficult circumstances, and who each weather a predictable grab-bag of troubles once they're all in the same place for a weekend, Blackbird's lineup does always stress its work (no one here is overly subtle here), but they also help breathe feeling into a feature that'd be a far lesser affair without them. Winslet's high-strung angst, Wasikowska's baked-in melancholy and Neill's calm facade come in particularly handy, with the trio playing Jennifer, Anna and Paul — the chalk-and-cheese daughters and doting husband of the ailing Lily (Sarandon). Along with Jennifer's spouse Michael (Wilson) and son Jonathan (Boon), Anna's girlfriend Chris (Taylor-Klaus) and Lily's lifelong best friend Liz (Duncan), they've all gathered for one last hurrah. Terminally ill with a degenerative condition and unwilling to endure the worsening effects that are still certain to come, Lily wants to spend a few days farewelling her nearest and dearest at the well-appointed family home. Whether relatives come together for Christmas or for teary goodbyes (both of which apply here in their own ways), films about the concept never miss an opportunity to let sparks fly. With such heightened emotions whirring around during Lily's last days, that's forcefully, noticeably the case here. Blackbird makes the astute point that everyone has pain and secrets, even when they're facing the loss of a loved one, but that observation has become well-worn by the movie's many predecessors. Also routine is the movie's magazine-style visual sheen. If it wasn't for the sharp performances, watching this sometimes-moving picture would largely feel like simply looking at famous faces workshop trauma in a scenic letting. The feature's visuals are meant to isolate its characters against their eye-catching setting, but often it just loiters rather than meaningfully lingers. https://www.youtube.com/watch?v=wqoyVcrX_lA BOSS LEVEL Being a fan of time loop films can sometimes feel like being stuck in one yourself, especially when the genre's overly derivative entries reach screens. At their best, movies about repeating the same events over and over again call attention to life's small joys, its pervasive chaos or a combination of both. At their worst, such flicks use the concept as an empty gimmick to prop up an otherwise flimsy narrative. Boss Level veers in both directions at times. There's a cannily cathartic bent to the onslaught of destruction that comes its protagonist's way every time he awakens, all thanks to a horde of bloodthirsty assassins intent on ending his existence. Like Groundhog Day's Phil Connors at his most nihilistic, the film embraces the fact that life is carnage, literalising the idea as action movies do. But, as directed by Joe Carnahan (The Grey, The A-Team) and co-written by the filmmaker with Chris and Eddie Borey (Open Grave), Boss Level also attempts to paper over a slight narrative with rhythmically choreographed punches, bullets, swords and stunts, plus greeting card-level life lessons. It's exactly as straightforward as it sounds, and as standard. And, even for viewers unacquainted with Source Code, Edge of Tomorrow, the Happy Death Day franchise and Palm Springs, the film always feels as if it's following in better footsteps, including via sci-fi decor that could've stepped right out of Stargate and fight scenes that've taken inspiration from the John Wick series. Indeed, the movie's titular reference to video games isn't its only overt nod elsewhere. An ex-special forces soldier who now counts drowning his sorrows and bedding women he meets in bars as his main pastimes, Roy Pulver (Frank Grillo, Jiu Jitsu) has endured the same day 139 times when Boss Level begins. Through pithy narration, he explains the ins and outs of his new routine, where a flying blade acts like an alarm clock each and every morning, and the murderous foes just keep coming from there. Although yet to ascertain why he's been forced into this brutal cycle, Roy is beginning to suspect that it's linked to his ex-wife Jemma Wells (Naomi Watts, Penguin Bloom), who oversees a shadowy project for a sinister corporation led by the ominous Colonel Clive Ventor (Mel Gibson, Fatman). Roy and Jemma have a teenage son (debutant Rio Grillo) together, which complicates matters — because the former has hardly been a doting dad, adding to his regrets; and because the video game-loving kid also gives him something to lose. Like the most formulaic of side scrollers, Boss Level's highlights stem from its action scenes, rather than any story that's meant to fill in the gaps around them. That said, all those frenetic fists, kicks and weapons are helped by the elder Grillo, who has long screamed for more big-screen attention. Indeed, in a cast that also includes Michelle Yeoh (Last Christmas) and Ken Jeong (Occupation: Rainfall), he's the only one that isn't just aping what the movie does more often than not and simply going through the motions. https://www.youtube.com/watch?time_continue=95&v=sf2EzBQiTr8&feature=emb_logo BILLIE EILISH: THE WORLD'S A LITTLE BLURRY When documentaries such as Amy and Kurt Cobain: Montage of Heck peered into the private lives of their very public central figures, they also gave rise to a clear realisation: without treasure troves of home videos and personal materials, all prophetically recorded and kept by their subjects and their loved ones long before they were stars, these films simply could not be made. That'll remain true of movies that look back at famous faces from times gone by (as seen in the recent Zappa), but Billie Eilish: The World's a Little Blurry definitely doesn't give off the same sensation. For today's top talents, the notion that it's lucky such footage even exists to give rise to a documentary has become out of date. It's now a given that almost anyone with even a sniff of fame — let alone musicians who've won five Grammys, topped Triple J's Hottest 100, notched up a number one album and single, and sung a Bond theme, all while still in their teens — will have recorded every aspect of their existence. And, it's also just a fact of life that such a tendency won't have begun with their ascending popularity. Accordingly, The World's a Little Blurry does indeed have a wealth of material at its disposal, but this latest addition to the ever-growing pop star documentary genre doesn't feel like a revelation, a peek behind the facade, or a rare candid look at someone usually seen through music videos, concerts and formal interviews. That's the other thing about celebrities today: their social media feeds already give fans a window into their worlds, and even helped catapult them to success, so the documentaries that inevitably follow can come across as more of the same. Starting with the recording of When We All Fall Asleep, Where Do We Go? — which, yes, happened in her brother Finneas O'Connell's bedroom — The World's a Little Blurry perfectly fits the now-recognisable musician doco mould. From the moment that 'Bad Guy' became the ubiquitous track of 2019, a movie about Eilish was always bound to find its way to audiences, and to play out as this RJ Cutler (The September Issue, Belushi)-directed effort does. Raw, frank, relatable, accessible and even playful, the film adopts the same tone that's become synonymous with pop star Twitter and Instagram feeds. With Eilish's record label among the feature's producers, it's as rubber-stamped and carefully constructed as celebrity social media accounts are as well. That doesn't make The World's a Little Blurry any less engaging, or strip away the power of watching Eilish be herself for 140 minutes, but viewers are always seeing the sanctioned warts-and-all version of the documentary's point of focus (and, when she feels like it, the hamming-it-up-for-the-cameras version as well). Even just spanning a couple of years, the feature nonetheless provides a thorough snapshot of its subject's life, including her dislike of songwriting, the process of finishing the album, multiple tours, her Coachella set and the Grammys, plus her around-the-house behaviour, her rapport with her brother and parents, her romantic ups and downs, and her quest to get her drivers license. What resonates strongest, however, is one of the other influences behind the film's existence. Eilish's well-known love of Justin Bieber provides the movie's most illuminating thread, especially seeing the former start sobbing when she meets the latter. She was a big fan of Justin Bieber: Never Say Never, too, as her mother explains — and now, she has a matching movie. Billie Eilish: The World's a Little Blurry is currently screening in select cinemas, and is also available to stream via Apple TV+. If you're wondering what else is currently screening in cinemas — or has been lately — check out our rundown of new films released in Australia on November 5, November 12, November 19 and November 26; and December 3, December 10, December 17, December 26; and January 1, January 7, January 14, January 21 and January 28; February 4, February 11 and February 18. You can also read our full reviews of a heap of recent movies, such as The Craft: Legacy, Radioactive, Brazen Hussies, Freaky, Mank, Monsoon, Ellie and Abbie (and Ellie's Dead Aunt), American Utopia, Possessor, Misbehaviour, Happiest Season, The Prom, Sound of Metal, The Witches, The Midnight Sky, The Furnace, Wonder Woman 1984, Ottolenghi and the Cakes of Versailles, Nomadland, Pieces of a Woman, The Dry, Promising Young Woman, Summerland, Ammonite, The Dig, The White Tiger, Only the Animals, Malcolm & Marie, News of the World, High Ground, Earwig and the Witch, The Nest, Assassins, Synchronic, Another Round, Minari, Firestarter — The Story of Bangarra, The Truffle Hunters and The Little Things.
