Next time you slurp down some oysters, you needn't just opt for natural molluscs served with lemon and Tabasco. There's nothing wrong with that old favourite; however you can get a bit more adventurous with your oyster dishes at One Fish Two Fish's Oyster Frenzy. Between Friday, January 22–Sunday, January 24, the Kangaroo Point eatery is serving up a six-course oyster feast, taking seafood lovers through six different flavours. Start with the tried, tested and aforementioned combination, then move onto oysters battered in squid ink tempura and served with Asian salad and sriracha aioli, three-cheese baked oysters, and oysters with limoncello and finger lime caviar. You'll also be snacking on oysters with tarragon and garlic butter pangrattato, plus oysters paired with an oak-aged chardonnay mignonette granita. In total, you'll eat your way through 18 oysters all up — three per dish — for $59 per person. That price includes a glass of prosecco or a Stone & Wood Pacific Ale upon arrival, too. Because oysters are always popular, bookings are essential — with Oyster Frenzy running sittings at 12pm, 2.15pm, 5pm and 7.15pm on all three days.
Art galleries are places of creativity and tranquility. Each month at the Queensland Art Gallery and the Gallery of Modern Art, they're places for yoga and meditation too. It makes sense — you're in a space known for its peace and quiet, and for contemplation and serenity. Breaking out your best downward dog pose or sitting in mindful silence just seems like a natural thing to do, really. We don't recommend showing off your flexibility just anywhere, of course. Instead, make a date with QAG and GOMA's Mindfulness Yoga sessions. If you'd prefer chasing zen another way, you will find a chilled atmosphere across both sites in general; however, there are specific Calm Living Meditation classes as well. The dates change each month, but there's always one yoga session from 8.45–9.45am on a Sunday, another from 6–7pm on a Wednesday, and a meditation class from 7.45–8.45am on a Thursday — giving you the option of starting your day or winding down after work at the galleries. Taught by Miriam Van Doorn, the classes are open to all skill levels. Sometimes they're held at QAG, sometimes they're at GOMA — so you won't get tired of the scenery. Bookings are essential. Yoga costs $12 for gallery members and $16 otherwise, while meditation will set you pack either $5 or $11, based on the same category. And classes are socially distanced, obviously. [caption id="attachment_677207" align="aligncenter" width="1920"] Gallery of Modern Art. Exterior. South & East face. James Turrell artwork.[/caption]
No one likes Mondays; however, everyone loves a bargain. Combine the two — and throw in vegan and vegetarian eats as well — and you have BrewDog's regular special. On Vegan Mondays, anyone who's keen to tuck into the riverside brewery's meat-free menu will score two dishes for the price of one. Yes, that's just the kind of news both your stomach and your wallet need to start off the week — and it happens all day every single Monday. Four types of burgers are on offer, so you can pick between two made with chicken-style patties ($22.95) — including a vegan parmigiana option — plus a Korean fried cauliflower burger ($22.95) and a beef variety ($22.95). They all come served on a beetroot brioche bun, and you can opt for sweet potato fries and a range of vegan sauces. Other choices include three types of pizza ($21.95–24.95), cauliflower wings ($10.95–32.95), black bean tacos ($21.95), a Thai noodle salad ($21.95) and a veggie sharing stack ($31.95). You'll pay extra for your brews, of course — but the waterside view that comes with them won't cost a thing. Images: Pandora Photography. Updated November 15.
Laughs have been in short supply over the past year. Entertaining surprises have fallen into that category, too. But from Thursday, February 18–Sunday, February 21, giggles, guffaws and unexpected developments of the hilarious kind are all on the menu at the Brisbane Improv Festival. For four days, you can tickle your funny bone while watching a heap of amusing folks — and, as you're chuckling along, you'll never know what'll happen next. That's one of the joys of improv, after all. A show can start out one way, veer off in a completely different direction, then end up with gags you've never even dreamed of. It's a mix-and-match kind of lineup, so you can pick whatever suits your mood from the 20-show program. Doctor Who fans can check out an improvised version of the cult TV series, for instance, while storytelling, travelling bands, queer relationships and disagreements between friends all get a look in. The whole festival takes place in Seven Hills, at the Ron Hurley Theatre and Seven Hills Hub, with the event run by Big Fork Theatre. Fancy learning improv yourself? You can also book into a workshop on the topic.
UPDATE, April 9, 2021: Brisbane Ice Cream Festival will now take place across Saturday, April 17–Sunday, April 18, after being postponed from its original dates (Saturday, March 20 and Sunday, March 21) due to wet weather. New registrations will also be available from 9am on Wednesday, April 14. In 2017, Brisbane screamed for ice cream. In 2018 and 2019, we all screamed again. After going quiet in 2020 for obvious reasons, the frozen dessert-induced exclamations are set to continue in 2021, with the Brisbane Ice Cream Festival returning for a huge fourth event. Perhaps this sweet treat-loving city's most popular occasion — although tickets are free, it regularly books out within minutes — BICF is back with even more opportunities to gorge on your favourite frosty food. This year, the fest will run across two days from Saturday, April 17–Sunday, April 18, and will include an evening session as well. Two-hour time slots take place from 11am–1pm, 1–3pm, 3–5pm and 5–7pm on Saturday and from 11am–1pm, 1–3pm, 3–5pm Sunday. If you're keen to drop by — and pay for whatever tickles your tastebuds' fancy as you go — then a world of ice cream delights await. Think the titular treat, gelato and every other kind of icy, creamy confection, with dairy-free, gluten-free, nut-free and vegan dietary requirements all catered for. While the complete lineup of stores and stalls hasn't been revealed, previous years have seen everyone from Gelato Messina to La Macelleria take part. And the full menu hasn't been revealed either, but you can expect classic scoops, ice cream rolls and spiders to feature. The fest will also include live tunes, a pop-up bar and themed spaces to take some snaps while you're devouring all those dessert dishes. The last remaining free tickets will be released at 9am on Wednesday, April 14 — and getting in quickly is recommended, as they'll likely disappear faster than an ice cream melting in the Brisbane sun. Updated April 9.
This planet we all call home is constantly in flux. After the year everyone has just been through, that shouldn't be news. And, it isn't a new topic to Australia's annual Transitions Film Festival either. Based in Melbourne — and touring its program around the country on occasion over the past decade — it routinely programs films on the topic. In 2021, it's continuing that mission, too. There is something different about this year's Transitions Film Festival lineup, however. For the first time, the festival is jumping online. In collaboration with MPavilion, it is still hosting a physical screening of documentary Beyond the Burning in Melbourne on February 23 — but from February 26–March 15, it's streaming its selection of films digitally. Available on an on-demand basis (so you can view whatever you like whenever you like), the program includes plenty of factual flicks on topics as broad as walking barefoot across America (as seen in Barefoot), youth activism (the subject of NOW), a lawsuit against an animal rights advocate (The Walrus and The Whistleblower) and the benefits of adopting a universal basic income (Inherent Good). Or, you can dive into the sea with An Ocean Story, watch the fight against plastic pollution via Microplastic Madness, see the threats to Canada's Boreal forests in Borealis and tackle blazes in Megafires. Elsewhere, The Hidden Life of Trees takes its name from Peter Wohlleben's best-selling book, and continues its focus on forest. And, Invisible Hand dives into the battle between capitalism and nature — and it's produced by Mark Ruffalo. https://www.youtube.com/watch?v=zzDFF0y-O9w Top image: The Hidden Life of Trees, 2019, Constantin Film Verleih GmbH, nautilusfilm.
Ever since Freddie Mercury teamed up with Brian May and company back in the 70s, Queen has never been out of fashion. Thanks to Bohemian Rhapsody, however, the band has recently roared up the charts again. You could call it a kind of magic. You could say that their songs must go on. Either way, if you're happy to let the British group keep rocking you, then head along to The Brightside — outdoors, not indoors — on Saturday, January 30. Been feeling a crazy little thing called love for Freddie and his bandmates? Then you'll be in the right spot. And if your approach to the group's music is "I want it all!", that's what you'll hear at Mamma Mia — Let Me Go. And well as ABBA songs, too, because why not? The one-night event will break free from 9pm, so get ready to unleash your inner dancing queen and thank everyone for the music. Here we go again, indeed. If you're wondering how much money, money, money it'll set you back, tickets cost $15 — and buying in advance is recommended, because it's likely to sell out. Because it's a hard life, DJs will spin both band's tunes, and you and your fellow champions and super troupers will take a chance on dancing and singing along. You'll be able to say 'gimme, gimme, gimme' to other tracks from huge artists of the 70s and 80s, too. Basically, prepare to step back in time — and if you miss out, you'll feel a little under pressure. https://www.youtube.com/watch?v=xFrGuyw1V8s
If you're all about thinking green, living in a more eco-conscious way and doing your utmost for the planet — as we all should be — then you likely already know about Brisbane's Green Heart Fair. Twice a year, the event takes over a leafy public space to celebrate sustainability, all by giving away plants, teaching attendees about beekeeping, serving up plant-based food truck dishes and hosting markets selling locally made wares. The next event takes place from 9am–3pm on Sunday, May 30, and all of the above is on the agenda once again. Also part of the fair, which'll be settling into the 7th Brigade Park on Newman Road in Chermside: composting tips, sessions about creating and maintaining home gardens, hands-on workshops for kids, the chance to test-drive electric scooters and live music. If adding some greenery to your yard has particularly piqued your interest, there'll be 3000 native plants on offer — all for free. They're available on a first-come, first-served basis, so arriving early is recommended.