It's not every day you come across a robot movie that stars swashbuckler Hugh Jackman and weirdos Die Antwoord, but that's exactly what's happening right now. The South African hip hop group step onto the silver screen for the new movie from their fellow countryman Neill Blomkamp, the filmmaker behind two of the most interesting and well-received sci-fi films of recent times, District 9 and Elysium. Jackman? He's the bad guy for once. Chappie begins when a robot created for law enforcement (to help bring down Johannesburg's notoriously high crime rate) is programmed with a brand new piece of AI software that allows it to develop feelings and opinions. To start with, he's as innocent and curious as a child, though even more quick to learn. Under the care of Yolandi and Ninja (the Die Antwoord duo play gangsters but keep their names) but exposed to the conflicts of the world, the lessons he gets are sometimes good, sometimes bad. Whatever happens, you know you're in for an original two hours of cinema. As Tom Huddleston writes in the Time Out London review, "This hugely entertaining oddity could never be mistaken for the work of any other filmmaker." Chappie (© 2015 Columbia TriStar Marketing Group, Inc. All Rights Reserved) is in cinemas on March 12, and thanks to Sony Pictures Releasing Australia, we have 20 double in-season passes to give away in Sydney, Melbourne and Brisbane. To be in the running, subscribe to the Concrete Playground newsletter and then email us with your name and address. Sydney: win.sydney@concreteplayground.com.au Melbourne: win.melbourne@concreteplayground.com.au Brisbane: win.brisbane@concreteplayground.com.au
When you imagine the film that would unite Aussie powerhouse actors Nicole Kidman, Mia Wasikowska and Jacki Weaver, you probably think gritty outback drama. You don't think violent neo-gothic Bildungsroman directed by renowned South Korean director Chan-Wook Park (Old Boy) and set in wealthy New England. But that's what you get with Stoker, a film that's bewitchingly stylish but anchored by an intense performance from Wasikowska. Wasikowska plays India Stoker, a somewhat sheltered loner of a girl who is deeply sensitive to small sensations — but that's where her commonalities with Amelie end. India, a recreational hunter in her spare time, is not all sweetness. On her 18th birthday, she learns that her loving father (Dermot Mulroney) has died in a car accident. Besides being left with her less demonstrative mother, Evelyn (Kidman) in their big ol' house, she now has to deal with the arrival of her unknown and perturbing uncle, Charlie (Matthew Goode). He is soon followed by his aunt Gwendolyn (Weaver), who appears to have an urgent message to impart to young India. Gwendolyn disappears and we have a movie, where Charlie obsessively draws closer to India while India tries to figure out who she really is. It plays like something of a cross between Hitchcock, The Addams Family and Dexter. The script for Stoker, by Wentworth Miller (lead actor in Prison Break of all things), famously made the 2010 'Black List' of best unproduced screenplays circulating around Hollywood, and although it's trite in parts, it remains fresh and alluring overall. It's real strength, perhaps, is in its gaps and silences, which allow director Park to go to town with the mood, composition and imagery that ultimately make the film so memorable. There's one tracking shot, in particular, where a head of long hair morphs smoothly into a thicket of reeds, that will probably be shown in film schools for a decade to come. Add in a score by Clint Mansell with contributions from Philip Glass, and you have a movie of rare aesthetic brilliance. It's not a total triumph of style over substance, but it's as close as you're likely to get. https://youtube.com/watch?v=NPIi5sHmkAw
Igloo season has hit southeast Queensland, with winter's arrival seeing plastic domes popping up at bars around the region. Some pitch their see-through spaces on a rooftop. Others welcome folks in by the river. On the Gold Coast, you can hang out in a beach-themed bar that's given itself a winter lodge makeover. Or, there's Bribie Island Hotel's version: garden pods. No one is pretending to be in icy climes at this northside pub, but it is only unleashing its newest addition for the frosty season. The garden pods are residing in the venue's fairy light-lit beer garden from June till the end of August, and they're exactly what they sound like. These domes come decked out in greenery and florals, furniture and cushions to look the part, and even feature a few plastic flamingos. There's six pods in total, each catering for up to eight guests for two-hour sessions. If you're keen, you'll need to book in a package, which starts at $60 per person and covers a share-style menu, plus a drink on arrival. You'll tuck into an antipasto platter filled with meats, cheeses, olives, arancini, chargrilled vegetables, dips and toasted sourdough — as well as grilled teriyaki beef skewers, buffalo chicken wings and barbecue pork ribs with roasted potatoes, parsnip, and salads as sides — with seafood available for an extra $35, and chocolate lava cake for $10.