Whether you're looking for something on a budget, or you're after the best vintage fare, there's nothing like trawling through other people's wares. Forget your regular old household clear-outs, trash and treasure markets, outlet sales and car boot offerings though — Brisbane's biggest clothing garage sale is back again. When it ran pre-pandemic, we're not sure whether that size had been officially confirmed. Still, you'll find more than 30 sellers onsite, offering up a massive array of sartorial bits and pieces. The big sale next takes over Bizzell's Garage on Latrobe Terrace from 10am–3pm on Saturday, May 29 — so prepare to arrive with shopping on your mind and leave with a full basket. Prices vary, as will condition, but expect to pay anywhere from $1 to over $100 for clothes, swimwear, shoes, accessories, denim, leather items and jewellery. Brands spanning the sporty likes of Adidas and Puma, the upmarket style of of Burberry, and the street cred of FILA and Calvin Klein will all be on offer. And, if you want to add a few plants to your home garden — including succulents — you'll find greenery on sale too, as well as DVDs, records and books as well.
Ready to say 'see ya never' to 2021? Us too. This year, we reckon you should treat yourself to Riverlife's New Year's Eve soiree On the River to welcome the new year in style. Because honestly, you deserve it. There'll be live music, roving performances and plenty of canapes to enjoy as you make the most of the five-hour drinks package that's included in your ticket price. It'll include the gold standard of summer drinks from Aperol Spritz and Skyy Vodka — ideal for what's likely to be a balmy Brisbane evening. And, it's all taking place at Kangaroo Point which means you'll have front row seats for the fireworks when they burst above the Brisbane River at midnight. The dress code is white, so dig out your best Midsommar-inspired 'fit and head down to the river for an incredible night with your mates. Tickets are $199 per person and selling fast. For more information and to book, visit the website.
Wandering around a market while the sun shines is all well and good, but there's something extra appealing about the nighttime variety. Happening every Friday and Saturday night in Brisbane's north — and back for 2022, too — BITE Markets fits the bill. And, it serves up plenty of food, because that's what every night market attendee really wants. Created by caterer Tom Burke, the twice-weekly setup boasts more than 20 'flavour makers' on its lineup, all trying to keep your hunger in check. Fancy a big heap of pasta? Sweet treats in the form of chocolates, doughnuts, gelato, shakes and poffertjes? Bao, bubble tea, baked spuds, German sausages and wings? They're all on the menu, with the likes of Doin' Donuts, It's a Wing Thing, Shakes and Bakes, Slide Wayz and Wurst-Meister coming to North Harbour to sling their wares. A shipping container setup like Hamilton's Eat Street — complete with landscaping and a dining precinct — BITE Markets showcases local talents, so prepare to feast on meals whipped up by the best producers, food creators and artisans in the area. Running from 4–10pm each Friday and Saturday, the huge foodie gathering calls a patch of Nolan Drive in Morayfield home. Entry costs $3 for adults, dogs are welcome — and for those driving north, there's more than 600 car parks onsite.
You might have thought King George Square looked pretty fine during the day and maybe a tad finer at night, but it's at twilight City Hall really shows off its colours. And what better backdrop when you're shopping the evening away — especially when the King George is filled with some of Brisbane's best designers and makers. The regular Brisbane Twilight Market shows off a sizeable array of stalls — more than 60, in fact — all staffed by some pretty nifty and talented local artists. Returning for 2021, the event will host an eclectic selection of items, so prepare to browse and buy. You'll be perusing everything from handmade clothing, accessories and leather goods to paper goods, homewares, art and ceramics (and more). This market is all about sound, smell and sales — so live music will provide a soundtrack to the evening, and expect to be hit with that spring flowerbed smell that always lingers when there's a soap stall around. Food stalls are also on the agenda, with 2021's slate of regular markets held on Friday, May 28, Friday, July 30 and Friday, September 24. Each event runs from 4–9pm, so take along some cash and stock up on all things crafty. [caption id="attachment_753580" align="aligncenter" width="1920"] Brisbane City Council[/caption] Top image: BrisStyle.
How does a film festival celebrate a big milestone? By doing what it always does best. For the Iranian Film Festival, which hosts its tenth event in 2021, that means showcasing all of the latest and greatest movies from the Middle Eastern country. From winners at notable international fests such as Sundance and Venice, to the nation's 2021 Oscars submission, this year's lineup doesn't skimp on highlights. When the event hits the Elizabeth Picture Theatre between Thursday, May 27–Wednesday, June 2, IFF will kick off with Titi, Ida Panahandeh's film about an ailing physicist who's working on a theory about black holes and the end of the world. From there, cinephiles can expect to dive into flicks about a brick-manufacturing factory and its ancient methods, (The Wasteland) as well as music-fuelled road movies (Bandar Band). A certain standout, Yalda: A Night of Forgiveness topped the World Cinema Dramatic category at Sundance 2020, and spins a powerful story about a woman seeking atonement on television after being sentenced to death. Or, there's also Sun Children, the Oscar-shortlisted effort that follows a 12-year-old and his pals as they try to support their families. In total, 17 films will play during the festival — which should give you ample opportunity to leave your couch behind for the big screen for more than a few sessions. That said, there'll also be an online component after the in-cinema fest, running from Sunday, June 20–Wednesday, June 30. https://www.youtube.com/watch?v=xDSk_08MvBQ
Across the first two months of winter — from Tuesday, June 1–Sunday, August 1, to be exact — El Camino Cantina will be pouring soft drink-inspired margaritas across all of its Brisbane venues. Looking for something to pair with your creaming soda- or Mountain Dew-flavoured marg? We're guessing that salt and vinegar chicken wings will definitely do the trick. Over the same period, the Tex-Mex chain is also hosting a chicken wing festival called King of the Wing. Ten new flavours and rubs will grace the menu, including everything from chicken salt and mango habanero to teriyaki and nacho cheese. Most days, you'll nab a basket of wings in your chosen flavour, served with blue cheese mayonnaise, for $18. Wednesdays have something extra in store, however. That's ten-cent wing day, with a different King of the Wing flavour on offer each week — if you and your budget-conscious pals need an excuse to head along more than once.
Brisbane Powerhouse has been such a large part of the city's cultural scene during the 21st century that it's easy to forget that it hasn't always existed. Well, not in its current form as an arts venue, at least — because, before it opened in 2000 as a place to see shows, hear live tunes, laugh at comedy gigs and scope out exhibitions, it was a literal power station. 2021 marks a big 21 years since Brisbane Powerhouse started keeping us all entertained, and it's throwing a party to celebrate — naturally. Running until Saturday, May 15, the birthday celebrations comprise multiple parts. You can feast your eyes or your ears, and also give your funny bone a good workout. Exhibition Regenerate is showcasing the building's story, history and secrets — so if you want to know more about its past and evolution, this'll keep you clued up. Or, on Wednesday, May 12, a conversation session will delve into a 1994 shindig called Tranceplant, a large-scale performance and installation event that held a ten-night season in the then-derelict building 27 years ago, and welcomed around 100 performers each night. To cap things off, a big 21st birthday concert is also on the bill, taking over the Powerhouse Theatre from 7.30pm on Saturday, May 15. Hosted by Mel Buttle, it boasts a lineup that spans Kate Miller-Heidke, Clare Bowditch, Wil Anderson, Briefs Factory, William Barton with Camerata, CIRCA, Benjin Maza, Alinta McGrady, Bombshell Burlesque and Tom Thum. That's not all, either, as a secret headliner will be revealed when you're there on the night. [caption id="attachment_619069" align="aligncenter" width="1920"] Studio Impressions[/caption]
Thanks to Parasite's 2020 Oscar sweep and Minari's strong showing at this year's awards, it's tempting to say that it's been a big few years for Korean cinema — whether made in Korea or focusing on Korean characters in America. The country's films have been gaining greater attention with Hollywood awards bodies, that's for sure; however, Korea has been making exceptional movies for not just a few years, but for decades. For the past 12 years, the Korean Film Festival in Australia has been shining a spotlight on those top-notch flicks, celebrating all the latest and greatest movies made by Korean filmmakers — or about Korean figures. 2021 is no different, with the fest nicknamed KOFFIA set to bring its Brisbane leg to the Elizabeth Picture Theatre from Thursday, September 16–Sunday, September 19. On the lineup: Minari, because this moving gem about a Korean family in America should keep getting all the love; entertaining and frenetic crime thriller Deliver Us From Evil, about a hitman and a kidnapping plot; Waiting for Rain, a box-office smash on home turf that follows a long-distance relationship that plays out through letters; and comedy Samjin Company English Class, about three female office workers fighting against unfair corporate practices. Other highlights include documentary The Wandering Chef, about Korean celebrity chef Im Jiho's search for authentic and unique ingredients with medicinal properties; drama Paper Flower, which follows an elderly mortician; 17th century-set action epic The Swordsman, which comes complete with eye-catching fight choreography; and mystery-thriller Recalled, about a woman who loses her memory but starts to hallucinate visions that may foretell future events.
Crispy, sweet, stuffed with a creamy filling and made in a variety of flavours, there's only one thing wrong with cannoli. No matter how many that you happen to devour in a single sitting (admit it — no one just eats one), it never feels like you've ever had enough. If you know that sensation all too well, then you might want to tempt your tastebuds down to Locale on Saturday, August 14. For just one day, the Newstead cafe is bringing back its pop-up cannoli bar. Even better — there'll be seven kinds of the Sicilian pastries on the menu. Vanilla creme, traditional chocolate, sweet ricotta and strawberry chantilly cream favours will all be waiting, plus espresso martini, pistachio and chocolate chip, and lavender and frangipane crumble as well. They're available to pre-order, because that's the way these kinds of pop-ups operate during the pandemic. Once you get booking, you'll be given a pre-determined collection time. Top image: Locale.
Winter has already gotten off to a frosty start in Brisbane, so your wooliest jumpers, comfiest trackies and cosiest blankets have probably been getting a workout. Don't go thinking you can't be just as warm next time you head out of the house, though. Mulled wine tends to have that effect, after all. Every Sunday from June 20 right up until the end of winter, the Regatta is wheeling out a mulled wine cart and serving up four different varieties: classic mulled wine, mulled apple cinnamon cider, hot honey mead and mulled rosé. You'll need to head by the Toowong spot's openair courtyard from 2–6pm, and you'll also find live tunes soundtracking your sipping from 3pm. But the pub's winter festivities aren't just relegated to one day a week. Winter in the Vineyards, as the Regatta is calling its wintry celebrations, kicks off on Wednesday, June 16 and runs from 11.30am Wednesday–Sunday weekly. So, you've got two and a half months to drop by, sip drinks, and tuck into stomach-warming bites like baked jersey brie, goats cheesecake in sesame pastry crust and a share plate-heavy picnic. Mulled wine will be available during the week and on Saturdays, too, but you'll only be able to choose from multiple flavours at the dedicated mulled wine trolley on Sunday afternoons. [caption id="attachment_794007" align="aligncenter" width="1920"] Creative Commons[/caption]
Fancy a cheeky martini over lunch? A couple of of after-work drinks? A few tipples over snacks? Whether you like them shaken or stirred, you'll only spend $12 for your next martini at The Inchcolm by Ovolo. The catch: you just need to head in between 12–11pm between Monday, June 14–Saturday, June 19. The Spring Hill hotel and its 1920s-inspired bar are calling the occasion $12 Martini Week, although this celebration of James Bond's favourite cocktail only runs for six days. It's okay, we're sure your tastebuds — and your wallet — will forgive them. The fact that there's 11 different martinis to try is certain to help. Among the menu highlights: the classic Inchcolm martini, which pairs vodka, gin, dry vermouth, orange bitters and olive juice; and a cucumber and rose number that opts for cucumber-infused gin, elderflower, rosewater, prosecco, cucumber ribbons and rose petals. As for snacks — which'll set you back more than the $12 you're paying for your drink — they span everything from cheeseboards and caviar to steak tartare and oysters.
Last Christmas, Woolloongabba's South City Square did what plenty of other patches of Brisbane tend to when things get festive. Yes, it played host to a sprawling market setup. It isn't that time of year again yet, but the site is still welcoming in a collection of stalls selling plenty of items — this time from 10am–2pm on Saturday, June 27. That's when The Market Folk will once again take over the place, putting on a winter pop-up. We hope you like clothes, jewellery, ceramics, plants, pots, homewares and art, because you'll find it all here. Expect a big focus on design — so you won't be browsing and buying just any old wares. It all tales place in a brick-lined, industrial-style space, which'll make you feel like you're wandering around a European-style market. As well as the shopping, there'll be live music and creative workshops. There'll be bites to eat as well, thanks to a range of food trucks.
By the time that Thursday night rolls around each week, most of us are thinking about escaping the nine-to-five grind. There's still one pesky weekday left to go until the weekend, of course, but sinking underground with a glass of red wine in your hand — and with jazz tunes setting the upbeat but relaxing mood — sure does sound enticing. That's what's on offer at The Walrus Club's Jazz and Shiraz nights. Usually, the Regatta spot turns its cosy, dark space into a whisky haven on Thursday evenings, but for winter, it's opting for red wine instead. The event is a weekly fixture from 8.30pm through the colder months, and will give you something to sip other than the watering hole's hefty array of 300-plus spirits. Prohibition-era bar vibes and lively — and live — music remain, of course. Entry is free, and reservations aren't required — and you'll have a range of different shiraz drops to choose from.
Brisbanites, if you haven't yet clocked Big Ben with your own eyes, stood before the Arc de Triomphe or checked out the Leaning Tower of Pisa, you're not going to be able to in the near future. But, while Australia's closed borders means that holidaying overseas and seeing the world's most stunning sights is currently off the cards, you can still mosey over to Queensland Museum and scope out their Lego counterparts. At the Brickman Wonders of the World exhibition, more than 50 structures have been recreated using plastic bricks — because Lego definitely isn't just for kids. This is a family-friendly showcase, so expect to have more than a little pint-sized company. You're never too old to take a peek at a four-metre-tall Lego space shuttle, see a 120-kilogram replica of the Titanic or check out a 4.65-metre-long map of Tokyo's subway system, though. That's all on offer until Sunday, January 30 — with more than 1.3 million bricks used to create everything from the Pyramids of Giza to the Great Wall of China. And yes, the exhibition was due to end at the beginning of October; however, it has been updated due to demand. Updated September 30.
UPDATE, AUGUST 23: Urban Cocktail Trail: Fortitude Valley has been postponed from Saturday, August 28 to Saturday, October 9. This article has been updated to reflect that change. By now, every Brisbanite should've heard of the Urban Wine Walk, aka your excuse to mosey around town and drink vino at various bars across a mighty fine afternoon. Prefer hopping around a particular patch of the city to drink cocktails instead? Meet the Urban Cocktail Trail, which is exactly what it sounds like. This time, from 2–6pm on Saturday, October 9, you'll make your way around the Fortitude Valley to sip cocktails. Dutch Courage Officer's Mess, The Parlour, Bisou Bisou, The Prince Consort and Gerard's Bar are some of the places involved, with the list topping out at nine bars. They'll each be making their own special cocktail for the occasion, so you'll basically be venturing to them all and catching those different drinks like Pokémon. Tickets cost $79.99 and are on sale now, with places limited. You can choose where you kick off, and you'll get a glass of bubbles and something to eat at your initial port of call. After that, you'll be able to redeem six vouchers for six mini cocktails at whichever participating places you feel like visiting.
It's the gimmick that lets you get festive twice a year. It's also the wintry excuse to head out for a stint of browsing, buying and eating that absolutely no one is complaining about. That'd be the Christmas in July market trend, which comes to Carseldine on Saturday, July 24. For this merry event, the weekly northside market is popping up at twilight, too, so you'll need to head by between 4–9pm. Expect Christmas theming aplenty, because pretending it's five months down the track is what July is all about. Given the way that 2021 has been progressing so far, we could all use the much-needed distraction. You can always go home with all your gift shopping taken care of well in advance if you'd like to make the most of the occasion — or that's what you can tell yourself, at least, while you tuck into some festive bites to eat. There'll be a sizeable array of handmade wares to peruse, as well as Carseldine's usual array of stalls. Expect sparkling lights, too, and the kind of end-of-year market experience that you'd usually get in Europe. Baked goods, warm drinks and live tunes will all be on the menu, in fact. 'Tis the season, even though it's not.