Short, smart and sharp as a tack, The Party flies in the face of one of modern-day cinema's worst instincts. When we say it's short, we mean it, with this hilarious social satire clocking in at just 71 minutes. As an argument in support of concise, compact filmmaking (and against protracted running times with pointless meandering and overdone special effects), the movie really couldn't be stronger. Who needs to spend two to three hours watching '80s nostalgia, giant robots or whatever other bloated spectacle keeps coming our way when you can laugh heartily and frequently through this brief, biting take on Britain's bourgeois? Of course, we're generalising. Not all lengthy blockbusters overstay their welcome, but few do exactly what they need to in the exact right amount of time like The Party. That said, the latest film from writer-director Sally Potter (Ginger & Rosa) doesn't just win over viewers with brevity and succinctness. Among its considerable charms, the movie also boasts scathing humour and a stellar lineup of talent. The fast-paced shenanigans start with Janet (Kristin Scott Thomas) opening the door to her London home, staring directly at the camera and looking incredibly unhappy. Jump back to earlier in the evening, when she's just been appointed Shadow Minister for Health and is preparing to host friends to celebrate. Her husband Bill (Timothy Spall) seems to be getting into the mood with a few drinks, although he's rather maudlin given the occasion. Entering at their own leisure, the guests are a motley crew of emotions and moods. The snarky April (Patricia Clarkson) fights with her soon-to-be-ex Gottfried (Bruno Ganz); expectant couple Martha (Cherry Jones) and Jinny (Emily Mortimer) bicker over their approaches to motherhood; while banker Tom (Cillian Murphy) bides his time by doing cocaine in the bathroom — and trying to find somewhere to hide his gun. With The Party confining its characters to Janet's house and charting their actions almost in real time, things get heated rather quickly. Secrets are spilled, tempers seesaw, relationships threaten to unravel and acidic one-liners fly thick and fast – with a few earnest confessions thrown in for good measure. The specific surprises and revelations are best discovered by watching, but Potter and co-writer Walter Donohue (a story editor on much of the filmmaker's work) do more than just thrust seven people into close quarters and wait for them to erupt. As the conversation flows, the movie covers everything from class clashes to gender roles to political instability, in a manner that very much feels like a product of its post-Brexit timing. In what is perhaps a surprise for such a dialogue-heavy piece, the arguing and antics are shot in crisp black-and-white, with gorgeous roaming imagery that isn't afraid to get up close and personal. As a result, the movie sparkles not only in its comedy but in its visuals, which also helps overcome an obvious issue. Yes, The Party can sometimes resemble a play, albeit a particularly brisk and snappy one. Still, if Potter had plonked the same scenario and actors onto the stage, it'd still be an utter delight to watch. As for her cast, there are no weak links among the high-profile bunch — although Clarkson gets all of the best lines and Murphy will make you wish he flexed his comic chops much more often. https://www.youtube.com/watch?v=Wb4FF6lCqFw
CONCRETE PLAYGROUND: In The Guest Edit, we hand the reins over to some of the most interesting, tasteful and (or) entertaining people in Australia and New Zealand. For this instalment, we've enlisted help from Sheet Society founder and interior design extraordinaire Hayley Worley. The Melbourne-based owner and creative has put pen to (digital) paper, outlining the biggest colour and pattern trends of the year, as well as tips on how to incorporate them around your home. HAYLEY WORLEY: The best part of my job is that I get to surround myself with inspirational fashion, interiors and design. While I'm a big fan of staple colours that will never go out of style, I'm equally excited by new, fresh and fashionable prints. It's really important to me and for my creative and design process, that I love and find joy in the things I surround myself with. There's nothing quite like putting on your favourite dress or jumping into a new bed of fresh sheets as a moment of pleasure. My picks for Concrete Playground are all things that have recently made me happy — including making my kids happy too! CHECKERBOARD PRINT This is a huge trend that we don't see going anywhere, anytime soon. If you're looking for an easy place to start, the Sheet Society Margot print is the perfect fashionable update to your bed in a really easy-to-style Camel colour. I've got lots of Sheet Society colours (as you can imagine!) and Margot pairs with pretty much anything. I've currently got it on my bed with Sage and Blush. HAND-PAINTED MOTIFS Sheet Society collaborated with Annie Everingham last year on a beautiful bedding collection, and her latest collaboration with Alemais is such a goodie. Her hand-painted motifs have been used across a wide range of fashion styles and I wore this pink one to my birthday a few weeks ago. It's currently out of stock on Alemais, but is available on Selfridges & Co here. Sheet Society also releases a limited edition collaboration each year and this year we partnered with local artist Lahni Barass, on a collection called Sleep Patterns. It's available here. BLUSH We have a one- and a three-year-old and it's often hard to find kids clothes that are bright or have loud prints. I adore the Aussie brand ByBillie, they've got a really great palette to choose from and a strong range of styles. I recently bought both kids matching Joey Jackets in blush and they are just so adorable. SAGE I've currently got our Sage blanket on, which not only looks great, but it's the extra cosiness I need (and grab for) in the middle of the night. Right in the middle of Melbourne winter, I definitely need to add a few extra layers. It has two layers of our French Flax Eve Linen with a plump quilted wadding inside and feels super lush. Pictured here with a divine Ella Reweti vase. OFF-WHITE I had an absolute blast picking out furniture for our new store in Armadale. Our interior designers, Golden, worked really well and collaborated closely with us to develop a soft furnishing plan that spoke to the Armadale customer, while staying true to Sheet Society. This Gatto lamp, designed by Floss, was one of our 'splurge' items. We also used it in our latest winter campaign, styled with our new-season teal colour. Perfection!
For New Zealanders, holidaying in the islands will soon become reality, with Prime Minister Jacinda Ardern and Cook Islands Prime Minister Mark Brown this week confirming that a travel bubble is set to open between NZ and the Pacific nation. Pending final confirmation by New Zealand's Director-General of Health and the Cook Islands Secretary of Health, two-way quarantine-free travel will commence between the two countries on Monday, May 17, one month after the opening of the long-discussed trans-Tasman travel bubble between NZ and Australia. The Cook Islands closed its borders in March 2020 and has been virus-free to this day. Prime Minister Ardern said a huge amount of work had gone into ensuring the two-way bubble was safe and that the Cook Islands was set up and ready for it. The quarantine-free travel will apply to travellers in NZ and the Cook Islands who meet the eligibility requirements, including spending at least 14 days in either NZ or the Cook Islands before making the trip. But if you're an Australian now thinking of planning a multi-stop overseas getaway, the situation isn't as straightforward as you might hope. As part of NZ's announcement about the planned arrangement with the Cook Islands, it notes that anyone wanting to travel between Australia and the Cook Islands would need to spend at least 14 days in NZ in the middle. Back in April, however, the Australian Government made a Biosecurity Determination that advises that Australian citizens and permanent residents can only leave the country to travel to NZ, unless they receive an exemption. So, hopping from NZ to the Cook Islands after a fortnight in the former isn't currently covered. Neither is hopping from NZ to anywhere else in the world. The Biosecurity Determination came into effect after the trans-Tasman bubble between Australia and NZ started, to cover the possibility that Aussies would use NZ as a stopover before venturing further afield. Whether Australia and the Cook Islands will enter into their own travel bubble arrangement is yet to be revealed — and whether the Australian Government will amend the current Biosecurity Determination to allow Aussies to travel to the Cook Islands from NZ hasn't yet been advised, either. So, for now, that island getaway you might be dreaming of still needs to remain on hold. The two-way quarantine-free travel bubble will commence between New Zealand and the Cook Islands on Monday, May 17; however, Australia's recent Biosecurity Determination means that Aussies still can only holiday in NZ without receiving an exemption, and can't hop from there to the Cook Islands. Full information about quarantine-free travel for New Zealanders to the Cook Islands, including eligibility, what travellers should expect and updates to requirements, can be found on the New Zealand Government COVID-19 website.