For its latest excuse to eat, drink and be merry, the Treasury Casino is taking inspiration from our neighbours across the ditch. Over one cheese and wine-filled evening, the CBD spot will be serving up New Zealand's best dairy and vino — and given the country's reputation on both fronts, it's certain to deliver. In the latest edition of the casino's regular cheese and wine parties, your tastebuds will think they've ventured across the ocean between 5.30–7.30pm on Friday, August 27. With vino on offer from Cloudy Bay, Mud House, Craggy Range and Squealing Pig and more, prepare to sip and sample away for two hours for $50 per person — which is definitely cheaper than jumping on a plane. The tastiness takes place not only in the Treasury's courtyard — complete with a starry backdrop — but also in The Lab and Ryan's On the Park, because there's just so much NZ-themed deliciousness to around. Cheese is obviously a big part of the evening, and there'll also be canapes and live entertainment. [caption id="attachment_680930" align="aligncenter" width="1920"] Grace Smith[/caption]
Documentaries exist. Movies that clearly tell made-up tales exist, too. But sometimes the line between fact and fiction on the big screen isn't quite crystal clear. Some films take a real-life story and spin it into a drama, in fact, as this year's big Oscar-winner Nomadland did. The fantastic feature is based on a non-fiction book, and costars a number of folks who truly do live the nomadic lifestyle depicted, but also focuses on a fictional character played by the great Frances McDormand. It's movies like Nomadland that Brisbane's Gallery of Modern Art is focusing on between Sunday, July 18–Sunday, September 5, all as part of its latest free film program. In Pursuit of Truth is filled with flicks that blur the lines between truth and fiction — and yes, Nomadland is indeed showing. Also on the bill: Sarah Polley's personal Stories We Tell, which dives into her own family history; Skate Kitchen, which follows an all-girl skate group in New York, and turns the real-life crew into fictional characters; and I'm Not There, which plays with Bob Dylan's life story — and sees everyone from Cate Blanchett to Heath Ledger help out. Or, Kate Plays Christine charts actor Kate Lyn Shiel's preparations for a fictional feature film role as a real-life reporter who committed suicide on television, Taxi Tehran sees filmmaker Jafar Panahi turn cab driver and film the experience, and F is for Fake lets Orson Welles interrogate illusion, truth, art and lies. Screenings run on Wednesday and Friday evenings, and on Saturdays and Sundays during the day.
Next time you slurp down some oysters, you needn't just opt for natural molluscs served with lemon and Tabasco. There's nothing wrong with that old favourite; however you can get a bit more adventurous with your oyster dishes at One Fish Two Fish's Oyster Frenzy. Between Thursday, August 5–Sunday, August 8, the Kangaroo Point eatery is serving up a six-course oyster feast, taking seafood lovers through six different flavours. Start with the tried, tested and aforementioned combination, then move onto oysters battered in squid ink tempura and served with Asian salad and sriracha aioli, three-cheese baked oysters, and oysters with limoncello and finger lime caviar. You'll also be snacking on oysters with tarragon and garlic butter pangrattato, plus oysters paired with an oak-aged chardonnay mignonette granita. In total, you'll eat your way through 18 oysters all up — three per dish — for $69 per person. Because oysters are always popular, bookings are essential — with Oyster Frenzy running sittings for dinner on the Thursday, and for both lunch and dinner from Friday–Sunday.
You can never have too much greenery in your life, both inside and outside your house. And, whether you're decking out your interiors or setting up a luxe outdoor hangout zone, you can never have too many homewares either. At least that's what you'll keep telling yourself while you're browsing around The Home Collective's wares. At its next event, the northside market will be offering up an array of plants, pots, furniture, cushions, art, ceramics, candles and other items that belong in your house or garden. If you're keen for a sneak peek, or some design inspiration, check out the event's Instagram page. That'll motivate you to head along, we're certain. Taking place at the Wavell Heights Community Hall from 9am–1pm on Sunday, August 29, the market will kit out your abode with plenty of choices, with more than 55 stalls ready for you to peruse. Sure, there's an excuse to boost your garden and homewares cred every weekend in Brissie, or so it seems, but you just can't have to much of a good thing. Entry is via gold coin donation, which'll go to the folks at Animal Welfare Queensland. And there'll also be caffeinated beverages on offer to help perk up your Sunday morning — plus bites to eat from a range of food trucks.
After bringing Harry Potter and the Philosopher's Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban and Harry Potter and the Goblet of Fire back to the big screen with a live orchestra soundtrack in recent years, the Queensland Symphony Orchestra is giving the fifth film in the franchise the same movie-and-music showcase. Across two sessions on Saturday, March 5, 2022 (at 2pm and 7.30pm), the Brisbane Convention & Exhibition Centre will come to life with the sights and sounds of the Ministry of Magic, 12 Grimmauld Place and the return of He-Who-Must-Not-Be-Named, because JK Rowling's boy-who-lived and his pals are never far away from a theatre — or a concert hall. And tickets for Harry Potter and the Order of the Phoenix live in concert are now on sale. If you've been to one of these events for the earlier Harry Potter movies, you can expect something a little different this time around. While the event will run as usual, it's the score itself that'll stand out. After doing the honours on the first three HP flicks, veteran composer John Williams stood aside, with two-time Oscar nominee Patrick Doyle (Hamlet, Sense and Sensibility) in charge of the fourth, and Nicholas Hooper whipping up wondrous wizarding soundtracks for the final three. And yes, if this particular session sounds familiar, that's because it was originally slated to happen in 2020; however, the pandemic changed those plans.
The last time that Amanda Parer took over Brisbane, she filled Eagle Street Pier with seven-metre-tall bunnies thanks to her eye-catching Intrude installation. Obviously, it was quite the big deal/ This time, she's turning West End's West Village into a blossoming wonderland. Well, she is unveiling her latest artworks for spring, after all — and yes, it's set to be just as dazzling. Parer's new larger-than-life exhibition is called Lost, and it first made its debut at Surfers Paradise's Beyond the Sand Festival earlier in 2021. It's now set to bloom in Brissie — and it's filled with billowing botanicals that'll make you feel like you've gotten lost inside a giant floral wonderland. While you're wandering through this lit-up pieces as part of this year's Brisbane Festival, you'll notice Parer's particular focus on extinct or endangered species. You'll see her inflatables pieces, obviously, and you'll notice the LEDs as part of the installation as well. Entry is free, with Lost on display from Friday, September 3–Saturday, September 25. Images: Beyond the Sand Festival.
Some folks like a bit of heat with their food. Others prefer not to blast their tastebuds with spicy flavours. At Hello Please's next Sunday session, only people in the first category need head along — because Sriracha features in every dish, and there'll even be Sriracha bloody marys. On Sunday, May 16, the Fish Lane eatery is hosting its next fun cha lunch session, complete with Sriracha mayonnaise prawn san choi bow, quail karaage with a Sriracha glaze, potato rosti with creme fraiche and sweet Sriracha, and Sriracha-spiced tuna tartare in a wonton cone. Rounding out the food offerings: barbecue pork ribs with Sriracha honey, plus lap cheong hot dogs with Sriracha mustard. You'll pay $60 for your session, with two sittings available. Add some zing to your lunch from 12–2.15pm, or get spicy a bit later between 2.30–5pm — with bookings essential. And yes, Hello Please is usually closed on Sundays, but it's opening especially for this zesty occasion.
Fortitude Valley arcade bar Netherworld has played host to comics and arts festivals before, but its upcoming Peculiar Pages market has a specific focus. From 12–2pm on Sunday, May 2, the venue's game-filled home on Brunswick Street will be paying tribute to Brisbane's DIY print media scene. As well as showcasing homegrown comics and literary zines — such as Maurice and The Metal, Floating Disc, Ink Blot Magazine, Freakenstein and Urinal Mag — it'll also host the folks behind them, who'll be on hand to talk about their work. So, you'll be able to replenish your pile of reading material, support local creatives and get some inside knowledge straight from the source. This market may only run for two hours, but you know how the old cliche goes — good things come in small packages, and all that. And, after you're done browsing, buying and chatting, you can mash buttons, grab a drink from the bar and even pull out a board game or several. [caption id="attachment_622335" align="alignnone" width="1920"] Sarah Ward[/caption]
If there's one thing Brisbanites like, it's watching Studio Ghibli films. Understandably, a whole heap of cinemas around town have been happy to oblige, hosting their own events dedicated to the Japanese animation house. The Elizabeth Picture Theatre is one of them, and the venue just keeps bringing back its Ghibli film festival again and again. We understand — who doesn't want to watch these animated delights over and over? Screening twice a week most weeks until mid-May— on Thursday evenings at 6.30pm and Sunday afternoons at 4pm, to be specific — fans will get yet another chance to catch Studio Ghibli's gorgeous features on the big screen. Yes, you should make like a moving castle to see Howl's Moving Castle this time. And yes, you'll be palling around with My Neighbour Totoro once again. Other highlights include Kiki's Delivery Service, Princess Mononoke and Laputa: Castle in the Sky. If you've missed these films in their limited cinema runs or fest appearances in the past, consider this your chance to catch up — and at only $12 per session. https://www.youtube.com/watch?v=uM1fzCdPHSU
Heading north to Noosa to take advantage of the scenic spot's coastline is a tried-and-tested weekend activity, as every Brisbanite knows. Of course, there's much more to do in the Sunshine Coast locale, especially over the three days between Friday, March 12–Sunday, March 14 — which is when the Noosa Eat and Drink Festival is hosting its Autumn Fare event. Think of it as a miniature version of the regular fest, featuring a handful of options over the weekend that'll keep your tastebuds satisfied. So, you just need to pick what suits your mood, hunger and thirst — including learning how to make espresso martinis, tucking into a bottomless lunch and taking a culinary train tour of the region. Also on the agenda: duck, pinot noir and chocolate combos; meals that go big on Queensland's finest; waterfront lunches; and a big feast of paella, sangria and tapas. Prices vary, so you can select whatever suits your budget. Top image: Noosa via Daisy R, Flickr.