2024 is a big year for Brisbane's new Queen's Wharf precinct, which will finally start opening its doors from August after being in the works for almost a decade. It's also a huge year for the Tassis Group, after already launching Longwang and Fatcow on James Street, and with two new venues to come in Kangaroo Point's green bridge before 2025 hits. What happens when you combine both the River City's about-to-open $3.6-billion inner-city hub and one of the town's thriving hospitality outfits, then? Dark Shepherd, making a massive period for both even heftier. The announcements just keep coming for Queen's Wharf, with the latest arriving just a week after Ghanem Group also revealed that it'd open Lúc Lắc, its own latest eatery, at the new The Star Brisbane. Tassis Group's Dark Shepherd is headed to the same spot, bringing a taste of the Mediterranean with a particular focus on lamb on the menu. With both Yamas Greek + Drink and Opa Bar + Mezze already to its name, the Tassis crew is no stranger to Greek cuisine, but its next addition will take its cues more broadly from the surrounding region. With both Fatcow and Rich & Rare in its stable as well, it's also not new to heroing red meat, even if lamb rather than beef is in the spotlight at Dark Shepherd. And yes, this is still the company responsible for Fosh Bar & Restaurant, which means that seafood will pop on among the newcomer's dishes. Brisbanites will be able to tuck into Dark Shepherd's culinary lineup from sometime in September, with woodfired meals from the grill also a focus. Clui Design is on decor duties, with the venue set to include a sunken dining room as well as a private dining room. A live oyster-shucking station will also feature. Restaurants-wise, add Dark Shepherd to the Queen's Wharf list alongside the Indochine-leaning Lúc Lắc, the initial outpost beyond Sydney for Japanese fine-diner Sokyo, the relocated Black Hide Steak and Seafood, Italian eatery Cucina Regina, Luke Nguyen's reimagined Fat Noodle, cocktail bar Cherry, the new LiveWire with its live music focus, and a towering deck filled with restaurants and bars that will sit 100 metres above the city. The full precinct will also include the 4.5-star Dorsett and Australia's only Rosewood hotel, Brissie's first riverside bikeway cafe and a swathe of retailers in a huge new shopping precinct. More dining, such as an ice creamery, Asian cuisine and other spots themed around parts of the world, will come, too. And, so will the revitalised heritage buildings, which will feature food, beverage and retail options. Find Dark Shepherd at The Star Brisbane, Queen's Wharf Road, Brisbane from sometime in September 2024 — we'll update you with an exact opening date when it is announced. Head to the restaurant's website for more details in the interim. Food images: Markus Ravik.
While plenty about taking a holiday has changed over the past year or so, flight sales keep coming — and Australians keep snapping up tickets. Unsurprisingly, we're all keen to travel when and where we can in these pandemic-afflicted times. And if you're constantly thinking about your next getaway, Jetstar is dropping yet another batch of cheap fares. The Limited Time Only sale will kick off at 9am on Friday, April 23. As the name suggests, it's only on offer for a brief period. You'll need to nab your discounted tickets before 11.59pm AEST on Monday, April 26, although fares might sell out earlier. In the sale, you'll find cheap flights across a heap routes from destinations right across the country. That's a regular part of these specials, so there are no surprises there. But this time, because the trans-Tasman bubble is open and zooming across to New Zealand is now possible — and allowed — you can also pick up discounted tickets to NZ. Domestically, fares start at $33 for flights from Sydney to Avalon, with Sydneysiders also able to head to Hobart from $69, either Uluru or Hamilton Island from $99, and Perth from $159. Melburnians can book trips to Launceston from $45, Adelaide from $49, and Ballina and Byron Bay from $59, while Brisbanites can zip to Newcastle from $49, and Cairns or Melbourne from $69. Yes, the list goes on. For flights to NZ, tickets kick off at $175, which'll get you from the Gold Coast to either Auckland or Wellington. From Sydney and Melbourne, it'll cost you $195 to Auckland and $225 to Queenstown. [caption id="attachment_808728" align="aligncenter" width="1920"] Artist: David Hilliam[/caption] Tickets in the sale are for trips from May 2021–January 2022, with exact dates varying in each region. And there are a few caveats, as is always the case. The discounted flights are one way, and they don't include checked baggage — so you'll need to travel super light, or pay extra to take a suitcase. And, as always, keeping an eye on both interstate and New Zealand border requirements is recommended. To promote the sale, Jetstar has also commissioned three large-scale artworks, all emblazoned with the words "available for a limited time only". One 90-metre-long piece by artist Edward popped up in the sand along the Great Ocean Road, another took over a Sydney rooftop and a third also got sandy at Piha Beach in Auckland. Jetstar's Limited Time Only sale runs from 9am AEST on Friday, April 23 till 11.59pm AEST on Monday, April 26, or until sold out.
Getting paid to do what you love is the ultimate employment dream. Finding a job doing something that everyone loves? That's a next-level kind of gig. When Gelatissimo turned taste-testing new gelato flavours into an actual position, it fell into that category. When Domino's wanted someone to eat garlic bread for cold hard cash, it did too. Now, hospitality group Australian Venue Co has a similar kind of job on offer. Fancy adding 'secret sipper' to your resume? That's the gig that AVC is currently advertising, with 36 positions available across Sydney, Melbourne, Brisbane, Adelaide, Perth and Darwin. You'll get assigned to cover some of the company's 160-plus bars and pubs around the country, and you'll get paid for dining, drinking and then submitting a review once a month. If you've ever worked in retail and heard about mystery shoppers, then you know the drill. That's how these roles work, but in hospitality. So, you'll be posing as a customer and interacting with the venue's staff to scope out their service — and they'll be unaware that you're on AVC's payroll, like they are. Secret sippers will receive a $30 meal allowance for their monthly visit, plus $200 for each review, which'll cover a survey and a detailed written report. You don't need to have any experience in the field. Obviously, we're all veterans at eating and drinking, but you don't need to have done this type of job before. There are some pre-requisites, though, such as having your own transport, an ABN and access to a mobile device; being passionate about the industry; attentiveness and impartiality; and being able to do 12 visits each year. And if you're wondering which venues you might be visiting, it could be any in AVC's stable — which includes Cargo, Kingsleys and The Winery in Sydney; Fargo and Co, State of Grace and The Smith in Melbourne; Darling & Co, Riverland and The Regatta in Brisbane; The Hope Inn and Brighton Metro Hotel in Adelaide; and Sweetwater Rooftop Bar, The Globe and Wolf Lane in Perth. Find out more about AVC's secret sipper roles — and apply — by heading online.