Exploring the gender imbalance in professional surfing, especially during the 80s and 90s as women in the sport were starting to attract the world's attention, Girls Can't Surf feels like a floodgates-bursting documentary. Watching female stars of the era talk about their experiences, including the vast disparity in prize money between men and women and how that affected their efforts to make a living, it's easy to see this candid and detailed film setting a template for a wealth of other movies. As fans of any type of women's sport well and truly know, differing treatment, pay, sponsorship and levels of respect aren't restricted to hitting the waves. Indeed, as the doco's high-profile parade of talking heads offer their thoughts and recollections — such as former world champions Frieda Zamba, Wendy Botha, Pam Burridge, Pauline Menczer, Lisa Andersen and Layne Beachley — many of their words could be uttered by any number of female athletes in a wide range of fields. That truth doesn't undercut the doco's power, or downplay what women surfers have been through. Rather, it underscores the importance of continually shining a light on the way the sporting arena has routinely sidelined, undermined and devalued anyone who isn't male. "If you can't see it, you can't be it" is one of Girls Can't Surf's resonant and universal sound bites, and it's easily applicable far beyond the film's specific stories and the sport in focus. Indeed, when Beachley talks about how she used to mill around surfing contests as a teen starting out in the field, and annoy the ladies she'd soon be competing against, you can see those words in action; if earlier generations of women hadn't already been hanging ten, Australia's seven-time champ wouldn't have had any footsteps to follow in. The film is filled with astute insights and telling connections such as these. It all leads to the well-publicised recent development, only back in 2018, of equal winnings for men and women being mandated by the World Surf League from 2019 onwards. That happy ending benefits today's stars, such as Stephanie Gilmore, Tyler Wright and Carissa Moore, but it came too late for Girls Can't Surf's interviewees. Once again, knowing that significant change has finally come to the sport doesn't diminish the potency of hearing about the horrors, struggles and rampant sexism that female surfers endured for decades. Smartly, two-time feature surf documentarian Christopher Nelius (Storm Surfers 3D) brings those tales to the fore, and the people sharing them. Girls Can't Surf positively overflows with frank, determined, inspiring and engaging women telling it like it is about their time in surfing's spotlight. From Jodie Cooper's memories of being the first openly gay woman on the world tour, to Jolene and Jorja Smith's recollections of discovering that the pivotal Huntington Beach OP Pro was dropping its women's competition but keeping the bikini contest, there is no shortage of anecdotes that paint a despondent picture for women who were simply trying to chase their dreams. Learning about how, even if the conditions were too flat for the men, the ladies were still forced to surf instantly demonstrates how little standing they received from the sport's powers-that-be. Seeing Menczer explain that she got by via a combination of sleeping in her van and relying on the kindness of people she met on the tour — which continued after she became world champion — is just as galling. So too is the behaviour of surf brands when they cottoned onto the obvious idea that women's board shorts would be a hit, flirted with sponsoring actual surfers to help promote them, then put their dollars towards models instead. Even clocking in at 108 minutes, Girls Can't Surf gives the impression that a plethora of other tales about surfing alone — and just from the women that it chats with — could easily have made the cut. It probably could've extended its running time with more 80s and 90s archival footage, too, spanning the fluoro outfits and big hair that particularly marked the former, as well as more shots of Zamba, Botha, Burridge and company putting the surf scenes in the likes of Point Break and Blue Crush to shame. Just like standing on a board and taking to the sea, however, this is a film with a keen sense of balance. Working with co-writer and editor Julie-Anne De Ruvo (Morgana, Bump, Why Are You Like This), Nelius helms a zippily paced doco that's dense with information, absolutely infuriating in the specifics it thrusts forward, but also fluid and savvily structured. Wanting to hear and see more is a hardly unexpected side effect when the pool of appalling incidents, and the women who weathered them, runs so deep. Every one of the feature's interviewees could fuel their own movies, in fact, so fingers crossed that eventually comes to fruition. Girls Can't Surf does sport an air of familiarity on several levels, but this is the rare film that doesn't suffer whenever it wades into overtly recognisable waters. Nelius definitely doesn't stir up a storm format-wise, but the material, themes and subjects all ride their own waves — so deviating from the fairly standard mix of talking heads and retro clips is hardly necessary. Bringing to mind similar female-focused works such as 2019's Maiden and 2020's Brazen Hussies, plus Australia's sizeable history of surf features and documentaries, never proves a distraction either. When it comes to rousing movies about women defying the odds and fighting for equality, and about taking to the ocean in general, more are always welcome. The same sentiment rings true with Girls Can't Surf's soundtrack, which makes ample use of Joan Jett's 'Bad Reputation' and Bikini Kill's 'Rebel Girl' as seemingly every second flick about spirited or pioneering ladies does. Hearing those ferocious tracks with frequency — this month's teen empowerment comedy Moxie uses the latter prominently as well — in on-screen accounts of women wiping out barriers is a nice problem to have, after all. https://www.youtube.com/watch?v=rBjcbZla2cA
We can only hope that one day, likely in a far distant future, documentaries will stop doubling as horror films. That time hasn't arrived yet — and as Collective demonstrates, cinema's factual genre can chill viewers to the bone more effectively than most jump- and bump-based fare. Nominated for Best Documentary Feature and Best International Feature at the 2021 Academy Awards (only the second time that's ever happened, after last year's Honeyland), this gripping and gut-wrenching Romanian doco starts with a terrible tragedy. On October 30, 2015, a fire broke out at a metal gig in Bucharest, at a club called Colectiv. Twenty-seven people died in the blaze, and 180 people were injured as they tried to escape via the site's lone exit; however, that's just the beginning of the movie's tale. In the four months afterwards, as burn victims were treated in the country's public hospitals, 37 more passed away. When journalist Cătălin Tolontan and his team at The Sports Gazette started investigating the fire's aftermath and the mounting casualty list, they uncovered not only widespread failures throughout Romania's health system, but also engrained corruption as well. This truly is nightmare fuel; if people can't trust hospitals to act in their patients' best interest after such a sizeable disaster, one of the fundamental tenets of modern society completely collapses. Early in Collective, director, writer, cinematographer and editor Alexander Nanau (Toto and His Sisters) shows the flames, as seen from inside the club. When the blaze sparks from the show's pyrotechnics, hardcore band Goodbye to Gravity has just finished singing about corruption. "Fuck all your wicked corruption! It's been there since our inception but we couldn't see," the group's singer growls — and no, you can't make this up. It's a difficult moment to watch, but this is a film filled with unflinching sights, and with a viscerally unsettling story that demands attention. Nanau occasionally spends time with the bereaved and angry parents of victims of the fire, even bookending the documentary with one man's distress over the "communication error" that contributed to his son's death. The filmmaker charts a photo shoot with Tedy Ursuleanu, a survivor visibly scarred by her ordeal, too. And yet, taking an observational approach free from narration and interviews, and with only the scantest use of text on-screen, Collective's filmmaker lets much of what's said rustle up the majority of the movie's ghastliest inclusions. There's plenty for Nanau to cover, and to galvanise viewers in the way that Romanians have been since the Colective blaze. The club's lack of safety measures and the fact that it was permitted to run without fire exits were met by protests, which saw the nation's Prime Minister resign. Tolontan and his team enquired into a different matter, though. Their focus: the deaths after the tragedy, the hygiene standards in hospitals treating victims and exactly how the Romanian health system operates. First, they hear about diluted disinfectants — sold that way by a shady manufacturer, then watered down again onsite — that led to otherwise avoidable bacterial infections and then fatalities in burns patients while they were supposed to be receiving care. On that subject, the Gazette journalists discover bribes, profiteering, the government's awareness and its willingness to let the whole scheme proceed. Then, after a scandal erupts, Collective is given astonishing access to newly appointed Health Minister Vlad Voiculescu as he tackles the situation. A former patients' rights advocate and activist, he's rightly alarmed again and again as he learns how Romania's hospitals work from the inside, and vows to clean up the broken system. But the more he tries, the more corruption he uncovers, and the more resistance he's met with by folks within the bureaucracy who don't want anything to change. Collective is a dense, painstaking and information-heavy movie, and also a procedural one. Nanau follows the committed Tolontan and his often shocked colleagues as they chase leads, attend press conferences and receive information from whistleblowers. He captures their stakeouts, too, and their thorough conversations about the course and purpose of their investigations. And, when the film broadens its scope in its second half to shadow Voiculescu, it gives him the same treatment. Internal government discussions start to fill the screen, as do the Health Minister's speeches and meetings; when he admits to one group of survivors that "the way a state functions can crush people sometimes," it's an almost perturbingly candid moment. If almost any aspect of this tale was unfurled in a fictional feature, instead of in this tightly framed fly-on-the-wall style documentary, the audience would think that it's too much. A dramatisation is bound to happen, likely as a Spotlight-style Hollywood movie starring a well-known name, but it'll never be able to match the power of seeing and hearing these appalling real-life horrors. One particular shot — not of the fire, but of a patient in the months afterwards — is so potent that it's searing, in fact. Surprisingly given the strength of the Romanian New Wave, which has given rise to a spate of stellar fictional features — including The Death of Mr Lazarescu and 4 Months, 3 Weeks and 2 Days on the subject of health care, too — Collective is the country's first to garner any Oscar nods, let alone a couple. Shiny trophies don't make a great movie, of course, but this equally rousing and harrowing documentary is worthy of breaking that ground. A chronicle of cascading scandals, it's also an ode to the type of journalism that truly speaks truth to power and doggedly works to expose the cracks in society's foundations. More than that, it's a testament to the need for public scrutiny over all forms of authority, as well as a portrait of what can happen when the few are left to oversee the many unchecked and with only their own best interests at heart. Every second, and every revelation that comes with it, only adds to Collective's traumatising status. There's hope in this film too, however, because thankfully this confronting documentary and its compelling record of those toiling against entrenched corruption exists. https://www.youtube.com/watch?v=q5kkZAKjkiw
From the shaken to the stirred and everything in-between — this May, the country's world-class mixology scene will be celebrated in a very big way at a brand-new month-long drinks festival. The inaugural Australian Cocktail Month is set to kick off Saturday, May 1, descending on venues across Brisbane, Sydney, Melbourne and Adelaide with a diverse lineup of crafty collaborations and exclusive concoctions. Here in Brisbane, 18 venues will help the event make its grand debut, including local favourites Death and Taxes, The Gresham, Cielo and Blackbird. They'll spend the month whipping up creative-charged festival cocktails (and mocktails) using drops from both local brands — think: Mr Black, 2020 Distillery, Feels Botanical and Starward — and international labels like Patrón Tequila, Sailor Jerry Rum and Hendrick's Gin. To get among the best of it, grab a $20 Australian Cocktail Month ticket and enjoy full access to all of the participating venues' cocktail creations. Alcoholic drinks will be priced at $14 a pop, with low-alcohol and booze-free options clocking in at $10. [caption id="attachment_755166" align="alignnone" width="1920"] Death and Taxes[/caption] Top image: The Gresham, by Millie Tang
When The Market Folk first brought a heap of stalls to Newstead's Gasometer a couple of years back, it was clearly a smart move. Browsing and buying beneath one of inner-city Brisbane's most striking sights — what's not to love? Because some ideas are too great to stop, this winning combination has made a comeback for 2021. And, it's happening on a regular basis. Once a month — usually on Friday evenings, but sometimes on Saturdays instead — you'll be heading to Newstead and shopping for fashion, art, homewares, plants, pots and ceramics. Next taking place from 5–9pm on Friday, April 9 — and after that on Friday, May 14 and Saturday, June 12 — the Gasworks Markets will feature plenty of artisanal goodies to tempt your wallet. As always, Brisbane creatives will be in the spotlight, so you'll also be showing them some love as well. Top image: Andrew S via Flickr
When Welcome to Bowen Hills was first announced, the new permanent food truck hub promised to drive a truckload of deliciousness into Brisbane's food scene — not only courtesy of its regular meals-on-wheels lineup, but via its special events as well. It's safe to say that the space has delivered over the past few years. Case in point: its returning rosé and cheese festival. Pink vino lovers and gooey dairy fiends, prepare to head just north of the CBD from 12pm on Saturday, May 29 — postponed from its original April 10 date — for a whole day dedicated to quite the culinary pairing. You'll drink the tipple in question. You'll eat oh-so-much cheese. It's simple, really. The wine list will feature drops from Australia, New Zealand, France and Italy, so you won't go thirsty — and sparkling rosé and frosé will both be on offer. Food-wise, prepare for another feast of cheesy goodness. Fingers crossed that flaming cheese wheels, raclette burgers and deep-fried camembert all make a return, ready to be washed down with pink-hued tipples. This year, you'll need to buy a $15 ticket to attend, but that price includes your first glass. On the day, you can also book in for masterclasses, which'll cost $20 for the vino session, $17 for the cheese class and $30 for both. Updated May 8.
The single greatest cult film this side of The Rocky Horror Picture Show is coming back to Brisbane for a timely Friday night engagement. With The Disaster Artist taking audiences behind the scenes not that long ago, and Greg Sestero hitting up our fair town last year, The Room never gets old — and it's back once again. Described by critics as "the Citizen Kane of Bad Movies", with one critic comparing the film to "being stabbed in the head", Tommy Wiseau's The Room is an indescribable mess of plot holes, non-sequiturs, blurry camerawork and soft-core sex scenes, topped off by some of worst performances ever put to film. So naturally, we're recommending you go and see it. Of course, the truth is that no one really sees this movie. Rather, they experience it. Screenings of The Room are fully interactive, with audience members screaming lines of dialogue, dressing up like their favourite characters and hurling plastic spoons at the screen. This behaviour is actively encouraged by screening organiser Kristian Fletcher — in fact, he'll even be providing cutlery at the door. The cinema bar will be open ahead of the screening, something you should probably take full advantage of. The Room screens on Friday, August 30 at 8.15pm, with tickets costing $15.
UPDATE: SEPTEMBER 14, 2019 — Brisbane Festival's Fire Gardens installation has been cancelled due to the extension of Brisbane's total fire ban, with ticketholders due to receive refunds. You can read more about the bushfires and the festival's decision over here. Come September, one of the most peaceful patches of the CBD will become the most fiery. Don't worry, it's only temporary. Already a hit everywhere from Stonehenge to The Kremlin to Melbourne, French art collective Compagnie Carabosse is bringing its acclaimed Fire Gardens to town as part of this year's Brisbane Festival. While the full Brisbane Festival program features plenty of other fun, this sprawling — and suitably glowing — installation is worth getting hot and bothered about (in a good way, of course). For the four nights between Wednesday, September 18 and Saturday, September 21, Fire Gardens will take over the Brisbane City Botanic Gardens in Alice Street, filling the Gardens Point spot with thousands of fire pots, sculptures and terracotta urns. Pathways will be illuminated, burning pyres will sit in trees, huge spheres will roar and crackle with flames, and structures will be set alight in the middle of ponds. The installation will also take visitors through a blazing maze-like realm, and feature luminous animatronic sculptures. Given that the group has been starting fires professionally for more than 20 years, Compagnie Carabosse knows what it's doing — not only when it comes to safely cloaking a huge expanse of grass, plants and trees in flames, but in tapping into humanity's innate fondness for and primal attraction to fire. This isn't just about watching things burn, obviously, with a mysterious soundtrack boosting the mood and allure. Expect live musicians performing French music, adding to the radiant ambience. More than 40,000 people are expected to make their way through the huge work, so nabbing a ticket in advance is recommended sooner rather than later. Prices will rise from $25 to $33 the longer they're available, with the cheapest options put up first. Once you've nabbed your spot, blaze-loving Brisbanites can enter at five times each night — in half-hour blocks from 6–8.30pm — and once you're inside, you can stay until close at 9.30pm. Although Fire Gardens has popped up around the world, this iteration will be crafted specifically for the Brisbane City Botanic Gardens. That means that you really won't see anything like it anywhere else. And, of course, you haven't seen the gardens set on fire before anyway. Images: Sylvie Monier, Regina Marcenkiene and Vincent Muteau.
Art galleries are places of creativity and tranquility. Twice a month at the Queensland Art Gallery and the Gallery of Modern Art, they're places for yoga too. It makes sense — you're in a space known for its peace and quiet, and for contemplation and serenity. Breaking out your best downward dog pose just seems like a natural thing to do, really. We don't recommend showing off your flexibility just anywhere, of course. Instead, make a date with QAG and GOMA's Monthly Mindfulness Yoga sessions. The dates change each month, but there's always one session from 8.45–9.45am on a Sunday, and another from 6–7pm on a Wednesday, giving you the option of bending and stretching to start your day or winding down after work. Taught by Miriam Van Doorn, the classes combine flow-style yoga and meditation, and are open to all skill levels. Sometimes they're held at QAG, sometimes they're at GOMA — so you won't get tired of the scenery. Bookings are essential, and cost $12 for gallery members and $16 otherwise.
Feel like you've experienced every date option that Brisbane has to offer? Run out of new ways to spend an ace night with your mates? If glitz, glamour, drinks, dinner and feeling like you're in a speakeasy several decades ago amount to your idea of a good — and novel — time, then make a beeline to Cloudland's Big Band Cabaret. Taking place in the Valley venue's Rainbow Room, the decadent shindig will have you and your loved one dancing to the Swing Central Big Band and lapping up performances by Jacqueline Furey's Burlesque Ensemble, all while eating your way through a three-course meal and enjoying a three-hour package of beer, wine and sparkling. It was such a hit over the last couple of years, it's no wonder that Cloudland have brought it back — this time, on Friday, September 27. Tickets aren't cheap at $110 per person, but it's certain to liven up your Friday night with something more than a little different.