Architecture in Helsinki are back, and set to make the folk at the Hi-Fi dance through their shoes in their first headline tour in three years. To celebrate the release of their fourth album Moment Bends, the band who are renowned for live shows bursting with energy and sweaty fun are coming to Brisbane. Architecture In Helsinki burst straight out of art school around a decade ago, with albums positively tingling with amazing indie pop songs and a slew of videos featuring trampolines, capes and creepy fluorescent puppets dancing around their necks. They've gone on to become one of Australia's most loved and internationally acclaimed acts, playing national and international tours alongside such luminaries as David Byrne, Belle & Sebastian and Yo La Tengo. Their new album develops the kind of ecstatic pop that makes you want to dance in a cloud of glitter, but with the kind of sophisticated touch that comes from many years of being one of Australia's most acclaimed and innovative bands. But at the end of the day, and most importantly, Architecture In Helsinki make you want to dance. So get your fluoro shirt out, stick something weird in your hair and get yourself a ticket while you can. https://youtube.com/watch?v=IxjcszKEcHE
Much about this last week of March has felt like history repeating itself — initially for Brisbanites, and now for anyone with an Easter date with Bluesfest. For the second year in a row, the Byron Bay festival won't be going ahead, with NSW Health announcing that a public health order has been signed that cancels the 2021 event. The long-running festival was set to return to Byron Events Farm (formerly Tyagarah Tea Tree Farm) just outside Byron Bay from Thursday, April 1 — for the Easter long weekend, headlined by Jimmy Barnes, Tash Sultana, Ocean Alley, Ziggy Alberts and The Teskey Brothers. But, as happened last year, COVID-19 has gotten in the way. NSW Health has advised that the move has been made "to minimise the risk of the highly infectious COVID-19 variant of concern being transmitted in the local area, as well as across states and territories." Over the past weekend, between Friday, March 26–Sunday, March 28, Byron Bay was visited by two people who later tested positive to COVID-19 as part of Greater Brisbane's current cluster. Today, Wednesday, March 31, NSW Premier Gladys Berejiklian announced that one person in Byron Bay has since tested positive as well. And, the Premier also advised that from 5pm AEDT today until at least 11.59pm on Monday, April 5, the Byron, Ballina, Tweed and Lismore shires will reinstate a number of social distancing restrictions. So, they'll be in effect exactly when Bluesfest was due to run. The north coast regions will revert back to 30-person caps for at-home gatherings, and will reintroduce the one person per four-square-metres rule at all indoor public settings, including hospitality venues. Folks in the area will also have to sit, not stand, while having a drink. And, masks will be compulsory on public transport, in retail settings and indoors in public places. [caption id="attachment_800519" align="aligncenter" width="1920"] Andy Fraser[/caption] "Infectious Queensland travellers attended a number of venues in the Byron Bay area and the new locally acquired case was infected at one of these venues," said NSW Health in its statement. "NSW Health acknowledges that the cancellation of Bluesfest is disappointing for ticket holders and event organisers; however, while urgent investigations and contact tracing are ongoing, NSW Health is adopting a cautious approach to keep everyone safe." Minister for Health Brad Hazzard noted that "while the cancellation of Bluesfest is disappointing for music lovers and the local community, I hope that ticket holders would support Bluesfest and hold on to their tickets as I understand Bluesfest will be working on a new date as soon as possible." At the time of writing, Bluesfest hasn't made a statement about the cancellation. Via the festival's last social media posts earlier today, event organisers said that an update was coming soon. NSW Health advised that it wished "to acknowledge the outstanding cooperation of Mr Peter Noble and his organising team, who were working hard to ensure Bluesfest would be conducted in a COVID-safe manner." For more information about the status of COVID-19 in NSW, head to the NSW Health website. Top image: Joseph Mayers
If you're on the hunt for something a bit different this gift-giving season, the MCA Store is an excellent place to start. Here, you'll not only find an impressive selection of items from Australian artists, designers and makers but also everything from coffee-table books to homewares and games — perfect for gifting all your favourite budding creatives, art enthusiasts, design buffs, fashion mavens and hard-to-buy-for friends. And, every purchase from the MCA Store supports Australian artists and the work of the world-class art institution. So in a way, it's a gift that'll keep on giving. We've gone through the extensive catalogue to hand select our favourite gift ideas for this festive season. [caption id="attachment_880360" align="alignnone" width="1920"] MCA Store, 2022, Katje Ford[/caption] IKUNTJI TEXTILES, $69 Ikuntji Artists, the first arts centre established by and for women in the Western Desert art movement, invites design lovers to take a closer look at the stories behind the works with this self-published, full-colour book. The volume is centred around 14 artists who paint wearable textiles, delving into their design process, personal stories and collaborations via artist interviews in Luritja and English and writings from expert voices in the field of textile design. The lovingly assembled tome makes a perfect coffee-table book — the ideal read to either leisurely flip through or take in some of the remarkable stories from First Nations women. BACKGAMMON SET, $195 The MoMA team has given this classic game a vibrant makeover. The colourful design, inside and out, makes this beechwood backgammon board a style-heavy travel accessory, ideal for groups or just two. The game is fun, practical and easy to learn — even if you've got no idea how to play. Gift this to your modern boardgame-loving pal who could do with something a little simpler and nostalgic. Then next time you're over at theirs, you can suggest a chill game of backgammon instead of Settlers of Catan. Looking for a stocking stuffer for your games-obsessed mate? This Ken Done edition of Uno ($19.95) is just the ticket. [caption id="attachment_834248" align="alignnone" width="1920"] Jacquie Manning, MCA Members. Featured: Noa Eshkol, installation view, 20th Biennale of Sydney, Museum of Contemporary Art Australia, 2016, Image courtesy and © the Noa Eshkol Foundation for Movement Notation, Holon.[/caption] 12-MONTH MCA MEMBERSHIP, $75 If you're buying for someone who really appreciates the arts, an MCA Membership is a sure-fire win. It will give them access to exclusive behind-the-scenes programs, discounts on a range of art experiences, unlimited free entry to ticketed exhibitions — like Do Ho Suh, which is part of the 2022/ 2023 Sydney International Art Series — and plenty more. Any and every art lover will be thanking their lucky stars (or just you) with a gift as good as this. FLENSTED MOBILE, $125 Mobiles aren't just for kids, they're also a fun and funky way to add some colour and movement to your home. And at the MCA Store, you can find no less than ten artistic mobiles by Danish design house Flensted. Our pick: the minimalist Life and Thread, which is made up of colourful wings dancing around a small green sphere. You can find more literal pieces too — hot air balloons, birds, planes, elephants and more, all made to hang and swing from the ceiling. They're simple yet striking pieces of art. [caption id="attachment_880357" align="alignnone" width="1920"] MCA Store, 2021, Anna Kucera[/caption] FINK WATER JUG, From $395 If you're buying for someone who loves to entertain or is always on the hunt for unique homewares, these FINK water jugs might just be perfect. Designed in 1993 by celebrated Australian silversmith Robert Foster, these elegant vessels come in eight striking colours and can be found in contemporary collections at institutions (including MoMA), as well as in design-forward homes and restaurants around the globe. It's a great gift for those who like to make a statement, even when they're simply pouring a glass of water. [caption id="attachment_880353" align="alignnone" width="1920"] MCA Store, 2022, Katje Ford[/caption] 3D-PRINTED SUPERVASE, From $50 These brightly coloured vases by The Daily Rabbit are reminiscent of the Hub series and Staircase-III (2010) by Do Ho Suh. Like the South Korean artist's large-scale installation pieces, as you move around these vases, they appear to change in shape. The SuperVase, which comes in two sizes, is 3D-printed using eco-friendly, degradable PLA bioplastic derived from cornstarch, making it ideal for sustainably-minded friends and family members. It's watertight, so you can gift it with fresh flowers if you'd like, too. [caption id="attachment_881162" align="alignnone" width="1920"] MCA Store, 2022, Katje Ford[/caption] DO HO SUH MCA CATALOGUE, $45 Here's yet another great addition to a curated coffee table. This softcover MCA catalogue (exclusively sold at the MCA Store) surveys Do Ho Suh's creative practice, focusing on his large-scale sculptures and architectural installations with commissioned texts by curators Rachel Kent and Megan Robson and architectural historian AnnMarie Brennan. Take a deeper dive into the artist's process and the meaning behind his colourful, thought-provoking installations that have a strong connection to our shared understanding of 'home'. MID-CENTURY MODERN COASTERS, $38 This pack of four cork coasters features works from Tony Albert's Mid-Century Modern series, depicting used ashtrays with First Nations people and designs on them. For Albert, "there was something quite metaphoric about the ashtray and the Australian condition attached to Aboriginal people. What does it actually mean to butt out a cigarette on someone's face and someone's culture?" And, we ask, what does it mean to rest your drink on a coaster of that artwork? Who knew a humble coaster could be such a conversation starter? Got an art lover in your life? Gifting someone with an eye for design? Make sure you're their fave this year with a gift from MCA Store. Head to the website for the full range. Top image: MCA Store, 2022, Katje Ford
Spending more time at home is much easier to stomach with a hefty rage of desserts on hand, or at least that seems to be Gelato Messina's pandemic motto. Over the past year, the gelato chain has served up plenty of tasty specials, including cookie pies in choc chip, red velvet, choc-hazelnut, and peanut butter and jelly varieties; 40 of its best flavours; and full tubs of Iced VoVo gelato. It also whipped up its own take on that vanilla and chocolate-layered ice cream cake everyone considered the height of extravagance as a child — and now it's bringing its version of Viennetta back for another round. If you've been indulging your sweet tooth as a coping mechanism — frozen desserts were subject to strict item limits last March, so plenty of folks clearly went big on sugary comfort food — then consider your tastebuds primed for this super-fancy take on the nostalgic favouritte. It's another of Messina's limited releases, with tubs of the rippled gelato creation available at all its stores for a very short period. Wondering what exactly Messina's Viennetta — or Messinetta, as it has been dubbed — entails? It combines fior di latte gelato with choc chips and chocolate fudge, then covers it all with piped vanilla chantilly as well as a chocolate velvet spray. And yes, the end result looks like the dessert you know and love. If it didn't, it just wouldn't be as exciting. The latest release in Messina's new 'Hot Tub' series, Messinetta gelato can only be ordered online on Monday, February 22, with a one-litre tub setting you back $30. You can then go into your chosen Messina store to pick up your tub between Friday, February 26–Sunday, February 28. Gelato Messina's Messinetta gelato tubs will be available to order on Monday, February 22, for pick up between Friday, February 26–Sunday, February 28 — keep an eye on the Messina website for further details.
First, it turned Speed into a play. Then, it gave Titanic the same treatment. Now, Act/React is saying "yippee-ki-yay" to the mother of all Christmas-set action films. Break out the white singlets, get festive and prepare to spend plenty of time watching someone crawl around in vents, because Die Hard is coming to the stage, too. This comedic theatre performance will transform the Brisbane Powerhouse's Turbine Platform into Los Angeles' Nakatomi Plaza, let European terrorist Hans Gruber do his worst and task New York cop John McClane with saving the day — with help from the dad from 80s and 90s sitcom Family Matters. Throw in more than a few one-liners, incredibly low-fi special effects and an all-round comic atmosphere, and that's Die Hard: The Movie, The Play, which'll unleash its mayhem from Thursday, November 21 to Sunday, December 1. Playing as part of this year's Wonderland festival, this is one hijacking you'll want to witness.
With so many international and interstate artists gracing the stages of Brisbane, it is always exciting to see a home grown success story. This Sunday, July 22, Brisbane’s own Lauren Lucille will be presenting her latest musical offering, Hidden Here. In the making for the past year, the album showcases the very best of her talents as a musician, vocalist, composer and performer. All in all, Lucille has delivered audiences a polished, all-original, jazz album. Lucille is what we could call a “seasoned performer”. Her musical career began at the ripe age of 10, with mainstream guitar and piano folk/pop songs. Today, aged 28, Lucille is an admired jazz performer. To add to the fairytale, it has recently been announced she is a finalist in the 2012 qmusic Awards in the Jazz category (it’s kind of a big deal). Supporting Lucille’s much-anticipated performance will be fellow Brisbane group, Lady Abundance.
As fun as parties, feasts and downing eggnog all are at this time of year, one thing can make them better: games. We're not just talking about guessing how long until your uncle falls asleep after lunch, or seeing who knows all the words to every pop Christmas carol. Instead, we're talking about eating, drinking, playing and being merry in Brisbane's very own bar-slash-arcade. 'Tis the season for all of the above at Netherworld, and they're throwing quite the shindig to prove it. Just bring your button-mashing self, some cash for tokens, brews and a Hellmouth roast, and a wrapped can of beer that you can swap for another in the Secret Santa pit. It all takes place from 5pm on Saturday, December 22, complete with Santa pictures in-between rounds of whatever pinball, arcade, console or board game takes your fancy. Photos require a donation, with funds going the Asylum Seeker Resource Centre. And a karma keg will be pouring at the bar, raising more cash for those needing some festive help. Image: Cole Bennetts.