Spring is in the air at Darling & Co. Cherry blossoms are branching through the Paddington bar, and dumplings are being heaped on plates, too. To celebrate the end of the cold weather and arrival of warmer times, the Given Terrace venue has decked out the joint with blooming pink flowers, pink lanterns and hanging pink umbrellas — and it's pairing the decor with an unlimited feast of everyone's favourite bite-sized parcels. Wednesday nights are now your time to munch on all the dumplings you can handle in 90 minutes, with two sittings available each week. Whether you're eager for an early meal between 6–7.30pm, or would prefer to drop by later, between 8–9.30pm, you'll eat until you can't eat anymore. The midweek bottomless deal will set you back $30, which also includes a a Kirin or rosé on arrival. Bookings are essential — who doesn't want to tuck into all-you-can-eat dumplings?
Eager to add a new dog to your family? Keen to adopt a cute pooch in need? Fancy making your latest life-changing decision over a few beers? Then look no further than Puppies and Pints, which delivers exactly what it sounds like — including adorable fluffballs that you can take home afterwards. Returning for the second time this year from 10.30am on Sunday, October 6, the event sees Semi-Pro Brewing Co and the RSPCA join forces — bringing four-legged friends to the East Brisbane watering hole, welcoming local dog-centric businesses as well, and letting you meet your next barking bestie. For those who want to help a good cause but can't become a new pet parent for many reasons, you can also lend a hand just by drinking, with Semi-Pro putting on a karma keg and donating the proceeds to the RSPCA, too. And if you simply have a better time when you're sipping brews and looking at gorgeous little pups, that's catered for also.
UPDATE: May 29, 2021: Halston is available to stream via DocPlay, Google Play, YouTube Movies, iTunes and Amazon Video. Fabulous minimalist outfits that defined the 70s, famous faces clamouring to wear them and feverish Studio 54 parties — Roy Halston Frowick's life had it all. Starting as a milliner at Bergdorf Goodman, he rose to fame after designing the pillbox hat that Jacqueline Kennedy wore to JFK's inauguration. When the new First Lady's headwear became a phenomenon, widespread attention naturally came his way. From there, the man known as just Halston started his own eponymous label, creating one of the top American fashion brands of the era. Andy Warhol called him one of the two people he'd always want by his side (the other: Elizabeth Taylor), while Liza Minnelli not only became one of Halston's close friends, but a walking billboard for his work. After rocketing through the world of haute couture, Halston then decided to take his clothing to the masses, too, becoming the first designer to ever collaborate with a department store. In his latest meticulously researched movie, fashion documentarian Frédéric Tcheng explores Halston's story, with the above description just the beginning. After the Midwest-raised designer's success and acclaim came bad business decisions, corporate dramas and messy takeovers, as well as drugs, scandals and broken dreams. To some, Halston was a sartorial god. To others, he was a demanding diva. Indeed, although his career soared, it ultimately plunged just as sharply. When he died in 1990 due to AIDS-related illnesses, he'd become just a footnote in his still-ongoing label's history. It's a tale that Tcheng seems especially suited to tell, and tell it he does in Halston. As he proved with Diana Vreeland: The Eye Has to Travel and Dior and I, the French filmmaker has a nose for fascinating true fashion stories — and a knack for knowing how to cut to their core. Here, he inserts Tavi Gevinson into the film as a fictional narrator, which may appear an unusual choice. But, as she excavates Halston's past via an array of grainy VHS tapes of his old runway shows, promotional events, publicity chats and parties, the movie confronts a crucial fact: its subject is no longer a household name. As a result, Halston becomes not just a fashion doco about gorgeous gowns, the person who made them, and his ups and downs, but also a detective story. More than chronicling Halston's life and committing it to film for posterity, Tcheng tries to ascertain why this important tale has nearly been lost to the vagaries of time. In overseeing this task, Gevinson's unnamed archivist initially seems somewhat gimmicky and unnecessary. Once the story starts picking up steam, cutting back and forth can also feel disruptive. And yet Gevinson plays a pivotal part, not only guiding viewers as the movie pieces together Halston's tale, but letting the audience discover for themselves just why they should care — showing them instead of forcefully telling them. Of course, plenty of folks still pop up to sing Halston's praises, including staff, friends, family members and models. Among the parade of interviewees, Minnelli gives a particularly glowing tick of approval: "his clothes danced with you," she gushes. More than merely applauding what she loved about his outfits, the star combines compliments with insight, with her fellow talking heads taking the same lead. When others describe how his fluid, bias-cut creations often came about just by snipping across a piece of material, then draping it over the closest model, it paints a very vivid picture of his vision and artistry. "It was a dress just because of the way he cut the fabric," one of his former colleagues expands — with images of Halston's patterns, often based around just a single sheet of cloth, putting that idea in visual terms. Come for the dresses and drama, stay for the revelations, realisations and ravishing creativity — that's Halston in a nutshell. That said, while this illuminating documentary convincingly makes its case, it doesn't craft as vibrant a portrait of Halston outside the atelier or beyond the revelry. Viewers come to understand his importance and influence in fashion history, as well as why he deserves his enduring place in the spotlight, but glean little that's overly personal about the man himself. Halston isn't an absent figure at all, appearing constantly in archival materials; however he seems to be begging to step out of the documentary and into a biopic — a move that'll probably happen sooner or later. https://www.youtube.com/watch?v=XmK3_HnKkbc
UPDATE: May 18, 2020: Good Boys is available to stream via Amazon Prime Video, Foxtel Now, Google Play, YouTube and iTunes. Before the high-schoolers who populate every teen movie start worrying about heading off to college and having sex for the first time, they're tweens with not-too-dissimilar problems. That's the premise behind the familiar but very funny Good Boys, which leans so far into its Superbad-lite status that it has even enlisted Seth Rogen and Evan Goldberg as producers. Instead of two horny 17-year-olds, this scaled-down coming-of-age comedy focuses on a trio of sixth graders. Instead of finding its characters on the cusp of graduation, it meets them as they start middle school. And instead of turning up to a lively shindig on a quest to lose their virginity, Good Boys' pre-teen protagonists navigate the age-appropriate equivalent: their first kissing party. The comparisons keep coming, although writer/director Gene Stupnitsky and his co-scribe Lee Eisenberg (the screenwriting duo behind Bad Teacher and Year One) don't just tread in Superbad's footsteps. Good Boys' predecessor boasted more than a little in common with Can't Hardly Wait, which in turn took Dazed and Confused's lead — and they all nodded to American Graffiti before that. Just a couple of months back, Booksmart did something similar too, using a firmly female-focused viewpoint to its advantage. There's not as obvious a point of difference here, with tween and teen boys getting mixed up in almost the same types of situations. But what Good Boys lacks in originality or perspective, it makes up for in charm, sincerity and a stellar cast of young talent. In a few years, Max (Jacob Tremblay), Thor (Brady Noon) and Lucas (Keith L. Williams) could relive these kinds of hijinks at the end of their high-school days — a thought that's probably crossed Stupnitsky, Eisenberg, Rogen and Goldberg's minds — but for now, they just want to be liked by the cool kids in their grade. And that seems possible after the lifelong buddies score a coveted invite to Soren's (Izaac Wang) pashing party. Alas, while Max is driven by his all-consuming crush on classmate Brixlee (Millie Davis), his friends have their own troubles. Thor is desperate to nab a role in the school production of Rock of Ages, but also desperate to seem like he doesn't care, while the gleefully dorky Lucas is struggling with news of his parents' (Retta and Lil Rel Howery) impending divorce. Plus, when the pals aren't trying to brush up on puckering up, they're unwittingly getting involved in drug deals with Max's older neighbour Hannah (Molly Gordon) and her bestie Lily (Midori Francis). Much of Good Boys' humour hits instantly and flows easily, as kids say the darnedest things in highly inappropriate circumstances — searching for "porb" and mistaking sex toys for weapons, for example. As the film's marketing campaign made a point of stressing, this may be a picture about children, but it definitely isn't for them in any shape or form. There's a more resonant layer to the gags, too — which, in a movie that spends plenty of time giggling as its central tweens swear, might not immediately seem the case. To see Max, Thor and Lucas not just face the reality that they're growing up, but explore an adult world that feels so strange and different to their pre-teen grasp on reality, is to remember the confusing ups and downs of going through the same process yourself. That said, this isn't a mere exercise in raucousness and nostalgia shaped around episodic antics, such as skipping school, sipping beers and running away from cops. Like Booksmart before it, Good Boys grounds its jokes, narrative and outlook in today's cultural and societal standards. In other words: goodbye lazy stereotypes and outdated views, and hello inclusiveness, emotional intelligence, and seeing these boys learn to respect women, themselves and each other. Stupnitsky and Eisenberg are still guilty of padding out the picture with a few too many recognisable scenarios, even with its brief 90-minute running time. But their film glows with authenticity nonetheless — because, for all the outlandishness they encounter, these kids always react in realistic ways. As much as Good Boys has an affable, genuine vibe on its side, it wouldn't work quite as well without its three child stars. Room's Tremblay, Boardwalk Empire's Noon and The Last Man on Earth's Williams not only sell their rapport, but play their parts with honesty and earnestness — and without a hint of precociousness. The bike-riding trio also shrugs off a Stranger Things insult, in a line that speaks beyond pop culture's current obsession with plucky children (see also: IT and IT: Chapter Two). Swap Good Boys' crudeness for a dash of the supernatural, after all, and this sweet, breezy and amusing film would fit nicely among all those classic 80s adventures. https://www.youtube.com/watch?v=WeeyM8cRinI
If you're a Brisbanite who was looking forward to the local debut of music festival Heaps Good, you won't find your dreams coming true this summer, sadly. After announcing that the event was heading to the River City and unveiling the lineup, the fest no longer mentions its Sandstone Point plans on its website, in its ticketing or via its social media. Still keen to see Foals and The Avalanches, plus Declan McKenna, SBTRKT and more, in Brissie? Secret Sounds, which is behind Heaps Good, has revealed that they'll all be playing Fortitude Music Hall in January instead as part of two big days of tunes at the Brunswick Street venue. These gigs don't have a special moniker, but will see a heap of musicians take to the stage on Tuesday, January 2 and Wednesday, January 3. If you'd like to get dancing on the second day of 2024, you'll have Foals, McKenna, Griff, Sycco and Felony providing the soundtrack. Prefer to liven up the first hump day of the new year? The Avalanches, SBTRKT, Holly Humberstone, MAY-A and Logan have you covered. [caption id="attachment_804365" align="alignnone" width="1920"] Grant Spanier[/caption] The big name missing from the bill from Heaps Good's lineup is Flume, who isn't part of these two new events. The Australian favourite was always only playing the fest with no sideshows — but so are Foals and The Avalanches down south. One of several Secret Sounds festivals alongside Splendour in the Grass, Falls Festival, Spilt Milk and Harvest Rock, Heaps Good debuted in January 2023 in Adelaide, with Melbourne and Brisbane then locked in for its second year. While Queensland has dropped off the list, the fest is still hosting dates in the South Australian and Victorian capitals to see out 2023 and welcome in 2024. SECRET SOUNDS JANUARY 2024 FORTITUDE MUSIC HALL LINEUPS: TUESDAY, JANUARY 2, 2024: Foals Declan McKenna Griff Sycco Felony WEDNESDAY, JANUARY 3, 2024: The Avalanches SBTRKT Holly Humberstone MAY-A Logan Top image: Rashidi Noah.