Sicario begins with an ordinary-looking slice of Arizona's desert-bordered suburbia, roving over rows of homes as far as the eye can see. As the kidnap extraction operation that will soon storm the doors of one particular house — and find much, much more than they bargained for — swiftly reveals, there’s little that’s normal behind the average facade. In a powerful start to his latest feature after Incendies, Prisoners and Enemy, director Denis Villeneuve ensures the chasm between perception and reality is apparent; indeed, it will echo throughout the feature. It's a fitting kernel of thought to plant in the minds of viewers who will witness 121 minutes of procedural tension seemingly concerned with the titular term — cartel slang for hitman in Mexico — in the context of the drug war, but actually delving into the haziness of trying to do the right thing by any means. It certainly bears remembering that Villeneuve doesn’t make films that could be considered easy viewing. As written by actor-turned-screenwriter Taylor Sheridan (Sons of Anarchy), Sicario jumps into the United States' furtive attempts to arrest the impact of the narcotics trade, then creeps through shades of grey, shimmers of complex uncertainty and slivers of necessary compromise. Accordingly, three figures earn the grim film's focus: FBI agent Kate Macer (Emily Blunt), plus government contractors Matt (Josh Brolin) and Alejandro (Benicio Del Toro). After leading the charge in the opening events, the former is asked to volunteer to work with the latter two men to bring a drug lord to justice. Their idea of how to do so, abandoning the rules in favour of operating in the shadows, differs to the by-the-book approach Macer prefers. Comparisons to Zero Dark Thirty prove apt and earned for an effort that treats its bristling violence and brutal set pieces as routine, strands its protagonist with reaching for an end result that can't be achieved by above-board means, and navigates the moral quandaries and harsh realities that spring. The striking, sunlit visuals, lensed by 12-time Oscar nominated cinematographer Roger Deakins (Skyfall) and seething with gritty texture, add to the overwhelming feeling of inevitability and despair Macer is saddled with, with as much said by the framing — often preferring to peer on at conversations from a distance, or capture action via aerial shots — as by the dialogue. Such rich imagery is matched not only by an unrelenting, rattling, bass-heavy score, but also by a trio of performances that simmer on screen. Blunt, continuing a spate of great choices of late that has included Looper and Edge of Tomorrow, finds the right mix of resilience and vulnerability as the woman at the centre of a puzzle she's being precluded from piecing together. Del Toro wears the feature's weariness, vagueness and murkiness in his gaze, while Brolin does the same thing with his sly smile and casual attitude — and becomes the film's standout player in the process. Indeed, Brolin acts as a weathervane for Sicario's end result, offering layers of quiet power that build with every exchange and altercation into an ever-troubling picture of ambiguity and unease. You're never quite comfortable with his character, nor should you be with the feature he's in, as compelling, confronting, stunning and downright exceptional as it is.
Brisbane is gearing up for another balmy season, and, at the city's busiest new food precinct, Tex Mex hot-spot El Camino Cantina is set to join the party on the first weekend of summer. El Camino comes from Sydney where is has two outposts, and is part of Rockpool Dining Group, which also owns Sake, Burger Project and the nearby Bavarian Beerhaus. This loud venue is casual and over-the-top with giant cocktails, rock 'n' roll jukeboxes, lively Tex-Mex fare and sprawling 300-seat dining room and bar. At the big L-shaped bar, eight slushie machines signal big nights and brain freezes — El Camino's margaritas come in a swag of flavours and multiple sizes, including a group-friendly two-litre tower. Other options include a host of beers from near and far, and a collection of over 100 mezcals and tequilas. To match, the food lineup is equally vibrant. Think fiery buffalo wings, sizzling fajitas, plump burritos, soft shell tacos loaded with punchy flavour combinations and unlimited complimentary corn chips and salsas, It's all rounded out with a solid selection of daily specials, including 10-cent chicken wings on Tuesdays, $2 tacos on Wednesdays, brunch on weekends and a weekday happy hour from 4–6pm. The venue will launch on Friday, November 30 with a weekend-long fiesta, starting with a ticketed party on Friday night and continuing with $2 tacos, 10-cent wings, free tortilla chips and $7.50 margaritas across Saturday and Sunday. El Camino Cantina will open at 45 King Street, Bowen Hills on Friday, November 30. To head to El Camino's launch night, you'll need to snag a ticket here. Images: El Camino Cantina Manly by Tom Ferguson.
From unflinching violence to unbridled sexual passion, some of the most important films in history are the ones that dared to push the boundaries. Doubling down on last year's lineup of controversial cult classics, World Movies presents More Films That Shocked the World from Monday, March 17. This five-day selection of taboo-shattering cinema consists entirely of Australian television premieres. Each one of these films has been the subject of censorship in this country, and when you see them, you'll understand why. It's a program designed to challenge your expectations as well as your limitations, not to mention, at times, your stomach. Prepare yourself people; these films are not for the faint of heart. https://youtube.com/watch?v=vUd_6FF4AtM PINK FLAMINGOS (1972) The film that launched both director John Waters and LGBTQ icon Divine to the far-reaching fringes of the American cultural underground, Pink Flamingos was marketed as an exercise in bad taste; rarely has an ad pitch been so accurate. A pitch-black gross-out comedy, the film tells the story of an overweight transvestite (Divine) with a mentally disabled family who goes to increasingly depraved and then violent ends to defend her title of 'filthiest person alive'. Scenes of coprophagia, cannibalism, bestiality and anal acrobatics earned the ire of Australian censors while at same time helping the film become one of the most notorious midnight movies ever made. Monday, 17 March, 9.30pm https://youtube.com/watch?v=ZkCTSn8gcL4 I SPIT ON YOUR GRAVE (1978) Surely the nastiest pick in the week-long program, this hideously violent rape-revenge tale contains some of the most brutal scenes of sexual brutality that have ever been put to film. Director Meir Zarchi initially self-released the movie after no other distributor would do so. Once it received wider play, critic Roger Ebert labelled it "a vile bag of garbage", a pan that probably ended up helping the film at the box office. Many have debated over the years whether the film is a celebration or an indictment of the sexual violence it depicts. Now, if you dare, you can make up your mind for yourself. Tuesday, March 18, 9.30pm https://youtube.com/watch?v=IU3P6WXzvXU HENRY: PORTRAIT OF A SERIAL KILLER (1986) Based loosely on the crimes of Henry Lee Lucas, this grim, ultra-low-budget serial killer film spent more than four years on the shelf after being completed, as the producers were faced both by a hostile ratings board and the challenge of marketing what they had made. Eventually released in 1990, Henry: Portrait of a Serial Killer is not a particularly gory film yet remains disturbing to this day because of the casual and highly realistic fashion in which the protagonist commits his crimes. By being purposely unentertaining, Henry takes the glamour out of a genre that has fascinated us for decades, raising some pretty prescient questions about our obsession with serial murder. Wednesday, March 19, 9.30pm https://youtube.com/watch?v=g3hSsK61NsE EMMANUELLE (1974) Released at a time when pornography was flirting with the mainstream, this soft-core sexual odyssey follows the affairs of a young French woman living with her husband in Bangkok, and was sold as a classy alternative to the likes of Deep Throat and The Devil in Miss Jones. Although not well received by critics, the film was a massive hit in both Europe and the US, spawning six sequels and literally dozens of spinoffs, including eight made-for-TV movies set in space. Classy indeed. Thursday, March 20, 9.30pm https://youtube.com/watch?v=lj0BnsF1FXs CALIGULA (1979) A fitting way to end a week brimming with cinematic depravity. The disastrous story behind this porn-filled epic is more entertaining than the movie itself. A lavish biopic about an insane Roman emperor, the film was plagued by delays and ran horrendously over budget — and that was before producer and Penthouse founder Bob Guccione wrestled control away from director Tinto Brass and decided to shoot several unsimulated sex scenes to be included in the final cut. A perfect example of a production gone to hell, if you ever wanted to see Helen Mirren, Peter O'Toole and full penetration in the same movie, then Caligula should be right up your alley. Friday, March 21, 9.30pm
Just north of Brisbane, muggles and magical folk alike can shop for wands, pick up Harry Potter merchandise, knock back butterscotch brews and try Bertie Bott's Every Flavour Beans, all at Samford's Store of Requirement. For wannabe witches and wizards, that's reason enough to pretend that your car is the Hogwarts Express and make the half-hour journey out of town — but if you need more motivation, the enchanting shop is now hosting Harry Potter-themed tournaments. It's not quite the Triwizard Tournament, but The Store of Requirement's Wizard's Tournament will put your skills to the test, as well as your Harry Potter trivia knowledge. When you're not answering questions about the huge book and film franchise, you'll solve escape room-style riddles and puzzles. Each two-to-four person team will represent a different house while they're competing (and no, everyone can't be in Gryffindor). While just what the escape room part of the fun will entail hasn't been revealed, it has been designed by Escape Hunt Brisbane and Directors of the Extraordinary. The latter was behind the huge interactive zombie game, Containment, that took over Brisbane Powerhouse back in 2017, so you can reasonably expect their Potter antics to be immersive. After kicking off this week, four future events are scheduled — and although the July 25 tournament is already booked out, you can sign up for August 2, 9 and 22. Tickets cost $90 for two people, $145 for three and $190 for four, with an option to pay extra for cheese and fruit, cheese and meat, or hot food platters. A live scoreboard will track your progress throughout the night, so you'll know just how often you'll need to say "accio points!" to try to up your score. Unsurprisingly, dressing up is encouraged — so all that's left to do is find some Potter-loving friends to don some robes and house colours with you. Find The Store of Requirement at 22 Station Street, Samford Village — and head to the shop's website to book a spot at The Wizard's Tournament, which takes place at 6.30pm on August 2, 9 and 22.
El Camino Cantina has arrived in Brisbane, and it's giving the people what we want. If you're heading to a Tex-Mex bar and eatery, then you want plenty of tacos — and, ideally, you want them cheap. Enter the newcomer's weekly $2 Tacos session, which is exactly what it sounds like. Head by every Wednesday, and you can tuck into a highly affordable feed in Bowen Hills' latest addition, with the selection changing each week. They're not your ordinary flavours either. Even if you think that there's no such thing as a bad taco, you can treat your tastebuds here. Fancy a cheeseburger taco? Beer-battered barramundi? Coffee-spiced smoked pork belly? They're all on El Camino's usual menu, so expect them to feature among the $2 range. And if you'd like a beverage, the regular range of margaritas, cocktails, wines and beers are on offer. Consider this a PSA: the venue has eight slushie machines, so you might want to sip something semi-frozen.
It's not often you get to see bears casually drinking next to cheetahs. New York-based artist Cai Guo-Qiang's first solo exhibition in Australia is something of a cross between The Lion King and Noah's Ark that way. The exhibition, titled Falling Back to Earth, consists of three large-scale, nature-inspired installations, two of which are commissions inspired by the artist's own experiences in Australia. Heritage (2013) features 99 lifelike animals from all around the world drinking from a blue lake surrounded by white sand. The other new work is Eucalyptus (2013), a long gum tree extending the length of the gallery, and the third piece on display is the artist's famous and fabulous Head On (2006), where 99 artificial wolves are shown in various stages of colliding with a glass wall. The exhibition has been hugely popular at GOMA, where opening hours have been extended on Wednesday nights for the last four weeks, until it closes on May 11. Thanks to GOMA, we have five double passes to give away that can be used at any of the Wednesday night viewings (16, 23, 30 April or 7 May). To be in the running, simply subscribe to our newsletter (if you haven't already), then email win.brisbane@concreteplayground.com.au with your name and address.
Tasmania's sinister winter music and arts festival Dark Mofo scrapped its 2020 festivities due to the pandemic, but that cancellation has turned out to be a one-off. The event returned in 2021 — amid controversy over an artwork that was announced and then ditched — and it has just confirmed that it'll be back again in June 2022, too. Next year's festival will run between Wednesday, June 15–Wednesday, June 22 in Hobart, if you're already thinking about how to spend the frostiest part of 2022. Run by the Museum of Old and New Art, it'll be funded by $2.5 million from the Tasmanian Government, plus another $2.5 million from MONA owner David Walsh. And, it'll also receive dedicated marketing support from Tourism Tasmania. The event's program won't be announced until sometime in autumn — usually it drops in April or May — but it's set to explore "the ideas of rebirth, reincarnation, and new life". "After the death of the 2020 festival, and a near-death experience in 2021, we're beginning the next era of Dark Mofo," said Dark Mofo Creative Director Leigh Carmichael. "As the world emerges from the darkness of COVID-19, we're hoping Dark Mofo 2022 will provide opportunities for us to reconnect and celebrate winter in the manner we'd become accustomed to prior to the health restrictions around travel and events." [caption id="attachment_800592" align="alignnone" width="1920"] Lusy Productions[/caption] Previous years' lineups have seen a fantastical combination of musical performances, performance art and large-scale installations come together. In 2019, the program featured the likes of artists Ai Weiwei and Mike Parr, American musician Sharon Van Etten and one of the world's largest glockenspiels, for instance. In 2021, the program included a vibrating chamber filled with light, guided night walks through Hobart led by teenagers, 49 search lights beaming up into the sky and multiple performances by Sonic Youth founder Thurston Moore. Dark Mofo will run from Wednesday, June 15–Wednesday, June 22 in Hobart, Tasmania. The 2022 program will be announced in autumn. Top Image: Jesse Hunniford.