Ladies and gentlemen, now the moment you've all been waiting for — and yes, it includes the world famous Jack Rabbit Slims twist contest. When Chuck Berry's 'You Never Can Tell' starts pumping through 2023's Wynnum Fringe, you know what kind of dance moves you're going to bust out. It's been almost 30 years since Quentin Tarantino's Pulp Fiction first hit the big screen, and just as long since fans first caught its stellar soundtrack, which includes everything from surf rock to Dusty Springfield's 'Son of a Preacher Man'. If the record has been one of your go-to listening staples over the past three decades, then you'll want to celebrate it with Cheap Fakes. Even better — the band will be performing the album live as an eight-piece (while you dance like Uma Thurman to 'Girl, You'll Be a Woman Soon', obviously). The smooth sounds of Al Green's 'Let's Stay Together', the funk of Kool & the Gang's 'Jungle Boogie' and the upbeat country twang of The Statler Brothers' 'Flowers on the Wall' will all get a whirl, too. To complete the experience, a big screen will be set up, playing themed visuals. It all goes down like a $5 shake on Friday, November 24 at the Wynnum Opera House that's part of the George Clayton Park hub for the fest — and because Tarantino's skill with soundtracks isn't just limited to one film, expect tunes from his other movies, too.
The Taika Waititi school of acting gave Julian Dennison one of his first-ever roles in Hunt for the Wilderpeople, and James Rolleston his debut in Boy. Seven years after the former and 13 since the latter, the two play brothers in another coming-of-age effort: Uproar. That cheerworthy casting is joined by Our Flag Means Death co-stars Rhys Darby and Minnie Driver in a film that's not only warmhearted, but always feels as if it's practising one of the messages that it's preaching. Set amid 1981's infamous Springbok tour of New Zealand — with South Africa's rugby union team playing games across the nation, and inspiring protests against both apartheid and Aotearoa's treatment of its Māori population as it went — this is a movie about a cultural awakening, and about finding and embracing community. Behind the lens, Uproar's directors have teamed up, too, with Hamish Bennett helming his second feature after 2019's also-heartfelt Bellbird and Paul Middleditch back in the chair for the first time since 2013's Rapture-Palooza. When it told of a father and son struggling to connect, and just struggling, after the loss of the family matriarch who bound them together, Bellbird traded in the same kind of poignancy that seeps through in this engaging charmer. With its sports-meets-politics narrative, there may be few doubts about where Uproar is headed; however, Bennett and Sonia Whiteman's (The Disposables) script — as based on a concept by Middleditch and first-timer Mark Turnbull, a screenplay by Keith Aberdein (The Last Tattoo) before that, and boasting additional writing by Mario Gaoa (We Are Still Here) and actor Rachel House (Heartbreak High) — knows that reality and movies alike can follow a familiar path and be no less affecting and resonant. In another memorable addition to his resume that shows his emotional depth, especially in a potent late monologue, Dennison plays Josh Waaka, 17-year-old son to British-born widow Shirley (Driver). He's dutifully in St Gilberts School for Men's 2nd XV when the 1981 tour comes to Dunedin, but largely because much about his existence is dutiful. His father was a local rugby star. His older brother Jamie (Rolleston) was a former Junior All Black before his career was cut short by injury. To make ends meet, Shirley cleans at the school — and imposing Principal Slaine (Mark Mitchinson, Evil Dead Rise) ensures that the Waakas feel grateful. In fact, when Slane requests that Jamie help coach the 1st XV, he's hardly asking. And when Shirley says that he will, she gets the reluctant Josh a spot on the higher team as part of the arrangement, telling him that it'll set him up for life. Staying out of the public debate about the Springboks is also expected of the St Gilberts' cohort, in a place that's against taking a stand against discrimination yet fine with Josh spending his lunch break alone in the library to avoid his openly racist classmates. But that isn't the community that he wants as his own even before he crosses paths with the marching Samantha (Erana James, Bad Behaviour) while delivering catalogues with his best friend Grace (debutant Jada Fa'atui), and gets a reminder that her Māori heritage is his as well. And, being surrounded by books and silence soon isn't his only option between lessons. English teacher Brother Madigan (Darby) spies a potential actor in Josh, who needs encouraging to join the drama group, then wows his way into auditioning for NIDA in Sydney becoming an option. Outrage frequently makes its presence known in Uproar's crisply lensed frames: in Samantha decrying the country putting sports above equality in any way that she can, in the engrained prejudice that festers against NZ's Indigenous inhabitants daily, in clashes on the street and even within activist meetings, where saying that you're an ally isn't the same as truly understanding having one's land taken. The film's name also comes into play another way, though, as Josh's existence erupts in chaos. As tales about teens becoming adults often do, Bennett and Middleditch's movie tells of change rippling through almost everything that its protagonist thought that he knew. New causes to champion, new connections to his culture, new dreams to chase, new friends, new futures, a new purpose in life that echoes among his nearest and dearest: compared to the pre-tour status quo, this is indeed an impassioned uproar against just getting by, settling and never speaking up. Since his time as Ricky Baker, Dennison has enjoyed big-budget stints in Deadpool 2 and Godzilla vs Kong — and in the festive The Christmas Chronicles: Part Two — but this is his best role since getting stranded in the wilderness for Waititi. The likeable pluck and wit that endeared him to audiences then is layered with searing determination and angst here, while never forgetting humour as well. As Jamie is pushed to rediscover more than just his room and his disappointment at fate, Rolleston is also stellar, as he similarly was in The Dead Lands, The Rehearsal and The Breaker Upperers. The subtlety of Darby's kind and caring performance doesn't go unnoticed, either, and nor does the quiet fortitude of Driver's turn. At the heart of Uproar's key characters, which includes Samantha and Grace, is that other recognisable high-school feeling: being an outsider. That isn't purely an adolescent experience, of course. It hasn't avoided the star player now unable to take to the field, the woman whose marriage wasn't embraced by two families in two countries or the teacher who doesn't fit in — and it certainly hasn't evaded an entire culture that's been made to feel like its home wasn't its own for centuries thanks to the ongoing impact of colonisation, or other First Nations people with similar stories. As it sees and unpacks each of these layers, Uproar sees why living up to its moniker is so important, and also how. It spies the many methods of pushing back and sparking a ruckus. It knows the power of fighting for what's right, just and decent communally. And it wouldn't be as moving without its cast, but that's what coming together means.
